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ANNOUNCER: Previously on Genius.
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DINAH: Re's going to
be the next great one.
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CL: Yes, she is. Yes, she is.
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Ha-ha! That's my daughter.
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I taught the Queen of
Soul everything she knows,
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especially them dance numbers.
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(GRUNTING)
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What do you say we continue at my house?
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FREEDIA: What I was really
hoping was that you'd pass
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my songs along to your daughter.
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She could use some new material.
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JERRY: I am leaving Atlantic.
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ARETHA: Ain't that some shit?
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Jerry left Atlantic and
I still have two years left.
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I don't think I have
anything else to give.
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I'm done.
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REPORTER: And there's Glynn Turman,
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recent star of the hit film Cooley High.
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GLYNN: Clive Davis.
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ARETHA: Congratulations on your
new launch of Arista Records.
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CLIVE: You are a legend.
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You and your music are going
to live forever, I promise you.
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I hope our paths cross again.
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GLYNN: Man, you've
got to give it to her.
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She doesn't give up.
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(GLASS BREAKING).
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(GUN SHOTS).
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♪ I will go where you lead. ♪
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♪ I'll be right there in time of need. ♪
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♪ And when I lose my will. ♪
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♪ You'll be there to
push me up the hill. ♪
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♪ There's no. ♪
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♪ No looking back for us. ♪
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♪ No look baby. ♪
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♪ We've got a love sure 'nough,
that's enough. ♪
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GLYNN: Go 'head.
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♪ You're all. ♪
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♪ You're all I need. ♪
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♪ You're all. ♪
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♪ You're all I need. ♪
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♪ You're all. ♪
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♪ You're all I need
baby, baby to get by. ♪
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♪ Yea. ♪
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♪ To get by. ♪
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PARAMEDIC: Almost there, Mr. Franklin.
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You're doing fine, hang on, okay.
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♪ Like an eagle protects his nest, ♪
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♪ For you I'll do my best. ♪
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♪ Stand by you like a tree. ♪
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♪ And dare anybody
who try and move me. ♪
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♪ Darling in you I found. ♪
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♪ Strength when I was torn down. ♪
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♪ Don't know what's in store ♪
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♪ But together we can open any door. ♪
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♪ Just to do what's good for you. ♪
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PARAMEDIC: He's losing a lot of blood.
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NURSE: Stay with us, sir, stay with us.
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♪ Out of a soul that
didn't have a goal. ♪
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♪ Cause we, yea. ♪
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♪ We got the right foundation ♪
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♪ Yeah ♪
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♪ And with love and determination. ♪
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♪ Yes we do. ♪
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♪ Oh. ♪
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♪ You're all I need. ♪
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♪ You're all. ♪
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♪ Baby, baby. ♪
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♪ You're all I need. ♪
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♪ You're all. ♪
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♪ You're all I need to get by. ♪
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DOCTOR: OR 2, prepped, scrubbing in...
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(OVERLAPPING CHATTER)
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♪ As long as I got you then
baby you know that you got me.
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♪ You're. ♪
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DOCTOR: Blood bank, now please.
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Get plasma in here.
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NURSE: Plasma's on its way.
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PARAMEDIC: Come on.
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♪ 'Cause we've got a love
it's an R-E-S-P-E-C-T. ♪
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PARAMEDIC: He's coding, code blue.
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No pulse.
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Starting compressions.
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Give me that crash cart stat.
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♪ As long as I got you then
baby you know that you got me.
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♪ Oh! ♪
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DOCTOR: Paddles ready. Step back. Clear.
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(FLATLINE)
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(APPLAUSE AND CHEERING).
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ARETHA (OVER PA): I love you.
I love you so much.
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(CHEERING).
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MAN: Aretha, I love you.
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WOMAN: Aretha, I love you!
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GLYNN: Oh my God, that crowd.
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I mean they loved you.
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Are you serious?
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Are you serious?
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Oh my God, come here.
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Come here.
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♪ ♪
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♪ ♪
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(THEME MUSIC PLAYS).
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♪ ♪
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Subtitle sync and corrections by
awaqeded for www.addic7ed.com.
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(OVERLAPPING CHATTER)
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NURSE (OVER SPEAKER):
Doctor Stuart, please call 6212
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Doctor Stuart, please call 6212.
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Doctor Martinez, please call OR 8.
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Doctor Martinez, please call OR 8.
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CECIL: Big Ma is home
resting and Sister Lucy
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is staying with her.
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GLYNN: Baby, it's a blessing
your father made it through surgery.
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Doctor says he's stable.
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ARETHA: They shot him in the groin?
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ERMA: And in the knee.
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ARETHA: They know who did it?
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CAROLYN: We'll hear
more from the detective.
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GLYNN: Look, baby, your
father lost a lot of blood.
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ARETHA: But he's stable,
you said he was stable.
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GLYNN: He is.
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He's stable but the doctor's
just not sure when he'll wake up.
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ARETHA: He'll wake up. He will. He will.
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ERMA: They're calling it a light coma.
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CECIL: What does that even mean?
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CAROLYN: He could be
unconscious for some time.
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GLYNN: What do you need?
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What can I do for you?
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ARETHA: Daddy's in there hurting.
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Nothing else matters.
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♪ O mio babbino caro. ♪
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♪ Mi piace, e bello bello. ♪
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♪ Vo'andare. ♪
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ARETHA: Now, see, that's a voice.
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CAROLYN: Mm-hmm.
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- ERMA: You could out sing her.
- CECIL: Mm-hmm.
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ARETHA: No. Now, come on, opera?
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ERMA: Uh, yeah, come on, girl,
now you know you got skills.
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CAROLYN: It would be like when
we got those roller skates.
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At first, you were
falling down more than anybody.
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ERMA: Then after one day
she was skating around all of
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us doing circles and tricks
and everything all around us.
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ARETHA: Do remember when we
was trying to go out, sneaking?
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CAROLYN: Oh, Daddy
hollered from his office.
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ARETHA: Now you, you will
not be going roller skating
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with those boys at,
at this time of night.
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(LAUGHING).
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ERMA: Only it was 5:00 in the afternoon.
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CECIL: But it was on a Sunday.
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ARETHA: Our Daddy was a piece of work.
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CAROLYN: Yes. Oh, remember
that red Cadillac he had?
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- ERMA: Which one?
- CECIL: Oh, all of them.
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You know he stayed
looking sharp all the time,
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cleaner than the Board of Health.
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- ERMA: Yes.
- CAROLYN: Yes.
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ARETHA: That reminds me,
we have to get his car washed
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twice a week because you
know that once he wakes up,
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he's going to walk down those stairs,
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open up the windows,
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take a look outside and
say, now, how often are, are,
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are you washing my cars?
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CECIL: That's your sister, mm-hmm, nope.
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ERMA: Cecil.
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ARETHA: You know I'm telling the truth.
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ERMA: Well, I ain't washing no cars.
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Re, you know we love you.
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CECIL: But you know we can handle this.
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Okay?
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ARETHA: We were right
to bring him home instead of
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putting him in one of those facilities.
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CAROLYN: Yeah.
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00:09:00,520 --> 00:09:02,979
We're just saying you
don't have to be rushing back
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and forth between here and LA.
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You know you don't have
to be making sacrifices.
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ARETHA: Now, I'm not
making no sacrifices.
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CAROLYN: All right.
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You're not avoiding going home, are you?
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ARETHA: Why would I
be avoiding going home?
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CAROLYN: Well, your new album
didn't do as good as you hoped.
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ERMA: And we know you got one
foot out the door at Atlantic.
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ARETHA: That's because
they want me to be
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00:09:19,242 --> 00:09:21,039
opening act for one of their rock bands.
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EVERYONE: Opening act?
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ARETHA: Said it would
be a good exposure.
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ERMA: See, the record
business is some bullshit.
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ARETHA: Sometimes, yes.
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ERMA: All the time.
186
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ARETHA: I need, I need a Daddy pep talk.
187
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ERMA: Oh, we got you.
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Come on, come on, Carolyn.
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CAROLYN: Re, you got to go back
home and get back on that horse.
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ERMA: Yeah, cause no child of CL
Franklin going to take no mess now.
