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These are the user uploaded subtitles that are being translated: 1 00:00:01,482 --> 00:00:04,172 Narrator: PYRAMIDS, TEMPLES, TOMBS -- 2 00:00:04,172 --> 00:00:07,103 THESE ANCIENT WONDERS PROMISE EVEN GREATER SECRETS 3 00:00:07,103 --> 00:00:10,793 STILL TO BE FOUND BENEATH THE SANDS OF EGYPT. 4 00:00:10,793 --> 00:00:12,517 NOW CUTTING-EDGE SCIENCE 5 00:00:12,517 --> 00:00:15,517 DECODES THE MYSTERIOUS LAND OF THE PHARAOHS. 6 00:00:15,517 --> 00:00:19,241 WITH MODERN TECHNOLOGY, WE ARE GAINING AN INSIGHT 7 00:00:19,241 --> 00:00:21,551 INTO THE WAY THE ANCIENT EGYPTIANS LIVED 8 00:00:21,551 --> 00:00:24,275 AND THE MANNER IN WHICH THEY DIED. 9 00:00:24,275 --> 00:00:26,448 Narrator: THIS TIME, THE MYSTERIES BEHIND 10 00:00:26,448 --> 00:00:30,206 THE DECLINE AND FALL OF ANCIENT EGYPT. 11 00:00:30,206 --> 00:00:33,379 DID VOLCANIC ERUPTIONS THOUSANDS OF MILES FROM EGYPT 12 00:00:33,379 --> 00:00:36,068 HELP TAKE DOWN THE PHARAOHS? 13 00:00:36,068 --> 00:00:38,448 Darnell: CLIMATIC AND POLITICAL INSTABILITY -- 14 00:00:38,448 --> 00:00:41,275 THAT'S WHEN IT'S GOING TO CAUSE A MAJOR CHANGE. 15 00:00:41,275 --> 00:00:42,793 Narrator: CAN SCIENTISTS RECREATE 16 00:00:42,793 --> 00:00:44,551 THE FACE OF A WEALTHY WOMAN 17 00:00:44,551 --> 00:00:47,931 WHO LIVED IN ANCIENT EGYPT'S FINAL YEARS? 18 00:00:47,931 --> 00:00:49,655 Carroll: WE'RE ESSENTIALLY BRINGING HER BACK TO LIFE. 19 00:00:49,655 --> 00:00:53,000 FOR THE ANCIENT EGYPTIANS, THIS IS LIFE AFTER DEATH. 20 00:00:53,000 --> 00:00:55,896 Narrator: AND ARE THE MONUMENTS THAT DID SURVIVE EGYPT'S FALL 21 00:00:55,896 --> 00:00:59,034 NOW DOOMED TO DESTRUCTION? 22 00:00:59,034 --> 00:01:02,172 WE RISK LOSING EGYPT'S HERITAGE FOREVER. 23 00:01:02,172 --> 00:01:04,206 Narrator: ANCIENT CLUES UNEARTHED... 24 00:01:04,206 --> 00:01:06,724 LONG-LOST EVIDENCE REEXAMINED... 25 00:01:06,724 --> 00:01:11,000 PRECIOUS ARTIFACTS BROUGHT INTO THE LIGHT OF THE 21st CENTURY... 26 00:01:11,000 --> 00:01:14,172 THESE ARE "EGYPT'S UNEXPLAINED FILES." 27 00:01:14,172 --> 00:01:17,137 --Captions by VITAC-- www.vitac.com 28 00:01:17,137 --> 00:01:20,137 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 29 00:01:20,137 --> 00:01:22,379 FOR OVER 3,000 YEARS, 30 00:01:22,379 --> 00:01:26,448 EGYPT WAS RULED BY THE PHARAOHS. 31 00:01:26,448 --> 00:01:28,724 BUT OVER THE COURSE OF THREE CENTURIES, 32 00:01:28,724 --> 00:01:31,689 THEY SLOWLY LOST THEIR GRIP ON POWER 33 00:01:31,689 --> 00:01:35,344 TO LEAVE EGYPT FACING A CHAOTIC DOWNFALL. 34 00:01:35,344 --> 00:01:38,517 OPEN REVOLT IN THE STREETS AND FAMINE. 35 00:01:38,517 --> 00:01:41,000 Manning: DRAMATIC TALES OF POLITICAL CHAOS 36 00:01:41,000 --> 00:01:43,379 AND EVERYTHING BREAKING DOWN. 37 00:01:43,379 --> 00:01:46,551 WHAT MIGHT BE TRIGGERING THIS CHAOS? 38 00:01:46,551 --> 00:01:49,034 Narrator: NOW CAN CLIMATE SCIENCE 39 00:01:49,034 --> 00:01:51,931 AND CLUES BURIED IN THE POLAR ICE CAPS 40 00:01:51,931 --> 00:01:55,482 EXPLAIN THE TERMINAL DECLINE OF THE ANCIENT PHARAOHS? 41 00:01:55,482 --> 00:01:56,724 Manning: THERE'S SO MANY CHANGES, 42 00:01:56,724 --> 00:02:01,413 SO MANY SHOCKS THAT A SOCIETY CAN WITHSTAND 43 00:02:01,413 --> 00:02:02,758 BEFORE IT BREAKS. 44 00:02:04,413 --> 00:02:06,758 Narrator: 305 B.C.E. -- 45 00:02:06,758 --> 00:02:09,965 THE PTOLEMAIC DYNASTY BEGINS ITS RULE OF EGYPT. 46 00:02:09,965 --> 00:02:14,896 THE PTOLEMIES WERE THE DESCENDANTS OF PTOLEMY, 47 00:02:14,896 --> 00:02:18,068 WHO WAS ONE OF THE GENERALS OF ALEXANDER THE GREAT. 48 00:02:18,068 --> 00:02:20,827 PTOLEMY MANAGED TO SEIZE EGYPT, 49 00:02:20,827 --> 00:02:23,551 AND HIS FAMILY THEN RULED EGYPT 50 00:02:23,551 --> 00:02:25,896 THE NEXT 300 YEARS. 51 00:02:25,896 --> 00:02:28,275 Narrator: UNDER THEIR RULE, EGYPT FLOURISHED 52 00:02:28,275 --> 00:02:31,172 AS A CULTURAL AND ECONOMIC POWERHOUSE, 53 00:02:31,172 --> 00:02:36,620 BUILDING GREAT MONUMENTS LIKE THE LIGHTHOUSE OF ALEXANDRIA. 54 00:02:36,620 --> 00:02:40,137 BUT THIS ERA WAS STILL MARKED BY CIVIL UNREST 55 00:02:40,137 --> 00:02:43,034 CAUSED BY FAMINE. 56 00:02:43,034 --> 00:02:45,413 SUDDENLY, THERE'S NO FOOD AVAILABLE, 57 00:02:45,413 --> 00:02:47,620 OR AT LEAST FOOD IS IN SHORT SUPPLY. 58 00:02:47,620 --> 00:02:49,275 AND IF IT WASN'T BEING DEALT WITH TO THEIR SATISFACTION, 59 00:02:49,275 --> 00:02:52,379 THEN THEY WOULD WANT TO RISE UP AND REVOLT. 60 00:02:52,379 --> 00:02:55,620 WHEN THE AGRICULTURAL CYCLE DOES NOT LOOK GREAT, 61 00:02:55,620 --> 00:02:59,275 YOU CAN UNDERSTAND THAT PEOPLE ARE GOING TO PANIC. 62 00:02:59,275 --> 00:03:01,793 THE KING IS SOMEONE WHO IS SUPPOSED TO 63 00:03:01,793 --> 00:03:06,517 PROMOTE JUSTICE AND ORDER AND DESTROY CHAOS. 64 00:03:06,517 --> 00:03:08,103 Narrator: FAMINE AFTER FAMINE 65 00:03:08,103 --> 00:03:10,068 UNDERMINED ATTEMPTS BY THE PTOLEMIES 66 00:03:10,068 --> 00:03:12,241 TO GOVERN EGYPT EFFECTIVELY. 67 00:03:12,241 --> 00:03:15,689 NOW EGYPTOLOGISTS ARE SEARCHING FOR CLUES TO EXPLAIN 68 00:03:15,689 --> 00:03:20,103 WHY FAMINE HIT THIS ERA SO OFTEN. 69 00:03:20,103 --> 00:03:22,586 THEIR FIRST CLUE IS THE NILE. 70 00:03:22,586 --> 00:03:27,724 THE RIVER'S ANNUAL FLOOD WAS CRUCIAL TO LIFE IN EGYPT. 71 00:03:27,724 --> 00:03:30,068 WITHOUT THE FLOODS, THEY CAN'T GROW THE CROPS. 72 00:03:30,068 --> 00:03:33,344 AND IF THEY CAN'T GROW THE CROPS, THEN THEY CAN'T EAT. 73 00:03:33,344 --> 00:03:35,413 Narrator: HISTORICAL RECORDS REVEAL PERIODS 74 00:03:35,413 --> 00:03:36,896 IN THE PTOLEMAIC ERA 75 00:03:36,896 --> 00:03:41,068 WHEN THE NILE FLOODS DIDN'T ARRIVE. 76 00:03:41,068 --> 00:03:43,482 AN INTERNATIONAL TEAM OF CLIMATE SCIENTISTS 77 00:03:43,482 --> 00:03:47,689 SEARCH FOR EVIDENCE TO EXPLAIN WHY. 78 00:03:47,689 --> 00:03:51,793 THEY UNCOVER CLUES THOUSANDS OF MILES FROM EGYPT 79 00:03:51,793 --> 00:03:54,827 IN THE POLAR ICE CAPS. 80 00:03:54,827 --> 00:03:58,586 THE SCIENTISTS DRILL CORE SAMPLES FROM THE ICE. 81 00:03:58,586 --> 00:04:00,517 THEY REVEAL GEOLOGICAL RECORDS 82 00:04:00,517 --> 00:04:04,241 STRETCHING BACK THOUSANDS OF YEARS. 83 00:04:04,241 --> 00:04:08,862 Naunton: THEY FOUND IN A NUMBER OF THESE CORES SULFUR PARTICLES, 84 00:04:08,862 --> 00:04:13,689 WHICH ARRIVED THERE AS A RESULT OF VOLCANIC ERUPTIONS. 85 00:04:13,689 --> 00:04:16,241 Narrator: SCIENTISTS KNOW THAT GIANT VOLCANIC ERUPTIONS 86 00:04:16,241 --> 00:04:19,275 CAN HAVE A DIRECT EFFECT ON GLOBAL WEATHER PATTERNS. 87 00:04:22,448 --> 00:04:25,620 Manning: WE KNOW VOLCANOES ARE AN IMPORTANT FORCING MECHANISM, 88 00:04:25,620 --> 00:04:28,827 CLIMATOLOGISTS SAY, FOR GLOBAL CLIMATE FOR COOLING. 89 00:04:28,827 --> 00:04:30,448 Narrator: WHEN VOLCANOES ERUPT, 90 00:04:30,448 --> 00:04:32,517 THEY BLAST CLOUDS OF SULFUR DIOXIDE 91 00:04:32,517 --> 00:04:35,068 HIGH INTO THE STRATOSPHERE. 92 00:04:35,068 --> 00:04:37,448 IT FORMS A LAYER OF SULFATE PARTICLES, 93 00:04:37,448 --> 00:04:42,413 WHICH REFLECT SUNLIGHT BACK INTO SPACE, LOWERING TEMPERATURES 94 00:04:42,413 --> 00:04:46,655 AND CHANGING PATTERNS OF RAINFALL AROUND THE GLOBE. 95 00:04:46,655 --> 00:04:48,655 IT HAS TO BE A CERTAIN SIZE ERUPTION 96 00:04:48,655 --> 00:04:52,034 THAT PUTS SULFATES AND ASH INTO THE STRATOSPHERE, 97 00:04:52,034 --> 00:04:56,034 AND THAT CIRCULATES GLOBALLY OR HEMISPHERICALLY. 98 00:04:56,034 --> 00:04:59,862 THAT REDUCES THE AMOUNT OF SUN HITTING THE EARTH'S SURFACE... 99 00:05:02,172 --> 00:05:06,103 ...WHICH, IN TURN, AFFECTS HOW THE MONSOON IS OPERATING. 100 00:05:06,103 --> 00:05:09,758 Narrator: NOW SCIENTISTS ASK IF VOLCANIC ERUPTIONS COULD EXPLAIN 101 00:05:09,758 --> 00:05:13,586 THE FAILURE OF THE NILE TO FLOOD IN PTOLEMAIC EGYPT. 102 00:05:13,586 --> 00:05:15,827 RESEARCHERS ANALYZE THE ICE CORES 103 00:05:15,827 --> 00:05:17,206 IN THEIR FIELD LABS. 104 00:05:17,206 --> 00:05:19,310 THEY DETECT SPIKES IN THE CONCENTRATION 105 00:05:19,310 --> 00:05:21,034 OF SULFATE PARTICLES, 106 00:05:21,034 --> 00:05:24,137 WHICH ALLOWS THEM TO DATE ANCIENT VOLCANIC ERUPTIONS 107 00:05:24,137 --> 00:05:26,448 WITH ASTONISHING PRECISION. 