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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:08,220 --> 00:00:11,040 Larry: Let's talk about movies. 2 00:00:11,060 --> 00:00:13,040 What are you working on? 3 00:00:13,060 --> 00:00:15,110 Barry Levinson: I thought, uh, we weren't gonna talk about that. 4 00:00:15,130 --> 00:00:16,250 Larry: No, we-- well, I thought, you know, 5 00:00:16,269 --> 00:00:18,259 since you're basically known as a film director, 6 00:00:18,280 --> 00:00:20,280 it might be fun to talk about some of your films. 7 00:00:21,000 --> 00:00:22,080 Is that-is that a problem? 8 00:00:22,100 --> 00:00:23,260 Barry: I'll say that and then you'll say, 9 00:00:23,280 --> 00:00:26,110 "Oh, it's one of those movies." Right? 10 00:00:26,129 --> 00:00:27,289 No, I won't. You won't? 11 00:00:28,010 --> 00:00:31,060 Larry: What is it, one of those "Heaven Can Wait" kind of movies? 12 00:00:31,079 --> 00:00:32,239 (audience laughing) 13 00:00:32,259 --> 00:00:35,039 Larry: No, we'll talk about something else. 14 00:00:35,060 --> 00:00:36,120 Barry: Okay, good. 15 00:00:36,140 --> 00:00:39,070 Larry: Uh, so, hobbies. You got some hobbies? 16 00:00:39,090 --> 00:00:41,040 What you-- you have a hobby? 17 00:00:41,060 --> 00:00:43,050 Barry: No. No. 18 00:00:43,070 --> 00:00:45,020 (audience laughing) 19 00:00:48,009 --> 00:00:51,169 Do you have, uh, I see-- I hear that you travel a lot. 20 00:00:51,189 --> 00:00:54,239 Yes. So, uh, you goin' on vacation soon or... 21 00:00:54,259 --> 00:00:57,169 Well, I'm in the middle of that movie. 22 00:00:58,189 --> 00:01:00,059 And what is that about? 23 00:01:00,079 --> 00:01:01,199 Again, we're coming back to the-- 24 00:01:01,219 --> 00:01:03,169 You're not gonna talk about the movie at all. 25 00:01:03,189 --> 00:01:05,049 Honestly, I thought we wouldn't talk about it, 26 00:01:05,069 --> 00:01:07,269 because I always feel kinda awkward, you know, doing that. 27 00:01:10,120 --> 00:01:12,120 It's great to talk to you about anything. 28 00:01:12,140 --> 00:01:14,120 And we certainly don't need to talk about movies. 29 00:01:14,140 --> 00:01:16,280 How about merchandising. You wanna talk about that? 30 00:01:17,000 --> 00:01:18,230 That seems to be the new big thing in Hollywood. 31 00:01:18,250 --> 00:01:20,070 People merchandise. 32 00:01:20,090 --> 00:01:21,200 They make the movie, then they merchandise, 33 00:01:21,219 --> 00:01:22,249 and they make more money yet. 34 00:01:22,269 --> 00:01:24,209 Yes. So what kind of items would you be 35 00:01:24,230 --> 00:01:26,240 merchandising for your new movie? 36 00:01:26,260 --> 00:01:28,210 Maybe if we knew that, we could figure out, 37 00:01:28,230 --> 00:01:30,170 "Ah, it's a so-and-so doll." 38 00:01:30,189 --> 00:01:31,209 We'll work backwards. 39 00:01:31,230 --> 00:01:34,070 It's a story about a man who's finding himself. 40 00:01:34,090 --> 00:01:36,210 (audience laughing) 41 00:01:36,229 --> 00:01:38,259 Bullshit. It was an excellent show. 42 00:01:38,280 --> 00:01:42,010 Boy, I thought I handled the Levinson interview poorly. 43 00:01:42,030 --> 00:01:45,100 Oh, what do you do? You always do this when you're renegotiating your contract. 44 00:01:45,120 --> 00:01:46,290 You think so? Larry? 45 00:01:47,009 --> 00:01:49,029 How are those contract negotiations going? 46 00:01:49,049 --> 00:01:50,059 Oh, hey, Stevie. Hiya, Steve. 47 00:01:50,079 --> 00:01:51,199 Uh, they're going good. Good. 48 00:01:51,219 --> 00:01:52,259 Oh, yeah, really? 49 00:01:52,280 --> 00:01:54,230 Yeah, really. 50 00:01:54,250 --> 00:01:58,050 All right. Just remember, you've got the network by the balls. 51 00:01:58,069 --> 00:01:59,149 They can't do this job. 52 00:01:59,170 --> 00:02:00,280 Thank you, I'll remember that. 53 00:02:01,000 --> 00:02:02,130 What brings you here tonight? 54 00:02:02,150 --> 00:02:04,150 Oh, I signed Barry Levinson last week. 55 00:02:04,170 --> 00:02:06,240 Just came by to hold his hand. 56 00:02:06,260 --> 00:02:08,190 Say, listen, if you guys need any help booking guests, 57 00:02:08,210 --> 00:02:10,080 just pick up the phone. 58 00:02:10,099 --> 00:02:12,189 Listen, I think we've got it under control, young man. 59 00:02:12,210 --> 00:02:13,270 Thank you. (clears throat) 60 00:02:14,000 --> 00:02:16,060 Hey, uh, if Leo's having a hard time with this thing, 61 00:02:16,079 --> 00:02:17,189 I'd sure like to take a shot at it. 62 00:02:17,210 --> 00:02:19,140 Leo's got this covered. Thank you, though. 63 00:02:19,159 --> 00:02:20,179 Really? Yeah. 64 00:02:20,199 --> 00:02:22,069 No problem. Good. 65 00:02:22,090 --> 00:02:23,190 All right, Larry, it's good to see you. 66 00:02:23,210 --> 00:02:27,040 And, uh, remember, don't let go until you get what you want. 67 00:02:27,060 --> 00:02:28,060 Good to know. 68 00:02:28,079 --> 00:02:29,179 Fuckin' little snot, 69 00:02:29,199 --> 00:02:31,119 he's too busy playin' with his balls to shake my hand. 70 00:02:31,139 --> 00:02:32,999 You're always supposed to shake a man's hand. 71 00:02:33,020 --> 00:02:34,090 I can't believe they, uh, 72 00:02:34,110 --> 00:02:36,150 think that guys the next Mike Ovitz, you know? 73 00:02:36,170 --> 00:02:38,010 Excuse me, guys. I can. 74 00:02:38,030 --> 00:02:40,050 I'm sorry, you didn't, uh, happen to see Stevie, did ya? 75 00:02:40,069 --> 00:02:42,019 Uh, yeah, Barry. He just went down that way. 76 00:02:42,039 --> 00:02:44,179 Oh, okay, great. Funny poison oak story today. 