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PREVIOUSLY ON "NYPD BLUE."
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00:00:02,290 --> 00:00:04,530
YOU STALKING YOUR WIFE.
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00:00:04,590 --> 00:00:06,260
YOU DON’T SEE WHERE
THIS IS HEADED?
4
00:00:06,320 --> 00:00:08,080
I’M DOING WHAT I CAN
TO SAVE MY MARRIAGE.
5
00:00:08,150 --> 00:00:11,380
HE IS A RISK
TO HIS WIFE, TO HIMSELF.
6
00:00:11,450 --> 00:00:13,420
YOU THINKING ABOUT CALLING
EARLY INTERVENTION?
7
00:00:13,490 --> 00:00:15,390
HE CAME HOME DRUNK
AND STARTED YELLING AT ME.
8
00:00:15,450 --> 00:00:17,920
HE WENT AND GOT A BAT
AND THEN HE CAME AT ME.
9
00:00:17,990 --> 00:00:20,160
IF HE HAD HIS GUN ON HIM,
HE WOULD HAVE SHOT ME.
10
00:00:20,220 --> 00:00:21,680
HE WOULD HAVE KILLED ME.
11
00:00:21,750 --> 00:00:24,520
I’M GLAD I MADE THAT CALL
TO EARLY INTERVENTION.
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00:00:24,590 --> 00:00:26,530
DON’T EVEN
THINK ABOUT IT.
13
00:00:26,590 --> 00:00:29,760
I PUT IN FOR A TRANSFER TO GET
AWAY FROM SCOTT’S PRECINCT?
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00:00:29,820 --> 00:00:31,080
I GOT TRANSFERRED HERE.
15
00:00:31,150 --> 00:00:32,420
WILMER,
YOU’RE SO FULL OF CRAP,
16
00:00:32,490 --> 00:00:33,830
IT’S NO WONDER
YOUR SKIN IS BROWN.
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00:00:35,420 --> 00:00:37,120
WHAT DID I SAY
ABOUT LAYING BACK
18
00:00:37,190 --> 00:00:38,760
AND LEARNING
HOW THE SQUAD WORKS?
I KNOW.
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00:00:38,820 --> 00:00:41,180
HOW ARE YOU DOING THAT
BY SMACKING AROUND MY SUSPECT?!
20
00:00:41,250 --> 00:00:42,650
HE HAS SHUT DOWN NOW.
DO YOU UNDERSTAND ME?
21
00:00:42,720 --> 00:00:44,150
HE’S LAWYERED UP!
22
00:00:44,220 --> 00:00:46,350
YOU AND THE CHIEF OF PERSONNEL
ARE BUDDIES?
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00:00:46,420 --> 00:00:47,750
WE’RE FRIENDLY.
24
00:00:47,820 --> 00:00:50,180
CHIEF OF PERSONNEL
WHO’S HATCHER’S UNCLE?
25
00:00:50,250 --> 00:00:51,750
WHERE YOU
GOING WITH THIS?
26
00:00:51,820 --> 00:00:53,680
YOU GETTING PROMOTED
TO C. O. OF THE SQUAD‐‐
27
00:00:53,750 --> 00:00:56,150
DID THAT COME WITH THE CONDITION
OF TAKING ON HATCHER,
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00:00:56,220 --> 00:00:58,880
WHO’S BEEN TOSSED OUT OF
EVERY OTHER SQUAD IN THIS CITY?
29
00:00:58,950 --> 00:01:00,820
I’D LIKE TO FIT IN
WITH THE TEAM HERE.
30
00:01:00,890 --> 00:01:03,390
SO HOW ABOUT TOMORROW
WE MAKE A FRESH START?
31
00:01:03,450 --> 00:01:05,180
SURE.
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00:01:20,450 --> 00:01:22,580
DO YOU BELIEVE THIS?
YOU ALL RIGHT?
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00:01:22,650 --> 00:01:25,150
THE BULLET GRAZED ME.
HURTS LIKE A SON OF A BITCH.
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00:01:25,220 --> 00:01:27,120
WHAT HAPPENED?
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00:01:27,190 --> 00:01:29,830
I’M DRIVING TO THE GYM,
I SEE THIS BLACK DUDE
SPRINT ACROSS THE STREET.
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00:01:29,890 --> 00:01:32,130
HE’S GOT A GUN IN HIS HAND,
SO I GIVE CHASE.
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00:01:32,190 --> 00:01:35,830
I’M LOOKING AROUND,
I HEAR SOME MOVEMENT
FROM OVER THE FENCE,
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I LOOK OVER,
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00:01:37,690 --> 00:01:39,830
I SEE A LIGHT COME ON BEHIND ME,
I TURN AROUND,
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00:01:39,890 --> 00:01:42,630
AND THERE’S A GUY
INSIDE THIS APARTMENT.
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00:01:42,690 --> 00:01:44,960
HE’S GOT HIS GUN
TRAINED ON ME.
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00:01:45,020 --> 00:01:47,180
HE SHOT ME
RIGHT IN THE ARM.
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00:01:47,250 --> 00:01:49,750
SO I RETURNED FIRE.
I GOT HIM IN THE SHOULDER.
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00:01:49,820 --> 00:01:51,920
UH, THE BLACK GUY
YOU WERE CHASING?
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00:01:51,990 --> 00:01:54,930
HE HOPPED OVER THE FENCE TO ASK
IF EVERYTHING WAS ALL RIGHT.
46
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HE BOOGIED.
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00:01:56,920 --> 00:01:59,150
LISTEN, WE DON’T CARE
WHAT HAPPENED HERE,
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00:01:59,220 --> 00:02:00,980
AS LONG AS
EVERYTHING MATCHES UP.
49
00:02:01,050 --> 00:02:02,850
’CAUSE THIS STORY IS THE STORY
WE’RE GONNA GO WITH.
50
00:02:02,920 --> 00:02:04,720
OKAY.
51
00:02:04,790 --> 00:02:07,430
YOU WERE GOING TO THE GYM
AT 5:00 IN THE MORNING?
WHAT, I STUTTER?
52
00:02:07,490 --> 00:02:09,230
STAN, YOU MIGHT WANT TO
RETHINK YOUR ATTITUDE HERE.
53
00:02:09,290 --> 00:02:11,460
I ALMOST GOT KILLED HERE,
OKAY?
54
00:02:11,520 --> 00:02:13,250
I’M SORRY
IF I’M A LITTLE FIRED UP.
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00:02:13,320 --> 00:02:14,880
WE’LL TALK TO THE GUY
IN THE APARTMENT.
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00:02:14,950 --> 00:02:16,680
STICK AROUND.
57
00:02:22,920 --> 00:02:24,120
LARRY EDMUNDS.
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00:02:24,190 --> 00:02:26,330
DETECTIVES
SIPOWICZ AND CLARK.
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00:02:26,390 --> 00:02:28,330
I THOUGHT
HE WAS A BURGLAR.
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00:02:28,390 --> 00:02:30,190
I HAD NO IDEA
HE WAS A COP.
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00:02:30,250 --> 00:02:31,380
HOW’D IT GO DOWN?
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00:02:31,450 --> 00:02:34,520
I HEARD SOME NOISES,
SO I GO LOOK.
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00:02:34,590 --> 00:02:36,590
I TURN THE LIGHT ON
AND I SEE THIS GUY
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00:02:36,650 --> 00:02:39,380
STANDING ON A TRASH CAN
LOOKING OVER THE FENCE.
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00:02:39,450 --> 00:02:41,750
SO HE TURNS AROUND
AND LOOKS AT ME,
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00:02:41,820 --> 00:02:44,320
AND I GUESS HE SAW MY GUN,
BECAUSE HE REACHES
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LIKE HE’S GOING
INTO HIS POCKET FOR A GUN.
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00:02:46,650 --> 00:02:49,350
SO I FIRE A WARNING SHOT
OVER HIS HEAD,
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00:02:49,420 --> 00:02:51,080
STEP BACK INTO THE ROOM,
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00:02:51,150 --> 00:02:53,420
I WAIT A SECOND,
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00:02:53,490 --> 00:02:57,290
AND THEN THE GLASS SHATTERS
AND HE’S FIRING AT ME.
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00:02:57,350 --> 00:02:58,820
SO I FIRE BACK.
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00:02:58,890 --> 00:03:00,390
YOU GOT A PERMIT
FOR THE GUN?
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00:03:00,450 --> 00:03:01,950
YEAH,
TARGET PERMIT.
75
00:03:02,020 --> 00:03:03,750
AND YOU SAY
HE REACHED FOR HIS GUN?
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00:03:03,820 --> 00:03:06,520
YEAH.
