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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:01:14,267 --> 00:01:15,633 TRIXIE. 4 00:01:16,933 --> 00:01:17,933 [ARF] 5 00:01:20,033 --> 00:01:21,333 [ARF] 6 00:01:26,200 --> 00:01:30,767 GABE, UM, COULD SHE USE THE BATHROOM FIRST? 7 00:01:30,800 --> 00:01:33,100 I REALLY GOTTA PEE. 8 00:01:33,133 --> 00:01:35,033 YEAH, SURE. 9 00:01:35,067 --> 00:01:36,333 [ARF] 10 00:01:36,367 --> 00:01:37,667 SHE'S COMPANY, GABE. 11 00:01:37,700 --> 00:01:39,433 I'LL BE FAST. 12 00:01:39,467 --> 00:01:40,833 I'LL BE FAST. 13 00:01:44,667 --> 00:01:46,500 YOU DIDN'T HAVE TO STAY OUT ALL NIGHT. 14 00:01:46,533 --> 00:01:47,967 I FELL ASLEEP IN THE HALL. 15 00:01:48,000 --> 00:01:49,433 HUH. 16 00:01:49,467 --> 00:01:51,633 I THOUGHT JUDY WAS COMING BACK FROM PARIS TONIGHT. 17 00:01:51,667 --> 00:01:54,267 THAT'S RIGHT. I NEED THE APARTMENT TONIGHT. 18 00:01:54,300 --> 00:01:55,267 [ARF] 19 00:01:55,300 --> 00:01:56,267 [TOILET FLUSHES] 20 00:01:56,300 --> 00:01:57,267 [JACKHAMMER] 21 00:01:57,300 --> 00:01:58,667 NO PROBLEM. 22 00:01:58,700 --> 00:02:00,867 [RING] 23 00:02:00,900 --> 00:02:02,600 PENNY, PENNY, TWITTY AND FAFFENBURGER. 24 00:02:02,633 --> 00:02:04,233 VIVIAN FAFFENBURGER'S OFFICE, GABRIEL SPEAKING. 25 00:02:04,267 --> 00:02:05,400 HEY, BABE. 26 00:02:05,433 --> 00:02:06,567 KATHERINE. 27 00:02:06,600 --> 00:02:07,700 ARE YOU BUSY? 28 00:02:07,733 --> 00:02:08,967 I'M SO BUSY. 29 00:02:09,000 --> 00:02:09,967 GOOD, CAN YOU TALK? 30 00:02:10,000 --> 00:02:11,633 SURE. 31 00:02:11,667 --> 00:02:15,033 SO, THAT, UH, THAT CUTE GUY WE MET AT FOOTLIGHT RECORDS 32 00:02:15,067 --> 00:02:16,500 TOOK ME TO DINNER. 33 00:02:16,533 --> 00:02:18,367 OH, THAT'S GREAT. OH, MY GOD, BABE. 34 00:02:18,400 --> 00:02:20,000 DRESS REHEARSAL TOTALLY SUCKED, 35 00:02:20,033 --> 00:02:21,233 BUT THAT'S GOOD LUCK, RIGHT? 36 00:02:21,267 --> 00:02:23,333 NO. HE TOOK ME TO DINNER 37 00:02:23,367 --> 00:02:24,467 BECAUSE HE WANTED ME TO PLAY PIANO 38 00:02:24,500 --> 00:02:25,800 FOR ONE OF HIS AUDITIONS 39 00:02:25,833 --> 00:02:27,633 FOR THE NATIONAL TOUR OF TITANIC. 40 00:02:27,667 --> 00:02:28,633 IT WASN'T A DATE. 41 00:02:28,667 --> 00:02:29,733 MEN ARE SUCH SCUM. 42 00:02:29,767 --> 00:02:31,033 CAN YOU RUN LINES WITH ME? 43 00:02:31,067 --> 00:02:32,400 SURE, JUST A SEC. 44 00:02:32,433 --> 00:02:34,000 OH, GREAT. 45 00:02:34,033 --> 00:02:35,367 CHAPTER 14, RIGHT? 46 00:02:35,400 --> 00:02:36,467 UH-HUH. 47 00:02:36,500 --> 00:02:40,333 OK. WHO IS HE, THE SON OF MAN? 48 00:02:40,367 --> 00:02:42,367 IS HE AS BEAUTIFUL AS YOU ARE, JOKANEN? 49 00:02:42,400 --> 00:02:44,733 GET THEE BEHIND ME. 50 00:02:44,767 --> 00:02:46,833 I HEAR IN THE PALACE THE BEATING OF THE WINGS 51 00:02:46,867 --> 00:02:48,100 OF THE ANGEL OF DEATH. 52 00:02:48,133 --> 00:02:50,433 JOKANEN. WHO SPEAKETH? 53 00:02:50,467 --> 00:02:52,733 I AM AMOROUS OF YOUR MOUTH, JOKANEN. 54 00:02:52,767 --> 00:02:53,867 IT IS LIKE A POMEGRANATE 55 00:02:53,900 --> 00:02:55,367 CUT IN TWAIN WITH A KNIFE OF IVORY. 56 00:02:55,400 --> 00:02:57,100 THERE IS NOTHING IN THE WORLD 57 00:02:57,133 --> 00:02:58,400 SO RED AS YOUR MOUTH. 58 00:02:58,433 --> 00:03:00,767 SUFFER ME TO KISS YOUR MOUTH. 59 00:03:00,800 --> 00:03:02,000 [SIGH] 60 00:03:02,033 --> 00:03:03,633 DON'T TELL ME. 61 00:03:03,667 --> 00:03:05,100 DON'T TELL ME. 62 00:03:05,133 --> 00:03:06,633 YOU BETTER TELL ME. 63 00:03:06,667 --> 00:03:08,100 NEVER! DAUGHTER OF BABYLON, 64 00:03:08,133 --> 00:03:09,867 DAUGHTER OF SODOM, NEVER! 65 00:03:09,900 --> 00:03:11,267 [WOMAN LAUGHS] 66 00:03:11,300 --> 00:03:12,967 THIS NEEDS TO GO OUT THIS AFTERNOON. 67 00:03:13,000 --> 00:03:14,233 NEVER! GOTTA GO. 68 00:03:14,267 --> 00:03:15,733 CALL ME LATER. 69 00:03:17,600 --> 00:03:19,067 CAN YOU SIGN MY TIMECARD? 70 00:03:34,800 --> 00:03:35,933 HEY. 71 00:03:35,967 --> 00:03:37,867 HMM, HARD DAY AT THE OFFICE? 72 00:03:37,900 --> 00:03:39,733 DID YOU FIND A RHYME FOR THE LYRIC IN THE SECOND "A"? 73 00:03:39,767 --> 00:03:41,367 I'M WORKING ON IT. 74 00:03:41,400 --> 00:03:42,867 UH, WHAT'S WITH THE UMBRELLA? 75 00:03:42,900 --> 00:03:45,433 WHAT AM I SUPPOSED TO SING? 76 00:03:45,467 --> 00:03:47,300 SHOULD I HUM OR WHAT? 77 00:03:47,333 --> 00:03:48,433 Gabriel: YEAH, YEAH, HUM. 78 00:03:48,467 --> 00:03:50,333 OR MAYBE LA LA LA. 79 00:03:50,367 --> 00:03:51,333 FINE. 80 00:03:51,367 --> 00:03:52,500 I'LL WING IT. 81 00:03:52,533 --> 00:03:53,933 ARE WE IN STUDIO "D," BECAUSE I HATE 82 00:03:53,967 --> 00:03:55,600 WHAT THE ACOUSTICS IN THAT ROOM DO TO MY VOICE. 83 00:04:04,933 --> 00:04:07,233 OK, THIS IS THE SONG FOR THE SECOND ACT 84 00:04:07,267 --> 00:04:08,600 OF MY MUSICAL. 85 00:04:08,633 --> 00:04:11,633 UH, IT WILL BE SUNG BY THE CHARACTER OF-- 86 00:04:11,667 --> 00:04:13,100 [SHOES TAPPING] 87 00:04:16,767 --> 00:04:18,767 UH, YEAH, YEAH-- 88 00:04:20,367 --> 00:04:22,533 ONCE AGAIN, MY FRIEND KATHERINE LAMBERG 89 00:04:22,567 --> 00:04:25,333 WILL BE SINGING THE PART OF DORKUS THE MAID. 90 00:04:25,367 --> 00:04:28,867 OH, AND, UH, SHE BROUGHT HER PICTURE AND RáSUMá 91 00:04:28,900 --> 00:04:30,767 IN CASE ANYONE'S INTERESTED. 92 00:04:30,800 --> 00:04:34,300 I WILL BE READING THE PART OF RODRIGO 93 00:04:34,333 --> 00:04:35,700 AND STAGE DIRECTIONS. 94 00:04:35,733 --> 00:04:40,133 OK. OK, RODRIGO'S JUST FINISHED HIS BIG BALLAD, 95 00:04:40,167 --> 00:04:42,167 APPLAUSE, APPLAUSE, APPLAUSE. 96 00:04:42,200 --> 00:04:45,333 THAT'S SOME STORY. 97 00:04:45,367 --> 00:04:47,933 IT WOULD TAKE A MIRACLE FOR ME TO EVER LOVE AGAIN. 98 00:04:47,967 --> 00:04:49,333 BUT MIRACLES CAN HAPPEN. 99 00:04:49,367 --> 00:04:50,700 I'VE NEVER SEEN ONE. 100 00:04:50,733 --> 00:04:51,967 NEVER? 101 00:04:52,000 --> 00:04:53,900 WELL, NOT FOR A VERY LONG TIME. 102 00:04:53,933 --> 00:04:55,233 BUCK UP, RODRIGO. 103 00:04:55,267 --> 00:04:57,833 I THINK YOU'RE JUST ABOUT DUE FOR A MIRACLE. 104 00:05:00,267 --> 00:05:02,767 THEY KISS. RODRIGO EXITS. 105 00:05:08,233 --> 00:05:09,367 [PLAYS] 106 00:05:14,100 --> 00:05:18,667 * I'VE HEARD THAT ALL THE WORLD'S A STAGE * 107 00:05:18,700 --> 00:05:20,900 * AND WE ARE ONLY PLAYERS * 108 00:05:20,933 --> 00:05:25,733 * ACTING OUT SOME PREDETERMINED PAGE * 109 00:05:25,767 --> 00:05:30,500 * BUT IT IS LONELY AS CAN BE * 110 00:05:30,533 --> 00:05:36,067 * WITH NOBODY OPPOSITE ME * 111 00:05:36,100 --> 00:05:38,533 * THEN 112 00:05:39,867 --> 00:05:42,233 * ENTER YOU 113 00:05:42,267 --> 00:05:44,600 * VOILà, IT'S SHOWTIME * 114 00:05:44,633 --> 00:05:48,267 * YOU BROUGHT THE HOUSE DOWN WITH A DANCE AND A DUM * 115 00:05:48,300 --> 00:05:49,267 * DIDDY 116 00:05:49,300 --> 00:05:51,867 * ENTER YOU 117 00:05:51,900 --> 00:05:54,100 * IN LESS THAN NO TIME 118 00:05:54,133 --> 00:05:58,900 * LA LA LA LA LA LA LA LUM LITTY * 119 00:05:58,933 --> 00:06:01,467 * UP WENT THE CURTAIN 120 00:06:01,500 --> 00:06:03,467 * MY LINES FELT WRONG 121 00:06:03,500 --> 00:06:08,067 * INTERMISSION SEEMED SO FAR AWAY * 122 00:06:08,100 --> 00:06:10,533 * THE PLOT UNCERTAIN 123 00:06:10,567 --> 00:06:12,900 * THE SCENES TOO LONG * 124 00:06:12,933 --> 00:06:16,800 * LIFE WAS LIKE AN UNINSPIRING PLAY * 125 00:06:16,833 --> 00:06:18,033 * BUT 126 00:06:18,067 --> 00:06:20,267 * NOW YOU'RE HERE 127 00:06:20,300 --> 00:06:22,433 * WE MEET STAGE CENTER 128 00:06:22,467 --> 00:06:25,433 * I THOUGHT MY STORY LINE WAS THROUGH * 129 00:06:25,467 --> 00:06:30,667 * THEN, ENTER YOU 130 00:07:23,467 --> 00:07:26,833 * NOW YOU'RE HERE 131 00:07:26,867 --> 00:07:29,700 * WE MEET STAGE CENTER 132 00:07:29,733 --> 00:07:32,700 * I THOUGHT MY STORY LINE WAS THROUGH * 133 00:07:32,733 --> 00:07:34,633 * THEN 134 00:07:34,667 --> 00:07:38,700 * FROM THE BLUE 135 00:07:38,733 --> 00:07:42,800 * ENTER 136 00:07:42,833 --> 00:07:45,333 * YOU 137 00:08:00,467 --> 00:08:02,300 [WHISPERING] You were great. 138 00:08:07,333 --> 00:08:08,367 GABRIEL? 139 00:08:09,267 --> 00:08:10,233 I REALLY LIKED IT. 140 00:08:10,267 --> 00:08:11,667 THANKS. 141 00:08:11,700 --> 00:08:14,233 BUT, DO YOU THINK THIS IS HOW THE MAID 142 00:08:14,267 --> 00:08:16,433 WOULD REALLY BEHAVE? 143 00:08:16,467 --> 00:08:19,600 UH, WELL, THIS ISN'T REALITY. 144 00:08:19,633 --> 00:08:20,433 I MEAN, WE'RE TALKING ABOUT A MAID 145 00:08:20,467 --> 00:08:22,000 WHO BELTS E-FLATS HERE. 146 00:08:22,033 --> 00:08:25,067 I MEAN, YOU DON'T HAVE PEOPLE WALKING DOWN THE STREET 147 00:08:25,100 --> 00:08:27,167 BURSTING INTO SONG AND DANCING, RIGHT? 148 00:08:27,200 --> 00:08:28,833 EXCEPT MAYBE IN THE WEST VILLAGE. 149 00:08:28,867 --> 00:08:30,100 HA HA, JUST KIDDING. 150 00:08:30,133 --> 00:08:32,233 ANYWAY, GABRIEL, YOU MADE YOUR POINT, 151 00:08:32,267 --> 00:08:33,333 BUT IT'S STILL IMPORTANT 152 00:08:33,367 --> 00:08:35,233 THAT THE WRITER TELL THE TRUTH. 153 00:08:36,600 --> 00:08:38,600 I MEAN, "ENTER YOU"? I DON'T KNOW. 154 00:08:38,633 --> 00:08:40,600 I MEAN, SHE'S JUST BEEN KISSED. 155 00:08:40,633 --> 00:08:42,067 HAVE YOU CAPTURED THAT FEELING YOU GET 156 00:08:42,100 --> 00:08:43,233 AFTER A REALLY GREAT KISS-- 157 00:08:43,267 --> 00:08:45,133 THE BEST KISS YOU EVER HAD? 158 00:08:45,167 --> 00:08:47,067 IT'S EXCITING, AND IT'S TERRIFYING, 159 00:08:47,100 --> 00:08:48,400 AND IT'S SEXY AND... 160 00:08:48,433 --> 00:08:51,467 AND MAYBE YOU THINK YOU COULD FALL IN LOVE. 161 00:08:51,500 --> 00:08:52,933 YOU KNOW WHAT I MEAN? 162 00:08:52,967 --> 00:08:56,467 WELL, YOU KNOW, RODRIGO AND DORKUS JUST MET. 163 00:08:56,500 --> 00:08:58,100 I MEAN, IF WE WERE TALKING ABOUT 164 00:08:58,133 --> 00:08:59,600 HOW PEOPLE REALLY BEHAVE... 165 00:08:59,633 --> 00:09:00,667 I MEAN, I CAN'T HAVE THEM FALLING IN LOVE 166 00:09:00,700 --> 00:09:01,967 ON THE FIRST NIGHT. 167 00:09:02,000 --> 00:09:04,200 I MEAN, THAT--THAT WOULDN'T BE BELIEVABLE. 168 00:09:04,233 --> 00:09:06,567 WELL, NOT IF YOU DON'T BELIEVE IT. 169 00:09:08,667 --> 00:09:10,767 I MEAN, WHY IS SHE SINGING THIS? 170 00:09:10,800 --> 00:09:12,367 WOULD YOU SING IT? 171 00:09:12,400 --> 00:09:15,567 UH, YEAH, YEAH. 172 00:09:17,400 --> 00:09:20,300 I HOPE I DIDN'T EMBARRASS YOU IN THERE. 173 00:09:20,333 --> 00:09:22,633 NO MORE THAN I EMBARRASSED MYSELF PRESENTING THIS SONG. 174 00:09:22,667 --> 00:09:23,667 HE GETS FUNNY 175 00:09:23,700 --> 00:09:24,833 WHEN HIS SONG'S DON'T GO OVER 176 00:09:24,867 --> 00:09:25,833 ON THE FIRST TRY. 177 00:09:25,867 --> 00:09:27,467 OH, DON'T DO THAT. 178 00:09:27,500 --> 00:09:28,833 HE'S GOT A COPY AT HOME. 179 00:09:28,867 --> 00:09:31,433 LISTEN, THE BEST ADVICE ANYBODY EVER GAVE ME, 180 00:09:31,467 --> 00:09:33,000 I WAS WRITING A LIBRETTO 181 00:09:33,033 --> 00:09:34,833 FOR A MUSICAL VERSION OF SATYRICON. 182 00:09:34,867 --> 00:09:36,067 AND I WAS HAVING A LITTLE TROUBLE 183 00:09:36,100 --> 00:09:37,833 GETTING INTO, YOU KNOW, ANCIENT ROME, 184 00:09:37,867 --> 00:09:39,633 AND SEX ORGIES, BESTIALITY-- 185 00:09:39,667 --> 00:09:40,933 THIS WAS IN COLLEGE. 186 00:09:40,967 --> 00:09:42,500 SO, THIS PROFESSOR TELLS ME THAT I SHOULD 187 00:09:42,533 --> 00:09:44,100 WEAR SILK UNDERPANTS 188 00:09:44,133 --> 00:09:46,500 AND EAT POMEGRANATE SEEDS OUT OF A GOBLET. 189 00:09:46,533 --> 00:09:48,400 SILK IT CHANGED UNDERPANTS? EVERYTHING. 190 00:09:48,433 --> 00:09:51,500 GABRIEL, YOU GOTTA GRAB LIFE BY THE BALLS. 191 00:09:51,533 --> 00:09:53,300 YOU GOTTA TRY FOR THE UNEXPECTED. 192 00:09:53,333 --> 00:09:55,967 IT'S THE ONLY WAY TO GET THE GOOD STUFF. 193 00:09:58,867 --> 00:10:00,033 THEY'RE JUST JEALOUS. 194 00:10:00,067 --> 00:10:01,267 YOU DIDN'T FLOP. 195 00:10:01,300 --> 00:10:03,100 I KNOW WHAT A FLOP FEELS LIKE, 196 00:10:03,133 --> 00:10:04,267 AND THIS DEFINITELY WAS A FLOP. 197 00:10:04,300 --> 00:10:05,633 [SIGH] 198 00:10:05,667 --> 00:10:06,900 YOU'RE TOO SENSITIVE. FORGET ABOUT IT. 199 00:10:08,667 --> 00:10:09,967 SO, I PUT A TICKET FOR MY SHOW TONIGHT 200 00:10:10,000 --> 00:10:11,033 UNDER YOUR NAME. NOW IT'S A COMP, 201 00:10:11,067 --> 00:10:12,467 SO DON'T LET THEM INTIMIDATE YOU 202 00:10:12,500 --> 00:10:13,267 INTO PAYING. 203 00:10:13,300 --> 00:10:14,500 OK. 204 00:10:14,533 --> 00:10:16,033 OK. CAN YOU PUT THESE IN YOUR BACKPACK? 205 00:10:16,067 --> 00:10:17,633 SO, WHAT DO YOU WANT TO DO NOW? 206 00:10:17,667 --> 00:10:18,633 UM, I DON'T KNOW. 207 00:10:18,667 --> 00:10:19,867 WHAT'S THAT? 208 00:10:19,900 --> 00:10:21,467 JUST SOMETHING SOMEONE GAVE ME. 209 00:10:21,500 --> 00:10:23,667 SOME GAY BAR THAT CHARGES 3 BUCKS FOR A DIET COKE? 210 00:10:23,700 --> 00:10:26,567 I WILL SEE YOU AT YOUR SHOW, OK, KATHERINE? 211 00:10:26,600 --> 00:10:27,967 WHERE ARE YOU GOING? 212 00:10:28,000 --> 00:10:29,700 I THOUGHT WE COULD GRAB A CHICKEN CAESAR 213 00:10:29,733 --> 00:10:31,167 AT COZY'S SOUP AND BURGER. 214 00:10:31,200 --> 00:10:34,400 [DANCE MUSIC PLAYING] 215 00:11:10,800 --> 00:11:12,133 HEY. 216 00:11:14,900 --> 00:11:15,900 WHAT? 217 00:11:15,933 --> 00:11:18,300 UH, I SAID HEY. 218 00:11:19,733 --> 00:11:20,767 HEY. 219 00:11:29,200 --> 00:11:31,267 WHAT DO YOU DO? 220 00:11:32,233 --> 00:11:34,133 WHAT DO I DO? 221 00:11:37,600 --> 00:11:38,600 WRITER. 222 00:11:41,167 --> 00:11:42,700 WHAT DO YOU WRITE? 223 00:11:42,733 --> 00:11:44,567 MUSICALS. 224 00:11:47,467 --> 00:11:50,033 I FEEL REALLY LAME TELLING PEOPLE THAT, 225 00:11:50,067 --> 00:11:52,233 BECAUSE IT MAKES ME SEEM LIKE A QUEEN, 226 00:11:52,267 --> 00:11:54,633 WHICH I DON'T THINK I AM, 227 00:11:54,667 --> 00:11:58,133 BUT IT--IT WOULDN'T MATTER IF I WAS ANYWAY. 