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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,640 --> 00:00:02,250 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,250 --> 00:00:06,120 MAY I PRESENT DETECTIVE KELLY RONSON? 3 00:00:06,190 --> 00:00:09,130 OLD HOMICIDE OF MINE MIGHT GET RE‐OPENED OFF DNA. 4 00:00:09,190 --> 00:00:10,490 DO YOU REMEMBER A GUY 5 00:00:10,550 --> 00:00:12,880 THAT WE PUT AWAY IN '86‐‐ LEONARD PEELER? 6 00:00:12,950 --> 00:00:14,850 BLACK GUY? RAPED AND KILLED A WHITE GIRL. 7 00:00:14,920 --> 00:00:16,150 MAYBE WE MISSED SOMETHING. 8 00:00:16,220 --> 00:00:17,680 DID YOU ARREST THE WRONG MAN? 9 00:00:17,750 --> 00:00:20,350 IS THE PERSON WHO RAPED MY DAUGHTER STILL OUT THERE? 10 00:00:20,420 --> 00:00:22,420 I DIDN'T RAPE THAT GIRL! I DIDN'T KILL THAT GIRL! 11 00:00:22,490 --> 00:00:24,130 I WANT TO KNOW WHAT HAPPENED, LEONARD. 12 00:00:24,190 --> 00:00:25,460 YOU WANT TO COVER YOUR ASS 13 00:00:25,520 --> 00:00:27,450 SO YOU DON'T HAVE TO FACE UP TO WHAT YOU'VE DONE TO ME! 14 00:00:27,520 --> 00:00:29,450 A JURY CONVICTED THIS GUY, ANDY. 15 00:00:29,520 --> 00:00:32,220 HE DIDN'T DO IT, THOUGH. HE DIDN'T DO THE CRIME. 16 00:00:44,190 --> 00:00:46,590 THE GUY WAS FOUND SLUMPED OVER ON THE STOOP 17 00:00:46,650 --> 00:00:47,680 AT DELANCEY AND RIDGE. 18 00:00:47,750 --> 00:00:50,450 NO I. D., NO SHOES OR SHIRT, BLEEDING FROM THE HEAD. 19 00:00:50,520 --> 00:00:52,720 RESIDENT OF THE BUILDING CALLED IT IN. 20 00:00:52,790 --> 00:00:53,690 HE STABBED? 21 00:00:53,750 --> 00:00:55,020 NO, SHOT IN THE HEAD. 22 00:00:55,090 --> 00:00:57,930 DOC SAYS THE BULLET'S LODGED BEHIND HIS EAR. 23 00:00:57,990 --> 00:01:00,160 THE GUY SHOULD BUY A LOTTERY TICKET. 24 00:01:00,220 --> 00:01:01,350 HOW'S HE DOING? 25 00:01:01,420 --> 00:01:03,920 STABLE, ALERT. HE'S TOUGH AS NAILS. 26 00:01:03,990 --> 00:01:05,260 HE SAY WHO SHOT HIM? 27 00:01:05,320 --> 00:01:06,750 SAYS HE CAN'T REMEMBER... 28 00:01:06,820 --> 00:01:09,950 OR HIS NAME OR HIS MOTHER'S NAME OR HIS ADDRESS, EVEN. 29 00:01:10,020 --> 00:01:11,020 WHAT, LIKE AMNESIA? 30 00:01:11,090 --> 00:01:12,660 THAT'S WHAT HE'S SAYING. 31 00:01:12,720 --> 00:01:13,920 YOU GOT SOME DOUBT? 32 00:01:13,990 --> 00:01:16,360 TRAUMATIC AMNESIA CAN WIPE OUT THE EVENT, 33 00:01:16,420 --> 00:01:18,750 LIKE THE MOMENT HE ACTUALLY GOT SHOT 34 00:01:18,820 --> 00:01:20,820 OR MAYBE A SHORT PERIOD BEFORE, 35 00:01:20,890 --> 00:01:22,590 BUT HIS NAME, HIS MOTHER'S NAME? 36 00:01:22,650 --> 00:01:25,150 NO, NO ONE AROUND HERE HAS SEEN THAT BEFORE. 37 00:01:25,220 --> 00:01:26,680 YOU GONNA OPERATE ON HIM? 38 00:01:26,750 --> 00:01:28,220 BULLET'S LODGED IN THE BONE. 39 00:01:28,290 --> 00:01:30,690 GOING AFTER IT WOULD DO MORE HARM THAN GOOD. 40 00:01:30,750 --> 00:01:31,920 CAN I TALK TO HIM? 41 00:01:31,990 --> 00:01:33,790 YEAH, JUST TRY TO KEEP HIM CALM. 42 00:01:33,850 --> 00:01:35,050 HE'S PRETTY FREAKED OUT. 43 00:01:35,120 --> 00:01:37,680 DETECTIVE CLARK. 44 00:01:37,750 --> 00:01:39,120 HI. 45 00:01:39,190 --> 00:01:40,290 YOU GOT SHOT. 46 00:01:40,350 --> 00:01:42,380 THAT'S WHAT THEY'RE TELLING ME. 47 00:01:42,450 --> 00:01:44,820 AND YOU GOT NO IDEA WHO DID IT? 48 00:01:44,890 --> 00:01:46,230 I REALLY DON'T. 49 00:01:46,290 --> 00:01:48,690 DELANCEY AND RIDGE, YOU LIVE NEAR THERE? 50 00:01:48,750 --> 00:01:50,680 I HONESTLY DON'T KNOW. I‐‐ 51 00:01:50,750 --> 00:01:51,850 FRIENDS NEAR THERE? 52 00:01:51,920 --> 00:01:53,680 I DON'T KNOW. YOU KNOW, MAYBE. 53 00:01:53,750 --> 00:01:54,980 "MAYBE" LIKE YOU DO 54 00:01:55,050 --> 00:01:57,480 AND YOU'RE NOT READY TO REMEMBER IT YET? 55 00:01:57,550 --> 00:02:00,450 "MAYBE" LIKE MAYBE. I CAN'T REALLY SAY FOR SURE. 56 00:02:00,520 --> 00:02:03,350 SO, UH, WHEN DOES YOUR MEMORY BEGIN? 57 00:02:03,420 --> 00:02:06,080 WHEN THE POLICEMAN NUDGED ME AWAKE ON THE STOOP. 58 00:02:06,150 --> 00:02:07,880 BEFORE THAT, IT'S JUST BLANK. 59 00:02:07,950 --> 00:02:10,780 OKAY, WELL, I TELL YOU WHAT, 60 00:02:10,850 --> 00:02:13,620 THESE DETECTIVES ARE GONNA TAKE A PHOTOGRAPH OF YOU 61 00:02:13,690 --> 00:02:14,960 AND GET YOUR FINGERPRINTS. 62 00:02:15,020 --> 00:02:16,320 YOU THINK I'M A CRIMINAL? 63 00:02:16,390 --> 00:02:18,830 OR YOU WERE BONDED OR WORK FOR THE GOVERNMENT. 64 00:02:18,890 --> 00:02:20,230 RIGHT, RIGHT, GOT IT. 65 00:02:20,290 --> 00:02:22,230 OKAY, WE'LL DO THAT, AND WE'LL GO FROM THERE. 66 00:02:22,290 --> 00:02:24,590 ALL RIGHT, GOOD, GOOD. I'D LIKE TO KNOW WHO I AM. 67 00:02:24,650 --> 00:02:27,080 IT'S PRETTY DISTRESSING, IF YOU KNOW WHAT I MEAN. 68 00:02:27,150 --> 00:02:29,450 OKAY, WE'LL GET TO WORK ON IT. 69 00:02:36,890 --> 00:02:38,460 DNA DOESN'T LIE, YOUR HONOR, 70 00:02:38,520 --> 00:02:41,380 AND, IN THIS CASE, THE DNA SAYS BEYOND ANY DOUBT 71 00:02:41,450 --> 00:02:43,550 THAT LEONARD PEELER IS NOT THE MAN 72 00:02:43,620 --> 00:02:45,880 WHO RAPED AND KILLED CINDY CLIFTON. 73 00:02:45,950 --> 00:02:47,280 THAT'S RIGHT! 74 00:02:47,350 --> 00:02:50,320 THAT HAPPENS AGAIN, I AM CLEARING THE ROOM. 75 00:02:50,390 --> 00:02:51,560 GO ON. 76 00:02:51,620 --> 00:02:53,920 SOMETHING WENT WRONG HERE, YOUR HONOR. 77 00:02:53,990 --> 00:02:57,690 AS A RESULT, 18 YEARS OF THIS MAN'S LIFE WERE STOLEN FROM HIM. 78 00:02:57,750 --> 00:02:59,220 STATE YOUR CASE, COUNSELOR. 79 00:02:59,290 --> 00:03:00,990 I URGE YOU TO GRANT THE MOTION 80 00:03:01,050 --> 00:03:02,820 TO GIVE LEONARD PEELER HIS FREEDOM. 81 00:03:02,890 --> 00:03:05,730 I'VE SPOKEN WITH A. D. A. HAYWOOD, AND SHE DOES NOT OPPOSE IT. 82 00:03:05,790 --> 00:03:08,560 THAT'S CORRECT, YOUR HONOR, THE STATE DOES NOT OPPOSE 83 00:03:08,620 --> 00:03:11,080 AS LONG AS THE DISMISSAL IS WITHOUT PREJUDICE 84 00:03:11,150 --> 00:03:13,750 AS WE RESERVE THE RIGHT TO REFILE AGAINST MR. PEELER. 85 00:03:13,820 --> 00:03:15,250 I'M GRANTING THE MOTION. 86 00:03:15,320 --> 00:03:17,650 I'M VACATING THE CONVICTION, EFFECTIVE IMMEDIATELY. 87 00:03:17,720 --> 00:03:20,320 MR. PEELER, I'M RELEASING YOU FROM CUSTODY. 88 00:03:20,390 --> 00:03:23,090 I ASK FOR YOUR PATIENCE DURING THE SHORT TIME 89 00:03:23,150 --> 00:03:25,120 IT WILL TAKE TO FACILITATE THAT. 90 00:03:25,190 --> 00:03:26,630 ANYTHING FURTHER, COUNSEL? 91 00:03:26,690 --> 00:03:28,330 NO, YOUR HONOR. THANK YOU, YOUR HONOR. 92 00:03:28,390 --> 00:03:29,790 THIS COURT IS IN RECESS. 93 00:03:29,850 --> 00:03:33,220 [ CHEERS AND APPLAUSE ] 94 00:05:03,120 --> 00:05:05,480 PRINTS ON THIS JOHN DOE CAME UP EMPTY‐‐ NO RECORD. 95 00:05:05,550 --> 00:05:07,350 THIS GUY DOESN'T REMEMBER SQUAT? 96 00:05:07,420 --> 00:05:09,880 NOTHING FROM BEFORE WHEN HE GOT PICKED UP THIS MORNING. 97 00:05:09,950 --> 00:05:13,080 CHILDHOOD MEMORIES, WHAT ICE CREAM TASTES LIKE, NOTHING? 98 00:05:13,150 --> 00:05:15,320 THAT'S WHAT HE CLAIMS. "CLAIMS," EXACTLY. 99 00:05:15,390 --> 00:05:17,390 MY BULLSHIT DETECTOR IS IN THE RED HERE. 100 00:05:17,450 --> 00:05:19,680 RITA AND I COULD HEAD DOWN WHERE THEY FOUND HIM, 101 00:05:19,750 --> 00:05:20,820 SHOW HIS PICTURE AROUND. 102 00:05:20,890 --> 00:05:22,630 GOOD. I LIKE THAT. 103 00:05:26,390 --> 00:05:28,730 HEY, SO THEY CUT PEELER LOOSE? 104 00:05:28,790 --> 00:05:30,860 YEAH. 105 00:05:30,920 --> 00:05:32,680 DON'T LET IT GET YOU DOWN, ANDY. 106 00:05:32,750 --> 00:05:35,750 YOU KNOW, I JUST NEED A LITTLE TIME HERE, GUYS. THANKS. 107 00:05:39,090 --> 00:05:40,530 HOPE YOU DON'T MIND. 108 00:05:40,590 --> 00:05:42,860 MAYBE A FRESH PAIR OF EYES WOULDN'T HURT 109 00:05:42,920 --> 00:05:44,050 BECAUSE, OBVIOUSLY, 110 00:05:44,120 --> 00:05:46,250 I MIGHT HAVE MISSED SOMETHING BACK THEN. 111 00:05:49,350 --> 00:05:53,050 SO, ANYTHING JUMP OUT AT YOU? 112 00:05:53,120 --> 00:05:55,380 ANN MARIE FUSCO‐‐ 113 00:05:55,450 --> 00:05:58,050 SHE'S WHO PEELER CLAIMED HE WAS WITH THE NIGHT OF THE CRIME. 