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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:14,300 --> 00:00:17,233 >> HEY, MIKE. 2 00:00:17,233 --> 00:00:18,567 >> HEY, BUDDY. OKAY. 3 00:00:18,567 --> 00:00:19,767 IS THAT BETTER FOR YOU? 4 00:00:19,767 --> 00:00:20,733 >> WHERE ARE WE? 5 00:00:20,733 --> 00:00:22,367 >> WE ARE IN QUEENS IN FRONT OF 6 00:00:22,367 --> 00:00:23,233 MY APARTMENT. 7 00:00:23,233 --> 00:00:24,033 [ CHUCKLES ] 8 00:00:24,033 --> 00:00:25,533 I CAN'T BELIEVE YOU WROTE OUT A 9 00:00:25,533 --> 00:00:26,533 LIST OF QUESTIONS. 10 00:00:26,533 --> 00:00:27,600 >> SCOTT. TAKE TWO. 11 00:00:27,600 --> 00:00:29,233 PLEASE CLAP RIGHT IN FRONT OF 12 00:00:29,233 --> 00:00:29,767 YOUR FACE. 13 00:00:29,767 --> 00:00:30,567 THANK YOU. 14 00:00:30,567 --> 00:00:32,300 >> ARE WE GONNA BE DOING A LOT 15 00:00:32,300 --> 00:00:33,033 OF THIS? 16 00:00:33,033 --> 00:00:34,500 THIS IS THE BEGINNING OF THE 17 00:00:34,500 --> 00:00:36,267 NEXT COUPLE WEEKS OF OUR LIFE. 18 00:00:36,267 --> 00:00:37,667 WE'RE GONNA BE LIKE IN THE 19 00:00:37,667 --> 00:00:38,333 MOVIES. 20 00:00:38,333 --> 00:00:39,167 >> EXACTLY. 21 00:00:39,167 --> 00:00:41,167 >> WELL, YOU'RE THE 22 00:00:41,167 --> 00:00:42,600 DOCUMENTARIAN, AND I KNOW YOU'RE 23 00:00:42,600 --> 00:00:43,700 GONNA DO A GREAT JOB. 24 00:00:43,700 --> 00:00:45,267 >> BETWEEN YOU AND SCOTT, I AM 25 00:00:45,267 --> 00:00:46,633 IN GOOD HANDS IN SOUTH AFRICA. 26 00:00:46,633 --> 00:00:48,067 IT'S WINTER THERE, RIGHT? 27 00:00:48,067 --> 00:00:48,500 >> YEAH. 28 00:00:48,500 --> 00:00:49,433 >> YOU KNOW WHAT? 29 00:00:49,433 --> 00:00:50,800 REWIND THAT WHOLE TAPE AND ASK 30 00:00:50,800 --> 00:00:52,367 ME THAT QUESTION AGAIN 'CAUSE 31 00:00:52,367 --> 00:00:53,700 I'M EXCITED ABOUT THE FUCKING 32 00:00:53,700 --> 00:00:54,300 WINTER. 33 00:00:54,300 --> 00:00:55,800 >> SOUNDS KIND OF SKETCHY, TO BE 34 00:00:55,800 --> 00:00:56,400 HONEST. 35 00:00:56,400 --> 00:00:57,467 >> I DON'T KNOW, MAN. 36 00:00:57,467 --> 00:00:58,700 WE'RE JUST GONNA GO DOWN. 37 00:00:58,700 --> 00:01:00,300 WE'RE GONNA HAVE A GOOD TIME. 38 00:01:00,300 --> 00:01:01,700 YOU KNOW, YOU'RE GONNA DO YOUR 39 00:01:01,700 --> 00:01:03,233 DOCUMENTARY, AND HOPEFULLY WE 40 00:01:03,233 --> 00:01:04,267 GET SOME SHIT DONE. 41 00:01:04,267 --> 00:01:05,367 >> I'M NOT SHOOTING A 42 00:01:05,367 --> 00:01:06,733 DOCUMENTARY ABOUT A GUY THAT 43 00:01:06,733 --> 00:01:07,733 WINS, NECESSARILY. 44 00:01:07,733 --> 00:01:09,333 BUT AT LEAST I'LL COME OUT ON, 45 00:01:09,333 --> 00:01:13,200 YOU KNOW, ON TOP ON SOME LEVEL. 46 00:01:13,200 --> 00:01:14,800 >> HOWEVER THIS PLAYS OUT, I 47 00:01:14,800 --> 00:01:16,700 JUST REALLY DON'T WANT THE SAME 48 00:01:16,700 --> 00:01:18,633 THING TO HAPPEN TO ANYONE ELSE, 49 00:01:18,633 --> 00:01:20,433 AND IT'S UNFORTUNATE THAT IT 50 00:01:20,433 --> 00:01:22,267 DOES, BUT HOPEFULLY THIS WILL 51 00:01:22,267 --> 00:01:23,100 HELP. 52 00:01:30,133 --> 00:01:32,267 >> I MEAN, I KNOW WE'RE HERE TO 53 00:01:32,267 --> 00:01:34,167 TALK ABOUT EVERYTHING THAT 54 00:01:34,167 --> 00:01:36,300 HAPPENED IN SOUTH AFRICA, SO, I 55 00:01:36,300 --> 00:01:38,333 MEAN, IF YOU WANT TO JUST ASK 56 00:01:38,333 --> 00:01:39,567 ME, THEN ASK ME. 57 00:01:39,567 --> 00:01:41,500 IT'S A YEAR, SO I SHOULD BE 58 00:01:41,500 --> 00:01:42,167 GOOD. 59 00:01:42,167 --> 00:01:43,567 I MEAN, I'M A LITTLE 60 00:01:43,567 --> 00:01:45,333 UNCOMFORTABLE RIGHT NOW. 61 00:01:45,333 --> 00:01:48,667 IF WE COULD JUST LIKE... 62 00:01:48,667 --> 00:01:50,267 MAKE IT QUICK AND PAINLESS. 63 00:01:50,267 --> 00:01:51,100 [ CHUCKLES ] 64 00:01:51,100 --> 00:01:52,067 LIKE A BAND-AID. 65 00:01:52,067 --> 00:01:52,733 NO, WHATEVER. 66 00:01:52,733 --> 00:01:54,033 LET'S JUST DO THIS. 67 00:01:54,033 --> 00:01:57,533 LET'S JUST GET THIS DONE. 68 00:02:49,333 --> 00:02:51,200 [ DISTORTED AUDIO ] 69 00:02:51,200 --> 00:02:53,200 >> [ INHALES DEEPLY ] 70 00:02:53,200 --> 00:02:55,000 [ BIRDS CHIRPING ] 71 00:03:00,500 --> 00:03:02,133 MY NAME'S MIKE. 72 00:03:02,133 --> 00:03:03,700 I'M PRETTY MUCH A 73 00:03:03,700 --> 00:03:06,133 BARTENDER/ASPIRING ACTOR. 74 00:03:06,133 --> 00:03:08,733 >> MIKE AND I HAVE BEEN FRIENDS 75 00:03:08,733 --> 00:03:12,267 SINCE BASICALLY LIKE SIXTH 76 00:03:12,267 --> 00:03:13,067 GRADE. 77 00:03:13,067 --> 00:03:15,333 >> NED, SCOTT, AND I, WE GREW 78 00:03:15,333 --> 00:03:17,400 UP, SMALL TOWN OUTSIDE OF 79 00:03:17,400 --> 00:03:20,400 COLUMBUS, OHIO -- SPRINGFIELD. 80 00:03:20,400 --> 00:03:22,233 >> WE GOT TO BE BUDS, YOU KNOW. 81 00:03:22,233 --> 00:03:24,067 AND ALL THROUGH JUNIOR HIGH, YOU 82 00:03:24,067 --> 00:03:25,500 KNOW, WE WOULD DO ALL THIS 83 00:03:25,500 --> 00:03:26,133 STUFF. 84 00:03:26,133 --> 00:03:27,667 WE WOULD GO OUT TO THE DANCES 85 00:03:27,667 --> 00:03:28,433 TOGETHER. 86 00:03:28,433 --> 00:03:30,200 >> AND I ALWAYS THOUGHT VERY, 87 00:03:30,200 --> 00:03:31,367 VERY HIGHLY OF NED. 88 00:03:31,367 --> 00:03:33,167 I THINK THAT, YOU KNOW, THOSE 89 00:03:33,167 --> 00:03:35,067 ARE TWO GUYS THAT LOOKED, TO ME, 90 00:03:35,067 --> 00:03:36,400 THEY BELONGED TOGETHER. 91 00:03:36,400 --> 00:03:38,233 THEY WERE MEANT TO BE FRIENDS. 92 00:03:38,233 --> 00:03:39,600 >> SOMEHOW, SOME WAY, WE ALL 93 00:03:39,600 --> 00:03:41,067 MADE OUR TO NEW YORK CITY. 94 00:03:41,067 --> 00:03:42,533 WE'RE ALL DOING OUR THING HERE, 95 00:03:42,533 --> 00:03:43,233 YOU KNOW. 96 00:03:43,233 --> 00:03:44,667 AND TECHNICALLY, AM I AN ACTOR? 97 00:03:44,667 --> 00:03:46,267 I DON'T -- I DON'T EVEN KNOW. 98 00:03:46,267 --> 00:03:48,067 >> I MET MIKE ABOUT FOUR YEARS 99 00:03:48,067 --> 00:03:49,567 AGO, AND REPRESENTED HIM FOR 100 00:03:49,567 --> 00:03:51,333 ABOUT TWO OF THOSE YEARS RIGHT 101 00:03:51,333 --> 00:03:53,100 AROUND IN THE MIDDLE OF THAT. 102 00:03:53,100 --> 00:03:55,100 WE HAD A PRETTY GOOD RAPPORT. 103 00:03:55,333 --> 00:03:56,667 HE'S VERY CHARISMATIC. 104 00:03:56,667 --> 00:03:58,633 WE WERE ABLE TO GET HIM A LOT OF 105 00:03:58,633 --> 00:03:59,500 AUDITIONS. 106 00:03:59,500 --> 00:04:01,367 CASTING DIRECTORS REALLY LIKED 107 00:04:01,367 --> 00:04:01,767 HIM. 108 00:04:01,767 --> 00:04:03,733 EVENTUALLY, HE BOOKED A NATIONAL 109 00:04:03,733 --> 00:04:05,533 DEODORANT COMMERCIAL -- VERY 110 00:04:05,533 --> 00:04:06,533 LUCRATIVE GIG. 111 00:04:06,533 --> 00:04:08,200 THAT FILMED IN CAPE TOWN, 112 00:04:08,200 --> 00:04:09,167 SOUTH AFRICA. 113 00:04:09,167 --> 00:04:10,733 >> I MET THIS ONE INDIVIDUAL BY 114 00:04:10,733 --> 00:04:12,133 THE NAME OF LEBOGANG. 115 00:04:12,133 --> 00:04:13,667 AND HE SEEMED LIKE A NICE GUY, 116 00:04:13,667 --> 00:04:14,600 A BUSINESSMAN. 117 00:04:14,600 --> 00:04:16,300 HAD THIS SOUTH AFRICAN CHARM. 118 00:04:16,300 --> 00:04:17,800 AT THE TIME, YOU KNOW, I WAS 119 00:04:17,800 --> 00:04:19,267 KIND OF IN A GOOD PLACE 120 00:04:19,267 --> 00:04:20,100 FINANCIALLY. 121 00:04:20,100 --> 00:04:21,633 I JUST BOOKED THAT JOB, AND IT 122 00:04:21,633 --> 00:04:22,433 PAID WELL. 123 00:04:22,433 --> 00:04:24,100 SO, A COUPLE OF WEEKS AFTER I 124 00:04:24,100 --> 00:04:25,500 GOT BACK TO THE STATES, HE 125 00:04:25,500 --> 00:04:26,667 OFFERED ME A BUSINESS 126 00:04:26,667 --> 00:04:27,500 PROPOSITION. 127 00:04:27,733 --> 00:04:29,067 >> LEBOGANG CLAIMED TO HAVE 128 00:04:29,067 --> 00:04:30,267 INHERITED A LARGE SUM OF MONEY 129 00:04:30,267 --> 00:04:32,300 FROM HIS UNCLE AND SAID THAT HE 130 00:04:32,300 --> 00:04:34,133 NEEDED MIKE'S ASSISTANCE IN 131 00:04:34,133 --> 00:04:35,667 REMOVING THAT MONEY FROM 132 00:04:35,667 --> 00:04:37,467 SOUTH AFRICA DUE TO AN OLD 133 00:04:37,467 --> 00:04:39,533 APARTHEID-ERA LAW THAT WAS STILL 134 00:04:39,533 --> 00:04:40,567 ON THE BOOKS. 135 00:04:40,567 --> 00:04:42,500 AND FOR MIKE'S ASSISTANCE, HE 136 00:04:42,500 --> 00:04:44,100 WOULD RECEIVE 10%, OR 137 00:04:44,100 --> 00:04:47,433 APPROXIMATELY $450,000 U.S. 138 00:04:47,433 --> 00:04:48,567 >> SO I, UM... 139 00:04:48,567 --> 00:04:50,600 SO I WENT AHEAD AND INVESTED 140 00:04:50,600 --> 00:04:53,033 SOME MONEY -- THE MAJORITY OF MY 141 00:04:53,033 --> 00:04:53,567 MONEY. 142 00:04:53,567 --> 00:04:55,633 >> IT WAS IN SMALL INCREMENTS AT 143 00:04:55,633 --> 00:04:57,667 FIRST, AND THEN MORE AND MORE AS 144 00:04:57,667 --> 00:04:59,600 LEBOGANG'S SUPPOSED ATTEMPTS 145 00:04:59,600 --> 00:05:00,467 INCREASED. 146 00:05:00,467 --> 00:05:02,500 THE TOTAL WAS ABOUT $10,000 OVER 147 00:05:02,500 --> 00:05:04,167 A PERIOD OF NINE WEEKS. 148 00:05:04,167 --> 00:05:06,233 THEN LEBOGANG SAID THE TRANSFER 149 00:05:06,233 --> 00:05:08,133 HAD BEEN SUCCESSFUL AND SENT 150 00:05:08,133 --> 00:05:10,100 MIKE A LINK TO A BANK WEBSITE 151 00:05:10,100 --> 00:05:11,533 FOR THE SWISS ACCOUNT. 152 00:05:11,533 --> 00:05:13,267 SHORTLY THEREAFTER, MIKE 153 00:05:13,267 --> 00:05:15,233 RECEIVED A CHECK AND DEPOSITED 154 00:05:15,233 --> 00:05:17,067 IT IMMEDIATELY AND STARTED 155 00:05:17,067 --> 00:05:17,700 SPENDING. 156 00:05:17,700 --> 00:05:19,767 AND, OF COURSE, THE WEBSITE WAS 157 00:05:19,767 --> 00:05:21,633 FAKE, ALONG WITH EVERYTHING 158 00:05:21,633 --> 00:05:22,300 ELSE. 159 00:05:22,300 --> 00:05:23,567 >> BY THE TIME THE BANKING 160 00:05:23,567 --> 00:05:25,133 SYSTEM CAUGHT UP WITH IT, THE 161 00:05:25,133 --> 00:05:26,600 DAMAGE HAD ALREADY BEEN DONE AND 162 00:05:26,600 --> 00:05:28,167 MIKE WAS DEEPER THAN HE COULD 163 00:05:28,167 --> 00:05:28,800 HAVE EXPECTED. 164 00:05:28,800 --> 00:05:30,433 >> HE WAS ABOUT $30,000 IN DEBT 165 00:05:30,433 --> 00:05:31,600 AND WIPED OUT. 166 00:05:32,033 --> 00:05:33,700 >> THE 419 SCAM IS ACTUALLY 167 00:05:33,700 --> 00:05:35,667 NAMED FROM THE SECTION OF THE 168 00:05:35,667 --> 00:05:37,800 NIGERIAN PENAL CODE DEALING WITH 169 00:05:37,800 --> 00:05:38,500 FRAUD. 170 00:05:38,500 --> 00:05:39,567 IT'S REALLY A 171 00:05:39,567 --> 00:05:41,433 SOMETHING-FOR-NOTHING DEAL. 172 00:05:41,433 --> 00:05:43,433 BY ASKING FOR SMALL FEES PIECE 173 00:05:43,433 --> 00:05:45,400 BY PIECE, IT DESENSITIZES THE 174 00:05:45,400 --> 00:05:47,467 VICTIM TO WHAT THEY'RE ACTUALLY 175 00:05:47,467 --> 00:05:48,167 DOING. 176 00:05:48,167 --> 00:05:50,167 >> BUT THE WEIRD PART WAS, WAS 177 00:05:50,167 --> 00:05:51,533 THAT I KNEW THE GUY. 178 00:05:51,533 --> 00:05:53,467 >> MIKE'S CASE IS, IN ONE KEY 179 00:05:53,467 --> 00:05:55,167 WAY, ATYPICAL IN THAT HE 180 00:05:55,167 --> 00:05:56,533 ACTUALLY HAD MADE THE 181 00:05:56,533 --> 00:05:58,433 ACQUAINTANCE OF THE SCAMMER. 182 00:05:58,433 --> 00:06:00,400 >> SO IT SEEMED LIKE THE RIGHT 183 00:06:00,400 --> 00:06:04,100 THING TO DO. 184 00:06:04,100 --> 00:06:05,600 AND HE GOT ME. 185 00:06:06,033 --> 00:06:07,467 >> MIKE HAD TO HAVE KNOWN, LIKE 186 00:06:07,467 --> 00:06:08,733 FELT IT, FELT THAT IT WAS 187 00:06:08,733 --> 00:06:10,133 WRONG -- YOU KNOW WHAT I 188 00:06:10,133 --> 00:06:11,400 MEAN? -- LIKE, IN HIS GUT. 189 00:06:11,400 --> 00:06:12,533 YOU KNOW THESE THINGS. 190 00:06:12,533 --> 00:06:13,767 YOUR INTUITION TELLS YOU. 191 00:06:13,767 --> 00:06:16,300 >> HE DOESN'T ALWAYS THINK. 192 00:06:16,300 --> 00:06:17,500 AND HE DIDN'T THINK. 193 00:06:17,500 --> 00:06:19,400 >> HE'S AN ACTOR, AND HE'S GOOD, 194 00:06:19,400 --> 00:06:20,600 AND HE'S DEDICATED. 195 00:06:20,600 --> 00:06:22,400 BUT, YOU KNOW, SOME ACTORS ARE 196 00:06:22,400 --> 00:06:24,200 MORE GROUNDED, AND SOME AREN'T 197 00:06:24,200 --> 00:06:24,733 SO MUCH. 198 00:06:24,733 --> 00:06:27,433 >> BEING ONSTAGE, JUST 199 00:06:27,433 --> 00:06:28,733 EVERYTHING IS GONE EXCEPT FOR 200 00:06:28,733 --> 00:06:30,067 WHAT YOU'RE DOING IN THAT 201 00:06:30,067 --> 00:06:30,467 MOMENT. 202 00:06:30,467 --> 00:06:31,800 JUST TO ESCAPE MY WORLD IS WHAT 203 00:06:31,800 --> 00:06:32,800 I GET EXCITED ABOUT. 204 00:06:32,800 --> 00:06:34,267 SO WHEN I'M NOT ACTING, IT'S 205 00:06:34,267 --> 00:06:35,200 KIND OF DIFFICULT. 206 00:06:35,200 --> 00:06:36,567 >> THERE WAS NO STABILITY, AND I 207 00:06:36,567 --> 00:06:38,033 THINK SOMEONE LIKE MIKE NEEDS 208 00:06:38,033 --> 00:06:39,200 STABILITY. 209 00:06:39,433 --> 00:06:41,133 >> HE HAS A TENDENCY TO LIVE 210 00:06:41,133 --> 00:06:42,767 BEYOND HIS MEANS, AND, YOU KNOW, 211 00:06:42,767 --> 00:06:44,600 PARTY A LITTLE BIT MORE THAN HE 212 00:06:44,600 --> 00:06:45,267 SHOULD. 213 00:06:45,267 --> 00:06:47,033 >> HE'S NOT A VERY RESPONSIBLE 214 00:06:47,033 --> 00:06:48,100 PERSON, YOU KNOW? 215 00:06:48,100 --> 00:06:49,767 >> HE'S NOT INCAPABLE OF CHANGE. 216 00:06:49,767 --> 00:06:51,333 HE SHOULD BE DOING GREAT. 217 00:06:51,333 --> 00:06:52,200 AND HE WILL. 218 00:06:52,200 --> 00:06:53,767 HE JUST NEEDS TO GET OVER THIS 219 00:06:53,767 --> 00:06:54,367 HUMP. 220 00:06:54,367 --> 00:06:56,300 >> FOR THE VICTIMS OF THESE 221 00:06:56,300 --> 00:06:58,400 FRAUDS, IT'S A TERRIBLE SHOCK. 222 00:06:58,400 --> 00:07:00,600 >> WHEN YOU BEFRIEND SOMEONE AND 223 00:07:00,600 --> 00:07:02,767 YOU THINK YOU CAN TRUST THEM AND 224 00:07:02,767 --> 00:07:04,667 THEN THEY STRING YOU ALONG 225 00:07:04,667 --> 00:07:05,400 AND... 226 00:07:05,400 --> 00:07:07,433 >> AND WHEN THEY REALIZE THAT 227 00:07:07,433 --> 00:07:09,167 ALL OF THIS IS FALSE... 228 00:07:09,167 --> 00:07:13,167 >> IT'S A PRETTY AWFUL FEELING. 229 00:07:13,167 --> 00:07:14,733 IT'S NOT EASY TO SWALLOW THAT. 230 00:07:14,733 --> 00:07:16,600 >> SO NOW WE HAVE AN OPPORTUNITY 231 00:07:16,600 --> 00:07:18,400 NOT ONLY TO HELP OUR FRIEND BUT 232 00:07:18,400 --> 00:07:20,067 ALSO MAYBE TO MAKE SOMETHING 233 00:07:20,067 --> 00:07:21,567 THAT WE CAN BE PROUD OF, ALL 234 00:07:21,567 --> 00:07:22,433 THREE OF US. 235 00:07:22,433 --> 00:07:24,233 >> YOU KNOW, RIGHT NOW I'M IN A 236 00:07:24,233 --> 00:07:26,100 PLACE WHERE I'VE GOT ENOUGH 237 00:07:26,100 --> 00:07:28,167 MONEY TO BE ABLE TO DO A LITTLE 238 00:07:28,167 --> 00:07:29,633 SOMETHING TO HELP OUT. 239 00:07:29,633 --> 00:07:33,333 >> SO, MR. NED AND MY FRIEND 240 00:07:33,333 --> 00:07:37,200 SCOTT CAME TO ME AND OFFERED ME 241 00:07:37,200 --> 00:07:40,367 AN OPPORTUNITY TO GO BACK TO 242 00:07:40,367 --> 00:07:42,233 AFRICA AND SEE IF WE COULD FIND 243 00:07:42,233 --> 00:07:43,367 THIS MOTHERFUCKER. 244 00:07:43,367 --> 00:07:44,367 [ LAUGHS ] 245 00:07:46,500 --> 00:07:48,433 >> DOCUMENTARY FILMMAKING AT ITS 246 00:07:48,433 --> 00:07:49,033 BEST. 247 00:07:49,033 --> 00:07:50,767 >> SO, WHAT I WANT TO PRESENT TO 248 00:07:50,767 --> 00:07:51,400 YOU... 249 00:07:51,400 --> 00:07:52,233 >> MM-HMM. 250 00:07:52,233 --> 00:07:53,567 >> THIS IS FOR ME. 251 00:07:53,800 --> 00:07:55,400 AND THESE ARE FOR YOU. 252 00:07:55,400 --> 00:07:56,167 >> OOH. 253 00:07:56,167 --> 00:07:58,133 >> AND I ENCOURAGE YOU TO HELP 254 00:07:58,133 --> 00:08:00,100 ADD TO THE -- ADD TO THE SCENE 255 00:08:00,100 --> 00:08:01,467 BY TAPING -- FILMING WHATEVER 256 00:08:01,467 --> 00:08:02,133 YOU WANT. 257 00:08:02,133 --> 00:08:03,433 >> MINE'S GOT A LOW BATTERY 258 00:08:03,433 --> 00:08:04,100 ALREADY. 259 00:08:04,100 --> 00:08:05,033 ALL RIGHT, YEAH. 260 00:08:05,033 --> 00:08:05,567 >> OH, WOW. 261 00:08:05,567 --> 00:08:06,733 >> BUT YOU CAN'T BE THE 262 00:08:06,733 --> 00:08:07,767 DOCUMENTARIAN, TOO. 263 00:08:07,767 --> 00:08:09,233 >> I'M THE DOCUMENTARIAN. 264 00:08:09,233 --> 00:08:10,600 >> CAMERA ONE AND CAMERA TWO. 265 00:08:10,600 --> 00:08:11,600 THIS IS FANTASTIC. 266 00:08:11,600 --> 00:08:13,467 >> I'VE GOT THE HOTEL BOOKED. 267 00:08:13,467 --> 00:08:15,333 >> WE'RE GONNA GO MEET UP WITH 268 00:08:15,333 --> 00:08:17,067 EZRA, MY BUDDY DOWN THERE. 269 00:08:17,067 --> 00:08:19,567 HE'S GONNA TAKE US AROUND TO 270 00:08:19,567 --> 00:08:21,767 FIND LEBOGANG. 271 00:08:21,767 --> 00:08:23,333 >> HELL OF A DOCUMENTARY, NED. 272 00:08:23,333 --> 00:08:24,567 >> IT'S GONNA GET BETTER. 273 00:08:24,567 --> 00:08:25,567 IT'S GONNA BE GOOD. 274 00:08:25,567 --> 00:08:26,767 >> IT'S GONNA GET BETTER? 275 00:08:26,767 --> 00:08:27,433 >> YEAH. 276 00:08:27,433 --> 00:08:28,767 IT'S GONNA BE LESS RIDICULOUS 277 00:08:28,767 --> 00:08:30,600 BANTER AND MORE DOING STUFF. 278 00:08:31,033 --> 00:08:32,133 >> WELL, AT SOME. 279 00:08:32,133 --> 00:08:33,067 >> [ LAUGHS ] 280 00:08:33,067 --> 00:08:34,667 >> LITTLE MINI CARS, LIKE THE 281 00:08:34,667 --> 00:08:35,633 MATCHBOX CARS. 282 00:08:35,633 --> 00:08:37,300 >> NOT GOOD ENOUGH, SCOTT. 283 00:08:37,300 --> 00:08:38,033 >> LAME. 284 00:08:38,033 --> 00:08:39,433 >> OH, LOOK WHO'S THERE. 285 00:08:39,433 --> 00:08:41,267 >> OH, SHIT. IS THAT MIKE? 286 00:08:41,500 --> 00:08:42,733 THAT LOOKS LIKE AN AWFUL LOT 287 00:08:42,733 --> 00:08:43,667 LIKE FLIRTING TO ME. 288 00:08:43,667 --> 00:08:44,433 >> [ LAUGHS ] 289 00:08:44,433 --> 00:08:45,733 >> NO, IT LOOKS LIKE A SPIRITED 290 00:08:45,733 --> 00:08:46,500 CONVERSATION. 291 00:08:46,500 --> 00:08:47,200 >> QUICKLY. 292 00:08:47,200 --> 00:08:48,533 >> HE'S IN A HURRY. 293 00:08:48,533 --> 00:08:50,167 >> OKAY. DON'T WORRY. 294 00:08:50,167 --> 00:08:51,300 WE'LL CATCH UP. 295 00:08:51,300 --> 00:08:52,067 >> HEY! 296 00:08:52,067 --> 00:08:52,667 >> HEY! 297 00:08:52,667 --> 00:08:53,367 >> OH! 298 00:08:53,367 --> 00:08:54,800 >> HOW ARE YOU DOING? 299 00:08:54,800 --> 00:08:56,433 >> GOOD. HOW ARE YOU? 300 00:08:56,433 --> 00:08:57,533 GUYS, COME IN. 301 00:08:57,533 --> 00:09:00,067 COME IN AND BE FRIENDS WITH US. 302 00:09:00,067 --> 00:09:01,633 >> EMILEA AND I HAVE BEEN 303 00:09:01,633 --> 00:09:03,633 TOGETHER FOR JUST ABOUT A YEAR. 304 00:09:03,633 --> 00:09:05,400 >> I DATED MIKE FOR A BIT. 305 00:09:05,400 --> 00:09:07,400 >> THEN ABOUT A YEAR AND A HALF 306 00:09:07,400 --> 00:09:09,200 AGO, MIKE PRETTY SERIOUSLY 307 00:09:09,200 --> 00:09:11,033 CHEATED ON EMILEA, AND, YOU 308 00:09:11,033 --> 00:09:12,733 KNOW, I WAS THERE FOR BOTH OF 309 00:09:12,733 --> 00:09:13,367 THEM. 310 00:09:13,367 --> 00:09:15,300 THEY'RE BOTH GREAT FRIENDS OF 311 00:09:15,300 --> 00:09:15,733 MINE. 312 00:09:15,733 --> 00:09:17,767 IT WAS A PRETTY BAD SITUATION. 313 00:09:17,767 --> 00:09:20,067 WE SORT OF LOOKED AT EACH OTHER 314 00:09:20,067 --> 00:09:21,733 AND WE SAID, "WHY NOT US?" 315 00:09:21,733 --> 00:09:23,700 WHICH IS PROBLEMATIC IN MANY 316 00:09:23,700 --> 00:09:25,600 WAYS, NOT THE LEAST OF WHICH 317 00:09:25,600 --> 00:09:27,233 BEING OUR BUDDY MIKE. 318 00:09:27,233 --> 00:09:29,233 >> I LOVE CORONAS WITH LEMON. 319 00:09:29,233 --> 00:09:31,367 >> IT WAS WEIRD FOR A WHILE, BUT 320 00:09:31,367 --> 00:09:33,233 MIKE GOT OVER IT. 321 00:09:33,233 --> 00:09:34,500 FOR THE MOST PART. 322 00:09:34,500 --> 00:09:36,067 >> NED, GO AWAY, NED. 323 00:09:36,067 --> 00:09:36,800 >> HI, NED. 324 00:09:36,800 --> 00:09:37,500 >> HI. 325 00:09:37,500 --> 00:09:39,367 >> YOU KNOW HOW MIKE'S BEEN 326 00:09:39,367 --> 00:09:42,067 TALKING ABOUT SOUTH AFRICA? 327 00:09:42,067 --> 00:09:43,100 >> YEAH. 328 00:09:43,100 --> 00:09:48,100 >> SO, WE HAVE DECIDED THAT 329 00:09:48,100 --> 00:09:49,500 WE'RE GONNA GO DOWN THERE. 330 00:09:49,500 --> 00:09:51,300 >> THEY, LIKE, SPRUNG IT ON US. 331 00:09:51,300 --> 00:09:52,667 WHY AM I HEARING THIS FROM 332 00:09:52,667 --> 00:09:53,300 SCOTT? 