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These are the user uploaded subtitles that are being translated: 1 00:00:34,302 --> 00:00:38,106 CAPTIONING MADE POSSIBLE BY PARAMOUNT PICTURES CORPORATION 2 00:00:42,610 --> 00:00:46,080 (ENGINE STARTS) 3 00:00:53,721 --> 00:00:56,457 (PIANO PLAYS) 4 00:01:06,800 --> 00:01:10,638 * IN THE MORNING, WHEN I WAKE UP * 5 00:01:10,671 --> 00:01:13,474 * AND LISTEN TO THE SOUND 6 00:01:13,507 --> 00:01:19,247 * OF THE BIRDS OUTSIDE ON THE ROOF * 7 00:01:20,881 --> 00:01:27,155 * I TRY TO IGNORE WHAT THE PAPER SAYS * 8 00:01:27,188 --> 00:01:34,162 * AND I TRY NOT TO READ ALL THE NEWS * 9 00:01:34,195 --> 00:01:40,868 * AND I'LL HOLD YOU IF YOU HAD A BAD DREAM * 10 00:01:40,901 --> 00:01:47,575 * AND I HOPE IT NEVER COMES TRUE * 11 00:01:47,608 --> 00:01:54,582 * 'CAUSE YOU AND I BEEN THROUGH SO MANY THINGS TOGETHER * 12 00:01:54,615 --> 00:02:01,555 * AND THE SUN STARTS CLIMBING THE ROOF * 13 00:02:01,589 --> 00:02:03,691 * IT'S A DREAM 14 00:02:03,724 --> 00:02:07,695 * ONLY A DREAM 15 00:02:07,728 --> 00:02:13,901 * AND IT'S FADING NOW 16 00:02:13,934 --> 00:02:17,571 * FADING AWAY 17 00:02:17,605 --> 00:02:21,809 * ONLY A DREAM 18 00:02:21,842 --> 00:02:24,778 * JUST A MEMORY WITHOUT ANY... * 19 00:02:24,812 --> 00:02:26,780 YOU COME HERE TO MAKE A RECORD, 20 00:02:26,814 --> 00:02:29,783 AND YOU'VE GOT GREAT MUSICIANS, 21 00:02:29,817 --> 00:02:31,352 YOU KNOW, AND I ALWAYS GATHER 22 00:02:31,385 --> 00:02:33,887 MY OWN FRIENDS AROUND THAT I PICK, YOU KNOW, TO PLAY. 23 00:02:33,921 --> 00:02:35,323 I DON'T REALLY GO FOR 24 00:02:35,356 --> 00:02:38,892 THE STUDIO MUSICIAN GUYS THAT MUCH, YOU KNOW. 25 00:02:38,926 --> 00:02:40,228 I DON'T COME IN AND SAY, 26 00:02:40,261 --> 00:02:41,662 "GET ME THIS AND GET ME THAT." 27 00:02:41,695 --> 00:02:43,931 BUT I HAVE MY OWN BAND 28 00:02:43,964 --> 00:02:45,599 AND I LIKE TO PLAY ON THE ROAD 29 00:02:45,633 --> 00:02:47,401 WITH THE SAME BAND I USE IN THE STUDIO. 30 00:02:47,435 --> 00:02:49,870 I'VE BEEN WORKING WITH NEIL FOR 35... 31 00:02:49,903 --> 00:02:51,405 SINCE '70, 32 00:02:51,439 --> 00:02:54,942 AND WE CUT HARVEST HERE IN NASHVILLE. 33 00:02:54,975 --> 00:02:57,411 HE WAS DOING THE JOHNNY CASH SHOW 34 00:02:57,445 --> 00:03:00,614 AND, UH, HE SHOWED UP AT THAT STUDIO, 35 00:03:00,648 --> 00:03:03,917 QUADRAPHONIC, DOWN ON GRAND AVENUE, I THINK, 36 00:03:03,951 --> 00:03:07,255 AND, UM, HE WANTED TO, UH, 37 00:03:07,288 --> 00:03:10,424 DO SOME MUSIC THAT HE HAD WRITTEN RECENTLY. 38 00:03:10,458 --> 00:03:12,360 AND THIS WAS IN THE SEVENTIES. 39 00:03:12,393 --> 00:03:17,498 AND, UH, HE STOPPED-- ONE OF THE ENGINEERS 40 00:03:17,531 --> 00:03:19,433 STOPPED A BASS PLAYER WHO WAS WALKING DOWN THE STREET 41 00:03:19,467 --> 00:03:21,635 AND SAID, "YOU WANNA COME IN 42 00:03:21,669 --> 00:03:23,971 AND DO SOME, SOME MUSIC WITH NEIL YOUNG?" 43 00:03:24,004 --> 00:03:26,240 AND HE SAID, "SURE." SO HE CAME IN. 44 00:03:26,274 --> 00:03:27,841 IT WAS TIM DRUMMON WAS THE BASS PLAYER'S NAME. 45 00:03:27,875 --> 00:03:33,281 AND THEY ASKED HIM IF NEIL WANTED A STEEL GUITAR PLAYER. 46 00:03:33,314 --> 00:03:34,748 AND I LIVED ABOUT TWO BLOCKS DOWN THE STREET, 47 00:03:34,782 --> 00:03:39,653 AND, UH, SO HE CALLED ME UP AND I CAME DOWN. 48 00:03:39,687 --> 00:03:43,257 AND THEY WERE ALREADY RECORDING AT THE TIME 49 00:03:43,291 --> 00:03:46,427 AND, UH, I SET UP MY STEEL AND KINDA SNUCK IN THERE 50 00:03:46,460 --> 00:03:51,532 AND, UH, STARTED PLAYING AND WE DID 5 SONGS 51 00:03:51,565 --> 00:03:55,403 BEFORE WE EVER STOPPED AND INTRODUCED OURSELVES. 52 00:03:55,436 --> 00:03:57,271 MY FAMILY USED TO DRIVE UP 53 00:03:57,305 --> 00:03:59,607 FROM, FROM BIRMINGHAM, ALABAMA AREA, 54 00:03:59,640 --> 00:04:04,678 AND WE WOULD GO, UH, TRY TO MAKE IT UP 55 00:04:04,712 --> 00:04:06,314 AT LEAST ONCE A MONTH AND A LOT OF TIMES 56 00:04:06,347 --> 00:04:07,381 WE MADE IT UP TWICE A MONTH 57 00:04:07,415 --> 00:04:11,018 TO, UH, COME TO THE RYMAN TO SEE THE GRAND OLE OPRY 58 00:04:11,051 --> 00:04:14,388 AND TO HAVE BREAKFAST WITH THE STARS, 59 00:04:14,422 --> 00:04:16,757 AS THEY SAID DOWN ON BROADWAY BACK THEN. 60 00:04:16,790 --> 00:04:20,461 THERE WAS A LITTLE... A LITTLE RADIO SHOW 61 00:04:20,494 --> 00:04:23,864 THAT PEOPLE THAT WAS GONNA GO DOWN TO THE RYMAN THAT NIGHT 62 00:04:23,897 --> 00:04:26,500 COULD GO DOWN AND EAT BREAKFAST WITH ALL THE PEOPLE 63 00:04:26,534 --> 00:04:29,970 THAT...THAT WERE SOBER ENOUGH THE NEXT MORNING 64 00:04:30,003 --> 00:04:33,040 TO...TO HAVE BREAKFAST. 65 00:04:33,073 --> 00:04:35,075 I PERFORMED AT THE RYMAN ONE TIME 66 00:04:35,108 --> 00:04:38,646 WITH MY SONGWRITING FRIEND, DAN PENN, 67 00:04:38,679 --> 00:04:42,350 AND WE WERE INVITED TO PLAY WITH, UM, 68 00:04:42,383 --> 00:04:45,386 THEY CALLED IT "THE LEGENDARY SONGWRITERS SERIES" 69 00:04:45,419 --> 00:04:48,389 OR SOMETHING, AND THAT WAS A LOT OF FUN, YOU KNOW. 70 00:04:48,422 --> 00:04:49,923 AND THAT PLACE 71 00:04:49,957 --> 00:04:52,092 HAS GREAT ACOUSTICS, I THINK, YOU KNOW. 72 00:04:52,125 --> 00:04:54,962 IT'S JUST, YOU CAN CRANK IT OUT 73 00:04:54,995 --> 00:04:56,530 WITHOUT TRYING TOO HARD. 74 00:04:56,564 --> 00:04:57,665 A LOT OF, YOU KNOW, THE VOLUME 75 00:04:57,698 --> 00:04:59,667 CARRIES REAL WELL THERE, SEEMED LIKE. 76 00:04:59,700 --> 00:05:02,403 THE RYMAN AUDITORIUM IS... THERE'S SUCH A VIBE IN THERE 77 00:05:02,436 --> 00:05:04,438 IT'S--THERE'S A SOUND IN THERE 78 00:05:04,472 --> 00:05:06,540 THAT IS UNLIKE ANY OTHER PLACE, 79 00:05:06,574 --> 00:05:09,109 AND, UH, THAT'S REALLY NICE 80 00:05:09,142 --> 00:05:11,679 BECAUSE, UH, SOME PLACES YOU COME IN, 81 00:05:11,712 --> 00:05:13,414 AND THEY SOUND LIKE A BIG TIN CAN 82 00:05:13,447 --> 00:05:15,549 AND, UH, THERE'S SOMETHING ABOUT IT. 83 00:05:15,583 --> 00:05:17,685 OBVIOUSLY, THERE'S A LOT OF STORIES IN THIS BUILDING, 84 00:05:17,718 --> 00:05:19,687 AND I'M SURE GLAD THEY DIDN'T TEAR IT DOWN. 85 00:05:19,720 --> 00:05:21,789 THEY WERE APPARENTLY GOING TO TEAR IT DOWN. 86 00:05:21,822 --> 00:05:25,826 BUT NOW THEY'RE BUILDING A HIGH-RISE ON THE SIDE 87 00:05:25,859 --> 00:05:27,628 WHERE THOSE BEAUTIFUL STAINED GLASS WINDOWS ARE. 88 00:05:27,661 --> 00:05:29,663 IT'S GOING TO BLOCK OUT THE LIGHT. 89 00:05:29,697 --> 00:05:31,432 AND I DON'T KNOW HOW ANYBODY COULD... 90 00:05:31,465 --> 00:05:33,701 THAT...THAT SHOULD BE ILLEGAL, YOU KNOW. 91 00:05:33,734 --> 00:05:39,607 LIKE THE ARTISTIC POLICE OR THE AESTHETIC POLICE SHOULD... 92 00:05:39,640 --> 00:05:43,644 IF THERE WAS SUCH A THING, SHOULD COME AND ARREST THEM. 93 00:05:43,677 --> 00:05:45,579 WELL, THIS LAST PROJECT, I MEAN, 94 00:05:45,613 --> 00:05:47,648 HE MADE A STATEMENT TO ME AND I DIDN'T BELIEVE IT. 95 00:05:47,681 --> 00:05:50,451 HE SAID, UM, "IT'S BEEN TWO YEARS 96 00:05:50,484 --> 00:05:53,454 SINCE I, UM, WROTE FOR SOMETHING," RIGHT? 97 00:05:53,487 --> 00:05:55,456 AND WE GOT TO THE HOTEL AROUND HIS OLD BUDDIES AGAIN, 98 00:05:55,489 --> 00:05:58,158 WE COULDN'T GET HIM FROM WRITING. 99 00:05:58,191 --> 00:06:00,394 COULDN'T STOP HIM FROM WRITING. 100 00:06:00,428 --> 00:06:02,029 THAT'S JUST HOW IT COMES. 101 00:06:02,062 --> 00:06:03,030 I HAD NO IDEA THAT IT WAS-- 102 00:06:03,063 --> 00:06:03,931 BUT THERE WAS A LITTLE... THERE WAS A LITTLE... 103 00:06:03,964 --> 00:06:06,166 TO BE HONEST, THERE WAS A LITTLE BIT OF... 104 00:06:06,199 --> 00:06:07,468 KIND OF WE JUST PICKED UP ON A LITTLE BIT OF, 105 00:06:07,501 --> 00:06:09,102 LIKE, SOMETHING'S GOING ON. 106 00:06:09,136 --> 00:06:10,971 WE DON'T KNOW WHAT'S GOING ON EXACTLY. 107 00:06:11,004 --> 00:06:12,039 WHEN HE MADE THIS RECORD, 108 00:06:12,072 --> 00:06:14,041 IT WAS RIGHT AFTER HE FOUND OUT HE HAD THE ANEURYSM, 109 00:06:14,074 --> 00:06:16,043 AND I THINK OF IT AS LIKE, 110 00:06:16,076 --> 00:06:18,011 HIS LIFE FLASHING BEFORE HIS EYES 111 00:06:18,045 --> 00:06:20,514 AND JUST REMEMBERING ALL THESE THINGS 112 00:06:20,548 --> 00:06:22,450 AND WANTING TO SAY THESE THINGS. 113 00:06:22,483 --> 00:06:24,852 'CAUSE, YOU KNOW, WE DIDN'T REALLY KNOW 114 00:06:24,885 --> 00:06:26,487 WHAT WAS GOING TO HAPPEN. 115 00:06:26,520 --> 00:06:29,423 HE SAID, "I GOT... I GOT THIS BRAIN ANEURYSM." 