All language subtitles for Breakfast on Pluto (2005) _ ENG
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1
00:00:31,565 --> 00:00:33,934
*[Sugar Baby Love
by The Rubettes playing]
2
00:01:06,434 --> 00:01:08,102
[man yelling]
3
00:01:10,037 --> 00:01:12,540
(man)
YOU CAN THROW A FAST ONE.
4
00:01:12,606 --> 00:01:16,009
* SUGAR BABY LOVE
5
00:01:16,076 --> 00:01:19,280
* SUGAR BABY LOVE
6
00:01:19,347 --> 00:01:21,749
* I DIDN'T MEAN
TO MAKE YOU BLUE *
7
00:01:21,815 --> 00:01:23,517
HOW ABOUT IT, KITTEN?
8
00:01:23,584 --> 00:01:25,653
WHAT'S THE CHANCE
OF A BIT TONIGHT?
9
00:01:25,719 --> 00:01:27,655
OH, WHY, YES,
OF COURSE, BOYS.
10
00:01:27,721 --> 00:01:29,056
I'LL LEAVE
THE FRONT DOOR OPEN
11
00:01:29,123 --> 00:01:31,825
AND YOU CAN ALL TROOP
IN AND GIVE ME A JAB.
12
00:01:33,093 --> 00:01:34,228
NOT UP TO IT, THEN?
13
00:01:34,295 --> 00:01:36,730
YOU INNOCENT,
SHOVEL-WIELDING,
14
00:01:36,797 --> 00:01:39,467
HORNY-HANDED SONS
OF THE NATIVE SOD.
15
00:01:39,533 --> 00:01:42,603
NOT MANY PEOPLE
ARE, MUNCHKIN.
16
00:01:42,670 --> 00:01:46,574
NOT MANY PEOPLE
CAN TAKE THE TALE
OF PATRICK BRADEN
17
00:01:46,640 --> 00:01:48,409
A.K.A. SAINT KITTEN,
18
00:01:48,476 --> 00:01:52,813
WHO STRUTTED THE CATWALKS,
FACE LIT BY A HALO
OF FLASHBULBS
19
00:01:52,880 --> 00:01:57,218
AS, "OH!" SHE SHRIEKED,
"I TOLD YOU,
FROM MY BEST SIDE, DARLINGS."
20
00:01:57,285 --> 00:01:59,653
(Patrick)
I WAS BORN, YOU SEE, MUNCHKIN,
21
00:01:59,720 --> 00:02:02,790
IN A SMALL TOWN
NEAR THE IRISH BORDER.
22
00:02:02,856 --> 00:02:06,126
I WAS LEFT IN A BASKET
ON A CERTAIN DOORSTEP
23
00:02:06,194 --> 00:02:08,396
AND ONLY THE ROBINS KNEW WHY.
24
00:02:08,462 --> 00:02:11,732
OH, BUT THEN, THEY KNEW
EVERYBODY'S BUSINESS.
25
00:02:11,799 --> 00:02:14,735
THOSE RED-BREASTED
BUSYBODIES.
26
00:02:14,802 --> 00:02:19,207
EVERY SECRET BEHIND
EVERY LACE-CURTAIN WINDOW.
27
00:02:38,959 --> 00:02:40,127
[twittering]
UH-OH, BEHIND YOU!
28
00:02:40,194 --> 00:02:42,996
* SUGAR BABY LOVE
29
00:02:43,063 --> 00:02:46,300
* SUGAR BABY LOVE
30
00:02:46,367 --> 00:02:49,303
* I DIDN'T MEAN
TO MAKE YOU BLUE *
31
00:02:49,370 --> 00:02:50,871
[twittering]
THIS LOOKS LIKE TROUBLE.
32
00:02:50,938 --> 00:02:52,473
[twittering]
OH, DEAR!
33
00:02:54,041 --> 00:02:57,478
* SUGAR BABY LOVE
34
00:02:57,545 --> 00:03:00,248
* SUGAR BABY LOVE
35
00:03:00,314 --> 00:03:01,482
[twittering]
LET'S GO.
36
00:03:01,549 --> 00:03:04,285
* I DIDN'T MEAN TO HURT YOU
37
00:03:06,354 --> 00:03:08,088
[baby bawling]
38
00:03:11,124 --> 00:03:16,029
* PEOPLE, TAKE MY ADVICE
39
00:03:17,931 --> 00:03:23,136
* IF YOU LOVE SOMEONE,
DON'T THINK TWICE *
40
00:03:23,203 --> 00:03:26,707
* LOVE YOUR BABY LOVE
41
00:03:26,774 --> 00:03:30,411
* SUGAR BABY LOVE
42
00:03:30,478 --> 00:03:34,081
* LOVE HER ANYWAY
43
00:03:34,147 --> 00:03:37,685
* LOVE HER EVERY DAY *
44
00:03:48,462 --> 00:03:50,197
ROBINS! WOULD YOU
BELIEVE IT, FATHER?
45
00:03:50,264 --> 00:03:51,799
PECKING AT THE CREAM.
46
00:03:51,865 --> 00:03:54,234
I SUPPOSE IT'S CHRISTMAS
MORNING, AFTER ALL.
47
00:03:55,836 --> 00:03:57,671
IS YOUR BREAKFAST ALL RIGHT?
48
00:03:59,840 --> 00:04:02,743
WELL, I'LL GET READY
FOR MASS, SO. GOD BLESS.
49
00:04:04,645 --> 00:04:06,046
GOD BLESS.
50
00:04:12,019 --> 00:04:14,522
HE HASN'T BEEN
HIMSELF LATELY, SO.
51
00:04:16,790 --> 00:04:19,427
[twittering]
NO, HE HASN'T BEEN
HIMSELF AT ALL,
52
00:04:19,493 --> 00:04:21,362
[twittering]
SINCE THE BLONDE
HOUSEKEEPER LEFT.
53
00:04:21,429 --> 00:04:23,497
[twittering]
THE ONE THAT LOOKED
LIKE THE FILM STAR
54
00:04:23,564 --> 00:04:25,799
[twittering]
WITH THE
BUBBLE-CUT CURLS.
55
00:04:25,866 --> 00:04:27,234
[twittering]
MITZI GAYNOR!
56
00:04:39,112 --> 00:04:41,081
JUST THE JOB.
(woman on T.V.)
MR. STEED?
57
00:04:41,148 --> 00:04:42,215
CUTEX CORAL PINK.
58
00:04:42,282 --> 00:04:44,385
(Steed)
YES.
59
00:04:44,452 --> 00:04:46,920
WHAT A CHARMING
ATMOSPHERE YOU HAVE HERE.
60
00:04:47,855 --> 00:04:48,989
DO YOU MIND?
61
00:04:49,056 --> 00:04:49,990
(woman)
NOT AT ALL.
62
00:04:50,057 --> 00:04:51,124
THANK YOU.
63
00:04:51,191 --> 00:04:52,360
OOH, WILL YOU
HAVE A LOVE SEAT?
64
00:04:52,426 --> 00:04:54,061
THE LOVE SEAT? WHY NOT?
65
00:04:56,530 --> 00:04:59,667
MR. LOVEJOY WILL
SEE YOU IN A MOMENT.
66
00:04:59,733 --> 00:05:02,135
HE'S JUST CONGRATULATING
ONE OF OUR HAPPY COUPLES.
67
00:05:02,202 --> 00:05:04,104
HOW VERY ENCOURAGING.
YES.
68
00:05:04,171 --> 00:05:06,374
UH, PERHAPS YOU'D LIKE
A GLASS OF CHAMPERS?
69
00:05:06,440 --> 00:05:07,575
CHAMPERS? NOW YOU'RE TALKING.
70
00:05:07,641 --> 00:05:10,878
OR, A PIECE OF
WEDDING CAKE?
71
00:05:10,944 --> 00:05:12,780
NO, THANK YOU.
I'VE JUST HAD BREAKFAST.
72
00:05:14,181 --> 00:05:15,449
(man)
MR. STEED?
73
00:05:17,851 --> 00:05:20,788
MY GOOD SHOES!
MY GOOD SHOES,
YOU LITTLE BRAT!
74
00:05:20,854 --> 00:05:22,289
(Caroline)
DO IT HARDER, MAMMY.
75
00:05:22,356 --> 00:05:23,724
TEACH HIM NOT TO
WEAR MY DRESS AGAIN.
76
00:05:23,791 --> 00:05:26,226
HE'LL MAKE A DISGRACE OF US?
WELL, YOU'LL NOT!
77
00:05:26,293 --> 00:05:27,728
DO YOU REALLY HAVE TO?
78
00:05:27,795 --> 00:05:29,463
I'LL MARCH YOU
UP AND DOWN THE STREET
79
00:05:29,530 --> 00:05:31,131
AND DISGRACE YOU
IN FRONT OF THE WHOLE TOWN.
80
00:05:31,198 --> 00:05:32,566
PROMISE?
81
00:05:32,633 --> 00:05:34,702
HIT HIM WITH IT, MA!
GIVE HIM THE BRUSH AGAIN!
82
00:05:34,768 --> 00:05:36,770
SAY, "I AM NOT A GIRL."
I'M NOT A GIRL.
83
00:05:36,837 --> 00:05:38,338
"I AM A BOY.
I'M NOT A GIRL."
84
00:05:38,406 --> 00:05:39,840
I'M A BOY, NOT A GIRL.
85
00:05:39,907 --> 00:05:41,108
SAY IT RIGHT.
86
00:05:41,174 --> 00:05:42,610
MAKE HIM
SAY IT RIGHT, MA.
87
00:05:42,676 --> 00:05:45,379
MY HEART BROKE
FROM THE CURSED DAY
I EVER TOOK YOU IN.
88
00:05:47,014 --> 00:05:48,749
(commentator on T.V.)
A SHORT ONE BY GARETH CAREY,
89
00:05:48,816 --> 00:05:50,083
UP ALONG THE FAR WING
TO TONY HADDON.
90
00:05:50,150 --> 00:05:52,720
TONY HADDON,
40 YARDS OUT NOW, FROM THE...
91
00:05:52,786 --> 00:05:55,055
OFF HE GOES THEN,
THE BALL ACROSS HIM
TOWARDS THE CENTER.
92
00:05:55,122 --> 00:05:57,124
AND COMING, ALFRED WHITNEY.
HE'S CAPPED THERE.
93
00:05:57,190 --> 00:05:59,226
WELL DOWN OVER HIS EYES
IS, UH, NICK BRADY.
94
00:05:59,292 --> 00:06:00,994
THE BALL COMES OVER.
WHO'S GOT IT? REID MORGAN.
95
00:06:01,061 --> 00:06:02,896
REID MORGAN
GETS THE 35-YARD...
96
00:06:02,963 --> 00:06:04,998
BROTHER BARNABAS
SAYS HE'LL TRY YOU
ON THE FOOTBALL TEAM
97
00:06:05,065 --> 00:06:06,700
AND I WANT YOU
TO READ THIS.
98
00:06:06,767 --> 00:06:09,002
HEADING HIGH AND TO THE RIGHT,
AND YES, IT IS...
99
00:06:09,069 --> 00:06:11,171
IT'S GONE OVER THE BAR
FOR THE FIRST
GOAL OF THE GAME.
100
00:06:11,238 --> 00:06:12,305
[crowd cheering on T.V.]
101
00:06:12,372 --> 00:06:13,474
PADDY GARDY.
102
00:06:14,908 --> 00:06:16,209
THE FIRST GOAL OF THE GAME.
103
00:06:16,276 --> 00:06:18,612
PADDY GARDY TOOK ONE
FROM THIS SIDE.
104
00:06:18,679 --> 00:06:20,514
IT HAD A CURL ON IT,
AND ONE HAD TO WAIT
105
00:06:20,581 --> 00:06:22,349
UNTIL THE UMPIRES
GAVE THEIR DECISION
106
00:06:22,416 --> 00:06:24,251
AS TO WHETHER IT
WAS IN OR NOT. IT WAS.
107
00:06:24,317 --> 00:06:25,653
AND I CALL MY MOTHER NAMES.
108
00:06:25,719 --> 00:06:26,854
(Liam)
WELL, YOU KNOW,
109
00:06:26,920 --> 00:06:29,089
YOU--YOU--YOU
SHOULDN'T DO THAT, MY SON.
110
00:06:29,156 --> 00:06:30,424
WHAT DO YOU CALL HER?
111
00:06:31,224 --> 00:06:32,392
HAIRY ARSE.
112
00:06:33,293 --> 00:06:35,863
HAIRY ARSE AND BOCKEDY HOLE.
113
00:06:36,597 --> 00:06:38,031
AND CUNTHOOKS.
114
00:06:38,098 --> 00:06:39,433
[clears throat]
115
00:06:41,068 --> 00:06:42,069
[sighing]
116
00:06:45,606 --> 00:06:47,107
[beeping]
117
00:06:48,408 --> 00:06:50,210
STAY WHERE YOU ARE!
YOU MUST NOT PROCEED.
118
00:06:50,277 --> 00:06:51,445
JESUS!
119
00:06:51,512 --> 00:06:53,046
YOU MUST NOT CURSE.
120
00:06:53,113 --> 00:06:55,148
IF YOU CURSE,
YOU'LL BE EXTERMINATED.
121
00:06:55,215 --> 00:06:56,216
HOLY FUCK!
122
00:06:56,283 --> 00:06:57,751
YOU'VE BEEN WARNED,
EARTHLING.
123
00:06:57,818 --> 00:06:59,219
NOW YOU MUST DIE!
124
00:06:59,286 --> 00:07:00,621
NO, DALEK, PLEASE.
125
00:07:06,494 --> 00:07:08,328
SAUSAGES, SAUSAGES,
STAY WHERE YOU ARE.
126
00:07:08,395 --> 00:07:10,030
YES, YES, OF COURSE!
PLEASE DON'T SHOOT!
127
00:07:10,097 --> 00:07:11,499
[imitating gun firing]
128
00:07:11,565 --> 00:07:12,633
(Charlie)
LAWRENCE, COME ON.
129
00:07:12,700 --> 00:07:14,334
NOT NOW,
I'M BUSY. I'M BUSY.
130
00:07:14,401 --> 00:07:15,569
COME ON.
131
00:07:15,636 --> 00:07:16,804
I'M BUSY.
132
00:07:18,405 --> 00:07:20,307
OH, FIGGLY BOOGLES, I'M DEAD.
133
00:07:21,074 --> 00:07:22,275
(Patrick)
DIE FOR IRELAND?
134
00:07:22,342 --> 00:07:23,677
I'M SORRY,
BUT IT APPEARED TO ME
135
00:07:23,744 --> 00:07:25,779
THAT SOMEONE HERE
HAD TAKEN LEAVE
OF THEIR SENSES.
136
00:07:25,846 --> 00:07:27,681
(Irwin)
ARE YOU PLAYING THE GAME
OR NOT, BRADEN?
137
00:07:27,748 --> 00:07:29,382
ME PLAY!
DYING FOR IRELAND.
138
00:07:29,449 --> 00:07:31,485
EARTHLING,
STAY WHERE YOU ARE!
139
00:07:31,552 --> 00:07:34,354
WELL, COME ON,
ENGLISHMAN, A BULLET, PLEASE.
140
00:07:34,421 --> 00:07:35,689
[Charlie chuckling]
141
00:07:37,925 --> 00:07:40,594
AND NEXT UP IS
THE DASHING FEELY
142
00:07:40,661 --> 00:07:45,566
SPORTING A SMOKING JACKET,
FEDORA HAT, AND SUNGLASSES
BY GUCCI.
143
00:07:45,633 --> 00:07:46,734
MADAM.
144
00:07:47,768 --> 00:07:49,269
[giggling]
145
00:07:51,639 --> 00:07:53,073
THE MAN HIMSELF.
146
00:07:53,140 --> 00:07:54,608
[grunting]
147
00:07:54,675 --> 00:07:55,943
YOUR MOTHER WILL
BE BACK IN A WHILE.
148
00:07:56,009 --> 00:07:57,044
OH.
149
00:07:59,613 --> 00:08:01,815
SO HOW'S PATRICK
AND THE BRADEN HOUSEHOLD?
150
00:08:02,916 --> 00:08:05,485
THEY'RE WELL, MR. FEELY.
151
00:08:05,553 --> 00:08:08,321
ESPECIALLY MY MOTHER,
WHEREVER SHE IS.
152
00:08:10,423 --> 00:08:12,560
SO SOMEONE'S TOLD
YOU SOMETHING, PATRICK?
153
00:08:13,160 --> 00:08:15,428
THEY DON'T HAVE TO.
154
00:08:15,495 --> 00:08:18,265
HAIRY ARSE BRADEN
TELLS ME EVERY DAY.
155
00:08:18,331 --> 00:08:19,667
AH, PATRICK, NOW...
156
00:08:20,634 --> 00:08:22,169
I'M SORRY, MR. FEELY.
157
00:08:30,043 --> 00:08:33,714
YOU KNOW, I SAW HER ONCE,
YOUR REAL MOTHER,
158
00:08:33,781 --> 00:08:35,683
LONG AFTER THE DAY SHE LEFT.
159
00:08:36,584 --> 00:08:37,985
IT WAS IN LONDON.
160
00:08:39,820 --> 00:08:42,089
I WAS DOING WORK
FOR GENIE MCQUILLAN.
161
00:08:43,256 --> 00:08:45,626
I WAS GOING HOME
THROUGH PICCADILLY
162
00:08:45,693 --> 00:08:49,797
AND THERE,
PASSING BY, WAS EILY BERGIN.
163
00:08:49,863 --> 00:08:52,499
(Benny)
LOVELY AS THE DAY SHE LEFT,
I SWEAR IT TO GOD.
164
00:08:57,771 --> 00:09:00,073
(Patrick)
DID YOU TALK TO HER,
MR. FEELY?
165
00:09:00,140 --> 00:09:02,042
WHAT DID SHE SAY?
166
00:09:02,109 --> 00:09:04,945
I SHOUTED AFTER HER, PATRICK,
BUT SHE DIDN'T HEAR.
167
00:09:06,079 --> 00:09:08,015
LONDON SWALLOWED HER UP.
168
00:09:10,117 --> 00:09:12,620
THE MOST BEAUTIFUL
GIRL IN THE TOWN.
169
00:09:12,686 --> 00:09:14,622
BIGGEST CITY IN THE WORLD...
170
00:09:15,623 --> 00:09:17,257
IT SWALLOWED MY MOTHER UP.
171
00:09:21,228 --> 00:09:22,896
WHAT ABOUT MY FATHER,
MR. FEELY?
172
00:09:22,963 --> 00:09:24,397
I WOULDN'T KNOW
ABOUT THAT, SON.
173
00:09:24,464 --> 00:09:26,199
THINGS BE COMPLICATED,
YOU KNOW.
174
00:09:29,136 --> 00:09:30,570
WHAT DID SHE LOOK LIKE?
175
00:09:36,143 --> 00:09:37,878
MITZI GAYNOR, SON.
176
00:09:37,945 --> 00:09:40,614
THAT'S WHO SHE
LOOKED LIKE, MITZI.
177
00:09:43,684 --> 00:09:44,885
MITZI GAYNOR.
178
00:10:25,659 --> 00:10:27,394
[gunshots on T.V.]
179
00:10:44,411 --> 00:10:48,448
WELL, FUCK ME PINK
WITH A HAIRY ARSE!
180
00:10:59,860 --> 00:11:03,230
IN THE NAME OF
THE FATHER AND THE SON
AND THE HOLY SPIRIT, AMEN.
181
00:11:18,011 --> 00:11:20,814
[whispering]
YOU SEE, ONCE UPON A TIME,
182
00:11:20,881 --> 00:11:23,416
THERE WAS A YOUNG GIRL
NAMED EILY BERGIN
183
00:11:25,185 --> 00:11:28,956
WHO LOOKED NOT UNLIKE
THE WELL-KNOWN
FILM STAR MITZI GAYNOR
184
00:11:29,022 --> 00:11:32,125
WHO SANG I'M GONNA WASH
THAT MAN RIGHT OUTTA MY HAIR.
185
00:11:34,161 --> 00:11:37,397
AND SHE WENT TO LONDON,
THE BIGGEST CITY IN THE WORLD,
186
00:11:37,464 --> 00:11:38,966
WHICH SWALLOWED HER UP.
187
00:11:40,567 --> 00:11:43,703
BUT BEFORE SHE VANISHED,
188
00:11:43,771 --> 00:11:47,107
I THINK SHE
WORKED AS A PRIEST'S
HOUSEKEEPER, FATHER.
189
00:11:47,174 --> 00:11:50,110
BUT I COULD BE
WRONG THERE, COULDN'T I?
190
00:11:50,177 --> 00:11:52,445
I MEAN, I COULD BE WRONG.
AFTER ALL, I...
191
00:12:02,990 --> 00:12:06,026
ALL I WANTED WAS HER ADDRESS.
192
00:12:06,093 --> 00:12:09,029
(Mr. Egan)
THERE BETWEEN THE PO
AND THE APENNINES, BOYS
193
00:12:09,096 --> 00:12:11,832
THE CLIMATE IS
ALWAYS THE SAME.
194
00:12:11,899 --> 00:12:13,934
THE LANDSCAPE NEVER CHANGES
195
00:12:14,001 --> 00:12:17,170
AND IN COUNTRY LIKE THIS
YOU CAN STOP ALONG
ANY ROAD FOR A MOMENT
196
00:12:17,237 --> 00:12:21,875
AND LOOK AT A FARMHOUSE
SITTING IN THE MIDDLE
OF MAIZE AND HEMP,
197
00:12:21,942 --> 00:12:25,779
AND IMMEDIATELY
A STORY IS BORN.
198
00:12:25,846 --> 00:12:28,415
NOW, WHEN YOU'RE WRITING
YOUR ESSAY FOR ME
THIS MORNING,
199
00:12:28,481 --> 00:12:31,484
WHATEVER FORM IT TAKES
IS UP TO YOU.
200
00:12:31,551 --> 00:12:35,455
IT CAN BE CALLED
"I FOUGHT IN
THE EASTER RISING,"
201
00:12:37,757 --> 00:12:40,427
"I WAS DRACULA'S GIRLFRIEND,"
202
00:12:40,493 --> 00:12:43,663
OR EVEN "A DAY IN
THE LIFE OF AN OLD BOOT".
203
00:12:46,033 --> 00:12:49,136
YOU'VE GOT ONE HOUR,
SO LEARN TO WRITE.
204
00:13:11,124 --> 00:13:12,625
"GOD BLESS US.
205
00:13:13,827 --> 00:13:16,163
"IT'S YOURSELF..."
206
00:13:16,229 --> 00:13:17,797
AH, GOD BLESS US.
IT'S YOURSELF, MA'AM.
207
00:13:17,865 --> 00:13:19,166
IT IS INDEED, FATHER.
208
00:13:19,232 --> 00:13:20,533
(Patrick)
...REMARKED
209
00:13:20,600 --> 00:13:25,572
RANDY FATHER LIAM
210
00:13:26,373 --> 00:13:29,209
AS HE OPENED THE DOOR
211
00:13:29,276 --> 00:13:31,411
TO A YOUNG WOMAN
212
00:13:31,478 --> 00:13:34,314
WHO BORE
A STARTLING RESEMBLANCE
213
00:13:34,381 --> 00:13:36,917
TO MITZI GAYNOR.
214
00:13:36,984 --> 00:13:39,019
SO YOU ARE THE REPLACEMENT
FOR MRS. MCGLYNN?
215
00:13:39,086 --> 00:13:41,088
(Eily)
I AM INDEED, FATHER.
216
00:13:41,154 --> 00:13:42,755
DESTROYED WITH
THE LUMBAGO, SHE IS.
217
00:13:42,822 --> 00:13:44,357
DESTROYED,
AND THAT'S A FACT.
218
00:13:44,424 --> 00:13:46,894
BUT SURE SHE'LL BE
BACK ON HER FEET SOON,
PLEASE GOD.
219
00:13:46,960 --> 00:13:48,728
PLEASE GOD SHE WILL, NOW.
220
00:13:49,863 --> 00:13:51,831
BUT TELL ME THIS,
221
00:13:51,899 --> 00:13:54,467
HAVE I BEGUN TO DOTE
222
00:13:54,534 --> 00:13:57,370
OR DO YOU REMIND ME
OF SOMEONE SPECIAL?
223
00:13:57,437 --> 00:14:00,974
WHEN SHE SENSED A MOVEMENT
224
00:14:01,041 --> 00:14:04,811
UNDERNEATH HIS
BLACK SERGE TROUSERS.
225
00:14:04,878 --> 00:14:06,947
OH, FATHER, PLEASE,
HOW COULD I?
226
00:14:07,014 --> 00:14:08,916
WHEN I'VE GONE
OUT OF MY WAY
227
00:14:08,982 --> 00:14:12,719
KNOWING THAT
YOUR DICKY DOODLE,
NAUGHTY POOPSTER THAT HE IS,
228
00:14:12,785 --> 00:14:14,454
GIVEN THE SLIGHTEST
ENCOURAGEMENT,
229
00:14:14,521 --> 00:14:16,423
WOULD BE ONLY TOO EAGER
TO GET UP TO MISCHIEF.
230
00:14:16,489 --> 00:14:19,259
DOWN, BOY! NAUGHTY DICKY.
231
00:14:19,326 --> 00:14:22,762
TO CAMOUFLAGE MYSELF
AND LOOK LIKE ANY ORDINARY
OLD CURATE'S DRUDGE.
232
00:14:22,829 --> 00:14:26,967
"AND MOST DEFINITELY NOT
233
00:14:27,034 --> 00:14:30,270
"A PERFUME-SPRAYED VISION
234
00:14:30,337 --> 00:14:33,806
"NAMED MITZI GAYNOR
235
00:14:33,873 --> 00:14:37,978
"WITH A HEAD OF
BUBBLE-CUT CURLS
236
00:14:38,045 --> 00:14:42,615
"THAT WOULD MAKE
ANY MAN'S PRIVATES
GO SPRONG."
237
00:14:42,682 --> 00:14:44,517
I'VE GOT THE STANDARD
UNIFORM, FATHER.
238
00:14:44,584 --> 00:14:47,754
THE BLUE HOUSECOAT
WITH THE BOW AT THE BACK,
239
00:14:47,820 --> 00:14:50,523
THE TAN STOCKINGS,
COLOR OF STALE TEA,
240
00:14:50,590 --> 00:14:52,492
THE OLD HAIRNET,
WHICH SAYS TO
ALL THEM MICKIES
241
00:14:52,559 --> 00:14:54,827
WHOSE DUTY IT IS
TO STAY INSIDE
AND WEAR BLACK SERGE,
242
00:14:54,894 --> 00:14:56,696
"NO MICKIES TODAY.
243
00:14:56,763 --> 00:14:58,298
"DOWN, BOYS.
THAT'S IT, MY SWEETS,
244
00:14:58,365 --> 00:15:00,067
"OFF WITH YOU AND
SAY YOUR PRAYERS."
245
00:15:00,133 --> 00:15:02,169
BREAKFAST, FATHER?
246
00:15:02,235 --> 00:15:03,870
BY GOD,
AND NOW YOU'RE TALKING.
247
00:15:05,105 --> 00:15:09,442
MICKEY IS DEVIOUS
248
00:15:09,509 --> 00:15:12,679
AND NO MATTER
HOW MUCH YOU TELL HIM,
249
00:15:14,181 --> 00:15:16,849
HE SIMPLY WON'T STAY DOWN.
250
00:15:16,916 --> 00:15:19,286
BUT DRAB OLD HOUSECOATS
251
00:15:19,352 --> 00:15:22,990
AND TEA-COLORED STOCKINGS
MIGHT WELL HAVE KEPT HIM DOWN
252
00:15:23,056 --> 00:15:26,393
IF IT WASN'T FOR THAT
PESKY SPOT OF GREASE.
253
00:15:27,727 --> 00:15:29,596
OH, THIS IS
POWERFUL ALTOGETHER.
254
00:15:31,598 --> 00:15:33,000
I WOULD DO JAIL
FOR ANOTHER RASHER.
255
00:15:33,066 --> 00:15:34,534
DO YOU KNOW THAT, EILY?
256
00:15:34,601 --> 00:15:37,237
I'LL FRY YOU SOME MORE
THIS MINUTE, THEN, FATHER.
257
00:15:39,306 --> 00:15:41,241
COME HERE, LITTLE EILY.
DID YOU HEAR THE ONE
258
00:15:41,308 --> 00:15:42,775
ABOUT PEANUTS
AT CONFESSION?
259
00:15:42,842 --> 00:15:44,911
NO, FATHER.
AT LEAST I DON'T THINK SO.
260
00:15:44,978 --> 00:15:46,279
SAYS THE PRIEST
TO THE YOUNG FELLOW,
261
00:15:46,346 --> 00:15:48,481
"DID YOU THROW PEANUTS
IN THE RIVER, TOO?"
262
00:15:48,548 --> 00:15:52,319
TO WHICH THE YOUNG LAD SAYS,
"NO, FATHER, I AM PEANUTS."
263
00:15:52,986 --> 00:15:54,387
[chuckling]
264
00:15:58,491 --> 00:16:00,527
(Patrick)
NOT A VERY FUNNY JOKE,
265
00:16:00,593 --> 00:16:04,131
BUT SHE LAUGHED
AND SHE LAUGHED.
266
00:16:04,197 --> 00:16:08,735
IN FACT, YOU COULD SAY
SHE LAUGHED UNTIL SHE CRIED.
267
00:16:08,801 --> 00:16:10,637
OOPS!
268
00:16:10,703 --> 00:16:12,772
MY SKIRT AND HOUSECOAT
ARE RIDING UP.
269
00:16:12,839 --> 00:16:14,441
BETTER ABORT
THIS TASK AT ONCE
270
00:16:14,507 --> 00:16:15,942
OR WE COULD HAVE
AN EXPLODING CLERGYMAN
271
00:16:16,009 --> 00:16:18,045
FILLING THE AIR WITH
PENT-UP SEXUAL ENERGY.
272
00:16:18,111 --> 00:16:20,047
OH, NO!
PRIEST GROWS WINGS
IN LATEST MIRACLE.
273
00:16:20,113 --> 00:16:21,981
EILY!
274
00:16:22,049 --> 00:16:25,652
"WHEN SHE FOUND
HERSELF ENVELOPED
BY HIS SKIRTS."
275
00:16:26,886 --> 00:16:29,156
NOW, FATHER,
IS THIS ANOTHER JOKE?
276
00:16:29,222 --> 00:16:30,257
OW!
277
00:16:30,323 --> 00:16:31,858
[sobbing]
THAT HURT, FATHER.
