All language subtitles for The.Orgasm.Diaries.2010.1080p.WEBRip.x264.AAC-[YTS.MX]
Afrikaans
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Filipino
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latin
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malayalam
Maltese
Maori
Marathi
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Punjabi
Romanian
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Shona
Sindhi
Sinhala
Slovak
Slovenian
Somali
Sundanese
Swahili
Tajik
Tamil
Telugu
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Xhosa
Yiddish
Yoruba
Zulu
Odia (Oriya)
Kinyarwanda
Turkmen
Tatar
Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:02,036 --> 00:00:14,324
[SILENCE]
3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
4
00:00:14,324 --> 00:00:18,777
[INSECTS CHIRPING...]
5
00:00:18,777 --> 00:00:21,124
[INSECTS CHIRPING...]
[OWL HOOTING...]
6
00:00:21,124 --> 00:00:37,796
[OWL HOOTING...]
7
00:00:37,796 --> 00:00:38,762
[OWL HOOTING...]
[CAMERA CLICKS]
8
00:00:38,762 --> 00:00:57,402
[CAMERA CLICKS]
9
00:00:57,402 --> 00:01:02,821
[CAMERA CLICKS]
[TRAFFIC PASSING IN DISTANCE...]
10
00:01:02,821 --> 00:01:12,934
[TRAFFIC PASSING IN DISTANCE...]
11
00:01:12,934 --> 00:01:16,006
[TRAFFIC PASSING IN DISTANCE...]
[BIRDS CHIRPING...]
12
00:01:16,006 --> 00:01:53,941
[BIRDS CHIRPING...]
13
00:01:53,941 --> 00:01:56,530
[BIRDS CHIRPING...]
[♪...]
14
00:01:56,530 --> 00:02:47,167
[♪...]
15
00:02:47,167 --> 00:02:50,204
[♪...]
[♪...]
16
00:02:50,204 --> 00:03:28,346
[♪...]
17
00:03:28,346 --> 00:03:29,450
[♪...]
18
00:03:29,450 --> 00:03:33,316
>> Woman: ♪ THE POWER
19
00:03:33,316 --> 00:03:37,493
OF ANGELS
20
00:03:37,493 --> 00:03:41,359
YOU LEFT
21
00:03:41,359 --> 00:03:45,949
AT MY DOOR ♪
22
00:03:45,949 --> 00:03:50,091
♪ I WRAPPED IT UP
23
00:03:50,091 --> 00:03:54,234
IN TINFOIL
24
00:03:54,234 --> 00:03:57,720
AND HASTENED AWAY
25
00:03:57,720 --> 00:04:03,760
TOWARDS THE HILLS ♪
26
00:04:03,760 --> 00:04:06,142
♪ BEGGING FOR SOMEONE
27
00:04:06,142 --> 00:04:10,560
TO GIVE ME A SIGN ♪
28
00:04:10,560 --> 00:04:12,252
♪ BUT MY HEART
29
00:04:12,252 --> 00:04:14,806
WRAPPED IN SILVER
30
00:04:14,806 --> 00:04:19,880
COULDN'’T CRY ANY LOUDER ♪
31
00:04:19,880 --> 00:04:23,332
COULDN'’T CRY ANY LOUDER ♪
[♪...]
32
00:04:23,332 --> 00:04:32,513
[♪...]
33
00:04:32,513 --> 00:04:36,621
♪ AND ALL THE SILVER HEARTS
34
00:04:36,621 --> 00:04:40,728
THAT YOU CANNOT REMARK
35
00:04:40,728 --> 00:04:45,250
GO ON, GO ON ♪
36
00:04:45,250 --> 00:04:49,219
♪ YOU SHALL NEVER KNOW
37
00:04:49,219 --> 00:04:53,362
♪ YOU SHALL EVER BE
38
00:04:53,362 --> 00:04:56,296
♪ GO ON, GO ON
39
00:04:56,296 --> 00:05:01,646
♪ GO ON...
40
00:05:01,646 --> 00:05:08,238
♪ GO ON...
[♪...]
41
00:05:08,238 --> 00:05:33,954
[♪...]
42
00:05:33,954 --> 00:05:40,063
[♪...]
43
00:05:40,063 --> 00:05:43,101
[BIRDS CHIRPING...]
44
00:05:43,101 --> 00:05:45,586
[MUSIC FADES...]
45
00:05:45,586 --> 00:05:48,071
[WIND BLOWING,
46
00:05:48,071 --> 00:05:50,522
[WIND BLOWING,
TRAFFIC PASSING...]
47
00:05:50,522 --> 00:05:55,078
TRAFFIC PASSING...]
48
00:05:55,078 --> 00:05:58,358
[TAPE RECORDER CLICKS]
49
00:05:58,358 --> 00:06:01,913
>> Woman on tape: Last winter...
50
00:06:01,913 --> 00:06:07,746
I found a needle in a haystack.
51
00:06:07,746 --> 00:06:09,161
It pricked my skin
52
00:06:09,161 --> 00:06:14,650
and filled me with love.
53
00:06:14,650 --> 00:06:17,722
and filled me with love.
Now I'’m addicted.
54
00:06:17,722 --> 00:06:22,312
Now I'’m addicted.
55
00:06:22,312 --> 00:06:24,418
[WIND BLOWING,
56
00:06:24,418 --> 00:06:26,834
[WIND BLOWING,
TRAFFIC PASSING...]
57
00:06:26,834 --> 00:06:31,701
TRAFFIC PASSING...]
58
00:06:31,701 --> 00:06:35,291
TRAFFIC PASSING...]
[MUSIC FROM ICE CREAM TRUCK]
59
00:06:35,291 --> 00:06:39,675
[MUSIC FROM ICE CREAM TRUCK]
60
00:06:39,675 --> 00:06:42,402
[LEAVES CRACKLE]
61
00:06:42,402 --> 00:06:44,645
[TRAFFIC PASSING,
62
00:06:44,645 --> 00:06:48,062
[TRAFFIC PASSING,
BIRDS CHIRPING...]
63
00:06:48,062 --> 00:07:21,406
BIRDS CHIRPING...]
64
00:07:21,406 --> 00:07:25,928
[MAN CHUCKLES SOFTLY,
65
00:07:25,928 --> 00:07:27,757
[MAN CHUCKLES SOFTLY,
KISSES WOMAN]
66
00:07:27,757 --> 00:07:35,385
KISSES WOMAN]
67
00:07:35,385 --> 00:07:37,008
[TRAFFIC PASSING,
68
00:07:37,008 --> 00:07:42,945
[TRAFFIC PASSING,
BIRDS CHIRPING IN DISTANCE...]
69
00:07:42,945 --> 00:07:45,948
BIRDS CHIRPING IN DISTANCE...]
70
00:07:45,948 --> 00:07:46,983
>> Man: WHAT DO CATS LIKE
71
00:07:46,983 --> 00:07:51,056
FOR BREAKFAST?
72
00:07:51,056 --> 00:07:53,921
MICE CRISPIES.
73
00:07:53,921 --> 00:07:55,820
MICE CRISPIES.
>> SHUT UP, YOU DICK.
74
00:07:55,820 --> 00:08:33,513
>> SHUT UP, YOU DICK.
75
00:08:33,513 --> 00:08:34,514
...WHEN I FIRST STARTED OUT,
76
00:08:34,514 --> 00:08:37,206
TAXIDERMY WAS LIKE MAGIC.
77
00:08:37,206 --> 00:08:38,241
NO OTHER TAXIDERMISTS
78
00:08:38,241 --> 00:08:40,658
WOULD TELL YOU THEIR SECRETS.
79
00:08:40,658 --> 00:08:43,384
THERE WERE NO BOOKS OR MANUALS,
80
00:08:43,384 --> 00:08:45,904
THERE WERE NO BOOKS OR MANUALS,
JUST SECRETS.
81
00:08:45,904 --> 00:08:52,601
JUST SECRETS.
82
00:08:52,601 --> 00:08:53,705
DO YOU KNOW WHAT "TAXIDERMY"
83
00:08:53,705 --> 00:08:56,466
MEANS, MANCHESTER?
84
00:08:56,466 --> 00:08:58,192
>> NO.
85
00:08:58,192 --> 00:09:02,162
>> NO.
>> IT MEANS "TO REARRANGE SKIN."
86
00:09:02,162 --> 00:09:12,621
>> IT MEANS "TO REARRANGE SKIN."
87
00:09:12,621 --> 00:09:14,036
>> CAN I HAVE A GO?
88
00:09:14,036 --> 00:09:15,347
>> NO.
89
00:09:15,347 --> 00:09:17,487
>> WHY?
90
00:09:17,487 --> 00:09:19,041
>> BECAUSE I AM A WOMAN
91
00:09:19,041 --> 00:09:21,181
AND YOU ARE AN IDIOT.
92
00:09:21,181 --> 00:09:24,011
AND YOU ARE AN IDIOT.
[CHUCKLES]
93
00:09:24,011 --> 00:09:27,532
[CHUCKLES]
94
00:09:27,532 --> 00:09:28,498
[CHUCKLES]
[CAMERA CLICKS]
95
00:09:28,498 --> 00:09:31,122
[CAMERA CLICKS]
96
00:09:31,122 --> 00:09:35,298
>> HAVE YOU GOT ANYTHING TO EAT?
97
00:09:35,298 --> 00:09:36,921
>> NO.
98
00:09:36,921 --> 00:09:40,752
>> NO.
>> I'’M STARVING.
99
00:09:40,752 --> 00:09:42,651
>> I'’M STARVING.
100
00:09:42,651 --> 00:09:45,895
>> I'’M STARVING.
[DOOR CLATTERS]
101
00:09:45,895 --> 00:09:56,665
[DOOR CLATTERS]
102
00:09:56,665 --> 00:10:00,047
>> Boy: DO YOU WANT TO BUY THIS?
103
00:10:00,047 --> 00:10:02,843
>> NO...
104
00:10:02,843 --> 00:10:04,224
BUT HOW MUCH DO YOU WANT
105
00:10:04,224 --> 00:10:05,190
FOR THIS?
106
00:10:05,190 --> 00:10:08,055
>> 600 POUNDS!
107
00:10:08,055 --> 00:10:11,611
>> 50 PENCE.
108
00:10:11,611 --> 00:10:14,061
>> O.K....
109
00:10:14,061 --> 00:10:15,200
THERE YOU GO.
110
00:10:15,200 --> 00:10:16,201
>> THANK YOU.
111
00:10:16,201 --> 00:10:17,478
>> THANK YOU.
>> THANK YOU.
112
00:10:17,478 --> 00:10:35,358
>> THANK YOU.
113
00:10:35,358 --> 00:10:39,811
[FOOTSTEPS APPROACHING]
114
00:10:39,811 --> 00:10:41,399
>> WHOA...
115
00:10:41,399 --> 00:10:43,366
MANCHESTER, THEY'’RE AMAZING.
116
00:10:43,366 --> 00:10:46,128
>> PISS OFF, JAKE.
117
00:10:46,128 --> 00:10:47,129
>> LOOK, THE TUTOR WILL BE
118
00:10:47,129 --> 00:10:48,544
BACK IN A BIT AND IF HE
119
00:10:48,544 --> 00:10:49,579
CATCHES YOU IN HERE AGAIN,
120
00:10:49,579 --> 00:10:51,098
HE'’S GONNA FIRE ME.
121
00:10:51,098 --> 00:10:53,169
>> BE DONE IN A MINUTE.
122
00:10:53,169 --> 00:10:54,274
>> WELL, HOW'’S ABOUT YOU JUST
123
00:10:54,274 --> 00:10:56,276
LET ME DO '’EM, RIGHT, AND I'LL
124
00:10:56,276 --> 00:10:58,519
BRING THEM TO THE PUB LATER.
125
00:10:58,519 --> 00:11:00,729
>> O.K....
126
00:11:00,729 --> 00:11:01,730
BUT DON'’T BE WANKING
127
00:11:01,730 --> 00:11:02,972
OVER MY BIRD.
128
00:11:02,972 --> 00:11:06,769
OVER MY BIRD.
[BOTH CHUCKLE]
129
00:11:06,769 --> 00:11:24,649
[BOTH CHUCKLE]
130
00:11:24,649 --> 00:11:25,650
>> Woman on jukebox: ♪ ...those
131
00:11:25,650 --> 00:11:27,790
great big eyes ♪
132
00:11:27,790 --> 00:11:30,828
♪ It'’s just like an angel
133
00:11:30,828 --> 00:11:33,244
out of the blue ♪
134
00:11:33,244 --> 00:11:36,143
♪ Why should I cry?
135
00:11:36,143 --> 00:11:39,077
♪ Why should I sigh...?
136
00:11:39,077 --> 00:11:40,423
>> THANKS, JAKE.
137
00:11:40,423 --> 00:11:43,047
>> NO WORRIES.
138
00:11:43,047 --> 00:11:45,014
>> UM, DID YOU WANT
139
00:11:45,014 --> 00:11:49,501
ANOTHER PINT?
140
00:11:49,501 --> 00:11:51,262
>> GO ON, THEN.
141
00:11:51,262 --> 00:11:55,231
>> GO ON, THEN.
[SONG CONTINUES INDISTINCTLY...]
142
00:11:55,231 --> 00:11:58,718
[SONG CONTINUES INDISTINCTLY...]
143
00:11:58,718 --> 00:12:00,271
>> SOMEBODY SAID HE JUST...
144
00:12:00,271 --> 00:12:01,513
HE, HE FELL OVER A PRAM
145
00:12:01,513 --> 00:12:03,515
IN THE PASSAGE, BUT TRULY,
146
00:12:03,515 --> 00:12:05,000
I DON'’T BLAME IT ON THE BUGGY.
147
00:12:05,000 --> 00:12:06,726
ANYWAY... [LAUGHTER]
148
00:12:06,726 --> 00:12:08,797
YOU SEE, YOU WERE EXPECTING
149
00:12:08,797 --> 00:12:10,868
ONE OF THEM TERRIBLE JOKES.
150
00:12:10,868 --> 00:12:12,248
YOU SEE, I'’M CLASS, MAN.
151
00:12:12,248 --> 00:12:13,871
ONLY GET BETTER.
152
00:12:13,871 --> 00:12:15,251
HEY, YOU'’RE TOO EASY.
153
00:12:15,251 --> 00:12:16,701
WELL, THERE WAS A TIME THERE WAS
154
00:12:16,701 --> 00:12:17,944
THIS BLOKE I WAS HEARING ABOUT
155
00:12:17,944 --> 00:12:19,704
WHO WAS ON THE TRAIN, PUFFING
156
00:12:19,704 --> 00:12:20,981
AWAY... [MANCHESTER BELCHES]
157
00:12:20,981 --> 00:12:22,189
LITTLE OLD WOMAN SITTING NEXT TO
158
00:12:22,189 --> 00:12:24,536
HIM, PULLS INTO THE STATION,
159
00:12:24,536 --> 00:12:25,779
THE LITTLE OLD WOMAN PULLS OUT
160
00:12:25,779 --> 00:12:27,747
A BAG, PULLS OUT THE BIBLE
161
00:12:27,747 --> 00:12:28,851
FROM THE BAG...
162
00:12:28,851 --> 00:12:29,714
>> Jake: [GROANS]
163
00:12:29,714 --> 00:12:30,508
[MANCHESTER LAUGHS]
164
00:12:30,508 --> 00:12:32,821
THAT STINKS.
165
00:12:32,821 --> 00:12:33,683
[MANCHESTER BELCHES]
166
00:12:33,683 --> 00:12:34,857
SHE WON'’T GO NOWHERE NEAR YOU
167
00:12:34,857 --> 00:12:36,238
SMELLING LIKE THAT.
168
00:12:36,238 --> 00:12:37,170
>> [DRUNKENLY]: SHE WILL,
169
00:12:37,170 --> 00:12:38,343
SHE LOVES ME.
170
00:12:38,343 --> 00:12:40,173
NOON LOVES ME.
171
00:12:40,173 --> 00:12:42,900
[COMEDIAN CONTINUES...]
172
00:12:42,900 --> 00:12:44,487
LOVES ME.
173
00:12:44,487 --> 00:12:47,663
NOON LOVES ME.
174
00:12:47,663 --> 00:12:48,975
>> ...FINALLY, HE'’S HAD ENOUGH,
175
00:12:48,975 --> 00:12:50,493
PULLS INTO A STATION...
176
00:12:50,493 --> 00:12:53,876
>> Jake: WHY IS HE STARING?
177
00:12:53,876 --> 00:12:55,705
>> I'’VE GOT NOON.
178
00:12:55,705 --> 00:12:58,156
[SOFTLY]: I'’VE GOT NOON.
179
00:12:58,156 --> 00:12:59,295
[CHUCKLES]
180
00:12:59,295 --> 00:13:00,641
>> "...AND WHEN WE PULL OUT
181
00:13:00,641 --> 00:13:02,195
THE STATION, YOU PUT THE BIBLE
182
00:13:02,195 --> 00:13:03,679
BACK IN THE BAG?"
