Original subtitles

(Indistinct murmuring)

(Footsteps approaching)

How are you?

How Iong do you have?

Another three months.

When you get out...

Anto feels very guilty.

He's still your best friend.

I need you to tell him that you think it's OK about me and him.

- Is this ajoke? - No.

He can't relax.

Here.

I want to give you this.

Will you tell him it's OK?

(Anto) This isyourteam

and we are going to win the league this year.

Lookat theprizes for fuck'ssake.

Now you know thescore. Tickets, five forapound.

You can get them from me,

orat the bar.

(Rock music playing)

You OK?

Oh, yes.

Bit tired.

Just a bit.

You know?

Did Anto... Was he...

It's cool.

Have you spoken to him?

I haven't spoken to him yet, no.

- Are you going to? - Yeah.

Who's that with him overthere?

That's Johnner. Bunny Kelly.

He used to Iive around the corner from me.

I'II never forget, one Sunday morn, he had a rowwith his granddad.

His granddad now, he stuck him in the bin.

Everyone was afraid to pull him out.

The poor man was in the bin for an hour and a half.

'Course Anto thinks they're great.

- You go overto him? - Yeah.

Um...

I don't want this.

I don't want it either.

No, it's yours.

Whatever about you and Anto,

that's nothing to do with you and me.

So you keep it.

I want you to keep it.

- Is that soda? - Yeah.

- Ifyou're not gonna drink it... - No, I'm gonna get one now.

Let me get this one.

You go and talkto Anto.

OK.

(Anto) It's a freakthing.

Somebodywarned him.

And it was my personal responsibility to give them their money.

(Johnner) I'm not particularly fucking interested

in Iistening to your financial...

You know?

That's the story, Johnner. I just can't get it.

Well, it might be but that's not gonna satisfy anybody.

You're not even making a fuckin' effort, you know?

That you wanna get it sorted out.

You Iook Iike a dozy bollocks.

What can I do about it?

Well, you can get this for a start and then we'II take it from there, eh?

- (Doorjamb rattling) - Hello?

Can I help you there, pal?

How are youse, Iads?

(Steo) There's athing with Anto, Git.

We gottatake care of it.

He'II be out of here in a minute.

It'sjust, you know, he's wanted now.

He has to do the raffle.

Excuse me?

Would you fuck off, please? Thankyou.

(Steo) I don't want to have to put you out, Git.

I can't go without him.

I mean I just can't do it.

Steo.

- There's a Iot of people outside. - They know better.

- I'm putting you out, Git. - OK.

- OK? - OK.

- OK? - Jesus, Steo!

(Exclaims)

Come on.

(Anto) Sorryabout this, you know.

(Sighs)

We'dneverplayedbefore.

Thought, you know, we're playing 50 quid.

We Iose it, we Iose it, you know.

But that's it Iike.

It won't come back.

AII ofa sudden I'm ahead, you know.

Then you Iose a bit,

win a bit,

Iose a bit, borrow a bit.

Next thing I know, I'm trying to paythe whole thing off.

But never got heavy Iike that before.

I swearto God, you saved me in there.

(Door opening)

(Footsteps approaching)

Just Ieave it to me. I'II explain everything, OK?

OK?

I rememberwhen I was your age.

I was probablyworse than you.

I was a Iittle bollocks.

I was the one knacker you didn't wanna come near.

Forget it.

Forget about it.

But I was never stupid.

And you've been very fucking stupid.

He made a mistake, Mr French.

He didn't knowthe score.

Anto, I appreciate what you're doing,

and you're shitting your pants

and you don't knowwhat's gonna happen and that's probably good sense.

But at the end ofthe day, you're an arsehole,

and you're the Iast person I'm gonna Iisten to.

So shut up,

because if I thinkyou're getting a smart mouth I'II kickyour head in.

Now, you...

I'm talking to you. RockyV.

Look at his face.

Ifyou don't Iook at him, I'II breakyour fuckin' Iegs.

He's Iost the eye.

You've destroyed his face.

What kind of horrible, ugly, desperate bitch is he gonna end up with?

He'II be Iucky ifsome Arab Iets him finger his dog's arse for a fiver.

(LAUGHS)

You Iike that, do you?

It'sjust, you know...

The wayyou said it was funny.

Steo.

Bring him inside,

and put Sky Sports on that.

I'm sorry. I won't say anything.

(French) I'm finished with you anyway.

This is between him and me now.

I'II wait foryou.

Now by rights and normally,

there is no fucking way I'd be sitting here even discussing this.

I would've had your eye.

He's mywife's sister's boy.

I think he's useless.

But I can't have this.

I can't have the Mulligans hanging out of me bollocks,

trying to get me to do something.

Do you knowwho Frank Grogan is?

No.

OId associate of mine.

He was down in Cork doing a deal for me.

Johnnerwas supposed to go down and pick up the money.

But obviously he couldn't,

because he can't even see now.

I would've had another fellow do it but he's doing eight months for contempt.

And that Steo is useless.

Grogan hasn't got in touch with me.

Reckon he's panicked. Thinks something's up.

I need someone to go down, find him, bring the money back.

Mr French, I'm only out of prison.

It's very difficult for me to get involved in something Iike this.

There won't be any problems.

AII I want you to do is pick someone up at 3:00 in Gortin

and take him down to Grogan.

Friendly Face. Help him out. Reassure him.

Johnner handled it very badly.

And this is what I need you to do to make it right.

Jesus, Mr French, I'd Iike to help him get this all out ofthe way,

but it was an accident and you know...

Ifyou don't wanna do it, don't.

Just give me £25,000, and I won't be out of pocket.

This is details ofwhere Frank has been forthe Iast few days.

Keep the photo.

I'II see ifAnto can get us a cab.

I thinkAnto should stay here.

What, here here?

Don't worry. You've got company.

Who?

(Tyres screeching)

Bunny Kelly?

Kelly's a good man.

Don't think you'II have any problems.

Bit of cooperation.

He fucks up, it's your fault. You fuck up, it's his.

That way I don't have to go around trusting everybody.

I'm just gonna nip in here for a sec.

(Car door closes)

(Keysjangling)

(Softly) Shit!

Well, this is stupid.

Number one, I can see ya.

Number two, you're movin'.

And three, Iook, I know you're in there.

I can see you. You're behind awhat-you-may-call-it.

I can see ya.

You're gonna Iet me in?

I can't talkthrough this.

(Girl) Hello, Mr Kelly.

Louise.

Teresa.

- Do you knowwho this Friendly Face is? - No.

- Do you know Grogan? - I know of him.

It says here he was staying in the CIaremont Hotel.

OK.

But that's overthe picture.

I mean, there's no way he's gonna still be there.

I don't know.

Ifthat's where he's staying...

But if he does knowwhat's going on, he'd be moving around, you know?

Yeah, that's one theory.