114 00:05:58,120 --> 00:05:59,320 YEAH, BUT HE WASN'T, 115 00:05:59,390 --> 00:06:01,360 AND THAT'S ONE OF THE THINGS THAT PUT HIM AWAY. 116 00:06:01,420 --> 00:06:02,920 IT'S ANN MARIE SULLIVAN NOW. 117 00:06:02,990 --> 00:06:04,890 SHE MIGHT BE A GOOD PLACE TO START AGAIN. 118 00:06:04,950 --> 00:06:08,120 I'VE BEEN TRYING TO GET AHOLD OF HER THE LAST FEW DAYS. 119 00:06:08,190 --> 00:06:10,460 DID SHE CALL BACK HERE‐‐ ANN MARIE SULLIVAN? 120 00:06:10,520 --> 00:06:12,450 NOT WHEN I'VE BEEN AT THE DESK. 121 00:06:12,520 --> 00:06:14,450 LET'S GO TALK TO HER AT HER JOB. 122 00:06:14,520 --> 00:06:17,650 YOU WANT ME WORKING THIS WITH YOU? YEAH. 123 00:06:17,720 --> 00:06:19,950 WHERE YOU GOING? 124 00:06:20,020 --> 00:06:21,180 NOW THAT PEELER'S SPRUNG, 125 00:06:21,250 --> 00:06:23,380 THIS CASE IS BACK TO AN OPEN HOMICIDE. 126 00:06:23,450 --> 00:06:25,520 THE D. A. SQUAD IS LOOKING TO TAKE IT OVER. 127 00:06:25,590 --> 00:06:27,560 THEY CALLED ASKING FOR YOUR FOLDER. 128 00:06:31,620 --> 00:06:35,280 NO ONE GOES NEAR THAT THING OTHER THAN ME OR JUNIOR. 129 00:06:36,650 --> 00:06:39,680 IF YOU CAN GET THEM TO HOLD OFF FOR A WEEK, 130 00:06:39,750 --> 00:06:41,020 I'D APPRECIATE IT. 131 00:06:41,090 --> 00:06:43,660 I'M TAKING THIS CASE A LITTLE PERSONAL. 132 00:06:43,720 --> 00:06:44,720 ALL RIGHT. 133 00:06:59,820 --> 00:07:01,680 ANN MARIE? 134 00:07:01,750 --> 00:07:02,950 DETECTIVE SIPOWICZ. 135 00:07:03,020 --> 00:07:04,880 THIS IS MY PARTNER, JOHN CLARK. 136 00:07:04,950 --> 00:07:06,920 I'M COMPLETELY SWAMPED RIGHT NOW. 137 00:07:06,990 --> 00:07:09,090 COULD WE DO THIS LATER? NO, I'M SORRY. 138 00:07:09,150 --> 00:07:11,150 I LEFT A COUPLE MESSAGES FOR YOU. 139 00:07:11,220 --> 00:07:13,720 WE'RE LAUNCHING A NEW LINE IN LESS THAN A MONTH, 140 00:07:13,790 --> 00:07:16,490 AND, TO BE HONEST WITH YOU, I'M NOT EXACTLY EAGER 141 00:07:16,550 --> 00:07:18,980 TO GET INVOLVED IN THIS WHOLE THING AGAIN. 142 00:07:19,050 --> 00:07:20,280 WE'LL MAKE IT BRIEF THEN. 143 00:07:20,350 --> 00:07:23,180 [ SIGHS ] I'D APPRECIATE IT. 144 00:07:23,250 --> 00:07:24,850 LEONARD PEELER'S BEEN RELEASED. 145 00:07:24,920 --> 00:07:27,720 YEAH, I HEARD HE MIGHT BE, BUT NOT ACQUITTED, RIGHT? 146 00:07:27,790 --> 00:07:28,830 RIGHT. 147 00:07:28,890 --> 00:07:30,930 HE STILL MAY HAVE BEEN INVOLVED, 148 00:07:30,990 --> 00:07:32,360 BUT SOMETHING'S COME UP. 149 00:07:32,420 --> 00:07:34,220 THE DNA AND THAT GUY IN PRISON 150 00:07:34,290 --> 00:07:36,560 THAT LEONARD PEELER SUPPOSEDLY CONFESSED TO. 151 00:07:36,620 --> 00:07:38,680 I'VE BEEN FOLLOWING IT IN THE PAPERS. 152 00:07:38,750 --> 00:07:39,950 AS YOU KNOW, 153 00:07:40,020 --> 00:07:42,380 ONE OF THE THINGS THAT DID GET HIM CONVICTED 154 00:07:42,450 --> 00:07:44,850 IS HIM SAYING THAT HE WAS WITH YOU THAT NIGHT. 155 00:07:44,920 --> 00:07:46,320 YEAH, AND HE WASN'T. 156 00:07:46,390 --> 00:07:49,160 ARE WE REALLY GONNA REHASH THIS WHOLE THING? 157 00:07:49,220 --> 00:07:51,080 WE'RE INVESTIGATING A MURDER. 158 00:07:51,150 --> 00:07:54,050 WHICH TOOK PLACE, WHAT, 20 YEARS AGO? 159 00:07:54,120 --> 00:07:56,050 18, AND THAT DOESN'T MAKE ANY DIFFERENCE TO ME. 160 00:07:56,120 --> 00:07:58,880 HOW WELL DID YOU KNOW PEELER BACK THEN? 161 00:07:58,950 --> 00:08:01,020 WE BOTH WORKED AT ALTMAN'S. 162 00:08:01,090 --> 00:08:04,130 I DID WEEKENDS AT THE COSTUME‐JEWELRY COUNTER. 163 00:08:04,190 --> 00:08:06,990 HE WAS IN THE LOADING DOCK OR SOMETHING. 164 00:08:07,050 --> 00:08:08,950 WE'D SEE EACH OTHER WHEN I CAME IN, 165 00:08:09,020 --> 00:08:10,350 NEVER OUTSIDE OF WORK. 166 00:08:10,420 --> 00:08:13,150 HE KNEW YOU LIVED IN THE SAME AREA AS THE D. O. A. GIRL, 167 00:08:13,220 --> 00:08:15,420 WHICH IS WHY HE TRIED TO USE YOU AS AN ALIBI. 168 00:08:15,490 --> 00:08:17,760 I DON'T KNOW HOW HE GOT MY ADDRESS. 169 00:08:17,820 --> 00:08:19,280 MAYBE FROM SOMEBODY AT WORK. 170 00:08:19,350 --> 00:08:21,250 WHY WOULD HE CLAIM THAT HE SLEPT WITH YOU, 171 00:08:21,320 --> 00:08:23,420 KNOWING THAT THE DETECTIVES WOULD COME RIGHT TO YOU? 172 00:08:23,490 --> 00:08:26,330 I'M NOT A CRIMINAL PSYCHOLOGIST. I HAVE NO IDEA. 173 00:08:26,390 --> 00:08:29,030 NOW, I'M SORRY, BUT I GOTTA GET BACK TO WORK. 174 00:08:29,090 --> 00:08:31,090 BUT, JUST SO WE'RE CLEAR, ANN MARIE, 175 00:08:31,150 --> 00:08:33,880 BEFORE WE GO FORWARD ON THIS AND DO EVERYTHING WE CAN 176 00:08:33,950 --> 00:08:35,850 TO PUT LEONARD PEELER BACK IN PRISON 177 00:08:35,920 --> 00:08:37,580 AND NOT FOCUS ON THE POSSIBILITY 178 00:08:37,650 --> 00:08:40,380 THAT IT WAS SOMEONE ELSE WHO STILL MIGHT BE OUT THERE, 179 00:08:40,450 --> 00:08:42,380 PEELER WASN'T WITH YOU THAT NIGHT? 180 00:08:42,450 --> 00:08:44,250 I WAS ALONE. 181 00:08:44,320 --> 00:08:46,920 NOW, WHETHER HE KILLED THAT GIRL OR NOT, 182 00:08:46,990 --> 00:08:49,090 I DON'T KNOW ANYTHING ABOUT THAT. 183 00:08:49,150 --> 00:08:50,480 WHY ARE YOU SO UPSET? 184 00:08:50,550 --> 00:08:53,520 BECAUSE HE'S OUT NOW, AND HE COULD COME AFTER ME, 185 00:08:53,590 --> 00:08:56,360 AND I DON'T WANT TO DEAL WITH THIS ANYMORE! 186 00:09:05,350 --> 00:09:07,980 THE GUY STILL DON'T REMEMBER NOTHING, HUH? 187 00:09:08,050 --> 00:09:09,120 NO, NOT YET. 188 00:09:09,190 --> 00:09:11,030 THAT'S THE DAMNEDEST THING. 189 00:09:13,390 --> 00:09:15,830 THIS YOUNG LADY NAMED SUE MONROE LIVES THERE, 190 00:09:15,890 --> 00:09:17,060 BUT SHE'S AT WORK, THOUGH. 191 00:09:17,120 --> 00:09:18,720 [ KNOCK ON DOOR ] 192 00:09:18,790 --> 00:09:20,760 THAT APARTMENT THERE IS EMPTY. 193 00:09:20,820 --> 00:09:23,920 I'M STILL TRYING TO RENT IT. 194 00:09:23,990 --> 00:09:25,860 [ DOOR OPENS ] 195 00:09:25,920 --> 00:09:26,920 HI. 196 00:09:26,990 --> 00:09:28,960 WHAT'S YOUR NAME? 197 00:09:29,020 --> 00:09:30,880 CÓMO TE LLAMAS? 198 00:09:30,950 --> 00:09:32,220 CORISA. 199 00:09:34,140 --> 00:09:35,240 YES? 200 00:09:35,310 --> 00:09:36,710 DETECTIVES, MA'AM. 201 00:09:36,770 --> 00:09:39,240 DID YOU SEE THIS MAN OUTSIDE THE BUILDING THIS MORNING? 202 00:09:39,310 --> 00:09:40,410 NO, I'M SORRY. 203 00:09:45,470 --> 00:09:47,300 THOUGHT YOU SAID THAT APARTMENT WAS VACANT. 204 00:09:47,370 --> 00:09:48,700 WRONG FLOOR. 205 00:09:48,770 --> 00:09:51,900 THE ONE UPSTAIRS IS... I THINK. 206 00:09:51,970 --> 00:09:54,070 WHY DOES IT LOOK LIKE YOU JUST SWALLOWED A BUG, MR. TOLLINS? 207 00:09:54,140 --> 00:09:55,740 I DIDN'T. I'M NOT. 208 00:09:55,810 --> 00:09:59,380 WHAT'S GOING ON IN THIS APARTMENT? 209 00:09:59,440 --> 00:10:01,000 NOTHING, WHY? 210 00:10:01,070 --> 00:10:02,300 OPEN IT. 211 00:10:02,370 --> 00:10:06,100 AM I ALLOWED TO DO THAT, I MEAN, LEGALLY? 212 00:10:06,170 --> 00:10:07,470 DIDN'T I JUST TELL YOU TO?! 213 00:10:14,610 --> 00:10:17,250 CORISA, DÓNDE ESTÁS? 214 00:10:17,310 --> 00:10:19,780 WAIT RIGHT THERE. 215 00:10:30,010 --> 00:10:31,310 IT'S EMPTY. 216 00:10:31,370 --> 00:10:33,500 THE WINDOW TO THE FIRE ESCAPE IS OPEN. 217 00:10:33,570 --> 00:10:34,540 NO SIGN OF THEM. 218 00:10:34,610 --> 00:10:37,050 CONDOM WRAPPERS. 219 00:10:37,110 --> 00:10:38,180 [ CREAKING ] 220 00:10:46,140 --> 00:10:47,700 ON YOUR FEET. OKAY, OKAY. 221 00:10:47,770 --> 00:10:49,670 MOVE IT! OKAY, OKAY! 222 00:10:52,510 --> 00:10:54,650 SIT THERE. 223 00:10:54,710 --> 00:10:57,710 YOU KNOW, I JUST CAME HERE FOR A LEGITIMATE MASSAGE. 224 00:10:57,770 --> 00:10:59,840 WHAT DO YOU KNOW ABOUT THE PEOPLE WHO WERE HERE? 225 00:10:59,910 --> 00:11:01,580 ONLY BEEN HERE A COUPLE OF WEEKS. 226 00:11:01,640 --> 00:11:03,300 PAID CASH AND KEPT TO THEMSELVES. 227 00:11:03,370 --> 00:11:04,840 HOW MANY GIRLS WERE WORKING HERE? 228 00:11:04,910 --> 00:11:06,650 WORKING? YOU WANT TO GET LOCKED UP? 229 00:11:06,710 --> 00:11:09,480 A COUPLE OF GIRLS, I GUESS. 230 00:11:09,540 --> 00:11:11,600 THE GIRL WE SAW COULDN'T HAVE BEEN MORE THAN 13. 231 00:11:11,670 --> 00:11:13,300 WERE THEY ALL THAT AGE? NOT AS FAR AS I SAW. 232 00:11:13,370 --> 00:11:15,940 YOU GET A KICKBACK FOR LOOKING THE OTHER WAY? NO, MA'AM. 233 00:11:16,010 --> 00:11:17,980 YOU BETTER HOPE WE DON'T FIND OUT DIFFERENT. 