116 00:06:29,457 --> 00:06:32,192 AND, I MEAN, THE WORLD STOPPED TO ME. 117 00:06:32,225 --> 00:06:33,894 IT WAS JUST LIKE, "YOU WHAT?" 118 00:06:33,927 --> 00:06:37,465 HE WAS LIKE, "YEAH, I GOT THIS BRAIN ANEURYSM, 119 00:06:37,498 --> 00:06:41,001 "AND I'M GONNA GO TO NEW YORK NEXT TUESDAY 120 00:06:41,034 --> 00:06:44,037 AND THEY'RE GONNA, YOU KNOW, THEY'RE GONNA DO THIS THING." 121 00:06:44,071 --> 00:06:46,574 HE GOES, "AND IT'S REALLY WILD WHAT THEY'RE GONNA DO." 122 00:06:46,607 --> 00:06:47,541 AND I SAID, "WHAT ARE THEY GOING TO DO?" 123 00:06:47,575 --> 00:06:49,777 AND HE SAID, "WELL, THEY'RE GONNA GO IN THERE 124 00:06:49,810 --> 00:06:51,645 "AND THEY'RE GONNA... THEY'RE GONNA PUT 125 00:06:51,679 --> 00:06:54,615 "THESE LITTLE BITTY SPRINGS IN THERE, 126 00:06:54,648 --> 00:06:57,551 "AND THEY'RE BIODEGRADABLE. 127 00:06:57,585 --> 00:07:00,020 "AND WHAT THAT DOES IS THAT MAKES THE BODY 128 00:07:00,053 --> 00:07:03,457 PRODUCE THIS SCAR TISSUE, WHICH THEN NEGATES THE ANEURYSM." 129 00:07:03,491 --> 00:07:05,793 AND I'M SITTING THERE GOING, "WHAT?" YOU KNOW? 130 00:07:05,826 --> 00:07:09,530 "AND WHY ARE YOU SITTING HERE RIGHT NOW? 131 00:07:09,563 --> 00:07:11,932 HOW IS THAT?" YOU KNOW? 132 00:07:11,965 --> 00:07:15,503 "HOW CAN IT BE THAT YOU'RE GOING THERE NEXT TUESDAY 133 00:07:15,536 --> 00:07:18,138 AND WE'RE SITTING HERE RECORDING?" 134 00:07:18,171 --> 00:07:21,041 I'M JUST GOING, WHAT THE-- 135 00:07:44,598 --> 00:07:48,736 * THAT PRAIRIE WIND BLOWING THROUGH MY HEAD * 136 00:07:51,939 --> 00:07:56,610 * THAT PRAIRIE WIND BLOWING THROUGH MY HEAD * 137 00:07:58,546 --> 00:07:59,680 WE DON'T USE A TENOR SAXOPHONE. 138 00:07:59,713 --> 00:08:01,849 WE USE TWO BARITONE PARTS INSTEAD 139 00:08:01,882 --> 00:08:06,019 SO THAT THE PART OF THE TENOR HAS A LOT OF BITE TO IT. 140 00:08:07,254 --> 00:08:12,025 * TRYIN' TO REMEMBER WHAT DADDY SAID * 141 00:08:26,073 --> 00:08:26,940 D-45. 142 00:08:26,974 --> 00:08:28,842 HEART OF GOLD WRITTEN AND RECORDED. 143 00:08:28,876 --> 00:08:30,010 OLD MAN. 144 00:08:31,812 --> 00:08:34,882 CHECK 1, 2. YOU WANNA COME OUT? 145 00:08:34,915 --> 00:08:36,817 CHECK 1, 2. 146 00:08:36,850 --> 00:08:38,752 CHECK 1,2. 147 00:08:49,597 --> 00:08:51,632 ALL RIGHT. JUST KEEP THIS WITH YOU ALL NIGHT. 148 00:08:51,665 --> 00:08:53,333 EVERY TIME YOU COME OUTSIDE, YOU NEED IT TO GET BACK IN. 149 00:08:53,366 --> 00:08:54,935 THANKS. 150 00:08:59,339 --> 00:09:01,742 I JUST WANNA PLAY WELL, AND I WANNA, YOU KNOW, 151 00:09:01,775 --> 00:09:04,177 SHARE THE STAGE WITH MY FRIENDS. 152 00:09:04,211 --> 00:09:06,179 GIVE THE BEST I CAN. 153 00:09:06,213 --> 00:09:08,181 WE'RE GONNA GET IN THERE 154 00:09:08,215 --> 00:09:11,018 AND LET THE MUSE HAVE US. 155 00:09:11,051 --> 00:09:12,653 TAKE A SHOT. 156 00:09:12,686 --> 00:09:14,655 SEND IT OUT. 157 00:09:16,223 --> 00:09:19,660 (AUDIENCE APPLAUDS) 158 00:09:27,668 --> 00:09:29,036 GOOD EVENING, LADIES AND GENTLEMEN, 159 00:09:29,069 --> 00:09:30,671 AND WELCOME TO THE RYMAN 160 00:09:30,704 --> 00:09:33,741 AND THE WORLD PREMIERE OF NEIL YOUNG'S PRAIRIE WIND. 161 00:09:33,774 --> 00:09:35,275 (CHEERS AND APPLAUSE) 162 00:09:35,308 --> 00:09:37,845 (MUSIC BEGINS) 163 00:09:46,353 --> 00:09:49,389 * THE PAINTER STOOD 164 00:09:49,422 --> 00:09:52,225 * BEFORE HER WORK 165 00:09:52,259 --> 00:09:58,065 * SHE LOOKED AROUND EVERYWHERE * 166 00:09:58,098 --> 00:10:03,871 * SHE SAW THE PICTURES AND SHE PAINTED THEM * 167 00:10:03,904 --> 00:10:09,677 * PICKIN' COLORS FROM THE AIR 168 00:10:09,710 --> 00:10:12,245 * GREEN TO GREEN 169 00:10:12,279 --> 00:10:14,782 * RED TO RED 170 00:10:14,815 --> 00:10:20,788 * YELLOW TO YELLOW IN THE LIGHT * 171 00:10:20,821 --> 00:10:26,326 * BLACK TO BLACK WHEN THE EVENING COMES * 172 00:10:26,359 --> 00:10:32,065 * BLUE TO BLUE THROUGH THE NIGHT * 173 00:10:41,875 --> 00:10:48,048 * IT'S A LONG ROAD 174 00:10:48,081 --> 00:10:51,752 * BEHIND ME 175 00:10:53,186 --> 00:10:59,226 * IT'S A LONG ROAD 176 00:10:59,259 --> 00:11:01,695 * AHEAD 177 00:11:01,729 --> 00:11:06,800 * IF YOU FOLLOW EVERY DREAM 178 00:11:06,834 --> 00:11:11,004 * YOU MIGHT GET LOST 179 00:11:12,773 --> 00:11:18,311 * IF YOU FOLLOW EVERY DREAM 180 00:11:18,345 --> 00:11:24,084 * YOU MIGHT GET LOST 181 00:11:33,226 --> 00:11:35,228 * SHE TOWED THE LINE 182 00:11:35,262 --> 00:11:38,799 * SHE HELD HER END UP 183 00:11:38,832 --> 00:11:42,836 * SHE DID THE WORK OF TWO MEN 184 00:11:44,504 --> 00:11:49,877 * BUT IN THE END SHE FELL DOWN * 185 00:11:49,910 --> 00:11:55,482 * BEFORE SHE GOT UP AGAIN 186 00:11:55,515 --> 00:12:00,921 * I HAVE MY FRIENDS ETERNALLY * 187 00:12:00,954 --> 00:12:06,794 * WE LEAVE OUR TRACKS IN THE SOUND * 188 00:12:06,827 --> 00:12:12,365 * SOME OF THEM ARE WITH ME NOW * 189 00:12:12,399 --> 00:12:18,138 * SOME OF THEM CAN'T BE FOUND 190 00:12:27,848 --> 00:12:34,087 * IT'S A LONG ROAD 191 00:12:34,121 --> 00:12:37,891 * BEHIND ME 192 00:12:39,292 --> 00:12:46,033 * AND I MISS YOU NOW 193 00:12:47,600 --> 00:12:52,840 * IF YOU FOLLOW EVERY DREAM 194 00:12:52,873 --> 00:12:58,545 * YOU MIGHT GET LOST 195 00:12:58,578 --> 00:13:03,817 * IF YOU FOLLOW EVERY DREAM 196 00:13:03,851 --> 00:13:09,923 * YOU MIGHT GET LOST 197 00:13:19,399 --> 00:13:22,269 * GREEN TO GREEN 198 00:13:22,302 --> 00:13:24,604 * RED TO RED 199 00:13:24,637 --> 00:13:30,577 * YELLOW TO YELLOW IN THE LIGHT * 200 00:13:30,610 --> 00:13:36,049 * BLACK TO BLACK WHEN THE EVENING COMES * 201 00:13:36,083 --> 00:13:42,289 * BLUE TO BLUE THROUGH THE NIGHT * 202 00:14:10,951 --> 00:14:13,553 * SEE THE BLUEBIRD FLY 203 00:14:13,586 --> 00:14:16,890 * EASY AS A DREAM 204 00:14:16,924 --> 00:14:22,629 * DIPPING AND BOBBING IN THE SUN * 205 00:14:22,662 --> 00:14:25,365 * COULD SHE BE THE ONE 206 00:14:25,398 --> 00:14:28,368 * I SAW SO LONG AGO? 207 00:14:28,401 --> 00:14:34,041 * COULD SHE BE THE ONE TO TAKE ME HOME? * 208 00:14:34,074 --> 00:14:37,110 * THIS PASTURE IS GREEN 209 00:14:37,144 --> 00:14:39,913 * I'M WALKING IN THE SUN 210 00:14:39,947 --> 00:14:45,919 * IT'S TURNING BROWN, I'M STANDING IN THE RAIN * 211 00:14:45,953 --> 00:14:51,491 * MY OVERCOAT IS WORN, THE POCKETS ARE ALL TORN * 212 00:14:51,524 --> 00:14:56,997 * I'M MOVING AWAY FROM THE PAIN * 213 00:14:57,630 --> 00:15:00,167 * TICK-TOCK 214 00:15:00,200 --> 00:15:03,136 * THE CLOCK ON THE WALL 215 00:15:03,170 --> 00:15:09,009 * NO WONDER WE'RE LOSING TIME * 216 00:15:09,042 --> 00:15:12,412 * RING, RING 217 00:15:12,445 --> 00:15:15,115 * THE OLD CHURCH BELL 218 00:15:15,148 --> 00:15:20,153 * THE BRIDE AND HER LOVE 219 00:15:20,187 --> 00:15:30,497 * SEEKING GUIDANCE FROM ABOVE 220 00:15:43,743 --> 00:15:46,613 * AMBER WAVES OF GRAIN 221 00:15:46,646 --> 00:15:49,182 * BOW IN THE PRAIRIE WIND 222 00:15:49,216 --> 00:15:55,155 * I'M HEARING WILLIE SINGING ON THE RADIO AGAIN * 223 00:15:55,188 --> 00:16:01,094 * THAT SONG FROM 9/11 KEEPS RINGING IN MY HEAD * 224 00:16:01,128 --> 00:16:06,599 * I'LL ALWAYS REMEMBER SOMETHING CHRIS ROCK SAID * 225 00:16:06,633 --> 00:16:09,636 * DON'T SEND NO MORE CANDLES 226 00:16:09,669 --> 00:16:12,539 * NO MATTER WHAT YOU DO 227 00:16:12,572 --> 00:16:15,175 * THEN WILLIE STOPPED SINGING 228 00:16:15,208 --> 00:16:17,144 * AND THE PRAIRIE WIND BLEW 229 00:16:17,177 --> 00:16:24,317 * THE GREEN KEPT ROLLING ON FOR MILES AND MILES * 230 00:16:24,351 --> 00:16:30,123 * FIELDS OF FUEL ROLLING ON FOR MILES * 231 00:16:30,157 --> 00:16:33,226 * TICK-TOCK 232 00:16:33,260 --> 00:16:36,096 * THE CLOCK ON THE WALL 233 00:16:36,129 --> 00:16:42,102 * NO WONDER WE'RE LOSING TIME 234 00:16:42,135 --> 00:16:44,637 * TOLL, TOLL 235 00:16:44,671 --> 00:16:47,774 * THE FALLEN SOLDIER BELL 236 00:16:47,807 --> 00:16:53,146 * THE OLD CHURCH ON THE HILL 237 00:16:53,180 --> 00:17:00,420 * STILL STANDING WHEN SO MANY FELL * 238 00:17:27,314 --> 00:17:30,317 * BACK WHEN I WAS YOUNG 239 00:17:30,350 --> 00:17:32,785 * THE BIRDS BLOCKED OUT THE SUN * 240 00:17:32,819 --> 00:17:38,791 * BEFORE THE GREAT MIGRATION SOUTH * 241 00:17:38,825 --> 00:17:41,428 * WE ONLY SHOT A FEW 242 00:17:41,461 --> 00:17:44,297 * THEY LAST THE WINTER THROUGH * 243 00:17:44,331 --> 00:17:50,170 * MOTHER COOKED THEM GOOD AND SERVED 'EM UP * 244 00:17:50,203 --> 00:17:55,842 * SOMEWHERE A SENATOR SITS IN A LEATHER CHAIR * 245 00:17:55,875 --> 00:18:01,548 * BEHIND A BIG WOODEN DESK 246 00:18:01,581 --> 00:18:07,154 * THE CARIBOU WE KILLED MEAN NOTHING TO HIM * 247 00:18:07,187 --> 00:18:12,859 * HE TOOK HIS MONEY JUST LIKE ALL THE