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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:58,308 --> 00:01:00,977 Shakira, Shakira! 2 00:01:01,061 --> 00:01:05,774 Shakira, Shakira, Shakira, Shakira! 3 00:01:05,857 --> 00:01:08,151 Shakira, Shakira, Shakira! 4 00:01:34,010 --> 00:01:36,054 I love you, Shakira, I love you! 5 00:01:36,304 --> 00:01:38,390 I love you, I love you! 6 00:01:38,473 --> 00:01:43,728 Shakira, Shakira, Shakira, Shakira! 7 00:01:45,855 --> 00:01:49,734 Shakira! Shakira! 8 00:01:50,276 --> 00:01:52,195 Walking, walking, here we come, Shawn. 9 00:01:52,737 --> 00:01:53,738 Copy that. 10 00:01:56,658 --> 00:01:58,201 YOU ARE THE GOLDEN ONE 11 00:02:03,289 --> 00:02:05,166 It's like my first show ever. 12 00:02:07,419 --> 00:02:08,920 I AM HERE! 13 00:03:06,770 --> 00:03:08,772 Good evening, Los Angeles! 14 00:04:28,393 --> 00:04:30,937 Jump, jump, jump, come on! 15 00:04:46,745 --> 00:04:48,830 You guys look amazing tonight, LA! 16 00:11:10,128 --> 00:11:11,254 All right, girls! 17 00:11:13,673 --> 00:11:15,342 I'm gonna need your help with this. 18 00:11:16,676 --> 00:11:18,345 You're gonna help me she wolf style. 19 00:11:18,803 --> 00:11:19,929 I need to talk to my camera man. 20 00:11:20,180 --> 00:11:22,974 John, I want you to locate the best she wolves in the house 21 00:11:23,058 --> 00:11:24,392 and put them up on the big screen, okay? 22 00:11:25,018 --> 00:11:25,685 Got me? 23 00:11:27,520 --> 00:11:28,396 Remember the... 24 00:11:31,816 --> 00:11:32,817 Are you ready, girls? 25 00:11:33,109 --> 00:11:34,319 Yeah! 26 00:11:34,778 --> 00:11:36,404 Are you ready, girls? 27 00:11:36,654 --> 00:11:37,530 Yeah! 28 00:11:38,406 --> 00:11:39,366 All right, let's do it. 29 00:11:42,702 --> 00:11:43,411 Come on. 30 00:11:46,664 --> 00:11:47,457 Louder! 31 00:11:50,919 --> 00:11:51,836 At the back! 32 00:11:55,006 --> 00:11:56,091 Louder! 33 00:11:59,010 --> 00:12:00,220 Come on, girls! 34 00:12:02,764 --> 00:12:03,640 Awesome! 35 00:12:03,973 --> 00:12:05,350 One last time! Here we come. 36 00:12:46,433 --> 00:12:47,559 We can make it better. 37 00:12:47,642 --> 00:12:50,228 It's the end of the first song in the show 38 00:12:50,645 --> 00:12:53,231 and I want everybody to be dancing like... 39 00:12:53,314 --> 00:12:55,859 Not because they're forced, because it's so loud, 40 00:12:55,942 --> 00:12:58,236 but because they really feel the groove, you know? 41 00:12:58,319 --> 00:12:59,571 It needs to be groovy. 42 00:12:59,654 --> 00:13:01,489 I understand what you just said. 43 00:13:02,699 --> 00:13:05,201 I need like a little bit of rever at the end of the howl. 44 00:13:05,285 --> 00:13:06,119 Maybe that's the trick, 45 00:13:06,202 --> 00:13:08,204 bringing down the guitar and the acoustics overall. 46 00:13:08,288 --> 00:13:10,081 Yeah, if we go like that, then it'll sound... 47 00:13:10,165 --> 00:13:12,625 We have one good moment that I think we've created now. 48 00:13:18,840 --> 00:13:20,508 -Brendan, let me know when you're ready. -Ready. 49 00:13:20,592 --> 00:13:21,301 Hit it. 50 00:13:23,094 --> 00:13:23,970 That's nice. 51 00:13:25,180 --> 00:13:26,723 So everything starts strobing. 52 00:13:28,767 --> 00:13:31,519 The only thing is that the line on the content... 53 00:13:34,230 --> 00:13:36,608 Can I see it with the full intensity on that line only? 54 00:13:36,691 --> 00:13:38,485 -Yeah. -That's a good idea. 55 00:13:38,568 --> 00:13:40,111 But I still think it needs more... 56 00:13:40,195 --> 00:13:42,113 -It needs to look like the Twilight Zone. -Yeah. 57 00:13:42,947 --> 00:13:44,783 Like a doorway into the past... 58 00:13:45,200 --> 00:13:47,243 It needs to mean something. Otherwise, 59 00:13:47,327 --> 00:13:48,620 it's better to take it out. 60 00:13:48,703 --> 00:13:50,246 Don't use the cameras from below, okay? 61 00:13:50,330 --> 00:13:52,123 Just use the front cameras. 62 00:13:52,499 --> 00:13:53,875 This one is... 63 00:13:54,709 --> 00:13:57,420 It could be a good look for ¿Dónde Estás Corazón? 64 00:13:57,504 --> 00:14:01,091 Media comes back, media comes back 65 00:14:01,174 --> 00:14:04,678 Lasers remain, media comes back 66 00:14:20,026 --> 00:14:21,236 It needs to be more scenic. 67 00:14:21,319 --> 00:14:25,156 If it's gonna be so predominant during the show... 68 00:14:25,240 --> 00:14:26,366 The B stage... 69 00:14:28,660 --> 00:14:30,787 We can't make the screen a little 70 00:14:30,870 --> 00:14:33,748 bit bigger and then make it round? 71 00:14:34,374 --> 00:14:36,001 The risers were too transparent. 72 00:14:36,084 --> 00:14:38,795 And then the color, it really came together for 73 00:14:38,878 --> 00:14:40,505 me on the second half of the song. 74 00:14:40,588 --> 00:14:42,007 -Everything monochromatic. -The reds, and the... 75 00:14:42,090 --> 00:14:43,842 I think it's not enough, those two things. 76 00:14:43,925 --> 00:14:46,511 And then the wings, we have the wing trim gold, too. 77 00:14:46,803 --> 00:14:48,805 I thought this would disappear. 78 00:14:48,888 --> 00:14:50,807 But it's nice, I like the lights coming out. 79 00:15:03,570 --> 00:15:04,404 I like that. 80 00:15:08,950 --> 00:15:12,412 After the second howl, there's a breath on the screens 81 00:15:12,495 --> 00:15:17,042 of a pre-shot mouth that goes... 82 00:15:19,711 --> 00:15:20,920 There's four of them. 83 00:15:21,713 --> 00:15:22,756 Three and four. 84 00:15:23,965 --> 00:15:27,052 On the fourth one, this comes on. 85 00:15:38,104 --> 00:15:39,064 And we need to keep it moody, 86 00:15:39,147 --> 00:15:42,484 but I need to pop and not look weird. 