77 00:02:44,199 --> 00:02:46,089 Oh, really? Thanks. Thank you very much. 78 00:02:46,110 --> 00:02:48,040 I'll see you, then, okay? 79 00:02:48,060 --> 00:02:50,280 Hey, listen, what is-what-what's the movie you're working on currently? 80 00:02:51,000 --> 00:02:53,210 Larry, I already said I didn't really want to talk about it, you know. 81 00:02:53,229 --> 00:02:55,139 Oh, I thought that was just out there. 82 00:02:55,159 --> 00:02:57,249 Now we're back here, I thought you could tell me what you're working on. 83 00:02:57,270 --> 00:03:00,010 Yeah, but back there, back here, what's the difference? 84 00:03:00,030 --> 00:03:01,170 I'm still telling you. No, but it's different. 85 00:03:01,189 --> 00:03:03,089 That was out there, you know, in front of everybody. 86 00:03:03,110 --> 00:03:04,280 Now we're back here. I mean, if you wanted to know 87 00:03:05,000 --> 00:03:06,170 who the guests were tomorrow night, I'd tell ya. 88 00:03:06,189 --> 00:03:08,079 Okay. Ask me who the guests are tomorrow night. 89 00:03:08,099 --> 00:03:09,159 I'd tell ya. The guests? 90 00:03:09,180 --> 00:03:11,150 Yeah, ask me. All right, who are the guests? 91 00:03:11,169 --> 00:03:12,259 Tomorrow night? 92 00:03:12,280 --> 00:03:15,150 Yeah, tomorrow night. 93 00:03:15,169 --> 00:03:16,999 Who are the guests tomorrow night? 94 00:03:17,020 --> 00:03:18,130 I'd rather not say. 95 00:03:18,150 --> 00:03:20,120 Oh, okay. Delight, delight. 96 00:03:20,139 --> 00:03:21,179 How did that feel, Barry? 97 00:03:21,199 --> 00:03:23,019 Come back. Terrific. Any time. 98 00:03:23,039 --> 00:03:24,119 Good, have a good one. All-righty. 99 00:03:24,139 --> 00:03:27,029 Talented man. Yeah, but very closed and private. 100 00:03:27,050 --> 00:03:28,210 Well, you know, sign of genius, you know. 101 00:03:28,229 --> 00:03:31,129 Excuse me. Larry? Leo's waiting in your office for you. 102 00:03:31,150 --> 00:03:33,090 Oh, jeez. Okay, I'll be right there. 103 00:03:33,110 --> 00:03:34,260 I forgot all about Leo. 104 00:03:34,280 --> 00:03:37,170 You know, what am I gonna do about these fuckin' contract negotiations? 105 00:03:37,189 --> 00:03:40,099 They're going nowhere. At least Leo knows how to shake a man's hand. 106 00:03:40,120 --> 00:03:41,290 Great show tonight, guys. 107 00:03:42,009 --> 00:03:43,119 Except, you know, you really should have 108 00:03:43,139 --> 00:03:45,119 found out about Levinson's new project, 109 00:03:45,139 --> 00:03:46,279 'cause that's what the audience wants to know. 110 00:03:47,000 --> 00:03:48,030 I found out. He just told me. 111 00:03:48,050 --> 00:03:49,040 Oh, really? What' he doing? 112 00:03:49,060 --> 00:03:50,120 I can't-- I can't say. 113 00:03:50,139 --> 00:03:51,239 Excuse me. 114 00:03:51,259 --> 00:03:53,269 Artie, I need a small favor. 115 00:03:54,000 --> 00:03:57,130 Is it okay if I use the stage during the day for the next few weeks? 116 00:03:59,069 --> 00:04:02,009 You're not shooting one of those fucking infomercials, are you? 117 00:04:02,030 --> 00:04:03,290 No, no, I'm putting together an act. 118 00:04:04,009 --> 00:04:05,289 For one of those infomercials. No. 119 00:04:06,009 --> 00:04:08,049 Telethon? No, to go on the road. 120 00:04:08,069 --> 00:04:09,059 What road? 121 00:04:09,080 --> 00:04:10,190 Artie, enough. 122 00:04:10,210 --> 00:04:12,280 Okay. Okay. 123 00:04:13,000 --> 00:04:15,140 Sit down here with me. 124 00:04:15,159 --> 00:04:16,249 What kind of act? 125 00:04:16,269 --> 00:04:19,059 Well, some songs, a few jokes, 126 00:04:19,079 --> 00:04:20,169 a little, uh, soft-shoe. 127 00:04:20,189 --> 00:04:22,209 You know, like Sammy used to do but with a twist. 128 00:04:22,230 --> 00:04:24,000 What's the twist? 129 00:04:24,019 --> 00:04:25,149 I'm doing it. 130 00:04:25,170 --> 00:04:26,240 That's quite a twist, Hank. 131 00:04:26,259 --> 00:04:28,099 Why don't you just rehearse at home? 132 00:04:28,120 --> 00:04:30,040 Well, I have been, but for the dancing, 133 00:04:30,060 --> 00:04:31,150 you see, you need a hard surface, 134 00:04:31,170 --> 00:04:33,260 and my place has that wall-to-wall shag. 135 00:04:33,279 --> 00:04:36,149 I'm sure your driveway will do just fine. 136 00:04:36,170 --> 00:04:40,000 Come on, Artie, this act is a dream of mine, and I-- 137 00:04:40,019 --> 00:04:41,019 And you need some quick cash. 138 00:04:41,040 --> 00:04:42,290 Don't demean my dream. 139 00:04:43,009 --> 00:04:45,039 You've sunk all your money in that silly restaurant 140 00:04:45,060 --> 00:04:46,250 and now you're completely fucked. 141 00:04:46,269 --> 00:04:48,059 100% fucked. 142 00:04:48,079 --> 00:04:50,049 Artie, please. 143 00:04:50,069 --> 00:04:51,279 Oh, shit. All right, Hank. 144 00:04:52,000 --> 00:04:53,290 Make sure you clean up after yourself 145 00:04:54,009 --> 00:04:56,029 Oh, thank you. Thank you so much. 146 00:04:56,050 --> 00:04:58,150 Oh, uh, Artie, I expect to see you and Elaine, 147 00:04:58,170 --> 00:05:01,090 front row center at the El Toro Civic Arena 148 00:05:01,110 --> 00:05:03,070 exactly four weeks from tonight. 149 00:05:03,089 --> 00:05:04,169 Hey, what are you opening with? 150 00:05:04,189 --> 00:05:07,089 Uh, "Spinning Wheel", but, you know, with a Latin flavor. 151 00:05:07,110 --> 00:05:08,150 Sounds like a showstopper. 152 00:05:08,170 --> 00:05:09,290 Oh, it is. It is. 153 00:05:10,009 --> 00:05:13,059 Hank, you don't open with a showstopper. 