REST * 248 00:18:12,892 --> 00:18:15,862 * TICK-TOCK 249 00:18:15,895 --> 00:18:18,765 * THE CLOCK ON THE WALL 250 00:18:18,798 --> 00:18:24,671 * NO WONDER WE'RE LOSING TIME 251 00:18:24,704 --> 00:18:27,674 * RING, RING 252 00:18:27,707 --> 00:18:30,777 * RING THE WEDDING BELLS 253 00:18:30,810 --> 00:18:35,748 * THE BRIDE TAKES THE RING 254 00:18:35,782 --> 00:18:46,226 * AND THE HAPPY PEOPLE SING 255 00:20:10,543 --> 00:20:12,479 * I JUST WANT TO THANK YOU 256 00:20:12,512 --> 00:20:18,785 * FOR ALL THE THINGS YOU'VE DONE * 257 00:20:18,818 --> 00:20:21,288 * I BEEN THINKING ABOUT YOU 258 00:20:21,321 --> 00:20:28,728 * I JUST WANT TO SEND MY LOVE 259 00:20:28,761 --> 00:20:30,930 * I SEND MY BEST TO YOU 260 00:20:30,963 --> 00:20:36,536 * THAT'S MY MESSAGE OF LOVE 261 00:20:36,569 --> 00:20:39,005 * FOR ALL THE THINGS YOU DID 262 00:20:39,038 --> 00:20:45,445 * I CAN NEVER THANK YOU ENOUGH 263 00:20:45,478 --> 00:20:47,414 * FEEL LIKE I'M FALLING 264 00:20:47,447 --> 00:20:51,518 * FALLING OFF THE FACE OF THE EARTH * 265 00:20:51,551 --> 00:20:54,020 * FALLING OFF THE FACE OF THE EARTH * 266 00:20:54,053 --> 00:20:56,055 * FALLING 267 00:20:56,088 --> 00:21:00,660 * FALLING OFF THE FACE OF THE EARTH * 268 00:21:00,693 --> 00:21:06,366 * FALLING OFF THE FACE OF THE EARTH * 269 00:21:11,871 --> 00:21:20,547 * OH, OH, OH, OH 270 00:21:29,088 --> 00:21:31,057 * I JUST WANT TO TELL YOU 271 00:21:31,090 --> 00:21:37,830 * YOU SURE MEAN A LOT TO ME 272 00:21:37,864 --> 00:21:39,666 * IT MAY SOUND SIMPLE 273 00:21:39,699 --> 00:21:46,673 * BUT YOU ARE THE WORLD TO ME 274 00:21:46,706 --> 00:21:48,975 * IT'S SUCH A PRECIOUS THING 275 00:21:49,008 --> 00:21:55,081 * THE TIME WE SHARED TOGETHER 276 00:21:55,114 --> 00:21:57,984 * I MUST APOLOGIZE 277 00:21:58,017 --> 00:22:03,923 * FOR THE TROUBLE TIMES 278 00:22:03,956 --> 00:22:05,725 * FEEL LIKE I'M FALLING 279 00:22:05,758 --> 00:22:10,430 * FALLING OFF THE FACE OF THE EARTH * 280 00:22:10,463 --> 00:22:12,765 * FALLING OFF THE FACE OF THE EARTH * 281 00:22:12,799 --> 00:22:15,101 * FALLING 282 00:22:15,134 --> 00:22:18,104 * FALLING OFF THE FACE OF THE EARTH * 283 00:22:18,137 --> 00:22:23,876 * FALLING OFF THE FACE OF THE EARTH * 284 00:22:29,949 --> 00:22:38,691 * OH, OH, OH, OH 285 00:22:47,634 --> 00:22:49,536 * FEEL LIKE I'M FALLING 286 00:22:49,569 --> 00:22:54,106 * FALLING OFF THE FACE OF THE EARTH * 287 00:22:54,140 --> 00:22:56,743 * FALLING OFF THE FACE OF THE EARTH * 288 00:22:56,776 --> 00:22:58,478 * FALLING 289 00:22:58,511 --> 00:23:02,782 * FALLING OFF THE FACE OF THE EARTH * 290 00:23:02,815 --> 00:23:05,151 * FALLING OFF THE FACE OF THE EARTH * 291 00:23:05,184 --> 00:23:07,086 * FALLING 292 00:23:07,119 --> 00:23:11,591 * FALLING OFF THE FACE OF THE EARTH * 293 00:23:13,726 --> 00:23:15,828 * FEEL LIKE I'M FALLING 294 00:23:15,862 --> 00:23:22,735 * FALLING OFF THE FACE OF THE EARTH * 295 00:23:22,769 --> 00:23:29,509 * FALLING 296 00:23:54,634 --> 00:23:55,802 THIS IS A SONG HERE, UH... 297 00:23:55,835 --> 00:23:58,538 WHEN I FIRST STARTED PLAYING GUITAR, 298 00:23:58,571 --> 00:24:01,741 I WAS A CHICKEN FARMER AT THE TIME. 299 00:24:01,774 --> 00:24:05,745 I WAS ABOUT 7 OR 8 YEARS OLD OR SOMETHING. 300 00:24:05,778 --> 00:24:07,179 MAYBE A LITTLE OLDER THAN THAT. 301 00:24:07,213 --> 00:24:10,917 BUT, UH, MY DADDY BROUGHT ME 302 00:24:10,950 --> 00:24:12,519 AN ARTHUR GODFREY UKULELE, 303 00:24:12,552 --> 00:24:13,953 A LITTLE PLASTIC ONE. 304 00:24:13,986 --> 00:24:17,557 AND I DIDN'T KNOW WHAT TO DO WITH IT OR ANYTHING. 305 00:24:17,590 --> 00:24:19,258 HE SAID, "YOU MIGHT NEED THIS." 306 00:24:19,291 --> 00:24:24,831 AND THEN HE SANG ME A SONG... 307 00:24:24,864 --> 00:24:26,833 WHICH I NEVER HEARD HIM SING BEFORE. 308 00:24:26,866 --> 00:24:28,701 THEN HE GOT THIS FUNNY GRIN ON HIS FACE 309 00:24:28,735 --> 00:24:29,969 AND WAS LOOKING AT ME, 310 00:24:30,002 --> 00:24:31,671 AND I WAS WATCHING HIM... 311 00:24:31,704 --> 00:24:34,574 AND I HAD TO GO FEED THE CHICKENS. 312 00:24:34,607 --> 00:24:36,676 (AUDIENCE LAUGHS) 313 00:24:40,012 --> 00:24:41,881 1, 2, 3... 314 00:24:58,164 --> 00:25:01,801 * WHEN I WAS A GROWING BOY 315 00:25:01,834 --> 00:25:05,872 * ROCKING ON MY DADDY'S KNEE 316 00:25:05,905 --> 00:25:09,776 * DADDY TOOK AN OLD GUITAR AND SANG * 317 00:25:09,809 --> 00:25:13,312 * BURY ME ON THE LONE PRAIRIE 318 00:25:13,345 --> 00:25:17,617 * UNCLE BOB SAT AT THE PIANO 319 00:25:17,650 --> 00:25:22,221 * MY GIRL COUSINS SANG HARMONY 320 00:25:22,254 --> 00:25:26,192 * THOSE WERE THE GOOD OLD FAMILY TIMES * 321 00:25:26,225 --> 00:25:31,063 * THAT LEFT A BIG MARK ON ME 322 00:25:47,113 --> 00:25:50,817 * BURY ME OUT ON THE PRAIRIE 323 00:25:50,850 --> 00:25:54,621 * WHERE THE BUFFALO USED TO ROAM * 324 00:25:54,654 --> 00:25:59,191 * WHERE THE CANADA GEESE ONCE FILLED THE SKY * 325 00:25:59,225 --> 00:26:03,329 * AND THEN I WON'T BE FAR FROM HOME * 326 00:26:03,362 --> 00:26:07,199 * YEAH, BURY ME OUT ON THE PRAIRIE * 327 00:26:07,233 --> 00:26:11,070 * WHERE THE BUFFALO USED TO ROAM * 328 00:26:11,103 --> 00:26:15,341 * YOU WON'T HAVE TO SHED A TEAR FOR ME * 329 00:26:15,374 --> 00:26:20,647 * 'CAUSE THEN I WON'T BE FAR FROM HOME * 330 00:26:36,328 --> 00:26:40,132 * OUT ON THE TRANS-CANADA HIGHWAY * 331 00:26:40,166 --> 00:26:44,637 * I WAS TALKING TO A FIREFLY 332 00:26:44,671 --> 00:26:48,374 * TRYING TO MAKE MY WAY TO NASHVILLE, TENNESSEE * 333 00:26:48,407 --> 00:26:52,344 * WHEN ANOTHER CAR PASSED ME BY * 334 00:26:52,378 --> 00:26:56,783 * SOMEDAY I'M GONNA MAKE BIG MONEY * 335 00:26:56,816 --> 00:27:00,152 * AND BUY MYSELF A BIG OLD CAR 336 00:27:00,186 --> 00:27:04,657 * MAKE MY WAY ON DOWN TO THE PROMISED LAND * 337 00:27:04,691 --> 00:27:08,995 * AND THEN I'M GONNA REALLY GO FAR * 338 00:27:24,944 --> 00:27:29,015 * BURY ME OUT ON THE PRAIRIE 339 00:27:29,048 --> 00:27:33,019 * WHERE THE BUFFALO USED TO ROAM * 340 00:27:33,052 --> 00:27:37,356 * WHERE THE CANADA GEESE ONCE FILLED THE SKY * 341 00:27:37,389 --> 00:27:41,060 * AND THEN I WON'T BE FAR FROM HOME * 342 00:27:41,093 --> 00:27:45,331 * JUST BURY ME OUT ON THE PRAIRIE * 343 00:27:45,364 --> 00:27:49,836 * WHERE THE BUFFALO USED TO ROAM * 344 00:27:49,869 --> 00:27:53,439 * YOU WON'T HAVE TO SHED A TEAR FOR ME * 345 00:27:53,472 --> 00:27:58,711 * 'CAUSE THEN I WON'T BE FAR FROM HOME * 346 00:28:26,505 --> 00:28:28,307 YOU KNOW, I LOOK AROUND NASHVILLE TODAY, 347 00:28:28,340 --> 00:28:29,375 THERE'S A LOT MORE CARS. 348 00:28:29,408 --> 00:28:31,077 THERE'S A LOT MORE NEW BUILDINGS. 349 00:28:31,110 --> 00:28:34,013 I OFTEN WONDER WHAT HANK WILLIAMS WOULD'VE THOUGHT 350 00:28:34,046 --> 00:28:37,750 IF HE STEPPED OUT OF THAT STAGE DOOR 351 00:28:37,784 --> 00:28:39,185 ON HIS WAY TO TOOTSIE'S AND LOOKED UP 352 00:28:39,218 --> 00:28:41,087 AND SAW THE GAYLORD ENTERTAINMENT CENTER 353 00:28:41,120 --> 00:28:42,254 SITTING THERE. 354 00:28:42,288 --> 00:28:44,290 (AUDIENCE LAUGHS) 355 00:28:44,323 --> 00:28:45,391 (CHUCKLES) 356 00:28:45,424 --> 00:28:47,059 SO THINGS HAVE CHANGED, 357 00:28:47,093 --> 00:28:49,962 BUT, UH, THE SPIRIT'S STILL HERE 358 00:28:49,996 --> 00:28:51,898 AND THAT'S, THAT'S A BEAUTIFUL THING. 