All language subtitles for The Blacklist s08e14_English

****

SKIP: You okay?
Mm.

Haven't slept all night.

Did you connect with Esi?
I did.

Uh, good news
and bad news.

Good news is Esi made contact
with the Fribourg Confidence.

They've agreed to
extract the drive

from Reddington's safe
deposit box at Key Atlantic.

Once they get the drive,
have Esi deliver it to Cooper.

If the intel on that drive
can help prove
Reddington is N-13,

Cooper should know.

And the bad news?

Seventy-two hours ago,
you were an FBI agent.

Now you're on the run
from the very same people

you used to work for.

What exactly
is our plan?

We see Mr. French.

I don't know
who that is.

My mother spent
almost 30 years

running from
Neville Townsend.

The only way she survived was
through a network of resources

that Mr. French
helped her build.

He was
her guardian angel.

I found his contact
in her personal effects.

He says he can help.

So we're not starting
flat-footed.

(CHUCKLING) No.

We're starting with
one of the men
my mother trusted the most.

AUTOMATED VOICE:
Please leave a message.

(BEEP)
Voicemail.

(BEEP)

****

Maybe
he's at the airport.

He said meet him
at his apartment.

Call him when
we were down here,

and he would
come meet us.

So what do you wanna do?

****

(GASPS)

Something's happened.
Follow me.

****

Two weeks ago, Phillip went
to Stockholm on business.

Said he'd be two days.

Two days passed,
and he never returned.

I called.
No response.

A few days later,
Phillip phoned.

He said
he was in Washington.

He said something
had happened

and that it wasn't safe
for me in the house.

He told me there was
a key taped to the
bottom of his printer.

It unlocked
this apartment,

which I didn't
even know he had.

The only thing
Phillip would say
about his situation

was that the daughter
of a client was in trouble.

I assume
you're the daughter.

Mrs. French,
your husband,

what did he tell you
he does for a living?

Phillip was a recruiter
for a data-management firm,

but that was a lie,
too, wasn't it?

I'm afraid so.

Do you believe
he's alive?

I have no idea.

Reddington's behind this.

He's not satisfied
killing my mother.

He has to make sure
I have no access
to any of her resources.

O-Okay. Slow down.

W-We have money.

We need
more than money, Skip.

We need assets.

Mr. French
was gonna introduce me

to the people
my mother trusted.

This woman
doesn't know anything.

Yeah, but w-we know
nothing about her.

We know she's scared
and can't go home.

Which is why we're not
going to abandon her.

LIZ: Here's my number.

If you hear
from your husband,
if he reaches out,

if you need
anything at all.

I know you have no reason
to trust me,

but I am
on your husband's side.

Where will you go?
I don't know.

But what I do know
is I'm gonna do
everything in my power

to get your husband back
and to keep you safe.

Mom, I'm tired.
I know, honey.

We're gonna go soon.

Why don't you stay here?

Oh, we...
There's plenty of room.

You and Agnes can take
the room upstairs.

Your... Your friend
can have the sofa.

Unless you have
someplace else to go.

That's very kind of you.

We're gonna stay
with our friend, Agnes.

Can you read me a story?

Oh, I can't, honey.

We didn't bring
any of your books.

What if I tell you a story?

What kind of story?

A funny one.

About a girl and her friend
and the sleepover they have

in a strawberry
cake factory.

That sounds awesome!

I'll get your pajamas.
Come.

Thank you.

****

(SLEEPILY) I wish
you were here.

FEMALE VOICE: I'm always
here for you, dearie.

****

This is the last thing
I ever wanted for you.

I could've stopped him,

and I didn't.

I failed you.

You protected me.

** ...dveri

****

** Tili-tili-bom

** Krichit nochnaya ptitsa...

I can't do this alone.

I know that.

It's why you've been thinking
of asking for help,

about turning to him.

You're a smart woman,
Elizabeth.

Which is why this next part
will be so painful.

But if you've
learned anything
from my mistakes,

it's that
you can't show weakness.

