Original subtitles

[quiet, graceful music]

- [Narrator] In ancient days, gods, demons, and mortal men

walked together on this earth.

In time, their realms became separate.

Now all that remains are the legends,

and the keys to their realms.

[dramatic music]

London, 1381.

Plague and corruption have spread throughout the land,

and the innocent were taken to the darkest of places.

[foreboding music]

Newgate Prison.

[foreboding music]

Newgate was said to be like hell on earth.

That's how Tyburn liked it.

Ulrich Tyburn, Governor of Newgate.

For over 100 years,

Tyburn was governor of the infamous prison.

- Bring the girl down.

- [Narrator] Using the prisoners as slaves

to carve out passageways deep below the city.

[pulsing, dark music]

To a place known only to demons.

[pulsing, dark music]

Here, they built a great temple

where Tyburn brought his followers,

Newgate's most evil prisoners

who had sold him their souls,

becoming slaves to his will.

Using an ancient key, Tyburn opened a doorway,

a doorway to the underworld.

Tyburn wanted to use the armies of evil

to conquer the world, and, to free them,

Tyburn had one final task,

the sacrifice of an innocent.

[woman screams]

But Tyburn's impatience had pushed

the people of England too far.

On the day of his final sacrifice,

a crowd gathered at Newgate, demanding justice.

[crowd shouts]

[weapons clang]

[men scream]

- Tyburn!

- You.

[tense, exciting music]

- Tyburn!

I have come for the girl.

- Then you are too late.

Soon, she will be dead.

As will you.

[Tyburn shouts]

[sword thuds]

[exciting music]

Morgan!

[exciting music]

- I see.

Tell me more about this fellow Tyburn.

Do you feel he was to blame

for your attack on Dr. Segalman?

- I never meant to hurt her.

That was a mistake, I was trying to protect her!

- From what?

- The key, she found the key.

- The key to what?

- Tyburn's key, the key is evil.

They will use it to free Tyburn.

She needs my help!

[percussive music]

[alarm blares] [percussive music]

[soft music]

- [Man] Kryssie.

- Gregory.

- So good to see you. - And you.

This is spectacular.

- My London home.

Come on in and I'll show you around.

[soft music]

[helicopter buzzes]

[soft, graceful music]

Lord Woodrow.

- Good evening.

- This is Dr. Segalman, the eminent archeologist

who discovered the key.

Kristina, this is Lord Woodrow.

- Pleased to meet you. - And you.

I've been hearing some wonderful things about you.

- Lord Woodrow has been very helpful to us

on getting permission for our dig beneath the Old Bailey.

- Have you seen the key?

- [Woodrow] No, not yet.

- Well, look the party hasn't really livened up yet,

so why don't we take a sneak preview?

[soft music]

- [Man In Black] Oh!

Oh, sorry.

- Oh, that's all right.

I'm sorry. - No, it's my fault.

Really should watch where I'm going.

Sorry, old boy, you okay?

- Lester! - I'm sorry.

- Kryssie.

- Lester Rossini.

Is Addie around?

- You two know each other?

- Yes, I was engaged to Lester's brother Addison.

- Addie's not here.

Last I heard, he was in Moscow.

- Wheeling and dealing. - As always.

- Since when were you interested in archeology?

- I guess it runs in the blood,

what with Addie so fascinated with old treasures.

- Yes, as I can remember, that seemed to be

all Addison was ever interested in.

- Lord Woodrow, this is Lester.

He's accompanying my daughter Phoebe at the party.

Has she given you the slip, old boy?

- Seems that way.

Actually, I better go find her.

It's good to see you again.

- And you.

[soft music]

- Thank you, Gregory.

[helicopters buzz]

[percussive music]

[wind whistles]

- [Masked Man] Where are you, Lester?

- Lester, darling!

- [Lester] Phoebe.

- Are you going to ask me to dance?

We've hardly spent any time together tonight.

- Well, I-

- Come on, Phoebe, stop pestering the waiter.