108 00:05:26,448 --> 00:05:28,517 FOR THE VOLCANIC RECORD IN THE ICE CORES 109 00:05:28,517 --> 00:05:30,172 IN GREENLAND OR THE ANTARCTIC, 110 00:05:30,172 --> 00:05:33,862 WE CAN UNDERSTAND VOLCANIC ERUPTIONS IN A SEQUENCE 111 00:05:33,862 --> 00:05:35,689 PLUS OR MINUS A SINGLE YEAR. 112 00:05:35,689 --> 00:05:40,068 ♪♪ 113 00:05:40,068 --> 00:05:41,620 Naunton: AND WHAT'S REALLY INTERESTING ABOUT THIS 114 00:05:41,620 --> 00:05:44,000 FOR EGYPTIAN HISTORY IS THAT THOSE ERUPTIONS 115 00:05:44,000 --> 00:05:49,034 SEEMS TO HAVE TAKEN PLACE IN THE PTOLEMAIC PERIOD. 116 00:05:49,034 --> 00:05:50,965 Narrator: BUT COULD THESE ERUPTIONS REALLY HAVE AFFECTED 117 00:05:50,965 --> 00:05:53,241 THE FLOODING OF THE NILE? 118 00:05:53,241 --> 00:05:54,827 RESEARCH TEAMS AT NASA 119 00:05:54,827 --> 00:05:59,310 CREATE COMPUTER SIMULATIONS TO TEST THE THEORY. 120 00:05:59,310 --> 00:06:01,931 Manning: SCIENTISTS CAN MEASURE TEMPERATURE CHANGES, 121 00:06:01,931 --> 00:06:04,896 RECONSTRUCT TEMPERATURE PATTERNS IN THE WORLD, 122 00:06:04,896 --> 00:06:09,689 RECONSTRUCT RAINFALL PATTERNS IN THE WORLD IN SOME DETAIL. 123 00:06:09,689 --> 00:06:11,241 Narrator: THE COMPUTER MODELING REVEALS 124 00:06:11,241 --> 00:06:14,241 THE MASSIVE SULFATE PARTICLES FROM VOLCANIC ERUPTIONS 125 00:06:14,241 --> 00:06:16,172 IN THE NORTHERN HEMISPHERE 126 00:06:16,172 --> 00:06:20,551 PUSHES THE MONSOON RAINS FURTHER SOUTH, AWAY FROM EGYPT, 127 00:06:20,551 --> 00:06:23,482 STARVING THE RIVER NILE OF WATER. 128 00:06:25,724 --> 00:06:28,206 Johnston: AS A DIRECT RESULT OF THESE ERUPTIONS, 129 00:06:28,206 --> 00:06:31,068 THERE IS SUPPRESSED RAINFALL IN AFRICA, 130 00:06:31,068 --> 00:06:33,758 AND PARTICULARLY AROUND THE AREA OF ETHIOPIA, 131 00:06:33,758 --> 00:06:36,482 WHICH WOULD DIRECTLY AFFECT THE NILE. 132 00:06:36,482 --> 00:06:39,137 Manning: LARGE ERUPTIONS AND MULTIPLE ERUPTIONS 133 00:06:39,137 --> 00:06:42,310 CLOSELY SPACED TOGETHER CAN PERTURB A RIVER LIKE THE NILE 134 00:06:42,310 --> 00:06:46,931 FOR, SOMETIMES, A DECADE, POSSIBLY EVEN LONGER. 135 00:06:46,931 --> 00:06:48,655 Narrator: RESEARCHERS NOW COMPARE THE DATES 136 00:06:48,655 --> 00:06:51,620 OF THESE VOLCANIC ERUPTIONS WITH THE DATES OF FAMINE 137 00:06:51,620 --> 00:06:54,517 AND SOCIAL UNREST IN EGYPT. 138 00:06:54,517 --> 00:06:58,551 THEY UNCOVER A COMPELLING LINK. 139 00:06:58,551 --> 00:07:01,551 Johnston: IN THE 40s B.C., WE HAVE EVIDENCE FROM 140 00:07:01,551 --> 00:07:06,103 THE ICE CORES OF MAJOR ERUPTIONS HAPPENING THROUGHOUT THE GLOBE. 141 00:07:06,103 --> 00:07:09,586 AND IN EGYPT, WE HAVE THE ROMAN WRITER PLINY 142 00:07:09,586 --> 00:07:15,000 RECORDING THE NILE HAS REACHED ITS LOWEST EBB EVER SEEN. 143 00:07:15,000 --> 00:07:18,379 THIS RESULTS IN MAJOR STARVATION THROUGHOUT EGYPT 144 00:07:18,379 --> 00:07:21,034 AND ALSO IN MAJOR CIVIL UNREST. 145 00:07:21,034 --> 00:07:25,827 SURELY, THIS MUST BE MORE THAN MERE COINCIDENCE. 146 00:07:25,827 --> 00:07:27,517 Carroll: THE TWO PIECES OF INFORMATION, 147 00:07:27,517 --> 00:07:29,620 THE HISTORICAL AND THE SCIENTIFIC, 148 00:07:29,620 --> 00:07:31,413 ARE REALLY WORKING TOGETHER 149 00:07:31,413 --> 00:07:34,344 TO BUILD A BIGGER, CLEARER PICTURE OF THIS. 150 00:07:34,344 --> 00:07:37,034 Narrator: THE PTOLEMIES FINALLY LOST CONTROL OF EGYPT 151 00:07:37,034 --> 00:07:39,758 TO THE ROMANS IN 30 B.C.E., 152 00:07:39,758 --> 00:07:41,517 BUT SCIENCE HAS NOW REVEALED 153 00:07:41,517 --> 00:07:44,275 THAT IT WAS NOT JUST THE ROMANS THEY HAD TO BATTLE. 154 00:07:44,275 --> 00:07:46,931 FOR CENTURIES, THEIR RULE WAS UNDERMINED 155 00:07:46,931 --> 00:07:48,896 BY DRAMATIC CLIMATE EVENTS 156 00:07:48,896 --> 00:07:53,793 BROUGHT ON BY VOLCANIC ACTIVITY THOUSANDS OF MILES AWAY. 157 00:07:53,793 --> 00:07:57,931 Darnell: CLIMATIC INSTABILITY COMING AT THE SAME TIME 158 00:07:57,931 --> 00:07:59,379 AS POLITICAL INSTABILITY, 159 00:07:59,379 --> 00:08:02,137 THAT'S WHEN IT'S GOING TO CAUSE A MAJOR CHANGE. 160 00:08:02,137 --> 00:08:06,448 Johnston: WE HAVE OUTSIDERS SITTING ON THE THRONE OF EGYPT, 161 00:08:06,448 --> 00:08:09,931 AND WHAT THE EGYPTIANS SEE IS STARVATION. 162 00:08:09,931 --> 00:08:12,448 THEY SEE THE NILE FAILING TO FLOOD. 163 00:08:12,448 --> 00:08:15,620 THEY HAVE GENUINE CONCERNS ABOUT THE PEOPLE 164 00:08:15,620 --> 00:08:18,034 WHO ARE RUNNING THE COUNTRY. 165 00:08:19,413 --> 00:08:24,827 THE CLIMATE CHANGE UNDOUBTEDLY DESTABILIZES EGYPT. 166 00:08:24,827 --> 00:08:32,482 ♪♪ 167 00:08:32,482 --> 00:08:34,206 Narrator: HIDDEN DEEP IN THE VAULTS 168 00:08:34,206 --> 00:08:36,310 OF AN AUSTRALIAN UNIVERSITY -- 169 00:08:36,310 --> 00:08:40,103 THE LONG-FORGOTTEN HEAD OF AN UNIDENTIFIED MUMMY. 170 00:08:40,103 --> 00:08:42,965 THIS MUMMIFIED HEAD HAD BEEN IN STORAGE. 171 00:08:42,965 --> 00:08:44,448 Carroll: IT'D BASICALLY BEEN LEFT IN THE VAULTS 172 00:08:44,448 --> 00:08:46,896 FOR NEAR A HUNDRED YEARS. 173 00:08:46,896 --> 00:08:50,517 Narrator: NOW CAN THIS MUMMY'S HEAD REVEAL VITAL CLUES 174 00:08:50,517 --> 00:08:53,724 TO THE LIFE AND DEATH OF AN INDIVIDUAL 175 00:08:53,724 --> 00:08:55,620 FROM ONE OF THE LAST GENERATIONS 176 00:08:55,620 --> 00:08:58,241 TO LIVE UNDER THE RULE OF THE PHARAOHS? 177 00:08:58,241 --> 00:09:01,655 AND CAN THE VERY LATEST 3-D PRINTING TECHNOLOGY 178 00:09:01,655 --> 00:09:04,655 REVEAL THEIR TRUE FACE? 179 00:09:04,655 --> 00:09:06,827 CAN WE SAY ANYTHING ABOUT WHO THIS PERSON WAS? 180 00:09:06,827 --> 00:09:09,206 WHEN DID THEY LIVE? HOW DID THEY DIE? 181 00:09:15,034 --> 00:09:17,241 Narrator: 2016. 182 00:09:17,241 --> 00:09:20,827 A LONG-FORGOTTEN MUMMIFIED HEAD IS DISCOVERED IN A COLLECTION 183 00:09:20,827 --> 00:09:23,965 AT THE UNIVERSITY OF MELBOURNE. 184 00:09:23,965 --> 00:09:27,724 EXPERTS ARE UNSURE OF ITS ORIGINS. 185 00:09:27,724 --> 00:09:30,724 THEY TURN TO RADIOCARBON DATING AND ANALYZE 186 00:09:30,724 --> 00:09:34,620 A FRAGMENT OF DETACHED BANDAGE FROM THE HEAD. 187 00:09:34,620 --> 00:09:35,931 THIS PROCESS CAN REVEAL 188 00:09:35,931 --> 00:09:39,862 WHEN THIS PERSON MAY HAVE LIVED AND DIED. 189 00:09:39,862 --> 00:09:42,896 RADIOCARBON DATING, IT'S ONE OF THE GREATEST TOOLS 190 00:09:42,896 --> 00:09:45,689 FOR ARCHEOLOGISTS AND SCIENTISTS. 191 00:09:45,689 --> 00:09:48,931 WE CAN ACTUALLY GIVE A DATE RANGE. 192 00:09:48,931 --> 00:09:51,344 Narrator: SCIENTISTS REVEAL THE MUMMIFIED HEAD DATES 193 00:09:51,344 --> 00:09:56,034 TO BETWEEN 300 B.C.E. AND 30 B.C.E. -- 194 00:09:56,034 --> 00:09:59,344 THE FINAL YEARS OF EGYPT'S LAST PHARAOHS, 195 00:09:59,344 --> 00:10:01,724 THE PTOLEMIES. 196 00:10:01,724 --> 00:10:05,310 NOW RESEARCHERS WANT TO FIND OUT WHAT CLUES THIS INDIVIDUAL 197 00:10:05,310 --> 00:10:08,551 COULD REVEAL ABOUT THIS REMARKABLE ERA. 198 00:10:08,551 --> 00:10:11,034 BUT THEY'RE WORRIED THAT AFTER NEARLY A CENTURY 199 00:10:11,034 --> 00:10:15,103 LOCKED IN A VAULT, THE HEAD MAY HAVE DETERIORATED. 200 00:10:15,103 --> 00:10:17,551 BECAUSE THE HEAD WAS WRAPPED, 201 00:10:17,551 --> 00:10:21,689 THERE MAY BE DECAY HAPPENING BENEATH THE BANDAGES. 202 00:10:21,689 --> 00:10:23,931 Naunton: THERE WAS A GREAT CONCERN 203 00:10:23,931 --> 00:10:27,517 THAT ITS CONDITION HAD WORSENED AND WAS CONTINUING TO WORSEN, 204 00:10:27,517 --> 00:10:29,137 AND SOMETHING NEEDED TO BE DONE. 205 00:10:30,862 --> 00:10:33,241 Narrator: FOR THE FIRST TIME IN 90 YEARS, 206 00:10:33,241 --> 00:10:35,931 THE HEAD IS SCIENTIFICALLY EXAMINED. 207 00:10:35,931 --> 00:10:40,034 IT'S TIGHTLY BOUND IN BANDAGES DARKENED WITH EMBALMING OILS, 208 00:10:40,034 --> 00:10:43,206 EVIDENCE OF THE HIGHEST GRADE OF MUMMIFICATION 209 00:10:43,206 --> 00:10:46,655 AND A MAJOR CLUE TO WHO THIS PERSON WAS. 210 00:10:46,655 --> 00:10:48,517 Johnston: THE VERY FACT THAT THIS INDIVIDUAL HAD BEEN 211 00:10:48,517 --> 00:10:52,310 MUMMIFIED SUGGESTS THAT THEY ARE PART OF EGYPT'S ELITE. 