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1
00:00:00,050 --> 00:00:02,330
PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,330 --> 00:00:05,160
YOU'VE HAD IT
OUT FOR ME SINCE DAY ONE,
3
00:00:05,230 --> 00:00:06,860
AND THE HELL IF I'M
GONNA TAKE IT ANYMORE!
4
00:00:06,930 --> 00:00:08,960
SO WHEN STAN'S UNCLE
CALLS AGAIN,
5
00:00:09,030 --> 00:00:11,000
I'LL JUST RING HIM
THROUGH TO YOU.
6
00:00:11,070 --> 00:00:12,970
YOU ACTUALLY THINK
THAT MEANS ANYTHING TO ME?
7
00:00:13,030 --> 00:00:15,200
DO YOURSELF A FAVOR‐‐
FIND A NEW HOME,
8
00:00:15,270 --> 00:00:17,670
'CAUSE I'M NOT GONNA LET YOU
PUT A STINK ON THIS SQUAD.
9
00:00:17,730 --> 00:00:19,960
IF ANYBODY'S DUE
FOR A CHANGE OF VENUE, IT'S YOU.
10
00:00:20,030 --> 00:00:21,930
WHAT DID HATCHER'S WIFE
SAY ABOUT HIM?
11
00:00:22,000 --> 00:00:23,660
HE ACCUSED HER
OF HAVING AN AFFAIR,
12
00:00:23,730 --> 00:00:25,230
AND SHE ADMITTED TO IT.
13
00:00:25,300 --> 00:00:27,560
HOW SOON AFTER SHE TOLD YOU THIS
DID SHE TURN UP DEAD?
14
00:00:27,630 --> 00:00:28,960
THREE DAYS.
15
00:00:29,030 --> 00:00:32,260
I GUARANTEE YOU
HATCHER KILLED HIS WIFE.
16
00:00:42,400 --> 00:00:45,500
SIPOWICZ, COULD YOU COME
INTO THE OFFICE?
17
00:00:49,200 --> 00:00:51,300
CLOSE THE DOOR.
18
00:00:59,930 --> 00:01:02,530
YOU GONNA PACE ALL DAY?
19
00:01:02,600 --> 00:01:05,460
THE DEPARTMENT'S BEEN CHARGED
WITH BEEFING UP PATROLS,
20
00:01:05,530 --> 00:01:07,300
SO THEY HAVEN'T BEEN
BACKFILLING THE BUREAU
21
00:01:07,370 --> 00:01:09,170
LIKE THEY'RE SUPPOSED TO.
22
00:01:09,230 --> 00:01:11,230
YOU SEE WHERE I'M
GOING WITH THIS?
NO.
23
00:01:11,300 --> 00:01:12,760
BECAUSE OF THE PATROL
ALLOCATIONS,
24
00:01:12,830 --> 00:01:15,130
SOME SQUADS ARE COMING UP SHORT
MANPOWER‐WISE.
25
00:01:15,200 --> 00:01:16,600
SO TO EQUALIZE IT OUT,
26
00:01:16,670 --> 00:01:18,840
THEY GOTTA MOVE
SOME GUYS AROUND.
27
00:01:18,900 --> 00:01:20,600
AND WE GOT
TO GIVE UP A GUY,
28
00:01:20,670 --> 00:01:22,670
AND THEY DIDN'T GIVE ME
A CHOICE AS TO WHO,
29
00:01:22,730 --> 00:01:24,860
SO DON'T GO
GRIPING AT ME.
WHO IS IT, EDDIE?
30
00:01:24,930 --> 00:01:26,230
YOU‐‐
YOU'RE TRANSFERRED
31
00:01:26,300 --> 00:01:27,960
TO MISSING PERSONS
AT THE MORGUE.
32
00:01:28,030 --> 00:01:29,460
I'M TRANSFERRED?
33
00:01:29,530 --> 00:01:31,200
THE BUREAU DIDN'T
GIVE ME A CHOICE,
34
00:01:31,270 --> 00:01:32,940
SO THERE'S NOTHING
I CAN DO ABOUT IT.
35
00:01:33,000 --> 00:01:34,200
SO SPARE
THE DISCUSSION.
36
00:01:34,270 --> 00:01:35,770
YOU'RE SERIOUS?
37
00:01:35,830 --> 00:01:37,860
THE DAY‐TOUR GUY
AT THE MORGUE'S NAMED DORLAN.
38
00:01:37,930 --> 00:01:39,560
HE'S EXPECTING YOU.
39
00:01:39,630 --> 00:01:41,300
DON'T MAKE THIS HARDER
THAN IT'S GOTTA BE.
40
00:01:41,370 --> 00:01:43,070
THIS COME
FROM CHIEF OF PERSONNEL,
41
00:01:43,130 --> 00:01:44,330
HATCHER'S UNCLE,
YOUR BUDDY?
42
00:01:44,400 --> 00:01:46,200
IT CAME FROM ONE P. P.
43
00:01:46,270 --> 00:01:48,610
FROM HATCHER'S UNCLE
OFF A CALL FROM HATCHER,
44
00:01:48,670 --> 00:01:50,410
AND YOU KNOW IT,
AND YOU JUST FOLDED!
45
00:01:50,470 --> 00:01:52,310
YOU DUG THIS GRAVE,
NOT ME.
46
00:01:52,370 --> 00:01:54,170
YOU REMEMBER HOW I SAID
A TIME WOULD COME
47
00:01:54,230 --> 00:01:55,960
WHEN YOU'D NEED TO SHOW
HOW YOU GOT SPINE?
48
00:01:56,030 --> 00:01:58,000
YOU COULD HAVE LEFT
WELL ENOUGH ALONE.
49
00:01:58,070 --> 00:01:59,710
YOU COULD HAVE WORKED
YOUR CASES.
50
00:01:59,770 --> 00:02:01,570
NOW'S THAT TIME, EDDIE.
51
00:02:01,630 --> 00:02:04,530
HIS UNCLE IS
THE CHIEF OF PERSONNEL.
52
00:02:05,930 --> 00:02:08,500
ANDY, I'M SORRY.
53
00:02:08,570 --> 00:02:10,170
[ SIGHS ]
54
00:02:23,030 --> 00:02:24,500
WHAT'S UP?
55
00:02:24,570 --> 00:02:27,140
I'M BEING TRANSFERRED...
TO THE MORGUE.
56
00:02:27,200 --> 00:02:28,560
OH, MY GOD!
57
00:02:28,630 --> 00:02:30,130
ON ACCOUNT OF WHAT?
58
00:02:30,200 --> 00:02:31,930
SOMETHING ABOUT FUNDING
AND MANPOWER.
59
00:02:32,000 --> 00:02:33,300
THAT'S A LOAD
OF BULLSHIT.
60
00:02:33,370 --> 00:02:35,140
YEAH, WELL,
THAT'S WHERE WE'RE AT.
61
00:02:35,200 --> 00:02:36,800
I'LL BE BACK
FOR MY LOCKER.
62
00:02:36,870 --> 00:02:38,610
ANDY...
63
00:02:43,000 --> 00:02:44,860
WHAT THE HELL
JUST HAPPENED?
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00:02:44,930 --> 00:02:46,200
Hatcher: UNREAL‐‐
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00:02:46,270 --> 00:02:48,670
THE GUY'S LIKE A LEGEND
AROUND HERE.
66
00:02:48,730 --> 00:02:50,330
UNREAL.
67
00:04:02,270 --> 00:04:04,010
ANDY SIPOWICZ.
68
00:04:04,070 --> 00:04:06,410
IT'S OKAY.
CAN I HELP YOU?
69
00:04:06,470 --> 00:04:08,070
YEAH,
I WANT TO TALK TO YOU
70
00:04:08,130 --> 00:04:10,200
ABOUT THIS TRANSFER
DOWN TO THE MORGUE.
71
00:04:10,270 --> 00:04:12,010
THEY'VE BEEN HAVING SOME
PROBLEMS ON THE NIGHT TOUR.
72
00:04:12,070 --> 00:04:13,970
THEY NEED A GUY
THAT'S GOT SOME EXPERIENCE.
73
00:04:14,030 --> 00:04:15,930
THAT'S ABOUT ALL THERE IS
TO TALK ABOUT.
74
00:04:16,000 --> 00:04:17,530
YOUR NEPHEW DOESN'T
BELONG ON THE JOB.
75
00:04:17,600 --> 00:04:19,730
TRANSFERRING ME OUT
ISN'T GONNA CHANGE THAT.
76
00:04:19,800 --> 00:04:22,500
THIS IS ABOUT NEEDING A GUY
IN THE MORGUE.
77
00:04:22,570 --> 00:04:24,540
IT SOUNDS LIKE
YOU GOT A BEEF WITH STAN.
78
00:04:24,600 --> 00:04:26,700
MAYBE A CHANGE OF SCENERY
WOULD BE GOOD FOR YOU.
79
00:04:26,770 --> 00:04:29,010
HE'S A BAD COP.
YOU'RE PROTECTING A BAD COP.
80
00:04:29,070 --> 00:04:31,140
YOU SHOULD LEAVE NOW.
81
00:04:31,200 --> 00:04:32,900
YOU KNOW WHAT?
FINE.
82
00:04:32,970 --> 00:04:34,710
YOU NEED ME,
I'LL BE AT THE MORGUE,
83
00:04:34,770 --> 00:04:38,070
'CAUSE YOU'RE NOT DRIVING ME
OFF THE JOB‐‐ NO WAY.
84
00:04:44,300 --> 00:04:46,330
HEY, YOU SIPOWICZ?
85
00:04:46,400 --> 00:04:47,260
DORLAN?
86
00:04:47,330 --> 00:04:49,060
THAT'S ME!
BUT IT'S WALLY.
87
00:04:49,130 --> 00:04:50,400
WELCOME
TO CENTRAL CONTROL.
88
00:04:50,470 --> 00:04:52,210
THIS IS YOUR DESK.
THIS IS MINE.
89
00:04:52,270 --> 00:04:55,070
YEAH, LOOK...
CELL PHONES WORK DOWN HERE?
90
00:04:55,130 --> 00:04:56,430
HARDLY.
91
00:04:56,500 --> 00:04:59,100
'CAUSE I'M EXPECTING A CALL,
SO I'M GONNA STEP OUT.
92
00:04:59,170 --> 00:05:00,810
YOU JUST GOT HERE.
93
00:05:00,870 --> 00:05:03,170
BESIDES, WE'RE GETTING A GUEST
IN A FEW MINUTES‐‐
94
00:05:03,230 --> 00:05:04,760
HOMELESS, D.O.A.
I'LL BE BACK.
95
00:05:04,830 --> 00:05:06,330
IT'S THE SMELL.
AM I RIGHT?
96
00:05:06,400 --> 00:05:08,230
I'M JUST GONNA HEAD OUT
FOR A LITTLE BIT.
97
00:05:08,300 --> 00:05:10,700
NO, REALLY, YOU'RE NOT SUPPOSED
TO LEAVE DURING A TOUR.
98
00:05:10,770 --> 00:05:13,170
THAT AND BEING ON TIME
ARE THE KEYS TO THIS PLACE.
99
00:05:13,230 --> 00:05:16,230
OH, AND ALWAYS ANSWER
ON THE SECOND RING.
100
00:05:16,300 --> 00:05:18,230
YOU ANSWER ON THE FIRST,
101
00:05:18,300 --> 00:05:20,100
THEY THINK YOU
DON'T HAVE ENOUGH TO DO.
102
00:05:20,170 --> 00:05:22,110
ANSWER ON THE THIRD,
THEY THINK YOU'RE BEING LAZY.
103
00:05:22,170 --> 00:05:23,510
SECOND RING.
104
00:05:23,570 --> 00:05:25,870
I'M TELLING YOU, SIP,
I'VE BEEN HERE 16 YEARS,
105
00:05:25,930 --> 00:05:27,930
AND I GOT IT DOWN
TO A SCIENCE.
106
00:05:28,000 --> 00:05:29,500
YOU LIKE PASTRIES,
DORLAN?
107
00:05:29,570 --> 00:05:31,040
I'LL BRING YOU SOME
RIGHT AFTER I GET THE CALL.
108
00:05:31,100 --> 00:05:33,200
YEAH, OKAY, ALL RIGHT.
109
00:05:33,270 --> 00:05:35,540
I'LL SEE YOU IN, WHAT,
FIVE MINUTES? TEN?
110
00:05:39,700 --> 00:05:42,000
D.O.A. IS MOLLY ZIFFREN.
111
00:05:42,070 --> 00:05:44,110
NEIGHBOR SAW THE DOOR AJAR
AND LOOKED IN.
112
00:05:44,170 --> 00:05:46,540
THAT'S THE WEAPON.
113
00:05:46,600 --> 00:05:49,400
DUFFY SAID HE SAW SIPOWICZ
WALKING OUT WITH A MOVING BOX.
114
00:05:49,470 --> 00:05:50,470
THAT TRUE?
115
00:05:50,530 --> 00:05:52,200
YEAH.
NEIGHBOR KNOW THE GIRL?
116
00:05:52,270 --> 00:05:53,910
SAID SHE WAS
A MASSAGE THERAPIST.
117
00:05:53,970 --> 00:05:55,440
SO WHAT'S UP
WITH SIPOWICZ?
118
00:05:55,500 --> 00:05:57,200
TRANSFERRED‐‐
IT JUST CAME DOWN.
119
00:05:57,270 --> 00:05:58,910
WHAT ELSE DID
THE NEIGHBOR SAY?
120
00:05:58,970 --> 00:06:00,370
THE GIRL SAW CLIENTS
IN THE APARTMENT.