191
00:09:46,320 --> 00:09:48,359
CECIL: Oh, oh, I got
you, I got you, look.
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00:09:48,360 --> 00:09:50,489
Take some of this liquid courage, okay.
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ERMA: Oh boy.
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00:09:51,660 --> 00:09:53,119
CAROLYN: Watch out now, Re, watch out.
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Sunday!
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Or you could, you know,
you could just go back home
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and lean on that
handsome husband of yours.
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Come on.
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00:10:00,580 --> 00:10:03,690
♪ And let him take
all your troubles away ♪
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00:10:03,880 --> 00:10:05,770
ARETHA: Get on out of here.
201
00:10:06,420 --> 00:10:09,009
That would be nice, but
Daddy seems to be healing
202
00:10:09,010 --> 00:10:11,440
'cause I'm by his side, so.
203
00:10:16,680 --> 00:10:21,040
(PHONE RINGS).
204
00:10:22,940 --> 00:10:24,109
ARETHA: How you doing, baby?
205
00:10:24,110 --> 00:10:25,359
GLYNN (OVER PHONE): I'm all right.
206
00:10:25,360 --> 00:10:26,649
Boys are happy to be back in school.
207
00:10:26,650 --> 00:10:28,109
ARETHA: Boys doing their homework?
208
00:10:28,110 --> 00:10:30,420
GLYNN: With my help.
209
00:10:30,660 --> 00:10:31,989
GLYNN (OVER PHONE): Even with algebra.
210
00:10:31,990 --> 00:10:33,199
ARETHA: Well, you the best.
211
00:10:33,200 --> 00:10:34,369
GLYNN (OVER PHONE): Trying to be.
212
00:10:34,370 --> 00:10:35,949
Hey, you book your ticket back home yet?
213
00:10:35,950 --> 00:10:37,199
ARETHA: I was just home.
214
00:10:37,200 --> 00:10:38,449
GLYNN: Three weeks ago.
215
00:10:38,450 --> 00:10:39,959
ARETHA (OVER PHONE):
The doctors say that we,
216
00:10:39,960 --> 00:10:42,709
we should sit with
Daddy and talk with him.
217
00:10:42,710 --> 00:10:44,459
They say that he can hear us.
218
00:10:44,460 --> 00:10:47,150
And yesterday when I squeezed
his hand, he, he smiled.
219
00:10:47,630 --> 00:10:48,799
GLYNN (OVER PHONE): That's good news.
220
00:10:48,800 --> 00:10:50,719
So, you coming home for Thanksgiving?
221
00:10:50,720 --> 00:10:52,469
ARETHA: Maybe you all could come here
222
00:10:52,470 --> 00:10:54,969
ARETHA (OVER PHONE):
And for Christmas too?
223
00:10:54,970 --> 00:10:56,889
GLYNN: Cold Detroit for Christmas.
224
00:10:56,890 --> 00:10:59,139
ARETHA (OVER PHONE):
It'll be a celebration.
225
00:10:59,140 --> 00:11:01,580
GLYNN: Well, speaking
of celebrations there,
226
00:11:01,940 --> 00:11:04,269
there's some events going
on out here I don't think
227
00:11:04,270 --> 00:11:05,519
you want to miss,
228
00:11:05,520 --> 00:11:07,319
GLYNN (OVER PHONE): Some industry stuff.
229
00:11:07,320 --> 00:11:09,720
I was thinking we'd get all
dressed up and we show our faces.
230
00:11:10,150 --> 00:11:11,859
ARETHA: Because otherwise
people will forget me?
231
00:11:11,860 --> 00:11:13,859
GLYNN: Baby, I just want you
to have some fun, that's all.
232
00:11:13,860 --> 00:11:15,909
ARETHA: I can't just
leave everything with Erma
233
00:11:15,910 --> 00:11:17,869
and Carolyn, that wouldn't be fair.
234
00:11:17,870 --> 00:11:19,579
GLYNN: Baby, you have a nurse
235
00:11:19,580 --> 00:11:21,430
GLYNN (OVER PHONE): Around the clock.
236
00:11:24,750 --> 00:11:26,100
I love you.
237
00:11:27,250 --> 00:11:29,169
ARETHA: I love you too.
238
00:11:29,170 --> 00:11:31,129
But it's important for
me to be home right now.
239
00:11:31,130 --> 00:11:33,610
GLYNN: Then come home
then baby, I miss you.
240
00:11:34,180 --> 00:11:36,150
ARETHA: I mean with Daddy.
241
00:11:36,760 --> 00:11:38,219
ARETHA (OVER PHONE): It's important
for me to be home right now because
242
00:11:38,220 --> 00:11:40,309
there are certain things
that only I can do.
243
00:11:40,310 --> 00:11:42,179
GLYNN (OVER PHONE): Baby, what I mean is
244
00:11:42,180 --> 00:11:45,250
me and the boys, we're your family too.
245
00:11:47,360 --> 00:11:49,279
ARETHA: I want to be with
you and the boys more than
246
00:11:49,280 --> 00:11:52,920
you know but it's, I, I
have to be home right now.
247
00:11:55,660 --> 00:11:57,880
ARETHA (OVER PHONE):
I'm sorry, baby. I really am.
248
00:11:58,990 --> 00:12:00,890
GLYNN: Okay, baby,
249
00:12:01,450 --> 00:12:03,100
GLYNN (OVER PHONE): Okay.
250
00:12:19,180 --> 00:12:24,030
(OVERLAPPING CHATTER).
251
00:12:35,820 --> 00:12:40,300
♪ ♪
252
00:12:41,950 --> 00:12:44,909
CL: Come on down here
and join the party.
253
00:12:44,910 --> 00:12:47,810
Come on. That's my girl.
254
00:12:53,300 --> 00:12:59,780
(MONITOR BEEPING).
255
00:13:12,690 --> 00:13:16,199
ARETHA: I pray every
day that you'll wake up,
256
00:13:16,200 --> 00:13:18,670
show me who I'm supposed to be.
257
00:13:19,570 --> 00:13:22,090
You're always there cheering me on,
258
00:13:27,540 --> 00:13:29,390
showing me the way.
259
00:13:29,630 --> 00:13:31,459
CL: I'm always going to protect you.
260
00:13:31,460 --> 00:13:32,940
You remember that.
261
00:13:35,420 --> 00:13:37,190
ARETHA: Made me feel special.
262
00:13:39,640 --> 00:13:42,240
- WOMAN: Amen, Amen.
- MAN: Aw, that's sweet.
263
00:13:43,140 --> 00:13:45,240
MAN 2: Sing it little girl.
264
00:13:50,190 --> 00:13:53,080
ARETHA: This doesn't work without you.
265
00:13:54,070 --> 00:14:00,170
So, if you wake up, I'll figure
out what I'm supposed to do.
266
00:14:07,830 --> 00:14:09,869
CECIL: Lord, thank you for this food.
267
00:14:09,870 --> 00:14:12,959
Let this food give us the strength
we need to continue on our day.
268
00:14:12,960 --> 00:14:16,839
Bless everyone who
helped us prepare this food.
269
00:14:16,840 --> 00:14:18,799
In the son Jesus' name, amen.
270
00:14:18,800 --> 00:14:20,940
EVERYONE: Amen.
271
00:14:21,470 --> 00:14:27,160
(LAUGHTER AND CHATTER).
272
00:14:35,770 --> 00:14:39,609
(LAUGHTER AND CHATTER).
273
00:14:39,610 --> 00:14:42,569
BIG MOMMA: Well, your father is
proud of each and every one of you.
274
00:14:42,570 --> 00:14:45,239
ARETHA: You know, I would have
never soloed in New Bethel Church
275
00:14:45,240 --> 00:14:47,516
in front of all those people if
it hadn't have been for Daddy.
276
00:14:47,540 --> 00:14:49,119
ERMA: That's true, he pushed you.
277
00:14:49,120 --> 00:14:50,539
CAROLYN: I was scared for you.
278
00:14:50,540 --> 00:14:51,999
ARETHA: You were scared? I was scared.
279
00:14:52,000 --> 00:14:54,129
ERMA: I was jealous, just a little bit.