228 00:11:58,167 --> 00:12:00,133 EXCEPT, I'M NOT. 229 00:12:03,033 --> 00:12:05,233 YOU GOT A BOYFRIEND? 230 00:12:06,833 --> 00:12:08,467 NO. 231 00:12:08,500 --> 00:12:10,267 WOULD I BE HERE IF I HAD A BOYFRIEND? 232 00:12:11,700 --> 00:12:13,667 I'VE GOT ONE. 233 00:12:13,700 --> 00:12:16,067 REALLY? 234 00:12:16,100 --> 00:12:17,100 AND WHERE IS HE? 235 00:12:17,133 --> 00:12:18,600 HE'S AT HOME. 236 00:12:19,967 --> 00:12:20,967 YOU WANT TO COME OVER? 237 00:12:21,000 --> 00:12:23,867 WE DON'T LIVE FAR FROM HERE. 238 00:12:25,600 --> 00:12:26,600 UH... 239 00:12:29,133 --> 00:12:32,600 I--I THINK I SEE A FRIEND. 240 00:12:43,200 --> 00:12:48,033 * I JUST CLOSE MY EYES AGAIN * 241 00:12:50,000 --> 00:12:53,367 * CLIMB ABOARD THE DREAM WEAVER TRAIN * 242 00:12:57,467 --> 00:13:02,733 * TRY TO TAKE AWAY MY WORRIES OF TODAY * 243 00:13:04,867 --> 00:13:10,100 * AND LEAVE TOMORROW BEHIND * 244 00:13:10,133 --> 00:13:14,067 * WHOA, DREAM WEAVER 245 00:13:14,100 --> 00:13:16,067 * I BELIEVE YOU'LL GET ME * 246 00:13:16,100 --> 00:13:17,733 YOU SHOULD BE DANCING UP THERE! 247 00:13:19,700 --> 00:13:21,000 IT'S KIND OF LOUD! 248 00:13:21,033 --> 00:13:23,000 YOU COULD! 249 00:13:23,033 --> 00:13:24,233 YOU WANT TO? 250 00:13:24,267 --> 00:13:25,967 I KNOW THE OWNER. 251 00:13:26,000 --> 00:13:28,067 NO, THANKS. 252 00:13:29,900 --> 00:13:31,733 DIET COKE WITH LIME. 253 00:13:33,533 --> 00:13:34,467 DO YOU DO THAT? 254 00:13:34,500 --> 00:13:35,900 WHAT? 255 00:13:35,933 --> 00:13:38,167 ARE YOU A GO-GO BOY? 256 00:13:38,200 --> 00:13:40,233 I USED TO BE. 257 00:13:40,267 --> 00:13:41,400 TOO MUCH BEER. 258 00:13:41,433 --> 00:13:43,300 UH-HUH. 259 00:13:43,333 --> 00:13:46,033 BUT YOU'LL SEE ME UP THERE AGAIN SOMEDAY. 260 00:13:46,067 --> 00:13:50,933 * MAYBE TO AN ASTRAL PLANE 261 00:13:54,200 --> 00:13:59,100 * ACROSS THE HIGHWAYS OF FANTASY * 262 00:14:00,833 --> 00:14:06,133 * HELP ME TO FORGET TODAY'S PAIN * 263 00:14:06,167 --> 00:14:10,100 * WHOA, DREAM WEAVER 264 00:14:10,133 --> 00:14:11,333 I DON'T KNOW HOW TO DANCE. 265 00:14:11,367 --> 00:14:13,267 NOT LIKE THAT. 266 00:14:13,300 --> 00:14:15,233 YOU JUST GOT TO DO IT, MAN. 267 00:14:15,267 --> 00:14:16,267 WATCH. 268 00:14:20,333 --> 00:14:24,633 * WHOA, DREAM WEAVER 269 00:14:24,667 --> 00:14:31,433 * I BELIEVE WE CAN REACH THE MORNING LIGHT * 270 00:14:36,633 --> 00:14:41,667 * WILL THE DAWN MAYBE COME TOO SOON * 271 00:14:43,767 --> 00:14:48,067 * THERE STILL MAY BE SOME TIME * 272 00:14:50,333 --> 00:14:52,800 * FLY ME AWAY 273 00:14:52,833 --> 00:14:54,300 YEAH! 274 00:14:54,333 --> 00:14:56,733 YEAH, YOU JUST GOTTA DO IT, MAN. 275 00:14:56,767 --> 00:15:00,000 DOES IT PAY WELL? 276 00:15:00,033 --> 00:15:01,533 IT DEPENDS. 277 00:15:01,567 --> 00:15:03,633 YOU SEE, YOU WORK FOR TIPS. 278 00:15:03,667 --> 00:15:05,733 SOMETIMES YOU MAKE 100, 279 00:15:05,767 --> 00:15:08,467 AND IF THEY LIKE YOU, YOU MAKE 150. 280 00:15:08,500 --> 00:15:11,967 AND...IF YOU DO THE OTHER STUFF... 281 00:15:16,167 --> 00:15:17,933 SHOVE OFF, BABY. 282 00:15:17,967 --> 00:15:19,967 THAT'S ALL YOU'RE GETTING FROM ME TONIGHT. 283 00:15:24,300 --> 00:15:27,100 DO YOU DO THE OTHER STUFF? 284 00:15:27,133 --> 00:15:31,167 NO, NOT SINCE I FOUND JESUS. 285 00:15:31,200 --> 00:15:35,833 * WHOA, DREAM WEAVER 286 00:15:35,867 --> 00:15:42,533 * I BELIEVE WE CAN REACH THE MORNING LIGHT * 287 00:15:46,633 --> 00:15:50,000 * DREAM WEAVER 288 00:15:50,033 --> 00:15:55,600 * I BELIEVE WE CAN REACH THE MORNING LIGHT * 289 00:15:55,633 --> 00:15:58,133 YOU'RE CUTE AS SHIT. 290 00:17:53,100 --> 00:17:55,267 [DOOR BELL CHIMES] 291 00:18:10,533 --> 00:18:12,600 YOU LIVE AROUND HERE? 292 00:18:14,733 --> 00:18:16,467 YEAH. 293 00:18:16,500 --> 00:18:18,333 YEAH, BUT MY ROOMMATE 294 00:18:18,367 --> 00:18:20,633 WILL BE BACK IN ABOUT 2 HOURS. 295 00:18:20,667 --> 00:18:22,833 YOU CAN DO A LOT IN 2 HOURS. 296 00:18:25,233 --> 00:18:26,333 UH... 297 00:18:27,633 --> 00:18:29,867 HI. I'M--I'M GABRIEL. 298 00:18:29,900 --> 00:18:31,000 MARK. 299 00:18:31,033 --> 00:18:32,200 I'M MARK. 300 00:18:32,233 --> 00:18:33,300 MARK. 301 00:18:38,133 --> 00:18:39,167 WOW, THIS IS REALLY AWKWARD. 302 00:18:39,200 --> 00:18:40,433 HUH? 303 00:18:40,467 --> 00:18:41,633 I SAID THIS IS AWKWARD. 304 00:18:41,667 --> 00:18:42,833 WHICH WAY? 305 00:19:05,733 --> 00:19:07,233 WHICH FLOOR ARE YOU ON? 306 00:19:07,267 --> 00:19:08,600 UH, 5. 307 00:19:10,233 --> 00:19:13,700 IT'S JUST, UH--IT'S JUST ONE MORE FLIGHT. 308 00:19:26,633 --> 00:19:28,733 UH, THIS IS IT. 309 00:19:34,633 --> 00:19:36,467 IT, UH, STICKS SOMETIMES. 310 00:19:39,433 --> 00:19:41,833 [GASP] OH, BABE, YOU SCARED ME. 311 00:19:41,867 --> 00:19:42,867 [ARF] TRIXIE. 312 00:19:42,900 --> 00:19:44,367 [ARF ARF] 313 00:19:44,400 --> 00:19:45,367 KATHERINE! 314 00:19:45,400 --> 00:19:47,767 TRIXIE! TRIXIE! 315 00:19:47,800 --> 00:19:49,300 I HOPE YOU'RE NOT ALLERGIC. 316 00:19:51,600 --> 00:19:52,800 WHY ARE YOU HERE? 317 00:19:52,833 --> 00:19:54,267 I LEFT 3 MESSAGES. 318 00:19:54,300 --> 00:19:56,800 I'M USING YOUR COMPUTER, UPDATING MY RáSUMá. 319 00:19:56,833 --> 00:19:58,633 OH. 320 00:20:03,167 --> 00:20:04,433 [CLEARS THROAT] 321 00:20:04,467 --> 00:20:05,900 WHAT ARE YOU GUYS UP TO? 322 00:20:05,933 --> 00:20:09,200 UH, JUST HANGING OUT. 323 00:20:09,233 --> 00:20:10,900 OH. 324 00:20:10,933 --> 00:20:13,967 OH, UH, WELL, I NEED TO GET TO MY SHOW 325 00:20:14,000 --> 00:20:15,467 AS SOON AS THIS IS DONE PRINTING. 326 00:20:15,500 --> 00:20:17,900 IS THIS A BAD IDEA? 327 00:20:17,933 --> 00:20:19,933 NO, NO. IT'S A GOOD IDEA. 328 00:20:19,967 --> 00:20:22,233 REALLY. 329 00:20:26,367 --> 00:20:27,633 HI. I'M KATHERINE LAMBERG. 330 00:20:27,667 --> 00:20:29,433 I'M AN ACTRESS. 331 00:20:29,467 --> 00:20:31,933 MARK. 332 00:20:31,967 --> 00:20:33,967 UH, WE DON'T HAVE ANY CHAIRS, SO... 333 00:20:37,267 --> 00:20:39,100 [PRINTER PRINTING] 334 00:20:48,700 --> 00:20:50,333 MAYBE I SHOULD GO. 335 00:20:50,367 --> 00:20:51,833 NO. NO. 336 00:20:51,867 --> 00:20:54,133 UH, THIS WON'T TAKE TOO LONG. 337 00:20:54,167 --> 00:20:56,767 KATHERINE, UH... 338 00:20:56,800 --> 00:20:58,500 HOW MANY RáSUMáS ARE YOU PRINTING? 339 00:20:58,533 --> 00:21:00,767 150. 340 00:21:14,967 --> 00:21:16,800 I'M IN AN ALL-FEMALE PRODUCTION OF SALOME 341 00:21:16,833 --> 00:21:18,267 SET IN A WOMEN'S PENITENTIARY. 342 00:21:18,300 --> 00:21:19,467 IT'S NON-EQUITY. 343 00:21:19,500 --> 00:21:22,033 THAT SOUNDS GREAT. 344 00:21:22,067 --> 00:21:23,433 REALLY? 345 00:21:23,467 --> 00:21:24,533 I'M A SLAVE, 346 00:21:24,567 --> 00:21:26,267 BUT I UNDERSTUDY JOHN THE BAPTIST. 347 00:21:26,300 --> 00:21:28,033 THERE'S A PERFORMANCE TONIGHT AT MIDNIGHT. 348 00:21:28,067 --> 00:21:30,067 MAYBE YOU COULD COME WITH GABRIEL. 349 00:21:31,700 --> 00:21:33,533 MAYBE. UH... 350 00:21:35,400 --> 00:21:37,467 YOU TWO ARE ROOMMATES? 351 00:21:37,500 --> 00:21:38,733 NO. NO. 352 00:21:38,767 --> 00:21:40,167 BUT WE'RE VERY CLOSE. 353 00:21:40,200 --> 00:21:42,467 I EVEN TAKE CARE OF HIS DOG. TRIXIE. 354 00:21:42,500 --> 00:21:46,467 I, UH, I LIVE WITH THIS GUY--RICH. 355 00:21:46,500 --> 00:21:48,900 HE'S STRAIGHT. 356 00:21:51,100 --> 00:21:53,133 GABE, I TALKED TO MY MOTHER. 357 00:21:53,167 --> 00:21:54,967 SHE CALLED YOU MY BOYFRIEND AGAIN. 358 00:21:55,000 --> 00:21:56,367 ISN'T THAT FUNNY? 359 00:21:56,400 --> 00:21:58,333 THAT'S FUNNY. 360 00:21:58,367 --> 00:22:00,000 SHE STILL CALLS YOU THAT, 361 00:22:00,033 --> 00:22:02,233 EVEN THOUGH WE HAVEN'T BEEN DATING SINCE HIGH SCHOOL. 362 00:22:02,267 --> 00:22:04,633 WE WEREN'T REALLY DATING. 363 00:22:04,667 --> 00:22:06,300 ASK ANYONE FROM EL CAMINO. 364 00:22:06,333 --> 00:22:07,667 [WHISPERING] They'll say we were. 365 00:22:07,700 --> 00:22:10,033 WE WENT TO ONE PROM BACK WHEN I THOUGHT I WAS-- 366 00:22:10,067 --> 00:22:11,433 THOUGHT HE LIKED GIRLS THEN. 367 00:22:11,467 --> 00:22:13,033 WHOOPS. 368 00:22:13,067 --> 00:22:14,833 I KNOW, AND I WAS ALWAYS WONDERING 369 00:22:14,867 --> 00:22:16,033 WHY I WAS MAKING THE FIRST MOVE. 370 00:22:16,067 --> 00:22:17,667 I THOUGHT IT WAS ME. 371 00:22:17,700 --> 00:22:19,067 I TOLD MY MOTHER GABRIEL'S GAY. 372 00:22:19,100 --> 00:22:20,933 AND SHE WAS, LIKE, "OH, REALLY? YOU NEVER SAID." 373 00:22:20,967 --> 00:22:22,333 AND I WAS, LIKE, "DIDN'T I MENTION 374 00:22:22,367 --> 00:22:23,767 "HE'S A MUSICAL THEATER WRITER? 375 00:22:23,800 --> 00:22:27,367 HELLO! DO I HAVE TO SPELL IT OUT FOR YOU?" 376 00:22:27,400 --> 00:22:29,600 THAT WAS A MILLION YEARS AGO. 377 00:22:29,633 --> 00:22:30,867 YOU KNOW WHAT GABE USED TO CALL ME? 378 00:22:30,900 --> 00:22:31,867 KATHERINE. 379 00:22:31,900 --> 00:22:33,267 PUSS. YOU'RE SO KOOKY. 380 00:22:33,300 --> 00:22:35,767 I HAD THIS JAMES BOND THING, YOU KNOW, UH... 381 00:22:35,800 --> 00:22:38,033 AHEM. OCTOPUSSY, PUSSY GALORE. 382 00:22:38,067 --> 00:22:40,900 HMM. I DIDN'T LIKE IT WHEN OTHER PEOPLE SAID IT, 383 00:22:40,933 --> 00:22:43,600 BUT IT WAS OK WHEN GABE CALLED ME PUSS OR PUSS-PUSS 384 00:22:43,633 --> 00:22:44,767 OR PUSSY. 385 00:22:44,800 --> 00:22:46,767 ACTUALLY, I DIDN'T REALLY LIKE PUSSY. 386 00:22:46,800 --> 00:22:48,433 DO YOU HAVE ANY NICKNAMES? 387 00:22:48,467 --> 00:22:50,733 BEER CAN. 388 00:22:52,900 --> 00:22:56,033 DID YOU USED TO DRINK A LOT IN COLLEGE? [CHORTLES] 389 00:22:56,067 --> 00:22:58,800 GABE'S WRITING A PART FOR ME IN HIS MUSICAL--THE MAID. 390 00:22:58,833 --> 00:22:59,867 IT'S ACTUALLY A VERY BIG PART. 391 00:22:59,900 --> 00:23:01,300 IT'S REALLY GOOD. 392 00:23:01,333 --> 00:23:03,167 I SING ALL HIS SONGS. HE'S A WONDERFUL WRITER. 393 00:23:03,200 --> 00:23:04,600 YOU'RE SO VERY TALENTED. 394 00:23:04,633 --> 00:23:06,200 I, UH, DON'T KNOW HOW I FEEL 395 00:23:06,233 --> 00:23:08,167 ABOUT WRITING MUSICALS RIGHT NOW. 396 00:23:08,200 --> 00:23:09,467 I JUST KNOW YOU'RE GONNA BE THE NEXT 397 00:23:09,500 --> 00:23:10,700 ANDREW LLOYD WEBBER 398 00:23:10,733 --> 00:23:12,333 OR STEPHEN SONDHEIM OR SOMETHING. 399 00:23:12,367 --> 00:23:14,733 I SPENT THE LAST 8 YEARS OF MY LIFE 400 00:23:14,767 --> 00:23:16,233 WRITING IN A GENRE THAT'S BEEN DYING 401 00:23:16,267 --> 00:23:17,300 A SLOW DEATH SINCE GYPSY. 402 00:23:17,333 --> 00:23:18,933 HE'S A GOLDEN BOY. HE REALLY IS. 403 00:23:18,967 --> 00:23:20,433 YOU LOVE MUSICALS. 404 00:23:20,467 --> 00:23:22,267 I USED TO. 405 00:23:22,300 --> 00:23:24,167 MUSICALS ARE WAY TOO CONTRIVED 406 00:23:24,200 --> 00:23:27,167 AND PHONY AND CAMPY AND STUPID. 407 00:23:27,200 --> 00:23:28,633 I DON'T EVEN KNOW WHY I WRITE THEM. 408 00:23:28,667 --> 00:23:29,733 YOU WRITE SONGS? 409 00:23:29,767 --> 00:23:31,900 MM-HMM. 410 00:23:31,933 --> 00:23:33,800 THE MUSIC, TOO? 411 00:23:33,833 --> 00:23:35,767 UH, YEAH. 412 00:23:35,800 --> 00:23:37,933 AND YOU... PLAY THE PIANO? 413 00:23:37,967 --> 00:23:40,133 LET'S DO A NUMBER! 414 00:23:40,167 --> 00:23:41,400 NO. 415 00:23:41,433 --> 00:23:42,467 OH, JUST ONE. HE'LL LOVE IT. 416 00:23:42,500 --> 00:23:43,733 HIS SONGS ARE SO GREAT. 417 00:23:43,767 --> 00:23:44,933 UH, KATHERINE, I DON'T THINK 418 00:23:44,967 --> 00:23:46,333 THAT MARK'S INTERESTED IN MY SONGS. 419 00:23:46,367 --> 00:23:48,567 DO ONE. 420 00:23:50,633 --> 00:23:51,700 REALLY? 421 00:23:51,733 --> 00:23:53,667 YEAH. I'D LIKE TO HEAR ONE. 422 00:23:53,700 --> 00:23:55,133 SEE? 423 00:23:57,133 --> 00:23:58,600 ALL RIGHT. ONE NUMBER, AND THEN YOU'RE LEAVING. 424 00:23:58,633 --> 00:23:59,600 OK. 425 00:23:59,633 --> 00:24:00,600 CROSS YOUR HEART? 426 00:24:00,633 --> 00:24:01,767 CROSS MY HEART. 427 00:24:01,800 --> 00:24:03,733 GOD, I HAVE TO GET TO MY SHOW ANYWAY. 428 00:24:03,767 --> 00:24:05,033 OH, THIS IS SO FUN. 429 00:24:05,067 --> 00:24:06,267 I TELL YA, 430 00:24:06,300 --> 00:24:07,767 IF HAROLD PRINCE HEARD THIS... 431 00:24:07,800 --> 00:24:08,867 [PIANO PLAYING] 432 00:24:13,900 --> 00:24:18,533 * I'VE HEARD THAT ALL THE WORLD'S A STAGE * 433 00:24:18,567 --> 00:24:20,700 * AND WE ARE ONLY PLAYERS * 434 00:24:20,733 --> 00:24:24,333 * ACTING OUT SOME PREDETERMINED PAGE * 435 00:24:24,367 --> 00:24:26,133 TRIXIE! 436 00:24:26,167 --> 00:24:29,200 * BUT IT IS LONELY AS CAN BE * 437 00:24:29,233 --> 00:24:31,233 SHH! TRIXIE! 438 00:24:31,267 --> 00:24:36,333 * WITH NOBODY OPPOSITE ME * 439 00:24:36,367 --> 00:24:39,200 * THEN 440 00:24:39,233 --> 00:24:42,167 * ENTER YOU 441 00:24:42,200 --> 00:24:44,200 * VOILà, IT'S SHOWTIME * 442 00:24:44,233 --> 00:24:47,500 TRIXIE! GOD, I'M SORRY, BUT THAT DOG... 443 00:24:47,533 --> 00:24:49,067 TRIXIE! 444 00:24:50,900 --> 00:24:52,933 YOU SING. 445 00:24:52,967 --> 00:24:54,500 NO, I SING HIS SONGS. 446 00:24:54,533 --> 00:24:56,867 YOU WERE SINGING WITH HER. 447 00:24:56,900 --> 00:24:58,100 I WAS? 448 00:24:58,133 --> 00:25:00,800 YEAH. SING IT. 449 00:25:02,300 --> 00:25:03,667 WELL, KATHERINE USUALLY-- 450 00:25:03,700 --> 00:25:05,133 I'LL SING ALONG WITH YOU. 451 00:25:05,167 --> 00:25:06,667 LET HIM DO IT ALONE. 