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These are the user uploaded subtitles that are being translated: 1 00:00:00,550 --> 00:00:02,230 PREVIOUSLY ON "NYPD BLUE." 2 00:00:02,290 --> 00:00:04,530 YOU STALKING YOUR WIFE. 3 00:00:04,590 --> 00:00:06,260 YOU DON’T SEE WHERE THIS IS HEADED? 4 00:00:06,320 --> 00:00:08,080 I’M DOING WHAT I CAN TO SAVE MY MARRIAGE. 5 00:00:08,150 --> 00:00:11,380 HE IS A RISK TO HIS WIFE, TO HIMSELF. 6 00:00:11,450 --> 00:00:13,420 YOU THINKING ABOUT CALLING EARLY INTERVENTION? 7 00:00:13,490 --> 00:00:15,390 HE CAME HOME DRUNK AND STARTED YELLING AT ME. 8 00:00:15,450 --> 00:00:17,920 HE WENT AND GOT A BAT AND THEN HE CAME AT ME. 9 00:00:17,990 --> 00:00:20,160 IF HE HAD HIS GUN ON HIM, HE WOULD HAVE SHOT ME. 10 00:00:20,220 --> 00:00:21,680 HE WOULD HAVE KILLED ME. 11 00:00:21,750 --> 00:00:24,520 I’M GLAD I MADE THAT CALL TO EARLY INTERVENTION. 12 00:00:24,590 --> 00:00:26,530 DON’T EVEN THINK ABOUT IT. 13 00:00:26,590 --> 00:00:29,760 I PUT IN FOR A TRANSFER TO GET AWAY FROM SCOTT’S PRECINCT? 14 00:00:29,820 --> 00:00:31,080 I GOT TRANSFERRED HERE. 15 00:00:31,150 --> 00:00:32,420 WILMER, YOU’RE SO FULL OF CRAP, 16 00:00:32,490 --> 00:00:33,830 IT’S NO WONDER YOUR SKIN IS BROWN. 17 00:00:35,420 --> 00:00:37,120 WHAT DID I SAY ABOUT LAYING BACK 18 00:00:37,190 --> 00:00:38,760 AND LEARNING HOW THE SQUAD WORKS? I KNOW. 19 00:00:38,820 --> 00:00:41,180 HOW ARE YOU DOING THAT BY SMACKING AROUND MY SUSPECT?! 20 00:00:41,250 --> 00:00:42,650 HE HAS SHUT DOWN NOW. DO YOU UNDERSTAND ME? 21 00:00:42,720 --> 00:00:44,150 HE’S LAWYERED UP! 22 00:00:44,220 --> 00:00:46,350 YOU AND THE CHIEF OF PERSONNEL ARE BUDDIES? 23 00:00:46,420 --> 00:00:47,750 WE’RE FRIENDLY. 24 00:00:47,820 --> 00:00:50,180 CHIEF OF PERSONNEL WHO’S HATCHER’S UNCLE? 25 00:00:50,250 --> 00:00:51,750 WHERE YOU GOING WITH THIS? 26 00:00:51,820 --> 00:00:53,680 YOU GETTING PROMOTED TO C. O. OF THE SQUAD‐‐ 27 00:00:53,750 --> 00:00:56,150 DID THAT COME WITH THE CONDITION OF TAKING ON HATCHER, 28 00:00:56,220 --> 00:00:58,880 WHO’S BEEN TOSSED OUT OF EVERY OTHER SQUAD IN THIS CITY? 29 00:00:58,950 --> 00:01:00,820 I’D LIKE TO FIT IN WITH THE TEAM HERE. 30 00:01:00,890 --> 00:01:03,390 SO HOW ABOUT TOMORROW WE MAKE A FRESH START? 31 00:01:03,450 --> 00:01:05,180 SURE. 32 00:01:20,450 --> 00:01:22,580 DO YOU BELIEVE THIS? YOU ALL RIGHT? 33 00:01:22,650 --> 00:01:25,150 THE BULLET GRAZED ME. HURTS LIKE A SON OF A BITCH. 34 00:01:25,220 --> 00:01:27,120 WHAT HAPPENED? 35 00:01:27,190 --> 00:01:29,830 I’M DRIVING TO THE GYM, I SEE THIS BLACK DUDE SPRINT ACROSS THE STREET. 36 00:01:29,890 --> 00:01:32,130 HE’S GOT A GUN IN HIS HAND, SO I GIVE CHASE. 37 00:01:32,190 --> 00:01:35,830 I’M LOOKING AROUND, I HEAR SOME MOVEMENT FROM OVER THE FENCE, 38 00:01:35,890 --> 00:01:37,630 I LOOK OVER, 39 00:01:37,690 --> 00:01:39,830 I SEE A LIGHT COME ON BEHIND ME, I TURN AROUND, 40 00:01:39,890 --> 00:01:42,630 AND THERE’S A GUY INSIDE THIS APARTMENT. 41 00:01:42,690 --> 00:01:44,960 HE’S GOT HIS GUN TRAINED ON ME. 42 00:01:45,020 --> 00:01:47,180 HE SHOT ME RIGHT IN THE ARM. 43 00:01:47,250 --> 00:01:49,750 SO I RETURNED FIRE. I GOT HIM IN THE SHOULDER. 44 00:01:49,820 --> 00:01:51,920 UH, THE BLACK GUY YOU WERE CHASING? 45 00:01:51,990 --> 00:01:54,930 HE HOPPED OVER THE FENCE TO ASK IF EVERYTHING WAS ALL RIGHT. 46 00:01:54,990 --> 00:01:56,860 HE BOOGIED. 47 00:01:56,920 --> 00:01:59,150 LISTEN, WE DON’T CARE WHAT HAPPENED HERE, 48 00:01:59,220 --> 00:02:00,980 AS LONG AS EVERYTHING MATCHES UP. 49 00:02:01,050 --> 00:02:02,850 ’CAUSE THIS STORY IS THE STORY WE’RE GONNA GO WITH. 50 00:02:02,920 --> 00:02:04,720 OKAY. 51 00:02:04,790 --> 00:02:07,430 YOU WERE GOING TO THE GYM AT 5:00 IN THE MORNING? WHAT, I STUTTER? 52 00:02:07,490 --> 00:02:09,230 STAN, YOU MIGHT WANT TO RETHINK YOUR ATTITUDE HERE. 53 00:02:09,290 --> 00:02:11,460 I ALMOST GOT KILLED HERE, OKAY? 54 00:02:11,520 --> 00:02:13,250 I’M SORRY IF I’M A LITTLE FIRED UP. 55 00:02:13,320 --> 00:02:14,880 WE’LL TALK TO THE GUY IN THE APARTMENT. 56 00:02:14,950 --> 00:02:16,680 STICK AROUND. 57 00:02:22,920 --> 00:02:24,120 LARRY EDMUNDS. 58 00:02:24,190 --> 00:02:26,330 DETECTIVES SIPOWICZ AND CLARK. 59 00:02:26,390 --> 00:02:28,330 I THOUGHT HE WAS A BURGLAR. 60 00:02:28,390 --> 00:02:30,190 I HAD NO IDEA HE WAS A COP. 61 00:02:30,250 --> 00:02:31,380 HOW’D IT GO DOWN? 62 00:02:31,450 --> 00:02:34,520 I HEARD SOME NOISES, SO I GO LOOK. 63 00:02:34,590 --> 00:02:36,590 I TURN THE LIGHT ON AND I SEE THIS GUY 64 00:02:36,650 --> 00:02:39,380 STANDING ON A TRASH CAN LOOKING OVER THE FENCE. 65 00:02:39,450 --> 00:02:41,750 SO HE TURNS AROUND AND LOOKS AT ME, 66 00:02:41,820 --> 00:02:44,320 AND I GUESS HE SAW MY GUN, BECAUSE HE REACHES 67 00:02:44,390 --> 00:02:46,590 LIKE HE’S GOING INTO HIS POCKET FOR A GUN. 68 00:02:46,650 --> 00:02:49,350 SO I FIRE A WARNING SHOT OVER HIS HEAD, 69 00:02:49,420 --> 00:02:51,080 STEP BACK INTO THE ROOM, 70 00:02:51,150 --> 00:02:53,420 I WAIT A SECOND, 71 00:02:53,490 --> 00:02:57,290 AND THEN THE GLASS SHATTERS AND HE’S FIRING AT ME. 72 00:02:57,350 --> 00:02:58,820 SO I FIRE BACK. 73 00:02:58,890 --> 00:03:00,390 YOU GOT A PERMIT FOR THE GUN? 74 00:03:00,450 --> 00:03:01,950 YEAH, TARGET PERMIT. 75 00:03:02,020 --> 00:03:03,750 AND YOU SAY HE REACHED FOR HIS GUN? 76 00:03:03,820 --> 00:03:06,520 YEAH. HE DIDN’T ALREADY HAVE A GUN IN HIS HAND? 77 00:03:06,590 --> 00:03:08,730 HIS HANDS WERE EMPTY LIKE I SAID. 78 00:03:08,790 --> 00:03:11,260 I SAW HIM REACH FOR SOMETHING, THOUGH. 79 00:03:11,320 --> 00:03:13,420 WE NEED TO GET HIM TRANSPORTED. 80 00:03:13,490 --> 00:03:15,130 WE’LL BE DOWN TO TALK TO YOU IN A LITTLE WHILE. 81 00:03:15,190 --> 00:03:16,390 WHAT DOES THIS MEAN FOR ME? 82 00:03:16,450 --> 00:03:18,250 WE’LL TALK ABOUT IT LATER. 83 00:03:18,320 --> 00:03:20,220 HE WASN’T DRESSED LIKE A COP, 84 00:03:20,290 --> 00:03:22,760 DIDN’T HAVE HIS BADGE OUT, NOTHING. 85 00:03:22,820 --> 00:03:24,320 HE LOOKED LIKE A CROOK. 86 00:03:24,390 --> 00:03:25,990 HE WAS PURSUING A SUSPECT. 87 00:03:26,050 --> 00:03:28,150 WANT TO VOUCHER THE GUN? OKAY. 88 00:03:32,450 --> 00:03:34,720 SO WHAT’S HE SAYING? HE THOUGHT YOU WERE A BURGLAR. 89 00:03:34,790 --> 00:03:37,130 THAT DON’T GIVE HIM THE RIGHT TO START FIRING OFF ROUNDS. 90 00:03:37,190 --> 00:03:39,230 YOU’RE RIGHT. WE’RE GONNA PURSUE THAT. 91 00:03:39,290 --> 00:03:41,090 SO YOU SEE A BLACK MALE WITH A GUN? 92 00:03:41,150 --> 00:03:43,550 CORRECT. YOU’RE CHASING HIM AROUND IN THE DARK HERE. 93 00:03:43,620 --> 00:03:45,520 NO BACKUP. DO YOU HAVE YOUR GUN OUT? 94 00:03:45,590 --> 00:03:46,530 YEAH. 95 00:03:47,720 --> 00:03:49,420 THE GUY IN THE APARTMENT’S SAYING DIFFERENT. 96 00:03:49,490 --> 00:03:50,490 WELL, HE’S LYING. 97 00:03:50,550 --> 00:03:52,520 HE’S ON HIS WAY TO BELLEVUE. 98 00:03:52,590 --> 00:03:54,130 NEXT TIME WE TALK TO HIM, WE’LL SEE IF HE GETS OFF THAT. 99 00:03:54,190 --> 00:03:55,760 BUT LIKE I TOLD YOU EARLIER, WE DON’T CARE WHAT HAPPENED. 100 00:03:55,820 --> 00:03:57,450 YOU’RE GONNA LIVE, HE’S GONNA LIVE. 101 00:03:57,520 --> 00:03:59,550 YOU JUST NEED TO BE UP FRONT WITH US 102 00:03:59,620 --> 00:04:01,980 SO THAT WE DON’T HAVE TWO DIFFERENT STORIES, 103 00:04:02,050 --> 00:04:04,550 ’CAUSE THAT’S WHEN THE PROBLEMS KICK IN. 104 00:04:04,620 --> 00:04:07,080 I’M COMING CLEAN, GUYS. I SWEAR TO GOD. 105 00:04:07,150 --> 00:04:08,550 ALL RIGHT, THEN. 106 00:04:08,620 --> 00:04:11,080 GO GET LOOKED AT. WE’LL SEE YOU BACK AT THE SQUAD. 107 00:04:13,120 --> 00:04:14,880 WHAT’S YOUR SENSE OF THIS GUY? 108 00:04:14,950 --> 00:04:17,750 IS HE DECENT ENOUGH, EVEN THOUGH HE’S FUDGING SOME DETAILS? 109 00:04:17,820 --> 00:04:20,480 SEEMS LIKE IT. 110 00:04:20,550 --> 00:04:24,220 IF HE THOUGHT I WAS A BURGLAR, I COULD MAYBE UNDERSTAND THAT. 111 00:04:24,290 --> 00:04:26,030 TELL HIM I WON’T PRESS THE ISSUE, 112 00:04:26,090 --> 00:04:27,690 AND WE CAN LET THIS THING SLIDE. 113 00:04:27,750 --> 00:04:30,580 WE GOT A CIVILIAN SHOT. NOTHING’S GONNA SLIDE, STAN. 114 00:04:30,650 --> 00:04:32,380 FINE. ARREST HIS ASS, THEN. 115 00:04:32,450 --> 00:04:34,680 ’CAUSE I DIDN’T DO A DAMN THING WRONG. 116 00:05:54,150 --> 00:05:56,180 WHERE’S STAN NOW? 117 00:05:56,250 --> 00:05:58,120 WITH THE DUTY CAPTAIN AND THE ZONE COMMANDER. 