All language subtitles for Signed, Sealed, Delivered Home Again 2017 Hallmark 720p HDTV X264 Solar

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish Download
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:31,000 --> 00:00:31,917 -I DON'T GET IT.-NO. 2 00:00:31,944 --> 00:00:32,987 YOU'RE BREAKINGTHE RULE. 3 00:00:33,010 --> 00:00:34,136 I'M DOING THE RIGHT THING. 4 00:00:34,159 --> 00:00:35,911 I'M THE OLDESTAND I'M IN CHARGE. 5 00:00:35,924 --> 00:00:37,842 WELL, YOU'RE NOT DOINGA VERY GOOD JOB OF IT. 6 00:00:37,852 --> 00:00:39,061 JUST TRUST ME. 7 00:00:40,027 --> 00:00:42,029 HI, MR. EVERETT! 8 00:00:41,997 --> 00:00:45,042 WELL, HEY,IT'S PEGGY, MARY LOU AND BUNNY. 9 00:00:45,033 --> 00:00:46,075 MY FAVORITE FAMILY. 10 00:00:46,100 --> 00:00:46,934 WHAT CAN I DO YA FOR? 11 00:00:46,920 --> 00:00:48,713 HOW MUCH TO MAIL THISTO DENVER? 12 00:00:48,725 --> 00:00:50,477 IT HAS TO GET THERE FAST. 13 00:00:50,490 --> 00:00:52,076 WELL... LET ME SEE. 14 00:00:53,567 --> 00:00:55,194 SO HOW ARE YOU ALLGETTING ALONG THESE DAYS? 15 00:00:56,521 --> 00:00:58,190 [MARY LOU]: TWO OF THE COWSWOULDN'T GET UP THIS MORNING. 16 00:00:58,205 --> 00:00:59,456 I THINKIT'S MILK FEVER... 17 00:00:59,476 --> 00:01:00,477 BUT THE OTHER COWSARE FINE. 18 00:01:00,502 --> 00:01:01,545 WE'VE GOT PLENTY OF MILK 19 00:01:01,569 --> 00:01:02,946 AND SOME REAL GOODCHEESE THIS WEEK. 20 00:01:02,923 --> 00:01:04,549 WELL, I WILL JUSTHAVE TO STOP BY 21 00:01:04,564 --> 00:01:06,483 AND SOME REAL GOODAND PICK ME UP SOME.WEEK. 22 00:01:06,452 --> 00:01:07,995 DID YOU WANT TO SEND THATFIRST CLASS? 23 00:01:08,012 --> 00:01:08,971 YES. 24 00:01:08,997 --> 00:01:12,042 OKAY, THAT'LL BE $5.78. 25 00:01:13,509 --> 00:01:15,636 IS THERE A...SIXTH CLASS? 26 00:01:18,106 --> 00:01:19,149 LET ME SEE. 27 00:01:22,702 --> 00:01:23,661 HOW MUCH YOU GOT? 28 00:01:23,686 --> 00:01:25,354 $2.05. 29 00:01:25,369 --> 00:01:26,912 BY GOLLY, THAT'S GONNA DO IT. 30 00:01:26,927 --> 00:01:28,554 AND WITH TWO CENTSTO SPARE. 31 00:01:32,385 --> 00:01:34,095 ALL DONE!OUGHTA BE THERE BY FRIDAY! 32 00:01:36,079 --> 00:01:37,330 THANK YOU. 33 00:01:37,309 --> 00:01:39,769 BUNNY, GIVEMR. EVERETT A NICKEL. 34 00:01:39,730 --> 00:01:40,773 [MR. EVERETT]: THANK YOU. 35 00:01:43,915 --> 00:01:46,710 BUNNY, GIVEMR. EVEAND THIS...EL. 36 00:01:46,665 --> 00:01:47,624 IS FOR YOU. 37 00:01:47,608 --> 00:01:48,818 BUNNY, GIVE[MARY LOU]:MR. EVEAND THIS..THANK YOU. 38 00:01:48,798 --> 00:01:49,882 IS AND CAN YOU PLEASE 39 00:01:49,906 --> 00:01:51,283 MARK IT "FRAGILE"? 40 00:01:51,260 --> 00:01:52,344 WILL DO. 41 00:01:53,681 --> 00:01:55,015 WHAT DO YOU GOT IN HERE ANYWAY? 42 00:01:56,431 --> 00:01:57,807 HOPE. 43 00:01:59,755 --> 00:02:03,634 [♪] 44 00:02:08,331 --> 00:02:11,376 ♪ IT'S NO SECRETI DON'T CARE ♪ 45 00:02:11,326 --> 00:02:14,036 ♪ GONNA SHOUT IT OUTEVERYWHERE ♪ 46 00:02:14,033 --> 00:02:15,326 ♪ I LOVE MY BABY ♪I DON'T CARE ♪ 47 00:02:15,347 --> 00:02:19,559 ♪ HOT, COLD, FAST OR SLOW ♪ 48 00:02:19,491 --> 00:02:20,742 ♪ I LOVE MY BABY ♪ 49 00:02:20,763 --> 00:02:22,807 ♪ GONNA TELL EVERYBODY I KNOW ♪ 50 00:02:22,774 --> 00:02:25,026 [♪] 51 00:02:24,989 --> 00:02:28,493 ♪♪ IN THE EVENING, IN MY BED ♪♪ 52 00:02:28,437 --> 00:02:30,814 ♪ I HEAR VOICES IN MY HEAD ♪ 53 00:02:30,775 --> 00:02:32,276 ♪♪ I♪ THEY SAY, "NEVER... ♪D ♪♪ 54 00:02:32,293 --> 00:02:34,129 ♪♪ NEVER EVER LET HER GO" ♪♪ 55 00:02:34,098 --> 00:02:36,476 [♪] 56 00:02:36,479 --> 00:02:37,480 ♪ I LOVE MY BABY ♪ 57 00:02:37,505 --> 00:02:41,091 ♪ GONNA TELL EVERYBODY I KNOW ♪ 58 00:02:41,075 --> 00:02:42,910 ♪ WELL, I LOVE MY BABY ♪ 59 00:02:42,880 --> 00:02:45,467 ♪ GOTTA TELL EVERYBODY I KNOW ♪ 60 00:02:45,425 --> 00:02:48,093 ♪ WELL, I [♪]E MY BABY ♪ 61 00:02:48,050 --> 00:02:50,720 ♪ OTHER WOMENDON'T MEAN A THING TO ME ♪ 62 00:02:50,677 --> 00:02:52,679 ♪ WELL, I [♪]E MY BABY ♪ 63 00:02:52,687 --> 00:02:53,729 ♪ YOU CAN PICK 'EM ALL UP ♪DON'T MEAN A THING TO ME ♪ 64 00:02:53,753 --> 00:02:57,131 ♪ DROP 'EM ALL IN THE SEA ♪ 65 00:02:57,077 --> 00:02:58,286 [♪] 66 00:02:58,308 --> 00:02:59,727 ♪ DROP 'EM ALL IN THE SEA ♪♪ IF I GOT NO MONEY ♪ 67 00:02:59,704 --> 00:03:00,871 ♪ SHE DON'T CARE ♪ 68 00:03:00,893 --> 00:03:02,352 ♪ DROP 'EM ALL IN THE SEA ♪♪ SHE'LL OPEN UP♪ HER POCKET BOOK ♪ ♪ 69 00:03:02,370 --> 00:03:03,496 ♪ AND PAY MY FARE ♪ 70 00:03:03,520 --> 00:03:05,312 ♪ I KNOW SHE LOVES ME ♪ 71 00:03:05,324 --> 00:03:07,284 ♪ UP, DOWN, HIGH OR LOW ♪ 72 00:03:07,253 --> 00:03:09,464 [♪] 73 00:03:09,468 --> 00:03:10,553 ♪ U♪ I LOVE MY BABY ♪OW ♪ 74 00:03:10,536 --> 00:03:13,580 ♪ GOTTA TELL EVERYBODY I KNOW ♪ 75 00:03:13,573 --> 00:03:15,032 ♪ I'LL SAY IT AGAIN ♪ 76 00:03:15,050 --> 00:03:16,176 ♪ I LOVE MY BABY ♪ 77 00:03:16,199 --> 00:03:17,200 ♪ GONNA TELL ALL Y'ALLTHAT I KNOW ♪ 78 00:03:17,224 --> 00:03:18,309 -OH, ARE YOU FINISHED?-YES. 79 00:03:21,697 --> 00:03:24,407 OH, I LOVE THIS! 80 00:03:25,637 --> 00:03:26,971 I KNOWJUST WHERE THIS SHOULD GO. 81 00:03:26,990 --> 00:03:29,492 OH, I BELIEVEIT IS ALREADY THERE. 82 00:03:30,930 --> 00:03:32,514 I THOUGHT YOU LIKED ANTIQUES. 83 00:03:32,530 --> 00:03:33,824 I DO. 84 00:03:33,843 --> 00:03:36,470 TRUE ANTIQUES HAVE CHARACTER... 85 00:03:36,469 --> 00:03:37,721 AND PROVENANCE... 86 00:03:37,741 --> 00:03:38,616 PROVENANCE? 87 00:03:38,602 --> 00:03:39,478 A HISTORY. 88 00:03:39,505 --> 00:03:41,007 YES, A STORY, A PEDIGREE. 89 00:03:41,024 --> 00:03:43,443 BUT JUNK IS, WELL, JUST... 90 00:03:43,444 --> 00:03:44,863 TRASH WAITINGTO BE MADE 91 00:03:44,840 --> 00:03:46,633 INTO TREASURE. 92 00:03:46,644 --> 00:03:47,813 TRUST ME, THIS'LL LOOK GREAT 93 00:03:47,794 --> 00:03:50,296 ON ONE OF THOSE BLANK WALLSTHAT YOU KEEP STARING AT. 94 00:03:50,256 --> 00:03:53,592 TRUSI DON'T SEE THE POINTEATIN DECORATING A TEMPORARY SPACE. 95 00:03:54,769 --> 00:03:57,272 ON OLIVER, YOU'RE GOINGALLSTHATO HAVE TO FACE IT AT. 96 00:03:57,272 --> 00:03:58,941 SOONER OR LATER-- 97 00:03:58,956 --> 00:04:02,584 THE OLD DLO SPACE IS NOWTHE NEW ONLINE SHIPPING ROOM. 98 00:04:02,565 --> 00:04:03,733 WE'RE NOT GOING BACK THERE. 99 00:04:07,983 --> 00:04:12,195 [♪] 100 00:04:18,896 --> 00:04:19,731 HMM... 101 00:04:19,718 --> 00:04:22,804 NOW, HOW DID I HAVE THIS BEFORE? 102 00:04:22,753 --> 00:04:23,879 HUM... 103 00:04:23,903 --> 00:04:25,696 HMM... 104 00:04:28,047 --> 00:04:29,881 UH... LET'S SEE. 105 00:04:32,110 --> 00:04:35,446 OH! HOW ABOUT... 106 00:04:35,392 --> 00:04:36,893 HERE? 107 00:04:36,869 --> 00:04:38,996 YOU WANT TO HANG ITWITHOUT ANYTHING IN IT? 108 00:04:39,003 --> 00:04:39,962 [SHANE]: RIGHT! 109 00:04:39,988 --> 00:04:41,198 IT'S VERY AVANT-GARDE. 110 00:04:41,219 --> 00:04:42,095 WHOEVER'S LOOKING AT IT 111 00:04:42,123 --> 00:04:43,790 WILL SEEWHATEVER THEY WANT TO SEE. 112 00:04:43,763 --> 00:04:46,725 I WOULD LIKE TO SEEA PICTURE IN IT. 113 00:04:46,717 --> 00:04:49,595 [SHANE]: YOU SAID YOU WANTEDTO BREAK OUT AND TRY NEW THINGS. 114 00:04:49,549 --> 00:04:50,425 I DID. 115 00:04:50,452 --> 00:04:51,995 [SHANE]: YOU SAIDYES, YOU DID.TO BREAK OUT AND TRY NEW THINGS. 116 00:04:51,970 --> 00:04:53,930 AT LEASTLET ME GET IT CENTERED. 117 00:04:55,294 --> 00:04:56,044 OH! 118 00:04:56,072 --> 00:04:56,948 DID YOU KNOW 119 00:04:56,975 --> 00:04:58,101 THAT FOUR OUT OF FIVEPOST OFFICE BRIDES 120 00:04:58,124 --> 00:05:00,335 MARRY OUTSIDEOF THEIR OWN ZIP CODE? 121 00:05:01,490 --> 00:05:03,492 IT'S A NEW WORLD, RITA. 122 00:05:03,500 --> 00:05:04,459 BELIEVE ITOR NOT, 123 00:05:04,444 --> 00:05:05,737 THERE'S NOTHING PENDINGIN THE PENDING BOX 124 00:05:05,758 --> 00:05:07,343 AND ALL THE BULK MAILVE ITHAS BEEN DEBULKED,NOT, 125 00:05:07,358 --> 00:05:08,859 SO IT LOOKS... 126 00:05:08,875 --> 00:05:09,751 LIKE A LIGHT DAY. 127 00:05:09,737 --> 00:05:12,740 WELL, I SUGGEST WE TAKEAN EARLY LUNCH! 128 00:05:12,691 --> 00:05:15,193 OH! WELL, RAMONLIGHT DAY.BOUGHT A NEW RESTAURANT. 129 00:05:15,194 --> 00:05:16,946 IT'S VERY COOL AND VERY CHIC.AN EARLY LUNCH! 130 00:05:16,959 --> 00:05:19,002 IT'S CALLED "BISTRO RAMON." 131 00:05:19,011 --> 00:05:21,639 WE COULD GO THERE. 132 00:05:21,638 --> 00:05:23,264 WHAT'S THE MATTERWITH THE MAILBOX GRILLE? 133 00:05:23,277 --> 00:05:24,863 NEW HORIZONS, OLIVER. 134 00:05:24,838 --> 00:05:27,131 JUST LET ME HANG THIS,AND THEN WE CAN... 135 00:05:27,094 --> 00:05:29,722 NEPERHAPSONS, OLIVER.WE SHOULD MEASURE FIRST 136 00:05:29,720 --> 00:05:31,472 AND THEN WE CAN FIND-- 137 00:05:32,593 --> 00:05:33,760 OOH! 138 00:05:37,763 --> 00:05:38,930 ...FIND THE STUD. 139 00:05:39,978 --> 00:05:41,145 OH... 140 00:05:45,805 --> 00:05:47,181 [NORMAN]: HUH! 141 00:05:47,200 --> 00:05:48,660 THERE'S A NEW HORIZON. 142 00:06:09,030 --> 00:06:11,824 WOW. WHAT IS THIS?SOME SORT OF SECRET ROOM? 143 00:06:12,682 --> 00:06:14,016 I HAVE NO IDEA. 144 00:06:14,036 --> 00:06:15,579 LOOKS LIKETHAT WATER LEAK'S 145 00:06:15,595 --> 00:06:17,681 GOTTEN INTO EVERYTHING. 146 00:06:17,647 --> 00:06:19,398 I WONDER. 147 00:06:19,411 --> 00:06:20,997 [SHANE]: OLIVER... 148 00:06:20,971 --> 00:06:25,641 THERE'S UNDELIVEREDMAIL HERE FROM 1999. 149 00:06:25,565 --> 00:06:27,359 ALL THE ZIP CODESARE ALL ADDRESSED TO... 150 00:06:27,331 --> 00:06:29,291 THERE'S UNDELIVEREDMAIL HERE FRO82474.. 151 00:06:29,300 --> 00:06:30,719 HOW DID YOU KNOW? 152 00:06:32,624 --> 00:06:33,751 THIS... 153 00:06:33,774 --> 00:06:36,860 IS THE LOST MAILBAGOF HARRY SNAPP. 154 00:06:36,851 --> 00:06:38,352 [RITA]: HE'S REAL? 155 00:06:38,368 --> 00:06:39,536 I ALWAYS THOUGHTHE WAS JUST A LEGEND. 156 00:06:39,559 --> 00:06:40,518 [OLIVER]: OH, YES. 157 00:06:40,544 --> 00:06:41,754 WHO'S HARRY SNAPP? 158 00:06:41,734 --> 00:06:43,652 HARRY WAS A MAIL CARRIER, 159 00:06:43,661 --> 00:06:45,122 SOMETHING OFWHO'A DISAGREEABLE LONER, 160 00:06:45,139 --> 00:06:48,142 WHO SUDDENLY DISAPPEAREDABOUT 18 YEARS AGO. 161 00:06:48,135 --> 00:06:49,178 YEAH. POSTAL LORE HAS IT 162 00:06:49,201 --> 00:06:50,577 THAT HE WOULD SPENDHIS LUNCH HOURS 163 00:06:50,597 --> 00:06:51,891 HIDING SOMEWHEREIN THIS BUILDING, 164 00:06:51,909 --> 00:06:55,162 SCRATCHING OFF LOTTERY TICKETSAND ENTERING MAGAZINE CONTESTS. 165 00:06:55,110 --> 00:06:58,155 AND THEN ONE DAY,HE JUST DIDN'T SHOW UP. 166 00:06:58,802 --> 00:07:00,554 SCRATCHING OFF "YOU MAY ALREADYAND ENTERING MABE A WINNER...". 167 00:07:00,567 --> 00:07:03,862 SOUNDS LIKE HE FINALLYHIT THE JACKPOT. 168 00:07:05,081 --> 00:07:07,583 THEY NEVER FOUNDHIS LAST DELIVERY. 169 00:07:07,543 --> 00:07:09,462 'TIL NOW. 170 00:07:09,472 --> 00:07:13,517 IT'S MOSTLY JUST WATERLOGGEDRIGHT NOW, 171 00:07:13,493 --> 00:07:15,578 AND, WELL, MAGAZINESAND JUNK MAIL 172 00:07:15,544 --> 00:07:17,463 AND THE OCCASIONAL... 173 00:07:22,889 --> 00:07:23,765 AND, WELL, MAGAZINESWOW!ND JUNK MAIL 174 00:07:23,751 --> 00:07:26,087 ...ANTIQUE PORCELAIN VASE. 175 00:07:28,060 --> 00:07:30,603 AND, WELL, MAGAZINESNO, JUST THE WALL. 176 00:07:30,603 --> 00:07:34,023 STRUCTURAL DAMAGE? 177 00:07:33,968 --> 00:07:35,010 DEFINE DAMAGE... 178 00:07:35,035 --> 00:07:37,787 ANY SIGN OF AN ADDRESS? 179 00:07:37,744 --> 00:07:39,454 NO. THE POSTMARKAND ADDRESS ARE GONE. 180 00:07:39,467 --> 00:07:42,678 THEN, WE ARE NOW OBLIGATEDTO RETURN IT TO THE SENDER. 181 00:07:42,667 --> 00:07:43,543 SENDERS. 182 00:07:43,571 --> 00:07:44,905 THERE'S A PARTIAL RETURN: 183 00:07:44,883 --> 00:07:47,803 "PEGGY, MARY LOU, AND BUNNY..." 184 00:07:47,755 --> 00:07:50,841 SOMETHING "COUNTY ROAD..."THSOMETHING, SOMETHING.N: 185 00:07:50,833 --> 00:07:53,043 WELL, FACILITIES"PEGGY, AND MAINTENANCEUNNY..." 186 00:07:53,007 --> 00:07:54,592 CAN HAVE A CREW HEREBY THE 13TH. 187 00:07:54,608 --> 00:07:55,651 EXCELLENT. 188 00:07:56,824 --> 00:07:57,908 NEXT YEAR. 189 00:07:59,245 --> 00:08:00,746 WELL, THEN WE SHALL 190 00:08:00,763 --> 00:08:02,723 TAKE MATTERSINTO OUR OWN HANDS. 191 00:08:02,733 --> 00:08:03,651 OH, MY. 192 00:08:03,675 --> 00:08:05,051 [OLIVER CHUCKLES] 193 00:08:05,071 --> 00:08:06,365 UH, NORMAN! 194 00:08:06,385 --> 00:08:08,053 EXTRACTION KIT, PLEASE. 195 00:08:08,968 --> 00:08:11,430 CAREFUL. IT'S WATERLOGGED,IT MAY DISINTEGRATE. 196 00:08:23,865 --> 00:08:26,493 NORMAN, HANDWRITING? 197 00:08:26,491 --> 00:08:28,576 IT'S DATED 18 YEARS AGO 198 00:08:28,583 --> 00:08:30,001 AND WRITTEN WITHA FOUNTAIN PEN, 199 00:08:30,019 --> 00:08:33,231 BUT THE HANDWRITINGIS ADOLESCENT FEMALE, 200 00:08:33,179 --> 00:08:34,931 10, MAYBE 11 YEARS OLD. 201 00:08:34,943 --> 00:08:38,656 BUT THEA CHILD WHO VALUESIS ADOLETHE WRITTEN WORD. 202 00:08:38,596 --> 00:08:40,598 WELL, WHY DON'T I START? 203 00:08:43,396 --> 00:08:44,230 BUT THEA CHILD WHO VALUESIS ADOLETHE"DEAR SIR,ORD. 204 00:08:44,258 --> 00:08:46,260 I AM SENDING YOU THIS VASE 205 00:08:46,268 --> 00:08:47,687 BECAUSE WE REALLY NEEDTO SELL IT. 206 00:08:47,706 --> 00:08:48,832 WHEN I CALLED YOU LAST YEAR, 207 00:08:48,813 --> 00:08:51,398 YOU SAID YOU THOUGHTMAYBE IT WAS WORTH SOME MONEY, 208 00:08:51,398 --> 00:08:52,440 BUT YOU'D HAVE TO SEE IT FIRST, 209 00:08:52,422 --> 00:08:54,008 SO HERE IT IS. 210 00:08:54,023 --> 00:08:56,234 YOU ALSO SAID YOU WOULD HAVEBUT YTO KNOW HOW OLD IT ISIRST, 211 00:08:56,239 --> 00:08:58,784 AND WHERE WE GOT ITAND THE WHOLE STORY OF IT. 212 00:08:58,784 --> 00:09:00,702 SO HERE IT GOES. 213 00:09:00,712 --> 00:09:01,963 WE LIVE ON A FARM. 214 00:09:01,943 --> 00:09:03,236 IT IS VERY HARD WORK 215 00:09:03,256 --> 00:09:06,009 AND HARDLY ANYBODYHAS A REAL FARM ANYMORE. 216 00:09:06,005 --> 00:09:07,882 BUT MY MOM SAYS THAT'S THE WAYWE'VE ALWAYS DONE IT 217 00:09:07,894 --> 00:09:09,478 AND THAT'S WHY OUR MILKIS THE BEST, 218 00:09:09,452 --> 00:09:10,662 AND THAT NOTHING BEATS 219 00:09:10,684 --> 00:09:13,394 AND THHAPPY COWSUR MILKAND HARD WORK AND HOPE. 220 00:09:13,350 --> 00:09:15,144 BUT THAT'S WHERETHE VASE COMES IN, 221 00:09:15,156 --> 00:09:16,741 AND THHAPPY COWSUR MILKBECAUSE TIMES ARE BAD AGAIN 222 00:09:16,715 --> 00:09:18,759 AND WE ARE ALMOSTOUT OF HOPE NOW. 223 00:09:18,767 --> 00:09:20,185 WE ARE A FAMILY OF FARMERS. 224 00:09:20,203 --> 00:09:21,830 OUR FAMILY HAS BEEN RAISING COWS 225 00:09:21,804 --> 00:09:23,847 AND SELLING MILKAND MAKING CHEESE 226 00:09:23,855 --> 00:09:27,066 FOR MORE THAN A HUNDRED YEARS. 227 00:09:27,056 --> 00:09:29,058 THE WOMEN IN OUR FAMILYALWAYS HAVE GIRLS, 228 00:09:29,067 --> 00:09:30,568 AND THEY ALL GROW UPTO BE FARMERS, 229 00:09:30,584 --> 00:09:32,336 EXCEPT EVERY ONCE IN A WHILE, 230 00:09:32,349 --> 00:09:35,770 A GIRL GETS BORNWHO JUST WANTS ADVENTURE. 231 00:09:35,754 --> 00:09:38,841 THAT WASGREAT-GRANDMOTHER BETTY. 232 00:09:41,828 --> 00:09:43,371 WHEN WORLD WAR II STARTED, 233 00:09:43,386 --> 00:09:44,637 GREAT-GRANDMA BETTYLEFT THE FARM 234 00:09:44,658 --> 00:09:46,493 AND JOINEDTHE WOMEN'S ARMY CORPS. 235 00:09:46,505 --> 00:09:48,174 EVERYBODY UNDERSTOOD 236 00:09:48,187 --> 00:09:50,899 WHY BETTY RAN OFFTO JOIN THE WAR, 237 00:09:50,896 --> 00:09:53,773 BUT ALL THE WOMEN IN OUR FAMILYARE FARM FOLK, 238 00:09:53,767 --> 00:09:55,519 AND MAYBE THEY WANDER SOMETIMES, 239 00:09:55,533 --> 00:09:58,661 BUT SOONER OR LATER,THEY ALL COME HOME. 240 00:10:01,810 --> 00:10:03,187 WHEN BETTY WENT TO WAR, 241 00:10:03,165 --> 00:10:05,333 SHE GOT MARRIEDTO AN ARMY CAPTAIN. 242 00:10:05,339 --> 00:10:06,798 AND THE MAN WHO MARRIED THEM 243 00:10:06,775 --> 00:10:09,862 GAVE THEM THIS VASEAS A WEDDING PRESENT. 244 00:10:09,812 --> 00:10:13,232 SHE DIDN'T BRINGHER HUSBAND HOME. 245 00:10:13,177 --> 00:10:14,678 GAVE THEM THIS VASEAS JUST THE VASE.ENT. 246 00:10:14,695 --> 00:10:15,738 AND A BABY. 247 00:10:15,721 --> 00:10:18,849 THAT BABYWAS OUR GRANDMA ISABEL. 