359 00:28:51,931 --> 00:28:55,134 (AUDIENCE APPLAUDS) 360 00:29:15,287 --> 00:29:22,228 * IN THE MORNING WHEN I WAKE UP AND LISTEN TO THE SOUND * 361 00:29:22,261 --> 00:29:29,535 * OF THE BIRDS OUTSIDE ON THE ROOF * 362 00:29:29,568 --> 00:29:36,843 * I TRY TO IGNORE WHAT THE PAPER SAYS * 363 00:29:36,876 --> 00:29:43,883 * AND I TRY NOT TO READ ALL THE NEWS * 364 00:29:43,916 --> 00:29:50,857 * AND I'LL HOLD YOU IF YOU'VE HAD A BAD DREAM * 365 00:29:50,890 --> 00:29:58,097 * AND I HOPE THAT IT NEVER COMES TRUE * 366 00:29:58,130 --> 00:30:05,171 * 'CAUSE YOU AND I BEEN THROUGH SO MANY THINGS TOGETHER * 367 00:30:05,204 --> 00:30:12,511 * AND THE SUN STARTS CLIMBING THE ROOF * 368 00:30:12,544 --> 00:30:14,513 * IT'S A DREAM 369 00:30:14,546 --> 00:30:19,318 * IT'S ONLY A DREAM 370 00:30:19,351 --> 00:30:24,924 * JUST A MEMORY 371 00:30:24,957 --> 00:30:28,594 * FADING AWAY 372 00:30:28,627 --> 00:30:33,465 * IT'S ONLY A DREAM 373 00:30:33,499 --> 00:30:35,534 * JUST A MEMORY 374 00:30:35,567 --> 00:30:40,639 * WITHOUT ANYWHERE 375 00:30:40,672 --> 00:30:43,976 * TO STAY 376 00:30:54,386 --> 00:31:02,094 * RED RIVER STILL FLOWS THROUGH MY HOME TOWN * 377 00:31:02,128 --> 00:31:09,101 * ROLLIN' AND TUMBLIN' ON ITS WAY * 378 00:31:09,135 --> 00:31:15,942 * SWIRLING AROUND THE OLD BRIDGE PYLONS * 379 00:31:15,975 --> 00:31:22,982 * WHERE A BOY FISHES THE MORNING AWAY * 380 00:31:23,015 --> 00:31:29,989 * A BICYCLE LEANS ON AN OAK TREE * 381 00:31:30,022 --> 00:31:37,263 * WHILE THE CARS RUMBLE OVER HIS HEAD * 382 00:31:37,296 --> 00:31:43,970 * AN AIRPLANE LEAVES A TRAIL IN AN EMPTY BLUE SKY * 383 00:31:44,003 --> 00:31:50,977 * AND THE YOUNG BIRDS CALL OUT TO BE FED * 384 00:31:51,010 --> 00:31:53,379 * IT'S A DREAM 385 00:31:53,412 --> 00:31:58,150 * IT'S ONLY A DREAM 386 00:31:58,184 --> 00:32:04,023 * AND IT'S FADING NOW 387 00:32:04,056 --> 00:32:07,559 * FADING AWAY 388 00:32:07,593 --> 00:32:12,131 * IT'S ONLY A DREAM 389 00:32:12,164 --> 00:32:14,533 * JUST A MEMORY 390 00:32:14,566 --> 00:32:19,271 * WITHOUT ANYWHERE 391 00:32:19,305 --> 00:32:22,208 * TO STAY 392 00:32:48,100 --> 00:32:54,373 * AN OLD MAN WALKS ALONG ON THE SIDEWALK * 393 00:32:54,406 --> 00:33:01,613 * WITH SUNGLASSES AND AN OLD STETSON HAT * 394 00:33:01,647 --> 00:33:08,454 * THE FALL WINDS BLOW THE BACK OF HIS OVERCOAT AWAY * 395 00:33:08,487 --> 00:33:15,761 * AS HE STOPS WITH THE POLICEMAN TO CHAT * 396 00:33:15,794 --> 00:33:22,401 * AND A TRAIN ROLLS OUT OF THE STATION * 397 00:33:22,434 --> 00:33:29,641 * THAT WAS REALLY SOMETHIN' IN ITS DAY * 398 00:33:29,675 --> 00:33:36,282 * PICKING UP SPEED ON THE STRAIGHT PRAIRIE RAILS * 399 00:33:36,315 --> 00:33:43,122 * AS IT CARRIES ITS PASSENGERS AWAY * 400 00:33:43,155 --> 00:33:45,624 * IT'S GONE 401 00:33:45,657 --> 00:33:50,529 * IT'S ONLY A DREAM 402 00:33:50,562 --> 00:33:56,435 * AND IT'S FADING NOW 403 00:33:56,468 --> 00:33:59,671 * FADING AWAY 404 00:33:59,705 --> 00:34:04,476 * IT'S ONLY A DREAM 405 00:34:04,510 --> 00:34:06,778 * JUST A MEMORY 406 00:34:06,812 --> 00:34:11,550 * WITHOUT ANYWHERE 407 00:34:11,583 --> 00:34:14,520 * TO STAY 408 00:34:25,831 --> 00:34:27,733 * IT'S A DREAM 409 00:34:27,766 --> 00:34:32,871 * IT'S ONLY A DREAM 410 00:34:32,904 --> 00:34:38,510 * AND IT'S FADING NOW 411 00:34:38,544 --> 00:34:41,747 * FADING AWAY 412 00:34:41,780 --> 00:34:46,718 * IT'S ONLY A DREAM 413 00:34:46,752 --> 00:34:48,887 * JUST A MEMORY 414 00:34:48,920 --> 00:34:52,891 * WITHOUT ANYWHERE 415 00:34:52,924 --> 00:34:56,695 * TO STAY 416 00:35:07,773 --> 00:35:09,908 * IT'S A DREAM 417 00:35:09,941 --> 00:35:14,746 * IT'S ONLY A DREAM 418 00:35:14,780 --> 00:35:20,786 * AND IT'S FADING NOW 419 00:35:20,819 --> 00:35:25,424 * FADING AWAY 420 00:35:52,851 --> 00:35:55,254 THANK YOU, NASHVILLE. 421 00:36:02,228 --> 00:36:03,695 (CHUCKLES) 422 00:36:10,302 --> 00:36:11,303 IT SURE IS GREAT 423 00:36:11,337 --> 00:36:13,672 TO BE HERE TONIGHT WITH ALL OF YOU. 424 00:36:13,705 --> 00:36:16,775 (CHEERS AND APPLAUSE) 425 00:36:19,945 --> 00:36:22,814 YOU KNOW, IT'S GETTING TO BE ABOUT THAT TIME, 426 00:36:22,848 --> 00:36:26,652 SOME OF US ARE STARTING TO LOSE OUR PARENTS AND STUFF. 427 00:36:29,255 --> 00:36:31,790 MY DADDY PASSED AWAY A COUPLE OF MONTHS AGO, 428 00:36:31,823 --> 00:36:34,826 AND, UH... 429 00:36:34,860 --> 00:36:39,298 IN THE LAST PART OF HIS LIFE HE HAD, UH, DEMENTIA. 430 00:36:39,331 --> 00:36:40,666 AND THAT'S, UH... 431 00:36:40,699 --> 00:36:43,269 I KNOW SOME OF YOU KNOW WHAT THAT'S LIKE, 432 00:36:43,302 --> 00:36:45,671 AND, UH... 433 00:36:45,704 --> 00:36:48,707 AND IT'S, UH, IT'S SOMETHING ELSE TO SEE YOUR LOVED ONES 434 00:36:48,740 --> 00:36:50,876 LIVING IN THE MOMENT. 435 00:36:50,909 --> 00:36:53,312 BUT, UH... 436 00:36:53,345 --> 00:36:56,448 WHEN HE PASSED, WE HAD A NICE SERVICE FOR HIM. 437 00:36:56,482 --> 00:37:00,686 AND MY LITTLE COUSIN, OR NIECE, 438 00:37:00,719 --> 00:37:03,922 SHE WAS ABOUT THIS HIGH AND SHE CAME UP AND SAID, 439 00:37:03,955 --> 00:37:06,325 "DADDY WAS OK. 440 00:37:06,358 --> 00:37:08,760 HE KNEW WHAT WAS GOING ON." 441 00:37:11,430 --> 00:37:15,667 ONCE A POLICE CAR PULLED UP BEHIND HIM. 442 00:37:15,701 --> 00:37:17,636 RIGHT BEHIND HIM THERE WAS THIS POLICE CAR. 443 00:37:17,669 --> 00:37:20,439 HE SAID, "COP." 444 00:37:20,472 --> 00:37:23,008 SO I KNOW HE WAS OK. 445 00:37:23,041 --> 00:37:25,777 (AUDIENCE LAUGHS) 446 00:38:07,052 --> 00:38:11,490 * TRYING TO REMEMBER WHAT MY DADDY SAID * 447 00:38:14,360 --> 00:38:19,698 * BEFORE TOO MUCH TIME TOOK AWAY HIS HEAD * 448 00:38:22,401 --> 00:38:24,470 * HE SAID WE'RE GONNA GO BACK 449 00:38:24,503 --> 00:38:28,507 * AND I'LL SHOW YOU WHAT I'M TALKING ABOUT * 450 00:38:30,742 --> 00:38:37,583 * BACK TO CYPRESS RIVER, BACK TO THE OLD FARMHOUSE * 451 00:38:43,489 --> 00:38:47,659 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 452 00:38:51,062 --> 00:38:55,834 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 453 00:38:58,804 --> 00:39:03,742 * TRYING TO REMEMBER WHAT DADDY SAID * 454 00:39:07,178 --> 00:39:10,115 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 455 00:39:10,148 --> 00:39:12,117 * WELL, I TRIED TO TELL THE PEOPLE * 456 00:39:12,150 --> 00:39:16,522 * BUT THEY NEVER HEARD A WORD I SAID * 457 00:39:17,856 --> 00:39:20,392 * THEY SAY THERE'S NOTHING OUT THERE * 458 00:39:20,426 --> 00:39:24,430 * BUT WHEAT FIELDS ANYWAY 459 00:39:26,031 --> 00:39:27,833 * JUST A FARMER'S WIFE 460 00:39:27,866 --> 00:39:32,638 * HANGING LAUNDRY IN HER BACK YARD * 461 00:39:34,540 --> 00:39:36,141 * OUT ON THE PRAIRIE 462 00:39:36,174 --> 00:39:40,479 * WHERE THE WIND BLOWS LONG AND HARD * 463 00:39:46,652 --> 00:39:51,389 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 464 00:39:54,626 --> 00:39:59,531 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 465 00:40:02,468 --> 00:40:05,671 * TRYING TO REMEMBER WHAT DADDY SAID * 466 00:40:10,542 --> 00:40:14,780 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 467 00:40:37,569 --> 00:40:39,104 * LATE AT NIGHT 468 00:40:39,137 --> 00:40:43,542 * LIGHTS DANCING IN THE NORTHERN SKY * 469 00:40:52,718 --> 00:40:54,653 * JUST THE INDIAN SPIRIT 470 00:40:54,686 --> 00:40:58,990 * TRYING TO SHOW ME HOW TO FLY * 471 00:41:08,700 --> 00:41:14,873 * YOU CAN SEE INTO THE FUTURE BUT IT MAY BE A MIRAGE * 472 00:41:23,882 --> 00:41:30,689 * LIKE A NEW CAR SITTING THERE IN YOUR OLD GARAGE * 473 00:41:36,027 --> 00:41:40,966 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 474 00:41:45,036 --> 00:41:49,007 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 475 00:42:11,096 --> 00:42:17,102 * THERE'S A PLACE ON THE PRAIRIE WHERE EVIL AND GOODNESS PLAY * 476 00:42:19,137 --> 00:42:21,006 * DADDY TOLD ME ALL ABOUT IT 477 00:42:21,039 --> 00:42:24,776 * BUT I DON'T REMEMBER WHAT HE SAID * 478 00:42:26,778 --> 00:42:28,614 * WELL, IT MAY BE AFTERNOON 479 00:42:28,647 --> 00:42:33,118 * AND IT MAY BE THE DEAD OF NIGHT * 480 00:42:34,620 --> 00:42:36,321 * BUT YOU'LL KNOW WHEN YOU SEE IT * 481 00:42:36,354 --> 00:42:40,959 * 'CAUSE IT SURE IS A HELL OF A SIGHT * 482 00:42:47,398 --> 00:42:50,769 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 483 00:42:50,802 --> 00:42:55,073 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 484 00:42:55,106 --> 00:42:58,009 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 485 00:42:58,043 --> 00:43:02,781 * TRYING TO REMEMBER WHAT MY DADDY SAID * 486 00:43:02,814 --> 00:43:05,684 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 487 00:43:05,717 --> 00:43:10,756 * BEFORE TOO MUCH TIME TOOK AWAY HIS HEAD * 488 00:43:10,789 --> 00:43:13,725 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 489 00:43:13,759 --> 00:43:15,661 * HE SAID WE'RE GONNA GO BACK 490 00:43:15,694 --> 00:43:18,697 * AND I'LL SHOW YOU WHAT I'M TALKING ABOUT * 491 00:43:18,730 --> 00:43:22,634 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 492 00:43:26,037 --> 00:43:29,240 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 493 00:43:29,274 --> 00:43:33,979 * GOING BACK TO CYPRESS RIVER, BACK TO THE OLD FARMHOUSE * 494 00:43:34,012 --> 00:43:38,083 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 495 00:43:41,887 --> 00:43:45,957 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 496 00:43:46,992 --> 00:43:53,765 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 497 00:43:57,769 --> 00:44:02,173 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 498 00:44:05,711 --> 00:44:09,647 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 499 00:44:13,051 --> 00:44:17,923 * PRAIRIE WIND BLOWING THROUGH MY HEAD * 500 00:44:39,344 --> 00:44:40,879 THANK YOU. 501 00:44:44,015 --> 00:44:48,887 YOU KNOW, I GOT A BEAUTIFUL YOUNG GIRL. 502 00:44:48,920 --> 00:44:52,123 SHE'S, UH, JUST TURNED 21. 