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HEY! HOLD ON!
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WHOA. JUST IN TIME, HUH?
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JUST IN TIME.
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WAIT!
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I'M SORRY,I'M JUST...
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YOU KNOW THAT FEELING
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WHEN YOU'RE ABOUT TODROP A LETTER IN THE BOX,
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AND THEN YOU FREEZE,
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AND THEN THAT WEIRD VOICEIN YOUR HEAD YELLS "WAIT!"
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BUT WHAT AM I WAITING FOR?
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I DON'T KNOW.
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I MEAN, I'M NOT A KIDANYMORE, RIGHT?
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AND I CAN'T WAIT FOREVER.
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NEITHER CAN I.
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SORRY.
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I JUST DON'T WRITEA LOT OF LETTERS.
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SEE, IT'S LIKERIPPING OFF A BANDAGE,
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YOU JUST GOTTA DO IT FASTAND SCREAM, RIGHT?
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DON'T SCREAM.
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[LIGHT CHUCKLE]
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OKAY.
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WHAT GOOD IS A LETTERIF YOU DON'T MAIL IT?
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OKAY.
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HERE GOES!
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OKAY. BYE.
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[♪♪]
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[SERVER, GRAHAM]:ARE NOT.
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[SERVER, NIKKI]:ARE TOO.
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ARE NOT.
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WANNA BET?JUST LOOK AT THEM.
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THEY DANCE LIKETHEY KNOW THE STEPS,
32
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BUT THEY CAN'TFIND THEIR RHYTHM.
33
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MAYBE THEYKNOW THE STEPS
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BUT THEY'VE LOSTTHEIR RHYTHM?
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SOMETIMES THINGSCHANGE, I GUESS.
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BUT THAT WON'THAPPEN WITH US.
37
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"NIKKI AND GRAHAMFOREVER," RIGHT?
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[CHUCKLESAS CELL PHONE RINGS]
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AH, I GOTTA GET THIS.
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I'LL DOTHE APPETIZERS.
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THANKS.
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LOVE YOU.
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[PHONE BEEPS ON]
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HEY.
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NO. NOT YET.
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I NEED TO FIGURE OUTTHE BEST WAY TO DO THIS.
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I KNOW. I KNOW.
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BUT I'VE GOT THIS HANDLED.JUST TRUST ME.
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I LOVE YOU, TOO.
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[BEEPS PHONE OFF]
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[♪♪]
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[SOBBING]
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[TELEVISION PROGRAMPLAYS FAINTLY]
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NOW, HERE WE GO!
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NO...
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NO. NO.
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AHH!
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♪ OH, YEAH, BABY
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♪ LIKE A FOOL I WENTAND STAYED TOO LONG ♪
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♪ NOW I'M WONDERINGIF YOUR LOVE'S STILL STRONG ♪
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♪ OOH, BABY
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♪ HERE I AMSIGNED, SEALED, DELIVERED ♪
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♪ I'M YOURS
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♪ MM
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♪ THEN THAT TIME I WENTAND SAID GOODBYE ♪
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♪ NOW I'M BACKAND NOT ASHAMED TO CRY ♪
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♪ OOH, BABY
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♪ HERE I AM
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♪ SIGNED, SEALED, DELIVERED
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♪ I'M YOURS
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♪ AHH!
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♪ HERE I AM
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GOOD MORNING, EVERYONE.
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NORMAN, RITA, SHA--
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MS. McINERNEY.
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HAPPY MONDAY, OLIVER.
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[OLIVER]:ANYTHING PRESSING?
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UH, NO. JUST THE USUAL.
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EXCEPT FOR THIS.
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OH...
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[SNIFFING]
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HMM.
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PINE TAR...
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AND EVERGREEN.
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THE FLORIDA YEW, I BELIEVE?
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OH! THE FLORIDA YEW
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ONLY GROWS INNORTHERN FLORIDA,
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ON THE EASTERN SIDE OFTHE APALACHICOLA RIVER.
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SADLY, WE WILL NEVER KNOWTHAT STORY.
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NORMAN, WILL YOU DISPATCHTO THE MIAMI BRANCH?
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YOU GOT IT.
92
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OH! I MIGHT STOP BY PASSPORTS.
93
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ELEANOR GOTA NEW BLENDER
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AND SHE'S MAKINGSMOOTHIES.
95
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-DOES ANYBODY WANT ONE?-OOH. YES, PLEASE.
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I'M IN.
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I'M A YOO-HOO MAN, USUALLY,BUT I MIGHT TRY BRANCHING OUT.
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[NORMAN]: OH...
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'KAY.
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PERHAPS WE SHOULD USE THIS TIMETO, UM, GET A JUMP
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ON OUR "IMPOSSIBLY RIPPEDAND MANGLED" BOX.
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[♪♪]
103
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WE USUALLY DO THOSEAT THE END OF THE MONTH.
104
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UNLESS YOU WANT TO
105
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BRANCH OUTWITH THAT, TOO?
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[ANNOUNCEMENT BLARES]:OLIVER O'TOOLE, PLEASE REPORT
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IMMEDIATELY TO THE OFFICE OF POSTAL SECURITY.
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O'TOOLE TO O.P.S.
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WE SHALL SEE.
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SO, WHAT HAPPENED WITHYOUR DATE SATURDAY NIGHT?
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DID YOU WEAR THE PINK DRESS?
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YES.
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AND?WHAT HAPPENED AT THE END?DID HE KISS YOU?
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WELL...
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WELL, SOMETHING HAPPENED,
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'CAUSE HE ISDRINKING SMOOTHIES,
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AND HE ALMOSTCALLED YOU SHANE.
118
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NO, HE DIDN'T.
119
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YES, HE DID.HE SAID, AHEM--
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[AS OLIVER]:"GOOD MORNING, UH, SH--
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MS. McINERNEY."
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THERE WAS NO "SH--"
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I DIDN'T HEAR A "SH."
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[ANNOUNCEMENT]:SHANE McINERNEY TO THE FRONT DESK.
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SHANE McINERNEY.
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WHAT IS GOING ON TODAY?
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SHANE!
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DO I--?
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IT'S NIKKI.YOUR SERVER FROM SATURDAY NIGHT.
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UH-HUH.
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UH-HUH.
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THAT'S RIGHT. A DUCK.
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AND A CAN OF BEANS!
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BEANS.
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NEVER SEENANYTHING LIKE IT.
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UH-HUH. YEAH.
137
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YEAH. HE JUST ARRIVED.
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GOT IT.
139
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[HANGS UP]
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O'TOOLE.
141
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MR.KIMSICLE.
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GLAD TOHAVE YOU ABOARD.
143
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WE NEED A MANWHO KNOWS THE ROPES--
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THE SAILS,THE LAY OF THE LAND,
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THE WHOLE ENCHILADA,FROM STEM TO STERN.
146
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COULD YOU...ELABORATE?
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NOW, THAT IS WHAT I MEAN.
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WE NEED A SMART GUY AROUND HEREWHO KNOWS ABOUT ELABORATING.
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OH.
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FOUR DAYS AGO,
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AN UNIDENTIFIED PERPETRATOR
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REMOVED THE MAILFROM THIS MAILBOX
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AND REPLACED ITWITH A DUCK.
154
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UH, I BELIEVETHAT MAY BE A GOOSE.
155
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YOU'RE THINKINGALREADY.
156
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I LIKE THAT.
157
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[SNIFFS]THREE DAYS AGO,
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THE MAILWAS TAKEN FROM HERE
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AND REPLACED WITHTWO TINY PEOPLE IN A TENT.
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SO, A WEDDINGCAKE TOPPER,
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A GOOSE,
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AND MAY I ASSUMEA THIRD MAILBOX
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YIELDED A CANOF KIDNEY BEANS?
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AH, YES, YOU MAY.
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AND YOU MAYALSO ASSUME
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THAT YOU
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AND THAT WEIRD LITTLE TASK FORCEOF YOURS
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ARE GOING TO FIND THIS GUY.
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I'M NOT QUITE SURE
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THIS FALLS UNDER THE AEGISOF THE DEAD LETTER OFFICE.
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PERHAPS THE POLICE OR F.B.I.--
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O'TOOLE!
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IF WORD GETS OUT
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BEFORE WE KNOWWHAT WE'RE DEALING WITH,
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WE COULD HAVE RAMPANT HYSTERIARUNNING ALL OVER THE PLACE.
176
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WE NEED TO KEEP THIS IN-HOUSEAS LONG AS WE CAN.
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HAS ANYONE DUSTED THE BEANSFOR FINGERPRINTS?
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00:07:44,931 --> 00:07:47,264
THAT LITTLE GUY IN YOUR OFFICE,WITH THE SUITCASE,
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DOESN'T HE USUALLY DO THAT?
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YES, BUT--
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AND THE OTHER TWO,
182
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THE SKINNY ONEAND THAT "SHANE" GAL.
183
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MS. McINERNEY.
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00:07:57,055 --> 00:07:58,555
OH, SHE IS A LIVE-WIRE.
185
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NOTHIN' GETS PAST HER, HUH?
186
00:08:00,169 --> 00:08:02,961
NOT THAT I'M AWARE OF.
187
00:08:02,993 --> 00:08:05,326
SO THERE ARE NO OTHER LEADS?
188
00:08:05,360 --> 00:08:07,486
OH, JUST ONE.
189
00:08:07,519 --> 00:08:10,686
YEAH, THIS WAS FOUND SATURDAYIN BOX 458.
190
00:08:10,675 --> 00:08:14,008
IT'S SOME KINDOF FANCY LANGUAGE,
191
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LIKE GREEK OR PERUVIAN.
192
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IT'S LATIN.
193
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OR LATIN.
194
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I'M GUESSING
195
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THAT IS A CLUEOF MASSIVE PROPORTIONS.
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YES.
197
00:08:26,619 --> 00:08:29,369
YES, IT'S DEFINITELY A CLUE.
198
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[CHUCKLES]
199
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I LOVE THIS GUY!
200
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ONE MORE DAY.
201
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IF I HAD JUST WAITEDONE MORE DAY
202
00:08:36,418 --> 00:08:37,418
AND THOUGHT IT THROUGH,
203
00:08:37,456 --> 00:08:39,748
BUT NO, I HAD TO SEND IT.
204
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I HAD TO SAY IT--
205
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"LET'S GET MARRIED."
206
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THEN I GIVE IT TO THE MAILMANAND, FOR A FEW HOURS,
207
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I ACTUALLY FEEL,YOU KNOW... HOPE.
208
00:08:48,418 --> 00:08:50,376
UNTIL...
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00:08:50,369 --> 00:08:52,911
OH, GOD, IF HE GETS IT NOW,
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I'LL BE UTTERLYHUMILIATED,
211
00:08:55,061 --> 00:08:57,061
OR WORSE--MORTIFIED.
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00:08:57,095 --> 00:08:58,179
OR...
213
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WHAT'S WORSE--MORTIFIED OR PITIED?
214
00:09:00,833 --> 00:09:02,000
NIKKI,
215
00:09:02,037 --> 00:09:04,078
GETTING A LETTER BACKONCE IT'S MAILED
216
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IS ALMOST IMPOSSIBLE.
217
00:09:06,604 --> 00:09:07,979
THEN THAT'S IT.
218
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LISTEN.
219
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FILL THIS OUT,
220
00:09:12,956 --> 00:09:14,332
THEN HAVE THEM COME GET ME.
221
00:09:14,369 --> 00:09:17,910
I'LL WALK THIS ONTO THE FLOORAND I'LL LOOK FOR IT MYSELF.
222
00:09:22,590 --> 00:09:24,423
HEY! EVERYTHING OKAY?
223
00:09:24,417 --> 00:09:26,835
YEAH.STRANGE, THOUGH.
224
00:09:26,867 --> 00:09:29,326
IT WAS OUR WAITRESSFROM MONTALDO'S.
225
00:09:29,358 --> 00:09:31,525
SHE NEEDEDA FORM 10-67E.
226
00:09:32,805 --> 00:09:34,846
SO TELL MEABOUT THAT DINNER!
227
00:09:34,880 --> 00:09:36,047
WELL, LET'S SEE.
228
00:09:36,084 --> 00:09:37,959
START FROMTHE BEGINNING.
229
00:09:37,994 --> 00:09:42,370
HE WAS REALLY NERVOUS AT FIRST.
230
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AND THEN WE STARTED DANCINGAND THINGS GOT BETTER, UNTIL...
231
00:09:47,254 --> 00:09:48,629
UNTIL...?
232
00:09:48,665 --> 00:09:50,832
UNTIL WE STOPPED DANCING.
233
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[ROMANTIC INSTRUMENTAL PLAYSAS PATRONS QUIETLY CHAT]
234
00:09:55,808 --> 00:09:57,141
[OLIVER]:"THE WATER IS WIDE,
235
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"I CANNOT CROSS O'ER,
236
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AND NEITHER HAVE ITHE WINGS TO FLY..."
237
00:10:03,946 --> 00:10:06,362
"GIVE US A BOATTHAT CAN CARRY TWO
238
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"AND BOTH SHALL ROW
239
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TO YONDER SIDE."
240
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I'VE NEVER HEARD"TO YONDER SIDE."
241
00:10:18,851 --> 00:10:23,894
ISN'T IT "AND BOTH SHALL ROW,MY LOVE AND I"?
242
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IT'S, UH, AN ARCHAIC TUNE.
243
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TRADITIONAL LYRICS
244
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OFTEN EVOLVE OVER TIME.
245
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I JUST CHOSEAN ALTERNATE TRANSLATION.
246
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HUH.
247
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[DINERS APPLAUDING AS SONG ENDS]
248
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SHALL WE?
249
00:10:46,131 --> 00:10:47,089
THANK YOU.
250
00:10:51,405 --> 00:10:52,988
I SEE YOU'RE ENJOYINGTHE CHAMPAGNE?
251
00:10:53,024 --> 00:10:54,232
OH, YES,IT'S AMAZING.
252
00:10:54,270 --> 00:10:56,186
THE SERVICE HEREIS EXCELLENT.
253
00:10:56,221 --> 00:10:58,971
YOU HAVEN'T SEEN ANYTHING YET.JUST WAIT FOR THE SHOW.
254
00:10:59,003 --> 00:11:01,212
BY THE WAY, DO EITHER OF YOUHAVE ANY FOOD SENSITIVITIES?
255
00:11:01,246 --> 00:11:02,704
NO, WE DON'T.
256
00:11:02,741 --> 00:11:04,324
GOOD.
257
00:11:04,360 --> 00:11:06,943
WE HAVE ANAMUSE BOUCHEFOR YOU THIS EVENING--
258
00:11:06,976 --> 00:11:08,434
A SHRIMP-AND-SASHIMI CROUTON,
259
00:11:08,470 --> 00:11:10,220
COMPLIMENTS OF THE CHEF.
260
00:11:11,211 --> 00:11:12,627
"AMUSE BOUCHE."
261
00:11:12,663 --> 00:11:14,997
A MILLENNIAL PHENOMENON.
262
00:11:15,031 --> 00:11:16,198
[CHUCKLING]
263
00:11:16,235 --> 00:11:17,360
A WHAT?
264
00:11:17,356 --> 00:11:18,565
OH, HE JUST MEANS
265
00:11:18,601 --> 00:11:19,893
THAT PEOPLE WEREN'THAVING THEIR...
266
00:11:19,930 --> 00:11:23,013
"BOUCHES" AMUSEDBACK IN THE 20th CENTURY.
267
00:11:23,003 --> 00:11:25,253
[BOTH CHUCKLING]
268
00:11:26,241 --> 00:11:27,658
I KNEW IT.
269
00:11:27,694 --> 00:11:29,154
I'M SORRY?
270
00:11:29,189 --> 00:11:31,314
MY BOYFRIEND WORKS HERE, TOO,
271
00:11:31,307 --> 00:11:32,974
AND HE WAS SURE YOU GUYSWERE ON YOUR FIRST DATE,
272
00:11:32,968 --> 00:11:35,093
BUT I SAID NO WAY.
273
00:11:35,127 --> 00:11:37,293
I MEAN, WITH THE CHAMPAGNE,THE WAY YOU DANCE,
274
00:11:37,286 --> 00:11:38,453
AND TALK ABOUT EACH OTHER,
275
00:11:38,490 --> 00:11:39,740
THE WAY YOU EVEN KNOWEACH OTHER'S ALLERGIES,
276
00:11:39,777 --> 00:11:42,278
IT'S GOT TO BEYOUR ANNIVERSARY, RIGHT?
277
00:11:42,311 --> 00:11:44,311
NO, ACTUALLY,WE'RE JUST FRIENDS.
278
00:11:50,573 --> 00:11:51,573
UH, OF COURSE,
279
00:11:51,570 --> 00:11:53,903
"JUST" IS A RATHERIMPRECISE QUALIFIER.
280
00:11:53,894 --> 00:11:54,894
PERHAPS A MORE ACCURATE--
281
00:11:54,933 --> 00:11:56,975
DID YOU SAY SOMETHINGABOUT A SHOW?
282
00:11:57,009 --> 00:11:59,551
AH, RIGHT! WHAT'S MONTALDO'SWITHOUT THE SINGING WAITERS?
283
00:11:59,542 --> 00:12:01,208
ANY REQUESTS?
284
00:12:01,202 --> 00:12:04,869
YES, UH...HOW SOON CAN YOU START SINGING?
285
00:12:04,898 --> 00:12:08,064
OH, WHAT DO KNOW?THAT'S OUR CUE!
286
00:12:12,331 --> 00:12:13,998
[CRUNCHING LOUDLY]
287
00:12:15,486 --> 00:12:17,569
HE REALLY SAID THAT?"JUST FRIENDS"?
288
00:12:17,604 --> 00:12:18,854
YEP! ROLLED RIGHTOFF HIS TONGUE,
289
00:12:18,890 --> 00:12:20,349
LIKE HE WAS ASKINGFOR MORE BUTTER.
290
00:12:20,385 --> 00:12:21,344
OUCH.
291
00:12:21,381 --> 00:12:22,507
OH, IT GETS WORSE.
292
00:12:26,987 --> 00:12:28,946
YOU KNOW, UH, AHEM,
293
00:12:28,980 --> 00:12:31,230
I ACTUALLY DOHAVE AN ALLERGY--
294
00:12:31,264 --> 00:12:33,972
A SLIGHT SENSITIVITYTO ROSEHIP TEA,
295
00:12:34,004 --> 00:12:37,255
BUT I DON'T EXPECT YOUTO KNOW THAT.
296
00:12:37,286 --> 00:12:39,244
I'LL KEEP THAT IN MIND.
297
00:12:39,278 --> 00:12:41,236
NO ROSEHIPS.
298
00:12:41,271 --> 00:12:45,937
IT'S ALWAYS GOOD TO LEARNSOMETHING NEW ABOUT A FRIEND.
299
00:12:47,291 --> 00:12:49,292
SPEAKING OF ROSES,
300
00:12:49,327 --> 00:12:53,077
DID YOU EVER PLANT THAT CUTTINGFROM YOUR MOTHER'S ROSEBUSH?
301
00:12:53,105 --> 00:12:54,896
OH, YOU MEAN THE ONE THATYOU SO THOUGHTFULLY GAVE ME
302
00:12:54,932 --> 00:12:56,390
WHEN WE ALL WENT BACK EAST?
303
00:12:56,426 --> 00:12:58,051
YES.
304
00:12:58,087 --> 00:13:00,253
IT NEVER REALLY TOOK.
305
00:13:00,287 --> 00:13:02,287
I THINK IT DIED.
306
00:13:03,485 --> 00:13:04,902
OH, THAT'S A SHAME.
307
00:13:04,939 --> 00:13:07,147
I KNOW. I KNOW. I--
308
00:13:07,139 --> 00:13:09,056
I TRIED EVERYTHINGTO KEEP IT ALIVE.
309
00:13:09,090 --> 00:13:11,590
I WATERED IT, I FED IT,
310
00:13:11,623 --> 00:13:13,290
I TALKED TO IT.
311
00:13:13,284 --> 00:13:14,700
[SHARPLY]: I FERTILIZED IT.
312
00:13:14,737 --> 00:13:15,695
OH.
313
00:13:15,733 --> 00:13:18,567
YOU KNOW THEY SAYTHE BEST FERTILIZER--
314
00:13:19,927 --> 00:13:22,927
WHAT?
315
00:13:22,917 --> 00:13:26,334
UH, SOME BOTANISTS HAVE NOTEDTHAT ROSES TEND TO THRIVE
316
00:13:26,363 --> 00:13:28,071
WHEN LOCATED NEARTHE FINAL RESTING PLACE
317
00:13:28,065 --> 00:13:30,274
OF A FAMILY PET...[TRAILS OFF]
318
00:13:30,308 --> 00:13:32,891
YOU THINK I SHOULD PLANT
319
00:13:32,882 --> 00:13:35,216
A DEAD ANIMALUNDER MY ROSEBUSH?
320
00:13:35,208 --> 00:13:38,333
WELL, ONLY IF YOU HAD ONE.
321
00:13:40,066 --> 00:13:42,024
[ASTONISHED CHUCKLE]
322
00:13:42,058 --> 00:13:45,184
A PET SOUNDSPRETTY GOOD RIGHT NOW.
