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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,557 --> 00:00:20,519 [POLlCE SlREN] 2 00:00:29,029 --> 00:00:33,991 [CLOCK CH lMES] 3 00:00:47,213 --> 00:01:14,323 ♪♪♪ 4 00:01:14,491 --> 00:01:20,579 ♪ WE SKlPPED A LlGHT FANDANGO ♪ 5 00:01:20,747 --> 00:01:24,458 ♪ TURNED CARTWHEELS 'CROSS THE FLOOR ♪ 6 00:01:27,170 --> 00:01:30,589 ♪ l WAS FEELlNG KlND OF SEASlCK ♪ 7 00:01:30,757 --> 00:01:33,717 [DOOR BUZZER] 8 00:01:33,885 --> 00:01:37,846 ♪ BUT THE CROWD CALLED OUT FOR MORE ♪ 9 00:01:40,225 --> 00:01:43,644 ♪ THE ROOM WAS HUMMlNG HARDER ♪ 10 00:01:46,439 --> 00:01:50,818 ♪ AS THE CElLlNG FLEW AWAY ♪ 11 00:01:53,488 --> 00:01:55,739 HOW'S lT GOlNG? 12 00:01:59,869 --> 00:02:02,287 HAD YOUR LUNCH YET? 13 00:02:04,290 --> 00:02:06,542 l HEARD THESE TWO KlDS lN THE RESTROOM YESTERDAY. 14 00:02:06,709 --> 00:02:10,045 ONE SAlD, "WHAT'S CHOCOLATE PUDDlNG?" THE OTHER SAlD, "lT'S GOOD. 15 00:02:10,213 --> 00:02:12,840 lT'S A LOT LlKE CHOCOLATE MOUSSE." 16 00:02:15,009 --> 00:02:17,636 WHY DO l GET TH lS FEELlNG l'M NOT SEElNG ANY WORK TODAY? 17 00:02:17,804 --> 00:02:19,138 THERE'S NOTH lNG TO SEE. 18 00:02:19,305 --> 00:02:21,390 lT'S THE EMPEROR'S NEW CLOTHES. l'M GONNA GET SLAUGHTERED, MAN . 19 00:02:21,558 --> 00:02:22,933 YEAH, WELL, LET ME SEE WHAT YOU GOT, l'M SURE-- 20 00:02:23,101 --> 00:02:24,434 JUST TRUST ME ON TH lS. lT'S SH lT. 21 00:02:24,602 --> 00:02:26,145 l'M HERE, ALL l WANT TO DO lS LAY DOWN . 22 00:02:26,312 --> 00:02:27,479 l'M TAKlNG A DlVE. 23 00:02:27,647 --> 00:02:29,314 WELL, lF YOU CAN'T WORK, AT LEAST YOU CAN EAT. 24 00:02:29,482 --> 00:02:30,566 COME OUT WlTH ME. 25 00:02:30,733 --> 00:02:33,360 l CAN'T, l HAVE TO PlCK UP MY ASSlSTANT AT THE AlRPORT. 26 00:02:33,528 --> 00:02:37,114 l DON'T KNOW WHY SHE CAN'T TAKE A CAB LlKE EVERYBODY ELSE, BUT YOU KNOW. 27 00:02:37,866 --> 00:02:39,324 WHATEVER. 28 00:02:39,492 --> 00:02:43,662 SO, WHEN WOULD YOU TH lNK WOULD BE A GOOD TlME FOR ME TO COME BACK? 29 00:02:44,247 --> 00:02:47,666 THE SHOW'S lN 3 WEEKS, YOU KNOW? 30 00:02:50,295 --> 00:02:53,797 OH, LlONEL, YOU GO THROUGH TH lS BEFORE EVERY SHOW. 31 00:02:53,965 --> 00:02:56,508 l'M TALKlNG 20 YEARS OF TH lS. 32 00:02:56,676 --> 00:02:58,844 NOW, GET TO KNOW YOURSELF A LlTTLE BETTER. 33 00:02:59,012 --> 00:03:02,639 YOU CAN PULL lT OFF, LlONEL, YOU ALWAYS DO. 34 00:03:09,063 --> 00:03:15,569 ♪ AND SO lT WAS, BABY ♪ 35 00:03:17,697 --> 00:03:21,491 ♪ AS THE MlLLER TOLD H lS TALE ♪ 36 00:03:24,204 --> 00:03:28,707 ♪ THAT HER FACE AT FlRST JUST GHOSTLY ♪ 37 00:03:28,875 --> 00:03:34,129 ♪ TURNED A WH lTER SHADE OF PALE ♪ 38 00:03:35,256 --> 00:03:48,852 ♪♪♪ 39 00:03:49,020 --> 00:03:50,729 SH lT. 40 00:03:50,897 --> 00:03:52,898 - H l . - WHAT ARE YOU DOlNG HERE? 41 00:03:53,066 --> 00:03:56,068 l THOUGHT l'D PlCK YOU UP SO YOU DON'T HAVE TO HASSLE WlTH CABS. 42 00:03:56,236 --> 00:03:58,445 - DlDN'T YOU GET MY MESSAGE? - WHAT? 43 00:03:58,613 --> 00:04:00,906 l LEFT lT ON THE MACH lNE. l SAlD l'M NOT COMlNG BACK. 44 00:04:01,074 --> 00:04:02,407 WHAT DO YOU MEAN YOU'RE NOT COMlNG BACK? 45 00:04:02,575 --> 00:04:04,618 YOU'RE RlGHT HERE, l'D CALL THAT COMlNG BACK. 46 00:04:04,786 --> 00:04:06,370 YOU SHOULD LlSTEN TO YOUR MACH lNE NOW AND THEN . 47 00:04:06,537 --> 00:04:07,996 LlSTEN TO YOUR MACH lNE? 48 00:04:08,164 --> 00:04:10,457 DOESN'T THAT HAVE A HORRlFYlNG RlNG TO lT, THAT EXPRESSlON, 49 00:04:10,625 --> 00:04:13,043 LlSTEN TO YOUR MACH lNE? 50 00:04:14,003 --> 00:04:17,798 LOOK, l DlDN'T GO TO FLORlDA WlTH A GlRLFRlEND LlKE l TOLD YOU . 51 00:04:18,925 --> 00:04:21,134 OH YEAH? 52 00:04:21,678 --> 00:04:24,638 l WENT WlTH SOMEBODY ELSE. 53 00:04:26,057 --> 00:04:28,183 A GUY? 54 00:04:31,604 --> 00:04:32,646 SO? SO WHAT? 55 00:04:32,814 --> 00:04:34,314 WHO'S THE GUY? DlD HE COME OFF THE PLANE WlTH YA? 56 00:04:34,482 --> 00:04:35,649 WHY, YOU WANT TO GlVE H lM A LlFT HOME? 57 00:04:35,817 --> 00:04:37,442 l'D BE LYlNG lF l SAlD l WASN'T CURlOUS TO SEE WHAT KlND 58 00:04:37,610 --> 00:04:38,819 OF MAN RlNGS YOUR BELL. 59 00:04:38,987 --> 00:04:39,987 LOOK, HE'S NOT HERE. 60 00:04:40,154 --> 00:04:41,280 WHAT DO YOU MEAN HE'S NOT HERE? 61 00:04:41,447 --> 00:04:42,614 WHAT'D HE DO, TAKE A GODDAMN GREYHOUND. 62 00:04:42,782 --> 00:04:44,199 WE HAD A FlGHT. HE LEFT ME. 63 00:04:44,367 --> 00:04:46,034 l SPENT MOST OF THE TlME DOWN THERE BY MYSELF, OKAY? 64 00:04:46,202 --> 00:04:47,369 HE LEFT ME, OKAY? 65 00:04:47,537 --> 00:04:49,496 HE LEFT YOU? HE LEFT YOU? 66 00:04:49,664 --> 00:04:50,956 WHO lS HE? 67 00:04:51,124 --> 00:04:52,541 l MEAN WHO lN THElR RlGHT MlND WOULD LEAVE YOU? 68 00:04:52,709 --> 00:04:55,085 WHO'S TH lS GUY? l KNOW H lM, RlGHT? 69 00:04:56,129 --> 00:04:58,088 GREGORY STARK. 70 00:04:58,631 --> 00:05:00,799 THAT KlD, THE COMEDlAN? 71 00:05:00,967 --> 00:05:02,968 - A PERFORMANCE ARTlST. - PERFORMANCE ARTlST? 72 00:05:03,136 --> 00:05:04,720 WHAT THE HELL lS A PERFORMANCE ARTlST? 73 00:05:04,887 --> 00:05:07,180 A PERSON'S AN ACTOR, A SlNGER, A DANCER. 74 00:05:07,348 --> 00:05:09,141 l MEAN DO YOU CALL THE GUY THAT PlCKS UP YOUR GARBAGE 75 00:05:09,309 --> 00:05:11,059 YOUR SAN lTARY ENGlNEER? 76 00:05:11,227 --> 00:05:13,854 A PERFORMANCE ARTlST. AND HE LEFT YOU? 77 00:05:14,022 --> 00:05:15,355 NOW YOU SEE THROUGH THAT, RlGHT? 78 00:05:15,523 --> 00:05:18,567 l DON'T CARE. lT'S OVER, THAT'S ALL. 79 00:05:19,152 --> 00:05:21,236 LOOK, l'M MOVlNG OUT. 80 00:05:21,404 --> 00:05:23,822 THAT'S WHAT "l'M NOT COMlNG BACK" MEANS. 81 00:05:25,658 --> 00:05:29,536 WHERE YOU GONNA GO? WHAT CAN YOU AFFORD? 82 00:05:31,497 --> 00:05:34,124 YOU GONNA MOVE lNTO A DORMlTORY? 83 00:05:36,753 --> 00:05:38,295 YOU DON'T WANT TO SLEEP WlTH ME ANYMORE? 84 00:05:38,463 --> 00:05:39,629 HEY, l'M A BlG BOY. 85 00:05:39,797 --> 00:05:41,256 YOU DON'T HAVE TO GO OUT lN THE STREET. 86 00:05:41,424 --> 00:05:43,800 YOU HAD A FLlNG, BlG DEAL. WELCOME TO THE WORLD. 87 00:05:44,552 --> 00:05:48,555 l MEAN, WE'RE STlLL EMPLOYER/EMPLOYEE, RlGHT? 88 00:05:49,640 --> 00:05:53,477 l'M LEAVlNG NEW YORK. l WANT TO GO HOME. 89 00:05:54,812 --> 00:05:59,399 OH, YEAH, WELL, THAT'S A WHOLE 'NOTHER BALL OF WAX. 90 00:06:04,280 --> 00:06:05,781 YOU WANT TO SPLlT? 91 00:06:05,948 --> 00:06:07,324 FlNE, COME BACK, PACK UP AND GO. 92 00:06:07,492 --> 00:06:09,701 YOU DRAG lT OUT, l'LL DlE. YOU KNOW THAT. 93 00:06:09,869 --> 00:06:12,662 COME ON, LET'S GET lT OVER WlTH . 94 00:06:16,876 --> 00:06:18,627 ♪♪♪ 95 00:06:18,795 --> 00:06:22,506 ♪ SHE SAlD THERE lS NO REASON ♪ 96 00:06:24,550 --> 00:06:28,428 ♪ AND THE TRUTH lS PLAlN TO SEE ♪ 97 00:06:30,932 --> 00:06:34,976 ♪ THAT l WANDERED THROUGH MY PLAYlNG CARDS ♪ 98 00:06:37,397 --> 00:06:41,316 ♪ AND WOULD NOT LET HER BE ♪ 99 00:06:43,778 --> 00:06:48,365 ♪ ONE OF SlXTEEN VESTAL VlRGlNS ♪ 100 00:06:50,326 --> 00:06:54,162 ♪ WHO WERE LEAVlNG FOR THE COAST ♪ 101 00:06:56,749 --> 00:07:00,877 ♪ AND ALTHOUGH MY EYES WERE OPEN ♪ 102 00:07:03,131 --> 00:07:07,092 ♪ THEY MlGHT JUST AS WELL BE CLOSED ♪ 103 00:07:07,260 --> 00:07:14,224 ♪ AND SO lT WAS, BABY ♪♪ 104 00:07:31,451 --> 00:07:34,077 YOU KNOW, l CAN'T BELlEVE l NEVER NOTlCED THAT lN HERE. 105 00:07:34,245 --> 00:07:36,913 HAS TH lS ALWAYS BEEN lN HERE? 106 00:07:38,958 --> 00:07:41,793 lNCREDlBLY HANDSOME KlD, BEAUTlFUL BOY. 107 00:07:41,961 --> 00:07:44,671 l CAN UNDERSTAND THE ATTRACTlON . 108 00:07:45,673 --> 00:07:47,299 DlD YOU EVER SEE H lM PERFORM? 109 00:07:47,467 --> 00:07:49,759 - YEAH . - YEAH . 110 00:07:49,927 --> 00:07:52,471 HOW lN THE HELL CAN YOU LET SOMEBODY LlKE THAT DRlVE YOU OUT OF NEW YORK? 111 00:07:52,638 --> 00:07:53,930 l THOUGHT YOU HAD MORE SPlNE THAN THAT. 112 00:07:54,098 --> 00:07:57,601 HE'S JUST SOME GUY. HE'S NOT DRlVlNG ME OUT. 113 00:08:00,354 --> 00:08:02,898 lT'S NOT H lM. 114 00:08:03,691 --> 00:08:05,609 - lT'S ME? - lT'S NOBODY. 115 00:08:05,776 --> 00:08:07,444 lT'S TH lNGS. 116 00:08:07,904 --> 00:08:09,321 TH lNGS? WHAT TH lNGS? 117 00:08:09,489 --> 00:08:10,822 DON'T YOU REASON WlTH ME. 118 00:08:10,990 --> 00:08:13,992 WHAT ABOUT YOUR PAlNTlNG? HUH? 119 00:08:14,160 --> 00:08:17,704 YOU GONNA MAKE A LlTTLE STUDlO lN YOUR PARENTS' GARAGE, 120 00:08:17,872 --> 00:08:21,708 WlTH THE RUSTY HEDGE CLlPPERS HANGlNG ON A NAlL, AND POOL STUFF 121 00:08:21,876 --> 00:08:26,338 LAYlNG lN THE CORNER AND BROKEN SLED AND MlCE? 122 00:08:26,506 --> 00:08:30,842 YOU WORK FOR LlONEL DOBlE. YOU WORK FOR THE LlON, BABY. 123 00:08:31,385 --> 00:08:33,970 YOU STRETCH CANVASSES. YOU RUN A FEW ERRANDS. 124 00:08:34,138 --> 00:08:35,847 YOU GOT YOUR OWN ROOM, STUDlO, 125 00:08:36,015 --> 00:08:40,268 LlFE LESSONS THAT ARE PRlCELESS, PLUS A SALARY. 126 00:08:40,436 --> 00:08:41,853 lF YOU ACT NOW, YOU ALSO RECElVE 127 00:08:42,021 --> 00:08:45,315 A HANDSOME STERLlNG SlLVER SERVlCE FOR 24. 128 00:08:46,150 --> 00:08:50,195 LOOK, l'M NOT KlDDlNG. TH lS KlLLS ME, YOU LEAVlNG. 129 00:08:51,280 --> 00:08:53,573 lT'S A SU lClDE. 130 00:08:53,741 --> 00:08:58,662 TH lS lS A TlME AND A PLACE AT YOUR AGE. 131 00:08:58,829 --> 00:09:01,998 YOU'RE RlGHT lN THE HEART OF THE HEART, PAULETTE. 132 00:09:02,166 --> 00:09:05,835 l SWEAR YOU WALK NOW, YOU'LL CURSE YOURSELF THE REST OF YOUR DAYS. 133 00:09:14,053 --> 00:09:16,805 l DON'T HAVE TO SLEEP WlTH YOU ANYMORE? 134 00:09:20,893 --> 00:09:24,563 BABY, l'M YOUR ALLY AGAlNST HORSE DUNG AND FRAUD. 135 00:09:25,064 --> 00:09:28,400 THAT'S AS FAR AS lT GOES FROM NOW ON . 136 00:09:32,655 --> 00:10:00,265 ♪♪♪ 137 00:10:00,433 --> 00:10:06,605 ♪ WE SKlPPED A LlGHT FANDANGO ♪ 138 00:10:06,772 --> 00:10:12,902 ♪ TURNED CARTWHEELS 'CROSS THE FLOOR ♪ 139 00:10:13,070 --> 00:10:19,492 ♪ l WAS FEELlNG KlND OF SEASlCK ♪ 140 00:10:19,660 --> 00:10:22,621 ♪ BUT THE CROWD CALLED OUT FOR MORE ♪ 141 00:10:22,788 --> 00:10:25,915 GOD. 142 00:10:26,083 --> 00:10:28,835 ♪ THE ROOM WAS HUMMlNG HARDER ♪ 143 00:10:29,003 --> 00:10:30,378 STOP, LlONEL, FOR GOD'S SAKE! 144 00:10:30,546 --> 00:10:32,130 WHY? 145 00:10:32,298 --> 00:10:35,884 ♪ AS THE CElLlNG FLEW AWAY ♪ 146 00:10:38,638 --> 00:10:43,850 ♪ WHEN WE CALLED OUT FOR ANOTHER DRlNK ♪ 147 00:10:44,977 --> 00:10:48,813 ♪ THE WAlTER BROUGHT A TRAY ♪ 148 00:10:48,981 --> 00:10:54,486 ♪ AND SO lT WAS THAT, BABY ♪ 149 00:10:55,655 --> 00:10:57,656 THE MUSlC TOO LOUD? 150 00:10:58,199 --> 00:11:00,200 UH-UH . 151 00:11:02,453 --> 00:11:06,790 - YOU SHOULD GET SOME SLEEP. - l'M WORKlNG ON lT. 152 00:11:09,543 --> 00:11:14,798 ♪ TURNED A WH lTER SHADE OF PALE ♪ 153 00:11:17,635 --> 00:11:19,761 YOU GONNA SLEEP LlKE THAT, YOU SHOULD SHUT TH lS, 154 00:11:19,929 --> 00:11:25,475 OTHERWlSE COME 4, 5 lN THE MORN lNG, YOU'LL BE--SORRY. 155 00:11:28,896 --> 00:11:31,648 CAN l GET YOU ANYTH lNG? 156 00:11:32,233 --> 00:11:34,984 - SOUP? - SOUP? 157 00:11:35,444 --> 00:11:38,988 WHO YOU TALKlNG TO? l DON'T CARE. 158 00:11:43,828 --> 00:11:46,079 DRlVlNG ME CRAZY. 159 00:11:46,580 --> 00:12:20,905 ♪♪♪ 160 00:12:21,073 --> 00:12:40,800 ♪ HEY NOW BABY, GET lNTO MY BlG BLACK CAR ♪ 161 00:12:47,099 --> 00:12:52,771 ♪ l WANNA JUST SHOW YOU WHAT MY POLlTlCS ARE ♪ 162 00:13:04,325 --> 00:13:06,034 - DON'T YOU KNOCK? - l DlD. 163 00:13:06,202 --> 00:13:07,952 l THOUGHT YOU SAlD COME lN . l'M SORRY. 164 00:13:08,120 --> 00:13:10,622 l TH lNK l LEFT MY SABLE BRUSH lN HERE. 165 00:13:10,790 --> 00:13:12,415 DlD YOU SEE lT? 166 00:13:12,583 --> 00:13:13,875 WHAT ARE YOU DOlNG? 167 00:13:14,043 --> 00:13:15,627 l COULD HAVE SWORN l LEFT lT. 168 00:13:15,795 --> 00:13:18,338 l'M NOT SLEEPlNG WlTH YOU . YOU PROMlSED. 169 00:13:22,051 --> 00:13:24,177 WHAT? 170 00:13:24,970 --> 00:13:26,971 JESUS, YOU KNOW WHAT? TH lS lS CRAZY. 171 00:13:27,139 --> 00:13:29,849 l JUST HAD TH lS lMPULSE l WANTED TO KlSS YOUR FOOT. 172 00:13:30,309 --> 00:13:31,309 YOU'RE NUTS. 173 00:13:31,477 --> 00:13:33,144 NO, NO, NO, l'M JUST WORKlNG TOO HARD. 174 00:13:33,312 --> 00:13:35,647 l'M JUST GETTlNG WElRD. l'M UNDER A LOT OF PRESSURE. 175 00:13:35,815 --> 00:13:37,941 YOU KNOW, PH lLLlP'S JUST HANGlNG OVER MY HEAD EVERY DAY, 176 00:13:38,108 --> 00:13:39,526 "THE SHOW'S lN 3 WEEKS. SHOW'S lN 3 WEEKS. 177 00:13:39,693 --> 00:13:41,027 SHOW'S lN 3 WEEKS." 178 00:13:41,195 --> 00:13:44,906 LlKE A GODDAMN MOCKlNG BlRD lN MY EAR. 179 00:13:45,491 --> 00:13:50,787 l JUST WANTED TO KlSS YOUR FOOT. l'M SORRY, lT'S NOTH lNG PERSONAL. 180 00:13:52,498 --> 00:13:55,166 YOU WANT ME TO GET YOU ANYTH lNG? 181 00:13:55,334 --> 00:13:59,921 ♪ THAT HER FACE AT FlRST JUST GHOSTLY ♪ 182 00:14:00,714 --> 00:14:05,802 ♪ TURNED A WH lTER SHADE OF PALE ♪ 183 00:14:07,513 --> 00:14:22,485 ♪♪♪ 184 00:14:25,698 --> 00:14:29,617 SO, DO YOU LOVE ME? 185 00:14:30,995 --> 00:14:34,497 LOVE YOU? l SAlD l DlD, YES. 186 00:14:36,709 --> 00:14:40,712 - WHAT WOULD YOU DO lF l LEFT? - WHAT WOULD l DO? 187 00:14:40,880 --> 00:14:45,341 OH, l'D GO UP ON THE ROOF AND HOLLER LlKE A GUT-SHOT DOG. 188 00:14:48,554 --> 00:14:53,266 - WELL, l DON'T LOVE YOU . - SO WHAT? 189 00:14:58,647 --> 00:14:59,856 ♪ BABY ♪ 190 00:15:00,024 --> 00:15:01,316 ♪ N lGHT AND DAY ♪ 191 00:15:01,483 --> 00:15:03,026 ♪ BABY ♪ 192 00:15:03,193 --> 00:15:04,485 ♪ N lGHT AND DAY ♪ 193 00:15:04,653 --> 00:15:06,321 ♪ BABY ♪ 194 00:15:06,488 --> 00:15:07,989 ♪ N lGHT AND DAY ♪ 195 00:15:08,157 --> 00:15:09,866 ♪ OH, BABY ♪ 196 00:15:10,034 --> 00:15:11,784 ♪ N lGHT AND DAY ♪ 197 00:15:11,952 --> 00:15:13,745 ♪ LAWDY BABY ♪ 198 00:15:13,913 --> 00:15:15,413 ♪ N lGHT AND DAY ♪ 199 00:15:15,581 --> 00:15:17,081 ♪ TAKE MY HAND ♪ 200 00:15:17,249 --> 00:15:18,750 ♪ N lGHT AND DAY ♪ 201 00:15:18,918 --> 00:15:20,168 ♪ l DON'T NEED ♪ 202 00:15:20,336 --> 00:15:22,086 ♪ N lGHT AND DAY ♪ 203 00:15:22,254 --> 00:15:23,963 ♪ NO OTHER MAN ♪ 204 00:15:24,131 --> 00:15:25,673 ♪ N lGHT AND DAY ♪ 205 00:15:25,841 --> 00:15:27,759 ♪ l SAlD BABY ♪ 206 00:15:27,927 --> 00:15:29,344 ♪ N lGHT AND DAY ♪ 207 00:15:29,511 --> 00:15:31,137 ♪ BABY ♪ 208 00:15:31,305 --> 00:15:32,764 ♪ N lGHT AND DAY ♪ 209 00:15:32,932 --> 00:15:34,599 ♪ BABY ♪ 210 00:15:34,767 --> 00:15:35,975 ♪ N lGHT AND DAY ♪ 211 00:15:36,143 --> 00:15:38,019 ♪ WHOAH! ♪ 212 00:15:38,187 --> 00:15:39,687 ♪ BABY NOW ♪ 213 00:15:39,855 --> 00:15:40,980 ♪ N lGHT AND DAY ♪ 214 00:15:41,148 --> 00:15:42,398 ♪ OH, COME ON BABY ♪ 215 00:15:42,566 --> 00:15:43,858 ♪ N lGHT AND DAY ♪ 216 00:15:44,026 --> 00:15:45,443 ♪ YOU KNOW l WANT YOU BY MY SlDE ♪ 217 00:15:45,611 --> 00:15:47,111 ♪ N lGHT AND DAY ♪ 218 00:15:47,279 --> 00:15:48,780 ♪ l WANT YOU TO KEEP ♪ 219 00:15:48,948 --> 00:15:51,741 ♪ N lGHT AND DAY ♪ 220 00:15:51,909 --> 00:15:53,117 ♪ OH KEEP ME SATlSFlED ♪ 221 00:15:53,285 --> 00:15:54,452 ♪ N lGHT AND DAY ♪ 222 00:15:54,620 --> 00:15:56,412 l TELL YOU N lGHTTlME, 223 00:15:56,580 --> 00:15:57,997 N lGHT AND DAY, 224 00:15:58,165 --> 00:16:00,124 ♪ OH, lS THE RlGHT TlME ♪ 225 00:16:00,292 --> 00:16:01,834 ♪ N lGHT AND DAY ♪ 226 00:16:02,002 --> 00:16:03,878 ♪ YEAH, TO BE WlTH THE ONE YOU LOVE NOW ♪ 227 00:16:04,046 --> 00:16:06,589 ♪ N lGHT AND DAY ♪ 228 00:16:10,761 --> 00:16:13,805 lT'S AMAZlNG HOW MUCH MORE lNTERESTlNG HE'S GETTlNG. 229 00:16:14,390 --> 00:16:15,807 WHAT DO YOU MEAN lNTERESTlNG? 230 00:16:15,975 --> 00:16:17,225 lT'S NOT BORlNG. 231 00:16:17,393 --> 00:16:19,978 YOU KNOW, YOU GOT A N lCE LlTTLE lRONY WORKlNG FOR YA. 232 00:16:20,479 --> 00:16:21,688 lRONY? 233 00:16:21,855 --> 00:16:23,940 YEAH, N lCE lRONY. 234 00:16:25,025 --> 00:16:26,484 HOW'S THE TENSlON? 235 00:16:26,652 --> 00:16:27,652 LAST TlME-- 236 00:16:27,820 --> 00:16:29,654 - lT WAS N lCE. - N lCE? 237 00:16:29,822 --> 00:16:31,781 YEAH, N lCE. 238 00:16:34,743 --> 00:16:36,077 YOU'RE FULL OF SH lT, YOU KNOW THAT? 239 00:16:36,245 --> 00:16:37,412 YOU KNOW, YOU'RE THE ONLY PERSON lN THE WORLD 240 00:16:37,579 --> 00:16:38,663 WHO CAN SAY THAT TO ME AND LlVE. 241 00:16:38,831 --> 00:16:40,540 LOOK, CAN YOU JUST TELL ME lF YOU TH lNK l'M ANY GOOD, 242 00:16:40,708 --> 00:16:42,000 HOW ABOUT THAT? 243 00:16:42,167 --> 00:16:45,753 JUST TELL ME lF l HAVE ANY TALENT OR lF YOU TH lNK 244 00:16:45,921 --> 00:16:47,755 l'M JUST WASTlNG MY TlME. 245 00:16:48,674 --> 00:16:52,885 BECAUSE SOMETlMES l FEEL l SHOULD JUST QU lT BECAUSE-- 246 00:16:55,389 --> 00:16:57,306 JUST TELL ME WHAT YOU TH lNK. 247 00:16:57,474 --> 00:16:59,475 COME ON . 248 00:17:02,271 --> 00:17:05,565 WHAT THE HELL DlFFERENCE DOES lT MATTER WHAT l TH lNK? 249 00:17:05,733 --> 00:17:06,691 lT'S YOURS. 250 00:17:06,859 --> 00:17:09,861 l MEAN, YOU MAKE ART BECAUSE YOU HAVE TO, 251 00:17:10,029 --> 00:17:11,696 'CAUSE YOU GOT NO CHOlCE. 252 00:17:11,864 --> 00:17:16,034 lT'S NOT ABOUT TALENT. lT'S ABOUT NO CHOlCE BUT TO DO lT. 253 00:17:16,201 --> 00:17:17,285 ARE YOU ANY GOOD? 254 00:17:17,453 --> 00:17:19,537 WELL, YOU'RE 22, SO WHO KNOWS? 255 00:17:19,705 --> 00:17:23,624 WHO CARES? YOU WANT TO GlVE lT UP? 256 00:17:23,792 --> 00:17:24,834 YOU GlVE lT UP. 257 00:17:25,002 --> 00:17:27,003 YOU WEREN'T A REAL ARTlST TO BEGlN WlTH . 258 00:17:30,215 --> 00:17:32,216 CHRlST'S SAKE. 259 00:17:32,384 --> 00:17:34,552 GlVE lT UP, YOU WEREN'T A REAL ARTlST TO BEGlN WlTH . 260 00:17:34,720 --> 00:17:37,055 STUPlD TH lNG TO SAY, STUPlD. 261 00:17:40,517 --> 00:17:43,936 H l, MOM. NOT SO GOOD. 262 00:17:46,899 --> 00:17:50,735 l'M NOT. l CAN'T. 263 00:17:56,033 --> 00:17:58,785 l WANT TO GO BACK TO SCHOOL. 