333 00:09:53,300 --> 00:09:55,133 I WASN'T SUPER-ENTHUSIASTIC, BUT 334 00:09:55,133 --> 00:09:57,633 THEN I CAME TO TERMS WITH, LIKE, 335 00:09:57,633 --> 00:09:59,600 THE TRIP ITSELF AND, LIKE, WHAT 336 00:09:59,600 --> 00:10:01,467 THIS MEANT TO THEM, YOU KNOW, 337 00:10:01,467 --> 00:10:03,367 AND I THOUGHT IT SEEMED LIKE A 338 00:10:03,367 --> 00:10:04,233 NICE IDEA. 339 00:10:04,233 --> 00:10:05,800 >> WE'RE GONNA GO DOWN, AND 340 00:10:05,800 --> 00:10:09,133 WE'RE GONNA LOOK FOR THIS DUDE. 341 00:10:09,133 --> 00:10:10,800 >> WHY DO YOU THINK IT'S A GOOD 342 00:10:10,800 --> 00:10:13,800 IDEA TO GO INDULGE MIKE LIKE 343 00:10:13,800 --> 00:10:15,167 THIS? 344 00:10:15,167 --> 00:10:17,133 >> I DIDN'T SAY IT WAS A GOOD 345 00:10:17,133 --> 00:10:17,600 IDEA. 346 00:10:17,600 --> 00:10:19,533 >> THE ONLY REASON WHY I WENT 347 00:10:19,533 --> 00:10:21,600 ALONG WITH THIS WHOLE THING WAS 348 00:10:21,600 --> 00:10:23,600 THAT SCOTT WAS LIKE, "THIS IS 349 00:10:23,600 --> 00:10:25,500 GONNA BE A GOOD GUYS' TRIP." 350 00:10:25,500 --> 00:10:27,100 BUT IT JUST SEEMED SO 351 00:10:27,100 --> 00:10:28,633 NOT-THOUGHT-OUT, JUST SO 352 00:10:28,633 --> 00:10:30,300 IMPULSIVE AND RECKLESS. 353 00:10:30,300 --> 00:10:32,400 >> IT'S NOT LIKE WE'RE GOING OUT 354 00:10:32,400 --> 00:10:34,067 ON A WHIM TRYING TO FIND THIS 355 00:10:34,067 --> 00:10:34,400 GUY. 356 00:10:34,400 --> 00:10:36,133 WE ACTUALLY HAVE A COUPLE LEADS. 357 00:10:36,133 --> 00:10:37,667 A FRIEND OF MINE DOWN THERE WHO 358 00:10:37,667 --> 00:10:39,300 SOMEHOW, ROUNDABOUT, THROUGH 359 00:10:39,300 --> 00:10:40,767 FRIENDS OF FRIENDS, KNOWS HIM. 360 00:10:40,767 --> 00:10:42,500 >> WHAT ARE YOU GONNA DO IF YOU 361 00:10:42,500 --> 00:10:43,400 FIND THIS GUY? 362 00:10:43,400 --> 00:10:45,167 >> SCOTT AND I HAVE DEAL THAT IF 363 00:10:45,167 --> 00:10:48,500 WE GO THAT -- IF WE DO FIND THIS 364 00:10:48,500 --> 00:10:50,067 GUY, THAT I REPORT HIM TO THE 365 00:10:50,067 --> 00:10:51,100 PROPER AUTHORITIES. 366 00:10:51,100 --> 00:10:52,400 PROPER CHANNELS -- I DON'T 367 00:10:52,400 --> 00:10:53,700 NECESSARILY WORK THAT WAY. 368 00:10:53,700 --> 00:10:55,367 >> LIKE, HOW DO YOU KNOW YOU'RE 369 00:10:55,367 --> 00:10:56,633 GONNA BE SAFE DOWN THERE? 370 00:10:56,633 --> 00:10:58,167 >> ALL WE'RE DOING IS WE'RE 371 00:10:58,167 --> 00:10:59,667 DOING A LITTLE BIT MORE RESEARCH 372 00:10:59,667 --> 00:11:01,300 THAN THE PEOPLE ARE WILLING TO 373 00:11:01,300 --> 00:11:01,567 DO. 374 00:11:01,567 --> 00:11:03,233 WE'RE JUST GONNA GO DOWN THERE 375 00:11:03,233 --> 00:11:04,633 AND WE'RE GONNA CHECK IT OUT. 376 00:11:04,633 --> 00:11:06,333 AND ALSO, WE'RE GONNA CHILL OUT 377 00:11:06,333 --> 00:11:07,267 IN SOUTH AFRICA. 378 00:11:07,267 --> 00:11:08,267 >> SO PESSIMISTIC. 379 00:11:08,267 --> 00:11:09,633 >> NO, IT'S NOT PESSIMISTIC. 380 00:11:09,633 --> 00:11:11,100 IT'S ABOUT BEING SAFE, AND IT'S 381 00:11:11,100 --> 00:11:12,033 ABOUT LOOKING AHEAD. 382 00:11:12,033 --> 00:11:13,033 YOU KNOW WHAT I MEAN? 383 00:11:13,033 --> 00:11:13,600 LIKE, COME ON. 384 00:11:13,600 --> 00:11:14,767 >> THERE'S NO GUNS INVOLVED. 385 00:11:14,767 --> 00:11:16,200 >> THIS ISN'T "BLOOD DIAMOND," 386 00:11:16,200 --> 00:11:16,500 OKAY? 387 00:11:16,500 --> 00:11:17,233 [ LAUGHTER ] 388 00:11:17,233 --> 00:11:18,067 >> WAIT A SECOND. 389 00:11:18,067 --> 00:11:19,033 I FEEL FOR YOU, MIKE. 390 00:11:19,033 --> 00:11:20,333 I THINK IT'S AWFUL THAT THIS HAS 391 00:11:20,333 --> 00:11:21,600 HAPPENED TO YOU, THAT THIS GUY 392 00:11:21,600 --> 00:11:23,033 STOLE ALL THIS MONEY FROM YOU. 393 00:11:23,033 --> 00:11:25,233 BUT WHY AREN'T YOU CALLING THE 394 00:11:25,233 --> 00:11:26,200 COPS HERE? 395 00:11:26,200 --> 00:11:28,300 LIKE, YOU KNOW ONE GUY FOR A 396 00:11:28,300 --> 00:11:30,500 WEEK, AND YOU'RE JUST GONNA GO 397 00:11:30,500 --> 00:11:31,733 TO SOUTH AFRICA? 398 00:11:31,733 --> 00:11:32,733 I'M NOT BEING A MOM, BUT... 399 00:11:32,733 --> 00:11:33,633 >> THIS IS NOT "COPS." 400 00:11:33,633 --> 00:11:34,733 >> ...THE THREE OF -- OKAY, I'M 401 00:11:34,733 --> 00:11:35,467 NOT BEING A MOM. 402 00:11:35,467 --> 00:11:36,200 >> I MET THE GUY. 403 00:11:36,200 --> 00:11:37,267 >> DO YOU THINK HE'S GONNA BE 404 00:11:37,267 --> 00:11:37,700 LIKE -- WHAT? 405 00:11:37,700 --> 00:11:38,800 YOU MET THE GUY THAT STOLE THE 406 00:11:38,800 --> 00:11:39,500 MONEY FROM YOU? 407 00:11:39,500 --> 00:11:40,400 >> YEAH, I MET THE GUY. 408 00:11:40,400 --> 00:11:41,567 ACTUALLY, RIGHT NOW I'M NOT 409 00:11:41,567 --> 00:11:43,067 REALLY FEELING THE PESSIMISM, SO 410 00:11:43,067 --> 00:11:44,400 I'M GONNA HAVE TO SPICE IT UP A 411 00:11:44,400 --> 00:11:45,067 LITTLE BIT. 412 00:11:45,067 --> 00:11:45,467 >> WHAT? 413 00:11:45,467 --> 00:11:46,267 >> SPICE IT UP. 414 00:11:46,267 --> 00:11:47,267 >> I'LL BE RIGHT BACK. 415 00:11:47,267 --> 00:11:48,133 SHOTS. EXCUSE ME. 416 00:11:48,133 --> 00:11:48,567 >> SHOTS. 417 00:11:48,567 --> 00:11:50,800 >> I WISH YOU HAD MAYBE INVITED 418 00:11:50,800 --> 00:11:52,767 ME OR SOMETHING, YOU KNOW? 419 00:11:52,767 --> 00:11:54,533 >> IT'S GONNA BE OKAY. 420 00:11:54,533 --> 00:11:55,367 >> NED. 421 00:11:55,367 --> 00:11:56,233 >> WHAT? 422 00:11:56,233 --> 00:11:58,467 >> I WOULD LIKE TO SAY, FOR THE 423 00:11:58,467 --> 00:12:00,733 BOTH OF US, THAT THIS ONE IS NOT 424 00:12:00,733 --> 00:12:02,767 RESPONSIBLE, AND YOU TWO, WHEN 425 00:12:02,767 --> 00:12:04,767 YOU'RE DOWN THERE, YOU NEED TO 426 00:12:04,767 --> 00:12:06,300 KEEP SHIT TOGETHER. 427 00:12:06,300 --> 00:12:07,333 >> OF COURSE. 428 00:12:07,333 --> 00:12:08,633 IT'S A COUPLE DAYS. 429 00:12:08,633 --> 00:12:10,633 >> MY WIFE IS SAYING, "YOU CAN'T 430 00:12:10,633 --> 00:12:11,533 LET HIM GO." 431 00:12:11,533 --> 00:12:13,400 AND I'M SAYING, YOU KNOW, IT'S 432 00:12:13,400 --> 00:12:14,367 HIS OWN LIFE. 433 00:12:14,367 --> 00:12:15,533 HE'S HIS OWN MAN. 434 00:12:15,533 --> 00:12:17,200 I TOLD HIM TO BE CAREFUL. 435 00:12:17,200 --> 00:12:19,067 >> I THINK THAT IT'S GOOD FOR 436 00:12:19,067 --> 00:12:20,767 HIM, MAYBE TO GET SOME SORT OF 437 00:12:20,767 --> 00:12:22,400 VALIDATION OR CLOSURE OR 438 00:12:22,400 --> 00:12:23,400 SOMETHING. 439 00:12:23,633 --> 00:12:25,367 >> AND IF CHASING THIS GUY, 440 00:12:25,367 --> 00:12:28,700 LEBOGANG, IS GONNA DO THAT, THEN 441 00:12:28,700 --> 00:12:30,700 IT'S PART OF THE DEAL. 442 00:12:31,133 --> 00:12:32,267 BUT REGARDLESS, IT SOUNDS 443 00:12:32,267 --> 00:12:33,233 ABSOLUTELY GORGEOUS. 444 00:12:33,233 --> 00:12:34,500 >> IT'S A BEAUTIFUL PLACE, AND 445 00:12:34,500 --> 00:12:36,433 IT'S DECEIVING BECAUSE THERE'S A 446 00:12:36,433 --> 00:12:38,333 LOT OF FUCKED-UP STUFF THAT GOES 447 00:12:38,333 --> 00:12:39,333 ON DOWN THERE. 448 00:12:39,333 --> 00:12:41,233 >> IT'LL BE PRETTY, AND IT'LL BE 449 00:12:41,233 --> 00:12:42,633 INTERESTING, DEFINITELY. 450 00:12:42,633 --> 00:12:44,533 BUT I ALSO THINK THAT THERE'S NO 451 00:12:44,533 --> 00:12:46,333 CHANCE MIKE'S GONNA FIND THIS 452 00:12:46,333 --> 00:12:48,067 GUY AND GET HIS MONEY BACK. 453 00:12:48,067 --> 00:12:49,767 >> SO, I DIDN'T THINK THAT THERE 454 00:12:49,767 --> 00:12:51,700 WAS AN IMMENSE AMOUNT OF DANGER. 455 00:12:51,700 --> 00:12:52,633 >> HEY, BABE. 456 00:12:52,633 --> 00:12:53,700 I MISS YOU, TOO. 457 00:12:53,700 --> 00:12:55,667 WE'RE, UH... 458 00:12:55,667 --> 00:12:58,367 WE'RE ON THE WAY. 459 00:12:58,367 --> 00:12:59,500 YEAH. 460 00:12:59,500 --> 00:13:02,467 NO, NED'S FILMING ME. 461 00:13:02,467 --> 00:13:05,500 ALL RIGHT, I LOVE YOU, TOO. 462 00:13:05,500 --> 00:13:07,367 BYE. 463 00:13:07,367 --> 00:13:09,233 JESUS CHRIST, DUDE. 464 00:13:09,233 --> 00:13:11,733 >> WHAT? 465 00:13:11,733 --> 00:13:12,600 I LOVE YOU. 466 00:13:12,600 --> 00:13:14,333 I'LL TALK TO YOU VERY SOON. 467 00:13:14,333 --> 00:13:16,200 >> GOD ONLY KNOWS WHAT'S GONNA 468 00:13:16,200 --> 00:13:16,700 HAPPEN. 469 00:13:16,700 --> 00:13:18,600 BUT, HEY, MAN, IT'S GONNA BE AN 470 00:13:18,600 --> 00:13:19,433 ADVENTURE. 471 00:13:19,433 --> 00:13:21,400 >> I MEAN, WHAT ELSE IS GOING ON 472 00:13:21,400 --> 00:13:22,433 HERE, YOU KNOW? 473 00:13:22,433 --> 00:13:24,333 WHAT THE FUCK ELSE DO I HAVE TO 474 00:13:24,333 --> 00:13:24,667 DO? 475 00:13:24,667 --> 00:13:26,733 >> FOR MOST PEOPLE, THE FANTASY 476 00:13:26,733 --> 00:13:28,600 OF ACTUALLY GOING TO AFRICA 477 00:13:28,600 --> 00:13:30,267 REMAINS JUST A FANTASY. 478 00:13:30,267 --> 00:13:32,133 IN MIKE'S CASE, HE HAD SOME 479 00:13:32,133 --> 00:13:33,800 FRIENDS WHO HAD SOME MEANS. 480 00:13:33,800 --> 00:13:36,067 THEY HAD SOME CONCERNS FOR HIM. 481 00:13:36,067 --> 00:13:37,700 >> HOW DO YOU LIKE BEING IN 482 00:13:37,700 --> 00:13:38,500 HOLLAND? 483 00:13:38,500 --> 00:13:40,367 >> IT'S AWESOME SO FAR. 484 00:13:40,367 --> 00:13:43,533 >> SO, WE'RE IN AMSTERDAM. 485 00:13:43,533 --> 00:13:45,567 THIS PLACE IS SO DUTCH. 486 00:13:45,567 --> 00:13:48,567 >> THEIR SOLUTION TO HIS 487 00:13:48,567 --> 00:13:52,100 DEPRESSION AND FEELING OF 488 00:13:52,100 --> 00:13:54,100 HELPLESSNESS IN HIS LIFE WAS TO 489 00:13:54,100 --> 00:13:57,100 CREATE THIS TRIP. 490 00:13:57,100 --> 00:13:58,533 >> I'M IN ECONOMY. 491 00:13:58,533 --> 00:14:01,167 >> IN THEIR MINDS, I DON'T THINK 492 00:14:01,167 --> 00:14:03,567 IT WAS INTENDED TO BE A MANHUNT. 493 00:14:03,567 --> 00:14:06,167 THEY HAD THE BEST OF INTENTIONS, 494 00:14:06,167 --> 00:14:08,567 AND, ALL THE SAME, THINGS DID GO 495 00:14:08,567 --> 00:14:11,567 SPECTACULARLY WRONG. 496 00:14:11,567 --> 00:14:13,567 >> WE ARE APPROXIMATELY FIVE 497 00:14:13,567 --> 00:14:15,600 MINUTES INTO OUR FLIGHT, AND 498 00:14:15,600 --> 00:14:17,467 ALREADY WE'VE BEGUN GOING 499 00:14:17,467 --> 00:14:19,167 INSANE. 500 00:14:27,767 --> 00:14:30,467 >> CAPE TOWN. 501 00:14:30,467 --> 00:14:32,633 >> MAYBE I SHOULD HAVE SAID A 502 00:14:32,633 --> 00:14:34,333 LOT MORE. 503 00:14:34,333 --> 00:14:35,667 I DON'T KNOW. 504 00:14:49,100 --> 00:14:51,367 >> YAY. 505 00:15:01,267 --> 00:15:02,567 >> WHAT TOOK YOU SO LONG, MAN? 506 00:15:02,567 --> 00:15:03,467 >> HEY. WHAT'S UP? 507 00:15:03,467 --> 00:15:04,700 >> WE WERE IN ROW LIKE 4,000. 508 00:15:04,700 --> 00:15:05,800 >> LOOKING FOR YOU, MAN. 509 00:15:05,800 --> 00:15:07,100 >> I'M OKAY. I'M OKAY. 510 00:15:07,100 --> 00:15:08,400 >> YOU ALWAYS MANAGE TO POP UP. 511 00:15:08,400 --> 00:15:10,267 >> YES! YES! [ LAUGHS ] 512 00:15:10,267 --> 00:15:11,433 >> [ Laughing ] OH, MY GOD. 513 00:15:11,433 --> 00:15:12,767 >> WHAT'S GOING ON WITH YOU, 514 00:15:12,767 --> 00:15:13,467 BROTHER? 515 00:15:13,467 --> 00:15:14,633 >> AHH, MY MAN. 516 00:15:14,633 --> 00:15:15,633 DUDE, THIS IS EZRA. 517 00:15:15,633 --> 00:15:16,400 >> HEY, MAN. 518 00:15:16,400 --> 00:15:17,267 >> THIS IS EZRA. 519 00:15:17,267 --> 00:15:18,400 >> HOW'S IT GOING, BRO? 520 00:15:18,400 --> 00:15:19,333 NICE TO MEET YOU. 521 00:15:19,333 --> 00:15:20,633 >> EZRA -- HE IS A CHARACTER. 522 00:15:20,633 --> 00:15:21,633 WE JUST HIT IT OFF. 523 00:15:21,633 --> 00:15:23,267 THE GUY KNOWS CAPE TOWN LIKE THE 524 00:15:23,267 --> 00:15:24,167 BACK OF HIS HAND. 525 00:15:24,167 --> 00:15:25,533 HE TALKS TO EVERY LADY HE EVER 526 00:15:25,533 --> 00:15:26,067 SEES. 527 00:15:26,067 --> 00:15:27,400 IT'S THE FUNNIEST THING YOU'LL 528 00:15:27,400 --> 00:15:28,067 EVER SEE. 529 00:15:28,067 --> 00:15:29,400 HE COULD TALK THE PANTS OFF A 530 00:15:29,400 --> 00:15:29,700 NUN. 531 00:15:29,700 --> 00:15:31,300 DEFINITELY HAS A LOT OF LEADS OF 532 00:15:31,300 --> 00:15:32,467 WHERE THIS GUY COULD BE. 533 00:15:32,467 --> 00:15:34,067 THROUGH HIS CONNECTIONS, I THINK 534 00:15:34,067 --> 00:15:35,333 IT SOUNDS PRETTY PROMISING. 535 00:15:35,333 --> 00:15:36,467 >> WELCOME, LADS. 536 00:15:36,467 --> 00:15:37,733 >> ALL RIGHT, BUDDY. 537 00:15:37,733 --> 00:15:38,467 >> YEAH. 538 00:15:38,467 --> 00:15:39,367 IT IS COLD. 539 00:15:39,367 --> 00:15:41,233 >> THIS IS THE FIRST SIGHT YOU 540 00:15:41,233 --> 00:15:42,333 SEE IN CAPE TOWN. 541 00:15:42,333 --> 00:15:43,300 >> HELLO. HI. 542 00:15:43,300 --> 00:15:44,467 >> IT'S BEAUTIFUL. 543 00:15:44,467 --> 00:15:45,667 I LIKE CAPE TOWN. 544 00:15:45,667 --> 00:15:46,467 >> WHOA. 545 00:15:46,467 --> 00:15:47,267 >> NICE. 546 00:15:47,267 --> 00:15:48,800 >> THIS IS MY RIDE, MAN. 547 00:15:48,800 --> 00:15:49,733 >> LOVE IT. 548 00:15:49,733 --> 00:15:51,233 >> THAT'S YOUR CAR? 549 00:15:51,233 --> 00:15:52,067 >> YEAH. 550 00:15:54,567 --> 00:15:57,200 >> WHAT ARE YOU FINGERING THAT 551 00:15:57,200 --> 00:15:58,133 CAR FOR? 552 00:15:58,133 --> 00:16:00,800 >> THAT JUST POPS THE CHERRY. 553 00:16:00,800 --> 00:16:02,133 >> WHAT IS THAT? 554 00:16:02,133 --> 00:16:03,600 >> WHAT THE FUCK, DUDE? 555 00:16:03,600 --> 00:16:04,500 [ LAUGHS ] 556 00:16:04,500 --> 00:16:05,233 >> WOW. 557 00:16:05,233 --> 00:16:07,167 OKAY, SO, WHERE DO WE PUT OUR 558 00:16:07,167 --> 00:16:07,633 BAGS? 559 00:16:07,633 --> 00:16:08,633 >> [ LAUGHS ] 560 00:16:08,633 --> 00:16:10,333 >> THIS GUY, HUH? 561 00:16:10,567 --> 00:16:12,433 >> HE WAS AN EX-CON -- MOSTLY 562 00:16:12,433 --> 00:16:14,267 PETTY CRIMES, NOTHING REALLY 563 00:16:14,267 --> 00:16:15,033 VIOLENT. 564 00:16:15,033 --> 00:16:16,667 HE DID SOME JAIL TIME IN HIS 565 00:16:16,667 --> 00:16:18,633 TEENS FOR SELLING DRUGS BUT WAS 566 00:16:18,633 --> 00:16:20,267 RELEASED EARLY FOR GOOD 567 00:16:20,267 --> 00:16:21,267 BEHAVIOR. 568 00:16:21,500 --> 00:16:23,133 HIS RECORD AFTER THAT WAS PRETTY 569 00:16:23,133 --> 00:16:23,500 CLEAN. 570 00:16:23,500 --> 00:16:24,633 HE WAS KNOWN AROUND THE 571 00:16:24,633 --> 00:16:26,200 NEIGHBORHOOD, CERTAINLY BY THE 572 00:16:26,200 --> 00:16:27,133 CAPE TOWN POLICE. 573 00:16:27,133 --> 00:16:29,333 [ HIP-HOP MUSIC PLAYS ] 574 00:16:29,333 --> 00:16:31,300 >> JUST TO LET THEM KNOW THAT 575 00:16:31,300 --> 00:16:33,367 THE DRIFT KID IS IN TOWN, DUDE. 576 00:16:33,367 --> 00:16:34,367 [ LAUGHTER ] 577 00:16:34,367 --> 00:16:38,367 >> DUDE, I LOVE IT. I LOVE IT. 578 00:16:38,367 --> 00:16:39,533 >> THIS IS GONNA BE OUR... 579 00:16:39,533 --> 00:16:41,067 >> THIS IS WHERE WE'RE STAYING, 580 00:16:41,067 --> 00:16:41,367 GUYS. 581 00:16:41,367 --> 00:16:42,700 >> THIS IS WHERE WE'RE STAYING? 582 00:16:42,700 --> 00:16:43,300 >> WHOA! 583 00:16:43,300 --> 00:16:43,700 >> NICE! 584 00:16:43,700 --> 00:16:44,733 >> YOU'RE KIDDING ME. 585 00:16:44,733 --> 00:16:46,033 >> I'M READY. I'M READY. 586 00:16:46,033 --> 00:16:47,233 JUST OPEN THE FUCKING DOOR. 587 00:16:47,233 --> 00:16:48,033 >> [ LAUGHS ] 588 00:16:48,033 --> 00:16:48,800 >> WELCOME, GUYS. 589 00:16:48,800 --> 00:16:49,633 >> OH, MY GOD. 590 00:16:49,633 --> 00:16:51,233 >> NOTHING BUT THE BEST FOR MY 591 00:16:51,233 --> 00:16:51,533 BOY. 592 00:16:51,533 --> 00:16:52,733 >> I'M FEELING GOOD, MAN. 593 00:16:52,733 --> 00:16:53,333 >> WOW. 594 00:16:53,333 --> 00:16:54,767 >> CAN YOU HEAR THAT SUBWOOFER? 595 00:16:54,767 --> 00:16:57,133 >> [ Laughing ] OH, GOD. 596 00:16:57,133 --> 00:16:58,500 >> FRIDAY NIGHT, GUYS. 597 00:16:58,500 --> 00:17:00,267 IT'S GONNA BE BIG TONIGHT. 598 00:17:00,267 --> 00:17:02,767 ARE WE GONNA, UM... 599 00:17:02,767 --> 00:17:04,267 ENTERTAIN OURSELVES, OR ARE WE 600 00:17:04,267 --> 00:17:05,400 JUST GONNA STAY AT HOME? 601 00:17:05,400 --> 00:17:06,333 >> WE GOT TO CHILL. 602 00:17:06,333 --> 00:17:07,600 >> I DON'T WANT TO GO DOWN TO 603 00:17:07,600 --> 00:17:08,500 THAT, SERIOUSLY. 604 00:17:08,500 --> 00:17:09,600 >> THIS IS LONG STREET. 605 00:17:09,600 --> 00:17:10,367 LOOK AT THIS. 606 00:17:10,367 --> 00:17:11,367 >> DO YOU HEAR THAT? 607 00:17:11,367 --> 00:17:12,667 WE WERE SITTING ON A PLANE FOR 608 00:17:12,667 --> 00:17:13,300 TWO DAYS. 609 00:17:13,300 --> 00:17:14,633 >> EXACTLY, SO I WANT TO GO TO 610 00:17:14,633 --> 00:17:15,167 SLEEP. 611 00:17:15,167 --> 00:17:15,767 >> OKAY, GUYS. 612 00:17:15,767 --> 00:17:17,300 WELL, LOVELY MEETING YOU, MEN. 613 00:17:17,300 --> 00:17:18,067 >> ALL RIGHT. 614 00:17:18,067 --> 00:17:19,433 >> LOVELY MEETING YOU GENTLEMEN. 615 00:17:19,433 --> 00:17:20,300 >> I'LL SEE YOU. 616 00:17:20,300 --> 00:17:21,033 >> [ SIGHS ] 617 00:17:21,033 --> 00:17:21,667 >> DON'T WORRY. 618 00:17:21,667 --> 00:17:22,633 WE'RE GONNA GO OUT. 619 00:17:22,633 --> 00:17:24,033 WE'RE GONNA SEE THIS TOWN. 620 00:17:24,033 --> 00:17:25,400 LET'S CHECK OUT THE REST OF THIS 621 00:17:25,400 --> 00:17:26,100 PLACE, HUH? 622 00:17:26,100 --> 00:17:27,100 >> ALL RIGHT. 623 00:17:27,100 --> 00:17:28,433 >> UH-OH. 624 00:17:28,433 --> 00:17:29,433 HUH. 625 00:17:29,433 --> 00:17:30,467 >> OKAY. UH, SCOTT? 626 00:17:30,467 --> 00:17:32,100 >> THEY TOLD ME THAT THERE WAS 627 00:17:32,100 --> 00:17:32,800 GONNA BE TWINS. 628 00:17:32,800 --> 00:17:33,333 UH... 629 00:17:33,333 --> 00:17:34,067 [ LAUGHS ] 630 00:17:34,067 --> 00:17:35,500 >> YOU GUYS ARE HERE DOING ME A 631 00:17:35,500 --> 00:17:37,033 FAVOR, SO I'LL JUST HIT THE 632 00:17:37,033 --> 00:17:37,400 COUCH. 633 00:17:37,400 --> 00:17:38,333 >> ARE YOU SURE? 634 00:17:38,333 --> 00:17:39,133 >> I'M GOOD. 635 00:17:39,133 --> 00:17:40,600 >> YOU DON'T HAVE -- I MEAN, WE 636 00:17:40,600 --> 00:17:42,133 CAN TAKE TURNS OR SOMETHING. 637 00:17:42,133 --> 00:17:46,133 >> I'M GOOD. 638 00:17:55,400 --> 00:17:59,100 I FUCKED UP. 639 00:17:59,100 --> 00:18:01,067 I MADE SOME POOR DECISIONS IN MY 640 00:18:01,067 --> 00:18:01,433 DAY. 641 00:18:01,433 --> 00:18:04,433 THIS IS A BIG ONE. 642 00:18:18,600 --> 00:18:22,133 [ DIALING, BEEPING ] 643 00:18:22,133 --> 00:18:23,067 >> WHAT'S UP? 644 00:18:23,067 --> 00:18:24,633 >> WHAT'S UP? HOW'S IT GOING? 645 00:18:24,633 --> 00:18:26,533 >> I MEAN, WE'VE WALKED AROUND A 646 00:18:26,533 --> 00:18:27,600 LITTLE BIT -- THE 647 00:18:27,600 --> 00:18:29,500 NEIGHBORHOOD -- TODAY, AND THIS 648 00:18:29,500 --> 00:18:31,800 PLACE -- I MEAN, THIS CITY IS 649 00:18:31,800 --> 00:18:32,667 UNBELIEVABLE. 650 00:18:32,667 --> 00:18:34,467 THIS PLACE IS JUST SO IMPOSSIBLY 651 00:18:34,467 --> 00:18:35,233 BEAUTIFUL. 652 00:18:35,233 --> 00:18:36,700 YOU KNOW, I'M CARRYING AROUND 653 00:18:36,700 --> 00:18:38,433 THIS CAMERA, AND I JUST -- MIKE 654 00:18:38,433 --> 00:18:39,733 AND SCOTT ARE CONSTANTLY 655 00:18:39,733 --> 00:18:41,533 BADGERING ME TO HURRY UP BECAUSE 656 00:18:41,533 --> 00:18:43,100 I STOP AND I'M POINTING THE 657 00:18:43,100 --> 00:18:44,300 CAMERA AT EVERYTHING. 658 00:18:44,300 --> 00:18:44,767 HANG ON. 659 00:18:44,767 --> 00:18:46,400 I'M GONNA DO SOMETHING HERE. 660 00:18:46,400 --> 00:18:47,400 [ MOUSE CLICKS ] 661 00:18:47,400 --> 00:18:49,567 OH, THAT'S WAY BETTER. 662 00:18:49,567 --> 00:18:51,267 I JUST FULL-SCREENED YOU. 663 00:18:51,267 --> 00:18:53,133 >> [ Laughing ] OH, GOD. 664 00:18:53,133 --> 00:18:54,367 [ DRUM BANGING ] 665 00:18:54,367 --> 00:18:56,433 >> GREENMARKET SQUARE IS THIS 666 00:18:56,433 --> 00:18:58,367 BIG KIND OF SQUARE FULL OF 667 00:18:58,367 --> 00:19:00,367 VENDORS AND PEOPLE, AND IT'S 668 00:19:00,367 --> 00:19:02,433 PACKED WITH STALLS AND PEOPLE 669 00:19:02,433 --> 00:19:05,600 SELLING CRAFTS AND CLOTHING AND 670 00:19:05,600 --> 00:19:07,767 JEWELRY. 