278
00:16:31,924 --> 00:16:34,661
FRANK SINATRA
WOULDN'T DO THIS, FATHER.
279
00:16:34,727 --> 00:16:37,230
NEITHER WOULD VIC DAMONE.
280
00:16:37,297 --> 00:16:39,366
I'M ALL WET, FATHER.
281
00:16:39,432 --> 00:16:41,934
WHAT ARE YOU DOING
DOWN THERE, FATHER?
282
00:16:42,001 --> 00:16:44,871
ARE YOU PLAYING SQUIDGY
WITH MY FAIRY LIQUID?
283
00:16:44,937 --> 00:16:47,407
BUT SHE WAS SOON TO REALIZE
284
00:16:47,474 --> 00:16:51,111
IT WASN'T FAIRY LIQUID
HE'D BEEN PLAYING WITH
DOWN THERE.
285
00:16:53,113 --> 00:16:55,715
THE END.
286
00:16:56,649 --> 00:16:57,650
NO,
287
00:16:58,951 --> 00:17:01,354
IT WASN'T
FAIRY LIQUID AT ALL.
288
00:17:06,593 --> 00:17:08,228
"...PRIVATES GO SPRONG."
289
00:17:08,895 --> 00:17:10,663
"PRIVATES GO...
290
00:17:10,730 --> 00:17:12,632
HOW DARE YOU?
291
00:17:12,699 --> 00:17:15,802
WHEN I SAID, "DEVELOP
YOUR LITERARY SKILLS,"
292
00:17:15,868 --> 00:17:18,338
I DID NOT, REPEAT,
NOT, MEAN THIS.
293
00:17:19,506 --> 00:17:21,608
WHY DID YOU WRITE IT?
294
00:17:21,674 --> 00:17:23,210
I THOUGHT THERE
WAS A MORAL, SIR.
295
00:17:23,276 --> 00:17:25,044
A LESSON, IF YOU WILL.
296
00:17:25,112 --> 00:17:26,679
YOUNG GIRLS
IN MORTAL DANGER.
297
00:17:27,580 --> 00:17:29,149
GET OUT OF
THIS CLASSROOM, BRADEN!
298
00:17:29,216 --> 00:17:31,318
TO THE DEAN'S OFFICE!
299
00:17:31,384 --> 00:17:33,353
HELLO, CLASS.
MY NAME IS MISS KITTEN
300
00:17:33,420 --> 00:17:35,288
AND I'D LIKE TO TELL
YOU ABOUT THE PERILS
301
00:17:35,355 --> 00:17:37,190
OF BEING
A PRIEST'S HOUSEKEEPER,
302
00:17:37,257 --> 00:17:40,127
ESPECIALLY WHEN YOU LOOK
LIKE MITZI GAYNOR.
303
00:17:40,193 --> 00:17:42,695
HANDS UP WHO CAN TELL ME
WHO MITZI GAYNOR IS.
304
00:17:42,762 --> 00:17:45,632
SO, YOU SEE, PATRICK,
WE'RE ON YOUR SIDE.
305
00:17:45,698 --> 00:17:47,066
WE'RE HERE TO HELP YOU.
306
00:17:47,134 --> 00:17:48,668
I DON'T THINK
YOU UNDERSTAND THAT.
307
00:17:48,735 --> 00:17:50,603
WELL, NO,
YOU'RE WRONG, FATHER. I DO.
308
00:17:50,670 --> 00:17:54,141
SO, IF YOU CAN THINK OF
ANYTHING THAT WOULD HELP US
TO HELP YOU, WELL...
309
00:17:56,343 --> 00:17:57,344
WELL,
310
00:17:58,778 --> 00:18:00,813
THERE IS ONE THING, FATHER.
311
00:18:03,416 --> 00:18:04,451
INSTEAD OF P.E....
312
00:18:04,517 --> 00:18:06,119
YEAH.
313
00:18:06,186 --> 00:18:09,589
...I COULD TAKE
HOME ECONOMICS
AND NEEDLEWORK CLASS.
314
00:18:10,890 --> 00:18:14,561
AND YOU THINK
THAT WOULD HELP YOU, UH,
315
00:18:14,627 --> 00:18:16,763
KNUCKLE DOWN
AND APPLY YOURSELF?
316
00:18:20,733 --> 00:18:22,435
WHAT'S THAT, PATRICK?
317
00:18:22,502 --> 00:18:24,871
OH, AND YOU CAN
CALL ME KITTEN, FATHER.
318
00:18:25,938 --> 00:18:27,140
KITTEN?
319
00:18:27,207 --> 00:18:30,710
YES, PATRICK KITTEN BRADEN,
AFTER SAINT KITTEN.
320
00:18:34,781 --> 00:18:38,685
WELL, NOW, THERE WAS
NO SAINT KITTEN, PATRICK.
321
00:18:38,751 --> 00:18:41,087
OH, NO, BUT THERE WAS
A SAINT CETTIN, FATHER,
322
00:18:41,154 --> 00:18:43,190
AND SOME HAVE BEEN
KNOWN TO CALL HIM,
323
00:18:43,256 --> 00:18:45,358
OR WAS IT A HER,
324
00:18:45,425 --> 00:18:46,559
KITTEN.
325
00:18:48,995 --> 00:18:50,096
SAINT KITTEN?
326
00:18:50,163 --> 00:18:51,531
MM-HMM.
327
00:18:51,598 --> 00:18:54,066
HE OR SHE WAS AN ACOLYTE
OF SAINT PATRICK.
328
00:18:54,133 --> 00:18:57,237
WORE A DRESS. AS DID
SAINT PATRICK, ACTUALLY.
329
00:18:57,304 --> 00:18:59,239
A HAIRY DRESS.
330
00:18:59,306 --> 00:19:01,073
QUITE RUINED
HER COMPLEXION.
331
00:19:01,140 --> 00:19:02,609
[Charlie laughs]
332
00:19:02,675 --> 00:19:04,311
AND THEY'RE FOR
YOUR SISTER, PATRICK?
333
00:19:04,377 --> 00:19:05,978
MM-HMM.
334
00:19:06,045 --> 00:19:09,216
OH, SHE REALLY
NEEDS A BIT OF GLAMOUR
IN HER LIFE, MRS. COYLE.
335
00:19:10,517 --> 00:19:13,820
BUT THEN AGAIN, DON'T WE ALL?
336
00:19:13,886 --> 00:19:15,288
(reporter on T.V.)
THE TROUBLE BROKE OUT
337
00:19:15,355 --> 00:19:17,824
AS THE MINISTER OF STATE
FOR NORTHERN IRELAND,
MR. CHANNON,
338
00:19:17,890 --> 00:19:20,427
WAS VISITING DERRY
TO SEE BUSINESSMEN THERE
339
00:19:20,493 --> 00:19:22,529
FOR THE SECOND TIME
INSIDE A MONTH.
340
00:19:24,163 --> 00:19:26,032
JESUS, MAMMY, I'M EXHAUSTED.
341
00:19:27,334 --> 00:19:28,768
AT LEAST YOU
HAVE A JOB
342
00:19:28,835 --> 00:19:32,205
WHICH IS MORE THAN
THAT WASTER YONDER
IS EVER LIKELY TO HAVE.
343
00:19:32,272 --> 00:19:34,241
NOW, ONE MORE COMPLAINT
FROM THAT SCHOOL
344
00:19:34,307 --> 00:19:37,176
AND IT'LL NOT BE GOOD FOR YOU,
BY CHRIST, IT'LL NOT.
345
00:19:38,077 --> 00:19:40,179
OH, MAMMY?
346
00:19:40,247 --> 00:19:43,416
DO YOU HAVE
THE PRICE OF THE DANCE
AND A CUP OF COFFEE?
347
00:19:43,483 --> 00:19:45,918
PRICE OF THE DANCE
AND A CUP OF COFFEE?
348
00:19:45,985 --> 00:19:48,521
PRICE OF THE DANCE
AND A CUP OF COFFEE?
349
00:19:48,588 --> 00:19:50,290
WELL, DO YOU THINK
I'M MADE OF MONEY?
350
00:19:50,357 --> 00:19:52,525
DO YOU THINK
I'M MADE OF MONEY, EH?
351
00:19:52,592 --> 00:19:53,626
EH, EH.
352
00:19:53,693 --> 00:19:55,228
WILL YOU JUST
HAND OVER THE CASH?
353
00:19:55,295 --> 00:19:57,096
WILL YOU JUST
FORK OUT THE MONEY
354
00:19:57,163 --> 00:19:59,632
AND STOP BLATHERING,
YOU FUCKING
WHISKERY OLD WHORE.
355
00:19:59,699 --> 00:20:03,169
HERE. AND DON'T
ASK ME AGAIN.
356
00:20:03,236 --> 00:20:05,071
WELL, THANK YOU
SO MUCH, MAMMY.
357
00:20:05,137 --> 00:20:07,574
THANK YOU SO MUCH.
358
00:20:07,640 --> 00:20:10,577
*[You're Such A
Good Looking Woman
playing]
359
00:20:12,111 --> 00:20:15,448
* WHEN GOD CREATED
A WOMAN FOR ME *
360
00:20:16,983 --> 00:20:20,687
* HE MUST HAVE BEEN
IN A BEAUTIFUL MOOD *
361
00:20:22,088 --> 00:20:26,759
* TO SHOW THE WORLD
WHAT A WOMAN COULD BE *
362
00:20:26,826 --> 00:20:29,962
* WHEN HE CREATED
A WOMAN LIKE YOU *
363
00:20:30,029 --> 00:20:31,598
[girls screaming]
364
00:20:31,664 --> 00:20:35,935
* HE MADE THE SUNSHINE
RIGHT OUT OF YOUR EYES *
365
00:20:36,002 --> 00:20:41,474
* AND HE MADE THE MOONGLOW
ALL OVER YOUR HAIR *
366
00:20:41,541 --> 00:20:45,945
* HE PUT A SOFT SUMMER
BREEZE IN YOUR SIGHS *
367
00:20:46,012 --> 00:20:50,317
* SO YOU COULD BREATHE SUMMER
INTO THE AIR *
368
00:20:50,383 --> 00:20:52,084
NO. NO, NO,
NO, NO, NO.
369
00:20:52,151 --> 00:20:54,020
WHY NOT?
370
00:20:54,086 --> 00:20:56,022
I'M NOT OBLIGED TO
GIVE YOU ANY REASONS,
BUT I'LL GIVE YOU 2 ANYWAY.
371
00:20:56,088 --> 00:20:57,757
HIM AND HER.
372
00:20:57,824 --> 00:20:59,559
DON'T HAVE TO STAND
FOR THIS, DO WE, PADDY?
373
00:20:59,626 --> 00:21:01,628
OH, PADDY'S HER NAME.
WELL, THAT'S REASON NUMBER 3.
374
00:21:01,694 --> 00:21:03,162
DID YOU EVER
RIDE A MAN, LUKIE?
375
00:21:03,229 --> 00:21:04,631
NO, BUT I RODE
A MAN THAT DID.
376
00:21:04,697 --> 00:21:05,832
[all laughing]
377
00:21:05,898 --> 00:21:07,434
(Irwin)
FUCK YOU.
378
00:21:07,500 --> 00:21:08,568
EVENING.
379
00:21:08,635 --> 00:21:09,636
HOW YOU DOING?
380
00:21:11,170 --> 00:21:12,905
MIKEY, GO GET THE LADS.
381
00:21:16,142 --> 00:21:18,177
(bouncer)
I'M WARNING YOU,
GET OUT OF HERE!
382
00:21:18,244 --> 00:21:21,013
* WITH AN ANGEL AT HIS SIDE
383
00:21:22,582 --> 00:21:24,050
FUCK THEM
AND THEIR ROB STRONG.
384
00:21:24,116 --> 00:21:25,685
WE'LL GO TO THE GLEN.
385
00:21:25,752 --> 00:21:27,787
[motorbike engines revving]
386
00:21:30,590 --> 00:21:33,225
EXCUSE ME.
CAN WE HAVE A LIFT?
387
00:21:35,695 --> 00:21:36,796
[engine starting]
388
00:21:36,863 --> 00:21:37,964
GET ON.
389
00:21:38,665 --> 00:21:40,367
MOVING OUT.
390
00:21:40,433 --> 00:21:42,001
[Patrick squeals]
391
00:21:42,068 --> 00:21:46,305
* D'YOU KNOW WHAT
THEY HAD FORGOTTEN TO DO *
392
00:21:46,373 --> 00:21:51,378
* UP THERE WHERE THEY MADE
ALL THOSE HEAVENLY THINGS *
393
00:21:51,444 --> 00:21:56,182
* THEY MADE AN ANGEL
AS LOVELY AS YOU *
394
00:21:56,248 --> 00:22:00,487
* BUT THEY'D FORGOTTEN
TO FIT YOU WITH WINGS *
395
00:22:02,522 --> 00:22:06,158
(biker #1)
DRUIDS, MAN.
WE'RE LIKE THE BORDER KNIGHTS.
396
00:22:06,225 --> 00:22:08,795
KNEW ALL ABOUT
THE SPACE-TIME CONTINUUM.
397
00:22:11,097 --> 00:22:13,733
NO, LAWRENCE!
NO. EXCU--EXCUSE ME, PLEASE.
398
00:22:13,800 --> 00:22:15,468
OPEN HIS EYES.
399
00:22:15,535 --> 00:22:17,437
WHAT DO YOU SEE, BRO?
SAUSAGES.
400
00:22:18,371 --> 00:22:19,972
NO STARS?
401
00:22:20,039 --> 00:22:21,841
STARS AND SAUSAGES.
402
00:22:21,908 --> 00:22:23,576
[bikers laughing]
403
00:22:25,211 --> 00:22:26,979
(biker #1)
NOW YOU'RE TALKING.
404
00:22:27,046 --> 00:22:29,181
GOTTA GET
BEHIND THE SURFACE.
405
00:22:29,248 --> 00:22:31,718
YES, SURFACE.
406
00:22:31,784 --> 00:22:35,988
I SEE 4 GREEN FIELDS,
BRITS IN ONE OF THEM.
407
00:22:37,590 --> 00:22:38,758
NOT FOR FUCKING LONG.
408
00:22:38,825 --> 00:22:40,627
HEY, NO POLITICS, MAN.
409
00:22:40,693 --> 00:22:42,929
BORDER KNIGHTS
DON'T ALLOW THEM.
410
00:22:42,995 --> 00:22:45,798
JAMS THE ASTRAL HIGHWAY.
411
00:22:45,865 --> 00:22:49,335
SO WHY DO YOU CALL YOURSELVES
THE BORDER KNIGHTS?
412
00:22:49,402 --> 00:22:52,204
BECAUSE THE ONLY
BORDER THAT MATTERS
413
00:22:52,271 --> 00:22:55,508
IS THE ONE BETWEEN
WHAT'S IN FRONT
414
00:22:56,375 --> 00:22:58,911
AND WHAT
YOU'VE LEFT BEHIND.
415
00:22:58,978 --> 00:23:01,681
WHEN I RIDE MY HOG,
YOU THINK I'M RIDING
THE ROAD?
416
00:23:01,748 --> 00:23:03,783
NO WAY, MAN.
417
00:23:03,850 --> 00:23:07,186
I'M TRAVELING FROM
THE PAST INTO THE FUTURE
WITH A DRUID AT MY BACK.
418
00:23:09,556 --> 00:23:10,990
DRUID MAN OR DRUID WOMAN?
419
00:23:11,057 --> 00:23:12,391
THAT DOESN'T MATTER.
420
00:23:15,462 --> 00:23:17,296
WHAT MATTERS IS THE JOURNEY.
421
00:23:20,232 --> 00:23:21,801
YOU KNOW WHERE
IT GOES, BABY?
422
00:23:21,868 --> 00:23:23,035
WHERE?
423
00:23:24,336 --> 00:23:28,007
* WE'LL VISIT THE STARS
AND JOURNEY TO MARS *
424
00:23:29,041 --> 00:23:30,810
* FINDING OUR BREAKFAST
425
00:23:32,078 --> 00:23:33,680
* ON PLUTO *
426
00:23:34,647 --> 00:23:36,015
PLUTO?
427
00:23:36,449 --> 00:23:37,584
PLUTO.
428
00:23:37,650 --> 00:23:39,285
[barking]
429
00:23:39,351 --> 00:23:43,490
NO, NOT PLUTO THE DOG.
PLUTO THE PLANET.
430
00:23:43,556 --> 00:23:44,991
[cackling]
431
00:23:45,057 --> 00:23:49,128
NAMED BY PERCIVAL LOWELL
AND WILLIAM H. PICKERING,
432
00:23:50,863 --> 00:23:53,365
AFTER THE INVISIBLE
KING OF THE UNDERWORLD.
433
00:23:57,737 --> 00:23:59,205
*[Me And My Arrow playing]
434
00:23:59,271 --> 00:24:01,007
* STRAIGHTER THAN NARROW
435
00:24:01,073 --> 00:24:02,842
YOU THINK ABOUT THAT.
436
00:24:03,710 --> 00:24:05,044
[barking]
437
00:24:05,111 --> 00:24:07,213
[all laughing]
438
00:24:07,279 --> 00:24:09,749
* EVERYONE KNOWS
439
00:24:09,816 --> 00:24:11,851
* IT'S ME AND MY ARROW
440
00:24:11,918 --> 00:24:13,352
OH, KISS ME,
JOSEPH.
441
00:24:13,419 --> 00:24:15,321
KISS ME,
JOSEPH HANRATTY.
442
00:24:15,387 --> 00:24:17,356
I'LL BEAT YOUR FUCKING...
443
00:24:17,423 --> 00:24:19,726
* ME AND MY ARROW
444
00:24:19,792 --> 00:24:22,629
* TAKING THE HIGH ROAD
445
00:24:24,931 --> 00:24:26,666
(Dean)
NOW, BOYS AND GIRLS,
446
00:24:26,733 --> 00:24:31,337
A RETREAT IS TIME FOR
PRAYER AND REFLECTION.
447
00:24:31,403 --> 00:24:34,707
SOME OF YOU MAY
HAVE ALREADY NOTICED
THAT YOUR BODIES ARE
448
00:24:35,474 --> 00:24:37,577
GOING THROUGH SOME CHANGES
449
00:24:37,644 --> 00:24:41,147
AND I WOULD LIKE
YOU TO FEEL FREE
TO APPROACH US
450
00:24:41,213 --> 00:24:43,883
ABOUT ANY PROBLEM
THAT CONCERNS YOU.
451
00:24:43,950 --> 00:24:48,320
SO, I WILL LEAVE
THIS PROBLEM BOX
452
00:24:48,387 --> 00:24:51,190
HERE BY THE ALTAR RAILS.
453
00:24:51,257 --> 00:24:54,460
NO PROBLEM
SHOULD BE PRECLUDED.
454
00:24:54,527 --> 00:24:57,830
AFTER ALL,
THAT IS WHY WE ARE HERE.
455
00:24:57,897 --> 00:24:59,265
* ME AND MY ARROW
456
00:24:59,331 --> 00:25:02,068
NOW, DOES EVERYONE REMEMBER
LAST WEEK
WE WERE TALKING ABOUT...
457
00:25:02,134 --> 00:25:05,404
* STRAIGHTER THAN NARROW
458
00:25:07,173 --> 00:25:10,910
* WHEREVER WE GO *
459
00:25:10,977 --> 00:25:13,713
YOU'LL NOT BRING MY
RETREAT INTO DISREPUTE,
DO YOU HEAR ME?
460
00:25:13,780 --> 00:25:16,482
HOW DARE IT.
HOW DARE YOU, YOU PUP YOU...
461
00:25:16,549 --> 00:25:17,650
SIR, YOU'RE HURTING ME.
462
00:25:22,188 --> 00:25:24,023
WHAT DID YOU WRITE
ON THE PAPER, PATRICK?
463
00:25:24,090 --> 00:25:25,491
NOTHING.
464
00:25:25,558 --> 00:25:27,126
NOTHING.
465
00:25:27,193 --> 00:25:29,929
JUST, DID HE KNOW ANY PLACE
THAT DOES A GOOD SEX CHANGE?
466
00:25:39,105 --> 00:25:40,640
[church bells tolling]
467
00:25:47,914 --> 00:25:49,115
[door slamming]
468
00:25:49,181 --> 00:25:50,883
DISGRACED!
469
00:25:50,950 --> 00:25:53,786
DISGRACED IN FRONT
OF THE WHOLE TOWN,
SO WE ARE! OH, JESUS!
470
00:25:53,853 --> 00:25:55,387
(Caroline)
HOW COULD YOU DO IT, PADDY?
471
00:25:55,454 --> 00:25:57,056
MAMMY HAS A BAD HEART!
472
00:25:57,123 --> 00:25:58,457
AND NOW YOU'VE BROKEN IT.
473
00:25:58,524 --> 00:25:59,792
(Ma Braden)
OH, GOD, OH, GOD!
474
00:25:59,859 --> 00:26:02,528
OH, JESUS CHRIST. MY ARM!
475
00:26:02,595 --> 00:26:04,196
SHE'S NOT MY MAMMY.
476
00:26:04,263 --> 00:26:05,865
WHAT DID YOU SAY?
477
00:26:05,932 --> 00:26:07,333
I'M SORRY, CAZ.
478
00:26:07,399 --> 00:26:09,468
SORRY, MAMMY,
WHEREVER YOU ARE.
479
00:26:09,535 --> 00:26:11,771
OH, STOP IT,
PATRICK, PLEASE!
480
00:26:11,838 --> 00:26:14,240
WHY WON'T YOU STOP IT
AND LET US GET ON
WITH OUR LIVES?
481
00:26:14,306 --> 00:26:17,243
I'M SORRY, CAZ.
I NEVER MEANT TO HURT YOU.
482
00:26:17,309 --> 00:26:18,945
AFTER ALL, WE'VE
BOTH BEEN THROUGH THIS--
483
00:26:19,011 --> 00:26:20,346
GET AWAY!
484
00:26:20,412 --> 00:26:23,382
GET YOUR HANDS OFF ME,
YOU CREATURE!
485
00:26:23,449 --> 00:26:27,286
OH, FIGGLY BOOGLES.
WHAT'S THE POINT?
486
00:26:27,353 --> 00:26:30,422
THAT'S IT,
I'VE TRIED MY BEST. I'M OFF.
487
00:26:30,489 --> 00:26:32,058
*[You're Breakin'
My Heart playing]
488
00:26:32,124 --> 00:26:35,394
* YOU'RE BREAKIN' MY HEART,
YOU'RE TEARIN' IT APART *
489
00:26:35,461 --> 00:26:37,529
* SO FUCK YOU
490
00:26:40,700 --> 00:26:44,771
* ALL I WANT TO DO
IS HAVE A GOOD TIME *
491
00:26:44,837 --> 00:26:46,906
ARE YOU GOING TO SCOTSFIELD,
BY ANY CHANCE?
492
00:26:46,973 --> 00:26:49,508
WE'D BETTER BE.
WE'RE PLAYING THERE TONIGHT.
GET IN THE BACK.
493
00:26:49,575 --> 00:26:54,213
* YOU WANNA BOOGALOO,
RUN DOWN TO TRAMPS *
494
00:26:54,280 --> 00:26:55,882
* HAVE A DANCE OR TWO
495
00:26:55,948 --> 00:26:57,650
HELLO.
496
00:26:57,717 --> 00:27:01,387
* YOU'RE BREAKIN' MY HEART,
YOU'RE TEARIN' IT APART *
497
00:27:01,453 --> 00:27:03,022
* BUT FUCK YOU
498
00:27:06,258 --> 00:27:10,196
* YOU'RE BREAKIN' MY HEART,
YOU'RE TEARIN' IT APART *
499
00:27:10,262 --> 00:27:11,898
* OOH, OOH *
500
00:27:11,964 --> 00:27:14,667
(Billy)
WHAT DO YOU THINK OF
THIS TROUBLE UP NORTH?
501
00:27:14,734 --> 00:27:16,368
OH, I THINK IT'S
AN ABSOLUTE TERROR.
502
00:27:16,435 --> 00:27:17,670
DO YOU THINK SO, YEAH?
503
00:27:17,737 --> 00:27:18,905
(Patrick)
OH, I DO IT.
504
00:27:18,971 --> 00:27:20,807
A TERROR TO THE
LIVING WORLD, SO IT IS.
505
00:27:20,873 --> 00:27:23,509
I DON'T THINK
YOU CARE EITHER WAY,
506
00:27:23,575 --> 00:27:25,411
MY GOOD-LOOKING
YOUNG FRIEND.
507
00:27:25,477 --> 00:27:27,279
NO, I KNOW HOW SERIOUS IT IS.
508
00:27:28,815 --> 00:27:31,417
THEY THINK THEY CAN
BREAK US, DON'T THEY?
509
00:27:31,483 --> 00:27:33,185
HANG PADDY
FROM THE CEILING.
510
00:27:33,252 --> 00:27:35,054
FUCK HIM
FROM A HELICOPTER.
511
00:27:35,121 --> 00:27:37,790
GIVE HIM A DOSE
OF WHITE NOISE.
512
00:27:37,857 --> 00:27:40,059
SHOVE ELECTRODES UP HIS ARSE.
513
00:27:40,126 --> 00:27:41,260
NOW, REALLY, MR.--
514
00:27:41,327 --> 00:27:45,197
HATCHETT.
THEY CALL ME BILLY HATCHETT.
515
00:27:45,264 --> 00:27:46,999
PLEASED TO MEET YOU,
MR. HATCHETT.
516
00:27:48,701 --> 00:27:51,470
YOU REALLY DON'T
KNOW WHO I AM, DO YOU?
517
00:27:51,537 --> 00:27:53,005
I HAVEN'T HAD
THE PLEASURE.
518
00:27:53,906 --> 00:27:55,374
DO YOU HEAR THAT, LADS?
519
00:27:55,441 --> 00:27:58,344
HE'S NEVER HEARD
OF BILLY HATCHETT
AND THE MOHAWKS.
520
00:27:58,410 --> 00:28:00,780
* WOOMBA, WOOMBA,
WOOMBA, WOOMBA *
521
00:28:00,847 --> 00:28:02,481
* WOOMBA, WOOMBA, WOOMBA
522
00:28:02,548 --> 00:28:06,919
* BY THE BANKS OF THE RIVER
523
00:28:06,986 --> 00:28:11,490
* LIVED A SWEET INDIAN MAID
524
00:28:11,557 --> 00:28:15,394
* RUNNING BEAR,
LITTLE WHITE DOVE *
525
00:28:15,461 --> 00:28:17,196
[all ululating]
526
00:28:26,572 --> 00:28:30,076
* HIAWATHA DIDN'T
BOTHER TOO MUCH *
527
00:28:30,142 --> 00:28:34,513
* ABOUT MINNIE HA-HA
AND HER TENDER TOUCH *
528
00:28:34,580 --> 00:28:38,184
* TILL SHE TOOK HIM
TO THE SILVER STREAM *
529
00:28:38,250 --> 00:28:41,988
* THEN SHE WHISPERED WORDS
LIKE HE HAD NEVER HEARD *
530
00:28:42,054 --> 00:28:45,992
* THAT MADE HIM ALL
SHIVER INSIDE WHEN SHE SAID *
531
00:28:46,058 --> 00:28:49,728
* WIG-WAM BAM,
GONNA MAKE YOU MY MAN *
532
00:28:49,796 --> 00:28:53,732
* WAM BAM BAM,
GONNA GET YOU IF I CAN *
533
00:28:53,800 --> 00:28:57,336
* WIG-WAM BAM,
GONNA MAKE YOU UNDERSTAND *
534
00:28:57,403 --> 00:29:01,207
* TRY A LITTLE TOUCH,
TRY A LITTLE TOO MUCH *
535
00:29:01,273 --> 00:29:04,143
* JUST TRY
A LITTLE WIG-WAM BAM *
536
00:29:06,478 --> 00:29:10,116
* RUNNING BEAR
NEVER CARED ENOUGH *
537
00:29:10,182 --> 00:29:14,120
* ABOUT LITTLE WHITE DOVE
AND HER TENDER LOVE *
538
00:29:14,186 --> 00:29:17,323
* TILL SHE TOOK HIM
TO THE SILVER STREAM *
539
00:29:18,324 --> 00:29:19,859
* SHE TOLD HIM ALL ABOUT
540
00:29:19,926 --> 00:29:22,094
* WHAT HE COULDN'T
LIVE WITHOUT *
541
00:29:22,161 --> 00:29:26,065
* AND MADE HIM ALL WEAK
INSIDE WHEN SHE SAID *
542
00:29:26,132 --> 00:29:29,735
* WIG-WAM BAM,
GONNA MAKE YOU MY MAN *
543
00:29:29,802 --> 00:29:33,739
* WAM BAM BAM,
GONNA GET YOU IF I CAN *
544
00:29:33,806 --> 00:29:37,376
* WIG-WAM BAM,
GONNA MAKE YOU UNDERSTAND *
545
00:29:37,443 --> 00:29:40,880
* TRY A LITTLE TOUCH,
TRY A LITTLE TOO MUCH *
546
00:29:40,947 --> 00:29:43,850
* JUST TRY
A LITTLE WIG-WAM BAM *
547
00:29:46,986 --> 00:29:49,721
(Billy)
SO, HAVE YOU SOMEWHERE
TO STAY TONIGHT, PADDY?
548
00:29:50,756 --> 00:29:53,192
OR SHOULD I CALL YOU PATRICK?
549
00:29:55,227 --> 00:29:57,596
(Patrick)
YOU CAN CALL ME
KITTEN, DARLING.
550
00:29:57,663 --> 00:29:58,697
KITTEN?
551
00:29:58,764 --> 00:30:00,166
MMM-HMM.
552
00:30:00,232 --> 00:30:02,201
AFTER SAINT CETTIN.
553
00:30:02,268 --> 00:30:05,571
HE OR SHE WAS AN ACOLYTE
OF PATRICK, SAINT PATRICK.
554
00:30:06,638 --> 00:30:08,807
SO YOU HAVE SOMEWHERE
TO STAY, THEN?
555
00:30:10,342 --> 00:30:13,479
MAMMY THREW ME OUT,
I'M AFRAID.
556
00:30:13,545 --> 00:30:16,782
WELL, I COULD ALWAYS,
UH, PUT YOU UP IN THE VAN.
557
00:30:16,849 --> 00:30:18,350
IT'S NOT MUCH, BUT I COULD.
558
00:30:19,285 --> 00:30:20,752
MR. HATCHETT!
559
00:30:25,858 --> 00:30:27,326
THANK YOU.
560
00:30:30,997 --> 00:30:33,265
YOU'RE WELCOME, KITTEN.