- Whywould he stay in the same place? - Whywouldn't he?

He'd wanna keep the head down.

He doesn't knowwhat's after him...

He's an old time fella. I'd say he'd be calm about the whole thing.

Yeah, I'm not saying the man's not calm.

I'm saying he's not gonna stay where any idiot can find him.

Yeah, I know what you're saying, but what are you basing this on?

What do you mean?

I mean what are you basing your opinion on?

Because it's what I'd do.

Yeah, but you're not him, are you?

Now, I'm not saying that and don't get me wrong.

This is not about you. I don't knowyou.

So I have to go on what I do know.

What do you mean?

- Well, I mean, you're ayoung guy... - Yeah, all right.

Don't get me wrong. I'm not blaming you foryour opinions.

That's what you'd do, fine.

But there's a Iittle more experience on my side

that might help us get thejob done that bit quicker, all right?

So what do you wanna do?

I wanna...

I think I wanna see when we get there. Do you know what I mean?

- See when we get there? - That's the plan.

(Bunny) Here. Get me some fags, will you?

And something to eat.

What are you waiting for?

(Car door closes)

- Hello. How are you? - How's it going?

- Not too bad a day now? - No.

These, these and 20 Carroll's, please.

And whateverthat is out there.

He hasn't put anything in yet.

What?

- Shit. - What's the story?

What's it Iook Iike?

- It Iooks Iike you stole this car. - Yeah.

You go in and get the smokes. I'II have this off in a minute.

He's onlywaiting on this.

Yeah, well, it's not helping anybody you standing there Iooking at me.

Keeping the pressure on now, is it?

I'm not trying to put pressure on you.

Just he's Iooking.

Any second now he's gonna twig that this is not our car.

(Bunny) Do you ever remember when you were young?

You could never do anything right when somebody was Iooking at you.

What?

Press in here.

- Where? - Here! Round the rim.

Hard!

That's it.

You fill that up.

- What are you doing? - Come in and give us a hand.

- Where's your man? - He's down here.

Oh, fuck!

Here. Take that.

Come on! Take it.

Cover him.

Where are you going?

Bollocks.

(Door opens)

(Door closes)

(Muffled whimpering)

Look, ifyou move, I'II kill ya.

Pocket the video.

(Engine revving)

He clocked us messing with the cap. He knewthe carwas hot.

He'd have shopped us in a minute.

I had to do it.

Had to be done.

Did you have to rob the place?

(Thunder rumbling)

Have to dump the car.

Could we not have waited till the next town though?

Nah.

Fuckthat.

Staytoo Iong on that road, what are you gonna do?

Cops see you, you're snared rabbit.

I don't wanna hear it.

I just...

I don't even want to hear it.

(Vehicle approaching)

(Engine backfiring)

(Backfiring)

(Backfiring)

Try it now.

(Engine stalling)

You, uh... You don't know anything about engines, do you?

Afraid not, no.

OK, well, you're gonna have to push it.

Excuse me?

Come on. We don't have all day.

(Scoffs) Yeah. Well... You know, I'II tell you what.

I probably wouldn't do it properly.

You know what I mean? I'd probably only fuck it up.

So why don't you push the fucking car?

(Heater clicking)

Can you get that heater on?

(Heater running)

Oh. (Gags) Oh, Jesus!

It's disgusting. Turn it off!

You turn it off!

- (Heater stops) - Not my fault.

- We're gonna miss this guy. - Who?

The Friendly Face.

(Mutters) Friendly Face.

(Car radio malfunctioning)

For fuck's sake!

There any chocolate Ieft?

No.

Is there none Ieft?

I don't eat chocolate.

Well, I have to eat.

I have a Iittle condition.

- (Bunny) Where is it? - Straight across.

Jesus!

Bunny. Bunny!

What are you doing?

I can't feel the bottom.

For fuck's sake!

I'm gonna ruin me shoes.

Hello?

"Couldn't wait any more."

Is that it?

We fucked this up.

Fuckin' car.

Don't worry about it.

We'II get Grogan. We don't need this twat.

And I'II tell you something.

BIaming people isn't worth the paper it's written on.

What are you talking about?

- How are we gonna get him? - We'II get him.

We need the Friendly Face!

Bunny!

We need the Friendly Face!

I'm getting a bit tired about hearing about this Friendly fucking Face!

Why don't you use your initiative and stop acting like a fucking baby!

Ifwe mess this up, Tom French is gonna eat us.

No guts, no black pudding.

I thinkyou knowwhat I'm talking about.

That's not an argument!

Stay here and be a boythen.

The men are getting in the car.

(Exhales)

(Sighs) He checked out yesterday.

Gotta start somewhere.

The first rule.

There's a pub he drinks in.

(Paper rustling)

The BIack &Amber.

The BIack &Amber.

(Engine starting)

BIack &Amber.

You're not coming in?

Let's not draw loads ofattention to ourselves

Iike a bunch offuckin' monkeys, all right?

I'II see you when you finish wasting all their fuckin' times.

I'm gonna get a room.

Long drive.

(Indistinct murmuring)

A pint ofGuinness, please.

I don't know ifyou can help me. I'm Iooking for a friend of mine.

I was supposed to meet him in here a couple ofdays ago.

Just wondering ifyou'd seen him.

He's the one in the Ieft with the thing in his face.

Was he in?

That's £1.78.

(Coins rattling)

- When was he in? - Few days ago.

A few days ago, eh?

Do you knowwhere he is?

Did he Ieave a message?

(Speaking indistinctly)

I think it's him.

Okay.

- There'll be somebody down, you know... - Who?

Someone who can help you.

You Iooking for Frank?

Do you knowwhere he is?

He's in here.

- He's here? - Yeah.

Come on. He's waiting foryou.

(Grunts)

(Whimpering)

(Groans)

It's not right. We should do it again now.

You'II never get it right Iater.

Go again.

These fuckers must have Grogan.

We're gonna have to try and find him.

We could tip offthe Guards.

They must've dislodged your brain, did they?

We get the Guards involved here,

drag Tom French into this,

he'll go fucking spare.

Whateveryou owe him

will be Iike nothing when he's finished with ya.

(Exclaims)

No, we're gonna have to do this.

How's that?

This might sound mad, but I think you Iook better nowthan you used to.

Know what I mean?

Here.

Sawyou didn't have one.

I... I didn't get time to pick one up.

How much do I owe you?

You get me next time.

What's the story? You and French?

Suits me to do this.

What is it? Debt?

Yeah, a debt.

Yeah?

(Door opening)

- (Bunny) Is that him? - Mmm-hmm.

(Engine starting)

Aye-aye.

(Indistinct speaking)

(GIass shatters)

(Cat yowls)

(Whispers) Bunny?

(Thud)

- Jesus! - (Bunny) Cool it. It's me.

- What are you doing? - Had to make sure it was you.