183
00:13:03,679 --> 00:13:04,680
SHE SAYS, "WHY DON'’T YOU
184
00:13:04,680 --> 00:13:06,233
FUCK OFF?"
185
00:13:06,233 --> 00:13:07,096
WELL... [LAUGHTER]
186
00:13:07,096 --> 00:13:08,511
YOU SEE, YOU DON'’T KNOW WHO'S
187
00:13:08,511 --> 00:13:09,789
ON THE TRAIN THESE DAYS.
188
00:13:09,789 --> 00:13:11,273
IT'’S QUESTIONS LIKE THAT
189
00:13:11,273 --> 00:13:12,239
SHOULD BE ASKED.
190
00:13:12,239 --> 00:13:13,447
I MEAN, HERE'’S A QUESTION, LADS,
191
00:13:13,447 --> 00:13:14,310
HERE'’S YOUR QUESTION...
192
00:13:14,310 --> 00:13:18,556
HERE'’S YOUR QUESTION...
>> [URINATING...]
193
00:13:18,556 --> 00:13:24,182
>> [URINATING...]
194
00:13:24,182 --> 00:13:25,943
>> HELLO, NOON.
195
00:13:25,943 --> 00:13:27,703
[CHUCKLES]
196
00:13:27,703 --> 00:13:29,981
HELLO, NOON.
197
00:13:29,981 --> 00:13:32,777
[LAUGHS]
198
00:13:32,777 --> 00:13:35,366
[TAPE RECORDER CLICKS]
199
00:13:35,366 --> 00:13:38,196
[LAUGHTER]
200
00:13:38,196 --> 00:13:39,370
>> Manchester: WHOA!
201
00:13:39,370 --> 00:13:42,925
>> JESUS CHRIST...
202
00:13:42,925 --> 00:13:46,515
PRICK.
203
00:13:46,515 --> 00:13:49,483
PRICK.
[GENERAL CONVERSATION...]
204
00:13:49,483 --> 00:15:03,937
[GENERAL CONVERSATION...]
205
00:15:03,937 --> 00:15:06,629
>> LEAH.
206
00:15:06,629 --> 00:15:07,596
LEAH.
207
00:15:07,596 --> 00:15:09,425
>> WHAT ARE YOU DOING HERE?
208
00:15:09,425 --> 00:15:11,634
>> WHAT ARE YOU DOING HERE?
>> HAVE A LOOK AT THESE.
209
00:15:11,634 --> 00:15:27,892
>> HAVE A LOOK AT THESE.
210
00:15:27,892 --> 00:15:29,480
SOMEONE JUST LEFT THEM
211
00:15:29,480 --> 00:15:30,481
IN THE PUB.
212
00:15:30,481 --> 00:15:32,897
IN THE PUB.
>> NO WAY.
213
00:15:32,897 --> 00:15:53,159
>> NO WAY.
214
00:15:53,159 --> 00:15:56,231
[CAT SCREECHES]
215
00:15:56,231 --> 00:15:58,129
[CAT MEOWS LOUDLY...]
216
00:15:58,129 --> 00:16:00,960
>> MANCHESTER?
217
00:16:00,960 --> 00:16:03,341
>> Manchester: [MUTTERS]
218
00:16:03,341 --> 00:16:06,862
SORRY I AM FOR BEING DRUNK.
219
00:16:06,862 --> 00:16:12,557
BUT... I HAVE AN IDEA ANYWAY.
220
00:16:12,557 --> 00:16:16,285
I WANT YOU TO DO
221
00:16:16,285 --> 00:16:18,805
A LITTLE PROJECT FOR ME.
222
00:16:18,805 --> 00:16:23,085
On tape: I want you to keep
223
00:16:23,085 --> 00:16:25,398
an orgasm diary.
224
00:16:25,398 --> 00:16:26,640
[CHUCKLES AS HE LISTENS]
225
00:16:26,640 --> 00:16:30,679
I want to know everything.
226
00:16:30,679 --> 00:16:33,199
I want to know
227
00:16:33,199 --> 00:16:36,685
what it feels like.
228
00:16:36,685 --> 00:16:38,928
I want to know
229
00:16:38,928 --> 00:16:41,379
what you'’re thinking...
230
00:16:41,379 --> 00:16:44,762
what you'’re wearing...
231
00:16:44,762 --> 00:16:47,489
where you are.
232
00:16:47,489 --> 00:16:51,872
I want to know your secrets...
233
00:16:51,872 --> 00:16:54,772
your fantasies...
234
00:16:54,772 --> 00:16:58,293
your desires...
235
00:16:58,293 --> 00:17:00,467
everything.
236
00:17:00,467 --> 00:17:02,918
[belches, chuckles]
237
00:17:02,918 --> 00:17:09,476
Go on then, do something.
238
00:17:09,476 --> 00:17:14,274
[TAPE RECORDER CLICKS]
239
00:17:14,274 --> 00:17:18,244
[TAPE RECORDER CLICKS]
[BIRDS CHIRPING...]
240
00:17:18,244 --> 00:17:48,343
[BIRDS CHIRPING...]
241
00:17:48,343 --> 00:17:52,623
[MOANING...]
242
00:17:52,623 --> 00:17:59,285
[BOTH BREATHING HEAVILY...]
243
00:17:59,285 --> 00:18:01,666
[BOTH BREATHING HEAVILY...]
[DOOR CLATTERS]
244
00:18:01,666 --> 00:18:07,431
[DOOR CLATTERS]
245
00:18:07,431 --> 00:18:10,123
>> Manchester: [CHUCKLES]
246
00:18:10,123 --> 00:18:13,092
POSTMAN CAT'’S BEEN.
247
00:18:13,092 --> 00:18:18,027
[♪...]
248
00:18:18,027 --> 00:18:18,683
[TAPE RECORDER CLICKS]
249
00:18:18,683 --> 00:18:19,960
>> Noon on tape: The first one
250
00:18:19,960 --> 00:18:21,203
since you gave me the tape
251
00:18:21,203 --> 00:18:23,343
took ages.
252
00:18:23,343 --> 00:18:24,344
I closed the garage door
253
00:18:24,344 --> 00:18:26,519
and took off me clothes.
254
00:18:26,519 --> 00:18:29,522
I started to play with meself.
255
00:18:29,522 --> 00:18:31,248
I concentrate on the feeling
256
00:18:31,248 --> 00:18:32,766
'’cause I think it's more
257
00:18:32,766 --> 00:18:35,010
important than the fantasy.
258
00:18:35,010 --> 00:18:36,184
>> Man: ♪ ...I COULD NEVER BE
259
00:18:36,184 --> 00:18:37,495
POLITICAL '’CAUSE I DON'T SEE
260
00:18:37,495 --> 00:18:38,841
THE POINT OF WRITING-- I'’M TOO
261
00:18:38,841 --> 00:18:40,567
CLOSE TO BEING HYPOCRITICAL ♪
262
00:18:40,567 --> 00:18:43,329
♪ I DON'’T NEED YOU TO TELL ME
263
00:18:43,329 --> 00:18:45,193
WHEN I'’M DRUNK AND I'M BEING
264
00:18:45,193 --> 00:18:48,057
ABRASIVE... ♪
265
00:18:48,057 --> 00:18:49,266
>> Noon on tape: I don'’t know
266
00:18:49,266 --> 00:18:50,750
if you'’re hot during but as soon
267
00:18:50,750 --> 00:18:52,372
as you come, you get all sweaty
268
00:18:52,372 --> 00:18:54,374
behind the knees.
269
00:18:54,374 --> 00:18:55,341
[MOANING...]
270
00:18:55,341 --> 00:18:57,688
I really get off on the noise,
271
00:18:57,688 --> 00:18:59,276
the wetness of the pussy,
272
00:18:59,276 --> 00:19:01,243
the saliva and the juices.
273
00:19:01,243 --> 00:19:03,625
You know what I mean!
274
00:19:03,625 --> 00:19:08,077
[♪...]
275
00:19:08,077 --> 00:19:09,286
>> Man: ♪ HAVE YOU EVER TESTED
276
00:19:09,286 --> 00:19:10,804
ROTTEN WOOD WITH YOUR TONGUE? ♪
277
00:19:10,804 --> 00:19:11,909
♪ IT'’S NOT MUCH FUN
278
00:19:11,909 --> 00:19:13,566
BUT IT GETS THE JOB DONE ♪
279
00:19:13,566 --> 00:19:14,877
♪ AND YOU'’RE THE ONE
280
00:19:14,877 --> 00:19:16,155
WHO CAN TEST THAT PINE
281
00:19:16,155 --> 00:19:18,157
WITH THE FINE SALIVA ♪
282
00:19:18,157 --> 00:19:20,055
♪ MY ADVICE IS TO GET
283
00:19:20,055 --> 00:19:21,332
PAID BY THE HOUR ♪
284
00:19:21,332 --> 00:19:22,644
♪ BY THE WAGE SLAVES,
285
00:19:22,644 --> 00:19:24,853
EMPLOYEES... ♪
286
00:19:24,853 --> 00:19:27,752
[DOOR CLATTERS, MUSIC STOPS]
287
00:19:27,752 --> 00:19:30,997
[MANCHESTER PANTING...]
288
00:19:30,997 --> 00:19:34,690
[CHUCKLES]
289
00:19:34,690 --> 00:19:36,554
[CHUCKLES]
[BOTH CHUCKLE]
290
00:19:36,554 --> 00:19:42,629
[BOTH CHUCKLE]
291
00:19:42,629 --> 00:19:46,771
[BOTH CHUCKLE]
[BOTH LAUGHING...]
292
00:19:46,771 --> 00:19:50,844
[BOTH LAUGHING...]
293
00:19:50,844 --> 00:19:54,469
[BOTH LAUGHING...]
[BIRDS CHIRPING...]
294
00:19:54,469 --> 00:20:02,856
[BIRDS CHIRPING...]
295
00:20:02,856 --> 00:20:04,064
>> DON'’T USE IT ALL.
296
00:20:04,064 --> 00:20:05,480
>> DON'’T USE IT ALL.
I'’M STARVING.
297
00:20:05,480 --> 00:20:08,759
I'’M STARVING.
298
00:20:08,759 --> 00:20:10,001
>> DO YOU THINK WE SHOULD TRY
299
00:20:10,001 --> 00:20:11,210
AND CATCH IT AND KEEP IT
300
00:20:11,210 --> 00:20:13,108
AND CATCH IT AND KEEP IT
AS A PET?
301
00:20:13,108 --> 00:20:14,558
AS A PET?
302
00:20:14,558 --> 00:20:18,113
AS A PET?
>> I'’D RATHER GET A DOG.
303
00:20:18,113 --> 00:20:19,735
>> I'’D RATHER GET A DOG.
304
00:20:19,735 --> 00:20:22,013
>> I'’D RATHER GET A DOG.
>> DICK.
305
00:20:22,013 --> 00:20:26,535
>> DICK.
306
00:20:26,535 --> 00:20:30,505
>> DICK.
[TRAFFIC PASSING IN DISTANCE...]
307
00:20:30,505 --> 00:20:34,302
[TRAFFIC PASSING IN DISTANCE...]
308
00:20:34,302 --> 00:20:36,511
[TRAFFIC PASSING IN DISTANCE...]
[DOOR CLATTERS SHUT]
309
00:20:36,511 --> 00:20:43,725
[DOOR CLATTERS SHUT]
310
00:20:43,725 --> 00:20:44,864
[NOON LAUGHING,
311
00:20:44,864 --> 00:20:49,593
MANCHESTER GROANING...]
312
00:20:49,593 --> 00:20:51,560
[BOTH LAUGH]
313
00:20:51,560 --> 00:20:54,356
[BOTH LAUGH]
[KISSING AND MOANING...]
314
00:20:54,356 --> 00:21:02,709
[KISSING AND MOANING...]
315
00:21:02,709 --> 00:21:04,124
MY DAD WOULD NEVER LET ME HAVE
316
00:21:04,124 --> 00:21:07,852
A CAT '’CAUSE OF HIS FISH.
317
00:21:07,852 --> 00:21:09,337
>> I'’LL LET YOU HAVE ONE.
318
00:21:09,337 --> 00:21:10,441
I'’LL LET YOU HAVE
319
00:21:10,441 --> 00:21:13,513
I'’LL LET YOU HAVE
ANYTHING YOU WANT.
320
00:21:13,513 --> 00:21:24,904
ANYTHING YOU WANT.
321
00:21:24,904 --> 00:21:27,078
>> [KNOCKS ON DOOR]
322
00:21:27,078 --> 00:21:30,012
>> [KNOCKS ON DOOR]
[GARAGE DOOR OPENER WHIRRING...]
323
00:21:30,012 --> 00:21:40,540
[GARAGE DOOR OPENER WHIRRING...]
324
00:21:40,540 --> 00:21:42,784
>> SORRY, LOVE.
325
00:21:42,784 --> 00:21:45,131
>> SORRY, LOVE.
[ROLLING PAPER CRINKLING...]
326
00:21:45,131 --> 00:21:52,276
[ROLLING PAPER CRINKLING...]
327
00:21:52,276 --> 00:21:54,727
[ROLLING PAPER CRINKLING...]
>> GET US AN ICE POP, BABY.
328
00:21:54,727 --> 00:22:05,185
>> GET US AN ICE POP, BABY.
329
00:22:05,185 --> 00:22:07,326
>> GET US AN ICE POP, BABY.
[MANCHESTER GROANS]
330
00:22:07,326 --> 00:22:25,516
[MANCHESTER GROANS]
331
00:22:25,516 --> 00:22:27,967
FEED ME.
332
00:22:27,967 --> 00:22:31,867
FEED ME.
>> [CHUCKLES]
333
00:22:31,867 --> 00:22:50,507
>> [CHUCKLES]
334
00:22:50,507 --> 00:22:52,163
>> [CHUCKLES]
MMM...
335
00:22:52,163 --> 00:23:03,934
MMM...
336
00:23:03,934 --> 00:23:06,488
MMM...
MMM...
337
00:23:06,488 --> 00:23:22,987
MMM...
338
00:23:22,987 --> 00:23:28,407
MMM...
[BOTH PANTING AND MOANING...]
339
00:23:28,407 --> 00:23:39,901
[BOTH PANTING AND MOANING...]
340
00:23:39,901 --> 00:23:41,903
[BOTH PANTING AND MOANING...]
MMM...
341
00:23:41,903 --> 00:24:04,373
MMM...
342
00:24:04,373 --> 00:24:07,169
MMM...
343
00:24:07,169 --> 00:24:11,380
>> [GASPING...]
344
00:24:11,380 --> 00:24:17,456
>> AH...
345
00:24:17,456 --> 00:24:23,013
[CHUCKLES]
346
00:24:23,013 --> 00:24:28,087
[BOTH MOANING...]
347
00:24:28,087 --> 00:24:31,987
[BOTH MOANING...]
[NOON PANTING...]
348
00:24:31,987 --> 00:24:46,485
[NOON PANTING...]
349
00:24:46,485 --> 00:24:49,039
[BANGS ON DOOR]
350
00:24:49,039 --> 00:24:52,283
[BANGS ON DOOR]
[GARAGE DOOR OPENER WHIRRING...]
351
00:24:52,283 --> 00:25:00,913
[GARAGE DOOR OPENER WHIRRING...]
352
00:25:00,913 --> 00:25:02,052
>> [SIGHS]
353
00:25:02,052 --> 00:25:06,988
FUCK'’S SAKE....
354
00:25:06,988 --> 00:25:10,163
[MANCHESTER GRUNTING,
355
00:25:10,163 --> 00:25:16,825
NOON GASPING...]
356
00:25:16,825 --> 00:25:20,829
[MANCHESTER GRUNTING LOUDER...]
357
00:25:20,829 --> 00:25:25,834
[CAMERA CLICKING...]
358
00:25:25,834 --> 00:25:32,634
[MANCHESTER PANTING...]
359
00:25:32,634 --> 00:25:33,842
SHIT...
360
00:25:33,842 --> 00:25:34,981
SORRY.
361
00:25:34,981 --> 00:25:37,466
ARE YOU O.K.?
362
00:25:37,466 --> 00:25:41,194
>> OH, IT'’S ALL GONE BLURRY.
363
00:25:41,194 --> 00:25:45,785
[BOTH PANTING...]
364
00:25:45,785 --> 00:25:47,235
[NOON GROANS]
365
00:25:47,235 --> 00:25:49,686
YOU SMELL LIKE A PUNCH BAG.
366
00:25:49,686 --> 00:25:51,619
>> [SNIFFS]
367
00:25:51,619 --> 00:25:56,485
MMM... [PANTING...]
368
00:25:56,485 --> 00:25:57,279
I'’LL BE ALL RIGHT
369
00:25:57,279 --> 00:25:59,281
ANOTHER WEEK.
370
00:25:59,281 --> 00:25:59,972
[CHUCKLING...]
371
00:25:59,972 --> 00:26:03,872
>> [SNIFFLING, STIFLES A SOB...]
372
00:26:03,872 --> 00:26:07,186
>> OH...
373
00:26:07,186 --> 00:26:10,465
>> OH...
[BOTH PANTING...]