280
00:14:54,130 --> 00:14:55,709
(LAUGHING)
281
00:14:55,710 --> 00:14:58,669
BIG MOMMA: Yeah, well, I was proud.
282
00:14:58,670 --> 00:15:00,980
ARETHA: Well, who's
going to push me now?
283
00:15:01,760 --> 00:15:04,650
Daddy's sick, music
business is changing,
284
00:15:05,050 --> 00:15:07,820
and I feel a little
bit like I'm on my own.
285
00:15:10,940 --> 00:15:12,439
ERMA: You still have us to lean on.
286
00:15:12,440 --> 00:15:13,809
CAROLYN: That's right.
287
00:15:13,810 --> 00:15:15,269
ARETHA: Thank you.
288
00:15:15,270 --> 00:15:19,250
And I will but I think, I
think I'm going to push myself.
289
00:15:20,860 --> 00:15:22,529
CAROLYN: Okay.
290
00:15:22,530 --> 00:15:25,069
ARETHA: And I think I know how.
291
00:15:25,070 --> 00:15:26,659
CAROLYN: All right.
292
00:15:26,660 --> 00:15:30,470
- ERMA: What you cooking up, sis?
- BIG MOMMA: What you got in mind?
293
00:15:37,380 --> 00:15:39,860
ARETHA: Clive, you want
some hot sauce with that?
294
00:15:40,090 --> 00:15:42,480
CLIVE: It's delicious,
plenty spicy, thank you.
295
00:15:44,390 --> 00:15:46,549
I heard you were mostly
in Detroit these days,
296
00:15:46,550 --> 00:15:48,309
so I was excited to get your call.
297
00:15:48,310 --> 00:15:49,679
ARETHA: Well, I'm helping family.
298
00:15:49,680 --> 00:15:51,679
CLIVE: I heard. How's your dad?
299
00:15:51,680 --> 00:15:52,849
ARETHA: We pray he's on the mend,
300
00:15:52,850 --> 00:15:55,149
but holidays are hard.
301
00:15:55,150 --> 00:15:57,460
We're all together but
it wasn't like old times.
302
00:15:58,070 --> 00:16:00,750
CLIVE: I appreciate
you taking the time here.
303
00:16:01,110 --> 00:16:03,399
Are you sure you're not going
to tell me your secret recipe?
304
00:16:03,400 --> 00:16:05,449
ARETHA: Clive, you're going
to learn that my momma's recipes
305
00:16:05,450 --> 00:16:07,529
are not the only thing
I like to keep to myself.
306
00:16:07,530 --> 00:16:10,800
CLIVE: Okay. Shop talk only then.
307
00:16:11,790 --> 00:16:13,959
I can tell you that Arista
is prepared to offer you
308
00:16:13,960 --> 00:16:16,100
considerably more money than Atlantic.
309
00:16:16,540 --> 00:16:18,339
ARETHA: That's good but money
is not the only thing that's
310
00:16:18,340 --> 00:16:20,940
going to get me to sign with you.
311
00:16:21,090 --> 00:16:23,980
Music keeps changing and I
want to keep changing with it.
312
00:16:24,380 --> 00:16:25,629
CLIVE: Well, don't worry.
313
00:16:25,630 --> 00:16:28,049
We are going to
capitalize on what you do well.
314
00:16:28,050 --> 00:16:30,860
I can provide you with the
best material, the best producer.
315
00:16:31,100 --> 00:16:33,059
ARETHA: I want somebody
who doesn't put me in a box.
316
00:16:33,060 --> 00:16:35,740
Someone who I can trust.
317
00:16:36,690 --> 00:16:38,439
CLIVE: It was such a
failure of Columbia that they
318
00:16:38,440 --> 00:16:40,519
couldn't help you like Wexler did.
319
00:16:40,520 --> 00:16:44,069
But I see you're continuing to
develop the kind of music you're making.
320
00:16:44,070 --> 00:16:46,170
And your tenacity
is your greatest asset.
321
00:16:47,740 --> 00:16:50,279
You are shaping
viewpoints and perspectives.
322
00:16:50,280 --> 00:16:53,659
You are right up there
with The Beatles and Bob Dylan
323
00:16:53,660 --> 00:16:56,180
as one of the giants
in contemporary culture.
324
00:16:56,500 --> 00:16:58,539
ARETHA: Clive, I'm almost 40.
325
00:16:58,540 --> 00:17:00,839
I've been making records
since I was 14 years old.
326
00:17:00,840 --> 00:17:03,839
At this point in my career,
I just want to have fun.
327
00:17:03,840 --> 00:17:05,589
I want to try something new.
328
00:17:05,590 --> 00:17:07,259
I want to sing whatever I want to sing,
329
00:17:07,260 --> 00:17:09,089
with whoever I want to sing it with,
330
00:17:09,090 --> 00:17:11,469
and I want someone who
doesn't use the years I have
331
00:17:11,470 --> 00:17:14,410
on my back to push me
to the back of the line.
332
00:17:14,640 --> 00:17:17,580
I have earned and I
deserve control of my career.
333
00:17:19,400 --> 00:17:22,019
CLIVE: You are Aretha Franklin.
334
00:17:22,020 --> 00:17:25,239
If you never recorded
another note you'd live forever.
335
00:17:25,240 --> 00:17:28,359
I'm sitting here
because you're timeless.
336
00:17:28,360 --> 00:17:30,630
I just want to be
a part of your history.
337
00:17:34,040 --> 00:17:36,310
ARETHA: Well now that sounds all right.
338
00:17:37,040 --> 00:17:39,270
♪ Jump, jump, jump to it. ♪
339
00:17:44,760 --> 00:17:45,980
Left.
340
00:17:46,510 --> 00:17:47,799
♪ Yea, yea, yea. ♪
341
00:17:47,800 --> 00:17:48,879
Great.
342
00:17:48,880 --> 00:17:50,179
♪ Girl I got to go. ♪
343
00:17:50,180 --> 00:17:51,889
♪ Yea, yea, yea. ♪
344
00:17:51,890 --> 00:17:53,389
♪ Come on now, really. ♪
345
00:17:53,390 --> 00:17:54,429
Chin up please.
346
00:17:54,430 --> 00:17:56,019
♪ Yea, I'm kinda in a hurry. ♪
347
00:17:56,020 --> 00:17:57,269
♪ Yea yea, yea, yea ♪
348
00:17:57,270 --> 00:17:58,479
♪ Uh-huh. ♪
349
00:17:58,480 --> 00:18:02,710
♪ Here's the reason why. ♪
350
00:18:08,610 --> 00:18:10,920
♪ Jump, jump, jump to it. ♪
351
00:18:13,580 --> 00:18:16,350
♪ Oh, oh, oh, oh, oh, oh, oh, oh. ♪
352
00:18:16,870 --> 00:18:19,220
♪ Jump, jump, jump to it. ♪
353
00:18:19,580 --> 00:18:22,480
♪ Oh, oh, oh, oh, oh, oh, oh, oh. ♪
354
00:18:22,920 --> 00:18:24,799
(SCATTING).
355
00:18:24,800 --> 00:18:27,150
♪ Jump, jump, jump to it. ♪
356
00:18:27,460 --> 00:18:30,150
♪ Do, do, dwee, do,
do, do, dwee, do do. ♪
357
00:18:31,090 --> 00:18:33,389
♪ Hey, hey, ya. ♪
358
00:18:33,390 --> 00:18:35,200
♪ Jump, jump, jump to it. ♪
359
00:18:35,430 --> 00:18:37,519
REPORTER: Aretha, you're R&B number one.
360
00:18:37,520 --> 00:18:38,679
How does it feel?
361
00:18:38,680 --> 00:18:40,059
REPORTER 2: Aretha! You're back on top.
362
00:18:40,060 --> 00:18:42,160
REPORTER 3: Aretha, tell us what's next.
363
00:18:46,730 --> 00:18:48,939
CECIL: And in the name
of the Father, the Son,
364
00:18:48,940 --> 00:18:52,920
and the Holy Ghost we say amen.
365
00:18:53,620 --> 00:18:55,840
- ARETHA: Amen.
- ERMA: Amen.
366
00:19:08,300 --> 00:19:11,879
You and Clive Davis are on a roll.