212 00:10:52,310 --> 00:10:55,068 MUMMIFICATION WAS A TIME-CONSUMING, 213 00:10:55,068 --> 00:10:58,103 EXPENSIVE PROCESS. 214 00:10:58,103 --> 00:10:59,551 Narrator: THE TEAM HOPES THE HEAD WILL REVEAL 215 00:10:59,551 --> 00:11:02,931 FURTHER CLUES TO THIS PERSON'S STORY. 216 00:11:02,931 --> 00:11:05,206 BUT THERE'S A PROBLEM -- 217 00:11:05,206 --> 00:11:07,000 THE BANDAGES ARE PREVENTING TEAM 218 00:11:07,000 --> 00:11:09,620 FROM STUDYING THE SKULL IN DETAIL, 219 00:11:09,620 --> 00:11:12,448 AND REMOVING THEM IS OUT OF THE QUESTION. 220 00:11:12,448 --> 00:11:14,965 TO ACTUALLY UNWRAP THE MUMMY WOULD BE, YOU KNOW, 221 00:11:14,965 --> 00:11:17,517 A SLIGHTLY UNDIGNIFIED AND DISRESPECTFUL. 222 00:11:17,517 --> 00:11:19,448 Naunton: AFTER ALL, THIS IS THE REMAINS 223 00:11:19,448 --> 00:11:21,103 OF A DECEASED HUMAN BEING. 224 00:11:21,103 --> 00:11:22,827 IT WAS VERY DELIBERATELY WRAPPED IN THIS WAY, 225 00:11:22,827 --> 00:11:26,586 AND THEY WANTED, AS FAR AS POSSIBLE, TO MAINTAIN THAT. 226 00:11:26,586 --> 00:11:28,827 Narrator: SCIENCE OFFERS A SOLUTION -- 227 00:11:28,827 --> 00:11:30,620 A C.T. SCAN. 228 00:11:30,620 --> 00:11:33,517 IT ALLOWS RESEARCHERS TO SEE RIGHT INSIDE THE HEAD 229 00:11:33,517 --> 00:11:35,931 WITHOUT DAMAGING THE BANDAGES. 230 00:11:35,931 --> 00:11:38,793 THEY'RE ASTONISHED BY WHAT IS REVEALED. 231 00:11:38,793 --> 00:11:41,000 FAR FROM HAVING DETERIORATED, 232 00:11:41,000 --> 00:11:44,344 THE SKULL IS IN NEAR-PERFECT CONDITION. 233 00:11:44,344 --> 00:11:47,482 IT ALLOWS RESEARCHERS TO TAKE PRECISE MEASUREMENTS 234 00:11:47,482 --> 00:11:50,965 THAT DETERMINE THE GENDER AND AGE OF THIS ANCIENT EGYPTIAN. 235 00:11:52,724 --> 00:11:56,068 Naunton: BASED ON THE BONE STRUCTURE, THE ANGLE OF THE JAW, 236 00:11:56,068 --> 00:11:58,586 THE ROUNDNESS OF THE EYE SOCKETS, 237 00:11:58,586 --> 00:12:01,275 THIS WAS DEFINITELY THE SKULL OF A WOMAN. 238 00:12:01,275 --> 00:12:02,620 Carroll: TO DETERMINE THE AGE, 239 00:12:02,620 --> 00:12:05,206 THE FIRST THING THAT WE WOULD LOOK AT IS THE TEETH. 240 00:12:05,206 --> 00:12:07,689 THEY WERE ABLE TO AGE THAT THIS IS A YOUNG FEMALE 241 00:12:07,689 --> 00:12:10,413 OF 18 TO EARLY 20s. 242 00:12:10,413 --> 00:12:13,758 Narrator: THE RESEARCHERS NAME THIS WOMAN MERITAMEN. 243 00:12:13,758 --> 00:12:16,172 IT MEANS "BELOVED OF AMUN," 244 00:12:16,172 --> 00:12:19,724 THE KING OF THE GODS IN ANCIENT EGYPT. 245 00:12:19,724 --> 00:12:22,103 MERITAMEN WOULD HAVE WITNESSED GREAT CHANGES 246 00:12:22,103 --> 00:12:24,586 TO THE EGYPTIAN WAY OF LIFE 247 00:12:24,586 --> 00:12:27,655 BROUGHT ABOUT BY THE PTOLEMIES. 248 00:12:27,655 --> 00:12:29,517 Naunton: THEY INFLUENCED EGYPTIAN CULTURE 249 00:12:29,517 --> 00:12:31,310 IN NUMEROUS WAYS. 250 00:12:31,310 --> 00:12:33,275 THE GREEK LANGUAGE BECOMES ESTABLISHED 251 00:12:33,275 --> 00:12:36,000 AS THE PRINCIPAL ADMINISTRATIVE LANGUAGE. 252 00:12:36,000 --> 00:12:38,310 THEY INTRODUCE CURRENCY, ARCHITECTURE, 253 00:12:38,310 --> 00:12:41,620 AND ART TAKES ON A NEW GREEK INFLUENCE. 254 00:12:41,620 --> 00:12:46,551 AND THIS IS THE WORLD IN WHICH MERITAMEN LIVED. 255 00:12:46,551 --> 00:12:49,172 Narrator: MERITAMEN MAY HAVE BEEN OF HIGH STATUS, 256 00:12:49,172 --> 00:12:52,344 BUT RESEARCHERS DISCOVER EVIDENCE IN THE C.T. SCANS 257 00:12:52,344 --> 00:12:56,896 THAT WHILE SHE MAY HAVE ENJOYED THE PRIVILEGES OF WEALTH, 258 00:12:56,896 --> 00:13:00,068 SHE ALSO ENDURED AGONIZING PAIN. 259 00:13:00,068 --> 00:13:04,413 THE SCANS REVEAL MISSING TEETH, VAST AMOUNTS OF TOOTH DECAY, 260 00:13:04,413 --> 00:13:06,862 AND EXPOSED DENTAL ROOTS. 261 00:13:06,862 --> 00:13:08,310 Johnston: FOR THE ANCIENT EGYPTIANS, 262 00:13:08,310 --> 00:13:13,137 TOOTH DECAY FREQUENTLY CAME ABOUT FROM THE AMOUNT OF SAND 263 00:13:13,137 --> 00:13:16,275 THAT WAS TO BE FOUND IN PROCESSED FOODS. 264 00:13:16,275 --> 00:13:20,724 AND THIS SAND WOULD GRADUALLY ERODE THE ENAMEL OF THE TEETH, 265 00:13:20,724 --> 00:13:23,965 EXPOSING THE ROOTS AND CAUSING SEVERE PAIN 266 00:13:23,965 --> 00:13:29,827 AT A TIME WHEN THERE REALLY WAS NO DENTAL MEDICINE TO SPEAK OF. 267 00:13:29,827 --> 00:13:31,241 Narrator: THIS IS A VIVID INSIGHT 268 00:13:31,241 --> 00:13:36,103 INTO THE AGONY MERITAMEN ENDURED RIGHT UP UNTIL THE DAY SHE DIED. 269 00:13:38,379 --> 00:13:40,551 BUT THE TEAM WANTS TO REVEAL EVEN MORE DETAIL 270 00:13:40,551 --> 00:13:41,896 ABOUT THIS WOMAN, 271 00:13:41,896 --> 00:13:44,517 AND UNDERTAKE AN AMBITIOUS CHALLENGE -- 272 00:13:44,517 --> 00:13:47,275 TO RECONSTRUCT HER FACE. 273 00:13:47,275 --> 00:13:50,448 THEY USE THE PRECISION DATA FROM THE C.T. SCANS 274 00:13:50,448 --> 00:13:53,241 TO PROGRAM A 3-D PRINTER. 275 00:13:53,241 --> 00:13:55,862 Johnston: IT IS A TIME-CONSUMING PROCESS, 276 00:13:55,862 --> 00:13:58,241 AND, CERTAINLY, FOR THIS PARTICULAR SKULL, 277 00:13:58,241 --> 00:14:00,896 IT TOOK 140 HOURS. 278 00:14:00,896 --> 00:14:04,241 Narrator: SLOWLY, A PRECISE REPLICA OF MERITAMEN'S SKULL 279 00:14:04,241 --> 00:14:07,482 MATERIALIZES INSIDE THE PRINTER. 280 00:14:07,482 --> 00:14:09,655 WHEN IT'S COMPLETE, THE MODEL REVEALS 281 00:14:09,655 --> 00:14:13,206 FURTHER TINY BUT CRUCIAL DETAILS, 282 00:14:13,206 --> 00:14:15,000 CLUES HIDDEN INSIDE THE CRANIUM 283 00:14:15,000 --> 00:14:18,344 THAT SUGGEST A SERIOUS BLOOD DISORDER. 284 00:14:18,344 --> 00:14:20,724 Carroll: THE C.T. SCANNING AND WITH THE 3-D MODEL 285 00:14:20,724 --> 00:14:24,689 SHOWED EVIDENCE FOR THINNING AND PITTING ON THE SKULL ITSELF. 286 00:14:24,689 --> 00:14:27,551 IT'S LOOKING LIKE SHE WAS POSSIBLY ANEMIC. 287 00:14:27,551 --> 00:14:30,551 AND WITH ANEMIA, THERE'S A LACK OF RED BLOOD CELLS. 288 00:14:30,551 --> 00:14:33,862 THE BODY IS ESSENTIALLY STRUGGLING FOR OXYGEN. 289 00:14:33,862 --> 00:14:37,137 AND WHEN THAT HAPPENS, THE BONE MARROW STARTS TO SWELL. 290 00:14:37,137 --> 00:14:40,551 AND THIS HAS CREATED WHAT APPEARS ON THE SKULL 291 00:14:40,551 --> 00:14:42,620 OF THE MUMMY'S HEAD. 292 00:14:42,620 --> 00:14:44,206 Narrator: THE DRAINING EFFECTS OF ANEMIA 293 00:14:44,206 --> 00:14:46,689 WOULD HAVE TAKEN A HEAVY TOLL ON MERITAMEN, 294 00:14:46,689 --> 00:14:48,724 ROBBING HER OF ALL ENERGY. 295 00:14:48,724 --> 00:14:51,206 THIS DIAGNOSIS SHINES YET MORE LIGHT 296 00:14:51,206 --> 00:14:55,103 ON THE FINAL STAGES OF HER SHORT LIFE. 297 00:14:55,103 --> 00:14:57,344 IT'S ALMOST CERTAIN THAT DURING HER FINAL DAYS, 298 00:14:57,344 --> 00:15:00,655 THIS YOUNG WOMAN WOULD HAVE BEEN CONFINED TO HER BED. 299 00:15:00,655 --> 00:15:02,793 SHE WOULD HAVE BEEN UNABLE TO MOVE ABOUT. 300 00:15:02,793 --> 00:15:04,758 SHE WOULD HAVE BEEN EXHAUSTED. 301 00:15:04,758 --> 00:15:08,827 AND ALTHOUGH WE DON'T AS YET KNOW PRECISELY HOW SHE DIED, 302 00:15:08,827 --> 00:15:12,620 THERE ARE TWO MAJOR CONTRIBUTORY FACTORS THERE. 303 00:15:12,620 --> 00:15:15,724 Narrator: NOW RESEARCHERS HOPE TO UNCOVER EVEN MORE 304 00:15:15,724 --> 00:15:19,517 BY REVEALING EXACTLY WHAT SHE LOOKED LIKE. 305 00:15:19,517 --> 00:15:22,965 A FORENSIC ARTIST ATTACHES 3-DIMENSIONAL PLASTIC MARKERS 306 00:15:22,965 --> 00:15:26,068 AT KEY POINTS ON THE FACE AND HEAD. 307 00:15:26,068 --> 00:15:28,206 Naunton: AND THESE REPRESENT TISSUE DEPTH, 308 00:15:28,206 --> 00:15:31,137 WHICH IS BASED ON POPULATION AVERAGES. 309 00:15:31,137 --> 00:15:35,068 AND THIS COULD THEN BE USED TO RECREATE THE SOFT TISSUE, 310 00:15:35,068 --> 00:15:38,206 THE MUSCULATURE, IN CLAY. 311 00:15:38,206 --> 00:15:40,724 AND, SLOWLY, THE TEAM COULD BEGIN TO BUILD UP 312 00:15:40,724 --> 00:15:42,965 A PICTURE OF THE FACE OF THE INDIVIDUAL. 313 00:15:45,310 --> 00:15:47,689 Narrator: USING HER SPECIALIST KNOWLEDGE OF ANATOMY, 314 00:15:47,689 --> 00:15:50,482 THE FORENSIC ARTIST THEN METICULOUSLY BUILDS UP 315 00:15:50,482 --> 00:15:52,586 THE LAYERS OF MUSCLE AND TISSUE. 