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- Here we are at
the home of Miss Jane Fox,

soon to be network affiliate to the stars.

Let's see if she's home.

- Hello.
- Hello.

- Get in here, you're late.

- I'm late.
- You're late.

- I'm always late.

- You're late, get in here.

- Want me to shut the door?

- Yeah, yeah, shut it, shut it, shut it.

Okay, what do you think?

I need an outfit.

Okay, should I go with what I've got on?

How cold is it out?

- It's not very cold.
- Okay.

- It should get cold tonight though,

according to the weather.

- Okay, I'll take that.

Okay, what I got on
and then put this over,

or should I go with this?

This, you know, the serious black,

but then, there's gonna
be too much black tonight.

- Well, from what you said,

this place is awfully dirty.

- It's really dirty.

- You need to consider
your demographics, too.

What will look better for...

Yeah, now that would work.

- I actually thought of this,

but I thought, well, if I'm
tripping through a house

and falling.

- And you're sitting
down to do interviews.

- True.

- I think you might
should wear that, yeah.

- Yeah.

No underwear, right?
- Right.

- Okay, then I need to take this.

Okay, so you think this will look okay?

- I think it looks great.

- Okay.

- Looks good to me.

- I'll go ahead and take that.

Just in case I fall down and get dirty,

and I need to change.

I'll take that.

Are you gonna film everything?

- Well you told
me to film everything.

- Okay.

- You wanted everything

for the background, remember?

- Yes, yes.

- You said, "Film it all."

So, I'm filming it all.

- Yes, okay.

So, film it all.

Okay, did you park your car?

- My car's in the driveway.

But I'm riding with you, remember?

- Yes, okay.

- Nice little butt shot.

- Okay, I got this, I've got that, okay.

We're gonna go.

- Do you have the directions?

- I have the directions.

- We're not gonna
get lost again, right?

- Well, I have
the map just in case.

I was out there once.

I got some really great shots of the house

and I called, I talked to Travis.

He's gonna be out there.

- No, we don't
need to take the shots.

We'll insert the shots later.

- Right.

- You got stills, right?

- I got stills.
- Okay.

- I take a Polaroid out there.

I don't know if the 35 millimeter

are gonna turn out or not,

but I got 35 millimeter
and I've got Polaroid.

- And can you get all that?

- I can get all that.

- You're sure?

- I am sure.

The assistant is down there, right?

And he's got everything set up?

- Everything's down there.

Kevin is good, he knows what he's doing.

- Okay, so he's got...

He's setting everything up down there.

- The light should be set up,

the stationary camera should be ready.

- Okay.

- Power plant
should be down there.

We've taken lanterns in case
the power plant goes out.

We don't have a problem.

- Okay.

- I've used him before, he's good.

- Okay, and he's taken
the cooler down and stuff?

- He's taken the
cooler, he'll set the food up,

everything'll be there.

- Glasses shot.

- All you have to
do is find some ghosts.

- We will find ghosts.

Now, this psychic,

I talked to her briefly on the phone,

she is great.

I think she's gonna be doing
a real nice job for us.

Okay, I'm just a little paranoid.

Okay.

Okay, we are ready.

What's your assistant's name?

- Kevin.

- Kevin?

Okay, now, what time is
he supposed to be there?

- Kevin is supposed
to have gotten there

about dawn this morning.

He said he's running lights,

he's setting up the camera,

we should have everything down there.

The food should be there.

Everything should be ready for us.

- I talked to,

I just hope he isn't gonna be trouble,

I talked to a Travis Taylor Jr.,

and he said we can film there,

he was kinda funny on the phone

so I'm just hoping, I'm just hoping.

- Funny, ha-ha, or funny strange?

- Funny strange.

- Great, that's just what we need.

- Yeah.

That's why I'm just a little
anxious about your assistant.

You trust him, right?

- I trust him, I've used before.

He'll be there, don't worry about it.

Everything'll be set up.

I'll check it when we get there,

make sure everything's gonna work.

Like I said, we got the
backup, we got the lanterns,

if the power goes out we're cool.

- 'Cause I want to get some filler shots,

and B roll possibly on the way down.

Get some background of the area.

I wanna go straight to the house,

'cause we need the psychic,
is gonna be down there.

- You said
something about doing some

remote shots on the way down
before we go to the house?

- Yeah.

There's a great cemetery on the way.

We'll stop and get some shots there.

I got a real weird
feeling when I was there.

And there's this house
that's right on the edge

of the property.

It's not the house we're going to

but it's right on the
edge of the Black Lands,

it's really kinda cool.

Hi, J.B. Fox here.

This house, sits on the
edge of what is called

the Black Lands of Texas.

It's now referred to as the Black Lands.

According to legend this
is the portal to evil.

The first evidence dates
back to approximately

37,000 years ago to the
the Paleo-American era.

1946 a group of archeology
students doing a dig,

discovered the remains
of what was an ancient

hunting party.

Their work was dismissed as incorrect

as they were amateur archeologists.

Here's an excerpt from file
report from the professor,

Dave Jefferson, on his findings,

"Their joints had been pulled
apart and their heads removed.

"The bodies were arranged
in a pinwheel type pattern,

"with their heads placed on their chest.

"The outline of the bodies
were in the patterns

"placed in the shape of a pentagram.

"This does predate any
evidence, and any history,

"of the pentagram."

Also in this area
archeologists unearthed bones

of a Columbian elephant
and giant mastodon.

Also, some tool stone heads.

Two were recognized as human,

and a third could only
be described as un-human

or beast-like.

Pictographs found in caves nearby the area

show strange creatures
coming out of the earth

attacking natives.

Little is known about these people

from these drawings,

and archeologists say they
seem to have disappeared

suddenly and without a trace.

As you'll notice this
house is quite dilapidated.

No one's lived here for quite awhile.

We'll be moving on to the cemetery shortly

and show you a little bit of that.

This is J.B. Fox reporting.

Cut.

- And we're out.

- Oh, I kinda broke
in and took some shots.

I didn't really break in,

the lock was half broken anyway.

Looks like some kids had gotten in there.

Don't tell him,

like I said, he was kinda strange.

I didn't really let him know that I had,

I just asked permission
for us to set up today

and he said no problem.

We faxed back and forth paperwork so.

- Do you think
we're gonna find a ghost?

- Yes, we are gonna find a ghost,

and I got,

I mean, you know me, I
don't usually get feelings,

I just got a real
feeling about this house.

It's just real creepy.

I just walked in and it was just,

it's just eerie,

I mean, I felt cold drafts.

It was just weird.

- Good ghosts, bad ghosts, Casper?

- We're gonna get Casper.

I don't know,

that's why I'm hoping
Margaret can help us out.

She's got a really good reputation

as far as scaring up some stuff.

- You really think
this Margaret person,

what is she, a channeler?

Do you have any idea what she does?

- Well, I've got some background on her.

As near as I can tell she sees past events

or what could happen.

I talked to different people

and you kind of get different opinions

from different people,

so I wanna corner her when we get there.

Oh yeah, remind me,

we need to do an interview with Margaret,

'cause I wanna hear it straight from her.

- Tell you what,

let's do the interview in the house.