248 00:10:18,799 --> 00:10:21,760 FIVE GENERATIONSHAVE LIVED ON THIS FARM, 249 00:10:21,711 --> 00:10:23,046 THAT BABYWAS WITH THIS VASE,BEL. 250 00:10:23,024 --> 00:10:26,444 AND WE ALL BELIEVED WHATGREAT-GRANDMA BETTY HAD SAID, 251 00:10:26,431 --> 00:10:29,475 THAT THE VASE WAS PROBABLY WORTHWAS A LOT OF MONEY.BEL. 252 00:10:29,426 --> 00:10:34,681 SHE CALLED ITOUR "JUST-IN-CASE-VASE." 253 00:10:34,636 --> 00:10:35,679 WE COULD ONLY SELL IT 254 00:10:35,663 --> 00:10:37,998 IF WE REALLY, REALLYDIDN'T HAVE A CHOICE-- 255 00:10:37,960 --> 00:10:38,961 WE BUT IF WE WEREL IT 256 00:10:38,987 --> 00:10:42,824 THE STRONG AMERICAN WOMENDWE WERE RAISED TO BE, 257 00:10:42,803 --> 00:10:45,096 WE WOULD ALWAYSTHINK OF SOMETHING ELSE 258 00:10:45,101 --> 00:10:46,352 BEFORE IT CAME TO THAT. 259 00:10:46,331 --> 00:10:48,375 AND WE ALWAYS DID. 260 00:10:50,599 --> 00:10:53,227 ONE YEAR, WE PRACTICALLY LOSTA WHOLE HERD OF JERSEYS 261 00:10:53,226 --> 00:10:54,685 TO A COW EPIDEMIC. 262 00:10:54,660 --> 00:10:56,078 SOMETIMES, A BAD YEAR 263 00:10:56,056 --> 00:10:57,975 MEANT WE JUST ATEEGGS AND PEANUT BUTTER 264 00:10:57,984 --> 00:10:59,278 SOAND CANS OF SOUP,AR 265 00:10:59,298 --> 00:11:01,132 SO THE COWS COULD HAVE HAY, 266 00:11:01,144 --> 00:11:03,438 BUT THEY NEVER SOLD THE VASE. 267 00:11:03,401 --> 00:11:05,069 [SINGING] 268 00:11:05,042 --> 00:11:07,837 SOMETIMES, THERE WERETORNADOS, AND DROUGHTS, 269 00:11:07,792 --> 00:11:09,752 AND BLIZZARDS, AND FLOODS. 270 00:11:09,762 --> 00:11:11,472 SOMETSOMETIMES,E WEREWE HAD TO TRADE STUFF AWAY-- 271 00:11:11,485 --> 00:11:14,070 BUT WE NEVER SOLD THE VASE. 272 00:11:16,368 --> 00:11:17,536 BUT SIX MONTHS AGO, 273 00:11:17,517 --> 00:11:21,270 DADDY DIED IN A TRACTOR ACCIDENTIN THE WEST PASTURE, 274 00:11:22,275 --> 00:11:25,779 AND THAT'S WHYWE ARE IN TROUBLE NOW. 275 00:11:25,723 --> 00:11:29,351 OUR MOM AND DADREALLY, REALLY... 276 00:11:29,335 --> 00:11:30,669 LOVED EACH OTHER, 277 00:11:30,647 --> 00:11:33,232 AND... 278 00:11:39,511 --> 00:11:42,514 OUR MOM AND DADREALLY, REALLY LOVED EACH OTHER, 279 00:11:42,507 --> 00:11:45,801 AND SHE'S STILL SO SAD,SHE CAN'T GET OUT OF BED, 280 00:11:45,747 --> 00:11:47,916 AND PEGGY AND I ARE TRYINGTO TAKE CARE OF BUNNY 281 00:11:47,922 --> 00:11:48,881 AND SHE'S STILL SO SAD,SHE CAAND THE COWSOF BED, 282 00:11:48,866 --> 00:11:50,159 AND GO TO SCHOOL 283 00:11:50,178 --> 00:11:51,930 AND... 284 00:11:51,943 --> 00:11:54,779 TRADE MILKTO PAY THE BILLS. 285 00:11:54,775 --> 00:11:55,651 THEN LAST WEEK, 286 00:11:55,677 --> 00:11:57,011 A LADY CAMEFROM THE SOCIAL SERVICES 287 00:11:56,990 --> 00:11:59,535 AND ASKED WHERE OUR MOTHER WAS. 288 00:11:59,535 --> 00:12:00,911 A LADY CAMEWE TOLD HER SHE WAS SLEEPING 289 00:12:00,929 --> 00:12:02,430 AND SHE SAIDSHE'D BE BACK NEXT WEEK. 290 00:12:02,447 --> 00:12:04,658 SO IF WE CAN JUST SELL THE VASE, 291 00:12:04,664 --> 00:12:05,581 WE CAN PAY THE BILLS, 292 00:12:05,607 --> 00:12:06,608 AND MAMA WILL FEEL BETTER 293 00:12:06,634 --> 00:12:08,385 BEFORE SOMEBODY COMESTO TAKE US AWAY." 294 00:12:16,605 --> 00:12:17,731 WELL, THAT'S ALL THERE IS. 295 00:12:17,713 --> 00:12:20,090 I HOPE THAT THEY'RE-- 296 00:12:20,051 --> 00:12:21,302 WELL,THEY'RE STILL...E IS. 297 00:12:24,769 --> 00:12:25,812 HOW OLD WOULD SHE BE NOW? 298 00:12:25,796 --> 00:12:27,965 OH, ABOUT 28? 299 00:12:27,929 --> 00:12:29,013 MS. MCINERNEY,ULD SHE BE NOW? 300 00:12:29,037 --> 00:12:30,121 WOULD YOU DOSOME RESEARCH ABOUT 28? 301 00:12:30,145 --> 00:12:32,981 ON 100-YEAR-OLDFAMILY FARMS IN THE AREA? 302 00:12:32,936 --> 00:12:35,856 NORMAN, LET'SCLEAN UP THAT MESS 303 00:12:35,848 --> 00:12:37,767 ON 100-YEAND FIGURE OUTFAMIWHAT TO DO WITH THE ROOM. 304 00:12:37,778 --> 00:12:40,405 AND RITA, WILL YOUTAKE PHOTOGRAPHS OF THE VASE, 305 00:12:40,363 --> 00:12:41,364 AND MAKE A FEW COPIES, 306 00:12:41,388 --> 00:12:43,099 AND THEN LOCK THE VASE AWAYTAKE PHOIN THE SAFE?THE VASE, 307 00:12:43,111 --> 00:12:46,323 WHEREVER THE SAFE IS NOW. 308 00:12:46,312 --> 00:12:48,231 GOT IT. 309 00:12:49,594 --> 00:12:52,180 IF THE VASE TRULY ISFROM EUROPE, 310 00:12:52,180 --> 00:12:54,098 THEN I DOUBT WE'LL BE ABLETO TRACE IT 311 00:12:54,109 --> 00:12:55,527 BACK TO SOME DAIRY FARM IN-- 312 00:12:55,543 --> 00:12:57,670 I'M ASSUMING COLORADO... 313 00:12:57,636 --> 00:13:00,139 IF IT WAS MISADDRESSEDAND RETURNED TO SENDER, 314 00:13:00,099 --> 00:13:02,351 THEN MARY LOU WOULDI'M ASSNEVER HAVE HEARD BACK 315 00:13:02,356 --> 00:13:03,857 IF IT WAS MISADDRESSEDAND RETFROM "DEAR SIR." 316 00:13:03,875 --> 00:13:06,710 SO WHOEVER"DEAR SIR" IS, 317 00:13:06,664 --> 00:13:09,125 I'M SURE SHE CALLED HIMOR WROTE HIM AGAIN 318 00:13:09,085 --> 00:13:10,795 TO TRY TO TRACK IT DOWN? 319 00:13:10,808 --> 00:13:13,478 I'M SURE SHE CALLED HIMAN ART DEALER, PERHAPS?IN 320 00:13:13,476 --> 00:13:14,560 THERE CAN'T BETHAT MANY IN DENVER. 321 00:13:14,584 --> 00:13:15,501 OH, WELL, 322 00:13:15,527 --> 00:13:17,487 THERE'S 87 IN DENVER PROPER. 323 00:13:17,497 --> 00:13:19,291 IN METRO-DENVER... 324 00:13:19,302 --> 00:13:20,470 POINT TAKEN, RITA. 325 00:13:20,492 --> 00:13:22,285 THEN LET'S NARROW THAT DOWN 326 00:13:22,257 --> 00:13:24,801 TO EUROPEANPORCELAIN SPECIALISTS. 327 00:13:26,647 --> 00:13:28,024 YOU GUYS REMEMBERMY COUSIN SERGE? 328 00:13:28,003 --> 00:13:29,003 [SHANE]: SERGE? 329 00:13:28,987 --> 00:13:31,656 THE ONE WHO ENTEREDA MONASTERY IN MINNESOTA? 330 00:13:31,612 --> 00:13:33,781 THE LITTLE BROTHERSOF PERPETUAL FROST. YEAH. 331 00:13:35,265 --> 00:13:37,808 HE'S RELEVANTTO THIS CONVERSATION BECAUSE... 332 00:13:37,767 --> 00:13:39,018 BECAUSE HE HASA TWIN, IGOR! 333 00:13:38,997 --> 00:13:40,958 HE'SAND HE'S THETO THIS CONVEASSOCIATE DIRECTOR 334 00:13:40,967 --> 00:13:42,178 OF DECORATIVE ARTS 335 00:13:42,158 --> 00:13:44,160 AT THE COLORADO MUSEUMOF FINE ARTS! 336 00:13:44,168 --> 00:13:46,795 HE ALWAYS LIKED BOWLS AND POTS. 337 00:13:46,753 --> 00:13:49,215 AND THEY'VE GOTLOTS OF POTS THERE. 338 00:13:49,176 --> 00:13:51,093 OH, LOOK.S LIKED BOWLS AND POTS. 339 00:13:57,873 --> 00:14:00,251 THEY USED IT FOR PACKING. 340 00:14:01,648 --> 00:14:03,650 "PERSEPHONE,3/4 BUCKET. 341 00:14:03,618 --> 00:14:04,661 DIDN'T DRINK. 342 00:14:04,686 --> 00:14:05,687 "PERSEPHONE,SEEMS DEHYDRATED. 343 00:14:05,711 --> 00:14:08,172 VENUS, WOULDN'T PASTURE. 344 00:14:08,172 --> 00:14:10,717 PENELOPE,MINERVA, ELECTRA..." 345 00:14:11,783 --> 00:14:12,659 SEEMS LIKE SOME SORT 346 00:14:12,687 --> 00:14:15,064 OF COW DIARY, I THINK. 347 00:14:15,065 --> 00:14:16,108 OH. 348 00:14:16,134 --> 00:14:20,013 IT SAYS"SEE ATTACHED VET PRESCRIPTION." 349 00:14:20,975 --> 00:14:23,770 WELL, MAYBE THE NAME OF THE VETCAN HELP US LOCATE THE FARM. 350 00:14:25,652 --> 00:14:27,404 THE SECOND PAGE IS MISSING.IT MUST HAVE FALLEN APART. 351 00:14:27,418 --> 00:14:28,836 THOUGH IT LOOKS LIKE 352 00:14:28,812 --> 00:14:29,896 IT WAS STUCK TOGETHERLONG ENOUGH 353 00:14:29,879 --> 00:14:31,798 FOR SOME IMPRESSIONSTO GET TRANSFERRED.E 354 00:14:31,808 --> 00:14:34,019 I MIGHT BE ABLETO PULL SOMETHING OFF OF THAT 355 00:14:34,023 --> 00:14:34,983 IF I HAD A BIGGER LAB 356 00:14:34,968 --> 00:14:37,637 AND A LASERAND A SPECTRAL-IMAGING SYSTEM. 357 00:14:37,594 --> 00:14:42,098 BUT THE BUDGET ONLY APPROVEDA PAPER SHREDDER THIS YEAR. 358 00:14:42,024 --> 00:14:44,360 WELL, THERE MUST BEAND SOME GOVERNMENT AGENCYTEM. 359 00:14:44,323 --> 00:14:46,241 TO WHOM WE CAN TURN. 360 00:14:46,251 --> 00:14:47,169 WHAT ABOUT DALE 361 00:14:47,195 --> 00:14:48,155 AT THE STATE DIVISIONOF INVESTIGATIONS? 362 00:14:48,139 --> 00:14:49,974 AH. 363 00:14:49,985 --> 00:14:51,737 AT WELL, THERE'S--IONTHERE'S A THOUGHT. 364 00:14:51,710 --> 00:14:54,546 SHE'S STILLA SPECIAL AGENT THERE, RIGHT? 365 00:14:54,541 --> 00:14:56,250 A VERY SPECIAL AGENT. 366 00:14:56,263 --> 00:14:57,556 [OLIVER]: I'M GOINGTO GIVE HER A CALL RIGHT NOW. 367 00:15:02,049 --> 00:15:03,801 DO YOU REALLY THINKIT'S A GOOD IDEA 368 00:15:03,814 --> 00:15:04,774 FOR OLIVER TO BE... 369 00:15:04,798 --> 00:15:06,842 REACHING OUT TO DALE? 370 00:15:06,850 --> 00:15:08,059 [SHANE]: OH, ABSOLUTELY. 371 00:15:09,394 --> 00:15:11,229 AND YOU GO WITH HIM. 372 00:15:11,241 --> 00:15:12,284 AH. 373 00:15:13,662 --> 00:15:14,955 [NORMAN]:AND SHE'S REALLY SMART. 374 00:15:14,976 --> 00:15:16,018 SHE HAS A PHOTOGRAPHIC MEMORY, 375 00:15:16,042 --> 00:15:17,210 AND SHE WASMISS SPECIAL DELIVERY, 376 00:15:17,231 --> 00:15:18,316 AND WE LIKE THE SAME THINGS, 377 00:15:18,299 --> 00:15:19,508 AND THE SAME MUSIC, 378 00:15:19,529 --> 00:15:21,156 AND THE SAME BOOKSAND EVERYTHING. 379 00:15:21,170 --> 00:15:22,088 SO WHEN'S THE WEDDING? 380 00:15:22,115 --> 00:15:23,324 WELL, IT'S STILL PRETTY NEW. 381 00:15:23,304 --> 00:15:24,305 I HAVEN'T EVEN MET HER FAMILY. 382 00:15:24,330 --> 00:15:26,415 JUST WAIT TILL THEY MEET OURS. 383 00:15:28,105 --> 00:15:29,273 WELL, THE STYLE 384 00:15:29,295 --> 00:15:32,715 CERTAINLY SEEMS TO BE18TH-CENTURY ROCOCO. 385 00:15:32,660 --> 00:15:36,790 SO IT'S EITHER QUITE VALUABLE... 386 00:15:36,764 --> 00:15:38,849 CERTAINLY SEEMS TO BEOR AN EXCELLENT REPRODUCTION. 387 00:15:38,816 --> 00:15:39,984 WE'RE NOTACTUALLY INTERESTED 388 00:15:39,965 --> 00:15:41,132 IN THE VALUE. 389 00:15:41,154 --> 00:15:42,113 WE'RE NOTI AM, KINDA.INTERESTED 390 00:15:42,098 --> 00:15:43,850 WE'RE LOOKING FOR 391 00:15:43,821 --> 00:15:45,572 AN ART DEALERIN THE DENVER AREA 392 00:15:45,543 --> 00:15:47,963 THAT MIGHT HAVE SPECIALIZEDIN 18TH-CENTURY PORCELAINOR 393 00:15:47,966 --> 00:15:49,508 AND BEEN INTERESTED 394 00:15:49,483 --> 00:15:50,902 IN BUYING OR SELLINGSOMETHING LIKE THIS 395 00:15:50,920 --> 00:15:52,004 18 YEARS AGO. 396 00:15:53,095 --> 00:15:54,263 WELL, THERE AREN'TA LOT OF THOSE AROUND HERE, 397 00:15:54,244 --> 00:15:55,161 BUT I CAN TRY 398 00:15:55,187 --> 00:15:56,897 TO PUT A LISTTOGETHER FOR YOU. 399 00:15:56,870 --> 00:15:57,745 THAT WOULD BE GREAT. 400 00:15:57,771 --> 00:15:58,940 TO PUT A LISTTOGETHETHANK YOU SO MUCH. 401 00:15:58,963 --> 00:16:00,756 JUST A QUICK QUESTION. 402 00:16:00,767 --> 00:16:04,312 IF WE WERE INTERESTEDIN THE VALUE OF THE VASE, 403 00:16:04,297 --> 00:16:07,008 WHAT WOULD BE A BALLPARK FIGURE? 404 00:16:07,005 --> 00:16:09,215 WELL, IF IT'S GENUINE, 405 00:16:09,221 --> 00:16:11,931 AND IT HASA VERIFIABLE PROVENANCE, 406 00:16:11,887 --> 00:16:14,515 IT COULD BE WORTH A GREAT DEAL. 407 00:16:17,386 --> 00:16:18,303 AND IT HASA VE500 OR 600 MAYBE?CE, 408 00:16:18,330 --> 00:16:21,041 OH, NO.NOT THAT MUCH. 409 00:16:20,997 --> 00:16:21,998 250... 410 00:16:22,023 --> 00:16:23,649 OH, NO.$300,000.NOT THAT MUCH. 411 00:16:25,757 --> 00:16:26,883 [GASPS FOR AIR] 412 00:16:31,624 --> 00:16:32,708 [OLIVER]:IF DALE CAN HELP US OUT, 413 00:16:32,732 --> 00:16:34,359 PERHAPS I'LL SEE ANOTHER FARM. 414 00:16:34,374 --> 00:16:35,333 I'VE ONLY BEEN TO ONE-- 415 00:16:35,359 --> 00:16:37,611 ONCE, WHEN I WAS A BOY SCOUT. 416 00:16:38,969 --> 00:16:39,970 RITA? 417 00:16:40,733 --> 00:16:42,235 OH, I'M SORRY. 418 00:16:42,252 --> 00:16:44,170 SORRY. I WAS JUSTTHINKING ABOUT DALE. 419 00:16:45,125 --> 00:16:45,959 DALE? 420 00:16:45,985 --> 00:16:49,198 I IMAGINE SHE'LL BEBACK ANY MINUTE. 421 00:16:49,186 --> 00:16:50,521 YOU KNOW, I... 422 00:16:50,540 --> 00:16:51,833 I ALWAYS WONDERED IF... 423 00:16:53,085 --> 00:16:55,003 YOU TWO HAD BEEN A... 424 00:16:54,971 --> 00:16:56,307 "THING." 425 00:16:56,286 --> 00:16:58,329 A "THING"? 426 00:16:59,609 --> 00:17:01,193 "WELL... 427 00:17:01,210 --> 00:17:03,712 YOU KNOW,WE'VE ALWAYS BEEN GOOD FRIENDS, 428 00:17:03,672 --> 00:17:06,341 BUT THERE... 429 00:17:06,339 --> 00:17:10,050 MIGHT HAVE BEEN A TIMEWE'VE ALWAWHERE I...OD FRIENDS, 430 00:17:10,031 --> 00:17:12,367 BUT SHE DIDN'T... 431 00:17:12,370 --> 00:17:15,498 BUT THEN SHE... 432 00:17:15,489 --> 00:17:20,034 BUT THEN I WAS... 433 00:17:19,960 --> 00:17:21,671 DO YOU MINDIF WE CHANGE THE SUBJECT? 434 00:17:21,685 --> 00:17:22,936 BNO. SURE. OKAY.. 435 00:17:24,721 --> 00:17:25,847 OH! MY PARENTSARE DRIVING THEIR RV 436 00:17:25,830 --> 00:17:27,665 UP FROM ALBUQUERQUETO MEET NORMAN TODAY! 437 00:17:27,635 --> 00:17:28,594 -REALLY?-MM-HMM. 438 00:17:28,579 --> 00:17:29,955 -DOES NORMAN KNOW?ETO MEET -NO.AN TODAY! 439 00:17:29,932 --> 00:17:30,933 -REALLY?IT'S SHORT NOTICE, 440 00:17:30,917 --> 00:17:33,003 AND MY PARENTSARE VERY SPONTANEOUS. 441 00:17:33,009 --> 00:17:34,052 AND IF I TOLD NORMAN, 442 00:17:34,036 --> 00:17:36,038 HE WOULD GETTHAT TUMMY THING HE GETS, 443 00:17:36,005 --> 00:17:37,507 YOU KNOW, 444 00:17:37,483 --> 00:17:38,526 WHEN HE'S TERRIFIED. 445 00:17:38,510 --> 00:17:39,385 YES. 446 00:17:39,370 --> 00:17:42,039 UNREMITTINGCONVULSIVE STOMACH SYNDROME. 447 00:17:42,037 --> 00:17:43,747 YES.YOU KNOW HIM SO WELL. 448 00:17:45,526 --> 00:17:46,860 ANYWAYS, I JUST THOUGHT 449 00:17:46,838 --> 00:17:48,422 IF I DIDN'T GIVE HIM TIMETO THINK ABOUT IT, 450 00:17:48,396 --> 00:17:50,107 THEN HE WOULDN'T HAVE TIME TO... 451 00:17:50,120 --> 00:17:51,121 IF I DIDN'T GIVE HIM TIMETO THCONVULSE. IT, 452 00:17:51,804 --> 00:17:53,138 THAT'S VERY THOUGHTFUL, RITA. 453 00:17:55,086 --> 00:17:56,379 THANK YOU. 454 00:17:58,698 --> 00:18:00,658 SO, SPECTRAL IMAGINGIS GOING TO TAKE SIX WEEKS. 455 00:18:00,625 --> 00:18:02,459 BUT I DO HAVE A FRIENDIN DIGITAL RESONANCE 456 00:18:02,471 --> 00:18:04,515 WHO WAS ABLETO PULL A FEW WORDS-- 457 00:18:04,523 --> 00:18:05,441 "ANTIBIOTICS," 458 00:18:05,467 --> 00:18:06,384 "APPETITE," 459 00:18:06,410 --> 00:18:07,829 NOTHING THAT HELPFUL EXCEPT... 460 00:18:07,807 --> 00:18:09,016 A PARTIAL PHONE NUMBER! 461 00:18:08,996 --> 00:18:09,997 NOTHING THAT HELPOH, WONDERFUL. 462 00:18:09,981 --> 00:18:10,982 A PARTIAMM-HMM. NUMBER! 463 00:18:11,007 --> 00:18:13,009 AND THE PREFIX AND AREA CODEMATCHES BYERS COUNTY... 464 00:18:12,977 --> 00:18:16,772 OH, WELL,THAT NARROWS IT DOWN, AT LEAST. 465 00:18:16,711 --> 00:18:17,754 AND THE PREFIX AND AREA CODEMATCHETHANK YOU VERY MUCH. 466 00:18:17,778 --> 00:18:18,862 OH, WELL,THAT NARROWS ISO HAPPY TO HELP. 467 00:18:19,952 --> 00:18:21,787 -HOW'S NORMAN?-WE'RE ENGAGED! 468 00:18:21,757 --> 00:18:23,801 OH, THAT'S... WONDERFUL. 469 00:18:23,768 --> 00:18:24,769 -HOW'S NORMAN?-WECONGRATS!ED! 470 00:18:24,753 --> 00:18:25,671 THANKS. 471 00:18:25,697 --> 00:18:27,824 AND... AND... 472 00:18:27,831 --> 00:18:29,833 HOW IS SHANE? 473 00:18:29,841 --> 00:18:31,633 WELL, THINGS ARE GOOD. 474 00:18:31,646 --> 00:18:33,315 SHE'S GOOD. 475 00:18:33,328 --> 00:18:35,455 I'M GOOD. 476 00:18:38,376 --> 00:18:39,461 I'LL JUST MEET YOU OUTSIDE. 477 00:18:41,001 --> 00:18:42,127 -SURE.-BYE. 478 00:18:45,105 --> 00:18:47,523 OLIVER, IT'S OKAY TO SAY IT. 479 00:18:47,526 --> 00:18:49,653 YOU AND SHANE ARE... 480 00:18:51,383 --> 00:18:53,010 A "THING." 481 00:18:52,984 --> 00:18:53,985 AN EARLY THING. 482 00:18:53,969 --> 00:18:56,471 I FIGURED. 483 00:18:56,471 --> 00:18:57,639 AND, YOU KNOW WHAT, IT'S-- 484 00:18:57,661 --> 00:18:58,787 I'M REALLY HAPPY FOR YOU. 485 00:18:59,794 --> 00:19:02,047 I THINK YOU NEEDSOMEBODY LIKE SHANE 486 00:19:02,052 --> 00:19:03,803 TO SHAKE YOU UP A LITTLE. 487 00:19:03,816 --> 00:19:05,568 DO YOU THINK I NEED SHAKING UP? 488 00:19:05,580 --> 00:19:07,707 ABSOLUTELY. YES. 489 00:19:08,617 --> 00:19:10,369 YOU AND I, WE... 490 00:19:10,341 --> 00:19:11,842 WE SOLVE OUR PROBLEMS 491 00:19:11,858 --> 00:19:15,112 BY KNOWING WHERE THE LINES AREAND FOLLOWING THE RULES. 492 00:19:16,208 --> 00:19:18,127 AND SHANE... 