671 00:19:07,767 --> 00:19:12,467 [ INDISTINCT CONVERSATIONS ] 672 00:19:12,467 --> 00:19:14,067 >> YOU CAN'T FIND STUFF LIKE 673 00:19:14,067 --> 00:19:15,500 THIS ANYWHERE IN SOUTH AFRICA, 674 00:19:15,500 --> 00:19:17,033 ONLY HERE, MAN, ONLY HERE. 675 00:19:17,033 --> 00:19:17,567 >> MY MAN. 676 00:19:17,567 --> 00:19:18,500 >> HELLO, HELLO. 677 00:19:18,500 --> 00:19:20,167 >> HOW ARE YOU THIS AFTERNOON? 678 00:19:20,167 --> 00:19:21,800 >> FOR MY BEAUTIFUL COMPANION, 679 00:19:21,800 --> 00:19:23,500 I'M GETTING HER SOME LOVELY 680 00:19:23,500 --> 00:19:24,300 BRACELETS. 681 00:19:24,300 --> 00:19:26,167 THEY ARE RED TO MATCH THE FIERY 682 00:19:26,167 --> 00:19:27,333 NATURE OF HER SOUL. 683 00:19:27,333 --> 00:19:28,633 >> YOU ARE SUCH A HAM. 684 00:19:28,633 --> 00:19:31,500 >> [ LAUGHS ] 685 00:19:31,500 --> 00:19:33,033 >> BUSINESS? 686 00:19:33,033 --> 00:19:35,367 >> NO. EZRA. 687 00:19:35,367 --> 00:19:37,367 "MZOLI'S! YEAH!" 688 00:19:37,367 --> 00:19:37,767 >> WHAT? 689 00:19:37,767 --> 00:19:38,600 >> I DON'T KNOW. 690 00:19:38,600 --> 00:19:40,033 >> WHAT THE HELL IS MZOLI'S? 691 00:19:40,033 --> 00:19:40,733 >> I HAVE NO IDEA. 692 00:19:40,733 --> 00:19:41,567 >> I DON'T KNOW. 693 00:19:41,567 --> 00:19:42,500 I'M GONNA CALL HIM. 694 00:19:42,500 --> 00:19:45,033 >> CALL HIM BACK. 695 00:19:45,033 --> 00:19:46,133 >> [ CLICKS TONGUE ] 696 00:19:46,133 --> 00:19:47,067 >> THREE TONES. 697 00:19:47,067 --> 00:19:48,267 >> NO, WE JUST GOT IT. 698 00:19:48,267 --> 00:19:49,567 WHAT THE HELL IS MZOLI'S? 699 00:19:49,567 --> 00:19:52,767 IS THAT... 700 00:19:52,767 --> 00:19:53,367 REALLY? 701 00:19:53,367 --> 00:19:54,567 HE SAYS IT'S LIKE THIS CRAZY 702 00:19:54,567 --> 00:19:56,133 BARBECUE THAT EVERYONE GOES TO. 703 00:19:56,133 --> 00:19:57,167 ALL RIGHT, WHAT TIME? 704 00:19:57,167 --> 00:19:58,500 CHANCES ARE IT COULD BE A GOOD 705 00:19:58,500 --> 00:19:59,333 SPOT TO SEARCH. 706 00:19:59,333 --> 00:20:00,533 LIKE, IF EVERYONE FROM THE 707 00:20:00,533 --> 00:20:02,100 TOWNSHIP GOES THERE, WE CAN ASK 708 00:20:02,100 --> 00:20:02,500 AROUND. 709 00:20:02,500 --> 00:20:03,467 >> ALL RIGHT. COOL. 710 00:20:03,467 --> 00:20:08,300 >> YOU KNOW WHAT I MEAN? 711 00:20:10,533 --> 00:20:13,067 >> IN THE EARLY '60s, YOU KNOW, 712 00:20:13,067 --> 00:20:15,300 ONCE APARTHEID BECAME SORT OF 713 00:20:15,300 --> 00:20:17,700 LIKE LEGISLATION, THEY BEGAN THE 714 00:20:17,700 --> 00:20:19,233 FORCED REMOVALS. 715 00:20:19,233 --> 00:20:21,633 THEY MOVED THE BLACK PEOPLE FROM 716 00:20:21,633 --> 00:20:24,033 THE ORIGINAL SETTLEMENTS AND 717 00:20:24,033 --> 00:20:25,300 DISPLACED THEM. 718 00:20:25,300 --> 00:20:26,733 SO THE WHOLE IDEA WAS 719 00:20:26,733 --> 00:20:28,433 DISPLACEMENT TO CREATE 720 00:20:28,433 --> 00:20:29,333 CONFUSION. 721 00:20:29,333 --> 00:20:30,800 >> THAT'S RIDICULOUS. 722 00:20:30,800 --> 00:20:32,700 >> SO, GUYS, CHECK IT OUT. 723 00:20:32,700 --> 00:20:34,300 WELCOME TO GUGULETU. 724 00:20:34,300 --> 00:20:36,333 WHEN YOU ARRIVE IN "GUGS," YOU 725 00:20:36,333 --> 00:20:38,067 ALWAYS ARRIVE IN STYLE. 726 00:20:38,067 --> 00:20:38,733 [ HIP-HOP MUSIC PLAYS ] 727 00:20:38,733 --> 00:20:42,600 THIS IS HOW WE'RE GONNA DO IT. 728 00:20:42,600 --> 00:20:46,600 >> YEAH! 729 00:20:46,600 --> 00:20:51,300 >> YEAH, BOY! 730 00:20:51,300 --> 00:20:52,067 >> COOL. 731 00:20:52,067 --> 00:20:54,067 >> MR. EZRA -- IN THE AFTERNOON, 732 00:20:54,067 --> 00:20:55,767 HE DID TAKE US TO THIS REALLY 733 00:20:55,767 --> 00:20:57,500 COOL PLACE CALLED MZOLI'S. 734 00:20:57,500 --> 00:20:58,500 IT'S A BRAAI. 735 00:20:58,500 --> 00:21:00,433 IT'S LIKE A COMMUNITY BARBECUE 736 00:21:00,433 --> 00:21:02,267 WHERE THEY JUST COOK UP JUST 737 00:21:02,267 --> 00:21:04,233 UNTOLD -- UNTOLD PIGS AND COWS, 738 00:21:04,233 --> 00:21:06,033 AND THINGS WERE SLAUGHTERED 739 00:21:06,033 --> 00:21:10,033 EVERY NIGHT FOR THIS THING. 740 00:21:10,033 --> 00:21:11,367 >> THIS IS INCREDIBLE. 741 00:21:11,367 --> 00:21:13,400 >> AND THE WHOLE PLACE IS JUST A 742 00:21:13,400 --> 00:21:14,267 HUGE SCENE. 743 00:21:14,267 --> 00:21:16,167 AT EVERY TURN, THERE'S SOMEONE 744 00:21:16,167 --> 00:21:17,600 ELSE THAT'S BEAUTIFUL AND 745 00:21:17,600 --> 00:21:19,400 INTERESTING AND COLORFUL AND 746 00:21:19,400 --> 00:21:20,200 WHATEVER. 747 00:21:20,200 --> 00:21:21,600 I MEAN, THIS IS AN INCREDIBLY 748 00:21:21,600 --> 00:21:23,233 BEAUTIFUL COUNTRY, NOT ONLY IN 749 00:21:23,233 --> 00:21:24,633 TERMS OF THE SCENERY BUT JUST 750 00:21:24,633 --> 00:21:26,233 THE PEOPLE ARE -- LIKE, EVERY 751 00:21:26,233 --> 00:21:27,733 FACE IS JUST KIND OF GORGEOUS IN 752 00:21:27,733 --> 00:21:28,333 A WAY. 753 00:21:28,333 --> 00:21:34,033 [ INDISTINCT CONVERSATIONS ] 754 00:21:34,033 --> 00:21:38,367 >> TOO MUCH OF A GOOD THING? 755 00:21:38,367 --> 00:21:40,067 >> THESE ARE THE SONGS OF 756 00:21:40,067 --> 00:21:42,233 CAPE TOWN, MAN. 757 00:21:47,500 --> 00:21:49,200 >> WHOO! 758 00:21:49,200 --> 00:21:54,533 [ INDISTINCT CONVERSATIONS ] 759 00:21:57,700 --> 00:22:00,100 [ INDISTINCT SHOUTING ] 760 00:22:22,567 --> 00:22:24,267 >> HEY, LISTEN. 761 00:22:24,267 --> 00:22:24,633 >> YEAH? 762 00:22:24,633 --> 00:22:25,800 >> I KNOW YOU'RE HERE ALL DAY 763 00:22:25,800 --> 00:22:26,633 DOING YOUR THING. 764 00:22:26,633 --> 00:22:27,700 I GOT A QUESTION FOR YOU. 765 00:22:27,700 --> 00:22:29,400 I'M LOOKING FOR SOMEONE. 766 00:22:29,400 --> 00:22:34,300 THIS GUY NAMED LEBOGANG. 767 00:22:34,300 --> 00:22:36,633 HAVE YOU HEARD OF HIM? 768 00:22:36,633 --> 00:22:37,800 YOU KNOW WHAT HE LOOKS LIKE, 769 00:22:37,800 --> 00:22:41,633 RIGHT? 770 00:22:41,633 --> 00:22:43,633 BUT LISTEN, MAN -- I APPRECIATE 771 00:22:43,633 --> 00:22:45,167 IT. 772 00:22:54,533 --> 00:22:55,700 >> SO, WHAT ARE YOU GIRLS UP TO 773 00:22:55,700 --> 00:22:57,567 LATER? 774 00:22:57,567 --> 00:23:02,067 [ INDISTINCT CONVERSATIONS ] 775 00:23:02,067 --> 00:23:05,400 >> LEBO IS A KEY GUY. 776 00:23:05,400 --> 00:23:06,733 >> FUCK, MAN. 777 00:23:26,067 --> 00:23:27,233 [ HORN HONKS ] 778 00:23:27,233 --> 00:23:29,400 >> OBVIOUSLY, YOU'RE SEARCHING 779 00:23:29,400 --> 00:23:31,467 FOR A NEEDLE IN A HAYSTACK, 780 00:23:31,467 --> 00:23:32,533 AREN'T YOU? 781 00:23:32,533 --> 00:23:34,533 >> THESE GUYS AREN'T IN THE 782 00:23:34,533 --> 00:23:36,700 BUSINESS OF BEING FOUND. 783 00:23:36,700 --> 00:23:42,233 >> DON'T DO ANYTHING DUMB. 784 00:23:42,233 --> 00:23:43,300 >> I WON'T. 785 00:23:43,300 --> 00:23:45,433 I'LL TALK TO YOU SOON, OKAY? 786 00:23:45,433 --> 00:23:47,167 >> OKAY. I LOVE YOU. 787 00:23:47,167 --> 00:23:49,167 >> I LOVE YOU. BYE. 788 00:23:49,167 --> 00:23:50,500 >> BYE. 789 00:23:50,500 --> 00:23:51,667 [ MOUSE CLICKS ] 790 00:23:56,733 --> 00:24:00,600 >> I DON'T KNOW IF THIS IS 791 00:24:00,600 --> 00:24:02,300 SOMETHING THAT CAN BE FIXED -- 792 00:24:02,300 --> 00:24:05,133 IF I CAN FIX IT, IF... 793 00:24:16,267 --> 00:24:18,233 >> I FEEL LIKE I'VE HAD A YEAR 794 00:24:18,233 --> 00:24:19,100 LIKE THAT. 795 00:24:19,100 --> 00:24:21,133 THE EVIL STARS ALIGN, AND ALL OF 796 00:24:21,133 --> 00:24:23,133 A SUDDEN, YOUR PERSONAL LIFE IS 797 00:24:23,133 --> 00:24:24,533 IN THE TOILET AND YOUR 798 00:24:24,533 --> 00:24:26,467 PROFESSIONAL LIFE SEEMS TO BE 799 00:24:26,467 --> 00:24:28,467 GOING NOWHERE, AND EVERY SINGLE 800 00:24:28,467 --> 00:24:30,367 THING IS TUMBLING DOWN AROUND 801 00:24:30,367 --> 00:24:32,333 YOU, AND I FEEL LIKE MIKE'S IN 802 00:24:32,333 --> 00:24:34,167 THE MIDDLE OF THAT RIGHT NOW. 803 00:24:34,400 --> 00:24:36,100 BUT WHATEVER HAPPENS, I THINK 804 00:24:36,100 --> 00:24:37,600 THE IMPORTANT PART IS THAT HE 805 00:24:37,600 --> 00:24:39,200 FEEL THAT HE MADE -- HE DID 806 00:24:39,200 --> 00:24:40,333 SOMETHING PROACTIVE. 807 00:24:40,333 --> 00:24:41,733 IF HE CAN FEEL THAT HE'S IN 808 00:24:41,733 --> 00:24:44,433 CONTROL, THEN... 809 00:24:44,433 --> 00:24:46,433 THEN IT'LL HAVE BEEN WORTH IT. 810 00:24:46,433 --> 00:24:48,567 >> I LIKE THAT. 811 00:24:48,567 --> 00:24:50,567 >> SO, YEAH, GENTLEMEN, WE'RE 812 00:24:50,567 --> 00:24:52,500 GOING TO KHAYELITSHA TODAY, 813 00:24:52,500 --> 00:24:54,400 WHICH MEANS "OUR NEW HOME." 814 00:24:54,400 --> 00:24:56,133 SO THERE'S SOME KIND OF 815 00:24:56,133 --> 00:24:58,200 OPTIMISM, YOU KNOW, AND HOPE IN 816 00:24:58,200 --> 00:25:00,233 THAT, RATHER THAN JUST CALL IT 817 00:25:00,233 --> 00:25:02,300 THE PLACE WHERE WE WERE DUMPED, 818 00:25:02,300 --> 00:25:03,133 YOU KNOW. 819 00:25:03,133 --> 00:25:06,133 I MEAN, IT'S NOT FORT GREENE OR 820 00:25:06,133 --> 00:25:07,300 ANYTHING THAT YOU GUYS ARE USED 821 00:25:07,300 --> 00:25:09,633 TO, YOU KNOW. 822 00:25:09,633 --> 00:25:13,800 IT'S A BEAUTIFUL PLACE. 823 00:25:13,800 --> 00:25:16,200 >> SO, WHO ARE WE GONNA GO SEE? 824 00:25:20,733 --> 00:25:22,567 >> WHY DO YOU GUYS WANT TO KNOW 825 00:25:22,567 --> 00:25:23,800 EVERYTHING, MAN, HUH? 826 00:25:23,800 --> 00:25:25,100 WHAT'S THAT ABOUT? 827 00:25:25,100 --> 00:25:26,533 >> WHAT'S WRONG WITH THAT? 828 00:25:26,533 --> 00:25:28,367 >> WHATEVER YOU'RE ASKING, IT'S 829 00:25:28,367 --> 00:25:29,400 GONNA APPEAR, NO? 830 00:25:29,400 --> 00:25:31,233 >> WHAT'S WRONG WITH WANTING TO 831 00:25:31,233 --> 00:25:32,533 KNOW WHERE WE'RE GOING? 832 00:25:32,533 --> 00:25:34,300 >> [ Chuckling ] SOMETIMES... 833 00:25:34,300 --> 00:25:35,333 >> ALL THE TIME. 834 00:25:35,333 --> 00:25:36,567 >> SOMETIMES YOU DON'T HAVE TO 835 00:25:36,567 --> 00:25:37,800 KNOW EXACTLY WHAT YOU'RE GONNA 836 00:25:37,800 --> 00:25:38,367 GO SEE. 837 00:25:38,367 --> 00:25:39,633 >> IF WE'RE GOING TO LOOK FOR A 838 00:25:39,633 --> 00:25:41,033 CRIMINAL, THOUGH, I'D LIKE TO 839 00:25:41,033 --> 00:25:44,033 KNOW WHERE IT IS WE'RE GONNA BE. 840 00:25:58,700 --> 00:26:02,700 >> SO, THIS IS MY GUY MUMI. 841 00:26:02,700 --> 00:26:04,100 [ SPEAKING AFRIKAANS ] 842 00:26:04,100 --> 00:26:05,367 >> TWO DAYS, THREE DAYS. 843 00:26:05,367 --> 00:26:06,500 >> OKAY. OKAY. OKAY. 844 00:26:06,500 --> 00:26:08,267 TWO OR THREE DAYS AGO HE SAID HE 845 00:26:08,267 --> 00:26:09,133 SAW HIM LAST. 846 00:26:09,133 --> 00:26:10,567 >> MUCH APPRECIATED, BROTHER. 847 00:26:10,567 --> 00:26:12,400 MUCH APPRECIATED. 848 00:26:12,633 --> 00:26:14,333 >> TOWNSHIP TOURS I WOULD NOT 849 00:26:14,333 --> 00:26:15,100 RECOMMEND. 850 00:26:15,100 --> 00:26:16,533 A LOT OF PEOPLE THINK IT'S A 851 00:26:16,533 --> 00:26:18,233 GREAT IDEA TO SHOW PEOPLE HOW 852 00:26:18,233 --> 00:26:20,067 POVERTY IS DONE. 853 00:26:20,300 --> 00:26:21,400 YOU DON'T HAVE TO GO INTO A 854 00:26:21,400 --> 00:26:22,333 TOWNSHIP TO SEE THIS. 855 00:26:22,333 --> 00:26:23,400 YOU CAN JUST DRIVE DOWN THE 856 00:26:23,400 --> 00:26:24,300 MOTORWAYS OUTSIDE OF 857 00:26:24,300 --> 00:26:24,800 JOHANNESBURG. 858 00:26:24,800 --> 00:26:26,233 YOU CAN SEE THE TOWNSHIPS THERE. 859 00:26:26,233 --> 00:26:26,700 >> OH, BOY. 860 00:26:26,700 --> 00:26:28,100 >> THIS DEFINITELY SEEMS LIKE A 861 00:26:28,100 --> 00:26:29,300 PLACE WHERE YOU COULD FIND SOME 862 00:26:29,300 --> 00:26:31,633 DUDE. 863 00:26:31,633 --> 00:26:33,433 THERE'S A LOT OF PEOPLE HERE, 864 00:26:33,433 --> 00:26:34,133 THOUGH. 865 00:26:34,133 --> 00:26:36,033 >> THERE'S MUCH NICER THINGS TO 866 00:26:36,033 --> 00:26:37,100 BE ABLE TO SEE. 867 00:26:37,100 --> 00:26:40,100 BUT TO GO AND SEE TOWNSHIPS? 868 00:26:40,100 --> 00:26:40,800 I DON'T KNOW. 869 00:26:40,800 --> 00:26:42,567 >> WE'RE GOING TO AN INTERNET 870 00:26:42,567 --> 00:26:43,133 CAFé. 871 00:26:43,133 --> 00:26:44,767 IT'S ONE OF THE SPOTS MY FRIEND 872 00:26:44,767 --> 00:26:45,533 WORKS AT. 873 00:26:45,533 --> 00:26:47,367 HE SHOULD BE ABLE TO POINT US IN 874 00:26:47,367 --> 00:26:48,567 THE RIGHT DIRECTION. 875 00:26:48,567 --> 00:26:51,100 >> A LOT OF THESE GUYS, UM... 876 00:26:51,100 --> 00:26:52,533 THEY'LL PAY OFF THE OWNER SO 877 00:26:52,533 --> 00:26:54,267 THEY CAN SIT WHEN THE INTERNET 878 00:26:54,267 --> 00:26:55,800 CAFé IS CLOSED, AND THERE'S NO 879 00:26:55,800 --> 00:26:57,400 I.P. ADDRESS THAT'S REALLY 880 00:26:57,400 --> 00:26:59,200 FOUND, SO WHATEVER THEY SEND VIA 881 00:26:59,200 --> 00:27:02,067 E-MAIL OR WHATEVER, UM... 882 00:27:02,067 --> 00:27:03,333 >> HAS NO RETURN ADDRESS. 883 00:27:03,333 --> 00:27:04,800 >> NO RETURN ADDRESS, AND THAT'S 884 00:27:04,800 --> 00:27:06,200 USUALLY HOW THEY DO IT. 885 00:27:06,200 --> 00:27:07,267 THE OWNERS GET PAID. 886 00:27:07,267 --> 00:27:08,133 [ HORN HONKS ] 887 00:27:08,133 --> 00:27:10,800 THEY NEVER TALK ABOUT IT. 888 00:27:10,800 --> 00:27:12,733 LET'S DO THIS, HUH? 889 00:27:12,733 --> 00:27:14,800 [ CHILDREN PLAYING ] 890 00:27:14,800 --> 00:27:16,333 >> ALL RIGHT. 891 00:27:16,333 --> 00:27:23,067 [ CONVERSING IN AFRIKAANS ] 892 00:27:23,067 --> 00:27:23,600 >> OH, SORRY. 893 00:27:23,600 --> 00:27:24,267 >> ENGLISH. 894 00:27:24,267 --> 00:27:25,067 >> SORRY, GUYS. 895 00:27:25,067 --> 00:27:25,733 FORGOT ABOUT THAT. 896 00:27:25,733 --> 00:27:26,767 >> ENGLISH? COOL. COOL. 897 00:27:26,767 --> 00:27:27,400 THANK YOU. 898 00:27:27,400 --> 00:27:28,733 >> NO, I WAS JUST LOOKING FOR 899 00:27:28,733 --> 00:27:29,600 LEBO, BROTHER. 900 00:27:29,600 --> 00:27:30,233 >> LEBO? 901 00:27:30,233 --> 00:27:30,667 >> YEAH. 902 00:27:30,667 --> 00:27:31,600 >> NO, I'M SORRY. 903 00:27:31,600 --> 00:27:32,600 I DON'T KNOW LEBO. 904 00:27:32,600 --> 00:27:33,767 >> HE DOESN'T WORK HERE? 905 00:27:33,767 --> 00:27:35,133 >> HE DOESN'T WORK HERE. 906 00:27:35,133 --> 00:27:36,267 >> NOT LIKE LATE NIGHT? 907 00:27:36,267 --> 00:27:38,433 >> I DON'T KNOW LEBO. 908 00:27:38,433 --> 00:27:39,733 >> EZRA, ISN'T THIS THE -- THIS 909 00:27:39,733 --> 00:27:40,600 WAS THE PLACE -- 910 00:27:40,600 --> 00:27:41,500 >> YEAH, I MEAN -- 911 00:27:41,500 --> 00:27:42,500 >> HOLD ON A SECOND. 912 00:27:42,500 --> 00:27:43,367 HOLD ON A SECOND. 913 00:27:43,367 --> 00:27:44,633 HEY, DO YOU KNOW A GUY NAMED 914 00:27:44,633 --> 00:27:45,267 LEBOGANG? 915 00:27:45,267 --> 00:27:46,333 >> NO, NO, NO, NO, NO. 916 00:27:46,333 --> 00:27:47,367 >> HOW ARE YOU DOING? 917 00:27:47,367 --> 00:27:48,433 DO YOU KNOW A GUY NAMED 918 00:27:48,433 --> 00:27:49,100 LEBOGANG? 919 00:27:49,100 --> 00:27:49,633 >> LEBO WHO? 920 00:27:49,633 --> 00:27:50,367 >> LEBOGANG. 921 00:27:50,367 --> 00:27:51,600 >> UH, I'M JUST A CUSTOMER. 922 00:27:51,600 --> 00:27:52,600 I CAME IN YESTERDAY. 923 00:27:52,600 --> 00:27:53,200 >> MIKE. 924 00:27:53,200 --> 00:27:53,633 >> YEAH? 925 00:27:53,633 --> 00:27:54,500 >> HOLD ON, MAN. 926 00:27:54,500 --> 00:27:55,767 I MEAN, WE GOT TO RESPECT THE 927 00:27:55,767 --> 00:27:56,433 MAN'S JOB. 928 00:27:56,433 --> 00:27:57,367 >> I KNOW. I KNOW. 929 00:27:57,367 --> 00:27:58,500 >> THANK YOU VERY MUCH. 930 00:27:58,500 --> 00:27:59,533 THERE'S NO LEBO HERE. 931 00:27:59,533 --> 00:28:02,067 [ INDISTINCT CONVERSATION ] 932 00:28:02,067 --> 00:28:03,067 >> EXCUSE ME. HI. 933 00:28:03,067 --> 00:28:04,267 >> I DON'T UNDERSTAND. 934 00:28:04,267 --> 00:28:05,533 >> ALL RIGHT, ALL RIGHT. 935 00:28:05,533 --> 00:28:07,233 >> PLEASE JUST TAKE THE CAMERA 936 00:28:07,233 --> 00:28:07,567 OFF. 937 00:28:07,567 --> 00:28:08,633 >> MIKE, IT'S OKAY. 938 00:28:08,633 --> 00:28:10,300 >> PLEASE GO AWAY. WALK AWAY. 939 00:28:10,300 --> 00:28:11,167 PLEASE. OKAY. 940 00:28:11,167 --> 00:28:13,033 >> THIS IS BULLSHIT. 941 00:28:13,033 --> 00:28:15,367 THAT WAS BULLSHIT. 942 00:28:15,367 --> 00:28:16,367 >> THAT WAS SKETCHY, MAN. 943 00:28:16,367 --> 00:28:17,333 EZRA, I THOUGHT THAT... 944 00:28:17,333 --> 00:28:18,400 >> YEAH, THAT WAS BULLSHIT. 945 00:28:18,400 --> 00:28:19,567 >> ...THAT GUY KNEW SOMETHING. 946 00:28:19,567 --> 00:28:20,500 >> HE KNEW SOMETHING. 947 00:28:20,500 --> 00:28:21,500 >> I DON'T THINK HE KNEW 948 00:28:21,500 --> 00:28:22,067 ANYTHING. 949 00:28:22,067 --> 00:28:23,067 HE'S A FRIEND OF MUMI'S. 950 00:28:23,067 --> 00:28:24,167 >> YEAH, NOW HE'S LAUGHING. 951 00:28:24,167 --> 00:28:25,033 I SAW HIM LAUGHING. 952 00:28:25,033 --> 00:28:25,733 >> I DON'T KNOW, MAN. 953 00:28:25,733 --> 00:28:27,733 THAT WAS WEIRD. 954 00:28:27,733 --> 00:28:30,433 [ INDISTINCT CONVERSATIONS ] 955 00:28:47,167 --> 00:28:49,167 >> OKAY, THANKS, BROTHER. 956 00:28:49,167 --> 00:28:50,067 SHOW ME. 957 00:28:50,067 --> 00:28:51,333 >> MAN, THANKS. 958 00:28:51,333 --> 00:28:55,200 >> THANK YOU, BROTHER. 959 00:28:55,200 --> 00:28:58,167 [ CHILDREN SHOUTING ] 960 00:28:58,167 --> 00:29:00,167 >> [ CHUCKLES ] 961 00:29:15,233 --> 00:29:18,733 >> THIS IS HIS MOM. 962 00:29:28,267 --> 00:29:29,267 >> WHAT'S SHE SAYING? 963 00:29:29,267 --> 00:29:33,300 >> DOES HE LIVE HERE? 964 00:29:36,600 --> 00:29:37,467 >> SO, IS HE HERE? 965 00:29:37,467 --> 00:29:38,567 DOES SHE KNOW WHERE HE IS? 966 00:29:38,567 --> 00:29:39,600 >> SHE DOESN'T KNOW, MAN. 967 00:29:39,600 --> 00:29:41,067 SHE SAID SHE'S REALLY CONCERNED. 968 00:29:41,067 --> 00:29:42,100 SHE'S ACTUALLY ASKING US. 969 00:29:42,100 --> 00:29:43,333 >> YOU HAVE NO IDEA WHERE YOUR 970 00:29:43,333 --> 00:29:43,667 SON IS? 971 00:29:43,667 --> 00:29:45,500 >> [ SPEAKING AFRIKAANS ] 972 00:29:45,733 --> 00:29:47,067 >> DO YOU HAVE ANY IDEA WHAT 973 00:29:47,067 --> 00:29:47,733 YOUR SON DID TO ME? 974 00:29:47,733 --> 00:29:48,800 >> MIKE, SHE DOESN'T KNOW 975 00:29:48,800 --> 00:29:49,633 ANYTHING ABOUT IT. 976 00:29:49,633 --> 00:29:50,767 >> YOU CAN'T SCREAM AT THIS 977 00:29:50,767 --> 00:29:51,267 WOMAN. 978 00:29:51,267 --> 00:29:52,067 >> IT'S HIS MOM. 979 00:29:52,067 --> 00:29:52,733 >> MIKE, CHILL OUT. 980 00:29:52,733 --> 00:29:53,567 >> IT'S BULLSHIT. 981 00:29:53,567 --> 00:29:54,700 >> I'M JUST TRYING TO THINK. 982 00:29:54,700 --> 00:29:55,700 >> WHAT DOES THAT MEAN? 983 00:29:55,700 --> 00:29:57,133 >> IT JUST MEANS THAT SHE HASN'T 984 00:29:57,133 --> 00:29:57,533 SEEN HIM. 985 00:29:57,533 --> 00:29:58,733 >> HE'S BEEN RIPPING PEOPLE OFF 986 00:29:58,733 --> 00:29:59,500 THE WHOLE TIME. 987 00:29:59,500 --> 00:30:00,633 DUDE, THIS IS NOT WORKING. 988 00:30:00,633 --> 00:30:01,667 >> BUT CHECK IT OUT, MAN. 989 00:30:01,667 --> 00:30:03,067 WE CAN'T SCREAM AT OLD LADIES. 990 00:30:03,067 --> 00:30:04,300 >> NO, OF COURSE WE CAN'T SCREAM 991 00:30:04,300 --> 00:30:05,033 AT OLD LADIES. 992 00:30:05,033 --> 00:30:06,200 >> REMEMBER, I SAID THERE'S A 993 00:30:06,200 --> 00:30:06,767 WAY TO DO THIS. 994 00:30:06,767 --> 00:30:08,067 >> BUT, EZRA, WE CAN'T KEEP 995 00:30:08,067 --> 00:30:09,200 WALKING AROUND THIS TOWNSHIP 996 00:30:09,200 --> 00:30:09,633 LIKE THIS. 997 00:30:09,633 --> 00:30:11,033 >> SCOTT, I SAID THERE'S A WAY 998 00:30:11,033 --> 00:30:11,467 TO DO THIS. 999 00:30:11,467 --> 00:30:12,333 >> WHAT'S THE WAY? 1000 00:30:12,333 --> 00:30:13,700 YOU'VE BEEN SAYING ALL DAY... 1001 00:30:13,700 --> 00:30:14,800 THIS IS NOT HAPPENING. 1002 00:30:14,800 --> 00:30:16,100 LET'S GET OUT OF HERE. 1003 00:30:16,100 --> 00:30:17,333 >> YEAH, MAN, THIS IS NOT 1004 00:30:17,333 --> 00:30:17,767 WORKING. 1005 00:30:17,767 --> 00:30:19,167 LISTEN, MAN, WE CAN'T BE 1006 00:30:19,167 --> 00:30:20,500 SCREAMING AT OLD PEOPLE, MAN. 1007 00:30:20,500 --> 00:30:21,600 THAT'S NOT GONNA WORK. 1008 00:30:21,600 --> 00:30:22,800 >> ANY OF YOU GUYS NEED A 1009 00:30:22,800 --> 00:30:24,333 RESTROOM? 