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>> Woman: ♪ THE POWER
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OF ANGELS
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YOU LEFT
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AT MY DOOR ♪
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♪ I WRAPPED IT UP
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IN TINFOIL
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AND HASTENED AWAY
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TOWARDS THE HILLS ♪
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♪ BEGGING FOR SOMEONE
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TO GIVE ME A SIGN ♪
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♪ BUT MY HEART
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WRAPPED IN SILVER
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COULDN'’T CRY ANY LOUDER ♪
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COULDN'’T CRY ANY LOUDER ♪
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♪ AND ALL THE SILVER HEARTS
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THAT YOU CANNOT REMARK
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GO ON, GO ON ♪
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♪ YOU SHALL NEVER KNOW
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♪ YOU SHALL EVER BE
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♪ GO ON, GO ON
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♪ GO ON...
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♪ GO ON...
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[WIND BLOWING,
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TRAFFIC PASSING...]
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>> Woman on tape: Last winter...
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I found a needle in a haystack.
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It pricked my skin
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and filled me with love.
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and filled me with love.
Now I'’m addicted.
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Now I'’m addicted.
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[WIND BLOWING,
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TRAFFIC PASSING...]
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TRAFFIC PASSING...]
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[TRAFFIC PASSING,
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BIRDS CHIRPING...]
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[MAN CHUCKLES SOFTLY,
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KISSES WOMAN]
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[TRAFFIC PASSING,
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BIRDS CHIRPING IN DISTANCE...]
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>> Man: WHAT DO CATS LIKE
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FOR BREAKFAST?
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MICE CRISPIES.
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MICE CRISPIES.
>> SHUT UP, YOU DICK.
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>> SHUT UP, YOU DICK.
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...WHEN I FIRST STARTED OUT,
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TAXIDERMY WAS LIKE MAGIC.
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NO OTHER TAXIDERMISTS
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WOULD TELL YOU THEIR SECRETS.
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THERE WERE NO BOOKS OR MANUALS,
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THERE WERE NO BOOKS OR MANUALS,
JUST SECRETS.
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JUST SECRETS.
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DO YOU KNOW WHAT "TAXIDERMY"
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MEANS, MANCHESTER?
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>> NO.
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>> NO.
>> IT MEANS "TO REARRANGE SKIN."
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>> IT MEANS "TO REARRANGE SKIN."
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>> CAN I HAVE A GO?
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>> NO.
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>> WHY?
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>> BECAUSE I AM A WOMAN
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AND YOU ARE AN IDIOT.
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AND YOU ARE AN IDIOT.
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>> HAVE YOU GOT ANYTHING TO EAT?
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>> NO.
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>> NO.
>> I'’M STARVING.
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>> I'’M STARVING.
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>> I'’M STARVING.
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>> Boy: DO YOU WANT TO BUY THIS?
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>> NO...
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BUT HOW MUCH DO YOU WANT
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FOR THIS?
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>> 600 POUNDS!
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>> 50 PENCE.
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>> O.K....
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THERE YOU GO.
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>> THANK YOU.
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>> THANK YOU.
>> THANK YOU.
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>> THANK YOU.
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>> WHOA...
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MANCHESTER, THEY'’RE AMAZING.
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>> PISS OFF, JAKE.
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>> LOOK, THE TUTOR WILL BE
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BACK IN A BIT AND IF HE
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CATCHES YOU IN HERE AGAIN,
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HE'’S GONNA FIRE ME.
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>> BE DONE IN A MINUTE.
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>> WELL, HOW'’S ABOUT YOU JUST
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LET ME DO '’EM, RIGHT, AND I'LL
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BRING THEM TO THE PUB LATER.
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>> O.K....
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BUT DON'’T BE WANKING
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OVER MY BIRD.
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OVER MY BIRD.
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>> Woman on jukebox: ♪ ...those
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great big eyes ♪
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♪ It'’s just like an angel
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out of the blue ♪
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♪ Why should I cry?
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♪ Why should I sigh...?
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>> THANKS, JAKE.
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>> NO WORRIES.
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>> UM, DID YOU WANT
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ANOTHER PINT?
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>> GO ON, THEN.
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>> GO ON, THEN.
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>> SOMEBODY SAID HE JUST...
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HE, HE FELL OVER A PRAM
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IN THE PASSAGE, BUT TRULY,
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I DON'’T BLAME IT ON THE BUGGY.
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ANYWAY...
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YOU SEE, YOU WERE EXPECTING
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ONE OF THEM TERRIBLE JOKES.
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YOU SEE, I'’M CLASS, MAN.
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ONLY GET BETTER.
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HEY, YOU'’RE TOO EASY.
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WELL, THERE WAS A TIME THERE WAS
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THIS BLOKE I WAS HEARING ABOUT
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WHO WAS ON THE TRAIN, PUFFING
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AWAY...
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LITTLE OLD WOMAN SITTING NEXT TO
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HIM, PULLS INTO THE STATION,
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THE LITTLE OLD WOMAN PULLS OUT
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A BAG, PULLS OUT THE BIBLE
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FROM THE BAG...
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>> Jake:
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THAT STINKS.
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SHE WON'’T GO NOWHERE NEAR YOU
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SMELLING LIKE THAT.
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>> : SHE WILL,
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SHE LOVES ME.
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NOON LOVES ME.
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LOVES ME.
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NOON LOVES ME.
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>> ...FINALLY, HE'’S HAD ENOUGH,
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PULLS INTO A STATION...
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>> Jake: WHY IS HE STARING?
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>> I'’VE GOT NOON.
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: I'’VE GOT NOON.
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>> "...AND WHEN WE PULL OUT
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THE STATION, YOU PUT THE BIBLE
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BACK IN THE BAG?"
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SHE SAYS, "WHY DON'’T YOU
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FUCK OFF?"
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WELL...
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YOU SEE, YOU DON'’T KNOW WHO'S
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ON THE TRAIN THESE DAYS.
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IT'’S QUESTIONS LIKE THAT
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SHOULD BE ASKED.
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I MEAN, HERE'’S A QUESTION, LADS,
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HERE'’S YOUR QUESTION...
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HERE'’S YOUR QUESTION...
>>
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>>
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>> HELLO, NOON.
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HELLO, NOON.
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>> Manchester: WHOA!
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>> JESUS CHRIST...
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PRICK.
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PRICK.
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>> LEAH.
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LEAH.
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>> WHAT ARE YOU DOING HERE?
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>> WHAT ARE YOU DOING HERE?
>> HAVE A LOOK AT THESE.
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>> HAVE A LOOK AT THESE.
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SOMEONE JUST LEFT THEM
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IN THE PUB.
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IN THE PUB.
>> NO WAY.
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>> NO WAY.
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>> MANCHESTER?
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>> Manchester:
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SORRY I AM FOR BEING DRUNK.
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BUT... I HAVE AN IDEA ANYWAY.
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I WANT YOU TO DO
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A LITTLE PROJECT FOR ME.
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On tape: I want you to keep
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an orgasm diary.
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I want to know everything.
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I want to know
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what it feels like.
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I want to know
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what you'’re thinking...
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what you'’re wearing...
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where you are.
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I want to know your secrets...
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your fantasies...
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your desires...
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everything.
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Go on then, do something.
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>> Manchester:
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POSTMAN CAT'’S BEEN.
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>> Noon on tape: The first one
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since you gave me the tape
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took ages.
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I closed the garage door
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and took off me clothes.
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I started to play with meself.
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I concentrate on the feeling
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'’cause I think it's more
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important than the fantasy.
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>> Man: ♪ ...I COULD NEVER BE
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POLITICAL '’CAUSE I DON'T SEE
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THE POINT OF WRITING-- I'’M TOO
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CLOSE TO BEING HYPOCRITICAL ♪
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♪ I DON'’T NEED YOU TO TELL ME
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WHEN I'’M DRUNK AND I'M BEING
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ABRASIVE... ♪
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>> Noon on tape: I don'’t know
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if you'’re hot during but as soon
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as you come, you get all sweaty
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behind the knees.
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I really get off on the noise,
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the wetness of the pussy,
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the saliva and the juices.
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You know what I mean!
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>> Man: ♪ HAVE YOU EVER TESTED
217
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ROTTEN WOOD WITH YOUR TONGUE? ♪
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00:19:10,804 --> 00:19:11,909
♪ IT'’S NOT MUCH FUN
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00:19:11,909 --> 00:19:13,566
BUT IT GETS THE JOB DONE ♪
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00:19:13,566 --> 00:19:14,877
♪ AND YOU'’RE THE ONE
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WHO CAN TEST THAT PINE
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WITH THE FINE SALIVA ♪
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♪ MY ADVICE IS TO GET
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PAID BY THE HOUR ♪
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♪ BY THE WAGE SLAVES,
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EMPLOYEES... ♪
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>> DON'’T USE IT ALL.
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>> DON'’T USE IT ALL.
I'’M STARVING.
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I'’M STARVING.
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>> DO YOU THINK WE SHOULD TRY
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AND CATCH IT AND KEEP IT
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AND CATCH IT AND KEEP IT
AS A PET?
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AS A PET?
234
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AS A PET?
>> I'’D RATHER GET A DOG.
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>> I'’D RATHER GET A DOG.
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>> I'’D RATHER GET A DOG.
>> DICK.
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>> DICK.
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>> DICK.
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[NOON LAUGHING,
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MANCHESTER GROANING...]
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MY DAD WOULD NEVER LET ME HAVE
242
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A CAT '’CAUSE OF HIS FISH.
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>> I'’LL LET YOU HAVE ONE.
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I'’LL LET YOU HAVE
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I'’LL LET YOU HAVE
ANYTHING YOU WANT.
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ANYTHING YOU WANT.
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>>
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>>
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>> SORRY, LOVE.
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>> SORRY, LOVE.
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>> GET US AN ICE POP, BABY.
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>> GET US AN ICE POP, BABY.
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>> GET US AN ICE POP, BABY.
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FEED ME.
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FEED ME.
>>
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>>
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>>
MMM...
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MMM...
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00:23:03,934 --> 00:23:06,488
MMM...
MMM...
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00:23:06,488 --> 00:23:22,987
MMM...
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00:23:22,987 --> 00:23:28,407
MMM...
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00:23:39,901 --> 00:23:41,903
MMM...
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00:23:41,903 --> 00:24:04,373
MMM...
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MMM...
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00:24:07,169 --> 00:24:11,380
>>
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>> AH...
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>>
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FUCK'’S SAKE....
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[MANCHESTER GRUNTING,
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NOON GASPING...]
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SHIT...
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SORRY.
273
00:25:34,981 --> 00:25:37,466
ARE YOU O.K.?
274
00:25:37,466 --> 00:25:41,194
>> OH, IT'’S ALL GONE BLURRY.
275
00:25:47,235 --> 00:25:49,686
YOU SMELL LIKE A PUNCH BAG.
276
00:25:49,686 --> 00:25:51,619
>>
277
00:25:51,619 --> 00:25:56,485
MMM...
278
00:25:56,485 --> 00:25:57,279
I'’LL BE ALL RIGHT
279
00:25:57,279 --> 00:25:59,281
ANOTHER WEEK.
280
00:25:59,972 --> 00:26:03,872
>>
281
00:26:03,872 --> 00:26:07,186
>> OH...
282
00:26:07,186 --> 00:26:10,465
>> OH...
283
00:26:15,919 --> 00:26:17,161
>> Noon on tape: I was looking
284
00:26:17,161 --> 00:26:18,577
at one of your photographs of me
285
00:26:18,577 --> 00:26:20,682
this morning.