323
00:13:45,214 --> 00:13:48,131
[PIANO MUSIC RISES]
324
00:13:48,163 --> 00:13:49,829
[HOST]:LADIES AND GENTLEMEN,
325
00:13:49,865 --> 00:13:51,948
MONTALDO'S SUPPER CLUB PROUDLY PRESENTS
326
00:13:51,982 --> 00:13:53,982
AN EVENING OF MUSIC WITH YOUR TALENTED SERVERS.
327
00:13:54,017 --> 00:13:57,518
OPENING OUR SHOW,PLEASE WELCOME NIKKI AND GRAHAM.
328
00:13:57,546 --> 00:13:59,255
[SINGLE NOTE STRIKES]
329
00:13:59,290 --> 00:14:00,790
[AUDIENCE LAUGHS]
330
00:14:00,785 --> 00:14:03,452
♪ YOU'RE SO GOOD
331
00:14:03,484 --> 00:14:06,609
♪ YOU'RE TOO GOODFOR ME, YOU ARE ♪
332
00:14:06,598 --> 00:14:08,264
♪ YOU'RE THE BESTDARNED PERSON ♪
333
00:14:08,258 --> 00:14:11,426
♪ I HAVE KNOWN BY FAR
334
00:14:11,415 --> 00:14:13,457
♪ IF I COULD
335
00:14:13,490 --> 00:14:15,990
♪ YOU KNOW I'D NEVERTHROW THIS CURVE ♪
336
00:14:16,023 --> 00:14:17,731
♪ YOU'RE A GODDESS
337
00:14:17,725 --> 00:14:21,642
♪ AND I'M NOTWHAT YOU DESERVE ♪
338
00:14:22,707 --> 00:14:25,083
♪ WHAT I AM SAYING
339
00:14:25,117 --> 00:14:28,534
♪ IS OUR THING MUST END
340
00:14:28,522 --> 00:14:30,897
♪ AND THOUGH IT MUST
341
00:14:30,929 --> 00:14:35,096
♪ I WANT TO BE YOUR FRIEND
342
00:14:35,123 --> 00:14:36,498
[AUDIENCE LAUGHING]
343
00:14:36,493 --> 00:14:39,160
[NIKKI, POINTEDLY]:"FRIEND."FRIEND!
344
00:14:42,307 --> 00:14:43,349
♪ YOU WANT TO BE MY FRIEND?
345
00:14:43,386 --> 00:14:44,345
♪ SURE
346
00:14:44,382 --> 00:14:46,007
♪ YOU WANT TOBE MY FRIEND? ♪
347
00:14:46,043 --> 00:14:47,126
♪ OH, THAT'S NICE!
348
00:14:47,164 --> 00:14:50,372
♪ YOU WANT TO BE MY FRIEND?
349
00:14:50,403 --> 00:14:52,779
♪ I WANT A FATHERFOR MY UNBORN CHILDREN ♪
350
00:14:52,812 --> 00:14:55,020
♪ SOMEONE WHO'S IN TUNE
351
00:14:55,054 --> 00:14:56,929
♪ AND SINCEI'LL BE 29 NEXT MONTH ♪
352
00:14:56,922 --> 00:15:00,130
♪ I WANT HIM RATHER SOON
353
00:15:00,161 --> 00:15:01,494
♪ I WANT SOMEONETO BUY RUGS AND LAMPS WITH ♪
354
00:15:01,531 --> 00:15:03,031
♪ AND SOMEONEWHO'LL CO-SIGN... ♪
355
00:15:03,066 --> 00:15:05,109
WOW! THE WHOLE SONGWAS LIKE THAT?
356
00:15:05,144 --> 00:15:09,685
YEP. FRIENDS, COMMITMENT,DESPERATION, INFERTILITY...
357
00:15:09,711 --> 00:15:12,419
IT WAS LIKE GROUP THERAPYWITH SEAFOOD.
358
00:15:12,451 --> 00:15:13,451
OHH...
359
00:15:13,489 --> 00:15:15,239
IT TOOK A LITTLE TIME.
360
00:15:15,274 --> 00:15:17,692
ELEANOR'S BLENDERGOT STUCK ON "FRAPPE,"
361
00:15:17,725 --> 00:15:20,350
AND I PICKED UP YOUR MAILFOR YOU FROM THE P.O. BOX.
362
00:15:20,341 --> 00:15:22,466
OH, YOU ARE SO SWEET.
363
00:15:22,499 --> 00:15:24,416
"$50 A MONTHCAN SAVE
364
00:15:24,451 --> 00:15:25,492
"THE BOUVET ISLAND
365
00:15:25,530 --> 00:15:27,280
BURROWINGYELLOWTAIL OWL"?
366
00:15:27,316 --> 00:15:29,232
$50. WOW.
367
00:15:29,267 --> 00:15:30,892
OH, IT'SA VERY WORTHY CAUSE.
368
00:15:34,417 --> 00:15:37,458
HEY. UH, STRAWBERRY, MANGO,AND BLUEBERRY?
369
00:15:45,752 --> 00:15:47,168
[YOO-HOO LID POPS]
370
00:15:48,368 --> 00:15:51,201
[♪♪]
371
00:15:54,554 --> 00:15:56,554
[SHANE]: OLIVER...
372
00:15:56,547 --> 00:15:58,215
WHAT'S GOING ON?
373
00:16:10,664 --> 00:16:12,831
WE HAVE BEEN CHARGED
374
00:16:12,824 --> 00:16:16,199
WITH THE GRIM TASKOF INVESTIGATING
375
00:16:16,228 --> 00:16:18,520
THE SYSTEMATICAND, FRANKLY,
376
00:16:18,553 --> 00:16:20,970
BIZARRE PLUNDERINGOF THE UNITED STATES MAIL
377
00:16:20,962 --> 00:16:22,962
FROM OFFICIAL RECEPTACLESIN SOUTH DENVER.
378
00:16:22,954 --> 00:16:23,996
WOW.
379
00:16:24,034 --> 00:16:26,119
WHO WOULD DOSOMETHING LIKE THAT?
380
00:16:26,152 --> 00:16:28,277
IT DOES HAPPEN,I'M AFRAID.
381
00:16:28,311 --> 00:16:30,436
NOT LIKE THIS.
382
00:16:31,467 --> 00:16:33,717
THIS TIME IT'S PERSONAL.
383
00:16:38,568 --> 00:16:40,484
IT'S ONE OF OUR OWN.
384
00:16:43,715 --> 00:16:47,049
"FORSAN ET HAEC OLIM MEMINISSE JUVABIT"
385
00:16:47,078 --> 00:16:49,495
HAS BEEN ENGRAVEDON EVERY "DARK OF NIGHT" AWARD
386
00:16:49,529 --> 00:16:51,905
FOR OVER A HUNDRED YEARS--YOURS, MINE, MY GRANDFATHER'S.
387
00:16:51,937 --> 00:16:53,062
[RITA]:WHAT DOES IT MEAN?
388
00:16:53,100 --> 00:16:55,642
[OLIVER]: WELL,IT'S FROM VIRGIL'S EPIC POEM
389
00:16:55,674 --> 00:16:57,174
OF LOVE AND WAR.
390
00:16:57,210 --> 00:16:59,835
THEY ARE WORDS OF ENCOURAGEMENTTO A SHIPWRECKED ARMY.
391
00:16:59,868 --> 00:17:00,993
WHAT DOESBEING SHIPWRECKED
392
00:17:00,989 --> 00:17:03,572
HAVE TO DOWITH THE POST OFFICE?
393
00:17:03,604 --> 00:17:06,980
AH. COURAGEAND PERSEVERANCE, NORMAN.
394
00:17:07,009 --> 00:17:09,968
HALLMARKSOF EVERY POSTAL WORKER
395
00:17:09,999 --> 00:17:12,958
WHO'S PERFORMED HIS OR HER DUTYIN THE FACE OF GREAT ODDS
396
00:17:12,988 --> 00:17:14,822
AND RECEIVED ONE OF THESE.
397
00:17:14,856 --> 00:17:19,482
"PERHAPS ONE DAY IT WILL BE GOODTO REMEMBER THIS."
398
00:17:19,508 --> 00:17:20,591
[SHANE]:REMEMBER WHAT?
399
00:17:20,629 --> 00:17:24,254
BEANS, WEDDING CAKES,AND A... DUCK?
400
00:17:24,241 --> 00:17:25,949
IT'S A GOOSE.
401
00:17:25,985 --> 00:17:27,568
REALLY?
402
00:17:27,604 --> 00:17:28,896
MM-HMM.
403
00:17:28,932 --> 00:17:30,141
WELL, ALL WE NEEDIS A PARTIAL PRINT,
404
00:17:30,178 --> 00:17:32,053
AND THAT MIGHT BE ENOUGHTO RUN THROUGH A DATABASE.
405
00:17:32,088 --> 00:17:34,339
TOO BAD WE DON'T HAVE ONE.
406
00:17:35,452 --> 00:17:36,535
MS. McINERNEY?
407
00:17:36,531 --> 00:17:39,073
WELL, IT'S NOT IMPOSSIBLETO BREAK INTO
408
00:17:39,106 --> 00:17:40,356
THE FBI FINGERPRINT SYSTEM,
409
00:17:40,392 --> 00:17:43,226
BUT IT COULD TAKE SOME TIME--
410
00:17:43,257 --> 00:17:44,966
LIKE 30 YEARS TO LIFE.
411
00:17:45,001 --> 00:17:47,211
ARE YOU SUREWE CAN'T JUST CALL THE POLICE?
412
00:17:47,244 --> 00:17:48,453
WELL, LESTER WAS ADAMANT.
413
00:17:48,489 --> 00:17:49,948
HE ISN'T EASYTO SAY NO TO.
414
00:17:51,022 --> 00:17:52,355
NOTHING.
415
00:17:52,392 --> 00:17:53,559
THIS HAS BEEN WIPED CLEAN.
416
00:17:53,596 --> 00:17:54,971
THIS GUY KNOWS WHAT HE'S DOING.
417
00:17:55,008 --> 00:17:56,383
WE NEED SOMEONEFROM LAW ENFORCEMENT
418
00:17:56,420 --> 00:17:58,711
WHO CAN GIVE USA PSYCHOLOGICAL PROFILE
419
00:17:58,745 --> 00:18:00,704
OF THE SORT OF PERSONWE'RE DEALING WITH HERE.
420
00:18:00,739 --> 00:18:02,822
WE NEED, UH, WELL, WE NEED--
421
00:18:02,856 --> 00:18:04,523
A "FRIEND"? LIKE DALE?
422
00:18:04,558 --> 00:18:05,683
YES.
423
00:18:05,721 --> 00:18:07,096
OH, WHO'S HE?
424
00:18:07,133 --> 00:18:08,633
DALE IS A SHE.
425
00:18:08,668 --> 00:18:11,543
DALE SINGS IN A CHOIRAT OLIVER'S CHURCH.
426
00:18:11,575 --> 00:18:12,993
DALE IS LOVELY.
427
00:18:14,274 --> 00:18:16,566
WAIT. YOU WENTTO OLIVER'S CHURCH?
428
00:18:16,600 --> 00:18:17,933
MM-HMM. JUSTTO DROP SOMETHING OFF.
429
00:18:17,970 --> 00:18:19,053
HE INTRODUCED ME.
430
00:18:19,091 --> 00:18:20,299
SHE'S A SOPRANO.
431
00:18:20,337 --> 00:18:21,837
AND A POLICEOFFICER.
432
00:18:21,872 --> 00:18:25,164
WELL, TO BE ACCURATE,SHE WAS A POLICE OFFICER.
433
00:18:25,194 --> 00:18:27,528
SHE'S NOW A SPECIAL AGENT
434
00:18:27,520 --> 00:18:29,687
FOR THE STATE DIVISIONOF INVESTIGATIONS.
435
00:18:29,679 --> 00:18:31,095
WELL, SHE SOUNDS PERFECT.
436
00:18:31,132 --> 00:18:33,007
YES, SHE DOES.
437
00:18:35,492 --> 00:18:37,450
RITA...
438
00:18:37,485 --> 00:18:40,694
COULD YOU PACK UP THE BEANSAND THE CAKE TOPPER,
439
00:18:40,724 --> 00:18:42,099
AND THAT PIECEOF PAPER?
440
00:18:42,136 --> 00:18:44,011
AND MS. McINERNEY,BRING YOUR COMPUTER
441
00:18:44,045 --> 00:18:45,295
AND THE MAP OFVIOLATED MAILBOXES.
442
00:18:45,333 --> 00:18:46,833
IT'S NOT MUCH TO GO ON, BUT--
443
00:18:46,869 --> 00:18:48,660
OH, MY GOSH.
444
00:18:48,696 --> 00:18:49,821
OLIVER?
445
00:18:49,858 --> 00:18:51,774
I THINK WE HAVE A WITNESS.
446
00:18:54,219 --> 00:18:56,469
[♪♪]
447
00:19:01,028 --> 00:19:02,736
AND YOU'RE CERTAINYOU SAW HIM
448
00:19:02,729 --> 00:19:04,313
TAKE THE MAILFROM THAT BOX?
449
00:19:04,349 --> 00:19:05,308
POSITIVE!
450
00:19:05,345 --> 00:19:06,512
HE LOCKED UPAND STARTED WALKING AWAY,
451
00:19:06,550 --> 00:19:07,676
AND THAT'S WHENI CAUGHT UP WITH HIM.
452
00:19:07,713 --> 00:19:09,672
WOULD YOU BE ABLETO RECOGNIZE HIM?
453
00:19:09,706 --> 00:19:13,373
PROBABLY.HE SEEMED SORT OF... SAD.
454
00:19:13,401 --> 00:19:16,151
WHAT'S THIS ABOUT?
455
00:19:16,182 --> 00:19:17,349
WELL, THE GOOD NEWS IS,
456
00:19:17,345 --> 00:19:19,012
THE MAILYOU'RE TRYING TO RETRIEVE
457
00:19:19,006 --> 00:19:21,007
HAS NOT YET BEEN DELIVERED,
458
00:19:21,041 --> 00:19:22,833
BECAUSE IT'S NOT YETENTERED THE SYSTEM.
459
00:19:22,869 --> 00:19:24,619
THE UNFORTUNATE NEWS IS
460
00:19:24,653 --> 00:19:26,528
WE BELIEVE THAT MAILHAS BEEN INVOLVED
461
00:19:26,563 --> 00:19:28,813
IN A SERIESOF UNAUTHORIZED TRANSFERS.
462
00:19:28,805 --> 00:19:30,513
WHAT?
463
00:19:30,549 --> 00:19:32,466
SOMEBODY STOLEA BUNCH OF MAIL.
464
00:19:32,459 --> 00:19:34,126
WELL, YOU'VE GOTTAGET MINE BACK!
465
00:19:34,162 --> 00:19:35,787
WE ARE MAKING EVERY EFF--
466
00:19:35,823 --> 00:19:37,281
I HAVE TO GET IT BACK.IT'S REALLY IMPORTANT.
467
00:19:37,276 --> 00:19:39,943
THAT MAN HAS STOLEN HUNDREDS,IF NOT THOUSANDS OF LETTERS.
468
00:19:39,975 --> 00:19:42,184
I ASSURE YOU THAT EVERY ONEOF THEM MATTERS TO SOMEONE.
469
00:19:42,217 --> 00:19:44,592
THEY ALLMATTER TO US.
470
00:19:44,583 --> 00:19:47,918
NIKKI, THINK OF IT LIKE THIS,IF THE LETTER'S REALLY LOST,
471
00:19:47,947 --> 00:19:50,197
THEN AT LEAST GRAHAMWON'T READ IT NOW, RIGHT?
472
00:19:50,231 --> 00:19:51,814
BUT WHAT IF THE MAIL GUY DOES?
473
00:19:51,850 --> 00:19:53,225
[NIKKI SIGHS]
474
00:19:53,262 --> 00:19:55,720
I SHOULD NEVERHAVE MAILED THAT LETTER.
475
00:19:55,753 --> 00:19:57,544
AND I WOULDN'T HAVE,IF IT WEREN'T FOR HIM!
476
00:19:57,580 --> 00:19:58,538
WHAT DO YOU MEAN?
477
00:19:58,576 --> 00:20:00,576
OH, HE SAID SOMETHING ABOUT
478
00:20:00,611 --> 00:20:02,362
"WHAT GOOD IS A LETTERIF YOU NEVER MAIL IT?"
479
00:20:02,397 --> 00:20:03,814
[SHANE]:HE'S GOT A POINT.
480
00:20:05,303 --> 00:20:10,345
LOOK, YOU WERE IN LOVEAND YOU TOOK A RISK TO SAY SO.
481
00:20:13,068 --> 00:20:14,527
YOU PUT YOURSELF OUT THERE.
482
00:20:14,563 --> 00:20:16,604
BUT NOW THE LETTERIS OUT THERE...
483
00:20:16,639 --> 00:20:19,431
I HAVE TO GET IT BACK.
484
00:20:19,462 --> 00:20:20,962
I HAVE TO!
485
00:20:20,998 --> 00:20:24,665
WELL, SEEING AS YOU'VECOMPLETED FORM 67E,
486
00:20:24,693 --> 00:20:26,277
AS SOON ASTHE MAIL IS RECOVERED,
487
00:20:26,271 --> 00:20:27,271
WE WILL BE CERTAINTO RETURN IT TO YOU.
488
00:20:27,309 --> 00:20:28,644
IN THE MEANTIME,
489
00:20:28,680 --> 00:20:29,930
I'D LIKE YOU TO GO WITH NORMAN
490
00:20:29,925 --> 00:20:32,092
TO ASSIST IN CREATINGA SKETCH OF OUR SUSPECT.
491
00:20:32,127 --> 00:20:33,085
SURE.
492
00:20:33,081 --> 00:20:34,456
DO YOU LIKE SMOOTHIES?
493
00:20:43,587 --> 00:20:45,587
I THINK THERE'S SOMETHINGSHE'S NOT TELLING US.
494
00:20:45,620 --> 00:20:47,495
SO DO I.
495
00:20:50,354 --> 00:20:51,271
HI, RITA!
496
00:20:51,309 --> 00:20:52,267
OH--
497
00:20:52,306 --> 00:20:53,264
THIS IS NIKKI.
498
00:20:53,302 --> 00:20:55,011
OH! HELLO!
499
00:20:55,047 --> 00:20:56,088
HI.
500
00:20:56,126 --> 00:20:57,626
THAT LETTER SHE WANTS BACK,
501
00:20:57,662 --> 00:20:59,828
SHE THINKS SHE MAY HAVEGIVEN IT TO OUR PERP.
502
00:20:59,863 --> 00:21:02,405
[GASPS] WHOA.YOU MET THE PERP?
503
00:21:02,436 --> 00:21:04,520
HE DIDN'T SEEM LIKE A PERP.
504
00:21:04,554 --> 00:21:08,472
BUT THEN AGAIN, YOU NEVER REALLYKNOW SOMEBODY, DO YOU?
505
00:21:08,500 --> 00:21:09,708
I REALLY KNOW RITA.
506
00:21:13,066 --> 00:21:14,608
[♪♪]
507
00:21:14,603 --> 00:21:17,519
OH. I-- I REALLY LOVEYOUR BLOUSE.
508
00:21:17,550 --> 00:21:19,217
IT'S A BEAUTIFUL COLOR.
509
00:21:19,252 --> 00:21:20,461
THANK YOU.
510
00:21:20,498 --> 00:21:22,499
I NEVER USED TO WEAR BLUE,BUT I STARTED TO BECAUSE...
511
00:21:23,821 --> 00:21:26,279
BLUE IS MY BOYFRIEND'SFAVORITE COLOR.
512
00:21:26,312 --> 00:21:28,020
OH...
513
00:21:28,056 --> 00:21:29,597
MY EX-BOYFRIEND.
514
00:21:29,633 --> 00:21:31,258
OH...
515
00:21:31,294 --> 00:21:32,460
[SOBS]
516
00:21:32,498 --> 00:21:34,456
SMOOTHIE?
517
00:21:34,491 --> 00:21:36,367
STRAWBERRY, MANGO, BLUE--
518
00:21:36,402 --> 00:21:37,693
SHH!
519
00:21:37,689 --> 00:21:40,189
UH ...BERRY?
520
00:21:44,332 --> 00:21:47,457
[SHANE]:WOW. KIDNAPPING, EXTORTION,
521
00:21:47,488 --> 00:21:48,780
COUNTERFEITING...
522
00:21:48,817 --> 00:21:50,984
OH, WHEN YOU SAIDSHE WAS A POLICE OFFICER,
523
00:21:51,017 --> 00:21:53,017
I WAS THINKINGPARKING TICKETS.
524
00:21:53,052 --> 00:21:55,094
[AWKWARD CHUCKLE]
525
00:21:57,619 --> 00:22:00,244
DESSERT THE OTHER NIGHTWAS OUT OF THIS WORLD.
526
00:22:00,276 --> 00:22:01,776
YOU SHOULDHAVE TRIED IT.
527
00:22:01,771 --> 00:22:04,022
YES. IT LOOKEDQUITE APPETIZING.
528
00:22:04,056 --> 00:22:05,097
TRUST ME.
529
00:22:05,093 --> 00:22:06,260
IT WAS INCREDIBLE.
530
00:22:06,298 --> 00:22:08,089
MAYBE NEXT TIME IF WE--UH...
531
00:22:09,245 --> 00:22:10,328
OH, LOOK!
532
00:22:10,366 --> 00:22:12,074
DOESN'T THAT WOMANLOOK A LITTLE
533
00:22:12,068 --> 00:22:14,152
LIKE ELEANORIN PASSPORTS?
