All language subtitles for Cher.And.The.Loneliest.Elephant.2021.1080p.WEBRip.x264.AAC-[YTS.MX]-English

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:05,936 --> 00:00:07,007 ["SONG FOR THE LONELY" BY CHER] 3 00:00:07,041 --> 00:00:09,492 ♪ WHEN YOU'RE STANDING ON THE EDGE OF NOWHERE ♪ 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:09,526 --> 00:00:12,357 Narrator: HE'S CALLED THE WORLD'S LONELIEST ELEPHANT. 6 00:00:13,703 --> 00:00:17,603 CAPTIVE FOR 35 YEARS IN A RUNDOWN ZOO. 7 00:00:17,638 --> 00:00:20,123 Khan: YOU CAN JUST FEEL HIS GRIEF. 8 00:00:20,158 --> 00:00:22,367 Cowne: STILL BRINGS TEARS TO MY EYES NOW. 9 00:00:22,401 --> 00:00:24,127 HE WAS A TOTALLY BROKEN ANIMAL. 10 00:00:25,232 --> 00:00:26,371 Narrator: BUT WHEN A GLOBAL MOVEMENT 11 00:00:26,405 --> 00:00:28,545 PLEAS TO FREE KAAVAN, 12 00:00:28,580 --> 00:00:30,892 THE GODDESS OF POP TAKES NOTICE. 13 00:00:30,927 --> 00:00:32,549 Cher: I WAS REALLY ANGRY. 14 00:00:33,378 --> 00:00:35,932 Narrator: NOW AFTER A FIVE-YEAR CAMPAIGN, 15 00:00:35,966 --> 00:00:38,141 HE HAS THE CHANCE FOR A BETTER LIFE. 16 00:00:38,176 --> 00:00:40,902 Thompson: I WANT TO OFFER HIM AN ELEPHANT'S LIFE. 17 00:00:42,214 --> 00:00:44,251 Narrator: BUT TIME IS RUNNING OUT, 18 00:00:44,285 --> 00:00:46,701 AND A PANDEMIC HAS THE WORLD IN LOCKDOWN. 19 00:00:47,978 --> 00:00:49,946 ♪ AND THIS IS A SONG 20 00:00:49,980 --> 00:00:51,741 IT'LL TAKE HUGE FAITH. 21 00:00:51,775 --> 00:00:53,432 Dr. Amir: DO YOU BELIEVE IN MIRACLES? 22 00:00:53,467 --> 00:00:55,710 Narrator: AND AN ARMY OF PEOPLE... 23 00:00:55,745 --> 00:00:58,265 TO MOVE AN UNPREDICTABLE ELEPHANT... 24 00:00:58,299 --> 00:01:01,130 Dr. Amir: HE IS DANGEROUS, RISKY, IS A POWER MACHINE. 25 00:01:02,303 --> 00:01:04,133 Narrator: THOUSANDS OF MILES. 26 00:01:04,167 --> 00:01:06,204 Cowne: IT WAS PRETTY RISKY FOR HIM, 27 00:01:06,238 --> 00:01:08,309 BUT VERY DANGEROUS FOR THE PEOPLE ONBOARD. 28 00:01:09,138 --> 00:01:11,519 Narrator: CAN THE PASSION OF A SUPERSTAR 29 00:01:11,554 --> 00:01:12,762 HELP TO SAVE HIM? 30 00:01:12,796 --> 00:01:13,452 [METAL DOOR BANGING] 31 00:01:13,487 --> 00:01:15,282 Cher: I WANTED TO FREE HIM. 32 00:01:15,316 --> 00:01:17,387 I KNEW THAT WE HAD TO GET HIM OUT. 33 00:01:17,422 --> 00:01:19,148 Dr. Amir: STOP, STOP, STOP! 34 00:01:19,182 --> 00:01:22,530 [TENSE ELECTRONIC MUSIC] 35 00:01:25,844 --> 00:01:29,537 [GENTLE INSTRUMENTAL MUSIC] 36 00:01:34,611 --> 00:01:36,889 Narrator: KAAVAN, A MAGNIFICENT BULL ELEPHANT, 37 00:01:36,924 --> 00:01:41,308 HAS BEEN HELD IN PAKISTAN'S ISLAMABAD ZOO FOR 35 YEARS 38 00:01:41,342 --> 00:01:42,688 IN PITIFUL CONDITIONS. 39 00:01:45,622 --> 00:01:48,660 LIKE ANY BULL ELEPHANT, KAAVAN IS DANGEROUS 40 00:01:48,694 --> 00:01:50,455 AND HAS KILLED TWO OF HIS KEEPERS. 41 00:01:53,734 --> 00:01:57,669 IN 2012, HIS ONLY COMPANION DIES FROM NEGLECT. 42 00:02:00,775 --> 00:02:02,329 CHAINED UP AND ALONE, 43 00:02:02,363 --> 00:02:05,263 KAAVAN CAN'T EVEN WALK THE LENGTH OF HIS ENCLOSURE, 44 00:02:05,297 --> 00:02:07,437 LET ALONE BATHE IN HIS DRIED-UP POOL. 45 00:02:09,957 --> 00:02:11,786 BUT EVEN IN THIS SORRY STATE, 46 00:02:11,821 --> 00:02:14,203 HE'S STILL THE ZOO'S STAR ATTRACTION. 47 00:02:17,447 --> 00:02:20,864 THEN, IN 2015, A TRAINEE VET FROM AMERICA 48 00:02:20,899 --> 00:02:23,902 VISITS THE ZOO ON A TRIP TO SEE HER PAKISTANI FAMILY. 49 00:02:26,387 --> 00:02:27,975 Khan: HERE'S THIS SOLITARY ELEPHANT, 50 00:02:28,009 --> 00:02:29,942 JUST IN THIS BARE SHED. 51 00:02:29,977 --> 00:02:33,601 AND THAT WEAVING BEHAVIOR WHERE HE WAS JUST MOVING 52 00:02:33,636 --> 00:02:37,571 BY HIMSELF BACK AND FORTH, THAT REALLY STRUCK ME. 53 00:02:39,952 --> 00:02:42,231 Narrator: HIS WEIRD ROCKING AMUSES VISITORS, 54 00:02:42,265 --> 00:02:45,682 WHO MISTAKENLY CALL KAAVAN "THE DANCING ELEPHANT". 55 00:02:45,717 --> 00:02:47,201 BUT THANKS TO HER TRAINING, 56 00:02:47,236 --> 00:02:50,135 SAMAR KNOWS THIS IS A SIGN OF TERRIBLE BOREDOM. 57 00:02:51,274 --> 00:02:54,243 Khan: I KNEW ELEPHANTS ARE SUPPOSED TO BE INCREDIBLY SOCIAL 58 00:02:54,277 --> 00:02:56,555 AND INCREDIBLY INTELLIGENT ANIMALS. 59 00:02:56,590 --> 00:02:58,937 AND TO SEE HIM WITH NO SOURCE OF ENRICHMENT AT ALL. 60 00:02:58,971 --> 00:03:02,906 I KNEW THAT THIS BEHAVIOR IS REALLY STEREOTYPIC BEHAVIOR 61 00:03:02,941 --> 00:03:05,668 FOR ANIMALS WHO HAVE FACED SEVERE 62 00:03:05,702 --> 00:03:08,188 EITHER MENTAL OR PHYSICAL NEGLECT. 63 00:03:09,430 --> 00:03:11,398 Narrator: KAAVAN'S SWAYING INTENSIFIES 64 00:03:11,432 --> 00:03:15,125 AFTER THE DEATH OF HIS FEMALE COMPANION SAHELI IN 2012. 65 00:03:16,920 --> 00:03:18,957 Khan: FOR ME, ACTUALLY, THE MOST PIVOTAL MOMENT 66 00:03:18,991 --> 00:03:21,822 WAS SEEING THIS PHOTO OF KAAVAN AND SAHELI 67 00:03:21,856 --> 00:03:23,548 AFTER SHE HAD PASSED. 68 00:03:25,377 --> 00:03:28,277 ELEPHANTS, THEY'RE LIKE THESE INCREDIBLY INTELLIGENT 69 00:03:28,311 --> 00:03:31,245 AND INCREDIBLY SOCIAL ANIMALS. 70 00:03:31,280 --> 00:03:32,936 AND HE'S REACHING OUT TO SAHELI, 71 00:03:32,971 --> 00:03:35,145 AND YOU CAN JUST FEEL HIS GRIEF. 72 00:03:37,631 --> 00:03:40,323 I FOUND OUT THAT THE REASON WHY SAHELI PASSED 73 00:03:40,358 --> 00:03:43,395 WAS BECAUSE OF GANGRENE FROM HER CHAINS, 74 00:03:43,430 --> 00:03:46,640 AND THAT POOR FOOT CARE RESULTED IN HER DYING. 75 00:03:48,607 --> 00:03:52,335 AND I KNEW KAAVAN NOW IS WEARING THOSE SAME CHAINS, 76 00:03:52,370 --> 00:03:54,475 AND IF HE DOESN'T GET OUT, 77 00:03:54,510 --> 00:03:57,582 THEN THE SAME THING IS GONNA HAPPEN TO HIM. 78 00:04:00,688 --> 00:04:01,896 [DRAMATIC PERCUSSIVE MUSIC] 79 00:04:01,931 --> 00:04:06,211 Narrator: AT 36 YEARS OLD, KAAVAN SHOULD BE IN HIS PRIME. 80 00:04:06,936 --> 00:04:09,283 BUT HE'S A FAR CRY FROM THE ENDEARING CALF 81 00:04:09,318 --> 00:04:11,837 THAT ARRIVED IN PAKISTAN IN 1985. 82 00:04:14,668 --> 00:04:16,635 HE WAS ORIGINALLY A GIFT FROM SRI LANKA 83 00:04:16,670 --> 00:04:19,569 TO PRESIDENT GENERAL ZIA'S 13-YEAR-OLD DAUGHTER. 84 00:04:21,364 --> 00:04:25,334 BUT NOW, THE DELIGHT OF A YOUNG GIRL HAS BECOME A TRAGEDY. 85 00:04:31,201 --> 00:04:34,412 SAMAR KHAN BECOMES DESPERATE TO SAVE HIM. 86 00:04:34,446 --> 00:04:36,241 Khan: MY MOM REALLY ENCOURAGED ME TO ACT, 87 00:04:36,276 --> 00:04:39,209 AND I DECIDED TO OPEN UP A CHANGE.ORG PETITION, 88 00:04:39,244 --> 00:04:40,728 AND I OPENED UP A FACEBOOK PAGE 89 00:04:40,763 --> 00:04:42,765 CALLED "FREE KAAVAN THE ELEPHANT". 90 00:04:42,799 --> 00:04:44,491 Narrator: IN SEPTEMBER 2015, 91 00:04:44,525 --> 00:04:46,803 SHE LAUNCHES HER CAMPAIGN TO FREE HIM... 92 00:04:48,253 --> 00:04:50,151 AND FACEBOOK EXPLODES. 93 00:04:51,670 --> 00:04:54,432 Khan: I WOKE UP AND MY PHONE WAS HOT TO THE TOUCH 94 00:04:54,466 --> 00:04:56,434 'CAUSE THOUSANDS UPON THOUSANDS OF PEOPLE 95 00:04:56,468 --> 00:04:59,160 WERE WRITING INTO THE PAGE, SIGNING THE PETITION. 96 00:05:00,817 --> 00:05:01,853 Narrator: IN TORONTO, CANADA, 97 00:05:01,887 --> 00:05:05,960 PAKISTANI EX-PAT ANIKA SLEEM ANSWERS THE CALL. 98 00:05:05,995 --> 00:05:07,617 Sleem: FREE KAAVAN! 99 00:05:08,722 --> 00:05:09,861 Narrator: ANIKA JOINS THE CRY 100 00:05:09,895 --> 00:05:13,174 THAT'S BEEN GATHERING MOMENTUM ON TWITTER FOR MONTHS, 101 00:05:13,209 --> 00:05:16,626 WHEN A SUPERSTAR WITH A PASSION FOR ANIMALS TAKES NOTICE. 102 00:05:17,834 --> 00:05:21,424 Sleem: AND THEN ONE DAY AT MIDNIGHT, I OPEN MY TWITTER 103 00:05:21,459 --> 00:05:23,219 AND I GET A TWEET FROM CHER... 104 00:05:24,082 --> 00:05:28,362 SAYING, "JUST GOT OFF THE PHONE WITH COOL BRITISH FRIEND. 105 00:05:28,397 --> 00:05:30,813 ALIGNING PEOPLE TO FIX THIS." 106 00:05:30,847 --> 00:05:32,228 IT WAS ACTUALLY CHER. 107 00:05:34,713 --> 00:05:36,957 Cher: ALL THE KIDS ON MY TWITTER SITE 108 00:05:36,991 --> 00:05:40,823 STARTED TO INUNDATE ME WITH "SAVE KAAVAN". 