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PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,250 --> 00:00:06,120
MAY I PRESENT DETECTIVE
KELLY RONSON?
3
00:00:06,190 --> 00:00:09,130
OLD HOMICIDE OF MINE MIGHT GET
RE‐OPENED OFF DNA.
4
00:00:09,190 --> 00:00:10,490
DO YOU REMEMBER A GUY
5
00:00:10,550 --> 00:00:12,880
THAT WE PUT AWAY IN '86‐‐
LEONARD PEELER?
6
00:00:12,950 --> 00:00:14,850
BLACK GUY?
RAPED AND KILLED A WHITE GIRL.
7
00:00:14,920 --> 00:00:16,150
MAYBE WE MISSED SOMETHING.
8
00:00:16,220 --> 00:00:17,680
DID YOU ARREST
THE WRONG MAN?
9
00:00:17,750 --> 00:00:20,350
IS THE PERSON WHO RAPED
MY DAUGHTER STILL OUT THERE?
10
00:00:20,420 --> 00:00:22,420
I DIDN'T RAPE THAT GIRL!
I DIDN'T KILL THAT GIRL!
11
00:00:22,490 --> 00:00:24,130
I WANT TO KNOW
WHAT HAPPENED, LEONARD.
12
00:00:24,190 --> 00:00:25,460
YOU WANT TO COVER YOUR ASS
13
00:00:25,520 --> 00:00:27,450
SO YOU DON'T HAVE TO FACE UP
TO WHAT YOU'VE DONE TO ME!
14
00:00:27,520 --> 00:00:29,450
A JURY CONVICTED
THIS GUY, ANDY.
15
00:00:29,520 --> 00:00:32,220
HE DIDN'T DO IT, THOUGH.
HE DIDN'T DO THE CRIME.
16
00:00:44,190 --> 00:00:46,590
THE GUY WAS FOUND SLUMPED OVER
ON THE STOOP
17
00:00:46,650 --> 00:00:47,680
AT DELANCEY AND RIDGE.
18
00:00:47,750 --> 00:00:50,450
NO I. D., NO SHOES OR SHIRT,
BLEEDING FROM THE HEAD.
19
00:00:50,520 --> 00:00:52,720
RESIDENT OF THE BUILDING
CALLED IT IN.
20
00:00:52,790 --> 00:00:53,690
HE STABBED?
21
00:00:53,750 --> 00:00:55,020
NO, SHOT IN THE HEAD.
22
00:00:55,090 --> 00:00:57,930
DOC SAYS THE BULLET'S
LODGED BEHIND HIS EAR.
23
00:00:57,990 --> 00:01:00,160
THE GUY SHOULD BUY
A LOTTERY TICKET.
24
00:01:00,220 --> 00:01:01,350
HOW'S HE DOING?
25
00:01:01,420 --> 00:01:03,920
STABLE, ALERT.
HE'S TOUGH AS NAILS.
26
00:01:03,990 --> 00:01:05,260
HE SAY WHO SHOT HIM?
27
00:01:05,320 --> 00:01:06,750
SAYS HE CAN'T REMEMBER...
28
00:01:06,820 --> 00:01:09,950
OR HIS NAME OR HIS MOTHER'S NAME
OR HIS ADDRESS, EVEN.
29
00:01:10,020 --> 00:01:11,020
WHAT, LIKE AMNESIA?
30
00:01:11,090 --> 00:01:12,660
THAT'S WHAT HE'S SAYING.
31
00:01:12,720 --> 00:01:13,920
YOU GOT SOME DOUBT?
32
00:01:13,990 --> 00:01:16,360
TRAUMATIC AMNESIA CAN
WIPE OUT THE EVENT,
33
00:01:16,420 --> 00:01:18,750
LIKE THE MOMENT HE ACTUALLY
GOT SHOT
34
00:01:18,820 --> 00:01:20,820
OR MAYBE A SHORT PERIOD
BEFORE,
35
00:01:20,890 --> 00:01:22,590
BUT HIS NAME,
HIS MOTHER'S NAME?
36
00:01:22,650 --> 00:01:25,150
NO, NO ONE AROUND HERE
HAS SEEN THAT BEFORE.
37
00:01:25,220 --> 00:01:26,680
YOU GONNA OPERATE ON HIM?
38
00:01:26,750 --> 00:01:28,220
BULLET'S LODGED IN THE BONE.
39
00:01:28,290 --> 00:01:30,690
GOING AFTER IT WOULD DO MORE
HARM THAN GOOD.
40
00:01:30,750 --> 00:01:31,920
CAN I TALK TO HIM?
41
00:01:31,990 --> 00:01:33,790
YEAH, JUST TRY
TO KEEP HIM CALM.
42
00:01:33,850 --> 00:01:35,050
HE'S PRETTY FREAKED OUT.
43
00:01:35,120 --> 00:01:37,680
DETECTIVE CLARK.
44
00:01:37,750 --> 00:01:39,120
HI.
45
00:01:39,190 --> 00:01:40,290
YOU GOT SHOT.
46
00:01:40,350 --> 00:01:42,380
THAT'S WHAT
THEY'RE TELLING ME.
47
00:01:42,450 --> 00:01:44,820
AND YOU GOT NO IDEA
WHO DID IT?
48
00:01:44,890 --> 00:01:46,230
I REALLY DON'T.
49
00:01:46,290 --> 00:01:48,690
DELANCEY AND RIDGE,
YOU LIVE NEAR THERE?
50
00:01:48,750 --> 00:01:50,680
I HONESTLY DON'T KNOW.
I‐‐
51
00:01:50,750 --> 00:01:51,850
FRIENDS NEAR THERE?
52
00:01:51,920 --> 00:01:53,680
I DON'T KNOW.
YOU KNOW, MAYBE.
53
00:01:53,750 --> 00:01:54,980
"MAYBE" LIKE YOU DO
54
00:01:55,050 --> 00:01:57,480
AND YOU'RE NOT READY
TO REMEMBER IT YET?
55
00:01:57,550 --> 00:02:00,450
"MAYBE" LIKE MAYBE.
I CAN'T REALLY SAY FOR SURE.
56
00:02:00,520 --> 00:02:03,350
SO, UH, WHEN DOES YOUR
MEMORY BEGIN?
57
00:02:03,420 --> 00:02:06,080
WHEN THE POLICEMAN NUDGED ME
AWAKE ON THE STOOP.
58
00:02:06,150 --> 00:02:07,880
BEFORE THAT,
IT'S JUST BLANK.
59
00:02:07,950 --> 00:02:10,780
OKAY, WELL,
I TELL YOU WHAT,
60
00:02:10,850 --> 00:02:13,620
THESE DETECTIVES ARE GONNA TAKE
A PHOTOGRAPH OF YOU
61
00:02:13,690 --> 00:02:14,960
AND GET YOUR FINGERPRINTS.
62
00:02:15,020 --> 00:02:16,320
YOU THINK I'M A CRIMINAL?
63
00:02:16,390 --> 00:02:18,830
OR YOU WERE BONDED OR WORK
FOR THE GOVERNMENT.
64
00:02:18,890 --> 00:02:20,230
RIGHT, RIGHT, GOT IT.
65
00:02:20,290 --> 00:02:22,230
OKAY, WE'LL DO THAT,
AND WE'LL GO FROM THERE.
66
00:02:22,290 --> 00:02:24,590
ALL RIGHT, GOOD, GOOD.
I'D LIKE TO KNOW WHO I AM.
67
00:02:24,650 --> 00:02:27,080
IT'S PRETTY DISTRESSING,
IF YOU KNOW WHAT I MEAN.
68
00:02:27,150 --> 00:02:29,450
OKAY, WE'LL GET TO WORK
ON IT.
69
00:02:36,890 --> 00:02:38,460
DNA DOESN'T LIE, YOUR HONOR,
70
00:02:38,520 --> 00:02:41,380
AND, IN THIS CASE,
THE DNA SAYS BEYOND ANY DOUBT
71
00:02:41,450 --> 00:02:43,550
THAT LEONARD PEELER
IS NOT THE MAN
72
00:02:43,620 --> 00:02:45,880
WHO RAPED AND KILLED
CINDY CLIFTON.
73
00:02:45,950 --> 00:02:47,280
THAT'S RIGHT!
74
00:02:47,350 --> 00:02:50,320
THAT HAPPENS AGAIN,
I AM CLEARING THE ROOM.
75
00:02:50,390 --> 00:02:51,560
GO ON.
76
00:02:51,620 --> 00:02:53,920
SOMETHING WENT WRONG HERE,
YOUR HONOR.
77
00:02:53,990 --> 00:02:57,690
AS A RESULT, 18 YEARS OF THIS
MAN'S LIFE WERE STOLEN FROM HIM.
78
00:02:57,750 --> 00:02:59,220
STATE YOUR CASE, COUNSELOR.
79
00:02:59,290 --> 00:03:00,990
I URGE YOU
TO GRANT THE MOTION
80
00:03:01,050 --> 00:03:02,820
TO GIVE LEONARD PEELER
HIS FREEDOM.
81
00:03:02,890 --> 00:03:05,730
I'VE SPOKEN WITH A. D. A. HAYWOOD,
AND SHE DOES NOT OPPOSE IT.
82
00:03:05,790 --> 00:03:08,560
THAT'S CORRECT, YOUR HONOR,
THE STATE DOES NOT OPPOSE
83
00:03:08,620 --> 00:03:11,080
AS LONG AS THE DISMISSAL
IS WITHOUT PREJUDICE
84
00:03:11,150 --> 00:03:13,750
AS WE RESERVE THE RIGHT TO
REFILE AGAINST MR. PEELER.
85
00:03:13,820 --> 00:03:15,250
I'M GRANTING THE MOTION.
86
00:03:15,320 --> 00:03:17,650
I'M VACATING THE CONVICTION,
EFFECTIVE IMMEDIATELY.
87
00:03:17,720 --> 00:03:20,320
MR. PEELER, I'M RELEASING YOU
FROM CUSTODY.
88
00:03:20,390 --> 00:03:23,090
I ASK FOR YOUR PATIENCE
DURING THE SHORT TIME
89
00:03:23,150 --> 00:03:25,120
IT WILL TAKE
TO FACILITATE THAT.
90
00:03:25,190 --> 00:03:26,630
ANYTHING FURTHER, COUNSEL?
91
00:03:26,690 --> 00:03:28,330
NO, YOUR HONOR.
THANK YOU, YOUR HONOR.
92
00:03:28,390 --> 00:03:29,790
THIS COURT IS IN RECESS.
93
00:03:29,850 --> 00:03:33,220
[ CHEERS AND APPLAUSE ]
94
00:05:03,120 --> 00:05:05,480
PRINTS ON THIS JOHN DOE
CAME UP EMPTY‐‐ NO RECORD.
95
00:05:05,550 --> 00:05:07,350
THIS GUY DOESN'T
REMEMBER SQUAT?
96
00:05:07,420 --> 00:05:09,880
NOTHING FROM BEFORE WHEN HE
GOT PICKED UP THIS MORNING.
97
00:05:09,950 --> 00:05:13,080
CHILDHOOD MEMORIES, WHAT
ICE CREAM TASTES LIKE, NOTHING?
98
00:05:13,150 --> 00:05:15,320
THAT'S WHAT HE CLAIMS.
"CLAIMS," EXACTLY.
99
00:05:15,390 --> 00:05:17,390
MY BULLSHIT DETECTOR
IS IN THE RED HERE.
100
00:05:17,450 --> 00:05:19,680
RITA AND I COULD HEAD DOWN
WHERE THEY FOUND HIM,
101
00:05:19,750 --> 00:05:20,820
SHOW HIS PICTURE AROUND.
102
00:05:20,890 --> 00:05:22,630
GOOD. I LIKE THAT.
103
00:05:26,390 --> 00:05:28,730
HEY, SO THEY CUT
PEELER LOOSE?
104
00:05:28,790 --> 00:05:30,860
YEAH.
105
00:05:30,920 --> 00:05:32,680
DON'T LET IT GET YOU DOWN,
ANDY.
106
00:05:32,750 --> 00:05:35,750
YOU KNOW, I JUST NEED A LITTLE
TIME HERE, GUYS. THANKS.
107
00:05:39,090 --> 00:05:40,530
HOPE YOU DON'T MIND.
108
00:05:40,590 --> 00:05:42,860
MAYBE A FRESH PAIR OF EYES
WOULDN'T HURT
109
00:05:42,920 --> 00:05:44,050
BECAUSE, OBVIOUSLY,
110
00:05:44,120 --> 00:05:46,250
I MIGHT HAVE MISSED
SOMETHING BACK THEN.
111
00:05:49,350 --> 00:05:53,050
SO, ANYTHING JUMP OUT
AT YOU?
112
00:05:53,120 --> 00:05:55,380
ANN MARIE FUSCO‐‐
113
00:05:55,450 --> 00:05:58,050
SHE'S WHO PEELER CLAIMED HE WAS
WITH THE NIGHT OF THE CRIME.
114
00:05:58,120 --> 00:05:59,320
YEAH, BUT HE WASN'T,
115
00:05:59,390 --> 00:06:01,360
AND THAT'S ONE OF THE THINGS
THAT PUT HIM AWAY.
116
00:06:01,420 --> 00:06:02,920
IT'S ANN MARIE SULLIVAN NOW.