264 00:18:02,456 --> 00:18:04,916 l DON'T KNOW. 265 00:18:07,377 --> 00:18:10,546 CAN l COME HOME FOR A LlTTLE WH lLE? 266 00:18:20,724 --> 00:18:23,226 NO. 267 00:18:26,355 --> 00:18:29,065 BECAUSE l HATE lT HERE. 268 00:18:31,693 --> 00:18:34,112 ♪♪♪ 269 00:18:34,279 --> 00:18:36,614 HEY, LlONEL! 270 00:18:37,241 --> 00:18:39,283 LlONEL! 271 00:18:40,119 --> 00:18:42,703 TURN THE MUSlC DOWN . 272 00:18:44,248 --> 00:18:46,290 LlONEL! 273 00:18:47,292 --> 00:18:51,546 ♪♪♪ 274 00:18:51,713 --> 00:18:58,678 ♪ LlKE A COMPLETE UNKNOWN, LlKE A ROLLlNG STONE? ♪ 275 00:19:05,144 --> 00:19:07,854 ♪ PRlNCESS ON THE STEEPLE AND ALL THE PRETTY PEOPLE ♪ 276 00:19:08,021 --> 00:19:11,941 ♪ THEY'RE DRlNKlN', TH lNKlN' THAT THEY GOT lT MADE ♪ 277 00:19:14,111 --> 00:19:16,195 ♪ EXCHANGlNG ALL KlNDS OF PREClOUS GlFTS AND TH lNGS ♪ 278 00:19:16,363 --> 00:19:18,447 ♪ BUT YOU'D BETTER LlFT YOUR DlAMOND RlNG ♪ 279 00:19:18,615 --> 00:19:21,701 ♪ YOU'D BETTER PAWN lT, BABE ♪ 280 00:19:23,996 --> 00:19:30,084 ♪ YOU USED TO BE SO AMUSED, AT NAPOLEON lN RAGS ♪ 281 00:19:30,252 --> 00:19:32,879 ♪ AND THE LANGUAGE THAT HE USED ♪ 282 00:19:33,046 --> 00:19:36,841 ♪ GO TO H lM NOW, HE CALLS YOU, YOU CAN'T REFUSE ♪ 283 00:19:37,718 --> 00:19:41,679 ♪ WHEN YOU AlN'T GOT NOTH lNG, YOU GOT NOTH lNG TO LOSE ♪ 284 00:19:41,847 --> 00:19:48,019 ♪ YOU'RE lNVlSlBLE NOW, YOU GOT NO SECRETS TO CONCEAL ♪ 285 00:19:50,063 --> 00:19:57,904 ♪ HOW DOES lT FEEL? ♪ 286 00:19:58,947 --> 00:20:05,912 ♪ TO BE ON YOUR OWN WlTH NO DlRECTlON HOME? ♪ 287 00:20:07,873 --> 00:20:14,837 ♪ LlKE A COMPLETE UNKNOWN, LlKE A ROLLlNG STONE? ♪ 288 00:20:33,023 --> 00:20:34,607 l APPREClATE YOU COMlNG WlTH ME TON lGHT. 289 00:20:34,775 --> 00:20:36,609 l HATE THESE TH lNGS WlTH A PASSlON . 290 00:20:36,777 --> 00:20:39,528 YOU KNOW, TH lS GUY WAGNER, THE PARTY GlVER? 291 00:20:39,696 --> 00:20:42,156 HE'S lN REAL ESTATE, RlGHT? 292 00:20:42,324 --> 00:20:46,410 HE COME DOWN TO MY STUDlO ONE TlME, HE PUTS H lS ARM AROUND MY SHOULDER 293 00:20:46,578 --> 00:20:48,371 AND HE SAYS, "LlONEL, DO YOU UNDERSTAND 294 00:20:48,538 --> 00:20:49,747 THE lMPORTANCE OF JACKSON POLLOCK?" 295 00:20:49,915 --> 00:20:52,625 THEN HE POlNTS OUT ALL THE CONDOS AND LOFT CO-OP 296 00:20:52,793 --> 00:20:54,919 CONVERSlONS OUT lN THE WlNDOW AND HE SAYS, "lF lT WASN'T FOR JACKSON, 297 00:20:55,087 --> 00:20:56,921 NONE OF TH lS WOULD BE HAPPEN lNG." 298 00:20:57,089 --> 00:21:00,424 JACKSON, RlGHT, H lS OLD PAL. 299 00:21:03,595 --> 00:21:05,846 H lS PAL. 300 00:21:11,144 --> 00:21:14,605 YOU KNOW, l HAVEN'T HAD ANY KNOCK-AROUND FRlENDS SlNCE 1 968. 301 00:21:14,773 --> 00:21:19,610 l HAVE ASSOClATES, ADMlRERS, THE ATTRACTER, EX-WlVES, RlVALS. 302 00:21:19,778 --> 00:21:21,279 l HAVE LOTS OF FRlENDS. 303 00:21:21,446 --> 00:21:23,698 THAT'S A VERY MEAN TH lNG TO SAY TO ME. 304 00:21:23,865 --> 00:21:25,908 YOU HAVE A STRlNG lN YOUR HAlR. 305 00:21:26,076 --> 00:21:28,494 YOU SEE RlGHT THROUGH ME, DON'T YOU? 306 00:21:29,871 --> 00:21:32,290 l WAS lN THE ARMY, ARMY lNTELLlGENCE. 307 00:21:32,457 --> 00:21:35,876 YOU SEE, THEY HAD ME DRAW RUSSlAN COUPLES SCREWlNG. 308 00:21:36,044 --> 00:21:38,587 SEE, THEY FlGURED TH lS WAY COME THE NEXT WAR, THEY'D DROP 309 00:21:38,755 --> 00:21:41,882 THOUSANDS OF THESE DRAWlNGS BEH lND ENEMY LlNES WlTH THE MESSAGE, 310 00:21:42,050 --> 00:21:43,968 "HEY, lVAN, WH lLE YOU'RE OUT HERE FlGHTlNG DEMOCRACY, 311 00:21:44,136 --> 00:21:45,970 OLD BORlS lS BACK HOME DOlNG YOUR WlFE." 312 00:21:46,138 --> 00:21:47,388 [LAUGH lNG] 313 00:21:47,556 --> 00:21:48,806 HOW COULD YOU TELL THE COUPLES WERE RUSSlANS? 314 00:21:48,974 --> 00:21:50,725 WELL, l HAD THEM WEARlNG FUR HATS. 315 00:21:50,892 --> 00:21:53,811 WHAT'S THE DlFFERENCE? THE NEXT WAR WAS VlETNAM. 316 00:21:53,979 --> 00:21:55,354 - PAULETTE, WHAT? - JUST PAULETTE. 317 00:21:55,522 --> 00:21:58,107 SO, WHAT'S lT LlKE TO LlVE WlTH THE BlG MAN? 318 00:21:58,275 --> 00:21:59,984 l DON'T LlVE WlTH H lM. l WORK FOR H lM. 319 00:22:00,152 --> 00:22:02,320 SHE'S AN ARTlST lN HER OWN RlGHT, RlGHT? 320 00:22:02,487 --> 00:22:03,821 PETE, TH lS lS PAULETTE. 321 00:22:03,989 --> 00:22:07,116 - PAULETTE, WHAT? - JUST PAULETTE. 322 00:22:07,284 --> 00:22:09,410 YEAH, YOU LlVE WlTH LlONEL DOBlE. 323 00:22:09,578 --> 00:22:11,162 SHE WORKS FOR H lM. SHE'S AN ARTlST. 324 00:22:11,330 --> 00:22:12,538 REALLY? 325 00:22:12,706 --> 00:22:15,249 YOU HAVE VlSlTlNG lN YOUR STUDlO? 326 00:22:15,417 --> 00:22:20,671 l COLLECT MAlNLY '50s STUFF, ROTHKO, KLlNE, YOU KNOW? 327 00:22:20,839 --> 00:22:21,839 BUT l LlKE TO KEEP THE NAME OF THE-- 328 00:22:22,007 --> 00:22:23,507 EXCUSE ME. 329 00:22:23,675 --> 00:22:25,885 l DON'T HAVE ANYTH lNG lN THE STUDlO RlGHT NOW? 330 00:22:26,053 --> 00:22:27,178 DO YOU HAVE A SHOW UP SOMEWHERE? 331 00:22:27,346 --> 00:22:29,472 NO, l'M SORT OF lN BETWEEN GALLERlES. 332 00:22:29,639 --> 00:22:31,515 - WHERE DlD YOU SHOW? - EXCUSE ME. 333 00:22:31,683 --> 00:22:33,100 MAY l SPEAK TO YOU A MOMENT? 334 00:22:33,268 --> 00:22:35,144 l'LL BRlNG HER RlGHT BACK, GENTLEMEN, l PROMlSE. 335 00:22:35,312 --> 00:22:37,688 l GOT REAL GOOD AT lT, ALL THESE DlFFERENT SEXUAL POSlTlONS 336 00:22:37,856 --> 00:22:40,691 AND EXPRESSlONS OF ECSTASY, AND TH lS CAPTAlN GAVE ME 337 00:22:40,859 --> 00:22:43,027 A HUNDRED BUCKS FOR A SET OF SlX. 338 00:22:43,195 --> 00:22:46,530 SAlD lT WAS AN ANN lVERSARY PRESENT FOR H lS WlFE. 339 00:22:46,698 --> 00:22:48,824 lT'S THE FlRST STUFF l EVER SOLD. 340 00:22:52,537 --> 00:22:54,121 l'M SORRY. l DON'T MEAN TO BE RUDE. 341 00:22:54,289 --> 00:22:56,040 ARE YOU AN ARTlST? 342 00:22:56,208 --> 00:22:58,667 GUYS WHO WERE lN MY UN lT WHO WERE lN COMBAT USED TO SAY 343 00:22:58,835 --> 00:23:02,004 ANY DAY ABOVE GROUND'S A GOOD DAY. 344 00:23:04,132 --> 00:23:06,592 DO YOU TH lNK THAT'S TRUE? 345 00:23:12,391 --> 00:23:14,392 WHO'S THAT SHORT KlD WlTH THE EARRlNG? 346 00:23:14,559 --> 00:23:16,769 OH, THE LADY KlLLER? THAT'S REUBEN TORO. 347 00:23:16,937 --> 00:23:18,729 HE SHOWS AT BENDlX. HE'S NOT BAD. 348 00:23:18,897 --> 00:23:20,689 N lCE KlD TOO. 349 00:23:21,733 --> 00:23:23,234 HEY, EXCUSE ME. CAN l TALK TO YOU? 350 00:23:23,402 --> 00:23:24,735 MR. LlONEL DOBlE. 351 00:23:24,903 --> 00:23:26,237 YOU KNOW YOU, SlR, ARE LlKE MY WlLLlE MAYS. 352 00:23:26,405 --> 00:23:27,405 A PLEASURE-- 353 00:23:27,572 --> 00:23:29,115 - CAN l TALK TO YOU? - EXCUSE ME. 354 00:23:29,282 --> 00:23:31,242 TO MEET YOU . 355 00:23:36,748 --> 00:23:39,083 - WHAT? - SHUT UP. 356 00:23:39,251 --> 00:23:40,835 NOW LOOK, l DON'T KNOW HOW TO SAY TH lS. 357 00:23:41,002 --> 00:23:42,795 l MEAN l'M NOT YOUR SHEPHERD OR ANYTH lNG, 358 00:23:42,963 --> 00:23:45,464 BUT PEOPLE ARE LAUGH lNG AT YA OUT THERE. 359 00:23:45,632 --> 00:23:46,674 WHY? 360 00:23:46,842 --> 00:23:49,260 YOU KNOW THAT GREASY-HAlRED KlD YOU'RE DANClNG WlTH? 361 00:23:49,428 --> 00:23:51,220 WELL, HE'S HERE TO SCORE AND SPLlT. 362 00:23:51,388 --> 00:23:53,347 l MEAN, HE DOES TH lS EVERYWHERE HE'S lNVlTED. 363 00:23:53,515 --> 00:23:56,100 HE LlKES TO FlND SOME lNNOCENT KlD AND THEN HE PREYS UPON 'EM. 364 00:23:56,268 --> 00:23:58,477 l MEAN, YOU'RE A FREE AGENT. 365 00:23:58,645 --> 00:24:01,897 lT'S YOUR LlFE, BUT l'M TELLlN' YA, lF THAT LOW-RENT HOUND DOES ANYTH lNG 366 00:24:02,065 --> 00:24:04,191 TO HURT YOU OR HUMlLlATE YOU-- 367 00:24:04,901 --> 00:24:06,777 l THOUGHT YOU WERE GONNA TELL ME THAT THEY WERE LAUGH lNG 368 00:24:06,945 --> 00:24:09,113 AT ME BECAUSE OF MY WORK. 369 00:24:09,948 --> 00:24:12,408 WELL, TH lS lS KlND OF WORSE, DON'T YOU TH lNK? 370 00:24:17,164 --> 00:24:18,330 LET ME GO OUT FlRST. 371 00:24:18,498 --> 00:24:20,416 YOU STAY lN HERE A MlNUTE BECAUSE lF PEOPLE SEE US GO OUT 372 00:24:20,584 --> 00:24:22,877 TOGETHER THEN THElR MlNDS MAKE THESE lLLUSlONS. 373 00:24:23,587 --> 00:24:24,879 CREEP. 374 00:24:25,046 --> 00:24:25,963 LlONEL, THERE YOU ARE. 375 00:24:26,131 --> 00:24:28,132 LlONEL, l WANT YOU TO MEET KURT BLOOM, 376 00:24:28,300 --> 00:24:30,050 JUST BOUGHT THE RONALD GALLERY lN BERLlN . 377 00:24:30,218 --> 00:24:32,261 LlONEL DOBlE. LlONEL DOBlE, N lCE TO SEE YOU . 378 00:24:32,429 --> 00:24:33,471 OPEN THE DOOR. 379 00:24:33,638 --> 00:24:34,805 lT'S A GREAT PLEASURE FOR ME. 380 00:24:34,973 --> 00:24:37,016 NO, JUST A COUPLE OF KlDS. 381 00:24:37,184 --> 00:24:38,392 RONALD GALLERY. 382 00:24:38,560 --> 00:24:40,394 - YES, RONALD GALLERY lN BERLlN . - WEST BERLlN? 383 00:24:40,562 --> 00:24:42,313 WEST BERLlN, YES. 384 00:24:42,481 --> 00:24:44,815 - KURT BLOOM. - KURT BLOOM, YES. 385 00:24:44,983 --> 00:24:46,525 LlONEL, l HATE YOU . 386 00:24:46,693 --> 00:24:51,113 l'M REALLY ADMlRlNG YOUR WORK. lT'S VERY GREAT TO SEE YOU HERE. 387 00:24:51,281 --> 00:24:53,282 LlONEL! 388 00:24:53,450 --> 00:24:59,538 ♪ HAPPY BlRTHDAY TO YOU ♪ 389 00:24:59,706 --> 00:25:04,293 ♪ HAPPY BlRTHDAY DEAR GEORGE ♪ 390 00:25:04,461 --> 00:25:08,672 ♪ HAPPY BlRTHDAY TO YOU ♪♪ 391 00:25:09,341 --> 00:25:12,801 [AUDlENCE APPLAUDlNG] 392 00:25:39,496 --> 00:25:43,916 ♪♪♪ 393 00:25:44,084 --> 00:25:47,378 ♪ CONQU lSTADOR, THERE lS NO TlME ♪ 394 00:25:47,546 --> 00:25:50,839 ♪ l MUST PAY MY RESPECT ♪ 395 00:25:51,007 --> 00:25:56,512 ♪ AND THOUGH l CAME TO JEER AT YOU, l LEAVE NOW WlTH REGRET ♪ 396 00:25:57,472 --> 00:26:04,395 ♪ AS THE GLOOM BEGlNS TO FALL, l SEE THERE lS NO, ONLY ALL ♪ 397 00:26:04,563 --> 00:26:07,731 ♪ AND THOUGH YOU CAME WlTH SWORD HELD H lGH ♪ 398 00:26:07,899 --> 00:26:11,193 ♪ YOU DlD NOT CONQUER, ONLY DlE ♪ 399 00:26:11,361 --> 00:26:15,239 ♪ AND THOUGH l HOPED FOR SOMETH lNG TO FlND ♪ 400 00:26:15,407 --> 00:26:18,367 ♪ l COULD SEE NO MAZE TO UNWlND ♪♪ 401 00:26:26,001 --> 00:26:29,378 ["NESSUN DORMA" AN OPERA PERFORMED BY MARlO DEL MONACO] 402 00:26:29,546 --> 00:26:33,507 ♪ TU PURE, O PRlNClPESSA ♪ 403 00:26:33,675 --> 00:26:38,470 ♪ NELLA TUA FREDDA STANZA ♪ 404 00:26:38,638 --> 00:26:45,603 ♪ GUARDl LE STELLE CHE TREMANO ♪ 405 00:26:49,274 --> 00:26:55,237 ♪ D'AMORE E Dl SPERANZA ♪ 406 00:26:57,282 --> 00:27:03,871 ♪ MA lL MlO MlSTERO E CH lUSO lN ME ♪ 407 00:27:04,664 --> 00:27:09,460 ♪ lL NOME MlO NESSUN SAPRA ♪ 408 00:27:09,628 --> 00:27:16,592 ♪ NO, NO, SULLA TUA BOCCA LO DlRO ♪ 409 00:27:20,555 --> 00:27:27,519 ♪ QUANDO LA LUCE SPLENDERA ♪ 410 00:27:38,239 --> 00:27:45,204 ♪ ED lL MlO BAClO SClOGLERA ♪ 411 00:27:45,747 --> 00:27:50,793 ♪ lL SlLENZlO CHE Tl FA MlA ♪♪ 412 00:27:51,419 --> 00:27:53,087 OH, MAN, COULD l GET A CUP OF THAT? 413 00:27:53,254 --> 00:27:55,464 l'M DEAD AND BURlED. 414 00:28:03,056 --> 00:28:05,641 YOU A GRAFFlTl ARTlST, TORO? 415 00:28:06,810 --> 00:28:09,478 l WOULDN'T SAY THAT. 416 00:28:16,194 --> 00:28:21,740 ["NESSUN DORMA" VERY LOUD] 417 00:28:23,785 --> 00:28:35,754 ♪♪♪ 418 00:28:38,717 --> 00:28:40,843 lT'S FOR THE JAPAN HOUSE TON lGHT. 419 00:28:41,010 --> 00:28:43,429 LlSTEN, l'M SORRY WHAT l SAlD TO YA AT THE PARTY. 420 00:28:43,596 --> 00:28:45,806 l JUST GET CRAZY. 421 00:28:47,517 --> 00:28:49,560 lT'S BEAUTlFUL. 422 00:28:50,145 --> 00:28:52,354 LOOK, l CAN'T GO WlTH YOU TON lGHT. l MADE OTHER PLANS. 423 00:28:52,522 --> 00:28:53,856 OH YEAH? 424 00:28:54,023 --> 00:28:55,607 l'M GOlNG TO THE BLlND ALLEY WlTH SOME GlRLFRlENDS. 425 00:28:55,775 --> 00:28:58,569 OH YEAH? WHO'S AT THE BLlND ALLEY? 426 00:29:02,782 --> 00:29:04,491 l JUST WANT TO SHOW H lM THAT l DON'T GlVE A DAMN ANYMORE, 427 00:29:04,659 --> 00:29:05,701 YOU KNOW? 428 00:29:05,869 --> 00:29:09,121 l CAN GO SEE H lM, SEE H lS STUFF LlKE ANYBODY ELSE. 429 00:29:11,499 --> 00:29:13,542 DOES THAT SOUND LlKE TOTAL HORSESH lT OR WHAT? 430 00:29:13,710 --> 00:29:17,463 NO, ABSOLUTELY NOT. l TH lNK WE SHOULD. 431 00:29:17,630 --> 00:29:19,673 l TH lNK WE SHOULD SHOW H lM THAT LlFE GOES ON, 432 00:29:19,841 --> 00:29:21,550 THAT HE'S NOT EVEN WORTH AVOlDlNG. 433 00:29:21,718 --> 00:29:24,136 l TH lNK YOU HAVE TO GO RlGHT UP lN H lS FACE TON lGHT, 434 00:29:24,304 --> 00:29:25,763 l MEAN RlGHT UP lN H lS FACE. 435 00:29:25,930 --> 00:29:27,181 l TH lNK l'D RATHER WORK. 436 00:29:27,348 --> 00:29:29,433 DON'T USE WORK AS AN EXCUSE. YOUR WORK'S SACRED. 437 00:29:29,601 --> 00:29:30,851 WELL, MAYBE YOURS lS. 438 00:29:31,019 --> 00:29:32,644 NO, YOURS TOO. YOURS TOO. 439 00:29:32,812 --> 00:29:34,271 NOW LOOK, YOU GO WlTH YOUR GlRLFRlENDS. 440 00:29:34,439 --> 00:29:36,315 YOU GO WlTH THEM lT'S LlKE A BUNCH OF H lGH SCHOOL GlRLS 441 00:29:36,483 --> 00:29:38,275 WlTH A CRUSH ON SOME BOY. 442 00:29:38,443 --> 00:29:40,736 BUT lF YOU WALK lN WlTH ME, YOU MAKE AN ENTRANCE 443 00:29:40,904 --> 00:29:43,739 WlTH FlREPOWER, WlTH DlGN lTY. 444 00:29:45,450 --> 00:29:47,034 WHAT ABOUT JAPAN HOUSE? 445 00:29:47,202 --> 00:29:48,660 FlRST COMES OUR HOUSE. 446 00:29:48,828 --> 00:29:53,707 l TH lNK YOU SHOULD GO RlGHT UP lN H lS FACE. 447 00:29:55,794 --> 00:29:59,630 SEE, l DON'T LOOK FOR TROUBLE. l MEAN, BUT SOME PEOPLE DO, RlGHT? 448 00:29:59,798 --> 00:30:03,675 THEY LlKE WALK AROUND. THEY'RE LlKE LOOKlNG FOR A FlGHT. 449 00:30:03,843 --> 00:30:06,345 LlKE, OKAY, l HAD TH lS ONE GUY ONE TlME, HE'S WALKlNG DOWN THE STREET 450 00:30:06,513 --> 00:30:07,971 AND HE STEPS ON MY FOOT. 451 00:30:08,139 --> 00:30:09,306 ALL RlGHT, lT WAS AN ACClDENT. 452 00:30:09,474 --> 00:30:11,391 HE DlDN'T MEAN lT OR ANYTH lNG, BUT HE DOESN'T SAY ANYTH lNG. 453 00:30:11,559 --> 00:30:13,268 YOU KNOW SO l SAlD, EXCUSE ME. 454 00:30:13,436 --> 00:30:16,146 HE TURNS AROUND HE SAYS, "YEAH, WHAT?" 455 00:30:16,314 --> 00:30:18,357 l SAlD OKAY, NEVER MlND. FORGET ABOUT lT. 456 00:30:18,525 --> 00:30:22,110 AM l SUPPOSED TO GET lN A FlGHT WlTH A GUY BECAUSE HE STEPS ON MY FOOT? 457 00:30:22,987 --> 00:30:26,573 ALL RlGHT, WHAT lF l DO FlGHT WlTH THE GUY AND l GET LUCKY 458 00:30:26,741 --> 00:30:28,826 AND l KlLL H lM, RlGHT? 459 00:30:28,993 --> 00:30:32,496 THEN THE COPS COME BY AND THEY SAY, "WELL, HOW COME YOU KlLLED TH lS GUY?" 460 00:30:32,664 --> 00:30:34,998 WELL, HE STEPPED ON MY FOOT. 461 00:30:35,166 --> 00:30:36,625 THEY'RE GONNA TH lNK l OVERREACTED. 462 00:30:36,793 --> 00:30:39,461 [AUDlENCE LAUGH lNG] 463 00:30:39,629 --> 00:30:42,631 SEE, l DON'T KNOW WHAT lT lS, l WOKE UP TODAY. 464 00:30:43,424 --> 00:30:45,509 l MEAN l WAKE UP EVERY DAY. 465 00:30:45,677 --> 00:30:51,139 BUT TODAY, l WOKE UP AND l FELT REALLY STRANGE, YOU KNOW? 466 00:30:51,307 --> 00:30:54,685 l MEAN REALLY WElRD BECAUSE l WASN'T DEPRESSED. 467 00:30:54,853 --> 00:30:57,604 l WASN'T SAD. l WASN'T ANGRY. 468 00:30:57,772 --> 00:31:00,691 ON THE OTHER HAND, l MEAN l WASN'T HAPPY OR GOOD NATURED. 469 00:31:00,859 --> 00:31:05,487 l JUST SORT OF FELT, l DON'T KNOW, KlND OF EVEN . 470 00:31:06,531 --> 00:31:08,532 DON'T GET ME WRONG, OKAY, l'M NOT CONTENT. 471 00:31:08,700 --> 00:31:10,826 l HATE THAT, YOU KNOW, WHEN YOU SAY TO SOMEBODY, 472 00:31:10,994 --> 00:31:12,077 WELL, HOW ARE YOU? 473 00:31:12,245 --> 00:31:13,537 AND THEY GO, "WELL, l'M CONTENT." 474 00:31:13,705 --> 00:31:15,330 l FEEL LlKE SAYlNG, YEAH, WHAT WOULD YOU BE lF l SMACKED YA? 475 00:31:15,498 --> 00:31:16,915 [AUDlENCE LAUGH lNG] 476 00:31:17,083 --> 00:31:20,127 l'D RATHER FEEL ONE WAY OR THE OTHER. 477 00:31:20,295 --> 00:31:25,757 BUT TODAY, l JUST FELT. . . EVEN . . . 478 00:31:27,677 --> 00:31:30,095 AND l DON'T LlKE lT. 479 00:31:30,513 --> 00:31:32,931 [AUDlENCE APPLAUDlNG] 480 00:31:33,099 --> 00:31:47,195 ♪♪♪ 481 00:31:47,363 --> 00:31:49,072 LlONEL DOBlE. 482 00:31:49,240 --> 00:31:59,666 ♪♪♪ 483 00:31:59,834 --> 00:32:08,717 ♪ HEY, HEY ♪ 484 00:32:09,135 --> 00:32:11,470 - GO UP AND TALK TO H lM. - NO, l CHANGED MY MlND. 485 00:32:11,638 --> 00:32:13,055 l'M TlRED. l JUST WANT TO GO HOME. 486 00:32:13,222 --> 00:32:15,682 NO, NO, NO, NO, JUST GO ON OVER AND TALK TO H lM. 487 00:32:15,850 --> 00:32:17,684 JUST TELL H lM YOU LlKED THE SHOW. 488 00:32:17,852 --> 00:32:20,187 NOW'S THE TlME. 489 00:32:20,939 --> 00:32:30,656 ♪♪♪ 490 00:32:30,823 --> 00:32:32,199 GREGORY. H l . 491 00:32:32,367 --> 00:32:33,659 HEY, PAULETTE. 492 00:32:33,826 --> 00:32:35,327 l JUST WANTED TO TELL YOU-- 493 00:32:35,495 --> 00:32:37,162 - GREG, H l . - EXCUSE ME. 494 00:32:37,330 --> 00:32:38,622 PETER. 495 00:32:38,790 --> 00:32:40,457 YEAH, WE JUST MlSSED THE SHOW, YOU KNOW TRAFFlC. 496 00:32:40,625 --> 00:32:41,625 OH, MAN . 497 00:32:41,793 --> 00:32:43,460 BUT l HAVE A FRlEND. l'D LlKE YOU TO MEET HANK. 498 00:32:43,628 --> 00:32:45,170 HOW YOU DOlNG? 499 00:32:45,338 --> 00:32:47,506 ♪♪♪ 500 00:32:47,674 --> 00:32:49,383 CREEP. 501 00:32:49,550 --> 00:32:51,385 DON'T WORRY ABOUT lT. THE GUY lS A JERK. 502 00:32:51,552 --> 00:32:53,470 - YOU SEE LlONEL DOBlE? - WHERE, lS HE HERE? 503 00:32:53,638 --> 00:32:55,639 HE'S RlGHT THERE. HE'S GOT A BLUE SH lRT ON . 504 00:32:55,807 --> 00:32:57,975 ♪♪♪ 505 00:32:58,142 --> 00:32:59,351 HEY, FEELlNG BETTER, RlGHT? 506 00:32:59,519 --> 00:33:00,477 WHY'D YOU MAKE ME DO THAT? 507 00:33:00,645 --> 00:33:01,687 HE'S A BASTARD. 508 00:33:01,854 --> 00:33:03,230 NO, YOU'RE THE BASTARD. l DlDN'T WANT TO DO THAT. 509 00:33:03,398 --> 00:33:04,564 WHY'D YOU MAKE ME DO THAT? 510 00:33:04,732 --> 00:33:06,233 ME? l LOVE YOU . l'LL DO ANYTH lNG FOR YOU . 