HE DIDN’T ALREADY
HAVE A GUN IN HIS HAND?
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00:03:06,590 --> 00:03:08,730
HIS HANDS WERE EMPTY
LIKE I SAID.
78
00:03:08,790 --> 00:03:11,260
I SAW HIM
REACH FOR SOMETHING, THOUGH.
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00:03:11,320 --> 00:03:13,420
WE NEED TO GET HIM
TRANSPORTED.
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00:03:13,490 --> 00:03:15,130
WE’LL BE DOWN TO TALK TO YOU
IN A LITTLE WHILE.
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00:03:15,190 --> 00:03:16,390
WHAT DOES
THIS MEAN FOR ME?
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00:03:16,450 --> 00:03:18,250
WE’LL TALK ABOUT IT
LATER.
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00:03:18,320 --> 00:03:20,220
HE WASN’T DRESSED
LIKE A COP,
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00:03:20,290 --> 00:03:22,760
DIDN’T HAVE HIS BADGE OUT,
NOTHING.
85
00:03:22,820 --> 00:03:24,320
HE LOOKED LIKE A CROOK.
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00:03:24,390 --> 00:03:25,990
HE WAS PURSUING
A SUSPECT.
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00:03:26,050 --> 00:03:28,150
WANT TO VOUCHER THE GUN?
OKAY.
88
00:03:32,450 --> 00:03:34,720
SO WHAT’S HE SAYING?
HE THOUGHT
YOU WERE A BURGLAR.
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00:03:34,790 --> 00:03:37,130
THAT DON’T GIVE HIM THE RIGHT
TO START FIRING OFF ROUNDS.
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00:03:37,190 --> 00:03:39,230
YOU’RE RIGHT.
WE’RE GONNA PURSUE THAT.
91
00:03:39,290 --> 00:03:41,090
SO YOU SEE
A BLACK MALE WITH A GUN?
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00:03:41,150 --> 00:03:43,550
CORRECT.
YOU’RE CHASING HIM
AROUND IN THE DARK HERE.
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00:03:43,620 --> 00:03:45,520
NO BACKUP.
DO YOU HAVE YOUR GUN OUT?
94
00:03:45,590 --> 00:03:46,530
YEAH.
95
00:03:47,720 --> 00:03:49,420
THE GUY IN THE APARTMENT’S
SAYING DIFFERENT.
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00:03:49,490 --> 00:03:50,490
WELL, HE’S LYING.
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00:03:50,550 --> 00:03:52,520
HE’S ON HIS WAY
TO BELLEVUE.
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00:03:52,590 --> 00:03:54,130
NEXT TIME WE TALK TO HIM,
WE’LL SEE IF HE GETS OFF THAT.
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00:03:54,190 --> 00:03:55,760
BUT LIKE I TOLD YOU EARLIER,
WE DON’T CARE WHAT HAPPENED.
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00:03:55,820 --> 00:03:57,450
YOU’RE GONNA LIVE,
HE’S GONNA LIVE.
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00:03:57,520 --> 00:03:59,550
YOU JUST NEED TO BE
UP FRONT WITH US
102
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SO THAT WE DON’T HAVE
TWO DIFFERENT STORIES,
103
00:04:02,050 --> 00:04:04,550
’CAUSE THAT’S WHEN
THE PROBLEMS KICK IN.
104
00:04:04,620 --> 00:04:07,080
I’M COMING CLEAN, GUYS.
I SWEAR TO GOD.
105
00:04:07,150 --> 00:04:08,550
ALL RIGHT, THEN.
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00:04:08,620 --> 00:04:11,080
GO GET LOOKED AT.
WE’LL SEE YOU BACK AT THE SQUAD.
107
00:04:13,120 --> 00:04:14,880
WHAT’S YOUR
SENSE OF THIS GUY?
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00:04:14,950 --> 00:04:17,750
IS HE DECENT ENOUGH, EVEN THOUGH
HE’S FUDGING SOME DETAILS?
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SEEMS LIKE IT.
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00:04:20,550 --> 00:04:24,220
IF HE THOUGHT I WAS A BURGLAR,
I COULD MAYBE UNDERSTAND THAT.
111
00:04:24,290 --> 00:04:26,030
TELL HIM I WON’T
PRESS THE ISSUE,
112
00:04:26,090 --> 00:04:27,690
AND WE CAN
LET THIS THING SLIDE.
113
00:04:27,750 --> 00:04:30,580
WE GOT A CIVILIAN SHOT.
NOTHING’S GONNA SLIDE, STAN.
114
00:04:30,650 --> 00:04:32,380
FINE.
ARREST HIS ASS, THEN.
115
00:04:32,450 --> 00:04:34,680
’CAUSE I DIDN’T DO
A DAMN THING WRONG.
116
00:05:54,150 --> 00:05:56,180
WHERE’S STAN NOW?
117
00:05:56,250 --> 00:05:58,120
WITH THE DUTY CAPTAIN
AND THE ZONE COMMANDER.
118
00:05:58,190 --> 00:05:59,560
LARRY EDMUNDS JUST
GOT OUT OF THE O. R.
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00:06:01,120 --> 00:06:03,020
IF YOU WORK OUT
IN THE MORNING,
120
00:06:03,090 --> 00:06:05,530
WHAT TIME DO YOU GET TO THE GYM
IF YOUR TOUR STARTS AT 8:00?
121
00:06:05,590 --> 00:06:08,990
IF I’M MOTIVATED?
6:30. WORK OUT FOR AN HOUR.
122
00:06:09,050 --> 00:06:11,650
WHY?
CURIOUS.
123
00:06:11,720 --> 00:06:14,250
WE GOT A D.O.A.
DOWN AT THAT FLEABAG HOTEL‐‐
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00:06:14,320 --> 00:06:16,250
THE FAUNTLEROY ON CANAL.
WHO’S UP?
ME AND GREG.
125
00:06:16,320 --> 00:06:18,520
WHERE YOU GUYS HEADED?
126
00:06:18,590 --> 00:06:20,390
THE GUY IN THE APARTMENT
IS OUT OF SURGERY.
127
00:06:20,450 --> 00:06:21,880
GOT SOME THINGS
WE NEED TO TALK ABOUT.
128
00:06:21,950 --> 00:06:24,050
BUT HE’S A COLLAR.
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00:06:24,120 --> 00:06:26,420
ONCE WE CONFIRM
WHAT WENT DOWN.
130
00:06:26,490 --> 00:06:28,590
WE KNOW WHAT WENT DOWN.
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00:06:28,650 --> 00:06:30,850
YOU PUSHING FOR
A DESIRED OUTCOME, GIBSON?
132
00:06:30,920 --> 00:06:34,050
YOU’RE NOT TAKING
STAN AT HIS WORD?
WE’RE DOING OUR JOB.
133
00:06:34,120 --> 00:06:36,520
WHEN STAN’S UNCLE CALLS AGAIN,
THE CHIEF OF PERSONNEL,
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00:06:36,590 --> 00:06:38,260
I’LL JUST RING HIM
THROUGH TO YOU.
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00:06:38,320 --> 00:06:40,350
YOU THINK THAT MEANS
ANYTHING TO ME?
136
00:06:40,420 --> 00:06:42,120
THIS IS
A FELLOW DETECTIVE.
137
00:06:42,190 --> 00:06:43,460
IF YOU’VE GOT
SOME BIAS TOWARDS HIM,
138
00:06:43,520 --> 00:06:45,120
I CAN ASSIGN THE CASE
TO SOMEBODY ELSE.
139
00:06:45,190 --> 00:06:47,460
THERE’S NO BIAS HERE,
SARGE.
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00:06:47,520 --> 00:06:48,350
GOOD.
141
00:06:51,520 --> 00:06:54,120
AS MANY THINGS
AS YOU CAN LEARN FROM HIM,
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00:06:54,190 --> 00:06:57,190
THERE’S JUST AS MANY THAT YOU
DON’T WANT TO LEARN FROM HIM.
143
00:06:57,250 --> 00:07:00,280
I’LL BE ALL RIGHT, SARGE.
THANKS, THOUGH.
144
00:07:05,190 --> 00:07:07,990
HOW LONG’S
HE BEEN LIVING HERE?
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00:07:08,050 --> 00:07:11,150
TWO YEARS.
NICE GUY, QUIET GUY.
146
00:07:11,220 --> 00:07:13,150
HOW’D YOU FIND THE BODY?
147
00:07:13,220 --> 00:07:15,020
WELL, GEORGE DID
MAINTENANCE ON THE HOTEL
148
00:07:15,090 --> 00:07:16,390
IN EXCHANGE FOR
A BREAK ON THE RENT.