234 00:11:18,040 --> 00:11:20,300 I'LL GET CRIME SCENE DOWN HERE. 15th SQUAD TO CENTRAL K. 235 00:11:20,370 --> 00:11:22,740 GET YOUR CLOTHES ON. 236 00:11:28,040 --> 00:11:30,840 ANYTHING ON JOHN DOE? 237 00:11:30,910 --> 00:11:33,710 NO ONE RECOGNIZED THE PHOTO AROUND WHERE HE GOT PICKED UP, 238 00:11:33,770 --> 00:11:36,170 AND NO BLOOD TRAIL LEADING TO THE STOOP HE WAS ON. 239 00:11:36,240 --> 00:11:38,870 NURSE SAID HE REMEMBERED SOMETHING ON THE SHOOTING. 240 00:11:38,940 --> 00:11:40,100 15th SQUAD. 241 00:11:40,170 --> 00:11:43,370 HEAD DOWN THERE BEFORE THE FOG SETS IN AGAIN. 242 00:11:43,440 --> 00:11:47,040 A FATHER THOMAS DWYER AT ST. EUGENE'S. 243 00:11:47,110 --> 00:11:48,680 DETECTIVE SIPOWICZ. 244 00:11:50,340 --> 00:11:52,900 YEAH. ALL RIGHT, WE'LL BE RIGHT DOWN. 245 00:11:52,970 --> 00:11:57,040 ANN MARIE WANTS TO TALK AT HER CHURCH WITH HER PRIEST. 246 00:11:57,110 --> 00:11:58,380 WHAT'S THAT MEAN? 247 00:11:58,440 --> 00:11:59,940 WE'RE GONNA FIND OUT. 248 00:12:12,610 --> 00:12:13,610 FATHER DWYER? 249 00:12:13,670 --> 00:12:15,670 YES. YOU'RE THE DETECTIVES. 250 00:12:15,740 --> 00:12:17,040 YEAH, WHAT'S GOING ON? 251 00:12:17,110 --> 00:12:20,150 ANN MARIE SULLIVAN SPOKE WITH YOU EARLIER? 252 00:12:20,210 --> 00:12:21,410 YEAH, IS SHE ALL RIGHT? 253 00:12:21,470 --> 00:12:22,900 SHE'S EXTREMELY UPSET. 254 00:12:22,970 --> 00:12:23,900 OVER? 255 00:12:23,970 --> 00:12:27,370 SHE ASKED THAT I BE THERE WITH HER 256 00:12:27,440 --> 00:12:29,400 WHEN SHE TALKS TO YOU. 257 00:12:29,470 --> 00:12:31,500 IF YOU'LL FOLLOW ME. 258 00:12:41,810 --> 00:12:43,510 ARE YOU READY, ANN MARIE? 259 00:12:48,270 --> 00:12:51,840 WHY DON'T WE TELL THEM WHAT YOU AND I TALKED ABOUT? 260 00:12:52,910 --> 00:12:55,210 MY DAD... 261 00:12:55,270 --> 00:12:56,770 [ SOBS ] 262 00:12:56,840 --> 00:13:00,240 ...HE WAS OLD‐SCHOOL ITALIAN, 263 00:13:00,310 --> 00:13:03,050 AND I WAS LIVING AT HOME BACK THEN. 264 00:13:03,110 --> 00:13:04,910 [ SNIFFLES ] 265 00:13:04,970 --> 00:13:07,540 MY FAMILY, THEY WOULD HAVE DISOWNED ME. 266 00:13:07,610 --> 00:13:10,150 WAS LEONARD PEELER WITH YOU THAT NIGHT? 267 00:13:10,210 --> 00:13:11,310 [ Sobbing ] YES. 268 00:13:11,370 --> 00:13:13,170 [ SIGHS ] 269 00:13:13,240 --> 00:13:14,870 I'M SO SORRY. 270 00:13:19,010 --> 00:13:20,750 [ SIGHS ] 271 00:13:23,240 --> 00:13:26,070 I WAS 19. 272 00:13:26,140 --> 00:13:30,400 ONCE I TOLD THE LIE, I HAD TO STICK TO IT. 273 00:13:30,470 --> 00:13:33,000 HE SPENT 18 YEARS IN PRISON. 274 00:13:33,070 --> 00:13:36,870 I KNOW, AND I LIVE WITH THE GUILT EVERY SINGLE DAY OF IT. 275 00:13:36,940 --> 00:13:39,140 [ SOBBING ] 276 00:13:49,710 --> 00:13:52,810 THANKS FOR SEEING US, JOE. THIS IS MY PARTNER, JOHN CLARK. 277 00:13:52,870 --> 00:13:55,070 JOHN, NICE TO MEET YOU. YOU, TOO, JOE. 278 00:13:55,140 --> 00:13:57,840 SO, YEAH, I HEARD ABOUT PEELER GETTING KICKED. 279 00:13:57,910 --> 00:14:00,180 ANN MARIE FUSCO‐‐ YOU REMEMBER HER? SURE. 280 00:14:00,240 --> 00:14:02,800 IT'S ANN MARIE SULLIVAN NOW, AND SHE JUST ADMITTED 281 00:14:02,870 --> 00:14:05,300 THAT SHE LIED ABOUT BEING WITH PEELER BACK THEN 282 00:14:05,370 --> 00:14:07,370 'CAUSE SHE DIDN'T WANT HER DAD TO KNOW 283 00:14:07,440 --> 00:14:09,400 THAT SHE WAS SLEEPING WITH A BLACK GUY. 284 00:14:09,470 --> 00:14:10,770 YOU'RE KIDDING? NO. 285 00:14:10,840 --> 00:14:13,400 WELL, THE PLANETS SURE LINED UP WRONG FOR PEELER, 286 00:14:13,470 --> 00:14:14,500 DIDN'T THEY? 287 00:14:14,570 --> 00:14:16,600 YOU GUYS WANT SOMETHING TO DRINK? 288 00:14:16,670 --> 00:14:20,070 SO, PEELER DIDN'T DO IT, WASN'T INVOLVED, 289 00:14:20,140 --> 00:14:21,940 NO ACCOMPLICE, NOTHING. 290 00:14:22,010 --> 00:14:24,310 SO YOU CAME ALL THE WAY OVER HERE TO POINT THAT OUT? 291 00:14:24,370 --> 00:14:26,170 THE CASE IS OPEN AGAIN NOW, JOE. 292 00:14:26,240 --> 00:14:29,540 I CAME HERE TO SEE IF MAYBE YOU HAD ANY FILES, ANY NOTES, 293 00:14:29,610 --> 00:14:32,410 ANY RECOLLECTIONS OF EVENTS THAT COULD HELP US OUT. 294 00:14:32,470 --> 00:14:36,400 WHAT I REMEMBER‐‐ IT WAS A GOOD CASE. 295 00:14:36,470 --> 00:14:37,900 WELL, IT WASN'T. 296 00:14:37,970 --> 00:14:40,770 YOUR INFORMANT WHO CLAIMED PEELER CONFESSED TO HIM, 297 00:14:40,840 --> 00:14:43,800 THE DNA, THE TIMELINE THAT WE FORCED PEELER TO COMMIT TO, 298 00:14:43,870 --> 00:14:46,800 AND NOW ANN MARIE FUSCO‐‐ IT'S ALL GONE DOWN THE TUBES. 299 00:14:46,870 --> 00:14:48,740 YOU'RE TRYING TO BLAME ME FOR THIS, AREN'T YOU? 300 00:14:48,810 --> 00:14:51,750 NO, I AM JUST TRYING TO FIND OUT WHO KILLED CINDY CLIFTON 301 00:14:51,810 --> 00:14:53,850 BECAUSE IT WASN'T LEONARD PEELER. 302 00:14:53,910 --> 00:14:57,010 WELL, I CAN IMAGINE WHAT HE'S BEEN TELLING YOU ABOUT THIS. 303 00:14:57,070 --> 00:15:00,170 ANDY HAD JUST GOT HIS SHIELD, AND I WAS RUNNING THE SHOW? 304 00:15:00,240 --> 00:15:01,240 NOTHING LIKE THAT. 305 00:15:01,310 --> 00:15:02,910 WERE YOU NOT THERE? 306 00:15:02,970 --> 00:15:05,200 WAS THAT A CARDBOARD CUTOUT OF ANDY SIPOWICZ IN THAT ROOM? 307 00:15:05,270 --> 00:15:06,000 I WAS THERE. 308 00:15:06,070 --> 00:15:08,670 'CAUSE I'M NOT HOLDING THE BAG ON THIS. 309 00:15:08,740 --> 00:15:11,000 ALL WE'RE ASKING FOR IS SOME HELP. 310 00:15:11,070 --> 00:15:13,840 WELL, I CAN'T PROVIDE ANY. 311 00:15:13,910 --> 00:15:16,750 BUT GOOD LUCK, AND I MEAN THAT. 312 00:15:16,810 --> 00:15:18,750 IF YOU THINK OF ANYTHING, THOUGH‐‐ 313 00:15:18,810 --> 00:15:20,550 NO, NO, I'M NOT GOING BACK THERE. 314 00:15:20,610 --> 00:15:22,450 YOU GUYS CAN IF YOU WANT, BUT... 315 00:15:22,510 --> 00:15:25,150 AND THIS IS THE LAST TIME YOU COME TO MY HOUSE 316 00:15:25,210 --> 00:15:27,050 HITTING ON ME ABOUT THAT CASE. 317 00:15:27,110 --> 00:15:30,210 WE SHOULD GET BACK. 318 00:15:30,270 --> 00:15:32,300 YOU CAME HERE TO BLAME ME. 319 00:15:32,370 --> 00:15:33,870 I'M PISSED, JOE. 320 00:15:33,940 --> 00:15:37,200 I'M REALLY, REALLY PISSED OFF... 321 00:15:37,270 --> 00:15:39,600 BUT I'M NOT BLAMING YOU. 322 00:15:45,840 --> 00:15:47,500 [ SIGHS ] 323 00:15:47,570 --> 00:15:49,670 SO, MR. CREEL... 324 00:15:49,740 --> 00:15:50,500 YEAH. 325 00:15:50,570 --> 00:15:52,170 NAKED IN THE CLOSET‐‐ 326 00:15:52,240 --> 00:15:54,170 YOU WANT A CHANCE TO EXPLAIN? 327 00:15:54,240 --> 00:15:57,240 TWO PRIORS FOR SOLICITATION OF AN UNDERCOVER OFFICER, 328 00:15:57,310 --> 00:15:59,050 LOITERING NEAR A PROSS STROLL. 329 00:15:59,110 --> 00:16:01,210 ALL RIGHT, YEAH. 330 00:16:01,270 --> 00:16:03,370 SO, WHAT, YOU WANT THE BIG ACT? 331 00:16:03,440 --> 00:16:04,870 WHAT ACT? 332 00:16:04,940 --> 00:16:08,600 YOU KNOW, THE ONE WHERE I TELL YOU THAT WHAT I DID WAS WRONG, 333 00:16:08,670 --> 00:16:11,670 AND I'LL NEVER DO IT AGAIN, AND BEG FORGIVENESS. 334 00:16:11,740 --> 00:16:15,570 YOU KNOW WHAT, LADIES? I PATRONIZE PROSTITUTES. 335 00:16:15,640 --> 00:16:19,700 I GO TO WOMEN, I GIVE THEM MONEY TO HAVE SEX WITH ME. 336 00:16:19,770 --> 00:16:21,740 FEE PAID FOR SERVICE RENDERED. 337 00:16:21,810 --> 00:16:23,950 AND IF THIS COUNTRY WEREN'T SHACKLED 338 00:16:24,010 --> 00:16:26,410 TO SOME 19th‐CENTURY SENSE OF MORALITY, 339 00:16:26,470 --> 00:16:28,500 THAT'S THE WAY IT WOULD BE TREATED. 340 00:16:28,570 --> 00:16:29,970 REALLY? YEAH. 341 00:16:30,040 --> 00:16:31,470 I USED TO GO TO BARS. 342 00:16:31,540 --> 00:16:35,000 DRINKS ON ME, DINNER ON ME. 343 00:16:35,070 --> 00:16:37,240 L‐O‐O‐ONG CONVERSATIONS. 344 00:16:37,310 --> 00:16:40,450 YOU KNOW WHAT THE DIFFERENCE BETWEEN GOING TO A HOOKER 345 00:16:40,510 --> 00:16:41,980 AND THE SCENE AT THE BAR IS? 346 00:16:42,040 --> 00:16:43,200 HOOKERS ARE CHEAPER. 347 00:16:43,270 --> 00:16:46,540 PLUS, I DON'T HAVE TO LISTEN TO SOMEONE EXPLAIN TO ME 348 00:16:46,610 --> 00:16:48,110 WHY HER BOSS IS AN ASSHOLE 349 00:16:48,170 --> 00:16:51,140 'CAUSE HE WON'T GIVE HER MORE RESPONSIBILITY. 