118 00:05:58,190 --> 00:05:59,560 LARRY EDMUNDS JUST GOT OUT OF THE O. R. 119 00:06:01,120 --> 00:06:03,020 IF YOU WORK OUT IN THE MORNING, 120 00:06:03,090 --> 00:06:05,530 WHAT TIME DO YOU GET TO THE GYM IF YOUR TOUR STARTS AT 8:00? 121 00:06:05,590 --> 00:06:08,990 IF I’M MOTIVATED? 6:30. WORK OUT FOR AN HOUR. 122 00:06:09,050 --> 00:06:11,650 WHY? CURIOUS. 123 00:06:11,720 --> 00:06:14,250 WE GOT A D.O.A. DOWN AT THAT FLEABAG HOTEL‐‐ 124 00:06:14,320 --> 00:06:16,250 THE FAUNTLEROY ON CANAL. WHO’S UP? ME AND GREG. 125 00:06:16,320 --> 00:06:18,520 WHERE YOU GUYS HEADED? 126 00:06:18,590 --> 00:06:20,390 THE GUY IN THE APARTMENT IS OUT OF SURGERY. 127 00:06:20,450 --> 00:06:21,880 GOT SOME THINGS WE NEED TO TALK ABOUT. 128 00:06:21,950 --> 00:06:24,050 BUT HE’S A COLLAR. 129 00:06:24,120 --> 00:06:26,420 ONCE WE CONFIRM WHAT WENT DOWN. 130 00:06:26,490 --> 00:06:28,590 WE KNOW WHAT WENT DOWN. 131 00:06:28,650 --> 00:06:30,850 YOU PUSHING FOR A DESIRED OUTCOME, GIBSON? 132 00:06:30,920 --> 00:06:34,050 YOU’RE NOT TAKING STAN AT HIS WORD? WE’RE DOING OUR JOB. 133 00:06:34,120 --> 00:06:36,520 WHEN STAN’S UNCLE CALLS AGAIN, THE CHIEF OF PERSONNEL, 134 00:06:36,590 --> 00:06:38,260 I’LL JUST RING HIM THROUGH TO YOU. 135 00:06:38,320 --> 00:06:40,350 YOU THINK THAT MEANS ANYTHING TO ME? 136 00:06:40,420 --> 00:06:42,120 THIS IS A FELLOW DETECTIVE. 137 00:06:42,190 --> 00:06:43,460 IF YOU’VE GOT SOME BIAS TOWARDS HIM, 138 00:06:43,520 --> 00:06:45,120 I CAN ASSIGN THE CASE TO SOMEBODY ELSE. 139 00:06:45,190 --> 00:06:47,460 THERE’S NO BIAS HERE, SARGE. 140 00:06:47,520 --> 00:06:48,350 GOOD. 141 00:06:51,520 --> 00:06:54,120 AS MANY THINGS AS YOU CAN LEARN FROM HIM, 142 00:06:54,190 --> 00:06:57,190 THERE’S JUST AS MANY THAT YOU DON’T WANT TO LEARN FROM HIM. 143 00:06:57,250 --> 00:07:00,280 I’LL BE ALL RIGHT, SARGE. THANKS, THOUGH. 144 00:07:05,190 --> 00:07:07,990 HOW LONG’S HE BEEN LIVING HERE? 145 00:07:08,050 --> 00:07:11,150 TWO YEARS. NICE GUY, QUIET GUY. 146 00:07:11,220 --> 00:07:13,150 HOW’D YOU FIND THE BODY? 147 00:07:13,220 --> 00:07:15,020 WELL, GEORGE DID MAINTENANCE ON THE HOTEL 148 00:07:15,090 --> 00:07:16,390 IN EXCHANGE FOR A BREAK ON THE RENT. 149 00:07:16,450 --> 00:07:17,320 HE DIDN’T SHOW UP THIS MORNING, 150 00:07:17,390 --> 00:07:18,590 SO I CAME LOOKING. 151 00:07:18,650 --> 00:07:20,520 WAS THE DOOR LOCKED? SURE WAS. 152 00:07:20,590 --> 00:07:22,490 DID YOU EVER KNOW HIM TO KEEP VALUABLES? 153 00:07:22,550 --> 00:07:24,350 HE DIDN’T HAVE NOTHING. 154 00:07:24,420 --> 00:07:26,580 BARELY GOT BY ON HIS WELFARE CHECK. 155 00:07:26,650 --> 00:07:29,020 I DOUBT HE WAS MOPPING UP HERE FOR THE EXERCISE. 156 00:07:29,090 --> 00:07:30,660 HE HAVE ANY BEEFS WITH ANYBODY HERE? 157 00:07:30,720 --> 00:07:32,280 NO, NO WAY. 158 00:07:32,350 --> 00:07:33,920 HE JUST SAT IN THE LOBBY AND DID HIS CROSSWORD PUZZLES. 159 00:07:33,990 --> 00:07:36,230 DIDN’T DRINK, DIDN’T GO OUT. NOTHING. 160 00:07:36,290 --> 00:07:38,560 HE RAN A PHARMACY IN IDAHO FOR A LONG TIME, 161 00:07:38,620 --> 00:07:41,050 BUT SOMETHING HAPPENED AND HE LOST EVERYTHING. 162 00:07:41,120 --> 00:07:42,620 I NEVER GOT THE WHOLE STORY. 163 00:07:42,690 --> 00:07:44,760 HE MOVED OUT HERE TO BE NEAR HIS COUSIN. 164 00:07:44,820 --> 00:07:46,720 THAT’S WHAT HE SAID, ANYWAY. 165 00:07:46,790 --> 00:07:49,290 EVER HAVE ANY VISITORS? NONE THAT I SAW. 166 00:07:49,350 --> 00:07:50,620 Jones: HEY, GREG. 167 00:07:55,290 --> 00:07:57,660 WHO’S STAYING NEXT DOOR? THIS KID NAMED RYAN. 168 00:07:57,720 --> 00:08:00,280 ALL RIGHT. COME ON, LET’S GO. 169 00:08:04,220 --> 00:08:06,980 HOW LONG HAS THIS RYAN KID BEEN STAYING HERE? 170 00:08:07,050 --> 00:08:08,620 COUPLE WEEKS. 171 00:08:08,690 --> 00:08:09,990 OPEN IT UP. 172 00:08:10,050 --> 00:08:12,150 [ KEYS JINGLING ] 173 00:08:20,020 --> 00:08:22,180 Manager: DON’T TELL ME THIS PRICK’S CLEARED OUT. 174 00:08:22,250 --> 00:08:24,250 HE OWES ME THREE DAYS’ RENT! 175 00:08:24,320 --> 00:08:26,350 ENTERED HERE, EXITED IN THE OTHER ROOM. 176 00:08:26,420 --> 00:08:28,080 IT DIDN’T COME THROUGH THIS WALL. 177 00:08:28,150 --> 00:08:29,750 WHAT INFORMATION DO YOU HAVE ON RYAN? 178 00:08:29,820 --> 00:08:32,580 LAST NAME’S DOOLING. NOT MUCH ELSE‐‐ HE PAID CASH. 179 00:08:32,650 --> 00:08:35,120 HAS THIS BEEN HERE A WHILE? NO. 180 00:08:35,190 --> 00:08:37,230 THAT A BULLET HOLE? 181 00:08:37,290 --> 00:08:40,730 LOOKS LIKE IT. OH, BOY. 182 00:08:44,690 --> 00:08:47,390 HOW’S THAT POLICE OFFICER DOING? 183 00:08:47,450 --> 00:08:48,850 HE’S UP AND AROUND. 184 00:08:48,920 --> 00:08:51,550 I HAVEN’T HAD A CHANCE TO APOLOGIZE TO HIM. 185 00:08:51,620 --> 00:08:52,920 I WOULD LIKE TO. 186 00:08:52,990 --> 00:08:55,790 WE’LL PASS THAT ALONG. 187 00:08:55,850 --> 00:08:58,780 LISTEN, UH, CAN YOU GIVE US A SECOND? 188 00:08:58,850 --> 00:09:00,280 JUST A SECOND. THANKS. 189 00:09:00,350 --> 00:09:03,580 MR. EDMUNDS, IN LOOKING INTO THINGS HERE, 190 00:09:03,650 --> 00:09:05,480 WE SAW THAT YOUR APARTMENT HAS BEEN BROKEN INTO 191 00:09:05,550 --> 00:09:07,850 TWICE IN THE LAST YEAR. RIGHT. 192 00:09:07,920 --> 00:09:10,620 YOU GET THE TARGET PERMIT AS A RESULT OF THOSE ROBBERIES? 193 00:09:10,690 --> 00:09:12,560 IT MIGHT HAVE FACTORED IN A LITTLE. 194 00:09:12,620 --> 00:09:14,920 YOU KEEP THE GUN IN THE APARTMENT FOR PROTECTION? 195 00:09:14,990 --> 00:09:17,630 NO. THAT’D BE ILLEGAL, NOW, WOULDN’T IT? 196 00:09:17,690 --> 00:09:20,990 SO YOU GRABBED THE GUN AS A LAST RESORT? 197 00:09:21,050 --> 00:09:22,080 ABSOLUTELY. 198 00:09:22,150 --> 00:09:24,380 YOU TOLD US AT THE SCENE 199 00:09:24,450 --> 00:09:26,180 THAT COP DIDN’T HAVE A GUN IN HIS HAND? 200 00:09:26,250 --> 00:09:28,420 THAT’S RIGHT. YOU’RE POSITIVE? 201 00:09:28,490 --> 00:09:30,560 IF THAT GUY WOULD’VE HAD A GUN IN HIS HAND, 202 00:09:30,620 --> 00:09:32,380 I WOULD’VE BLOWN HIS ASS AWAY. 203 00:09:32,450 --> 00:09:33,680 BUT WHEN HE WENT TO HIS POCKET REAL QUICK, 204 00:09:33,750 --> 00:09:36,580 THAT’S WHEN I FIRED THE WARNING SHOT. 205 00:09:36,650 --> 00:09:38,580 HE’S SAYING THERE WAS NO WARNING SHOT. 206 00:09:38,650 --> 00:09:42,380 WELL, HE‐‐ I DON’T WANT TO CALL THIS GUY A LIAR, 207 00:09:42,450 --> 00:09:45,480 BUT HE IS OBVIOUSLY REMEMBERING THIS PART DIFFERENTLY. 208 00:09:45,550 --> 00:09:47,920 I FIRED THE FIRST SHOT OVER HIS HEAD, 209 00:09:47,990 --> 00:09:49,560 THEN BACKED UP AND WAITED. 210 00:09:49,620 --> 00:09:51,720 HE WAS STANDING ON A GARBAGE CAN LOOKING OVER THE FENCE? 211 00:09:51,790 --> 00:09:52,860 THAT’S RIGHT. 212 00:09:52,920 --> 00:09:54,020 HOW LONG WAS HE THERE? 213 00:09:54,090 --> 00:09:55,530 FROM THE TIME I SPOTTED HIM 214 00:09:55,590 --> 00:09:57,490 TO WHEN I CREPT UP TO GET A GOOD LOOK, 215 00:09:57,550 --> 00:09:59,550 HE WAS LOOKING OVER THE FENCE THE WHOLE TIME. 216 00:09:59,620 --> 00:10:02,220 HOW DOES THAT POSE A THREAT, MR. EDMUNDS? 217 00:10:02,290 --> 00:10:04,890 A MAN LOOKING OVER A FENCE WITH HIS BACK TO YOU? 218 00:10:04,950 --> 00:10:06,680 WHEN I TURNED ON THE LIGHT 219 00:10:06,750 --> 00:10:10,650 AND HE SPUN AROUND AND WENT TO HIS POCKET, THAT WAS A THREAT. 220 00:10:10,720 --> 00:10:12,180 DO I NEED A LAWYER HERE? 221 00:10:12,250 --> 00:10:14,150 AM I BEING CHARGED WITH SOMETHING? 222 00:10:14,220 --> 00:10:16,450 WE GOT A POLICE OFFICER SHOT, SO WE NEED TO ASK QUESTIONS. 223 00:10:16,520 --> 00:10:17,950 I’M SURE YOU CAN UNDERSTAND THAT. 224 00:10:18,020 --> 00:10:19,880 NO, I GOT IT. 225 00:10:19,950 --> 00:10:21,380 ALL RIGHT, YOU GET SOME REST. 226 00:10:21,450 --> 00:10:23,580 WE’LL BE BACK LATER. 227 00:10:28,420 --> 00:10:30,820 THE GUY STAYING IN THE ROOM, RYAN DOOLING? 228 00:10:30,890 --> 00:10:33,990 ANOTHER RESIDENT SAW RYAN LEAVE AT 5:00 A. M. 229 00:10:34,050 --> 00:10:35,720 HE WAS CARRYING HIS BAGS. 230 00:10:35,790 --> 00:10:36,890 LEAVING TOWN? 231 00:10:36,950 --> 00:10:38,350 LEAVING THE HOTEL, ANYWAY. 232 00:10:38,420 --> 00:10:40,380 WE TALKED TO THE NIGHT CLERK. 233 00:10:40,450 --> 00:10:42,520 HE SAID AN ATTRACTIVE, YOUNG, WHITE GIRL, A BRUNETTE, 234 00:10:42,590 --> 00:10:44,660 APPROACHED HIM AT 2:00 A. M. AND ASKED WHICH ROOM RYAN WAS IN. 235 00:10:44,720 --> 00:10:46,080 HE TOLD HER, SHE WENT UP. 236 00:10:46,150 --> 00:10:47,180 WHAT ELSE WE HAVE ON THIS RYAN KID? 237 00:10:47,250 --> 00:10:49,080 HE’S IN FROM KANSAS CITY. 238 00:10:49,150 --> 00:10:51,520 WE TALKED TO HIS MOM. SHE SAID HE’S STAYING WITH HIS BROTHER, ERIC, 239 00:10:51,590 --> 00:10:53,230 WHO LIVES IN GREENWICH VILLAGE. 