367
00:19:11,880 --> 00:19:13,969
There's nothing you
can't sing the hell out of.
368
00:19:13,970 --> 00:19:16,469
Re, I cannot believe
you're moving back to Detroit.
369
00:19:16,470 --> 00:19:18,219
ARETHA: It's not like I'm
going back to Daddy's house.
370
00:19:18,220 --> 00:19:19,889
CAROLYN: Where you going to live?
371
00:19:19,890 --> 00:19:21,849
ERMA: Okay, with all the
success you've been having lately,
372
00:19:21,850 --> 00:19:23,059
can we celebrate?
373
00:19:23,060 --> 00:19:25,540
CAROLYN: Back on top of the charts.
374
00:19:25,690 --> 00:19:29,000
ARETHA: Mm-hmm. Let's
hope it stays like that.
375
00:19:29,740 --> 00:19:31,739
CAROLYN: What are you afraid of, sis?
376
00:19:31,740 --> 00:19:33,670
ARETHA: Nothing.
377
00:19:34,490 --> 00:19:36,779
ERMA: Re, we've all got
to make peace with the fact
378
00:19:36,780 --> 00:19:39,829
that Daddy isn't going
to be getting any better.
379
00:19:39,830 --> 00:19:41,159
CAROLYN: He's just not
going to be able to be there
380
00:19:41,160 --> 00:19:42,539
for us the way he used to be.
381
00:19:42,540 --> 00:19:44,249
It's been four years.
382
00:19:44,250 --> 00:19:45,980
ARETHA: And I've got to face that.
383
00:19:51,470 --> 00:19:53,129
(MONITOR BEEPING).
384
00:19:53,130 --> 00:19:55,429
ARETHA: Everybody keeps
telling me to let you go but
385
00:19:55,430 --> 00:19:58,059
I don't know who I am without you.
386
00:19:58,060 --> 00:20:01,780
I am who I am because of you.
387
00:20:03,230 --> 00:20:05,830
My gifts and my griefs.
388
00:20:15,070 --> 00:20:21,430
I... I'm not ready to let you leave yet.
389
00:20:27,080 --> 00:20:30,560
You'll leave behind a, a
wound that will never heal.
390
00:20:34,840 --> 00:20:38,360
I don't want to walk
around being an open wound.
391
00:20:43,640 --> 00:20:47,229
And I know that if you were
here you would say trust in
392
00:20:47,230 --> 00:20:49,870
God's will and read your Bible.
393
00:20:51,440 --> 00:20:52,529
But that ain't going to do it.
394
00:20:52,530 --> 00:20:55,000
I don't want to do that.
395
00:20:55,780 --> 00:20:59,420
If you leave, I'm afraid
I won't be special anymore.
396
00:21:04,040 --> 00:21:07,520
I won't know who I am.
397
00:21:07,710 --> 00:21:09,749
I don't know how to
be the Queen of Soul;
398
00:21:09,750 --> 00:21:12,560
I just want to be your daughter.
399
00:21:17,510 --> 00:21:21,030
Please wake up Daddy.
400
00:21:23,140 --> 00:21:26,330
Please wake up. Please wake up.
401
00:21:29,690 --> 00:21:32,870
♪ Why don't you, why don't you. ♪
402
00:21:33,030 --> 00:21:36,040
♪ Let it be. ♪
403
00:21:37,530 --> 00:21:40,170
♪ Still water run deep. ♪
404
00:21:40,780 --> 00:21:41,829
♪ Yes it do. ♪
405
00:21:41,830 --> 00:21:43,510
♪ Yes it do. ♪
406
00:21:44,080 --> 00:21:46,600
♪ For yea. ♪
407
00:21:47,660 --> 00:21:49,209
♪ If you only believe. ♪
408
00:21:49,210 --> 00:21:51,350
♪ When you're down. ♪
409
00:21:54,760 --> 00:21:56,169
Please.
410
00:21:56,170 --> 00:21:58,780
♪ When you're on the street. ♪
411
00:22:00,930 --> 00:22:04,950
♪ When evening falls so hard. ♪
412
00:22:07,640 --> 00:22:10,790
♪ I will comfort you. ♪
413
00:22:12,270 --> 00:22:16,210
♪ I'll take your part. ♪
414
00:22:19,240 --> 00:22:22,510
♪ Oh when darkness comes. ♪
415
00:22:24,700 --> 00:22:27,909
♪ And pain is all. ♪
416
00:22:27,910 --> 00:22:30,749
♪ Is all around. ♪
417
00:22:30,750 --> 00:22:33,730
♪ Just like a bridge. ♪
418
00:22:34,040 --> 00:22:38,570
♪ Over troubled water. ♪
419
00:22:40,180 --> 00:22:43,679
♪ I will lay me down. ♪
420
00:22:43,680 --> 00:22:46,639
♪ Just like a bridge. ♪
421
00:22:46,640 --> 00:22:50,490
♪ Over troubled water. ♪
422
00:22:51,020 --> 00:22:53,500
♪ I will lay me down. ♪
423
00:22:58,570 --> 00:23:00,880
♪ City traffic movin' way too slow. ♪
424
00:23:02,070 --> 00:23:05,760
♪ Drop the pedal and go, go. ♪
425
00:23:06,160 --> 00:23:07,120
♪ Come on baby. ♪
426
00:23:07,120 --> 00:23:08,040
♪ Go. ♪
427
00:23:08,041 --> 00:23:09,289
♪ Do it for me now. ♪
428
00:23:09,290 --> 00:23:12,119
♪ We're goin' ridin' on the freeway. ♪
429
00:23:12,120 --> 00:23:13,209
♪ Of love. ♪
430
00:23:13,210 --> 00:23:15,100
♪ Wind's against my back. ♪
431
00:23:16,500 --> 00:23:19,020
- CLIVE: To you.
- ARETHA: To you.
432
00:23:19,550 --> 00:23:22,230
♪ Of love in a pink Cadillac ♪
433
00:23:23,720 --> 00:23:26,150
ARETHA: MTV, I love it.
434
00:23:26,350 --> 00:23:28,849
CLIVE: Video gives people
a new way to enjoy the song.
435
00:23:28,850 --> 00:23:31,850
ARETHA: I'm reaching folks from coast
to coast without even leaving my home.
436
00:23:32,730 --> 00:23:35,000
CLIVE: Now, new songs.
437
00:23:35,360 --> 00:23:36,519
ARETHA: Any winners?
438
00:23:36,520 --> 00:23:37,939
CLIVE: Well, it's up to you.
439
00:23:37,940 --> 00:23:39,569
Let me know if any of
the lyrics resonate with you.
440
00:23:39,570 --> 00:23:41,189
We had hundreds of submissions;
441
00:23:41,190 --> 00:23:43,630
these are the best of the bunch.
442
00:23:46,160 --> 00:23:48,300
ARETHA: How do you do it?
443
00:23:48,740 --> 00:23:51,600
You've got golden ears.
444
00:23:51,750 --> 00:23:53,560
CLIVE: They are both at your service.
445
00:23:54,040 --> 00:23:55,079
Annie Lennox.
446
00:23:55,080 --> 00:23:56,289
ARETHA: From the Eurythmics?
447
00:23:56,290 --> 00:23:57,629
CLIVE: Yeah, yeah.
448
00:23:57,630 --> 00:23:58,919
Sisters are doing it for themselves.
449
00:23:58,920 --> 00:24:00,589
The whole thing is
about female empowerment.
450
00:24:00,590 --> 00:24:02,690
ARETHA: Well, I can get behind that.
451
00:24:02,840 --> 00:24:04,719
CLIVE: George Michael,
he wants to do a duet with you.
452
00:24:04,720 --> 00:24:06,299
ARETHA: Okay.
453
00:24:06,300 --> 00:24:08,139
CLIVE: We're getting offers to
do more of those big interviews.
454
00:24:08,140 --> 00:24:09,389
ARETHA: Well, as long
as they don't want to get
455
00:24:09,390 --> 00:24:11,599
into my business, you know
how I hate that.
456
00:24:11,600 --> 00:24:13,229
CLIVE: I just want to make
sure you have all the chances
457
00:24:13,230 --> 00:24:15,370
you can to tell the
world how great you are.