Maybe something'll come to her while we're

doing the interview.

We'll get that on tape too.

- 'Cause I'd
like to get her feeling,

'cause this Travis guy,
he's got quite a history.

I mean, I liked to corner him maybe too,

'cause he's got,

his relatives who own the house

have got quite a history.

And I'm hoping Margaret can
give us maybe a little feeling

of what she feels about that.

- Not a problem, just
tell me what you wanna shoot,

and I'll point it and shoot it.

You know me.
- I know you.

- I don't miss a shot.

- Well, there was
that one time.

- Yeah, but I'd been drinking.

- You haven't been
drinking today, right?

- Not today.

- Okay.

- Of course the day's not over.

You picked a desolate place.

- It's cool.

I just get that feeling.

- I'm feeling like
I don't wanna be here.

- We got
all night ahead of us.

Just change your attitude.

- It was already spooky.

- That's what it's supposed to be.

- This is where you wanna be?

- It's where I wanna be.

Let's set up here.

- Okay.

- Let's set up.

We should get the psychic here just to,

oh wouldn't it be great
if we had her here?

- She'd probably explode.

- I would love if she had
some feelings from that.

- Okay, this is
a good shot right here.

- This?
- Yeah.

Stand right there.

- Oh, glasses.

You're supposed to tell
me about things like.

I was gonna pay you the big bucks for it.

Just taking my glasses off.

- I just shoot it,

you worry about continuity.

I just shoot it, that's all I do.

- This cemetery also lies on what's known

as the Black Lands of Texas.

It's here that many of the Spaniards,

from the Spanish period
of Texas, are buried.

- Cut.

That was really bad.

- Yes.

- That was worst than bad.

Okay.

- That was pathetic.

All right.

Here we go.

Oh, taking so long,

they're gonna wanna know what we're doing.

- Here we go, we're still rolling.

- Okay.

- On five, four, three.

- This cemetery also
lies on what's known as

the Black Lands of Texas.

Many of the Spaniards, from
the Spanish period of Texas,

are buried here.

Many of the townspeople have given me

a feeling that not a lot of people

show up at this cemetery any longer.

Cut, we got a car.

We got someone.

- I don't know what you people
think you're doing here,

but you need to get out of here.

- Hi, I'm Jane Fox.

I'm a reporter.

Hi, nice to meet you.

We're doing a story actually
on hauntings of the area,

and could you give us some feedback

while we've got you here?

We'll be on the television.

- I will be on TV?

- Yes, you will.

- Well, what do you wanna know?

- Can you tell us a little bit
about what graves are here?

Kinda like the local history?

- Well.

- Wait, ya'll
hold on just a second.

Let's get back over here in
our spot, light's better.

We can't do many shadows here.

- Cut!

- If I'm gonna put this
nice gentleman on TV

I want him to look the
best he possibly can.

- That's why I pay him the big bucks.

He knows that stuff.

- Well there's graves
go all the way back here

way before the Civil War.

Very old cemetery, I'm
the caretaker of it.

- How long have
you been the caretaker?

- Many years.

I don't even know how many years.

My daddy was the caretaker before I was.

What do you wanna know?

I've got to go.

- There are Spanish missions around here

that supposedly were
haunted in the 1800s or so,

do you know where those are located?

- Well, I don't know
about haunted missions,

but there was some back
over here on the river

before the lake was built.

That's been about 40 years ago.

They're not there anymore.

They were long gone before
the lake was even built.

But yeah, there were two.

- Excellent.

And do you know anything about

the so-called hauntings of this area,

like the Black Lands history?

- We don't go there.

There's too many people
been hurt over that,

and we're not gonna bring that up.

Y'all don't need to bring that up.

That's something that
happened a long time ago.

Some of it I kinda believe
and some of it I didn't.

I heard a whole lot of things.

I just ain't going there.

- So, what do you believe?

I mean, what do you think is true?

- I don't know.

I don't know if it was some group

of crazy, weird people doing
stuff or what, but it just,

some folks got family
members parts of their body

was tore apart and stuff like that,

and different markings and stuff,

and we just ain't going there.

- So, do you know
anything about the Spaniards

who were here

and they had a mention about
a hunting party going out

and one man coming back insane
and just crazy basically?

You know anything about that?

- I heard a story about that

and it was some folks that
help settle this area,

but people around here
just don't bring that up.

That was a long time ago.

And it'd be best not to
drag that back to life.

- Why is that?

Why shouldn't we bring it back to light?

- It just ain't good, okay?

People around here they just
don't wanna talk about it.

And when you start talking
about it, it makes 'em mad.

That just ain't what we wanna go.

- We don't wanna do that.

Would you happen to know
where a Glen Taylor's grave?

- We don't talk about Taylors,

and there ain't no
Taylors in this cemetery.

They're over in Green Timbers.

We just don't talk about Taylors.

Look, y'all look around all you want to,

you got five minutes and
then get out of here.

- Well, thank you, sir.

Thank you very much.

That was weird.

- Okay, he's a nut.

- Okay.

Like to a loser for a laugh.

Okay, small town Texas at its finest.

We found the lunatic of the town.

- I think it's all the inbreeding.

- Okay, he believes it.

We've got a believer there, I tell ya.

- Something must've happened.

- I wanna know the story so bad now.

It's just real vague in the history books.

It's just so weird.

And weird things keep
happening around here,

and now him doing that,

that was just weird in itself.

We've got a story here.

We have got a story here.

Okay, we still have to figure out.

Okay, let's wrap it here.

- You don't wanna
finish your piece here?

Is that enough?

- Okay.

He got me off now.

Let's see, okay, 'cause the
history I got from here.

Okay.

- We got about four minutes left.

Deputy Dog's coming back.

- Close to 1841, the city
of Blackwater was born.

The house we're going to later

sits on the site of what was Blackwater.

Blackwater is one of the
few cities that escaped

the Civil War.

After the turn of the century

tragedy returned to Blackwater.

Children began disappearing

and Blackwater had the
highest rate of murder

in the entire state of Texas.

Finally, on the night
of December 31st, 19.

Cut, cut, cut.

- Okay, pick it up two lines back

and we'll do some inserts
and we'll just cover in that.

Cover it in post.

On your mark.

- Children began
disappearing without a trace.

Blackwater had the highest rate of murder

in the entire state of Texas.

Finally, on the night
of December 31st, 1900,

Blackwater died.

Few records were left
intact describing the event.

A group of town folk
went on a murder spree,

killing everyone in town,

and setting the town on fire.

The only survivors being
ranchers and farmers

living outside the town.

After the town was gone most
of these people moved away.

After that, the town of
Blackwater became overrun by trees

and the area you see around.

- And we're out.

- We'll put that on.

- There it is.

- To the left, to the left.

Isn't this like the worst road to go down?

Can you get a good shot?

- I got your ear.

- No, the house not my ear.

- I gotta do the back seat.

- I guess a blinker's totally goofy

way out here in the middle of nowhere.

Is that your assistant's car maybe

- Yeah.

That's gotta be his car.

- I think this is Travis.

Like I said, he was a
little weird on the phone

so this is gonna be interesting.

Party smiles, everyone.

Hey.