I need a dance.

- Waiter?

[tense music]

It's gotta be one of these.

[sighs] But not that one.

[tense music]

Come on.

[tense music]

- Trouble getting away from Miss Van Husen?

- Well, what can I say, Addie?

One of us had to have the old Rossini animal magnetism.

Anyway, I feel like a cad leading her on.

She's a really nice girl.

- Lester, her daddy's a billionaire.

Money's on the mind of every man she meets.

- It'd be nice to be different for a change,

that's all I'm saying.

- No!

We're here to steal the key.

Her daddy might care, but she won't.

I can't believe you, Lester.

- I guess.

- Look, our timing's screwed.

We better communicate by radio now.

Here, this is yours.

- What, do we have to?

I hate having this thing stuck in my ear.

As if I wasn't uncomfortable enough wearing this tie.

- Would you stop whinging?

Right, what's that look for?

- [Lester] What look?

- Like I just parked my car on your foot.

- It's nothing, it's nothing.

- [Addison] What is it?

- Kryssie's here, she's downstairs.

- [Addison] I know.

- [Lester] I see, you're okay with that.

- That's ancient history.

We're here to do a job.

- If you say so.

Look, I better be going.

I should return Gregory's keys before they're missed.

- [Addison] Right, play it cool.

- Cool as ice.

- Lester. - What?

- [Addison] Your fly's undone.

- Oh, very mature.

- The Key of Khnum.

It's early Egyptian by origin.

The key was brought back here by knights after the Crusades.

- If you look at these hieroglyphics,

you will see the story of the key.

[soft music]

The god Khnum was said to have given up one of his eyes,

which he fashioned into a pendant as a gift for Osiris,

the king of the netherworld.

Using the eye, Khnum tried to spy on Osiris

in a plot to overthrow him,

but Osiris uncovered his plan, and, in his anger,

trapped Khnum inside the pendant.

- But the pendant in these pictures

is different to this-

- Well spotted.

The pendant is described as existing

of two interlocking pieces.

This part of the key, and another part called the eye.

- [Woodrow] How does all of this lead you

to the dig at the Bailey?

- Well, as you know, the Old Bailey's built

on the site that was formerly Newgate Prison.

Recent findings in Jerusalem suggest

that a prominent figure from the Knights Templar

fled to England with treasures

that may have included this key,

and took residency here

as governor of Newgate.

[tense music]

- [Disembodied Voice] Come to me.

- Kryssie?

Kryssie?

- Oh, yeah, sorry.

- [Gregory] We should be getting back.

The rest of the guests will surely have arrived by now.

- Of course.

Well, thank you both for the history lesson.

[suspenseful music]

- Lester!

Well, I'll be, you're growing

more like your father every day,

except you're thinner, paler,

not so dynamic. [chuckles]

How's that brother of yours?

You know, I always liked him.

- Good to see you again, Major.

Now will you excuse me?

I'd like to- - Nonsense.

I'm not leaving you here on your own.

We've got so much to talk about.

[suspenseful music]

[Major speaks indistinctly]

They wanted me to be in charge of the operation.

Times of action require men,

not some fatheaded windbag, full of his own importance.

- Oh, yes, sir, real men.

[quiet, staccato music]

- [chuckles] Not only were all the gloves strewn,

but the monkey had to be destroyed.

However, it was only after I became suspicious

that I discovered Lester here

under his father's banana tree, stark naked. [laughs]

- [Waiter] Sir, we're running low on champagne.

May I have the keys for the wine cellar, please?

- [Gregory] Oh, yes, of course, I'll just get the key.

- Phoebe, how about that dance?

[Phoebe squeals]

- Oh, bugger all. - I'm so sorry.

- Oh, sorry, Daddy. - What luck.

- Okay, old boy? - That's okay, Lester.

That's great, thank you, Lester.

Excuse me. - Sorry.

[soft music]

I'll call you tomorrow.

- Make sure you call me.

- Can I borrow your car?

[suspenseful music]

- Lester?