561
00:30:33,332 --> 00:30:34,566
*[Honey
by Bobby Goldsboro playing]
562
00:30:34,633 --> 00:30:37,436
* AND, HONEY, I MISS YOU
563
00:30:37,503 --> 00:30:39,638
I'LL BE OFF TO THE HOTEL,
THEN, KITTEN.
564
00:30:39,705 --> 00:30:41,240
[Patrick mewing]
565
00:30:42,875 --> 00:30:44,076
I'D STAY THE NIGHT.
566
00:30:44,143 --> 00:30:46,212
I'D STAY THE NIGHT,
BUT THE BOYS...
567
00:30:46,278 --> 00:30:48,547
THE BOYS MIGHT
GET THE WRONG IDEA.
568
00:30:48,614 --> 00:30:51,217
NO, I'VE GOTTA GO.
I'VE GOTTA GO.
569
00:30:51,283 --> 00:30:53,152
OH, PLEASE DON'T GO JUST YET.
570
00:30:53,219 --> 00:30:56,622
OH, KITTEN.
I GOTTA GO. I REALLY HAVE.
571
00:30:56,688 --> 00:30:58,190
* SHE WAS SAD
572
00:30:58,257 --> 00:31:00,126
* AND SO AFRAID
THAT I'D BE MAD *
573
00:31:00,192 --> 00:31:02,494
BILLY! BILLY, BILLY.
574
00:31:05,631 --> 00:31:08,300
* THOUGH I PRETENDED
HARD TO BE *
575
00:31:08,367 --> 00:31:10,069
IT'S BOBBY GOLDSBORO.
576
00:31:10,136 --> 00:31:12,204
* GUESS YOU COULD SAY
SHE SAW THROUGH ME *
577
00:31:12,271 --> 00:31:14,806
USED TO HELP ME
GET TO SLEEP.
578
00:31:14,873 --> 00:31:19,845
HIS WIFE DIES.
YOU SEE, SHE DIES
WHEN HE'S AWAY FROM HOME.
579
00:31:21,347 --> 00:31:24,616
OH, KITTEN,
I'VE GOTTA GO NOW.
580
00:31:24,683 --> 00:31:26,518
BILLY.
I REALLY HAVE.
581
00:31:26,585 --> 00:31:29,121
AND IT WAS IN
THE EARLY SPRING *
582
00:31:29,188 --> 00:31:31,090
IF YOU WERE
AWAY WITH THE BAND
583
00:31:31,157 --> 00:31:33,225
* WHEN FLOWERS
BLOOM AND ROBINS SING,
SHE WENT AWAY *
584
00:31:33,292 --> 00:31:37,496
AND YOU CAME HOME
AND YOU FOUND ME LYING THERE,
585
00:31:39,031 --> 00:31:40,899
LIKE BOBBY'S WIFE...
586
00:31:40,967 --> 00:31:43,702
* AND I'M BEING GOOD
587
00:31:44,570 --> 00:31:45,837
WHAT ABOUT IT?
588
00:31:45,904 --> 00:31:48,007
* AND I'D LOVE
TO BE WITH YOU *
589
00:31:48,074 --> 00:31:49,875
WHAT?
WOULD YOU TAKE ME
TO THE HOSPITAL?
590
00:31:49,942 --> 00:31:52,144
OH, OF COURSE I WOULD.
591
00:31:52,211 --> 00:31:53,479
OF COURSE I WOULD, KITTEN.
592
00:31:53,545 --> 00:31:57,049
OH, I WISH
THAT COULD HAPPEN.
593
00:31:57,116 --> 00:31:58,617
(Running Bear)
I'VE SEEN IT ALL NOW.
594
00:31:58,684 --> 00:32:00,987
I TELL YOU,
I'VE FUCKING WELL
SEEN IT ALL NOW.
595
00:32:01,053 --> 00:32:02,821
WHERE THE FUCK
DO YOU THINK
HE DISAPPEARED TO
596
00:32:02,888 --> 00:32:04,590
WHEN WE WERE
IN SAN FRANCISCO?
597
00:32:05,324 --> 00:32:07,493
I'D EVEN BRING YOU FLOWERS.
598
00:32:07,559 --> 00:32:10,396
* NOW ALL I HAVE IS MEMORIES
599
00:32:10,462 --> 00:32:12,198
ROSES?
600
00:32:12,264 --> 00:32:13,565
ROSES.
601
00:32:15,534 --> 00:32:17,369
OH, BILLY.
602
00:32:18,570 --> 00:32:19,972
OH, KITTEN.
603
00:32:20,039 --> 00:32:21,373
BILLY.
604
00:32:21,440 --> 00:32:23,475
* WHERE HONEY LIVED
AND HONEY PLAYED *
605
00:32:23,542 --> 00:32:26,378
* AND LOVE GREW UP *
606
00:32:26,445 --> 00:32:29,381
FOR I ASK YOU,
BILLY BOBBY, NICEST MAN,
607
00:32:29,448 --> 00:32:31,883
WHAT'S AN INDIAN
BAND WITHOUT A SQUAW?
608
00:32:34,020 --> 00:32:35,787
"A SQUAW?"
609
00:32:35,854 --> 00:32:37,356
[people chattering]
610
00:32:39,591 --> 00:32:44,230
* YOUNG WOMAN
SHARE YOUR FIRE WITH ME *
611
00:32:47,266 --> 00:32:51,970
* MY HEART IS COLD,
MY SOUL IS FREE *
612
00:32:54,906 --> 00:32:58,944
* I AM A STRANGER
IN YOUR LAND *
613
00:32:59,011 --> 00:33:03,415
* A WANDERING MAN,
CALL ME SAND *
614
00:33:06,152 --> 00:33:10,889
* OH SIR MY FIRE
IS VERY SMALL *
615
00:33:13,792 --> 00:33:17,796
* IT WILL NOT WARM
THY HEART AT ALL *
616
00:33:17,863 --> 00:33:19,098
[man cheering]
617
00:33:21,433 --> 00:33:25,537
* BUT THEE MAY
TAKE ME BY THE HAND *
618
00:33:25,604 --> 00:33:29,775
* HOLD ME AND
I'LL CALL THEE SAND *
619
00:33:32,811 --> 00:33:37,316
* YOUNG WOMAN
SHARE YOUR FIRE WITH ME *
620
00:33:40,486 --> 00:33:45,291
* MY HEART IS COLD,
MY SOUL IS FREE *
621
00:33:46,258 --> 00:33:47,993
[brakes squealing]
622
00:33:48,060 --> 00:33:52,298
* I AM A STRANGER
IN YOUR LAND *
623
00:33:52,364 --> 00:33:56,402
* A WANDERING MAN,
CALL ME SAND *
624
00:33:57,369 --> 00:33:58,737
NAME, PLEASE?
625
00:33:58,804 --> 00:34:01,340
PADDY KITTEN.
WHAT'S YOURS, DARLING?
626
00:34:01,407 --> 00:34:03,509
I COULD TELL YOU
WERE A PADDY ALL RIGHT.
627
00:34:11,617 --> 00:34:13,352
WHAT ABOUT GERONIMO?
628
00:34:13,419 --> 00:34:15,887
WHAT WOULD I KNOW?
I'M JUST A MICK.
629
00:34:15,954 --> 00:34:17,523
13 OF YOUR LOT
SHOT IN DERRY.
630
00:34:17,589 --> 00:34:19,458
WHAT DO YOU
KNOW ABOUT THAT?
631
00:34:19,525 --> 00:34:22,294
MAYBE YOU'D KNOW ABOUT
13 LESS TO DEAL WITH.
632
00:34:23,462 --> 00:34:25,131
FUCK OFF, MATE.
633
00:34:29,535 --> 00:34:30,902
(Billy)
FUCK OFF.
634
00:34:36,808 --> 00:34:41,447
* OH, SIR, MY FIRE
IS BURNING HIGH *
635
00:34:44,383 --> 00:34:48,720
* IF IT SHOULD STOP,
SIR, I WOULD DIE *
636
00:34:51,957 --> 00:34:56,195
* A SHOOTING STAR
HAS CROSSED MY LAND *
637
00:34:56,262 --> 00:34:58,497
* WANDERING MAN
638
00:34:58,564 --> 00:35:00,065
[men yelling]
639
00:35:00,999 --> 00:35:03,202
(Billy)
* SAND
640
00:35:03,269 --> 00:35:06,405
GET OFF THE FUCKING STAGE,
YOU STUPID BITCH.
641
00:35:06,472 --> 00:35:08,307
[crowd protesting]
642
00:35:11,143 --> 00:35:16,548
* NOW WARMS HERSELF
WITH MEMORY *
643
00:35:16,615 --> 00:35:21,153
(Billy)
PATRICK, I, I--I DON'T KNOW
HOW TO SAY THIS TO YOU.
644
00:35:21,220 --> 00:35:24,223
IT'S--IT'S THE BOYS,
THE BOYS IN THE BAND.
645
00:35:24,290 --> 00:35:26,925
THEY FEEL A SQUAW
JUST ISN'T WORKING OUT.
646
00:35:26,992 --> 00:35:28,360
[Patrick whimpers]
647
00:35:28,427 --> 00:35:30,262
(Patrick)
IT COULD BE
THEY HAVE A POINT.
648
00:35:30,329 --> 00:35:32,898
THEY SAY IT
DOESN'T FEEL RIGHT.
649
00:35:32,964 --> 00:35:35,534
I DON'T KNOW,
THEY'VE BEEN
WITH ME SO LONG AND...
650
00:35:36,402 --> 00:35:38,870
[sighing]
I'M SORRY.
651
00:35:38,937 --> 00:35:40,172
BUT I HAVE
A LITTLE PROPOSAL.
652
00:35:40,239 --> 00:35:41,273
[gasping]
653
00:35:41,340 --> 00:35:42,708
A RING, PERHAPS?
654
00:35:42,774 --> 00:35:44,075
OH, PATRICK, PATRICK...
655
00:35:44,142 --> 00:35:45,411
SHH.
656
00:35:45,477 --> 00:35:46,645
SHH.
657
00:35:46,712 --> 00:35:48,780
I TOLD YOU NOT
TO CALL ME THAT.
658
00:35:49,815 --> 00:35:52,518
I'M SORRY, KITTEN.
659
00:35:52,584 --> 00:35:55,687
*[Me and Mrs. Jones playing]
660
00:35:55,754 --> 00:36:01,092
BOBBY BILLY,
WOULD YOU BRING
ME SWEETIES, TOO?
661
00:36:01,159 --> 00:36:03,262
YOU KNOW I WOULD.
662
00:36:03,329 --> 00:36:04,596
(Patrick)
WHAT KIND
WOULD THEY BE?
663
00:36:04,663 --> 00:36:06,097
OH, FOR THE LOVE OF JESUS.
664
00:36:06,164 --> 00:36:08,267
(Patrick)
NO. NO, QUALITY STREET.
665
00:36:08,334 --> 00:36:09,835
(Billy)
QUALITY STREET?
666
00:36:11,770 --> 00:36:16,041
* ME AND MRS. JONES
667
00:36:19,445 --> 00:36:23,215
* WE GOT A THING
668
00:36:23,282 --> 00:36:25,684
* GOIN' ON
669
00:36:28,287 --> 00:36:29,555
IT WAS MY MOTHER'S.
670
00:36:29,621 --> 00:36:31,657
SHE LEFT IT TO ME
IN HER WILL.
671
00:36:31,723 --> 00:36:35,461
NOBODY STAYS HERE,
AND I--I NEED SOMEBODY
TO LOOK AFTER IT, KITTEN.
672
00:36:35,527 --> 00:36:36,895
WHAT DO YOU RECKON?
673
00:36:36,962 --> 00:36:39,498
HOUSE OF DREAMS AND LONGING.
674
00:36:39,565 --> 00:36:43,702
I WOULDN'T EXACTLY
CALL IT A HOUSE,
BUT TELL US WHAT YOU THINK.
675
00:36:46,204 --> 00:36:48,840
* WE MEET EVERY DAY
676
00:36:48,907 --> 00:36:51,042
* AT THE SAME CAFE
677
00:36:51,109 --> 00:36:52,711
OH, TO HAVE A LITTLE HOUSE.
678
00:36:52,778 --> 00:36:56,047
TO OWN THE HEARTH,
STOOL AND ALL.
679
00:36:56,114 --> 00:37:00,151
SO, KITTEN, CAN I
COME AND VISIT YOU
EVERY NOW AND AGAIN?
680
00:37:00,218 --> 00:37:04,690
OF COURSE YOU CAN,
YOU GREAT, BIG, SILLY
BOBBY GOLDSBORO.
681
00:37:04,756 --> 00:37:06,858
YOU DON'T EVEN
HAVE TO ASK.
682
00:37:06,925 --> 00:37:11,663
* WHILE THE JUKEBOX PLAYS
OUR FAVORITE SONGS *
683
00:37:11,730 --> 00:37:16,001
* ME AND MRS.
684
00:37:16,067 --> 00:37:18,203
* MRS. JONES
685
00:37:18,270 --> 00:37:21,707
* MRS. JONES,
MRS. JONES, MRS. JONES *
686
00:37:23,442 --> 00:37:27,078
* WE GOT A THING
687
00:37:27,145 --> 00:37:30,181
* GOIN' ON
688
00:37:35,354 --> 00:37:38,156
* WE BOTH KNOW
THAT IT'S WRONG *
689
00:37:39,124 --> 00:37:41,893
* BUT IT'S MUCH TOO STRONG
690
00:37:41,960 --> 00:37:45,997
* TO LET IT GO NOW
691
00:37:46,064 --> 00:37:49,267
WELL, GOODNESS GRACIOUS,
ICKY-OAKIE ME.
692
00:37:50,702 --> 00:37:55,574
* WE GOTTA BE EXTRA CAREFUL
693
00:37:57,309 --> 00:38:02,247
* THAT DO WE DON'T BUILD
OUR HOPES UP TOO HIGH *
694
00:38:04,983 --> 00:38:07,319
* BECAUSE SHE'S GOT
695
00:38:07,386 --> 00:38:11,390
* HER OWN OBLIGATIONS
696
00:38:11,457 --> 00:38:15,126
* AND SO, AND SO, DO I
697
00:38:15,193 --> 00:38:16,462
WHAT?
698
00:38:16,528 --> 00:38:17,896
WHAT'S WITH DIANA ROSS?
699
00:38:17,963 --> 00:38:19,598
LEAVE HIM BE,
HE KNOWS NOTHING.
700
00:38:19,665 --> 00:38:20,766
KEEP IT THAT WAY.
701
00:38:20,832 --> 00:38:22,868
NO PROBLEM.
702
00:38:22,934 --> 00:38:26,805
* MRS. JONES,
MRS. JONES, MRS. JONES *
703
00:38:26,872 --> 00:38:27,906
[car door slamming]
704
00:38:27,973 --> 00:38:29,207
[car engine starting]
705
00:38:29,274 --> 00:38:32,277
* WE GOT A THING GOIN' ON *
706
00:38:32,344 --> 00:38:33,812
* CAPTAIN HEELEY WENT AWAY
707
00:38:33,879 --> 00:38:35,681
* AND HIS WIFE
GOT IN THE FAMILY WAY *
708
00:38:35,747 --> 00:38:37,449
* AND THE ONLY WORDS
THAT SHE WOULD SAY WAS *
709
00:38:37,516 --> 00:38:40,085
* "BLAME THE BRITISH ARMY"
710
00:38:40,151 --> 00:38:41,887
* TOO RA LOO RA
LOO RA LOO *
711
00:38:41,953 --> 00:38:43,689
* I'VE MADE ME MIND UP
WHAT TO DO *
712
00:38:43,755 --> 00:38:45,457
* I'LL WORK
MY TICKET HOME TO YOU *
713
00:38:45,524 --> 00:38:48,627
* AND FUCK THE BRITISH ARMY *
714
00:38:48,694 --> 00:38:52,564
IF I VOLUNTEER, IRWIN,
COULD I HAVE PINK GLASSES,
PLEASE?
715
00:38:52,631 --> 00:38:55,266
CAN'T YOU TAKE
ANYTHING SERIOUS?
716
00:38:55,333 --> 00:38:58,136
OH, SERIOUS,
SERIOUS, SERIOUS.
717
00:38:58,203 --> 00:39:00,238
YOU MIGHT HAVE TO
SOON ENOUGH.
718
00:39:01,707 --> 00:39:03,609
SO FUCKING WHAT, CHARLIE?
719
00:39:03,675 --> 00:39:06,177
I SELL REPUBLICAN NEWS.
A FEW FUCKING PAPERS,
BIG DEAL.
720
00:39:06,244 --> 00:39:07,679
WHAT ARE YOU,
MY FUCKING WIFE?
721
00:39:07,746 --> 00:39:08,914
DON'T YOU LIE TO ME, IRWIN.
722
00:39:08,980 --> 00:39:10,516
I DON'T BELIEVE YOUR STORIES.
723
00:39:10,582 --> 00:39:12,951
I'M INVOLVED IN NOTHING!
I SELL THEIR PAPER,
724
00:39:13,018 --> 00:39:14,720
FOR ALL THE DIFFERENCE
IT MAKES IN THIS KIP.
725
00:39:14,786 --> 00:39:16,488
NOBODY GIVES A FUCK!
726
00:39:16,555 --> 00:39:17,789
SOON ENOUGH
THEY FUCKING WILL.
727
00:39:17,856 --> 00:39:19,157
IF I FIND OUT
YOU'RE LYING TO ME,
728
00:39:19,224 --> 00:39:20,492
I'LL FINISH
WITH YOU, I SWEAR!
729
00:39:20,559 --> 00:39:22,761
YEAH, WELL, FINISH IT WITH ME,
SEE IF I FUCKING CARE!
730
00:39:22,828 --> 00:39:24,396
[police siren wailing]
731
00:39:31,403 --> 00:39:32,904
(officer #1)
COME ON, MOVE OFF THE ROAD.
732
00:39:32,971 --> 00:39:34,440
THERE'S A VEHICLE
COMING THROUGH.
733
00:39:34,506 --> 00:39:36,207
GET BACK.
IT'S FOR YOUR OWN SAFETY.
734
00:39:36,274 --> 00:39:38,076
[horns honking]
735
00:39:38,143 --> 00:39:39,711
[sirens wailing]
736
00:39:41,547 --> 00:39:43,782
(officer #2)
GET THESE PEOPLE
OFF THE STREET!
737
00:39:43,849 --> 00:39:47,252
I WANT EVERYONE TO MOVE AWAY
FROM THE RED VAN!
738
00:39:47,318 --> 00:39:49,721
COME ON, FOLKS.
STAND BACK, PLEASE. MOVE!
739
00:39:49,788 --> 00:39:52,691
(guard)
BRING IT DOWN CAREFUL NOW.
YEAH, GENTLY.
740
00:39:52,758 --> 00:39:54,493
PLEASE, MOVE BACK.
741
00:39:54,560 --> 00:39:56,628
MOVE BACK.
742
00:39:56,695 --> 00:39:57,996
(officer #2)
NOW LET THE ARMY GO TO WORK.
743
00:39:58,063 --> 00:39:59,631
GET BACK, NOW, GET BACK.
744
00:40:01,399 --> 00:40:02,668
(officer #1)
MOVE BACK
AND CLEAR THE AREA.
745
00:40:02,734 --> 00:40:04,002
THERE MAY BE
OTHER DEVICES.
746
00:40:04,069 --> 00:40:05,336
(officer #2)
YOU'RE TO GET AWAY NOW.
GET BACK, NOW.
747
00:40:05,403 --> 00:40:06,438
GET AWAY FROM THE STREET.
748
00:40:06,505 --> 00:40:07,839
GET OFF THE STREET NOW.
749
00:40:07,906 --> 00:40:09,374
(officer #1)
CLEAR THIS AREA
FOR YOUR OWN SAFETY.
750
00:40:09,441 --> 00:40:10,542
MOVE BACK.
751
00:40:10,609 --> 00:40:11,610
[Lawrence screams]
752
00:40:11,677 --> 00:40:13,078
IT'S A DALEK. EXTERMINATE.
753
00:40:13,144 --> 00:40:14,312
LAWRENCE!
754
00:40:14,379 --> 00:40:16,181
EXTERMINATE. EXTERMINATE.
755
00:40:16,247 --> 00:40:18,684
EXTERMINATE. EXTERMINATE.
756
00:40:18,750 --> 00:40:19,885
(Lawrence)
EXTERMINATE.
757
00:40:36,201 --> 00:40:37,603
[church bells tolling]
758
00:40:43,241 --> 00:40:44,710
[birds chirping]
759
00:40:49,280 --> 00:40:52,050
(Liam)
DUST THOU ART, AND UNTO
DUST THOU SHALT RETURN...
760
00:40:52,117 --> 00:40:53,284
[Mrs. Feely crying]
761
00:40:53,351 --> 00:40:55,420
UNTIL THE LORD RAISES
YOU UP ON THE LAST DAY.
762
00:40:55,487 --> 00:40:59,925
LET US PRAY FOR
OUR BROTHER LAWRENCE
TO OUR LORD JESUS CHRIST
763
00:40:59,991 --> 00:41:03,428
WHO SAID,
"I AM THE RESURRECTION,
AND THE LIFE.
764
00:41:03,495 --> 00:41:06,565
"THE MAN WHO BELIEVES IN ME
WILL LIVE EVEN IF HE DIES."
765
00:41:08,266 --> 00:41:12,003
OUR FATHER,
WHO ART IN HEAVEN,
HALLOWED BE THY NAME.
766
00:41:12,070 --> 00:41:13,739
THY KINGDOM COME
767
00:41:13,805 --> 00:41:16,775
THY WILL BE DONE ON EARTH,
AS IT IS IN HEAVEN.
768
00:41:16,842 --> 00:41:19,010
GIVE US THIS DAY
OUR DAILY BREAD...
769
00:41:49,941 --> 00:41:51,977
SERIOUS, SERIOUS.
770
00:41:52,043 --> 00:41:54,946
TIME FOR SOME
SERIOUS SPRING CLEANING.
771
00:41:58,349 --> 00:41:59,718
FUCK.
772
00:42:01,787 --> 00:42:03,088
DON'T YOU KNOW
WHAT THIS MEANS?
773
00:42:03,154 --> 00:42:05,791
DO--DO--DO YOU KNOW
WHAT THESE GUYS
ARE LIKE, PADDY?
774
00:42:05,857 --> 00:42:07,793
DON'T LET THIS COME
BETWEEN US, BILLY.
775
00:42:07,859 --> 00:42:09,628
SHUT UP!
776
00:42:09,695 --> 00:42:11,697
[breathing heavily]
777
00:42:11,763 --> 00:42:14,265
JESUS, WHAT THE FUCK
AM I GONNA DO?
778
00:42:15,934 --> 00:42:17,302
FUCKING JESUS!
779
00:42:17,368 --> 00:42:19,470
TELL THEM I WAS
SPRING CLEANING, DARLING.
780
00:42:19,537 --> 00:42:20,806
WHERE ARE THEY, PADDY?
781
00:42:20,872 --> 00:42:22,874
TELL ME, WHERE ARE THEY?
782
00:42:22,941 --> 00:42:25,210
NOW, WHAT IS THIS
YOU MEAN, MY DARLING?
783
00:42:25,276 --> 00:42:27,913
THE GUNS,
YOU LITTLE FUCKING WHORE,
WHERE ARE THEY?
784
00:42:27,979 --> 00:42:31,082
THE GUNS!
IT'S ALL TOO FUCKING SERIOUS!
DON'T GO FUCKING ME AROUND.
785
00:42:31,149 --> 00:42:33,885
OH, ALL OF A SUDDEN
EVERYBODY'S GETTING SERIOUS.
786
00:42:33,952 --> 00:42:35,787
SERIOUS, SERIOUS, SERIOUS.
787
00:42:35,854 --> 00:42:37,656
I'M NOT FUCKING JOKING,
PATRICK!
788
00:42:37,723 --> 00:42:38,890
WHERE ARE THEY?
789
00:42:38,957 --> 00:42:40,626
I TOLD YOU TO CALL ME KITTEN.
790
00:42:49,868 --> 00:42:51,737
DON'T FUCKING KNOW ME.
791
00:42:51,803 --> 00:42:53,538
YOU DON'T KNOW
WHERE I'VE GONE.
792
00:42:53,605 --> 00:42:57,475
AND IF THEY COME,
IF THEY FUCKING COME,
YOU TELL THEM NOTHING.
793
00:42:57,542 --> 00:42:58,610
I MEAN NOTHING.
794
00:42:58,677 --> 00:42:59,978
WHATEVER YOU SAY, DARLING.
795
00:43:00,045 --> 00:43:02,547
YOU'RE WAY OUT OF
YOUR LEAGUE, PATRICK.
796
00:43:02,614 --> 00:43:04,349
YOU DON'T KNOW WHAT
YOU'RE DEALING WITH.
797
00:43:04,415 --> 00:43:05,651
DON'T FUCKING KNOW.
798
00:43:05,717 --> 00:43:09,320
OH, I DO.
I KNOW, ALL RIGHT.
799
00:43:09,387 --> 00:43:12,290
I KNOW YOU WERE ONLY JOKING
ABOUT THE ROSES
800
00:43:12,357 --> 00:43:14,425
AND SWEETS, TOO, PROBABLY.
801
00:43:14,492 --> 00:43:16,327
*[Everyday playing]
802
00:43:19,497 --> 00:43:21,432
BUT IT WAS NICE
WHILE IT LASTED.
803
00:43:23,568 --> 00:43:27,906
* AND IT WON'T EVEN SHOW
804
00:43:28,840 --> 00:43:32,410
* AND NO ONE WILL KNOW
805
00:43:33,244 --> 00:43:37,015
* ONE LITTLE WAVE
806
00:43:37,082 --> 00:43:41,152
* TO SAY YOU'LL BEHAVE *
807
00:43:41,219 --> 00:43:43,321
(Charlie)
ARE YOU HAPPY NOW?
808
00:43:43,388 --> 00:43:45,657
ARE YOU HAPPY NOW
THAT YOU GOT WHAT YOU WANTED?
809
00:43:45,724 --> 00:43:48,026
NOW THAT THEY'VE
BOMBED DOWN HERE?
810
00:43:48,093 --> 00:43:50,128
ARE YOUR REPUBLICAN FRIENDS
GOOD AND HAPPY
811
00:43:50,195 --> 00:43:52,698
NOW THEY CAN SEE
WHAT THEY'VE DONE?
812
00:43:52,764 --> 00:43:55,500
WHAT THE FUCK
ARE YOU TALKIN' ABOUT?
813
00:43:55,566 --> 00:43:58,670
IT HAD NOTHING TO
DO WITH REPUBLICANS.
814
00:43:58,737 --> 00:44:01,539
WHAT THE FUCK WOULD THEY BOMB
A SOUTHERN TOWN FOR, HUH?
815
00:44:03,809 --> 00:44:06,444
YOU HEAR ME, CHARLIE?
816
00:44:06,511 --> 00:44:08,613
AND IF YOU WANT OUT,
JUST SAY SO.
817
00:44:18,356 --> 00:44:20,391
[gravel crunching]
818
00:44:33,371 --> 00:44:35,040
[banging at door]
819
00:44:35,106 --> 00:44:36,307
(Horse)
OPEN THE DOOR.
820
00:44:36,374 --> 00:44:37,642
[banging continues]
821
00:44:37,709 --> 00:44:39,444
I CAN'T, GO AWAY.
COME BACK IN THE MORNING.
822
00:44:39,510 --> 00:44:41,279
(Jackie)
OPEN IT, BITCH!
THIS IS SERIOUS!
823
00:44:41,346 --> 00:44:42,547
OPEN THE FUCKING DOOR!
824
00:44:42,613 --> 00:44:45,216
OK, OKAY, OKAY, OKAY, OKAY.
I'M COMING.
825
00:45:05,070 --> 00:45:06,404
(Jackie)
WHERE DID HE PUT THEM?
826
00:45:06,471 --> 00:45:07,773
(Patrick)
I'M AFRAID I DON'T UNDERSTAND.
827
00:45:07,839 --> 00:45:10,541
THE GUNS, NANCY BOY.
WHERE DID HE PUT THE GUNS?
828
00:45:10,608 --> 00:45:11,943
OH, YES, THE GUNS.
829
00:45:12,010 --> 00:45:15,446
OH, BILLY BURIED THEM OUTSIDE
JUST--JUST TO BE SAFE.
830
00:45:15,513 --> 00:45:16,614
GO.
831
00:45:19,918 --> 00:45:22,053
THERE'S NO
FUCKING GUNS DOWN HERE.
832
00:45:24,122 --> 00:45:25,523
OH! I THINK
THEY MIGHT JUST BE...
833
00:45:25,590 --> 00:45:27,225
THE LITTLE CUNT!
HE'S TAKING
THE HAND OUT OF US.
834
00:45:27,292 --> 00:45:28,526
...OVER HERE.
835
00:45:28,593 --> 00:45:31,229
I'LL NUT HIM!
I SWEAR TO GOD I'LL NUT HIM!
836
00:45:33,832 --> 00:45:35,733
SAY GOODBYE
TO MY FRIENDS, WILL YOU?
837
00:45:35,801 --> 00:45:38,136
CHARLIE LIVES IN
SUNBEAM HEIGHTS
AND IRWIN'S UP THE BACKS.
838
00:45:38,203 --> 00:45:39,304
IRWIN WHO?
839
00:45:39,370 --> 00:45:40,605
WHY, IRWIN KERR,
OF COURSE.
840
00:45:40,671 --> 00:45:41,672
THE BIG-TIME VOLUNTEER.
841
00:45:41,739 --> 00:45:43,608
HOW DO YOU KNOW IRWIN KERR?
842
00:45:43,674 --> 00:45:45,143
OH, NOTHING. NEVER MIND.
843
00:45:45,210 --> 00:45:46,778
WELL, COME ON THEN.
844
00:45:46,845 --> 00:45:48,546
JUST DO IT.
I'VE NOTHING LEFT TO LIVE FOR
845
00:45:48,613 --> 00:45:50,248
IN THIS STUPID,
SERIOUS WORLD.
846
00:45:50,315 --> 00:45:51,883
OH, FUCK HIM.
847
00:45:51,950 --> 00:45:53,919
LEAVE HIM BE.
HE'S NOT WORTH THE BULLET,
THE MENTAL NANCY BOY.
848
00:45:53,985 --> 00:45:55,420
OH, WHAT IS IT
WITH NANCY BOYS
849
00:45:55,486 --> 00:45:56,888
THAT YOU CAN'T BE
BOTHERED KILLING THEM?