- Let me call you back.

- Stop looking at him.

Get the shots of house.

- I'm getting the
house, I'm getting the house.

- Will it look good at all?

He was taking two calls
while he was talking to me.

- He's an important person.

- All right, I'll call you back.

- Hi, Jane Fox.

- Nice to meet you.

- Hi.

- All right, what the hell
are we doing out here?

This guy was already here when I got here.

You guys never had permission
to come onto my property

without my permission.

He's already ran in through all the house.

- No, I faxed over the
release form yesterday.

And I said if there was a problem.

- I have some release forms for you too.

- You said everything
was fine on the phone,

what's the problem now?

Is there some problem?

- You have a pen?

- Yeah, somewhere.

- All right, this is release information.

Need you to sign right down here.

The same information
you sent me yesterday.

- Excuse me, would
you mind shutting that?

That beeping is killing the camera.

- I'm gonna get my camera too.

Would you hold that for me?

Please?

- Oh, this could be fun.

It's gonna be long night.

Point at the house.

- All right.

Come on over here.

- Sorry.

Is this a problem?

I thought we had everything taken care of.

- Well, we did have
everything taken care of.

You have me out here.

Okay.

- This is the same thing
I faxed over to you.

- Exactly, but I never received it.

So, that's why I brought my own.

I've neither time or the patience

to sit around here

and let you people walk around my property

trying to tell me that it's haunted.

It's haunted in the first place, okay?

If we can hurry this process up

it'll make everything easier.

- Fine!

That's fine.

- Get that damn camera outta my face.

Getting on my nerves.

- You know, you really
don't have to stick around?

You can go if want too.

- No, that's all right.

- I really don't see any reason why

you have to stick around.

This is taking a lot of time from you,

it's apparent you don't
want to stick around.

- You guys have me out of Dallas,

down here between bum...

Anyway, we're a long ways away.

I have my camera.

Let's go ahead and go in,

you film what you need to film,

he can film what he needs to film,

and let's go.

Be here, what?

An hour,

to prove your point

that the house is haunted?

You can run back tell your story,

do your publicity and there you go.

- Do you know anything
about the hauntings here?

- This house isn't haunted, come on.

- Okay, ignore him for now,
we'll edit that out later.

So, did you get everything set up?

- Yeah, I think so.

- Okay.

Has he been attacking you the entire time?

- Not too much.

Why you think I was in the
house and not out here?

- Okay, stop.

Okay, so the asshole.

Okay.
- There is is.

- Shut up.

Okay, so everything's set up.

- Mm-hmm.

- Did you do it right?

- No, I did it wrong.

- Okay, just checking.

No, I trust you.

If Eddie hired you, I trust you.

- I've done some work for Eddie before.

- You got the camera by the door?

- Yeah.
- Okay.

All the rooms lit?

- Yeah, everything's lit up,

got the generator set up.

- Okay, that's what we're hearing.

- Yeah.

- I was gonna say, sounds
like somebody's tractor.

- Okay, is it
pretty much safe in there?

I mean, the floors aren't
giving away or anything?

- You hear some creaks and cracks

but just a modern old house.

- Did anything happen
while you were in there?

- No.

- Okay.

- Not a thing.

- You wanna hang around?

- No, in fact, I gotta go.

I got my girlfriend.

I'm suppose to go out.

I was suppose to be there
about 30 minutes ago.

- Point the camera at him.

Mom, mom!

- Not me.
- Tell your mother.

- It ain't me, okay?

- Are we ready to go inside?

- Yeah, sorry.

We were just letting him know.

Be there in a second.

- I'll catch y'all later.

I'm gonna go.

- Have a good one.

- We'll see you
later, Kevin, appreciate it.

- Bye.

- Okay.
- Okay.

I'm getting a real good
shot of the prick here.

On five, four, three, two.

- Hi, Jane Fox.

This is the house that we're
going to be staying in tonight

and having our seance.

In 1945 a returning
World World II solider,

Glen Taylor, last heir
of Daniel Blakestone,

who founded Blackwater.

- Anybody else to come?

There's another car that just pulled up.

- Cut.

Uh, yeah, that's our
psychic, Margaret Fellows.

She's gonna be here tonight

to try and help pick up on some.

- A psychic?

You people have really gone
to the extremes this time.

- You know, you could have
said something earlier

if there was a problem.

Hi.

- Are you Jane Fox?

- Yes, I am.
- I'm Margaret Fellows.

- Hi, nice to meet you.
- Nice to meet you.

- I've heard a lot about you.

- Oh, well thank you.

- All good.

- That's nice to know.

- I was gonna
finish up a little bit

on the outside of the house here.

You and Travis could
possibly maybe go inside

and kind of get a little feel first.

Or if you just wanted to hang out

and I was gonna finish off, that's okay.

Two minutes.

- Nice to meet you.
- Margaret Fellows.

- Two minutes.

- I'll go ahead and
stand out here with y'all,

make sure you don't burn something down.

Something.

Create a story that isn't here.

- If you don't mind I'd like
to walk around the property

for just a moment.

Kind of get a feel.

- That would perfect.

Absolutely perfect.

- Can y'all stay
together in one little group?

That would be very nice.

- Hi, Jane Fox.

This is the house where we're
gonna be staying out tonight

that has the haunting.

1945, a returning World War
II soldier, Glen Taylor,

returned to this house,

the last heir of Daniel Blakestone,

who was the founder of Blackwater,

took up residence here on the site of the

forgotten Blackwater.

He built this house for his family,

wife, Laurie, and son, David.

Most of the years he was
here, according to records,

crops had failed.

And you'll notice, looking at, see that?

They're pretty bleak around
here, not much is growing.

The following year, after 1948,

after a second son, Travis, was born,

his wife and oldest son were killed

in mysterious .

As cars go by.

Was killed in a mysterious barn fire.

I think the barn was off that way.

According to the records
is was ruled as accidental,

that a lantern had turned
over and started the fire.

By 1967 Glen Taylor has lost everything.

He and his son, Travis, were living here.

On midnight, December 31st, 1967,

Glen Taylor took a gun,
put it in his mouth,

and killed himself.

After that, Travis, the son,

left for Austin at age 19.

And he hasn't been back since.

He built up quite a reputable reputation

for real estate and investments.

He married and had a son.

We have the son here today actually.

Travis Taylor Jr. is out here with us,

and he has graciously
invited us to film here.

- Graciously my ass.

- Margaret.

So, do you want to maybe go in the house

and get a feeling of the house,

maybe tell us a little bit
about the family history?

What you feel off of it?

- How's a psychic supposed to determine

what has happened to my
family inside of this house?

- I'm an old--

- Not when I've been here before,

how is she, she's never been here?

- Margaret, why
don't you field that one?

- All right.

Well, Mr. Taylor, that's
part of my talent.

I don't have to have been here before,

but I'm in an area and I
can get a feeling about it.

I can tell you the history.

- Let's go inside.

Get your little footage
you need to for your story,

and get out of here in a couple of hours.

We're not staying the night,

I changed my mind.

And then we'll just go on.

- Okay, let's go in.

I'm sure we're all--

- You think this house is haunted.

Nobody's lived here in how long?