493 00:19:18,096 --> 00:19:20,514 WELL... 494 00:19:20,475 --> 00:19:22,686 SHE COLORS OUTSIDE THE LINES, 495 00:19:22,650 --> 00:19:25,569 IF YOU KNOWWELL...WHAT I MEAN. 496 00:19:25,564 --> 00:19:28,317 BUT IF YOU PUTSHE CTHE TWO TOGETHER...INES, 497 00:19:28,272 --> 00:19:29,481 YOU'VE GOT... 498 00:19:30,446 --> 00:19:31,572 A MESS? 499 00:19:33,032 --> 00:19:36,369 OR MAYBE SOMETHING BEAUTIFUL. 500 00:19:43,372 --> 00:19:46,959 [♪] 501 00:19:46,941 --> 00:19:48,652 WHERE'S RITA? 502 00:19:48,624 --> 00:19:50,041 OH, SHE'S ON HER WAY, 503 00:19:50,060 --> 00:19:53,606 SHE STOPPED BY THE DLOTO DROP OFF A PIECE OF EVIDENCE. 504 00:19:53,588 --> 00:19:55,382 EVIDENCE? 505 00:19:55,354 --> 00:19:57,273 SO YOU REALLY ARELIKE DETECTIVES. 506 00:19:57,282 --> 00:19:58,867 YES. 507 00:19:58,881 --> 00:20:00,091 BUT POSTAL. 508 00:20:00,073 --> 00:20:02,826 AND YOU'RE RITA'S BOSS? 509 00:20:02,821 --> 00:20:04,948 WELL, WE'RE ALLMORE LIKE COLLEAGUES. 510 00:20:04,914 --> 00:20:07,459 MS. MCINERNEY AND I,AND NORMAN AND... 511 00:20:07,459 --> 00:20:09,336 WELL, WE'RE ALLWHAT'S THE DEAL WITH NORM? 512 00:20:09,305 --> 00:20:13,016 HE'S A GOOD MANAND A DEAR FRIEND. 513 00:20:14,434 --> 00:20:16,894 I WOULD TRUST HIM WITH MY LIFE,MR. HAYWITH. 514 00:20:16,895 --> 00:20:18,229 YOU CAN CALL ME BILL. 515 00:20:18,208 --> 00:20:19,877 OH! 516 00:20:19,891 --> 00:20:22,602 I HAD AN UNCLE BILL.. 517 00:20:22,600 --> 00:20:23,517 WILLIAM O'TOOLE-- 518 00:20:23,502 --> 00:20:25,421 NO, "BILL" IS SHORT FOR "BILBO." 519 00:20:25,391 --> 00:20:27,309 YOU KNOW,LIKE INTHE HOBBIT. 520 00:20:30,232 --> 00:20:31,984 YOU HAVE TO ADDTHE GOAT'S MILK FIRST, 521 00:20:31,955 --> 00:20:33,122 THEN THE WHEY, 522 00:20:33,103 --> 00:20:34,480 YOU HAVE TO ADDAND THE CACTUS ROOT. FIRST, 523 00:20:34,500 --> 00:20:35,459 HMM. 524 00:20:35,485 --> 00:20:37,529 I'M A LITTLE SHORTON GOAT'S MILK. 525 00:20:37,535 --> 00:20:38,369 ALMOND MILK! 526 00:20:38,356 --> 00:20:39,232 GOATS, ALMONDS-- 527 00:20:39,259 --> 00:20:40,720 THEY'RE ALL GOD'S CHILDREN,ALMRIGHT?LK! 528 00:20:40,736 --> 00:20:44,824 SO THIS IS A POPULAR COCKTAILIN ALBUQUERQUE YOU SAY? 529 00:20:44,758 --> 00:20:45,717 OH, YES. 530 00:20:45,702 --> 00:20:47,245 IT'S CALLED AN "AREA 51." 531 00:20:48,081 --> 00:20:49,082 YOU DON'T KNOWWHAT'S IN THERE,YES. 532 00:20:49,106 --> 00:20:49,982 BUT ONE DRINK, 533 00:20:50,010 --> 00:20:51,804 AND YOU KNOW SOMETHING WEIRDIS GOING ON. 534 00:20:52,964 --> 00:20:53,798 OH... 535 00:20:53,784 --> 00:20:56,453 AND THEN I MET EVELYN--SUNNY-- 536 00:20:56,452 --> 00:20:57,954 AND WE DECIDEDTO CHANGE OUR NAMES 537 00:20:57,970 --> 00:21:00,306 THE SUMMER OF '69. 538 00:21:00,308 --> 00:21:02,519 EVERYTHING CHANGED IN '69. 539 00:21:02,484 --> 00:21:03,652 HOW IS IT 540 00:21:03,674 --> 00:21:06,426 YOU CAME TO CHOOSETHE NAME "SUNNY," 541 00:21:06,423 --> 00:21:07,424 MRS. HAYWITH? 542 00:21:07,448 --> 00:21:08,533 WELL... 543 00:21:08,557 --> 00:21:11,184 WE MET DURINGTHE SUMMER OF LOVE IN '67, 544 00:21:11,183 --> 00:21:12,309 WHEN I WAS EVELYN, 545 00:21:12,332 --> 00:21:13,709 AND FOR AWHILE, 546 00:21:13,727 --> 00:21:15,854 I WAS "MYSTIC HARMONY..." 547 00:21:15,861 --> 00:21:18,530 AND IN '69,WE WENT TO WOODSTOCK, 548 00:21:18,527 --> 00:21:21,239 AND IT RAINED AND RAINED-- 549 00:21:21,195 --> 00:21:23,739 AND WE DIDN'T SEEBLUE SKIES FOR DAYS. 550 00:21:23,698 --> 00:21:26,242 AND FINALLY,BILLY SAID ONE MORNING, 551 00:21:26,242 --> 00:21:28,410 "THE ONLY SUNRISE SEEWE'RE GOING TO SEE TODAYAYS. 552 00:21:28,416 --> 00:21:30,501 IS THE SUN IN YOUR EYES. 553 00:21:31,535 --> 00:21:33,537 AND I BECAME "SUNRISE." 554 00:21:33,505 --> 00:21:34,464 SUNRISE. 555 00:21:34,490 --> 00:21:35,783 SUNNY! 556 00:21:35,803 --> 00:21:36,804 THAT'S WONDERFUL. 557 00:21:36,829 --> 00:21:39,039 YOU SEE, NOW THERE REALLY ISA SUNRISE IN THERE. 558 00:21:39,045 --> 00:21:40,171 TAKE THEM OFF. 559 00:21:41,054 --> 00:21:41,930 SEE THAT LITTLE-- 560 00:21:41,916 --> 00:21:43,877 SEE THAT LITTLE GOLD FLECKRIGHT THERE? 561 00:21:47,209 --> 00:21:48,252 SEE THAT LITTLE--SEE? 562 00:21:50,082 --> 00:21:51,083 -[NORMAN]: OLIVER!-NORMAN! 563 00:21:51,067 --> 00:21:52,151 OLIVER, YOU'RE NEVERGOING TO GUESS-- 564 00:21:52,175 --> 00:21:53,218 [RITA]: NORMAN! 565 00:21:53,201 --> 00:21:54,869 -[WHIRS AND CRUNCHES]-[RITA]: I WANT YOU TO... 566 00:21:54,883 --> 00:21:55,926 [WHIRRING AND CRUNCHING] 567 00:21:55,949 --> 00:21:58,243 ...MEET MY PARENTS. 568 00:22:06,742 --> 00:22:08,494 OH, YOU'RE JUSTSO ADORABLE... 569 00:22:09,819 --> 00:22:11,779 WHAT I CAN SEE OF YOU. 570 00:22:11,747 --> 00:22:12,706 I'M REALLY SORRY 571 00:22:12,732 --> 00:22:14,151 THAT I BLENDEDYOUR GLASSES, MRS. HAYWITH. 572 00:22:14,169 --> 00:22:15,087 [BILL]: HEY, SUNNY, 573 00:22:15,113 --> 00:22:17,406 THEY'VE GOT THE BYRDSON HERE. 574 00:22:17,410 --> 00:22:18,828 THE BEATLES, THE MONKEES, 575 00:22:18,806 --> 00:22:20,099 THE TURTLES... 576 00:22:20,118 --> 00:22:21,619 [LAUGHS] THE ANIMALS. 577 00:22:21,595 --> 00:22:23,639 ALL THE MUSICAL SPECIESOF THE '60S! 578 00:22:24,549 --> 00:22:25,550 IS THAT A JOKE? 579 00:22:25,534 --> 00:22:27,411 MAYBE. 580 00:22:27,423 --> 00:22:29,925 SO, YOU'RE FROM NEW MEXICO! 581 00:22:29,885 --> 00:22:31,803 [NORMAN]: LAND OF ENCHANTMENT. 582 00:22:31,812 --> 00:22:34,357 SOME ENCHANTINGLAND DEVELOPERFROM NEW MEXICO! 583 00:22:34,357 --> 00:22:35,650 WANTS TO TURNOUR RV PARK 584 00:22:35,670 --> 00:22:38,381 INTO WALLY'S WACKYWAFFLE WORLD. 585 00:22:38,379 --> 00:22:41,840 YOU KNOW, WE'RE SO THRILLEDFOR NORMAN AND RITA. 586 00:22:41,784 --> 00:22:45,037 NORMAN ACTUALLY REMINDS MEOF A SMALL WOODLAND CREATURE. 587 00:22:45,025 --> 00:22:46,109 YOU KNOW, WE'RE SO THRILLEDFOR NTHANK YOU.RITA. 588 00:22:46,134 --> 00:22:47,050 [RITA]: ALL RIGHT, 589 00:22:47,035 --> 00:22:48,871 SO I FOUND A GLASSES PLACEDOWN THE STREET 590 00:22:48,881 --> 00:22:50,342 THAT'S OPEN 'TIL 5:00. 591 00:22:50,359 --> 00:22:52,695 PERFECT. 592 00:22:52,657 --> 00:22:53,908 [SUNNY]: NOW, HONEY,LEMME SEE THAT RING. 593 00:22:56,351 --> 00:22:58,060 THE RING THAT NORMAN GOT ME? 594 00:22:58,074 --> 00:22:59,867 WELL, WHO ELSEWOULD GIVE YOU ONE? 595 00:22:59,879 --> 00:23:01,506 [RITA LAUGHING] RIGHT. 596 00:23:01,480 --> 00:23:03,815 WELL... 597 00:23:03,819 --> 00:23:06,364 HE HASN'T GIVENME IT YET. 598 00:23:06,362 --> 00:23:07,280 I HAVE IT. 599 00:23:07,307 --> 00:23:08,308 I BOUGHT IT. 600 00:23:08,332 --> 00:23:09,708 I JUST, UH... 601 00:23:09,686 --> 00:23:10,521 I PUT ITIN MY PANTS. 602 00:23:10,507 --> 00:23:11,508 I MEAN, I PUT IT 603 00:23:11,492 --> 00:23:12,951 IN MY PANT POCKET, 604 00:23:12,969 --> 00:23:14,471 AND THEN I CHANGED MY PANTS 605 00:23:14,447 --> 00:23:16,324 WHEN I WENT TO SEE RITATO GIVE IT TO HER, 606 00:23:16,293 --> 00:23:17,752 AND THEN WHEN I GOT HOME,I WAS SO HAPPY, 607 00:23:17,770 --> 00:23:18,896 WHEN I WENT TO SEE RITATO GII FORGOT,HER, 608 00:23:18,878 --> 00:23:20,087 AND I SENT ALL MY PANTSTO THE LAUNDRY THE NEXT DAY-- 609 00:23:20,108 --> 00:23:21,943 WELL, NOT ALL MY PANTS,OF COURSE! 610 00:23:21,955 --> 00:23:23,039 [EVERYONE LAUGHING] 611 00:23:24,950 --> 00:23:26,369 WE'VE CONTACTEDTHE LAUNDRY SERVICE 612 00:23:26,387 --> 00:23:29,556 AND THERE'S BEENA RATHER EXTENSIVE SEARCH 613 00:23:29,505 --> 00:23:30,881 OVER THE LAST FEW WEEKS... 614 00:23:30,859 --> 00:23:33,028 AND THERE'S BEENA RATSO, IT'S LOST?SEARCH 615 00:23:32,993 --> 00:23:34,828 [SHANE]: NO. NO. 616 00:23:34,798 --> 00:23:36,133 NO, NO, NO, NO, NO. 617 00:23:36,112 --> 00:23:37,154 WE'RE FAIRLY CERTAIN 618 00:23:37,178 --> 00:23:38,930 THAT IT'S SOMEWHEREAT TONY'S TIP TOP CLEANERS. 619 00:23:39,846 --> 00:23:42,223 [NORMAN]: YEAH. I GO THEREA LOT TO LOOK AROUND. 620 00:23:42,184 --> 00:23:43,728 [RITA]: NORMAN DESCRIBED ITTO ME, DADDY, 621 00:23:43,744 --> 00:23:46,622 AND IT SOUNDS VERY BEAUTIFUL. 622 00:23:46,616 --> 00:23:47,576 IT'S IN THE SHAPE OF AN OWL. 623 00:23:47,601 --> 00:23:50,020 AN OWL!OH, HOW PRECIOUS? 624 00:23:49,981 --> 00:23:51,065 HONEY, YOU'VE ALWAYS LOVED OWLS. 625 00:23:51,047 --> 00:23:52,841 BILLY, HASN'T SHE ALWAYSOH,LOVED OWLS?US? 626 00:23:52,853 --> 00:23:54,437 YES. 627 00:23:56,176 --> 00:23:57,844 WILL YOU EXCUSE ME A MOMENT? 628 00:23:57,860 --> 00:23:59,278 I HAVE TO WALK AROUND A LITTLE. 629 00:24:00,075 --> 00:24:01,201 [SUNNY]: OF COURSE, DARLING. 630 00:24:02,742 --> 00:24:03,827 IS HE OKAY? 631 00:24:03,850 --> 00:24:05,435 YEAH. YEAH. IT'S JUST USUALLYHE'S A LITTLE MORE.... 632 00:24:05,409 --> 00:24:06,451 [OLIVER]: ENGAGING.HE JUST... 633 00:24:06,476 --> 00:24:09,229 YEAH. YEAHSOMETIMESST USUALLYWHEN HE'S SURPRISED, HE... 634 00:24:09,225 --> 00:24:10,768 HE GETS THE ERKS. 635 00:24:10,743 --> 00:24:12,369 ERKS? 636 00:24:12,384 --> 00:24:14,762 UNREMITTINGCONVULSIVE STOMACH SYNDROME. 637 00:24:14,724 --> 00:24:16,934 YOU'RE MARRYINGA GUY WHO CONVULSES? 638 00:24:19,648 --> 00:24:22,067 HEY, WHAT'S--CONVULSIWHAT'S THAT?YNDROME. 639 00:24:22,890 --> 00:24:24,182 [BILL]: OH, NOTHING. 640 00:24:24,202 --> 00:24:25,203 COME ON, SUNNY. 641 00:24:25,228 --> 00:24:27,688 LET'S... ORDER YOUR GLASSES. 642 00:24:29,495 --> 00:24:30,789 [SUNNY]: WE'LL SEE YOU LATER. 643 00:24:30,769 --> 00:24:32,103 [RITA]: OKAY. 644 00:24:32,080 --> 00:24:33,706 THIS WAY, THIS WAY.E YOU LATER. 645 00:24:37,948 --> 00:24:40,284 MAYBE I SHOULD HAVE GIVENNORMAN A LITTLE MORE NOTICE. 646 00:24:40,287 --> 00:24:41,288 OH, I DON'T THINK 647 00:24:41,272 --> 00:24:43,691 YOU COULD HAVE PREPAREDANYONE FOR THIS, RITA. 648 00:24:44,390 --> 00:24:46,267 [SHANE'S CELL PHONE RINGS] 649 00:24:48,166 --> 00:24:49,501 SHANE MCINERNEY. 650 00:24:49,479 --> 00:24:50,814 YES, HI! 651 00:24:50,792 --> 00:24:52,418 OKAY. 652 00:24:52,391 --> 00:24:54,143 CAN YOU SEND THOSE TO ME? 653 00:24:54,116 --> 00:24:56,952 GREAT. THANKS.THANKS SO MUCH, IGOR. 654 00:24:57,684 --> 00:25:00,520 WELL, NORMAN'S COUSINCHAS SOME LEADS FOR US.E? 655 00:25:00,516 --> 00:25:01,850 OH. GREAT. 656 00:25:13,935 --> 00:25:16,395 [SHANE]: WE HAVEONE MORE LEFT ON THIS STREET. 657 00:25:27,885 --> 00:25:29,095 SO THIS IS THE VASE? 658 00:25:29,117 --> 00:25:30,618 WOW. 659 00:25:30,635 --> 00:25:32,096 NO WONDER SHE WANTED IT BACK. 660 00:25:32,973 --> 00:25:34,725 WAY BACK IN '99 OR SO, 661 00:25:34,737 --> 00:25:36,406 MY DAD STARTED GETTINGCALLS AND LETTERS 662 00:25:36,380 --> 00:25:37,422 FROM THIS LITTLE GIRL, 663 00:25:37,447 --> 00:25:39,241 WHO SAID THAT SHE'D SENT USCA VASE TO SELL.S 664 00:25:39,211 --> 00:25:41,379 DAD DIDN'T KNOWANYTHING ABOUT IT, 665 00:25:41,386 --> 00:25:43,346 BUT SHE SWORE SHE'D SENT IT. 666 00:25:44,298 --> 00:25:46,467 LOOKS LIKE IT GOT LOSTIN THE MAIL AFTER ALL. 667 00:25:46,474 --> 00:25:47,683 WE ARE TRYING TO CORRECT THAT. 668 00:25:47,664 --> 00:25:49,040 HE SAID SHE'D CALLEVERY WEEK, 669 00:25:49,017 --> 00:25:50,936 WE ARAND THEN EVERY MONTH,HAT. 670 00:25:50,945 --> 00:25:51,905 HE SAID SHE'D CALLAND THEN EVERY COUPLE OF YEARS, 671 00:25:51,890 --> 00:25:53,642 UNTIL THE CALLSJUST KIND OF STOPPED. 672 00:25:53,654 --> 00:25:54,780 HE SAID SHE'D CALLADID SHE EVER LEAVE A NUMBER?S, 673 00:25:57,716 --> 00:25:59,218 ACTUALLY, YEAH, 674 00:25:59,236 --> 00:26:02,739 AND DAD KEPT IT PINNED UPBEHIND THE COUNTER FOREVER, 675 00:26:02,723 --> 00:26:04,766 BUT WHEN I TOOK THIS PLACE OVER, 676 00:26:04,774 --> 00:26:05,900 I SORT OF CLEANED HOUSE. 677 00:26:07,113 --> 00:26:08,490 [SHANE]:WE HAVE A PARTIAL PHONE NUMBER 678 00:26:08,509 --> 00:26:09,926 FROM THE SAME AREA. 679 00:26:09,903 --> 00:26:11,029 IS THERE ANY CHANCE 680 00:26:11,052 --> 00:26:13,888 THAT YOU MIGHT REMEMBERTHE AREA CODE OR THE PREFIX? 681 00:26:15,156 --> 00:26:16,240 PROBABLY NOT. 682 00:26:16,222 --> 00:26:17,307 IT WAS UP THEREFOR SO LONG, 683 00:26:17,290 --> 00:26:18,625 IT WAS JUST KIND OFPART OF THE WALLPAPER, 684 00:26:18,643 --> 00:26:20,687 IT WAS UP THEREFOR SOYOU KNOW? 685 00:26:20,695 --> 00:26:24,490 WAIT, ISN'T THIS THE AREA CODEFOR BYERS COUNTY? 686 00:26:24,470 --> 00:26:25,679 YES. YES, IT IS. 687 00:26:26,644 --> 00:26:28,104 EDGEWOOD'S IN BYERS COUNTY,ISN'T IT? 688 00:26:28,121 --> 00:26:29,122 [OLIVER]: EDGEWOOD. YES. 689 00:26:29,106 --> 00:26:31,776 OKAY, BECAUSE I DOREMEMBER MY DAD SAYING, 690 00:26:31,733 --> 00:26:33,818 "THAT KIDFROM EDGEWOOD CALLED AGAIN." 691 00:26:34,975 --> 00:26:36,309 DOES THAT HELP? 692 00:26:36,329 --> 00:26:37,747 VERY MUCH. 693 00:26:38,585 --> 00:26:40,629 I'D REALLY LIKE TO KNOWHOW A KID FROM EDGEWOOD 694 00:26:40,638 --> 00:26:43,306 MANAGED TO GET AHOLDOF SOMETHING LIKE THAT. 695 00:26:44,494 --> 00:26:45,579 WELL, ALL WE CAN TELL YOU 696 00:26:45,602 --> 00:26:48,188 IS THAT IT HADA VERY LOVING HOME. 697 00:26:48,146 --> 00:26:49,272 WELL... 698 00:26:49,294 --> 00:26:51,213 TAKE GOOD CARE OF THAT VASE. 699 00:26:51,183 --> 00:26:52,518 IT PROBABLY BELONGS IN A MUSEUM. 700 00:26:52,537 --> 00:26:54,622 AND IF YOU DO FIND THE OWNER, 701 00:26:54,630 --> 00:26:56,256 AND SHE IS STILL INTERESTED, 702 00:26:56,270 --> 00:26:58,272 WE'LL BUY THATIN A NEW YORK MINUTE. 703 00:27:00,703 --> 00:27:01,662 [OLIVER]:MY DAD'S COMING IN TODAY 704 00:27:01,646 --> 00:27:03,480 TO SEE WHAT WE CAN DOABOUT THAT ROOM 705 00:27:03,492 --> 00:27:05,870 [OLIVER]:YOU SMASHED YOUR WAY INTO.AY 706 00:27:05,831 --> 00:27:06,874 [SHANE]: DON'T YOU MEAN 707 00:27:06,898 --> 00:27:09,860 "THE ROOMYOINTO WHICH I SMASHED MY WAY"? 708 00:27:09,853 --> 00:27:12,856 OR HAVE I FINALLYBROKEN YOU DOWN 709 00:27:12,849 --> 00:27:15,935 AND RUINED YOUR LOVE AFFAIRWITH THE ENGLISH LANGUAGE? 710 00:27:15,884 --> 00:27:18,220 I CAN'T IMAGINE YOURUINING ANYTHING. 711 00:27:20,192 --> 00:27:22,611 ANYWAY, RITA'S PARENTSARE DROPPING BY TODAY, 712 00:27:22,614 --> 00:27:24,700 SO THAT'S PERFECT. 713 00:27:24,707 --> 00:27:27,042 WHAT IS PERFECT? 714 00:27:27,046 --> 00:27:28,714 DID YOU NOTICE YESTERDAY 715 00:27:28,687 --> 00:27:30,022 MR. HAYWITH HAD 716 00:27:30,041 --> 00:27:31,918 A PRESENT THATDID YOHE WANTED TO GIVE, 717 00:27:31,929 --> 00:27:33,472 AND THEN AFTERHE MET NORMAN, 718 00:27:33,488 --> 00:27:35,825 HE DECIDEDNOT TO GIVE IT? 719 00:27:35,827 --> 00:27:38,204 MR. HAYWITHDOESN'T LIKE NORMAN. 720 00:27:38,206 --> 00:27:39,833 WELL, EVERYONELIKES NORMAN. 721 00:27:39,849 --> 00:27:42,559 NORMAN ISN'T ENGAGEDTO EVERYONE'S DAUGHTER. 722 00:27:42,556 --> 00:27:43,808 JUST BILL'S. 723 00:27:43,788 --> 00:27:44,789 AND EVERY FATHER 724 00:27:44,813 --> 00:27:46,314 WANTS WHAT'S BESTFOR THEIR DAUGHTER. 725 00:27:46,331 --> 00:27:47,833 NORMAN IS THE BEST. 726 00:27:47,850 --> 00:27:49,517 NORMAN IS WHAT'SBEST FOR RITA 727 00:27:49,532 --> 00:27:51,659 BECAUSE HE GETS HER. 728 00:27:51,665 --> 00:27:52,749 AND RITA GETS HIM. 729 00:27:52,773 --> 00:27:53,815 BUT MR. HAYWITHDOESN'T GET THAT 730 00:27:53,798 --> 00:27:55,384 BECAUSE HE DOESN'TGET NORMAN, 731 00:27:55,399 --> 00:27:56,609 AND HE'S NOTGOING TO GET THAT 732 00:27:56,589 --> 00:27:57,715 WITHOUT HELP. 733 00:27:57,737 --> 00:27:59,614 SO I HAVE AN IDEA. 734 00:28:01,554 --> 00:28:03,181 PERFECT. 735 00:28:03,155 --> 00:28:05,491 YES, MAY I SPEAK WITHTHE POSTMASTER, PLEASE? 736 00:28:06,315 --> 00:28:09,901 YES, I'M CALLING FROMTHE USPS DLO IN DENVER. 737 00:28:09,884 --> 00:28:13,013 MAY I ASK HOW LONG YOU'VE WORKEDAT THE EDGEWOOD BRANCH? 738 00:28:13,002 --> 00:28:15,338 AND THIS ISTHE UNATTACHED OBJECTS AREA, 739 00:28:15,301 --> 00:28:16,510 WHERE THE CONTENTS 740 00:28:16,532 --> 00:28:17,616 HAVE BECOME SEPARATEDFROM THEIR ADDRESS 741 00:28:17,598 --> 00:28:19,517 AND THEY REQUIRESPECIAL HANDLING. 742 00:28:19,526 --> 00:28:20,402 [RITA]: OH, YEAH. 743 00:28:20,388 --> 00:28:23,141 NORMAN IS VERY GOODAT SPECIAL HANDLING. 744 00:28:25,969 --> 00:28:27,471 -IS THAT A GUITAR?