850
00:45:56,955 --> 00:45:57,989
YOU KILL EVERYONE ELSE.
851
00:45:58,056 --> 00:45:59,090
LOOK, I'M FUCKING
WARNING YOU.
852
00:45:59,157 --> 00:46:00,291
DO YOU KNOW WHAT
YOU'RE DOING HERE?
853
00:46:00,358 --> 00:46:01,793
ARE YOU ON DOPE OR WHAT?
854
00:46:01,860 --> 00:46:05,030
WISH THAT I WAS,
MR. KILLING MAN.
WHY, DO YOU HAVE ANY?
855
00:46:05,096 --> 00:46:07,432
YOU'RE WAY OUT OF
YOUR LEAGUE, SUNSHINE.
856
00:46:07,498 --> 00:46:09,634
NOT THAT AGAIN.
"OUT OF YOUR LEAGUE,
OUT OF YOUR LEAGUE."
857
00:46:09,700 --> 00:46:11,837
"OH,
YOU'RE IN OVER YOUR HEAD.
YOU'RE IN OVER YOUR HEAD."
858
00:46:11,903 --> 00:46:13,371
OH, FOR HEAVEN'S SAKE!
859
00:46:13,438 --> 00:46:15,941
SURELY YOU'VE ONE BULLET
TO SPARE BETWEEN YOUS.
860
00:46:16,007 --> 00:46:17,742
AH, BOLLOCKS!
861
00:46:25,583 --> 00:46:26,717
WHERE ARE WE GOING?
862
00:46:26,784 --> 00:46:29,020
YOU HIT US, WE HIT YOU.
IT'S SIMPLE.
863
00:46:29,087 --> 00:46:30,688
(Jackie)
RIGHT.
864
00:46:30,755 --> 00:46:33,091
(Horse)
THE BOMB WAS MADE UP HERE
AND DRIVEN ACROSS THE BORDER.
865
00:46:33,158 --> 00:46:35,827
(Jackie)
WEE BOBBY ANDERSON.
LIKES KILLING CATHOLICS.
866
00:46:35,894 --> 00:46:38,096
IT'LL BE THE LAST
FUCKING BOMB HE'LL MAKE.
867
00:46:38,163 --> 00:46:40,431
TURN THE LIGHTS OFF.
KEEP IT RUNNING.
868
00:47:05,756 --> 00:47:07,558
[glass shattering]
869
00:47:07,625 --> 00:47:09,294
[gunshots]
870
00:47:09,794 --> 00:47:11,162
OH, LORD.
871
00:47:17,602 --> 00:47:19,104
[woman screaming]
872
00:47:28,479 --> 00:47:30,781
GET US THE FUCK
OUT OF HERE, WILL YOU?
873
00:47:31,416 --> 00:47:32,650
WHAT'S THE SMELL?
874
00:47:32,717 --> 00:47:35,653
HE SHAT HIMSELF.
YOU NOT TOILET TRAINED?
875
00:47:37,155 --> 00:47:38,489
WHAT DO YOU
THINK YOU ARE, KERR?
876
00:47:38,556 --> 00:47:40,258
WHAT THE FUCK
DO YOU THINK THIS IS?
877
00:47:45,763 --> 00:47:47,565
(Charlie)
TELL ME
YOU'RE NOT SERIOUS.
878
00:47:47,632 --> 00:47:48,934
YOU SEE,
THERE'S THAT WORD AGAIN.
879
00:47:49,000 --> 00:47:50,268
IT'S EVERYWHERE.
880
00:47:50,335 --> 00:47:52,770
BUT YOU DON'T KNOW A SOUL
IN LONDON, PADDY.
881
00:47:52,837 --> 00:47:55,173
THERE'S ONLY ONE SOUL
I NEED, CHARLIE.
882
00:47:59,477 --> 00:48:01,412
(Charlie)
YOU REALLY THINK
YOU'LL FIND HER?
883
00:48:01,479 --> 00:48:03,581
HOW MANY EILY BERGINS
CAN THERE BE?
884
00:48:03,648 --> 00:48:05,951
(Irwin)
MAYBE SHE'S CHANGED HER NAME.
885
00:48:06,017 --> 00:48:08,386
(Patrick)
SHE WON'T HAVE
CHANGED HER EYES, IRWIN.
886
00:48:11,589 --> 00:48:13,091
HOW WILL YOU GET BY?
887
00:48:16,861 --> 00:48:18,596
SAINT ANTHONY
WILL GUIDE ME.
888
00:48:19,998 --> 00:48:21,299
*[The Moonbeam Song playing]
889
00:48:21,366 --> 00:48:27,038
* HAVE YOU EVER
WATCHED A MOONBEAM *
890
00:48:27,105 --> 00:48:31,776
* AS IT SLID ACROSS
YOUR WINDOWPANE *
891
00:48:34,445 --> 00:48:37,848
* OR STRUGGLED
WITH A BIT OF RAIN *
892
00:48:37,915 --> 00:48:41,319
* OR DANCED ABOUT
THE WEATHERVANE *
893
00:48:41,386 --> 00:48:44,855
* OR SAT ALONG
A MOVING TRAIN *
894
00:48:44,922 --> 00:48:48,293
* AND WONDERED WHERE
THE TRAIN HAS BEEN *
895
00:48:48,359 --> 00:48:52,697
* OR ON A FENCE
WITH BITS OF CRAP *
896
00:48:52,763 --> 00:48:55,533
* AROUND ITS BOTTOM
897
00:48:55,600 --> 00:49:00,138
* BLOWN THERE BY A WINDBEAM
898
00:49:02,173 --> 00:49:06,911
* WHO SEARCHES
FOR THE MOONBEAM *
899
00:49:06,978 --> 00:49:12,117
* WHO WAS LAST SEEN
LOOKING AT THE TRACKS *
900
00:49:12,183 --> 00:49:15,820
* OF THE CARELESS WINDBEAM
901
00:49:15,886 --> 00:49:18,656
* OR MOVING TO THE TRACKS
902
00:49:18,723 --> 00:49:22,893
* OF THE TIRELESS
FREIGHT TRAIN *
903
00:49:22,960 --> 00:49:25,630
THE THING IS,
YOU COME TO THE CITY
THAT NEVER SLEEPS
904
00:49:25,696 --> 00:49:28,033
AND YOU THINK IT'S
OPEN ALL THE TIME,
BUT IT DOES SLEEP.
905
00:49:28,099 --> 00:49:29,600
EXCUSE ME?
906
00:49:30,368 --> 00:49:31,636
OF COURSE IT DOES.
907
00:49:31,702 --> 00:49:33,304
UH, I'M LOOKING FOR
MY MOTHER, PLEASE.
908
00:49:33,371 --> 00:49:35,373
EILY BERGIN.
UH, PHANTOM LADY.
909
00:49:37,542 --> 00:49:40,978
I'VE JUST GOT 2
BERGINS FOR 1956.
910
00:49:41,046 --> 00:49:44,649
BERGIN, ELLEN,
AND BERGIN WITH
A SIMPLE INITIAL E.
911
00:49:44,715 --> 00:49:47,785
WELL, THAT'S HER.
I MEAN, IT HAS TO BE
ONE OF THEM.
912
00:49:47,852 --> 00:49:51,622
ONE'S FROM ALDGATE
AND THE OTHER'S
FROM EAST LONDON.
913
00:49:54,459 --> 00:49:56,561
WILL YOU BE GOING BACK HOME
AFTER YOU'VE FOUND HER?
914
00:49:56,627 --> 00:49:57,895
OH, YES, OF COURSE.
915
00:49:57,962 --> 00:49:59,430
MAYBE SHE'LL COME WITH ME.
916
00:50:01,899 --> 00:50:04,035
AND, SON, WILL YOU
PROMISE ME SOMETHING?
917
00:50:04,102 --> 00:50:05,170
YES.
918
00:50:06,404 --> 00:50:08,173
TAKE CARE OF YOURSELF.
919
00:50:08,239 --> 00:50:09,907
OH, I WILL, MRS. HENDERSON.
920
00:50:09,974 --> 00:50:11,076
THANK YOU.
921
00:50:13,811 --> 00:50:16,147
*[Chirpy Chirpy
Cheep Cheep playing]
922
00:50:16,214 --> 00:50:18,249
* WHERE'S YOUR
MOMMA GONE? *
923
00:50:18,316 --> 00:50:20,151
* WHERE'S YOUR
MOMMA GONE? *
924
00:50:20,218 --> 00:50:22,220
* LITTLE BABY GONE
925
00:50:22,287 --> 00:50:23,888
* LITTLE BABY GONE
926
00:50:23,954 --> 00:50:26,057
* WHERE'S YOUR
MOMMA GONE? *
927
00:50:26,124 --> 00:50:27,758
* WHERE'S YOUR
MOMMA GONE? *
928
00:50:27,825 --> 00:50:31,396
* FAR FAR AWAY
929
00:50:31,462 --> 00:50:33,798
* WHERE'S YOUR
POPPA GONE *
930
00:50:33,864 --> 00:50:35,266
* WHERE'S YOUR
POPPA GONE *
931
00:50:35,333 --> 00:50:37,568
* LITTLE BABY GONE
932
00:50:37,635 --> 00:50:38,836
* LITTLE BABY GONE
933
00:50:38,903 --> 00:50:40,405
* WHERE'S YOUR
POPPA GONE *
934
00:50:40,471 --> 00:50:42,973
NO, MATE, THEY KNOCKED
THOSE HOUSES DOWN YEARS AGO.
935
00:50:43,040 --> 00:50:45,910
* FAR FAR AWAY
936
00:50:46,644 --> 00:50:50,715
* FAR FAR AWAY
937
00:50:52,317 --> 00:50:56,053
* LAST NIGHT I HEARD
MY MOMMA SINGING THIS SONG *
938
00:50:56,121 --> 00:50:59,390
* OOH WEE
CHIRPY CHIRPY CHEEP CHEEP *
939
00:50:59,457 --> 00:51:03,294
* WOKE UP THIS MORNING
AND MY MOMMA WAS GONE *
940
00:51:03,361 --> 00:51:06,697
* OOH WEE
CHIRPY CHIRPY CHEEP CHEEP*
941
00:51:06,764 --> 00:51:10,435
* CHIRPY CHIRPY
CHEEP CHEEP CHIRP *
942
00:51:10,501 --> 00:51:12,770
* WHERE'S YOUR
MOMMA GONE *
943
00:51:12,837 --> 00:51:14,439
* WHERE'S YOUR
MOMMA GONE *
944
00:51:14,505 --> 00:51:16,574
* LITTLE BABY GONE
945
00:51:16,641 --> 00:51:18,109
* LITTLE BABY GONE
946
00:51:18,176 --> 00:51:20,211
* WHERE'S YOUR
MOMMA GONE *
947
00:51:20,278 --> 00:51:21,779
* WHERE'S YOUR
MOMMA GONE *
948
00:51:21,846 --> 00:51:25,516
* FAR FAR AWAY
949
00:51:25,583 --> 00:51:27,818
* WHERE'S YOUR
POPPA GONE *
950
00:51:27,885 --> 00:51:29,320
* WHERE'S YOUR
POPPA GONE *
951
00:51:29,387 --> 00:51:31,456
* LITTLE BABY GONE
952
00:51:31,522 --> 00:51:33,358
* LITTLE BABY GONE *
953
00:51:34,625 --> 00:51:35,626
I'M...
954
00:52:37,888 --> 00:52:39,390
[humming]
955
00:52:43,127 --> 00:52:44,495
(John Joe)
THE MAN HIMSELF.
956
00:52:46,063 --> 00:52:47,465
ABOUT TIME, TOO.
957
00:52:50,235 --> 00:52:51,769
[grunting]
958
00:52:51,836 --> 00:52:53,771
ARE YOU HERE
FOR THE JOB, KID?
959
00:52:57,242 --> 00:52:58,576
WHAT JOB?
960
00:52:58,643 --> 00:53:00,177
THIS IS SHOWBIZ, KID.
YOU GOTTA BE ON THE BALL.
961
00:53:00,245 --> 00:53:02,647
YOU TRY THAT WITH STEPHENSON,
NOW, YOU'VE NO FUCKING CHANCE.
962
00:53:02,713 --> 00:53:03,914
WHO'S STEPHENSON?
963
00:53:03,981 --> 00:53:05,316
HE THINKS HE'S IN CHARGE.
964
00:53:05,383 --> 00:53:07,385
R.A.F., MY BOLLOCKS!
I'LL GIVE HIM R.A.F.
965
00:53:07,452 --> 00:53:08,886
YOU'RE IRISH, YOU ARE.
966
00:53:08,953 --> 00:53:11,222
TYREELIN, COUNTY CAVAN.
967
00:53:11,289 --> 00:53:13,458
WELL THEN, COUNTY CAVAN,
968
00:53:13,524 --> 00:53:15,726
GIVE US A SONG
AND YOU'RE HOME AND DRY.
969
00:53:17,962 --> 00:53:20,598
* UNDERGROUND,
OVERGROUND, WOMBLING FREE *
970
00:53:20,665 --> 00:53:22,933
(both)
* THE WOMBLES OF WIMBLEDON
COMMON ARE WE *
971
00:53:23,000 --> 00:53:24,134
GOOD MAN, YOU HAVE IT.
972
00:53:24,201 --> 00:53:26,904
NOW THE DANCE, OK? OK?
973
00:53:26,971 --> 00:53:28,973
I'M GOING IN.
974
00:53:29,039 --> 00:53:30,841
(John Joe)
RIGHT. HOP, 1. HOP, 2.
975
00:53:30,908 --> 00:53:33,043
HOP, 1, 2, 3.
976
00:53:33,110 --> 00:53:34,412
TOOSH, TOOSH, TOOSH.
977
00:53:34,479 --> 00:53:36,947
FLAP, FLAP, FLAP. OK?
GO, GO ON.
978
00:53:37,014 --> 00:53:40,718
HOP, HOP 1,
HOP 2, HOP 1, 2, 3.
979
00:53:40,785 --> 00:53:41,986
TOOSH, TOOSH, TOOSH.
980
00:53:42,052 --> 00:53:43,588
FLAP, FLAP, FLAP.
RIGHT, READY?
981
00:53:43,654 --> 00:53:45,923
RIGHT, HOP 1, HOP 2.
982
00:53:45,990 --> 00:53:47,024
FOR FUCK'S SAKE,
WILL YOU HOP RIGHT?
983
00:53:47,091 --> 00:53:48,626
1, 2, 3.
984
00:53:48,693 --> 00:53:52,062
(both)
HOP 1, HOP 2.
HOP, 1, 2, 3.
985
00:53:52,129 --> 00:53:53,431
(both)
TOOSH, TOOSH, TOOSH.
986
00:53:53,498 --> 00:53:55,466
FLAP, FLAP.
FLAP IT OUT, FLAP IT OUT.
987
00:53:56,634 --> 00:53:57,868
SELL IT TO ME.
988
00:53:57,935 --> 00:53:59,437
*[The Wombling Song playing]
989
00:53:59,504 --> 00:54:02,740
* OVERGROUND,
UNDERGROUND, WOMBLING FREE *
990
00:54:02,807 --> 00:54:05,476
* THE WOMBLES OF
WIMBLEDON COMMON ARE WE *
991
00:54:05,543 --> 00:54:07,878
GIVE HIM THE DRILL, BULGARIA.
992
00:54:07,945 --> 00:54:09,213
ENOUGH ALREADY.
993
00:54:09,280 --> 00:54:10,948
YOU TAKE THE CROQUET.
CAPISCE?
994
00:54:11,015 --> 00:54:12,383
CAPISCE.
I GOTTA WHEEL.
995
00:54:12,450 --> 00:54:14,319
EVERY MORNING,
9:00, BE THERE.
996
00:54:14,385 --> 00:54:17,488
* THINGS THAT THE EVERYDAY
FOLKS LEAVE BEHIND *
997
00:54:17,555 --> 00:54:20,358
* UNCLE BULGARIA
998
00:54:20,425 --> 00:54:22,427
* HE CAN REMEMBER THE DAYS
999
00:54:22,493 --> 00:54:26,431
* WHEN HE WASN'T
BEHIND THE TIMES *
1000
00:54:26,497 --> 00:54:28,666
* WITH HIS MAP OF THE WORLD *
1001
00:54:28,733 --> 00:54:30,401
(Stephenson)
BULGARIA?
1002
00:54:30,468 --> 00:54:32,403
I TOLD YOU BEFORE,
THESE ARE YOUR RESPONSIBILITY.
1003
00:54:32,470 --> 00:54:33,871
YOU'RE HEAD WOMBLE HERE.
1004
00:54:33,938 --> 00:54:36,273
WELL, THAT'S THIS....
FUCK! FUCK!
1005
00:54:36,341 --> 00:54:38,008
I'LL GIVE YOU R.A.F.
1006
00:54:38,075 --> 00:54:40,210
I BROKE NO FUCKING MALLET!
I BROKE NO FUCKING MALLET!
1007
00:54:40,277 --> 00:54:41,512
(Stephenson)
KEEP AWAY FROM ME.
1008
00:54:41,579 --> 00:54:42,613
[both arguing]
1009
00:54:42,680 --> 00:54:44,114
(Stephenson)
PUT THAT DOWN!
1010
00:54:44,181 --> 00:54:46,617
(John Joe)
I'LL BREAK IT ACROSS
YOUR BACK, YOU BOLLOCKS!
1011
00:54:46,684 --> 00:54:48,586
I'LL BUST IT...
1012
00:54:48,653 --> 00:54:50,254
[boys laughing]
1013
00:54:53,190 --> 00:54:54,825
"YOU BROKE THE MALLET,"
HE SAYS.
1014
00:54:54,892 --> 00:54:58,329
"I'LL HAVE TO DOCK
IT FROM YOUR PAY."
I BROKE NO FUCKING MALLET.
1015
00:54:58,396 --> 00:54:59,864
YOU FUCKED ME
ONE LAST TIME.
1016
00:54:59,930 --> 00:55:01,899
R.A.F., MY BOLLOCKS!
THAT'S THE END OF THE LINE!
1017
00:55:01,966 --> 00:55:03,701
ENOUGH OF THAT, JOHN JOE.
1018
00:55:04,902 --> 00:55:06,236
BACK OFF, MOTHERFUCKER.
1019
00:55:06,303 --> 00:55:07,905
YOU DON'T KNOW
WHAT YOU'RE
DEALING WITH HERE!
1020
00:55:07,972 --> 00:55:10,074
BACK IN THE CAN,
YOU WANNA KNOW
WHAT THEY USED TO SAY?
1021
00:55:10,140 --> 00:55:12,777
"STAY AWAY, MAN.
HE'S OUT WHERE
THE BUSES DON'T RUN!"
1022
00:55:12,843 --> 00:55:14,612
YOU'RE OUT OF YOUR
LEAGUE HERE, FRIEND.
1023
00:55:14,679 --> 00:55:17,214
OH, NOT THAT AGAIN.
1024
00:55:17,281 --> 00:55:18,649
YOU HAVE TO SHOW THEM
WHERE YOU STAND.
1025
00:55:18,716 --> 00:55:20,985
THEY FUCK WITH YOU,
YOU FUCK WITH THEM.
1026
00:55:21,051 --> 00:55:23,654
YOU FUCK THEM SO BAD
YOU MAKE THEM WISH
THEY'D NEVER BEEN BORN.
1027
00:55:23,721 --> 00:55:24,889
YOU WANT ANOTHER SHOT?
1028
00:55:24,955 --> 00:55:26,424
I'D LOVE A BABYCHAM.
1029
00:55:27,324 --> 00:55:29,727
YOU GOT IT, KEMO SABE.
1030
00:55:29,794 --> 00:55:32,630
TOMMY,
ONE BABYCHAM, ONE POWERS.
1031
00:55:33,263 --> 00:55:34,365
PLEASE.
1032
00:55:34,432 --> 00:55:36,401
2 WEEKS' SEVERANCE,
IN THE PAW.
1033
00:55:36,467 --> 00:55:39,203
YOU FUCK WITH JOHN JOE KENNY,
THAT'S ONE TIME
YOU FUCK TOO MANY.
1034
00:55:39,269 --> 00:55:40,671
CAPISCE, COMPADRE?
1035
00:55:40,738 --> 00:55:42,373
HE'S FROM CAVAN.
1036
00:55:42,440 --> 00:55:44,909
SO, WHERE'S CAVAN?
1037
00:55:44,975 --> 00:55:46,577
NEXT TO MONAGHAN.
1038
00:55:48,145 --> 00:55:49,279
I'M GOING FOR A WOMBLE.
1039
00:55:49,346 --> 00:55:51,215
IF YOU WANT TO COME,
GIVE US A SHOUT, RIGHT?
1040
00:55:51,281 --> 00:55:53,117
REALLY, UNCLE BULGARIA.
1041
00:55:53,183 --> 00:55:55,686
(John Joe and Patrick)
* UNDERGROUND,
OVERGROUND, WOMBLING FREE *
1042
00:55:55,753 --> 00:55:59,023
* THE WOMBLES OF
WIMBLEDON COMMON ARE WE *
1043
00:55:59,089 --> 00:56:01,992
* UNDERGROUND,
OVERGROUND, WOMBLING FREE *
1044
00:56:02,059 --> 00:56:04,529
I WAS A WOMBLE ONE TIME.
DID YOU KNOW THAT?
1045
00:56:07,598 --> 00:56:10,635
HEY, YOU CAN'T
SLEEP HERE, LOVE.
1046
00:56:10,701 --> 00:56:12,670
HAVE YOU GOT
A HOME TO GO TO?
1047
00:56:14,204 --> 00:56:17,141
YOU CAN GET
A CAB OUTSIDE.
1048
00:56:17,207 --> 00:56:22,046
OH, I DO BELIEVE
I HAVE A SMALL, ELFIN
DWELLING ON WIMBLEDON COMMON.
1049
00:56:30,421 --> 00:56:31,889
[men chattering]
1050
00:56:33,157 --> 00:56:34,925
OI!
1051
00:56:34,992 --> 00:56:37,127
YOU DOING BUSINESS,
DO IT SOMEWHERE ELSE, LOVE.
1052
00:56:37,194 --> 00:56:38,963
THIS PAVEMENT'S
GOT MY NAME ON IT.
1053
00:56:39,029 --> 00:56:42,032
WHAT, PRAY,
IS YOUR NAME? "CONCRETE"?
1054
00:56:42,099 --> 00:56:45,102
MY NAME IS
"SCRATCH YOUR EYES OUT,"
"BITE YOUR BLEEDING NOSE OFF,"
1055
00:56:45,169 --> 00:56:48,072
WHICH IS WHAT I'LL DO
IF YOU DON'T GET OFF MY PATCH.
1056
00:56:49,139 --> 00:56:51,275
ALL RIGHT, LOVER?
1057
00:56:51,341 --> 00:56:52,943
SHE GIVING YOU TROUBLE, SON?
1058
00:56:53,010 --> 00:56:55,646
OH, NO TROUBLE AT ALL.
WE WERE JUST EXCHANGING NAMES.
1059
00:56:57,748 --> 00:57:00,417
(hooker)
GO ON, YOU FUCKING NANCY BOY!
1060
00:57:00,485 --> 00:57:02,853
DON'T FUCKING COME BACK!
1061
00:57:02,920 --> 00:57:04,922
(Patrick)
AND HER NAME IS
"SCRATCH YOUR EYES OUT
1062
00:57:04,989 --> 00:57:06,957
AND BITE YOUR
BLEEDING NOSE OFF."
1063
00:57:07,024 --> 00:57:09,727
AND MY NAME IS
PATRICIA KITTEN BRADEN.
1064
00:57:09,794 --> 00:57:12,663
PLEASED TO MEET YOU,
PATRICIA KITTEN BRADEN.
1065
00:57:14,064 --> 00:57:16,033
JUST WHAT WERE YOU
DOING BACK THERE?
1066
00:57:16,100 --> 00:57:18,102
I WAS LOOKING FOR
THE PHANTOM LADY.
1067
00:57:18,168 --> 00:57:20,170
YOU FOUND
THE RIGHT STREET, THEN.
1068
00:57:20,237 --> 00:57:23,273
WHY, WHAT'S IT CALLED?
PHANTOM LADY STREET?
1069
00:57:23,340 --> 00:57:24,775
YOU COULD CALL IT THAT.
1070
00:57:24,842 --> 00:57:27,077
AND JUST WHO IS
THIS PHANTOM LADY?
1071
00:57:27,144 --> 00:57:30,180
WELL, IT'S MY MOTHER, REALLY.
I CALL HER THAT.
1072
00:57:30,247 --> 00:57:34,284
TO PRETEND IT'S A STORY
THAT'S HAPPENING TO
SOMEONE ELSE, YOU SEE.
1073
00:57:34,351 --> 00:57:36,186
AND WHY DO YOU
PRETEND THAT?
1074
00:57:36,253 --> 00:57:39,323
BECAUSE OTHERWISE I MIGHT CRY
AND NEVER STOP.
1075
00:57:39,389 --> 00:57:42,059
IF YOU CRIED,
I'D MAKE YOU STOP.
1076
00:57:42,126 --> 00:57:43,761
OH, YOU WOULD?
1077
00:57:43,828 --> 00:57:46,597
OH, HOW KIND, KIND SIR.
1078
00:57:46,664 --> 00:57:48,966
YES, I'D DEFINITELY
MAKE YOU STOP.
1079
00:57:54,004 --> 00:57:56,406
(Mr. Silky String)
AND JUST WHAT IS IT
YOU DO, THEN?
1080
00:57:56,473 --> 00:58:00,845
(Patrick)
OH, THIS AND THAT.
SHOWBIZ, KIND OF. SINGING.
1081
00:58:00,911 --> 00:58:02,913
WHAT DO YOU
LIKE TO SING ABOUT?
1082
00:58:02,980 --> 00:58:04,549
I SING ABOUT TRUE LOVE.
1083
00:58:05,249 --> 00:58:07,184
THAT'S NICE.
1084
00:58:07,251 --> 00:58:08,886
HAVE YOU EVER FOUND IT?
1085
00:58:10,821 --> 00:58:12,957
I THOUGHT I HAD, ONCE.
1086
00:58:16,060 --> 00:58:17,962
HERE'S ONE
ABOUT TRUE LOVE.
1087
00:58:18,028 --> 00:58:19,463
*[Feelings by Morris Albert
playing on radio]
1088
00:58:19,530 --> 00:58:21,131
* FEELINGS
1089
00:58:22,299 --> 00:58:24,268
EVER HEARD THIS ONE?
1090
00:58:24,334 --> 00:58:26,036
* NOTHING MORE THAN FEELINGS
1091
00:58:26,103 --> 00:58:27,872
NICE, ISN'T IT?
1092
00:58:27,938 --> 00:58:30,207
I JUST LOVE LOVE SONGS.
1093
00:58:30,274 --> 00:58:33,410
* TRYING TO FORGET MY
1094
00:58:34,579 --> 00:58:36,213
TAKE IT OFF.
1095
00:58:36,280 --> 00:58:37,948
* FEELINGS OF LOVE
1096
00:58:38,015 --> 00:58:39,183
DON'T YOU LIKE IT?
1097
00:58:39,249 --> 00:58:41,018
TAKE IT OFF,
THERE'S A GOOD LAD.
1098
00:58:43,688 --> 00:58:45,389
AS YOU WISH, SIR.
1099
00:58:48,458 --> 00:58:52,462
* ROLLING DOWN ON MY FACE
1100
00:58:52,529 --> 00:58:53,964
NOW, ISN'T THAT
MORE COMFORTABLE?
1101
00:58:54,031 --> 00:58:55,032
YES, SIR.
1102
00:58:55,099 --> 00:58:57,434
* TRYING TO FORGET MY
1103
00:58:57,501 --> 00:59:00,537
OF COURSE IT IS,
MY LOVE-LOVING FRIEND.
1104
00:59:00,605 --> 00:59:02,006
* FEELINGS OF LOVE
1105
00:59:02,072 --> 00:59:04,909
HERE, FEEL THAT.
1106
00:59:05,843 --> 00:59:06,977
HMM.
1107
00:59:07,044 --> 00:59:09,647
* FEELINGS
1108
00:59:09,714 --> 00:59:12,082
GOOD OLD-FASHIONED SILK.
HMM.
1109
00:59:12,149 --> 00:59:13,350
HERE YOU ARE.
1110
00:59:13,984 --> 00:59:15,419
THANK YOU.
1111
00:59:17,487 --> 00:59:21,659
* I WISH
I'VE NEVER MET YOU, GIRL *
1112
00:59:23,493 --> 00:59:26,296
* YOU'LL NEVER COME AGAIN
IT'S BEAUTIFUL.
1113
00:59:28,365 --> 00:59:29,466
YOU LIKE IT?
1114
00:59:29,533 --> 00:59:30,635
IT'S BEAUTIFUL.
1115
00:59:30,701 --> 00:59:32,036
* FEELINGS
1116
00:59:32,102 --> 00:59:33,337
LIKE IT?
1117
00:59:33,403 --> 00:59:34,471
[horn blaring]
1118
00:59:34,538 --> 00:59:35,906
[grunts]
1119
00:59:37,074 --> 00:59:38,575
* FEELINGS
1120
00:59:38,643 --> 00:59:40,077
[gasping]
1121
00:59:43,180 --> 00:59:44,949
* FEELINGS
1122
00:59:45,015 --> 00:59:48,653
(Patrick)
BUT DID TRUE LOVE SAVE KITTEN
FROM THE HANDS OF THE BEAST
1123
00:59:48,719 --> 00:59:51,088
IN THAT WORST OF ALL
FAIRY TALES?
1124
00:59:51,155 --> 00:59:53,958
[screaming]
NO, WHAT SAVED KITTEN
1125
00:59:54,024 --> 00:59:56,794
WAS HER
PRECIOUS PERFUME SPRAY
1126
00:59:56,861 --> 01:00:00,731
BOUGHT FOR 2.99
IN ROCHES STORES
ON HENRY STREET
1127
01:00:00,798 --> 01:00:05,335
BEFORE SHE LEFT
HER BELOVED EMERALD ISLE.
1128
01:00:05,402 --> 01:00:08,806
* AND FEELINGS LIKE
I'VE NEVER HAVE YOU *
1129
01:00:11,008 --> 01:00:14,078
* AGAIN IN MY HEART *
1130
01:00:14,144 --> 01:00:15,345
(Bertie)
HELLO.
1131
01:00:17,815 --> 01:00:18,983
I'M SORRY TO INTERRUPT,
1132
01:00:19,049 --> 01:00:22,086
BUT ARE YOU ALL RIGHT, MISS?