458
00:24:15,770 --> 00:24:17,689
ARETHA: Because there will
never be another one like me.
459
00:24:17,690 --> 00:24:19,460
CLIVE: Mm-hmm.
460
00:24:21,610 --> 00:24:25,380
The Olympia Theater wants you back.
461
00:24:28,830 --> 00:24:31,300
Come on, it's Paris!
462
00:24:33,750 --> 00:24:36,020
ARETHA: Can't do it. You weren't there.
463
00:24:37,040 --> 00:24:40,499
That little two engine plane
just dipsey-doodling in the air,
464
00:24:40,500 --> 00:24:42,259
I'm still not over it.
465
00:24:42,260 --> 00:24:44,009
I, what can I tell you?
466
00:24:44,010 --> 00:24:45,299
No planes.
467
00:24:45,300 --> 00:24:47,969
CLIVE: You have
conquered the R&B charts.
468
00:24:47,970 --> 00:24:50,610
Now, I want you back at number
one on the Billboard's Hot 100.
469
00:24:51,140 --> 00:24:55,370
With MTV your exposure is
great, let's make the most of it.
470
00:24:56,560 --> 00:25:00,000
ARETHA: Clive, I promise you
I'll find another way to fly again.
471
00:25:04,320 --> 00:25:07,340
♪ Sisters are doin' it for themselves. ♪
472
00:25:10,330 --> 00:25:11,739
♪ There was a time. ♪
473
00:25:11,740 --> 00:25:13,289
♪ There was a time. ♪
474
00:25:13,290 --> 00:25:14,999
♪ Oh, when they used to say. ♪
475
00:25:15,000 --> 00:25:16,619
♪ When they used to say. ♪
476
00:25:16,620 --> 00:25:20,140
♪ That behind every great man. ♪
477
00:25:20,420 --> 00:25:23,310
♪ There had to be a great woman. ♪
478
00:25:24,130 --> 00:25:26,900
♪ In these times of change. ♪
479
00:25:27,680 --> 00:25:30,320
♪ You know that's no longer true. ♪
480
00:25:31,760 --> 00:25:35,019
♪ So we're comin' out of the kitchen. ♪
481
00:25:35,020 --> 00:25:38,479
♪ 'Cause there's somethin'
we forgot to say to you. ♪
482
00:25:38,480 --> 00:25:39,769
♪ We say. ♪
483
00:25:39,770 --> 00:25:43,170
♪ Sisters are doin' it for themselves. ♪
484
00:25:44,190 --> 00:25:45,739
♪ Equal pay, hear what we say. ♪
485
00:25:45,740 --> 00:25:48,090
♪ Standin' on their own two feet, yea. ♪
486
00:25:48,610 --> 00:25:51,340
♪ And ringin' on their own bells. ♪
487
00:25:52,120 --> 00:25:53,760
♪ Here we come now. ♪
488
00:25:54,160 --> 00:25:57,499
CLIVE: If you liked singing with Annie,
489
00:25:57,500 --> 00:26:00,430
you're going to love
singing with George.
490
00:26:01,670 --> 00:26:06,980
♪ ♪
491
00:26:07,550 --> 00:26:10,429
♪ Like a warrior that fights. ♪
492
00:26:10,430 --> 00:26:12,639
♪ And wins the battle. ♪
493
00:26:12,640 --> 00:26:15,620
♪ I know the taste of victory. ♪
494
00:26:16,350 --> 00:26:18,389
♪ And I went through some nights. ♪
495
00:26:18,390 --> 00:26:21,000
♪ Consumed by shadows. ♪
496
00:26:21,520 --> 00:26:24,500
♪ I was crippled emotionally. ♪
497
00:26:25,480 --> 00:26:28,880
ARETHA: Yes, I work hard but all of
you have helped me reach this milestone.
498
00:26:29,610 --> 00:26:32,409
And some of you have known
me for a lifetime, Carolyn.
499
00:26:32,410 --> 00:26:33,529
CAROLYN: Yes.
500
00:26:33,530 --> 00:26:35,989
ARETHA: You are as brave as they come.
501
00:26:35,990 --> 00:26:38,720
You can write and sing
the heck out of a song.
502
00:26:39,330 --> 00:26:41,470
- CAROLYN: Come on, thank you.
- CECIL: Oh, amen.
503
00:26:41,630 --> 00:26:43,669
ARETHA: Brother Cecil, you
have always been able to keep
504
00:26:43,670 --> 00:26:45,999
me grounded and you have
always been able to get me
505
00:26:46,000 --> 00:26:47,860
out of some crazy messes.
506
00:26:48,010 --> 00:26:49,879
- CECIL: It ain't easy.
- ARETHA: No, it's not.
507
00:26:49,880 --> 00:26:51,719
But I love you and I thank you.
508
00:26:51,720 --> 00:26:53,549
CECIL: I love you.
509
00:26:53,550 --> 00:26:56,139
ARETHA: Miss Erma, you
have always had my back
510
00:26:56,140 --> 00:26:58,019
and I'll never forget it.
511
00:26:58,020 --> 00:27:00,729
I learned how to shine because of you.
512
00:27:00,730 --> 00:27:02,229
- ERMA: And you shine.
- ARETHA: I love you.
513
00:27:02,230 --> 00:27:03,769
ERMA: And I love you too.
ARETHA: Thank you.
514
00:27:03,770 --> 00:27:05,210
ERMA: Mm-hmm.
515
00:27:06,480 --> 00:27:08,359
♪ When the river was deep. ♪
516
00:27:08,360 --> 00:27:10,609
♪ I didn't falter. ♪
517
00:27:10,610 --> 00:27:12,489
♪ When the mountain was high. ♪
518
00:27:12,490 --> 00:27:15,079
♪ I still believed. ♪
519
00:27:15,080 --> 00:27:16,989
♪ When the valley was low. ♪
520
00:27:16,990 --> 00:27:20,709
♪ It didn't stop me. ♪
521
00:27:20,710 --> 00:27:22,999
♪ I knew you were waiting. ♪
522
00:27:23,000 --> 00:27:25,890
♪ I knew you were waiting for me. ♪
523
00:27:27,000 --> 00:27:28,759
ARETHA: Now, Mr. Clive Davis.
524
00:27:28,760 --> 00:27:30,360
CLIVE: Mm-hm.
525
00:27:31,760 --> 00:27:33,429
(LAUGHING)
526
00:27:33,430 --> 00:27:36,610
ARETHA: You are not only one of
the greatest music men of all time,
527
00:27:37,560 --> 00:27:39,950
you are my friend, my confidant.
528
00:27:40,730 --> 00:27:44,000
And you keep me moving forward
and you've always had my back.
529
00:27:45,110 --> 00:27:46,649
Thank you.
530
00:27:46,650 --> 00:27:51,460
Here's to us;
friends, family, sweethearts.
531
00:27:52,700 --> 00:27:55,260
Past, present, and future.
532
00:27:55,870 --> 00:27:58,300
(LAUGHING)
533
00:27:59,990 --> 00:28:01,789
ARETHA: Thank you all so
much for being here today.
534
00:28:01,790 --> 00:28:03,709
Thank you for being my support system.
535
00:28:03,710 --> 00:28:05,850
And thank you for
putting respect on my name.
536
00:28:08,380 --> 00:28:12,570
(OVERLAPPING CHATTER).
537
00:28:15,090 --> 00:28:19,809
♪ ♪
538
00:28:19,810 --> 00:28:21,309
♪ Oh, oh, oh. ♪
539
00:28:21,310 --> 00:28:24,080
♪ I knew you were waiting. ♪
540
00:28:24,520 --> 00:28:26,349
♪ I knew you were waiting. ♪
541
00:28:26,350 --> 00:28:28,309
♪ I knew you were waiting. ♪
542
00:28:28,310 --> 00:28:30,939
♪ I knew you were waiting for me. ♪
543
00:28:30,940 --> 00:28:33,319
♪ I didn't falter. ♪
544
00:28:33,320 --> 00:28:34,739
♪ The mountain was high. ♪
545
00:28:34,740 --> 00:28:37,279
♪ I still believed. ♪
546
00:28:37,280 --> 00:28:39,329
♪ When the valley was low. ♪
547
00:28:39,330 --> 00:28:41,829
♪ It didn't stop me. ♪
548
00:28:41,830 --> 00:28:44,909
♪ I knew you were waiting. ♪
549
00:28:44,910 --> 00:28:46,039
♪ I knew how. ♪
550
00:28:46,040 --> 00:28:48,430
♪ I knew you were waiting for me. ♪
551
00:28:48,590 --> 00:28:50,709
♪ I didn't falter. ♪
552
00:28:50,710 --> 00:28:52,690
♪ When the mountain was high. ♪
553
00:28:52,840 --> 00:28:54,299
CLIVE: Let's all raise a glass.