1010 00:30:37,200 --> 00:30:38,400 YEAH, LET'S GO THIS WAY. 1011 00:30:38,400 --> 00:30:39,233 >> ALL RIGHT. 1012 00:30:39,233 --> 00:30:40,733 >> WE BASICALLY SPENT THE WHOLE 1013 00:30:40,733 --> 00:30:43,733 DAY, OR A GOOD CHUNK OF IT, 1014 00:30:43,733 --> 00:30:45,400 WANDERING FROM PLACE TO PLACE 1015 00:30:45,400 --> 00:30:47,167 AND PERSON TO PERSON LOOKING FOR 1016 00:30:47,167 --> 00:30:48,000 LEBOGANG. 1017 00:30:56,333 --> 00:30:58,033 WE GOT TO SEE -- WE GOT TO MEET 1018 00:30:58,033 --> 00:30:59,567 A LOT OF PEOPLE AND SEE A GREAT 1019 00:30:59,567 --> 00:31:01,333 DEAL OF A PLACE THAT I THINK NOT 1020 00:31:01,333 --> 00:31:02,700 A LOT OF PEOPLE GET TO SEE. 1021 00:31:02,700 --> 00:31:04,267 >> THEY HAVE THESE TOWNSHIPS 1022 00:31:04,267 --> 00:31:05,500 WHERE PEOPLE DON'T HAVE 1023 00:31:05,500 --> 00:31:06,200 ANYTHING. 1024 00:31:06,200 --> 00:31:08,633 THERE'S STILL THIS HOPE AND THIS 1025 00:31:08,633 --> 00:31:11,100 ENERGY AND THIS VIBRANCE THAT 1026 00:31:11,100 --> 00:31:13,200 JUST RADIATES OUT OF THESE 1027 00:31:13,200 --> 00:31:15,433 PEOPLE, AND IT'S INFECTIOUS. 1028 00:31:15,433 --> 00:31:17,433 IT'S AMAZING. 1029 00:31:17,433 --> 00:31:18,767 >> [ SPEAKS AFRIKAANS ] 1030 00:31:18,767 --> 00:31:20,800 [ LAUGHTER ] 1031 00:31:20,800 --> 00:31:23,167 >> WHEN YOU GO TO A TOWNSHIP, 1032 00:31:23,167 --> 00:31:24,500 THEY SEE YOU AS A RICH WHITE 1033 00:31:24,500 --> 00:31:27,200 PERSON OR A RICH PERSON. 1034 00:31:27,200 --> 00:31:28,567 YOU CAN GO UP TO A GUY AND SAY, 1035 00:31:28,567 --> 00:31:29,767 "CAN I TAKE YOUR PICTURE?" 1036 00:31:29,767 --> 00:31:31,267 AND THE GUY WILL SAY YES, AND 1037 00:31:31,267 --> 00:31:32,667 YOU CAN GO DOWN THE ROAD AND YOU 1038 00:31:32,667 --> 00:31:33,800 START TAKING PICTURES OF 1039 00:31:33,800 --> 00:31:35,400 SOMEBODY ELSE AND YOU DIDN'T ASK 1040 00:31:35,400 --> 00:31:36,800 HIS PERMISSION, AND THAT CAN GET 1041 00:31:36,800 --> 00:31:38,267 OUT OF HAND, AND THERE IS NO 1042 00:31:38,267 --> 00:31:39,233 PROTECTION FOR YOU. 1043 00:31:39,233 --> 00:31:40,533 THE POLICE WON'T BE AROUND TO 1044 00:31:40,533 --> 00:31:41,300 PROTECT YOU. 1045 00:31:41,300 --> 00:31:42,533 >> WHAT'S EZRA DOING OVER THERE? 1046 00:31:42,533 --> 00:31:43,767 HE'S ALWAYS TALKING TO SOMEBODY. 1047 00:31:43,767 --> 00:31:44,533 >> I DON'T KNOW. 1048 00:31:44,533 --> 00:31:45,567 MAYBE THAT GUY WAS KIND OF 1049 00:31:45,567 --> 00:31:48,733 PISSED OFF AT US FOR BEING IN 1050 00:31:48,733 --> 00:31:50,433 HIS NEIGHBORHOOD, WHICH IS 1051 00:31:50,433 --> 00:31:51,267 UNDERSTANDABLE. 1052 00:32:08,367 --> 00:32:09,233 >> THIS GUY? 1053 00:32:09,233 --> 00:32:10,300 >> THAT'S THE GUY. 1054 00:32:10,300 --> 00:32:11,633 THAT'S THE GUY WHO KNOWS. 1055 00:32:11,633 --> 00:32:12,500 >> HEY! HEY! 1056 00:32:12,500 --> 00:32:14,033 >> MIKE! 1057 00:32:14,033 --> 00:32:15,033 YOU ALL RIGHT? 1058 00:32:15,033 --> 00:32:17,667 [ INDISTINCT SHOUTING ] 1059 00:32:22,033 --> 00:32:24,200 WHAT WAS THAT ABOUT? 1060 00:32:24,200 --> 00:32:26,033 >> THAT'S NOT THE WAY. 1061 00:32:26,033 --> 00:32:27,100 >> NO, MAN. 1062 00:32:27,100 --> 00:32:28,433 >> WHAT WAS THAT? 1063 00:32:28,433 --> 00:32:30,600 >> I JUST SAW. 1064 00:32:30,600 --> 00:32:33,467 >> NOBODY SAW HIM. 1065 00:32:33,467 --> 00:32:34,800 >> WHO ARE WE CHASING? 1066 00:32:34,800 --> 00:32:36,167 >> THAT'S THE GUY. 1067 00:32:36,167 --> 00:32:37,733 >> THAT'S THE GUY WHO KNOWS 1068 00:32:37,733 --> 00:32:38,533 LEBOGANG. 1069 00:32:38,533 --> 00:32:40,267 >> THIS IS GETTING INTENSE. 1070 00:32:40,267 --> 00:32:41,400 >> OH, FUCK. 1071 00:32:41,400 --> 00:32:43,567 >> CERTAINLY THE, YOU KNOW, 1072 00:32:43,567 --> 00:32:45,700 NICEST THING TO BE DOING IN 1073 00:32:45,700 --> 00:32:47,167 PEOPLE'S HOMES. 1074 00:32:47,167 --> 00:32:47,767 SORRY. 1075 00:32:47,767 --> 00:32:49,633 >> JESUS CHRIST. 1076 00:32:49,633 --> 00:32:51,433 >> LET'S GET OUT OF HERE. 1077 00:32:51,433 --> 00:32:53,067 >> I DON'T KNOW, MAN. 1078 00:32:53,067 --> 00:32:54,300 I'M NOT STOPPING. 1079 00:32:54,300 --> 00:32:55,500 I'M NOT STOPPING. 1080 00:32:55,500 --> 00:32:57,133 >> WHAT DO YOU THINK? 1081 00:32:57,133 --> 00:32:59,133 >> DUDE, WE'RE NOT GONNA... 1082 00:33:04,800 --> 00:33:06,167 >> HE'S GONE, BRO. 1083 00:33:06,167 --> 00:33:08,033 >> THIS IS NUTS, MAN. 1084 00:33:08,033 --> 00:33:10,800 >> SHIT! 1085 00:33:10,800 --> 00:33:12,300 >> IS THERE A PLACE TO GET, 1086 00:33:12,300 --> 00:33:12,733 LIKE... 1087 00:33:12,733 --> 00:33:13,600 [ HORN HONKS ] 1088 00:33:13,600 --> 00:33:15,100 A PLACE TO GET SOMETHING TO 1089 00:33:15,100 --> 00:33:15,467 DRINK? 1090 00:33:15,467 --> 00:33:17,100 >> SO MANY KIDS ON THE STREETS 1091 00:33:17,100 --> 00:33:17,633 HERE, MAN. 1092 00:33:17,633 --> 00:33:19,233 >> GO FOR SOMETHING COLD RIGHT 1093 00:33:19,233 --> 00:33:19,767 ABOUT NOW. 1094 00:33:19,767 --> 00:33:21,400 >> IT JUST TAKES A LITTLE THING 1095 00:33:21,400 --> 00:33:23,100 TO SPARK VIOLENCE IN TOWNSHIPS. 1096 00:33:23,100 --> 00:33:24,500 IT DOESN'T NECESSARILY HAVE TO 1097 00:33:24,500 --> 00:33:25,433 BE THE TOURISTS. 1098 00:33:25,433 --> 00:33:26,467 IT COULD BE SOMETHING ELSE. 1099 00:33:26,467 --> 00:33:27,467 YOU COULD BE GOING PAST A 1100 00:33:27,467 --> 00:33:29,033 SHABIN, AND LOCAL GUYS ARE 1101 00:33:29,033 --> 00:33:29,567 FIGHTING. 1102 00:33:29,567 --> 00:33:31,333 AND IT SNOWBALLS INTO SOMETHING 1103 00:33:31,333 --> 00:33:33,100 ELSE, AND YOU JUST HAPPEN TO BE 1104 00:33:33,100 --> 00:33:35,100 CAUGHT IN THE MIDDLE. 1105 00:33:35,100 --> 00:33:37,600 AND IT CAN GET VERY VIOLENT. 1106 00:33:37,600 --> 00:33:38,767 >> HOLD UP. 1107 00:33:38,767 --> 00:33:40,767 >> WHAT? 1108 00:33:40,767 --> 00:33:42,633 >> [ SPEAKS AFRIKAANS ] 1109 00:33:42,633 --> 00:33:46,333 >> YEAH, DUDE. 1110 00:33:46,333 --> 00:33:49,200 WHAT'S GOING ON? 1111 00:33:49,200 --> 00:33:50,533 >> [ SPEAKING AFRIKAANS ] 1112 00:33:50,533 --> 00:33:53,500 >> WHAT THE FUCK HAS HE GOT? 1113 00:33:53,500 --> 00:33:56,500 >> DUDE, WHAT IS... 1114 00:33:59,633 --> 00:34:01,033 >> FUCKING GUY. 1115 00:34:01,033 --> 00:34:03,167 >> EZRA, WHAT'S THE DEAL WITH 1116 00:34:03,167 --> 00:34:03,800 THE GUN? 1117 00:34:03,800 --> 00:34:06,133 >> DON'T WORRY ABOUT IT, MAN. 1118 00:34:06,133 --> 00:34:08,267 THAT FUCKING GUY IS PISSING ME 1119 00:34:08,267 --> 00:34:11,433 OFF. 1120 00:34:11,433 --> 00:34:12,400 [ SIGHS ] 1121 00:34:12,400 --> 00:34:14,800 SOMETIMES YOU GOT TO, YOU KNOW, 1122 00:34:14,800 --> 00:34:17,800 HANDLE SOME -- SOME BUSINESS. 1123 00:34:17,800 --> 00:34:19,733 ME AND THAT GUY HAVE BUSINESS TO 1124 00:34:19,733 --> 00:34:21,700 HANDLE, YOU KNOW, AND IT DOESN'T 1125 00:34:21,700 --> 00:34:22,600 CONCERN YOU. 1126 00:34:22,600 --> 00:34:25,133 IT'S BETWEEN ME AND HIM. 1127 00:34:30,133 --> 00:34:31,700 >> DON'T WORRY ABOUT IT. 1128 00:34:31,700 --> 00:34:33,633 >> I'M A LITTLE WORRIED ABOUT 1129 00:34:33,633 --> 00:34:34,200 IT. 1130 00:34:34,200 --> 00:34:36,067 >> IT'S JUST -- I'M SORRY. 1131 00:34:36,067 --> 00:34:38,133 >> SO, YOU GUYS STILL WANT THAT 1132 00:34:38,133 --> 00:34:39,200 BEER OR WHAT? 1133 00:34:39,200 --> 00:34:41,033 >> IT'S A GREAT COUNTRY TO 1134 00:34:41,033 --> 00:34:44,567 VISIT, AND, LIKE I SAID, JUST BE 1135 00:34:44,567 --> 00:34:47,100 CAREFUL. 1136 00:34:47,100 --> 00:34:48,500 >> LOOK, I UNDERSTAND. 1137 00:34:48,500 --> 00:34:50,367 I HAD A GUN ON ME, YOU KNOW. 1138 00:34:50,367 --> 00:34:52,433 THAT'S JUST WHAT I HAVE TO DO IN 1139 00:34:52,433 --> 00:34:53,300 THIS CITY. 1140 00:34:53,300 --> 00:34:55,267 YOU NEED TO BE ABLE TO BE IN A 1141 00:34:55,267 --> 00:34:57,200 POSITION TO PROTECT YOURSELF. 1142 00:34:57,200 --> 00:34:59,067 THAT'S THE ONLY REASON WHY I 1143 00:34:59,067 --> 00:34:59,700 CARRY A GUN. 1144 00:34:59,700 --> 00:35:01,167 24 HOURS IN A DAY, MAN. 1145 00:35:01,167 --> 00:35:02,300 ANYTHING CAN HAPPEN. 1146 00:35:02,300 --> 00:35:03,800 IT'S REALLY NOT THAT SERIOUS. 1147 00:35:03,800 --> 00:35:05,367 >> I JUST THINK WE NEED TO 1148 00:35:05,367 --> 00:35:07,167 RECONSIDER WHAT WE'RE DOING HERE 1149 00:35:07,167 --> 00:35:08,033 A LITTLE BIT. 1150 00:35:08,033 --> 00:35:09,567 THIS WAS WAY MORE INTENSE THAN 1151 00:35:09,567 --> 00:35:11,300 WHAT WE PLANNED ON, AND I THINK 1152 00:35:11,300 --> 00:35:12,767 WE NEED TO TAKE A STEP BACK. 1153 00:35:12,767 --> 00:35:13,433 >> OKAY. 1154 00:35:13,433 --> 00:35:15,067 SO, WE'RE ALREADY DRINKING A 1155 00:35:15,067 --> 00:35:15,433 BEER. 1156 00:35:15,433 --> 00:35:16,767 THAT'S NOT A BAD START. 1157 00:35:24,300 --> 00:35:25,500 >> MIKE NEEDS TO CHILL OUT. 1158 00:35:25,500 --> 00:35:26,600 >> IT FEELS LIKE WE ARE 1159 00:35:26,600 --> 00:35:28,133 DEFINITELY GOING ABOUT THIS THE 1160 00:35:28,133 --> 00:35:28,600 WRONG WAY. 1161 00:35:28,600 --> 00:35:30,067 NOBODY REALLY DID HAVE A CLUE 1162 00:35:30,067 --> 00:35:31,300 WHERE THIS GUY WAS, AND IT'S 1163 00:35:31,300 --> 00:35:32,600 LIKE, WHAT IS THE RIGHT WAY TO 1164 00:35:32,600 --> 00:35:34,133 FIND A GUY LIKE THIS? 1165 00:35:39,767 --> 00:35:42,467 >> HERE YOU GO. 1166 00:35:42,467 --> 00:35:43,367 IF I GET, UH... 1167 00:35:43,367 --> 00:35:44,667 IF I GET FOUR HOPS, WE'RE 1168 00:35:44,667 --> 00:35:46,300 FINDING THIS MOTHERFUCKER, ALL 1169 00:35:46,300 --> 00:35:46,700 RIGHT? 1170 00:35:46,700 --> 00:35:48,533 >> ALL RIGHT. 1171 00:35:52,300 --> 00:35:55,633 >> ONE. ONE HOP. 1172 00:35:55,633 --> 00:35:57,100 >> EZRA IS LIKE ONE OF THOSE 1173 00:35:57,100 --> 00:35:58,533 GUYS YOU'RE NEVER QUITE SURE IF 1174 00:35:58,533 --> 00:36:01,533 HE'S LIKE -- IF HE'S A... 1175 00:36:01,533 --> 00:36:02,700 YOU'RE NEVER QUITE SURE WHAT'S 1176 00:36:02,700 --> 00:36:03,400 IN IT FOR HIM. 1177 00:36:03,400 --> 00:36:04,600 I'M NOT QUITE SURE WHAT'S IN IT 1178 00:36:04,600 --> 00:36:06,167 FOR HIM AT THIS POINT. 1179 00:36:14,100 --> 00:36:15,200 I KEEP WAITING FOR THE OTHER 1180 00:36:15,200 --> 00:36:15,667 SHOE TO DROP. 1181 00:36:15,667 --> 00:36:16,567 YOU KNOW WHAT I MEAN? 1182 00:36:16,567 --> 00:36:17,667 LIKE, HE'S GONNA, LIKE, TURN 1183 00:36:17,667 --> 00:36:18,733 AROUND AND -- I DON'T KNOW. 1184 00:36:18,733 --> 00:36:20,133 IT COULD BE LIKE TURN AROUND AND 1185 00:36:20,133 --> 00:36:21,100 ASK US FOR A DONATION OR 1186 00:36:21,100 --> 00:36:25,267 SOMETHING. 1187 00:36:25,267 --> 00:36:27,767 >> WE BETTER GET GOING, MAN. 1188 00:36:27,767 --> 00:36:29,133 >> ALL RIGHT. 1189 00:36:36,367 --> 00:36:38,500 NOTICE HOW I JULIENNE THE 1190 00:36:38,500 --> 00:36:40,667 MUSHROOMS. 1191 00:36:40,667 --> 00:36:43,367 WHAT'S THE MATTER? 1192 00:36:43,367 --> 00:36:45,567 WHAT? 1193 00:36:45,567 --> 00:36:47,100 [ THUD ] 1194 00:36:47,100 --> 00:36:50,267 >> FUCKING KIDDING ME! 1195 00:36:50,267 --> 00:36:53,133 >> MIKE? 1196 00:36:53,133 --> 00:36:59,300 >> THAT DID NOT SOUND GOOD. 1197 00:36:59,300 --> 00:37:01,467 >> WHAT'S UP? 1198 00:37:01,467 --> 00:37:02,633 >> LOOK, CAN YOU TURN THE 1199 00:37:02,633 --> 00:37:06,333 FUCKING CAMERA OFF, PLEASE? 1200 00:37:06,333 --> 00:37:07,200 >> I'M SORRY. 1201 00:37:07,200 --> 00:37:08,567 I WAS, YOU KNOW, WONDERING 1202 00:37:08,567 --> 00:37:09,333 WHAT'S UP. 1203 00:37:09,333 --> 00:37:10,800 >> YOU REALLY WANT TO FUCKING 1204 00:37:10,800 --> 00:37:12,333 KNOW ON YOUR DOCUMENTARY? 1205 00:37:12,333 --> 00:37:14,067 YOU WANT TO KNOW WHAT HAPPENED? 1206 00:37:14,067 --> 00:37:15,467 MY AGENCY DROPPED ME, OKAY? 1207 00:37:15,467 --> 00:37:17,167 TURN THE FUCKING CAMERA OFF. 1208 00:37:17,167 --> 00:37:20,467 >> WAIT. ALL RIGHT, DUDE. 1209 00:37:20,467 --> 00:37:24,167 [ DOOR SLAMS ] 1210 00:37:24,167 --> 00:37:27,533 >> [ SIGHS ] 1211 00:37:31,167 --> 00:37:35,033 >> DUDE, TURN THE CAMERA OFF. 1212 00:37:35,033 --> 00:37:39,200 [ INDISTINCT CONVERSATION ] 1213 00:37:39,200 --> 00:37:40,633 >> WELL, I DON'T KNOW. 1214 00:37:40,633 --> 00:37:42,600 TODAY WE WERE WANDERING AROUND 1215 00:37:42,600 --> 00:37:43,467 WITH EZRA. 1216 00:37:43,467 --> 00:37:45,467 I TOLD YOU ABOUT HIM -- MIKE'S 1217 00:37:45,467 --> 00:37:46,200 FRIEND. 1218 00:37:46,200 --> 00:37:46,800 >> YEAH. 1219 00:37:46,800 --> 00:37:48,533 >> WE WERE GOING TO THESE 1220 00:37:48,533 --> 00:37:50,500 TOWNSHIPS, AND WE WERE, LIKE, 1221 00:37:50,500 --> 00:37:52,467 RUNNING THROUGH ALLEYWAYS, AND 1222 00:37:52,467 --> 00:37:54,433 MIKE WAS SCREAMING AT THIS OLD 1223 00:37:54,433 --> 00:37:55,100 LADY. 1224 00:37:55,100 --> 00:37:58,267 I MEAN, HE'S LIKE SO... 1225 00:37:58,267 --> 00:37:59,600 HE'S SO INTENSE. 1226 00:38:03,233 --> 00:38:05,133 YEAH, BUT, SO... 1227 00:38:09,767 --> 00:38:11,633 NO, I DON'T KNOW WHAT WE'RE 1228 00:38:11,633 --> 00:38:16,633 DOING. 1229 00:38:16,633 --> 00:38:18,300 TOTALLY. 1230 00:38:25,200 --> 00:38:27,533 I WISH YOU WERE HERE. 1231 00:38:27,533 --> 00:38:29,067 I GOT TO BRING YOU BACK HERE 1232 00:38:29,067 --> 00:38:34,567 SOMETIME. 1233 00:38:34,567 --> 00:38:37,567 YOU THERE? 1234 00:38:37,567 --> 00:38:40,100 CAN'T SEE YOU. 1235 00:38:40,100 --> 00:38:42,100 EM? 1236 00:38:42,100 --> 00:38:46,067 FUCK. 1237 00:38:46,067 --> 00:38:49,767 SERIOUSLY, DUDE? 1238 00:38:49,767 --> 00:38:52,600 >> [ SNIFFLES ] I'M SORRY. 1239 00:38:56,667 --> 00:38:58,667 [ Voice breaking ] I DIDN'T 1240 00:38:58,667 --> 00:39:01,200 THINK IT WAS GONNA BE THIS BAD. 1241 00:39:15,433 --> 00:39:17,433 >> YOU WANT TO DO THE HONORS? 1242 00:39:17,433 --> 00:39:19,267 >> SURE. 1243 00:39:34,367 --> 00:39:36,233 >> ALL RIGHT, ALL RIGHT, ALL 1244 00:39:36,233 --> 00:39:38,400 RIGHT, ALL RIGHT, ALL RIGHT. 1245 00:39:38,400 --> 00:39:43,733 >> DAY 4. 1246 00:39:43,733 --> 00:39:45,167 I JUST GOT TO TAKE THIS. 1247 00:39:45,167 --> 00:39:46,300 I'LL BE RIGHT THERE. 1248 00:39:46,300 --> 00:39:47,567 YEAH. HOLD ON ONE SECOND. 1249 00:39:47,567 --> 00:39:49,267 >> YOU EXCITED TO GO TO PRISON? 1250 00:39:49,267 --> 00:39:51,267 >> YES. 1251 00:39:51,267 --> 00:39:52,633 >> NO. NEXT WEEK. 1252 00:39:52,633 --> 00:39:54,167 YEAH. NEXT WEEK. 1253 00:39:54,167 --> 00:39:54,800 I KNOW. 1254 00:39:54,800 --> 00:39:57,400 NO, I LEFT EVERYTHING WITH JOHN. 1255 00:39:57,400 --> 00:39:59,400 OKAY. OKAY. BYE. 1256 00:40:19,133 --> 00:40:21,300 >> THIS PRISON WAS BUILT IN 1257 00:40:21,300 --> 00:40:23,167 1963. 1258 00:40:23,167 --> 00:40:25,333 AND I'M ALSO GOING TO TAKE YOU 1259 00:40:25,333 --> 00:40:27,500 TO THE CELLS WHERE, OF COURSE, 1260 00:40:27,500 --> 00:40:30,200 NELSON MANDELA AND THE OTHER 1261 00:40:30,200 --> 00:40:35,367 POLITICAL LEADERS WERE KEPT. 1262 00:40:35,367 --> 00:40:36,700 >> MANDELA'S CELL IS THE ONE 1263 00:40:36,700 --> 00:40:38,700 WITH THE WINDOW OPEN. 1264 00:40:38,700 --> 00:40:41,167 >> WE ARE TRYING TO GET CONTROL 1265 00:40:41,167 --> 00:40:43,400 OF CYBERCRIME IN SOUTH AFRICA. 1266 00:40:43,400 --> 00:40:45,700 PEOPLE HAVE TO BE REALLY CAREFUL 1267 00:40:45,700 --> 00:40:48,233 ON WHO THEY TRUST WHEN THEY COME 1268 00:40:48,233 --> 00:40:50,167 TO A THIRD-WORLD COUNTRY. 1269 00:40:50,167 --> 00:40:52,300 THERE IS A LOT OF POVERTY IN 1270 00:40:52,300 --> 00:40:54,267 THESE PARTS OF THE WORLD. 1271 00:40:54,267 --> 00:40:56,467 AND YOU WILL BE SUCKED INTO IT 1272 00:40:56,467 --> 00:40:59,333 VERY, VERY EASILY, SO JUST HEED 1273 00:40:59,333 --> 00:41:00,500 THE WARNINGS. 1274 00:41:10,500 --> 00:41:12,500 >> [ SPEAKING AFRIKAANS ] 1275 00:41:12,500 --> 00:41:14,433 IS HOLLY AROUND OR MILO, JUST 1276 00:41:14,433 --> 00:41:16,100 SOMEBODY THAT I CAN...? 1277 00:41:16,100 --> 00:41:18,100 NAH, SO I'LL JUST WAIT FOR THE 1278 00:41:18,100 --> 00:41:18,567 TEXT. 1279 00:41:18,567 --> 00:41:19,667 EXCELLENT, MAN. 1280 00:41:19,667 --> 00:41:21,333 YOU KNOW WHO'S TALKING? 1281 00:41:21,333 --> 00:41:23,100 YEAH, BROTHER. WHAT'S UP? 1282 00:41:23,100 --> 00:41:24,033 OH, MY GOD. 1283 00:41:24,033 --> 00:41:25,600 >> SO, WHAT ARE WE DOING? 1284 00:41:25,600 --> 00:41:27,633 >> HE'S LAYING SOME GROUNDWORK, 1285 00:41:27,633 --> 00:41:28,433 I GUESS. 1286 00:41:28,433 --> 00:41:30,033 LET HIM DO HIS THING. 1287 00:41:30,033 --> 00:41:32,033 YOU KNOW, ANYTHING SOUNDS SCARY 1288 00:41:32,033 --> 00:41:33,367 TO YOU GUYS. 1289 00:41:33,367 --> 00:41:34,700 >> I WOULD THINK YOU WOULD BE 1290 00:41:34,700 --> 00:41:35,667 WARY, TOO, BUT... 1291 00:41:35,667 --> 00:41:37,233 >> I THINK YOU'RE JUST WARY IN 1292 00:41:37,233 --> 00:41:38,033 GENERAL, MAN. 1293 00:41:38,033 --> 00:41:38,667 >> [ LAUGHS ] 1294 00:41:38,667 --> 00:41:40,233 OH, THANK YOU. THANK YOU, SIR. 1295 00:41:40,233 --> 00:41:41,633 >> BROTHER, PART OF THE REASON 1296 00:41:41,633 --> 00:41:43,167 THAT WE'RE HERE IS MY BROTHER 1297 00:41:43,167 --> 00:41:44,567 GOT RIPPED OFF THE LAST TIME HE 1298 00:41:44,567 --> 00:41:46,233 WAS IN SOUTH AFRICA, SO IF I'M A 1299 00:41:46,233 --> 00:41:47,367 LITTLE WARY, I'M SORRY. 1300 00:41:47,367 --> 00:41:48,800 YOU KNOW, YOU KEEP MAKING THESE 1301 00:41:48,800 --> 00:41:50,367 COMMENTS LIKE I'M ALL UPTIGHT. 1302 00:41:50,367 --> 00:41:51,733 BUT THE REASON I'M UPTIGHT IS 1303 00:41:51,733 --> 00:41:53,167 BECAUSE OF WHY WE'RE HERE. 1304 00:41:53,167 --> 00:41:57,033 IT HAS NOTHING TO DO WITH YOU. 1305 00:41:57,033 --> 00:41:58,333 >> LET'S JUST GO THIS WAY. 1306 00:41:58,333 --> 00:41:59,167 >> OVER HERE? 1307 00:41:59,167 --> 00:41:59,600 >> YEAH. 1308 00:41:59,600 --> 00:42:00,500 JUST FOLLOW ME. 1309 00:42:00,500 --> 00:42:01,600 >> WHAT'S OVER HERE? 1310 00:42:01,600 --> 00:42:03,233 >> THERE'S ONE OTHER GUY WE GOT 1311 00:42:03,233 --> 00:42:04,500 TO JUST CHECK REAL QUICK. 1312 00:42:04,500 --> 00:42:07,500 I JUST REMEMBERED. 1313 00:42:07,500 --> 00:42:11,067 >> SO, THIS IS WHERE YOUR FRIEND 1314 00:42:11,067 --> 00:42:13,233 LIVES? 1315 00:42:13,233 --> 00:42:14,367 IT DOESN'T LOOK LIKE ANYBODY 1316 00:42:14,367 --> 00:42:15,033 LIVES HERE. 1317 00:42:15,033 --> 00:42:16,100 >> HIS PHONE'S ON VOICE. 1318 00:42:16,100 --> 00:42:17,233 >> ARE YOU SURE YOU GOT THE 1319 00:42:17,233 --> 00:42:17,733 RIGHT HOUSE? 1320 00:42:17,733 --> 00:42:19,033 >> I'M JUST GONNA CHECK... 1321 00:42:19,033 --> 00:42:19,567 >> WHAT? 1322 00:42:19,567 --> 00:42:21,133 >> SEEMS LIKE IT'S A... 1323 00:42:21,133 --> 00:42:21,733 >> YO, EZ? 1324 00:42:21,733 --> 00:42:23,067 >> ...CRAZY PLACE. 1325 00:42:23,067 --> 00:42:24,800 >> JUST HOLD ON ONE SECOND, MAN. 1326 00:42:24,800 --> 00:42:26,500 >> WHERE'S HE GOING? 1327 00:42:26,500 --> 00:42:27,467 >> WHERE IS HE? 1328 00:42:27,467 --> 00:42:29,100 NO, I DON'T SEE HIM ANYMORE. 1329 00:42:29,100 --> 00:42:30,733 >> YOU KEEP SAYING THAT IT'S ALL 1330 00:42:30,733 --> 00:42:32,067 COOL, IT'S ALL FINE. 1331 00:42:32,067 --> 00:42:32,600 I MEAN... 1332 00:42:32,600 --> 00:42:34,400 >> LOOK, HE'S DOING THIS TO HELP 1333 00:42:34,400 --> 00:42:35,100 US, MAN. 1334 00:42:35,100 --> 00:42:36,700 HE'S OUR TICKET TO WHERE WE NEED 1335 00:42:36,700 --> 00:42:37,333 TO BE. 1336 00:42:37,333 --> 00:42:37,733 >> MIKE. 1337 00:42:37,733 --> 00:42:39,200 I MEAN, I KNOW THAT YOU LIKE 1338 00:42:39,200 --> 00:42:39,633 THIS GUY. 1339 00:42:39,633 --> 00:42:41,133 I KNOW THAT HE'S YOUR FRIEND. 1340 00:42:41,133 --> 00:42:42,367 BUT IF HE KNEW WHERE THE GUY 1341 00:42:42,367 --> 00:42:43,633 WAS, WE WOULD HAVE FOUND HIM 1342 00:42:43,633 --> 00:42:44,233 ALREADY. 