534
00:22:14,185 --> 00:22:16,520
[JAZZY BAND MUSIC RISES]
535
00:22:16,553 --> 00:22:18,970
[♪♪]
536
00:22:25,563 --> 00:22:27,730
[BOTH]: OOH!
537
00:22:29,881 --> 00:22:32,298
[♪♪]
538
00:22:34,574 --> 00:22:35,990
[ALL APPLAUDING]
539
00:22:36,027 --> 00:22:37,152
THAT WAS MICHAEL AND SOPHIA, LADIES AND GENTLEMEN.
540
00:22:37,189 --> 00:22:38,814
THEY'LL BE BACK LATER.
541
00:22:38,849 --> 00:22:40,683
MY GOODNESS!
542
00:22:40,718 --> 00:22:42,302
THAT WAS VIGOROUS.
543
00:22:42,337 --> 00:22:43,505
I THOUGHTTHEY WERE GREAT.
544
00:22:43,543 --> 00:22:45,626
I ALWAYS ENJOYA SPIRITED PERFORMANCE,
545
00:22:45,618 --> 00:22:47,785
BUT I GUESS I THOUGHTTHE ATMOSPHERE HERE
546
00:22:47,778 --> 00:22:50,778
WOULD BE A BIT MORE, UH,INTIMATE.
547
00:22:50,808 --> 00:22:52,892
WELL, THE LAST TIMEI WAS HERE--
548
00:22:52,925 --> 00:22:54,592
OH, YOU'VE BEEN HERE?
549
00:22:54,586 --> 00:22:56,254
WELL, UH... AHEM.
550
00:22:56,289 --> 00:22:58,414
I THINK THERE WASA SUNDAY BRUNCH
551
00:22:58,449 --> 00:23:00,282
I MAY HAVE ATTENDED.
552
00:23:00,317 --> 00:23:05,067
OR MAYBE IT WAS A LATELATE-AFTERNOON TEA-SLASH-DINNER.
553
00:23:05,050 --> 00:23:06,050
OH.
554
00:23:06,088 --> 00:23:09,046
YEAH, THE CHIEFOF POSTAL SECURITY,
555
00:23:09,078 --> 00:23:10,204
THAT MAN LESTER
556
00:23:10,240 --> 00:23:11,449
IN INTERNAL AFFAIRS,
557
00:23:11,486 --> 00:23:13,695
HE ASKED ME OUT.
558
00:23:13,728 --> 00:23:15,353
YOU CAME HEREWITH LESTER KIMSICLE?
559
00:23:15,389 --> 00:23:18,014
HE WANTED TOGET TO KNOW ME BETTER...
560
00:23:18,005 --> 00:23:21,422
FOR SECURITY REASONS,HE SAID.
561
00:23:22,489 --> 00:23:24,032
OH, YOU WEREON OFFICIAL BUSINESS?
562
00:23:24,067 --> 00:23:26,442
RIGHT.
563
00:23:26,476 --> 00:23:27,726
[RELIEVED SIGH]
564
00:23:27,763 --> 00:23:30,971
AND, IN THE INTERESTOF FULL DISCLOSURE,
565
00:23:31,001 --> 00:23:32,959
I WAS HERE ONCE WITH STEVE.
566
00:23:34,281 --> 00:23:35,365
STEVE?
567
00:23:35,402 --> 00:23:37,362
YOUR OLD FLAMEFROM WASHINGTON?
568
00:23:37,396 --> 00:23:38,521
HE WAS HERE?
569
00:23:39,762 --> 00:23:42,471
THIS IS WHEREWE OFFICIALLY BROKE UP.
570
00:23:42,502 --> 00:23:43,586
[AWKWARD CHUCKLE]
571
00:23:43,623 --> 00:23:45,582
RIGHT THERE.
572
00:23:45,616 --> 00:23:48,075
THAT TABLE WITHTHE LADY AND THE LOBSTER.
573
00:23:48,107 --> 00:23:49,899
I SEE.
574
00:23:49,936 --> 00:23:52,311
IT WAS WHEN I FIRSTMOVED TO DENVER,
575
00:23:52,343 --> 00:23:54,635
AND HE HAD FLOWN INTO CHANGE MY MIND,
576
00:23:54,669 --> 00:23:57,710
BUT BY THEN,I HAD MET YOU-- GUYS,
577
00:23:57,741 --> 00:23:58,824
AND...
578
00:23:58,862 --> 00:24:00,279
I TOLD HIMIT WAS OVER
579
00:24:00,315 --> 00:24:02,940
AND HE SHOULD GO BACK TO D.C.
580
00:24:02,972 --> 00:24:04,598
I'M SORRY
581
00:24:04,634 --> 00:24:06,342
I...
582
00:24:06,336 --> 00:24:07,419
CHOSE A PLACE
583
00:24:07,457 --> 00:24:11,499
FRAUGHT WITH SO MANY MEMORIESFOR OUR FIRST...
584
00:24:11,485 --> 00:24:13,401
UH...
585
00:24:13,436 --> 00:24:15,811
OUR FIRST...
586
00:24:15,803 --> 00:24:17,846
OUR FIRST...?
587
00:24:17,879 --> 00:24:21,588
I WONDER WHERE THE GENTLEMEN'SCONVENIENCE MIGHT BE.
588
00:24:21,616 --> 00:24:23,241
OH, IT'SRIGHT OVER THERE.
589
00:24:24,398 --> 00:24:26,106
PROBABLY.
590
00:24:26,142 --> 00:24:27,767
[NIKKI]:♪ THE MAN LEAVES
591
00:24:27,803 --> 00:24:28,844
THANK YOU.
592
00:24:28,882 --> 00:24:32,050
♪ AND I'M ON MY OWN
593
00:24:33,076 --> 00:24:40,618
♪ I JUST SITAND SIMPLY WATCH THE DOOR ♪
594
00:24:40,633 --> 00:24:42,341
♪ AND TELL MYSELF...
595
00:24:42,377 --> 00:24:46,211
WAS IT, UH, CUSTARD,CURD, OR MERINGUE?
596
00:24:46,239 --> 00:24:48,197
I'M SORRY?
597
00:24:49,187 --> 00:24:50,520
THE DESSERT.
598
00:24:50,515 --> 00:24:55,015
SEE, I PREFER A FILLINGWITH CUSTARD OR A GOOD CURD.
599
00:24:55,041 --> 00:24:57,667
MERINGUE ALWAYS SEEMSA WASTE OF A GOOD EGG.
600
00:24:58,986 --> 00:25:00,486
IT WAS A CUSTARD
601
00:25:00,522 --> 00:25:02,480
WITH A CURD GLAZE.
602
00:25:03,594 --> 00:25:04,969
AH.
603
00:25:04,964 --> 00:25:05,964
OLIVER!
604
00:25:07,082 --> 00:25:08,291
HELLO!
605
00:25:08,327 --> 00:25:10,161
HI!
606
00:25:11,940 --> 00:25:13,399
YOU REMEMBER SHANE.
607
00:25:13,435 --> 00:25:16,185
YES, OF COURSE!COME ON IN.
608
00:25:16,217 --> 00:25:18,342
-PLEASE.-THANK YOU.
609
00:25:23,359 --> 00:25:25,901
[DALE]:WELL, HE'S EDUCATED.
610
00:25:25,933 --> 00:25:27,933
YOU DON'T GET A LOT OFRANSOM NOTES IN LATIN.
611
00:25:27,968 --> 00:25:30,384
BUT YOU DON'T WANT TOMAKE A FORMAL REPORT?
612
00:25:30,376 --> 00:25:31,418
WELL, FOR NOW,
613
00:25:31,456 --> 00:25:32,622
I WAS HOPINGWE MIGHT HAVE
614
00:25:32,659 --> 00:25:34,534
A RHETORICAL CONVERSATIONABOUT THE SORT OF PERSON
615
00:25:34,570 --> 00:25:36,361
WHO MIGHT DO THIS.
616
00:25:36,396 --> 00:25:37,729
OKAY,
617
00:25:37,766 --> 00:25:39,142
WELL, FROM WHAT I CAN TELL,
618
00:25:39,179 --> 00:25:40,345
THIS RHETORICAL PERSON
619
00:25:40,341 --> 00:25:42,091
PROBABLY WORKSFOR THE POST OFFICE.
620
00:25:42,127 --> 00:25:43,835
OLIVER FIGURED THAT OUTRIGHT AWAY,
621
00:25:43,870 --> 00:25:46,037
AND WE HAVE A DESCRIPTIONFROM SOMEONE
622
00:25:46,071 --> 00:25:47,988
WHO HANDED OUR SUSPECTTHE LETTER ON SATURDAY NIGHT.
623
00:25:48,023 --> 00:25:50,481
MALE, GRAY HAIR,PROBABLY OVER 60 YEARS OLD,
624
00:25:50,514 --> 00:25:52,640
AND HE SAID SOMETHINGTO OUR WITNESS
625
00:25:52,632 --> 00:25:54,173
LIKE, UH,
626
00:25:54,210 --> 00:25:55,960
"WHAT GOOD IS A LETTERIF YOU DON'T MAIL IT?"
627
00:25:55,995 --> 00:25:57,453
[CHUCKLES]
628
00:25:57,490 --> 00:25:59,365
WELL, THAT SOUNDSLIKE A PHILOSOPHER
629
00:25:59,399 --> 00:26:01,941
WHO'S TIRED OF DREAMING.
630
00:26:01,932 --> 00:26:03,974
HE WANTS SOMETHING,HE KNOWS YOU WANT THE MAIL BACK,
631
00:26:04,008 --> 00:26:05,009
SO HE'S KEEPING IT HOSTAGE.
632
00:26:05,047 --> 00:26:06,672
YOU THINKHE MIGHT BE DANGEROUS?
633
00:26:06,708 --> 00:26:08,999
IT'S POSSIBLE.
634
00:26:09,033 --> 00:26:10,116
OH, DEAR.
635
00:26:10,154 --> 00:26:11,904
SO WE'RE LOOKINGFOR POSTAL CARRIERS
636
00:26:11,897 --> 00:26:13,939
THAT ARE OVER 60AND DEPRESSED?
637
00:26:13,973 --> 00:26:15,932
[CHUCKLES] WELL,THAT SHOULD NARROW IT DOWN.
638
00:26:15,966 --> 00:26:18,050
YOU'VE GOT A LITTLE MORETO GO ON THAN THAT.
639
00:26:18,083 --> 00:26:20,418
YOU HAVE A CAKE-TOPPER,SOME BEANS, AND...
640
00:26:20,451 --> 00:26:22,951
WHAT IS THIS? A GOOSE?
641
00:26:22,984 --> 00:26:24,359
YES.
642
00:26:24,396 --> 00:26:27,646
HMM. REMEMBER,THIS ISN'T ABOUT THE MAIL.
643
00:26:27,675 --> 00:26:30,217
HE'S PLAYING A GAME.
644
00:26:30,250 --> 00:26:32,501
HE'S NOT JUST SENDING THISTO ANYBODY AT THE POST OFFICE.
645
00:26:32,534 --> 00:26:35,076
HE WANTS SOMEBODY IN PARTICULARTO FIGURE THIS OUT,
646
00:26:35,109 --> 00:26:38,109
AND HE WANTS TO PROVE THATHE'S JUST AS SMART AS THEY ARE.
647
00:26:38,139 --> 00:26:40,806
SO, HE KNOWS THEM?
648
00:26:40,838 --> 00:26:43,796
OH, YES.AND HE HATES THEM.
649
00:26:43,828 --> 00:26:46,954
SO, IF WE DON'TFIGURE OUT THE GAME,
650
00:26:46,942 --> 00:26:48,400
HE'S JUST GONNAKEEP STEALING MAIL
651
00:26:48,437 --> 00:26:49,937
AND LEAVINGWEIRD STUFF BEHIND?
652
00:26:49,932 --> 00:26:51,015
I DON'T THINK SO.
653
00:26:51,053 --> 00:26:53,303
YOU SEE, THE LATIN QUOTATIONIS DIFFERENT
654
00:26:53,336 --> 00:26:54,628
FROM THE OTHER CLUES.
655
00:26:54,665 --> 00:26:57,081
THIS LITERALLY SAYS"REMEMBERTHIS,"BUT--
656
00:26:57,072 --> 00:26:58,447
BUT...
657
00:26:58,484 --> 00:26:59,735
THERE'SAN ALTERNATE TRANSLATION.
658
00:26:59,731 --> 00:27:01,564
YES!
659
00:27:01,557 --> 00:27:03,682
"PERHAPS SOMEDAYIT WILL BE GOOD
660
00:27:03,717 --> 00:27:05,300
TO REMEMBER THESE THINGS."
661
00:27:05,336 --> 00:27:07,669
THESE THINGS!
662
00:27:07,702 --> 00:27:09,244
RIGHT.
663
00:27:09,280 --> 00:27:10,697
DOES THE POST OFFICEKEEP A RECORD
664
00:27:10,692 --> 00:27:12,360
OF THE PEOPLE THAT HAVE WONTHE DARK OF NIGHT AWARD?
665
00:27:12,395 --> 00:27:13,562
I RAN A SEARCHOF THE LIST
666
00:27:13,599 --> 00:27:14,682
ON THE WAY OVER HERE,
667
00:27:14,678 --> 00:27:15,803
AND I FILTERED FOR
668
00:27:15,841 --> 00:27:17,882
DUCKS, GEESE,CAKE DECORATIONS,
669
00:27:17,917 --> 00:27:19,000
KIDNEY BEANS, BEANS,
670
00:27:19,038 --> 00:27:20,455
YOU NAME IT,AND ALL I GOT
671
00:27:20,491 --> 00:27:22,950
WAS A HUNDRED YEARSOF RECIPIENTS AND DATES.
672
00:27:22,982 --> 00:27:25,983
OH, AND A VERY NICE ARTICLEABOUT US HERE, OLIVER,
673
00:27:25,972 --> 00:27:26,972
WHEN WE GOT OURS.
674
00:27:27,010 --> 00:27:28,593
OH.
675
00:27:28,630 --> 00:27:30,797
YOU NEVER MENTIONED THAT.
676
00:27:30,830 --> 00:27:33,789
OH, WELL, IT WAS A BIT OFA MIRACLE, FRANKLY.
677
00:27:33,778 --> 00:27:35,278
[OLIVER AND DALE CHUCKLE]
678
00:27:35,314 --> 00:27:36,773
OLIVER...
679
00:27:36,768 --> 00:27:37,809
WHAT DID YOUR GRANDFATHER
680
00:27:37,847 --> 00:27:40,056
RECEIVE HIS DARK OF NIGHT AWARDFOR?
681
00:27:40,090 --> 00:27:42,340
HE GAVE UP CHRISTMAS EVEWITH HIS FAMILY
682
00:27:42,374 --> 00:27:43,665
TO STAYIN THE TERMINAL ANNEX
683
00:27:43,702 --> 00:27:45,702
TO HELP A DAMAGEDSHIPMENT OF...
684
00:27:45,737 --> 00:27:48,237
OF GOOSE EGGSHATCH OVERNIGHT!
685
00:27:48,228 --> 00:27:50,269
AND THE KIDNEY BEANS?
686
00:27:50,303 --> 00:27:53,804
WHY KIDNEY BEANS,WHY NOT PINTO OR LIMA?
687
00:27:53,834 --> 00:27:56,834
BECAUSE YOU AND IAND NORMAN AND RITA
688
00:27:56,864 --> 00:27:58,073
HELPED A GIRL WHO NEEDED--
689
00:27:58,110 --> 00:28:00,194
[OVERLAPPING]:...A KIDNEY TRANSPLANT!
690
00:28:01,223 --> 00:28:02,973
OLIVER,
691
00:28:03,009 --> 00:28:04,509
WHAT DID YOUR FATHERGET HIS FOR?
692
00:28:04,504 --> 00:28:06,505
OH, HE NEVER RECEIVED ONE.
693
00:28:06,539 --> 00:28:08,830
WELL, YES, HE DID.
694
00:28:08,822 --> 00:28:11,364
I MEAN, IT'S RIGHT HERE--
695
00:28:11,397 --> 00:28:14,355
"JOSEPH HENRY O'TOOLE".THAT'S HIM, RIGHT?
696
00:28:14,386 --> 00:28:15,469
YES, BUT...
697
00:28:17,002 --> 00:28:19,127
THAT'S IT.HE'S TARGETING O'TOOLES.
698
00:28:21,238 --> 00:28:23,613
I NEED TO FIND MY FATHER.
699
00:28:31,950 --> 00:28:33,867
[♪♪]
700
00:28:33,902 --> 00:28:35,902
[SLURPING]
701
00:28:37,348 --> 00:28:39,390
I THINK HIS EYESWERE FURTHER APART.
702
00:28:39,424 --> 00:28:41,132
OKAY.
703
00:28:45,859 --> 00:28:47,735
WHAT ABOUT THE SH--
704
00:28:47,770 --> 00:28:49,728
[SLURPING]
705
00:28:49,804 --> 00:28:52,221
[♪♪]
706
00:29:01,306 --> 00:29:03,806
THAT'S HER FOURTHBLUEBERRY SMOOTHIE.
707
00:29:05,167 --> 00:29:08,542
I THOUGHT BLUEMADE HER SAD.
708
00:29:08,572 --> 00:29:10,322
[RITA]: YEAH, WELL...
709
00:29:10,357 --> 00:29:11,399
THAT'S WHAT WE DO
710
00:29:11,437 --> 00:29:14,229
WHEN WE'RE GRIEVINGA RELATIONSHIP, NORMAN.
711
00:29:14,261 --> 00:29:16,094
WE REREADALL THE OLD LOVE LETTERS,
712
00:29:16,129 --> 00:29:18,837
WE REVISIT ALL THE OLD PLACES.
713
00:29:18,869 --> 00:29:21,077
WE SEE SOMETHINGLIKE THE COLOR BLUE
714
00:29:21,111 --> 00:29:24,778
OR WE HEAR A CERTAIN SONGAND...
715
00:29:24,806 --> 00:29:27,599
WE CRY.
716
00:29:29,416 --> 00:29:30,500
"WE"?
717
00:29:32,405 --> 00:29:36,364
DID YOU BREAK UPWITH SOMEBODY BEFORE ME?
718
00:29:36,350 --> 00:29:37,975
YEAH. YEAH.
719
00:29:38,010 --> 00:29:40,094
BOB.
720
00:29:41,499 --> 00:29:43,958
YOU DATED A GUY NAMED BOB?
721
00:29:43,990 --> 00:29:46,532
UH...
722
00:29:46,565 --> 00:29:47,856
YEAH.
723
00:29:48,972 --> 00:29:51,222
WHY DIDN'T YOUTELL ME THIS BEFORE?
724
00:29:52,792 --> 00:29:55,418
'CAUSE I'M TELLINGYOU NOW! [CHUCKLES]
725
00:29:55,450 --> 00:29:57,825
I DATEDA GUY NAMED BOB.
726
00:29:57,858 --> 00:29:59,650
UH, HE USED TOWORK AT THE ZOO,
727
00:29:59,685 --> 00:30:01,560
AND THEN HE GOTA JOB OFFER
728
00:30:01,595 --> 00:30:03,178
AT THE BOUVET ISLANDANIMAL RESERVE,
729
00:30:03,214 --> 00:30:04,839
AND HE SAID THAT
730
00:30:04,875 --> 00:30:07,166
ANTARCTICA WASN'T A PLACEFOR A GIRL LIKE ME,
731
00:30:07,200 --> 00:30:10,201
AND-- AND THAT WE SHOULDBREAK UP, YEAH.
732
00:30:10,232 --> 00:30:15,023
OH, SO, YOU WENT OUT, UH,A COUPLE OF TIMES?
733
00:30:15,048 --> 00:30:16,465
WELL, HE LIKED TO TALK.
734
00:30:16,501 --> 00:30:17,460
UH, HE HAD A LOT TO SAY.
735
00:30:17,497 --> 00:30:18,456
[CHUCKLING]
736
00:30:18,494 --> 00:30:19,994
WELL, HOW LONG DID HE TALK FOR?
737
00:30:20,030 --> 00:30:21,531
A MONTH? A YEAR?
738
00:30:21,568 --> 00:30:23,318
NORMAN...
739
00:30:24,764 --> 00:30:27,431
FORGET IT.
740
00:30:27,463 --> 00:30:29,838
HE'S OLD NEWS ANYWAYS,RIGHT?
741
00:30:29,871 --> 00:30:31,579
YEAH.
742
00:30:31,615 --> 00:30:33,657
PRETTY MUCH.
743
00:30:33,650 --> 00:30:35,651
HE'S THE GUY THATI SEND MONEY TO EVERY MONTH,
744
00:30:35,684 --> 00:30:38,809
TO HELP SAVE THE BOUVET ISLANDBURROWING YELLOWTAIL OWL.
745
00:30:40,128 --> 00:30:42,961
YOU SEND YOUR OLD BOYFRIEND$50 A MONTH?
746
00:30:42,950 --> 00:30:45,742
I DON'T LOOK AT ITLIKE THAT ANYMORE,
747
00:30:45,773 --> 00:30:46,940
BUT HE'S DOINGGOOD WORK,
748
00:30:46,978 --> 00:30:49,145
AND YOU KNOW HOWI FEEL ABOUT OWLS.