511 00:33:06,401 --> 00:33:08,652 YOU WANT ME TO GO BACK lN THAT TUNNEL AND PULL H lM OUT BY H lS HAlR? 512 00:33:08,820 --> 00:33:10,278 JUST SAY lT. 513 00:33:10,446 --> 00:33:12,239 LlSTEN, YOU DON'T WANT TO SLEEP WlTH ME OR LET ME TOUCH YA. 514 00:33:12,407 --> 00:33:13,490 l LlVE WlTH THAT. 515 00:33:13,658 --> 00:33:15,200 l WlLL LlVE WlTH THAT BECAUSE l LOVE YOU, 516 00:33:15,368 --> 00:33:17,577 BUT JUST TELL ME WHAT YOU WANT ME TO DO, l'LL DO lT. 517 00:33:17,745 --> 00:33:19,037 l'LL KlLL H lM lN FRONT OF EVERYBODY. 518 00:33:19,205 --> 00:33:20,288 WHAT? JUST SAY lT. 519 00:33:20,456 --> 00:33:23,083 - STOP! - LlSTEN TO ME. 520 00:33:23,251 --> 00:33:26,712 LlSTEN TO ME. LlSTEN TO ME. 521 00:33:30,133 --> 00:33:32,634 LlSTEN TO ME. 522 00:33:34,137 --> 00:33:38,140 l LOVE YOU . l LOVE YOU . 523 00:33:38,683 --> 00:33:43,729 l'LL DO ANYTH lNG FOR YOU . l'LL STRETCH CANVAS FOR YOU . 524 00:34:04,500 --> 00:34:06,710 DO YOU LOVE ME? 525 00:34:07,378 --> 00:34:09,671 l SAlD l DlD, YES. 526 00:34:10,298 --> 00:34:12,674 YOU'LL DO ANYTH lNG FOR ME? 527 00:34:12,842 --> 00:34:14,801 WHAT? JUST NAME lT. 528 00:34:15,511 --> 00:34:17,596 SEE THEM? 529 00:34:19,557 --> 00:34:22,809 KlSS THE DRlVER ON THE MOUTH AND WE'LL TALK. 530 00:34:23,686 --> 00:34:26,021 WHAT? 531 00:34:26,689 --> 00:34:29,608 COME ON . SHOW ME HOW MUCH YOU LOVE ME. 532 00:34:33,780 --> 00:34:36,031 WHAT lF l DO, HUH? 533 00:34:36,491 --> 00:34:39,242 THEN l'LL KNOW YOUR LOVE lS TRUE, AND lF YOU DON'T, 534 00:34:39,410 --> 00:34:42,412 YOUR NAME lS KlNG BULLSH lT AND l PACK. 535 00:35:05,478 --> 00:35:07,229 HEY, HEY, HEY, HEY. 536 00:35:07,396 --> 00:35:09,231 CHECK OUT GRlZZLY ADAMS HERE. 537 00:35:09,398 --> 00:35:11,566 HAS HE GOT ANYTH lNG? 538 00:35:11,734 --> 00:35:13,944 l DON'T TH lNK SO. 539 00:35:14,112 --> 00:35:17,948 HE JUST LOOKS LlKE HE LOST H lS LLAMA. 540 00:35:20,326 --> 00:35:22,911 WHAT'S UP? 541 00:35:23,496 --> 00:35:25,122 HEY, HEY, WHOA, WHOA, WHOA, WHOA. 542 00:35:25,289 --> 00:35:26,623 BACK AWAY FROM THE CAR, PAL. 543 00:35:26,791 --> 00:35:30,168 YOU BETTER BACK AWAY FROM THE CAR. 544 00:35:37,552 --> 00:35:42,055 [LAUGH lNG] 545 00:35:42,223 --> 00:35:44,349 l LOVE YOU TOO. 546 00:35:44,517 --> 00:35:46,852 COME ON, TAKE A WALK, WlLL YA? 547 00:36:08,875 --> 00:36:13,003 - lS THAT FOR ME? - lS WHAT FOR YOU? 548 00:36:14,547 --> 00:36:19,801 YOU WALK AROUND LlKE THAT lN FRONT OF ME. 549 00:36:19,969 --> 00:36:22,888 WHAT'S TO STOP ME FROM LOSlNG CONTROL FROM JUST TAKlNG YOU? 550 00:36:24,807 --> 00:36:27,350 TAKlNG ME? 551 00:36:28,603 --> 00:36:32,814 l CAN DO ANYTH lNG, YOU KNOW WHY? 552 00:36:32,982 --> 00:36:36,234 BECAUSE l'M NOTH lNG TO YOU, SO WHO CARES? 553 00:36:36,402 --> 00:36:40,655 l COULD RAPE YOU . l COULD KlLL YOU . 554 00:36:40,823 --> 00:36:42,991 l COULD KlLL MYSELF. 555 00:36:43,159 --> 00:36:45,035 OR RAPE YOURSELF EVEN . 556 00:36:45,203 --> 00:36:46,953 l COULD DO ANYTH lNG BECAUSE l'M NOTH lNG. 557 00:36:47,121 --> 00:36:49,831 l'M THE lNVlSlBLE MAN WlTH YOU . 558 00:36:53,044 --> 00:36:55,545 N lGHT. 559 00:36:56,672 --> 00:36:59,132 ANYTH lNG. ANYTH lNG. 560 00:37:19,362 --> 00:37:27,410 ♪♪♪ 561 00:37:27,578 --> 00:37:29,788 HEY, l HEAR HElDl GOT A SHOW. 562 00:37:29,956 --> 00:37:30,914 HER OWN SHOW? 563 00:37:31,082 --> 00:37:32,082 WELL, lT'S A GROUP SHOW. 564 00:37:32,250 --> 00:37:34,751 - WHERE? - lN EL PASO. 565 00:37:34,919 --> 00:37:37,545 lS THAT DONALD DOWD? 566 00:37:37,713 --> 00:37:39,839 YUP. 567 00:37:43,552 --> 00:37:46,846 - YOU SEE H lS SHOW? - l SAW lT WlTH YOU . 568 00:37:48,516 --> 00:37:50,392 YEAH, SORRY. 569 00:37:50,559 --> 00:37:52,936 BOY, l'M GLAD l MADE SUCH A STRONG lMPRESSlON . 570 00:37:53,688 --> 00:37:55,897 SH lT. 571 00:38:02,655 --> 00:38:04,948 l HEARD HE WON SOME ARTS GRANT. 572 00:38:05,449 --> 00:38:07,617 H lS PARENTS. 573 00:38:08,995 --> 00:38:11,204 - HEY. - HEY. 574 00:38:11,747 --> 00:38:13,039 - HOW YOU DOlN'? - l'M GREAT. 575 00:38:13,207 --> 00:38:14,124 HOW ARE YOU? 576 00:38:14,292 --> 00:38:16,793 - GOOD. - GOOD. 577 00:38:18,629 --> 00:38:23,300 OH, YOU KNOW, l'VE GOT TH lS NEW PlECE RUNN lNG OVER AT BLlND ALLEY. 578 00:38:23,467 --> 00:38:24,801 YOU SHOULD COME SEE lT. 579 00:38:24,969 --> 00:38:27,637 SHE DlD SEE YA, YOU SELF-ABSORBED, NO-TALENT SON OF A BlTCH . 580 00:38:27,805 --> 00:38:29,014 SHUT UP, LlONEL. 581 00:38:29,181 --> 00:38:30,348 WHAT'S YOUR PROBLEM, MAN? 582 00:38:30,516 --> 00:38:32,142 WHO lN THE HELL TOLD YOU YOU WERE A HUMAN BElNG? 583 00:38:32,310 --> 00:38:33,810 WHAT lN THE HELL DO YOU KNOW ABOUT THE HUMAN HEART? 584 00:38:33,978 --> 00:38:35,353 YOU DON'T EVEN KNOW HER. YOU DON'T EVEN SEE HER. 585 00:38:35,521 --> 00:38:36,938 WHAT WAS SHE? JUST COME PlECE OF ASS TO YA? 586 00:38:37,106 --> 00:38:39,274 SHUT YOUR MOUTH, MAN . 587 00:38:56,709 --> 00:38:58,793 HEY, WHAT ARE YOU DOlNG? WHAT ARE YOU DOlNG? 588 00:38:58,961 --> 00:39:00,962 ARE YOU PUN lSH lNG ME? 589 00:39:01,797 --> 00:39:03,757 PUN lSH lNG YOU? 590 00:39:04,342 --> 00:39:07,635 LlSTEN, l GOT CARRlED AWAY. l'M SORRY. l LOVE YOU . 591 00:39:08,763 --> 00:39:10,597 LOOK, MY BROTHER'S DRlVlNG lN TO PlCK ME UP. 592 00:39:10,765 --> 00:39:11,931 HE'LL BE HERE lN 2 HOURS. 593 00:39:12,099 --> 00:39:13,475 STAY OUT OF MY FACE 'TlL THEM. 594 00:39:13,642 --> 00:39:15,518 - WHAT ARE YOU DOlNG? - l'M GOlNG HOME. 595 00:39:15,686 --> 00:39:16,728 STAY OUT OF MY FACE. 596 00:39:16,896 --> 00:39:17,896 HOME? 597 00:39:18,064 --> 00:39:19,356 TH lS lS NEW YORK. lT'S HERE FOR YOU . 598 00:39:19,523 --> 00:39:21,483 l'LL DO ANYTH lNG FOR YOU . ALL RlGHT, TO HELL WlTH ME. 599 00:39:21,650 --> 00:39:22,859 TO HELL WlTH ME, OKAY? 600 00:39:23,027 --> 00:39:24,235 WHAT ABOUT YOUR PAlNTlNG? 601 00:39:24,403 --> 00:39:25,570 TELL ME WHAT'S HERE. 602 00:39:25,738 --> 00:39:27,364 DON'T GlVE ME TH lS SH lT ABOUT REAL ARTlSTS HAVE NO CHOlCE. 603 00:39:27,531 --> 00:39:29,282 WHAT'S HERE? AM l GOOD? 604 00:39:29,450 --> 00:39:31,701 WlLL l EVER BE GOOD? 605 00:39:32,203 --> 00:39:35,830 COME ON, RlGHT NOW. COME ON! 606 00:39:41,045 --> 00:39:43,004 l'M GOlNG HOME. 607 00:39:44,965 --> 00:39:49,302 YOU'RE YOUNG YET. l LOVE YOU . 608 00:39:50,054 --> 00:39:51,513 LOVE ME? 609 00:39:51,680 --> 00:39:53,390 YOU JUST NEED ME AROUND. 610 00:39:53,557 --> 00:39:56,726 SOMETlMES l FEEL LlKE A HUMAN SACRlFlCE! 611 00:39:56,894 --> 00:39:59,604 l DON'T KNOW, MAYBE lF l WAS AS GOOD AS YOU, 612 00:39:59,772 --> 00:40:04,234 l WOULDN'T CARE ABOUT ANYBODY ELSE ElTHER, BUT l'M NOT, SO GOOD-BYE. 613 00:40:04,402 --> 00:40:05,985 SO l'M THE MONSTER, RlGHT? 614 00:40:06,153 --> 00:40:07,904 WELL, JUST WHAT'S SO HELL GREAT ABOUT YOU? 615 00:40:08,072 --> 00:40:09,155 l DON'T KNOW, NOTH lNG. 616 00:40:09,323 --> 00:40:11,074 YOU KNOW, YOU GOTTA START LEARN lNG TO LlKE YOURSELF A LlTTLE MORE. 617 00:40:11,242 --> 00:40:12,242 YEAH, OKAY, l'LL TRY. 618 00:40:12,410 --> 00:40:15,036 SEE, YOU DON'T TH lNK l LOVE YOU BECAUSE YOU DON'T LOVE YOURSELF. 619 00:40:15,579 --> 00:40:18,957 - l'LL KEEP THAT lN MlND. - OKAY, LOOK, MAYBE lT'S ME. 620 00:40:19,125 --> 00:40:21,251 NO, lT'S ME. YOU KNOW l lNDULGE. 621 00:40:21,419 --> 00:40:22,585 l lNDULGE lN LOVE. 622 00:40:22,753 --> 00:40:24,546 l lNDULGE lN MAKlNG MY STUFF AND THEY FEED OFF EACH OTHER. 623 00:40:24,713 --> 00:40:28,133 YOU KNOW, AND THEY COME TOGETHER AT TlMES, BUT TH lS, TH lS lS BAD. 624 00:40:28,300 --> 00:40:30,468 lT'S SELFlSH . 625 00:40:31,053 --> 00:40:33,763 l SHOULD TRY AND BE A N lCE PERSON FOR YA. 626 00:40:34,557 --> 00:40:37,517 MAYBE THE KEY TO THAT lS TRYlNG TO STOP, 627 00:40:37,685 --> 00:40:39,602 YOU KNOW, JUST TO STOP PAlNTlNG 628 00:40:39,770 --> 00:40:42,814 AND MAYBE l SHOULD-- YEAH, l SHOULD STOP PAlNTlNG 629 00:40:42,982 --> 00:40:44,649 AND JUST BE A N lCE PERSON FOR YA. 630 00:40:44,817 --> 00:40:47,152 NOW lS THAT WHAT YA WANT ME TO DO, HUH? 631 00:40:47,319 --> 00:40:48,945 l DON'T GlVE A DAMN WHAT YOU DO. 632 00:40:49,113 --> 00:40:52,740 MY BROTHER'S A UN lTED STATES MARlNE, AND l CAN'T TAKE TH lS ANYMORE. 633 00:40:53,159 --> 00:40:54,534 GET OUT OF HERE. 634 00:40:54,702 --> 00:40:58,913 l CAN'T TAKE TH lS ANYMORE! GET OUT OF MY ROOM! 635 00:40:59,498 --> 00:41:01,583 YOUR ROOM, l OWN THE DAMN-- 636 00:41:01,959 --> 00:41:05,420 ♪♪♪ 637 00:41:05,588 --> 00:41:10,425 ♪ LlKE A ROLLlNG STONE? ♪ 638 00:41:14,221 --> 00:41:17,098 ♪ YOU'VE GONE TO THE FlNEST SCHOOL ALL RlGHT, MlSS LONELY ♪ 639 00:41:17,266 --> 00:41:19,642 ♪ BUT YOU KNOW YOU ONLY USED TO GET JU lCED lN lT ♪ 640 00:41:19,810 --> 00:41:22,103 YOU KNOW SOMETH lNG? 641 00:41:23,022 --> 00:41:25,315 JUST ONCE YOU CAME BY MY ROOM AND SAlD, "GEE, PAULETTE, 642 00:41:25,483 --> 00:41:27,484 YOU'RE A TERRlBLE PAlNTER. 643 00:41:27,651 --> 00:41:29,486 WHY DON'T YOU GET A JOB AND ENJOY lT?" 644 00:41:29,653 --> 00:41:30,987 LET ME TELL YOU SOMETH lNG. 645 00:41:31,155 --> 00:41:33,698 YOU TH lNK l JUST USE PEOPLE, JUST GRlND THEM UP. 646 00:41:33,866 --> 00:41:35,658 WELL, YOU DON'T KNOW ANYTH lNG ABOUT ME. 647 00:41:35,826 --> 00:41:38,620 YOU DON'T KNOW HOW lNVOLVED l GET OR HOW FAR DOWN l GO. 648 00:41:38,787 --> 00:41:41,414 HELL, l WAS MARRlED FOUR TlMES SlNCE BEFORE YOU WERE EVEN BORN 649 00:41:41,582 --> 00:41:44,000 SO YOU DON'T YOU TELL ME. 650 00:41:45,336 --> 00:41:47,045 ♪♪♪ 651 00:41:47,213 --> 00:41:50,840 ♪ AS YOU STARE lNTO THE VACUUM OF H lS EYES AND SAY-- ♪ 652 00:41:51,800 --> 00:41:54,135 SO DON'T TELL ME. 653 00:41:54,470 --> 00:41:58,306 ♪ WOULD YOU LlKE TO MAKE A DEAL? ♪ 654 00:41:59,391 --> 00:42:07,190 ♪ HOW DOES lT FEEL? ♪ 655 00:42:08,275 --> 00:42:10,193 ♪ TO BE ON YOUR OWN-- ♪ 656 00:42:10,361 --> 00:42:12,737 CH lPPlES. YOU KNOW WHY THEY CALL THEM THAT? 657 00:42:12,905 --> 00:42:15,031 BECAUSE THEY LlKE TO CH lP AWAY AT YOU . 658 00:42:15,199 --> 00:42:17,700 TAKE A LlTTLE CH lP. THAT'S YOUR ART FORM. 659 00:42:17,868 --> 00:42:20,411 THAT'S YOUR TALENT. 660 00:42:20,663 --> 00:42:24,123 ♪ JUST LlKE A ROLLlNG STONE ♪ 661 00:42:25,543 --> 00:42:28,461 OH, GOD. 662 00:42:29,588 --> 00:42:33,007 ♪♪♪ 663 00:42:47,314 --> 00:42:48,565 EXCUSE ME, MR. DOBlE. 664 00:42:48,732 --> 00:42:50,942 l JUST WANT TO TELL YOU, MAN, LlKE l'M KlND OF LlKE AN ARTlST MYSELF. 665 00:42:51,110 --> 00:42:54,028 SO l LOOK AT YOUR STUFF, l JUST WANT TO DlVORCE MY WlFE. 666 00:42:54,196 --> 00:42:56,531 l MEAN, LlKE THANK YOU . THANK YOU . 667 00:43:07,418 --> 00:43:09,210 CAN l HAVE A GLASS OF WH lTE WlNE, PLEASE? 668 00:43:09,378 --> 00:43:11,337 SURE. 669 00:43:12,089 --> 00:43:14,632 - THERE YOU GO. - THANK YOU . 670 00:43:15,593 --> 00:43:29,606 ♪♪♪ 671 00:43:29,773 --> 00:43:31,774 WHAT WAS THAT? 672 00:43:31,942 --> 00:43:34,986 l WANTED TO TOUCH YOU FOR GOOD LUCK. 673 00:43:35,154 --> 00:43:36,279 FOR ME? 674 00:43:36,447 --> 00:43:40,491 NO, FOR ME. MAYBE SOME OF lT WlLL RUB OFF. 675 00:43:42,786 --> 00:43:44,996 ARE YOU AN ARTlST? 676 00:43:45,164 --> 00:43:48,249 YOU'RE AN ARTlST, l'M A PAlNTER. 677 00:43:48,792 --> 00:43:52,295 l MEAN l'M TRYlNG TO-- l'M NOT SAYlNG TH lS RlGHT. 678 00:43:52,880 --> 00:43:56,883 - ARE YOU MAKlNG ENDS MEET? - lT'S AN EXPENSlVE ClTY. 679 00:43:57,301 --> 00:43:59,761 WELL, lT'S THE ONLY ClTY. 680 00:43:59,928 --> 00:44:02,680 WHAT'S FOWLER PAY YOU? PEANUTS, RlGHT? 681 00:44:02,848 --> 00:44:05,099 YEAH . 682 00:44:05,934 --> 00:44:25,870 ♪♪♪ 683 00:44:26,038 --> 00:44:27,497 l NEED AN ASSlSTANT. 684 00:44:27,665 --> 00:44:31,000 l PAY ROOM AND BOARD, GlVE LlFE LESSONS THAT ARE PRlCELESS, PLUS A SALARY. 685 00:44:31,168 --> 00:44:33,461 YOU WOULDN'T KNOW ANYBODY THAT NEEDS A JOB, WOULD YA? 686 00:44:33,629 --> 00:44:35,421 OH, GOD. 687 00:44:35,589 --> 00:44:38,466 WHAT'S YOUR NAME? l'M LlONEL DOBlE. 688 00:44:39,301 --> 00:45:06,160 ♪♪♪ 689 00:45:06,328 --> 00:45:10,331 ♪ WE SKlPPED A LlGHT FANDANGO ♪ 690 00:45:15,212 --> 00:45:20,174 [FLUTE MUSlC PLAYlNG] 691 00:45:21,427 --> 00:45:41,779 ♪♪♪ 692 00:45:41,947 --> 00:45:46,367 DlD YOU KNOW THAT FLUTE PLAYlNG WAS ONCE BANNED BY LAW? 693 00:45:47,911 --> 00:45:50,872 ONCE UPON A TlME lT WAS. 694 00:45:53,167 --> 00:45:57,462 lT WAS BANNED BECAUSE lT WAS SO BEAUTlFUL THAT ALL THE VlRGlNS 695 00:45:57,629 --> 00:46:00,757 FELL lN LOVE AND GOT THEMSELVES SEDUCED. 696 00:46:00,924 --> 00:46:03,134 MM-HMM. 697 00:46:05,721 --> 00:46:07,680 MY FATHER TOLD ME THAT STORY. 698 00:46:07,848 --> 00:46:11,517 HE'S CLAUDlO MONTEZ, AND HE'S THE GREATEST FLUTE PLAYER 699 00:46:11,685 --> 00:46:14,395 lN THE WORLD. 700 00:46:16,106 --> 00:46:19,233 MY MOTHER lS CHARLOTTE MONTEZ AND SHE'S USUALLY TRAVELlNG 701 00:46:19,401 --> 00:46:23,988 lN lNDlA OR SOMEWHERE TAKlNG PHOTOGRAPHS OR MAYBE WRlTlNG A BOOK. 702 00:46:24,948 --> 00:46:29,035 HER BEAUTlFUL FACE WAS THE FlRST SlGHT l EVER SAW. 703 00:46:30,204 --> 00:46:35,249 WHEN l WAS BORN, CLAUDlO USED TO PLAY THE BABY MUSlC FOR ME 704 00:46:35,417 --> 00:46:36,876 ON A SlLVER FLUTE. 705 00:46:37,044 --> 00:46:40,588 THAT WAS THE FlRST SOUND l EVER HEARD. 706 00:46:41,131 --> 00:46:45,593 THEY NAMED ME ZOE, BECAUSE ZOE MEANS LlFE lN GREEK. 707 00:46:47,054 --> 00:46:53,434 ♪♪♪ 708 00:46:53,602 --> 00:46:57,104 ♪ ZOE, CONSlDER HER ♪ 709 00:46:57,272 --> 00:47:00,608 ♪ ZOE, DELlVER HER ♪ 710 00:47:00,776 --> 00:47:07,615 ♪ SHE'S ZOE, SO BlTTERSWEET ♪ 711 00:47:08,492 --> 00:47:11,911 ♪ ZOE, CONSlDER HER ♪ 712 00:47:12,079 --> 00:47:15,957 ♪ ZOE, DELlVER HER ♪ 713 00:47:16,124 --> 00:47:19,544 ♪ LlFE WOULD BE NOTH lNG WlTHOUT HER ♪ 714 00:47:19,711 --> 00:47:22,755 ♪ SHE'S GOT THAT SOMETH lNG ABOUT HER ♪ 715 00:47:22,923 --> 00:47:26,384 ♪ MAKES ME WEAK ♪ 716 00:47:31,056 --> 00:47:33,182 ♪ ZOE, CONSlDER HER ♪ 717 00:47:33,350 --> 00:47:35,852 SlNCE CLAUDlO AND CHARLOTTE ARE RARELY HOME, l LlVE ALONE 718 00:47:36,019 --> 00:47:39,397 lN THE SHERRY NETHERLAND HOTEL WHERE THE OLD LADlES lN THE ELEVATOR 719 00:47:39,565 --> 00:47:42,233 WEAR TOO MUCH PERFUME. 720 00:47:44,236 --> 00:47:47,947 HECTOR lS OUR FAMlLY BUTLER AND MY GUARDlAN ANGEL. 721 00:47:48,115 --> 00:47:50,783 HE TAKES CARE OF ME WHEN MY PARENTS ARE TRAVELlNG, 722 00:47:50,951 --> 00:47:53,369 WH lCH lS MOST OF THE TlME. 723 00:47:53,787 --> 00:47:55,872 ♪ LA DONNA E MOBlLE ♪ 724 00:47:56,039 --> 00:47:58,416 ♪ QUAL PlUMA lL VENTO ♪ 725 00:47:58,584 --> 00:48:00,710 GOOD MORN lNG, MS. MONTEZ. 726 00:48:00,878 --> 00:48:02,461 BONJOUR. 727 00:48:02,629 --> 00:48:03,880 COME ON, GET UP. 728 00:48:04,047 --> 00:48:05,882 YOU DON'T WANT TO BE LATE FOR SCHOOL AGAlN . 729 00:48:06,049 --> 00:48:07,466 SMELL THAT HOT CHOCOLATE. 730 00:48:07,634 --> 00:48:12,263 COME ON, JUST LlKE YOU LlKE lT, SUGAR AND SWEET 'N LOW, ONE AND ONE. 731 00:48:13,181 --> 00:48:16,350 YEAH, DON'T WANT TO GO TO SCHOOL. l DON'T FEEL GOOD. 732 00:48:16,518 --> 00:48:19,228 YOU DON'T WANT--YOU KNOW MAYBE YOU HAVE THE FLU . 733 00:48:19,396 --> 00:48:20,563 lT'S GOlNG AROUND. 734 00:48:20,731 --> 00:48:24,025 LET ME--OOH, OOH, l BURNED MY HAND. 735 00:48:24,192 --> 00:48:26,068 QU lCK, GET THE SALVE, OOH . 736 00:48:26,236 --> 00:48:28,237 PLEASE HELP, PLEASE. 737 00:48:28,405 --> 00:48:31,073 TELL YOU WHAT, WE'LL LOOK AT YOUR HOROSCOPE, OKAY? 738 00:48:31,241 --> 00:48:33,993 SEE WHAT THAT SAYS ABOUT GOlNG TO SCHOOL. 739 00:48:34,453 --> 00:48:38,789 "MS. ZOE MONTEZ, ARlES, HAVE A N lCE CONTlNENTAL BREAKFAST, 740 00:48:38,957 --> 00:48:42,084 "THEN GET UP REAL QU lCK AND GET DRESSED FOR SCHOOL. 741 00:48:42,252 --> 00:48:44,629 DON'T DlLLYDALLY." 742 00:48:44,796 --> 00:48:47,089 WHAT'S THAT MEAN, DlLLYDALLY? 743 00:48:47,257 --> 00:48:50,051 THAT MEANS YOU MADE lT UP. 744 00:48:51,386 --> 00:48:52,970 HOW ABOUT YOU WEAR TH lS TODAY? 745 00:48:53,138 --> 00:48:54,931 TH lS lS N lCE. 746 00:48:55,098 --> 00:48:57,642 MY FATHER GETS THE MOST UNUSUAL MAlL. 747 00:48:57,809 --> 00:48:59,560 BROOKLYN ACADEMY OF MUSlC. 748 00:48:59,728 --> 00:49:01,437 YES OR NO, WANT TO WEAR TH lS? 749 00:49:01,605 --> 00:49:03,105 NO. 750 00:49:03,273 --> 00:49:06,067 JULlO lGLESlAS TlCKETS. 751 00:49:07,611 --> 00:49:10,988 HOW ABOUT TH lS? YOU CAN PUT TH lS ON REAL QU lCK. 752 00:49:11,156 --> 00:49:13,407 - OKAY. - OKAY? 753 00:49:15,035 --> 00:49:17,119 YOU KNOW MAYBE YOU SHOULD OPEN THE REST OF THE MAlL 754 00:49:17,287 --> 00:49:19,330 WHEN YOU GET HOME FROM SCHOOL TON lGHT. 755 00:49:19,498 --> 00:49:21,624 YOU'LL HAVE MORE TlME THEN . 756 00:49:21,792 --> 00:49:25,294 HMM, THE MlN lSTER OF SH lRAZ lS HAVlNG A BlG BASH . 757 00:49:25,462 --> 00:49:27,421 SH lRAZ, DO YOU KNOW WHERE THAT lS? 758 00:49:27,589 --> 00:49:28,839 NO. 759 00:49:29,007 --> 00:49:31,968 WE COULD LOOK lT UP lN THE ATLAS TON lGHT, BUT NOW YOU CAN'T BE LATE. 760 00:49:32,135 --> 00:49:33,594 YOU KNOW WHAT YOUR MOTHER SAlD. 761 00:49:33,762 --> 00:49:36,138 OH, MY MOTHER. HER LlFE lS ALWAYS SUCH A MESS. 762 00:49:36,306 --> 00:49:40,142 AND BEFORE YOU KNOW lT, SHE TRlES TO ORGAN lZE MlNE LONG DlSTANCE. 763 00:49:40,310 --> 00:49:41,936 LlSTEN, YOU'RE GONNA MlSS THE BUS AGAlN . 764 00:49:42,104 --> 00:49:43,479 YOU KNOW WHAT TlME? 765 00:49:43,647 --> 00:49:46,440 LOOK, lT'S 8:06, 8:07, RlGHT lN THAT AREA. 766 00:49:46,608 --> 00:49:48,526 HURRY. 767 00:49:48,694 --> 00:49:50,486 HEY, DO YOU SEE? 768 00:49:50,654 --> 00:49:55,324 YOUR FAVORlTE, LOOK, FARM FRESH AND lT'S DONE JUST LlKE YOU LlKE lT. 769 00:49:55,492 --> 00:49:57,493 SEVEN AND A HALF MlNUTES. 770 00:49:57,661 --> 00:50:00,287 l PUT A LlTTLE SALT ON lT, NO PEPPER. 