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[wind howling, crickets]

[owl hooting]

[eery disconcerting music]

[ominous tense music]

Please... no.

I beg you.

Please!

[knife slicing]

[light classical string musi]

[radio continues muffled classical music]

[headphones play muffled hip-hop music]

* Got a name wigga

* When that billy goat tag go and get *

* that cake yea yea for that show time *

[classical music continues]

I told you I can't pick her up this

weekend because I'm going out of town.

Do you even love her, Ethan?

Of course I love her, she's y daughter.

But how am I gonna provide for her and

pay you child support if I'm not working?

Like I said, we're shootinr three weeks.

If it's not one thing it's another with you.

When are you gonna be a responsible father, Ethan?

What happened to you? You r used to be like this.

Is that my dad?

Yes, sweetheart.

Can I talk to him please?

Your daughter wants to talk o you.

Hi, daddy.

Hey, sweetheart.

- Guess who's here with me. - Who?

Brianna and Melanie.

[both] Hi, Mr. Shaw.

Hey, girls.

How you doing?

We've been good, just having fun and enjoying the weather.

How are you parents?

Good, they dropped us off so we could play with Ally bt

they said they'll be back o pick us up before it gets .

Ok, make sure you tell them I said hello.

Ok.

Dad, when am I gonna see you again? I miss you.

Hello? Hello. Hello?

[eery music]

Yes this is definitely a pe where the black guy dies f.

Oh hey, I'm Derek.

Lia.

Nice to meet you.

Welcome everyone!

And thank you for joining me on this journey

to make the greatest horror film since ever.

As you all know my name isn Bischer

and I'm excited to have every one

of you on board to make this film.

Please let me show you to your work

slash living areas for thet

three weeks. Don't worry about your

bags, Niko will take care of those.

Ethan.

I'm really glad you could mae it.

I'm guessing no cable.

Nor wifi.

How do you survive without a phone?

Oh we have plenty of phonet

if you're referring to cell phone

reception you can generally find some in some areas out back.

And how old is this house?

It was built in the late 1800's.

My great-great-grandfather Jasper Bischer built it.

It's been handed down from generation to generation.

Definitely smells like it.

[woman] So you live here by yourself?

No, far too big to live in by myself.

Niko lives here and my Gammi.

Gammie?

My grandma.

This is her house now.

And where's Gammie now?

She is in her room but you'll all

meet her when the time is right.

Your rooms though are upst, please let me show you.

Abigail and Lia, the two of you will

be sharing a room. I hope that's ok.

That's fine.

I'm ok with it.

Gentleman I'm afraid that means the

same for you two, Ethan is that ok?

Whoa, whoa, whoa, why are you asking

if he's ok with it and not m?

[phone rings]

[Ethan sighs]

It's alright, it's fine.

Great.

[disconcerting tones]

Great.

Whoa, what the hell was that all about?

Your guess is as good as min.

[ominous tense music]

Whoa, whoa, whoa, what are yu

doing? I got valuable shit in there.

I'm just gonna let it slide.

Ethan... dude, you're Ethan Shaw, the Ethan Shaw?

Come on man, come on, come o.

Look, if we're gonna be rooming together you

gotta at least tell me who you are. Come on.

I am Ethan.

Why didn't you say that from the jump?

Didn't think it was importan.

Dude, we learned about you in film school.

Hey, my name is Derek Chalmes but my friends call me D.C.

Derek it is then.

Wow, ok.

[disconcerting music]

Look like we'll be sharing a bed together.

I don't mind.

[sniffing]

[sighing]

So what happened to you an?

Nothing.

I mean nothing if you're not

counting the drugs, alcohol and hoes.

[Sean on intercom] Dinner will be served

promptly at 7pm.

Good, I'm starving. Let's ea.

[scratching sounds]

[eery tense music]

I hope you all are enjoying your meal.

[muffled talking]

I think what he's trying ty is that this food is the b.

Compliments to the Chef.

I'll let Gammie know you likd it.

Your grandma made all of thi?

Gammie loves to cook, she s all the meals around here.

You wait till you have her pancakes.

Whoa, we can get breakfaste too?

Even when I was making student films

I always made sure the crew ate right.

I couldn't pay them but I d feed them.

[chuckles]

Another tradition I like to keep going is roll call.

What's that?

That's where you stand up, make an introductions

and tell everybody a little about yourself.

I'll go first.

My name is Sean Bischer anm an alcoholic.

I'll drink to that.

But seriously though, I'm a third

generation horror enthusiast.

Gammie introduced me to bloo, guts

and gore at the tender age of three.

At 14 I made my first film.

A little 5 minute short aba neighborhood haunted house.

Let's just say I'm glad I got my

really bad work out of the way early.

I've been in the business 30 years

and I love it.

There's truly nothing else I would rather do with my life.

I don't know where I'd be without it.

Abigail, your next.

My name is Abigail Easton.

Stand up.

My name is Abigail Easton and I'm

a writer from Daytona, Flo.

Went to Full Sail.

Yo I went there... ok.

And that's about it.

What made you wanna be a writer?

I guess I like telling sto.

Good answer.

I like telling stories too.

I'm Lia Lopez, I'm from Miami a.k.a.

the 305 and I wanna be a sound engineer.

You either are a sound engineer or you

aren't, there are no maybes in film making.

Claim it... make it yours.

I am a sound engineer, I wt to Miami Dade, majored in .