109 00:05:40,857 --> 00:05:45,828 AND I THOUGHT, I CANNOT SAVE AN ELEPHANT IN PAKISTAN, 110 00:05:45,862 --> 00:05:47,657 BECAUSE I HAVE NO STREET CRED. 111 00:05:47,692 --> 00:05:49,279 HOW AM I GONNA DO THIS? 112 00:05:50,522 --> 00:05:52,248 Narrator: SO CHER CONTACTS A FRIEND 113 00:05:52,282 --> 00:05:55,147 WHO'S BEEN INVOLVED WITH RELOCATING ELEPHANTS IN AFRICA. 114 00:05:58,599 --> 00:06:00,981 Cher: I MET THIS MAN, MARK COWNE. 115 00:06:01,015 --> 00:06:02,569 HE'S BOB GELDOF'S MANAGER. 116 00:06:02,603 --> 00:06:04,881 AND HE WAS TELLING ME ABOUT ELEPHANTS 117 00:06:04,916 --> 00:06:07,332 THAT HE'D SAVED IN SOUTH AFRICA. 118 00:06:07,367 --> 00:06:11,267 AND SO I JUST CALL HIM, AND I SAY, 119 00:06:11,301 --> 00:06:13,649 "WELL, THERE'S THIS ELEPHANT I WANT TO SAVE, 120 00:06:13,683 --> 00:06:15,823 AND I DON'T REALLY KNOW ANYTHING ABOUT IT." 121 00:06:15,858 --> 00:06:18,447 AND HE SAID, "I'LL GO RIGHT AWAY." 122 00:06:18,481 --> 00:06:20,794 [SOFT MUSIC] 123 00:06:20,828 --> 00:06:21,898 Cowne: IT'S CHER! 124 00:06:21,933 --> 00:06:23,659 SHE'S A GREAT FRIEND. 125 00:06:23,693 --> 00:06:24,867 OF COURSE, I SAID YES. 126 00:06:26,455 --> 00:06:29,527 Narrator: MARK COWNE RACES TO ISLAMABAD TO SEE KAAVAN. 127 00:06:31,943 --> 00:06:34,255 Cowne: WHEN I FIRST MET KAAVAN, IT WAS SO SAD. 128 00:06:34,290 --> 00:06:37,258 IT STILL BRINGS TEARS TO MY EYES NOW. 129 00:06:37,293 --> 00:06:38,846 HE WAS A TOTALLY BROKEN ANIMAL. 130 00:06:41,677 --> 00:06:45,646 Cher: I SAW A PICTURE, AND THE PICTURE WAS SO HORRIBLE. 131 00:06:46,578 --> 00:06:48,442 AND HE WAS SHACKLED. 132 00:06:48,477 --> 00:06:51,341 AND IN THIS SHED... 133 00:06:52,584 --> 00:06:53,551 CONSTANTLY. 134 00:06:54,483 --> 00:06:56,312 AND I JUST... 135 00:06:56,346 --> 00:06:59,419 I WAS PISSED OFF TOO. 136 00:06:59,453 --> 00:07:01,179 I WAS REALLY ANGRY. 137 00:07:01,213 --> 00:07:02,318 [DRAMATIC MUSIC] 138 00:07:02,352 --> 00:07:05,252 Narrator: MARK COWNE APPEALS TO THE ZOO OFFICIALS. 139 00:07:07,219 --> 00:07:10,568 Cher: HE SAID, "TAKE HIS CHAINS OFF, 140 00:07:10,602 --> 00:07:12,915 PUT WATER IN THE LITTLE POOL, 141 00:07:14,330 --> 00:07:16,470 PUT A TOP ON THE SHED, 142 00:07:16,505 --> 00:07:18,541 AND GIVE HIM SOMETHING TO PLAY WITH." 143 00:07:18,576 --> 00:07:19,439 AND THEY DID IT. 144 00:07:21,406 --> 00:07:23,650 Narrator: BUT THEIR OPTIMISM IS SHORT-LIVED. 145 00:07:25,272 --> 00:07:27,136 BEYOND THESE SMALL CHANGES, 146 00:07:27,170 --> 00:07:30,277 KAAVAN'S SITUATION DOESN'T IMPROVE FOR TWO MORE YEARS. 147 00:07:30,311 --> 00:07:33,418 [EMOTIONAL MUSIC] 148 00:07:33,453 --> 00:07:36,732 SO IN 2018, CHER LAUNCHES FREE THE WILD, 149 00:07:36,766 --> 00:07:39,459 A NONPROFIT ORGANIZATION FOR ANIMAL RIGHTS. 150 00:07:40,529 --> 00:07:43,186 SHE BEGINS A RELENTLESS TWITTER CAMPAIGN 151 00:07:43,221 --> 00:07:46,638 TO PERSUADE THE PAKISTANI GOVERNMENT TO RELEASE KAAVAN. 152 00:07:46,673 --> 00:07:47,846 Cher: WELL, I DID THAT. 153 00:07:47,881 --> 00:07:51,160 I TWEETED AND SAID I WOULD GET ON MY KNEES. 154 00:07:51,194 --> 00:07:53,507 BUT THAT DIDN'T SEEM TO HELP. 155 00:07:55,267 --> 00:07:56,372 [GENTLE PIANO MUSIC] 156 00:07:56,406 --> 00:07:59,306 Narrator: CHER EVEN RECORDS A SPECIAL SONG, "WALLS", 157 00:07:59,340 --> 00:08:01,584 ABOUT THE LONELY ELEPHANT'S PLIGHT. 158 00:08:01,619 --> 00:08:06,382 ♪ NEVER THOUGHT I'D EVER END UP LIKE THIS ♪ 159 00:08:06,416 --> 00:08:09,454 BUT NOTHING CHANGES FOR KAAVAN. 160 00:08:09,489 --> 00:08:11,249 HIS DIET IS TERRIBLE. 161 00:08:11,283 --> 00:08:13,182 HIS PEN IS SMALL AND SQUALID. 162 00:08:15,633 --> 00:08:16,599 AND WORSE STILL... 163 00:08:18,187 --> 00:08:18,912 HE'S ALONE. 164 00:08:20,672 --> 00:08:24,262 ASIAN ELEPHANTS NATURALLY LIVE IN SMALL FAMILY HERDS 165 00:08:24,296 --> 00:08:26,402 AND NEED THE FREEDOM TO ROAM. 166 00:08:26,436 --> 00:08:28,473 Cher: THEY'RE SO SOCIAL, THEY'RE LIKE WE ARE. 167 00:08:28,508 --> 00:08:32,442 THEY'RE JUST LIKE WE ARE. WE'RE VERY MUCH THE SAME. 168 00:08:32,477 --> 00:08:36,308 THEY'RE SO FAMILY-ORIENTED AND THEY'RE SO EMOTIONAL. 169 00:08:36,343 --> 00:08:37,758 [DRAMATIC MUSIC] 170 00:08:37,793 --> 00:08:40,830 Narrator: FEW ZOOS CAN PROPERLY CARE FOR ELEPHANTS. 171 00:08:40,865 --> 00:08:43,177 BUT ISLAMABAD ZOO CONTINUES TO HANG ON 172 00:08:43,212 --> 00:08:44,420 TO ITS STAR ATTRACTION. 173 00:08:47,250 --> 00:08:49,943 IN 2020, A PASSIONATE YOUNG PAKISTANI LAWYER 174 00:08:49,977 --> 00:08:52,221 TAKES THE ZOO TO COURT. 175 00:08:52,255 --> 00:08:55,880 HE DEMANDS THAT KAAVAN'S RIGHTS AS AN ANIMAL BE RECOGNIZED 176 00:08:55,914 --> 00:08:57,882 AND HE BE MOVED TO A BETTER FACILITY. 177 00:09:01,679 --> 00:09:03,197 Swan: CHER, THROUGH FREE THE WILD, 178 00:09:03,232 --> 00:09:05,890 WAS ONE OF THE PARTIES IN THE PETITION. 179 00:09:05,924 --> 00:09:07,754 [UPBEAT MUSIC] 180 00:09:07,788 --> 00:09:10,411 Narrator: TO EVERYONE'S SURPRISE, THEY SUCCEED. 181 00:09:11,274 --> 00:09:14,588 Swan: OUR CASE BECAME ONE OF THE LANDMARK PRECEDENT 182 00:09:14,623 --> 00:09:17,833 WHICH HAS RECOGNIZED ANIMAL RIGHTS FOR THE FIRST TIME 183 00:09:17,867 --> 00:09:20,180 IN TRADITIONAL HISTORY OF PAKISTAN. 184 00:09:21,595 --> 00:09:23,597 Narrator: AND THEN, IN MAY 2020, 185 00:09:23,632 --> 00:09:27,118 PAKISTAN'S HIGH COURT DELIVERS AN ASTONISHING JUDGMENT. 186 00:09:28,257 --> 00:09:30,397 NOT ONLY MUST KAAVAN BE FREED, 187 00:09:30,431 --> 00:09:32,675 BUT THE ENTIRE ZOO MUST CLOSE. 188 00:09:36,230 --> 00:09:39,889 IT'S A LEGAL TRIUMPH BUT A LOGISTICAL NIGHTMARE. 189 00:09:41,511 --> 00:09:44,204 THE COURT RULES THAT KAAVAN AND ALL OTHER ANIMALS 190 00:09:44,238 --> 00:09:46,102 MUST GO IN 30 DAYS. 191 00:09:47,552 --> 00:09:49,278 BUT IT'S SUMMER 2020, 192 00:09:49,312 --> 00:09:52,730 THE MIDST OF THE WORST GLOBAL EMERGENCY SINCE WORLD WAR II. 193 00:09:53,662 --> 00:09:54,870 [DRAMATIC MUSIC] 194 00:09:54,904 --> 00:09:57,251 Cher: AND SO THEN I SAID, "DO WE REALLY WANT TO GO 195 00:09:57,286 --> 00:09:58,839 TO ISLAMABAD DURING COVID? 196 00:09:58,874 --> 00:10:02,256 THAT'S KIND OF NOT A GOOD IDEA. WE'RE GOING TO DIE." 197 00:10:03,050 --> 00:10:06,157 AND WE JUST DECIDED, "OH, THAT'S NOT IMPORTANT 198 00:10:06,191 --> 00:10:08,193 AS MUCH AS SAVING THIS ELEPHANT." 199 00:10:10,679 --> 00:10:11,369 [GENTLE PIANO MUSIC] 200 00:10:11,403 --> 00:10:13,785 GO SAVE AN ELEPHANT IN ISLAMABAD 201 00:10:13,820 --> 00:10:18,376 WAS LIKE THAT WAS WAY BEYOND MY JOB DESCRIPTION. 202 00:10:18,410 --> 00:10:21,655 BUT, YOU KNOW, THEY JUST HAVE FEELINGS, 203 00:10:21,690 --> 00:10:25,141 AND WE HAVE TO BE RESPONSIVE. 204 00:10:25,176 --> 00:10:26,660 [BRIGHT MUSIC] 205 00:10:26,695 --> 00:10:29,490 Narrator: THE PANDEMIC BUYS EVERYONE SOME TIME, 206 00:10:29,525 --> 00:10:31,734 WHILE FREE THE WILD DESPERATELY SEARCHES 207 00:10:31,769 --> 00:10:33,287 FOR KAAVAN'S NEW HOME. 208 00:10:35,600 --> 00:10:38,223 [BRIGHT MUSIC] 209 00:10:38,258 --> 00:10:41,848 FREE THE WILD TURNS TO RENOWN ELEPHANT RESCUER LEK CHAILERT. 210 00:10:44,574 --> 00:10:47,923 SHE CARES FOR 200 ELEPHANTS AT HER SANCTUARY IN THAILAND. 211 00:11:10,773 --> 00:11:12,775 [ELEPHANT SQUEAKING] 212 00:11:36,868 --> 00:11:38,767 Narrator: LEK AND HER HUSBAND, DEREK THOMPSON, 213 00:11:38,801 --> 00:11:42,287 OFFER KAAVAN A HOME AT A SISTER SANCTUARY IN CAMBODIA, 214 00:11:43,219 --> 00:11:45,359 IF THE ZOO WILL RELEASE HIM. 215 00:11:45,394 --> 00:11:47,189 [DELICATE PIANO MUSIC] 216 00:12:03,826 --> 00:12:05,863 [GENTLE MUSIC] 217 00:12:05,897 --> 00:12:07,899 Narrator: AT THE CAMBODIA WILDLIFE SANCTUARY, 218 00:12:07,934 --> 00:12:11,109 THE ELEPHANTS HAVE SPACE TO ROAM IN THE PROTECTED FOREST. 219 00:12:13,180 --> 00:12:15,769 Cowne: CAMBODIA WAS THE BEST CHOICE BY FAR FOR KAAVAN. 220 00:12:15,804 --> 00:12:18,738 BUT FOR US, IT'S A LOGISTICAL NIGHTMARE. 