87 00:15:42,984 --> 00:15:46,237 So maybe pick a color for this beginning part, 88 00:15:46,321 --> 00:15:47,364 I like that green. 89 00:15:48,365 --> 00:15:49,866 So, let's go... 90 00:15:50,283 --> 00:15:52,202 Let's do that. I think it's better. 91 00:15:52,494 --> 00:15:53,703 But don't I need like a little bit 92 00:15:53,787 --> 00:15:56,206 of purple color around here, 93 00:15:56,289 --> 00:15:58,958 something that hits this so it's not all green. 94 00:15:59,876 --> 00:16:02,128 So I don't look like I'm coming from Mars. 95 00:16:02,212 --> 00:16:04,464 Once the beat drops, it's awesome. 96 00:16:04,756 --> 00:16:06,174 What I don't like is this one. 97 00:16:06,424 --> 00:16:07,425 I wanna look amazing here. 98 00:16:07,509 --> 00:16:10,136 This is the second number in the show. 99 00:16:10,679 --> 00:16:12,972 This needs to looks sexy as hell or I cancel it. 100 00:16:13,223 --> 00:16:14,099 Now I look like an Oompa-Loompa. 101 00:16:14,182 --> 00:16:16,101 I don't think we should turn that light on. 102 00:16:16,351 --> 00:16:18,061 Very good observation, thank you. 103 00:16:27,237 --> 00:16:29,364 I don't like that effect on the IMAGs. 104 00:16:31,533 --> 00:16:34,035 Can we have more lasers on this song? 105 00:16:34,119 --> 00:16:37,205 Can we turn on everything? Everything you got. 106 00:16:37,288 --> 00:16:38,540 Give me everything you got. 107 00:16:39,499 --> 00:16:41,918 I like that. This is awesome. 108 00:16:43,044 --> 00:16:45,964 Really good. I like it, I buy that, let's move on. 109 00:16:46,589 --> 00:16:48,383 The siren, the red look. 110 00:16:48,466 --> 00:16:51,886 And after the siren, this, it's like "wow." 111 00:16:52,804 --> 00:16:54,931 I mean, it can't get any more "wow" than that. 112 00:17:02,731 --> 00:17:04,357 It's nice, but take it from the front. 113 00:17:09,696 --> 00:17:10,447 Nice. 114 00:17:14,784 --> 00:17:15,410 Perfect. 115 00:17:18,580 --> 00:17:22,459 If you do that the day of the show, I'm gonna be so happy. 116 00:17:26,212 --> 00:17:27,047 Pretty boy. 117 00:17:29,716 --> 00:17:30,550 Fast pace... 118 00:17:31,843 --> 00:17:32,594 Editing. 119 00:17:36,806 --> 00:17:38,892 Re-intro. Centre. 120 00:17:42,604 --> 00:17:45,607 Hold the pose, follow spots go...right after. 121 00:17:45,690 --> 00:17:47,901 Let's try it. Shall we try? Let's do it from the top? 122 00:18:11,383 --> 00:18:14,511 Shakira, Shakira, Shakira! 123 00:18:17,180 --> 00:18:18,264 It's been so long! 124 00:18:21,101 --> 00:18:23,061 It's so great to see you all again. 125 00:18:23,353 --> 00:18:24,437 And so close. 126 00:18:26,356 --> 00:18:29,734 How nice, how nice to have you all so close. 127 00:18:30,068 --> 00:18:31,152 It's been 128 00:18:31,986 --> 00:18:34,030 seven years since I was last here on tour. 129 00:18:34,322 --> 00:18:35,407 A few months ago, 130 00:18:36,032 --> 00:18:38,660 I thought I would never sing again. 131 00:18:40,078 --> 00:18:41,663 And if I am here today, 132 00:18:42,414 --> 00:18:43,498 in front of you all, 133 00:18:44,332 --> 00:18:45,375 it's because of you. 134 00:18:48,795 --> 00:18:49,921 It's nice to be back. 135 00:21:23,867 --> 00:21:24,743 What did you say? 136 00:22:06,659 --> 00:22:07,452 Everybody! 137 00:23:05,719 --> 00:23:08,888 There is alarming news for all Shakira fans. 138 00:23:08,972 --> 00:23:11,933 She is postponing the remainder of her European shows 139 00:23:12,017 --> 00:23:13,184 due to vocal cord damage. 140 00:23:13,268 --> 00:23:14,602 "These past few days have been some 141 00:23:14,686 --> 00:23:16,396 of the hardest of my career." 142 00:23:16,479 --> 00:23:19,482 If she doesn't recover from this, her career is in danger. 143 00:23:19,566 --> 00:23:21,568 Shakira will need the best surgeon in the world to help recover her voice. 144 00:23:36,708 --> 00:23:42,672 Voice and emotion are connected in the human being in such a way 145 00:23:43,089 --> 00:23:45,383 that you can't understand until you can't use it. 146 00:23:49,596 --> 00:23:51,848 It was very difficult for me to recover without an operation, 147 00:23:52,557 --> 00:23:54,476 and an operation was very risky. 148 00:23:54,726 --> 00:23:58,396 Surgery meant being away from my children for some time 149 00:23:58,480 --> 00:24:02,275 because after the surgery, you can't even sneeze. 150 00:24:02,692 --> 00:24:04,819 Sasha, I remember in December when I said, 151 00:24:04,903 --> 00:24:07,405 "What are you going to ask Santa Claus for?" 152 00:24:08,365 --> 00:24:10,784 And he said, "I am going to ask God 153 00:24:11,284 --> 00:24:14,621 and the Virgin Mary for mom to get her voice back." 154 00:24:15,246 --> 00:24:17,082 Do you know what it's like to have two children 155 00:24:18,083 --> 00:24:19,668 of two and a half and four and a half 156 00:24:19,751 --> 00:24:21,711 and not be able to see them? 157 00:24:21,795 --> 00:24:24,255 To have to speak to them through signs and gestures. 158 00:24:25,799 --> 00:24:29,427 So, you can't speak for a few weeks. 159 00:24:30,345 --> 00:24:32,305 And then you have to do therapy and rehabilitation. 160 00:24:33,223 --> 00:24:36,017 And, well, wait and see how it goes, right? 161 00:24:36,101 --> 00:24:38,937 I met with five doctors in three days. 162 00:24:40,605 --> 00:24:43,858 Four of them told me that it was impossible to 163 00:24:43,942 --> 00:24:45,694 recover my voice without surgery. 164 00:24:46,653 --> 00:24:51,574 I had to do complete vocal rest on various occasions. 