749
00:30:50,134 --> 00:30:51,093
YES, BUT--
750
00:30:51,089 --> 00:30:52,922
NIKKI?
751
00:30:54,203 --> 00:30:57,744
DID YOU NEEDANOTHER SMOOTHIE?
752
00:30:57,774 --> 00:30:58,941
[THUD]
753
00:30:58,977 --> 00:31:01,519
THERE AREN'T ENOUGH SMOOTHIESIN THE WORLD.
754
00:31:03,048 --> 00:31:04,464
HERE.
755
00:31:04,501 --> 00:31:07,084
WOULD YOU LIKETO TALK ABOUT IT?
756
00:31:11,227 --> 00:31:14,102
WE WERE CLOSING UPAND HE SAID HE WANTED TO TALK.
757
00:31:16,750 --> 00:31:18,208
ARE YOU OKAY?
758
00:31:18,245 --> 00:31:19,786
NIKKI, I, UH...
759
00:31:19,822 --> 00:31:21,114
WHAT IS IT?
760
00:31:22,355 --> 00:31:24,438
YOU ARE THE BEST FRIENDI'VE EVER HAD.
761
00:31:24,472 --> 00:31:27,138
AND WHENWE SING TOGETHER,
762
00:31:27,171 --> 00:31:29,797
IT'S LIKE WE WERE BORNTO BE A TEAM.
763
00:31:29,829 --> 00:31:31,287
I KNOW.
764
00:31:31,324 --> 00:31:33,449
NOW WE'VE BEEN DATINGFOR, I DON'T KNOW--
765
00:31:33,482 --> 00:31:35,774
A YEAR NEXT TUESDAY.BUT?
766
00:31:35,766 --> 00:31:38,641
THERE'S A "BUT" COMING,I CAN FEEL IT.
767
00:31:38,673 --> 00:31:41,006
IT'S JUST THAT...
768
00:31:41,039 --> 00:31:43,665
[SIGHS]
769
00:31:44,901 --> 00:31:46,651
THINGS HAVE CHANGED.
770
00:31:49,593 --> 00:31:51,593
OH, GOD.
771
00:31:52,624 --> 00:31:54,165
YOU'RE GONNA BREAK MY HEART,AREN'T YOU?
772
00:31:54,201 --> 00:31:55,577
LET ME EXPLAIN.
773
00:31:55,614 --> 00:31:57,447
I COULDN'T STAND THERE AND LISTEN
774
00:31:57,483 --> 00:31:58,608
TO ANOTHER GUY TELL ME
775
00:31:58,644 --> 00:32:00,269
"IT'S ALL MOVING TOO FAST,"
776
00:32:00,306 --> 00:32:02,806
OR HE'S MET SOMEBODY ELSE...
777
00:32:04,499 --> 00:32:07,249
OR HE NEEDS TO BE FREE.
778
00:32:08,319 --> 00:32:10,445
SO I RAN AWAY.
779
00:32:10,478 --> 00:32:13,562
AND HE DIDN'T EVEN FOLLOW ME.
780
00:32:13,592 --> 00:32:15,759
SO I JUST KEPT GOING.
781
00:32:15,793 --> 00:32:17,376
[SIGHING HEAVILY]
782
00:32:18,574 --> 00:32:20,741
WE'RE SUPPOSED TO FOLLOW?
783
00:32:20,775 --> 00:32:22,275
YES!
784
00:32:22,311 --> 00:32:24,104
LIKE IN THE MOVIES.
785
00:32:24,098 --> 00:32:26,223
I'VE BEEN WATCHINGTHE WRONG MOVIES.
786
00:32:26,257 --> 00:32:27,882
-[DOOR OPENS] YEAH.-[SHANE]: WE'RE BACK!
787
00:32:27,917 --> 00:32:29,042
HI!
788
00:32:29,080 --> 00:32:30,413
HOW DID IT GOWITH YOUR FRIEND?
789
00:32:30,408 --> 00:32:32,075
IT WAS VERY ENLIGHTENING.
790
00:32:32,111 --> 00:32:35,527
YES, IT WAS.
791
00:32:35,557 --> 00:32:37,308
NORMAN,HOW GOES THE SKETCH?
792
00:32:37,343 --> 00:32:39,218
OH! WELL...
793
00:32:39,212 --> 00:32:41,462
IT'S TAKING LONGERTHAN I THOUGHT.
794
00:32:41,495 --> 00:32:42,537
WHATEVER YOU DO,
795
00:32:42,533 --> 00:32:44,450
DON'T MENTIONTHE COLOR BLUE.
796
00:32:45,522 --> 00:32:46,689
UH, MISS BERGENS.
797
00:32:46,685 --> 00:32:50,186
UH, I HEAR YOU'RE DEALINGWITH A BROKEN HEART TODAY.
798
00:32:50,214 --> 00:32:53,089
SORRY THATYOU'RE HURTING.
799
00:32:53,121 --> 00:32:54,871
I DO KNOW HOW THAT FEELS.
800
00:32:54,907 --> 00:32:56,282
HOWEVER--
801
00:32:56,318 --> 00:32:58,277
[PHONE RINGS]
802
00:33:01,135 --> 00:33:02,969
OLIVER O'TOOLE.
803
00:33:03,004 --> 00:33:04,045
IT'S HIM!
804
00:33:04,083 --> 00:33:05,958
[GASPING COLLECTIVELY]
805
00:33:05,993 --> 00:33:07,993
YOU FIGURED ITOUT YET, SONNY?
806
00:33:08,027 --> 00:33:10,402
SIR, WHOEVER YOU ARE,YOU ARE IN VIOLATION OF--
807
00:33:10,435 --> 00:33:13,185
YOU'D BETTER GET ON THE BALLAND WISE UP, JUNIOR,
808
00:33:13,217 --> 00:33:15,050
OR YOU'RE NEVER GONNASEE THAT MAIL AGAIN!
809
00:33:15,086 --> 00:33:16,169
NOW, SEE HERE. YOU--
810
00:33:16,207 --> 00:33:18,374
NO, YOU SEE!IF YOU CAN.
811
00:33:18,408 --> 00:33:20,700
I'LL BE WAITINGFOR YOU. [CLICK]
812
00:33:20,733 --> 00:33:22,358
HELLO?
813
00:33:22,394 --> 00:33:23,727
I DIDN'THEAR IT ALL.
814
00:33:23,764 --> 00:33:25,264
HE CALLED HIM"JUNIOR".
815
00:33:25,300 --> 00:33:26,300
[RITA GASPS]
816
00:33:26,338 --> 00:33:28,547
HE SAID THAT IF WE DIDN'TKEEP UP WITH HIM,
817
00:33:28,539 --> 00:33:30,206
WE'D NEVERSEE THE MAIL AGAIN.
818
00:33:30,200 --> 00:33:32,367
NO! YOU CAN'T LET HIMHAVE THOSE LETTERS!
819
00:33:32,401 --> 00:33:34,692
YOU'VE GOT TOGET MINE BACK.
820
00:33:34,726 --> 00:33:36,018
YOU HAVE TO.
821
00:33:36,013 --> 00:33:37,346
MISS BERGENS, I UNDERSTAND
822
00:33:37,383 --> 00:33:38,799
THE PERSONAL NATUREOF YOUR LETTER,
823
00:33:38,836 --> 00:33:41,544
BUT IT'S UNLIKELY THAT HE'S READEVERY LETTER HE'S PURLOINED.
824
00:33:41,576 --> 00:33:43,994
FACT IS, HE'S MUCH MORE LIKELYTO DESTROY THEM, I'M AFRAID.
825
00:33:44,026 --> 00:33:46,526
IT'S NOTJUST WHAT I SAID,
826
00:33:46,559 --> 00:33:48,392
IT'S WHAT'S IN IT.
827
00:33:48,428 --> 00:33:50,345
WHAT'S IN THE LETTER?
828
00:33:54,324 --> 00:33:56,490
$50,000.
829
00:33:57,604 --> 00:33:58,688
[OLIVER]: FORGIVE ME.
830
00:33:58,725 --> 00:34:00,767
YOU SAID THE CARDYOU MAILED TO YOUR BOYFRIEND
831
00:34:00,802 --> 00:34:02,593
CONTAINED $50,000?
832
00:34:02,586 --> 00:34:04,253
OH,EX-BOYFRIEND.
833
00:34:04,247 --> 00:34:05,247
BUT I MAILED IT
834
00:34:05,244 --> 00:34:08,577
SIX HOURS BEFOREHE TURNED INTO MY EX.
835
00:34:08,565 --> 00:34:10,650
WELL, IT'S A NICEWAY TO SAY GOODBYE.
836
00:34:10,683 --> 00:34:11,600
CAN'T YOU JUST
837
00:34:11,639 --> 00:34:12,722
STOP PAYMENTON THE CHECK?
838
00:34:12,760 --> 00:34:13,718
IT'S NOT A CHECK.
839
00:34:13,756 --> 00:34:15,381
OUR ONE-YEAR ANNIVERSARYWAS COMING UP
840
00:34:15,417 --> 00:34:17,376
AND HE LOVES GETTING MAIL,
841
00:34:17,409 --> 00:34:19,701
SO I MADE HIM A CARDAND I WROTE,
842
00:34:19,735 --> 00:34:21,693
"WHEN I MET YOU, IT WASLIKE WINNING THE LOTTERY."
843
00:34:21,728 --> 00:34:23,979
AND ONTHE INSIDE I PUT--
844
00:34:24,012 --> 00:34:25,096
UH-OH.
845
00:34:25,133 --> 00:34:27,467
YEAH. A LOTTERY TICKET.
846
00:34:27,499 --> 00:34:31,666
THEN WE BROKE UP,AND I WAS WALKING HOME AND...
847
00:34:33,022 --> 00:34:36,522
YOU KNOW THE WEATHERMANWHO DOES THE LOTTERY NUMBERS?
848
00:34:36,551 --> 00:34:37,593
RAMON RODRIGUEZ!
849
00:34:37,631 --> 00:34:39,089
WE KNOW RAMON.
850
00:34:40,371 --> 00:34:42,371
[RAMON]:THAT'S RIGHT, SARAH, THERE MAY BE RAIN,
851
00:34:42,406 --> 00:34:44,864
BUT IT COULD STILL BE A BEAUTIFUL DAY
852
00:34:44,897 --> 00:34:47,313
FOR ONE LUCKY MEGAPOWER SWEEPSTAKES PLAYER!
853
00:34:49,257 --> 00:34:51,008
THREE.
854
00:34:51,042 --> 00:34:52,626
SEVEN.
855
00:34:52,662 --> 00:34:54,162
12.
856
00:34:54,198 --> 00:34:55,531
15...
857
00:34:55,568 --> 00:34:58,026
[SHRIEKING]: AHH!
858
00:34:58,059 --> 00:34:59,892
[♪♪]
859
00:34:59,928 --> 00:35:01,011
THE NUMBERS ON THE TICKET
860
00:35:01,049 --> 00:35:03,382
WERE THE DAY, YEAR,AND TIME WE MET.
861
00:35:03,373 --> 00:35:05,916
IT WONFIVE OUT OF SIX.
862
00:35:05,949 --> 00:35:08,157
AND NOW IT'SWORTH $50,000.
863
00:35:08,191 --> 00:35:09,441
MY GOODNESS.
864
00:35:09,478 --> 00:35:12,103
I WORE BLUE FOR HIM.
865
00:35:12,135 --> 00:35:14,052
I LEARNED TO COOKTROUT FOR HIM.
866
00:35:14,086 --> 00:35:15,503
HE REALLY LIKES TROUT.
867
00:35:15,540 --> 00:35:16,873
OH.
868
00:35:16,910 --> 00:35:19,077
WE WERE BOTH SAVING UPTO MOVE TO NEW YORK
869
00:35:19,111 --> 00:35:22,194
TO AUDITION FOR CLUBSAND CABARETS TOGETHER.
870
00:35:22,225 --> 00:35:23,642
WE HAD ALL THESE PLANS
871
00:35:23,678 --> 00:35:25,012
AND I THOUGHTMAYBE THIS TIME
872
00:35:25,048 --> 00:35:27,382
I'D FOUND SOMEBODYDIFFERENT.
873
00:35:27,415 --> 00:35:30,165
BUT HE'S JUST LIKEALL THE REST, EXCEPT...
874
00:35:30,197 --> 00:35:31,990
IF HE GETSTHAT LETTER NOW,
875
00:35:32,024 --> 00:35:34,191
HE'LL BE RICH, TOO.
876
00:35:34,225 --> 00:35:35,350
AND HE'LL GOTO NEW YORK
877
00:35:35,387 --> 00:35:37,887
AND I'LL JUST BE HERE...
878
00:35:37,920 --> 00:35:40,087
COOKING TROUT.
879
00:35:40,079 --> 00:35:44,245
ONE MUST NEVER REGRETAN ACT OF LOVE, MISS BERGENS.
880
00:35:45,395 --> 00:35:47,437
NEVER.
881
00:35:48,633 --> 00:35:50,050
NORMAN, RITA,WILL YOU PLEASE
882
00:35:50,045 --> 00:35:52,003
COMPLETE THE SKETCHWITH MISS BERGENS?
883
00:35:52,038 --> 00:35:53,496
IF I'M NEEDED,
884
00:35:53,532 --> 00:35:55,740
I'LL BE IN THE MAILBOX GRILLE.EXCUSE ME.
885
00:35:57,185 --> 00:35:59,311
[♪♪]
886
00:36:00,509 --> 00:36:01,467
OH!
887
00:36:01,505 --> 00:36:03,255
[SHANE SIGHS]
888
00:36:12,799 --> 00:36:16,632
HIS NOSE WAS KIND OFBIG AND POINTY.
889
00:36:16,618 --> 00:36:19,410
OKAY.
890
00:36:21,102 --> 00:36:22,686
SORRY.
891
00:36:22,721 --> 00:36:24,721
IT'S OKAY.
892
00:36:26,252 --> 00:36:30,710
UH, YOU CAN PUT THATOVER THERE IN THE "OUT" BOX.
893
00:36:31,774 --> 00:36:34,399
[♪♪]
894
00:36:34,390 --> 00:36:35,890
TO "BOB."
895
00:36:44,812 --> 00:36:47,270
[♪♪]
896
00:36:59,468 --> 00:37:00,427
HEY.
897
00:37:00,465 --> 00:37:01,549
DAD.
898
00:37:01,586 --> 00:37:02,753
YOU LOOK GOOD.
899
00:37:02,790 --> 00:37:04,831
OH. THANKS. PLEASE.
900
00:37:06,777 --> 00:37:08,777
BEEN A WHILE.
901
00:37:08,811 --> 00:37:09,811
YES, WELL,I CALLED.
902
00:37:09,849 --> 00:37:12,391
YOU'VE BEEN BUSY.
903
00:37:13,586 --> 00:37:16,294
YEAH, I'VE TAKEN UPHIKING AGAIN.
904
00:37:16,326 --> 00:37:17,368
LIVE IN COLORADO,
905
00:37:17,405 --> 00:37:18,655
YOU GOTTA GET OUT THEREAND HIKE, RIGHT?
906
00:37:18,693 --> 00:37:20,569
YOU DO?
907
00:37:20,562 --> 00:37:22,395
WELL, I DO.
908
00:37:22,430 --> 00:37:23,763
YOU SHOULD COME SOME TIME.
909
00:37:23,800 --> 00:37:26,925
OH. I HAVEA GREAT LOVE OF NATURE.
910
00:37:26,956 --> 00:37:30,039
I WOULDN'T MINDEXPANDING IT TO THE...
911
00:37:30,070 --> 00:37:31,153
OUTDOORS.
912
00:37:32,852 --> 00:37:34,269
OKAY.
913
00:37:34,306 --> 00:37:35,264
[CHUCKLES]
914
00:37:35,302 --> 00:37:36,343
IN THE MEANTIME,
915
00:37:36,382 --> 00:37:38,257
SOUNDS LIKEYOU'VE GOT A PROBLEM.
916
00:37:38,292 --> 00:37:39,792
YES. SOMEONE'S BEEN
917
00:37:39,827 --> 00:37:42,244
STEALING MAIL FROM THE BOXESIN THE BONNIE BRAE AREA,
918
00:37:42,278 --> 00:37:43,778
I WAS HOPINGYOU MIGHT HELP US OUT.
919
00:37:45,183 --> 00:37:46,309
WELL, I DON'T KNOW.
920
00:37:46,347 --> 00:37:48,430
I'M NOT SURE THEY'VE EVERFORGIVEN ME OVER THERE
921
00:37:48,464 --> 00:37:49,506
FOR DEFECTING
922
00:37:49,544 --> 00:37:50,586
TO FEDEX.
923
00:37:50,624 --> 00:37:51,999
I'M NOT EVENSURE YOU HAVE.
924
00:37:52,035 --> 00:37:53,410
OH, OF COURSE, I HAVE.YOU HAD YOUR REASONS.
925
00:37:53,447 --> 00:37:55,780
SOMEDAY, YOU'LL TELL MEWHAT THEY WERE.
926
00:37:57,101 --> 00:37:58,434
MAYBE ON A HIKE.
927
00:37:58,429 --> 00:38:01,305
PERHAPS YOU MIGHT TELL ME
928
00:38:01,337 --> 00:38:03,253
ABOUT THAT DARK OF NIGHT AWARDYOU WON, TOO.
929
00:38:04,575 --> 00:38:05,991
AH.
930
00:38:06,028 --> 00:38:07,403
WELL, IT WAS A WHILE AGO.
931
00:38:07,398 --> 00:38:09,023
I CAN'T BELIEVEI NEVER KNEW ABOUT THAT.
932
00:38:09,059 --> 00:38:11,934
I DIDN'T SPREAD IT AROUND,
933
00:38:11,965 --> 00:38:15,633
AND IT HAPPENEDAFTER YOU LEFT HOME.
934
00:38:15,661 --> 00:38:16,619
AH.
935
00:38:16,658 --> 00:38:18,533
IT WAS NOTHING LIKEWHAT YOU GUYS DID.
936
00:38:18,526 --> 00:38:19,776
I JUST DELIVERED
937
00:38:19,813 --> 00:38:22,188
A MISROUTED WEDDING DRESSIN TIME FOR A WEDDING.
938
00:38:23,591 --> 00:38:25,758
A WEDDING?
939
00:38:25,791 --> 00:38:27,292
OLIVER!
940
00:38:27,329 --> 00:38:28,996
IT'S FINISHED.
941
00:38:28,990 --> 00:38:31,115
UH, NIKKI SAYSIT'S REALLY CLOSE,
942
00:38:31,148 --> 00:38:34,148
BUT WE CAN BRING HER BACK INIF WE NEED TO.
943
00:38:35,218 --> 00:38:37,384
DO YOU KNOWWHO THIS COULD BE?
944
00:38:41,322 --> 00:38:43,572
YEAH. I DO.
945
00:38:45,598 --> 00:38:47,015
WHO?
946
00:38:47,051 --> 00:38:48,259
DUDLEY CURLY.
947
00:38:48,297 --> 00:38:49,422
HE RESEMBLESTHE SKETCH WE HAD MADE
948
00:38:49,418 --> 00:38:50,418
WITH THE HELPOF A WITNESS,
949
00:38:50,414 --> 00:38:51,872
AND HE MATCHESTHE PROFILE.
950
00:38:51,909 --> 00:38:53,951
GOOD WORK.
951
00:38:53,986 --> 00:38:55,736
SO, IT'S DUDLEY, HUH?
952
00:38:55,730 --> 00:38:56,730
YES.
953
00:38:56,768 --> 00:38:57,768
NEVER HEARD OF HIM.
954
00:38:59,549 --> 00:39:01,633
HE WAS A MAIL CARRIERFOR THE POSTAL SERVICE
955
00:39:01,666 --> 00:39:03,208
FOR 45 YEARS.
956
00:39:03,203 --> 00:39:04,703
AND IT'S PROBABLYNO COINCIDENCE
957
00:39:04,698 --> 00:39:06,615
THAT HE RETIRES TODAY.
958
00:39:08,269 --> 00:39:10,269
THIS ISN'T LIKETAKING HOME PAPER CLIPS
959
00:39:10,304 --> 00:39:11,804
AND STAPLERSFROM THE OFFICE.
960
00:39:11,840 --> 00:39:13,256
THIS IS THE U.S. MAIL,DARN IT!
961
00:39:13,293 --> 00:39:14,876
I WANT THIS MAN FIRED.
962
00:39:16,656 --> 00:39:18,698
HE'S RETIRING.
963
00:39:19,936 --> 00:39:22,687
WHAT'S THIS GOTTO DO WITH YOU, ANYWAY?
964
00:39:22,718 --> 00:39:26,135
DIDN'T YOU MUSTER OUTAND SIGN UP FOR THE ENEMY?
965
00:39:26,123 --> 00:39:27,456
I ASKED MY FATHERTO HELP US
966
00:39:27,451 --> 00:39:29,785
BECAUSE EVERY CLUETHE SUSPECT LEFT SO FAR
967
00:39:29,818 --> 00:39:31,068
HAS SOMETHINGTO DO WITH US--
968
00:39:31,105 --> 00:39:33,147
MY GRANDFATHER,MY FATHER, AND I
969
00:39:33,181 --> 00:39:34,599
ALL WON DARK OFNIGHT AWARDS.
970
00:39:34,636 --> 00:39:36,469
I KNEW CURLY.