117
00:06:02,990 --> 00:06:04,890
SHE MIGHT BE A GOOD PLACE
TO START AGAIN.
118
00:06:04,950 --> 00:06:08,120
I'VE BEEN TRYING TO GET AHOLD
OF HER THE LAST FEW DAYS.
119
00:06:08,190 --> 00:06:10,460
DID SHE CALL BACK HERE‐‐
ANN MARIE SULLIVAN?
120
00:06:10,520 --> 00:06:12,450
NOT WHEN I'VE BEEN
AT THE DESK.
121
00:06:12,520 --> 00:06:14,450
LET'S GO TALK TO HER
AT HER JOB.
122
00:06:14,520 --> 00:06:17,650
YOU WANT ME WORKING THIS
WITH YOU?
YEAH.
123
00:06:17,720 --> 00:06:19,950
WHERE YOU GOING?
124
00:06:20,020 --> 00:06:21,180
NOW THAT PEELER'S SPRUNG,
125
00:06:21,250 --> 00:06:23,380
THIS CASE IS BACK
TO AN OPEN HOMICIDE.
126
00:06:23,450 --> 00:06:25,520
THE D. A. SQUAD IS LOOKING
TO TAKE IT OVER.
127
00:06:25,590 --> 00:06:27,560
THEY CALLED ASKING FOR
YOUR FOLDER.
128
00:06:31,620 --> 00:06:35,280
NO ONE GOES NEAR THAT THING
OTHER THAN ME OR JUNIOR.
129
00:06:36,650 --> 00:06:39,680
IF YOU CAN GET THEM
TO HOLD OFF FOR A WEEK,
130
00:06:39,750 --> 00:06:41,020
I'D APPRECIATE IT.
131
00:06:41,090 --> 00:06:43,660
I'M TAKING THIS CASE
A LITTLE PERSONAL.
132
00:06:43,720 --> 00:06:44,720
ALL RIGHT.
133
00:06:59,820 --> 00:07:01,680
ANN MARIE?
134
00:07:01,750 --> 00:07:02,950
DETECTIVE SIPOWICZ.
135
00:07:03,020 --> 00:07:04,880
THIS IS MY PARTNER,
JOHN CLARK.
136
00:07:04,950 --> 00:07:06,920
I'M COMPLETELY SWAMPED
RIGHT NOW.
137
00:07:06,990 --> 00:07:09,090
COULD WE DO THIS LATER?
NO, I'M SORRY.
138
00:07:09,150 --> 00:07:11,150
I LEFT A COUPLE MESSAGES
FOR YOU.
139
00:07:11,220 --> 00:07:13,720
WE'RE LAUNCHING A NEW LINE
IN LESS THAN A MONTH,
140
00:07:13,790 --> 00:07:16,490
AND, TO BE HONEST WITH YOU,
I'M NOT EXACTLY EAGER
141
00:07:16,550 --> 00:07:18,980
TO GET INVOLVED IN THIS
WHOLE THING AGAIN.
142
00:07:19,050 --> 00:07:20,280
WE'LL MAKE IT BRIEF THEN.
143
00:07:20,350 --> 00:07:23,180
[ SIGHS ]
I'D APPRECIATE IT.
144
00:07:23,250 --> 00:07:24,850
LEONARD PEELER'S
BEEN RELEASED.
145
00:07:24,920 --> 00:07:27,720
YEAH, I HEARD HE MIGHT BE,
BUT NOT ACQUITTED, RIGHT?
146
00:07:27,790 --> 00:07:28,830
RIGHT.
147
00:07:28,890 --> 00:07:30,930
HE STILL MAY HAVE BEEN
INVOLVED,
148
00:07:30,990 --> 00:07:32,360
BUT SOMETHING'S COME UP.
149
00:07:32,420 --> 00:07:34,220
THE DNA AND THAT GUY
IN PRISON
150
00:07:34,290 --> 00:07:36,560
THAT LEONARD PEELER
SUPPOSEDLY CONFESSED TO.
151
00:07:36,620 --> 00:07:38,680
I'VE BEEN FOLLOWING IT
IN THE PAPERS.
152
00:07:38,750 --> 00:07:39,950
AS YOU KNOW,
153
00:07:40,020 --> 00:07:42,380
ONE OF THE THINGS THAT DID
GET HIM CONVICTED
154
00:07:42,450 --> 00:07:44,850
IS HIM SAYING THAT HE WAS
WITH YOU THAT NIGHT.
155
00:07:44,920 --> 00:07:46,320
YEAH, AND HE WASN'T.
156
00:07:46,390 --> 00:07:49,160
ARE WE REALLY GONNA REHASH
THIS WHOLE THING?
157
00:07:49,220 --> 00:07:51,080
WE'RE INVESTIGATING A MURDER.
158
00:07:51,150 --> 00:07:54,050
WHICH TOOK PLACE, WHAT,
20 YEARS AGO?
159
00:07:54,120 --> 00:07:56,050
18, AND THAT DOESN'T MAKE
ANY DIFFERENCE TO ME.
160
00:07:56,120 --> 00:07:58,880
HOW WELL DID YOU KNOW
PEELER BACK THEN?
161
00:07:58,950 --> 00:08:01,020
WE BOTH WORKED
AT ALTMAN'S.
162
00:08:01,090 --> 00:08:04,130
I DID WEEKENDS AT THE
COSTUME‐JEWELRY COUNTER.
163
00:08:04,190 --> 00:08:06,990
HE WAS IN THE LOADING DOCK
OR SOMETHING.
164
00:08:07,050 --> 00:08:08,950
WE'D SEE EACH OTHER
WHEN I CAME IN,
165
00:08:09,020 --> 00:08:10,350
NEVER OUTSIDE OF WORK.
166
00:08:10,420 --> 00:08:13,150
HE KNEW YOU LIVED IN THE SAME
AREA AS THE D. O. A. GIRL,
167
00:08:13,220 --> 00:08:15,420
WHICH IS WHY HE TRIED TO USE YOU
AS AN ALIBI.
168
00:08:15,490 --> 00:08:17,760
I DON'T KNOW HOW HE GOT
MY ADDRESS.
169
00:08:17,820 --> 00:08:19,280
MAYBE FROM SOMEBODY
AT WORK.
170
00:08:19,350 --> 00:08:21,250
WHY WOULD HE CLAIM THAT
HE SLEPT WITH YOU,
171
00:08:21,320 --> 00:08:23,420
KNOWING THAT THE DETECTIVES
WOULD COME RIGHT TO YOU?
172
00:08:23,490 --> 00:08:26,330
I'M NOT A CRIMINAL PSYCHOLOGIST.
I HAVE NO IDEA.
173
00:08:26,390 --> 00:08:29,030
NOW, I'M SORRY,
BUT I GOTTA GET BACK TO WORK.
174
00:08:29,090 --> 00:08:31,090
BUT, JUST SO WE'RE CLEAR,
ANN MARIE,
175
00:08:31,150 --> 00:08:33,880
BEFORE WE GO FORWARD ON THIS
AND DO EVERYTHING WE CAN
176
00:08:33,950 --> 00:08:35,850
TO PUT LEONARD PEELER BACK
IN PRISON
177
00:08:35,920 --> 00:08:37,580
AND NOT FOCUS
ON THE POSSIBILITY
178
00:08:37,650 --> 00:08:40,380
THAT IT WAS SOMEONE ELSE WHO
STILL MIGHT BE OUT THERE,
179
00:08:40,450 --> 00:08:42,380
PEELER WASN'T WITH YOU
THAT NIGHT?
180
00:08:42,450 --> 00:08:44,250
I WAS ALONE.
181
00:08:44,320 --> 00:08:46,920
NOW, WHETHER HE KILLED
THAT GIRL OR NOT,
182
00:08:46,990 --> 00:08:49,090
I DON'T KNOW ANYTHING
ABOUT THAT.
183
00:08:49,150 --> 00:08:50,480
WHY ARE YOU SO UPSET?
184
00:08:50,550 --> 00:08:53,520
BECAUSE HE'S OUT NOW,
AND HE COULD COME AFTER ME,
185
00:08:53,590 --> 00:08:56,360
AND I DON'T WANT TO DEAL
WITH THIS ANYMORE!
186
00:09:05,350 --> 00:09:07,980
THE GUY STILL DON'T
REMEMBER NOTHING, HUH?
187
00:09:08,050 --> 00:09:09,120
NO, NOT YET.
188
00:09:09,190 --> 00:09:11,030
THAT'S THE DAMNEDEST THING.
189
00:09:13,390 --> 00:09:15,830
THIS YOUNG LADY NAMED
SUE MONROE LIVES THERE,
190
00:09:15,890 --> 00:09:17,060
BUT SHE'S AT WORK, THOUGH.
191
00:09:17,120 --> 00:09:18,720
[ KNOCK ON DOOR ]
192
00:09:18,790 --> 00:09:20,760
THAT APARTMENT THERE
IS EMPTY.
193
00:09:20,820 --> 00:09:23,920
I'M STILL TRYING
TO RENT IT.
194
00:09:23,990 --> 00:09:25,860
[ DOOR OPENS ]
195
00:09:25,920 --> 00:09:26,920
HI.
196
00:09:26,990 --> 00:09:28,960
WHAT'S YOUR NAME?
197
00:09:29,020 --> 00:09:30,880
CÓMO TE LLAMAS?
198
00:09:30,950 --> 00:09:32,220
CORISA.
199
00:09:34,140 --> 00:09:35,240
YES?
200
00:09:35,310 --> 00:09:36,710
DETECTIVES, MA'AM.
201
00:09:36,770 --> 00:09:39,240
DID YOU SEE THIS MAN OUTSIDE
THE BUILDING THIS MORNING?
202
00:09:39,310 --> 00:09:40,410
NO, I'M SORRY.
203
00:09:45,470 --> 00:09:47,300
THOUGHT YOU SAID
THAT APARTMENT WAS VACANT.
204
00:09:47,370 --> 00:09:48,700
WRONG FLOOR.
205
00:09:48,770 --> 00:09:51,900
THE ONE UPSTAIRS IS...
I THINK.
206
00:09:51,970 --> 00:09:54,070
WHY DOES IT LOOK LIKE YOU JUST
SWALLOWED A BUG, MR. TOLLINS?
207
00:09:54,140 --> 00:09:55,740
I DIDN'T. I'M NOT.
208
00:09:55,810 --> 00:09:59,380
WHAT'S GOING ON
IN THIS APARTMENT?
209
00:09:59,440 --> 00:10:01,000
NOTHING, WHY?
210
00:10:01,070 --> 00:10:02,300
OPEN IT.
211
00:10:02,370 --> 00:10:06,100
AM I ALLOWED TO DO THAT,
I MEAN, LEGALLY?
212
00:10:06,170 --> 00:10:07,470
DIDN'T I JUST TELL YOU TO?!
213
00:10:14,610 --> 00:10:17,250
CORISA, DÓNDE ESTÁS?
214
00:10:17,310 --> 00:10:19,780
WAIT RIGHT THERE.
215
00:10:30,010 --> 00:10:31,310
IT'S EMPTY.
216
00:10:31,370 --> 00:10:33,500
THE WINDOW TO THE FIRE ESCAPE
IS OPEN.
217
00:10:33,570 --> 00:10:34,540
NO SIGN OF THEM.
218
00:10:34,610 --> 00:10:37,050
CONDOM WRAPPERS.
219
00:10:37,110 --> 00:10:38,180
[ CREAKING ]
220
00:10:46,140 --> 00:10:47,700
ON YOUR FEET.
OKAY, OKAY.
221
00:10:47,770 --> 00:10:49,670
MOVE IT!
OKAY, OKAY!
222
00:10:52,510 --> 00:10:54,650
SIT THERE.
223
00:10:54,710 --> 00:10:57,710
YOU KNOW, I JUST CAME HERE
FOR A LEGITIMATE MASSAGE.
224
00:10:57,770 --> 00:10:59,840
WHAT DO YOU KNOW ABOUT THE
PEOPLE WHO WERE HERE?
225
00:10:59,910 --> 00:11:01,580
ONLY BEEN HERE
A COUPLE OF WEEKS.
226
00:11:01,640 --> 00:11:03,300
PAID CASH AND KEPT
TO THEMSELVES.
227
00:11:03,370 --> 00:11:04,840
HOW MANY GIRLS
WERE WORKING HERE?
228
00:11:04,910 --> 00:11:06,650
WORKING?
YOU WANT TO GET
LOCKED UP?
229
00:11:06,710 --> 00:11:09,480
A COUPLE OF GIRLS,
I GUESS.
230
00:11:09,540 --> 00:11:11,600
THE GIRL WE SAW COULDN'T HAVE
BEEN MORE THAN 13.
231
00:11:11,670 --> 00:11:13,300
WERE THEY ALL THAT AGE?
NOT AS FAR AS I SAW.
232
00:11:13,370 --> 00:11:15,940
YOU GET A KICKBACK FOR
LOOKING THE OTHER WAY?
NO, MA'AM.
233
00:11:16,010 --> 00:11:17,980
YOU BETTER HOPE WE DON'T
FIND OUT DIFFERENT.
234
00:11:18,040 --> 00:11:20,300
I'LL GET CRIME SCENE DOWN HERE.