You have to fight
like Reddington,

be every bit as fierce

and cross whatever line
it takes.

What are you saying?

I'm saying you know
what you have to do.

Listen to your heart.

** Tili-tili-bom...

The enemy of your enemy...

...is your friend.

** Pritailsya za uglom

** I pronzayet vzglyadom **

(SUSPENSEFUL MUSIC PLAYS)

****

LIZ: Skip.

Wake up!
What? What?

I know what we gotta do.
Yeah, you mean sleep?

We're gonna
take down Reddington

by teaming up with the man
he hates the most.

****

****

SKIP: This is insane.
Neville Townsend
spent 30 years

trying to hunt
and kill your mother.

Now... Now you want him
to be our partner?

We have a common enemy.

Yeah, Townsend doesn't know
that Reddington's N-13, okay?

He thinks your mother's
the one that betrayed him,

and he thinks she's dead.

Why poke the bear?

Because
if he knew the truth,

if he knew that Reddington
killed his family

and framed my mother,
he'd hate him as much as I do.

Neville Townsend's the one man
other than Reddington

who has the power
and resources to really
see this through.

Even if I agreed
to this...idea,

we have no idea
how to find him?

His wife and children
are dead,

but not his sister.

Her name is
Mary Bremmer.

She's one of the
very few people

in Townsend's life

that my mother
was able to identify.

If we could get to her,

if we could win her trust,

she might be able to put us
in touch with Townsend.

You really need
to go back to bed.

Skip, I know how
to make this work.

Ask me how we recruit her.

I'm not gonna
ask you that.

(SKIP GRUNTS)

****

How do we recruit her?

With the help
of criminals.

And I know
a lot of criminals.

Before we do anything,
we need a network in place.

So, how long
did you serve?

Two tours.
Went private after that.

LIZ: We start with protection.
People we vet.

And you ran
reconnaissance planes?

As well as security detail.
Sort of go where I'm needed.

And at the same time,
we need papers. All of us.

Identities with backgrounds,
travel histories,

tax records, the works.

** I need a hit... **

Okay, wait.
Go back to Townsend.

You said we get to him
through his sister.

How the hell is that
supposed to work?

Well, first,
we have to find her.

There's a bounty hunter
out of Bosnia, Adin Markovic.

He's supposed to be
the best of the best.

We find him,
then he finds Bremmer.

He hopes you're happy
with the results

and would like
to discuss his payment.

SKIP: Liz, Bremmer's
a chemical-weapons dealer.
She doesn't trust anyone.

Why would she trust,
let alone agree, to help us?

She won't.

Which is why we have to
earn her trust.

I was thinking of
saving her life.

Is it in jeopardy?

Not that I know of,
but it will be.

What do you know
about Alban Veseli,

The Freelancer?

He's the first criminal
our Task Force put away.

He's been rotting in a hole
for seven years.

Seven years ago, Veseli
derailed a passenger train

by making it
hit a curve too fast.

LIZ: I thought we'd use
some of Reddington's money,

hire him a new lawyer,
someone we own.

Who the hell are you?

I don't think you got
a fair trial.

LIZ: The lawyer
files an appeal,

claims that the court
violated his client's
Sixth Amendment right

to confront his accuser,

who just so happens
to be the FBI's
confidential source,

Raymond Reddington.

You're telling me
the United States Government

is willingly in business
with Raymond Reddington?

SKIP: Okay, but the Feds
are never gonna

put Reddington
into a courtroom.

I'm a fugitive,
so I'm not gonna
show up in court, either.

I ordered
Agent Keen to appear.
She didn't.

So, if the case agent
doesn't show

and the confidential source
doesn't show,

the judge would be...

Well, to say the least,
he'd be concerned.

JUDGE VELCHEK:
Oh, I'm not concerned.
I'm offended.

I'm granting
the defendant's motion

to withdraw
his guilty plea,

and I am forced to dismiss
the charges against him.

Don't do this.

You want to release
a mass murderer

in exchange for what?