154 00:05:15,269 --> 00:05:17,259 So, how's my favorite client? 155 00:05:17,279 --> 00:05:19,039 Leo, sorry to keep you waiting. 156 00:05:19,060 --> 00:05:20,140 What's the word from the network? 157 00:05:20,160 --> 00:05:22,070 Um, you wanna, uh, talk over a drink 158 00:05:22,089 --> 00:05:24,189 or you wanna stay here or-- either way is fine with me. 159 00:05:24,209 --> 00:05:27,019 Either one's fine with me. Here's good. What's the word? 160 00:05:27,040 --> 00:05:28,250 Um... 161 00:05:28,269 --> 00:05:31,229 Hey! My man! Leo, my man! 162 00:05:31,250 --> 00:05:34,080 So, what you been doing with yourself? 163 00:05:34,100 --> 00:05:36,060 Oh, I been here, there, everywhere. 164 00:05:36,079 --> 00:05:38,009 You know who I bumped into? You remember that redhead-- 165 00:05:38,029 --> 00:05:40,059 the tall-- Georgette, Georgeanne. 166 00:05:40,079 --> 00:05:43,019 Leo, come on, could we please talk about the network? 167 00:05:43,040 --> 00:05:44,160 Ill never forget her. 168 00:05:44,180 --> 00:05:47,150 I, uh, I had lunch with the head of business affairs today. 169 00:05:47,170 --> 00:05:49,130 You want, uh, all the details, 170 00:05:49,149 --> 00:05:50,249 or do you want the general gist? 171 00:05:50,269 --> 00:05:52,009 Just give me the figure. 172 00:05:52,029 --> 00:05:53,229 Oh, well, this is their latest offer. 173 00:05:53,250 --> 00:05:55,050 Uh, no offense, Artie. 174 00:05:55,069 --> 00:05:56,999 None taken. 175 00:05:57,019 --> 00:05:58,179 Come on. 176 00:05:58,199 --> 00:06:00,279 I've been doing this show for six years, Leo. 177 00:06:01,000 --> 00:06:03,050 That's low. Well, it's ballpark, isn't it? 178 00:06:03,069 --> 00:06:06,129 Ballpark? I don't know what ballpark you're talking about. 179 00:06:06,149 --> 00:06:08,089 I thought we were gonna go after Letterman money. 180 00:06:08,110 --> 00:06:10,070 Well, Letterman had to leave a network 181 00:06:10,089 --> 00:06:11,219 in order to get that kind of money. 182 00:06:11,240 --> 00:06:14,020 I mean, is that the kind of move you want to make? 183 00:06:14,040 --> 00:06:15,140 Is it? 184 00:06:15,160 --> 00:06:16,280 It's not Leno money, is it? 185 00:06:17,000 --> 00:06:19,070 Oh, no, it's much bigger than that. 186 00:06:19,089 --> 00:06:20,289 Whew. 'Cause I hear he's getting fucked. 187 00:06:21,009 --> 00:06:22,159 He is getting fucked. 188 00:06:22,180 --> 00:06:25,040 Look, let's not worry about Leno money or Letterman money. 189 00:06:25,060 --> 00:06:26,240 Let's talk about Sanders money. 190 00:06:26,259 --> 00:06:29,029 Okay, let's talk about Sanders money. 191 00:06:29,050 --> 00:06:31,080 What does Arsenio get? Too much. 192 00:06:31,100 --> 00:06:33,100 Yeah, I mean, it's different with him. 193 00:06:33,120 --> 00:06:36,000 I mean, he's, uh... syndicated, for one. 194 00:06:36,019 --> 00:06:38,019 Well, I just think we can do better, that's all I'm saying. 195 00:06:38,040 --> 00:06:39,290 Okay. Good. 196 00:06:41,129 --> 00:06:42,259 How much better? 197 00:06:42,279 --> 00:06:45,269 What do you mean, how-- I want you to tell me how much better. 198 00:06:45,290 --> 00:06:47,190 Um... 199 00:06:50,090 --> 00:06:52,170 I don't know. 200 00:06:52,189 --> 00:06:55,089 Would you just pass on that amount? 201 00:06:55,110 --> 00:06:56,220 All right. 202 00:06:56,240 --> 00:07:00,200 Uh, Larry, how much of a fight do you want to put up here? 203 00:07:00,220 --> 00:07:04,040 I don't want to fight, Leo. I want you to fight, okay? 204 00:07:04,060 --> 00:07:05,110 Gotcha! 205 00:07:05,129 --> 00:07:07,019 Larry-- Hey! 206 00:07:07,040 --> 00:07:08,170 Leo! How are you? 207 00:07:08,189 --> 00:07:10,129 My gosh! How are you? Gorgeous! 208 00:07:10,149 --> 00:07:11,199 It's been so long. 209 00:07:11,220 --> 00:07:13,040 Still with these nuts, huh? I know. 210 00:07:13,060 --> 00:07:15,120 I always knew you two would get back together. 211 00:07:15,139 --> 00:07:17,119 Yeah. How about we celebrate? 212 00:07:17,139 --> 00:07:19,119 I take us all out to Musso's, like old times. 213 00:07:19,139 --> 00:07:22,219 Francine: Great. Can't go tonight-- wish I could. 214 00:07:22,240 --> 00:07:23,260 Another night, maybe. 215 00:07:23,279 --> 00:07:25,169 Well, what about tomorrow night? 216 00:07:25,189 --> 00:07:27,059 We could all go to Larry's house. 217 00:07:27,079 --> 00:07:29,239 Can you feed this young hellcat, too? 218 00:07:29,259 --> 00:07:31,199 Well, I certainly can, and you can bring-- 219 00:07:31,220 --> 00:07:33,010 Elaine's in Kenya. 220 00:07:33,029 --> 00:07:35,049 Another one of her stupid safaris, 221 00:07:35,069 --> 00:07:37,119 but I would be delighted to be there, my dear. 222 00:07:37,139 --> 00:07:38,249 Great. 7:30-8:00? 223 00:07:38,269 --> 00:07:41,139 Are you leaving? Yeah. 224 00:07:43,220 --> 00:07:45,210 What? Wasn't I supposed to invite him? 225 00:07:45,230 --> 00:07:46,290 No, it was fine. 226 00:07:47,009 --> 00:07:49,139 Uh, so, Larry, I'm going to the network tomorrow, 227 00:07:49,159 --> 00:07:52,069 and I'll talk to you as, uh, as soon as I hear something. 228 00:07:52,090 --> 00:07:54,230 Great. Great. 229 00:07:54,250 --> 00:07:57,220 Well, I mean, would you rather me talk to them tonight? 