I'm Cuban, love being a Latina and I wanted to thank you

for giving me the opportunity to be the sound

engineer on the greatest horror film ever.

I was surprised that you called actually being

that I've never worked on a film and all...

but I think... no, I know I'm ready.

Yo, yo, yo, it's your boy k

Chalmers... but my peeps call me D.C.

I'm a fellow Full Sail alum like you guys already heard

and I'm the best motherfucking D.P.

this side of motherfucking Mississippi.

I'll admit this is my first feature but...

I was built for this, I've gt this.

I can't wait until we actually start shooting

because that's when I'm at my absolute best.

Hands down.

I'm Ethan Shaw.

The Ethan Shaw.

No, just Ethan Shaw.

That's about it.

Come on Ethan, you can do better than that.

Can I go for him, please, please, let me go.

I got you bro, I'm not gonna let you down. Thank you.

Ladies and gentleman, this is Ethan Shaw.

Ethan made a name for himself with his

very first film at the tender age of 20.

Johnny's room.

Which made him a highly sougt after director.

He followed it up again with his next film which was even better.

[low ominous music]

By the tender age of 22 Ethan was Mr. Fucking Hollywood.

Until he pissed it all away.

Right, Ethan?

Your water's better than min.

How did he piss it all away?

Do you wanna tell 'em? Nah, I got it.

He got addicted to coke bee we all know that crack is .

Showed up to set drunk, late, fucking anything he could touch.

Hollywood all but blacklisted the man.

Not to mention his baby-momma is suing him for child support.

You know just your typicalE True Hollywood... tragic s.

Is this gravy?

What? I Googled him.

Hey Ethan, my bad for calling you out on dinner man.

My bad, bro.

What are you doing? You mar real?

Nah, no kiss, no hugs?

And then there was one.

[disconcerting music]

They think they're better thn me, I'll show them.

You wait and see, I'll show them.

I'll show them.

[eery music]

Ethan.

Walk with me, talk with me.

Alright.

Now you have been unusually quiet since you got here.

I know you must have some questions for

me, you are directing the film after all.

You're probably wondering,t have I got myself into?

That had crossed my mind.

You've got a bunch of college kids...

inexperienced college kids at that,

working on what's supposed to be the best horror film ever;

and where's the rest of your crew?

I tried making this picture with

union guys, it wouldn't come together.

So I figured, why not try h talent?

As for the rest of the crew, they're gonna be here soon.

I brought a handful of you ot here early.

So you could all get to knw each other a little bit be.

It's really necessary if I'm gonna pull off...

what I'm trying to pull off.

And what are you trying tol off?

Like I said... make the be. horror film... ever.

We're not that different you and I.

How do you figure that?

We both tasted the success of Hollywood.

We know what it's like to be elevated.

Bolstered around like kings before

being spit out and being forgotten.

Left to rot like road-kill on the side of the street

but we didn't let that sto.

Despite public opinion we roe

from the ashes and voyaged forth.

We're survivors.

What if I told you this film was our

chance to get back to that grand stage?

What if I told you the glam, the lights, the attention...

you can have it all back.

What would you do for it?

Excuse me, I gotta take this.

Alright.

Hello?

I think we found him, GammI think we found our star.

[chuckling]

[mellow music in background]

* The so light it comes

* Freedom

* Freedom

[laughing]

Alright, alright, you're goig hard, ok.

[Lia laughs]

Ok, ok, are you ready for yor safety meeting?

Born ready, ok let's see it.

I'm lucky I have you, this place

would be hella boring without you.

Oh yea?

Oh...

* Freedom

I kinda like you too, just a smidge.

Whatever.

Nice.

Are you sure we can smoke in here?

Yea.

What about Ethan?

What about him?

He's your roommate.

Was.

What's up with you two?

You went in on him pretty had at dinner.

There's just something about him I don't

like, that dude just gives me a shady vibe.

I feel that same way about Sean.

I'm a girl and we trust our intuition,

something's not right about him.

What grown ass man lives with his grandma?

Don't you mean, Gammie?

Gammie made this, Gammie made that.

If you ask me, the whole shit seems suspect.

You know.

Well if anything happens, t you, right?

I got your back.

You ready for level two?

It's kinda hot in here.

I was thinking the same thin.

[ominous music]

What?

Nothing.

[footsteps in background]

Yo!

Yo! Who is it?

[ominous sounds]

I almost shot you!

Why do you have a gun?

So you gonna tell me why you have that gun?

Cause it's my right as an American.

Do you bring it to all your movie sets?

I take it every where I go.

I never liked guns, not even water guns.

Not me, I've always loved .

They were always around as a kid too.

My grandad had this beautiful shotgun

that sat above the fireplace in the den.

Till this day it's my favorie gun.

And all the violence and carnage that's

associated with them... don't bother you?

In my experience, this world

doesn't give you much of a choice.

We always have a choice.

What were you doing out there all alone anyway?

Well, your childhood was fd

with guns... mine with the outdoors.

The house I was raised in sat on a quarter

acre of land and was surrounded by trees.

I always found myself sitting under one.

Just thinking, daydreamingd eventually writing.

So that's where I go when I look for inspiration.

It's my safe place.

There are no safe places.

Danger surrounds us everywhee we go.

That's a morbid outlook on things, don't you think?

[disconcerting music]

[eery sounds]

[phone ringing]

[ominous music]

Thanks for the ride to the store.

No problem, I had to get some stuff for the house anyway.

[woman] Exactly, I just find some kid

of time to do something.