Here. Ever used one before?

No. Never.

You know howto build them?

Wait. What were you in prison for?

- Indecent exposure. - Oh, yeah?

No, I wasn't! Come on, show us.

OK. Take it.

Heavierthan you thought it was going to be, yeah?

Fucking right.

Now it's not Ioaded so it's safe.

But when it is loaded you can't be too careful, so you always leave one chamber empty.

Look, the holes where the bullets go, they're called chambers, all right?

Right.

Now, I'm gonna Ioad it. When you push this forward,

this comes out.

Now, put the bullets in.

I'm only putting in five bullets.

The gun takes six.

Six shooter.

Correct.

Now, see, one ofthe chambers is empty.

Now, this is the one we Ieave underthe hammer.

So when we close the gun...

See? This is the hammer.

This is what hits the bullet and the gun goes off.

So what it is is,

ifthe gun getsjostled, we don't Ieave a bullet in that chamber.

The hammer is on an empty chamber.

Right.

Now, when you pull the trigger back Iike this,

this bit goes around,

and there we have a chamber with a bullet in it.

See? The gun is cocked, readyto fire.

- And the thing goes around. - Yeah, yeah.

Now, that's an old gun.

It's in good nick but it is an old gun.

It's been around, so you don't want to get caught with it.

You'II be done for nearly every job since 1977.

- I was six. - So?

Now, but seriously, everytime you fire it, it does become more identifiable.

So, to make it worth mywhile keeping it,

everytime you fire it, you owe me, say, 100 quid.

- It's not part ofthejob? - Thejob?

No way, son. Independent operators.

Best way not to get involved.

Nothing Iike a financial arrangement to help keep that bit ofdistance.

That's the way.

Now, show me howyou're gonna use it.

- What, shoot it? - No, use it.

Come on, you're going in with these boys.

What are you gonna do with it?

You know...

Showthem I mean business, you know?

Yeah. Well, that's the idea but you got to use it to your advantage.

You got to use everything you've got. Give you the edge. You knowwhat I mean?

(Yells) Get down! Get down on the ground, you bollocks, you!

I'II blowyour fuckin' head open!

Get down, you fuck. I mean it, I'II blowyour bleedin' head off!

- Do ya hear me? Do ya? - Yeah.

You all right?

Yeah. (Exhales)

See, there's no point in havin' a gun unless you're going to point it,

and there's no point in pointin' it unless you're going to make them believe

that you're fucked up enough to use it.

I thinkyou are fucked up.

Now, these will help as well.

AII right.

I could only get one cool one.

That was the one me nephew had.

(Air hissing)

Just stop Iookin' at me!

(Snoring)

Fuck!

(Man snoring)

- (Bunny) That him? - (Git) No.

Shh! It's OK. You're safe.

- What? - You're safe.

- Is this a dream? - No.

It's real.

We've come to take you back. Is the money here?

- What money? - The money from the deal.

- Don't know. - (Bunny) Come on!

(Git) Let's get youse up.

- Where's the money? - (Toilet flushing)

(AIarm ringing)

- Down! - Down, you bastard!

Get down below. Fucking down on the ground. Get down, now!

Stay down, boys, orwe start shooting.

- Where are you taking me? - (Git) Backto Tom French.

- (Bunny) Let's go! - What are you doing?

(Gunshots)

- Oh, Jesus! What the fuck is that? - (FIies buzzing)

(Bunny) Sorry, Frank.

This is bollocks! He didn't wanna come with us.

(Panting)

You didn't get the money.

He says he didn't know nothing about it.

Bunny, he nearly died when I said Tom French.

I'm telling ya, if he's nicked the money, he can face the music. It's not our fault.

(Gears grinding)

I've had a feeling about this, you know?

You know?

(Git) He didn't wanna come with us.

(Johnner) Well, ofcourse he didn't wanna go with youse,

cos you made a mess of it. And you never got Frank's pal, did you?

We had a few problems and we got delayed.

(Scornfully) You made a bollocks ofit.

He doesn't seem to know anything about the money.

I don't blame him.

I wouldn't tell you couple ofclowns anything either.

- Do you still have him? - (Git) Yeah.

He's in the... He's in the car.

Frank's bud will be there again today.

Bring Frankto him.

- (Mouthing) - Can I speakto Mr French?

No. No, he's gone out.

(Frank banging trunk)

(FIies buzzing)

(Bunny) Morning, Frank.

Look, I can tell youse now, I don't know what the hell youse are talking about.

We understand you can't trust us.

That's whywe're gonnatake you to someone who knows you.

It's not that. I honestly don't know what you're talking about.

Why do you thinkwe were sent to get you?

- Tom French? - Yeah.

- Can I have one ofthose? - No.

Look, I don't know ifthis is some kind of mix-up,

orwhat he's aftertelling you,

but there's only one reason he'd wanna give me hassle.

What's that?

I've been fucking his wife for about 18 months.

- What? - That's what I'm telling ya.

- So what... What are we... - Staythere a second, Frank.

Come here a minute.

Stop paying attention to that.

We have to be very careful here, do you hear me?

No matterwhat that Iula says, it doesn't matter.

It's none ofour business.

AII we have to do is deliver him, and this is over.

I don't care who's fucking who, who's drunk, orwhat.

The Iess we know about this, the better. Believe me. AII right?

These are slippery fucks. Word's no good.

Truth's not important, just thejob. OK?

- What if... What if he really is... - What?

What if he is? It doesn't change thejob.

If he wants to fuck Tom French around, that's his business.

I'm not gonna drive him around while he does it.

You have to ignore him. Don't Iet him use ya.

Come on. We have to change the car.

Civilisation.

I'II walk in from here, get fresh wheels.

You drive through, meet me in the far side.

(Phone ringing)

- (Girl) Hi. - Hello?

- Is that Carol? - Caroline.

Yeah. Hello, Iove. This is Uncle Bunny.

Who?

Uncle Bunny, sweetheart.

Tell us, is Aunty Teresathere?

- (Mouthing) - Yeah.

- Well, can I talkto her? - No.

No. Right. Um...

Will you do something for me, Caroline?

Will you tell Aunty Teresa that Uncle Bunny Ioves her?

No.

(Sighing)

Trussed up Iike a fucking turkey.

Will youse believe me if I don't knowthis guy?

At this stage, I believe happiness was a big dick, Frank, you knowwhat I mean?

(Chuckling) What does that mean?

Don't know. I just said it.

Tom French is not gonna do youse boys any favours.

Never did nothing for anybody.

There's a ruthlessness in that man.

Even if he Iiked ya, and he doesn't Iike anybody.

Now, I'm not Iike that, boys.

Sure, I associate with these people,

but that's my fault. I have no one else to blame.

I come from a Iovely family.

Theytaught me all sorts ofdecent things from averyyoung age.

I have a degree. Youse knowthat?