230 00:07:57,240 --> 00:07:59,050 Whichever, Leo. 231 00:07:59,069 --> 00:08:01,099 Tomorrow or today or tomorrow or tonight, 232 00:08:01,120 --> 00:08:02,210 whatever works for you. 233 00:08:02,230 --> 00:08:04,170 Well, I'll try to talk to them tonight, but if I can't, 234 00:08:04,189 --> 00:08:06,039 tomorrow's okay, right? Good. 235 00:08:06,060 --> 00:08:09,040 Well, okay, I-I'll see you tomorrow. Good night. 236 00:08:09,060 --> 00:08:10,270 Good night. 237 00:08:10,290 --> 00:08:13,090 What's going on? Is there a problem with Leo? 238 00:08:13,110 --> 00:08:16,150 Larry's thinking of getting rid of Leo. 239 00:08:16,170 --> 00:08:17,230 Aren't you? 240 00:08:17,250 --> 00:08:21,070 Francine: You can't fire Leo after all these years. 241 00:08:21,089 --> 00:08:24,039 I don't know what you guys are talking about? 242 00:08:24,060 --> 00:08:25,160 Beverly? Yes? 243 00:08:25,180 --> 00:08:27,040 This is Stevie Grant. Hi. 244 00:08:27,060 --> 00:08:28,260 Beverly, my assistant. The voice on the phone. 245 00:08:28,279 --> 00:08:30,029 Well, you're even lovelier in person. 246 00:08:30,050 --> 00:08:31,040 Well, thank you. 247 00:08:31,060 --> 00:08:32,130 Coming from an agent, 248 00:08:32,149 --> 00:08:33,259 I'll take that with a grain of salt. 249 00:08:33,279 --> 00:08:36,059 Look out. She's a sassy one. 250 00:08:36,080 --> 00:08:37,130 I beg your pardon? 251 00:08:37,149 --> 00:08:39,229 Beverly, could I have my messages, please? 252 00:08:39,250 --> 00:08:42,030 Uh, yeah, here they are. Thank you. Thank you. 253 00:08:42,049 --> 00:08:44,199 How was Spago? Oh, it was great. 254 00:08:44,220 --> 00:08:46,200 We saw Meryl Streep. Meryl Streep? 255 00:08:46,220 --> 00:08:47,210 Yeah. Really? 256 00:08:47,230 --> 00:08:50,260 She's a client. She's a big pain in the ass. 257 00:08:50,279 --> 00:08:53,279 She's very nice. Well, she's an actress. 258 00:08:54,009 --> 00:08:55,209 Well, she seems very nice, really. 259 00:08:55,230 --> 00:08:57,110 Hey now! 260 00:08:57,129 --> 00:08:59,239 Mr. Stevie Grant. 261 00:08:59,259 --> 00:09:02,019 Well, if it isn't the king of the couch, Hank Kingsley. 262 00:09:02,039 --> 00:09:03,999 Well, what a pleasure this is. 263 00:09:04,019 --> 00:09:06,239 Mr. Stevie Grant. This is, uh-- this is an honor. 264 00:09:06,259 --> 00:09:08,209 The honor is mine, sir. Well, thank you. 265 00:09:08,230 --> 00:09:11,050 Uh, Stevie, listen, 266 00:09:11,070 --> 00:09:13,010 I don't know what you're doing, uh, next week, 267 00:09:13,029 --> 00:09:16,039 but, uh, I'm previewing something at the Reseda Playhouse 268 00:09:16,059 --> 00:09:18,249 that I think you might be awfully interested in. 269 00:09:18,269 --> 00:09:22,159 Uh, maybe you and your special person could drop by? 270 00:09:22,179 --> 00:09:24,999 I'm there, Hank. That's great. 271 00:09:25,019 --> 00:09:27,119 So, Stevie, you're, uh, tickets will be at will call 272 00:09:27,139 --> 00:09:30,249 under Mr. Stevie Grant, super agent, plus one. 273 00:09:30,269 --> 00:09:31,289 Great. Great. 274 00:09:32,009 --> 00:09:34,069 Great. Uh, Stevie? 275 00:09:34,090 --> 00:09:37,000 Can I ask you, uh, you know, what night? 276 00:09:37,019 --> 00:09:38,099 What night? 277 00:09:38,120 --> 00:09:41,000 Let's play it by ear, honcho. Okay. 278 00:09:41,019 --> 00:09:43,009 Big guy. 279 00:09:43,029 --> 00:09:44,269 (clicking) Yeah? Hank! Hank, Hank! 280 00:09:44,289 --> 00:09:47,039 Is it my imagination or are you clicking? 281 00:09:47,059 --> 00:09:50,019 Yeah, these are the... you know, tap shoes. 282 00:09:50,039 --> 00:09:51,209 Larry: Why? 283 00:09:51,230 --> 00:09:53,010 For dancing, silly. 284 00:09:53,029 --> 00:09:55,069 Silly you. Silly me. 285 00:09:55,090 --> 00:09:58,010 Oh, uh, Bev, Bev, uh, call Darlene 286 00:09:58,029 --> 00:10:02,249 and tell her I need that five-pound bag of sand onstage. 287 00:10:02,269 --> 00:10:05,139 ASAP. 288 00:10:05,159 --> 00:10:06,259 (shoes clicking) 289 00:10:10,159 --> 00:10:12,259 Five-pound bag of sand? Five-pound bag of sand. 290 00:10:12,279 --> 00:10:15,089 He's doing that big tap number from "Lawrence of Arabia." 291 00:10:15,110 --> 00:10:16,150 (laughs) It's a killer. 292 00:10:16,169 --> 00:10:18,189 Tell me the truth, Stevie. 293 00:10:18,210 --> 00:10:19,280 You take your clients to lunch, 294 00:10:20,000 --> 00:10:22,040 you don't buy 'em all frozen yogurt, though, do you? 295 00:10:22,059 --> 00:10:24,219 Just you, Larry. Good to know. 296 00:10:24,240 --> 00:10:26,220 So, Larry, are we, uh... 297 00:10:26,240 --> 00:10:28,120 On? Yeah. 298 00:10:28,139 --> 00:10:30,139 (sighs) Yeah. 299 00:10:30,159 --> 00:10:32,179 Boom! You're number one! Ha ha! 300 00:10:32,200 --> 00:10:35,070 I'll have you come down the agency 301 00:10:35,090 --> 00:10:36,280 and sign some contracts, all right? 302 00:10:37,000 --> 00:10:38,260 Yeah, well, I like to, uh, close all my deals 303 00:10:38,279 --> 00:10:40,089 with just a handshake, if that's all right. 304 00:10:40,110 --> 00:10:41,150 Me, too! 305 00:10:41,169 --> 00:10:43,109 Good. 306 00:10:43,129 --> 00:10:45,259 I'll send some contracts over for you to sign in the morning. 307 00:10:45,279 --> 00:10:47,049 (knock on door) 308 00:10:47,070 --> 00:10:49,170 Oh, you got company. Oh, Artie, a pleasure. 309 00:10:49,190 --> 00:10:51,030 Really excited, Larry. 310 00:10:51,049 --> 00:10:53,129 I'll call you when I have some news. 311 00:10:53,149 --> 00:10:55,089 Geez, and I learned how to shake a man's hand 312 00:10:55,110 --> 00:10:57,070 before I learned how to wipe my own ass. 313 00:10:57,090 --> 00:10:58,240 Different style, that's all, Artie. 