771 00:50:00,831 --> 00:50:03,916 OKAY, NOW, CHEW lT 20 TlMES LlKE l SHOWED YOU . 772 00:50:04,543 --> 00:50:07,294 ONE, OKAY, JUST YOLK. 773 00:50:07,462 --> 00:50:09,672 l'LL GlVE YOU SOME OF THE WH lTE STUFF LATER. 774 00:50:09,840 --> 00:50:11,841 REMEMBER HER TRYlNG TO TEACH ME ABOUT MY CREDlT CARDS 775 00:50:12,009 --> 00:50:13,426 AND MY DAMN BANK BALANCE? 776 00:50:13,593 --> 00:50:16,303 WATCH YOUR LANGUAGE. DON'T SAY BANK BALANCE. 777 00:50:16,471 --> 00:50:19,390 ONCE l WAS lN DEBT, l WAS lN DEBT SO MUCH THAT WlTH ALL 778 00:50:19,558 --> 00:50:21,142 THE DEDUCTlONS SHE TOOK OUT OF MY ALLOWANCE, 779 00:50:21,309 --> 00:50:23,978 l DlDN'T EVEN HAVE ENOUGH MONEY TO PAY FOR TAXlS. 780 00:50:26,023 --> 00:50:27,565 THANKS, HECTOR. 781 00:50:27,733 --> 00:50:29,859 JUST DON'T LET MY MOM LONG-DlSTANCE HARASS YOU . 782 00:50:30,027 --> 00:50:32,111 WHATEVER'S RlGHT. WHATEVER'S RlGHT. 783 00:50:32,279 --> 00:50:33,946 OH, GOOD. THANKS, VEGAS. 784 00:50:34,114 --> 00:50:35,614 BUS lS LEAVlNG. lT DOES NOT WAlT. 785 00:50:35,782 --> 00:50:37,241 DON'T MlSS THE B-U-S. 786 00:50:37,409 --> 00:50:39,452 DON'T WORRY. CALM DOWN . 787 00:50:39,619 --> 00:50:41,829 ♪♪♪ 788 00:50:41,997 --> 00:50:44,498 GO, ZOE, GO. 789 00:50:45,709 --> 00:50:48,210 HUSTLE, ZOE. 790 00:50:49,421 --> 00:50:51,422 GOOD MORN lNG, MR. LlLLY, WHAT'S NEW? 791 00:50:51,590 --> 00:50:54,550 l SUPPOSE YOU WANT CASH, ZOE. 792 00:50:54,718 --> 00:50:56,802 l WAS JUST SAYlNG HELLO. 793 00:50:56,970 --> 00:51:00,222 PLEASE, A TWENTY, TWO TENS, A FlVE AND FlVE SlNGLES. 794 00:51:00,390 --> 00:51:04,185 CHARGE lT TO MY ACCOUNT, PLEASE. JUST lN CASE l MlSS MY BUS. 795 00:51:05,145 --> 00:51:08,773 ♪♪♪ 796 00:51:08,940 --> 00:51:10,691 AND THEY'RE OFF. 797 00:51:10,859 --> 00:51:13,611 WHOA, HERE COMES ZOE, RUNN lNG TlRED. 798 00:51:13,779 --> 00:51:15,112 RUNN lNG TlRED. 799 00:51:15,280 --> 00:51:17,156 ZOE'S GONNA BE LATE FOR SCHOOL AGAlN . 800 00:51:17,324 --> 00:51:18,866 SHE'S GONNA BE LATE, FOLKS. 801 00:51:19,034 --> 00:51:21,285 SHE'S RUNN lNG SLOW. SHE'S RUNN lNG TlRED. 802 00:51:21,453 --> 00:51:24,246 SHE'S NOT GONNA MAKE lT. COME ON, ZOE, RUN . 803 00:51:24,414 --> 00:51:26,999 RUN, ZOE. 804 00:51:28,627 --> 00:51:31,212 SH lT. 805 00:51:38,095 --> 00:51:39,762 CAB, CAB, CAB, CAB. 806 00:51:39,930 --> 00:51:41,555 TAXl! 807 00:51:41,723 --> 00:51:51,232 ♪♪♪ 808 00:51:51,399 --> 00:51:54,360 l HAVE YET TO SEE YOU BE ON TlME. 809 00:51:54,528 --> 00:51:55,945 THANKS FOR YOUR CONCERN . 810 00:51:56,113 --> 00:51:57,780 - WHO lS THAT? - OH, THAT'S THE NEW KlD. 811 00:51:57,948 --> 00:51:59,198 NEW BOY? 812 00:51:59,366 --> 00:52:00,491 OH, MY LORD. 813 00:52:00,659 --> 00:52:02,118 THAT'S A VERY, VERY N lCE SU lT. 814 00:52:02,285 --> 00:52:03,953 LOOK AT THAT TH lNG ON THAT GUY'S HEAD. 815 00:52:04,121 --> 00:52:06,622 lT'S A TURBAN, HAVEN'T YOU EVER SEEN ONE BEFORE? 816 00:52:06,790 --> 00:52:08,666 LET'S GET AN lNTERVlEW WlTH THAT NEW BOY. 817 00:52:08,834 --> 00:52:12,878 YEAH, ANDREA MELCHER SAYS HE'S ONE OF THE RlCHEST BOYS lN THE WORLD. 818 00:52:13,046 --> 00:52:14,171 OH, MY GOD. 819 00:52:14,339 --> 00:52:15,464 ANDREA SAlD THAT? 820 00:52:15,632 --> 00:52:17,466 - SHE KNOWS H lM ALREADY? - SHE WORKS FAST. 821 00:52:17,634 --> 00:52:20,261 THE RlCHEST BOY. 822 00:52:20,428 --> 00:52:21,637 EXCUSE ME. 823 00:52:21,805 --> 00:52:23,681 ZOE, HOW ARE WE GONNA GET AN lNTERVlEW WlTH H lM? 824 00:52:23,849 --> 00:52:26,142 HE HAS BODYGUARDS, BlG BODYGUARDS. 825 00:52:26,309 --> 00:52:28,310 RlCH PEOPLE LlKE TO BE lN THE PRESS. 826 00:52:28,478 --> 00:52:30,354 YEAH, BUT, WHAT ARE YOU GONNA SAY TO H lM? 827 00:52:30,522 --> 00:52:33,315 WE HAVE CHAMPAGNE AND CAVlAR, BABY. 828 00:52:33,483 --> 00:52:37,444 l SHOW YOU MY NEW BMW AND MY RED FERRARl . 829 00:52:37,612 --> 00:52:39,780 WE MAKE BEAUTlFUL MUSlC TOGETHER. 830 00:52:39,948 --> 00:52:43,659 HE'S GOT A SlLVER MASERATl WlTH A 24-HOUR-A-DAY DRlVER. 831 00:52:43,827 --> 00:52:45,202 CAN YOU BELlEVE THAT? 832 00:52:45,370 --> 00:52:48,664 ♪ MY MASERATl GOES 1 85 ♪ 833 00:52:48,832 --> 00:52:50,833 GlRLS, GlRLS, GlRLS. 834 00:52:51,001 --> 00:52:52,501 NOW WE NEED TO GET BACK TO WORK. 835 00:52:52,669 --> 00:52:53,961 WE HAVE A MAGAZlNE TO PUT OUT. 836 00:52:54,129 --> 00:52:56,672 WHO HAS H lS NUMBER? HOW CAN WE GET H lS NUMBER? 837 00:52:57,507 --> 00:52:59,884 ANDREA? 838 00:53:00,051 --> 00:53:03,596 - ARE YOU TALKlNG TO ME? - CAN WE HAVE ABU'S NUMBER? 839 00:53:03,763 --> 00:53:06,056 HE'LL BE ON THE COVER OF DlNG BAT NEWS. 840 00:53:07,100 --> 00:53:10,561 l ENJOY TAKlNG LONG WALKS. 841 00:53:10,729 --> 00:53:12,813 ENJOYS LONG WALKS. 842 00:53:12,981 --> 00:53:17,026 l GET REALLY BORED WlTH SPENDlNG MONEY. 843 00:53:17,194 --> 00:53:19,987 BORED SPENDlNG MONEY. 844 00:53:20,155 --> 00:53:23,365 l lNTEND TO lNHERlT MY FATHER'S WEALTH AND AFTER THAT, 845 00:53:23,533 --> 00:53:26,869 CREATE MANY TlMES MORE SO THAT l WlLL BE THE RlCHEST MAN 846 00:53:27,037 --> 00:53:29,705 lN THE WORLD BY THE TlME l'M 24. 847 00:53:29,873 --> 00:53:34,084 LATELY, PEOPLE HAVE BEEN OFFERlNG ME DRUGS, BUT l'M NOT lNTERESTED. 848 00:53:34,252 --> 00:53:36,545 l CAN SATlSFY MYSELF WlTH A CHOCOLATE BAR. 849 00:53:36,713 --> 00:53:38,214 REALLY? 850 00:53:38,381 --> 00:53:41,175 l LlKE GOlNG TO PARTlES, SOMETlMES THE HEWlTT GlRLS 851 00:53:41,343 --> 00:53:46,013 lNVlTE ME TO THElR PARTlES AT THE CARLlSLE OR THE CONCORDE. 852 00:53:46,181 --> 00:53:50,184 LAST YEAR l WAS A STRAlGHT GUY, l WAS VERY PREPPY, lNTO 853 00:53:50,352 --> 00:53:53,812 COMPUTERS, VlDEO GAMES AND A DlRT BlKE. 854 00:53:53,980 --> 00:53:58,067 NOW l'M lNTO CLOTHES AND MUSlC AND ART. 855 00:53:58,235 --> 00:54:01,195 TH lS lS THE DlNG BAT NEWS, NOT "PEOPLE" MAGAZlNE. 856 00:54:01,363 --> 00:54:05,074 WELL, WE ARE SUPPOSED TO WEAR SOCKS, BUT l DO NOT. 857 00:54:05,242 --> 00:54:08,035 OH, GOOD. DOESN'T WEAR SOCKS. 858 00:54:08,203 --> 00:54:11,830 l'VE TALKED TO MORGAN FAlRCH lLD ON THE TELEPHONE FOR AN HOUR 859 00:54:11,998 --> 00:54:14,792 lN MY ROOM. 860 00:54:15,752 --> 00:54:20,089 OH, l SUPPOSE YOU SEE RlGHT THROUGH ME, POPULAR GlRLS LlKE YOU . 861 00:54:20,257 --> 00:54:22,591 - SEE THROUGH YOU? - YES, RlGHT THROUGH ME. 862 00:54:22,759 --> 00:54:23,842 l TH lNK. 863 00:54:24,010 --> 00:54:25,219 WHY? 864 00:54:25,387 --> 00:54:29,265 l HAVE NO FRlENDS, HARDLY, NOT ANY KlDS OF MY OWN AGE. 865 00:54:29,432 --> 00:54:34,311 BUT l HAVE PLENTY OF ADULT FRlENDS, BUT THEY'RE EASY TO GET WHEN YOU'RE RlCH . 866 00:54:34,479 --> 00:54:36,981 - NO FRlENDS AT ALL? - NOT ONE. 867 00:54:37,148 --> 00:54:38,274 - REALLY? - THAT'S TOO BAD. 868 00:54:38,441 --> 00:54:41,110 ABU, l WAS A VERY LONELY KlD. 869 00:54:41,278 --> 00:54:44,989 l USED TO TRAVEL WlTH MY FATHER, SO l HAD NO FRlENDS. 870 00:54:45,156 --> 00:54:48,117 YOU, NO FRlENDS? REALLY? 871 00:54:48,285 --> 00:54:51,954 THEN MY MOM TOLD ME THE STORY OF THE BUNNY RABBlT. 872 00:54:52,122 --> 00:54:56,333 BUNNY RABBlT? WHAT lS BUNNY RABBlT? 873 00:54:56,501 --> 00:55:00,796 ONCE UPON A TlME, THERE WAS A BUNNY RABBlT, A LONELY ONE. 874 00:55:00,964 --> 00:55:03,173 HE HAD NO FRlENDS AT ALL. 875 00:55:03,341 --> 00:55:07,011 SO H lS MOTHER PUT H lM lN H lS BACKYARD WlTH ALL H lS TOYS AND CARROTS 876 00:55:07,178 --> 00:55:10,806 AND VEGETABLES AND SAlD, "YOU PLAY HERE WlTH ALL YOUR STUFF." 877 00:55:10,974 --> 00:55:12,224 AND WHAT DO YOU TH lNK HAPPENED? 878 00:55:12,392 --> 00:55:13,642 WHAT HAPPENED? 879 00:55:13,810 --> 00:55:15,894 SOON, LOTS OF BUNNY RABBlTS ARE PEEKlNG OVER THE FENCE 880 00:55:16,062 --> 00:55:19,106 SAYlNG, "CAN l PLAY TOO?" 881 00:55:19,274 --> 00:55:22,151 MY MOM TOLD ME THAT STORY. 882 00:55:22,319 --> 00:55:25,821 WHENEVER l'M LONELY AND HAVE NO FRlENDS, l JUST HAVE A LOT OF FUN 883 00:55:25,989 --> 00:55:29,825 BY MYSELF AND PEOPLE ALWAYS PEEK OVER THE FENCE AND SAY, 884 00:55:29,993 --> 00:55:31,577 "CAN WE PLAY TOO?" 885 00:55:31,745 --> 00:55:36,832 l SEE. SOBElT. CAN l PLAY TOO? 886 00:55:37,792 --> 00:55:40,127 - LET'S GO SHOPPlNG. - OKAY. 887 00:55:46,926 --> 00:55:49,178 THANK YOU, ABU . l HAD A WONDERFUL TlME. 888 00:55:49,346 --> 00:55:51,013 SO HAVE l . 889 00:55:51,181 --> 00:55:54,683 - BUT lT'S EXTREMELY LATE. - WlLL YOU BE lN TROUBLE? 890 00:55:54,851 --> 00:55:57,603 l DON'T TH lNK SO. BYE-BYE. 891 00:55:57,771 --> 00:55:59,521 l'M SORRY, WE DON'T HAVE A CARTER ON HERE. 892 00:55:59,689 --> 00:56:02,358 RlGHT HERE. COME ON . 893 00:56:02,942 --> 00:56:04,151 COME ON, MOVE! 894 00:56:04,319 --> 00:56:05,736 HEY, l'M NOT A REAL SECURlTY GUARD. 895 00:56:05,904 --> 00:56:07,654 l'M JUST AN OUT-OF-WORK ACTOR TRYlNG TO PAY THE RENT. 896 00:56:07,822 --> 00:56:09,239 QU lET, QU lET. 897 00:56:09,407 --> 00:56:10,949 WE DO TH lS ALL THE TlME. 898 00:56:11,117 --> 00:56:13,035 LEAVE ME ALONE! 899 00:56:13,203 --> 00:56:16,330 LlE DOWN THERE, ON YOUR HEAD, COME ON! 900 00:56:16,498 --> 00:56:17,915 DO WHAT THEY SAY. lT'S A ROBBERY. 901 00:56:18,083 --> 00:56:19,917 QU lET AND DON'T LOOK. 902 00:56:20,085 --> 00:56:22,586 DON'T LOOK AT THEM. STAY HERE AND JUST BE QU lET. 903 00:56:23,213 --> 00:56:25,631 DON'T LOOK. 904 00:56:27,842 --> 00:56:29,551 - KEEP YOUR EYES DOWN . - l DON'T WANT TO. 905 00:56:29,719 --> 00:56:31,178 SHUT UP, KlD. 906 00:56:31,346 --> 00:56:32,554 HUMPHREY. 907 00:56:32,722 --> 00:56:34,932 COME ON, KlCK ME, DON'T KlCK HER. 908 00:56:35,892 --> 00:56:38,143 OH, YEAH, BAM. 909 00:56:39,104 --> 00:56:41,313 ♪♪♪ 910 00:56:41,481 --> 00:56:42,689 POP lT, POP lT, COME ON . 911 00:56:42,857 --> 00:56:44,608 HEY, THAT'S MY FATHER'S, NUMBER 77. 912 00:56:44,776 --> 00:56:45,859 CLAM UP, KlD. 913 00:56:46,027 --> 00:56:48,195 THEY GOT H lS SECURlTY BOX. 914 00:56:48,696 --> 00:56:50,697 l WAS GONNA lNHERlT H lS CUFFLlNKS SOMEDAY. 915 00:56:50,865 --> 00:56:52,408 WlLL YOU KEEP QU lET? 916 00:56:52,575 --> 00:56:54,535 ZOE, TH lS lS SERlOUS. LOOK AT MY EYE. 917 00:56:54,702 --> 00:56:56,120 l GOT AN AUDlTlON TOMORROW. 918 00:56:56,287 --> 00:56:59,206 BLACK THAT OUT WlTH A LlTTLE CHANEL SOFT BlSQUE NUMBER THREE. 919 00:56:59,374 --> 00:57:00,499 REALLY? 920 00:57:00,667 --> 00:57:01,917 HEY, HOW YOU KlDS DOlNG DOWN THERE, HUH? 921 00:57:02,085 --> 00:57:03,127 YOU NEED ANYTH lNG? 922 00:57:03,294 --> 00:57:04,253 COMFY? 923 00:57:04,421 --> 00:57:05,337 NO. 924 00:57:05,505 --> 00:57:06,588 YOU WANT ANYTH lNG, A BLANKET? 925 00:57:06,756 --> 00:57:08,424 HOW ABOUT A LOBSTER ROLL OR MAYBE A CLUB SANDWlCH? 926 00:57:08,591 --> 00:57:10,342 HOW WOULD YOU LlKE THAT? ASK ME, ANYTH lNG YOU WANT. 927 00:57:10,510 --> 00:57:12,219 YOU JUST ASK ME, l'M YOUR MAN, OKAY? 928 00:57:12,387 --> 00:57:13,512 COME ON, FELLAS, LET'S GO. 929 00:57:13,680 --> 00:57:15,889 MOVE lT. COME ON, LET'S GO. 930 00:57:17,308 --> 00:57:23,272 ♪♪♪ 931 00:57:23,440 --> 00:57:26,567 DON'T MAKE ANY FUSS FOR A WH lLE, WE MlGHT BE RlGHT BACK. 932 00:57:27,819 --> 00:57:30,154 GOOD FOR YOU . BlG DEAL. 933 00:57:30,321 --> 00:57:32,281 BOY, ZOE, lF l COULD REMEMBER TH lS SENSE MEMORY, 934 00:57:32,449 --> 00:57:34,158 l'D BE THE H lT OF MY ACTlNG CLASS. 935 00:57:34,325 --> 00:57:35,576 BRAVO, J lMMY. 936 00:57:35,743 --> 00:57:36,827 THANK YOU, MR. LlLLY. 937 00:57:36,995 --> 00:57:38,787 - ARE YOU ALL RlGHT, ZOE? - YEAH . 938 00:57:38,955 --> 00:57:41,248 YOU WERE VERY BRAVE. 939 00:57:49,549 --> 00:57:52,134 LATELY, ALL THESE H lGH-CLASS NEW YORK HOTELS HAVE BEEN 940 00:57:52,302 --> 00:57:53,469 GETTlNG ROBBED. 941 00:57:53,636 --> 00:57:55,179 l'M GLAD THE CROOK DROPPED THE PACKAGE HE STOLE 942 00:57:55,346 --> 00:57:58,307 FROM MY FATHER'S SAFE DEPOSlT BOX AND l GOT lT BACK. 943 00:58:00,435 --> 00:58:05,522 ♪♪♪ 944 00:58:05,690 --> 00:58:07,024 WOW. 945 00:58:07,192 --> 00:58:10,068 THOSE CROOKS SURE DlDN'T KNOW WHAT THEY HAD. 946 00:58:12,530 --> 00:58:15,157 l BETTER TELL HECTOR. 947 00:58:17,535 --> 00:58:20,662 HECTOR. HECTOR. WAKE UP, HECTOR. 948 00:58:20,830 --> 00:58:21,830 WHAT? 949 00:58:21,998 --> 00:58:23,207 THERE WAS A ROBBERY DOWNSTAlRS. 950 00:58:23,374 --> 00:58:25,125 - WHAT? - YEAH . 951 00:58:25,293 --> 00:58:26,543 ARE YOU ALL RlGHT? 952 00:58:26,711 --> 00:58:29,129 YES. HERE, LOOK. 953 00:58:29,797 --> 00:58:32,216 THEY JUST TOOK lT OUT OF MY FATHER'S SAFETY DEPOSlT BOX. 954 00:58:32,383 --> 00:58:34,801 LOOK, lT'S A DlAMOND AND THERE'S A NOTE. 955 00:58:35,637 --> 00:58:39,014 "TEAR OF SH lRAZ FROM MY TEARS WHEN l HEARD YOUR FLUTE, 956 00:58:39,182 --> 00:58:40,933 PRlNCESS SOROYA." 957 00:58:41,100 --> 00:58:42,434 SH lRAZ? 958 00:58:42,602 --> 00:58:44,895 WHERE'S THAT lNVlTATlON l OPENED TH lS MORN lNG? 959 00:58:45,063 --> 00:58:46,522 - lN THE GARBAGE. - WHAT? 960 00:58:46,689 --> 00:58:48,732 l THREW lT lN THE GARBAGE. 961 00:58:49,442 --> 00:58:51,860 COME ON . COME ON, HECTOR. 962 00:58:52,028 --> 00:58:53,195 HOW'D YOU GET THAT TH lNG? 963 00:58:53,363 --> 00:58:54,655 THOSE CROOKS DROPPED lT. 964 00:58:54,822 --> 00:58:58,242 VEGAS, DROP lT. OPEN YOUR MOUTH . 965 00:58:58,409 --> 00:59:00,577 ZOE, JUST PULL lT. PULL lT, PULL lT. 966 00:59:00,745 --> 00:59:01,787 l GOT lT! 967 00:59:01,955 --> 00:59:03,038 OKAY. 968 00:59:03,206 --> 00:59:04,623 l HOPE WE HAVE ALL THE PlECES, l DON'T KNOW. 969 00:59:04,791 --> 00:59:05,832 YEAH . 970 00:59:06,000 --> 00:59:07,042 YOU TH lNK SO? 971 00:59:07,210 --> 00:59:08,585 - YEAH . - YEAH, WE GOT lT ALL. 972 00:59:08,753 --> 00:59:09,878 lT'S ALL HERE. 973 00:59:10,046 --> 00:59:12,381 - SHElK OMAR. - SHAKE OMAR. 974 00:59:12,549 --> 00:59:14,091 lT'S PRONOUNCED "SHAKE," ZOE. 975 00:59:14,259 --> 00:59:15,884 SHElK OMAR. 976 00:59:16,052 --> 00:59:17,511 OKAY. 977 00:59:17,679 --> 00:59:19,638 "SHElK OMAR REQUESTS THE PLEASURE TO COME MR. CLAUDlO MONTEZ 978 00:59:19,806 --> 00:59:21,890 "AT DlNNER AND A PARTY TO FOLLOW. 979 00:59:22,058 --> 00:59:26,728 "PRlNCESS SOROYA WlLL WEAR THE FAMED TEARS OF SH lRAZ EARRlNGS. 980 00:59:26,896 --> 00:59:28,897 BLACK TlE." 981 00:59:29,065 --> 00:59:30,983 BLACK TlE lS NO PROBLEM, BUT THE EARRlNGS, 982 00:59:31,150 --> 00:59:33,610 ONE EARRlNG ANYWAY, lS GONNA BE A PROBLEM. 983 00:59:33,778 --> 00:59:35,737 HOW CAN SHE WEAR lT lF lT'S HERE? 984 00:59:35,905 --> 00:59:37,322 l KNOW. 985 00:59:37,490 --> 00:59:40,826 CLAUDlO'S lN BlG TROUBLE AND lT'S NOT H lS FAULT. 986 00:59:40,994 --> 00:59:42,286 l KNOW WHAT HAPPENED. 987 00:59:42,453 --> 00:59:45,080 SHE PROBABLY HEARD H lM PLAY THE FLUTE, THEN SHE TOOK lT OFF HER EAR 988 00:59:45,248 --> 00:59:46,248 AND GAVE lT TO H lM. 989 00:59:46,416 --> 00:59:47,708 lT HAPPENS ALL THE TlME. 990 00:59:47,875 --> 00:59:50,544 AND THE SHElK MUST TH lNK THAT HE'S FALLlNG lN LOVE WlTH H lS WlFE. 991 00:59:50,712 --> 00:59:52,212 OH NO. 992 00:59:52,380 --> 00:59:55,132 WE GOTTA FlND TH lS PRlNCESS SOROYA, GlVE HER BACK THE DlAMOND. 993 00:59:55,300 --> 00:59:56,341 THAT'S ALL. 994 00:59:56,509 --> 00:59:58,176 SHElK OMAR, MAYBE ABU'S HEARD OF H lM. 995 00:59:58,344 --> 00:59:59,511 ABU? 996 00:59:59,679 --> 01:00:01,179 WHO'S ABU? ABU WHO? 997 01:00:01,347 --> 01:00:03,223 ABU'S MY NEW FRlEND. 998 01:00:07,103 --> 01:00:09,646 H l, ABU . lT'S ZOE. 999 01:00:09,814 --> 01:00:11,773 FlNE, AND YOU? 1000 01:00:11,941 --> 01:00:14,651 l HOPE lT'S NOT TOO LATE. 1001 01:00:14,819 --> 01:00:18,947 SAY ABU, DO YOU KNOW SHElK OMAR? 1002 01:00:19,115 --> 01:00:21,783 "SHAKE" OMAR. 1003 01:00:24,954 --> 01:00:26,913 OH, HE'S YOUR UNCLE. 1004 01:00:28,958 --> 01:00:31,835 OH, HE'S THE KlNG. 1005 01:00:33,379 --> 01:00:36,590 SO PRlNCESS SOROYA lS YOUR AUNT. 1006 01:00:39,052 --> 01:00:42,429 ABU, HOW WOULD YOU LlKE TO HAVE A PARTY? 1007 01:00:43,389 --> 01:00:45,307 PLAY WlTH ALL YOUR CARROTS AND VEGETABLES. 1008 01:00:45,475 --> 01:00:46,808 - VEGETABLES? - SORRY, HECTOR. 1009 01:00:46,976 --> 01:00:48,769 H lT ME lN THE HEAD WlTH A HAT. 1010 01:00:48,936 --> 01:00:50,062 ABU . 1011 01:00:50,229 --> 01:00:51,271 YEAH, LlKE THE BUNNY RABBlT. 1012 01:00:51,439 --> 01:00:52,856 RABBlTS. WHAT'S GOlNG ON? 1013 01:00:53,024 --> 01:00:55,651 OH, YOUR PARENTS ARE OUT OF TOWN . 1014 01:00:55,818 --> 01:00:58,153 PERFECT. 1015 01:00:59,197 --> 01:01:00,739 ♪♪♪ 1016 01:01:00,907 --> 01:01:03,533 YOO-HOO, YOO-HOO. 1017 01:01:03,701 --> 01:01:06,787 lT'S TOM CRU lSE, AND l'M WEARlNG A TANK TOP. 1018 01:01:06,954 --> 01:01:08,664 HOWDY, JAMlE, HOW'S TRlCKS? 1019 01:01:08,831 --> 01:01:11,166 ZOE, TH lNK NEXT TlME YOUR MOM HAS JOE PAPP OVER FOR DlNNER 1020 01:01:11,334 --> 01:01:13,460 SHE COULD USE THESE FOR PLACE MATS. 1021 01:01:13,628 --> 01:01:16,129 l TH lNK THE PLATES MlGHT BREAK. 1022 01:01:16,839 --> 01:01:18,507 SAY, J lMMY, l LlKE YOU lN THAT COLOR. 1023 01:01:18,675 --> 01:01:20,133 SOMETH lNG ABOUT A MAN lN UN lFORM. 1024 01:01:20,301 --> 01:01:22,803 OH, AND LADlES, THESE PlNKY DRlNKlES ARE ON RAUL. 1025 01:01:22,970 --> 01:01:24,680 ALL RlGHT. 1026 01:01:24,847 --> 01:01:26,056 PLEASE COME TO ABU'S PARTY. 1027 01:01:26,224 --> 01:01:28,517 HEY, THE BUTLER DlD lT. 1028 01:01:28,685 --> 01:01:31,061 ZOE, l GOTTA TALK TO YOU FOR A MlNUTE. 1029 01:01:31,604 --> 01:01:33,230 ZOE, YOUR MOTHER CALLED AND SAlD-- 1030 01:01:33,398 --> 01:01:34,481 YEAH, l KNOW. 1031 01:01:34,649 --> 01:01:36,817 MY MOTHER CALLED TO TELL ME THAT SHE'S WORKlNG ON A NEW PHOTO JOURNAL 1032 01:01:36,984 --> 01:01:41,113 OF lNDlA AND MY MOTHER lS-- OH, MY MOTHER lS HOME. 1033 01:01:42,532 --> 01:01:47,703 OH, ZOE DARLlNG, SO lS TH lS WHAT YOUR FATHER CALLS SOPH lSTlCATED? 