316 00:15:55,241 --> 00:15:59,827 SLOWLY, LAYER BY LAYER, THE FACE OF A WOMAN 317 00:15:59,827 --> 00:16:04,206 FROM THE TIME OF EGYPT'S LAST PHARAOHS BEGINS TO EMERGE. 318 00:16:04,206 --> 00:16:05,551 Carroll: BY RECREATING THE FACE, 319 00:16:05,551 --> 00:16:07,344 WE'RE ESSENTIALLY BRINGING HER BACK TO LIFE. 320 00:16:07,344 --> 00:16:09,586 AND WE'VE GIVEN HER NOW, YOU KNOW, A PERSONALITY 321 00:16:09,586 --> 00:16:11,793 WHICH, FOR THE ANCIENT EGYPTIANS, 322 00:16:11,793 --> 00:16:14,379 YOU KNOW, THIS IS LIFE AFTER DEATH. 323 00:16:14,379 --> 00:16:18,379 ♪♪ 324 00:16:18,379 --> 00:16:22,482 Narrator: FINALLY, THE TRUE FACE OF MERITAMEN IS REVEALED. 325 00:16:22,482 --> 00:16:25,137 SHE WAS A HIGH-STATUS YOUNG WOMAN 326 00:16:25,137 --> 00:16:28,275 WHO LIVED OVER 2,000 YEARS AGO, 327 00:16:28,275 --> 00:16:32,655 WITNESSED THE UNIQUE RULE OF EGYPT'S LAST PHARAOHS, 328 00:16:32,655 --> 00:16:34,172 AND MAY HAVE SUCCUMBED 329 00:16:34,172 --> 00:16:36,793 TO THE DEBILITATING EFFECTS OF ANEMIA 330 00:16:36,793 --> 00:16:41,275 AND SEVERE, UNTREATED DENTAL INFECTION. 331 00:16:41,275 --> 00:16:44,068 THROUGH THIS PROCESS, 332 00:16:44,068 --> 00:16:48,034 WE HAVE NOW RECREATED A YOUNG WOMAN, 333 00:16:48,034 --> 00:16:52,862 AND WE HAVE SHOWN NOT JUST AN OBJECT IN A MUSEUM 334 00:16:52,862 --> 00:16:56,413 BUT SOMEONE WHO ONCE LIVED AND BREATHED IN ANCIENT EGYPT. 335 00:16:56,413 --> 00:17:06,172 ♪♪ 336 00:17:06,172 --> 00:17:07,517 Narrator: FOR DECADES, 337 00:17:07,517 --> 00:17:10,758 ARCHAEOLOGISTS HAVE LOOKED FOR A LOST ANCIENT CAPITAL 338 00:17:10,758 --> 00:17:14,137 THAT SEEMS TO HAVE VANISHED FROM THE FACE OF THE EARTH. 339 00:17:14,137 --> 00:17:16,655 IT WAS KNOWN AS ITJTAWY. 340 00:17:16,655 --> 00:17:19,103 Wendrich: THIS WAS THE CAPITAL IN THE MIDDLE KINGDOM. 341 00:17:19,103 --> 00:17:22,413 IT'S THE CENTER OF EGYPT AT THAT PERIOD. 342 00:17:22,413 --> 00:17:24,000 SO WHERE DID IT GO? 343 00:17:24,000 --> 00:17:28,620 HOW DO YOU PINPOINT A LOST CITY, BURIED BENEATH THE SAND? 344 00:17:28,620 --> 00:17:31,103 Narrator: NOW CAN EGYPTOLOGISTS COMBINE 345 00:17:31,103 --> 00:17:32,793 THE TRIED AND TESTED METHOD 346 00:17:32,793 --> 00:17:36,241 OF GROUND CORING WITH REMOTE SENSING TECHNOLOGY 347 00:17:36,241 --> 00:17:40,137 TO FINALLY TRACK DOWN THIS MISSING METROPOLIS? 348 00:17:47,034 --> 00:17:50,344 Narrator: ITJTAWY WAS ONCE A FLOURISHING CAPITAL, 349 00:17:50,344 --> 00:17:53,448 UNTIL IT EXPERIENCED A FATAL DECLINE 350 00:17:53,448 --> 00:17:55,724 AND WAS LOST FOREVER. 351 00:17:55,724 --> 00:17:59,551 IN 2015, ARCHAEOLOGISTS INITIATED A NEW SEARCH 352 00:17:59,551 --> 00:18:01,896 FOR THIS ANCIENT CITY. 353 00:18:01,896 --> 00:18:05,103 THEY BEGAN BY LOOKING FOR WRITTEN CLUES. 354 00:18:05,103 --> 00:18:08,000 WE HAVE TEXTUAL REFERENCES TO ITJTAWY, 355 00:18:08,000 --> 00:18:10,310 THE MIDDLE KINGDOM CAPITAL OF EGYPT 356 00:18:10,310 --> 00:18:13,379 IN THE 12th DYNASTY. 357 00:18:13,379 --> 00:18:15,482 Wendrich: THE KINGS OF THE MIDDLE KINGDOM 358 00:18:15,482 --> 00:18:18,448 HAIL FROM AN AREA NEAR TO FAIYUM, 359 00:18:18,448 --> 00:18:23,965 SO WE CAN EXPECT AN ENORMOUS CITY, BUT IT'S NOT THERE. 360 00:18:23,965 --> 00:18:25,310 Narrator: ITJTAWY WAS DOCUMENTED 361 00:18:25,310 --> 00:18:28,206 AS EGYPT'S CAPITAL FOR 350 YEARS, 362 00:18:28,206 --> 00:18:32,137 UNTIL AROUND 1785 B.C.E. 363 00:18:32,137 --> 00:18:36,517 BUT NO PHYSICAL EVIDENCE OF THE CITY HAS EVER BEEN FOUND. 364 00:18:36,517 --> 00:18:39,551 THE WRITTEN RECORDS LINK THE CITY TO KING AMENEMHAT, 365 00:18:39,551 --> 00:18:42,413 A RULER FROM THE MIDDLE KINGDOM. 366 00:18:42,413 --> 00:18:46,413 HIS PYRAMID STILL STANDS AT EL-LISHT IN THE FAIYUM REGION. 367 00:18:46,413 --> 00:18:49,862 THE THEORY IS THAT IT WAS BUILT TO OVERLOOK THE CAPITAL 368 00:18:49,862 --> 00:18:51,862 HE ONCE RULED. 369 00:18:51,862 --> 00:18:55,413 Wendrich: WE KNOW APPROXIMATELY WHERE IT IS, BUT THAT AREA 370 00:18:55,413 --> 00:19:00,551 IS STILL 10x10 KILOMETERS, WHICH IS A BIG AREA TO RESEARCH. 371 00:19:00,551 --> 00:19:05,448 PLUS, IT HAS BEEN BURIED PROBABLY UNDER METERS OF MUD. 372 00:19:05,448 --> 00:19:10,551 AND THAT'S REALLY NOT POSSIBLE WITH THE TRADITIONAL TECHNIQUES. 373 00:19:10,551 --> 00:19:12,724 Narrator: THE LOCATION OF THE ANCIENT KING'S PYRAMID 374 00:19:12,724 --> 00:19:14,448 IS A STARTING POINT, 375 00:19:14,448 --> 00:19:18,482 BUT INVESTIGATORS NEED A WAY TO NARROW DOWN THE SEARCH AREA. 376 00:19:18,482 --> 00:19:21,517 THEY TURN TO SATELLITE IMAGERY FOR HELP. 377 00:19:21,517 --> 00:19:24,103 IT ALLOWS THEM A WIDER VIEW OF THE LANDSCAPE OF THIS PART 378 00:19:24,103 --> 00:19:28,793 OF EGYPT FROM 450 MILES ABOVE THE EARTH'S SURFACE. 379 00:19:28,793 --> 00:19:31,862 Lacovara: WE HAVE TO RELY ON SATELLITE IMAGING NOW. 380 00:19:31,862 --> 00:19:36,103 NEW TECHNIQUES ARE HELPING ADD TO OUR TOOL KIT IN ORDER TO TRY 381 00:19:36,103 --> 00:19:39,862 AND FIND THESE CITIES WHEN THEY'RE LOST WITHOUT A TRACE. 382 00:19:39,862 --> 00:19:43,551 SATELLITE ARCHAEOLOGY ENABLES US TO FIND 383 00:19:43,551 --> 00:19:47,034 ALL THESE DISTURBANCES AND DIFFERENCES IN THE SURFACE. 384 00:19:47,034 --> 00:19:49,827 IF YOU SEE DIFFERENCES THAT DON'T LOOK NATURAL 385 00:19:49,827 --> 00:19:53,793 BUT THAT FORM STRAIGHT ANGLES OR LINES OR CIRCLES, 386 00:19:53,793 --> 00:19:56,448 THEN YOU KNOW SOMETHING IS UP. 387 00:19:56,448 --> 00:20:00,310 Narrator: SATELLITE IMAGERY MUST BE ANALYZED FOR TELLTALE CLUES. 388 00:20:00,310 --> 00:20:03,068 ANCIENT TEXTS RECORD THAT ITJTAWY WAS BUILT 389 00:20:03,068 --> 00:20:05,448 ON THE BANKS OF THE NILE. 390 00:20:05,448 --> 00:20:08,758 BUT THE RIVER HAS SHIFTED ITS COURSE OVER THE YEARS. 391 00:20:08,758 --> 00:20:11,724 NOW ARCHAEOLOGISTS ASK IF THIS COULD EXPLAIN 392 00:20:11,724 --> 00:20:14,827 THE ANCIENT CITY'S ULTIMATE DEMISE. 393 00:20:14,827 --> 00:20:16,862 Naunton: IF THE NILE HAS MOVED 394 00:20:16,862 --> 00:20:19,344 AND ITJTAWY WAS BUILT ON ITS BANKS, 395 00:20:19,344 --> 00:20:22,068 IS IT POSSIBLE THAT THE RIVER MIGHT HAVE MOVED 396 00:20:22,068 --> 00:20:25,000 AND SWALLOWED IT UP OVER TIME? 397 00:20:25,000 --> 00:20:26,241 Narrator: THE MOVEMENT OF THE NILE 398 00:20:26,241 --> 00:20:30,827 HAS LEFT SUBTLE TRACES IN THE DESERT LANDSCAPE. 399 00:20:30,827 --> 00:20:33,137 WHEN SCIENTISTS STUDY A SATELLITE IMAGE OF AN AREA 400 00:20:33,137 --> 00:20:35,172 WHERE THE RIVER ONCE FLOWED, 401 00:20:35,172 --> 00:20:39,206 THEY DISCOVER AN EXCITING CLUE -- 402 00:20:39,206 --> 00:20:41,206 A RAISED EXPANSE OF GROUND 403 00:20:41,206 --> 00:20:45,862 LOCATED CLOSE TO AMENEMHET'S PYRAMID SHOWS SIGNS 404 00:20:45,862 --> 00:20:49,310 THAT IT WAS ONCE DENSELY INHABITED. 405 00:20:49,310 --> 00:20:52,379 THE DATA FROM THE SATELLITE IMAGERY ALLOWS US TO SEE 406 00:20:52,379 --> 00:20:55,965 THAT THERE IS AN AREA WHICH IS SOMEWHAT RAISED. 407 00:20:55,965 --> 00:20:59,758 IT SEEMS TO INDICATE HUMAN INTERACTION WITH THE LANDSCAPE 408 00:20:59,758 --> 00:21:02,517 ON A LARGE SCALE, 409 00:21:02,517 --> 00:21:04,655 WHICH ALLOWS US TO ASK THE QUESTION, 410 00:21:04,655 --> 00:21:08,103 "COULD THIS BE THE SITE OF ITJTAWY?" 411 00:21:08,103 --> 00:21:12,103 Narrator: SATELLITE TECHNOLOGY CAN ONLY TAKE THE SEARCH SO FAR. 412 00:21:12,103 --> 00:21:14,241 THE FUNDAMENTAL TECHNIQUES OF ARCHAEOLOGY 413 00:21:14,241 --> 00:21:19,000 MUST NOW BE USED TO TRY AND SOLVE THIS MYSTERY. 414 00:21:19,000 --> 00:21:21,758 YOU HAVE TO DO WHAT WE CALL GROUND TRUTH. 415 00:21:21,758 --> 00:21:27,103 ONE WAY OF DOING THAT IS BY CORING, BY DRILLING A DEEP HOLE, 416 00:21:27,103 --> 00:21:31,793 AND PULLING OUT A CROSS SECTION OF CENTURIES OF HISTORY 417 00:21:31,793 --> 00:21:37,413 AND JUST ANALYZING CAREFULLY FROM EVERY LAYER IN THAT CORE. 418 00:21:37,413 --> 00:21:39,620 Naunton: RATHER THAN COVERING A SINGLE LARGE AREA 419 00:21:39,620 --> 00:21:40,965 VERY COMPREHENSIVELY, 420 00:21:40,965 --> 00:21:43,172 YOU SEND A KIND OF PROBE INTO THE GROUND 421 00:21:43,172 --> 00:21:45,310 JUST TO LOOK FOR CULTURAL MATERIAL. 