149
00:07:16,450 --> 00:07:17,320
HE DIDN’T SHOW UP
THIS MORNING,
150
00:07:17,390 --> 00:07:18,590
SO I CAME LOOKING.
151
00:07:18,650 --> 00:07:20,520
WAS THE DOOR LOCKED?
SURE WAS.
152
00:07:20,590 --> 00:07:22,490
DID YOU EVER KNOW HIM
TO KEEP VALUABLES?
153
00:07:22,550 --> 00:07:24,350
HE DIDN’T HAVE NOTHING.
154
00:07:24,420 --> 00:07:26,580
BARELY GOT BY
ON HIS WELFARE CHECK.
155
00:07:26,650 --> 00:07:29,020
I DOUBT HE WAS MOPPING UP HERE
FOR THE EXERCISE.
156
00:07:29,090 --> 00:07:30,660
HE HAVE ANY BEEFS
WITH ANYBODY HERE?
157
00:07:30,720 --> 00:07:32,280
NO, NO WAY.
158
00:07:32,350 --> 00:07:33,920
HE JUST SAT IN THE LOBBY
AND DID HIS CROSSWORD PUZZLES.
159
00:07:33,990 --> 00:07:36,230
DIDN’T DRINK,
DIDN’T GO OUT. NOTHING.
160
00:07:36,290 --> 00:07:38,560
HE RAN A PHARMACY
IN IDAHO FOR A LONG TIME,
161
00:07:38,620 --> 00:07:41,050
BUT SOMETHING HAPPENED
AND HE LOST EVERYTHING.
162
00:07:41,120 --> 00:07:42,620
I NEVER GOT THE WHOLE STORY.
163
00:07:42,690 --> 00:07:44,760
HE MOVED OUT HERE
TO BE NEAR HIS COUSIN.
164
00:07:44,820 --> 00:07:46,720
THAT’S WHAT HE SAID,
ANYWAY.
165
00:07:46,790 --> 00:07:49,290
EVER HAVE ANY VISITORS?
NONE THAT I SAW.
166
00:07:49,350 --> 00:07:50,620
Jones:
HEY, GREG.
167
00:07:55,290 --> 00:07:57,660
WHO’S STAYING NEXT DOOR?
THIS KID NAMED RYAN.
168
00:07:57,720 --> 00:08:00,280
ALL RIGHT.
COME ON, LET’S GO.
169
00:08:04,220 --> 00:08:06,980
HOW LONG HAS THIS RYAN KID
BEEN STAYING HERE?
170
00:08:07,050 --> 00:08:08,620
COUPLE WEEKS.
171
00:08:08,690 --> 00:08:09,990
OPEN IT UP.
172
00:08:10,050 --> 00:08:12,150
[ KEYS JINGLING ]
173
00:08:20,020 --> 00:08:22,180
Manager: DON’T TELL ME
THIS PRICK’S CLEARED OUT.
174
00:08:22,250 --> 00:08:24,250
HE OWES ME
THREE DAYS’ RENT!
175
00:08:24,320 --> 00:08:26,350
ENTERED HERE,
EXITED IN THE OTHER ROOM.
176
00:08:26,420 --> 00:08:28,080
IT DIDN’T COME THROUGH
THIS WALL.
177
00:08:28,150 --> 00:08:29,750
WHAT INFORMATION
DO YOU HAVE ON RYAN?
178
00:08:29,820 --> 00:08:32,580
LAST NAME’S DOOLING.
NOT MUCH ELSE‐‐ HE PAID CASH.
179
00:08:32,650 --> 00:08:35,120
HAS THIS BEEN HERE A WHILE?
NO.
180
00:08:35,190 --> 00:08:37,230
THAT A BULLET HOLE?
181
00:08:37,290 --> 00:08:40,730
LOOKS LIKE IT.
OH, BOY.
182
00:08:44,690 --> 00:08:47,390
HOW’S THAT
POLICE OFFICER DOING?
183
00:08:47,450 --> 00:08:48,850
HE’S UP AND AROUND.
184
00:08:48,920 --> 00:08:51,550
I HAVEN’T HAD A CHANCE
TO APOLOGIZE TO HIM.
185
00:08:51,620 --> 00:08:52,920
I WOULD LIKE TO.
186
00:08:52,990 --> 00:08:55,790
WE’LL PASS THAT ALONG.
187
00:08:55,850 --> 00:08:58,780
LISTEN, UH,
CAN YOU GIVE US A SECOND?
188
00:08:58,850 --> 00:09:00,280
JUST A SECOND.
THANKS.
189
00:09:00,350 --> 00:09:03,580
MR. EDMUNDS,
IN LOOKING INTO THINGS HERE,
190
00:09:03,650 --> 00:09:05,480
WE SAW THAT YOUR APARTMENT
HAS BEEN BROKEN INTO
191
00:09:05,550 --> 00:09:07,850
TWICE
IN THE LAST YEAR.
RIGHT.
192
00:09:07,920 --> 00:09:10,620
YOU GET THE TARGET PERMIT
AS A RESULT OF THOSE ROBBERIES?
193
00:09:10,690 --> 00:09:12,560
IT MIGHT HAVE
FACTORED IN A LITTLE.
194
00:09:12,620 --> 00:09:14,920
YOU KEEP THE GUN
IN THE APARTMENT FOR PROTECTION?
195
00:09:14,990 --> 00:09:17,630
NO. THAT’D BE ILLEGAL,
NOW, WOULDN’T IT?
196
00:09:17,690 --> 00:09:20,990
SO YOU GRABBED THE GUN
AS A LAST RESORT?
197
00:09:21,050 --> 00:09:22,080
ABSOLUTELY.
198
00:09:22,150 --> 00:09:24,380
YOU TOLD US AT THE SCENE
199
00:09:24,450 --> 00:09:26,180
THAT COP DIDN’T HAVE
A GUN IN HIS HAND?
200
00:09:26,250 --> 00:09:28,420
THAT’S RIGHT.
YOU’RE POSITIVE?
201
00:09:28,490 --> 00:09:30,560
IF THAT GUY WOULD’VE HAD
A GUN IN HIS HAND,
202
00:09:30,620 --> 00:09:32,380
I WOULD’VE
BLOWN HIS ASS AWAY.
203
00:09:32,450 --> 00:09:33,680
BUT WHEN HE WENT
TO HIS POCKET REAL QUICK,
204
00:09:33,750 --> 00:09:36,580
THAT’S WHEN I FIRED
THE WARNING SHOT.
205
00:09:36,650 --> 00:09:38,580
HE’S SAYING
THERE WAS NO WARNING SHOT.
206
00:09:38,650 --> 00:09:42,380
WELL, HE‐‐ I DON’T WANT
TO CALL THIS GUY A LIAR,
207
00:09:42,450 --> 00:09:45,480
BUT HE IS OBVIOUSLY REMEMBERING
THIS PART DIFFERENTLY.
208
00:09:45,550 --> 00:09:47,920
I FIRED THE FIRST SHOT
OVER HIS HEAD,
209
00:09:47,990 --> 00:09:49,560
THEN BACKED UP
AND WAITED.
210
00:09:49,620 --> 00:09:51,720
HE WAS STANDING ON A GARBAGE CAN
LOOKING OVER THE FENCE?
211
00:09:51,790 --> 00:09:52,860
THAT’S RIGHT.
212
00:09:52,920 --> 00:09:54,020
HOW LONG WAS HE THERE?
213
00:09:54,090 --> 00:09:55,530
FROM THE TIME I SPOTTED HIM
214
00:09:55,590 --> 00:09:57,490
TO WHEN I CREPT UP
TO GET A GOOD LOOK,
215
00:09:57,550 --> 00:09:59,550
HE WAS LOOKING OVER THE FENCE
THE WHOLE TIME.
216
00:09:59,620 --> 00:10:02,220
HOW DOES THAT POSE
A THREAT, MR. EDMUNDS?
217
00:10:02,290 --> 00:10:04,890
A MAN LOOKING OVER A FENCE
WITH HIS BACK TO YOU?
218
00:10:04,950 --> 00:10:06,680
WHEN I TURNED ON THE LIGHT
219
00:10:06,750 --> 00:10:10,650
AND HE SPUN AROUND AND WENT TO
HIS POCKET, THAT WAS A THREAT.
220
00:10:10,720 --> 00:10:12,180
DO I NEED A LAWYER HERE?
221
00:10:12,250 --> 00:10:14,150
AM I BEING CHARGED
WITH SOMETHING?
222
00:10:14,220 --> 00:10:16,450
WE GOT A POLICE OFFICER SHOT,
SO WE NEED TO ASK QUESTIONS.
223
00:10:16,520 --> 00:10:17,950
I’M SURE
YOU CAN UNDERSTAND THAT.