165 00:24:54,244 --> 00:24:57,580 Days and days and weeks of not being able to speak. 166 00:24:58,456 --> 00:25:00,375 I thought I would lose my voice forever. 167 00:25:06,589 --> 00:25:08,466 Yeah, because I got sick in October, 168 00:25:08,550 --> 00:25:10,719 then November and December passed... 169 00:25:12,303 --> 00:25:14,889 and I was having problems with my voice 170 00:25:17,183 --> 00:25:18,852 until just before rehearsals started again. 171 00:25:28,820 --> 00:25:30,196 Look, I never fought with Gerard as 172 00:25:30,280 --> 00:25:31,656 much as when I couldn't speak. 173 00:25:32,991 --> 00:25:34,784 He would say, "Please, I need you to speak." 174 00:25:35,243 --> 00:25:37,412 Because I was so angry. 175 00:25:37,495 --> 00:25:40,457 I said, "Never again, I'll never be able to sing again." 176 00:25:40,540 --> 00:25:42,334 I went to Lourdes and brought back holy water. 177 00:25:42,876 --> 00:25:44,002 I tried everything. 178 00:25:45,086 --> 00:25:46,129 I meditated. 179 00:25:46,379 --> 00:25:48,465 I chanted, "Ommm." 180 00:25:51,343 --> 00:25:52,385 I did everything. 181 00:25:52,677 --> 00:25:54,471 Suddenly, magically, it all started to flow. 182 00:25:55,138 --> 00:25:56,181 I was back. 183 00:26:02,395 --> 00:26:03,605 It was like being born again. 184 00:26:03,688 --> 00:26:05,648 Being able to sing, being on stage. 185 00:26:05,732 --> 00:26:06,232 There were moments where 186 00:26:06,316 --> 00:26:07,692 I thought that wasn't going to happen. 187 00:26:08,443 --> 00:26:10,528 The doctors couldn't believe it. 188 00:26:12,238 --> 00:26:13,615 I think I am a better singer now. 189 00:26:13,865 --> 00:26:16,743 I value having a voice and I appreciate it a lot more, 190 00:26:17,160 --> 00:26:19,662 because I give thanks for this gift. 191 00:26:19,746 --> 00:26:21,373 Every time I am on stage 192 00:26:22,374 --> 00:26:25,669 and I see people singing with me, 193 00:26:26,628 --> 00:26:28,546 with the lights from their phones on... 194 00:26:30,465 --> 00:26:33,385 and we are one in that moment. 195 00:26:34,177 --> 00:26:39,182 I look at the horizon of the stadium 196 00:26:39,849 --> 00:26:43,561 and I give thanks to God for healing my voice. 197 00:26:46,606 --> 00:26:47,357 Thank you! 198 00:30:18,443 --> 00:30:19,694 Okay, let's do it again... 199 00:31:32,058 --> 00:31:33,727 What do you say, Los Angeles? 200 00:33:27,549 --> 00:33:28,466 And they say! 201 00:34:11,968 --> 00:34:12,969 And again! 202 00:36:26,811 --> 00:36:28,730 YOU ARE THE SOUNDTRACK OF MY LIFE 203 00:38:40,570 --> 00:38:41,863 I FELL IN LOVE 204 00:38:45,200 --> 00:38:46,618 I FELL IN LOVE 205 00:38:59,506 --> 00:39:00,674 AND I DANCED UNTIL I GOT TIRED 206 00:39:07,263 --> 00:39:09,099 ONE MOJITO, TWO MOJITOS 207 00:39:46,594 --> 00:39:47,303 I FELL IN LOVE 208 00:39:47,387 --> 00:39:48,263 I SAW HIM ALONE AND I WENT FOR IT 209 00:39:49,848 --> 00:39:51,016 I FELL IN LOVE 210 00:39:53,476 --> 00:39:54,686 LOOK HOW CUTE HE IS 211 00:39:55,645 --> 00:39:56,855 THAT ROUND MOUTH 212 00:39:57,939 --> 00:39:59,649 I LIKE THAT BEARD 213 00:40:02,736 --> 00:40:03,653 AND I DANCED UNTIL I GOT TIRED 214 00:40:08,199 --> 00:40:08,908 I FELL IN LOVE 215 00:40:12,328 --> 00:40:13,329 ONE MOJITO, TWO MOJITOS, 216 00:40:14,164 --> 00:40:16,207 LOOK AT THOSE BEAUTIFUL EYES 217 00:40:54,954 --> 00:40:55,705 A kiss. 218 00:40:56,915 --> 00:40:59,376 Shaki, I have caramel for you. 219 00:40:59,459 --> 00:41:00,168 Really? 220 00:41:00,251 --> 00:41:01,086 And cookies. 221 00:41:01,169 --> 00:41:02,212 -So, I hope you like it. -Thank you. 222 00:41:02,295 --> 00:41:03,338 Welcome. 223 00:41:04,255 --> 00:41:06,424 The audience is pure adrenaline. 224 00:41:09,177 --> 00:41:10,011 Every night 225 00:41:12,222 --> 00:41:13,973 the things I enjoyed the most 226 00:41:14,057 --> 00:41:18,978 was looking at the faces in the crowd. 227 00:41:19,771 --> 00:41:21,106 I remembered all of them. 228 00:41:21,189 --> 00:41:22,691 The next day I would bump into someone 229 00:41:22,941 --> 00:41:23,942 I AM HERE AND LOVING YOU! 230 00:41:24,025 --> 00:41:25,360 who had been at my concert 231 00:41:25,443 --> 00:41:26,778 and I'd say to them,"You were there yesterday, weren't you?" 232 00:41:28,279 --> 00:41:29,572 I love you so, so much. 233 00:41:32,325 --> 00:41:36,788 I think that on this tour there has been a bestial connection, 234 00:41:38,540 --> 00:41:39,749 an almost metaphysical connection. 235 00:41:39,833 --> 00:41:41,626 Something very, very intense. 236 00:41:44,462 --> 00:41:45,588 WE LOVE YOU 237 00:41:45,922 --> 00:41:47,340 "Loving you is inevitable Shakira" 238 00:41:47,424 --> 00:41:48,425 SHAKIRA I LOVE YOU 239 00:41:49,592 --> 00:41:52,595 During the show, what I feel,what 240 00:41:52,679 --> 00:41:55,223 my fans feel, is exciting, isn't it? 241 00:41:55,306 --> 00:42:00,103 We go from an upbeat dance song to a romantic ballad... 242 00:42:00,186 --> 00:42:01,396 And I see how the crowd 243 00:42:03,064 --> 00:42:04,816 is going along with it without any problems. 244 00:42:04,899 --> 00:42:06,860 They enjoy the ride of, 245 00:42:06,943 --> 00:42:08,028 WELCOME HOME, SHAK 246 00:42:08,111 --> 00:42:09,696 "We'll go where it takes us, where 247 00:42:09,779 --> 00:42:11,406 Shakira takes us. We'll go there." 248 00:42:11,489 --> 00:42:13,199 YOU ARE MY GOLDEN ONE 249 00:42:17,954 --> 00:42:19,289 I can never seem to find the middle ground. 250 00:42:19,372 --> 00:42:20,999 I don't have a middle ground. 