240 00:10:53,290 --> 00:10:55,090 WE GOT CALLS OUT TO HIM. SOUNDS GOOD. 241 00:10:55,150 --> 00:10:57,180 ONLY OTHER THING IS THE D. O. A.? 242 00:10:57,250 --> 00:10:58,720 WE’RE HAVING DIFFICULTY LOCATING NEXT OF KIN‐‐ 243 00:10:58,790 --> 00:11:00,230 HE WAS 70. 244 00:11:00,290 --> 00:11:01,930 WE WERE TOLD HE’S GOT A COUSIN OUT HERE. 245 00:11:01,990 --> 00:11:03,860 WE’RE LOOKING INTO THAT. 246 00:11:03,920 --> 00:11:06,180 ANY WORD ON HATCHER? 247 00:11:06,250 --> 00:11:07,920 HE’S ON HIS WAY OVER. 248 00:11:07,990 --> 00:11:09,730 HOW’D IT GO WITH THE PERP? 249 00:11:09,790 --> 00:11:11,760 YOU MEAN, THE GUY IN THE APARTMENT? WE’RE GETTING THERE. 250 00:11:11,820 --> 00:11:15,220 WHAT’S THAT MEAN? YOU’RE NOT FAMILIAR WITH THE EXPRESSION? 251 00:11:15,290 --> 00:11:16,630 I PREFER SPECIFICS. 252 00:11:16,690 --> 00:11:18,390 WE’VE JUST GOT A COUPLE INCONSISTENCIES. 253 00:11:18,450 --> 00:11:19,650 LIKE WHAT, SPECIFICALLY? 254 00:11:19,720 --> 00:11:21,120 IF WE TELL YOU, 255 00:11:21,190 --> 00:11:22,830 THEN YOU’RE IN THE LOOP AND YOU CAN BE HELD ACCOUNTABLE. 256 00:11:22,890 --> 00:11:24,360 GOD FORBID, RIGHT? 257 00:11:24,420 --> 00:11:26,250 IF WE RUN UP AGAINST SOMETHING SIGNIFICANT, SARGE, 258 00:11:26,320 --> 00:11:28,280 WE’LL BRING YOU UP TO SPEED RIGHT AWAY. 259 00:11:28,350 --> 00:11:30,250 OLD DOG OR NOT, YOU COULD LEARN A LOT FROM HIM. 260 00:11:30,320 --> 00:11:32,820 THAT’S WHY I CARRY AROUND A PAD AND PEN. 261 00:11:35,720 --> 00:11:38,250 WHAT A WEEK I’M HAVING. CAN YOU BELIEVE THIS? 262 00:11:38,320 --> 00:11:39,580 I’M SO SORRY. 263 00:11:39,650 --> 00:11:41,620 HEY, PARTNER. HOW YOU FEELING? 264 00:11:41,690 --> 00:11:43,090 ARM’S FINE. 265 00:11:43,150 --> 00:11:45,880 HOUR AND A HALF WITH THE DUTY CAPTAIN WAS THE REAL PAIN. 266 00:11:45,950 --> 00:11:47,420 HOW’S IT GOING, BOSS? 267 00:11:47,490 --> 00:11:50,160 YOU HAD ME SCARED SICK THERE WHEN I GOT THE CALL. 268 00:11:50,220 --> 00:11:51,650 IT ALL WORKED OUT. 269 00:11:51,720 --> 00:11:53,620 SO WHAT’S GOING ON WITH THE GUY THAT SHOT ME? 270 00:11:53,690 --> 00:11:56,730 THAT’S WHAT WE NEED TO TALK TO YOU ABOUT. 271 00:11:56,790 --> 00:11:59,290 GOOD, ’CAUSE I GOTTA TALK TO YOU GUYS ABOUT SOMETHING, TOO. 272 00:12:00,790 --> 00:12:02,290 [ SIGHS ] 273 00:12:06,390 --> 00:12:09,060 WHAT I TOLD YOU AT THE SCENE? I WAS WRONG ABOUT SOMETHING. 274 00:12:09,120 --> 00:12:10,550 NAMELY? 275 00:12:10,620 --> 00:12:12,950 I HAD MY GUN OUT WHEN I WAS CHASING THAT BLACK DUDE, 276 00:12:13,020 --> 00:12:15,780 BUT WHEN I HAD TO PULL MYSELF UP ON THE FENCE, TO LOOK OVER, 277 00:12:15,850 --> 00:12:18,080 I HOLSTERED MY GUN SO I COULD USE BOTH HANDS. 278 00:12:18,150 --> 00:12:19,550 SO, I WANT TO CLEAR THAT UP. 279 00:12:19,620 --> 00:12:21,720 MY ADRENALINE WAS PUMPING AT THE SCENE, 280 00:12:21,790 --> 00:12:24,330 SO I WASN’T EXACTLY THINKING STRAIGHT. 281 00:12:24,390 --> 00:12:27,560 WELL, THAT HELPS US. GOOD. 282 00:12:27,620 --> 00:12:30,620 AND THIS WHOLE THING WITH GOING TO THE GYM AT 5:00 A. M. 283 00:12:30,690 --> 00:12:32,360 I COULD SEE HOW THAT WOULD LOOK UNUSUAL. 284 00:12:32,420 --> 00:12:34,080 BUT I BOUGHT A THREE‐YEAR MEMBERSHIP 285 00:12:34,150 --> 00:12:37,320 AS A NEW‐YEAR’S RESOLUTION AND I HAVEN’T BEEN USING IT. 286 00:12:37,390 --> 00:12:40,460 I COULDN’T SLEEP, SO I DECIDED TO GO WORK OUT. 287 00:12:40,520 --> 00:12:42,380 YEAH. 288 00:12:42,450 --> 00:12:45,280 YEAH. SO, YOU SAID YOU HAD SOME QUESTIONS? 289 00:12:47,250 --> 00:12:49,380 I THINK YOU ANSWERED MOST OF THEM. 290 00:12:49,450 --> 00:12:52,020 HOW LONG WERE YOU STANDING ON THAT GARBAGE CAN, 291 00:12:52,090 --> 00:12:53,290 LOOKING OVER THE FENCE? 292 00:12:53,350 --> 00:12:55,080 HALF A MINUTE? A MINUTE? 293 00:12:55,150 --> 00:12:57,220 I WAS LETTING MY EYES ADJUST TO THE DARK 294 00:12:57,290 --> 00:12:59,590 TO SEE IF I COULD SPOT THAT BLACK DUDE MOVING AROUND. 295 00:12:59,650 --> 00:13:02,450 GUY IN THE APARTMENT’S STILL SAYING HE FIRED A WARNING SHOT. 296 00:13:02,520 --> 00:13:05,280 YOU DIDN’T GET HIM OFF THAT? 297 00:13:05,350 --> 00:13:06,680 OBVIOUSLY NOT. 298 00:13:06,750 --> 00:13:08,420 WELL, HE’S LYING... 299 00:13:08,490 --> 00:13:10,630 AND AT THIS POINT, WHATEVER SYMPATHY I HAD FOR HIM IS GONE, 300 00:13:10,690 --> 00:13:12,530 SO ARE YOU GONNA ARREST HIM? 301 00:13:12,590 --> 00:13:16,060 WE’RE, UH, YOU KNOW, MOVING FORWARD, STAN. 302 00:13:16,120 --> 00:13:17,620 COOL. 303 00:13:19,150 --> 00:13:20,620 ANYTHING ELSE? 304 00:13:20,690 --> 00:13:23,790 NO, WE’RE GOOD. THANKS. 305 00:13:23,850 --> 00:13:25,550 OKAY. 306 00:13:28,290 --> 00:13:31,230 WELL, HE SURE GOT HIS STORY STRAIGHT. 307 00:13:31,290 --> 00:13:32,560 WASN’T HE SUPPOSED TO? 308 00:13:47,540 --> 00:13:49,670 I TALKED TO A CO‐WORKER OF LARRY EDMUNDS. 309 00:13:49,740 --> 00:13:52,540 HE SAID AFTER LARRY GOT ROBBED, HE WAS TELLING PEOPLE 310 00:13:52,610 --> 00:13:54,810 THAT HE’D LIKE TO SEE SOMEONE TRY AND ROB HIM AGAIN. 311 00:13:54,870 --> 00:13:56,070 MEANING HE WAS ITCHING TO USE HIS GUN, RIGHT? 312 00:13:56,140 --> 00:13:57,940 THAT WAS MY INFERENCE, YEAH. 313 00:13:58,010 --> 00:14:00,310 THIS GUY WAS A TIME BOMB READY TO GO OFF. 314 00:14:00,370 --> 00:14:03,340 UH, ERIC DOOLING HERE TO SEE DETECTIVES MEDAVOY OR JONES? 315 00:14:05,110 --> 00:14:06,710 RIGHT THIS WAY, MR. DOOLING. 316 00:14:06,770 --> 00:14:07,900 IS MY BROTHER IN TROUBLE? 317 00:14:07,970 --> 00:14:09,970 JUST A LITTLE MISUNDERSTANDING WE NEED TO CLEAR UP. 318 00:14:10,940 --> 00:14:12,000 THANKS. 319 00:14:12,070 --> 00:14:14,270 THAT WAS BALLISTICS. 320 00:14:14,340 --> 00:14:17,300 THEY PULLED A SLUG FROM THE FENCE WHERE HATCHER WAS STANDING. 321 00:14:17,370 --> 00:14:18,300 9‐MILLIMETER. 322 00:14:18,370 --> 00:14:19,370 TRANSLATION? 323 00:14:19,440 --> 00:14:22,240 GUY’S TARGET PERMIT IS FOR A .22. 324 00:14:22,310 --> 00:14:24,150 SO HE HAD AN ILLEGAL GUN, IN OTHER WORDS. 325 00:14:24,210 --> 00:14:25,580 CAN WE ARREST THIS GUY ALREADY, OR WHAT? 326 00:14:25,640 --> 00:14:26,900 I WOULD HOPE SO. 327 00:14:26,970 --> 00:14:28,800 WE’LL HEAD DOWN THERE AND TALK TO HIM. 328 00:14:28,870 --> 00:14:30,340 TALK TO HIM ABOUT WHAT HIS BAIL’S GONNA BE SET AT? 329 00:14:32,170 --> 00:14:34,270 KEEP YOU POSTED, SARGE. 330 00:14:37,910 --> 00:14:41,180 SO, WHAT DID RYAN DO? 331 00:14:41,240 --> 00:14:42,900 WELL, THERE WAS SOME DAMAGE 332 00:14:42,970 --> 00:14:44,870 TO A HOTEL ROOM WHERE HE WAS STAYING, 333 00:14:44,940 --> 00:14:46,770 AND WE’RE JUST LOOKING TO TALK TO HIM 334 00:14:46,840 --> 00:14:48,500 BEFORE THE WHOLE THING GETS BLOWN OUT OF PROPORTION. 335 00:14:48,570 --> 00:14:50,470 AW, HOW MUCH IN DAMAGE? 336 00:14:50,540 --> 00:14:53,370 THEY HAVEN’T FINISHED ASSESSING IT. 337 00:14:53,440 --> 00:14:56,270 WHAT’S GOT THE HOTEL SO PISSED OFF IS NOT SO MUCH THE DAMAGE, 338 00:14:56,340 --> 00:14:59,040 BUT THAT RYAN BOOKED WITHOUT EXPLAINING OR APOLOGIZING. 339 00:14:59,110 --> 00:15:01,510 SO WE NEED TO FIND HIM, HAVE HIM DO BOTH THOSE THINGS, 340 00:15:01,570 --> 00:15:03,740 THEN WE CAN AVOID THEM PRESSING CHARGES. 341 00:15:03,810 --> 00:15:04,950 I DON’T KNOW WHERE HE IS. 342 00:15:05,010 --> 00:15:06,810 HE WAS LIVING WITH YOU RECENTLY? 343 00:15:06,870 --> 00:15:08,300 YEAH, TILL A COUPLE WEEKS AGO. 344 00:15:08,370 --> 00:15:09,900 LISTEN, UM... 345 00:15:09,970 --> 00:15:12,970 HE’S YOUNG. 346 00:15:13,040 --> 00:15:15,400 A LITTLE CONFUSED, BUT HE IS NOT A BAD KID. 347 00:15:15,470 --> 00:15:17,800 IT’S JUST‐‐ HE... 348 00:15:17,870 --> 00:15:20,170 JUST TELL US WHAT’S GOING ON HERE, ERIC. 349 00:15:20,240 --> 00:15:22,940 HE GOT INTO THE CLUB SCENE. 350 00:15:23,010 --> 00:15:24,850 YOU KNOW, THOSE ALL‐NIGHT THINGS. 351 00:15:24,910 --> 00:15:27,150 I TRIED TO LET HIM GET IT OUT OF HIS SYSTEM, 352 00:15:27,210 --> 00:15:29,580 BUT HE NEVER DID, SO I HAD TO GIVE HIM THE BOOT. 353 00:15:29,640 --> 00:15:32,340 WELL, UH, FRIENDS OR PLACES HE HUNG OUT YOU KNOW OF? 354 00:15:32,410 --> 00:15:34,150 HE WAS HANGING OUT WITH THIS POSER. 355 00:15:34,210 --> 00:15:35,710 WHAT’S HIS NAME? UM... 356 00:15:35,770 --> 00:15:37,970 CHASE. CHASE ALLWORTH. 357 00:15:38,040 --> 00:15:40,200 WAS YOUR BROTHER GETTING INTO DRUGS? 