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These are the user uploaded subtitles that are being translated: 1 00:00:32,160 --> 00:00:34,160 [GIRL] IT WILL BE HARD, 2 00:00:34,160 --> 00:00:37,660 BUT WHO ELSE CAN I GO TO BUT ELAINE? 3 00:00:37,660 --> 00:00:40,700 SHE'S OLDER, MARRIED, AND KNOWS MORE ABOUT LIFE. 4 00:00:40,700 --> 00:00:42,500 AND SHE KNOWS HIM. 5 00:00:42,500 --> 00:00:44,500 I NEED HER ADVICE, 6 00:00:44,500 --> 00:00:46,000 HER HELP. 7 00:00:46,000 --> 00:00:48,910 I KNOW SHE'LL UNDERSTAND. 8 00:00:48,910 --> 00:00:51,910 CYNTHIA, YOU COULDN'T HAVE BEEN THAT FOOLISH. 9 00:00:51,910 --> 00:00:53,510 THAT WAS DOWNRIGHT DUMB. 10 00:00:53,510 --> 00:00:56,510 YOU DON'T TRY TO TRAP A GUY INTO MARRIAGE 11 00:00:56,510 --> 00:00:58,020 BY DELIBERATELY GETTING PREGNANT. 12 00:00:58,020 --> 00:01:00,320 I WASN'T TRYING TO TRAP HIM. 13 00:01:00,320 --> 00:01:02,350 WHERE HAVE YOU BEEN LATELY? 14 00:01:02,350 --> 00:01:04,860 THIS IS THE AGE OF LIBERATION. 15 00:01:04,860 --> 00:01:07,960 SEXUAL BLACKMAIL WENT OUT WITH THE PILL. 16 00:01:07,960 --> 00:01:09,860 BUT IT WASN'T BLACKMAIL. 17 00:01:09,860 --> 00:01:11,360 IT WAS LOVE. 18 00:01:11,360 --> 00:01:13,530 WITH DAVE MICHAELS? 19 00:01:13,530 --> 00:01:16,030 CYNTHIA, HE IS AN ATHLETE, 20 00:01:16,030 --> 00:01:18,670 A BEDROOM PRO. 21 00:01:18,670 --> 00:01:21,740 HE ONLY CARES ABOUT A SCORE. 22 00:01:21,740 --> 00:01:24,740 LOOK. EVEN IF YOU DID GET HIM, 23 00:01:24,740 --> 00:01:28,580 YOU WOULDN'T LIKE TO LIVE WITH HIM. 24 00:01:28,580 --> 00:01:31,880 OH, CYNTHIA, IT'S NOT THE END OF THE WORLD. 25 00:01:31,880 --> 00:01:35,090 THERE'S AN ABORTION CLINIC IN LANCASTER, 26 00:01:35,090 --> 00:01:36,820 AND IT'S PERFECTLY LEGAL. 27 00:01:36,820 --> 00:01:39,060 ELAINE... 28 00:01:39,060 --> 00:01:41,230 THAT'S NOT THE POINT. 29 00:01:42,960 --> 00:01:45,800 I LOVE HIM. 30 00:01:45,800 --> 00:01:49,700 WELL, OBVIOUSLY, HE DOESN'T LOVE YOU. 31 00:06:12,330 --> 00:06:14,430 EAGLE ONE TO EAGLE CENTRAL. 32 00:06:14,430 --> 00:06:16,400 COME IN, PLEASE. 33 00:06:18,170 --> 00:06:20,170 EAGLE ONE TO EAGLE CENTRAL. 34 00:06:20,170 --> 00:06:22,740 COME IN, EAGLE CENTRAL. 35 00:06:22,740 --> 00:06:24,340 I--I REALLY-- 36 00:06:24,340 --> 00:06:27,010 I CAN'T BELIEVE IT, BUT-- 37 00:06:28,350 --> 00:06:29,850 DORIS! 38 00:06:29,850 --> 00:06:32,350 HOLD ON A MINUTE, MRS. YOUNG. 39 00:06:32,350 --> 00:06:33,850 I'VE GOT YOU, SAM. 40 00:06:33,850 --> 00:06:36,850 I'LL BE BACK IN HALF A MINUTE. 41 00:06:36,850 --> 00:06:39,860 I'LL GET HIM RIGHT ON OVER THERE. 42 00:06:39,860 --> 00:06:41,360 NOW DON'T TOUCH ANYTHING. 43 00:06:41,360 --> 00:06:42,690 DORIS! 44 00:06:42,690 --> 00:06:44,200 JUST WAIT RIGHT OUTSIDE. 45 00:06:44,200 --> 00:06:45,700 COME IN, DORIS! 46 00:06:45,700 --> 00:06:47,100 I'M BACK, SAM. 47 00:06:47,100 --> 00:06:49,600 O.K., DORIS. I'M OUT ON 126. 48 00:06:49,600 --> 00:06:53,070 SOMEBODY SPRAY-PAINTED OUR EAGLE LAKE SIGN. 49 00:06:53,070 --> 00:06:55,970 SAM, SOMETHING REALLY TERRIBLE HAS HAPPENED. 50 00:06:55,970 --> 00:06:57,110 WHAT? 51 00:06:57,110 --> 00:06:59,110 WELL, I CAN'T BELIEVE IT, 52 00:06:59,110 --> 00:07:00,710 NOT IN EAGLE LAKE. 53 00:07:00,710 --> 00:07:02,210 THAT WAS MILDRED YOUNG. 54 00:07:02,210 --> 00:07:05,120 SHE LIVES BY MRS. WILLIAM CARTER. 55 00:07:05,120 --> 00:07:06,680 I KNOW. WHAT'S HAPPENED? 56 00:07:06,680 --> 00:07:08,090 SOMEBODY SHOT HER. 57 00:07:08,090 --> 00:07:09,350 MRS. YOUNG? 58 00:07:09,350 --> 00:07:12,760 MRS. CARTER. MILDRED YOUNG FOUND HER THIS MORNING. 59 00:07:12,760 --> 00:07:14,060 DEAD? 60 00:07:14,060 --> 00:07:15,390 YES. 61 00:07:15,390 --> 00:07:18,900 DOES MRS. YOUNG KNOW WHO MIGHT HAVE DONE IT? 62 00:07:18,900 --> 00:07:20,230 WELL, NO. 63 00:07:20,230 --> 00:07:22,170 WHERE'S BILL CARTER? 64 00:07:22,170 --> 00:07:24,700 OH, I FORGOT TO ASK. 65 00:07:24,700 --> 00:07:27,700 NEVER MIND, DORIS. I'M ON MY WAY. 66 00:07:27,700 --> 00:07:30,210 FIND JERRY TROY. CALL DOC HAMMOND. 67 00:07:30,210 --> 00:07:32,840 ALERT OFFICERS CARLSON AND MANUALS. 68 00:07:32,840 --> 00:07:35,010 SHOULD I CALL THE MORTUARY? 69 00:07:35,010 --> 00:07:37,480 WE'LL WAIT FOR BILL CARTER. 70 00:09:50,280 --> 00:09:51,450 MORNING, SAM. 71 00:09:51,450 --> 00:09:53,950 MORNING, MILDRED. ARE YOU ALL RIGHT? 72 00:09:53,950 --> 00:09:55,450 YEAH. DOWNSTAIRS. 73 00:10:30,790 --> 00:10:33,790 WHEN DID YOU COME OVER HERE, MILDRED? 74 00:10:33,790 --> 00:10:36,790 JUST A FEW MINUTES BEFORE I CALLED YOU. 75 00:10:36,790 --> 00:10:39,300 HOW DID YOU KNOW ABOUT IT? 76 00:10:39,300 --> 00:10:40,800 ABOUT 5:00 THIS MORNING, 77 00:10:40,800 --> 00:10:43,800 I WAS GETTING PIES READY FOR THE OVEN. 78 00:10:43,800 --> 00:10:45,800 YOU SURE GET UP EARLY. 79 00:10:45,800 --> 00:10:49,310 AT MY AGE, YOU DON'T WAIT TO GET UP 80 00:10:49,310 --> 00:10:51,810 FOR FEAR YOU WON'T MAKE IT. 81 00:10:51,810 --> 00:10:55,310 I PUT THEM IN THE OVEN AT EXACTLY 5:30. 82 00:10:55,310 --> 00:10:57,810 THEN I TURNED ON THE NEWS 83 00:10:57,810 --> 00:11:00,320 AND WENT TO WASH MY TEETH. 84 00:11:00,320 --> 00:11:02,320 THAT'S WHEN I HEARD IT. 85 00:11:02,320 --> 00:11:03,820 JUST ONE SHOT. 86 00:11:03,820 --> 00:11:06,360 WITH A COUPLE OF ECHOES MAYBE. 87 00:11:06,360 --> 00:11:08,360 IT WASN'T A CAR BACKFIRING. 88 00:11:08,360 --> 00:11:11,360 MY JAKE PULLED THE TRIGGER ON ENOUGH SHOTGUNS 89 00:11:11,360 --> 00:11:14,370 FOR ME TO KNOW WHAT THEY SOUND LIKE. 90 00:11:14,370 --> 00:11:16,700 I STEPPED OUT ON MY PORCH 91 00:11:16,700 --> 00:11:18,700 TO FIGURE OUT WHAT DIRECTION 92 00:11:18,700 --> 00:11:20,700 IT MIGHT HAVE COME FROM. 93 00:11:20,700 --> 00:11:22,210 DID YOU SEE ANYTHING? 94 00:11:22,210 --> 00:11:24,210 ONLY THE TREES AND SNOW, 95 00:11:24,210 --> 00:11:25,710 BUT I HEARD SOMETHING-- 96 00:11:25,710 --> 00:11:28,710 A CAR WAY UP THERE BY THE HIGHWAY, 97 00:11:28,710 --> 00:11:30,210 MOVING SLOW AND SOFT 98 00:11:30,210 --> 00:11:33,720 AS IF IT DIDN'T WANT TO HAVE ANY ATTENTION. 99 00:11:33,720 --> 00:11:36,220 AND THEY WENT ON TOWARD TOWN, 100 00:11:36,220 --> 00:11:39,220 OR AT ANY RATE, TOWARD THE LOCKHARD PLACE, 101 00:11:39,220 --> 00:11:41,730 WHICH IS BETWEEN HERE AND THERE. 102 00:11:41,730 --> 00:11:43,230 UH-HUH. THEN WHAT? 103 00:11:43,230 --> 00:11:47,030 WELL, THEN I CAME BACK IN, CHECKED MY PIES, 104 00:11:47,030 --> 00:11:51,700 AND THEN I SAT DOWN, LISTENED TO THE NEWS, 105 00:11:51,700 --> 00:11:53,740 WAITING FOR A DECENT HOUR 106 00:11:53,740 --> 00:11:56,240 TO COME OVER AND ASK ELAINE 107 00:11:56,240 --> 00:11:57,740 IF SHE'D HEARD IT. 108 00:11:57,740 --> 00:11:59,740 THEY DIDN'T ANSWER THE DOOR, 109 00:11:59,740 --> 00:12:02,250 SO I TOOK A MOSEY AROUND. 110 00:12:02,250 --> 00:12:05,750 WHEN I SAW THE HOLE IN THE BEDROOM WINDOW, 111 00:12:05,750 --> 00:12:08,750 I KNEW I DIDN'T HAVE TIME TO WASTE, 112 00:12:08,750 --> 00:12:10,790 SO I LET MYSELF IN. 113 00:12:10,790 --> 00:12:12,720 DO YOU HAVE A KEY? 114 00:12:12,720 --> 00:12:16,260 NO, BUT THEY KEEP ONE UNDER THE PORCH RAILING. 115 00:12:16,260 --> 00:12:19,760 I WENT DOWN TO THE BEDROOM AND FOUND HER, 116 00:12:19,760 --> 00:12:21,270 POOR THING. 117 00:12:21,270 --> 00:12:22,770 UH, WHERE'S BILL CARTER? 118 00:12:22,770 --> 00:12:25,270 HE ISN'T HERE. HIS CAR'S GONE. 119 00:12:25,270 --> 00:12:26,770 OH. 120 00:12:26,770 --> 00:12:29,270 MILDRED, THANK YOU FOR YOUR HELP. 121 00:12:29,270 --> 00:12:32,280 IF THERE'S ANYTHING ELSE I CAN DO, 122 00:12:32,280 --> 00:12:34,180 JUST LET ME KNOW. 123 00:13:29,230 --> 00:13:30,730 HI, DOC. 124 00:13:30,730 --> 00:13:32,740 THERE'S SOMETHING REALLY WEIRD. 125 00:13:32,740 --> 00:13:34,740 SOMEBODY TOOK A SPRAY CAN 126 00:13:34,740 --> 00:13:37,740 AND WROTE "THE FIRST" IN THE SNOW. 127 00:13:37,740 --> 00:13:39,240 THE FIRST? 128 00:13:39,240 --> 00:13:42,250 I SURE DON'T LIKE THE SOUND OF THAT. 129 00:13:42,250 --> 00:13:45,250 THAT COULD BE SOME NUT FROM THE OUTSIDE. 130 00:13:45,250 --> 00:13:46,750 I DON'T KNOW. 131 00:13:46,750 --> 00:13:49,750 EVER HEARD OF A CRIME OF PASSION? 132 00:13:49,750 --> 00:13:52,690 STRANGERS AREN'T PASSIONATE ABOUT OTHER STRANGERS. 133 00:13:52,690 --> 00:13:55,490 [SIREN] 134 00:14:03,770 --> 00:14:05,270 [TURNS OFF SIREN] 135 00:14:06,770 --> 00:14:08,270 I'M HERE, SIR. 136 00:14:08,270 --> 00:14:10,270 I KNOW. GET YOUR CAMERA. 137 00:14:10,270 --> 00:14:12,280 TAKE THE BEDROOM, THE VICTIM, 138 00:14:12,280 --> 00:14:14,280 THE BROKEN WINDOW, THE FOOTPRINTS, 139 00:14:14,280 --> 00:14:16,610 AND THE WRITING IN THE SNOW. 140 00:14:16,610 --> 00:14:18,280 WRITING IN THE SNOW? 141 00:14:18,280 --> 00:14:19,780 IT'LL EXPLAIN ITSELF. 142 00:14:19,780 --> 00:14:20,950 WELL... 143 00:14:20,950 --> 00:14:22,450 OH, YES, SIR. 144 00:14:22,450 --> 00:14:23,790 JERRY. 145 00:14:23,790 --> 00:14:25,590 YES, SIR? 146 00:14:25,590 --> 00:14:27,590 YOU'RE OUT OF THE ARMY, 147 00:14:27,590 --> 00:14:29,590 SO JUST CALL ME SAM. 148 00:14:29,590 --> 00:14:30,790 YES, SIR. 149 00:14:34,260 --> 00:14:36,300 HAVE YOU REACHED BILL CARTER? 150 00:14:36,300 --> 00:14:39,300 HOW DO YOU KNOW HE WASN'T HERE? 151 00:14:39,300 --> 00:14:40,800 HE STOPPED BY YESTERDAY, 152 00:14:40,800 --> 00:14:43,310 SAID HE WAS GOING TO L.A. 153 00:14:43,310 --> 00:14:44,810 THEY NEEDED SOME TRANQUILIZERS. 154 00:14:44,810 --> 00:14:46,810 ANY IDEA WHERE HE STAYS? 155 00:14:46,810 --> 00:14:49,510 YEAH. THE CENTURY CANYON HOTEL, USUALLY. 156 00:14:51,980 --> 00:14:54,990 BILL CARTER MADE A RESERVATION AT THE HOTEL, 157 00:14:54,990 --> 00:14:56,990 BUT HE NEVER SHOWED UP. 158 00:14:56,990 --> 00:14:59,990 IS IT ALL RIGHT IF I GO OUTSIDE? 159 00:14:59,990 --> 00:15:02,990 SURE. THE AIR WILL MAKE YOU FEEL BETTER. 160 00:15:02,990 --> 00:15:05,500 TAKE PICTURES OF THE SPRAY PAINTING. 161 00:15:05,500 --> 00:15:06,830 YES, SIR. 162 00:15:08,330 --> 00:15:10,830 I'VE ALREADY SENT FOR THE AMBULANCE. 163 00:15:10,830 --> 00:15:12,840 I'LL BE AT THE OFFICE. 164 00:15:12,840 --> 00:15:14,170 THANKS, GIL. 165 00:16:46,300 --> 00:16:49,070 WELL, I SEE YOU GOT YOUR COLOR BACK. 166 00:16:49,070 --> 00:16:51,130 SORRY. 167 00:16:51,130 --> 00:16:54,140 DON'T BE SORRY. SHOWS YOU HAVE FEELINGS. 168 00:16:54,140 --> 00:16:55,440 AIR PERKED ME UP. 169 00:16:55,440 --> 00:16:56,940 IT'LL DO IT. 170 00:16:56,940 --> 00:16:58,440 DID YOU GET PICTURES? 