452 00:25:08,267 --> 00:25:09,867 UM, OK. 453 00:25:16,933 --> 00:25:18,433 * I HEARD THAT ALL THE WORLD'S A ST-- * 454 00:25:18,467 --> 00:25:20,567 NO. JUST WHERE SHE LEFT OFF. 455 00:25:24,467 --> 00:25:27,267 * ENTER YOU 456 00:25:27,300 --> 00:25:29,900 * VOILà, IT'S SHOWTIME * 457 00:25:29,933 --> 00:25:31,767 * YOU BROUGHT THE HOUSE DOWN * 458 00:25:31,800 --> 00:25:35,267 * WITH A DANCE AND A DUM-DIDDY * 459 00:25:35,300 --> 00:25:37,600 * ENTER YOU 460 00:25:37,633 --> 00:25:40,700 * IN LESS THAN NO TIME 461 00:25:40,733 --> 00:25:43,567 I, UH, STILL HAVE TO FIGURE OUT THIS PART. 462 00:25:45,500 --> 00:25:46,800 * UP WENT THE CURTAIN 463 00:25:46,833 --> 00:25:47,867 [TELEPHONE RINGS] 464 00:25:47,900 --> 00:25:49,300 I'VE GOT IT. 465 00:25:50,733 --> 00:25:51,900 HELLO? 466 00:25:51,933 --> 00:25:52,900 Perry: GABRIEL? 467 00:25:52,933 --> 00:25:54,400 YEAH? HI. 468 00:25:54,433 --> 00:25:56,767 PERRY. HOW'S IT GOING? 469 00:25:56,800 --> 00:25:58,367 I WAS FEELING, YOU KNOW, A LITTLE TORCHY, 470 00:25:58,400 --> 00:25:59,667 A LITTLE CHANTEUSEY, 471 00:25:59,700 --> 00:26:01,300 SO I STUMBLED INTO A PIANO BAR 472 00:26:01,333 --> 00:26:03,067 AND THOUGHT I'D BELT OUT SOME OF MY BETTER NUMBERS 473 00:26:03,100 --> 00:26:04,633 FOR A BUNCH OF BOOZY OLD FAIRIES. 474 00:26:04,667 --> 00:26:06,900 I KNEW YOU WOULDN'T WANT TO MISS THAT. 475 00:26:06,933 --> 00:26:08,600 WOW. THANKS, BUT, UH, 476 00:26:08,633 --> 00:26:11,300 KATHERINE'S OPENING IN A SHOW TONIGHT. 477 00:26:11,333 --> 00:26:12,967 OH, I UNDERSTAND. 478 00:26:13,000 --> 00:26:14,267 BUT, YOU KNOW, YOU COULD STOP BY LATER, 479 00:26:14,300 --> 00:26:15,500 AFTER HER SHOW. 480 00:26:15,533 --> 00:26:16,900 I'LL PROBABLY BE HERE TILL PRETTY LATE. 481 00:26:16,933 --> 00:26:18,500 YOU KNOW WHERE 88's IS, RIGHT? 482 00:26:18,533 --> 00:26:20,233 YEAH. IT'S AROUND THE CORNER FROM THAT PLAY YOU TOOK ME TO. 483 00:26:20,267 --> 00:26:21,233 THE ONE WITH-- 484 00:26:21,267 --> 00:26:23,233 MM. GREG LOUGANIS, RIGHT. 485 00:26:23,267 --> 00:26:24,733 RIGHT. GREAT. 486 00:26:24,767 --> 00:26:26,000 OK. BYE. 487 00:26:26,033 --> 00:26:27,000 BYE. 488 00:26:27,033 --> 00:26:29,333 FRIEND. 489 00:26:29,367 --> 00:26:31,633 YOU SHOULD SING MORE. 490 00:26:31,667 --> 00:26:33,367 THANKS. 491 00:26:33,400 --> 00:26:35,367 [PAPER ROLLS OUT OF PRINTER] 492 00:26:35,400 --> 00:26:36,500 [PRINTER BEEPS] 493 00:26:36,533 --> 00:26:37,800 IT'S DONE. 494 00:26:37,833 --> 00:26:41,067 NO, IT'S NOT. IT RAN OUT OF PAPER. 495 00:26:42,067 --> 00:26:43,200 NO. 496 00:26:45,133 --> 00:26:46,500 IT'S DONE. 497 00:26:53,000 --> 00:26:54,167 [SIGHS] 498 00:26:54,200 --> 00:26:56,300 [CLEARS THROAT] 499 00:26:56,333 --> 00:26:57,800 CAN YOU SEE ME OUT? 500 00:27:14,000 --> 00:27:16,333 BABE... 501 00:27:16,367 --> 00:27:19,133 HE'S A GO-GO BOY. 502 00:27:19,167 --> 00:27:20,633 UH-HUH. 503 00:27:20,667 --> 00:27:21,667 WELL, I--I'M GOING. 504 00:27:21,700 --> 00:27:22,833 YOUR NAME'S ON THE COMP LIST. 505 00:27:22,867 --> 00:27:24,233 YOU'RE GONNA BE THERE, RIGHT? 506 00:27:24,267 --> 00:27:26,800 YEAH. AND RICH IS COMING BACK SOON. OK? 507 00:27:26,833 --> 00:27:28,800 ONE OR TWO? WHAT? 508 00:27:28,833 --> 00:27:30,167 ONE OR TWO TICKETS? 509 00:27:30,200 --> 00:27:32,367 WELL, IS THE GO-GO BOY COMING TO MY SHOW? 510 00:27:32,400 --> 00:27:33,900 I DON'T KNOW. UH... 511 00:27:33,933 --> 00:27:36,133 UH, PUT ME DOWN FOR ONE. 512 00:27:36,167 --> 00:27:39,167 HMM. YOU KNOW, NOW THAT MY SHOW'S OPENING, 513 00:27:39,200 --> 00:27:41,000 I WON'T HAVE TO REHEARSE SO MUCH. 514 00:27:41,033 --> 00:27:42,867 MAYBE WE CAN FINALLY GO SEE HELEN REDDY SING 515 00:27:42,900 --> 00:27:44,067 AND GET A BAKED ALASKA. 516 00:27:44,100 --> 00:27:45,233 OK, GREAT. 517 00:27:45,267 --> 00:27:46,833 GREAT. 518 00:27:46,867 --> 00:27:48,100 BYE, BABE. [KISSES] 519 00:27:56,433 --> 00:27:57,767 FINALLY. 520 00:28:35,467 --> 00:28:36,633 YOU'RE REALLY CUTE. 521 00:28:52,933 --> 00:28:55,433 MAYBE IF I PLAYED THE PIANO, I COULD RELAX. 522 00:28:57,467 --> 00:28:58,633 WHATEVER. 523 00:29:20,167 --> 00:29:21,500 MMM. 524 00:29:21,533 --> 00:29:24,200 SHH. 525 00:29:30,967 --> 00:29:32,200 [STOPS PLAYING PIANO] 526 00:29:43,167 --> 00:29:44,667 [RESUMES PLAYING] 527 00:29:47,833 --> 00:29:49,333 KEEP PLAYING. 528 00:30:06,267 --> 00:30:07,567 OH, MY GOD. 529 00:30:07,600 --> 00:30:09,533 FEEL GOOD? 530 00:30:09,567 --> 00:30:10,633 YEAH. 531 00:30:10,667 --> 00:30:12,167 DO YOU LIKE THAT? 532 00:30:13,733 --> 00:30:14,767 YEAH. 533 00:30:16,567 --> 00:30:17,500 ALL RIGHT. 534 00:30:17,533 --> 00:30:18,767 AND... 535 00:30:20,900 --> 00:30:23,000 WHAT IF YOU... 536 00:30:23,033 --> 00:30:24,633 WENT OVER HERE? 537 00:30:24,667 --> 00:30:26,433 WHERE? 538 00:30:26,467 --> 00:30:28,533 DOWN HERE. 539 00:30:28,567 --> 00:30:31,567 THERE? WHAT DO YOU WANT ME TO DO DOWN THERE? 540 00:30:31,600 --> 00:30:34,233 I'VE ALWAYS WANTED SOMEONE TO GO DOWN ON ME 541 00:30:34,267 --> 00:30:36,733 WHILE I WAS PLAYING THE PIANO. 542 00:30:36,767 --> 00:30:40,200 OH, MY GOD, I CAN'T BELIEVE I JUST TOLD YOU THAT. 543 00:30:40,233 --> 00:30:42,933 I'VE NEVER TOLD ANYONE THAT. 544 00:30:42,967 --> 00:30:44,633 YOU WANT TO DO IT? 545 00:30:46,200 --> 00:30:49,067 I'LL JUST SCOOT OUT SO YOU CAN GET IN. 546 00:30:50,933 --> 00:30:53,300 [TRIXIE WHINING] 547 00:30:58,467 --> 00:31:00,367 [TRIXIE YAPPING] 548 00:31:01,900 --> 00:31:04,833 UH...JUST A SEC. 549 00:31:04,867 --> 00:31:06,000 TRIXIE. 550 00:31:06,033 --> 00:31:08,000 TRIXIE. 551 00:31:10,767 --> 00:31:11,800 YEAH, GIRL. 552 00:31:11,833 --> 00:31:13,633 [TRIXIE CRYING] 553 00:31:13,667 --> 00:31:14,767 BACKYARD. 554 00:31:17,133 --> 00:31:18,200 OUT IN THE BACKYARD. 555 00:31:18,233 --> 00:31:19,600 GOOD GIRL. 556 00:31:19,633 --> 00:31:21,000 GOOD GIRL, TRIXIE. 557 00:31:29,733 --> 00:31:30,933 I'M SORRY. 558 00:31:35,500 --> 00:31:36,800 ARE YOU UNCOMFORTABLE? 559 00:31:36,833 --> 00:31:38,433 IT'S OK. 560 00:31:40,100 --> 00:31:41,167 UH... 561 00:31:41,200 --> 00:31:43,000 WHAT? 562 00:31:43,033 --> 00:31:45,067 I DON'T KNOW WHAT TO PLAY. 563 00:31:45,100 --> 00:31:46,333 DOES IT MATTER? 564 00:31:48,300 --> 00:31:50,367 [STARTS PLAYING] 565 00:31:56,933 --> 00:31:57,933 [BANGS HEAD] OW! 566 00:31:57,967 --> 00:31:59,133 SORRY. 567 00:31:59,167 --> 00:32:02,567 DO YOU LIKE SHOW TUNES? 568 00:32:02,600 --> 00:32:06,233 UH, I'M A LITTLE TOO NERVOUS TO PLAY CLASSICAL. 569 00:32:06,267 --> 00:32:07,867 IT'S YOUR FANTASY. 570 00:32:07,900 --> 00:32:10,533 WELL, IN MY FANTASY, I TAKE REQUESTS. 571 00:32:10,567 --> 00:32:12,033 [DOOR UNLOCKS] 572 00:32:12,067 --> 00:32:14,167 SHIT! GET DRESSED. 573 00:32:20,167 --> 00:32:22,000 [PLAYING A SHOW TUNE] 574 00:32:24,067 --> 00:32:27,433 GABRIEL, YOU JUST GOT MUSIC IN YOUR BONES. 575 00:32:27,467 --> 00:32:29,967 Rich: WHAT'S GOING ON? 576 00:32:30,000 --> 00:32:32,033 I NEED THE APARTMENT. 577 00:32:32,067 --> 00:32:33,833 UH, MARK WANTED TO HEAR MY SONGS. 578 00:32:33,867 --> 00:32:36,833 AND...YOU'RE EARLY. 579 00:32:36,867 --> 00:32:40,200 AND... I NEED THE APARTMENT. 580 00:32:43,033 --> 00:32:46,167 SHE'S BEEN IN FRANCE ALL SUMMER. 581 00:32:46,200 --> 00:32:49,133 YEAH, AND YOU'RE EARLY. 582 00:32:49,167 --> 00:32:52,000 AND I TOLD YOU I NEEDED THE APARTMENT TONIGHT. 583 00:32:53,733 --> 00:32:56,433 CAN WE TALK ABOUT THIS IN THE BATHROOM? 584 00:33:02,567 --> 00:33:04,400 WHAT'S TRIXIE DOING ON THE FIRE ESCAPE? 585 00:33:04,433 --> 00:33:05,533 [DOOR SLAMS] 586 00:33:05,567 --> 00:33:07,567 PLEASE. I ONLY NEED AN HOUR. 587 00:33:07,600 --> 00:33:08,800 PLEASE, PLEASE, PLEASE, RICH, 588 00:33:08,833 --> 00:33:11,167 'CAUSE I REALLY, REALLY WANT TO DO THIS. 589 00:33:11,200 --> 00:33:12,567 I'M REALLY, REALLY INTO HIM, 590 00:33:12,600 --> 00:33:14,667 AND IT'S NOT LIKE I GET TO DO THIS VERY OFTEN. 591 00:33:14,700 --> 00:33:16,000 AND I SLEPT OUT IN THE HALL LAST NIGHT. 592 00:33:16,033 --> 00:33:17,133 WILL YOU--SHH! 593 00:33:19,100 --> 00:33:20,267 LOOK, GABE... 594 00:33:21,600 --> 00:33:23,767 WHAT JUDY AND I HAVE IS SPECIAL. 595 00:33:23,800 --> 00:33:25,100 SPECIAL?! 596 00:33:25,133 --> 00:33:27,533 AND I GET THE IMPRESSION THAT YOU DISRESPECT 597 00:33:27,567 --> 00:33:30,400 THE LOVE THAT JUDY AND I SHARE, AND THAT HURTS. 598 00:33:30,433 --> 00:33:32,533 I EXPECT IT FROM MY PARENTS. 599 00:33:32,567 --> 00:33:34,600 THEY DON'T KNOW. BUT YOU? 600 00:33:34,633 --> 00:33:35,767 YOU OF ALL PEOPLE, 601 00:33:35,800 --> 00:33:37,733 I--I THOUGHT YOU WOULD UNDERSTAND. 602 00:33:37,767 --> 00:33:41,100 Gabriel: THIS IS REALLY HARD FOR ME, RICH. 603 00:33:41,133 --> 00:33:42,100 I DON'T KNOW HOW TO MEET PEOPLE. 604 00:33:42,133 --> 00:33:44,733 I GET REALLY WEIRD, 605 00:33:44,767 --> 00:33:47,533 AND I MAKE IT MORE IMPORTANT THAN IT SHOULD BE. 606 00:33:47,567 --> 00:33:48,667 [GIGGLES] 607 00:33:50,467 --> 00:33:51,867 CAN'T YOU DO IT TOMORROW NIGHT? 608 00:33:51,900 --> 00:33:53,967 SHE'S BEEN IN FRANCE ALL SUMMER. 609 00:33:54,000 --> 00:33:55,267 YOU CAN'T ASK A ONE-NIGHT STAND 610 00:33:55,300 --> 00:33:57,467 TO COME BACK TOMORROW NIGHT! 611 00:33:57,500 --> 00:33:59,067 Gabriel: LET'S FLIP FOR IT. 612 00:33:59,100 --> 00:34:00,767 Judy: SHIT. 613 00:34:00,800 --> 00:34:02,100 FLIP? 614 00:34:02,133 --> 00:34:03,633 YEAH, FLIP. 615 00:34:03,667 --> 00:34:06,000 HO HO HO. 616 00:34:06,033 --> 00:34:07,433 HEADS. 617 00:34:07,467 --> 00:34:08,800 NO! TAILS! 618 00:34:13,300 --> 00:34:15,133 I HAVE A TOKEN. 619 00:34:15,167 --> 00:34:16,200 [ZIPS PANTS] 620 00:34:16,233 --> 00:34:17,400 WHAT ARE YOU LOOKING FOR? 621 00:34:17,433 --> 00:34:19,233 CONDOM. 622 00:34:19,267 --> 00:34:20,633 OH. 623 00:34:20,667 --> 00:34:23,100 Rich: YOU WANT "NEW YORK CITY TRANSIT AUTHORITY" 624 00:34:23,133 --> 00:34:24,833 OR "GOOD FOR ONE FARE"? 625 00:34:24,867 --> 00:34:26,833 MERCI. 626 00:34:26,867 --> 00:34:28,000 "GOOD FOR ONE FARE." 627 00:34:51,133 --> 00:34:52,700 WHERE DO YOU LIVE? 628 00:34:52,733 --> 00:34:54,833 BROOKLYN. 629 00:34:54,867 --> 00:34:56,167 OH. 630 00:34:56,200 --> 00:34:58,767 YEAH. BUT LET'S NOT GO ALL THE WAY OUT THERE. 631 00:34:58,800 --> 00:35:01,033 OH, YOU HAVE A BOYFRIEND OR SOMETHING? 632 00:35:01,067 --> 00:35:04,000 NO, BUT IT'S NOT REALLY MY APARTMENT. 633 00:35:04,033 --> 00:35:07,000 YOU SEE, I RENT THE ROOM FROM THIS OLD WOMAN, 634 00:35:07,033 --> 00:35:08,367 AND SHE DOESN'T LIKE ME BRINGING GUYS 635 00:35:08,400 --> 00:35:09,433 BACK TO THE PLACE. 636 00:35:09,467 --> 00:35:11,133 YOU KNOW, IF YOU'RE NOT INTO THIS, 637 00:35:11,167 --> 00:35:12,200 I TOTALLY UNDERSTAND. 638 00:35:12,233 --> 00:35:13,767 NO, I AM. 639 00:35:13,800 --> 00:35:14,833 I AM. 640 00:35:19,333 --> 00:35:21,500 WELL, WHAT ABOUT WONDER BAR? 641 00:35:21,533 --> 00:35:24,133 WHAT DO WE WANT TO GO TO A BAR FOR? 642 00:35:24,167 --> 00:35:27,467 RIGHT. RIGHT. 643 00:35:27,500 --> 00:35:29,567 YEAH. I--I USUALLY DON'T GO TO BARS. 644 00:35:29,600 --> 00:35:31,733 WELL, I--I DID TONIGHT, BUT... 645 00:35:31,767 --> 00:35:34,167 WELL, I GO TO BARS, BUT NOT A LOT. 646 00:35:35,900 --> 00:35:37,800 I USED TO THINK THAT I DIDN'T LIKE GAY PEOPLE, 647 00:35:37,833 --> 00:35:40,967 BUT NOW, ACTUALLY, I THINK THAT I DO LIKE GAY PEOPLE. 648 00:35:41,000 --> 00:35:43,533 THERE'S JUST--THERE WAS A TIME THAT I FELT LIKE... 649 00:35:43,567 --> 00:35:45,800 I WASN'T ONE OF THEM. 650 00:35:45,833 --> 00:35:47,500 YOU KNOW? CULTURALLY. 651 00:35:49,167 --> 00:35:51,633 YOU SUCK DICK, RIGHT? 652 00:35:51,667 --> 00:35:53,500 [LAUGHS] 653 00:35:53,533 --> 00:35:55,067 WELL, YEAH. 654 00:35:55,100 --> 00:35:58,400 YEAH, BUT WHAT I MEAN IS, I--I DON'T HAVE BLEACHED HAIR, 655 00:35:58,433 --> 00:35:59,767 AND I DON'T LOOK GOOD IN LYCRA, 656 00:35:59,800 --> 00:36:02,433 AND I DON'T WORK OUT... MUCH. 657 00:36:02,467 --> 00:36:05,800 YOU EVER HAD A BOYFRIEND? 658 00:36:05,833 --> 00:36:09,267 OH, I WOULDN'T CALL HIM A BOYFRIEND. 659 00:36:09,300 --> 00:36:12,333 HE WAS ACTUALLY SOMETHING TOTALLY RANDOM. 660 00:36:12,367 --> 00:36:13,700 YOU KNOW, I MET HIM IN THE LIBRARY, 661 00:36:13,733 --> 00:36:15,067 AND HE WAS REALLY CUTE, 662 00:36:15,100 --> 00:36:17,533 AND HE HAD THIS ITALIAN ACCENT, WHICH I LOVE. 663 00:36:17,567 --> 00:36:19,600 I TOTALLY LOVE GUYS WITH ACCENTS. 664 00:36:19,633 --> 00:36:21,200 YEAH? 665 00:36:21,233 --> 00:36:23,333 I MEAN, I WAS NUTS. 666 00:36:23,367 --> 00:36:26,067 I MEAN, I WAS TOTALLY GOOFY FOR THIS GUY. 667 00:36:26,100 --> 00:36:27,567 [LAUGHS] 668 00:36:27,600 --> 00:36:29,900 BUT THEN, YOU KNOW, ONE DAY, 669 00:36:29,933 --> 00:36:35,100 WE JUST STOPPED HAVING THINGS TO TALK ABOUT. 670 00:36:35,133 --> 00:36:38,133 THEN I STOPPED CALLING HIM TO SEE IF HE'D CALL ME, 671 00:36:38,167 --> 00:36:40,767 AND HE DIDN'T. 672 00:36:40,800 --> 00:36:42,300 AW, IT WAS PROBABLY BETTER ANYWAYS. 673 00:36:42,333 --> 00:36:45,433 I MEAN, I DIDN'T HAVE A BEDROOM. 674 00:36:45,467 --> 00:36:47,367 I MEAN, WHAT'S THE USE OF HAVING A BOYFRIEND 675 00:36:47,400 --> 00:36:50,067 IF YOU DON'T HAVE A BEDROOM, RIGHT? 676 00:36:50,100 --> 00:36:52,900 BESIDES, I STARTED GETTING THIS NAGGING FEELING, 677 00:36:52,933 --> 00:36:56,967 YOU KNOW, THAT HE WAS LYING TO ME ALL THE TIME. 678 00:36:57,000 --> 00:36:59,133 I DON'T THINK HE WAS ITALIAN. 679 00:36:59,167 --> 00:37:03,100 I ACTUALLY THINK HE WAS PUERTO RICAN 680 00:37:03,133 --> 00:37:04,867 OR SOMETHING. 681 00:37:04,900 --> 00:37:08,233 WELL, GABE, MAYBE I SHOULD GET GOING. 682 00:37:08,267 --> 00:37:10,500 UH, WAIT! UH... 683 00:37:14,133 --> 00:37:15,600 WAIT. 684 00:37:15,633 --> 00:37:17,067 I--I DO KNOW THIS ONE GUY. 685 00:37:17,100 --> 00:37:18,300 UH-HUH. 686 00:37:18,333 --> 00:37:20,333 FROM MY WRITER'S WORKSHOP. 