I need to sell this property.

- Maybe we can help you do that.

See, this is a win, win situation.

- This has nothing to do with
property and real estate.

This is valuable property right here

where I can make a lot of money off of it.

Why are you gonna sit here

and try to determine that
this house is haunted

by bringing a psychic down here from.

Where are you from, Houston?

- From the Dallas, Fort Worth area.

- Dallas, Forth Worth area, there you go.

Bunch of hypocrites.

Let's go inside, do your footage,

and let's get out.

- Okay.

- Big waste of time.

- A bit of advice to you, Mr. Taylor,

I'd be careful just
whose bad side I got on.

You know that accident
your parents were in?

You might not be happy with
what a further investigation

will turn up.

- First of all,

nobody knows anything
about my parents' death.

Tragic accident, nobody knows.

We'll leave it at that.

Now, let's go inside.

- Okay, everyone, let's
all take a deep breath.

- And after all since you've
already broke into the house,

why don't you take us on
the grand tour, Miss Jane?

- Now, I, all right, fine.

This way.

You know, you don't have to stick around?

You really don't have to.

- I will stay here, you
guys are on my property.

- We're not gonna do--

- I'm waiting for you to do your story,

then we'll carry on, okay?

Go ahead and do your story right here.

- And you're--
- You're wasting my time!

- Fine.

- You're wasting my time.

- Eddie's still filming.

I told him to film everything.

- Okay, y'all hang on a second.

I'm gonna check and make sure
all the equipment's set up.

- Okay.

Are you getting any
vibes off the house yet?

- Ain't no damned
vibes in this house.

- There's a presence here.

But I would defer to
keep most of the readings

until near midnight.

Readings sometimes give me headaches

and I'm afraid that too
much in the early hours

that I may be wasted by the
time midnight comes around

and we really get into.

- You can't say, open
yourself up a little bit,

and get like a little?

- No, it's all or none.

No middle ground.

- Okay, we can work with that.

- This is Jane.

And what was your name again, ma'am.

- Margaret.

- Margaret.

- All right, should I rate the tour?

- That's the other cameraman.

- You working?
- Yeah.

Let's keep going.

- Okay, this is the living room.

I think some kids have been here so,

ignore some of the alignments there.

- Hello?

Yeah.

- Okay, this is
the dining room here.

There's a back door
back here and a kitchen.

Can you catch that, Eddie?

Can you kinda get a angle?

- This belonged to
Mr. Taylor's uncle, I believe.

Take look in that back room.

- Oh my god, okay.

All right, okay.

Let's just talk later.

But, Eddie, we've gotta
get this on for ours.

This'll be funny, condoms.

Ooh, Eddie, there's an attic up here.

Why don't you jump up
there and take a shot?

- There's a what?

- There's an attic.

Look, up there.

It's pretty dark up there,

probably couldn't get much
unless we get some light.

Out of order.

- There you go,
your house is haunted.

- Oh, isn't he
just special?

Okay.

- I'm fine.

There's one in every crowd.

- Okay.

That's cute.

If you're gonna be like
this the entire night

I just as soon maybe you.

Okay, why are you filming?

- You have me on
camera, I have you on camera.

- Okay, fine.

You know what?

You could go sit in the living room.

I mean, that would probably work.

- Sure, without a doubt.

Let's go.

- Okay, let's go.

Okay.

This is...

Okay, give me a second.

This is a bathroom, I think.

Oh, some kids were
having fun here I'd say.

- You going?

- No.

No.

I'm not ready for that.

- Okay.

Well, come in this room.

Eddie, I want you to get
a shot with the camera.

Looks like some kids have been playing.

It's kind of an ominous sign.

They left their Sunkist.

- Look at that.

- Oh, hello.

Oh, oh, look, look, look!

Margaret, come here, you
have to see this Margaret.

I'm sure you can appreciate this.

Look, a Ouija board.

Come on now, you can't
that's disgusting.

Come on, you can't tell
me you don't appreciate

a good Ouija board.

You know you could.

Margaret, look, it's a Ouija board.

So, getting some vibes off this?

- I'd rather not handle that.

- Okay.

Let's see.

A counter back here.

It's dirty.

Back here in the living room.

Did you get some good
shots of that back room?

What were you feeling
out of that back room?

- Felt that you
were a pain in the ass

and need to get the
hell out of this house.

- Okay, we can edit this out.

- Believe it or not,

there's a lot of energy
coming from that room,

and it's very strong,

probably the strongest
I've ever encountered.

- Could you either relax--

- Could you either speed the process up,

or I need to call the police

and have everybody escorted
off of my property?

- Look, I've had just
about enough of your shit.

- You want more of my shit,
go on outside to your truck,

pack all your shit up,

and get off my property.

There you go.

Play your damned Ouija board,

and bring your ghosts
wherever you need to go.

Write your damned story and there you are.

- We don't need to write the story.

- There's a lot of energy
in that room, there you go.

- I've kept my mouth shut,

but if I remember right,
when we were outside,

weren't releases signed?

Look, hey, you have no worry about us.

We've signed any liability away,

if something comes out of
here and fucking eats us,

it's not gonna matter.

You pompous ass.

- I am a pompous ass but I'm rich.

I can do whatever the fuck I want.

- You got your damned releases,

why don't you go the hell home?

- Yeah.

Could you beat him up for me, by the way?

- I could.

He'd sue me, but I could.

- You know, you could go back there.

I've seen used rubbers back there,

you could go have fun with those.

- There you go, I could bend you over.

- Oh, bite me.

You are a.

Okay, anyway, all right, all right.

Let's just get rolling on this

so we can all part ways.

Okay.

- Why don't we take a little, short break.

- Okay.

- Let's calm down, take a short break,

get something to drink,
maybe something to eat,

and then we'll start over.

We need to wait 'til it gets dark anyway.

- Okay.

- Wait 'til it gets dark?

I thought we were only gonna
be here a couple of hours.

I said we changed our mind,

we're not staying the night here.

- No, that release allows us to stay here

as long as we want to.

- And I faxed that to.

You saw that release.

You saw that I want here the whole night.

You saw that, you don't even go there.

- He has these
goddamn people are out here.

Look at this.

Cameraman walking around
like he's a badass.

Yeah.

- Good luck with that.

The psychic smiles.

- I can tell you
that's not gonna happen.

Okay, try another angle with him.

You're not gonna have any luck there.

- Look at you.

- Do what you have to do.

- Could you move over there possibly?

Oh, okay, let's go this way.

Okay.

Hey, Margaret, you have
a BA in Parapsychology

from the University of
California in Berkeley.

- Yes.

- And a Masters in
religious studies from SNU.

- Mm-hmm.

- When did you get your first vision?

- I've had them since birth,

so if you're talking of a first vision

that was of any substance when I realized

that I was different from other people?

- You sure are different.

- I was about--
- Cut.

I've got no cutaways on this.

Would you please keep your mouth shut?

- What is the problem?

I thought you were kinda cool with this.

You were kinda settling down.

What's the problem?

- I'm settled.

You're wasting my time.

Hurry up with this little interview.

- I did some checking on you, by the way,

and I've got quite a
history I could get into.