1133
01:00:24,822 --> 01:00:27,257
YES, FINE, THANK YOU.
1134
01:00:27,324 --> 01:00:31,561
JUST TIRED AFTER
MY HARD DAY'S WORK.
1135
01:00:31,628 --> 01:00:34,298
YOU HAVE BEEN SITTING THERE
FOR 4 HOURS NOW.
1136
01:00:36,734 --> 01:00:39,236
YES, BUSY AT MY DESK.
1137
01:00:40,671 --> 01:00:42,406
BUSY AT YOUR DESK?
1138
01:00:43,473 --> 01:00:44,474
MMM-HMM.
1139
01:00:45,375 --> 01:00:47,077
WRITING MY LITTLE BOOK.
1140
01:00:49,013 --> 01:00:50,447
YOUR LITTLE BOOK?
1141
01:00:53,017 --> 01:00:54,451
WHAT TYPE OF BOOK?
1142
01:00:58,188 --> 01:00:59,489
WELL, IT'S A...
1143
01:00:59,556 --> 01:01:02,659
IT'S A MYSTERY THRILLER, SIR.
1144
01:01:02,727 --> 01:01:04,862
ABOUT A WOMAN
WHO DISAPPEARS.
1145
01:01:06,663 --> 01:01:09,399
MAY I ASK WHAT IT'S CALLED?
1146
01:01:11,468 --> 01:01:12,737
YES.
1147
01:01:13,403 --> 01:01:14,671
IT'S CALLED
1148
01:01:16,506 --> 01:01:17,975
FOOTPRINTS IN THE CUSTARD.
1149
01:01:19,744 --> 01:01:20,745
HMM.
1150
01:01:22,212 --> 01:01:25,182
NO, I'M ONLY JOKING.
IT DOESN'T HAVE A NAME YET
1151
01:01:25,249 --> 01:01:27,084
BECAUSE I DON'T KNOW
WHAT'S GONNA HAPPEN,
1152
01:01:27,151 --> 01:01:28,853
IF THE MYSTERY
IS EVER SOLVED.
1153
01:01:29,887 --> 01:01:31,688
BUT THE LADY HAS A NAME?
1154
01:01:31,756 --> 01:01:32,757
UH-HUH.
1155
01:01:33,523 --> 01:01:34,959
PHANTOM LADY.
1156
01:01:36,293 --> 01:01:37,728
"PHANTOM LADY."
1157
01:01:40,497 --> 01:01:42,933
NO,
HER REAL NAME'S EILY BERGIN.
1158
01:01:43,000 --> 01:01:44,401
AND SHE WAS MY MOTHER.
1159
01:01:44,468 --> 01:01:46,103
YOUR MOTHER?
YEAH.
1160
01:01:46,170 --> 01:01:48,305
AND THEN SHE WENT AWAY
TO THE CITY OF ALL CITIES
1161
01:01:48,372 --> 01:01:50,941
THAT NEVER SLEEPS
FROM DUSK TILL DAWN.
1162
01:01:51,008 --> 01:01:53,210
SO, YOU THINK
SHE'S HERE IN LONDON?
1163
01:01:53,277 --> 01:01:55,079
NO, I KNOW
SHE'S HERE IN LONDON.
1164
01:01:55,145 --> 01:01:56,847
FANTASTIC!
1165
01:01:56,914 --> 01:01:58,148
[chuckles]
1166
01:01:58,215 --> 01:02:01,418
THE FANTASTIC TALE
OF EILY BERGIN.
1167
01:02:01,485 --> 01:02:03,888
I CAN'T WAIT
TO HEAR THE ENDING.
1168
01:02:03,954 --> 01:02:05,689
BUT YOU HAVEN'T
EVEN HEARD THE START.
1169
01:02:05,756 --> 01:02:07,424
I CAN'T WAIT
TO HEAR THAT, EITHER.
1170
01:02:10,027 --> 01:02:11,896
SO, ARE YOU A WRITER,
TOO, THEN, SIR?
1171
01:02:11,962 --> 01:02:13,630
OH, GOOD LORD, NO.
1172
01:02:15,800 --> 01:02:18,668
BUT SOMETHING SIMILAR, MAYBE.
1173
01:02:18,735 --> 01:02:22,539
SOMETHING SIMILAR?
I WONDER WHAT THAT COULD BE.
1174
01:02:26,476 --> 01:02:27,945
[Patrick exclaims]
1175
01:02:29,013 --> 01:02:31,615
YOU'RE A MAGICIAN!
1176
01:02:31,681 --> 01:02:34,251
BERTIE VAUGHAN
AT YOUR SERVICE.
1177
01:02:36,086 --> 01:02:39,790
NOW, THE FIRST THING
THAT HAS TO BE SAID,
BERTIE DEAREST,
1178
01:02:39,857 --> 01:02:44,228
IS THAT YOU BEAR
ABSOLUTELY NO RESEMBLANCE
TO MARLON "MARGARINE" BRANDO.
1179
01:02:45,062 --> 01:02:46,964
WE ALL HAVE OUR OFF DAYS.
1180
01:02:48,332 --> 01:02:51,368
SO, TELL ME MORE
ABOUT THE PHANTOM LADY.
1181
01:02:51,435 --> 01:02:54,071
WHY? WHAT'S IN IT FOR ME?
1182
01:02:54,138 --> 01:02:56,140
I'LL TAKE YOU
TO SEE MY SHOW.
1183
01:02:56,206 --> 01:02:58,976
OH, IT'S A DEAL, MAGIC.
1184
01:02:59,043 --> 01:03:03,881
SO, WHERE WERE WE?
YES, THE PHANTOM LADY.
1185
01:03:03,948 --> 01:03:06,450
EILY BERGIN HAD
JUST ARRIVED IN DUBLIN
1186
01:03:06,516 --> 01:03:08,886
AND JUST REALIZED
THAT HER BOAT DIDN'T SAIL
1187
01:03:08,953 --> 01:03:10,554
FOR ANOTHER 4 HOURS.
1188
01:03:21,598 --> 01:03:23,767
LO AND BEHOLD, NOT A SCRATCH.
1189
01:03:23,834 --> 01:03:25,269
(Bertie)
THANK YOU, MY DEAR.
1190
01:03:27,337 --> 01:03:28,572
PICK A CARD.
1191
01:03:29,339 --> 01:03:30,941
ANYONE?
1192
01:03:31,008 --> 01:03:33,077
COME ALONG, MADAM,
PICK A CARD.
1193
01:03:33,143 --> 01:03:34,544
ANY CARD.
1194
01:03:39,483 --> 01:03:40,684
OH, MY GOD!
1195
01:03:40,750 --> 01:03:42,887
OH, YES, BLIMEY.
1196
01:03:42,953 --> 01:03:44,521
"OH, MY GOD" IS RIGHT.
1197
01:03:44,588 --> 01:03:48,525
I DO BELIEVE YOU'VE CHOSEN
THE 101 OF HEARTS.
1198
01:03:48,592 --> 01:03:50,627
THANK YOU, MY DEAR,
I'LL TAKE CARE OF THAT.
1199
01:03:50,694 --> 01:03:52,429
[people applauding]
1200
01:03:52,496 --> 01:03:54,098
*[The Windmills of Your Mind
playing]
1201
01:03:54,164 --> 01:03:56,066
TIME, OF COURSE.
1202
01:03:56,133 --> 01:03:57,935
THE TIME. OH.
1203
01:03:58,002 --> 01:04:00,971
LOOKS LIKE IT'S UP,
YOU LOVELY PEOPLE.
1204
01:04:02,272 --> 01:04:06,443
COME ON, HELP ME, PLEASE,
MY LOVES.
1205
01:04:06,510 --> 01:04:11,115
ANYONE OUT THERE
WILLING TO ENCOUNTER
THE GREAT WATCH?
1206
01:04:11,181 --> 01:04:12,883
* LIKE A CAROUSEL
THAT'S TURNING *
1207
01:04:12,950 --> 01:04:15,619
* RUNNING RINGS
AROUND THE MOON *
1208
01:04:17,087 --> 01:04:19,723
HELLO, YOUNG LADY.
HELLO.
1209
01:04:19,789 --> 01:04:23,093
AND WHAT'S THE STORY
BEHIND THOSE
BEAUTIFUL BLUE EYES?
1210
01:04:23,160 --> 01:04:26,696
* AND THE WORLD IS
LIKE AN APPLE
WHIRLING SILENTLY IN SPACE *
1211
01:04:26,763 --> 01:04:29,199
WHAT'S YOUR NAME, YOUNG LADY?
1212
01:04:29,266 --> 01:04:31,835
PATRICIA KITTEN BRADEN.
1213
01:04:31,902 --> 01:04:33,971
AND WHERE ARE
YOU FROM, MY DEAR?
1214
01:04:34,038 --> 01:04:35,305
IRELAND.
1215
01:04:35,372 --> 01:04:38,608
KEEP YOUR EYE ON THE WATCH,
YOUNG PATRICIA.
1216
01:04:40,277 --> 01:04:42,112
THE WHOLE WORLD IS IN THERE.
1217
01:04:44,048 --> 01:04:45,815
TICK-TOCK.
1218
01:04:45,882 --> 01:04:47,817
* LIKE A TUNNEL
THAT YOU FOLLOW *
1219
01:04:47,884 --> 01:04:50,120
SWING-SWONG.
1220
01:04:50,187 --> 01:04:51,755
* TO A TUNNEL OF ITS OWN
1221
01:04:51,821 --> 01:04:53,590
AND, DARE I SAY IT
1222
01:04:54,224 --> 01:04:55,659
DING-DONG.
1223
01:04:55,725 --> 01:04:57,394
* DOWN A HOLLOW TO A CAVERN
1224
01:04:57,461 --> 01:05:00,864
AND LET THE GREAT WATCH
GUIDE YOU.
1225
01:05:02,399 --> 01:05:05,936
* LIKE A DOOR
THAT KEEPS REVOLVING *
1226
01:05:06,003 --> 01:05:09,839
* IN A HALF-FORGOTTEN DREAM
1227
01:05:10,907 --> 01:05:13,743
* OR THE RIPPLES
FROM A PEBBLE *
1228
01:05:13,810 --> 01:05:17,114
AND WHAT BRINGS YOU
TO OUR GREAT METROPOLIS?
1229
01:05:17,181 --> 01:05:19,549
I'M LOOKING FOR MY MAMMY.
1230
01:05:19,616 --> 01:05:22,586
OH. AND WHERE DID MUMMY GO?
1231
01:05:23,553 --> 01:05:25,089
THE CITY SWALLOWED HER UP.
1232
01:05:25,155 --> 01:05:27,857
OH, FANCY THAT.
1233
01:05:27,924 --> 01:05:29,859
WELL,
IT WILL DO THAT TO PEOPLE.
1234
01:05:31,828 --> 01:05:35,265
BUT DO YOU KNOW WHAT,
PATRICIA?
1235
01:05:35,332 --> 01:05:38,202
I THINK I SEE YOUR MOTHER.
WHERE?
1236
01:05:38,268 --> 01:05:41,471
WHY, DOWN THERE
BY THAT TABLE BY THE JUKEBOX.
1237
01:05:42,072 --> 01:05:43,607
MAMMY!
1238
01:05:43,673 --> 01:05:45,242
[people laughing]
1239
01:05:47,077 --> 01:05:49,779
ON SECOND THOUGHTS, PATRICIA,
1240
01:05:49,846 --> 01:05:52,882
SHE'S NOT YOUR MOTHER,
SHE'S YOUR GREAT-AUNT IDA.
1241
01:05:52,949 --> 01:05:55,252
THAT'S YOUR MOTHER
OVER THERE.
1242
01:05:55,685 --> 01:05:57,021
MAMMY?
1243
01:05:58,555 --> 01:06:00,024
MAMMY!
1244
01:06:00,690 --> 01:06:02,159
OH, MAMMY.
1245
01:06:02,226 --> 01:06:03,893
[people laughing]
1246
01:06:05,129 --> 01:06:07,331
ACTUALLY,
1247
01:06:07,397 --> 01:06:10,934
PATRICIA, THAT-THAT'S
YOUR 2ND COUSIN RONNIE,
JUST OUT OF THE SCRUBS.
1248
01:06:12,469 --> 01:06:13,870
IN FACT,
1249
01:06:15,105 --> 01:06:17,307
YOUR MUMMY IS RIGHT UP HERE.
1250
01:06:19,043 --> 01:06:20,844
UP HERE ON STAGE.
1251
01:06:21,745 --> 01:06:23,480
COME TO MUMMY.
1252
01:06:24,548 --> 01:06:26,483
COME TO MUMMY.
1253
01:06:27,284 --> 01:06:29,353
COME TO MUMMY.
1254
01:06:29,419 --> 01:06:31,721
(Bertie)
COME TO MUMMY.
1255
01:06:31,788 --> 01:06:35,692
[people laughing]
YOU LOVE YOUR MUMMY
AND YOUR POPPY.
1256
01:06:35,759 --> 01:06:36,960
[crying]
1257
01:06:37,027 --> 01:06:39,863
GOOD TO HAVE
YOU BACK, DARLING.
1258
01:06:39,929 --> 01:06:41,931
AND MUMMY'S
NEVER LEAVING AGAIN.
1259
01:06:41,998 --> 01:06:43,233
NEVER.
1260
01:06:44,401 --> 01:06:45,435
NEVER.
1261
01:06:46,270 --> 01:06:48,638
NEVER, I PROMISE. NEVER.
1262
01:06:50,540 --> 01:06:51,908
[exclaims]
1263
01:06:54,944 --> 01:06:56,480
[people laughing]
1264
01:06:57,614 --> 01:06:59,516
[people applauding]
1265
01:07:07,457 --> 01:07:09,259
*[drums beating]
1266
01:07:09,326 --> 01:07:11,961
JUST CALL ME OLD SAWBONES.
1267
01:07:15,031 --> 01:07:16,300
[exclaims]
1268
01:07:17,534 --> 01:07:19,169
[people laughing]
1269
01:07:21,405 --> 01:07:22,739
YOU ALL RIGHT, DEAR?
1270
01:07:23,307 --> 01:07:24,641
YES.
1271
01:07:27,611 --> 01:07:28,978
[sighs]
1272
01:07:29,045 --> 01:07:30,547
[box creaking]
1273
01:07:32,982 --> 01:07:34,684
[people applauding]
1274
01:07:36,486 --> 01:07:39,923
THOSE OF
A NERVOUS DISPOSITION
1275
01:07:39,989 --> 01:07:43,160
SHOULD NOW CLOSE THEIR EYES.
1276
01:07:48,064 --> 01:07:49,666
OH, DEAR.
1277
01:07:49,733 --> 01:07:50,734
[groaning]
1278
01:07:57,441 --> 01:07:59,243
ARE YOU ALL RIGHT, KITTEN?
1279
01:07:59,309 --> 01:08:00,710
OH...
1280
01:08:00,777 --> 01:08:03,147
NO, I'M ACTUALLY
QUITE HEARTBROKEN.
1281
01:08:03,213 --> 01:08:04,781
[people laughing]
1282
01:08:07,551 --> 01:08:09,519
[sighs]
1283
01:08:09,586 --> 01:08:12,222
[people laughing]
I THINK I SEE THE PROBLEM.
1284
01:08:12,289 --> 01:08:13,290
OOH.
1285
01:08:27,271 --> 01:08:28,438
[people exclaiming]
1286
01:08:28,505 --> 01:08:29,806
[exclaiming]
1287
01:08:34,578 --> 01:08:35,579
[sighs]
1288
01:08:37,181 --> 01:08:38,915
GEE, THANKS, CUPID.
1289
01:08:50,994 --> 01:08:53,797
AND THE OTHER THING
ABOUT THE PHANTOM
LADY WAS, BERTIE,
1290
01:08:53,863 --> 01:08:57,567
SHE REALIZED, IN
THE CITY THAT NEVER SLEEPS...
1291
01:08:57,634 --> 01:08:59,769
WHAT DID SHE REALIZE,
KITTEN?
1292
01:08:59,836 --> 01:09:04,474
THAT ALL THE SONGS
THAT SHE'D LISTENED TO,
ALL THE LOVE SONGS,
1293
01:09:04,541 --> 01:09:06,876
WELL, THEY WERE ONLY SONGS.
1294
01:09:06,943 --> 01:09:08,712
WHAT'S WRONG WITH THAT?
1295
01:09:08,778 --> 01:09:10,514
NOTHING,
IF YOU DON'T BELIEVE IN THEM.
1296
01:09:11,515 --> 01:09:13,250
BUT SHE DID, YOU SEE.
1297
01:09:13,317 --> 01:09:15,985
SHE BELIEVED
IN ENCHANTED EVENINGS
1298
01:09:16,052 --> 01:09:20,156
AND SHE-- AND SHE BELIEVED
THAT A SMALL CLOUD
PASSED OVERHEAD
1299
01:09:20,224 --> 01:09:23,092
AND CRIED DOWN
ON HER FLOWERBED.
1300
01:09:23,159 --> 01:09:26,763
AND SHE EVEN BELIEVED
THERE WAS BREAKFAST
TO BE HAD.
1301
01:09:26,830 --> 01:09:27,831
WHERE?
1302
01:09:28,965 --> 01:09:31,034
ON PLUTO.
1303
01:09:31,100 --> 01:09:35,004
THE MYSTERIOUS,
ICY WASTES OF PLUTO.
1304
01:09:37,574 --> 01:09:42,612
(Bertie)
YOU KNOW, KITTEN, I MADE
A DECISION A LONG TIME AGO.
1305
01:09:42,679 --> 01:09:45,382
(Patrick)
WHAT DECISION WAS THAT?
1306
01:09:45,449 --> 01:09:49,386
THAT I WASN'T DESTINED
FOR THE SENTIMENTAL
SIDE OF THINGS.
1307
01:09:51,187 --> 01:09:52,822
BUT...
1308
01:09:52,889 --> 01:09:57,160
BUT IF I DID LET MYSELF
EVER FALL FOR SOMEONE,
1309
01:09:58,762 --> 01:10:00,697
I THINK IT WOULD BE
A GIRL LIKE YOU.
1310
01:10:00,764 --> 01:10:02,299
BERTIE, PLEASE,
I HAVE TO STOP YOU.
1311
01:10:02,366 --> 01:10:03,800
THERE'S SOMETHING
YOU SHOULD KNOW.
1312
01:10:03,867 --> 01:10:06,536
OR MAYBE
WHAT I SHOULD SAY IS,
1313
01:10:08,204 --> 01:10:09,873
IT WOULD BE A GIRL...
1314
01:10:11,541 --> 01:10:13,277
NOT A MILLION
MILES AWAY FROM...
1315
01:10:13,343 --> 01:10:14,711
NO, PLEASE DON'T.
1316
01:10:14,778 --> 01:10:16,380
...WHERE I'M STANDING.
1317
01:10:18,014 --> 01:10:19,015
NO.
1318
01:10:22,686 --> 01:10:24,654
WHAT'S THE MATTER,
PRINCESS?
1319
01:10:27,190 --> 01:10:29,626
WELL, YOU SEE,
THE THING IS, BERTIE, I'M,
1320
01:10:30,927 --> 01:10:33,563
I'M NOT...
YES?
1321
01:10:34,230 --> 01:10:35,231
UM...
1322
01:10:36,533 --> 01:10:38,034
I'M NOT A GIRL.
1323
01:10:38,935 --> 01:10:40,904
OH, I KNEW THAT, PRINCESS.
1324
01:10:42,539 --> 01:10:43,607
YOU DID?
1325
01:10:43,673 --> 01:10:44,874
OF COURSE.
1326
01:10:46,142 --> 01:10:47,611
WHAT I SAID WAS
1327
01:10:48,978 --> 01:10:51,180
IT WOULD BE A GIRL LIKE YOU.
1328
01:10:57,487 --> 01:11:00,156
[people laughing]
1329
01:11:00,223 --> 01:11:03,259
(Bertie)
I DO BELIEVE I SEE MUMMY
OVER THERE.
1330
01:11:06,229 --> 01:11:07,597
(Bertie)
MAMMY!
1331
01:11:11,668 --> 01:11:15,872
ACTUALLY,
SHE'S JUST WALKED IN. THERE.
1332
01:11:17,040 --> 01:11:18,808
[people continue laughing]
1333
01:11:19,609 --> 01:11:20,910
MAMMY! MAMMY.
1334
01:11:21,545 --> 01:11:22,912
BASTARDS!
1335
01:11:24,080 --> 01:11:26,015
THINK YOU CAN
MAKE FUN OF HER?
1336
01:11:27,283 --> 01:11:28,852
YOU'RE COMIN' WITH ME.
1337
01:11:32,789 --> 01:11:34,190
WAIT!
1338
01:11:34,257 --> 01:11:36,726
(Bertie)
PLEASE DON'T LEAVE ME.
1339
01:11:36,793 --> 01:11:39,162
WHAT ABOUT
THE PRINCE OF MAGIC?
1340
01:11:39,228 --> 01:11:40,497
PLEASE DON'T GO.
1341
01:11:40,564 --> 01:11:42,332
SOME FUCKING
PRINCE OF MAGIC.
1342
01:11:42,399 --> 01:11:45,301
NO, MAYBE I SHOULD...
HE DOESN'T MEAN BAD,
CHARLIE.
1343
01:11:45,369 --> 01:11:48,237
FOR CHRIST'S SAKE, PADDY,
WHAT IS HAPPENING TO YOU?
1344
01:11:49,105 --> 01:11:50,340
KITTEN!
1345
01:12:00,584 --> 01:12:03,152
*[Children Of The Revolution
by T-Rex playing on stereo]
1346
01:12:03,219 --> 01:12:04,954
* LET IT ALL HANG OUT
1347
01:12:05,021 --> 01:12:09,526
* BUT YOU WON'T FOOL
THE CHILDREN
OF THE REVOLUTION *
1348
01:12:09,593 --> 01:12:14,631
* NO, YOU WON'T FOOL
THE CHILDREN
OF THE REVOLUTION *
1349
01:12:14,698 --> 01:12:17,300
* NO, NO, NO *
1350
01:12:17,367 --> 01:12:18,468
(Patrick)
EXCUSE ME.
1351
01:12:25,575 --> 01:12:28,512
JOHN JOE. JOHN JOE!
1352
01:12:28,578 --> 01:12:29,579
JOHN JOE!
1353
01:12:30,046 --> 01:12:31,080
[chuckles]
1354
01:12:31,147 --> 01:12:33,383
NOT A WOMBLE ANYMORE.
1355
01:12:33,450 --> 01:12:35,485
DON'T TALK TO ME
ABOUT FUCKING WOMBLES!
1356
01:12:35,552 --> 01:12:37,487
I'M IN
THE TOWER OF LONDON NOW.
1357
01:12:38,755 --> 01:12:43,092
HA. 30 SMACKERS
IN THE PAW, BOY,
NO QUESTIONS ASKED.
1358
01:12:43,159 --> 01:12:45,228
HEY, THEY'RE LOOKING
FOR A MARY QUEEN OF SCOTS.
1359
01:12:45,294 --> 01:12:46,362
WOULD YOU BE UP FOR IT?
1360
01:12:46,430 --> 01:12:48,932
THEY'D CHOP
MY HEAD OFF, SURELY.
1361
01:12:48,998 --> 01:12:51,768
AND HERE'S THE MAN
TO DO IT FOR YOU. HUH?
1362
01:12:51,835 --> 01:12:52,902
[laughs]
1363
01:12:52,969 --> 01:12:54,404
SMILEY, HUH?
1364
01:12:54,471 --> 01:12:55,472
[laughs]
1365
01:13:19,963 --> 01:13:21,665
[people chattering]
1366
01:13:34,310 --> 01:13:35,512
WHERE'S IRWIN GONE?
1367
01:13:35,579 --> 01:13:36,613
OH.
1368
01:13:36,680 --> 01:13:39,315
HIM AND HIS
FUCKING REVOLUTION.
1369
01:13:52,395 --> 01:13:53,730
HOW'D YOU CARRY IT?
1370
01:13:53,797 --> 01:13:55,098
BOTTOM OF MY SLEEPING BAG.
1371
01:13:57,366 --> 01:13:59,903
THERE WON'T BE MUCH SLEEPING
WITH THIS BABY.
1372
01:14:01,037 --> 01:14:02,972
SO YOU HAVEN'T
SEEN HER, THEN?
1373
01:14:04,641 --> 01:14:07,010
SHE'S--SHE'S HERE,
THOUGH, SOMEWHERE.
1374
01:14:07,076 --> 01:14:09,846
I KNOW IT.
I JUST KNOW IT, CHARLIE.
1375
01:14:09,913 --> 01:14:11,447
BIG FUCKIN' CITY.
1376
01:14:13,249 --> 01:14:15,051
I'M LOSIN' IRWIN, YOU KNOW.
1377
01:14:16,252 --> 01:14:17,320
HOW?
1378
01:14:18,488 --> 01:14:21,457
HE'S UP TO SOMETHING.
I KNOW IT.
1379
01:14:23,159 --> 01:14:24,794
HE'S GOT THESE SECRETS.
1380
01:14:27,096 --> 01:14:28,998
(Patrick)
SO WHY DID YOU
COME OVER, CHARLIE?
1381
01:14:29,065 --> 01:14:30,734
WASN'T JUST TO SEE ME.
1382
01:14:32,201 --> 01:14:34,337
WAS IT SOMETHING
TO DO WITH IRWIN?
1383
01:14:36,773 --> 01:14:38,241
YOU MIGHT SAY THAT.
1384
01:14:42,245 --> 01:14:43,479
I'M PREGNANT.
1385
01:14:48,051 --> 01:14:49,719
OH, JESUS, CHARLIE.
1386
01:14:51,555 --> 01:14:52,789
DOES HE KNOW?
1387
01:14:54,691 --> 01:14:56,526
YOU KNOW ALL HE KNOWS ABOUT.
1388
01:14:57,727 --> 01:14:59,162
OR CARES.
1389
01:15:08,204 --> 01:15:10,707
BUT YOU DIDN'T COME HERE
TO HAVE THE BABY?
1390
01:15:13,777 --> 01:15:15,679
I CAME HERE
TO GET RID OF IT.
1391
01:15:23,352 --> 01:15:25,288
YOU HAVE TO
TELL HIM, CHARLIE.
1392
01:15:26,623 --> 01:15:28,925
I CAN'T.
1393
01:15:28,992 --> 01:15:30,927
[door opening]
HE'S ALL FUCKED UP. HE'S...
1394
01:15:33,129 --> 01:15:36,232
SO, HOW ARE THE HOMELESS?
1395
01:15:38,067 --> 01:15:40,169
HOMELESS ARE FINE.
1396
01:15:40,236 --> 01:15:43,306
THAT'S WHAT KEEPS HIM
OUT LATE, KITTEN,
1397
01:15:43,372 --> 01:15:45,108
WORKING WITH THE HOMELESS.
1398
01:15:45,842 --> 01:15:47,110
RIGHT, IRWIN?
1399
01:16:04,894 --> 01:16:06,696
I CAN'T HAVE IT,
CAN I, PADDY?
1400
01:16:06,763 --> 01:16:08,164
(Patrick)
NO.
1401
01:16:09,365 --> 01:16:11,100
NO, YOU CAN'T.
1402
01:16:14,203 --> 01:16:16,505
IRWIN'S INVOLVED IN SHIT
I DON'T WANNA THINK ABOUT.
1403
01:16:16,572 --> 01:16:18,041
I KNOW.
1404
01:16:18,107 --> 01:16:19,943
WHAT WOULD IT
TURN OUT LIKE, PADDY?
1405
01:16:20,009 --> 01:16:21,811
YOU KNOW WHAT I MEAN,
DON'T YOU?
1406
01:16:22,979 --> 01:16:26,950
IT'D BE AN ABSOLUTE DISASTER,
LIKE ME.
1407
01:16:29,518 --> 01:16:33,389
NOW, I WANT YOU
TO READ THIS LEAFLET.
1408
01:16:33,456 --> 01:16:36,626
IT OUTLINES ALL ASPECTS
OF THE TERMINATION PROCEDURE.
1409
01:16:37,694 --> 01:16:39,562
TERMINATION?
1410
01:16:39,629 --> 01:16:41,665
YOU MEAN
THIS IS AN ABORTION CLINIC?
1411
01:16:41,731 --> 01:16:44,100
YES, OF COURSE IT IS.
1412
01:16:44,167 --> 01:16:46,569
OH. I THOUGHT
IT WAS A FERTILITY CLINIC.
1413
01:16:48,071 --> 01:16:49,639
[door closing]
1414
01:16:53,609 --> 01:16:56,345
I THINK SHE CHANGED HER MIND.
THANK YOU.
1415
01:16:56,412 --> 01:16:57,781
*[For The Good Times
by Kris Kristofferson playing]
1416
01:16:57,847 --> 01:17:00,884
* DON'T LOOK SO SAD
1417
01:17:04,220 --> 01:17:05,755
* I KNOW IT'S OVER
1418
01:17:05,822 --> 01:17:09,025
YOU SAID IT'D BE A DISASTER,
LIKE YOU.
1419
01:17:09,092 --> 01:17:11,795
[chuckles]
WORSE, PROBABLY.
1420
01:17:11,861 --> 01:17:14,063
BUT I LOVE YOU,
YOU FUCKING DISASTER.
1421
01:17:14,731 --> 01:17:16,099
OH, CHARLIE.
1422
01:17:16,165 --> 01:17:18,434
* KEEP ON TURNING
1423
01:17:21,004 --> 01:17:23,439
* LET'S JUST BE GLAD
1424
01:17:23,506 --> 01:17:25,441
(Charlie)
PROMISE YOU WON'T
GET LOST AGAIN?
1425
01:17:25,508 --> 01:17:27,276
I PROMISE.
1426
01:17:27,343 --> 01:17:28,477
* TO SPEND TOGETHER
1427
01:17:28,544 --> 01:17:29,545
TELL HIM.
1428
01:17:31,247 --> 01:17:32,348
TELL ME WHAT?
1429
01:17:32,415 --> 01:17:33,649
* THERE'S NO NEED
TO WATCH THE BRIDGES *
1430
01:17:33,717 --> 01:17:35,518
CHARLIE'S JOINING
THE SANDINISTAS.
1431
01:17:35,584 --> 01:17:36,920
AREN'T YOU, CHARLIE?
1432
01:17:36,986 --> 01:17:38,521
SANDINISTAS?
MMM-HMM.
1433
01:17:38,587 --> 01:17:40,056
THEY'RE A ROCK BAND.
1434
01:17:40,123 --> 01:17:41,490
AREN'T THEY, CHARLIE?