554
00:28:54,300 --> 00:28:55,679
"I Knew You Were Waiting"
555
00:28:55,680 --> 00:28:57,679
your first Billboard Number
One since "Respect"!
556
00:28:57,680 --> 00:29:01,240
(CHEERING).
557
00:29:01,560 --> 00:29:03,620
WOMAN: Congratulations.
558
00:29:05,980 --> 00:29:07,269
KATE: Welcome back.
559
00:29:07,270 --> 00:29:09,609
We're here with Mrs. Aretha Franklin.
560
00:29:09,610 --> 00:29:11,399
Do you mind?
561
00:29:11,400 --> 00:29:14,090
- ARETHA: Yes.
- KATE: Thank you so much.
562
00:29:16,240 --> 00:29:19,760
ARETHA: Wow. Look at that. 1967.
563
00:29:21,450 --> 00:29:23,930
I didn't realize how
skinny I was back then.
564
00:29:24,370 --> 00:29:26,459
KATE: Well, you still look incredible.
565
00:29:26,460 --> 00:29:27,669
ARETHA: Well, what they say?
566
00:29:27,670 --> 00:29:28,999
"Black don't crack,"
is that what they say?
567
00:29:29,000 --> 00:29:32,980
KATE: And your black
is definitely not cracking.
568
00:29:33,380 --> 00:29:34,459
ARETHA: All right.
569
00:29:34,460 --> 00:29:35,879
Well, now you take care of that one.
570
00:29:35,880 --> 00:29:37,549
I think it's going to be
a collector's item one day.
571
00:29:37,550 --> 00:29:39,790
KATE: Thank you so much.
It really means the world to me.
572
00:29:40,260 --> 00:29:41,950
ARETHA: Mm-hmm, mm-hmm.
573
00:29:42,470 --> 00:29:44,679
KATE: It's been 30 years
since your first Grammy for
574
00:29:44,680 --> 00:29:47,139
"Respect" and since then
you've been making chart topping,
575
00:29:47,140 --> 00:29:49,479
award winning music.
576
00:29:49,480 --> 00:29:52,149
Even though your life has
been full of many milestones
577
00:29:52,150 --> 00:29:55,130
and iconic moments, it
hasn't been free of controversy.
578
00:29:55,990 --> 00:29:57,449
ARETHA: Name one.
579
00:29:57,450 --> 00:30:00,529
KATE: Well, like when you
made the transition from Gospel
580
00:30:00,530 --> 00:30:01,909
music to secular music.
581
00:30:01,910 --> 00:30:03,579
ARETHA: I didn't transition at all.
582
00:30:03,580 --> 00:30:06,050
I just wanted to
spread my wings a little bit.
583
00:30:06,410 --> 00:30:09,619
And for the record, everything
I do is rooted in the church.
584
00:30:09,620 --> 00:30:11,730
It's who I am, it's what I sing.
585
00:30:13,000 --> 00:30:14,589
I could sing "Mary had a Little Lamb"
586
00:30:14,590 --> 00:30:16,940
and it would still sound like church.
587
00:30:17,420 --> 00:30:21,190
In a way, everything I do
is Gospel, even the love song.
588
00:30:21,930 --> 00:30:24,950
KATE: You're a very private
person, is that on purpose?
589
00:30:25,390 --> 00:30:27,309
ARETHA: I think so.
590
00:30:27,310 --> 00:30:29,729
But if you listen to the music,
everything you need to know is in there.
591
00:30:29,730 --> 00:30:32,649
KATE: Has it been difficult for
you living your life so publicly?
592
00:30:32,650 --> 00:30:35,540
ARETHA: I think of it
more as a gift than a curse.
593
00:30:36,030 --> 00:30:40,699
KATE: Somehow you take the
difficult stuff of your life and
594
00:30:40,700 --> 00:30:44,130
you turn it into songs that people
love and will listen to forever.
595
00:30:45,660 --> 00:30:48,300
It's like you take lead
and turn it into gold.
596
00:30:49,710 --> 00:30:54,629
ARETHA: Well, I think that
everybody has a story to tell.
597
00:30:54,630 --> 00:30:57,259
Mine just happens to be
through song because that's
598
00:30:57,260 --> 00:31:00,379
where you'll find me,
right in the music.
599
00:31:00,380 --> 00:31:02,679
My spirit will always be around you.
600
00:31:02,680 --> 00:31:05,950
Not a lot of people can say
that but I'm grateful that I can.
601
00:31:06,390 --> 00:31:08,700
KATE: You never give up, do you?
602
00:31:08,850 --> 00:31:12,040
ARETHA: No, that's why
there will never be another me.
603
00:31:12,230 --> 00:31:14,160
(LAUGHING AND CLAPPING).
604
00:31:24,320 --> 00:31:27,090
♪ It brings. ♪
605
00:31:28,700 --> 00:31:32,770
♪ Big tears. ♪
606
00:31:37,170 --> 00:31:39,520
♪ Into my eyes. ♪
607
00:31:43,010 --> 00:31:45,450
♪ When I began. ♪
608
00:31:46,550 --> 00:31:48,280
ERMA: You're not coming?
609
00:31:48,510 --> 00:31:50,269
♪ When I began to realize. ♪
610
00:31:50,270 --> 00:31:52,040
ERMA: Come on.
611
00:31:53,980 --> 00:31:56,580
♪ That I've cried so much. ♪
612
00:31:59,030 --> 00:32:02,880
♪ Oh, since you've been gone. ♪
613
00:32:05,570 --> 00:32:08,300
♪ I guess I'm drownin'. ♪
614
00:32:09,790 --> 00:32:12,680
♪ Drownin' in my own tears. ♪
615
00:32:14,170 --> 00:32:15,829
ARETHA: Happy birthday, Daddy.
616
00:32:15,830 --> 00:32:18,810
ERMA: He would have
been 83 years old today.
617
00:32:19,750 --> 00:32:21,610
ARETHA: I love you, Big Momma.
618
00:32:22,260 --> 00:32:25,400
♪ Just like a child. ♪
619
00:32:28,180 --> 00:32:30,870
♪ These tears of mine. ♪
620
00:32:32,140 --> 00:32:34,769
♪ These tears are runnin' wild. ♪
621
00:32:34,770 --> 00:32:37,710
ERMA: We love you Cecil.
We love you Carolyn.
622
00:32:38,650 --> 00:32:41,830
♪ And if you don't think. ♪
623
00:32:42,530 --> 00:32:45,590
♪ If you don't think
that you'll be home soon. ♪
624
00:32:46,990 --> 00:32:50,430
♪ Baby, I'm gonna drown. ♪
625
00:32:53,290 --> 00:32:56,140
♪ In mine. ♪
626
00:32:59,340 --> 00:33:01,459
ERMA: We're the last two left.
627
00:33:01,460 --> 00:33:03,799
ARETHA: You think I'm
going to go before you?
628
00:33:03,800 --> 00:33:05,679
ERMA: You make it sound
like it's a competition.
629
00:33:05,680 --> 00:33:07,089
ARETHA: I got a lot of life left.
630
00:33:07,090 --> 00:33:08,719
How about you?
631
00:33:08,720 --> 00:33:11,309
ERMA: All these years
trying to keep up with you,
632
00:33:11,310 --> 00:33:12,929
feeling down when I couldn't.
633
00:33:12,930 --> 00:33:14,729
ARETHA: I could never have
gotten as far as I did without
634
00:33:14,730 --> 00:33:18,870
you and Carolyn singing
with me and cheering me on.