971
00:39:36,504 --> 00:39:37,962
WE WERE FRIENDS ONCE.
972
00:39:37,999 --> 00:39:39,790
THOUGHT IT WAS DUDLEY.
973
00:39:39,825 --> 00:39:41,908
WE CALLED HIM CURLY.HE DOESN'T LIKE DUDLEY.
974
00:39:41,901 --> 00:39:43,776
NEITHER DO I.
975
00:39:43,811 --> 00:39:45,728
GO ON.
976
00:39:45,721 --> 00:39:47,054
CURLY AND I, UH,
977
00:39:47,049 --> 00:39:49,050
HUNG OUT AND WATCHEDTHE BIG GAME ON SUNDAYS,
978
00:39:49,043 --> 00:39:50,710
WE WERE INTHE BOWLING LEAGUE,
979
00:39:50,704 --> 00:39:51,787
AND THENI WON THAT AWARD
980
00:39:51,825 --> 00:39:53,033
AND GOT A NICE PROMOTION
981
00:39:53,029 --> 00:39:55,112
AND HE JUST STOPPEDCOMING AROUND.
982
00:39:55,147 --> 00:39:56,105
WHAT DOES HE WANT?
983
00:39:56,143 --> 00:39:58,060
WE DON'T KNOW.
984
00:39:58,094 --> 00:39:59,761
HE SAYS HE'S GOING TOHOLD THE MAIL RANSOM
985
00:39:59,797 --> 00:40:01,631
UNTIL WE MEET HIS DEMANDS...
986
00:40:01,666 --> 00:40:03,666
THAT HAVE NOT YET BEENSET FORTH.
987
00:40:03,700 --> 00:40:06,409
I'M THINKING MAYBE I SHOULD JUSTGO OVER THERE AND TALK--
988
00:40:06,440 --> 00:40:07,440
FORGET IT, O'TOOLE!
989
00:40:07,479 --> 00:40:09,229
YOU DON'T QUITTHE POSTAL SERVICE
990
00:40:09,264 --> 00:40:12,139
THEN WALTZ BACK IN HEREJUST BECAUSE WE NEED YOU.
991
00:40:12,170 --> 00:40:14,004
ARE WE CLEAR?
992
00:40:15,285 --> 00:40:16,327
CRYSTAL.
993
00:40:18,149 --> 00:40:20,441
SECURITY!
994
00:40:20,475 --> 00:40:22,100
WE ARE MOVING OUT!
995
00:40:23,091 --> 00:40:25,841
[♪♪]
996
00:40:39,533 --> 00:40:42,325
[♪♪]
997
00:40:48,294 --> 00:40:50,669
DISPERSE! DEPLOY!
998
00:40:50,661 --> 00:40:51,661
LOCK THAT DOWN!
999
00:40:51,657 --> 00:40:52,782
WHAT ON EARTH...?
1000
00:40:52,820 --> 00:40:55,071
SET UP A PERIMETERAND--
1001
00:40:55,105 --> 00:40:56,146
SHANE.
1002
00:40:56,142 --> 00:40:59,142
GOOD TO HAVE YOUONBOARD.
1003
00:40:59,131 --> 00:41:01,673
FEDEX!STAY IN THE TRUCK.
1004
00:41:01,706 --> 00:41:02,789
THIS IS GOVERNMENTBUSINESS.
1005
00:41:02,785 --> 00:41:04,202
RIGHT.
1006
00:41:04,238 --> 00:41:05,155
[RADIO CRACKLES]
1007
00:41:05,194 --> 00:41:06,152
HEADS UP, MEN!
1008
00:41:06,190 --> 00:41:08,315
KEEP YOUR NOSETO THE GRINDSTONE.
1009
00:41:08,348 --> 00:41:09,808
[RADIOS CRACKLING]
1010
00:41:11,381 --> 00:41:14,756
HERE WE COME, DUDLEY.
1011
00:41:18,896 --> 00:41:20,187
[MEGAPHONE SQUEALS]:CURLY DUDLEY!
1012
00:41:20,224 --> 00:41:23,558
THIS IS LESTER KIMSICLE,CHIEF OF POSTAL SECURITY.
1013
00:41:23,546 --> 00:41:25,338
WE HAVEYOUR HOUSE SURROUNDED.
1014
00:41:25,374 --> 00:41:26,874
COME OUTWITH YOUR HANDS UP.
1015
00:41:26,909 --> 00:41:29,034
UH, MR. KIMSICLE,UH, WE BELIEVE--
1016
00:41:29,027 --> 00:41:31,027
STAND DOWN, O'TOOLE.
1017
00:41:31,061 --> 00:41:33,394
YOU'RE IN MY WHEELHOUSE NOW.
1018
00:41:35,172 --> 00:41:36,798
CURLY DUDLEY!
1019
00:41:36,834 --> 00:41:40,000
CAN... YOU... HEAR ME?
1020
00:41:40,030 --> 00:41:43,822
IT'S "DUDLEY CURLY".
1021
00:41:43,809 --> 00:41:45,350
CURLY DUDLEY,DUDLEY CURLY,
1022
00:41:45,386 --> 00:41:47,469
I'M GONNA CALL YA "DUD," OKAY?
1023
00:41:47,504 --> 00:41:50,255
NO! IT'S NOT OKAY.
1024
00:41:50,287 --> 00:41:51,995
[MEGAPHONE SQUEALS]
1025
00:41:52,031 --> 00:41:54,114
WE'RE GONNA NEEDSOME PROOF OF LIFE HERE.
1026
00:41:54,106 --> 00:41:55,189
[DUDLEY]: WHAT?
1027
00:41:55,227 --> 00:41:57,727
PROOF OF LIFE.
1028
00:41:57,760 --> 00:42:00,926
WELL, I'M TALKING TO YOU,AREN'T I?
1029
00:42:00,957 --> 00:42:02,415
YA MORON.
1030
00:42:02,410 --> 00:42:04,161
WELL, WE KNOWYOU'RE ALIVE.
1031
00:42:04,196 --> 00:42:06,404
WE NEED TO KNOWTHE MAIL'S OKAY.
1032
00:42:06,396 --> 00:42:07,896
JUST SHOW USYOU GOT IT.
1033
00:42:07,933 --> 00:42:09,933
[SLAM]
1034
00:42:10,964 --> 00:42:14,047
[RADIOS CRACKLING]
1035
00:42:15,115 --> 00:42:17,575
STEALING THE MAILIS A FEDERAL OFFENSE!
1036
00:42:17,607 --> 00:42:22,024
YEAH, WELL, I'M STILL EMPLOYEDUNTIL 5:00!
1037
00:42:22,050 --> 00:42:24,050
HOLD ON A MINUTE.
1038
00:42:24,084 --> 00:42:26,584
WHAT'S HE TALKING ABOUT?
1039
00:42:26,617 --> 00:42:27,659
UH, TECHNICALLY,
1040
00:42:27,655 --> 00:42:29,155
THE MAILIS STILL IN THE POSSESSION
1041
00:42:29,191 --> 00:42:31,026
OF AN AUTHORIZED POSTAL CARRIER.
1042
00:42:31,060 --> 00:42:34,185
UNAUTHORIZED REMOVALIS, UM, A VIOLATION OF--
1043
00:42:34,216 --> 00:42:35,174
NORMAN?
1044
00:42:35,213 --> 00:42:37,463
EMPLOYEEREGULATION 67K.
1045
00:42:37,455 --> 00:42:38,622
[OLIVER]:BUT IT IS NOT A CRIME.
1046
00:42:38,658 --> 00:42:39,783
WELL, AT LEAST,
1047
00:42:39,779 --> 00:42:42,238
NOT UNTIL 5:00,WHEN HE OFFICIALLY RETIRES.
1048
00:42:44,348 --> 00:42:45,806
[GRUMBLING SIGH]FINE.
1049
00:42:45,843 --> 00:42:47,634
[CLICK]
1050
00:42:47,669 --> 00:42:49,002
WE'LL WAIT UNTIL 5:00,
1051
00:42:49,039 --> 00:42:50,664
AND THEN WE'RE COMING IN!
1052
00:42:50,700 --> 00:42:52,866
[DUDLEY]: I WOULDN'T DO THAT,IF I WERE YOU.
1053
00:42:52,900 --> 00:42:56,025
I GET WHAT I WANT OR ELSE.
1054
00:42:56,056 --> 00:42:57,598
OR ELSE, WHAT?
1055
00:42:57,635 --> 00:43:00,677
DUD! OR ELSE WHAT?
1056
00:43:00,707 --> 00:43:02,124
OLIVER. LOOK.
1057
00:43:02,160 --> 00:43:04,243
[♪♪]
1058
00:43:07,059 --> 00:43:09,726
[RITA]: OH, NO!HE'S STARTED A FIRE.
1059
00:43:09,758 --> 00:43:10,717
UH, DUD?
1060
00:43:10,756 --> 00:43:13,006
NOW'S NOT THE TIMETO HAVE A WEENIE-ROAST.
1061
00:43:13,039 --> 00:43:15,331
I DON'T THINKHE'S MAKING LUNCH, MR. KIMSICLE.
1062
00:43:15,364 --> 00:43:17,280
HE'S GOING TO BURN THEM ALL.
1063
00:43:20,471 --> 00:43:22,971
[♪♪]
1064
00:43:30,893 --> 00:43:33,893
HE SAYS HE'LL BURN THE LETTERSIF HE DOESN'T GET WHAT HE WANTS,
1065
00:43:33,924 --> 00:43:35,674
BUT WHAT IS THAT?
1066
00:43:35,709 --> 00:43:37,544
HE GOT WHAT HE WANTED--ATTENTION.
1067
00:43:37,578 --> 00:43:39,287
NOW HE DOESN'T KNOWWHAT TO DO WITH IT.
1068
00:43:39,322 --> 00:43:41,489
HE WAS ALWAYS PUTTINGTHE CART BEFORE THE HORSE.
1069
00:43:41,523 --> 00:43:45,023
HE GOT THAT STICK-SHIFT BEFOREHE LEARNED TO DRIVE BECAUSE--
1070
00:43:45,051 --> 00:43:46,176
OH, WOW.
1071
00:43:46,214 --> 00:43:47,589
WHAT?
1072
00:43:47,626 --> 00:43:49,667
BECAUSE I HAD ONE.
1073
00:43:51,654 --> 00:43:53,821
WHAT DO YOU SEE,NORMAN?
1074
00:43:53,855 --> 00:43:56,355
DOESN'T LOOK LIKEHE'S BURNED ANYTHING YET.
1075
00:43:56,346 --> 00:43:58,512
BUT HE'S THINKING ABOUT IT.
1076
00:43:59,792 --> 00:44:01,375
SO WHAT DO YOU THINK?
1077
00:44:02,449 --> 00:44:04,616
I THINK LESTER COULDESCALATE THIS INTO A DISASTER
1078
00:44:04,650 --> 00:44:05,608
IF WE DON'T DO SOMETHING.
1079
00:44:05,647 --> 00:44:07,105
MS. McINERNEY,
1080
00:44:07,142 --> 00:44:08,809
IT MAY BE TIMETO GIVE HER A CALL.
1081
00:44:08,843 --> 00:44:11,010
I KNOW.I ALREADY CALLED HER.
1082
00:44:11,045 --> 00:44:12,711
DALE IS ON HER WAY.
1083
00:44:14,615 --> 00:44:16,698
[♪♪]
1084
00:44:21,923 --> 00:44:24,757
DALE SHOULD BE HEREIN ABOUT 20 MINUTES.
1085
00:44:24,788 --> 00:44:27,580
I DON'T KNOW ABOUT YOU,BUT I AM GETTING HUNGRY.
1086
00:44:27,570 --> 00:44:29,195
THAT'SA GOOD IDEA.
1087
00:44:29,231 --> 00:44:31,273
I BET DUDLEY'SGETTING HUNGRY, TOO.
1088
00:44:34,421 --> 00:44:36,379
SHANE.
1089
00:44:36,372 --> 00:44:37,789
YOU'VE CHANGEDYOUR HAIR.
1090
00:44:37,826 --> 00:44:39,034
NO.
1091
00:44:39,072 --> 00:44:40,905
YOU KNOW,AFTER THIS IS ALL OVER,
1092
00:44:40,940 --> 00:44:42,523
WE SHOULD...
1093
00:44:42,559 --> 00:44:43,559
NO.
1094
00:44:43,597 --> 00:44:44,598
MAY I HAVE THAT, PLEASE?
1095
00:44:47,916 --> 00:44:48,832
MR. CURLY!
1096
00:44:48,871 --> 00:44:49,996
I'M GOING OUTFOR SANDWICHES.
1097
00:44:50,034 --> 00:44:52,742
CAN I GET YOUANYTHING?
1098
00:44:54,144 --> 00:44:55,519
PASTRAMI?
1099
00:44:55,555 --> 00:44:56,639
TURKEY?
1100
00:44:56,635 --> 00:45:00,386
CORNED BEEF AND CHICKEN SALADON WHITE.
1101
00:45:00,414 --> 00:45:02,706
MY GOD,THE MAN'S A SAVAGE.
1102
00:45:02,739 --> 00:45:04,614
DO YOU WANTANYTHING ON THAT?
1103
00:45:04,608 --> 00:45:07,483
JUST MAYO.OH! AND SOME COLESLAW.
1104
00:45:07,513 --> 00:45:08,430
GOT IT.
1105
00:45:08,469 --> 00:45:09,635
NOW, PLEASE...
1106
00:45:09,672 --> 00:45:12,590
TRY NOT TO BURN ANYTHINGUNTIL I GET BACK, OKAY?
1107
00:45:12,621 --> 00:45:14,955
OKAY.
1108
00:45:14,988 --> 00:45:16,572
IF I GIVE THIS BACK TO YOU,
1109
00:45:16,607 --> 00:45:18,732
DO YOU PROMISE NOT TO USE ITBEFORE I GET BACK?
1110
00:45:18,724 --> 00:45:20,891
WILL YOU LET METAKE YOU TO DINNER AGAIN?
1111
00:45:22,087 --> 00:45:23,254
LESTER...
1112
00:45:23,292 --> 00:45:24,793
SO FARTHE ONLY ONE HERE
1113
00:45:24,828 --> 00:45:27,037
BREAKING A FEDERAL LAWIS YOU.
1114
00:45:28,109 --> 00:45:30,317
OKAY! OKAY.
1115
00:45:30,351 --> 00:45:33,101
[FOOTSTEPS RECEDING]
1116
00:45:36,745 --> 00:45:39,329
[♪♪]
1117
00:45:45,216 --> 00:45:47,007
HEY. I'VE GOTEVERYBODY'S LUNCH ORDER,
1118
00:45:47,042 --> 00:45:48,250
AND THERE'S A DINERAROUND THE CORNER.
1119
00:45:48,288 --> 00:45:49,788
I'LL TAKE HAM ON RYE.
1120
00:45:49,824 --> 00:45:52,575
OKAY. I'LL GET YOUYOUR USUAL.
1121
00:45:52,606 --> 00:45:55,398
UH, PERHAPSA CUP OF HERBAL TEA.
1122
00:45:56,427 --> 00:45:58,093
NO ROSEHIPS.
1123
00:45:59,291 --> 00:46:02,082
I'LL GRAB SOMETHINGFOR DALE, TOO.
1124
00:46:02,114 --> 00:46:03,156
ANY IDEA WHAT SHE'D LIKE?
1125
00:46:03,194 --> 00:46:04,569
UH, NO.
1126
00:46:04,606 --> 00:46:06,774
GOOD.
1127
00:46:10,876 --> 00:46:12,709
[RADIOS CRACKLING]
1128
00:46:12,703 --> 00:46:13,995
SO...
1129
00:46:14,031 --> 00:46:15,406
SHANE?
1130
00:46:15,443 --> 00:46:16,443
I'M SORRY?
1131
00:46:16,481 --> 00:46:17,481
YOU AND SHANE.
1132
00:46:17,518 --> 00:46:19,311
SOMETHING HAPPENED.
1133
00:46:19,347 --> 00:46:21,930
I MEAN,YOU GUYS AREN'T--
1134
00:46:21,963 --> 00:46:22,963
I DON'T KNOW.
1135
00:46:23,000 --> 00:46:24,875
YOU'RE NOT CLICKING,LIKE YOU USUALLY DO.
1136
00:46:24,910 --> 00:46:29,202
OH, WELL, I'D LIKE TO THINKWE CLICKED A FEW TIMES THERE.
1137
00:46:29,228 --> 00:46:30,978
DID YOU EVER TAKE HER OUT,LIKE I TOLD YOU TO?
1138
00:46:30,971 --> 00:46:32,806
YES.
1139
00:46:32,800 --> 00:46:34,008
BUT NOT BECAUSEYOU SUGGESTED IT.
1140
00:46:34,045 --> 00:46:35,503
IT WAS SOMETHING I WANTED TO DO.
1141
00:46:35,540 --> 00:46:39,415
WE ACTUALLY WENT TO DINNERAT MONTALDO'S ON SATURDAY.
1142
00:46:39,442 --> 00:46:41,317
TWO DAYS AGO?
1143
00:46:41,352 --> 00:46:42,644
GEE, IT TOOK YOU LONG ENOUGH!
1144
00:46:42,681 --> 00:46:46,224
WELL, I'D LIKE TO THINKI'VE LEARNED TO...
1145
00:46:46,253 --> 00:46:47,253
WELL, NOT TO--
1146
00:46:47,249 --> 00:46:48,207
RUSH INTO THINGS.
1147
00:46:48,246 --> 00:46:49,246
OF COURSE. I GET IT.
1148
00:46:49,242 --> 00:46:51,033
SO, HOW'D IT GO?
1149
00:46:53,228 --> 00:46:55,728
[RADIOS CRACKLING]
1150
00:46:58,667 --> 00:47:01,168
I ORDERED YOUA DOUBLE-PASTRAMI ON RYE.
1151
00:47:02,695 --> 00:47:05,528
THANK YOUFOR TELLING ME THAT, RITA.
1152
00:47:06,806 --> 00:47:10,431
YOU'RE WELCOME.OF COURSE.
1153
00:47:12,702 --> 00:47:15,244
[♪♪]
1154
00:47:18,307 --> 00:47:19,307
YOU'RE KIDDING.
1155
00:47:19,303 --> 00:47:21,512
YOU ACTUALLY SAID"WE'RE JUST FRIENDS"?
1156
00:47:22,541 --> 00:47:23,541
YES.
1157
00:47:23,580 --> 00:47:24,538
[LAUGHING]
1158
00:47:24,576 --> 00:47:25,951
WELL, NO WONDER SHE MENTIONED
1159
00:47:25,946 --> 00:47:27,239
ALL THOSE OTHER GUYSSHE'D BEEN THERE WITH.
1160
00:47:27,276 --> 00:47:28,776
IT WAS SELF-DEFENSE.
1161
00:47:30,265 --> 00:47:32,599
SO? HOW DID IT ALL END?
1162
00:47:32,591 --> 00:47:35,424
WELL, I ACTUALLY LEFT,FOR AWHILE.
1163
00:47:35,414 --> 00:47:37,831
I ACTUALLY ALMOST CALLED YOU.
1164
00:47:37,863 --> 00:47:41,781
[NIKKI]:♪ ...WATCH THE DOOR
1165
00:47:41,809 --> 00:47:45,059
♪ AND TELL MYSELF...
1166
00:47:45,088 --> 00:47:48,547
♪ I'M FINE ALONE
1167
00:47:48,535 --> 00:47:50,201
♪ OH, YES
1168
00:47:50,237 --> 00:47:54,113
♪ I'VE BEEN HERE BEFORE
1169
00:47:59,746 --> 00:48:01,662
OVILEAR!
1170
00:48:01,697 --> 00:48:02,905
RAMON!
1171
00:48:02,942 --> 00:48:04,317
WHAT ARE YOU DOING HERE?
1172
00:48:04,312 --> 00:48:08,355
WELL, I AM DINING WITHTHE MOST REMARKABLE WOMAN.
1173
00:48:08,382 --> 00:48:10,632
A MESMERIZING METEOROLOGIST.
1174
00:48:10,624 --> 00:48:12,958
I SEE THAT YOUAND THE LOVELY SHANE
1175
00:48:12,991 --> 00:48:16,741
ARE GETTING...WELL, DEEP IN CONVERSATION.
1176
00:48:16,769 --> 00:48:21,145
YES, WELL,WE ARE DEEP INTO SOMETHING.
1177
00:48:21,171 --> 00:48:24,004
AHH! I ALWAYS KNEWYOU TWO WOULD GET TOGETHER.
1178
00:48:24,036 --> 00:48:25,536
OH, NO, WE'RE NOT DATING,
1179
00:48:25,572 --> 00:48:27,989
WE'RE JUST ON A D...
1180
00:48:28,022 --> 00:48:29,105
WE'RE--
1181
00:48:29,143 --> 00:48:30,143
OVILEAR!
1182
00:48:30,180 --> 00:48:32,222
STOP THINKING.
1183
00:48:32,257 --> 00:48:35,591
YOU STAREINTO EACH OTHER'S EYES,
1184
00:48:35,621 --> 00:48:38,454
YOU DRINK CHAMPAGNE,YOU DANCE--
1185
00:48:40,437 --> 00:48:43,562
DANCE IS LIKE LOVE, MY FRIEND--
1186
00:48:44,671 --> 00:48:45,963
DON'T LOOK DOWN.