1343 00:42:44,233 --> 00:42:45,600 >> THIS ISN'T WHERE WE GREW UP. 1344 00:42:45,600 --> 00:42:47,100 THIS IS CLEARLY THE OTHER SIDE 1345 00:42:47,100 --> 00:42:48,233 OF THE WORLD, ALL RIGHT? 1346 00:42:48,233 --> 00:42:49,500 >> WHY ARE YOU DEFENDING HIM 1347 00:42:49,500 --> 00:42:50,100 OVER ME? 1348 00:42:50,100 --> 00:42:51,167 I DON'T GET YOU, MAN. 1349 00:42:51,167 --> 00:42:52,500 I DON'T UNDERSTAND WHAT'S GOING 1350 00:42:52,500 --> 00:42:52,767 ON. 1351 00:42:52,767 --> 00:42:54,233 I DON'T EVEN KNOW WHAT'S GOING 1352 00:42:54,233 --> 00:42:55,367 THROUGH YOUR HEAD ANYMORE. 1353 00:42:55,367 --> 00:42:56,633 >> LOOK, I MEAN, AT THE END OF 1354 00:42:56,633 --> 00:42:58,167 THE DAY, WE'RE HERE TO HELP YOU. 1355 00:42:58,167 --> 00:42:59,433 EZRA'S YOUR FRIEND, BUT, LIKE, 1356 00:42:59,433 --> 00:43:03,133 HOW MUCH CAN HE REALLY HELP? 1357 00:43:03,133 --> 00:43:03,633 SO... 1358 00:43:03,633 --> 00:43:06,033 >> I MEAN, IN ALL FAIRNESS, IF 1359 00:43:06,033 --> 00:43:08,267 WE CAME DOWN HERE ON OUR OWN -- 1360 00:43:08,267 --> 00:43:09,633 ON OUR OWN WHIM, THEN IT WOULD 1361 00:43:09,633 --> 00:43:10,700 HAVE JUST BEEN FUCKED. 1362 00:43:10,700 --> 00:43:11,800 WE WOULD HAVE NOTHING. 1363 00:43:11,800 --> 00:43:13,233 >> SO FAR, WE HAVEN'T DONE 1364 00:43:13,233 --> 00:43:13,700 ANYTHING. 1365 00:43:13,700 --> 00:43:15,300 HE SEEMS LIKE A REALLY NICE GUY, 1366 00:43:15,300 --> 00:43:16,133 BUT THERE'S -- 1367 00:43:16,133 --> 00:43:17,400 >> HE'S NOT A BAD GUY, MAN. 1368 00:43:17,400 --> 00:43:18,767 >> THERE'S JUST SOMETHING ABOUT 1369 00:43:18,767 --> 00:43:19,267 HIM. 1370 00:43:19,267 --> 00:43:20,633 I DON'T KNOW WHAT IT IS, DUDE. 1371 00:43:20,633 --> 00:43:22,233 >> SO, MAYBE WE CAN JUST HOP IN 1372 00:43:22,233 --> 00:43:23,300 A TAXI AND GO TO THESE 1373 00:43:23,300 --> 00:43:23,800 TOWNSHIPS. 1374 00:43:23,800 --> 00:43:25,267 IS THAT WHAT YOU'RE SAYING? 1375 00:43:25,267 --> 00:43:26,567 >> I'M SAYING WHY ARE WE EVEN 1376 00:43:26,567 --> 00:43:27,733 GOING TO THESE TOWNSHIPS? 1377 00:43:27,733 --> 00:43:29,300 >> BECAUSE WE'RE TRYING TO FIND 1378 00:43:29,300 --> 00:43:29,667 A GUY. 1379 00:43:29,667 --> 00:43:31,233 >> WHERE DID YOU MEET HIM, MIKE? 1380 00:43:31,233 --> 00:43:32,533 WHERE DID YOU MEET THIS GUY? 1381 00:43:32,533 --> 00:43:34,033 >> I MET HIM IN AN OKAY AREA. 1382 00:43:34,033 --> 00:43:35,133 >> YOU MET HIM AT THIS 1383 00:43:35,133 --> 00:43:36,100 CAFé CAPRICE PLACE. 1384 00:43:36,100 --> 00:43:37,167 WE DROVE PAST IT TODAY. 1385 00:43:37,167 --> 00:43:38,200 THAT DID NOT LOOK LIKE A 1386 00:43:38,200 --> 00:43:38,767 TOWNSHIP TO ME. 1387 00:43:38,767 --> 00:43:40,233 >> SO IF HE'S A FUCKING SCAMMER 1388 00:43:40,233 --> 00:43:41,400 AND HE WANTS TO TAKE PEOPLE'S 1389 00:43:41,400 --> 00:43:42,667 MONEY, YOU THINK HE'S GONNA TAKE 1390 00:43:42,667 --> 00:43:44,067 IT FROM SOMEONE IN A TOWNSHIP? 1391 00:43:44,067 --> 00:43:45,033 WHAT ARE YOU, STUPID? 1392 00:43:45,033 --> 00:43:46,267 >> ALL I'M SAYING IS WE NEED TO 1393 00:43:46,267 --> 00:43:48,133 TAKE A STEP BACK. 1394 00:43:48,133 --> 00:43:48,667 >> HEY. 1395 00:43:48,667 --> 00:43:50,600 >> I NEED 100 RAND REAL QUICK. 1396 00:43:50,600 --> 00:43:51,400 >> WHAT? 1397 00:43:51,400 --> 00:43:53,300 >> JUST GIVE ME 100 RAND REAL 1398 00:43:53,300 --> 00:43:54,200 QUICK, MAN. 1399 00:43:54,200 --> 00:43:56,033 >> WHAT DO YOU NEED IT FOR? 1400 00:43:56,033 --> 00:43:57,533 >> UM, I JUST GOT TO GET 1401 00:43:57,533 --> 00:43:59,267 SOMETHING REALLY QUICKLY. 1402 00:43:59,267 --> 00:44:00,500 >> I GOT IT, MIKE. 1403 00:44:00,500 --> 00:44:01,700 >> APPRECIATE IT. 1404 00:44:01,700 --> 00:44:04,067 I'LL COME BACK. JUST ONE SECOND. 1405 00:44:04,067 --> 00:44:05,567 >> THAT WAS WEIRD. 1406 00:44:05,567 --> 00:44:09,433 >> YEAH. 1407 00:44:09,433 --> 00:44:10,767 [ ENGINE REVVING ] 1408 00:44:18,333 --> 00:44:20,333 >> WELL, YOU GUYS SURE LOOK NICE 1409 00:44:20,333 --> 00:44:21,200 ON-CAMERA. 1410 00:44:21,200 --> 00:44:22,267 >> [ CHUCKLES ] 1411 00:44:22,267 --> 00:44:23,800 >> GO FUCK YOURSELF, NED. 1412 00:44:23,800 --> 00:44:26,800 >> [ CHUCKLES ] 1413 00:44:26,800 --> 00:44:29,333 >> SO, CHECK IT OUT. 1414 00:44:29,333 --> 00:44:30,533 [ BOTTLES CLINKING ] 1415 00:44:30,533 --> 00:44:32,367 THOUGHT WE MIGHT NEED SOME LOCAL 1416 00:44:32,367 --> 00:44:33,267 REFRESHMENTS. 1417 00:44:33,267 --> 00:44:34,700 SO, THIS IS WHAT WE CALL A 1418 00:44:34,700 --> 00:44:35,367 STONEY. 1419 00:44:35,367 --> 00:44:36,533 IT'S A GINGER BEER. 1420 00:44:36,533 --> 00:44:37,733 SCHWEPPES GRANADILLA. 1421 00:44:37,733 --> 00:44:39,033 CLASSIC COCA-COLA. 1422 00:44:39,033 --> 00:44:40,167 >> OH, IT'S FANTA. 1423 00:44:40,167 --> 00:44:41,100 >> YEAH. YEAH. 1424 00:44:41,100 --> 00:44:42,533 BUT THIS IS LIKE A SPECIAL 1425 00:44:42,533 --> 00:44:43,733 SOUTH AFRICAN FLAVOR. 1426 00:44:43,733 --> 00:44:44,467 >> OKAY. 1427 00:44:44,467 --> 00:44:45,167 >> OKAY? 1428 00:44:45,167 --> 00:44:47,033 SO WE'LL TRY ALL THESE, AND THEN 1429 00:44:47,033 --> 00:44:47,667 I'VE GOT... 1430 00:44:47,667 --> 00:44:48,567 >> [ LAUGHS ] 1431 00:44:48,567 --> 00:44:50,267 >> I'VE GOT LIKE A -- HERE'S 1432 00:44:50,267 --> 00:44:51,333 YOUR CHANGE, SIR. 1433 00:44:51,333 --> 00:44:52,700 >> OH, HEY, THANKS, MAN. 1434 00:44:52,700 --> 00:44:54,233 >> THANK YOU. 1435 00:44:54,233 --> 00:44:55,367 IT'S GOOD SHIT. 1436 00:44:55,367 --> 00:44:56,433 >> [ COUGHS ] 1437 00:44:56,433 --> 00:44:57,400 UGH. IT'S... 1438 00:44:57,400 --> 00:44:58,333 [ LAUGHS ] 1439 00:44:58,333 --> 00:44:59,600 IT'S REALLY SWEET. 1440 00:44:59,600 --> 00:45:00,500 [ COUGHS ] 1441 00:45:00,500 --> 00:45:02,567 >> IT'S A NICE SHOT, THOUGH, OF 1442 00:45:02,567 --> 00:45:03,267 SUGAR. 1443 00:45:03,267 --> 00:45:04,267 [ LAUGHTER ] 1444 00:45:04,267 --> 00:45:06,367 AND WE NEED SUGAR IN OUR LIVES, 1445 00:45:06,367 --> 00:45:07,767 DON'T WE? 1446 00:45:07,767 --> 00:45:09,300 YOU KNOW WHAT, GUYS? 1447 00:45:09,300 --> 00:45:11,067 HOW ABOUT A LITTLE BIT OF 1448 00:45:11,067 --> 00:45:12,033 INSPIRATION? 1449 00:45:12,033 --> 00:45:13,800 WE'RE GONNA TAKE A NICE LITTLE 1450 00:45:13,800 --> 00:45:15,800 TRIP TO SIGNAL HILL. 1451 00:45:15,800 --> 00:45:20,667 ONE WAY OR ANOTHER. 1452 00:45:20,667 --> 00:45:22,267 >> IS THAT A MOSQUE? 1453 00:45:22,267 --> 00:45:23,033 >> YEP. 1454 00:45:23,033 --> 00:45:24,500 >> WHAT ARE YOU, EZRA? 1455 00:45:24,500 --> 00:45:26,200 DO YOU GO TO A MOSQUE? 1456 00:45:26,200 --> 00:45:29,067 >> SOMETIMES I GO TO A MOSQUE. 1457 00:45:29,067 --> 00:45:30,567 EVERYONE I KNOW BELIEVES IN 1458 00:45:30,567 --> 00:45:34,467 SOMETHING. 1459 00:45:34,467 --> 00:45:37,133 >> AND WHAT DO YOU BELIEVE IN? 1460 00:45:37,133 --> 00:45:39,400 >> YOU KNOW, I BELIEVE THAT 1461 00:45:39,400 --> 00:45:42,167 WE'RE NOT PERFECT, AND WE -- YOU 1462 00:45:42,167 --> 00:45:44,600 KNOW, MOST OF US TRY TO DO OUR 1463 00:45:44,600 --> 00:45:45,400 BEST. 1464 00:45:45,400 --> 00:45:48,167 BUT SOMETIMES, YOU KNOW, WE FIND 1465 00:45:48,167 --> 00:45:50,500 OURSELVES IN SITUATIONS. 1466 00:45:50,500 --> 00:45:52,500 YOU KNOW, YOU SEE IN SOME OF THE 1467 00:45:52,500 --> 00:45:54,300 PLACES I'VE SHOWN YOU GUYS. 1468 00:45:54,300 --> 00:45:56,033 SURVIVAL ISN'T EASY, MAN. 1469 00:45:56,033 --> 00:45:58,033 YOU KNOW, JUST IMAGINE HAVING NO 1470 00:45:58,033 --> 00:45:59,500 FAMILY, YOU KNOW? 1471 00:45:59,500 --> 00:46:00,433 >> YEAH. 1472 00:46:00,433 --> 00:46:03,100 >> NO ONE OUT THERE TO GIVE YOU 1473 00:46:03,100 --> 00:46:05,233 A HAND, YOU KNOW, OR, YOU 1474 00:46:05,233 --> 00:46:08,167 KNOW, SPEAK A POSITIVE WORD. 1475 00:46:08,167 --> 00:46:11,367 ALL YOU HAVE IS, "HEY, I HAVE TO 1476 00:46:11,367 --> 00:46:12,567 SURVIVE." 1477 00:46:12,567 --> 00:46:14,200 [ INDISTINCT CONVERSATIONS ] 1478 00:46:14,200 --> 00:46:15,633 >> SAW SOME GOOD STUFF TODAY. 1479 00:46:15,633 --> 00:46:16,767 >> YEAH, IT WAS COOL. 1480 00:46:16,767 --> 00:46:18,533 IT WAS VERY NICE, BUT STANDING 1481 00:46:18,533 --> 00:46:20,333 IN FUCKING LINES, I MEAN, THAT'S 1482 00:46:20,333 --> 00:46:21,433 NOT LETTING LOOSE. 1483 00:46:21,433 --> 00:46:23,033 THAT'S FULFILLING A CERTAIN 1484 00:46:23,033 --> 00:46:24,533 AMOUNT OF PICTURE QUOTAS THAT, 1485 00:46:24,533 --> 00:46:26,033 YOU KNOW, YOUR RESPECTIVE 1486 00:46:26,033 --> 00:46:27,467 GIRLFRIENDS NEED, YOU KNOW. 1487 00:46:27,467 --> 00:46:29,167 LIKE, LET'S JUST FUCKING RELAX 1488 00:46:29,167 --> 00:46:29,667 AS BUDS. 1489 00:46:29,667 --> 00:46:31,233 >> WHAT DO YOU WANT TO DO? 1490 00:46:31,233 --> 00:46:32,200 >> I DON'T KNOW. 1491 00:46:32,200 --> 00:46:33,100 LET'S GO OUT. 1492 00:46:33,100 --> 00:46:34,267 LET'S SEE -- LET'S... 1493 00:46:34,267 --> 00:46:35,600 >> ALL RIGHT, WHERE DO YOU WANT 1494 00:46:35,600 --> 00:46:37,133 TO GO, THAT PLACE YOU GUYS WERE 1495 00:46:37,133 --> 00:46:37,733 TALKING ABOUT? 1496 00:46:37,733 --> 00:46:39,067 >> THAT PLACE IS CLOSED. 1497 00:46:39,067 --> 00:46:40,367 I MEAN, THAT'S WHERE I FUCKING 1498 00:46:40,367 --> 00:46:41,567 MET THE GUY, SO WHY NOT GO 1499 00:46:41,567 --> 00:46:42,100 THERE? 1500 00:46:42,100 --> 00:46:43,600 WE CAN HAVE A COUPLE DRINKS AND 1501 00:46:43,600 --> 00:46:45,133 JUST KIND OF, YOU KNOW, LET 1502 00:46:45,133 --> 00:46:46,500 LOOSE FOR A LITTLE BIT, YOU 1503 00:46:46,500 --> 00:46:47,067 KNOW? 1504 00:46:47,067 --> 00:46:48,100 >> THAT WOULD WORK. 1505 00:46:48,100 --> 00:46:48,800 THEN LET'S GO. 1506 00:46:48,800 --> 00:46:49,600 >> EZRA, YO. 1507 00:46:49,600 --> 00:46:51,267 WHAT DO YOU SAY ABOUT GOING TO 1508 00:46:51,267 --> 00:46:52,300 CAPRICE TONIGHT? 1509 00:46:52,300 --> 00:46:54,100 >> LOOK, TRUST IS A BIG THING 1510 00:46:54,100 --> 00:46:54,800 FOR ME, MAN. 1511 00:46:54,800 --> 00:46:56,533 IF YOU DON'T TRUST THAT, YOU 1512 00:46:56,533 --> 00:46:58,433 KNOW, I'M WORKING SOMETHING OUT, 1513 00:46:58,433 --> 00:47:00,133 THIS IS GONNA BE A DIFFICULT 1514 00:47:00,133 --> 00:47:00,667 PROCESS. 1515 00:47:00,667 --> 00:47:02,100 YOU KNOW WHAT I MEAN? 1516 00:47:02,100 --> 00:47:03,733 I MEAN, ALL YOU HAVE RIGHT NOW 1517 00:47:03,733 --> 00:47:04,367 IS ME. 1518 00:47:04,367 --> 00:47:06,233 >> IT'S NOT THAT WE DON'T TRUST 1519 00:47:06,233 --> 00:47:06,533 YOU. 1520 00:47:06,533 --> 00:47:08,300 SOMETIMES WE FEEL LIKE YOU'RE 1521 00:47:08,300 --> 00:47:09,767 NOT TELLING US EVERYTHING. 1522 00:47:09,767 --> 00:47:10,800 >> COME ON, MAN. 1523 00:47:10,800 --> 00:47:12,200 I'M TELLING YOU GUYS 1524 00:47:12,200 --> 00:47:13,633 EVERYTHING -- EVERYTHING. 1525 00:47:13,633 --> 00:47:15,367 >> ALL RIGHT, NO, IT'S COOL. 1526 00:47:15,367 --> 00:47:16,167 IT'S COOL. 1527 00:47:16,167 --> 00:47:17,367 >> SO, ANYWAY, LOOK. 1528 00:47:17,367 --> 00:47:19,200 LET'S GO TO THIS CAPRICE PLACE, 1529 00:47:19,200 --> 00:47:20,700 AND LET'S BE DONE WITH THIS 1530 00:47:20,700 --> 00:47:22,067 NO-TRUST SHIT, MAN. 1531 00:47:22,067 --> 00:47:26,067 >> NO, HEY. LET'S... 1532 00:47:26,067 --> 00:47:27,067 LET'S GO. LET'S GO. 1533 00:47:27,067 --> 00:47:29,567 >> ALL RIGHT. 1534 00:47:29,567 --> 00:47:30,500 >> YOU GUYS COMING? 1535 00:47:30,500 --> 00:47:31,500 >> YEAH, WE'RE COMING. 1536 00:47:31,500 --> 00:47:33,200 WE'RE COMING RIGHT NOW. 1537 00:47:49,267 --> 00:47:50,333 >> IT'S GETTING CLOSE NOW, 1538 00:47:50,333 --> 00:47:50,667 RIGHT? 1539 00:47:50,667 --> 00:47:51,700 >> YEAH, WE'RE GOING DOWN 1540 00:47:51,700 --> 00:47:52,700 HERE -- CAPRICE. 1541 00:47:52,700 --> 00:47:53,767 >> OH, IS THAT IT? 1542 00:47:53,767 --> 00:47:55,433 >> NOW, HOPEFULLY YOU'LL MEET 1543 00:47:55,433 --> 00:47:57,133 SOMETHING THAT'LL HELP LOOSEN 1544 00:47:57,133 --> 00:47:58,633 YOU UP, SCOTTY. 1545 00:47:58,633 --> 00:47:59,467 >> I AM LOOSE. 1546 00:47:59,467 --> 00:48:01,100 I DON'T SEE WHAT YOU KEEP SAYING 1547 00:48:01,100 --> 00:48:02,267 I'M SO NOT LOOSE ABOUT. 1548 00:48:02,267 --> 00:48:03,067 >> [ GRUNTS ] 1549 00:48:03,067 --> 00:48:03,700 >> HEY, SCOTT. 1550 00:48:03,700 --> 00:48:05,167 >> I'M READY TO PARTY. 1551 00:48:05,167 --> 00:48:06,133 >> SOME TUNES. 1552 00:48:06,133 --> 00:48:07,633 CAN WE LOOSEN UP A LITTLE BIT? 1553 00:48:07,633 --> 00:48:09,333 [ INDISTINCT CONVERSATIONS ] 1554 00:48:09,333 --> 00:48:12,333 [ UP-TEMPO MUSIC PLAYING ] 1555 00:48:12,333 --> 00:48:14,267 >> CAN I GET A, UH, JACK AND 1556 00:48:14,267 --> 00:48:14,700 COKE? 1557 00:48:14,700 --> 00:48:15,600 >> SINGLE? 1558 00:48:15,600 --> 00:48:16,267 >> SINGLE. 1559 00:48:16,267 --> 00:48:17,267 WHAT DO YOU GUYS WANT? 1560 00:48:17,267 --> 00:48:19,133 >> GREY GOOSE ON THE ROCKS. 1561 00:48:19,133 --> 00:48:19,633 >> WHAT? 1562 00:48:19,633 --> 00:48:20,600 >> WE'RE OUT OF BOURBON. 1563 00:48:20,600 --> 00:48:21,300 >> NO BOURBONS? 1564 00:48:21,300 --> 00:48:22,233 >> YOU GOT NO BOURBONS? 1565 00:48:22,233 --> 00:48:22,700 >> [ SCOFFS ] 1566 00:48:22,700 --> 00:48:23,767 >> I'LL GET US SCOTCH ON THE 1567 00:48:23,767 --> 00:48:24,267 ROCKS. 1568 00:48:24,267 --> 00:48:25,100 >> NICE. 1569 00:48:29,067 --> 00:48:31,367 >> WHAT? 1570 00:48:31,367 --> 00:48:32,500 >> MAYBE THIS GUY KNOWS WHERE 1571 00:48:32,500 --> 00:48:33,167 LEBOGANG IS. 1572 00:48:33,167 --> 00:48:34,267 >> THINK WE SHOULD ASK ONE OF 1573 00:48:34,267 --> 00:48:34,567 THE... 1574 00:48:34,567 --> 00:48:35,767 >> WHAT'S UP? HOW ARE YOU DOING? 1575 00:48:35,767 --> 00:48:36,767 >> HEY, LISTEN, I HAVE A 1576 00:48:36,767 --> 00:48:38,033 QUESTION FOR YOU. 1577 00:48:38,033 --> 00:48:39,533 UM, I'M LOOKING FOR THIS GUY, 1578 00:48:39,533 --> 00:48:40,433 OKAY, NAMED LEBOGANG. 1579 00:48:40,433 --> 00:48:41,300 >> OH, COOL, BUT I -- 1580 00:48:41,300 --> 00:48:42,400 >> DO YOU KNOW -- I THINK HE 1581 00:48:42,400 --> 00:48:43,300 HANGS OUT A FEW TIMES. 1582 00:48:43,300 --> 00:48:44,100 >> HE COMES HERE. 1583 00:48:44,100 --> 00:48:44,767 HE COMES HERE, BUT -- 1584 00:48:44,767 --> 00:48:46,100 >> YOU KNOW ANYTHING ABOUT HIM 1585 00:48:46,100 --> 00:48:46,433 OR... 1586 00:48:46,433 --> 00:48:48,133 >> OH, NO, NOT REALLY. 1587 00:48:48,367 --> 00:48:49,033 SORRY, MAN. 1588 00:48:49,033 --> 00:48:50,200 WHY ARE YOU LOOKING FOR HIM? 1589 00:48:50,200 --> 00:48:51,033 >> NO, IT'S OKAY. 1590 00:48:51,033 --> 00:48:52,233 IT'S JUST PERSONAL STUFF, YOU 1591 00:48:52,233 --> 00:48:53,467 KNOW, BUT, UH, I DON'T WANT TO 1592 00:48:53,467 --> 00:48:54,633 GET INTO IT, BUT -- YOU KNOW 1593 00:48:54,633 --> 00:48:55,333 WHAT I MEAN? 1594 00:48:55,333 --> 00:48:57,233 BUT, UH, FUCK! 1595 00:48:57,233 --> 00:48:58,567 UM... 1596 00:48:58,567 --> 00:49:00,100 I'M FUCKING SICK OF THIS, MAN. 1597 00:49:00,100 --> 00:49:01,067 IT'S BEEN ALL DAY. 1598 00:49:01,067 --> 00:49:01,700 YOU KNOW WHAT? 1599 00:49:01,700 --> 00:49:03,133 LISTEN, I'M PARTYING, OKAY? 1600 00:49:03,133 --> 00:49:03,567 >> OKAY. 1601 00:49:03,567 --> 00:49:05,300 >> I'M FUCKING -- UM, YES. 1602 00:49:05,300 --> 00:49:06,600 OKAY, THREE V-- THREE 1603 00:49:06,600 --> 00:49:08,533 VODKA REBELS, DOUBLES, AND A -- 1604 00:49:08,533 --> 00:49:09,767 AND A TEQUILA NEAT. 1605 00:49:09,767 --> 00:49:10,600 >> GOT IT. 1606 00:49:10,600 --> 00:49:11,667 >> YOU'RE THE MAN. 1607 00:49:11,667 --> 00:49:13,200 [ UP-TEMPO MUSIC PLAYING ] 1608 00:49:13,200 --> 00:49:14,200 >> CHEERS. 1609 00:49:14,200 --> 00:49:16,200 [ GLASSES CLINK ] 1610 00:49:16,200 --> 00:49:16,767 >> [ SIGHS ] 1611 00:49:16,767 --> 00:49:18,133 >> I'M GONNA FILL MYSELF. 1612 00:49:18,133 --> 00:49:19,200 WATCH THIS. [ LAUGHS ] 1613 00:49:19,200 --> 00:49:20,267 >> THIS IS FOR KENTRIDGE, 1614 00:49:20,267 --> 00:49:20,800 MOTHERFUCKER. 1615 00:49:20,800 --> 00:49:21,500 [ LAUGHTER ] 1616 00:49:21,500 --> 00:49:22,067 >> YEAH. 1617 00:49:22,067 --> 00:49:23,733 >> All: 2, 1... 1618 00:49:23,733 --> 00:49:26,733 >> OH! WHOA, WHOA, WHOA! 1619 00:49:26,733 --> 00:49:27,433 31! 1620 00:49:27,433 --> 00:49:28,700 [ LAUGHTER ] 1621 00:49:28,700 --> 00:49:31,067 >> OHH! 1622 00:49:31,067 --> 00:49:32,067 >> [ SIGHS ] 1623 00:49:32,067 --> 00:49:34,567 [ UP-TEMPO MUSIC PLAYING ] 1624 00:49:34,567 --> 00:49:37,600 >> OH, SCOTT'S ON VACATION! 1625 00:49:37,600 --> 00:49:40,367 >> 'TWAS DURING THE EVENING OF 1626 00:49:40,367 --> 00:49:42,433 GOOD -- WHERE ARE WE?! 1627 00:49:42,433 --> 00:49:45,133 >> I HAVE NO [LAUGHS] IDEA. 1628 00:49:45,133 --> 00:49:45,767 [ LAUGHS ] 1629 00:50:00,133 --> 00:50:06,800 >> * IN THE DISTANCE 1630 00:50:06,800 --> 00:50:13,667 * ASHES 1631 00:50:13,667 --> 00:50:17,567 * AND STILL BREATHING 1632 00:50:17,567 --> 00:50:20,567 * STILL BREATHING 1633 00:50:20,567 --> 00:50:27,733 * WHEN YOU CALLED FOR ME 1634 00:50:27,733 --> 00:50:30,100 [ INDISTINCT SHOUTING ] 1635 00:50:37,133 --> 00:50:39,133 >> [ CHUCKLES ] SORRY, DUDE. 1636 00:50:39,133 --> 00:50:40,800 >> IT'S OVER, NED. 1637 00:50:40,800 --> 00:50:43,167 I'M KIND OF MAD THAT... 1638 00:50:43,167 --> 00:50:45,500 AGAIN, WE WON'T FIND THIS GUY, 1639 00:50:45,500 --> 00:50:46,233 YOU KNOW? 1640 00:50:46,233 --> 00:50:47,033 AND, UH... 1641 00:50:47,033 --> 00:50:48,567 >> DUDE, WHAT -- WHAT IS THAT? 1642 00:50:48,567 --> 00:50:50,400 >> IT'S A TOKEN OF SOUTH AFRICAN 1643 00:50:50,400 --> 00:50:51,300 APPRECIATION. 1644 00:50:51,300 --> 00:50:52,200 >> NO, DUDE! 1645 00:50:52,200 --> 00:50:53,300 I'M FILMING THIS. 1646 00:50:53,300 --> 00:50:54,700 YOU SEE WHAT I'M FILMING. 1647 00:50:54,700 --> 00:50:56,300 >> I DON'T CARE ANYMORE. 1648 00:50:56,300 --> 00:50:58,067 I DON'T CARE ANYMORE, SO I'M 1649 00:50:58,067 --> 00:51:00,067 THINKING THAT I'M -- I'M OVER 1650 00:51:00,067 --> 00:51:00,800 IT, OKAY? 1651 00:51:00,800 --> 00:51:01,800 BECAUSE... 1652 00:51:01,800 --> 00:51:03,100 >> [ SIGHS ] 1653 00:51:03,100 --> 00:51:04,267 >> [ SNIFFS ] 1654 00:51:04,267 --> 00:51:06,767 'CAUSE, LIKE, IT'S BEEN FOUR 1655 00:51:06,767 --> 00:51:08,633 DAYS NOW. 1656 00:51:08,633 --> 00:51:09,800 OKAY? 1657 00:51:09,800 --> 00:51:11,333 AND I'M JUST GONNA DO A LITTLE 1658 00:51:11,333 --> 00:51:14,333 BUMP BECAUSE... 1659 00:51:14,333 --> 00:51:15,533 I'VE -- WE'VE JUST BEEN RUNNING 1660 00:51:15,533 --> 00:51:16,633 IN CIRCLES, AND I DON'T KNOW 1661 00:51:16,633 --> 00:51:17,433 WHAT ELSE TO DO. 1662 00:51:17,433 --> 00:51:18,533 >> I MEAN, IT'S NOT LIKE IT'S 1663 00:51:18,533 --> 00:51:19,700 THE EASIEST THING IN THE WORLD 1664 00:51:19,700 --> 00:51:20,800 TO FIND SOMEBODY WHO DOESN'T 1665 00:51:20,800 --> 00:51:21,767 WANT TO BE FOUND, OKAY? 1666 00:51:21,767 --> 00:51:22,267 SO -- 1667 00:51:22,267 --> 00:51:22,667 >> I KNOW! 1668 00:51:22,667 --> 00:51:23,667 NED, I KNOW. 1669 00:51:23,667 --> 00:51:24,667 I'M JUST GONNA... 1670 00:51:24,667 --> 00:51:28,200 >> OKAY. OH, JESUS CHRIST. 1671 00:51:28,200 --> 00:51:29,067 AND IT'S GONE. 1672 00:51:29,067 --> 00:51:29,700 THAT'S GREAT. 1673 00:51:29,700 --> 00:51:31,200 THAT'S FUCKING GREAT, DUDE. 1674 00:51:31,200 --> 00:51:33,067 >> AND IT'S GONE BECAUSE... 