-[RITA]: OH, YEAH. 745 00:28:27,446 --> 00:28:28,614 YOU WOULDN'T BELIEVE 746 00:28:28,596 --> 00:28:29,847 WHAT PEOPLE PUT IN THE MAILWITH JUST A STAMP. 747 00:28:29,866 --> 00:28:30,742 COCONUTS, BRICKS--VE 748 00:28:30,729 --> 00:28:33,857 NORMAN EVEN DELIVEREDA GIANT BEAR ONCE. 749 00:28:33,848 --> 00:28:35,142 OH, STUFFED. 750 00:28:35,120 --> 00:28:36,162 I REALLY MISS THAT BEAR... 751 00:28:36,145 --> 00:28:37,521 [OLIVER]: GOOD NEWS. 752 00:28:37,540 --> 00:28:40,126 WE MAY HAVE A LEADI REON OUR DAIRY FARM.R... 753 00:28:40,084 --> 00:28:42,378 THE EDGEWOOD POSTMASTERIS EXPECTING US AT 2:00. 754 00:28:42,383 --> 00:28:43,300 WONDERFUL. 755 00:28:43,326 --> 00:28:44,577 OH, DID YOU KNOW 756 00:28:44,599 --> 00:28:45,766 THAT EDGEWOOD, COLORADO 757 00:28:45,788 --> 00:28:46,706 IS THE SITE OF 758 00:28:46,731 --> 00:28:47,816 THE SMALLEST MUSEUMIN THE STATE? 759 00:28:47,839 --> 00:28:49,175 THE INTERNATIONAL MUSEUMOF BARBED WIRE. 760 00:28:49,153 --> 00:28:51,321 16 SQUARE FEET.WELL WORTH THE DRIVE. 761 00:28:53,502 --> 00:28:55,838 THE INRITA, HOW FARUSEUMWOULD THAT DRIVE BE? 762 00:28:55,841 --> 00:28:56,842 OH, UM... 763 00:28:56,867 --> 00:28:59,245 87.5 MILES,WITHOUT THE TOLL ROADS. 764 00:28:59,247 --> 00:29:00,789 [NORMAN]: THERE ISN'TMUCH WE COULD DO AROUND HERE 765 00:29:00,764 --> 00:29:02,015 WITHOUT RITA. 766 00:29:02,037 --> 00:29:03,789 WHERE DID SHE GETHER PHOTOGRAPHIC MEMORY? 767 00:29:03,802 --> 00:29:04,844 [SUNNY]: WELL, HER GRANDMOTHER 768 00:29:04,868 --> 00:29:07,288 MEMORIZED THE ENTIRE1972 FEDERAL TAX CODE, 769 00:29:07,249 --> 00:29:08,750 SO I GUESS IT RUNSIN THE FAMILY. 770 00:29:08,766 --> 00:29:10,268 MEMORIZED THE ENTIRE1972 F[LAUGHING] CODE, 771 00:29:12,090 --> 00:29:13,592 DO YOU LIKEKIDS, NORMAN? 772 00:29:13,567 --> 00:29:14,735 OH, YES. 773 00:29:14,717 --> 00:29:15,926 I WAS ONE ONCE. 774 00:29:15,947 --> 00:29:17,449 I LIKED IT. 775 00:29:18,574 --> 00:29:20,826 IS THERE ANY INSANITYIN YOUR FAMILY, NORMAN? 776 00:29:20,789 --> 00:29:22,332 UM... 777 00:29:23,375 --> 00:29:24,584 IS THERE ANY INSANITY[MR. O'TOOLE]: ANYBODY HERE?N? 778 00:29:24,605 --> 00:29:27,441 THE CLEAN-UP COMMITTEEHAS ARRIVED! 779 00:29:27,438 --> 00:29:28,980 MR. O'TOOLE! 780 00:29:28,996 --> 00:29:31,040 WELCOME, WELCOME! 781 00:29:31,006 --> 00:29:33,842 RITA'S WEIRD HIPPIE PARENTSARE VISITING 782 00:29:33,838 --> 00:29:35,339 AND NORMAN BROKEHER MOTHER'S GLASSES 783 00:29:35,355 --> 00:29:36,732 AND HER FATHERDOESN'T LIKE HIM. HELP! 784 00:29:36,751 --> 00:29:38,377 GOT IT. 785 00:29:38,393 --> 00:29:39,519 [OLIVER]: DAD! 786 00:29:39,542 --> 00:29:40,877 THESE ARERITA'S PARENTS, 787 00:29:40,895 --> 00:29:42,355 SUNNY AND BILL HAYWITH. 788 00:29:42,372 --> 00:29:43,332 THIS IS JOSEPH O'TOOLE. 789 00:29:43,357 --> 00:29:45,777 BILL! JUST CALL ME JOE. 790 00:29:45,778 --> 00:29:46,904 AND SUNNY! 791 00:29:46,886 --> 00:29:48,012 LOVELY TO MEET YOU! 792 00:29:47,994 --> 00:29:49,078 SAME HERE.CONGRATULATIONS! 793 00:29:49,060 --> 00:29:51,270 WHEN I HEARD THE NEWSLOVELY TABOUT THESE TWO, 794 00:29:51,277 --> 00:29:52,737 SAME HERE.I GOTTA TELL YOU...TIONS! 795 00:29:52,754 --> 00:29:54,673 HEY! HENDRIX! 796 00:29:54,682 --> 00:29:56,100 WERE YOUAT THAT CONCERT? 797 00:29:56,078 --> 00:29:57,079 FRONT ROW. 798 00:29:57,063 --> 00:29:59,190 WERE YOUNO KIDDING! ME, TOO!NCERT? 799 00:29:59,197 --> 00:29:59,989 F[LAUGHS]. 800 00:30:00,017 --> 00:30:01,310 [SUNNY]: FOR HEAVEN'S SAKES! 801 00:30:01,330 --> 00:30:02,749 YOU'RE PRACTICALLY FAMILY! 802 00:30:03,833 --> 00:30:04,834 CAN YOU HANDLE A DRILL, BILL? 803 00:30:04,859 --> 00:30:07,319 I BUILD FURNITUREIN ALBUQUERQUE. YES. 804 00:30:07,321 --> 00:30:08,739 [SUNNY]: I WEAVE. 805 00:30:08,716 --> 00:30:09,717 I'M A WEAVER. 806 00:30:09,700 --> 00:30:11,702 WELL, PERFECT! 807 00:30:11,711 --> 00:30:13,504 WHADDYA SAY WE OLD PEACENIKS 808 00:30:13,476 --> 00:30:15,019 SHOW THESE KIDSHOW IT'S DONE, 809 00:30:15,035 --> 00:30:16,328 IF YOU'VE GOTA LITTLE TIME? 810 00:30:16,347 --> 00:30:17,724 NORMAN, WHY DON'T YOUJUST TELL US 811 00:30:17,744 --> 00:30:18,745 WHERE YOU WANT US TO START? 812 00:30:18,770 --> 00:30:19,646 OH, WELL... 813 00:30:19,631 --> 00:30:21,382 I THOUGHT WE COULD CLEAN UPTHE NEW ROOM 814 00:30:21,395 --> 00:30:22,939 AND TURN IT INTOA NICE OFFICE FOR RITA. 815 00:30:22,954 --> 00:30:23,830 AW! 816 00:30:23,816 --> 00:30:24,900 [OLIVER]:AN EXCELLENT IDEA, NORMAN. 817 00:30:24,924 --> 00:30:25,800 BRILLIANT. 818 00:30:25,827 --> 00:30:26,995 AND MAYBE A MEDITATION SPACE? 819 00:30:26,976 --> 00:30:28,019 HMM! 820 00:30:29,396 --> 00:30:30,481 AND MYEAH, I'M THINKINGSPACE? 821 00:30:30,504 --> 00:30:33,424 A WATERFALL OF HANGING BEADSTO DIVIDE THE SPACE UP. 822 00:30:33,418 --> 00:30:35,545 OLIVER WOULD LOVE THAT. 823 00:30:35,510 --> 00:30:37,720 [JOE]: WELL, I THINKWE HAVE A PLAN. 824 00:30:37,727 --> 00:30:39,103 OLIRITA, DO YOU MINDAT. 825 00:30:39,121 --> 00:30:40,206 IF I STEALYOUR FOLKS FOR AWHILE? 826 00:30:40,229 --> 00:30:41,105 [RITA]: PLEASE! 827 00:30:41,132 --> 00:30:43,384 I MEAN, OF COURSE.OF COURSE. 828 00:30:43,348 --> 00:30:44,599 GREAT! 829 00:30:44,619 --> 00:30:46,579 I MEAYOU GUYS,RSE.GO DELIVER SOMETHING! 830 00:30:46,589 --> 00:30:47,631 WE'LL... WE'VE GOT THIS. 831 00:30:47,614 --> 00:30:49,951 FOLLOW ME. COME ON. 832 00:30:49,954 --> 00:30:51,455 THIS WAY? 833 00:30:51,472 --> 00:30:54,475 THEY'RE SO GREAT, AREN'T THEY? 834 00:30:58,284 --> 00:30:59,785 [MR. EVERETT]:HERE IT IS RIGHT HERE. 835 00:30:59,801 --> 00:31:00,928 SIGN THERE, AND YEAH. 836 00:31:01,895 --> 00:31:02,896 THANK YOU. 837 00:31:07,967 --> 00:31:08,800 MR. EVERETT? 838 00:31:08,829 --> 00:31:12,500 AH, I'M GUESSINGYOU MUST BE MR. O'TOOLE? 839 00:31:12,481 --> 00:31:14,150 YES, AND THESE AREMY ASSOCIATES. 840 00:31:15,353 --> 00:31:16,854 WHAT CANI DO YOU FOR? 841 00:31:16,830 --> 00:31:18,665 WELL, WE ARE ATTEMPTINGTO DELIVER AN OBJECT 842 00:31:18,677 --> 00:31:19,636 THAT MAY HAVE SHIPPED 843 00:31:19,620 --> 00:31:20,830 FROM THIS POST OFFICE18 YEARS AGO. 844 00:31:20,851 --> 00:31:23,146 OH, I CANHARDLY REMEMBER 845 00:31:23,150 --> 00:31:25,235 WHAT WE SHIPPEDYESTERDAY! 846 00:31:25,243 --> 00:31:26,369 DO YOU KNOW WHO SHIPPED IT? 847 00:31:26,391 --> 00:31:27,726 IT'S A SMALL COMMUNITY.I DON'T FORGET MY NEIGHBORS. 848 00:31:27,745 --> 00:31:29,206 [SHANE]: WE ONLY HAVEFIRST NAMES. 849 00:31:29,223 --> 00:31:31,309 PEGGY, MARY LOU... 850 00:31:31,274 --> 00:31:32,233 AND BUNNY. 851 00:31:32,218 --> 00:31:33,261 YEAH. THE KELLSER FAMILY.... 852 00:31:33,244 --> 00:31:34,245 OH, YOU KNOW THEM?NY. 853 00:31:34,229 --> 00:31:35,688 YEBEEN AROUND FOREVER.LY.... 854 00:31:35,706 --> 00:31:37,499 OH, YOU ARE THEY STILL A FAMILY? 855 00:31:37,511 --> 00:31:40,181 YEAH, THE FAMILY'SDOWN ON COUNTY ROAD 119. 856 00:31:40,138 --> 00:31:41,054 CAN'T MISS IT. 857 00:31:41,040 --> 00:31:43,084 AND THEY STILLLIVE ON THE FARM? 858 00:31:43,093 --> 00:31:44,677 WELL...N'T MISS IT. 859 00:31:44,693 --> 00:31:46,861 AT LEAST UNTIL SATURDAY. 860 00:32:10,174 --> 00:32:13,344 [♪] 861 00:32:21,376 --> 00:32:22,502 WOW. 862 00:32:23,469 --> 00:32:24,470 [NORMAN]: HELLO? 863 00:32:26,094 --> 00:32:27,471 [SHANE]: HELLO? 864 00:32:27,490 --> 00:32:28,408 WOW. 865 00:32:28,393 --> 00:32:30,728 "COLORADO CAMEMBERT."I WANT TO TRY THAT. 866 00:32:30,691 --> 00:32:31,775 COOL. 867 00:32:31,798 --> 00:32:33,842 OH, NORMAN, LOOK. 868 00:32:33,850 --> 00:32:35,185 YES. IT'S LIKE BEING HEREA HUNDRED YEARS AGO. 869 00:32:36,106 --> 00:32:38,609 THIS SEEMS LIKEYOUR KIND OF PLACE. 870 00:32:41,235 --> 00:32:43,279 ARE YOU GOING STEADY? 871 00:32:43,287 --> 00:32:44,329 OH! 872 00:32:44,312 --> 00:32:46,439 UH... 873 00:32:46,447 --> 00:32:47,781 OH!WE ARE! 874 00:32:47,760 --> 00:32:48,761 WE'RE ENGAGED! 875 00:32:48,745 --> 00:32:50,080 CAN I SEE YOUR RING? 876 00:32:51,124 --> 00:32:52,375 WE'RE UH...ED! 877 00:32:52,355 --> 00:32:53,273 THAT'S A LONG STORY. 878 00:32:53,258 --> 00:32:55,343 I PUT THE RINGIN MY POCKET 879 00:32:55,310 --> 00:32:57,730 AND THEN I LOST IT.. 880 00:32:57,731 --> 00:32:59,441 WAS THERE A HOLE? 881 00:32:59,454 --> 00:33:00,540 A WHAT? 882 00:33:00,562 --> 00:33:01,730 I HAD CHICKEN FEED 883 00:33:01,711 --> 00:33:03,045 IN MY POCKET ONE TIME, 884 00:33:03,066 --> 00:33:04,192 BUT THERE WASI A HOLE IN MY POCKET, 885 00:33:04,214 --> 00:33:06,424 AND THE SEEDS WENTALL OVER THE FLOOR. 886 00:33:06,430 --> 00:33:08,348 OH... HUH. 887 00:33:08,359 --> 00:33:10,278 -WANNA SEE THE COWS?-OH... 888 00:33:10,246 --> 00:33:11,831 OH... 889 00:33:11,805 --> 00:33:13,223 WELL, YOU KNOW,WE WOULD LOVE TO, 890 00:33:13,241 --> 00:33:15,828 BUT WE REALLY NEEDTO TALK TO YOUR MOM. 891 00:33:15,827 --> 00:33:18,789 MY MOM DROVE TO THE DRUGSTORE,BUT SHE'LL BE RIGHT BACK. 892 00:33:18,781 --> 00:33:20,449 YOU CAN MEET AUNT BUNNY. 893 00:33:20,464 --> 00:33:22,466 SHE'S RIGHT ON THE WAYTO THE COWS. 894 00:33:23,376 --> 00:33:25,045 OH. GOOD. 895 00:33:25,059 --> 00:33:27,228 WELL, WE'LL JUST STAY HEREAND WAIT FOR YOUR MOM. 896 00:33:27,234 --> 00:33:28,819 WHAT DID YOU SAYHER NAME WAS AGAIN? 897 00:33:28,793 --> 00:33:30,127 PEGGY. 898 00:33:30,106 --> 00:33:31,441 I'M ABBY. 899 00:33:33,389 --> 00:33:34,515 OKAY... 900 00:33:39,954 --> 00:33:41,414 AND THIS IS SOOKIE. 901 00:33:41,431 --> 00:33:45,310 SHE'S VERY STUBBORN.SHE LIKES TO BE MILKED LAST. 902 00:33:45,288 --> 00:33:48,124 AND ARABELLEIS ALWAYS WANDERING OFF. 903 00:33:49,228 --> 00:33:50,562 POLLY'S REALLY SWEET, 904 00:33:50,581 --> 00:33:51,958 BUT SHE HAS TO BE THE FIRSTONE OUT OF THE PARLOR 905 00:33:51,977 --> 00:33:55,105 OR SHE'LL STAYIN THERE ALL NIGHT. 906 00:33:55,055 --> 00:33:58,308 UH... YOU ALLOW POLLYTO SLEEP IN YOUR LIVING ROOM? 907 00:33:59,691 --> 00:34:00,859 OR SHE'LL STAYNO, SILLY! ALL NIGHT. 908 00:34:00,840 --> 00:34:02,550 THE PARLORIS WHERE THE COWS GET MILKED. 909 00:34:04,000 --> 00:34:05,043 OR SHE'LL STAYSILLY. SILLY! ALL NIGHT. 910 00:34:07,035 --> 00:34:08,620 YOU CAN PET HER IF YOU WANT. 911 00:34:21,152 --> 00:34:22,444 [OLIVER]:CAREFUL OF YOUR FOOT THERE. 912 00:34:22,465 --> 00:34:23,966 [ABBY]: IT'S ALL RIGHT. 913 00:34:24,967 --> 00:34:25,926 [COW BELLS JINGLING] 914 00:34:25,911 --> 00:34:27,330 THERE'S AUNT BUNNY! 915 00:34:27,347 --> 00:34:28,807 RACE YOU TO THE FARMHOUSE! 916 00:34:37,687 --> 00:34:40,857 [SHANE]:I AM VERY PROUD OF YOU. 917 00:34:40,847 --> 00:34:42,265 I KNOW THAT WASN'T EASY 918 00:34:42,284 --> 00:34:43,493 AND ALL YOU WANT TO DO 919 00:34:43,473 --> 00:34:46,685 IS WASH YOUR HANDSRIGHT NOW, RIGHT? 920 00:34:46,673 --> 00:34:48,175 WAS I THAT OBVIOUS? 921 00:34:48,192 --> 00:34:49,735 NO. 922 00:34:49,751 --> 00:34:51,545 I JUST... 923 00:34:51,515 --> 00:34:53,099 KNOW YOU THAT WELL. 924 00:34:59,394 --> 00:35:01,646 MS. MCINERNEY?I JUST... 925 00:35:01,609 --> 00:35:03,569 WOULD YOU LIKE TO GOSTEADY WITH ME? 926 00:35:03,579 --> 00:35:06,582 MS. MCINERNEY?WHY, MR. O'TOOLE! 927 00:35:06,534 --> 00:35:09,203 THIS IS ALLSO VERY SUDDEN! 928 00:35:12,443 --> 00:35:13,861 MS. MCINERNEYOH, YOU'RE SERIOUS? 929 00:35:13,838 --> 00:35:16,173 NO, NO. 930 00:35:16,176 --> 00:35:17,803 I MEAN... 931 00:35:17,777 --> 00:35:19,779 WELL... I... 932 00:35:20,690 --> 00:35:23,526 I TOLD DALEWE WERE "A THING." 933 00:35:24,999 --> 00:35:26,626 "A THING." 934 00:35:26,641 --> 00:35:27,683 IS THAT... 935 00:35:27,666 --> 00:35:30,210 IS THAT DIFFERENTTHAN GOING STEADY? 936 00:35:30,209 --> 00:35:31,627 I'M NOT SURE.IS THAT... 937 00:35:42,191 --> 00:35:46,070 [♪] 938 00:35:46,007 --> 00:35:47,593 AUNT BUNNY SAYSYOU CAN SIT ON THE PORCH 939 00:35:47,608 --> 00:35:48,609 AND SHE'LL MAKESOME LEMONADE. 940 00:35:48,634 --> 00:35:51,094 I'LL GO GET YOUR FRIENDS. 941 00:35:51,096 --> 00:35:52,598 OH! I FORGOT TO MENTION 942 00:35:52,574 --> 00:35:54,951 THAT POLLY LIKES TO HEAR MUSICWHEN SHE HAS HER BABIES, 943 00:35:54,953 --> 00:35:56,454 SO DON'T FORGET TO SING TO HER. 944 00:35:59,794 --> 00:36:01,045 OH, NO. 945 00:36:01,067 --> 00:36:04,445 SHE... SHE THINKS WE'REHERE TO BUY THE PLACE. 946 00:36:20,434 --> 00:36:22,477 [BIRDS TWITTERING] 947 00:36:22,485 --> 00:36:23,820 [SHANE]: LISTEN TO THAT. 948 00:36:31,761 --> 00:36:34,764 THIS MUST BEWHAT HEAVEN IS LIKE. 949 00:36:36,232 --> 00:36:37,608 I HOPE NOT. 950 00:36:37,627 --> 00:36:38,879 IT'S TOO MUCH WORK. 951 00:36:38,858 --> 00:36:39,859 OH, MY GOODNESS. 952 00:36:39,843 --> 00:36:40,718 IT'S TOO MUCHHELLO! 953 00:36:40,704 --> 00:36:43,665 [SHANE]: YOU MUST BEOH, ABBY'S GRANDMOTHER? 954 00:36:43,617 --> 00:36:44,618 IT'S TOO MTHAT'S RIGHT. 955 00:36:44,643 --> 00:36:46,353 [SHANE]: YOU MUST BEKIM KELLSER.ABBY'S GRANDMOTHER? 956 00:36:46,326 --> 00:36:48,745 ABBY SAYS YOUR NAME IS O'TOOLE? 957 00:36:48,706 --> 00:36:49,499 [SHANE]: YOU MUST BEKIM KELLSER.YES, OLIVER O'TOOLE. 958 00:36:49,486 --> 00:36:50,821 THIS IS MS. MCINERNEY. 959 00:36:50,841 --> 00:36:51,967 [SI'M AFRAID MUST BEKIM KELLSER.YEYOUR GRANDDAUGHTER 960 00:36:51,989 --> 00:36:52,907 THINKS WE'RE HERE 961 00:36:52,892 --> 00:36:54,143 ABOUT THE SALEOF YOUR FARM, 962 00:36:54,123 --> 00:36:55,249 THIBUT WE'RE NOT. 963 00:36:55,272 --> 00:36:56,814 OH. 964 00:36:56,789 --> 00:36:58,291 ACTUALLY,THAT'S A BREATH OF FRESH AIR. 965 00:36:59,416 --> 00:37:01,543 WHAT BRINGS YOU HERE, THEN? 966 00:37:01,550 --> 00:37:03,010 WE ARE FROMTHE DEAD LETTER OFFICE 967 00:37:03,028 --> 00:37:04,112 OF THE U.S. POSTAL SERVICE. 968 00:37:04,135 --> 00:37:05,052 WE FOUND SOMETHING 969 00:37:05,079 --> 00:37:05,997 YOUR CHILDRENMAY HAVE MAILED 970 00:37:05,981 --> 00:37:08,816 TO A DENVER ART DEALER18 YEARS AGO. 971 00:37:10,905 --> 00:37:11,906 YOUR CHILDRENTHE VASE?HAVE MAILED 972 00:37:11,930 --> 00:37:12,847 YES. 973 00:37:12,833 --> 00:37:14,918 IT IS SAFE ANDIN GOOD CONDITION. 974 00:37:14,926 --> 00:37:16,386 WE JUST HAVEA FEW DETAILS 975 00:37:16,362 --> 00:37:17,572 THAT WE NEEDTO CLEAR UP FIRST. 976 00:37:18,907 --> 00:37:20,909 DO YOU BELIEVE IN GOD,HAVEMR. O'TOOLE?EW DETAILS 977 00:37:20,876 --> 00:37:22,794 I DO. 978 00:37:22,804 --> 00:37:26,015 GOOD, BECAUSE YOU JUST MIGHT BETHE ANSWER TO OUR PRAYERS. 979 00:37:32,488 --> 00:37:34,031 [KIM]: APPARENTLY, THEY'D SENTTHE VASE TO AN ART DEALER 980 00:37:34,048 --> 00:37:36,466 MARY LOU HAD FOUNDIN THE PHONE BOOK. 981 00:37:36,469 --> 00:37:37,303 IT TOOK A LOT OF COURAGE 982 00:37:37,330 --> 00:37:39,124 FOR THEM TO ADMITWHAT THEY'D DONE. 983 00:37:40,530 --> 00:37:42,282 BUT MARY LOU TOOK THE BLAME, 984 00:37:42,255 --> 00:37:45,216 AND ALL SHE SAIDIN HER DEFENSE WAS... 985 00:37:45,167 --> 00:37:47,419 WAS THAT SHE WAS TRYINGBUT MTO SAVE THE FAMILY.AME, 986 00:37:48,614 --> 00:37:50,616 THAT'S THE DAY I GOT OUT OF BED, 987 00:37:50,624 --> 00:37:51,875 I GOT MY ACT TOGETHER, 988 00:37:51,897 --> 00:37:53,565 AND I NEVER LOOKED BACK, 989 00:37:53,579 --> 00:37:56,290 I NEVER CAREDIF I EVER SAW THAT VASE AGAIN. 990 00:37:56,288 --> 00:37:57,289 UNTIL NOW. 991 00:37:57,314 --> 00:37:58,648 'CAUSE WEHAVE TO MOVE. 992 00:37:58,668 --> 00:38:01,587 [KIM]: I NEVER THOUGHTI'D HEAR MYSELF SAY THIS, 993 00:38:01,539 --> 00:38:07,379 BUT IF THERE WAS EVER A TIMEI WAS TEMPTED TO SELL THAT VASE, 994 00:38:07,325 --> 00:38:09,076 [KIM]: I NEVER THOUGHTI'IT WOULD'VE BEEN NOW.S, 995 00:38:09,089 --> 00:38:11,300 BUT I DIDN'T HAVE IT TO SELL. 996 00:38:11,264 --> 00:38:14,601 AND THEN YOU FOLKSCOME UP THE ROAD. 997 00:38:14,588 --> 00:38:20,511 SO IF IT REALLY ISWORTH SOME MONEY, 998 00:38:20,457 --> 00:38:23,376 THERE WOULDN'T BEA BETTER TIME TO FIND THAT OUT. 999 00:38:23,369 --> 00:38:28,499 WELL, IT WILL NEEDTO BE APPRAISED, OF COURSE, 1000 00:38:28,458 --> 00:38:29,500 AND WE DO HAVE SOME INDICATION 1001 00:38:29,483 --> 00:38:32,653 THAT IT MAY BE WORTHQUITE A GREAT DEAL... 1002 00:38:33,914 --> 00:38:35,332 ...IF IT IS GENUINE. 