687 00:37:20,367 --> 00:37:22,933 WELL, I DON'T KNOW. MAYBE WE COULD, UH... 688 00:37:22,967 --> 00:37:24,667 GO TO HIS PLACE. 689 00:37:24,700 --> 00:37:26,800 GREAT. CALL HIM. 690 00:37:26,833 --> 00:37:29,567 UH, HE'S NOT AT HOME, ACTUALLY. 691 00:37:29,600 --> 00:37:32,267 HE'S AT A-- HE'S AT A PIANO BAR. 692 00:37:32,300 --> 00:37:34,367 [PIANO PLAYING] 693 00:37:36,700 --> 00:37:39,133 * I TOLD MY FRIEND, THE WRITER * 694 00:37:39,167 --> 00:37:41,100 * HOW HAPPY I WOULD BE 695 00:37:41,133 --> 00:37:43,533 * IF HE'D WRITE AN OPENING NUMBER * 696 00:37:43,567 --> 00:37:45,867 * ESPECIALLY FOR ME 697 00:37:45,900 --> 00:37:47,633 * BUT WHEN HE HAD IT FINISHED * 698 00:37:47,667 --> 00:37:50,000 * IT CAME AS QUITE A SHOCK 699 00:37:50,033 --> 00:37:52,000 * HE HANDED ME A SONG TITLED * 700 00:37:52,033 --> 00:37:53,400 * HOW DO YOU LIKE MY... 701 00:37:54,900 --> 00:37:57,200 * I SAID, YOU CAN'T DO THAT IN PUBLIC * 702 00:37:57,233 --> 00:37:59,767 * I SAID, EVEN I WOULDN'T DARE * 703 00:37:59,800 --> 00:38:03,000 * SO HE MADE A FEW SMALL CHANGES * 704 00:38:03,033 --> 00:38:09,067 * NOW I CAN SING IT ANYWHERE * 705 00:38:14,333 --> 00:38:16,867 * CóMO TE GUSTA MI PINGA 706 00:38:16,900 --> 00:38:19,367 * EN TUS PANTALóNES 707 00:38:19,400 --> 00:38:21,967 * CóMO TE GUSTA MI PINGA 708 00:38:22,000 --> 00:38:24,000 * Y MIS CAJóNES 709 00:38:24,033 --> 00:38:27,700 * IT'S THE SAME OLD THING IN THE SAME OLD HOLE * 710 00:38:27,733 --> 00:38:30,067 * BUT WHEN YOU SAY IT IN ESPAÑOL * 711 00:38:30,100 --> 00:38:31,833 * IT SOUNDS DIVINE 712 00:38:34,600 --> 00:38:37,000 * CóMO TE GUSTA MI PINGA 713 00:38:37,033 --> 00:38:38,667 * ES MUY CALIENTE 714 00:38:38,700 --> 00:38:39,733 [LAUGHTER] 715 00:38:39,767 --> 00:38:42,200 * CóMO TE GUSTA MI PINGA 716 00:38:42,233 --> 00:38:44,300 * ES GRANDE PLENTY * 717 00:38:44,333 --> 00:38:46,400 * YOU DON'T GO AROUND 718 00:38:46,433 --> 00:38:48,100 * SHOUTING, YOU'RE WELL-HUNG * 719 00:38:48,133 --> 00:38:50,033 * BUT WHEN YOU DO IT IN ANOTHER TONGUE * 720 00:38:50,067 --> 00:38:52,767 * IT'S JUST FINE 721 00:38:52,800 --> 00:38:55,267 * WHEN THE HOUR'S LATE, AND I DON'T HAVE A DATE * 722 00:38:55,300 --> 00:38:58,167 * AND I FEEL THAT I CAN'T GO ON * 723 00:38:58,200 --> 00:39:00,433 * I LIFT UP MY HEAD, AND I STICK OUT MY CHIN * 724 00:39:00,467 --> 00:39:02,633 * AND I TALK LIKE 725 00:39:02,667 --> 00:39:06,400 * MONTALBAN 726 00:39:06,433 --> 00:39:08,767 * CóMO TE GUSTA MI PINGA 727 00:39:08,800 --> 00:39:11,200 * IT SOUNDS SO NEATO 728 00:39:11,233 --> 00:39:13,900 * LIKE A WARM QUESADILLA * 729 00:39:13,933 --> 00:39:17,000 * OR A PORK BURRITO 730 00:39:17,033 --> 00:39:19,600 * IT'S THE SAME OLD CHEESE AND THE SAME OLD MEAT * 731 00:39:19,633 --> 00:39:21,867 * BUT WHEN IT HAS A LATIN BEAT * 732 00:39:21,900 --> 00:39:23,300 * IT'S OK 733 00:39:23,333 --> 00:39:26,733 * CóMO TE GUSTA MI PINGA 734 00:39:26,767 --> 00:39:31,867 * OLá 735 00:39:31,900 --> 00:39:33,267 * AY! AY! 736 00:39:33,300 --> 00:39:34,267 [APPLAUSE] 737 00:39:34,300 --> 00:39:35,467 OH, THANK YOU. 738 00:39:35,500 --> 00:39:36,733 THANK YOU VERY MUCH. 739 00:39:36,767 --> 00:39:38,900 AND THANK YOU TO MY FAVORITE PIANO MAN-- 740 00:39:38,933 --> 00:39:41,433 MR. LESTER SINCLAIR. 741 00:39:44,733 --> 00:39:47,300 THIS MAKES ME SEEM REALLY DESPERATE, AND I KIND OF AM. 742 00:39:47,333 --> 00:39:48,867 ANYWAY, IT'S A LONG PATHETIC STORY 743 00:39:48,900 --> 00:39:50,033 THAT YOU DON'T WANT TO HEAR, 744 00:39:50,067 --> 00:39:51,900 BUT I MET THIS GUY, 745 00:39:51,933 --> 00:39:54,400 AND WE DON'T HAVE A PLACE TO GO. 746 00:39:54,433 --> 00:39:56,800 OH, I WANT TO HEAR THIS STORY. WHERE IS HE? 747 00:39:56,833 --> 00:39:57,800 [GASPS] 748 00:39:57,833 --> 00:40:01,000 HE'S CUTE. 749 00:40:01,033 --> 00:40:01,900 HE'S A GO-GO BOY. 750 00:40:01,933 --> 00:40:03,133 NO. 751 00:40:06,700 --> 00:40:08,167 I CAN'T BELIEVE I'M ASKING YOU THIS... 752 00:40:08,200 --> 00:40:09,733 WHAT? 753 00:40:09,767 --> 00:40:12,967 BUT, UH, YOU'VE GOT YOUR PLACE TO YOURSELF NOW, RIGHT? 754 00:40:13,000 --> 00:40:14,967 GABRIEL, YOU TRAMP. 755 00:40:15,000 --> 00:40:15,967 OF COURSE YOU CAN USE MY CO-OP 756 00:40:16,000 --> 00:40:16,833 FOR YOUR LITTLE LOVE ANTICS. 757 00:40:16,867 --> 00:40:18,667 SOMEONE SHOULD. 758 00:40:18,700 --> 00:40:20,433 BUT YOU GOT TO PROMISE NOT TO BREAK ANYTHING, OK? 759 00:40:20,467 --> 00:40:21,267 OK. 760 00:40:21,300 --> 00:40:22,300 OOH. 761 00:40:24,833 --> 00:40:26,433 GABRIEL TELLS ME YOU'RE A GO-GO BOY. 762 00:40:26,467 --> 00:40:27,767 THAT MUST BE FUN. 763 00:40:27,800 --> 00:40:29,467 IT'S A BLAST. 764 00:40:29,500 --> 00:40:31,600 SO HOW OFTEN DO YOU PARTICIPATE IN THREE-WAYS OR FOUR-GIES? 765 00:40:31,633 --> 00:40:32,600 PERRY! 766 00:40:32,633 --> 00:40:33,600 I'M DOING RESEARCH. 767 00:40:33,633 --> 00:40:34,433 FOR WHAT? 768 00:40:34,467 --> 00:40:35,467 MY CASANOVA MUSICAL. 769 00:40:35,500 --> 00:40:36,867 MARK, THREE-WAYS OR FOUR-GIES? 770 00:40:36,900 --> 00:40:39,300 UH, SOMETIMES. 771 00:40:39,333 --> 00:40:40,367 WHAT KIND OF GUYS DO YOU USUALLY PICK UP, 772 00:40:40,400 --> 00:40:41,433 OR DO YOU HUSTLE? 773 00:40:41,467 --> 00:40:43,467 NO. I DON'T HUSTLE. 774 00:40:43,500 --> 00:40:44,667 I BET YOU WOULDN'T OBJECT 775 00:40:44,700 --> 00:40:46,467 IF I SLIPPED A 10-SPOT IN YOUR UNDIES. 776 00:40:46,500 --> 00:40:47,800 [GIGGLES] 777 00:40:47,833 --> 00:40:49,033 OK. 778 00:40:49,067 --> 00:40:50,500 SO WHAT'S YOUR TYPE? 779 00:40:50,533 --> 00:40:53,033 IT VARIES. 780 00:40:53,067 --> 00:40:54,167 INTERESTING, INTERESTING. 781 00:40:54,200 --> 00:40:56,667 THEY AREN'T ALL LIKE GABRIEL, THEN? 782 00:40:56,700 --> 00:40:58,700 ONCE I DATED THIS GUY FROM YALE... 783 00:40:58,733 --> 00:40:59,967 HE WAS IN THE GLEE CLUB. 784 00:41:00,000 --> 00:41:01,400 [GASPS] A WHIFFENPOOF! 785 00:41:01,433 --> 00:41:02,567 YOU HEARD OF THEM? 786 00:41:02,600 --> 00:41:04,400 I CAN'T RESIST A LYRIC BARITONE. 787 00:41:04,433 --> 00:41:06,300 IN FACT, I'VE DATED 3 WHIFFENPOOFS, 788 00:41:06,333 --> 00:41:08,633 4 TIGERTONES, A CROCADILLO, 789 00:41:08,667 --> 00:41:10,700 AND 2 MEMBERS OF THE MORMON TABERNACLE CHOIR. 790 00:41:10,733 --> 00:41:11,900 SO YOU LIKED HIM, THIS WHIFFENPOOF? 791 00:41:11,933 --> 00:41:14,733 YEAH. HE WAS REALLY GREAT. 792 00:41:14,767 --> 00:41:17,033 I BET YOU BROKE HIS HEART. ALL CASANOVAS DO. 793 00:41:17,067 --> 00:41:18,733 UM, YOU KNOW. 794 00:41:18,767 --> 00:41:21,533 BE CAREFUL WITH A MUSICIAN'S HEART. 795 00:41:21,567 --> 00:41:23,533 WE'RE FRAGILE. 796 00:41:25,733 --> 00:41:27,167 SO CAN ME AND GABE GO BACK TO YOUR PLACE 797 00:41:27,200 --> 00:41:28,733 AND SCREW AROUND? 798 00:41:33,367 --> 00:41:35,767 MY APARTMENT'S JUST UP IN CHELSEA. 799 00:41:35,800 --> 00:41:37,767 WOULD IT BE OK IF YOU USED THE FUTON IN THE LIVING ROOM? 800 00:41:37,800 --> 00:41:38,767 I FEEL A LITTLE WEIRD ABOUT THE BED. 801 00:41:38,800 --> 00:41:39,567 IT'S FINE. 802 00:41:39,600 --> 00:41:40,767 OH, GOOD. 803 00:41:40,800 --> 00:41:42,367 HOW LONG DO YOU EXPECT THIS MIGHT TAKE? 804 00:41:42,400 --> 00:41:44,000 I MEAN, I WASN'T PLANNING ON COMING BACK YET. 805 00:41:44,033 --> 00:41:46,233 I COULD GO OUT AND LET YOU IN, 806 00:41:46,267 --> 00:41:48,200 AND THEN GO BACK OUT FOR MAYBE 2 HOURS. 807 00:41:48,233 --> 00:41:50,533 TO TELL YOU THE TRUTH, I WANTED TO GET SAUCED TONIGHT. 808 00:41:50,567 --> 00:41:51,867 WHO JUST BROKE UP WITH HIS BOYFRIEND? 809 00:41:51,900 --> 00:41:53,033 SORRY. 810 00:41:53,067 --> 00:41:54,167 NO, NO. I DON'T WANT ANY SYMPATHY. 811 00:41:54,200 --> 00:41:56,267 I JUST WANT TO FORGET ABOUT HIM. 812 00:41:56,300 --> 00:41:58,200 IT'S GOOD YOU BOYS ARE COMING OVER, YOU KNOW? 813 00:41:58,233 --> 00:42:00,933 MY PLACE HASN'T SEEN ANY ACTION FOR, HA, 2 WEEKS. 814 00:42:00,967 --> 00:42:02,467 HA. BUT I WANTED IT. 815 00:42:02,500 --> 00:42:03,967 YOU DUMPED HIM? NO. 816 00:42:04,000 --> 00:42:04,967 HE DUMPED YOU? 817 00:42:05,000 --> 00:42:07,133 WELL, I MADE HIM DUMP ME. HA. 818 00:42:07,167 --> 00:42:09,000 WE WERE CRYING, AND HE ASKED ME WHAT I WANTED. 819 00:42:09,033 --> 00:42:10,800 AND I SAID, "I WANT YOU TO BREAK UP WITH ME!" 820 00:42:10,833 --> 00:42:12,267 I DIDN'T EXPECT HIM TO DO IT. 821 00:42:12,300 --> 00:42:15,733 3 YEARS--I'M SINGLE FOR THE FIRST TIME IN 3 YEARS. 822 00:42:15,767 --> 00:42:17,767 GOD, I WANT HIM BACK. 823 00:42:17,800 --> 00:42:19,267 WHAT AM I SAYING? I DON'T WANT TO SEE HIM AGAIN. 824 00:42:19,300 --> 00:42:20,600 JUST HIS SWEATERS. 825 00:42:20,633 --> 00:42:22,033 I BOUGHT MOST OF THOSE SWEATERS ANYWAY, 826 00:42:22,067 --> 00:42:23,300 BEFORE HE MET ME, HE HAD 2 DECENT SWEATERS. 827 00:42:23,333 --> 00:42:25,433 WELL, 3. MAYBE 4. 828 00:42:25,467 --> 00:42:26,567 LET'S NOT TALK ABOUT THIS, OK? 829 00:42:26,600 --> 00:42:27,867 LET'S NOT TALK ABOUT IT. 830 00:42:27,900 --> 00:42:29,767 GABRIEL PRESENTED HIS SONG IN CLASS TODAY. 831 00:42:29,800 --> 00:42:31,400 THAT PEACH WHO SINGS YOUR SONGS-- 832 00:42:31,433 --> 00:42:33,600 BOY, IS SHE LOUD. 833 00:42:33,633 --> 00:42:35,200 I TOLD HIM HE NEEDED TO GRAB LIFE BY THE BALLS, 834 00:42:35,233 --> 00:42:36,967 BUT I NEVER EXPECTED--HA. 835 00:42:37,000 --> 00:42:38,800 WELL, JUST LOOK AT YOU. HA HA. 836 00:42:38,833 --> 00:42:40,300 YOU KNOW, THAT SONG IS VERY GOOD, THOUGH. 837 00:42:40,333 --> 00:42:41,633 THANKS. 838 00:42:41,667 --> 00:42:42,900 PASTICHEY, BUT I LIKE THAT. 839 00:42:42,933 --> 00:42:44,100 HOW DOES THAT BEGIN AGAIN? 840 00:42:44,133 --> 00:42:45,100 THE VERSE? 841 00:42:45,133 --> 00:42:46,833 YEAH. HOW DOES THAT GO? 842 00:42:46,867 --> 00:42:48,000 * I'VE HEARD THAT ALL THE WORLD'S-- * 843 00:42:48,033 --> 00:42:49,800 CUT IT. NO ONE WANTS TO HEAR THAT. 844 00:42:49,833 --> 00:42:50,767 CUT THE VERSE? 845 00:42:50,800 --> 00:42:52,067 HONEY, GET IT OUT OF THERE. 846 00:42:52,100 --> 00:42:54,467 JUST GO TO THE CHORUS. THAT'S THE FUN PART. 847 00:42:54,500 --> 00:42:55,800 BUT WHAT ABOUT ALL THE SETUP? 848 00:42:55,833 --> 00:42:57,667 GABRIEL! SONGWRITERS HAVE BEEN DOING 849 00:42:57,700 --> 00:42:59,667 THE VERSE-CHORUS THING FOREVER. IT'S TIRED. 850 00:42:59,700 --> 00:43:01,067 BE A MAVERICK. 851 00:43:01,100 --> 00:43:02,500 WHAT'S THE FUNCTION OF A VERSE? 852 00:43:02,533 --> 00:43:04,133 TO KILL TIME TILL WE GET TO THE CHORUS. 853 00:43:04,167 --> 00:43:05,867 DURING THE VERSE, WE WAIT, WE WAIT, WE WAIT. 854 00:43:05,900 --> 00:43:08,400 WE ARE WAITING FOR THE CHORUS. JUST GIVE US WHAT WE WANT. 855 00:43:08,433 --> 00:43:09,667 CHORUS, CHORUS, CHORUS! 856 00:43:09,700 --> 00:43:11,133 [GASPS] OH, MY GOD, THERE HE IS! 857 00:43:11,167 --> 00:43:12,867 I'M SORRY, GABRIEL. HE'S CUTER. 858 00:43:12,900 --> 00:43:14,367 WHAT, IS THAT-- IS THAT-- 859 00:43:14,400 --> 00:43:16,467 MY EX. PLEASE LET HIM SEE ME. PLEASE LET HIM SEE ME. 860 00:43:16,500 --> 00:43:17,467 PLEASE, PLEASE, PLEASE. 861 00:43:17,500 --> 00:43:18,800 COME HERE. WHAT-- 862 00:43:24,533 --> 00:43:26,133 PERRY? 863 00:43:29,533 --> 00:43:30,500 OH, HI. 864 00:43:33,200 --> 00:43:35,433 HEY, HOW HAVE YOU BEEN? 865 00:43:35,467 --> 00:43:37,967 REALLY GREAT. 866 00:43:38,000 --> 00:43:38,967 YOU GOT A HAIRCUT. 867 00:43:39,000 --> 00:43:41,433 YEAH. 868 00:43:41,467 --> 00:43:44,633 IT LOOKS NICE. 869 00:43:44,667 --> 00:43:46,867 THANKS. 870 00:43:46,900 --> 00:43:48,233 I DON'T WANT TO INTERRUPT. 871 00:43:48,267 --> 00:43:50,767 OH, NO, YOU'RE NOT. 872 00:43:52,500 --> 00:43:54,033 IT'S NICE TO SEE YOU. 873 00:43:58,033 --> 00:44:00,767 I'D LIKE TO TALK TO YOU SOMETIME. 874 00:44:02,167 --> 00:44:04,033 HI. I'M MARK. 875 00:44:04,067 --> 00:44:04,933 HI, MARK. 876 00:44:04,967 --> 00:44:05,633 HOW YOU DOING? 877 00:44:05,667 --> 00:44:06,633 I'VE BEEN BETTER. 878 00:44:06,667 --> 00:44:09,033 YOU KNOW, MEETING THIS GUY 879 00:44:09,067 --> 00:44:10,300 HAS BEEN ONE OF THE LUCKIEST THINGS 880 00:44:10,333 --> 00:44:11,967 THAT EVER HAPPENED TO ME. 881 00:44:12,000 --> 00:44:13,133 REALLY? 882 00:44:13,167 --> 00:44:16,000 ARE YOU TWO...DATING? 883 00:44:16,033 --> 00:44:17,900 DATING? 884 00:44:17,933 --> 00:44:18,900 HIM? 885 00:44:18,933 --> 00:44:20,267 NO! 886 00:44:20,300 --> 00:44:21,767 WE'RE NOT...DATING. 887 00:44:21,800 --> 00:44:23,267 ABSOLUTELY NOT. 888 00:44:23,300 --> 00:44:25,433 NOT IN THE ROMANTIC SENSE. 889 00:44:25,467 --> 00:44:26,667 I MEAN, THIS THING BETWEEN US, 890 00:44:26,700 --> 00:44:28,400 IT'S PURELY ANIMAL. 891 00:44:28,433 --> 00:44:29,733 RIGHT, STUD? 892 00:44:31,400 --> 00:44:33,867 HE'S AN ANIMAL. 893 00:44:33,900 --> 00:44:35,533 I SEE. 894 00:44:35,567 --> 00:44:37,400 YEAH, BUT WE DISCOVERED 895 00:44:37,433 --> 00:44:39,733 WE'RE BOTH OUT-AND-OUT TOPS, 896 00:44:39,767 --> 00:44:41,733 SO WE'RE MAKIN' THE ROUNDS TONIGHT 897 00:44:41,767 --> 00:44:44,433 LOOKIN' FOR A COUPLE OF HOT BOTTOMS. 898 00:44:44,467 --> 00:44:46,400 WE GOT ONE. 899 00:44:46,433 --> 00:44:47,400 HI. 900 00:44:47,433 --> 00:44:49,067 DID I SAY YOU COULD TALK? 901 00:44:49,100 --> 00:44:50,067 NO. 902 00:44:50,100 --> 00:44:51,067 NO, WHAT? 903 00:44:51,100 --> 00:44:52,067 NO, THANK YOU? 904 00:44:52,100 --> 00:44:53,100 NO, SIR! 905 00:44:53,133 --> 00:44:54,400 NO, SIR. 906 00:44:54,433 --> 00:44:56,067 HE'S STILL IN TRAINING. 