224
00:10:18,020 --> 00:10:19,880
NO, I GOT IT.
225
00:10:19,950 --> 00:10:21,380
ALL RIGHT,
YOU GET SOME REST.
226
00:10:21,450 --> 00:10:23,580
WE’LL BE BACK LATER.
227
00:10:28,420 --> 00:10:30,820
THE GUY STAYING IN THE ROOM,
RYAN DOOLING?
228
00:10:30,890 --> 00:10:33,990
ANOTHER RESIDENT
SAW RYAN LEAVE AT 5:00 A. M.
229
00:10:34,050 --> 00:10:35,720
HE WAS CARRYING HIS BAGS.
230
00:10:35,790 --> 00:10:36,890
LEAVING TOWN?
231
00:10:36,950 --> 00:10:38,350
LEAVING THE HOTEL,
ANYWAY.
232
00:10:38,420 --> 00:10:40,380
WE TALKED
TO THE NIGHT CLERK.
233
00:10:40,450 --> 00:10:42,520
HE SAID AN ATTRACTIVE,
YOUNG, WHITE GIRL, A BRUNETTE,
234
00:10:42,590 --> 00:10:44,660
APPROACHED HIM AT 2:00 A. M. AND
ASKED WHICH ROOM RYAN WAS IN.
235
00:10:44,720 --> 00:10:46,080
HE TOLD HER, SHE WENT UP.
236
00:10:46,150 --> 00:10:47,180
WHAT ELSE WE HAVE
ON THIS RYAN KID?
237
00:10:47,250 --> 00:10:49,080
HE’S IN FROM KANSAS CITY.
238
00:10:49,150 --> 00:10:51,520
WE TALKED TO HIS MOM.
SHE SAID HE’S STAYING
WITH HIS BROTHER, ERIC,
239
00:10:51,590 --> 00:10:53,230
WHO LIVES IN
GREENWICH VILLAGE.
240
00:10:53,290 --> 00:10:55,090
WE GOT CALLS OUT TO HIM.
SOUNDS GOOD.
241
00:10:55,150 --> 00:10:57,180
ONLY OTHER THING IS
THE D. O. A.?
242
00:10:57,250 --> 00:10:58,720
WE’RE HAVING DIFFICULTY
LOCATING NEXT OF KIN‐‐
243
00:10:58,790 --> 00:11:00,230
HE WAS 70.
244
00:11:00,290 --> 00:11:01,930
WE WERE TOLD
HE’S GOT A COUSIN OUT HERE.
245
00:11:01,990 --> 00:11:03,860
WE’RE LOOKING INTO THAT.
246
00:11:03,920 --> 00:11:06,180
ANY WORD ON HATCHER?
247
00:11:06,250 --> 00:11:07,920
HE’S ON
HIS WAY OVER.
248
00:11:07,990 --> 00:11:09,730
HOW’D IT GO
WITH THE PERP?
249
00:11:09,790 --> 00:11:11,760
YOU MEAN, THE GUY
IN THE APARTMENT?
WE’RE GETTING THERE.
250
00:11:11,820 --> 00:11:15,220
WHAT’S THAT MEAN?
YOU’RE NOT FAMILIAR
WITH THE EXPRESSION?
251
00:11:15,290 --> 00:11:16,630
I PREFER SPECIFICS.
252
00:11:16,690 --> 00:11:18,390
WE’VE JUST GOT
A COUPLE INCONSISTENCIES.
253
00:11:18,450 --> 00:11:19,650
LIKE WHAT,
SPECIFICALLY?
254
00:11:19,720 --> 00:11:21,120
IF WE TELL YOU,
255
00:11:21,190 --> 00:11:22,830
THEN YOU’RE IN THE LOOP
AND YOU CAN BE HELD ACCOUNTABLE.
256
00:11:22,890 --> 00:11:24,360
GOD FORBID, RIGHT?
257
00:11:24,420 --> 00:11:26,250
IF WE RUN UP AGAINST
SOMETHING SIGNIFICANT, SARGE,
258
00:11:26,320 --> 00:11:28,280
WE’LL BRING YOU
UP TO SPEED RIGHT AWAY.
259
00:11:28,350 --> 00:11:30,250
OLD DOG OR NOT,
YOU COULD LEARN A LOT FROM HIM.
260
00:11:30,320 --> 00:11:32,820
THAT’S WHY I CARRY AROUND
A PAD AND PEN.
261
00:11:35,720 --> 00:11:38,250
WHAT A WEEK I’M HAVING.
CAN YOU BELIEVE THIS?
262
00:11:38,320 --> 00:11:39,580
I’M SO SORRY.
263
00:11:39,650 --> 00:11:41,620
HEY, PARTNER.
HOW YOU FEELING?
264
00:11:41,690 --> 00:11:43,090
ARM’S FINE.
265
00:11:43,150 --> 00:11:45,880
HOUR AND A HALF WITH THE DUTY
CAPTAIN WAS THE REAL PAIN.
266
00:11:45,950 --> 00:11:47,420
HOW’S IT GOING, BOSS?
267
00:11:47,490 --> 00:11:50,160
YOU HAD ME SCARED SICK THERE
WHEN I GOT THE CALL.
268
00:11:50,220 --> 00:11:51,650
IT ALL WORKED OUT.
269
00:11:51,720 --> 00:11:53,620
SO WHAT’S GOING ON
WITH THE GUY THAT SHOT ME?
270
00:11:53,690 --> 00:11:56,730
THAT’S WHAT WE NEED
TO TALK TO YOU ABOUT.
271
00:11:56,790 --> 00:11:59,290
GOOD, ’CAUSE I GOTTA TALK TO
YOU GUYS ABOUT SOMETHING, TOO.
272
00:12:00,790 --> 00:12:02,290
[ SIGHS ]
273
00:12:06,390 --> 00:12:09,060
WHAT I TOLD YOU AT THE SCENE?
I WAS WRONG ABOUT SOMETHING.
274
00:12:09,120 --> 00:12:10,550
NAMELY?
275
00:12:10,620 --> 00:12:12,950
I HAD MY GUN OUT WHEN
I WAS CHASING THAT BLACK DUDE,
276
00:12:13,020 --> 00:12:15,780
BUT WHEN I HAD TO PULL MYSELF
UP ON THE FENCE, TO LOOK OVER,
277
00:12:15,850 --> 00:12:18,080
I HOLSTERED MY GUN
SO I COULD USE BOTH HANDS.
278
00:12:18,150 --> 00:12:19,550
SO, I WANT TO CLEAR
THAT UP.
279
00:12:19,620 --> 00:12:21,720
MY ADRENALINE WAS PUMPING
AT THE SCENE,
280
00:12:21,790 --> 00:12:24,330
SO I WASN’T EXACTLY
THINKING STRAIGHT.
281
00:12:24,390 --> 00:12:27,560
WELL, THAT HELPS US.
GOOD.
282
00:12:27,620 --> 00:12:30,620
AND THIS WHOLE THING WITH
GOING TO THE GYM AT 5:00 A. M.
283
00:12:30,690 --> 00:12:32,360
I COULD SEE HOW
THAT WOULD LOOK UNUSUAL.
284
00:12:32,420 --> 00:12:34,080
BUT I BOUGHT
A THREE‐YEAR MEMBERSHIP
285
00:12:34,150 --> 00:12:37,320
AS A NEW‐YEAR’S RESOLUTION
AND I HAVEN’T BEEN USING IT.
286
00:12:37,390 --> 00:12:40,460
I COULDN’T SLEEP,
SO I DECIDED TO GO WORK OUT.
287
00:12:40,520 --> 00:12:42,380
YEAH.
288
00:12:42,450 --> 00:12:45,280
YEAH. SO, YOU SAID
YOU HAD SOME QUESTIONS?
289
00:12:47,250 --> 00:12:49,380
I THINK YOU ANSWERED
MOST OF THEM.
290
00:12:49,450 --> 00:12:52,020
HOW LONG WERE YOU
STANDING ON THAT GARBAGE CAN,
291
00:12:52,090 --> 00:12:53,290
LOOKING OVER THE FENCE?
292
00:12:53,350 --> 00:12:55,080
HALF A MINUTE?
A MINUTE?
293
00:12:55,150 --> 00:12:57,220
I WAS LETTING MY EYES
ADJUST TO THE DARK
294
00:12:57,290 --> 00:12:59,590
TO SEE IF I COULD SPOT
THAT BLACK DUDE MOVING AROUND.
295
00:12:59,650 --> 00:13:02,450
GUY IN THE APARTMENT’S STILL
SAYING HE FIRED A WARNING SHOT.