Ok, you get what you need and I'll meet you at the registe.

That guy looks so familiar.

Look, I'm gonna talk to you later, ok.

I'll talk to you later.

[light guitar music plays ovr speak, newsman speaks]

Hi.

Hello.

I heard you, what can I ger you?

Hey, you're that director.

Yea.

The director that did that movie at that house.

Uh huh.

My sister she...

she was working with you on that

film and I haven't seen her since.

You all back shooting that movie again? I thought

you all learned your lesson from the last time.

What happened the last time?

A disaster, that's what.

I'm not following you.

You don't know it, do you?

Just like Sean to keep you in the dark.

You gotta be careful with that Sean

Bischer, he isn't who he appears to b.

And who he is?

I don't know, ask the lastm crew that was here.

I mean I don't really keep track of people after we wrap, so...

No, no, no, she told me whe she was... she told me, wee

gonna meet up afterwards and she

just wouldn't disappear like that.

Ok well she's a grown woman so maybe she went out of tow,

maybe she's at the beach. I can't help you, I'm sorry.

Just tell me where she is. Just tell me where she

is! Just tell me where she i, I just wanna know.

You gotta calm down right no, I can't help

you, I can't do anything for you, I'm sorry.

You're a liar, you're a fug liar.

You know exactly where she i!

[ominous music]

Do not mess with me right no.

Stay there.

Let's get out of here, these people are crazy.

[eery ominous music]

Uh you mind telling me what that was all about back there?

What was what all about?

Uh the argument you were having with

the woman in the back of the store.

That was nothing.

That cashier said something about a previous film crew.

Oh she did, did she?

Yea, what happened to the previous film crew?

What happened was they camt here to make a film

and between budgets and talet

schedules we couldn't make the film.

I don't know man, the cashier seemed pretty

upset and so did the girl you were arguing with.

Look Ethan, I'm gonna drop a little nugget on

you about small towns, they don't like outsiders.

Especially ones that threaten to turn

their hick town into the next Hollywood.

I wouldn't put too much enery into these people. I don't.

What do we have here?

[sighs] Look... I hope he knows that

we're not filming in this.

That's why you bring your own equipment.

Oh yea? What do you think r little zoom recorder is sa?

Look, if this film is as bs Sean says it is...

we're gonna need better equipment. For God sake...

Abi can't even use a damn laptop...

hey Abi, how you doing over there?

Good?

Huh? Ok.

See what I'm saying?

Now, this is more my speed

my appetite, my flavor, oh my gosh look at the

legs and body on this beauty, oh my mmm...

This is a...

Vintage Panasonic... manufactured in 1987.

Classic.

You know your cameras.

Told you, the best DP thise of motherfucking Mississip.

I'll leave you two to get to know

the equipment better. Abigai.

Would you come with me pleas?

If I'm DP'ing this we can definitely use this.

There's some... depending .

With this as props.

[ominous music]

How's the script writing coming?

I'm making some good notes...

I'm focusing on character development and I

think I should be ready to start writing soon.

Good. When creating your protagonist...

make sure you choose characteristics that

align with the narrative of the film.

Is he a family man?

Is he a betting man?

Is he a man's man?

When his back is up against the wall, what

is he going to do? What does he have to lose?

Do you know what empathy is?

The ability to share and feel the feelings of another?

Every great script captures empathy in a

way that brings the characters to life.

Now if you want to be a truly great writer

you have to write truly great scripts.

Do you know the secret to writing truly great scripts?

Practice?

Practice ain't hurt nobody bt

no that's not what I'm going for.

Did you feel that?

Feel what?

That uncomfortable feeling you're emitting.

I sat down next to you on ths bed and you felt...

tense, apprehensive, confused even.

The secret to writing a hero that

everyone will remember is vulnerability.

You have got to be open.

You've gotta go deeper than you've

ever gone before where it's dark

and scary and mucky and it's where

comfort and security go to.

Leaving behind only the put form of yourself, of all o.

There's only one thing than survive there, one thing o.

Truth.

So.

What do you want me to do?

I want you to go to your safe place...

and I want you to let all the fear in...

and don't be afraid to make t your bitch.

Can you do that for me?

I could try.

I don't need you to try.

I need you to make it happen.

Can you do that for me?

I could do that for you.

Good.

So what's this button for?

So are you gonna tell me or what? Ow.

So don't mess with your equipment, ok.

That's the guy that I know.

Give me a moment, alright.

Hey, I got something to cos to you.

Yea? What's that?

So you're like one of the man

reasons why I became a filmmaker.

Yea, seriously.

Yea.

I guess it was probably whenI was like 11 or 12.

I must have been on my fourth foster home.

And this one was by far the worst.

Yea.

I got scars and cigarette s to prove it.

Every night was just a particular

chaos and horror for me.

Except for one night.

Nah.

One night something made me feel like

I was, someone else, somewhere else.

Gave me a glimmer of hope.

It was your movie, Heartbr.

I'll admit, I wasn't too cray about the story line

but the visual, just the vl story you told

was just some of the best I'e ever seen, still to this day.

The direction, the angles and the lighting.

Just brilliant.

Brilliant my man.

I knew right then and there that...

I wanted to be a filmmaker...

and uh...

I would tell anyone that woud listen.

Even my foster parents.

They would laugh of course bt shit, see me now, right?

Wait a minute, you remembered the scene in the kitchen...

with the uncle?

Yes, that was the trippy ass scene, yes!