Fine, don't worry, I've got the goods.

On my way out.

[elevator hums] [suspenseful music]

[doors creak]

[exciting, tense music]

- Addie.

[exciting, tense music]

- Right, we've got him trapped now.

Send the rest of the team.

[doors hiss]

[guns rattle]

[exciting music]

Get up there!

[exciting, tense music]

[delicate music]

[fleshy smack] - Ow!

[quiet music]

Kryssie?

[quiet music]

I haven't got time for this.

- Then give me the key.

- You know Julian's got it.

If you want it, come and get it.

- Fine.

[Addison groans]

- Stop, just stop!

[quiet music]

- Stop or they'll shoot.

- Thanks for the workout.

- Drop dead.

- Put the key on the floor and your hands on your head.

- Is that what you want?

This?

[helicopter buzzes] [tense music]

[exciting music]

- Damn it!

[exciting music]

- What happened?

- Slight deviation from the original plan.

- Yeah, I'd say.

What about him?

- He'll wake up with a headache.

- Good show, we've got it.

- Of course.

What do you think?

- Is that it?

I wouldn't buy it.

- Well, I want you to deliver it.

- [Lester] On my own?

- All those years of public school

education, Lester, wasted.

Yes, on your own.

We're talking about a million apiece here.

- I suppose.

[fleshy thud]

- Like I said, all those wasted years.

- What?

- [Addison] Right.

- Still don't understand why they need me to do the drop.

- Take a left at the fifth floor,

third door on the left, they'll meet you there.

The contact name is Francis.

- Francis.

Got it.

- Good luck.

[ominous music]

- Mr. Rossini. - Yes?

- You're on your own.

I thought your brother was supposed to join us.

- He was?

- [Man] Yeah, he was.

That case for me?

- Yes.

[ominous music]

Don't you have something for me?

- Oh, yeah.

I nearly forgot.

[tense music]

- Please, please, please.

No, no.

Please, no.

[tense music]

- I'll take that.

[tense music]

Get the cases.

The car's out front, I'll see you down there.

- You'll never get out of this building alive, you know.

[banging]

[elevator dings]

[tense music]

- Nice tie.

[exciting music]

[man gasps]

- Get the car.

- What the hell were you thinking

sending me in there on my own like that?

- I haven't got time to explain that to you, Lester.

[tires squeal]

[tense music]

Uh oh.

- What?

[tense music]

[gun bangs]

[tires squeal]

[exciting music]

- Hold on tight.

[exciting music]

[glass shatters]

- That'll hurt his pay book.

[glass shatters]

[exciting music]

- Take that.

- What for?

- Take a wild guess.

- All right!

[gun bangs]

[exciting music]

[gun bangs]

- Look out!

[shattering thud]

- That's good shooting, give that back to me.

- [Kristina] Morning.

- Morning.

Better get to work inside.

The city engineers have been on the phone.

They're on their way down,

and they may want to close down the dig.

- Can they do not? - Oh, yes.

[ominous music]

- What way is this?

It just keeps going down and down and down.

[ominous music]

[Kristina gasps]

[exciting music]

[soft, dramatic music]

[tense music]

[Kristina screams]

[tense music]

[Kristina pants]

[dramatic music]

The body of the stone.

- [Addison] 200,000 pounds, it's all yours.

- What, all of it?

- [Addison] All of it.

And a new passport, and details of a new home in Valencia.

- Valencia?

What's going on, Add?

- We're in over our heads on this one, Lester.

I shouldn't have got you involved.

It's my fault, I'm sorry, but you have to leave tonight.

- I can't just leave.

- We're dealing with professionals, professional killers!

They never intended to pay us.

They wanted this trinket and then us dead.

Now, you have to leave tonight.

Don't call Phoebe, don't call anyone.

Do you understand me?

- Yeah.

Yeah.

- I'm sorry.

I really am.

- It doesn't look so bad now.

I almost like the place.

Five holes.

Looks like some sort of key is needed to open it.