1187
00:48:47,745 --> 00:48:49,079
DON'T YOU MEAN
1188
00:48:49,115 --> 00:48:52,115
"LOVE IS LIKE DANCING,DON'T LOOK DOWN."
1189
00:48:53,267 --> 00:48:54,392
MM, YES.
1190
00:48:54,430 --> 00:48:56,471
BUT IN THE END,WHAT IS THE DIFFERENCE, HMM?
1191
00:48:56,463 --> 00:48:58,755
NOW, I MUST GETBACK TO WORK.
1192
00:48:58,789 --> 00:49:00,665
IT'S LOTTERY NIGHT!
1193
00:49:00,699 --> 00:49:03,074
NOW, BE BOLD,GO OUT,
1194
00:49:03,108 --> 00:49:04,816
FACE THE MUSIC.
1195
00:49:04,852 --> 00:49:08,352
AND STOP THINKING.
1196
00:49:10,249 --> 00:49:13,332
I SEE YOU.STOP IT.
1197
00:49:15,606 --> 00:49:17,814
MA CHERIE!
1198
00:49:18,845 --> 00:49:22,553
[NIKKI]:♪ WHY SHOULD I RUSH TO PROVE
1199
00:49:22,539 --> 00:49:30,373
♪ THAT I CAN BREAK MY HEARTALL OVER? ♪
1200
00:49:30,346 --> 00:49:32,346
[JOE]:SO HOW DID THE NIGHT END?
1201
00:49:32,338 --> 00:49:35,047
NOT WELL.
1202
00:49:36,864 --> 00:49:40,447
YOU KNOW,I WAS NEVER PROUDER OF YOU
1203
00:49:40,476 --> 00:49:42,435
THAN THE DAY THAT I HEARDABOUT WHAT YOU DID
1204
00:49:42,470 --> 00:49:44,387
TO GET YOURDARK OF NIGHT AWARD.
1205
00:49:44,421 --> 00:49:46,963
YOU ACTUALLYSAVED SOMEONE'S LIFE.
1206
00:49:46,996 --> 00:49:49,579
WELL, I-I HAD A LOT OF HELP.
1207
00:49:53,929 --> 00:49:56,388
"PERHAPS SOMEDAY
1208
00:49:56,422 --> 00:49:59,089
IT WILL BE GOODTO REMEMBER THESE THINGS."
1209
00:49:59,120 --> 00:50:00,329
SMART MAN, VIRGIL.
1210
00:50:00,365 --> 00:50:02,740
YOUR GRANDFATHERWAS ALWAYS QUOTING HIM,
1211
00:50:02,732 --> 00:50:06,232
OR SHAKESPEARE OR THE BIBLE.
1212
00:50:06,220 --> 00:50:09,555
WHAT WAS THAT ONEABOUT LOVE AND POWER AND...?
1213
00:50:09,584 --> 00:50:13,376
"GOD HASN'T GIVEN USA SPIRIT OF FEAR,
1214
00:50:13,362 --> 00:50:17,070
BUT OF POWER AND LOVEAND A SOUND MIND."
1215
00:50:22,829 --> 00:50:24,287
AFTER WHATYOU'VE BEEN THROUGH,
1216
00:50:24,324 --> 00:50:27,282
I DON'T BLAME YOUFOR BEING AFRAID, SON.
1217
00:50:27,313 --> 00:50:29,813
BUT... AT YOUR CORE,
1218
00:50:29,804 --> 00:50:31,512
THAT'S NOT WHO YOU ARE.
1219
00:50:31,548 --> 00:50:33,798
YOU DON'T GET AN AWARD LIKE THAT
1220
00:50:33,832 --> 00:50:37,416
WITHOUT LOVE, POWER,AND SOUND MIND,
1221
00:50:37,445 --> 00:50:39,653
AND YOU DON'T GET MUCH ELSETHAT MATTERS IN LIFE
1222
00:50:39,687 --> 00:50:41,187
WITHOUT THAT, EITHER.
1223
00:50:42,842 --> 00:50:46,801
I KNOW, YOU'VE BEENHURT IN THE PAST.
1224
00:50:48,157 --> 00:50:51,158
AND I'M GUESSING,SOMEBODY'S HURT SHANE, TOO.
1225
00:50:52,476 --> 00:50:53,601
BUT IT SEEMS TO ME
1226
00:50:53,638 --> 00:50:56,888
THAT YOU'VE EACH GOTWHAT IT TAKES TO TRY AGAIN
1227
00:50:56,918 --> 00:51:00,002
IF YOU'LL JUST... TRY AGAIN.
1228
00:51:04,102 --> 00:51:05,560
THERE YOU ARE!HEY, YOU.
1229
00:51:05,597 --> 00:51:06,972
HI.
1230
00:51:07,008 --> 00:51:08,967
WELL, HELLO!
1231
00:51:10,953 --> 00:51:13,703
HI. SPECIAL AGENT DALE TRAVERS.
1232
00:51:13,734 --> 00:51:16,527
STATE DIVISIONOF INVESTIGATIONS.
1233
00:51:21,250 --> 00:51:23,917
[CHUCKLING]
1234
00:51:23,948 --> 00:51:24,948
[MEGAPHONE SQUEALS]
1235
00:51:24,945 --> 00:51:26,070
DUD!
1236
00:51:26,108 --> 00:51:28,691
THIS IS LESTER KIMSICLE,CHIEF OF POSTAL SECURITY.
1237
00:51:28,723 --> 00:51:30,182
[DOOR OPENS]I KNOW THAT!
1238
00:51:30,219 --> 00:51:32,719
YOU DON'T HAVE TOSAY IT EVERY TIME.
1239
00:51:32,752 --> 00:51:35,127
AND STOP CALLING ME "DUD".
1240
00:51:35,159 --> 00:51:36,743
DUD, THERE ISA GOOD-LOOKIN' FILLY HERE
1241
00:51:36,779 --> 00:51:39,613
FROM THE COLORADO STATEDIVISION OF INVESTIGATIONS
1242
00:51:39,643 --> 00:51:41,685
OF... COLORADO.
1243
00:51:41,720 --> 00:51:43,471
IF YOU DON'T GIVE UPBEFORE 5:00,
1244
00:51:43,506 --> 00:51:44,465
SHE'S GONNA TAKE YOU IN,
1245
00:51:44,502 --> 00:51:46,669
AND WE WOULD HATETO SEE THAT.
1246
00:51:46,703 --> 00:51:48,744
THEN GIVE ME WHAT I WANT!
1247
00:51:48,779 --> 00:51:50,654
I DON'T CARE WHAT YOU WANT!
1248
00:51:50,689 --> 00:51:53,147
PLEASE. WE'RERUNNING OUT OF TIME.
1249
00:51:53,180 --> 00:51:54,680
[LESTER SIGHS]
1250
00:51:54,675 --> 00:51:56,384
DARN IT.
1251
00:51:56,419 --> 00:51:59,294
OKAY, WHAT DO YA WANT?GIVE ME SOME DEMANDS.
1252
00:51:59,325 --> 00:52:01,742
I WANT MY LUNCH!
1253
00:52:01,775 --> 00:52:02,983
IT'S HERE.IT'S HERE.
1254
00:52:02,979 --> 00:52:06,021
WE GOT YOUR GOD-AWFULCORNED BEEF
1255
00:52:06,051 --> 00:52:07,635
AND CHICKEN SALAD RIGHT HERE.
1256
00:52:07,629 --> 00:52:09,546
WELL, BRING ITTO THE DOOR,
1257
00:52:09,581 --> 00:52:11,831
NICE AND SLOW,
1258
00:52:11,865 --> 00:52:13,448
AND I'LL GIVE YOUMY LIST OF DEMANDS.
1259
00:52:13,443 --> 00:52:15,693
AND COME ALONE!
1260
00:52:22,535 --> 00:52:25,494
[♪♪]
1261
00:52:49,649 --> 00:52:52,442
[♪♪]
1262
00:53:03,934 --> 00:53:06,934
[DALE]: "FIND JOSEPH O'TOOLEAND BRING HIM HERE.
1263
00:53:06,923 --> 00:53:08,631
"AND TELL HIM TO BRINGHIS DARK OF NIGHT AWARD.
1264
00:53:08,667 --> 00:53:09,792
IT BELONGS TO ME."
1265
00:53:09,829 --> 00:53:10,871
[OLIVER]:I DON'T LIKE THIS.
1266
00:53:10,909 --> 00:53:12,784
I DON'T LIKE YOU GOINGIN THERE ALONE,
1267
00:53:12,818 --> 00:53:15,610
I DON'T LIKEYOU GOING WITHOUT YOUR AWARD.
1268
00:53:15,642 --> 00:53:17,726
IT'S BACK HOME,PACKED AWAY IN A MOVING BOX.
1269
00:53:17,718 --> 00:53:20,051
IT'S AN HOUR THEREAND AN HOUR BACK.
1270
00:53:20,085 --> 00:53:22,210
THERE'S NOT ENOUGH TIMETO GET IT BEFORE 5:00.
1271
00:53:22,244 --> 00:53:25,869
I CAN'T HOLD THE FEDS ONCEDUDLEY'S OFFICIALLY RETIRED.
1272
00:53:25,856 --> 00:53:27,147
I'VE GOT AN IDEA.
1273
00:53:27,185 --> 00:53:28,727
BUT I'M GONNA NEED YOUR HELP.
1274
00:53:28,762 --> 00:53:31,680
NAME IT.
1275
00:53:31,670 --> 00:53:33,753
LET'S GO.
1276
00:53:44,375 --> 00:53:47,000
YOU SURE ABOUT THIS?
1277
00:53:47,033 --> 00:53:48,949
ONCE UPON A TIME,
1278
00:53:48,984 --> 00:53:51,817
A LOT OF LETTERS NEVER MADE ITTO THEIR DESTINATION
1279
00:53:51,849 --> 00:53:53,391
BECAUSE I DIDN'T DO MY JOB.
1280
00:53:53,426 --> 00:53:56,176
I NEVER WANT TOFEEL THAT WAY AGAIN.
1281
00:53:56,208 --> 00:53:57,834
IT'S STILL A LOT TO GIVE UP.
1282
00:54:00,028 --> 00:54:03,862
THAT'S WHATI LOVE ABOUT YOU, OLIVER.
1283
00:54:05,675 --> 00:54:08,258
THANK YOU.
1284
00:54:10,284 --> 00:54:11,410
IT'S TIME TO GO.
1285
00:54:14,022 --> 00:54:17,022
[♪♪]
1286
00:54:18,174 --> 00:54:20,882
[RADIO CRACKLING]
1287
00:54:20,914 --> 00:54:24,122
IS NORMAN EVER GOING TOCOME OUT OF THE TREE?
1288
00:54:24,152 --> 00:54:25,194
I DON'T KNOW!I THINK HE'S MAD
1289
00:54:25,233 --> 00:54:26,858
BECAUSE I DIDN'TTELL HIM ABOUT BOB.
1290
00:54:26,894 --> 00:54:29,519
BOB?YOU DIDN'T TELL ME ABOUT BOB.
1291
00:54:29,550 --> 00:54:31,050
-WHO'S BOB?-OH--
1292
00:54:31,087 --> 00:54:32,754
[HORN HONKING]
1293
00:54:33,951 --> 00:54:35,159
[BRAKES SCREECH]
1294
00:54:38,977 --> 00:54:41,518
[LESTER]: HEADS UP, MEN!
1295
00:54:42,920 --> 00:54:45,170
OKAY, DUDLEY,YOU GOT YOUR O'TOOLE.
1296
00:54:46,699 --> 00:54:48,074
I'LL TAKE IT.
1297
00:54:48,069 --> 00:54:49,819
I'M NOT LETTING YOUGO IN ALONE.
1298
00:54:51,682 --> 00:54:52,848
YOU GET INTO ANY TROUBLE,
1299
00:54:52,886 --> 00:54:54,803
YOU SAY THE MAGIC WORDAND WE'LL HEAR YOU.
1300
00:54:55,833 --> 00:54:57,292
WHAT IS THE MAGIC WORD?
1301
00:54:57,328 --> 00:55:00,412
I DON'T KNOW.HOW ABOUT, UH...
1302
00:55:00,442 --> 00:55:01,942
"HELP"?
1303
00:55:03,640 --> 00:55:05,932
[♪♪]
1304
00:55:31,044 --> 00:55:32,045
[KNOCKING]
1305
00:55:32,082 --> 00:55:33,291
IT'S OPEN!
1306
00:55:45,203 --> 00:55:46,870
HEY, JOE.
1307
00:55:46,905 --> 00:55:48,572
LONG TIME, NO SEE.
1308
00:55:48,608 --> 00:55:50,441
HOW YOU DOIN', CURLY?
1309
00:55:50,476 --> 00:55:52,434
I'LL BE DOING BETTERWHEN I GET WHAT I WANT.
1310
00:55:55,043 --> 00:55:56,668
TOSS IT OVER
1311
00:55:56,704 --> 00:55:57,995
AND THE MAIL'S YOURS.
1312
00:55:58,033 --> 00:55:59,576
[JOE]:NOT YET. I WANT TO KNOW
1313
00:55:59,611 --> 00:56:02,403
WHAT ALL THIS HADTO DO WITH MY FAMILY.
1314
00:56:02,435 --> 00:56:03,643
YOU STILL DON'T GET IT.
1315
00:56:03,639 --> 00:56:04,597
MAYBE.
1316
00:56:04,635 --> 00:56:06,802
BUT I WANT TOHEAR YOU SAY IT.
1317
00:56:06,835 --> 00:56:07,835
WELL, JOE,
1318
00:56:07,873 --> 00:56:09,706
WHEN I STARTEDAT THE POST OFFICE,
1319
00:56:09,742 --> 00:56:11,784
I WAS THE YOUNGEST PERSON EVER
1320
00:56:11,817 --> 00:56:13,943
TO BE NOMINATEDFOR ONE OF THOSE,
1321
00:56:13,978 --> 00:56:15,645
AND THEN THEY GAVE ITTO YOUR DAD
1322
00:56:15,680 --> 00:56:17,639
FOR BABYSITTING SOME DUCKS.
1323
00:56:17,672 --> 00:56:19,422
ACTUALLY,THEY WERE--
1324
00:56:19,416 --> 00:56:20,416
AND MY LAST CHANCE
1325
00:56:20,413 --> 00:56:21,913
AT GETTING ONE
1326
00:56:21,907 --> 00:56:24,241
WENT TO YOUAND YOUR BUNCH.
1327
00:56:24,233 --> 00:56:27,359
YEAH, SURE,YOU GOT SOME GIRL A KIDNEY,
1328
00:56:27,389 --> 00:56:29,681
BUT YOU'VE GOT OTHER CHANCESTO WIN,
1329
00:56:29,714 --> 00:56:31,089
AND THIS WAS MY LAST.
1330
00:56:31,125 --> 00:56:32,875
AND WHAT ABOUT ME?
1331
00:56:32,911 --> 00:56:35,453
THAT ONE CUT THE DEEPEST.
1332
00:56:35,485 --> 00:56:38,569
I WAS THIS CLOSE TO THE DEADLINEFOR NOMINATIONS.
1333
00:56:38,599 --> 00:56:39,850
I MEAN, NOBODY WAS GONNA
1334
00:56:39,887 --> 00:56:41,887
TOP MEDROPPING THAT KID'S PROM DRESS
1335
00:56:41,922 --> 00:56:44,588
AT HER HIGH SCHOOLAT THE LAST MINUTE
1336
00:56:44,620 --> 00:56:46,203
DURING THE PLATTE RIVER FLOOD.
1337
00:56:46,240 --> 00:56:49,115
I EVEN THREW IN A CORSAGE.
1338
00:56:49,146 --> 00:56:51,312
BUT MY PAL, JOE,
1339
00:56:51,346 --> 00:56:54,139
DELIVERS SOME GAL'SWEDDING DRESS.
1340
00:56:54,170 --> 00:56:57,254
UM, THERE WASMORE TO IT THAN THAT.
1341
00:56:58,281 --> 00:56:59,240
RITA DID
1342
00:56:59,277 --> 00:57:00,277
SOME RESEARCH.
1343
00:57:00,315 --> 00:57:02,523
MY FATHER DROVE HIS TRUCK
1344
00:57:02,557 --> 00:57:05,099
50 MILESTHROUGH A BLIZZARD.
1345
00:57:05,131 --> 00:57:06,299
IT BROKE DOWN.
1346
00:57:06,337 --> 00:57:08,462
HE WALKEDFIVE MORE MILES.
1347
00:57:08,495 --> 00:57:10,829
UPHILL. ON ICE.
1348
00:57:10,862 --> 00:57:14,279
WELL, I DROVE THROUGHHAIL AND SLEET.
1349
00:57:15,305 --> 00:57:16,763
THE LODGECAUGHT ON FIRE.
1350
00:57:16,800 --> 00:57:18,383
MY FATHER PUT IT OUT.
1351
00:57:18,419 --> 00:57:21,003
WELL, MY PROM GIRLMARRIED THE PROM BOY, OKAY?
1352
00:57:21,035 --> 00:57:22,618
AND THEY HAD SIX KIDS.
1353
00:57:22,655 --> 00:57:23,613
SIR, MY FATHER--
1354
00:57:23,651 --> 00:57:24,609
WHAT AREWE DOING HERE?
1355
00:57:24,648 --> 00:57:26,148
WHAT DOES IT MATTER?
1356
00:57:26,183 --> 00:57:28,267
YOU CAN GO AHEADAND KEEP THE CUP.
1357
00:57:28,300 --> 00:57:30,259
WE DON'T NEED ITTO KNOW WHAT WE DID.
1358
00:57:30,293 --> 00:57:32,002
AND NEITHER DO YOU!
1359
00:57:31,996 --> 00:57:33,997
AND SOME DAY,
1360
00:57:33,990 --> 00:57:37,740
WHEN YOU LOOK BACK ONHOW YOU GOT THIS CUP,
1361
00:57:37,768 --> 00:57:39,435
IT'S GONNA LOOKPRETTY EMPTY.
1362
00:57:43,788 --> 00:57:47,206
COME ON. COME ON!
1363
00:58:01,893 --> 00:58:04,226
THIS SAYS"OLIVER O'TOOLE."
1364
00:58:04,217 --> 00:58:06,967
I DIDN'T HAVE ENOUGH TIMETO GET MY DAD'S.
1365
00:58:10,071 --> 00:58:12,571
YOU GAVE THIS UPFOR YOUR DAD?
1366
00:58:17,339 --> 00:58:20,464
[♪♪]
1367
00:58:22,196 --> 00:58:23,904
[SIGHING]
1368
00:58:23,940 --> 00:58:25,940
YOU KNOW,WHEN A MAN RETIRES,
1369
00:58:25,974 --> 00:58:29,767
HE LOOKS BACK ACROSS THE YEARSAND HE ASKS HIMSELF
1370
00:58:29,795 --> 00:58:33,295
WHAT DOES HE GOT TO SHOWFOR HIS LIFE?
1371
00:58:33,283 --> 00:58:35,908
I GAVE MY HEART AND SOULTO THE POST OFFICE,
1372
00:58:35,939 --> 00:58:38,773
BUT NOBODY KNOWS MY NAME.
1373
00:58:38,804 --> 00:58:42,180
DUDLEY, CURLY-- NOBODY CARES!
1374
00:58:42,210 --> 00:58:45,668
I JUST WANT TO FEELLIKE I MATTERED IN THIS WORLD
1375
00:58:45,697 --> 00:58:47,447
BEFORE IT'S ALL OVER.
1376
00:58:49,974 --> 00:58:53,099
BUT NOBODY'S EVEN GONNA MISS ME.
1377
00:58:53,129 --> 00:58:55,589
[THUD]
1378
00:58:56,950 --> 00:59:00,533
I MISSED YOU...FOR 13 YEARS.
1379
00:59:02,222 --> 00:59:03,556
WHAT GOOD...
1380
00:59:04,714 --> 00:59:06,423
...IS A LETTER,
1381
00:59:06,457 --> 00:59:09,333
IF WE DON'T MAIL IT?
1382
00:59:10,361 --> 00:59:11,319
WHAT?
1383
00:59:11,316 --> 00:59:14,608
SOMEWHERE IN THESE BAGSIS A LOVE LETTER
1384
00:59:14,638 --> 00:59:17,554
A LADY NAMED NIKKIMAILED LAST SATURDAY
1385
00:59:17,586 --> 00:59:19,794
BECAUSE OF THESE WORDSYOU SPOKE TO HER,
1386
00:59:19,828 --> 00:59:21,121
YOU UNDERSTOOD
1387
00:59:21,116 --> 00:59:22,532
THAT WRITING A LETTER
1388
00:59:22,569 --> 00:59:25,069
AND PUTTING IT IN A MAILBOX
1389
00:59:25,102 --> 00:59:29,352
IS LIKE HANDING YOUR HEARTOVER TO A STRANGER.
1390
00:59:29,378 --> 00:59:30,628
JUST LIKE...
1391
00:59:30,665 --> 00:59:33,373
ASKING FOR LOVE IS A RISK,
1392
00:59:33,405 --> 00:59:36,739
OR ASKING FOR ATTENTION OR FORGIVENESS--
1393
00:59:36,769 --> 00:59:39,894
YOU HAVE TO MAIL THE LETTERAND RISK WHATEVER HAPPENS NEXT,
1394
00:59:39,925 --> 00:59:43,133
OTHERWISE NOTHING HAPPENS.