Degree in riding other blokes' wives.

Don't saythat. Anybody can fall in Iove.

Don't saythat.

Frank Grogan, B.A.

You see that?

Education can change your name. Change your Iife ifyou'd Iet it.

Change a mouth into an arsehole.

No, no, that is a real... That is a real what Tom French would say.

That's about the Ievel now.

But I'II tell youse one thing, and this is the truth.

I was working with a couple ofyoung fellows, not much olderthan you, son.

Lovely fellows, cousins.

And one day, I sent one ofthem down to the bookies to throw on a fast bet for me.

Won, you know.

And when I went in to get it,

I found out that the guy I Iet had to fill in the docket for him.

I mean, the poor fellow.

But you knowwhat I did?

I taught them Iads howto read.

Tom French?

Never occurto him in a million years to do something Iike that.

I taught them fuckers to fucking read, for God's sake.

You gave them boys something to do

while they're banged up for capers you probably got them involved in, yeah?

Oh, yeah, big guess.

But there's no gift Iike giving. You can't beat it.

And the opportunity can come, and you miss it and it's gone forever.

Now, there's one thing you boys can do.

As human beings.

Forthe sake ofdecency and...

What?

A few fucking clothes, you know?

(Frank) How Iong have you been working for French?

I don't work for him.

(Frank) What?

I'm Iike you, Frank, I don't have a choice.

- Do you owe him money? - Well, that's the big question, isn't it?

- Ifthere isn't any, you know? - There isn't.

How did you get involved with French's wife?

I've known them foryears. I was at the wedding, for fuck's sake.

- We used to worktogether. - Yeah?

Long time ago. The days ofSonny Mulligan.

- What happened to him? - That's the whole point.

Nobody knows.

Just vanished.

Yeah, you hear different stories. I don't know. Probably Iiving in Caribbean.

Millionaire gangster.

Sucking a cocktail. Someone sucking his cock.

True gentleman, he was. A gent.

Is he French's boy?

(Git) I don't think so.

(Frank) You don't know him?

This fellowyou're taking me to...

What if he's got plans to, you know, take care of me, in a bad sense?

You feel all right about that?

I don't think I'd just Iet something Iike that happen, Frank.

I'm depending on you, then.

Do you hear me?

I'm only used to the very best.

They only stockthe best.

Youse are fucking bastards.

Didn't even get me a pair ofshoes!

Nearly forgot.

What do you think ofthese?

- Aye, they should do thejob. - No!

These are for me.

What am I gonnawear?

You can have these ones.

(Frank) Did you ever make Iove to a gangster's wife?

Jeez, you can't really enjoyyourself.

I mean... No, I'm not saying...

I mean, she's a smashing Iittle bird, French's missus.

I don't reallywant to hearthis, Frank.

Do anything to you.

Do anything.

And there you are, relaxing,

perfectlywithin your rights, two consenting adults, having intercourse...

I don't want to hearthis, Frank.

And human contact.

Very nice.

But all the time, Iike, you'rejust waiting... Just waiting forthem to catch up with ya.

You have no idea.

The fear.

It's Iike making Iove, with the angel ofdeath fucking sitting on...

(Shouting) Would you fucking shut up?

You'rejabbering awaythere, Iike a fucking idiot!

I mean, the fucking thing is, Iike, you know, I mean, we don't know,

one, ifyou're bullshitting us.

Two, ifyou're Iying.

Three, what the fuck is going on?

Sojust give it a rest, all right?

Cool yourjets. No need to argue.

- AII you fucking do is talk. - Bunny.

You know, Iike I mean, I'm that close from putting you back in the fucking boot.

- And you can fucking staythere! - Bunny.

Bunny, Iook.

Undo his hands, quick.

Quick.

Give us a minute, men. Nothing serious.

Youse Iocal?

No, just passing through. Couple ofdays off.

- (Officer) Well foryou. - Yeah.

You knowyourtax is two months out?

I know, Guard. It's a company car. You know, I've been afterthem forweeks.

You want to get it sorted out, save yourselfthe hassle.

Yeah. Theywere the same with me Iast year. Ended up paying 'em meself.

Easier in the Iong run, get them to reimburse you.

- (Stuttering) Yeah, I'II probably do that. - Hmm.

- Where youse headed? - Er... His aunty.

Where is it, Mickey?

Ennis.

Oh, you'II be there in about three quarters ofan hour.

Not the way he drives, Guard.

- (Chuckling) - Is that right, yeah?

(Bunny clearing throat)

You've a bit ofCork.

- Family down there. - You can hear it.

Where are you from yourself?

Originally from CIare.

Ennis, actually.

Would I knowyour relations?

She only moved there Iast year.

Oh, is that right?

(Car honking)

(Bunny) I thinkwe're OK now.

OK. Well, good Iuck, boys.

- Thanks, Guard. Thanks very much. - AII the best.

Now...

Huh? Who's on whose side now?

What? After me being brilliant with the Guard and everything?

(Git) What if he doesn't knowthis bloke?

(Bunny) Then he might be telling the truth, you know?

But I mean, I wouldn't put it past this geebag to Iet on he doesn't know him.

Get out of paying him what he owes, you see what I'm saying?

I don't trust him, Git.

Thisjob

- clearyour debt with French? - You must bejoking.

Sometimes, I feel as if I'm gonna be beholden to that fuckerthe rest of me days.

Could you notjust go somewhere? Away from him, Iike?

You can'tjust drop things.

(Sighing) Anyway, it's notjust up to me.

The missus and all that, you know?

It's neverthat easy.

(Bunny sighing) Fucking place.

I'm not going overthat bog again. You bring him over.

Don't fall into any fucking holes.

I'm gonna check it out first.

Oh, for fuck's sake!

(Mouthing)

(Metal clanging)

Hey.

- You with Frank? - Yeah.

- You know him, yeah? - Oh, yeah.

Frank, yeah.

I'II take it from here.

OK. I'II get him.

Look, ifthere's anytrouble...

What trouble?

Bring him over, dump him, come back, we go home.

What?

- I sort ofsaid I wouldn't Ieave him if... - What did I tell ya?

- What did I sayto you? - I know.

Look, these shits will do anything to get theirway.

Now, you take that bastard overthere, cash on delivery,

you're back here, two minutes, or I'm gone.

Cos you Iove him so much, you're welcome to him. Now do it.

- Just do it, eh? - Yeah.

- That's all there is foryou. - That's all there is, Chicken Little.

Because, and I'II tell you why. One, there's no room for anything else.

Two, you've got to Iive, and this is quite fucking simple,

you've got to Ieave room foryourself.

- Three... - Jesus, Bunny!

You'rejust Iike him. Some mouth.

I mean, what ifthat was you in the boot ofthat car?

I don't care. Do you see?

No, I don't.

- Where is he? - Come on.

We've gotta go across here.