1435
01:17:41,557 --> 01:17:42,859
WHERE CAN I REACH YOU?
1436
01:17:42,926 --> 01:17:45,094
* LAY YOUR HEAD
1437
01:17:45,161 --> 01:17:47,030
TRY CAMBRIDGE CIRCUS.
1438
01:17:48,732 --> 01:17:51,300
* UPON MY PILLOW
1439
01:17:52,902 --> 01:17:54,503
(woman)
THANK YOU.
1440
01:17:54,570 --> 01:17:57,173
* HOLD YOUR WARM
1441
01:17:57,240 --> 01:18:01,878
* AND TENDER BODY
CLOSE TO MINE *
1442
01:18:01,945 --> 01:18:03,579
SEE YOU, PADDY.
1443
01:18:05,581 --> 01:18:10,820
* HEAR THE WHISPER
OF THE RAINDROPS *
1444
01:18:10,887 --> 01:18:15,391
* BLOWIN' SOFT
AGAINST THE WINDOW *
1445
01:18:18,094 --> 01:18:21,731
* AND MAKE BELIEVE
YOU LOVE ME *
1446
01:18:21,798 --> 01:18:24,033
* ONE MORE TIME
1447
01:18:27,103 --> 01:18:29,372
* FOR THE GOOD TIMES
1448
01:18:32,742 --> 01:18:34,710
* I'LL GET ALONG
1449
01:18:37,781 --> 01:18:41,450
* YOU'LL FIND ANOTHER
1450
01:18:41,517 --> 01:18:43,552
[people chattering]
1451
01:18:43,619 --> 01:18:45,321
* AND I'LL BE HERE *
1452
01:18:45,388 --> 01:18:46,389
*[Dream World playing]
1453
01:18:46,455 --> 01:18:49,025
* DREAM WORLD
1454
01:18:49,092 --> 01:18:51,594
* I'M WRAPPED UP
IN A DREAM WORLD *
1455
01:18:51,660 --> 01:18:53,797
* I MUST BE DREAMING IT,
DARLING *
1456
01:18:53,863 --> 01:18:55,765
YOU AND ME, DARLING.
WHAT DO YOU SAY?
1457
01:18:55,832 --> 01:18:57,633
I DON'T QUITE KNOW
WHAT TO SAY.
1458
01:18:57,700 --> 01:19:00,069
* DREAM WORLD
1459
01:19:00,136 --> 01:19:01,771
CHRIST, YOU'RE A BLOKE!
1460
01:19:01,838 --> 01:19:03,572
10 OUT OF 10, SHERLOCK.
1461
01:19:08,711 --> 01:19:12,448
* SOMEBODY TAKE ME
WHY DON'T YOU WAKE ME *
1462
01:19:12,515 --> 01:19:14,450
* I MUST BE DREAMING
1463
01:19:16,119 --> 01:19:19,022
* NO, NO, DON'T GO
1464
01:19:19,088 --> 01:19:23,092
* I NEED ONE MORE CHANCE
TO MAKE IT UP TO YOU *
1465
01:19:23,159 --> 01:19:25,461
* NO, NO, DON'T GO
1466
01:19:25,528 --> 01:19:27,496
YOU FANCY A DRINK
OR SOMETHING?
1467
01:19:27,563 --> 01:19:29,465
* DREAM WORLD
1468
01:19:29,532 --> 01:19:32,635
CAMPARI AND SODA,
IF YOU DON'T MIND.
1469
01:19:32,701 --> 01:19:34,337
OF COURSE I DON'T.
1470
01:19:34,403 --> 01:19:36,572
WOULDN'T HAVE
ASKED YOU OTHERWISE,
WOULD I?
1471
01:19:36,639 --> 01:19:38,541
CAMPARI AND SODA,
PLEASE, MATE.
1472
01:19:38,607 --> 01:19:40,709
* DREAM WORLD
1473
01:19:40,776 --> 01:19:44,480
* I'M WRAPPED UP
IN A DREAM WORLD *
1474
01:19:44,547 --> 01:19:46,015
(barman)
THERE YOU GO, MATE.
1475
01:19:47,116 --> 01:19:48,117
CHEERS.
1476
01:19:49,152 --> 01:19:50,854
[people chattering]
1477
01:19:54,123 --> 01:19:55,224
THANK YOU.
1478
01:19:57,526 --> 01:19:59,462
CROWDED TONIGHT.
1479
01:19:59,528 --> 01:20:00,864
OH, YES.
1480
01:20:00,930 --> 01:20:02,298
FOOTBALL SUPPORTERS?
1481
01:20:02,365 --> 01:20:04,600
NO, ROYAL ENGINEERS.
1482
01:20:04,667 --> 01:20:06,735
OH, SOLDIERS.
1483
01:20:06,802 --> 01:20:09,138
JUST COME BACK
FROM A TOUR OF DUTY.
1484
01:20:09,205 --> 01:20:11,908
ADEN? CYPRUS?
NO, LET ME GUESS.
1485
01:20:11,975 --> 01:20:15,278
FUCKING ULSTER.
1486
01:20:15,344 --> 01:20:17,380
I HAVEN'T GOT ANYTHING
AGAINST THE IRISH,
THOUGH, MIND.
1487
01:20:17,446 --> 01:20:19,215
I HEAR
THEY'RE VERY FRIENDLY.
1488
01:20:19,282 --> 01:20:21,017
DON'T KNOW. MAYBE.
1489
01:20:23,586 --> 01:20:26,755
IT'S THE POLITICIANS
WHAT FUCK IT UP, THOUGH,
ISN'T IT?
1490
01:20:26,822 --> 01:20:28,925
* DREAM WORLD
1491
01:20:30,927 --> 01:20:32,661
DO YOU WANNA DANCE?
1492
01:20:32,728 --> 01:20:34,297
* I'M WRAPPED UP
IN A DREAM WORLD *
1493
01:20:34,363 --> 01:20:35,764
YES, I'D LOVE TO.
1494
01:20:37,934 --> 01:20:40,336
* DREAM WORLD
1495
01:20:40,403 --> 01:20:43,406
* I'M WRAPPED UP
IN A DREAM WORLD *
1496
01:20:46,542 --> 01:20:48,978
*[Honey by Bobby Goldsboro
playing]
1497
01:20:50,413 --> 01:20:51,447
YOU OK?
1498
01:20:51,514 --> 01:20:54,217
OH, YES. SUPER.
1499
01:20:55,851 --> 01:20:57,820
YOU SEEM A LITTLE BIT TENSE.
1500
01:20:57,887 --> 01:20:59,322
* IT WASN'T BIG
1501
01:20:59,388 --> 01:21:01,324
HMM.
1502
01:21:01,390 --> 01:21:02,825
WOULD YOU DO
SOMETHING FOR ME?
1503
01:21:02,892 --> 01:21:04,393
* I LAUGHED AT HER
AND SHE GOT MAD *
1504
01:21:04,460 --> 01:21:05,628
YEAH, OF COURSE.
1505
01:21:05,694 --> 01:21:08,464
* THE FIRST DAY
THAT SHE PLANTED IT *
1506
01:21:08,531 --> 01:21:10,566
WOULD YOU PRETEND
YOUR NAME'S BOBBY?
1507
01:21:12,368 --> 01:21:13,436
BOBBY WHO?
1508
01:21:13,502 --> 01:21:15,304
* SHE WAS ALWAYS
YOUNG AT HEART *
1509
01:21:15,371 --> 01:21:16,705
BOBBY GOLDSBORO.
1510
01:21:16,772 --> 01:21:18,841
* KINDA DUMB
AND KINDA SMART *
1511
01:21:18,908 --> 01:21:20,809
IT'S HIS SONG, YOU SEE.
1512
01:21:22,678 --> 01:21:23,846
BOBBY IT IS, THEN.
1513
01:21:23,913 --> 01:21:25,581
* AND I SURPRISED HER
WITH A PUPPY *
1514
01:21:25,648 --> 01:21:30,086
ALL YOU HAVE TO DO
IS PLANT A LITTLE TREE,
1515
01:21:30,153 --> 01:21:32,055
AND SURPRISE ME WITH A PUPPY,
1516
01:21:33,522 --> 01:21:34,790
I'LL HUG YOUR NECK.
1517
01:21:34,857 --> 01:21:36,259
* AND IT WOULD SURE
EMBARRASS HER *
1518
01:21:36,325 --> 01:21:38,561
* WHEN I CAME IN
FROM WORKIN' LATE *
1519
01:22:00,416 --> 01:22:02,051
[people coughing]
1520
01:22:09,458 --> 01:22:11,460
[ambulance siren wailing]
1521
01:22:24,940 --> 01:22:26,442
[people continue coughing]
1522
01:22:26,509 --> 01:22:29,278
(cop #1)
BACK. GO TO THE BACK END.
1523
01:22:29,345 --> 01:22:31,280
GET AS MANY MEN
DOWN AS YOU CAN.
1524
01:22:31,347 --> 01:22:33,649
(paramedic)
ALL RIGHT, MY LOVE, WE'RE
GONNA GET YOU OUT OF HERE.
1525
01:22:33,716 --> 01:22:36,252
(cop #2)
COME ON, MY LOVE.
CAN YOU STAND?
1526
01:22:39,222 --> 01:22:41,124
THAT'S IT.
1527
01:22:41,190 --> 01:22:42,591
(cop #1)
AS MANY PEOPLE AS WE CAN
GET OUT THROUGH THE DOOR.
1528
01:22:42,658 --> 01:22:44,227
(paramedic)
TAKE MY SHOULDER, LOVE.
1529
01:22:44,293 --> 01:22:46,195
YOU'RE ALL RIGHT, MATE,
I'VE GOT YOU.
1530
01:22:46,262 --> 01:22:47,363
MY TIGHTS.
1531
01:22:47,430 --> 01:22:49,065
EASY, EASY.
STEADY DOWN THERE. STEADY.
1532
01:22:49,132 --> 01:22:50,833
MY TIGHTS!
THEY'RE IN RIBBONS.
1533
01:22:50,899 --> 01:22:52,268
YOU'RE ALIVE, LOVE,
THAT'S THE MAIN THING.
1534
01:22:52,335 --> 01:22:53,669
COME ON.
1535
01:22:53,736 --> 01:22:56,072
I KNOW WHAT I'LL HAVE TO DO,
I'LL HAVE TO GET A NEW PAIR.
1536
01:22:56,139 --> 01:22:58,574
THERE'S NO OTHER WAY,
I'M AFRAID.
1537
01:23:01,777 --> 01:23:03,679
(paramedic)
KEEP STILL, DARLING.
DON'T TRY AND MOVE, OK?
1538
01:23:03,746 --> 01:23:05,914
(paramedic)
PLEASE, LET US THROUGH NOW!
1539
01:23:05,981 --> 01:23:08,451
(cop #3)
WATCH OUT. WATCH OUT.
1540
01:23:08,517 --> 01:23:10,586
I TOLD YOU,
FROM MY BEST SIDE, DARLINGS.
1541
01:23:10,653 --> 01:23:12,788
(cop #1)
BRING THE OTHER AMBULANCE.
SLOW DOWN.
1542
01:23:13,522 --> 01:23:15,924
THAT'S IT. SLOWLY NOW.
1543
01:23:15,991 --> 01:23:18,027
(paramedic)
COME ON, GET
OUT OF THE WAY, PLEASE!
1544
01:23:18,094 --> 01:23:19,728
COME ON.
1545
01:23:19,795 --> 01:23:21,064
OUT OF THE WAY.
1546
01:23:21,130 --> 01:23:23,199
(woman)
PLEASE, NURSE,
HE'S IN SO MUCH PAIN.
1547
01:23:23,266 --> 01:23:24,800
[people chattering]
1548
01:23:24,867 --> 01:23:28,304
NO, THEY'RE CHRISTIAN DIOR.
DO YOU REALLY HAVE TO?
1549
01:23:29,405 --> 01:23:30,639
[chuckling]
1550
01:23:30,706 --> 01:23:32,041
[camera clicking]
1551
01:23:34,943 --> 01:23:36,845
[man whacking]
1552
01:23:36,912 --> 01:23:38,347
[laughs]
1553
01:23:38,414 --> 01:23:42,485
HOW SILLY CAN YOU GET,
PUTTING AN "X"
ACROSS MY WEENIE.
1554
01:23:42,551 --> 01:23:47,456
NOT SO SILLY
AS 11 FUCKING PEOPLE
BLOWN TO PIECES,
1555
01:23:47,523 --> 01:23:49,825
YOU TWISTED LITTLE CUNT!
1556
01:23:49,892 --> 01:23:53,896
(Wallis)
FUCKING BABY-FACED,
FUCKING IRISH MURDERER!
1557
01:23:53,962 --> 01:23:55,398
[grunts]
1558
01:23:56,899 --> 01:24:00,236
I'M SORRY, DID YOU CALL?
1559
01:24:00,303 --> 01:24:02,405
I CAN'T QUITE SEE
WHERE YOU ARE.
1560
01:24:02,471 --> 01:24:04,673
I'M OVER HERE, YOU SEE.
1561
01:24:04,740 --> 01:24:08,544
MILLIONS OF MILES UP HERE
WITH SIRIUS GUARDING MY HEAD.
1562
01:24:08,611 --> 01:24:10,246
TELL HIM
WHAT HE WANTS TO KNOW!
1563
01:24:10,313 --> 01:24:11,480
[pants]
1564
01:24:11,547 --> 01:24:15,084
OH, IT'S FREE. EVERYONE
THINKS IT'S COLD UP HERE
1565
01:24:15,151 --> 01:24:16,619
BUT IT'S ACTUALLY QUITE WARM.
1566
01:24:16,685 --> 01:24:20,456
YES, IT'S WARM AS TOAST
UP ON PLUTO.
1567
01:24:20,523 --> 01:24:21,724
EH, PLUTO.
1568
01:24:21,790 --> 01:24:23,459
[both panting]
1569
01:24:23,526 --> 01:24:27,530
DON'T TRY THE FUCKING
BLARNEY ON US, PADDY!
1570
01:24:27,596 --> 01:24:31,033
WE KNOW YOU PLANTED
THE FUCKING BOMB!
1571
01:24:31,100 --> 01:24:33,502
BUT OF COURSE I DID,
MY DARLING.
1572
01:24:33,569 --> 01:24:35,971
WHY, I'VE PLANTED
HUNDREDS OF THEM.
1573
01:24:36,038 --> 01:24:39,074
(Wallis)
HAVE YOU NOW?
WELL, PLANT THIS!
1574
01:24:43,779 --> 01:24:45,714
HELLO, OFFICER.
1575
01:24:46,249 --> 01:24:47,916
I'M OVER HERE.
1576
01:24:47,983 --> 01:24:51,053
JUST TAKE A LEFT
AT THE MILKY WAY.
1577
01:24:51,120 --> 01:24:54,523
* WE'LL TRAVEL TO MARS
AND VISIT *
1578
01:24:54,590 --> 01:24:56,759
CHRIST,
I CAN'T FUCKING STAND THIS!
1579
01:24:56,825 --> 01:25:01,530
LISTEN, SON,
WHY DON'T YOU JUST
MAKE A STATEMENT?
1580
01:25:03,132 --> 01:25:05,168
A STATEMENT, OFFICER?
1581
01:25:05,234 --> 01:25:06,702
WHY DIDN'T YOU JUST SAY SO?
1582
01:25:06,769 --> 01:25:10,439
ATTABOY. THERE'S NO POINT
MAKING IT HARD FOR ALL OF US.
1583
01:25:10,506 --> 01:25:12,007
OF COURSE NOT.
1584
01:25:12,074 --> 01:25:14,143
AFTER ALL,
WE'RE ALL FRIENDS HERE.
1585
01:25:20,816 --> 01:25:25,721
LET'S START
WITH WHERE YOU WERE
ON THURSDAY, OCTOBER 17TH.
1586
01:25:27,590 --> 01:25:29,658
[whispering]
I WAS IN MY LITTLE CELL
1587
01:25:29,725 --> 01:25:32,695
WORKING WITH
MY ACTIVE SERVICE UNIT.
1588
01:25:32,761 --> 01:25:34,963
BUT I WAS WORKING UNDERCOVER.
1589
01:25:35,564 --> 01:25:37,099
UNDERCOVER?
HMM.
1590
01:25:37,166 --> 01:25:39,134
*[For What It's Worth by
Buffalo Springfield playing]
1591
01:25:39,202 --> 01:25:42,605
* THERE'S A MAN WITH A GUN
OVER THERE *
1592
01:25:42,671 --> 01:25:45,508
OH, IT'S ALL
COMING BACK TO ME NOW.
PEN AND PAPER, PLEASE.
1593
01:25:45,574 --> 01:25:48,377
* TELLING ME
I GOT TO BEWARE *
1594
01:25:48,444 --> 01:25:51,914
* I THINK IT'S TIME WE STOP,
CHILDREN, WHAT'S THAT SOUND *
1595
01:25:51,980 --> 01:25:55,251
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1596
01:25:55,318 --> 01:25:59,755
(Patrick)
PATRICIA KITTEN,
A.K.A. DEEP THROAT,
1597
01:25:59,822 --> 01:26:04,627
HAD PENETRATED
THE DEEPEST RECESSES
OF THE REPUBLICAN SPHINCTER...
1598
01:26:04,693 --> 01:26:07,162
* THERE'S BATTLE LINES
BEING DRAWN *
1599
01:26:07,230 --> 01:26:10,666
WITH HER SECRET
ANTI-TERRORIST SPRAY
1600
01:26:10,733 --> 01:26:14,803
NAMED AFTER
GABRIELLE COCO CHANEL'S
LUCKY NUMBER.
1601
01:26:14,870 --> 01:26:17,240
* SPEAKING THEIR MINDS
1602
01:26:17,306 --> 01:26:19,608
(leader)
THE STABILITY OF SEMTEX
WILL BE COMPROMISED.
1603
01:26:19,675 --> 01:26:22,811
(Patrick)
OH, BUT, LORD, WAS SHE
SICK OF THAT BLACK.
1604
01:26:22,878 --> 01:26:24,613
[all exclaiming]
1605
01:26:24,680 --> 01:26:27,983
WHAT IS IT
WITH FREEDOM FIGHTERS
AND COUTURE ANYWAY?
1606
01:26:28,951 --> 01:26:30,719
* HEY, WHAT'S THAT SOUND
1607
01:26:30,786 --> 01:26:33,088
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1608
01:26:33,155 --> 01:26:35,491
* STOP, HEY,
WHAT'S THAT SOUND *
1609
01:26:35,558 --> 01:26:37,826
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1610
01:26:37,893 --> 01:26:40,229
* STOP, HEY,
WHAT'S THAT SOUND *
1611
01:26:40,296 --> 01:26:42,865
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1612
01:26:42,931 --> 01:26:45,234
YOU'VE GOT FUSE SUPPORT
AND BOOSTER CHARGE.
1613
01:26:45,301 --> 01:26:47,970
WHAT CAN I SAY?
WE'VE GOT HERE
THE PRESSURE PLATE--
1614
01:26:52,040 --> 01:26:54,710
* STOP, HEY,
WHAT'S THAT SOUND *
1615
01:26:54,777 --> 01:26:56,745
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1616
01:26:56,812 --> 01:26:58,046
* STOP *
1617
01:26:58,113 --> 01:26:59,482
* STOP, HEY,
WHAT'S THAT SOUND *
1618
01:26:59,548 --> 01:27:01,750
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1619
01:27:01,817 --> 01:27:03,852
* STOP, HEY,
WHAT'S THAT SOUND *
1620
01:27:03,919 --> 01:27:06,755
* EVERYBODY LOOK
WHAT'S GOING DOWN *
1621
01:27:08,324 --> 01:27:09,958
*[Honey by
Bobby Goldsboro playing]
1622
01:27:10,025 --> 01:27:12,695
* ONE DAY
WHILE I WAS NOT AT HOME *
1623
01:27:12,761 --> 01:27:15,631
* WHILE SHE WAS THERE
AND ALL ALONE *
1624
01:27:15,698 --> 01:27:17,833
* THE ANGELS CAME
1625
01:27:20,269 --> 01:27:23,839
* NOW ALL I HAVE
IS MEMORIES OF HONEY *
1626
01:27:23,906 --> 01:27:28,411
* AND I WAKE UP NIGHTS
AND CALL HER NAME *
1627
01:27:30,979 --> 01:27:33,282
* NOW MY LIFE'S
AN EMPTY STAGE *
1628
01:27:33,349 --> 01:27:36,285
[sobbing]
* WHERE HONEY LIVED
AND HONEY PLAYED *
1629
01:27:36,352 --> 01:27:38,153
* AND LOVE GREW UP
1630
01:27:40,556 --> 01:27:42,825
* AND A SMALL CLOUD
PASSES OVERHEAD *
1631
01:27:42,891 --> 01:27:44,727
IS THERE ANYONE HERE?
1632
01:27:44,793 --> 01:27:46,762
WHY WON'T HE JUST
TALK TO US?
1633
01:27:46,829 --> 01:27:49,898
DID HE OR DIDN'T HE,
DRESSED AS A WOMAN,
GET CAUGHT BY HIS OWN BOMB?
1634
01:27:49,965 --> 01:27:52,468
WE'VE HELD HIM 6 DAYS NOW.
7'S THE MAX.
1635
01:27:52,535 --> 01:27:54,002
* HOW BIG IT'S GROWN
1636
01:27:54,069 --> 01:27:56,572
* BUT FRIEND
IT HASN'T BEEN TOO LONG *
1637
01:27:56,639 --> 01:27:58,307
* IT WASN'T BIG *
1638
01:28:01,477 --> 01:28:02,811
[both exclaim]
1639
01:28:04,112 --> 01:28:05,914
(Wallis)
PADDY?
1640
01:28:05,981 --> 01:28:07,249
[Patrick moaning]
1641
01:28:07,316 --> 01:28:09,184
YOU ALL RIGHT?
1642
01:28:09,251 --> 01:28:11,086
FINE. ABSOLUTELY WONDERFUL.
1643
01:28:12,688 --> 01:28:14,690
MEET US HALFWAY,
WILL YOU, PADDY?
1644
01:28:14,757 --> 01:28:16,392
TELL US WHY YOU
CAME OVER HERE.
1645
01:28:17,726 --> 01:28:19,995
WELL, WELL, I WAS JUST
LOOKING FOR SOMEONE.
1646
01:28:20,062 --> 01:28:21,564
I WAS JUST LOOKING FOR
EILY BERGIN.
1647
01:28:21,630 --> 01:28:23,065
WHO'S EILY BERGIN,
PADDY?
1648
01:28:25,601 --> 01:28:27,570
SHE'S GONE UNDERCOVER NOW.
1649
01:28:27,636 --> 01:28:30,272
THE BIGGEST CITY IN THE WORLD
SWALLOWED HER UP.
1650
01:28:30,339 --> 01:28:33,409
COULD SHE HELP US
WITH OUR INQUIRIES, PADDY?
1651
01:28:33,476 --> 01:28:34,743
SHE COULD HELP ME WITH MINE.
1652
01:28:34,810 --> 01:28:37,780
DO YOU WANT US TO FIND HER?
HAVE YOU GOT AN ADDRESS?
1653
01:28:39,247 --> 01:28:40,949
YOU COULD TRY
THE HOUSE THAT VANISHED.
1654
01:28:41,016 --> 01:28:42,451
THE HOUSE THAT VANISHED.
1655
01:28:44,387 --> 01:28:47,022
[laughing]
OH, CHRIST.
1656
01:28:47,089 --> 01:28:49,024
I THINK
WE'RE ALL LOSING IT.
1657
01:28:56,699 --> 01:28:58,467
WE'RE GONNA GET
SOME SLEEP NOW, PADDY.
1658
01:28:58,534 --> 01:29:00,769
WE'RE GONNA GET SOME SLEEP.
1659
01:29:00,836 --> 01:29:04,907
LOOK, I THINK WE MAY
HAVE MADE A MISTAKE.
1660
01:29:06,375 --> 01:29:07,476
OFFICER?
1661
01:29:07,543 --> 01:29:09,412
WHAT IS IT NOW?
1662
01:29:09,478 --> 01:29:11,647
(Patrick)
IF YOU CAME HOME
FROM THE OFFICE
1663
01:29:11,714 --> 01:29:14,417
AND YOU FOUND ME
LYING ON THE FLOOR,
1664
01:29:14,483 --> 01:29:16,752
WOULD YOU TAKE ME
TO THE HOSPITAL?
1665
01:29:16,819 --> 01:29:18,787
WELL, OF COURSE I WOULD.
1666
01:29:18,854 --> 01:29:21,223
AND WOULD YOU CARRY ME
LIKE YOU'RE DOING NOW?
1667
01:29:22,057 --> 01:29:23,959
WELL, YEAH.
1668
01:29:24,026 --> 01:29:29,465
SO IF I WASN'T
A TRANSVESTITE TERRORIST,
WOULD YOU MARRY ME?
1669
01:29:29,532 --> 01:29:31,434
NO, FOR FUCK'S SAKE.
1670
01:29:33,502 --> 01:29:35,237
[knocking on door]
1671
01:29:39,842 --> 01:29:43,078
WELL, IS OFFICER WALLIS
GONNA BE A HAPPY MAN OR WHAT?
1672
01:29:43,145 --> 01:29:46,181
WE'VE HELD YOU TOO LONG
BY ALL ACCOUNTS. LOOK.
1673
01:29:46,749 --> 01:29:48,083
OH.
1674
01:29:48,150 --> 01:29:50,318
OH, NO, YOU CAN'T.
1675
01:29:50,385 --> 01:29:53,221
YOU CAN'T. NOT WHEN
I'M SETTLING IN SO WELL.
1676
01:29:58,093 --> 01:30:00,663
TAKE YOUR HEAD
OFF MY SHOULDER, SON.
1677
01:30:02,264 --> 01:30:03,999
[whistles]
1678
01:30:04,066 --> 01:30:06,435
YOU DON'T UNDERSTAND, PADDY.
WE CAN'T KEEP YOU HERE.
1679
01:30:06,502 --> 01:30:08,504
IT'S IMPOSSIBLE.
WE COULDN'T EVEN
IF WE WANTED TO.
1680
01:30:08,571 --> 01:30:10,172
FUCK THIS,
I'M GOING ON A LONG HOLIDAY.
1681
01:30:10,238 --> 01:30:11,640
WIFE SAYS I NEED IT.
1682
01:30:11,707 --> 01:30:12,975
COME ON!
1683
01:30:13,041 --> 01:30:16,311
COME ON, JUST FOR ONE DAY.
IT WOULDN'T KILL YOU.
1684
01:30:16,378 --> 01:30:18,847
SORRY, PADDY.
IT'S IMPOSSIBLE.
1685
01:30:18,914 --> 01:30:20,549
OK, A HALF-A-DAY, PLEASE?
1686
01:30:20,616 --> 01:30:22,084
NO.
1687
01:30:25,053 --> 01:30:27,255
LOOK, DO YOU MIND ME ASKING?
1688
01:30:27,322 --> 01:30:29,057
I MEAN, WHY DO YOU WANNA...
1689
01:30:29,124 --> 01:30:31,560
I MEAN,
IT DON'T MAKE ANY SENSE.
1690
01:30:31,627 --> 01:30:33,529
IT JUST MAKES ME FEEL SECURE.
1691
01:30:33,596 --> 01:30:34,730
SECURE?
1692
01:30:34,797 --> 01:30:35,998
YES, YOU SEE, IN THE CELL,
1693
01:30:36,064 --> 01:30:40,002
SOMETIMES I THINK MY LEGS
ARE TURNING INTO AIR
1694
01:30:40,068 --> 01:30:43,271
AND I'M FLOATING IN SPACE,
AND I'M ALL ALONE.
1695
01:30:43,338 --> 01:30:45,541
"GALACTIC ALONENESS,"
I'VE HEARD THAT CALLED.
1696
01:30:45,608 --> 01:30:47,309
PLEASE, ROUTLEDGE.
1697
01:30:48,811 --> 01:30:51,947
I JUST WANNA BELONG.
1698
01:30:52,014 --> 01:30:56,752
I'D BE YOUR BEST PRISONER.
I'D COOK AND I'D CLEAN
AND I'D--I'D SWEEP
1699
01:30:56,819 --> 01:31:00,088
AND I'D--I'D IRON
ALL THE UNIFORMS. I...
1700
01:31:00,155 --> 01:31:01,957
HEY, PADDY!
I JUST WANNA...
1701
01:31:04,593 --> 01:31:05,961
[groans]
1702
01:31:06,028 --> 01:31:08,396
NO, I'M AFRAID
IT'S GOODBYE NOW.
1703
01:31:16,104 --> 01:31:19,441
ALL RIGHT,
GO GET THAT BUS THERE.
1704
01:31:20,208 --> 01:31:21,944
GO ON!
1705
01:31:22,010 --> 01:31:23,512
*[Love Is A Many
Splendored Thing
playing]
1706
01:31:23,579 --> 01:31:28,150
* LOVE IS A MANY
SPLENDORED THING *
1707
01:31:32,688 --> 01:31:36,058
JENNIFER JONES
AND WILLIAM HOLDEN.
1708
01:31:36,124 --> 01:31:39,928
* THAT ONLY GROWS
IN THE EARLY SPRING *
1709
01:31:39,995 --> 01:31:42,330
LOVE IS
A MANY-SPLENDORED THING?
1710
01:31:44,499 --> 01:31:45,868
* LOVE IS NATURE'S WAY
1711
01:31:45,934 --> 01:31:48,070
HAVE YOU EVER BEEN IN LOVE?
1712
01:31:48,136 --> 01:31:50,873
* OF GIVING
1713
01:31:52,941 --> 01:31:54,743
ONCE I THOUGHT I WAS.
1714
01:31:55,510 --> 01:31:57,312
HE WAS A LUCKY MAN.
1715
01:31:57,379 --> 01:32:01,817
* THE GOLDEN CROWN
THAT MAKES A MAN *
1716
01:32:01,884 --> 01:32:02,918
I'D PAY YOU.
1717
01:32:02,985 --> 01:32:05,921
* A KING
1718
01:32:05,988 --> 01:32:08,390
I'D GIVE YOU
WHATEVER YOU WANTED.
1719
01:32:10,058 --> 01:32:12,194
WHATEVER YOU WANTED,
I'D GIVE YOU.