171 00:16:58,440 --> 00:16:59,780 YEAH. 172 00:16:59,780 --> 00:17:01,780 TAKE THEM OVER TO MONAHAN'S. 173 00:17:01,780 --> 00:17:04,780 TELL HIM WE NEED PRINTS RIGHT AWAY. 174 00:17:04,780 --> 00:17:06,280 GET BILL'S DESCRIPTION, 175 00:17:06,280 --> 00:17:08,280 CAR MAKE, COLOR, PLATE NUMBER 176 00:17:08,280 --> 00:17:11,290 TO THE L.A. POLICE AND THE HIGHWAY PATROL. 177 00:17:11,290 --> 00:17:13,890 TELL THEM TO PUT OUT AN ALL-POINTS. 178 00:17:13,890 --> 00:17:16,130 THEN SUPERVISE THE BODY'S REMOVAL. 179 00:18:08,850 --> 00:18:10,010 PETER. 180 00:18:10,010 --> 00:18:11,510 GOOD MORNING, SAM. 181 00:18:11,510 --> 00:18:14,520 WHAT'S GOING ON AT THE CARTER HOUSE? 182 00:18:14,520 --> 00:18:17,020 YOU DIDN'T HAVE TO USE BINOCULARS. 183 00:18:17,020 --> 00:18:19,020 WHAT ARE YOU TALKING ABOUT? 184 00:18:19,020 --> 00:18:21,020 FROM THE WINDOW UP THERE. 185 00:18:21,020 --> 00:18:24,130 OH. WELL, THAT WAS PROBABLY GRACE. 186 00:18:24,130 --> 00:18:28,100 SHE'S UP TO HER EARS IN AUDUBON. 187 00:18:28,100 --> 00:18:29,900 SOMEBODY BREAK IN? 188 00:18:29,900 --> 00:18:31,940 WITH A SHOTGUN. 189 00:18:31,940 --> 00:18:33,500 WHAT? 190 00:18:33,500 --> 00:18:35,110 ELAINE CARTER'S BEEN KILLED. 191 00:18:35,110 --> 00:18:36,540 OH, NO. 192 00:18:36,540 --> 00:18:40,040 I KNEW SHE WAS ALONE, BUT-- 193 00:18:40,040 --> 00:18:41,780 HOW'D YOU KNOW THAT? 194 00:18:41,780 --> 00:18:44,980 I WAS AWARE THAT BILL CARTER WAS GONE. 195 00:18:44,980 --> 00:18:46,120 YEAH? 196 00:18:46,120 --> 00:18:47,380 SHOULDN'T I BE? 197 00:18:50,220 --> 00:18:51,720 HE STOPPED IN YESTERDAY 198 00:18:51,720 --> 00:18:54,560 AND ASKED ME TO DO A TITLE SEARCH. 199 00:18:54,560 --> 00:18:58,060 HE MENTIONED HE WAS GOING TO LOS ANGELES. 200 00:18:58,060 --> 00:19:00,260 GIL HAMMOND TOLD ME THAT. 201 00:19:00,260 --> 00:19:02,270 THERE'S NOTHING SINISTER ABOUT THAT, 202 00:19:02,270 --> 00:19:04,570 IS THERE, SAM? 203 00:19:04,570 --> 00:19:06,740 I DON'T KNOW. 204 00:19:08,810 --> 00:19:10,440 ALL RIGHT, PETER. 205 00:19:10,440 --> 00:19:13,440 YOU CAN BRING DOWN MY LUGGAGE NOW. 206 00:19:13,440 --> 00:19:14,950 YES, GRACE. RIGHT AWAY. 207 00:19:14,950 --> 00:19:16,950 WELL, GOOD MORNING, CHIEF McNEAL. 208 00:19:16,950 --> 00:19:18,450 MRS. LOCKHARD. 209 00:19:18,450 --> 00:19:19,950 HAS SOMETHING HAPPENED? 210 00:19:19,950 --> 00:19:22,950 DID YOU SEE ANYTHING THROUGH YOUR BINOCULARS? 211 00:19:22,950 --> 00:19:24,450 OH, BIRDS, MR. McNEAL. 212 00:19:24,450 --> 00:19:26,460 PURPLE FINCH, CHICKADEES, FOX SPARROWS. 213 00:19:26,460 --> 00:19:29,460 OH, BE CAREFUL WITH THAT MAKE-UP CASE, PETER. 214 00:19:29,460 --> 00:19:32,100 WELL, WHY DON'T WE STOP FENCING? 215 00:19:32,100 --> 00:19:33,600 WHAT'S THE BAD NEWS? 216 00:19:33,600 --> 00:19:36,270 HOW'D YOU KNOW IT WAS BAD? 217 00:19:36,270 --> 00:19:37,970 I CAN REASON. 218 00:19:37,970 --> 00:19:40,470 BESIDES, I HEARD YOU TELL PETER. 219 00:19:40,470 --> 00:19:42,470 DO YOU HAVE A REPORT 220 00:19:42,470 --> 00:19:43,970 ON THE HIGHWAY CONDITIONS? 221 00:19:43,970 --> 00:19:45,880 I'M CATCHING A PLANE. 222 00:19:45,880 --> 00:19:47,480 DOESN'T IT BOTHER YOU? 223 00:19:47,480 --> 00:19:49,980 IF IT DID, I WOULDN'T GO. 224 00:19:49,980 --> 00:19:51,720 I'M TALKING ABOUT ELAINE. 225 00:19:52,980 --> 00:19:55,490 YOU MUST THINK I'M COMPLETELY INSENSITIVE. 226 00:19:55,490 --> 00:19:57,990 IT'S JUST THAT WE WERE NOT... 227 00:19:57,990 --> 00:19:59,890 PARTICULARLY FRIENDLY, THAT'S ALL. 228 00:19:59,890 --> 00:20:01,160 YEAH? 229 00:20:01,160 --> 00:20:04,130 NOT THAT IT'S ANY OF YOUR BUSINESS, 230 00:20:04,130 --> 00:20:07,300 BUT I DIDN'T CARE FOR HER LIFE STYLE. 231 00:20:07,300 --> 00:20:10,300 WHEN YOU PUT THE LUGGAGE IN THE TRUNK, 232 00:20:10,300 --> 00:20:12,800 TRY NOT TO SCRATCH THE LEATHER. 233 00:20:12,800 --> 00:20:14,840 IS THE INTERROGATION OVER? 234 00:20:14,840 --> 00:20:16,840 WHILE YOU WERE BIRD-WATCHING, 235 00:20:16,840 --> 00:20:20,280 DID YOU SEE ANYTHING THAT MIGHT HELP US? 236 00:20:20,280 --> 00:20:23,310 OR DID EITHER OF YOU HEAR A GUNSHOT 237 00:20:23,310 --> 00:20:27,380 OR SEE ANYTHING ABOUT 5:45 THIS MORNING? 238 00:20:27,380 --> 00:20:30,550 I DON'T SEE WHY EITHER OF US-- 239 00:20:32,390 --> 00:20:34,490 I'M A VERY SOUND SLEEPER. 240 00:20:34,490 --> 00:20:36,030 PETER... 241 00:20:36,030 --> 00:20:38,030 IS A SOUND SLEEPER, TOO. 242 00:20:38,030 --> 00:20:39,030 RIGHT, PETER? 243 00:20:40,030 --> 00:20:41,060 YEAH. 244 00:20:47,540 --> 00:20:50,770 NOW, BE SURE TO TURN OFF THE LIGHTS 245 00:20:50,770 --> 00:20:52,780 WHEN YOU'RE NOT USING THEM. 246 00:20:52,780 --> 00:20:55,780 DON'T FORGET TO LOCK THE FRONT DOOR. 247 00:20:55,780 --> 00:20:57,550 GRACE... I'LL REMEMBER. 248 00:20:57,550 --> 00:21:00,550 YOU WON'T IF I DON'T REMIND YOU. 249 00:21:00,550 --> 00:21:02,550 I'VE GOT TO HURRY NOW. 250 00:21:02,550 --> 00:21:04,250 HURRY BACK, DARLING. 251 00:21:04,250 --> 00:21:05,920 I'LL MISS YOU. 252 00:21:05,920 --> 00:21:08,060 OF COURSE YOU WILL. 253 00:21:08,060 --> 00:21:11,900 HAVE YOU DISCOVERED WHO THE MURDERER IS YET? 254 00:21:11,900 --> 00:21:14,100 NO. 255 00:21:14,100 --> 00:21:16,600 OH. WELL, DON'T WORRY. YOU WILL. 256 00:21:16,600 --> 00:21:19,000 THAT'S WHAT YOU'RE A POLICEMAN FOR. 257 00:21:19,000 --> 00:21:21,000 BE SURE TO DRESS WARMLY. 258 00:21:21,000 --> 00:21:22,510 I WILL. 259 00:21:37,750 --> 00:21:39,760 MY WIFE LIKES TO CONCENTRATE 260 00:21:39,760 --> 00:21:42,260 ON THE MATTERS IMMEDIATELY AT HAND. 261 00:21:42,260 --> 00:21:43,760 I COULD TELL. 262 00:21:43,760 --> 00:21:46,760 I MIGHT WANT TO TALK TO YOU LATER. 263 00:21:46,760 --> 00:21:48,870 I'LL BE IN MY OFFICE. 264 00:21:48,870 --> 00:21:50,870 IF YOU THINK OF ANYTHING, 265 00:21:50,870 --> 00:21:52,400 WELL, LET ME KNOW. 266 00:22:21,400 --> 00:22:23,900 I NEED A LITTLE GAS, GEORGE. 267 00:22:30,070 --> 00:22:31,570 HEY, SAM. 268 00:22:31,570 --> 00:22:33,080 HELLO, CLINT. 269 00:22:33,080 --> 00:22:36,080 WHAT WILL WE DO ABOUT THIS MESS-- 270 00:22:36,080 --> 00:22:37,910 THE SPRAY PAINTING, THE SENSATIONALISM? 271 00:22:37,910 --> 00:22:41,920 THE FIRST THING IS TO FEEL SORRY FOR THE VICTIM. 272 00:22:41,920 --> 00:22:44,420 WELL, OF COURSE. WE ALL DO. 273 00:22:44,420 --> 00:22:46,420 THEN YOU FIND THE MURDERER 274 00:22:46,420 --> 00:22:48,930 AND LET JUSTICE TAKE ITS COURSE. 275 00:22:48,930 --> 00:22:51,430 YOU KNOW WHAT I MEAN, SAM. 276 00:22:51,430 --> 00:22:52,930 IT'S WINTER CARNIVAL TIME, 277 00:22:52,930 --> 00:22:54,430 OUR BIGGEST FINANCIAL SEASON. 278 00:22:54,430 --> 00:22:57,430 THAT'S WHAT MY JOB IS ALL ABOUT. 279 00:22:57,430 --> 00:22:59,440 WHAT ARE YOU GETTING AT? 280 00:22:59,440 --> 00:23:01,440 COULDN'T YOU PLAY IT DOWN, 281 00:23:01,440 --> 00:23:04,010 KEEP IT OUT OF THE PAPERS? 282 00:23:04,010 --> 00:23:08,340 I COULD TAKE THE BODY DOWN THE BACK ROAD. 283 00:23:08,340 --> 00:23:09,950 INTIMATE IT WAS SUICIDE. 284 00:23:09,950 --> 00:23:11,950 I'LL TELL YOU WHAT, CLINT. 285 00:23:11,950 --> 00:23:13,950 WE'LL HANDLE IT REAL POLITE, 286 00:23:13,950 --> 00:23:16,390 LIKE IT WERE YOUR OWN MURDER. 287 00:23:16,390 --> 00:23:19,390 SAM, I'M A 47-YEAR-OLD TOWN MANAGER 288 00:23:19,390 --> 00:23:21,390 WITH NO PLACE TO GO 289 00:23:21,390 --> 00:23:22,890 UNLESS THEY REAPPOINT ME. 290 00:23:22,890 --> 00:23:25,460 NEXT SPRING, AT THE TOWN MEETING, 291 00:23:25,460 --> 00:23:28,460 THEY'LL JUDGE ME ON THE BUDGET ONLY. 292 00:23:28,460 --> 00:23:30,470 THIS BUSINESS OF ELAINE CARTER 293 00:23:30,470 --> 00:23:31,970 WILL BE LONG FORGOTTEN. 294 00:23:31,970 --> 00:23:33,200 NOT BY ME. 295 00:23:40,640 --> 00:23:42,650 CLINT CATCH UP WITH YOU? 296 00:23:42,650 --> 00:23:45,650 YEAH. IT HASN'T BEEN MY BEST MORNING. 297 00:23:45,650 --> 00:23:47,150 THERE'S STILL NO RESPONSE 298 00:23:47,150 --> 00:23:49,550 ON THAT APB ON MR. CARTER. 299 00:23:49,550 --> 00:23:53,790 I HOPE IT DOESN'T MAKE HIM FEEL LIKE A CRIMINAL. 300 00:23:53,790 --> 00:23:55,290 DIDN'T JERRY TELL THEM 301 00:23:55,290 --> 00:23:57,790 BILL WASN'T WANTED FOR THE CRIME? 302 00:23:57,790 --> 00:23:59,300 NO, HE FORGOT. 303 00:23:59,300 --> 00:24:01,000 I CLEARED IT UP. 304 00:24:01,000 --> 00:24:04,800 I DON'T KNOW WHAT WE'D DO WITHOUT YOU, DORIS. 305 00:24:04,800 --> 00:24:07,300 HE'LL GET USED TO THE JOB. 306 00:24:07,300 --> 00:24:08,370 WHO WILL? 307 00:24:08,370 --> 00:24:09,640 HI, CHARLIE. 308 00:24:09,640 --> 00:24:12,410 YOU GOT YOUR HANDS FULL WITH ELAINE CARTER. 309 00:24:12,410 --> 00:24:14,610 WHAT YOU GOING TO DO? 310 00:24:14,610 --> 00:24:18,550 I WISH HARVEY WOULD STOP REVVING THAT ENGINE. 311 00:24:18,550 --> 00:24:20,050 SHE FINALLY PLAYED AROUND 312 00:24:20,050 --> 00:24:21,550 WITH THE WRONG MAN. 313 00:24:21,550 --> 00:24:23,950 I'D LOOK FOR A JEALOUS WOMAN. 314 00:24:23,950 --> 00:24:26,790 IT'S NOT A WOMAN'S CRIME, CHARLIE. 315 00:24:26,790 --> 00:24:27,790 WHY NOT? 316 00:24:27,790 --> 00:24:29,290 SHOTGUNS AND SNOW BOOTS, 317 00:24:29,290 --> 00:24:32,100 WANDERING IN THE WOODS AT DAWN. 318 00:24:32,100 --> 00:24:34,200 EVER HEAR OF ANNIE OAKLEY? 319 00:24:34,200 --> 00:24:35,570 YEAH. 320 00:24:35,570 --> 00:24:36,830 WELL? 321 00:24:38,900 --> 00:24:41,400 LETTER FROM YOUR SISTER IN BOULDER. 322 00:24:41,400 --> 00:24:45,510 I GOT THAT ENGINE TUNED TO SUCH A DELICATE PITCH, 323 00:24:45,510 --> 00:24:50,010 I CAN'T DECIDE WHETHER TO PUT IT IN THE INDIANAPOLIS 500 324 00:24:50,010 --> 00:24:52,020 OR THE SAN FRANCISCO SYMPHONY. 325 00:24:52,020 --> 00:24:54,020 DID I GET ANYTHING, CHARLIE? 326 00:24:54,020 --> 00:24:55,520 NOTHING MUCH, HARVEY. 327 00:24:55,520 --> 00:24:57,020 BOOK CLUB NEWS, MOSTLY. 328 00:24:57,020 --> 00:24:59,090 HEY, SAM. I WAS THINKING. 329 00:24:59,090 --> 00:25:01,560 MAYBE SOMEBODY WAS AFTER MR. CARTER, 330 00:25:01,560 --> 00:25:03,060 MADE A MISTAKE. 331 00:25:03,060 --> 00:25:05,430 WHY WOULD ANYBODY BE AFTER HIM? 332 00:25:05,430 --> 00:25:06,930 WELL, THERE'S CONSIDERABLE FEELING 333 00:25:06,930 --> 00:25:09,430 THAT HIS PREFAB MOBILE HOME DEVELOPMENT 334 00:25:09,430 --> 00:25:11,930 IS A BLIGHT ON THE LAND. 335 00:25:11,930 --> 00:25:14,540 MAYBE SOMEBODY TOOK AFTER HIM. 336 00:25:14,540 --> 00:25:15,870 COULD BE. 337 00:25:15,870 --> 00:25:18,370 YOU KNOW THAT NOVEL I'M WRITING-- 338 00:25:18,370 --> 00:25:21,710 I GOT A CHARACTER A LOT LIKE ELAINE. 