15th SQUAD TO CENTRAL K.
235
00:11:20,370 --> 00:11:22,740
GET YOUR CLOTHES ON.
236
00:11:28,040 --> 00:11:30,840
ANYTHING ON JOHN DOE?
237
00:11:30,910 --> 00:11:33,710
NO ONE RECOGNIZED THE PHOTO
AROUND WHERE HE GOT PICKED UP,
238
00:11:33,770 --> 00:11:36,170
AND NO BLOOD TRAIL LEADING TO
THE STOOP HE WAS ON.
239
00:11:36,240 --> 00:11:38,870
NURSE SAID HE REMEMBERED
SOMETHING ON THE SHOOTING.
240
00:11:38,940 --> 00:11:40,100
15th SQUAD.
241
00:11:40,170 --> 00:11:43,370
HEAD DOWN THERE BEFORE
THE FOG SETS IN AGAIN.
242
00:11:43,440 --> 00:11:47,040
A FATHER THOMAS DWYER
AT ST. EUGENE'S.
243
00:11:47,110 --> 00:11:48,680
DETECTIVE SIPOWICZ.
244
00:11:50,340 --> 00:11:52,900
YEAH. ALL RIGHT,
WE'LL BE RIGHT DOWN.
245
00:11:52,970 --> 00:11:57,040
ANN MARIE WANTS TO TALK AT HER
CHURCH WITH HER PRIEST.
246
00:11:57,110 --> 00:11:58,380
WHAT'S THAT MEAN?
247
00:11:58,440 --> 00:11:59,940
WE'RE GONNA FIND OUT.
248
00:12:12,610 --> 00:12:13,610
FATHER DWYER?
249
00:12:13,670 --> 00:12:15,670
YES.
YOU'RE THE DETECTIVES.
250
00:12:15,740 --> 00:12:17,040
YEAH, WHAT'S GOING ON?
251
00:12:17,110 --> 00:12:20,150
ANN MARIE SULLIVAN SPOKE
WITH YOU EARLIER?
252
00:12:20,210 --> 00:12:21,410
YEAH, IS SHE ALL RIGHT?
253
00:12:21,470 --> 00:12:22,900
SHE'S EXTREMELY UPSET.
254
00:12:22,970 --> 00:12:23,900
OVER?
255
00:12:23,970 --> 00:12:27,370
SHE ASKED THAT
I BE THERE WITH HER
256
00:12:27,440 --> 00:12:29,400
WHEN SHE TALKS TO YOU.
257
00:12:29,470 --> 00:12:31,500
IF YOU'LL FOLLOW ME.
258
00:12:41,810 --> 00:12:43,510
ARE YOU READY, ANN MARIE?
259
00:12:48,270 --> 00:12:51,840
WHY DON'T WE TELL THEM WHAT
YOU AND I TALKED ABOUT?
260
00:12:52,910 --> 00:12:55,210
MY DAD...
261
00:12:55,270 --> 00:12:56,770
[ SOBS ]
262
00:12:56,840 --> 00:13:00,240
...HE WAS OLD‐SCHOOL ITALIAN,
263
00:13:00,310 --> 00:13:03,050
AND I WAS LIVING AT HOME
BACK THEN.
264
00:13:03,110 --> 00:13:04,910
[ SNIFFLES ]
265
00:13:04,970 --> 00:13:07,540
MY FAMILY, THEY WOULD
HAVE DISOWNED ME.
266
00:13:07,610 --> 00:13:10,150
WAS LEONARD PEELER
WITH YOU THAT NIGHT?
267
00:13:10,210 --> 00:13:11,310
[ Sobbing ] YES.
268
00:13:11,370 --> 00:13:13,170
[ SIGHS ]
269
00:13:13,240 --> 00:13:14,870
I'M SO SORRY.
270
00:13:19,010 --> 00:13:20,750
[ SIGHS ]
271
00:13:23,240 --> 00:13:26,070
I WAS 19.
272
00:13:26,140 --> 00:13:30,400
ONCE I TOLD THE LIE,
I HAD TO STICK TO IT.
273
00:13:30,470 --> 00:13:33,000
HE SPENT 18 YEARS
IN PRISON.
274
00:13:33,070 --> 00:13:36,870
I KNOW, AND I LIVE WITH THE
GUILT EVERY SINGLE DAY OF IT.
275
00:13:36,940 --> 00:13:39,140
[ SOBBING ]
276
00:13:49,710 --> 00:13:52,810
THANKS FOR SEEING US, JOE.
THIS IS MY PARTNER, JOHN CLARK.
277
00:13:52,870 --> 00:13:55,070
JOHN, NICE TO MEET YOU.
YOU, TOO, JOE.
278
00:13:55,140 --> 00:13:57,840
SO, YEAH, I HEARD ABOUT
PEELER GETTING KICKED.
279
00:13:57,910 --> 00:14:00,180
ANN MARIE FUSCO‐‐
YOU REMEMBER HER?
SURE.
280
00:14:00,240 --> 00:14:02,800
IT'S ANN MARIE SULLIVAN NOW,
AND SHE JUST ADMITTED
281
00:14:02,870 --> 00:14:05,300
THAT SHE LIED ABOUT BEING
WITH PEELER BACK THEN
282
00:14:05,370 --> 00:14:07,370
'CAUSE SHE DIDN'T WANT
HER DAD TO KNOW
283
00:14:07,440 --> 00:14:09,400
THAT SHE WAS SLEEPING WITH
A BLACK GUY.
284
00:14:09,470 --> 00:14:10,770
YOU'RE KIDDING?
NO.
285
00:14:10,840 --> 00:14:13,400
WELL, THE PLANETS SURE
LINED UP WRONG FOR PEELER,
286
00:14:13,470 --> 00:14:14,500
DIDN'T THEY?
287
00:14:14,570 --> 00:14:16,600
YOU GUYS WANT SOMETHING
TO DRINK?
288
00:14:16,670 --> 00:14:20,070
SO, PEELER DIDN'T DO IT,
WASN'T INVOLVED,
289
00:14:20,140 --> 00:14:21,940
NO ACCOMPLICE, NOTHING.
290
00:14:22,010 --> 00:14:24,310
SO YOU CAME ALL THE WAY OVER
HERE TO POINT THAT OUT?
291
00:14:24,370 --> 00:14:26,170
THE CASE IS OPEN AGAIN
NOW, JOE.
292
00:14:26,240 --> 00:14:29,540
I CAME HERE TO SEE IF MAYBE
YOU HAD ANY FILES, ANY NOTES,
293
00:14:29,610 --> 00:14:32,410
ANY RECOLLECTIONS OF EVENTS
THAT COULD HELP US OUT.
294
00:14:32,470 --> 00:14:36,400
WHAT I REMEMBER‐‐
IT WAS A GOOD CASE.
295
00:14:36,470 --> 00:14:37,900
WELL, IT WASN'T.
296
00:14:37,970 --> 00:14:40,770
YOUR INFORMANT WHO CLAIMED
PEELER CONFESSED TO HIM,
297
00:14:40,840 --> 00:14:43,800
THE DNA, THE TIMELINE THAT WE
FORCED PEELER TO COMMIT TO,
298
00:14:43,870 --> 00:14:46,800
AND NOW ANN MARIE FUSCO‐‐
IT'S ALL GONE DOWN THE TUBES.
299
00:14:46,870 --> 00:14:48,740
YOU'RE TRYING TO BLAME ME
FOR THIS, AREN'T YOU?
300
00:14:48,810 --> 00:14:51,750
NO, I AM JUST TRYING TO FIND OUT
WHO KILLED CINDY CLIFTON
301
00:14:51,810 --> 00:14:53,850
BECAUSE IT WASN'T
LEONARD PEELER.
302
00:14:53,910 --> 00:14:57,010
WELL, I CAN IMAGINE WHAT HE'S
BEEN TELLING YOU ABOUT THIS.
303
00:14:57,070 --> 00:15:00,170
ANDY HAD JUST GOT HIS SHIELD,
AND I WAS RUNNING THE SHOW?
304
00:15:00,240 --> 00:15:01,240
NOTHING LIKE THAT.
305
00:15:01,310 --> 00:15:02,910
WERE YOU NOT THERE?
306
00:15:02,970 --> 00:15:05,200
WAS THAT A CARDBOARD CUTOUT
OF ANDY SIPOWICZ IN THAT ROOM?
307
00:15:05,270 --> 00:15:06,000
I WAS THERE.
308
00:15:06,070 --> 00:15:08,670
'CAUSE I'M NOT HOLDING
THE BAG ON THIS.
309
00:15:08,740 --> 00:15:11,000
ALL WE'RE ASKING FOR
IS SOME HELP.
310
00:15:11,070 --> 00:15:13,840
WELL, I CAN'T PROVIDE ANY.
311
00:15:13,910 --> 00:15:16,750
BUT GOOD LUCK,
AND I MEAN THAT.
312
00:15:16,810 --> 00:15:18,750
IF YOU THINK OF ANYTHING,
THOUGH‐‐
313
00:15:18,810 --> 00:15:20,550
NO, NO, I'M NOT GOING
BACK THERE.
314
00:15:20,610 --> 00:15:22,450
YOU GUYS CAN
IF YOU WANT, BUT...
315
00:15:22,510 --> 00:15:25,150
AND THIS IS THE LAST TIME
YOU COME TO MY HOUSE
316
00:15:25,210 --> 00:15:27,050
HITTING ON ME
ABOUT THAT CASE.
317
00:15:27,110 --> 00:15:30,210
WE SHOULD GET BACK.
318
00:15:30,270 --> 00:15:32,300
YOU CAME HERE TO BLAME ME.
319
00:15:32,370 --> 00:15:33,870
I'M PISSED, JOE.
320
00:15:33,940 --> 00:15:37,200
I'M REALLY, REALLY
PISSED OFF...
321
00:15:37,270 --> 00:15:39,600
BUT I'M NOT BLAMING YOU.
322
00:15:45,840 --> 00:15:47,500
[ SIGHS ]
323
00:15:47,570 --> 00:15:49,670
SO, MR. CREEL...
324
00:15:49,740 --> 00:15:50,500
YEAH.
325
00:15:50,570 --> 00:15:52,170
NAKED IN THE CLOSET‐‐
326
00:15:52,240 --> 00:15:54,170
YOU WANT A CHANCE
TO EXPLAIN?
327
00:15:54,240 --> 00:15:57,240
TWO PRIORS FOR SOLICITATION
OF AN UNDERCOVER OFFICER,
328
00:15:57,310 --> 00:15:59,050
LOITERING NEAR
A PROSS STROLL.
329
00:15:59,110 --> 00:16:01,210
ALL RIGHT, YEAH.
330
00:16:01,270 --> 00:16:03,370
SO, WHAT,
YOU WANT THE BIG ACT?
331
00:16:03,440 --> 00:16:04,870
WHAT ACT?
332
00:16:04,940 --> 00:16:08,600
YOU KNOW, THE ONE WHERE I TELL
YOU THAT WHAT I DID WAS WRONG,
333
00:16:08,670 --> 00:16:11,670
AND I'LL NEVER DO IT AGAIN,
AND BEG FORGIVENESS.
334
00:16:11,740 --> 00:16:15,570
YOU KNOW WHAT, LADIES?
I PATRONIZE PROSTITUTES.
335
00:16:15,640 --> 00:16:19,700
I GO TO WOMEN, I GIVE THEM
MONEY TO HAVE SEX WITH ME.
336
00:16:19,770 --> 00:16:21,740
FEE PAID FOR
SERVICE RENDERED.
337
00:16:21,810 --> 00:16:23,950
AND IF THIS COUNTRY
WEREN'T SHACKLED
338
00:16:24,010 --> 00:16:26,410
TO SOME 19th‐CENTURY SENSE
OF MORALITY,
339
00:16:26,470 --> 00:16:28,500
THAT'S THE WAY IT WOULD
BE TREATED.
340
00:16:28,570 --> 00:16:29,970
REALLY?
YEAH.
341
00:16:30,040 --> 00:16:31,470
I USED TO GO TO BARS.
342
00:16:31,540 --> 00:16:35,000
DRINKS ON ME, DINNER ON ME.
343
00:16:35,070 --> 00:16:37,240
L‐O‐O‐ONG CONVERSATIONS.
344
00:16:37,310 --> 00:16:40,450
YOU KNOW WHAT THE DIFFERENCE
BETWEEN GOING TO A HOOKER
345
00:16:40,510 --> 00:16:41,980
AND THE SCENE AT THE BAR IS?
346
00:16:42,040 --> 00:16:43,200
HOOKERS ARE CHEAPER.
347
00:16:43,270 --> 00:16:46,540
PLUS, I DON'T HAVE TO LISTEN
TO SOMEONE EXPLAIN TO ME
348
00:16:46,610 --> 00:16:48,110
WHY HER BOSS IS AN ASSHOLE
349
00:16:48,170 --> 00:16:51,140
'CAUSE HE WON'T GIVE HER
MORE RESPONSIBILITY.
350
00:16:51,210 --> 00:16:53,280
SO, YEAH, I DID IT.
351
00:16:53,340 --> 00:16:54,970
LOCK ME UP.
352
00:16:55,040 --> 00:16:57,570
OH, YOU'RE DAMN RIGHT
WE'RE GONNA LOCK YOU UP!