251 00:42:21,082 --> 00:42:22,876 That button was never given to me. 252 00:42:23,168 --> 00:42:25,837 My audiences are like me, we're very similar. 253 00:42:27,464 --> 00:42:30,925 Please... I love you. 254 00:42:32,844 --> 00:42:35,472 I feel like I understand them, I comprehend them, 255 00:42:35,555 --> 00:42:37,140 and they understand me. 256 00:42:38,641 --> 00:42:41,186 I have the best fans an artist could ask for. 257 00:42:42,062 --> 00:42:42,896 LOVING YOU IS INEVITABLE 258 00:42:42,979 --> 00:42:46,733 And now the song which I inevitably had to sing today. 259 00:44:19,909 --> 00:44:21,536 I FELL IN LOVE 260 00:46:27,454 --> 00:46:29,748 You have to ask Gerard how many nights 261 00:46:29,831 --> 00:46:32,667 I came back from the studio crying 262 00:46:33,585 --> 00:46:35,754 'cause I felt unable to make any kind of music. 263 00:46:35,837 --> 00:46:38,298 I'm gonna pull you out of it. I'm gonna pull you out of it. 264 00:46:39,382 --> 00:46:42,510 We tried everything else in the universe, why not try that, too? 265 00:46:46,973 --> 00:46:48,808 One thing that Luisfer told me was, he's like, 266 00:46:49,684 --> 00:46:52,354 "Shaki, we're here in the studio. 267 00:46:52,645 --> 00:46:54,397 This is your studio, 268 00:46:54,773 --> 00:46:56,733 we can do whatever we feel like." 269 00:46:58,860 --> 00:47:00,862 How do you do the shoulder thing? Where does it come from? 270 00:47:00,945 --> 00:47:01,780 Does it come from... 271 00:47:01,863 --> 00:47:03,448 It's like this part can't stop moving, moving... 272 00:47:03,531 --> 00:47:06,701 But it's like part of your butt. I can't do that. 273 00:47:06,951 --> 00:47:09,662 It's my higher part of it. 274 00:47:09,746 --> 00:47:11,247 -Can I touch you while you do it? -No, you can't. 275 00:47:11,331 --> 00:47:13,124 No, I just want... Just do it, just do it. 276 00:47:16,586 --> 00:47:17,629 It's the butt muscle. 277 00:47:18,630 --> 00:47:19,422 It is. 278 00:47:19,673 --> 00:47:21,591 -It's coming all the way from here. -Doesn't look like... 279 00:47:22,175 --> 00:47:25,553 We could fail, we could do horrendous things... 280 00:47:34,062 --> 00:47:35,814 This is my space, here no one is going 281 00:47:35,897 --> 00:47:37,482 to say if what I do is good or bad. 282 00:47:37,565 --> 00:47:38,692 I'm going to explore. 283 00:47:39,109 --> 00:47:39,859 Look at that. 284 00:47:49,786 --> 00:47:51,329 I love that "you can't stop yourself." 285 00:47:51,413 --> 00:47:52,414 -Perfect. -Favorite. 286 00:47:58,420 --> 00:48:00,505 He can also join in on some lines. 287 00:48:10,890 --> 00:48:14,269 I like that melody, how that little rap started, 288 00:48:14,352 --> 00:48:16,104 but I don't know how to tighten it up, maybe... 289 00:48:16,187 --> 00:48:16,980 The end... 290 00:48:25,405 --> 00:48:26,281 I'll clean your car. 291 00:48:26,364 --> 00:48:29,034 After that take that you just gave me, I'll wash your car. 292 00:48:30,702 --> 00:48:31,786 It's pretty dirty? Yea... 293 00:48:34,789 --> 00:48:36,249 I have another idea. I'll stand here. 294 00:48:44,132 --> 00:48:46,009 We're getting somewhere, we're getting somewhere. 295 00:48:46,092 --> 00:48:46,885 We just gotta... 296 00:48:46,968 --> 00:48:48,428 -There's something beautiful there. -Yeah. 297 00:48:49,387 --> 00:48:50,347 -Now? -Now. 298 00:48:58,521 --> 00:48:59,981 -Cool, yeah. -It was your idea. 299 00:49:00,523 --> 00:49:03,526 I am very structured, and I make the rules 300 00:49:03,610 --> 00:49:05,945 and I don't allow myself to fail. 301 00:49:06,029 --> 00:49:06,654 I don't think the pan flute 302 00:49:06,738 --> 00:49:08,198 and the guitar work together, though. 303 00:49:09,240 --> 00:49:10,492 Let's hear the intro again. 304 00:49:15,663 --> 00:49:17,123 Try the other way around. 305 00:49:18,166 --> 00:49:20,919 Establish the pan flute and let's just fade in the guitar. 306 00:49:26,091 --> 00:49:29,636 Yeah. But if we do that we have to eliminate the first drop. 307 00:49:29,719 --> 00:49:31,221 I don't have time, I told Gerard. 308 00:49:31,304 --> 00:49:33,264 You know what, I'll look after the kids, 309 00:49:33,348 --> 00:49:36,059 my children need me now. 310 00:49:36,726 --> 00:49:37,519 Gerard said, 311 00:49:38,770 --> 00:49:40,105 "You're going to work, 312 00:49:40,188 --> 00:49:42,649 I don't want you here bitter 313 00:49:43,024 --> 00:49:45,443 because everyone else out there is composing music 314 00:49:45,527 --> 00:49:46,945 and you're here minding the children. 315 00:49:47,028 --> 00:49:49,239 No, no, no. You're going to work." 316 00:49:55,745 --> 00:49:56,955 Or they can do that... 317 00:50:01,334 --> 00:50:02,002 Or... 318 00:50:03,336 --> 00:50:06,923 "It's always your way I love you even if you don't believe it." 319 00:50:15,056 --> 00:50:16,516 I love you my way. 320 00:50:17,600 --> 00:50:19,602 No, not way... that goes before. 321 00:50:19,686 --> 00:50:21,021 Ah, yes, "way" was there. 322 00:50:22,939 --> 00:50:24,441 Let's do it again... 323 00:50:30,697 --> 00:50:31,698 -No... -Or yes. 324 00:50:33,450 --> 00:50:34,200 No. 325 00:50:42,917 --> 00:50:44,169 I love the "masochist" part. 326 00:50:45,837 --> 00:50:47,047 And you're selfish. 327 00:50:47,297 --> 00:50:49,299 That's good what it says there. The lyrics are good. 328 00:50:54,220 --> 00:50:56,306 A drop. There has to be a drop in the music, right? 329 00:50:56,765 --> 00:50:57,807 Pimpinela, Pimpinela. 330 00:50:57,891 --> 00:50:59,184 A Pimpinela is going to appear... 