907 00:44:59,667 --> 00:45:00,767 OHH! 908 00:45:00,800 --> 00:45:01,833 [SOBBING] 909 00:45:09,067 --> 00:45:10,967 WE FIT. 910 00:45:11,000 --> 00:45:11,967 I KNOW. 911 00:45:12,000 --> 00:45:13,400 WE DO. WE FIT. 912 00:45:13,433 --> 00:45:15,400 MM-HMM. 913 00:45:15,433 --> 00:45:17,267 ARE YOU STILL STAYING WITH THAT CHOREOGRAPHER? 914 00:45:17,300 --> 00:45:18,533 YEAH. 915 00:45:18,567 --> 00:45:21,433 I HAVEN'T FOUND A PLACE YET. 916 00:45:21,467 --> 00:45:22,733 WE SHOULD TALK. 917 00:45:22,767 --> 00:45:25,100 CAN I COME OVER? 918 00:45:25,133 --> 00:45:26,333 OH! 919 00:45:28,033 --> 00:45:29,167 IT'S OK. 920 00:45:30,300 --> 00:45:31,933 WORK THIS OUT. 921 00:45:31,967 --> 00:45:32,933 TALK. 922 00:45:32,967 --> 00:45:34,333 YEAH. TALK. 923 00:45:35,700 --> 00:45:37,033 SIR. 924 00:45:51,767 --> 00:45:52,733 THAT WAS NICE. 925 00:45:52,767 --> 00:45:53,833 WHAT? 926 00:45:54,833 --> 00:45:56,600 THAT. WHAT YOU JUST DID. 927 00:45:56,633 --> 00:45:59,500 I DIDN'T DO ANYTHING. 928 00:45:59,533 --> 00:46:00,867 COME ON. 929 00:46:05,433 --> 00:46:07,700 10 MINUTES, LADIES. 930 00:46:07,733 --> 00:46:09,200 OH, MY GOD. 931 00:46:09,233 --> 00:46:11,933 EVERYONE I KNOW IS HERE TONIGHT. 932 00:46:11,967 --> 00:46:13,700 OH, HOW SWEET. YOU HAVE TO READ THIS. 933 00:46:13,733 --> 00:46:15,200 THEY'RE FROM AN OLD BOYFRIEND OF MINE. 934 00:46:15,233 --> 00:46:16,500 OH, I WONDER IF HE KNOWS THAT MY NEW BOYFRIEND 935 00:46:16,533 --> 00:46:18,300 IS HERE TONIGHT, TOO. 936 00:46:18,333 --> 00:46:19,500 OH, MY GOD. 937 00:46:19,533 --> 00:46:21,867 [LAUGHS] 938 00:46:26,400 --> 00:46:28,800 OH. OH, GIVE THOSE TO HER. 939 00:46:28,833 --> 00:46:31,500 HAVE A GREAT SHOW, EVERYONE. 940 00:46:32,833 --> 00:46:34,733 [GASPS] OHH! 941 00:46:34,767 --> 00:46:36,033 I THINK I KNOW WHO THESE ARE FROM. 942 00:46:36,067 --> 00:46:37,700 WHO? GABRIEL. 943 00:46:37,733 --> 00:46:39,533 OH, IS THAT YOUR BOYFRIEND? 944 00:46:44,200 --> 00:46:45,667 THEY'RE FOR YOU. 945 00:46:45,700 --> 00:46:47,800 OH, NO, THAT'S OK. THERE'S NO MORE ROOM. 946 00:46:47,833 --> 00:46:49,133 YOU CAN KEEP THEM. 947 00:46:49,167 --> 00:46:50,967 THANKS. 948 00:46:51,000 --> 00:46:53,500 [SNEEZES] 949 00:46:56,933 --> 00:46:58,767 [BOTH LAUGH] 950 00:47:05,233 --> 00:47:06,233 RICH. 951 00:47:06,267 --> 00:47:08,233 WHAT? 952 00:47:08,267 --> 00:47:09,700 SHE'S WATCHING US. 953 00:47:09,733 --> 00:47:10,667 WHO IS? 954 00:47:10,700 --> 00:47:12,067 TRIXIE. 955 00:47:13,600 --> 00:47:15,900 SO? 956 00:47:15,933 --> 00:47:17,233 I THINK SHE'S LONELY. 957 00:47:17,267 --> 00:47:21,033 NO, SHE'S NOT LONELY. SHE'S--NO. 958 00:47:21,067 --> 00:47:22,567 I'M GOING TO FEED HER. 959 00:47:22,600 --> 00:47:23,567 SHE LOOKS HUNGRY. 960 00:47:23,600 --> 00:47:25,433 [SIGHS] 961 00:47:31,933 --> 00:47:33,400 HERE, TRIXIE. 962 00:47:42,933 --> 00:47:43,900 DO YOU HAVE ANY MENUS? 963 00:47:43,933 --> 00:47:45,567 I THINK I'M HUNGRY. 964 00:47:45,600 --> 00:47:47,367 YOU'RE ALWAYS HUNGRY. 965 00:47:47,400 --> 00:47:50,267 YOU'RE ALWAYS HORNY. 966 00:47:50,300 --> 00:47:52,400 [DANCE MUSIC PLAYING INSIDE] 967 00:47:56,067 --> 00:47:57,767 HEY. 968 00:47:57,800 --> 00:47:59,033 HE'S WITH ME. 969 00:47:59,067 --> 00:47:59,900 DON'T WE NEED OUR HANDS STAMPED? 970 00:47:59,933 --> 00:48:01,067 NO. 971 00:48:08,700 --> 00:48:10,467 [WOMAN SINGING] 972 00:48:13,167 --> 00:48:14,567 HERE, SEXY. 973 00:48:14,600 --> 00:48:16,067 WHOO! 974 00:48:16,100 --> 00:48:16,833 HEY, YOU NEVER CALL ME. 975 00:48:16,867 --> 00:48:18,933 YEP. 976 00:48:18,967 --> 00:48:19,933 YOU WANT SOMETHING TO DRINK? 977 00:48:19,967 --> 00:48:21,433 NO, THANKS. 978 00:48:29,633 --> 00:48:30,833 CROWDED. 979 00:48:30,867 --> 00:48:31,833 AREN'T YOU HOT? 980 00:48:31,867 --> 00:48:33,500 NO. NO. 981 00:48:36,100 --> 00:48:38,767 * YEAH 982 00:48:41,800 --> 00:48:45,133 * OOH 983 00:48:45,167 --> 00:48:47,133 * YEAH 984 00:48:48,067 --> 00:48:49,967 * I AM WOMAN 985 00:48:50,000 --> 00:48:51,500 * HEAR ME ROAR 986 00:48:51,533 --> 00:48:55,167 * IN NUMBERS TOO BIG TO IGNORE * 987 00:48:55,200 --> 00:48:57,100 * AND I KNOW TOO MUCH 988 00:48:57,133 --> 00:49:00,700 * TO GO BACK AND PRETEND * 989 00:49:02,300 --> 00:49:05,400 * 'CAUSE I HEARD IT ALL BEFORE * 990 00:49:05,433 --> 00:49:09,267 * I'VE BEEN DOWN THERE ON THE FLOOR * 991 00:49:09,300 --> 00:49:12,967 * NO ONE'S EVER GONNA KEEP ME DOWN * 992 00:49:13,000 --> 00:49:15,500 * AGAIN 993 00:49:15,533 --> 00:49:16,933 * OH 994 00:49:16,967 --> 00:49:19,833 * YES, I AM WISE 995 00:49:19,867 --> 00:49:23,967 * BUT IT'S WISDOM FOR THE PAIN * 996 00:49:24,000 --> 00:49:27,067 * YES, I'VE PAID THE PRICE * 997 00:49:27,100 --> 00:49:30,000 * BUT LOOK HOW MUCH I GAINED * 998 00:49:30,033 --> 00:49:32,733 * IF I HAVE TO 999 00:49:32,767 --> 00:49:35,433 * I CAN DO ANYTHING 1000 00:49:36,533 --> 00:49:38,533 * I AM STRONG 1001 00:49:38,567 --> 00:49:39,533 * STRONG 1002 00:49:39,567 --> 00:49:42,367 * I AM INVINCIBLE 1003 00:49:42,400 --> 00:49:44,133 * INVINCIBLE 1004 00:49:44,167 --> 00:49:47,833 * I AM WOMAN 1005 00:49:47,867 --> 00:49:48,933 * OH 1006 00:49:55,100 --> 00:49:56,200 * YEAH 1007 00:49:58,067 --> 00:50:01,167 * YOU CAN BEND BUT NEVER BREAK ME * 1008 00:50:01,200 --> 00:50:04,533 * 'CAUSE IT ONLY SERVES TO MAKE ME * 1009 00:50:04,567 --> 00:50:07,433 * MORE DETERMINED TO ACHIEVE * 1010 00:50:07,467 --> 00:50:10,367 * MY FINAL GOAL 1011 00:50:11,633 --> 00:50:15,067 * AND I COME BACK EVEN STRONGER * 1012 00:50:15,100 --> 00:50:18,500 * NOT A NOVICE ANY LONGER 1013 00:50:18,533 --> 00:50:21,733 * 'CAUSE OF THE DEEPEST CONVICTION * 1014 00:50:21,767 --> 00:50:24,900 * IN MY SOUL 1015 00:50:24,933 --> 00:50:26,233 * OH 1016 00:50:26,267 --> 00:50:29,267 * YES, I AM WISE 1017 00:50:29,300 --> 00:50:33,400 * BUT IT'S WISDOM FOR THE PAIN * 1018 00:50:33,433 --> 00:50:36,233 * YES, I'VE PAID THE PRICE * 1019 00:50:36,267 --> 00:50:39,233 * BUT LOOK HOW MUCH I GAINED * 1020 00:50:39,267 --> 00:50:41,933 * IF I HAD TO 1021 00:50:41,967 --> 00:50:45,433 * I CAN DO ANYTHING 1022 00:50:45,467 --> 00:50:47,867 * I AM STRONG 1023 00:50:47,900 --> 00:50:49,467 * STRONG 1024 00:50:49,500 --> 00:50:51,933 * I AM INVINCIBLE 1025 00:50:51,967 --> 00:50:53,233 * INVINCIBLE 1026 00:50:53,267 --> 00:50:57,367 * I AM WOMAN 1027 00:50:57,400 --> 00:50:58,467 * OH 1028 00:51:03,567 --> 00:51:05,633 * I AM WOMAN 1029 00:51:05,667 --> 00:51:07,533 * WATCH ME GROW 1030 00:51:07,567 --> 00:51:10,667 * SEE ME STANDING TOE-TO-TOE * 1031 00:51:10,700 --> 00:51:12,833 * AS I SPREAD MY LOVE... 1032 00:51:12,867 --> 00:51:13,833 HEY, GIRL! 1033 00:51:13,867 --> 00:51:16,433 DINO! 1034 00:51:16,467 --> 00:51:19,400 OOH, MAN, I AM FUCKING HORNY TONIGHT. 1035 00:51:19,433 --> 00:51:21,567 I BETTER GET LAID, THAT'S ALL I'M SAYING. 1036 00:51:21,600 --> 00:51:22,567 IT SHOULDN'T BE TOO HARD. 1037 00:51:22,600 --> 00:51:23,667 HI. 1038 00:51:24,833 --> 00:51:25,800 I GOT A TATTOO YESTERDAY. 1039 00:51:25,833 --> 00:51:26,800 WHAT? 1040 00:51:26,833 --> 00:51:28,267 A TATTOO ON MY ASS. 1041 00:51:28,300 --> 00:51:29,900 YOU GOT TO SEE IT. IT'S SO COOL. 1042 00:51:29,933 --> 00:51:31,967 IT'S HOT IN HERE. ARE YOU HOT? 1043 00:51:32,000 --> 00:51:33,000 DOWN, BOY. 1044 00:51:33,033 --> 00:51:34,333 YOU'RE WASTED. 1045 00:51:34,367 --> 00:51:35,867 TOTALLY TRASHED. 1046 00:51:35,900 --> 00:51:37,200 I CAN SEE THAT. DO YOU NEED TO SIT? 1047 00:51:37,233 --> 00:51:39,667 NO. I WANT TO STAND HERE WITH YOU. 1048 00:51:39,700 --> 00:51:40,700 AND YOU. 1049 00:51:43,133 --> 00:51:45,867 OW! OOH, I FORGOT TO PUT OINTMENT ON IT. 1050 00:51:45,900 --> 00:51:47,467 MY TATTOO. 1051 00:51:47,500 --> 00:51:49,200 IT'S SO COOL. IT'S A SAILOR-- 1052 00:51:49,233 --> 00:51:51,600 TOTAL BEEFCAKE. 1053 00:51:51,633 --> 00:51:52,700 I CAN'T SEE IT WITHOUT A MIRROR. 1054 00:51:52,733 --> 00:51:54,500 [LAUGHS] 1055 00:51:54,533 --> 00:51:56,300 WHERE'S THE BATHROOM? 1056 00:51:56,333 --> 00:51:58,367 WHAT? THE BATHROOM. 1057 00:51:58,400 --> 00:52:00,200 BACK THERE. 1058 00:52:00,233 --> 00:52:02,333 * I AM WOMAN 1059 00:52:02,367 --> 00:52:05,033 * YEAH, I AM WOMAN 1060 00:52:05,067 --> 00:52:06,967 * STRONG 1061 00:52:07,000 --> 00:52:09,267 * I AM WOMAN 1062 00:52:09,300 --> 00:52:12,233 * YES, I'M INVINCIBLE 1063 00:52:12,267 --> 00:52:13,900 * STRONG 1064 00:52:13,933 --> 00:52:15,900 * I AM WOMAN 1065 00:52:15,933 --> 00:52:18,067 * INVINCIBLE 1066 00:52:18,100 --> 00:52:19,200 * ALL RIGHT 1067 00:52:19,233 --> 00:52:20,233 * STRONG 1068 00:52:20,267 --> 00:52:22,167 * YEAH, I AM WOMAN 1069 00:52:22,200 --> 00:52:23,400 * INVINCIBLE 1070 00:52:23,433 --> 00:52:25,333 WHERE'D YOU PICK UP PRISCILLA? 1071 00:52:25,367 --> 00:52:27,000 GABRIEL. 1072 00:52:27,033 --> 00:52:28,800 WHAT A DRAG. GIRL NEEDS TO LOOSEN UP. 1073 00:52:28,833 --> 00:52:30,700 YO, LEAVE HIM ALONE. 1074 00:52:32,667 --> 00:52:33,633 LET'S GET OUT OF HERE BEFORE HE COMES BACK. 1075 00:52:33,667 --> 00:52:34,900 DINO-- 1076 00:52:34,933 --> 00:52:37,333 A FRIEND INVITED ME TO A PARTY IN TRIBECA. 1077 00:52:37,367 --> 00:52:38,500 YEAH? WHICH FRIEND? 1078 00:52:38,533 --> 00:52:39,767 SOME RICH GUY. 1079 00:52:39,800 --> 00:52:40,833 LOOK, I'M NOT INTO HANGING OUT 1080 00:52:40,867 --> 00:52:42,067 WITH A BUNCH OF PARTY BURNOUTS. 1081 00:52:42,100 --> 00:52:43,600 AW, IT'S NOT LIKE THAT, BABY. 1082 00:52:43,633 --> 00:52:44,933 IT'S YUMMY. 1083 00:52:44,967 --> 00:52:46,633 IT'S YUM-- OOH! 1084 00:53:15,433 --> 00:53:18,767 SO, ARE YOU AND MARK BOYFRIENDS? 1085 00:53:18,800 --> 00:53:21,100 I'M SORRY? 1086 00:53:21,133 --> 00:53:23,600 WHAT'S YOUR NAME? 1087 00:53:23,633 --> 00:53:25,433 UM, GABRIEL. 1088 00:53:25,467 --> 00:53:26,533 GABRIEL. 1089 00:53:26,567 --> 00:53:27,867 [LAUGHS] 1090 00:53:27,900 --> 00:53:30,867 AS IN, "BLOW, GABRIEL, BLOW"? 1091 00:53:30,900 --> 00:53:32,700 I'VE HEARD THAT BEFORE. 1092 00:53:32,733 --> 00:53:34,433 YEAH, WELL... 1093 00:53:34,467 --> 00:53:36,067 I'M MISS COCO PERU. 1094 00:53:36,100 --> 00:53:37,367 HELLO. 1095 00:53:37,400 --> 00:53:38,367 HI. 1096 00:53:38,400 --> 00:53:40,300 OH. 1097 00:53:40,333 --> 00:53:42,567 SO, IS MARK YOUR BOYFRIEND 1098 00:53:42,600 --> 00:53:44,933 OR JUST A TRICK? 1099 00:53:44,967 --> 00:53:46,033 I DON'T KNOW WHAT WE ARE. 1100 00:53:46,067 --> 00:53:48,467 MMM. HA HA! 1101 00:53:48,500 --> 00:53:51,100 OH, I'VE HEARD THAT BEFORE. 1102 00:53:51,133 --> 00:53:52,900 OH, GABRIEL. 1103 00:53:52,933 --> 00:53:55,100 GABRIEL, GABRIEL, GABRIEL, 1104 00:53:55,133 --> 00:53:57,433 GABRIEL, GABRIEL, GABRIEL, GABRIEL. 1105 00:53:57,467 --> 00:53:58,633 LOOK... 1106 00:53:58,667 --> 00:54:00,233 I'M NOT ONE TO GOSSIP. 1107 00:54:00,267 --> 00:54:01,567 IT'S NOT MY NATURE. 1108 00:54:01,600 --> 00:54:02,633 TRUTH. 1109 00:54:02,667 --> 00:54:03,900 TRUTH-- 1110 00:54:03,933 --> 00:54:05,967 NOW, THAT'S MY NATURE. 1111 00:54:06,000 --> 00:54:07,900 UH, CAN YOU STAND OVER THERE? 1112 00:54:07,933 --> 00:54:10,000 A LITTLE PEE SHY? OH, DON'T WORRY. 1113 00:54:10,033 --> 00:54:12,067 MISS COCO'S HERE TO HELP. 1114 00:54:12,100 --> 00:54:13,900 GABRIEL... 1115 00:54:13,933 --> 00:54:15,833 YOU LOOK LIKE A NICE PERSON. YOU DO. 1116 00:54:15,867 --> 00:54:18,233 SO, AS A TRUTH SEEKER, 1117 00:54:18,267 --> 00:54:21,500 I FEEL IT'S MY DUTY TO TELL YOU 1118 00:54:21,533 --> 00:54:24,667 THAT MARK IS A NO-GOOD FUCKING PIECE OF RAT SHIT. 1119 00:54:24,700 --> 00:54:26,367 DON'T GET ME WRONG. 1120 00:54:26,400 --> 00:54:28,200 HE'S HANDSOME. 1121 00:54:28,233 --> 00:54:30,000 HE'S CHARMING. 1122 00:54:30,033 --> 00:54:31,500 HUGE PENIS. 1123 00:54:32,833 --> 00:54:35,500 HUGE PENIS. 1124 00:54:35,533 --> 00:54:38,367 OH, BELIEVE ME, GABRIEL, I KNOW. 1125 00:54:39,567 --> 00:54:40,800 I KNOW. 1126 00:54:40,833 --> 00:54:42,033 [KNOCK ON DOOR] 1127 00:54:42,067 --> 00:54:43,667 I'D--I'D REALLY LIKE TO HEAR THIS, 1128 00:54:43,700 --> 00:54:44,833 BUT COULD YOU-- 1129 00:54:44,867 --> 00:54:46,367 TURN AROUND? SURE. 1130 00:54:48,400 --> 00:54:50,200 YEAH, I REMEMBER THE FIRST TIME I MET HIM. 1131 00:54:50,233 --> 00:54:51,333 OH, YEAH. 1132 00:54:51,367 --> 00:54:54,133 IT WAS 2 YEARS AGO, GAY PRIDE DAY. 1133 00:54:54,167 --> 00:54:58,633 I WAS ON THE TRAIN GOING HOME FROM THE FESTIVITIES, 1134 00:54:58,667 --> 00:55:00,733 AND HE WAS SITTING ACROSS FROM ME... 1135 00:55:00,767 --> 00:55:02,467 SLEEPING. 1136 00:55:02,500 --> 00:55:03,933 BUT HE WASN'T REALLY SLEEPING. 1137 00:55:03,967 --> 00:55:05,600 OH, NO. 1138 00:55:05,633 --> 00:55:07,933 HE WAS PRETENDING TO SLEEP, 1139 00:55:07,967 --> 00:55:09,467 BECAUSE HE KNOWS HE LOOKS LIKE AN ANGEL 1140 00:55:09,500 --> 00:55:10,567 WHEN HE'S SLEEPING 1141 00:55:10,600 --> 00:55:12,833 AND NOT THE ANTICHRIST HE REALLY IS. 1142 00:55:12,867 --> 00:55:15,233 AND EVEN THOUGH I COULD TELL HE WAS FAKING, 1143 00:55:15,267 --> 00:55:16,900 I WENT ALONG WITH IT. 1144 00:55:16,933 --> 00:55:19,333 CALL ME CRAZY. I DON'T KNOW. 1145 00:55:19,367 --> 00:55:21,800 ANYWAY, WE STARTED TALKING, 1146 00:55:21,833 --> 00:55:23,067 AND HE GIVES ME SOME LINE 1147 00:55:23,100 --> 00:55:25,167 ABOUT SOME OLD LADY HE LIVES WITH, 1148 00:55:25,200 --> 00:55:27,067 AND HE ASKS IF HE CAN GO BACK TO MY PLACE. 1149 00:55:27,100 --> 00:55:28,667 I TOLD HIM. 1150 00:55:28,700 --> 00:55:31,200 I DON'T INVITE STRANGERS UP TO MY APARTMENT. 1151 00:55:31,233 --> 00:55:34,200 AND THEN HE LOOKS DOWN AT HIS CROTCH 1152 00:55:34,233 --> 00:55:35,400 AND THEN BACK UP AT ME, 1153 00:55:35,433 --> 00:55:36,733 AND HE SAYS, 1154 00:55:36,767 --> 00:55:38,033 "IT'S BIG, 1155 00:55:38,067 --> 00:55:39,733 "IT'S BEAUTIFUL, 1156 00:55:39,767 --> 00:55:41,333 AND YOU'RE GOING TO LOVE IT." 1157 00:55:41,367 --> 00:55:44,000 AND I SAID, "OH... 1158 00:55:44,033 --> 00:55:46,367 ALL RIGHT." 