503 00:44:52,157 --> 00:44:57,195 SHE'S GOING BACK FOR HER LAST YEAR OF COLLEGE PRETTY SOON. 504 00:44:59,397 --> 00:45:03,735 SHE'D PROBABLY BE EMBARRASSED IF I SAID ANYTHING MORE ABOUT HER. 505 00:45:03,769 --> 00:45:05,370 YOU KNOW HOW THAT IS. 506 00:45:05,403 --> 00:45:07,172 CAN'T SAY MUCH. 507 00:45:07,205 --> 00:45:09,941 ANYWAY, THERE WAS A TIME 508 00:45:09,975 --> 00:45:11,476 I USED TO WRITE THESE KIND OF SONGS 509 00:45:11,509 --> 00:45:14,245 FOR GIRLS MY OWN AGE. 510 00:45:19,985 --> 00:45:22,353 Pegi: YOU STILL GOT A FEW LEFT IN YOU. 511 00:45:22,387 --> 00:45:23,755 Neil: YEAH, I GOT A FEW LEFT IN ME. 512 00:45:23,789 --> 00:45:25,824 (AUDIENCE LAUGHS) 513 00:45:32,563 --> 00:45:34,432 SO THIS IS WHAT YOU MIGHT CALL 514 00:45:34,465 --> 00:45:37,335 A KIND OF AN EMPTY NESTER SONG. 515 00:45:37,368 --> 00:45:39,370 IT'S A NEW GENRE. 516 00:45:39,404 --> 00:45:43,141 THEY MIGHT EVEN HAVE A NEW KIND OF RADIO STATION FOR ' EM. 517 00:46:02,327 --> 00:46:06,965 * WHEN YOUR SUMMER DAYS COME TUMBLING DOWN * 518 00:46:06,998 --> 00:46:11,569 * AND YOU FIND YOURSELF ALONE 519 00:46:11,602 --> 00:46:14,906 * THEN YOU CAN COME BACK 520 00:46:14,940 --> 00:46:19,978 * AND BE WITH ME 521 00:46:20,011 --> 00:46:24,549 * JUST CLOSE YOUR EYES AND I'LL BE THERE * 522 00:46:24,582 --> 00:46:29,020 * LISTEN TO THE SOUND 523 00:46:29,054 --> 00:46:32,858 * OF THIS OLD HEART 524 00:46:32,891 --> 00:46:38,930 * BEATING FOR YOU 525 00:46:38,964 --> 00:46:41,499 * YES, I MISS YOU 526 00:46:41,532 --> 00:46:47,973 * BUT I NEVER WANTED TO HOLD YOU DOWN * 527 00:46:48,006 --> 00:46:50,842 * YOU MIGHT SAY 528 00:46:50,876 --> 00:46:55,213 * I'M HERE FOR YOU 529 00:47:13,899 --> 00:47:18,603 * WHEN THE WINTER COMES TO YOUR NEW HOME * 530 00:47:18,636 --> 00:47:22,640 * AND SNOWFLAKES ARE FALLING DOWN * 531 00:47:22,673 --> 00:47:26,277 * THEN YOU CAN COME BACK 532 00:47:26,311 --> 00:47:31,616 * AND BE WITH ME 533 00:47:31,649 --> 00:47:36,054 * JUST CLOSE YOUR EYES AND I'LL BE THERE * 534 00:47:36,087 --> 00:47:40,425 * LISTEN TO THE SOUND 535 00:47:40,458 --> 00:47:43,895 * OF THIS OLD HEART 536 00:47:43,929 --> 00:47:50,501 * BEATING FOR YOU 537 00:47:50,535 --> 00:47:53,138 * YES, I MISS YOU 538 00:47:53,171 --> 00:47:59,044 * BUT I NEVER WANT TO HOLD YOU DOWN * 539 00:47:59,077 --> 00:48:02,080 * YOU MIGHT SAY 540 00:48:02,113 --> 00:48:06,451 * I'M HERE FOR YOU 541 00:48:08,954 --> 00:48:10,055 * IN THE SPRING 542 00:48:10,088 --> 00:48:17,095 * PROTECTIVE ARMS SURROUNDED YOU * 543 00:48:17,128 --> 00:48:25,536 * IN THE FALL, WE LET YOU GO YOUR WAY * 544 00:48:25,570 --> 00:48:27,538 * HAPPINESS 545 00:48:27,572 --> 00:48:34,479 * I KNOW WILL ALWAYS FIND YOU 546 00:48:34,512 --> 00:48:36,247 * AND WHEN IT DOES 547 00:48:36,281 --> 00:48:43,454 * I HOPE THAT IT WILL STAY 548 00:49:18,756 --> 00:49:21,359 * YES, I MISS YOU 549 00:49:21,392 --> 00:49:27,165 * BUT I NEVER WANT TO HOLD YOU DOWN * 550 00:49:27,198 --> 00:49:30,568 * YOU MIGHT SAY 551 00:49:30,601 --> 00:49:34,505 * I'M HERE FOR YOU 552 00:49:37,508 --> 00:49:40,078 * YES, I MISS YOU 553 00:49:40,111 --> 00:49:45,616 * BUT I NEVER WANT TO HOLD YOU DOWN * 554 00:49:45,650 --> 00:49:49,054 * YOU MIGHT SAY 555 00:49:49,087 --> 00:49:54,425 * I'M HERE FOR YOU 556 00:49:54,459 --> 00:49:57,628 * I'LL ALWAYS BE 557 00:49:57,662 --> 00:50:03,268 * HERE FOR YOU 558 00:50:13,444 --> 00:50:15,113 THANK YOU. 559 00:50:24,722 --> 00:50:27,258 YOU KNOW, UH... 560 00:50:27,292 --> 00:50:29,094 ONE OF MY FAVORITE GUITARS IN THE WORLD 561 00:50:29,127 --> 00:50:31,262 IS, UH, IS WILLIE NELSON'S GUITAR 562 00:50:31,296 --> 00:50:33,531 AND THE WAY IT LOOKS. 563 00:50:33,564 --> 00:50:37,668 AND, UH, THIS GUITAR HERE, 564 00:50:37,702 --> 00:50:40,405 MY FRIEND GRANT, GRANT BOATWRIGHT, 565 00:50:40,438 --> 00:50:43,308 FOUND THIS GUITAR FOR ME ABOUT 30 YEARS AGO 566 00:50:43,341 --> 00:50:46,444 AND I BOUGHT IT FROM TUCK TAYLOR. 567 00:50:46,477 --> 00:50:48,146 AND, UH... 568 00:50:48,179 --> 00:50:50,681 THIS IS HANK'S OLD GUITAR. 569 00:50:50,715 --> 00:50:54,152 (AUDIENCE APPLAUDS) 570 00:50:57,388 --> 00:50:59,824 HE WAS HERE IN 1951, I THINK, 571 00:50:59,857 --> 00:51:02,493 AND, UH, THAT WAS HANK'S LAST SHOW HERE. 572 00:51:02,527 --> 00:51:04,429 MAYBE. I THINK IT WAS. 573 00:51:04,462 --> 00:51:06,297 MAYBE HE GOT BACK. 574 00:51:06,331 --> 00:51:07,832 HE GOT FIRED, I KNOW THAT. 575 00:51:07,865 --> 00:51:09,400 BUT MAYBE HE CAME BACK ONE MORE TIME. 576 00:51:09,434 --> 00:51:12,337 I'M NOT SURE, BUT I DON'T THINK SO. 577 00:51:12,370 --> 00:51:15,606 SO I'M GLAD TO SEE IT BACK HERE 578 00:51:15,640 --> 00:51:16,874 AND I'M GLAD... 579 00:51:16,907 --> 00:51:19,244 (AUDIENCE APPLAUDS) 580 00:51:34,659 --> 00:51:37,428 ANYWAY, HERE'S A TUNE FOR YOU. 581 00:51:43,301 --> 00:51:50,241 * THIS OLD GUITAR AIN'T MINE TO KEEP * 582 00:51:50,275 --> 00:51:56,914 * I'M TAKING CARE OF IT NOW 583 00:51:56,947 --> 00:52:03,221 * IT'S BEEN AROUND FOR YEARS AND YEARS * 584 00:52:03,254 --> 00:52:09,360 * JUST WAITING IN ITS OLD CASE * 585 00:52:09,394 --> 00:52:17,202 * IT'S BEEN UP AND DOWN THE COUNTRY ROADS * 586 00:52:17,235 --> 00:52:23,508 * IT'S BROUGHT A TEAR AND A SMILE * 587 00:52:23,541 --> 00:52:30,381 * IT'S HAD ITS SHARE OF DREAMS AND HOPES * 588 00:52:30,415 --> 00:52:36,654 * AND NEVER WENT OUT OF STYLE 589 00:52:36,687 --> 00:52:43,528 * THE MORE I PLAY IT, THE BETTER IT SOUNDS * 590 00:52:43,561 --> 00:52:50,335 * IT CRIES WHEN I LEAVE IT ALONE * 591 00:52:50,368 --> 00:52:56,774 * SILENTLY IT WAITS FOR ME 592 00:52:56,807 --> 00:53:03,648 * OR SOMEONE ELSE, I SUPPOSE * 593 00:53:03,681 --> 00:53:06,684 * THIS OLD GUITAR 594 00:53:11,622 --> 00:53:14,492 * THIS OLD GUITAR 595 00:53:16,861 --> 00:53:19,764 * THIS OLD GUITAR 596 00:53:51,496 --> 00:53:58,002 * THIS OLD GUITAR HAS CAUGHT SOME BREAKS * 597 00:53:58,035 --> 00:54:04,909 * BUT IT NEVER SEARCHED FOR GOLD * 598 00:54:04,942 --> 00:54:11,416 * IT CAN'T BE BLAMED FOR MY MISTAKES * 599 00:54:11,449 --> 00:54:17,655 * IT ONLY DOES WHAT IT'S TOLD 600 00:54:17,688 --> 00:54:24,495 * IT'S BEEN A MESSENGER IN TIMES OF TROUBLE * 601 00:54:24,529 --> 00:54:31,001 * IN TIMES OF HOPE AND FEAR 602 00:54:31,035 --> 00:54:37,375 * WHEN I GET DRUNK AND SEEING DOUBLE * 603 00:54:37,408 --> 00:54:43,948 * IT JUMPS BEHIND THE WHEEL AND STEERS * 604 00:54:43,981 --> 00:54:50,421 * THIS OLD GUITAR AIN'T MINE TO KEEP * 605 00:54:50,455 --> 00:54:56,961 * IT'S MINE TO PLAY FOR A WHILE * 606 00:54:56,994 --> 00:55:03,534 * THIS OLD GUITAR AIN'T MINE TO KEEP * 607 00:55:03,568 --> 00:55:10,074 * IT'S ONLY MINE FOR A WHILE 608 00:55:10,107 --> 00:55:13,310 * THIS OLD GUITAR 609 00:55:18,416 --> 00:55:21,452 * THIS OLD GUITAR 610 00:55:23,988 --> 00:55:26,657 * THIS OLD GUITAR 611 00:55:31,161 --> 00:55:34,532 * THIS OLD GUITAR 612 00:55:36,567 --> 00:55:39,604 * THIS OLD GUITAR 613 00:56:15,205 --> 00:56:20,645 * WAS HE THINKIN' ABOUT MY COUNTRY * 614 00:56:20,678 --> 00:56:26,083 * OR THE COLOR OF MY SKIN? 615 00:56:26,116 --> 00:56:31,422 * WAS HE THINKIN' 'BOUT MY RELIGION * 616 00:56:31,456 --> 00:56:36,761 * AND THE WAY I WORSHIPPED HIM? * 617 00:56:36,794 --> 00:56:42,933 * DID HE CREATE JUST ME IN HIS IMAGE * 618 00:56:42,967 --> 00:56:48,473 * OR EVERY LIVING THING? 