221 00:12:20,947 --> 00:12:23,432 Narrator: IT WILL TAKE SEVEN HOURS BY AIR... 222 00:12:25,330 --> 00:12:29,438 THEN FOUR HOURS BY TRUCK TO DELIVER KAAVAN TO HIS NEW HOME. 223 00:12:29,472 --> 00:12:31,785 Cowne: WE'RE GONNA NEED A MASSIVE AIRCRAFT. 224 00:12:31,820 --> 00:12:33,753 HOW THE HELL ARE WE GONNA GET THAT NOW? 225 00:12:35,444 --> 00:12:36,790 Narrator: THE SEARCH FOR A CARGO PLANE 226 00:12:36,825 --> 00:12:39,931 BIG ENOUGH TO TRANSPORT A BULL ELEPHANT BEGINS. 227 00:12:41,312 --> 00:12:44,246 [DRAMATIC MUSIC] 228 00:12:44,280 --> 00:12:45,730 THEY'LL ALSO HAVE TO BUILD A CRATE 229 00:12:45,765 --> 00:12:48,112 THAT'S STRONG ENOUGH TO RESTRAIN KAAVAN... 230 00:12:49,872 --> 00:12:52,772 AND THEN TRAIN HIM TO WILLINGLY ENTER IT. 231 00:12:53,807 --> 00:12:55,222 IT'S A TALL ORDER. 232 00:12:56,534 --> 00:12:59,192 FORTUNATELY, HELP IS AT HAND. 233 00:13:01,642 --> 00:13:03,437 BY AUGUST, A TEAM FROM 234 00:13:03,472 --> 00:13:05,854 THE GLOBAL ANIMAL WELFARE ORGANIZATION, FOUR PAWS, 235 00:13:05,888 --> 00:13:07,614 IS ALREADLY WORKING HARD 236 00:13:07,648 --> 00:13:09,961 TO RELOCATE ALL THE OTHER ANIMALS AT THE ZOO. 237 00:13:09,996 --> 00:13:10,859 Dr. Amir: GOOD LUCK. 238 00:13:10,893 --> 00:13:12,757 [LAUGHING] 239 00:13:12,792 --> 00:13:15,173 Narrator: THEIR LEADER, DR. AMIR KHALIL, 240 00:13:15,208 --> 00:13:16,692 IS KNOWN AS THE WAR VET. 241 00:13:19,177 --> 00:13:21,559 HE'S DONE COUNTLESS HIGH-RISK ANIMAL RESCUES 242 00:13:21,593 --> 00:13:25,356 FROM SYRIA, IRAQ, LIBYA, AND THE GAZA STRIP. 243 00:13:28,359 --> 00:13:31,811 DR. AMIR MUST PREPARE KAAVAN PHYSICALLY FOR THE RELOCATION. 244 00:13:33,364 --> 00:13:35,884 THE FIRST STEP: PUT HIM ON A DIET. 245 00:13:35,918 --> 00:13:38,956 [DELICATE MUSIC] 246 00:13:38,990 --> 00:13:42,338 BUT HE'S ALSO WORRIED ABOUT KAAVAN'S MENTAL HEALTH. 247 00:13:42,373 --> 00:13:45,272 THE BULL ELEPHANT HAS KILLED TWO OF HIS PREVIOUS KEEPERS. 248 00:13:48,758 --> 00:13:50,450 Dr. Amir: I MET HIM FOUR YEARS AGO. 249 00:13:51,278 --> 00:13:53,971 AND I SAW, REALLY, AT THIS TIME A VERY ANGRY GUY. 250 00:13:54,005 --> 00:13:55,317 HATE HUMAN BEING. 251 00:13:56,697 --> 00:13:59,597 HE HAD THE WORST EXPERIENCE FOR AN ANIMAL. 252 00:13:59,631 --> 00:14:02,669 HE DON'T SEE US AS A HUMAN. HE SEE US LIKE MONSTERS. 253 00:14:02,703 --> 00:14:05,741 [EMOTION@L 254 00:14:05,775 --> 00:14:07,950 Narrator: NOW, WITH THREE MONTHS TO GO, 255 00:14:07,985 --> 00:14:10,228 THEY TARGET LATE NOVEMBER FOR THE MOVE. 256 00:14:11,747 --> 00:14:13,369 BUT THERE'S STILL NO AIRPLANE. 257 00:14:14,508 --> 00:14:16,234 AND THEY'VE YET TO BUILD A CRATE. 258 00:14:18,581 --> 00:14:21,550 FINALLY, THEY TRACK DOWN AN ILYUSHIN TRANSPORT PLANE 259 00:14:21,584 --> 00:14:22,758 THAT MIGHT BE AVAILABLE. 260 00:14:24,933 --> 00:14:26,382 BUT THERE'S ONE CONDITION. 261 00:14:28,281 --> 00:14:29,144 Dr. Amir: ALEXANDER... 262 00:14:29,903 --> 00:14:34,425 KEN'S AIRCRAFT TAKES THREE METER 15 HIGH CRATES ATOP. 263 00:14:34,459 --> 00:14:36,358 WIDTH IS TWO METER WIDE. 264 00:14:36,392 --> 00:14:39,223 Alexander: THE THING IS THIS CAGE IS VERY HEAVY. 265 00:14:39,257 --> 00:14:42,709 WHAT WILL BE THE ANTICIPATED WEIGHT OF THE CAGE 266 00:14:42,743 --> 00:14:44,228 WITH ELEPHANT INSIDE? 267 00:14:44,262 --> 00:14:48,197 Dr. Amir: GROSS WEIGHT, I WILL BRING IT TO 10 TON. 268 00:14:48,232 --> 00:14:50,268 Narrator: KAAVAN AND THE CRATE CANNOT WEIGH 269 00:14:50,303 --> 00:14:52,926 MORE THAN 10 TONS, OR THEY'LL NEED A BIGGER PLANE. 270 00:14:53,754 --> 00:14:57,793 THANKS TO AMIR'S DIET, KAAVAN'S ALREADY SHED 500 POUNDS. 271 00:14:58,863 --> 00:15:00,761 BUT HE NEEDS TO TRIM DOWN SOME MORE. 272 00:15:04,593 --> 00:15:06,664 EVEN AT HIS SVELTE FLYING WEIGHT, 273 00:15:06,698 --> 00:15:08,114 THE BULL ELEPHANT WILL REQUIRE 274 00:15:08,148 --> 00:15:09,632 A SPECIALLY-CONSTRUCTED CRATE. 275 00:15:11,876 --> 00:15:14,879 IT MUST BE AS SMALL AS POSSIBLE TO RESTRAIN HIM... 276 00:15:16,294 --> 00:15:18,469 YET BIG ENOUGH FOR HIM TO WILLINGLY WALK IN. 277 00:15:20,195 --> 00:15:21,921 AND IT'S GOT TO BE UNBREAKABLE 278 00:15:22,852 --> 00:15:24,095 [HORN HONKING] 279 00:15:24,130 --> 00:15:27,788 FOUR PAWS COMMISSIONED SOME LOCAL ENGINEERS TO BUILD IT... 280 00:15:27,823 --> 00:15:28,893 FAST. 281 00:15:28,928 --> 00:15:31,171 WITH FOUR WEEKS TO GO, DR. AMIR 282 00:15:31,206 --> 00:15:35,175 AND TRANSPORT EXPERT ERNST-JAN KIP GO TO CHECK ON PROGRESS. 283 00:15:36,936 --> 00:15:39,766 FIRST IMPRESSIONS ARE ALARMING. 284 00:15:39,800 --> 00:15:42,355 Kip: EVERYTHING HE CAN TOUCH WITH HIS TRUNK, 285 00:15:42,389 --> 00:15:45,220 HE'LL DESTROY IT AND THE AIRPLANE WILL GO DOWN. 286 00:15:45,254 --> 00:15:48,671 HE IS OVER FIVE TON OF MUSCLE AND POWER. 287 00:15:50,259 --> 00:15:54,332 NICE DESIGNS, BUT IT'S NOT ELEPHANT PROOF. 288 00:15:54,367 --> 00:15:55,678 Narrator: AND TO TOP IT ALL OFF, 289 00:15:55,713 --> 00:15:58,371 THEY'VE PAINTED AN AFRICAN ELEPHANT ON THE SIDE. 290 00:15:59,717 --> 00:16:02,962 Dr. Amir: SO, HERE, NO AFRICAN ELEPHANT. 291 00:16:02,996 --> 00:16:06,689 MUST BE PAKISTANI. PAKISTANI KAAVAN. 292 00:16:06,724 --> 00:16:08,174 [CHATTERING] 293 00:16:08,208 --> 00:16:10,693 [DRAMATIC PERCUSSIVE MUSIC] 294 00:16:10,728 --> 00:16:13,731 Narrator: MEANWHILE, AT THE CAMBODIA WILDLIFE SANCTUARY, 295 00:16:13,765 --> 00:16:15,560 FRANTIC CONSTRUCTION IS UNDERWAY 296 00:16:15,595 --> 00:16:18,632 TO BUILD A TEMPORARY NEW ENCLOSURE FOR KAAVAN'S ARRIVAL. 297 00:16:21,842 --> 00:16:24,328 HIS INITIAL PEN IS LESS THAN AN ACRE 298 00:16:24,362 --> 00:16:26,744 BUT A PARADISE COMPARED TO WHERE HE IS NOW. 299 00:16:28,159 --> 00:16:30,748 AND MOST IMPORTANT, HE'LL HAVE COMPANY: 300 00:16:30,782 --> 00:16:34,131 THE FIRST ELEPHANTS HE'LL INTERACT WITH IN EIGHT YEARS. 301 00:16:38,963 --> 00:16:40,758 THERE ARE TWO WEEKS TO THE MOVE. 302 00:16:42,656 --> 00:16:43,968 KAAVAN'S REINFORCED CRATE, 303 00:16:44,003 --> 00:16:46,902 NOW PAINTED WITH AN ASIAN ELEPHANT, IS ON THE WAY. 304 00:16:48,421 --> 00:16:50,181 EVERY HOUR COUNTS. 305 00:16:50,216 --> 00:16:52,770 [ANXIOUS MUSIC] 306 00:16:59,846 --> 00:17:02,297 NORMALLY, IT TAKES FOUR TO SIX WEEKS 307 00:17:02,331 --> 00:17:03,505 TO CRATE TRAIN AN ELEPHANT. 308 00:17:03,539 --> 00:17:04,747 Dr. Amir: STOP, STOP, STOP! 309 00:17:06,680 --> 00:17:07,509 GO. 310 00:17:08,268 --> 00:17:11,237 Narrator: DR. AMIR HAS ONLY 14 DAYS. 311 00:17:13,929 --> 00:17:14,930 [METAL DOOR BANGING] 312 00:17:14,964 --> 00:17:17,277 EVERYONE WATCHES ANXIOUSLY TO SEE HOW KAAVAN 313 00:17:17,312 --> 00:17:18,623 WILL REACT TO THE CRATE. 314 00:17:20,004 --> 00:17:22,248 BUT THEY MAKE A FATAL MISTAKE... 315 00:17:23,663 --> 00:17:24,802 LEAVING THE DOORS ON. 316 00:17:27,253 --> 00:17:29,393 [BANGING] 317 00:17:33,328 --> 00:17:36,641 [TRADITIONAL EASTERN MUSIC] 318 00:17:36,676 --> 00:17:39,472 BY MORNING, KAAVAN HAS TRASHED THE CRATE. 319 00:17:41,336 --> 00:17:43,786 THEY'LL HAVE TO BUILD ANOTHER ONE... 320 00:17:43,821 --> 00:17:44,787 MUCH STRONGER. 321 00:17:46,203 --> 00:17:48,343 THEIR LIVES ON THE PLANE WILL DEPEND ON IT. 322 00:17:49,102 --> 00:17:52,726 Kip: IF KAAVAN SMASHED THE DOOR OUT OF THE CRATE, 323 00:17:52,761 --> 00:17:54,556 WHILE HE'S IN THE AIRPLANE, 324 00:17:54,590 --> 00:17:56,282 YEAH, WE ARE ALL IN BIG TROUBLE. 325 00:17:57,179 --> 00:18:00,493 MUST BE STRONGER AND MUST BE THICKER MATERIAL. 326 00:18:00,527 --> 00:18:02,564 THE WELDING MUST BE MUCH BETTER. 327 00:18:02,598 --> 00:18:04,704 [BANGING ON METAL] 328 00:18:04,738 --> 00:18:06,809 Dr. Amir: YOU HAVE TO DO IT. AND... 329 00:18:06,844 --> 00:18:08,259 Man: WE'RE CHECKING IT RIGHT NOW. 330 00:18:08,294 --> 00:18:09,536 Dr. Amir: NO, YOU DON'T CHECK. YOU JUST DO IT. 331 00:18:09,571 --> 00:18:10,399 [LAUGHING] 332 00:18:10,434 --> 00:18:11,262 NO CHECK. NO 333 00:18:11,297 --> 00:18:14,231 [BANGING ON METAL] 334 00:18:16,233 --> 00:18:17,303 COME, KAAVAN. 335 00:18:18,442 --> 00:18:20,789 Narrator: AT LEAST DR. AMIR CAN USE THE BROKEN CRATE 336 00:18:20,823 --> 00:18:22,377 TO START KAAVAN'S TRAINING. 