Yes.

Does a bear in the woods wipe his

ass with a fluffy white bunn?

I don't know what that means.

That means, yes.

Yes, of course I want the great Ethan Shaw to teach me. God yes.

Alright, let me see if I

remember this blocking correctly.

Lia, I'm gonna need your help with this.

Alright, I need you to stand right here.

Ok.

And I need you a little fur back, right there.

Hey all, this is Sean. I would like everyone to meet me

in the living room at 8pm for tonight's entertainment.

It's about to go down.

Shh.

[tense music plays from movi]

[ominous music]

Hello?

Hello?

Hello?

[tense music]

[screams]

Oh no, she's about to die, n.

Are you always this loud?

Please, no please don't

Please, no.

[screams]

Martha Bischer? Is she relatd to you?

She's my Gammie.

Whoa, that hot, that woman ws your grandma?

Yea, she was, she is an actress.

She starred in over 50 films.

This one was always my favorite though.

This film led to this very moment.

It all started with Gammie.

I like how at the end it showed the

shadow instead of the actual murder.

Yea, see a great director, Ethan...

Does a great job of showing fear in action.

See that's the beautiful thig about horror. It's predicated

on the universal ideology that we all desire illusion.

We have a fundamental need to be tricked.

It's the trick that makes the treat sweet.

[doorbell]

You're early!

Yea, we decided to drive straight here

instead of spending the night in Fort Pierce.

You cool with that?

Of course, please come in!

Yea, let's do it.

I'll get someone to help you with the bags. Niko!

This will just take a minute.

[ominous music]

Please.

Our bags gonna be straight?

Everyone, I'd like to intre you to our actors.

Tasha and Philip.

[both] Hey all, what's up.

What up, what up.

This is Derek, Lia, Ethan, ad our writer Abigail.

Abigail, what's up girl? You and

me need to talk, I need some more

scenes in the script, maybe you can

write me in some more scenes girl.

Maybe.

Well listen, it's getting very late. How about

we all get to know each other over breakfast? I'm

sure you two would like to rest after your long driv.

[both] Yes.

Alright, your rooms are right this way, let me show you.

Alright, holla at you all later, especially you Abigail.

[Abigail yells]

No, no, no, it's me, Tasha.

What's going on?

Nothing, I have to go to the bathroom. The other

bathroom ain't got not toilet tissue so I came in here.

It's ok I think that moviet got to me a little bit.

What movie?

[Abigail laughing]

[disconcerting music]

Hey, just coming to get yor breakfast.

Oh I never got a chance to thank you for last night.

What I do?

You thought I was in danger and you came running.

That's more than what most people would do?

That was nothing, I did that for anybody.

No, you wouldn't.

I truly believe that you dont care about anybody else

here. If they were in danger, you wouldn't bat an eye.

If you believe that then ye got me pegged all wrong.

[door shuts]

What are you guys doing up here?

Breakfast is getting cold, go eat.

Yea baby, breakfast, that's what I'm talking about. Food.

I gotta find cell service.l be outside.

Oh let me get us a couple cups of

coffee and I'll meet you out there?

If you don't mind there's something

I wanted to talk to you abou.

Ok, I'll be in the yard.

Damn bro, you might wanna .

Hey, does he always eat like this?

Like a broke college kid? Ye.

I can't even blame him cause these

pancakes is popping and this bacon, yeesh!

Yo, Sean been cooking for you all like this every day?

Breakfast, lunch and dinner.

Get the fuck outta here. He been making you

all breakfast, lunch and dinner every day?

Gammie does.

Who?

Gammie.

Sean's grandmother. According to

him she makes all of these meals.

Shit, I should of known, ain't nobody

cooking like this but a damn granny.

Anyway, where she at? Cause I need

the recipe for these damn pancakes.

Tell me.

That's just the thing, like none of us have ever seen her.

Like seen her cooking?

No, like ever. She's like a ghost.

A ghost that cooks bomb ass food. Don't hate on my Gramm.

Vine! Boo!

God yea.

[laughing]

[phone ringing]

So, nobody gonna answer that?

No one ever does.

Yo, you blocked me!

Cora, I wanna speak to my daughter. Unblock me now!

You ok?

Yea, just some personal bullshit.

I'll be alright.

You sure?

Yea.

What'd you wanna talk to me about?

Can we sit?

I don't know how to ask you this...

Ask me what?

[mischievous music]

I know you're not a thief I

need you to steal something for me

well actually borrow because we are gonna

return it but yea first it's gonna be stealing.

Steal what?

On a desk in Sean's room there's a script

with the title of the movie that I'm supposed to be writing.

Wait a minute, I'm confused. Why are you supposed

to be writing a script if we already have one?

I don't know. Which is why I need to read the script.

It's not uncommon for prods

to want a complete rewrite but...

I haven't been able to come up with

anything, so maybe if I could just

see what he already has and maybe get

an idea of what he's looking for...

I'll do it.

You will?

Thank you.

I'm not normally a criminal it's just that this is my big break

and I really don't wanna mess things up, you know how it i.

Not that you messed up so you should know how

it is but we all mess up, it's a part of life.

You just happened to do yours publicly, which is fine...

I should probably stop talkig now.

Yea, you probably should.

The truth is I wasn't readr the fame and what came witt

and I made the mistake any 19 year old would

have and I just did it publicly like you said.

Well if you ask me, I think

you're about due for a come back.

I hope so.