Would you like me to put it on tape?

- Put it all on tape.

- Would you like me to put it all on tape?

Or maybe you should keep
your damned mouth shut!

- You can stick it up your ass

maybe we wouldn't have
to worry about all this.

- Hey, hey, you know,

if you would just be
quiet for a few minutes

this would go a whole lot faster

and we could be out outta your way.

- Yeah, if you would just
keep your big mouth shut,

we'll get done, we'll get out of here,

life'll be good, got it?

Huh, sport?

Okay, when did you get your first vision?

- The first time I was aware--

Sir.

- Either take it outside, or shut up.

- Now you're making
noises in this damned house.

- Something fell.

- Something fell?

There's nobody in the house,

how is something suppose to just fall?

- Margaret, what are you feeling?

What are you feeling, Margaret?

Get in here, get in here, get in here.

Oh, fuck.

- Hello?

- It's definitely the house.

- Sounds like
it's haunted or something.

Look at this.

- I'd say it was
him but he was in the room.

- Believe me, this is the house.

This was not done by humans.

- I'd say you did it
but you were in the room.

So I can't really blame you.

- Hired some little
punks to come up here--

- I didn't hire any--

- Smash the house up.

- Knock shit over--
- Hello?

Eddie, Eddie, Margaret.

Oh, okay, all right, okay.

Maybe you hired some little
shitheads to come in.

- I'm tired of these games.

First of all, we're on my property, okay?

It's late at night.

- Oh, whatever.

Do you have a flashlight?

You got one, don't you?

- Pull one outta your ass and use it.

- Oh, shut up!

What an ass.

- You know you had an investigation

in Missouri a few years back?

- Uh-huh.
- Went very badly for you.

- Yeah.

- We need to make sure that
we can all stick together

because this could go worse than that.

- Okay.

- I'm getting real bad vibes from this.

- How do you explain that?

If you didn't set it
up and I didn't set it,

how the hell do you explain that, Travis?

Come on, you've got an
explanation for everything.

Come on.
- You explain it.

You're the one that said the house

was haunted in the first place.

If you know how haunted
then solve the problem.

Instead get those damn
kids out of my neighborhood

and off my property we'll be all right.

We'll just get up and go.

Write your damned story,
finish your interview.

- Gotcha.

- Psychic Suzanne over here.

- If I'm not mistaken,

you're the one that wanted
this property evaluated

so you could boost the
price of it when you sell it

to screw somebody outta as
much money as you could get.

- This has nothing to do with that.

Absolutely nothing.

This is fine real estate right
here in the heart of Texas.

I could turn around and sell
this for a million dollars.

- So why didn't you?

- Why are you coming out
here with a video camera?

- Why did you let me on this property

if you were gonna be this way about it?

I just want to know,

why did you let me on this property

if you were gonna be this way about it?

- Why ask the
question with a question?

- 'Cause I want to.

- I can sell it faster, there you go.

- See, so why are you being so--

- Now the house is haunted, there you go.

- Why are you
being so snotty about it?

- Real estate, that's all it is.

- Okay, so keep your mouth shut,

we'll get this on film,
we'll get outta your face,

and we'll never have to
see you each other again.

- Thank god.

- Okay.

All right.

Are you getting any
feelings from the house now?

Can you maybe give us some insight

as to what's happening?

- I would prefer, as I explained earlier,

to wait 'til midnight.

There's definitely something here.

There is a strong presence here.

If I open myself up to those feelings now,

I may be too exhausted to be of any use

to you at that time.

- Okay, okay, well, all right.

We'll go over that.
- Okay.

- What was your first experience you had

in helping the police solve a case?

- There was a serial
killer case in Seattle

about six years ago

that they were just at all dead ends

trying to find clues to get the killer.

So, they asked me to come up.

I was able to go into
the homes of the women

that were murdered

and help them get some
detailed information.

- Did the detailed information?

- We'll edit that out.

- Sorry.

- It's okay, hey, screw it.

- Laugh heavy.

- Exactly, editing miracles.

- As I said, I went in and
helped them uncover some clues

that helped them learn enough
details about the killer

that they were able to apprehend him.

- See, right now you're
sitting here generalizing,

why don't you explain--

- Who's doing the?

I just want to--

- You're sitting
here accusing my house here

of being haunted, the
land that I inherited.

- You just explain
what happened in there.

Can you explain it?

- You go ahead and explain it.

Ask Psychic Suzanne if she
gets these vibes and feelings.

- I am trying to ask her.

Why don't you leave?

Why don't you leave?

- Why don't you get up and leave

off of my property?

- I signed a release, you okayed it.

Hey, I work for a station,

you wanna put my lawyers
up against your lawyers?

Fine.

You wanna sue, I'll take the publicity.

I'm sure you'd like the publicity too.

But maybe not, maybe you
wouldn't like the publicity.

I mean, like I said, I could put on tape

what I found out about you.

- Let me turn my camera back on

and make sure we have.

- I mean, gosh, parents dying
in mysterious car crash.

I'm guessing you probably did it now.

What'd you do, cut the brake lines?

- You generalizing once again?

- Fine, shut up.

Just, fine, keep your camera up.

I am so sorry about this.

- That's okay.

I told you, I've encountered
problems like these before.

Disbelievers.

- Why did you
agree to come here today?

- Well, there's really the
basic reason I came here is,

I believe that there are portals
around the entire world--

Where the demons will be
released on New Year's night.

From my studies of different religions

they all have the same predictions,

and here we have the book of Revelations.

All different religions
have their own forecast

of the demons being released.

My hope is that by being here

that we can get this on film,

get it documented,

and get it out to people

so that they will turn to God,

or whoever their religious belief's in,

so they will turn to a power

and we can stop this possession.

- You feel your power's
a gift from God possibly?

- Yes, I do.

- And if we get this on tape

you can hopefully divert
what is gonna happen?

- I think so.

The visions that I have don't necessarily,

if it's visions of the future,

it's not necessarily what has to be.

I think it's within our
power to take those visions

and alter our lives

so that they don't have
to turn out the way

some of the visions that I've see occur.

- Okay, you're sitting here,

you're saying you can
alter and change your life

by visions that don't even occur?

Can you explain that?

- Everybody has the right to choose.

And no matter what your situation is

you always have a choice.

And if you can see ahead of time

what one choice will lead to,

you've always got that other option

to go and make another choice.

- That got him.

- She got me,
I shut up, didn't I?

- Yeah.

Okay, can you give us
any insight on the people

who lived in this house.

Could you at least give us that much?

I noticed you touched some
things, we caught that.

Can you get visions of the
past from just touching things

that's not too strong for you?

- I pick up from touching
people or objects

in places where things have happened.

I can pick visions up that way.

I sense that Mr. Taylor, Glen Taylor,

committed suicide in that recliner there.

- Now you gonna start speculating

on my grandfather,

this has gone completely way too far.

- It is public record
that your grandfather

committed suicide, that is public record.

- It might be public record,

but you're sitting here,

you're talking about this
shit while we're in the house.

I mean, isn't that completely
disrespectful to you?

- No.

We're trying to get to
the bottom of the story.

Are you scared to get to
the bottom of the story?