Miss Keen arranged
for your release

because she requires
your services.

What does she
need me to do?

I want him to kill
Mary Bremmer.

So you can save her.

LIZ: We get
The Freelancer out of jail.

In exchange,
he goes after Bremmer.

He's never gonna kill Bremmer
because we're gonna grab her.

I like it.
Except you told me that

The Freelancer hides
his assassinations

by masking them
as mass-casualty accidents.

There are
162 passengers on board,
and he'll kill everyone.

Wait. I thought The Freelancer
was going after Reddington.

I'm gonna backchannel
information
through the Task Force

and make sure
no one gets hurt

and The Freelancer goes back
to prison where he belongs.

Go back to Bremmer.

You pull her
off the street,

that woman
ain't gonna be happy.

I want to talk to her!
Do you hear me?

LIZ: After I explain to her
that I not only
saved her life,

plucked her out of the arms
of the awaiting FBI,

she might change
her tune.

Mary.

My people didn't grab you
to hurt you.

They grabbed you
in an effort
to save your life.

In fact, she may even
thank me by offering

to make an introduction
to her brother,

Neville Townsend.

Bremmer says
she's thought about it.

She's willing to reach out
to her brother,

see if she can make
an introduction.

(STATIC)

****

Well, Miss...Keen.

This is certainly
unprecedented.

Where's Mary?
In FBI custody.

She took her, what,
to hurt me?

Talk to me, Neville.
I'm right here.

I'm looking right at you.

Why did you take
my sister?

Because I had no way
to reach you.

Taking your sister
forced her to make contact,

to negotiate
her safe return...

And to get this face-to-face
meeting with you.

I had nothing to...
...do with today's capture.

No? You're an FBI agent.
Not anymore, I'm not.

The FBI can't help me.
You can.

****

KAPLAN: You're doing
well, Elizabeth.

Stay strong.
He'll say yes.

I don't know
if I can do this.

This animal
hunted my mother.

Of course you can.
You know that.

What you don't know
is how ugly he really is.

How vicious he can be.

He'll want to know
you're capable of doing

what needs to get done.

He'll want to test you.

What do you mean,
test?

What you've done,

coming here like this,
it's so audacious.

But if I were to even
consider an alliance,

I'd need to know,
w-without question,
that I can trust you.

You can trust me.
I hope so.

Which is why I'm going
to give you an opportunity
to prove it.

What do you mean?

It means you're going to earn
my trust by killing my sister.

I just saved your sister.

I'm not a murderer.

She knows too much.

She's made herself
a liability.

She's your sister.

You can't beat Reddington
without me.

That's why you're here.
You need me on your team.

This is my price.
Are you willing to pay it?

****

KAPLAN:
You have to do it.
I...

Reddington would
in a heartbeat.
I can't. I can't.

He'd see it
as nothing more
than a transaction

required to close
a business relationship.

This is a woman's life
we're talking about.

****

KAPLAN: I know
how difficult
this is for you,

but I also know what happens
if you don't see this through.

I failed because
I wasn't willing to play
by Raymond's rules.

You can't make
that same mistake.

Dearie, you have to
redefine who you are,

what you are
willing to become.

If you have any hope
of unseating Reddington,

you're going to have to
become just as ruthless.

So, either walk away now,

or shove your feelings down
and get it done with.

Besides,
she's no angel.

The woman brokers
chemical weapons.

****

So...

What's it gonna be?

****

(EXHALES SHARPLY)

(KEYPAD BEEPING, DOOR UNLOCKS)

BREMMER: How did you
get in here?

What are we doing here?

Does Neville have people
on the way?

(CHOKING)

****

(VOMITS)

****

(PHONE BEEPS, SPEED-DIALING)

(LINE RINGING, CLICK)

It's done.

TOWNSEND: What wonderful news.

Nice work, Agent Keen.

It looks like you've found
yourself a partner in crime.

****

LIZ: Reddington is N-13.

So you say.
He framed my mother.

An assertion
I want to believe,
but need to prove.