1003 00:38:36,295 --> 00:38:38,673 AND, OF COURSE,WE'LL HAVE TO COME UP WITH 1004 00:38:38,675 --> 00:38:41,427 SOME SORT OF WAYTO AUTHENTICATE OWNERSHIP. 1005 00:38:41,424 --> 00:38:42,509 THERE AREN'T ANY RECEIPTS. 1006 00:38:42,491 --> 00:38:44,743 IT WAS A WEDDING GIFTTO MY GRANDMOTHER. 1007 00:38:44,748 --> 00:38:46,083 THERE AREN'WE HAVE A PICTURE. 1008 00:38:46,061 --> 00:38:47,145 THAT'S RIGHT! 1009 00:38:47,168 --> 00:38:49,879 ABBY, WOULD YOU GO FINDTHAT OLD SCRAPBOOK, PLEASE? 1010 00:38:49,877 --> 00:38:51,336 MM-HMM. 1011 00:38:52,297 --> 00:38:53,882 A PHOTO WOULD BE GREAT, 1012 00:38:53,898 --> 00:38:57,193 AND THEN WE WOULD JUSTHAVE SOME FORMS TO BE SIGNED 1013 00:38:57,180 --> 00:38:58,348 BY ALL THREE SENDERS. 1014 00:38:58,370 --> 00:38:59,663 WHAT DO YOU MEAN, ALL THREE? 1015 00:38:59,684 --> 00:39:01,769 WELL, THE BOX WAS MARKED"RETURN TO SENDER," 1016 00:39:01,777 --> 00:39:02,820 AND IN THE CASE 1017 00:39:02,843 --> 00:39:04,970 OF SOMETHINGSO POTENTIALLY VALUABLE, 1018 00:39:04,977 --> 00:39:07,312 WE WOULD NEEDTHE SIGNATURES 1019 00:39:07,315 --> 00:39:09,567 OF ALL THREE NAMESON THE RETURN ADDRESS. 1020 00:39:12,240 --> 00:39:13,784 PEGGY, MARY LOU, AND BUNNY. 1021 00:39:19,091 --> 00:39:22,469 WE HAVEN'T SEEN MARY LOUFOR OVER TWO YEARS. 1022 00:39:35,463 --> 00:39:38,216 [OLIVER]: MARY LOUHAS QUITE A WAY WITH WORDS. 1023 00:39:38,214 --> 00:39:39,757 SHE WROTE A BEAUTIFUL LETTER. 1024 00:39:40,757 --> 00:39:42,467 YEAH, SHE DID. 1025 00:39:42,481 --> 00:39:45,193 IF IT'S NOT SWEET ENOUGH,YOU CAN PUT IN MORE SUGAR. 1026 00:39:46,215 --> 00:39:47,633 -IT'S JUST RIGHT THERE.-THANK YOU. 1027 00:39:47,650 --> 00:39:50,028 IF YOU PUT INTOO MUCH AT FIRST, 1028 00:39:50,032 --> 00:39:50,866 YOU CAN'T FIX IT, 1029 00:39:50,893 --> 00:39:52,269 BUT YOU CAN ALWAYS PUT IN MORE. 1030 00:39:52,288 --> 00:39:54,331 THAT'S JUST THE WAYI MAKE IT, TOO. 1031 00:40:00,084 --> 00:40:01,085 PEGGY! 1032 00:40:05,049 --> 00:40:05,967 PEGGY! 1033 00:40:05,993 --> 00:40:07,161 GUESS WHAT! 1034 00:40:07,183 --> 00:40:09,351 THE MAIL PEOPLEFOUND OUR VASE! 1035 00:40:13,830 --> 00:40:14,706 [PEGGY]: SO YOU'RE SAYING 1036 00:40:14,692 --> 00:40:15,818 THERE'S ACTUALLYSOMEONE IN DENVER 1037 00:40:15,800 --> 00:40:17,218 WITH AN OFFER TO BUY IT? 1038 00:40:17,236 --> 00:40:18,945 THER[OLIVER]:LLYI BELIEVE THE EXACT QUOTE WAS 1039 00:40:18,959 --> 00:40:20,835 "IN A NEW YORK MINUTE." 1040 00:40:20,806 --> 00:40:22,100 WELL, THEN IT MUST BEWORTH SOMETHING. 1041 00:40:22,119 --> 00:40:25,039 [OLIVER]: IF IT'S AUTHENTICAND NOT A REPRODUCTION. 1042 00:40:25,033 --> 00:40:26,242 AN AUTHENTIC WHAT? 1043 00:40:26,264 --> 00:40:28,141 [SHANE]:WE'RE NOT ACTUALLY SURE, 1044 00:40:28,151 --> 00:40:29,694 BUT OUR FRIEND AT THE MUSEUM 1045 00:40:29,710 --> 00:40:32,421 SAID IT COULD DATEFROM THE 1700S. 1046 00:40:32,419 --> 00:40:33,295 WOW. 1047 00:40:33,321 --> 00:40:35,823 AND THEN THERE'S THE MATTEROF OWNERSHIP. 1048 00:40:35,823 --> 00:40:37,325 WELL, IT'S OURS. 1049 00:40:37,343 --> 00:40:38,802 THAT PICTURE WILL PROVE IT. 1050 00:40:38,820 --> 00:40:40,113 [OLIVER]: NEVERTHELESS,THE RETURN ADDRESS INDICATES 1051 00:40:40,132 --> 00:40:43,009 THAT THE VASE WAS MAILEDBY THREE INDIVIDUALS, 1052 00:40:43,005 --> 00:40:45,883 SO WE REQUIRE A SIGNATUREFROM ALL THREE 1053 00:40:45,876 --> 00:40:47,044 IN ORDER TO RELEASE IT. 1054 00:40:47,067 --> 00:40:48,068 [BUNNY]:WELL, I'LL SIGN SOMETHING. 1055 00:40:48,051 --> 00:40:52,264 BUNNY, THEY NEEDYOU AND ME AND MARY LOU. 1056 00:40:54,453 --> 00:40:56,288 LEAVE IT TO HERTO COMPLICATE THINGS FOR US, 1057 00:40:56,300 --> 00:40:57,551 EVEN WHEN SHE'S NOT HERE. 1058 00:40:57,531 --> 00:40:58,740 PEGGY... 1059 00:41:00,403 --> 00:41:02,780 IS THERE A WAY THATWE COULD CONTACT MARY LOU? 1060 00:41:02,741 --> 00:41:04,618 WELL, SHE'S REALLY BUSY. 1061 00:41:04,630 --> 00:41:07,300 IS TH[PEGGY]: WE SEND EMAILSWE COTHAT NEVER GO THROUGH. 1062 00:41:07,297 --> 00:41:08,840 WE SEND LETTERS TO A P.O. BOX 1063 00:41:08,856 --> 00:41:11,274 THAT SHE'S NEVER IN THE COUNTRYTO CHECK. 1064 00:41:11,277 --> 00:41:13,821 SHE SENDS US POSTCARDS,FRUIT BASKETS. 1065 00:41:14,928 --> 00:41:17,765 NO, SHE HASN'T QUITE THOUGHTTO SEND US AN ACTUAL ADDRESS. 1066 00:41:17,719 --> 00:41:21,305 AND EVEN IF SHE DIDGET A LETTER THAT WE SENT HER, 1067 00:41:21,288 --> 00:41:22,873 NO,AND EVEN IF SHE STOPPEDHTTO S"FOLLOWING HER HEART"ESS. 1068 00:41:22,889 --> 00:41:23,973 LONG ENOUGH TO READ IT, 1069 00:41:23,997 --> 00:41:25,999 AND EVENIF SHE DID SIGN YOUR PAPERS, 1070 00:41:26,007 --> 00:41:28,259 AND EVEN IFSHE MANAGED TO SEND IT BACK, 1071 00:41:28,264 --> 00:41:31,518 I DOUBT ANY OF THAT WOULD HAPPENIN TIME FOR US TO SELL THE VASE 1072 00:41:31,506 --> 00:41:32,423 AND GET THE MONEY 1073 00:41:32,450 --> 00:41:33,993 SO THAT WE CAN PAY OUR TAXESAND OUR BILLS 1074 00:41:34,008 --> 00:41:35,552 AND SAVE OUR FARMHOUSE 1075 00:41:35,569 --> 00:41:37,236 AND LET OUR MOTHER DIE IN PEACE! 1076 00:41:42,667 --> 00:41:43,751 [ABBY]: I FOUND IT! 1077 00:41:44,965 --> 00:41:46,466 [NORMAN]: COULD YOUSHOW IT TO US? 1078 00:41:46,484 --> 00:41:48,569 MAYBE INSIDE,WHILE THE GROWN-UPS ARE TALKING. 1079 00:41:50,751 --> 00:41:52,127 WOW. THAT LOOKS OLD. 1080 00:41:54,649 --> 00:41:55,775 [BUNNY]:OKAY. BYE. 1081 00:41:55,797 --> 00:41:56,882 [KIM]: OKAY. THANKS, BUNNY. 1082 00:41:58,464 --> 00:42:01,759 [KIM]: PEGGY, OUR PROBLEMSARE NOT THEIR PROBLEMS. 1083 00:42:01,747 --> 00:42:03,373 THEY'RE JUST TRYING TO HELP. 1084 00:42:03,389 --> 00:42:06,768 AND FOR THE RECORD,YOU ALL FOLLOWED YOUR HEART. 1085 00:42:06,753 --> 00:42:07,879 YOU FOLLOWED YOUR HEART, 1086 00:42:07,861 --> 00:42:09,321 AND WHEN YOUR HEART GOT BROKEN, 1087 00:42:09,338 --> 00:42:10,924 YOU BROUGHT ALL THE PIECESYOU FOLBACK HERE, HEART, 1088 00:42:10,898 --> 00:42:13,150 AND THIS PLACEPUT YOU BACK TOGETHER AGAIN. 1089 00:42:14,755 --> 00:42:17,299 YOU BUNNY HAS FOLLOWEDECESHER SWEET, LITTLE HEART, 1090 00:42:17,299 --> 00:42:19,509 EVEN IF IT ONLY GOESAS FAR AS THE BACK FENCE. 1091 00:42:20,622 --> 00:42:23,709 BUT SHE LOVES THE ANIMALSAND THE PEACE 1092 00:42:23,701 --> 00:42:25,035 AND IT MAKES HER HAPPY. 1093 00:42:26,121 --> 00:42:27,330 AND YOU'D DO WELL, MISSY, 1094 00:42:27,311 --> 00:42:28,312 TO FIND A WAY 1095 00:42:28,296 --> 00:42:30,007 TO MAKE THAT KIND OF PEACEAND WITH YOUR SISTER.SSY, 1096 00:42:32,030 --> 00:42:33,824 I APOLOGIZE. 1097 00:42:35,231 --> 00:42:37,191 IT'S BEEN A TOUGH... 1098 00:42:37,158 --> 00:42:39,494 WE UNDERSTAND. 1099 00:42:39,457 --> 00:42:40,583 IOKAY.EEN A TOUGH... 1100 00:42:48,278 --> 00:42:50,822 WE UNDERPEGGY ACTS ANGRY, 1101 00:42:50,782 --> 00:42:52,659 BUT, REALLY, SHE JUST MISSESHER LITTLE SISTER. 1102 00:42:52,669 --> 00:42:57,091 THEY WERE SO CLOSEWEUNTIL THAT VASE WENT MISSING, 1103 00:42:57,019 --> 00:42:59,021 AND THINGS CHANGED. 1104 00:42:59,030 --> 00:43:01,240 MAYBE NOW... 1105 00:43:05,471 --> 00:43:07,182 DO YOU DRIVE A STICKSHIFT,MR. O'TOOLE? 1106 00:43:08,918 --> 00:43:10,336 OH... 1107 00:43:10,355 --> 00:43:11,982 WELL, I'M... 1108 00:43:11,956 --> 00:43:13,457 I'M A BIT RUSTY. 1109 00:43:13,433 --> 00:43:14,517 WELI CAN.... 1110 00:43:14,540 --> 00:43:16,000 -YEAH?-MM-HMM. 1111 00:43:16,018 --> 00:43:17,852 -YEAH?-MM-HMM. 1112 00:43:21,229 --> 00:43:24,441 [KIM]:IT DOESN'T KILL YOU RIGHT AWAY. 1113 00:43:24,429 --> 00:43:26,265 BUT IT KILLS YOU. 1114 00:43:26,235 --> 00:43:28,487 AND THERE'S NO CURE. 1115 00:43:28,491 --> 00:43:30,410 EVEN IF WE COULD FINDTHE RIGHT DOCTOR, 1116 00:43:30,379 --> 00:43:34,425 AND THE RIGHT TREATMENTTO SLOW IT DOWN, 1117 00:43:34,399 --> 00:43:36,193 EVEN IF WE COULD FINDSOONER OR LATER,, 1118 00:43:36,206 --> 00:43:39,709 THE BONE MARROW JUST STOPSMAKING RED BLOOD CELLS. 1119 00:43:39,692 --> 00:43:45,198 AND SOME FANCY, EXPENSIVE VASEISN'T GOING TO CHANGE THAT. 1120 00:43:45,110 --> 00:43:47,028 BUT, IF IT'S TRUE, 1121 00:43:47,038 --> 00:43:49,457 IF WE COULD SELL IT, 1122 00:43:49,459 --> 00:43:52,504 AND POSTPONE THE AUCTION, 1123 00:43:52,454 --> 00:43:54,372 IT SURE WOULD BE NICE 1124 00:43:54,383 --> 00:43:55,551 TO BE LOOKING AT ALL THIS 1125 00:43:55,572 --> 00:43:58,116 WHEN MY TIME COMES. 1126 00:43:58,117 --> 00:44:00,661 IT IS A TRULY BEAUTIFUL PLACE. 1127 00:44:00,661 --> 00:44:03,664 ABBY SAYS 1128 00:44:03,616 --> 00:44:05,701 THAT SOOKIE IS STUBBORN, 1129 00:44:05,708 --> 00:44:07,502 POLLY LIKES TO STAYIN THE PARLOR,ABBY SAYS 1130 00:44:07,514 --> 00:44:10,016 AND, WELL,ARABELLE LIKES TO WANDER. 1131 00:44:11,166 --> 00:44:12,793 THAT'S JUST WHO THEY ARE. 1132 00:44:12,807 --> 00:44:14,225 THEY'RE ALL DIFFERENT. 1133 00:44:16,130 --> 00:44:17,341 MARY LOU ALWAYS-- 1134 00:44:17,361 --> 00:44:20,614 ALWAYS HAD CRAZY IDEASGROWING UP. 1135 00:44:20,562 --> 00:44:23,565 AND ALWAYS MANAGEDTO MAKE THEM WORK. 1136 00:44:23,558 --> 00:44:24,684 THAT'S WHY IT WAS SO HARD ON HER 1137 00:44:24,707 --> 00:44:27,668 WHEN HER BIGGEST DREAMDISAPPEARED IN THE U.S. MAIL. 1138 00:44:27,661 --> 00:44:29,913 WE ARE SO SORRY ABOUT THAT. 1139 00:44:29,917 --> 00:44:31,210 IT MADE US STRONGER. 1140 00:44:31,231 --> 00:44:34,400 AND IT MADE MARY LOUDETERMINED TO PROVE HERSELF. 1141 00:44:34,349 --> 00:44:35,350 SHE WENT TO COLLEGE, 1142 00:44:35,333 --> 00:44:39,087 SHE WORKED FOR A NEWSPAPERDETEAND A RADIO STATION,ELF. 1143 00:44:39,026 --> 00:44:41,362 AND NOW SHE RUNSSHAROUND THE WORLD,, 1144 00:44:41,365 --> 00:44:44,368 SHE WORKED FOR A NEWSPAPERDEFOLLOWING WAR AFTER WAR,F. 1145 00:44:44,360 --> 00:44:45,570 AND TELLS STORIES 1146 00:44:45,593 --> 00:44:47,845 ABOUT FOLKSWHO'RE FIGHTING TO SURVIVE 1147 00:44:47,849 --> 00:44:49,642 IN A LOT WORSE CIRCUMSTANCESTHAN OURS. 1148 00:44:49,613 --> 00:44:52,533 WHEN WAS THE LAST TIMEYOU SAW HER? 1149 00:44:52,528 --> 00:44:54,320 THREE CHRISTMASES AGO. 1150 00:44:56,014 --> 00:44:57,099 SHE AND PEGGY 1151 00:44:57,123 --> 00:44:59,459 GOT INTO AN ARGUMENT ABOUT SOMETHING SILLY, 1152 00:44:59,461 --> 00:45:00,838 AS USUAL, 1153 00:45:00,857 --> 00:45:02,609 AND IT ENDED UP WHERE THINGS ALWAYS ENDS UP. 1154 00:45:02,622 --> 00:45:03,706 I CAME BACK. 1155 00:45:03,729 --> 00:45:05,814 WHAT DO YOU WANT FROM ME?I'M NOT A FARMER, OKAY? 1156 00:45:05,781 --> 00:45:06,824 OH, YES. WELL,THAT IS THE TRUTH! 1157 00:45:06,847 --> 00:45:08,515 WHA-IF YOU HAD BEEN...ME?I'M-YOU'RE JEALOUS.KAY? 1158 00:45:08,488 --> 00:45:09,990 OH, GREAT,WE'RE BACK TO THE VASE! 1159 00:45:09,966 --> 00:45:10,967 [PEGGY]: YES! 1160 00:45:10,951 --> 00:45:12,535 [MARY LOU]:WI'M SORRY, I'M SORRY,! 1161 00:45:12,551 --> 00:45:13,761 AND I'M SORRY! 1162 00:45:13,782 --> 00:45:15,701 I WAS A 10-YEAR-OLD KID. 1163 00:45:16,695 --> 00:45:18,030 I CAN'T KEEP COMING BACK HERE 1164 00:45:18,049 --> 00:45:21,511 JUST TO BE PUT ON TRIALOVER AND OVER AGAIN. 1165 00:45:22,480 --> 00:45:23,899 I'M OUT OF HERE. 1166 00:45:26,707 --> 00:45:28,541 [KIM]:AND NOW THERE'S ALWAYS A REASON 1167 00:45:28,512 --> 00:45:30,765 WHY SHE CAN'T MAKE IT BACK HERE. 1168 00:45:30,770 --> 00:45:31,645 SHE'S ALWAYS... 1169 00:45:31,631 --> 00:45:32,715 "EMBEDDED" WITH SOME TROOPS 1170 00:45:32,740 --> 00:45:35,534 IN SOME COMBAT ZONE SOMEWHERE. 1171 00:45:37,581 --> 00:45:40,125 DOES SHE EVEN KNOWYOU'VE BEEN SICK? 1172 00:45:42,957 --> 00:45:44,083 I... I DON'T KNOW. 1173 00:45:45,377 --> 00:45:46,545 I DON'T EVEN KNOW WHERE SHE IS. 1174 00:45:51,902 --> 00:45:53,445 IT'S SO... 1175 00:45:53,420 --> 00:45:55,255 IT'S SO PEACEFUL HERE. 1176 00:45:56,170 --> 00:45:57,629 IT'YEAH... 1177 00:45:57,647 --> 00:45:59,649 THIS IS MY FAVORITE TIME OF DAY. 1178 00:46:00,683 --> 00:46:03,311 WHEN THE COWSCOME HOME FOR THE NIGHT. 1179 00:46:03,309 --> 00:46:04,851 THE SUN STARTS TO SET, 1180 00:46:04,867 --> 00:46:07,703 THE EVENING COMES, 1181 00:46:07,699 --> 00:46:11,536 AND SOMEHOW, THEY JUST KNOWIT'S TIME TO COME HOME. 1182 00:46:13,035 --> 00:46:15,370 SOMEDAY, SO WILL I. 1183 00:46:15,331 --> 00:46:17,416 I JUST HOPE WE'RE ALL TOGETHERWHEN I DO. 1184 00:46:25,303 --> 00:46:26,887 [KIM]: I LOVE THAT ONE. 1185 00:46:26,902 --> 00:46:27,945 OH, LOOK AT THAT. 1186 00:46:27,929 --> 00:46:29,806 THERE'S MY GRANDMOTHERBEFORE SHE ENLISTED. 1187 00:46:29,815 --> 00:46:30,858 [PEGGY]:I'M STILL NOT CLEAR 1188 00:46:30,884 --> 00:46:33,762 EXACTLY HOW YOU GUYS AREALL INVOLVED IN THIS. 1189 00:46:33,755 --> 00:46:36,342 [KIM]: THIS IS HERWHEN SHE WAS A BABY. 1190 00:46:36,300 --> 00:46:37,676 [RITA]: OH, WOW.SHE'S VERY PRETTY. 1191 00:46:37,694 --> 00:46:39,238 SHE LOOKS A LOT LIKE MARY LOU. 1192 00:46:39,254 --> 00:46:40,505 OH. 1193 00:46:42,127 --> 00:46:44,379 SO, CAN YOU MAKEAN EXCEPTION? 1194 00:46:44,383 --> 00:46:47,969 I MEAN, WE CAN PROVETHAT THE VASE IS OURS, 1195 00:46:47,912 --> 00:46:49,331 AND YOU HAVE ME AND BUNNY, 1196 00:46:49,348 --> 00:46:51,516 AND THAT'S TWO PROVEOUT OF THREE SIGNATURES. 1197 00:46:51,522 --> 00:46:54,233 YES. HOWEVER, 1198 00:46:54,190 --> 00:46:57,527 THE ACCOMPANYING LETTERWAS WRITTEN BY MARY LOU. 1199 00:46:59,113 --> 00:47:00,657 I UNDERSTANDTHE URGENCY. 1200 00:47:00,674 --> 00:47:03,134 THIS IS OBVIOUSLY... 1201 00:47:03,135 --> 00:47:06,389 AN UNUSUALSET OF CIRCUMSTANCES, BUT-- 1202 00:47:06,336 --> 00:47:07,628 OKAY. 1203 00:47:07,649 --> 00:47:09,108 AN UNUSUALSET OF CII GET IT.ES, BUT-- 1204 00:47:11,177 --> 00:47:12,095 BUT... 1205 00:47:12,121 --> 00:47:14,415 CAN YOU HELP USTRACK DOWN MARY LOU? 1206 00:47:15,814 --> 00:47:18,775 WELL, FROM WHAT I HEAR, 1207 00:47:18,769 --> 00:47:22,230 MARY LOU COULD BE ANYWHEREIN THE WORLD RIGHT NOW. 1208 00:47:22,215 --> 00:47:24,384 BUT YOU FOUND US. 1209 00:47:24,391 --> 00:47:25,434 YOU MUST BE GOOD. 1210 00:47:26,565 --> 00:47:27,983 I'VE GOT A CARD. 1211 00:47:33,910 --> 00:47:37,747 SHE'S AN ASSOCIATE NEWS PRODUCERAT A NEWS AGENCY IN NEW YORK. 1212 00:47:37,686 --> 00:47:40,355 SHE'S NEVER ACTUALLY THERE,BUT IT'S A START. 1213 00:47:42,116 --> 00:47:43,117 COULD YOU JUST TRY? 1214 00:47:44,290 --> 00:47:45,667 PLEASE? 1215 00:47:46,467 --> 00:47:49,302 EVEN IF IT ENDS UP BEINGTOO LATE FOR THE AUCTION, 1216 00:47:49,298 --> 00:47:51,884 THE TRUTH IS... 1217 00:47:51,882 --> 00:47:55,719 IT MIGHT JUST BE ENOUGHTO BRING MARY LOU HOME... 1218 00:47:55,699 --> 00:47:56,825 IN TIME FOR MOM. 1219 00:47:59,186 --> 00:48:00,146 [KIM]: OH, HERE IT IS. 1220 00:48:00,170 --> 00:48:02,214 [RITA]: OLIVER, LOOK! 1221 00:48:03,002 --> 00:48:05,296 THIS IS BETTYON HER WEDDING DAY. 1222 00:48:05,259 --> 00:48:07,261 THERE SHE IS, 1223 00:48:07,269 --> 00:48:09,062 THERE'S HER HUSBAND,OHOLDING THE VASE,. 1224 00:48:09,034 --> 00:48:11,078 AND THEIR COMMANDING OFFICERWHO MARRIED THEM. 1225 00:48:11,086 --> 00:48:13,338 THE ONE WHO GAVETHEM THE VASE. 1226 00:48:13,342 --> 00:48:14,468 WHERE WAS THAT TAKEN? 1227 00:48:14,491 --> 00:48:16,326 FRANCE. 1228 00:48:16,338 --> 00:48:17,256 SHE WAS STATIONED IN LONDON 1229 00:48:17,281 --> 00:48:19,743 AND ALLIED HEADQUARTERSIN PARIS. 1230 00:48:19,744 --> 00:48:20,704 [RITA]: WOW. 1231 00:48:20,689 --> 00:48:22,857 IMAGINE BEINGIN THE MIDDLE OF ALL THAT. 1232 00:48:22,821 --> 00:48:24,072 YEAH. 1233 00:48:24,093 --> 00:48:25,261 SHE WAS QUITEA CHARACTER. 1234 00:48:25,242 --> 00:48:26,576 TO TELL YOU THE TRUTH, 1235 00:48:26,596 --> 00:48:27,973 SHE WAS QUITEA CHARAI ALWAYS SUSPECTED 1236 00:48:27,992 --> 00:48:29,493 SHE'D EXAGGERATEDTHE VALUE OF THE VASE 1237 00:48:29,509 --> 00:48:32,220 JUST TO GIVE US SOME HOPE. 1238 00:48:32,176 --> 00:48:35,221 WOULDN'T IT BE SOMETHINGIF IT TURNS OUT SHE'S RIGHT? 1239 00:48:35,213 --> 00:48:37,381 YES. YES, IT WOULD. 