1159 00:55:46,400 --> 00:55:48,333 AND... 1160 00:55:48,367 --> 00:55:50,167 AS HE WALKED ME BACK TO MY APARTMENT 1161 00:55:50,200 --> 00:55:51,667 ON THAT GAY NIGHT OF NIGHTS... 1162 00:55:51,700 --> 00:55:53,200 [KNOCK ON DOOR] 1163 00:55:53,233 --> 00:55:55,700 HE TOOK MY HAND GENTLY INTO HIS. 1164 00:55:55,733 --> 00:55:57,567 AND FOR A MOMENT, 1165 00:55:57,600 --> 00:56:00,833 I FELT LIKE THE LUCKIEST DRAG QUEEN IN THE WORLD. 1166 00:56:00,867 --> 00:56:02,033 AND I FANTASIZED-- 1167 00:56:02,067 --> 00:56:05,200 "YES. THIS IS IT. 1168 00:56:05,233 --> 00:56:06,533 "THIS IS THE MAN I'M GOING TO SPEND 1169 00:56:06,567 --> 00:56:08,200 THE REST OF MY LIFE WITH." 1170 00:56:08,233 --> 00:56:09,867 I'D BE THE ONE TO SHOW HIM 1171 00:56:09,900 --> 00:56:13,300 THE VIRTUES OF A LOVING HEART. 1172 00:56:13,333 --> 00:56:15,467 BUT DO YOU KNOW WHAT HE DID? 1173 00:56:15,500 --> 00:56:17,600 HE TOOK THAT HEART, HE TOSSED IT ON THE FLOOR. 1174 00:56:17,633 --> 00:56:20,967 WITH HIS LITTLE SATAN HOOFS, HE JUMPED... 1175 00:56:21,000 --> 00:56:23,033 HE JUMPED HARD. 1176 00:56:23,067 --> 00:56:24,533 THE TRUTH IS, GABRIEL, 1177 00:56:24,567 --> 00:56:26,067 WHEN WE GOT BACK TO MY APARTMENT, 1178 00:56:26,100 --> 00:56:27,433 HE GRABBED ME. HE THREW ME ON THE BED. 1179 00:56:27,467 --> 00:56:28,600 HE TORE OFF ALL MY CLOTHES. 1180 00:56:28,633 --> 00:56:30,300 WILL YOU HOLD ON ONE GODDAMN MINUTE?! 1181 00:56:30,333 --> 00:56:31,433 Man: COME ON! 1182 00:56:31,467 --> 00:56:33,167 JESUS CHRIST. 1183 00:56:34,433 --> 00:56:36,667 NOW I FORGOT WHERE I WAS. 1184 00:56:36,700 --> 00:56:38,100 WHERE WAS I? 1185 00:56:38,133 --> 00:56:39,933 THREW YOU ON THE BED, TORE OFF ALL YOUR CLOTHES. 1186 00:56:39,967 --> 00:56:41,567 RIGHT. 1187 00:56:41,600 --> 00:56:42,967 RIGHT. 1188 00:56:43,000 --> 00:56:44,767 SO I'M LICKING HIS BALLS. 1189 00:56:44,800 --> 00:56:46,400 NEXT THING I KNOW, 1190 00:56:46,433 --> 00:56:48,900 HE COMES IN MY EYE, AND HE'S OUT THE DOOR. 1191 00:56:48,933 --> 00:56:50,467 GONE. 1192 00:56:50,500 --> 00:56:53,267 YOU EVER GET COME IN YOUR EYE, GABRIEL, HMM? 1193 00:56:53,300 --> 00:56:55,900 IT BURNS. 1194 00:56:55,933 --> 00:56:58,067 SO, THERE I WAS 1195 00:56:58,100 --> 00:56:59,233 LYING IN THE MIDDLE OF MY BED 1196 00:56:59,267 --> 00:57:00,833 COMPLETELY NAKED 1197 00:57:00,867 --> 00:57:03,300 WITH AN EYE FULL OF COME, THINKING TO MYSELF, 1198 00:57:03,333 --> 00:57:04,533 "OH. 1199 00:57:04,567 --> 00:57:06,667 "OH. 1200 00:57:06,700 --> 00:57:08,767 OH, NO." 1201 00:57:08,800 --> 00:57:10,600 AND THEN, THE NEXT DAY, 1202 00:57:10,633 --> 00:57:12,367 WHEN I CALL THE NUMBER HE'D GIVEN ME EARLIER, 1203 00:57:12,400 --> 00:57:14,967 IT WAS THE BROOKLYN BOTANICAL GARDENS. 1204 00:57:15,000 --> 00:57:16,267 AND WOULD BELIEVE? 1205 00:57:16,300 --> 00:57:19,533 THEY NEVER EVEN HEARD OF A MARK MIRANDA. 1206 00:57:19,567 --> 00:57:21,400 BUT AM I BITTER? 1207 00:57:22,633 --> 00:57:24,700 ABSOLUTELY. 1208 00:57:24,733 --> 00:57:26,433 LET'S FACE IT, GABRIEL. 1209 00:57:26,467 --> 00:57:27,967 YOU ARE JUST ANOTHER LITTLE PHONE NUMBER 1210 00:57:28,000 --> 00:57:29,833 ON A DIRTY COCKTAIL NAPKIN 1211 00:57:29,867 --> 00:57:32,467 SHOVED INTO THE BOTTOM OF HIS POCKET. 1212 00:57:32,500 --> 00:57:34,500 [URINATES] 1213 00:57:34,533 --> 00:57:36,600 GOOD BOY. 1214 00:57:36,633 --> 00:57:37,833 BUT... 1215 00:57:37,867 --> 00:57:39,267 DO WHAT YOU WILL. 1216 00:57:39,300 --> 00:57:41,500 I ONLY OFFER YOU THIS INFORMATION 1217 00:57:41,533 --> 00:57:44,133 BECAUSE I'M A GIVER. 1218 00:57:44,167 --> 00:57:45,200 WHO KNOWS? 1219 00:57:45,233 --> 00:57:46,867 MAYBE SOMEDAY WE'LL MEET AGAIN, 1220 00:57:46,900 --> 00:57:49,800 AND I'LL BE ABLE TO LOOK AT YOU AND SAY, 1221 00:57:49,833 --> 00:57:50,767 "GABRIEL." 1222 00:57:51,733 --> 00:57:53,733 "GABRIEL. 1223 00:57:53,767 --> 00:57:55,567 "OOH... 1224 00:57:55,600 --> 00:57:57,433 I TOLD YOU SO." 1225 00:58:01,967 --> 00:58:03,033 * MAYBE 1226 00:58:03,067 --> 00:58:05,467 * MAYBE SOMEDAY 1227 00:58:05,500 --> 00:58:07,200 TOTALLY SICK, RIGHT? 1228 00:58:07,233 --> 00:58:08,467 SICK. 1229 00:58:08,500 --> 00:58:09,867 * ONE OF THESE DAYS * 1230 00:58:09,900 --> 00:58:12,000 * LOVE MAKES SENSE TO ME 1231 00:58:12,033 --> 00:58:13,733 * SOMEDAY 1232 00:58:16,700 --> 00:58:19,000 I'M GLAM, BABY. 1233 00:58:19,033 --> 00:58:22,867 YOU DON'T EVEN KNOW HOW GLAM I AM. 1234 00:58:23,967 --> 00:58:25,433 YOU WANT ME? 1235 00:58:29,100 --> 00:58:30,200 Man: YEAH! WHOO! 1236 00:58:31,467 --> 00:58:33,033 * MAYBE 1237 00:58:34,967 --> 00:58:36,100 * MAYBE 1238 00:58:36,133 --> 00:58:37,267 WHAT'S WRONG WITH YOU? 1239 00:58:39,267 --> 00:58:41,200 * MAYBE 1240 00:58:41,233 --> 00:58:43,200 * ONE OF THESE DAYS 1241 00:58:43,233 --> 00:58:45,733 * LOVE MAKES SENSE TO ME 1242 00:58:46,933 --> 00:58:48,467 * WELL, MAYBE 1243 00:58:48,500 --> 00:58:51,067 * MAYBE SOMEDAY, YES 1244 00:58:51,100 --> 00:58:53,033 * MAYBE 1245 00:58:53,067 --> 00:58:54,800 GOOD NIGHT, DINO. 1246 00:58:54,833 --> 00:58:56,300 I'M GOING. WHAT? 1247 00:58:56,333 --> 00:58:58,733 * MAYBE ONE OF THESE DAYS * 1248 00:58:58,767 --> 00:59:01,133 * LOVE MAKES SENSE TO ME 1249 00:59:01,167 --> 00:59:03,633 * WELL, WELL, WELL, WELL * 1250 00:59:03,667 --> 00:59:05,333 * I COULDN'T TAKE IT NO MORE * 1251 00:59:06,700 --> 00:59:10,700 * THANK GOD, THANK GOD... * 1252 00:59:10,733 --> 00:59:11,800 WHERE DO YOU WORK OUT? 1253 00:59:18,167 --> 00:59:19,733 SORRY. 1254 00:59:19,767 --> 00:59:21,267 I'M WITH SOMEONE. 1255 00:59:22,867 --> 00:59:24,767 * MAYBE 1256 00:59:24,800 --> 00:59:26,733 * SOMEDAY, SOMEDAY 1257 00:59:26,767 --> 00:59:28,133 * MAYBE 1258 00:59:28,167 --> 00:59:30,300 * OH, ONE OF THESE DAYS 1259 00:59:30,333 --> 00:59:31,800 * LOVE MAKES SENSE-- 1260 00:59:52,500 --> 00:59:54,933 [SIREN IN DISTANCE] 1261 00:59:54,967 --> 00:59:56,800 [FOOTSTEPS COMING UPSTAIRS] 1262 01:00:04,667 --> 01:00:06,367 HEY. 1263 01:00:06,400 --> 01:00:07,533 HEY. 1264 01:00:10,867 --> 01:00:13,033 WHY ARE YOU SITTING IN THE HALL? 1265 01:00:13,967 --> 01:00:15,033 AHEM. 1266 01:00:15,067 --> 01:00:16,533 WHY'D YOU COME BACK? 1267 01:00:18,967 --> 01:00:20,167 YOU'RE UPSET. 1268 01:00:20,200 --> 01:00:23,100 NO, NO, I'M NOT UPSET. 1269 01:00:23,133 --> 01:00:24,500 WE SHOULDN'T HAVE GONE THERE. 1270 01:00:24,533 --> 01:00:26,533 NO, NO. 1271 01:00:26,567 --> 01:00:29,567 NO. IT WAS GOOD WE WENT. REALLY. 1272 01:00:29,600 --> 01:00:31,667 [SIGHS] YOU DIDN'T NEED TO COME BACK. 1273 01:00:31,700 --> 01:00:33,167 YES, I DID. 1274 01:00:35,367 --> 01:00:37,700 CAN WE GO IN AND TALK? 1275 01:00:37,733 --> 01:00:39,467 THEY'RE, UH... 1276 01:00:39,500 --> 01:00:40,667 THEY'RE STILL GOING AT IT. 1277 01:00:41,767 --> 01:00:43,200 OH. 1278 01:00:43,233 --> 01:00:45,033 YEAH, SO YOU SHOULD PROBABLY... 1279 01:00:45,067 --> 01:00:46,900 YOU SHOULD PROBABLY GO HOME. 1280 01:00:49,833 --> 01:00:51,267 I CAN'T. 1281 01:00:54,233 --> 01:00:56,700 I THINK I LEFT MY KEYS IN YOUR APARTMENT. 1282 01:00:59,600 --> 01:01:01,000 I'LL KNOCK. 1283 01:01:02,667 --> 01:01:04,133 [KNOCKS ON DOOR] 1284 01:01:05,533 --> 01:01:07,233 Rich: SHIT. SHIT. 1285 01:01:07,267 --> 01:01:08,233 Judy: WHO'S THAT? 1286 01:01:08,267 --> 01:01:10,467 YEAH. WHO IS IT? 1287 01:01:10,500 --> 01:01:12,100 IT'S GABE. 1288 01:01:12,133 --> 01:01:13,867 WE'RE NOT FINISHED. 1289 01:01:13,900 --> 01:01:16,800 CAN YOU COME TO THE DOOR? I NEED TO TALK. 1290 01:01:18,800 --> 01:01:19,767 YEAH? 1291 01:01:19,800 --> 01:01:20,900 SORRY. 1292 01:01:20,933 --> 01:01:22,367 WHAT DO YOU NEED? 1293 01:01:22,400 --> 01:01:25,233 UH, MARK THINKS HE LEFT HIS KEYS. 1294 01:01:25,267 --> 01:01:27,333 JUDY, DO YOU SEE SOME KEYS? 1295 01:01:27,367 --> 01:01:28,667 Judy: WHERE'D YOU LEAVE THEM? 1296 01:01:28,700 --> 01:01:31,100 I DON'T KNOW. MAYBE NEAR THE BED. 1297 01:01:31,133 --> 01:01:32,533 I DON'T SEE THEM. 1298 01:01:32,567 --> 01:01:34,567 MAYBE YOU GUYS SHOULD JUST COME IN AND LOOK. 1299 01:01:34,600 --> 01:01:35,567 Gabriel: OK. 1300 01:01:35,600 --> 01:01:36,767 IT'LL BE FASTER THAT WAY. 1301 01:01:36,800 --> 01:01:38,100 [LAUGHS] 1302 01:01:38,133 --> 01:01:38,900 NO. YOU'RE NOT COMING IN. 1303 01:01:38,933 --> 01:01:40,467 RICH... 1304 01:01:40,500 --> 01:01:42,800 HE CAN'T GO HOME UNTIL HE FINDS HIS KEYS! 1305 01:01:44,267 --> 01:01:45,467 ALL RIGHT, BUT YOU BETTER BE GONE 1306 01:01:45,500 --> 01:01:46,600 BY THE TIME I'M OUT OF THE BATHROOM. 1307 01:01:46,633 --> 01:01:47,633 ALL RIGHT. 1308 01:01:50,733 --> 01:01:51,700 HI, GABRIEL. 1309 01:01:51,733 --> 01:01:53,100 HI. 1310 01:01:53,133 --> 01:01:54,100 CAN YOU HELP US LOOK? 1311 01:01:54,133 --> 01:01:56,767 WELL, WHERE WOULD THEY BE? 1312 01:01:56,800 --> 01:01:57,700 I'M NOT SURE. 1313 01:01:57,733 --> 01:01:58,800 GABRIEL... 1314 01:02:00,733 --> 01:02:02,500 DID YOU GUYS JUST MEET EACH OTHER TONIGHT? 1315 01:02:02,533 --> 01:02:05,600 YEAH. CAN WE MAKE THIS AS FAST AS POSSIBLE? 1316 01:02:05,633 --> 01:02:07,733 AND YOU WANT TO DO EACH OTHER? 1317 01:02:09,533 --> 01:02:11,500 YEAH. 1318 01:02:11,533 --> 01:02:14,933 GABRIEL, HOW DO YOU KNOW YOU CAN TRUST THIS GUY? 1319 01:02:14,967 --> 01:02:16,033 YOU DON'T REALLY KNOW A THING ABOUT HIM. 1320 01:02:17,433 --> 01:02:19,100 YOU'RE RIGHT. I DON'T KNOW HIM AT ALL. 1321 01:02:19,133 --> 01:02:22,233 I THINK IT'S KIND OF A TURN-ON, DON'T YOU? 1322 01:02:22,267 --> 01:02:25,067 ANONYMOUS SEX-- THAT'S PRETTY HOT. 1323 01:02:25,100 --> 01:02:27,933 YEAH, PRETTY HOT. LET'S JUST LOOK FOR THE KEYS. 1324 01:02:27,967 --> 01:02:30,567 THAT'S THE GREAT THING ABOUT ANONYMOUS SEX-- 1325 01:02:30,600 --> 01:02:32,433 YOU CAN SAY YOU'RE JUST ABOUT ANYONE, 1326 01:02:32,467 --> 01:02:34,233 AND YOUR PARTNER CAN'T DISAGREE. 1327 01:02:34,267 --> 01:02:35,333 DO YOU WANT TO SEE I.D.? 1328 01:02:36,700 --> 01:02:38,833 WELL, I DO. 1329 01:02:45,333 --> 01:02:48,467 OH, YOU WENT TO A SOONIE SCHOOL? 1330 01:02:48,500 --> 01:02:49,967 WHAT'D YOU MAJOR IN? 1331 01:02:50,000 --> 01:02:51,333 JOURNALISM. 1332 01:02:51,367 --> 01:02:53,967 WELL, HIS NAME'S REALLY MARK, GABE. 1333 01:02:54,000 --> 01:02:55,700 I--I DON'T SEE THEM. 1334 01:02:55,733 --> 01:02:57,700 WHEN YOU KNOW TOO MUCH ABOUT A PERSON, 1335 01:02:57,733 --> 01:03:01,700 SOMETIMES IT'S HARD TO THINK OF THEM SEXUALLY, 1336 01:03:01,733 --> 01:03:04,700 BUT WHEN YOU KNOW SOMEONE ONLY IN A SEXUAL WAY, 1337 01:03:04,733 --> 01:03:07,233 IT'S HARD TO THINK OF THEM AS A PERSON. 1338 01:03:07,267 --> 01:03:08,500 CAN I HAVE MY WALLET BACK? 1339 01:03:08,533 --> 01:03:11,000 I WANT TO BE A SEX COUNSELOR SOMEDAY. 1340 01:03:11,033 --> 01:03:12,867 THAT'S MY DREAM. 1341 01:03:12,900 --> 01:03:14,467 GREAT. 1342 01:03:14,500 --> 01:03:15,467 YOU KNOW, 1343 01:03:15,500 --> 01:03:16,567 PERSONALLY, 1344 01:03:16,600 --> 01:03:18,667 AS A SEXUALLY ACTIVE FEMALE, 1345 01:03:18,700 --> 01:03:20,200 I FIND THE IDEA OF 2 MEN GETTING IT ON 1346 01:03:20,233 --> 01:03:21,533 INCREDIBLY HOT. 1347 01:03:21,567 --> 01:03:23,900 ARE YOU SURE THEY'RE HERE? 1348 01:03:23,933 --> 01:03:25,800 NO, I'M NOT SURE. 1349 01:03:25,833 --> 01:03:27,833 CAN YOU STAND STILL FOR A SECOND AND LET ME EXPLAIN? 1350 01:03:27,867 --> 01:03:28,900 NO. 1351 01:03:28,933 --> 01:03:30,200 YOU KNOW WHAT THEY SAY-- 1352 01:03:30,233 --> 01:03:32,533 EVERYONE'S BISEXUAL TO A DEGREE. 1353 01:03:34,167 --> 01:03:36,733 BUT TO A DEGREE, EVERYONE IS. 1354 01:03:36,767 --> 01:03:38,000 THERE'S THIS PART IN PARIS 1355 01:03:38,033 --> 01:03:40,300 WHERE EVERYONE'S BI-- EVERYONE. 1356 01:03:40,333 --> 01:03:41,900 THERE'S NO STRAIGHT, THERE'S NO GAY-- 1357 01:03:41,933 --> 01:03:43,333 JUST BI, 1358 01:03:43,367 --> 01:03:44,467 AND ANYONE WHO HASN'T BEEN 1359 01:03:44,500 --> 01:03:46,067 DOESN'T EVEN KNOW. 1360 01:03:46,100 --> 01:03:48,100 IT'S GREAT. 1361 01:03:48,133 --> 01:03:49,733 HAVE YOU EVER BEEN TO PARIS, GABRIEL? 1362 01:03:49,767 --> 01:03:50,933 NO. 1363 01:03:50,967 --> 01:03:53,467 I BET YOU HAVE, HAVEN'T YOU, MARK? 1364 01:03:56,400 --> 01:03:57,900 CAN WE JUST FIND THE KEYS? 1365 01:03:57,933 --> 01:03:59,067 OOH, IT HASN'T BEEN 1366 01:03:59,100 --> 01:04:01,000 A VERY GOOD NIGHT FOR SOMEONE. 1367 01:04:01,033 --> 01:04:03,100 YOU GUYS DONE YET? 1368 01:04:03,133 --> 01:04:04,667 WE'RE LOOKING! 1369 01:04:04,700 --> 01:04:06,133 WHY ARE YOU SO UPSET, GABRIEL? 1370 01:04:06,167 --> 01:04:06,900 I'M NOT UPSET. 1371 01:04:06,933 --> 01:04:08,100 GABRIEL? 1372 01:04:08,133 --> 01:04:10,067 OK, I'M UPSET. 1373 01:04:10,100 --> 01:04:11,433 DO YOU WANT TO TALK ABOUT IT? 1374 01:04:11,467 --> 01:04:12,867 NO. 1375 01:04:12,900 --> 01:04:14,167 WELL, THAT'S VALID. 1376 01:04:14,200 --> 01:04:15,333 MARK? 1377 01:04:15,367 --> 01:04:17,100 I'M SORRY. 1378 01:04:17,133 --> 01:04:18,167 WE NEVER SHOULD'VE GONE TO THAT CLUB. 1379 01:04:18,200 --> 01:04:19,867 YOU WERE KISSING HIM. 1380 01:04:21,600 --> 01:04:23,933 DINO'S THIS GUY I USED TO DATE, 1381 01:04:23,967 --> 01:04:25,400 AND, ACTUALLY, HE WAS KISSING ME, 1382 01:04:25,433 --> 01:04:26,533 BUT, TECHNICALLY, YOU'RE RIGHT, AND I'M SORRY. 1383 01:04:26,567 --> 01:04:27,733 I GUESS--I DON'T KNOW. 1384 01:04:27,767 --> 01:04:30,267 I DON'T USUALLY GO THERE WITH ANYBODY. 