286
00:26:20,682 --> 00:26:23,167
It'’s shot from below.
287
00:26:23,167 --> 00:26:24,824
You can see me pussy,
288
00:26:24,824 --> 00:26:26,930
then me tits...
289
00:26:26,930 --> 00:26:28,276
and directly in line
290
00:26:28,276 --> 00:26:30,727
with me pussy is me head.
291
00:26:30,727 --> 00:26:32,176
My pussy is twice the size
292
00:26:32,176 --> 00:26:33,557
of me head.
293
00:26:33,557 --> 00:26:37,388
Is that how you see me?
294
00:26:37,388 --> 00:26:41,703
Is that how you see me?
295
00:26:49,297 --> 00:26:52,093
Noon in distance: HI, DAD!
296
00:26:54,716 --> 00:26:56,891
>> HELLO, LOVE.
297
00:26:56,891 --> 00:26:58,547
>> HELLO, LOVE.
COME HERE.
298
00:26:58,547 --> 00:27:06,694
COME HERE.
299
00:27:06,694 --> 00:27:08,523
COME HERE.
I'’LL PUT THE KETTLE ON.
300
00:27:08,523 --> 00:27:17,221
I'’LL PUT THE KETTLE ON.
301
00:27:17,221 --> 00:27:18,050
WHAT HAPPENED
302
00:27:18,050 --> 00:27:20,639
TO YOUR EYE, LOVE?
303
00:27:20,639 --> 00:27:21,847
>> THINK I BURST
304
00:27:21,847 --> 00:27:24,712
A BLOOD VESSEL.
305
00:27:24,712 --> 00:27:26,265
A BLOOD VESSEL.
>> HOW?
306
00:27:26,265 --> 00:27:30,821
>> HOW?
307
00:27:30,821 --> 00:27:31,788
>> PLAY-FIGHTING
308
00:27:31,788 --> 00:27:34,998
WITH MANCHESTER.
309
00:27:34,998 --> 00:27:40,831
>> HMM...
310
00:27:40,831 --> 00:27:42,212
BOUGHT THIS AT THE MARKET
311
00:27:42,212 --> 00:27:45,008
YESTERDAY.
312
00:27:45,008 --> 00:27:46,250
I WAS LOOKING AT THE BLADE
313
00:27:46,250 --> 00:27:49,219
THINKING, "THAT DOESN'’T LOOK
314
00:27:49,219 --> 00:27:52,636
VERY SHARP."
315
00:27:52,636 --> 00:27:57,089
SO I RUN ME FINGER DOWN IT.
316
00:27:57,089 --> 00:28:00,989
GUESS WHAT?
317
00:28:00,989 --> 00:28:05,166
>> CUT YOUR FINGER?
318
00:28:05,166 --> 00:28:08,548
>> CUT YOUR FINGER?
>> CUT ME FINGER.
319
00:28:08,548 --> 00:28:12,345
>> CUT ME FINGER.
320
00:28:12,345 --> 00:28:15,072
[NOON LAUGHS,
321
00:28:15,072 --> 00:28:20,629
DAD LAUGHS]
322
00:29:45,680 --> 00:29:49,201
>> ARE THESE YOURS?
323
00:29:49,201 --> 00:29:54,309
>> ARE THESE YOURS?
324
00:29:54,309 --> 00:29:56,104
>> Man:
325
00:29:56,104 --> 00:29:59,936
ARE THESE YOUR PHOTOGRAPHS?
326
00:29:59,936 --> 00:30:02,801
>> SHIT, YEAH.
327
00:30:02,801 --> 00:30:04,733
WHERE DID YOU FIND THEM?
328
00:30:04,733 --> 00:30:05,700
>> HOW MUCH DO YOU WANT
329
00:30:05,700 --> 00:30:08,565
FOR THEM?
330
00:30:08,565 --> 00:30:10,567
>> THE PHOTOGRAPHS?
331
00:30:10,567 --> 00:30:13,087
>> I'’LL GIVE YOU A GRAND.
332
00:30:13,087 --> 00:30:14,053
>> I DON'’T WANT YOUR MONEY.
333
00:30:14,053 --> 00:30:15,468
>> TWO GRAND!
334
00:30:15,468 --> 00:30:17,229
>>
335
00:30:17,229 --> 00:30:19,024
DRE WAS RIGHT.
336
00:30:19,024 --> 00:30:19,921
LIFE AIN'’T NOTHING
337
00:30:19,921 --> 00:30:22,372
BUT BITCHES AND MONEY.
338
00:30:22,372 --> 00:30:23,200
>> DRE?
339
00:30:23,200 --> 00:30:25,513
WHO... WHO'’S DRE?
340
00:30:25,513 --> 00:30:27,618
WHO... WHO'’S DRE?
>> JUST A BLOKE.
341
00:30:27,618 --> 00:30:33,555
>> JUST A BLOKE.
342
00:30:33,555 --> 00:30:35,730
>> LOOK, UH...
343
00:30:35,730 --> 00:30:38,802
IF YOU DON'’T WANT MONEY...
344
00:30:38,802 --> 00:30:41,218
WHAT DO YOU WANT?
345
00:30:41,218 --> 00:30:44,601
>> I DON'’T WANT ANYTHING.
346
00:30:44,601 --> 00:30:45,913
I JUST WANT NOON.
347
00:30:45,913 --> 00:30:46,810
>> WHAT, THE GIRL
348
00:30:46,810 --> 00:30:49,813
IN THE PHOTOGRAPHS?
349
00:30:49,813 --> 00:30:52,091
>> LOVING HER IS LIKE...
350
00:30:52,091 --> 00:30:54,438
FRYING BACON NAKED.
351
00:30:54,438 --> 00:30:55,681
>>
352
00:30:55,681 --> 00:30:57,476
IT WOULD BE.
353
00:30:57,476 --> 00:31:00,065
SHE'’S PRETTY.
354
00:31:00,065 --> 00:31:01,376
>> WHAT DO YOU MEAN?
355
00:31:01,376 --> 00:31:02,343
>> WELL, THE PRETTY ONES ARE
356
00:31:02,343 --> 00:31:07,693
ALWAYS DANGEROUS.
357
00:31:07,693 --> 00:31:10,869
DO YOU ACTUALLY LIVE HERE?
358
00:31:10,869 --> 00:31:12,215
>> YEAH.
359
00:31:12,215 --> 00:31:16,253
>> WHAT'’S YOUR NAME?
360
00:31:16,253 --> 00:31:19,739
>> MANCHESTER.
361
00:31:19,739 --> 00:31:21,534
>> MANCHESTER.
>> MY NAME'’S FRANNY.
362
00:31:21,534 --> 00:31:25,021
>> MY NAME'’S FRANNY.
363
00:31:25,021 --> 00:31:26,505
YOU SHOULD COME AND SEE ME
364
00:31:26,505 --> 00:31:28,334
SOMETIME, MANCHESTER.
365
00:31:28,334 --> 00:31:30,578
SOMETIME, MANCHESTER.
I MIGHT BE ABLE TO HELP YOU.
366
00:31:30,578 --> 00:31:39,587
I MIGHT BE ABLE TO HELP YOU.
367
00:31:39,587 --> 00:31:42,452
I MIGHT BE ABLE TO HELP YOU.
368
00:31:49,838 --> 00:31:52,531
YOU'’VE, UH...
369
00:31:52,531 --> 00:31:55,844
YOU'’VE, UH...
YOU'’VE RUN OUT OF ICE POPS.
370
00:31:55,844 --> 00:32:08,685
YOU'’VE RUN OUT OF ICE POPS.
371
00:32:08,685 --> 00:32:10,963
YOU'’VE RUN OUT OF ICE POPS.
372
00:32:22,423 --> 00:32:23,493
>> Man: ♪ BABY, BABY,
373
00:32:23,493 --> 00:32:25,115
I GET A THRILL ♪
374
00:32:25,115 --> 00:32:26,806
♪ YEAH, HONEY, YOU KNOW
375
00:32:26,806 --> 00:32:28,394
YOU MAKE ME FEEL GOOD ♪
376
00:32:28,394 --> 00:32:30,534
♪ I CAN'’T WAIT TO SEE YOU
377
00:32:30,534 --> 00:32:31,708
AND HUG YOU ♪
378
00:32:31,708 --> 00:32:32,916
♪ OH, THAT'’S RIGHT ♪
379
00:32:32,916 --> 00:32:35,850
♪ I'’M READY FOR LOVE ♪
380
00:32:35,850 --> 00:32:38,818
♪ I'’M SO EXCITED ♪
381
00:32:38,818 --> 00:32:41,442
♪ YOU KNOW IT MAKES ME SMILE
382
00:32:41,442 --> 00:32:44,548
♪ GEE, I REALLY LOVE YOU
383
00:32:44,548 --> 00:32:47,724
♪ GEE, I REALLY DO
384
00:32:47,724 --> 00:32:50,554
♪ YES, I SAID I LOVE YOU
385
00:32:50,554 --> 00:32:51,590
♪ I FEEL ALL RIGHT
386
00:32:51,590 --> 00:32:54,075
BECAUSE I THINK YOU DO TOO ♪
387
00:32:54,075 --> 00:32:56,422
♪ MAYBE I'’M A LITTLE STONED ♪
388
00:32:56,422 --> 00:33:00,081
♪ MAYBE I JUST FIGURED IT OUT
389
00:33:00,081 --> 00:33:02,359
♪ BABY, WHEN I'’M IN YOUR ARMS,
390
00:33:02,359 --> 00:33:03,671
I GET DOCILE
391
00:33:03,671 --> 00:33:07,433
JUST LIKE A LITTLE CHILD ♪
392
00:33:07,433 --> 00:33:09,918
♪ IT'’S HARD TO ADMIT ♪
393
00:33:09,918 --> 00:33:13,612
♪ OH, IT'’S TOUGH TO BEAT IT... ♪
394
00:33:13,612 --> 00:33:17,340
>> Manchester: MISSED YOU, BABY.
395
00:33:17,340 --> 00:33:21,620
>> I MISSED YOU TOO, YOU DICK.
396
00:33:21,620 --> 00:33:22,690
>> ♪ ...COME ON, BABY,
397
00:33:22,690 --> 00:33:24,692
LET'’S CRASH THIS PLANE ♪
398
00:33:24,692 --> 00:33:27,591
LET'’S CRASH THIS PLANE ♪
399
00:33:36,980 --> 00:33:38,326
♪ YOU GOT SOMETHING
400
00:33:38,326 --> 00:33:39,983
SPECIAL, POWERFUL ♪
401
00:33:39,983 --> 00:33:42,848
♪ MAKE MY ALARM RING, CLANG...
402
00:33:42,848 --> 00:33:46,817
♪ MAKE MY ALARM RING, CLANG...
403
00:33:50,511 --> 00:33:52,996
♪ ...I WANT YOU TO MAKE ME,
404
00:33:52,996 --> 00:33:55,240
MAKE ME, I WANT YOU TO MAKE ME,
405
00:33:55,240 --> 00:33:57,690
I WANT YOU TO MAKE ME HAPPY ♪
406
00:33:57,690 --> 00:33:59,313
♪ OH, DON'’T YOU LEAVE ME
407
00:33:59,313 --> 00:34:01,487
IN THE MIDDLE, BABY, I'’M... ♪
408
00:34:01,487 --> 00:34:02,316
[SONG STOPS,
409
00:34:05,008 --> 00:34:17,262
LAUGHTER CONTINUES...]
410
00:34:17,262 --> 00:34:20,196
LAUGHTER CONTINUES...]
411
00:34:41,009 --> 00:34:43,253
>> Noon: STOP.