1395
00:59:44,118 --> 00:59:45,368
SO WHETHER ANYONE
1396
00:59:45,364 --> 00:59:48,948
EVER APPRECIATES USOR KNOWS WHO WE ARE, MR. CURLY,
1397
00:59:48,977 --> 00:59:51,769
THEY WILL KNOWWHAT WE STAND FOR--
1398
00:59:51,800 --> 00:59:52,884
AND THAT MATTERS
1399
00:59:52,921 --> 00:59:54,046
TO EVERY SINGLE PERSON
1400
00:59:54,083 --> 00:59:56,875
WHO WROTEEVERY ONE OF THESE LETTERS.
1401
01:00:00,602 --> 01:00:01,561
MY GOODNESS.
1402
01:00:01,600 --> 01:00:03,975
SIR.
1403
01:00:03,966 --> 01:00:06,341
THERE'S ONE HEREFOR YOU.
1404
01:00:15,426 --> 01:00:18,467
[♪♪]
1405
01:00:18,498 --> 01:00:19,498
THANK YOU.
1406
01:00:27,217 --> 01:00:29,010
"DEAR MR. CURLY--"
1407
01:00:29,045 --> 01:00:32,170
WELL, AT LEASTSOMEBODY GOT IT RIGHT.
1408
01:00:32,200 --> 01:00:34,700
"MY MOMMY SAYSYOU'RE GOING TO STOP WORKING
1409
01:00:34,692 --> 01:00:35,692
"AND YOU AREN'T GOING TO
1410
01:00:35,688 --> 01:00:38,271
BRING ANY MAIL TO US ANYMORE."
1411
01:00:40,172 --> 01:00:42,340
[BREATH TREMBLING]
1412
01:00:42,332 --> 01:00:44,332
"THAT IS...
1413
01:00:44,366 --> 01:00:47,491
THAT... THAT IS VERY SAD."
1414
01:00:47,522 --> 01:00:48,814
[BREATH SHAKING]
1415
01:00:48,809 --> 01:00:51,809
"I WILL MISS YOU.
1416
01:00:51,799 --> 01:00:53,465
"YOU BRINGALL MY BIRTHDAY CARDS
1417
01:00:53,459 --> 01:00:55,794
AND LETTERS FROM GRANDMA."
1418
01:00:55,785 --> 01:00:57,618
[PAGE CRINKLES]
1419
01:00:57,612 --> 01:01:00,779
"AND YOU ALWAYS SMILEWHEN I GIVE YOU COOKIES.
1420
01:01:00,808 --> 01:01:03,100
"I WISHWE COULD GIVE YOU A PARTY,
1421
01:01:03,134 --> 01:01:04,384
"BUT OUR PLACE
1422
01:01:04,420 --> 01:01:06,837
IS TOO SMALL."
1423
01:01:07,908 --> 01:01:09,659
"BUT YOU ALREADY KNOW THAT."
1424
01:01:11,895 --> 01:01:14,229
"LOVE...
1425
01:01:14,221 --> 01:01:16,387
BETSY."
1426
01:01:16,379 --> 01:01:18,129
ONE OF THOSE...
1427
01:01:20,199 --> 01:01:23,908
...IS WORTHONE THOUSAND OF THESE.
1428
01:01:28,670 --> 01:01:30,670
I FEEL LIKE A FOOL.
1429
01:01:30,704 --> 01:01:32,496
DON'T BOTHER.
1430
01:01:32,489 --> 01:01:34,822
WE'VE ALREADY GOTONE OF THOSE OUTSIDE.
1431
01:01:34,856 --> 01:01:37,565
[♪♪]
1432
01:02:08,033 --> 01:02:09,491
SHANE!
1433
01:02:09,527 --> 01:02:12,277
THAT LETTER IS PROPERTYOF THE U.S. POSTAL SERVICE.
1434
01:02:12,308 --> 01:02:16,351
OH, WELL, SHE FILLED OUTA 10-67E AT THE D.L.O., LESTER.
1435
01:02:16,379 --> 01:02:18,379
WELL, THEN SHE GETS ITFROM THE D.L.O.
1436
01:02:18,413 --> 01:02:20,997
OH, FOR HEAVEN'SSAKE. REALLY?
1437
01:02:21,028 --> 01:02:22,820
REGULATIONS ARE LIKE
1438
01:02:22,856 --> 01:02:27,147
THE LIFEJACKETSON THE GANGPLANK OF LIFE, MISSY.
1439
01:02:27,173 --> 01:02:28,715
GREAT WORK TODAY, THOUGH.
1440
01:02:28,751 --> 01:02:30,752
KEEP THAT UP,I'LL BUY YOU DINNER.
1441
01:02:30,786 --> 01:02:32,994
OH. PLEASE... DON'T.
1442
01:02:33,028 --> 01:02:35,070
HAPPY TO DO IT.
1443
01:02:35,104 --> 01:02:36,438
HAPPY TO DO IT.
1444
01:02:36,474 --> 01:02:38,724
[FORCED CHUCKLE]
1445
01:02:40,875 --> 01:02:42,333
[SIGHS HEAVILY]
1446
01:02:42,370 --> 01:02:43,579
[JOE]: I'LL SEE YOUAT THE PARTY?
1447
01:02:43,617 --> 01:02:45,575
SHOULD BEINTERESTING.
1448
01:02:45,610 --> 01:02:47,777
[CHUCKLES]CURLY'S A GOOD GUY.
1449
01:02:47,810 --> 01:02:51,102
HE JUST LOST HIS WAYFOR A WHILE.
1450
01:02:51,132 --> 01:02:53,423
THINGS COULD'VE TURNEDOUT TERRIBLY FOR HIM
1451
01:02:53,457 --> 01:02:55,665
IF YOU HADN'THANDLED IT SO WELL.
1452
01:02:55,699 --> 01:02:56,699
THANK YOU.
1453
01:02:56,737 --> 01:02:58,821
THANK YOU.
1454
01:03:04,127 --> 01:03:06,461
[♪♪]
1455
01:03:13,305 --> 01:03:15,763
DUDLEY INVITED METO HIS RETIREMENT PARTY.
1456
01:03:15,796 --> 01:03:17,671
YOU SHOULD COME.
1457
01:03:18,910 --> 01:03:21,076
MAYBE I WILL.
1458
01:03:22,231 --> 01:03:23,899
ARE YOU COMINGTO CHOIR PRACTICE TOMORROW?
1459
01:03:23,934 --> 01:03:25,434
I WOULDN'T MISS IT.
1460
01:03:25,428 --> 01:03:27,470
GOOD.
1461
01:03:31,407 --> 01:03:34,324
[♪♪]
1462
01:03:44,528 --> 01:03:47,778
IT'S BLUEWITH A BIG HEART STICKER.
1463
01:03:50,382 --> 01:03:52,175
NORMAN?
1464
01:03:53,539 --> 01:03:55,955
YOU KNOWTHAT "BURROWING YELLOWTAIL OWL"
1465
01:03:55,988 --> 01:03:57,280
THAT RITA SENDS MONEY TO?
1466
01:03:57,317 --> 01:03:59,484
YEAH.
1467
01:03:59,476 --> 01:04:03,434
WELL, BEFORE I STARTED SINGING,I WORKED AT THE ZOO.
1468
01:04:03,462 --> 01:04:06,630
WOW. THAT ISA COMPLETE CAREER 180.
1469
01:04:06,619 --> 01:04:07,744
YEAH.
1470
01:04:07,780 --> 01:04:09,072
WELL, I LEARNED A LOT.
1471
01:04:09,110 --> 01:04:13,318
AND THERE'S SOMETHINGYOU SHOULD KNOW ABOUT BOB.
1472
01:04:16,126 --> 01:04:17,418
WHAT DO THEY SAY?
1473
01:04:17,413 --> 01:04:19,081
CAST YOURDARK OF NIGHT AWARD
1474
01:04:19,075 --> 01:04:20,450
UPON THE WATERS
1475
01:04:20,486 --> 01:04:23,070
AND IT SHALL BERETURNED UNTO YOU?
1476
01:04:23,102 --> 01:04:24,894
LOOK AT YOU,QUOTING SCRIPTURE.
1477
01:04:24,929 --> 01:04:26,595
[CHUCKLES]
1478
01:04:26,631 --> 01:04:28,881
I KNOW HOW HARD IT WAS FOR YOUTO GIVE THAT UP.
1479
01:04:28,873 --> 01:04:32,374
WELL, IT WAS EASIERTHAN I THOUGHT IT WOULD BE.
1480
01:04:32,404 --> 01:04:36,570
IT'S ACTUALLY JUSTA SYMBOL, LIKE A--
1481
01:04:36,597 --> 01:04:38,097
LIKE...
1482
01:04:38,133 --> 01:04:40,216
LIKE THE ROSE CUTTINGTHAT YOU GAVE ME.
1483
01:04:41,661 --> 01:04:44,536
YOU KNOW, JUST BECAUSEIT DIDN'T TAKE,
1484
01:04:44,568 --> 01:04:48,902
IT DOESN'T DIMINISHTHE THOUGHT THAT WAS BEHIND IT.
1485
01:04:50,008 --> 01:04:51,300
"NEVER REGRET AN ACT OF--"
1486
01:04:51,337 --> 01:04:52,378
[NORMAN]:OH! FOUND IT!
1487
01:04:52,416 --> 01:04:53,874
GREAT!
1488
01:04:56,983 --> 01:04:58,818
I CAN'T BELIEVE
1489
01:04:58,852 --> 01:05:00,769
I'M HOLDING$50,000 IN MY HANDS.
1490
01:05:02,589 --> 01:05:04,839
SO... WHY AM I SO SAD?
1491
01:05:04,873 --> 01:05:07,915
BECAUSE NO MATTERHOW MUCH YOU'VE WON,
1492
01:05:07,945 --> 01:05:09,945
IT CAN'T FIXWHAT YOU'VE LOST.
1493
01:05:11,891 --> 01:05:14,641
UH, SATURDAY NIGHTAT THE RESTAURANT,
1494
01:05:14,672 --> 01:05:16,589
I WAS SINGING THIS LOVE SONG,REMEMBER?
1495
01:05:16,624 --> 01:05:20,332
AND I'D SUNG IT A MILLION TIMES,BUT, FOR SOME REASON,
1496
01:05:20,360 --> 01:05:22,526
THAT NIGHT IT FELT LIKE I WASSINGING IT JUST FOR GRAHAM.
1497
01:05:22,561 --> 01:05:24,728
AND THEN IT HIT ME,
1498
01:05:24,761 --> 01:05:28,262
BEING SOME BROADWAY STARREALLY ISN'T MY DREAM.
1499
01:05:29,370 --> 01:05:31,329
BEING WITH GRAHAM...
1500
01:05:31,363 --> 01:05:34,322
BEING TOGETHER, ANYWHERE,
1501
01:05:34,312 --> 01:05:36,228
THAT'S THE DREAM.
1502
01:05:37,633 --> 01:05:39,801
THATWASTHE DREAM.
1503
01:05:39,793 --> 01:05:42,793
AT LEAST, IT WAS MINE.
1504
01:05:43,779 --> 01:05:45,612
YOU KNOW, WHENI BROKE UP WITH BOB,
1505
01:05:45,605 --> 01:05:47,188
I WAS SO SAD.
1506
01:05:47,225 --> 01:05:49,892
I THOUGHT I WOULD NEVERFIND THE RIGHT MAN FOR ME.
1507
01:05:49,923 --> 01:05:51,090
[QUIETLY]: "BOB"?
1508
01:05:51,128 --> 01:05:55,045
BUT THEN MY MOM SAID "RITA,DON'T BE IN SUCH A HURRY.
1509
01:05:55,073 --> 01:05:56,698
"THE PERFECT MAN IS OUT THERE,
1510
01:05:56,734 --> 01:05:58,692
"BUT HE'S STILLIN THE OVEN, BAKING.
1511
01:05:58,727 --> 01:06:00,268
"AND IF YOU KEEP RUNNINGINTO THE KITCHEN
1512
01:06:00,304 --> 01:06:01,387
"AND OPENING THE DOOR,
1513
01:06:01,383 --> 01:06:02,425
HE'LL NEVER BE READY."
1514
01:06:03,460 --> 01:06:06,794
SO, I WAITED,AND IT WASN'T EASY,
1515
01:06:06,824 --> 01:06:10,740
BUT THEN ALL OF A SUDDEN,I SMELLED SOMETHING REALLY GOOD,
1516
01:06:10,768 --> 01:06:13,060
AND WHEN I OPENED THE DOOR...
1517
01:06:13,092 --> 01:06:14,801
THERE WAS NORMAN.
1518
01:06:14,836 --> 01:06:15,836
ALL DONE!
1519
01:06:15,833 --> 01:06:17,083
DING!
1520
01:06:17,120 --> 01:06:18,620
[LAUGHTER]
1521
01:06:18,656 --> 01:06:20,282
HE WASWORTH THE WAIT.
1522
01:06:21,314 --> 01:06:23,939
[NIKKI]:I THOUGHT GRAHAM WAS, TOO.
1523
01:06:23,972 --> 01:06:27,847
HE SEEMED LIKESUCH A GOOD GUY, BUT...
1524
01:06:29,784 --> 01:06:32,368
WRONG OVEN, I GUESS.
1525
01:06:32,399 --> 01:06:33,900
LOOK AT IT THIS WAY.
1526
01:06:33,937 --> 01:06:37,020
NOW YOU CAN LIVEA TROUT-FREE LIFE
1527
01:06:37,051 --> 01:06:38,676
AND YOU DON'T HAVE TOWEAR BLUE ANYMORE.
1528
01:06:38,712 --> 01:06:40,212
GOOD POINT.
1529
01:06:40,247 --> 01:06:41,997
MISS BERGENS,THERE'S A VAST DIFFERENCE
1530
01:06:42,033 --> 01:06:44,741
BETWEEN CHOOSING A GOOD MAN
1531
01:06:44,731 --> 01:06:47,066
AND FINDING THE RIGHT MAN.
1532
01:06:47,058 --> 01:06:50,224
I HOPE YOU DON'T GIVE UPUNTIL YOU FIND BOTH.
1533
01:06:51,749 --> 01:06:53,707
OKAY.
1534
01:06:53,700 --> 01:06:56,534
WELL...THANKS FOR EVERYTHING.
1535
01:06:56,524 --> 01:06:58,024
OUR PLEASURE.
1536
01:06:59,181 --> 01:07:01,182
BACK TO WORK!
1537
01:07:01,217 --> 01:07:02,425
RIGHT!
1538
01:07:02,462 --> 01:07:05,254
OR I COULD JUST QUIT.
1539
01:07:05,285 --> 01:07:07,244
DON'T THINK ABOUT IT.
1540
01:07:07,278 --> 01:07:09,153
GO BACK TO WORK,FACE THE MUSIC.
1541
01:07:09,188 --> 01:07:10,396
YOU'LL KNOW WHAT TO DO.
1542
01:07:13,175 --> 01:07:14,967
[OLIVER]: MISS BERGENS,WE'LL SEE YOU OUT.
1543
01:07:16,206 --> 01:07:17,247
BYE.
1544
01:07:23,471 --> 01:07:24,846
RITA?
1545
01:07:26,378 --> 01:07:28,671
WE HAVE TO TALK.
1546
01:07:30,407 --> 01:07:33,240
NORMAN, I KNOW WHATYOU'RE GOING TO SAY.
1547
01:07:33,271 --> 01:07:35,729
I SHOULD HAVE TOLD YOUBEFORE ABOUT BOB,
1548
01:07:35,721 --> 01:07:39,721
BUT I DON'T FEEL ABOUT HIMTHE WAY I FEEL ABOUT YOU,
1549
01:07:39,748 --> 01:07:42,082
AND I NEVER DID.
1550
01:07:42,116 --> 01:07:44,449
YOU'RE JUST GOING TOHAVE TO TRUST ME.
1551
01:07:44,482 --> 01:07:46,232
OH, I TRUST YOUCOMPLETELY.
1552
01:07:46,267 --> 01:07:48,351
BUT I DON'T TRUST BOB.
1553
01:07:48,384 --> 01:07:50,051
I KNOW YOU WANTEDTO BELIEVE IT, BUT...
1554
01:07:51,084 --> 01:07:53,585
BOUVET ISLANDDOESN'T HAVE ANY OWLS.
1555
01:07:53,617 --> 01:07:56,867
AND THERE'S NO SUCH THINGAS THE BURROWING YELLOWTAIL.
1556
01:07:56,897 --> 01:07:58,772
BOB SCAMMED YOU.
1557
01:08:03,125 --> 01:08:04,833
OH.
1558
01:08:04,869 --> 01:08:06,911
I'M SORRY.
1559
01:08:08,606 --> 01:08:11,189
[SIGHS]
1560
01:08:11,222 --> 01:08:13,514
POOR BOB.
1561
01:08:13,547 --> 01:08:16,047
HE MUST HAVEREALLY NEEDED THE MONEY.
1562
01:08:18,529 --> 01:08:19,988
YOU'RE AMAZING.
1563
01:08:21,603 --> 01:08:24,519
[CHUCKLES]
1564
01:08:30,945 --> 01:08:34,112
BUT I'M NOT GIVING HIMANY MORE MONEY!
1565
01:08:34,142 --> 01:08:35,642
HEY! DO YOU WANNAGO GET DINNER?
1566
01:08:35,679 --> 01:08:37,304
I'VE GOTAN EXTRA 50 BUCKS!
1567
01:08:37,339 --> 01:08:38,798
YEAH!
1568
01:08:38,833 --> 01:08:40,417
I'M STARVING.
1569
01:08:40,453 --> 01:08:43,078
[♪♪]
1570
01:08:49,463 --> 01:08:50,546
NIKKI!
1571
01:08:50,584 --> 01:08:53,209
PLEASE HOLD ON.I NEED TO TELL YOU SOMETHING.
1572
01:08:53,242 --> 01:08:54,825
I TRIED CALLING YOUAFTER YOU RAN OFF,
1573
01:08:54,861 --> 01:08:56,236
BUT YOUR VOICEMAILWAS FULL
1574
01:08:56,272 --> 01:08:57,231
AND YOU DIDN'TPICK UP.
1575
01:08:57,269 --> 01:08:59,478
WE DON'T HAVE TOPRETEND ANYMORE, GRAHAM.
1576
01:08:59,511 --> 01:09:00,595
WE DON'THAVE TO TALK,
1577
01:09:00,632 --> 01:09:02,258
WE JUSTHAVE TO SING
1578
01:09:02,252 --> 01:09:04,419
AND SERVE BETTER-THAN-AVERAGE FOOD
1579
01:09:04,411 --> 01:09:05,578
AT INFLATED PRICES
1580
01:09:05,615 --> 01:09:06,574
TO PEOPLE WHO THINK
1581
01:09:06,611 --> 01:09:07,570
GOING TOA ROMANTIC RESTAURANT
1582
01:09:07,608 --> 01:09:09,525
ACTUALLY HAS ANYTHINGTO DO WITH LOVE.
1583
01:09:09,560 --> 01:09:11,435
NIKKI, PLEASE,JUST LISTEN TO ME FOR ONCE.
1584
01:09:12,465 --> 01:09:13,715
ACTUALLY WHATI TRIED TO SAY,
1585
01:09:13,753 --> 01:09:17,212
BUT YOU WOULDN'T LET MEIS I--
1586
01:09:17,200 --> 01:09:18,867
I LOVE YOU.
1587
01:09:18,902 --> 01:09:20,985
AND MORE THAN THAT,
1588
01:09:21,020 --> 01:09:22,811
I AM IN LOVE YOU,AND MORE THAN THAT, EVEN.
1589
01:09:22,846 --> 01:09:24,513
WHAT'S MORE THAN THAT?
1590
01:09:24,548 --> 01:09:26,007
I DON'T KNOW,
1591
01:09:26,002 --> 01:09:28,253
"I LOVE YOU FOREVER" LOVE?
1592
01:09:29,740 --> 01:09:32,490
IF THERE'S A "BUT" COMING,I'M GONNA KILL YOU.
1593
01:09:32,521 --> 01:09:35,396
I WAS GOING TO BREAK UP,BUT ONLY BECAUSE I--
1594
01:09:35,428 --> 01:09:36,970
I HAVE NO BUSINESSGIVING YOU HOPE
1595
01:09:37,005 --> 01:09:38,422
THAT I CAN GO WITH YOUTO NEW YORK.
1596
01:09:38,459 --> 01:09:39,959
BUT YOU'VE BEEN SAVING UPFOR SO LONG.
1597
01:09:39,994 --> 01:09:41,954
I WAS,BUT MY MOM--
1598
01:09:41,988 --> 01:09:43,280
MY MOM LOST HER JOB
1599
01:09:43,276 --> 01:09:45,484
AND FELL BEHINDON HER MORTGAGE PAYMENTS.
1600
01:09:45,518 --> 01:09:47,601
SHE DIDN'T WANT ME TO FIND OUT,BUT I DID,
1601
01:09:47,593 --> 01:09:49,927
AND I HAD TO HELP HER OUTBECAUSE SHE'S MY MOM
1602
01:09:49,919 --> 01:09:52,127
AND NOBODY ELSE BELIEVES IN MELIKE SHE DOES.
1603
01:09:52,161 --> 01:09:54,702
EXCEPT YOU.