314 00:10:58,259 --> 00:11:01,249 Argh, that kind of style got men fragged in the corps. 315 00:11:01,269 --> 00:11:03,199 Yeah, well, I just signed with him. 316 00:11:03,220 --> 00:11:05,050 (clears throat) 317 00:11:05,070 --> 00:11:06,270 Oh, Christ. What? 318 00:11:06,289 --> 00:11:08,209 Do you always fuck on the first date? 319 00:11:08,230 --> 00:11:11,080 It just so happens he's good. Good at what, lunch? 320 00:11:11,100 --> 00:11:14,020 He got us Billy Murray for Friday. 321 00:11:14,039 --> 00:11:15,239 No shit? That's right. 322 00:11:15,259 --> 00:11:19,039 (cackles) You know all Leno's got on Friday? 323 00:11:19,059 --> 00:11:22,289 Sandra Bernhardt and Carrot Top. 324 00:11:23,009 --> 00:11:24,999 (Hank singing "Spinning Wheel" upstairs) 325 00:11:25,019 --> 00:11:26,039 What the fuck is that? 326 00:11:26,059 --> 00:11:28,189 That's Hank. He's rehearsing on the stage. 327 00:11:28,210 --> 00:11:30,100 It's coming through the air vent. 328 00:11:30,120 --> 00:11:33,080 (singing continues) 329 00:11:33,100 --> 00:11:35,000 Well, that ridiculous. 330 00:11:35,019 --> 00:11:36,069 I know, I know. 331 00:11:36,090 --> 00:11:39,020 I-I told him to go with a samba, not with a salsa 332 00:11:39,039 --> 00:11:40,999 if he's gonna do a Latin thing. 333 00:11:43,169 --> 00:11:48,179 Listen, Leo will, uh, not take this personally, huh? Right? 334 00:11:48,200 --> 00:11:51,130 Oh, no. I mean, he'll understand, won't he? 335 00:11:51,149 --> 00:11:52,249 Of course. Good. 336 00:11:52,269 --> 00:11:54,119 It's just business. Just business. 337 00:11:54,139 --> 00:11:55,169 Right? Good. 338 00:11:55,190 --> 00:11:58,210 Poor Leo. 339 00:11:58,230 --> 00:12:03,090 Hank: ♪ What goes up, must come 'round ♪ 340 00:12:03,110 --> 00:12:04,280 Isn't it "come down"? 341 00:12:05,000 --> 00:12:06,190 He's scatting. 342 00:12:06,210 --> 00:12:08,250 Leo, you want some ice cream? 343 00:12:08,269 --> 00:12:10,229 No, ever since I had this tooth removed, 344 00:12:10,250 --> 00:12:13,040 I'm really, uh, sensitive to cold on this side. 345 00:12:13,059 --> 00:12:15,109 Artie? Dairy clogs me up, Francine. 346 00:12:15,129 --> 00:12:16,289 I'll stick with my Salty Dog. 347 00:12:17,009 --> 00:12:18,059 Larry? 348 00:12:18,080 --> 00:12:19,270 Oh, goes right to my hips. 349 00:12:19,289 --> 00:12:21,279 I'll have a little. I'll-I'll eat on the left side. 350 00:12:22,000 --> 00:12:23,240 I thought so. You just say when. 351 00:12:23,259 --> 00:12:26,199 Just give me my, uh, standard 10% of Larry's portion. 352 00:12:26,220 --> 00:12:28,080 Come on, let's not talk about business tonight. 353 00:12:28,100 --> 00:12:29,240 We're having this nice little dinner. Come on. 354 00:12:29,259 --> 00:12:31,119 What are you talking about? 355 00:12:31,139 --> 00:12:34,029 All right, I had lunch with Stevie Grant. 356 00:12:34,049 --> 00:12:36,089 You had lunch with Stevie Grant? 357 00:12:36,110 --> 00:12:38,280 (tapping glass) Hey, clog me up, Francine. 358 00:12:39,000 --> 00:12:40,070 Ah, the hell with it. 359 00:12:40,090 --> 00:12:42,200 You had lunch with... with Stevie Grant? 360 00:12:42,220 --> 00:12:46,230 Uh, Francine, dear, let me help you with the di-dishes. 361 00:12:46,250 --> 00:12:49,080 I think you should have at least mentioned this to Leo before now. 362 00:12:49,100 --> 00:12:50,140 It's not that big a deal. 363 00:12:50,159 --> 00:12:52,199 Francine, you wash, I'll dry. 364 00:12:52,220 --> 00:12:54,050 Larry has a dishwasher. 365 00:12:54,070 --> 00:12:55,260 Leo, I had no idea. 366 00:12:55,279 --> 00:12:58,239 All right, dear, you rinse, I'll load. 367 00:13:00,100 --> 00:13:02,120 It was a little lunch. Why are we making such-- 368 00:13:02,139 --> 00:13:03,129 Do you want me to help? 369 00:13:03,149 --> 00:13:04,279 Nope, you stay right there. 370 00:13:05,000 --> 00:13:07,250 Hang in there, Leo. 371 00:13:07,269 --> 00:13:11,059 I mean, if you're-- if you're unhappy about anything, 372 00:13:11,080 --> 00:13:14,010 I-I-I can do it, you know, differently. 373 00:13:14,029 --> 00:13:16,279 I mean, if you want me to do anything differently, 374 00:13:17,000 --> 00:13:18,090 just-just tell me. 375 00:13:18,110 --> 00:13:20,140 I mean, is-is this-- anything that I do 376 00:13:20,159 --> 00:13:22,999 that-that annoys you? 377 00:13:23,019 --> 00:13:26,259 No. No. I just thought it was time for some changes. 378 00:13:26,279 --> 00:13:28,289 And I had a little lunch. 379 00:13:29,009 --> 00:13:31,209 But why? Let's-- What-what can we change here? 380 00:13:31,230 --> 00:13:33,220 Nothing. 381 00:13:36,070 --> 00:13:38,240 I'm going with Stevie. 382 00:13:38,259 --> 00:13:41,269 It is-- It is a business decision. 383 00:13:41,289 --> 00:13:45,019 This is not-- Doesn't have to affect our friendship. 384 00:13:45,039 --> 00:13:48,019 Please, Leo, don't do this. 385 00:13:48,039 --> 00:13:50,059 Oh, not the nuts. 386 00:13:50,080 --> 00:13:52,030 You know... Leo! 387 00:13:52,049 --> 00:13:53,109 (groans) 388 00:13:56,059 --> 00:13:57,239 Hey, Larry! 389 00:13:57,259 --> 00:13:59,079 Doc! Good to see you, man. 390 00:13:59,100 --> 00:14:00,100 Good to see you. How you doing? 391 00:14:00,120 --> 00:14:01,220 See you brought your Mahjong set with you. 392 00:14:01,240 --> 00:14:03,070 Oh, never without it. 393 00:14:03,090 --> 00:14:04,240 So, you doin' panel or are you doin' a number? 