353
00:16:57,640 --> 00:16:59,500
THE GIRLS IN THAT PLACE
WERE 13.
354
00:16:59,570 --> 00:17:01,340
YOU DON'T THINK
WE KNOW THAT?
355
00:17:01,410 --> 00:17:03,110
YOU DIDN'T SEE ANYBODY
THAT AGE WITH ME.
356
00:17:03,170 --> 00:17:05,600
EVERY ONE OF THOSE ROOMS HAD
A PADLOCK TO KEEP GIRLS IN.
357
00:17:05,670 --> 00:17:07,570
EVERY ONE OF THOSE ROOMS
HAD CONDOM WRAPPERS.
358
00:17:07,640 --> 00:17:09,370
THE GIRLS IN THAT PLACE
WERE UNDERAGE
359
00:17:09,440 --> 00:17:10,600
AND HELD AGAINST THEIR WILL!
360
00:17:10,670 --> 00:17:12,540
SO DROP THE WHOREMONGER'S
RIGHTS CRUSADE
361
00:17:12,610 --> 00:17:14,050
AND TELL US
WHO RUNS THE PLACE,
362
00:17:14,110 --> 00:17:16,510
AND MAYBE WE'LL LET THE JUDGE
KNOW YOU COOPERATED.
363
00:17:16,570 --> 00:17:18,540
OR YOU KEEP THROWING UP
THIS SMOKE SCREEN,
364
00:17:18,610 --> 00:17:20,910
THEN YOU'RE ON YOUR OWN‐‐
SEXUAL ASSAULT OF A MINOR.
365
00:17:20,970 --> 00:17:23,940
[ GROANS ]
366
00:17:24,010 --> 00:17:26,450
[ SIGHS ] ROSA‐‐
I DON'T KNOW HER LAST NAME.
367
00:17:26,510 --> 00:17:28,410
SOMETIMES SHE HAS YOUNG
GIRLS AROUND,
368
00:17:28,470 --> 00:17:30,370
BUT I HAVE NOTHING TO DO
WITH THEM.
369
00:17:30,440 --> 00:17:31,870
WHERE ARE WE GONNA FIND
THIS ROSA?
370
00:17:31,940 --> 00:17:32,840
I DON'T KNOW.
371
00:17:32,910 --> 00:17:35,250
SHE CHANGES APARTMENTS
EVERY FEW WEEKS
372
00:17:35,310 --> 00:17:37,080
AND CALLS ME WITH
THE NEW LOCALE.
373
00:17:37,140 --> 00:17:39,640
SO I PROMISE YOU
I DON'T KNOW WHERE SHE IS.
374
00:17:39,710 --> 00:17:44,150
I DON'T GO FOR CHILDREN,
I SWEAR.
375
00:17:44,210 --> 00:17:46,310
I SWEAR!
376
00:17:46,370 --> 00:17:48,800
PREVIOUS LOCATIONS OF
THE CATHOUSE...
377
00:17:48,870 --> 00:17:51,140
AND DON'T OPEN
YOUR MOUTH AGAIN!
378
00:18:01,240 --> 00:18:03,570
I REMEMBER A MAN
WITH A GUN,
379
00:18:03,640 --> 00:18:06,270
AND I WAS STRUGGLING
WITH HIM,
380
00:18:06,340 --> 00:18:10,340
AND THE GUN WENT OFF,
AND THEN I FELL,
381
00:18:10,410 --> 00:18:13,910
AND I REMEMBER A WOMAN
SCREAMING.
382
00:18:13,970 --> 00:18:15,400
YOU REMEMBER WHAT THE MAN
LOOKED LIKE?
383
00:18:15,470 --> 00:18:17,070
I CAN'T SEE HIS FACE.
384
00:18:17,140 --> 00:18:18,770
YOU SEE WHAT HE'S WEARING?
385
00:18:18,840 --> 00:18:21,200
IT'S TOO FOGGY.
IT'S LIKE‐‐
386
00:18:21,270 --> 00:18:23,600
I REMEMBER IT LIKE IT WAS
A DREAM.
387
00:18:23,670 --> 00:18:25,940
ARE YOU SURE IT ISN'T?
388
00:18:26,010 --> 00:18:27,710
WHAT DOES THAT MEAN?
389
00:18:27,770 --> 00:18:30,870
YOU'RE AWARE THAT WHAT YOU
CLAIM TO BE SUFFERING FROM‐‐
390
00:18:30,940 --> 00:18:33,740
FULL‐BLOWN AMNESIA‐‐
THAT IT'S VERY, VERY RARE.
391
00:18:33,810 --> 00:18:35,150
THE NEUROLOGIST SAID THAT.
392
00:18:35,210 --> 00:18:37,880
SO YOU UNDERSTAND HOW IT
MAKES US LOOK AT YOU?
393
00:18:37,940 --> 00:18:38,840
LIKE I'M LYING.
394
00:18:38,910 --> 00:18:40,980
WELL, WE'VE GOT TO ENTERTAIN
THE IDEA.
395
00:18:41,040 --> 00:18:41,940
WELL, I'M NOT.
396
00:18:42,010 --> 00:18:44,780
I'M NOT!
I MEAN, HELL, I WISH I WAS!
397
00:18:44,840 --> 00:18:46,640
FOR ARGUMENT'S SAKE,
IF YOU WERE,
398
00:18:46,710 --> 00:18:48,580
AND YOU WERE INVOLVED
IN SOMETHING
399
00:18:48,640 --> 00:18:50,570
OVER DRUGS OR MONEY
OR SOMETHING ELSE
400
00:18:50,640 --> 00:18:52,940
THAT YOU WOULDN'T WANT
THE POLICE TO KNOW ABOUT?
401
00:18:53,010 --> 00:18:55,410
NO, I COULDN'T BE INVOLVED
IN ANYTHING LIKE THAT.
402
00:18:55,470 --> 00:18:56,570
WHY NOT?
403
00:18:56,640 --> 00:18:59,740
I JUST‐‐
I DON'T THINK I COULD.
404
00:18:59,810 --> 00:19:02,550
WELL, IF THAT WAS THE CASE,
WE COULD UNDERSTAND
405
00:19:02,610 --> 00:19:05,780
HOW YOU MIGHT NOT WANT TO BE
FORTHCOMING RIGHT AWAY.
406
00:19:05,840 --> 00:19:08,540
WE COULD FORGIVE THE CHARADE
TO THIS POINT,
407
00:19:08,610 --> 00:19:10,580
BUT, IF YOU KEEP
CLINGING TO IT,
408
00:19:10,640 --> 00:19:12,570
IT'S GONNA MEAN
REAL TROUBLE.
409
00:19:12,640 --> 00:19:14,100
LIKE WHEN THIS IS ALL
SORTED OUT,
410
00:19:14,170 --> 00:19:16,670
YOU'RE GONNA BE DOING MORE TIME
IN JAIL JUST BECAUSE YOU LIED.
411
00:19:16,740 --> 00:19:20,200
I'M NOT LYING!
I‐‐ I DON'T KNOW WHO I AM!
412
00:19:20,270 --> 00:19:22,900
I DON'T KNOW WHO DID THIS
TO ME!
413
00:19:22,970 --> 00:19:26,540
I JUST‐‐ A MAN SHOT ME.
A WOMAN SCREAMED.
414
00:19:26,610 --> 00:19:30,410
I JUST‐‐ I CAN'T SEE THEIR
FACES CLEARLY, THAT'S ALL.
415
00:19:30,470 --> 00:19:32,600
OH, MY HEAD HURTS
LIKE HELL.
416
00:19:32,670 --> 00:19:34,240
I GOTTA CUT YOU OFF.
417
00:19:34,310 --> 00:19:35,850
WE'LL BE BACK.
418
00:19:37,640 --> 00:19:38,740
ALL RIGHT, THANKS.
419
00:19:38,810 --> 00:19:40,950
WOMAN IN THE BUILDING
ACROSS FROM WHERE
420
00:19:41,010 --> 00:19:43,110
THIS GUY GOT PICKED UP
CALLED THE SQUAD
421
00:19:43,170 --> 00:19:45,970
AND SAID SHE MIGHT HAVE HEARD
GUNSHOTS LAST NIGHT.
422
00:19:46,040 --> 00:19:47,200
ANYTHING MORE FROM HIM?
423
00:19:47,270 --> 00:19:51,000
RARE AMNESIA OR GOOD ACTOR.
424
00:19:55,010 --> 00:19:57,550
YOU SURE YOU WANT TO DO
THIS NOW?
425
00:19:57,610 --> 00:19:59,850
[ MUSIC BLARING, LAUGHTER ]
426
00:20:03,870 --> 00:20:07,040
DETECTIVES SIPOWICZ AND CLARK
TO SEE LEONARD.
427
00:20:07,110 --> 00:20:08,650
YOU'RE NOT WELCOME HERE.
428
00:20:08,710 --> 00:20:10,110
WE JUST NEED TO TALK
TO HIM, MA'AM.
429
00:20:10,170 --> 00:20:11,740
TALK TO HIM OR HARASS HIM?
430
00:20:11,810 --> 00:20:14,110
WE NEED A BRIEF CONVERSATION
WITH LEONARD, THEN WE'LL LEAVE.
431
00:20:14,170 --> 00:20:17,000
YOU'RE NOT WELCOME HERE.
432
00:20:19,470 --> 00:20:22,500
[ LAUGHING ]
433
00:20:22,570 --> 00:20:24,070
IS THERE SOMEPLACE
WE CAN TALK?
434
00:20:24,140 --> 00:20:25,440
YOU GUYS GOT
A LOT OF NERVE.
435
00:20:25,510 --> 00:20:27,680
IT'S ALL RIGHT.
I'M GONNA MAKE THIS QUICK.
436
00:20:27,740 --> 00:20:29,540
THEN WE CAN GET BACK
TO CELEBRATING.
437
00:20:29,610 --> 00:20:31,580
AIN'T NOBODY GONNA SPOIL
THIS PARTY!
438
00:20:38,970 --> 00:20:39,940
JUST SO YOU KNOW,
439
00:20:40,010 --> 00:20:42,410
ANN MARIE FUSCO ADMITTED
THAT YOU WERE WITH HER
440
00:20:42,470 --> 00:20:43,800
THE NIGHT OF THE MURDER.
441
00:20:43,870 --> 00:20:46,700
WE'LL FORWARD THAT INFORMATION
TO THE D. A.'s OFFICE.
442
00:20:46,770 --> 00:20:49,740
I'M SURE THEY'LL MOVE FOR
A DISMISSAL AS SOON AS POSSIBLE.
443
00:20:49,810 --> 00:20:52,750
WHY'D SHE LIE,
OR DO I NEED TO ASK?
444
00:20:52,810 --> 00:20:55,710
SHE WAS YOUNG,
SCARED OF HER DAD.
445
00:20:55,770 --> 00:20:58,070
SO SHE'D RATHER I GO TO PRISON
FOR 18 YEARS
446
00:20:58,140 --> 00:21:01,000
THAN LET HER DADDY KNOW
SHE SLEPT WITH A BLACK MAN?
447
00:21:01,070 --> 00:21:02,540
IT'S TERRIBLE WHAT SHE DID,
448
00:21:02,610 --> 00:21:05,410
BUT HER LIE ISN'T JUST THE ONE
THING THAT PUT YOU AWAY,
449
00:21:05,470 --> 00:21:06,740
SO DON'T FIXATE ON HER.
450
00:21:06,810 --> 00:21:08,950
DON'T TELL ME WHAT
TO FIXATE ON, OKAY?!
451
00:21:09,010 --> 00:21:11,110
I DON'T NEED ANY ADVICE
FROM YOU!
452
00:21:11,170 --> 00:21:12,770
FINE.
BUT I'LL JUST TELL YOU
453
00:21:12,840 --> 00:21:15,570
THAT IF YOU GO LOOKING TO SETTLE
UP WITH ANN MARIE,
454
00:21:15,640 --> 00:21:17,440
IT'S GONNA SEND YOU
BACKWARDS.
455
00:21:17,510 --> 00:21:19,010
I AIN'T GOING NEAR
THAT BITCH.
456
00:21:19,070 --> 00:21:21,440
I AIN'T DOING NOTHING
TO JEOPARDIZE MY FREEDOM.
457
00:21:21,510 --> 00:21:23,310
SINCE WE'RE STARTING FROM
SCRATCH NOW,
458
00:21:23,370 --> 00:21:26,270
WE'RE LOOKING FOR WHO KILLED
A 12‐YEAR‐OLD GIRL BACK THEN.
459
00:21:26,340 --> 00:21:28,270
IS THERE ANYTHING THAT
YOU CAN TELL US,
460
00:21:28,340 --> 00:21:30,070
ASSUMING YOU'RE IN THE MOOD
TO HELP?
461
00:21:30,140 --> 00:21:32,740
I DON'T KNOW NOTHING ABOUT IT.
DIDN'T THEN, DON'T NOW.
462
00:21:32,810 --> 00:21:35,410
CINDY'S FAMILY SAID THAT THEY
SAW YOU TALKING TO HER
463
00:21:35,470 --> 00:21:37,300
AN HOUR BEFORE THEY FOUND
HER BODY.
464
00:21:37,370 --> 00:21:40,700
SHE HAD A LEMONADE STAND.