Now look, if I'm gonna steal this for you we need

to do it later and I'm gonna need a diversion.

[ominous music]

Ethan.

Hey.

How can I help you?

Wanted to know if we couldk horror movies.

My favorite subject, come on in.

Please.

Talk to me.

Alright well you spoke about the different rules

and disciplines that every horror film follows...

and since we're making thet horror film ever...

I wanted to know... what rules do you

think that this film should follow.

Ok, well to me there are five essential

elements to every great horror movie.

One, fear.

Two, a shower scene.

Three, unsuspecting victims.

Four, a great big house.

And five...

[knocking]

Seems my room is the popular room tonight, excuse me.

Hey.

Can I talk to you for a se?

Yea.

I'll be right back.

[ominous music]

Sorry about that.

Where were we?

Number 5?

Right, 5.

A twist, you gotta have a twist.

See horror movies are tricky, you

can't just kill people for 90 minutes.

So there's a lot of fluff, but if you can

make the fluff mean something at the end...

you got a jackpot.

What would be a good twist fr this movie?

You gotta establish these elements in

order. So first you have to establish fear.

And how do we do that?

You're the director, Ethan. I'll leave that to you.

I'm gonna leave you with tha, Ethan. Tomorrow is just a

killer of a day and I need to get some rest. You should to.

Knock 'em dead man.

[disconcerting music]

[knocking]

[Abigail] Come in.

What you got there?

I'm just journaling.

I write before I go to bed, helps sooth my mind.

Does anything but that for m.

The thought of my innermost feelings

conveyed on a sheet of paper,

in a book.

It makes me feel exposed.

All the reason why you should have one.

It helps, Ethan.

You know when I was a kid.

My parents had a lot of arguments.

I can remember so many times,

standing on the top of the staircase,

just screaming at them. "Just stop it you're scaring me!"

After that they just continud in a more hushed voice.

To this day I wonder if whispers...

have more power and depth whn we speak?

If yelling is the unravelif a marriage then...

whispers must be the war of total destruction.

Anyway.

I would take my journal and hide under the

covers with a flashlight and I would write.

That was just my way of makig everything right.

Well, I have a gift for you.

[Abigail laughs]

[hookah bubbling, music in background]

Damn! Smoking, you're killing my shit.

That, yo! Whoa wait a minute, you ok? Are you alright?

Water.

Ah hell no, no, no, no. I jut got up here, you go.

Nah.

What if Niko's out there?

[coughing]

Shit, alright, alright, I'll go.

This is the last I'm going downstairs so if

you want something else, just let me know.

Now.

Just water.

Oh you just cleared up easy, ok...

Please?

Oh yea, I just got played, o.

[Lia laughing]

Nice.

Damn, I see you player.

[Derek, low voice] Hey.

What's up?

Oh you got there.

Thank you.

Yo, we gonna shoot somethir what?

Right, thank you. Jeesh, In anything at this point.

[Derek] Yea.

Bro, bro, bro, bro! Bro.

My bad.

No, you're good, you're good.

You know, you're right, we're all right.

Let's go shoot. Let's go fucking shoot some shit.

Come on!

Thank you, I get on, damn s go girl.

[Derek] Ok, Tasha and Philip

meet me here, who you wearin?

You know, nothing other than Fashion

Noble baby, you already know.

Philip, Philip, you.

Oh well me you know I'm rocking that jump man

by Jordan, you know how it goes. You see me.

[Derek laughing]

Come on, check me out.

Alright, give me an Oscar speech,

come on give it to me. Give it to me.

Well I'd like to thank the Academy for recognizing

me in my role in Call Time... I mean when I

first got on the set I thought it wasn't gonna

happen either, I mean the whole filming and the movie

but obviously it did because I'm getting this award, biotch.

Philip! Let me hear your Oscr speech mate.

Oh, first and foremost I have to thank God...

[Derek] Hallelujah.

With whom all things are possible.

Of course my family and last

but not least, my main main

Derek for capturing my good side.

What? I love this guy. Paying homage, I love it, I love it.

You know, extra, extra...

[Derek] Nice, nice.

You, young lady.

Why are you pointing that g at me? They're the actors.

Cause you're the prettiest oe here.

What?

Ah nothing.

I hate the way she looks a.

Yea? How's that?

Like lunch.

To me you are dinner.

Come on, let's go inside.

If you guys are ready. Tasha, if you don't mind.

[Philip] Ok.

[Tasha] If I can.

[Derek] Thank you.

Boo!

Show you guys my life.

Yes!

[Philip] Ok.

[Derek] That's a good start.

[Tasha] Ok, Lia.

Yea.

Look at this dude, yo.

[Tasha] Philip!

[Philip] Looking good.

[Derek] Looking like Vin Diesel.

Yo it's broke man in the h.

Broke day!

[Philip] Ok, wrap this.

Yo, he got the steel look.

[ominous music]

[Philip] Love it.

You got it, crew.

Hot.

Damn, you see what I'm goip against?

Isn't that them?

Who?

In that picture.

[Derek] Yea, I think you may be righ.

[Tasha] Look like the

same picture to me.

[Derek] It's definitely him.

[Tasha] Who are they?

[Derek] The Motley Crue.

[Derek] Damn, finds them.

[eery music]

Is that real?

Probably not, I mean. Looks like they

had a dope special effects crew though.

Looks too real.

Uh huh.

Wait, is that the other crew?

What other crew?

Sean said he had trouble working with another filming crew.