339 00:25:21,710 --> 00:25:25,120 I'VE BEEN HEARING ABOUT THAT NOVEL FOR THREE YEARS. 340 00:25:25,120 --> 00:25:27,220 I'D LIKE TO READ IT. 341 00:25:27,220 --> 00:25:30,720 THE PURPOSE OF WRITING IT IS TO SELL IT, 342 00:25:30,720 --> 00:25:32,220 NOT GIVE IT AWAY. 343 00:25:32,220 --> 00:25:33,720 ANYWAY, THIS WOMAN-- FRANCINE-- 344 00:25:33,720 --> 00:25:37,360 SHE HAS A LOVE AFFAIR WITH A GOLF PRO. 345 00:25:37,360 --> 00:25:39,360 IT'S ONE OF HER MANY, 346 00:25:39,360 --> 00:25:41,300 AND IT GETS TOO SERIOUS. 347 00:25:41,300 --> 00:25:43,400 HOW DOES IT COME OUT? 348 00:25:43,400 --> 00:25:45,400 WELL, FRANCINE REALLY IS ELAINE, 349 00:25:45,400 --> 00:25:49,370 AND THE GOLF PRO IS A SKIING INSTRUCTOR. 350 00:25:49,370 --> 00:25:51,140 WHICH ONE? 351 00:25:54,080 --> 00:25:56,610 DAVE MICHAELS. DIDN'T YOU KNOW? 352 00:26:28,610 --> 00:26:31,610 THAT WAS OVER A LONG TIME AGO. 353 00:26:31,610 --> 00:26:34,120 I HAVEN'T EVEN SEEN ELAINE CARTER 354 00:26:34,120 --> 00:26:35,620 IN OVER A MONTH. 355 00:26:35,620 --> 00:26:38,620 I'M AS SHOCKED AS ANYBODY AT HER DEATH. 356 00:26:38,620 --> 00:26:40,120 WHO CALLED IT OFF? 357 00:26:40,120 --> 00:26:42,630 I DID. SHE BECAME TOO POSSESSIVE. 358 00:26:42,630 --> 00:26:44,630 LET ME TELL YOU SOMETHING 359 00:26:44,630 --> 00:26:46,130 ABOUT MARRIED WOMEN. 360 00:26:46,130 --> 00:26:47,960 THEY'RE SELFISH, SPOILED BRATS. 361 00:26:47,960 --> 00:26:50,970 DAVE! DAVE, HURRY UP! WE'RE GETTING COLD. 362 00:26:50,970 --> 00:26:53,600 I'LL BE RIGHT WITH YOU, DIANE. 363 00:26:53,600 --> 00:26:56,110 LOOK, SAM. I DIDN'T KILL HER. 364 00:26:56,110 --> 00:26:58,410 I HAD NO REASON TO. 365 00:26:58,410 --> 00:27:01,910 IF ANYBODY WAS MAD, IT WAS HER AT ME. 366 00:27:01,910 --> 00:27:04,650 DID HER HUSBAND KNOW ABOUT YOU? 367 00:27:04,650 --> 00:27:06,150 YEAH. SURE, HE DID, 368 00:27:06,150 --> 00:27:08,650 AND WE HAD A FEW WORDS. 369 00:27:08,650 --> 00:27:11,650 HE KNEW HE COULDN'T TAKE ME ON. 370 00:27:11,650 --> 00:27:13,160 AFTER IT WAS OVER, 371 00:27:13,160 --> 00:27:15,660 WE GOT TO BE GOOD FRIENDS. 372 00:27:15,660 --> 00:27:18,660 HE SHOULD HAVE JUST KICKED HER TAIL. 373 00:27:18,660 --> 00:27:22,060 WHAT WAS RIGHT FOR YOU WAS WRONG FOR HER? 374 00:27:22,060 --> 00:27:23,570 NOW, I WASN'T MARRIED. 375 00:27:23,570 --> 00:27:25,540 I HAVEN'T TAKEN AN OATH 376 00:27:25,540 --> 00:27:27,800 TO BE FAITHFUL TO ANYBODY. 377 00:27:31,970 --> 00:27:34,980 I'M JUST DOOMED TO PLAY THE FIELD. 378 00:27:34,980 --> 00:27:37,480 I'LL PROBABLY END UP A LONESOME, 379 00:27:37,480 --> 00:27:39,650 BUT ENVIED OLD MAN. 380 00:27:41,620 --> 00:27:43,990 DAVE, WE'RE GETTING COLD! 381 00:27:43,990 --> 00:27:47,490 FOOLISH TO WASTE SOMETHING LIKE THAT, HUH, SAM? 382 00:27:47,490 --> 00:27:49,490 YEAH, I THINK MOST PEOPLE 383 00:27:49,490 --> 00:27:50,990 WOULD AGREE WITH YOU. 384 00:27:50,990 --> 00:27:53,000 SOMETIME WHEN YOU'RE OFF-DUTY, 385 00:27:53,000 --> 00:27:55,000 STOP OVER AT MY PLACE, 386 00:27:55,000 --> 00:27:56,970 AND I'LL SET YOU UP. 387 00:28:03,010 --> 00:28:09,010 EAGLE CENTRAL TO EAGLE ONE. 388 00:28:11,510 --> 00:28:13,950 EAGLE ONE. WHAT IS IT, DORIS? 389 00:28:13,950 --> 00:28:15,520 MR. CARTER'S BACK, SAM. 390 00:28:15,520 --> 00:28:17,520 THE HIGHWAY PATROL STOPPED HIM. 391 00:28:17,520 --> 00:28:19,690 HE WANTS TO SEE YOU. 392 00:28:19,690 --> 00:28:21,090 WHERE? 393 00:28:21,090 --> 00:28:22,590 AT HIS HOUSE. 394 00:28:22,590 --> 00:28:25,530 PETER LOCKHARD CALLED AND SAID HE JUST REMEMBERED 395 00:28:25,530 --> 00:28:27,030 THERE WAS A GIRL 396 00:28:27,030 --> 00:28:29,830 WHO LIVED WITH THE CARTERS BEFORE. 397 00:28:29,830 --> 00:28:31,200 THANKS, DORIS. 398 00:28:31,200 --> 00:28:34,900 SEE IF DOC HAMMOND CAN COME OUT TO THE CARTERS'. 399 00:28:45,880 --> 00:28:48,380 I'VE ALREADY TALKED WITH HER MOTHER. 400 00:28:48,380 --> 00:28:49,890 SHE WANTS THE SERVICES 401 00:28:49,890 --> 00:28:51,890 TO BE HELD IN RIVERSIDE, 402 00:28:51,890 --> 00:28:53,390 WHERE WE WERE MARRIED. 403 00:28:53,390 --> 00:28:55,890 AND THE BURIAL WILL BE AT... 404 00:28:55,890 --> 00:28:57,890 THE FAMILY PLOT AT WOODBINE. 405 00:28:57,890 --> 00:29:00,560 YES. THAT'S ALL RIGHT WITH ME. 406 00:29:00,560 --> 00:29:02,570 NO. A MAHOGANY COFFIN. 407 00:29:02,570 --> 00:29:04,070 AND FLOWERS. 408 00:29:04,070 --> 00:29:05,570 SHE LOVED FLOWERS. 409 00:29:05,570 --> 00:29:07,070 YELLOW TEA ROSES. 410 00:29:07,070 --> 00:29:08,570 ALL RIGHT. 411 00:29:08,570 --> 00:29:11,070 IF YOU HAVE ANY MORE QUESTIONS, 412 00:29:11,070 --> 00:29:12,580 I'LL BE HERE. 413 00:29:19,080 --> 00:29:20,580 HELLO, BILL. 414 00:29:23,090 --> 00:29:24,590 SHE NEVER HURT ANYBODY 415 00:29:24,590 --> 00:29:27,090 IN HER WHOLE LIFE, SAM... 416 00:29:27,090 --> 00:29:30,090 EXCEPT MAYBE ME ONCE IN A WHILE. 417 00:29:30,090 --> 00:29:32,600 SHE GAVE EVERYTHING SHE HAD. 418 00:29:32,600 --> 00:29:36,100 SHE...YOU KNOW, SHE TOOK IN STRAY CATS, 419 00:29:36,100 --> 00:29:37,600 DOGS, PEOPLE. 420 00:29:37,600 --> 00:29:40,600 AND THAT PAINTING IN THE SNOW-- "THE FIRST." 421 00:29:40,600 --> 00:29:42,610 WHAT DOES THAT MEAN? 422 00:29:42,610 --> 00:29:44,610 I DON'T KNOW. 423 00:29:46,610 --> 00:29:49,110 SHE WOULDN'T EVEN KILL A SPIDER. 424 00:29:49,110 --> 00:29:51,110 SHE'D TAKE IT OUTSIDE FIRST. 425 00:29:51,110 --> 00:29:52,620 WELL... 426 00:29:52,620 --> 00:29:54,620 WHERE DO WE START, BILL? 427 00:29:54,620 --> 00:29:57,120 THERE ARE QUESTIONS THAT HAVE TO BE ASKED. 428 00:29:57,120 --> 00:29:59,120 DO YOU HAVE ANYTHING YET? 429 00:29:59,120 --> 00:30:01,620 THE SIGN, SHOTGUN SHELLS, BOOT TRACKS, 430 00:30:01,620 --> 00:30:04,630 TIME OF DAY, SOUND OF A CAR. 431 00:30:04,630 --> 00:30:06,130 WELL, THAT'S NOT MUCH. 432 00:30:06,130 --> 00:30:08,630 NO. WHY DIDN'T YOU SHOW UP 433 00:30:08,630 --> 00:30:11,130 AT THE CENTURY CANYON HOTEL YESTERDAY? 434 00:30:11,130 --> 00:30:14,140 WELL, IT SURE DIDN'T TAKE YOU MUCH TIME 435 00:30:14,140 --> 00:30:17,140 TO GET ON MY TRAIL, DID IT? 436 00:30:17,140 --> 00:30:19,140 I WAS LOOKING FOR YOU. 437 00:30:19,140 --> 00:30:23,150 I JUST CHANGED MY MIND AND STAYED IN A MOTEL. 438 00:30:23,150 --> 00:30:25,650 I'LL NEED THE NAME AND ADDRESS. 439 00:30:25,650 --> 00:30:28,150 SURE. CHARGE SLIP'S IN THE CAR. 440 00:30:29,590 --> 00:30:31,090 STAY ALL NIGHT? 441 00:30:31,090 --> 00:30:32,590 OF COURSE I DID. 442 00:30:32,590 --> 00:30:35,160 YOU'LL HAVE TO TAKE MY WORD. 443 00:30:35,160 --> 00:30:37,360 I LEFT BEFORE ANYBODY WAS UP. 444 00:30:37,360 --> 00:30:43,000 IS THAT A SHOTGUN MISSING FROM THE RACK UPSTAIRS? 445 00:30:43,000 --> 00:30:44,170 YEAH. 446 00:30:44,170 --> 00:30:47,670 BOY, YOU SURE DON'T MISS A THING, DO YOU? 447 00:30:47,670 --> 00:30:49,170 HASN'T BEEN GONE LONG. 448 00:30:49,170 --> 00:30:52,170 YOU CAN TELL FROM THE DUST RING. 449 00:30:52,170 --> 00:30:53,680 WHERE IS IT? 450 00:30:53,680 --> 00:30:55,180 BOTTOM OF THE LAKE. 451 00:30:55,180 --> 00:30:57,180 HOW DID IT GET THERE? 452 00:30:57,180 --> 00:30:58,680 I THREW IT THERE 453 00:30:58,680 --> 00:31:01,680 AFTER I MISSED MY THIRD DUCK WITH IT 454 00:31:01,680 --> 00:31:03,190 ABOUT A WEEK AGO. 455 00:31:03,190 --> 00:31:07,620 IT'S PROBABLY BURIED UNDER 10 FEET OF MUD. 456 00:31:07,620 --> 00:31:11,190 DID ANYBODY LIVE WITH YOU AND ELAINE RECENTLY? 457 00:31:11,190 --> 00:31:12,700 NOBODY. 458 00:31:12,700 --> 00:31:14,200 NOT A GIRL? 459 00:31:14,200 --> 00:31:15,700 NAH. 460 00:31:15,700 --> 00:31:18,700 OH, YEAH. YES. 461 00:31:18,700 --> 00:31:20,200 THERE'S MRS. HOWE'S DAUGHTER. 462 00:31:20,200 --> 00:31:24,070 THAT WAS ABOUT A YEAR AGO. WHY? 463 00:31:24,070 --> 00:31:26,210 SOMEBODY MENTIONED IT. 464 00:31:26,210 --> 00:31:27,210 MRS. HOWE? 465 00:31:27,210 --> 00:31:30,210 SHE USED TO KEEP HOUSE FOR US HERE. 466 00:31:30,210 --> 00:31:31,810 LIVED ACROSS THE LAKE. 467 00:31:31,810 --> 00:31:34,320 SHE WAS A WIDOW. SHE DIED. 468 00:31:34,320 --> 00:31:36,820 TYPICALLY, ELAINE TOOK THE DAUGHTER IN 469 00:31:36,820 --> 00:31:38,390 UNTIL SHE FINISHED SCHOOL. 470 00:31:38,390 --> 00:31:40,890 YOU KNOW WHERE SHE IS NOW? 471 00:31:40,890 --> 00:31:42,390 NO. L.A., I SUPPOSE. 472 00:31:42,390 --> 00:31:45,360 I DON'T KNOW. WE LOST TOUCH. 473 00:31:45,360 --> 00:31:47,430 WHAT'S HER NAME? 474 00:31:47,430 --> 00:31:51,230 CYNTHIA-- CYNTHIA HOWE. 475 00:31:53,740 --> 00:31:57,770 WELL, BILL, I'M SORRY. 476 00:32:21,760 --> 00:32:23,270 SAM, HOW'S HE DOING? 477 00:32:23,270 --> 00:32:25,270 NOT BAD, UNDER THE CIRCUMSTANCES. 478 00:32:25,270 --> 00:32:26,770 DRINKING A LITTLE. 479 00:32:26,770 --> 00:32:29,770 YOU EVER KNOW A GIRL NAMED CYNTHIA HOWE? 480 00:32:29,770 --> 00:32:31,270 THE NAME SOUNDS FAMILIAR, 481 00:32:31,270 --> 00:32:34,280 BUT I CAN'T PUT A FACE WITH IT. 482 00:32:34,280 --> 00:32:36,780 I'LL CHECK MY RECORDS. 483 00:32:54,430 --> 00:32:56,930 BETTER FIND OUT WHAT DUCK BLIND 484 00:32:56,930 --> 00:32:58,430 BILL CARTER'S BEEN USING. 485 00:32:58,430 --> 00:33:03,010 GET SOME GUYS TO SEE IF THEY CAN FIND HIS GUN. 486 00:33:03,010 --> 00:33:04,510 YES, SIR. 487 00:33:04,510 --> 00:33:08,010 WHAT DID THEY SAY IS WRONG WITH YOUR CAR? 488 00:33:08,010 --> 00:33:11,010 POINTS, CONDENSER-- SOME KIND OF IGNITION PROBLEM. 489 00:33:11,010 --> 00:33:14,780 THEY DON'T KNOW. 490 00:33:14,780 --> 00:33:18,220 WELL, IT GIVES US A CHANCE TO RIDE TOGETHER. 491 00:33:18,220 --> 00:33:19,490 YES, SIR. 492 00:33:19,490 --> 00:33:24,660 I BELIEVE I HINTED I DIDN'T WANT YOU TO CALL ME SIR. 493 00:33:24,660 --> 00:33:28,130 FIVE YEARS OF MILITARY POLICE IS A HARD HABIT TO BREAK. 494 00:33:28,130 --> 00:33:29,800 YOU WERE A LIEUTENANT. 495 00:33:29,800 --> 00:33:32,800 IN A WORLD FULL OF CAPTAINS AND MAJORS. 496 00:33:32,800 --> 00:33:35,300 YOU ARE THE CHIEF OF POLICE. 497 00:33:35,300 --> 00:33:38,040 TO ME, THAT REPRESENTS A SIR. 498 00:33:38,040 --> 00:33:41,180 IN THE CITY, I MIGHT BE A GENERAL, 499 00:33:41,180 --> 00:33:44,180 BUT THIS IS JUST A SMALL TOWN. 500 00:33:44,180 --> 00:33:47,180 WHEN I FIRST GOT OUT OF THE SERVICE 501 00:33:47,180 --> 00:33:49,690 AND DECIDED TO BECOME A COP, 502 00:33:49,690 --> 00:33:53,360 I THOUGHT I'D START OUT IN A SMALL, QUIET TOWN. 503 00:33:53,360 --> 00:33:56,830 YOU PICKED THE WRONG TOWN AT THE WRONG TIME. 504 00:33:58,930 --> 00:34:01,200 HOW YOU LIKE YOUR PLACE? 