350 00:16:51,210 --> 00:16:53,280 SO, YEAH, I DID IT. 351 00:16:53,340 --> 00:16:54,970 LOCK ME UP. 352 00:16:55,040 --> 00:16:57,570 OH, YOU'RE DAMN RIGHT WE'RE GONNA LOCK YOU UP! 353 00:16:57,640 --> 00:16:59,500 THE GIRLS IN THAT PLACE WERE 13. 354 00:16:59,570 --> 00:17:01,340 YOU DON'T THINK WE KNOW THAT? 355 00:17:01,410 --> 00:17:03,110 YOU DIDN'T SEE ANYBODY THAT AGE WITH ME. 356 00:17:03,170 --> 00:17:05,600 EVERY ONE OF THOSE ROOMS HAD A PADLOCK TO KEEP GIRLS IN. 357 00:17:05,670 --> 00:17:07,570 EVERY ONE OF THOSE ROOMS HAD CONDOM WRAPPERS. 358 00:17:07,640 --> 00:17:09,370 THE GIRLS IN THAT PLACE WERE UNDERAGE 359 00:17:09,440 --> 00:17:10,600 AND HELD AGAINST THEIR WILL! 360 00:17:10,670 --> 00:17:12,540 SO DROP THE WHOREMONGER'S RIGHTS CRUSADE 361 00:17:12,610 --> 00:17:14,050 AND TELL US WHO RUNS THE PLACE, 362 00:17:14,110 --> 00:17:16,510 AND MAYBE WE'LL LET THE JUDGE KNOW YOU COOPERATED. 363 00:17:16,570 --> 00:17:18,540 OR YOU KEEP THROWING UP THIS SMOKE SCREEN, 364 00:17:18,610 --> 00:17:20,910 THEN YOU'RE ON YOUR OWN‐‐ SEXUAL ASSAULT OF A MINOR. 365 00:17:20,970 --> 00:17:23,940 [ GROANS ] 366 00:17:24,010 --> 00:17:26,450 [ SIGHS ] ROSA‐‐ I DON'T KNOW HER LAST NAME. 367 00:17:26,510 --> 00:17:28,410 SOMETIMES SHE HAS YOUNG GIRLS AROUND, 368 00:17:28,470 --> 00:17:30,370 BUT I HAVE NOTHING TO DO WITH THEM. 369 00:17:30,440 --> 00:17:31,870 WHERE ARE WE GONNA FIND THIS ROSA? 370 00:17:31,940 --> 00:17:32,840 I DON'T KNOW. 371 00:17:32,910 --> 00:17:35,250 SHE CHANGES APARTMENTS EVERY FEW WEEKS 372 00:17:35,310 --> 00:17:37,080 AND CALLS ME WITH THE NEW LOCALE. 373 00:17:37,140 --> 00:17:39,640 SO I PROMISE YOU I DON'T KNOW WHERE SHE IS. 374 00:17:39,710 --> 00:17:44,150 I DON'T GO FOR CHILDREN, I SWEAR. 375 00:17:44,210 --> 00:17:46,310 I SWEAR! 376 00:17:46,370 --> 00:17:48,800 PREVIOUS LOCATIONS OF THE CATHOUSE... 377 00:17:48,870 --> 00:17:51,140 AND DON'T OPEN YOUR MOUTH AGAIN! 378 00:18:01,240 --> 00:18:03,570 I REMEMBER A MAN WITH A GUN, 379 00:18:03,640 --> 00:18:06,270 AND I WAS STRUGGLING WITH HIM, 380 00:18:06,340 --> 00:18:10,340 AND THE GUN WENT OFF, AND THEN I FELL, 381 00:18:10,410 --> 00:18:13,910 AND I REMEMBER A WOMAN SCREAMING. 382 00:18:13,970 --> 00:18:15,400 YOU REMEMBER WHAT THE MAN LOOKED LIKE? 383 00:18:15,470 --> 00:18:17,070 I CAN'T SEE HIS FACE. 384 00:18:17,140 --> 00:18:18,770 YOU SEE WHAT HE'S WEARING? 385 00:18:18,840 --> 00:18:21,200 IT'S TOO FOGGY. IT'S LIKE‐‐ 386 00:18:21,270 --> 00:18:23,600 I REMEMBER IT LIKE IT WAS A DREAM. 387 00:18:23,670 --> 00:18:25,940 ARE YOU SURE IT ISN'T? 388 00:18:26,010 --> 00:18:27,710 WHAT DOES THAT MEAN? 389 00:18:27,770 --> 00:18:30,870 YOU'RE AWARE THAT WHAT YOU CLAIM TO BE SUFFERING FROM‐‐ 390 00:18:30,940 --> 00:18:33,740 FULL‐BLOWN AMNESIA‐‐ THAT IT'S VERY, VERY RARE. 391 00:18:33,810 --> 00:18:35,150 THE NEUROLOGIST SAID THAT. 392 00:18:35,210 --> 00:18:37,880 SO YOU UNDERSTAND HOW IT MAKES US LOOK AT YOU? 393 00:18:37,940 --> 00:18:38,840 LIKE I'M LYING. 394 00:18:38,910 --> 00:18:40,980 WELL, WE'VE GOT TO ENTERTAIN THE IDEA. 395 00:18:41,040 --> 00:18:41,940 WELL, I'M NOT. 396 00:18:42,010 --> 00:18:44,780 I'M NOT! I MEAN, HELL, I WISH I WAS! 397 00:18:44,840 --> 00:18:46,640 FOR ARGUMENT'S SAKE, IF YOU WERE, 398 00:18:46,710 --> 00:18:48,580 AND YOU WERE INVOLVED IN SOMETHING 399 00:18:48,640 --> 00:18:50,570 OVER DRUGS OR MONEY OR SOMETHING ELSE 400 00:18:50,640 --> 00:18:52,940 THAT YOU WOULDN'T WANT THE POLICE TO KNOW ABOUT? 401 00:18:53,010 --> 00:18:55,410 NO, I COULDN'T BE INVOLVED IN ANYTHING LIKE THAT. 402 00:18:55,470 --> 00:18:56,570 WHY NOT? 403 00:18:56,640 --> 00:18:59,740 I JUST‐‐ I DON'T THINK I COULD. 404 00:18:59,810 --> 00:19:02,550 WELL, IF THAT WAS THE CASE, WE COULD UNDERSTAND 405 00:19:02,610 --> 00:19:05,780 HOW YOU MIGHT NOT WANT TO BE FORTHCOMING RIGHT AWAY. 406 00:19:05,840 --> 00:19:08,540 WE COULD FORGIVE THE CHARADE TO THIS POINT, 407 00:19:08,610 --> 00:19:10,580 BUT, IF YOU KEEP CLINGING TO IT, 408 00:19:10,640 --> 00:19:12,570 IT'S GONNA MEAN REAL TROUBLE. 409 00:19:12,640 --> 00:19:14,100 LIKE WHEN THIS IS ALL SORTED OUT, 410 00:19:14,170 --> 00:19:16,670 YOU'RE GONNA BE DOING MORE TIME IN JAIL JUST BECAUSE YOU LIED. 411 00:19:16,740 --> 00:19:20,200 I'M NOT LYING! I‐‐ I DON'T KNOW WHO I AM! 412 00:19:20,270 --> 00:19:22,900 I DON'T KNOW WHO DID THIS TO ME! 413 00:19:22,970 --> 00:19:26,540 I JUST‐‐ A MAN SHOT ME. A WOMAN SCREAMED. 414 00:19:26,610 --> 00:19:30,410 I JUST‐‐ I CAN'T SEE THEIR FACES CLEARLY, THAT'S ALL. 415 00:19:30,470 --> 00:19:32,600 OH, MY HEAD HURTS LIKE HELL. 416 00:19:32,670 --> 00:19:34,240 I GOTTA CUT YOU OFF. 417 00:19:34,310 --> 00:19:35,850 WE'LL BE BACK. 418 00:19:37,640 --> 00:19:38,740 ALL RIGHT, THANKS. 419 00:19:38,810 --> 00:19:40,950 WOMAN IN THE BUILDING ACROSS FROM WHERE 420 00:19:41,010 --> 00:19:43,110 THIS GUY GOT PICKED UP CALLED THE SQUAD 421 00:19:43,170 --> 00:19:45,970 AND SAID SHE MIGHT HAVE HEARD GUNSHOTS LAST NIGHT. 422 00:19:46,040 --> 00:19:47,200 ANYTHING MORE FROM HIM? 423 00:19:47,270 --> 00:19:51,000 RARE AMNESIA OR GOOD ACTOR. 424 00:19:55,010 --> 00:19:57,550 YOU SURE YOU WANT TO DO THIS NOW? 425 00:19:57,610 --> 00:19:59,850 [ MUSIC BLARING, LAUGHTER ] 426 00:20:03,870 --> 00:20:07,040 DETECTIVES SIPOWICZ AND CLARK TO SEE LEONARD. 427 00:20:07,110 --> 00:20:08,650 YOU'RE NOT WELCOME HERE. 428 00:20:08,710 --> 00:20:10,110 WE JUST NEED TO TALK TO HIM, MA'AM. 429 00:20:10,170 --> 00:20:11,740 TALK TO HIM OR HARASS HIM? 430 00:20:11,810 --> 00:20:14,110 WE NEED A BRIEF CONVERSATION WITH LEONARD, THEN WE'LL LEAVE. 431 00:20:14,170 --> 00:20:17,000 YOU'RE NOT WELCOME HERE. 432 00:20:19,470 --> 00:20:22,500 [ LAUGHING ] 433 00:20:22,570 --> 00:20:24,070 IS THERE SOMEPLACE WE CAN TALK? 434 00:20:24,140 --> 00:20:25,440 YOU GUYS GOT A LOT OF NERVE. 435 00:20:25,510 --> 00:20:27,680 IT'S ALL RIGHT. I'M GONNA MAKE THIS QUICK. 436 00:20:27,740 --> 00:20:29,540 THEN WE CAN GET BACK TO CELEBRATING. 437 00:20:29,610 --> 00:20:31,580 AIN'T NOBODY GONNA SPOIL THIS PARTY! 438 00:20:38,970 --> 00:20:39,940 JUST SO YOU KNOW, 439 00:20:40,010 --> 00:20:42,410 ANN MARIE FUSCO ADMITTED THAT YOU WERE WITH HER 440 00:20:42,470 --> 00:20:43,800 THE NIGHT OF THE MURDER. 441 00:20:43,870 --> 00:20:46,700 WE'LL FORWARD THAT INFORMATION TO THE D. A.'s OFFICE. 442 00:20:46,770 --> 00:20:49,740 I'M SURE THEY'LL MOVE FOR A DISMISSAL AS SOON AS POSSIBLE. 443 00:20:49,810 --> 00:20:52,750 WHY'D SHE LIE, OR DO I NEED TO ASK? 444 00:20:52,810 --> 00:20:55,710 SHE WAS YOUNG, SCARED OF HER DAD. 445 00:20:55,770 --> 00:20:58,070 SO SHE'D RATHER I GO TO PRISON FOR 18 YEARS 446 00:20:58,140 --> 00:21:01,000 THAN LET HER DADDY KNOW SHE SLEPT WITH A BLACK MAN? 447 00:21:01,070 --> 00:21:02,540 IT'S TERRIBLE WHAT SHE DID, 448 00:21:02,610 --> 00:21:05,410 BUT HER LIE ISN'T JUST THE ONE THING THAT PUT YOU AWAY, 449 00:21:05,470 --> 00:21:06,740 SO DON'T FIXATE ON HER. 450 00:21:06,810 --> 00:21:08,950 DON'T TELL ME WHAT TO FIXATE ON, OKAY?! 451 00:21:09,010 --> 00:21:11,110 I DON'T NEED ANY ADVICE FROM YOU! 452 00:21:11,170 --> 00:21:12,770 FINE. BUT I'LL JUST TELL YOU 453 00:21:12,840 --> 00:21:15,570 THAT IF YOU GO LOOKING TO SETTLE UP WITH ANN MARIE, 454 00:21:15,640 --> 00:21:17,440 IT'S GONNA SEND YOU BACKWARDS. 455 00:21:17,510 --> 00:21:19,010 I AIN'T GOING NEAR THAT BITCH. 456 00:21:19,070 --> 00:21:21,440 I AIN'T DOING NOTHING TO JEOPARDIZE MY FREEDOM. 457 00:21:21,510 --> 00:21:23,310 SINCE WE'RE STARTING FROM SCRATCH NOW, 458 00:21:23,370 --> 00:21:26,270 WE'RE LOOKING FOR WHO KILLED A 12‐YEAR‐OLD GIRL BACK THEN. 459 00:21:26,340 --> 00:21:28,270 IS THERE ANYTHING THAT YOU CAN TELL US, 460 00:21:28,340 --> 00:21:30,070 ASSUMING YOU'RE IN THE MOOD TO HELP? 461 00:21:30,140 --> 00:21:32,740 I DON'T KNOW NOTHING ABOUT IT. DIDN'T THEN, DON'T NOW. 462 00:21:32,810 --> 00:21:35,410 CINDY'S FAMILY SAID THAT THEY SAW YOU TALKING TO HER 463 00:21:35,470 --> 00:21:37,300 AN HOUR BEFORE THEY FOUND HER BODY. 464 00:21:37,370 --> 00:21:40,700 SHE HAD A LEMONADE STAND. 