121
00:06:00,430 --> 00:06:03,260
I ASKED, "WAS IT LEGIT,
OR WAS SHE A..." YOU KNOW.
122
00:06:03,330 --> 00:06:06,100
BUT THE NEIGHBORS SAID
IT WAS LEGIT THERAPY.
123
00:06:06,170 --> 00:06:08,510
YEAH,
I'LL START A CANVASS.
124
00:06:10,330 --> 00:06:12,230
I DON'T UNDERSTAND ALL THIS
125
00:06:12,300 --> 00:06:15,030
ABOUT BEEFING UP PATROL
OR BACKFILLING THE BUREAU.
126
00:06:15,100 --> 00:06:17,130
ME EITHER, GREG.
LET'S JUST WORK THE CASE.
127
00:06:17,200 --> 00:06:18,360
YEAH, SURE.
128
00:06:18,430 --> 00:06:19,960
ADDRESS BOOK IS OPEN UP
129
00:06:20,030 --> 00:06:21,560
TO A DR. KLEINER,
PSYCHOLOGIST.
130
00:06:21,630 --> 00:06:24,400
LOOKS LIKE THE D. O. A.
WAS WRITING DOWN THE NUMBER.
131
00:06:26,700 --> 00:06:27,930
DOOR'S LOCKED.
132
00:06:28,000 --> 00:06:29,860
SUPER DIDN'T HAVE A KEY.
133
00:06:29,930 --> 00:06:31,500
I'LL CALL THE S.U.
TO GAIN ENTRY.
134
00:06:31,570 --> 00:06:33,410
SOMEBODY WANT TO BRING US
UP TO SPEED?
135
00:06:33,470 --> 00:06:35,770
STILL FIGURING IT OUT,
STAN.
136
00:06:41,930 --> 00:06:43,630
Jones:
CHECK THIS OUT.
137
00:06:43,700 --> 00:06:45,530
WONDER IF THE NEIGHBORS
KNEW ABOUT THIS.
138
00:06:47,930 --> 00:06:50,630
GOT SOME SICK PUPPIES
OUT THERE.
139
00:06:50,700 --> 00:06:52,400
[ CELL PHONE RINGS ]
140
00:06:55,630 --> 00:06:56,700
HELLO?
141
00:07:05,500 --> 00:07:07,060
WE'LL GET THIS
WORKED OUT, ANDY.
142
00:07:07,130 --> 00:07:08,460
SCREW 'EM.
LISTEN‐‐
143
00:07:08,530 --> 00:07:11,000
I'M GONNA MEET UP WITH HATCHER'S
OLD PARTNER AGAIN,
144
00:07:11,070 --> 00:07:12,410
GET INTO MORE DETAIL
ABOUT WHAT WAS GOING ON
145
00:07:12,470 --> 00:07:14,140
WHEN HATCHER'S WIFE
WAS KILLED.
146
00:07:14,200 --> 00:07:16,460
WHAT CAN I DO?
I'M GONNA BE LOOKING
AT INFORMANTS
147
00:07:16,530 --> 00:07:18,730
OR ANY SKELS THAT HATCHER
HAD IN HIS LIFE BACK THEN‐‐
148
00:07:18,800 --> 00:07:21,000
ANYBODY THAT COULD HAVE
HELPED HIM PLANT THAT CAR BOMB.
149
00:07:21,070 --> 00:07:23,470
WHEN YOU GET THE NAMES,
CALL ME.
150
00:07:23,530 --> 00:07:25,200
JUST TELL GIBSON
YOU NEED SOME LOST TIME.
151
00:07:25,270 --> 00:07:27,670
WHEN YOU DEAL WITH HATCHER,
JUST PLAY EVERYTHING OFF.
152
00:07:27,730 --> 00:07:29,760
I DON'T WANT THAT DICKHEAD
HAVING A CLUE.
153
00:07:29,830 --> 00:07:30,900
YOU GOT IT.
154
00:07:30,970 --> 00:07:33,240
I'LL BE IN TOUCH.
155
00:07:40,170 --> 00:07:41,770
THANKS FOR MEETING ME,
CARL.
156
00:07:41,830 --> 00:07:43,400
YEAH.
157
00:07:45,370 --> 00:07:47,070
SO YOU'RE REALLY
GOING AFTER STAN?
158
00:07:47,130 --> 00:07:48,600
ABSOLUTELY.
159
00:07:54,100 --> 00:07:56,130
THESE ARE COPIES
OF THE ARREST RECORDS
160
00:07:56,200 --> 00:07:58,200
FOR WHEN ME
AND STAN WERE PARTNERS,
161
00:07:58,270 --> 00:07:59,940
PLUS A LIST
OF OUR INFORMANTS.
162
00:08:00,000 --> 00:08:01,700
DID HE ALSO KEEP
HIS OWN INFORMANTS?
163
00:08:01,770 --> 00:08:04,340
YEAH, MORE UNREGISTERED
THAN REGISTERED,
164
00:08:04,400 --> 00:08:06,730
BUT NO ONE GAVE HIM
ANY FLAK ABOUT IT
165
00:08:06,800 --> 00:08:09,660
BECAUSE EVERYONE KNEW WHO
STAN'S UNCLE WAS, NUMBER ONE.
166
00:08:09,730 --> 00:08:11,200
AND NUMBER TWO,
167
00:08:11,270 --> 00:08:13,210
HE DID COME UP
WITH SOME GOOD INFORMATION.
168
00:08:13,270 --> 00:08:15,370
DID THEY GO AT HIM AT ALL
WHEN HIS WIFE WAS KILLED?
169
00:08:15,430 --> 00:08:17,030
NAH, THE DEPARTMENT
BOUGHT THE THEORY
170
00:08:17,100 --> 00:08:18,600
THAT STAN WAS
THE INTENDED TARGET,
171
00:08:18,670 --> 00:08:21,210
SO THEY CONCENTRATED ON IT
BEING A GANG HIT.
172
00:08:21,270 --> 00:08:23,210
ANYTHING ELSE
THAT COULD HELP ME OUT?
173
00:08:23,270 --> 00:08:24,970
WHAT YOU DO
HAVE GOING FOR YOU
174
00:08:25,030 --> 00:08:27,000
IS I DON'T THINK
A LOT OF STAN'S INFORMANTS
175
00:08:27,070 --> 00:08:29,070
WERE EVER APPROACHED
BY INVESTIGATORS.
176
00:08:29,130 --> 00:08:30,660
IT'S BEEN EIGHT YEARS,
177
00:08:30,730 --> 00:08:32,500
SO MAYBE SOME OF THEM
ARE READY TO TALK.
178
00:08:32,570 --> 00:08:34,170
ALL RIGHT,
I APPRECIATE YOU HELPING ME.
179
00:08:34,230 --> 00:08:35,700
HEY, LISTEN, ANDY...
180
00:08:37,300 --> 00:08:39,730
I'M DOING THIS FOR MARCY.
181
00:08:39,800 --> 00:08:41,460
I REALLY LOVED HER.
182
00:08:41,530 --> 00:08:44,000
I WAS GONNA LEAVE MY WIFE,
SHE WAS GONNA LEAVE STAN,
183
00:08:44,070 --> 00:08:45,540
AND WE WERE
GONNA BE TOGETHER.
184
00:08:45,600 --> 00:08:47,630
YEAH.
I'VE HAD TO LIVE
WITH THE GUILT
185
00:08:47,700 --> 00:08:50,200
THAT HAVING AN AFFAIR WITH ME
MAY HAVE GOT HER KILLED.
186
00:08:50,270 --> 00:08:52,110
WELL, I'M GONNA DO
EVERYTHING I CAN
187
00:08:52,170 --> 00:08:55,510
TO MAKE SURE THAT STAN
FACES CHARGES, BELIEVE ME.
188
00:08:56,830 --> 00:08:58,160
THANKS FOR YOUR HELP.
189
00:09:00,600 --> 00:09:02,800
THANK YOU.
190
00:09:02,870 --> 00:09:04,370
THAT WAS DUNCAN KLEINER,
191
00:09:04,430 --> 00:09:07,300
THE DOCTOR WHOSE NUMBER
THE D. O. A. WROTE DOWN.
192
00:09:10,370 --> 00:09:13,170
I KNOW YOU GUYS ARE STILL PRETTY
SHOCKED OVER ANDY AND ALL.
193
00:09:13,230 --> 00:09:15,030
WHAT DID THE DOC SAY?
194
00:09:15,100 --> 00:09:16,730
MOLLY ZIFFREN
WAS A PATIENT.
195
00:09:16,800 --> 00:09:18,830
SHE NEVER MENTIONED ANYONE
WHO WAS A THREAT.
196
00:09:18,900 --> 00:09:21,230
ANYTHING PAST THAT, HE SAID,
WAS PRIVILEGED INFORMATION.
197
00:09:21,300 --> 00:09:22,730
PAIN IN THE BALLS.
198
00:09:22,800 --> 00:09:25,100
AND I GOT TERA WORKING
ON THE D. O. A.'s E‐MAILS.
199
00:09:25,170 --> 00:09:26,810
WE'LL SEE
IF ANYTHING POPS.
200
00:09:26,870 --> 00:09:28,370
RITA, ANYTHING?
201
00:09:28,430 --> 00:09:31,130
SHE WAS WORKING THROUGH
THE D. O. A.'s ADDRESS BOOK.
202
00:09:31,200 --> 00:09:32,830
FRIEND OF THE D. O. A.
SAID THE GIRL
203
00:09:32,900 --> 00:09:34,330
WAS A FULL‐TIME DOMINATRIX
204
00:09:34,400 --> 00:09:36,600
AND THAT SHE'D RECENTLY
GONE SOLO FROM A DUNGEON.
205
00:09:36,670 --> 00:09:39,110
LEFT THE DUNGEON
ON GOOD TERMS OR...?
206
00:09:39,170 --> 00:09:41,270
THERE WAS SOME
BAD TENSION WITH THE OWNER.
207
00:09:41,330 --> 00:09:43,100
MAYBE THEY COULDN'T
WORK IT OUT WITH BULLWHIPS,
208
00:09:43,170 --> 00:09:46,110
SO THE OWNER
CRACKED HER ONE.
209
00:09:46,170 --> 00:09:48,410
ADDRESS FOR THE OWNER‐‐
HER NAME'S PAULETTE VOZE.
210
00:09:48,470 --> 00:09:50,470
SOUNDS LIKE
A PLACE TO START.
211
00:09:50,530 --> 00:09:53,400
YOU GUYS TAKE THIS, WE'LL KEEP
WORKING THE ADDRESS BOOK.
212
00:09:53,470 --> 00:09:54,910
WHAT, YOU CALLING
THE SHOTS NOW?
213
00:09:54,970 --> 00:09:56,310
JUST A SUGGESTION.
214
00:09:56,370 --> 00:09:57,940
WE'LL TAKE THE DOM CHICK.
I DON'T CARE.
215
00:09:58,000 --> 00:10:00,130
NO, WE GOT HER.
216
00:10:01,000 --> 00:10:03,560
JOHN?
I'LL BE ON THE AIR.
217
00:10:03,630 --> 00:10:06,060
CLARK, YOU GOT A SEC?
218
00:10:12,500 --> 00:10:16,060
HEY, I JUST WANT TO BE
UP FRONT WITH THIS.
219
00:10:16,130 --> 00:10:17,700
I GOT NO BEEF WITH YOU.
220
00:10:17,770 --> 00:10:18,970
SAME HERE.
221
00:10:19,030 --> 00:10:20,830
ME AND SIPOWICZ‐‐
222
00:10:20,900 --> 00:10:22,760
NO NEED TO BE COY, RIGHT?
223
00:10:26,170 --> 00:10:27,640
HE HAD A HARD‐ON FOR YOU,
224
00:10:27,700 --> 00:10:31,200
WHICH I DIDN'T APPROVE OF,
BUT THAT'S HIS DEAL.
225
00:10:31,270 --> 00:10:33,570
ALL I KNOW IS I GOT A LOT
OF YEARS LEFT ON THIS JOB.
226
00:10:33,630 --> 00:10:35,360
I'M NOT LOOKING
TO MAKE ANY ENEMIES.
227
00:10:35,430 --> 00:10:37,200
WE'RE STRAIGHT,
AS FAR AS I'M CONCERNED.
228
00:10:37,270 --> 00:10:39,440
GOOD TO HEAR.
229
00:10:39,500 --> 00:10:42,800
YOU KNOW, ALONG THOSE LINES,
ME AND ORTIZ...
230
00:10:42,870 --> 00:10:44,410
NOT HITTING IT OFF?
231
00:10:44,470 --> 00:10:45,910
YEAH, BIG SHOCKER, RIGHT?
232
00:10:45,970 --> 00:10:47,540
SHE'S NICE ENOUGH,
233
00:10:47,600 --> 00:10:49,460
BUT SHE'S NOT, YOU KNOW,
ONE OF THE GUYS.
234
00:10:49,530 --> 00:10:50,860
I HEAR YOU.
235
00:10:50,930 --> 00:10:52,360
SO WHAT DO YOU SAY?
236
00:10:52,430 --> 00:10:54,100
I'M THINKING ME AND YOU‐‐
237
00:10:54,170 --> 00:10:56,170
WE COULD KICK
SOME SERIOUS ASS TOGETHER.
238
00:10:56,230 --> 00:10:57,860
I THINK SO, TOO.
239
00:10:57,930 --> 00:10:59,460
BUT YOU KNOW WHAT?
NOT RIGHT AWAY.
240
00:10:59,530 --> 00:11:01,230
WOULDN'T WANT IT
TO GET BACK TO ANDY
241
00:11:01,300 --> 00:11:03,300
UNTIL HE HAS TIME
TO GET OVER THIS.