619 00:56:48,506 --> 00:56:54,445 * WHEN GOD MADE ME 620 00:56:54,479 --> 00:57:00,785 * WHEN GOD MADE ME 621 00:57:10,928 --> 00:57:16,200 * WAS HE PLANNING ONLY FOR BELIEVERS * 622 00:57:16,233 --> 00:57:22,573 * OR FOR THOSE WHO JUST HAVE FAITH? * 623 00:57:22,607 --> 00:57:27,244 * DID HE ENVISION ALL THE WARS 624 00:57:27,277 --> 00:57:32,950 * THAT WERE FOUGHT IN HIS NAME? * 625 00:57:32,983 --> 00:57:38,923 * DID HE THINK THERE WAS ONLY ONE WAY * 626 00:57:38,956 --> 00:57:44,028 * TO BE CLOSE TO HIM? 627 00:57:44,061 --> 00:57:50,200 * WHEN GOD MADE ME 628 00:57:50,234 --> 00:57:56,607 * WHEN GOD MADE ME 629 00:58:06,884 --> 00:58:12,723 * DID HE GIVE US THE GIFT OF LOVE * 630 00:58:12,757 --> 00:58:18,228 * TO SAY WHO WE COULD CHOOSE? * 631 00:58:18,262 --> 00:58:24,268 * WHEN GOD MADE ME 632 00:58:24,301 --> 00:58:30,274 * WHEN GOD MADE ME 633 00:58:30,307 --> 00:58:36,280 * WHEN GOD MADE ME 634 00:58:36,313 --> 00:58:41,986 * WHEN GOD MADE ME 635 00:58:42,019 --> 00:58:47,592 * DID HE GIVE ME THE GIFT OF VOICE * 636 00:58:47,625 --> 00:58:52,763 * SO SOME COULD SILENCE ME? 637 00:58:52,797 --> 00:58:58,302 * DID HE GIVE ME THE GIFT OF VISION * 638 00:58:58,335 --> 00:59:04,241 * NOT KNOWING WHAT I MIGHT SEE? * 639 00:59:04,274 --> 00:59:10,180 * DID HE GIVE US THE GIFT OF COMPASSION * 640 00:59:10,214 --> 00:59:16,020 * TO HELP OUR FELLOW MAN? 641 00:59:16,053 --> 00:59:21,992 * WHEN GOD MADE ME 642 00:59:22,026 --> 00:59:27,798 * WHEN GOD MADE ME 643 00:59:27,832 --> 00:59:33,671 * WHEN GOD MADE ME 644 00:59:33,704 --> 00:59:40,711 * WHEN GOD MADE ME 645 01:00:17,815 --> 01:00:21,185 * I AM A CHILD 646 01:00:21,218 --> 01:00:23,921 * I LAST A WHILE 647 01:00:23,954 --> 01:00:30,194 * YOU CAN'T CONCEIVE OF THE PLEASURE IN MY SMILE * 648 01:00:30,227 --> 01:00:33,130 * YOU HOLD MY HAND 649 01:00:33,163 --> 01:00:36,366 * ROUGH UP MY HAIR 650 01:00:36,400 --> 01:00:42,306 * IT'S LOTS OF FUN TO HAVE YOU THERE * 651 01:00:42,339 --> 01:00:44,875 * I GAVE TO YOU 652 01:00:44,909 --> 01:00:48,412 * NOW YOU GIVE TO ME 653 01:00:48,445 --> 01:00:54,785 * I'D LIKE TO KNOW WHAT YOU'VE LEARNED * 654 01:00:54,819 --> 01:00:56,787 * THE SKY IS BLUE 655 01:00:56,821 --> 01:01:00,758 * AND SO IS THE SEA 656 01:01:00,791 --> 01:01:06,764 * WHAT IS THE COLOR WHEN BLACK IS BURNED? * 657 01:01:06,797 --> 01:01:10,100 * WHAT IS THE COLOR? 658 01:01:24,849 --> 01:01:27,818 * YOU ARE A MAN 659 01:01:27,852 --> 01:01:30,921 * YOU UNDERSTAND 660 01:01:30,955 --> 01:01:36,861 * YOU PICK ME UP, THEN YOU LAY ME DOWN AGAIN * 661 01:01:36,894 --> 01:01:39,797 * YOU MAKE THE RULES 662 01:01:39,830 --> 01:01:42,733 * YOU SAY WHAT'S FAIR 663 01:01:42,767 --> 01:01:49,106 * IT'S LOTS OF FUN TO HAVE YOU THERE * 664 01:01:49,139 --> 01:01:50,808 * I GAVE TO YOU 665 01:01:50,841 --> 01:01:54,779 * NOW YOU GIVE TO ME 666 01:01:54,812 --> 01:02:00,851 * I'D LIKE TO KNOW WHAT YOU'VE LEARNED * 667 01:02:00,885 --> 01:02:02,753 * THE SKY IS BLUE 668 01:02:02,787 --> 01:02:06,857 * AND SO IS THE SEA 669 01:02:06,891 --> 01:02:12,830 * WHAT IS THE COLOR WHEN BLACK IS BURNED? * 670 01:02:12,863 --> 01:02:16,133 * WHAT IS THE COLOR? 671 01:03:02,379 --> 01:03:06,884 * COME A LITTLE BIT CLOSER 672 01:03:06,917 --> 01:03:11,288 * HEAR WHAT I HAVE TO SAY 673 01:03:19,629 --> 01:03:24,168 * JUST LIKE CHILDREN SLEEPING 674 01:03:24,201 --> 01:03:29,406 * WE COULD DREAM THIS NIGHT AWAY * 675 01:03:36,881 --> 01:03:40,918 * BUT THERE'S A FULL MOON RISING * 676 01:03:40,951 --> 01:03:47,257 * LET'S GO DANCING IN THE LIGHT * 677 01:03:54,498 --> 01:03:58,502 * WE KNOW WHERE THE MUSIC'S PLAYING * 678 01:03:58,535 --> 01:04:04,074 * LET'S GO OUT AND FEEL THE NIGHT * 679 01:04:11,381 --> 01:04:16,486 * BECAUSE I'M STILL IN LOVE WITH YOU * 680 01:04:16,520 --> 01:04:20,524 * I WANT TO SEE YOU DANCE AGAIN * 681 01:04:20,557 --> 01:04:25,896 * BECAUSE I'M STILL IN LOVE WITH YOU * 682 01:04:25,930 --> 01:04:33,237 * ON THIS HARVEST MOON 683 01:04:47,117 --> 01:04:51,621 * WHEN WE WERE STRANGERS 684 01:04:51,655 --> 01:04:56,393 * I WATCHED YOU FROM AFAR 685 01:05:04,734 --> 01:05:08,605 * WHEN WE WERE LOVERS 686 01:05:08,638 --> 01:05:14,278 * I LOVED YOU WITH ALL MY HEART * 687 01:05:21,518 --> 01:05:26,190 * BUT NOW IT'S GETTING LATE 688 01:05:26,223 --> 01:05:32,062 * AND THE MOON IS CLIMBING HIGH * 689 01:05:38,435 --> 01:05:43,507 * I WANT TO CELEBRATE 690 01:05:43,540 --> 01:05:49,413 * SEE IT SHINING IN YOUR EYE * 691 01:05:56,720 --> 01:06:01,725 * BECAUSE I'M STILL IN LOVE WITH YOU * 692 01:06:01,758 --> 01:06:05,462 * I WANT TO SEE YOU DANCE AGAIN * 693 01:06:05,495 --> 01:06:10,600 * BECAUSE I'M STILL IN LOVE WITH YOU * 694 01:06:10,634 --> 01:06:18,375 * ON THIS HARVEST MOON 695 01:07:05,822 --> 01:07:10,694 * BECAUSE I'M STILL IN LOVE WITH YOU * 696 01:07:10,727 --> 01:07:14,464 * I WANT TO SEE YOU DANCE AGAIN * 697 01:07:14,498 --> 01:07:19,803 * BECAUSE I'M STILL IN LOVE WITH YOU * 698 01:07:19,836 --> 01:07:29,446 * ON THIS HARVEST MOON 699 01:07:38,722 --> 01:07:43,460 * HARVEST MOON 700 01:08:25,902 --> 01:08:28,505 * I WANT TO LIVE 701 01:08:28,538 --> 01:08:31,241 * I WANT TO GIVE 702 01:08:31,275 --> 01:08:36,846 * I'VE BEEN A MINER FOR A HEART OF GOLD * 703 01:08:36,880 --> 01:08:39,783 * IT'S THESE EXPRESSIONS 704 01:08:39,816 --> 01:08:42,652 * I NEVER GIVE 705 01:08:42,686 --> 01:08:48,858 * THAT KEEP ME SEARCHING FOR A HEART OF GOLD * 706 01:08:48,892 --> 01:08:51,461 * AND I'M GETTING OLD 707 01:08:54,598 --> 01:08:59,936 * KEEPING ME SEARCHING FOR A HEART OF GOLD * 708 01:08:59,969 --> 01:09:03,173 * AND I'M GETTING OLD 709 01:09:27,964 --> 01:09:30,867 * I'VE BEEN TO HOLLYWOOD 710 01:09:30,900 --> 01:09:33,670 * I WENT TO REDWOOD 711 01:09:33,703 --> 01:09:39,409 * I CROSSED THE OCEAN FOR A HEART OF GOLD * 712 01:09:39,443 --> 01:09:42,246 * I'VE BEEN IN MY MIND 713 01:09:42,279 --> 01:09:44,781 * IT'S SUCH A FINE LINE 714 01:09:44,814 --> 01:09:51,221 * THAT KEEPS ME SEARCHING FOR A HEART OF GOLD * 715 01:09:51,255 --> 01:09:53,790 * AND I'M GETTING OLD 716 01:09:56,960 --> 01:10:02,466 * KEEPS ME SEARCHING FOR A HEART OF GOLD * 717 01:10:02,499 --> 01:10:06,336 * AND I'M GETTING OLD 718 01:10:24,954 --> 01:10:30,594 * KEEP ME SEARCHING FOR A HEART OF GOLD * 719 01:10:30,627 --> 01:10:35,732 * KEEP ME SEARCHING, I'M GROWING OLD * 720 01:10:35,765 --> 01:10:41,538 * KEEP ME SEARCHING FOR A HEART OF GOLD * 721 01:10:41,571 --> 01:10:48,745 * I'VE BEEN A MINER FOR A HEART OF GOLD * 722 01:10:48,778 --> 01:10:51,481 * OH 723 01:11:04,928 --> 01:11:06,430 THANK YOU. 724 01:11:09,999 --> 01:11:12,369 ABOUT THAT TIME WHEN I WROTE THAT SONG 725 01:11:12,402 --> 01:11:14,638 AND I WAS TOURING, I HAD ALSO, UH, 726 01:11:14,671 --> 01:11:18,375 JUST, YOU KNOW, BEING A RICH HIPPIE FOR THE FIRST TIME, 727 01:11:18,408 --> 01:11:20,910 I HAD PURCHASED A RANCH, 728 01:11:20,944 --> 01:11:22,912 AND, UH... 729 01:11:22,946 --> 01:11:26,082 AND I STILL LIVE THERE TODAY. 730 01:11:26,115 --> 01:11:29,353 AND, UH, THERE WAS A COUPLE LIVING ON IT 731 01:11:29,386 --> 01:11:30,920 THAT WERE THE CARETAKERS 732 01:11:30,954 --> 01:11:38,027 AND AN OLD GENTLEMAN NAMED LUIS AVILA AND HIS WIFE CLARA. 733 01:11:38,061 --> 01:11:40,664 AND THERE WAS THIS OLD BLUE JEEP THERE 734 01:11:40,697 --> 01:11:44,067 AND, UH, LUIS TOOK ME FOR A, UH, 735 01:11:44,100 --> 01:11:47,871 TOOK ME FOR A RIDE IN THIS BLUE JEEP 736 01:11:47,904 --> 01:11:51,941 AND HE, HE GETS ME UP THERE ON THE TOPSIDE OF THE PLACE 737 01:11:51,975 --> 01:11:55,011 AND THERE WAS THIS LAKE UP THERE THAT FED ALL THE PASTURES 738 01:11:55,044 --> 01:11:57,113 AND HE SAYS, "WELL, TELL ME, 739 01:11:57,146 --> 01:11:58,615 "HOW DOES A YOUNG MAN LIKE YOURSELF 740 01:11:58,648 --> 01:12:02,018 HAVE ENOUGH MONEY TO BUY A PLACE LIKE THIS?" 741 01:12:02,051 --> 01:12:04,053 AND I SAID, "WELL, I'M JUST LUCKY, LOUIE. 742 01:12:04,087 --> 01:12:05,254 JUST REAL LUCKY." 743 01:12:05,288 --> 01:12:09,926 AND HE SAID, "WELL, THAT'S THE DARNEDEST THING I EVER HEARD." 