422 00:21:45,310 --> 00:21:50,241 Narrator: THE CORING TEAM PROBE 5 METERS BENEATH THE SURFACE. 423 00:21:50,241 --> 00:21:52,758 THE LAYERS OF THE CORES REVEAL DIFFERENT PERIODS 424 00:21:52,758 --> 00:21:54,241 THROUGHOUT HISTORY. 425 00:21:54,241 --> 00:22:00,137 ARCHAEOLOGISTS ARE SEARCHING FOR ANY SIGNS OF HUMAN HABITATION. 426 00:22:00,137 --> 00:22:02,344 THEY FIND KEY EVIDENCE DATING TO THE PERIOD 427 00:22:02,344 --> 00:22:04,137 OF EGYPT'S MIDDLE KINGDOM, 428 00:22:04,137 --> 00:22:07,000 WHEN ITJTAWY WOULD HAVE BEEN A PROSPEROUS CITY. 429 00:22:07,000 --> 00:22:10,827 ♪♪ 430 00:22:10,827 --> 00:22:14,310 THE CORES YIELDED FRAGMENTS OF MIDDLE KINGDOM POTTERY. 431 00:22:14,310 --> 00:22:16,103 Johnston: THERE ARE POTSHERDS 432 00:22:16,103 --> 00:22:18,275 AND VARIOUS OTHER PIECES BENEATH THE GROUND, 433 00:22:18,275 --> 00:22:24,517 WHICH SEEM TO INDICATE THIS HAS BEEN AN INHABITED AREA. 434 00:22:24,517 --> 00:22:26,103 Narrator: THE POTTERY SHERDS DATE TO 435 00:22:26,103 --> 00:22:30,103 WHEN ITJTAWY WAS A FLOURISHING CAPITAL. 436 00:22:30,103 --> 00:22:33,068 BUT AS THE LARGE-SCALE CORING PROJECT CONTINUED, 437 00:22:33,068 --> 00:22:36,310 MANY OF THE SAMPLES AMAZED ARCHAEOLOGISTS, 438 00:22:36,310 --> 00:22:38,275 AS THE EVIDENCE OF A JEWELER'S WORKSHOP 439 00:22:38,275 --> 00:22:41,103 IS DISCOVERED WITHIN THEM. 440 00:22:41,103 --> 00:22:43,482 Wendrich: YOU DON'T GET A WORKSHOP WITH GEMSTONES 441 00:22:43,482 --> 00:22:45,413 IN YOUR AVERAGE VILLAGE. 442 00:22:45,413 --> 00:22:47,827 SO THIS INDICATES THAT WE ARE HITTING 443 00:22:47,827 --> 00:22:50,310 A VERY IMPORTANT SETTLEMENT. 444 00:22:50,310 --> 00:22:51,931 Lacovara: AGATE AND CARNELIAN 445 00:22:51,931 --> 00:22:54,448 THAT HAD BEEN SMASHED TO MAKE JEWELRY, 446 00:22:54,448 --> 00:22:57,068 AND OFTEN THESE KIND OF JEWELER'S WORKSHOPS 447 00:22:57,068 --> 00:23:01,137 ARE ASSOCIATED WITH THE ROYAL PALACE. 448 00:23:01,137 --> 00:23:03,137 Narrator: THIS IS A CRUCIAL CLUE. 449 00:23:03,137 --> 00:23:06,206 EVIDENCE OF A LUXURY INDUSTRY, LIKE A JEWELER'S, 450 00:23:06,206 --> 00:23:08,000 SUGGESTS THIS WAS ONCE THE SITE 451 00:23:08,000 --> 00:23:11,275 OF A VIBRANT, WEALTHY ANCIENT CITY. 452 00:23:11,275 --> 00:23:17,241 THIS MAY THEN BE A THRIVING CITY AND POSSIBLY ITJTAWY. 453 00:23:17,241 --> 00:23:20,137 ♪♪ 454 00:23:20,137 --> 00:23:21,931 Narrator: AFTER DECADES OF STUDY, 455 00:23:21,931 --> 00:23:26,310 FULL-SCALE SPADE AND SOIL EXCAVATIONS CAN NOW BEGIN, 456 00:23:26,310 --> 00:23:31,379 AND THIS ANCIENT, FALLEN CAPITAL MAY FINALLY BE UNCOVERED. 457 00:23:31,379 --> 00:23:40,655 ♪♪ 458 00:23:40,655 --> 00:23:44,965 PRECIOUS ANCIENT SITES AND ARTIFACTS ARE UNDER ATTACK 459 00:23:44,965 --> 00:23:50,379 AS NEW DISCOVERIES ARE FOUND SUBMERGED IN WATER. 460 00:23:50,379 --> 00:23:54,379 THIS IS A MAJOR THREAT TO THE ARCHAEOLOGY OF EGYPT. 461 00:23:54,379 --> 00:23:56,931 Narrator: NOW CUTTING-EDGE SATELLITE TECHNOLOGY 462 00:23:56,931 --> 00:24:00,344 IS BEING USED TO TRY TO EXPLAIN WHY ARCHAEOLOGICAL SITES 463 00:24:00,344 --> 00:24:05,379 THAT WERE ONCE DRY AS DUST ARE NOW SOAKING WET. 464 00:24:05,379 --> 00:24:08,827 HOW MIGHT WE EXPLAIN THIS BIZARRE PHENOMENON? 465 00:24:13,655 --> 00:24:16,758 Narrator: 2017 -- A SUBURB EAST OF CAIRO, 466 00:24:16,758 --> 00:24:19,620 AND AN INCREDIBLY RARE FIND IS MADE -- 467 00:24:19,620 --> 00:24:24,827 A 206-YEAR-OLD MONUMENT OF PHARAOH PSAMTIK THE FIRST. 468 00:24:24,827 --> 00:24:27,931 Johnston: EXCAVATORS DISCOVERED, QUITE BY CHANCE, 469 00:24:27,931 --> 00:24:33,000 A COLOSSAL, 26-FOOT-HIGH, QUARTZITE STATUE. 470 00:24:33,000 --> 00:24:34,379 Narrator: BUT ARCHAEOLOGISTS ARE DISMAYED 471 00:24:34,379 --> 00:24:37,344 BY THE CONDITIONS THE STATUE IS FOUND IN. 472 00:24:37,344 --> 00:24:40,724 THE SOIL IS WATERLOGGED. 473 00:24:40,724 --> 00:24:44,551 EVEN THOUGH THE STATUE WAS FOUND NOT TOO FAR BENEATH THE SURFACE, 474 00:24:44,551 --> 00:24:46,586 IT WAS AS THOUGH THE STATUE HAD TO BE PULLED 475 00:24:46,586 --> 00:24:49,034 OUT OF A POOL OF WATER. 476 00:24:49,034 --> 00:24:52,896 Narrator: THIS IS NOT AN ISOLATED INCIDENT. 477 00:24:52,896 --> 00:24:54,413 AT THE 2,000-YEAR-OLD 478 00:24:54,413 --> 00:24:57,724 KOM EL SHOQAFA CATACOMBS OF ALEXANDRIA, 479 00:24:57,724 --> 00:25:03,551 RISING GROUNDWATER HAS DAMAGED THE BREATHTAKING STONEWORK. 480 00:25:03,551 --> 00:25:08,862 IT TOOK EMERGENCY ENGINEERING WORKS IN 2019 TO SAVE IT. 481 00:25:08,862 --> 00:25:12,482 MEANWHILE, AT THE COLOSSAL TEMPLE OF LUXOR, 482 00:25:12,482 --> 00:25:16,448 THE STONES ARE BEING ERODED BY WATER DAMAGE. 483 00:25:16,448 --> 00:25:19,448 WE'RE BEGINNING TO SEE SIGNS OF SURFACE DAMAGE 484 00:25:19,448 --> 00:25:24,482 ON THE STONEWORK AND ON THE CARVINGS AND ON THE RELIEFS, 485 00:25:24,482 --> 00:25:27,206 APPEARING AS A CRYSTALLIZED WHITE POWDER 486 00:25:27,206 --> 00:25:29,620 ON THE STONEWORK ITSELF. 487 00:25:29,620 --> 00:25:32,310 AND IN ITS MOST EXTREME EXAMPLES, 488 00:25:32,310 --> 00:25:34,068 WHOLE AREAS OF CARVING 489 00:25:34,068 --> 00:25:36,931 JUST SIMPLY CRUMBLE TO DUST. 490 00:25:36,931 --> 00:25:38,862 CLEARLY, THIS IS PUTTING SOME OF THE COUNTRY'S 491 00:25:38,862 --> 00:25:42,137 MAJOR ARCHAEOLOGICAL SITES AT SEVERE RISK. 492 00:25:42,137 --> 00:25:43,724 SCIENTISTS ARE TRYING TO FIND OUT 493 00:25:43,724 --> 00:25:48,620 WHERE THIS WATER'S COMING FROM AND HOW THEY CAN HOLD IT BACK. 494 00:25:48,620 --> 00:25:51,103 Narrator: MANY RESEARCHERS BELIEVE THE ROOT OF THIS PROBLEM 495 00:25:51,103 --> 00:25:53,551 CAN BE TRACED BACK TO THE 1960s 496 00:25:53,551 --> 00:25:56,620 AND THE CONSTRUCTION OF AN ENGINEERING GIANT -- 497 00:25:56,620 --> 00:25:58,517 THE ASWAN HIGH DAM. 498 00:25:58,517 --> 00:25:59,862 Naunton: THIS WAS UNDERTAKEN 499 00:25:59,862 --> 00:26:01,965 TO PROVIDE EGYPT WITH HYDROELECTRIC POWER, 500 00:26:01,965 --> 00:26:04,551 BUT ALSO TO ALLOW THE LAND IN THE NILE VALLEY 501 00:26:04,551 --> 00:26:07,172 TO BE FARMED THROUGHOUT THE YEAR. 502 00:26:07,172 --> 00:26:09,172 Narrator: THE DAM PROVIDED WATER FOR THE CROPS 503 00:26:09,172 --> 00:26:13,068 BY FLOODING EXTENSIVE AREAS. 504 00:26:13,068 --> 00:26:14,862 SEVERAL OF EGYPT'S ANCIENT MONUMENTS 505 00:26:14,862 --> 00:26:20,551 HAD TO BE RELOCATED ALONG WITH OVER 90,000 CITIZENS. 506 00:26:20,551 --> 00:26:23,344 BUT 50 YEARS AFTER ITS COMPLETION, 507 00:26:23,344 --> 00:26:26,448 THE PROBLEM OF RISING WATER IS GETTING WORSE. 508 00:26:26,448 --> 00:26:28,862 MODERN SCIENTISTS ARE STUDYING THE LANDSCAPE 509 00:26:28,862 --> 00:26:31,758 FOR CLUES TO EXPLAIN WHY. 510 00:26:31,758 --> 00:26:34,724 Carroll: SCIENTISTS ARE USING REMOTE-SENSING G.I.S. TECHNIQUES 511 00:26:34,724 --> 00:26:36,862 TO LOOK AT HOW THE LAND HAS CHANGED 512 00:26:36,862 --> 00:26:38,931 OVER THE LAST FEW DECADES. 513 00:26:38,931 --> 00:26:40,827 Narrator: ANALYSTS COLLECT DATA FROM A CAMERA 514 00:26:40,827 --> 00:26:42,862 KNOWN AS THE ADVANCED SPACEBORNE 515 00:26:42,862 --> 00:26:46,172 THERMAL EMISSION AND REFLECTION UNIT. 516 00:26:46,172 --> 00:26:49,724 THIS IS MOUNTED ON THE TERRA SATELLITE, WHICH ORBITS EARTH. 517 00:26:49,724 --> 00:26:53,034 ♪♪ 518 00:26:53,034 --> 00:26:56,689 SATELLITE IMAGES TAKEN OVER THE COURSE OF THE LAST 30 YEARS 519 00:26:56,689 --> 00:27:00,344 ALLOW SCIENTISTS TO SHOW THAT URBAN AREAS HAVE EXPANDED 520 00:27:00,344 --> 00:27:06,275 AND DEVELOPED VERY RAPIDLY WITH THE LOSS OF AGRICULTURAL LAND. 521 00:27:06,275 --> 00:27:07,724 Narrator: THE IMAGES SHOW CHANGES 522 00:27:07,724 --> 00:27:11,517 TO HOW THE REMAINING FARMLAND IS BEING CULTIVATED. 