242
00:11:03,370 --> 00:11:05,540
YEAH, I'M NOT LOOKING TO DANCE
ON ANYBODY'S GRAVE HERE.
243
00:11:05,600 --> 00:11:07,830
DOWN THE ROAD A LITTLE BIT,
HELL, YEAH.
244
00:11:07,900 --> 00:11:09,700
RIGHT ON.
245
00:11:11,930 --> 00:11:13,800
I'LL GET AT YOU LATER.
246
00:11:28,590 --> 00:11:30,120
YES?
247
00:11:30,190 --> 00:11:31,650
WE'RE LOOKING
FOR PAULETTE VOZE.
248
00:11:31,720 --> 00:11:32,920
SHE'S BUSY.
249
00:11:32,990 --> 00:11:34,490
Voze:
WHO'S THERE, TOILET?!
250
00:11:34,560 --> 00:11:36,430
POLICE.
251
00:11:36,490 --> 00:11:38,750
I CAN'T BE ANY QUIETER.
DO YOU UNDERSTAND?
252
00:11:38,820 --> 00:11:40,720
THIS ISN'T
ABOUT THE NOISE.
253
00:11:40,790 --> 00:11:44,090
WE DON'T CARE ABOUT HOW YOU
PAY THE BILLS, SO LET US IN.
254
00:11:44,160 --> 00:11:46,130
GO CLEAN THE BATHROOM
WITH YOUR FACE.
255
00:11:50,260 --> 00:11:53,030
DO YOU KNOW A WOMAN
NAMED MOLLY ZIFFREN, MISS VOZE?
256
00:11:53,090 --> 00:11:54,490
YES,
I KNOW MOLLY ZIFFREN.
257
00:11:54,560 --> 00:11:56,360
WHEN'S THE LAST TIME
YOU SAW HER?
258
00:11:56,420 --> 00:11:58,350
A MONTH AGO.
ANY HOSTILITY
BETWEEN YOU?
259
00:11:58,420 --> 00:11:59,290
WHY?
260
00:11:59,360 --> 00:12:01,930
MOLLY'S APARTMENT
GOT RIPPED OFF.
261
00:12:01,990 --> 00:12:04,750
[ LAUGHS ]
ME STEAL FROM HER?
262
00:12:04,820 --> 00:12:06,420
THAT GIRL DOES NOT STOP!
263
00:12:06,490 --> 00:12:08,150
MEANING WHAT?
264
00:12:08,220 --> 00:12:11,190
[ TOILET FLUSHES ]
UP TILL A MONTH AGO I RAN
A PLACE CALLED "THE IRON HEEL."
265
00:12:11,260 --> 00:12:13,660
MOLLY WAS MY TOP GIRL,
BUT SHE GOT BIGHEADED ABOUT IT,
266
00:12:13,720 --> 00:12:16,120
AND TOOK OFF WITH ALL
OF HER CLIENTS AND MOST OF MINE.
267
00:12:16,190 --> 00:12:17,690
IT SHUT ME DOWN.
268
00:12:17,760 --> 00:12:20,330
I'D SAY IT'S A GOOD PLACE
TO START A GRUDGE.
269
00:12:20,390 --> 00:12:22,820
I HAVE OTHER WAYS OF WORKING OUT
MY AGGRESSIONS.
270
00:12:22,890 --> 00:12:24,420
THEFT ISN'T ONE OF THEM.
271
00:12:24,490 --> 00:12:26,350
WHERE WERE YOU THIS MORNING,
6:00 A. M. ON?
272
00:12:26,420 --> 00:12:28,690
HERE. SLAVE WAS WATCHING ME
FROM THE DOG CAGE.
273
00:12:30,720 --> 00:12:32,490
SLAVE!
274
00:12:36,020 --> 00:12:38,790
WHERE WAS GODDESS
AT 6:00 THIS MORNING?
275
00:12:38,860 --> 00:12:40,830
SLEEPING.
276
00:12:40,890 --> 00:12:42,390
WHAT'S YOUR NAME?
277
00:12:42,460 --> 00:12:43,930
SPEAK!
278
00:12:43,990 --> 00:12:46,320
BERNARD [CLEARS THROAT]
WESTLEY.
279
00:12:46,390 --> 00:12:48,150
YOU WOULDN'T HAVE
ANY REASON
280
00:12:48,220 --> 00:12:50,390
TO LIE FOR THE GODDESS HERE,
BERNARD, WOULD YOU?
281
00:12:50,460 --> 00:12:52,130
'CAUSE WE'RE GONNA
LOOK INTO YOU.
282
00:12:52,190 --> 00:12:53,820
YOU'RE NOT GONNA
TELL MY FIRM‐‐
283
00:12:53,890 --> 00:12:55,750
STOP SPEAKING.
284
00:12:55,820 --> 00:12:57,320
WHAT DID MOLLY GET STOLEN
285
00:12:57,390 --> 00:12:59,320
THAT'S GOT YOU
SO RILED UP ANYWAY?
286
00:12:59,390 --> 00:13:01,620
ACTUALLY, NOTHING WAS STOLEN,
MISS VOZE.
287
00:13:01,690 --> 00:13:03,690
MOLLY ZIFFREN
WAS MURDERED THIS MORNING.
288
00:13:03,760 --> 00:13:05,460
WHOA!
I'M OUTTA HERE.
289
00:13:05,520 --> 00:13:07,850
TAKE ONE MORE STEP,
WE'LL CUFF YOU.
290
00:13:07,920 --> 00:13:09,350
THE HELL WITH THAT.
291
00:13:09,420 --> 00:13:11,050
LOOK, I'M A CRIMINAL
DEFENSE ATTORNEY.
292
00:13:11,120 --> 00:13:13,490
I'M NOT SAYING ANYTHING,
AND NEITHER IS SHE.
293
00:13:13,560 --> 00:13:15,300
YOU KNOW,
IF YOU'RE NOT INVOLVED HERE,
294
00:13:15,360 --> 00:13:17,400
THIS IS ONLY
GONNA PROLONG THINGS.
295
00:13:26,060 --> 00:13:27,500
HI.
296
00:13:27,560 --> 00:13:28,760
HELLO.
297
00:13:28,820 --> 00:13:30,190
WALLY DORLAN,
JOHN CLARK.
298
00:13:30,260 --> 00:13:32,760
HE'S HELPING ME OUT
WITH SOMETHING.
299
00:13:32,820 --> 00:13:34,420
OKAY.
300
00:13:34,490 --> 00:13:37,190
'CAUSE YOU COULD TAKE MEAL NOW
IF YOU WANT TO.
301
00:13:37,260 --> 00:13:39,360
NO, I'M WORKING THROUGH.
THIS GUY, DEREK EMERY‐‐
302
00:13:39,420 --> 00:13:40,920
HIS NAME KEEPS COMING UP.
303
00:13:40,990 --> 00:13:42,220
OLD C. I.?
304
00:13:42,290 --> 00:13:44,220
IF HE IS,
HE'S NOT REGISTERED.
305
00:13:44,290 --> 00:13:45,890
HERE HE GOT POPPED
FOR SMACK POSSESSION,
306
00:13:45,960 --> 00:13:47,560
AND HATCHER
WAS HIS FIRST CALL.
307
00:13:47,620 --> 00:13:49,450
THEN OVER HERE
HE'S NAMED AS A WITNESS.
308
00:13:49,520 --> 00:13:51,320
THIS ON ONE
OF THE STIFFS?
SOMETHING ELSE.
309
00:13:51,390 --> 00:13:52,990
GOT A PLACE
TO LOOK FOR THIS GUY?
310
00:13:53,060 --> 00:13:55,300
THE HOME NUMBER
HE GAVE WHEN HE WAS COLLARED
311
00:13:55,360 --> 00:13:57,800
IS A POOL HALL
ON HOUSTON NEAR BROADWAY.
312
00:13:57,860 --> 00:13:59,030
MALONEY'S.
313
00:13:59,090 --> 00:14:00,450
YEAH.
314
00:14:00,520 --> 00:14:03,790
ALL RIGHT, YOU KNOW WHAT?
I'LL BE IN TOUCH.
315
00:14:03,860 --> 00:14:05,760
YEAH.
THANKS.
316
00:14:10,020 --> 00:14:11,820
WHAT IS IT, DORLAN?
317
00:14:11,890 --> 00:14:13,120
IT'S FROWNED ON‐‐
318
00:14:13,190 --> 00:14:15,190
WORKING CASES
NOT RELATED TO THE STIFFS.
319
00:14:15,260 --> 00:14:17,930
YEAH.
WELL, LET THEM FROWN.
320
00:14:17,990 --> 00:14:19,550
ROBBERY CASE?
321
00:14:19,620 --> 00:14:20,750
HOMICIDE.
322
00:14:20,820 --> 00:14:22,350
WITH A C.I. INVOLVED?
323
00:14:22,420 --> 00:14:24,450
MAYBE.
324
00:14:24,520 --> 00:14:26,420
MAYBE A DIRTY COP
INVOLVED.
325
00:14:26,490 --> 00:14:28,020
IN A HOMICIDE?
326
00:14:28,090 --> 00:14:29,950
MAYBE HIS WIFE.
GET OUT.
327
00:14:30,020 --> 00:14:31,450
HE GOT ME
TRANSFERRED DOWN HERE
328
00:14:31,520 --> 00:14:33,190
'CAUSE I WAS
LOOKING INTO IT.
329
00:14:33,260 --> 00:14:35,160
OKAY, NOW I KNOW
YOU'RE FULL OF IT,
330
00:14:35,220 --> 00:14:36,790
OR JUST PARANOID.
331
00:14:36,860 --> 00:14:39,100
AND IF YOU'RE RUNNING
YOUR SHOW FROM DOWN HERE,
332
00:14:39,160 --> 00:14:41,160
IT'S GONNA KICK UP A LOT OF DUST
ON BOTH OF US.
333
00:14:41,220 --> 00:14:43,550
DORLAN,
I GOT NOTHING TO LOSE,
334
00:14:43,620 --> 00:14:47,050
AND IF YOU REALLY SPENT
16 YEARS DOWN HERE IN THIS PIT,
335
00:14:47,120 --> 00:14:48,390
YOU DON'T, EITHER.
336
00:14:48,460 --> 00:14:50,160
THE MORGUE'S IMPORTANT WORK.
337
00:14:50,220 --> 00:14:52,150
IT AIN'T NAILING
A DIRTY COP.
338
00:14:52,220 --> 00:14:54,250
NOW, I GOT A LOT
TO PLOW THROUGH, SO, UH...
339
00:14:54,320 --> 00:14:57,120
YEAH, WELL, I GOT FILING.
340
00:14:57,190 --> 00:14:59,720
UNLESS, UH...
341
00:14:59,790 --> 00:15:01,750
NAH.
342
00:15:01,820 --> 00:15:03,250
WHAT, WALLY?
343
00:15:03,320 --> 00:15:04,950
WELL, I WOULDN'T MIND
344
00:15:05,020 --> 00:15:06,590
FAMILIARIZING MYSELF
WITH THE CASE,
345
00:15:06,660 --> 00:15:09,400
JUST TO KNOW WHAT'S GOING ON
IN MY OWN KITCHEN.
346
00:15:33,560 --> 00:15:34,760
DEREK EMERY?
347
00:15:34,820 --> 00:15:35,820
YEAH.
348
00:15:35,890 --> 00:15:37,750
DETECTIVE CLARK,
15th SQUAD.
349
00:15:37,820 --> 00:15:39,550
[ SIGHS ]
350
00:15:43,490 --> 00:15:45,590
REMEMBER STAN HATCHER?
HE'S A COP.
351
00:15:45,660 --> 00:15:47,060
YEAH.
352
00:15:47,120 --> 00:15:49,190
LET ME ASK YOU
ABOUT YOUR SITUATION WITH HIM.
353
00:15:49,260 --> 00:15:50,730
YOU'RE NOT HERE
TO BUST ME?
354
00:15:50,790 --> 00:15:53,620
NO, I NEED YOUR HELP.
355
00:15:53,690 --> 00:15:55,150
[ Chuckling ] DAMN!
356
00:15:55,220 --> 00:15:57,090
I THOUGHT YOU WERE FIXING
TO BRING ME IN.
357
00:15:57,160 --> 00:15:58,600
YOU RUNNING
FROM SOMETHING?
358
00:15:58,660 --> 00:16:00,560
NO, BUT YOU NEVER KNOW
WITH YOU GUYS.
359
00:16:00,620 --> 00:16:01,690
DAMN!
360
00:16:01,760 --> 00:16:04,130
STAN HATCHER‐‐
WHAT WAS YOUR DEAL WITH HIM?
361
00:16:04,190 --> 00:16:06,020
WHAT, HATCHER DO
SOMETHING WRONG?
362
00:16:06,090 --> 00:16:07,250
MAYBE.
363
00:16:07,320 --> 00:16:08,950
SEE, I KNEW IT.
I KNEW IT!
364
00:16:09,020 --> 00:16:10,320
KNEW WHAT?
365
00:16:10,390 --> 00:16:12,390
THAT ONE DAY THAT FOOL
WAS GONNA END UP DEAD
366
00:16:12,460 --> 00:16:14,160
OR ARRESTED BY INTERNAL
WHATEVER THE HELL IT'S CALLED.
367
00:16:14,220 --> 00:16:15,950
HEY, CHASE, REMEMBER
THAT DETECTIVE HATCHER‐‐
368
00:16:16,020 --> 00:16:17,490
HEY, HEY!
369
00:16:17,560 --> 00:16:20,060
WHY DON'T YOU TELL ME
ABOUT YOU AND HATCHER?