505 00:34:01,200 --> 00:34:03,270 OH, IT'S FINE, SIR. 506 00:34:03,270 --> 00:34:05,170 GOOD. GOT A VIEW? 507 00:34:05,170 --> 00:34:06,570 YES, SIR. 508 00:34:06,570 --> 00:34:11,070 WHEN I LEAN WAY OUT OVER THE EDGE OF THE BALCONY, 509 00:34:11,070 --> 00:34:13,880 I SEE A TINY PIECE OF THE LAKE. 510 00:34:13,880 --> 00:34:17,010 I HOPE YOU LIKE IT WELL ENOUGH TO STAY. 511 00:34:17,010 --> 00:34:18,910 THANK YOU, SIR. 512 00:34:20,420 --> 00:34:21,980 WHAT DO YOU WEIGH? 513 00:34:21,980 --> 00:34:22,990 190. 514 00:34:22,990 --> 00:34:25,990 190--WHAT, ARE YOU ABOUT 6' 2"? 515 00:34:25,990 --> 00:34:28,020 6' 2". 516 00:34:28,020 --> 00:34:31,090 IF WE EVER GET IN A POSITION 517 00:34:31,090 --> 00:34:33,100 WHERE WE HAVE TO FIGHT, 518 00:34:33,100 --> 00:34:34,860 YOU DO THE FIGHTING. 519 00:34:34,860 --> 00:34:38,100 YES, SIR. 520 00:35:02,630 --> 00:35:04,630 I HAVE TO TRY AGAIN. 521 00:35:04,630 --> 00:35:09,630 I'LL TELL DAVID WHAT ELAINE TOLD ME TO DO WITH HIS BABY. 522 00:35:09,630 --> 00:35:12,640 I HOPE HE'LL TALK ME OUT OF IT. 523 00:35:12,640 --> 00:35:16,140 I KNOW HE LOVES ME. HE TOLD ME SO. 524 00:35:16,140 --> 00:35:19,140 HE TOLD ME OVER AND OVER. 525 00:35:19,140 --> 00:35:23,650 HE SAID I WAS THE ONLY ONE HE EVER REALLY LOVED. 526 00:35:23,650 --> 00:35:26,650 PLEASE, GOD, MAKE HIM LOVE ME NOW. 527 00:35:26,650 --> 00:35:29,650 I DON'T HAVE ANYBODY ELSE, AND I'M SCARED. 528 00:35:29,650 --> 00:35:32,660 PLEASE HELP HIM UNDERSTAND I NEED HIM. 529 00:35:32,660 --> 00:35:35,160 I NEED HIM SO MUCH. 530 00:35:35,160 --> 00:35:38,160 CYNTHIA, HOW MANY TIMES HAVE I TOLD YOU 531 00:35:38,160 --> 00:35:40,460 NOT TO COME OVER UNLESS YOU CALL FIRST. 532 00:35:40,460 --> 00:35:42,530 NOW, I'M BUSY! 533 00:36:30,210 --> 00:36:32,820 [GUNSHOT] 534 00:36:59,370 --> 00:37:00,880 DAVE WAS MOVING. 535 00:37:00,880 --> 00:37:04,250 WHOEVER HIT HIM IS SURE SOME SHOT. 536 00:37:04,250 --> 00:37:08,250 COULD SOMEBODY LIKE THAT MISS THREE DUCKS IN A ROW? 537 00:37:08,250 --> 00:37:09,750 HUH? 538 00:37:09,750 --> 00:37:12,450 NOTHING. I WAS JUST THINKING OUT LOUD. 539 00:37:37,950 --> 00:37:40,050 CHIEF! 540 00:37:40,050 --> 00:37:42,020 SIR! 541 00:37:42,020 --> 00:37:43,420 OVER HERE! 542 00:38:42,950 --> 00:38:44,350 BETTY! 543 00:38:44,350 --> 00:38:45,850 SAM. 544 00:38:45,850 --> 00:38:47,520 WELL? 545 00:38:47,520 --> 00:38:50,250 WELL, WHAT? 546 00:38:50,250 --> 00:38:52,960 AREN'T YOU GOING TO SAY ANYTHING? 547 00:38:52,960 --> 00:38:54,360 ABOUT WHAT? 548 00:38:54,360 --> 00:38:57,360 YOU DIDN'T COME BY LAST NIGHT, REMEMBER? 549 00:38:57,360 --> 00:39:01,100 OH, I'M SORRY. I FORGOT. 550 00:39:01,100 --> 00:39:02,600 OH, THAT'S ALL RIGHT. 551 00:39:02,600 --> 00:39:06,600 I JUST HAD EVERYTHING SET UP FOR THE BIG PLAY-- 552 00:39:06,600 --> 00:39:08,370 MUSIC, DINNER, CANDLELIGHTS, FIREPLACE. 553 00:39:08,370 --> 00:39:11,370 WE WOULD HAVE BEEN A SMASH... 554 00:39:11,370 --> 00:39:12,880 EXCEPT FOR ONE THING-- 555 00:39:12,880 --> 00:39:15,680 MY LEADING MAN NEVER SHOWED. 556 00:39:15,680 --> 00:39:18,680 I WAS WORKING ON THE ELAINE CARTER BUSINESS. 557 00:39:18,680 --> 00:39:20,180 YEAH, YEAH. EXCUSE ACCEPTED. 558 00:39:20,180 --> 00:39:22,180 CAN I GET YOU SOMETHING? 559 00:39:22,180 --> 00:39:23,450 A HAMBURGER. 560 00:39:23,450 --> 00:39:24,450 ONIONS? 561 00:39:24,450 --> 00:39:25,450 NO. 562 00:39:25,450 --> 00:39:26,460 JERRY? 563 00:39:26,460 --> 00:39:28,620 CHEESEBURGER, PLEASE, AND COFFEE. 564 00:39:29,960 --> 00:39:31,960 I GOT EVERYTHING ON HOLD. 565 00:39:31,960 --> 00:39:35,030 WHAT TIME ARE YOU COMING BY TONIGHT? 566 00:39:35,030 --> 00:39:38,670 WELL, BETTY... 567 00:39:38,670 --> 00:39:39,970 SAM! 568 00:39:39,970 --> 00:39:42,970 I MEAN, WHAT IS IT? JUST TELL ME! 569 00:39:42,970 --> 00:39:45,270 DID I DO SOMETHING? 570 00:39:45,270 --> 00:39:47,210 NO. NO. 571 00:39:48,510 --> 00:39:50,810 DAVE MICHAELS WAS KILLED THIS MORNING. 572 00:39:50,810 --> 00:39:54,080 OH, NO. 573 00:39:54,080 --> 00:39:56,650 SHOT THE SAME WAY ELAINE CARTER WAS. 574 00:39:56,650 --> 00:40:01,490 SAM, WHAT'S GOING ON AROUND HERE? 575 00:40:01,490 --> 00:40:04,830 I MEAN, WHAT'S HAPPENING? 576 00:40:14,340 --> 00:40:16,010 OH, NO. 577 00:40:16,010 --> 00:40:18,710 I'LL BE BACK IN A MINUTE. 578 00:40:24,010 --> 00:40:25,510 EVIDENCE? 579 00:40:25,510 --> 00:40:27,020 I'M NOT SURE, ROGER. 580 00:40:27,020 --> 00:40:30,520 I JUST HAD A CALL FROM THE STATE EDITOR 581 00:40:30,520 --> 00:40:33,020 OF THE L.A. TIMES-- PERSONALLY, HIMSELF. 582 00:40:33,020 --> 00:40:34,520 THEY'RE CRYING FOR COPY, 583 00:40:34,520 --> 00:40:37,530 MORE THAN WE'RE FEEDING THE WIRE SERVICES. 584 00:40:37,530 --> 00:40:39,030 A FULL FEATURE-- 585 00:40:39,030 --> 00:40:40,530 PICTURES, COLOR, BACKGROUND. 586 00:40:40,530 --> 00:40:42,030 THE CONTRAST BETWEEN 587 00:40:42,030 --> 00:40:44,030 A SLEEPY LITTLE RESORT TOWN 588 00:40:44,030 --> 00:40:46,870 AND THE SUDDEN SHOCK OF VIOLENCE. 589 00:40:46,870 --> 00:40:48,870 [SAM] BLOOD IN THE SNOW, 590 00:40:48,870 --> 00:40:51,370 FEAR STALKING THE ONCE-QUIET STREETS. 591 00:40:51,370 --> 00:40:53,380 I'M GOING TO USE THAT. 592 00:40:53,380 --> 00:40:56,380 I HAVE THE FACTS AND SOME PICTURES. 593 00:40:56,380 --> 00:40:59,380 I NEED WHAT'S GOING ON BEHIND THE SCENES 594 00:40:59,380 --> 00:41:01,620 AND HOW YOU FEEL ABOUT THIS. 595 00:41:01,620 --> 00:41:04,550 CONFUSED, FRUSTRATED, MAD. 596 00:41:04,550 --> 00:41:06,060 IS THAT ALL? 597 00:41:06,060 --> 00:41:08,560 ROGER, I CAN'T DISCUSS IT PUBLICLY. 598 00:41:08,560 --> 00:41:10,560 JUST WRITE WE'RE WORKING HARD. 599 00:41:10,560 --> 00:41:12,060 I NEED MORE, SAM. 600 00:41:12,060 --> 00:41:15,060 THIS IS MY BEST CHANCE FOR A BY-LINE, 601 00:41:15,060 --> 00:41:18,100 MAYBE GET SOMEWHERE IN THE WORLD. 602 00:41:18,100 --> 00:41:20,440 I'D LIKE TO HELP YOU. 603 00:41:20,440 --> 00:41:22,040 YOU WERE YOUNG ONCE. 604 00:41:22,040 --> 00:41:25,070 I WAS TILL A COUPLE DAYS AGO. 605 00:41:25,070 --> 00:41:27,980 WELL, SUPPOSE SOMEBODY HELPED YOU. 606 00:41:27,980 --> 00:41:29,980 YOU MIGHT HAVE BEEN SUCCESSFUL. 607 00:41:37,890 --> 00:41:40,490 ROGER... 608 00:41:40,490 --> 00:41:43,690 LISTEN--EXCUSE ME. 609 00:41:51,100 --> 00:41:52,600 [HORN HONKING] 610 00:41:59,270 --> 00:42:01,010 CLINT. 611 00:42:02,610 --> 00:42:04,150 SAM. 612 00:42:06,020 --> 00:42:09,050 WHAT'S BEN RAVITCH DOING HERE? 613 00:42:09,050 --> 00:42:10,550 I SENT FOR HIM. 614 00:42:10,550 --> 00:42:12,120 YOU SENT FOR HIM? 615 00:42:12,120 --> 00:42:13,120 YEAH. 616 00:42:13,120 --> 00:42:14,620 YOU DIDN'T WANT POLICE 617 00:42:14,620 --> 00:42:16,630 CRAWLING ALL OVER THE PLACE, 618 00:42:16,630 --> 00:42:19,390 IF YOU REMEMBER THE EAGLE LAKE IMAGE. 619 00:42:19,390 --> 00:42:21,400 THAT WAS BEFORE DAVE MICHAELS. 620 00:42:21,400 --> 00:42:22,930 THIS IS MASS MURDER. 621 00:42:22,930 --> 00:42:24,970 YOU'RE NOT EQUIPPED TO HANDLE IT. 622 00:42:24,970 --> 00:42:26,540 WHAT WILL HE DO? 623 00:42:26,540 --> 00:42:27,800 BRING IN MANPOWER. 624 00:42:27,800 --> 00:42:30,810 BRING IN 20 MEN-- 100, 200 MEN. 625 00:42:30,810 --> 00:42:33,640 THE KILLER'S GOING TO GO TO COVER, 626 00:42:33,640 --> 00:42:35,140 RETURN AFTER THEY'VE GONE. 627 00:42:35,140 --> 00:42:38,150 DO I UNDERSTAND YOU DON'T WANT HELP, SAM? 628 00:42:38,150 --> 00:42:39,380 NO. 629 00:42:39,380 --> 00:42:41,380 TWO PEOPLE HAVE BEEN KILLED. 630 00:42:41,380 --> 00:42:43,890 I'LL TAKE HELP FROM THE DEVIL 631 00:42:43,890 --> 00:42:47,020 IF HE CAN GIVE ME ANY. 632 00:42:52,230 --> 00:42:53,530 BEN. 633 00:42:53,530 --> 00:42:56,530 SAM, YOU FINALLY HIT THE BIG TIME-- 634 00:42:56,530 --> 00:42:58,530 TWO MURDERS IN TWO DAYS. 635 00:42:58,530 --> 00:43:00,040 IT'S GOING REAL WELL. 636 00:43:00,040 --> 00:43:01,540 BEN, THANKS FOR COMING. 637 00:43:01,540 --> 00:43:04,540 SAM'S DONE EVERYTHING HUMANLY POSSIBLE TO SOLVE THIS, 638 00:43:04,540 --> 00:43:06,380 WE JUST NEED HELP. 639 00:43:06,380 --> 00:43:08,340 WOULDN'T YOU SAY SO, SAM? 640 00:43:08,340 --> 00:43:10,310 WHAT HAVE YOU GOT? 641 00:43:10,310 --> 00:43:11,810 ALL RIGHT, BEN. 642 00:43:11,810 --> 00:43:15,320 WE GOT PICTURES OF THE FIRST CRIME AND VICTIM. 643 00:43:15,320 --> 00:43:19,020 THE SECOND SHOULD BE HERE ANY MINUTE. 644 00:43:19,020 --> 00:43:22,020 PICTURES OF BOTH SPRAY PAINTINGS IN THE SNOW. 645 00:43:22,020 --> 00:43:24,030 PICTURES OF THE SNOW BOOT TRACKS, 646 00:43:24,030 --> 00:43:25,530 BOTH THE SAME SIZE. 647 00:43:25,530 --> 00:43:28,530 2 SHOTGUN SHELLS-- 12-GAUGE, HIGH BASE. 648 00:43:28,530 --> 00:43:32,800 NO FINGERPRINTS OR REAL CLUES AS TO THE KILLER. 649 00:43:32,800 --> 00:43:35,570 I HAVE NO IDEA WHO'S DOING THIS. 650 00:43:35,570 --> 00:43:40,480 WHAT GOOD WILL IT DO TO HAVE BOTH OF US HERE 651 00:43:40,480 --> 00:43:42,810 WITH NO IDEA WHO'S DOING THIS? 652 00:43:42,810 --> 00:43:45,550 DIDN'T YOU SEND FOR ME? 653 00:43:45,550 --> 00:43:47,080 NO. HE DID. 654 00:43:47,080 --> 00:43:50,090 WELL, THE RIDE UP WAS NICE, ANYWAY. 655 00:43:50,090 --> 00:43:51,590 WHERE ARE YOU GOING? 656 00:43:51,590 --> 00:43:53,090 BACK DOWN THE HILL. 657 00:43:53,090 --> 00:43:55,090 I CAN'T DO ANYTHING HERE. 658 00:43:55,090 --> 00:43:58,090 IF I CAN HELP LATER, CALL ME, SAM. 659 00:44:02,600 --> 00:44:05,600 YOU'RE A STUBBORN MAN! 660 00:44:13,610 --> 00:44:16,610 I'VE GOT SOME STUFF IN MY CAR 661 00:44:16,610 --> 00:44:19,610 FROM DAVE MICHAELS' PLACE I'VE GOT TO GO THROUGH. 662 00:44:24,790 --> 00:44:27,460 HE SHOULD HAVE LET BICKFORD TAKE OVER. 663 00:44:27,460 --> 00:44:29,320 HE'D BE OFF THE HOOK. 664 00:44:29,320 --> 00:44:33,560 WOULD YOU LET SOMEBODY PUT OUT YOUR FIRE? 665 00:45:06,660 --> 00:45:10,100 SAM, I'M ON MY WAY TO THE FUNERAL. 666 00:45:10,100 --> 00:45:12,170 LET'S GET IT OVER WITH. 667 00:45:12,170 --> 00:45:16,170 YOU KNOW YOUR WIFE AND DAVE MICHAELS WERE FRIENDS ONCE. 668 00:45:16,170 --> 00:45:18,170 THAT'S WATER UNDER THE DAM. 669 00:45:18,170 --> 00:45:20,680 WELL, SINCE THEY WERE BOTH KILLED, 670 00:45:20,680 --> 00:45:24,280 THERE MIGHT BE SOME CONNECTION. 