I've never been here before.

I don't knowthis place, is what I'm saying.

- And please, don't make me go in there. - I won't Ieave you.

- We'II see who's here. - You promise?

(Metal clanging)

- Here we are. - AII right.

I don't know him.

- Do you know Frank? - I don't know.

The fellowwas supposed to be here yesterday, couldn't come today.

- What's his name? - I don't know.

Cos you see, I'm supposed to hand Frank over to a Friendly Face.

You don't Iike my face?

What?

It'sjust... I'm telling you what... You know, what I'm supposed to do.

Well, you hang around, you know, you're gonna give me a problem here.

It'II be on your conscience forever ifyou Ieave me.

Makes no ones to me. Both ofyou, in!

- I told you this! Where is your... - Yeah!

I think I'd Iike to see that as well.

SIowly.

Throw it overthere.

Inside.

Kneel down on the tarp. You!

- There's no need forthis. - Just do it!

Look, whateveryou're getting... What're you getting? Five, ten, 20?

I'II give you 50. I'II give you 50 grand ifyou Iet me walk away from this.

We can go to my banktomorrow.

What'II you give me?

- I don't have anything. - Fuck him.

This is you and me. Forget about him.

He's got nothing to do with any deal that we make.

- OK. - (Bunny) Ahem.

There better be avery good expla-fucking-nation forthis.

Oh, Bunny, thank God! Talkto this maniac.

Drop it! Now!

Git, pick it up and come on.

- What about me? - You're not my problem.

Two ofyouse can go to his bank. See youse around.

(Stuttering) I wasjust buying time. I knewyou were gonna come through for us.

Great, you know?

- Fuckyou. - Think about it.

I buy myway out ofthis, I'm still at Iarge.

Do you think Tom French is gonna be happywith yourwork?

It's not our fault. We're not Ietting you go.

Charles Bronson is.

- I can get you a good thing here. - Face it, Frank. You blew it.

I can get Tom French offyour back for good.

Cos you're shagging his wife? I don't think so.

There's some money that we have to sort out.

Oh, really? I wouldn't have thought that now.

Hah! I know, I know, big joke.

But this is the truth. I can sort us out.

(Softly) Bunny, can I talkto you for a sec?

I mean it. AII I need is a phone.

There's two things here. He buys his way out ofwhateverthis is,

he's right. We'II get the fucking blame.

- AII everybody's been doing is... - (FIoor creaking)

(Guns cocking)

But we hang on to him, do this nowto him, so we can walk away.

Cos French wants his part.

I say, we stop fucking around and use this bastard.

- Who do you want to ring? - Who do you think?

That would help me, actually.

If I can get someone on my behalf, that this isn't my fault...

I have a mobile.

I don't fucking believe this!

It's in my car.

How did you get your car in here?

What do you mean?

We're parked across the bog.

Were you on the back road?

Well, it's more scenic, isn't it? Give him the keys.

Put him in first class.

Get in.

(Frank) I had a plate. A plate for printing one side ofa $20 note.

Got it cheap, years ago. Knowwhat I mean?

Can't use one-sided forgeries.

So since then, I've been trying to see if I can get anyone to get me the other side.

To do the backs.

Couldn't, could he?

Then all ofa sudden, Tom French gets the other side.

Now, I go way backwith Tom French. We used to worktogether.

- So I offer... - This is with Sonny Mulligan?

Oh, no, no. This is years ago.

This is nothing to do with Sonny.

Me and Tom French have been more-or-Iess out oftouch since Sonnywent.

We had a falling out over a certain Iady friend.

I ring him up. You know, Iet bygones be bygones.

I offered to buy his side of, you know, the other plate.

Tom French is having none of it. He's too greedy.

He wants them both.

And he offers to buy my one for five grand, I askyou.

So, he got bollocks now, eh?

Cos nowwe knowthat the other one at Ieast exists, it's worth far more than that.

So, it's Iike... I've asked about this Iong enough, I'II sell it.

But not for any five grand.

No problem finding a higher bidder.

This bloke in London, 10 grand, thankyou very much.

But before I can ring this other bloke, Tom French rings me again.

He's found a buyer forthe both plates. 100 grand.

And he can give me 25 upfront as a good will fucking gesture.

So I say, "OK."

As Iong as his wife brings the money down.

So, there I am, waiting in the GIenwood, to do the deal with his missus,

- and she never shows. - Wait a minute, wait a minute! What?

- What do you mean, "What?" - What do you think I mean? I mean, what?

What? You mean the whole thing, what?

(Scoffing) It's a fairly simple question.

What are you?

What did you have

that time?

You fucking duh-brain.

(Phone ringing)

- Mr French, please. - (Man) Who is it?

Git.

(French) Yep?

Frank's pal wanted to kill him.

- Have you still got him? - Yeah.

What do you want to do?

Make a deal where no one gets killed, ifthat's OK byyou.

Ask Frank if he wants to do what Sonny might have wanted.

He wants to know ifyou wanna do what Sonny might have wanted.

When?

- When? - In the morning.

He'II knowwhere to go.

What about Anto?

Bythe time we meet, he'II be tucked up with his girlfriend.

Howwill you be paying, Mr Guinness?

Cash. I think.

Oh, Jesus, Iads!

I would've thought that at this stage, this would be a Iittle bit unnecessary.

But we really need a Iittle break from you, Frank.

And this way, you can have a Iittle kip.

Watch the box, whatever.

What are you boys doing?

Well, it would be a shame to waste the facilities.

What if I need to go to the toilet?

Oh, you should've gone before we came up.

(Muffled) Ugh!

Do you remember, when we firstmetcomplexnumbers,

wesaid thateveryquadratic equation had two roots?

In thisprogramme, we're going to prove that.

In fact, we're going to prove something much more ambitious.

Something thatgoes bythe grand title of, "The Fundamental Theorem ofAlgebra."

(Groans)

That's a bit ofa mouthful. Whatdoes thatmean? Well:.

This mate ofyours, good mate, eh?

Yeah.

Best mate since we were six.

And...

As well, Iook, he's...

He's seeing this girl I used to be with.

It's tough.

I just wanna get this overwith.

Get away, you know?

- Where would you go, then? - Don't know.

States. Don't care.

Oh, States is brilliant.

- You been there? - Yeah.

No... Well, just on the telly, you know?

You're a fucking shunter.

What do you think about this? Tomorrow?

- You asking me? - Don't get smart. Come on.

Chance to find out what...

Only chance to get out ofthis, for fuck's sake.

I mean, what the fuck are we into here?

(Sighing) We're up to our bollocks in some real old time gangster fucking row.

"I'm riding yourwife, you're wearing mywig.

"I had Sonny Mulligan's dick up me arse two nights in atrap in 1971."

- Do you knowwhat I mean? - Yeah.

Saps.

- Do you want another one? - Another one?