331 00:50:59,267 --> 00:51:01,436 We'll make a Pimpinela here both of us with our hands... 332 00:52:04,207 --> 00:52:05,166 How does it go? 333 00:52:09,295 --> 00:52:10,505 PURE, PURE BLACKMAIL 334 00:53:05,935 --> 00:53:08,146 PURE, PURE BLACKMAIL 335 00:53:09,647 --> 00:53:10,857 PURE, PURE BLACKMAIL 336 00:53:11,107 --> 00:53:11,858 Again! 337 00:53:16,946 --> 00:53:17,739 PURE, PURE BLACKMAIL 338 00:54:20,760 --> 00:54:21,761 Pretty boy. 339 00:57:23,651 --> 00:57:24,486 How does it go? 340 00:57:50,136 --> 00:57:51,846 Jump! Jump! Jump! 341 00:58:17,706 --> 00:58:18,623 One more time! 342 01:00:22,122 --> 01:00:22,956 How is it? 343 01:03:56,670 --> 01:03:59,506 Look, guys, look who's here. 344 01:04:00,507 --> 01:04:05,387 Look, my new little ears, my monitors. 345 01:04:05,679 --> 01:04:08,807 Sashito... and Milan. 346 01:04:12,185 --> 01:04:14,145 My children thought that I was a professional tennis player. 347 01:04:14,604 --> 01:04:18,108 That was the only thing they saw me do every day. 348 01:04:18,191 --> 01:04:19,901 "What did you do today, mommy?" "No, I played tennis." 349 01:04:20,485 --> 01:04:23,446 They saw me in the recording studio making music. 350 01:04:23,530 --> 01:04:27,492 For them, that was a revelation, a discovery. 351 01:04:27,867 --> 01:04:29,869 To see that mommy has been singing 352 01:04:29,953 --> 01:04:31,287 since before they were born. 353 01:04:31,371 --> 01:04:34,499 "But, how can that be, mommy? You existed before we did?" 354 01:04:35,667 --> 01:04:37,210 They've been in the front row. 355 01:04:40,338 --> 01:04:43,717 Maternity draws me in. It pulls, and pulls and pulls. 356 01:04:44,259 --> 01:04:46,344 Sometimes I only want to be with my children, 357 01:04:46,928 --> 01:04:50,765 and they understood when I explained to them what I do. 358 01:04:51,558 --> 01:04:54,227 What I tell them is that there are lots of people 359 01:04:56,104 --> 01:04:59,524 that have been listening to my music since 360 01:04:59,607 --> 01:05:02,152 they were young and they have grown with me, 361 01:05:02,235 --> 01:05:05,530 so when I go to their country or city 362 01:05:07,574 --> 01:05:10,285 they are very happy and they make 363 01:05:10,368 --> 01:05:13,288 a big effort to go to the concerts 364 01:05:13,621 --> 01:05:15,623 to hear songs that have been with 365 01:05:15,707 --> 01:05:17,709 them throughout their lives. 366 01:05:18,960 --> 01:05:23,506 It brings me great joy to be on stage making them happy. 367 01:05:23,590 --> 01:05:26,718 Whenever my children go to a concert of mine, 368 01:05:26,801 --> 01:05:27,927 I ask them, 369 01:05:28,011 --> 01:05:31,306 "Did you see all the people, how they sang and danced?" 370 01:05:31,598 --> 01:05:32,599 Because sometimes we all 371 01:05:32,682 --> 01:05:35,560 have problems and difficult situations, 372 01:05:35,643 --> 01:05:38,855 but in that moment, we forget it all, we dance, we sing, 373 01:05:39,898 --> 01:05:40,899 and we smile. 374 01:05:40,982 --> 01:05:43,276 That's the nicest part of my job. 375 01:06:15,350 --> 01:06:16,851 I LOVE YOU 376 01:10:10,377 --> 01:10:13,088 Maybe a little less cuts in this one 377 01:10:13,421 --> 01:10:15,340 so you can appreciate all the moves. 378 01:10:16,091 --> 01:10:19,135 Front, right? And then this is more like... 379 01:10:23,682 --> 01:10:26,976 This last part is a medium shot, remember? 380 01:10:27,435 --> 01:10:31,189 And I go to the stand. I go to the stand. 381 01:10:34,484 --> 01:10:38,071 I think the show is in an ideal place now. 382 01:10:39,364 --> 01:10:41,866 This is a girl who's so dedicated. 383 01:10:42,367 --> 01:10:45,286 She will work...She doesn't know how to not work. 384 01:10:45,578 --> 01:10:47,497 At this moment, the first verse, 385 01:10:47,831 --> 01:10:49,416 I would prefer Pedro over here. 386 01:10:49,499 --> 01:10:53,294 She studies and practices everything to the Nth degree. 387 01:11:03,138 --> 01:11:06,307 It's just like the beat is going, we need to lift it up. 388 01:11:06,766 --> 01:11:09,561 She's constantly being an artist. 389 01:11:09,644 --> 01:11:11,771 Which means she's always searching for 390 01:11:12,397 --> 01:11:14,357 something better or something new. 391 01:11:16,317 --> 01:11:18,111 It's powerful, but I need to dance. 392 01:11:18,361 --> 01:11:21,239 The bass is so big that's a bit overpowering. 393 01:11:21,489 --> 01:11:22,240 Okay. 394 01:11:22,323 --> 01:11:25,326 We're going over some of the subdivisions. 395 01:11:25,660 --> 01:11:28,246 Like percussion, something like that... 396 01:11:29,205 --> 01:11:32,167 You know, congas and merengue... 397 01:11:32,250 --> 01:11:36,254 This is merengue turned to EDM for Latinos. 398 01:11:36,588 --> 01:11:37,922 -Okay. -Like me. 399 01:11:38,006 --> 01:11:39,799 My first impression of Shak was, 400 01:11:39,883 --> 01:11:42,886 this is somebody who is the full package artist, 401 01:11:42,969 --> 01:11:46,931 somebody who is musical, who's visually creative, 402 01:11:47,015 --> 01:11:48,933 who can dance, who can play instruments. 403 01:11:49,017 --> 01:11:50,977 This girl is incredible. 404 01:11:51,061 --> 01:11:51,728 She is interesting, 405 01:11:51,811 --> 01:11:56,316 she's diabolically talented, she's got... 406 01:11:56,399 --> 01:12:00,612 For me, I mean, it was like this was the ultimate artist. 407 01:12:00,695 --> 01:12:02,197 There was this genius here. 408 01:12:02,614 --> 01:12:05,533 Because she's such an energetic performer, 409 01:12:05,617 --> 01:12:07,452 I think a lot of people forget 410 01:12:07,535 --> 01:12:09,287 the fact that she is an amazing vocalist. 