- Like the one we've lost.

- Never mind.

- Mr. Rossini.

We have somebody here that you might recognize.

Of course you do, it's your brother Lester.

We have a proposition for you, Mr. Rossini.

You'll carry out another robbery,

and I'll be half this time.

This is the item in question.

A jewel-encrusted golden eye,

currently in the care of the British Museum.

You'll find a building layout, security arrangements,

everything you need for the successful

planning of this operation here on this desk.

But I wouldn't spend too long thinking about it

if I were you, Mr. Rossini.

You see, we're working to rather a tight deadline.

My employer needs both the jeweled eye

and that key you so skillfully acquired the other night

by dawn tomorrow.

Now, if you fail to do this,

things could go badly for Lester here.

- Sorry, Addie.

[Lester grunts]

Very badly, indeed. [Lester groans]

[foreboding music]

- Brother Sabec.

- It is time.

[tense, exciting music]

- You're looking well, Doctor.

I'm not here to harm you, but I will if I have to.

[tense, exciting music]

- I know you think you're here to save us all, but-

- If the amulet falls into the wrong hands,

no one will be able to save us.

- Please, don't go and make things worse for yourself.

- Things could get a lot worse for both of us, Kryssie.

[tense music]

[gun bangs]

[tense music]

[grunting]

[tense, exciting music]

- [Addison] Ow.

- Addie?

[exciting music]

[glass shatters]

[men shout]

[men shout]

[men thud]

[pulsing, suspenseful music]

- The news isn't good, brothers.

- [Brother] What about the eye?

- Someone has intercepted it,

but don't despair just yet.

Brother Sabec has tracked it down and is watching.

- [Brother] We should just kill him.

- Patience, Brother.

We don't know what his motives are or what he intends

to do with it. [phone rings]

The time to act is upon us.

[suspenseful music]

- Hello, Francis.

Guns down, down.

- All of ya, put your guns down.

- Where's my brother?

Where is he?

- Have you got something for me, Rossini?

- My brother first.

[tense music]

You all right, Lester?

- Yeah.

[tense music]

Call me.

[tense music]

- [Kristina] I don't think so.

- What are you doing here?

- [Kristina] Retrieving stolen goods.

[tense music]

- No!

Stop!

Put the gun down, Dr. Segalman.

You were never meant to be involved in this.

- But why?

- The treasure, Kristina, the treasure of Templars.

With this key, I can open the secret chamber,

have it all!

[tense music]

[guns bang] [exciting music]

- Get in the car!

[guns bang] [exciting music]

- Where's she going?

[guns bang] [exciting music]

Get to the cars.

[exciting music] [guns bang]

[fiery boom]

[exciting music]

Lester, you okay?

- I'm okay, are you okay?

- I'm okay.

[thudding boom]

[exciting music]

- [Kristina] Come on, hurry up!

- I'm trying! - Hurry up!

[exciting music]

- I got it!

[exciting music]

- If I don't get to the Old Bailey,

it'll be an unimaginable catastrophe.

Only I can stop it.

- Are we going to listen to this?

This man is a mental patient.

He stabbed me!

Look!

- Yeah, well, I felt like stabbing you

on more than one occasion.

Now, listen, old man, all I want

is the money that's owed to me.

Maybe, as a bonus, get even

with this Woodrow guy, whatever his name is.

- [Lester] I don't like the sound of that.

- Why are you hanging around with these people?

They will not help us.

- Oi, I never asked you to tag along.

If we hadn't stopped to collect you,

you would've been shot, or barbecued by now.

- Time is running out.

The demon will soon have the key,

and if he uses it to open the door,

he will release a curse upon the whole of mankind.

- What door?

- A doorway to hell, constructed by Tyburn.

- Tyburn?

- Ulrich Tyburn,

a Knight Templar of the First Crusade.

When the Christian forces of the West took Jerusalem,

a desperate search began for religious relics.

Under the Temple of Solomon,

we found treasures beyond the imagination.