523 00:27:11,517 --> 00:27:14,862 AREAS OF DESERT ARE NOW BEING RECLAIMED FOR FARMING, 524 00:27:14,862 --> 00:27:17,379 WHICH MEANS THAT WATER IS NOW BEING INTRODUCED 525 00:27:17,379 --> 00:27:19,758 INTO PARTS OF THE COUNTRY 526 00:27:19,758 --> 00:27:23,034 WHICH WERE PREVIOUSLY COMPLETELY BONE-DRY. 527 00:27:23,034 --> 00:27:24,758 Narrator: SCIENTISTS BELIEVE THAT THE FLOODING 528 00:27:24,758 --> 00:27:28,413 CAUSED BY THE ASWAN DAM TO HELP FARMERS 529 00:27:28,413 --> 00:27:32,827 HAS ALSO LED TO A RISE IN THE LEVEL OF GROUNDWATER. 530 00:27:32,827 --> 00:27:36,724 NOW AS MODERN FARMING AND IRRIGATION INTENSIFIES, 531 00:27:36,724 --> 00:27:40,896 THE WATER LEVEL IS CONTINUING TO RISE EVEN FURTHER. 532 00:27:40,896 --> 00:27:43,724 Naunton: ALL THIS AGRICULTURE REQUIRES AN AWFUL LOT OF WATER 533 00:27:43,724 --> 00:27:47,482 TO SIT ON THE LAND MORE OR LESS PERMANENTLY, 534 00:27:47,482 --> 00:27:48,862 RIGHT THE WAY THROUGHOUT THE YEAR. 535 00:27:48,862 --> 00:27:51,241 AND THIS HAS HAD A KNOCK-ON EFFECT. 536 00:27:51,241 --> 00:27:52,655 Carroll: THEY'RE BASICALLY PUMPING OUT MORE WATER 537 00:27:52,655 --> 00:27:54,724 FROM THE NILE, AND THIS IS CAUSING 538 00:27:54,724 --> 00:27:56,379 MORE OF A RUNOFF OF WATER, 539 00:27:56,379 --> 00:28:01,172 WHICH IN TURN IS THEN GOING TO AFFECT THE ARCHAEOLOGICAL SITES. 540 00:28:01,172 --> 00:28:04,862 EGYPT IS TURNING SLOWLY INTO A SWAMPLAND. 541 00:28:07,103 --> 00:28:09,862 Dodson: WALLS WHICH WERE MANY METERS AWAY 542 00:28:09,862 --> 00:28:11,379 FROM ANY SOURCE OF WATER 543 00:28:11,379 --> 00:28:15,482 NOW HAVE WATER DIRECTLY UNDERNEATH THEM. 544 00:28:15,482 --> 00:28:19,034 Narrator: FOR ARCHAEOLOGISTS, THIS IS DISASTROUS. 545 00:28:19,034 --> 00:28:20,965 SOME OF THE NATION'S MOST IMPORTANT SITES 546 00:28:20,965 --> 00:28:23,724 ARE FACING IMMINENT DANGER. 547 00:28:23,724 --> 00:28:26,172 BUT EVEN MORE ALARMING, THE RISING WATERS 548 00:28:26,172 --> 00:28:27,827 MAY BE DESTROYING A MULTITUDE 549 00:28:27,827 --> 00:28:31,172 OF UNDISCOVERED ARTIFACTS RIGHT NOW. 550 00:28:33,689 --> 00:28:35,034 Dodson: THE REASONS WHY 551 00:28:35,034 --> 00:28:37,000 WE HAVE SO MUCH MATERIAL FROM ANCIENT EGYPT 552 00:28:37,000 --> 00:28:38,931 IS THE DRY CONDITIONS HAVE MEANT 553 00:28:38,931 --> 00:28:42,137 THAT ORGANIC MATERIALS HAVE SURVIVED. 554 00:28:42,137 --> 00:28:44,827 THE RISE IN THE WATER IS WORRYING SIMPLY 'CAUSE IT MEANS 555 00:28:44,827 --> 00:28:47,344 THAT FAR LESS IS GOING TO BE PRESERVED. 556 00:28:47,344 --> 00:28:49,827 Naunton: THE MORE VULNERABLE ANCIENT MONUMENTS ARE 557 00:28:49,827 --> 00:28:51,896 TO THINGS LIKE RISING GROUNDWATER, 558 00:28:51,896 --> 00:28:54,379 THE MORE THOSE THINGS STAND TO BE LOST 559 00:28:54,379 --> 00:28:56,655 BEFORE ARCHAEOLOGISTS GET TO THEM. 560 00:28:56,655 --> 00:28:58,793 Narrator: NOW EGYPTOLOGISTS AND SCIENTISTS 561 00:28:58,793 --> 00:29:01,620 ARE WORKING MORE CLOSELY THAN EVER TO SEARCH FOR 562 00:29:01,620 --> 00:29:07,793 AND SAVE EGYPT'S HIDDEN HISTORY BEFORE IT'S TOO LATE. 563 00:29:07,793 --> 00:29:09,413 Carroll: IT'S ACTUALLY CRUCIAL THAT WE ACT NOW 564 00:29:09,413 --> 00:29:11,241 TO PROTECT THESE MONUMENTS. 565 00:29:11,241 --> 00:29:13,172 Johnston: WE NEED TO RESOLVE THIS PROBLEM 566 00:29:13,172 --> 00:29:15,172 QUICKLY AND AFFORDABLY. 567 00:29:15,172 --> 00:29:19,103 OTHERWISE, WE RISK LOSING EGYPT'S HERITAGE FOREVER. 568 00:29:19,103 --> 00:29:25,862 ♪♪ 569 00:29:25,862 --> 00:29:27,931 Narrator: THESE PORTRAITS WERE FOUND ALONGSIDE 570 00:29:27,931 --> 00:29:30,310 CAREFULLY PRESERVED MUMMIES. 571 00:29:30,310 --> 00:29:34,206 THEY'RE UNLIKE ANY DEPICTIONS OF ANCIENT EGYPTIANS. 572 00:29:34,206 --> 00:29:38,068 THEY SHOW THE FACES FROM AFTER THE FALL, 573 00:29:38,068 --> 00:29:43,000 A NEW RULING CLASS REVEALED IN UNPRECEDENTED DETAIL. 574 00:29:43,000 --> 00:29:45,241 Carroll: YOU'RE INSTANTLY STRUCK BY THEIR EXPRESSION. 575 00:29:45,241 --> 00:29:47,344 THEY'RE SO LIFELIKE. 576 00:29:47,344 --> 00:29:50,344 Narrator: NOW SCIENTISTS ASK IF THE EXTRAORDINARY DETAILS 577 00:29:50,344 --> 00:29:53,034 OF THESE PAINTINGS COULD CONTAIN CLUES 578 00:29:53,034 --> 00:29:58,137 TO THE RARE HEALTH CONDITIONS SUFFERED BY EGYPT'S NEW ELITE. 579 00:29:58,137 --> 00:30:00,344 CAN THE PHARAOH MUMMY PORTRAITS 580 00:30:00,344 --> 00:30:02,931 TELL US EVEN HOW THOSE INDIVIDUALS LIVED 581 00:30:02,931 --> 00:30:04,689 AND POSSIBLY DIED? 582 00:30:12,137 --> 00:30:13,655 ♪♪ 583 00:30:13,655 --> 00:30:15,172 Narrator: 2016. 584 00:30:15,172 --> 00:30:18,275 A TEAM AT CHICAGO'S NORTHWESTERN UNIVERSITY 585 00:30:18,275 --> 00:30:21,931 ANALYZE A SELECTION OF STRIKING IMAGES. 586 00:30:21,931 --> 00:30:25,689 THEY WERE DISCOVERED SOUTH OF CAIRO IN FAIYUM. 587 00:30:25,689 --> 00:30:27,862 MANY OF THESE PORTRAITS WERE FOUND COVERING 588 00:30:27,862 --> 00:30:30,827 THE FACE OF A MUMMIFIED BODY. 589 00:30:30,827 --> 00:30:34,310 WHERE EARLIER EGYPTIAN ARTWORK WAS HIGHLY STYLIZED, 590 00:30:34,310 --> 00:30:38,344 THESE IMAGES ARE EXTRAORDINARILY LIFELIKE. 591 00:30:38,344 --> 00:30:39,689 Altaweel: IT DOESN'T LOOK LIKE SOMETHING 592 00:30:39,689 --> 00:30:41,034 THEY WOULD PUT ON A MUMMY. 593 00:30:41,034 --> 00:30:42,344 THEY LITERALLY LOOK LIKE JUST PORTRAITS, 594 00:30:42,344 --> 00:30:44,241 LIKE AS IF YOU'D PUT A PICTURE ON A WALL OF SOMEONE. 595 00:30:44,241 --> 00:30:45,551 THEY REALLY WANTED YOU TO SEE 596 00:30:45,551 --> 00:30:49,068 A MORE LIFELIKE REPRESENTATION OF THE PERSON. 597 00:30:49,068 --> 00:30:51,068 Narrator: THE PORTRAITS DEPICT WEALTHY EGYPTIANS 598 00:30:51,068 --> 00:30:54,965 WHO LIVED DURING THE FIRST THREE CENTURIES A.D. 599 00:30:54,965 --> 00:30:57,103 THIS WAS A TIME DURING WHICH THE ROMAN EMPIRE 600 00:30:57,103 --> 00:30:59,965 CONSOLIDATED ITS RULE OVER EGYPT 601 00:30:59,965 --> 00:31:04,896 AND MEDITERRANEAN CUSTOMS INFLUENCED DAILY LIFE. 602 00:31:04,896 --> 00:31:07,896 THIS TIME, EGYPT'S QUITE A MULTICULTURAL PLACE. 603 00:31:07,896 --> 00:31:09,586 YOU SEE GREEK AND ROMAN FILES. 604 00:31:09,586 --> 00:31:11,137 THE DEPICTIONS OF THE FACES, FOR INSTANCE, 605 00:31:11,137 --> 00:31:14,103 VERY ROMAN-LOOKING REALISM, 606 00:31:14,103 --> 00:31:18,172 GREEK STYLE OF DECORATIONS IN TERMS OF THE HAIR, THE JEWELRY. 607 00:31:18,172 --> 00:31:20,379 BUT THEN A VERY EGYPTIAN IDEA OF PUTTING A BODY 608 00:31:20,379 --> 00:31:23,413 IN A SARCOPHAGUS AND MUMMIFYING IT. 609 00:31:23,413 --> 00:31:25,551 THE PORTRAITS REPRESENT THE COSMOPOLITAN NATURE 610 00:31:25,551 --> 00:31:28,551 OF EGYPTIAN SOCIETY AT THE TIME. 611 00:31:28,551 --> 00:31:31,172 Narrator: BUT SCIENTISTS BELIEVE THESE PORTRAITS CAN TELL US 612 00:31:31,172 --> 00:31:34,379 ABOUT MUCH MORE THAN THE CHANGING CULTURE OF EGYPT 613 00:31:34,379 --> 00:31:36,379 UNDER THE ROMANS. 614 00:31:36,379 --> 00:31:38,862 THE FAIYUM PORTRAITS, INCREDIBLY, 615 00:31:38,862 --> 00:31:40,620 MIGHT OFFER SCIENTISTS AN OPPORTUNITY 616 00:31:40,620 --> 00:31:43,620 TO SAY SOMETHING ABOUT THE HEALTH OF THE INDIVIDUALS 617 00:31:43,620 --> 00:31:47,379 AND THE DISEASES THAT THEY MIGHT HAVE BEEN SUFFERING FROM. 618 00:31:47,379 --> 00:31:49,655 Narrator: RESEARCHERS AT NORTHWESTERN UNIVERSITY 619 00:31:49,655 --> 00:31:51,827 BEGIN BY ANALYZING EACH IMAGE 620 00:31:51,827 --> 00:31:54,551 UNDER DIFFERENT WAVELENGTHS OF LIGHT. 621 00:31:54,551 --> 00:31:56,172 Johnston: WITH MODERN SCIENTIFIC TECHNIQUES, 622 00:31:56,172 --> 00:32:00,413 WE'RE ABLE TO ANALYZE THE FAIYUM MUMMY PORTRAITS 623 00:32:00,413 --> 00:32:02,862 IN THE WAY THAT WE MIGHT BE ABLE TO ANALYZE 624 00:32:02,862 --> 00:32:05,068 A RENAISSANCE PAINTING. 625 00:32:05,068 --> 00:32:06,620 Altaweel: USING PHOTOGRAMMETRY TECHNIQUES, 626 00:32:06,620 --> 00:32:09,000 WE CAN BEGIN TO UNDERSTAND THE SORT OF PROCESSES USED 627 00:32:09,000 --> 00:32:11,206 TO MAKE THE OBJECT, TECHNOLOGIES, 628 00:32:11,206 --> 00:32:12,620 BUT ALSO THE KIND OF MATERIALS 629 00:32:12,620 --> 00:32:16,586 THAT WOULD GO INTO CREATING THESE OBJECTS. 