337 00:18:23,378 --> 00:18:24,310 Dr. Amir: KAAVAN... 338 00:18:28,590 --> 00:18:31,972 Narrator: AMIR COAXES KAAVAN IN WITH A FRUITY PRIZE. 339 00:18:32,007 --> 00:18:33,250 Dr. Amir: COME. 340 00:18:33,284 --> 00:18:34,113 DON'T BE AFRAID. 341 00:18:35,183 --> 00:18:35,873 REALLY, COME. 342 00:18:35,907 --> 00:18:36,977 I SWEAR, NOTHING WILL HAPPEN. 343 00:18:37,012 --> 00:18:38,738 YOU WILL NOT FALL DOWN. 344 00:18:38,772 --> 00:18:40,188 Narrator: AND A BURST OF FRANK SINATRA. 345 00:18:40,222 --> 00:18:44,192 ♪ I DID IT MY WAY 346 00:18:44,226 --> 00:18:46,849 Dr. Amir: YES! A FIRST STEP, YES! 347 00:18:46,884 --> 00:18:48,127 BRAVO! COME. 348 00:18:48,851 --> 00:18:50,957 ONE MORE, ONE MORE. 349 00:18:50,991 --> 00:18:54,202 COME, YOU'VE DONE IT ALREADY. [LAUGHING] 350 00:18:54,236 --> 00:18:55,272 PATIENCE. 351 00:18:55,306 --> 00:18:58,344 TRY TREAT HIM WITH RESPECT, OR SINGING TO HIM. 352 00:18:58,378 --> 00:18:59,586 I MEAN, NO ONE LIKE MY VOICE, 353 00:18:59,621 --> 00:19:04,177 SO, FINALLY I HAVE A BIG, GIANT ELEPHANT. 354 00:19:04,212 --> 00:19:06,662 THE ONLY ONE I HAVE ON EARTH WHO LOVE MY VOICE. 355 00:19:06,697 --> 00:19:09,527 YES, MY WAY! YOUR WAY. 356 00:19:09,562 --> 00:19:11,564 [TENSE MUSIC] [CROW CAWING] 357 00:19:11,598 --> 00:19:13,773 Narrator: KAAVAN'S MAKING GREAT PROGRESS. 358 00:19:14,705 --> 00:19:18,571 BUT WITH THE DAY'S TICKING BY, COVID HITS HARD. 359 00:19:18,605 --> 00:19:20,193 [COUGHING] 360 00:19:20,228 --> 00:19:22,195 SEVERAL TEAM MEMBERS GET SICK. 361 00:19:24,370 --> 00:19:26,682 Cher: AND SO THEN I SAID, "DO WE REALLY WANT TO GO 362 00:19:26,717 --> 00:19:28,270 TO ISLAMABAD DURING A COVID? 363 00:19:28,305 --> 00:19:30,410 WE'RE GONNA-- WE SHOULD DIE." 364 00:19:31,446 --> 00:19:33,275 Narrator: CHER'S PLANS TO PARTICIPATE 365 00:19:33,310 --> 00:19:35,208 ARE NOW IN JEOPARDY. 366 00:19:35,243 --> 00:19:36,416 [ANXIOUS MUSIC] 367 00:19:36,451 --> 00:19:37,969 WITH JUST A WEEK TO GO, 368 00:19:38,004 --> 00:19:40,593 KAAVAN IS GETTING MORE COMFORTABLE WITH HIS CRATE. 369 00:19:42,698 --> 00:19:44,321 Schmidinger: GOOD BOY. COME HERE. 370 00:19:45,114 --> 00:19:47,393 Narrator: BUT THERE'S A SUBTLE YET ALARMING CHANGE 371 00:19:47,427 --> 00:19:48,428 IN KAAVAN'S MOOD. 372 00:19:49,360 --> 00:19:50,982 Schmidinger: LOOK WHAT WE HERE. SO FRESH. 373 00:19:51,017 --> 00:19:52,881 Narrator: FOUR PAWS TRAINER INGO SCHMIDINGER 374 00:19:52,915 --> 00:19:54,779 NOTICES HE'S MORE AGGRESSIVE. 375 00:19:54,814 --> 00:19:56,229 Schmidinger: YEAH, YEAH, YEAH. 376 00:19:56,264 --> 00:19:58,749 THIS MORNING WE STARTED TO CHECK BACK ON HIM. 377 00:19:58,783 --> 00:19:59,784 AND WHAT HAPPENED? 378 00:19:59,819 --> 00:20:01,614 JUST ONE SECOND, BOOM. 379 00:20:01,648 --> 00:20:02,546 THAT'S IT, ATTACK. 380 00:20:03,857 --> 00:20:05,549 IT WAS A TYPICAL... 381 00:20:05,583 --> 00:20:06,515 BOOM... 382 00:20:06,550 --> 00:20:07,378 AGAINST THIS. 383 00:20:07,413 --> 00:20:08,483 Dr. Amir: AGAINST THE WALL? 384 00:20:08,517 --> 00:20:10,554 Schmidinger: YES, AGAINST THIS WALL. 385 00:20:10,588 --> 00:20:11,865 [TENSE MUSIC] 386 00:20:11,900 --> 00:20:13,833 Narrator: KAAVAN HAS ENTERED MUST. 387 00:20:14,696 --> 00:20:17,423 IT'S A MATING CONDITION WHERE TESTOSTERONE SURGES 388 00:20:17,457 --> 00:20:19,459 TO 60 TIMES THE NORMAL LEVEL. 389 00:20:23,567 --> 00:20:26,225 MUST ELEPHANTS BECOME HYPER AGGRESSIVE. 390 00:20:27,087 --> 00:20:31,575 Schmidinger: BULLS IN MUST SEE EVERY LITTLE THING AS A TARGET. 391 00:20:31,609 --> 00:20:34,302 SO THEY ARE AIMING FOR KILLING. 392 00:20:34,336 --> 00:20:36,269 [ELEPHANTS GROWLING] 393 00:20:36,304 --> 00:20:37,477 Narrator: DESPITE THE DANGER, 394 00:20:37,512 --> 00:20:39,824 THE TEAM MUST CONTINUE KAAVAN'S TRAINING. 395 00:20:39,859 --> 00:20:42,275 [DRAMATIC MUSIC] 396 00:20:42,310 --> 00:20:45,209 ONBOARD THE PLANE, ANY UNEXPECTED NOISE 397 00:20:45,244 --> 00:20:46,279 COULD SET HIM OFF. 398 00:20:47,694 --> 00:20:48,971 Schmidinger: WHAT WE DO, WE CAN DO... 399 00:20:49,006 --> 00:20:50,456 [METAL CLINKING] 400 00:20:50,490 --> 00:20:51,457 JUST SOME NOISE, 401 00:20:51,491 --> 00:20:53,493 BECAUSE THIS IS WHAT WILL HAPPEN ON THE DAY. 402 00:20:53,528 --> 00:20:54,356 IT WILL BE LIKE... 403 00:20:54,391 --> 00:20:55,254 [BANGS METAL] 404 00:20:55,288 --> 00:20:55,944 GOOD BOY! 405 00:20:55,978 --> 00:20:56,807 CLOSE! 406 00:20:56,841 --> 00:20:57,635 [BANGING METAL] 407 00:20:57,670 --> 00:20:59,292 AND IT WILL BE LIKE THIS. 408 00:20:59,327 --> 00:21:01,432 [ANXIOUS MUSIC] 409 00:21:01,467 --> 00:21:02,571 Narrator: KAAVAN'S AGGRESSION 410 00:21:02,606 --> 00:21:04,815 COULD LAST THREE TO FOUR WEEKS. 411 00:21:04,849 --> 00:21:07,611 AND DR. AMIR IS IN THE FIRING LINE. 412 00:21:08,888 --> 00:21:11,477 Dr. Amir: ELEPHANT IN MUST CAN KILL ANYONE, 413 00:21:11,511 --> 00:21:14,756 'CAUSE HE LOOK FOR THE ALPHA, AND HE WANT TO 414 00:21:14,790 --> 00:21:16,585 REMOVE THIS ALPHA. 415 00:21:17,931 --> 00:21:19,795 AND FOR HIM, I AM THE FOCUS PERSON, 416 00:21:19,830 --> 00:21:22,350 SO I COULD BE IN A HUGE RISK AT THIS MOMENT, 417 00:21:22,384 --> 00:21:23,523 SO I HAVE TO BE VERY CAREFUL. 418 00:21:23,558 --> 00:21:25,318 [TENSE MUSIC] 419 00:21:25,353 --> 00:21:27,907 Narrator: THE ENTIRE AIRLIFT IS NOW IN JEOPARDY. 420 00:21:33,947 --> 00:21:37,226 [ANXIOUS MUSIC] 421 00:21:37,261 --> 00:21:39,401 DESPITE THE DANGERS FROM COVID-19, 422 00:21:39,436 --> 00:21:42,231 CHER IS DETERMINED TO MAKE THE TRIP TO PAKISTAN. 423 00:21:43,785 --> 00:21:46,788 IT'S BEEN FIVE YEARS SINCE SHE HEARD OF KAAVAN'S PLIGHT. 424 00:21:47,720 --> 00:21:48,790 Jen: WHERE ARE YOU GOING? 425 00:21:49,549 --> 00:21:51,482 Cher: WE'RE ON OUR WAY TO ISLAMABAD. 426 00:21:51,517 --> 00:21:52,863 Jen: YEAH. TO DO WHAT? 427 00:21:52,897 --> 00:21:54,278 Cher: TO GET KAAVAN. 428 00:21:54,313 --> 00:21:57,177 Jen: YES. [CHUCKLING] 429 00:21:57,212 --> 00:21:59,697 Narrator: THE AIRLIFT IS SCHEDULED IN THREE DAYS. 430 00:22:01,699 --> 00:22:03,943 DR. AMIR HAS GIVEN KAAVAN SOME MEDICATION 431 00:22:03,977 --> 00:22:06,255 TO SUPPRESS THE SURGE IN TESTOSTERONE 432 00:22:07,326 --> 00:22:09,500 AND HOPEFULLY CURB HIS AGGRESSION. 433 00:22:13,746 --> 00:22:16,818 MARK COWNE, WHO FOUNDED FREE THE WILD WITH CHER, 434 00:22:16,852 --> 00:22:19,338 HAS ARRIVED THROUGH LONDON TO SEE KAAVAN OFF. 435 00:22:20,891 --> 00:22:22,927 BUT IT'S NOT THE REUNION HE HOPED FOR. 436 00:22:24,757 --> 00:22:27,691 KAAVAN'S TEMPER IS STILL HOT. 437 00:22:27,725 --> 00:22:29,831 [DRAMATIC MUSIC] 438 00:22:29,865 --> 00:22:32,799 Cowne: TOTALLY MY FAULT. I FORGOT KAAVAN WAS IN MUST. 439 00:22:32,834 --> 00:22:33,938 I GOT TOO CLOSE. 440 00:22:36,389 --> 00:22:37,563 Narrator: IT'S A POTENT REMINDER 441 00:22:37,597 --> 00:22:41,601 THAT KAAVAN IS STILL IN MUST AND CAN BE VERY DANGEROUS. 442 00:22:46,365 --> 00:22:47,435 [BRIGHT ELECTRONIC MUSIC] 443 00:22:47,469 --> 00:22:50,714 AFTER 24 HOURS OF NONSTOP TRAVEL FROM CALIFORNIA, 444 00:22:50,748 --> 00:22:54,649 CHER FINALLY LANDS IN ISLAMABAD, JUST IN TIME. 445 00:22:55,960 --> 00:22:58,653 KAAVAN HAS A HARD OUT IN TWO DAYS. 446 00:22:59,826 --> 00:23:02,829 ["BELIEVE" BY CHER] 447 00:23:10,975 --> 00:23:13,495 [CHATTERING] 448 00:23:14,876 --> 00:23:18,811 ♪ NO MATTER HOW HARD I TRY 449 00:23:18,845 --> 00:23:23,850 ♪ YOU KEEP PUSHING ME ASIDE AND I CAN'T BREAK THROUGH ♪ 450 00:23:24,403 --> 00:23:27,854 ♪ THERE'S NO TALKING TO YOU ♪ 451 00:23:27,889 --> 00:23:31,858 Cher: AND THEN, ALL OF A SUDDEN, I WAS IN ISLAMABAD 452 00:23:31,893 --> 00:23:35,310 AND EVERYONE WAS SAYING, "WE DIDN'T EXPECT YOU TO COME. 453 00:23:35,344 --> 00:23:36,553 WHY ARE YOU HERE?" 454 00:23:36,587 --> 00:23:39,452 AND I SAID, "BECAUSE I SAID I WAS COMING, AND I'M HERE. 455 00:23:39,487 --> 00:23:42,835 AND I'M, YOU KNOW... I'M HERE TO GET KAAVAN." 