358 00:15:40,270 --> 00:15:43,200 I MEAN, ALL THOSE CLUB KIDS ARE DOING SOMETHING. RIGHT? 359 00:15:43,270 --> 00:15:45,340 BUT THE LAST TIME I TALKED TO RYAN, 360 00:15:45,410 --> 00:15:48,150 HE SAID THAT HE GOT THIS GOOD JOB WORKING FOR THIS PROMOTER. 361 00:15:48,210 --> 00:15:50,510 ARE YOU SURE THAT RYAN’S THE ONE WHO DID THE DAMAGE? 362 00:15:50,570 --> 00:15:53,240 I MEAN, WHOSE NAME WAS THE HOTEL ROOM REGISTERED UNDER? 363 00:15:53,310 --> 00:15:55,880 WELL, RYAN’S. HE WAS LIVING THERE. 364 00:15:55,940 --> 00:15:58,700 HE TOLD ME HE WAS LIVING IN A LOFT OUT IN TRIBECA. 365 00:15:58,770 --> 00:15:59,800 NOWHERE NEAR THAT. 366 00:15:59,870 --> 00:16:02,500 MORE LIES. 367 00:16:02,570 --> 00:16:06,300 GREAT. CHASE ALLWORTH. WE’LL LOOK HIM UP. 368 00:16:06,370 --> 00:16:08,440 TELL RYAN HE’S ON HIS OWN. 369 00:16:08,510 --> 00:16:10,710 I’M NOT BAILING HIM OUT THIS TIME. 370 00:16:10,770 --> 00:16:13,070 WILL DO. 371 00:16:16,570 --> 00:16:20,970 I LOOK OUT THE WINDOW AND THAT GUY WAS LOOKING LIKE A CROOK. 372 00:16:21,040 --> 00:16:22,670 MR. EDMUNDS... 373 00:16:22,740 --> 00:16:25,400 HE TURNS AROUND AND GOES FOR A GUN AND I’M SUPPOSED TO, WHAT‐‐ 374 00:16:25,470 --> 00:16:26,670 WAVE A WHITE FLAG?! 375 00:16:26,740 --> 00:16:28,970 MR. EDMUNDS‐‐ I DEFENDED MYSELF! 376 00:16:29,040 --> 00:16:33,340 DID THE 9‐MILLIMETER BULLETS COME FROM YOUR GUN? 377 00:16:33,410 --> 00:16:35,250 YES. 378 00:16:35,310 --> 00:16:38,410 HOW MANY OTHER UNLICENSED GUNS DO YOU HAVE IN YOUR APARTMENT? 379 00:16:38,470 --> 00:16:40,840 ONE OTHER. 380 00:16:40,910 --> 00:16:45,410 HE WENT FOR HIS GUN, I FIRED A WARNING SHOT. 381 00:16:45,470 --> 00:16:48,300 NOW I’M NOT SAYING HE’S WRONG, BUT I’M SURE AS HELL NOT WRONG. 382 00:16:48,370 --> 00:16:51,540 YOU NEED TO GET YOURSELF AN ATTORNEY, MR. EDMUNDS. 383 00:16:51,610 --> 00:16:54,980 I WAS PROTECTING MY HOME. 384 00:16:55,040 --> 00:16:57,170 THIS IS WRONG. 385 00:17:01,840 --> 00:17:05,940 YEAH, STILL NO LUCK FINDING THIS, UH, RYAN DOOLING KID. 386 00:17:06,010 --> 00:17:08,010 HIS CELL PHONE WAS SHUT OFF A WEEK AGO. 387 00:17:08,070 --> 00:17:09,540 BUT THE FRIEND THAT RYAN’S BROTHER TURNED US ON TO, 388 00:17:09,610 --> 00:17:11,910 CHASE ALLWORTH? HE’S COMING IN FROM A CLUB. 389 00:17:11,970 --> 00:17:14,240 WHAT KIND OF CLUB? DANCE CLUB. 390 00:17:14,310 --> 00:17:16,850 AT 1:00 IN THE AFTERNOON ON A TUESDAY? 391 00:17:16,910 --> 00:17:19,210 YEAH, IT’S ONE OF THESE RAVE‐TYPE DEALS. 392 00:17:19,270 --> 00:17:22,240 OH, OKAY. RAVE CLUB. SURE. 393 00:17:25,670 --> 00:17:27,140 WELL? 394 00:17:27,210 --> 00:17:29,910 WE GOT A UNIFORM SITTING ON HIM. HE’S A COLLAR, SARGE. 395 00:17:29,970 --> 00:17:31,270 GOOD WORK. 396 00:17:33,610 --> 00:17:37,280 MEDAVOY, KEEP ME IN THE LOOP ON THIS CHASE ALLWORTH. 397 00:17:59,540 --> 00:18:01,570 WHAT’S UP? 398 00:18:01,640 --> 00:18:03,200 JANET GRAFTON. 399 00:18:03,270 --> 00:18:04,840 SHE TRANSFERRED HERE, RIGHT? 400 00:18:04,910 --> 00:18:06,950 YEAH, LAST WEEK. 401 00:18:07,010 --> 00:18:09,310 YOU FRIENDLY WITH HER? WHAT DO YOU MEAN, FRIENDLY? 402 00:18:09,370 --> 00:18:11,540 I MEAN, CAN YOU TALK TO HER? WOULD SHE BE HONEST WITH YOU? 403 00:18:11,610 --> 00:18:13,210 YEAH. I DON’T KNOW. WHY? 404 00:18:13,270 --> 00:18:15,870 SHE SHOWS UP ON HATCHER’S CELL PHONE. 405 00:18:15,940 --> 00:18:17,770 A BUNCH OF CALLS IN TO HER. 406 00:18:17,840 --> 00:18:19,970 YOU DUMPED HATCHER’S CELL PHONE? 407 00:18:20,040 --> 00:18:21,300 ON THE SLY. 408 00:18:21,370 --> 00:18:23,440 NO KIDDING, ON THE SLY, ANDY. 409 00:18:23,510 --> 00:18:26,150 IF ANYBODY FOUND OUT YOU DUMPED A FELLOW COP’S PHONE RECORDS... 410 00:18:26,210 --> 00:18:28,580 I DON’T TRUST THIS GUY, OKAY? HE’S BAD NEWS. 411 00:18:28,640 --> 00:18:31,540 ARE YOU LOSING IT? ARE YOU GONNA TALK TO THIS JANET GRAFTON OR NOT? 412 00:18:31,610 --> 00:18:33,010 ABOUT WHAT? 413 00:18:33,070 --> 00:18:35,740 HER SENSE OF THIS GUY. JUST TALK TO HER. 414 00:18:35,810 --> 00:18:37,750 IF SHE CAN’T HELP US OUT, OR IT COMES UP ZERO, 415 00:18:37,810 --> 00:18:39,180 THEN I’LL DROP IT. 416 00:18:39,240 --> 00:18:40,700 BECAUSE YOU CAN’T ADMIT YOU WERE WRONG? 417 00:18:40,770 --> 00:18:42,800 ARE YOU GONNA DO IT? YES OR NO. 418 00:18:44,810 --> 00:18:46,810 THANKS. 419 00:18:50,510 --> 00:18:52,010 [ SIGHS ] 420 00:18:52,070 --> 00:18:53,640 Shh! 421 00:18:53,710 --> 00:18:55,310 [ SNORING ] 422 00:18:55,370 --> 00:18:56,440 CHASE. 423 00:18:59,170 --> 00:19:01,070 CHASE! I’M ALLERGIC! 424 00:19:01,140 --> 00:19:02,900 HEY. 425 00:19:02,970 --> 00:19:06,100 YOU ALL RIGHT? SURE. WHAT’S UP? 426 00:19:06,170 --> 00:19:08,070 YOU KNOW RYAN DOOLING? 427 00:19:08,140 --> 00:19:09,940 YEAH, I KNOW RYAN. 428 00:19:10,010 --> 00:19:11,580 WE’RE LOOKING FOR HIM. 429 00:19:11,640 --> 00:19:12,940 OKAY. 430 00:19:13,010 --> 00:19:14,880 THERE WAS A LITTLE DAMAGE DONE TO HIS HOTEL ROOM. 431 00:19:14,940 --> 00:19:16,200 WE NEED TO CLEAR IT UP. 432 00:19:16,270 --> 00:19:17,470 I DON’T KNOW WHERE HE IS, MAN. 433 00:19:17,540 --> 00:19:19,870 [ SNIFFS ] 434 00:19:19,940 --> 00:19:21,540 ARE YOU SURE YOU’RE ALL RIGHT? 435 00:19:21,610 --> 00:19:24,310 I’VE JUST BEEN UP FOR A COUPLE OF DAYS. 436 00:19:24,370 --> 00:19:25,540 [ SNIFFS ] 437 00:19:27,540 --> 00:19:28,640 SO, WHAT’S UP? 438 00:19:28,710 --> 00:19:30,680 RYAN DOOLING. HOW CAN WE FIND HIM? 439 00:19:30,740 --> 00:19:34,340 I DON’T KNOW. I SWEAR. 440 00:19:34,410 --> 00:19:36,280 I’M TIRED. I JUST WANT TO SLEEP. 441 00:19:36,340 --> 00:19:39,800 WE HEARD HE MIGHT HAVE BEEN HANGING OUT WITH A BRUNETTE? 442 00:19:39,870 --> 00:19:42,070 HE HUNG AROUND A BUNCH OF GIRLS. 443 00:19:42,140 --> 00:19:45,640 THIS ONE VISITED HIM IN HIS HOTEL LAST NIGHT. 444 00:19:45,710 --> 00:19:47,610 OKAY, OKAY, OKAY, LET ME THINK. 445 00:19:47,670 --> 00:19:49,300 WHAT’S HER NAME? 446 00:19:49,370 --> 00:19:52,570 HE SIGNED HER TO HIS LABEL. 447 00:19:52,640 --> 00:19:53,700 HE DID WHAT? 448 00:19:53,770 --> 00:19:55,500 THIS CHICK. SHE’S A DEEJAY. 449 00:19:55,570 --> 00:19:58,470 RYAN SIGNED HER TO HIS RECORD COMPANY. 450 00:19:58,540 --> 00:20:00,270 RECORD COMPANY? 451 00:20:04,870 --> 00:20:06,840 HEY, CHASE! 452 00:20:06,910 --> 00:20:09,610 THE GIRL THAT RYAN DOOLING’S BEEN HANGING OUT WITH LATELY... 453 00:20:09,670 --> 00:20:11,170 EVA. 454 00:20:11,240 --> 00:20:12,170 YEAH. 455 00:20:12,240 --> 00:20:14,170 HER LAST NAME SOUNDED FUNNY. 456 00:20:14,240 --> 00:20:17,040 LIKE IT WAS A NOUN OR SOMETHING. 457 00:20:17,110 --> 00:20:20,710 LIKE "SHELF" OR SOMETHING. 458 00:20:20,770 --> 00:20:21,640 WARM. 459 00:20:21,710 --> 00:20:23,710 YEAH, WARM. 460 00:20:23,770 --> 00:20:24,840 EVA WARM? 461 00:20:24,910 --> 00:20:27,310 YES. OKAY? 462 00:20:27,370 --> 00:20:30,700 I’M TIRED. I JUST WANT TO GET SOME SLEEP. 463 00:20:30,770 --> 00:20:34,070 CAN I GET SOME SLEEP? 464 00:20:37,840 --> 00:20:40,440 SO YOU GETTING ACCLIMATED ALL RIGHT TO THE PRECINCT? 465 00:20:40,510 --> 00:20:42,250 YEAH, THEY GOT ME IN A GOOD SQUAD 466 00:20:42,310 --> 00:20:44,480 WITH A GOOD BOSS DOING CITY‐DAY TOURS. 467 00:20:44,540 --> 00:20:45,800 NOTHING WRONG WITH THAT. 468 00:20:45,870 --> 00:20:47,470 PLUS, THE WAY I FEEL ABOUT ITALIAN FOOD? 469 00:20:47,540 --> 00:20:49,340 BEING NEAR MULBERRY STREET DOESN’T HURT. 470 00:20:49,410 --> 00:20:50,510 HELL, YEAH. 471 00:20:52,410 --> 00:20:53,980 SO, WHAT’S UP? 472 00:20:54,040 --> 00:20:56,300 [ CLEARS THROAT ] KINDA NEED A FAVOR. 473 00:20:56,370 --> 00:21:00,140 WELL, I KINDA OWE YOU ONE, SO YOU JUST MIGHT BE IN BUSINESS. 474 00:21:05,170 --> 00:21:08,640 STAN HATCHER’S BEEN ASSIGNED TO OUR SQUAD. 475 00:21:08,710 --> 00:21:10,210 YEAH, I KNOW STAN. 476 00:21:10,270 --> 00:21:13,340 HE WAS INVOLVED IN A SHOOTING THIS MORNING. I HEARD. 477 00:21:13,410 --> 00:21:15,410 WE’RE TRYING TO GET A FEEL FOR THE GUY. 478 00:21:15,470 --> 00:21:17,440 YOU KNOW, GET A FEEL FOR WHAT HAPPENED THIS MORNING, 479 00:21:17,510 --> 00:21:20,210 AND, IN DOING SO, 480 00:21:20,270 --> 00:21:22,400 WE GOT A TIP HE HAD A CALL IN TO YOU. 481 00:21:22,470 --> 00:21:25,240 SO I’M JUST ASKING IF YOU CAN POINT ME IN THE RIGHT DIRECTION. 