671 00:45:24,280 --> 00:45:25,780 WITH WHO? ME? 672 00:45:25,780 --> 00:45:28,780 YOU'RE STILL HUNG UP ON MY ALIBI 673 00:45:28,780 --> 00:45:31,790 AND THE GUN IN THE LAKE, AREN'T YOU? 674 00:45:31,790 --> 00:45:36,790 THERE WAS A TIME WHEN I COULD HAVE KILLED ELAINE AND DAVE, 675 00:45:36,790 --> 00:45:40,560 BUT I DIDN'T, AND I WOULDN'T NOW. 676 00:45:40,560 --> 00:45:41,700 ALL RIGHT. 677 00:45:41,700 --> 00:45:45,700 WOULD YOU SEE IF YOU KNOW WHO THIS PERSON IS 678 00:45:45,700 --> 00:45:48,200 IN THE PICTURE WITH DAVE MICHAELS? 679 00:45:48,200 --> 00:45:49,700 HOW WOULD I KNOW? 680 00:45:49,700 --> 00:45:51,440 YOUR WIFE'S IN THE PICTURE. 681 00:45:55,540 --> 00:45:58,710 THAT'S CYNTHIA-- THE GIRL WHO LIVED WITH US. 682 00:45:58,710 --> 00:46:01,620 YEAH. CYNTHIA HOWE. 683 00:46:01,620 --> 00:46:04,750 AND YOU DON'T KNOW WHERE SHE IS NOW? 684 00:46:04,750 --> 00:46:07,760 I HAVEN'T SEEN HER IN OVER A YEAR. 685 00:46:07,760 --> 00:46:10,760 LOOK, SAM, I'M LATE. I'VE GOT TO GO. 686 00:46:53,300 --> 00:46:54,770 SAM! 687 00:46:59,970 --> 00:47:02,480 SAM, THEY NEVER LEARN, DO THEY? 688 00:47:02,480 --> 00:47:03,580 WHAT? 689 00:47:03,580 --> 00:47:05,080 COMING DOWN A NOSE-DIVE 690 00:47:05,080 --> 00:47:09,080 IS LIKE DRIVING A CAR AT 50 MILES AN HOUR 691 00:47:09,080 --> 00:47:11,090 WITHOUT STEERING WHEEL AND BRAKES. 692 00:47:11,090 --> 00:47:14,090 THEY THINK THEY KNOW, AND THEY DON'T KNOW. 693 00:47:14,090 --> 00:47:18,590 THAT BOY IS GOING TO BE SIX MONTHS IN A CAST 694 00:47:18,590 --> 00:47:20,090 WITH THAT HIP. 695 00:47:20,090 --> 00:47:23,100 I'VE GOT SOMETHING YOU MIGHT WANT TO SEE. 696 00:47:23,100 --> 00:47:24,100 WANT LUNCH? 697 00:47:24,100 --> 00:47:25,600 SURE. THANK YOU. 698 00:47:25,600 --> 00:47:27,100 I WAS LOOKING THROUGH 699 00:47:27,100 --> 00:47:29,100 THE HOSPITAL RECORDS LAST NIGHT, 700 00:47:29,100 --> 00:47:30,610 AND "HOWE, BERTA F., 701 00:47:30,610 --> 00:47:32,610 "DIED OF AN AORTAL ANEURYSM 702 00:47:32,610 --> 00:47:34,610 "2 1/2 YEARS AGO. 703 00:47:34,610 --> 00:47:36,610 "SURVIVED BY DAUGHTER CYNTHIA, 704 00:47:36,610 --> 00:47:39,110 HUSBAND UNLISTED," LEFT BLANK. 705 00:47:39,110 --> 00:47:40,620 ANYTHING ON CYNTHIA HOWE? 706 00:47:40,620 --> 00:47:42,620 CYNTHIA... YEAH, HERE IT IS. 707 00:47:42,620 --> 00:47:45,120 SHE WASN'T ONE OF MY PATIENTS, 708 00:47:45,120 --> 00:47:47,620 AND SHE HAD A DIFFERENT ADDRESS. 709 00:47:47,620 --> 00:47:50,630 I FOUND THIS IN DR. LITTLE'S FILES. 710 00:47:50,630 --> 00:47:53,130 HE LEFT THEM WHEN HE MOVED. 711 00:47:53,130 --> 00:47:54,630 HE TREATED HER ONCE. 712 00:47:54,630 --> 00:47:57,630 WELL, NOT TREATED HER. HE SAW HER. 713 00:47:57,630 --> 00:47:58,630 FOR WHAT? 714 00:47:58,630 --> 00:47:59,630 PREGNANCY TEST. 715 00:47:59,630 --> 00:48:01,140 WAS SHE? 716 00:48:01,140 --> 00:48:02,140 VERY. 717 00:48:02,140 --> 00:48:04,640 SHE DIDN'T HAVE THE BABY HERE. 718 00:48:04,640 --> 00:48:06,140 LOOK HERE. 719 00:48:06,140 --> 00:48:08,140 "FATHER OF CHILD-- DAVE MICHAELS." 720 00:48:08,140 --> 00:48:09,640 HOW ABOUT THAT? 721 00:48:09,640 --> 00:48:11,650 I THOUGHT YOU'D LIKE THAT. 722 00:48:11,650 --> 00:48:14,650 CYNTHIA LIVED WITH THE CARTERS, YOU KNOW. 723 00:48:14,650 --> 00:48:15,650 DID SHE? 724 00:48:15,650 --> 00:48:17,150 YEAH. 725 00:48:17,150 --> 00:48:20,150 MAYBE ELAINE CARTER TOOK DAVE AWAY FROM HER. 726 00:48:20,150 --> 00:48:21,660 MAYBE SHE WANTED REVENGE. 727 00:48:21,660 --> 00:48:25,160 MAYBE THE KILLER I'M LOOKING FOR IS A WOMAN. 728 00:48:25,160 --> 00:48:28,160 THAT'S AN AWFUL LOT OF MAYBES, SAM. 729 00:48:28,160 --> 00:48:29,660 YEAH. 730 00:48:29,660 --> 00:48:32,670 LOOK HERE. 731 00:48:32,670 --> 00:48:34,670 "MOTHER DECEASED. FATHER NONE." 732 00:48:34,670 --> 00:48:36,170 FATHER NONE? 733 00:48:36,170 --> 00:48:38,540 SHE HAD TO HAVE A FATHER. 734 00:48:38,540 --> 00:48:41,510 SHE COULD HAVE BEEN BORN OUT OF WEDLOCK. 735 00:48:41,510 --> 00:48:43,010 DIDN'T KNOW HIM. 736 00:48:43,010 --> 00:48:47,020 WHY NOT LEAVE IT BLANK OR PUT DOWN UNKNOWN? 737 00:48:47,020 --> 00:48:48,580 SHE PUT DOWN NONE. 738 00:48:48,580 --> 00:48:53,590 THAT COULD SHOW DISAPPOINTMENT OR ANGER. 739 00:48:53,590 --> 00:48:55,190 MAYBE. 740 00:48:55,190 --> 00:48:59,190 IF THESE MAYBES ADD UP, I BETTER FIND THAT FATHER. 741 00:48:59,190 --> 00:49:02,700 IF HE'S ALIVE, HE COULD BE THE THIRD. 742 00:49:04,200 --> 00:49:06,700 WELL, LET'S GO. 743 00:49:09,200 --> 00:49:12,210 I THINK THEY'RE HAVING FRANKS AND BEANS TODAY. 744 00:49:12,210 --> 00:49:14,210 HAVEN'T HAD THAT SINCE YESTERDAY. 745 00:49:14,210 --> 00:49:15,710 HA HA HA! 746 00:49:15,710 --> 00:49:17,910 NONE. 747 00:49:17,910 --> 00:49:19,410 AUGUST 23rd-- 748 00:49:19,410 --> 00:49:23,420 WE WERE ALL TIED UP IN SUCH AN EMOTIONAL KNOT. 749 00:49:23,420 --> 00:49:25,420 NOBODY ACTED NORMALLY, INCLUDING MYSELF. 750 00:49:25,420 --> 00:49:27,920 I THOUGHT MAYBE SOME THIRD PERSON, 751 00:49:27,920 --> 00:49:31,930 WISER THAN THE THREE OF US, COULD HELP UNTIE IT. 752 00:49:31,930 --> 00:49:34,430 I WENT TO SEE REVEREND PHILLIPS. 753 00:49:34,430 --> 00:49:37,430 HE HELPED MAMMA WHEN SHE WAS IN TROUBLE. 754 00:49:37,430 --> 00:49:41,200 HE PROMISED TO SPEAK TO DAVID AND TALK WITH ME TONIGHT. 755 00:49:41,200 --> 00:49:42,940 HE DENIES IT. 756 00:49:42,940 --> 00:49:47,440 HE MAINTAINS IT COULD HAVE BEEN A NUMBER OF YOUNG MEN, 757 00:49:47,440 --> 00:49:48,940 INCLUDING MR. CARTER. 758 00:49:48,940 --> 00:49:49,940 IT'S NOT! 759 00:49:49,940 --> 00:49:51,450 THERE WAS NOBODY ELSE! 760 00:49:51,450 --> 00:49:53,950 THERE SHOULDN'T EVEN HAVE BEEN ONE. 761 00:49:53,950 --> 00:49:57,950 YOU CAN TAKE HIM TO COURT FOR A BLOOD MATCH-UP 762 00:49:57,950 --> 00:49:59,450 AFTER THE BABY COMES, 763 00:49:59,450 --> 00:50:03,460 OR HAVE THE BABY AND PUT IT UP FOR ADOPTION. 764 00:50:03,460 --> 00:50:06,960 HAVE IT GROW UP NOT KNOWING ITS PARENTS. 765 00:50:06,960 --> 00:50:09,460 I'LL DO WHAT I HAVE TO. 766 00:50:09,460 --> 00:50:11,830 TO ME, ABORTION IS MORALLY DISGRACEFUL. 767 00:50:11,830 --> 00:50:13,600 BUT IT'S LEGAL. 768 00:50:13,600 --> 00:50:15,100 ONLY UNDER TEMPORAL LAW, 769 00:50:15,100 --> 00:50:16,970 WHICH BENDS TO SOCIAL PRESSURE. 770 00:50:16,970 --> 00:50:19,240 BUT UNDER DIVINE LAW, IT'S MURDER! 771 00:50:19,240 --> 00:50:21,240 THAT MAY BE YOUR INTERPRETATION, 772 00:50:21,240 --> 00:50:24,480 BUT YOU'RE NOT PREGNANT, 773 00:50:24,480 --> 00:50:28,550 AND YOU'RE NOT A WOMAN! 774 00:50:28,550 --> 00:50:32,550 YOU CAME FOR MY ADVICE. WHY DON'T YOU TAKE IT? 775 00:50:32,550 --> 00:50:35,990 BECAUSE I CAN'T TAKE IT. 776 00:50:35,990 --> 00:50:39,990 I CAN'T TAKE IT 777 00:50:39,990 --> 00:50:42,330 AND LIVE WITH MYSELF. 778 00:51:46,060 --> 00:51:48,560 [SPRAY PAINTING] 779 00:52:19,360 --> 00:52:21,600 [GUNSHOT] 780 00:52:30,100 --> 00:52:31,610 [SIREN] 781 00:52:43,620 --> 00:52:45,120 OTHER SIDE! 782 00:53:15,150 --> 00:53:16,650 JERRY, HERE IT IS. 783 00:53:16,650 --> 00:53:19,150 SHE HAD AN APPOINTMENT WITH HIM. 784 00:53:19,150 --> 00:53:20,660 "AUGUST 23rd, 8 P.M., 785 00:53:20,660 --> 00:53:23,160 CYNTHIA HOWE." 786 00:53:23,160 --> 00:53:27,160 SHE'S THE KEY TO THE WHOLE THING. 787 00:53:30,160 --> 00:53:33,170 IF WE CAN JUST FIGURE IT OUT. 788 00:53:36,170 --> 00:53:37,670 [KNOCKING ON DOOR] 789 00:53:37,670 --> 00:53:38,670 YEAH! 790 00:53:38,670 --> 00:53:39,670 [KNOCKING] 791 00:53:39,670 --> 00:53:41,680 I'M ON MY WAY! 792 00:53:43,180 --> 00:53:44,680 COME IN, JERRY. 793 00:53:44,680 --> 00:53:46,680 YEAH, SAM. YOU KNOW WHAT-- 794 00:53:46,680 --> 00:53:48,180 GET ANY SLEEP? 795 00:53:48,180 --> 00:53:51,690 ABOUT TWO MINUTES IN THE SHOWER. 796 00:53:51,690 --> 00:53:55,690 CLINTON BICKFORD CALLED AN EMERGENCY MEETING OF THE TOWN COUNCIL. 797 00:53:55,690 --> 00:53:58,690 GOOD. IT'LL KEEP HIM OUT OF OUR WAY. 798 00:53:58,690 --> 00:54:00,190 IT'S NOT GOOD. 799 00:54:00,190 --> 00:54:03,200 THEY CALLED PETE LOCKHARD FOR LEGAL ADVICE 800 00:54:03,200 --> 00:54:06,570 ON WHETHER THEY CAN FIRE YOU. 801 00:54:06,570 --> 00:54:08,070 WELL, CAN THEY? 802 00:54:08,070 --> 00:54:11,710 CALL DORIS AND TELL HER I'LL BE LATE. 803 00:54:14,210 --> 00:54:16,540 EAGLE CENTRAL, THIS IS EAGLE ONE. 804 00:54:16,540 --> 00:54:17,880 COME IN, PLEASE. 805 00:54:43,240 --> 00:54:46,240 SAM, BEFORE YOU START SPOUTING RULE-BOOK CLICHES 806 00:54:46,240 --> 00:54:49,240 ABOUT LAW AND ORDER AND CITIZEN WITCH HUNTS, 807 00:54:49,240 --> 00:54:51,250 I WANT YOU TO KNOW 808 00:54:51,250 --> 00:54:54,750 THAT THIS TOWN COUNCIL SITS HERE AS ONE--UNITED. 809 00:54:54,750 --> 00:54:56,250 UNITED ABOUT WHAT, CLINT? 810 00:54:56,250 --> 00:54:57,750 HUNTING DOWN THAT KILLER. 811 00:54:57,750 --> 00:55:00,090 TELL ME WHO, AND I'LL GO. 812 00:55:00,090 --> 00:55:01,590 YOU'VE HAD YOUR CHANCE. 813 00:55:01,590 --> 00:55:05,490 YOU EVEN REFUSED THE SHERIFF'S HELP. 814 00:55:05,490 --> 00:55:07,000 THAT'S NOT TRUE, FRANK! 815 00:55:07,000 --> 00:55:10,330 WHAT DOES THIS GROUP OF VIGILANTES PROPOSE? 816 00:55:10,330 --> 00:55:13,330 WE JUST CAN'T SIT HERE DOING NOTHING, 817 00:55:13,330 --> 00:55:15,340 WATCHING YOU DO EVEN LESS. 818 00:55:15,340 --> 00:55:17,270 NOW, HOLD IT-- 819 00:55:17,270 --> 00:55:19,770 I'VE HAD OVER 20 PHONE CALLS 820 00:55:19,770 --> 00:55:22,980 FROM NEWSPAPERS, WIRE SERVICES ALL OVER THE STATE! 821 00:55:22,980 --> 00:55:26,480 THEY'RE CALLING THIS THE MURDER CAPITAL OF THE MOUNTAINS. 822 00:55:26,480 --> 00:55:28,980 OUR COMMERCIAL SEASON IS ALMOST HERE. 823 00:55:28,980 --> 00:55:30,480 CANCELLATIONS ARE POURING IN! 824 00:55:30,480 --> 00:55:32,190 WHAT WILL WE LIVE ON? 825 00:55:32,190 --> 00:55:34,090 LET'S KEEP CALM. 826 00:55:34,090 --> 00:55:36,990 PANIC WILL ONLY MAKE THINGS WORSE. 827 00:55:36,990 --> 00:55:39,990 I'M NOT QUALIFIED TO RUN THE GROCERY STORE, 828 00:55:39,990 --> 00:55:42,000 THE NEWSPAPER, THE DRUG STORE 829 00:55:42,000 --> 00:55:44,000 ANY MORE THAN YOU'RE QUALIFIED 830 00:55:44,000 --> 00:55:46,000 TO RUN THE POLICE DEPARTMENT. 831 00:55:46,000 --> 00:55:47,870 WHY DON'T YOU-- 832 00:55:47,870 --> 00:55:50,870 JUST SIT BACK AND WONDER WHO'S NEXT? 833 00:55:50,870 --> 00:55:54,340 HOW MANY MORE BODIES DO YOU NEED? 834 00:55:54,340 --> 00:55:56,910 YOU'RE THE SECOND-HIGHEST- PAID OFFICIAL 835 00:55:56,910 --> 00:55:58,410 IN THIS TOWN. 836 00:55:58,410 --> 00:55:59,950 FOR ISSUING PARKING TICKETS! 