370
00:16:23,890 --> 00:16:26,390
[ SIGHS ]
371
00:16:26,460 --> 00:16:28,330
LOOK, HE BUSTED ME
A COUPLE TIMES
372
00:16:28,390 --> 00:16:30,450
BACK WHEN I WAS STILL
MIXED UP IN THAT GANG.
373
00:16:30,520 --> 00:16:33,190
SO OFF THAT, HE KEPT TRYING
TO TURN ME OUT AS HIS INFORMANT,
374
00:16:33,260 --> 00:16:34,830
WHICH I WASN'T
DOWN WITH HIM,
375
00:16:34,890 --> 00:16:37,850
BUT SO AS NOT TO PISS HIM OFF,
I GAVE HIM SOME LAME INFO.
376
00:16:37,920 --> 00:16:39,520
HE GIVES ME
SOME LAME PROMISES.
377
00:16:39,590 --> 00:16:42,290
WE DID THAT LITTLE DANCE.
DIDN'T GO NOWHERE.
378
00:16:42,360 --> 00:16:44,200
WHO WAS HATCHER
RUNNING WITH BACK THEN?
379
00:16:44,260 --> 00:16:46,400
TALKING ABOUT RIGHT AROUND
WHEN HIS WIFE WAS KILLED.
380
00:16:46,460 --> 00:16:48,160
IS THAT WHAT YOU'RE
LOOKING INTO?
381
00:16:48,220 --> 00:16:49,750
HOW HATCHER'S
WIFE DIED?
382
00:16:49,820 --> 00:16:51,190
MAYBE.
383
00:16:51,260 --> 00:16:53,300
AND YOU'RE NOT THINKING
IT WAS GANG RELATED?
384
00:16:53,360 --> 00:16:57,230
HOW ABOUT YOU QUIT
ASKING QUESTIONS, DEREK?
385
00:16:57,290 --> 00:16:59,150
WELL, THERE WAS
THIS WHITE DUDE,
386
00:16:59,220 --> 00:17:01,920
MID‐LEVEL DEALER,
LIVED IN HELL'S KITCHEN.
387
00:17:01,990 --> 00:17:04,920
HE GOT ARRESTED A WHOLE LOT,
BUT HE NEVER DID NO TIME.
388
00:17:04,990 --> 00:17:06,720
WORD WAS HATCHER
PROTECTED HIM.
389
00:17:06,790 --> 00:17:08,290
WHAT WAS HIS NAME?
390
00:17:08,360 --> 00:17:09,430
"PIG."
391
00:17:09,490 --> 00:17:11,520
BUT I'M PRETTY SURE
THAT'S A NICKNAME.
392
00:17:11,590 --> 00:17:13,650
YOU THINK?
393
00:17:16,460 --> 00:17:19,130
HEY, KEEP YOUR MOUTH
SHUT ABOUT THIS.
394
00:17:19,190 --> 00:17:21,720
I'M NOT TRYING TO GET MIXED UP
WITH HATCHER AGAIN.
395
00:17:21,790 --> 00:17:23,690
CAT'S CRAZY.
396
00:17:29,290 --> 00:17:31,250
THANK YOU VERY MUCH.
397
00:17:31,320 --> 00:17:33,020
LOOKING
FOR SCOTT CALLUM.
398
00:17:33,090 --> 00:17:34,090
SCOTT.
399
00:17:34,160 --> 00:17:35,400
Callum: YEAH?
400
00:17:35,460 --> 00:17:37,400
UP FRONT.
401
00:17:38,790 --> 00:17:40,250
WHAT'S THE PROBLEM?
402
00:17:40,320 --> 00:17:42,050
I NEED TO TALK TO YOU
ABOUT STAN HATCHER.
403
00:17:42,120 --> 00:17:43,450
HAVEN'T SEEN HIM.
404
00:17:43,520 --> 00:17:45,220
I'M TALKING ABOUT
EIGHT YEARS AGO,
405
00:17:45,290 --> 00:17:48,990
BACK WHEN YOU WERE GOING
BY THE NICKNAME "PIG."
406
00:17:49,060 --> 00:17:50,700
COMING BACK TO YOU NOW?
407
00:17:50,760 --> 00:17:52,060
WHAT DO YOU WANT?
408
00:17:52,120 --> 00:17:53,750
HATCHER'S WIFE
DIED FROM A CAR BOMB.
409
00:17:53,820 --> 00:17:55,720
I WANT TO KNOW
WHO PLANTED IT.
410
00:17:55,790 --> 00:17:58,420
IT WAS A RETALIATION HIT FROM
A GANG HE WAS INVESTIGATING.
411
00:17:58,490 --> 00:18:00,450
WE'RE LOOKING AT IT
FROM A DIFFERENT ANGLE NOW,
412
00:18:00,520 --> 00:18:03,150
LIKE THAT HATCHER
WAS BEHIND IT.
413
00:18:03,220 --> 00:18:05,850
YEAH, WELL,
THAT'S AN INTERESTING THEORY.
414
00:18:05,920 --> 00:18:08,550
I KNOW YOU WERE IN HATCHER'S
HIP POCKET BACK THEN,
415
00:18:08,620 --> 00:18:10,790
SO YOU ARE GONNA POINT ME
IN THE RIGHT DIRECTION,
416
00:18:10,860 --> 00:18:12,800
AND I'LL LEAVE YOU ALONE.
HATCHER STILL A COP?
417
00:18:12,860 --> 00:18:13,830
YEAH.
418
00:18:16,290 --> 00:18:18,320
I DON'T KNOW ANYTHING
ABOUT HIM OR THE BOMB.
419
00:18:18,390 --> 00:18:20,450
SORRY.
I GOTTA GET BACK TO WORK.
420
00:18:20,520 --> 00:18:23,420
I GUESS SCOTT WANTS ME
TO HAVE ABOUT EIGHT RADIO CARS
421
00:18:23,490 --> 00:18:26,790
COME DOWN HERE
IN ABOUT 30 SECONDS.
422
00:18:26,860 --> 00:18:28,200
WHAT THE HELL, MAN?
423
00:18:28,260 --> 00:18:29,860
I WANT A NAME.
424
00:18:29,920 --> 00:18:31,320
LOOK, I DID MY TIME.
425
00:18:31,390 --> 00:18:33,220
SAVE ALL THAT FOR YOUR MOM.
YOU GIVE ME A NAME,
426
00:18:33,290 --> 00:18:35,850
OR YOUR LIFE IS GONNA START
GOING BACKWARDS IN A HURRY,
427
00:18:35,920 --> 00:18:37,420
STARTING WITH ME
PUTTING THE WORD OUT
428
00:18:37,490 --> 00:18:40,750
THAT YOU WERE A SNITCH
BACK THEN!
429
00:18:40,820 --> 00:18:42,720
EMILIO JUAREZ.
430
00:18:42,790 --> 00:18:45,890
AS FAR AS INFORMANTS GO,
HE'S HATCHER'S BOTTOM BITCH.
431
00:18:45,960 --> 00:18:47,330
NOW, YOU LISTEN TO ME.
432
00:18:47,390 --> 00:18:49,120
I DON'T WANT YOU
CALLING HATCHER.
433
00:18:49,190 --> 00:18:51,590
I DON'T WANT YOU
TAKING CALLS FROM HIM.
434
00:18:58,920 --> 00:19:00,490
HAVE A SEAT.
435
00:19:01,860 --> 00:19:04,030
MR. WELKOS,
ARE YOU A CLIENT
436
00:19:04,090 --> 00:19:07,350
OF A DOMINATRIX
NAMED MOLLY ZIFFREN?
437
00:19:07,420 --> 00:19:08,320
I WAS.
438
00:19:08,390 --> 00:19:10,050
HAVE YOU BEEN
SENDING HER E‐MAILS
439
00:19:10,120 --> 00:19:11,950
OVER THE PAST
WEEK AND A HALF?
440
00:19:12,020 --> 00:19:13,520
I DON'T MEAN TO BE RUDE,
441
00:19:13,590 --> 00:19:15,850
BUT WOULD YOU MIND TELLING ME
WHAT THIS IS ABOUT?
442
00:19:15,920 --> 00:19:18,190
"I FEEL HORRENDOUSLY
USED BY YOU.
443
00:19:18,260 --> 00:19:20,400
I THOUGHT YOU WERE ABOVE
THIS KIND OF TREACHERY."
444
00:19:20,460 --> 00:19:23,600
OKAY, YES,
I WROTE THOSE E‐MAILS.
445
00:19:23,660 --> 00:19:27,230
WHAT MADE YOU SO UPSET?
446
00:19:27,290 --> 00:19:28,820
A MISUNDERSTANDING,
WHICH I GOT OVER.
447
00:19:28,890 --> 00:19:31,290
SOUNDS LIKE YOU'RE DANCING
AROUND THIS, MR. WELKOS.
448
00:19:31,360 --> 00:19:33,130
SHE BILLED ME FOR A DATE.
449
00:19:33,190 --> 00:19:35,020
IF YOU'RE A CLIENT,
WHAT'S SO UNUSUAL?
450
00:19:35,090 --> 00:19:37,450
THIS WAS A "DATE" DATE.
451
00:19:37,520 --> 00:19:40,220
I THOUGHT WE WERE GOING TO START
SEEING EACH OTHER SOCIALLY.
452
00:19:40,290 --> 00:19:41,920
APPARENTLY, I WAS WRONG.
453
00:19:41,990 --> 00:19:43,490
TO THE TUNE OF?
454
00:19:43,560 --> 00:19:46,230
SHE BILLED ME $500
FOR SERVICES RENDERED.
455
00:19:46,290 --> 00:19:47,520
AND THAT'S WHAT
PROMPTED THE E‐MAILS?
456
00:19:47,590 --> 00:19:49,420
IS SHE CALLING THEM
HARASSMENT,
457
00:19:49,490 --> 00:19:52,490
BECAUSE I QUIT WRITING HER
THREE DAYS AGO.
458
00:19:52,560 --> 00:19:55,360
WHERE WERE YOU THIS MORNING
AROUND 6:00 A. M.?
459
00:19:55,420 --> 00:19:57,290
WALKING MY DOG‐‐
THE DOG PARK.
460
00:19:57,360 --> 00:19:59,830
ANYONE SEE YOU
IN THE DOG PARK?
461
00:19:59,890 --> 00:20:01,320
ALL THIS OVER SOME E‐MAILS?
462
00:20:01,390 --> 00:20:04,650
MOLLY ZIFFREN GOT ASSAULTED,
MR. WELKOS.
463
00:20:04,720 --> 00:20:06,450
YOU THINK I ASSAULTED HER?!
464
00:20:06,520 --> 00:20:08,790
SOUNDS LIKE YOU HAD A REASON.
465
00:20:08,860 --> 00:20:11,560
NO, NO WAY.
I WORSHIPPED HER.
466
00:20:11,620 --> 00:20:14,150
BUT WHEN YOU FELL IN LOVE,
SHE WANTED TO KEEP IT BUSINESS.
467
00:20:14,220 --> 00:20:15,820
NOW, THAT'S GOTTA STING.
468
00:20:15,890 --> 00:20:17,590
IT DID,
BUT I GOT OVER IT.
469
00:20:17,660 --> 00:20:18,960
TALK TO MOLLY,
470
00:20:19,020 --> 00:20:20,520
ASK HER IF I'M CAPABLE
OF VIOLENCE.
471
00:20:20,590 --> 00:20:22,350
SHE WAS MURDERED,
MR. WELKOS.
472
00:20:22,420 --> 00:20:24,150
NOW, TELL US WHAT HAPPENED
473
00:20:24,220 --> 00:20:25,820
SO WE CAN WORK
ON YOUR EXPLANATION,
474
00:20:25,890 --> 00:20:29,490
OR WRITE DOWN WHO SAW YOU
IN THE DOG PARK THIS MORNING.
475
00:20:38,190 --> 00:20:39,790
DETECTIVE SIPOWICZ,
15th SQUAD.
476
00:20:39,860 --> 00:20:41,230
EMILIO JUAREZ.
477
00:20:41,290 --> 00:20:44,150
THANK YOU FOR COMING TO SEE ME.
THANK YOU.
478
00:20:44,220 --> 00:20:46,990
SO I WANTED TO TALK TO YOU
ABOUT STAN HATCHER.
479
00:20:47,060 --> 00:20:49,260
YOU'RE NOT HERE
ABOUT MY CASE?
480
00:20:49,320 --> 00:20:50,250
NO.
481
00:20:50,320 --> 00:20:52,350
THEY TOLD ME
YOU WERE NYPD.
482
00:20:52,420 --> 00:20:56,190
I'M HERE TO ASK YOU SOME
QUESTIONS ABOUT STAN HATCHER.
483
00:20:56,260 --> 00:20:58,200
ALL RIGHT, I'LL HELP YOU
IF YOU HELP ME.
484
00:20:58,260 --> 00:20:59,500
WHAT ARE YOU IN FOR,
EMILIO?
485
00:20:59,560 --> 00:21:01,160
INSURANCE FRAUD
AND IDENTITY THEFT,
486
00:21:01,220 --> 00:21:03,150
NEITHER NOR WHICH
I WAS PARTY TO.
487
00:21:03,220 --> 00:21:04,990
BUT AN ILLEGAL SEARCH
OF MY APARTMENT,
488
00:21:05,060 --> 00:21:06,500
AND THEY FIND
50 FAKE I. D.'s
489
00:21:06,560 --> 00:21:09,160
AND LETTERHEAD
FROM A FICTIONAL DOCTOR.
490
00:21:09,220 --> 00:21:11,350
OKAY, THAT PART IS TRUE.