394 00:14:04,259 --> 00:14:06,269 I'm doing a number. Good. Good. 395 00:14:06,289 --> 00:14:08,259 Well, you look good. You look like you've been workin' out. 396 00:14:08,279 --> 00:14:11,009 No-- thick shirt. Well, it works for you. 397 00:14:11,029 --> 00:14:14,169 Hey, I had lunch with Leo yesterday at, uh, Musso's. 398 00:14:14,190 --> 00:14:17,020 How's he doing? I'm gonna tell you, he was destroyed. 399 00:14:17,039 --> 00:14:20,029 I mean, you were his biggest client. 400 00:14:20,049 --> 00:14:22,169 Yeah. You know, Doc, I feel awful about the thing with Leo, but... 401 00:14:22,190 --> 00:14:24,260 No, no. Lighten up. 402 00:14:24,279 --> 00:14:27,039 I mean, you know, the only reason I stay with Leo 403 00:14:27,059 --> 00:14:28,279 is because he goes on the road with me. 404 00:14:29,000 --> 00:14:31,080 But he hasn't done shit for my career. 405 00:14:31,100 --> 00:14:33,040 I men, he shit all over my career. 406 00:14:33,059 --> 00:14:35,129 Right. Good. Well, all right, I hear you. 407 00:14:35,149 --> 00:14:36,269 We see that eye to eye. 408 00:14:36,289 --> 00:14:38,129 (laughs) See you later. 409 00:14:38,149 --> 00:14:40,059 How's Emily, good? Oh, she's doing good. 410 00:14:40,080 --> 00:14:43,210 Tell her I said hi. I'll tell her-- Okay. Bye. 411 00:14:43,230 --> 00:14:46,150 Hey, Syd, nice to see you. 412 00:14:46,169 --> 00:14:47,239 Hey! Hey! 413 00:14:47,259 --> 00:14:48,999 How you doing, man? 414 00:14:49,019 --> 00:14:51,239 Doc, it's good-- I'm thrilled you did-- oh, no. 415 00:14:51,259 --> 00:14:53,249 I trying to go easy on my pipes, you know. 416 00:14:53,269 --> 00:14:55,199 I'm saving it for the people. 417 00:14:55,220 --> 00:14:57,150 Uh, Doc, listen, 418 00:14:57,169 --> 00:15:00,189 can I, uh, pop a couple of ideas off of you about my act? 419 00:15:00,210 --> 00:15:02,040 You have an act? 420 00:15:02,059 --> 00:15:03,999 Just like Ed McMahon. You have an act. 421 00:15:04,019 --> 00:15:05,269 Well, I wear many hats, you know. 422 00:15:05,289 --> 00:15:08,089 That's quite an act. (laughs) 423 00:15:08,110 --> 00:15:09,280 Okay, here it is. Okay. 424 00:15:10,000 --> 00:15:13,070 The curtains part and there's a, you know, 30-piece orchestra 425 00:15:13,090 --> 00:15:17,220 in tuxedos, but every musician has a moustache, you know? 426 00:15:17,240 --> 00:15:20,020 Because you have to have a sense of humor about yourself. 427 00:15:20,039 --> 00:15:21,279 Is that right? Yeah. 428 00:15:22,000 --> 00:15:24,200 Uh, how about all bald guys? 429 00:15:24,220 --> 00:15:28,160 Okay, okay, okay. Now, what's funny about that? 430 00:15:28,179 --> 00:15:31,269 Tell Melanie 5:30 instead of 6:00. 431 00:15:31,289 --> 00:15:34,009 Larry. Hello. Hi, Shel. 432 00:15:34,029 --> 00:15:35,139 Good to see you. 433 00:15:35,159 --> 00:15:38,219 Well, this is a fortuitous encounter. 434 00:15:38,240 --> 00:15:39,240 Floor? 435 00:15:39,259 --> 00:15:41,199 I'm just going up to the commissary. 436 00:15:41,220 --> 00:15:44,100 Oh, special today... macaroni and cheese. 437 00:15:44,120 --> 00:15:45,180 I know, my favorite. 438 00:15:45,200 --> 00:15:47,230 Sounds like one of those cop shows you'd have on, doesn't it? 439 00:15:47,250 --> 00:15:49,150 He's Italian, she's from Wisconsin. 440 00:15:49,169 --> 00:15:51,169 Macaroni and Cheese. (laughing) 441 00:15:51,190 --> 00:15:53,170 You are so funny, Larry. 442 00:15:53,190 --> 00:15:56,100 I was so surprised to hear that you were 443 00:15:56,120 --> 00:15:59,040 thinking of leaving the network. 444 00:15:59,059 --> 00:16:01,159 What, is this your way of firing me, Shel? 445 00:16:01,179 --> 00:16:06,039 No, no, but that Stevie Grant is such a tough negotiator 446 00:16:06,059 --> 00:16:09,279 I tell you, I didn't know you were so unhappy, 447 00:16:10,000 --> 00:16:14,150 but I can't believe you're gonna be moving to New York. 448 00:16:14,169 --> 00:16:16,269 Well... New York? 449 00:16:16,289 --> 00:16:20,019 I have mixed emotions about that, you know? 450 00:16:20,039 --> 00:16:22,109 I mean, do you really think you'd be happy 451 00:16:22,129 --> 00:16:24,179 living in New York? 452 00:16:24,200 --> 00:16:27,150 I... (coughs) 453 00:16:27,169 --> 00:16:28,279 I like New York. 454 00:16:29,000 --> 00:16:32,060 Uh, you know, the, uh, museums, the park, you know. 455 00:16:32,080 --> 00:16:33,290 You can walk everywhere. 456 00:16:34,009 --> 00:16:37,059 I just wish those bean counters at Unideck 457 00:16:37,080 --> 00:16:39,020 would give me a bigger budget. 458 00:16:39,039 --> 00:16:40,249 I would, but-- I understand that, Sheldon. 459 00:16:40,269 --> 00:16:42,149 I know how that works. 460 00:16:42,169 --> 00:16:46,209 Stevie Grant has no fears. 461 00:16:46,230 --> 00:16:49,270 Well, of course, it isn't his career he's playing with. 462 00:16:49,289 --> 00:16:51,239 (elevator dings) 463 00:16:51,259 --> 00:16:54,049 At any rate, 464 00:16:54,070 --> 00:16:58,000 I wish you happiness wherever you land, Lar. 465 00:16:58,019 --> 00:16:59,059 Thank you, Shel. 466 00:16:59,080 --> 00:17:02,250 And I mean that from my heart as a friend. 467 00:17:04,250 --> 00:17:06,240 What a pain in the ass. 468 00:17:06,259 --> 00:17:08,239 Why are you telling 'em I wanna move to New York? 469 00:17:08,259 --> 00:17:11,049 I-I don't want to move to New York. 470 00:17:11,069 --> 00:17:14,179 Larry, Larry, Larry, nobody's going to New York. 471 00:17:14,200 --> 00:17:16,210 This is all about leverage. 