1675 00:51:33,067 --> 00:51:33,567 [ SIGHS ] 1676 00:51:33,567 --> 00:51:35,367 NED, FUCK THE MONEY, MAN, BUT 1677 00:51:35,367 --> 00:51:35,733 I -- 1678 00:51:35,733 --> 00:51:36,400 >> NO. 1679 00:51:36,400 --> 00:51:38,367 >> I DON'T KNOW HOW MUCH FUCKING 1680 00:51:38,367 --> 00:51:39,733 LONGER I CAN DO THIS, NED, OKAY? 1681 00:51:39,733 --> 00:51:41,200 >> WELL, THIS ISN'T HELPING, 1682 00:51:41,200 --> 00:51:41,500 DUDE. 1683 00:51:41,500 --> 00:51:42,367 >> OH, IT'S NOT? 1684 00:51:42,367 --> 00:51:43,433 BECAUSE I THINK IT IS. 1685 00:51:43,433 --> 00:51:44,300 >> NO, IT'S NOT. 1686 00:51:44,300 --> 00:51:45,667 I'M REALLY GLAD THIS CAMERA'S ON 1687 00:51:45,667 --> 00:51:46,367 RIGHT NOW. 1688 00:51:46,367 --> 00:51:47,433 >> YEAH, I'M GLAD, TOO. 1689 00:51:47,433 --> 00:51:48,700 >> ALL RIGHT, YOU KNOW WHAT, 1690 00:51:48,700 --> 00:51:49,200 DUDE? 1691 00:51:49,200 --> 00:51:49,800 SO, HAVE FUN. 1692 00:51:49,800 --> 00:51:50,333 >> GO. 1693 00:51:50,333 --> 00:51:51,667 >> ASSHOLE. 1694 00:51:51,667 --> 00:51:52,800 DUDE, CAN WE GO OUTSIDE FOR A 1695 00:51:52,800 --> 00:51:53,367 SECOND? 1696 00:51:53,367 --> 00:51:54,533 >> WHAT ARE YOU TALKING ABOUT? 1697 00:51:54,533 --> 00:51:55,567 >> HE'S DOING COKE, DUDE! 1698 00:51:55,567 --> 00:51:56,433 I WALKED IN ON HIM. 1699 00:51:56,433 --> 00:51:57,200 HE WAS, LIKE -- 1700 00:51:57,200 --> 00:51:58,267 >> HOW THE HELL DID HE GET 1701 00:51:58,267 --> 00:51:58,567 COKE?! 1702 00:51:58,567 --> 00:51:59,667 I MEAN, WE'VE BEEN HERE FOR, 1703 00:51:59,667 --> 00:52:00,600 LIKE, WHAT, FOUR DAYS? 1704 00:52:00,600 --> 00:52:01,400 >> I DON'T KNOW! 1705 00:52:01,400 --> 00:52:03,267 I DON'T KNOW. 1706 00:52:03,267 --> 00:52:04,600 >> DUDE. 1707 00:52:04,600 --> 00:52:05,467 STOP IT, STOP IT. 1708 00:52:05,467 --> 00:52:06,233 STOP ROLLING. 1709 00:52:06,233 --> 00:52:07,233 STOP FUCKING ROLLING. 1710 00:52:07,233 --> 00:52:11,733 >> ALL R-- 1711 00:52:11,733 --> 00:52:14,600 >> [ SNIFFS ] 1712 00:52:14,600 --> 00:52:16,300 >> SO, LISTEN, MAN. 1713 00:52:16,300 --> 00:52:17,767 >> HEY. COME ON. 1714 00:52:17,767 --> 00:52:18,767 >> UM... 1715 00:52:18,767 --> 00:52:19,733 >> HEY. 1716 00:52:19,733 --> 00:52:20,767 >> REALLY? 1717 00:52:20,767 --> 00:52:23,067 >> IT'S SCOTTY POMPOUS AND 1718 00:52:23,067 --> 00:52:24,033 NED-FLIX. 1719 00:52:24,033 --> 00:52:24,533 [ LAUGHTER ] 1720 00:52:24,533 --> 00:52:25,533 >> W-WHAT'S GOING ON, MAN? 1721 00:52:25,533 --> 00:52:26,533 >> DUDE, DUDE, IS THIS... 1722 00:52:26,533 --> 00:52:27,400 >> WHAT'S UP, BOYS? 1723 00:52:27,400 --> 00:52:28,400 >> THIS IS MORE OF THIS? 1724 00:52:28,400 --> 00:52:29,567 WAIT, HOW MUCH OF THIS HAVE YOU 1725 00:52:29,567 --> 00:52:30,100 GOT? 1726 00:52:30,100 --> 00:52:31,267 >> I HAVEN'T -- I HAVEN'T PAID 1727 00:52:31,267 --> 00:52:31,800 FOR ANY OF THIS. 1728 00:52:31,800 --> 00:52:32,633 >> DID YOU BRING IT? 1729 00:52:32,633 --> 00:52:33,633 DID YOU BRING IT WITH YOU? 1730 00:52:33,633 --> 00:52:34,500 WHERE DID YOU GET IT? 1731 00:52:34,500 --> 00:52:35,533 >> YOU KNOW WHAT THIS SOUNDS 1732 00:52:35,533 --> 00:52:36,067 LIKE? 1733 00:52:36,067 --> 00:52:37,067 IT SOUNDS LIKE AN INQUISITION. 1734 00:52:37,067 --> 00:52:37,667 GOOD LUCK, MAN. 1735 00:52:37,667 --> 00:52:39,167 >> UH, I THINK WE NEED TO HAVE A 1736 00:52:39,167 --> 00:52:40,500 LITTLE CONVERSATION ABOUT WHAT'S 1737 00:52:40,500 --> 00:52:41,100 GOING ON. 1738 00:52:41,100 --> 00:52:42,233 >> OH, WOW, A CONVERSATION. 1739 00:52:42,233 --> 00:52:43,533 >> YEAH, ACTUALLY, WE DO NEED TO 1740 00:52:43,533 --> 00:52:44,500 HAVE A CONVERSATION. 1741 00:52:44,500 --> 00:52:45,533 >> YOU NEED BEERS, MAN. 1742 00:52:45,533 --> 00:52:46,733 >> NO, WE DON'T NEED A BEER, 1743 00:52:46,733 --> 00:52:47,233 OKAY? 1744 00:52:47,233 --> 00:52:47,633 JUST... 1745 00:52:47,633 --> 00:52:49,167 >> LOOK, MIKE, WE -- WE NEED TO 1746 00:52:49,167 --> 00:52:49,667 TALK, MAN. 1747 00:52:49,667 --> 00:52:50,767 WHAT THE FUCK HAPPENED? 1748 00:52:50,767 --> 00:52:52,300 YOU DITCH US TO COME BACK HERE 1749 00:52:52,300 --> 00:52:53,467 AND BLOW LINES WITH EZRA. 1750 00:52:53,467 --> 00:52:54,067 >> DUDE. 1751 00:52:54,067 --> 00:52:54,500 >> DUDE. 1752 00:52:54,500 --> 00:52:55,567 >> WHY? WHY ARE YOU -- 1753 00:52:55,567 --> 00:52:56,500 >> HEY. [ CLICKS ] 1754 00:52:56,500 --> 00:52:57,267 >> HUSH! 1755 00:52:57,267 --> 00:52:59,367 >> I'M SORRY, BUT I THINK YOU -- 1756 00:52:59,367 --> 00:53:00,500 >> YOU'RE NOT FUCKING FOCUSING. 1757 00:53:00,500 --> 00:53:01,667 >> I THINK MAYBE YOU SHOULD, YOU 1758 00:53:01,667 --> 00:53:02,433 KNOW, JUST... 1759 00:53:02,433 --> 00:53:03,533 >> GUYS, YOU KNOW WHAT? 1760 00:53:03,533 --> 00:53:05,033 LIKE, YOU GUYS ACTUALLY SOUND 1761 00:53:05,033 --> 00:53:05,633 LIKE HIS MOM. 1762 00:53:05,633 --> 00:53:06,467 >> [ CHUCKLES ] 1763 00:53:06,467 --> 00:53:07,633 >> I MEAN, WHAT THE FUCK? 1764 00:53:07,633 --> 00:53:08,667 >> YOU NEED TO LEAVE. 1765 00:53:08,667 --> 00:53:10,033 >> OH, COME ON, MAN! 1766 00:53:10,033 --> 00:53:10,433 SCOTT! 1767 00:53:10,433 --> 00:53:11,433 >> I'M GLAD YOU... 1768 00:53:11,433 --> 00:53:13,100 >> IT'S EZRA, THE DRUNK KID! 1769 00:53:13,100 --> 00:53:14,600 WHY ARE YOU DOING THIS, MAN? 1770 00:53:14,600 --> 00:53:15,267 WOW! 1771 00:53:15,267 --> 00:53:16,467 >> EZ, I'M S-- 1772 00:53:16,467 --> 00:53:18,300 >> YOU KNOW WHAT, MAN? 1773 00:53:18,300 --> 00:53:20,300 YOU'RE REALLY FUCKING NICE. 1774 00:53:20,300 --> 00:53:21,033 >> NICE, MAN. 1775 00:53:21,033 --> 00:53:21,367 >> EZ? 1776 00:53:21,367 --> 00:53:22,333 YO, I'LL MEET YOU -- 1777 00:53:22,333 --> 00:53:23,267 >> YO, LISTEN, MAN. 1778 00:53:23,267 --> 00:53:24,167 >> I'LL MEET YOU -- 1779 00:53:24,167 --> 00:53:24,767 >> WAIT FOR US. 1780 00:53:24,767 --> 00:53:26,167 >> I'LL MEET YOU DOWNSTAIRS. 1781 00:53:26,167 --> 00:53:26,567 >> MIKE. 1782 00:53:26,567 --> 00:53:27,367 [ DOOR CLOSES ] 1783 00:53:27,367 --> 00:53:27,733 LISTEN. 1784 00:53:27,733 --> 00:53:28,567 >> MIKE, LISTEN. 1785 00:53:28,567 --> 00:53:29,567 >> HE'S FUCKING FUNNY. 1786 00:53:29,567 --> 00:53:30,567 WHAT'S UP? [ SNIFFS ] 1787 00:53:30,567 --> 00:53:31,567 >> LISTEN. 1788 00:53:31,567 --> 00:53:32,767 WHAT HAPPENED? 1789 00:53:32,767 --> 00:53:33,433 >> UH... 1790 00:53:33,433 --> 00:53:35,033 >> I SEE YOU DOING A LINE OF 1791 00:53:35,033 --> 00:53:36,567 COKE, AND I DON'T KNOW WHERE YOU 1792 00:53:36,567 --> 00:53:38,033 HAVE -- WHERE YOU GET IT. 1793 00:53:38,033 --> 00:53:39,167 >> THAT I CAN EXPLAIN, BUT ONLY 1794 00:53:39,167 --> 00:53:40,267 IF YOU TURN THE CAMERA OFF. 1795 00:53:40,267 --> 00:53:41,333 >> NO, I'M NOT GONNA TURN THE 1796 00:53:41,333 --> 00:53:41,767 CAMERA OFF. 1797 00:53:41,767 --> 00:53:42,800 >> OKAY. DON'T TURN IT OFF. 1798 00:53:42,800 --> 00:53:44,133 >> WE DON'T NEED A DOCUMENTARY 1799 00:53:44,133 --> 00:53:44,533 RIGHT NOW. 1800 00:53:44,533 --> 00:53:45,100 >> WE DO. 1801 00:53:45,100 --> 00:53:46,233 >> NO, 'CAUSE WHEN HE'S -- WHEN 1802 00:53:46,233 --> 00:53:47,133 HE'S SOBER TOMORROW... 1803 00:53:47,133 --> 00:53:48,100 >> HE'S A DOCUMENTARIAN. 1804 00:53:48,100 --> 00:53:49,167 >> ...I WANT HIM TO SEE THIS 1805 00:53:49,167 --> 00:53:49,533 FOOTAGE. 1806 00:53:49,533 --> 00:53:50,500 I WANT TO SHOW IT TO HIM. 1807 00:53:50,500 --> 00:53:51,600 HE KNOWS EXACTLY HOW HE LOOKS 1808 00:53:51,600 --> 00:53:52,200 RIGHT NOW. 1809 00:53:52,200 --> 00:53:53,067 >> HE IS A FILMMAKER. 1810 00:53:53,067 --> 00:53:54,100 >> BECAUSE HE LOOKS LIKE A 1811 00:53:54,100 --> 00:53:55,200 COKEHEAD RIGHT NOW, AND I JUST 1812 00:53:55,200 --> 00:53:55,800 DON'T UNDERSTAND. 1813 00:53:55,800 --> 00:53:57,167 I DON'T UNDERSTAND WHY YOU'RE -- 1814 00:53:57,167 --> 00:53:58,200 >> WHAT'S GOING ON, MIKE? 1815 00:53:58,200 --> 00:53:59,200 WHY ARE YOU DOING THIS? 1816 00:53:59,200 --> 00:54:00,167 >> I -- I'LL TELL HIM. 1817 00:54:00,167 --> 00:54:01,133 I'LL PUT IT ON-CAMERA. 1818 00:54:01,133 --> 00:54:02,233 >> PLEASE PUT IT ON-CAMERA. 1819 00:54:02,233 --> 00:54:03,267 TELL US WHAT'S GOING ON. 1820 00:54:03,267 --> 00:54:04,300 >> I'LL PUT IT ON-CAMERA. 1821 00:54:04,300 --> 00:54:05,433 WHAT I'M TRYING TO EXPLAIN IS 1822 00:54:05,433 --> 00:54:06,067 THAT, UM... 1823 00:54:06,067 --> 00:54:06,733 >> PLEASE EXPLAIN. 1824 00:54:06,733 --> 00:54:08,267 >> ...WHAT HAPPENED EARLIER WAS 1825 00:54:08,267 --> 00:54:12,433 THAT WE SAW OUR FRIEND SCOTT... 1826 00:54:12,433 --> 00:54:14,600 UM, PRETTY MUCH CHEATING ON THE 1827 00:54:14,600 --> 00:54:15,200 LOVED ONE. 1828 00:54:15,200 --> 00:54:15,533 >> OKAY. 1829 00:54:15,533 --> 00:54:16,100 >> AND... 1830 00:54:16,100 --> 00:54:17,233 >> THAT'S -- THAT'S NOT -- YOU 1831 00:54:17,233 --> 00:54:18,333 KNOW THAT'S NOT WHAT WAS GOING 1832 00:54:18,333 --> 00:54:18,733 ON, RIGHT? 1833 00:54:18,733 --> 00:54:19,533 >> NO, NO, NO, NO. 1834 00:54:19,533 --> 00:54:20,367 >> I GET IT, MAN. 1835 00:54:20,367 --> 00:54:21,433 I UNDERSTAND WHAT'S GOING ON. 1836 00:54:21,433 --> 00:54:22,200 >> WE DO GET IT. 1837 00:54:22,200 --> 00:54:23,667 >> OUR FRIEND OVER HERE CAN'T 1838 00:54:23,667 --> 00:54:25,100 HANDLE HIS OWN REALITY. 1839 00:54:25,100 --> 00:54:26,500 YOU HAVE TO THROW EVERYTHING 1840 00:54:26,500 --> 00:54:27,700 ELSE ON SOMEBODY ELSE. 1841 00:54:27,700 --> 00:54:29,333 NOTHING'S YOUR FAULT, IS IT? 1842 00:54:29,333 --> 00:54:30,633 IT'S MY FAULT BECAUSE I'M 1843 00:54:30,633 --> 00:54:32,133 DANCING WITH SOME GIRLS. 1844 00:54:32,133 --> 00:54:33,433 I'M THE ONE WHO'S BLOWING 1845 00:54:33,433 --> 00:54:34,333 EVERYTHING UP. 1846 00:54:34,333 --> 00:54:35,533 I'M THE ASSHOLE. 1847 00:54:35,533 --> 00:54:37,600 NO, MIKE, ACTUALLY, YOU'RE THE 1848 00:54:37,600 --> 00:54:38,467 ASSHOLE RIGHT NOW. 1849 00:54:38,467 --> 00:54:39,567 YOU LEFT US ALONE IN THIS 1850 00:54:39,567 --> 00:54:40,333 FUCKING BAR... 1851 00:54:40,333 --> 00:54:41,567 >> WHAT, ARE YOU A 4-YEAR-OLD? 1852 00:54:41,567 --> 00:54:42,700 >> ...TO COME BACK AND BLOW 1853 00:54:42,700 --> 00:54:44,200 LINES WITH SOME DUDE WHO'S GOT A 1854 00:54:44,200 --> 00:54:45,433 FUCKING GUN IN HIS CAR, WHO WE 1855 00:54:45,433 --> 00:54:46,467 DON'T KNOW FOR NOTHING. 1856 00:54:46,467 --> 00:54:47,633 >> YOU CAN'T HANDLE YOURSELF. 1857 00:54:47,633 --> 00:54:49,033 YOU HAVE A BLAZER ON, AND YOU 1858 00:54:49,033 --> 00:54:50,033 CAN'T HANDLE YOURSELF. 1859 00:54:50,033 --> 00:54:50,567 THAT'S FUNNY. 1860 00:54:50,567 --> 00:54:51,767 >> YOU'RE ALWAYS FUCKING LIKE 1861 00:54:51,767 --> 00:54:52,300 THIS. 1862 00:54:52,300 --> 00:54:52,800 >> WHAT? 1863 00:54:52,800 --> 00:54:53,667 >> IT'S ALL ABOUT YOU. 1864 00:54:53,667 --> 00:54:55,033 IT'S ALL ABOUT HOW GREAT YOU 1865 00:54:55,033 --> 00:54:56,200 ARE, HOW EVERYTHING'S GOING 1866 00:54:56,200 --> 00:54:56,767 RIGHT FOR YOU. 1867 00:54:56,767 --> 00:54:58,233 YOU DON'T GIVE A SHIT ABOUT US, 1868 00:54:58,233 --> 00:54:58,767 YOUR FRIENDS. 1869 00:54:58,767 --> 00:55:00,167 WE BROUGHT YOU DOWN HERE, MAN, 1870 00:55:00,167 --> 00:55:01,400 TO HELP YOU, AND INSTEAD, YOU 1871 00:55:01,400 --> 00:55:02,600 THROW IT IN OUR FUCKING FACE! 1872 00:55:02,600 --> 00:55:03,800 >> THE PATRONIZING CONTINUES. 1873 00:55:03,800 --> 00:55:05,167 YOU HAVE THIS ON -- YOU HAVE 1874 00:55:05,167 --> 00:55:05,733 THIS ON-CAMERA. 1875 00:55:05,733 --> 00:55:07,067 >> IF YOU DIDN'T ACT LIKE A 1876 00:55:07,067 --> 00:55:08,300 CHILD, MIKE, MAYBE WE WOULDN'T 1877 00:55:08,300 --> 00:55:09,267 HAVE TO PATRONIZE YOU. 1878 00:55:09,267 --> 00:55:10,567 >> WE'RE NOT TRYING TO PATRONIZE 1879 00:55:10,567 --> 00:55:11,133 ANYBODY. 1880 00:55:11,133 --> 00:55:12,400 WE'RE JUST TRYING TO TALK TO YOU 1881 00:55:12,400 --> 00:55:13,667 LIKE -- WE'RE TRYING TO TALK TO 1882 00:55:13,667 --> 00:55:15,033 YOU LIKE AN ADULT AND, LIKE, 1883 00:55:15,033 --> 00:55:16,033 L-LIKE, YOUR FRIENDS. 1884 00:55:16,033 --> 00:55:16,433 >> OKAY. 1885 00:55:16,433 --> 00:55:17,500 >> AND IT'S -- IT'S -- 1886 00:55:17,500 --> 00:55:18,767 >> WHICH APPARENTLY WE'RE NOT 1887 00:55:18,767 --> 00:55:20,267 BECAUSE YOU DON'T REALLY GIVE A 1888 00:55:20,267 --> 00:55:21,067 SHIT ABOUT US. 1889 00:55:21,067 --> 00:55:22,300 >> I DON'T. YOU'RE RIGHT. 1890 00:55:22,300 --> 00:55:23,167 >> IT'S CLEAR. 1891 00:55:23,167 --> 00:55:25,500 >> I DON'T 'CAUSE -- 'CAUSE, UM, 1892 00:55:25,500 --> 00:55:28,167 SCOTTY OVER HERE GETS A COUPLE 1893 00:55:28,167 --> 00:55:30,433 BUCKS AND SPENDS ALL OF HIS 1894 00:55:30,433 --> 00:55:31,700 MONEY ON TRYING TO BRING ME BACK 1895 00:55:31,700 --> 00:55:33,033 FROM THE DEAD LIKE A CHARITY 1896 00:55:33,033 --> 00:55:34,233 CASE WHEN YOU SHOULD STICK TO 1897 00:55:34,233 --> 00:55:35,367 SOFTWARE BECAUSE THAT'S WHAT 1898 00:55:35,367 --> 00:55:36,133 YOU'RE GOOD AT. 1899 00:55:36,133 --> 00:55:36,533 >> RIGHT. 1900 00:55:36,533 --> 00:55:37,233 >> 'CAUSE -- 1901 00:55:37,233 --> 00:55:38,500 >> SO I SHOULD APOLOGIZE FOR THE 1902 00:55:38,500 --> 00:55:39,733 FACT THAT I'M TRYING TO HELP MY 1903 00:55:39,733 --> 00:55:40,267 FRIEND. 1904 00:55:40,267 --> 00:55:41,433 NO, YOU JUST CAN'T HANDLE THE 1905 00:55:41,433 --> 00:55:42,600 FACT THAT I'VE GOT A LITTLE 1906 00:55:42,600 --> 00:55:43,167 SUCCESS. 1907 00:55:43,167 --> 00:55:44,367 YOU CAN'T HANDLE THE FACT THAT 1908 00:55:44,367 --> 00:55:45,467 I'M TRYING TO PULL YOU OUT 1909 00:55:45,467 --> 00:55:46,667 BECAUSE RIGHT NOW, ALL YOU ARE 1910 00:55:46,667 --> 00:55:48,067 IS A FUCKING UNEMPLOYED ACTOR. 1911 00:55:48,067 --> 00:55:49,400 >> YES, OH! 1912 00:55:49,400 --> 00:55:50,500 NOW WE'RE GETTING SOMEWHERE! 1913 00:55:50,500 --> 00:55:51,333 HOLD ON, HOLD ON. 1914 00:55:51,333 --> 00:55:52,467 >> YOU USED TO BE SOMEBODY WE 1915 00:55:52,467 --> 00:55:53,133 CARED ABOUT. 1916 00:55:53,133 --> 00:55:54,033 >> WE GOT SOMEWHERE. 1917 00:55:54,033 --> 00:55:54,633 HE BROUGHT IT UP. 1918 00:55:54,633 --> 00:55:55,800 >> YOU USED TO BE SOMEBODY WHO 1919 00:55:55,800 --> 00:55:56,533 DID SOMETHING. 1920 00:55:56,533 --> 00:55:58,233 >> THE BUZZ WORD IS ON. 1921 00:55:58,233 --> 00:55:59,100 I GET IT. 1922 00:55:59,100 --> 00:56:00,733 NO, NO, WE -- NO, TURN THE 1923 00:56:00,733 --> 00:56:03,267 CAMERA TO HIM SO WE CAN FILM HOW 1924 00:56:03,267 --> 00:56:04,600 SUCCESS TREATS ONE OF YOUR BEST 1925 00:56:04,600 --> 00:56:05,667 FRIENDS, 'CAUSE NOW WHEN I'M 1926 00:56:05,667 --> 00:56:06,800 DOWN IN THE DUMPS, HE LIKES TO 1927 00:56:06,800 --> 00:56:08,100 TAKE A POOP ON ME, AND THAT -- 1928 00:56:08,100 --> 00:56:09,233 >> BEEN TRYING TO FUCKING HELP 1929 00:56:09,233 --> 00:56:10,067 YOU FOR A YEAR NOW! 1930 00:56:10,067 --> 00:56:11,200 >> CAN WE JUST CALM DOWN PLEASE 1931 00:56:11,200 --> 00:56:11,667 FOR A SECOND? 1932 00:56:11,667 --> 00:56:12,767 >> I'M BEEN TRYING TO HELP YOU 1933 00:56:12,767 --> 00:56:13,533 WITH EVERYTHING! 1934 00:56:13,533 --> 00:56:14,467 >> I HAD TWO FUCKING -- 1935 00:56:14,467 --> 00:56:15,567 >> WHAT THE FUCK IS GOING ON? 1936 00:56:15,567 --> 00:56:17,533 >> TWO UNSUCCESSFUL DAYS TRYING 1937 00:56:17,533 --> 00:56:19,500 TO FIND THIS FUCK WHO RUINED MY 1938 00:56:19,500 --> 00:56:20,567 LIFE, AND WHAT HAPPENED? 1939 00:56:20,567 --> 00:56:21,700 I GO OUT, AND I HAVE A GOOD 1940 00:56:21,700 --> 00:56:22,200 TIME. 1941 00:56:22,200 --> 00:56:23,467 >> MAYBE WE JUST NEED TO CALM 1942 00:56:23,467 --> 00:56:24,433 DOWN A LITTLE, RIGHT? 1943 00:56:24,433 --> 00:56:25,600 >> NED, LET THIS PLEASE TAKE 1944 00:56:25,600 --> 00:56:26,133 PLACE. 1945 00:56:26,133 --> 00:56:27,367 >> HE'S DOWN IN THE DUMPS, AND 1946 00:56:27,367 --> 00:56:28,567 HE THINKS EVERYONE'S AGAINST 1947 00:56:28,567 --> 00:56:29,033 HIM. 1948 00:56:29,033 --> 00:56:29,633 YOU GOT NO PLAN. 1949 00:56:29,633 --> 00:56:30,633 YOU GOT NO DIRECTION. 1950 00:56:30,633 --> 00:56:31,333 >> ONE TIME. 1951 00:56:31,333 --> 00:56:32,600 >> IT'S JUST ABOUT -- LISTEN TO 1952 00:56:32,600 --> 00:56:33,767 WHO YOU'RE TALKING TO, OKAY? 1953 00:56:33,767 --> 00:56:34,433 ALL RIGHT? 1954 00:56:34,433 --> 00:56:35,267 >> I'M SICK OF -- 1955 00:56:35,267 --> 00:56:36,033 >> THIS IS ME. 1956 00:56:36,033 --> 00:56:36,400 >> NED. 1957 00:56:36,400 --> 00:56:37,533 >> THIS IS ME, AND THIS IS 1958 00:56:37,533 --> 00:56:38,033 SCOTT. 1959 00:56:38,033 --> 00:56:38,733 >> FUCKING CAMERA. 1960 00:56:38,733 --> 00:56:40,233 GET THE FUCKING CAMERA OUT OF MY 1961 00:56:40,233 --> 00:56:40,600 FACE! 1962 00:56:40,600 --> 00:56:42,333 SINCE FUCKING THE DAY I MET YOU, 1963 00:56:42,333 --> 00:56:44,033 THE DAY I MET YOU, YOU'VE NEVER 1964 00:56:44,033 --> 00:56:45,567 RELAXED ONE FUCKING TIME! 1965 00:56:45,567 --> 00:56:46,533 >> LIKE YOU? 1966 00:56:46,533 --> 00:56:48,567 >> PERHAPS -- PERHAPS JUST ONCE 1967 00:56:48,567 --> 00:56:50,233 MAYBE -- MAYBE PERHAPS JUST ONCE 1968 00:56:50,233 --> 00:56:51,667 THAT EMILEA WOULD FUCK YOU LIKE 1969 00:56:51,667 --> 00:56:53,133 SHE USED TO FUCK ME -- JUST 1970 00:56:53,133 --> 00:56:53,500 ONCE. 1971 00:56:53,500 --> 00:56:55,167 >> THINK EMILEA LIKES FUCKING ME 1972 00:56:55,167 --> 00:56:56,467 JUST FINE BECAUSE EMILEA IS 1973 00:56:56,467 --> 00:56:58,133 GONNA BE WITH ME FOR THE REST OF 1974 00:56:58,133 --> 00:56:58,600 MY LIFE. 1975 00:56:58,600 --> 00:57:00,233 SHE'S GONNA BE MY FUCKING WIFE, 1976 00:57:00,233 --> 00:57:04,600 ASSHOLE, SO DEAL WITH THAT! 1977 00:57:04,600 --> 00:57:05,600 >> ALL RIGHT. 1978 00:57:05,600 --> 00:57:09,600 >> [ COUGHS ] 1979 00:57:09,600 --> 00:57:11,133 >> MIKE! 1980 00:57:11,133 --> 00:57:17,300 M-- HEY! 1981 00:57:17,300 --> 00:57:18,033 [ SIGHS ] 1982 00:57:18,033 --> 00:57:19,567 DUDE, TURN THAT FUCKING CAMERA 1983 00:57:19,567 --> 00:57:23,433 OFF. 1984 00:57:23,433 --> 00:57:24,600 NED, TURN THE CAMERA OFF! 1985 00:57:24,600 --> 00:57:26,133 >> I'M TURNING IT OFF. 1986 00:57:33,700 --> 00:57:35,233 >> IT'S NOT EXACTLY CLEAR WHAT 1987 00:57:35,233 --> 00:57:36,267 HAPPENED AFTER THAT. 1988 00:57:36,267 --> 00:57:37,633 ACCORDING TO NED, EZRA CALLED 1989 00:57:37,633 --> 00:57:39,233 THE NEXT MORNING TO SAY THAT HE 1990 00:57:39,233 --> 00:57:40,633 HAD HEARD FROM THE OWNER OF THE 1991 00:57:40,633 --> 00:57:42,333 INTERNET CAFé, WHO, FOR SOME 1992 00:57:42,333 --> 00:57:44,100 REASON, DECIDED TO GIVE THEM 1993 00:57:44,100 --> 00:57:45,733 INFORMATION ABOUT A VERY LIKELY 1994 00:57:45,733 --> 00:57:47,600 LOCATION FOR LEBOGANG -- A HOUSE 1995 00:57:47,600 --> 00:57:48,800 HE'D BEEN RENTING IN 1996 00:57:48,800 --> 00:57:50,333 KHAYELITSHA. 1997 00:57:50,333 --> 00:57:52,167 SO THE GUYS DECIDED TO GIVE IT 1998 00:57:52,167 --> 00:57:53,800 ONE MORE SHOT, AND IF IT DIDN'T 1999 00:57:53,800 --> 00:57:55,667 WORK OUT THIS TIME, THEY'D CALL 2000 00:57:55,667 --> 00:57:59,200 IT A DAY. 2001 00:58:06,267 --> 00:58:08,267 >> [ COUGHS, SNIFFS ] 2002 00:58:29,500 --> 00:58:32,033 [ SNIFFS ] 2003 00:58:37,200 --> 00:58:38,800 >> WHY DO I THINK IT'S A GOOD 2004 00:58:38,800 --> 00:58:39,433 IDEA? 2005 00:58:39,433 --> 00:58:40,600 I... 2006 00:58:40,600 --> 00:58:42,233 I MEAN, YOU KNOW MIKE. 2007 00:58:42,233 --> 00:58:44,100 HE'S A -- HE'S A GREAT GUY. 2008 00:58:44,100 --> 00:58:46,033 HE'S JUST IN A BAD WAY RIGHT 2009 00:58:46,033 --> 00:58:46,433 NOW. 2010 00:58:46,433 --> 00:58:48,767 HE DOESN'T ALWAYS PLAN THINGS 2011 00:58:48,767 --> 00:58:50,767 OUT. 2012 00:58:50,767 --> 00:58:53,067 NOW, I DON'T REALLY EXPECT US 2013 00:58:53,067 --> 00:58:55,133 TO, YOU KNOW, TRACK DOWN THIS 2014 00:58:55,133 --> 00:58:57,233 PERSON, BRING HIM TO JUSTICE, 2015 00:58:57,233 --> 00:58:59,333 AND GET THE MONEY BACK AND ALL 2016 00:58:59,333 --> 00:59:01,667 OF THIS, BUT I'M EXCITED ABOUT 2017 00:59:01,667 --> 00:59:03,200 TAKING THIS TRIP. 2018 00:59:03,200 --> 00:59:04,700 UM... 2019 00:59:04,700 --> 00:59:06,400 YOU KNOW, I'VE KNOWN HIM 2020 00:59:06,400 --> 00:59:08,367 FOREVER, AND I CAN HELP HIM OUT 2021 00:59:08,367 --> 00:59:09,233 RIGHT NOW. 2022 00:59:09,233 --> 00:59:10,167 HE'S MY BOY. 2023 00:59:10,167 --> 00:59:12,000 I MEAN, YOU KNOW, I LOVE HIM. 2024 00:59:17,033 --> 00:59:20,033 >> MIKE. 2025 00:59:24,200 --> 00:59:26,067 LISTEN, MAN, I'M SORRY ABOUT 2026 00:59:26,067 --> 00:59:26,800 LAST NIGHT. 