- There is no
story, that's just it.

- Are you scared?
- There's no story.

- You scared?

- No, it's not a story, it's the truth.

That's what happened in this house.

- Then let's get the truth out.

- All right.

- The damned house isn't haunted.

If he killed himself right in that chair

maybe he'll come back to life

and kill us all.

You never know.

Let's get to the bottom of it.

- Okay, hi, Eddie, how ya doing?

- Eddie doesn't
have anything to say

because he agrees with me, he's a man.

He's sitting here getting
paid to do a damn job

and you guys have no
idea what you're doing.

- Eddie is a professional,
unlike some of us here.

- Exactly.

- How do you make your,
let's change this interview,

how do you make your living?

- Not relevant.

- Oh, he's getting scared now.

- Nothing to do with being scared.

You know everything about me, look it up.

- I did.

- Real estate,

that's what I invest in.

This is property right here that I own

and I'm gonna turn into money.

- Let's see.

- You come out here with your video camera

with him sitting here.

- Drops out of med school.

You kinda have a history
of dropping out of things.

- Thank you.

- You gonna shut up now?

- No.

- Now, where do you wanna do the seance?

Where would be the best place to set up?

- Just right here would be just fine.

- Okay, all right.

Did you wanna use the
Ouija board for the seance?

- No.

No.

- Kind of give us a preview
of the seance, like,

do we sit in a circle?

- If that makes you comfortable,

I don't need it to do what I do.

- 'Cause she's
a professional, remember?

- So the room on the left side
you didn't wanna go in there,

you said you felt a very
strong presence there, is that?

- Yeah.

There's sometimes I run into areas

that are just overwhelming.

In order to get a clear
understanding of what

message is trying to come through to me

I just need to back off from it.

So, if I just step back

and put myself just a little
distance away from that

then I can get a clearer
understand of what's

coming through to me.

- Okay.

- It can get too intense at times.

I have developed migraines
from some of the readings

that I've done,

and that just completely wipes me out.

So, I've learned how
to pace myself with it.

- Okay, okay.

Wanna go ahead and we can get set up.

Anybody have the time?

- I have about 10:45.

- Okay.

Well, we can either sit here and wait,

or we can do the seance early.

Is midnight the telling hour?

- From research and
understanding that I've done,

between the hour of midnight and sunrise

is the time that is going to get the most,

in layman's terms,

the clearest understanding
of what is coming through.

Now, according to the
legends that I've researched

that's the period of time when
the demons will be released.

- It seems like every strange
occurrence that has happened

in this area

has happened on December
31st, which is today.

- And with this being the
turn of the millennium,

I expect that whatever
feeling comes through,

whatever presence is there,

will be a thousand times stronger

than anything we've
ever experienced before.

- And what we've been
experiencing thus far

through the house you
feel is from the house.

- Yes.

Much more than just human presences.

- You're not feeling any,

can you feel people?

I mean, can you feel other presence?

If there were kids outside
running around doing stuff,

could you feel that?

- Yeah.

I know the difference.

If it's a a living presence
or a past presence.

- Mm-hmm.

Because I had got some pictures in here,

and it looks like there's
a presence in the pictures.

I got some stills.

- Here in this room?
- Yes.

Yes, in this room.

And it was the strangest thing,

and at first I thought it was
just a developing mess up,

they assured me it wasn't.

- You were right, there's something here.

It's not incredibly strong,
but it's a clear presence.

- Okay, cut.

Thank you for the interview.

- Oh, you're welcome.

- Okay, we got about an hour.

- Jane.
- Yes?

- I gotta pee.

- You're making the editing mess yourself.

Yes, we'll let you pee.

- Thank you.

- An all around reporter.

- As a child I was real famous on my block

for finding lost pets.

- That's pretty good.

- Maybe you can
help her find her lost mind,

'cause she's lost it.

- That is it.

I've been listening to
you for 15 minutes now

saying, I set this up, there's
kids outside doing this,

let's go.

Let's go outside, we're gonna check it.

Let's go.

Get up.

Get your fat ass up, we're going.

- Fat ass?

Okay.
- Let's go.

You got a problem?

Let's go, we're gonna check it outside.

Eddie, come on.

I mean, I've had to listen to you for 15,

well actually all night.

- You know
why I hate you so much?

- I wouldn't know.

- Keep your mouth shut.

- This way you can prove we're wrong.

- So let's go

and catch the little
son of a bitches outside

so I can prove you wrong.

- You first.

- Where are they hiding at?

- Why don't you tell me?

Where'd he go?

- Come on Mr. Brave Man.

- I'd like to keep an
eye on you, right there.

Travis.

Mr. Taylor.

- I'll leave my camera on too.

- Are you getting any vibes off him?

- Other than
the fact he's an asshole?

Anybody can pick up on that.

- You see anything?

I mean, are you?

Let's check through, let's do a thorough.

Why don't you jump up there, Travis?

There's no way anyone's
getting through that way.

- I can't believe you
people have me out here

this late at night.

The house is getting ready to be torn down

so I can sell this land
and tell me it's haunted.

- Door's padlocked.

- Apparently,
y'all never saw my sign

the first time you were here.

Warning, trespassers will be prosecuted.

- There's no way that somebody is.

We searched the house,
there's nothing in the house.

- Would they run
inside while we're outside?

- Does paranoia come normally

or did you get it later in life?

We couldn't have found a
house with a nice owner, no,

we had to get owner from hell.

Did you see anything?

- I didn't make
it around the house?

- Well, why don't you lead the way?

Maybe he'll shoot you first.

- Your story.

- You're the asshole.

Okay, satisfied?

Nothing.

Okay, we're all good.

- Jane, it's getting close to midnight.

- The seance.

Okay, we're gonna set up
for the seance right now.

- This room will be fine.

- You wanted the Ouija board?

- Here, wear your mask

that way you can bring the devil out.

- You know, I don't need it.

- Okay, this'll be kinda fun.

So we don't need to
hold hands or anything?

- Not unless you're scared.

- Well, okay, I guess
I'll sit next to Eddie.

- All right, hurry up,

and we can get out of here.

The house isn't haunted,
nothing's happening.

- If we can get the room
quiet this will happen

a lot faster and we'll
be out of your hair.

- Ouija, Ouija.

- I like to do that.

- I was--

- You people are
making a game out of this.

This isn't a game.

- Your tucked hands.

- Okay, all right, I'll relax.

- Just relax, we'll get it.

- Okay, all right.

That was pretty good.

A psychic with a humor.

- You've all
lost your fucking minds.

- Maybe so, but it's a happy place.

- Maybe you should join us.

- The presence here is very, very strong.

It's not earthly presence.

Like I said before, it's a strong,

horrible demon, demonic
presence that's coming through.

And it's probably the strongest
I've ever encountered.

I'm having trouble interpreting

what's trying to come through.

- Give me a damn, fucking break.

Shit!

You people are wasting my time.

You've been doing this all night long.

Shit!

Sitting here, mm, there's
a damn ghost in the house.

- Just calm down.

- Have you heard of
anger management courses?

They're great.

They have them every other week.

- Spirits can come through

and take over anybody at any time.

Young, innocent, the, oh my god!