1604
01:09:58,804 --> 01:10:00,554
WHY DIDN'T YOU TELL ME?
1605
01:10:00,590 --> 01:10:02,215
I COULDN'T LET YOUPUT YOUR DREAMS ON HOLD
1606
01:10:02,209 --> 01:10:03,417
WHILE YOU WAITED FOR ME.
1607
01:10:03,455 --> 01:10:06,705
BUT AFTER YOU RAN OFF,I KNEW I'D MADE A MISTAKE.
1608
01:10:06,735 --> 01:10:10,277
I JUST DON'T KNOWHOW TO FIX IT.
1609
01:10:11,967 --> 01:10:14,175
OKAY.
1610
01:10:14,209 --> 01:10:16,292
FIRST OF ALL...
1611
01:10:17,904 --> 01:10:21,071
I "LOVE YOU FOREVER"LOVE YOU, TOO.
1612
01:10:21,101 --> 01:10:22,519
AND SECOND,
1613
01:10:22,555 --> 01:10:23,555
I'M SORRY--
1614
01:10:23,593 --> 01:10:26,635
REALLY SORRY--THAT I RAN OFF.
1615
01:10:26,666 --> 01:10:29,207
YOU WERE OBVIOUSLY IN THE OVEN
1616
01:10:29,240 --> 01:10:30,990
AND I DIDN'T REALIZEYOU WERE DONE--
1617
01:10:32,022 --> 01:10:34,188
DON'T ASK.
1618
01:10:34,222 --> 01:10:35,848
BUT THIRD...
1619
01:10:35,884 --> 01:10:37,759
YOU ARE SO STUPID!
1620
01:10:37,793 --> 01:10:38,752
THANK YOU.
1621
01:10:38,789 --> 01:10:41,289
I MEAN, YOU'RE MY DREAM,NOT NEW YORK!
1622
01:10:41,322 --> 01:10:43,572
AND WHAT MAKES YOU HAPPYMAKES ME HAPPY,
1623
01:10:43,606 --> 01:10:44,606
AND I LOVE YOUR MOM,
1624
01:10:44,644 --> 01:10:45,894
AND IF WE'RE GONNABE TOGETHER FOREVER,
1625
01:10:45,889 --> 01:10:47,056
THEN WE CAN'T LET HERLOSE HER HOUSE,
1626
01:10:47,052 --> 01:10:49,136
OTHERWISE WHERE WILL WE GOFOR CHRISTMAS,
1627
01:10:49,170 --> 01:10:51,128
WHICH BRINGS ME TO--WHAT ARE WE ON?
1628
01:10:51,163 --> 01:10:52,205
FOUR.
1629
01:10:52,242 --> 01:10:53,242
FOURTH...
1630
01:10:53,281 --> 01:10:55,448
WILL YOU MARRY ME?
1631
01:10:55,481 --> 01:10:57,190
IN A MINUTE!
1632
01:10:57,184 --> 01:10:59,059
GOOD. UM...
1633
01:10:59,093 --> 01:11:02,052
BY THE WAY,WE WON THE LOTTERY.
1634
01:11:02,082 --> 01:11:04,333
I KNOW, THAT'S EXACTLYWHAT IT FEELS LIKE.
1635
01:11:04,367 --> 01:11:07,450
NO, WE WON THE LOTTERY.
1636
01:11:09,142 --> 01:11:11,058
OH. [CHUCKLES]
1637
01:11:11,093 --> 01:11:12,760
DON'T OPEN IT.
1638
01:11:12,795 --> 01:11:14,545
JUST KISS ME.
1639
01:11:15,660 --> 01:11:18,536
[♪♪]
1640
01:11:18,568 --> 01:11:22,026
[STAFF APPLAUDING]
1641
01:11:40,906 --> 01:11:43,198
[♪♪]
1642
01:11:44,519 --> 01:11:46,852
♪ MY HEART IS ON FIRE
1643
01:11:46,844 --> 01:11:48,802
♪ I'M RUNNING OUT OF TIME
1644
01:11:48,837 --> 01:11:52,170
♪ GOTTA FIND OUTIF YOU'RE STILL MINE ♪
1645
01:11:52,158 --> 01:11:55,033
[FOOTBALL GAME PLAYS ON TELEVISION]
1646
01:11:55,064 --> 01:11:56,315
PLAY ANY SPORTSIN HIGH SCHOOL, NORM?
1647
01:11:56,353 --> 01:12:00,978
I WAS A FOSTER KID,SO I MOVED AROUND A LOT.
1648
01:12:02,497 --> 01:12:05,456
SPORTS ARETHE FOUNDATION OF WAR.
1649
01:12:06,774 --> 01:12:08,607
LIKE PLAYING CHECKERSWITH REAL PEOPLE,
1650
01:12:08,642 --> 01:12:11,518
ONLY YOU DON'TGET HURT.
1651
01:12:12,753 --> 01:12:15,003
WHAT POSITIONDID YOU PLAY?
1652
01:12:16,490 --> 01:12:18,073
I WAS A FOSTER KID.I MOVED AROUND A LOT.
1653
01:12:18,109 --> 01:12:19,067
I DIDN'T--
1654
01:12:19,106 --> 01:12:21,398
SHORT-STOP...
1655
01:12:21,389 --> 01:12:22,972
GOOD FOR YOU.
1656
01:12:25,043 --> 01:12:28,043
OH, YEAH, I LOVE TO DANCE.
1657
01:12:28,075 --> 01:12:29,908
IT'S VERY HARD WORK, THOUGH.
1658
01:12:29,943 --> 01:12:32,443
WELL, AT LEAST THE WAYTHAT I DO IT, ANYWAYS.
1659
01:12:32,476 --> 01:12:33,684
[GIGGLES]
1660
01:12:33,680 --> 01:12:34,888
HOW ABOUT YOU?
1661
01:12:34,925 --> 01:12:36,759
OH, I HAVEN'TDANCED IN YEARS.
1662
01:12:36,794 --> 01:12:40,002
SHANE AND OLIVERTOOK DANCE LESSONS ONCE.
1663
01:12:39,991 --> 01:12:42,033
WHERE IS SHANE?
1664
01:12:42,068 --> 01:12:44,818
I DON'T KNOW.
1665
01:12:48,710 --> 01:12:50,085
[SPEAKING QUIETLY]
1666
01:12:53,652 --> 01:12:55,443
I'VE HEARD OF COP BARSAND I'VE HEARD OF SPORTS BARS,
1667
01:12:55,437 --> 01:12:58,062
BUT I'VE NEVERHEARD OF...
1668
01:13:02,661 --> 01:13:04,079
WOULD YOU EXCUSE ME?
1669
01:13:04,116 --> 01:13:05,157
SURE.
1670
01:13:06,981 --> 01:13:08,231
WELL, EVERYONE NEEDSA PLACE TO--
1671
01:13:08,226 --> 01:13:09,226
OLIVER.
1672
01:13:09,223 --> 01:13:10,223
HAVE SOME CAKE.
1673
01:13:10,260 --> 01:13:11,302
OH, THANK YOU.
1674
01:13:11,340 --> 01:13:13,173
SHANE HAD ITSPECIAL-ORDERED.
1675
01:13:13,209 --> 01:13:14,459
FROM MONTALDO'S.
1676
01:13:15,658 --> 01:13:16,866
OH.
1677
01:13:16,903 --> 01:13:19,321
DALE, COULD YOU HELP MEMIX SOME MORE PUNCH?
1678
01:13:19,354 --> 01:13:20,563
SURE.
1679
01:13:21,720 --> 01:13:22,762
LATER?
1680
01:13:22,800 --> 01:13:24,383
YES.
1681
01:13:25,665 --> 01:13:28,581
[♪♪]
1682
01:13:34,094 --> 01:13:35,677
♪ KISSES...
1683
01:13:35,713 --> 01:13:38,921
♪ ARE SO DELICIOUS
1684
01:13:38,952 --> 01:13:43,244
♪ DISTRACT MEALL MY WISHES ♪
1685
01:13:43,269 --> 01:13:46,937
♪ AND MAKE THIS DAYIN MY HEART... ♪
1686
01:13:46,924 --> 01:13:49,507
[NIKKI]:♪ ...BEFORE ♪
1687
01:13:49,540 --> 01:13:51,790
[DINERS APPLAUDING]
1688
01:13:56,349 --> 01:13:57,474
I, UH,
1689
01:13:57,512 --> 01:13:59,138
TOOK THE LIBERTYOF ORDERING DESSERT.
1690
01:13:59,174 --> 01:14:01,382
OH, THANK YOU.
1691
01:14:01,374 --> 01:14:02,791
WAS THAT RAMONTHAT I SAW LEAVING?
1692
01:14:02,827 --> 01:14:03,827
YES.
1693
01:14:03,865 --> 01:14:05,865
HE SENDS HIS REGARDS.
1694
01:14:05,900 --> 01:14:06,941
[CHUCKLES]
1695
01:14:06,979 --> 01:14:09,062
THAT GUY ALWAYS SHOWS UPAT THE WEIRDEST TIMES.
1696
01:14:10,217 --> 01:14:11,968
YOU THINK THIS IS WEIRD?
1697
01:14:14,453 --> 01:14:16,328
ARE YOU GOING TOTRY YOUR DESSERT?
1698
01:14:17,650 --> 01:14:21,109
UM, I'M NOT QUITE READY YET.
1699
01:14:21,137 --> 01:14:22,346
AHEM.
1700
01:14:22,383 --> 01:14:23,717
FORGIVE ME.
1701
01:14:23,753 --> 01:14:26,963
UH, IT GETSA BIT HOT IN HERE.
1702
01:14:28,446 --> 01:14:31,862
BUT, UM,I SUPPOSE YOU KNOW THAT,
1703
01:14:31,892 --> 01:14:33,809
BEING SO FAMILIARWITH THE PLACE.
1704
01:14:38,910 --> 01:14:42,035
OLIVER, LESTER IS AN IDIOT.
1705
01:14:42,065 --> 01:14:44,232
AND STEVE...
1706
01:14:44,224 --> 01:14:47,849
I HAVE BEEN OVER HIMFOR A VERY LONG TIME.
1707
01:14:49,082 --> 01:14:51,332
YOU OWE MENO EXPLANATIONS, MS. McINERNEY.
1708
01:14:51,365 --> 01:14:54,699
BECAUSE YOU AND IARE JUST... FRIENDS?
1709
01:14:54,688 --> 01:14:58,605
THAT WAS AN UNFORTUNATETURN OF PHRASE, I'M AFRAID.
1710
01:15:05,525 --> 01:15:07,275
SO-- [SIGHS]
1711
01:15:07,311 --> 01:15:09,769
SO WHAT WAS TONIGHT?
1712
01:15:10,798 --> 01:15:12,089
WAS IT A DATE?
1713
01:15:12,126 --> 01:15:15,501
OR WAS IT JUSTOUR "LONG-PROMISED DINNER"?
1714
01:15:17,440 --> 01:15:18,858
I DON'T KNOW.
1715
01:15:20,016 --> 01:15:22,807
IT WAS SUPPOSED TO BEA QUIET DINNER
1716
01:15:22,839 --> 01:15:25,922
WITH GOOD COMPANYAND GOOD CONVERSATION,
1717
01:15:25,953 --> 01:15:28,911
AND I DID WANT ITTO BE SOMEPLACE SPECIAL...
1718
01:15:30,271 --> 01:15:32,814
AND I WANTED TO DANCE.
1719
01:15:37,289 --> 01:15:39,206
OLIVER,
1720
01:15:39,240 --> 01:15:42,115
I NEVER DANCEDWITH ANY OF THE OTHERS HERE.
1721
01:15:43,558 --> 01:15:45,684
I ONLY--
1722
01:15:48,168 --> 01:15:51,293
I ONLY DANCE WITH YOU.
1723
01:15:56,471 --> 01:15:58,971
WE COULD USE MORE PRACTICE.
1724
01:16:00,998 --> 01:16:03,123
I-I KNOW.
1725
01:16:03,115 --> 01:16:06,240
IF WE WE'RE GONNA GETANY GOOD AT IT.
1726
01:16:06,270 --> 01:16:10,395
I IMAGINEWE COULD BE VERY GOOD.
1727
01:16:10,422 --> 01:16:13,673
I IMAGINE WE WOULD BE.
1728
01:16:13,704 --> 01:16:15,829
IF WE PRACTICED EVERY WEEK.
1729
01:16:16,900 --> 01:16:18,567
EVERY WEEK?
1730
01:16:19,972 --> 01:16:23,222
OH, I ONLY MEANTIF YOU WERE SERIOUS...
1731
01:16:23,253 --> 01:16:24,295
I-I MEAN--
1732
01:16:25,495 --> 01:16:27,288
RIGHT.
1733
01:16:28,568 --> 01:16:30,402
[PIANO BEGINS TO PLAY]
1734
01:16:30,436 --> 01:16:31,686
RIGHT.
1735
01:16:31,723 --> 01:16:34,390
[HOST]:AND NOW, RETURNING TO THE STAGE
1736
01:16:34,422 --> 01:16:37,047
WITH A VERY SPECIAL GOODNIGHT FROM MONTALDO'S...
1737
01:16:37,079 --> 01:16:40,497
PLEASE WELCOME MICHAEL AND SOPHIA.
1738
01:16:48,124 --> 01:16:53,875
♪ IF I LOVED YOU
1739
01:16:53,896 --> 01:16:56,354
♪ TIME AND AGAIN
1740
01:16:56,387 --> 01:16:59,595
♪ I WOULD TRY TO SAY
1741
01:16:59,626 --> 01:17:06,752
♪ ALL I'D WANT YOU TO KNOW
1742
01:17:08,637 --> 01:17:13,303
♪ IF I LOVED YOU
1743
01:17:13,328 --> 01:17:18,828
♪ WORDS WOULDN'T COMEIN AN EASY WAY ♪
1744
01:17:18,850 --> 01:17:25,476
♪ ROUND IN CIRCLESI'D GO ♪
1745
01:17:27,197 --> 01:17:32,572
♪ LONGING TO TELL YOUBUT AFRAID AND SHY ♪
1746
01:17:32,593 --> 01:17:35,303
♪ I'D LET MY GOLDEN CHANCES
1747
01:17:35,294 --> 01:17:38,377
♪ PASS ME BY
1748
01:17:39,778 --> 01:17:43,611
♪ SOON YOU'D LEAVE ME
1749
01:17:43,639 --> 01:17:46,555
♪ OFF YOU WOULD GO
1750
01:17:46,586 --> 01:17:49,379
♪ IN THE MIST OF DAY
1751
01:17:49,410 --> 01:17:56,452
♪ NEVER, NEVER TO KNOW
1752
01:17:56,469 --> 01:18:01,470
♪ HOW I LOVED YOU
1753
01:18:02,698 --> 01:18:07,989
♪ IF I LOVED YOU
1754
01:18:14,116 --> 01:18:17,241
[♪♪]
1755
01:18:18,725 --> 01:18:22,892
♪ SOON YOU'D LEAVE ME
1756
01:18:22,918 --> 01:18:25,377
♪ OFF YOU WOULD GO
1757
01:18:25,409 --> 01:18:28,119
♪ IN THE MIST OF DAY
1758
01:18:28,109 --> 01:18:36,067
♪ NEVER, NEVER TO KNOW
1759
01:18:36,081 --> 01:18:41,998
♪ HOW I LOVED YOU
1760
01:18:43,015 --> 01:18:45,807
[SILENCE FALLS]
1761
01:18:49,907 --> 01:18:52,157
♪ IF
1762
01:18:54,183 --> 01:18:59,726
♪ I LOVED YOU ♪
1763
01:19:03,028 --> 01:19:05,570
[DINERS APPLAUDING]
1764
01:19:24,204 --> 01:19:26,538
[♪♪]
1765
01:19:55,636 --> 01:19:57,719
[POP DANCE MUSIC PLAYS]
1766
01:20:10,915 --> 01:20:12,665
OLIVER,ARE WE DANCING?
1767
01:20:14,819 --> 01:20:18,278
NO, MS. McINERNEY.WE ARE NOT.
1768
01:20:20,051 --> 01:20:22,134
OKAY.
1769
01:20:22,168 --> 01:20:24,543
[OLIVER]:I NEED TO ASK YOU SOMETHING.
1770
01:20:24,577 --> 01:20:26,827
I LIKED THAT DESSERT.
1771
01:20:26,860 --> 01:20:28,861
IT WAS VERY GOOD.
1772
01:20:28,853 --> 01:20:30,270
I'M GLAD TO HEAR IT.
1773
01:20:30,307 --> 01:20:31,973
IT'S HARD TO FINDA GOOD CURD THESE DAYS.
1774
01:20:32,009 --> 01:20:34,176
YES. TIMES HAVE CHANGED.
1775
01:20:34,168 --> 01:20:36,001
AND I'M VERYOLD-FASHIONED, YOU KNOW.
1776
01:20:36,037 --> 01:20:37,662
I'M AWARE OF THAT.
1777
01:20:37,697 --> 01:20:39,656
AND WHEN LIFEBECOMES COMPLICATED,
1778
01:20:39,690 --> 01:20:41,232
ONE FINDS ONESELF FALLING BACK
1779
01:20:41,268 --> 01:20:43,435
UPON THE TRADITIONALAND FAMILIAR.
1780
01:20:43,469 --> 01:20:46,844
ONE TAKES ONE'S TIME TO AVOIDTHE RISK OF PRECIPITOUSNESS.
1781
01:20:46,874 --> 01:20:49,290
DOES ONE GET TO THE QUESTION?
1782
01:20:49,323 --> 01:20:50,490
AND YET...
1783
01:20:50,527 --> 01:20:51,611
WHAT GOOD
1784
01:20:51,607 --> 01:20:54,482
IS A LETTERIF ONE NEVER MAILS IT?
1785
01:20:55,551 --> 01:20:57,302
IS THAT THE QUESTION?
1786
01:20:57,338 --> 01:21:00,088
NO. WHY DID YOU ORDERLEMON CAKE FOR THE PARTY TODAY?
1787
01:21:01,738 --> 01:21:03,905
UM...
1788
01:21:03,897 --> 01:21:06,314
I THOUGHT YOU SHOULD HAVEA SECOND CHANCE TO TRY IT.
1789
01:21:07,427 --> 01:21:09,386
AND YOU COULDN'T WAIT
1790
01:21:09,421 --> 01:21:11,379
UNTIL THE NEXT TIMEWE WENT TO MONTALDO'S?
1791
01:21:11,414 --> 01:21:14,164
OR DID YOU ASSUMETHERE WOULD BE NO "NEXT TIME"?
1792
01:21:15,275 --> 01:21:16,400
WELL, I...
1793
01:21:16,437 --> 01:21:18,021
WELL...
1794
01:21:18,056 --> 01:21:19,431
IT MAY SURPRISE YOU,
1795
01:21:19,468 --> 01:21:23,136
BUT I BELIEVEIN SECOND CHANCES, TOO.
1796
01:21:24,368 --> 01:21:26,493
OKAY.
1797
01:21:26,527 --> 01:21:29,444
SHALL I SHOULD PUT ITON THE CALENDAR, THEN,
1798
01:21:29,475 --> 01:21:31,350
FOR SOMETIME THIS YEAR?
1799
01:21:31,384 --> 01:21:34,009
YES. HOW DOESNEXT SATURDAY SOUND?
1800
01:21:34,042 --> 01:21:35,084
GREAT.
1801
01:21:35,121 --> 01:21:36,121
IT'S A DATE.
1802
01:21:36,159 --> 01:21:37,618
I MEAN, IT'S A--
1803
01:21:37,655 --> 01:21:40,238
IT IS A DATE.
1804
01:21:45,170 --> 01:21:47,711
SPEAKING OFSECOND CHANCES--
1805
01:21:47,744 --> 01:21:49,327
MM-HMM?
1806
01:21:49,363 --> 01:21:51,072
HOW DO YOU LIKE MY HAIR?
1807
01:21:51,108 --> 01:21:52,941
WHAT?
1808
01:21:53,973 --> 01:21:56,848
DO YOU LIKE MY HAIR?
1809
01:21:56,879 --> 01:21:59,754
IT'S FINE.UH, IT'S, UH, VERY...
1810
01:22:01,488 --> 01:22:03,239
I LIKE THE FLOWER.
1811
01:22:03,274 --> 01:22:05,566
GOOD.
1812
01:22:05,599 --> 01:22:06,849
AHEM.
1813
01:22:06,886 --> 01:22:09,428
IT'S THE FIRSTROSE OF SUMMER.
1814
01:22:11,162 --> 01:22:12,329
NO!
1815
01:22:12,325 --> 01:22:14,825
IT TOOK AFTER ALL.
1816
01:22:14,857 --> 01:22:18,900
AND NO ANIMALS WERE HARMEDIN THE BLOOMING OF THIS ROSE.
1817
01:22:18,928 --> 01:22:20,344
[LAUGHING]
1818
01:22:20,381 --> 01:22:22,131
AND-- ANDYOU'D GIVEN UP.
1819
01:22:22,124 --> 01:22:23,874
I KNOW.
1820
01:22:23,910 --> 01:22:25,993
OH, ME OF LITTLE FAITH.
1821
01:22:27,438 --> 01:22:29,938
ALL IT TAKES IS A LITTLE.
1822
01:22:34,000 --> 01:22:35,083
COME ON!
119168
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