1034 01:01:47,870 --> 01:01:50,330 TWELVE-YEAR-OLD-GlRLS DRlNKlNG STRAWBERRY DAlQU lRlS 1035 01:01:50,498 --> 01:01:52,040 AND READlNG "PARlS VOGUE." 1036 01:01:52,208 --> 01:01:54,501 MOM, WHAT ARE YOU DOlNG HERE? 1037 01:01:54,669 --> 01:01:56,378 THAT'S A WARM WELCOME. l'M YOUR MOTHER. 1038 01:01:56,546 --> 01:02:00,173 TH lS lS MY BEDROOM, AND THESE ARE MY EARRlNGS. 1039 01:02:01,926 --> 01:02:04,094 - SORRY. - BYE, ZOE. 1040 01:02:04,262 --> 01:02:06,388 THAT'S MY HAT. 1041 01:02:06,556 --> 01:02:07,889 BYE, MS. MONTEZ. 1042 01:02:08,057 --> 01:02:11,685 l'M SORRY, GlRLS, l WAS NOT lNTENDlNG TO BE A SNOB. 1043 01:02:12,228 --> 01:02:15,689 YOU WlLL FORGlVE ME, WON'T YOU, GlRLS? BYE, GlRLS. 1044 01:02:16,190 --> 01:02:17,315 MOVE lT. MOVE lT. 1045 01:02:17,483 --> 01:02:19,526 LET'S GO. BYE, GlRLS. 1046 01:02:23,072 --> 01:02:24,823 ONE, TWO, THREE. 1047 01:02:24,991 --> 01:02:27,242 COME ON, LUNDY, HURRY UP, LET'S GO. 1048 01:02:27,410 --> 01:02:29,161 BYE, ZOE. 1049 01:02:29,328 --> 01:02:32,622 SORRY, MOM, BUT WHAT'S GOlNG ON? 1050 01:02:33,124 --> 01:02:37,127 ZOE, l KNOW TH lS lS DlFFlCULT, BUT YOUR FATHER AND l 1051 01:02:37,295 --> 01:02:39,796 ARE TRYlNG RECONClLlATlON . 1052 01:02:39,964 --> 01:02:42,549 WHAT? 1053 01:02:43,426 --> 01:02:46,720 OH, ZOE. OH, SWEETHEART. 1054 01:02:46,888 --> 01:02:49,681 MOST KlDS WOULD BE HAPPY TO HEAR THAT. 1055 01:02:50,308 --> 01:02:52,726 OH, WHATEVER'S RlGHT. 1056 01:02:54,145 --> 01:02:55,771 lT'S YOUR CLOTHES, l TH lNK. 1057 01:02:55,938 --> 01:02:58,648 MY CLOTHES, SOMETH lNG'S WRONG WlTH MY CLOTHES? 1058 01:02:58,816 --> 01:03:01,485 THE SHOULDERS ARE REALLY BlG. 1059 01:03:02,278 --> 01:03:05,614 OH, ZOE, WOULD YOU PLEASE DON'T START ON MY SHOULDERS. 1060 01:03:05,782 --> 01:03:08,867 A WOMAN SHOULDN'T HAVE BlGGER SHOULDERS THAN A MAN . 1061 01:03:09,035 --> 01:03:12,037 BESlDES, THEY SLlDE AROUND. 1062 01:03:15,666 --> 01:03:18,877 FACE lT, MOM, THEY'RE PASSE. 1063 01:03:19,796 --> 01:03:21,963 YOU SHOULD HAVE GlVEN ME A FAlR WARN lNG YOU WERE COMlNG 1064 01:03:22,131 --> 01:03:25,217 SO l COULD HAVE RESERVED A ROOM AT THE PLAZA. 1065 01:03:25,968 --> 01:03:27,427 SHE'S A NUT. 1066 01:03:27,595 --> 01:03:29,429 SEE, AND YOU'RE SMOKlNG AGAlN . 1067 01:03:29,597 --> 01:03:31,640 l TELL YOU, CHARLOTTE, YOU SHOULDN'T BE HANGlNG OUT 1068 01:03:31,808 --> 01:03:33,433 WlTH THOSE ART FRlENDS OF YOURS. 1069 01:03:33,601 --> 01:03:36,186 LUCY MONTANA AND AGGlE ZENOBlA. 1070 01:03:36,354 --> 01:03:38,146 YOU'RE BETTER THAN THAT, MOM. 1071 01:03:38,314 --> 01:03:42,150 YOU HAVE REAL TALENT AND YOU'D SEE lT lF YOU'D QU lT COMPETlNG WlTH CLAUDlO. 1072 01:03:43,361 --> 01:03:45,904 l'M THE DAUGHTER AND YOU'RE THE MOTHER. 1073 01:03:47,365 --> 01:03:49,825 l'M THE MOTHER AND YOU'RE THE DAUGHTER. 1074 01:03:49,992 --> 01:03:50,992 RlGHT. 1075 01:03:51,160 --> 01:03:53,286 HA, HA, HA, HA. 1076 01:03:53,454 --> 01:04:17,519 ♪♪♪ 1077 01:04:17,687 --> 01:04:19,563 DADDY, OH, DADDY. 1078 01:04:19,730 --> 01:04:21,189 l WAS WORRlED ABOUT YOU . 1079 01:04:21,357 --> 01:04:22,816 HOW'S MY PRlNClPESSA? 1080 01:04:22,984 --> 01:04:25,151 MOLTO BENE. MOLTO BENE. 1081 01:04:25,319 --> 01:04:28,029 l LOVE YOUR SCARF. CAN l WEAR lT? 1082 01:04:28,197 --> 01:04:30,740 - OF COURSE. - CAN l HAVE lT? 1083 01:04:31,450 --> 01:04:33,618 JUST KlDDlNG. 1084 01:04:34,287 --> 01:04:36,705 LOOK, YOU CAN USE lT FOR A POSTER. 1085 01:04:38,165 --> 01:04:41,835 WONDERFUL. GOOD lDEA. lT'S A WORK OF ART. 1086 01:04:42,837 --> 01:04:46,214 LOOK. l COULD USE lT FOR AN ALBUM COVER. 1087 01:04:46,382 --> 01:04:47,549 WHAT DO YOU TH lNK? 1088 01:04:47,717 --> 01:04:50,176 YEAH, SlT DOWN, RELAX, YOU MUST BE TlRED. 1089 01:04:51,053 --> 01:04:52,262 CAN l GET YOU A DRlNK? 1090 01:04:52,430 --> 01:04:54,389 AH, SURE. 1091 01:04:57,643 --> 01:04:59,102 H l, VEGAS. 1092 01:04:59,270 --> 01:05:01,646 HOW ARE YOU, VEGAS? 1093 01:05:02,732 --> 01:05:05,191 THANK YOU . 1094 01:05:05,902 --> 01:05:07,402 MY BAMBlNA. 1095 01:05:07,570 --> 01:05:09,487 HOW'S EVERYTH lNG? 1096 01:05:10,615 --> 01:05:17,579 WELL, lN LlFE THERE ARE ALWAYS A FEW PROBLEMS, BUT TH lNGS ARE NOT BAD. 1097 01:05:19,415 --> 01:05:22,584 WE WERE ALL SURPRlSED YOU lNTERRUPTED YOUR TOUR. 1098 01:05:22,752 --> 01:05:24,878 WELL, YOU KNOW HOW lT lS. 1099 01:05:25,046 --> 01:05:27,923 HOW lS lT? 1100 01:05:28,090 --> 01:05:34,638 l'M A LlTTLE BlT lN HOT WATER. YOU KNOW WHAT THAT MEANS? 1101 01:05:35,765 --> 01:05:37,933 l CAN FlGURE lT OUT. 1102 01:05:38,434 --> 01:05:41,394 BUT NOTH lNG FOR YOU TO WORRY ABOUT, MY LlTTLE SlGNORA. 1103 01:05:41,562 --> 01:05:44,147 [PHONE RlNGlNG] 1104 01:05:45,775 --> 01:05:47,817 THAT'S FOR ME, VEGAS. 1105 01:05:48,694 --> 01:05:50,737 HELLO. 1106 01:05:50,905 --> 01:05:54,324 YES. 1107 01:05:54,867 --> 01:05:57,118 STlLL? 1108 01:05:59,246 --> 01:06:00,956 WHAT lS lT? 1109 01:06:01,123 --> 01:06:03,333 OH, MY LlTTLE CHARMER. 1110 01:06:03,501 --> 01:06:06,419 DlD YOU KNOW MOM WAS COMlNG HOME TOO? 1111 01:06:07,171 --> 01:06:10,006 YES, YOUR MOTHER. 1112 01:06:10,508 --> 01:06:13,426 ZOE, DlD l EVER TELL YOU HOW ONCE PLAYlNG THE FLUTE 1113 01:06:13,594 --> 01:06:14,928 WAS BANNED BY LAW? 1114 01:06:15,096 --> 01:06:17,222 A MlLLlON TlMES. 1115 01:06:17,974 --> 01:06:23,728 lT WAS BANNED BECAUSE THE SOUND WAS SO BEAUTlFUL, SO SEDUCTlVE. 1116 01:06:23,896 --> 01:06:25,647 lT OUGHT TO BE AGAlNST THE LAW. 1117 01:06:25,815 --> 01:06:27,649 lT'S TRUE. 1118 01:06:29,151 --> 01:06:31,027 SlNCE WHEN DlD YOU START SMOKlNG? 1119 01:06:31,195 --> 01:06:33,446 OH, OCCASlONAL ClGARETTE. 1120 01:06:33,614 --> 01:06:38,576 A FLAUTlST SHOULDN'T SMOKE. l CAN HELP, POPS. 1121 01:06:40,037 --> 01:06:44,708 ♪♪♪ 1122 01:06:44,875 --> 01:06:48,294 BELlEVE ME, ZOE, THERE lS NO PROBLEM THOUGH . 1123 01:06:48,462 --> 01:06:52,507 lT WAS JUST A--WELL, YOU SEE. 1124 01:06:52,675 --> 01:06:54,634 YES? 1125 01:06:56,303 --> 01:07:00,849 A VERY BEAUTlFUL MYSTERlOUS WOMAN, A PRlNCESS, lN FACT. 1126 01:07:01,017 --> 01:07:03,852 SHE HEARD YOU PLAY THE FLUTE. 1127 01:07:04,020 --> 01:07:09,607 AND SHE WAS SO MOVED THAT SHE GAVE ME A JEWEL, AN EARRlNG. 1128 01:07:10,401 --> 01:07:14,195 AND SHE PLUCKED lT FROM HER EAR AND SAlD, 1129 01:07:14,363 --> 01:07:20,285 "A TEAR OF SH lRAZ FROM MY TEARS WHEN l HEARD YOUR FLUTE." 1130 01:07:21,203 --> 01:07:23,413 l PUT lT lN MY POCKET. 1131 01:07:23,581 --> 01:07:25,498 lT'S N lCE, lSN'T lT? 1132 01:07:25,666 --> 01:07:29,044 BUT--BUT, HOW? 1133 01:07:29,211 --> 01:07:31,171 l THOUGHT lT WAS STOLEN . 1134 01:07:33,215 --> 01:07:35,467 HER HUSBAND lS-- 1135 01:07:35,634 --> 01:07:39,512 YOU SEE, ZOE, HE DOESN'T KNOW lT WAS ALL AN lNNOCENT MlSUNDERSTANDlNG. 1136 01:07:39,680 --> 01:07:41,890 - AND NElTHER WlLL MOM. - EXACTLY. 1137 01:07:42,058 --> 01:07:45,143 AND TH lS lS THE WRONG TlME FOR SOMETH lNG TO GO WRONG. 1138 01:07:45,311 --> 01:07:47,145 JUST GlVE lT BACK. 1139 01:07:47,313 --> 01:07:49,856 HE HAS MEN WATCH lNG ME. 1140 01:07:50,566 --> 01:07:53,318 MAYBE l CAN HELP, POPS. 1141 01:07:54,070 --> 01:07:57,238 MlA BELLA, BAMBlNA. 1142 01:07:57,990 --> 01:08:00,617 CLAUDlO, YOU'RE SO CHARMlNG. 1143 01:08:02,536 --> 01:08:03,953 TAXl! 1144 01:08:04,121 --> 01:08:05,580 TAXl . 1145 01:08:05,748 --> 01:08:07,415 lT'S RAlN lNG OUT. WlLL YOU PLEASE HAlL A TAXl? 1146 01:08:07,583 --> 01:08:09,084 l DON'T WANT TO GET WET. 1147 01:08:09,251 --> 01:08:10,418 OH, THERE THEY ARE. 1148 01:08:10,586 --> 01:08:11,586 H l . 1149 01:08:11,754 --> 01:08:13,046 H l, GUYS. 1150 01:08:13,214 --> 01:08:14,631 MY DRESS lS RU lNED. 1151 01:08:14,799 --> 01:08:18,718 ZOE, l LOVE YOUR HAlR. YOUR HAlR'S SO GREAT. 1152 01:08:18,886 --> 01:08:20,303 [SCREAMlNG] 1153 01:08:20,471 --> 01:08:23,389 GOT ANYTH lNG TO EAT? YOU GOT ANY CANDY BARS? 1154 01:08:23,557 --> 01:08:25,350 ZOE, GlVE lT TO ME. 1155 01:08:25,518 --> 01:08:26,976 OR ANYTH lNG? 1156 01:08:27,144 --> 01:08:29,187 - OH, MY GOD. - l DON'T KNOW. 1157 01:08:29,355 --> 01:08:32,232 - l'M HUNGRY. - HERE'S CHOCOLATE KlSSES. 1158 01:08:32,399 --> 01:08:34,192 l'LL BRlNG YOU ONE TOMORROW lF YOU LET ME GO. 1159 01:08:34,360 --> 01:08:35,360 PROMlSE? 1160 01:08:35,528 --> 01:08:36,611 l PROMlSE! 1161 01:08:36,779 --> 01:08:39,280 OKAY, YOU BETTER COME BACK 'CAUSE l'M HUNGRY. 1162 01:08:41,909 --> 01:08:43,743 TAXl! 1163 01:08:43,911 --> 01:08:46,204 ♪♪♪ 1164 01:08:46,372 --> 01:08:47,664 ZOE, WHAT TOOK YOU SO LONG? 1165 01:08:47,832 --> 01:08:48,915 WE COULDN'T GET HERE. 1166 01:08:49,083 --> 01:08:50,458 lT WAS RAlN lNG SO HARD WE COULD NOT GET A CAB. 1167 01:08:50,626 --> 01:08:51,960 ALL THESE PEOPLE CAME, COME SEE. 1168 01:08:52,128 --> 01:08:53,128 REALLY? 1169 01:08:53,295 --> 01:08:55,630 HEY, COME ON, LET'S LOOK. 1170 01:08:55,798 --> 01:08:58,133 ONE FOR THE MONEY, TWO FOR THE SHOW. 1171 01:08:58,300 --> 01:09:01,302 THREE TO GET READY AND GO MAN, GO. 1172 01:09:01,470 --> 01:09:05,390 WELCOME TO MY HOUSE, GlRLS. COME, LET US GO. 1173 01:09:05,558 --> 01:09:07,517 LET'S PARTY! 1174 01:09:08,352 --> 01:09:48,057 ♪♪♪ 1175 01:09:48,225 --> 01:09:51,853 ANDREA. ANDREA. 1176 01:09:52,021 --> 01:09:55,982 ♪ TH lNKlN' 'BOUT OLD TlMES ONLY MAKES ME SAD 'CAUSE l JUST LOST ♪ 1177 01:09:56,150 --> 01:09:58,693 ♪ THE BEST FRlEND THAT l EVER HAD ♪ 1178 01:09:58,861 --> 01:10:02,238 ♪ NOW, WlNTER'S NEAR, SEPTEMBER'S HERE ♪ 1179 01:10:02,406 --> 01:10:05,992 ♪ AND l WlSH l WAS GOlNG BACK ♪ 1180 01:10:06,785 --> 01:11:02,632 ♪♪♪ 1181 01:11:02,800 --> 01:11:05,885 THANK YOU, ZOE. NOW l AM REALLY LlVlNG. 1182 01:11:06,053 --> 01:11:08,012 ME TOO. 1183 01:11:08,764 --> 01:11:13,142 ♪♪♪ 1184 01:11:13,894 --> 01:11:16,312 ABU, ARE WE GONNA MEET THE PRlNCESS? 1185 01:11:16,981 --> 01:11:31,953 ♪♪♪ 1186 01:11:33,998 --> 01:11:39,294 [FLUTE AND HARP MUSlC PLAYlNG] 1187 01:11:47,428 --> 01:11:50,263 TH lS lS MY FRlEND, AUNT SOROYA. 1188 01:11:51,932 --> 01:11:54,892 ZOE MONTEZ, YOUR H lGHNESS. 1189 01:12:06,196 --> 01:12:09,615 lT'S A PLEASURE TO MEET YOU . 1190 01:12:09,783 --> 01:12:15,163 YOU ARE A JEWEL, ZOE MONTEZ. 1191 01:12:17,916 --> 01:12:20,043 ♪♪♪ 1192 01:12:20,210 --> 01:12:21,627 ♪ TAKlN' A HOLlDAY ♪ 1193 01:12:21,795 --> 01:12:23,046 ♪ l NEED ONE LlKE RlGHT AWAY ♪ 1194 01:12:23,213 --> 01:12:27,925 ♪ l'M TAKlN' A HOLlDAY RlGHT NOW ♪ 1195 01:12:29,178 --> 01:12:31,679 ♪ TAKlN' A HOLlDAY ♪ 1196 01:12:31,847 --> 01:12:34,474 ♪ l NEED ONE LlKE RlGHT AWAY ♪ 1197 01:12:34,641 --> 01:12:38,644 ♪ l'M TAKlN' A HOLlDAY RlGHT NOW ♪ 1198 01:12:39,229 --> 01:12:46,194 CHARLOTTE DARLlNG, WHY lS lT SO lMPOSSlBLE FOR US TO BE lN LOVE, HMM? 1199 01:12:47,196 --> 01:12:50,365 lT lS lMPOSSlBLE TO BE MARRlED TO THE MAN WHOSE FLUTE PLAYlNG 1200 01:12:50,532 --> 01:12:52,867 lNTOXlCATES EVERY WOMAN WHO HEARS lT. 1201 01:12:53,035 --> 01:12:55,578 ZOE SAYS A WOMAN MUST NEVER BE JEALOUS OF A MAN . 1202 01:12:55,746 --> 01:12:57,246 ZOE lS 1 2 YEARS OLD. 1203 01:12:57,414 --> 01:12:59,999 ALL THE MORE YOU SHOULD LlSTEN TO HER. 1204 01:13:06,298 --> 01:13:08,508 CUT! 1205 01:13:10,636 --> 01:13:13,554 LET'S ALL GO TO DlNNER. YOU CAN CLEAN YOUR ROOM LATER. 1206 01:13:13,722 --> 01:13:14,889 WHERE SHOULD WE GO? 1207 01:13:15,057 --> 01:13:16,724 THE RTR. 1208 01:13:16,892 --> 01:13:21,687 YEAH, THE RUSSlAN TEA ROOM, NOT JAPANESE FOOD OR THAl FOOD. 1209 01:13:21,855 --> 01:13:23,022 OKAY. 1210 01:13:23,190 --> 01:13:25,316 YAY! 1211 01:13:25,609 --> 01:13:36,911 ♪♪♪ 1212 01:13:37,079 --> 01:13:39,497 THAT'S NO FAlR. 1213 01:13:39,665 --> 01:13:42,083 lT'S N lCE TO WALK HOME TOGETHER. 1214 01:13:42,251 --> 01:13:59,100 ♪♪♪ 1215 01:13:59,268 --> 01:14:03,938 YOU KNOW THE DlFFERENCE BETWEEN A FLUTlST AND A FLAUTlST? 1216 01:14:04,106 --> 01:14:05,398 l DON'T KNOW. 1217 01:14:05,566 --> 01:14:08,651 FlFTY BUCKS A WEEK MORE. 1218 01:14:35,637 --> 01:14:39,557 OH, POPS, THE BABY MUSlC. 1219 01:14:40,851 --> 01:14:45,146 [PLAYlNG FLUTE] 1220 01:15:05,542 --> 01:15:08,878 THE BABY MUSlC. 1221 01:15:16,678 --> 01:15:18,721 GOOD-BYE, ZOE. 1222 01:15:18,889 --> 01:15:21,474 GOOD-BYE? 1223 01:15:22,476 --> 01:15:25,144 l JUST GOT A TELEGRAM. 1224 01:15:26,188 --> 01:15:31,150 THEY NEED ME TO PLAY lN ATHENS, GREECE, THEN ROME AND VlENNA. 1225 01:15:32,110 --> 01:15:39,075 lT'S A SUDDEN ENGAGEMENT, BUT WHEN YOU'RE A BlG GlRL, 1226 01:15:39,660 --> 01:15:42,370 YOU'LL COME WlTH ME. l PROMlSE. 1227 01:15:43,163 --> 01:15:48,501 YOU'LL MAKE THE TRAVEL ARRANGEMENTS. PAlNT PRETTY PlCTURES FOR ME. 1228 01:15:49,878 --> 01:15:52,505 ORDER THE CAVlAR. 1229 01:15:53,715 --> 01:15:56,676 POPS, CAN'T l GO WlTH YOU? 1230 01:16:00,347 --> 01:16:03,391 l'M AFRAlD NOT. 1231 01:16:04,560 --> 01:16:21,867 ♪♪♪ 1232 01:16:29,585 --> 01:16:34,380 l DON'T KNOW lF YOU CAN HEAR ME, BUT HERE THEY ARE, JUST LlKE l PROMlSED. 1233 01:16:43,432 --> 01:16:47,602 SHE'S WHY l LOVE NEW YORK. HAVE A N lCE DAY. 1234 01:16:47,769 --> 01:16:50,563 SEE YOU SOON, l HOPE. 1235 01:16:51,356 --> 01:16:53,107 LOOK, MOM. LOOK AT HER. 1236 01:16:53,275 --> 01:16:55,526 SHE'S WONDERFUL. 1237 01:16:57,112 --> 01:17:00,031 SHE'S SO BEAUTlFUL AND GRACEFUL. 1238 01:17:00,198 --> 01:17:02,658 SHE'S FABULOUS. 1239 01:17:03,160 --> 01:17:05,286 SHE'S WHAT l CALL THE lDEAL WOMAN . 1240 01:17:09,374 --> 01:17:11,626 ZOE, l'VE REALLY BEEN A FOOL ALL THESE YEARS LOOKlNG lN ALL 1241 01:17:11,793 --> 01:17:14,003 THE WRONG PLACES FOR SOMETH lNG. 1242 01:17:14,171 --> 01:17:16,130 l'M ALWAYS A FOOL. 1243 01:17:17,424 --> 01:17:20,301 HOW LUCKY, RlGHT lN FRONT OF MY NEARSlGHTED FACE THE WHOLE TlME, 1244 01:17:20,469 --> 01:17:23,554 MY OWN DAUGHTER, AND YOU'RE THE MOST FUN l'VE EVER HAD. 1245 01:17:24,181 --> 01:17:28,976 MOM, l JUST HAPPEN TO HAVE TWO FlRST-CLASS TlCKETS TO PARlS 1246 01:17:29,144 --> 01:17:31,604 LEAVlNG AT 8 A.M., JFK. 1247 01:17:33,148 --> 01:17:36,192 A FEW DAYS lN PARlS WlTH YOU? SOUNDS GOOD TO ME. 1248 01:17:36,943 --> 01:17:39,111 SOME SHOPPlNG, CATCH THE CHANEL SHOW. 1249 01:17:39,279 --> 01:17:40,613 WHY NOT? 1250 01:17:40,781 --> 01:17:42,031 lT DOESN'T COST ALL THAT MUCH MORE. 1251 01:17:42,199 --> 01:17:44,158 NOT REALLY, lT'D BE A SlN NOT TO KEEP GOlNG. 1252 01:17:44,326 --> 01:17:46,160 AND WE JUST HAVE TO GO TO GREECE. 1253 01:17:46,328 --> 01:17:48,871 OH, YES, GREECE, THAT WOULD BE WONDERFUL TO SEE CLAUDlO, 1254 01:17:49,039 --> 01:17:50,414 HEAR H lM PLAY. 1255 01:17:50,582 --> 01:17:53,959 AND CAST MY SHADOW ALONG THE ACROPOLlS. 1256 01:17:54,920 --> 01:18:45,261 ♪♪♪ 1257 01:18:45,429 --> 01:18:47,304 [AUDlENCE APPLAUDlNG] 1258 01:18:47,472 --> 01:18:49,306 GO, DAD! 1259 01:18:49,474 --> 01:18:52,184 YEA! 1260 01:18:57,733 --> 01:19:05,072 ♪♪♪ 1261 01:19:05,240 --> 01:19:10,703 [AUDlENCE APPLAUDlNG] 1262 01:19:18,295 --> 01:19:22,506 AND SO YOU COULD SAY, WE ALL LlVED ON TOUR, 1263 01:19:22,674 --> 01:19:26,051 HAPPlLY EVER AFTER. 1264 01:19:26,219 --> 01:19:29,430 [AUDlENCE APPLAUDlNG] 1265 01:19:34,770 --> 01:20:19,104 ♪♪♪ 1266 01:20:19,272 --> 01:20:20,648 l'M 50 YEARS OLD. 1267 01:20:20,816 --> 01:20:22,399 l'M A PARTNER lN A BlG LAW FlRM. 1268 01:20:22,567 --> 01:20:25,694 YOU KNOW, l'M VERY SUCCESSFUL, AND l STlLL HAVEN'T RESOLVED 1269 01:20:25,862 --> 01:20:27,446 MY RELATlONSH lP WlTH MY MOTHER. 1270 01:20:27,614 --> 01:20:30,825 YOU KNOW, l HAD A DREAM THE OTHER N lGHT THAT SHE DlED. 1271 01:20:30,992 --> 01:20:49,802 ♪♪♪ 1272 01:20:50,512 --> 01:20:54,932 MAKE A LEFT ON THE NEXT CORNER. YOU'RE GOlNG THE LONG WAY. 1273 01:20:55,100 --> 01:20:57,184 MOM, l KNOW HOW TO DRlVE TO THE CEMETERY. 1274 01:20:57,352 --> 01:20:59,603 YEAH, YOU KNOW. AND SLOW UP. 1275 01:20:59,771 --> 01:21:01,522 YOU HAVE TO SPEED? 1276 01:21:01,690 --> 01:21:03,482 l'M DOlNG 30 MlLES. 1277 01:21:03,650 --> 01:21:07,570 LlSTEN, lF YOU'RE GONNA BE NASTY, l'M NOT GOlNG. 1278 01:21:08,405 --> 01:21:10,531 YOU REALLY WANT HER OUT OF YOUR LlFE, DON'T YOU? 1279 01:21:10,699 --> 01:21:11,991 YOU KNOW, l DON'T KNOW WHAT TO SAY. 1280 01:21:12,158 --> 01:21:14,034 TON lGHT l'M GONNA TAKE LlSA HOME TO MEET MY MOTHER 1281 01:21:14,202 --> 01:21:17,162 FOR THE FlRST TlME AND l'VE BEEN NERVOUS ABOUT lT ALL DAY. 1282 01:21:17,330 --> 01:21:19,373 YOU KNOW, BECAUSE MY MOTHER ALWAYS HUMlLlATES ME. 1283 01:21:19,541 --> 01:21:20,833 SHE ALWAYS FlNDS SOME WAY. 1284 01:21:21,001 --> 01:21:22,877 EVEN WHEN l WAS A KlD, YOU KNOW, AND l WOULD GO OUT WlTH HER 1285 01:21:23,044 --> 01:21:25,671 SHOPPlNG TO THE STORE, SHE WOULD SPEAK SO LOUDLY. 1286 01:21:25,839 --> 01:21:27,673 YOU KNOW, SHE ALWAYS SPEAKS AT THE TOP OF HER LUNGS. 1287 01:21:27,841 --> 01:21:30,676 AND l, YOU KNOW, AND lT ALWAYS MADE ME SELF-CONSClOUS. 1288 01:21:30,844 --> 01:21:33,721 YOU KNOW, l'M JUST NOT LOOKlNG FORWARD TO A GOOD EVEN lNG. 1289 01:21:33,889 --> 01:21:35,890 YOU STlLL REACT TO HER LlKE A SMALL BOY. 1290 01:21:36,057 --> 01:21:38,893 REALLY HAVE TO HAVE SOME SENSE OF HUMOR ABOUT lT. 1291 01:21:39,060 --> 01:21:41,312 l CAN'T. l TRY, BUT l CAN'T, YOU KNOW? 1292 01:21:41,479 --> 01:21:42,980 l--SHE JUST GlVES ME A HARD TlME. 1293 01:21:43,148 --> 01:21:47,234 SHE'S ALWAYS TELLlNG ME THAT l LOOK TERRlBLE AND SHE'S CRlTlCAL. 1294 01:21:47,402 --> 01:21:49,153 YOU KNOW, LlSTEN, WHAT CAN l SAY? 1295 01:21:49,321 --> 01:21:53,157 l LOVE HER, BUT l WlSH SHE WOULD DlSAPPEAR. 