465 00:21:40,770 --> 00:21:42,740 ON MY WAY TO ANN MARIE'S PLACE, 466 00:21:42,810 --> 00:21:44,780 I STOPPED AND BOUGHT A GLASS. 467 00:21:44,840 --> 00:21:48,570 I HAD A NIECE THAT USED TO DO LEMONADE STANDS. 468 00:21:48,640 --> 00:21:52,600 I KNEW HOW IT'D MAKE HER SMILE IF FOLKS BOUGHT STUFF. 469 00:21:52,670 --> 00:21:53,840 MY NIECE IS 25 NOW. 470 00:21:53,910 --> 00:21:55,910 YOU DIDN'T NOTICE ANYONE SUSPICIOUS 471 00:21:55,970 --> 00:21:58,340 HANGING AROUND CINDY OR HER LEMONADE STAND? 472 00:21:58,410 --> 00:22:00,010 NO. 473 00:22:00,070 --> 00:22:02,040 ALL RIGHT, THEN. 474 00:22:02,110 --> 00:22:04,080 ENJOY YOUR PARTY. 475 00:22:04,140 --> 00:22:06,400 WHEN DO I GET MY APOLOGY? 476 00:22:06,470 --> 00:22:09,740 I FEEL BAD FOR WHAT YOU WENT THROUGH, 477 00:22:09,810 --> 00:22:12,710 BUT WE HAD TWO WITNESSES LIE. 478 00:22:12,770 --> 00:22:15,170 YOU AND YOUR PARTNER, JOE BROCKHURST, 479 00:22:15,240 --> 00:22:16,700 YOU GOT YOUR MITTS ON ME, 480 00:22:16,770 --> 00:22:19,870 AND YOU DIDN'T LOOK NOWHERE ELSE, NOT FOR A SECOND! 481 00:22:19,940 --> 00:22:21,200 I DID MY JOB. 482 00:22:21,270 --> 00:22:24,000 I GOT NOTHING TO APOLOGIZE FOR. 483 00:22:27,210 --> 00:22:29,450 YO, DETECTIVE? 484 00:22:29,510 --> 00:22:32,510 LET'S SAY WE FLIP IT‐‐ I PUT YOU INSIDE, 485 00:22:32,570 --> 00:22:35,800 TAKE YOU AWAY FROM YOUR FAMILY, PEOPLE YOU LOVE, 486 00:22:35,870 --> 00:22:39,340 STICK YOU IN A HOLE FOR SOMETHING YOU DIDN'T DO, 487 00:22:39,410 --> 00:22:42,210 AND LEAVE YOU THERE TO ROT FOR 18 YEARS. 488 00:22:42,270 --> 00:22:44,600 HOW WOULD YOU FEEL? 489 00:22:44,670 --> 00:22:46,740 THINK I'D OWE YOU AN APOLOGY? 490 00:23:04,600 --> 00:23:07,330 HONESTLY, I NEVER HEARD GUNSHOTS BEFORE, 491 00:23:07,400 --> 00:23:09,530 SO I DIDN'T KNOW WHAT IT WAS. 492 00:23:09,600 --> 00:23:12,660 AROUND WHAT TIME DID YOU HEAR THE NOISE, MISS ELSPETH? 493 00:23:12,730 --> 00:23:15,830 3:00 THIS MORNING, BUT I THOUGHT IT WAS THE TV UP LOUD. 494 00:23:15,900 --> 00:23:19,100 THEN I HEARD ABOUT THE MAN WHO WAS SHOT, SO I CALLED IN. 495 00:23:19,160 --> 00:23:20,330 [ KNOCK ON DOOR ] 496 00:23:20,400 --> 00:23:22,230 DID YOU HEAR ANY KIND OF FIGHTING 497 00:23:22,300 --> 00:23:24,060 COMING FROM UP HERE LAST NIGHT? 498 00:23:24,130 --> 00:23:25,960 NO, WHEN I DON'T HAVE THE AID IN, 499 00:23:26,030 --> 00:23:27,730 ONLY THE SHARP NOISES GET THROUGH. 500 00:23:27,800 --> 00:23:30,200 YOU'RE SURE YOU NEVER SEEN THIS GUY BEFORE? 501 00:23:30,260 --> 00:23:32,300 I DON'T KNOW HIS FACE. WHAT'S HIS NAME? 502 00:23:32,360 --> 00:23:34,200 WE'RE TRYING TO FIGURE THAT OUT. 503 00:23:34,260 --> 00:23:36,560 SORRY, I COULDN'T FIND MY KEY. 504 00:23:36,630 --> 00:23:39,730 WHAT'S THE NAME OF THE LADY LIVING HERE? 505 00:23:39,800 --> 00:23:40,860 JESSICA DUBINSKI. 506 00:23:40,930 --> 00:23:42,760 HOW LONG SHE BEEN A TENANT? 507 00:23:42,830 --> 00:23:44,230 SIX MONTHS. QUIET, NICE. 508 00:23:44,300 --> 00:23:46,600 NEIGHBORS SAY ANYTHING ABOUT A NOISE? 509 00:23:46,660 --> 00:23:48,760 NO, THEY'RE ALL COLLEGE KIDS. THEY'RE OUT ALL NIGHT. 510 00:23:48,830 --> 00:23:50,500 THERE WE GO. 511 00:23:50,560 --> 00:23:52,800 MISS DUBINSKI? 512 00:24:01,000 --> 00:24:02,760 OH! OH, NO! STAY BACK. 513 00:24:02,830 --> 00:24:05,160 SHOT ONCE IN THE HEAD. 514 00:24:05,230 --> 00:24:07,330 THERE'S A MAN'S SHIRT OVER HERE, 515 00:24:07,400 --> 00:24:10,330 CELL PHONE, CAR KEYS, AND WALLET. 516 00:24:12,200 --> 00:24:13,330 TIM KEATING. 517 00:24:13,400 --> 00:24:15,630 IS HE OUR GUY? IS HE JOHN DOE? 518 00:24:15,700 --> 00:24:16,860 YEAH, HE'S JOHN DOE. 519 00:24:16,930 --> 00:24:20,200 SO, WE HAVE ANY IDEA WHAT THE HELL HAPPENED HERE? 520 00:24:20,260 --> 00:24:23,730 NO. BUT TIME'S UP ON TIM KEATING'S MEMORY LAPSE. 521 00:24:23,800 --> 00:24:26,230 15th SQUAD TO CENTRAL K. 522 00:24:26,300 --> 00:24:28,300 Man: GO AHEAD, 15th SQUAD. 523 00:24:33,900 --> 00:24:36,830 HEY, THE WOMAN RUNNING THOSE GIRLS OUT OF THAT APARTMENT‐‐ 524 00:24:36,900 --> 00:24:39,500 ROSA‐‐ VICE PICKED HER UP. SHE'S ON HER WAY IN. 525 00:24:39,560 --> 00:24:42,200 AND THE LITTLE GIRL‐‐ CORISA? WASN'T WITH HER. 526 00:24:42,260 --> 00:24:44,200 BUT GETTING THIS LADY‐‐ THAT'S BIG. 527 00:24:44,260 --> 00:24:46,200 YEAH. WE'RE GONNA FIND THAT GIRL. 528 00:24:48,060 --> 00:24:50,060 I TALKED TO CINDY CLIFTON'S PARENTS. 529 00:24:50,130 --> 00:24:52,130 THEY MIGHT BE UP FOR TALKING LATER. 530 00:24:52,200 --> 00:24:54,630 IN LOOKING AT THE M. E.'s REPORTS ON CINDY CLIFTON, 531 00:24:54,700 --> 00:24:56,830 THERE'S NO MENTION OF DEFENSIVE WOUNDS. 532 00:24:56,900 --> 00:24:59,600 IT DOESN'T LOOK LIKE SHE FOUGHT OFF HER ATTACKER AT ALL. 533 00:24:59,660 --> 00:25:00,700 SHE WAS 12 YEARS OLD. 534 00:25:00,760 --> 00:25:03,060 REMEMBER THE ATTEMPTED RAPE ON THAT 11‐YEAR‐OLD, 535 00:25:03,130 --> 00:25:04,830 JENNIFER DiNARDO? SHE FOUGHT LIKE HELL. 536 00:25:04,900 --> 00:25:07,500 I'M JUST SAYING, IF WE'RE STARTING FROM SCRATCH, 537 00:25:07,560 --> 00:25:09,860 WE MIGHT WANT TO LOOK AT THE POSSIBILITY 538 00:25:09,930 --> 00:25:11,460 THAT CINDY KNEW HER ATTACKER. 539 00:25:11,530 --> 00:25:14,230 DID YOU GUYS LOOK DOWN THAT ROAD AT ALL BACK THEN? 540 00:25:14,300 --> 00:25:17,100 WE HAD PEELER IN CUSTODY THE SAME NIGHT OF THE MURDER. 541 00:25:17,160 --> 00:25:18,600 HE WAS OUR GUY. 542 00:25:18,660 --> 00:25:19,800 ALL RIGHT. 543 00:25:19,860 --> 00:25:22,960 WELL, CINDY'S BEST FRIEND BACK THEN‐‐ ANGELA MALCOLM‐‐ 544 00:25:23,030 --> 00:25:24,660 SHE STILL LIVES IN THE CITY. 545 00:25:24,730 --> 00:25:25,800 WE SHOULD CALL HER. 546 00:25:25,860 --> 00:25:27,000 I DID. SHE'S COMING IN. 547 00:25:27,060 --> 00:25:28,200 [ SIGHS ] 548 00:25:28,260 --> 00:25:30,230 THANKS FOR HELPING OUT ON THIS. 549 00:25:30,300 --> 00:25:32,360 YOU'D DO THE SAME FOR ME. 550 00:25:38,130 --> 00:25:40,500 SIT DOWN, ROSA. I HAVE DONE NOTHING WRONG. 551 00:25:40,560 --> 00:25:43,330 THEN WHY'D YOU SNEAK OUT OF THE APARTMENT THIS MORNING, HUH? 552 00:25:43,400 --> 00:25:45,260 IT IS WRONG TO LEAVE AN APARTMENT? 553 00:25:45,330 --> 00:25:47,430 OUT THE FIRE ESCAPE WITH AN UNDERAGE GIRL 554 00:25:47,500 --> 00:25:49,360 YOU KEPT UNDER LOCK AND KEY? YEAH. 555 00:25:49,430 --> 00:25:51,200 NO ONE IS UNDER LOCK AND KEY. 556 00:25:51,260 --> 00:25:53,560 I LIVE WITH GIRLS WHO ARE NEW TO THIS COUNTRY. 557 00:25:53,630 --> 00:25:56,230 I GIVE THEM PLACE TO STAY AND HELP THEM FIND WORK. 558 00:25:56,300 --> 00:25:58,330 WHEN YOU SAY "WORK," YOU MEAN SEX, PROSTITUTION. 559 00:25:58,400 --> 00:25:59,900 THERE IS NONE OF THAT. 560 00:25:59,960 --> 00:26:01,160 WE FOUND THE CONDOMS. 561 00:26:01,230 --> 00:26:03,200 WE TALKED TO ONE OF YOUR CUSTOMERS. 562 00:26:03,260 --> 00:26:05,300 WE KNOW WHAT YOU WERE DOING THERE. 563 00:26:05,360 --> 00:26:07,260 NO, NO, NO. IT'S NOT TRUE. 564 00:26:07,330 --> 00:26:09,360 IT IS NOT EASY HERE FOR A YOUNG WOMAN 565 00:26:09,430 --> 00:26:12,460 WHO DOESN'T SPEAK THE LANGUAGE, BUT, NO, NOT THAT. 566 00:26:12,530 --> 00:26:14,730 WE'RE ALREADY VERY UPSET ABOUT THIS. 567 00:26:14,800 --> 00:26:17,430 LYING TO US, IT ONLY MAKES US MORE UPSET. 568 00:26:17,500 --> 00:26:20,900 IF YOU DO IT AGAIN, I'M PUTTING YOU IN JAIL FOR A LONG TIME. 569 00:26:20,960 --> 00:26:23,630 YOU UNDERSTAND? 570 00:26:23,700 --> 00:26:26,200 THE YOUNG GIRL AT THE APARTMENT‐‐ CORISA‐‐ 571 00:26:26,260 --> 00:26:27,930 WHERE IS SHE? I DON'T KNOW. 572 00:26:28,000 --> 00:26:29,600 YOU LEFT WITH HER, DIDN'T YOU? 573 00:26:29,660 --> 00:26:32,060 I GAVE HER BACK TO THE MAN WHO'S IN CHARGE. 574 00:26:32,130 --> 00:26:33,230 WHO'S HE? 575 00:26:33,300 --> 00:26:35,960 I ONLY KNOW HIS FIRST NAME‐‐ ASBERTO. 576 00:26:36,030 --> 00:26:38,430 HOW DO YOU CONTACT HIM? HE CONTACT ME. 577 00:26:38,500 --> 00:26:40,660 WHERE IS CORISA? NEW APARTMENT. 578 00:26:40,730 --> 00:26:43,130 THAT'S ALL I KNOW. THAT'S ALL THEY TELL ME. 579 00:26:43,200 --> 00:26:44,400 NEXT APARTMENT TO WORK. 580 00:26:44,460 --> 00:26:46,530 WRITE DOWN THE ADDRESS. 