Elizabeth, we are not
going to kill him

without asking questions first
about the Archive,

what he plans
to do with it.

That is something I need
to fully understand.

How did it happen?

Your family.

Let's not do this.

Is it true that's why
you don't sleep?

What did Reddington
do to you?

I know the Vory ran drugs
through your ports.

I know you paid the KGB
to look the other way.

Elizabeth.

I know the documents
N-13 stole detailed
that cover-up.

But what happened
when that was exposed?

What on earth could they
have possibly done to you?

****

My ports lined
the pockets of some
very powerful Russians.

When our business
was exposed,

they lost not only careers,
but their fortunes.

The Vory knew the authorities
had reached out to me.

They were pressuring me
to testify against them
in exchange for immunity.

They made
an example of you.

By...

...subjecting me to a fate
worse than death.

They went after
your family.

I was...

I was asleep
for most of it.

****

Woke to the sound
of my wife whimpering.

When I got downstairs,
my eldest was already gone.

My youngest, he...

...was taking
his last breaths.

Their mother had been forced
to watch the whole ordeal.

Then I was forced
to watch them slaughter her.

****

I spent 30 years

believing the documents
your mother stole

sparked the fire

that burned my life
to the ground,

and every KGB informant
and asset I can buy

believes the same thing.

But if you're right,
if Reddington is N-13,

I need him
to confirm it.

I need to know
he has the Archive,

what he intends
to do with it.

I need to know
his endgame.

I need to know...

...why my family
had to die.

He won't talk.

We will kill him,
Elizabeth.

He's not afraid
of death.

Perhaps not,

but he will talk.

So, we, what?

Grab him?

You help lure him out.

Through a friend,
someone he trusts.

And then we talk.

And then...
We kill him.

We're gonna need
a familiar face
to gain access.

I think I know
just the guy.

RUDDIGER: We talked
about this.

I know, Ruddiger,
but things have changed.

Nothing has changed.

I have a partner.

My position
hasn't changed.

Raymond is my friend.
He's like a brother.

He has seen me
through two wives
and four stints in rehab.

I will never
betray him.

Hear me out.
I am leaving.

Just please...
I should never
have come.

I'm only here 'cause you
tricked me into coming.

Ruddiger, please.
Piss off.

Don't go out that door!

It's not just me.

Red's people
are not for sale.

Elizabeth insisted on
talking to you first.

I don't like talk.
No!

Elizabeth,
what have you done?

Tell him to stop it!

Stop! Stop!

(GRUNTING)

****

You're going to call
Reddington, and you're
going to set a meeting.

Let go!

You're gonna do
exactly as I say.

The hell I am!

TOWNSEND: I appreciate your
dedication to your friend,

but you've obviously
never met my friend.

Her name is
Dr. Perillos.

Doctor, our friend here
seems to be something
of a bomb-maker.

I think you should start
with his fingers.

RUDDIGER: Oh, no. No.

No!

No!

****

What the hell happened
to your hand?

Oh, uh, car door.

I was cooked.
Nearly lost my pinky.

You gotta
be careful, Max.

I need you
with all ten digits.

What did you find?

Ah, partial print
on the Tamiya connector.

I'll get it to Cvetko.

Who could do this,
Raymond?

Not Elizabeth,
I'm sure.

****

This is a mistake.

Don't second-guess
yourself.

I'm crossing lines
I'm no longer
comfortable with.

Yes, but you have to match
his single-minded devotion.

You'll fail
if you don't.

****

(CELL PHONE CLOSES)

KAPLAN: You tell
people you got it
when you were 14.

Why is that?

To hide the truth.

****

Was he there
that night?

You know that, dearie.

Just like you know
that that scar

isn't only part
of your past.

It's the key
to your future.

****

What does that mean?

(TIRES SCREECH)

****

(GUNFIRE)

Raymond, go!

Go!
Go, go, go!

****

(GUN COCKS)
Where is he?

Reddington!
I don't know.

(GUN CLATTERS)

LIZ: Wait. Dembe? No.