465
00:21:40,770 --> 00:21:42,740
ON MY WAY TO
ANN MARIE'S PLACE,
466
00:21:42,810 --> 00:21:44,780
I STOPPED AND BOUGHT
A GLASS.
467
00:21:44,840 --> 00:21:48,570
I HAD A NIECE THAT USED
TO DO LEMONADE STANDS.
468
00:21:48,640 --> 00:21:52,600
I KNEW HOW IT'D MAKE HER SMILE
IF FOLKS BOUGHT STUFF.
469
00:21:52,670 --> 00:21:53,840
MY NIECE IS 25 NOW.
470
00:21:53,910 --> 00:21:55,910
YOU DIDN'T NOTICE
ANYONE SUSPICIOUS
471
00:21:55,970 --> 00:21:58,340
HANGING AROUND CINDY
OR HER LEMONADE STAND?
472
00:21:58,410 --> 00:22:00,010
NO.
473
00:22:00,070 --> 00:22:02,040
ALL RIGHT, THEN.
474
00:22:02,110 --> 00:22:04,080
ENJOY YOUR PARTY.
475
00:22:04,140 --> 00:22:06,400
WHEN DO I GET MY APOLOGY?
476
00:22:06,470 --> 00:22:09,740
I FEEL BAD FOR WHAT YOU
WENT THROUGH,
477
00:22:09,810 --> 00:22:12,710
BUT WE HAD
TWO WITNESSES LIE.
478
00:22:12,770 --> 00:22:15,170
YOU AND YOUR PARTNER,
JOE BROCKHURST,
479
00:22:15,240 --> 00:22:16,700
YOU GOT YOUR MITTS ON ME,
480
00:22:16,770 --> 00:22:19,870
AND YOU DIDN'T LOOK NOWHERE
ELSE, NOT FOR A SECOND!
481
00:22:19,940 --> 00:22:21,200
I DID MY JOB.
482
00:22:21,270 --> 00:22:24,000
I GOT NOTHING
TO APOLOGIZE FOR.
483
00:22:27,210 --> 00:22:29,450
YO, DETECTIVE?
484
00:22:29,510 --> 00:22:32,510
LET'S SAY WE FLIP IT‐‐
I PUT YOU INSIDE,
485
00:22:32,570 --> 00:22:35,800
TAKE YOU AWAY FROM YOUR FAMILY,
PEOPLE YOU LOVE,
486
00:22:35,870 --> 00:22:39,340
STICK YOU IN A HOLE FOR
SOMETHING YOU DIDN'T DO,
487
00:22:39,410 --> 00:22:42,210
AND LEAVE YOU THERE TO ROT
FOR 18 YEARS.
488
00:22:42,270 --> 00:22:44,600
HOW WOULD YOU FEEL?
489
00:22:44,670 --> 00:22:46,740
THINK I'D OWE YOU
AN APOLOGY?
490
00:23:04,600 --> 00:23:07,330
HONESTLY, I NEVER HEARD
GUNSHOTS BEFORE,
491
00:23:07,400 --> 00:23:09,530
SO I DIDN'T KNOW
WHAT IT WAS.
492
00:23:09,600 --> 00:23:12,660
AROUND WHAT TIME DID YOU HEAR
THE NOISE, MISS ELSPETH?
493
00:23:12,730 --> 00:23:15,830
3:00 THIS MORNING, BUT I THOUGHT
IT WAS THE TV UP LOUD.
494
00:23:15,900 --> 00:23:19,100
THEN I HEARD ABOUT THE MAN
WHO WAS SHOT, SO I CALLED IN.
495
00:23:19,160 --> 00:23:20,330
[ KNOCK ON DOOR ]
496
00:23:20,400 --> 00:23:22,230
DID YOU HEAR ANY KIND
OF FIGHTING
497
00:23:22,300 --> 00:23:24,060
COMING FROM UP HERE
LAST NIGHT?
498
00:23:24,130 --> 00:23:25,960
NO, WHEN I DON'T HAVE
THE AID IN,
499
00:23:26,030 --> 00:23:27,730
ONLY THE SHARP NOISES
GET THROUGH.
500
00:23:27,800 --> 00:23:30,200
YOU'RE SURE YOU NEVER SEEN
THIS GUY BEFORE?
501
00:23:30,260 --> 00:23:32,300
I DON'T KNOW HIS FACE.
WHAT'S HIS NAME?
502
00:23:32,360 --> 00:23:34,200
WE'RE TRYING TO FIGURE
THAT OUT.
503
00:23:34,260 --> 00:23:36,560
SORRY,
I COULDN'T FIND MY KEY.
504
00:23:36,630 --> 00:23:39,730
WHAT'S THE NAME OF THE LADY
LIVING HERE?
505
00:23:39,800 --> 00:23:40,860
JESSICA DUBINSKI.
506
00:23:40,930 --> 00:23:42,760
HOW LONG
SHE BEEN A TENANT?
507
00:23:42,830 --> 00:23:44,230
SIX MONTHS. QUIET, NICE.
508
00:23:44,300 --> 00:23:46,600
NEIGHBORS SAY ANYTHING
ABOUT A NOISE?
509
00:23:46,660 --> 00:23:48,760
NO, THEY'RE ALL COLLEGE KIDS.
THEY'RE OUT ALL NIGHT.
510
00:23:48,830 --> 00:23:50,500
THERE WE GO.
511
00:23:50,560 --> 00:23:52,800
MISS DUBINSKI?
512
00:24:01,000 --> 00:24:02,760
OH! OH, NO!
STAY BACK.
513
00:24:02,830 --> 00:24:05,160
SHOT ONCE IN THE HEAD.
514
00:24:05,230 --> 00:24:07,330
THERE'S A MAN'S SHIRT
OVER HERE,
515
00:24:07,400 --> 00:24:10,330
CELL PHONE, CAR KEYS,
AND WALLET.
516
00:24:12,200 --> 00:24:13,330
TIM KEATING.
517
00:24:13,400 --> 00:24:15,630
IS HE OUR GUY?
IS HE JOHN DOE?
518
00:24:15,700 --> 00:24:16,860
YEAH, HE'S JOHN DOE.
519
00:24:16,930 --> 00:24:20,200
SO, WE HAVE ANY IDEA WHAT
THE HELL HAPPENED HERE?
520
00:24:20,260 --> 00:24:23,730
NO. BUT TIME'S UP ON
TIM KEATING'S MEMORY LAPSE.
521
00:24:23,800 --> 00:24:26,230
15th SQUAD TO CENTRAL K.
522
00:24:26,300 --> 00:24:28,300
Man: GO AHEAD, 15th SQUAD.
523
00:24:33,900 --> 00:24:36,830
HEY, THE WOMAN RUNNING THOSE
GIRLS OUT OF THAT APARTMENT‐‐
524
00:24:36,900 --> 00:24:39,500
ROSA‐‐ VICE PICKED HER UP.
SHE'S ON HER WAY IN.
525
00:24:39,560 --> 00:24:42,200
AND THE LITTLE GIRL‐‐
CORISA?
WASN'T WITH HER.
526
00:24:42,260 --> 00:24:44,200
BUT GETTING THIS LADY‐‐
THAT'S BIG.
527
00:24:44,260 --> 00:24:46,200
YEAH. WE'RE GONNA FIND
THAT GIRL.
528
00:24:48,060 --> 00:24:50,060
I TALKED TO CINDY CLIFTON'S
PARENTS.
529
00:24:50,130 --> 00:24:52,130
THEY MIGHT BE UP
FOR TALKING LATER.
530
00:24:52,200 --> 00:24:54,630
IN LOOKING AT THE M. E.'s REPORTS
ON CINDY CLIFTON,
531
00:24:54,700 --> 00:24:56,830
THERE'S NO MENTION
OF DEFENSIVE WOUNDS.
532
00:24:56,900 --> 00:24:59,600
IT DOESN'T LOOK LIKE SHE FOUGHT
OFF HER ATTACKER AT ALL.
533
00:24:59,660 --> 00:25:00,700
SHE WAS 12 YEARS OLD.
534
00:25:00,760 --> 00:25:03,060
REMEMBER THE ATTEMPTED RAPE
ON THAT 11‐YEAR‐OLD,
535
00:25:03,130 --> 00:25:04,830
JENNIFER DiNARDO?
SHE FOUGHT LIKE HELL.
536
00:25:04,900 --> 00:25:07,500
I'M JUST SAYING, IF WE'RE
STARTING FROM SCRATCH,
537
00:25:07,560 --> 00:25:09,860
WE MIGHT WANT TO LOOK
AT THE POSSIBILITY
538
00:25:09,930 --> 00:25:11,460
THAT CINDY KNEW
HER ATTACKER.
539
00:25:11,530 --> 00:25:14,230
DID YOU GUYS LOOK DOWN
THAT ROAD AT ALL BACK THEN?
540
00:25:14,300 --> 00:25:17,100
WE HAD PEELER IN CUSTODY THE
SAME NIGHT OF THE MURDER.
541
00:25:17,160 --> 00:25:18,600
HE WAS OUR GUY.
542
00:25:18,660 --> 00:25:19,800
ALL RIGHT.
543
00:25:19,860 --> 00:25:22,960
WELL, CINDY'S BEST FRIEND
BACK THEN‐‐ ANGELA MALCOLM‐‐
544
00:25:23,030 --> 00:25:24,660
SHE STILL LIVES IN THE CITY.
545
00:25:24,730 --> 00:25:25,800
WE SHOULD CALL HER.
546
00:25:25,860 --> 00:25:27,000
I DID. SHE'S COMING IN.
547
00:25:27,060 --> 00:25:28,200
[ SIGHS ]
548
00:25:28,260 --> 00:25:30,230
THANKS FOR HELPING OUT
ON THIS.
549
00:25:30,300 --> 00:25:32,360
YOU'D DO THE SAME FOR ME.
550
00:25:38,130 --> 00:25:40,500
SIT DOWN, ROSA.
I HAVE DONE NOTHING WRONG.
551
00:25:40,560 --> 00:25:43,330
THEN WHY'D YOU SNEAK OUT OF THE
APARTMENT THIS MORNING, HUH?
552
00:25:43,400 --> 00:25:45,260
IT IS WRONG TO LEAVE
AN APARTMENT?
553
00:25:45,330 --> 00:25:47,430
OUT THE FIRE ESCAPE WITH
AN UNDERAGE GIRL
554
00:25:47,500 --> 00:25:49,360
YOU KEPT UNDER LOCK AND KEY?
YEAH.
555
00:25:49,430 --> 00:25:51,200
NO ONE IS UNDER
LOCK AND KEY.
556
00:25:51,260 --> 00:25:53,560
I LIVE WITH GIRLS WHO ARE NEW
TO THIS COUNTRY.
557
00:25:53,630 --> 00:25:56,230
I GIVE THEM PLACE TO STAY
AND HELP THEM FIND WORK.
558
00:25:56,300 --> 00:25:58,330
WHEN YOU SAY "WORK,"
YOU MEAN SEX, PROSTITUTION.
559
00:25:58,400 --> 00:25:59,900
THERE IS NONE OF THAT.
560
00:25:59,960 --> 00:26:01,160
WE FOUND THE CONDOMS.
561
00:26:01,230 --> 00:26:03,200
WE TALKED TO ONE OF
YOUR CUSTOMERS.
562
00:26:03,260 --> 00:26:05,300
WE KNOW WHAT YOU WERE
DOING THERE.
563
00:26:05,360 --> 00:26:07,260
NO, NO, NO.
IT'S NOT TRUE.
564
00:26:07,330 --> 00:26:09,360
IT IS NOT EASY HERE
FOR A YOUNG WOMAN
565
00:26:09,430 --> 00:26:12,460
WHO DOESN'T SPEAK THE LANGUAGE,
BUT, NO, NOT THAT.
566
00:26:12,530 --> 00:26:14,730
WE'RE ALREADY VERY UPSET
ABOUT THIS.
567
00:26:14,800 --> 00:26:17,430
LYING TO US, IT ONLY MAKES US
MORE UPSET.
568
00:26:17,500 --> 00:26:20,900
IF YOU DO IT AGAIN, I'M PUTTING
YOU IN JAIL FOR A LONG TIME.
569
00:26:20,960 --> 00:26:23,630
YOU UNDERSTAND?
570
00:26:23,700 --> 00:26:26,200
THE YOUNG GIRL AT THE
APARTMENT‐‐ CORISA‐‐
571
00:26:26,260 --> 00:26:27,930
WHERE IS SHE?
I DON'T KNOW.
572
00:26:28,000 --> 00:26:29,600
YOU LEFT WITH HER,
DIDN'T YOU?
573
00:26:29,660 --> 00:26:32,060
I GAVE HER BACK TO THE MAN
WHO'S IN CHARGE.
574
00:26:32,130 --> 00:26:33,230
WHO'S HE?
575
00:26:33,300 --> 00:26:35,960
I ONLY KNOW HIS FIRST NAME‐‐
ASBERTO.
576
00:26:36,030 --> 00:26:38,430
HOW DO YOU CONTACT HIM?
HE CONTACT ME.
577
00:26:38,500 --> 00:26:40,660
WHERE IS CORISA?
NEW APARTMENT.
578
00:26:40,730 --> 00:26:43,130
THAT'S ALL I KNOW.