1240 00:48:38,743 --> 00:48:39,994 SO, IS THAT WHAT YOU NEEDED? 1241 00:48:40,014 --> 00:48:42,307 YOU KNOW, WE... 1242 00:48:42,312 --> 00:48:44,022 WE'LL HAVE TO COMPARE THIS VASE 1243 00:48:44,036 --> 00:48:46,330 WITH THE ONE WE HAVEAT THE OFFICE. 1244 00:48:46,333 --> 00:48:47,751 COULD WE TAKE THIS WITH US? 1245 00:48:47,769 --> 00:48:50,272 OR PERHAPS GET A COPY OF IT? 1246 00:48:50,272 --> 00:48:51,232 I HAVE A COPIER IN THE BACK. 1247 00:48:51,216 --> 00:48:52,508 PERFECT. 1248 00:48:52,529 --> 00:48:53,655 I HAVEHERE, SWEETHEART.BACK. 1249 00:48:53,678 --> 00:48:54,679 THANKS. 1250 00:48:56,796 --> 00:48:57,839 WE NEED TO LEAVE. 1251 00:48:57,864 --> 00:48:58,864 HEY! 1252 00:48:59,751 --> 00:49:00,752 I MILKED MY FIRST COW! 1253 00:49:00,735 --> 00:49:02,821 OH! WOW! 1254 00:49:05,578 --> 00:49:07,205 WE MIGHT HAVE A PROBLEM. 1255 00:49:12,717 --> 00:49:14,886 [BILL, SUNNY AND JOE SINGING]:♪ ...BEFORE YOU CALL HIM A MAN ♪ 1256 00:49:14,851 --> 00:49:19,981 ♪ AND HOW MANY SEASMUST A WHITE DOVE SAIL ♪ 1257 00:49:19,939 --> 00:49:24,528 ♪ BEFORE SHE CAN SLEEPIN THE SAND? ♪ 1258 00:49:24,493 --> 00:49:30,040 ♪ YES, AND HOW MANY TIMESMUST THE CANNON BALLS FLY ♪ 1259 00:49:29,993 --> 00:49:34,581 ♪ BEFORE THEY AREFOREVER BANNED? ♪ 1260 00:49:34,547 --> 00:49:40,261 ♪ THE ANSWER, MY FRIENDIS BLOWING IN THE WIND ♪ 1261 00:49:40,210 --> 00:49:45,298 ♪ THE ANSWERIS BLOWING IN THE WIND ♪ 1262 00:49:45,216 --> 00:49:46,217 ALL RIGHT. 1263 00:49:46,201 --> 00:49:48,411 OH, HEY! 1264 00:49:48,375 --> 00:49:49,460 BRAVO! 1265 00:49:49,483 --> 00:49:51,527 WELCOME TO THE FLOWER POWERSING-ALONG HOUR! 1266 00:49:51,535 --> 00:49:53,703 [SUNNY]: I'M NOT A LOT OF HELP'TIL I GET NEW GLASSES, 1267 00:49:53,709 --> 00:49:55,043 SO I'M THE MUSE. 1268 00:49:55,063 --> 00:49:56,440 [OLIVER]: IT'S CLEARLY WORKING. 1269 00:49:56,417 --> 00:49:58,377 WOW! 1270 00:49:58,346 --> 00:49:59,639 [OLIVELOOK AT THIS PLACE!RKING. 1271 00:50:02,942 --> 00:50:04,444 IT'S COMING ALONG, RIGHT? 1272 00:50:05,240 --> 00:50:06,325 WE NEED YOUR EXPERTISEWITH SOMETHING. 1273 00:50:06,347 --> 00:50:07,265 DO YOU MIND? 1274 00:50:07,292 --> 00:50:08,376 [JOE]: SURE. 1275 00:50:11,025 --> 00:50:12,319 GREAT SONG. 1276 00:50:12,297 --> 00:50:13,255 RITA SAYS THAT 1277 00:50:13,282 --> 00:50:14,491 SHE USED TO SING THAT 1278 00:50:14,514 --> 00:50:15,598 TO HER IMAGINARYCHILDHOOD FRIEND, 1279 00:50:15,622 --> 00:50:17,040 HUDSON. 1280 00:50:17,016 --> 00:50:18,726 HUDSON THE INVISIBLE OWL. 1281 00:50:19,848 --> 00:50:20,724 SHE TOLD YOU ABOUT HUDSON?ON. 1282 00:50:20,709 --> 00:50:23,211 OH, YEAH.WE TELL EACH OTHER EVERYTHING. 1283 00:50:25,388 --> 00:50:26,764 SHE TOLD YOUOH!OUT HUDSON?ON. 1284 00:50:26,742 --> 00:50:28,869 I BROUGHT YOUSOME FRESH RAW MILK. 1285 00:50:28,875 --> 00:50:30,711 MILKED IT MYSELF. 1286 00:50:30,681 --> 00:50:32,390 I KNOW YOU LIKEHEALTHY THINGS, SO. 1287 00:50:32,404 --> 00:50:35,322 CAME FROM A COWNAMED PETULA. YUM! 1288 00:50:35,317 --> 00:50:36,360 THANKS. 1289 00:50:38,559 --> 00:50:40,644 I'LL PUT ITIN THE FRIDGE. 1290 00:50:43,359 --> 00:50:45,945 THAT WAS SO THOUGHTFUL OF HIM,WASN'T IT, BILL? 1291 00:50:47,381 --> 00:50:49,175 HE MILKED IT HIMSELF! 1292 00:50:49,186 --> 00:50:50,563 BILL? 1293 00:50:55,793 --> 00:50:57,670 [JOE]: WELL, IT'S POSSIBLE. 1294 00:50:57,680 --> 00:50:59,056 [SHANE]: ALL WE KNOW 1295 00:50:59,075 --> 00:51:01,410 IS THAT SHE BROUGHT IT BACKFROM FRANCE AFTER THE WAR. 1296 00:51:01,414 --> 00:51:03,124 [JOE]: IT LOOKS LIKETHE SAME VASE. 1297 00:51:03,137 --> 00:51:05,514 BUT EVEN IF IT WAS A GIFT, 1298 00:51:05,517 --> 00:51:06,644 IF IT COMES THROUGH THIS OFFICE, 1299 00:51:06,666 --> 00:51:09,502 YOU'RE OBLIGATED TO CONFIRMWHAT YOU'RE DELIVERING. 1300 00:51:09,496 --> 00:51:11,498 [NORMAN]: REGULATION 87K,PARAGRAPH B. 1301 00:51:11,508 --> 00:51:12,843 "THE MAIL RECOVERY AGENT 1302 00:51:12,863 --> 00:51:15,240 MUST PURSUEALL AVENUES OF IDENTIFICATION, 1303 00:51:15,242 --> 00:51:18,328 RESTITUTION, AND REPATRIATION." 1304 00:51:18,320 --> 00:51:21,281 NORMAN IS VERY GOODAT RULES AND REGULATIONS. 1305 00:51:21,233 --> 00:51:22,151 THIS IS SO EXCITING 1306 00:51:22,176 --> 00:51:23,344 TO BE RIGHTIN THE MIDDLE OF THE ACTION. 1307 00:51:23,367 --> 00:51:25,202 NORMALLY, I WOULDN'T SHAREPOSTAL BUSINESS, 1308 00:51:25,172 --> 00:51:26,131 BUT, FRANKLY, 1309 00:51:26,157 --> 00:51:28,492 I NEED SOME FEEDBACKON HOW BEST TO PROCEED. 1310 00:51:28,495 --> 00:51:30,622 WELL, THE VASE IS WORTHA LOT OF MONEY, RIGHT? 1311 00:51:30,588 --> 00:51:32,340 MOST LIKELY. 1312 00:51:32,354 --> 00:51:34,439 AND THE PEOPLE IT BELONGS TOREALLY NEED THE MONEY? 1313 00:51:34,446 --> 00:51:36,198 REALLY, REALLY NEED IT. 1314 00:51:36,210 --> 00:51:40,924 THE QUESTION IS,DOES IT REALLY BELONG TO THEM? 1315 00:51:40,888 --> 00:51:42,807 WELL, WHEN I SAWTHE FRENCH FLAG IN THE PICTURE, 1316 00:51:42,776 --> 00:51:45,028 I REMEMBERED A COURSE I TOOKIN COLLEGE 1317 00:51:45,032 --> 00:51:47,367 ABOUT THE ART THAT WENT MISSINGTHE FDURING WORLD WAR II.CTURE, 1318 00:51:48,519 --> 00:51:51,522 SOME OF IT WAS STOLENDURING THE GERMAN OCCUPATION 1319 00:51:51,515 --> 00:51:54,101 FROM MUSEUMS OR PRIVATE HOMES, 1320 00:51:54,060 --> 00:51:56,521 AND THEN IT WAS SOLD,OR TRADED, 1321 00:51:56,521 --> 00:51:57,522 OR HIDDEN AWAY. 1322 00:51:57,506 --> 00:52:00,134 NOW, SOME OF ITHAS BEEN RECOVERED AND RETURNED, 1323 00:52:00,133 --> 00:52:03,636 BUT THERE'S A LOT OF ITTHAT'S STILL OUT THERE, 1324 00:52:03,621 --> 00:52:05,414 AND PEOPLE ARE LOOKING FOR IT. 1325 00:52:06,205 --> 00:52:09,499 FAMILY HEIRLOOMS,OLD MASTERPIECES... 1326 00:52:09,488 --> 00:52:10,656 AND YOU THINK THIS COULD BE 1327 00:52:10,637 --> 00:52:13,015 ONE OF THOSESTOLEN PIECES OF ART? 1328 00:52:12,976 --> 00:52:15,436 WELL, IF IT'S FROM EUROPEAFTER THE WAR 1329 00:52:15,397 --> 00:52:18,400 AND IT'S AS VALUABLEAS WE THINK IT COULD BE, 1330 00:52:18,392 --> 00:52:21,061 THEN THERE'SA VERY, VERY GOOD CHANCE 1331 00:52:21,059 --> 00:52:24,437 THAT IT BELONGEDTO ANOTHER FAMILY... 1332 00:52:24,383 --> 00:52:25,551 THAT IT WAS TAKEN FROM. 1333 00:52:29,019 --> 00:52:31,772 THAND WHO KNOWSDWHAT HAPPENED TO THEM. 1334 00:52:40,386 --> 00:52:42,430 [BILL]: LET'S GO GAS UPTHE STARCRUISER. 1335 00:52:42,437 --> 00:52:43,855 WE'RE BACK AT IT AGAIN TOMORROW? 1336 00:52:43,874 --> 00:52:45,167 YOU GOT IT. 1337 00:52:46,253 --> 00:52:48,088 -GOODNIGHT.-GOODNIGHT. 1338 00:52:48,058 --> 00:52:50,311 -GOODNIGHT.-GOODNIGHT, NORMAN, DEAR. 1339 00:52:51,261 --> 00:52:52,678 -GOODNIGHT, DADDY.-GOODNIGHT, SWEETIE. 1340 00:52:52,695 --> 00:52:54,780 MR. HAYWITH,DON'T FORGET YOUR... 1341 00:52:55,732 --> 00:52:57,443 OH... 1342 00:52:57,415 --> 00:52:58,582 MILK. 1343 00:53:03,980 --> 00:53:05,190 OH...[SIGHS] 1344 00:53:07,796 --> 00:53:12,510 [♪] 1345 00:53:16,002 --> 00:53:17,962 SIR, I DIRECTA GOVERNMENT TASK FORCE 1346 00:53:17,931 --> 00:53:19,766 THAT IS QUITE FAMILIARWITH THE... 1347 00:53:19,777 --> 00:53:22,196 [♪] 1348 00:53:22,198 --> 00:53:24,868 GREAT. THANK YOU SO MUCH. 1349 00:53:26,959 --> 00:53:29,628 IT'S VALUEDAT OVER HALF A MILLION. 1350 00:53:29,585 --> 00:53:31,045 [RITA]: WOW. 1351 00:53:31,061 --> 00:53:31,979 IT'S VALUED[OLIVER]: ...OF COURSE, 1352 00:53:32,005 --> 00:53:33,047 IT IS QUITE FAMILIAR 1353 00:53:33,030 --> 00:53:34,657 WITH THE MANAGEMENTOF SENSITIVE MATERIAL, 1354 00:53:34,672 --> 00:53:36,256 AND I CAN ASSURE YOU THAT... 1355 00:53:36,272 --> 00:53:42,486 ALRIGHT, THEN PLEASE TRANSFER METO THE INTERNATIONAL DESK. 1356 00:53:42,386 --> 00:53:46,390 [♪] 1357 00:53:52,440 --> 00:53:54,358 THANK YOU. 1358 00:53:54,368 --> 00:53:56,704 SO? 1359 00:53:56,666 --> 00:53:57,959 MARY LOU'S NEWS CREW 1360 00:53:57,979 --> 00:53:59,897 IS EMBEDDEDWITH AN UNDISCLOSED COMBAT UNIT 1361 00:53:59,908 --> 00:54:02,118 IN AN UNDISCLOSED COUNTRY, 1362 00:54:02,082 --> 00:54:05,210 SHOOTING FOOTAGEFOR A TELEVISION NEWS SPECIAL. 1363 00:54:05,201 --> 00:54:07,704 DOES SHE HAVEAN UNDISCLOSED PHONE NUMBER? 1364 00:54:07,705 --> 00:54:11,166 SHE COMMUNICATES OCCASIONALLYTHROUGH SATELLITE CONFERENCING, 1365 00:54:11,151 --> 00:54:13,904 BUT SOMETIMES,THAT DOESN'T EVEN WORK. 1366 00:54:13,899 --> 00:54:15,609 OLIVER, THAT'SNOT GOING TO HELP. 1367 00:54:15,624 --> 00:54:16,959 THE AUCTIONIS IN THREE DAYS. 1368 00:54:19,357 --> 00:54:21,401 HOWEVER... 1369 00:54:21,409 --> 00:54:24,704 THE NEWS DIRECTOR WAS WILLINGTO TRY ANOTHER CALL, 1370 00:54:24,651 --> 00:54:26,904 IF I CAN MAKE IT TO NEW YORK. 1371 00:54:28,425 --> 00:54:32,679 MS. MCINERNEY, WOULD YOU BOOK METOA FLIGHT TONIGHT?, 1372 00:54:32,611 --> 00:54:33,571 SURE. 1373 00:54:33,596 --> 00:54:35,265 IF IT DOESN'T FALL UNDERTHE TASK FORCE BUDGET, 1374 00:54:35,238 --> 00:54:37,448 I'LL COVER ITWITH THE O'TOOLE FOUNDATION. 1375 00:54:39,627 --> 00:54:41,629 IF IT DYOU ARE NOT UNDERGOING TO BELIEVE THIS! 1376 00:54:41,638 --> 00:54:43,974 MR. BENSHAN SAYSIT'S AT LEAST 200 YEARS OLD. 1377 00:54:43,936 --> 00:54:45,604 AND IT WAS PROBABLY MADEFOR A DUKE, 1378 00:54:45,577 --> 00:54:47,829 OR A PRINCE,OR A KING IN AUSTRIA. 1379 00:54:47,836 --> 00:54:50,713 [NORMAN]: AND IT WAS PROBABLYGIVEN TO A LOYAL SUBJECT 1380 00:54:50,666 --> 00:54:52,251 AND HANDED DOWNTHROUGH THE GENERATIONS TO... 1381 00:54:52,266 --> 00:54:53,850 [NORMAN]: A-TO...?AS PROBABLYGI-[NORMAN]: SOMEBODY.CT 1382 00:54:53,867 --> 00:54:55,493 BUT IT'S DEFINITELY WORTHAT LEAST A FARM 1383 00:54:55,507 --> 00:54:57,676 AND A FEW YEARS' WORTH OF STATEAND LOCAL PROPERTY TAXES. 1384 00:54:57,682 --> 00:54:59,809 SO HE CALLED A COLLECTOR WHO... 1385 00:54:59,775 --> 00:55:00,859 -WANTS TO BUY IT!-WANTS TO BUY IT! 1386 00:55:00,841 --> 00:55:01,759 SO HE CA[RITA LAUGHING]R WHO... 1387 00:55:01,785 --> 00:55:03,412 -OH, LET'S GO TELL MY PARENTS!-WA-OH, OKAY! IT! 1388 00:55:05,192 --> 00:55:07,194 I CAN BOOK YOU ONA REDEYE THAT LEAVES TONIGHT 1389 00:55:07,202 --> 00:55:09,913 AND RETURNS... 1390 00:55:09,869 --> 00:55:10,996 AS SOON AS I'M ABLE. 1391 00:55:15,450 --> 00:55:18,828 OH! YOU GUYSHAVE GOT TO SEE THIS. 1392 00:55:18,814 --> 00:55:19,857 WHERE DID OLIVER GO? 1393 00:55:19,881 --> 00:55:21,217 HOLD ON. 1394 00:55:23,328 --> 00:55:24,954 UM... 1395 00:55:24,969 --> 00:55:27,597 DO YOU MIND IF I TAKE OFFAND WORK FROM HOME? 1396 00:55:27,596 --> 00:55:30,349 IT'S GONNA BE A LONG NIGHT. 1397 00:55:30,345 --> 00:55:32,139 NO, NO, OF COURSE NOT. 1398 00:55:32,151 --> 00:55:33,777 WE'LL BE FINE. 1399 00:55:33,791 --> 00:55:35,168 -GOODNIGHT.-'NIGHT. 1400 00:55:46,307 --> 00:55:47,641 SAY "SPECIAL DELIVERY!" 1401 00:55:47,619 --> 00:55:49,829 SPECIAL DELIVERY! 1402 00:55:49,836 --> 00:55:51,463 [CAMERA SHUTTER CLICKS]RY!" 1403 00:55:51,436 --> 00:55:52,812 HEY! 1404 00:55:52,831 --> 00:55:55,959 I THOUGHT WE COULD ALL MEET UPFOR DINNER AT RAMON'S LATER.!" 1405 00:55:55,908 --> 00:55:57,451 I JUST NEED TO RUNAN ERRAND FIRST. 1406 00:55:57,468 --> 00:55:58,469 I THOUGHT WE COULD ALL MEET UPFOR DIOH, LET ME GUESS.ATER.!" 1407 00:55:58,453 --> 00:56:00,747 YOU'RE GONNA STOP BYTHE TIP TOP CLEANERS? 1408 00:56:00,750 --> 00:56:02,419 I THOUGHT WE COULD ALL MEET UPFOR DIOH, LUH, NO.UESS.ATER.!" 1409 00:56:02,392 --> 00:56:03,893 BUT I SHOULD RUN. 1410 00:56:03,868 --> 00:56:05,077 I THOUGHT WE COULD ALL MEET UPFOR DTHEY CLOSE AT 5:00.TER.!" 1411 00:56:05,099 --> 00:56:06,225 JOE, WILL YOU JOIN USFOR DINNER? 1412 00:56:06,250 --> 00:56:07,292 I'D LOVE TO, 1413 00:56:07,316 --> 00:56:09,150 BUT I HAVE AN APPOINTMENTWITH MY ACCOUNTANT. 1414 00:56:09,120 --> 00:56:09,996 RAINCHECK? 1415 00:56:10,024 --> 00:56:11,984 SURE. HERE, LET ME HELP YOU. 1416 00:56:13,429 --> 00:56:14,764 THANKS. 1417 00:56:19,953 --> 00:56:21,038 YOU COMING, DADDY? 1418 00:56:23,646 --> 00:56:25,147 YOU GO AHEAD.I'LL CATCH UP. 1419 00:56:26,438 --> 00:56:27,439 DADDY. 1420 00:56:28,653 --> 00:56:30,154 [SIGHS] 1421 00:56:30,171 --> 00:56:31,548 LOOK... 1422 00:56:31,566 --> 00:56:32,650 I KNOW YOU DON'T LIKE NORMAN. 1423 00:56:32,674 --> 00:56:36,010 I NEVER SAID I DIDN'T LIKE HIM. 1424 00:56:35,998 --> 00:56:37,041 I DON'T GET HIM. 1425 00:56:38,377 --> 00:56:40,420 WELL, YOU WOULDIF YOU TRIED. 1426 00:56:40,430 --> 00:56:41,723 YOU JUSTDON'T WANT TO. 1427 00:56:41,743 --> 00:56:44,370 EVERY SINCEYOU GUYS GOT HERE, 1428 00:56:44,368 --> 00:56:47,163 ALL HE'S DONEIS TRIED TO BE NICE. 1429 00:56:47,158 --> 00:56:48,494 THE ERRAND HE'S GOING ONRIGHT NOW 1430 00:56:48,512 --> 00:56:50,138 IS TO PICK UP MOM'S GLASSES. 1431 00:56:50,112 --> 00:56:52,657 HE INVITED YOU FOR DINNER. 1432 00:56:52,616 --> 00:56:53,534 IS TO PICKI MEAN... GLASSES. 1433 00:56:53,560 --> 00:56:55,854 HE MILKED A COW. 1434 00:56:56,924 --> 00:56:58,801 HE LOST YOUR ENGAGEMENT RING. 1435 00:56:58,771 --> 00:57:00,230 WHAT DOES THAT SAY ABOUT A GUY? 1436 00:57:02,217 --> 00:57:03,135 HE LOST YOUR ENGAGEMI'M SORRY, 1437 00:57:03,121 --> 00:57:06,791 IT'S JUST-- IT'S NOTWHAT I IMAGINED FOR YOU. 1438 00:57:10,506 --> 00:57:13,634 YOU WANT TO KNOWWHAT I IMAGINED FOR ME, DADDY? 1439 00:57:13,625 --> 00:57:20,715 SOMEBODY SWEET AND KINDAND GENEROUS AND UNSELFISH. 1440 00:57:20,641 --> 00:57:22,352 SOMEBODY WHO'S RIGHT THERE 1441 00:57:22,364 --> 00:57:25,659 TO PITCH IN AND HELPWHEN YOU NEED IT, 1442 00:57:25,647 --> 00:57:28,608 SOMEBODY WHO THINKSTHAT I MAKE SENSE, 1443 00:57:28,602 --> 00:57:30,896 NO MATTER WHAT I SAY. 1444 00:57:32,172 --> 00:57:33,799 SOMEBODY WHO DOESN'T CARETHAT I WEAR GLASSES 1445 00:57:33,813 --> 00:57:37,817 BECAUSE HE SEES THE WORLDTHE SAME WAY I DO 1446 00:57:37,752 --> 00:57:41,297 AND HE ALWAYS TRIES TO FINDSOMETHING BEAUTIFUL IN IT. 1447 00:57:42,512 --> 00:57:46,057 HE'S EXACTLYWHAT I IMAGINED, DADDY. 1448 00:57:50,800 --> 00:57:52,719 BECAUSE I IMAGINEDSOMEBODY LIKE YOU. 1449 00:58:03,849 --> 00:58:05,810 FORGOT MY KEYS. 1450 00:58:09,061 --> 00:58:11,271 DID YOU HEAR ANY OF THAT? 1451 00:58:11,235 --> 00:58:12,820 SURE DID. 1452 00:58:12,835 --> 00:58:14,212 AND I'M THINKING 1453 00:58:14,190 --> 00:58:17,235 MAYBE YOU'RE THE ONEWHO NEEDS THE GLASSES. 1454 00:58:28,633 --> 00:58:31,969 [RAMON]: MRS. HAYWITH!YOUR GLASSES! 1455 00:58:31,957 --> 00:58:35,753 I SEE YOU ARE ONCE AGAINA WOMAN OF GREAT VISION! 1456 00:58:35,732 --> 00:58:36,817 OH, RAMON! 1457 00:58:36,840 --> 00:58:39,343 YOU'RE... SO... 1458 00:58:39,344 --> 00:58:40,970 ...SO RAMON. 1459 00:58:40,943 --> 00:58:44,697 I HAVE A VERY SPECIAL TABLEFOR MY LITTLE POSTAL FAMILY. 1460 00:58:44,637 --> 00:58:46,389 IT WILL BE READYIN A FEW MINUTES. 1461 00:58:48,124 --> 00:58:50,418 SO, ANYWAY, I LOOKED ACROSSFOR THE WASHINGTON MALL,ILY. 1462 00:58:50,422 --> 00:58:51,548 AND THERE HE WAS, 1463 00:58:51,572 --> 00:58:53,532 HANDING A DAISYTO A NATIONAL GUARDSMAN, 1464 00:58:53,541 --> 00:58:54,542 AND I JUST KNEW. 1465 00:58:54,566 --> 00:58:55,859 SAME WITH ME! 1466 00:58:55,880 --> 00:58:57,382 IT WAS LOVE AT FIRST SIGHT. 1467 00:58:57,358 --> 00:58:59,568 OF COURSE, WE HADA LOT OF THINGS TO WORK OUT. 1468 00:58:59,573 --> 00:59:01,908 THE WAR, WATERGATE, 1469 00:59:01,911 --> 00:59:03,288 THE BEATLES BREAKING UP... 1470 00:59:03,307 --> 00:59:04,350 VERY HARD. 1471 00:59:04,374 --> 00:59:05,750 OH, YEAH. 1472 00:59:05,727 --> 00:59:07,645 AND, OF COURSE,THERE WAS THE MOON LANDING. 1473 00:59:07,615 --> 00:59:09,367 I WAS FOR, BILLY WAS AGAINST... 1474 00:59:09,338 --> 00:59:11,006 AND, OF COURSE,THEREOH, INTERESTING.NDING. 1475 00:59:11,020 --> 00:59:14,064 LOOK, HE'S A GOOD MAN, NORMAN.. 1476 00:59:14,015 --> 00:59:15,892 HE'S JUST A SAD DAD RIGHT NOW. 1477 00:59:15,904 --> 00:59:16,863 LOOK, HWHAT DO YOU MEAN?ORMAN.. 