296
00:13:02,520 --> 00:13:05,280
YOU DIDN’T GET HIM
OFF THAT?
297
00:13:05,350 --> 00:13:06,680
OBVIOUSLY NOT.
298
00:13:06,750 --> 00:13:08,420
WELL, HE’S LYING...
299
00:13:08,490 --> 00:13:10,630
AND AT THIS POINT, WHATEVER
SYMPATHY I HAD FOR HIM IS GONE,
300
00:13:10,690 --> 00:13:12,530
SO ARE YOU GONNA
ARREST HIM?
301
00:13:12,590 --> 00:13:16,060
WE’RE, UH, YOU KNOW,
MOVING FORWARD, STAN.
302
00:13:16,120 --> 00:13:17,620
COOL.
303
00:13:19,150 --> 00:13:20,620
ANYTHING ELSE?
304
00:13:20,690 --> 00:13:23,790
NO, WE’RE GOOD.
THANKS.
305
00:13:23,850 --> 00:13:25,550
OKAY.
306
00:13:28,290 --> 00:13:31,230
WELL, HE SURE
GOT HIS STORY STRAIGHT.
307
00:13:31,290 --> 00:13:32,560
WASN’T HE SUPPOSED TO?
308
00:13:47,540 --> 00:13:49,670
I TALKED TO A CO‐WORKER
OF LARRY EDMUNDS.
309
00:13:49,740 --> 00:13:52,540
HE SAID AFTER LARRY GOT ROBBED,
HE WAS TELLING PEOPLE
310
00:13:52,610 --> 00:13:54,810
THAT HE’D LIKE TO SEE SOMEONE
TRY AND ROB HIM AGAIN.
311
00:13:54,870 --> 00:13:56,070
MEANING HE WAS ITCHING
TO USE HIS GUN, RIGHT?
312
00:13:56,140 --> 00:13:57,940
THAT WAS MY INFERENCE,
YEAH.
313
00:13:58,010 --> 00:14:00,310
THIS GUY WAS A TIME BOMB
READY TO GO OFF.
314
00:14:00,370 --> 00:14:03,340
UH, ERIC DOOLING HERE TO SEE
DETECTIVES MEDAVOY OR JONES?
315
00:14:05,110 --> 00:14:06,710
RIGHT THIS WAY,
MR. DOOLING.
316
00:14:06,770 --> 00:14:07,900
IS MY BROTHER
IN TROUBLE?
317
00:14:07,970 --> 00:14:09,970
JUST A LITTLE MISUNDERSTANDING
WE NEED TO CLEAR UP.
318
00:14:10,940 --> 00:14:12,000
THANKS.
319
00:14:12,070 --> 00:14:14,270
THAT WAS BALLISTICS.
320
00:14:14,340 --> 00:14:17,300
THEY PULLED A SLUG
FROM THE FENCE WHERE
HATCHER WAS STANDING.
321
00:14:17,370 --> 00:14:18,300
9‐MILLIMETER.
322
00:14:18,370 --> 00:14:19,370
TRANSLATION?
323
00:14:19,440 --> 00:14:22,240
GUY’S TARGET PERMIT
IS FOR A .22.
324
00:14:22,310 --> 00:14:24,150
SO HE HAD AN ILLEGAL GUN,
IN OTHER WORDS.
325
00:14:24,210 --> 00:14:25,580
CAN WE ARREST THIS GUY
ALREADY, OR WHAT?
326
00:14:25,640 --> 00:14:26,900
I WOULD HOPE SO.
327
00:14:26,970 --> 00:14:28,800
WE’LL HEAD DOWN THERE
AND TALK TO HIM.
328
00:14:28,870 --> 00:14:30,340
TALK TO HIM ABOUT WHAT
HIS BAIL’S GONNA BE SET AT?
329
00:14:32,170 --> 00:14:34,270
KEEP YOU POSTED,
SARGE.
330
00:14:37,910 --> 00:14:41,180
SO, WHAT DID RYAN DO?
331
00:14:41,240 --> 00:14:42,900
WELL, THERE WAS SOME DAMAGE
332
00:14:42,970 --> 00:14:44,870
TO A HOTEL ROOM
WHERE HE WAS STAYING,
333
00:14:44,940 --> 00:14:46,770
AND WE’RE JUST LOOKING
TO TALK TO HIM
334
00:14:46,840 --> 00:14:48,500
BEFORE THE WHOLE THING
GETS BLOWN OUT OF PROPORTION.
335
00:14:48,570 --> 00:14:50,470
AW, HOW MUCH
IN DAMAGE?
336
00:14:50,540 --> 00:14:53,370
THEY HAVEN’T FINISHED
ASSESSING IT.
337
00:14:53,440 --> 00:14:56,270
WHAT’S GOT THE HOTEL SO PISSED
OFF IS NOT SO MUCH THE DAMAGE,
338
00:14:56,340 --> 00:14:59,040
BUT THAT RYAN BOOKED WITHOUT
EXPLAINING OR APOLOGIZING.
339
00:14:59,110 --> 00:15:01,510
SO WE NEED TO FIND HIM,
HAVE HIM DO BOTH THOSE THINGS,
340
00:15:01,570 --> 00:15:03,740
THEN WE CAN AVOID
THEM PRESSING CHARGES.
341
00:15:03,810 --> 00:15:04,950
I DON’T KNOW
WHERE HE IS.
342
00:15:05,010 --> 00:15:06,810
HE WAS LIVING
WITH YOU RECENTLY?
343
00:15:06,870 --> 00:15:08,300
YEAH, TILL
A COUPLE WEEKS AGO.
344
00:15:08,370 --> 00:15:09,900
LISTEN, UM...
345
00:15:09,970 --> 00:15:12,970
HE’S YOUNG.
346
00:15:13,040 --> 00:15:15,400
A LITTLE CONFUSED,
BUT HE IS NOT A BAD KID.
347
00:15:15,470 --> 00:15:17,800
IT’S JUST‐‐ HE...
348
00:15:17,870 --> 00:15:20,170
JUST TELL US WHAT’S
GOING ON HERE, ERIC.
349
00:15:20,240 --> 00:15:22,940
HE GOT INTO
THE CLUB SCENE.
350
00:15:23,010 --> 00:15:24,850
YOU KNOW, THOSE
ALL‐NIGHT THINGS.
351
00:15:24,910 --> 00:15:27,150
I TRIED TO LET HIM
GET IT OUT OF HIS SYSTEM,
352
00:15:27,210 --> 00:15:29,580
BUT HE NEVER DID,
SO I HAD TO GIVE HIM THE BOOT.
353
00:15:29,640 --> 00:15:32,340
WELL, UH, FRIENDS OR PLACES
HE HUNG OUT YOU KNOW OF?
354
00:15:32,410 --> 00:15:34,150
HE WAS HANGING OUT
WITH THIS POSER.
355
00:15:34,210 --> 00:15:35,710
WHAT’S HIS NAME? UM...
356
00:15:35,770 --> 00:15:37,970
CHASE. CHASE ALLWORTH.
357
00:15:38,040 --> 00:15:40,200
WAS YOUR BROTHER
GETTING INTO DRUGS?
358
00:15:40,270 --> 00:15:43,200
I MEAN, ALL THOSE CLUB KIDS
ARE DOING SOMETHING. RIGHT?
359
00:15:43,270 --> 00:15:45,340
BUT THE LAST TIME
I TALKED TO RYAN,
360
00:15:45,410 --> 00:15:48,150
HE SAID THAT HE GOT THIS GOOD
JOB WORKING FOR THIS PROMOTER.
361
00:15:48,210 --> 00:15:50,510
ARE YOU SURE THAT RYAN’S
THE ONE WHO DID THE DAMAGE?
362
00:15:50,570 --> 00:15:53,240
I MEAN, WHOSE NAME WAS
THE HOTEL ROOM REGISTERED UNDER?
363
00:15:53,310 --> 00:15:55,880
WELL, RYAN’S.
HE WAS LIVING THERE.
364
00:15:55,940 --> 00:15:58,700
HE TOLD ME HE WAS LIVING
IN A LOFT OUT IN TRIBECA.
365
00:15:58,770 --> 00:15:59,800
NOWHERE NEAR THAT.
366
00:15:59,870 --> 00:16:02,500
MORE LIES.
367
00:16:02,570 --> 00:16:06,300
GREAT.
CHASE ALLWORTH.
WE’LL LOOK HIM UP.
368
00:16:06,370 --> 00:16:08,440
TELL RYAN
HE’S ON HIS OWN.
369
00:16:08,510 --> 00:16:10,710
I’M NOT BAILING HIM OUT
THIS TIME.
370
00:16:10,770 --> 00:16:13,070
WILL DO.