- What?

Oh!

Oh, man!

Oh, shit.

Oh, this is real.

Eddie, are you getting this?

Are you getting this?

- I got it, I got it.

- Oh, oh, oh, oh my god.

Okay.

Okay.

Oh my god.

- You people have lost your fucking minds.

- Eddie are you--

- Running around
this goddamn house.

- Oh my god.

Eddie, go, we need to get this.

Oh my god.

Oh, it's too good.

Okay, everybody, okay.

Travis, we need to stick together here.

Come on.

Oh my god, okay.

Oh this is too good.

Okay, Eddie.

Okay, all right.

Did you catch that from here?

- Yeah, I got it.

- Jane.

- Far enough, Jane.

- Okay.

Oh shit, what do you have a gun for?

What the hell you think you need that for?

- What is this some fucking game you guys

wanna just start putting shit in little.

- This is no game.

What the hell do you have a gun for?

Excuse me, I asked you a question.

- What is this?

You will.

- Come on, we
know when we set this up.

We checked this house.

- There isn't a damn
thing in this fucking house.

You've all lost your minds.

- Yeah, I know there's nothing.

- Psychotic trip shit.

- The only thing
you're gonna hurt with that gun

is yourself or one of us.

- Just put it away.

Put the gun away.

Eddie, I'm getting a little.

- How many people did you hire, Jane?

- I did not hire anybody!

I took you outside, I showed
you there is nothing outside.

- Like I said when we were outside

they could've came inside.

- Okay, fine, let's look.

Are we seeing anything?

Look, are you--

- It doesn't make
a difference, they're gone.

Look at this.

- How are they getting out?

- Shit.

- There's nobody in this house.

I mean, look around.

There's nobody in this house.

I mean, check it out.

Eddie, get this on tape.

Keep this on tape.

Go ahead, let's go.

Come on, look around,
there's nobody I this house.

I think you just need to
chill out a little here.

- You guys
are all going to leave.

I'm calling the police right now.

- Just back off.

- How'd they get out?

We were standing right here.

- Hello?
- Got it.

- It don't even work.

- Give me the goddamn gun.

What is your fucking problem?

- The phone doesn't even work.

Everything in this fucking
house has gone off.

- And we fucked up your phone, right?

We did that too?

Huh?

- This is fucked up.

All of this is fucked up.

- Give me the goddamn gun.

Give me the fucking gun.

- What's going on?

Oh my god.

- You gonna shoot me?

You wanna fucking shoot somebody?

- Y'all are fucking gone.

- Yeah, we're gonna
get it on goddamn tape.

- Shit!

- You're a bad ass motherfucker, go on,

shoot me, asshole.

- Fuck this.

Y'all can stay in this
mother fucking house and die,

all of ya.

- Oh my god.

- Deal with your haunted shit.

- Noise back here.

- Fuck.

- You're not leaving!

- Oh my god.
- Good riddance.

- I think I got it.

There's noise back there too.

There's something else going on.

- Give me the camera.

- Margaret.

- We need to stay together.

- All right.

What are you feeling?

This is freaky.

Okay, all right.

- You see anything different?

- There is something back there.

There is something back there.

There is--

- I don't wanna play your shit!

- Oh fuck.

- Our damn batteries are out

on the floor broken the fuck up!

The trucks are fucked up!

Somebody explain it!

- I can't.

I can not explain this!

I can't, I'm sorry.

There's some noise coming--

- The cellular phone doesn't work.

I can't even make a call.

The batteries are all
out of every single one

of our cars out there laying
on the ground broken up.

- I can't explain it.

I don't know.

- It's the house.

- I don't know.

- It's the presence, the land we're on.

I'm telling you.

- It isn't the fucking land,

it's all in your guys' heads.

This place isn't haunted.

- This is in our heads?

- This isn't haunted.

- This is in our heads?

- It's a bunch of kids playing games,

can't you get that through your head?

They knew we were coming out here

so they came out here to do all this.

You find them too.

- I swear I'd love it

if it was some kids right about now.

- Damn.

You've lost your mind.

This psychotic, Psychic
Suzanne, or whatever she is.

- Just get a camera,

so we'll just keep camera's going.

There's nothing here.

Nothing here.

- Hey.

Hey, hey, hey, Jane.

- Oh, hello!

Oh my!

Oh shit.

- That's what
we've been trying to tell you.

It's real.

- See this?

Are you seeing it?
- It's real?

- Yeah.
- Good.

- Are you sure the batteries

are messed up in the cars?

- You guys wanna
go outside and look?

We have no transportation
to get out of here.

My phone don't work.

Your fucking cameras are still working.

Damn phone.

- Let's go check the car.

- It's started.

We need to get this documented.

- You're getting this, right?

You're not missing this?

- I'm getting it.

- Okay.

You believe it now?

- Here.

Well, haunted or not, something's here

and we've documented it.

Either you've got your proof
to go to the police with

or we've got the proof that we need

to give it to the public.

- Oh my god, that's all we need.

- Okay, come on.

Let's go check the cars and
get the fuck outta here.

- Okay, all right.

- Just don't touch it.

- Is it real?

The batteries are right here.

How much more assured
could you be about this?

- Hello, oh!

- Sitting here, three cars,

a cross in the middle
with blood all over it.

What in the fuck are
we supposed to do now?

- You getting this?

- I'm getting it.

- Okay, explain that.

Explain that, Travis,
can you explain that?

Go ahead.

Go and check and see if it's kids.

- They're not in the house.

- I'm getting
the fuck outta here.

- Margaret, what
are you feeling, Margaret?

- Let's stay here.

Let's get inside.

Let him go.

We're better off.

Stay together.

- All right.

- Y'all can die.

- Travis, don't.

Oh shit.

Okay, what feeling are you getting?

Was that kids doing that?

- No, no.

It's the same thing that's
all over this property.

- Okay.

- The road's not three
quarters of mile up there.

- That's good.

- You can hear the traffic.

He's gonna be back here
in probably an hour.

And he's gonna throw our ass out.

- We've got an hour, we've got an hour.

Let's keep taping what's happening here.

Can you open yourself up some more?

I mean, let's get this
on tape while we can.

- Hold on.

Are we gonna stay?

I mean, are we planning on staying?

- I think our best bet is to stay put.

- I want this on film, Eddie, come on.

- If we're gonna stay
then we're gonna have to,

just hold on a minute.

I've gotta go check the
gas in the generator.

It won't take but a minute.

- Okay, okay.

All right.

- We don't wanna lose power.

- Okay, all right.

- I don't wanna be in the dark.

- Okay, we're cool.

All right.

Okay, check the generator.

- Little fucking kids.

Wherever the hell you're at.

Shit!

Pull me the fuck out here
on the 31st of November,

December.

Come out, you little punks!

God!

God, help me!

- Eddie, Eddie!

Oh, Travis.

Okay, Eddie.

Are you feeling?

- Did you hear that?

- Yes, where was it coming from?

- The son of a
bitch was shooting at me.

- Travis?

- It must've been him.

I was behind the shed
checking on the generator,

the damn gunshots are coming
from back there somewhere.

- Was it for sure shooting at you?