It's a transaction.

It's nothing more
than a transaction.

LIZ: He's a friend.
VANDYKE: He's a body man.

Dembe was never the target,
and you know that.

Well, your other friend
Ruddiger screwed up

and we had to improvise,
so put this on him.

Is he with Perillos?
That is not my business.

If Dembe Zuma is with that
butcher, if she's hurt him,
so help me God...

He's fine.
Dembe's fine.

What do you mean he's fine?
I was told Perillos
was working on him.

She was.

And she would have continued,
had he not escaped.

He escaped. But...

Vandyke told me
Perillos...was
with the subject.

You wanted me to watch.
Watch what?

Our new subject.

The one who
surrendered himself.

****

REDDINGTON: Not
everything you thought
it would be, is it?

This moment?

You've waited for it,

and somehow,

it's dissatisfying.

It actually
exceeds expectation.

I wasn't talking to you.

We know
who my assassin really is.

Don't we, Elizabeth?

It saddens me to bear witness
to this moment in your life,

this crossing of a Rubicon

from which
you can never get back.

It may appear self-serving

to suggest that you instruct
the good doctor

to administer the antidote,

but I strongly suggest
that you do just that,

because I've seen
the other side of that river,

and it's a place I never,
never wanted you to go.

But perhaps
you're already there.

KAPLAN: Yes, Raymond.
She's already there.

And she's strong.

And she's ready
for what comes next.

Reddington was wrong
about you.
We both were.

He thought you hadn't
crossed the Rubicon.

I was under the impression
that you had.

Where is he?

You tell me.

You tell me.
I have no idea.

You see this?

This belongs
to your pal,
Ruddiger.

A little reminder of what
happens when you fail me.

I didn't fail you.
I'm the one who
got you Reddington!

You're the one
who lost him!

You came to me promising
to make Reddington suffer.

I promised to give you
the opportunity to kill him.

You could've
put a bullet
in his head.

Instead, you put
a needle in his arm,

and you gave him
the one thing you
shouldn't have, time,

and he used it
to get away.

I told you
I wanted answers.

I thought you understood
what that entailed.

If you're upset because
I didn't sit and watch you
torture him,

let me be clear.

It sickens me.

But I am doing it
because I know more
than anyone in the world

that it has to be done.

There can be no space

between what
you want to happen

and what
you're willing to do
to make it happen.

****

So you keep telling me.

(CELL PHONE VIBRATES)

(BEEP)

RESSLER: Hey, Keen, it's me.

Look, we have Rakitin
thanks to you

and that flash drive
you sent Cooper.

If Reddington's
really N-13,

we have a good chance
of proving it.

And if we can,
maybe you can come home.

That's all I care about, Liz.

I mean, no, maybe you
can't be an agent again,

but at least you can
get your life back.

You and Agnes
can be together.

We got to talk,
figure out how to end this.

I'm gonna be at Bentham Park
at midnight.

Meet me there.
And, Keen, you can trust me.

(CELL PHONE BEEPS)

(SIGHS)

Are you coming home
tonight?

LIZ: Not tonight, honey.

But my being away so much,
I think it's about to end.

Is Mrs. French reading
The Phantom Tollbooth to you?

We're almost done.

It's really good.

(CELL PHONE VIBRATES)

Well, you finish up
and tell me all about it

when I get home, okay?

Love you.
Love you, too.

(CELL PHONE VIBRATES)

Don't answer that.

He could have good news.

You should not be
talking to the FBI.

You cannot take that call.
Hey, Keen, it's me.

Uh, I don't even know

if you're getting
these messages.

I don't know
who I'm talking to.

Ressler says
the Task Force
has a source.

His name is Rakitin,
and he's willing to talk.

If he does, he could
expose Reddington as N-13.

He could end
all of this.

I wish that were true.

But you don't need
to hear his message

to know
that's not the case.

Look. Rakitin's dead.
I don't know how, but...

It seems like
he was poisoned.

I mean, we really thought
it was over this time.