371
00:16:16,570 --> 00:16:20,970
I LOOK OUT THE WINDOW AND THAT
GUY WAS LOOKING LIKE A CROOK.
372
00:16:21,040 --> 00:16:22,670
MR. EDMUNDS...
373
00:16:22,740 --> 00:16:25,400
HE TURNS AROUND AND GOES FOR A
GUN AND I’M SUPPOSED TO, WHAT‐‐
374
00:16:25,470 --> 00:16:26,670
WAVE A WHITE FLAG?!
375
00:16:26,740 --> 00:16:28,970
MR. EDMUNDS‐‐
I DEFENDED MYSELF!
376
00:16:29,040 --> 00:16:33,340
DID THE 9‐MILLIMETER BULLETS
COME FROM YOUR GUN?
377
00:16:33,410 --> 00:16:35,250
YES.
378
00:16:35,310 --> 00:16:38,410
HOW MANY OTHER UNLICENSED GUNS
DO YOU HAVE IN YOUR APARTMENT?
379
00:16:38,470 --> 00:16:40,840
ONE OTHER.
380
00:16:40,910 --> 00:16:45,410
HE WENT FOR HIS GUN,
I FIRED A WARNING SHOT.
381
00:16:45,470 --> 00:16:48,300
NOW I’M NOT SAYING HE’S WRONG,
BUT I’M SURE AS HELL NOT WRONG.
382
00:16:48,370 --> 00:16:51,540
YOU NEED TO GET YOURSELF
AN ATTORNEY, MR. EDMUNDS.
383
00:16:51,610 --> 00:16:54,980
I WAS PROTECTING
MY HOME.
384
00:16:55,040 --> 00:16:57,170
THIS IS WRONG.
385
00:17:01,840 --> 00:17:05,940
YEAH, STILL NO LUCK FINDING
THIS, UH, RYAN DOOLING KID.
386
00:17:06,010 --> 00:17:08,010
HIS CELL PHONE WAS SHUT OFF
A WEEK AGO.
387
00:17:08,070 --> 00:17:09,540
BUT THE FRIEND THAT
RYAN’S BROTHER TURNED US ON TO,
388
00:17:09,610 --> 00:17:11,910
CHASE ALLWORTH?
HE’S COMING IN FROM A CLUB.
389
00:17:11,970 --> 00:17:14,240
WHAT KIND OF CLUB?
DANCE CLUB.
390
00:17:14,310 --> 00:17:16,850
AT 1:00 IN THE AFTERNOON
ON A TUESDAY?
391
00:17:16,910 --> 00:17:19,210
YEAH, IT’S ONE OF THESE
RAVE‐TYPE DEALS.
392
00:17:19,270 --> 00:17:22,240
OH, OKAY. RAVE CLUB.
SURE.
393
00:17:25,670 --> 00:17:27,140
WELL?
394
00:17:27,210 --> 00:17:29,910
WE GOT A UNIFORM
SITTING ON HIM.
HE’S A COLLAR, SARGE.
395
00:17:29,970 --> 00:17:31,270
GOOD WORK.
396
00:17:33,610 --> 00:17:37,280
MEDAVOY, KEEP ME IN THE LOOP
ON THIS CHASE ALLWORTH.
397
00:17:59,540 --> 00:18:01,570
WHAT’S UP?
398
00:18:01,640 --> 00:18:03,200
JANET GRAFTON.
399
00:18:03,270 --> 00:18:04,840
SHE TRANSFERRED HERE,
RIGHT?
400
00:18:04,910 --> 00:18:06,950
YEAH, LAST WEEK.
401
00:18:07,010 --> 00:18:09,310
YOU FRIENDLY WITH HER?
WHAT DO YOU MEAN, FRIENDLY?
402
00:18:09,370 --> 00:18:11,540
I MEAN, CAN YOU TALK TO HER?
WOULD SHE BE HONEST WITH YOU?
403
00:18:11,610 --> 00:18:13,210
YEAH.
I DON’T KNOW. WHY?
404
00:18:13,270 --> 00:18:15,870
SHE SHOWS UP
ON HATCHER’S CELL PHONE.
405
00:18:15,940 --> 00:18:17,770
A BUNCH OF CALLS
IN TO HER.
406
00:18:17,840 --> 00:18:19,970
YOU DUMPED
HATCHER’S CELL PHONE?
407
00:18:20,040 --> 00:18:21,300
ON THE SLY.
408
00:18:21,370 --> 00:18:23,440
NO KIDDING,
ON THE SLY, ANDY.
409
00:18:23,510 --> 00:18:26,150
IF ANYBODY FOUND OUT YOU DUMPED
A FELLOW COP’S PHONE RECORDS...
410
00:18:26,210 --> 00:18:28,580
I DON’T TRUST THIS GUY, OKAY?
HE’S BAD NEWS.
411
00:18:28,640 --> 00:18:31,540
ARE YOU LOSING IT?
ARE YOU GONNA TALK TO THIS
JANET GRAFTON OR NOT?
412
00:18:31,610 --> 00:18:33,010
ABOUT WHAT?
413
00:18:33,070 --> 00:18:35,740
HER SENSE OF THIS GUY.
JUST TALK TO HER.
414
00:18:35,810 --> 00:18:37,750
IF SHE CAN’T HELP US OUT,
OR IT COMES UP ZERO,
415
00:18:37,810 --> 00:18:39,180
THEN I’LL DROP IT.
416
00:18:39,240 --> 00:18:40,700
BECAUSE YOU CAN’T ADMIT
YOU WERE WRONG?
417
00:18:40,770 --> 00:18:42,800
ARE YOU GONNA DO IT?
YES OR NO.
418
00:18:44,810 --> 00:18:46,810
THANKS.
419
00:18:50,510 --> 00:18:52,010
[ SIGHS ]
420
00:18:52,070 --> 00:18:53,640
Shh!
421
00:18:53,710 --> 00:18:55,310
[ SNORING ]
422
00:18:55,370 --> 00:18:56,440
CHASE.
423
00:18:59,170 --> 00:19:01,070
CHASE!
I’M ALLERGIC!
424
00:19:01,140 --> 00:19:02,900
HEY.
425
00:19:02,970 --> 00:19:06,100
YOU ALL RIGHT?
SURE.
WHAT’S UP?
426
00:19:06,170 --> 00:19:08,070
YOU KNOW RYAN DOOLING?
427
00:19:08,140 --> 00:19:09,940
YEAH, I KNOW RYAN.
428
00:19:10,010 --> 00:19:11,580
WE’RE LOOKING FOR HIM.
429
00:19:11,640 --> 00:19:12,940
OKAY.
430
00:19:13,010 --> 00:19:14,880
THERE WAS A LITTLE DAMAGE
DONE TO HIS HOTEL ROOM.
431
00:19:14,940 --> 00:19:16,200
WE NEED TO CLEAR IT UP.
432
00:19:16,270 --> 00:19:17,470
I DON’T KNOW
WHERE HE IS, MAN.
433
00:19:17,540 --> 00:19:19,870
[ SNIFFS ]
434
00:19:19,940 --> 00:19:21,540
ARE YOU SURE
YOU’RE ALL RIGHT?
435
00:19:21,610 --> 00:19:24,310
I’VE JUST BEEN UP
FOR A COUPLE OF DAYS.
436
00:19:24,370 --> 00:19:25,540
[ SNIFFS ]
437
00:19:27,540 --> 00:19:28,640
SO, WHAT’S UP?
438
00:19:28,710 --> 00:19:30,680
RYAN DOOLING.
HOW CAN WE FIND HIM?
439
00:19:30,740 --> 00:19:34,340
I DON’T KNOW.
I SWEAR.
440
00:19:34,410 --> 00:19:36,280
I’M TIRED.
I JUST WANT TO SLEEP.
441
00:19:36,340 --> 00:19:39,800
WE HEARD HE MIGHT HAVE BEEN
HANGING OUT WITH A BRUNETTE?
442
00:19:39,870 --> 00:19:42,070
HE HUNG AROUND
A BUNCH OF GIRLS.
443
00:19:42,140 --> 00:19:45,640
THIS ONE VISITED HIM
IN HIS HOTEL LAST NIGHT.
444
00:19:45,710 --> 00:19:47,610
OKAY, OKAY, OKAY,
LET ME THINK.
445
00:19:47,670 --> 00:19:49,300
WHAT’S HER NAME?
446
00:19:49,370 --> 00:19:52,570
HE SIGNED HER
TO HIS LABEL.
447
00:19:52,640 --> 00:19:53,700
HE DID WHAT?
448
00:19:53,770 --> 00:19:55,500
THIS CHICK.
SHE’S A DEEJAY.