482 00:21:25,310 --> 00:21:27,580 IF THIS IS NONE OF MY BUSINESS, JUST TELL ME NOW. 483 00:21:27,640 --> 00:21:30,140 STAN’S FRIENDS WITH MY EX. THE PHONE’S STILL IN MY NAME. 484 00:21:30,210 --> 00:21:32,710 THAT’S PROBABLY WHY WHOEVER TIPPED YOU SAID STAN WAS CALLING ME. 485 00:21:32,770 --> 00:21:34,200 GOT IT. 486 00:21:34,270 --> 00:21:35,940 SO, YOU’RE HAVING DOUBTS ABOUT STAN, 487 00:21:36,010 --> 00:21:37,250 WHICH IS WHY YOU’RE ASKING ME? 488 00:21:37,310 --> 00:21:39,580 YOU DON’T LOOK TOO SURPRISED. 489 00:21:39,640 --> 00:21:41,900 LIKE I SAID, WE’RE JUST TRYING TO GET A FEEL. 490 00:21:41,970 --> 00:21:43,770 HOW DID THE SHOOTING GO DOWN THIS MORNING? 491 00:21:43,840 --> 00:21:45,270 STAN WAS DRIVING TO THE GYM REAL EARLY, 492 00:21:45,340 --> 00:21:48,000 SAW A PERP, GAVE CHASE, 493 00:21:48,070 --> 00:21:50,470 SOME NEIGHBOR MISTOOK STAN AS A BURGLAR, FIRED OFF A ROUND. 494 00:21:50,540 --> 00:21:52,340 THIS IS OVER ON BROOME AND ELIZABETH. 495 00:21:52,410 --> 00:21:54,310 NEIGHBOR’S LOOKING NEGLIGENT 496 00:21:54,370 --> 00:21:57,270 SINCE HIM HAVING AN ILLEGAL GUN PROVOKED THE WHOLE THING. 497 00:22:00,040 --> 00:22:01,840 YOU DIDN’T HEAR THIS FROM ME, RIGHT? 498 00:22:01,910 --> 00:22:03,080 RIGHT. 499 00:22:03,140 --> 00:22:05,700 STAN’S EX‐GIRLFRIEND LUCY? 500 00:22:05,770 --> 00:22:07,870 SHE LIVES ON BROOME AND ELIZABETH. 501 00:22:07,940 --> 00:22:10,570 WHEN ME AND SCOTT WERE MARRIED, WE WENT THERE FOR DINNER ONE TIME. 502 00:22:12,370 --> 00:22:13,440 LUCY TIMMINS. 503 00:22:14,940 --> 00:22:17,540 AND THAT DOESN’T COUNT AS A FAVOR‐‐ THAT’S ON THE HOUSE, 504 00:22:17,610 --> 00:22:19,410 ’CAUSE STAN’S A COMPLETE ASSHOLE. 505 00:22:20,910 --> 00:22:22,350 I GOTTA HEAD BACK. 506 00:22:39,470 --> 00:22:41,240 HI. 507 00:22:42,770 --> 00:22:44,900 MISS TIMMINS? 508 00:22:44,970 --> 00:22:46,900 MAY I HELP YOU? 509 00:22:46,970 --> 00:22:49,170 DETECTIVES SIPOWICZ AND CLARK, 15th SQUAD. 510 00:22:49,240 --> 00:22:51,170 YEAH, I GOT YOUR MESSAGE. I’VE JUST BEEN REALLY SWAMPED. 511 00:22:51,240 --> 00:22:53,300 WELL, WE WERE IN THE NEIGHBORHOOD, ANYWAY. 512 00:22:53,370 --> 00:22:54,570 DO YOU HAVE A FEW MINUTES? 513 00:22:54,640 --> 00:22:56,200 SURE. 514 00:22:56,270 --> 00:22:58,970 YOU AND STAN HATCHER DATED FOR A COUPLE YEARS? 515 00:23:00,910 --> 00:23:02,210 THAT’S RIGHT. 516 00:23:02,270 --> 00:23:04,300 ARE YOU AWARE HE WAS INVOLVED 517 00:23:04,370 --> 00:23:05,700 IN A SHOOTING THIS MORNING AT THE BUILDING NEXT TO YOURS? 518 00:23:05,770 --> 00:23:07,170 YEAH, I, UH... 519 00:23:07,240 --> 00:23:09,270 LOOKED OUT MY WINDOW AFTER IT ALL HAPPENED, 520 00:23:09,340 --> 00:23:12,570 AND I SAW STAN THERE, AND, UH...YEAH. 521 00:23:12,640 --> 00:23:14,940 THAT’S ALL. WAS HE WITH YOU LAST NIGHT? 522 00:23:15,010 --> 00:23:16,980 NO, WE BROKE UP MONTHS AGO. 523 00:23:17,040 --> 00:23:20,140 HE WAS SHOT LOOKING OVER THE FENCE THAT BORDERS YOUR BUILDING. 524 00:23:20,210 --> 00:23:22,210 I DIDN’T KNOW THAT. 525 00:23:22,270 --> 00:23:24,040 YOU SEE OUR DILEMMA HERE, MISS TIMMINS? 526 00:23:24,110 --> 00:23:26,380 SURE, BUT STAN WASN’T WITH ME. 527 00:23:26,440 --> 00:23:29,140 HAVE YOU HAD PROBLEMS WITH STAN MAKING UNANNOUNCED VISITS SINCE THE BREAKUP? 528 00:23:29,210 --> 00:23:31,210 YOU’RE GETTING INTO PERSONAL ASPECTS OF MY LIFE 529 00:23:31,270 --> 00:23:32,800 THAT I’M NOT COMFORTABLE SHARING WITH YOU. 530 00:23:32,870 --> 00:23:34,200 YOUR NEIGHBOR GOT SHOT AS WELL. 531 00:23:34,270 --> 00:23:36,340 PEOPLE COULD HAVE BEEN KILLED. 532 00:23:36,410 --> 00:23:39,410 SO WE’RE GONNA HAVE TO DELVE INTO YOUR PERSONAL ASPECTS. 533 00:23:39,470 --> 00:23:41,870 THE ALTERNATIVE IS A COURT ORDER. 534 00:23:41,940 --> 00:23:43,600 SO, WHAT’S IT GONNA BE? 535 00:23:43,670 --> 00:23:45,170 DO YOU REALLY WANT TO KNOW? 536 00:23:45,240 --> 00:23:47,270 WOULD YOU REALLY DO ANYTHING ABOUT IT? 537 00:23:47,340 --> 00:23:49,170 I DON’T KNOW WHAT HATCHER’S BEEN FILLING YOUR HEAD WITH 538 00:23:49,240 --> 00:23:51,040 IN TERMS OF COPS PROTECTING COPS, 539 00:23:51,110 --> 00:23:53,280 BUT WE CAME HERE TO FIND OUT WHAT’S GOING ON. 540 00:23:56,840 --> 00:23:58,670 WHAT WOULD YOU LIKE TO KNOW, DETECTIVE? 541 00:23:58,740 --> 00:24:01,000 HAS HATCHER BEEN COMING BY YOUR APARTMENT UNINVITED? 542 00:24:01,070 --> 00:24:02,070 YES. 543 00:24:02,140 --> 00:24:04,070 YOUR RELATIONSHIP WITH HIM ENDED BAD? 544 00:24:04,140 --> 00:24:06,540 QUITE. SO, IF WE WERE TO MAKE THE ASSUMPTION 545 00:24:06,610 --> 00:24:10,480 THAT, UH, HE WAS LOOKING OVER THAT FENCE TO SPY ON YOU‐‐ 546 00:24:10,540 --> 00:24:11,640 YOU’D PROBABLY BE RIGHT. 547 00:24:11,710 --> 00:24:13,380 WAS HE EVER ABUSIVE? 548 00:24:13,440 --> 00:24:15,700 NOT...PHYSICALLY. 549 00:24:15,770 --> 00:24:17,600 HAVE YOU EVER LOOKED INTO GETTING AN ORDER OF PROTECTION? 550 00:24:17,670 --> 00:24:20,100 I DON’T WANT TO PISS STAN OFF MORE THAN HE ALREADY IS. 551 00:24:20,170 --> 00:24:22,040 I JUST WANT TO BE LEFT ALONE. 552 00:24:22,110 --> 00:24:23,880 ALL RIGHT, WE APPRECIATE YOU LEVELING WITH US. 553 00:24:25,970 --> 00:24:27,670 DON’T TELL HIM WE TALKED. 554 00:24:27,740 --> 00:24:28,570 PLEASE? 555 00:24:28,640 --> 00:24:30,270 SURE. 556 00:24:35,540 --> 00:24:37,640 HAVE A SEAT, EVA. THANKS. 557 00:24:37,710 --> 00:24:40,180 Medavoy: YOU KNOW A RYAN DOOLING? 558 00:24:40,240 --> 00:24:41,200 YEAH. 559 00:24:41,270 --> 00:24:43,000 WHEN DID YOU SEE HIM LAST? 560 00:24:43,070 --> 00:24:45,070 UH, A COUPLE DAYS AGO AT THIS CLUB‐‐ 561 00:24:45,140 --> 00:24:46,570 THE LIGHT FACTORY. 562 00:24:46,640 --> 00:24:49,640 SO, YOU DIDN’T STOP BY HIS HOTEL LAST NIGHT? 563 00:24:49,710 --> 00:24:51,680 THE HOTEL FAUNTLEROY? NO. 564 00:24:51,740 --> 00:24:54,500 THE NIGHT CLERK SAID AN ATTRACTIVE BRUNETTE ASKED HIM 565 00:24:54,570 --> 00:24:56,100 WHICH ROOM RYAN WAS IN. 566 00:24:56,170 --> 00:24:57,300 NOW, THAT WASN’T YOU? 567 00:24:59,110 --> 00:25:02,480 LET’S START OVER. THANKS. 568 00:25:02,540 --> 00:25:05,500 DID YOU SEE RYAN AT THE HOTEL FAUNTLEROY LAST NIGHT? 569 00:25:05,570 --> 00:25:06,500 YES. 570 00:25:06,570 --> 00:25:08,400 WHY DID YOU LIE ABOUT IT? 571 00:25:08,470 --> 00:25:10,900 I PROMISED MY DAD THAT I’D STOP HANGING AROUND RYAN. 572 00:25:10,970 --> 00:25:12,840 SORRY. DID YOU AND RYAN ARGUE? 573 00:25:12,910 --> 00:25:13,810 NO... 574 00:25:13,870 --> 00:25:15,640 JUST HUNG OUT. 575 00:25:15,710 --> 00:25:18,080 THERE WAS SOME DAMAGE TO RYAN’S HOTEL ROOM. 576 00:25:18,140 --> 00:25:20,570 DAMAGE THAT WOULD INDICATE THAT AN ARGUMENT TRANSPIRED. 577 00:25:20,640 --> 00:25:22,600 NOT EVEN CLOSE. 578 00:25:22,670 --> 00:25:26,100 I WENT OVER THERE, TRIED TO TALK HIM INTO GOING OUT, 579 00:25:26,170 --> 00:25:28,700 HE SAID HE NEEDED TO STAY IN, SO I SPLIT. 580 00:25:28,770 --> 00:25:30,970 DID HE SAY WHAT HE WAS GONNA BE DOING AFTER YOU LEFT? 581 00:25:31,040 --> 00:25:33,370 DID HE SAY IF ANYBODY WAS COMING TO MEET HIM? 582 00:25:33,440 --> 00:25:35,240 NO. DO YOU KNOW WHERE RYAN IS NOW? 583 00:25:35,310 --> 00:25:37,150 ’CAUSE, UH, WE GOTTA GET THIS WORKED OUT. 584 00:25:37,210 --> 00:25:39,710 ISN’T HE AT THAT HOTEL? 585 00:25:39,770 --> 00:25:41,900 NO, HE CLEARED OUT THIS MORNING. 586 00:25:41,970 --> 00:25:45,170 THEN, I DON’T KNOW. WHO ARE HIS FRIENDS THAT HE MAYBE CRASHED WITH? 587 00:25:45,240 --> 00:25:47,200 WE WEREN’T REALLY THAT CLOSE. 588 00:25:47,270 --> 00:25:49,470 WELL, CLOSE ENOUGH FOR YOUR FATHER TO HAVE MET HIM 589 00:25:49,540 --> 00:25:51,040 AND FORMED AN OPINION. 590 00:25:51,110 --> 00:25:53,350 BELIEVE ME, IT TOOK MY FATHER ALL OF 10 SECONDS 591 00:25:53,410 --> 00:25:56,080 TO THINK THAT RYAN WAS A CON ARTIST. 592 00:25:56,140 --> 00:25:58,370 EVA, YOU SEEM LIKE A NICE GIRL. 593 00:25:58,440 --> 00:26:00,100 WE’D PREFER THIS TO BE THE LAST TIME 594 00:26:00,170 --> 00:26:01,970 WE’D HAVE TO INCONVENIENCE YOU. 595 00:26:02,040 --> 00:26:04,400 I WOULDN’T MIND THAT EITHER. 596 00:26:04,470 --> 00:26:06,100 GOOD. 597 00:26:06,170 --> 00:26:09,270 WELL, JUST SO YOU KNOW‐‐ WE NEED TO LOCATE RYAN 598 00:26:09,340 --> 00:26:11,770 AND WE NEED TO FIND OUT WHAT HAPPENED IN THAT HOTEL ROOM, 599 00:26:11,840 --> 00:26:14,970 AND IF WE DISCOVER LATER THAT YOU WITHHELD INFORMATION ON US, 600 00:26:15,040 --> 00:26:16,870 WE’RE REALLY GONNA INCONVENIENCE YOU. 601 00:26:19,810 --> 00:26:22,580 THERE’S A BAR ON THIRD? 602 00:26:22,640 --> 00:26:23,970 THE POWERHOUSE. 