581 00:26:54,960 --> 00:26:56,460 TIM KEATING. 582 00:26:56,530 --> 00:26:59,500 AND THIS IS MY ADDRESS? I MEAN, IS THAT CURRENT? 583 00:26:59,560 --> 00:27:02,500 MR. KEATING, THIS DOESN'T JOG YOUR MEMORY AT ALL? 584 00:27:02,560 --> 00:27:04,930 I MEAN, I KNOW THIS IS MY LICENSE. 585 00:27:05,000 --> 00:27:06,900 I REMEMBER SEEING IT BEFORE. 586 00:27:06,960 --> 00:27:10,030 JESSICA DUBINSKI‐‐ DO YOU KNOW HER? 587 00:27:10,100 --> 00:27:11,260 NO. 588 00:27:11,330 --> 00:27:13,160 WELL, YOU GOT HER NUMBER IN YOUR CELL PHONE. 589 00:27:13,230 --> 00:27:15,830 SHE LOOKS FAMILIAR, BUT, NO, I DON'T RECOGNIZE HER. 590 00:27:15,900 --> 00:27:17,700 MR. KEATING, TIM, 591 00:27:17,760 --> 00:27:20,860 WE'RE DONE WITH YOUR CONFUSED‐LITTLE‐BOY ACT. IT'S NOT AN ACT. 592 00:27:20,930 --> 00:27:23,700 WERE YOU SEEING JESSICA DUBINSKI? I DON'T KNOW. 593 00:27:23,760 --> 00:27:26,930 DID YOU GO TO HER APARTMENT AND HAVE AN ARGUMENT? I DON'T KNOW. 594 00:27:27,000 --> 00:27:30,200 DID YOU DO SOMETHING TO HER YOU DIDN'T MEAN TO? LIKE WHAT? 595 00:27:34,600 --> 00:27:36,630 OH, MY GOD. 596 00:27:36,700 --> 00:27:38,600 IS SHE DEAD? 597 00:27:38,660 --> 00:27:41,760 DID YOU KILL YOUR GIRLFRIEND THEN TURN THE GUN ON YOURSELF? 598 00:27:41,830 --> 00:27:44,560 NOW THAT WE KNOW YOUR NAME, WE'RE GONNA BE TALKING 599 00:27:44,630 --> 00:27:47,260 TO YOUR CO‐WORKERS AND YOUR FAMILY AND FRIENDS, 600 00:27:47,330 --> 00:27:49,400 IF ONE OF THEM SAYS YOU WERE HAVING TROUBLE 601 00:27:49,460 --> 00:27:51,860 WITH YOUR GIRLFRIEND, YOU'RE UNDER ARREST FOR MURDER. 602 00:27:51,930 --> 00:27:52,900 OH, MY GOD. 603 00:27:52,960 --> 00:27:54,800 IF THIS IS SOMETHING YOU PLANNED, 604 00:27:54,860 --> 00:27:56,360 WE CAN HELP WITH A REASON WHY, 605 00:27:56,430 --> 00:27:58,500 OR IF THIS JUMPED OFF OUT OF AN ARGUMENT‐‐ 606 00:27:58,560 --> 00:28:00,460 I DON'T REMEMBER ANYTHING LIKE THIS. 607 00:28:00,530 --> 00:28:03,230 A BEAUTIFUL GIRL SHOT IN THE HEAD, 608 00:28:03,300 --> 00:28:05,860 YOUR STUFF IN HER APARTMENT! 609 00:28:05,930 --> 00:28:08,230 I DON'T RECOGNIZE THAT GIRL. 610 00:28:08,300 --> 00:28:10,830 I DON'T REMEMBER HURTING ANYONE. 611 00:28:10,900 --> 00:28:14,760 IF I DID, I'M SORRY, BUT‐‐ GOD, I HOPE I DIDN'T! 612 00:28:14,830 --> 00:28:16,730 ALL RIGHT, ENOUGH. 613 00:28:16,800 --> 00:28:19,300 HE DOESN'T LEAVE THIS BED. 614 00:28:22,460 --> 00:28:24,800 HAVE A SEAT, ANGELA. THANKS. 615 00:28:26,330 --> 00:28:29,730 SO, THAT'S CRAZY ABOUT THIS WHOLE LEONARD PEELER THING. 616 00:28:29,800 --> 00:28:31,000 YEAH. 617 00:28:31,060 --> 00:28:32,860 SO HE'S NOT THE ONE WHO KILLED CINDY? 618 00:28:32,930 --> 00:28:33,830 DOESN'T LOOK LIKE IT, NO. 619 00:28:33,900 --> 00:28:36,200 ARE YOU GUYS GONNA GET SUED NOW OR SOMETHING? 620 00:28:36,260 --> 00:28:38,400 WE'RE NOT REALLY CONCERNED WITH THAT RIGHT NOW. 621 00:28:38,460 --> 00:28:40,530 OUR MAIN FOCUS IS FINDING WHO DID KILL CINDY. 622 00:28:40,600 --> 00:28:42,630 YOU WERE BEST FRIENDS WITH HER, IS THAT RIGHT? 623 00:28:42,700 --> 00:28:44,400 YEAH, I LIVED TWO BUILDINGS DOWN. 624 00:28:44,460 --> 00:28:46,330 ONE OF THE THINGS WE'RE LOOKING AT NOW 625 00:28:46,400 --> 00:28:48,930 IS THE POSSIBILITY THAT CINDY MAY HAVE KNOWN HER ATTACKER. 626 00:28:49,000 --> 00:28:52,000 I CAN'T BELIEVE YOU GUYS HAVE TO START ALL OVER AGAIN! 627 00:28:52,060 --> 00:28:53,900 WELL, WE ARE. I DON'T MEAN TO BE RUDE, 628 00:28:53,960 --> 00:28:56,660 BUT THIS WHOLE THING'S BEEN A LITTLE TOUGH ON US. 629 00:28:56,730 --> 00:28:57,530 I UNDERSTAND. 630 00:28:57,600 --> 00:28:59,300 SO IF YOU COULD JUST HELP US OUT 631 00:28:59,360 --> 00:29:01,560 BY ANSWERING THE QUESTIONS, WE'D APPRECIATE IT. 632 00:29:01,630 --> 00:29:02,860 OKAY. 633 00:29:02,930 --> 00:29:05,360 WERE THERE ANY MEN BACK THEN WHO CINDY WAS AFRAID OF 634 00:29:05,430 --> 00:29:07,200 OR WHO SPENT A LOT OF TIME AROUND HER 635 00:29:07,260 --> 00:29:08,900 OR WERE INAPPROPRIATE WITH HER, 636 00:29:08,960 --> 00:29:10,530 ANYTHING LIKE THAT YOU CAN REMEMBER? 637 00:29:10,600 --> 00:29:12,630 SHE HAD ALREADY STARTED TO DEVELOP, 638 00:29:12,700 --> 00:29:15,200 AND SHE LOOKED A LITTLE OLDER THAN SHE WAS, 639 00:29:15,260 --> 00:29:17,860 AND I REMEMBER GUYS WERE STARTING TO CHECK HER OUT, 640 00:29:17,930 --> 00:29:21,260 BUT SHE NEVER SAID ANYTHING AS FAR AS ANY GUY DOING ANYTHING. 641 00:29:21,330 --> 00:29:22,630 WAS CINDY HAPPY AT HOME? 642 00:29:22,700 --> 00:29:25,130 WAS SHE SCARED OF HER DAD OR ANY RELATIVES? 643 00:29:25,200 --> 00:29:26,230 NO, SHE WAS HAPPY. 644 00:29:26,300 --> 00:29:28,100 I MEAN, AS FAR AS I CAN REMEMBER. 645 00:29:28,160 --> 00:29:29,160 THIS WAS 18 YEARS AGO. 646 00:29:29,230 --> 00:29:30,960 I KNOW THAT. 647 00:29:31,030 --> 00:29:34,000 THE ONLY THING I CAN THINK OF, THOUGH, 648 00:29:34,060 --> 00:29:35,660 WAS MR. D'AMBROSIO. 649 00:29:35,730 --> 00:29:36,730 CINDY BABYSAT FOR THEM, 650 00:29:36,800 --> 00:29:39,260 AND SOME OF THE GIRLS IN THE NEIGHBORHOOD 651 00:29:39,330 --> 00:29:40,530 THOUGHT HE WAS CUTE, 652 00:29:40,600 --> 00:29:43,100 AND I THINK CINDY EVEN SAID IT AT ONE POINT. 653 00:29:43,160 --> 00:29:44,300 WOULD HE DRIVE HER HOME? 654 00:29:44,360 --> 00:29:46,130 NO, NO, THE D'AMBROSIOS LIVED ON THE BLOCK. 655 00:29:46,200 --> 00:29:47,830 DO YOU REMEMBER D'AMBROSIO'S FIRST NAME? 656 00:29:47,900 --> 00:29:49,460 PETE. 657 00:29:51,000 --> 00:29:52,560 APPRECIATE YOUR HELP. 658 00:29:52,630 --> 00:29:53,630 GOOD LUCK. 659 00:29:53,700 --> 00:29:54,630 THANKS. 660 00:29:54,700 --> 00:29:55,700 THANKS. 661 00:29:57,960 --> 00:29:59,000 [ SIGHS ] 662 00:29:59,060 --> 00:30:00,500 I'M GONNA GO HASSLE A GUY 663 00:30:00,560 --> 00:30:03,300 THAT CINDY CLIFTON THOUGHT WAS CUTE 18 YEARS AGO? 664 00:30:03,360 --> 00:30:04,800 GOTTA START SOMEWHERE. 665 00:30:04,860 --> 00:30:06,560 COME ON. 666 00:30:19,550 --> 00:30:22,550 AMNESIA‐‐ LET ME FIND IT. 667 00:30:22,620 --> 00:30:27,950 "CASES OF COMPLETE LOSS OF MEMORY ARE EXTREMELY RARE." 668 00:30:28,020 --> 00:30:30,320 I DON'T KNOW IF THE DOCTOR HIPPED YOU TO THAT OR NOT. 669 00:30:30,390 --> 00:30:31,960 YEAH, SHE DID. 670 00:30:32,020 --> 00:30:33,780 BUT THE D. O. A., JESSICA DUBINSKI, 671 00:30:33,850 --> 00:30:35,050 HER EX JUST SHOWED, 672 00:30:35,120 --> 00:30:37,820 AND THE D. O. A.'s MOM SAID THAT JESSICA AND HER EX 673 00:30:37,890 --> 00:30:40,230 HAD SOME BAD BLOOD SINCE THE BREAKUP. 674 00:30:40,290 --> 00:30:41,060 OH, REALLY? 675 00:30:41,120 --> 00:30:43,780 MOST OF MY FRIENDS SAID THEIR DIVORCE 676 00:30:43,850 --> 00:30:45,850 WAS A KICK IN THE PANTS. 677 00:30:45,920 --> 00:30:47,920 WE WENT AHEAD AND DUMPED THE EX‐HUSBAND'S PHONE. 678 00:30:47,990 --> 00:30:49,890 THEY SHOULD BE FAXING OVER THE RESULTS SOON. 679 00:30:49,950 --> 00:30:51,720 IF ANYTHING POPS REGARDING TIM KEATING, 680 00:30:51,790 --> 00:30:53,090 COULD YOU GIVE US A HEADS‐UP? 681 00:30:53,150 --> 00:30:54,750 SURE, BUT YOU GOT A UNIFORMED COP 682 00:30:54,820 --> 00:30:56,620 SITTING ON KEATING AT THE HOSPITAL, RIGHT? 683 00:30:56,690 --> 00:30:57,890 RIGHT. 684 00:30:57,950 --> 00:30:59,550 GOOD, 'CAUSE IF HE DOES HAVE AMNESIA... 685 00:30:59,620 --> 00:31:04,120 "THEY MAY EVEN LEAVE THEIR HOMES, WANDER FOR A WHILE, 686 00:31:04,190 --> 00:31:06,460 AND START A NEW LIFE SOMEWHERE ELSE." 687 00:31:06,520 --> 00:31:07,620 THERE YOU HAVE IT. 688 00:31:07,690 --> 00:31:09,890 UH, THANKS, BOSS. 689 00:31:16,020 --> 00:31:18,980 HAVE A SEAT, MR. D'AMBROSIO. 690 00:31:19,050 --> 00:31:20,050 PETE. 691 00:31:20,120 --> 00:31:21,950 HOW DO YOU TAKE YOUR COFFEE, PETE? 692 00:31:22,020 --> 00:31:23,950 A LITTLE SUGAR, THANK YOU. 693 00:31:24,020 --> 00:31:27,550 WE'RE INVESTIGATING CINDY CLIFTON'S RAPE AND MURDER. 