472 00:17:16,230 --> 00:17:19,200 About leverage. Mm-hmm. 473 00:17:19,220 --> 00:17:21,220 You don't like New York? 474 00:17:21,240 --> 00:17:25,230 I happen to, uh, you know, hate New York. 475 00:17:25,250 --> 00:17:27,120 But on the show, you're always talking about 476 00:17:27,140 --> 00:17:28,210 what a great city it is. 477 00:17:28,230 --> 00:17:31,280 Well, uh, I also happen to talk about 478 00:17:32,000 --> 00:17:33,220 what a great city Jacksonville is 479 00:17:33,240 --> 00:17:35,270 because we have affiliates there. 480 00:17:35,289 --> 00:17:37,999 Larry, you let me handle this, all right? 481 00:17:38,019 --> 00:17:41,159 You just concentrate on doing a good show, because, frankly, 482 00:17:41,180 --> 00:17:43,060 there's a lot of syndication people out there-- 483 00:17:43,079 --> 00:17:44,179 Syndication? Yes, syndication. 484 00:17:44,200 --> 00:17:45,290 Uh-huh, syndication. 485 00:17:46,009 --> 00:17:48,189 If-if we can't make a deal with one of the networks, 486 00:17:48,210 --> 00:17:50,080 screw 'em! 487 00:17:50,099 --> 00:17:53,259 When did this become a "screw 'em" situation? 488 00:17:53,279 --> 00:17:55,129 Just roughly. 489 00:17:55,150 --> 00:17:57,070 Well, it's a very complex deal, Larry. 490 00:17:57,089 --> 00:17:59,199 I mean, you don't want to know all the specifics, okay. 491 00:17:59,220 --> 00:18:01,090 Just remember one thing, 492 00:18:01,109 --> 00:18:04,039 if anybody asks, you're dying to move to New York. 493 00:18:04,059 --> 00:18:06,049 You know, that is easy for you to say. 494 00:18:06,069 --> 00:18:07,279 There are gonna be people on this show 495 00:18:08,000 --> 00:18:10,010 who are gonna wanna know how these negations are going? 496 00:18:10,029 --> 00:18:11,119 Trust nobody on this-- And I-- 497 00:18:11,140 --> 00:18:13,240 Hey, trust nobody on this, Larry, okay? 498 00:18:13,259 --> 00:18:15,169 Promise me. 499 00:18:15,190 --> 00:18:18,060 Oh, man. 500 00:18:18,079 --> 00:18:21,099 All right, can I just tell Francine? 501 00:18:21,119 --> 00:18:23,139 I'd rather you didn't. 502 00:18:23,160 --> 00:18:24,280 Oh. 503 00:18:25,000 --> 00:18:26,120 Okay. 504 00:18:26,140 --> 00:18:29,060 Who's Francine? 505 00:18:29,079 --> 00:18:30,259 Yeah, see... 506 00:18:30,279 --> 00:18:32,289 Tommy, I think-- you see, right there, you know? 507 00:18:33,009 --> 00:18:34,239 I think we need to punch it, you know? 508 00:18:34,259 --> 00:18:35,269 When I go... 509 00:18:35,289 --> 00:18:37,149 ♪ Ride a painted pony ♪ 510 00:18:37,170 --> 00:18:40,100 ♪ Let the spinning wheel bwah... ♪ 511 00:18:40,119 --> 00:18:43,209 You know? Just sort of punch it with the horns or something? 512 00:18:43,230 --> 00:18:46,060 We don't have any horns, Hank. 513 00:18:49,220 --> 00:18:53,130 Could be worse. You could be in Leno's band. 514 00:18:53,150 --> 00:18:55,070 You owe me big for this. 515 00:18:55,089 --> 00:18:58,209 Excuse me, uh, how much would the horns cost? 516 00:19:01,069 --> 00:19:02,159 A-ha. Okay. 517 00:19:02,180 --> 00:19:04,210 You know what? I think I'm just gonna sing the "bwah." 518 00:19:04,230 --> 00:19:06,070 I mean, you know, make it like a joke. 519 00:19:06,089 --> 00:19:07,229 That's funny, huh? 520 00:19:11,059 --> 00:19:13,169 (cowbell counting off) 521 00:19:13,190 --> 00:19:15,220 ("Spinning Wheel" playing) 522 00:19:15,240 --> 00:19:20,140 ♪ What goes up, must come down ♪ 523 00:19:20,160 --> 00:19:24,180 ♪ Spinning wheel got to go 'round ♪ 524 00:19:24,200 --> 00:19:29,080 ♪ Talkin' about your troubles, it's a cryin' sin ♪ 525 00:19:29,099 --> 00:19:31,039 ♪ Ride a painted pony ♪ 526 00:19:31,059 --> 00:19:34,179 ♪ Let the spinning wheel bwah ♪ 527 00:19:34,200 --> 00:19:36,240 ♪ Got no money, uhh ♪ 528 00:19:36,259 --> 00:19:38,279 ♪ Got no home ♪ 529 00:19:39,000 --> 00:19:42,130 ♪ Spinning wheel, all alone ♪ 530 00:19:42,150 --> 00:19:46,000 (chuckles) Hank has got a pair of cojones the size of Texas. 531 00:19:46,019 --> 00:19:48,009 You gotta give him that. 532 00:19:48,029 --> 00:19:50,189 Listen, this, uh, Stevie Grant 533 00:19:50,210 --> 00:19:53,010 is just totally out of fuckin' control. 534 00:19:53,029 --> 00:19:57,029 So, where you gonna live, huh? Upper West Side? Tribeca? 535 00:19:57,049 --> 00:19:59,199 Maybe you and me could bunk up together in the Village. 536 00:19:59,220 --> 00:20:02,140 Listen, what have you heard exactly? 537 00:20:02,160 --> 00:20:04,250 Huh! Hank! 538 00:20:04,269 --> 00:20:07,269 It's step, tap, tap, not step, step, tap. 539 00:20:07,289 --> 00:20:09,009 Got it? 540 00:20:09,029 --> 00:20:10,209 Artie, I just don't know 541 00:20:10,230 --> 00:20:12,130 if Stevie Grant knows what he's doin' at all. 542 00:20:12,150 --> 00:20:15,070 What is this? All this New York rumor just a bunch of bullshit? 543 00:20:15,089 --> 00:20:18,269 I'm just happen to be keeping my options open, okay? 544 00:20:18,289 --> 00:20:21,119 Oh, no, no, no, Hank. 545 00:20:21,140 --> 00:20:24,170 No, no, no. No, no, guys. 546 00:20:24,190 --> 00:20:26,000 Something's not right. 547 00:20:26,019 --> 00:20:28,259 I think, uh, right there, I think we need, uh... 548 00:20:28,279 --> 00:20:31,079 I don't know, like a bassoon in the chorus. 