THAT'S ALL THEY TELL ME.
579
00:26:43,200 --> 00:26:44,400
NEXT APARTMENT TO WORK.
580
00:26:44,460 --> 00:26:46,530
WRITE DOWN THE ADDRESS.
581
00:26:54,960 --> 00:26:56,460
TIM KEATING.
582
00:26:56,530 --> 00:26:59,500
AND THIS IS MY ADDRESS?
I MEAN, IS THAT CURRENT?
583
00:26:59,560 --> 00:27:02,500
MR. KEATING, THIS DOESN'T
JOG YOUR MEMORY AT ALL?
584
00:27:02,560 --> 00:27:04,930
I MEAN, I KNOW THIS IS
MY LICENSE.
585
00:27:05,000 --> 00:27:06,900
I REMEMBER SEEING IT
BEFORE.
586
00:27:06,960 --> 00:27:10,030
JESSICA DUBINSKI‐‐
DO YOU KNOW HER?
587
00:27:10,100 --> 00:27:11,260
NO.
588
00:27:11,330 --> 00:27:13,160
WELL, YOU GOT HER NUMBER
IN YOUR CELL PHONE.
589
00:27:13,230 --> 00:27:15,830
SHE LOOKS FAMILIAR, BUT, NO,
I DON'T RECOGNIZE HER.
590
00:27:15,900 --> 00:27:17,700
MR. KEATING, TIM,
591
00:27:17,760 --> 00:27:20,860
WE'RE DONE WITH YOUR
CONFUSED‐LITTLE‐BOY ACT.
IT'S NOT AN ACT.
592
00:27:20,930 --> 00:27:23,700
WERE YOU SEEING
JESSICA DUBINSKI?
I DON'T KNOW.
593
00:27:23,760 --> 00:27:26,930
DID YOU GO TO HER APARTMENT
AND HAVE AN ARGUMENT?
I DON'T KNOW.
594
00:27:27,000 --> 00:27:30,200
DID YOU DO SOMETHING TO
HER YOU DIDN'T MEAN TO?
LIKE WHAT?
595
00:27:34,600 --> 00:27:36,630
OH, MY GOD.
596
00:27:36,700 --> 00:27:38,600
IS SHE DEAD?
597
00:27:38,660 --> 00:27:41,760
DID YOU KILL YOUR GIRLFRIEND
THEN TURN THE GUN ON YOURSELF?
598
00:27:41,830 --> 00:27:44,560
NOW THAT WE KNOW YOUR NAME,
WE'RE GONNA BE TALKING
599
00:27:44,630 --> 00:27:47,260
TO YOUR CO‐WORKERS AND
YOUR FAMILY AND FRIENDS,
600
00:27:47,330 --> 00:27:49,400
IF ONE OF THEM SAYS YOU
WERE HAVING TROUBLE
601
00:27:49,460 --> 00:27:51,860
WITH YOUR GIRLFRIEND, YOU'RE
UNDER ARREST FOR MURDER.
602
00:27:51,930 --> 00:27:52,900
OH, MY GOD.
603
00:27:52,960 --> 00:27:54,800
IF THIS IS SOMETHING
YOU PLANNED,
604
00:27:54,860 --> 00:27:56,360
WE CAN HELP
WITH A REASON WHY,
605
00:27:56,430 --> 00:27:58,500
OR IF THIS JUMPED OFF
OUT OF AN ARGUMENT‐‐
606
00:27:58,560 --> 00:28:00,460
I DON'T REMEMBER ANYTHING
LIKE THIS.
607
00:28:00,530 --> 00:28:03,230
A BEAUTIFUL GIRL
SHOT IN THE HEAD,
608
00:28:03,300 --> 00:28:05,860
YOUR STUFF
IN HER APARTMENT!
609
00:28:05,930 --> 00:28:08,230
I DON'T RECOGNIZE
THAT GIRL.
610
00:28:08,300 --> 00:28:10,830
I DON'T REMEMBER
HURTING ANYONE.
611
00:28:10,900 --> 00:28:14,760
IF I DID, I'M SORRY, BUT‐‐
GOD, I HOPE I DIDN'T!
612
00:28:14,830 --> 00:28:16,730
ALL RIGHT, ENOUGH.
613
00:28:16,800 --> 00:28:19,300
HE DOESN'T LEAVE THIS BED.
614
00:28:22,460 --> 00:28:24,800
HAVE A SEAT, ANGELA.
THANKS.
615
00:28:26,330 --> 00:28:29,730
SO, THAT'S CRAZY ABOUT THIS
WHOLE LEONARD PEELER THING.
616
00:28:29,800 --> 00:28:31,000
YEAH.
617
00:28:31,060 --> 00:28:32,860
SO HE'S NOT THE ONE
WHO KILLED CINDY?
618
00:28:32,930 --> 00:28:33,830
DOESN'T LOOK LIKE IT, NO.
619
00:28:33,900 --> 00:28:36,200
ARE YOU GUYS GONNA GET SUED NOW
OR SOMETHING?
620
00:28:36,260 --> 00:28:38,400
WE'RE NOT REALLY CONCERNED
WITH THAT RIGHT NOW.
621
00:28:38,460 --> 00:28:40,530
OUR MAIN FOCUS IS FINDING
WHO DID KILL CINDY.
622
00:28:40,600 --> 00:28:42,630
YOU WERE BEST FRIENDS WITH HER,
IS THAT RIGHT?
623
00:28:42,700 --> 00:28:44,400
YEAH, I LIVED
TWO BUILDINGS DOWN.
624
00:28:44,460 --> 00:28:46,330
ONE OF THE THINGS WE'RE
LOOKING AT NOW
625
00:28:46,400 --> 00:28:48,930
IS THE POSSIBILITY THAT CINDY
MAY HAVE KNOWN HER ATTACKER.
626
00:28:49,000 --> 00:28:52,000
I CAN'T BELIEVE YOU GUYS
HAVE TO START ALL OVER AGAIN!
627
00:28:52,060 --> 00:28:53,900
WELL, WE ARE.
I DON'T MEAN TO BE RUDE,
628
00:28:53,960 --> 00:28:56,660
BUT THIS WHOLE THING'S BEEN
A LITTLE TOUGH ON US.
629
00:28:56,730 --> 00:28:57,530
I UNDERSTAND.
630
00:28:57,600 --> 00:28:59,300
SO IF YOU COULD JUST
HELP US OUT
631
00:28:59,360 --> 00:29:01,560
BY ANSWERING THE QUESTIONS,
WE'D APPRECIATE IT.
632
00:29:01,630 --> 00:29:02,860
OKAY.
633
00:29:02,930 --> 00:29:05,360
WERE THERE ANY MEN BACK THEN
WHO CINDY WAS AFRAID OF
634
00:29:05,430 --> 00:29:07,200
OR WHO SPENT A LOT OF TIME
AROUND HER
635
00:29:07,260 --> 00:29:08,900
OR WERE INAPPROPRIATE
WITH HER,
636
00:29:08,960 --> 00:29:10,530
ANYTHING LIKE THAT
YOU CAN REMEMBER?
637
00:29:10,600 --> 00:29:12,630
SHE HAD ALREADY STARTED
TO DEVELOP,
638
00:29:12,700 --> 00:29:15,200
AND SHE LOOKED A LITTLE OLDER
THAN SHE WAS,
639
00:29:15,260 --> 00:29:17,860
AND I REMEMBER GUYS WERE
STARTING TO CHECK HER OUT,
640
00:29:17,930 --> 00:29:21,260
BUT SHE NEVER SAID ANYTHING AS
FAR AS ANY GUY DOING ANYTHING.
641
00:29:21,330 --> 00:29:22,630
WAS CINDY HAPPY AT HOME?
642
00:29:22,700 --> 00:29:25,130
WAS SHE SCARED OF HER DAD
OR ANY RELATIVES?
643
00:29:25,200 --> 00:29:26,230
NO, SHE WAS HAPPY.
644
00:29:26,300 --> 00:29:28,100
I MEAN,
AS FAR AS I CAN REMEMBER.
645
00:29:28,160 --> 00:29:29,160
THIS WAS 18 YEARS AGO.
646
00:29:29,230 --> 00:29:30,960
I KNOW THAT.
647
00:29:31,030 --> 00:29:34,000
THE ONLY THING
I CAN THINK OF, THOUGH,
648
00:29:34,060 --> 00:29:35,660
WAS MR. D'AMBROSIO.
649
00:29:35,730 --> 00:29:36,730
CINDY BABYSAT FOR THEM,
650
00:29:36,800 --> 00:29:39,260
AND SOME OF THE GIRLS
IN THE NEIGHBORHOOD
651
00:29:39,330 --> 00:29:40,530
THOUGHT HE WAS CUTE,
652
00:29:40,600 --> 00:29:43,100
AND I THINK CINDY EVEN SAID IT
AT ONE POINT.
653
00:29:43,160 --> 00:29:44,300
WOULD HE DRIVE HER HOME?
654
00:29:44,360 --> 00:29:46,130
NO, NO, THE D'AMBROSIOS
LIVED ON THE BLOCK.
655
00:29:46,200 --> 00:29:47,830
DO YOU REMEMBER D'AMBROSIO'S
FIRST NAME?
656
00:29:47,900 --> 00:29:49,460
PETE.
657
00:29:51,000 --> 00:29:52,560
APPRECIATE YOUR HELP.
658
00:29:52,630 --> 00:29:53,630
GOOD LUCK.
659
00:29:53,700 --> 00:29:54,630
THANKS.
660
00:29:54,700 --> 00:29:55,700
THANKS.
661
00:29:57,960 --> 00:29:59,000
[ SIGHS ]
662
00:29:59,060 --> 00:30:00,500
I'M GONNA GO HASSLE A GUY
663
00:30:00,560 --> 00:30:03,300
THAT CINDY CLIFTON THOUGHT
WAS CUTE 18 YEARS AGO?
664
00:30:03,360 --> 00:30:04,800
GOTTA START SOMEWHERE.
665
00:30:04,860 --> 00:30:06,560
COME ON.
666
00:30:19,550 --> 00:30:22,550
AMNESIA‐‐ LET ME FIND IT.
667
00:30:22,620 --> 00:30:27,950
"CASES OF COMPLETE LOSS OF
MEMORY ARE EXTREMELY RARE."
668
00:30:28,020 --> 00:30:30,320
I DON'T KNOW IF THE DOCTOR
HIPPED YOU TO THAT OR NOT.
669
00:30:30,390 --> 00:30:31,960
YEAH, SHE DID.
670
00:30:32,020 --> 00:30:33,780
BUT THE D. O. A.,
JESSICA DUBINSKI,
671
00:30:33,850 --> 00:30:35,050
HER EX JUST SHOWED,
672
00:30:35,120 --> 00:30:37,820
AND THE D. O. A.'s MOM
SAID THAT JESSICA AND HER EX
673
00:30:37,890 --> 00:30:40,230
HAD SOME BAD BLOOD
SINCE THE BREAKUP.
674
00:30:40,290 --> 00:30:41,060
OH, REALLY?
675
00:30:41,120 --> 00:30:43,780
MOST OF MY FRIENDS
SAID THEIR DIVORCE
676
00:30:43,850 --> 00:30:45,850
WAS A KICK IN THE PANTS.
677
00:30:45,920 --> 00:30:47,920
WE WENT AHEAD AND DUMPED
THE EX‐HUSBAND'S PHONE.
678
00:30:47,990 --> 00:30:49,890
THEY SHOULD BE FAXING OVER
THE RESULTS SOON.
679
00:30:49,950 --> 00:30:51,720
IF ANYTHING POPS REGARDING
TIM KEATING,
680
00:30:51,790 --> 00:30:53,090
COULD YOU GIVE US
A HEADS‐UP?
681
00:30:53,150 --> 00:30:54,750
SURE, BUT YOU GOT
A UNIFORMED COP
682
00:30:54,820 --> 00:30:56,620
SITTING ON KEATING AT THE
HOSPITAL, RIGHT?
683
00:30:56,690 --> 00:30:57,890
RIGHT.
684
00:30:57,950 --> 00:30:59,550
GOOD, 'CAUSE IF HE DOES
HAVE AMNESIA...
685
00:30:59,620 --> 00:31:04,120
"THEY MAY EVEN LEAVE THEIR
HOMES, WANDER FOR A WHILE,
686
00:31:04,190 --> 00:31:06,460
AND START A NEW LIFE
SOMEWHERE ELSE."
687
00:31:06,520 --> 00:31:07,620
THERE YOU HAVE IT.
688
00:31:07,690 --> 00:31:09,890
UH, THANKS, BOSS.
689
00:31:16,020 --> 00:31:18,980
HAVE A SEAT,
MR. D'AMBROSIO.
690
00:31:19,050 --> 00:31:20,050
PETE.
691
00:31:20,120 --> 00:31:21,950
HOW DO YOU TAKE
YOUR COFFEE, PETE?
692
00:31:22,020 --> 00:31:23,950
A LITTLE SUGAR, THANK YOU.
693
00:31:24,020 --> 00:31:27,550
WE'RE INVESTIGATING
CINDY CLIFTON'S RAPE AND MURDER.
694
00:31:27,620 --> 00:31:30,550
I SAW ON THE TV ABOUT THE GUY
THAT WAS ACCUSED OF IT.