449
00:19:55,570 --> 00:19:58,470
RYAN SIGNED HER
TO HIS RECORD COMPANY.
450
00:19:58,540 --> 00:20:00,270
RECORD COMPANY?
451
00:20:04,870 --> 00:20:06,840
HEY, CHASE!
452
00:20:06,910 --> 00:20:09,610
THE GIRL THAT RYAN DOOLING’S
BEEN HANGING OUT WITH LATELY...
453
00:20:09,670 --> 00:20:11,170
EVA.
454
00:20:11,240 --> 00:20:12,170
YEAH.
455
00:20:12,240 --> 00:20:14,170
HER LAST NAME SOUNDED FUNNY.
456
00:20:14,240 --> 00:20:17,040
LIKE IT WAS
A NOUN OR SOMETHING.
457
00:20:17,110 --> 00:20:20,710
LIKE "SHELF" OR SOMETHING.
458
00:20:20,770 --> 00:20:21,640
WARM.
459
00:20:21,710 --> 00:20:23,710
YEAH, WARM.
460
00:20:23,770 --> 00:20:24,840
EVA WARM?
461
00:20:24,910 --> 00:20:27,310
YES. OKAY?
462
00:20:27,370 --> 00:20:30,700
I’M TIRED.
I JUST WANT TO GET SOME SLEEP.
463
00:20:30,770 --> 00:20:34,070
CAN I GET SOME SLEEP?
464
00:20:37,840 --> 00:20:40,440
SO YOU GETTING ACCLIMATED
ALL RIGHT TO THE PRECINCT?
465
00:20:40,510 --> 00:20:42,250
YEAH, THEY GOT ME
IN A GOOD SQUAD
466
00:20:42,310 --> 00:20:44,480
WITH A GOOD BOSS
DOING CITY‐DAY TOURS.
467
00:20:44,540 --> 00:20:45,800
NOTHING WRONG
WITH THAT.
468
00:20:45,870 --> 00:20:47,470
PLUS, THE WAY
I FEEL ABOUT ITALIAN FOOD?
469
00:20:47,540 --> 00:20:49,340
BEING NEAR MULBERRY STREET
DOESN’T HURT.
470
00:20:49,410 --> 00:20:50,510
HELL, YEAH.
471
00:20:52,410 --> 00:20:53,980
SO, WHAT’S UP?
472
00:20:54,040 --> 00:20:56,300
[ CLEARS THROAT ]
KINDA NEED A FAVOR.
473
00:20:56,370 --> 00:21:00,140
WELL, I KINDA OWE YOU ONE, SO
YOU JUST MIGHT BE IN BUSINESS.
474
00:21:05,170 --> 00:21:08,640
STAN HATCHER’S BEEN
ASSIGNED TO OUR SQUAD.
475
00:21:08,710 --> 00:21:10,210
YEAH, I KNOW STAN.
476
00:21:10,270 --> 00:21:13,340
HE WAS INVOLVED
IN A SHOOTING THIS MORNING.
I HEARD.
477
00:21:13,410 --> 00:21:15,410
WE’RE TRYING TO GET
A FEEL FOR THE GUY.
478
00:21:15,470 --> 00:21:17,440
YOU KNOW, GET A FEEL
FOR WHAT HAPPENED THIS MORNING,
479
00:21:17,510 --> 00:21:20,210
AND, IN DOING SO,
480
00:21:20,270 --> 00:21:22,400
WE GOT A TIP
HE HAD A CALL IN TO YOU.
481
00:21:22,470 --> 00:21:25,240
SO I’M JUST ASKING IF YOU CAN
POINT ME IN THE RIGHT DIRECTION.
482
00:21:25,310 --> 00:21:27,580
IF THIS IS NONE OF MY BUSINESS,
JUST TELL ME NOW.
483
00:21:27,640 --> 00:21:30,140
STAN’S FRIENDS WITH MY EX.
THE PHONE’S STILL IN MY NAME.
484
00:21:30,210 --> 00:21:32,710
THAT’S PROBABLY WHY
WHOEVER TIPPED YOU SAID
STAN WAS CALLING ME.
485
00:21:32,770 --> 00:21:34,200
GOT IT.
486
00:21:34,270 --> 00:21:35,940
SO, YOU’RE HAVING
DOUBTS ABOUT STAN,
487
00:21:36,010 --> 00:21:37,250
WHICH IS WHY
YOU’RE ASKING ME?
488
00:21:37,310 --> 00:21:39,580
YOU DON’T LOOK
TOO SURPRISED.
489
00:21:39,640 --> 00:21:41,900
LIKE I SAID,
WE’RE JUST TRYING TO GET A FEEL.
490
00:21:41,970 --> 00:21:43,770
HOW DID THE SHOOTING
GO DOWN THIS MORNING?
491
00:21:43,840 --> 00:21:45,270
STAN WAS DRIVING
TO THE GYM REAL EARLY,
492
00:21:45,340 --> 00:21:48,000
SAW A PERP,
GAVE CHASE,
493
00:21:48,070 --> 00:21:50,470
SOME NEIGHBOR MISTOOK STAN
AS A BURGLAR, FIRED OFF A ROUND.
494
00:21:50,540 --> 00:21:52,340
THIS IS OVER ON
BROOME AND ELIZABETH.
495
00:21:52,410 --> 00:21:54,310
NEIGHBOR’S LOOKING
NEGLIGENT
496
00:21:54,370 --> 00:21:57,270
SINCE HIM HAVING AN ILLEGAL GUN
PROVOKED THE WHOLE THING.
497
00:22:00,040 --> 00:22:01,840
YOU DIDN’T HEAR
THIS FROM ME, RIGHT?
498
00:22:01,910 --> 00:22:03,080
RIGHT.
499
00:22:03,140 --> 00:22:05,700
STAN’S EX‐GIRLFRIEND LUCY?
500
00:22:05,770 --> 00:22:07,870
SHE LIVES ON
BROOME AND ELIZABETH.
501
00:22:07,940 --> 00:22:10,570
WHEN ME AND SCOTT WERE
MARRIED, WE WENT THERE
FOR DINNER ONE TIME.
502
00:22:12,370 --> 00:22:13,440
LUCY TIMMINS.
503
00:22:14,940 --> 00:22:17,540
AND THAT DOESN’T COUNT AS A
FAVOR‐‐ THAT’S ON THE HOUSE,
504
00:22:17,610 --> 00:22:19,410
’CAUSE STAN’S
A COMPLETE ASSHOLE.
505
00:22:20,910 --> 00:22:22,350
I GOTTA HEAD BACK.
506
00:22:39,470 --> 00:22:41,240
HI.
507
00:22:42,770 --> 00:22:44,900
MISS TIMMINS?
508
00:22:44,970 --> 00:22:46,900
MAY I HELP YOU?
509
00:22:46,970 --> 00:22:49,170
DETECTIVES SIPOWICZ
AND CLARK, 15th SQUAD.
510
00:22:49,240 --> 00:22:51,170
YEAH, I GOT YOUR MESSAGE.
I’VE JUST BEEN REALLY SWAMPED.
511
00:22:51,240 --> 00:22:53,300
WELL, WE WERE IN
THE NEIGHBORHOOD, ANYWAY.
512
00:22:53,370 --> 00:22:54,570
DO YOU HAVE
A FEW MINUTES?
513
00:22:54,640 --> 00:22:56,200
SURE.
514
00:22:56,270 --> 00:22:58,970
YOU AND STAN HATCHER DATED
FOR A COUPLE YEARS?
515
00:23:00,910 --> 00:23:02,210
THAT’S RIGHT.
516
00:23:02,270 --> 00:23:04,300
ARE YOU AWARE
HE WAS INVOLVED
517
00:23:04,370 --> 00:23:05,700
IN A SHOOTING THIS MORNING
AT THE BUILDING NEXT TO YOURS?
518
00:23:05,770 --> 00:23:07,170
YEAH, I, UH...
519
00:23:07,240 --> 00:23:09,270
LOOKED OUT MY WINDOW
AFTER IT ALL HAPPENED,
520
00:23:09,340 --> 00:23:12,570
AND I SAW STAN THERE,
AND, UH...YEAH.
521
00:23:12,640 --> 00:23:14,940
THAT’S ALL.
WAS HE WITH YOU
LAST NIGHT?
522
00:23:15,010 --> 00:23:16,980
NO, WE BROKE UP
MONTHS AGO.
523
00:23:17,040 --> 00:23:20,140
HE WAS SHOT LOOKING
OVER THE FENCE THAT
BORDERS YOUR BUILDING.
524
00:23:20,210 --> 00:23:22,210
I DIDN’T KNOW THAT.