456 00:23:42,869 --> 00:23:47,874 ♪ DO YOU BELIEVE IN LIFE AFTER LOVE ♪ 457 00:23:48,772 --> 00:23:49,842 ♪ I CAN FEEL SOMETHING 458 00:23:49,876 --> 00:23:50,946 ARE YOU DR. AMIR? 459 00:23:50,981 --> 00:23:51,947 Dr. Amir: GOOD MORNING, CHER. Cher: HOW ARE YOU? 460 00:23:51,982 --> 00:23:53,777 I'M SO HAPPY TO SEE YOU! Dr. Amir: I'M FINE. 461 00:23:53,811 --> 00:23:55,261 DO YOU BELIEVE IN MIRACLES? 462 00:23:55,295 --> 00:23:56,607 [INDISTINCT] AND YOU ARE HERE FINALLY. 463 00:23:56,642 --> 00:23:57,781 Cher: YES, I AM. 464 00:23:57,815 --> 00:23:59,576 Dr. Amir: WELCOME TO PAKISTAN AND WELCOME TO THE ZOO. 465 00:23:59,610 --> 00:24:00,611 Cher: THANK YOU. 466 00:24:03,303 --> 00:24:04,719 ♪ I CAN FEEL SOMETHING 467 00:24:04,753 --> 00:24:07,825 YOU HAVE TO WALK UP THE LONG ROAD INTO THE ZOO, 468 00:24:08,654 --> 00:24:11,277 AND I COULD SEE HIM FROM THE DISTANCE. 469 00:24:12,485 --> 00:24:14,625 FIRST THING I NOTICED WAS, 470 00:24:14,660 --> 00:24:16,903 WHAT IS HE DOING IN THIS HELL HOLE 471 00:24:16,938 --> 00:24:19,354 WHICH IS AS BIG AS MY FINGERNAIL? 472 00:24:19,388 --> 00:24:22,702 AND MY GOD, HE'S SO BROWN AND BEAUTIFUL, RUSTY. 473 00:24:24,463 --> 00:24:26,430 AND THEN, HE'S SO BIG. 474 00:24:27,535 --> 00:24:29,191 I DIDN'T REALIZE. 475 00:24:29,226 --> 00:24:30,641 AND HE'S NOT EVEN A BIG ELEPHANT, 476 00:24:30,676 --> 00:24:32,367 BUT ELEPHANTS ARE GIGANTIC. 477 00:24:35,750 --> 00:24:37,406 HE HAS BEAUTIFUL EYES. 478 00:24:38,407 --> 00:24:41,928 AND EVEN WHEN HE'S NOT WITH YOU 479 00:24:41,963 --> 00:24:43,896 OR WHEN THERE'S NO ONE AROUND, 480 00:24:43,930 --> 00:24:47,831 DOES HE STILL DO THIS BACKWARDS AND FORWARDS THE WHOLE TIME? 481 00:24:47,865 --> 00:24:49,522 Dr. Amir: 24/7. 482 00:24:49,557 --> 00:24:50,350 Cher: RIGHT. 483 00:24:50,385 --> 00:24:51,420 HELLO, KAAVAN! 484 00:24:54,769 --> 00:24:56,840 Narrator: DR. AMIR KNOWS THERE ARE TWO WAYS 485 00:24:56,874 --> 00:24:58,635 FOR CHER TO BOND WITH KAAVAN: 486 00:24:59,808 --> 00:25:00,637 FOOD... 487 00:25:00,671 --> 00:25:01,776 Dr. Amir: HE LIKE WATERMELON 488 00:25:02,673 --> 00:25:04,399 Cher: I LIKE WATERMELON TOO. 489 00:25:04,433 --> 00:25:06,643 [LAUGHING] 490 00:25:07,609 --> 00:25:09,508 Narrator: AND MUSIC. 491 00:25:09,542 --> 00:25:11,199 ♪ A LIFE THAT'S FULL 492 00:25:11,233 --> 00:25:13,477 KAAVAN'S FAVORITE SONG 493 00:25:13,512 --> 00:25:16,273 ♪ AND EVERY HIGHWAY 494 00:25:16,307 --> 00:25:20,657 ♪ BUT MORE MUCH MORE THAN THIS 495 00:25:20,691 --> 00:25:22,555 ♪ I DID IT MY WAY 496 00:25:22,590 --> 00:25:23,936 Cher: HE LOVES THAT SONG. 497 00:25:23,970 --> 00:25:26,421 ANIMALS, YOU KNOW, THEY LOVE MUSIC. 498 00:25:26,455 --> 00:25:28,872 THEY'RE SOOTHED BY IT. THEY REALLY ARE. 499 00:25:28,906 --> 00:25:31,564 ♪ I'VE HAD A FEW 500 00:25:31,599 --> 00:25:33,152 ♪ BUT THEN TOO FEW TO MENTION 501 00:25:33,186 --> 00:25:35,326 IT WAS LIKE I ALREADY KNEW HIM, 502 00:25:35,361 --> 00:25:37,708 BUT I DIDN'T KNOW WHAT IT WAS GONNA BE LIKE. 503 00:25:37,743 --> 00:25:39,779 I DIDN'T REALIZE THAT HE WOULD HAVE 504 00:25:39,814 --> 00:25:41,781 SUCH A CUTE PERSONALITY. 505 00:25:41,816 --> 00:25:43,714 I THOUGHT HE WOULD BE REALLY ANGRY. 506 00:25:44,612 --> 00:25:48,857 ♪ I DID WHAT I HAD TO DO 507 00:25:48,892 --> 00:25:53,655 ♪ I SAW IT THROUGH WITHOUT EXEMPTION ♪ 508 00:25:55,277 --> 00:25:56,727 [EMOTIONAL PIANO MUSIC] 509 00:25:56,762 --> 00:25:57,728 Narrator: CHER IS TOUCHED 510 00:25:57,763 --> 00:26:00,593 BY HOW DEEPLY KAAVAN HAS BONDED WITH DR. AMIR 511 00:26:02,215 --> 00:26:04,528 Cher: THEY JUST WERE CLOSE. 512 00:26:04,563 --> 00:26:06,219 THEY WERE LIKE BEST BUDDIES, 513 00:26:06,254 --> 00:26:09,257 AND DR. AMIR SAID HE WAS ATTACHED TO HIM. 514 00:26:09,291 --> 00:26:12,294 HE'D NEVER BEEN REALLY ATTACHED TO ANY OTHER ELEPHANT. 515 00:26:18,542 --> 00:26:21,510 Dr. Amir: IT'S A CLEAR RULE. I NEVER ALLOW TO BREAK IT. 516 00:26:21,545 --> 00:26:25,514 I RESCUE ANIMALS FROM WAR ZONES WITH THE TEAMS OF FOUR PAWS. 517 00:26:25,549 --> 00:26:27,689 I LOVE THEM, I CARE FOR THEM, I RESCUE THEM, 518 00:26:27,724 --> 00:26:30,589 BUT I NEVER BUILD A BOND, NOT TO BE TOUCHED. 519 00:26:30,623 --> 00:26:32,314 AND I DONE MY FIRST MISTAKE. 520 00:26:32,349 --> 00:26:34,972 I FELT A LOVE FOR THIS ELEPHANT. 521 00:26:35,007 --> 00:26:36,629 [INTRIGUING MUSIC] 522 00:26:36,664 --> 00:26:38,597 Narrator: WITH ONLY ONE DAY TO GO, 523 00:26:38,631 --> 00:26:41,600 KAAVAN'S STURDIER YET SMALLER TRANSPORT CRATE 524 00:26:41,634 --> 00:26:42,704 FINALLY ARRIVES. 525 00:26:44,395 --> 00:26:48,503 NOT PRETTY, BUT HOPEFULLY THIS TIME, ELEPHANT PROOF. 526 00:26:53,681 --> 00:26:56,338 Cher: WILL HE COME IN HERE AS WELL AS HE GOES IN THERE? 527 00:26:56,373 --> 00:27:00,170 Goeritz: THE PLAN IS HE WILL GO IN THERE AS HE IS TRAINED FOR. 528 00:27:00,204 --> 00:27:02,551 HE WILL BE TRANQUILIZED IN THERE. 529 00:27:02,586 --> 00:27:06,210 AND THEN HE IS WALKING BACKWARDS INTO THIS CRATE HERE. 530 00:27:06,245 --> 00:27:08,385 Cher: AND THEN HOW SEDATED IS HE? 531 00:27:09,213 --> 00:27:11,353 Goeritz: HE'S SO-CALLED STANDING SEDATION. 532 00:27:11,388 --> 00:27:16,220 HE IS AWAKE, AWAKE ENOUGH THAT HE CAN MANAGE THE MOVEMENT, 533 00:27:16,255 --> 00:27:20,190 BUT HE IS DOPEY ENOUGH THAT HE IS NOT STRESSED OUT 534 00:27:20,224 --> 00:27:21,156 AND HE'S NOT FREAKING OUT. 535 00:27:21,191 --> 00:27:22,848 Cher: AND DO YOU CHECK HIM ALL THE TIME? 536 00:27:22,882 --> 00:27:23,711 Goeritz: ALL THE TIME. 537 00:27:23,745 --> 00:27:26,437 [ANXIOUS MUSIC] 538 00:27:26,472 --> 00:27:27,646 [FIRE CRACKLING] 539 00:27:27,680 --> 00:27:30,200 Narrator: JUST 12 HOURS TO GO. 540 00:27:30,234 --> 00:27:31,546 TIME TO GATHER THE TEAM. 541 00:27:33,893 --> 00:27:37,828 Dr. Amir: SO, AS COUNTDOWN STARTS AGAIN. 542 00:27:37,863 --> 00:27:40,589 CHER, FIRST, WELCOME HERE IN THE TEAM. 543 00:27:40,624 --> 00:27:42,661 THE TEAM WILL START HERE AT SIX O'CLOCK IN THE MORNING, 544 00:27:42,695 --> 00:27:45,905 PREPARING THE ENCLOSURE, PREPARING THE ELEPHANT. 545 00:27:45,940 --> 00:27:47,942 AFTER THIS, DR. FRANK WILL TAKES THE LEAD 546 00:27:47,976 --> 00:27:51,566 AS THE CHIEF VETERINARIAN TO SEDATE THE ELEPHANT. 547 00:27:51,600 --> 00:27:53,741 IT'S A TEAMWORK. IT'S A BIG TEAMWORK. 548 00:27:53,775 --> 00:27:55,604 WE HAVE TO HELP EACH OTHER. 549 00:27:55,639 --> 00:27:59,332 CHER, I WILL SEE YOU IN CAMBODIA. 550 00:27:59,367 --> 00:28:00,161 THANK YOU. 551 00:28:00,195 --> 00:28:02,715 [TEAM APPLAUDING] 552 00:28:03,958 --> 00:28:05,166 Narrator: CHER WE'LL FLY AHEAD 553 00:28:05,200 --> 00:28:08,341 AND WILL BE WAITING FOR KAAVAN WHEN HE LANDS IN CAMBODIA. 554 00:28:08,376 --> 00:28:10,171 [TENSE MUSIC] 555 00:28:10,205 --> 00:28:13,657 BUT NO ONE KNOWS HOW KAAVAN WILL HANDLE THE FLIGHT. 556 00:28:13,692 --> 00:28:15,624 THE ANXIETY IS RUNNING HIGH. 557 00:28:19,801 --> 00:28:22,631 [ANXIOUS MUSIC] 558 00:28:22,666 --> 00:28:23,771 IT'S D-DAY. 559 00:28:23,805 --> 00:28:26,808 [DRAMATIC MUSIC] 560 00:28:26,843 --> 00:28:29,293 KAAVAN IS SHIPPING OUT. 561 00:28:29,328 --> 00:28:31,779 [CHATTERING] 562 00:28:31,813 --> 00:28:34,954 Narrator: DR. AMIR AND HIS TEAM ARE UNDER IMMENSE PRESSURE 563 00:28:34,989 --> 00:28:37,716 AS THEY COAX KAAVAN INTO HIS TRAVEL CRATE. 564 00:28:40,822 --> 00:28:43,722 THEY'VE TRAINED AND PLANNED, BUT NEVER REHEARSED. 565 00:28:46,794 --> 00:28:49,935 AND TODAY, THE WHOLE WORLD IS WATCHING. 566 00:28:49,969 --> 00:28:50,970 [CHATTERING] 567 00:28:51,005 --> 00:28:53,939 [CAMERAS CLICKING] 568 00:28:56,458 --> 00:28:58,598 Dr. Amir: WHERE DO YOU WANT THE MEDIA? 569 00:28:58,633 --> 00:29:00,497 YOU HAVE A BIG THING HERE IN HIS ARM. 570 00:29:01,256 --> 00:29:03,638 Goeritz: MAKE SURE THERE'S SOME SILICONE OIL ON IT 571 00:29:03,672 --> 00:29:06,434 THAT IT'S MOVED EASY. 572 00:29:06,468 --> 00:29:08,608 Narrator: VET FRANK GURITZ IS RESPONSIBLE 573 00:29:08,643 --> 00:29:11,542 FOR KEEPING KAAVAN CALM DURING THE 24-HOUR JOURNEY. 