374
00:26:10,465 --> 00:26:14,918
[BOTH PANTING...]
375
00:26:14,918 --> 00:26:15,919
[TAPE RECORDER CLICKS]
376
00:26:15,919 --> 00:26:17,161
>> Noon on tape: I was looking
377
00:26:17,161 --> 00:26:18,577
at one of your photographs of me
378
00:26:18,577 --> 00:26:20,682
this morning.
379
00:26:20,682 --> 00:26:23,167
It'’s shot from below.
380
00:26:23,167 --> 00:26:24,824
You can see me pussy,
381
00:26:24,824 --> 00:26:26,930
then me tits...
382
00:26:26,930 --> 00:26:28,276
and directly in line
383
00:26:28,276 --> 00:26:30,727
with me pussy is me head.
384
00:26:30,727 --> 00:26:32,176
My pussy is twice the size
385
00:26:32,176 --> 00:26:33,557
of me head.
386
00:26:33,557 --> 00:26:37,388
Is that how you see me?
387
00:26:37,388 --> 00:26:41,703
Is that how you see me?
[BIRDS CHIRPING...]
388
00:26:41,703 --> 00:26:49,297
[BIRDS CHIRPING...]
389
00:26:49,297 --> 00:26:52,093
Noon in distance: HI, DAD!
390
00:26:52,093 --> 00:26:54,716
[DOOR OPENS]
391
00:26:54,716 --> 00:26:56,891
>> HELLO, LOVE.
392
00:26:56,891 --> 00:26:58,547
>> HELLO, LOVE.
COME HERE.
393
00:26:58,547 --> 00:27:06,694
COME HERE.
394
00:27:06,694 --> 00:27:08,523
COME HERE.
I'’LL PUT THE KETTLE ON.
395
00:27:08,523 --> 00:27:17,221
I'’LL PUT THE KETTLE ON.
396
00:27:17,221 --> 00:27:18,050
WHAT HAPPENED
397
00:27:18,050 --> 00:27:20,639
TO YOUR EYE, LOVE?
398
00:27:20,639 --> 00:27:21,847
>> THINK I BURST
399
00:27:21,847 --> 00:27:24,712
A BLOOD VESSEL.
400
00:27:24,712 --> 00:27:26,265
A BLOOD VESSEL.
>> HOW?
401
00:27:26,265 --> 00:27:30,821
>> HOW?
402
00:27:30,821 --> 00:27:31,788
>> PLAY-FIGHTING
403
00:27:31,788 --> 00:27:34,998
WITH MANCHESTER.
404
00:27:34,998 --> 00:27:40,831
>> HMM...
405
00:27:40,831 --> 00:27:42,212
BOUGHT THIS AT THE MARKET
406
00:27:42,212 --> 00:27:45,008
YESTERDAY.
407
00:27:45,008 --> 00:27:46,250
I WAS LOOKING AT THE BLADE
408
00:27:46,250 --> 00:27:49,219
THINKING, "THAT DOESN'’T LOOK
409
00:27:49,219 --> 00:27:52,636
VERY SHARP."
410
00:27:52,636 --> 00:27:57,089
SO I RUN ME FINGER DOWN IT.
411
00:27:57,089 --> 00:28:00,989
GUESS WHAT?
412
00:28:00,989 --> 00:28:05,166
>> CUT YOUR FINGER?
413
00:28:05,166 --> 00:28:08,548
>> CUT YOUR FINGER?
>> CUT ME FINGER.
414
00:28:08,548 --> 00:28:12,345
>> CUT ME FINGER.
415
00:28:12,345 --> 00:28:15,072
[NOON LAUGHS,
416
00:28:15,072 --> 00:28:20,629
DAD LAUGHS]
417
00:28:20,629 --> 00:28:25,634
[DAD CHUCKLES]
418
00:28:25,634 --> 00:28:28,983
[DAD CHUCKLES]
[♪...]
419
00:28:28,983 --> 00:28:53,732
[♪...]
420
00:28:53,732 --> 00:28:58,495
[♪...]
[URINE DRIPS, SPLASHES...]
421
00:28:58,495 --> 00:29:03,742
[URINE DRIPS, SPLASHES...]
422
00:29:03,742 --> 00:29:09,989
[URINE DRIPS, SPLASHES...]
[♪...]
423
00:29:09,989 --> 00:29:38,569
[♪...]
424
00:29:38,569 --> 00:29:43,436
[DOOR CLATTERS OPEN]
425
00:29:43,436 --> 00:29:45,680
[BIRDS CHIRPING...]
426
00:29:45,680 --> 00:29:49,201
>> ARE THESE YOURS?
427
00:29:49,201 --> 00:29:54,309
>> ARE THESE YOURS?
428
00:29:54,309 --> 00:29:56,104
>> Man: [CHUCKLES]
429
00:29:56,104 --> 00:29:59,936
ARE THESE YOUR PHOTOGRAPHS?
430
00:29:59,936 --> 00:30:02,801
>> SHIT, YEAH.
431
00:30:02,801 --> 00:30:04,733
WHERE DID YOU FIND THEM?
432
00:30:04,733 --> 00:30:05,700
>> HOW MUCH DO YOU WANT
433
00:30:05,700 --> 00:30:08,565
FOR THEM?
434
00:30:08,565 --> 00:30:10,567
>> THE PHOTOGRAPHS?
435
00:30:10,567 --> 00:30:13,087
>> I'’LL GIVE YOU A GRAND.
436
00:30:13,087 --> 00:30:14,053
>> I DON'’T WANT YOUR MONEY.
437
00:30:14,053 --> 00:30:15,468
>> TWO GRAND!
438
00:30:15,468 --> 00:30:17,229
>> [SCOFFS]
439
00:30:17,229 --> 00:30:19,024
DRE WAS RIGHT.
440
00:30:19,024 --> 00:30:19,921
LIFE AIN'’T NOTHING
441
00:30:19,921 --> 00:30:22,372
BUT BITCHES AND MONEY.
442
00:30:22,372 --> 00:30:23,200
>> DRE?
443
00:30:23,200 --> 00:30:25,513
WHO... WHO'’S DRE?
444
00:30:25,513 --> 00:30:27,618
WHO... WHO'’S DRE?
>> JUST A BLOKE.
445
00:30:27,618 --> 00:30:33,555
>> JUST A BLOKE.
446
00:30:33,555 --> 00:30:35,730
>> LOOK, UH...
447
00:30:35,730 --> 00:30:38,802
IF YOU DON'’T WANT MONEY...
448
00:30:38,802 --> 00:30:41,218
WHAT DO YOU WANT?
449
00:30:41,218 --> 00:30:44,601
>> I DON'’T WANT ANYTHING.
450
00:30:44,601 --> 00:30:45,913
I JUST WANT NOON.
451
00:30:45,913 --> 00:30:46,810
>> WHAT, THE GIRL
452
00:30:46,810 --> 00:30:49,813
IN THE PHOTOGRAPHS?
453
00:30:49,813 --> 00:30:52,091
>> LOVING HER IS LIKE...
454
00:30:52,091 --> 00:30:54,438
FRYING BACON NAKED.
455
00:30:54,438 --> 00:30:55,681
>> [LAUGHS]
456
00:30:55,681 --> 00:30:57,476
IT WOULD BE.
457
00:30:57,476 --> 00:31:00,065
SHE'’S PRETTY.
458
00:31:00,065 --> 00:31:01,376
>> WHAT DO YOU MEAN?
459
00:31:01,376 --> 00:31:02,343
>> WELL, THE PRETTY ONES ARE
460
00:31:02,343 --> 00:31:07,693
ALWAYS DANGEROUS.
461
00:31:07,693 --> 00:31:10,869
DO YOU ACTUALLY LIVE HERE?
462
00:31:10,869 --> 00:31:12,215
>> YEAH.
463
00:31:12,215 --> 00:31:16,253
>> WHAT'’S YOUR NAME?
464
00:31:16,253 --> 00:31:19,739
>> MANCHESTER.
465
00:31:19,739 --> 00:31:21,534
>> MANCHESTER.
>> MY NAME'’S FRANNY.
466
00:31:21,534 --> 00:31:25,021
>> MY NAME'’S FRANNY.
467
00:31:25,021 --> 00:31:26,505
YOU SHOULD COME AND SEE ME
468
00:31:26,505 --> 00:31:28,334
SOMETIME, MANCHESTER.
469
00:31:28,334 --> 00:31:30,578
SOMETIME, MANCHESTER.
I MIGHT BE ABLE TO HELP YOU.
470
00:31:30,578 --> 00:31:39,587
I MIGHT BE ABLE TO HELP YOU.
471
00:31:39,587 --> 00:31:42,452
I MIGHT BE ABLE TO HELP YOU.
[REFRIGERATOR OPENS AND CLOSES]
472
00:31:42,452 --> 00:31:49,838
[REFRIGERATOR OPENS AND CLOSES]
473
00:31:49,838 --> 00:31:52,531
YOU'’VE, UH...
474
00:31:52,531 --> 00:31:55,844
YOU'’VE, UH...
YOU'’VE RUN OUT OF ICE POPS.
475
00:31:55,844 --> 00:32:08,685
YOU'’VE RUN OUT OF ICE POPS.
476
00:32:08,685 --> 00:32:10,963
YOU'’VE RUN OUT OF ICE POPS.
[♪...]
477
00:32:10,963 --> 00:32:22,423
[♪...]
478
00:32:22,423 --> 00:32:23,493
>> Man: ♪ BABY, BABY,
479
00:32:23,493 --> 00:32:25,115
I GET A THRILL ♪
480
00:32:25,115 --> 00:32:26,806
♪ YEAH, HONEY, YOU KNOW
481
00:32:26,806 --> 00:32:28,394
YOU MAKE ME FEEL GOOD ♪
482
00:32:28,394 --> 00:32:30,534
♪ I CAN'’T WAIT TO SEE YOU
483
00:32:30,534 --> 00:32:31,708
AND HUG YOU ♪
484
00:32:31,708 --> 00:32:32,916
♪ OH, THAT'’S RIGHT ♪
485
00:32:32,916 --> 00:32:35,850
♪ I'’M READY FOR LOVE ♪
486
00:32:35,850 --> 00:32:38,818
♪ I'’M SO EXCITED ♪
487
00:32:38,818 --> 00:32:41,442
♪ YOU KNOW IT MAKES ME SMILE
488
00:32:41,442 --> 00:32:44,548
♪ GEE, I REALLY LOVE YOU
489
00:32:44,548 --> 00:32:47,724
♪ GEE, I REALLY DO
490
00:32:47,724 --> 00:32:50,554
♪ YES, I SAID I LOVE YOU
491
00:32:50,554 --> 00:32:51,590
♪ I FEEL ALL RIGHT
492
00:32:51,590 --> 00:32:54,075
BECAUSE I THINK YOU DO TOO ♪
493
00:32:54,075 --> 00:32:56,422
♪ MAYBE I'’M A LITTLE STONED ♪
494
00:32:56,422 --> 00:33:00,081
♪ MAYBE I JUST FIGURED IT OUT
495
00:33:00,081 --> 00:33:02,359
♪ BABY, WHEN I'’M IN YOUR ARMS,
496
00:33:02,359 --> 00:33:03,671
I GET DOCILE
497
00:33:03,671 --> 00:33:07,433
JUST LIKE A LITTLE CHILD ♪
498
00:33:07,433 --> 00:33:09,918
♪ IT'’S HARD TO ADMIT ♪
499
00:33:09,918 --> 00:33:13,612
♪ OH, IT'’S TOUGH TO BEAT IT... ♪
500
00:33:13,612 --> 00:33:17,340
>> Manchester: MISSED YOU, BABY.
501
00:33:17,340 --> 00:33:21,620
>> I MISSED YOU TOO, YOU DICK.
502
00:33:21,620 --> 00:33:22,690
>> ♪ ...COME ON, BABY,
503
00:33:22,690 --> 00:33:24,692
LET'’S CRASH THIS PLANE ♪
504
00:33:24,692 --> 00:33:27,591
LET'’S CRASH THIS PLANE ♪
[♪...]
505
00:33:27,591 --> 00:33:36,980
[♪...]
506
00:33:36,980 --> 00:33:38,326
♪ YOU GOT SOMETHING
507
00:33:38,326 --> 00:33:39,983
SPECIAL, POWERFUL ♪
508
00:33:39,983 --> 00:33:42,848
♪ MAKE MY ALARM RING, CLANG...
509
00:33:42,848 --> 00:33:46,817
♪ MAKE MY ALARM RING, CLANG...
[BOTH LAUGHING...]
510
00:33:46,817 --> 00:33:50,511
[BOTH LAUGHING...]
511
00:33:50,511 --> 00:33:52,996
♪ ...I WANT YOU TO MAKE ME,
512
00:33:52,996 --> 00:33:55,240
MAKE ME, I WANT YOU TO MAKE ME,
513
00:33:55,240 --> 00:33:57,690
I WANT YOU TO MAKE ME HAPPY ♪
514
00:33:57,690 --> 00:33:59,313
♪ OH, DON'’T YOU LEAVE ME
515
00:33:59,313 --> 00:34:01,487
IN THE MIDDLE, BABY, I'’M... ♪
516
00:34:01,487 --> 00:34:02,316
[SONG STOPS,
517
00:34:02,316 --> 00:34:05,008
[SONG STOPS,
LAUGHTER CONTINUES...]
518
00:34:05,008 --> 00:34:17,262
LAUGHTER CONTINUES...]
519
00:34:17,262 --> 00:34:20,196
LAUGHTER CONTINUES...]
[BIRDS CHIRPING...]
520
00:34:20,196 --> 00:34:31,172
[BIRDS CHIRPING...]
521
00:34:31,172 --> 00:34:35,556
[BIRDS CHIRPING...]
[BOTH GRUNTING AND PANTING...]
522
00:34:35,556 --> 00:34:41,009
[BOTH GRUNTING AND PANTING...]
523
00:34:41,009 --> 00:34:43,253
>> Noon: STOP.
524
00:34:43,253 --> 00:34:44,496
STOP.
525
00:34:44,496 --> 00:34:46,049
[GROANS]
526
00:34:46,049 --> 00:34:49,570
>> [PANTING...]
527
00:34:49,570 --> 00:34:51,537
WHAT'’S THE MATTER?
528
00:34:51,537 --> 00:34:53,712
>> WE'’VE BEEN FUCKING FOR HOURS.
529
00:34:53,712 --> 00:34:56,853
>> I KNOW, IT'’S AMAZING.
530
00:34:56,853 --> 00:35:00,477
>> I'’M TOO SORE TO CARRY ON.
531
00:35:00,477 --> 00:35:03,204
>> I'’M TOO SORE TO CARRY ON.
[BOTH PANTING...]
532
00:35:03,204 --> 00:35:11,316
[BOTH PANTING...]
533
00:35:11,316 --> 00:35:15,078
[BOTH PANTING...]
>> [MOANING...]
534
00:35:15,078 --> 00:35:18,806
>> [MOANING...]
535
00:35:18,806 --> 00:35:23,017
[PANTING FASTER...]
536
00:35:23,017 --> 00:35:25,399
TELL ME A STORY ABOUT A
537
00:35:25,399 --> 00:35:27,055
SEXUAL EXPERIENCE YOU'’VE HAD.
538
00:35:27,055 --> 00:35:29,437
>> OH... NO, MANCHESTER,
539
00:35:29,437 --> 00:35:31,508
IT'’S TOO WEIRD.
540
00:35:31,508 --> 00:35:33,338
I'’M STILL REALLY HIGH.
541
00:35:33,338 --> 00:35:35,823
>> PLEASE...
542
00:35:35,823 --> 00:35:39,999
[PANTING...]
543
00:35:39,999 --> 00:35:42,105
I'’LL JUST ASK ONE QUESTION THEN.
544
00:35:42,105 --> 00:35:46,109
>> [GROANS] WHAT?
545
00:35:46,109 --> 00:35:47,455
>> WHAT'’S THE BIGGEST DICK
546
00:35:47,455 --> 00:35:50,148
YOU'’VE EVER HAD?
547
00:35:50,148 --> 00:35:53,323
>> YOURS.
548
00:35:53,323 --> 00:35:56,395
>> DON'’T LIE TO ME.
549
00:35:56,395 --> 00:35:57,362
HAVE YOU EVER HAD ONE
550
00:35:57,362 --> 00:35:59,709
THAT WAS TOO BIG?
551
00:35:59,709 --> 00:36:01,711
>> YEAH.
552
00:36:01,711 --> 00:36:02,574
>> REALLY?
553
00:36:02,574 --> 00:36:03,747
[NOON CHUCKLES]
554
00:36:03,747 --> 00:36:08,787
WHAT HAPPENED?
555
00:36:08,787 --> 00:36:10,133
>> I USED TO LIKE FUCKING
556
00:36:10,133 --> 00:36:11,962
STRANGERS AT HOUSE PARTIES.
557
00:36:11,962 --> 00:36:14,862
>> OH... [GROANS]
558
00:36:14,862 --> 00:36:16,035
>> ONE NIGHT I TOOK THIS GUY
559
00:36:16,035 --> 00:36:19,763
INTO ONE OF THE BEDROOMS...