Amongst these treasures was a cup, the cup of Christ,

the Holy Grail.

[gentle music]

But Tyburn had found something else in the chamber,

an ancient key from a world long forgotten.

In a ceremony at the Temple of Solomon,

we drank from the Grail,

and, in doing so,

received the gift

of life eternal.

But Tyburn's key was cursed by an evil demon.

It possessed his body and poisoned his soul.

Tyburn must rid himself of all traces of his own humanity.

In 1381, I saved his own granddaughter

from a death at his hands.

Once again, he seeks his heir,

the last of his direct descendants.

You, Kryssie.

- What?

- This is absurd.

- There is a birthmark on the back of your neck.

Your mother had the same mark,

as did her mother before her.

- Right, enough!

Woodrow and Francis are at the Old Bailey.

- Yes, I know. - Well, that's where

we're all headed.

- I'm going to the police, Addison.

- [Addison] Do as you please.

- No, let go!

[soft music]

- All my life, I've dreamt of the treasure

of the Templars, and, now, here it is.

[lush music]

My God, it's amazing.

Where's the treasure, where's the treasure?

Where is the treasure?

[dramatic music]

- Cowardly mannered.

I could smell your fear as you slithered

into my temple. [chuckles]

[dark music]

- We have long awaited your return, Master.

Your servants await your command.

[dark music]

- Stand.

There is much to do.

- [Morgan] They'll be in there now.

Quickly, there's no time to lose!

- You all right in there?

- [Kristina] Let me out, you!

- That's nice.

Won't be long, honey.

Just, yeah. - How long?

- Stay up here and keep your eyes open.

- Fine by me.

- Where is he going?

Where's he gone?

[Addison groans]

- Where's the girl Kryssie?

- She's behind you. - Very funny.

You're so dead.

[club smacks]

- How'd you get out of the boot?

- Unlocked it.

- No, Kryssie, get out of here, now!

There's no time, he can sense your presence.

Quickly, get out, get her out of here!

- Let's go, now!

- Keep her safe at all costs, go!

[dramatic music]

- My old friend Morgan.

[dramatic music]

So you've been waiting for me all these years.

Pathetic.

You can't defeat me, old man. [laughs]

[Tyburn shouts]

[percussive, tense music]

- [Sabec] We must get her to safety.

- It's locked!

- Open the door!

[tense music]

- Minion of darkness, condemned souls of Newgate,

servants of darkness bound by your souls, hear me.

Arise!

[servant roars]

- Open the door!

- I've already tried.

[tense music] [servants growl]

- Kill the men, bring me the girl alive.

[tense music] [servants growl]

- The servants of darkness?

- That's my guess.

Lester, open the door!

[tense music] [sword rings]

- Don't worry, Addie, I'm coming.

- Lester, open the door.

- Les, open the door!

God.

[tense music]

- Tyburn, Tyburn, turn around.

Face me.

[fire roars]

[tense music]

- [Addie And Kristina] Lester, open the door!

- I'm trying, I really am!

[tense music]

[gun bangs]

[tense music]

- Add, up there.

[tense music]

- Looks good to me.

[tense music]

[gun bangs]

[ladder clangs] [servant roars]

Not bad.

[tense music]

[Sabec screams]

- No, Sabec!

[tense music]

- It's not gonna hold them for long.

Where are you going?

- This is the quickest way out.

[tense music]

[gun bangs] [servant roars]

[tense music]

Now what?

- Come on.

[tense music]

- Don't worry, Addie, I'm coming!

What are you doing, where's Addie?

- They found another way out.

- Well, where's your friend?

And who's this behind the door?

[servant thuds]

[servant roars]

[tense music]

- They're all locked, what are we gonna do?

- I'm thinking.

- Come on!

- Thinking.

- Well, hurry!

[tense music]

- I'm thinking.

[servant growls]

[tense music]

Where am I?

[tense music]

Hold that door for a minute.

- What?

- Hold the door! - What?