574 00:29:13,234 --> 00:29:14,925 HE MUST BE AWAKE ENOUGH TO STAND 575 00:29:14,960 --> 00:29:16,824 BUT SEDATED ENOUGH TO RELAX. 576 00:29:18,964 --> 00:29:20,655 IT'S A FINE BALANCE. 577 00:29:20,689 --> 00:29:22,588 Goeritz: I FOCUS ON WHAT CAN GO WRONG, 578 00:29:22,622 --> 00:29:25,315 WHAT IS ESSENTIAL NEEDS FOR THE ELEPHANT 579 00:29:25,349 --> 00:29:26,834 FROM THE MEDICAL POINT OF VIEW 580 00:29:26,868 --> 00:29:28,663 AND FROM THE SAFETY POINT OF VIEW. 581 00:29:30,630 --> 00:29:32,563 Narrator: GETTING KAAVAN IN THE TRANSPORT CRATE 582 00:29:32,598 --> 00:29:34,289 IS A TWO-STEP PROCESS. 583 00:29:35,290 --> 00:29:38,707 FIRST, DR. AMIR LURES HIM INTO THE LARGER TRAINING CRATE... 584 00:29:38,742 --> 00:29:39,570 HIS WAY. 585 00:29:41,193 --> 00:29:46,198 ♪ AND SO I FACE THAT FINAL CURTAIN ♪ 586 00:29:46,854 --> 00:29:47,682 ♪ MY FRIEND 587 00:29:47,716 --> 00:29:49,201 Man: GOOD BOY! 588 00:29:51,306 --> 00:29:53,584 Narrator: ONCE INSIDE, THEY CAN SEDATE HIM. 589 00:29:54,585 --> 00:29:55,655 [TENSE MUSIC] 590 00:29:55,690 --> 00:29:57,554 Kip: I CAN CLOSE THE GATE? Schmidinger: YES PLEASE. 591 00:30:03,802 --> 00:30:06,805 [SUSPENSEFUL MUSIC] 592 00:30:17,436 --> 00:30:19,334 Narrator: HE'S GOT TO BE ABSOLUTELY CALM 593 00:30:19,369 --> 00:30:21,198 BEFORE THE NEXT PHASE. 594 00:30:21,233 --> 00:30:22,510 [TRANQUILIZER GUN POPS] [KAAVAN GROWLING] 595 00:30:22,544 --> 00:30:25,271 [ANXIOUS MUSIC] 596 00:30:27,687 --> 00:30:28,516 Goeritz: WAIT. 597 00:30:29,413 --> 00:30:31,691 WE HAVE TO GIVE THE DRUGS TIME TO WORK. 598 00:30:32,589 --> 00:30:34,902 IT TAKES 20 MINUTES SO... 599 00:30:35,488 --> 00:30:37,663 IT'S ALWAYS THE HARDEST PART, WAITING. 600 00:30:42,495 --> 00:30:44,877 Dr. Amir: WE HAVE TO KEEP EVERYTHING QUITE UNDER CONTROL. 601 00:30:44,912 --> 00:30:46,499 THIS IS VERY IMPORTANT. 602 00:30:46,534 --> 00:30:48,191 WE SHOULD NOT LOSE THE FOCUS. 603 00:30:49,882 --> 00:30:51,919 Narrator: THE NOISY CROWD OF MEDIA ISN'T HELPING. 604 00:30:51,953 --> 00:30:53,299 [CAMERAS CLICKING] 605 00:30:53,334 --> 00:30:55,267 [CHATTERING] 606 00:30:55,301 --> 00:30:58,684 Dr. Amir: PLEASE, IF YOU WANT TO STAY NOW YOU HAVE TO BE QUIET, 607 00:30:59,547 --> 00:31:01,652 OTHERWISE I WILL BE OUT AND YOU'LL BE OUT, 608 00:31:01,687 --> 00:31:03,137 SO PLEASE RESPECT THIS. 609 00:31:04,966 --> 00:31:07,900 Narrator: NOW, THE REALLY DIFFICULT PART, 610 00:31:07,935 --> 00:31:11,490 TRANSFERRING KAAVAN INTO THE SMALLER TRAVEL CONTAINER... 611 00:31:11,524 --> 00:31:12,663 BACKWARDS. 612 00:31:12,698 --> 00:31:15,321 [ANXIOUS MUSIC] 613 00:31:15,356 --> 00:31:16,909 ROPES AND A TEAM OF HELPERS 614 00:31:16,944 --> 00:31:19,256 WILL PROVIDE SOME GENTLE PERSUASION. 615 00:31:22,604 --> 00:31:24,641 [CHATTERING] 616 00:31:24,675 --> 00:31:29,232 KAAVAN'S STILL IN MUST, AND THOUGH DROWSY, HE'S AGGRESSIVE. 617 00:31:29,266 --> 00:31:31,268 Kip: PULL MORE, MORE, MORE! 618 00:31:38,344 --> 00:31:39,656 OKAY! 619 00:31:39,690 --> 00:31:41,451 Narrator: BUT HE DOESN'T RESIST. 620 00:31:42,831 --> 00:31:45,696 Cher: HE WENT IN BEAUTIFULLY. 621 00:31:45,731 --> 00:31:48,941 Dr. Amir: I THINK HE UNDERSTOOD WE ARE WORKING FOR HIM. 622 00:31:50,218 --> 00:31:51,219 WE COME TO BE CALM. 623 00:31:52,600 --> 00:31:53,601 A NICE CHILD. 624 00:31:53,635 --> 00:31:55,292 [GENTLE MUSIC] 625 00:31:55,327 --> 00:31:59,227 Narrator: 35 YEARS AFTER BEING CONFINED TO ISLAMABAD ZOO, 626 00:31:59,262 --> 00:32:02,368 KAAVAN IS AT LAST ON HIS JOURNEY TO A BETTER LIFE. 627 00:32:04,405 --> 00:32:05,647 Cher: I DIDN'T THINK THEY WERE GONNA GET HIM 628 00:32:05,682 --> 00:32:06,821 TO GO INSIDE THE CRATE. 629 00:32:08,167 --> 00:32:10,859 BUT HE DID UNBELIEVABLY WELL, 630 00:32:10,894 --> 00:32:13,241 AND HE WAS JUST GREAT ABOUT THAT. 631 00:32:14,001 --> 00:32:17,142 [CRICKETS CHIRPING] 632 00:32:18,212 --> 00:32:20,904 [DRAMATIC MUSIC] 633 00:32:22,906 --> 00:32:24,908 [METAL CLANKING] 634 00:32:24,943 --> 00:32:27,152 Narrator: THE GIANT ILYUSHIN TRANSPORT PLANE 635 00:32:27,186 --> 00:32:28,808 CAN SWALLOW A SCHOOL BUS. 636 00:32:31,915 --> 00:32:34,676 IT'S SPECIFICALLY DESIGNED TO DELIVER HEAVY LOADS 637 00:32:34,711 --> 00:32:36,092 TO REMOTE AREAS. 638 00:32:38,163 --> 00:32:42,512 BUT AN AWAKE BULL ELEPHANT IN MUST IS NO ORDINARY CARGO. 639 00:32:45,239 --> 00:32:47,586 IF HE SHIFTS HIS WEIGHT INSIDE THE CONTAINER, 640 00:32:47,620 --> 00:32:49,760 IT COULD THROW THE WHOLE PLANE OFF BALANCE. 641 00:32:51,935 --> 00:32:54,593 [MAN SHOUTING] 642 00:32:57,216 --> 00:32:59,425 ALREADY, HE'S SWINGING THE FIVE-TON CRATE 643 00:32:59,460 --> 00:33:02,187 FROM SIDE TO SIDE. 644 00:33:02,221 --> 00:33:05,259 THE PILOTS ARE SERIOUSLY WORRIED IT WILL DAMAGE THE PLANE. 645 00:33:05,293 --> 00:33:07,709 [TENSE MUSIC] 646 00:33:09,849 --> 00:33:11,334 HE HAS TO HOLD STILL. 647 00:33:12,369 --> 00:33:14,682 [CHATTERING] 648 00:33:16,718 --> 00:33:19,549 DR. AMIR HOPES HIS FAVORITE SUGAR CANE SNACKS 649 00:33:19,583 --> 00:33:20,550 WILL CALM HIM DOWN. 650 00:33:31,009 --> 00:33:32,734 Dr. Amir: I DON'T SLEEP ON THIS FLIGHT. 651 00:33:32,769 --> 00:33:34,874 I WAS REALLY THINKING IF EVERYTHING GO WRONG, 652 00:33:34,909 --> 00:33:37,256 IT WILL BE A BIG, BIG PROBLEM. 653 00:33:37,291 --> 00:33:40,432 Narrator: KAAVAN CAN'T SLEEP MUCH EITHER. 654 00:33:40,466 --> 00:33:43,918 HE MUST REMAIN STANDING FOR THE WHOLE SEVEN-HOUR FLIGHT. 655 00:33:45,954 --> 00:33:49,268 BUT IF THE DRUGS THAT ARE KEEPING HIM CALM WEAR OFF, 656 00:33:49,303 --> 00:33:50,545 THEY CAN ALL BE IN TROUBLE. 657 00:33:51,581 --> 00:33:52,789 [TENSE MUSIC] 658 00:33:52,823 --> 00:33:55,654 Dr. Amir: HE'S REALLY BIG ELEPHANT. HE'S REALLY STRONG. 659 00:33:57,207 --> 00:34:01,177 SO IF I'M AN ELEPHANT, I'M IN THIS BOX, WHAT CAN I DO? 660 00:34:01,211 --> 00:34:03,834 WHAT CAN I BREAK? WHAT CAN I OPEN? 661 00:34:03,869 --> 00:34:07,666 WHAT CAN I BEND? I... EVERYTHING. 662 00:34:07,700 --> 00:34:10,255 [TENSE MUSIC] 663 00:34:13,499 --> 00:34:15,777 [SOFT MUSIC] 664 00:34:15,812 --> 00:34:17,779 Narrator: THE RESPONSIBILITY WEIGHS HEAVILY 665 00:34:17,814 --> 00:34:19,298 ON DR. AMIR'S MIND. 666 00:34:20,713 --> 00:34:22,819 [KAAVAN GROWLING] 667 00:34:22,853 --> 00:34:24,234 Dr. Amir: TO BRING THE ELEPHANT OF AIRPLANE, 668 00:34:24,269 --> 00:34:25,511 IT'S A HUGE CHALLENGE. 669 00:34:27,651 --> 00:34:31,931 JUST TO TAKE THE RESPONSIBILITY FOR A LIFE, 670 00:34:31,966 --> 00:34:33,174 FOR A CREATURE LIKE KAAVAN 671 00:34:33,209 --> 00:34:36,281 WITH ALL THIS LOVE ALL OVER THE WORLD FOR THIS ELEPHANT. 672 00:34:37,592 --> 00:34:39,629 I FEEL THAT WEIGHT ON MY SHOULDER. 673 00:34:41,251 --> 00:34:43,805 IF THE ELEPHANT WILL SURVIVES THIS THING. 674 00:34:43,840 --> 00:34:48,603 I FEEL HOW IMPORTANT THIS IS FOR ME, FOR MY TEAM, 675 00:34:48,638 --> 00:34:50,950 FOR THE CRITICS, FOR OUR PARTNER, FOR CHER. 676 00:34:53,677 --> 00:34:55,438 Cher: AND THEN I THOUGHT, WELL... 677 00:34:56,197 --> 00:34:58,579 WHAT HAPPENS IF HE GETS UPSET OR ANGRY 678 00:34:58,613 --> 00:35:00,512 AND HE STARTS TO ROCK THE PLANE? 679 00:35:00,546 --> 00:35:03,101 [TENSE MUSIC] 680 00:35:06,345 --> 00:35:09,797 ["BELIEVE" BY CHER] 681 00:35:09,831 --> 00:35:12,524 IT WAS REAL. IT WAS ALMOST REAL. 682 00:35:12,558 --> 00:35:14,767 WE HAD A BIT TO GO STILL, BUT IT WAS REAL. 683 00:35:14,802 --> 00:35:16,666 WE WERE THERE. WE WERE IN CAMBODIA. 684 00:35:16,700 --> 00:35:19,634 AND THE PEOPLE WERE SO EXCITED TO SEE HIM. 685 00:35:20,773 --> 00:35:24,674 ♪ DO YOU BELIEVE IN LIFE AFTER LOVE ♪ 686 00:35:24,708 --> 00:35:27,159 Narrator: SEVEN HOURS AND TWO AND A HALF THOUSAND MILES 687 00:35:27,194 --> 00:35:29,161 SINCE LEAVING PAKISTAN, 688 00:35:29,196 --> 00:35:31,543 THE GIANT PLANE WITH ITS PRECIOUS CARGO 689 00:35:31,577 --> 00:35:33,959 REACHES SIEN REAP AIRPORT IN CAMBODIA. 