744 01:12:13,597 --> 01:12:16,332 THEN I WROTE THIS SONG FOR HIM. 745 01:12:35,151 --> 01:12:38,054 * OLD MAN, LOOK AT MY LIFE * 746 01:12:38,087 --> 01:12:44,027 * I'M A LOT LIKE YOU WERE 747 01:12:44,060 --> 01:12:47,096 * OLD MAN, LOOK AT MY LIFE * 748 01:12:47,130 --> 01:12:52,569 * I'M A LOT LIKE YOU WERE 749 01:13:03,580 --> 01:13:07,016 * OLD MAN, LOOK AT MY LIFE * 750 01:13:07,050 --> 01:13:10,520 * 24 AND THERE'S SO MUCH MORE 751 01:13:10,554 --> 01:13:13,523 * LIVE ALONE IN A PARADISE 752 01:13:13,557 --> 01:13:17,594 * THAT MAKES ME THINK OF TWO 753 01:13:17,627 --> 01:13:20,630 * LOVE LOST, SUCH A COST 754 01:13:20,664 --> 01:13:24,434 * GIVE ME THINGS THAT DON'T GET LOST * 755 01:13:24,468 --> 01:13:27,637 * LIKE A COIN THAT WON'T GET TOSSED * 756 01:13:27,671 --> 01:13:31,708 * ROLLING HOME TO YOU 757 01:13:38,214 --> 01:13:40,984 * OLD MAN, TAKE A LOOK AT MY LIFE * 758 01:13:41,017 --> 01:13:45,589 * I'M A LOT LIKE YOU 759 01:13:45,622 --> 01:13:48,191 * I NEED SOMEONE TO LOVE ME 760 01:13:48,224 --> 01:13:52,629 * THE WHOLE DAY THROUGH 761 01:13:52,662 --> 01:13:55,064 * OH, ONE LOOK IN MY EYES 762 01:13:55,098 --> 01:13:58,502 * AND YOU CAN TELL THAT'S TRUE 763 01:14:13,617 --> 01:14:16,252 * LULLABIES, LOOK IN YOUR EYES * 764 01:14:16,285 --> 01:14:20,056 * RUN AROUND IN THE SAME OLD TOWN * 765 01:14:20,089 --> 01:14:23,059 * DOESN'T MEAN THAT MUCH TO ME * 766 01:14:23,092 --> 01:14:27,230 * TO MEAN THAT MUCH TO YOU 767 01:14:27,263 --> 01:14:30,600 * I'VE BEEN FIRST AND LAST 768 01:14:30,634 --> 01:14:34,538 * LOOK AT HOW THE TIME GOES PAST * 769 01:14:34,571 --> 01:14:37,240 * BUT I'M ALL ALONE AT LAST 770 01:14:37,273 --> 01:14:41,611 * ROLLING HOME TO YOU 771 01:14:48,284 --> 01:14:50,687 * OLD MAN, TAKE A LOOK AT MY LIFE * 772 01:14:50,720 --> 01:14:55,091 * I'M A LOT LIKE YOU 773 01:14:55,124 --> 01:14:57,761 * I NEED SOMEONE TO LOVE ME 774 01:14:57,794 --> 01:15:02,231 * THE WHOLE DAY THROUGH 775 01:15:02,265 --> 01:15:04,734 * OH, ONE LOOK IN MY EYES 776 01:15:04,768 --> 01:15:12,876 * AND YOU CAN TELL THAT'S TRUE * 777 01:15:17,814 --> 01:15:21,117 * OLD MAN, LOOK AT MY LIFE * 778 01:15:21,150 --> 01:15:26,656 * I'M A LOT LIKE YOU WERE 779 01:15:26,690 --> 01:15:30,026 * OLD MAN, LOOK AT MY LIFE * 780 01:15:30,059 --> 01:15:35,899 * I'M A LOT LIKE YOU WERE 781 01:16:04,961 --> 01:16:09,666 * I CAUGHT YOU KNOCKING AT MY CELLAR DOOR * 782 01:16:09,699 --> 01:16:14,203 * I LOVE YOU, BABY, CAN I HAVE SOME MORE? * 783 01:16:14,237 --> 01:16:21,945 * OH, THE DAMAGE DONE 784 01:16:21,978 --> 01:16:26,082 * I HIT THE CITY AND I LOST MY BAND * 785 01:16:26,115 --> 01:16:31,020 * I WATCHED THE NEEDLE TAKE ANOTHER MAN * 786 01:16:31,054 --> 01:16:33,256 * GONE, GONE 787 01:16:33,289 --> 01:16:37,026 * THE DAMAGE DONE 788 01:16:55,879 --> 01:16:59,783 * I SING THE SONG BECAUSE I LOVED THE MAN * 789 01:16:59,816 --> 01:17:03,987 * I KNOW THAT SOME OF YOU DON'T UNDERSTAND * 790 01:17:04,020 --> 01:17:12,428 * MILK BLOOD TO KEEP FROM RUNNING OUT * 791 01:17:12,461 --> 01:17:16,766 * I'VE SEEN THE NEEDLE AND THE DAMAGE DONE * 792 01:17:16,800 --> 01:17:21,070 * A LITTLE PART OF IT IN EVERYONE * 793 01:17:21,104 --> 01:17:27,844 * BUT EVERY JUNKIE'S LIKE A SETTING SUN * 794 01:18:15,925 --> 01:18:18,895 * KING WENT A-RUNNING AFTER DEER * 795 01:18:18,928 --> 01:18:21,798 * WASN'T SCARED OF JUMPIN' OFF THE TRUCK IN HIGH GEAR * 796 01:18:21,831 --> 01:18:24,233 * KING WENT A-SNIFFIN' AND HE WOULD GO * 797 01:18:24,267 --> 01:18:28,805 * WAS THE BEST OLD HOUND DOG I EVER DID KNOW * 798 01:18:28,838 --> 01:18:31,775 * I HAD A DOG, AND HIS NAME WAS KING * 799 01:18:31,808 --> 01:18:34,377 * I TOLD THE DOG ABOUT EVERYTHING * 800 01:18:34,410 --> 01:18:36,980 * THERE IN MY TRUCK, THE DOG AND I * 801 01:18:37,013 --> 01:18:43,019 * THEN ONE DAY THE KING UP AND DIED * 802 01:18:52,161 --> 01:18:54,898 * THEN I THOUGHT ABOUT THE TIMES WE HAD * 803 01:18:54,931 --> 01:18:57,533 * ONCE WHEN I KICKED HIM WHEN HE WAS BAD * 804 01:18:57,566 --> 01:19:00,003 * OLD KING SURE MEANT A LOT TO ME * 805 01:19:00,036 --> 01:19:05,208 * BUT THAT HOUND DOG IS HISTORY * 806 01:19:15,484 --> 01:19:18,254 * KING WENT A-HOWLIN' AFTER DEER * 807 01:19:18,287 --> 01:19:21,090 * WASN'T SCARED OF JUMPIN' OFF THE TRUCK IN HIGH GEAR * 808 01:19:21,124 --> 01:19:23,793 * KING WENT A SNIFFIN' AND HE WOULD GO * 809 01:19:23,827 --> 01:19:29,799 * WAS THE BEST OLD HOUND DOG I EVER DID KNOW * 810 01:19:37,506 --> 01:19:40,243 (NEIL SNIFFING) 811 01:19:43,246 --> 01:19:45,314 (HOWLS) 812 01:19:48,617 --> 01:19:51,254 * THAT OLD KING WAS A FRIEND OF MINE * 813 01:19:51,287 --> 01:19:54,123 * NEVER KNEW A DOG THAT WAS HALF AS FINE * 814 01:19:54,157 --> 01:19:56,993 * I MAY FIND ONE, YOU NEVER DO KNOW * 815 01:19:57,026 --> 01:20:02,065 * 'CAUSE I STILL GOT A LONG WAY TO GO * 816 01:20:17,513 --> 01:20:20,149 * I HAD A DOG AND HIS NAME WAS KING * 817 01:20:20,183 --> 01:20:23,052 * I TOLD THE DOG ABOUT EVERYTHING * 818 01:20:23,086 --> 01:20:25,588 * OLD KING SURE MEANT A LOT TO ME * 819 01:20:25,621 --> 01:20:30,927 * BUT THAT HOUND DOG IS HISTORY * 820 01:21:36,960 --> 01:21:39,528 * KING WENT A HOWLIN' AFTER DEER * 821 01:21:39,562 --> 01:21:42,932 * WASN'T SCARED OF JUMPIN OFF THE TRUCK IN HIGH GEAR * 822 01:21:42,966 --> 01:21:45,068 * KING WENT A-SNIFFIN' AND HE WOULD GO * 823 01:21:45,101 --> 01:21:52,308 * WAS THE BEST OLD HOUND DOG I EVER DID KNOW * 824 01:22:11,327 --> 01:22:14,230 IS THERE A GUITAR PLAYER IN THE HOUSE? 825 01:22:17,366 --> 01:22:19,235 THIS SONG HERE, UH, 826 01:22:19,268 --> 01:22:20,436 I RECORDED HERE IN NASHVILLE, 827 01:22:20,469 --> 01:22:25,674 AND NICOLETTE LARSON SANG THE SONG WITH ME, 828 01:22:25,708 --> 01:22:28,377 SO WE'D LIKE TO DO THIS ONE FOR HER. 829 01:22:35,751 --> 01:22:39,055 * COMES A TIME 830 01:22:39,088 --> 01:22:41,757 * WHEN YOU'RE DRIFTIN' 831 01:22:41,790 --> 01:22:44,060 * COMES A TIME 832 01:22:44,093 --> 01:22:46,629 * WHEN YOU SETTLE DOWN 833 01:22:46,662 --> 01:22:50,666 * COMES A LIGHT 834 01:22:50,699 --> 01:22:53,769 * FEELING'S LIFTIN' 835 01:22:53,802 --> 01:22:59,375 * LIFT THAT BABY RIGHT UP OFF THE GROUND * 836 01:22:59,408 --> 01:23:02,045 * OH 837 01:23:02,078 --> 01:23:07,083 * THIS OLD WORLD KEEPS SPINNING ROUND * 838 01:23:07,116 --> 01:23:12,721 * IT'S A WONDER TALL TREES AIN'T LAYIN' DOWN * 839 01:23:12,755 --> 01:23:16,325 * THERE COMES A TIME 840 01:23:19,762 --> 01:23:22,565 * YOU AND I 841 01:23:22,598 --> 01:23:25,634 * WE WERE CAPTURED 842 01:23:25,668 --> 01:23:27,770 * WE TOOK OUR SOULS 843 01:23:27,803 --> 01:23:32,108 * AND WE FLEW AWAY 844 01:23:32,141 --> 01:23:34,777 * WE WERE RIGHT 845 01:23:34,810 --> 01:23:37,513 * WE WERE GIVING 846 01:23:37,546 --> 01:23:43,452 * THAT'S HOW WE KEPT WHAT WE GAVE AWAY * 847 01:23:43,486 --> 01:23:45,721 * OH 848 01:23:45,754 --> 01:23:51,260 * THIS OLD WORLD KEEPS SPINNIN' ROUND * 849 01:23:51,294 --> 01:23:56,732 * IT'S A WONDER TALL TREES AIN'T LAYIN' DOWN * 850 01:23:56,765 --> 01:24:01,204 * THERE COMES A TIME 851 01:24:26,829 --> 01:24:29,365 * OH 852 01:24:29,398 --> 01:24:34,637 * THIS OLD WORLD KEEPS SPINNIN' ROUND * 853 01:24:34,670 --> 01:24:40,509 * IT'S A WONDER TALL TREES AIN'T LAYIN' DOWN * 854 01:24:40,543 --> 01:24:44,079 * THERE COMES A TIME 855 01:24:46,282 --> 01:24:50,253 * COMES A TIME 856 01:24:52,221 --> 01:24:55,291 * COMES A TIME 857 01:24:57,626 --> 01:25:01,430 * COMES A TIME 858 01:25:03,266 --> 01:25:05,901 * COMES A TIME 859 01:25:05,934 --> 01:25:08,904 * COMES A TIME 860 01:25:08,937 --> 01:25:14,677 * COMES A TIME 861 01:25:28,791 --> 01:25:30,393 THANK YOU. 862 01:25:33,196 --> 01:25:35,898 THIS SONG HERE WAS WRITTEN BY IAN TYSON, 863 01:25:35,931 --> 01:25:36,932 WHO'S A CANADIAN. 864 01:25:36,965 --> 01:25:40,236 HE'S LIVING OUT IN CALGARY ON HIS RANCH RIGHT NOW. 865 01:25:40,269 --> 01:25:43,739 BUT WHEN I WAS JUST A KID, 16 YEARS OR 17 YEARS OLD, 866 01:25:43,772 --> 01:25:48,211 I WENT TO THIS PLACE NEAR WINNIPEG WHERE I GREW UP, 867 01:25:48,244 --> 01:25:50,279 AND IT'S CALLED FALCON LAKE. 868 01:25:50,313 --> 01:25:51,647 AND IT'S JUST ONE OF THOSE FIRST TIMES 869 01:25:51,680 --> 01:25:53,682 WHEN YOU REALLY GOT AWAY FROM HOME AND WERE ON YOUR OWN. 870 01:25:53,716 --> 01:25:57,320 I WAS JUST KIND OF FEELING IT FOR THE FIRST TIME. 871 01:25:57,353 --> 01:26:01,190 AND THERE WAS THIS LITTLE KIND OF A RESTAURANT PLACE 872 01:26:01,224 --> 01:26:02,858 WITH A JUKEBOX IN IT THAT WAS THERE 873 01:26:02,891 --> 01:26:04,527 AND, UH, I USED TO GO THERE. 874 01:26:04,560 --> 01:26:08,664 AND I THINK I SPENT ALL MY MONEY PLAYING THIS NEXT SONG 875 01:26:08,697 --> 01:26:09,932 OVER AND OVER AGAIN. 