1478 00:59:16,888 --> 00:59:19,724 HE USED TO BE HER HERO. 1479 00:59:19,679 --> 00:59:22,306 NOW SHE HAS TWO. 1480 00:59:25,258 --> 00:59:26,259 I WISH OLIVER WAS HERE. 1481 00:59:26,243 --> 00:59:27,912 HE KNOWS HOW TO HANDLETHESE THINGS. 1482 00:59:28,910 --> 00:59:30,245 SO DO YOU. 1483 00:59:32,317 --> 00:59:34,486 WELL, I DON'T THINKHE'S COMING. 1484 00:59:36,749 --> 00:59:37,791 HE MAY SURPRISE YOU. 1485 00:59:39,168 --> 00:59:41,087 OR WE'LL SURPRISE HIM. 1486 00:59:49,181 --> 00:59:51,058 [BILL CHUCKLES] 1487 00:59:53,777 --> 00:59:57,280 SAY, THAT WASA SHORT DINNER. 1488 00:59:57,224 --> 00:59:59,852 I, UH...CANCELED IT. 1489 01:00:01,697 --> 01:00:02,530 SAY, THAT WASWELL, SEE, I...A SHORT DINNER. 1490 01:00:02,517 --> 01:00:06,480 WANTED US ALL TOGETHERFOR A REASON, 1491 01:00:06,415 --> 01:00:09,293 BUT OLIVER HAD TO LEAVE, 1492 01:00:09,287 --> 01:00:11,331 WANTED US ALL TOGETHERAND JOE HAD AN APPOINTMENT, 1493 01:00:11,339 --> 01:00:12,841 AND SHANE HAD... 1494 01:00:12,857 --> 01:00:14,567 ANYWAYS, 1495 01:00:14,580 --> 01:00:16,332 THINGS DON'T ALWAYS END UPTHE WAY WE PLAN. 1496 01:00:16,304 --> 01:00:20,058 YOU PUT ALL YOUR HOPEINTO A VASE, 1497 01:00:19,997 --> 01:00:21,290 AND IT GETS LOSTIN THE MAIL. 1498 01:00:21,310 --> 01:00:25,064 YOU YOU PUT A NAIL IN A WALL,IAND THE WHOLE THING FALLS DOWN. 1499 01:00:25,004 --> 01:00:26,505 YOU FALL IN LOVE 1500 01:00:26,481 --> 01:00:28,483 WITH THE MOST AMAZINGWOMAN IN THE WORLD. 1501 01:00:28,449 --> 01:00:30,367 YOU BUY HER A RING, 1502 01:00:30,378 --> 01:00:32,130 YOU PUT IT IN YOUR POCKET, 1503 01:00:32,143 --> 01:00:33,644 AND IT DISAPPEARS. 1504 01:00:33,620 --> 01:00:35,914 YOU THINKYOU KNOW WHAT HAPPENED. 1505 01:00:35,919 --> 01:00:38,964 THEN ONE DAY,AA LIGHT GOES ON,. 1506 01:00:38,954 --> 01:00:40,915 AND YOU REALIZE 1507 01:00:40,924 --> 01:00:42,800 THAT IT FELLTHROUGH A HOLE IN YOUR PANTS, 1508 01:00:42,812 --> 01:00:43,896 AND GOT KICKED UNDER THE BED, 1509 01:00:43,920 --> 01:00:46,755 AND YOU FIND IT WEEKS LATERIN YOUR SNOWBOOT. 1510 01:00:46,750 --> 01:00:48,210 [GASPS] OH! 1511 01:00:48,187 --> 01:00:51,024 [NORMAN]: YOU KNOW,A MIRACLE LIKE THAT, 1512 01:00:50,978 --> 01:00:53,063 YOU WANT TO SHARE ITWITH EVERYBODY YOU LOVE 1513 01:00:53,029 --> 01:00:54,780 [NORMAN]: YOU KNOW,A MIRAOVER A NICE DINNER... 1514 01:00:54,793 --> 01:00:56,962 YOU WANT TO SHARE ITWITH EVERYBTOGETHER...E 1515 01:00:56,968 --> 01:01:00,138 BUT LIKE I SAID, 1516 01:01:00,127 --> 01:01:02,754 SOMETIMES PLANS CHANGE, 1517 01:01:02,753 --> 01:01:03,587 AND I DON'T THINK 1518 01:01:03,615 --> 01:01:04,699 THAT I CAN LET ANOTHER MINUTEGO BY 1519 01:01:04,682 --> 01:01:07,310 WITHOUT DOING THIS, SO... 1520 01:01:11,206 --> 01:01:12,124 THAT I CAN LET ANOTHER MINUTEGO BYRITA? 1521 01:01:12,109 --> 01:01:14,069 MM-HMM? 1522 01:01:14,079 --> 01:01:15,580 THIS RING LOOKS LIKE AN OWL, 1523 01:01:15,555 --> 01:01:17,557 NOT JUST 'CAUSEI KNOW THAT YOU LIKE OWLS, 1524 01:01:17,525 --> 01:01:20,278 BUT... 1525 01:01:20,234 --> 01:01:21,777 NBECAUSE OWLSSEI KNOARE BEAUTIFUL...OWLS, 1526 01:01:23,107 --> 01:01:25,150 AND WISE,BUT...LIKE YOU. 1527 01:01:26,430 --> 01:01:28,890 THEY'RE SMARTLIKE YOU, 1528 01:01:28,892 --> 01:01:32,271 AND THEY ARE SO BRAVE. 1529 01:01:32,216 --> 01:01:33,425 IT DOESN'T MATTERHOW DARK IT GETS, 1530 01:01:33,447 --> 01:01:35,907 THEY JUST KEEP FLYINGANTHROUGH THE NIGHT,E. 1531 01:01:35,908 --> 01:01:40,663 BECAUSE THEY CAN SEEWHAT NOBODY ELSE CAN... 1532 01:01:43,006 --> 01:01:44,925 AND SO DO YOU, 1533 01:01:44,935 --> 01:01:47,980 PROBABLY BECAUSESOMEONE ELSE WHO'S WISE 1534 01:01:47,972 --> 01:01:51,309 AND SMART AND BRAVE... 1535 01:01:52,608 --> 01:01:53,651 TAUGHT YOU HOW... 1536 01:01:57,943 --> 01:02:01,655 AND NOW I GET TO FLYRIGHT ALONGSIDE YOU FOREVER... 1537 01:02:03,852 --> 01:02:07,021 AND I AM SO GRATEFUL FOR THAT. 1538 01:02:13,740 --> 01:02:15,909 WITH THIS OWL RING, 1539 01:02:15,915 --> 01:02:17,833 I THEE... 1540 01:02:17,844 --> 01:02:19,095 ENGAGE YOU. 1541 01:02:19,074 --> 01:02:20,409 [LAUGHING] 1542 01:02:24,410 --> 01:02:25,994 MM... 1543 01:02:29,127 --> 01:02:30,588 I LOVE YOU. 1544 01:02:32,042 --> 01:02:33,251 [LAUGHING] 1545 01:02:33,231 --> 01:02:34,315 OKAY. 1546 01:02:39,469 --> 01:02:40,720 [NICE JOB. 1547 01:02:40,740 --> 01:02:41,908 THANKS. 1548 01:02:43,407 --> 01:02:44,367 THANK YOU. 1549 01:02:44,392 --> 01:02:46,228 THANK YOU! 1550 01:02:46,239 --> 01:02:47,825 I LOVE YOU! 1551 01:02:51,081 --> 01:02:52,082 [WOMAN]: I GUESSIF YOU FLEW ALL THIS WAY, 1552 01:02:52,107 --> 01:02:53,191 IT MUST BE IMPORTANT. 1553 01:02:53,215 --> 01:02:54,299 IT IS. 1554 01:02:56,826 --> 01:02:58,077 OKAY, MR. O'TOOLE. 1555 01:02:58,097 --> 01:02:58,973 IF SHE'S ON SCHEDULE, 1556 01:02:58,960 --> 01:03:01,045 SHE SHOULD BE UPIN ABOUT 30 SECONDS. 1557 01:03:01,052 --> 01:03:02,136 THANK YOU. 1558 01:03:02,160 --> 01:03:03,161 IT'S A CHOPPY FEED, 1559 01:03:03,186 --> 01:03:04,771 AND YOU ONLY HAVEA FEW MINUTES 1560 01:03:04,787 --> 01:03:05,913 BEFORE THE SATELLITE PASSES, 1561 01:03:05,935 --> 01:03:07,603 SO IF YOU COULD KEEP IT SHORT,THAT WOULD BE GREAT. 1562 01:03:09,176 --> 01:03:11,095 HERE WE GO. 1563 01:03:11,105 --> 01:03:12,606 GIVE ME SOME CONTRAST. 1564 01:03:14,223 --> 01:03:16,267 HEY, YOU GUYS. YOU THERE? 1565 01:03:16,274 --> 01:03:17,567 GOT YOU LOUD AND CLEAR, M.L. YOUOKAY? 1566 01:03:17,588 --> 01:03:18,464 [MARY LOU]:YEAH. 1567 01:03:18,490 --> 01:03:20,117 I GOT THE B-ROLL YOU WANTED. 1568 01:03:20,133 --> 01:03:21,301 WE'RE JUST WRAPPING UP HERE, 1569 01:03:21,282 --> 01:03:22,616 AND THEN WE'RE HEADING STATESIDE. 1570 01:03:22,635 --> 01:03:24,553 CHECK.IT'S UPLOADING.RAPPING UP HERE, 1571 01:03:24,563 --> 01:03:26,565 COMING THROUGH NOW. 1572 01:03:26,533 --> 01:03:28,535 YOU GOT A VISITORFROM THE POST OFFICE. 1573 01:03:28,544 --> 01:03:29,921 THE WHAT? 1574 01:03:29,939 --> 01:03:33,985 UH, THE UNITED STATESPOSTAL SERVICE, MS. KELLSER. 1575 01:03:33,920 --> 01:03:34,963 IT IS A LONG STORY, 1576 01:03:34,986 --> 01:03:38,573 BUT WE'VE LOCATED THE VASEYOU MAILED 18 YEARS AGO 1577 01:03:38,515 --> 01:03:40,851 TO A MR. SAMBENSHAN IN DENVER. 1578 01:03:40,814 --> 01:03:42,273 YOU'RE KIDDING ME. 1579 01:03:42,290 --> 01:03:43,083 I'M NOT. 1580 01:03:43,111 --> 01:03:45,447 UM, IT'S INGOOD CONDITION, 1581 01:03:45,409 --> 01:03:48,578 AND IT'S POSSIBLY WORTHA GREAT DEAL OF MONEY. 1582 01:03:48,568 --> 01:03:50,487 WOW! 1583 01:03:50,496 --> 01:03:51,664 THIS IS LIKE... 1584 01:03:51,645 --> 01:03:55,191 THIS IS LIKE THE ULTIMATE DO-OVER. 1585 01:03:55,175 --> 01:03:57,261 WHEN I WAS A KID, I MESSED UP BIG TIME,... 1586 01:03:57,227 --> 01:03:58,895 AND I LOST THAT THING, 1587 01:03:58,868 --> 01:04:00,578 AND I NEVER REALLY FORGAVE MYSELF. 1588 01:04:01,617 --> 01:04:03,244 I DON'T THINK MY FAMILY DID, EITHER. 1589 01:04:03,217 --> 01:04:05,136 WELL, I CAN'T SPEAKFOR THEM, 1590 01:04:05,105 --> 01:04:07,023 I DON'T THIBUT THEY CERTAINLY ESEEMED PLEASED. 1591 01:04:07,033 --> 01:04:08,909 YOU SAW THEM? 1592 01:04:08,879 --> 01:04:10,006 HOW ARE THEY? 1593 01:04:11,506 --> 01:04:12,590 UH, MS. KELLSER, 1594 01:04:12,614 --> 01:04:14,074 WE NEED A SIGNED CONSENT 1595 01:04:14,091 --> 01:04:15,300 TO RELEASE THE VASE 1596 01:04:15,322 --> 01:04:16,989 AND RETURN IT TO YOUAND YOUR FAMILY. 1597 01:04:16,962 --> 01:04:17,922 YEAH. 1598 01:04:17,907 --> 01:04:20,076 JUST SEND ME SOMETHING IT TO YOU IN CARE OF THE NEWSROOM,ILY. 1599 01:04:20,082 --> 01:04:22,167 AND I'LL SIGN IT AND SEND IT RIGHT BACK. 1600 01:04:22,175 --> 01:04:24,927 UNFORTUNATELY, WE'RE UNDERAN URGENT TIME CONSTRAINT. 1601 01:04:24,923 --> 01:04:26,383 UNDER THE CIRCUMSTANCES, 1602 01:04:26,360 --> 01:04:28,612 I CAN ACCEPTA VERBAL CONSENT, 1603 01:04:28,576 --> 01:04:30,078 UNDEIF YOU ARE AMENABLE. 1604 01:04:30,053 --> 01:04:30,970 AMENABLE? 1605 01:04:30,995 --> 01:04:33,373 YEAH, I'M AMENABLE. 1606 01:04:33,377 --> 01:04:34,836 GO FOR IT, 1607 01:04:34,854 --> 01:04:36,481 AND, UM, 1608 01:04:36,454 --> 01:04:39,457 CAN YOU GIVE MY MOM AND MY SISTERS MY LOVE? 1609 01:04:39,449 --> 01:04:42,910 AND TELL ABBY AUNTIE MOO SAYS HI. 1610 01:04:42,896 --> 01:04:44,481 I WILL. 1611 01:04:44,497 --> 01:04:45,748 THANKS. 1612 01:04:45,768 --> 01:04:47,144 UH, MS. KELLSER! 1613 01:04:47,122 --> 01:04:47,998 YEAH, YEAH? 1614 01:04:47,983 --> 01:04:51,696 UH, I WAS TOLDTHAT SOONER OR LATER, 1615 01:04:51,676 --> 01:04:54,471 ALL THE KELLSER WOMENFOLLOW THEIR HEARTS BACK HOME. 1616 01:04:54,468 --> 01:04:58,179 IF IT'S AT ALL POSSIBLE... 1617 01:04:58,160 --> 01:05:02,039 PERHAPS YOU SHOULD...MAKE THAT SOONER. 1618 01:05:02,017 --> 01:05:04,687 WHY? WHAT'S GOING ON? 1619 01:05:04,685 --> 01:05:07,979 UH, WELL, UM... 1620 01:05:07,967 --> 01:05:09,010 YOUR FAMILY IS... 1621 01:05:09,033 --> 01:05:11,244 YOUR MOTHER'S NOT.. 1622 01:05:11,249 --> 01:05:12,418 HELLO? 1623 01:05:12,399 --> 01:05:14,359 HELLO, CAN YOU...? 1624 01:05:14,368 --> 01:05:16,495 [STATIC] 1625 01:05:17,897 --> 01:05:20,359 WE'RE OUT OF RANGE. 1626 01:05:30,740 --> 01:05:33,242 [DALE]: GREAT.APPRECIATE IT. 1627 01:05:40,753 --> 01:05:43,506 [DALE]: WELL... 1628 01:05:43,502 --> 01:05:45,045 INTERPOL,GERMAN RESTITUTION FILES... 1629 01:05:45,061 --> 01:05:46,353 IT'S ALL THERE. 1630 01:05:46,333 --> 01:05:48,545 I WAS HOPINGI WAS WRONG. 1631 01:05:48,509 --> 01:05:49,635 IT'S WELL,HERE. 1632 01:05:49,657 --> 01:05:51,534 MOST PEOPLE WOULDN'T EVENHAVE MADE THE CONNECTION. 1633 01:05:51,544 --> 01:05:53,212 I GUESS...I DON'T KNOW... 1634 01:05:53,226 --> 01:05:54,562 I JUST... 1635 01:05:54,581 --> 01:05:57,167 THINK OUTSIDE THE BOX... 1636 01:05:57,165 --> 01:05:59,877 WHICH IS A GOOD THING! 1637 01:05:59,833 --> 01:06:02,501 ONLY THING IS,NOW YOU'RE STUCK WITH THE TRUTH. 1638 01:06:04,881 --> 01:06:06,716 YEAH, AND NOWWE HAVE FIND A WAY 1639 01:06:06,727 --> 01:06:09,479 TO BREAK ITTO THE KELLSERS. 1640 01:06:09,475 --> 01:06:10,435 YOU'LL FIND IT. 1641 01:06:10,460 --> 01:06:12,672 YOU AND OLIVER. 1642 01:06:12,636 --> 01:06:14,804 YOU'LL DO JUST FINE. 1643 01:06:19,899 --> 01:06:21,566 [KIM]: I'D FORGOTTENWHAT IT LOOKED LIKE. 1644 01:06:21,580 --> 01:06:22,498 [OLIVER]:WELL, WE WERE HOPING 1645 01:06:22,483 --> 01:06:23,525 IT WAS WORTHA GREAT DEAL OF MONEY, 1646 01:06:23,550 --> 01:06:25,135 FOR YOUR SAKE,AND IT IS. 1647 01:06:25,150 --> 01:06:26,651 UM, HOWEVER... 1648 01:06:27,900 --> 01:06:30,735 WE ALSO FOUND OUTTHAT IT'S QUITE RARE, 1649 01:06:30,689 --> 01:06:31,690 AND MR. BENSHAN 1650 01:06:31,674 --> 01:06:35,345 WE ALHAS AN ARDENT COLLECTORTHATOF 18TH-CENTURY PORCELAIN 1651 01:06:35,326 --> 01:06:37,620 WHO MADE AN OFFERAND MTO ACQUIRE IT FROM YOU 1652 01:06:37,583 --> 01:06:39,460 ONCE YOU WERETO TAKE POSSESSION. 1653 01:06:39,471 --> 01:06:42,599 ONCE WE "WERE"TO TAKE POSSESSION? 1654 01:06:42,549 --> 01:06:44,342 DOES THAT MEANYOU DIDN'T FIND MARY LOU? 1655 01:06:44,312 --> 01:06:46,106 ONCE WE "WERE"UH, ACTUALLY, I DID. 1656 01:06:46,118 --> 01:06:48,120 DOES THAT MEANI SAW HER BRIEFLYND MARY LOU? 1657 01:06:48,128 --> 01:06:49,254 ON A VIDEO CONFERENCE CALL. 1658 01:06:49,236 --> 01:06:52,198 DID SHE ASK ABOUT US,OR THE FARM, OR ANYTHING? 1659 01:06:52,191 --> 01:06:53,026 OH, YES. 1660 01:06:53,012 --> 01:06:55,014 WE DIDN'T HAVE MUCH TIMETO ELABORATE, 1661 01:06:54,982 --> 01:06:56,441 BUT YES. 1662 01:06:57,444 --> 01:06:58,445 MRS. KELLSER, 1663 01:06:58,429 --> 01:07:00,139 AH... 1664 01:07:00,111 --> 01:07:03,990 IN THE COURSEOF PROCESSING THIS RETURN, 1665 01:07:03,968 --> 01:07:05,927 WE'VE DISCOVERED A LITTLE BITABOUT THE PROVENANCE 1666 01:07:05,938 --> 01:07:07,189 OF THIS VASE. 1667 01:07:07,209 --> 01:07:10,129 WELL, IF IT MEANSTHAT IT'S WORTH A LOT OF MONEY, 1668 01:07:10,123 --> 01:07:12,250 THAT COULD REALLY SOLVEOUR PROBLEMS, RIGHT? 1669 01:07:13,856 --> 01:07:15,692 WELL, UM... 1670 01:07:15,662 --> 01:07:17,039 THE VASE WAS CREATED 1671 01:07:17,057 --> 01:07:19,309 FOR A MEMBEROF THE AUSTRIAN ROYAL FAMILY 1672 01:07:19,273 --> 01:07:21,525 IN 1748, 1673 01:07:21,529 --> 01:07:23,073 AND IT STAYEDWITH THAT FAMILY 1674 01:07:23,049 --> 01:07:26,718 UNTIL IT WAS GIVEN, IRONICALLY,AS A WEDDING GIFT, 1675 01:07:26,658 --> 01:07:28,494 TO A VERY PROMINENTPOLITICAL FAMILY 1676 01:07:28,464 --> 01:07:29,798 IN FRANKFURT, GERMANY 1677 01:07:29,777 --> 01:07:30,778 TO A VERY PROMINENTNAMED RUBEL.MILY 1678 01:07:30,762 --> 01:07:33,598 IT REMAINEDIN THE RUBEL FAMILY'S POSSESSION 1679 01:07:33,593 --> 01:07:36,053 FOR THE NEXT 72 YEARS, 1680 01:07:36,014 --> 01:07:38,559 PASSED DOWNFROM FATHER TO SON 1681 01:07:38,558 --> 01:07:42,478 UNTIL 1939,WHEN, UM... 1682 01:07:44,468 --> 01:07:45,677 [OLIVER CLEARSHIS THROAT] 1683 01:07:45,657 --> 01:07:49,536 WHEN THE, UH, FAMILY HOME 1684 01:07:49,515 --> 01:07:51,933 [OLIVER CLEARSAND ITS ENTIRE CONTENTSHROAT] 1685 01:07:51,935 --> 01:07:54,062 WERE CONFISCATED, 1686 01:07:54,069 --> 01:08:00,075 AND ALL BUT ONE MEMBEROF THE RUBEL FAMILY... 1687 01:07:59,978 --> 01:08:01,271 UH, DISAPPEARED. 1688 01:08:01,291 --> 01:08:02,917 MY LORD. 1689 01:08:02,932 --> 01:08:03,849 [SHANE]:YES, THAT, UM... 1690 01:08:03,876 --> 01:08:07,672 THAT PERSONWAS JOHANN RUBEL, 1691 01:08:07,650 --> 01:08:08,776 A TEENAGER AT THE TIME, 1692 01:08:08,799 --> 01:08:11,552 WHO MANAGEDTO ESCAPE TO FRANCE 1693 01:08:11,509 --> 01:08:13,594 WITH NOTHINGBUT THE CLOTHES ON HIS BACK 1694 01:08:13,559 --> 01:08:16,437 WHO MANAGEDAND A FAMILY PHOTOGRAPH. 1695 01:08:20,699 --> 01:08:21,492 WITH NOTHINGAFTER THE WAR,S ON HIS BACK 1696 01:08:21,520 --> 01:08:23,312 HE MADE HIS WAYTO THE UNITED STATES. 1697 01:08:23,284 --> 01:08:24,953 HE WORKED HIS WAYTHROUGH COLLEGE, 1698 01:08:24,926 --> 01:08:26,886 HE STARTED A FAMILY, 1699 01:08:26,854 --> 01:08:28,147 AND HE SPENT HIS FREE TIME 1700 01:08:28,167 --> 01:08:30,628 SEARCHINGFOR HIS LOST RELATIVES. 1701 01:08:31,532 --> 01:08:34,076 THE ONLY RECORDTHAT HE FOUND 1702 01:08:34,076 --> 01:08:36,912 WAS AN INVENTORY OF EVERYTHINGTAKEN BY THE GERMANS 1703 01:08:36,866 --> 01:08:39,368 FROM HIS CHILDHOOD HOME. 1704 01:08:39,369 --> 01:08:40,245 WAS AN INVENTORY OF EVERYTHINGUM...TAKEN BY THE GERMANS 1705 01:08:40,272 --> 01:08:42,859 THE VASEWAS PART OF A SHIPMENT 1706 01:08:42,817 --> 01:08:44,735 INTENDEDFOR THE PRIVATE COLLECTION 1707 01:08:44,703 --> 01:08:47,455 OF A GERMAN OFFICERIN FRANCE, 1708 01:08:47,452 --> 01:08:50,914 BUT THE SHIPMENTWENT MISSING,TE COLLECTION 1709 01:08:50,900 --> 01:08:53,903 AND THE VASEFOUND ITS WAY TO FRANCE, 1710 01:08:53,896 --> 01:08:57,816 AND EVENTUALLYTO THE AMERICAN OFFICER, 1711 01:08:57,794 --> 01:08:59,754 AND INTO BETTY'S HANDS. 1712 01:08:59,763 --> 01:09:02,057 MR. RUBEL IS NOWIN HIS 90S, 1713 01:09:02,060 --> 01:09:04,062 AND, UM... 1714 01:09:05,631 --> 01:09:08,633 AND WE THOUGHT YOU MIGHT WANTSEE TO SEE THE VASE... 1715 01:09:08,584 --> 01:09:09,711 ONE MORE TIME. 1716 01:09:10,391 --> 01:09:12,268 AND WE THOUGHT YOU MIGHT WANTSEE TO SAY GOODBYE.... 1717 01:09:15,315 --> 01:09:16,607 [PEGGY]: SO WE'VE LOST IT? 1718 01:09:16,626 --> 01:09:18,503 I DON'T BELIEVE THIS. 1719 01:09:18,515 --> 01:09:19,933 I UNDERSTANDTHIS MUST BE 1720 01:09:19,910 --> 01:09:22,246 A DIFFICULT BLOW... 1721 01:09:22,208 --> 01:09:23,334 BUT... 1722 01:09:23,356 --> 01:09:25,692 THERE HAS TO BE A POINTWHEN YOU HAVE IT FOR SO LONG, 1723 01:09:25,655 --> 01:09:26,614 IT JUST... 1724 01:09:26,639 --> 01:09:28,516 IT'S YOURS! 1725 01:09:28,486 --> 01:09:29,738 I MEAN, IT WAS A GIFTTO OUR FAMILY. 1726 01:09:29,718 --> 01:09:32,678 WE DID NOT STEAL THIS.OURS! 1727 01:09:32,671 --> 01:09:34,714 I MEAN, IT WAS A GIFTNO, WE DIDN'T,Y. 1728 01:09:34,723 --> 01:09:36,225 BUT THAT DOESN'T MEANIT BELONGS TO US. 1729 01:09:37,843 --> 01:09:42,305 I'D RATHER LOSE THIS FARMTHAN LOSE MY SOUL, PEGGY. 