695
00:31:30,620 --> 00:31:31,720
YEAH.
696
00:31:31,790 --> 00:31:33,160
SO HE DIDN'T DO IT?
697
00:31:33,220 --> 00:31:35,580
NO. CINDY USED TO BABYSIT
FOR YOU AND YOUR WIFE?
698
00:31:35,650 --> 00:31:36,680
THAT'S RIGHT.
699
00:31:36,750 --> 00:31:37,720
HOW LONG?
700
00:31:37,790 --> 00:31:39,960
OH, SIX MONTHS OR SO.
701
00:31:40,020 --> 00:31:41,620
IN LOOKING AT THE CASE AGAIN,
702
00:31:41,690 --> 00:31:43,690
THERE MIGHT HAVE BEEN
A POSSIBILITY
703
00:31:43,750 --> 00:31:45,580
THAT CINDY KNEW
HER ATTACKER.
704
00:31:45,650 --> 00:31:47,380
WHAT MAKES YOU THINK THAT?
705
00:31:47,450 --> 00:31:48,720
EVIDENCE WE HAVE.
706
00:31:48,790 --> 00:31:50,190
I SEE.
707
00:31:50,250 --> 00:31:53,150
LOOKING BACK NOW AND KEEPING
THAT ASPECT IN MIND,
708
00:31:53,220 --> 00:31:55,350
DOES ANYTHING JUMP OUT
AT YOU?
709
00:31:55,420 --> 00:31:57,550
YES.
GO AHEAD.
710
00:31:57,620 --> 00:32:01,550
IN THE WEEKS BEFORE CINDY
WAS KILLED,
711
00:32:01,620 --> 00:32:03,480
SHE NEVER WANTED TO LEAVE
OUR HOUSE.
712
00:32:03,550 --> 00:32:05,050
WHEN ME AND MY WIFE
CAME BACK,
713
00:32:05,120 --> 00:32:06,820
CINDY WOULD OFFER
TO DO CHORES
714
00:32:06,890 --> 00:32:08,490
OR ASK IF SHE COULD
WATCH TV
715
00:32:08,550 --> 00:32:09,980
OR SHE'D SAY SHE
WAS SLEEPY
716
00:32:10,050 --> 00:32:11,880
AND COULD SHE STAY
AT OUR PLACE?
717
00:32:11,950 --> 00:32:13,880
DID YOU EVER
ASK HER ABOUT IT?
718
00:32:13,950 --> 00:32:16,550
ONCE. I WAS WALKING HER HOME
ONE NIGHT.
719
00:32:16,620 --> 00:32:18,080
IT'S JUST DOWN THE BLOCK.
720
00:32:18,150 --> 00:32:20,850
AND SHE WAS LITERALLY
DRAGGING HER FEET,
721
00:32:20,920 --> 00:32:24,020
SO I ASKED HER, "IS EVERYTHING
ALL RIGHT AT HOME?"
722
00:32:24,090 --> 00:32:25,890
AND SHE DIDN'T ANSWER ME,
723
00:32:25,950 --> 00:32:28,520
BUT I HAD
A REALLY BAD FEELING,
724
00:32:28,590 --> 00:32:30,990
YOU KNOW, I MEAN,
DEEP IN MY GUT,
725
00:32:31,050 --> 00:32:33,780
THAT THERE WAS
SOMETHING WRONG.
726
00:32:33,850 --> 00:32:36,080
WHY DIDN'T YOU BRING THIS UP
WHEN SHE WAS KILLED?
727
00:32:36,150 --> 00:32:38,180
THAT BLACK GUY
WAS IN CUSTODY.
728
00:32:38,250 --> 00:32:40,320
HE WAS THE ONE THAT YOU GUYS
SAID DID IT,
729
00:32:40,390 --> 00:32:42,590
AND NOBODY FROM
THE POLICE DEPARTMENT
730
00:32:42,650 --> 00:32:44,050
EVER CAME BY TO TALK TO ME.
731
00:32:44,120 --> 00:32:46,150
I DON'T WANT YOU TO TAKE
OFFENSE TO THIS
732
00:32:46,220 --> 00:32:48,050
'CAUSE IT'S
A STANDARD QUESTION.
733
00:32:48,120 --> 00:32:50,150
WE'RE NOT GONNA FIND OUT
THAT YOU HAD
734
00:32:50,220 --> 00:32:52,850
AN INAPPROPRIATE RELATIONSHIP
WITH CINDY, ARE WE?
735
00:32:52,920 --> 00:32:55,580
BECAUSE THE TIME TO TALK
ABOUT THAT WOULD BE NOW.
736
00:32:55,650 --> 00:32:59,450
I NEVER LAID A HAND
ON THAT GIRL.
737
00:32:59,520 --> 00:33:02,050
OKAY, THEN.
738
00:33:02,120 --> 00:33:03,550
IS THAT ALL?
739
00:33:03,620 --> 00:33:07,220
YEAH.
WE APPRECIATE YOUR HELP.
740
00:33:19,550 --> 00:33:20,820
I'LL GET THIS TO THE LAB.
741
00:33:20,890 --> 00:33:24,060
YEAH, WE NEED TO GET THE DAD
IN HERE, TOO.
742
00:33:26,520 --> 00:33:28,450
I'M REALLY SHOCKED.
743
00:33:28,520 --> 00:33:30,750
I SAW JESS TWO DAYS AGO.
744
00:33:30,820 --> 00:33:32,750
THIS IS SUCH A BLOW.
745
00:33:32,820 --> 00:33:35,620
SAW HER WHERE,
MR. DUBINSKI?
746
00:33:35,690 --> 00:33:37,390
WE MET FOR LUNCH.
747
00:33:37,450 --> 00:33:38,750
ABOUT SOMETHING SPECIFIC?
748
00:33:38,820 --> 00:33:40,250
JUST TO SHOOT THE BREEZE.
749
00:33:40,320 --> 00:33:42,920
SPEAKING FROM EXPERIENCE,
MR. DUBINSKI,
750
00:33:42,990 --> 00:33:45,960
THAT'S AN ODD RELATIONSHIP
TO HAVE WITH AN EX‐WIFE.
751
00:33:46,020 --> 00:33:47,680
JESS AND I WERE MOVING ON.
752
00:33:47,750 --> 00:33:49,650
WE REALIZED WE HAD
A LOT IN COMMON,
753
00:33:49,720 --> 00:33:51,850
WE JUST WEREN'T ANY GOOD
AT BEING MARRIED.
754
00:33:51,920 --> 00:33:53,620
SO NO INTEREST
IN RECONCILING?
755
00:33:53,690 --> 00:33:55,530
NO, WE WERE BETTER OFF
AS FRIENDS.
756
00:33:55,590 --> 00:33:57,060
THE REASON WE BROUGHT YOU IN
757
00:33:57,120 --> 00:33:59,880
IS BECAUSE JESSICA'S MOM SAID
THE DIVORCE HAD BEEN NASTY,
758
00:33:59,950 --> 00:34:01,920
AND IT WAS STILL NASTY
BETWEEN YOU.
759
00:34:01,990 --> 00:34:05,460
IN OUR WEDDING PHOTOS, HER MOM
WAS THE ONE WITH THE SCOWL.
760
00:34:05,520 --> 00:34:09,420
SHE NEVER LIKED ME, SO
I WOULDN'T TRUST HER WORD.
761
00:34:09,490 --> 00:34:12,860
CAN YOU ACCOUNT FOR YOURSELF
THIS MORNING AT 3:00 A. M.?
762
00:34:12,920 --> 00:34:16,180
WELL, I WAS IN BED...
ALONE.
763
00:34:16,250 --> 00:34:19,180
THE DOORMAN CAN TELL YOU
IF I LEFT OR NOT.
764
00:34:19,250 --> 00:34:21,750
YOU THINK I'M INVOLVED
IN THIS?
765
00:34:21,820 --> 00:34:24,920
IT'S STANDARD PROCEDURE
TO LOOK AT LOVED ONES,
766
00:34:24,990 --> 00:34:26,490
PRESENT AND FORMER.
767
00:34:26,550 --> 00:34:27,920
DO I NEED AN ATTORNEY‐‐
768
00:34:27,990 --> 00:34:30,890
I MEAN, NOT BECAUSE I DID
ANYTHING, BUT JUST TO BE SAFE?
769
00:34:30,950 --> 00:34:32,880
IF YOU CAN GET US
TO THE KILLER,
770
00:34:32,950 --> 00:34:35,120
WE'D RATHER NOT DEAL
WITH THE HASSLE.
771
00:34:35,190 --> 00:34:38,360
LIKE, DO YOU KNOW OF ANY OTHER
MEN IN HER LIFE, A BOYFRIEND?
772
00:34:38,420 --> 00:34:40,950
YEAH, SHE WAS SEEING A GUY
NAMED TIM KEATING.
773
00:34:41,020 --> 00:34:43,350
HAVE YOU TALKED TO HIM
ABOUT THIS?
774
00:34:43,420 --> 00:34:44,850
WELL, HE'S ON OUR LIST.
775
00:34:44,920 --> 00:34:47,820
BECAUSE SHE WASN'T VERY HAPPY
IN THE RELATIONSHIP.
776
00:34:47,890 --> 00:34:49,160
DID SHE SAY WHY?
777
00:34:49,220 --> 00:34:51,650
SHE SAID HE WAS DOING COKE‐‐
COCAINE‐‐
778
00:34:51,720 --> 00:34:53,150
AND ONE TIME SHE OVERHEARD
779
00:34:53,220 --> 00:34:55,820
THIS PHONE CONVERSATION
THIS TIM WAS HAVING
780
00:34:55,890 --> 00:34:58,590
WITH WHAT SOUNDED LIKE
A PRETTY ANGRY COKE DEALER.
781
00:34:58,650 --> 00:35:00,280
LIKE THAT HE OWED MONEY TO?
782
00:35:00,350 --> 00:35:03,220
SHE WASN'T SPECIFIC,
BUT SHE WAS SCARED BY IT.
783
00:35:03,290 --> 00:35:06,030
GOD.
784
00:35:06,090 --> 00:35:08,830
WHY DIDN'T I DO SOMETHING
ABOUT IT THEN?
785
00:35:08,890 --> 00:35:11,490
[ KNOCK ON DOOR ]
786
00:35:11,550 --> 00:35:13,250
EXCUSE US.
787
00:35:20,020 --> 00:35:22,750
YOU ASK HIM IF HE HAD ANY
ASSOCIATION WITH THE JOHN DOE?
788
00:35:22,820 --> 00:35:23,850
HE KNEW OF HIM.
789
00:35:23,920 --> 00:35:25,620
DUMP CAME BACK
ON HIS CELL‐‐
790
00:35:25,690 --> 00:35:27,590
10 CALLS TO JOHN DOE'S
PLACE OF WORK.
791
00:35:27,650 --> 00:35:29,820
THIS GUY PLAYING US, PUTTING OUT
COKE DEALER THEORIES?
792
00:35:29,890 --> 00:35:31,860
AIN'T THAT A QUESTION
FOR HIM?
HE'S HINKY.
793
00:35:31,920 --> 00:35:34,320
IF HE KNOWS WE DUMPED HIS PHONE,
HE'LL LAWYER UP.
794
00:35:34,390 --> 00:35:36,890
OR CONFESS.
YOUR CALL.
795
00:35:47,620 --> 00:35:49,550
LOCKED DOOR HERE.
796
00:35:49,620 --> 00:35:51,720
POLICE!
ANYONE IN THERE?!
797
00:35:58,490 --> 00:36:00,930
IT'S OKAY.
WE'RE POLICE.
798
00:36:00,990 --> 00:36:03,990
NO TE ASUSTES.
SOMOS POLICIAS.
799
00:36:04,050 --> 00:36:07,180
HABLAS INGLÉS?
CóMO TE LLAMAS?
800
00:36:07,250 --> 00:36:08,220
ANNA.
801
00:36:08,290 --> 00:36:10,690
ANNA, ESTáS BIEN?
802
00:36:10,750 --> 00:36:11,720
[ CRIES ]
803
00:36:11,790 --> 00:36:13,030
ESTáS LASTIMADA?
804
00:36:13,090 --> 00:36:14,430
VIENE ALGUIEN A BUSCARTE?
805
00:36:14,490 --> 00:36:15,530
[ SOBS ]
806
00:36:15,590 --> 00:36:16,760
SE FUERON.
807
00:36:16,820 --> 00:36:18,620
THEY LEFT HER.
808
00:36:18,690 --> 00:36:20,790
DOES SHE KNOW THE OTHER GIRL‐‐
CORISA?
809
00:36:20,850 --> 00:36:22,880
CONOCES A UNA NIÑA
QUE SE LLAMA CORISA?
810
00:36:22,950 --> 00:36:24,950
DE TU EDAD,
TIENE PELO LARGO.
811
00:36:25,020 --> 00:36:27,380
AHORA NO HAY PELIGRO.
812
00:36:27,450 --> 00:36:28,620
VÁMONOS.
813
00:36:28,690 --> 00:36:30,260
[ CRYING ]
814
00:36:39,850 --> 00:36:41,620
I'M A LITTLE NERVOUS.
815
00:36:41,690 --> 00:36:44,790
I'VE NEVER HAD TO IDENTIFY
A BODY BEFORE.