603 00:26:24,040 --> 00:26:26,340 RYAN HANGS OUT THERE A LOT. ALL RIGHT. GOOD. 604 00:26:26,410 --> 00:26:28,550 HE MUST HAVE DONE A HELL OF A LOT OF DAMAGE 605 00:26:28,610 --> 00:26:30,750 TO THIS HOTEL ROOM. 606 00:26:30,810 --> 00:26:32,710 THANKS FOR COMING IN. 607 00:26:32,770 --> 00:26:34,900 [ CLEARS THROAT ] 608 00:26:37,740 --> 00:26:40,240 SUCH SERIOUS LOOKS. 609 00:26:40,310 --> 00:26:42,310 THERE’S SOMETHING WE NEED TO TALK ABOUT, STAN. 610 00:26:42,370 --> 00:26:43,870 APPARENTLY. 611 00:26:43,940 --> 00:26:46,770 WE GOT AN ANONYMOUS PHONE CALL‐‐ A TIP. 612 00:26:46,840 --> 00:26:48,940 NOW WE GOTTA DEAL WITH IT. 613 00:26:49,010 --> 00:26:50,480 LET’S DEAL WITH IT. 614 00:26:50,540 --> 00:26:52,240 YOUR EX‐GIRLFRIEND LIVES IN THE BUILDING 615 00:26:52,310 --> 00:26:53,950 NEXT TO WHERE THE SHOOTING WAS? 616 00:26:54,010 --> 00:26:55,480 THAT’S RIGHT. SHE DOES. 617 00:26:55,540 --> 00:26:57,240 WHY DIDN’T YOU TELL US? 618 00:26:57,310 --> 00:26:59,350 ’CAUSE THAT HAD NOTHING TO DO WITH ME CHASING THAT PERP. 619 00:26:59,410 --> 00:27:01,950 YOU WERE LOOKING UP INTO YOUR EX‐GIRLFRIEND’S WINDOW. 620 00:27:02,010 --> 00:27:04,680 THAT’S WHAT SOME PEOPLE COULD INTERPRET IT AS. 621 00:27:04,740 --> 00:27:07,440 AND THAT’S ANOTHER REASON WHY I DIDN’T WANT TO TELL YOU. 622 00:27:07,510 --> 00:27:09,950 I DIDN’T WANT TO PUT YOU IN THE POSITION WHERE YOU HAD TO LIE FOR ME. 623 00:27:10,010 --> 00:27:11,880 WE GOT A CIVILIAN SHOT, AND HE’S ARRESTED. 624 00:27:11,940 --> 00:27:13,500 FOR GOOD REASON. 625 00:27:13,570 --> 00:27:15,400 I WAS CHASING A PERP. 626 00:27:15,470 --> 00:27:16,940 I WAS DOING MY JOB. 627 00:27:17,010 --> 00:27:19,150 AND WHETHER OR NOT YOU BELIEVE ME, 628 00:27:19,210 --> 00:27:20,950 THAT SON OF A BITCH IN THE APARTMENT IS AT FAULT. 629 00:27:21,010 --> 00:27:22,810 HE’S WALKING AROUND WITH AN ILLEGAL GUN 630 00:27:22,870 --> 00:27:25,070 WANTING TO KILL AN INTRUDER. 631 00:27:25,140 --> 00:27:27,200 AND I WAS OUTSIDE HIS APARTMENT 632 00:27:27,270 --> 00:27:29,800 AND HE DID NOT FIRE A WARNING SHOT. 633 00:27:29,870 --> 00:27:31,700 HE WAS SHOOTING TO KILL ME. 634 00:27:31,770 --> 00:27:33,370 YOU WERE SPYING ON YOUR EX. 635 00:27:33,440 --> 00:27:35,640 THAT’S WHAT GOT THE WHOLE BALL STARTED. 636 00:27:35,710 --> 00:27:37,050 I WAS CHASING A PERP! 637 00:27:37,110 --> 00:27:38,510 BRING IT DOWN A PEG, STAN. 638 00:27:38,570 --> 00:27:40,340 HE NEEDS TO BRING IT DOWN A PEG. 639 00:27:40,410 --> 00:27:42,050 YOU’VE HAD IT OUT FOR ME SINCE DAY ONE 640 00:27:42,110 --> 00:27:44,350 AND TO HELL IF I’M GONNA TAKE IT ANYMORE. 641 00:27:44,410 --> 00:27:46,310 LET ME KNOW WHEN YOU’RE DONE SO WE CAN GET BACK TO THE SHOOTING. 642 00:27:46,370 --> 00:27:47,740 OH, WE’RE NOT GETTING BACK TO NOTHING. 643 00:27:47,810 --> 00:27:49,280 WE’RE DONE TALKING. 644 00:27:52,770 --> 00:27:54,170 [ DOOR SLAMS ] 645 00:27:54,240 --> 00:27:55,770 ALL RIGHT, I KNOW YOU DON’T LIKE THIS GUY, 646 00:27:55,840 --> 00:27:57,940 AND HE IS A HOTHEADED PRICK, 647 00:27:58,010 --> 00:27:59,780 BUT IF IT WAS ANY OTHER COP, 648 00:27:59,840 --> 00:28:01,540 WE’D LET THE EX‐GIRLFRIEND ASPECT STAY A SECRET. 649 00:28:01,610 --> 00:28:03,080 SO HATCHER WASN’T DOING ANYTHING WRONG? 650 00:28:03,140 --> 00:28:04,470 ABSOLUTELY, HE WAS. 651 00:28:04,540 --> 00:28:06,470 BUT NOT ENOUGH TO PULL THE PLUG ON HIM. 652 00:28:06,540 --> 00:28:09,270 SEE, THIS IS WHAT PEOPLE KEEP DOING WITH THIS DICKHEAD. 653 00:28:09,340 --> 00:28:11,770 THEY COVER FOR HIM, HE GOES ONTO THE NEXT SQUAD, 654 00:28:11,840 --> 00:28:14,340 HE SCREWS UP ALL OVER AGAIN. THIS GUY SHOULD NOT BE A COP. 655 00:28:14,410 --> 00:28:16,880 HE DIDN’T BUST DOWN HER DOOR, HE DIDN’T MAKE ANY THREATS, 656 00:28:16,940 --> 00:28:18,970 AND SHE SAID HE WASN’T PHYSICALLY ABUSIVE. 657 00:28:19,040 --> 00:28:21,000 [ SCOFFS ] DO YOU BELIEVE THAT? 658 00:28:21,070 --> 00:28:23,170 I’VE DROPPED A DIME ON A COP I THOUGHT WAS A THREAT, 659 00:28:23,240 --> 00:28:25,800 BUT WE DON’T HAVE ENOUGH TO PULL THE PLUG ON HATCHER RIGHT NOW, 660 00:28:25,870 --> 00:28:28,500 AND IF WE DID, WE’D BE BUYING OURSELVES A WORLD OF PROBLEMS. 661 00:28:28,570 --> 00:28:30,370 MEANING YOU’RE AFRAID OF HATCHER’S UNCLE? 662 00:28:30,440 --> 00:28:32,670 WHETHER I AM OR NOT, WE DON’T HAVE ENOUGH. 663 00:28:32,740 --> 00:28:35,200 GREAT. 664 00:28:35,270 --> 00:28:37,270 WONDERFUL. 665 00:28:43,610 --> 00:28:45,180 EVERYTHING ALL RIGHT? 666 00:28:45,240 --> 00:28:46,570 SURE. 667 00:28:46,640 --> 00:28:48,870 ’CAUSE I THOUGHT I HEARD A DOOR BEING SLAMMED SHUT. 668 00:28:48,940 --> 00:28:51,470 WE GET A CROSS‐BREEZE GOING THROUGH HERE SOMETIMES. 669 00:28:51,540 --> 00:28:54,740 WELL, TAKE CARE OF IT. YOU GOT IT, SARGE. 670 00:28:54,810 --> 00:28:57,680 HEY, RYAN DOOLING WAS GRABBED UP BY ANTI‐CRIME GETTING ON A BUS. 671 00:28:57,740 --> 00:28:59,400 YEAH, WE’LL, UH, BRING HIM IN. 672 00:29:01,710 --> 00:29:03,010 WHAT? 673 00:29:07,270 --> 00:29:09,200 [ SIGHS ] I’M A LITTLE IN THE DARK HERE. 674 00:29:09,270 --> 00:29:11,570 IT’S GONNA GO DOWN AS A GOOD SHOOT, RIGHT? 675 00:29:11,640 --> 00:29:14,470 THERE WERE A COUPLE QUESTIONS THAT WERE ANSWERED. 676 00:29:14,540 --> 00:29:15,940 DONE DEAL. 677 00:29:16,010 --> 00:29:18,180 THAT’S ALL I NEED TO KNOW? YEP. 678 00:29:31,770 --> 00:29:33,270 YOU GOT A SECOND? 679 00:29:40,740 --> 00:29:42,270 LISTEN... 680 00:29:42,340 --> 00:29:44,270 SOMETIMES I GET WORKED UP, AND MY TEMPER FLARES. 681 00:29:44,340 --> 00:29:46,270 I APOLOGIZE. 682 00:29:46,340 --> 00:29:47,940 OKAY. 683 00:29:48,010 --> 00:29:50,080 BUT I’M JUST TRYING TO FIGURE OUT 684 00:29:50,140 --> 00:29:52,100 WHAT IT IS YOU GOT AGAINST ME. 685 00:29:52,170 --> 00:29:54,240 AND FORGET ABOUT WHAT HAPPENED TODAY‐‐ 686 00:29:54,310 --> 00:29:56,380 THIS STARTED WHEN I SET FOOT IN THIS SQUAD. 687 00:29:56,440 --> 00:29:58,900 IS IT BECAUSE I SMACKED THAT SUSPECT AROUND? 688 00:29:58,970 --> 00:30:01,070 OR, YOU KNOW, GAVE A LITTLE PAYBACK 689 00:30:01,140 --> 00:30:03,300 TO THE FREAK WHO KIDNAPPED THOSE WOMEN 690 00:30:03,370 --> 00:30:05,070 AND KEPT THEM AS SEX‐SLAVES? 691 00:30:05,140 --> 00:30:07,370 I MEAN, YOU’RE AN ACTIVE COP, RIGHT? 692 00:30:07,440 --> 00:30:09,540 YOU’RE NOT AFRAID TO PUT YOUR HANDS ON A GUY. 693 00:30:09,610 --> 00:30:12,710 WE GOT MORE IN COMMON THAN YOU THINK, SIPOWICZ. 694 00:30:12,770 --> 00:30:14,240 IS THAT IT? 695 00:30:14,310 --> 00:30:16,250 ARE YOU, LIKE, THREATENED BY ME OR SOMETHING? 696 00:30:16,310 --> 00:30:19,410 IN TERMS OF THIS JOB, STAN, WE GOT NOTHING IN COMMON. 697 00:30:19,470 --> 00:30:21,300 AND IF IT WAS UP TO ME, 698 00:30:21,370 --> 00:30:23,370 THERE’S NO WAY YOU’D BE CARRYING A BADGE AND A GUN. 699 00:30:23,440 --> 00:30:27,300 WELL, I THOUGHT WE COULD WORK THIS OUT. 700 00:30:27,370 --> 00:30:28,500 I GUESS NOT. 701 00:30:28,570 --> 00:30:31,100 EVERYBODY’S ENTITLED TO A SCREW‐UP HERE AND THERE. 702 00:30:31,170 --> 00:30:33,070 BUT YOU’VE MADE A CAREER OUT OF IT. 703 00:30:33,140 --> 00:30:35,170 DO YOURSELF A FAVOR‐‐ FIND A NEW HOME. 704 00:30:35,240 --> 00:30:37,870 ’CAUSE I’M NOT GONNA LET YOU PUT A STINK ON THIS SQUAD. 705 00:30:37,940 --> 00:30:39,540 I’M NOT GOING ANYWHERE. 706 00:30:39,610 --> 00:30:40,850 IF ANYBODY’S DUE FOR A CHANGE OF VENUE, IT’S YOU. 707 00:30:40,910 --> 00:30:42,850 YOU THINK? 708 00:30:42,910 --> 00:30:44,180 DAMN STRAIGHT. 709 00:30:44,240 --> 00:30:45,940 ARE YOU GONNA RUN TO YOUR UNCLE 710 00:30:46,010 --> 00:30:47,810 AND BEG HIM TO DO SOMETHING ABOUT ME? 711 00:30:47,870 --> 00:30:49,770 I DON’T KNOW ABOUT THE RUN PART, 712 00:30:49,840 --> 00:30:51,900 BUT SOUNDS LIKE YOU GOT A PRETTY GOOD IDEA HOW THINGS WORK. 713 00:30:51,970 --> 00:30:53,940 WELL, LET ME TELL YOU SOMETHING‐‐ 714 00:30:54,010 --> 00:30:57,650 YOU, YOUR UNCLE, AND ANYBODY WHO BEARS A RESEMBLANCE 715 00:30:57,710 --> 00:31:00,150 CAN SHOVE IT CLEAN UP THEIR ASS! 716 00:31:01,840 --> 00:31:04,140 BETTER START THINKING ABOUT FINDING A NEW COMMAND, PAL. 717 00:31:19,530 --> 00:31:22,060 SO, RYAN, UH... 718 00:31:22,130 --> 00:31:24,190 WHY YOU LEAVING TOWN IN SUCH A HURRY? 719 00:31:24,260 --> 00:31:26,230 Ryan: JUST KINDA DONE WITH NEW YORK. 720 00:31:26,300 --> 00:31:28,300 READY FOR THAT NEXT ADVENTURE. 721 00:31:28,360 --> 00:31:30,330 YOU GOT SOME UNFINISHED BUSINESS BACK AT THE FAUNTLEROY. 722 00:31:30,400 --> 00:31:32,340 DON’T LAUGH... 