1296 01:21:54,034 --> 01:22:06,253 ♪♪♪ 1297 01:22:06,421 --> 01:22:08,589 H l, MOM. l HOPE WE'RE NOT LATE. 1298 01:22:08,757 --> 01:22:10,007 - HELLO. - HELLO. 1299 01:22:10,175 --> 01:22:11,091 HELLO. 1300 01:22:11,259 --> 01:22:14,053 - H l, HOW ARE YOU? - GEE, YOU LOOK TERRlBLE. 1301 01:22:14,930 --> 01:22:17,556 OH, TH lS lS VERY N lCE, SO CHEERFUL. 1302 01:22:17,724 --> 01:22:18,849 HE DOESN'T LlKE lT. 1303 01:22:19,017 --> 01:22:20,726 WHAT DO YOU MEAN l DON'T LlKE lT? lT'S FlNE. 1304 01:22:20,894 --> 01:22:22,895 HE TH lNKS lT'S TOO JEWlSH . 1305 01:22:23,063 --> 01:22:24,647 WHAT DOES THAT MEAN? 1306 01:22:24,814 --> 01:22:26,774 YOU KNOW, H lS NAME lS NOT SHELDON MlLLS. 1307 01:22:26,942 --> 01:22:28,233 lT'S MlLLSTElN . 1308 01:22:28,401 --> 01:22:29,777 SHE KNOWS, MOM. SHE KNOWS, l TOLD HER. 1309 01:22:29,945 --> 01:22:32,071 BE QU lET. l'M TALKlNG TO HER. 1310 01:22:32,238 --> 01:22:34,281 YOU'RE LOSlNG YOUR HAlR. 1311 01:22:34,449 --> 01:22:37,242 HE HAD SUCH BEAUTlFUL RED HAlR WHEN HE WAS A BOY. 1312 01:22:37,410 --> 01:22:39,161 HE WAS ALWAYS ASHAMED OF lT. 1313 01:22:39,329 --> 01:22:42,414 THEY USED TO CALL H lM RED, HE HATED lT. 1314 01:22:42,582 --> 01:22:44,625 TAKE SOME BREAD AND BUTTER. 1315 01:22:44,793 --> 01:22:50,547 YOU KNOW, H lS FATHER, MAY HE REST lN PEACE, WAS COMPLETELY BALD TOO. 1316 01:22:50,715 --> 01:22:54,218 - l'M NOT COMPLETELY BALD. - YOU WlLL BE. 1317 01:22:54,386 --> 01:22:56,053 WHAT DO YOU DO, LlSA? 1318 01:22:56,221 --> 01:22:59,306 l WORK lN AN ADVERTlSlNG FlRM, PART TlME. 1319 01:22:59,474 --> 01:23:01,517 lT'S A PERFECT JOB FOR ME 'CAUSE lT LEAVES ME PLENTY OF TlME 1320 01:23:01,685 --> 01:23:03,227 TO BE WlTH THE KlDS. 1321 01:23:03,395 --> 01:23:05,020 - HOW MANY? - THREE. 1322 01:23:05,188 --> 01:23:06,647 BY A PREVlOUS MARRlAGE. 1323 01:23:06,815 --> 01:23:09,066 EAT YOUR DESSERT. 1324 01:23:10,735 --> 01:23:14,571 - HERE HE lS, 1 9 MONTHS OLD. - HE'S ADORABLE. 1325 01:23:14,739 --> 01:23:16,949 AND LOOK AT THAT LlTTLE BEH lND. 1326 01:23:17,117 --> 01:23:19,660 MOM, PLEASE, ENOUGH ALREADY. 1327 01:23:19,828 --> 01:23:23,497 EVERYTH lNG EMBARRASSES H lM. HE'S ALWAYS SHUSH lNG ME. 1328 01:23:23,665 --> 01:23:27,918 HE SAYS l TALK TOO LOUD WHEN WE GO OUT, YOU KNOW, LlKE lN RESTAURANTS. 1329 01:23:28,086 --> 01:23:29,837 lT'S JUST TOO BAD. 1330 01:23:30,005 --> 01:23:32,339 WHAT DO l CARE lF PEOPLE LlSTEN? 1331 01:23:32,507 --> 01:23:34,174 HE WAS ALWAYS ASHAMED. 1332 01:23:34,342 --> 01:23:36,927 HMM, HE USED TO WET THE BED. 1333 01:23:37,095 --> 01:23:39,096 OH, GOD. 1334 01:23:39,264 --> 01:23:41,390 EXCUSE ME. l'LL BE RlGHT BACK. 1335 01:23:41,558 --> 01:23:44,309 MOM, WE'RE GONNA HAVE TO GO, REALLY 'CAUSE l GOTTA GET A CAB BACK. 1336 01:23:44,477 --> 01:23:46,854 AND DlNNER WAS-- DlNNER WAS TERRlFlC. 1337 01:23:47,022 --> 01:23:48,605 LOOK, LOOK. 1338 01:23:48,773 --> 01:23:50,858 LlSTEN, SHELDON, DON'T GET MARRlED. 1339 01:23:51,026 --> 01:23:52,609 MOM, l DON'T WANT TO DlSCUSS lT. 1340 01:23:52,777 --> 01:23:55,696 l WANT TO DlSCUSS lT. WHAT DO YOU KNOW ABOUT THAT? 1341 01:23:55,864 --> 01:23:59,783 AFTER ALL, WHERE DO YOU COME TO A BLONDE WlTH THREE CH lLDREN? 1342 01:23:59,951 --> 01:24:02,411 WHAT ARE YOU? AN ASTRONAUT? 1343 01:24:09,544 --> 01:24:12,880 - ARE YOU OKAY? - MY MOTHER DlD lT AGAlN . 1344 01:24:13,048 --> 01:24:15,424 OH, DlNNER WlTH YOUR FlANCEE? 1345 01:24:15,592 --> 01:24:17,551 THAT WAS LAST WEEK'S TRAUMA. 1346 01:24:17,719 --> 01:24:22,681 TODAY l'M AT WORK AND l'M lN THE MlDDLE OF AN lMPORTANT CONFERENCE. 1347 01:24:22,849 --> 01:24:25,059 YOU KNOW, l WORK FOR A VERY CONSERVATlVE FlRM. 1348 01:24:25,226 --> 01:24:27,394 EVERYTH lNG lS ALWAYS VERY FORMAL. 1349 01:24:27,562 --> 01:24:30,439 MR. MlLLS, YOUR MOTHER'S HERE. 1350 01:24:30,607 --> 01:24:31,732 WHAT? 1351 01:24:31,900 --> 01:24:33,358 YOUR MOTHER'S HERE TO SEE YOU . 1352 01:24:33,526 --> 01:24:35,194 NOW WE'VE EXPLORED A FEW DlFFERENT lSSUES. 1353 01:24:35,361 --> 01:24:37,821 l'VE OUTLlNED A FEW DlFFERENT ONES HERE. 1354 01:24:38,656 --> 01:25:05,057 ♪♪♪ 1355 01:25:07,936 --> 01:25:09,019 MOTHER. 1356 01:25:09,187 --> 01:25:11,063 SAY HELLO TO AUNT CElL. 1357 01:25:11,231 --> 01:25:14,566 - WHAT ARE YOU DOlNG HERE? - WE JUST SAW CATS. 1358 01:25:14,734 --> 01:25:16,151 KATZ, MR. KATZ? 1359 01:25:16,319 --> 01:25:18,237 CATS, CATS, THE SHOW. 1360 01:25:18,404 --> 01:25:20,948 REMEMBER YOU GAVE ME TWO TlCKETS? 1361 01:25:21,116 --> 01:25:23,951 OH, CATS. CATS, OF COURSE. 1362 01:25:24,119 --> 01:25:27,454 SO l THOUGHT l'D TAKE AUNT CElL TO SEE YOUR OFFlCE. 1363 01:25:27,622 --> 01:25:29,623 lSN'T lT BEAUTlFUL? 1364 01:25:29,791 --> 01:25:31,583 SHE DOESN'T HEAR A TH lNG. 1365 01:25:31,751 --> 01:25:33,627 SHELDON, WE'RE A LlTTLE BEH lND SCHEDULE. 1366 01:25:33,795 --> 01:25:37,589 YES, YES, SlR. SEE, l'M ALL TlED UP. 1367 01:25:37,757 --> 01:25:40,551 TH lS lS BATES, THE ONE WlTH THE MlSTRESS. 1368 01:25:44,055 --> 01:25:45,514 HELLO, MRS. MlLLSTElN . 1369 01:25:45,682 --> 01:25:47,141 H l, lT'S LlSA. 1370 01:25:47,308 --> 01:25:51,436 l'M CALLlNG TO lNVlTE YOU TO COME OUT ON SUNDAY WlTH SHELDON AND ME. 1371 01:25:51,604 --> 01:25:54,022 l'D LlKE YOU TO MEET THE CH lLDREN . 1372 01:25:54,607 --> 01:25:56,400 OH, PLEASE COME. 1373 01:25:56,568 --> 01:25:58,110 UH-HUH . 1374 01:25:58,278 --> 01:26:01,572 WE CAN HAVE LUNCH AND HOPEFULLY HAVE A WONDERFUL TlME. 1375 01:26:02,907 --> 01:26:05,742 l DON'T KNOW WHY WE HAVE TO SlT OUT HERE. 1376 01:26:05,910 --> 01:26:06,994 lT'S A N lCE TABLE. 1377 01:26:07,162 --> 01:26:08,245 lT'S--lT'S COLD OUT HERE. 1378 01:26:08,413 --> 01:26:12,499 AND WHY DO WE HAVE TO GO ALL THE WAY BACK LlKE TH lS? 1379 01:26:12,667 --> 01:26:14,126 lT'S A N lCE TABLE. 1380 01:26:14,294 --> 01:26:17,087 l DON'T LlKE WHEN lT'S OUTSlDE LlKE TH lS. 1381 01:26:17,255 --> 01:26:23,135 AFTER ALL, THE WEATHER-- OH, WELL, ALL RlGHT, ALL RlGHT. 1382 01:26:23,303 --> 01:26:25,179 THANK YOU, THANK YOU . 1383 01:26:25,346 --> 01:26:28,640 l DON'T KNOW WHY WE HAVE TO BE OUT HERE. 1384 01:26:28,808 --> 01:26:30,684 YOU TELL ME WHY. 1385 01:26:30,852 --> 01:26:32,227 THANK YOU . 1386 01:26:32,395 --> 01:26:35,022 l DON'T PARTlCULARLY CARE FOR AN OUTDOOR TABLE. 1387 01:26:35,190 --> 01:26:36,523 THANK YOU . 1388 01:26:36,691 --> 01:26:40,569 ♪♪♪ 1389 01:26:40,737 --> 01:26:44,656 [AUDlENCE APPLAUDlNG] 1390 01:26:45,700 --> 01:26:49,995 ♪♪♪ 1391 01:26:50,163 --> 01:26:55,417 [AUDlENCE APPLAUDlNG] 1392 01:26:59,339 --> 01:27:01,590 l DON'T KNOW WHAT YOU BROUGHT ME HERE FOR BECAUSE-- 1393 01:27:01,758 --> 01:27:03,300 SHH . 1394 01:27:03,468 --> 01:27:04,801 l'M NOT CRAZY ABOUT-- 1395 01:27:04,969 --> 01:27:06,303 lT'S FOR THE KlDS. 1396 01:27:06,471 --> 01:27:08,555 THE KlDS, BUT l'M NO KlD. 1397 01:27:08,723 --> 01:27:13,018 ALL RlGHT, ALL RlGHT, l'LL TAKE lT EASY. 1398 01:27:13,937 --> 01:27:18,982 ♪♪♪ 1399 01:27:19,150 --> 01:27:25,030 [AUDlENCE APPLAUDlNG] 1400 01:27:27,033 --> 01:27:28,408 THAT'S A TRlCK? 1401 01:27:28,576 --> 01:27:29,952 l DON'T KNOW. 1402 01:27:30,119 --> 01:27:33,205 TH lS, l'VE NEVER SAW BEFORE. lT'S A NOTH lNG. 1403 01:27:33,957 --> 01:27:36,583 H l, MY NAME lS SHANDU THE GREAT, BUT YOU MAY JUST CALL ME GREAT. 1404 01:27:36,751 --> 01:27:38,210 [AUDlENCE LAUGH lNG] 1405 01:27:38,378 --> 01:27:39,920 TODAY, WE'RE GONNA DO SOME MAGN lFlCENT MAGlC FOR YOU, 1406 01:27:40,088 --> 01:27:42,130 AND FOR OUR FlRST lLLUSlON, MOST STARTLlNG lLLUSlON, 1407 01:27:42,298 --> 01:27:44,091 l NEED SOMEBODY SPEClAL. l NEED SOMEBODY BRAVE. 1408 01:27:44,259 --> 01:27:45,550 l NEED A PRlNCESS. 1409 01:27:45,718 --> 01:27:48,095 HOW ABOUT SOMEBODY OVER THERE? 1410 01:27:48,263 --> 01:27:49,930 NO, NOT YOU, SlR, A PRlNCESS. 1411 01:27:50,098 --> 01:27:51,306 [AUDlENCE LAUGH lNG] 1412 01:27:51,474 --> 01:27:54,059 HOW ABOUT--YES, THERE'S A LADY RlGHT OVER THERE. 1413 01:27:54,227 --> 01:27:56,311 THE LADY RlGHT THERE lN THE TH lRD, FOURTH ROW, RlGHT OVER THERE. 1414 01:27:56,479 --> 01:27:57,437 RlTA. 1415 01:27:57,605 --> 01:27:58,522 ME? 1416 01:27:58,690 --> 01:27:59,606 THAT'S lT. 1417 01:27:59,774 --> 01:28:02,401 GlVE HER A LlTTLE ENCOURAGEMENT. 1418 01:28:02,568 --> 01:28:08,073 [AUDlENCE APPLAUDlNG] 1419 01:28:16,791 --> 01:28:18,959 - HOW ARE YOU? - NOT SO GOOD. 1420 01:28:19,127 --> 01:28:20,711 [AUDlENCE APPLAUDlNG] 1421 01:28:20,878 --> 01:28:22,879 - YOU'RE NOT NERVOUS. - WHAT ARE YOU, CH lNESE? 1422 01:28:23,047 --> 01:28:25,590 l'LL TELL YA, WE'RE GONNA PUT A FEW SWORDS RlGHT THROUGH 1423 01:28:25,758 --> 01:28:26,967 THE MlDDLE OF YOU . 1424 01:28:27,135 --> 01:28:28,302 lT'S GONNA BE A DELlGHT. YOU'LL BE TlCKLED. 1425 01:28:28,469 --> 01:28:29,803 - l'LL BE TlCKLED? - YOU'LL BE TlCKLED TO DEATH . 1426 01:28:29,971 --> 01:28:31,013 THAT'S JUST A JOKE. 1427 01:28:31,180 --> 01:28:32,389 [AUDlENCE LAUGH lNG] 1428 01:28:32,557 --> 01:28:33,598 WHAT DlD YOU SAY YOUR NAME WAS AGAlN? 1429 01:28:33,766 --> 01:28:35,100 SADlE MlLLSTElN . 1430 01:28:35,268 --> 01:28:36,310 STElN . 1431 01:28:36,477 --> 01:28:38,353 STElN, S-T-E-l-N . 1432 01:28:38,521 --> 01:28:41,273 l GOT A SON, HE'S A LAWYER, HE'S SlTTlNG OVER THERE. 1433 01:28:41,441 --> 01:28:44,067 HE CHANGED H lS NAME TO MlLLS. 1434 01:28:44,235 --> 01:28:45,610 HOW OLD ARE YOU, SADlE? 1435 01:28:45,778 --> 01:28:47,154 OLD ENOUGH . OLD ENOUGH . 1436 01:28:47,322 --> 01:28:48,822 OLD ENOUGH TO DO OUR CH lNESE BOX TRlCK? 1437 01:28:48,990 --> 01:28:50,240 ONE OF THE GREATEST l DO. 1438 01:28:50,408 --> 01:28:51,491 THAT'S A BOX TRlCK? 1439 01:28:51,659 --> 01:28:52,784 COME ON OVER TH lS WAY, SADlE. 1440 01:28:52,952 --> 01:28:53,994 YOU'LL SEE A MlRACLE RlGHT BEFORE YOUR VERY EYES. 1441 01:28:54,162 --> 01:28:55,120 WHAT? 1442 01:28:55,288 --> 01:28:56,288 lT LOOKS LlKE A-- 1443 01:28:56,456 --> 01:28:57,456 HAVE YOU EVER SEEN ME BEFORE lN YOUR LlFE? 1444 01:28:57,623 --> 01:28:58,582 NO. 1445 01:28:58,750 --> 01:28:59,791 HOW DO YOU KNOW lT'S ME? 1446 01:28:59,959 --> 01:29:01,084 [AUDlENCE LAUGH lNG] 1447 01:29:01,252 --> 01:29:02,336 l DON'T EVEN WANT TO. l DON'T WANT TO TRY. 1448 01:29:02,503 --> 01:29:03,587 TRUST ME, VERY SlMPLE, SADlE, lNTO THE BOX. 1449 01:29:03,755 --> 01:29:04,921 ALL YOU DO lS STEP lNTO THE BOX, TAKES A MlNUTE. 1450 01:29:05,089 --> 01:29:06,214 LET'S GO. 1451 01:29:06,382 --> 01:29:07,841 l'M NOT GONNA GO lNTO THE BOX. 1452 01:29:08,009 --> 01:29:09,176 WHAT ARE YOU CRAZY OR SOMETH lNG? 1453 01:29:09,344 --> 01:29:10,802 lT'S MY TRlCK, SADlE. lNTO THE BOX. 1454 01:29:10,970 --> 01:29:12,137 LET ME TAKE TH lS POCKETBOOK. 1455 01:29:12,305 --> 01:29:13,847 NO, NO, NO, NO. 1456 01:29:14,015 --> 01:29:17,017 l KEEP MY JEWELRY AND MY PAPERS lN THE BOX. 1457 01:29:17,185 --> 01:29:18,435 LOOK, LOOK. 1458 01:29:18,603 --> 01:29:20,187 SAY GOOD-BYE, SADlE. DOWN lN THE BOX. 1459 01:29:20,355 --> 01:29:22,147 SADlE, WATCH HOW WE DO lT. lT'S GONNA BE A LOT OF FUN . 1460 01:29:22,315 --> 01:29:23,357 JUMP ON DOWN . 1461 01:29:23,524 --> 01:29:24,941 ALL RlGHT, l'M JUMPlNG. OH, l'M JUMPlNG. 1462 01:29:25,109 --> 01:29:27,819 [AUDlENCE APPLAUDlNG] 1463 01:29:27,987 --> 01:29:30,197 lT'S DARK lN HERE. 1464 01:29:30,365 --> 01:29:33,158 HERE WE GO, THE GREAT CH lNESE BOX lLLUSlON . 1465 01:29:33,826 --> 01:29:38,121 ♪♪♪ 1466 01:29:38,289 --> 01:29:40,374 SWORD, PLEASE. THANK YOU SO MUCH . 1467 01:29:40,541 --> 01:29:44,169 TWO SOLlD STEEL SWORDS, COATED WlTH ALUMlNUM TO PROTECT THE FlN lSH . 1468 01:29:44,337 --> 01:29:46,213 SWORD NUMBER ONE. 1469 01:29:46,381 --> 01:29:48,548 OKAY, SADlE, WATCH YOUR NOSE. 1470 01:29:48,716 --> 01:29:52,803 HERE lT COMES, ONE, TWO, AND THREE. 1471 01:29:53,596 --> 01:29:55,305 SWORD NUMBER TWO. 1472 01:29:55,473 --> 01:29:56,890 SADlE, HEADS UP. 1473 01:29:57,058 --> 01:29:58,183 HERE WE COME. 1474 01:29:58,351 --> 01:30:00,560 ONE, TWO, AND RlGHT THROUGH THE BOX. 1475 01:30:00,728 --> 01:30:03,188 SWORD NUMBER THREE. 1476 01:30:03,356 --> 01:30:05,065 YOU OKAY lN THERE, SADlE? 1477 01:30:05,233 --> 01:30:08,985 ♪♪♪ 1478 01:30:09,153 --> 01:30:11,655 OKAY, SADlE, LAST ONE COMlNG DOWN . 1479 01:30:11,823 --> 01:30:14,241 DEEP BREATH . 1480 01:30:14,409 --> 01:30:15,575 ONE, TWO. 1481 01:30:15,743 --> 01:30:17,786 AND NOW, THE MlRACLE. 1482 01:30:17,954 --> 01:30:21,248 [AUDlENCE APPLAUDlNG] 1483 01:30:21,416 --> 01:30:22,874 NO PLACE TO H lDE. 1484 01:30:23,042 --> 01:30:24,751 NOTH lNG THERE, NOTH lNG THERE. 1485 01:30:24,919 --> 01:30:27,337 [AUDlENCE APPLAUDlNG] 1486 01:30:27,505 --> 01:30:28,713 OKAY, SADlE, TH lNGS ARE GONNA GET BETTER. 1487 01:30:28,881 --> 01:30:33,802 THAT'S ONE, TWO. THAT'S THREE. 1488 01:30:37,640 --> 01:30:39,141 HERE WE COME. 1489 01:30:39,308 --> 01:30:41,393 OKAY, SADlE, TlME TO COME OUT. 1490 01:30:41,561 --> 01:30:43,520 ONE, TWO-- 1491 01:30:46,607 --> 01:30:52,821 WHERE lS SHE? 1492 01:30:57,285 --> 01:30:58,493 WHERE'D SHE GO? 1493 01:30:58,661 --> 01:30:59,703 SHE'S NOT lN THE FRONT, lS SHE? 1494 01:30:59,871 --> 01:31:01,705 DlD YOU LOOK ON THE BOTTOM? THAT'S lMPOSSlBLE. 1495 01:31:01,873 --> 01:31:03,832 SHE CAN'T GET OUT. 1496 01:31:04,542 --> 01:31:06,626 - WHERE'S MY MOTHER? - l DON'T KNOW. 1497 01:31:06,794 --> 01:31:07,961 WHAT DO YOU MEAN YOU DON'T KNOW? 1498 01:31:08,129 --> 01:31:09,129 WHAT ARE YOU TALKlNG ABOUT? 1499 01:31:09,297 --> 01:31:11,173 - SHE VAN lSHED. - VAN lSHED? 1500 01:31:11,340 --> 01:31:12,883 DlSAPPEARED, VAN lSHED. 1501 01:31:13,050 --> 01:31:14,968 - HOW lS THAT POSSlBLE? - l HAVE NO lDEA. 1502 01:31:15,136 --> 01:31:17,095 lT NEVER HAPPENED TO ME BEFORE, DlD lT, RlTA? 1503 01:31:17,263 --> 01:31:18,305 NO. 1504 01:31:18,473 --> 01:31:19,598 NO, lT'S LlKE A MlRACLE. 1505 01:31:19,765 --> 01:31:22,559 THAT'S EXACTLY WHAT l THOUGHT WHEN lT HAPPENED, JUST LlKE A MlRACLE. 1506 01:31:22,727 --> 01:31:24,019 HOW DOES TH lS TRlCK WORK? 1507 01:31:24,187 --> 01:31:25,770 THERE'S A SECRET COMPARTMENT, BUT SHE'S NOT lN lT. 1508 01:31:25,938 --> 01:31:27,105 lT'S EMPTY. 1509 01:31:27,273 --> 01:31:28,523 OKAY, l RESEARCHED EVERY lNCH OF THE THEATER. 1510 01:31:28,691 --> 01:31:29,816 SHE'S GONE. 1511 01:31:29,984 --> 01:31:31,276 WHAT DO YOU MEAN SHE'S GONE? HOW CAN SHE BE GONE? 1512 01:31:31,444 --> 01:31:34,279 LOOK WHAT THEY'RE TELLlNG ME HERE. HOW'S lT POSSlBLE THAT SHE'S GONE? 1513 01:31:34,447 --> 01:31:35,697 WHERE DlD YOU GET TH lS TRlCK? 1514 01:31:35,865 --> 01:31:37,574 l DON'T UNDERSTAND. WHERE DlD YOU BUY TH lS TH lNG? 1515 01:31:37,742 --> 01:31:38,909 l GOT lT lN PlTTSBURGH, 20 YEARS AGO. 1516 01:31:39,076 --> 01:31:40,285 THE PLACE lS OUT OF BUSlNESS NOW. 1517 01:31:40,453 --> 01:31:42,996 MAYBE lT HAS GOT TO DO WlTH MOLECULES. 1518 01:31:43,164 --> 01:31:44,456 WHAT DO YOU MEAN MOLECULES? 1519 01:31:44,624 --> 01:31:46,750 YOU TAKE A LlTTLE JEWlSH LADY AND YOU STUFF HER lN A BOX 1520 01:31:46,918 --> 01:31:49,002 AND SHE DlSAPPEARS AND SHE'S TELLlNG ME MOLECULES? 1521 01:31:49,170 --> 01:31:50,086 YOU KNOW WHAT? 1522 01:31:50,254 --> 01:31:51,630 THE THEATER'S NOT TAKlNG ANY RESPONSlBlLlTY FOR TH lS ElTHER. 1523 01:31:51,797 --> 01:31:52,964 DON'T WORRY ABOUT A TH lNG. 1524 01:31:53,132 --> 01:31:54,257 ANYTH lNG HAPPENS TO YOUR MOTHER, l'LL GlVE YOU TWO FREE TlCKETS 1525 01:31:54,425 --> 01:31:55,634 TO ANY SHOW WE DO. 1526 01:31:55,801 --> 01:31:57,469 WHO WANTS TlCKETS? WHAT ARE YOU TALKlNG ABOUT? 1527 01:31:57,637 --> 01:31:58,845 l'M GONNA CALL THE POLlCE. 1528 01:31:59,013 --> 01:32:00,347 NO, NO, l DON'T WANT ANY PUBLlClTY ON TH lS. 1529 01:32:00,515 --> 01:32:01,681 lT'S TOO STRANGE. 1530 01:32:01,849 --> 01:32:03,642 YOU KNOW, ATTORNEY'S MOTHER VAN lSHES DURlNG MAGlC TRlCK. 1531 01:32:03,809 --> 01:32:04,893 lT'S BlZARRE. 1532 01:32:05,061 --> 01:32:06,228 l DON'T WANT PUBLlClTY ON TH lS ElTHER. 1533 01:32:06,395 --> 01:32:07,604 NOBODY WOULD EVER VOLUNTEER AGAlN . 1534 01:32:07,772 --> 01:32:08,855 LOOK, WHAT HE'S WORRlED ABOUT. 1535 01:32:09,023 --> 01:32:10,232 YOU'RE WORRlED THAT NO ONE'S GONNA VOLUNTEER. 1536 01:32:10,399 --> 01:32:11,525 LOOK, THERE'S GOTTA BE SOME KlND OF RATlONAL EXPLANATlON 1537 01:32:11,692 --> 01:32:12,692 FOR TH lS TH lNG. 1538 01:32:12,860 --> 01:32:13,860 N lNE HUNDRED PEOPLE WERE WATCH lNG THE BOX. 1539 01:32:14,028 --> 01:32:15,529 SHE NEVER GOT OUT. SHE'S NOT lN THERE. 1540 01:32:15,696 --> 01:32:16,863 THERE'S NO TRAP DOORS OR MlRRORS. 1541 01:32:17,031 --> 01:32:18,990 EVEN THE MAGlClAN OVER HERE, HE DOESN'T KNOW HOW lT HAPPENED. 1542 01:32:19,158 --> 01:32:21,868 WE'VE GOT A PROBLEM HERE. 1543 01:32:22,036 --> 01:32:24,037 [KNOCKlNG ON DOOR] 1544 01:32:24,205 --> 01:32:26,831 [RlNGlNG DOORBELL] 1545 01:32:29,710 --> 01:32:31,294 MOM? DlD YOU SEE MOM? 1546 01:32:31,462 --> 01:32:32,379 WHAT? 1547 01:32:32,547 --> 01:32:33,838 MY MOTHER. SHE'S NOT UPSTAlRS. 1548 01:32:34,006 --> 01:32:35,215 WE WERE JUST lN HER APARTMENT. 1549 01:32:35,383 --> 01:32:37,300 HAVE YOU SPOKEN WlTH HER AT ALL? 1550 01:32:38,469 --> 01:32:39,553 MOTHER? 1551 01:32:39,720 --> 01:32:40,929 l TH lNK l HAVE ONE. 1552 01:32:41,097 --> 01:32:42,639 FOR HOW LONG DO YOU WANT TO BORROW lT? 1553 01:32:42,807 --> 01:32:44,808 MY MOTHER, DlD MY MOTHER CALL YOU AT ALL? 1554 01:32:44,976 --> 01:32:46,268 DlD MOTHER CALL? 1555 01:32:46,435 --> 01:32:48,144 WHAT BRlNGS YOU HERE? 1556 01:32:48,312 --> 01:32:49,771 MOTHER. l'M LOOKlNG FOR MOTHER. 1557 01:32:49,939 --> 01:32:51,106 H lS MOTHER. 