412
00:34:43,253 --> 00:34:44,496
STOP.
413
00:34:46,049 --> 00:34:49,570
>>
414
00:34:49,570 --> 00:34:51,537
WHAT'’S THE MATTER?
415
00:34:51,537 --> 00:34:53,712
>> WE'’VE BEEN FUCKING FOR HOURS.
416
00:34:53,712 --> 00:34:56,853
>> I KNOW, IT'’S AMAZING.
417
00:34:56,853 --> 00:35:00,477
>> I'’M TOO SORE TO CARRY ON.
418
00:35:00,477 --> 00:35:03,204
>> I'’M TOO SORE TO CARRY ON.
419
00:35:11,316 --> 00:35:15,078
>>
420
00:35:15,078 --> 00:35:18,806
>>
421
00:35:23,017 --> 00:35:25,399
TELL ME A STORY ABOUT A
422
00:35:25,399 --> 00:35:27,055
SEXUAL EXPERIENCE YOU'’VE HAD.
423
00:35:27,055 --> 00:35:29,437
>> OH... NO, MANCHESTER,
424
00:35:29,437 --> 00:35:31,508
IT'’S TOO WEIRD.
425
00:35:31,508 --> 00:35:33,338
I'’M STILL REALLY HIGH.
426
00:35:33,338 --> 00:35:35,823
>> PLEASE...
427
00:35:39,999 --> 00:35:42,105
I'’LL JUST ASK ONE QUESTION THEN.
428
00:35:42,105 --> 00:35:46,109
>> WHAT?
429
00:35:46,109 --> 00:35:47,455
>> WHAT'’S THE BIGGEST DICK
430
00:35:47,455 --> 00:35:50,148
YOU'’VE EVER HAD?
431
00:35:50,148 --> 00:35:53,323
>> YOURS.
432
00:35:53,323 --> 00:35:56,395
>> DON'’T LIE TO ME.
433
00:35:56,395 --> 00:35:57,362
HAVE YOU EVER HAD ONE
434
00:35:57,362 --> 00:35:59,709
THAT WAS TOO BIG?
435
00:35:59,709 --> 00:36:01,711
>> YEAH.
436
00:36:01,711 --> 00:36:02,574
>> REALLY?
437
00:36:03,747 --> 00:36:08,787
WHAT HAPPENED?
438
00:36:08,787 --> 00:36:10,133
>> I USED TO LIKE FUCKING
439
00:36:10,133 --> 00:36:11,962
STRANGERS AT HOUSE PARTIES.
440
00:36:11,962 --> 00:36:14,862
>> OH...
441
00:36:14,862 --> 00:36:16,035
>> ONE NIGHT I TOOK THIS GUY
442
00:36:16,035 --> 00:36:19,763
INTO ONE OF THE BEDROOMS...
443
00:36:19,763 --> 00:36:22,076
>> AND...?
444
00:36:22,076 --> 00:36:24,285
>> : I NEARLY FAINTED
445
00:36:24,285 --> 00:36:27,771
WHEN I GRABBED HIS DICK.
446
00:36:27,771 --> 00:36:28,738
IT WAS LIKE
447
00:36:28,738 --> 00:36:32,190
A BUTTERNUT SQUASH.
448
00:36:32,190 --> 00:36:34,640
>> MMM...
449
00:36:34,640 --> 00:36:36,573
WHAT DID YOU DO?
450
00:36:36,573 --> 00:36:40,094
>>
451
00:36:40,094 --> 00:36:41,716
WE TRIED TO DO IT FOR ABOUT
452
00:36:41,716 --> 00:36:43,615
HALF AN HOUR BUT HE COULDN'’T
453
00:36:43,615 --> 00:36:46,928
GET IT IN.
454
00:36:46,928 --> 00:36:49,241
>> SO WHAT HAPPENED?
455
00:36:49,241 --> 00:36:51,036
>> I GOT ON TOP.
456
00:36:51,036 --> 00:36:52,693
>> WHAT?!
457
00:36:52,693 --> 00:36:54,522
>> I SAT ON IT.
458
00:36:54,522 --> 00:36:56,317
NEARLY TORE ME IN HALF.
459
00:36:56,317 --> 00:36:59,562
>>
460
00:36:59,562 --> 00:37:00,770
>> I THINK HE MUST HAVE BEEN
461
00:37:00,770 --> 00:37:02,220
A VIRGIN '’CAUSE HE DIDN'T REALLY
462
00:37:02,220 --> 00:37:04,429
KNOW WHAT TO DO.
463
00:37:04,429 --> 00:37:05,671
ALL THE OTHER GIRLS MUST HAVE
464
00:37:05,671 --> 00:37:07,294
BEEN SCARED AWAY.
465
00:37:07,294 --> 00:37:11,021
>> NOT MY FILTHY GIRL.
466
00:37:11,021 --> 00:37:12,747
>> NOT ME.
467
00:37:14,439 --> 00:37:16,475
I RODE HIM TILL HIS FACE WENT
468
00:37:16,475 --> 00:37:18,960
RED AND HIS HEAD EXPLODED.
469
00:37:18,960 --> 00:37:23,206
>>
470
00:37:23,206 --> 00:37:24,276
>> WHEN I GOT OFF HIM,
471
00:37:24,276 --> 00:37:26,589
MY PUSSY FARTED AND SPUNK GUSHED
472
00:37:26,589 --> 00:37:29,937
OUT OF ME ONTO HIS STOMACH.
473
00:37:29,937 --> 00:37:32,111
SO MUCH SPUNK.
474
00:37:32,111 --> 00:37:34,217
>> I'’M GONNA COME...
475
00:37:34,217 --> 00:37:36,392
>> ARE YOU?
476
00:37:36,392 --> 00:37:38,325
YOU DIRTY FUCKER.
477
00:37:38,325 --> 00:37:44,848
>>
478
00:37:44,848 --> 00:37:47,713
THANK FUCK FOR THAT.
479
00:37:51,165 --> 00:37:55,238
>> YOU CAN WIPE THAT UP.
480
00:37:55,238 --> 00:37:58,276
>> MMM...
481
00:37:58,276 --> 00:38:03,660
>> MMM...
482
00:38:38,592 --> 00:38:41,077
>>
483
00:38:41,077 --> 00:38:44,805
>>
484
00:38:49,154 --> 00:38:50,604
WHAT!
485
00:38:50,604 --> 00:38:52,468
WHAT!
486
00:38:59,854 --> 00:39:02,236
WHAT THE FUCK ARE YOU DOING?
487
00:39:02,236 --> 00:39:08,415
WHAT THE FUCK ARE YOU DOING?
488
00:39:08,415 --> 00:39:10,417
[INDIAN MUSIC PLAYING
489
00:39:16,423 --> 00:39:34,786
ON CAR RADIO...]
490
00:39:34,786 --> 00:39:36,684
ON CAR RADIO...]
>>
491
00:39:36,684 --> 00:39:49,248
>>
492
00:39:49,248 --> 00:39:50,767
>> THAT IS FUCKING LUSH!
493
00:39:50,767 --> 00:39:52,079
HAVE YOU SEEN IT BACK THERE,
494
00:39:52,079 --> 00:39:52,769
MANCHESTER?
495
00:39:52,769 --> 00:39:55,082
MANCHESTER?
496
00:39:59,017 --> 00:40:00,915
HAVE YOU SEEN THAT?
497
00:40:00,915 --> 00:40:05,023
HAVE YOU SEEN THAT?
498
00:40:05,023 --> 00:40:08,682
PISS OFF, PERV BOY.
499
00:40:08,682 --> 00:40:09,890
>> YOU CLOSE YOUR LEGS,
500
00:40:09,890 --> 00:40:11,995
I'’LL CLOSE MY EYES.
501
00:40:15,136 --> 00:40:16,586
[MUSIC ENDS,
502
00:40:16,586 --> 00:40:19,417
SURF CRASHES IN DISTANCE]
503
00:40:21,660 --> 00:40:22,730
>> Noon on tape: I'’m completely
504
00:40:22,730 --> 00:40:24,698
naked, crawling around on all
505
00:40:24,698 --> 00:40:27,114
fours, meowing and purring
506
00:40:27,114 --> 00:40:29,392
and acting like a cat.
507
00:40:29,392 --> 00:40:31,498
In the room, there are 10 or 15
508
00:40:31,498 --> 00:40:32,602
men who are all wanking
509
00:40:32,602 --> 00:40:34,846
into a saucer.
510
00:40:34,846 --> 00:40:36,434
When the saucer'’s full of come,
511
00:40:36,434 --> 00:40:37,365
the cat comes along
512
00:40:37,365 --> 00:40:38,884
to lick it clean.
513
00:40:38,884 --> 00:40:40,610
I finger myself and come around
514
00:40:40,610 --> 00:40:43,026
my finger about 10 times.
515
00:40:43,026 --> 00:40:44,442
My pussy keeps squeezing
516
00:40:44,442 --> 00:40:45,857
my finger while I keep rubbing
517
00:40:45,857 --> 00:40:48,273
my clit with my other hand.
518
00:40:48,273 --> 00:40:49,447
You would love the smell
519
00:40:49,447 --> 00:40:51,587
of my fingers right now.
520
00:40:51,587 --> 00:40:52,277
>>
521
00:40:52,277 --> 00:40:54,313
DICK'’S DISAPPEARED.
522
00:40:54,313 --> 00:40:57,385
>> WHAT DID YOU GO IN FOR?
523
00:40:57,385 --> 00:40:58,421
>> YOU'’VE GOT TO, HAVEN'T YOU?
524
00:40:58,421 --> 00:41:03,081
IT'’S THE SEASIDE.
525
00:41:03,081 --> 00:41:06,015
IT'’S THE SEASIDE.
526
00:41:22,963 --> 00:41:23,998
>> DO YOU EVER THINK ABOUT
527
00:41:23,998 --> 00:41:30,522
DYING, MANCHESTER?
528
00:41:30,522 --> 00:41:32,593
>> I THINK THAT WHEN YOU DIE
529
00:41:32,593 --> 00:41:34,043
WILL BE THE SAME AS BEFORE YOU
530
00:41:34,043 --> 00:41:37,184
WILL BE THE SAME AS BEFORE YOU
WERE BORN.
531
00:41:37,184 --> 00:41:42,430
WERE BORN.
532
00:41:42,430 --> 00:41:45,951
IF YOU DIE BEFORE ME, ASK IF YOU
533
00:41:45,951 --> 00:41:50,369
CAN TAKE A FRIEND.
534
00:41:51,750 --> 00:41:54,891
>>
535
00:41:54,891 --> 00:41:58,861
>>
>>
536
00:41:58,861 --> 00:42:02,105
>>
537
00:42:02,105 --> 00:42:03,313
>> DO YOU WANT TO BURIED OR
538
00:42:03,313 --> 00:42:04,418
CREMATED?
539
00:42:04,418 --> 00:42:07,628
>> WANT TO BE BURIED, NOT BURNT.
540
00:42:07,628 --> 00:42:10,148
I WANT THE WORMS TO EAT ME,
541
00:42:10,148 --> 00:42:11,770
SO WE CAN GO BACK TO WHERE WE
542
00:42:11,770 --> 00:42:15,015
SO WE CAN GO BACK TO WHERE WE
ALL CAME FROM.
543
00:42:15,015 --> 00:42:21,055
ALL CAME FROM.
544
00:42:21,055 --> 00:42:25,508
WHAT ABOUT YOU?
545
00:42:25,508 --> 00:42:27,130
>> CREMATED.
546
00:42:27,130 --> 00:42:31,410
>> WHY?