876 01:26:09,965 --> 01:26:13,502 IT WAS THE MOST BEAUTIFUL RECORD THAT I'VE EVER HEARD IN MY LIFE 877 01:26:13,536 --> 01:26:15,538 AND I JUST COULD NOT GET ENOUGH OF IT. 878 01:26:15,571 --> 01:26:18,274 AND SO, UH, I DON'T HAVE THE RECORD WITH ME HERE, 879 01:26:18,307 --> 01:26:20,943 BUT I'M GOING TO SING IT WITH MY FRIENDS 880 01:26:20,976 --> 01:26:23,779 AND WE'LL SEE WHAT WE CAN DO. 881 01:26:46,869 --> 01:26:51,374 * THINK I'LL GO OUT TO ALBERTA * 882 01:26:51,407 --> 01:26:54,843 * WEATHER'S GOOD THERE IN THE FALL * 883 01:26:54,877 --> 01:27:01,650 * I GOT SOME FRIENDS THAT I COULD GO TO WORKING FOR * 884 01:27:03,586 --> 01:27:07,956 * STILL I WISH YOU'D CHANGE YOUR MIND * 885 01:27:07,990 --> 01:27:12,428 * IF I ASK YOU ONE MORE TIME 886 01:27:12,461 --> 01:27:18,501 * BUT WE'VE BEEN THROUGH THAT A HUNDRED TIMES OR MORE * 887 01:27:20,936 --> 01:27:25,341 * FOUR STRONG WINDS THAT BLOW LONELY * 888 01:27:25,374 --> 01:27:29,512 * SEVEN SEAS THAT RUN HIGH 889 01:27:29,545 --> 01:27:36,719 * ALL THOSE THINGS THAT DON'T CHANGE COME WHAT MAY * 890 01:27:38,421 --> 01:27:42,525 * IF THE GOOD TIMES ARE ALL GONE * 891 01:27:42,558 --> 01:27:46,762 * THEN I'M BOUND FOR MOVING ON * 892 01:27:46,795 --> 01:27:53,669 * I'LL LOOK FOR YOU IF I'M EVER BACK THIS WAY * 893 01:27:55,538 --> 01:28:00,343 * IF I GET THERE BEFORE THE SNOW FLIES * 894 01:28:00,376 --> 01:28:03,879 * AND IF THINGS ARE LOOKING GOOD * 895 01:28:03,912 --> 01:28:10,519 * YOU COULD MEET ME IF I SEND YOU DOWN THE FARE * 896 01:28:13,121 --> 01:28:16,959 * BUT BY THEN IT WOULD BE WINTER * 897 01:28:16,992 --> 01:28:21,364 * NOT TOO MUCH FOR YOU TO DO 898 01:28:21,397 --> 01:28:27,736 * AND THOSE WINDS SURE CAN BLOW COLD WAY OUT THERE * 899 01:28:29,805 --> 01:28:34,343 * FOUR STRONG WINDS THAT BLOW LONELY * 900 01:28:34,377 --> 01:28:38,514 * SEVEN SEAS THAT RUN HIGH 901 01:28:38,547 --> 01:28:44,820 * ALL THOSE THINGS THAT DON'T CHANGE COME WHAT MAY * 902 01:28:47,456 --> 01:28:51,460 * IF THE GOOD TIMES ARE ALL GONE * 903 01:28:51,494 --> 01:28:55,698 * THEN I'M BOUND FOR MOVING ON * 904 01:28:55,731 --> 01:29:01,837 * I'LL LOOK FOR YOU IF I'M EVER BACK THIS WAY * 905 01:29:21,490 --> 01:29:25,661 * STILL I WISH YOU'D CHANGE YOUR MIND * 906 01:29:25,694 --> 01:29:30,065 * IF I ASK YOU ONE MORE TIME 907 01:29:30,098 --> 01:29:36,672 * BUT WE'VE BEEN THROUGH THAT A HUNDRED TIMES OR MORE * 908 01:29:38,641 --> 01:29:43,178 * FOUR STRONG WINDS THAT BLOW LONELY * 909 01:29:43,211 --> 01:29:47,483 * SEVEN SEAS THAT RUN HIGH 910 01:29:47,516 --> 01:29:53,856 * ALL THOSE THINGS THAT DON'T CHANGE COME WHAT MAY * 911 01:29:56,492 --> 01:30:00,696 * IF THE GOOD TIMES ARE ALL GONE * 912 01:30:00,729 --> 01:30:04,767 * THEN I'M BOUND FOR MOVING ON * 913 01:30:04,800 --> 01:30:11,507 * I'LL LOOK FOR YOU IF I'M EVER BACK THIS WAY * 914 01:30:13,509 --> 01:30:20,483 * I'LL LOOK FOR YOU IF I'M EVER BACK THIS WAY * 915 01:30:57,052 --> 01:30:59,955 * ONE OF THESE DAYS 916 01:30:59,988 --> 01:31:05,694 * I'M GOING TO SIT DOWN AND WRITE A LONG LETTER * 917 01:31:05,728 --> 01:31:11,867 * TO ALL THE GOOD FRIENDS I'VE KNOWN * 918 01:31:14,236 --> 01:31:17,873 * AND I'M GOING TO TRY 919 01:31:17,906 --> 01:31:23,211 * TO THANK THEM ALL FOR THE GOOD TIMES TOGETHER * 920 01:31:23,245 --> 01:31:29,518 * THOUGH SO APART WE'VE GROWN 921 01:31:31,620 --> 01:31:35,057 * ONE OF THESE DAYS 922 01:31:35,090 --> 01:31:40,162 * I'M GOING TO SIT DOWN AND WRITE A LONG LETTER * 923 01:31:40,195 --> 01:31:48,704 * TO ALL THE GOOD FRIENDS I'VE KNOWN * 924 01:31:48,737 --> 01:31:52,708 * ONE OF THESE DAYS 925 01:31:52,741 --> 01:31:57,580 * ONE OF THESE DAYS 926 01:31:57,613 --> 01:32:00,616 * ONE OF THESE DAYS 927 01:32:00,649 --> 01:32:02,117 * AND IT WON'T BE LONG 928 01:32:02,150 --> 01:32:03,085 * WON'T BE LONG 929 01:32:03,118 --> 01:32:04,152 * IT WON'T BE LONG 930 01:32:04,186 --> 01:32:07,590 * WON'T BE LONG 931 01:32:23,238 --> 01:32:27,643 * AND I'M GONNA THANK 932 01:32:27,676 --> 01:32:31,847 * THAT OLD COUNTRY FIDDLER 933 01:32:31,880 --> 01:32:35,317 * AND ALL THOSE ROUGH BOYS 934 01:32:35,350 --> 01:32:40,322 * WHO PLAYED THAT ROCK AND ROLL * 935 01:32:40,355 --> 01:32:45,594 * BUT I NEVER TRIED 936 01:32:45,628 --> 01:32:48,997 * TO BURN ANY BRIDGES 937 01:32:49,031 --> 01:32:57,773 * BUT I KNOW I LET SOME GOOD THINGS GO * 938 01:32:57,806 --> 01:33:01,176 * ONE OF THESE DAYS 939 01:33:01,209 --> 01:33:06,348 * I'M GOING TO SIT DOWN AND WRITE A LONG LETTER * 940 01:33:06,381 --> 01:33:14,757 * TO ALL THE GOOD FRIENDS I'VE KNOWN * 941 01:33:14,790 --> 01:33:19,094 * ONE OF THESE DAYS 942 01:33:19,127 --> 01:33:23,365 * ONE OF THESE DAYS 943 01:33:23,398 --> 01:33:26,635 * ONE OF THESE DAYS 944 01:33:26,669 --> 01:33:28,070 * AND IT WON'T BE LONG 945 01:33:28,103 --> 01:33:29,104 * WON'T BE LONG 946 01:33:29,137 --> 01:33:30,105 * IT WON'T BE LONG 947 01:33:30,138 --> 01:33:33,876 * WON'T BE LONG 948 01:33:48,891 --> 01:33:53,261 * FROM DOWN IN L.A. 949 01:33:53,295 --> 01:33:57,733 * ALL THE WAY TO NASHVILLE 950 01:33:57,766 --> 01:34:01,403 * NEW YORK CITY 951 01:34:01,436 --> 01:34:06,274 * TO MY CANADIAN PRAIRIE HOME 952 01:34:06,308 --> 01:34:10,245 * MY FRIENDS ARE SCATTERED 953 01:34:10,278 --> 01:34:15,283 * LIKE LEAVES FROM AN OLD MAPLE * 954 01:34:15,317 --> 01:34:19,287 * SOME ARE WEAK 955 01:34:19,321 --> 01:34:23,458 * SOME ARE STRONG 956 01:34:23,491 --> 01:34:26,995 * ONE OF THESE DAYS 957 01:34:27,029 --> 01:34:31,800 * I'M GOING TO SIT DOWN AND WRITE A LONG LETTER * 958 01:34:31,834 --> 01:34:40,342 * TO ALL THE GOOD FRIENDS I'VE KNOWN * 959 01:34:40,375 --> 01:34:44,880 * ONE OF THESE DAYS 960 01:34:44,913 --> 01:34:48,917 * ONE OF THESE DAYS 961 01:34:48,951 --> 01:34:52,187 * ONE OF THESE DAYS 962 01:34:52,220 --> 01:34:53,722 * AND IT WON'T BE LONG 963 01:34:53,756 --> 01:34:54,723 * WON'T BE LONG 964 01:34:54,757 --> 01:34:55,724 * IT WON'T BE LONG 965 01:34:55,758 --> 01:34:57,726 * WON'T BE LONG 966 01:34:57,760 --> 01:35:01,864 * ONE OF THESE DAYS 967 01:35:01,897 --> 01:35:06,334 * ONE OF THESE DAYS 968 01:35:06,368 --> 01:35:09,404 * ONE OF THESE DAYS 969 01:35:09,437 --> 01:35:10,438 * AND IT WON'T BE LONG 970 01:35:10,472 --> 01:35:11,807 * WON'T BE LONG 971 01:35:11,840 --> 01:35:12,875 * IT WON'T BE LONG 972 01:35:12,908 --> 01:35:14,910 * WON'T BE LONG 973 01:35:14,943 --> 01:35:18,914 * ONE OF THESE DAYS 974 01:35:18,947 --> 01:35:23,251 * ONE OF THESE DAYS 975 01:35:23,285 --> 01:35:26,254 * ONE OF THESE DAYS 976 01:35:26,288 --> 01:35:27,790 * AND IT WON'T BE LONG 977 01:35:27,823 --> 01:35:28,791 * WON'T BE LONG 978 01:35:28,824 --> 01:35:29,825 * IT WON'T BE LONG 979 01:35:29,858 --> 01:35:35,330 * WON'T BE LONG 980 01:36:25,047 --> 01:36:29,551 * DON'T CALL PRETTY PEGGY 981 01:36:29,584 --> 01:36:34,389 * SHE CAN'T HEAR YOU NO MORE 982 01:36:39,027 --> 01:36:43,866 * DON'T LEAVE NO MESSAGE 983 01:36:43,899 --> 01:36:48,336 * ROUND HER BACK DOOR 984 01:36:50,538 --> 01:36:57,846 * THEY SAY THE OLD LAUGHING LADY * 985 01:36:57,880 --> 01:37:04,252 * BEEN HERE BEFORE 986 01:37:06,488 --> 01:37:11,559 * SHE DON'T KEEP TIME 987 01:37:11,593 --> 01:37:17,933 * SHE DON'T COUNT SCORE 988 01:37:37,119 --> 01:37:41,924 * WELL, YOU CAN'T HAVE A CUPBOARD * 989 01:37:41,957 --> 01:37:48,130 * IF THERE AIN'T NO WALL 990 01:37:51,934 --> 01:37:55,670 * YOU'VE GOT TO MOVE 991 01:37:55,703 --> 01:38:02,978 * THERE'S NO TIME FOR YOU TO STALL * 992 01:38:03,011 --> 01:38:10,018 * THEY SAY THE OLD LAUGHING LADY * 993 01:38:10,052 --> 01:38:17,025 * DROPPED BY TO CALL 994 01:38:19,494 --> 01:38:23,531 * AND WHEN SHE LEAVES 995 01:38:23,565 --> 01:38:31,439 * SHE LEAVES NOTHING AT ALL 996 01:39:03,671 --> 01:39:08,576 * SEE THE DRUNKARD OF THE VILLAGE * 997 01:39:08,610 --> 01:39:15,350 * FALLING ON THE STREET 998 01:39:18,620 --> 01:39:22,157 * CAN'T TELL HIS ANKLES 999 01:39:22,190 --> 01:39:30,132 * FROM THE REST OF HIS FEET 1000 01:39:30,165 --> 01:39:35,737 * HE LOVES HIS OLD LAUGHING LADY * 1001 01:39:35,770 --> 01:39:44,612 * 'CAUSE HER TASTE IS SO SWEET 1002 01:39:44,646 --> 01:39:49,217 * BUT THE LAUGHING LADY'S LOVING * 1003 01:39:49,251 --> 01:39:57,192 * AIN'T THE KIND HE CAN KEEP 1004 01:40:12,707 --> 01:40:18,046 * THERE'S A FEVER ON THE FREEWAY * 1005 01:40:18,080 --> 01:40:23,551 * BLACKS OUT THE NIGHT 1006 01:40:26,488 --> 01:40:31,659 * THERE'S A SLIPPING ON THE STAIRWAY * 1007 01:40:31,693 --> 01:40:39,367 * JUST DON'T FEEL RIGHT 1008 01:40:39,401 --> 01:40:45,240 * AND THERE'S A RUMBLING IN THE BEDROOM * 1009 01:40:45,273 --> 01:40:53,148 * AND A FLASHING OF LIGHT 1010 01:40:56,384 --> 01:41:02,157 * THERE'S THE OLD LAUGHING LADY * 1011 01:41:02,190 --> 01:41:08,363 * EVERYTHING IS ALL RIGHT 1012 01:41:09,697 --> 01:41:15,637 * THERE'S THE OLD LAUGHING LADY * 1013 01:41:15,670 --> 01:41:21,509 * EVERYTHING IS ALL RIGHT 1014 01:41:23,478 --> 01:41:29,584 * THERE'S THE OLD LAUGHING LADY * 1015 01:41:48,703 --> 01:41:51,506 CAPTIONING MADE POSSIBLE BY PARAMOUNT PICTURES CORPORATION 1016 01:41:51,539 --> 01:41:54,609 CAPTIONS COPYRIGHT 2006 PARAMOUNT PICTURES CORPORATION 1017 01:41:54,642 --> 01:41:58,280 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 68212

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