816
00:36:44,850 --> 00:36:46,580
THEY LIFT THE SHEET.
817
00:36:46,650 --> 00:36:49,650
IF IT'S JESSICA, YOU SAY SO.
THAT'S IT.
818
00:36:49,720 --> 00:36:50,680
I‐I GOTTA ADMIT,
819
00:36:50,750 --> 00:36:52,450
MY NERVES ARE COMPOUNDED
BY GUILT
820
00:36:52,520 --> 00:36:55,180
FOR NOT DOING ANYTHING
ABOUT THIS TIM KEATING.
821
00:36:55,250 --> 00:36:56,350
YEAH?
YEAH.
822
00:36:56,420 --> 00:36:59,620
I MEAN, THINKING BACK,
SHE WAS SCARED OF THE GUY.
823
00:36:59,690 --> 00:37:01,630
YOU HAVEN'T LOCATED HIM?
824
00:37:01,690 --> 00:37:03,530
WE DID, MR. DUBINSKI.
825
00:37:03,590 --> 00:37:06,190
HE WAS SHOT
ALONG WITH JESSICA.
826
00:37:06,250 --> 00:37:08,950
OH, MAN.
827
00:37:09,020 --> 00:37:11,220
LOOK, YOU GOTTA FIND
THE COCAINE DEALER.
828
00:37:11,290 --> 00:37:12,460
YEAH.
829
00:37:17,950 --> 00:37:19,720
THAT'S HIM!
THAT'S WHO SHOT ME!
830
00:37:19,790 --> 00:37:20,860
YOU SON OF A BITCH!
831
00:37:20,920 --> 00:37:23,050
CALM DOWN, TIM!
GET HIM OUT OF HERE!
832
00:37:24,990 --> 00:37:26,860
WE GOT SOMETHING
TO TALK ABOUT?
833
00:37:26,920 --> 00:37:29,320
YOU DIDN'T KILL HIM.
HE JUST IDENTIFIED YOU.
834
00:37:29,390 --> 00:37:32,230
SO YOU GOT SOMETHING TO SAY,
OR YOU JUST GONNA SIT THERE
835
00:37:32,290 --> 00:37:34,530
WORKING YOUR MOUTH
LIKE A DYING FISH?
836
00:37:34,590 --> 00:37:35,530
HOW?
837
00:37:35,590 --> 00:37:36,890
A MIRACLE.
838
00:37:36,950 --> 00:37:38,650
WHY'D YOU SHOOT YOUR EX‐WIFE
AND TIM KEATING?
839
00:37:38,720 --> 00:37:39,880
HOW DID I NOT KILL HIM?
840
00:37:39,950 --> 00:37:42,720
MR. DUBINSKI,
IT'S TIME TO FOCUS.
841
00:37:44,320 --> 00:37:47,550
HE WAS SCREWING THE WOMAN
THAT I LOVE.
842
00:37:47,620 --> 00:37:49,480
I COULDN'T LIVE WITH THAT.
843
00:37:51,950 --> 00:37:54,150
I'LL GET HIM TO THE HOUSE.
844
00:37:54,220 --> 00:37:55,480
COME ON.
845
00:38:01,690 --> 00:38:03,330
[ SIGHS ]
846
00:38:09,820 --> 00:38:11,080
[ KNOCK ON DOOR ]
847
00:38:11,150 --> 00:38:14,050
SO, HOW'D IT GO?
IS HE THE GUY?
848
00:38:14,120 --> 00:38:16,580
YEAH, HE GAVE IT RIGHT UP.
849
00:38:16,650 --> 00:38:17,920
YOU DID GREAT.
850
00:38:17,990 --> 00:38:20,390
WHY DID HE SHOOT ME
AND JESSICA?
851
00:38:20,450 --> 00:38:21,920
HE SAID HE WAS JEALOUS.
852
00:38:21,990 --> 00:38:25,190
HE SAW THE TWO OF YOU TOGETHER,
AND HE LOST IT.
853
00:38:27,950 --> 00:38:30,950
ANY OF THIS
COMING BACK TO YOU?
854
00:38:31,020 --> 00:38:35,520
IT'S STARTING TO, LIKE,
IT'S FAMILIAR.
855
00:38:35,590 --> 00:38:38,630
WHAT I'M AFRAID OF NOW IS
HOW BAD IT'S GONNA HURT
856
00:38:38,690 --> 00:38:41,430
WHEN IT REALLY DOES COME BACK
TO ME.
857
00:38:41,490 --> 00:38:44,830
'CAUSE I'M GETTING THE SENSE
I LOVED THIS GIRL.
858
00:38:47,620 --> 00:38:49,920
GET SOME REST, MR. KEATING.
859
00:38:49,990 --> 00:38:51,790
I'LL BE IN TOUCH.
860
00:39:01,290 --> 00:39:03,760
ALL RIGHT. THANKS.
861
00:39:03,820 --> 00:39:07,980
SO, THE SECOND GIRL
WE FOUND‐‐ ANNA‐‐
862
00:39:08,050 --> 00:39:09,150
SOCIAL SERVICES HAS HER.
863
00:39:09,220 --> 00:39:11,150
THEY CONTACTED A CHARITY
ORGANIZATION
864
00:39:11,220 --> 00:39:13,220
THAT RETURNS STOLEN KIDS TO
THEIR PARENTS,
865
00:39:13,290 --> 00:39:15,060
AND THEY'RE GONNA
TAKE THE CASE.
866
00:39:15,120 --> 00:39:16,980
WHAT ABOUT THE MADAME,
THIS ROSA LADY?
867
00:39:17,050 --> 00:39:18,850
COLLARED FOR PROMOTING
PROSTITUTION
868
00:39:18,920 --> 00:39:20,280
AND CHILD ENDANGERMENT,
869
00:39:20,350 --> 00:39:22,850
AND WE RAN THE NAME SHE GAVE US
PAST VICE‐‐ ASBERTO.
870
00:39:22,920 --> 00:39:25,020
THEY KNOW HIM, BUT HE'S ONLY
A STEP ABOVE HER,
871
00:39:25,090 --> 00:39:27,090
STILL SMALL‐TIME.
THEY'RE LOOKING FOR HIM NOW.
872
00:39:27,150 --> 00:39:29,280
AND CORISA?
IN THE WIND.
873
00:39:29,350 --> 00:39:32,450
ONE GIRL'S SAFE.
THAT'S SOMETHING, RIGHT?
874
00:39:32,520 --> 00:39:33,850
GOOD WORK.
875
00:39:33,920 --> 00:39:37,980
EVERYTHING GOING
ALL RIGHT?
YEAH.
876
00:39:38,050 --> 00:39:41,250
I'LL ASSUME YOUR CASE IS
PROCEEDING AND YOU'LL TELL ME
ABOUT IT WHEN IT'S NECESSARY?
877
00:39:41,320 --> 00:39:43,380
YEAH. THANKS, GIBSON.
878
00:39:43,450 --> 00:39:45,550
OKAY, THEN.
GOOD NIGHT.
879
00:39:45,620 --> 00:39:47,320
GOOD NIGHT, SARGE.
880
00:39:51,190 --> 00:39:53,990
THANK YOU FOR COMING IN,
MR. CLIFTON.
881
00:39:54,050 --> 00:39:57,220
WHY DON'T WE GRAB A CUP
OF COFFEE?
882
00:40:08,050 --> 00:40:10,080
IS THERE A REASON
WHY YOU REQUESTED
883
00:40:10,150 --> 00:40:12,050
I COME ALONE,
WITHOUT MY WIFE?
884
00:40:12,120 --> 00:40:14,880
WE'LL BE TALKING WITH EVERYBODY,
BUT INDIVIDUALLY.
885
00:40:14,950 --> 00:40:17,050
I'M HAVING SOME COFFEE,
MR. CLIFTON.
886
00:40:17,120 --> 00:40:18,950
CARE FOR SOME?
NO, THANK YOU.
887
00:40:19,020 --> 00:40:20,750
WATER, SODA,
ANYTHING?
NO.
888
00:40:20,820 --> 00:40:22,780
CAN WE JUST PLEASE
GET TO IT?
889
00:40:22,850 --> 00:40:24,780
WE'RE STARTING OVER,
AS YOU KNOW,
890
00:40:24,850 --> 00:40:26,880
AND ONE OF THE THINGS
THAT WE DISCOVERED
891
00:40:26,950 --> 00:40:28,350
OR REDISCOVERED, I GUESS,
892
00:40:28,420 --> 00:40:31,080
IS THAT CINDY DIDN'T HAVE
ANY DEFENSIVE WOUNDS.
893
00:40:31,150 --> 00:40:33,980
MEANING IT DOESN'T LOOK LIKE
SHE FOUGHT OFF HER ASSAILANT.
894
00:40:34,050 --> 00:40:36,180
IF YOU PLAN ON GETTING
INTO THE SPECIFICS
895
00:40:36,250 --> 00:40:38,450
OF HOW MY DAUGHTER WAS RAPED
AND KILLED,
896
00:40:38,520 --> 00:40:41,580
I CAN TELL YOU RIGHT NOW,
I WILL ABSOLUTELY NOT SIT HERE
897
00:40:41,650 --> 00:40:43,620
AND HAVE THOSE WOUNDS
RE‐OPENED AGAIN.
898
00:40:43,690 --> 00:40:44,930
WE'RE SYMPATHETIC,
899
00:40:44,990 --> 00:40:47,290
BUT WE ALSO NEED TO FIND OUT
WHO KILLED CINDY.
900
00:40:47,350 --> 00:40:48,150
I UNDERSTAND.
901
00:40:48,220 --> 00:40:50,080
BUT I WANT YOU TO BE
DAMN CAREFUL
902
00:40:50,150 --> 00:40:52,380
WHAT YOU SAY AROUND ME
AND ESPECIALLY MY WIFE
903
00:40:52,450 --> 00:40:55,420
WHEN IT COMES TO THE DETAILS
OF HOW OUR DAUGHTER WAS KILLED.
904
00:40:55,490 --> 00:40:56,760
THAT'S FINE.
905
00:40:56,820 --> 00:40:59,850
WE BELIEVE CINDY MAY HAVE KNOWN
HER ASSAILANT.
906
00:40:59,920 --> 00:41:02,150
DOES ANYONE COME TO MIND
WHO COULD HAVE HAD
907
00:41:02,220 --> 00:41:04,420
AN INAPPROPRIATE RELATIONSHIP
WITH HER?
908
00:41:04,490 --> 00:41:05,860
IF THERE WAS,
909
00:41:05,920 --> 00:41:08,420
I WOULDN'T HAVE WAITED 18 YEARS
TO TELL YOU ABOUT IT!
910
00:41:08,490 --> 00:41:09,660
[ SCOFFS ]
911
00:41:09,720 --> 00:41:11,250
ARE WE DONE?
912
00:41:11,320 --> 00:41:12,280
ONE MORE THING,
913
00:41:12,350 --> 00:41:15,020
AND WE'RE GONNA BE ASKING THIS
OF EVERYBODY.
914
00:41:15,090 --> 00:41:17,790
SINCE DNA WAS RECOVERED
FROM CINDY'S CLOTHING,
915
00:41:17,850 --> 00:41:20,080
WE'RE GONNA NEED
A DNA SAMPLE FROM YOU
916
00:41:20,150 --> 00:41:22,720
SO THAT YOU CAN BE ELIMINATED
AS A SUSPECT.
917
00:41:22,790 --> 00:41:24,890
WE'RE SORRY,
BUT IT NEEDS TO HAPPEN.
918
00:41:24,950 --> 00:41:27,520
YOU MUST BE
OUT OF YOUR MIND!
919
00:41:27,590 --> 00:41:29,090
IT'S STANDARD
PROCEDURE, SIR.
920
00:41:29,150 --> 00:41:31,150
WHAT DO YOU KNOW ABOUT
STANDARD PROCEDURE?!
921
00:41:31,220 --> 00:41:33,650
YOU PUT THE WRONG GUY
IN JAIL FOR 18 YEARS!
922
00:41:33,720 --> 00:41:35,050
YOU KNOW WHAT, MR. CLIFTON?
923
00:41:35,120 --> 00:41:37,280
LET'S MAKE OURSELVES A DEAL
HERE‐‐ WE'LL BE CAREFUL
924
00:41:37,350 --> 00:41:39,420
ABOUT THE DETAILS ABOUT YOUR
DAUGHTER'S DEATH
925
00:41:39,490 --> 00:41:42,290
IF YOU STAY CAREFUL ABOUT HOW MY
PARTNER INVESTIGATED THE CASE.
926
00:41:42,350 --> 00:41:43,920
TWO WITNESSES LIED.
927
00:41:43,990 --> 00:41:46,830
THAT IS NOT THE NEW YORK CITY
POLICE DEPARTMENT'S FAULT.
928
00:41:46,890 --> 00:41:49,290
I HAVE NO FAITH IN YOU
OR YOUR DEPARTMENT,
929
00:41:49,350 --> 00:41:52,450
AND IF YOU HAVE ANY MORE
QUESTIONS FOR ME OR MY FAMILY,
930
00:41:52,520 --> 00:41:54,180
YOU CAN CONTACT
OUR ATTORNEY!
931
00:42:02,920 --> 00:42:04,980
HOW DID I MISS ALL THIS
BACK THEN?
68784
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