1385 01:04:31,633 --> 01:04:33,800 ESPECIALLY NOT SOMEBODY I... 1386 01:04:34,967 --> 01:04:36,500 I-- 1387 01:04:37,800 --> 01:04:39,033 I DON'T KNOW WHAT'S HAPPENING TONIGHT, 1388 01:04:39,067 --> 01:04:41,267 AND I DON'T KNOW HOW YOU FEEL ABOUT ME. 1389 01:04:42,633 --> 01:04:44,733 GABRIEL, I THINK NOW IS A GOOD TIME 1390 01:04:44,767 --> 01:04:47,133 FOR YOU TO VERBALIZE YOUR FEELINGS. 1391 01:04:47,167 --> 01:04:48,300 WHY DID YOU JUST LEAVE? 1392 01:04:48,333 --> 01:04:50,600 WHY DIDN'T YOU SAY ANYTHING TO ME? 1393 01:04:50,633 --> 01:04:51,733 GABRIEL! 1394 01:04:51,767 --> 01:04:53,833 I PAY RENT HERE, TOO, YOU KNOW! 1395 01:04:53,867 --> 01:04:55,133 GABRIEL, 1396 01:04:55,167 --> 01:04:56,567 MAYBE MARK DESERVES TO KNOW WHY YOU LEFT 1397 01:04:56,600 --> 01:04:58,033 WITHOUT TELLING HIM. 1398 01:04:59,967 --> 01:05:01,333 I LEFT BECAUSE OF WHAT THE DRAG QUEEN 1399 01:05:01,367 --> 01:05:02,433 IN THE BATHROOM TOLD ME. 1400 01:05:03,900 --> 01:05:05,633 THERE WAS A DRAG QUEEN IN THE BATHROOM? 1401 01:05:05,667 --> 01:05:07,533 HERE WE GO. WHAT DID HE SAY? 1402 01:05:07,567 --> 01:05:09,633 HE SAID A LOT, 1403 01:05:09,667 --> 01:05:10,700 BUT THE GIST OF IT WAS THAT TONIGHT 1404 01:05:10,733 --> 01:05:12,567 WAS JUST A WHOLE ROUTINE FOR YOU. 1405 01:05:12,600 --> 01:05:14,233 WHAT? TONIGHT. 1406 01:05:14,267 --> 01:05:15,767 IT WAS ALL LINES. 1407 01:05:15,800 --> 01:05:17,733 "OH, LOOK AT ME. I'M SLEEPING ON THE SUBWAY." 1408 01:05:17,767 --> 01:05:19,133 I WAS TIRED. YOU DIDN'T HAVE TO STARE. 1409 01:05:19,167 --> 01:05:20,900 THIS OLD LADY-- 1410 01:05:20,933 --> 01:05:22,467 I DON'T LIKE BRINGING GUYS BACK TO MY PLACE. 1411 01:05:22,500 --> 01:05:24,400 AND SO WHAT? 1412 01:05:24,433 --> 01:05:27,167 I WAS TRYING TO PICK YOU UP. 1413 01:05:29,000 --> 01:05:30,500 WELL, IT WORKED. 1414 01:05:30,533 --> 01:05:32,000 WHY IS THAT SUCH A PROBLEM? 1415 01:05:32,033 --> 01:05:33,467 WHY WERE YOU EVEN LISTENING TO HIM? 1416 01:05:33,500 --> 01:05:34,833 I DIDN'T HAVE MUCH OF A CHOICE. 1417 01:05:36,167 --> 01:05:37,133 I SLEPT WITH HIM ONE TIME. 1418 01:05:37,167 --> 01:05:38,467 HE MENTIONED THAT. 1419 01:05:38,500 --> 01:05:40,433 DID HE ALSO TELL YOU HE VIDEOTAPED IT? 1420 01:05:40,467 --> 01:05:41,700 OH, SHIT. 1421 01:05:41,733 --> 01:05:43,500 YEAH. WITHOUT TELLING ME. 1422 01:05:44,967 --> 01:05:47,100 AND THEN RIGHT WHEN I'M ABOUT TO, YOU KNOW... 1423 01:05:47,133 --> 01:05:49,633 ORGASM? 1424 01:05:49,667 --> 01:05:51,767 RIGHT. HE TELLS ME TO MOVE INTO THE LIGHT, 1425 01:05:51,800 --> 01:05:53,267 AND I FIGURED IT OUT, SO I GRABBED THE TAPE, 1426 01:05:53,300 --> 01:05:54,833 AND I GOT THE FUCK OUT OF THERE. 1427 01:05:54,867 --> 01:05:57,633 WELL, HE DIDN'T SAY THAT-- 1428 01:05:57,667 --> 01:05:59,167 ABOUT THE VIDEO-- 1429 01:05:59,200 --> 01:06:00,767 BUT HE SAID YOU LEFT. 1430 01:06:02,067 --> 01:06:03,400 YOU KNOW, 1431 01:06:03,433 --> 01:06:06,100 THIS WHOLE NIGHT SHOULD'VE BEEN OVER HOURS AGO. 1432 01:06:06,133 --> 01:06:08,267 IT'S GOTTEN WAY TOO COMPLICATED. 1433 01:06:08,300 --> 01:06:10,467 I JUST KEEP WAITING FOR THE OTHER SHOE TO DROP, 1434 01:06:10,500 --> 01:06:11,667 BECAUSE, YOU KNOW, 1435 01:06:11,700 --> 01:06:13,000 I KNOW THAT YOU'RE JUST GOING TO DUMP ME 1436 01:06:13,033 --> 01:06:14,500 LIKE YOU DUMPED THAT WHIFFENPOOF. 1437 01:06:15,867 --> 01:06:17,567 WHAT THE HELL IS A WHIFFENPOOF? 1438 01:06:17,600 --> 01:06:19,067 A SINGER! 1439 01:06:19,100 --> 01:06:20,533 OH. 1440 01:06:22,600 --> 01:06:25,200 I MEAN, I FEEL STUPID SPENDING THIS ENTIRE EVENING 1441 01:06:25,233 --> 01:06:27,467 LOOKING FOR A PLACE JUST TO GET OFF. 1442 01:06:27,500 --> 01:06:29,367 OH, IS THAT ALL WE WERE DOING? 1443 01:06:29,400 --> 01:06:30,500 THAT'S ALL I WAS DOING. 1444 01:06:31,433 --> 01:06:33,033 REALLY? 1445 01:06:33,067 --> 01:06:34,500 DEFINITELY. 1446 01:06:37,700 --> 01:06:38,633 YOU KNOW... 1447 01:06:41,867 --> 01:06:44,033 I KNOW I PICKED YOU UP ON THE SUBWAY AND ALL, 1448 01:06:44,067 --> 01:06:46,400 SO I DON'T KNOW WHY YOU'D BE ANY DIFFERENT THAN... 1449 01:06:48,633 --> 01:06:50,133 I DON'T KNOW. 1450 01:06:51,367 --> 01:06:52,067 I THOUGHT THERE WAS SOMETHING MORE 1451 01:06:52,100 --> 01:06:53,600 GOING ON TONIGHT. 1452 01:06:57,733 --> 01:06:58,833 AND JUST FOR THE RECORD, 1453 01:06:58,867 --> 01:07:01,633 THE WHIFFENPOOF DUMPED ME. 1454 01:07:01,667 --> 01:07:03,000 OH. 1455 01:07:11,467 --> 01:07:12,767 JUDY, YOUR SHEET SLIPPED. 1456 01:07:12,800 --> 01:07:14,867 AW, SHIT. 1457 01:07:14,900 --> 01:07:16,100 COVER YOURSELF. 1458 01:07:16,133 --> 01:07:17,267 WOULD YOU LIGHTEN UP? 1459 01:07:17,300 --> 01:07:18,533 BUT YOUR TITTIES ARE HANGING OUT. 1460 01:07:18,567 --> 01:07:21,467 YOU KNOW, IN EUROPE, BREASTS ARE BREASTS. 1461 01:07:21,500 --> 01:07:23,367 THEY'RE VERY NATURAL AND BEAUTIFUL THINGS. 1462 01:07:23,400 --> 01:07:24,467 JUST-- 1463 01:07:24,500 --> 01:07:25,267 WOULD YOU LET ME BE? 1464 01:07:25,300 --> 01:07:26,533 PUT THEM AWAY, JUDY. 1465 01:07:26,567 --> 01:07:28,533 IT'S NOT LIKE ANYTHING WOULD'VE HAPPENED. 1466 01:07:28,567 --> 01:07:31,100 YOU'RE NOT IN PARIS ANYMORE. 1467 01:07:31,133 --> 01:07:32,300 IS THIS THE WAY YOU'VE BEEN ACTING 1468 01:07:32,333 --> 01:07:33,467 THE PAST 6 MONTHS, HUH, JUDY? 1469 01:07:33,500 --> 01:07:35,567 YES. FOR THE PAST 6 MONTHS, 1470 01:07:35,600 --> 01:07:37,400 I'VE BEEN TOURING FRANCE TOPLESS. 1471 01:07:37,433 --> 01:07:39,200 AND YOU WANT TO KNOW SOMETHING? 1472 01:07:39,233 --> 01:07:41,900 NOBODY SEEMS TO CARE. GET OVER IT, RICH. 1473 01:07:41,933 --> 01:07:42,967 WHAT ARE YOU DOING, JUDY? 1474 01:07:43,000 --> 01:07:44,433 WHAT DOES IT LOOK LIKE I'M DOING? 1475 01:07:44,467 --> 01:07:46,400 CAN'T YOU SEE I'M GETTING DRESSED? 1476 01:07:46,433 --> 01:07:47,733 I'M GOING HOME TO MY GRANDMOTHER'S 1477 01:07:47,767 --> 01:07:49,100 IN CONNECTICUT. 1478 01:07:49,133 --> 01:07:50,967 LOOK, HERE'S THE KEYS. 1479 01:08:14,500 --> 01:08:15,500 I KNEW YOU WERE DIFFERENT 1480 01:08:15,533 --> 01:08:17,000 WHEN I SAW YOUR HAIRY ARMPITS. 1481 01:09:09,667 --> 01:09:10,933 HEY! MARK! 1482 01:09:16,433 --> 01:09:17,900 JUDY FOUND YOUR KEYS. 1483 01:09:27,133 --> 01:09:28,233 THANKS. 1484 01:09:40,767 --> 01:09:43,733 [TRAIN ARRIVES] 1485 01:09:43,767 --> 01:09:45,233 ARE YOU HUNGRY? 1486 01:09:46,367 --> 01:09:48,200 [DOOR BELL CHIMES] 1487 01:10:04,233 --> 01:10:06,200 OH, MY GOD, IT'S SO HYSTERICAL 1488 01:10:06,233 --> 01:10:07,133 THAT YOU GUYS ARE HERE. 1489 01:10:07,167 --> 01:10:08,433 ISN'T THAT HILARIOUS? 1490 01:10:08,467 --> 01:10:09,533 FRENCH FRIES. 1491 01:10:09,567 --> 01:10:10,867 THANK YOU. THANKS. 1492 01:10:10,900 --> 01:10:12,067 YOU KNOW, GABE, IT'S REALLY GOOD 1493 01:10:12,100 --> 01:10:13,200 YOU DIDN'T COME TO THE SHOW TONIGHT. 1494 01:10:13,233 --> 01:10:14,633 WE WERE REALLY OFF. YOU WANT SOME? 1495 01:10:14,667 --> 01:10:15,733 YEAH. 1496 01:10:15,767 --> 01:10:17,600 ANYWAY, 1497 01:10:17,633 --> 01:10:19,133 THE GIRL PLAYING JOHN THE BAPTIST-- 1498 01:10:19,167 --> 01:10:20,067 HORRIBLY ALLERGIC TO GLADIOLAS-- 1499 01:10:20,100 --> 01:10:21,533 WHO KNEW? 1500 01:10:21,567 --> 01:10:23,467 SO THERE'S A CHANCE I MIGHT GO ON TOMORROW NIGHT. 1501 01:10:23,500 --> 01:10:25,033 DIDN'T WE ORDER CHEESE FRIES? 1502 01:10:25,067 --> 01:10:29,133 OH, YEAH. SHOULD WE TELL HER? 1503 01:10:29,167 --> 01:10:31,933 WE'RE OUT OF THOUSAND ISLAND. I GAVE YOU RANCH. 1504 01:10:31,967 --> 01:10:33,133 OH, WELL. 1505 01:10:33,167 --> 01:10:34,633 OH, MY GOD, I HAVE TO TELL YOU 1506 01:10:34,667 --> 01:10:36,133 ABOUT THIS REALLY ARTSY PARTY 1507 01:10:36,167 --> 01:10:38,333 THIS FRENCH-CANADIAN GIRL IN MY ACTING CLASS THREW. 1508 01:10:38,367 --> 01:10:41,433 EVERYONE THERE, THEY WROTE, LIKE, POEMS OR NOVELLAS. 1509 01:10:41,467 --> 01:10:43,600 SO THIS ONE COLLEGE GUY-- HE WAS ASIAN-- 1510 01:10:43,633 --> 01:10:45,100 HE GETS UP WITH THIS LITTLE LEATHERETTE PORTFOLIO 1511 01:10:45,133 --> 01:10:46,967 WITH A SATIN RIBBON TO TIE IT SHUT, 1512 01:10:47,000 --> 01:10:47,967 AND HE'S GOING TO READ POETRY. 1513 01:10:48,000 --> 01:10:49,733 BUT BEFORE HE STARTS READING, 1514 01:10:49,767 --> 01:10:51,067 HE TELL US ABOUT HIS FASCINATION 1515 01:10:51,100 --> 01:10:52,300 WITH THE HUMAN BODY. 1516 01:10:52,333 --> 01:10:54,733 BUT HE SAYS WHAT FASCINATES HIM EVEN MORE 1517 01:10:54,767 --> 01:10:56,167 IS WHAT COMES OUT OF THE HUMAN BODY. 1518 01:10:56,200 --> 01:10:58,300 OH, I KNOW I'M LACTOSE INTOLERANT, 1519 01:10:58,333 --> 01:11:00,267 BUT I REALLY WISH THESE HAD CHEESE ON THEM. 1520 01:11:00,300 --> 01:11:02,433 ANYWAY, EVIDENTLY, HE'S TASTED EVERYTHING 1521 01:11:02,467 --> 01:11:04,700 THAT'S COME OUT OF HIS BODY EXCEPT SHIT, 1522 01:11:04,733 --> 01:11:06,700 AND HE SAYS HE'LL PROBABLY TASTE THAT ONE DAY, TOO. 1523 01:11:06,733 --> 01:11:08,367 AND THEN HE READS A POEM ABOUT SHIT, 1524 01:11:08,400 --> 01:11:10,500 SO I'M THINKING, THIS GUY REALLY LIKES SHIT, RIGHT? 1525 01:11:10,533 --> 01:11:12,633 BUT THEN HE KEEPS READING, AND HE READS 17 POEMS-- 1526 01:11:12,667 --> 01:11:13,700 ALL ABOUT SHIT. 1527 01:11:13,733 --> 01:11:15,633 17--I'M NOT KIDDING. 1528 01:11:15,667 --> 01:11:17,700 AND HE'S TALKING ABOUT THE SMELLS AND THE COLORS-- 1529 01:11:17,733 --> 01:11:20,000 GABE, CAN YOU PASS ME THE KETCHUP? THANKS. 1530 01:11:20,033 --> 01:11:21,100 ANYWAY, I WAS SO RELIEVED 1531 01:11:21,133 --> 01:11:22,467 WHEN HE GOT TIRED OF READING. 1532 01:11:22,500 --> 01:11:24,200 THEN THIS ETHNIC WOMAN STANDS UP. 1533 01:11:24,233 --> 01:11:26,000 SHE WAS, LIKE, NATIVE AMERICAN OR FILIPINO. 1534 01:11:26,033 --> 01:11:27,100 I CAN NEVER REALLY TELL THE DIFFERENCE. 1535 01:11:27,133 --> 01:11:29,167 SHE DIDN'T HAVE A POEM TO READ, 1536 01:11:29,200 --> 01:11:30,467 SO SHE TELLS US ABOUT A PROBLEM SHE'S HAVING-- 1537 01:11:30,500 --> 01:11:32,033 THIS SEX PROBLEM. 1538 01:11:32,067 --> 01:11:33,633 SHE SAID THERE'S, LIKE, SOME FORCE 1539 01:11:33,667 --> 01:11:36,200 THAT'S JUST MAKING HER SCREW AROUND ALL THE TIME. 1540 01:11:36,233 --> 01:11:38,233 NOW ALL THESE GUYS ARE AFTER HER, 1541 01:11:38,267 --> 01:11:40,367 AND, I MEAN, SHE'S NOT WHAT I WOULD CALL SEXY. 1542 01:11:40,400 --> 01:11:41,733 WELL, NOT THAT I'M INTO WOMEN THAT WAY, 1543 01:11:41,767 --> 01:11:44,467 BUT, YOU KNOW, I CAN TELL WHEN A WOMAN'S SEXY. 1544 01:11:44,500 --> 01:11:47,133 I MEAN, IT'S NOT THAT SHE WAS A SKANK OR ANYTHING. 1545 01:11:47,167 --> 01:11:49,367 SHE JUST WASN'T WHAT I WOULD CALL SEXY, THAT'S ALL. 1546 01:11:49,400 --> 01:11:51,367 SO, ANYWAY-- THIS IS REALLY FUNNY-- 1547 01:11:51,400 --> 01:11:54,133 I DRANK SO MUCH HOMEMADE ROSE HIP ICED TEA 1548 01:11:54,167 --> 01:11:55,400 THAT I REALLY HAD TO PEE 1549 01:11:55,433 --> 01:11:57,300 RIGHT IN THE MIDDLE OF HER STORY, RIGHT? 1550 01:11:57,333 --> 01:11:59,000 SO I GET UP, I GO TO THE BATHROOM, 1551 01:11:59,033 --> 01:12:00,200 BUT THE BATHROOM DOOR'S LOCKED, 1552 01:12:00,233 --> 01:12:01,267 SO I'M KIND OF STANDING THERE. 1553 01:12:01,300 --> 01:12:02,633 I'M LOOKING AT THE WALLPAPER, 1554 01:12:02,667 --> 01:12:04,200 WHICH WAS REALLY KIND OF GIVING ME A HEADACHE. 1555 01:12:04,233 --> 01:12:05,567 THEN ALL OF A SUDDEN, THE TOILET FLUSHES. 1556 01:12:05,600 --> 01:12:08,000 THE DOOR OPENS, AND THE SHIT GUY WALKS OUT, 1557 01:12:08,033 --> 01:12:09,800 AND HE'S SMILING. 1558 01:12:09,833 --> 01:12:11,167 AND NOT ONE OF THOSE POLITE ACKNOWLEDGMENT SMILES, 1559 01:12:11,200 --> 01:12:13,067 HE'S, LIKE, SMILING, 1560 01:12:13,100 --> 01:12:14,533 LIKE HE'S HAPPY ABOUT SOMETHING. 1561 01:12:14,567 --> 01:12:15,933 ALL OF A SUDDEN, I DIDN'T HAVE TO PEE ANYMORE. 1562 01:12:15,967 --> 01:12:17,767 HOW'S EVERYTHING? 1563 01:12:17,800 --> 01:12:19,667 FINE. EVERYTHING'S FINE. 1564 01:12:19,700 --> 01:12:21,200 WANT TO HEAR THE AUDITION MONOLOGUE I'M WORKING ON? 1565 01:12:21,233 --> 01:12:23,733 NO, I HAVE KATHERINE-- NEW INTENTIONS. 1566 01:12:23,767 --> 01:12:25,233 KA... 1567 01:12:25,267 --> 01:12:26,333 YOU REALLY DON'T GET IT. 1568 01:12:26,367 --> 01:12:27,367 WHAT? 1569 01:12:28,733 --> 01:12:30,233 YOU'VE BEEN-- 1570 01:12:30,267 --> 01:12:32,533 YOU HAVE BEEN MONOPOLIZING THIS ENTIRE CONVERSATION 1571 01:12:32,567 --> 01:12:33,867 SINCE WE GOT HERE. 1572 01:12:35,700 --> 01:12:37,367 LOOK, YOU'RE MY BEST FRIEND. 1573 01:12:37,400 --> 01:12:38,700 YOU KNOW I LOVE YOU, BUT RIGHT NOW, 1574 01:12:38,733 --> 01:12:41,567 I DON'T WANT TO HEAR YOUR AUDITION MONOLOGUE. 1575 01:12:42,800 --> 01:12:44,467 I DIDN'T COME HERE 1576 01:12:44,500 --> 01:12:46,300 TO HAVE YOU SIT DOWN, INVITE YOURSELF OVER, 1577 01:12:46,333 --> 01:12:48,967 AND--AND--AND TALK ABOUT SHIT. 1578 01:12:49,000 --> 01:12:50,933 I WAS JUST TALKING. 1579 01:12:50,967 --> 01:12:52,100 I KNOW, BUT-- 1580 01:12:52,133 --> 01:12:53,267 WHY... 1581 01:12:53,300 --> 01:12:55,900 WHY ARE YOU BEING SUCH A JERK 1582 01:12:55,933 --> 01:12:57,100 ALL OF A SUDDEN? 1583 01:12:57,133 --> 01:12:59,400 YEAH. SHIT'S FUNNY. 1584 01:12:59,433 --> 01:13:01,467 SHIT'S SHIT. 1585 01:13:01,500 --> 01:13:02,633 GIVE IT A REST, YOU NANCY PRISS ASS, 1586 01:13:02,667 --> 01:13:04,333 AND LET US ENJOY OURSELVES. 1587 01:13:04,367 --> 01:13:06,033 Man: YEAH. 1588 01:13:06,067 --> 01:13:07,467 OK. 1589 01:13:07,500 --> 01:13:09,267 OK. 1590 01:13:09,300 --> 01:13:11,167 I PROMISE I'LL CALL TOMORROW. 