723 00:31:32,400 --> 00:31:33,840 I’M SERIOUS‐‐ 724 00:31:33,900 --> 00:31:36,140 I WAS GONNA MAIL THEM THE THREE DAYS’ I OWED. 725 00:31:36,200 --> 00:31:37,940 WE’RE TALKING ABOUT THE BULLET HOLE IN YOUR WALL. 726 00:31:38,000 --> 00:31:40,040 SAY WHAT? YOU HEARD ME. 727 00:31:40,100 --> 00:31:42,340 I DON’T KNOW ANYTHING ABOUT THAT. 728 00:31:42,400 --> 00:31:44,240 WE’RE FIGURING THE GUN WENT OFF 729 00:31:44,300 --> 00:31:45,740 EITHER WHEN EVA WAS THERE OR SOMETIME AFTER. 730 00:31:45,800 --> 00:31:47,540 I DON’T KNOW ABOUT A BULLET HOLE. 731 00:31:47,600 --> 00:31:50,040 YOU KNOW, YOUR CURRENT APPROACH HERE, RYAN? 732 00:31:50,100 --> 00:31:51,740 THE HEAD‐IN‐THE‐SAND THING? 733 00:31:51,800 --> 00:31:53,640 THAT’S JUST GONNA GET YOU STUCK HERE IN NEW YORK. 734 00:31:53,700 --> 00:31:56,500 BUT TELL US WHAT HAPPENED, 735 00:31:56,560 --> 00:31:58,830 APOLOGIZE TO THE HOTEL FOR THE HASSLE, 736 00:31:58,900 --> 00:32:00,840 AND YOU CAN GO ON YOUR MERRY WAY. 737 00:32:00,900 --> 00:32:03,040 HAVE YOU GUYS SEEN THAT HOTEL? 738 00:32:03,100 --> 00:32:06,540 THERE’S MORE BULLET HOLES IN THAT PLACE THAN BEDS. 739 00:32:06,600 --> 00:32:08,270 YOU GOTTA LEVEL WITH US. 740 00:32:08,330 --> 00:32:09,990 WHAT MAKES YOU SO SURE IT WAS ME? 741 00:32:10,060 --> 00:32:11,360 GEORGE SCHIFFER. 742 00:32:11,430 --> 00:32:13,290 THE OLD MAN LIVING IN THE ROOM NEXT TO YOU. 743 00:32:13,360 --> 00:32:15,830 REMEMBER HIM? YEAH, I KNOW GEORGE. 744 00:32:15,900 --> 00:32:19,100 HE’S DEAD...FROM A BULLET THAT CAME FROM YOUR ROOM. 745 00:32:19,160 --> 00:32:21,160 NOW, THIS GUY WAS JUST LIVING HIS LIFE, 746 00:32:21,230 --> 00:32:23,290 MINDING HIS OWN BUSINESS. 747 00:32:23,360 --> 00:32:25,630 HE DESERVED BETTER THAN TO GO OUT WITH A BULLET IN HIS CHEST, 748 00:32:25,700 --> 00:32:28,040 BUT YOU AND YOUR STUPID‐ASS CLUB FRIENDS CAUSED HIS DEATH. 749 00:32:28,100 --> 00:32:29,570 I DIDN’T DO IT. 750 00:32:29,630 --> 00:32:31,160 HELL, YEAH, YOU DID. 751 00:32:31,230 --> 00:32:33,790 UNLESS YOU CONVINCE US DIFFERENT. 752 00:32:33,860 --> 00:32:35,260 IT WAS EVA. 753 00:32:35,330 --> 00:32:36,430 EVA? 754 00:32:36,500 --> 00:32:37,840 WHAT HAPPENED? 755 00:32:37,900 --> 00:32:40,470 SHE CAME BY ’CAUSE I OWED HER MONEY, 756 00:32:40,530 --> 00:32:42,030 BUT I’D BLOWN IT ALL. 757 00:32:42,100 --> 00:32:44,370 SHE PULLS OUT A GUN TO THREATEN ME, AND IT JUST WENT OFF. 758 00:32:44,430 --> 00:32:48,160 SO WE AGREED TO DENY IT EVER HAPPENED. 759 00:32:48,230 --> 00:32:50,330 YOU KNOW, FROM WHAT I’VE HEARD ABOUT YOU, RYAN, 760 00:32:50,400 --> 00:32:52,000 IT WOULDN’T BE A STRETCH YOU PINNING THIS ON A GIRL. 761 00:32:52,060 --> 00:32:54,630 EVA FIRED THE GUN! THAT’S WHAT HAPPENED. 762 00:32:54,700 --> 00:32:57,240 YOU’RE STICKING AROUND. GEORGE IS REALLY DEAD? 763 00:32:57,300 --> 00:33:00,940 YOU DON’T NEED TO PUT ON THE FAKE GRIEF. 764 00:33:01,000 --> 00:33:02,170 ACTUALLY, IT’S KIND OF AN INSULT. 765 00:33:02,230 --> 00:33:03,790 I’M NOT FAKING NOTHING. 766 00:33:03,860 --> 00:33:06,260 I MOVED INTO THAT PLACE, ’CAUSE MY BROTHER KICKED ME OUT. 767 00:33:06,330 --> 00:33:09,030 I WAS COMPLETELY ALONE, AND I GUESS I WAS CRYING. 768 00:33:09,100 --> 00:33:11,370 THERE’S A KNOCK ON MY DOOR, AND IT’S GEORGE. 769 00:33:11,430 --> 00:33:13,290 HE ASKED ME IF I WAS OKAY. 770 00:33:13,360 --> 00:33:17,790 HE’S THE ONLY PERSON TO ASK ME THAT IN I DON’T KNOW HOW LONG. 771 00:33:17,860 --> 00:33:19,890 IF THIS COMES BACK TO YOU... 772 00:33:23,460 --> 00:33:25,230 SO THEN THE GUY IN THE APARTMENT 773 00:33:25,300 --> 00:33:26,970 GETS CHARGED WITH CRIMINAL POSSESSION 774 00:33:27,030 --> 00:33:29,490 OF AN UNREGISTERED WEAPON, RECKLESS ENDANGERMENT, 775 00:33:29,560 --> 00:33:31,260 AND SECOND‐DEGREE ASSAULT. 776 00:33:31,330 --> 00:33:33,930 NO PRIORS, SO FIGURE HE’LL DO LESS THAN A YEAR. 777 00:33:34,000 --> 00:33:35,970 EVEN IF HE JUST GOT PROBATION, 778 00:33:36,030 --> 00:33:37,760 AS LONG AS HE GETS THE MESSAGE HE WAS IN THE WRONG. 779 00:33:37,830 --> 00:33:39,590 SURE. 780 00:33:39,660 --> 00:33:41,260 YOU ALL RIGHT WITH THAT, STAN? 781 00:33:41,330 --> 00:33:43,730 NO PROBLEM. I’M NOT LOOKING TO HURT THE GUY. 782 00:33:43,800 --> 00:33:46,070 WE’LL GET THE CASE FOLDER OVER TO YOU AFTER WE’RE DONE. 783 00:33:46,130 --> 00:33:47,630 HAVE A GOOD NIGHT. 784 00:33:47,700 --> 00:33:49,140 Ortiz: YOU TOO. 785 00:33:51,900 --> 00:33:53,600 THANKS, MAN. 786 00:33:53,660 --> 00:33:55,530 YOU GOT IT. 787 00:34:03,630 --> 00:34:05,760 I DIDN’T FIRE A GUN. 788 00:34:05,830 --> 00:34:07,290 EVA... 789 00:34:07,360 --> 00:34:09,860 YOU’RE DUG IN, OBVIOUSLY, AND I KNOW, AT A CERTAIN POINT, 790 00:34:09,930 --> 00:34:12,490 PEOPLE FEEL THEY’VE COMMITTED TO A LIE, AND THEY WON’T UNDO IT, 791 00:34:12,560 --> 00:34:14,690 BECAUSE, MORE THAN ANYTHING, THEY’RE EMBARRASSED. 792 00:34:14,760 --> 00:34:16,190 BUT WE’RE NOT YOUR PARENTS. 793 00:34:16,260 --> 00:34:17,830 WE’RE NOT GONNA HOLD IT AGAINST YOU. 794 00:34:17,900 --> 00:34:19,740 WE GOT RYAN SAYING YOU FIRED THE GUN. 795 00:34:19,800 --> 00:34:21,970 WE GOT WITNESSES WE CAN PARADE IN FRONT OF A JUDGE. 796 00:34:22,030 --> 00:34:24,230 YOU GOTTA START THINKING CLEARLY NOW, EVA. 797 00:34:24,300 --> 00:34:26,470 RYAN’S GOT A LOT OF NERVE BLAMING THIS ON ME. 798 00:34:26,530 --> 00:34:27,660 DID HE FIRE THE GUN? 799 00:34:27,730 --> 00:34:29,890 [ SCOFFS ] 800 00:34:29,960 --> 00:34:32,760 I AM SO DONE WITH THIS BULLSHIT. 801 00:34:32,830 --> 00:34:35,790 AND I SWEAR‐‐ AND YOU CAN TELL THE PEOPLE AT THE HOTEL THIS‐‐ 802 00:34:35,860 --> 00:34:37,590 I AM ABSOLUTELY GOING TO CHANGE MY LIFE. 803 00:34:37,660 --> 00:34:39,060 OKAY, WE’LL TELL THEM. 804 00:34:39,130 --> 00:34:40,930 ’CAUSE THIS WAS JUST... THE CAPPER. 805 00:34:41,000 --> 00:34:42,970 THIS WAS THE WAKE‐UP CALL THAT I NEEDED. 806 00:34:43,030 --> 00:34:45,760 I AM ENROLLING AT NASSAU COMMUNITY COLLEGE TODAY. 807 00:34:45,830 --> 00:34:47,790 WHAT HAPPENED LAST NIGHT? 808 00:34:47,860 --> 00:34:50,130 I MET RYAN AT THE LIGHT FACTORY‐‐ 809 00:34:50,200 --> 00:34:53,540 THIS CLUB, AND HE FINDS OUT THAT I WANT TO BE A DEEJAY. 810 00:34:53,600 --> 00:34:55,000 [ LAUGHS ] 811 00:34:55,060 --> 00:34:57,930 AND HE TELLS ME THAT HE WORKS FOR A RECORD LABEL 812 00:34:58,000 --> 00:35:00,370 AND A BUNCH OF SWEET‐TALK LATER, 813 00:35:00,430 --> 00:35:04,530 HE GETS ME TO GIVE HIM 500 BUCKS TO COVER "PRODUCTION COSTS," 814 00:35:04,600 --> 00:35:07,470 BUT THEN EACH TIME I SEE HIM, I START GETTING THE BRUSH‐OFF. 815 00:35:07,530 --> 00:35:09,790 SO I HAVE MY COUSIN FOLLOW HIM ONE NIGHT, 816 00:35:09,860 --> 00:35:12,960 AND I FIND OUT THAT HE’S STAYING AT THAT DUMP, THE FAUNTLEROY. 817 00:35:13,030 --> 00:35:15,230 COUPLE DAYS GO BY, I DON’T SEE HIM AT THE CLUB, 818 00:35:15,300 --> 00:35:17,040 I WENT TO HIS HOTEL TO GET MY MONEY. 819 00:35:17,100 --> 00:35:18,670 DID YOU TAKE THE GUN WITH YOU? 820 00:35:18,730 --> 00:35:20,060 YES, I DID. 821 00:35:20,130 --> 00:35:22,090 AND I CAN’T TELL YOU WHY, OTHER THAN 822 00:35:22,160 --> 00:35:25,990 I WAS SO FRUSTRATED AND SO TIRED OF BEING LIED TO 823 00:35:26,060 --> 00:35:28,290 AND $500 IS A LOT TO ME. 824 00:35:28,360 --> 00:35:31,760 AND I WAS JUST PISSED FOR LETTING MYSELF GET CONNED. 825 00:35:31,830 --> 00:35:33,530 WHERE’D YOU GET THE GUN? 826 00:35:33,600 --> 00:35:35,170 MY COUSIN. 827 00:35:35,230 --> 00:35:37,630 HE WAS GONNA COME WITH ME, BUT HE HAD TO PULL A DOUBLE‐SHIFT. 828 00:35:37,700 --> 00:35:40,570 I KNOW WHERE HE KEEPS IT, SO I JUST ROLLED OVER TO HIS PLACE AND I TOOK IT. 829 00:35:40,630 --> 00:35:43,360 SO, WHAT HAPPENED WHEN YOU GOT TO RYAN’S ROOM? 830 00:35:43,430 --> 00:35:45,890 HE FINALLY ADMITS THAT HE DOESN’T WORK FOR A RECORD LABEL 831 00:35:45,960 --> 00:35:47,630 AND THAT HE BLEW ALL MY MONEY ON DRUGS. 832 00:35:47,700 --> 00:35:51,070 SO I PULLED OUT THE GUN TO SHOW HIM THAT I WAS SERIOUS, 833 00:35:51,130 --> 00:35:53,390 AND I PULLED BACK THE... 834 00:35:53,460 --> 00:35:54,660 HAMMER. 835 00:35:54,730 --> 00:35:56,060 RIGHT, I COCKED THE HAMMER BACK‐‐ 836 00:35:56,130 --> 00:35:58,060 JUST TO SCARE HIM. 837 00:35:58,130 --> 00:36:00,260 THERE WAS NO WAY I WAS GOING TO SHOOT HIM. 838 00:36:00,330 --> 00:36:03,430 WHEN I PULLED MY FINGER BACK ON THE TRIGGER, THE GUN WENT OFF, 839 00:36:03,500 --> 00:36:05,170 AND IT SCARED THE HELL OUT OF THE BOTH OF US. 840 00:36:05,230 --> 00:36:08,630 SO, THERE I AM IN THIS SKANKY HOTEL ROOM 841 00:36:08,700 --> 00:36:10,240 WITH A GUN IN MY HAND, 842 00:36:10,300 --> 00:36:13,040 TRYING TO GET 500 BUCKS BACK FROM A LYING DRUG ADDICT 843 00:36:13,100 --> 00:36:15,870 THAT WAS SUPPOSED TO MAKE ME A SUPERSTAR DEEJAY. 