635
00:33:19,270 --> 00:33:21,062
ERMA: Thanks.
636
00:33:22,784 --> 00:33:24,356
I'm going to enjoy my retirement now.
637
00:33:24,357 --> 00:33:27,000
ARETHA: I think you should
get back in the studio.
638
00:33:27,320 --> 00:33:30,659
ERMA: No, I'm thinking about traveling.
639
00:33:30,660 --> 00:33:31,909
Lord, we're getting old.
640
00:33:31,910 --> 00:33:34,390
ARETHA: Oh, shit, speak for yourself.
641
00:33:37,500 --> 00:33:39,039
ERMA: What you got coming up?
642
00:33:39,040 --> 00:33:41,039
ARETHA: Grammy's.
643
00:33:41,040 --> 00:33:42,669
I'm going to sing one of the hits.
644
00:33:42,670 --> 00:33:44,589
ERMA: Oh, that ought to be fun, right?
645
00:33:44,590 --> 00:33:48,179
ARETHA: I'm thinking about doing
something for MusiCares and Pavarotti.
646
00:33:48,180 --> 00:33:49,799
- ERMA: The maestro?
- ARETHA: Mm-hmm.
647
00:33:49,800 --> 00:33:52,570
ERMA: Mm-hmm, you are so brave, girl.
648
00:33:54,890 --> 00:33:58,240
Always finding new ways to fly.
649
00:33:58,440 --> 00:34:01,120
ARETHA: Well, thanks, sis.
650
00:34:04,480 --> 00:34:08,029
(CHEERING).
651
00:34:08,030 --> 00:34:11,470
ANNOUNCER (OVER PA): Let's give another
round of respect for Aretha Franklin.
652
00:34:12,700 --> 00:34:14,930
(CHEERING).
653
00:34:21,000 --> 00:34:22,589
MAN: You were wonderful, Ms. Franklin.
654
00:34:22,590 --> 00:34:26,310
ARETHA: I think it
went all right, thank you.
655
00:34:31,180 --> 00:34:33,889
ERMA: The parties are going to be fun,
656
00:34:33,890 --> 00:34:35,780
which one you want to wear?
657
00:34:36,060 --> 00:34:38,410
- ARETHA: That one.
- ERMA: You sang great.
658
00:34:38,980 --> 00:34:40,019
You don't feel good about it?
659
00:34:40,020 --> 00:34:41,649
ARETHA: I'm all right.
660
00:34:41,650 --> 00:34:45,540
ERMA: Girl, you had that Grammy
audience eating out of your hand.
661
00:34:47,940 --> 00:34:49,029
(KNOCKING).
662
00:34:49,030 --> 00:34:50,449
ERMA: Who is it?
663
00:34:50,450 --> 00:34:52,159
MR. EHRLICH: I'm sorry to
bother you, Mrs. Franklin.
664
00:34:52,160 --> 00:34:53,369
But I just got a call.
665
00:34:53,370 --> 00:34:54,529
ARETHA: Who died?
666
00:34:54,530 --> 00:34:55,909
MR. EHRLICH: Nobody
died but Mr. Pavarotti,
667
00:34:55,910 --> 00:34:57,869
he's come down with a cold, he's sick.
668
00:34:57,870 --> 00:34:59,959
Tonight, he was supposed
to sing "Nessun Dorma".
669
00:34:59,960 --> 00:35:01,919
ERMA: Oh, we're so
sorry he's not feeling well.
670
00:35:01,920 --> 00:35:03,499
MR. EHRLICH: His doctor
says he shouldn't perform.
671
00:35:03,500 --> 00:35:05,289
ARETHA: Well, what does
that have to do with me?
672
00:35:05,290 --> 00:35:07,919
MR. EHRLICH: Well, we have the
musicians and the choir ready to go.
673
00:35:07,920 --> 00:35:10,049
Now, I know you sang
the song two nights ago.
674
00:35:10,050 --> 00:35:12,259
ERMA: I'm sorry, Mr. Ehrlich.
675
00:35:12,260 --> 00:35:14,469
MusiCares was a small charity event.
676
00:35:14,470 --> 00:35:15,849
ARETHA: When was he supposed to go on?
677
00:35:15,850 --> 00:35:18,530
MR. EHRLICH: In about 15 minutes.
678
00:35:18,720 --> 00:35:20,188
ARETHA: You bring me the lyrics and I
679
00:35:20,212 --> 00:35:21,880
need to hear a
recording of his rehearsal.
680
00:35:22,350 --> 00:35:24,330
MR. EHRLICH: Great.
Thank you, Ms. Franklin.
681
00:35:30,530 --> 00:35:34,090
ERMA: Sis, you singing
opera at the Grammys.
682
00:35:35,950 --> 00:35:37,029
It's a live broadcast.
683
00:35:37,030 --> 00:35:38,539
ARETHA: I know.
684
00:35:38,540 --> 00:35:41,159
ERMA: Re, there are at least
25 million people out there.
685
00:35:41,160 --> 00:35:44,999
ARETHA: Maybe it's time for
me to show them that I still got it.
686
00:35:45,000 --> 00:35:48,350
I haven't said yes yet but
I want to review the material.
687
00:35:48,500 --> 00:35:50,980
ERMA: Okay.
688
00:35:58,600 --> 00:36:01,780
♪ Nessun dorma! ♪
689
00:36:03,600 --> 00:36:07,210
♪ Nessun dorma! ♪
690
00:36:11,360 --> 00:36:13,779
♪ Tu pure. ♪
691
00:36:13,780 --> 00:36:14,989
ERMA: What are they singing about?
692
00:36:14,990 --> 00:36:16,319
ARETHA: He's saying he's got a secret.
693
00:36:16,320 --> 00:36:17,369
ERMA: Just like you.
694
00:36:17,370 --> 00:36:19,890
ARETHA: I've got a lot of secrets.
695
00:36:21,750 --> 00:36:24,720
The people won't sleep until
they've discovered the singer's secret.
696
00:36:28,790 --> 00:36:31,310
"Nessun Dorma" means no one sleeps.
697
00:36:32,470 --> 00:36:34,509
ERMA: And what happens
when they find out?
698
00:36:34,510 --> 00:36:37,389
ARETHA: If the people discovers
the singer's secret, she'll die.
699
00:36:37,390 --> 00:36:39,860
If the singer can keep
her secret, she'll live.
700
00:36:44,730 --> 00:36:46,689
ERMA: Deep.
701
00:36:46,690 --> 00:36:49,250
ARETHA: And then victory.
702
00:36:49,860 --> 00:36:51,649
ERMA: Amen.
703
00:36:51,650 --> 00:36:53,189
MR. EHRLICH: I love your take.
704
00:36:53,190 --> 00:36:55,359
ARETHA: I always
have to make it personal.
705
00:36:55,360 --> 00:36:57,720
Only problem is, this is not in my key.
706
00:36:58,070 --> 00:36:59,829
ERMA: Oh, well then
that settles it, right.
707
00:36:59,830 --> 00:37:03,619
We appreciate you considering
Ms. Franklin for this very
708
00:37:03,620 --> 00:37:06,249
daring idea but she'll
sing one of her hits or
709
00:37:06,250 --> 00:37:08,329
you'll have to get someone else.
710
00:37:08,330 --> 00:37:09,589
MR. EHRLICH: Sorry I wasted your time.
711
00:37:09,590 --> 00:37:11,810
ARETHA: I can do it.
712
00:37:14,720 --> 00:37:17,940
ERMA: My sister is going
to need a moment alone.
713
00:37:23,060 --> 00:37:24,929
MAN (OVER SPEAKER): We're
at places, Mrs. Franklin,
714
00:37:24,930 --> 00:37:26,689
places please.
715
00:37:26,690 --> 00:37:28,290
ERMA: Ready?
716
00:37:30,230 --> 00:37:31,399
MR. ERLICH: Ready, Ms. Franklin?
717
00:37:31,400 --> 00:37:32,439
ARETHA: Yes.
718
00:37:32,440 --> 00:37:34,029
ERMA: You continue to amaze me.
719
00:37:34,030 --> 00:37:35,840
ARETHA: Thanks, sis.