I'LL ADMIT IT,
491
00:21:11,420 --> 00:21:14,050
BUT I DEFY ANYONE TO PROVE
BEYOND A REASONABLE DOUBT
492
00:21:14,120 --> 00:21:15,650
THAT THOSE WERE MINE.
493
00:21:15,720 --> 00:21:18,090
BUT MY ATTORNEY ADVISES ME
TO PLEAD "NO CONTEST,"
494
00:21:18,160 --> 00:21:19,900
SINCE I'D ONLY GET
A COUPLE OF MONTHS.
495
00:21:19,960 --> 00:21:21,460
I END UP
WITH A 3‐YEAR BIT,
496
00:21:21,520 --> 00:21:24,120
AND I CAN'T GET ANOTHER LAWYER
TO RE‐EXAMINE MY CASE.
497
00:21:24,190 --> 00:21:26,290
I WILL LOOK INTO IT,
BUT LATER, NOT NOW.
498
00:21:26,360 --> 00:21:28,230
NOW OR I AIN'T
HELPING YOU.
499
00:21:28,290 --> 00:21:30,750
LATER, OR I CALL
MY FRIEND IN THE FBI,
500
00:21:30,820 --> 00:21:33,220
WHO WILL TURN THIS OVER
TO THE U. S. ATTORNEY'S OFFICE,
501
00:21:33,290 --> 00:21:34,990
AND HE'LL ADD ON
FEDERAL CHARGES.
502
00:21:35,060 --> 00:21:36,900
DO YOU WANT THAT?
503
00:21:36,960 --> 00:21:38,100
NO.
504
00:21:38,160 --> 00:21:40,400
STAN HATCHER‐‐
EIGHT YEARS AGO,
505
00:21:40,460 --> 00:21:42,300
HIS WIFE WAS KILLED
BY A CAR BOMB.
506
00:21:42,360 --> 00:21:45,130
WE'RE LOOKING INTO
THE POSSIBILITY HE WAS INVOLVED.
507
00:21:45,190 --> 00:21:47,550
WHOA!
SERIOUSLY?
508
00:21:47,620 --> 00:21:49,150
YEAH.
509
00:21:49,220 --> 00:21:51,750
I ALWAYS WONDERED
IF HATCHER WAS BEHIND THAT.
510
00:21:51,820 --> 00:21:53,420
WHAT DO YOU KNOW ABOUT IT?
511
00:21:53,490 --> 00:21:55,650
I'LL TELL YOU THIS‐‐
TWO DAYS AFTER IT HAPPENED,
512
00:21:55,720 --> 00:21:57,620
I SEE THIS GUY
NAMED FRANKIE LAWRENCE.
513
00:21:57,690 --> 00:21:59,590
FRANKIE'S ANOTHER ONE
OF HATCHER'S BOYS.
514
00:21:59,660 --> 00:22:01,560
FRANKIE WANTS TO BUY
SOME DOPE OFF ME,
515
00:22:01,620 --> 00:22:04,250
WHICH I MAY OR MAY NOT
HAVE SOLD TO HIM.
516
00:22:04,320 --> 00:22:05,820
BUT TO PAY FOR IT,
517
00:22:05,890 --> 00:22:08,390
HE PULLED OUT THIS WAD OF CASH
THAT WOULD CHOKE A HIPPO.
518
00:22:08,460 --> 00:22:10,800
THIS IS A GUY WHO NEVER HAD
MORE THAN 20 BUCKS.
519
00:22:10,860 --> 00:22:12,260
YOU ASK HIM
WHERE HE GOT IT?
520
00:22:12,320 --> 00:22:15,050
YEAH‐‐ HE JUST SMILE AND SAY
HATCHER BEEN GOOD TO HIM.
521
00:22:15,120 --> 00:22:17,120
ON THE GATE!
522
00:22:17,190 --> 00:22:19,090
YOU'RE GONNA LOOK INTO THIS
FOR ME, AREN'T YOU?
523
00:22:19,160 --> 00:22:21,230
I WILL TAKE CARE OF YOU,
ONE WAY OR THE OTHER.
524
00:22:21,290 --> 00:22:22,850
MINIMUM SECURITY,
525
00:22:22,920 --> 00:22:24,590
WORKING IN THE LIBRARY,
SOMETHING!
526
00:22:36,620 --> 00:22:38,290
EXCUSE ME, MA'AM?
527
00:22:38,360 --> 00:22:39,160
YES?
528
00:22:39,220 --> 00:22:40,490
I'M DETECTIVE SIPOWICZ.
529
00:22:40,560 --> 00:22:42,260
I'M LOOKING
FOR FRANKIE LAWRENCE.
530
00:22:42,320 --> 00:22:43,850
ARE YOU HIS MOTHER?
531
00:22:43,920 --> 00:22:45,150
YES.
532
00:22:45,220 --> 00:22:47,250
I'M NOT TRYING
TO GET FRANKIE IN TROUBLE.
533
00:22:47,320 --> 00:22:48,850
I JUST NEED TO TALK TO HIM.
534
00:22:48,920 --> 00:22:50,490
NOT TRYING TO GET HIM
IN TROUBLE?
535
00:22:50,560 --> 00:22:51,700
THAT'S RIGHT.
536
00:22:51,760 --> 00:22:54,160
BECAUSE ALL YOU COPS
CARE ABOUT HIM SO MUCH.
537
00:22:54,220 --> 00:22:56,090
I MEAN,
YOU'RE HIS BEST FRIEND.
538
00:22:56,160 --> 00:22:58,460
YOU'D NEVER
SCREW HIM OVER.
539
00:22:58,520 --> 00:23:00,650
HE'S GOT YOUR WORD,
RIGHT?
540
00:23:00,720 --> 00:23:02,190
I NEED TO TALK TO YOUR SON.
541
00:23:02,260 --> 00:23:04,730
HE'S DEAD,
YOU SON OF A BITCH.
542
00:23:04,790 --> 00:23:08,150
HE'S IN A PLACE WHERE
YOU CAN'T HARASS HIM ANYMORE.
543
00:23:08,220 --> 00:23:09,890
HOW DID HE DIE?
544
00:23:09,960 --> 00:23:11,800
WHAT DO YOU CARE?
545
00:23:11,860 --> 00:23:13,300
I'M INVESTIGATING A COP
546
00:23:13,360 --> 00:23:15,000
WHO MAY HAVE BEEN
ONE OF THE GUYS
547
00:23:15,060 --> 00:23:16,930
WHO WAS HARASSING YOUR SON.
548
00:23:16,990 --> 00:23:18,620
HE DIED THREE MONTHS AGO.
549
00:23:18,690 --> 00:23:19,790
HOW?
550
00:23:19,860 --> 00:23:21,160
THE DRUGS.
551
00:23:21,220 --> 00:23:23,620
I KNOW THIS IS A VERY
DIFFICULT TIME FOR YOU,
552
00:23:23,690 --> 00:23:27,520
BUT DID FRANKIE EVER MENTION
A COP NAMED STAN HATCHER?
553
00:23:27,590 --> 00:23:29,290
[ Crying ] NO!
554
00:23:29,360 --> 00:23:31,700
IT'S REALLY IMPORTANT
THAT WE TRY TO‐‐
555
00:23:43,720 --> 00:23:45,120
PARDON ME, BOSS,
556
00:23:45,190 --> 00:23:46,890
BUT I JUST DON'T
UNDERSTAND THE LOGIC
557
00:23:46,960 --> 00:23:50,030
OF SENDING A FIRST‐GRADE
DETECTIVE TO WORK IN THE MORGUE.
558
00:23:50,090 --> 00:23:51,550
THEY DIDN'T GIVE ME
A CHOICE, MEDAVOY.
559
00:23:51,620 --> 00:23:54,420
IT'S A DUMPING GROUND
FOR DEAD WOOD.
560
00:23:54,490 --> 00:23:56,220
WERE YOU GUYS
NOT WORKING A CASE?
561
00:23:56,290 --> 00:23:58,520
YEAH, THERE'S NO RECORD
OR WARRANT FOR PAULETTE VOZE,
562
00:23:58,590 --> 00:24:00,620
THE DOMINATRIX OUR D.O.A.
USED TO WORK FOR,
563
00:24:00,690 --> 00:24:03,320
OR FOR HER LAWYER/SLAVE
BERNARD WESTLEY.
564
00:24:03,390 --> 00:24:06,220
HOW ABOUT THIS YAHOO WELKOS,
THE ONE WALKING HIS DOG?
565
00:24:06,290 --> 00:24:08,020
WE'RE STILL RUNNING
THE NAMES HE GAVE US.
566
00:24:08,090 --> 00:24:09,550
ALL ANSWERING MACHINES.
567
00:24:09,620 --> 00:24:12,320
Medavoy: A GUY CAN TOLERATE
SIX MONTHS IN THE MORGUE
568
00:24:12,390 --> 00:24:14,790
BEFORE THE FORMALDEHYDE STINK
ROTS YOUR BRAIN OUT.
569
00:24:14,860 --> 00:24:16,960
ORTIZ, ANY PROGRESS?
570
00:24:17,020 --> 00:24:18,720
WELKOS GOT A TICKET
FOR ALTERNATE SIDE
571
00:24:18,790 --> 00:24:21,220
A BLOCK AWAY FROM THE D. O. A.'s
APARTMENT BUILDING
572
00:24:21,290 --> 00:24:23,220
EARLY THIS MORNING.
WHERE'S WELKOS NOW?
573
00:24:23,290 --> 00:24:25,050
WE LET HIM GO TO WORK.
574
00:24:25,120 --> 00:24:26,590
YEAH,
WE'LL GET HIM BACK IN.
575
00:24:28,120 --> 00:24:29,650
BOSS, I GOT AN INTERVIEW
576
00:24:29,720 --> 00:24:31,590
ON THAT GAS‐STATION
ROBBERY LAST WEEK.
577
00:24:31,660 --> 00:24:32,760
TAKE A RADIO.
578
00:24:34,960 --> 00:24:36,600
CLARK?
579
00:24:36,660 --> 00:24:38,560
TWO SECONDS.
580
00:24:43,320 --> 00:24:45,920
I JUST GOT A CALL
FROM AN OLD INFORMANT OF MINE.
581
00:24:45,990 --> 00:24:48,820
HE TOLD ME SIPOWICZ CAME BY
HIS WORK ASKING ABOUT ME,
582
00:24:48,890 --> 00:24:50,320
ASKING ABOUT
THE CIRCUMSTANCES
583
00:24:50,390 --> 00:24:52,150
UNDER WHICH
MY WIFE WAS KILLED.
584
00:24:52,220 --> 00:24:54,350
YOU KNOW ABOUT THIS?
FIRST I'VE HEARD.
585
00:24:54,420 --> 00:24:56,420
IT'S BAD ENOUGH HE'S STEPPING
ON MY WIFE'S MEMORY,
586
00:24:56,490 --> 00:24:58,390
BUT TO TRY AND IMPLICATE ME?
587
00:24:58,460 --> 00:25:00,900
I'VE NEVER BEEN
SO PISSED IN MY LIFE!
588
00:25:00,960 --> 00:25:02,860
HE'S LASHING OUT 'CAUSE HE
THINKS YOU GOT HIM TRANSFERRED.
589
00:25:02,920 --> 00:25:05,690
I DID GET HIM TRANSFERRED.
YOU TELL HIM THAT.
590
00:25:05,760 --> 00:25:07,160
I'LL PASS IT ALONG.
591
00:25:07,220 --> 00:25:08,820
AND YOU ALSO TELL HIM
THAT IF HE THINKS
592
00:25:08,890 --> 00:25:11,250
WORKING LATE TOURS AT THE MORGUE
IS AS LOW AS HE CAN GO,
593
00:25:11,320 --> 00:25:12,650
HE'S GOT ANOTHER
THING COMING.
594
00:25:12,720 --> 00:25:15,050
HEY, STAN, RELAX.
HE'LL GET USED TO WORKING THERE.
595
00:25:15,120 --> 00:25:16,220
EVERYTHING WILL BE FINE.
596
00:25:16,290 --> 00:25:18,050
HE STOPS
WITH THOSE RUMORS TODAY.
597
00:25:18,120 --> 00:25:19,750
YOU TELL HIM THAT.
598
00:25:19,820 --> 00:25:21,650
ALL RIGHT.
599
00:25:24,790 --> 00:25:26,350
I NEED TO KNOW RIGHT NOW,
600
00:25:26,420 --> 00:25:29,250
IF THINGS GET HOT AROUND HERE,
WHO YOU BACKING UP?
601
00:25:31,290 --> 00:25:33,520
I'M WITH YOU, MAN.
602
00:25:37,490 --> 00:25:39,220
[ SIGHS ]
603
00:25:44,660 --> 00:25:46,400
UH‐HUH.
604
00:25:46,460 --> 00:25:48,530
YEAH.
NO, THAT'S GOOD.
605
00:25:48,590 --> 00:25:49,720
HATCHER'S HIP.
606
00:25:49,790 --> 00:25:51,850
ONE OF THE GUYS MUST HAVE
DROPPED THE DIME.
607
00:25:51,920 --> 00:25:53,320
HATCHER GET IN YOUR FACE?
608
00:25:53,390 --> 00:25:55,850
YEAH, TO CONFIRM
MY LOYALTY TO HIM.
609
00:25:55,920 --> 00:25:58,020
WON'T LAST‐‐
HE'S GONNA FIND OUT.
610
00:25:58,090 --> 00:25:59,020
ON THE PHONE!
611
00:25:59,090 --> 00:26:00,520
YOU GOT HIM
GOOD AND SCARED,
612
00:26:00,590 --> 00:26:02,450
BUT HE'S THROWING OUT
A LOT OF THREATS.