837 00:55:59,950 --> 00:56:01,450 COMES DOWN TO THIS-- 838 00:56:01,450 --> 00:56:04,520 WE HIRED YOU. WE CAN FIRE YOU. 839 00:56:04,520 --> 00:56:08,360 TEAR UP MY CONTRACT AND KEEP MY SALARY. 840 00:56:08,360 --> 00:56:09,520 I'LL WORK FOR NOTHING. 841 00:56:09,520 --> 00:56:11,030 WHETHER YOU BELIEVE IT, 842 00:56:11,030 --> 00:56:14,030 I'M MORE FRUSTRATED THAN ALL OF YOU! 843 00:56:14,030 --> 00:56:18,500 BUT I'LL NOT RUN SCREAMING DOWN MAIN STREET FOR YOU. 844 00:56:18,500 --> 00:56:21,040 I'LL NOT ALLOW ANY AMATEUR POLICEMAN 845 00:56:21,040 --> 00:56:24,040 TO TAKE THE LAW IN HIS OWN HANDS. 846 00:56:24,040 --> 00:56:26,040 IF YOU TRY, I'LL SQUASH YOU. 847 00:56:46,560 --> 00:56:48,060 I'M SORRY, SAM. 848 00:56:48,060 --> 00:56:51,070 I DON'T HAVE THE TIME NOR ENERGY 849 00:56:51,070 --> 00:56:53,570 TO LOSE MY TEMPER THAT WAY. 850 00:56:53,570 --> 00:56:56,070 IS THERE ANYTHING I CAN DO? 851 00:56:56,070 --> 00:56:59,070 OH, THAT GIRL WHO LIVED WITH THE CARTERS-- 852 00:56:59,070 --> 00:57:00,570 NAME WAS CYNTHIA HOWE. 853 00:57:00,570 --> 00:57:03,580 CAN YOU TELL ME ANYTHING ABOUT HER? 854 00:57:03,580 --> 00:57:04,580 NO. WHY? 855 00:57:04,580 --> 00:57:07,080 EVERYBODY KILLED SEEMED TO KNOW HER. 856 00:57:07,080 --> 00:57:08,580 THERE'S SOME CONNECTION. 857 00:57:08,580 --> 00:57:10,080 GRACE MIGHT KNOW SOMETHING. 858 00:57:10,080 --> 00:57:12,590 ASK HER WHEN SHE COMES BACK. 859 00:57:12,590 --> 00:57:14,590 I'LL DO BETTER THAN THAT. 860 00:57:14,590 --> 00:57:17,090 IT'LL GIVE ME AN EXCUSE TO CALL HER. 861 00:57:24,100 --> 00:57:27,100 YOU THINK I HAD NOTHING BETTER TO DO 862 00:57:27,100 --> 00:57:30,100 THAN SPY ON A CLEANING WOMAN'S DAUGHTER? 863 00:57:30,100 --> 00:57:32,940 I PROMISED SAM I'D ASK YOU. 864 00:57:32,940 --> 00:57:35,440 NOW YOU'VE DONE YOUR NEIGHBORLY DUTY. 865 00:57:35,440 --> 00:57:38,310 IS THERE ANYTHING ELSE YOU WANT? 866 00:57:38,310 --> 00:57:41,550 I WANT TO KNOW WHEN YOU'RE COMING HOME. 867 00:57:41,550 --> 00:57:43,220 WHY? 868 00:57:43,220 --> 00:57:44,820 WELL, I MISS YOU. 869 00:57:44,820 --> 00:57:47,790 PETER, WE'VE BEEN MISSING EACH OTHER FOR YEARS. 870 00:57:47,790 --> 00:57:49,220 WHAT DO YOU MEAN? 871 00:57:49,220 --> 00:57:51,530 WANT ME TO SPELL IT OUT? 872 00:57:51,530 --> 00:57:53,690 YEAH. 873 00:57:53,690 --> 00:57:57,200 I WASN'T GOING TO DISCUSS THIS ON THE PHONE, 874 00:57:57,200 --> 00:57:59,130 BUT SINCE YOU FORCED ME-- 875 00:57:59,130 --> 00:58:02,000 I WENT TO SEE A LAWYER TODAY. 876 00:58:02,000 --> 00:58:05,040 WHAT FOR? 877 00:58:05,040 --> 00:58:06,540 WELL, I'M COMING HOME, 878 00:58:06,540 --> 00:58:10,240 AND I'M GOING TO START PACKING. 879 00:58:10,240 --> 00:58:14,350 GRACE, YOU CAN'T. I LOVE YOU. 880 00:58:14,350 --> 00:58:18,390 WHO ARE YOU KIDDING? YOU MARRIED ME FOR MONEY. 881 00:58:18,390 --> 00:58:19,420 NO! 882 00:58:19,420 --> 00:58:22,920 I TOLD YOU, I DON'T WANT TO DISCUSS IT. 883 00:58:22,920 --> 00:58:25,160 IT'S OVER, O.K.? IT IS OVER. 884 00:58:51,190 --> 00:58:53,190 THE LOS ANGELES POLICE DEPARTMENT 885 00:58:53,190 --> 00:58:55,690 WITH A REPORT ON YOUR QUERY. 886 00:58:55,690 --> 00:59:00,160 THEY'VE LOCATED 2 CYNTHIA HOWES-- ONE 59, THE OTHER 7. 887 00:59:00,160 --> 00:59:03,360 THERE'S NO RECORD OF A CYNTHIA HOWE DEATH. 888 00:59:03,360 --> 00:59:06,730 THERE ARE MANY JANE DOES THAT COULD FIT THE DESCRIPTION, 889 00:59:06,730 --> 00:59:11,140 BUT YOU'LL HAVE TO GO THERE TO SEE THE MORGUE SHOTS. 890 00:59:11,140 --> 00:59:14,980 NOTHING SEEMS TO BE GOING RIGHT FOR US, DOES IT? 891 00:59:14,980 --> 00:59:16,940 NO. 892 00:59:16,940 --> 00:59:19,950 CLINTON BICKFORD WAS IN TO SEE YOU. 893 00:59:19,950 --> 00:59:22,080 YEAH? 894 00:59:22,080 --> 00:59:24,850 HE'S SETTING UP A CITIZENS' ACTION COMMITTEE 895 00:59:24,850 --> 00:59:27,790 AND PUTTING COLONEL MOONEY IN CHARGE. 896 00:59:27,790 --> 00:59:29,290 TO DO WHAT? 897 00:59:29,290 --> 00:59:31,290 PROVIDE ARMED ESCORT FOR WOMEN 898 00:59:31,290 --> 00:59:32,790 AND ANSWER PROWLER REPORTS. 899 00:59:32,790 --> 00:59:34,330 IT'S TO KEEP THE PEACE. 900 00:59:34,330 --> 00:59:37,600 HOW DOES BICKFORD FIGURE HE CAN KEEP THE PEACE 901 00:59:37,600 --> 00:59:39,100 BY SPREADING FEAR? 902 00:59:39,100 --> 00:59:41,340 WHAT WILL YOU DO? 903 00:59:41,340 --> 00:59:43,970 I'VE SHOUTED AND THREATENED ALL I CAN. 904 00:59:43,970 --> 00:59:45,610 COLONEL MOONEY'S IN CHARGE. 905 00:59:45,610 --> 00:59:50,480 MAYBE HE AND CLINT WILL SHOOT ONE ANOTHER IN THE FOOT. 906 01:00:06,490 --> 01:00:08,000 WELL, THAT WASN'T BAD. 907 01:00:08,000 --> 01:00:09,500 IT WAS O.K. 908 01:00:09,500 --> 01:00:14,500 I COULD HAVE DONE A WHOLE LOT BETTER. 909 01:00:18,510 --> 01:00:22,680 SAM, YOU NEED TO RELAX, YOU KNOW? 910 01:00:22,680 --> 01:00:25,680 SOMETIMES IF YOU LOOK AT SOMETHING TOO LONG, 911 01:00:25,680 --> 01:00:27,680 YOU DON'T SEE IT ANYMORE. 912 01:00:27,680 --> 01:00:29,180 GET AWAY FROM IT, 913 01:00:29,180 --> 01:00:31,490 AND YOU'LL SEE IT DIFFERENTLY. 914 01:00:31,490 --> 01:00:33,990 I HAVE NO PLACE TO GO 915 01:00:33,990 --> 01:00:37,020 TO COME BACK AND SEE IT DIFFERENTLY. 916 01:00:37,020 --> 01:00:39,930 YES, YOU DO. 917 01:00:39,930 --> 01:00:41,630 YOUR PLACE? 918 01:00:43,530 --> 01:00:46,000 MY PLACE. 919 01:00:52,540 --> 01:00:54,040 I'M BACK. 920 01:00:54,040 --> 01:00:56,540 I SAW YOU. 921 01:01:08,560 --> 01:01:11,560 HEAR YOU GOT ANOTHER ONE SINCE I LEFT. 922 01:01:11,560 --> 01:01:12,560 THAT'S RIGHT. 923 01:01:12,560 --> 01:01:16,000 WHAT ARE YOU GOING TO DO ABOUT IT? 924 01:01:16,000 --> 01:01:19,130 I'M DOING THE BEST I CAN. 925 01:01:19,130 --> 01:01:22,440 MM-HMM. THAT'S NOT ENOUGH. 926 01:01:22,440 --> 01:01:24,740 I'M DOING WHAT I CAN. 927 01:01:24,740 --> 01:01:27,740 AND I TOLD YOU, THAT'S NOT ENOUGH. 928 01:01:27,740 --> 01:01:31,010 YOU SHOULD BE LOOKING FOR WHOEVER DID IT, 929 01:01:31,010 --> 01:01:34,180 INSTEAD OF FOOLING AROUND IN A LAKE 930 01:01:34,180 --> 01:01:35,680 LOOKING FOR MY GUN. 931 01:01:38,520 --> 01:01:41,090 I'M GOING TO GO HUNTING, MYSELF. 932 01:01:41,090 --> 01:01:44,360 YOU DON'T KNOW WHO TO LOOK FOR EITHER. 933 01:01:44,360 --> 01:01:45,860 HALF THE TOWN'S ARMED, 934 01:01:45,860 --> 01:01:48,700 AND YOU KNOW IT. 935 01:01:48,700 --> 01:01:50,200 I KNOW ABOUT BICKFORD 936 01:01:50,200 --> 01:01:51,700 AND HIS CITIZENS' COMMITTEE. 937 01:01:51,700 --> 01:01:53,700 DON'T LET ME CATCH YOU 938 01:01:53,700 --> 01:01:55,040 FOOLING WITH ANY GUNS. 939 01:01:56,540 --> 01:01:58,310 WE'LL SEE. 940 01:02:02,040 --> 01:02:03,540 WE'LL SEE. 941 01:02:06,610 --> 01:02:08,080 BILL... 942 01:02:18,060 --> 01:02:20,060 WHY DIDN'T YOU TELL ME 943 01:02:20,060 --> 01:02:21,560 CYNTHIA HOWE WAS PREGNANT? 944 01:02:21,560 --> 01:02:23,060 OH, COME ON, NOW. 945 01:02:23,060 --> 01:02:26,170 I DIDN'T KNOW SHE WAS PREGNANT. 946 01:02:26,170 --> 01:02:29,800 YOU GOING TO SAY I DID THAT, TOO? 947 01:02:29,800 --> 01:02:31,810 NO. DAVE MICHAELS DID THAT. 948 01:02:31,810 --> 01:02:34,410 HE WAS KILLED. 949 01:02:34,410 --> 01:02:36,480 SHE CONFIDED IN YOUR WIFE, 950 01:02:36,480 --> 01:02:37,980 AND SHE WAS KILLED. 951 01:02:37,980 --> 01:02:39,480 SHE VISITED REVEREND PHILLIPS, 952 01:02:39,480 --> 01:02:40,680 AND HE WAS KILLED. 953 01:02:40,680 --> 01:02:44,690 I DON'T KNOW WHO COULD BE NUMBER FOUR. 954 01:02:48,620 --> 01:02:51,960 TAKE IT EASY, BILL. 955 01:02:51,960 --> 01:02:53,730 I KNOW YOU'RE UPSET. 956 01:02:53,730 --> 01:02:55,230 I AM, TOO. 957 01:02:55,230 --> 01:02:59,300 YOU DIDN'T LOSE A WIFE 958 01:02:59,300 --> 01:03:02,900 THAT YOU LOVED. 959 01:03:02,900 --> 01:03:04,410 I DID. 960 01:03:06,870 --> 01:03:08,340 I DID. 961 01:03:19,090 --> 01:03:20,590 I KNEW CYNTHIA HOWE. 962 01:03:22,160 --> 01:03:23,660 YOU DID? 963 01:03:23,660 --> 01:03:27,960 YEAH. JUST CASUALLY, 964 01:03:27,960 --> 01:03:29,260 BUT I KNEW HER. 965 01:03:29,260 --> 01:03:31,530 WHEN DID YOU SEE HER LAST? 966 01:03:31,530 --> 01:03:34,540 SHE WAS HITCHHIKING DOWN THE HILL TO L.A. 967 01:03:34,540 --> 01:03:38,010 I PICKED HER UP. SHE CHANGED HER MIND 968 01:03:38,010 --> 01:03:41,510 AND SAID SHE WANTED ME TO DROP HER OFF 969 01:03:41,510 --> 01:03:43,510 AT DESERT CITY MOTEL, 970 01:03:43,510 --> 01:03:46,710 AND THAT'S THE LAST TIME I SAW HER. 971 01:03:46,710 --> 01:03:48,220 WHY DIDN'T YOU SAY SOMETHING? 972 01:03:48,220 --> 01:03:51,350 BECAUSE I HAVEN'T SEEN YOU. 973 01:03:59,190 --> 01:04:00,930 YOU LOOK WORRIED. 974 01:04:02,400 --> 01:04:03,700 I AM WORRIED. 975 01:04:05,200 --> 01:04:09,900 YOU DON'T THINK THAT BECAUSE I...JUST... 976 01:04:09,900 --> 01:04:12,870 I DON'T KNOW. 977 01:04:12,870 --> 01:04:14,440 LET'S GO. 978 01:04:14,440 --> 01:04:16,610 WHERE? 979 01:04:16,610 --> 01:04:18,580 YOUR PLACE. 980 01:04:55,680 --> 01:04:57,180 I'M SCARED, SAM. 981 01:04:57,180 --> 01:05:00,820 I MEAN, I'M REALLY SCARED. 982 01:05:00,820 --> 01:05:03,120 IT MAY BE NOTHING. 983 01:05:03,120 --> 01:05:06,130 WE MAY BE WORRIED ABOUT JUST NOTHING. 984 01:05:06,130 --> 01:05:09,630 I'LL HAVE SOMEBODY WITH YOU AT ALL TIMES, O.K.? 985 01:05:09,630 --> 01:05:11,470 O.K. 986 01:05:19,140 --> 01:05:20,640 MORNING, DORIS. 987 01:05:20,640 --> 01:05:21,640 MORNING, ROGER. 988 01:05:21,640 --> 01:05:23,640 HOW YOU FEELING TODAY, SAM? 989 01:05:23,640 --> 01:05:24,650 FINE, CHARLIE. 990 01:05:24,650 --> 01:05:26,180 NOT MUCH MAIL. 991 01:05:32,150 --> 01:05:33,650 A LETTER FOR YOU. 992 01:05:33,650 --> 01:05:36,460 OH, I'VE BEEN WAITING FOR THAT. 993 01:05:40,290 --> 01:05:42,130 HEY, CHARLIE? 994 01:05:42,660 --> 01:05:44,260 CHARLIE? 995 01:05:44,260 --> 01:05:45,670 YES, SAM? 996 01:05:45,670 --> 01:05:48,170 HAVE YOU HEARD OF CYNTHIA HOWE? 997 01:05:48,170 --> 01:05:49,770 ROBERTA HOWE'S GIRL? 998 01:05:49,770 --> 01:05:51,270 YOU KNEW HER? 999 01:05:51,270 --> 01:05:53,270 I DELIVERED MAIL TO THEM 1000 01:05:53,270 --> 01:05:56,280 ON THE OTHER SIDE OF THE LAKE. 1001 01:05:56,280 --> 01:05:57,780 NOT MUCH MAIL. 1002 01:05:57,780 --> 01:05:58,910 GO ON. 1003 01:05:58,910 --> 01:06:01,950 ROBERTA, THE MOTHER, WAS QUIET... 1004 01:06:01,950 --> 01:06:03,480 POLITE... INVITED ME IN 1005 01:06:03,480 --> 01:06:04,990 FOR TEA AND COOKIES. 1006 01:06:04,990 --> 01:06:06,720 SHE WAS LONESOME. 