411 01:12:22,592 --> 01:12:25,345 She's involved in every detail of her career, 412 01:12:25,845 --> 01:12:31,267 not just music but lights, looks, video, content... 413 01:12:38,108 --> 01:12:41,486 Six months ago I felt that I had the best show of my life, 414 01:12:41,569 --> 01:12:44,406 but now I think this show is maybe better than 415 01:12:44,489 --> 01:12:47,867 that one because we have had time to... 416 01:12:48,660 --> 01:12:52,247 to polish up, to add even more things. 417 01:12:54,040 --> 01:12:56,042 Mines and confetti? 418 01:12:56,126 --> 01:12:57,252 -No, gerbs. -Gerbs. 419 01:12:59,337 --> 01:13:01,506 How long is it gonna last with those like gerbs, 420 01:13:01,589 --> 01:13:03,299 -because we imagine that... -Only one time. 421 01:13:03,633 --> 01:13:06,636 No. Don't do that to me. I was imagining like... 422 01:13:08,888 --> 01:13:09,681 How disappointing. 423 01:13:09,764 --> 01:13:13,059 -You can buy those, but that's... -Expensive? 424 01:13:13,143 --> 01:13:13,810 Yes. 425 01:13:14,853 --> 01:13:15,770 How about... 426 01:13:19,149 --> 01:13:20,358 Always negotiating. 427 01:13:21,693 --> 01:13:23,403 And since I can't put this, you have 428 01:13:23,486 --> 01:13:26,031 to give me the price of three in one 429 01:13:26,114 --> 01:13:28,324 because we're not using this one. 430 01:13:28,408 --> 01:13:29,659 It will look more spectacular, 431 01:13:29,743 --> 01:13:31,161 and more people will hire you guys. 432 01:13:32,704 --> 01:13:35,540 She knows where every light should be pointing, 433 01:13:35,623 --> 01:13:37,751 this pyro should go here, and this 434 01:13:37,834 --> 01:13:39,419 should happen right here, and... 435 01:13:40,003 --> 01:13:43,089 Yeah, yeah. Yeah, I like that, maybe two cameras. 436 01:13:43,757 --> 01:13:46,593 She can multitask. Confetti expert. 437 01:13:47,344 --> 01:13:48,261 ...space to go like this. 438 01:13:51,139 --> 01:13:52,682 -Here I am. -You really wanna give it away all up front. 439 01:13:52,766 --> 01:13:54,517 Confetti. All up front. All of it. 440 01:13:54,809 --> 01:13:56,269 -Are you recording that? -Yes. 441 01:13:58,104 --> 01:13:58,813 Okay. 442 01:14:00,732 --> 01:14:04,861 Her day is, downstairs she's doing storyboards, 443 01:14:04,944 --> 01:14:06,446 she comes up to the next level, 444 01:14:06,529 --> 01:14:07,947 she's working on the studio with us 445 01:14:08,031 --> 01:14:09,991 and telling us, "I like this, I like that." 446 01:14:10,075 --> 01:14:12,619 Then she's got choreography on the floor upstairs, 447 01:14:13,078 --> 01:14:14,579 so she takes what's happening there, 448 01:14:14,662 --> 01:14:16,623 she goes to the choreography and see if it works. 449 01:14:16,706 --> 01:14:18,917 Comes back downstairs, we change things, whatever, 450 01:14:19,334 --> 01:14:22,587 but it's like, for her, it's gotta be exhausting, 451 01:14:23,630 --> 01:14:25,465 but I don't think she knows any other way. 452 01:14:26,966 --> 01:14:29,177 Looking back on my Protools sessions, 453 01:14:29,260 --> 01:14:34,724 I think there was a version 47 on one of the songs. 454 01:14:35,475 --> 01:14:37,143 Definitely a lot of versions. 455 01:14:37,227 --> 01:14:39,020 She is very meticulous. 456 01:14:39,104 --> 01:14:41,606 The details, like the tiny details. 457 01:14:41,690 --> 01:14:43,233 -Like this. Right here. -But it's... 458 01:14:43,316 --> 01:14:44,693 Yeah, it swallows the drum. 459 01:14:44,776 --> 01:14:47,696 She can hear it, if a bass note is off 460 01:14:47,779 --> 01:14:49,823 or even the feel is a little off. 461 01:14:49,906 --> 01:14:52,158 She can hear everything. 462 01:14:52,242 --> 01:14:53,785 Literally does hear everything. 463 01:14:53,868 --> 01:14:55,036 She hears everything. 464 01:14:55,829 --> 01:14:57,163 Do you hear what I hear? 465 01:14:57,414 --> 01:14:58,498 She doesn't settle. 466 01:14:58,581 --> 01:15:00,000 And sometimes it's painful, 467 01:15:02,502 --> 01:15:04,379 but she's not wrong, she's always right. 468 01:15:04,462 --> 01:15:06,423 She runs the ship. And it's a blast. 469 01:15:12,012 --> 01:15:13,513 There's a wonderful relationship 470 01:15:13,596 --> 01:15:17,600 that she has with the bandmates, her crew, 471 01:15:17,684 --> 01:15:19,978 the people that have been with her for such a long time. 472 01:15:35,618 --> 01:15:40,331 She likes having certain people in her organization 473 01:15:40,582 --> 01:15:42,459 that she can count on, that understand her. 474 01:15:42,542 --> 01:15:44,794 We like working with her and we have a lot of fun all the time, 475 01:15:45,795 --> 01:15:46,755 it's a big family. 476 01:15:50,050 --> 01:15:52,052 One, two, three, four. 477 01:15:55,764 --> 01:16:00,268 Starting a stadium tour is a challenge... 478 01:16:00,352 --> 01:16:02,687 ...a big challenge because there are many things that change. 479 01:16:02,771 --> 01:16:06,024 I am not very good with change. I take a while to adapt. 480 01:16:06,483 --> 01:16:08,026 And the longer it goes on, the worse. 481 01:16:08,109 --> 01:16:14,032 Of course, I had to adapt to these large spaces. 482 01:16:15,367 --> 01:16:17,077 Everything is much more vast, eh... 483 01:16:17,911 --> 01:16:20,538 I didn't have my wings, the wings with 484 01:16:20,622 --> 01:16:23,375 which I go out and interact with people. 485 01:16:23,458 --> 01:16:26,294 Perfection doesn't exist. Nearly perfect. 486 01:16:26,878 --> 01:16:28,463 50,000 people, Aztec Stadium. 