Sorry. Can we get anothertwo, please?

- (Grunting) - (TV) So, in orderto see

whatsort ofpicture we're going to need fortheproof, here's Colin.

Well, we alreadyhave an excellentpicture forcomplexnumbers,

aspoints ofthe complexplane.

I'm not educated Iike, fuck all day, you know.

But I have atheory about the Iadies.

So, a good-Iooking bird, going round all her Iife,

blokes Iooking at her, coming onto her, trying to fuck her, Iike.

Pretty soon, she's gonna have the opinion that Iife is full of romance.

At work, in the pub.

Life is basically full of romantic, fucking, you know, sex.

- You know? - Yeah.

That's the way she sees Iife.

Now, an ugly bird,

comes through Iife more balanced.

No chance ofa ride, forgets about it.

Proper outlook, you know.

We're not going to go around, treating everybody

Iike I'm some sort of bitch who doesn't have to make the effort.

Because mytits give me a Iicence to... Whatever.

You knowwhat I mean?

What's the...

Well, you know, I'm still working on the theory.

That's the thing about...

Maybe ugly birds are better.

- How Iong have you been married? - 12 years.

Yeah, you know...

I was trying to... (Sighing)

She's been staying at her sister's.

Just for a Iittle while.

It's that fucking thing, Git, armed robbery.

I did six and a halfyears.

You can't, you know... You Iose. You Iose a Iot of...

There was a... There was a man.

(CIearing throat) A man I shared a cell with fortwo orthree months.

And...

What went on...

And it wasn't full...

I'm being frankwith you here, now.

Not that frank. Like not Frank upstairs, Frank.

I'm not a queer, you know.

But Tom French says he'II tell and...

And me wife doesn't know.

And that'II tear it, that'II fuck it up.

- I haven't told anybody else about this. - Don't worry about it.

Oh, I don't know.

Sometimes feel as ifthat cunt is all over me. AII overthe fucking place.

(Soft rock song playing)

Been awhile?

I'm only out two days, man.

But ifyour eyes went offthat quick then you'II get your glasses off, I dig.

Yeah?

- Whoa! What are you doing? - What do you think I'm doing?

Oh, Bunny!

(Loud rock music playing)

Do you evertalk?

Yeah.

What do you say?

I saythings Iike,

"Are we going to the shops?"

That sort ofthing.

You're afraid I'm gonna find something out.

- Yeah? - I'm gonna have something on you.

Isn't that it?

Because you know, I've already got something.

Yeah? What've you got?

Squeeze mythumb as hard as you can.

As hard as you can.

OK. Now squeeze it with the other hand.

Now...

What?

I know something about you.

What?

I knowwhat hand you wankwith.

(Chuckles)

Did you make that up?

Are you all embarrassed?

Yeah.

Ofcourse, I'm embarrassed.

Suits you.

(Sighs)

Jeez, Bun, she's gotta get around.

You dirty Iittle bastard.

Howwould that be?

If I was to see you in the morning, you know, Frank and all.

You Ieave Frankto me.

You're a star.

So, is it getting a hard-on, now?

Don't Iook at it!

It's very big for a Iad your age.

Leave me alone.

Go to Frank.

Don't hurt the poor girl now.

(Zipping) Ahh! Fuck it!

(Groans)

♪ Ilike the wayyou move me

♪ Andlknowyou're gonna change me

♪ Don'tleadme down

♪ Don'tleadme down

♪ Andllove the wayyou groove me

♪ Andlknowyou're gonna use it

(Moaning)

(Metal clinks)

What's wrong?

(Shushing)

♪ Don'tleadme down

♪ You don'tknowhow you causedmepain

Oh, there you are. Night, now.

♪ Leave me thepeace thatl found

(Moaning)

(Chuckles) Sweet Jesus.

Yeah, yeah.

(Panting)

(Moaning)

(Moaning)

♪ Andlknowyou're gonna hauntme

(Phone ringing)

♪ Don'tleadme down

(Ringing)

♪ Don'tleadme down ♪

(Continues ringing)

I took me dad out for a few drinks one night, Iast year...

And he was all his Iife...

Emphysema. Couldn't work.

Hejust Ioved his drink...

But aterrible, messy fuckin' drinker.

And so, I took him out, Iashed a few scoops back.

And I was walking home with him when we sawthese...

These fellas ram raid a shop.

AIarms going, the works.

They grabbed hi-fis and all this, into the car and offtheywent.

And this fuckin' idiot beside me says he wants avideo.

Walks into the shop,

picks one up, and I was trying to get him to put it down

when the cops came and snared us bythe kecks.

And I said I'd done it.

Why?

He was me dad...

You know?

He couldn't have...

So, I said it was me.

Went up before this bollocks ofajudge.

Sent me down for eight months.

And then, two weeks Iater, I got word.

The old fella kicked it anyway.

Waste offuckin' time.

You know, I was gettin' along with me girlfriend.

We planned...

And we couldn't get it then because of me.

So that's how I Iost me girlfriend.

Did you not tell herthe truth?

No.

And blame a poor dead fella?

That's worse.

No, I made me commitment.

Head down

and now I'm out.

Yeah.

You're at Iarge. (Laughs)

(Groans)

Ah, shit!

What were you doing?

The same as you.

Excuse me. Excuse me.

Sorry, Iove. We're in a hurry.

- Could you settle your bill, please? - It's paid in advance.

This is phone calls.

Sorry?

There's three phone calls made from your room.

That fuckin' motor-mouth. Fuckin'...

We're not payin' for his calls.

I'm not payin'.

- How much is it? - 2.80.

Cheap fuckin'...

Could I querythis?

- Ofcourse. - Come on, quick. You're not gonna pay...

I just wanna have a Iook at the numbers.

We don't have time forthis.

I'II be one sec.

AII right.

Two Iocal calls and one... It's a Cork number.

Right. He's in Cork. Come on.

Do you recognise these Iocal numbers?

This is a Iocal taxi company...

- Will you come on? - And this, I think

it's the SIieve NaVogue.

It's a hotel about five miles away. Towards Mullingar.

We're gonna kill him.

Like so.

(Mumbling)

(Bunny) Pat Shanks.

B.A.

(Moaning)

(Sighing)

(Thud)

(Exclaims)

Now, a motor-mouth fucking idiot, you are.

Do you want to tell me all about your B.A.? B.A., yeah?

Well, I am Professor F. fuckin' Kelly,

and I'm here to give you a Iecture on gunshot wounds to the face.

You sneaky Iittle fuckin'...

in the bath fella.

Now, I'm that close tojust getting rid ofyou.

Do you knowwhat I mean?

Now, get up and put your clothes on, you toby Iittle no dick, Iying Iittle fucker.

Come on!

- No, you didn't. - Don't fuckin' mind him.

Get dressed. Come on.

- Give us a chance. - Fuckthat.