1720
01:32:12,260 --> 01:32:17,165
* ONCE ON A HIGH
AND WINDY HILL *
1721
01:32:18,734 --> 01:32:22,037
* IN THE MORNING MIST
1722
01:32:22,104 --> 01:32:24,740
* TWO LOVERS KISSED
1723
01:32:24,807 --> 01:32:29,544
* AND THE WORLD STOOD STILL
1724
01:32:29,612 --> 01:32:32,581
* THEN YOUR FINGERS TOUCHED
1725
01:32:32,648 --> 01:32:35,450
* MY SILENT HEART
1726
01:32:35,517 --> 01:32:40,856
* AND TAUGHT IT HOW TO SING
1727
01:32:40,923 --> 01:32:44,226
* YES, TRUE LOVE'S
1728
01:32:44,292 --> 01:32:49,231
* A MANY SPLENDORED THING
1729
01:33:12,087 --> 01:33:14,489
THAT'S MY MAMMY!
THAT'S MY MAMMY!
1730
01:33:16,759 --> 01:33:18,560
EXCUSE ME! EXCUSE ME.
1731
01:33:19,862 --> 01:33:22,297
EXCUSE ME.
EXCUSE ME. EXCUSE ME.
1732
01:33:22,364 --> 01:33:26,068
* HOW TO SING
1733
01:33:26,134 --> 01:33:28,336
EXCUSE ME.
EXCUSE ME, EXCUSE ME.
1734
01:33:28,403 --> 01:33:30,706
* YES, TRUE LOVE'S
1735
01:33:30,773 --> 01:33:35,744
* A MANY SPLENDORED THING *
1736
01:33:39,081 --> 01:33:40,282
HELLO!
1737
01:33:56,364 --> 01:33:57,933
[sighing]
1738
01:34:11,346 --> 01:34:13,015
[women chattering]
1739
01:34:14,950 --> 01:34:17,820
HELLO, SIR.
CAN I BE OF ASSISTANCE?
1740
01:34:17,886 --> 01:34:22,357
I DON'T DO ANYTHING HEAVY,
BUT ASIDE FROM
THAT I'D BE MORE...
1741
01:34:22,424 --> 01:34:24,659
I COULD HAVE YOU ARRESTED,
YOU KNOW.
1742
01:34:24,727 --> 01:34:26,995
WELL, ICKY-OAKIE ME.
1743
01:34:27,595 --> 01:34:28,797
GET IN.
1744
01:34:32,935 --> 01:34:35,403
THIS IS NO LIFE
FOR A YOUNG MAN
LIKE YOU, PATRICK.
1745
01:34:35,470 --> 01:34:36,872
WELL, CUFF ME THEN.
1746
01:34:36,939 --> 01:34:38,774
CARRY ME TO MY SWEET CELL.
1747
01:34:38,841 --> 01:34:40,709
NO.
1748
01:34:40,776 --> 01:34:43,578
OH, WAIT,
YOU'RE NOT AN ACTUAL PUNTER,
ARE YOU? HOW EXCITING.
1749
01:34:43,645 --> 01:34:45,981
NO, IT'S NOT...
IT'S NOT THAT EITHER.
1750
01:34:46,048 --> 01:34:47,916
IT'S A LOT MORE SERIOUS
THAN THAT, PATRICK.
1751
01:34:47,983 --> 01:34:50,085
WELL, OF COURSE IT IS,
OF COURSE IT'S SERIOUS.
1752
01:34:50,152 --> 01:34:51,553
EVERYTHING'S SERIOUS.
1753
01:34:51,619 --> 01:34:54,056
OH, YOU'RE GONNA
DIE OUT THERE, PADDY!
1754
01:34:58,226 --> 01:34:59,461
I KNOW.
1755
01:35:05,167 --> 01:35:08,103
WHY DON'T YOU TRY
AND GET A REGULAR JOB?
1756
01:35:08,170 --> 01:35:11,774
WELL, TO TELL YOU THE TRUTH,
INSPECTOR,
I'M NOT THAT EMPLOYABLE.
1757
01:35:11,840 --> 01:35:13,341
SO I GATHERED.
1758
01:35:16,912 --> 01:35:18,413
FUCKING HELL.
1759
01:35:24,086 --> 01:35:25,520
[pulling brake]
1760
01:35:26,421 --> 01:35:27,923
COME WITH ME.
1761
01:35:33,929 --> 01:35:35,730
*[music playing]
1762
01:35:35,798 --> 01:35:39,567
A GROUP OF GIRLS
GOT THEMSELVES OFF THE STREET,
PATRICK.
1763
01:35:39,634 --> 01:35:41,904
SET UP A CO-OP.
1764
01:35:41,970 --> 01:35:43,338
WHAT DO YOU MEAN,
"CO-OP"?
1765
01:35:43,405 --> 01:35:45,473
YOU KNOW, LIKE...
SORT OF LIKE...
1766
01:35:45,540 --> 01:35:47,309
A UNION, YOU COULD CALL IT.
1767
01:35:49,344 --> 01:35:50,545
GIRLS?
1768
01:35:51,880 --> 01:35:53,982
HELLO. COME ON.
1769
01:35:55,851 --> 01:36:00,055
IT'S NOT IDEAL,
BUT IT'S SAFE
1770
01:36:00,122 --> 01:36:01,556
AND LEGAL.
1771
01:36:01,623 --> 01:36:02,991
CASANDRA.
1772
01:36:03,058 --> 01:36:04,559
*[music playing]
1773
01:36:04,626 --> 01:36:06,528
GODDESS OF DESTRUCTION.
1774
01:36:08,663 --> 01:36:11,266
GIRLS? HELLO.
(all)
HELLO.
1775
01:36:11,333 --> 01:36:12,467
THIS IS PATRICK.
1776
01:36:12,534 --> 01:36:14,036
HELLO, PATRICK.
HELLO.
1777
01:36:14,102 --> 01:36:16,238
HE'S A FRIEND OF MINE,
SO BE GENTLE. HELLO, SAM.
1778
01:36:16,304 --> 01:36:19,141
WE'RE ALWAYS NICE.
PATRICK,
DO YOU WANNA PLAY POKER?
1779
01:36:19,207 --> 01:36:20,575
LOVE POKER.
1780
01:36:20,642 --> 01:36:21,776
YEAH, WE'LL PUT HIM IN.
1781
01:36:21,844 --> 01:36:22,878
(Wallis)
ARE YOU ALL RIGHT?
1782
01:36:22,945 --> 01:36:24,146
YOU'LL BE
WORKING WITH US?
1783
01:36:24,212 --> 01:36:25,848
I HOPE SO. IF YOU'LL HAVE ME.
1784
01:36:25,914 --> 01:36:27,315
WE'RE A NICE BUNCH HERE.
1785
01:36:27,382 --> 01:36:29,384
NO BITCHINESS
OR NOTHING HERE.
LOOK AT HIS HAIR.
1786
01:36:29,451 --> 01:36:31,119
HMM.
SO WHERE ARE YOU FROM?
1787
01:36:31,186 --> 01:36:32,354
(Patrick)
UH, CAVAN.
1788
01:36:32,420 --> 01:36:33,688
OH, VERY NICE.
I'M FROM DUBLIN.
1789
01:36:33,755 --> 01:36:34,789
YOU'LL DO WELL HERE.
1790
01:36:34,857 --> 01:36:36,324
YOU'LL LIKE US GIRLS.
1791
01:36:36,391 --> 01:36:37,860
SO YOU'LL
DEFINITELY LIKE IT HERE.
1792
01:36:43,498 --> 01:36:46,434
(Patrick)
DEAR CHARLIE,
SORRY I HAVEN'T BEEN IN TOUCH
1793
01:36:46,501 --> 01:36:49,237
AND I HOPE THAT EVERYTHING
IS GOING FINE WITH YOU.
1794
01:36:49,304 --> 01:36:51,073
HOW'S THE BUMP?
1795
01:36:51,139 --> 01:36:53,842
JUST WRITING TO SAY
THAT I'VE GOT A NEW ADDRESS.
1796
01:36:53,909 --> 01:36:56,945
IT'S XANADU
ON OLD COMPTON STREET
1797
01:36:57,012 --> 01:36:59,647
AND YOU CAN REACH ME THERE
AT ANY TIME.
1798
01:36:59,714 --> 01:37:03,551
I'M SAVING LIKE MAD
TO GET OVER TO SEE YOU
WHEN IT HAPPENS IN...
1799
01:37:03,618 --> 01:37:07,555
WHAT IS IT? 4 MONTHS,
2 WEEKS, AND 3 DAYS.
1800
01:37:08,423 --> 01:37:10,025
HELLO.
1801
01:37:10,092 --> 01:37:11,726
(man)
SHOW ME YOUR BAZOOZUMS.
1802
01:37:11,793 --> 01:37:13,028
I BEG YOUR PARDON?
1803
01:37:13,095 --> 01:37:14,262
YOU KNOW.
1804
01:37:14,329 --> 01:37:16,198
[man breathing heavily]
1805
01:37:18,800 --> 01:37:20,402
WHAT'S THAT?
1806
01:37:20,468 --> 01:37:24,206
NOW, LISTEN, SIR,
WE CAN'T ALL HAVE
BIG BAZOOZUMS.
1807
01:37:24,272 --> 01:37:27,175
SOME OF US ARE WHAT
YOU MIGHT CALL SVELTE.
1808
01:37:27,242 --> 01:37:28,343
SVELTE?
1809
01:37:28,410 --> 01:37:30,845
YES. THAT'S A SWEDISH WORD,
I BELIEVE.
1810
01:37:31,914 --> 01:37:33,715
THERE'S ALSO A FRENCH ONE.
1811
01:37:33,781 --> 01:37:35,350
AYE, GIVE ME THE FRENCH.
1812
01:37:35,417 --> 01:37:36,618
GAMINE.
1813
01:37:36,684 --> 01:37:37,752
GAMINE?
1814
01:37:37,819 --> 01:37:40,055
YES,
AND THAT'S WHAT I AM, SIR.
1815
01:37:40,122 --> 01:37:43,425
A SVELTE GAMINE.
1816
01:37:43,491 --> 01:37:48,730
* HOW MUCH IS THAT DOGGY
IN THE WINDOW? *
1817
01:37:48,796 --> 01:37:52,634
* THE ONE
WITH THE WAGGLY TAIL *
1818
01:37:52,700 --> 01:37:56,571
NOT "WAGGLY," "WAGGEDY."
"WAGGEDY TAIL."
1819
01:37:57,739 --> 01:37:59,707
DEAR SIR UNSEEN,
I KNOW MY MUSIC
1820
01:37:59,774 --> 01:38:01,809
AND I'M WILLING
TO BET YOU 10 TIMES
1821
01:38:01,876 --> 01:38:03,878
WHATEVER PATHETIC PRICE
YOU PAID IN HERE
1822
01:38:03,946 --> 01:38:06,548
THAT THE DOG'S TAIL
IS WAGGLY.
1823
01:38:08,150 --> 01:38:10,185
NOW I WANNA HEAR YOU BARK.
1824
01:38:15,257 --> 01:38:17,692
*[The Windmills of Your Mind
by Dusty Springfield playing]
1825
01:38:17,759 --> 01:38:19,461
* WHIRLING SILENTLY
IN SPACE *
1826
01:38:19,527 --> 01:38:20,762
* LIKE THE CIRCLES
THAT YOU FIND *
1827
01:38:20,828 --> 01:38:22,430
HELLO.
1828
01:38:22,497 --> 01:38:24,099
PLEASE DON'T DO THAT.
1829
01:38:24,166 --> 01:38:27,602
* IN THE WINDMILLS
OF YOUR MIND *
1830
01:38:27,669 --> 01:38:29,337
AS YOU WISH, SIR.
1831
01:38:31,139 --> 01:38:33,708
* KEYS THAT JINGLE
IN YOUR POCKET *
1832
01:38:33,775 --> 01:38:36,844
I DON'T DO THIS
SORT OF THING OFTEN.
1833
01:38:36,911 --> 01:38:40,382
THAT'S ALL RIGHT, SIR,
WE'VE GOT LOTS OF TIME.
1834
01:38:40,448 --> 01:38:42,951
* WHY DID SUMMER
GO SO QUICKLY? *
1835
01:38:43,018 --> 01:38:46,421
* WAS IT SOMETHING
THAT YOU SAID? *
1836
01:38:46,488 --> 01:38:47,956
I KNEW A BOY LIKE YOU ONCE.
1837
01:38:48,023 --> 01:38:50,692
OH, I'M NOT A BOY, SIR,
I'M A GIRL.
1838
01:38:51,994 --> 01:38:53,928
OH, YOU'RE A GIRL.
1839
01:38:54,429 --> 01:38:56,664
YES.
1840
01:38:56,731 --> 01:38:58,933
YOU CAN CALL ME PATRICIA.
1841
01:38:59,001 --> 01:39:01,669
THAT'S MY NAME, SIR.
1842
01:39:01,736 --> 01:39:06,274
CAN I TELL YOU A STORY,
PATRICIA?
1843
01:39:06,341 --> 01:39:08,876
OH, PLEASE DO.
STORIES ARE WHAT I LOVE.
1844
01:39:09,544 --> 01:39:10,612
YOU LOVE STORIES?
1845
01:39:10,678 --> 01:39:13,848
LOVE STORIES.
1846
01:39:13,915 --> 01:39:16,184
EVEN MORE THAN MYSTERIES.
1847
01:39:16,251 --> 01:39:18,920
DON'T DO THAT,
PLEASE, PLEASE.
1848
01:39:21,456 --> 01:39:24,192
VERY WELL, SIR, I'M ALL EARS.
1849
01:39:24,259 --> 01:39:27,629
* YOU WERE SUDDENLY AWARE
1850
01:39:27,695 --> 01:39:30,632
ONCE UPON A TIME,
THERE WAS A BOY
1851
01:39:30,698 --> 01:39:33,001
WHO NEVER KNEW HIS
FATHER AND MOTHER.
1852
01:39:33,068 --> 01:39:35,570
OH, HOW SAD.
HOW UNBEARABLY SAD.
1853
01:39:35,637 --> 01:39:38,006
WAS HE AN UNBEARABLY SAD
LITTLE BOY?
1854
01:39:38,073 --> 01:39:39,274
* LIKE A CIRCLE IN A SPIRAL
1855
01:39:39,341 --> 01:39:40,742
HE DIDN'T SEEM SO.
1856
01:39:40,808 --> 01:39:43,611
NO, HE LAUGHED.
HE LAUGHED A LOT.
1857
01:39:43,678 --> 01:39:47,949
PERHAPS THE KIND OF LAUGHTER
THAT DISGUISES TEARS?
1858
01:39:49,484 --> 01:39:53,555
MAYBE LAUGHTER
WAS THE ONLY WAY TO...
1859
01:39:53,621 --> 01:39:55,957
* LIKE THE CIRCLES
THAT YOU FIND *
1860
01:39:56,024 --> 01:39:58,060
UH, DEAL WITH...
1861
01:39:58,126 --> 01:39:59,861
[man sighing]
1862
01:39:59,927 --> 01:40:02,964
PLEASE GO ON. TO DEAL WITH...
1863
01:40:03,031 --> 01:40:05,700
TO DEAL WITH
HIS CIRCUMSTANCES.
1864
01:40:08,870 --> 01:40:12,040
YOU SEEM TO
UNDERSTAND THIS BOY
QUITE WELL, SIR.
1865
01:40:13,075 --> 01:40:14,776
I--I KNEW HIS FATHER.
1866
01:40:17,345 --> 01:40:18,446
AND?
1867
01:40:19,381 --> 01:40:21,149
AND
1868
01:40:21,216 --> 01:40:24,886
THOUGH HIS FATHER
LOVED HIM VERY MUCH,
1869
01:40:24,952 --> 01:40:29,657
HE COULD NEVER TELL
THE BOY HOW MUCH...
1870
01:40:30,325 --> 01:40:31,793
HOW MUCH?
1871
01:40:31,859 --> 01:40:33,428
*[In the Rain
by the Dramatics playing]
1872
01:40:33,495 --> 01:40:34,862
UM...
1873
01:40:34,929 --> 01:40:38,133
HE COULD NEVER TELL THE BOY
HOW MUCH HE LOVED HIM.
1874
01:40:39,467 --> 01:40:41,836
WELL, THIS CAN'T BE
A TRUE STORY. IT CAN'T BE.
1875
01:40:41,903 --> 01:40:43,305
WHY NOT?
1876
01:40:43,371 --> 01:40:45,607
WHY COULD HE NOT TELL THE BOY
HOW MUCH HE LOVED HIM?
1877
01:40:45,673 --> 01:40:47,275
BECAUSE HE DIDN'T KNOW HOW.
1878
01:40:48,576 --> 01:40:50,545
HE HAD THE WORDS
FOR MANY THINGS, YOU SEE,
1879
01:40:50,612 --> 01:40:53,548
BUT HE DIDN'T HAVE
THE WORDS FOR THAT.
1880
01:40:53,615 --> 01:40:55,783
THERE ARE ONLY 3 WORDS
FOR THAT.
1881
01:40:55,850 --> 01:40:57,319
THEY'RE EASY TO SAY.
1882
01:40:57,385 --> 01:40:58,720
SOMETIMES THEY ARE.
1883
01:40:58,786 --> 01:41:00,088
* IN THE RAIN
1884
01:41:00,155 --> 01:41:03,158
OTHER TIMES, THEY'RE NOT.
OTHER TIMES, THEY'RE...
1885
01:41:03,225 --> 01:41:05,193
THEY'RE--THEY'RE IMPOSSIBLE.
1886
01:41:05,260 --> 01:41:06,528
* I WANNA GO OUTSIDE
1887
01:41:06,594 --> 01:41:09,397
AND HE--HE LOVED
THE BOY'S MOTHER, TOO,
1888
01:41:09,464 --> 01:41:11,833
BUT THAT WAS-- THAT WAS
EQUALLY IMPOSSIBLE.
1889
01:41:13,635 --> 01:41:14,902
AND...
1890
01:41:18,106 --> 01:41:20,208
SO HE NEVER TOLD THE BOY?
1891
01:41:20,275 --> 01:41:23,010
* I, I THINK I'M GONNA CRY
1892
01:41:23,077 --> 01:41:26,548
HE NEVER TOLD HIM
AND THEN THE BOY LEFT
1893
01:41:26,614 --> 01:41:30,985
AND CAME TO ENGLAND,
AND THE FATHER HAD...
1894
01:41:33,421 --> 01:41:39,494
* I, I DON'T WANT YOU
TO SEE ME CRY *
1895
01:41:39,561 --> 01:41:45,267
LOTS OF TIME TO THINK
ABOUT ALL THE THINGS,
1896
01:41:45,333 --> 01:41:49,837
ALL THE THINGS
THAT MIGHT HAVE BEEN,
SHOULD HAVE BEEN.
1897
01:41:49,904 --> 01:41:52,740
HE HAD ALL THE TIME
IN THE WORLD TO THINK.
1898
01:41:53,975 --> 01:41:56,644
AND WHAT DID HE THINK ABOUT?
1899
01:41:56,711 --> 01:41:59,046
HE THOUGHT,
HE IMAGINED PERHAPS,
1900
01:41:59,113 --> 01:42:01,416
THAT THE BOY
HAD COME TO ENGLAND
1901
01:42:01,483 --> 01:42:03,385
LOOKING FOR HIS MOTHER.
1902
01:42:05,787 --> 01:42:08,623
AND WHAT WAS
HIS MOTHER'S NAME?
1903
01:42:08,690 --> 01:42:11,359
HER NAME WAS EILY.
EILY BERGIN.
1904
01:42:11,426 --> 01:42:12,760
OH, GOD.
1905
01:42:12,827 --> 01:42:16,097
AND SO THE FATHER THOUGHT
THE ONE THING HE COULD DO
1906
01:42:16,164 --> 01:42:19,267
WAS TELL HIM WHERE
HE COULD FIND HIS MOTHER.
1907
01:42:19,334 --> 01:42:22,204
* YOU WON'T SEE
A SINGLE TRACE *
1908
01:42:22,270 --> 01:42:24,038
WHERE TO FIND
THE PHANTOM LADY?
1909
01:42:24,105 --> 01:42:25,373
HUH? WHAT?
1910
01:42:25,440 --> 01:42:27,375
PLEASE, GO ON.
1911
01:42:28,610 --> 01:42:31,045
SHE MARRIED, HAD 2 CHILDREN.
1912
01:42:31,112 --> 01:42:32,814
PROBABLY WON'T
WANT TO SEE HIM.
1913
01:42:32,880 --> 01:42:34,349
BUT WHERE DOES SHE LIVE?
1914
01:42:34,416 --> 01:42:35,817
* LET ME GO,
LET ME GO,
LET ME GO *
1915
01:42:35,883 --> 01:42:39,287
19 SPENCER RISE, IN KILBURN.
1916
01:42:42,390 --> 01:42:44,526
* IN THE RAIN *
1917
01:43:00,442 --> 01:43:02,877
'CAUSE YOU KNOW WHAT I WANT,
I WANT ENGLISH,
1918
01:43:02,944 --> 01:43:04,746
I WANT CONSERVATIVE,
1919
01:43:04,812 --> 01:43:07,915
I WANT EAST FINCHLEY...
YEAH.
1920
01:43:07,982 --> 01:43:11,419
...I WANT POWERFUL.
HMM.
1921
01:43:12,320 --> 01:43:13,721
YOU THINK IT WORKS?
1922
01:43:13,788 --> 01:43:15,790
I THINK YOU LOOK
BETTER THAN HER.
1923
01:43:15,857 --> 01:43:18,192
I DO LOOK BETTER
THAN HER, DON'T I?
YOU DO.
1924
01:43:19,794 --> 01:43:22,430
*[Madame George
by Van Morrison playing]
1925
01:43:32,440 --> 01:43:35,176
* DOWN ON CYPRUS AVENUE
1926
01:43:37,512 --> 01:43:41,483
* WITH THE CHILDLIKE VISIONS
LEAPING INTO VIEW *
1927
01:43:45,152 --> 01:43:48,523
* CLICKING, CLACKING
OF THE HIGH-HEELED SHOE *
1928
01:43:51,926 --> 01:43:56,030
* FORD AND FITZROY
AND MADAME GEORGE *
1929
01:44:00,568 --> 01:44:03,137
* MARCHING WITH
THE SOLDIER BOY BEHIND *
1930
01:44:03,204 --> 01:44:05,373
DO YOU NEED HELP, MISS?
1931
01:44:05,440 --> 01:44:06,841
UH...
1932
01:44:06,908 --> 01:44:11,779
YES, I-I-I'M DOING A SURVEY
FOR BRITISH TELECOM.
1933
01:44:11,846 --> 01:44:13,615
UM...
1934
01:44:13,681 --> 01:44:16,384
DO YOU KNOW
WHERE 19 SPENCER RISE IS?
1935
01:44:16,451 --> 01:44:18,353
THAT'S MY HOUSE. THERE.
1936
01:44:18,420 --> 01:44:20,121
IT'S YOUR...
1937
01:44:20,187 --> 01:44:22,156
CAN'T YOU READ NUMBERS?
1938
01:44:22,223 --> 01:44:24,125
OH, YES, I CAN READ NUMBERS.
1939
01:44:25,192 --> 01:44:27,895
SO, WHAT'S THE SURVEY?
1940
01:44:27,962 --> 01:44:31,165
WELL, IT'S,
IT'S ABOUT TELEPHONES.
1941
01:44:32,233 --> 01:44:33,801
D-DO YOU HAVE A TELEPHONE?
1942
01:44:33,868 --> 01:44:35,303
EVERYONE HAS A TELEPHONE.
1943
01:44:35,370 --> 01:44:37,405
NO, NOT EVERYONE, YOUNG MAN.
1944
01:44:37,472 --> 01:44:39,641
SOME PEOPLE CAN'T AFFORD ONE.
1945
01:44:39,707 --> 01:44:41,208
WELL, WE CAN.
1946
01:44:42,477 --> 01:44:44,111
I SEE.
1947
01:44:44,178 --> 01:44:47,248
* GONE FOR CIGARETTES
AND MATCHES IN THE SHOPS *
1948
01:44:47,315 --> 01:44:48,916
AND SO WHAT IS YOUR NAME?
1949
01:44:48,983 --> 01:44:50,585
MY NAME'S PATRICK.
1950
01:44:50,652 --> 01:44:52,587
* HAPPY TAKEN MADAME GEORGE
1951
01:44:52,654 --> 01:44:53,921
PATRICK.
1952
01:44:54,522 --> 01:44:56,924
PATRICK.
1953
01:44:56,991 --> 01:44:58,960
AND HOW MANY PHONES
DO YOU HAVE, PATRICK?
1954
01:44:59,026 --> 01:45:01,463
SHOULDN'T YOU BE
ASKING MY MOTHER?
1955
01:45:02,664 --> 01:45:05,333
YES. YES, OF COURSE I SHOULD.
1956
01:45:05,400 --> 01:45:06,901
UM...
1957
01:45:06,968 --> 01:45:08,269
AND WHERE WOULD I FIND HER?
1958
01:45:10,271 --> 01:45:13,240
MUM, THERE'S A NICE LADY HERE
DOING A SURVEY...
1959
01:45:13,307 --> 01:45:16,344
* YEAH, THAT'S WHEN YOU FALL
1960
01:45:17,379 --> 01:45:19,280
ARE YOU... OH, MY GOD!
1961
01:45:21,516 --> 01:45:23,551
* THAT'S WHEN YOU FALL *
1962
01:45:23,618 --> 01:45:25,019
(Eily)
YOU FEELING BETTER, LOVE?
1963
01:45:25,086 --> 01:45:26,153
OH, YES, THANK YOU.
1964
01:45:26,220 --> 01:45:27,489
SOME MORE TEA?
1965
01:45:27,555 --> 01:45:28,756
NO, THANK YOU.
1966
01:45:30,992 --> 01:45:35,697
SO, WHAT'S THIS
SURVEY ABOUT, THEN?
1967
01:45:35,763 --> 01:45:38,466
(English Patrick)
OH, IT'S ABOUT PHONES, MUM.
1968
01:45:38,533 --> 01:45:40,835
PHONES? WITH TELECOM?
1969
01:45:41,736 --> 01:45:43,571
YES, BRITISH TELECOM.
1970
01:45:49,511 --> 01:45:50,512
UM...
1971
01:45:52,246 --> 01:45:53,948
ARE YOU
A MULTI-PHONE HOUSEHOLD?
1972
01:45:54,015 --> 01:45:56,283
YES. YES, WE'VE GOT 3.
1973
01:45:56,350 --> 01:45:59,821
UH, ONE IN THE BEDROOM,
ONE IN THE KITCHEN,
AND ONE IN GEOFFREY'S OFFICE.
1974
01:46:02,424 --> 01:46:03,925
GEOFFREY...
1975
01:46:04,759 --> 01:46:06,293
IS MY HUSBAND.
1976
01:46:06,360 --> 01:46:07,361
OH.
1977
01:46:10,364 --> 01:46:11,399
UM...
1978
01:46:13,635 --> 01:46:14,836
SORRY. UM...
1979
01:46:18,205 --> 01:46:20,274
HOW FREQUENTLY IS
YOUR TELEPHONE USED?
1980
01:46:21,876 --> 01:46:26,013
VERY. LAURA'S NEVER OFF IT.
1981
01:46:26,080 --> 01:46:27,314
LAURA?
1982
01:46:28,816 --> 01:46:31,385
MY DAUGHTER. SHE'S 13.
OH.
1983
01:46:32,153 --> 01:46:34,789
I SEE, I SEE.
1984
01:46:34,856 --> 01:46:37,291
YOU DON'T HAVE MUCH USE
FOR THE PHONE,
THOUGH, DO YOU, PATRICK?
1985
01:46:37,358 --> 01:46:39,226
NO, I SUPPOSE NOT.
MMM-HMM.
1986
01:46:42,630 --> 01:46:43,631
UM...
1987
01:46:45,633 --> 01:46:47,702
WELL, MISS...
1988
01:46:47,769 --> 01:46:50,037
J-JOHNSON. DELIA JOHNSTON.
1989
01:46:50,104 --> 01:46:51,405
JOHNSTON.
1990
01:46:53,007 --> 01:46:55,376
IF YOU'VE ANY
OTHER QUESTIONS,
DON'T HESITATE TO CALL.
1991
01:46:56,978 --> 01:47:00,047
NO, I THINK I HAVE
MORE THAN ENOUGH,
THANK YOU.
1992
01:47:05,286 --> 01:47:07,722
UH, THANK YOU FOR THE TEA.
OH, YOU'RE WELCOME.
1993
01:47:08,890 --> 01:47:10,057
BYE.
1994
01:47:29,911 --> 01:47:32,146
(English Patrick)
SHOULDN'T YOU HAVE A UNIFORM?
1995
01:47:33,280 --> 01:47:35,917
NO,
I SHOULDN'T HAVE A UNIFORM.
1996
01:47:35,983 --> 01:47:38,653
THE MEN WHO PUT THE PHONES IN
HAVE A UNIFORM.
1997
01:47:38,720 --> 01:47:40,187
DO THEY, NOW?
1998
01:47:40,254 --> 01:47:42,023
AREN'T THEY FROM TELECOM?
1999
01:47:42,089 --> 01:47:43,891
YES, THEY ARE.
2000
01:47:43,958 --> 01:47:46,327
THEN HOW COME
TELECOM DON'T KNOW
HOW MANY PHONES WE HAVE?
2001
01:47:46,393 --> 01:47:48,830
WELL, BECAUSE IT'S FROM
A DIFFERENT DEPARTMENT.
2002
01:47:48,896 --> 01:47:51,733
WHY DON'T YOU
JUST PHONE UP, THEN,
AND ASK THE QUESTIONS?
2003
01:47:51,799 --> 01:47:54,235
BECAUSE THERE'S NOTHING
LIKE THE PERSONAL TOUCH,
NOW, IS THERE?
2004
01:47:54,301 --> 01:47:55,603
WHY DON'T--
2005
01:47:55,670 --> 01:47:59,841
YOUNG MAN,
I GET THE FEELING
YOU DON'T LIKE ME.
2006
01:47:59,907 --> 01:48:02,343
YOU'RE WRONG.
I THINK YOU'RE NICE.
2007
01:48:04,345 --> 01:48:06,881
[quavering]
WELL, I THINK
YOU'RE NICE, TOO.
2008
01:48:06,948 --> 01:48:09,216
W-WHY ARE YOU CRYING?
2009
01:48:09,283 --> 01:48:11,586
IT'S CONJUNCTIVITIS.
2010
01:48:11,653 --> 01:48:13,621
(Charlie)
I GAVE YOUR ADDRESS
TO FATHER LIAM,
2011
01:48:13,688 --> 01:48:15,189
AND I HOPE YOU DON'T MIND.