487 01:16:31,508 --> 01:16:32,926 Two nights in Mexico City! 488 01:16:41,267 --> 01:16:42,811 -Great job, great job. -Thank you. 489 01:16:57,033 --> 01:16:58,326 That's the one! 490 01:17:12,799 --> 01:17:13,550 How does it go? 491 01:17:40,076 --> 01:17:40,702 What? 492 01:18:31,920 --> 01:18:32,796 How does it go? 493 01:18:42,389 --> 01:18:43,014 What? 494 01:20:23,823 --> 01:20:26,242 One of the greatest pleasures I have had on this tour 495 01:20:26,326 --> 01:20:28,953 has been going over my repertoire. 496 01:20:30,830 --> 01:20:34,042 There are well-known songs that were left out, 497 01:20:34,376 --> 01:20:35,502 out of respect to the public and so 498 01:20:35,585 --> 01:20:36,795 they don't throw me off stage. 499 01:20:37,212 --> 01:20:39,964 I think two hours of a concert is enough. 500 01:20:41,925 --> 01:20:43,968 It's the longest concert I have ever done in my life. 501 01:20:44,052 --> 01:20:45,804 Look, I started when I was 18 502 01:20:45,887 --> 01:20:47,889 doing concerts for an hour and 15 minutes. 503 01:20:47,972 --> 01:20:50,892 I remember when my brother had to carry me out. 504 01:20:50,975 --> 01:20:53,728 And now, after two hours dancing and singing, 505 01:20:53,812 --> 01:20:55,939 who would have thought that I would have this endurance. 506 01:20:57,816 --> 01:21:00,318 I feed off the energy of the people. 507 01:21:00,777 --> 01:21:03,196 The concert ends, and I am still dancing. 508 01:21:03,279 --> 01:21:05,365 No one can put me to bed until 4 in the morning. 509 01:21:06,241 --> 01:21:10,370 Starting with "I am here", a song I wrote when I was 17. 510 01:21:10,954 --> 01:21:12,956 Singing songs like "Anthology" also. 511 01:21:25,760 --> 01:21:27,512 Oh... it's so cute... 512 01:21:28,930 --> 01:21:30,765 Los Angeles, you're incredible! 513 01:21:38,273 --> 01:21:40,525 Really, I couldn't ask for more. 514 01:21:42,068 --> 01:21:43,570 You have no idea what this means to me. 515 01:21:46,406 --> 01:21:49,034 This is one of the first songs I wrote. 516 01:21:49,951 --> 01:21:51,036 One of my first songs. 517 01:21:51,119 --> 01:21:52,829 It's called "Anthology" and it goes like this. 518 01:25:37,178 --> 01:25:38,179 Come on! 519 01:25:54,320 --> 01:25:55,572 All right, Brendan, give me a beat! 520 01:26:00,452 --> 01:26:01,369 You know, I was thinking something 521 01:26:01,453 --> 01:26:02,454 more reggae, you know? 522 01:26:06,666 --> 01:26:07,417 Maybe. 523 01:26:09,252 --> 01:26:10,211 Getting closer. 524 01:26:12,630 --> 01:26:14,007 Can you slow it down a bit? 525 01:26:18,303 --> 01:26:19,095 Yeah... 526 01:26:22,349 --> 01:26:24,059 That's what I'm talking about! 527 01:26:31,566 --> 01:26:33,568 Check it out, come on, give me some effects! 528 01:30:20,837 --> 01:30:22,255 This is like a mad house. 529 01:30:22,630 --> 01:30:23,923 It's like an insane asylum. 530 01:30:24,466 --> 01:30:26,051 Make some noise! 531 01:34:28,960 --> 01:34:31,004 Shakira, Shakira, Shakira! 532 01:34:31,087 --> 01:34:34,049 I love you, Colombia. I will always remember this moment. 533 01:34:34,507 --> 01:34:38,011 We love you, Shaki, we love you! 534 01:34:47,479 --> 01:34:50,148 All human beings want to give sense 535 01:34:50,231 --> 01:34:51,691 to our existence, to our lives. 536 01:34:53,443 --> 01:34:55,779 Understanding why we are here, and for what. 537 01:34:56,446 --> 01:34:57,822 There has to be a why. 538 01:35:02,535 --> 01:35:06,623 We are doing these last concerts, the last one really, 539 01:35:06,706 --> 01:35:09,501 to collect funds for a foundation 540 01:35:09,584 --> 01:35:11,378 for which I have recently set up in my country. 541 01:35:11,461 --> 01:35:13,088 It's called "Bare Feet". 542 01:35:13,505 --> 01:35:15,965 We were born and have grown up in a country like this, 543 01:35:16,049 --> 01:35:18,635 where there is so much social injustice, 544 01:35:18,718 --> 01:35:20,679 children born into poverty, 545 01:35:21,012 --> 01:35:23,223 who are condemned to live with it. 546 01:35:24,766 --> 01:35:27,394 We are going to the Colombian jungle 547 01:35:28,186 --> 01:35:29,396 and we are going to visit the first Bare Feet 548 01:35:29,479 --> 01:35:32,399 school which we set up in this place. 549 01:35:33,942 --> 01:35:35,235 I am very excited. 550 01:35:36,111 --> 01:35:38,196 The school goes beyond education. 551 01:35:38,279 --> 01:35:42,617 It's the space where kids can grow in a healthy environment. 552 01:35:49,791 --> 01:35:51,501 The only form of getting... 553 01:35:53,003 --> 01:35:56,798 equality or cementing the way for peace 554 01:35:56,881 --> 01:36:00,677 is through quality education. 555 01:36:01,636 --> 01:36:03,930 Every boy and girl, and that no one gets left out. 556 01:36:04,014 --> 01:36:06,850 How beautiful. Jos‘ David, is your name? 557 01:36:07,434 --> 01:36:08,935 You draw very well. 558 01:36:09,019 --> 01:36:09,853 SUPERHEROINE 559 01:36:09,936 --> 01:36:11,062 The State has an obligation to children, 560 01:36:12,313 --> 01:36:16,401 but the private sector also has an obligation. 561 01:36:16,860 --> 01:36:18,528 Give a bit back to society. 562 01:36:19,487 --> 01:36:21,573 Meanwhile there are boys and girls 563 01:36:21,823 --> 01:36:23,241 with little resources 564 01:36:23,700 --> 01:36:24,993 who don't have, 565 01:36:25,535 --> 01:36:29,247 who don't receive the same education as those children 566 01:36:29,748 --> 01:36:31,332 with better life conditions... 567 01:36:31,416 --> 01:36:33,084 ...we can't speak about a country in peace. 