We miss you.
We just want you back.

(ENGINE STARTS)

LIZ: I told her
it was over,

that I'd be
coming home for good.

You're doing
the best you can.

I'm responsible for
Mary Bremmer's murder,

Dembe's torture, and I got
nothing to show for it,

except for another reminder

that no matter
how tight the noose,

Reddington will always
cheat the hangman.

I heard from
the police today.

They found
my husband's body.

They say he died
of natural causes.

But you know differently.

I'm so sorry.

Phillip was a good man.

Whatever he was doing,
he was doing

because he believed
it was the right thing to do.

I don't need sympathy.

I need justice.

You're the one
who can get it for me.

I tried.

For all of us.

I don't think
I can keep trying.

I understand.

You thought
you could end this.
You couldn't.

You don't know
who we're dealing with.

But I do know this...

Good triumphs over evil.

I just don't think
I have what it'll take.

Of course you do.

Every mother does.

The love for her child.

Isn't that what saved you?
Yes.

Didn't you tell me
your mother gave up
everything for you?

Yes.
Don't you think you
should pay that forward?

Of course.
But I don't know how.

You'll figure it out.

How can you be so sure?

Because love wins.

You really believe that?

I do.

And seeing how
you are with Agnes,

I believe you do, too.

(KNOCK ON DOOR)

Elizabeth.
Isabella, hi.

Is my father okay?

Dembe's fine.

But I did come
because I think
he could use your help.

Thank God she was
too young to remember
what happened to her.

I dread the day when
I have to tell her.

LIZ: Do you have to?

ISABELLA: I believe
in the truth.

When she's
ready to hear it,
I'll tell her.

Are you going to tell her
the truth about your father?

You said
he needs our help?

He needs our protection.

From Reddington.

Did he tell you that?
No.

He loves Reddington,
but that love
is based on a lie,

one that I'm not even sure
he knows about.

Reddington isn't who
he says he is.

I believe...

The Bureau believes...

Reddington may be
a Russian asset.

What?

But we need proof,

and with your help,
we can get it.

So you're not here
to help my father.

You're here
to help yourself.

I'm here to help us both,
but most importantly,

I'm here to help
our daughters.

She's beautiful.

She's innocent.

And one day,
when she's ready,

you're gonna tell her
that when she was an infant,

she was abducted,
used as collateral

so someone could get
to your father.

And you're gonna tell her
as if it could never
happen again.

But you and I both know
as long as Reddington
is in our lives,

that isn't true.

I won't hurt my father.

I would never
ask you to.

What do you
want me to do?

I need you to
call your father,

tell him
you want to see him.

I haven't seen him
in months.

LIZ: All the better.
You miss him.

You want him to
spend time with Elle.

Hi. It's me.

Once you've set a meeting,

I need you
to plant this device.

What do you want
to hear him say?

Nothing.

I want to hear
what Reddington
says to him.

You really think
this will help?

I think, with any luck,

we can figure out
what Reddington's up to.

(PLAYFUL SHOUTING)

****

She's gotten so big.

I know.
Can you believe it?

I'm glad you called.

We miss you, Dad.

Do you?
I wasn't sure.

Of course we do.

****

DEMBE: Your heart
can betray you.

How many times
have you told me that?

REDDINGTON: Anne is not
betraying me.

We've run no names.
Done no background checks.

On the good people
of Cottonwood Falls?

Believe me, if you're lucky,
you might find a late fee

for Tom Sawyer
at the local library.

You're letting
your guard down.

That's not
what I'm doing.

Okay. It is what I'm doing.

But I'm having
a splendid time doing it.

Ugh.

****

(INDISTINCT SHOUTING)

****

Hey. It's me.

Tell Townsend I know
how we can get
to Reddington.

****

(ENGINE STARTS)

(TIRES SCREECH)

I am so sorry.
Are you okay?

No, I should have
seen you backing out.

Oh, no, no, no, no, no.
It was my fault.

It's not that bad.

Let me give you
my insurance.