1591 01:13:11,200 --> 01:13:12,233 I PROMISE I'LL SEE YOUR SHOW, 1592 01:13:12,267 --> 01:13:13,567 BUT RIGHT NOW, 1593 01:13:13,600 --> 01:13:14,800 I NEED TO BE ALONE 1594 01:13:14,833 --> 01:13:16,667 WITH MARK. 1595 01:13:18,167 --> 01:13:20,367 PLEASE, DON'T RUIN THIS FOR ME. 1596 01:13:21,967 --> 01:13:23,500 GABRIEL, WHAT ARE YOU TRYING TO SAY? 1597 01:13:23,533 --> 01:13:25,133 GO SOMEPLACE ELSE. 1598 01:13:25,167 --> 01:13:26,433 TAKE YOUR GIRLFRIENDS. 1599 01:13:26,467 --> 01:13:28,767 PRACTICE YOUR AUDITION MONOLOGUE ON THEM-- 1600 01:13:28,800 --> 01:13:31,100 WHATEVER-- BUT PLEASE JUST GO. 1601 01:13:37,867 --> 01:13:39,233 YOU KNOW, 1602 01:13:39,267 --> 01:13:41,300 EVERY TIME THAT YOU INSINUATE 1603 01:13:41,333 --> 01:13:42,500 THAT I SHOULD SLEEP WITH WOMEN, 1604 01:13:42,533 --> 01:13:43,333 I FEEL LIKE-- 1605 01:13:43,367 --> 01:13:44,333 I DIDN'T MEAN THAT. 1606 01:13:44,367 --> 01:13:45,567 I DON'T KNOW. 1607 01:13:45,600 --> 01:13:47,500 I--I--I-- 1608 01:13:47,533 --> 01:13:50,100 I FEEL LIKE I HAVE TO RESPOND RESPECTFULLY, 1609 01:13:50,133 --> 01:13:51,100 BECAUSE I DON'T WANT YOU TO THINK 1610 01:13:51,133 --> 01:13:52,800 THAT I THINK THAT IT'S WRONG 1611 01:13:52,833 --> 01:13:54,767 OR IT'S BAD I DIDN'T OR IT'S NASTY. MEAN-- 1612 01:13:54,800 --> 01:13:56,633 BUT YOU BRING IT UP EVERY 5 MINUTES. 1613 01:13:56,667 --> 01:13:58,300 IT'S ANNOYING--THE MOST ANNOYING THING ABOUT YOU. 1614 01:13:58,333 --> 01:13:59,367 DON'T GET UPSET. 1615 01:13:59,400 --> 01:14:01,200 I DON'T WANT TO SLEEP WITH WOMEN! 1616 01:14:01,233 --> 01:14:04,100 I'M SORRY, GWEN. I CAN'T TELL YOU WHY. 1617 01:14:04,133 --> 01:14:06,033 YOU'RE NOT KAT-- THAT WAY. 1618 01:14:06,067 --> 01:14:07,233 THAT'S WHY. 1619 01:14:07,267 --> 01:14:09,067 KATHERINE-- YES, I CAN. 1620 01:14:09,100 --> 01:14:10,400 I CAN. 1621 01:14:10,433 --> 01:14:13,367 THIS MAY BE HARD FOR YOU TO BELIEVE, GAY BOY, 1622 01:14:13,400 --> 01:14:15,133 BUT I AM HETEROSEXUAL. 1623 01:14:15,167 --> 01:14:16,800 YES. YES! 1624 01:14:16,833 --> 01:14:18,367 THERE ARE SUCH THINGS AS HETEROSEXUALS IN THIS WORLD, 1625 01:14:18,400 --> 01:14:19,967 AND I AM ONE OF THEM. 1626 01:14:20,000 --> 01:14:22,867 BUT YOU WON'T LISTEN TO ME. YOU WON'T DROP THE SUBJECT. 1627 01:14:22,900 --> 01:14:24,467 JUST BECAUSE IT BOTHERS YOU SO MUCH, 1628 01:14:24,500 --> 01:14:25,333 IT'S OBVIOUS YOU HAVE LESBIAN ISSUES 1629 01:14:25,367 --> 01:14:27,433 YOU'RE TOO AFRAID TO FACE. 1630 01:14:31,733 --> 01:14:33,700 I HAVE LESBIAN ISSUES? 1631 01:14:35,267 --> 01:14:37,833 I DON'T HAVE LESBIAN ANYTHING! 1632 01:14:37,867 --> 01:14:39,367 GOD, IT'S LIKE WHEN MY DAD ASKED 1633 01:14:39,400 --> 01:14:40,500 WHY I WON'T MOVE TO NEW JERSEY. 1634 01:14:40,533 --> 01:14:41,333 WHAT? 1635 01:14:41,367 --> 01:14:42,467 IF I MOVE TO NEW JERSEY, 1636 01:14:42,500 --> 01:14:43,467 IT WOULD TAKE ME AN HOUR AND A HALF 1637 01:14:43,500 --> 01:14:44,500 JUST TO GET TO AN AUDITION. 1638 01:14:44,533 --> 01:14:45,500 CAN YOU IMAGINE MY DAD SAYING, 1639 01:14:45,533 --> 01:14:46,800 "I CAN TELL BY YOUR REACTION 1640 01:14:46,833 --> 01:14:48,400 "THERE'S A PART OF YOU THAT WANTS TO MOVE, 1641 01:14:48,433 --> 01:14:49,900 BUT YOU'RE JUST TOO AFRAID TO FACE IT"? 1642 01:14:49,933 --> 01:14:51,167 HOLY WOW. 1643 01:14:51,200 --> 01:14:53,200 GOD, DOESN'T ANYBODY HERE GET IT? 1644 01:14:53,233 --> 01:14:55,667 I'M NOT A LESBIAN, I DON'T WANT TO MOVE TO NEW JERSEY, 1645 01:14:55,700 --> 01:14:59,800 AND WHERE'S THE CHEESE ON THESE GODDAMN FUCKING FRIES? 1646 01:15:05,600 --> 01:15:07,667 [CRYING] 1647 01:15:19,133 --> 01:15:20,167 UH... 1648 01:15:20,200 --> 01:15:21,767 CAN YOU LET ME OUT? 1649 01:15:31,933 --> 01:15:32,967 [CAR HORN HONKS] 1650 01:15:33,000 --> 01:15:35,100 [CRYING] 1651 01:15:43,333 --> 01:15:45,100 HEY, PUSS. 1652 01:15:49,133 --> 01:15:51,033 I'M SORRY, BABE. 1653 01:15:51,067 --> 01:15:53,633 I'M SORRY THAT I GOT SO MAD. 1654 01:15:53,667 --> 01:15:54,900 WELL, I'M SORRY. IT... 1655 01:15:56,800 --> 01:15:58,267 IT'S MY FAULT. 1656 01:16:00,667 --> 01:16:02,733 MAYBE I AM A DYKE. I DON'T KNOW. 1657 01:16:02,767 --> 01:16:06,267 IT'D BE A WHOLE LOT EASIER TO GET A DATE. 1658 01:16:07,900 --> 01:16:09,000 COME HERE. 1659 01:16:14,967 --> 01:16:16,167 OH, GOD. 1660 01:16:18,167 --> 01:16:20,067 WHY CAN'T YOU BE STRAIGHT? 1661 01:16:20,100 --> 01:16:22,300 YOU DON'T LIKE ANY STRAIGHT MEN. 1662 01:16:22,333 --> 01:16:25,333 I DON'T KNOW ANY STRAIGHT MEN. 1663 01:16:25,367 --> 01:16:28,233 [LAUGHS] 1664 01:16:28,267 --> 01:16:29,667 KATH, ARE YOU OK? 1665 01:16:29,700 --> 01:16:31,100 OH, YEAH, I'M FINE. 1666 01:16:31,133 --> 01:16:32,733 YOU OWE ME $4.00 FOR THE FRENCH FRIES. 1667 01:16:32,767 --> 01:16:33,867 WE'RE GOING BACK TO MY PLACE 1668 01:16:33,900 --> 01:16:34,867 TO WATCH A VIDEO OF TONIGHT'S SHOW. 1669 01:16:34,900 --> 01:16:35,867 DO YOU WANT TO GO? 1670 01:16:35,900 --> 01:16:36,967 SURE. ONE SECOND. 1671 01:16:37,000 --> 01:16:38,567 AHH. 1672 01:16:43,700 --> 01:16:45,300 WELL, YOU BETTER GET BACK INSIDE. 1673 01:16:45,333 --> 01:16:46,700 YEAH. 1674 01:16:46,733 --> 01:16:48,200 AND I'M GOING TO PUT YOUR NAME ON THE COMP LIST. 1675 01:16:48,233 --> 01:16:49,767 OK. 1676 01:16:49,800 --> 01:16:50,967 UM... 1677 01:16:51,000 --> 01:16:52,567 I'LL BE THERE. 1678 01:16:53,867 --> 01:16:55,233 YOU BETTER, MOTHERFUCKER. 1679 01:17:18,067 --> 01:17:19,167 OHH... 1680 01:17:21,067 --> 01:17:22,400 TONIGHT'S BEEN A MESS. 1681 01:17:22,433 --> 01:17:23,400 YEAH. 1682 01:17:26,233 --> 01:17:29,400 BUT, YOU KNOW, SOME OF THE MESS... 1683 01:17:29,433 --> 01:17:32,700 I MEAN, I DID HAVE A GOOD TIME TONIGHT... 1684 01:17:32,733 --> 01:17:33,900 EVEN THOUGH, YOU GOT TO ADMIT, 1685 01:17:33,933 --> 01:17:36,033 IT WAS REALLY A MESS. 1686 01:17:36,067 --> 01:17:38,900 [BOTH LAUGH] 1687 01:17:38,933 --> 01:17:40,867 YOU KNOW, I WOULD'VE INVITED YOU 1688 01:17:40,900 --> 01:17:42,533 BACK TO MY PLACE, BUT-- 1689 01:17:42,567 --> 01:17:44,200 AW, IT'S ALL RIGHT. DON'T WORRY ABOUT IT. 1690 01:17:44,233 --> 01:17:46,367 NO. I WOULD HAVE, BUT... 1691 01:17:46,400 --> 01:17:48,433 THE LADY I TOLD YOU ABOUT... 1692 01:17:48,467 --> 01:17:49,900 YEAH? 1693 01:17:49,933 --> 01:17:52,267 SHE'S MY MOTHER. 1694 01:17:52,300 --> 01:17:54,533 I LIVE AT HOME. 1695 01:17:54,567 --> 01:17:56,533 [BOTH LAUGH] 1696 01:17:57,767 --> 01:17:59,300 THANK YOU. 1697 01:18:06,267 --> 01:18:07,700 I HAVE TO PEE. 1698 01:18:09,867 --> 01:18:11,000 ME, TOO. 1699 01:18:24,233 --> 01:18:25,933 [BOTH URINATING] 1700 01:18:30,067 --> 01:18:31,033 WE'RE ALONE. 1701 01:18:31,067 --> 01:18:32,933 [LAUGHS] 1702 01:18:32,967 --> 01:18:34,433 YEAH, FINALLY. 1703 01:18:38,067 --> 01:18:39,733 * ENTER YOU 1704 01:18:39,767 --> 01:18:41,100 * VOILà, IT'S SHOWTIME * 1705 01:18:41,133 --> 01:18:43,733 * I HEAR THE MUSIC OF A... * 1706 01:18:43,767 --> 01:18:46,233 * DANCE AND A DUM-DIDDY * 1707 01:18:46,267 --> 01:18:47,267 * ENTER YOU 1708 01:18:47,300 --> 01:18:48,633 YOU'RE SINGING IT WRONG. 1709 01:18:48,667 --> 01:18:49,800 WHAT? 1710 01:18:49,833 --> 01:18:51,967 DON'T SING IT. 1711 01:18:52,000 --> 01:18:53,333 IT'S A GOOD SONG. 1712 01:18:56,700 --> 01:18:57,667 SHUT UP. 1713 01:18:57,700 --> 01:18:59,467 WELL, IT IS. 1714 01:19:01,267 --> 01:19:03,433 YOU'RE BEING POLITE. SHUT UP. 1715 01:19:11,267 --> 01:19:12,333 YOU REALLY THINK SO? 1716 01:19:12,367 --> 01:19:14,000 YEAH. 1717 01:19:14,033 --> 01:19:15,767 IT'S REALLY GOOD. 1718 01:19:15,800 --> 01:19:17,400 * ENTER YOU 1719 01:19:17,433 --> 01:19:18,833 THAT'S ALL I KNOW. 1720 01:19:18,867 --> 01:19:21,033 YOU HAVE TO TEACH ME THE REST. 1721 01:19:21,067 --> 01:19:23,200 I NEED A PIANO. 1722 01:19:23,233 --> 01:19:24,800 WE'VE ALREADY ESTABLISHED THAT. 1723 01:19:24,833 --> 01:19:26,667 [LAUGHS] 1724 01:19:55,667 --> 01:19:59,733 YOU KNOW, I THINK IT'S GOOD HOW THIS TURNED OUT. 1725 01:19:59,767 --> 01:20:01,833 YOU DO? 1726 01:20:01,867 --> 01:20:04,900 YEAH. WE GOT THE HARD PART OVER WITH. 1727 01:20:04,933 --> 01:20:07,033 WHAT ABOUT THE SEX? 1728 01:20:09,400 --> 01:20:12,267 WHAT KIND OF A GIRL DO YOU THINK I AM? 1729 01:20:21,767 --> 01:20:23,867 [BLOWS HORN] 1730 01:20:44,133 --> 01:20:46,233 [INAUDIBLE] 1731 01:21:47,500 --> 01:21:49,600 [LINE RINGING] 1732 01:21:51,333 --> 01:21:53,067 Machine: HEY, THIS IS MARK. 1733 01:21:53,100 --> 01:21:54,333 YOU GOT ME. 1734 01:21:54,367 --> 01:21:55,567 LEAVE A MESSAGE. 1735 01:21:55,600 --> 01:21:57,667 [MACHINE BEEPS] 1736 01:22:10,700 --> 01:22:12,700 [SIGHS] 1737 01:22:14,533 --> 01:22:17,633 * ENTER YOU 1738 01:22:17,667 --> 01:22:21,500 * VOILà, IT'S SHOWTIME * 1739 01:22:21,533 --> 01:22:23,433 * YOU BROUGHT THE HOUSE DOWN * 1740 01:22:23,467 --> 01:22:27,300 * WITH A DANCE AND A DUM-DIDDY * 1741 01:22:27,333 --> 01:22:30,100 * ENTER YOU 1742 01:22:30,133 --> 01:22:32,533 * IN LESS THAN NO TIME 1743 01:22:34,333 --> 01:22:36,167 * THIS UGLY DRAMA 1744 01:22:36,200 --> 01:22:38,600 * HAS BECOME 1745 01:22:38,633 --> 01:22:40,900 * PRETTY 1746 01:22:40,933 --> 01:22:43,667 Chorus: * UP WENT THE CURTAIN 1747 01:22:43,700 --> 01:22:46,233 * MY LINES FELT WRONG 1748 01:22:46,267 --> 01:22:51,467 * INTERMISSION SEEMED SO FAR AWAY * 1749 01:22:51,500 --> 01:22:53,533 * APPLAUSE UNCERTAIN 1750 01:22:53,567 --> 01:22:55,833 * THE SCENES TOO LONG 1751 01:22:55,867 --> 01:22:59,800 * LIFE WAS LIKE AN UNINSPIRING PLAY * 1752 01:22:59,833 --> 01:23:03,233 * BUT NOW YOU'RE HERE 1753 01:23:03,267 --> 01:23:05,767 * WE MEET STAGE CENTER 1754 01:23:05,800 --> 01:23:08,733 * I THOUGHT MY STORY LINE WAS THROUGH * 1755 01:23:08,767 --> 01:23:14,167 * THEN FROM THE BLUE 1756 01:23:14,200 --> 01:23:18,733 * ENTER 1757 01:23:18,767 --> 01:23:21,567 * YOU 1758 01:23:21,600 --> 01:23:24,900 * AH 1759 01:24:38,700 --> 01:24:41,467 * I NEVER THOUGHT I'D FIND SOMEONE * 1760 01:24:41,500 --> 01:24:43,200 * LIKE YOU 1761 01:24:44,633 --> 01:24:47,567 * THOUGH IN MY EVERY FANTASY * 1762 01:24:47,600 --> 01:24:50,400 * I SAW YOU EVERY DAY 1763 01:24:50,433 --> 01:24:53,467 * I THOUGHT THERE WAS NO WAY * 1764 01:24:53,500 --> 01:24:57,967 * TO MAKE MY DREAM COME TRUE * 1765 01:24:58,000 --> 01:25:03,900 * I ALWAYS THOUGHT THAT I WOULD BE ALONE * 1766 01:25:03,933 --> 01:25:07,167 * AFRAID TO DREAM THAT ANYONE * 1767 01:25:07,200 --> 01:25:10,100 * WAS EVER GOING TO SEE 1768 01:25:10,133 --> 01:25:13,000 * THE LOVE INSIDE OF ME 1769 01:25:13,033 --> 01:25:19,367 * BUT HOW COULD I HAVE KNOWN * 1770 01:25:19,400 --> 01:25:21,700 * A TRICK OF FATE 1771 01:25:21,733 --> 01:25:25,267 * WOULD BRING US TOGETHER? 1772 01:25:25,300 --> 01:25:27,967 * A TRICK OF FATE 1773 01:25:28,000 --> 01:25:31,367 * WOULD ALTER OUR LIVES 1774 01:25:31,400 --> 01:25:34,033 * WE HAD TO WAIT 1775 01:25:34,067 --> 01:25:38,867 * IT SEEMED LIKE FOREVER 1776 01:25:40,033 --> 01:25:43,767 * BUT NEVER SAY NEVER 1777 01:25:45,667 --> 01:25:49,733 * TO A TRICK OF FATE 1778 01:25:53,667 --> 01:25:55,333 * WHAT WERE THE CHANCES 1779 01:25:55,367 --> 01:25:59,567 * I'D BE HERE WITH YOU? 1780 01:25:59,600 --> 01:26:02,767 * THAT AFTER ALL THE LONELY YEARS * 1781 01:26:02,800 --> 01:26:05,933 * OF SEARCHING EVERYWHERE 1782 01:26:05,967 --> 01:26:08,833 * I'D TURN, AND YOU'D BE THERE? * 1783 01:26:08,867 --> 01:26:13,200 * FROM CLEAR OUT OF THE BLUE * 1784 01:26:13,233 --> 01:26:15,500 * OUR LIVES ARE IN THE HANDS * 1785 01:26:15,533 --> 01:26:18,533 * OF DESTINY 1786 01:26:18,567 --> 01:26:22,100 * AND THOUGH WE TRY TO TAKE CONTROL * 1787 01:26:22,133 --> 01:26:25,200 * THAT'S NOT THE WAY IT GOES * 1788 01:26:25,233 --> 01:26:28,233 * A HIGHER POWER KNOWS 1789 01:26:28,267 --> 01:26:34,433 * HOW IT'S SUPPOSED TO BE 1790 01:26:34,467 --> 01:26:37,567 * A TRICK OF FATE 1791 01:26:37,600 --> 01:26:40,567 * BROUGHT US TOGETHER 1792 01:26:40,600 --> 01:26:43,600 * A TRICK OF FATE 1793 01:26:43,633 --> 01:26:46,600 * ALTERED OUR LIVES 1794 01:26:46,633 --> 01:26:49,067 * WE HAD TO WAIT 1795 01:26:49,100 --> 01:26:53,967 * IT SEEMED LIKE FOREVER 1796 01:26:55,133 --> 01:26:59,333 * BUT NEVER SAY NEVER 1797 01:27:00,633 --> 01:27:06,867 * TO A TRICK OF FATE 1798 01:27:08,733 --> 01:27:10,667 * AND NOW 1799 01:27:10,700 --> 01:27:13,667 * SOMETHING HAS BEGUN 1800 01:27:13,700 --> 01:27:16,300 * SOMETHING VERY NEW 1801 01:27:16,333 --> 01:27:17,933 * AND SUDDENLY 1802 01:27:17,967 --> 01:27:20,633 * THE FUTURE'S LOOKING BRIGHT * 1803 01:27:20,667 --> 01:27:22,433 * SOMEHOW 1804 01:27:22,467 --> 01:27:25,600 * WHEN 2 HEARTS BEAT AS ONE * 1805 01:27:25,633 --> 01:27:28,333 * FAIRY TALES COME TRUE 1806 01:27:28,367 --> 01:27:34,633 * AND ANYTHING SEEMS POSSIBLE TONIGHT * 1807 01:27:34,667 --> 01:27:37,600 * A TRICK OF FATE 1808 01:27:37,633 --> 01:27:41,267 * BROUGHT US TOGETHER 1809 01:27:41,300 --> 01:27:43,600 * A TRICK OF FATE 1810 01:27:43,633 --> 01:27:46,967 * ALTERED OUR LIVES 1811 01:27:47,000 --> 01:27:49,333 * WE HAD TO WAIT 1812 01:27:49,367 --> 01:27:53,533 * IT SEEMED LIKE FOREVER 1813 01:27:55,333 --> 01:28:00,600 * BUT NEVER SAY NEVER 1814 01:28:00,633 --> 01:28:05,667 * TO A TRICK OF FATE 1815 01:28:05,700 --> 01:28:09,000 * OH 1816 01:28:09,033 --> 01:28:12,500 * IT JUST GOES TO SHOW 1817 01:28:12,533 --> 01:28:15,300 * THAT YOU NEVER KNOW 1818 01:28:15,333 --> 01:28:19,433 * WHERE LOVE'S GONNA GROW 1819 01:28:20,600 --> 01:28:23,567 * IT'S A TRICK OF 1820 01:28:23,600 --> 01:28:27,867 * FATE 1821 01:28:27,900 --> 01:28:29,267 * OH 1822 01:28:30,867 --> 01:28:37,333 * MMM 109182