844 00:36:15,930 --> 00:36:20,590 I’M SO DONE WITH ALL THAT. I SWEAR TO GOD. 845 00:36:20,660 --> 00:36:22,760 YOU NEED TO WRITE THAT UP. 846 00:36:22,830 --> 00:36:24,760 Okay. 847 00:36:24,830 --> 00:36:28,360 "I ACCIDENTALLY... 848 00:36:28,430 --> 00:36:32,160 "FIRED THE GUN... 849 00:36:32,230 --> 00:36:34,890 "IN RYAN DOOLING’S ROOM. 850 00:36:34,960 --> 00:36:36,990 I AM VERY SORRY." 851 00:36:41,830 --> 00:36:43,390 THERE’S, UH... 852 00:36:43,460 --> 00:36:45,790 THERE’S SOMETHING ELSE WE NEED TO TALK ABOUT NOW, EVA. 853 00:36:45,860 --> 00:36:47,660 WHAT? 854 00:36:47,730 --> 00:36:50,830 THE BULLET YOU FIRED WENT THROUGH A WALL 855 00:36:50,900 --> 00:36:52,540 AND A MAN WAS KILLED. 856 00:36:54,330 --> 00:36:55,330 NO. 857 00:36:55,400 --> 00:36:57,140 YES. 858 00:36:58,460 --> 00:36:59,660 NO. 859 00:36:59,730 --> 00:37:02,660 YOU’RE LOOKING AT CRIMINALLY NEGLIGENT HOMICIDE. 860 00:37:02,730 --> 00:37:04,890 I’M GOING TO JAIL? 861 00:37:04,960 --> 00:37:07,030 WELL, IT’S UP TO A JURY, 862 00:37:07,100 --> 00:37:09,840 BUT SOMEONE DIED AS A RESULT OF YOUR BEHAVIOR. 863 00:37:09,900 --> 00:37:13,000 WE’RE SORRY. 864 00:37:18,860 --> 00:37:21,360 HEADING OUT, STAN? 865 00:37:21,430 --> 00:37:23,260 GOING DOWN TO BELLEVUE TO GET THE BANDAGE CHANGED. 866 00:37:23,330 --> 00:37:24,730 MOST GUYS WOULD HAVE TAKEN A DAY OFF. 867 00:37:24,800 --> 00:37:26,340 SAYS A LOT ABOUT YOU. 868 00:37:26,400 --> 00:37:27,470 THANKS, SARGE. 869 00:37:27,530 --> 00:37:28,860 ALL RIGHT, PARTNER. 870 00:37:28,930 --> 00:37:31,130 NIGHT, STAN. HEAL UP. 871 00:37:31,200 --> 00:37:34,100 HEY, A BUDDY OF MINE HAS HIS MONTHLY POKER GAME TONIGHT. 872 00:37:34,160 --> 00:37:36,530 LOW STAKES, GOOD GUYS, ALWAYS FUN. 873 00:37:36,600 --> 00:37:38,240 I CAN GET YOU A SEAT IF YOU WANT. 874 00:37:38,300 --> 00:37:39,740 I ALREADY GOT PLANS. THANKS, THOUGH. 875 00:37:39,800 --> 00:37:41,870 I’M OUT. 876 00:37:48,460 --> 00:37:49,930 EVERYTHING ALL RIGHT? 877 00:37:50,000 --> 00:37:52,470 YEAH. THANKS. 878 00:37:52,530 --> 00:37:54,530 THERE’S NOTHING I NEED TO KNOW ABOUT? 879 00:37:54,600 --> 00:37:56,340 I MEAN, I AM PARTNERED WITH THE GUY. 880 00:37:58,930 --> 00:38:00,960 JUST KEEP AN EYE ON HIM. 881 00:38:01,030 --> 00:38:03,260 DON’T LET HIM DRAG YOU INTO SOMETHING BAD. 882 00:38:03,330 --> 00:38:04,860 OKAY. 883 00:38:04,930 --> 00:38:06,490 Irvin: 15th SQUAD? 884 00:38:08,660 --> 00:38:10,430 UH, DETECTIVE SIPOWICZ? 885 00:38:12,160 --> 00:38:14,260 HEY. 886 00:38:14,330 --> 00:38:15,890 YEAH? 887 00:38:15,960 --> 00:38:17,990 I’LL COME DOWN RIGHT NOW. 888 00:38:25,330 --> 00:38:27,630 [ SIGHS ] 889 00:38:27,700 --> 00:38:29,200 WHAT’S UP? 890 00:38:29,260 --> 00:38:31,360 SO IF THERE’S ONE THING WE LEARNED ABOUT HATCHER TODAY, 891 00:38:31,430 --> 00:38:33,490 IT’S THAT HE’S GOT A JEALOUS STREAK AND A PROBLEM WITH WOMEN. 892 00:38:33,560 --> 00:38:35,030 AGREED? OKAY. 893 00:38:35,100 --> 00:38:37,040 YOU KNOW HIS WIFE WAS MURDERED, RIGHT? 894 00:38:37,100 --> 00:38:39,300 YEAH, THE GANG HE WAS LOOKING INTO TO BRING DOWN, 895 00:38:39,360 --> 00:38:41,160 TRIED TO KILL HIM WITH A CAR BOMB, AND GOT HIS WIFE INSTEAD. 896 00:38:41,230 --> 00:38:43,160 NO ONE WAS EVER COLLARED FOR IT. 897 00:38:43,230 --> 00:38:45,930 YOU KNOW WHAT? YOU’RE STARTING TO WORRY ME. 898 00:38:46,000 --> 00:38:48,070 SO I GO LOOK AT THE CASE FOLDER. 899 00:38:48,130 --> 00:38:50,790 THE WHOLE INVESTIGATION CENTERED ON THIS GANG‐RETALIATION THEORY. 900 00:38:50,860 --> 00:38:52,360 GO HOME. 901 00:38:52,430 --> 00:38:54,690 BE WITH CONNIE, PLAY WITH YOUR KIDS, CHILL OUT. 902 00:38:54,760 --> 00:38:56,190 SO IN THE FIVES, 903 00:38:56,260 --> 00:38:58,130 I SEE THAT HATCHER’S PARTNER IN THE GANG UNIT 904 00:38:58,200 --> 00:39:00,700 ASKED TO BE RE‐ASSIGNED AFTER THIS WHOLE THING WENT DOWN. 905 00:39:00,760 --> 00:39:02,530 THE GUY’S NAME IS CARL GARRETY. 906 00:39:02,600 --> 00:39:05,170 I CALL TO FIND HIM, HE’S NO LONGER ON THE JOB. 907 00:39:05,230 --> 00:39:08,790 HE THREE‐QUARTERED OUT OFF A KNEE INJURY THREE YEARS BACK. 908 00:39:08,860 --> 00:39:11,130 HE’S NOW AN INSURANCE INVESTIGATOR. 909 00:39:11,200 --> 00:39:12,800 SO I’M GOING TO SEE HIM... 910 00:39:12,860 --> 00:39:14,290 IN AN HOUR. 911 00:39:14,360 --> 00:39:16,530 ANDY, TAKE A STEP BACK AND LOOK AT WHAT YOU’RE DOING. 912 00:39:16,600 --> 00:39:19,240 I’M GOING TO MEET THIS GUY. YOU COMING OR NOT? 913 00:39:25,730 --> 00:39:28,130 HOLD UP. 914 00:39:36,760 --> 00:39:38,660 WERE YOU SCARED? 915 00:39:38,730 --> 00:39:40,290 OF WHAT? 916 00:39:40,360 --> 00:39:42,730 WELL, IF THIS GANG WAS TRYING TO KILL YOUR PARTNER, 917 00:39:42,800 --> 00:39:45,200 DIDN’T YOU THINK THEY’D TRY AND TAKE YOU OUT, TOO? 918 00:39:45,260 --> 00:39:48,860 I GUESS. MAYBE A LITTLE. YEAH. 919 00:39:48,930 --> 00:39:51,330 IT WAS A CRAZY TIME. 920 00:39:56,030 --> 00:39:58,490 YOU CLOSE TO HATCHER’S WIFE? 921 00:39:58,560 --> 00:40:00,860 WHY WOULD YOU SAY THAT? 922 00:40:00,930 --> 00:40:02,430 YOU’RE THROWING SHOTS BACK. 923 00:40:02,500 --> 00:40:04,540 SEEMS LIKE IT’S DIFFICULT TO TALK ABOUT. 924 00:40:04,600 --> 00:40:06,270 WELL, SHE WAS A GREAT LADY. 925 00:40:06,330 --> 00:40:08,990 WE JUST TALKED TO HIS EX‐GIRLFRIEND TODAY 926 00:40:09,060 --> 00:40:10,960 OVER THE SHOOTING THAT HAPPENED? 927 00:40:11,030 --> 00:40:12,790 SHE SAID HATCHER WAS ABUSIVE. 928 00:40:12,860 --> 00:40:14,590 HUH. 929 00:40:14,660 --> 00:40:18,090 WERE YOU AWARE OF ANY ABUSE BETWEEN HATCHER AND HIS WIFE? 930 00:40:18,160 --> 00:40:20,060 THEY HAD THEIR SHARE OF PROBLEMS. 931 00:40:20,130 --> 00:40:21,930 ALONG THE LINES OF WHAT? 932 00:40:22,000 --> 00:40:23,840 SHE WASN’T HAPPY. 933 00:40:23,900 --> 00:40:26,200 SHE WAS AFRAID OF HIM. 934 00:40:26,260 --> 00:40:29,560 HOW DO YOU KNOW THIS? SHE CONFIDED IN ME. 935 00:40:29,630 --> 00:40:32,730 WHY DIDN’T YOU COME FORWARD WITH THAT INFORMATION? 936 00:40:32,800 --> 00:40:35,970 I MEAN, IT’S NOT LIKE YOU AND HATCHER WERE THE BEST OF BUDDIES. 937 00:40:36,030 --> 00:40:37,560 ALL YOU HAD TO DO WAS DROP A DIME. 938 00:40:37,630 --> 00:40:40,330 I WAS MARRIED, TOO. 939 00:40:42,000 --> 00:40:44,140 YOU WERE HAVING AN AFFAIR WITH HER. 940 00:40:45,960 --> 00:40:48,030 I COULDN’T SAY ANYTHING THEN, 941 00:40:48,100 --> 00:40:50,470 ’CAUSE I WAS SCARED OF LOSING MY WIFE. 942 00:40:50,530 --> 00:40:52,490 I WAS SCARED OF WHAT STAN WOULD DO. 943 00:40:52,560 --> 00:40:54,260 ’CAUSE IF HE DID KILL MARCY, 944 00:40:54,330 --> 00:40:56,430 HE WAS CAPABLE OF DOING THE SAME TO ME. 945 00:40:56,500 --> 00:40:58,040 I’M DIVORCED NOW. 946 00:40:58,100 --> 00:41:01,940 SO THERE’S NO ONE TO HURT BY TALKING ABOUT IT. 947 00:41:02,000 --> 00:41:05,540 AND AS FAR AS MY FEARS OF WHAT STAN WOULD DO? 948 00:41:05,600 --> 00:41:07,540 TO HELL WITH IT. I DON’T CARE ANYMORE. 949 00:41:09,000 --> 00:41:11,770 WHAT DID HATCHER’S WIFE TELL YOU ABOUT HIM? 950 00:41:11,830 --> 00:41:13,760 SHE WAS READY TO LEAVE. 951 00:41:13,830 --> 00:41:15,690 SHE TOLD HIM THAT, 952 00:41:15,760 --> 00:41:19,090 HE ACCUSED HER OF HAVING AN AFFAIR, 953 00:41:19,160 --> 00:41:21,360 AND SHE ADMITTED TO IT. 954 00:41:21,430 --> 00:41:25,390 HOW SOON AFTER SHE TOLD YOU DID SHE TURN UP DEAD? 955 00:41:25,460 --> 00:41:27,360 THREE DAYS. 956 00:41:27,430 --> 00:41:31,190 I KEPT HOPING THEY’D FIND A DIARY ENTRY OR... 957 00:41:31,260 --> 00:41:34,190 MAYBE SHE TOLD A GIRLFRIEND AND THEY’D COME FORWARD 958 00:41:34,260 --> 00:41:36,590 SO I WOULDN’T HAVE TO GET INVOLVED. 959 00:41:36,660 --> 00:41:39,090 PLUS, WHO KNOWS? 960 00:41:39,160 --> 00:41:41,260 IT COULD HAVE BEEN A COINCIDENCE. 961 00:41:41,330 --> 00:41:43,830 IT COULD HAVE BEEN A RETALIATION HIT. 962 00:41:43,900 --> 00:41:46,000 [ INHALES DEEPLY ] 963 00:41:47,260 --> 00:41:49,260 I GOTTA GO. 964 00:41:51,360 --> 00:41:53,260 GOOD LUCK. 965 00:41:56,560 --> 00:41:59,490 OH, MAN. 966 00:41:59,560 --> 00:42:01,890 HATCHER KILLED HIS WIFE. 967 00:42:01,960 --> 00:42:05,260 EITHER HE CONTRACTED IT OR HE DID IT HIMSELF, 968 00:42:05,330 --> 00:42:08,960 BUT I GUARANTEE YOU, HATCHER KILLED HIS WIFE. 73054

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