560
00:36:19,763 --> 00:36:22,076
>> AND...?
561
00:36:22,076 --> 00:36:24,285
>> [LAUGHING]: I NEARLY FAINTED
562
00:36:24,285 --> 00:36:27,771
WHEN I GRABBED HIS DICK.
563
00:36:27,771 --> 00:36:28,738
IT WAS LIKE
564
00:36:28,738 --> 00:36:32,190
A BUTTERNUT SQUASH. [LAUGHS]
565
00:36:32,190 --> 00:36:34,640
>> MMM...
566
00:36:34,640 --> 00:36:36,573
WHAT DID YOU DO?
567
00:36:36,573 --> 00:36:40,094
>> [CHUCKLES]
568
00:36:40,094 --> 00:36:41,716
WE TRIED TO DO IT FOR ABOUT
569
00:36:41,716 --> 00:36:43,615
HALF AN HOUR BUT HE COULDN'’T
570
00:36:43,615 --> 00:36:46,928
GET IT IN. [LAUGHS]
571
00:36:46,928 --> 00:36:49,241
>> SO WHAT HAPPENED?
572
00:36:49,241 --> 00:36:51,036
>> I GOT ON TOP.
573
00:36:51,036 --> 00:36:52,693
>> WHAT?!
574
00:36:52,693 --> 00:36:54,522
>> I SAT ON IT.
575
00:36:54,522 --> 00:36:56,317
NEARLY TORE ME IN HALF.
576
00:36:56,317 --> 00:36:59,562
>> [GRUNTING...]
577
00:36:59,562 --> 00:37:00,770
>> I THINK HE MUST HAVE BEEN
578
00:37:00,770 --> 00:37:02,220
A VIRGIN '’CAUSE HE DIDN'T REALLY
579
00:37:02,220 --> 00:37:04,429
KNOW WHAT TO DO.
580
00:37:04,429 --> 00:37:05,671
ALL THE OTHER GIRLS MUST HAVE
581
00:37:05,671 --> 00:37:07,294
BEEN SCARED AWAY.
582
00:37:07,294 --> 00:37:11,021
>> [SLAP] NOT MY FILTHY GIRL.
583
00:37:11,021 --> 00:37:12,747
>> NOT ME.
584
00:37:12,747 --> 00:37:14,439
[BOTH LAUGH]
585
00:37:14,439 --> 00:37:16,475
I RODE HIM TILL HIS FACE WENT
586
00:37:16,475 --> 00:37:18,960
RED AND HIS HEAD EXPLODED.
587
00:37:18,960 --> 00:37:23,206
>> [GRUNTING...]
588
00:37:23,206 --> 00:37:24,276
>> WHEN I GOT OFF HIM,
589
00:37:24,276 --> 00:37:26,589
MY PUSSY FARTED AND SPUNK GUSHED
590
00:37:26,589 --> 00:37:29,937
OUT OF ME ONTO HIS STOMACH.
591
00:37:29,937 --> 00:37:32,111
SO MUCH SPUNK.
592
00:37:32,111 --> 00:37:34,217
>> I'’M GONNA COME...
593
00:37:34,217 --> 00:37:36,392
>> [LAUGHS] ARE YOU?
594
00:37:36,392 --> 00:37:38,325
YOU DIRTY FUCKER.
595
00:37:38,325 --> 00:37:44,848
>> [GRUNTING LOUDER...]
596
00:37:44,848 --> 00:37:47,713
THANK FUCK FOR THAT.
597
00:37:47,713 --> 00:37:51,165
[GASPING...]
598
00:37:51,165 --> 00:37:55,238
>> YOU CAN WIPE THAT UP.
599
00:37:55,238 --> 00:37:58,276
>> MMM...
600
00:37:58,276 --> 00:38:03,660
>> MMM...
[PANTING...]
601
00:38:03,660 --> 00:38:25,475
[PANTING...]
602
00:38:25,475 --> 00:38:29,721
[PANTING...]
[HORN HONKING...]
603
00:38:29,721 --> 00:38:38,592
[HORN HONKING...]
604
00:38:38,592 --> 00:38:41,077
>> [GASPS]
605
00:38:41,077 --> 00:38:44,805
>> [GASPS]
[HORN CONTINUES HONKING...]
606
00:38:44,805 --> 00:38:49,154
[HORN CONTINUES HONKING...]
607
00:38:49,154 --> 00:38:50,604
WHAT!
608
00:38:50,604 --> 00:38:52,468
WHAT!
[HONKING STOPS]
609
00:38:52,468 --> 00:38:59,854
[HONKING STOPS]
610
00:38:59,854 --> 00:39:02,236
[HONKING STOPS]
WHAT THE FUCK ARE YOU DOING?
611
00:39:02,236 --> 00:39:08,415
WHAT THE FUCK ARE YOU DOING?
612
00:39:08,415 --> 00:39:10,417
[INDIAN MUSIC PLAYING
613
00:39:10,417 --> 00:39:16,423
[INDIAN MUSIC PLAYING
ON CAR RADIO...]
614
00:39:16,423 --> 00:39:34,786
ON CAR RADIO...]
615
00:39:34,786 --> 00:39:36,684
ON CAR RADIO...]
>> [COUGHS]
616
00:39:36,684 --> 00:39:49,248
>> [COUGHS]
617
00:39:49,248 --> 00:39:50,767
>> THAT IS FUCKING LUSH!
618
00:39:50,767 --> 00:39:52,079
HAVE YOU SEEN IT BACK THERE,
619
00:39:52,079 --> 00:39:52,769
MANCHESTER?
620
00:39:52,769 --> 00:39:55,082
MANCHESTER?
[MUSIC CONTINUES ON RADIO...]
621
00:39:55,082 --> 00:39:59,017
[MUSIC CONTINUES ON RADIO...]
622
00:39:59,017 --> 00:40:00,915
[MUSIC CONTINUES ON RADIO...]
HAVE YOU SEEN THAT?
623
00:40:00,915 --> 00:40:05,023
HAVE YOU SEEN THAT?
624
00:40:05,023 --> 00:40:08,682
PISS OFF, PERV BOY.
625
00:40:08,682 --> 00:40:09,890
>> YOU CLOSE YOUR LEGS,
626
00:40:09,890 --> 00:40:11,995
I'’LL CLOSE MY EYES.
627
00:40:11,995 --> 00:40:15,136
[MUSIC CONTINUES]
628
00:40:15,136 --> 00:40:16,586
[MUSIC ENDS,
629
00:40:16,586 --> 00:40:19,417
SURF CRASHES IN DISTANCE]
630
00:40:19,417 --> 00:40:21,660
[TAPE RECORDER CLICKS]
631
00:40:21,660 --> 00:40:22,730
>> Noon on tape: I'’m completely
632
00:40:22,730 --> 00:40:24,698
naked, crawling around on all
633
00:40:24,698 --> 00:40:27,114
fours, meowing and purring
634
00:40:27,114 --> 00:40:29,392
and acting like a cat.
635
00:40:29,392 --> 00:40:31,498
In the room, there are 10 or 15
636
00:40:31,498 --> 00:40:32,602
men who are all wanking
637
00:40:32,602 --> 00:40:34,846
into a saucer.
638
00:40:34,846 --> 00:40:36,434
When the saucer'’s full of come,
639
00:40:36,434 --> 00:40:37,365
the cat comes along
640
00:40:37,365 --> 00:40:38,884
to lick it clean.
641
00:40:38,884 --> 00:40:40,610
I finger myself and come around
642
00:40:40,610 --> 00:40:43,026
my finger about 10 times.
643
00:40:43,026 --> 00:40:44,442
My pussy keeps squeezing
644
00:40:44,442 --> 00:40:45,857
my finger while I keep rubbing
645
00:40:45,857 --> 00:40:48,273
my clit with my other hand.
646
00:40:48,273 --> 00:40:49,447
You would love the smell
647
00:40:49,447 --> 00:40:51,587
of my fingers right now.
648
00:40:51,587 --> 00:40:52,277
>> [SHUDDERING...]
649
00:40:52,277 --> 00:40:54,313
DICK'’S DISAPPEARED.
650
00:40:54,313 --> 00:40:57,385
>> WHAT DID YOU GO IN FOR?
651
00:40:57,385 --> 00:40:58,421
>> YOU'’VE GOT TO, HAVEN'T YOU?
652
00:40:58,421 --> 00:41:03,081
IT'’S THE SEASIDE.
653
00:41:03,081 --> 00:41:06,015
IT'’S THE SEASIDE.
[CONTINUES SHUDDERING...]
654
00:41:06,015 --> 00:41:22,963
[CONTINUES SHUDDERING...]
655
00:41:22,963 --> 00:41:23,998
>> DO YOU EVER THINK ABOUT
656
00:41:23,998 --> 00:41:30,522
DYING, MANCHESTER?
657
00:41:30,522 --> 00:41:32,593
>> I THINK THAT WHEN YOU DIE
658
00:41:32,593 --> 00:41:34,043
WILL BE THE SAME AS BEFORE YOU
659
00:41:34,043 --> 00:41:37,184
WILL BE THE SAME AS BEFORE YOU
WERE BORN.
660
00:41:37,184 --> 00:41:42,430
WERE BORN.
661
00:41:42,430 --> 00:41:45,951
IF YOU DIE BEFORE ME, ASK IF YOU
662
00:41:45,951 --> 00:41:50,369
CAN TAKE A FRIEND.
663
00:41:50,369 --> 00:41:51,750
[CHUCKLES]
664
00:41:51,750 --> 00:41:54,891
>> [CHUCKLING]
665
00:41:54,891 --> 00:41:58,861
>> [CHUCKLING]
>> [CHUCKLING]
666
00:41:58,861 --> 00:42:02,105
>> [CHUCKLING]
667
00:42:02,105 --> 00:42:03,313
>> DO YOU WANT TO BURIED OR
668
00:42:03,313 --> 00:42:04,418
CREMATED?
669
00:42:04,418 --> 00:42:07,628
>> WANT TO BE BURIED, NOT BURNT.
670
00:42:07,628 --> 00:42:10,148
I WANT THE WORMS TO EAT ME,
671
00:42:10,148 --> 00:42:11,770
SO WE CAN GO BACK TO WHERE WE
672
00:42:11,770 --> 00:42:15,015
SO WE CAN GO BACK TO WHERE WE
ALL CAME FROM.
673
00:42:15,015 --> 00:42:21,055
ALL CAME FROM.
674
00:42:21,055 --> 00:42:25,508
WHAT ABOUT YOU?
675
00:42:25,508 --> 00:42:27,130
>> CREMATED.
676
00:42:27,130 --> 00:42:31,410
>> WHY?
677
00:42:31,410 --> 00:42:35,000
>> I LIKE FIRE.
678
00:42:35,000 --> 00:42:40,109
>> I LIKE FIRE.
[♪...]
679
00:42:40,109 --> 00:44:44,026
[♪...]
680
00:44:44,026 --> 00:44:46,787
[♪...]
[COINS JINGLING]
681
00:44:46,787 --> 00:45:08,636
[COINS JINGLING]
682
00:45:08,636 --> 00:45:11,467
>> HELLO?
683
00:45:11,467 --> 00:45:13,745
IS THAT FRANNY?
684
00:45:13,745 --> 00:45:14,573
HI.
685
00:45:14,573 --> 00:45:18,750
HI.
YEAH, IT'’S, UH, IT'S MANCHESTER.
686
00:45:18,750 --> 00:45:33,247
YEAH, IT'’S, UH, IT'S MANCHESTER.
687
00:45:33,247 --> 00:45:38,183
YEAH, IT'’S, UH, IT'S MANCHESTER.
[♪...]
688
00:45:38,183 --> 00:45:43,637
[♪...]
689
00:45:43,637 --> 00:45:46,364
>> Man: ♪ WHILE I WAS WAITING
690
00:45:46,364 --> 00:45:49,574
WHILE I WAS DOWN ♪
691
00:45:49,574 --> 00:45:51,818
♪ I SAW THE FUTURE,
692
00:45:51,818 --> 00:45:55,753
IT FELL TO THE GROUND ♪
693
00:45:55,753 --> 00:45:58,790
♪ MEMORY AND REASON
694
00:45:58,790 --> 00:46:02,104
GIVE IN THE DARK ♪
695
00:46:02,104 --> 00:46:04,347
♪ TAKE ALL THE CHANCES
696
00:46:04,347 --> 00:46:07,695
AND HOPE TO HOLD ON ♪
697
00:46:07,695 --> 00:46:10,146
♪ I KNOW
698
00:46:10,146 --> 00:46:12,217
THERE'’S A FIRE ♪
699
00:46:12,217 --> 00:46:14,737
♪ I KNOW
700
00:46:14,737 --> 00:46:16,843
THERE'’S A FIRE ♪
701
00:46:16,843 --> 00:46:19,500
♪ I KNOW
702
00:46:19,500 --> 00:46:21,537
THERE'’S A FIRE ♪
703
00:46:21,537 --> 00:46:24,229
♪ I KNOW
704
00:46:24,229 --> 00:46:28,924
THERE'’S A FIRE. ♪
705
00:46:28,924 --> 00:46:32,928
[MUSIC ENDS]
706
00:46:32,928 --> 00:46:35,447
[CAR ENGINE SHUTS OFF]
707
00:46:35,447 --> 00:46:40,590
>> MMM.
708
00:46:40,590 --> 00:46:42,903
WHERE ARE WE?
709
00:46:42,903 --> 00:46:44,146
>> YOU KNOW WHAT YOU WERE SAYING
710
00:46:44,146 --> 00:46:46,631
LAST NIGHT?
711
00:46:46,631 --> 00:46:48,046
>> UM, WHAT ABOUT?
712
00:46:48,046 --> 00:46:51,670
>> ABOUT THE FUTURE.
713
00:46:51,670 --> 00:46:53,293
>> YEAH.
714
00:46:53,293 --> 00:46:54,915
>> WELL...
715
00:46:54,915 --> 00:46:57,815
WE'’RE AT FRANNY'S HOUSE.
716
00:46:57,815 --> 00:46:59,333
>> WHO THE FUCK IS FRANNY?
717
00:46:59,333 --> 00:47:00,369
>> HE'’S THIS BLOKE I MET.
718
00:47:00,369 --> 00:47:01,749
HE SAID HE MIGHT BE ABLE TO
719
00:47:01,749 --> 00:47:03,924
HELP US.
720
00:47:03,924 --> 00:47:06,064
>> HELP US WITH WHAT?
721
00:47:06,064 --> 00:47:08,135
>> NOT SURE.
722
00:47:08,135 --> 00:47:10,137
>> WHAT THE FUCK, MANCHESTER?
723
00:47:10,137 --> 00:47:11,311
>> WHAT?
724
00:47:11,311 --> 00:47:12,553
>> WHY DO YOU ALWAYS HAVE TO
725
00:47:12,553 --> 00:47:14,176
DO THIS?
726
00:47:14,176 --> 00:47:16,281
I THOUGHT THIS WAS OUR STORY.
727
00:47:16,281 --> 00:47:18,007
>> IT IS.
728
00:47:18,007 --> 00:47:19,250
>> YOU'’RE A FUCKING DICK,
729
00:47:19,250 --> 00:47:20,320
MANCHESTER.
730
00:47:20,320 --> 00:47:21,769
>> IT'’LL BE ALL RIGHT, BABY.
731
00:47:21,769 --> 00:47:24,151
LET'’S JUST SEE WHAT HAPPENS.
732
00:47:24,151 --> 00:47:26,015
>> BIG FAT FUCKING DICK!
733
00:47:26,015 --> 00:47:27,430
>> COME ON, NOON.
734
00:47:27,430 --> 00:47:29,467
DON'’T BE LIKE THAT.
735
00:47:29,467 --> 00:47:31,434
>> Franny: MANCHESTER!
736
00:47:31,434 --> 00:47:32,090
>> COME ON.
737
00:47:32,090 --> 00:47:33,989
>> MANCHESTER.
738
00:47:33,989 --> 00:47:36,405
GOOD TO SEE YOU.
739
00:47:36,405 --> 00:47:39,857
GLAD YOU DECIDED TO COME.
740
00:47:39,857 --> 00:47:41,893
YOU MUST BE NOON.
741
00:47:41,893 --> 00:47:43,722
>> HI.
742
00:47:43,722 --> 00:47:46,139
>> HI.
>> COME OVER AND MEET THE WIFE.
743
00:47:46,139 --> 00:47:50,833
>> COME OVER AND MEET THE WIFE.
744
00:47:50,833 --> 00:47:52,870
>> COME ON.
745
00:47:52,870 --> 00:47:55,631
EVERYTHING'’S GONNA BE O.K.
746
00:47:55,631 --> 00:48:00,532
EVERYTHING'’S GONNA BE O.K.
PROMISE.
747
00:48:00,532 --> 00:48:03,535
PROMISE.
748
00:48:03,535 --> 00:48:07,194
[FOOTSTEPS APPROACHING]
749
00:48:07,194 --> 00:48:09,748
>> LEAH, THIS IS MANCHESTER
750
00:48:09,748 --> 00:48:11,302
THE PHOTOGRAPHER AND HIS
751
00:48:11,302 --> 00:48:13,304
GIRLFRIEND, NOON.