547
00:42:31,410 --> 00:42:35,000
>> I LIKE FIRE.
548
00:42:35,000 --> 00:42:40,109
>> I LIKE FIRE.
549
00:45:08,636 --> 00:45:11,467
>> HELLO?
550
00:45:11,467 --> 00:45:13,745
IS THAT FRANNY?
551
00:45:13,745 --> 00:45:14,573
HI.
552
00:45:14,573 --> 00:45:18,750
HI.
YEAH, IT'’S, UH, IT'S MANCHESTER.
553
00:45:18,750 --> 00:45:33,247
YEAH, IT'’S, UH, IT'S MANCHESTER.
554
00:45:33,247 --> 00:45:38,183
YEAH, IT'’S, UH, IT'S MANCHESTER.
555
00:45:43,637 --> 00:45:46,364
>> Man: ♪ WHILE I WAS WAITING
556
00:45:46,364 --> 00:45:49,574
WHILE I WAS DOWN ♪
557
00:45:49,574 --> 00:45:51,818
♪ I SAW THE FUTURE,
558
00:45:51,818 --> 00:45:55,753
IT FELL TO THE GROUND ♪
559
00:45:55,753 --> 00:45:58,790
♪ MEMORY AND REASON
560
00:45:58,790 --> 00:46:02,104
GIVE IN THE DARK ♪
561
00:46:02,104 --> 00:46:04,347
♪ TAKE ALL THE CHANCES
562
00:46:04,347 --> 00:46:07,695
AND HOPE TO HOLD ON ♪
563
00:46:07,695 --> 00:46:10,146
♪ I KNOW
564
00:46:10,146 --> 00:46:12,217
THERE'’S A FIRE ♪
565
00:46:12,217 --> 00:46:14,737
♪ I KNOW
566
00:46:14,737 --> 00:46:16,843
THERE'’S A FIRE ♪
567
00:46:16,843 --> 00:46:19,500
♪ I KNOW
568
00:46:19,500 --> 00:46:21,537
THERE'’S A FIRE ♪
569
00:46:21,537 --> 00:46:24,229
♪ I KNOW
570
00:46:24,229 --> 00:46:28,924
THERE'’S A FIRE. ♪
571
00:46:35,447 --> 00:46:40,590
>> MMM.
572
00:46:40,590 --> 00:46:42,903
WHERE ARE WE?
573
00:46:42,903 --> 00:46:44,146
>> YOU KNOW WHAT YOU WERE SAYING
574
00:46:44,146 --> 00:46:46,631
LAST NIGHT?
575
00:46:46,631 --> 00:46:48,046
>> UM, WHAT ABOUT?
576
00:46:48,046 --> 00:46:51,670
>> ABOUT THE FUTURE.
577
00:46:51,670 --> 00:46:53,293
>> YEAH.
578
00:46:53,293 --> 00:46:54,915
>> WELL...
579
00:46:54,915 --> 00:46:57,815
WE'’RE AT FRANNY'S HOUSE.
580
00:46:57,815 --> 00:46:59,333
>> WHO THE FUCK IS FRANNY?
581
00:46:59,333 --> 00:47:00,369
>> HE'’S THIS BLOKE I MET.
582
00:47:00,369 --> 00:47:01,749
HE SAID HE MIGHT BE ABLE TO
583
00:47:01,749 --> 00:47:03,924
HELP US.
584
00:47:03,924 --> 00:47:06,064
>> HELP US WITH WHAT?
585
00:47:06,064 --> 00:47:08,135
>> NOT SURE.
586
00:47:08,135 --> 00:47:10,137
>> WHAT THE FUCK, MANCHESTER?
587
00:47:10,137 --> 00:47:11,311
>> WHAT?
588
00:47:11,311 --> 00:47:12,553
>> WHY DO YOU ALWAYS HAVE TO
589
00:47:12,553 --> 00:47:14,176
DO THIS?
590
00:47:14,176 --> 00:47:16,281
I THOUGHT THIS WAS OUR STORY.
591
00:47:16,281 --> 00:47:18,007
>> IT IS.
592
00:47:18,007 --> 00:47:19,250
>> YOU'’RE A FUCKING DICK,
593
00:47:19,250 --> 00:47:20,320
MANCHESTER.
594
00:47:20,320 --> 00:47:21,769
>> IT'’LL BE ALL RIGHT, BABY.
595
00:47:21,769 --> 00:47:24,151
LET'’S JUST SEE WHAT HAPPENS.
596
00:47:24,151 --> 00:47:26,015
>> BIG FAT FUCKING DICK!
597
00:47:26,015 --> 00:47:27,430
>> COME ON, NOON.
598
00:47:27,430 --> 00:47:29,467
DON'’T BE LIKE THAT.
599
00:47:29,467 --> 00:47:31,434
>> Franny: MANCHESTER!
600
00:47:31,434 --> 00:47:32,090
>> COME ON.
601
00:47:32,090 --> 00:47:33,989
>> MANCHESTER.
602
00:47:33,989 --> 00:47:36,405
GOOD TO SEE YOU.
603
00:47:36,405 --> 00:47:39,857
GLAD YOU DECIDED TO COME.
604
00:47:39,857 --> 00:47:41,893
YOU MUST BE NOON.
605
00:47:41,893 --> 00:47:43,722
>> HI.
606
00:47:43,722 --> 00:47:46,139
>> HI.
>> COME OVER AND MEET THE WIFE.
607
00:47:46,139 --> 00:47:50,833
>> COME OVER AND MEET THE WIFE.
608
00:47:50,833 --> 00:47:52,870
>> COME ON.
609
00:47:52,870 --> 00:47:55,631
EVERYTHING'’S GONNA BE O.K.
610
00:47:55,631 --> 00:48:00,532
EVERYTHING'’S GONNA BE O.K.
PROMISE.
611
00:48:00,532 --> 00:48:03,535
PROMISE.
612
00:48:07,194 --> 00:48:09,748
>> LEAH, THIS IS MANCHESTER
613
00:48:09,748 --> 00:48:11,302
THE PHOTOGRAPHER AND HIS
614
00:48:11,302 --> 00:48:13,304
GIRLFRIEND, NOON.
615
00:48:13,304 --> 00:48:16,445
THIS IS MY WIFE, LEAH.
616
00:48:16,445 --> 00:48:17,756
>> HELLO, MANCHESTER.
617
00:48:17,756 --> 00:48:20,725
IT'’S A PLEASURE TO MEET YOU.
618
00:48:20,725 --> 00:48:23,693
>> HELLO, LEAH.
619
00:48:23,693 --> 00:48:26,144
>> HELLO, NOON.
620
00:48:26,144 --> 00:48:28,077
>> HI.
621
00:48:28,077 --> 00:48:35,084
>> LIKE YOUR SHORTS.
622
00:48:35,084 --> 00:48:38,225
>> LIKE YOUR SHORTS.
>> THANKS.
623
00:48:38,225 --> 00:48:42,816
>> THANKS.
624
00:48:42,816 --> 00:48:44,128
>> RIGHT.
625
00:48:44,128 --> 00:48:45,577
COME ON, I'’LL SHOW YOU TO
626
00:48:45,577 --> 00:48:48,442
COME ON, I'’LL SHOW YOU TO
YOUR ROOM.
627
00:48:48,442 --> 00:49:15,814
YOUR ROOM.
628
00:49:15,814 --> 00:49:17,161
JOIN ME DOWNSTAIRS FOR A DRINK
629
00:49:17,161 --> 00:49:20,129
JOIN ME DOWNSTAIRS FOR A DRINK
WHEN YOU'’VE SETTLED IN, GUYS.
630
00:49:20,129 --> 00:49:24,478
WHEN YOU'’VE SETTLED IN, GUYS.
631
00:49:24,478 --> 00:49:25,686
>> WHY DID THAT MAN CALL YOU
632
00:49:25,686 --> 00:49:27,688
A PHOTOGRAPHER?
633
00:49:27,688 --> 00:49:30,036
A PHOTOGRAPHER?
>> FUCK KNOWS.
634
00:49:30,036 --> 00:49:33,832
>> FUCK KNOWS.
635
00:49:33,832 --> 00:49:35,765
>> WHERE DID YOU MEET HIM?
636
00:49:35,765 --> 00:49:38,113
>> DRINKS IN THE GEORGE.
637
00:49:38,113 --> 00:49:39,148
>> DRINKS IN THE GEORGE AND
638
00:49:39,148 --> 00:49:42,186
LIVES IN A HOUSE LIKE THIS?
639
00:49:46,673 --> 00:49:50,746
THIS PLACE IS MENTAL.
640
00:49:50,746 --> 00:49:53,128
WHAT'’S HE DO?
641
00:49:53,128 --> 00:49:56,786
>> I DON'’T REALLY KNOW, BUT...
642
00:49:56,786 --> 00:49:58,167
HE SAID HE MIGHT BE ABLE TO
643
00:49:58,167 --> 00:50:00,376
GET ME A JOB.
644
00:50:00,376 --> 00:50:04,449
GET ME A JOB.
645
00:50:29,129 --> 00:50:33,271
>> WHAT ARE YOU THINKING ABOUT?
646
00:50:33,271 --> 00:50:38,035
>> NOTHING.
647
00:50:38,035 --> 00:50:43,523
LET'’S GO DOWNSTAIRS.
648
00:50:43,523 --> 00:50:44,731
>> I CAN'’T GO DOWN LOOKING LIKE
649
00:50:44,731 --> 00:50:45,766
THIS.
650
00:50:45,766 --> 00:50:48,493
>> YOU LOOK GOOD.
651
00:50:48,493 --> 00:50:51,013
>> I FEEL DIRTY.
652
00:50:51,013 --> 00:50:54,120
>> I'’LL SEE YOU DOWNSTAIRS.
653
00:50:54,120 --> 00:50:56,467
>> DON'’T LEAVE ME, BABY.
654
00:50:56,467 --> 00:51:01,610
>> DON'’T LEAVE ME, BABY.
655
00:51:03,784 --> 00:51:05,683
PRICK.
656
00:51:05,683 --> 00:51:07,961
PRICK.
657
00:51:12,414 --> 00:51:17,557
>> Woman: ♪ SUCH A POWERFUL PULL
658
00:51:17,557 --> 00:51:23,080
AWAY FROM ME ♪
659
00:51:23,080 --> 00:51:26,221
♪ WE'’RE BOTH... ♪
660
00:51:26,221 --> 00:51:27,394
>> SLEEP O.K.?
661
00:51:27,394 --> 00:51:32,054
>> Woman: ♪ I CAN HARDLY BELIEVE
662
00:51:32,054 --> 00:51:35,195
THE WEIGHT AND THE SILENCE
663
00:51:35,195 --> 00:51:37,542
IS CRUSHING ME ♪
664
00:51:37,542 --> 00:51:40,200
>> WHAT YOU HAVING?
665
00:51:40,200 --> 00:51:41,581
>> WHATEVER YOU'’RE HAVING.
666
00:51:41,581 --> 00:51:45,136
>>
667
00:51:45,136 --> 00:51:49,106
>>
668
00:51:52,902 --> 00:51:56,320
>> WHERE'’S NOON?
669
00:51:56,320 --> 00:51:58,874
>> WHERE'’S NOON?
>> SHE SAYS SHE FEELS DIRTY.
670
00:51:58,874 --> 00:52:04,397
>> SHE SAYS SHE FEELS DIRTY.
671
00:52:04,397 --> 00:52:05,984
>> COME ON...
672
00:52:05,984 --> 00:52:08,332
I WANT TO SHOW YOU SOMETHING.