690 00:35:34,718 --> 00:35:37,859 THE AIRPORT'S BEEN CLOSED FOR SIX MONTHS BECAUSE OF COVID. 691 00:35:38,998 --> 00:35:41,484 BUT SAKHAN, AN INFLUENTIAL BUSINESSMAN 692 00:35:41,518 --> 00:35:44,418 AND CO-FOUNDER OF THE CAMBODIA WILDLIFE SANCTUARY 693 00:35:44,452 --> 00:35:46,903 PERSUADES THE GOVERNMENT TO LET KAAVAN LAND. 694 00:35:46,937 --> 00:35:48,525 Cher: WE WOULDN'T HAVE GOTTEN ANYTHING DONE 695 00:35:48,560 --> 00:35:50,355 IN CAMBODIA WITHOUT MR. HAN. 696 00:35:51,597 --> 00:35:54,393 HE WAS LIKE THE MAN. MR. HAN'S THE MAN. 697 00:35:54,428 --> 00:35:58,363 [CHANTING IN FOREIGN LANGUAGE] 698 00:36:01,228 --> 00:36:04,334 I HEARD THAT HE HAD BEHAVED VERY WELL. 699 00:36:05,232 --> 00:36:08,752 Narrator: ALSO THERE TO MEET KAAVAN IS DEREK THOMPSON, 700 00:36:08,787 --> 00:36:10,823 WHO WILL LOOK AFTER HIM AT THE SANCTUARY. 701 00:36:12,722 --> 00:36:14,793 Thompson: SO IT'S BEEN QUITE AN ORDEAL 702 00:36:14,827 --> 00:36:16,208 GETTING READY FOR KAAVAN. 703 00:36:16,243 --> 00:36:19,660 WE HAD A LIMITED TIME TO GET THINGS PREPARED FOR HIM, 704 00:36:19,694 --> 00:36:20,661 FOR HIS ARRIVAL. 705 00:36:21,627 --> 00:36:24,389 Narrator: DEREK'S CREW LOADS KAAVAN ONTO A FLATBED 706 00:36:24,423 --> 00:36:27,599 FOR THE LAST LEG. A FOUR-HOUR DRIVE. 707 00:36:28,565 --> 00:36:31,465 [INTRIGUING MUSIC] 708 00:36:31,499 --> 00:36:33,812 DEREK RIDES OUTSIDE THE WHOLE WAY, 709 00:36:33,846 --> 00:36:35,779 CONSTANTLY CHECKING ON KAAVAN... 710 00:36:36,780 --> 00:36:38,575 WITH CHER IN CONVOY BEHIND. 711 00:36:38,610 --> 00:36:40,474 Cher: I THOUGHT HE WAS GONNA FALL OFF 712 00:36:40,508 --> 00:36:42,855 BECAUSE HE WAS JUST HOLDING ON TO THE BARS, 713 00:36:42,890 --> 00:36:47,584 AND HE JUST KEPT GOING AROUND KAAVAN AND TALKING TO HIM. 714 00:36:47,619 --> 00:36:49,345 HE WAS TRYING TO CALM HIM, 715 00:36:49,379 --> 00:36:51,243 BECAUSE IT HAD BEEN SUCH A LONG TIME 716 00:36:51,278 --> 00:36:53,245 THAT HE'D BEEN TRAPPED IN THAT CAGE, 717 00:36:53,280 --> 00:36:57,180 BECAUSE HE FILLED UP EVERY SPACE OF IT, YOU KNOW? 718 00:36:57,215 --> 00:36:59,389 SO DEREK WAS AMAZING. 719 00:37:01,288 --> 00:37:02,565 Narrator: IT'S NIGHTTIME WHEN KAAVAN 720 00:37:02,599 --> 00:37:04,636 FINALLY ARRIVES AT HIS NEW HOME. 721 00:37:06,224 --> 00:37:08,709 CHER WANTS TO SEE HIM SAFELY OFF THE TRUCK. 722 00:37:10,642 --> 00:37:13,265 ANKLE STRAPS HAVE KEPT KAAVAN GENTLY RESTRAINED 723 00:37:13,300 --> 00:37:14,542 THROUGHOUT THE JOURNEY. 724 00:37:14,577 --> 00:37:18,615 BUT AFTER 24 HOURS, HE CAN'T WAIT TO GET THEM OFF. 725 00:37:18,650 --> 00:37:21,446 [METAL CLUNKING] 726 00:37:24,587 --> 00:37:29,626 FINALLY, KAAVAN REVERSES CAREFULLY INTO HIS NEW LIFE. 727 00:37:29,661 --> 00:37:30,903 [BRIGHT MUSIC] 728 00:37:30,938 --> 00:37:33,561 Thompson: HE'S COMING OUT THE BACK DOOR INTO HIS SHELTER. 729 00:37:36,530 --> 00:37:37,772 HE ARRIVED IN THE DARK 730 00:37:37,807 --> 00:37:39,947 AND THAT MADE THINGS A LITTLE MORE COMPLICATED, 731 00:37:39,981 --> 00:37:42,225 GETTING HIM OUT AND UNLOADED. 732 00:37:42,260 --> 00:37:43,916 HE WAS EXHAUSTED. 733 00:37:43,951 --> 00:37:47,195 HE WAS STILL KIND OF PUNCHDRUNK FROM THE FLIGHT. 734 00:37:47,230 --> 00:37:49,336 [GENTLE MUSIC] 735 00:37:49,370 --> 00:37:51,717 Cher: I COULD JUST SEE HIS SHADOW MOVING AROUND, 736 00:37:51,752 --> 00:37:54,789 AND HE WAS SO CALM AND NOT DOING ANYTHING. 737 00:37:54,824 --> 00:37:59,622 HE JUST WAS INTERESTED, AND HE WAS CHECKING OUT EVERYTHING. 738 00:37:59,656 --> 00:38:01,209 I SAW A DIFFERENT ELEPHANT. 739 00:38:05,352 --> 00:38:07,733 [INTRIGUING MUSIC] [BIRDS WHISTLING] 740 00:38:07,768 --> 00:38:11,323 Narrator: IT'S A NEW DAWN FOR KAAVAN IN HIS NEW HOME, 741 00:38:11,358 --> 00:38:13,463 AND CHER CAN'T WAIT TO CHECK ON HIM. 742 00:38:15,569 --> 00:38:18,503 Thompson: HE'S SETTLED IN REMARKABLY WELL. 743 00:38:18,537 --> 00:38:19,711 Cher: HE'S VERY INQUISITIVE. 744 00:38:19,745 --> 00:38:20,436 Thompson: HE IS. 745 00:38:20,470 --> 00:38:21,678 HE GOES FROM ONE LITTLE THING, 746 00:38:21,713 --> 00:38:24,440 BECAUSE HE'S NEVER HAD ANY OF THESE TYPES OF ENRICHMENTS 747 00:38:24,474 --> 00:38:26,959 THAT ARE IMPORTANT TO HIM, THAT HELP HIM TO- 748 00:38:26,994 --> 00:38:28,306 Cher: NO, HE NEVER HAD ANYTHING. Thompson: NO. 749 00:38:28,340 --> 00:38:30,618 [EXCITING MUSIC] 750 00:38:30,653 --> 00:38:32,793 Narrator: THE CAMBODIA WILDLIFE SANCTUARY 751 00:38:32,827 --> 00:38:36,866 IS 30,000 ACRES OF PRISTINE TROPICAL FOREST, 752 00:38:36,900 --> 00:38:38,833 WHICH, LIKE THESE OTHER RESCUED ELEPHANTS, 753 00:38:38,868 --> 00:38:41,180 KAAVAN WILL EVENTUALLY GET TO EXPLORE. 754 00:38:46,841 --> 00:38:49,844 FIRST, HE'LL SETTLE INTO A SMALL TEMPORARY ENCLOSURE 755 00:38:49,879 --> 00:38:50,845 BY HIMSELF. 756 00:38:53,020 --> 00:38:55,229 BUT HE'S NOT COMPLETELY ALONE. 757 00:38:55,263 --> 00:38:57,369 THERE ARE THREE FEMALES NEXT DOOR, 758 00:38:57,404 --> 00:38:58,853 AND THEY'RE EAGER TO MEET HIM. 759 00:39:00,890 --> 00:39:01,787 Thompson: THAT'S SARAH MIA. 760 00:39:01,822 --> 00:39:04,618 SHE'S THE YOUNG ONE, WHO LIKELY WILL BE 761 00:39:04,652 --> 00:39:05,550 MOST INTERESTED IN THE BOY. 762 00:39:05,584 --> 00:39:06,585 Cher: MRS. KAAVAN. 763 00:39:06,620 --> 00:39:08,415 Thompson: YEAH, SOMETHING LIKE THAT, INDEED. 764 00:39:10,382 --> 00:39:11,625 THEY'RE DOING SOME TALKING. 765 00:39:11,659 --> 00:39:13,489 ELEPHANTS OF COURSE ARE ALWAYS TALKING. 766 00:39:13,523 --> 00:39:16,457 Cher: BUT I DIDN'T HEAR IT. WHERE'S THE TALKING PART? 767 00:39:16,492 --> 00:39:17,769 I COULDN'T HEAR THE TALKING PART. 768 00:39:17,803 --> 00:39:20,841 Thompson: WELL, THE MAJORITY OF ELEPHANT TALK IS SUB-PERCEPTION. 769 00:39:20,875 --> 00:39:22,532 Cher: OKAY, OKAY. 770 00:39:23,361 --> 00:39:25,293 Thompson: YOU TOUCH YOUR HAND ON THEIR FOREHEAD, 771 00:39:25,328 --> 00:39:27,330 IT'S ALWAYS VIBRATING, VIBRATING. 772 00:39:27,365 --> 00:39:28,538 THEY'RE ALWAYS TALKING. 773 00:39:28,573 --> 00:39:30,678 VERY HIGHLY SOCIAL BEING. 774 00:39:30,713 --> 00:39:32,715 THAT'S ONE OF THE REASONS THE TRAGEDIES FOR AN ELEPHANT 775 00:39:32,749 --> 00:39:35,856 TO BE KEPT SOLITARY AWAY FROM ITS OWN KIND, 776 00:39:35,890 --> 00:39:39,204 AWAY FROM ITS OWN NATURAL BEHAVIOR. 777 00:39:39,238 --> 00:39:40,343 Cher: RIGHT. 778 00:39:40,378 --> 00:39:41,965 Thompson: AND YOU BROUGHT HIM AWAY FROM ALL OF THAT. 779 00:39:42,000 --> 00:39:42,863 Cher: THANK YOU. 780 00:39:42,897 --> 00:39:44,451 Thompson: AND INTO A NEW WORLD. 781 00:39:44,485 --> 00:39:46,418 AND THIS IS JUST THE START. 782 00:39:46,453 --> 00:39:48,800 [BRIGHT ELECTRONIC MUSIC] 783 00:39:48,834 --> 00:39:50,388 Narrator: WHILE THE LADIES WAIT, 784 00:39:50,422 --> 00:39:52,424 KAAVAN FRESHENS UP WITH A SPA... 785 00:39:54,461 --> 00:39:55,634 ELEPHANT STYLE. 786 00:39:57,291 --> 00:39:59,535 Thompson: KAAVAN, WANTS TO PLAY IN A MUD. 787 00:39:59,569 --> 00:40:01,191 Cher: YES. IS THAT SOMETHING... 788 00:40:01,226 --> 00:40:03,815 I HEARD IT WAS SOMETHING THAT THEY DO THAT'S SPECIFIC. 789 00:40:03,849 --> 00:40:06,265 Thompson: SKIN. IT'S LIKE GOING INTO A MUD SPA. 790 00:40:06,300 --> 00:40:07,508 Cher: AHA. 791 00:40:07,543 --> 00:40:10,994 Thompson: GOOD PROTECTION FROM THE SUN, NO SUNBURN, BUGS. 792 00:40:11,029 --> 00:40:12,824 IN THE COLD WEATHER AT NIGHT, 793 00:40:12,858 --> 00:40:15,585 IT KEEPS THEIR BODY TEMPERATURE WARMER. 794 00:40:15,620 --> 00:40:18,312 [BRIGHT MUSIC] 795 00:40:21,522 --> 00:40:24,491 THEY HAVEN'T REALLY HAD TOO MUCH OPPORTUNITY 796 00:40:24,525 --> 00:40:26,458 TO ENGAGE WITH EACH OTHER 797 00:40:26,493 --> 00:40:28,943 OTHER THAN THROUGH THESE BARRIERS. 798 00:40:28,978 --> 00:40:30,635 BUT THAT'S FOR SAFETY. 799 00:40:30,669 --> 00:40:34,328 THEY'RE NOT TOTALLY COMFORTABLE WITH HIM YET, 800 00:40:34,362 --> 00:40:36,468 BUT IT WILL HAPPEN. 