752
00:48:13,304 --> 00:48:16,445
THIS IS MY WIFE, LEAH.
753
00:48:16,445 --> 00:48:17,756
>> HELLO, MANCHESTER.
754
00:48:17,756 --> 00:48:20,725
IT'’S A PLEASURE TO MEET YOU.
755
00:48:20,725 --> 00:48:23,693
>> HELLO, LEAH.
756
00:48:23,693 --> 00:48:26,144
>> HELLO, NOON.
757
00:48:26,144 --> 00:48:28,077
>> HI.
758
00:48:28,077 --> 00:48:35,084
>> LIKE YOUR SHORTS.
759
00:48:35,084 --> 00:48:38,225
>> LIKE YOUR SHORTS.
>> THANKS.
760
00:48:38,225 --> 00:48:42,816
>> THANKS.
761
00:48:42,816 --> 00:48:44,128
>> RIGHT.
762
00:48:44,128 --> 00:48:45,577
COME ON, I'’LL SHOW YOU TO
763
00:48:45,577 --> 00:48:48,442
COME ON, I'’LL SHOW YOU TO
YOUR ROOM.
764
00:48:48,442 --> 00:49:15,814
YOUR ROOM.
765
00:49:15,814 --> 00:49:17,161
JOIN ME DOWNSTAIRS FOR A DRINK
766
00:49:17,161 --> 00:49:20,129
JOIN ME DOWNSTAIRS FOR A DRINK
WHEN YOU'’VE SETTLED IN, GUYS.
767
00:49:20,129 --> 00:49:24,478
WHEN YOU'’VE SETTLED IN, GUYS.
768
00:49:24,478 --> 00:49:25,686
>> WHY DID THAT MAN CALL YOU
769
00:49:25,686 --> 00:49:27,688
A PHOTOGRAPHER?
770
00:49:27,688 --> 00:49:30,036
A PHOTOGRAPHER?
>> FUCK KNOWS.
771
00:49:30,036 --> 00:49:33,832
>> FUCK KNOWS.
772
00:49:33,832 --> 00:49:35,765
>> WHERE DID YOU MEET HIM?
773
00:49:35,765 --> 00:49:38,113
>> DRINKS IN THE GEORGE.
774
00:49:38,113 --> 00:49:39,148
>> DRINKS IN THE GEORGE AND
775
00:49:39,148 --> 00:49:42,186
LIVES IN A HOUSE LIKE THIS?
776
00:49:42,186 --> 00:49:46,673
[LAUGHS]
777
00:49:46,673 --> 00:49:50,746
THIS PLACE IS MENTAL.
778
00:49:50,746 --> 00:49:53,128
WHAT'’S HE DO?
779
00:49:53,128 --> 00:49:56,786
>> I DON'’T REALLY KNOW, BUT...
780
00:49:56,786 --> 00:49:58,167
HE SAID HE MIGHT BE ABLE TO
781
00:49:58,167 --> 00:50:00,376
GET ME A JOB.
782
00:50:00,376 --> 00:50:04,449
GET ME A JOB.
[LAUGHS]
783
00:50:04,449 --> 00:50:29,129
[LAUGHS]
784
00:50:29,129 --> 00:50:33,271
>> WHAT ARE YOU THINKING ABOUT?
785
00:50:33,271 --> 00:50:38,035
>> NOTHING.
786
00:50:38,035 --> 00:50:43,523
LET'’S GO DOWNSTAIRS.
787
00:50:43,523 --> 00:50:44,731
>> I CAN'’T GO DOWN LOOKING LIKE
788
00:50:44,731 --> 00:50:45,766
THIS.
789
00:50:45,766 --> 00:50:48,493
>> YOU LOOK GOOD.
790
00:50:48,493 --> 00:50:51,013
>> I FEEL DIRTY.
791
00:50:51,013 --> 00:50:54,120
>> I'’LL SEE YOU DOWNSTAIRS.
792
00:50:54,120 --> 00:50:56,467
>> DON'’T LEAVE ME, BABY.
793
00:50:56,467 --> 00:51:01,610
>> DON'’T LEAVE ME, BABY.
[DOOR OPENS AND CLOSES]
794
00:51:01,610 --> 00:51:03,784
[DOOR OPENS AND CLOSES]
795
00:51:03,784 --> 00:51:05,683
[DOOR OPENS AND CLOSES]
PRICK.
796
00:51:05,683 --> 00:51:07,961
PRICK.
797
00:51:07,961 --> 00:51:12,414
[♪...]
798
00:51:12,414 --> 00:51:17,557
>> Woman: ♪ SUCH A POWERFUL PULL
799
00:51:17,557 --> 00:51:23,080
AWAY FROM ME ♪
800
00:51:23,080 --> 00:51:26,221
♪ WE'’RE BOTH... ♪
801
00:51:26,221 --> 00:51:27,394
>> SLEEP O.K.?
802
00:51:27,394 --> 00:51:32,054
>> Woman: ♪ I CAN HARDLY BELIEVE
803
00:51:32,054 --> 00:51:35,195
THE WEIGHT AND THE SILENCE
804
00:51:35,195 --> 00:51:37,542
IS CRUSHING ME ♪
805
00:51:37,542 --> 00:51:40,200
>> WHAT YOU HAVING?
806
00:51:40,200 --> 00:51:41,581
>> WHATEVER YOU'’RE HAVING.
807
00:51:41,581 --> 00:51:45,136
>> [CHUCKLES]
808
00:51:45,136 --> 00:51:49,106
>> [CHUCKLES]
[♪...]
809
00:51:49,106 --> 00:51:52,902
[♪...]
810
00:51:52,902 --> 00:51:56,320
>> WHERE'’S NOON?
811
00:51:56,320 --> 00:51:58,874
>> WHERE'’S NOON?
>> SHE SAYS SHE FEELS DIRTY.
812
00:51:58,874 --> 00:52:04,397
>> SHE SAYS SHE FEELS DIRTY.
813
00:52:04,397 --> 00:52:05,984
>> COME ON... [EXHALES]
814
00:52:05,984 --> 00:52:08,332
I WANT TO SHOW YOU SOMETHING.
815
00:52:08,332 --> 00:52:13,130
[♪...]
816
00:52:13,130 --> 00:52:18,169
[♪...]
[PROJECTOR WHIRRING...]
817
00:52:18,169 --> 00:52:22,967
[PROJECTOR WHIRRING...]
818
00:52:22,967 --> 00:52:25,625
[CHUCKLES]
819
00:52:25,625 --> 00:52:28,145
SO, WHAT DO YOU THINK?
820
00:52:28,145 --> 00:52:30,492
>> WHAT IS IT?
821
00:52:30,492 --> 00:52:31,458
>> THIS IS WHAT I DO,
822
00:52:31,458 --> 00:52:33,080
MANCHESTER.
823
00:52:33,080 --> 00:52:34,565
>> [CHUCKLES]
824
00:52:34,565 --> 00:52:36,739
WHAT, YOU'’RE A HOUSEWIFE?
825
00:52:36,739 --> 00:52:38,293
>> [CHUCKLES]
826
00:52:38,293 --> 00:52:39,328
NO.
827
00:52:39,328 --> 00:52:40,502
>> OHH.
828
00:52:40,502 --> 00:52:42,366
YOU WATCH PORN.
829
00:52:42,366 --> 00:52:44,230
>> NO.
830
00:52:44,230 --> 00:52:46,404
I MAKE PORN.
831
00:52:46,404 --> 00:52:48,165
WELL, NOT PORN.
832
00:52:48,165 --> 00:52:49,718
THE WORD SUGGESTS A COMPLETE
833
00:52:49,718 --> 00:52:53,411
THE WORD SUGGESTS A COMPLETE
LACK OF ARTISTIC VALUE.
834
00:52:53,411 --> 00:52:56,828
LACK OF ARTISTIC VALUE.
835
00:52:56,828 --> 00:52:59,728
LOOK... [GRUNTS]
836
00:52:59,728 --> 00:53:01,350
WHETHER IT'’S WRITING, PICTURES,
837
00:53:01,350 --> 00:53:04,595
FILMS, WHAT INTERESTS ME IS ART
838
00:53:04,595 --> 00:53:08,357
THAT AROUSES SEXUAL DESIRE.
839
00:53:08,357 --> 00:53:11,464
>> NICE.
840
00:53:11,464 --> 00:53:13,673
>> THAT'’S HOW I MET LEAH.
841
00:53:13,673 --> 00:53:15,744
>> WHAT, LEAH'’S A PORN STAR?
842
00:53:15,744 --> 00:53:16,676
>> NO.
843
00:53:16,676 --> 00:53:17,780
[CHUCKLES]
844
00:53:17,780 --> 00:53:19,886
NOT ANYMORE.
845
00:53:19,886 --> 00:53:22,475
SHE'’S DOING A Ph.D NOW.
846
00:53:22,475 --> 00:53:25,995
IN EROTOLOGY.
847
00:53:25,995 --> 00:53:32,105
IN EROTOLOGY.
>> [NOON GRUNTING...]
848
00:53:32,105 --> 00:53:36,074
>> [NOON GRUNTING...]
849
00:53:36,074 --> 00:53:40,044
>> [NOON GRUNTING...]
[KNOCK AT DOOR]
850
00:53:40,044 --> 00:53:43,116
[KNOCK AT DOOR]
851
00:53:43,116 --> 00:53:46,982
>> COME IN.
852
00:53:46,982 --> 00:53:48,708
>> HIYA.
853
00:53:48,708 --> 00:53:51,504
>> HI.
854
00:53:51,504 --> 00:53:53,954
>> IS EVERYTHING O.K.?
855
00:53:53,954 --> 00:53:58,304
>> MMM.
856
00:53:58,304 --> 00:54:00,616
WHERE'’S MANCHESTER?
857
00:54:00,616 --> 00:54:04,931
>> HE'’S DOWNSTAIRS WITH FRANNY.
858
00:54:04,931 --> 00:54:06,346
WOULD YOU LIKE ME TO RUN YOU
859
00:54:06,346 --> 00:54:09,280
A BATH?
860
00:54:09,280 --> 00:54:11,040
>> [CHUCKLES]
861
00:54:11,040 --> 00:54:15,528
YES, PLEASE.
862
00:54:15,528 --> 00:54:17,288
>> I AM TELLING YOU, KID.
863
00:54:17,288 --> 00:54:20,222
YOU, YOU CAN BE A REAL
864
00:54:20,222 --> 00:54:21,568
ART STAR.
865
00:54:21,568 --> 00:54:23,121
WE CAN HAVE AN EXHIBITION
866
00:54:23,121 --> 00:54:24,709
ARRANGED IN NO TIME.
867
00:54:24,709 --> 00:54:25,952
>> I DON'’T KNOW.
868
00:54:25,952 --> 00:54:27,125
IT'’S JUST PHOTOS OF ME AND
869
00:54:27,125 --> 00:54:29,266
ME GIRLFRIEND FUCKING.
870
00:54:29,266 --> 00:54:30,405
>> [LAUGHS]
871
00:54:30,405 --> 00:54:32,545
YOU CAN MAKE A LOT OF MONEY.
872
00:54:32,545 --> 00:54:33,373
>> MONEY DON'’T INTEREST ME,
873
00:54:33,373 --> 00:54:34,823
THOUGH.
874
00:54:34,823 --> 00:54:36,790
>> MONEY IS LIKE SEX,
875
00:54:36,790 --> 00:54:38,516
MANCHESTER.
876
00:54:38,516 --> 00:54:40,932
ONLY TOO MUCH IS ENOUGH.
877
00:54:40,932 --> 00:54:42,486
[CHUCKLES]
878
00:54:42,486 --> 00:54:44,211
DO YOU THINK... NOON WANTS TO
879
00:54:44,211 --> 00:54:47,180
LIVE IN A BLOODY GARAGE FOREVER?
880
00:54:47,180 --> 00:54:48,285
>> NO.
881
00:54:48,285 --> 00:54:51,426
>> NO, SHE DOESN'’T.
882
00:54:51,426 --> 00:54:52,634
>> IT JUST SEEMS A BIT WEIRD
883
00:54:52,634 --> 00:54:54,705
THOUGH, FRANNY.
884
00:54:54,705 --> 00:54:55,740
>> YOUR MORALS AREN'’T YOUR
885
00:54:55,740 --> 00:54:57,708
BOWELS, KID.
886
00:54:57,708 --> 00:54:58,881
LOSING CONTROL OF THEM DON'’T
887
00:54:58,881 --> 00:55:00,297
MEAN YOU END UP COVERED IN SHIT.
888
00:55:00,297 --> 00:55:06,717
[BOTH CHUCKLING]
889
00:55:06,717 --> 00:55:07,994
>> YOU THINK I SHOULD ASK NOON
890
00:55:07,994 --> 00:55:09,961
WHAT SHE THINKS?
891
00:55:09,961 --> 00:55:13,171
>> [CHUCKLES]
892
00:55:13,171 --> 00:55:15,242
[SIGHS]
893
00:55:15,242 --> 00:55:19,937
IF YOU HAVE TO SWALLOW A FROG...
894
00:55:19,937 --> 00:55:21,145
[SWALLOWS, EXHALES]
895
00:55:21,145 --> 00:55:25,080
DON'’T LOOK AT IT TOO LONG, EH?
896
00:55:25,080 --> 00:55:27,013
[CHUCKLES]
897
00:55:27,013 --> 00:55:30,119
[CHUCKLES]
[LAUGHS]
898
00:55:30,119 --> 00:55:35,987
[LAUGHS]
899
00:55:35,987 --> 00:55:41,061
[LAUGHS]
[Actors on film moaning...]
900
00:55:41,061 --> 00:55:53,419
[Actors on film moaning...]
901
00:55:53,419 --> 00:55:55,213
[♪...]
902
00:55:55,213 --> 00:55:57,457
[BAG CRINKLES]
903
00:55:57,457 --> 00:55:59,563
[BAG CRINKLES]
[BAG OPENS]
904
00:55:59,563 --> 00:56:04,153
[BAG OPENS]
905
00:56:04,153 --> 00:56:07,018
[POCKETS BAG]
906
00:56:07,018 --> 00:56:08,641
>> OPEN WIDE.
907
00:56:08,641 --> 00:56:11,678
>> OPEN WIDE.
[♪...]
908
00:56:11,678 --> 00:56:32,768
[♪...]
909
00:56:32,768 --> 00:56:34,114
>> Man: ♪ IF I PROMISED TO
910
00:56:34,114 --> 00:56:36,393
SETTLE DOWN... ♪
911
00:56:36,393 --> 00:56:41,087
>> [LAUGHING]
912
00:56:41,087 --> 00:56:43,054
>> Man: ♪ WITH YOU
913
00:56:43,054 --> 00:56:46,195
FOREVER BY MY SIDE ♪
914
00:56:46,195 --> 00:56:49,751
[♪...]
915
00:56:49,751 --> 00:56:56,067
♪ OH, WILL YOU KEEP THE PEACE?
916
00:56:56,067 --> 00:56:59,416
>> THINK HE'’S HURT.
917
00:56:59,416 --> 00:57:04,421
>> WAIT HERE.
918
00:57:04,421 --> 00:57:06,802
>> WHERE ARE YOU GOING?
919
00:57:06,802 --> 00:57:08,977
>> WHERE ARE YOU GOING?
DON'’T LEAVE US!
920
00:57:08,977 --> 00:57:11,531
DON'’T LEAVE US!
921
00:57:11,531 --> 00:57:12,981
>> I'’M TELLING YOU, STEVE,
922
00:57:12,981 --> 00:57:17,641
THIS KID IS THE REAL DEAL.
923
00:57:17,641 --> 00:57:21,334
YES!
924
00:57:21,334 --> 00:57:22,369
RIGHT.
925
00:57:22,369 --> 00:57:25,442
THANKS, DOVE.
926
00:57:25,442 --> 00:57:27,444
YEAH...
927
00:57:27,444 --> 00:57:28,479
HANG ON, STEVE.
928
00:57:28,479 --> 00:57:34,071
[DRAWERS BANGING]
929
00:57:34,071 --> 00:57:35,382
MANCHESTER, WHAT...
930
00:57:35,382 --> 00:57:38,351
>> [BREATHING HEAVILY]
931
00:57:38,351 --> 00:57:39,870
>> WHAT YOU DOING?
932
00:57:39,870 --> 00:57:41,458
>> EH, SORRY, FRANNY.
933
00:57:41,458 --> 00:57:44,012
BIT OF A RUSH.
934
00:57:44,012 --> 00:57:47,049
[GASPING FOR BREATH]
935
00:57:47,049 --> 00:57:52,986
[LAUGHING]
936
00:57:52,986 --> 00:57:54,471
[WATER SPRAYING]
937
00:57:54,471 --> 00:57:55,299
[LEAH TURNS WATER OFF]
938
00:57:55,299 --> 00:57:56,956
>> SORRY ABOUT THAT.