568 01:36:33,335 --> 01:36:35,545 We can't speak about a country with equality. 569 01:36:36,129 --> 01:36:37,672 We all have the obligation. 570 01:36:37,964 --> 01:36:39,799 Everybody who receives has to give. 571 01:36:39,883 --> 01:36:41,468 And if we are here and we don't help 572 01:36:41,551 --> 01:36:43,553 each other in this fight for survival, 573 01:36:44,971 --> 01:36:46,389 it doesn't make any sense, does it? 574 01:36:48,933 --> 01:36:50,101 THE GREAT CONSTRUCTION WAREHOUSE 575 01:36:50,185 --> 01:36:51,227 BRICK - CEMENT - ETERNIT - RODS- PIPES P V C. 576 01:39:02,192 --> 01:39:02,984 Come on! 577 01:39:09,824 --> 01:39:10,950 Louder! 578 01:39:17,248 --> 01:39:18,083 Now jumping! 579 01:39:31,471 --> 01:39:32,889 Why am I sweating so much? 580 01:39:35,392 --> 01:39:36,935 Why am I sweating so much? 581 01:39:39,604 --> 01:39:41,439 Why am I sweating so much, LA? 582 01:40:35,827 --> 01:40:37,912 Jump, jump, jump, jump, come on! 583 01:41:36,846 --> 01:41:38,473 Africa, Africa! 584 01:41:40,016 --> 01:41:43,603 Jump for Africa! America! 585 01:43:03,224 --> 01:43:04,601 We are all Africa. 586 01:43:06,978 --> 01:43:08,396 We are all Africa! 587 01:43:39,386 --> 01:43:40,261 Thank you! 588 01:44:13,628 --> 01:44:15,964 Reaching Ithaca is not important, 589 01:44:16,047 --> 01:44:17,215 but rather the journey. 590 01:44:17,674 --> 01:44:21,177 And it has been so fulfilling, 591 01:44:21,803 --> 01:44:22,971 so nourishing, 592 01:44:24,139 --> 01:44:25,974 with wonderful people. 593 01:44:29,894 --> 01:44:33,064 From difficult experiences, 594 01:44:33,148 --> 01:44:37,485 obstacles, challenges that have made me stronger, 595 01:44:37,944 --> 01:44:39,487 more grateful also. 596 01:44:40,030 --> 01:44:42,907 The human being, until they lose something they have, 597 01:44:43,199 --> 01:44:47,162 doesn't realize how fortunate they are. 598 01:44:47,996 --> 01:44:52,500 And I never imagined that at my age, 599 01:44:52,584 --> 01:44:53,626 and after so many years in this career, 600 01:44:53,710 --> 01:44:56,379 I would be as in love as I am with music and my fans. 601 01:44:56,796 --> 01:44:57,881 Now I don't want to stop. 602 01:44:58,131 --> 01:45:01,843 It's a bittersweet feeling, 603 01:45:01,926 --> 01:45:04,262 being happy and sad for something that is finishing. 604 01:45:05,013 --> 01:45:07,849 A part of me says "what a pity". 605 01:45:07,932 --> 01:45:09,184 And another part says "Oh, how great". 606 01:45:09,267 --> 01:45:10,185 Because I am going to be with my children 607 01:45:10,268 --> 01:45:11,853 for as long as they need. 608 01:45:19,027 --> 01:45:20,779 Milan himself said the other day, 609 01:45:20,862 --> 01:45:25,950 "My mommy is sad because the Golden tour is over, 610 01:45:26,034 --> 01:45:28,661 but she is happy because she will be with her family." 611 01:47:41,711 --> 01:47:43,672 I wanna see you dancing! 612 01:47:59,979 --> 01:48:01,439 How are all my people? 613 01:51:43,078 --> 01:51:44,162 Put your hands in the air. 614 01:51:44,245 --> 01:51:46,122 Put your hands in the air. Come on, LA! 615 01:51:52,712 --> 01:51:55,882 Shakira, Shakira, Los Angeles, she loves you. 616 01:51:57,509 --> 01:52:00,220 California, so juicy California, what? 617 01:52:35,547 --> 01:52:37,382 Colombian cumbia. 618 01:52:40,176 --> 01:52:41,928 Incredible Colombia! 619 01:53:38,777 --> 01:53:39,861 And thank you! 620 01:53:47,035 --> 01:53:50,121 Now, my flip flops are the best, look. We're going to the spa! 621 01:53:58,171 --> 01:53:59,172 Sexy, sexy, sexy... 622 01:54:00,006 --> 01:54:04,678 Sexy, sexy, sexy, sexy, sexy, sexy, sexy... 623 01:54:11,893 --> 01:54:15,021 I was like this, making an effort like this, 624 01:54:15,105 --> 01:54:16,272 warming up, 625 01:54:16,356 --> 01:54:19,192 trying to perk up before going on stage. 626 01:54:19,442 --> 01:54:20,443 And, well, that works 627 01:54:20,527 --> 01:54:21,861 I go out and the people... 628 01:54:24,155 --> 01:54:25,240 it's like... 629 01:57:35,347 --> 01:57:36,348 How does it go? 630 01:57:36,431 --> 01:57:38,433 "We love you Shaki" 631 01:58:45,542 --> 01:58:46,376 Thank you! 632 01:59:15,572 --> 01:59:18,283 Thank you! I love you all so much! 633 01:59:48,021 --> 01:59:48,897 Amazing show! 634 01:59:48,980 --> 01:59:50,982 Thank you for allowing me to be close to everyone. 635 01:59:52,817 --> 01:59:55,362 You finished with the icing on the cake, my love. 636 01:59:56,988 --> 01:59:59,491 You are the best in the world, I love you. 637 02:00:00,575 --> 02:00:01,534 I love you. 638 02:00:04,621 --> 02:00:05,538 Come on, Jaime, get in here! 639 02:00:05,622 --> 02:00:07,082 These people have come from New Jersey. 640 02:00:07,165 --> 02:00:08,124 I have the Cuban. 641 02:00:10,794 --> 02:00:12,170 Let's swap. Switch! 642 02:00:13,838 --> 02:00:15,173 Can someone explain something to me here? 643 02:00:15,256 --> 02:00:16,549 Because I don't understand. 644 02:00:19,594 --> 02:00:22,055 He is married to a Cali girl, so that explains everything. 645 02:00:23,473 --> 02:00:25,350 Everybody here is getting naked, what's this about? 646 02:00:25,433 --> 02:00:27,352 Keep it up. You're looking amazing. 647 02:00:32,732 --> 02:00:34,192 But she gave me one kiss more than she gave you. 648 02:00:34,275 --> 02:00:35,068 One more. 649 02:00:35,360 --> 02:00:36,403 She doesn't love me any more. 650 02:00:38,822 --> 02:00:39,572 It's over. 651 02:00:40,365 --> 02:00:41,783 Back to the housewife life. 45036

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