673
00:52:25,625 --> 00:52:28,145
SO, WHAT DO YOU THINK?
674
00:52:28,145 --> 00:52:30,492
>> WHAT IS IT?
675
00:52:30,492 --> 00:52:31,458
>> THIS IS WHAT I DO,
676
00:52:31,458 --> 00:52:33,080
MANCHESTER.
677
00:52:33,080 --> 00:52:34,565
>>
678
00:52:34,565 --> 00:52:36,739
WHAT, YOU'’RE A HOUSEWIFE?
679
00:52:36,739 --> 00:52:38,293
>>
680
00:52:38,293 --> 00:52:39,328
NO.
681
00:52:39,328 --> 00:52:40,502
>> OHH.
682
00:52:40,502 --> 00:52:42,366
YOU WATCH PORN.
683
00:52:42,366 --> 00:52:44,230
>> NO.
684
00:52:44,230 --> 00:52:46,404
I MAKE PORN.
685
00:52:46,404 --> 00:52:48,165
WELL, NOT PORN.
686
00:52:48,165 --> 00:52:49,718
THE WORD SUGGESTS A COMPLETE
687
00:52:49,718 --> 00:52:53,411
THE WORD SUGGESTS A COMPLETE
LACK OF ARTISTIC VALUE.
688
00:52:53,411 --> 00:52:56,828
LACK OF ARTISTIC VALUE.
689
00:52:56,828 --> 00:52:59,728
LOOK...
690
00:52:59,728 --> 00:53:01,350
WHETHER IT'’S WRITING, PICTURES,
691
00:53:01,350 --> 00:53:04,595
FILMS, WHAT INTERESTS ME IS ART
692
00:53:04,595 --> 00:53:08,357
THAT AROUSES SEXUAL DESIRE.
693
00:53:08,357 --> 00:53:11,464
>> NICE.
694
00:53:11,464 --> 00:53:13,673
>> THAT'’S HOW I MET LEAH.
695
00:53:13,673 --> 00:53:15,744
>> WHAT, LEAH'’S A PORN STAR?
696
00:53:15,744 --> 00:53:16,676
>> NO.
697
00:53:17,780 --> 00:53:19,886
NOT ANYMORE.
698
00:53:19,886 --> 00:53:22,475
SHE'’S DOING A Ph.D NOW.
699
00:53:22,475 --> 00:53:25,995
IN EROTOLOGY.
700
00:53:25,995 --> 00:53:32,105
IN EROTOLOGY.
>>
701
00:53:32,105 --> 00:53:36,074
>>
702
00:53:36,074 --> 00:53:40,044
>>
703
00:53:43,116 --> 00:53:46,982
>> COME IN.
704
00:53:46,982 --> 00:53:48,708
>> HIYA.
705
00:53:48,708 --> 00:53:51,504
>> HI.
706
00:53:51,504 --> 00:53:53,954
>> IS EVERYTHING O.K.?
707
00:53:53,954 --> 00:53:58,304
>> MMM.
708
00:53:58,304 --> 00:54:00,616
WHERE'’S MANCHESTER?
709
00:54:00,616 --> 00:54:04,931
>> HE'’S DOWNSTAIRS WITH FRANNY.
710
00:54:04,931 --> 00:54:06,346
WOULD YOU LIKE ME TO RUN YOU
711
00:54:06,346 --> 00:54:09,280
A BATH?
712
00:54:09,280 --> 00:54:11,040
>>
713
00:54:11,040 --> 00:54:15,528
YES, PLEASE.
714
00:54:15,528 --> 00:54:17,288
>> I AM TELLING YOU, KID.
715
00:54:17,288 --> 00:54:20,222
YOU, YOU CAN BE A REAL
716
00:54:20,222 --> 00:54:21,568
ART STAR.
717
00:54:21,568 --> 00:54:23,121
WE CAN HAVE AN EXHIBITION
718
00:54:23,121 --> 00:54:24,709
ARRANGED IN NO TIME.
719
00:54:24,709 --> 00:54:25,952
>> I DON'’T KNOW.
720
00:54:25,952 --> 00:54:27,125
IT'’S JUST PHOTOS OF ME AND
721
00:54:27,125 --> 00:54:29,266
ME GIRLFRIEND FUCKING.
722
00:54:29,266 --> 00:54:30,405
>>
723
00:54:30,405 --> 00:54:32,545
YOU CAN MAKE A LOT OF MONEY.
724
00:54:32,545 --> 00:54:33,373
>> MONEY DON'’T INTEREST ME,
725
00:54:33,373 --> 00:54:34,823
THOUGH.
726
00:54:34,823 --> 00:54:36,790
>> MONEY IS LIKE SEX,
727
00:54:36,790 --> 00:54:38,516
MANCHESTER.
728
00:54:38,516 --> 00:54:40,932
ONLY TOO MUCH IS ENOUGH.
729
00:54:42,486 --> 00:54:44,211
DO YOU THINK... NOON WANTS TO
730
00:54:44,211 --> 00:54:47,180
LIVE IN A BLOODY GARAGE FOREVER?
731
00:54:47,180 --> 00:54:48,285
>> NO.
732
00:54:48,285 --> 00:54:51,426
>> NO, SHE DOESN'’T.
733
00:54:51,426 --> 00:54:52,634
>> IT JUST SEEMS A BIT WEIRD
734
00:54:52,634 --> 00:54:54,705
THOUGH, FRANNY.
735
00:54:54,705 --> 00:54:55,740
>> YOUR MORALS AREN'’T YOUR
736
00:54:55,740 --> 00:54:57,708
BOWELS, KID.
737
00:54:57,708 --> 00:54:58,881
LOSING CONTROL OF THEM DON'’T
738
00:54:58,881 --> 00:55:00,297
MEAN YOU END UP COVERED IN SHIT.
739
00:55:06,717 --> 00:55:07,994
>> YOU THINK I SHOULD ASK NOON
740
00:55:07,994 --> 00:55:09,961
WHAT SHE THINKS?
741
00:55:09,961 --> 00:55:13,171
>>
742
00:55:15,242 --> 00:55:19,937
IF YOU HAVE TO SWALLOW A FROG...
743
00:55:21,145 --> 00:55:25,080
DON'’T LOOK AT IT TOO LONG, EH?
744
00:56:07,018 --> 00:56:08,641
>> OPEN WIDE.
745
00:56:08,641 --> 00:56:11,678
>> OPEN WIDE.
746
00:56:32,768 --> 00:56:34,114
>> Man: ♪ IF I PROMISED TO
747
00:56:34,114 --> 00:56:36,393
SETTLE DOWN... ♪
748
00:56:36,393 --> 00:56:41,087
>>
749
00:56:41,087 --> 00:56:43,054
>> Man: ♪ WITH YOU
750
00:56:43,054 --> 00:56:46,195
FOREVER BY MY SIDE ♪
751
00:56:49,751 --> 00:56:56,067
♪ OH, WILL YOU KEEP THE PEACE?
752
00:56:56,067 --> 00:56:59,416
>> THINK HE'’S HURT.
753
00:56:59,416 --> 00:57:04,421
>> WAIT HERE.
754
00:57:04,421 --> 00:57:06,802
>> WHERE ARE YOU GOING?
755
00:57:06,802 --> 00:57:08,977
>> WHERE ARE YOU GOING?
DON'’T LEAVE US!
756
00:57:08,977 --> 00:57:11,531
DON'’T LEAVE US!
757
00:57:11,531 --> 00:57:12,981
>> I'’M TELLING YOU, STEVE,
758
00:57:12,981 --> 00:57:17,641
THIS KID IS THE REAL DEAL.
759
00:57:17,641 --> 00:57:21,334
YES!
760
00:57:21,334 --> 00:57:22,369
RIGHT.
761
00:57:22,369 --> 00:57:25,442
THANKS, DOVE.
762
00:57:25,442 --> 00:57:27,444
YEAH...
763
00:57:27,444 --> 00:57:28,479
HANG ON, STEVE.
764
00:57:34,071 --> 00:57:35,382
MANCHESTER, WHAT...
765
00:57:35,382 --> 00:57:38,351
>>
766
00:57:38,351 --> 00:57:39,870
>> WHAT YOU DOING?
767
00:57:39,870 --> 00:57:41,458
>> EH, SORRY, FRANNY.
768
00:57:41,458 --> 00:57:44,012
BIT OF A RUSH.
769
00:57:55,299 --> 00:57:56,956
>> SORRY ABOUT THAT.
770
00:57:56,956 --> 00:57:58,475
YEAH, YEAH, NO PROBLEM, I'’LL,
771
00:57:58,475 --> 00:58:00,684
I'’LL BRING HIM DOWN.
772
00:58:00,684 --> 00:58:05,551
O.K.
773
00:58:05,551 --> 00:58:10,901
O.K.
774
00:58:41,276 --> 00:58:43,174
>> OOH.
775
00:58:46,937 --> 00:58:48,801
WHAT SHALL WE CALL HIM?
776
00:58:48,801 --> 00:58:50,596
>> PEACE FROG.
777
00:58:56,222 --> 00:58:58,638
>>
778
00:58:58,638 --> 00:59:03,022
>>
779
00:59:07,474 --> 00:59:09,097
>> WHAT HAVE YOU GOT IN THERE?
780
00:59:09,097 --> 00:59:11,720
>> PEACE FROG.
781
00:59:11,720 --> 00:59:13,964
>> WHAT YOU DOING WITH A FROG?
782
00:59:13,964 --> 00:59:15,344
>> PEELING ITS MOONS.
783
00:59:15,344 --> 00:59:17,277
>> WHAT?
784
00:59:17,277 --> 00:59:22,179
>> PEELING ITS MOONS.
785
00:59:22,179 --> 00:59:26,321
>> YOU BEEN DRINKING?
786
00:59:26,321 --> 00:59:28,634
>> MMM.
787
00:59:28,634 --> 00:59:30,497
>> WHAT'’S GOING ON, MANCHESTER?
788
00:59:30,497 --> 00:59:31,360
>> NOTHING.
789
00:59:31,360 --> 00:59:33,500
WE'’RE HEALING ITS WOUNDS.
790
00:59:33,500 --> 00:59:35,641
IT'’S INJURED.
791
00:59:42,130 --> 00:59:48,654
>> OFF HIS HEAD.
792
00:59:48,654 --> 00:59:58,215
>> OFF HIS HEAD.
793
00:59:58,215 --> 00:59:59,423
>> I WAS HAVING A REALLY WEIRD
794
00:59:59,423 --> 01:00:04,290
DREAM ABOUT A...
795
01:00:04,290 --> 01:00:05,671
MOUSE WITH A SIDE-PARTING IN HIS
796
01:00:05,671 --> 01:00:09,019
HAIR.
797
01:00:09,019 --> 01:00:10,434
HE WAS USING A HUMAN EARLOBE AS
798
01:00:10,434 --> 01:00:17,130
A PUNCH-BAG.
799
01:00:17,130 --> 01:00:21,031
A PUNCH-BAG.
>> I LOVE YOU.
800
01:00:21,031 --> 01:00:26,243
>> I LOVE YOU.
801
01:00:26,243 --> 01:00:27,071
>> DON'’T WORRY ABOUT IT,
802
01:00:27,071 --> 01:00:27,796
IT'’LL BE FINE.
803
01:00:31,144 --> 01:00:32,698
IT'’LL BE FINE.
804
01:00:32,698 --> 01:00:35,045
TRUST ME, TRUST ME, ABSOLUTELY.
805
01:00:35,045 --> 01:00:38,255
TRUST ME, TRUST ME, ABSOLUTELY.
COME ON, LET'’S GO.