Put your clothes on, will ya? You're makin' me sick!

(Bunny) Come on.

They're here.

(Man) Excuse me.

(Woman) I just got held up for awhile...

Table forthree, please, bythe window.

- (Crockery rattling) - Thankyou.

(Crockery crashing)

(Crockery crashing)

Come on, Frank. You knowthe drill.

Oh, fuckin' hell.

I hope you're sick in there.

Bunny...

- (Bunny) Put something overtheir heads. - (Git) What?

- You got your gun? - Yeah.

- Shoot it. - What?

Fire the fuckin' thing.

Get in!

- (Tyres screeching) - (Bunny) Come on, come on, come on.

(Tyres screeching)

(Bunny) They're going to come.

- Are you out? - What?

Are you out? Are you out ofammo?

- Yeah. - AII right.

Bettertake this.

Oh, Jesus, Bun. Come on, I can't be doing this.

It's nothing. It'sjust to put them off.

But I don't wanna. What if I hit something?

It'sjust awarning, Git. It's nothing.

Jesus, Bunny.

(Bunny) AII right. They're coming.

Just do what you done in the car park, all right?

Just do what you did.

(Bunny) You're gonna do it.

(Tyres screeching)

Jesus Christ, Git! Will you come on?

They're gonna kill us all.

You don't have to kill them, for fuck's sake!

Just shoot at them. PIease!

What are you doing?

What are you doin' there? Come on!

(Exclaiming)

(Bunny exclaims)

That was good shooting.

Now, don't worry about settling up. We'II sort it out when it's all over, all right?

Huh?

You know, what we agreed.

About what?

Oh, don't make me do this.

You paywhat you shoot. 600.

Are you joking?

Whywould I joke about something Iike that?

I only make ajoke when it's really funny.

- You should knowthat about me. - But you were telling me to shoot.

No. I was telling you to do what the right thing was in that situation.

- What the right thing was. - To shoot the gun.

That's what the right thing happened to be, but it doesn't affect our arrangement.

Which you freely entered into.

Look, I don't want to be teaching you about ethics on top ofeverything else.

PIease don't make me do that. OK?

OK?

Anotherthing you could do was buythe gun off me.

Seven hundred.

And I won't charge you for firing mine.

AII right?

OK?

♪ Do you wait forthe one

♪ Areyourshoes made ofvine

♪ You bringpeace ofmind

♪ Ifyou looklonely

♪ There's an angel looking overyourshoulder

♪ Makingplans forthe future

♪ Ican see them allnow ♪

Lads, I'm sittin' on glass.

Sounded a bit hairy backthere.

Are youse not talking to me?

Yeah. I can understand that.

Didn't want to Iet youse down.

But a man was trying to kill me.

Anyone can panic.

(Sighs)

I neverwanted to be anytrouble but...

Lifejust goes Iike that, you know?

There's all sorts ofthings.

We have to walk from here.

What is this?

Me and Tom French have things hidden in these woods.

And that's what we're here to do.

That's the simple beauty of it.

This is it.

(Bunny) Where is he?

(Frank) Over here.

You getting nervous?

No, I'm not fuckin' gettin' nervous.

Here. This will kill the time.

Squeeze that as hard as you can.

- I beg your pardon? - What?

Squeeze it as hard as you can. I'm not gonna hurt you.

Oh, Jesus! Hard as you can. Come on.

Right. Nowthe other one.

Otherthumb.

No, not the otherthumb, you fuckin'...

My... Do the hand.

I'II do it, yeah.

AII right. I know something about you now.

- Oh, yeah? - Oh, yeah.

What is it you know? What do you thinkyou know?

- Bastard. - (Laughs)

Gotta get up a Iot earlierthan that to catch me.

You never heard that before.

You're some bollocks, you knowthat?

I know everything.

Probablytake your fuckin' due now.

(French) Bunny.

Tom.

Hey, Git.

Nice few days?

When you do whateverthis is,

can we quit?

Anto's already gone home.

OK?

What about me and you?

We'II see howthings go.

That's as good as my promises get.

(French) AII right, Frank?

Promises... Is that you?

Well, the thing is, Iads, we're not here to...

Fuckin' my moral fibre.

Whywould you wanna do this?

As Iong as it's done, I'm easy.

Why doesn't Git come with me?

I'm not armed.

I'II even Iet Bunny search me if he promises not to enjoy it too much.

Sorry, you didn't Iike that.

- AII right? - Yeah.

AII right. We'II be five minutes.

Git.

Is this about plates?

Ah, the famous plates.

Frank's a nice fella but you can't believe aword he says.

So, you Iearn to hate him foryour own good.

He said something about yourwife.

I don't want to be rude

but that's between me and her.

(French) This is it.

I'm fucked if I'm digging.

You're young. Give us a fag.

What is it?

About two foot down is a suitcase.

(Exhales)

You used to go with Sabrina Bradley, didn't you?

I've known her all her Iife, do you knowthat?

(Continues digging)

She used to come in with her Iittle shorts...

Skinny Iittle Iegs...

Child grows up,

enters the adult world...

Behaving Iike an adult... (Exhales)

Very fond of her.

She's always had a sneaky regard for me.

I doubt it.

Hit a nerve there?

You're a bit ofan oddball, aren't you?

You'rejust...

You don't talkto anybody.

What do you do?

What's in your Iife?

Things Iike this?

Just trying to stay out ofthe way.

That's where you're wrong, you see?

You need people doing you favours and shit.

You should've been working for me a Iong time ago.

Bunch of morons I have.

I don't work foryou.

Free country. (Exhales)

Ta-tan. Now, rememberthis.

This is as close as Iosers ever get

to this kind of money.

Would you shut the fuck up?

You're Iike a fuckin'... Jesus! Fuckin'...

FIying form, Frank. Yeah.

Nobodytalks any more.

Theywere gonna build all around here a fewyears ago, Frank.

That would've shookya.

Ah, still Iook at the draw. It'sjust gas, it really is.

Hope your Iads are paying attention to this.

See what money does to people.

Chasing a part.

Never known moneyto bring people together, and that's the truth.

(French) Now, that's an odd combination, Frank. You and the truth.

This is it?

I don't dig.

Git's got the spade.

Is it far down?

No, it's not far.

(Frank) So, all settled, huh?

There somethin' here.

(Frank) That's right.

There's somethin' else here.

(Bunny) Oh, Jesus!

(Frank) That's that then.

(French) Sonny Mulligan.

(Bunny) What happened?

Money.

CIash of personalities.

Not with Sonny.

No.

Sonnywas a gent.

- (Exclaiming) - (Music playing on radio)

Fuckin' money!

(French) The counterfeitplates were Sonny's retirementplan.

Finestplates evermade.

Neverseen craftsmanship like it.

He'dhired them from the big boys across the water

on condition thathe wouldn'tprint more than 50grand.