801 00:40:36,503 --> 00:40:40,472 THIS MORNING, I PUT SOME OF HIS POO INTO THEIR SHELTER, 802 00:40:40,507 --> 00:40:42,405 AND THEY TALKED AND TALKED AND TALKED ABOUT IT, 803 00:40:42,440 --> 00:40:44,580 AND THEY WERE SO EXCITED AND GIGGLING. 804 00:40:45,512 --> 00:40:48,894 IT'S A WAY TO LEARN A LOT ABOUT AN ELEPHANT. 805 00:40:48,929 --> 00:40:52,795 THEY DRAW A LOT OF INFORMATION FROM THEIR SCENT. 806 00:40:52,829 --> 00:40:56,488 SO THEY TALKED FOR A GOOD HALF HOUR ABOUT HIS POOP. 807 00:40:56,523 --> 00:40:57,662 [LAUGHING] 808 00:40:57,696 --> 00:40:58,559 Cher: THAT'S AMAZING! 809 00:41:01,976 --> 00:41:03,668 Thompson: GET THE TRUNK TOUCHING. 810 00:41:06,671 --> 00:41:08,638 Cher: SO HE KNOWS WHAT HE'S DOING. 811 00:41:08,673 --> 00:41:09,328 HE'S WANTING TO BE- 812 00:41:09,363 --> 00:41:10,468 Thompson: HE'S PLAYING COY! 813 00:41:10,502 --> 00:41:11,365 Cher: RIGHT. 814 00:41:12,573 --> 00:41:14,264 Thompson: IT'S GONNA WORK. 815 00:41:14,299 --> 00:41:16,301 IT'S GONNA WORK JUST FINE. 816 00:41:16,335 --> 00:41:17,682 Cher: YOU HAVE TO SEND ME PICTURES. 817 00:41:17,716 --> 00:41:18,545 Thompson: ABSOLUTELY. 818 00:41:21,306 --> 00:41:24,274 [GENTLE PIANO MUSIC] 819 00:41:24,309 --> 00:41:25,931 Narrator: AS KAAVAN REDISCOVERS THE JOY 820 00:41:25,966 --> 00:41:29,728 OF ELEPHANT COMPANIONS, IT'S TIME TO SAY GOODBYE 821 00:41:29,763 --> 00:41:32,697 TO THE MAN WHOSE HEART HE TOUCHED MORE THAN ANY OTHER 822 00:41:32,731 --> 00:41:33,663 DURING THE RESCUE. 823 00:41:35,389 --> 00:41:38,219 THEY HAVE BEEN TOGETHER EVERY DAY FOR THREE MONTHS. 824 00:41:39,704 --> 00:41:41,153 Dr. Amir: HE'S NOT IN MUST ANYMORE. 825 00:41:41,188 --> 00:41:44,156 Thompson: NO. HIS BEHAVIOR CHANGES. 826 00:41:44,191 --> 00:41:45,399 HE'S BEAUTIFUL. 827 00:41:46,780 --> 00:41:48,609 Dr. Amir: I REALIZE I'M LEAVING TODAY, SO... 828 00:41:51,474 --> 00:41:52,717 YEAH, I LOSE MY HAPPINESS. 829 00:41:54,270 --> 00:41:55,582 HE GIVE ME HAPPINESS. 830 00:41:56,514 --> 00:41:57,584 IT MEAN TOO MUCH TO ME. 831 00:42:00,518 --> 00:42:01,760 I'M SAD TO LEAVE HIM. 832 00:42:04,763 --> 00:42:05,592 YEAH. 833 00:42:05,626 --> 00:42:08,491 [EMOTIONAL MUSIC] 834 00:42:10,838 --> 00:42:11,701 THANK YOU. 835 00:42:22,505 --> 00:42:25,335 Narrator: DR. AMIR LEAVES WITH A HEAVY HEART 836 00:42:25,370 --> 00:42:27,786 BUT IMMENSELY PROUD OF WHAT THEY ALL HAVE ACHIEVED. 837 00:42:30,996 --> 00:42:34,517 ATTITUDES TOWARDS ANIMAL WELFARE ARE CHANGING, 838 00:42:34,552 --> 00:42:37,520 AND CONDITIONS FOR ELEPHANTS IN CAPTIVITY HAVE IMPROVED. 839 00:42:39,453 --> 00:42:41,869 BUT NOT FAR FROM KAAVAN'S NEW SANCTUARY 840 00:42:41,904 --> 00:42:44,596 LIES A STARK REMINDER THAT ASIAN ELEPHANTS 841 00:42:44,631 --> 00:42:46,840 WERE LONG CONSIDERED BEASTS OF BURDEN. 842 00:42:48,807 --> 00:42:50,775 IT'S AN ANCIENT MONUMENT THAT WAS BUILT 843 00:42:50,809 --> 00:42:52,604 ON THE BACKS OF HUNDREDS OF ELEPHANTS. 844 00:42:52,639 --> 00:42:54,606 [UPBEAT MUSIC] 845 00:42:54,641 --> 00:42:56,159 ANGKOR WAT. 846 00:42:56,194 --> 00:42:58,437 Cher: HUNDREDS OF ELEPHANTS BUILT IT, 847 00:42:58,472 --> 00:43:02,925 AND I BET HALF OF THEM DIED DOING IT. 848 00:43:02,959 --> 00:43:04,651 AND ALL OF A SUDDEN... 849 00:43:05,479 --> 00:43:09,448 A REALITY THAT I WOULD HAVE NEVER UNDERSTOOD. 850 00:43:09,483 --> 00:43:11,830 AND I THOUGHT, OKAY, NOW I WANT TO GO. 851 00:43:14,730 --> 00:43:17,525 ♪ THIS IS A SONG FOR THE LONELY ♪ 852 00:43:17,560 --> 00:43:19,873 Narrator: IN 2019, CAMBODIA BANNED 853 00:43:19,907 --> 00:43:21,702 TOURIST ELEPHANT RIDES HERE, 854 00:43:21,737 --> 00:43:25,188 JOINING A MOVEMENT WITH OVER 100 OTHER TOURIST ORGANIZATIONS 855 00:43:25,223 --> 00:43:25,879 ACROSS THE WORLD. 856 00:43:25,913 --> 00:43:29,192 ♪ I'LL BE BY YOUR SIDE 857 00:43:29,227 --> 00:43:31,470 THE MODERN WORLD HAS BROUGHT A POWERFUL TOOL 858 00:43:31,505 --> 00:43:35,233 TO THE CAMPAIGN FOR ANIMAL RIGHTS: SOCIAL MEDIA. 859 00:43:35,992 --> 00:43:38,581 IT'S BEEN FIVE YEARS SINCE SAMAR KHAN 860 00:43:38,616 --> 00:43:42,343 FIRST LAUNCHED HER FREE KAAVAN PETITION ONLINE. 861 00:43:42,378 --> 00:43:45,174 Khan: I HOPE THAT KAAVAN'S STORY INSPIRES PEOPLE 862 00:43:45,208 --> 00:43:48,626 TO ACT OUT ON BEHALF OF ANIMAL WELFARE, 863 00:43:48,660 --> 00:43:50,869 BECAUSE I FEEL LIKE KAAVAN'S JOURNEY 864 00:43:50,904 --> 00:43:53,803 REALLY SHOWS THE POWER OF PEOPLE. 865 00:43:53,838 --> 00:43:55,667 I THINK IT'S AMAZING THAT CHER 866 00:43:55,702 --> 00:43:57,393 REALLY ADOPTED KAAVAN AS HER OWN. 867 00:43:57,427 --> 00:44:00,672 ♪ THIS IS A SONG FOR THE LONELY ♪ 868 00:44:00,707 --> 00:44:02,812 ♪ CAN YOU HEAR ME TONIGHT 869 00:44:02,847 --> 00:44:04,745 Cher: YOU KNOW WHAT'S SO STRANGE? 870 00:44:04,780 --> 00:44:06,678 FIRST OF ALL, I NEVER THOUGHT WE COULD DO IT, 871 00:44:06,713 --> 00:44:10,440 THAT WE WOULD BE HERE, THAT I WOULD STAND NEXT TO HIM, 872 00:44:10,475 --> 00:44:13,685 AND THAT THIS WOULD HAPPEN. 873 00:44:13,720 --> 00:44:15,549 ♪ FOR THE LONELY 874 00:44:15,583 --> 00:44:18,725 ♪ WHEN YOUR DREAMS WON'T COME TRUE ♪ 875 00:44:18,759 --> 00:44:20,692 Narrator: CHER'S NOT DONE. 876 00:44:20,727 --> 00:44:23,488 THREE MONTHS LATER, BACK HOME IN CALIFORNIA, 877 00:44:23,522 --> 00:44:26,180 SHE CHECKS IN ON KAAVAN'S PROGRESS. 878 00:44:26,215 --> 00:44:28,355 [CHUCKLING] 879 00:44:28,389 --> 00:44:29,218 Thompson: HELLO! 880 00:44:30,357 --> 00:44:32,635 BEAUTIFUL AS EVER. LOOK AT YOU! 881 00:44:32,670 --> 00:44:34,257 Cher: HOW'S OUR BOY? HOW'S OUR BOY? 882 00:44:34,292 --> 00:44:35,845 Thompson: WELL, WE'RE GONNA GET RIGHT TO HIM, 883 00:44:35,880 --> 00:44:37,467 'CAUSE HE'S THE MAIN EVENT. 884 00:44:37,502 --> 00:44:38,952 YEAH, HE'S RIGHT BEHIND ME HERE. 885 00:44:38,986 --> 00:44:39,849 Cher: OH! 886 00:44:40,919 --> 00:44:41,782 LOOK AT HIM! 887 00:44:42,749 --> 00:44:43,819 Thompson: HERE, WAIT A MINUTE. 888 00:44:44,751 --> 00:44:45,786 SEE IF HE SAYS HI. 889 00:44:46,684 --> 00:44:47,892 HE SAYS HI. 890 00:44:47,926 --> 00:44:49,376 YOU'RE SO BEAUTIFUL. 891 00:44:49,410 --> 00:44:50,308 Cher: LOOK AT HIM! 892 00:44:50,342 --> 00:44:51,205 Thompson: YOU LOOK BEAUTIFUL! 893 00:44:51,240 --> 00:44:53,345 Cher: HE'S A BEAUTIFUL GUY. 894 00:44:53,380 --> 00:44:54,692 Thompson: HE'S QUITE A CALM BOY. 895 00:44:54,726 --> 00:44:56,901 I'VE GOT TO KNOW HIM A LITTLE BIT, 896 00:44:56,935 --> 00:45:01,353 AND HE'S NOT LIKE OTHER BULLS THAT I'VE KNOWN, 897 00:45:01,388 --> 00:45:03,666 AND HE'S VERY CALM. 898 00:45:03,701 --> 00:45:05,323 Cher: HE SEEMS REALLY HAPPY. 899 00:45:06,565 --> 00:45:07,635 Thompson: HE'S GOOD. 900 00:45:07,670 --> 00:45:09,810 I'M HAPPY WITH HIS STATE RIGHT NOW. 901 00:45:10,569 --> 00:45:13,814 THIS IS ONLY THREE QUARTERS OF AN ACRE, THIS YARD, 902 00:45:13,849 --> 00:45:16,541 AND HE'S MOVING INTO ONE THAT'S GONNA HAVE 30 ACRES, 903 00:45:16,575 --> 00:45:20,821 SO HE'LL HAVE MANY THINGS TO ENGAGE HIM IN THE FOREST. 904 00:45:20,856 --> 00:45:23,617 LOTS OF THINGS TO EAT, BROWSE, RUN AROUND, 905 00:45:23,651 --> 00:45:25,826 MEET THE LADIES IF HE'S INTERESTED. [LAUGHS] 906 00:45:25,861 --> 00:45:28,449 FOR THE MOST PART, HE'S REALLY INTO EATING. 907 00:45:28,484 --> 00:45:29,761 [LAUGHING] 908 00:45:29,796 --> 00:45:31,729 Cher: HE'S ALWAYS EATING! 909 00:45:31,763 --> 00:45:34,317 IT WAS A WONDERFUL TRIP. 910 00:45:34,352 --> 00:45:36,181 THE WHOLE THING WAS WONDERFUL. 911 00:45:36,216 --> 00:45:39,598 [CHEERFUL MUSIC] 912 00:45:39,633 --> 00:45:43,188 ♪ AND THIS IS A SONG FOR THE LONELY ♪ 913 00:45:43,223 --> 00:45:46,847 THIS IS LIKE A FAIRY TALE ENDING, YOU KNOW? 914 00:45:46,882 --> 00:45:48,366 WHERE THEY KISS AT THE END. 915 00:45:49,539 --> 00:45:51,231 ♪ 'CAUSE SOMEONE'S THERE FOR YOU ♪ 916 00:45:51,265 --> 00:45:53,612 AND I NOW KNOW I CAN DO SOMETHING LIKE THAT, 917 00:45:53,647 --> 00:45:55,718 SO I'M GONNA CONTINUE. 918 00:45:55,753 --> 00:45:58,928 [ELEPHANTS VOCALIZING] 68261

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.