939
00:57:56,956 --> 00:57:58,475
YEAH, YEAH, NO PROBLEM, I'’LL,
940
00:57:58,475 --> 00:58:00,684
I'’LL BRING HIM DOWN.
941
00:58:00,684 --> 00:58:05,551
O.K.
942
00:58:05,551 --> 00:58:10,901
O.K.
[♪..., STREAM BABBLING...]
943
00:58:10,901 --> 00:58:41,276
[♪..., STREAM BABBLING...]
944
00:58:41,276 --> 00:58:43,174
>> OOH.
945
00:58:43,174 --> 00:58:46,937
[CHUCKLES]
946
00:58:46,937 --> 00:58:48,801
WHAT SHALL WE CALL HIM?
947
00:58:48,801 --> 00:58:50,596
>> PEACE FROG.
948
00:58:50,596 --> 00:58:54,082
[THUNDER RUMBLES IN DISTANCE]
949
00:58:54,082 --> 00:58:56,222
[WATER SPLASHING]
950
00:58:56,222 --> 00:58:58,638
>> [LAUGHS]
951
00:58:58,638 --> 00:59:03,022
>> [LAUGHS]
[RAIN FALLING, BOTH PANTING]
952
00:59:03,022 --> 00:59:07,474
[RAIN FALLING, BOTH PANTING]
953
00:59:07,474 --> 00:59:09,097
>> WHAT HAVE YOU GOT IN THERE?
954
00:59:09,097 --> 00:59:11,720
>> PEACE FROG.
955
00:59:11,720 --> 00:59:13,964
>> WHAT YOU DOING WITH A FROG?
956
00:59:13,964 --> 00:59:15,344
>> PEELING ITS MOONS.
957
00:59:15,344 --> 00:59:17,277
>> WHAT?
958
00:59:17,277 --> 00:59:22,179
>> PEELING ITS MOONS.
959
00:59:22,179 --> 00:59:26,321
>> YOU BEEN DRINKING?
960
00:59:26,321 --> 00:59:28,634
>> MMM.
961
00:59:28,634 --> 00:59:30,497
>> WHAT'’S GOING ON, MANCHESTER?
962
00:59:30,497 --> 00:59:31,360
>> NOTHING.
963
00:59:31,360 --> 00:59:33,500
WE'’RE HEALING ITS WOUNDS.
964
00:59:33,500 --> 00:59:35,641
IT'’S INJURED.
965
00:59:35,641 --> 00:59:42,130
[BREATHES HEAVILY]
966
00:59:42,130 --> 00:59:48,654
[BREATHES HEAVILY]
>> OFF HIS HEAD.
967
00:59:48,654 --> 00:59:58,215
>> OFF HIS HEAD.
968
00:59:58,215 --> 00:59:59,423
>> I WAS HAVING A REALLY WEIRD
969
00:59:59,423 --> 01:00:04,290
DREAM ABOUT A...
970
01:00:04,290 --> 01:00:05,671
MOUSE WITH A SIDE-PARTING IN HIS
971
01:00:05,671 --> 01:00:09,019
HAIR.
972
01:00:09,019 --> 01:00:10,434
HE WAS USING A HUMAN EARLOBE AS
973
01:00:10,434 --> 01:00:17,130
A PUNCH-BAG.
974
01:00:17,130 --> 01:00:21,031
A PUNCH-BAG.
>> I LOVE YOU.
975
01:00:21,031 --> 01:00:26,243
>> I LOVE YOU.
976
01:00:26,243 --> 01:00:27,071
>> DON'’T WORRY ABOUT IT,
977
01:00:27,071 --> 01:00:27,796
IT'’LL BE FINE.
978
01:00:27,796 --> 01:00:31,144
[SPEAKING INDISTINCTLY]
979
01:00:31,144 --> 01:00:32,698
IT'’LL BE FINE.
980
01:00:32,698 --> 01:00:35,045
TRUST ME, TRUST ME, ABSOLUTELY.
981
01:00:35,045 --> 01:00:38,255
TRUST ME, TRUST ME, ABSOLUTELY.
COME ON, LET'’S GO.
982
01:00:38,255 --> 01:00:58,206
COME ON, LET'’S GO.
983
01:00:58,206 --> 01:01:00,380
COME ON, MANCHESTER.
984
01:01:00,380 --> 01:01:04,315
COME ON, MANCHESTER.
LET'’S GET GOING.
985
01:01:04,315 --> 01:01:47,220
LET'’S GET GOING.
986
01:01:47,220 --> 01:01:53,054
>> SO, WHAT'’S YOUR TECHNIQUE?
987
01:01:53,054 --> 01:01:54,607
>> NO TECHNIQUE.
988
01:01:54,607 --> 01:01:56,713
JUST INSTINCT.
989
01:01:56,713 --> 01:01:58,576
A COUPLE OF INSTAMATICS...
990
01:01:58,576 --> 01:02:02,063
AND A WILLING GIRLFRIEND.
991
01:02:02,063 --> 01:02:04,237
>> YEAH.
992
01:02:04,237 --> 01:02:07,793
SHE'’S AMAZING.
993
01:02:07,793 --> 01:02:09,035
>> BEAUTY IS THAT IT TAKES LESS
994
01:02:09,035 --> 01:02:10,727
TIME TO MAKE THE PHOTOGRAPHS
995
01:02:10,727 --> 01:02:11,900
THAN IT TAKES FOR PEOPLE TO
996
01:02:11,900 --> 01:02:13,660
LOOK AT THEM.
997
01:02:13,660 --> 01:02:14,869
>> I THINK THE BEAUTY IS THIS
998
01:02:14,869 --> 01:02:16,249
REJECTION OF LIGHTING, THE LACK
999
01:02:16,249 --> 01:02:18,010
OF CHOREOGRAPHY.
1000
01:02:18,010 --> 01:02:18,976
IT LEADS TO IMAGES WITHOUT
1001
01:02:18,976 --> 01:02:21,565
ARTIFICIALITY.
1002
01:02:21,565 --> 01:02:23,947
THIS IS THE REAL THING.
1003
01:02:23,947 --> 01:02:27,813
THIS IS THE REAL THING.
>> EXACTLY.
1004
01:02:27,813 --> 01:02:32,576
>> EXACTLY.
1005
01:02:32,576 --> 01:02:33,888
>> WE HAVE WORK TO DO,
1006
01:02:33,888 --> 01:02:37,512
GENTLEMEN.
1007
01:02:37,512 --> 01:02:40,066
>> INDEED.
1008
01:02:40,066 --> 01:02:43,518
>> YEAH.
1009
01:02:43,518 --> 01:02:46,693
>> HERE, GOT YOU SOMETHING.
1010
01:02:46,693 --> 01:02:48,109
>> FUCKING HELL, FRANNY.
1011
01:02:48,109 --> 01:02:49,489
>> YEAH, YOU JUST CARRY ON
1012
01:02:49,489 --> 01:02:54,011
TAKING THOSE PICTURES.
1013
01:02:54,011 --> 01:02:55,944
TAKING THOSE PICTURES.
ALL RIGHT?
1014
01:02:55,944 --> 01:03:09,026
ALL RIGHT?
1015
01:03:09,026 --> 01:03:10,027
>> YOU'’RE BACK AT LAST.
1016
01:03:10,027 --> 01:03:11,442
I'’M AS HORNY AS A FIELD OF
1017
01:03:11,442 --> 01:03:12,098
STAGS.
1018
01:03:12,098 --> 01:03:13,272
>> LOOK AT THIS, NOON.
1019
01:03:13,272 --> 01:03:14,756
I'’VE HAD A WICKED DAY.
1020
01:03:14,756 --> 01:03:17,379
>> GONNA FUCK YOUR BRAINS OUT.
1021
01:03:17,379 --> 01:03:19,312
>> [BREATHING HEAVILY]
1022
01:03:19,312 --> 01:03:22,143
[KISSES]
1023
01:03:22,143 --> 01:03:26,595
[KISSES]
[♪...]
1024
01:03:26,595 --> 01:04:07,429
[♪...]
1025
01:04:07,429 --> 01:04:13,642
>> Man: ♪ SILVER TREES
1026
01:04:13,642 --> 01:04:20,097
♪ PINWHEELS IN THE SNOW
1027
01:04:20,097 --> 01:04:25,516
♪ NO, WE DIDN'’T SEE YOU ♪
1028
01:04:25,516 --> 01:04:29,003
♪ THAT YEAR YOU KEPT
1029
01:04:29,003 --> 01:04:32,316
YOUR SHUTTERS CLOSED ♪
1030
01:04:32,316 --> 01:04:33,662
[CAMERA CLICKING...]
1031
01:04:33,662 --> 01:04:40,290
♪ WELL, I'’VE BEEN SLEEPING
1032
01:04:40,290 --> 01:04:46,227
TO YOUR FACE ♪
1033
01:04:46,227 --> 01:04:49,886
♪ AND I'’VE BEEN TALKING TO
1034
01:04:49,886 --> 01:04:52,819
YOUR SONGS... ♪
1035
01:04:52,819 --> 01:04:55,753
[MUSIC FADES]
1036
01:04:55,753 --> 01:04:58,825
[MUSIC FADES]
>> [CHUCKLES]
1037
01:04:58,825 --> 01:05:15,635
>> [CHUCKLES]
1038
01:05:15,635 --> 01:05:19,674
>> WHAT DO YOU THINK?
1039
01:05:19,674 --> 01:05:21,055
>> FUCKIN'’ HELL, FRANNY.
1040
01:05:21,055 --> 01:05:25,645
>> [LAUGHS]
1041
01:05:25,645 --> 01:05:26,750
THAT IS YOU.
1042
01:05:26,750 --> 01:05:29,373
>> [CHUCKLES]
1043
01:05:29,373 --> 01:05:33,239
[WHISPERS]: NOON, NOON.
1044
01:05:33,239 --> 01:05:34,758
NOON.
1045
01:05:34,758 --> 01:05:38,348
NOON.
I'’VE GOT SOMETHING TO TELL YOU.
1046
01:05:38,348 --> 01:05:58,506
I'’VE GOT SOMETHING TO TELL YOU.
1047
01:05:58,506 --> 01:05:59,921
>> Noon on tape: While I was on
1048
01:05:59,921 --> 01:06:01,060
holiday in Greece, I met these
1049
01:06:01,060 --> 01:06:03,235
two brothers.
1050
01:06:03,235 --> 01:06:04,891
They took it in turns to fuck me
1051
01:06:04,891 --> 01:06:07,894
in me hotel room.
1052
01:06:07,894 --> 01:06:09,275
One day the younger one took me
1053
01:06:09,275 --> 01:06:10,518
to the beach in the early
1054
01:06:10,518 --> 01:06:11,760
morning and told me he had
1055
01:06:11,760 --> 01:06:14,004
a surprise for me.
1056
01:06:14,004 --> 01:06:15,247
He pulled down his trunks and
1057
01:06:15,247 --> 01:06:17,525
showed me a tattoo on his dick.
1058
01:06:17,525 --> 01:06:18,560
One of those temporary ones
1059
01:06:18,560 --> 01:06:20,562
you stick on.
1060
01:06:20,562 --> 01:06:22,495
It was of a dolphin.
1061
01:06:22,495 --> 01:06:24,981
>> [GRUNTS]
1062
01:06:24,981 --> 01:06:25,947
>> I pulled my bikini bottoms
1063
01:06:25,947 --> 01:06:27,328
to one side and we fucked there
1064
01:06:27,328 --> 01:06:29,640
and then in the sand.
1065
01:06:29,640 --> 01:06:30,987
He bit my neck as the waves
1066
01:06:30,987 --> 01:06:32,643
engulfed us, and I rode that
1067
01:06:32,643 --> 01:06:33,886
dolphin until it was sick
1068
01:06:33,886 --> 01:06:34,542
inside me.
1069
01:06:34,542 --> 01:06:37,510
>> [MOANING]
1070
01:06:37,510 --> 01:06:39,719
>> This one took ages.
1071
01:06:39,719 --> 01:06:41,066
In the end, I could feel it
1072
01:06:41,066 --> 01:06:42,136
coming, and it nearly ripped
1073
01:06:42,136 --> 01:06:43,896
me pussy off.
1074
01:06:43,896 --> 01:06:46,243
My clit is throbbing.
1075
01:06:46,243 --> 01:06:47,106
[RECORDER CLICKS]
1076
01:06:47,106 --> 01:06:52,456
>> [MOANING...]
1077
01:06:52,456 --> 01:06:57,737
>> [MOANING...]
[GRUNTING AND GASPING...]
1078
01:06:57,737 --> 01:07:06,194
[GRUNTING AND GASPING...]
1079
01:07:06,194 --> 01:07:11,268
[GASPING...]
1080
01:07:11,268 --> 01:07:15,376
>> FUCK ARE YOU DOING?
1081
01:07:15,376 --> 01:07:16,515
FUCK OFF!
1082
01:07:16,515 --> 01:07:20,691
COCK!
1083
01:07:20,691 --> 01:07:23,729
COCK!
>> [BREATHING HEAVILY...]
1084
01:07:23,729 --> 01:07:30,080
>> [BREATHING HEAVILY...]
1085
01:07:30,080 --> 01:07:35,948
>> [BREATHING HEAVILY...]
SORRY, BABY.
1086
01:07:35,948 --> 01:07:38,123
SORRY, BABY.
1087
01:07:38,123 --> 01:07:41,022
SORRY, BABY.
NOON!
1088
01:07:41,022 --> 01:07:45,751
NOON!
1089
01:07:45,751 --> 01:07:49,927
NOON!
1090
01:07:49,927 --> 01:07:53,241
NOON!
1091
01:07:53,241 --> 01:07:58,074
>> NOON.
1092
01:07:58,074 --> 01:07:59,005
>> NOON.
NOON!
1093
01:07:59,005 --> 01:08:05,391
NOON!
1094
01:08:05,391 --> 01:08:08,325
NOON!
>> NOON...
1095
01:08:08,325 --> 01:08:15,919
>> NOON...
1096
01:08:15,919 --> 01:08:18,680
>> NOON...
>> NOON!
1097
01:08:18,680 --> 01:08:20,924
>> NOON!
1098
01:08:20,924 --> 01:08:25,653
>> WHERE THE HELL IS SHE?
1099
01:08:25,653 --> 01:08:26,826
>> I DON'’T KNOW.
1100
01:08:26,826 --> 01:08:28,000
>> MANCHESTER, WE GOTTA GET
1101
01:08:28,000 --> 01:08:28,863
GOING.
1102
01:08:28,863 --> 01:08:29,622
>> NO WAY.
1103
01:08:29,622 --> 01:08:30,830
I'’M NOT GOING ANYWHERE TILL SHE
1104
01:08:30,830 --> 01:08:32,522
COMES BACK.
1105
01:08:32,522 --> 01:08:33,764
>> WHY DON'’T WE ALL GO BACK
1106
01:08:33,764 --> 01:08:34,972
AND START GETTING READY AND SEE
1107
01:08:34,972 --> 01:08:36,353
IF SHE TURNS UP?
1108
01:08:36,353 --> 01:08:37,561
IF SHE DOESN'’T, NONE OF US
1109
01:08:37,561 --> 01:08:40,668
WILL GO.
1110
01:08:40,668 --> 01:08:43,981
>> MANCHESTER?
1111
01:08:43,981 --> 01:08:46,122
>> RIGHT.
1112
01:08:46,122 --> 01:08:49,780
[♪...]
1113
01:08:49,780 --> 01:08:52,197
NOON!
1114
01:08:52,197 --> 01:08:56,132
NOON!
NOON!
1115
01:08:56,132 --> 01:09:11,319
NOON!
1116
01:09:11,319 --> 01:09:14,322
>> Woman: ♪ HELLO... HELLO...
1117
01:09:14,322 --> 01:09:17,808
HELLO... ♪
1118
01:09:17,808 --> 01:09:21,053
♪ HELLO... HELLO...
1119
01:09:21,053 --> 01:09:24,229
HELLO... ♪
1120
01:09:24,229 --> 01:09:30,752
♪ HERE WE ARE...
1121
01:09:30,752 --> 01:09:33,997
♪ MOVING...
1122
01:09:33,997 --> 01:09:37,242
MOVING...
1123
01:09:37,242 --> 01:09:42,247
HOME... ♪
1124
01:09:42,247 --> 01:09:47,044
HOME... ♪
[♪...]
1125
01:09:47,044 --> 01:09:57,020
[♪...]
1126
01:09:57,020 --> 01:10:02,991
♪ HELLO... HELLO... HELLO...
1127
01:10:02,991 --> 01:10:04,924
♪ HELLO... HELLO... HELLO...
1128
01:10:04,924 --> 01:10:09,688
>> MANCHESTER?
1129
01:10:09,688 --> 01:10:15,763
>> Woman: ♪ HERE WE ARE...
1130
01:10:15,763 --> 01:10:18,800
♪ MOVING...
1131
01:10:18,800 --> 01:10:22,045
MOVING...