1007 01:06:06,720 --> 01:06:09,760 MR. CARTER SHOULD KNOW. SHE WORKED FOR HIM. 1008 01:06:09,760 --> 01:06:11,260 THE GIRL, CYNTHIA, 1009 01:06:11,260 --> 01:06:12,960 YOU KNEW HER? 1010 01:06:12,960 --> 01:06:14,460 SAM, SEEING'S ONE THING, 1011 01:06:14,460 --> 01:06:15,960 KNOWING'S ANOTHER. 1012 01:06:15,960 --> 01:06:18,970 SHE JUST CAME OUT TO THE MAILBOX. 1013 01:06:18,970 --> 01:06:20,500 ANYTHING ELSE? 1014 01:06:20,500 --> 01:06:22,500 NOT OFFHAND. IT'S BEEN A WHILE. 1015 01:06:22,500 --> 01:06:25,510 DO YOU HAVE ANY IDEA WHERE SHE WENT? 1016 01:06:25,510 --> 01:06:28,010 DID SHE LEAVE A FORWARDING ADDRESS? 1017 01:06:28,010 --> 01:06:29,510 NOT THAT I RECALL. 1018 01:06:29,510 --> 01:06:31,010 DID SHE EVER MENTION 1019 01:06:31,010 --> 01:06:33,350 A FATHER ANYWHERE? 1020 01:06:33,350 --> 01:06:35,350 YOU EXPECT ME TO RECITE 1021 01:06:35,350 --> 01:06:37,790 EVERY CONVERSATION I'VE EVER HEARD? 1022 01:06:37,790 --> 01:06:39,790 NO, I GUESS NOT, CHARLIE. 1023 01:06:39,790 --> 01:06:41,920 THANKS, ANYWAY. 1024 01:06:41,920 --> 01:06:43,920 I SUPPOSE AFTER I FINISH 1025 01:06:43,920 --> 01:06:46,930 I COULD GO THROUGH THE OLD FILES 1026 01:06:46,930 --> 01:06:48,560 IF THEY HAVEN'T BEEN THROWN OUT. 1027 01:06:48,560 --> 01:06:50,300 I'D APPRECIATE IT, CHARLIE. 1028 01:07:02,010 --> 01:07:05,010 I'LL BE AT THE DESERT CITY MOTEL 1029 01:07:05,010 --> 01:07:06,510 IN 45 MINUTES. 1030 01:07:31,370 --> 01:07:32,870 I'M GLAD YOU'RE BACK. 1031 01:07:32,870 --> 01:07:34,880 JUST GET MY BAGS OUT. 1032 01:07:34,880 --> 01:07:37,380 I'VE THOUGHT A LOT ABOUT US. 1033 01:07:37,380 --> 01:07:39,380 WE CAN WORK THINGS OUT. 1034 01:07:39,380 --> 01:07:41,920 CAN'T YOU FACE THE TRUTH? 1035 01:07:41,920 --> 01:07:44,420 I COULD IF YOU LET ME. 1036 01:07:44,420 --> 01:07:46,820 WHEN I BECOME COUNTY ATTORNEY-- 1037 01:07:46,820 --> 01:07:48,320 WHICH YOU NEVER WILL. 1038 01:07:48,320 --> 01:07:50,320 THAT TAKES CHARACTER AND MONEY. 1039 01:07:50,320 --> 01:07:51,830 YOU HAVE NEITHER. 1040 01:07:51,830 --> 01:07:54,430 CAREFUL. THERE'S A POINT BEYOND WHICH 1041 01:07:54,430 --> 01:07:56,130 YOU CAN'T PUSH ME 1042 01:07:56,130 --> 01:07:57,800 OR BUY ME. 1043 01:07:57,800 --> 01:07:59,870 BEEN REHEARSING THAT SPEECH LONG? 1044 01:07:59,870 --> 01:08:02,070 THERE'S MORE IF YOU'LL LISTEN. 1045 01:08:02,070 --> 01:08:05,070 SURE. IT'LL GIVE ME SOMETHING TO DO 1046 01:08:05,070 --> 01:08:06,570 WHILE I'M PACKING. 1047 01:08:23,090 --> 01:08:25,660 YEAH, I REMEMBER HER... WELL. 1048 01:08:25,660 --> 01:08:29,900 SOMETIMES I WISH I COULD FORGET HER. 1049 01:08:34,640 --> 01:08:36,670 HERE IT IS RIGHT HERE. 1050 01:08:36,670 --> 01:08:39,170 "CYNTHIA HOWE." 1051 01:08:39,170 --> 01:08:41,510 COMMITTED SUICIDE IN ROOM 12. 1052 01:08:49,250 --> 01:08:50,750 WHO KEEPS IT UP? 1053 01:08:50,750 --> 01:08:53,250 SAME FELLA THAT BOUGHT THE STONE. 1054 01:08:53,250 --> 01:08:54,760 YOU KNOW HIS NAME? 1055 01:08:54,760 --> 01:08:57,260 HE SAID HE WAS A RELATIVE. 1056 01:08:57,260 --> 01:08:58,760 COMES HERE SOMETIMES 1057 01:08:58,760 --> 01:09:00,760 AND PUTS DOWN FRESH FLOWERS. 1058 01:09:00,760 --> 01:09:02,260 COULD YOU DESCRIBE HIM? 1059 01:09:02,260 --> 01:09:04,130 I'LL MAKE A STAB AT IT. 1060 01:09:18,310 --> 01:09:20,810 STRANGE TIME FOR YOU TO CALL. 1061 01:09:20,810 --> 01:09:22,820 I'VE GOT TO DELIVER MAIL 1062 01:09:22,820 --> 01:09:25,320 LONG BEFORE ANYBODY IN TOWN'S UP. 1063 01:09:25,320 --> 01:09:27,320 I KNOW, BUT IT'S IMPORTANT. 1064 01:09:27,320 --> 01:09:29,820 YOU BEEN DOING MUCH HUNTING LATELY? 1065 01:09:29,820 --> 01:09:31,830 NOT LIKE I USED TO. 1066 01:09:31,830 --> 01:09:34,330 YOU'RE STILL A GOOD SHOT, THOUGH? 1067 01:09:34,330 --> 01:09:36,830 I CAN STILL GET MY LIMIT. 1068 01:09:36,830 --> 01:09:38,830 WHAT ARE YOU GETTING AT? 1069 01:09:38,830 --> 01:09:40,270 WHY IS THE KILLER USING A SHOTGUN? 1070 01:09:42,340 --> 01:09:45,340 I'D SAY A PERSON USES WHAT HE'S GOT, 1071 01:09:45,340 --> 01:09:47,440 WHAT HE'S USED TO. 1072 01:09:47,440 --> 01:09:49,110 YOU CAN KILL MOOSE 1073 01:09:49,110 --> 01:09:50,610 WITH A SHOTGUN. 1074 01:09:50,610 --> 01:09:53,780 I CAN'T WASTE SLEEP ON THESE QUESTIONS. 1075 01:09:53,780 --> 01:09:55,880 I'M NOT FINISHED, CHARLIE. 1076 01:09:55,880 --> 01:09:58,890 SAM, I DON'T HAVE TO TALK TO YOU 1077 01:09:58,890 --> 01:10:00,920 IF I DON'T WANT TO. 1078 01:10:00,920 --> 01:10:02,920 WHY DO YOU SAY THAT? 1079 01:10:02,920 --> 01:10:04,660 YOU AFRAID OF SOMETHING? 1080 01:11:16,430 --> 01:11:25,940 [BUZZING] 1081 01:11:25,940 --> 01:11:26,940 PETER? 1082 01:11:26,940 --> 01:11:29,440 [DOORBELL BUZZES] 1083 01:11:29,440 --> 01:11:30,940 PETER? 1084 01:11:30,940 --> 01:11:32,250 WHERE ARE YOU? 1085 01:11:32,250 --> 01:11:35,850 GRACE? GRACE, IT'S ME OUTSIDE. 1086 01:11:47,060 --> 01:11:48,760 I LOCKED MYSELF OUT. 1087 01:11:48,760 --> 01:11:52,830 I'LL BE RIGHT DOWN. 1088 01:12:06,480 --> 01:12:08,120 [GUNSHOT] 1089 01:12:55,130 --> 01:12:58,130 CHARLIE, I THINK I'M COMING PRETTY CLOSE 1090 01:12:58,130 --> 01:13:00,130 TO FINDING THE KILLER. 1091 01:13:00,130 --> 01:13:01,970 I FOUND CYNTHIA HOWE. 1092 01:13:01,970 --> 01:13:04,140 YOU FOUND HER? 1093 01:13:04,140 --> 01:13:05,810 I FOUND HER GRAVE. 1094 01:13:05,810 --> 01:13:07,810 SOMEBODY MUST STILL LOVE HER. 1095 01:13:07,810 --> 01:13:09,310 HE BRINGS FLOWERS REGULARLY. 1096 01:13:09,310 --> 01:13:11,310 YOU CERTAIN IT'S A HE? 1097 01:13:11,310 --> 01:13:12,510 POSITIVE. 1098 01:13:12,510 --> 01:13:15,050 DO YOU KNOW WHO HE IS? 1099 01:13:15,050 --> 01:13:17,050 I DON'T KNOW HIS NAME, 1100 01:13:17,050 --> 01:13:20,050 BUT IT'S SOMEBODY WHO'S CLOSE TO HER... 1101 01:13:20,050 --> 01:13:22,560 IN DEATH, IF NOT IN LIFE. 1102 01:13:22,560 --> 01:13:23,560 WHAT? 1103 01:13:23,560 --> 01:13:25,060 SOMEBODY WHO'S REPAYING 1104 01:13:25,060 --> 01:13:27,560 A DEBT TO HER WITH FLOWERS. 1105 01:13:29,560 --> 01:13:32,070 SOMEBODY TOO AFRAID TO ACKNOWLEDGE HER 1106 01:13:32,070 --> 01:13:33,570 WHEN SHE WAS ALIVE, 1107 01:13:33,570 --> 01:13:36,070 ASHAMED OF HIMSELF IN HER, 1108 01:13:36,070 --> 01:13:39,070 REFUSING TO GIVE ONE SIMPLE EXPRESSION OF LOVE, 1109 01:13:39,070 --> 01:13:40,070 EVEN PRIVATELY. 1110 01:13:40,070 --> 01:13:44,480 IMAGINE SOMEBODY LIKE THAT, CHARLIE. 1111 01:13:44,480 --> 01:13:45,980 YOU'RE MAKING HIM SOUND 1112 01:13:45,980 --> 01:13:48,280 LIKE A TERRIBLE PERSON, SAM. 1113 01:13:48,280 --> 01:13:50,280 I'M GOING TO GET HIM. 1114 01:13:50,280 --> 01:13:51,780 I'LL NAIL HIM 1115 01:13:51,780 --> 01:13:54,050 FOR EVERY CRIME HE'S COMMITTED. 1116 01:13:54,050 --> 01:13:56,060 WHY TELL ME ALL THIS? 1117 01:13:56,060 --> 01:13:57,590 SO HE KNOWS 1118 01:13:57,590 --> 01:14:00,590 I'M LOOKING DOWN THE BARREL AT HIM. 1119 01:14:00,590 --> 01:14:02,630 IF HE'LL GIVE HIMSELF UP, 1120 01:14:02,630 --> 01:14:05,200 HE'LL GET EVERY RIGHT IN THE BOOK 1121 01:14:05,200 --> 01:14:08,200 BECAUSE HE'S GOT THE BEST DEFENSE THERE IS-- 1122 01:14:08,200 --> 01:14:09,200 INSANITY. 1123 01:14:19,210 --> 01:14:20,650 SAM? 1124 01:14:20,650 --> 01:14:23,380 GOT A CALL FROM LAKESIDE SECURITY PATROL. 1125 01:14:23,380 --> 01:14:24,920 SOMEBODY KILLED MRS. LOCKHARD. 1126 01:14:24,920 --> 01:14:27,920 SHOTGUN, SPRAY PAINT-- SAME PATTERN AS ALL THE OTHERS. 1127 01:14:27,920 --> 01:14:29,420 GOOD LORD, NO. 1128 01:14:29,420 --> 01:14:30,920 CALL CARLSON. 1129 01:14:30,920 --> 01:14:32,430 GO TO THE LOCKHARD'S. 1130 01:14:32,430 --> 01:14:34,030 TELL DOC HAMMOND. 1131 01:14:34,030 --> 01:14:35,160 RIGHT AWAY. 1132 01:14:37,560 --> 01:14:39,670 I'M SORRY, CHARLIE, I THOUGHT... 1133 01:14:39,670 --> 01:14:42,570 YOU MIGHT BE ABLE TO HELP. 1134 01:14:42,570 --> 01:14:44,070 I'M SORRY. 1135 01:15:08,100 --> 01:15:09,600 THANKS, JERRY. 1136 01:15:09,600 --> 01:15:10,600 YOU'RE WELCOME. 1137 01:15:45,600 --> 01:15:47,100 HEY, GIL. 1138 01:15:47,100 --> 01:15:50,140 SEE SOMETHING, SAM? 1139 01:15:50,140 --> 01:15:51,640 HE HEADED FOR THE LAKE. 1140 01:15:51,640 --> 01:15:54,140 LOOKS LIKE HE WAS RUNNING. 1141 01:16:22,170 --> 01:16:23,670 THERE'S YOUR KILLER, SAM. 1142 01:16:23,670 --> 01:16:26,670 HIS WORLD JUST FELL OUT FROM UNDER HIM. 1143 01:16:26,670 --> 01:16:28,180 SURE LOOKS LIKE. 1144 01:16:28,180 --> 01:16:30,680 I GUESS WE'D BETTER GET HIM 1145 01:16:30,680 --> 01:16:32,180 BEFORE HE SLIPS UNDER. 1146 01:16:32,180 --> 01:16:35,180 WE'D HAVE TO WAIT TILL SPRING 1147 01:16:35,180 --> 01:16:37,680 TO FIND OUT WHO IT IS. 1148 01:17:01,210 --> 01:17:02,710 AUGUST 29TH. 1149 01:17:02,710 --> 01:17:06,210 I LOVE DAVID MORE THAN ANYTHING IN THE WORLD, 1150 01:17:06,210 --> 01:17:10,720 BUT HE DOESN'T LOVE ME. I DON'T KNOW WHAT TO DO. 1151 01:17:10,720 --> 01:17:13,220 I FEEL SO DESERTED AND ALONE. 1152 01:17:13,220 --> 01:17:16,220 I JUST DON'T SEE ANY FUTURE FOR ME. 1153 01:17:16,220 --> 01:17:19,290 I DECIDED TO GO TO THE CLINIC IN LANCASTER. 1154 01:17:19,290 --> 01:17:22,800 BETTY WHO WORKS AT THE DINER PICKED ME UP. 1155 01:17:24,760 --> 01:17:26,230 BETTY? 1156 01:17:26,230 --> 01:17:27,730 YEAH? 1157 01:17:29,470 --> 01:17:32,970 I DON'T WANT TO GO TO LOS ANGELES. 1158 01:17:32,970 --> 01:17:36,480 COULD YOU JUST DROP ME OFF AT DESERT CITY, 1159 01:17:36,480 --> 01:17:37,980 SOME MOTEL? 1160 01:17:37,980 --> 01:17:39,850 I HAVE TO THINK. 1161 01:17:39,850 --> 01:17:41,350 YEAH, SURE. WHY NOT? 1162 01:17:47,490 --> 01:17:52,490 LISTEN, I... I DON'T KNOW WHAT'S BOTHERING YOU, 1163 01:17:52,490 --> 01:17:54,490 BUT MAYBE IF YOU HAD 1164 01:17:54,490 --> 01:17:56,500 A GOOD NIGHT'S SLEEP, HUH? 1165 01:17:56,500 --> 01:17:58,000 SOUNDS SILLY, 1166 01:17:58,000 --> 01:18:01,500 BUT I THINK YOU MIGHT FEEL BETTER. 1167 01:18:01,500 --> 01:18:05,000 THINK MAYBE YOU OUGHT TO TAKE SOMETHING? 1168 01:18:05,000 --> 01:18:06,510 I DON'T HAVE ANYTHING. 1169 01:18:09,010 --> 01:18:11,510 LOOK IN MY MAKE-UP BAG, 1170 01:18:11,510 --> 01:18:13,510 THERE IN THE GREEN BOTTLE. 1171 01:18:13,510 --> 01:18:15,520 TAKE ONE OF THOSE. 1172 01:18:17,020 --> 01:18:18,520 ARE THEY SAFE? 1173 01:18:18,520 --> 01:18:22,020 YEAH, SURE, IF YOU ONLY TAKE ONE OR TWO. 1174 01:18:33,330 --> 01:18:36,340 I'LL JUST...I'LL JUST TAKE ONE FOR TONIGHT. 1175 01:19:09,770 --> 01:19:12,770 THIS IS THE BEST EXCUSE I'VE HAD 1176 01:19:12,770 --> 01:19:14,270 FOR A NIGHTCAP RECENTLY. 