630 00:32:16,586 --> 00:32:18,172 Narrator: THIS PROCESS REVEALS 631 00:32:18,172 --> 00:32:20,310 THE SPECIAL PIGMENTS AND COMPLEX TECHNIQUES 632 00:32:20,310 --> 00:32:22,413 USED IN EACH PORTRAIT. 633 00:32:22,413 --> 00:32:23,758 FOR RESEARCHERS, 634 00:32:23,758 --> 00:32:26,068 IT'S CLEAR THE ARTISTS WENT TO GREAT LENGTHS 635 00:32:26,068 --> 00:32:28,689 TO CREATE THE HIGHLY REALISTIC IMAGES, 636 00:32:28,689 --> 00:32:31,758 LIKE THIS PORTRAIT OF A YOUNG MAN. 637 00:32:31,758 --> 00:32:34,000 MEDICAL EXPERTS ASK IF THE DROOPED FEATURES 638 00:32:34,000 --> 00:32:36,448 DEPICTED IN THE PORTRAIT COULD BE EVIDENCE 639 00:32:36,448 --> 00:32:39,310 OF A NEUROLOGICAL DISORDER. 640 00:32:39,310 --> 00:32:43,310 TO FIND OUT, SCIENTISTS TURN TO HIS PRESERVED SKULL 641 00:32:43,310 --> 00:32:46,000 AND SUBJECT IT TO C.T. SCANNING. 642 00:32:46,000 --> 00:32:51,068 ♪♪ 643 00:32:51,068 --> 00:32:52,586 Naunton: WHAT APPEARS IN THE PORTRAIT 644 00:32:52,586 --> 00:32:55,137 TO HAVE BEEN AN ANOMALY IN THE SOFT TISSUE ON THE FACE 645 00:32:55,137 --> 00:32:58,965 IS BACKED UP BY THE MEASUREMENTS FROM THE SKULL. 646 00:32:58,965 --> 00:33:01,413 THE INDIVIDUAL WAS SUFFERING FROM SOME KIND OF ATROPHY 647 00:33:01,413 --> 00:33:04,310 OF THE SOFT TISSUE AND THE BONE UNDERNEATH. 648 00:33:04,310 --> 00:33:06,620 THE SCIENTISTS CONCLUDED, THEREFORE, THAT IN THIS CASE, 649 00:33:06,620 --> 00:33:11,275 HE WAS INDEED SUFFERING FROM PARRY-ROMBERG SYNDROME. 650 00:33:11,275 --> 00:33:12,620 Carroll: THE STUDY ACTUALLY REVEALED 651 00:33:12,620 --> 00:33:14,862 SIGNIFICANT NEUROLOGICAL CONDITIONS, 652 00:33:14,862 --> 00:33:18,172 SIGNS OF A VERY RARE CONDITION, WHICH IS PARRY-ROMBERG. 653 00:33:18,172 --> 00:33:20,827 AND WHAT THIS DOES IS IT ACTUALLY CAUSES SHRINKAGE 654 00:33:20,827 --> 00:33:23,655 TO THE FACE. 655 00:33:23,655 --> 00:33:25,689 Narrator: THE DETAILS OF THE FAIYUM PORTRAITS 656 00:33:25,689 --> 00:33:27,482 MAY REVEAL EVEN MORE. 657 00:33:27,482 --> 00:33:30,241 SCIENTISTS KNOW THAT EVIDENCE OF NEUROLOGICAL DISORDERS 658 00:33:30,241 --> 00:33:32,724 CAN BE FOUND NOT JUST IN THE SKULL, 659 00:33:32,724 --> 00:33:36,551 BUT ALSO IN OUR EYES. 660 00:33:36,551 --> 00:33:38,068 Altaweel: MEDICAL SCIENCE BEGINNING 661 00:33:38,068 --> 00:33:41,206 TO JUST USE PEOPLE'S FACES TO RECOGNIZE DISEASE. 662 00:33:41,206 --> 00:33:43,448 FOR INSTANCE, STROKES OR OTHER KINDS OF AILMENTS THAT MAY OCCUR 663 00:33:43,448 --> 00:33:47,103 CAN BE RECOGNIZED USING A FACIAL RECOGNITION SOFTWARE. 664 00:33:47,103 --> 00:33:49,379 Naunton: THE EYES ARE OFTEN THE FIRST PART OF THE BODY 665 00:33:49,379 --> 00:33:53,241 TO BE AFFECTED BY NEUROLOGICAL DISEASES. 666 00:33:53,241 --> 00:33:54,586 Narrator: RESEARCHERS NOW ASK 667 00:33:54,586 --> 00:33:56,689 WHETHER THE HIGHLY DETAILED DEPICTIONS OF EYES 668 00:33:56,689 --> 00:33:58,172 IN THE FAIYUM PORTRAITS 669 00:33:58,172 --> 00:34:00,379 COULD HOLD FURTHER CLUES TO OTHER DISORDERS 670 00:34:00,379 --> 00:34:02,206 SUFFERED BY THESE EGYPTIANS. 671 00:34:02,206 --> 00:34:04,103 WE CAN BEGIN TO APPLY THE SAME TECHNOLOGIES 672 00:34:04,103 --> 00:34:06,448 TO LOOK AT THESE ANCIENT PORTRAITS. 673 00:34:06,448 --> 00:34:08,000 Narrator: IN MODERN MEDICINE, 674 00:34:08,000 --> 00:34:10,137 DOCTORS MEASURE HOW LIGHT IS REFLECTED 675 00:34:10,137 --> 00:34:12,206 FROM A PATIENT'S CORNEAS. 676 00:34:12,206 --> 00:34:15,206 IF THESE CORNEAL REFLECTIONS ARE NOT SYMMETRICAL, 677 00:34:15,206 --> 00:34:18,689 IT CAN BE A SIGN OF A NEUROLOGICAL DISORDER. 678 00:34:18,689 --> 00:34:21,758 IN THE FAIYUM PORTRAITS, THE CORNEAL REFLECTIONS 679 00:34:21,758 --> 00:34:24,896 ARE REPRESENTED AS FLECKS OF WHITE PAINT. 680 00:34:24,896 --> 00:34:29,034 ♪♪ 681 00:34:29,034 --> 00:34:30,965 Carroll: NOW MODERN SCIENTISTS 682 00:34:30,965 --> 00:34:33,482 ARE ACTUALLY LOOKING AT THIS FOR EVIDENCE, 683 00:34:33,482 --> 00:34:37,862 POSSIBLE HEALTH DISORDERS FROM A NEUROLOGICAL POINT OF VIEW. 684 00:34:37,862 --> 00:34:41,068 Narrator: JUST LIKE DOCTORS DIAGNOSING A MODERN PATIENT, 685 00:34:41,068 --> 00:34:44,793 RESEARCHERS MEASURE THE POSITION OF THE CORNEAL REFLECTIONS. 686 00:34:44,793 --> 00:34:46,724 WHEN THEY COMPARE THE RESULTS TO DATA TAKEN 687 00:34:46,724 --> 00:34:50,758 FROM THE ACTUAL SKULLS, THEY'RE ASTONISHED. 688 00:34:50,758 --> 00:34:54,310 Naunton: SCIENTISTS ARE ABLE TO SAY THAT THE WAY THE EYES LOOK 689 00:34:54,310 --> 00:34:57,965 DOES SUGGEST THAT THEY WERE ACCURATELY CAPTURING 690 00:34:57,965 --> 00:35:00,758 WHAT ARE THE SIGNS OF NEUROLOGICAL DISEASES. 691 00:35:03,517 --> 00:35:05,344 Altaweel: SCIENCE IS TELLING US THAT THESE FAIYUM PORTRAITS 692 00:35:05,344 --> 00:35:07,068 ARE MORE THAN JUST PRETTY PICTURES. 693 00:35:07,068 --> 00:35:09,172 Naunton: IN MANY CASES, IT SEEMS 694 00:35:09,172 --> 00:35:12,655 THE ARTIST DID ACCURATELY CAPTURE THE CONDITIONS 695 00:35:12,655 --> 00:35:14,862 THAT SOME OF THESE PEOPLE WERE SUFFERING FROM. 696 00:35:17,000 --> 00:35:18,758 Narrator: THE PORTRAITS OF THE FAIYUM MUMMIES 697 00:35:18,758 --> 00:35:22,448 ARE NOT IDEALIZED, AIRBRUSHED IMAGES, 698 00:35:22,448 --> 00:35:25,275 BUT ARE AS CLOSE AS WE HAVE TO PHOTOGRAPHS 699 00:35:25,275 --> 00:35:28,689 OF EGYPT'S NEW COSMOPOLITAN ELITE. 700 00:35:31,758 --> 00:35:33,000 ♪♪ 701 00:35:33,000 --> 00:35:36,965 ONLY 28 EGYPTIAN OBELISKS REMAIN STANDING, 702 00:35:36,965 --> 00:35:40,586 EACH OF THEM A TOWERING GIANT. 703 00:35:40,586 --> 00:35:43,896 OBELISKS ARE THE ANCIENT WORLD'S SKYSCRAPERS. 704 00:35:43,896 --> 00:35:45,103 Godenho: FROM MILES AND MILES AWAY, 705 00:35:45,103 --> 00:35:47,896 PEOPLE COULD SEE THESE THINGS STANDING TALL. 706 00:35:47,896 --> 00:35:50,758 THEY'RE ANCIENT FEATS OF ENGINEERING. 707 00:35:50,758 --> 00:35:52,793 Narrator: NOW MODERN RESEARCHERS ARE ASKING 708 00:35:52,793 --> 00:35:56,448 JUST HOW THE EGYPTIANS, EQUIPPED WITH ONLY BASIC TOOLS, 709 00:35:56,448 --> 00:35:59,655 CARVED THESE BEHEMOTHS. 710 00:35:59,655 --> 00:36:01,551 Fletcher: NOW IT'S ALMOST MIRACULOUS 711 00:36:01,551 --> 00:36:03,586 HOW THE ANCIENT EGYPTIANS 712 00:36:03,586 --> 00:36:08,896 CREATE THESE AMAZING STRUCTURES FROM SOLID GRANITE. 713 00:36:08,896 --> 00:36:11,827 HOW DID THEY DO IT, AND WHAT TOOLS WERE THEY USING? 714 00:36:16,827 --> 00:36:19,344 Narrator: OBELISKS COULD BE OVER 100 FEET TALL, 715 00:36:19,344 --> 00:36:22,275 EACH CARVED FROM A SINGLE PIECE OF GRANITE, 716 00:36:22,275 --> 00:36:25,275 CUT WHOLE FROM THE ROCK FACE. 717 00:36:25,275 --> 00:36:28,310 FOR THE PHARAOH WHO ORDERED THIS GARGANTUAN TASK, 718 00:36:28,310 --> 00:36:32,517 THE OBELISK WAS A STATEMENT OF DIVINE AUTHORITY. 719 00:36:32,517 --> 00:36:34,000 Godenho: WHEN YOU LOOK AT THE FORM OF OBELISKS, 720 00:36:34,000 --> 00:36:36,137 THEY END WITH THIS PYRAMID ON TOP. 721 00:36:36,137 --> 00:36:38,068 THAT'S A SYMBOL OF THE SUN GOD. 722 00:36:38,068 --> 00:36:39,827 SO WE'RE TALKING ABOUT THE RELATIONSHIP 723 00:36:39,827 --> 00:36:42,724 BETWEEN THE KING AND THE SUN GOD. 724 00:36:42,724 --> 00:36:44,379 Altaweel: OBELISKS REALLY SYMBOLIZED 725 00:36:44,379 --> 00:36:45,965 THE ENTRYWAYS OF THE GODS, 726 00:36:45,965 --> 00:36:49,655 THE CONNECTION BETWEEN OUR WORLD WITH HIGHER POWERS. 727 00:36:51,206 --> 00:36:54,310 Narrator: ANCIENT EGYPTIANS HAD TO CUT THROUGH SOLID GRANITE, 728 00:36:54,310 --> 00:36:57,068 ONE OF NATURE'S HARDEST ROCKS, 729 00:36:57,068 --> 00:36:59,655 YET ONLY HAD TOOLS MADE OF SOFT METALS 730 00:36:59,655 --> 00:37:02,034 LIKE COPPER AND BRONZE. 731 00:37:02,034 --> 00:37:03,586 HOW DID THEY DO IT? 732 00:37:03,586 --> 00:37:07,275 A VITAL CLUE CAN BE FOUND AT A QUARRY IN ASWAN -- 733 00:37:07,275 --> 00:37:10,275 AN ENORMOUS UNFINISHED OBELISK, 734 00:37:10,275 --> 00:37:15,206 ABANDONED BY WORKERS 3,500 YEARS AGO. 735 00:37:15,206 --> 00:37:17,413 Godenho: LOOKS LIKE THIS THING WAS ALMOST READY 736 00:37:17,413 --> 00:37:21,068 TO BE RELEASED FROM THE QUARRY IT WAS CARVED IN, 737 00:37:21,068 --> 00:37:23,241 BUT THEN A CRACK WAS EXPOSED IN THE OBELISK, 738 00:37:23,241 --> 00:37:25,379 AND SO IT HAD TO BE ABANDONED. 