- He was shooting in the
direction of the shed,

'cause one of them
whizzed right by my head.

Sorry bastard.

- I heard some yelling too I think.

- If you're getting anything on this,

did he do it?

Was he shooting at me?

- I don't think so.

There's so much coming right now.

It's hard to read it clearly.

- Get the camera, let's tape this.

- He's still go three shots in the gun.

- Okay, all right.

Three, okay.

- Are we gonna wait in here

and wait for him to come after us?

- No, no, no.
- No.

Oh shit.

Okay, he's not gonna kill us on tape.

He's not gonna kill somebody on tape.

He's not that dumb I don't think.

- Embodiment of a lot of things.

- Get that camera.

Can you get that?

- Yeah, I got it.
- Let's go.

Travis!

- Stay together.

- Come on.

Travis!

Just put it away!

- He went out this way.

- It's not funny anymore, Travis!

Travis, if you are doing this.

- He wasn't up here.

He was toward the back of the house.

- Let me just
read where he went, okay?

- Keep taping, keep taping.

Travis!

This is not funny, just put the gun away.

We have got a camera rolling.

- Let's go back here.

- Travis!

- He fired another shot here.

- Travis, just put it away!

Are you listening?

- He fired the third on from here

'cause that's the one that came by me.

- Travis!

What is that?

- I don't know.

- Travis!

We've got a camera.

If you are messing, this is not funny!

- Oh my god!

- Oh god.

Travis?

- It goes in the door.

- But it's going down here too.

- It goes in the door.

- Shit, oh!

- Get in the
house, get in the house!

- Come on, Eddie.

- Okay.

Oh my gosh.

You getting this?

- I'm getting it.

- Where's it going?

- It's going out in the kitchen.

- Let's go to the kitchen.

Oh shit!

Oh my god!

That's not him.

Please tell me it's not him.

Oh god, please tell me it's not him.

Eddie, tell me that's not real.

- Eddie, tell me that's not real.

- Wait, wait, wait.

- Oh.
- Oh my god.

- Oh, Eddie, come
on, tell me that isn't real.

- Get in the living room.

- Go, go, go.
- Go, go, go!

- Okay, okay.

- Oh my god.

- Margaret, what is going on?

I thought that was Travis doing it.

Oh, Eddie, please tell me.

- He had the sickle in his hand.

Could he have done that to himself?

- He was a freak.

- No.

- He was a freak though.

- He didn't do it.

- Then why was
the sickle in his hand?

- I don't know.

- Wait, wait, wait.

I got his tape off the chair.

The tape he was--
- Yeah?

- Maybe there's
something on it that'll--

Okay, let's watch it.

- Oh, tell me that was not real.

Tell me it was not real.

Okay, all right, it's gotten quiet.

Okay, all right.

It's kids, right?

It was kids doing that?

- No.
- Yes.

- It's demons.

- Oh, don't give me demons.

You saw it.

That was not a demon.

- Kids can not do that.

- The man was a freak.

The man .

- He was up your asshole, but he,

kids didn't do it.

It's the demon possession.

The center of this energy
is coming from that room.

The demons are coming out.

- I don't wanna hear about demons,

I wanna hear about solutions.

- If you wanna hear the
truth, you've gotta hear it.

- Go, go, go.

- All this crap that we've been hearing.

- Yes?

- The things flying across the rooms,

they're playing with us.

They're trying to get us at each other

just like we're doing now.

- They're gonna fucking kill
us, do you not understand?

That was a dead, that was a
real fucking dead body in there.

- Yes, it is.

And that's gonna happen to all of us

if we're not careful.

These demons will possess anybody.

Look at Hitler, Vlad the
Impaler, Jack the Ripper,

nobody could do that
to another human being.

I'm tell you, they're
gonna take everybody.

- Do something then.

- I can't.

I'm out of my league.

I'm way over my head and I
don't know how to control that.

- If you don't, I guess
we're all dead then.

That is a dead body in there.

I mean, we've got some
fucking things out of here.

You can't go in there.

- Fine.

- Wait, wait!
- What?

- I've gotta get it on tape.

I've gotta change the battery.

Y'all just wait just a second.

- Wait, wait, we've
gotta get this on, shit.

Eddie, Eddie, it's the door.

Eddie, hurry!

Margaret!

- Do something!

- Eddie, help.

It won't open.

It's quiet.

Margaret?

- Jesus.

- Oh shit.

Eddie, tell me that's not real.

That's not real.

Eddie?

Do something.

- Fucking stay there.

- Oh fuck.

Oh shit.

Eddie, this is not real.

This is not happening.

- Doesn't it fucking
look like it's happening?

- Oh shit.

- Get your goddamn tape.

- Eddie, come on.

- There's something back here.

- Oh shit.

Oh, Eddie.

Oh my god.

- Dammit!

- Eddie, you can't lose it on me.

- Don't give me
any of your bullshit!

- Eddie!

- You started this crap,

don't give me your bullshit!

- Eddie!

Eddie, where are you?

Eddie what are you doing?

Eddie.

Eddie, come on, you can't lose it on me.

Eddie!

- You caused this shit.

- I did not!

- You put it on us!

You know good and goddamn
well you brought it on us.

You're the one that got us out here.

You didn't bring anybody
in here to do this.

- I did not.

- You got a woman in there dead.

We got a man in there dead,

and we're probably fucking next.

- I didn't know
this was gonna happen.

- Tell you what,

point the camera at me.

Let's get something good.

You said he killed himself
in his chair, right?

I'll tell you what let's do.

- Oh shit, no!

- We've got some shots left in this.

- Eddie, don't shoot.

- Hey, point the fucking camera!

Tell you what I'm gonna do.
- Eddie!

- We'll spin it and we'll shut it.

- Eddie, don't shoot.

- Do we do it this way, huh?

- Eddie, don't do this.

- Maybe we oughta do it up here.

- No, Eddie, stop it!

Dammit, don't do this.

This is not fun.

Shit, we've got to stick together.

We've gotta get out of this.

- Hey, are you in here?

- Eddie!

- Come on and take me!

- Eddie!

Come back in here.

- Take me, goddamn you!

- Where are you?

Eddie.

Come back in here.

Eddie.

Stop doing this, please.

- Look at this.

Does it make you happy?

Does that fucking make you happy?

- No, it doesn't!

Eddie, come on, we gotta keep, I mean--

Shit.

Oh, come on, Eddie.

We've got good material here.

- We've got good material here.

We've got good material here.

Who the fuck cares what
kind of material we got?

People are goddamn dying!

- I know.

Eddie.

Shit, Eddie, come on,
we've gotta do something.

Come on.

Eddie!

Eddie!

Oh shit.

Oh shit!

Oh my god!

Oh shit.

Oh shit, this is not happening.

This is not real.

This is not happening.

Shit!

Oh shit!

Come on, come on, come on.

Oh shit!

This is not fucking happening.

Oh shit.

Okay.

Okay.

Go there.

Okay.

All right.

Okay.

Okay.

This is Jane Fox reporting from Blackwood.

Everyone is dead.

I've just witnessed...

I don't know what I've.

This was not a good idea.

I'm sure they'll.

That the police'll be here.

I know they'll be here.