2027 00:59:26,800 --> 00:59:31,167 I'M SORRY I... 2028 00:59:31,167 --> 00:59:32,500 I SHOULD HAVE TOLD YOU ABOUT 2029 00:59:32,500 --> 00:59:34,500 EMILEA A LOT EARLIER. 2030 00:59:37,033 --> 00:59:39,333 I DIDN'T MEAN TO THROW IT AT YOU 2031 00:59:39,333 --> 00:59:40,267 LIKE THAT. 2032 00:59:40,267 --> 00:59:41,600 I... 2033 00:59:41,600 --> 00:59:45,133 JUST KIND OF PISSED ME OFF. 2034 00:59:45,133 --> 00:59:46,500 I GUESS THIS WHOLE THING HAS 2035 00:59:46,500 --> 00:59:51,200 BEEN KIND OF FRUSTRATING AND... 2036 00:59:51,200 --> 00:59:53,067 I'M SORRY. 2037 00:59:53,067 --> 00:59:54,400 I KNOW YOU CARE A LOT ABOUT HER, 2038 00:59:54,400 --> 00:59:57,567 AND... 2039 00:59:57,567 --> 01:00:01,100 I KNOW IT'S NOT EASY... 2040 01:00:01,100 --> 01:00:05,433 TO HEAR SOMETHING LIKE THAT. 2041 01:00:05,433 --> 01:00:06,600 I JUST WANT YOU TO KNOW YOU'RE 2042 01:00:06,600 --> 01:00:12,133 STILL MY BROTHER, MAN. 2043 01:00:12,133 --> 01:00:14,633 YEAH. 2044 01:00:31,033 --> 01:00:33,200 >> [ SNIFFLES ] 2045 01:00:33,200 --> 01:00:36,533 HEY, LISTEN, UM... 2046 01:00:36,533 --> 01:00:39,533 EZRA, MAN, I, UM... 2047 01:00:39,533 --> 01:00:41,067 I FORGOT MY WALLET BACK AT THE 2048 01:00:41,067 --> 01:00:42,400 FLAT, AND, UH, I MIGHT NEED IT 2049 01:00:42,400 --> 01:00:43,167 TODAY, SO... 2050 01:00:43,167 --> 01:00:44,500 >> WHAT ARE YOU TALKING ABOUT? 2051 01:00:44,500 --> 01:00:45,800 >> WE COULD JUST SPIN AROUND. 2052 01:00:45,800 --> 01:00:46,333 UH... 2053 01:00:46,333 --> 01:00:47,667 >> WHAT ARE YOU TALKING ABOUT? 2054 01:00:47,667 --> 01:00:48,733 >> FORGOT YOUR WALLET? 2055 01:00:48,733 --> 01:00:51,100 >> YEAH, IT'S... 2056 01:00:51,100 --> 01:00:52,300 WE COULD JUST, LIKE, TURN AROUND 2057 01:00:52,300 --> 01:00:53,033 HERE SOMEWHERE. 2058 01:00:53,033 --> 01:00:54,267 >> NO, DUDE, I MEAN, DON'T WORRY 2059 01:00:54,267 --> 01:00:54,633 ABOUT IT. 2060 01:00:54,633 --> 01:00:55,367 I'VE GOT MONEY. 2061 01:00:55,367 --> 01:00:56,300 I'LL TAKE CARE OF YOU. 2062 01:00:56,300 --> 01:00:57,367 >> YEAH, YEAH, YOU'RE GOOD. 2063 01:00:57,367 --> 01:00:58,033 YOU'RE GOOD. 2064 01:00:58,033 --> 01:00:59,033 >> I GOT YOU, MIKE -- NO 2065 01:00:59,033 --> 01:00:59,367 PROBLEM. 2066 01:00:59,367 --> 01:01:00,533 >> YEAH, BUT I DON'T KNOW WHAT 2067 01:01:00,533 --> 01:01:01,667 WE'RE DOING LATER ON FOR LUNCH 2068 01:01:01,667 --> 01:01:02,633 AND STUFF, SO I JUST -- 2069 01:01:02,633 --> 01:01:03,733 >> MAN, DON'T WORRY ABOUT IT, 2070 01:01:03,733 --> 01:01:04,267 MAN. 2071 01:01:04,267 --> 01:01:05,133 >> WHATEVER. 2072 01:01:05,133 --> 01:01:06,300 >> DON'T WORRY ABOUT IT, MAN. 2073 01:01:06,300 --> 01:01:09,167 COME ON. 2074 01:01:15,633 --> 01:01:18,633 >> THIS IS THE HOUSE, YEAH. 2075 01:01:26,433 --> 01:01:28,600 [ BIRDS CHIRPING ] 2076 01:01:35,500 --> 01:01:37,667 [ CAR DOOR CLOSES ] 2077 01:01:51,367 --> 01:01:52,467 [ INDISTINCT SHOUTING ] 2078 01:01:52,467 --> 01:01:53,667 >> WHOA, WHOA, WHOA, WHOA! 2079 01:01:53,667 --> 01:01:54,333 >> JESUS! 2080 01:01:54,333 --> 01:01:55,167 WHAT THE FUCK?! 2081 01:01:55,167 --> 01:01:56,267 [ INDISTINCT SHOUTING ] 2082 01:01:56,267 --> 01:01:56,767 WHOA, WHOA! 2083 01:01:56,767 --> 01:01:58,033 EZRA, WHAT THE FUCK?! 2084 01:01:58,033 --> 01:01:58,533 WHAT THE -- 2085 01:01:58,533 --> 01:02:00,533 >> TURN THAT -- 2086 01:02:00,533 --> 01:02:02,533 >> I FIRST HEARD THAT -- THAT 2087 01:02:02,533 --> 01:02:04,533 THERE WAS A PROBLEM, UH... 2088 01:02:04,533 --> 01:02:06,167 FROM HIS GIRLFRIEND. 2089 01:02:06,167 --> 01:02:08,333 T-THAT'S THE DAY THAT MY -- MY 2090 01:02:08,333 --> 01:02:10,367 LIFE HAS NEVER -- HAS YET TO 2091 01:02:10,367 --> 01:02:11,367 RECOVER FROM. 2092 01:02:11,367 --> 01:02:13,233 >> I GOT AN E-MAIL FROM SCOTT'S 2093 01:02:13,233 --> 01:02:14,567 E-MAIL ADDRESS. 2094 01:02:14,567 --> 01:02:16,433 UH... 2095 01:02:16,433 --> 01:02:18,767 AND IT HAD A VIDEO WITH IT. 2096 01:02:18,767 --> 01:02:20,667 I HATE THAT I THOUGHT THIS. 2097 01:02:20,667 --> 01:02:23,033 BUT AT FIRST, I THOUGHT IT WAS A 2098 01:02:23,033 --> 01:02:23,500 JOKE. 2099 01:02:23,500 --> 01:02:25,600 I THOUGHT SCOTT WAS JUST BEING 2100 01:02:25,600 --> 01:02:26,567 FUNNY OR... 2101 01:02:26,567 --> 01:02:28,567 >> EMILEA CALLED ME. 2102 01:02:28,567 --> 01:02:30,100 AND SHE WAS LIKE, "I NEED YOU TO 2103 01:02:30,100 --> 01:02:31,433 COME INTO MY OFFICE." 2104 01:02:31,433 --> 01:02:32,767 I WENT OVER. 2105 01:02:32,767 --> 01:02:36,300 SHE STARTED SHOWING ME IN HER 2106 01:02:36,300 --> 01:02:40,300 OFFICE THIS TAPE. 2107 01:02:40,300 --> 01:02:45,300 [ CONVERSING IN AFRIKAANS ] 2108 01:02:45,300 --> 01:02:47,200 >> THE VIDEO SHOWED THE THREE 2109 01:02:47,200 --> 01:02:49,133 VICTIMS BOUND AND GAGGED AND A 2110 01:02:49,133 --> 01:02:50,800 MAN, BARUTI, SPEAKING TO THE 2111 01:02:50,800 --> 01:02:51,533 CAMERA. 2112 01:02:51,533 --> 01:02:53,467 HE DEMANDED $2 MILLION FOR THE 2113 01:02:53,467 --> 01:02:55,333 SAFE RELEASE OF HIS VICTIMS, 2114 01:02:55,333 --> 01:02:57,333 WHICH IS PRETTY HIGH, ESPECIALLY 2115 01:02:57,333 --> 01:02:59,333 FOR NONOFFICIAL PERSONNEL. 2116 01:02:59,333 --> 01:03:00,500 >> THREE DAYS. 2117 01:03:00,500 --> 01:03:02,500 [ INDISTINCT SHOUTING ] 2118 01:03:10,233 --> 01:03:12,400 THREE DAYS! 2119 01:03:12,400 --> 01:03:15,733 >> [ MUFFLED SCREAMING ] 2120 01:03:15,733 --> 01:03:17,333 >> THERE WAS NEVER MUCH CHANCE 2121 01:03:17,333 --> 01:03:18,700 OF HIM RECEIVING THAT KIND OF 2122 01:03:18,700 --> 01:03:19,300 MONEY. 2123 01:03:19,300 --> 01:03:20,700 >> AND I ASKED HER IF IT WAS 2124 01:03:20,700 --> 01:03:22,400 REAL, AND SHE SAID SHE THOUGHT 2125 01:03:22,400 --> 01:03:24,100 IT WAS AND THAT SHE'D ALREADY 2126 01:03:24,100 --> 01:03:25,767 CONTACTED THE POLICE. 2127 01:03:25,767 --> 01:03:28,300 >> AFTER THAT, IT WAS LIKE A 2128 01:03:28,300 --> 01:03:30,133 WHIRLWIND INVESTIGATION OF 2129 01:03:30,133 --> 01:03:32,033 QUESTIONS, AND, LIKE, I FELT 2130 01:03:32,033 --> 01:03:33,700 LIKE I WAS JUST... 2131 01:03:33,700 --> 01:03:35,167 NONSTOP QUESTION, QUESTION, 2132 01:03:35,167 --> 01:03:36,167 QUESTION, QUESTION. 2133 01:03:36,167 --> 01:03:37,467 >> WHEN WE HAD TALKED TO YOU 2134 01:03:37,467 --> 01:03:38,767 LAST, WHAT YOU WERE DOING IN 2135 01:03:38,767 --> 01:03:40,267 SOUTH AFRICA, WHERE YOU WERE 2136 01:03:40,267 --> 01:03:42,067 STAYING, WHO YOU KNEW THERE, IF 2137 01:03:42,067 --> 01:03:43,667 YOU WERE HAVING A GOOD TIME, IF 2138 01:03:43,667 --> 01:03:45,133 WE WERE HAVING, LIKE, 2139 01:03:45,133 --> 01:03:46,767 RELATIONSHIP TROUBLES, WHICH I 2140 01:03:46,767 --> 01:03:47,700 THOUGHT WAS WEIRD. 2141 01:03:47,700 --> 01:03:49,167 BUT SHE DIDN'T HAVE A LOT OF 2142 01:03:49,167 --> 01:03:50,133 INFORMATION FOR US. 2143 01:03:50,133 --> 01:03:51,367 >> WELL, IN A SITUATION LIKE 2144 01:03:51,367 --> 01:03:52,500 THAT, THE INDIVIDUALS THAT 2145 01:03:52,500 --> 01:03:53,800 YOU'RE DEALING WITH ARE ALWAYS 2146 01:03:53,800 --> 01:03:54,667 ON EDGE. 2147 01:03:54,667 --> 01:03:56,600 UH, THEY WANT INFORMATION 2148 01:03:56,600 --> 01:03:58,233 YESTERDAY, AND THERE WASN'T 2149 01:03:58,233 --> 01:03:59,700 REALLY A LOT OF MOVEMENT, SO 2150 01:03:59,700 --> 01:04:01,367 THERE WASN'T REALLY A LOT TO 2151 01:04:01,367 --> 01:04:02,367 SHARE WITH THEM. 2152 01:04:02,367 --> 01:04:04,167 >> SO, IT WAS LIKE ALL DAY, YOU 2153 01:04:04,167 --> 01:04:05,267 WERE SITTING THERE, LIKE, 2154 01:04:05,267 --> 01:04:06,467 CHECKING YOUR PHONE, CHECKING 2155 01:04:06,467 --> 01:04:07,600 YOUR E-MAIL, CHECKING YOUR 2156 01:04:07,600 --> 01:04:08,767 PHONE, CHECKING YOUR E-MAIL, 2157 01:04:08,767 --> 01:04:09,367 WAITING. 2158 01:04:09,367 --> 01:04:10,700 >> I WAS ASSURED THAT EVERYTHING 2159 01:04:10,700 --> 01:04:12,133 WAS BEING HANDLED, SO WE WERE 2160 01:04:12,133 --> 01:04:14,467 SITTING IN LIMBO, WAITING. 2161 01:04:14,467 --> 01:04:15,567 >> JUST REALLY SCARY. 2162 01:04:15,567 --> 01:04:17,200 >> BARUTI WAS FAIRLY WELL-KNOWN 2163 01:04:17,200 --> 01:04:18,067 IN KHAYELITSHA. 2164 01:04:18,067 --> 01:04:19,433 HE HAD A SUBSTANTIAL CRIMINAL 2165 01:04:19,433 --> 01:04:21,433 RECORD -- ROBBERY, ASSAULT, 2166 01:04:21,433 --> 01:04:22,433 INTIMIDATION. 2167 01:04:22,433 --> 01:04:23,467 HE WAS A THUG. 2168 01:04:23,467 --> 01:04:25,167 EZRA MAY HAVE MET HIM AT 2169 01:04:25,167 --> 01:04:26,333 POLLSMOOR PRISON. 2170 01:04:26,333 --> 01:04:28,667 THEIR TIME THERE OVERLAPPED. 2171 01:04:28,667 --> 01:04:31,233 SIA WAS A YOUNG GUY, 19, FROM 2172 01:04:31,233 --> 01:04:31,733 DURBAN. 2173 01:04:31,733 --> 01:04:33,633 EVERYBODY CALLED HIM "BABYFACE." 2174 01:04:33,633 --> 01:04:35,333 HE HAD BEEN BUSTED ONCE ON A 2175 01:04:35,333 --> 01:04:37,067 MINOR POSSESSION CHARGE, AND 2176 01:04:37,067 --> 01:04:38,533 HE'D LEFT HIS FAMILY A YEAR 2177 01:04:38,533 --> 01:04:39,233 BEFORE. 2178 01:04:39,233 --> 01:04:41,100 >> YOU GET TO WONDER, HOW DOES A 2179 01:04:41,100 --> 01:04:42,733 YOUNG GUY LIKE THIS END UP WITH 2180 01:04:42,733 --> 01:04:44,600 THESE HARDENED CRIMINALS? 2181 01:04:44,600 --> 01:04:46,767 AFTER VIEWING THE VIDEO THAT -- 2182 01:04:46,767 --> 01:04:49,300 OF THE FIRST PART OF THE CRIME, 2183 01:04:49,300 --> 01:04:51,467 HE WAS LIKE A KID WITH A NEW 2184 01:04:51,467 --> 01:04:53,133 TOY, PLAYING AROUND. 2185 01:04:53,133 --> 01:04:55,367 >> WHAT ARE YOU LOOKING AT, HUH? 2186 01:04:55,367 --> 01:04:56,700 WHAT ARE YOU ALL LOOKING AT? 2187 01:04:56,700 --> 01:04:57,533 [ SCOFFS ] 2188 01:04:57,533 --> 01:04:59,400 YOU'RE JUST A BUNCH OF FUCKING 2189 01:04:59,400 --> 01:05:00,400 ASSHOLES, MAN. 2190 01:05:00,400 --> 01:05:02,567 YOU NEED PEOPLE LIKE ME. 2191 01:05:02,567 --> 01:05:05,267 THERE IS A BAD GUY. 2192 01:05:05,267 --> 01:05:07,267 SO? 2193 01:05:07,267 --> 01:05:09,800 WHAT DOES THAT MAKE YOU? 2194 01:05:09,800 --> 01:05:11,167 GOOD? 2195 01:05:11,167 --> 01:05:13,333 I ALWAYS TELL THE TRUTH, EVEN 2196 01:05:13,333 --> 01:05:16,467 WHEN I'M LYING. 2197 01:05:16,467 --> 01:05:22,467 [ DOOR OPENS ] 2198 01:05:22,467 --> 01:05:26,167 [ DOOR CREAKING ] 2199 01:05:26,167 --> 01:05:27,333 >> KNOWING THAT YOU'RE SOMEWHERE 2200 01:05:27,333 --> 01:05:28,367 WHERE YOU CAN'T HELP SOMEONE 2201 01:05:28,367 --> 01:05:30,233 THAT YOU LOVE, KNOWING THAT 2202 01:05:30,233 --> 01:05:32,400 SOMEONE'S GONNA GET HURT AND 2203 01:05:32,400 --> 01:05:35,100 BEING HURT AND NOT... 2204 01:05:35,100 --> 01:05:37,100 YOU JUST CAN'T HELP THEM. 2205 01:05:37,100 --> 01:05:39,767 [ CRYING ] 2206 01:05:39,767 --> 01:05:42,300 >> [ GRUNTS ] 2207 01:05:42,300 --> 01:05:44,633 >> YOU FEEL SUPER HELPLESS. 2208 01:05:44,633 --> 01:05:47,000 >> [ MUFFLED SHOUTING ] 2209 01:06:04,533 --> 01:06:06,167 >> OBVIOUSLY, YOU CAN'T DO MUCH 2210 01:06:06,167 --> 01:06:07,600 IN A TOWNSHIP WITHOUT HAVING IT 2211 01:06:07,600 --> 01:06:09,167 GET AROUND, AND PEOPLE STARTED 2212 01:06:09,167 --> 01:06:10,400 TO TALK ABOUT THIS THING. 2213 01:06:10,400 --> 01:06:12,567 AND THE SOUTH AFRICAN POLICE... 2214 01:06:12,567 --> 01:06:14,267 THEY KNOW HOW TO LISTEN. 2215 01:06:29,500 --> 01:06:30,667 THEY STARTED ASKING AROUND THE 2216 01:06:30,667 --> 01:06:32,567 TOWNSHIPS. 2217 01:07:03,267 --> 01:07:05,167 >> HE DIDN'T STRIKE ME AS A REAL 2218 01:07:05,167 --> 01:07:06,767 VIOLENT PERSON TOWARDS PEOPLE, 2219 01:07:06,767 --> 01:07:08,600 MAYBE A HARDENED CRIMINAL IN A 2220 01:07:08,600 --> 01:07:10,400 DIFFERENT WAY OF BREAKING INTO 2221 01:07:10,400 --> 01:07:12,167 HOUSES AND STEALING PEOPLE'S 2222 01:07:12,167 --> 01:07:13,500 MONEY AND THAT SORT OF STUFF. 2223 01:07:13,500 --> 01:07:15,667 BUT WITHOUT BLINDFOLDS, I THINK 2224 01:07:15,667 --> 01:07:17,467 THAT ESCALATED TO A DIFFERENT 2225 01:07:17,467 --> 01:07:19,267 SCALE OF HIS CRIMINAL CAREER. 2226 01:07:19,267 --> 01:07:21,100 YOU HAVE TO WONDER ABOUT THAT. 2227 01:07:35,300 --> 01:07:36,567 >> MAYBE THEY HAD THIS BOND OF A 2228 01:07:36,567 --> 01:07:38,067 QUICK CRIME TO GET AWAY WITH IT, 2229 01:07:38,067 --> 01:07:39,167 BUT OF COURSE IT ESCALATED 2230 01:07:39,167 --> 01:07:40,367 COMPLETELY OUT OF THEIR HANDS. 2231 01:07:40,367 --> 01:07:41,600 >> IT WAS HARD TO KNOW WHAT TO 2232 01:07:41,600 --> 01:07:42,533 DO DURING THAT WEEK. 2233 01:07:42,533 --> 01:07:44,400 I WANTED TO GO OVER. 2234 01:07:44,400 --> 01:07:46,200 I WAS ADVISED NOT TO GO OVER, 2235 01:07:46,200 --> 01:07:47,700 THAT THAT WOULDN'T HELP THE 2236 01:07:47,700 --> 01:07:48,500 SITUATION. 2237 01:07:48,500 --> 01:07:50,667 >> I THOUGHT THAT...MAYBE ME AND 2238 01:07:50,667 --> 01:07:53,400 CARA COULD COME UP WITH MONEY. 2239 01:07:53,400 --> 01:07:54,733 >> WELL, THE FIRST THING I 2240 01:07:54,733 --> 01:07:56,400 ADVISED THEM TO DO WAS NOT TO 2241 01:07:56,400 --> 01:07:57,400 SEND ANY MONEY. 2242 01:07:57,400 --> 01:07:59,100 THIS IS ACTUALLY THE POLICY OF 2243 01:07:59,100 --> 01:08:00,267 THE STATE DEPARTMENT. 2244 01:08:00,267 --> 01:08:02,133 WE DO NOT NEGOTIATE WITH 2245 01:08:02,133 --> 01:08:04,100 CRIMINALS OR TERRORISTS. 2246 01:08:04,100 --> 01:08:06,100 SO THAT WAS THE FIRST THING. 2247 01:08:06,100 --> 01:08:09,100 >> SHE DID ENCOURAGE EMILEA TO 2248 01:08:09,100 --> 01:08:10,767 TRY TO E-MAIL THEM, TO TALK TO 2249 01:08:10,767 --> 01:08:12,633 THEM TO TRY TO, LIKE, GET MORE 2250 01:08:12,633 --> 01:08:13,400 DETAILS. 2251 01:08:13,400 --> 01:08:15,200 >> AND I E-MAILED THEM, AND I 2252 01:08:15,200 --> 01:08:16,200 E-MAILED THEM. 2253 01:08:16,200 --> 01:08:17,800 >> BUT THEY NEVER RESPONDED. 2254 01:08:17,800 --> 01:08:20,167 >> THERE WAS NOTHING. 2255 01:08:20,167 --> 01:08:22,033 >> WHAT DO YOU WANT? 2256 01:08:22,033 --> 01:08:23,367 EZRA. 2257 01:08:23,367 --> 01:08:25,233 HEY, EZRA. 2258 01:08:25,233 --> 01:08:27,567 WHERE'S MIKE? 2259 01:08:27,567 --> 01:08:29,467 >> HEY, STOP ASKING ABOUT MIKE. 2260 01:08:29,467 --> 01:08:31,300 OTHERWISE, YOU'RE GONNA END UP 2261 01:08:31,300 --> 01:08:32,100 WHERE HE IS. 2262 01:08:32,100 --> 01:08:33,567 HERE'S SOMETHING TO KEEP YOUR 2263 01:08:33,567 --> 01:08:34,733 ENERGY UP. 2264 01:08:34,733 --> 01:08:36,100 >> EZRA, PLEASE LET US OUT OF 2265 01:08:36,100 --> 01:08:36,467 HERE. 2266 01:08:36,467 --> 01:08:38,067 WHY ARE YOU DOING THIS, DUDE? 2267 01:08:38,067 --> 01:08:39,400 COME ON. PLEASE LET US OUT. 2268 01:08:39,400 --> 01:08:41,100 WE'LL GET YOU WHATEVER YOU NEED, 2269 01:08:41,100 --> 01:08:41,433 MAN. 2270 01:08:41,433 --> 01:08:44,567 PLEASE. 2271 01:08:44,567 --> 01:08:46,733 EZRA, PLEASE. 2272 01:08:46,733 --> 01:08:49,100 EZRA. 2273 01:08:49,100 --> 01:08:51,433 EZRA! 2274 01:08:56,167 --> 01:08:58,333 FUCK YOU. 2275 01:09:01,667 --> 01:09:03,433 >> WHAT SEEMS TO HAVE HAPPENED 2276 01:09:03,433 --> 01:09:05,167 IS THAT AFTER THE MONEY FAILED 2277 01:09:05,167 --> 01:09:06,733 TO ARRIVE, BARUTI ATTEMPTED TO 2278 01:09:06,733 --> 01:09:08,700 MAKE A SECOND VIDEO IN WHICH HE 2279 01:09:08,700 --> 01:09:10,700 WAS TRYING TO RAISE THE STAKES. 2280 01:09:10,700 --> 01:09:13,267 >> [ SHOUTING IN AFRIKAANS ] 2281 01:09:13,500 --> 01:09:17,200 >> [ BREATHING HEAVILY ] 2282 01:09:17,200 --> 01:09:18,200 >> [ WHIMPERS ] 2283 01:09:18,200 --> 01:09:21,367 >> HOWEVER, HIS METHODS WENT FAR 2284 01:09:21,367 --> 01:09:22,800 BEYOND ANYTHING THE OTHERS WERE 2285 01:09:22,800 --> 01:09:24,133 PREPARED TO DEAL WITH. 2286 01:09:24,133 --> 01:09:25,433 >> [ SHOUTING IN AFRIKAANS ] 2287 01:09:25,433 --> 01:09:26,533 I'M GONNA CHOP YOU UP! 2288 01:09:26,533 --> 01:09:28,067 >> AND THAT'S WHEN THE WHOLE 2289 01:09:28,067 --> 01:09:29,233 THING FELL APART. 2290 01:09:29,233 --> 01:09:31,400 >> [ SPEAKING AFRIKAANS ] 2291 01:09:36,267 --> 01:09:38,267 >> [ MUFFLED SCREAMING ] 2292 01:09:43,267 --> 01:09:45,267 >> [ COUGHING ] 2293 01:10:01,200 --> 01:10:03,700 >> SO, YOU SEE? 2294 01:10:03,700 --> 01:10:05,233 THIS IS WHAT HAPPENS WHEN YOU 2295 01:10:05,233 --> 01:10:07,100 FUCK AROUND WITH ME. 2296 01:10:07,100 --> 01:10:09,400 SO, YOU BRING THAT MONEY, RIGHT? 2297 01:10:09,400 --> 01:10:13,400 [ SPEAKING AFRIKAANS ] 2298 01:10:13,400 --> 01:10:16,400 >> [ GASPS ] 2299 01:10:16,400 --> 01:10:17,667 >> LISTEN, LISTEN, LISTEN TO ME! 2300 01:10:17,667 --> 01:10:18,700 >> [ BREATHING HEAVILY ] 2301 01:10:18,700 --> 01:10:19,600 >> SO, TELL YOUR 2302 01:10:19,600 --> 01:10:20,500 MOTHERFUCKERS... 2303 01:10:20,500 --> 01:10:21,467 >> PLEASE, PLEASE. 2304 01:10:21,467 --> 01:10:22,767 >> ...BRING MY FUCKING MONEY. 2305 01:10:22,767 --> 01:10:24,167 >> PLEASE JUST LET US GO, 2306 01:10:24,167 --> 01:10:24,567 PLEASE. 2307 01:10:24,567 --> 01:10:26,733 >> TELL THEM RIGHT NOW! 2308 01:10:26,733 --> 01:10:30,600 >> UH...EMILEA... 2309 01:10:30,600 --> 01:10:31,467 GO TO MY DRAWER. 2310 01:10:31,467 --> 01:10:32,433 GO TO MY DRAWER -- 2311 01:10:32,433 --> 01:10:33,233 PATRICK WALSH. 2312 01:10:33,233 --> 01:10:34,367 THERE'S A PHONE NUMBER. 2313 01:10:34,367 --> 01:10:35,600 HE'S GOT A SCHWAB ACCOUNT. 2314 01:10:35,600 --> 01:10:39,133 JUST PLEASE. 2315 01:10:39,133 --> 01:10:40,300 >> TELL THEM. 2316 01:10:40,300 --> 01:10:41,633 >> I LOVE YOU. 2317 01:10:42,067 --> 01:10:43,067 [ CRYING ] 2318 01:10:43,067 --> 01:10:45,067 >> DID YOU HEAR THAT? 2319 01:10:45,067 --> 01:10:46,733 >> LET ME GO. 2320 01:10:46,733 --> 01:10:48,167 YOU GOT TO HELP HIM. 2321 01:10:48,167 --> 01:10:49,300 PLEASE LET US GO. 2322 01:10:49,300 --> 01:10:50,267 HE'S BLEEDING. 2323 01:10:50,267 --> 01:10:52,600 HE'S BLEEDING. 2324 01:10:52,600 --> 01:10:54,067 YOU GOT TO HELP HIM! 2325 01:10:54,067 --> 01:10:55,100 HE'S GONNA DIE! 2326 01:10:55,100 --> 01:10:56,100 PLEASE! 2327 01:10:56,100 --> 01:10:58,600 COME ON! 2328 01:10:58,600 --> 01:10:59,767 COME! 2329 01:10:59,767 --> 01:11:03,633 HELP! 2330 01:11:03,633 --> 01:11:05,500 HELP! 2331 01:11:05,500 --> 01:11:06,367 HELP! 2332 01:11:06,367 --> 01:11:09,533 [ INDISTINCT SHOUTING ] 2333 01:11:17,667 --> 01:11:22,200 >> I'M SO SORRY. 2334 01:11:22,200 --> 01:11:23,700 >> YOU DID THIS?! 2335 01:11:23,700 --> 01:11:25,167 YOU DID THIS?! 2336 01:11:25,167 --> 01:11:26,133 >> I'M -- 2337 01:11:26,133 --> 01:11:28,300 >> SON OF A BITCH! 2338 01:11:28,300 --> 01:11:30,167 WHAT THE FUCK ARE YOU TALKING -- 2339 01:11:30,167 --> 01:11:32,300 GODDAMN IT, MIKE! 2340 01:11:32,300 --> 01:11:34,800 [ SCREAMING ] 2341 01:11:34,800 --> 01:11:35,800 >> SCOTT! 