[servant roars] [Addison and Kristina shout]

[tense music]

[servant growls]

- Good, that's good. [Kristina chuckles]

[tense music]

- Good thinking, Einstein, we're trapped.

Tell me you have a plan to get us out of here.

- Not yet.

- [Kristina] Well, hurry up!

[servant growls]

- Ah!

[servant growls]

I've got it!

[fleshy smack]

Tie this around your waist.

- What are you doing?

- I'm going to lower you down to the pavement.

- [Kristina] Are you insane?

- Have you got a better idea?

Kryssie, we haven't got all day!

- [Kristina] Okay, okay, okay.

- Okay, careful, careful.

[tense music]

- What about you?

- I've got a plan for me.

- I'm not going without you.

- Oh, yes, you are.

Go!

[Kristina screams]

[tense music]

[Addison groans]

[tense music]

[Addison groans]

[tense music]

- [Kristina] Addie, help!

No!

[tense music]

[Kristina screams]

[Kristina shrieks]

[water splashes] [servant thuds]

[tense music]

[Kristina screams]

- Leave him, he's mine!

[Addison screams]

[water splashes]

No, no, no!

Bring them to me!

Bring them to me now!

- What are you doing?

We have to go back, we have to help them.

- Go back, I'm not stopping you.

- Fine, I will.

You're sure you're not coming?

- I'll help, but I think we need to get armed first.

- What did I do to deserve you again?

- Why, you pigheaded, son of a!

You steal my relics, you lock me in a trunk,

throw me out the window!

- Would you just calm down?

I'm gonna make a call.

[Kristina groans]

[phone rings]

- Hello?

- Lester. - Where are you?

- Yeah, we're on Suffix Street.

- No problem, the cavalry will be there in 10 minutes.

Just hold on.

- Carrying it like that, you'll shoot the wrong person.

[servant growls]

- Don't look!

[Kristina gasps]

[motorcycles revs]

[motorcycle thuds]

[servant growls]

Hang on!

[Kristina shouts]

[exciting music]

[Kristina shouts]

- [Kristina] No, get off!

- [Addison] Get it off, get it off, get it off!

[exciting music]

Get him off!

[exciting music]

[servant roars]

Goodbye, sucker. [chuckles]

[exciting music]

Hold on tight.

[exciting music]

[Addison chuckles]

[exciting music]

[motorcycle clangs]

[tense music] [subway squeals]

[tense music]

[servant growls]

[gun bangs]

- We're trapped!

[fleshy thunks]

Addie, help, help!

[exciting music]

Addie, help!

[exciting music]

[subway thuds]

[exciting music]

[subway shatters]

[tense music]

Back, back!

[tense music]

- Now we're trapped.

- There's no men after all.

Come to me.

- No! - Kristina!

- Addie! - Kristina, no!

[fire crackles]

- Oh, how touching.

Kill him.

[Francis laughs]

[Addison groans]

[bone crunches] [Addison moans]

[foot thuds] [Addison moans]

[tense music]

[guns pop]

- Are we done yet?

[guns pop]

- [Addison] I hate cashews.

- Where is Kryssie?

- They've taken her.

- Then we must get her back.

If Tyburn sacrifices Kristina, it will complete his plan.

Then the armies of evil will consume the world,

and all will be lost.

- What are those things?

- [Morgan] This is holy water.

I can use it to injure the enemy.

It burns them like concentrated acid.

- Great, well, bottle one for me, will you?

- So what's the plan?

- There's another way in,

a secret passage into the catacombs,

hidden beneath the floor of this church.

We sealed it in 1381.

Sabec and his men reopened it when Kristina found the key.

- And once we're in?

- We must send Tyburn through the doorway into hell.

- Oh, how, Morgan?

- Until Tyburn completes his ceremony

and makes his sacrifice, the forces of evil

will be unable to break free from their world into our own.

Tyburn is now one of these creatures,

a demon, a beast of Satan.

If we can force Tyburn through the door

before he kills Kryssie, he will be trapped like the others,

unable to escape.