806
01:00:38,255 --> 01:00:58,206
COME ON, LET'’S GO.
807
01:00:58,206 --> 01:01:00,380
COME ON, MANCHESTER.
808
01:01:00,380 --> 01:01:04,315
COME ON, MANCHESTER.
LET'’S GET GOING.
809
01:01:04,315 --> 01:01:47,220
LET'’S GET GOING.
810
01:01:47,220 --> 01:01:53,054
>> SO, WHAT'’S YOUR TECHNIQUE?
811
01:01:53,054 --> 01:01:54,607
>> NO TECHNIQUE.
812
01:01:54,607 --> 01:01:56,713
JUST INSTINCT.
813
01:01:56,713 --> 01:01:58,576
A COUPLE OF INSTAMATICS...
814
01:01:58,576 --> 01:02:02,063
AND A WILLING GIRLFRIEND.
815
01:02:02,063 --> 01:02:04,237
>> YEAH.
816
01:02:04,237 --> 01:02:07,793
SHE'’S AMAZING.
817
01:02:07,793 --> 01:02:09,035
>> BEAUTY IS THAT IT TAKES LESS
818
01:02:09,035 --> 01:02:10,727
TIME TO MAKE THE PHOTOGRAPHS
819
01:02:10,727 --> 01:02:11,900
THAN IT TAKES FOR PEOPLE TO
820
01:02:11,900 --> 01:02:13,660
LOOK AT THEM.
821
01:02:13,660 --> 01:02:14,869
>> I THINK THE BEAUTY IS THIS
822
01:02:14,869 --> 01:02:16,249
REJECTION OF LIGHTING, THE LACK
823
01:02:16,249 --> 01:02:18,010
OF CHOREOGRAPHY.
824
01:02:18,010 --> 01:02:18,976
IT LEADS TO IMAGES WITHOUT
825
01:02:18,976 --> 01:02:21,565
ARTIFICIALITY.
826
01:02:21,565 --> 01:02:23,947
THIS IS THE REAL THING.
827
01:02:23,947 --> 01:02:27,813
THIS IS THE REAL THING.
>> EXACTLY.
828
01:02:27,813 --> 01:02:32,576
>> EXACTLY.
829
01:02:32,576 --> 01:02:33,888
>> WE HAVE WORK TO DO,
830
01:02:33,888 --> 01:02:37,512
GENTLEMEN.
831
01:02:37,512 --> 01:02:40,066
>> INDEED.
832
01:02:40,066 --> 01:02:43,518
>> YEAH.
833
01:02:43,518 --> 01:02:46,693
>> HERE, GOT YOU SOMETHING.
834
01:02:46,693 --> 01:02:48,109
>> FUCKING HELL, FRANNY.
835
01:02:48,109 --> 01:02:49,489
>> YEAH, YOU JUST CARRY ON
836
01:02:49,489 --> 01:02:54,011
TAKING THOSE PICTURES.
837
01:02:54,011 --> 01:02:55,944
TAKING THOSE PICTURES.
ALL RIGHT?
838
01:02:55,944 --> 01:03:09,026
ALL RIGHT?
839
01:03:09,026 --> 01:03:10,027
>> YOU'’RE BACK AT LAST.
840
01:03:10,027 --> 01:03:11,442
I'’M AS HORNY AS A FIELD OF
841
01:03:11,442 --> 01:03:12,098
STAGS.
842
01:03:12,098 --> 01:03:13,272
>> LOOK AT THIS, NOON.
843
01:03:13,272 --> 01:03:14,756
I'’VE HAD A WICKED DAY.
844
01:03:14,756 --> 01:03:17,379
>> GONNA FUCK YOUR BRAINS OUT.
845
01:03:17,379 --> 01:03:19,312
>>
846
01:04:07,429 --> 01:04:13,642
>> Man: ♪ SILVER TREES
847
01:04:13,642 --> 01:04:20,097
♪ PINWHEELS IN THE SNOW
848
01:04:20,097 --> 01:04:25,516
♪ NO, WE DIDN'’T SEE YOU ♪
849
01:04:25,516 --> 01:04:29,003
♪ THAT YEAR YOU KEPT
850
01:04:29,003 --> 01:04:32,316
YOUR SHUTTERS CLOSED ♪
851
01:04:33,662 --> 01:04:40,290
♪ WELL, I'’VE BEEN SLEEPING
852
01:04:40,290 --> 01:04:46,227
TO YOUR FACE ♪
853
01:04:46,227 --> 01:04:49,886
♪ AND I'’VE BEEN TALKING TO
854
01:04:49,886 --> 01:04:52,819
YOUR SONGS... ♪
855
01:04:55,753 --> 01:04:58,825
>>
856
01:04:58,825 --> 01:05:15,635
>>
857
01:05:15,635 --> 01:05:19,674
>> WHAT DO YOU THINK?
858
01:05:19,674 --> 01:05:21,055
>> FUCKIN'’ HELL, FRANNY.
859
01:05:21,055 --> 01:05:25,645
>>
860
01:05:25,645 --> 01:05:26,750
THAT IS YOU.
861
01:05:26,750 --> 01:05:29,373
>>
862
01:05:29,373 --> 01:05:33,239
: NOON, NOON.
863
01:05:33,239 --> 01:05:34,758
NOON.
864
01:05:34,758 --> 01:05:38,348
NOON.
I'’VE GOT SOMETHING TO TELL YOU.
865
01:05:38,348 --> 01:05:58,506
I'’VE GOT SOMETHING TO TELL YOU.
866
01:05:58,506 --> 01:05:59,921
>> Noon on tape: While I was on
867
01:05:59,921 --> 01:06:01,060
holiday in Greece, I met these
868
01:06:01,060 --> 01:06:03,235
two brothers.
869
01:06:03,235 --> 01:06:04,891
They took it in turns to fuck me
870
01:06:04,891 --> 01:06:07,894
in me hotel room.
871
01:06:07,894 --> 01:06:09,275
One day the younger one took me
872
01:06:09,275 --> 01:06:10,518
to the beach in the early
873
01:06:10,518 --> 01:06:11,760
morning and told me he had
874
01:06:11,760 --> 01:06:14,004
a surprise for me.
875
01:06:14,004 --> 01:06:15,247
He pulled down his trunks and
876
01:06:15,247 --> 01:06:17,525
showed me a tattoo on his dick.
877
01:06:17,525 --> 01:06:18,560
One of those temporary ones
878
01:06:18,560 --> 01:06:20,562
you stick on.
879
01:06:20,562 --> 01:06:22,495
It was of a dolphin.
880
01:06:22,495 --> 01:06:24,981
>>
881
01:06:24,981 --> 01:06:25,947
>> I pulled my bikini bottoms
882
01:06:25,947 --> 01:06:27,328
to one side and we fucked there
883
01:06:27,328 --> 01:06:29,640
and then in the sand.
884
01:06:29,640 --> 01:06:30,987
He bit my neck as the waves
885
01:06:30,987 --> 01:06:32,643
engulfed us, and I rode that
886
01:06:32,643 --> 01:06:33,886
dolphin until it was sick
887
01:06:33,886 --> 01:06:34,542
inside me.
888
01:06:34,542 --> 01:06:37,510
>>
889
01:06:37,510 --> 01:06:39,719
>> This one took ages.
890
01:06:39,719 --> 01:06:41,066
In the end, I could feel it
891
01:06:41,066 --> 01:06:42,136
coming, and it nearly ripped
892
01:06:42,136 --> 01:06:43,896
me pussy off.
893
01:06:43,896 --> 01:06:46,243
My clit is throbbing.
894
01:06:47,106 --> 01:06:52,456
>>
895
01:06:52,456 --> 01:06:57,737
>>
896
01:07:11,268 --> 01:07:15,376
>> FUCK ARE YOU DOING?
897
01:07:15,376 --> 01:07:16,515
FUCK OFF!
898
01:07:16,515 --> 01:07:20,691
COCK!
899
01:07:20,691 --> 01:07:23,729
COCK!
>>
900
01:07:23,729 --> 01:07:30,080
>>
901
01:07:30,080 --> 01:07:35,948
>>
SORRY, BABY.
902
01:07:35,948 --> 01:07:38,123
SORRY, BABY.
903
01:07:38,123 --> 01:07:41,022
SORRY, BABY.
NOON!
904
01:07:41,022 --> 01:07:45,751
NOON!
905
01:07:45,751 --> 01:07:49,927
NOON!
906
01:07:49,927 --> 01:07:53,241
NOON!
907
01:07:53,241 --> 01:07:58,074
>> NOON.
908
01:07:58,074 --> 01:07:59,005
>> NOON.
NOON!
909
01:07:59,005 --> 01:08:05,391
NOON!
910
01:08:05,391 --> 01:08:08,325
NOON!
>> NOON...
911
01:08:08,325 --> 01:08:15,919
>> NOON...
912
01:08:15,919 --> 01:08:18,680
>> NOON...
>> NOON!
913
01:08:18,680 --> 01:08:20,924
>> NOON!
914
01:08:20,924 --> 01:08:25,653
>> WHERE THE HELL IS SHE?
915
01:08:25,653 --> 01:08:26,826
>> I DON'’T KNOW.
916
01:08:26,826 --> 01:08:28,000
>> MANCHESTER, WE GOTTA GET
917
01:08:28,000 --> 01:08:28,863
GOING.
918
01:08:28,863 --> 01:08:29,622
>> NO WAY.
919
01:08:29,622 --> 01:08:30,830
I'’M NOT GOING ANYWHERE TILL SHE
920
01:08:30,830 --> 01:08:32,522
COMES BACK.
921
01:08:32,522 --> 01:08:33,764
>> WHY DON'’T WE ALL GO BACK
922
01:08:33,764 --> 01:08:34,972
AND START GETTING READY AND SEE
923
01:08:34,972 --> 01:08:36,353
IF SHE TURNS UP?
924
01:08:36,353 --> 01:08:37,561
IF SHE DOESN'’T, NONE OF US
925
01:08:37,561 --> 01:08:40,668
WILL GO.
926
01:08:40,668 --> 01:08:43,981
>> MANCHESTER?
927
01:08:43,981 --> 01:08:46,122
>> RIGHT.
928
01:08:49,780 --> 01:08:52,197
NOON!
929
01:08:52,197 --> 01:08:56,132
NOON!
NOON!
930
01:08:56,132 --> 01:09:11,319
NOON!
931
01:09:11,319 --> 01:09:14,322
>> Woman: ♪ HELLO... HELLO...
932
01:09:14,322 --> 01:09:17,808
HELLO... ♪
933
01:09:17,808 --> 01:09:21,053
♪ HELLO... HELLO...
934
01:09:21,053 --> 01:09:24,229
HELLO... ♪
935
01:09:24,229 --> 01:09:30,752
♪ HERE WE ARE...
936
01:09:30,752 --> 01:09:33,997
♪ MOVING...
937
01:09:33,997 --> 01:09:37,242
MOVING...
938
01:09:37,242 --> 01:09:42,247
HOME... ♪
939
01:09:42,247 --> 01:09:47,044
HOME... ♪
940
01:09:57,020 --> 01:10:02,991
♪ HELLO... HELLO... HELLO...
941
01:10:02,991 --> 01:10:04,924
♪ HELLO... HELLO... HELLO...
942
01:10:04,924 --> 01:10:09,688
>> MANCHESTER?
943
01:10:09,688 --> 01:10:15,763
>> Woman: ♪ HERE WE ARE...
944
01:10:15,763 --> 01:10:18,800
♪ MOVING...
945
01:10:18,800 --> 01:10:22,045
MOVING...