613
00:26:02,520 --> 00:26:05,420
IF HE GETS CLOSE TO YOU,
YOU'RE BACKING OFF.
614
00:26:05,490 --> 00:26:06,750
HELL, NO!
615
00:26:06,820 --> 00:26:08,750
THERE'S PLENTY OF OPEN DESKS
DOWN HERE, JOHN.
616
00:26:08,820 --> 00:26:10,450
I DON'T CARE.
617
00:26:10,520 --> 00:26:11,920
I APPRECIATE IT.
618
00:26:11,990 --> 00:26:13,490
HEY, WAS IT NOT OBVIOUS
619
00:26:13,560 --> 00:26:15,560
THAT I'M TRYING TO HAVE
A CONVERSATION?
620
00:26:15,620 --> 00:26:16,950
DID YOU GET SOMETHING?
621
00:26:17,020 --> 00:26:18,490
I'VE BEEN CLAWING
THROUGH BACKGROUND
622
00:26:18,560 --> 00:26:20,230
ON YOUR O. D.,
FRANKIE LAWRENCE.
623
00:26:20,290 --> 00:26:21,750
TURNS OUT HE CONTACTED
624
00:26:21,820 --> 00:26:24,450
A TOTAL OF 8 DIFFERENT PEOPLE
ON 17 ARRESTS.
625
00:26:24,520 --> 00:26:27,320
SO I RAN THOSE NAMES PAST
A BUDDY OF MINE AT THE FBI.
626
00:26:27,390 --> 00:26:29,650
TURNS OUT THAT ONE OF THE GUYS
LAWRENCE CALLED
627
00:26:29,720 --> 00:26:31,790
HAS MILITARY EXPERIENCE.
628
00:26:31,860 --> 00:26:33,130
AS WHAT?
629
00:26:33,190 --> 00:26:35,250
ORDINANCE EXPERT
IN AN ARMORED BATTALION.
630
00:26:35,320 --> 00:26:37,020
HE CLEARED LAND MINES.
631
00:26:37,090 --> 00:26:38,190
BOMB GUY.
632
00:26:38,260 --> 00:26:42,130
YEAH, JERRY TOBACK.
LIVES ON RIDGE STREET.
633
00:26:42,190 --> 00:26:44,290
GOOD WORK, DORLAN.
634
00:26:53,520 --> 00:26:54,950
JERRY TOBACK?
635
00:26:55,020 --> 00:26:56,250
YEAH.
636
00:26:56,320 --> 00:26:58,820
SIPOWICZ AND CLARK,
15th SQUAD.
637
00:26:58,890 --> 00:27:00,750
WHAT'S GOING ON?
638
00:27:00,820 --> 00:27:03,750
WE NEED TO TALK TO YOU
ABOUT FRANKIE LAWRENCE.
639
00:27:03,820 --> 00:27:05,190
OKAY.
640
00:27:05,260 --> 00:27:06,700
YOU WERE FRIENDS, RIGHT?
641
00:27:06,760 --> 00:27:09,200
WERE, YEAH,
BUT NOT FOR THREE, FOUR YEARS.
642
00:27:09,260 --> 00:27:10,760
YOU TWO
HAVE A FALLING OUT?
643
00:27:10,820 --> 00:27:11,750
YEAH.
644
00:27:11,820 --> 00:27:12,950
OVER...?
645
00:27:13,020 --> 00:27:14,290
HE MADE A MOVE
ON A GIRL OF MINE.
646
00:27:14,360 --> 00:27:16,400
TOLD HER A BUNCH
OF BAD THINGS ABOUT ME
647
00:27:16,460 --> 00:27:18,200
SO HE COULD
GET INTO HER PANTS.
648
00:27:18,260 --> 00:27:20,130
THAT WAS IT.
I HAVEN'T SEEN HIM SINCE.
649
00:27:20,190 --> 00:27:21,750
BUT EIGHT YEARS AGO,
YOU TWO WERE TIGHT?
650
00:27:21,820 --> 00:27:23,190
THAT'S RIGHT.
651
00:27:23,260 --> 00:27:25,860
WHEN FRANKIE WAS WORKING
WITH A COP NAMED STAN HATCHER.
652
00:27:25,920 --> 00:27:27,350
YEAH.
653
00:27:27,420 --> 00:27:30,950
BACK WHEN HATCHER'S WIFE
WAS KILLED WITH A CAR BOMB.
654
00:27:31,020 --> 00:27:33,390
WHAT ARE YOU GUYS
DOING HERE AGAIN?
655
00:27:33,460 --> 00:27:36,530
LOOKING TO FIND OUT IF FRANKIE
HELPED WITH THAT BOMB.
656
00:27:36,590 --> 00:27:39,190
THAT'S SOMETHING YOU SHOULD
BE ASKING FRANKIE.
657
00:27:39,260 --> 00:27:41,030
WE WOULD IF HE WAS
STILL ALIVE.
658
00:27:41,090 --> 00:27:43,490
FRANKIE O. D.'d
THREE MONTHS AGO.
659
00:27:43,560 --> 00:27:46,660
COPS HAVE BEEN
INVESTIGATING THAT CAR BOMB
660
00:27:46,720 --> 00:27:48,890
AS A RETALIATION
FROM ONE OF THE GANGS,
661
00:27:48,960 --> 00:27:50,430
BUT NOW THAT WE KNOW
662
00:27:50,490 --> 00:27:52,850
THAT HATCHER AND HIS WIFE
WERE HAVING PROBLEMS,
663
00:27:52,920 --> 00:27:54,450
WE'RE LOOKING
AT IT DIFFERENT.
664
00:27:54,520 --> 00:27:57,450
WHICH IS WHY YOUR MILITARY
BACKGROUND GOT RED‐FLAGGED,
665
00:27:57,520 --> 00:28:00,650
IN PARTICULAR,
YOUR TRAINING IN EXPLOSIVES.
666
00:28:00,720 --> 00:28:03,720
I WANT CONFIRMATION
THAT FRANKIE'S DEAD.
667
00:28:03,790 --> 00:28:06,920
CALL HIS MOM‐‐
CARLA LAWRENCE, STATEN ISLAND.
668
00:28:06,990 --> 00:28:08,950
SHE'S LISTED.
GO AHEAD.
669
00:28:09,020 --> 00:28:10,850
NOW'S THE TIME, JERRY.
FRANKIE'S GONE.
670
00:28:10,920 --> 00:28:12,490
YOU'RE NOT GONNA BE
JAMMING HIM UP.
671
00:28:12,560 --> 00:28:14,230
AND DO YOU REALLY
WANT TO SIT BACK
672
00:28:14,290 --> 00:28:16,020
KNOWING THAT A COP GOT AWAY
WITH KILLING HIS WIFE?
673
00:28:16,090 --> 00:28:18,050
ADMITTING
TO SOMETHING LIKE,
674
00:28:18,120 --> 00:28:20,390
OH, I DON'T KNOW,
THAT I BUILT A BOMB
675
00:28:20,460 --> 00:28:22,700
FOR FRANKIE LAWRENCE
EIGHT YEARS AGO‐‐
676
00:28:22,760 --> 00:28:26,530
THAT WOULDN'T EXACTLY
BE GOOD FOR ME CAREER‐WISE,
677
00:28:26,590 --> 00:28:28,150
ESPECIALLY NOW
THAT I'M TRYING
678
00:28:28,220 --> 00:28:30,490
TO GET BACK VISITATION
WITH MY SON.
679
00:28:30,560 --> 00:28:32,160
IF THIS WAS A REGULAR
INVESTIGATION,
680
00:28:32,220 --> 00:28:34,150
THERE'S NOT MUCH
I COULD PROMISE YOU.
681
00:28:34,220 --> 00:28:37,090
BUT I'M IN A JACKPOT HERE
BECAUSE OF STAN HATCHER.
682
00:28:37,160 --> 00:28:39,060
MY CAREER IS ON THE LINE.
683
00:28:39,120 --> 00:28:41,190
SO YOU BELIEVE ME
WHEN I TELL YOU
684
00:28:41,260 --> 00:28:43,700
I WILL HELP YOU GET
YOUR VISITATION BACK,
685
00:28:43,760 --> 00:28:45,200
AND YOU WILL NOT DO A DAY
686
00:28:45,260 --> 00:28:48,160
FOR MAKING THAT BOMB
EIGHT YEARS AGO.
687
00:28:50,490 --> 00:28:52,890
I KNEW THIS WOULD
GO DOWN ONE DAY.
688
00:28:52,960 --> 00:28:55,130
WILL YOU HELP ME?
689
00:28:55,190 --> 00:28:57,250
YEAH.
WHAT THE HELL?
690
00:29:02,290 --> 00:29:04,490
HOW DO YOU KNOW
FRANKIE LAWRENCE?
691
00:29:04,560 --> 00:29:07,000
WE WERE FRIENDS‐‐
ROOMMATES FOR A WHILE.
692
00:29:07,060 --> 00:29:09,030
DID THE NAME STAN HATCHER
EVER COME UP?
693
00:29:09,090 --> 00:29:10,520
YEAH, FRANKIE TOLD ME
694
00:29:10,590 --> 00:29:13,620
HE BASICALLY WORKED FOR HATCHER
AS AN INFORMANT.
695
00:29:13,690 --> 00:29:15,050
DID FRANKIE COME TO YOU
696
00:29:15,120 --> 00:29:17,620
WITH A REQUEST
FOR AN EXPLOSIVES DEVICE?
697
00:29:17,690 --> 00:29:19,220
YEAH, A CAR BOMB.
698
00:29:19,290 --> 00:29:21,120
DID YOU MAKE IT FOR HIM?
699
00:29:21,190 --> 00:29:23,350
YEAH,
A PLASTIC EXPLOSIVE
700
00:29:23,420 --> 00:29:25,050
THAT WAS SET UP
TO BE RIGGED TO THE STARTER.
701
00:29:25,120 --> 00:29:27,150
WHICH YOU KNEW HOW
TO PUT TOGETHER HOW?
702
00:29:27,220 --> 00:29:28,620
FROM MY
MILITARY TRAINING.
703
00:29:28,690 --> 00:29:31,450
DID FRANKIE EVER SAY
WHAT THE BOMB WAS FOR?
704
00:29:31,520 --> 00:29:32,820
NO.
705
00:29:32,890 --> 00:29:34,150
DID HE EVER TELL YOU
706
00:29:34,220 --> 00:29:35,520
IT WAS USED
ON STAN HATCHER'S WIFE?
707
00:29:35,590 --> 00:29:37,990
NO, BUT IT WAS
KIND OF OBVIOUS.
708
00:29:38,060 --> 00:29:39,500
EVERY TIME
IT CAME ON THE NEWS,
709
00:29:39,560 --> 00:29:41,800
HE'D CHANGE THE CHANNEL
AND JUST GIVE ME THIS LOOK.
710
00:29:41,860 --> 00:29:43,600
DID YOU INSTALL
THE CAR BOMB?
711
00:29:43,660 --> 00:29:44,730
NO.
712
00:29:44,790 --> 00:29:46,920
DID YOU DROP FRANKIE OFF
AND SEE HIM INSTALL IT?
713
00:29:46,990 --> 00:29:48,150
NO.
714
00:29:48,220 --> 00:29:50,150
SO YOU'RE NOT POSITIVE
WHAT IT WAS USED FOR.
715
00:29:50,220 --> 00:29:52,820
I GOT A PRETTY
DAMN GOOD IDEA.
716
00:29:52,890 --> 00:29:55,150
CAN WE TALK OUT HERE
FOR A SEC?
717
00:29:57,220 --> 00:29:59,090
WHAT ELSE DO YOU HAVE?
718
00:29:59,160 --> 00:30:01,100
HATCHER'S EX‐PARTNER,
WHO CAN TESTIFY
719
00:30:01,160 --> 00:30:03,000
THAT HATCHER'S WIFE
WANTED OUT OF THE MARRIAGE.
720
00:30:03,060 --> 00:30:04,430
AND WHAT ELSE?
721
00:30:04,490 --> 00:30:06,190
DID YOU NOT HEAR
THIS GUY?
722
00:30:06,260 --> 00:30:08,600
HATCHER IS RESPONSIBLE
FOR HIS WIFE GETTING BLOWN UP.
723
00:30:08,660 --> 00:30:11,460
THERE'S NO EVIDENCE CONNECTING
THAT BOMB TO HATCHER.
724
00:30:11,520 --> 00:30:13,990
THIS DOESN'T QUALIFY
FOR A CIRCUMSTANTIAL CASE?
725
00:30:14,060 --> 00:30:15,230
THERE'S NO DIRECT
ADMISSIONS.
726
00:30:15,290 --> 00:30:16,850
THERE'S NOT EVEN
HEARSAY EVIDENCE.
727
00:30:16,920 --> 00:30:18,420
I COULDN'T PROVE THIS CASE
728
00:30:18,490 --> 00:30:20,250
AGAINST AN ORGANIZED
CRIME FIGURE.
729
00:30:20,320 --> 00:30:21,850
YOU CAN'T DO
ANYTHING WITH THIS?
730
00:30:21,920 --> 00:30:24,720
HAVE YOU TRACKED DOWN THE FAMILY
OF HATCHER'S WIFE?
731
00:30:24,790 --> 00:30:25,690
THEY COULDN'T HELP.
732
00:30:25,760 --> 00:30:27,060
WE CAN'T PROVE IT.
733
00:30:27,120 --> 00:30:28,490
AT LEAST JUST
CHARGE HATCHER
734
00:30:28,560 --> 00:30:30,200
AND PRESENT IT
TO A GRAND JURY.