1132
01:10:22,045 --> 01:10:28,189
HOME... ♪
1133
01:10:28,189 --> 01:10:30,985
HOME... ♪
[SONG ENDS]
1134
01:10:30,985 --> 01:10:33,677
[SONG ENDS]
1135
01:10:33,677 --> 01:10:34,368
[NEW SONG BEGINS]
1136
01:10:34,368 --> 01:10:38,993
[NEW SONG BEGINS]
[GENERAL CONVERSATION...]
1137
01:10:38,993 --> 01:10:51,971
[GENERAL CONVERSATION...]
1138
01:10:51,971 --> 01:10:54,767
>> Woman: ♪ ALL THE GOLD
1139
01:10:54,767 --> 01:10:57,322
AND THE GUNS ♪
1140
01:10:57,322 --> 01:10:58,771
♪ IN THE WORLD
1141
01:10:58,771 --> 01:11:02,637
♪ COULDN'’T GET YOU OFF ♪
1142
01:11:02,637 --> 01:11:05,364
♪ ALL THE GOLD
1143
01:11:05,364 --> 01:11:07,987
♪ AND THE GUNS
1144
01:11:07,987 --> 01:11:09,506
♪ AND THE GIRLS...
1145
01:11:09,506 --> 01:11:10,507
[MUSIC FADES]
1146
01:11:10,507 --> 01:11:12,198
>> LADIES AND GENTLEMEN,
1147
01:11:12,198 --> 01:11:14,373
I GIVE YOU... MANCHESTER.
1148
01:11:14,373 --> 01:11:19,585
[APPLAUSE...]
1149
01:11:19,585 --> 01:11:20,897
>> CONGRATULATIONS ON THE SHOW.
1150
01:11:20,897 --> 01:11:21,691
VERY IMPRESSIVE.
1151
01:11:21,691 --> 01:11:22,588
>> THANKS.
1152
01:11:22,588 --> 01:11:23,624
>> SO SPONTANEOUS.
1153
01:11:23,624 --> 01:11:25,315
SO SUBVERSIVE.
1154
01:11:25,315 --> 01:11:26,385
>> THANK YOU.
1155
01:11:26,385 --> 01:11:27,455
>> YOUR PHOTOGRAPHS ARE AMAZING,
1156
01:11:27,455 --> 01:11:29,077
SO RAW, WHAT'’S YOUR TECHNIQUE?
1157
01:11:29,077 --> 01:11:29,906
>> UH, HIS TECHNIQUE IS
1158
01:11:29,906 --> 01:11:31,494
AN ABSENCE OF TECHNIQUE.
1159
01:11:31,494 --> 01:11:32,840
HIS EYES ARE THE LENS.
1160
01:11:32,840 --> 01:11:33,875
>> WOULD YOU SAY YOUR IMAGES
1161
01:11:33,875 --> 01:11:36,084
WERE IN ANY WAY IMPUDENT?
1162
01:11:36,084 --> 01:11:36,947
>> DON'’T EVEN KNOW WHAT THAT
1163
01:11:36,947 --> 01:11:37,638
MEANS.
1164
01:11:37,638 --> 01:11:38,673
>> IT'’S JUST A YOUNG COUPLE
1165
01:11:38,673 --> 01:11:40,054
IN LOVE MAKING LOVE.
1166
01:11:40,054 --> 01:11:41,020
>> I TOLD YOU, DIDN'’T I?
1167
01:11:41,020 --> 01:11:42,056
WHAT DID I TELL YOU?
1168
01:11:42,056 --> 01:11:44,610
YOU ARE A FUCKING STAR.
1169
01:11:44,610 --> 01:11:47,751
[♪...]
1170
01:11:47,751 --> 01:11:49,166
>> Woman: ♪ IS IT EVER GONNA BE
1171
01:11:49,166 --> 01:11:50,651
ENOUGH? ♪
1172
01:11:50,651 --> 01:11:53,412
♪ IS IT EVER GONNA BE ENOUGH?
1173
01:11:53,412 --> 01:11:55,483
♪ IS IT EVER GONNA BE ENOUGH?
1174
01:11:55,483 --> 01:11:59,211
[♪...]
1175
01:11:59,211 --> 01:12:02,421
[♪...]
[MUSIC FADES]
1176
01:12:02,421 --> 01:12:07,150
[MUSIC FADES]
1177
01:12:07,150 --> 01:12:08,462
>> NOON.
1178
01:12:08,462 --> 01:12:10,049
YOU MADE IT.
1179
01:12:10,049 --> 01:12:11,396
WE WAITED FOR YOU AS LONG AS
1180
01:12:11,396 --> 01:12:12,293
WE COULD.
1181
01:12:12,293 --> 01:12:13,294
>> WHY ARE YOU DRESSED LIKE
1182
01:12:13,294 --> 01:12:15,296
A TWAT?
1183
01:12:15,296 --> 01:12:16,539
>> I'’M NOT A TWAT.
1184
01:12:16,539 --> 01:12:18,541
I'’M AN ARTIST.
1185
01:12:18,541 --> 01:12:19,438
>> [SCOFFS]
1186
01:12:19,438 --> 01:12:22,855
>> NO, SERIOUSLY, I'’M AN ARTIST.
1187
01:12:22,855 --> 01:12:25,582
>> NO, SERIOUSLY, I'’M AN ARTIST.
COME AND SEE.
1188
01:12:25,582 --> 01:13:13,250
COME AND SEE.
1189
01:13:13,250 --> 01:13:16,115
COME AND SEE.
[SLAPS HIM HARD]
1190
01:13:16,115 --> 01:13:24,089
[SLAPS HIM HARD]
1191
01:13:24,089 --> 01:13:28,093
>> WHAT?
1192
01:13:28,093 --> 01:13:30,889
[INDISTINCT CONVERSATION]
1193
01:13:30,889 --> 01:13:33,305
NOON!
1194
01:13:33,305 --> 01:13:35,894
NOON!
1195
01:13:35,894 --> 01:13:36,619
NOON.
1196
01:13:36,619 --> 01:13:38,068
DON'’T GO, PLEASE!
1197
01:13:38,068 --> 01:13:39,449
>> Noon: GO FUCKING DIE!
1198
01:13:39,449 --> 01:13:42,314
>> Noon: GO FUCKING DIE!
[ENGINE REVS, TIRES SQUEAL]
1199
01:13:42,314 --> 01:13:44,109
[ENGINE REVS, TIRES SQUEAL]
1200
01:13:44,109 --> 01:13:47,284
[ENGINE REVS, TIRES SQUEAL]
>> FUCK IT.
1201
01:13:47,284 --> 01:13:53,498
>> FUCK IT.
1202
01:13:53,498 --> 01:13:58,675
>> FUCK IT.
[♪...]
1203
01:13:58,675 --> 01:14:00,436
[♪...]
1204
01:14:00,436 --> 01:14:04,370
[♪...]
>> [CRYING ANGRILY] COCK!
1205
01:14:04,370 --> 01:14:17,073
>> [CRYING ANGRILY] COCK!
1206
01:14:17,073 --> 01:14:19,455
>> LADIES AND HERMAPHRODITES...
1207
01:14:19,455 --> 01:14:20,317
[SCATTERED LAUGHTER]
1208
01:14:20,317 --> 01:14:21,457
CAN I HAVE YOUR ATTENTION,
1209
01:14:21,457 --> 01:14:23,459
PLEASE?
1210
01:14:23,459 --> 01:14:25,909
THANKS FOR FUCKING COMING AND
1211
01:14:25,909 --> 01:14:28,567
LOOKING AT FUCKING PHOTOGRAPHS
1212
01:14:28,567 --> 01:14:30,949
OF MY FUCKING DICK...
1213
01:14:30,949 --> 01:14:32,744
YOU FUCKING TWATS.
1214
01:14:32,744 --> 01:14:33,469
[SCATTERED LAUGHTER]
1215
01:14:33,469 --> 01:14:39,198
[APPLAUSE AND CHEERING]
1216
01:14:39,198 --> 01:14:43,444
NOW I SUGGEST WE ALL GET NAKED
1217
01:14:43,444 --> 01:14:49,485
AND WRESTLE LIKE GREEKS.
1218
01:14:49,485 --> 01:14:51,417
>> [LAUGHS]
1219
01:14:51,417 --> 01:14:54,869
>> [LAUGHS]
[♪...]
1220
01:14:54,869 --> 01:14:58,355
[♪...]
1221
01:14:58,355 --> 01:15:01,393
[♪...]
[URINE SPLASHING]
1222
01:15:01,393 --> 01:15:03,015
[URINE SPLASHING]
1223
01:15:03,015 --> 01:15:05,155
[SCATTERED APPLAUSE...]
1224
01:15:05,155 --> 01:15:07,468
>> REMEMBER, LADIES!
1225
01:15:07,468 --> 01:15:08,538
THAT'’S WHERE CHAMPAGNE COMES
1226
01:15:08,538 --> 01:15:09,539
FROM.
1227
01:15:09,539 --> 01:15:12,991
[SCATTERED APPLAUSE CONTINUES]
1228
01:15:12,991 --> 01:15:16,857
[SCATTERED APPLAUSE CONTINUES]
[♪...]
1229
01:15:16,857 --> 01:15:27,177
[♪...]
1230
01:15:27,177 --> 01:15:29,559
[♪...]
[MUSIC ENDS]
1231
01:15:29,559 --> 01:15:54,135
[MUSIC ENDS]
1232
01:15:54,135 --> 01:15:58,864
[MUSIC ENDS]
[SURF ROLLING, WIND BLOWING...]
1233
01:15:58,864 --> 01:16:10,255
[SURF ROLLING, WIND BLOWING...]
1234
01:16:10,255 --> 01:16:14,742
[SURF ROLLING, WIND BLOWING...]
[♪...]
1235
01:16:14,742 --> 01:17:54,566
[♪...]
1236
01:17:54,566 --> 01:17:57,569
[♪...]
[MUSIC ENDS]
1237
01:17:57,569 --> 01:18:16,174
[MUSIC ENDS]
1238
01:18:16,174 --> 01:18:20,005
>> WHAT THE FUCK ARE YOU DOING?
1239
01:18:20,005 --> 01:18:21,110
WHAT THE FUCK?
1240
01:18:21,110 --> 01:18:22,318
YOU FUCKING FUCKER!
1241
01:18:22,318 --> 01:18:23,733
>> HEY, HEY...
1242
01:18:23,733 --> 01:18:24,700
HEY!
1243
01:18:24,700 --> 01:18:26,253
MANCHESTER.
1244
01:18:26,253 --> 01:18:28,255
CALM DOWN, YOU CRAZY LITTLE
1245
01:18:28,255 --> 01:18:29,394
BASTARD!
1246
01:18:29,394 --> 01:18:32,500
THESE ARE FUCKING AMAZING!
1247
01:18:32,500 --> 01:18:34,986
SOME OF THE BEST YET!
1248
01:18:34,986 --> 01:18:35,918
>> I DIDN'’T EVEN FUCKING
1249
01:18:35,918 --> 01:18:38,990
>> I DIDN'’T EVEN FUCKING
TAKE '’EM.
1250
01:18:38,990 --> 01:18:44,478
TAKE '’EM.
1251
01:18:44,478 --> 01:18:46,929
TAKE '’EM.
[CAMERA SPLASHES INTO POOL]
1252
01:18:46,929 --> 01:18:49,069
[CAMERA SPLASHES INTO POOL]
1253
01:18:49,069 --> 01:18:54,281
[CAMERA SPLASHES INTO POOL]
[♪...]
1254
01:18:54,281 --> 01:19:05,154
[♪...]
1255
01:19:05,154 --> 01:19:08,709
[♪...]
[♪...]
1256
01:19:08,709 --> 01:19:32,250
[♪...]
1257
01:19:32,250 --> 01:19:35,080
[♪...]
[MUSIC FADES TO SILENCE]
1258
01:19:35,080 --> 01:19:37,600
[MUSIC FADES TO SILENCE]
1259
01:19:37,600 --> 01:19:42,363
[MUSIC FADES TO SILENCE]
[BIG DOG BARKING]
1260
01:19:42,363 --> 01:19:47,092
[BIG DOG BARKING]
1261
01:19:47,092 --> 01:19:48,162
>> SORRY, MISTER.
1262
01:19:48,162 --> 01:19:49,474
I WAS JUST LOOKING FOR SOMEWHERE
1263
01:19:49,474 --> 01:19:51,269
TO SLEEP.
1264
01:19:51,269 --> 01:19:55,342
[DOG PANTING...]
1265
01:19:55,342 --> 01:19:57,516
[DOG PANTING...]
>> Man: COME ON.
1266
01:19:57,516 --> 01:20:01,727
>> Man: COME ON.
1267
01:20:01,727 --> 01:20:05,283
>> Man: COME ON.
[BIRDS CHIRPING...]
1268
01:20:05,283 --> 01:20:46,911
[BIRDS CHIRPING...]
1269
01:20:46,911 --> 01:20:49,845
[BIRDS CHIRPING...]
[FOOTSTEPS APPROACHING]
1270
01:20:49,845 --> 01:21:00,856
[FOOTSTEPS APPROACHING]
1271
01:21:00,856 --> 01:21:02,236
[SQUISH]
1272
01:21:02,236 --> 01:21:06,862
>> OHH... FUCKING HELL.
1273
01:21:06,862 --> 01:21:10,866
UGH.
1274
01:21:10,866 --> 01:21:13,178
UGH.
[TOAST CRUNCHING...]
1275
01:21:13,178 --> 01:21:17,148
[TOAST CRUNCHING...]
1276
01:21:17,148 --> 01:21:19,529
[TAPE RECORDER CLICKS]
1277
01:21:19,529 --> 01:21:20,737
>> Noon on tape: I feel like
1278
01:21:20,737 --> 01:21:25,294
a severed limb.
1279
01:21:25,294 --> 01:21:26,467
Like an open sore
1280
01:21:26,467 --> 01:21:30,264
that will not heal.
1281
01:21:30,264 --> 01:21:33,060
that will not heal.
[♪...]
1282
01:21:33,060 --> 01:22:17,898
[♪...]
1283
01:22:17,898 --> 01:22:23,248
>> [GASPING AND GULPING...]
1284
01:22:23,248 --> 01:22:27,287
>> [GASPING AND GULPING...]
[♪...]
1285
01:22:27,287 --> 01:22:38,401
[♪...]
1286
01:22:38,401 --> 01:22:41,887
[BIRDS SQUAWKING...]
1287
01:22:41,887 --> 01:22:46,582
[BIRDS SQUAWKING...]
[MANCHESTER GRUNTING...]
1288
01:22:46,582 --> 01:22:53,554
[MANCHESTER GRUNTING...]
1289
01:22:53,554 --> 01:22:56,419
[MANCHESTER GRUNTING...]
[MUSIC FADES...]
1290
01:22:56,419 --> 01:23:04,772
[MUSIC FADES...]
1291
01:23:04,772 --> 01:23:05,773
[MEN AND WOMEN MOANING AND
1292
01:23:05,773 --> 01:23:09,743
[MEN AND WOMEN MOANING AND
GRUNTING ON VIDEO...]
1293
01:23:09,743 --> 01:23:35,458
GRUNTING ON VIDEO...]
1294
01:23:35,458 --> 01:23:39,324
GRUNTING ON VIDEO...]
>> [NOON MOANING...]
1295
01:23:39,324 --> 01:24:10,217
>> [NOON MOANING...]
1296
01:24:10,217 --> 01:24:13,703
>> [NOON MOANING...]
[TAP, TAP, TAP]
1297
01:24:13,703 --> 01:24:21,918
[TAP, TAP, TAP]
1298
01:24:21,918 --> 01:24:25,060
>> CAN I SPEAK TO NOON, PLEASE?
1299
01:24:25,060 --> 01:24:31,066
>> NO.
1300
01:24:31,066 --> 01:24:33,068
>> NO.
>> CAN YOU GIVE HER THESE, THEN?
1301
01:24:33,068 --> 01:24:50,533
>> CAN YOU GIVE HER THESE, THEN?
1302
01:24:50,533 --> 01:24:53,329
[PUNCH LANDS, THUD]
1303
01:24:53,329 --> 01:24:57,885
>> YOU SICK LITTLE BASTARD!
1304
01:24:57,885 --> 01:25:00,681
[KICKS HIM, MANCHESTER GASPS,
1305
01:25:00,681 --> 01:25:05,376
GROANING AND COUGHING...]
1306
01:25:05,376 --> 01:25:10,105
DON'’T YOU EVERCOME BACK HERE!
1307
01:25:10,105 --> 01:25:11,934
>> [CONTINUES GASPING
1308
01:25:11,934 --> 01:25:14,695
>> [CONTINUES GASPING
AND COUGHING...]
1309
01:25:14,695 --> 01:25:36,786
AND COUGHING...]
1310
01:25:36,786 --> 01:25:39,513
AND COUGHING...]
>> WHAT HAVE YOU DONE, DAD?
1311
01:25:39,513 --> 01:25:57,152
>> WHAT HAVE YOU DONE, DAD?
1312
01:25:57,152 --> 01:26:03,468
>> WHAT HAVE YOU DONE, DAD?
[BIRDS THUD ON TABLE...]