Well at least that's what n said.

Shit.

[tense ominous music]

[knocking]

Just a minute.

Hey. What's up?

I was just checking on you ad the script.

I was about to get on that.

I guess I'll leave you to it then.

I'll let you know as soon asI have something.

You do that.

[eery music]

[ominous sounds]

[eery music]

Who's there!

[tense music]

Ethan, is that you?

[tense dramatic music]

[exclaiming in pain]

[eery music]

Can you please help me? I k I broke my ankle.

Sean gave that to me to hee write.

I'm in a lot of pain, can you please help me?

What are you gonna do with that?

No, no!

[knife slicing]

Where's Abigail?

Man, you really have the nere to ask us?

Daddy!

Hey, Ally.

I miss you.

I miss you too, daddy.

Daddy, guess what.

What?

I finally got my red belt in Tae Kwon Do.

That is fantastic.

So you're ok?

Yes, I'm alright.

You sure?

What's wrong, daddy?

Daddy just had a bad dream. I wanted

to make sure you're ok thoug.

You're too old for nightmare, daddy.

[phone beeps] Hello? Hello?

[disconcerting music]

And then I'm gonna get that, and then we're going.

You got taste for that. Thats what, that's the money sh...

Still no word on Abigail?

None of you all seen her all day?

None of you all care what happened to her?

Nobody said we didn't care. We just

here watching the movie man. Watch out.

And who said something happened to her

anyway? The fuck is you talking abou?

Why would you think that?

He would think that being that he was the last

person to see Abigail before she went missing.

Right.

Right, Ethan?

What are you trying to say?

[ominous music]

See I remember this job I used to

work at, someone stole my phone.

See a few coworkers would , look for about

two minutes and then go back to their busy lives.

Except this one coworker, you see the brother unfortunatel.

I considered him a friend. He looked up

and down all day long for that phone.

Every nook and cranny.

Turns out...

he was the one that had it te whole time.

Yea, well I'm not one of your shitty friends.

[sniffs]

Bro, sure smells like it.

[laughing]

He's not even worth it.

What you say?

Excuse you?

Who's not worth it?

You motherfucker.

I get it.

You two known each other a week and now you're Bonnie and Clyde.

Bro, you know your girl about the same

amount of time. Like, are you serious?

Ethan, Ethan...

Why? Why is it that women always run away from you?

First, your baby momma and nw the hippy chick.

Abigail? You know what guys, I bet she's out

back just slamming it, you know just fucking some

tree, just giving it all she got, you know just

planting it, because she l, you know she's...

[Philip] Yo, yo, yo, yo!

Yo, yo, yo, yo! No, no, no, fuck that

Philip, let them fight. Let them fight.

Hey, come one.

[phone ringing]

Hey, I'm just playing buddy.I like Abigail too.

Ethan, hey, how you doing?

Abigail's missing.

Oh, you know I did notice she wasn't around much today.

Well what do we do?

[tense music]

You're right, you're right, someones missing

we need to take care of it. I need to

run downstairs real fast, I'll come right

back up, we'll figure the whole thing out.

[tense dramatic music]

[Sean] I spend my entire life in the

city, embarrassed.

Caged up, stuck like a rata hole.

I know what it's like to fall from glory, Ethan.

[disconcerting music]

When I started my obsession to make

the greatest horror film ever...

They said I was crazy, they said I went mad...

and they were right, only not in the sense that I lost my mind.

In the sense that I got angr.

Really, really, angry.

And that gave me the fuel to keep going no matter what.

You were planning this all along.

Well I had some help.

And how does this make you nt crazy?

If you do something over and over and over again you

eventually get it right. It doesn't matter if you

were doing it wrong or doing it right, if you do it

enough, eventually the day comes that you do it right.

Well today is that day, Etha.

What do you need me for?

The million dollar question.

Why is Ethan Shaw needed?

Well I need you to do what yu do best.

Direct... See I realized something was missing

the first couple of times around on this.

I guess it's true what they say, the third times the charm.

See my talent is in producing, I will produce...

The greatest horror film ever...

and I need you to direct the greatest horror film ever.

And go along with your psychotic plan?

Why would I do that?

Because you're needed again, Ethan!

You and I are both alike in that

regard, we both need to be needed.

Most of the people in the industry

suffer from this affliction.

This is your chance to show them what

happens when they shit all over you.

When they throw mud all over your

name and bury you with the bones!

They left us for dead!

The media, the industry, our friends, our families.

They all turned their back on us.

Now this movie is your chance to put your name right back on top

where it belongs and it will prove

to them that they were all wrong!

They were all wrong!

[tense disconcerting music]

You didn't have to kill her.

Her family will come looking for her.

When they don't find her, they'll come find you.

No, did you ever wonder hou were selected for this pro?

All of you? I couldn't pick just anybody!

I had to be very calculatin my selections

and the one thing that you al have in common is family.

Everyone here has little to o family.

Or you're estranged.

You also have some film talet but not too much.

So I go to small town indie film fests!

And by the way you were completely robbed on

your best director but I took care of that...

What'd you do to him?

There are two ways out of , Ethan...

and I know that right now you're already

thinking, maybe death isn't all that!

No more broken relationships, no more arguments over

money, no more custody bat, no more regrets.

Or join me, Ethan, and direc.

Direct these people to their deaths, it's

your chance to make everything right

and it's your chance to bee man that you're supposed t.

How old is Ally?

She's... she's like 8, 8.