739 00:37:25,379 --> 00:37:27,137 Bianchi: IF IT DID NOT DEVELOP A CRACK, 740 00:37:27,137 --> 00:37:30,275 IT WOULD HAVE BEEN THE LARGEST STANDING OBELISK THAT WE KNOW. 741 00:37:30,275 --> 00:37:32,586 Narrator: THE UNFINISHED OBELISK SHOWS SIGNS 742 00:37:32,586 --> 00:37:35,275 OF WHAT SEEM LIKE STRIKE MARKS. 743 00:37:35,275 --> 00:37:37,862 WE KNOW ANCIENT EGYPTIANS CARVED SOFT ROCK, 744 00:37:37,862 --> 00:37:41,068 LIKE LIMESTONE, USING COPPER CHISELS. 745 00:37:41,068 --> 00:37:44,965 BUT TO CUT GRANITE, IT WOULD TAKE A HARDER METAL LIKE IRON, 746 00:37:44,965 --> 00:37:47,310 WHICH HAD NOT YET BEEN DISCOVERED. 747 00:37:47,310 --> 00:37:49,965 Harrison: THE EVIDENCE ON THE ASWAN OBELISK IMPLIES 748 00:37:49,965 --> 00:37:51,379 THAT IT WAS BEING HAMMERED 749 00:37:51,379 --> 00:37:54,689 AND BEATEN OUT OF THE GROUND USING COPPER CHISELS, 750 00:37:54,689 --> 00:37:56,172 BUT THIS SEEMS SLIGHTLY UNUSUAL 751 00:37:56,172 --> 00:37:58,275 BECAUSE COPPER IS QUITE A SOFT METAL 752 00:37:58,275 --> 00:38:00,206 COMPARED TO THE VERY HARD GRANITE. 753 00:38:02,275 --> 00:38:04,172 Narrator: OTHER SCHOLARS BELIEVE IT'S MORE LIKELY 754 00:38:04,172 --> 00:38:05,448 THAT THE ANCIENT WORKFORCE 755 00:38:05,448 --> 00:38:08,620 USED ROCKS MADE OF DOLERITE TO FREE THE OBELISK. 756 00:38:10,689 --> 00:38:12,689 Bianchi: USING POUNDERS 757 00:38:12,689 --> 00:38:15,482 ABOUT THE SIZE OF A MODERN BOWLING BALL 758 00:38:15,482 --> 00:38:17,448 UPON THE GRANITE 759 00:38:17,448 --> 00:38:19,482 UNTIL THE GRANITE WAS WORN AWAY. 760 00:38:19,482 --> 00:38:21,689 IT'S ALMOST INCONCEIVABLE THAT SUCH A SIMPLE TECHNOLOGY 761 00:38:21,689 --> 00:38:24,241 COULD DO THIS, BUT POSSIBLY WITH ENOUGH PEOPLE, 762 00:38:24,241 --> 00:38:27,862 YOU COULD MOVE SOMETHING THIS LARGE THIS WAY. 763 00:38:27,862 --> 00:38:30,379 Narrator: BUT NOW RESEARCHERS ARE REEVALUATING 764 00:38:30,379 --> 00:38:33,758 AN IMPORTANT CLUE 765 00:38:33,758 --> 00:38:35,896 DISCOVERED IN THE 19th CENTURY 766 00:38:35,896 --> 00:38:39,896 BY THE FATHER OF EGYPTOLOGY, FLINDERS PETRIE. 767 00:38:39,896 --> 00:38:41,655 Godenho: PETRIE WORKING AT GIZA, 768 00:38:41,655 --> 00:38:44,448 WHERE THE PYRAMIDS ARE, NEAR CAIRO, 769 00:38:44,448 --> 00:38:47,103 HE FOUND GRANITE-DRILLED CORES -- 770 00:38:47,103 --> 00:38:50,034 LUMPS OF GRANITE THAT LOOK LIKE THEY'D BEEN REMOVED 771 00:38:50,034 --> 00:38:53,310 FROM THE EARTH BY DRILLING ACTION. 772 00:38:53,310 --> 00:38:55,517 Narrator: THIS COULD BE A CRUCIAL PIECE OF EVIDENCE 773 00:38:55,517 --> 00:38:57,344 IN SOLVING THIS MYSTERY. 774 00:38:57,344 --> 00:39:01,172 PETRIE'S THEORY WAS THAT WHILE THE DRILLS WERE MADE OF COPPER, 775 00:39:01,172 --> 00:39:03,413 CRAFTSMEN NEEDED THE HELP OF SOME OTHER SUBSTANCE 776 00:39:03,413 --> 00:39:05,793 TO CUT THROUGH GRANITE. 777 00:39:05,793 --> 00:39:08,206 PETRIE BELIEVED THAT IN ORDER FOR THESE DRILLS 778 00:39:08,206 --> 00:39:11,655 TO BE EFFECTIVE, THEY NEEDED A HARD CUTTING EDGE. 779 00:39:11,655 --> 00:39:14,000 SO SOMETHING ELSE, NOT JUST THE METAL. 780 00:39:14,000 --> 00:39:16,000 AND SO HE THOUGHT SOMETHING LIKE DIAMOND 781 00:39:16,000 --> 00:39:19,068 WOULD BE SUITABLE FOR THAT CUTTING ACTION. 782 00:39:19,068 --> 00:39:20,862 Altaweel: WE USE DIAMONDS TO DRILL. 783 00:39:20,862 --> 00:39:22,724 PRESUMABLY, THEY WOULD HAVE USED SOMETHING 784 00:39:22,724 --> 00:39:25,482 SORT OF COMPARABLE IN HARDNESS AS DIAMOND. 785 00:39:25,482 --> 00:39:27,068 Narrator: 21st CENTURY RESEARCHERS 786 00:39:27,068 --> 00:39:29,137 MAY HAVE FOUND THE ANSWER TO THIS MYSTERY 787 00:39:29,137 --> 00:39:33,551 IN NEW YORK'S METROPOLITAN MUSEUM OF ART. 788 00:39:33,551 --> 00:39:34,896 Naunton: THERE IS AN OBJECT 789 00:39:34,896 --> 00:39:36,206 WHICH PERHAPS DOESN'T LOOK LIKE MUCH 790 00:39:36,206 --> 00:39:37,689 BUT ACTUALLY IS TELLING US AN AWFUL LOT 791 00:39:37,689 --> 00:39:41,896 ABOUT HOW THE EGYPTIANS WERE ABLE TO WORK STONES LIKE THIS. 792 00:39:41,896 --> 00:39:44,310 Narrator: THIS PIECE OF ANCIENT SCULPTED STONE 793 00:39:44,310 --> 00:39:48,172 WAS DISCOVERED IN AMARNA IN THE LATE 19th CENTURY. 794 00:39:48,172 --> 00:39:51,172 CONTEMPORARY RESEARCHERS ARE INTRIGUED BY A HOLE 795 00:39:51,172 --> 00:39:53,172 ON THE BACK OF THE ARTIFACT. 796 00:39:53,172 --> 00:39:55,172 A TUBULAR CUTTING EDGE, 797 00:39:55,172 --> 00:39:58,137 A TUBULAR DRILL HAD BEEN USED ON THIS. 798 00:39:58,137 --> 00:40:00,413 AND AT THE BOTTOM OF THAT DRILL HOLE, 799 00:40:00,413 --> 00:40:04,103 YOU CAN SEE A CIRCULAR AREA. 800 00:40:04,103 --> 00:40:07,862 Naunton: THERE ARE TRACES OF SOME KIND OF ABRASIVE POWDER 801 00:40:07,862 --> 00:40:10,724 THAT THEY USED TO REMOVE THIS SECTION. 802 00:40:10,724 --> 00:40:13,310 Narrator: THIS FINE POWDER COULD FINALLY EXPLAIN 803 00:40:13,310 --> 00:40:18,241 HOW EGYPTIANS CUT THROUGH HARD GRANITE WITH SOFT COPPER. 804 00:40:18,241 --> 00:40:20,551 THE FRAGMENT IS TAKEN IMMEDIATELY TO THE LAB 805 00:40:20,551 --> 00:40:22,310 TO BE EXAMINED. 806 00:40:22,310 --> 00:40:26,241 Naunton: THIS POWDER'S BEEN STUDIED BY ELECTRON MICROSCOPY, 807 00:40:26,241 --> 00:40:28,931 AND IT'S BEEN SHOWN TO BE MADE OF A MIXTURE 808 00:40:28,931 --> 00:40:31,448 OF VARIOUS SUBSTANCES, BUT TWO OF THOSE STAND OUT. 809 00:40:31,448 --> 00:40:35,241 THERE ARE GREEN FRAGMENTS WHICH SEEM TO BE 810 00:40:35,241 --> 00:40:39,448 FROM BRONZE AND COPPER, PERHAPS THE REMAINS OF A DRILL. 811 00:40:39,448 --> 00:40:43,655 AND THERE ARE RED ANGULAR CRYSTALS IN THERE AS WELL. 812 00:40:43,655 --> 00:40:46,448 Narrator: SCIENTISTS ANALYZE THE RED CRYSTALS 813 00:40:46,448 --> 00:40:49,275 AND IDENTIFY THEM AS CORUNDUM. 814 00:40:49,275 --> 00:40:51,758 IT IS ONE OF NATURE'S HARDEST MATERIALS, 815 00:40:51,758 --> 00:40:54,000 SECOND ONLY TO DIAMOND 816 00:40:54,000 --> 00:40:56,620 AND MANY TIMES HARDER THAN GRANITE. 817 00:40:56,620 --> 00:40:59,137 Godenho: CORUNDUM'S ACTUALLY A SUPER-HARD CRYSTAL, 818 00:40:59,137 --> 00:41:01,379 AND THAT'S WHAT WE SEEM TO HAVE FRAGMENTS OF HERE. 819 00:41:01,379 --> 00:41:04,103 BUT IT'S STILL USED TODAY BECAUSE IT CAN SCRATCH 820 00:41:04,103 --> 00:41:06,310 JUST ABOUT ANY OTHER GEM. 821 00:41:06,310 --> 00:41:08,034 Narrator: TODAY, CORUNDUM IS USED 822 00:41:08,034 --> 00:41:11,000 TO COAT THE CUTTING SURFACES OF INDUSTRIAL DRILLS 823 00:41:11,000 --> 00:41:14,482 DESIGNED TO CUT THROUGH ROCK. 824 00:41:14,482 --> 00:41:18,068 NOW SCIENCE HAS REVEALED THAT 3,000 YEARS AGO, 825 00:41:18,068 --> 00:41:21,551 ANCIENT EGYPTIANS DID EXACTLY THE SAME THING 826 00:41:21,551 --> 00:41:24,344 TO CARVE THEIR VAST OBELISKS. 827 00:41:24,344 --> 00:41:25,931 Altaweel: THE OBELISK IS BEGINNING TO REVEAL 828 00:41:25,931 --> 00:41:27,275 NEW INFORMATION TO US. 829 00:41:27,275 --> 00:41:28,482 NOW WE'RE LEARNING MUCH MORE. 830 00:41:28,482 --> 00:41:29,931 WE'RE LEARNING ABOUT THE WAY THEY WERE MADE. 831 00:41:29,931 --> 00:41:33,551 THAT'S BEGINNING NOW TO BE PEELED AWAY BY NEW TECHNIQUES 832 00:41:33,551 --> 00:41:36,034 AND TECHNOLOGIES AVAILABLE TO US. 833 00:41:36,034 --> 00:41:37,793 Narrator: IT'S EVIDENCE OF THE INGENUITY 834 00:41:37,793 --> 00:41:39,827 OF THE ANCIENT EGYPTIANS 835 00:41:39,827 --> 00:41:42,241 AND OF THEIR ABILITY TO MAKE THE MOST 836 00:41:42,241 --> 00:41:43,931 OF THEIR NATURAL RESOURCES 837 00:41:43,931 --> 00:41:48,724 TO OVERCOME SEEMINGLY INSURMOUNTABLE TASKS. 838 00:41:48,724 --> 00:41:51,551 Bianchi: THE MORE WE STUDY ANCIENT EGYPT, 839 00:41:51,551 --> 00:41:53,758 THE MORE WE ARE AWARE 840 00:41:53,758 --> 00:41:57,000 OF JUST HOW ATTUNED THEY WERE 841 00:41:57,000 --> 00:41:59,000 OF HOW NATURE WORKS. 842 00:41:59,000 --> 00:42:03,517 ♪♪ 68142

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