(LIZ SIGHS)

If we were in the city,
you'd be screaming at me.

Oh. You're not from here?

Uh, Kansas City.

I, uh...

I rented a place
on Chase Lake.

I just came into town
to get some supplies.

I'm Cindi.

Hi, Cindi.
I'm Anne.

Anne Foster
of 429 Roslyn Place.

That's it.

Oh, let me give you
my cell, too.

If those insurance people
give you any trouble,

I want you to give me
a call, okay?

Okay. Seriously, if I'd
known you'd be this nice,

I would've run into you
on purpose.

Ohh. You take care.
You, too.

I'm sorry again.

That's okay.

****

(KEYPAD DIALING)

(LINE RINGING)

I'm gonna
give you an address.

I'm not saying it's up there
with a nice smile
or a nice ass.

But...

I think punctuality is sexy.

(DOORBELL RINGS)
Oh.

Nice smile, nice ass,
and on time.

May I present to you...
The sexiest man alive.

(GASPS)
Anne!

Hey. Cindi.
From the accident.

Of course. I'm sorry.

I just brought this by
to thank you

for being so nice
about what happened.

Did you bake me a cake?

I hope you like
red velvet.

Oh, you are too thoughtful.
Come in.

Some friends and I are
about to play some bridge.

No, I just came
to drop that off.

I don't want to intrude.

(SOFT JAZZ PLAYING ON STEREO)

Cute drawings!

Oh, thank you.

You sure you don't want
to stay for a bit?

To have a drink?
No.

(CHUCKLING) I'm sure
we'll bump into each other
again soon.

Bye.

So much for
the sexiest man alive.

I'm just saying
I like punctuality.

Maybe his plane was delayed.
So, why hasn't he called yet?

Only because I like to make
a dramatic entrance.

Raymond!

Hey.

(SOFT JAZZ PLAYING)

REDDINGTON: I hope
you'll go easy on me tonight.

BRAN: You'll do fine.
Gin and tonic?

Yes.
We've gotten a head...

ANNE: I found two pairs
and a blanket.

I found
salami and cheese.

I'll get a basket for the food
and we're good to go.

Yeah, the friend's gone.
It's just him
and the girlfriend.

We gotta do this now.
TOWNSEND: We're on our way.

Have Arkham kill the power
and land lines.

****

And, Liz, remember to try
and enjoy the moment.

Just get here before
he senses something's wrong.

****

ANNE: What were you saying?

Didn't you say
there was an excellent

vegan sandwich shop
in town?

Why don't you run into town,
order for both of us?

I'll be ready to go
when you get back.

Are you sure?

(DOOR CLOSES)

****

(TRUCK DOOR CLOSES,
ENGINE STARTS)

****

No. No, no, no, no, no.

Hey, there. What seems
to be the problem?

I just gotta check
your ground wires.
It's standard.

Okay. Very good.

Vague but detailed enough.

Not sure what you mean.

You know what I mean.

I got the work order
right here.

Great.

Ah!

How many are coming?

Everyone.

****

(TIRES SCREECH)

****

Anne.
Raymond, what are you
doing here?

If you needed something else,
you could've called me.

I need you
to come with me.

We've got to
call it off.

Did you hear me?
He knows.

Reddington knows we're here.
That changes nothing.

We'll have
other opportunities.

There was an incident
in town,

but they have eyes
on Reddington.

What kind of incident?
Landon.

She's gone.
And Reddington?

He took the woman and went
into the local police station.

No. I know
what you're thinking.

They can't do this.
Innocent people
will get hurt.

TOWNSEND: Oh, Raymond.
You do keep
things interesting.

How you wanna handle this?
Put Sagan on
the police scanners

and have him
give us a timeframe.

If we're going to do this,
it's gonna happen now.

You've got to
call it off.

There are too many
innocent people.

Don't you think maybe
that's why he's there?

You can't attack
a police station!

No space. Remember?

Between what you want
and what you're willing
to do to get it.

Innocent people
will get killed.

No space. None.