Yea, that's not too late.

It's not too late for her to see her daddy as a hero

and not a villain.

[phone ringing]

[chuckling]

[disconcerting eery music]

Hey everybody, listen up.

This is Ethan.

I don't have time to explain this but Sean...

he locked me in this room and right now him and Niko

are on their way to kill every single one of you.

You guys are in the attic, right?

Of course, he knows we're in the attic, this

is where we always hang out. Come on guys.

Yo if he's watching then wath this. Motherfucker.

What a cry baby. Yo, you're a bitch. Ethan.

Derek there's really no time for middle fingers

since Niko's on her way to chop 'em off.

Yo, so what should we do?

You need to get out.

You ain't got to tell me t.

[Derek] Shit.

[tense music]

Oh shit.

[Tasha] Shit.

[knocking, shushing]

Grab the walkie talkie.

[knocking]

I got it!

Walkie check.

Walkie check.

Good, check.

You need to get out of there now. Go to the other side

of the attic, there's a stairway, leads to a back .

That'll take you outside.

[tense ominous music]

[Philip] Let's go. Come on.

This can't be happening.

Yo fuck this shit yo. I survived the toughest parts

of the hood, ain't no way I'm dying in the boondocks.

Look, look, nobodies gonna die, alright? We're gonna be alright.

Look... we can make it out alive if we stick together. Ok all?

He's right, he's right.

What are we gonna do?

Take the van.

[Philip] So come on with me.

[tense dramatic music]

Check the visor.

Yo, why don't we just sit hee and wait for help. Yo?

And be trapped like sitting ducks? No.

We could just run.

No, the van is our best bet, ok?

Shit.

I saw a rack of keys hangiy the front door.

You sure? You sure?

[Derek] I'm pretty sure.

Man fuck this shit.

Why don't one of you all hot-wire this

shit and let's get the fuck out of here!

I mean who knows how to hot-wire though?

Oh shit.

Nobody?

Exactly, look, how we gonnt these keys?

Ethan, we need your help man.

The coast is clear for now. Go through

the front door and grab the key.

It should be unlocked.

Alright look, I'm gonna go inside and gee

keys, alright? Philip, I want you to have my back.

Come on, I got you.

I'm going with you.

Alright, let's go.

Look, you wait here, alright?

If you here anything, yell.

Ok, be careful.

I will.

[low tense music]

I got it.

Li.

Ethan. Did you get eyes on?

Yo, what's taking them so ? Yo?

I don't know, I mean they should be back soon.

See, see, there go Derek rigt there.

Yea but why he by his-self?

Oh shoot, that's Sean!

Fuck that, let's jump his as.

You get down here.

[tense music]

[glass breaking]

[Lia crying]

[ominous tense music]

What are you gonna do? Just me go!

I promise that I won't tell anyone.

[finger snapping, Lia screaming]

[neck snapping]

[Ethan] Derek!

[Derek] You ask so nice.

She's in one of those rooms

but I don't know which one.

Oh shit.

Lia, hey. Oh shit!

Look what they did to you. Fuck.

I'm coming to get you.

I'm gonna stay here ok and then you're

gonna help me kill these motherfuckers.

One, by one, by one.

I can't just sit here anymor.

Derek and Lia probably need our help.

No, we need to stay here.

They'll be back.

I don't know. It's been a minute since they left.

If they was coming back they probably

would have came back already.

Yea, which means they're probably dead.

I mean we don't know that for sure.

What do you mean we don't know that for sure? You just

said, if they was coming back they'd be back already.

Or they need our help.

I mean I think they would do the same for us.

Do the same for us. The fus you talking about, Philip?

You don't even fucking know these

people. I wanna get the fuck outta here.

We don't owe them nothing, let's get

the fuck outta here. I wanna go home.

I came out here to film a movie and now

I'm fighting for my life. I wanna go home.

Look I hear you you know, its messed up.

I wouldn't feel right just leaving them behind.

I don't feel right about thi, Philip.

I say we get the fuck outta here. I wanna go home?

Alright look, if they dead...

we gonna grab the keys and get as

far away from here as poss.

Alright?

No, Philip.

Look... I got you, we're gona be alright.

Gotta go in there.

Alright.

Alright.

Alright.

Alright.

Come on.

[eery tense music]

[Tasha whispering]

God, we fucked up, this is fucking white

people shit. I told you I wanna go home.

Chill, chill, ok?

No.

Just breath.

Alright, we almost there, t to get the keys.

What the fuck is that?

What?

That!

Hey!

Don't come any closer!

Stay back old lady!

I don't wanna have to hurt, ok!

Oh shit.

You knocked the hell out of that old lady.

Yea, I'm from Brooklyn, we swing first and ask questions later.

Now who the fuck is that!

I don't know.

She look messed up though.

[knife squishing]

No!

Philip, no! No! No!

[ominous tense music]

You crazy bitch!

[Gammie cackling]

[Tasha] Ah!

Hey I'm coming man.

Look harder.

Ethan, you in there?

Yea!

Ethan, you in there man?

Right here.

Ok, hey move back, ok?

I found you man.

Whoa, whoa, whoa. What are yu doing?

Ethan, we're on the same tea, remember?

Remember?

What are you waiting for? t him!

No, shoot this motherfuckee

fucking killed Lia, he killed Lia!

And Abigail.

Niko killed those people.

I just gave the order.

Ethan, what the fuck are you waiting for, shoot

this motherfucker. Or give me the gun and I wil!