1313
01:26:03,468 --> 01:26:07,541
[BIRDS THUD ON TABLE...]
1314
01:26:07,541 --> 01:26:10,130
>> WHAT'’S GOING ON, NOON?
1315
01:26:10,130 --> 01:26:13,237
>> I'’M A TAXIDERMIST.
1316
01:26:13,237 --> 01:26:14,721
>> YOU'’RE KEEPING DEAD ANIMALS
1317
01:26:14,721 --> 01:26:16,895
IN MY FREEZER, NEXT TO MY
1318
01:26:16,895 --> 01:26:18,000
FISH FINGERS AND THEN
1319
01:26:18,000 --> 01:26:19,484
BLOODY STUFFING THEM?
1320
01:26:19,484 --> 01:26:21,866
>> NOT STUFFING THEM.
1321
01:26:21,866 --> 01:26:23,592
"TAXIDERMY" MEANS
1322
01:26:23,592 --> 01:26:25,628
"TO REARRANGE SKIN."
1323
01:26:25,628 --> 01:26:27,147
>> IF THIS HAS GOT ANYTHING
1324
01:26:27,147 --> 01:26:28,907
TO DO WITH MANCHESTER,
1325
01:26:28,907 --> 01:26:31,116
I'’LL REARRANGE HISSKIN.
1326
01:26:31,116 --> 01:26:32,773
IN FACT I'’LL TEAR THE BASTARD
1327
01:26:32,773 --> 01:26:34,258
A NEW ARSEHOLE.
1328
01:26:34,258 --> 01:26:37,468
I WILL!
1329
01:26:37,468 --> 01:26:38,676
[DOOR SLAMS]
1330
01:26:38,676 --> 01:26:40,850
[DOOR SLAMS]
>> FUCK OFF!
1331
01:26:40,850 --> 01:26:44,820
>> FUCK OFF!
1332
01:26:44,820 --> 01:26:49,445
>> FUCK OFF!
[MANCHESTER CRYING...]
1333
01:26:49,445 --> 01:26:54,588
[MANCHESTER CRYING...]
1334
01:26:54,588 --> 01:26:56,832
[DOOR CLATTERS OPEN]
1335
01:26:56,832 --> 01:26:58,247
>> THE PRESS HAVE GONE MAD.
1336
01:26:58,247 --> 01:27:00,284
THEY FUCKIN'’ LOVE YOU.
1337
01:27:00,284 --> 01:27:01,043
COME ON, KID,
1338
01:27:01,043 --> 01:27:03,908
PULL UP YOUR PANTS.
1339
01:27:03,908 --> 01:27:09,051
>> [SOBBING AND SNIFFLING...]
1340
01:27:09,051 --> 01:27:12,986
I DON'’T GIVE A SHIT.
1341
01:27:12,986 --> 01:27:16,058
>> BUT THIS IS ART, MANCHESTER.
1342
01:27:16,058 --> 01:27:17,818
>> FUCK ART...
1343
01:27:17,818 --> 01:27:21,684
AND FUCK YOU.
1344
01:27:21,684 --> 01:27:23,341
>> HERE.
1345
01:27:23,341 --> 01:27:25,309
SOLD...
1346
01:27:25,309 --> 01:27:31,625
EVERY SINGLE ONE.
1347
01:27:31,625 --> 01:27:36,078
EVERY SINGLE ONE.
>> [SOBBING...]
1348
01:27:36,078 --> 01:28:02,794
>> [SOBBING...]
1349
01:28:02,794 --> 01:28:06,246
>> YOUR MUM USED TO SAY...
1350
01:28:06,246 --> 01:28:09,974
LOVE IS LIKE A BIRD.
1351
01:28:09,974 --> 01:28:12,528
HOLD IT TOO TIGHT
1352
01:28:12,528 --> 01:28:15,428
AND YOU'’LL CRUSH IT,
1353
01:28:15,428 --> 01:28:20,018
BUT HOLD IT TOO LOOSE...
1354
01:28:20,018 --> 01:28:23,919
BUT HOLD IT TOO LOOSE...
IT'’LL FLY AWAY.
1355
01:28:23,919 --> 01:28:30,891
IT'’LL FLY AWAY.
1356
01:28:30,891 --> 01:28:32,341
[NOON SOBS]
1357
01:28:32,341 --> 01:28:35,310
[NOON SOBS]
[♪...]
1358
01:28:35,310 --> 01:28:41,143
[♪...]
1359
01:28:41,143 --> 01:28:42,662
>> Duet: ♪ SHE WALKED IN
1360
01:28:42,662 --> 01:28:47,287
WITH SADNESS IN HER EYES ♪
1361
01:28:47,287 --> 01:28:49,738
♪ I COULD TELL SHE'’D BEEN
1362
01:28:49,738 --> 01:28:53,500
SLEEPING WITH THE STARS ♪
1363
01:28:53,500 --> 01:28:56,641
♪ "WELL, HELLO, I AM DAWN"
1364
01:28:56,641 --> 01:29:00,231
♪ "YES, I'’VE SEEN YOU AROUND AND
1365
01:29:00,231 --> 01:29:06,651
I JUST LIVE DOWN FROM HERE" ♪
1366
01:29:06,651 --> 01:29:10,414
I JUST LIVE DOWN FROM HERE" ♪
[♪...]
1367
01:29:10,414 --> 01:29:15,695
[♪...]
1368
01:29:15,695 --> 01:29:18,283
♪ AND SHE HAS A DAD
1369
01:29:18,283 --> 01:29:21,459
SHE DOES NOT KNOW ♪
1370
01:29:21,459 --> 01:29:23,634
♪ WHO SENDS HER LETTERS
1371
01:29:23,634 --> 01:29:27,914
WITH NO RETURN ADDRESS ♪
1372
01:29:27,914 --> 01:29:30,882
♪ "I DON'’T KNOW HIS NAME,
1373
01:29:30,882 --> 01:29:33,989
HE DON'’T KNOW MY FACE ♪
1374
01:29:33,989 --> 01:29:39,374
♪ I AM BETTER OFF THIS WAY..."
1375
01:29:39,374 --> 01:29:42,791
♪ I AM BETTER OFF THIS WAY..."
[♪...]
1376
01:29:42,791 --> 01:29:46,035
[♪...]
1377
01:29:46,035 --> 01:29:50,350
[♪...]
[SONG FADES...]
1378
01:29:50,350 --> 01:30:22,589
[SONG FADES...]
1379
01:30:22,589 --> 01:30:27,283
[SONG FADES...]
[TAP, TAP, TAP, TAP]
1380
01:30:27,283 --> 01:31:16,574
[TAP, TAP, TAP, TAP]
1381
01:31:16,574 --> 01:31:18,818
[TAP, TAP, TAP, TAP]
[DOG BARKING IN DISTANCE...]
1382
01:31:18,818 --> 01:31:26,722
[DOG BARKING IN DISTANCE...]
1383
01:31:26,722 --> 01:31:32,625
[DOG BARKING IN DISTANCE...]
[♪...]
1384
01:31:32,625 --> 01:31:40,943
[♪...]
1385
01:31:40,943 --> 01:31:46,362
>> Manchester: [PANTING...]
1386
01:31:46,362 --> 01:31:50,332
>> Manchester: [PANTING...]
[♪...]
1387
01:31:50,332 --> 01:32:38,967
[♪...]
1388
01:32:38,967 --> 01:32:42,764
[BAG CRINKLING...]
1389
01:32:42,764 --> 01:32:48,079
[GASPING AND PANTING...]
1390
01:32:48,079 --> 01:32:51,704
[GASPING AND PANTING...]
[♪...]
1391
01:32:51,704 --> 01:33:02,438
[♪...]
1392
01:33:02,438 --> 01:33:06,270
[GASPING AND WHEEZING...]
1393
01:33:06,270 --> 01:33:10,170
[GASPING AND WHEEZING...]
[♪...]
1394
01:33:10,170 --> 01:33:40,269
[♪...]
1395
01:33:40,269 --> 01:33:42,237
[♪...]
[THUD, MUSIC ENDS]
1396
01:33:42,237 --> 01:33:46,241
[THUD, MUSIC ENDS]
1397
01:33:46,241 --> 01:33:50,210
[THUD, MUSIC ENDS]
[CAR ENGINE ACCELERATING...]
1398
01:33:50,210 --> 01:34:00,324
[CAR ENGINE ACCELERATING...]
1399
01:34:00,324 --> 01:34:02,291
[CAR ENGINE ACCELERATING...]
>> Noon: WHAT THE FUCK...
1400
01:34:02,291 --> 01:34:09,091
>> Noon: WHAT THE FUCK...
1401
01:34:09,091 --> 01:34:12,301
>> Noon: WHAT THE FUCK...
[FLAMES CRACKLING...]
1402
01:34:12,301 --> 01:34:15,615
[FLAMES CRACKLING...]
1403
01:34:15,615 --> 01:34:18,445
[SCREAMING] MANCHESTER!
1404
01:34:18,445 --> 01:34:20,931
MANCHESTER!
1405
01:34:20,931 --> 01:34:22,070
[SOBBING...]
1406
01:34:22,070 --> 01:34:23,209
[FLAMES WHOOSHING
1407
01:34:23,209 --> 01:34:24,969
AND CRACKLING...]
1408
01:34:24,969 --> 01:34:28,455
AND CRACKLING...]
MANCHESTER!
1409
01:34:28,455 --> 01:34:33,115
MANCHESTER!
1410
01:34:33,115 --> 01:34:37,533
[COUGHING AND SOBBING...]
1411
01:34:37,533 --> 01:34:39,363
MANCHES...
1412
01:34:39,363 --> 01:34:42,055
MANCHESTER...
1413
01:34:42,055 --> 01:34:48,337
[SOBBING...]
1414
01:34:48,337 --> 01:34:52,997
[SOBBING...]
[FAINT, MUFFLED MOANING...]
1415
01:34:52,997 --> 01:35:05,320
[FAINT, MUFFLED MOANING...]
1416
01:35:05,320 --> 01:35:06,977
>> Manchester: [COUGHING
1417
01:35:06,977 --> 01:35:11,119
AND GASPING...]
1418
01:35:11,119 --> 01:35:14,778
AND GASPING...]
>> [GASPING AND SOBBING...]
1419
01:35:14,778 --> 01:35:34,970
>> [GASPING AND SOBBING...]
1420
01:35:34,970 --> 01:35:37,628
>> [GASPING AND SOBBING...]
OH, YOU...
1421
01:35:37,628 --> 01:35:42,046
OH, YOU...
1422
01:35:42,046 --> 01:35:45,187
[♪...]
1423
01:35:45,187 --> 01:35:45,878
YOU FUCKING DICK...
1424
01:35:45,878 --> 01:35:49,882
YOU FUCKING DICK...
[GASPING, SOBBING...]
1425
01:35:49,882 --> 01:35:51,538
[GASPING, SOBBING...]
1426
01:35:51,538 --> 01:35:55,508
[GASPING, SOBBING...]
[♪..., BIRDS CHIRPING...]
1427
01:35:55,508 --> 01:35:58,649
[♪..., BIRDS CHIRPING...]
1428
01:35:58,649 --> 01:35:59,823
Noon on tape: I miss you
1429
01:35:59,823 --> 01:36:05,138
beside me.
1430
01:36:05,138 --> 01:36:06,346
I don'’t know what it is
1431
01:36:06,346 --> 01:36:10,143
about you.
1432
01:36:10,143 --> 01:36:11,524
You make me feel
1433
01:36:11,524 --> 01:36:12,214
all funny inside.
1434
01:36:12,214 --> 01:36:17,772
[♪...]
1435
01:36:17,772 --> 01:36:18,703
You make my soul
1436
01:36:18,703 --> 01:36:20,084
come out of hiding.
1437
01:36:20,084 --> 01:36:24,054
come out of hiding.
[♪...]
1438
01:36:24,054 --> 01:36:27,471
[♪...]
1439
01:36:27,471 --> 01:36:28,886
You have a special place
1440
01:36:28,886 --> 01:36:29,680
in my heart.
1441
01:36:29,680 --> 01:36:33,649
in my heart.
[♪...]
1442
01:36:33,649 --> 01:36:37,170
[♪...]
1443
01:36:37,170 --> 01:36:40,864
Baby, I love you.
1444
01:36:40,864 --> 01:36:42,624
No one'’s ever gonna love you
1445
01:36:42,624 --> 01:36:44,350
more than I do.
1446
01:36:44,350 --> 01:36:49,873
more than I do.
[♪...]
1447
01:36:49,873 --> 01:37:01,954
[♪...]
1448
01:37:01,954 --> 01:37:06,303
[♪...]
[♪...]
1449
01:37:06,303 --> 01:38:09,814
[♪...]
1450
01:38:09,814 --> 01:38:13,784
[♪...]
[♪...]
1451
01:38:13,784 --> 01:38:53,203
[♪...]
1452
01:38:53,203 --> 01:38:59,347
[MUSIC FADES...]
1453
01:38:59,347 --> 01:39:03,213
[NEW SONG BEGINS]
1454
01:39:03,213 --> 01:39:04,352
>> Man: ♪ I COULD NEVER
1455
01:39:04,352 --> 01:39:06,871
BREAK YOUR HEART ♪
1456
01:39:06,871 --> 01:39:08,977
♪ I COULD NEVER BREAK YOUR,
1457
01:39:08,977 --> 01:39:11,255
BREAK YOUR HEART
1458
01:39:11,255 --> 01:39:13,637
AGAIN ♪
1459
01:39:13,637 --> 01:39:15,950
♪ LISTEN TO ME
1460
01:39:15,950 --> 01:39:17,089
♪ I COULD NEVER
1461
01:39:17,089 --> 01:39:19,470
BREAK YOUR HEART ♪
1462
01:39:19,470 --> 01:39:20,713
♪ I COULD NEVER
1463
01:39:20,713 --> 01:39:24,613
BREAK YOUR HEART AGAIN ♪
1464
01:39:24,613 --> 01:39:28,065
♪ LISTEN TO THIS SONG
1465
01:39:28,065 --> 01:39:33,968
♪ LISTEN TO THIS SONG
1466
01:39:33,968 --> 01:39:35,107
>> Woman: ♪ I COULD NEVER
1467
01:39:35,107 --> 01:39:37,523
BREAK YOUR HEART ♪
1468
01:39:37,523 --> 01:39:39,318
♪ I COULD TRY BUT NEVER
1469
01:39:39,318 --> 01:39:44,288
GET TOO FAR AGAIN, NO ♪
1470
01:39:44,288 --> 01:39:46,635
♪ LISTEN TO ME
1471
01:39:46,635 --> 01:39:47,774
♪ I COULD NEVER
1472
01:39:47,774 --> 01:39:50,225
BREAK YOUR HEART ♪
1473
01:39:50,225 --> 01:39:52,262
♪ I COULD TRY BUT NEVER
1474
01:39:52,262 --> 01:39:55,265
GET TOO FAR ♪
1475
01:39:55,265 --> 01:39:58,820
♪ LISTEN TO THIS SONG
1476
01:39:58,820 --> 01:40:04,377
♪ LISTEN TO THIS SONG
1477
01:40:04,377 --> 01:40:07,277
♪ OH
1478
01:40:07,277 --> 01:40:10,970
♪ OH OH...
1479
01:40:10,970 --> 01:40:14,387
♪ OH OH...
1480
01:40:14,387 --> 01:40:18,702
♪ OH OH... OH
1481
01:40:18,702 --> 01:40:19,944
♪ OH...
1482
01:40:19,944 --> 01:40:23,465
♪ THIS IS MY LOVE SONG
1483
01:40:23,465 --> 01:40:27,262
♪ THIS IS MY LOVE SONG
1484
01:40:27,262 --> 01:40:31,301
♪ THIS IS MY LOVE SONG
1485
01:40:31,301 --> 01:40:33,613
♪ LOVE SONG
1486
01:40:33,613 --> 01:40:34,752
♪ I COULD NEVER
1487
01:40:34,752 --> 01:40:37,203
BREAK YOUR HEART ♪
1488
01:40:37,203 --> 01:40:39,274
♪ I COULD NEVER BREAK YOUR,
1489
01:40:39,274 --> 01:40:41,621
BREAK YOUR HEART
1490
01:40:41,621 --> 01:40:43,934
AGAIN ♪
1491
01:40:43,934 --> 01:40:46,178
♪ LISTEN TO THESE WORDS
1492
01:40:46,178 --> 01:40:47,386
♪ I COULD NEVER
1493
01:40:47,386 --> 01:40:49,802
BREAK YOUR HEART ♪
1494
01:40:49,802 --> 01:40:51,873
♪ I COULD TRY BUT WOULDN'’T
1495
01:40:51,873 --> 01:40:55,014
GET TOO FAR... AGAIN ♪
1496
01:40:55,014 --> 01:40:58,328
♪ LISTEN TO THESE WORDS,
1497
01:40:58,328 --> 01:41:00,675
LISTEN TO THESE WORDS... ♪
1498
01:41:00,675 --> 01:41:02,849
LISTEN TO THESE WORDS... ♪
[SONG FADES SLOWLY...]
87000