1558 01:32:51,274 --> 01:32:52,566 OH, OH . 1559 01:32:52,733 --> 01:32:55,110 l TH lNK--l SPOKE TO HER TH lS MORN lNG. 1560 01:32:55,278 --> 01:32:58,863 SHE BORROWED A SCARF. SHE NEVER RETURNED lT. 1561 01:32:59,365 --> 01:33:01,408 HELLO. YES, l CALLED BEFORE. 1562 01:33:01,576 --> 01:33:07,539 l CALLED TO lNQU lRE lF AN ELDERLY LADY HAD SHOWN UP 1563 01:33:07,707 --> 01:33:10,625 lN MlSSlNG PERSONS OR THE MORGUE OR THE HOSPlTAL. 1564 01:33:10,793 --> 01:33:13,587 YES, YES, l SPOKE WlTH YOU . 1565 01:33:14,088 --> 01:33:17,215 NOTH lNG AT ALL? UH-HUH . 1566 01:33:17,758 --> 01:33:20,176 OKAY. OKAY, THANK YOU . 1567 01:33:20,886 --> 01:33:23,555 SHELDON, HOW'S YOUR MOTHER? 1568 01:33:24,432 --> 01:33:28,893 ♪♪♪ 1569 01:33:29,061 --> 01:33:30,270 ARE YOU OKAY? 1570 01:33:30,438 --> 01:33:33,064 YEAH . l'M FlNE. 1571 01:33:33,941 --> 01:33:36,735 ♪♪♪ 1572 01:33:36,902 --> 01:33:39,571 HELLO. ANY WORD? 1573 01:33:39,739 --> 01:33:43,033 WELL, YEAH, NO. l'VE HEARD NOTH lNG. 1574 01:33:43,200 --> 01:33:45,410 l PUT A PRlVATE DETECTlVE ON lT. 1575 01:33:45,578 --> 01:33:47,537 YOU KNOW, l DON'T KNOW, MAYBE SHE GOT H lT lN THE HEAD 1576 01:33:47,705 --> 01:33:51,916 WlTH A SWORD AND SHE'S GOT AMNESlA OR SOMETH lNG. 1577 01:33:52,084 --> 01:33:55,420 RlGHT, l'LL CALL YOU BACK. l'LL CALL YOU BACK. 1578 01:33:56,797 --> 01:34:16,983 ♪♪♪ 1579 01:34:17,151 --> 01:34:20,654 COME ON . YOU CAN'T GO ON LlKE TH lS. 1580 01:34:20,821 --> 01:34:22,364 SHE'LL TURN UP. 1581 01:34:22,531 --> 01:34:24,115 JESUS, lT'S BEEN 3 DAYS ALREADY. 1582 01:34:24,283 --> 01:34:27,160 l KNOW. l KNOW. 1583 01:34:28,120 --> 01:34:33,667 ♪♪♪ 1584 01:34:33,834 --> 01:34:36,294 YOU LOOK PRETTY. 1585 01:34:37,004 --> 01:35:01,361 ♪♪♪ 1586 01:35:01,529 --> 01:35:03,530 THAT WAS GREAT. 1587 01:35:03,698 --> 01:35:06,491 YOU NEVER MADE LOVE TO ME LlKE THAT BEFORE, 1588 01:35:06,659 --> 01:35:09,035 AND YOU DlDN'T EVEN HAVE ALCOHOL. 1589 01:35:09,203 --> 01:35:11,371 l DON'T KNOW, l JUST FELT SO LOOSE. 1590 01:35:11,539 --> 01:35:16,751 YOU KNOW, l WAS JUST RELAXED COMPLETELY. 1591 01:35:17,420 --> 01:35:21,798 l GUESS WHAT l NEEDED WAS A RELEASE FROM ALL THAT TENSlON . 1592 01:35:22,925 --> 01:35:32,392 ♪♪♪ 1593 01:35:32,560 --> 01:35:34,519 l FEEL LlKE A NEW MAN, YOU KNOW? 1594 01:35:34,687 --> 01:35:38,690 AT FlRST, WHEN lT FlRST HAPPENED, l WAS CRUSHED WlTH PAN lC. 1595 01:35:38,858 --> 01:35:42,068 THEN AFTER A WEEK PASSED, YOU KNOW, lT'S LlKE A GREAT WElGHT 1596 01:35:42,236 --> 01:35:44,028 HAS BEEN LlFTED FROM MY SHOULDERS. 1597 01:35:44,196 --> 01:35:48,742 l FlND THAT l SMlLE MORE EASlLY, AND l'M MORE ENERGETlC AT WORK. 1598 01:35:48,909 --> 01:35:52,537 YOU KNOW, AND MY SEX LlFE HAS NEVER BEEN BETTER. 1599 01:35:52,705 --> 01:35:57,167 l MEAN LlSA SAYS THAT l'VE-- SHE'S NEVER SEEN ME SO RELAXED 1600 01:35:57,334 --> 01:35:59,377 AND UN lNH lBlTED lN BED. 1601 01:35:59,545 --> 01:36:01,254 WHAT DO YOU TH lNK? 1602 01:36:01,422 --> 01:36:05,091 WELL, OBVlOUSLY lT'S BECAUSE SHE'S GONE, RlGHT? 1603 01:36:05,259 --> 01:36:08,762 l MEAN, WHAT ELSE COULD lT BE EXCEPT THAT SHE'S NOT AROUND ANYMORE. 1604 01:36:08,929 --> 01:36:13,224 AND lT'S ASTON lSH lNG, lSN'T lT, HOW MUCH, YOU KNOW-- 1605 01:36:13,392 --> 01:36:14,642 AND NOTH lNG TERRlBLE HAPPENED. 1606 01:36:14,810 --> 01:36:16,644 lT WASN'T BRUTAL. NO UGLY TH lNG HAPPENED. 1607 01:36:16,812 --> 01:36:19,856 SHE DlDN'T DlE OR NO--YOU KNOW SHE JUST SORT OF MYSTERlOUSLY 1608 01:36:20,024 --> 01:36:23,359 AND PEACEFULLY VAN lSHED, YOU KNOW? 1609 01:36:23,527 --> 01:36:26,112 YOU DON'T TH lNK THAT SHE'S GONNA COME BACK, DO YA? 1610 01:36:26,739 --> 01:36:34,871 ♪♪♪ 1611 01:36:35,039 --> 01:36:38,792 - MR. FLYNN . - OH, MR. MlLLS. 1612 01:36:39,418 --> 01:36:41,461 LOOK, MR. MlLLS, l'M REALLY SORRY TO REPORT THERE'S NO PROGRESS 1613 01:36:41,629 --> 01:36:43,838 ON LOCATlNG THAT MlSSlNG WOMAN . 1614 01:36:44,006 --> 01:36:45,423 lT'S OKAY. lT'S OKAY. 1615 01:36:45,591 --> 01:36:47,884 DON'T--l CAME BY TO SAY THAT l LOCATED HER. 1616 01:36:48,052 --> 01:36:49,594 l FOUND HER AND SHE'S BACK. 1617 01:36:49,762 --> 01:36:54,849 AND SHE--WHAT HAPPENED WAS SHE HAD LlKE A SORT OF A MlN l STROKE 1618 01:36:55,017 --> 01:36:56,893 AND SHE DlDN'T REMEMBER ANYTH lNG. 1619 01:36:57,061 --> 01:36:58,478 SHE DlDN'T KNOW WHO SHE WAS. 1620 01:36:58,646 --> 01:37:00,355 AND SHE WAS WANDERlNG AROUND, BUT SHE'S OKAY NOW. 1621 01:37:00,523 --> 01:37:02,106 AND l--SO l'LL TAKE CARE OF lT. 1622 01:37:02,274 --> 01:37:04,526 YOU CAN DROP THE CASE. 1623 01:37:04,693 --> 01:37:06,986 - JUST DROP THE CASE? - YEAH . 1624 01:37:07,154 --> 01:37:08,655 DON'T FlND HER. 1625 01:37:08,823 --> 01:37:11,407 DON'T LOOK FOR HER ANYMORE. 1626 01:37:11,826 --> 01:37:26,798 ♪♪♪ 1627 01:37:28,217 --> 01:37:30,468 YOU SURE YOU'RE OKAY? 1628 01:37:30,636 --> 01:37:32,887 l'M GREAT, AND l'VE NEVER BEEN BETTER. 1629 01:37:33,055 --> 01:37:35,098 NEVER BEEN BETTER. 1630 01:37:35,266 --> 01:37:41,479 ♪♪♪ 1631 01:37:44,942 --> 01:37:46,526 - HOW ARE YOU TODAY, MR. MlLLS? - GOOD. 1632 01:37:46,694 --> 01:37:47,902 YOU LOOK VERY WONDERFUL. 1633 01:37:48,070 --> 01:37:49,362 THANK YOU . l'LL TAKE TH lS. 1634 01:37:49,530 --> 01:37:51,197 - lS THERE ANYTH lNG ELSE? - NO, THAT WlLL DO lT. 1635 01:37:51,365 --> 01:37:52,615 TWO DOLLARS, SlR. 1636 01:37:52,783 --> 01:37:55,660 OKAY. GOOD. 1637 01:37:56,537 --> 01:37:57,954 EVERYTH lNG OKAY WlTH YOU? 1638 01:37:58,122 --> 01:37:59,247 YES, SlR. 1639 01:37:59,415 --> 01:38:00,498 lT'S WONDERFUL TO SEE YOU, SlR. 1640 01:38:00,666 --> 01:38:01,708 THANK YOU . 1641 01:38:01,876 --> 01:38:03,543 - HOPE TO YOU SEE AGAlN . - THANK YOU . 1642 01:38:03,711 --> 01:38:05,003 WHAT lS ALL THAT CONFUSlON OUTSlDE? 1643 01:38:05,170 --> 01:38:08,131 l DON'T KNOW. THERE'S ALWAYS NOlSE, SlR. 1644 01:38:08,549 --> 01:38:11,384 [POLlCE SlRENS] 1645 01:38:11,552 --> 01:38:13,469 l NEVER SAW ANYTH lNG LlKE lT. 1646 01:38:13,637 --> 01:38:15,221 SHELDON, WHERE'VE YOU BEEN? 1647 01:38:15,389 --> 01:38:17,974 l'VE BEEN LOOKlNG ALL OVER FOR YOU . 1648 01:38:18,142 --> 01:38:22,103 l WAS JUST DlSCUSSlNG YOUR PROBLEM WlTH THESE N lCE PEOPLE. 1649 01:38:22,938 --> 01:38:24,355 WHERE ARE YOU? 1650 01:38:24,523 --> 01:38:25,732 DO l KNOW? 1651 01:38:25,900 --> 01:38:28,985 LOOK, SHELDON, l'VE HAD PLENTY OF TlME TO TH lNK ABOUT lT. 1652 01:38:29,153 --> 01:38:31,487 DON'T GET MARRlED. 1653 01:38:31,655 --> 01:38:34,073 MOM, NOT HERE. 1654 01:38:34,241 --> 01:38:35,617 WHY SHOULD YOU RUSH lN? 1655 01:38:35,784 --> 01:38:37,744 TH lS lS NOT THE PLACE TO DlSCUSS lT! 1656 01:38:37,912 --> 01:38:40,121 WHERE SHOULD l GO? l'M HERE. 1657 01:38:40,289 --> 01:38:42,540 YOU TH lNK A MAN H lS AGE SHOULD GET MARRlED? 1658 01:38:42,708 --> 01:38:44,667 THEY ONLY MET 6 MONTHS AGO. 1659 01:38:44,835 --> 01:38:47,962 lT DEPENDS. lF SHE'S A N lCE GlRL, WHY NOT? 1660 01:38:48,130 --> 01:38:50,798 SHE'S N lCE, BUT WHY DO THEY HAVE TO RUSH lN? 1661 01:38:50,966 --> 01:38:52,842 HE'S STlLL PAYlNG ALlMONY. 1662 01:38:53,010 --> 01:38:54,344 MOTHER, STOP. 1663 01:38:54,511 --> 01:38:56,262 LET THEM LEAD THElR OWN LlVES. 1664 01:38:56,430 --> 01:38:58,723 l HAVE THE SAME PROBLEM WlTH MY DAUGHTER. 1665 01:38:58,891 --> 01:39:01,601 THEY GROW UP AND THEY TH lNK THEY HAVE ALL THE ANSWERS. 1666 01:39:01,769 --> 01:39:02,977 HOW OLD lS YOUR DAUGHTER? 1667 01:39:03,145 --> 01:39:04,437 TWENTY-SlX. 1668 01:39:04,605 --> 01:39:05,647 YOU GOT ANY PlCTURES? 1669 01:39:05,814 --> 01:39:07,273 - HOME. - HOME? 1670 01:39:07,441 --> 01:39:10,151 l ALWAYS CARRY SHELDON AROUND WHEREVER l GO. 1671 01:39:10,319 --> 01:39:11,945 OH, GOD, TH lS CAN'T BE HAPPEN lNG. 1672 01:39:12,112 --> 01:39:13,947 - SEE, HERE HE lS. - l NEED AlR. 1673 01:39:14,114 --> 01:39:15,698 - TWO YEARS OLD. - l NEED OXYGEN . 1674 01:39:15,866 --> 01:39:19,869 l GOTTA GET OUT lN FRESH AlR. l NEED CYAN lDE. 1675 01:39:20,037 --> 01:39:23,623 lSN'T HE A DARLlNG? LOOK AT H lM. 1676 01:39:26,794 --> 01:39:29,170 TH lS lS MY GRANDDAUGHTER. 1677 01:39:29,338 --> 01:39:32,465 MY DAUGHTER'S WEDDlNG. THAT'S MY DAUGHTER. 1678 01:39:32,633 --> 01:39:37,011 THAT'S HER HUSBAND. THAT'S ME. 1679 01:40:09,044 --> 01:40:13,464 HELLO, DOROTHY. TH lS lS MR. MlLLS. 1680 01:40:16,010 --> 01:40:17,760 l CAN'T COME lN TODAY. 1681 01:40:17,928 --> 01:40:22,015 TELL MR. BATES THAT l'M FEELlNG SlCK. 1682 01:40:23,976 --> 01:40:25,935 NO, NO. 1683 01:40:26,103 --> 01:40:29,897 lT'S--lT'S OKAY. lT'S OKAY. 1684 01:40:44,329 --> 01:40:47,123 A WOMAN, MRS. SADlE MlLLSTElN lS A WlDOW AND THE MOTHER 1685 01:40:47,291 --> 01:40:49,709 OF SHELDON MlLLS, AN ATTORNEY WlTH THE NEW YORK FlRM 1686 01:40:49,877 --> 01:40:52,086 OF BATES, PH lLLlPS, TUNNY AND MlLLS. 1687 01:40:52,254 --> 01:40:54,714 LlTTLE lS KNOWN OF SHELDON MlLLS EXCEPT FOR THE FACT THAT 1688 01:40:54,882 --> 01:40:57,341 HE CHANGED H lS NAME AND WAS A BEDWETTER. 1689 01:40:57,509 --> 01:40:58,676 APPARENTLY-- 1690 01:40:58,844 --> 01:41:01,345 MRS. MlLLSTElN, DO YOU HAVE ANY lDEA HOW TH lS HAPPENED TO YOU? 1691 01:41:01,513 --> 01:41:05,892 MY SON TOOK ME TO A MAGlC SHOW TO MEET H lS FlANCEE'S CH lLDREN . 1692 01:41:06,060 --> 01:41:07,727 DOES HE NEED CH lLDREN? 1693 01:41:07,895 --> 01:41:09,437 DO YOU TH lNK SHELDON SHOULD GET MARRlED? 1694 01:41:09,605 --> 01:41:12,523 l DEFlN lTELY BELlEVE HE SHOULD LlSTEN TO TH lS MOTHER. 1695 01:41:12,691 --> 01:41:15,818 OH, GOD, THE PAlN, THE HUMlLlATlON . 1696 01:41:15,986 --> 01:41:18,279 YOU REMEMBER, OTHERS DON'T SEE HER THE WAY YOU DO. 1697 01:41:18,447 --> 01:41:20,281 lT'S NOT SO. YOU'RE RATlONALlZlNG. 1698 01:41:20,449 --> 01:41:22,241 YOU KNOW, TH lS lS A N lGHTMARE. 1699 01:41:22,409 --> 01:41:25,078 TO BE PERFECTLY FRANK, lT lS HUMlLlATlNG. 1700 01:41:25,245 --> 01:41:26,746 l WANT TO KlLL THAT MAGlClAN . 1701 01:41:26,914 --> 01:41:29,207 l'M GONNA FlND THAT GUY AND l'M GONNA DlSMEMBER H lM. 1702 01:41:29,374 --> 01:41:31,042 YOU KNOW, AND THEN l'M GONNA SUE H lM. 1703 01:41:31,210 --> 01:41:34,087 TO TELL YOU THE TRUTH, lT lS A LlTTLE EMBARRASSlNG. 1704 01:41:34,254 --> 01:41:36,089 GOD. l'M GONNA KlLL MYSELF. 1705 01:41:36,256 --> 01:41:37,840 l'LL KlLL MYSELF. 1706 01:41:38,008 --> 01:41:40,635 l GUESS WE COULD ALWAYS MOVE TO ANOTHER STATE. 1707 01:41:40,803 --> 01:41:42,220 SHE'LL FLOAT OVER. 1708 01:41:42,387 --> 01:41:44,931 FOR GOD'S SAKES, LOOK AT HER. SHE'S THE TYPE THAT WlLL FLOAT. 1709 01:41:45,099 --> 01:41:47,850 l'M TELLlNG YOU, WE'RE GONNA HAVE TO LlVE lN THE SUBWAY. 1710 01:41:48,018 --> 01:41:51,771 l MADE H lM A SAlLOR SU lT, AND HE LOOKED JUST LlKE A DOLL. 1711 01:41:51,939 --> 01:41:54,690 GOD, LOOK, SHE'S TELLlNG EVERYBODY lN THE ClTY HOW CUTE 1712 01:41:54,858 --> 01:41:56,526 l WAS AT 1 0 YEARS OLD. 1713 01:41:56,693 --> 01:41:58,361 TH lS MORN lNG SHE TOLD THE ENTlRE BOROUGH OF QUEENS 1714 01:41:58,529 --> 01:42:01,030 THAT l HAD A H lATUS HERN lA. 1715 01:42:01,198 --> 01:42:03,324 WHAT DOES HE NEED WlTH MARRlAGE FOR GOODNESS SAKES? 1716 01:42:03,492 --> 01:42:04,784 AND BESlDES ALL THAT-- 1717 01:42:04,952 --> 01:42:06,702 SHE'S SAYlNG TH lNGS ABOUT ME. 1718 01:42:06,870 --> 01:42:08,287 SHE'S--AT LEAST SHE'S YOUR MOTHER. 1719 01:42:08,455 --> 01:42:09,664 YOU GREW UP WlTH TH lS KlND OF TH lNG. 1720 01:42:09,832 --> 01:42:11,958 l'M NOT USED TO lT. 1721 01:42:12,126 --> 01:42:15,878 SO THEN l SAlD, "SHELDON, WHY DO YOU HAVE TO SUCK 1722 01:42:16,046 --> 01:42:18,297 THAT BLANKET lN BED, HUH?" 1723 01:42:18,465 --> 01:42:24,303 AND HE CRlED AND HE SAlD, "OH, PLEASE. PLEASE, DON'T TAKE lT AWAY." 1724 01:42:24,471 --> 01:42:28,474 WELL, ALL THROUGH H lS CH lLDHOOD, HE SUCKED THAT BLANKET 1725 01:42:28,642 --> 01:42:30,309 AND DROVE ME CRAZY. 1726 01:42:30,477 --> 01:42:35,898 lT HAS BEEN 2 WEEKS NOW SlNCE MRS. SADlE MlLLSTElN HAS BEEN 1727 01:42:36,066 --> 01:42:39,402 lN HER STRANGE PREDlCAMENT, AND TYPlCALLY, NEW YORKERS 1728 01:42:39,570 --> 01:42:43,447 HAVE COME TO ACCEPT lT AS JUST ANOTHER FACT OF LlFE lN THE ClTY. 1729 01:42:43,615 --> 01:42:46,993 LOOK, MR. MlLLSTElN'S RlGHTS, HER ClVlL LlBERTlES HAVE TO BE PROTECTED. 1730 01:42:47,161 --> 01:42:48,744 SHE HAS EVER RlGHT TO BE THERE. 1731 01:42:48,912 --> 01:42:52,165 SHE'S HELPED US SPOT CRlME AND l, FOR ONE, WOULD BE VERY HAPPY 1732 01:42:52,332 --> 01:42:54,375 lF SHE CONTlNUED TO STAY THERE. 1733 01:42:54,543 --> 01:43:21,152 ♪♪♪ 1734 01:43:22,196 --> 01:43:24,947 - SHELDON, WHERE ARE YOU GOlNG? - HEY, THERE HE lS. 1735 01:43:25,115 --> 01:43:27,700 MR. MlLLS, WE NEED TO TALK TO YOU . 1736 01:43:27,868 --> 01:43:32,580 - SHELDON! - SHELDON! 1737 01:43:32,748 --> 01:43:34,707 HOW LONG lS SHE GONNA BE UP THERE? 1738 01:43:34,875 --> 01:43:43,382 ♪♪♪ 1739 01:43:43,550 --> 01:43:46,677 MR. MlLLS, JUST GlVE US ONE SECOND. 1740 01:43:46,845 --> 01:43:48,763 SHELDON, WHAT ARE YOU ASHAMED OF? 1741 01:43:48,931 --> 01:43:51,641 THEY WANT TO ASK YA SOME QUESTlONS. 1742 01:43:54,019 --> 01:43:56,062 HEY, SHELLY BOY, HOW'S THE MAMA'S BOY? 1743 01:43:56,230 --> 01:43:58,397 HEY, SHELL, HOW'S THE LlTTLE BOY? 1744 01:43:58,565 --> 01:44:00,024 WHAT'S THE MATTER? 1745 01:44:00,192 --> 01:44:02,360 MOTHER FORGOT TO TELL YOU WHERE TO GO TH lS MORN lNG? 1746 01:44:02,527 --> 01:44:17,500 ♪♪♪ 1747 01:44:19,086 --> 01:44:21,671 - WHAT ARE YOU DOlNG? - l CAN'T TAKE lT ANYMORE. 1748 01:44:21,838 --> 01:44:24,757 WELL, THAT'S NO SOLUTlON . GOD. 1749 01:44:24,925 --> 01:44:27,635 WHAT DO YOU WANT ME TO DO? lT'S A N lGHTMARE. 1750 01:44:27,803 --> 01:44:30,096 WELL, HOW DO YOU SUPPOSE l FEEL WlTH HER OUT THERE CALLlNG ME 1751 01:44:30,264 --> 01:44:32,473 ALL THOSE STRANGE FORElGN NAMES? 1752 01:44:32,641 --> 01:44:34,058 WHAT'S A COURVA ANYWAY? 1753 01:44:34,226 --> 01:44:36,143 - OH, lT'S JEWlSH . - FOR WHAT? 1754 01:44:36,311 --> 01:44:38,813 WELL, YOU KNOW, lT'S A WHORE. 1755 01:44:38,981 --> 01:44:40,273 OH, GREAT. 1756 01:44:40,440 --> 01:44:42,358 AND THE WORST lS THAT LlSA AND l KEEP FlGHTlNG. 1757 01:44:42,526 --> 01:44:45,778 YOU KNOW, SHE JUMPS AT ME AND l SNAP AT HER ALL THE TlME AND, 1758 01:44:45,946 --> 01:44:47,196 YOU KNOW, lT'S AWFUL. 1759 01:44:47,364 --> 01:44:49,573 l GOTTA COMMlT SU lClDE. lT'S THE ONLY WAY. 1760 01:44:49,741 --> 01:44:55,413 MR. MlLLSTElN--MlLLS, l'M GONNA MAKE AN UNUSUAL SUGGESTlON, 1761 01:44:55,580 --> 01:44:59,583 BUT l FEEL THE SlTUATlON CALLS FOR lMAGlNATlVE ACTlON . 1762 01:44:59,751 --> 01:45:01,294 YEAH? 1763 01:45:01,461 --> 01:45:07,591 l KNOW A CLAlRVOYANT, A PSYCH lC, A WOMAN WHO DEALS lN THE OCCULT, 1764 01:45:09,303 --> 01:45:15,141 UNEXPLAlNED PHENOMENA, MYSTERlES THAT SClENCE CAN'T FATHOM. 1765 01:45:15,309 --> 01:45:19,645 - l'M SORRY, l DON'T BELlEVE lN THAT. - lT MAY BE TlME TO BEGlN . 1766 01:45:24,609 --> 01:45:27,236 ARE YOU TREVA MARX? 1767 01:45:27,404 --> 01:45:28,946 COME lN, SHELDON . 1768 01:45:29,114 --> 01:45:31,741 COME ON . COME ON . 1769 01:45:31,908 --> 01:45:34,285 YOU LOOK TERRlBLE. 1770 01:45:35,162 --> 01:45:36,454 DO YOU WANT SOMETH lNG TO EAT? 1771 01:45:36,621 --> 01:45:37,997 NO. NO, THANK YOU . 1772 01:45:38,165 --> 01:45:39,665 LOOK, LET ME LEVEL WlTH YA. l DON'T REALLY BELlEVE lN TH lS. 1773 01:45:39,833 --> 01:45:41,751 l WAS SENT HERE BY SOMEONE, BUT l'M SORT OF DESPERATE. 1774 01:45:41,918 --> 01:45:43,711 YOU LOOK SO TH lN, SHE'S RlGHT. 1775 01:45:43,879 --> 01:45:45,171 YOU SURE YOU DON'T WANT SOMETH lNG TO EAT? 1776 01:45:45,339 --> 01:45:46,547 NO. NO, THANK YOU . 1777 01:45:46,715 --> 01:45:48,049 l HAVE NO APPETlTE, DO YOU KNOW WHAT l MEAN? 1778 01:45:48,216 --> 01:45:49,508 l HAD A VERY ROUGH COUPLE OF WEEKS. 1779 01:45:49,676 --> 01:45:51,927 WELL, JUST CALM DOWN . COME WlTH ME THROUGH HERE. 1780 01:45:52,095 --> 01:45:54,180 TRY AND RELAX. 1781 01:45:54,848 --> 01:45:56,140 GEE, TH lS lS A N lCE PLACE YOU GOT HERE. 1782 01:45:56,308 --> 01:45:57,767 WHAT TlME DOES THE COBRA COME OUT? 1783 01:45:57,934 --> 01:46:00,019 lF YOU'LL EXCUSE ME FOR JUST ONE MlNUTE, l WANT TO FlN lSH 1784 01:46:00,187 --> 01:46:03,105 SOMETH lNG l STARTED BEFORE YOU GOT HERE. 1785 01:46:03,273 --> 01:46:04,398 WHAT ARE YOU DOlNG? 1786 01:46:04,566 --> 01:46:07,568 l'M SPEAKlNG WlTH A DEAD FRlEND OF MlNE. 1787 01:46:07,736 --> 01:46:09,153 WELL, WOULD YOU RATHER TALK PRlVATELY? 1788 01:46:09,321 --> 01:46:10,404 'CAUSE l COULD WAlT lN THE OTHER ROOM. 1789 01:46:10,572 --> 01:46:11,864 NO, NO, NO. THAT'S NOT NECESSARY. 1790 01:46:12,032 --> 01:46:15,368 WE'RE NOT DlSCUSSlNG ANYTH lNG PERSONAL. 1791 01:46:15,952 --> 01:46:17,953 JEFFREY, l HAVE TO GO. 1792 01:46:18,121 --> 01:46:19,705 WE'LL SPEAK AGAlN ON THURSDAY. 1793 01:46:19,873 --> 01:46:23,834 BUT REMEMBER, YOU BASTE THE BlRD WlTH THE BUTTER AND THE SEASON lNGS 1794 01:46:24,002 --> 01:46:27,588 FlRST AND THEN YOU PUT lT lNTO THE OVEN . 1795 01:46:28,048 --> 01:46:30,758 MM-HMM. YES, THAT'S RlGHT. 1796 01:46:30,926 --> 01:46:32,385 UH-HUH . 1797 01:46:32,552 --> 01:46:33,928 YEAH, THAT'S lT. 1798 01:46:34,096 --> 01:46:35,846 RlGHT. RlGHT. 1799 01:46:36,014 --> 01:46:37,348 COULD YOU CALL H lM BACK? 1800 01:46:37,516 --> 01:46:38,933 BECAUSE l'VE GOTTA GET OUT OF HERE. 1801 01:46:39,101 --> 01:46:41,602 JEFFREY, l REALLY HAVE TO GO. lT'S BUSlNESS. 1802 01:46:41,770 --> 01:46:45,022 LOOK. TH lS lS CRAZY. 1803 01:46:45,190 --> 01:46:47,733 YOU KNOW, l TH lNK THESE KlND OF TH lNGS ARE FRAUDULENT. 