Is this how you treat me after I open up my home to you! I have

been nothing but an accommodating

host, Gammie even cooked for you.

You killed two people!

You're wrong, there are four dead people.

Look, give me the gun. I'll fucking him, man.

Ethan, give me the gun!

Oh shit, Ethan we gotta gee fuck outta here.

Ethan what are you fucking doing? Let's go man.

You go, I'll stay.

Are you fucking crazy? You shot an

unarmed man, man. That's why you gotta go.

That's why I gotta stay.

Somebody's gotta explain to the police, right?

Come on.

Look, you got your whole life ahead of you. I'm washed up.

Go, take the van, don't look back.

Alright?

No, no, come on man

there's more to than that.

And I'm sure you're a fucking great dad.

What did you say, what did yu say? Look, look, look. A gret

director, always a fucking great director. Alright? Come on.

D.C., D.C...

Look man, I was fucked, I was fucked up with me...

D.C.

At the dinner table, I didn't mean...

D.C!

I didn't mean to come hard at you man, let's just go.

It's alright man.

Come on.

I'm glad we met.

Now get outta here before I change my mind.

[soft unsettling music]

[yelling]

Just drive, just drive.

[engine turning over]

[tense music]

[choking sounds]

No!

[applause]

[rap music plays softly]

* He saw the move right in the ghost town *

* Better than raised in a low town *

* These are the moves way to get a ghost town *

* Ready to get that cake up, yea nigger before it's show time *

* It's harder to move weighing in a ghost town *

* Running a ways in a low town

* These are the moves way up in the ghost town *

* Go and get that cake up yea yea show time *

[Sean chuckling]

Ethan.

This is Jenny Granger, shen

executive with Florescent Pictures.

Nice to meet you.

The pleasure is all mine, I honestly couldn't wait to

meet you. I've never seen a film look so real before.

I'm officially a fan.

Thank you.

Our goal was to make the film as authentic as possible.

I think we pulled that off.

You did that and then some.

That scene where you shot , I mean you must have

rehearsed that a million times to get it that perfect.

You know, we didn't rehearse that at all.

I think we just got lucky.

Yea.

Is this how you treat me aftr I've opened up my home to yo!

I have been nothing but an accommodating

host! Gammie even cooked for you.

You killed two people! - You're wrong.

There are four dead people.

Yo, give me the gun. I'll fucking

kill him man. Ethan, give me the gun!

Oh shit, Ethan, we've gottt the fuck outta here.

[tense music]

[unsettling music]

Well help me up asshole.

I can't believe you shot me.

I can't believe you told m.

It hurts like hell.

You were pretty close.

I guess we got lucky.

I'll be in touch.

I think I speak for everyone when I

say I wanna see more of Ethan Shaw.

Didn't I say this would happen? Didn't I?

Yes, yes, you did.

That's why I chose you for this, Ethan.

You are the only one who coud have pulled this off.

Take your pictures.

Daddy!

Ally!

[laughing] Hey, I missed you.

We missed you too.

We?

Ethan! Can I get an interview with you for The Reviewer?

Yes, yes, yes, yes. Huge fan.

We are live at The Reviewer with director Ethan Shaw.

[interviewer] Ethan, after all these yea.

you are back on top of them world with Call Time.

What inspired you to get back on the mountaintop

after being on the bottom for so long?

[phone rings]

[Ethan] My family.

I would be nowhere without my family.

Hi, is this Bischer Productions?

Yes, it is.

My name is David and I'm calling to get call time for Tuesday...

and I'm dying to play this role.

[interviewer] Thank you for taking the time to speak with us

on this episode of... The Reviewer.

Thank you for having me, and special

thank you to everyone watching Call Time.

[distorted electric guitar music plays]

* Hey hey hey hey hey hey

* Yo hey hey hey hey hey *

* Hey hey hey yo move bitch *

* Who the fuck are you bitch

* Run up we gonna shoot bitch We not for shooting schools*

* Bitch hey Are you stupid

* My Ruger ain't got boom bitch *

* I'm a bitch until you blow bitch *

* You wake up with no clue bitch move bitch

* Who the fuck are you bitch

* Run up we gonna shoot bitch

* We not for shooting schools bitch *

* Are you stupid

* My Ruger ain't 'gon boom bitch *

* I'm a beat you 'till you're blue bitch *

* You wake up with no clue bitch *

* Mirror mirror on on the wall *

* Catch them sleep cut them all *

* Watch their bodies to their fall crawl a nigga a dog

* You hopped away like a frog

* Catch you slippin' in that fog

* Tie 'em up like a hog

* Fuck 'em all, fuck 'em all

* Watch your soul leave your body *

* Cut 'em up my shirt's sloppy

* Slicky bitchy toppy top

* Feels bad cuz you watch

* I'm your dad now nigga, you mad little nigga *

* Cause I make six figures

* If run I'll go get you

* Move bitch, who the fuck are you bitch *

* Run up we 'gon shoot bitch

* We not for shooting schools bitch

* Are you stupid my Rutger ain't 'gon boom bitch *

* I'm beat you 'till you're blue bitch *

* Wake up with no clue, bitc

* Move bitch, who the fuck are you bitch *

* Run up we 'gon shoot bitch

* We not for shooting schools bitch

* Are you stupid

* My Ruger ain't 'gon boom bitch *

* I'm beat you 'till you're blue bitch *

* Wake up with no clue, bitc

* I say