2342 01:11:35,800 --> 01:11:38,800 [ INDISTINCT SHOUTING ] 2343 01:11:38,800 --> 01:11:41,667 [ SCREAMS ] 2344 01:11:41,667 --> 01:11:44,200 [ MUFFLED SCREAMING ] 2345 01:11:44,200 --> 01:11:45,367 NED, GO! 2346 01:11:45,367 --> 01:11:47,533 [ INDISTINCT SHOUTING ] 2347 01:11:52,800 --> 01:11:55,333 PUT IT DOWN! 2348 01:11:55,333 --> 01:11:58,700 PUT THE FUCKING GUN DOWN! 2349 01:11:58,700 --> 01:12:00,567 [ GUNSHOT ] 2350 01:12:00,567 --> 01:12:02,433 [ SHOUTING CONTINUES ] 2351 01:12:02,433 --> 01:12:04,600 [ GUNSHOT ] 2352 01:12:04,600 --> 01:12:07,600 >> [ BREATHING HEAVILY ] 2353 01:12:07,600 --> 01:12:09,433 [ BIRDS CHIRPING ] 2354 01:12:18,533 --> 01:12:20,700 [ GRUNTS ] 2355 01:12:20,700 --> 01:12:23,233 [ BREATHING HEAVILY ] 2356 01:12:33,400 --> 01:12:37,600 [ GRUNTING ] 2357 01:12:37,600 --> 01:12:39,600 [ BREATHING HEAVILY ] 2358 01:12:49,333 --> 01:12:51,033 [ COUGHING ] 2359 01:13:04,333 --> 01:13:05,333 STOP! 2360 01:13:05,333 --> 01:13:06,667 [ BREATHING HEAVILY ] 2361 01:13:06,667 --> 01:13:09,200 STOP! 2362 01:13:09,200 --> 01:13:10,700 [ GROANS ] STOP! 2363 01:13:10,700 --> 01:13:11,500 >> HEY! 2364 01:13:11,500 --> 01:13:13,300 >> [ BREATHING HEAVILY ] 2365 01:13:13,300 --> 01:13:15,467 P-PLEASE! 2366 01:13:15,467 --> 01:13:16,800 OHH! 2367 01:13:16,800 --> 01:13:18,700 PLEASE! 2368 01:13:18,700 --> 01:13:20,700 [ GROANS ] 2369 01:13:20,700 --> 01:13:22,033 >> JESUS, WHAT HAPPENED TO YOUR 2370 01:13:22,033 --> 01:13:22,667 FUCKING HAND, DUDE? 2371 01:13:22,667 --> 01:13:23,767 >> PLEASE CAN YOU TAKE ME TO A 2372 01:13:23,767 --> 01:13:24,533 HOSPITAL, PLEASE? 2373 01:13:24,533 --> 01:13:26,233 [ CAR DOOR CLOSES ] 2374 01:13:26,233 --> 01:13:26,600 OHH! 2375 01:13:26,600 --> 01:13:28,533 >> JESUS, WHAT HAPPENED TO YOU?! 2376 01:13:28,533 --> 01:13:29,433 LOOK AT YOU. 2377 01:13:29,433 --> 01:13:31,100 >> WE LEARNED THAT NED HAD 2378 01:13:31,100 --> 01:13:32,700 ESCAPED, AND THE BODIES OF SCOTT 2379 01:13:32,700 --> 01:13:34,333 AND BARUTI WERE FOUND IN THE 2380 01:13:34,333 --> 01:13:36,067 SECOND LOCATION THEY HAD MOVED 2381 01:13:36,067 --> 01:13:36,367 TO. 2382 01:13:36,367 --> 01:13:38,133 SCOTT HAD SUFFERED SEVERE TRAUMA 2383 01:13:38,133 --> 01:13:39,733 TO HIS HEAD, AND BY THE TIME THE 2384 01:13:39,733 --> 01:13:41,533 AUTHORITIES GOT THERE, THERE WAS 2385 01:13:41,533 --> 01:13:43,067 NOTHING THEY COULD DO. 2386 01:13:43,067 --> 01:13:45,067 I HAD TO CONVEY THAT INFORMATION 2387 01:13:45,067 --> 01:13:47,567 TO CARA AND EMILEA...WHICH WAS 2388 01:13:47,567 --> 01:13:50,100 A VERY DIFFICULT THING TO DO. 2389 01:13:50,100 --> 01:13:52,433 >> SO, UM, THEY CALL EMILEA IN, 2390 01:13:52,433 --> 01:13:54,300 YOU KNOW, AND [SIGHS] SHE WAS IN 2391 01:13:54,300 --> 01:13:56,200 THERE FOR A LITTLE WHILE WHILE I 2392 01:13:56,200 --> 01:13:57,767 STAYED IN THE LOBBY, MAYBE 10 2393 01:13:57,767 --> 01:13:58,500 MINUTES. 2394 01:13:58,500 --> 01:14:00,667 THEY LET HER OUT. 2395 01:14:00,667 --> 01:14:03,533 AND SHE HAD A LOOK [SIGHS] 2396 01:14:03,533 --> 01:14:06,233 OBVIOUSLY, I WAS PANICKED, AND I 2397 01:14:06,233 --> 01:14:07,567 ASKED THEM, "WHAT'S GOING ON? 2398 01:14:07,567 --> 01:14:09,100 UH, WHY IS EMILEA CRYING? 2399 01:14:09,100 --> 01:14:10,167 WHAT'S HAPPENING?" 2400 01:14:10,167 --> 01:14:11,667 AND THEY BASICALLY SAID, "IT'S 2401 01:14:11,667 --> 01:14:12,267 OKAY. 2402 01:14:12,267 --> 01:14:13,367 EVERYTHING IS OKAY. 2403 01:14:13,367 --> 01:14:15,033 WE FOUND NED, AND HE'S FINE." 2404 01:14:15,033 --> 01:14:17,367 >> AND, UM... 2405 01:14:17,367 --> 01:14:21,033 AND SCOTT WAS NOT ALIVE. 2406 01:14:21,033 --> 01:14:24,033 AND MIKE JUST WASN'T THERE. 2407 01:14:24,033 --> 01:14:27,033 >> WHEN THAT... 2408 01:14:27,033 --> 01:14:29,200 PHONE CALL CAME THAT S-SAID THAT 2409 01:14:29,200 --> 01:14:31,533 HE HAD BEEN... 2410 01:14:31,533 --> 01:14:34,067 UM, FOUND AND THEN THAT HE 2411 01:14:34,067 --> 01:14:36,400 DIDN'T MAKE IT... 2412 01:14:36,400 --> 01:14:38,067 THIS IS -- IT'S JUST WHAT PEOPLE 2413 01:14:38,067 --> 01:14:38,367 SAY. 2414 01:14:38,367 --> 01:14:39,300 IT'S A NIGHTMARE. 2415 01:14:39,300 --> 01:14:40,600 IT'S LIKE YOU'RE IN A DREAM. 2416 01:14:40,600 --> 01:14:42,100 AND I THINK FOR DAYS I WOULD 2417 01:14:42,100 --> 01:14:45,100 WAKE UP THINKING I WAS, UM... 2418 01:14:45,100 --> 01:14:46,400 DREAMING THIS WHOLE THING. 2419 01:14:46,400 --> 01:14:47,567 >> AND I ARRIVED AT THE 2420 01:14:47,567 --> 01:14:49,433 HOSPITAL, AND NED WAS THERE, HIS 2421 01:14:49,433 --> 01:14:52,300 HAND IN THE BANDAGE AND REALLY 2422 01:14:52,300 --> 01:14:53,700 SHAKEN UP BECAUSE, UH, NOT 2423 01:14:53,700 --> 01:14:55,200 KNOWING WHAT -- WHAT HAS 2424 01:14:55,200 --> 01:14:57,633 HAPPENED TO HIS FRIEND SCOTT AND 2425 01:14:57,633 --> 01:14:58,367 MIKE. 2426 01:14:58,367 --> 01:15:00,533 >> I, UH, SPOKE WITH HIM 2427 01:15:00,533 --> 01:15:04,667 ABOUT... 2428 01:15:04,667 --> 01:15:06,533 WHAT IT WAS LIKE TO BE IN THAT 2429 01:15:06,533 --> 01:15:08,333 ROOM BECAUSE I WANTED TO KNOW 2430 01:15:08,333 --> 01:15:10,500 WHAT MY SON WENT THROUGH. 2431 01:15:10,500 --> 01:15:11,500 [ SNIFFLES ] 2432 01:15:11,500 --> 01:15:14,667 SO I FEEL FOR HIM -- NED. 2433 01:15:14,667 --> 01:15:17,200 >> NED CAME HOME, UH, MAYBE FOUR 2434 01:15:17,200 --> 01:15:19,733 DAYS LATER. 2435 01:15:19,733 --> 01:15:22,100 SCOTT CAME HOME AFTER. 2436 01:15:22,100 --> 01:15:23,600 JESUS. 2437 01:15:23,600 --> 01:15:26,300 IT'S WEIRD. 2438 01:15:26,533 --> 01:15:30,067 "WHEN DID THE GUYS COME HOME?" 2439 01:15:30,067 --> 01:15:32,400 THAT'S WEIRD. 2440 01:15:32,400 --> 01:15:34,267 ISN'T IT? 2441 01:15:34,267 --> 01:15:35,667 I MEAN, DID SCOTT COME HOME? 2442 01:15:35,667 --> 01:15:36,767 IS THAT FAIR TO SAY? 2443 01:15:36,767 --> 01:15:38,467 HE NEVER CAME HOME. 2444 01:15:50,100 --> 01:15:52,100 >> HEY, GUYS. 2445 01:15:52,100 --> 01:15:53,467 [ INDISTINCT CONVERSATION ] 2446 01:15:53,467 --> 01:15:54,767 [ INDISTINCT ANNOUNCING ] 2447 01:15:54,767 --> 01:15:57,133 >> GOAL! TWO GOALS! 2448 01:15:57,133 --> 01:15:58,133 >> GOALS -- TWO GOALS. 2449 01:15:58,133 --> 01:15:58,633 >> GOAL! 2450 01:15:58,633 --> 01:15:59,567 >> [ LAUGHS ] 2451 01:15:59,567 --> 01:16:00,267 >> GOAL! 2452 01:16:00,267 --> 01:16:00,767 >> GOAL! 2453 01:16:00,767 --> 01:16:04,467 [ CONVERSING IN AFRIKAANS ] 2454 01:16:04,467 --> 01:16:06,200 >> JUST SPEAK TO THE CAMERA. 2455 01:16:06,200 --> 01:16:07,667 >> ACCORDING TO ONE OF THE 2456 01:16:07,667 --> 01:16:09,467 KIDNAPPERS, BABYFACE, WHO WAS 2457 01:16:09,467 --> 01:16:11,300 LATER ARRESTED IN KHAYELITSHA, 2458 01:16:11,300 --> 01:16:13,200 THIS WAS SUPPOSED TO BE A SIMPLE 2459 01:16:13,200 --> 01:16:15,133 PLAN -- KIDNAP THE GUYS, GET THE 2460 01:16:15,133 --> 01:16:15,633 RANSOM. 2461 01:16:15,633 --> 01:16:17,467 MIKE WOULD PLAY THE VICTIM THE 2462 01:16:17,467 --> 01:16:19,233 ENTIRE TIME, AND NO ONE WOULD 2463 01:16:19,233 --> 01:16:20,033 GET HURT. 2464 01:16:20,033 --> 01:16:21,700 EVERYONE WOULD GET PAID WHO WAS 2465 01:16:21,700 --> 01:16:23,533 SUPPOSED TO GET PAID, AND THEN 2466 01:16:23,533 --> 01:16:25,067 SCOTT WOULD NEVER KNOW. 2467 01:16:25,067 --> 01:16:27,367 AND THEY'D JUST GO HOME. 2468 01:16:27,367 --> 01:16:29,533 OF COURSE... 2469 01:16:29,533 --> 01:16:30,767 IT DIDN'T HAPPEN THAT WAY. 2470 01:16:30,767 --> 01:16:32,300 >> ...HAVE TO DO THAT FOR THE 2471 01:16:32,300 --> 01:16:32,700 RANSOM. 2472 01:16:32,700 --> 01:16:34,300 >> HE FUCKING HIT ME HARD, MAN. 2473 01:16:34,300 --> 01:16:35,400 THAT WASN'T SUPPOSED -- 2474 01:16:35,400 --> 01:16:36,100 [ GRUNTS ] 2475 01:16:36,100 --> 01:16:37,467 >> I MEAN, WHAT DID YOU EXPECT, 2476 01:16:37,467 --> 01:16:37,767 BRO? 2477 01:16:37,767 --> 01:16:39,233 >> THIS GUY'S FUCKING CRAZY, 2478 01:16:39,233 --> 01:16:39,567 MAN! 2479 01:16:39,567 --> 01:16:41,067 >> MY IMPRESSION OF EZRA FROM 2480 01:16:41,067 --> 01:16:42,400 READING THE CASE FILE IS THAT, 2481 01:16:42,400 --> 01:16:45,300 HERE'S THIS VERY CHARISMATIC, 2482 01:16:45,300 --> 01:16:47,800 CHARMING FRIEND OF MIKE'S, 2483 01:16:47,800 --> 01:16:50,500 SOMEONE THAT MIKE PROBABLY 2484 01:16:50,500 --> 01:16:52,667 LOOKED UP TO AND TRUSTED. 2485 01:16:53,100 --> 01:16:55,167 I HAVE NO DOUBT THEY REALLY DID 2486 01:16:55,167 --> 01:16:57,133 HAVE A GENUINE FRIENDSHIP, SO 2487 01:16:57,133 --> 01:16:59,200 WHEN EZRA MAKES THE SUGGESTION, 2488 01:16:59,200 --> 01:17:01,267 I HAVE NO DOUBT THAT HE FELT HE 2489 01:17:01,267 --> 01:17:02,767 WAS MAKING A GENUINE OFFER TO 2490 01:17:02,767 --> 01:17:04,567 HELP A FRIEND, BUT I DO BELIEVE 2491 01:17:04,567 --> 01:17:05,800 THAT HE ALSO SENSED AN 2492 01:17:05,800 --> 01:17:07,533 OPPORTUNITY FOR HIMSELF AND WAS 2493 01:17:07,533 --> 01:17:09,200 GONNA JUMP ON THAT, AS WELL. 2494 01:17:09,200 --> 01:17:11,033 IS THE -- THE SOLUTION THAT EZRA 2495 01:17:11,033 --> 01:17:12,500 PROPOSED SOMETHING THAT MIKE, 2496 01:17:12,500 --> 01:17:14,167 UH, WOULD HAVE GONE FOR HAD HE 2497 01:17:14,167 --> 01:17:15,633 BEEN IN HIS OWN CIRCUMSTANCES 2498 01:17:15,633 --> 01:17:17,200 AND IN A DIFFERENT STATE OF 2499 01:17:17,200 --> 01:17:17,567 MIND? 2500 01:17:17,567 --> 01:17:19,333 ABSOLUTELY NOT, BUT AT THE TIME, 2501 01:17:19,333 --> 01:17:21,100 IT SOUNDED LIKE THE EXACT RIGHT 2502 01:17:21,100 --> 01:17:22,600 DECISION TO MAKE, EVEN THOUGH IT 2503 01:17:22,633 --> 01:17:24,033 WAS THE WORST POSSIBLE. 2504 01:17:24,033 --> 01:17:25,433 >> DON'T WORRY ABOUT BARUTI, 2505 01:17:25,433 --> 01:17:26,267 MAN. 2506 01:17:26,500 --> 01:17:27,533 I CAN HANDLE HIM. 2507 01:17:27,533 --> 01:17:28,467 JUST CALM DOWN. 2508 01:17:28,467 --> 01:17:30,100 IT'S GONNA BE ANOTHER DAY OR 2509 01:17:30,100 --> 01:17:31,333 TWO, HOPEFULLY, MAX. 2510 01:17:31,333 --> 01:17:33,133 >> OH, NO, IT'S BEEN TOO LONG 2511 01:17:33,133 --> 01:17:33,667 ALREADY. 2512 01:17:33,667 --> 01:17:35,600 >> FROM WHAT WE CAN GATHER, 2513 01:17:35,600 --> 01:17:37,567 BARUTI WAS PROBABLY FAR MORE 2514 01:17:37,567 --> 01:17:38,800 UNSTABLE THAN EZRA REALIZED. 2515 01:17:38,800 --> 01:17:40,100 >> I DON'T WANT ANYTHING 2516 01:17:40,100 --> 01:17:41,367 HAPPENING TO THOSE GUYS, MAN. 2517 01:17:41,367 --> 01:17:42,533 THIS DUDE'S FUCKING CRAZY! 2518 01:17:42,533 --> 01:17:44,033 >> DON'T WORRY ABOUT HIM, MAN. 2519 01:17:44,033 --> 01:17:45,333 I TOLD YOU, I CAN TAKE CARE OF 2520 01:17:45,333 --> 01:17:45,600 HIM. 2521 01:17:45,600 --> 01:17:46,533 BUT I'M SERIOUS -- 2522 01:17:46,533 --> 01:17:47,600 >> YOU KEEP -- YOU KEEP 2523 01:17:47,600 --> 01:17:49,133 CONSOLING ME, AND IT'S NOT DOING 2524 01:17:49,133 --> 01:17:50,200 ANYTHING, AND I HAVEN'T 2525 01:17:50,200 --> 01:17:51,400 FUCKING -- UH, YOU KNOW HOW 2526 01:17:51,400 --> 01:17:52,600 FUCKING DEEP I AM IN THIS?! 2527 01:17:52,600 --> 01:17:54,333 >> THIS GUY HASN'T BEEN FOUND. 2528 01:17:54,333 --> 01:17:56,167 I MEAN, SOMETHING HAS TO BE DONE 2529 01:17:56,167 --> 01:17:56,733 WITH THAT. 2530 01:17:56,733 --> 01:17:58,500 >> WE ARE LOOKING FOR THEM, AND 2531 01:17:58,500 --> 01:18:00,100 MY COLLEAGUES IN PRETORIA, 2532 01:18:00,100 --> 01:18:01,733 JOHANNESBURG, AND DURBAN HAVE 2533 01:18:01,733 --> 01:18:03,567 GOT THE INFORMATION ABOUT THIS 2534 01:18:03,567 --> 01:18:04,633 PARTICULAR CASE. 2535 01:18:04,633 --> 01:18:06,467 WE HAVE NO WORD ABOUT -- ABOUT 2536 01:18:06,467 --> 01:18:08,467 THEIR WHEREABOUTS, AND LIKE I 2537 01:18:08,467 --> 01:18:10,300 SAID EARLIER, THAT OUR BORDERS 2538 01:18:10,300 --> 01:18:11,067 ARE OPEN. 2539 01:18:11,067 --> 01:18:12,600 THEY COULD BE ANY -- IN ANY 2540 01:18:12,600 --> 01:18:15,133 WHICH COUNTRY AT THE MOMENT. 2541 01:18:15,133 --> 01:18:16,300 >> NO ONE WILL HEAR FROM HIM 2542 01:18:16,300 --> 01:18:17,467 AGAIN. 2543 01:18:17,700 --> 01:18:21,533 [ BEEP ] 2544 01:18:27,100 --> 01:18:28,767 >> SO, I HAVE NO IDEA WHERE I AM 2545 01:18:28,767 --> 01:18:29,767 RIGHT NOW. 2546 01:18:29,767 --> 01:18:32,267 AND THIS IS THE FIRST... 2547 01:18:32,267 --> 01:18:34,600 OPPORTUNITY I'VE GOTTEN... 2548 01:18:34,600 --> 01:18:37,133 TO BE BY MYSELF. 2549 01:18:37,133 --> 01:18:38,467 I FUCKED UP. 2550 01:18:38,467 --> 01:18:40,367 >> THERE IS NO EXCUSE. 2551 01:18:40,367 --> 01:18:43,067 THERE IS NO REASON MY SON SHOULD 2552 01:18:43,067 --> 01:18:44,733 BE DEAD, EXCEPT MIKE. 2553 01:18:44,733 --> 01:18:46,533 EVEN IF HE MADE IT DRUNK, HIGH, 2554 01:18:46,533 --> 01:18:48,200 WHATEVER, FUCKED-UP, WHEN HE 2555 01:18:48,200 --> 01:18:49,567 WOKE UP THE NEXT DAY AFTER 2556 01:18:49,567 --> 01:18:51,400 MAKING SUCH A RIDICULOUS CHOICE, 2557 01:18:51,400 --> 01:18:52,633 WHY DIDN'T HE CHANGE HIS MIND? 2558 01:18:52,633 --> 01:18:53,733 BECAUSE IT WASN'T IN HIM TO 2559 01:18:53,733 --> 01:18:54,567 CHANGE HIS MIND. 2560 01:18:54,567 --> 01:18:55,767 >> I TRIED TO TURN AROUND WHEN 2561 01:18:55,767 --> 01:18:56,800 WE ENTERED KHAYELITSHA! 2562 01:18:56,800 --> 01:18:58,267 >> I'M TELLING YOU, IT'S ANOTHER 2563 01:18:58,267 --> 01:18:58,733 DAY OR TWO. 2564 01:18:58,733 --> 01:18:59,600 >> CAN YOU JUST -- 2565 01:18:59,600 --> 01:19:00,600 >> CALM THE FUCK DOWN! 2566 01:19:00,600 --> 01:19:01,333 >> OKAY, OKAY. 2567 01:19:01,333 --> 01:19:02,600 CAN YOU PLEASE JUST GO CHECK ON 2568 01:19:02,600 --> 01:19:03,200 THE BOYS? 2569 01:19:03,200 --> 01:19:04,533 >> I'LL CHECK ON THEM. 2570 01:19:04,533 --> 01:19:06,067 >> I HAVE NO IDEA WHAT'S GOING 2571 01:19:06,067 --> 01:19:07,400 ON WITH THE BOYS. 2572 01:19:07,400 --> 01:19:10,400 I TALKED TO EZRA, AND HE SAID... 2573 01:19:10,400 --> 01:19:11,400 THAT THEY WERE FINE. 2574 01:19:11,400 --> 01:19:13,233 HE ASSURED ME. 2575 01:19:13,233 --> 01:19:15,233 I DON'T KNOW IF THIS IS... 2576 01:19:15,233 --> 01:19:17,033 SOMETHING THAT COULD BE FIXED. 2577 01:19:17,033 --> 01:19:18,633 I JUST HOPE NOTHING HAPPENS TO 2578 01:19:18,633 --> 01:19:21,633 THOSE GUYS. 2579 01:19:21,633 --> 01:19:23,267 >> HOW COULD HE DO THAT? 2580 01:19:23,267 --> 01:19:25,100 >> I REALLY THINK THAT HE WAS 2581 01:19:25,100 --> 01:19:26,433 SORRY. 2582 01:19:26,433 --> 01:19:28,433 BUT WHAT A FUCKING COWARD. 2583 01:19:31,067 --> 01:19:34,733 >> EMILEA... 2584 01:19:34,733 --> 01:19:36,600 AND CARA, I APOLOGIZE FOR 2585 01:19:36,600 --> 01:19:38,467 PUTTING YOU THROUGH THIS. 2586 01:19:38,467 --> 01:19:39,667 [ SNIFFLES ] 2587 01:19:39,667 --> 01:19:40,667 [ SIGHS ] 2588 01:19:40,667 --> 01:19:42,367 >> I DON'T CARE. 2589 01:19:42,367 --> 01:19:43,700 HE CAN BE SORRY ALL HE WANTS, 2590 01:19:43,700 --> 01:19:46,400 BUT I WON'T WATCH IT. 2591 01:19:46,400 --> 01:19:49,267 AND IF HE EVER SEES THIS, I HOPE 2592 01:19:49,267 --> 01:19:51,633 HE KNOWS THAT I WILL NEVER, 2593 01:19:51,633 --> 01:19:53,500 NEVER FORGIVE HIM. 2594 01:19:53,500 --> 01:19:55,467 >> HIS FRIENDS TOOK HIM THERE TO 2595 01:19:55,467 --> 01:19:58,633 HELP HIM RECOVER HIS LIFE 2596 01:19:58,633 --> 01:20:00,333 BECAUSE OF THINGS HE HAD DONE. 2597 01:20:00,333 --> 01:20:02,133 THAT'S HOW MUCH THEY CARED ABOUT 2598 01:20:02,133 --> 01:20:02,467 HIM. 2599 01:20:02,467 --> 01:20:04,100 >> I DON'T HOPE HE'S, LIKE, 2600 01:20:04,100 --> 01:20:04,467 DEAD. 2601 01:20:04,467 --> 01:20:06,133 I HOPE HE'S FINE, BUT I NEVER 2602 01:20:06,133 --> 01:20:07,633 EVER, EVER, EVER, EVER WANT TO 2603 01:20:07,633 --> 01:20:09,800 SEE HIM. 2604 01:20:09,800 --> 01:20:11,667 >> [ SNIFFLES ] 2605 01:20:11,667 --> 01:20:13,333 I'M SORRY THAT THIS HAPPENED TO 2606 01:20:13,333 --> 01:20:14,700 YOU, AND I'M SORRY THAT THIS 2607 01:20:14,700 --> 01:20:16,233 HAPPENED TO SCOTT. 2608 01:20:16,233 --> 01:20:17,267 [ SNIFFLES ] 2609 01:20:17,267 --> 01:20:19,400 BUT IF MIKE EVER COMES BACK, I 2610 01:20:19,400 --> 01:20:22,267 SWEAR TO GOD, I WILL HURT HIM. 2611 01:20:22,267 --> 01:20:23,033 [ SNIFFLES ] 2612 01:20:23,033 --> 01:20:24,433 >> I DON'T KNOW IF ANYONE'S EVEN 2613 01:20:24,433 --> 01:20:26,300 GONNA SEE THIS. 2614 01:20:26,300 --> 01:20:28,800 [ SNIFFLES ] BUT I'M SORRY. 2615 01:20:28,800 --> 01:20:32,000 >> [ CRYING ] 2616 01:20:33,300 --> 01:20:34,800 I THINK I DO WANT TO STOP. 2617 01:20:34,800 --> 01:20:37,533 [ CRYING ] 2618 01:20:41,700 --> 01:20:44,100 [ INDISTINCT CONVERSATIONS ] 2619 01:20:44,100 --> 01:20:44,700 [ GLASS CLINKING ] 2620 01:20:44,700 --> 01:20:45,667 >> HE'S BEING RIDICULOUS. 2621 01:20:45,667 --> 01:20:46,800 >> I JUST WANT TO SAY THANK YOU 2622 01:20:46,800 --> 01:20:48,800 TO NED AND SCOTT FOR BRINGING ME 2623 01:20:48,800 --> 01:20:50,667 ALONG ON THIS JOURNEY TO KIND 2624 01:20:50,667 --> 01:20:52,633 OF, UM, YOU KNOW, I GUESS 2625 01:20:52,633 --> 01:20:54,800 TAKE -- TRY TO TAKE BACK WHAT 2626 01:20:54,800 --> 01:20:56,333 WAS...TAKEN FROM ME. 2627 01:20:56,333 --> 01:20:58,400 I'M REALLY GLAD TO HAVE FRIENDS 2628 01:20:58,400 --> 01:21:00,100 AROUND ME TO, YOU KNOW, HELP ME 2629 01:21:00,100 --> 01:21:01,400 ENDURE WHATEVER I'VE GONE 2630 01:21:01,400 --> 01:21:02,067 THROUGH. 2631 01:21:02,067 --> 01:21:03,367 SO I APPRECIATE IT, AND... 2632 01:21:03,367 --> 01:21:04,267 >> HEAR, HEAR. 2633 01:21:04,267 --> 01:21:05,233 >> CIN CIN, SIR. 2634 01:21:05,233 --> 01:21:06,433 >> CIN CIN, TOGA, TOGA. 2635 01:21:06,433 --> 01:21:07,267 >> CHEERS. 2636 01:21:12,533 --> 01:21:14,400 >> IS THIS HELPING? 2637 01:21:14,400 --> 01:21:17,733 DOES THIS -- IS THIS GONNA HELP? 2638 01:21:17,733 --> 01:21:19,067 UNTIL YOU EXPERIENCE SOMETHING 2639 01:21:19,067 --> 01:21:20,233 LIKE THIS, YOU DON'T KNOW WHAT 2640 01:21:20,233 --> 01:21:23,400 IT MEANS TO FEEL REALLY, REALLY 2641 01:21:23,400 --> 01:21:24,567 ALONE. 2642 01:21:26,633 --> 01:21:27,333 >> YEAH. 2643 01:21:27,333 --> 01:21:29,200 >> I DON'T KNOW IF MY WIFE AND I 2644 01:21:29,200 --> 01:21:30,767 ARE GONNA BE ALL RIGHT OR NOT. 2645 01:21:30,767 --> 01:21:32,267 YOU'RE SUPPOSED TO HAVE 2646 01:21:32,267 --> 01:21:32,767 CHILDREN. 2647 01:21:32,767 --> 01:21:34,433 THEY'RE SUPPOSED TO BURY YOU. 2648 01:21:34,433 --> 01:21:36,167 >> DO YOU STILL SPEAK TO EMILEA? 2649 01:21:36,167 --> 01:21:37,667 DO YOU THINK SHE WANTS TO TALK 2650 01:21:37,667 --> 01:21:38,267 TO US? 2651 01:21:38,267 --> 01:21:40,267 SHE HAD TO SEE HER, LIKE, 2652 01:21:40,267 --> 01:21:44,133 EX-LOVER FALL APART AND TAKE HER 2653 01:21:44,133 --> 01:21:45,300 LOVE WITH HIM. 2654 01:21:45,300 --> 01:21:47,800 I MEAN, YOU CAME HOME TO ME. 2655 01:21:47,800 --> 01:21:49,433 >> WE DID TALK ABOUT HAVING 2656 01:21:49,433 --> 01:21:49,800 KIDS. 2657 01:21:49,800 --> 01:21:52,167 SCOTT WOULD HAVE BEEN A... 2658 01:21:52,167 --> 01:21:53,167 GREAT DAD. 2659 01:21:53,167 --> 01:21:55,267 >> YEAH, SCOTT'S OUR -- OUR 2660 01:21:55,267 --> 01:21:57,133 ONLY, UH, CHILD, YEAH. 2661 01:21:57,133 --> 01:21:59,133 IT WAS ALL ABOUT THE JOY OF 2662 01:21:59,133 --> 01:22:01,433 BEING YOUNG AND NOT HAVING -- 2663 01:22:01,433 --> 01:22:03,433 AND KNOWING THAT YOU'RE, UH, 2664 01:22:03,433 --> 01:22:07,167 SAFE AND THAT YOU HAVE PARENTS 2665 01:22:07,167 --> 01:22:08,333 AND... 2666 01:22:08,333 --> 01:22:11,200 [ SNIFFLES ] 2667 01:22:11,200 --> 01:22:12,200 ...FRIENDS. 2668 01:22:12,200 --> 01:22:14,700 [ SNIFFLING ] 2669 01:22:14,700 --> 01:22:16,233 SORRY. 2670 01:22:16,233 --> 01:22:18,033 THAT'S A MEMORY I -- YOU KNOW, 2671 01:22:18,033 --> 01:22:20,033 I'LL ALWAYS HAVE, THANK GOD. 2672 01:22:20,033 --> 01:22:21,533 THE MEMORIES AREN'T DEAD. 2673 01:22:21,533 --> 01:22:25,067 >> I WANT NED TO FIGURE THIS 2674 01:22:25,067 --> 01:22:28,567 OUT, TO COME TO TERMS WITH IT, 2675 01:22:28,567 --> 01:22:30,267 AND TO LEAVE IT BEHIND SO WE CAN 2676 01:22:30,267 --> 01:22:33,433 GET BACK TO BEING IN... 2677 01:22:33,433 --> 01:22:34,767 THE RELATIONSHIP WE WERE MEANT 2678 01:22:34,767 --> 01:22:36,300 TO HAVE. 2679 01:22:36,300 --> 01:22:38,467 I REALLY MISS YOU. 2680 01:22:38,467 --> 01:22:40,467 BABE, THAT'S ALL. 2681 01:23:02,700 --> 01:23:05,533 [ BIRDS CHIRPING ] 156326