1804 01:46:47,901 --> 01:46:49,568 l'M REALLY BElNG HONEST WlTH YA. 1805 01:46:49,736 --> 01:46:51,487 l JUST DON'T BELlEVE lN lT. YOU KNOW WHAT l MEAN? 1806 01:46:51,655 --> 01:46:54,990 l'M A PERSON WHO BELlEVES lN SClENCE AND LOGlC AND RATlONAL THOUGHT. 1807 01:46:55,158 --> 01:46:56,325 RlGHT. 1808 01:46:56,493 --> 01:46:59,078 MEANWH lLE YOUR MOTHER lS HOVERlNG OVER THE CHRYSLER BU lLDlNG. 1809 01:46:59,579 --> 01:47:21,392 ♪♪♪ 1810 01:47:24,104 --> 01:47:26,647 l WOULD LlKE TO ORDER ONE LARGE PlE WlTH PEPPERON l, 1811 01:47:26,815 --> 01:47:31,777 ANCHOVlES AND MUSHROOMS, AND ONE REGULAR PlE WlTH JUST EXTRA CHEESE. 1812 01:47:32,654 --> 01:47:39,493 ♪♪♪ 1813 01:47:39,661 --> 01:47:41,537 HURRY UP, PLEASE, 'CAUSE l DON'T LlKE BElNG lN MY MOTHER'S 1814 01:47:41,705 --> 01:47:43,122 HOUSE WHEN SHE'S NOT HERE. 1815 01:47:43,290 --> 01:47:44,790 YEAH, RlGHT. 1816 01:47:44,958 --> 01:47:46,584 WHAT lS THAT STUFF YOU'RE SPREADlNG AROUND? 1817 01:47:46,751 --> 01:47:50,588 - TH lS lS CRUSHED PlG BONES. - GOD, SAVE ME. 1818 01:47:51,882 --> 01:47:53,299 DO YOU PLAY PlANO? 1819 01:47:53,467 --> 01:47:54,800 NO. DO YOU? 1820 01:47:54,968 --> 01:47:57,470 YES, l DO. 1821 01:47:58,263 --> 01:48:11,317 ♪♪♪ 1822 01:48:11,485 --> 01:48:14,361 THAT'S VERY, VERY PRETTY. YOU MUST HAVE STUDlED. 1823 01:48:14,529 --> 01:48:16,280 NO, NO, l NEVER STUDlED. 1824 01:48:16,448 --> 01:48:19,074 l WAS A PlAN lST lN A FORMER LlFE. 1825 01:48:19,242 --> 01:48:21,452 ACTUALLY, l'VE HAD THREE FORMER LlVES. 1826 01:48:21,620 --> 01:48:22,995 ONE WAS A PlAN lST. 1827 01:48:23,163 --> 01:48:25,289 THE SECOND l WAS A BALLERlNA. 1828 01:48:25,457 --> 01:48:28,501 AND THE TH lRD, l DlD ALL THE LAUNDRY FOR GENGH lS KHAN . 1829 01:48:28,668 --> 01:48:29,877 lT WAS A TOUGH JOB. 1830 01:48:30,045 --> 01:48:31,795 THE MAN WAS PlCKY. HE HATED STARCH . 1831 01:48:31,963 --> 01:48:33,672 HE WANTED EVERYTH lNG JUST SOFT, SOFT. 1832 01:48:33,840 --> 01:48:34,840 THE-- 1833 01:48:35,008 --> 01:48:36,509 OUT OF THE HOUSE. OUT OF THE HOUSE. 1834 01:48:36,676 --> 01:48:39,512 HEY, LA, LA, LA. 1835 01:48:39,679 --> 01:48:40,971 HEY, HEY, HEY. 1836 01:48:41,139 --> 01:48:42,681 HEY-YAH . 1837 01:48:42,849 --> 01:48:44,308 HEY-YAH HEY, LA, LA, LA. 1838 01:48:44,476 --> 01:48:45,434 HEY. 1839 01:48:45,602 --> 01:48:47,186 HEY, SHELDON! 1840 01:48:47,354 --> 01:48:49,480 ARE YOU SURE YOU'RE DRESSED WARM ENOUGH? 1841 01:48:49,648 --> 01:48:52,024 HEY, HEY, SHELDON, DON'T FORGET TO WEAR YOUR MUFFLER. 1842 01:48:52,192 --> 01:48:53,359 LEAVE H lM ALONE. 1843 01:48:53,527 --> 01:48:57,404 STOP PlCKlNG ON MY SON . HE'S VERY SENSlTlVE. 1844 01:48:57,572 --> 01:49:00,741 DARLlNG, ARE THEY BOTHERlNG YOU? 1845 01:49:03,703 --> 01:49:08,666 [CHANTlNG] 1846 01:49:13,088 --> 01:49:14,338 OH, TH lS lS RlDlCULOUS. 1847 01:49:14,506 --> 01:49:15,714 l'M NOT GONNA GO THROUGH TH lS ANYMORE. 1848 01:49:15,882 --> 01:49:16,799 lT'S A TOUGH PROBLEM. 1849 01:49:16,967 --> 01:49:17,967 lT'S CRAZY! 1850 01:49:18,134 --> 01:49:19,051 WE'VE BEEN DOlNG lT FOR 3 WEEKS. 1851 01:49:19,219 --> 01:49:20,219 WE'RE GOlNG lN ClRCLES! 1852 01:49:20,387 --> 01:49:21,971 l TOLD YOU WE SHOULD TRY SACRlFlClNG A SHE-GOAT. 1853 01:49:22,138 --> 01:49:23,430 l'M NOT GONNA KlLL AN AN lMAL. 1854 01:49:23,598 --> 01:49:26,141 WELL, WE DON'T HAVE TO KlLL lT. YOU WON'T EVEN FONDLE lT. 1855 01:49:26,309 --> 01:49:27,476 YOU'RE A FRAUD. 1856 01:49:27,644 --> 01:49:29,353 l SAlD lT THE FlRST DAY THAT l CAME HERE AND l KNOW lT. 1857 01:49:29,521 --> 01:49:31,730 YOU DON'T KNOW WHAT THE HELL YOU'RE DOlNG. 1858 01:49:31,898 --> 01:49:35,818 OKAY. OKAY, l GUESS YOU'RE RlGHT. 1859 01:49:36,319 --> 01:49:38,195 l'M NOT SAYlNG THAT l DON'T APPREClATE lT. 1860 01:49:38,363 --> 01:49:41,407 YOU'RE NOT N lCE OR SOMETH lNG BUT l, YOU KNOW, YOU KNOW, 1861 01:49:41,575 --> 01:49:43,534 l APPREClATE YOU GlVlNG ME HALF PRlCE ON TH lS. 1862 01:49:43,702 --> 01:49:45,286 YOU DON'T HAVE TO PAY. 1863 01:49:45,453 --> 01:49:47,079 WHAT ARE YOU CRYlNG ABOUT? SHE'S CRYlNG. 1864 01:49:47,247 --> 01:49:48,414 WHAT ARE YOU CRYlNG? 1865 01:49:48,582 --> 01:49:50,583 - l LET YOU DOWN . - YOU DlDN'T LET ME DOWN . 1866 01:49:50,750 --> 01:49:52,042 YOU KNOW, l NEVER EXPECTED ANYTH lNG. 1867 01:49:52,210 --> 01:49:53,419 NO, l DlD. 1868 01:49:53,587 --> 01:49:55,754 YOU COUNTED ON ME AND l FAlLED. 1869 01:49:55,922 --> 01:49:58,424 HOW DO YOU EXPECT TH lS STUPlDlTY TO WORK? 1870 01:49:58,592 --> 01:50:00,217 YOU KNOW, YOU SHOULD MOVE OUT TO CALlFORN lA. 1871 01:50:00,385 --> 01:50:01,969 YOU KNOW BY NOW, YOU WOULD HAVE A SWlMMlNG POOL 1872 01:50:02,137 --> 01:50:04,722 AND YOUR OWN CHURCH . 1873 01:50:05,432 --> 01:50:07,641 l ALWAYS HAVE HOPES. 1874 01:50:07,809 --> 01:50:11,270 l ALWAYS TH lNK THAT THERE'S MORE TO THE WORLD THAN MEETS YOUR EYE, 1875 01:50:11,438 --> 01:50:14,773 H lDDEN MEAN lNG, SPEClAL MYSTERlES. 1876 01:50:14,941 --> 01:50:17,484 NOTH lNG EVER WORKS, EVER. 1877 01:50:17,652 --> 01:50:19,445 LOOK, MAYBE YOU'RE RlGHT. DON'T GET SO UPSET. 1878 01:50:19,613 --> 01:50:22,781 YOU KNOW AFTER ALL, MY MOTHER lS FLOATlNG AROUND UP THERE. 1879 01:50:22,949 --> 01:50:25,701 BUT HAVE YOU EVER DONE ANYTH lNG EXTRASENSORY lN YOUR LlFE? 1880 01:50:25,869 --> 01:50:27,119 NO. 1881 01:50:27,287 --> 01:50:29,330 YOU WERE RlGHT FROM THE BEGlNN lNG. l'M NOTH lNG. 1882 01:50:29,497 --> 01:50:31,457 lT JUST BEATS BElNG A WAlTRESS. 1883 01:50:31,625 --> 01:50:33,292 lS THAT WHAT YOU WERE, A WAlTRESS? 1884 01:50:33,460 --> 01:50:38,172 WELL, l WANTED TO BE AN ACTRESS, BUT l COULD NEVER FlND ANY WORK, 1885 01:50:38,340 --> 01:50:39,965 SO l HAD TO WAlT ON TABLES. 1886 01:50:40,133 --> 01:50:41,967 lT'S DRUDGERY. 1887 01:50:42,135 --> 01:50:46,472 THEN l MET SOME ASTROLOGER, AND HE TOLD ME THAT THERE'S A LOT OF MONEY 1888 01:50:46,640 --> 01:50:50,809 TO BE MADE lN PSYCH lC PHENOMENA, THAT PEOPLE FLOCK TO lT 1889 01:50:50,977 --> 01:50:53,646 BECAUSE THElR LlVES ARE SO EMPTY. 1890 01:50:53,813 --> 01:50:55,564 SO l TRlED TO LEARN lT. l READ UP. 1891 01:50:55,732 --> 01:51:00,402 l--l GUESS lT'S LlKE ACTlNG, YOU HAVE TO BE BORN WlTH lT. 1892 01:51:00,570 --> 01:51:02,488 WlLL YOU STOP CRYlNG? RELAX. 1893 01:51:02,656 --> 01:51:04,073 l BET YOU'RE A WONDERFUL ACTRESS. 1894 01:51:04,240 --> 01:51:07,284 YOU KNOW, YOU HAVE A VERY-- A PARTlCULARLY SWEET PERSONALlTY, 1895 01:51:07,452 --> 01:51:08,661 YOU KNOW? 1896 01:51:08,828 --> 01:51:10,579 - OH, THANK YOU . - YOU'RE PROBABLY FlNE. 1897 01:51:10,747 --> 01:51:13,248 YOU KNOW, JUST BECAUSE A TH lNG DOESN'T SUCCEED lMMEDlATELY, 1898 01:51:13,416 --> 01:51:15,042 DOESN'T MEAN THAT YOU HAVE TO GlVE lT UP RlGHT AWAY. 1899 01:51:15,210 --> 01:51:17,753 MY LlFE lS A BUST. NOTH lNG l DO COMES OUT RlGHT. 1900 01:51:17,921 --> 01:51:20,214 RELAX, RELAX. TAKE lT EASY. 1901 01:51:20,382 --> 01:51:22,091 LET ME BUY YA DlNNER. YOU'LL FEEL BETTER. 1902 01:51:22,258 --> 01:51:23,842 YOU KNOW, LlSA'S COMlNG BACK LATE TON lGHT. 1903 01:51:24,010 --> 01:51:25,803 SHE HAD TO WORK. l'LL TAKE YA TO DlNNER. 1904 01:51:25,970 --> 01:51:27,471 YOU'LL FEEL--YOU'VE BEEN-- 1905 01:51:27,639 --> 01:51:30,099 THANK YOU VERY MUCH . THANK YOU ANYWAY. 1906 01:51:30,266 --> 01:51:33,644 COME ON, l'LL TAKE YA TO-- ACTUALLY, l PROBABLY SHOULDN'T GO OUT 1907 01:51:33,812 --> 01:51:35,979 BECAUSE MY MOTHER WlLL SEE ME. 1908 01:51:36,690 --> 01:51:39,108 LOOK, YOU WANT ME TO MAKE YOU DlNNER? 1909 01:51:39,275 --> 01:51:40,401 HUH? 1910 01:51:40,568 --> 01:51:41,652 NO, FORGET lT. 1911 01:51:41,820 --> 01:51:42,861 OH, COME ON, PLEASE. LOOK, lT'S THE LEAST l CAN DO. 1912 01:51:43,029 --> 01:51:45,322 COME ON . 1913 01:51:45,490 --> 01:51:48,033 CAN YOU COOK OR YOU JUST STAND OVER THE STOVE 1914 01:51:48,201 --> 01:51:50,327 AND CHANT OR SOMETH lNG? 1915 01:51:51,037 --> 01:51:52,746 l'LL BOlL YOU SOME CH lCKEN . 1916 01:51:52,914 --> 01:51:54,373 GREAT, MY FAVORlTE, BOlLED CH lCKEN . 1917 01:51:54,541 --> 01:51:55,874 lT'S MY MOTHER'S SPEClALTY. 1918 01:51:56,042 --> 01:51:58,419 OF COURSE, SHE MANAGES TO RENDER THE BlRD COMPLETELY DEVOlD 1919 01:51:58,586 --> 01:52:00,379 OF ANY FLAVOR. 1920 01:52:00,547 --> 01:52:01,755 lT'S A CULlNARY MlRACLE. 1921 01:52:01,923 --> 01:52:03,507 ♪♪♪ 1922 01:52:03,675 --> 01:52:05,676 HAVE SOME MORE. YOU ONLY HAD A DRUMSTlCK. 1923 01:52:05,844 --> 01:52:06,802 HUH? 1924 01:52:06,970 --> 01:52:08,095 NO, l'M FULL. 1925 01:52:08,263 --> 01:52:09,596 YOU DlDN'T HAVE ANY POTATO PANCAKES AT ALL. 1926 01:52:09,764 --> 01:52:12,433 l HAD TWO OF THOSE AND l HAD TWO, THREE PlECES OF CH lCKEN . 1927 01:52:12,600 --> 01:52:13,892 YOU STlLL LOOK TH lN TO ME. 1928 01:52:14,060 --> 01:52:15,728 - NO, l'M FlNE. - YOU KNOW WHAT? 1929 01:52:15,895 --> 01:52:17,062 TAKE SOME OF TH lS HOME WlTH YOU . 1930 01:52:17,230 --> 01:52:20,023 l'LL WRAP lT UP, THAT WAY YOU WON'T HAVE TO LEAVE YOUR APARTMENT. 1931 01:52:20,191 --> 01:52:21,775 l KNOW HOW THAT EMBARRASSES YOU . 1932 01:52:21,943 --> 01:52:23,652 NO, BUT, YOU KNOW, HOW MUCH CAN l EAT? 1933 01:52:23,820 --> 01:52:25,446 lT'S--lT WAS VERY GOOD. 1934 01:52:25,613 --> 01:52:26,905 TH lS WAS REALLY DELlClOUS. 1935 01:52:27,073 --> 01:52:28,907 TH lS WAS A VERY GOOD lDEA TO EAT lN . 1936 01:52:29,075 --> 01:52:31,201 lT WAS--l HAD A WONDERFUL TlME, REALLY. 1937 01:52:31,369 --> 01:52:34,371 l MEAN, YOU KNOW, YOU'RE A TERRlFlC STORYTELLER. 1938 01:52:34,539 --> 01:52:40,210 lT WAS, YOU KNOW, l REALLY HAD A N lCE TlME AND l WAS VERY, YOU KNOW, 1939 01:52:40,378 --> 01:52:42,254 THANK YOU FOR EVERYTH lNG. 1940 01:52:42,422 --> 01:52:44,965 l HAD A N lCE TlME TOO. 1941 01:52:46,009 --> 01:52:48,635 SO, UM, l SHOULD GO, RlGHT? 1942 01:52:48,803 --> 01:52:53,474 BECAUSE NOW, l--l'VE EATEN AND, YOU KNOW, l SHOULD--l HAVE TO BE 1943 01:52:53,641 --> 01:52:56,226 HOME ANYHOW BECAUSE PROBABLY-- THANK YOU AGAlN . 1944 01:52:56,394 --> 01:52:57,519 OKAY. 1945 01:52:57,687 --> 01:52:58,854 - WHAT lS TH lS? - HERE YOU GO. 1946 01:52:59,022 --> 01:53:01,899 TH lS lS THE CH lCKEN AND JUST A LlTTLE PANCAKE TO GO. 1947 01:53:02,066 --> 01:53:03,400 - THANK YOU VERY MUCH . - YOU'RE WELCOME. 1948 01:53:03,568 --> 01:53:05,611 NO, REALLY. 1949 01:53:05,779 --> 01:53:07,780 - l'M GLAD YOU STAYED. - THANK YOU . 1950 01:53:07,947 --> 01:53:11,200 l--YOU, LlKE l SAlD, YOU KNOW, l HAD A VERY RELAXED TlME. 1951 01:53:11,367 --> 01:53:13,202 lT WAS--l LlKED ALL THE FOOD. 1952 01:53:13,369 --> 01:53:14,912 lT WAS--lT WAS WONDERFUL. 1953 01:53:15,079 --> 01:53:16,330 YEAH . 1954 01:53:16,498 --> 01:53:18,123 - SO. - GOOD. 1955 01:53:18,291 --> 01:53:21,293 WE SHOULD DO TH lS AGAlN SOMETlME ACTUALLY lF-- 1956 01:53:21,461 --> 01:53:22,795 YEAH . 1957 01:53:22,962 --> 01:53:24,963 YOU KNOW. 1958 01:53:25,131 --> 01:53:28,884 WELL, l GUESS YOU BETTER GO, HUH? 1959 01:53:29,052 --> 01:53:31,804 l MEAN, LlSA WlLL BE EXPECTlNG YOU . 1960 01:53:31,971 --> 01:53:34,973 RlGHT. RlGHT. 1961 01:53:35,141 --> 01:53:36,683 SO OKAY, SO THANK YOU . 1962 01:53:36,851 --> 01:53:39,311 OKAY. 1963 01:53:39,479 --> 01:53:40,896 - SO GOOD N lGHT. - GOOD N lGHT. 1964 01:53:41,064 --> 01:53:42,231 GOOD N lGHT. 1965 01:53:42,398 --> 01:53:47,444 DlNNER WAS WONDERFUL, YOU KNOW. SORRY. 1966 01:53:48,029 --> 01:53:49,321 THANK YOU VERY MUCH THOUGH, FOR EVERYTH lNG. 1967 01:53:49,489 --> 01:53:51,281 YOU'RE WELCOME. 1968 01:53:51,449 --> 01:53:54,409 lT WAS A N lCE lDEA TO FLOSS BETWEEN EVERY COURSE. 1969 01:53:54,577 --> 01:53:56,954 NEVER DONE THAT BEFORE. 1970 01:53:58,039 --> 01:54:01,458 [DOOR CLOSlNG] 1971 01:54:02,502 --> 01:54:50,841 ♪♪♪ 1972 01:54:57,390 --> 01:55:01,226 DEAR SHELDON, l'VE TAKEN THE KlDS AND GONE TO MY SlSTER'S lN VERMONT. 1973 01:55:01,394 --> 01:55:04,646 l TH lNK lT'S BEST WE END TH lNGS QU lCKLY AND QU lETLY. 1974 01:55:04,814 --> 01:55:08,317 LATELY, ALL WE DO lS FlGHT. MAYBE YOUR MOTHER'S RlGHT. 1975 01:55:08,484 --> 01:55:10,819 MAYBE YOU SHOULDN'T RUSH lNTO ANYTH lNG. 1976 01:55:10,987 --> 01:55:13,196 ANYHOW, l CAN'T HANDLE lT ANYMORE. 1977 01:55:13,364 --> 01:55:17,284 lT'S FUNNY, YOU WAKE UP ONE DAY AND SUDDENLY YOU'RE OUT OF LOVE. 1978 01:55:17,452 --> 01:55:19,912 LlFE lS ODD. ALL THE BEST TO YOU . 1979 01:55:20,079 --> 01:55:23,540 LlSA. 1980 01:55:38,389 --> 01:56:42,244 ♪♪♪ 1981 01:56:42,412 --> 01:56:43,745 SHELDON . 1982 01:56:43,913 --> 01:56:48,458 SHELDON, WAKE UP, lT'S MORN lNG. 1983 01:56:49,002 --> 01:56:51,545 MOTHER! MOTHER! 1984 01:56:51,713 --> 01:56:54,006 MOM! MOM! 1985 01:56:54,173 --> 01:56:56,216 l WANT YOU TO MEET MY NEW FlANCEE! 1986 01:56:56,384 --> 01:56:57,926 WHAT HAPPENED TO THE OTHER ONE? 1987 01:56:58,094 --> 01:56:59,302 SHE'S GONE. 1988 01:56:59,470 --> 01:57:01,179 TREVA, YOU NEVER OFFlClALLY MET MY MOTHER. 1989 01:57:01,347 --> 01:57:02,431 NO. 1990 01:57:02,598 --> 01:57:03,849 HELLO! H l . 1991 01:57:04,017 --> 01:57:05,100 l LOVE YOUR SON . 1992 01:57:05,268 --> 01:57:08,520 OF COURSE HE COULD USE A LlTTLE FATTEN lNG, BUT OTHERWlSE HE'S A DOLL. 1993 01:57:08,688 --> 01:57:11,898 AH-HA. SEE, NOW HER l LlKE. 1994 01:57:12,066 --> 01:57:14,151 - ME TOO. - GOOD. 1995 01:57:14,318 --> 01:57:17,237 NOW l'LL COME DOWN . 1996 01:57:19,949 --> 01:57:22,034 WHERE DlD SHE GO? 1997 01:57:23,036 --> 01:57:25,662 l DON'T KNOW. SHE JUST DlSAPPEARED. 1998 01:57:26,664 --> 01:57:27,914 THAT'S FUNNY. 1999 01:57:28,082 --> 01:57:30,375 HERE l AM. HERE, SON . 2000 01:57:30,543 --> 01:57:34,046 HERE l AM. 2001 01:57:34,213 --> 01:57:35,797 YOO-HOO. HA, HA. 2002 01:57:35,965 --> 01:57:37,174 - MOM. - WHAT? 2003 01:57:37,341 --> 01:57:38,925 - ARE YOU OKAY? - AM l OKAY? 2004 01:57:39,093 --> 01:57:41,386 OF COURSE. WHEN AM l NOT OKAY? 2005 01:57:41,554 --> 01:57:44,264 HELLO, MRS. MlLLSTElN . l'M TREVA. 2006 01:57:44,432 --> 01:57:45,724 N lCE TO MEET YOU . 2007 01:57:45,892 --> 01:57:47,184 THANK YOU . THANK YOU . 2008 01:57:47,351 --> 01:57:48,810 l'M GLAD. l'M GLAD. 2009 01:57:48,978 --> 01:57:50,520 OH, YOU PlCKED SUCH A LOVELY LADY. 2010 01:57:50,688 --> 01:57:52,939 SO DO YOU HAVE ANY PlCTURES OF H lM WHEN HE WAS A BOY? 2011 01:57:53,107 --> 01:57:54,483 DO l HAVE PlCTURES? 2012 01:57:54,650 --> 01:57:56,651 - YEAH . - LOOK. 2013 01:57:56,819 --> 01:58:00,947 HERE, RlGHT FROM THE BEGlNN lNG. HE'S 6 MONTHS OLD. 2014 01:58:01,115 --> 01:58:02,491 SEE H lS MOUTH? 2015 01:58:02,658 --> 01:58:04,367 - YEAH, HE'S CRYlNG. - lT WAS ALWAYS OPEN . 2016 01:58:04,535 --> 01:58:06,286 - ALWAYS YELLlNG. - HE LOOKS SO UPSET. 2017 01:58:06,454 --> 01:58:08,205 HE WAS A PAlN lN THE NECK AT THAT TlME. 2018 01:58:08,372 --> 01:58:09,456 REALLY? 2019 01:58:09,624 --> 01:58:10,749 OH, SURE. 2020 01:58:10,917 --> 01:58:13,668 WHEN HE GOT A LlTTLE OLDER, WELL, lT WAS A LlTTLE BETTER. 2021 01:58:13,836 --> 01:58:15,378 HERE l AM. 2022 01:58:15,546 --> 01:58:18,548 WE'RE ON THE BEACH HERE, SEE. 2023 01:58:19,425 --> 02:00:43,860 ♪♪♪ 2024 02:00:44,028 --> 02:00:48,823 ♪ PEOPLE WlLL TALK, ESPEClALLY THE FOOLS ♪ 2025 02:00:48,991 --> 02:00:53,745 ♪ PEOPLE WlLL TALK, WHEN THERE'S NOTH lNG LEFT TO DO ♪ 2026 02:00:53,913 --> 02:00:58,750 ♪ PEOPLE WlLL TALK, REGARDLESS OF THE RULES ♪ 2027 02:00:58,918 --> 02:01:04,673 ♪ PEOPLE WlLL TALK, TALK, TALK, TALK TOO MUCH ♪ 2028 02:01:04,840 --> 02:01:07,425 ♪ OOLA SAYS THAT CARLA SAYS THAT, OMN l ♪ 2029 02:01:07,593 --> 02:01:12,305 ♪ SAYS THAT OOPA lS A STOOGE ♪ 2030 02:01:12,473 --> 02:01:15,433 ♪ HOSANA SAYS THAT AFl KEEPS AN ALLlGATOR ♪ 2031 02:01:15,601 --> 02:01:18,937 ♪ lN H lS SWlMMlNG POOL ♪ 2032 02:01:19,105 --> 02:01:23,817 ♪ PEOPLE WlLL TALK, ESPEClALLY THE FOOLS ♪ 2033 02:01:23,985 --> 02:01:28,863 ♪ PEOPLE WlLL TALK, WHEN THERE'S NOTH lNG ELSE TO DO ♪ 2034 02:01:29,031 --> 02:01:33,827 ♪ PEOPLE WlLL TALK, REGARDLESS OF THE RULES ♪ 2035 02:01:33,995 --> 02:01:38,957 ♪ PEOPLE WlLL TALK, TALK, TALK, TALK TOO MUCH ♪ 2036 02:01:39,750 --> 02:01:43,128 ♪ SOPH lE SAYS THAT STACY'S GOT PSORlASlS ♪ 2037 02:01:43,296 --> 02:01:47,090 ♪ FROM lMlTATlON PEARLS ♪ 2038 02:01:47,258 --> 02:01:49,467 ♪ AND MOOGGlE* SAYS THE COLEMAN BROTHERS ♪ 2039 02:01:49,635 --> 02:01:53,972 ♪ LlKE TO DRESS UP AND PRETEND THEY'RE GlRLS ♪ 2040 02:01:54,140 --> 02:01:58,977 ♪ PEOPLE WlLL TALK, OOH, ESPEClALLY THE FOOLS ♪ 2041 02:01:59,145 --> 02:02:03,898 ♪ PEOPLE WlLL TALK, WHEN THERE'S NOTH lNG ELSE TO DO ♪ 2042 02:02:04,066 --> 02:02:08,987 ♪ PEOPLE WlLL TALK, REGARDLESS OF THE RULES ♪ 2043 02:02:09,155 --> 02:02:13,616 ♪ PEOPLE WlLL TALK, TALK, TALK, TALK TOO MUCH ♪ 2044 02:02:15,328 --> 02:02:42,395 ♪♪♪ 2045 02:02:42,563 --> 02:02:48,693 ♪ WE SKlPPED A LlGHT FANDANGO ♪ 2046 02:02:48,861 --> 02:02:52,697 ♪ TURNED CARTWHEELS 'CROSS THE FLOOR ♪ 2047 02:02:55,201 --> 02:03:01,373 ♪ l WAS FEELlNG KlND OF SEASlCK ♪ 2048 02:03:01,540 --> 02:03:06,169 ♪ BUT THE CROWD CALLED OUT FOR MORE ♪ 2049 02:03:08,172 --> 02:03:14,135 ♪ THE ROOM WAS HUMMlNG HARDER ♪ 2050 02:03:14,303 --> 02:03:18,098 ♪ AS THE CElLlNG FLEW AWAY ♪ 2051 02:03:20,601 --> 02:03:25,522 ♪ WHEN WE CALLED OUT FOR ANOTHER DRlNK ♪ 2052 02:03:27,108 --> 02:03:31,069 ♪ THE WAlTER BROUGHT A TRAY ♪ 2053 02:03:31,237 --> 02:03:36,950 ♪ AND SO lT WAS, BABY ♪ 2054 02:03:40,079 --> 02:03:44,416 ♪ AS THE MlLLER TOLD H lS TALE ♪ 2055 02:03:46,710 --> 02:03:51,381 ♪ THAT HER FACE AT FlRST JUST GHOSTLY ♪ 2056 02:03:51,549 --> 02:03:57,595 ♪ TURNED A WH lTER SHADE OF PALE ♪♪ 2057 02:03:58,347 --> 02:04:22,412 ♪♪♪ 142741