2012
01:48:15,256 --> 01:48:17,091
HE'S BEEN VERY KIND
TO ME, KITTEN,
2013
01:48:17,158 --> 01:48:19,460
AND I NEED ALL THE KINDNESS
I CAN GET.
2014
01:48:19,527 --> 01:48:22,630
THE SPECIAL BRANCH LIFTED ME
ON A DOPE CHARGE, YOU SEE.
2015
01:48:22,697 --> 01:48:25,232
AND THEY USED THAT
TO GET TO IRWIN.
2016
01:48:26,267 --> 01:48:30,538
THEY LIFTED CHARLIE
ON THE DOPE CHARGE.
2017
01:48:30,605 --> 01:48:33,107
THEY SAID
SHE'D BE HAVING THE BABY
IN PRISON, IF I DIDN'T--
2018
01:48:33,174 --> 01:48:35,242
(Jackie)
IF YOU DIDN'T WHAT, IRWIN?
2019
01:48:38,512 --> 01:48:41,315
IF I DIDN'T INFORM THEM
ABOUT OPERATIONS.
2020
01:48:43,484 --> 01:48:45,019
YOU DO IT.
NO, YOU DO IT.
2021
01:48:45,086 --> 01:48:48,122
I CAN'T. I WENT TO SCHOOL
WITH HIS BROTHER.
2022
01:48:48,189 --> 01:48:50,224
HEY, LADS,
DID YOU HEAR THE ONE
ABOUT THE CAVAN MAN?
2023
01:48:50,291 --> 01:48:51,292
WHAT CAVAN MAN?
2024
01:48:51,358 --> 01:48:52,927
CAVAN MAN IN--
2025
01:48:52,994 --> 01:48:53,995
[thudding]
2026
01:48:59,166 --> 01:49:00,301
*[Cyprus Avenue
by Van Morrison playing]
2027
01:49:00,367 --> 01:49:02,069
* AND I'M CAUGHT
ONE MORE TIME *
2028
01:49:04,438 --> 01:49:08,142
* UP ON CYPRUS AVENUE
2029
01:49:14,816 --> 01:49:17,619
* CAUGHT ONE MORE TIME
2030
01:49:20,021 --> 01:49:23,625
* UP ON CYPRUS AVENUE
2031
01:49:29,697 --> 01:49:33,701
* AND I'M CONQUERED
IN A CAR SEAT *
2032
01:49:35,236 --> 01:49:38,105
* NOT A THING THAT I CAN DO
2033
01:49:43,510 --> 01:49:45,012
WHAT WILL I CALL YOU?
2034
01:49:45,079 --> 01:49:46,580
* I MAY GO CRAZY
2035
01:49:46,648 --> 01:49:47,882
FATHER.
2036
01:49:48,750 --> 01:49:50,051
[quavering]
2037
01:49:51,619 --> 01:49:53,520
YOU CALL ME "FATHER."
COME IN.
2038
01:50:01,395 --> 01:50:03,765
I CAN'T.
2039
01:50:03,831 --> 01:50:06,801
I PRAYED, YOU KNOW.
I PRAYED YOU'D COME BACK.
2040
01:50:08,535 --> 01:50:10,104
DID YOU FIND HER?
2041
01:50:10,171 --> 01:50:13,741
[quavering]
YES. NO. KIND OF.
2042
01:50:16,410 --> 01:50:18,012
WHERE'S CHARLIE?
2043
01:50:19,246 --> 01:50:21,248
SHE'S UPSTAIRS. COME ON.
2044
01:50:24,518 --> 01:50:26,053
* AND MY FEET
CAN'T KEEP STILL *
2045
01:50:26,120 --> 01:50:28,155
AFTER THE DRUGS CHARGE,
THERE WERE PROBLEMS AT HOME,
2046
01:50:28,222 --> 01:50:30,557
SO I TOOK HER IN.
2047
01:50:30,624 --> 01:50:33,260
SHE HARDLY EATS A THING,
YOU KNOW.
SHE'S WASTING AWAY.
2048
01:50:41,335 --> 01:50:43,104
MAYBE YOU COULD...
2049
01:50:44,471 --> 01:50:45,940
WHERE DO YOU SLEEP, FATHER?
2050
01:50:46,007 --> 01:50:47,374
OH, DON'T WORRY
ABOUT ME.
2051
01:50:52,113 --> 01:50:53,180
CHARLIE.
2052
01:50:57,218 --> 01:50:59,553
(Charlie)
IS THAT YOU, KITTEN?
2053
01:50:59,620 --> 01:51:03,825
CHARLIE. TAKE IT EASY NOW.
2054
01:51:04,892 --> 01:51:07,328
SWANN'S CROSS.
2055
01:51:07,394 --> 01:51:09,396
THEY PUT A RUBBISH BAG
OVER HIS HEAD.
2056
01:51:09,463 --> 01:51:11,632
HUSH, CHARLIE.
2057
01:51:11,699 --> 01:51:14,201
MY PARENTS TOLD ME
TO GO BACK WHERE I CAME FROM.
2058
01:51:14,268 --> 01:51:16,738
DON'T THINK
ABOUT IT, CHARLIE.
2059
01:51:16,804 --> 01:51:19,340
YOUR BABY,
THAT'S ALL THAT MATTERS NOW.
2060
01:51:20,942 --> 01:51:22,944
AND I'M HERE TO HELP YOU.
2061
01:51:27,749 --> 01:51:30,184
*[Fly, Robin, Fly
by Silver Convention playing]
2062
01:51:33,187 --> 01:51:35,656
* FLY, ROBIN, FLY
2063
01:51:38,025 --> 01:51:40,427
* FLY, ROBIN, FLY
2064
01:51:42,764 --> 01:51:45,166
* FLY, ROBIN, FLY
2065
01:51:47,534 --> 01:51:50,437
* UP, UP TO THE SKY
2066
01:51:54,175 --> 01:51:56,310
ROBINS, FATHER.
WOULD YOU BELIEVE IT?
2067
01:51:56,377 --> 01:51:57,711
PECKING AT THE CREAM.
2068
01:51:57,779 --> 01:52:00,081
I'M SURE THE POOR THINGS
MUST BE STARVED.
2069
01:52:00,147 --> 01:52:01,148
TA.
2070
01:52:11,492 --> 01:52:13,060
* FLY, ROBIN, FLY *
2071
01:52:13,127 --> 01:52:16,831
YOU HAVE YOUR MOTHER'S EYES,
DO YOU KNOW THAT, PATRICK?
2072
01:52:16,898 --> 01:52:19,801
COLOR OF THE OCEAN
BEYOND ROSSES POINT.
2073
01:52:23,805 --> 01:52:25,539
YOU TOOK HER THERE?
2074
01:52:30,011 --> 01:52:31,412
MANY TIMES.
2075
01:52:34,315 --> 01:52:36,517
THINGS COULD HAVE BEEN
SO DIFFERENT.
2076
01:52:36,583 --> 01:52:37,584
SHH.
2077
01:52:38,485 --> 01:52:40,254
DON'T SAY ANYTHING.
2078
01:52:42,489 --> 01:52:44,859
BECAUSE, YOU KNOW,
THE STRANGEST THING...
2079
01:52:45,659 --> 01:52:47,161
I WENT LOOKING FOR HER,
2080
01:52:48,930 --> 01:52:50,564
BUT I FOUND YOU.
2081
01:52:54,768 --> 01:52:58,005
*[How Much Is That Doggie
In The Window
by Pattie Page playing]
2082
01:52:59,807 --> 01:53:03,845
* HOW MUCH IS THAT DOGGIE
IN THE WINDOW *
2083
01:53:03,911 --> 01:53:06,480
(Mrs. Clarke)
NO, IN THE END
IT WAS A BLESSED RELEASE.
2084
01:53:06,547 --> 01:53:08,182
(shopkeeper)
SHE WAS A LOVELY WOMAN.
2085
01:53:08,249 --> 01:53:10,517
SHE NEVER MISSED
A DAY AT MASS.
2086
01:53:10,584 --> 01:53:13,320
WHEN THEY OPENED HER UP,
THEY FOUND A LUMP
AS BIG AS A MELON.
2087
01:53:13,387 --> 01:53:15,689
A MELON? THAT BIG?
2088
01:53:15,756 --> 01:53:18,993
MAYBE IT WAS A GRAPEFRUIT.
I GET THEM MIXED UP.
2089
01:53:19,060 --> 01:53:23,630
SO, WE'RE NOT EXACTLY
BLESSED WITH CHOICE,
FATHER, DEAR.
2090
01:53:23,697 --> 01:53:26,767
AND IS THERE ANY RULE
THAT SAYS THAT
WHEN YOU'RE PREGNANT,
2091
01:53:26,834 --> 01:53:28,836
YOU NEED TO DRESS
LIKE A LOLLIPOP LADY?
2092
01:53:28,903 --> 01:53:30,437
I KNOW OF
NO SUCH RULE, PATRICK.
2093
01:53:30,504 --> 01:53:32,373
NO, SO I THOUGHT.
2094
01:53:34,441 --> 01:53:37,744
THIS LITTLE HIPPY NUMBER
MIGHT GIVE HER
THE LIFT SHE NEEDS.
2095
01:53:37,811 --> 01:53:38,946
(Liam)
HMM. VERY NICE.
2096
01:53:39,013 --> 01:53:41,782
(Patrick)
VELVET, FATHER.
LIKE CRUSHED GRASS.
2097
01:53:41,849 --> 01:53:43,517
OH, LOOK, FATHER.
2098
01:53:47,889 --> 01:53:50,224
OH, CAN WE TRY
THE SILVER FUR, MISSUS?
2099
01:53:51,025 --> 01:53:52,793
IS IT FOR YOURSELF?
2100
01:53:52,860 --> 01:53:54,862
* THE ONE
WITH THE WAGGLY TAIL *
2101
01:53:54,929 --> 01:53:57,364
25 DIFFERENT
COLORED BABYGROS.
2102
01:53:57,431 --> 01:53:59,901
4 TEDDY BEARS,
I CAN UNDERSTAND,
2103
01:53:59,967 --> 01:54:02,136
BUT I DON'T NEED
A PRAM YET, KITTEN.
2104
01:54:02,203 --> 01:54:04,038
YOU WILL.
2105
01:54:04,105 --> 01:54:05,706
WHERE DID YOU
GET THE MONEY?
2106
01:54:06,407 --> 01:54:09,043
OH, SINGING. AHEM.
2107
01:54:09,110 --> 01:54:12,546
* HOW MUCH IS THAT DOGGY
IN THE WINDOW? *
2108
01:54:12,613 --> 01:54:16,317
*[Charlie humming]
* THE ONE WITH THE WAG-- *
2109
01:54:16,383 --> 01:54:18,852
IS IT WAGGEDY OR WAGGLY,
CHARLIE?
2110
01:54:18,920 --> 01:54:20,121
WAGGLY.
2111
01:54:20,821 --> 01:54:22,924
NO, WAIT A MINUTE.
2112
01:54:22,990 --> 01:54:24,158
OH, FATHER?
2113
01:54:24,225 --> 01:54:25,759
YOO-HOO.
(Liam)
OH, YES.
2114
01:54:25,826 --> 01:54:27,929
YOU KNOW
THE DOGGY WITH THE TAIL?
2115
01:54:27,995 --> 01:54:30,864
IS IT WAGGLY OR WAGGEDY?
2116
01:54:30,932 --> 01:54:32,233
THE SONG?
2117
01:54:33,100 --> 01:54:35,336
UM, WAGGEDY,
I SEEM TO REMEMBER.
2118
01:54:35,402 --> 01:54:37,004
YOUR MOTHER NEVER
STOPPED SINGING IT.
2119
01:54:37,071 --> 01:54:38,439
(Liam)
AYE, WAGGEDY TAIL.
2120
01:54:38,505 --> 01:54:39,873
WAGGEDY.
2121
01:54:39,941 --> 01:54:42,776
(both)
* HOW MUCH IS THAT DOGGY
IN THE WINDOW? *
2122
01:54:42,843 --> 01:54:43,844
[barking]
2123
01:54:43,911 --> 01:54:47,881
(all)
* THE ONE
WITH THE WAGGEDY TAIL *
2124
01:54:47,949 --> 01:54:51,585
* HOW MUCH IS THAT DOGGY
IN THE WINDOW? *
2125
01:54:51,652 --> 01:54:54,721
(Mrs. Clarke)
OH, JESUS CHRIST
AND HIS HOLY MOTHER.
2126
01:54:54,788 --> 01:54:56,958
WHY DOESN'T THE BISHOP
DO SOMETHING?
THE BISHOP!
2127
01:54:57,024 --> 01:54:59,326
THE BISHOP WE HAVE
ISN'T WORTH A DAMN.
2128
01:54:59,393 --> 01:55:00,928
[twittering]
(robin #1)
WHAT DID SHE SAY?
2129
01:55:00,995 --> 01:55:02,596
[twittering]
(robin #2)
THE BISHOP ISN'T WORTH A DAMN!
2130
01:55:02,663 --> 01:55:04,231
[twittering]
(robin #1)
NOW MIND YOUR LANGUAGE MISSUS!
2131
01:55:14,741 --> 01:55:16,743
DO YOU KNOW SOMETHING,
THOMAS?
2132
01:55:16,810 --> 01:55:20,014
THERE ARE TIMES
WHEN I WISH
I WAS A BUS CONDUCTOR.
2133
01:56:07,061 --> 01:56:09,196
PATRICK!
2134
01:56:09,263 --> 01:56:11,265
CHARLIE!
2135
01:56:33,554 --> 01:56:35,356
[firemen chattering]
2136
01:57:37,184 --> 01:57:38,919
[Charlie chattering]
2137
01:57:41,155 --> 01:57:43,357
(Charlie)
...THE WELFARE STATE
AND ALL.
2138
01:57:43,424 --> 01:57:45,492
CAN'T STAY HERE, ANYWAYS.
2139
01:57:45,559 --> 01:57:47,261
BUT YOU'LL COME
AND SEE US, FATHER?
2140
01:57:47,328 --> 01:57:48,529
AFTER THE BABY'S--
2141
01:57:48,595 --> 01:57:50,197
WELL, THE ONLY PARISH
I'VE BEEN OFFERED
2142
01:57:50,264 --> 01:57:53,734
IS IN KILBURN,
SO YOU MIGHT SEE A LOT OF ME.
2143
01:58:02,509 --> 01:58:04,578
YOU SAVED MY LIFE, FATHER.
2144
01:58:06,680 --> 01:58:07,981
AND MINE.
2145
01:58:13,720 --> 01:58:16,056
GREAT, BIG, FIREPROOF MAN.
2146
01:58:32,773 --> 01:58:34,375
[Charlie screaming]
2147
01:58:34,441 --> 01:58:37,411
(Patrick)
COME ON, CHARLIE,
PUSH! PUSH!
2148
01:58:37,478 --> 01:58:40,080
WELL, I AM PUSHING, KITTEN,
FUCK YOU!
2149
01:58:40,147 --> 01:58:42,183
I AM PUSHING!
BREATHE.
2150
01:58:42,249 --> 01:58:43,317
JESUS!
2151
01:58:43,384 --> 01:58:44,618
COME ON.
2152
01:58:44,685 --> 01:58:46,653
IT'S TEARING ME APART!
2153
01:58:46,720 --> 01:58:50,224
*[Sugar Baby Love
by the Rubettes playing]
2154
01:58:51,091 --> 01:58:52,426
[gibbering]
2155
01:58:56,430 --> 01:58:59,266
HEY,
YOU'RE THE TELEPHONE LADY.
2156
01:59:00,066 --> 01:59:01,935
OH, WELL.
2157
01:59:02,002 --> 01:59:05,772
IF IT ISN'T THE YOUNG BOY
FROM
THE MULTI-PHONE HOUSEHOLD.
2158
01:59:05,839 --> 01:59:07,274
WHAT ARE YOU DOING HERE?
2159
01:59:07,341 --> 01:59:11,312
MUM'S WITH THE DOCTOR.
SHE'S, YOU KNOW,
GOT A BUN IN THE FIREPLACE.
2160
01:59:13,380 --> 01:59:15,249
I THINK YOU MEAN THE OVEN,
YOUNG MAN.
2161
01:59:15,316 --> 01:59:17,284
OK, THEN, THE OVEN.
2162
01:59:17,351 --> 01:59:18,785
W-WHAT'S YOUR NAME?
2163
01:59:18,852 --> 01:59:20,487
* SUGAR BABY LOVE
2164
01:59:20,554 --> 01:59:23,457
* I DIDN'T MEAN
TO MAKE YOU BLUE *
2165
01:59:23,524 --> 01:59:25,559
PHANTOM LADY.
2166
01:59:25,626 --> 01:59:26,860
THAT'S A FUNNY NAME.
2167
01:59:26,927 --> 01:59:28,995
I KNOW THAT.
I'M A FUNNY LADY.
2168
01:59:30,331 --> 01:59:31,932
IS THAT YOUR BABY?
2169
01:59:31,998 --> 01:59:34,701
[baby cooing]
NO, IT'S HERS.
2170
01:59:34,768 --> 01:59:36,337
* I DIDN'T MEAN
TO HURT YOU *
2171
01:59:36,403 --> 01:59:38,205
SHE'S HAVING
HER FIREPLACE CHECKED.
2172
01:59:38,272 --> 01:59:39,806
[laughs]
2173
01:59:39,873 --> 01:59:41,675
ISN'T SHE? YES, SHE IS.
2174
01:59:41,742 --> 01:59:43,444
[baby cooing]
2175
01:59:43,510 --> 01:59:45,912
CHARLIE, DARLING, THIS IS--
2176
01:59:45,979 --> 01:59:47,514
PATRICK.
2177
01:59:47,581 --> 01:59:49,950
THIS IS MY YOUNG
FRIEND PATRICK.
2178
01:59:50,016 --> 01:59:51,952
SO, HOW'S YOUR FIREPLACE?
2179
01:59:52,018 --> 01:59:53,053
OH.
2180
01:59:53,119 --> 01:59:55,289
MY FIREPLACE IS 100%.
2181
01:59:55,356 --> 02:00:00,794
AND YOUR LITTLE BUN
IS JUST FINE, TOO,
AREN'T YOU? YES, YOU ARE.
2182
02:00:00,861 --> 02:00:04,097
* MAKE THE SAME MISTAKES
2183
02:00:04,164 --> 02:00:06,333
* AS ME AND YOU
2184
02:00:06,400 --> 02:00:10,237
PATRICK, THERE'S YOUR MUM.
YOU'D BETTER RUN.
2185
02:00:10,771 --> 02:00:12,573
OK.
2186
02:00:12,639 --> 02:00:16,510
PATRICK,
WILL YOU TELL HER THAT
2187
02:00:16,577 --> 02:00:21,147
THE TELEPHONE LADY SAYS
THAT SHE HOPES
IT'S A GIRL THIS TIME.
2188
02:00:21,214 --> 02:00:23,149
OK.
OK.
2189
02:00:27,588 --> 02:00:31,292
* SUGAR BABY LOVE,
SUGAR BABY LOVE *
2190
02:00:31,358 --> 02:00:34,328
* SUGAR BABY LOVE,
SUGAR BABY LOVE *
2191
02:00:34,395 --> 02:00:37,764
* SUGAR BABY LOVE,
SUGAR BABY LOVE *
2192
02:00:37,831 --> 02:00:39,600
[twittering]
SHE LOOKS NOTHING LIKE
MITZI GAYNOR.
2193
02:00:39,666 --> 02:00:41,535
[twittering]
WHAT DO YOU KNOW
ABOUT MITZI GAYNOR?
2194
02:00:41,602 --> 02:00:42,903
[twittering]
NOTHING.
BUT AS OSCAR WILDE SAID...
2195
02:00:42,969 --> 02:00:44,271
* SUGAR BABY LOVE
2196
02:00:44,338 --> 02:00:46,106
[twittering]
"I LOVE TALKING ABOUT NOTHING.
2197
02:00:46,172 --> 02:00:47,908
[twittering]
"IT'S THE ONLY THING
I KNOW ANYTHING ABOUT."
2198
02:00:47,974 --> 02:00:51,144
* I DIDN'T MEAN
TO MAKE YOU BLUE *
2199
02:00:53,179 --> 02:00:55,482
* SUGAR BABY LOVE,
SUGAR BABY LOVE *
2200
02:00:55,549 --> 02:00:58,819
* SUGAR BABY LOVE
2201
02:00:58,885 --> 02:01:01,955
* SUGAR BABY LOVE
2202
02:01:02,022 --> 02:01:06,192
* I DIDN'T MEAN TO HURT YOU
2203
02:01:06,259 --> 02:01:11,064
* SUGAR BABY LOVE,
SUGAR BABY LOVE *
2204
02:01:15,902 --> 02:01:17,771
* TAKE MY ADVICE
2205
02:01:19,172 --> 02:01:21,274
* IF YOU LOVE SOMEONE
2206
02:01:22,776 --> 02:01:24,411
* DON'T THINK TWICE
2207
02:01:24,478 --> 02:01:28,048
* LOVE YOUR BABY LOVE
2208
02:01:28,114 --> 02:01:30,183
* SUGAR BABY LOVE *
2209
02:01:30,250 --> 02:01:32,018
*[Breakfast On Pluto playing]
2210
02:01:32,085 --> 02:01:36,690
* GO ANYWHERE
WITHOUT LEAVING YOUR CHAIR *
2211
02:01:36,757 --> 02:01:41,895
* AND LET YOUR THOUGHTS
RUN FREE *
2212
02:01:41,962 --> 02:01:46,333
* LIVING WITHIN ALL THE DREAMS
YOU CAN SPIN *
2213
02:01:47,334 --> 02:01:51,271
* THERE IS SO MUCH TO SEE
2214
02:01:52,573 --> 02:01:57,911
* IF YOU CAN'T FLY HIGH,
NO NEED TO FEEL LOW *
2215
02:01:57,978 --> 02:02:03,283
* THE WORLD
IS A MERRY-GO-ROUND *
2216
02:02:03,350 --> 02:02:08,822
* LOOK AT THE SKY
AND UP THERE YOU'LL GO *
2217
02:02:08,889 --> 02:02:14,027
* PEACEFULLY FLOATING AROUND
2218
02:02:14,094 --> 02:02:19,099
* NO CARES TO CARE
AND NO RACES TO RUN *
2219
02:02:19,165 --> 02:02:23,236
* FLYING UP IN THE AIR
2220
02:02:24,738 --> 02:02:29,676
* NO TIME TO CHANGE
AND NO TIME TO LEARN *
2221
02:02:29,743 --> 02:02:35,348
* AND NO TIME
TO WONDER WHERE *
2222
02:02:35,416 --> 02:02:40,587
* UP ON THE MOON,
WE'LL ALL BE THERE SOON *
2223
02:02:40,654 --> 02:02:45,325
* WATCHING THE EARTH
DOWN BELOW *
2224
02:02:45,392 --> 02:02:51,197
* WE'LL JOURNEY TO MARS
AND VISIT THE STARS *
2225
02:02:51,264 --> 02:02:56,537
* FINDING OUR
BREAKFAST ON PLUTO *
2226
02:02:56,603 --> 02:03:01,542
* GO ANYWHERE
WITHOUT LEAVING YOUR CHAIR *
2227
02:03:01,608 --> 02:03:05,779
* AND LET YOUR THOUGHTS
RUN FREE *
2228
02:03:07,147 --> 02:03:12,453
* LIVING WITHIN ALL THE DREAMS
YOU CAN SPIN *
2229
02:03:12,519 --> 02:03:16,490
* THERE IS SO MUCH TO SEE
2230
02:03:38,845 --> 02:03:44,050
* NO CARES TO CARE
AND NO RACES TO RUN *
2231
02:03:44,117 --> 02:03:48,021
* FLYING UP IN THE AIR
2232
02:03:49,456 --> 02:03:54,427
* NO TIME TO CHANGE
AND NO TIME TO LEARN *
2233
02:03:54,495 --> 02:03:59,700
* AND NO TIME
TO WONDER WHERE *
2234
02:03:59,766 --> 02:04:05,205
* UP ON THE MOON,
WE'LL ALL BE THERE SOON *
2235
02:04:05,271 --> 02:04:10,276
* WATCHING THE EARTH
DOWN BELOW *
2236
02:04:10,343 --> 02:04:15,849
* WE'LL JOURNEY TO MARS
AND VISIT THE STARS *
2237
02:04:15,916 --> 02:04:20,954
* FINDING OUR
BREAKFAST ON PLUTO *
2238
02:04:21,021 --> 02:04:26,092
* GO ANYWHERE
WITHOUT LEAVING YOUR CHAIR *
2239
02:04:26,159 --> 02:04:31,331
* AND LET YOUR THOUGHTS
RUN FREE *
2240
02:04:31,397 --> 02:04:36,637
* LIVING WITHIN ALL THE DREAMS
YOU CAN SPIN *
2241
02:04:36,703 --> 02:04:40,907
* THERE IS SO MUCH TO SEE *
2242
02:05:13,473 --> 02:05:15,241
*[The Windmills Of Your Mind
by Dusty Springfield playing]
2243
02:05:15,308 --> 02:05:18,178
* ROUND, LIKE A CIRCLE
IN A SPIRAL *
2244
02:05:18,244 --> 02:05:21,214
* LIKE A WHEEL
WITHIN A WHEEL *
2245
02:05:21,281 --> 02:05:24,017
* NEVER ENDING OR BEGINNING
2246
02:05:24,084 --> 02:05:27,153
* ON AN EVER-SPINNING REEL
2247
02:05:27,220 --> 02:05:30,256
* LIKE A SNOWBALL
DOWN A MOUNTAIN *
2248
02:05:30,323 --> 02:05:33,359
* OR A CARNIVAL BALLOON
2249
02:05:33,426 --> 02:05:35,662
* LIKE A CAROUSEL
THAT'S TURNING *
2250
02:05:35,729 --> 02:05:39,032
* RUNNING RINGS
AROUND THE MOON *
2251
02:05:39,099 --> 02:05:41,835
* LIKE A CLOCK
WHOSE HANDS ARE SWEEPING *
2252
02:05:41,902 --> 02:05:45,205
* PAST THE MINUTES
OF ITS FACE *
2253
02:05:45,271 --> 02:05:47,908
* AND THE WORLD
IS LIKE AN APPLE *
2254
02:05:47,974 --> 02:05:52,178
* WHIRLING SILENTLY IN SPACE
2255
02:05:52,245 --> 02:05:56,850
* LIKE THE CIRCLES
THAT YOU FIND *
2256
02:05:56,917 --> 02:06:01,822
* IN THE WINDMILLS
OF YOUR MIND *
2257
02:06:08,662 --> 02:06:11,998
* LIKE A TUNNEL
THAT YOU FOLLOW *
2258
02:06:12,065 --> 02:06:15,969
* TO A TUNNEL OF ITS OWN
2259
02:06:17,103 --> 02:06:20,406
* DOWN A HOLLOW
TO A CAVERN *
2260
02:06:20,473 --> 02:06:25,145
* WHERE THE SUN
HAS NEVER SHONE *
2261
02:06:25,211 --> 02:06:28,949
* LIKE A DOOR
THAT KEEPS REVOLVING *
2262
02:06:29,015 --> 02:06:32,853
* IN A HALF-FORGOTTEN DREAM
2263
02:06:33,920 --> 02:06:37,023
* OR THE RIPPLES
FROM A PEBBLE *
2264
02:06:37,090 --> 02:06:41,962
* SOMEONE TOSSES
IN A STREAM *
2265
02:06:42,028 --> 02:06:45,398
* LIKE A CLOCK
WHOSE HANDS ARE SWEEPING *
2266
02:06:45,465 --> 02:06:50,303
* PAST THE MINUTES
OF ITS FACE *
2267
02:06:50,370 --> 02:06:53,707
* AND THE WORLD
IS LIKE AN APPLE *
2268
02:06:53,774 --> 02:06:58,311
* WHIRLING SILENTLY
IN SPACE *
2269
02:06:58,378 --> 02:07:01,848
* LIKE THE CIRCLES
THAT YOU FIND *
2270
02:07:01,915 --> 02:07:06,720
* IN THE WINDMILLS
OF YOUR MIND *
2271
02:07:10,223 --> 02:07:13,226
* KEYS THAT JINGLE
IN YOUR POCKET *
2272
02:07:13,293 --> 02:07:17,831
* WORDS THAT JANGLE
IN YOUR HEAD *
2273
02:07:17,898 --> 02:07:21,434
* WHY DID SUMMER
GO SO QUICKLY *
2274
02:07:21,501 --> 02:07:25,839
* WAS IT SOMETHING
THAT YOU SAID *
2275
02:07:25,906 --> 02:07:29,009
* LOVERS WALK ALONG A SHORE
2276
02:07:29,075 --> 02:07:34,014
* AND LEAVE THEIR FOOTPRINTS
IN THE SAND *
2277
02:07:34,080 --> 02:07:37,617
* IS THE SOUND
OF DISTANT DRUMMING *
2278
02:07:37,684 --> 02:07:42,222
* JUST THE FINGERS
OF YOUR HAND *
2279
02:07:42,288 --> 02:07:45,658
* PICTURES HANGING
IN A HALLWAY *
2280
02:07:45,726 --> 02:07:50,063
* AND THE FRAGMENT
OF A SONG *
2281
02:07:50,130 --> 02:07:53,867
* HALF-REMEMBERED NAMES
AND FACES *
2282
02:07:53,934 --> 02:07:58,404
* BUT TO WHOM
DO THEY BELONG? *
2283
02:07:58,471 --> 02:08:01,875
* WHEN YOU KNEW
THAT IT WAS OVER *
2284
02:08:01,942 --> 02:08:06,579
* YOU WERE SUDDENLY AWARE
2285
02:08:06,646 --> 02:08:10,583
* THAT THE AUTUMN LEAVES
WERE TURNING *
2286
02:08:10,650 --> 02:08:14,921
* TO THE COLOR OF HIS HAIR
2287
02:08:14,988 --> 02:08:17,924
* LIKE A CIRCLE IN A SPIRAL
2288
02:08:17,991 --> 02:08:20,961
* LIKE A WHEEL
WITHIN A WHEEL *
2289
02:08:21,027 --> 02:08:24,230
* NEVER ENDING
OR BEGINNING *
2290
02:08:24,297 --> 02:08:27,233
* ON AN EVER-SPINNING REEL
2291
02:08:27,300 --> 02:08:31,738
* AS THE IMAGES UNWIND
2292
02:08:31,805 --> 02:08:36,442
* LIKE THE CIRCLES
THAT YOU FIND *
2293
02:08:36,509 --> 02:08:41,281
* IN THE WINDMILLS
OF YOUR MIND *
153304
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