****

(GUNFIRE)

****

Six people are dead.

No, no, no!

** Are you willing to go

** Before you reach all...

Innocent people.
Killed and wounded.

Take your men and your guns
and your bloodshed and go.

Then come find me
when you're ready,

and I'll show you
the proper way

to exact revenge.

And for what?
Nothing.

I'm listening
to the police scanner.

He's gone.
They have no idea where.

TOWNSEND: I did what
I had to do. You didn't.

The man who came
after you today...

Neville Townsend.

He won't stop, will he?

You're right.
There is space for me.

Between what I want and what
I'm willing to do to get it.

That's unacceptable.

Well, then maybe I'll keep
Reddington all to myself.

You said he was gone.

He is. But I think I know
how to find him.

Townsend was there,
and he can't see it,

the magic trick,
how Raymond got away.

You weren't there,
but you know how he did it.

Because it's what
you would have done.

** This means war
This means war...

Is there somewhere
you can go?

And not to your daughter's.

They'll anticipate that.

My friend Cindi,
the one who made the cake.

She has a cabin.

See if you
can go there.

Okay, sweetie.

I'll call you as soon
as I know more.

I love you. Be safe.

(KNOCK ON DOOR)

****

(KNOCK ON DOOR)

** Where to... **

Who is it?

LIZ: Anne?
It's me, Cindi.

Oh.

Oh, thank God.
I was just about to call you.

Are you okay?
The whole town is talking
about what happened.

It was awful.

The whole thing.
It was just...

I have this friend.

With me,
he's kind and decent,

but he's done
some terrible things,

and terrible people
are after him.

Where is he,
your friend?

MAN ON RADIO:
...another ten days, uh...

(CLICK)
WOMAN: ...starting to...

(CHUCKLES)

** I'm old enough
To face the dawn

****

** Just call me angel
Of the morning, angel...

Ah...

** Just touch my cheek
Before you leave me...

He says the people that are
after him may come after me,

and that's why
I was gonna call you.

Your cabin. No one
will look for me there.

If I could just stay there,
even just for a few days...

I-I wish that were possible.

I really do.

And maybe it can be,
after you help me
find Reddington.

I need to know
where he is.

** Maybe the sun's light
Will be dim...

You're one of them.

Yes.
No.

****

But we do want
the same thing.

He left.

I don't know
where he went.

(KNOCK ON DOOR)

** Well, it was
What I wanted now...

Anne? Anne...

****

** And if we're victims
Of the night...

Elizabeth.

Go on.
Don't let me stop you.

Put the gun down.

Why'd you come back?
What do you want?

** Of the morning, angel...

Do you want to tell her
who you really are?

Raymond...

It's okay.
Just stay calm.

** Just call me angel...

You and Kate
underestimate me.

Oh, so she's here, too.

Do you see her?

I do, without even
having to look.

LIZ: His true identity
is a secret, Anne.

He's never told me
who he really is.

** If morning's echo
Says we've sinned...

Maybe he will now,
as a deathbed confession.

****

Let her go. She doesn't
have to be here for this.

Finally.
We agree on something.

(GRUNTING)

Anne!

** I won't be blinded
By the light

Anne! Anne. Here.

Hold on. Don't move.
Don't move. Yeah.

All right.
Just breathe.

Hold on.
Just hold on.

** Baby

** Just call me angel
Of the morning, angel...

Yes. I-I need an ambulance.

There's been an accident
at 429 Roslyn Place.

This is your moment.
REDDINGTON: Yes...

Don't hesitate.
Raymond wouldn't.

REDDINGTON: Anne,
look at me.

Stay with me.
Look at me.

Just focus on me.

Look at me.

That's it. Stay with me.

That's it.
Pull the trigger.

End this now.
Stay with me.

You can't
get your life back
until you do.

REDDINGTON: Stay with me.

Stay with me.

Anne. Anne.

** Baby, baby

** Just call me angel
Of the morning, angel

** Just touch my cheek
Before you leave me, baby **

****