549 00:20:31,099 --> 00:20:33,109 You know? I mean, uh... 550 00:20:33,130 --> 00:20:37,260 I mean, do any of you guys have a bassoon in your car? 551 00:20:37,279 --> 00:20:39,289 A bassoon? Yeah. 552 00:20:42,170 --> 00:20:44,280 Okay, that's fine. We don't need it. 553 00:20:45,000 --> 00:20:47,020 I'll just... 554 00:20:47,039 --> 00:20:50,019 ("Spinning Wheel" playing) 555 00:20:50,039 --> 00:20:54,129 ♪ What goes up, must come down ♪ 556 00:20:54,150 --> 00:20:57,190 You gotta let Mr. Stevie Grant do his thing. 557 00:20:57,210 --> 00:21:01,170 Yeah, well, his thing scares me. 558 00:21:01,190 --> 00:21:04,240 Hank can do the "bwah" without the horns. 559 00:21:04,259 --> 00:21:06,289 I think so. Don't you? I don't know. 560 00:21:11,099 --> 00:21:13,169 Larry! Hey, Stevie. 561 00:21:13,190 --> 00:21:15,250 Hank just forced me to sit through that act of his. 562 00:21:15,269 --> 00:21:16,289 Oh. How can you stand it? 563 00:21:17,009 --> 00:21:18,049 What, that bad, was it? 564 00:21:18,069 --> 00:21:20,049 It's the worst piece of shit I've ever seen. 565 00:21:20,069 --> 00:21:21,139 Hey, you should really consider 566 00:21:21,160 --> 00:21:23,100 replacing him if New York happens. 567 00:21:23,119 --> 00:21:25,179 I thought you said that New York 568 00:21:25,200 --> 00:21:28,230 was just a leverage device, that I wasn't going to New York. 569 00:21:28,250 --> 00:21:30,180 It was, but, you know, the agency 570 00:21:30,200 --> 00:21:32,130 has a very good relationship with King World 571 00:21:32,150 --> 00:21:33,250 and they like the sound of New York. 572 00:21:33,269 --> 00:21:35,999 Yeah, well, so does Liza Minnelli, but, you know, 573 00:21:36,019 --> 00:21:37,239 that doesn't mean I want to go to New York. 574 00:21:37,259 --> 00:21:41,999 You have to start to trust me. Really, because we can't... 575 00:21:42,019 --> 00:21:43,999 Uh, I just-- sorry. 576 00:21:44,019 --> 00:21:46,219 I saw you, you know, standing there, you were watching, 577 00:21:46,240 --> 00:21:48,130 I just think-- You have any notes or anything? 578 00:21:48,150 --> 00:21:49,140 It was excellent, Hank. 579 00:21:49,160 --> 00:21:50,200 Really? Just excellent. 580 00:21:50,220 --> 00:21:53,020 Really? Thank you. 581 00:21:53,039 --> 00:21:55,099 It was good. What can I say? 582 00:21:55,119 --> 00:21:56,249 You're a quadruple threat. 583 00:21:56,269 --> 00:22:00,039 You're a singer, a dancer, a raconteur and a singer again, 584 00:22:00,059 --> 00:22:01,169 because your just that good. 585 00:22:01,190 --> 00:22:03,250 Oh, thanks. I will just take that as a vote of confidence. 586 00:22:03,269 --> 00:22:05,109 You do that, my friend. 587 00:22:07,079 --> 00:22:08,239 Wow. That's pretty great, huh? 588 00:22:08,259 --> 00:22:11,079 Huh? Yeah, good. Good. 589 00:22:12,250 --> 00:22:14,270 (music playing) 590 00:22:15,000 --> 00:22:17,110 Because he made it sound like he's gonna represent Hank, 591 00:22:17,130 --> 00:22:18,200 and I know that he never will. 592 00:22:18,220 --> 00:22:21,020 Uh-oh. What, you stick yourself? 593 00:22:21,039 --> 00:22:23,259 Uh, Hank fired his agent this afternoon. 594 00:22:23,279 --> 00:22:25,149 See, I told you. Because he thinks that, uh, 595 00:22:25,170 --> 00:22:26,270 Stevie's gonna represent him, right? 596 00:22:26,289 --> 00:22:28,129 Well, it would appear so. 597 00:22:28,150 --> 00:22:29,250 I hate that little prick. 598 00:22:29,269 --> 00:22:31,189 Larry, I tell you, I never liked him. 599 00:22:31,210 --> 00:22:33,000 He's a liar. It's sickening, Artie. 600 00:22:33,019 --> 00:22:34,199 You know, I don't care if this is the way 601 00:22:34,220 --> 00:22:36,030 people do business in show business, 602 00:22:36,049 --> 00:22:37,209 I don't want to be around it. 603 00:22:37,230 --> 00:22:39,220 Why don't you just let him take the commission? 604 00:22:39,240 --> 00:22:41,080 Then you can go back to Leo. 605 00:22:41,099 --> 00:22:43,049 Leo's not right either. I don't know what to do. 606 00:22:43,069 --> 00:22:45,109 I can't stay with Stevie, he's two-faced. 607 00:22:45,130 --> 00:22:48,000 And he's weird. He's just plain weird, Artie. 608 00:22:48,019 --> 00:22:50,289 I got the new offer from the network. 609 00:22:51,009 --> 00:22:54,159 Uh, I'll leave you two alone. 610 00:22:54,180 --> 00:22:56,210 Listen, Stevie, before I, uh-- 611 00:22:56,230 --> 00:22:58,250 Just check it out. Yeah, all right, sit down. 612 00:22:58,269 --> 00:23:00,049 Uh, before I check this out, 613 00:23:00,069 --> 00:23:01,219 there's some things I gotta talk to you about. 614 00:23:01,240 --> 00:23:05,220 I've been thinking a lot today about a lot of stuff and... 615 00:23:05,240 --> 00:23:08,050 have a lot of things on my mind... 616 00:23:08,069 --> 00:23:09,159 that I want to mention to you. 617 00:23:09,180 --> 00:23:12,170 (phone ringing) 618 00:23:12,190 --> 00:23:14,070 So, it was nice doing business with you. 619 00:23:14,089 --> 00:23:15,289 Yeah, yeah. Okay, then. 620 00:23:16,009 --> 00:23:17,279 Good thanks. Okay, then. 621 00:23:18,000 --> 00:23:19,100 Artie, a pleasure dealing with you. 622 00:23:19,119 --> 00:23:21,079 Same here, kiddo. 623 00:23:23,119 --> 00:23:25,289 Little prick. Sickening. 624 00:23:26,009 --> 00:23:28,199 Uh, Larry? Are we going to the Dodgers games 625 00:23:28,220 --> 00:23:30,050 tomorrow night or is that Friday? 626 00:23:30,069 --> 00:23:31,239 Friday. 627 00:23:31,259 --> 00:23:34,039 (snaps fingers) 628 00:23:39,250 --> 00:23:41,230 See you Friday, Stevie! 629 00:23:41,250 --> 00:23:46,060 ♪ ♪ 46939

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