1730 01:09:45,145 --> 01:09:49,108 I'D IMAGINEDYOU MIGHT SAY THAT. 1731 01:09:51,423 --> 01:09:53,926 WE ARE SO VERY SORRY. 1732 01:09:55,772 --> 01:09:57,357 PLEASE TELL MR. RUBEL 1733 01:09:57,332 --> 01:10:00,127 IT WAS AN HONORTO HAVE A PIECE OF HIS FAMILY 1734 01:10:00,081 --> 01:10:01,790 LIVING WITH USFOR A WHILE. 1735 01:10:01,763 --> 01:10:03,515 IT WAS AN HONORTO HAVE A PIECE OFI'LL TELL HIM. 1736 01:10:06,114 --> 01:10:08,033 LIVING WITH USSO WHAT DO WE DO NOW? 1737 01:10:09,150 --> 01:10:10,776 WE'LL GET UPIN THE MORNING 1738 01:10:10,791 --> 01:10:12,543 AND AUCTION OFF OUR FARM 1739 01:10:12,556 --> 01:10:14,016 AND PAY OFF OUR BILLS, 1740 01:10:14,034 --> 01:10:15,826 AND YOU'LL CLOSE THINGS UP, 1741 01:10:15,838 --> 01:10:17,632 AND I'LL TAKE MY MEDICINE... 1742 01:10:19,367 --> 01:10:21,661 AND WE'LL TEACH ABBYHOW A KELLSER WOMAN LIVES... 1743 01:10:25,071 --> 01:10:26,447 AND HOW SHE LEAVES. 1744 01:10:36,437 --> 01:10:38,189 HI, MAMA! 1745 01:10:38,201 --> 01:10:40,077 HI, HONEY. 1746 01:10:51,619 --> 01:10:54,289 I LOVE IT!SUCH AN ELEGANT PARADOX. 1747 01:10:54,287 --> 01:10:59,708 A WORLD OF POSSIBILITYINSIDE A SIMPLE FRAME. 1748 01:10:59,662 --> 01:11:03,583 SO VERY SHANEAND OVILEAR. 1749 01:11:03,559 --> 01:11:05,436 SUCH A THOUGHTFUL GIFT. 1750 01:11:05,448 --> 01:11:08,033 IT WAS "OVILEAR'S" IDEA. 1751 01:11:08,893 --> 01:11:10,061 [BILL]:HEY, RAMON, 1752 01:11:10,084 --> 01:11:11,878 ANOTHER ROUND OF AREA 51,PLEASE. 1753 01:11:11,848 --> 01:11:12,849 OF COURSE! 1754 01:11:12,833 --> 01:11:13,834 ANOTHER ROUND OF[BILL]:1,PLEASE.THANKS, MAN. 1755 01:11:13,818 --> 01:11:14,861 EXCUSE ME. 1756 01:11:16,649 --> 01:11:17,942 ANOTHER ROUND OF[BILL]:1,PLEASE.TH"OVILEAR?" 1757 01:11:17,921 --> 01:11:19,464 OVILEAR. 1758 01:11:20,547 --> 01:11:21,798 ANOTHER ROUND OF[BILL]:1,[LAUGHS]PLEASE.TH"OVILEAR?" 1759 01:11:21,820 --> 01:11:24,615 WHAT IS THIS? 1760 01:11:24,609 --> 01:11:26,027 IT'S FROM YOUR DAD. 1761 01:11:27,194 --> 01:11:28,237 OH... 1762 01:11:31,133 --> 01:11:32,093 OH... 1763 01:11:33,267 --> 01:11:34,519 HUDSON! 1764 01:11:38,848 --> 01:11:39,890 OH... 1765 01:11:42,870 --> 01:11:44,830 THANK YOU, DAD. 1766 01:11:48,408 --> 01:11:49,451 LOOK! 1767 01:11:50,871 --> 01:11:52,080 HUDSON THE INVISIBLE OWL? 1768 01:11:52,060 --> 01:11:53,395 WELL,ONE DAY WHEN SHE WAS SIX, 1769 01:11:53,414 --> 01:11:55,876 SHE DIDN'T WANT HUDSONTO BE INVISIBLE ANYMORE, 1770 01:11:55,836 --> 01:11:58,546 SO I WENT TO THE TOY STORE,AND I MADE HIM VISIBLE. 1771 01:11:58,545 --> 01:12:00,129 SHE DIDN'T WANT HUDSONTO BE INVISMM.E ANYMORE, 1772 01:12:00,144 --> 01:12:02,437 FOUND HIM IN THE ATTICA COUPLE OF WEEKS AGO. 1773 01:12:02,441 --> 01:12:03,901 I JUST THOUGHTSHE SHOULD HAVE IT, 1774 01:12:03,919 --> 01:12:06,171 SO THAT... 1775 01:12:06,177 --> 01:12:07,845 WELL, YOU KNOW. 1776 01:12:09,459 --> 01:12:11,044 YOU TRYTO TEACH YOUR KIDS TO LOVE, 1777 01:12:11,018 --> 01:12:12,603 AND THEN YOU TURN INTO A JERK 1778 01:12:12,577 --> 01:12:14,079 WHEN THEY FINALLY GO OUTTO TEACIN THE WORLDTO LOVE, 1779 01:12:14,054 --> 01:12:15,388 AND DO IT. 1780 01:12:15,367 --> 01:12:17,161 WHEN THEY FINALLY GO OUTTO TEACIN THE WORLD[CHUCKLES] 1781 01:12:18,240 --> 01:12:20,743 I'M SORRYI WAS SO TOUGH ON YOU. 1782 01:12:22,835 --> 01:12:24,921 I'M SORRY I BLENDEDYOUR WIFE'S BIFOCALS. 1783 01:12:24,928 --> 01:12:27,305 IT WOULDN'T HAVE BEENTHE FIRST TIME. 1784 01:12:27,308 --> 01:12:29,102 [LAUGHING] 1785 01:12:29,113 --> 01:12:30,489 HEY, YOU GUYS. 1786 01:12:30,508 --> 01:12:31,592 HI, HONEY. 1787 01:12:34,652 --> 01:12:36,279 SO? 1788 01:12:36,294 --> 01:12:37,212 SO? 1789 01:12:37,197 --> 01:12:39,490 OH, I GOT A PRESENTFOR YOU, TOO. 1790 01:12:39,494 --> 01:12:40,996 [KEYS JINGLING] 1791 01:12:42,449 --> 01:12:43,909 [RITA GASPS, LAUGHS] 1792 01:12:44,871 --> 01:12:46,039 YOU'RE GIVING US AN RV? 1793 01:12:46,061 --> 01:12:48,604 SORT OF LIKEA HONEYMOON PRESENT. 1794 01:12:48,604 --> 01:12:50,064 WE'RE THINKING OFGETTING OFF THE ROAD 1795 01:12:50,081 --> 01:12:52,208 AND SETTLING DOWNAROUND HERE. 1796 01:12:52,174 --> 01:12:53,258 OH! 1797 01:12:53,282 --> 01:12:54,283 AND SETTLING DOWNMAYBE FIND OURSELVES 1798 01:12:54,267 --> 01:12:57,228 A NICE ROCKY MOUNTAINGEOPONIC COLLECTIVE, 1799 01:12:57,221 --> 01:12:58,931 GET BACK TO OUR ROOTS. 1800 01:13:00,011 --> 01:13:01,262 YOU WERE FARMERS? 1801 01:13:01,284 --> 01:13:03,036 OH, YEAH.WE LIVED OFF THE LAND. 1802 01:13:03,049 --> 01:13:05,384 WE GREW EVERYTHINGOURSELVES. 1803 01:13:05,387 --> 01:13:06,888 IT WAS COMPOST HEAVEN. 1804 01:13:07,726 --> 01:13:10,395 COMPOST HEAVEN. 1805 01:13:10,352 --> 01:13:12,354 [LAUGHS] 1806 01:13:12,321 --> 01:13:14,448 [LAUGHING]OST HEAVEN. 1807 01:13:15,605 --> 01:13:16,439 [GAVEL BANGS] 1808 01:13:16,425 --> 01:13:17,968 [AUCTIONEER]:LADIES AND GENTLEMEN, 1809 01:13:17,984 --> 01:13:21,028 WE WILL BEGIN THE BIDDINGAT $265,000. 1810 01:13:21,021 --> 01:13:22,188 [FAST AUCTION PATTER]$265,000. DO I HAVE 270? 1811 01:13:22,169 --> 01:13:25,005 I'VE GOT 265, I'VE GOT 270,DO I HAVE 275? 1812 01:13:24,959 --> 01:13:26,794 275, I'VE GOT 275.DO I HAVE 280? 1813 01:13:26,806 --> 01:13:28,516 280, I'VE GOT 280.280. 1814 01:13:28,489 --> 01:13:29,615 DO I HAVE 300?DO I GOT 280? 1815 01:13:29,596 --> 01:13:31,473 2GOT 300. GOT 300.DO I HAVE 310? 310. 1816 01:13:31,442 --> 01:13:32,943 THANK YOU, SIR.I'VE GOT 310. 1817 01:13:32,961 --> 01:13:34,379 2GOT 300. GOT 300.310, DO I HAVE 320? 1818 01:13:34,356 --> 01:13:35,857 I'VE GOT 310.I'VE GOT 320 OVER THERE. 1819 01:13:35,874 --> 01:13:37,668 320. DO I HAVE 330?310, DO3...AVE 320? 1820 01:13:37,679 --> 01:13:39,223 330 FROM THE GENTLEMANIN THE BACK. 1821 01:13:39,198 --> 01:13:40,491 GOT 330.HOW ABOUT 340? 1822 01:13:40,511 --> 01:13:42,805 33I'VE GOT 330, 330.ANDO I HAVE 340? 340. 1823 01:13:42,809 --> 01:13:44,186 FROM THE GENTLEMAN IN THE FRONT.THANK YOU, SIR. 1824 01:13:44,205 --> 01:13:45,706 WE'VE GOT 340.INTO A 345. 1825 01:13:45,722 --> 01:13:47,140 GOT 340.DO I HAVE 345? 1826 01:13:47,117 --> 01:13:49,119 WE GOT 340 GOING ONCE,GOING TWICE... 1827 01:13:49,127 --> 01:13:50,713 [MAN'S VOICE]:400. 1828 01:13:50,728 --> 01:13:53,231 [AUCTIONEER]: $400,000FROM THE GENTLEMAN IN THE BACK! 1829 01:13:53,232 --> 01:13:54,525 NOW $400,000.DO I HAVE FOUR AND FIVE? 1830 01:13:54,544 --> 01:13:57,005 $400,000 GOING ONCE,$400,000 GOING TWICE... 1831 01:13:57,006 --> 01:13:58,258 SOLD... 1832 01:13:58,279 --> 01:14:00,573 [BANGS GAVEL]TO THE GENTLEMAN IN THE BACK. 1833 01:14:08,783 --> 01:14:11,201 [KIM]: I'M NOT SUREI UNDERSTAND WHAT JUST HAPPENED. 1834 01:14:11,204 --> 01:14:12,581 MRS. KELLSER,YOU'RE NOT JUST LOOKING 1835 01:14:12,599 --> 01:14:13,766 AT THE DEAD LETTER OFFICETASK FORCE 1836 01:14:13,788 --> 01:14:15,206 OF THE UNITED STATESPOSTAL OFFICE. 1837 01:14:15,184 --> 01:14:17,019 WE ALSO COMPRISETHE EXECUTIVE COMMITTEE 1838 01:14:16,989 --> 01:14:19,074 OF THE BOARD OF TRUSTEESOF THE O'TOOLE FOUNDATION. 1839 01:14:19,081 --> 01:14:20,916 IT'S A PHILANTHROPICORGANIZATIONE COMMITTEE 1840 01:14:20,929 --> 01:14:22,305 BEGUN WITH FUNDSGIVEN TO ME 1841 01:14:22,323 --> 01:14:23,825 BY A FATHER I NEVER KNEW, 1842 01:14:23,801 --> 01:14:26,219 WHOSE UNUSUAL SUCCESSRESULTED 1843 01:14:26,222 --> 01:14:28,016 IN A RATHER REMARKABLE FORTUNE, 1844 01:14:28,027 --> 01:14:30,154 OF WHICH I AM THE CUSTODIAN. 1845 01:14:30,119 --> 01:14:31,120 SO, YOU'RE RICH? 1846 01:14:31,104 --> 01:14:32,105 WELL... 1847 01:14:32,130 --> 01:14:33,089 OH, YEAH. 1848 01:14:33,115 --> 01:14:34,700 [LAUGHING] 1849 01:14:35,413 --> 01:14:37,289 MRS. KELLSER? 1850 01:14:37,259 --> 01:14:40,096 WITH YOUR PERMISSION,OF COURSE, 1851 01:14:40,091 --> 01:14:42,135 THE O'TOOLE FOUNDATION. KELLSER? 1852 01:14:42,143 --> 01:14:45,021 WOULD LIKE TO HELP YOUPUT THE KELLSER FAMILY FARM 1853 01:14:45,014 --> 01:14:47,391 INTO A LIVING LANDSCONSERVANCY, 1854 01:14:47,395 --> 01:14:50,356 AND THIS WOULD GUARANTEE,OF COURSE, 1855 01:14:50,307 --> 01:14:51,643 THAT IT COULD NEVER 1856 01:14:51,662 --> 01:14:54,039 AND THIS WOULD GUARANTEE,BE SOLD OR DEVELOPED. 1857 01:14:55,150 --> 01:14:56,109 WOW. 1858 01:14:56,135 --> 01:14:58,846 [PEGGY]:THANK YOU... 1859 01:14:58,843 --> 01:15:00,469 UM...BUT WHAT'S THE CATCH? 1860 01:15:00,485 --> 01:15:01,737 [KIM]:OH, PEGGY, 1861 01:15:01,716 --> 01:15:04,343 FOR ONCE,STOP BEING SO SUSPICIOUS. 1862 01:15:04,301 --> 01:15:05,636 [KIM]:[RITA]: WELL,OH,THERE IS ACTUALLY A CATCH. 1863 01:15:05,655 --> 01:15:08,073 FOR THE FARM TO STAYAS IT IS,G SO SUSPICIOUS. 1864 01:15:08,076 --> 01:15:09,870 IT HAS TO REMAIN A SUSTAINABLEAND WORKABLE FARM 1865 01:15:09,881 --> 01:15:13,343 AND HAS TO EXPANDINTO AN EDUCATION CENTER 1866 01:15:13,327 --> 01:15:15,329 THAT TEACHESRESPONSIBLE AGRICULTURE. 1867 01:15:16,323 --> 01:15:17,241 OKAY. 1868 01:15:17,266 --> 01:15:19,602 UM, WE HAVE NO IDEAHOW TO TEACH ANY OF THAT. 1869 01:15:19,605 --> 01:15:21,024 [NORMAN]:SO WE'VE FOUND 1870 01:15:21,042 --> 01:15:22,626 A VERY INTERESTINGAND LOVELY COUPLE 1871 01:15:22,642 --> 01:15:26,312 WHO'VE AGREED TO BUILDAND RUN THE EDUCATION CENTER. 1872 01:15:26,294 --> 01:15:27,420 THEY'RE ACTUALLY MY PARENTS! 1873 01:15:27,443 --> 01:15:28,903 [LAUGHING] 1874 01:15:28,880 --> 01:15:30,131 BUT THEY KNOWALL SORTS OF THINGS 1875 01:15:30,152 --> 01:15:31,862 ABOUT EXPERIMENTAL FARMING. 1876 01:15:31,876 --> 01:15:33,335 SO, YOU'REBUYING THE FARM, 1877 01:15:33,353 --> 01:15:34,645 BUT YOU'RE NOTBUYING THE FARM? 1878 01:15:34,623 --> 01:15:36,625 EXACTLY. 1879 01:15:36,634 --> 01:15:38,261 BUT YOU'RE NOTTHE O'TOOLE FOUNDATION 1880 01:15:38,235 --> 01:15:40,487 HAS ASSUMEDALL FINANCIAL RESPONSIBILITY, 1881 01:15:40,451 --> 01:15:42,703 AND YOU ARE FREETO LIVE HERE... 1882 01:15:42,666 --> 01:15:45,044 HAS ASSUMEDALL FINWELL, UNTIL...IBILITY, 1883 01:15:45,047 --> 01:15:46,298 AND YOU ARE FREEUNTIL THE COWS COME HOME. 1884 01:15:55,796 --> 01:15:57,590 [SHANE]: THE VASEIS ON ITS WAY HOME. 1885 01:15:57,602 --> 01:16:00,939 MR. RUBEL SENT YOU AN EMAIL. 1886 01:16:04,989 --> 01:16:06,531 [CAR HORN HONKING] 1887 01:16:18,038 --> 01:16:19,789 MARY LOU![LAUGHS] 1888 01:16:22,263 --> 01:16:23,181 YOU CAME BACK! 1889 01:16:23,208 --> 01:16:24,542 I KNEW YOU'D COME! 1890 01:16:24,520 --> 01:16:26,064 [MARY LOU]:I WAS WORRIED ABOUT YOU GUYS, 1891 01:16:26,079 --> 01:16:28,456 AND I MISSED MY BABY SISTER. 1892 01:16:28,460 --> 01:16:29,836 [BUNNY]: I MISSED YOU, TOO. 1893 01:16:32,809 --> 01:16:34,060 MAMA! 1894 01:16:34,040 --> 01:16:35,375 WHAT'S GOING ON? 1895 01:16:35,395 --> 01:16:38,439 EVERYTHING,BUT WE'RE OKAY. 1896 01:16:38,430 --> 01:16:39,639 WHAT'S THIS FOR? 1897 01:16:40,482 --> 01:16:43,485 TAKING WALKSAROUND THE FARM, 1898 01:16:43,478 --> 01:16:46,564 WHICH I PLAN TO DOFOR A NICE, LONG TIME... 1899 01:16:46,514 --> 01:16:48,350 AND I PLANTO TAKE SOME OF THOSE WALKS 1900 01:16:48,320 --> 01:16:50,488 WITH YOU. 1901 01:16:50,494 --> 01:16:53,247 I'M SO SORRYIT TOOK ME SO LONG TO GET HOME. 1902 01:16:53,244 --> 01:16:55,203 [KIM]:OH, BUT YOU DID... 1903 01:16:57,141 --> 01:16:58,935 AND IT'S STILL HERE FOR YOU. 1904 01:17:06,251 --> 01:17:08,461 HEY. 1905 01:17:13,267 --> 01:17:14,602 THE VASE IS BACK? 1906 01:17:14,581 --> 01:17:15,499 YEAH... 1907 01:17:15,524 --> 01:17:16,900 AND IT'S GONE AGAIN. 1908 01:17:16,879 --> 01:17:17,755 WHAT? 1909 01:17:17,781 --> 01:17:19,116 WE DIDN'T NEED IT. 1910 01:17:19,134 --> 01:17:20,344 WE NEVER NEEDED IT. 1911 01:17:20,324 --> 01:17:22,743 WHEN ARE YOU TWO GOINGTO GET THAT THROUGH YOUR HEADS? 1912 01:17:24,100 --> 01:17:25,519 WE JUST NEEDED EACH OTHER. 1913 01:17:25,536 --> 01:17:29,999 NOTHING BEATS HARD WORK,HAPPY COWS, AND HOPE, RIGHT? 1914 01:17:29,968 --> 01:17:31,303 [LAUGHING] 1915 01:17:32,759 --> 01:17:34,886 SO, WHAT HAPPENED? 1916 01:17:36,328 --> 01:17:38,288 OH, WELL... 1917 01:17:42,647 --> 01:17:44,649 "MY DEAR MADAME KELLSER... 1918 01:17:44,616 --> 01:17:46,618 I CANNOT BEGINTO EXPRESS MY JOY 1919 01:17:46,586 --> 01:17:49,548 WHEN I WAS INFORMED TODAYOF YOUR KIND UNDERSTANDING, 1920 01:17:49,541 --> 01:17:51,417 BUT I AM DEEPLY GRATEFULFOR YOUR WILLINGNESS 1921 01:17:51,386 --> 01:17:54,306 TO SAY GOODBYETO OUR FAMILY TREASURE, 1922 01:17:54,301 --> 01:17:57,680 AND I'M SO TOUCHED TO HEARTHAT WHILE IT WAS IN YOUR CARE, 1923 01:17:57,625 --> 01:18:00,293 IT WAS A SOURCE OF HOPEAND INSPIRATION 1924 01:18:00,291 --> 01:18:01,710 AND I'M SO TOUCHED TO HEARTHATO YOU AND YOUR CHILDREN.RE, 1925 01:18:01,688 --> 01:18:05,149 THE RETURN OF THE VASEWAS A NOBLE AND RIGHTEOUS ACT 1926 01:18:05,092 --> 01:18:06,802 AND I'M SO TOUCHED TO HEARTHATTHAT SHALL BE BLESSED.N.RE, 1927 01:18:06,774 --> 01:18:08,442 THE RETURN OF THE VASEWAS APLEASE, BE ASSUREDUS ACT 1928 01:18:08,415 --> 01:18:10,876 THAT IT SHALL BE PLACEDIN A PROPER MUSEUM 1929 01:18:10,878 --> 01:18:14,381 TWITH A LETTER TRACINGITS EXTRAORDINARY PROVENANCE, 1930 01:18:14,324 --> 01:18:16,576 FROM A GREAT CASTLEIN AUSTRIA..." 1931 01:18:16,582 --> 01:18:18,793 [MR RUBEL]:TO A LITTLE FARM IN AMERICA, 1932 01:18:18,757 --> 01:18:21,592 TO REMIND FUTURE GENERATIONS OF A TIME AND A PEOPLE 1933 01:18:21,587 --> 01:18:24,340 THAT MUST NEVER BE FORGOTTEN. 1934 01:18:24,295 --> 01:18:25,671 I SHALL NOT FORGET YOU, 1935 01:18:25,692 --> 01:18:29,486 AND I SEND MY BEST WISHES THAT M TO YOUR FAMILY.GOTTEN. 1936 01:18:29,466 --> 01:18:31,886 MAY YOU CHERISH EVERY MOMENT YOU HAVE TOGETHER 1937 01:18:31,846 --> 01:18:34,098 FOR AS LONG AS YOU LIVE. 1938 01:18:34,103 --> 01:18:37,481 MAY YO RESPECTFULLY,Y MOMENT Y JOHANN RUBEL.ER 1939 01:18:37,467 --> 01:18:38,802 [SHANE]:I WISH WE'D BEEN THERE 1940 01:18:38,822 --> 01:18:40,573 WHEN HE PUT THAT RINGON HER FINGER. 1941 01:18:40,586 --> 01:18:41,921 OH, I DON'T KNOW. 1942 01:18:41,899 --> 01:18:43,067 I THINK... 1943 01:18:43,049 --> 01:18:45,592 I THINK HE JUSTNEEDED TO GO SOLO. 1944 01:18:45,591 --> 01:18:46,800 [SHANE]: MAYBE SO, 1945 01:18:46,824 --> 01:18:50,785 BUT GOING SOLOISN'T ALWAYS EASY, THOUGH. 1946 01:18:52,567 --> 01:18:54,819 ARE YOU SAYINGYOU MISSED ME? 1947 01:18:59,092 --> 01:19:00,302 YOU WERE ONLY GONE 1948 01:19:00,322 --> 01:19:02,324 FOR ONE DAY, 1949 01:19:02,333 --> 01:19:03,751 BUT... 1950 01:19:03,729 --> 01:19:06,565 IT DID GIVE MESOME TIME TO THINK. 1951 01:19:06,519 --> 01:19:08,146 ABOUT? 1952 01:19:08,161 --> 01:19:10,829 WELL, LIKE, UH... 1953 01:19:10,827 --> 01:19:14,414 WHAT ONE DOES TO GOFROM BEING "A THING" 1954 01:19:14,397 --> 01:19:17,900 TO "GOING STEADY,"YOU KNOW. 1955 01:19:17,843 --> 01:19:19,220 UH, I DON'T KNOW. 1956 01:19:19,198 --> 01:19:22,076 ARE THERE REALLY"GOING STEADY" RULES? 1957 01:19:22,029 --> 01:19:24,364 OH... SEVERAL.I LOOKED IT UP.UH, I DON'T KNOW. 1958 01:19:24,369 --> 01:19:25,203 ARE THERE REALLY"GOHMM.STEADY" RULES? 1959 01:19:25,189 --> 01:19:27,358 YEAH. PRETTYSERIOUS STUFF. 1960 01:19:27,364 --> 01:19:29,031 ARE THERE REALLYSTUFF LIKE...OHMM.STEADY" RULES? 1961 01:19:29,004 --> 01:19:32,342 NO HANGING PICTURE FRAMESWITH ANYBODY BUT ME. 1962 01:19:32,329 --> 01:19:33,955 I CAN PRETTY MUCHGUARANTEE THAT. 1963 01:19:33,970 --> 01:19:37,432 NO HANGING ANY BEAD DIVIDERSWITHOUT PRIOR APPROVAL. 1964 01:19:37,375 --> 01:19:41,045 HMM. I THINKI CAN PROBABLY LIVE WITH THAT. 1965 01:19:44,679 --> 01:19:46,431 AND... 1966 01:19:46,444 --> 01:19:50,197 WHEN RITA AND NORMANGET MARRIED, 1967 01:19:50,178 --> 01:19:53,973 YOU HAVE TO DANCETHE FIRST DANCE WITH... 1968 01:19:53,952 --> 01:19:54,994 ME. 1969 01:19:59,000 --> 01:20:01,753 I ONLY DANCE WITH YOU. 135207

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.