720
00:37:37,450 --> 00:37:39,409
MAN (OVER PA): Is
represented by another voice
721
00:37:39,410 --> 00:37:43,239
who is truly deserving of
the term legend, my friend,
722
00:37:43,240 --> 00:37:45,180
Luciano Pavarotti.
723
00:37:45,910 --> 00:37:48,169
(APPLAUSE).
724
00:37:48,170 --> 00:37:50,329
Unfortunately, tonight,
his doctors have advised him to
725
00:37:50,330 --> 00:37:52,749
give that sore throat a rest.
726
00:37:52,750 --> 00:37:55,719
The selection he was going
to perform was "Nessun Dorma".
727
00:37:55,720 --> 00:37:58,929
Two nights ago, at MusiCares,
another legendary voice
728
00:37:58,930 --> 00:38:01,990
performed that same song,
one you might not expect.
729
00:38:02,810 --> 00:38:05,389
She has agreed to step
in for her friend, Luciano,
730
00:38:05,390 --> 00:38:07,269
literally at a moment's notice.
731
00:38:07,270 --> 00:38:09,700
Ladies and gentlemen, Aretha Franklin!
732
00:38:10,770 --> 00:38:15,460
(CHEERING AND APPLAUSE).
733
00:38:19,070 --> 00:38:23,180
♪ Nessun dorma. ♪
734
00:38:25,330 --> 00:38:29,060
♪ Nessun dorma. ♪
735
00:38:32,250 --> 00:38:35,020
♪ Tu pure. ♪
736
00:38:35,250 --> 00:38:39,360
♪ Tu pure, o Principessa. ♪
737
00:38:40,430 --> 00:38:44,820
♪ Nella tua fredda stanza. ♪
738
00:38:46,060 --> 00:38:50,790
♪ Guardi le stelle. ♪
739
00:38:51,650 --> 00:38:56,920
♪ Che tremano d'amore. ♪
740
00:38:57,610 --> 00:39:02,670
♪ E di Speranza. ♪
741
00:39:10,370 --> 00:39:13,129
♪ Within my heart. ♪
742
00:39:13,130 --> 00:39:16,980
♪ My secret lies. ♪
743
00:39:17,710 --> 00:39:20,759
♪ And what his name is. ♪
744
00:39:20,760 --> 00:39:24,820
♪ None shall know, none, none. ♪
745
00:39:25,100 --> 00:39:28,620
♪ Till on thy heart. ♪
746
00:39:29,810 --> 00:39:33,830
♪ I confess it. ♪
747
00:39:36,020 --> 00:39:41,840
♪ Soon as morning lights. ♪
748
00:39:43,950 --> 00:39:48,590
♪ Shall dawn. ♪
749
00:39:56,790 --> 00:39:58,400
ARETHA: I'm going to make a hit.
750
00:39:58,920 --> 00:40:02,049
♪ Oh Prince, than shall. ♪
751
00:40:02,050 --> 00:40:07,030
♪ My kisses break the silence.
752
00:40:08,310 --> 00:40:12,450
♪ That made thee mine. ♪
753
00:40:19,570 --> 00:40:24,170
♪ Il Nome suo nessun saprà. ♪
754
00:40:25,910 --> 00:40:32,390
♪ E noi dovrem, ahimé, morir, morir. ♪
755
00:40:33,250 --> 00:40:37,390
♪ Dilegua, o note! ♪
756
00:40:37,670 --> 00:40:42,940
♪ Tramontate. ♪
757
00:40:43,720 --> 00:40:45,549
♪ Stelle! ♪
758
00:40:45,550 --> 00:40:49,450
♪ Tramontate. ♪
759
00:40:50,140 --> 00:40:53,139
♪ All'alba. ♪
760
00:40:53,140 --> 00:40:59,620
♪ Vincerò! ♪
761
00:41:02,990 --> 00:41:05,590
♪ Vincerò! ♪
762
00:41:05,860 --> 00:41:11,050
♪ Vincerò! ♪
763
00:41:11,450 --> 00:41:15,470
♪ Oh, oh, oh. ♪
764
00:41:16,790 --> 00:41:18,480
♪ Cerò! ♪
765
00:41:18,710 --> 00:41:20,440
♪ Cerò! ♪
766
00:41:21,920 --> 00:41:25,400
♪ Cerò! ♪
767
00:41:26,680 --> 00:41:31,240
♪ Erò! ♪
768
00:41:31,810 --> 00:41:33,700
(CHEERING AND APPLAUSE)
769
00:41:46,450 --> 00:41:49,069
♪ Though you don't call anymore. ♪
770
00:41:49,070 --> 00:41:51,659
♪ I sit and wait. ♪
771
00:41:51,660 --> 00:41:55,260
♪ In vain. ♪
772
00:41:56,330 --> 00:41:59,039
♪ I guess I'll rap on your door. ♪
773
00:41:59,040 --> 00:42:00,040
♪ Your door. ♪
774
00:42:00,041 --> 00:42:02,209
♪ Tap on your window. ♪
775
00:42:02,210 --> 00:42:04,060
♪ Pane. ♪
776
00:42:04,340 --> 00:42:06,570
♪ Tap on your window pane. ♪
777
00:42:07,550 --> 00:42:09,400
♪ I want to tell you baby. ♪
778
00:42:10,050 --> 00:42:13,110
♪ The changes I've been going through. ♪
779
00:42:14,270 --> 00:42:16,910
♪ Missing you, listen you. ♪
780
00:42:17,810 --> 00:42:20,410
♪ 'Till you come back to me. ♪
781
00:42:20,650 --> 00:42:23,250
♪ That's what I'm gonna do. ♪
782
00:42:27,530 --> 00:42:30,260
♪ Living for you my dear. ♪
783
00:42:31,370 --> 00:42:34,449
♪ Is like living in a world. ♪
784
00:42:34,450 --> 00:42:36,720
♪ Of constant fear. ♪
785
00:42:37,160 --> 00:42:38,369
♪ Hear my plea. ♪
786
00:42:38,370 --> 00:42:39,539
♪ Hear my plea. ♪
787
00:42:39,540 --> 00:42:40,879
♪ I've got to make you see. ♪
788
00:42:40,880 --> 00:42:41,959
♪ Make you see. ♪
789
00:42:41,960 --> 00:42:44,730
♪ That our love is dying. ♪
790
00:42:44,920 --> 00:42:46,940
♪ Our love is dying. ♪
791
00:42:47,460 --> 00:42:49,940
♪ Although your phone you ignore. ♪
792
00:42:50,380 --> 00:42:52,610
♪ Somehow I must. ♪
793
00:42:53,140 --> 00:42:55,099
♪ Somehow I must. ♪
794
00:42:55,100 --> 00:42:57,120
♪ How I must explain. ♪
795
00:42:57,520 --> 00:42:59,849
♪ I'm gonna rap on your door. ♪
796
00:42:59,850 --> 00:43:00,770
♪ Your door. ♪
797
00:43:00,771 --> 00:43:02,939
♪ Tap on your window. ♪
798
00:43:02,940 --> 00:43:04,670
♪ Pane. ♪
799
00:43:05,770 --> 00:43:07,840
♪ Open up baby. ♪
800
00:43:07,990 --> 00:43:10,239
♪ I'm gonna rap on your door. ♪
801
00:43:10,240 --> 00:43:11,569
♪ Rap on your door. ♪
802
00:43:11,570 --> 00:43:13,989
♪ Tap on your, tap on your,
tap on your. ♪
803
00:43:13,990 --> 00:43:16,090
♪ Tap on your window pane. ♪
804
00:43:16,290 --> 00:43:18,140
♪ Tap on your window pane. ♪
805
00:43:18,330 --> 00:43:20,709
♪ I'm gonna rap on your door. ♪
806
00:43:20,710 --> 00:43:23,169
♪ Tap on your window. ♪
807
00:43:23,170 --> 00:43:25,100
♪ Pane. ♪
808
00:43:25,590 --> 00:43:27,100
♪ Open up baby. ♪
809
00:43:33,006 --> 00:43:39,006
Subtitle sync and corrections by
awaqeded for www.addic7ed.com.
810
00:43:39,506 --> 00:43:43,236
(MUSIC PLAYING THROUGH CREDITS).
60401
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