(Frank) 25years ago, we were one ofthe mostsuccessfulgangs around.

(Exclaiming)

We were veryclose. We haditall.

Tommyeven marriedSonny's niece.

Andllethim.

(French) But we blewit.

We wantedhim to print a lotmore than 50grand.

Hada blazing rowaboutit the weekbefore he died.

Rightin the middle ofme own fucking wedding.

AllSonny'spals there andall.

(Frank) So, we had the fantastic brainwave ofborrowing theplates behindSonny's back,

andprinting ourown sneakybatch.

(French) He always kept one on him.

Isaw where he buried the otherone.

Plan was, weprint oneside, do the otherlater.

(Frank) Ifhe knew what we were doing:.

(Chuckles) Well, you could forgetaboutit.

(French) The Mulligans wanted to know whathappened to Sonny,

the big boys wanted theirplates back.

So, wesaidSonnyripped us off anddisappeared.

There was a lot ofhate.

We were reallylooking out to be killed ourselves.

(Frank) And then, to top itall, Tom caughtme in bed with his wife.

We couldn'teven breathe thesame air anymore, letalone do a deal.

Right up to here, we are:.

A quarterofa centurylater.

(Bunny) Poor cunt Iying out here in the cold all these years.

He was a prick.

Let's burn that and fuck off.

What are you doin'?

Where is she?

Who?

(French) Don't fuck me around.

Where is she?

Where is my 25 grand?

Just stop the shit, Frank.

Where is she?

She never showed.

I swearto God, Tom. She never came.

She did youse both. I'm fuckin' delighted.

That gun's not gonnawork after 23 years.

I Iike a gamble.

Tom...

(French) That's for Sonny.

And this is for fuckin' mywife.

Where are youse two goin'?

Just do it ifyou're going to do it.

Oh! Is the faggot gettin' all catty?

(Bunny) I'm not that!

(CIicks)

You're not any...

(Bunny panting)

(Bunny) I didn't know I was the type.

What?

Well, to shit in me pants.

Why didn't you hit him the first time?

Empty chamber.

What were you doing with an empty chamber?

You told me I was to Ieave one.

No, I didn't.

I'm not arguing with you. You're a cunt!

- Git. - What?

How much did Frank saywe'd get forthese?

Well, I reckon you'II be able to get another pair ofthose white shoes.

You don't think a man would only have one pair ofshoes Iike them, do you?

A newjoke?

No. You'II knowwhen I'm joking cos it'II be really funny.

(Panting)

Are you all right, Bunny? You gotta stay awake for me now.

Come on, we're gonna get you sorted out. Keep it together.

- (Grunts) - AII right.

OK. (Shudders)

Where are you going to afterthis?

Come on, what's the plan, huh?

(Bunny, shaking) Where are you going?

You're not going away?

Did I say I was? We've things to do.

You wanna get sorted out.

We're going to the hospital before you do anything.

Suppose, what am I gonnatell them?

I'II saywe did it.

- Will ya? - Would you fuck off?

(Grunts) I'II get some bystreet cunt.

I don't feel that bad, anyway.

Right.

I could drink a pint. Are you not that way?

- Could you? - Do you fancy one?

I don't mind.

- Where are you Iiving? - B&B.

Well, Iisten, there's room in my house ifyou want.

Until you get sorted out, Iike...

Jesus!

You'II have a room ofyour own. Thirty pound aweek. Not too shabby.

There's 100 grand worth in this case and you're trying to get 30 quid off me.

Yeah, well... I always said if I ever got rich I'd never change.

You know, I'm gonna... I'm gonna stickto it.

(Git) You're brilliant.

Yep. (Laughs)

(Snooker balls clanking)

Thanks for coming.

It's all right.

Haven't seen you around for awhile.

I've been very busy.

- Thinking ofgoing away. - Where are you goin'?

States.

States is brilliant. Have you been there before?

No. First time.

Do you knowwhere Git went?

Here.

- What is it? - Put it away.

- What is it? - Put it away.

- What is it? - Would you put the fuckin' thing away

when I tell you. PIease.

What is it?

Nicked a few bob.

Foryou, and halfthe bar.

Few bob?

I know.

- From who? - Oh, you knowwho.

Don't make me say it.

- Git? - I thinkthat might be who it is. Yes.

Where is he?

He's gone away. States.

Do you think he knows anything about where Tom French is?

Howwould he know?

Anto told me he was going to do something for him to help Anto with the debt.

Yeah, well, I think he might have done that all right.

I heard it around, Iike. I just bumped into him.

He asked me to give you that.

You don't think he was involved?

You must bejokin', Iove.

Tom French done an insurance scam and fucked off.

Did a Sonny Mulligan on him.

Bunny. Wait.

Ifyou do bump into him, will you give him this for me?

(Sighs) I don't know, Iove.

But I'II tell you this much...

Whatever happens overthe coming years, you be readyto forgive your man,

cos sometimes the benefit ofthe doubt can even save your Iife.

I'm Iearning that.

So many men think so highly ofyou.

Might be hard foryou to see which one is the one that's gonna Iight up

just from hearing your name.

Well, I've met him.

So have you.

(Man talking)

(Anto) Relax, will you?

What's your problem, man?

Jesus Christ!

How'd it go?

Jeez, kid, not too good.

But I managed to get this back off her.

God.

I didn't want it.

I wanted herto have it.

You fuckin' moron.

Gonna miss the plane?

What the fuck am I doin'?

(Engine revving)

(Bunny) Do you mindiflaskyousomething?

(Git) Depends whatitis.

Do you rememberthatbirdyou were with, thatnight, in the hotel?

- Yeah. - Didshesuckyourcock?

That's what's been on yourmind?

Well, no. Ireflect.

- Didshe? - Yeah.

Butl wentdown as well.

Ialways do.

♪ Begin again andifyou count to 10

♪ And onlythen will we letyou be

♪ It's a crippling diseaseyou mustsee

♪ Faraway You know that things theysay

♪ Theywhisperofstrange wonders theysee

♪ Andhowharditmustbe formachines

♪ You!

♪ You are the obvious one

♪ You are apositivesign

♪ You are the obvious one

♪ You are apositivesign

♪ Ofcourse todayis a differentday

♪ Andl'dlike to say Thatin myown way

♪ Ibelieve in the things thatl've done

♪ Begin again andifyou count to 10

♪ And onlythen will we letyou be

♪ Andlneedyou

♪ Andl'm hopingyou'llbe there

♪ Andlbreatheyou

♪ You!

♪ You are the obvious one

♪ You are apositivesign

♪ You are the obvious one

♪ You are apositivesign

♪ All the time before the crookedlines

♪ I'm finding ithardbutit's time to see

♪ Andyou know we're noteven alive

♪ Roundagain androundagain

♪ You know there's a will, you know there's a way ♪