735
00:30:30,260 --> 00:30:31,630
LET THEM DECIDE.
736
00:30:31,690 --> 00:30:33,750
I WOULD OPEN UP MY OFFICE
TO LITIGATION,
737
00:30:33,820 --> 00:30:35,450
AS IN WRONGFUL
PROSECUTION.
738
00:30:35,520 --> 00:30:38,090
IT'S JUST GONNA COME ACROSS
AS A PERSONAL VENDETTA.
739
00:30:38,160 --> 00:30:40,560
ARE YOU AWARE OF WHY
I GOT TRANSFERRED?
740
00:30:40,620 --> 00:30:42,720
I KNOW THAT HATCHER
IS RESPONSIBLE
741
00:30:42,790 --> 00:30:44,020
FOR HIS WIFE
GETTING KILLED.
742
00:30:44,090 --> 00:30:46,190
SO, YEAH, I'M TAKING IT
KIND OF PERSONAL.
743
00:30:46,260 --> 00:30:47,960
I CAN'T PROVE IT.
IT'S THAT SIMPLE.
744
00:30:48,020 --> 00:30:49,520
YOU HAVE TO GET MORE.
745
00:30:53,390 --> 00:30:55,150
WE CAN ALWAYS
LEAK IT TO THE PRESS.
746
00:30:55,220 --> 00:30:57,120
THAT'D END UP DOING US
MORE HARM THAN HATCHER.
747
00:30:57,190 --> 00:30:58,790
ALL RIGHT.
WHAT, THEN?
748
00:30:58,860 --> 00:30:59,830
[ SIGHS ]
749
00:31:01,990 --> 00:31:03,750
WE MAY NEED
YOUR HELP ON THIS.
750
00:31:03,820 --> 00:31:05,290
IS THAT GONNA BE A PROBLEM?
751
00:31:05,360 --> 00:31:06,860
HELP LIKE AS IN WHAT?
752
00:31:06,920 --> 00:31:08,420
HELP AS IN STEPPING UP,
GIBSON,
753
00:31:08,490 --> 00:31:10,120
LIKE YOU HAVEN'T DONE
ONCE TODAY.
754
00:31:10,190 --> 00:31:13,320
OUR CAREERS
ARE AT STAKE HERE, GUYS.
755
00:31:14,460 --> 00:31:16,060
EVERYTHING
WE WORKED FOR.
756
00:31:21,990 --> 00:31:23,820
[ DOOR SLAMS ]
757
00:31:32,260 --> 00:31:34,530
I UNDERSTAND
YOUR LIFESTYLE CHANGE
758
00:31:34,590 --> 00:31:37,250
CAME ABOUT RECENTLY‐‐
IS THAT RIGHT, MR. WELKOS?
759
00:31:37,320 --> 00:31:39,050
ONE OF YOUR CO‐WORKERS SAID
YOU MOVED OUT OF YOUR HOUSE
760
00:31:39,120 --> 00:31:40,590
IN CONNECTICUT
THREE MONTHS AGO.
761
00:31:40,660 --> 00:31:42,430
MY WIFE AND I SEPARATED.
762
00:31:42,490 --> 00:31:44,220
SAFE TO SAY
THAT YOU WERE IN THE THROES
763
00:31:44,290 --> 00:31:46,350
OF A MIDLIFE CRISIS?
764
00:31:46,420 --> 00:31:48,490
I CALL IT SELF‐DISCOVERY.
765
00:31:48,560 --> 00:31:50,830
SEE, MOST GUYS GO THROUGH
A MIDLIFE CRISIS,
766
00:31:50,890 --> 00:31:52,490
AND THEY DO STUPID STUFF.
767
00:31:53,490 --> 00:31:55,750
BUY A CONVERTIBLE,
DYE THEIR HAIR,
768
00:31:55,820 --> 00:31:57,190
STEP OUT ON THE WIFE.
769
00:31:57,260 --> 00:31:59,030
TRIVIALIZE IT ALL YOU WANT,
770
00:31:59,090 --> 00:32:00,690
BUT MEETING MOLLY
WAS AN AWAKENING,
771
00:32:00,760 --> 00:32:02,900
AND I AM DEVASTATED
TO HEAR THAT SHE'S DEAD.
772
00:32:02,960 --> 00:32:04,900
BUT MOST GUYS,
AFTER A WHILE,
773
00:32:04,960 --> 00:32:08,260
THEY REALIZE THE VALUE
OF THE FAMILY THEY LEFT BEHIND,
774
00:32:08,320 --> 00:32:10,750
AND THEY GO HOME WITH THEIR TAIL
BETWEEN THEIR LEGS.
775
00:32:10,820 --> 00:32:14,490
WHICH IS ALL GOOD UNLESS
THE WIFE WON'T TAKE HIM BACK.
776
00:32:14,560 --> 00:32:17,730
SO YOU ASK YOUR DOMINATRIX OUT
ON A NORMAL DATE,
777
00:32:17,790 --> 00:32:20,650
HOPING TO GET BACK
SOME OF YOUR NORMAL LIFE.
778
00:32:20,720 --> 00:32:23,720
BUT SHE REJECTS YOU,
AND YOU GET ANGRY.
779
00:32:23,790 --> 00:32:25,820
I DIDN'T KILL MOLLY.
780
00:32:25,890 --> 00:32:28,350
WE GOT YOUR FINGERPRINTS
IN MOLLY ZIFFREN'S APARTMENT.
781
00:32:28,420 --> 00:32:30,190
WE GOT THE E‐MAILS.
I EXPLAINED THOSE.
782
00:32:30,260 --> 00:32:31,960
WE GOT YOUR CAR
PARKED A BLOCK AWAY
783
00:32:32,020 --> 00:32:33,390
AT THE TIME OF THE MURDER!
784
00:32:33,460 --> 00:32:35,160
WHAT CAR?
I DON'T HAVE A CAR.
785
00:32:35,220 --> 00:32:37,420
YOU DON'T DRIVE
A 2002 EXPLORER?
786
00:32:39,060 --> 00:32:41,130
THAT'S NOT
YOUR LICENSE PLATE?
787
00:32:44,960 --> 00:32:47,600
STARING OFF INTO SPACE
ISN'T GONNA MAKE THIS GO AWAY.
788
00:32:47,660 --> 00:32:48,860
ALL RIGHT.
789
00:32:48,920 --> 00:32:50,950
ALL RIGHT, WHAT?
790
00:32:51,020 --> 00:32:52,920
I KILLED MOLLY ZIFFREN.
791
00:32:52,990 --> 00:32:55,320
WHAT HAPPENED?
792
00:32:55,390 --> 00:32:58,290
I WENT OVER THERE,
TOLD HER I LOVED HER.
793
00:32:58,360 --> 00:33:01,930
SHE STARTED CALLING ME
THE NAMES.
794
00:33:01,990 --> 00:33:03,520
I SAID,
THIS WASN'T A SESSION.
795
00:33:03,590 --> 00:33:06,720
"TALK TO ME
LIKE A HUMAN BEING."
796
00:33:06,790 --> 00:33:08,020
SHE SLAPPED ME.
797
00:33:08,090 --> 00:33:09,990
THEN SHE WENT FOR HER CANES,
798
00:33:10,060 --> 00:33:13,260
SO I DEFENDED MYSELF.
799
00:33:13,320 --> 00:33:16,050
AND HOW'D YOU KILL HER?
800
00:33:16,120 --> 00:33:18,120
I REALLY DON'T REMEMBER.
801
00:33:18,190 --> 00:33:20,020
I BLACKED OUT.
802
00:33:20,090 --> 00:33:22,190
NEXT THING,
I'M BACK OUT ON THE STREET,
803
00:33:22,260 --> 00:33:25,230
KNOWING THAT I JUST DID
SOMETHING TERRIBLE.
804
00:33:26,890 --> 00:33:29,550
I RUINED MY LIFE FOR HER.
805
00:33:29,620 --> 00:33:32,590
I RUINED...EVERYTHING.
806
00:33:32,660 --> 00:33:36,060
ALL RIGHT.
WE NEED YOU TO WRITE THIS UP.
807
00:33:42,320 --> 00:33:44,090
IS THE BOSS AROUND?
808
00:33:44,160 --> 00:33:46,460
WE'RE GETTING A STATEMENT
FROM KENNETH WELKOS.
809
00:33:46,520 --> 00:33:48,120
HE WENT FOR KILLING
THE DOMINATRIX?
810
00:33:48,190 --> 00:33:50,090
YEAH,
HE'S WRITING IT UP.
811
00:33:50,160 --> 00:33:52,300
'CAUSE I GOT SOMETHING
YOU SHOULD SEE.
812
00:33:56,020 --> 00:33:57,550
WHAT'S UP?
813
00:33:57,620 --> 00:33:59,050
NEED YOU IN HERE.
814
00:33:59,120 --> 00:34:00,720
WHAT'S GOING ON?
815
00:34:00,790 --> 00:34:02,690
IT'S PRIVATE.
816
00:34:07,820 --> 00:34:10,250
WHAT ARE YOU DOING HERE?
WHAT'S HE DOING HERE?
817
00:34:10,320 --> 00:34:12,090
YOU NEED
TO HEAR HIM OUT.
818
00:34:12,160 --> 00:34:14,130
THE ONLY REASON WE'RE HAVING
THIS CONVERSATION
819
00:34:14,190 --> 00:34:16,190
IS OUT OF COURTESY
TO GIBSON.
820
00:34:16,260 --> 00:34:17,760
YOU'RE PUSHING
YOUR LUCK, PAL.
821
00:34:17,820 --> 00:34:19,150
WE HAVE
A 5:00 APPOINTMENT
822
00:34:19,220 --> 00:34:20,850
AT THE DISTRICT
ATTORNEY'S OFFICE,
823
00:34:20,920 --> 00:34:22,090
AT WHICH POINT
824
00:34:22,160 --> 00:34:24,900
WE'RE GONNA PRESENT
OUR EVIDENCE AGAINST YOU.
825
00:34:24,960 --> 00:34:27,030
WE?
YOU WITH HIM ON THIS?
826
00:34:27,090 --> 00:34:28,720
YOU'RE PRETTY QUICK THERE,
STAN.
827
00:34:28,790 --> 00:34:32,690
WHO MADE THAT CAR BOMB.
WHO PLANTED IT IN YOUR CAR.
828
00:34:32,760 --> 00:34:35,900
HOW YOUR WIFE ADMITTED TO HAVING
AN AFFAIR BEFORE SHE DIED.
829
00:34:35,960 --> 00:34:38,100
WHO SHE WAS HAVING
THE AFFAIR WITH.
830
00:34:38,160 --> 00:34:40,100
HOW SHE WAS SCARED OF YOU.
831
00:34:40,160 --> 00:34:42,860
SEE, WE CAN PROVE YOU ARRANGED
YOUR WIFE'S MURDER.
832
00:34:42,920 --> 00:34:45,320
BUT, LIKE I SAID,
I OWE GIBSON,
833
00:34:45,390 --> 00:34:47,250
AND, APPARENTLY,
HE OWES YOUR UNCLE.
834
00:34:47,320 --> 00:34:48,950
SO HERE'S YOUR OFFER,
835
00:34:49,020 --> 00:34:51,320
WHICH I PERSONALLY
DON'T THINK YOU DESERVE.
836
00:34:51,390 --> 00:34:54,190
YOU PUT IN YOUR PAPERS
BY 5:00.
837
00:34:54,260 --> 00:34:56,460
IF NOT, I TAKE THAT MEETING
AT THE D. A.
838
00:34:56,520 --> 00:34:58,450
I DON'T KNOW
WHAT THE HELL‐‐
839
00:34:58,520 --> 00:35:00,550
YOU'RE OFF THE JOB
IN AN HOUR,
840
00:35:00,620 --> 00:35:03,620
OR YOU GET CHARGED WITH
CONSPIRACY TO COMMIT MURDER,
841
00:35:03,690 --> 00:35:06,520
NON‐NEGOTIABLE.
842
00:35:06,590 --> 00:35:08,090
I DID WHAT NOW?
843
00:35:08,160 --> 00:35:10,760
YOU HIRED YOUR SNITCH,
FRANKIE LAWRENCE,
844
00:35:10,820 --> 00:35:12,350
TO GET THE CAR BOMB
FOR YOU.
845
00:35:12,420 --> 00:35:14,750
FRANKIE LAWRENCE,
WHO RECENTLY O. D.'d?
846
00:35:14,820 --> 00:35:17,090
WE GOT THE GUY WHO MADE
THE BOMB FOR FRANKIE.
847
00:35:17,160 --> 00:35:19,500
HE KNOWS
ABOUT THE WHOLE THING.
848
00:35:27,960 --> 00:35:30,660
YOU KNOW WHAT?
PROVE IT.
849
00:35:33,790 --> 00:35:35,450
WHOEVER'S WATCHING,
850
00:35:35,520 --> 00:35:39,050
WHOEVER'S LISTENING IN,
PROVE IT!
851
00:35:39,120 --> 00:35:40,250
WE WILL.
852
00:35:42,890 --> 00:35:45,390
YOU AND YOU JUST MADE
853
00:35:45,460 --> 00:35:47,800
THE BIGGEST MISTAKES
IN YOUR LIFE.
854
00:36:02,890 --> 00:36:04,520
HAVE A SEAT,
MRS. WELKOS.
855
00:36:04,590 --> 00:36:06,250
PLEASE, LEE ANN.
856
00:36:06,320 --> 00:36:09,690
LEE ANN, DO YOU KNOW A WOMAN
NAMED MOLLY ZIFFREN?
857
00:36:09,760 --> 00:36:10,800
NO.