946
01:10:22,045 --> 01:10:28,189
HOME... ♪
947
01:10:28,189 --> 01:10:30,985
HOME... ♪
948
01:10:51,971 --> 01:10:54,767
>> Woman: ♪ ALL THE GOLD
949
01:10:54,767 --> 01:10:57,322
AND THE GUNS ♪
950
01:10:57,322 --> 01:10:58,771
♪ IN THE WORLD
951
01:10:58,771 --> 01:11:02,637
♪ COULDN'’T GET YOU OFF ♪
952
01:11:02,637 --> 01:11:05,364
♪ ALL THE GOLD
953
01:11:05,364 --> 01:11:07,987
♪ AND THE GUNS
954
01:11:07,987 --> 01:11:09,506
♪ AND THE GIRLS...
955
01:11:10,507 --> 01:11:12,198
>> LADIES AND GENTLEMEN,
956
01:11:12,198 --> 01:11:14,373
I GIVE YOU... MANCHESTER.
957
01:11:19,585 --> 01:11:20,897
>> CONGRATULATIONS ON THE SHOW.
958
01:11:20,897 --> 01:11:21,691
VERY IMPRESSIVE.
959
01:11:21,691 --> 01:11:22,588
>> THANKS.
960
01:11:22,588 --> 01:11:23,624
>> SO SPONTANEOUS.
961
01:11:23,624 --> 01:11:25,315
SO SUBVERSIVE.
962
01:11:25,315 --> 01:11:26,385
>> THANK YOU.
963
01:11:26,385 --> 01:11:27,455
>> YOUR PHOTOGRAPHS ARE AMAZING,
964
01:11:27,455 --> 01:11:29,077
SO RAW, WHAT'’S YOUR TECHNIQUE?
965
01:11:29,077 --> 01:11:29,906
>> UH, HIS TECHNIQUE IS
966
01:11:29,906 --> 01:11:31,494
AN ABSENCE OF TECHNIQUE.
967
01:11:31,494 --> 01:11:32,840
HIS EYES ARE THE LENS.
968
01:11:32,840 --> 01:11:33,875
>> WOULD YOU SAY YOUR IMAGES
969
01:11:33,875 --> 01:11:36,084
WERE IN ANY WAY IMPUDENT?
970
01:11:36,084 --> 01:11:36,947
>> DON'’T EVEN KNOW WHAT THAT
971
01:11:36,947 --> 01:11:37,638
MEANS.
972
01:11:37,638 --> 01:11:38,673
>> IT'’S JUST A YOUNG COUPLE
973
01:11:38,673 --> 01:11:40,054
IN LOVE MAKING LOVE.
974
01:11:40,054 --> 01:11:41,020
>> I TOLD YOU, DIDN'’T I?
975
01:11:41,020 --> 01:11:42,056
WHAT DID I TELL YOU?
976
01:11:42,056 --> 01:11:44,610
YOU ARE A FUCKING STAR.
977
01:11:47,751 --> 01:11:49,166
>> Woman: ♪ IS IT EVER GONNA BE
978
01:11:49,166 --> 01:11:50,651
ENOUGH? ♪
979
01:11:50,651 --> 01:11:53,412
♪ IS IT EVER GONNA BE ENOUGH?
980
01:11:53,412 --> 01:11:55,483
♪ IS IT EVER GONNA BE ENOUGH?
981
01:12:07,150 --> 01:12:08,462
>> NOON.
982
01:12:08,462 --> 01:12:10,049
YOU MADE IT.
983
01:12:10,049 --> 01:12:11,396
WE WAITED FOR YOU AS LONG AS
984
01:12:11,396 --> 01:12:12,293
WE COULD.
985
01:12:12,293 --> 01:12:13,294
>> WHY ARE YOU DRESSED LIKE
986
01:12:13,294 --> 01:12:15,296
A TWAT?
987
01:12:15,296 --> 01:12:16,539
>> I'’M NOT A TWAT.
988
01:12:16,539 --> 01:12:18,541
I'’M AN ARTIST.
989
01:12:18,541 --> 01:12:19,438
>>
990
01:12:19,438 --> 01:12:22,855
>> NO, SERIOUSLY, I'’M AN ARTIST.
991
01:12:22,855 --> 01:12:25,582
>> NO, SERIOUSLY, I'’M AN ARTIST.
COME AND SEE.
992
01:12:25,582 --> 01:13:13,250
COME AND SEE.
993
01:13:13,250 --> 01:13:16,115
COME AND SEE.
994
01:13:24,089 --> 01:13:28,093
>> WHAT?
995
01:13:30,889 --> 01:13:33,305
NOON!
996
01:13:33,305 --> 01:13:35,894
NOON!
997
01:13:35,894 --> 01:13:36,619
NOON.
998
01:13:36,619 --> 01:13:38,068
DON'’T GO, PLEASE!
999
01:13:38,068 --> 01:13:39,449
>> Noon: GO FUCKING DIE!
1000
01:13:39,449 --> 01:13:42,314
>> Noon: GO FUCKING DIE!
1001
01:13:44,109 --> 01:13:47,284
>> FUCK IT.
1002
01:13:47,284 --> 01:13:53,498
>> FUCK IT.
1003
01:13:53,498 --> 01:13:58,675
>> FUCK IT.
1004
01:14:00,436 --> 01:14:04,370
>> COCK!
1005
01:14:04,370 --> 01:14:17,073
>> COCK!
1006
01:14:17,073 --> 01:14:19,455
>> LADIES AND HERMAPHRODITES...
1007
01:14:20,317 --> 01:14:21,457
CAN I HAVE YOUR ATTENTION,
1008
01:14:21,457 --> 01:14:23,459
PLEASE?
1009
01:14:23,459 --> 01:14:25,909
THANKS FOR FUCKING COMING AND
1010
01:14:25,909 --> 01:14:28,567
LOOKING AT FUCKING PHOTOGRAPHS
1011
01:14:28,567 --> 01:14:30,949
OF MY FUCKING DICK...
1012
01:14:30,949 --> 01:14:32,744
YOU FUCKING TWATS.
1013
01:14:39,198 --> 01:14:43,444
NOW I SUGGEST WE ALL GET NAKED
1014
01:14:43,444 --> 01:14:49,485
AND WRESTLE LIKE GREEKS.
1015
01:14:49,485 --> 01:14:51,417
>>
1016
01:14:51,417 --> 01:14:54,869
>>
1017
01:15:05,155 --> 01:15:07,468
>> REMEMBER, LADIES!
1018
01:15:07,468 --> 01:15:08,538
THAT'’S WHERE CHAMPAGNE COMES
1019
01:15:08,538 --> 01:15:09,539
FROM.
1020
01:18:16,174 --> 01:18:20,005
>> WHAT THE FUCK ARE YOU DOING?
1021
01:18:20,005 --> 01:18:21,110
WHAT THE FUCK?
1022
01:18:21,110 --> 01:18:22,318
YOU FUCKING FUCKER!
1023
01:18:22,318 --> 01:18:23,733
>> HEY, HEY...
1024
01:18:23,733 --> 01:18:24,700
HEY!
1025
01:18:24,700 --> 01:18:26,253
MANCHESTER.
1026
01:18:26,253 --> 01:18:28,255
CALM DOWN, YOU CRAZY LITTLE
1027
01:18:28,255 --> 01:18:29,394
BASTARD!
1028
01:18:29,394 --> 01:18:32,500
THESE ARE FUCKING AMAZING!
1029
01:18:32,500 --> 01:18:34,986
SOME OF THE BEST YET!
1030
01:18:34,986 --> 01:18:35,918
>> I DIDN'’T EVEN FUCKING
1031
01:18:35,918 --> 01:18:38,990
>> I DIDN'’T EVEN FUCKING
TAKE '’EM.
1032
01:18:38,990 --> 01:18:44,478
TAKE '’EM.
1033
01:18:44,478 --> 01:18:46,929
TAKE '’EM.
1034
01:19:47,092 --> 01:19:48,162
>> SORRY, MISTER.
1035
01:19:48,162 --> 01:19:49,474
I WAS JUST LOOKING FOR SOMEWHERE
1036
01:19:49,474 --> 01:19:51,269
TO SLEEP.
1037
01:19:55,342 --> 01:19:57,516
>> Man: COME ON.
1038
01:19:57,516 --> 01:20:01,727
>> Man: COME ON.
1039
01:20:01,727 --> 01:20:05,283
>> Man: COME ON.
1040
01:21:02,236 --> 01:21:06,862
>> OHH... FUCKING HELL.
1041
01:21:06,862 --> 01:21:10,866
UGH.
1042
01:21:10,866 --> 01:21:13,178
UGH.
1043
01:21:19,529 --> 01:21:20,737
>> Noon on tape: I feel like
1044
01:21:20,737 --> 01:21:25,294
a severed limb.
1045
01:21:25,294 --> 01:21:26,467
Like an open sore
1046
01:21:26,467 --> 01:21:30,264
that will not heal.
1047
01:21:30,264 --> 01:21:33,060
that will not heal.
1048
01:22:17,898 --> 01:22:23,248
>>
1049
01:22:23,248 --> 01:22:27,287
>>
1050
01:23:04,772 --> 01:23:05,773
[MEN AND WOMEN MOANING AND
1051
01:23:09,743 --> 01:23:35,458
GRUNTING ON VIDEO...]
1052
01:23:35,458 --> 01:23:39,324
GRUNTING ON VIDEO...]
>>
1053
01:23:39,324 --> 01:24:10,217
>>
1054
01:24:10,217 --> 01:24:13,703
>>
1055
01:24:21,918 --> 01:24:25,060
>> CAN I SPEAK TO NOON, PLEASE?
1056
01:24:25,060 --> 01:24:31,066
>> NO.
1057
01:24:31,066 --> 01:24:33,068
>> NO.
>> CAN YOU GIVE HER THESE, THEN?
1058
01:24:33,068 --> 01:24:50,533
>> CAN YOU GIVE HER THESE, THEN?
1059
01:24:53,329 --> 01:24:57,885
>> YOU SICK LITTLE BASTARD!
1060
01:24:57,885 --> 01:25:00,681
[KICKS HIM, MANCHESTER GASPS,
1061
01:25:00,681 --> 01:25:05,376
GROANING AND COUGHING...]
1062
01:25:05,376 --> 01:25:10,105
DON'’T YOU EVERCOME BACK HERE!
1063
01:25:10,105 --> 01:25:11,934
>> [CONTINUES GASPING
1064
01:25:11,934 --> 01:25:14,695
>>
1065
01:25:14,695 --> 01:25:36,786
AND COUGHING...]
1066
01:25:36,786 --> 01:25:39,513
AND COUGHING...]
>> WHAT HAVE YOU DONE, DAD?
1067
01:25:39,513 --> 01:25:57,152
>> WHAT HAVE YOU DONE, DAD?
1068
01:25:57,152 --> 01:26:03,468
>> WHAT HAVE YOU DONE, DAD?
1069
01:26:07,541 --> 01:26:10,130
>> WHAT'’S GOING ON, NOON?
1070
01:26:10,130 --> 01:26:13,237
>> I'’M A TAXIDERMIST.
1071
01:26:13,237 --> 01:26:14,721
>> YOU'’RE KEEPING DEAD ANIMALS
1072
01:26:14,721 --> 01:26:16,895
IN MY FREEZER, NEXT TO MY
1073
01:26:16,895 --> 01:26:18,000
FISH FINGERS AND THEN
1074
01:26:18,000 --> 01:26:19,484
BLOODY STUFFING THEM?
1075
01:26:19,484 --> 01:26:21,866
>> NOT STUFFING THEM.