694 00:31:27,620 --> 00:31:30,550 I SAW ON THE TV ABOUT THE GUY THAT WAS ACCUSED OF IT. 695 00:31:30,620 --> 00:31:31,720 YEAH. 696 00:31:31,790 --> 00:31:33,160 SO HE DIDN'T DO IT? 697 00:31:33,220 --> 00:31:35,580 NO. CINDY USED TO BABYSIT FOR YOU AND YOUR WIFE? 698 00:31:35,650 --> 00:31:36,680 THAT'S RIGHT. 699 00:31:36,750 --> 00:31:37,720 HOW LONG? 700 00:31:37,790 --> 00:31:39,960 OH, SIX MONTHS OR SO. 701 00:31:40,020 --> 00:31:41,620 IN LOOKING AT THE CASE AGAIN, 702 00:31:41,690 --> 00:31:43,690 THERE MIGHT HAVE BEEN A POSSIBILITY 703 00:31:43,750 --> 00:31:45,580 THAT CINDY KNEW HER ATTACKER. 704 00:31:45,650 --> 00:31:47,380 WHAT MAKES YOU THINK THAT? 705 00:31:47,450 --> 00:31:48,720 EVIDENCE WE HAVE. 706 00:31:48,790 --> 00:31:50,190 I SEE. 707 00:31:50,250 --> 00:31:53,150 LOOKING BACK NOW AND KEEPING THAT ASPECT IN MIND, 708 00:31:53,220 --> 00:31:55,350 DOES ANYTHING JUMP OUT AT YOU? 709 00:31:55,420 --> 00:31:57,550 YES. GO AHEAD. 710 00:31:57,620 --> 00:32:01,550 IN THE WEEKS BEFORE CINDY WAS KILLED, 711 00:32:01,620 --> 00:32:03,480 SHE NEVER WANTED TO LEAVE OUR HOUSE. 712 00:32:03,550 --> 00:32:05,050 WHEN ME AND MY WIFE CAME BACK, 713 00:32:05,120 --> 00:32:06,820 CINDY WOULD OFFER TO DO CHORES 714 00:32:06,890 --> 00:32:08,490 OR ASK IF SHE COULD WATCH TV 715 00:32:08,550 --> 00:32:09,980 OR SHE'D SAY SHE WAS SLEEPY 716 00:32:10,050 --> 00:32:11,880 AND COULD SHE STAY AT OUR PLACE? 717 00:32:11,950 --> 00:32:13,880 DID YOU EVER ASK HER ABOUT IT? 718 00:32:13,950 --> 00:32:16,550 ONCE. I WAS WALKING HER HOME ONE NIGHT. 719 00:32:16,620 --> 00:32:18,080 IT'S JUST DOWN THE BLOCK. 720 00:32:18,150 --> 00:32:20,850 AND SHE WAS LITERALLY DRAGGING HER FEET, 721 00:32:20,920 --> 00:32:24,020 SO I ASKED HER, "IS EVERYTHING ALL RIGHT AT HOME?" 722 00:32:24,090 --> 00:32:25,890 AND SHE DIDN'T ANSWER ME, 723 00:32:25,950 --> 00:32:28,520 BUT I HAD A REALLY BAD FEELING, 724 00:32:28,590 --> 00:32:30,990 YOU KNOW, I MEAN, DEEP IN MY GUT, 725 00:32:31,050 --> 00:32:33,780 THAT THERE WAS SOMETHING WRONG. 726 00:32:33,850 --> 00:32:36,080 WHY DIDN'T YOU BRING THIS UP WHEN SHE WAS KILLED? 727 00:32:36,150 --> 00:32:38,180 THAT BLACK GUY WAS IN CUSTODY. 728 00:32:38,250 --> 00:32:40,320 HE WAS THE ONE THAT YOU GUYS SAID DID IT, 729 00:32:40,390 --> 00:32:42,590 AND NOBODY FROM THE POLICE DEPARTMENT 730 00:32:42,650 --> 00:32:44,050 EVER CAME BY TO TALK TO ME. 731 00:32:44,120 --> 00:32:46,150 I DON'T WANT YOU TO TAKE OFFENSE TO THIS 732 00:32:46,220 --> 00:32:48,050 'CAUSE IT'S A STANDARD QUESTION. 733 00:32:48,120 --> 00:32:50,150 WE'RE NOT GONNA FIND OUT THAT YOU HAD 734 00:32:50,220 --> 00:32:52,850 AN INAPPROPRIATE RELATIONSHIP WITH CINDY, ARE WE? 735 00:32:52,920 --> 00:32:55,580 BECAUSE THE TIME TO TALK ABOUT THAT WOULD BE NOW. 736 00:32:55,650 --> 00:32:59,450 I NEVER LAID A HAND ON THAT GIRL. 737 00:32:59,520 --> 00:33:02,050 OKAY, THEN. 738 00:33:02,120 --> 00:33:03,550 IS THAT ALL? 739 00:33:03,620 --> 00:33:07,220 YEAH. WE APPRECIATE YOUR HELP. 740 00:33:19,550 --> 00:33:20,820 I'LL GET THIS TO THE LAB. 741 00:33:20,890 --> 00:33:24,060 YEAH, WE NEED TO GET THE DAD IN HERE, TOO. 742 00:33:26,520 --> 00:33:28,450 I'M REALLY SHOCKED. 743 00:33:28,520 --> 00:33:30,750 I SAW JESS TWO DAYS AGO. 744 00:33:30,820 --> 00:33:32,750 THIS IS SUCH A BLOW. 745 00:33:32,820 --> 00:33:35,620 SAW HER WHERE, MR. DUBINSKI? 746 00:33:35,690 --> 00:33:37,390 WE MET FOR LUNCH. 747 00:33:37,450 --> 00:33:38,750 ABOUT SOMETHING SPECIFIC? 748 00:33:38,820 --> 00:33:40,250 JUST TO SHOOT THE BREEZE. 749 00:33:40,320 --> 00:33:42,920 SPEAKING FROM EXPERIENCE, MR. DUBINSKI, 750 00:33:42,990 --> 00:33:45,960 THAT'S AN ODD RELATIONSHIP TO HAVE WITH AN EX‐WIFE. 751 00:33:46,020 --> 00:33:47,680 JESS AND I WERE MOVING ON. 752 00:33:47,750 --> 00:33:49,650 WE REALIZED WE HAD A LOT IN COMMON, 753 00:33:49,720 --> 00:33:51,850 WE JUST WEREN'T ANY GOOD AT BEING MARRIED. 754 00:33:51,920 --> 00:33:53,620 SO NO INTEREST IN RECONCILING? 755 00:33:53,690 --> 00:33:55,530 NO, WE WERE BETTER OFF AS FRIENDS. 756 00:33:55,590 --> 00:33:57,060 THE REASON WE BROUGHT YOU IN 757 00:33:57,120 --> 00:33:59,880 IS BECAUSE JESSICA'S MOM SAID THE DIVORCE HAD BEEN NASTY, 758 00:33:59,950 --> 00:34:01,920 AND IT WAS STILL NASTY BETWEEN YOU. 759 00:34:01,990 --> 00:34:05,460 IN OUR WEDDING PHOTOS, HER MOM WAS THE ONE WITH THE SCOWL. 760 00:34:05,520 --> 00:34:09,420 SHE NEVER LIKED ME, SO I WOULDN'T TRUST HER WORD. 761 00:34:09,490 --> 00:34:12,860 CAN YOU ACCOUNT FOR YOURSELF THIS MORNING AT 3:00 A. M.? 762 00:34:12,920 --> 00:34:16,180 WELL, I WAS IN BED... ALONE. 763 00:34:16,250 --> 00:34:19,180 THE DOORMAN CAN TELL YOU IF I LEFT OR NOT. 764 00:34:19,250 --> 00:34:21,750 YOU THINK I'M INVOLVED IN THIS? 765 00:34:21,820 --> 00:34:24,920 IT'S STANDARD PROCEDURE TO LOOK AT LOVED ONES, 766 00:34:24,990 --> 00:34:26,490 PRESENT AND FORMER. 767 00:34:26,550 --> 00:34:27,920 DO I NEED AN ATTORNEY‐‐ 768 00:34:27,990 --> 00:34:30,890 I MEAN, NOT BECAUSE I DID ANYTHING, BUT JUST TO BE SAFE? 769 00:34:30,950 --> 00:34:32,880 IF YOU CAN GET US TO THE KILLER, 770 00:34:32,950 --> 00:34:35,120 WE'D RATHER NOT DEAL WITH THE HASSLE. 771 00:34:35,190 --> 00:34:38,360 LIKE, DO YOU KNOW OF ANY OTHER MEN IN HER LIFE, A BOYFRIEND? 772 00:34:38,420 --> 00:34:40,950 YEAH, SHE WAS SEEING A GUY NAMED TIM KEATING. 773 00:34:41,020 --> 00:34:43,350 HAVE YOU TALKED TO HIM ABOUT THIS? 774 00:34:43,420 --> 00:34:44,850 WELL, HE'S ON OUR LIST. 775 00:34:44,920 --> 00:34:47,820 BECAUSE SHE WASN'T VERY HAPPY IN THE RELATIONSHIP. 776 00:34:47,890 --> 00:34:49,160 DID SHE SAY WHY? 777 00:34:49,220 --> 00:34:51,650 SHE SAID HE WAS DOING COKE‐‐ COCAINE‐‐ 778 00:34:51,720 --> 00:34:53,150 AND ONE TIME SHE OVERHEARD 779 00:34:53,220 --> 00:34:55,820 THIS PHONE CONVERSATION THIS TIM WAS HAVING 780 00:34:55,890 --> 00:34:58,590 WITH WHAT SOUNDED LIKE A PRETTY ANGRY COKE DEALER. 781 00:34:58,650 --> 00:35:00,280 LIKE THAT HE OWED MONEY TO? 782 00:35:00,350 --> 00:35:03,220 SHE WASN'T SPECIFIC, BUT SHE WAS SCARED BY IT. 783 00:35:03,290 --> 00:35:06,030 GOD. 784 00:35:06,090 --> 00:35:08,830 WHY DIDN'T I DO SOMETHING ABOUT IT THEN? 785 00:35:08,890 --> 00:35:11,490 [ KNOCK ON DOOR ] 786 00:35:11,550 --> 00:35:13,250 EXCUSE US. 787 00:35:20,020 --> 00:35:22,750 YOU ASK HIM IF HE HAD ANY ASSOCIATION WITH THE JOHN DOE? 788 00:35:22,820 --> 00:35:23,850 HE KNEW OF HIM. 789 00:35:23,920 --> 00:35:25,620 DUMP CAME BACK ON HIS CELL‐‐ 790 00:35:25,690 --> 00:35:27,590 10 CALLS TO JOHN DOE'S PLACE OF WORK. 791 00:35:27,650 --> 00:35:29,820 THIS GUY PLAYING US, PUTTING OUT COKE DEALER THEORIES? 792 00:35:29,890 --> 00:35:31,860 AIN'T THAT A QUESTION FOR HIM? HE'S HINKY. 793 00:35:31,920 --> 00:35:34,320 IF HE KNOWS WE DUMPED HIS PHONE, HE'LL LAWYER UP. 794 00:35:34,390 --> 00:35:36,890 OR CONFESS. YOUR CALL. 795 00:35:47,620 --> 00:35:49,550 LOCKED DOOR HERE. 796 00:35:49,620 --> 00:35:51,720 POLICE! ANYONE IN THERE?! 797 00:35:58,490 --> 00:36:00,930 IT'S OKAY. WE'RE POLICE. 798 00:36:00,990 --> 00:36:03,990 NO TE ASUSTES. SOMOS POLICIAS. 799 00:36:04,050 --> 00:36:07,180 HABLAS INGLÉS? CóMO TE LLAMAS? 800 00:36:07,250 --> 00:36:08,220 ANNA. 801 00:36:08,290 --> 00:36:10,690 ANNA, ESTáS BIEN? 802 00:36:10,750 --> 00:36:11,720 [ CRIES ] 803 00:36:11,790 --> 00:36:13,030 ESTáS LASTIMADA? 804 00:36:13,090 --> 00:36:14,430 VIENE ALGUIEN A BUSCARTE? 805 00:36:14,490 --> 00:36:15,530 [ SOBS ] 806 00:36:15,590 --> 00:36:16,760 SE FUERON. 807 00:36:16,820 --> 00:36:18,620 THEY LEFT HER. 808 00:36:18,690 --> 00:36:20,790 DOES SHE KNOW THE OTHER GIRL‐‐ CORISA? 809 00:36:20,850 --> 00:36:22,880 CONOCES A UNA NIÑA QUE SE LLAMA CORISA? 810 00:36:22,950 --> 00:36:24,950 DE TU EDAD, TIENE PELO LARGO. 811 00:36:25,020 --> 00:36:27,380 AHORA NO HAY PELIGRO. 812 00:36:27,450 --> 00:36:28,620 VÁMONOS. 813 00:36:28,690 --> 00:36:30,260 [ CRYING ] 814 00:36:39,850 --> 00:36:41,620 I'M A LITTLE NERVOUS. 815 00:36:41,690 --> 00:36:44,790 I'VE NEVER HAD TO IDENTIFY A BODY BEFORE. 816 00:36:44,850 --> 00:36:46,580 THEY LIFT THE SHEET. 