858
00:36:10,860 --> 00:36:13,830
SHE'S A DOMINATRIX
WHO WAS KILLED THIS MORNING.
859
00:36:13,890 --> 00:36:15,190
OH, I'M SORRY
TO HEAR THAT.
860
00:36:15,260 --> 00:36:16,960
YOUR HUSBAND
WAS SEEING HER.
861
00:36:17,020 --> 00:36:20,090
WERE YOU AWARE THAT YOUR HUSBAND
WAS INVOLVED WITH A DOMINATRIX?
862
00:36:20,160 --> 00:36:21,600
I SUPPOSE I WAS.
863
00:36:21,660 --> 00:36:24,260
YOU AND YOUR HUSBAND
ARE SEPARATED.
864
00:36:24,320 --> 00:36:26,190
YES.
HE LIVES IN THE CITY.
865
00:36:26,260 --> 00:36:29,530
YOU SEE, THE PROBLEM IS
A 2002 EXPLORER
866
00:36:29,590 --> 00:36:31,520
THAT'S REGISTERED
TO YOU AND YOUR HUSBAND
867
00:36:31,590 --> 00:36:34,020
WAS TICKETED THIS MORNING
NEAR MISS ZIFFREN'S APARTMENT
868
00:36:34,090 --> 00:36:35,620
AROUND THE TIME
OF HER MURDER.
869
00:36:35,690 --> 00:36:38,950
AND WE JUST GOT THE RESULTS
OF THE EXPLORER'S EZ‐PASS USAGE,
870
00:36:39,020 --> 00:36:40,720
AND IT SHOWS THAT THE CAR
871
00:36:40,790 --> 00:36:43,490
WAS BACK AND FORTH
TO CONNECTICUT THIS MORNING.
872
00:36:43,560 --> 00:36:45,530
THAT WOULD INDICATE
THAT YOU DROVE, MA'AM.
873
00:36:45,590 --> 00:36:47,990
DID YOU GO TO MISS ZIFFREN'S
APARTMENT THIS MORNING?
874
00:36:48,060 --> 00:36:50,600
WAS THERE AN ARGUMENT?
875
00:36:50,660 --> 00:36:52,430
I WAS THERE.
876
00:36:52,490 --> 00:36:54,720
WE HAD A CONVERSATION
ABOUT MY HUSBAND,
877
00:36:54,790 --> 00:36:57,190
BUT WHEN I LEFT,
SHE WAS ALIVE AND UNHARMED.
878
00:36:57,260 --> 00:36:58,830
WHAT PROMPTED THE VISIT?
879
00:36:58,890 --> 00:37:00,790
THIS HAD GONE ON
LONG ENOUGH,
880
00:37:00,860 --> 00:37:03,230
AND I FELT IT WAS TIME FOR HER
TO LEAVE KENNETH ALONE,
881
00:37:03,290 --> 00:37:05,490
TO RELEASE HIM
OR TAKE THE SPELL OFF
882
00:37:05,560 --> 00:37:07,930
OR WHATEVER IT WAS SHE WAS DOING
TO JUST STOP.
883
00:37:07,990 --> 00:37:09,420
WHAT DO YOU MEAN
"THE SPELL ON HIM"?
884
00:37:09,490 --> 00:37:11,420
I DON'T KNOW
WHAT TO CALL IT.
885
00:37:11,490 --> 00:37:13,320
BUT SHE HAD TO BE
CONTROLLING HIM SOMEHOW.
886
00:37:13,390 --> 00:37:16,220
YOU DON'T JUST GO
FROM BEING A NORMAL PERSON,
887
00:37:16,290 --> 00:37:19,320
WITH A GOOD JOB,
WHO LOVES HIS WIFE AND CHILDREN,
888
00:37:19,390 --> 00:37:23,890
TO BEING KEPT IN A CAGE
AND WHIPPED.
889
00:37:23,960 --> 00:37:27,260
IT'S...
JUST NOT POSSIBLE.
890
00:37:27,320 --> 00:37:29,250
SO YOU WENT OVER TO TALK,
AND IT TURNED VIOLENT.
891
00:37:29,320 --> 00:37:31,190
ISN'T THAT RIGHT?
892
00:37:31,260 --> 00:37:34,030
NO, I DON'T KNOW
WHO KILLED HER.
893
00:37:34,090 --> 00:37:36,450
WELL, AT THIS POINT,
NEITHER DO WE.
894
00:37:36,520 --> 00:37:39,050
BUT YOUR HUSBAND
CONFESSED IT WAS HIM.
895
00:37:39,120 --> 00:37:41,990
SO EITHER BOTH OF YOU
WERE INVOLVED,
896
00:37:42,060 --> 00:37:44,130
OR YOUR HUSBAND
FIGURED OUT WHAT HAPPENED
897
00:37:44,190 --> 00:37:45,520
AND COPPED TO IT
TO PROTECT YOU.
898
00:37:45,590 --> 00:37:49,550
YOUR HUSBAND MOVING OUT
AND ASSUMING THIS LIFESTYLE
899
00:37:49,620 --> 00:37:51,420
MUST HAVE BEEN A LOT
TO DEAL WITH,
900
00:37:51,490 --> 00:37:53,690
AND MAYBE WHATEVER
MISS ZIFFREN SAID TO YOU
901
00:37:53,760 --> 00:37:55,230
PUSHED YOU OVER THE EDGE,
902
00:37:55,290 --> 00:37:56,920
BUT WE NEED TO KNOW
WHAT HAPPENED,
903
00:37:56,990 --> 00:37:58,550
OR YOUR HUSBAND'S
GOING TO SPEND
904
00:37:58,620 --> 00:38:01,550
THE REST OF HIS LIFE
IN JAIL FOR IT.
905
00:38:03,220 --> 00:38:05,620
SHE SAID I NEEDED
TO SEE A SHRINK,
906
00:38:05,690 --> 00:38:08,520
THAT I WAS THE ONE
WHO WAS SCREWED UP.
907
00:38:08,590 --> 00:38:11,920
I ASKED HER AGAIN NICELY
TO PLEASE LET MY HUSBAND GO,
908
00:38:11,990 --> 00:38:14,020
BUT SHE JUST
STARTED LAUGHING!
909
00:38:14,090 --> 00:38:16,490
IS THAT WHEN YOU HIT HER
WITH THE STATUE?
910
00:38:16,560 --> 00:38:19,100
KENNETH CALLED LAST NIGHT,
SAYING HE WANTED A DIVORCE.
911
00:38:19,160 --> 00:38:21,900
THIS HAD TO STOP.
SOMEONE HAD TO STOP HER.
912
00:38:21,960 --> 00:38:23,500
WAS YOUR HUSBAND
WITH YOU
913
00:38:23,560 --> 00:38:25,460
IN MISS ZIFFREN'S APARTMENT
THIS MORNING?
914
00:38:25,520 --> 00:38:28,150
NO.
915
00:38:28,220 --> 00:38:31,050
OKAY.
ALL RIGHT.
916
00:38:31,120 --> 00:38:33,950
I JUST WANTED
MY HUSBAND BACK!
917
00:38:34,020 --> 00:38:35,820
[ CRYING ]
918
00:38:39,620 --> 00:38:41,020
HEY, ANDY, YOU BACK?
919
00:38:41,090 --> 00:38:42,550
NO.
JUST STOPPED BY.
920
00:38:42,620 --> 00:38:44,490
I STILL CAN'T BELIEVE
YOU'RE NOT AROUND.
921
00:38:44,560 --> 00:38:46,500
I WAS JUST ABOUT
TO RUN A CASE FOR YOU.
922
00:38:46,560 --> 00:38:48,230
RUN IT FOR ME.
923
00:38:48,290 --> 00:38:51,290
YEAH, LEE ANN WELKOS
WENT FOR IT.
924
00:38:51,360 --> 00:38:54,100
WE'LL GET WITH THE HUSBAND,
HAVE HIM COME OFF HIS STORY.
925
00:38:54,160 --> 00:38:56,660
HE ADMITTED TO IT
TO TRY AND PROTECT HIS WIFE?
926
00:38:56,720 --> 00:38:58,950
YEAH.
927
00:38:59,020 --> 00:38:59,950
HEY, STAN.
928
00:39:00,020 --> 00:39:02,550
Stan: HEY.
929
00:39:02,620 --> 00:39:05,620
YEAH, SO,
LISTEN UP, EVERYBODY.
930
00:39:05,690 --> 00:39:07,450
I JUST PUT IN MY PAPERS.
931
00:39:07,520 --> 00:39:10,090
YEAH, THIS SECURITY GIG
I'VE BEEN LOOKING INTO
932
00:39:10,160 --> 00:39:11,760
JUST CAME THROUGH.
933
00:39:11,820 --> 00:39:15,190
PLUS, THIS JOB AIN'T
WHAT I JOINED UP FOR ANYMORE,
934
00:39:15,260 --> 00:39:17,560
AND IT'S TIME I MADE
SOME REAL MONEY.
935
00:39:17,620 --> 00:39:18,950
SO JUST LIKE THAT?
936
00:39:19,020 --> 00:39:20,350
YEAH, JUST LIKE THAT.
937
00:39:20,420 --> 00:39:22,190
WE GETTING BEERS
OR ANYTHING?
938
00:39:22,260 --> 00:39:24,530
NO, I'M OUT OF HERE.
SO TAKE IT EASY.
939
00:39:24,590 --> 00:39:25,720
YOU TOO.
940
00:39:25,790 --> 00:39:27,250
I'LL SEE YOU AROUND.
941
00:39:27,320 --> 00:39:29,520
YOU BETTER HOPE NOT.
942
00:39:42,790 --> 00:39:44,850
I'D LIKE TO SAY YOU SET
THE MORGUE RECORD
943
00:39:44,920 --> 00:39:46,220
FOR QUICKEST ESCAPE,
944
00:39:46,290 --> 00:39:48,850
BUT THERE WAS A GUY IN '89
WHO LASTED AN HOUR.
945
00:39:48,920 --> 00:39:50,190
YEAH?
946
00:39:50,260 --> 00:39:52,360
BUT HE DIDN'T GET TRANSFERRED
BACK TO HIS OLD SQUAD.
947
00:39:52,420 --> 00:39:54,420
HE PUT IN FOR RETIREMENT.
948
00:39:54,490 --> 00:39:56,190
SO I GUESS YOU GOT HIM BEAT
ON THAT ONE.
949
00:39:56,260 --> 00:39:57,700
THANKS TO YOU.
950
00:39:57,760 --> 00:39:59,460
YOU FOUND THE GUY
THAT CRACKED IT, WALLY.
951
00:39:59,520 --> 00:40:01,290
YOU WOULD HAVE
GOT TO HIM EVENTUALLY.
952
00:40:01,360 --> 00:40:03,360
YEAH, MAYBE, MAYBE NOT.
953
00:40:03,420 --> 00:40:05,720
BUT YOU FOUND HIM.
I OWE YOU.
954
00:40:05,790 --> 00:40:08,320
PUT ME IN YOUR WILL.
955
00:40:08,390 --> 00:40:11,420
I KNOW SOME PEOPLE THAT CAN
MAYBE GET YOU BACK ON THE SQUAD.
956
00:40:11,490 --> 00:40:12,450
OH, NO.
957
00:40:12,520 --> 00:40:14,850
NO, NO, NO, NO, NO.
I'M FINE HERE.
958
00:40:14,920 --> 00:40:16,090
CATALOGING STIFFS?
959
00:40:16,160 --> 00:40:17,500
SOMEONE'S GOT TO.
960
00:40:17,560 --> 00:40:19,460
YOU COULD BE
WORKING HOMICIDES.
961
00:40:19,520 --> 00:40:21,320
I WAS DOING THAT ONCE,
BUT IT GOT TO ME.
962
00:40:21,390 --> 00:40:23,190
I BOOZED UP PRETTY BAD.
963
00:40:23,260 --> 00:40:25,130
NO, NO.
THIS IS MY SPEED.
964
00:40:29,760 --> 00:40:30,860
YOU'RE A GOOD COP.
965
00:40:30,920 --> 00:40:32,650
THAT'S GOOD TO HEAR.
966
00:40:59,660 --> 00:41:01,430
HEY.
967
00:41:01,490 --> 00:41:02,420
HEY.
968
00:41:02,490 --> 00:41:05,750
SO EVERYTHING'S WORKED OUT,
TRANSFER‐WISE.
969
00:41:05,820 --> 00:41:07,390
GOOD.
970
00:41:07,460 --> 00:41:09,900
I WAS, UH...
971
00:41:09,960 --> 00:41:12,000
I WAS IN A TOUGH SPOT.
972
00:41:12,060 --> 00:41:15,260
AND I DIDN'T
HANDLE IT WELL.
973
00:41:15,320 --> 00:41:19,790
AND I FEEL LIKE
I, UH, REALLY LET YOU DOWN.
974
00:41:19,860 --> 00:41:21,960
YOU DID.
975
00:41:22,020 --> 00:41:24,890
IF YOU WANT ME
TO TRANSFER OUT, I WILL.
976
00:41:24,960 --> 00:41:27,760
YOU GOTTA STAND UP FOR WHAT
YOU BELIEVE IN, GIBSON‐‐
977
00:41:27,820 --> 00:41:28,990
NOT JUST SOME OF THE TIME.
978
00:41:29,060 --> 00:41:30,700
I UNDERSTAND.
979
00:41:30,760 --> 00:41:32,660
WE'LL WORK IT OUT.
980
00:41:32,720 --> 00:41:34,020
THANKS.
981
00:41:34,090 --> 00:41:35,790
YEAH.
982
00:41:49,090 --> 00:41:51,520
I'M NOT GOING ANYWHERE.
70950
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