1076
01:26:21,866 --> 01:26:23,592
"TAXIDERMY" MEANS
1077
01:26:23,592 --> 01:26:25,628
"TO REARRANGE SKIN."
1078
01:26:25,628 --> 01:26:27,147
>> IF THIS HAS GOT ANYTHING
1079
01:26:27,147 --> 01:26:28,907
TO DO WITH MANCHESTER,
1080
01:26:28,907 --> 01:26:31,116
I'’LL REARRANGE HISSKIN.
1081
01:26:31,116 --> 01:26:32,773
IN FACT I'’LL TEAR THE BASTARD
1082
01:26:32,773 --> 01:26:34,258
A NEW ARSEHOLE.
1083
01:26:34,258 --> 01:26:37,468
I WILL!
1084
01:26:38,676 --> 01:26:40,850
>> FUCK OFF!
1085
01:26:40,850 --> 01:26:44,820
>> FUCK OFF!
1086
01:26:44,820 --> 01:26:49,445
>> FUCK OFF!
1087
01:26:56,832 --> 01:26:58,247
>> THE PRESS HAVE GONE MAD.
1088
01:26:58,247 --> 01:27:00,284
THEY FUCKIN'’ LOVE YOU.
1089
01:27:00,284 --> 01:27:01,043
COME ON, KID,
1090
01:27:01,043 --> 01:27:03,908
PULL UP YOUR PANTS.
1091
01:27:03,908 --> 01:27:09,051
>>
1092
01:27:09,051 --> 01:27:12,986
I DON'’T GIVE A SHIT.
1093
01:27:12,986 --> 01:27:16,058
>> BUT THIS IS ART, MANCHESTER.
1094
01:27:16,058 --> 01:27:17,818
>> FUCK ART...
1095
01:27:17,818 --> 01:27:21,684
AND FUCK YOU.
1096
01:27:21,684 --> 01:27:23,341
>> HERE.
1097
01:27:23,341 --> 01:27:25,309
SOLD...
1098
01:27:25,309 --> 01:27:31,625
EVERY SINGLE ONE.
1099
01:27:31,625 --> 01:27:36,078
EVERY SINGLE ONE.
>>
1100
01:27:36,078 --> 01:28:02,794
>>
1101
01:28:02,794 --> 01:28:06,246
>> YOUR MUM USED TO SAY...
1102
01:28:06,246 --> 01:28:09,974
LOVE IS LIKE A BIRD.
1103
01:28:09,974 --> 01:28:12,528
HOLD IT TOO TIGHT
1104
01:28:12,528 --> 01:28:15,428
AND YOU'’LL CRUSH IT,
1105
01:28:15,428 --> 01:28:20,018
BUT HOLD IT TOO LOOSE...
1106
01:28:20,018 --> 01:28:23,919
BUT HOLD IT TOO LOOSE...
IT'’LL FLY AWAY.
1107
01:28:23,919 --> 01:28:30,891
IT'’LL FLY AWAY.
1108
01:28:41,143 --> 01:28:42,662
>> Duet: ♪ SHE WALKED IN
1109
01:28:42,662 --> 01:28:47,287
WITH SADNESS IN HER EYES ♪
1110
01:28:47,287 --> 01:28:49,738
♪ I COULD TELL SHE'’D BEEN
1111
01:28:49,738 --> 01:28:53,500
SLEEPING WITH THE STARS ♪
1112
01:28:53,500 --> 01:28:56,641
♪ "WELL, HELLO, I AM DAWN"
1113
01:28:56,641 --> 01:29:00,231
♪ "YES, I'’VE SEEN YOU AROUND AND
1114
01:29:00,231 --> 01:29:06,651
I JUST LIVE DOWN FROM HERE" ♪
1115
01:29:06,651 --> 01:29:10,414
I JUST LIVE DOWN FROM HERE" ♪
1116
01:29:15,695 --> 01:29:18,283
♪ AND SHE HAS A DAD
1117
01:29:18,283 --> 01:29:21,459
SHE DOES NOT KNOW ♪
1118
01:29:21,459 --> 01:29:23,634
♪ WHO SENDS HER LETTERS
1119
01:29:23,634 --> 01:29:27,914
WITH NO RETURN ADDRESS ♪
1120
01:29:27,914 --> 01:29:30,882
♪ "I DON'’T KNOW HIS NAME,
1121
01:29:30,882 --> 01:29:33,989
HE DON'’T KNOW MY FACE ♪
1122
01:29:33,989 --> 01:29:39,374
♪ I AM BETTER OFF THIS WAY..."
1123
01:29:39,374 --> 01:29:42,791
♪ I AM BETTER OFF THIS WAY..."
1124
01:31:40,943 --> 01:31:46,362
>> Manchester:
1125
01:31:46,362 --> 01:31:50,332
>> Manchester:
1126
01:34:00,324 --> 01:34:02,291
>> Noon: WHAT THE FUCK...
1127
01:34:02,291 --> 01:34:09,091
>> Noon: WHAT THE FUCK...
1128
01:34:09,091 --> 01:34:12,301
>> Noon: WHAT THE FUCK...
1129
01:34:15,615 --> 01:34:18,445
MANCHESTER!
1130
01:34:18,445 --> 01:34:20,931
MANCHESTER!
1131
01:34:22,070 --> 01:34:23,209
[FLAMES WHOOSHING
1132
01:34:23,209 --> 01:34:24,969
AND CRACKLING...]
1133
01:34:24,969 --> 01:34:28,455
AND CRACKLING...]
MANCHESTER!
1134
01:34:28,455 --> 01:34:33,115
MANCHESTER!
1135
01:34:37,533 --> 01:34:39,363
MANCHES...
1136
01:34:39,363 --> 01:34:42,055
MANCHESTER...
1137
01:35:05,320 --> 01:35:06,977
>> Manchester: [COUGHING
1138
01:35:06,977 --> 01:35:11,119
AND GASPING...]
1139
01:35:11,119 --> 01:35:14,778
AND GASPING...]
>>
1140
01:35:14,778 --> 01:35:34,970
>>
1141
01:35:34,970 --> 01:35:37,628
>>
OH, YOU...
1142
01:35:37,628 --> 01:35:42,046
OH, YOU...
1143
01:35:45,187 --> 01:35:45,878
YOU FUCKING DICK...
1144
01:35:45,878 --> 01:35:49,882
YOU FUCKING DICK...
1145
01:35:58,649 --> 01:35:59,823
Noon on tape: I miss you
1146
01:35:59,823 --> 01:36:05,138
beside me.
1147
01:36:05,138 --> 01:36:06,346
I don'’t know what it is
1148
01:36:06,346 --> 01:36:10,143
about you.
1149
01:36:10,143 --> 01:36:11,524
You make me feel
1150
01:36:11,524 --> 01:36:12,214
all funny inside.
1151
01:36:17,772 --> 01:36:18,703
You make my soul
1152
01:36:18,703 --> 01:36:20,084
come out of hiding.
1153
01:36:20,084 --> 01:36:24,054
come out of hiding.
1154
01:36:27,471 --> 01:36:28,886
You have a special place
1155
01:36:28,886 --> 01:36:29,680
in my heart.
1156
01:36:29,680 --> 01:36:33,649
in my heart.
1157
01:36:37,170 --> 01:36:40,864
Baby, I love you.
1158
01:36:40,864 --> 01:36:42,624
No one'’s ever gonna love you
1159
01:36:42,624 --> 01:36:44,350
more than I do.
1160
01:36:44,350 --> 01:36:49,873
more than I do.
1161
01:39:03,213 --> 01:39:04,352
>> Man: ♪ I COULD NEVER
1162
01:39:04,352 --> 01:39:06,871
BREAK YOUR HEART ♪
1163
01:39:06,871 --> 01:39:08,977
♪ I COULD NEVER BREAK YOUR,
1164
01:39:08,977 --> 01:39:11,255
BREAK YOUR HEART
1165
01:39:11,255 --> 01:39:13,637
AGAIN ♪
1166
01:39:13,637 --> 01:39:15,950
♪ LISTEN TO ME
1167
01:39:15,950 --> 01:39:17,089
♪ I COULD NEVER
1168
01:39:17,089 --> 01:39:19,470
BREAK YOUR HEART ♪
1169
01:39:19,470 --> 01:39:20,713
♪ I COULD NEVER
1170
01:39:20,713 --> 01:39:24,613
BREAK YOUR HEART AGAIN ♪
1171
01:39:24,613 --> 01:39:28,065
♪ LISTEN TO THIS SONG
1172
01:39:28,065 --> 01:39:33,968
♪ LISTEN TO THIS SONG
1173
01:39:33,968 --> 01:39:35,107
>> Woman: ♪ I COULD NEVER
1174
01:39:35,107 --> 01:39:37,523
BREAK YOUR HEART ♪
1175
01:39:37,523 --> 01:39:39,318
♪ I COULD TRY BUT NEVER
1176
01:39:39,318 --> 01:39:44,288
GET TOO FAR AGAIN, NO ♪
1177
01:39:44,288 --> 01:39:46,635
♪ LISTEN TO ME
1178
01:39:46,635 --> 01:39:47,774
♪ I COULD NEVER
1179
01:39:47,774 --> 01:39:50,225
BREAK YOUR HEART ♪
1180
01:39:50,225 --> 01:39:52,262
♪ I COULD TRY BUT NEVER
1181
01:39:52,262 --> 01:39:55,265
GET TOO FAR ♪
1182
01:39:55,265 --> 01:39:58,820
♪ LISTEN TO THIS SONG
1183
01:39:58,820 --> 01:40:04,377
♪ LISTEN TO THIS SONG
1184
01:40:04,377 --> 01:40:07,277
♪ OH
1185
01:40:07,277 --> 01:40:10,970
♪ OH OH...
1186
01:40:10,970 --> 01:40:14,387
♪ OH OH...
1187
01:40:14,387 --> 01:40:18,702
♪ OH OH... OH
1188
01:40:18,702 --> 01:40:19,944
♪ OH...
1189
01:40:19,944 --> 01:40:23,465
♪ THIS IS MY LOVE SONG
1190
01:40:23,465 --> 01:40:27,262
♪ THIS IS MY LOVE SONG
1191
01:40:27,262 --> 01:40:31,301
♪ THIS IS MY LOVE SONG
1192
01:40:31,301 --> 01:40:33,613
♪ LOVE SONG
1193
01:40:33,613 --> 01:40:34,752
♪ I COULD NEVER
1194
01:40:34,752 --> 01:40:37,203
BREAK YOUR HEART ♪
1195
01:40:37,203 --> 01:40:39,274
♪ I COULD NEVER BREAK YOUR,
1196
01:40:39,274 --> 01:40:41,621
BREAK YOUR HEART
1197
01:40:41,621 --> 01:40:43,934
AGAIN ♪
1198
01:40:43,934 --> 01:40:46,178
♪ LISTEN TO THESE WORDS
1199
01:40:46,178 --> 01:40:47,386
♪ I COULD NEVER
1200
01:40:47,386 --> 01:40:49,802
BREAK YOUR HEART ♪
1201
01:40:49,802 --> 01:40:51,873
♪ I COULD TRY BUT WOULDN'’T
1202
01:40:51,873 --> 01:40:55,014
GET TOO FAR... AGAIN ♪
1203
01:40:55,014 --> 01:40:58,328
♪ LISTEN TO THESE WORDS,
1204
01:40:58,328 --> 01:41:00,675
LISTEN TO THESE WORDS... ♪
1205
01:41:00,675 --> 01:41:02,849
LISTEN TO THESE WORDS... ♪
72431
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