1177 01:19:14,270 --> 01:19:16,780 EVEN EDITH CAN'T COMPLAIN ABOUT THIS. 1178 01:19:16,780 --> 01:19:18,280 HERE YOU GO, SAM. 1179 01:19:18,280 --> 01:19:19,280 HARVEY. 1180 01:19:19,280 --> 01:19:20,280 JERRY. 1181 01:19:20,280 --> 01:19:21,780 THANK YOU, DORIS. 1182 01:19:21,780 --> 01:19:24,280 SAM, YOU KNOW YOU AND I 1183 01:19:24,280 --> 01:19:26,790 DON'T ALWAYS SEE EYE-TO-EYE. 1184 01:19:26,790 --> 01:19:29,790 BUT I'D LIKE TO PROPOSE A TOAST. 1185 01:19:29,790 --> 01:19:31,290 TO SAM McNEAL, 1186 01:19:31,290 --> 01:19:34,760 THE BEST POLICE CHIEF IN THE WEST. 1187 01:19:34,760 --> 01:19:37,100 YOU WON'T FIND THE TOWN COUNCIL 1188 01:19:37,100 --> 01:19:38,600 LACKING IN APPRECIATION. 1189 01:19:38,600 --> 01:19:40,430 WE MIGHT EVEN PAY HIM. 1190 01:19:42,870 --> 01:19:47,610 PETER LOCKHARD... 1191 01:19:47,610 --> 01:19:49,310 IT DON'T SEEM POSSIBLE. 1192 01:19:49,310 --> 01:19:50,640 YEAH? 1193 01:19:50,640 --> 01:19:51,640 WHY? 1194 01:19:51,640 --> 01:19:54,510 HE JUST DOESN'T FIT THE MOLD. 1195 01:19:54,510 --> 01:19:56,520 FIT THE MOLD OR NOT, 1196 01:19:56,520 --> 01:19:58,750 SAM FOUND HIM WITH THE GOODS. 1197 01:19:58,750 --> 01:20:00,250 NOW MAYBE THIS TOWN 1198 01:20:00,250 --> 01:20:01,890 CAN START LIVING INSTEAD OF DYING. 1199 01:20:01,890 --> 01:20:05,390 I'D BETTER GET BACK TO THE BALL-AND-CHAIN. 1200 01:20:05,390 --> 01:20:07,390 I'LL SEE YOU TOMORROW, SAM. 1201 01:20:07,390 --> 01:20:09,900 WE'RE ALL VERY GRATEFUL TO YOU. 1202 01:20:09,900 --> 01:20:11,900 I'LL WALK ALONG WITH YOU. 1203 01:20:11,900 --> 01:20:14,900 GET SOME REST, SAM. YOU NEED IT. 1204 01:20:14,900 --> 01:20:15,900 GOOD NIGHT. 1205 01:20:15,900 --> 01:20:17,400 NIGHT. 1206 01:20:17,400 --> 01:20:19,940 SAM, I'M GLAD THAT'S OVER. 1207 01:20:19,940 --> 01:20:23,510 I WAS GIVING UP HOPE FOR YOU. 1208 01:20:23,510 --> 01:20:24,910 I KNOW. 1209 01:20:24,910 --> 01:20:27,910 WHY DON'T YOU COME IN ABOUT NOON TOMORROW? 1210 01:20:27,910 --> 01:20:29,920 YOU MIGHT FIND YOU CAN 1211 01:20:29,920 --> 01:20:31,420 GET ALONG WITHOUT ME. 1212 01:20:31,420 --> 01:20:33,920 BESIDES, I'M PROUD OF MY COFFEE. 1213 01:20:33,920 --> 01:20:35,420 THAT'S WHAT DRIVES YOU 1214 01:20:35,420 --> 01:20:36,920 INTO THE STREETS. 1215 01:20:36,920 --> 01:20:38,430 NIGHT, SAM. 1216 01:20:38,430 --> 01:20:40,530 NIGHT, DORIS. 1217 01:20:40,530 --> 01:20:43,360 [TELEPHONE RINGS] 1218 01:20:43,360 --> 01:20:44,900 HELLO? 1219 01:20:44,900 --> 01:20:46,400 I HEARD THE NEWS. 1220 01:20:46,400 --> 01:20:47,830 IT'S TIME TO UNWIND. 1221 01:20:47,830 --> 01:20:49,340 THAT SOUNDS GOOD. 1222 01:20:49,340 --> 01:20:50,700 I'M JUST FINISHING UP. 1223 01:20:50,700 --> 01:20:52,200 DON'T TAKE TOO LONG. 1224 01:20:52,200 --> 01:20:54,210 WE SHOULD RELAX AND CELEBRATE. 1225 01:20:54,210 --> 01:20:56,210 I'M ON MY WAY HOME. 1226 01:20:56,210 --> 01:20:58,710 SEE YOU IN A FEW MINUTES. 1227 01:20:58,710 --> 01:21:00,210 BYE. 1228 01:21:22,200 --> 01:21:25,170 SOMETHING'S REALLY GNAWING AT YOU, ISN'T IT? 1229 01:21:25,170 --> 01:21:26,670 EVERYTHING HAPPENED SO FAST. 1230 01:21:26,670 --> 01:21:29,680 LOOK AT THESE PICTURES OF THE SNOW PAINTINGS. 1231 01:21:29,680 --> 01:21:31,680 THE FIRST, SECOND, AND THIRD-- 1232 01:21:31,680 --> 01:21:33,180 ALL CAPITAL LETTERS. 1233 01:21:33,180 --> 01:21:36,580 THE FOURTH IS BOTH UPPER AND LOWER CASE. 1234 01:21:36,580 --> 01:21:39,590 MAYBE HE WAS IN AN AWFUL HURRY. 1235 01:21:41,390 --> 01:21:43,690 PICTURES OF THE SNOW BOOT TRACKS... 1236 01:21:43,690 --> 01:21:46,190 DO THEY APPEAR TO BE DIFFERENT? 1237 01:21:46,190 --> 01:21:47,690 YEAH, THEY DO. 1238 01:21:47,690 --> 01:21:49,200 MAYBE HARVEY HAD SOMETHING. 1239 01:21:49,200 --> 01:21:51,700 MAYBE LOCKHARD DOESN'T FIT THE MOLD. 1240 01:21:56,170 --> 01:21:58,170 IT'S A DIFFERENT SIZED SHOT 1241 01:21:58,170 --> 01:21:59,410 AT THE LOCKHARD KILLING. 1242 01:21:59,410 --> 01:22:01,640 COULD WE HAVE ANOTHER KILLER? 1243 01:22:01,640 --> 01:22:03,240 I DON'T KNOW. 1244 01:22:03,240 --> 01:22:04,740 WHAT DO WE DO? 1245 01:22:04,740 --> 01:22:07,350 GO OUT TO BETTY'S HOUSE. 1246 01:22:07,350 --> 01:22:09,250 PARK HALFWAY DOWN THE ROAD. 1247 01:22:09,250 --> 01:22:10,850 STAY TILL I ARRIVE. 1248 01:22:10,850 --> 01:22:12,350 RIGHT AWAY, SAM. 1249 01:22:31,740 --> 01:22:33,240 MISS PRITCHARD? 1250 01:22:33,240 --> 01:22:34,740 SAM McNEAL. 1251 01:22:34,740 --> 01:22:36,010 CHARLIE EASTMAN, PLEASE. 1252 01:22:38,510 --> 01:22:40,010 YOU HAVEN'T? 1253 01:22:40,010 --> 01:22:42,010 WELL, MAYBE HE'S AT WORK. 1254 01:22:42,010 --> 01:22:44,520 SORRY TO HAVE CALLED SO LATE. 1255 01:23:42,580 --> 01:23:44,080 [MUSIC PLAYING] 1256 01:24:09,700 --> 01:24:11,200 [MUSIC PLAYING] 1257 01:25:01,150 --> 01:25:04,760 [RADIO] REPORTS OF A SUNNIER POLITICAL CLIMATE 1258 01:25:04,760 --> 01:25:07,160 DROVE THE STOCK MARKET HIGHER ON WALL STREET. 1259 01:25:08,190 --> 01:25:09,700 [CYNTHIA] DEAR DADDY, 1260 01:25:09,700 --> 01:25:11,200 OH, HOW I'VE WANTED 1261 01:25:11,200 --> 01:25:12,700 TO WRITE THOSE WORDS. 1262 01:25:12,700 --> 01:25:14,700 I KNOW YOU'RE MY FATHER. 1263 01:25:14,700 --> 01:25:17,200 GOING THROUGH SOME OF MOM'S THINGS, 1264 01:25:17,200 --> 01:25:19,710 I FOUND SOME LETTERS FROM YOU 1265 01:25:19,710 --> 01:25:22,210 DELIVERED WHEN I WAS BORN. 1266 01:25:22,210 --> 01:25:25,710 THERE WAS A PICTURE OF YOU FROM A NEWSPAPER. 1267 01:25:25,710 --> 01:25:28,720 MOM MUST HAVE SAVED THEM FOR A REASON. 1268 01:25:28,720 --> 01:25:30,620 I KNOW YOU'RE THE REASON. 1269 01:25:30,620 --> 01:25:33,120 DADDY, I'M SENDING YOU THIS DIARY 1270 01:25:33,120 --> 01:25:35,620 BECAUSE IT'S ALL I'VE GOT LEFT. 1271 01:25:35,620 --> 01:25:38,120 EVERYBODY I'VE TRIED TO TALK TO 1272 01:25:38,120 --> 01:25:42,130 OR ASK HELP FROM JUST HAVEN'T BEEN THERE FOR ME, 1273 01:25:42,130 --> 01:25:44,130 AND I FEEL SO EMPTY. 1274 01:25:44,130 --> 01:25:48,130 THERE'S ONLY ONE PLACE I WANT TO GO TO NOW, 1275 01:25:48,130 --> 01:25:51,140 AND BETTY'S PILLS CAN HELP ME GET THERE. 1276 01:25:51,140 --> 01:25:54,140 I COULD HAVE CALLED YOU DADDY AND LOVED YOU, 1277 01:25:54,140 --> 01:25:56,140 BUT IT ISN'T POSSIBLE NOW 1278 01:25:56,140 --> 01:25:58,210 BECAUSE OF THEM. 1279 01:25:58,210 --> 01:26:00,210 GOOD-BYE. 1280 01:26:00,210 --> 01:26:01,910 CYNTHIA. 1281 01:26:01,910 --> 01:26:03,420 [RADIO] ...SNOW COMING EASTWARD 1282 01:26:03,420 --> 01:26:04,980 IN THE NORTHERN ROCKIES. 1283 01:26:25,200 --> 01:26:27,210 NOW FOR THE LOCAL WEATHER. 1284 01:26:27,210 --> 01:26:28,540 [TELEPHONE RINGS] 1285 01:26:28,540 --> 01:26:31,540 74 IN LOS ANGELES UNDER SMOG-LADEN SKIES. 1286 01:26:31,540 --> 01:26:34,550 A WARM FRONT JUST OFF THE COAST 1287 01:26:34,550 --> 01:26:35,820 WILL KEEP IT PLEASANT 1288 01:26:35,820 --> 01:26:37,920 FOR THE NEXT SEVERAL DAYS. 1289 01:26:37,920 --> 01:26:39,090 [RING] 1290 01:26:40,520 --> 01:26:44,260 BUT IT WILL MEAN THE SMOG SITUATION 1291 01:26:44,260 --> 01:26:48,290 IS NOT GOING TO GET ANY BETTER. 1292 01:26:48,290 --> 01:26:50,830 THERE WILL BE GUSTY WINDS AT HIGHER ALTITUDES. 1293 01:26:50,830 --> 01:26:52,260 THE COLDEST SPOT... 1294 01:26:57,040 --> 01:26:58,540 YEAH, I... 1295 01:26:58,540 --> 01:27:01,040 THE LOW DESERTS IN PALM SPRINGS 1296 01:27:01,040 --> 01:27:03,040 WILL HIT 80 DEGREES TOMORROW. 1297 01:27:03,040 --> 01:27:06,350 THE CONDITIONS WILL BE RIPE FOR SOME FOG. 1298 01:27:06,350 --> 01:27:08,850 FOG HAS ALREADY FORCED THE CLOSURE 1299 01:27:08,850 --> 01:27:11,750 OF LOS ANGELES INTERNATIONAL AIRPORT TONIGHT 1300 01:27:11,750 --> 01:27:13,190 ON AN INTERIM BASIS. 1301 01:27:13,190 --> 01:27:15,860 CALL YOUR AIRLINE BEFORE YOU GO. 1302 01:27:15,860 --> 01:27:17,020 A HIGH-PRESSURE SYSTEM 1303 01:27:17,020 --> 01:27:18,620 OVER CANADA HAS MADE 1304 01:27:18,620 --> 01:27:21,130 1/3 OF THE UNITED STATES CHILLY. 1305 01:27:21,130 --> 01:27:24,130 ATLANTA WAS ONLY IN THE MID-50s, 1306 01:27:24,130 --> 01:27:27,570 WASHINGTON D.C. IN THE MID-40s... 1307 01:27:27,570 --> 01:27:29,070 Sam, please be there. 1308 01:27:29,070 --> 01:27:31,400 THAT'S THE WEATHER. 1309 01:27:35,210 --> 01:27:40,480 EAGLE ONE TO EAGLE TWO. 1310 01:27:55,590 --> 01:27:57,400 COME ON. 1311 01:27:57,400 --> 01:27:58,260 PLEASE, SAM. 1312 01:28:00,000 --> 01:28:06,610 EAGLE ONE TO EAGLE TWO. 1313 01:28:06,610 --> 01:28:08,440 COME ON, JERRY. 1314 01:28:16,920 --> 01:28:18,420 PLEASE, SOMEBODY! 1315 01:29:33,860 --> 01:29:36,430 PUT IT DOWN, CHARLIE, NOW! 1316 01:29:37,430 --> 01:29:39,970 I'M NOT FINISHED, SAM! 1317 01:30:02,820 --> 01:30:04,990 GIVE UP WHILE YOU CAN. 1318 01:30:04,990 --> 01:30:09,500 I'M GOING TO MAKE UP FOR WHAT THEY DID TO HER, 1319 01:30:09,500 --> 01:30:11,760 AND YOU CAN'T STOP ME. 1320 01:30:11,760 --> 01:30:13,770 THEY DIDN'T DO ANYTHING, CHARLIE. 1321 01:30:13,770 --> 01:30:15,100 YOU DID. 1322 01:30:15,100 --> 01:30:16,840 THAT'S NOT TRUE, SAM. 1323 01:30:21,540 --> 01:30:23,280 YOU NEVER ACCEPTED CYNTHIA. 1324 01:30:23,280 --> 01:30:26,680 I COULDN'T. I WANTED TO, BUT I COULDN'T. 1325 01:30:32,550 --> 01:30:33,690 DROP IT, CHARLIE. 1326 01:30:33,690 --> 01:30:35,620 DO LIKE HE SAYS. 1327 01:31:16,600 --> 01:31:18,600 CHARLIE? 1328 01:31:18,600 --> 01:31:20,100 SAM... 1329 01:31:20,100 --> 01:31:22,600 IN MY COAT... 1330 01:31:22,600 --> 01:31:24,700 RIGHT SIDE... 1331 01:31:28,610 --> 01:31:29,440 THIS? 1332 01:31:29,440 --> 01:31:33,610 IT'S ALL IN THERE. 1333 01:31:33,610 --> 01:31:36,120 ALL OF IT. 1334 01:31:38,620 --> 01:31:40,690 I HAD TO DO IT. 1335 01:31:43,120 --> 01:31:46,090 I HAD TO MAKE THEM THEM PAY 1336 01:31:46,090 --> 01:31:48,660 FOR KILLING CYNTHIA. 1337 01:31:48,660 --> 01:31:50,300 ELAINE CARTER, 1338 01:31:50,300 --> 01:31:52,900 DAVE MICHAELS, 1339 01:31:52,900 --> 01:31:55,130 REVEREND PHILLIPS. 1340 01:31:58,140 --> 01:31:59,640 CHARLIE, 1341 01:31:59,640 --> 01:32:02,670 YOU WERE CYNTHIA'S FATHER, WEREN'T YOU? 1342 01:32:02,670 --> 01:32:04,880 YES. 1343 01:32:04,880 --> 01:32:06,750 BUT... 1344 01:32:08,650 --> 01:32:12,180 I NEVER TOLD HER. 1345 01:33:21,220 --> 01:33:24,220 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1346 01:33:24,220 --> 01:33:27,230 CAPTIONS COPYRIGHT 1994 TURNER ENTERTAINMENT CO. ALL RIGHTS RESERVED 1347 01:33:27,230 --> 01:33:30,230 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 89847