- Right.

Let's go.

[tense music]

- He escaped us, sir.

- Well, then, what are you doing here?

It would seem that I have overestimated your usefulness.

I have no further use for you.

[dramatic music]

- [Francis] Please, don't kill me!

- Then give me your soul.

[dramatic music]

I want it.

[dramatic music]

- Okay! [moans]

- Welcome to Newgate.

[dramatic music] [Tyburn laughs]

- Here it is, help me with this, will you?

Hold this for me, will you, Lester?

- What is it?

- It's yours if I don't return.

- While we're down there, you keep

watching the main entrance.

- No problem.

- Don't go being a hero, do you hear?

- [Lester] You know me, Addie.

- [Kristina] Stop it, no, stop it!

[dark music]

- It stinks.

[dark music]

- Spooky churchyard, night.

I just need to get a grip.

Oh, man.

[tense music]

[servant growls] [tense music]

[tense music]

[chuckles] Now I've got you.

- Don't be afraid.

With the taking of your life, everything will be changed.

- I'll see you in hell, first.

- Oh, without doubt.

[tense music]

[door slams]

[tense music]

With this flame of life extinguished,

let total darkness consume this world.

My sacred task complete,

bring me your armies of eternal damnation!

[Kristina screams]

[Kristina gasps] [dark music]

[dark, tense music]

[monster roars]

[gun pops] [tense music]

[Addison shouts]

[shattering boom]

[percussive music]

You're too late, Morgan, you should not have come here.

[percussive music]

- Kryssie!

[exciting music]

- Kill them.

[exciting music]

- Addie, help, help!

[exciting music]

[gun bangs]

[fleshy smack]

[exciting music]

- Morgan!

[exciting music]

How long did you leave me in this temple to rot, Morgan?

In all that time, I thought of a million ways

in which to make you suffer.

You should've killed me when you had the chance.

- A mistake I will not be making twice.

[swords ring]

[exciting music]

- Addie, Addie, up here!

[exciting music]

[Addison shouts]

[dramatic music]

[swords ring]

[exciting music]

[swords ring]

[Morgan groans]

- You have lost, Morgan.

But I'm not going to kill you quite just yet.

Firstly, I want you to watch as your friends die one by one.

Watch them! [Morgan moans]

[exciting music]

[gun bangs]

[dramatic music]

- Holy water, anyone?

[exciting music]

- What are you waiting for, stop him!

[exciting music]

- Addie, help!

[blade rings]

[exciting music]

- Thank you, my son.

[exciting music]

- Idiot!

[gun bangs] [blades whistle]

[blades ring]

- Lester, free Kryssie.

- [Lester] No problem.

[exciting music]

- You have stood in my way for the last time.

[Addison moans]

[exciting music]

- To hell with you, Tyburn.

[water gun clicks]

Oh, crap.

- I think you need a refill. [chuckles]

[exciting music]

Your deaths will be slow, indeed.

[Lester groans]

[Addison gags]

[exciting music]

- Turn around, Tyburn.

[tense music]

Well, what are you waiting for?

Come and get me.

- As you wish.

[tense music]

No!

- Kryssie!

- [Tyburn] No, no!

[exciting music]

- Take my hand.

[exciting music]

- Let go of her, Ulrich.

- Morgan!

[dark music]

[lightning cracks]

[wings flutter]

- [Addison] This place is collapsing, let's go!

Lester, come on!

[rocks crunch]

[quiet music]

[light music]

- There's nothing you could've done.

- I know.

[soft music]

- Leave him to it, he'll be okay.

[soft music]

- So, now what?

- Well, unless you wanna get on a soapbox

and explain all this, I suggest we get going.

- That's not what I meant.

- What do you wanna do, tidy up?

What?

What?

[soft music]

- Hey, Addie, there is a treasure.

According to Morgan's book, it was buried

500 years ago in a chamber under Threadneedle Street.

I wonder what's at Threadneedle Street now.

[soft music]

[dramatic music]