817 00:36:46,650 --> 00:36:49,650 IF IT'S JESSICA, YOU SAY SO. THAT'S IT. 818 00:36:49,720 --> 00:36:50,680 I‐I GOTTA ADMIT, 819 00:36:50,750 --> 00:36:52,450 MY NERVES ARE COMPOUNDED BY GUILT 820 00:36:52,520 --> 00:36:55,180 FOR NOT DOING ANYTHING ABOUT THIS TIM KEATING. 821 00:36:55,250 --> 00:36:56,350 YEAH? YEAH. 822 00:36:56,420 --> 00:36:59,620 I MEAN, THINKING BACK, SHE WAS SCARED OF THE GUY. 823 00:36:59,690 --> 00:37:01,630 YOU HAVEN'T LOCATED HIM? 824 00:37:01,690 --> 00:37:03,530 WE DID, MR. DUBINSKI. 825 00:37:03,590 --> 00:37:06,190 HE WAS SHOT ALONG WITH JESSICA. 826 00:37:06,250 --> 00:37:08,950 OH, MAN. 827 00:37:09,020 --> 00:37:11,220 LOOK, YOU GOTTA FIND THE COCAINE DEALER. 828 00:37:11,290 --> 00:37:12,460 YEAH. 829 00:37:17,950 --> 00:37:19,720 THAT'S HIM! THAT'S WHO SHOT ME! 830 00:37:19,790 --> 00:37:20,860 YOU SON OF A BITCH! 831 00:37:20,920 --> 00:37:23,050 CALM DOWN, TIM! GET HIM OUT OF HERE! 832 00:37:24,990 --> 00:37:26,860 WE GOT SOMETHING TO TALK ABOUT? 833 00:37:26,920 --> 00:37:29,320 YOU DIDN'T KILL HIM. HE JUST IDENTIFIED YOU. 834 00:37:29,390 --> 00:37:32,230 SO YOU GOT SOMETHING TO SAY, OR YOU JUST GONNA SIT THERE 835 00:37:32,290 --> 00:37:34,530 WORKING YOUR MOUTH LIKE A DYING FISH? 836 00:37:34,590 --> 00:37:35,530 HOW? 837 00:37:35,590 --> 00:37:36,890 A MIRACLE. 838 00:37:36,950 --> 00:37:38,650 WHY'D YOU SHOOT YOUR EX‐WIFE AND TIM KEATING? 839 00:37:38,720 --> 00:37:39,880 HOW DID I NOT KILL HIM? 840 00:37:39,950 --> 00:37:42,720 MR. DUBINSKI, IT'S TIME TO FOCUS. 841 00:37:44,320 --> 00:37:47,550 HE WAS SCREWING THE WOMAN THAT I LOVE. 842 00:37:47,620 --> 00:37:49,480 I COULDN'T LIVE WITH THAT. 843 00:37:51,950 --> 00:37:54,150 I'LL GET HIM TO THE HOUSE. 844 00:37:54,220 --> 00:37:55,480 COME ON. 845 00:38:01,690 --> 00:38:03,330 [ SIGHS ] 846 00:38:09,820 --> 00:38:11,080 [ KNOCK ON DOOR ] 847 00:38:11,150 --> 00:38:14,050 SO, HOW'D IT GO? IS HE THE GUY? 848 00:38:14,120 --> 00:38:16,580 YEAH, HE GAVE IT RIGHT UP. 849 00:38:16,650 --> 00:38:17,920 YOU DID GREAT. 850 00:38:17,990 --> 00:38:20,390 WHY DID HE SHOOT ME AND JESSICA? 851 00:38:20,450 --> 00:38:21,920 HE SAID HE WAS JEALOUS. 852 00:38:21,990 --> 00:38:25,190 HE SAW THE TWO OF YOU TOGETHER, AND HE LOST IT. 853 00:38:27,950 --> 00:38:30,950 ANY OF THIS COMING BACK TO YOU? 854 00:38:31,020 --> 00:38:35,520 IT'S STARTING TO, LIKE, IT'S FAMILIAR. 855 00:38:35,590 --> 00:38:38,630 WHAT I'M AFRAID OF NOW IS HOW BAD IT'S GONNA HURT 856 00:38:38,690 --> 00:38:41,430 WHEN IT REALLY DOES COME BACK TO ME. 857 00:38:41,490 --> 00:38:44,830 'CAUSE I'M GETTING THE SENSE I LOVED THIS GIRL. 858 00:38:47,620 --> 00:38:49,920 GET SOME REST, MR. KEATING. 859 00:38:49,990 --> 00:38:51,790 I'LL BE IN TOUCH. 860 00:39:01,290 --> 00:39:03,760 ALL RIGHT. THANKS. 861 00:39:03,820 --> 00:39:07,980 SO, THE SECOND GIRL WE FOUND‐‐ ANNA‐‐ 862 00:39:08,050 --> 00:39:09,150 SOCIAL SERVICES HAS HER. 863 00:39:09,220 --> 00:39:11,150 THEY CONTACTED A CHARITY ORGANIZATION 864 00:39:11,220 --> 00:39:13,220 THAT RETURNS STOLEN KIDS TO THEIR PARENTS, 865 00:39:13,290 --> 00:39:15,060 AND THEY'RE GONNA TAKE THE CASE. 866 00:39:15,120 --> 00:39:16,980 WHAT ABOUT THE MADAME, THIS ROSA LADY? 867 00:39:17,050 --> 00:39:18,850 COLLARED FOR PROMOTING PROSTITUTION 868 00:39:18,920 --> 00:39:20,280 AND CHILD ENDANGERMENT, 869 00:39:20,350 --> 00:39:22,850 AND WE RAN THE NAME SHE GAVE US PAST VICE‐‐ ASBERTO. 870 00:39:22,920 --> 00:39:25,020 THEY KNOW HIM, BUT HE'S ONLY A STEP ABOVE HER, 871 00:39:25,090 --> 00:39:27,090 STILL SMALL‐TIME. THEY'RE LOOKING FOR HIM NOW. 872 00:39:27,150 --> 00:39:29,280 AND CORISA? IN THE WIND. 873 00:39:29,350 --> 00:39:32,450 ONE GIRL'S SAFE. THAT'S SOMETHING, RIGHT? 874 00:39:32,520 --> 00:39:33,850 GOOD WORK. 875 00:39:33,920 --> 00:39:37,980 EVERYTHING GOING ALL RIGHT? YEAH. 876 00:39:38,050 --> 00:39:41,250 I'LL ASSUME YOUR CASE IS PROCEEDING AND YOU'LL TELL ME ABOUT IT WHEN IT'S NECESSARY? 877 00:39:41,320 --> 00:39:43,380 YEAH. THANKS, GIBSON. 878 00:39:43,450 --> 00:39:45,550 OKAY, THEN. GOOD NIGHT. 879 00:39:45,620 --> 00:39:47,320 GOOD NIGHT, SARGE. 880 00:39:51,190 --> 00:39:53,990 THANK YOU FOR COMING IN, MR. CLIFTON. 881 00:39:54,050 --> 00:39:57,220 WHY DON'T WE GRAB A CUP OF COFFEE? 882 00:40:08,050 --> 00:40:10,080 IS THERE A REASON WHY YOU REQUESTED 883 00:40:10,150 --> 00:40:12,050 I COME ALONE, WITHOUT MY WIFE? 884 00:40:12,120 --> 00:40:14,880 WE'LL BE TALKING WITH EVERYBODY, BUT INDIVIDUALLY. 885 00:40:14,950 --> 00:40:17,050 I'M HAVING SOME COFFEE, MR. CLIFTON. 886 00:40:17,120 --> 00:40:18,950 CARE FOR SOME? NO, THANK YOU. 887 00:40:19,020 --> 00:40:20,750 WATER, SODA, ANYTHING? NO. 888 00:40:20,820 --> 00:40:22,780 CAN WE JUST PLEASE GET TO IT? 889 00:40:22,850 --> 00:40:24,780 WE'RE STARTING OVER, AS YOU KNOW, 890 00:40:24,850 --> 00:40:26,880 AND ONE OF THE THINGS THAT WE DISCOVERED 891 00:40:26,950 --> 00:40:28,350 OR REDISCOVERED, I GUESS, 892 00:40:28,420 --> 00:40:31,080 IS THAT CINDY DIDN'T HAVE ANY DEFENSIVE WOUNDS. 893 00:40:31,150 --> 00:40:33,980 MEANING IT DOESN'T LOOK LIKE SHE FOUGHT OFF HER ASSAILANT. 894 00:40:34,050 --> 00:40:36,180 IF YOU PLAN ON GETTING INTO THE SPECIFICS 895 00:40:36,250 --> 00:40:38,450 OF HOW MY DAUGHTER WAS RAPED AND KILLED, 896 00:40:38,520 --> 00:40:41,580 I CAN TELL YOU RIGHT NOW, I WILL ABSOLUTELY NOT SIT HERE 897 00:40:41,650 --> 00:40:43,620 AND HAVE THOSE WOUNDS RE‐OPENED AGAIN. 898 00:40:43,690 --> 00:40:44,930 WE'RE SYMPATHETIC, 899 00:40:44,990 --> 00:40:47,290 BUT WE ALSO NEED TO FIND OUT WHO KILLED CINDY. 900 00:40:47,350 --> 00:40:48,150 I UNDERSTAND. 901 00:40:48,220 --> 00:40:50,080 BUT I WANT YOU TO BE DAMN CAREFUL 902 00:40:50,150 --> 00:40:52,380 WHAT YOU SAY AROUND ME AND ESPECIALLY MY WIFE 903 00:40:52,450 --> 00:40:55,420 WHEN IT COMES TO THE DETAILS OF HOW OUR DAUGHTER WAS KILLED. 904 00:40:55,490 --> 00:40:56,760 THAT'S FINE. 905 00:40:56,820 --> 00:40:59,850 WE BELIEVE CINDY MAY HAVE KNOWN HER ASSAILANT. 906 00:40:59,920 --> 00:41:02,150 DOES ANYONE COME TO MIND WHO COULD HAVE HAD 907 00:41:02,220 --> 00:41:04,420 AN INAPPROPRIATE RELATIONSHIP WITH HER? 908 00:41:04,490 --> 00:41:05,860 IF THERE WAS, 909 00:41:05,920 --> 00:41:08,420 I WOULDN'T HAVE WAITED 18 YEARS TO TELL YOU ABOUT IT! 910 00:41:08,490 --> 00:41:09,660 [ SCOFFS ] 911 00:41:09,720 --> 00:41:11,250 ARE WE DONE? 912 00:41:11,320 --> 00:41:12,280 ONE MORE THING, 913 00:41:12,350 --> 00:41:15,020 AND WE'RE GONNA BE ASKING THIS OF EVERYBODY. 914 00:41:15,090 --> 00:41:17,790 SINCE DNA WAS RECOVERED FROM CINDY'S CLOTHING, 915 00:41:17,850 --> 00:41:20,080 WE'RE GONNA NEED A DNA SAMPLE FROM YOU 916 00:41:20,150 --> 00:41:22,720 SO THAT YOU CAN BE ELIMINATED AS A SUSPECT. 917 00:41:22,790 --> 00:41:24,890 WE'RE SORRY, BUT IT NEEDS TO HAPPEN. 918 00:41:24,950 --> 00:41:27,520 YOU MUST BE OUT OF YOUR MIND! 919 00:41:27,590 --> 00:41:29,090 IT'S STANDARD PROCEDURE, SIR. 920 00:41:29,150 --> 00:41:31,150 WHAT DO YOU KNOW ABOUT STANDARD PROCEDURE?! 921 00:41:31,220 --> 00:41:33,650 YOU PUT THE WRONG GUY IN JAIL FOR 18 YEARS! 922 00:41:33,720 --> 00:41:35,050 YOU KNOW WHAT, MR. CLIFTON? 923 00:41:35,120 --> 00:41:37,280 LET'S MAKE OURSELVES A DEAL HERE‐‐ WE'LL BE CAREFUL 924 00:41:37,350 --> 00:41:39,420 ABOUT THE DETAILS ABOUT YOUR DAUGHTER'S DEATH 925 00:41:39,490 --> 00:41:42,290 IF YOU STAY CAREFUL ABOUT HOW MY PARTNER INVESTIGATED THE CASE. 926 00:41:42,350 --> 00:41:43,920 TWO WITNESSES LIED. 927 00:41:43,990 --> 00:41:46,830 THAT IS NOT THE NEW YORK CITY POLICE DEPARTMENT'S FAULT. 928 00:41:46,890 --> 00:41:49,290 I HAVE NO FAITH IN YOU OR YOUR DEPARTMENT, 929 00:41:49,350 --> 00:41:52,450 AND IF YOU HAVE ANY MORE QUESTIONS FOR ME OR MY FAMILY, 930 00:41:52,520 --> 00:41:54,180 YOU CAN CONTACT OUR ATTORNEY! 931 00:42:02,920 --> 00:42:04,980 HOW DID I MISS ALL THIS BACK THEN? 68784

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