525
00:23:22,270 --> 00:23:24,040
YOU SEE OUR DILEMMA HERE,
MISS TIMMINS?
526
00:23:24,110 --> 00:23:26,380
SURE, BUT STAN
WASN’T WITH ME.
527
00:23:26,440 --> 00:23:29,140
HAVE YOU HAD PROBLEMS WITH
STAN MAKING UNANNOUNCED
VISITS SINCE THE BREAKUP?
528
00:23:29,210 --> 00:23:31,210
YOU’RE GETTING INTO
PERSONAL ASPECTS OF MY LIFE
529
00:23:31,270 --> 00:23:32,800
THAT I’M NOT COMFORTABLE
SHARING WITH YOU.
530
00:23:32,870 --> 00:23:34,200
YOUR NEIGHBOR
GOT SHOT AS WELL.
531
00:23:34,270 --> 00:23:36,340
PEOPLE COULD
HAVE BEEN KILLED.
532
00:23:36,410 --> 00:23:39,410
SO WE’RE GONNA HAVE TO DELVE
INTO YOUR PERSONAL ASPECTS.
533
00:23:39,470 --> 00:23:41,870
THE ALTERNATIVE
IS A COURT ORDER.
534
00:23:41,940 --> 00:23:43,600
SO, WHAT’S IT
GONNA BE?
535
00:23:43,670 --> 00:23:45,170
DO YOU REALLY
WANT TO KNOW?
536
00:23:45,240 --> 00:23:47,270
WOULD YOU REALLY
DO ANYTHING ABOUT IT?
537
00:23:47,340 --> 00:23:49,170
I DON’T KNOW WHAT HATCHER’S
BEEN FILLING YOUR HEAD WITH
538
00:23:49,240 --> 00:23:51,040
IN TERMS OF COPS
PROTECTING COPS,
539
00:23:51,110 --> 00:23:53,280
BUT WE CAME HERE
TO FIND OUT WHAT’S GOING ON.
540
00:23:56,840 --> 00:23:58,670
WHAT WOULD YOU LIKE TO KNOW,
DETECTIVE?
541
00:23:58,740 --> 00:24:01,000
HAS HATCHER BEEN COMING BY
YOUR APARTMENT UNINVITED?
542
00:24:01,070 --> 00:24:02,070
YES.
543
00:24:02,140 --> 00:24:04,070
YOUR RELATIONSHIP
WITH HIM ENDED BAD?
544
00:24:04,140 --> 00:24:06,540
QUITE.
SO, IF WE WERE TO
MAKE THE ASSUMPTION
545
00:24:06,610 --> 00:24:10,480
THAT, UH, HE WAS LOOKING OVER
THAT FENCE TO SPY ON YOU‐‐
546
00:24:10,540 --> 00:24:11,640
YOU’D PROBABLY BE RIGHT.
547
00:24:11,710 --> 00:24:13,380
WAS HE EVER ABUSIVE?
548
00:24:13,440 --> 00:24:15,700
NOT...PHYSICALLY.
549
00:24:15,770 --> 00:24:17,600
HAVE YOU EVER LOOKED INTO
GETTING AN ORDER OF PROTECTION?
550
00:24:17,670 --> 00:24:20,100
I DON’T WANT TO PISS STAN OFF
MORE THAN HE ALREADY IS.
551
00:24:20,170 --> 00:24:22,040
I JUST WANT TO BE
LEFT ALONE.
552
00:24:22,110 --> 00:24:23,880
ALL RIGHT, WE APPRECIATE
YOU LEVELING WITH US.
553
00:24:25,970 --> 00:24:27,670
DON’T TELL HIM WE TALKED.
554
00:24:27,740 --> 00:24:28,570
PLEASE?
555
00:24:28,640 --> 00:24:30,270
SURE.
556
00:24:35,540 --> 00:24:37,640
HAVE A SEAT, EVA.
THANKS.
557
00:24:37,710 --> 00:24:40,180
Medavoy:
YOU KNOW A RYAN DOOLING?
558
00:24:40,240 --> 00:24:41,200
YEAH.
559
00:24:41,270 --> 00:24:43,000
WHEN DID YOU
SEE HIM LAST?
560
00:24:43,070 --> 00:24:45,070
UH, A COUPLE DAYS AGO
AT THIS CLUB‐‐
561
00:24:45,140 --> 00:24:46,570
THE LIGHT FACTORY.
562
00:24:46,640 --> 00:24:49,640
SO, YOU DIDN’T STOP BY
HIS HOTEL LAST NIGHT?
563
00:24:49,710 --> 00:24:51,680
THE HOTEL FAUNTLEROY?
NO.
564
00:24:51,740 --> 00:24:54,500
THE NIGHT CLERK SAID
AN ATTRACTIVE BRUNETTE ASKED HIM
565
00:24:54,570 --> 00:24:56,100
WHICH ROOM RYAN WAS IN.
566
00:24:56,170 --> 00:24:57,300
NOW, THAT WASN’T YOU?
567
00:24:59,110 --> 00:25:02,480
LET’S START OVER.
THANKS.
568
00:25:02,540 --> 00:25:05,500
DID YOU SEE RYAN AT
THE HOTEL FAUNTLEROY LAST NIGHT?
569
00:25:05,570 --> 00:25:06,500
YES.
570
00:25:06,570 --> 00:25:08,400
WHY DID YOU
LIE ABOUT IT?
571
00:25:08,470 --> 00:25:10,900
I PROMISED MY DAD THAT
I’D STOP HANGING AROUND RYAN.
572
00:25:10,970 --> 00:25:12,840
SORRY.
DID YOU AND RYAN ARGUE?
573
00:25:12,910 --> 00:25:13,810
NO...
574
00:25:13,870 --> 00:25:15,640
JUST HUNG OUT.
575
00:25:15,710 --> 00:25:18,080
THERE WAS SOME DAMAGE
TO RYAN’S HOTEL ROOM.
576
00:25:18,140 --> 00:25:20,570
DAMAGE THAT WOULD INDICATE
THAT AN ARGUMENT TRANSPIRED.
577
00:25:20,640 --> 00:25:22,600
NOT EVEN CLOSE.
578
00:25:22,670 --> 00:25:26,100
I WENT OVER THERE, TRIED
TO TALK HIM INTO GOING OUT,
579
00:25:26,170 --> 00:25:28,700
HE SAID HE NEEDED TO STAY IN,
SO I SPLIT.
580
00:25:28,770 --> 00:25:30,970
DID HE SAY WHAT HE WAS GONNA BE
DOING AFTER YOU LEFT?
581
00:25:31,040 --> 00:25:33,370
DID HE SAY IF ANYBODY
WAS COMING TO MEET HIM?
582
00:25:33,440 --> 00:25:35,240
NO.
DO YOU KNOW
WHERE RYAN IS NOW?
583
00:25:35,310 --> 00:25:37,150
’CAUSE, UH, WE GOTTA
GET THIS WORKED OUT.
584
00:25:37,210 --> 00:25:39,710
ISN’T HE AT THAT HOTEL?
585
00:25:39,770 --> 00:25:41,900
NO, HE CLEARED OUT
THIS MORNING.
586
00:25:41,970 --> 00:25:45,170
THEN, I DON’T KNOW.
WHO ARE HIS FRIENDS THAT
HE MAYBE CRASHED WITH?
587
00:25:45,240 --> 00:25:47,200
WE WEREN’T REALLY
THAT CLOSE.
588
00:25:47,270 --> 00:25:49,470
WELL, CLOSE ENOUGH
FOR YOUR FATHER TO HAVE MET HIM
589
00:25:49,540 --> 00:25:51,040
AND FORMED AN OPINION.
590
00:25:51,110 --> 00:25:53,350
BELIEVE ME, IT TOOK MY FATHER
ALL OF 10 SECONDS
591
00:25:53,410 --> 00:25:56,080
TO THINK THAT
RYAN WAS A CON ARTIST.
592
00:25:56,140 --> 00:25:58,370
EVA, YOU SEEM LIKE
A NICE GIRL.
593
00:25:58,440 --> 00:26:00,100
WE’D PREFER THIS
TO BE THE LAST TIME
594
00:26:00,170 --> 00:26:01,970
WE’D HAVE
TO INCONVENIENCE YOU.
595
00:26:02,040 --> 00:26:04,400
I WOULDN’T MIND
THAT EITHER.
596
00:26:04,470 --> 00:26:06,100
GOOD.
597
00:26:06,170 --> 00:26:09,270
WELL, JUST SO YOU KNOW‐‐
WE NEED TO LOCATE RYAN
598
00:26:09,340 --> 00:26:11,770
AND WE NEED TO FIND OUT WHAT
HAPPENED IN THAT HOTEL ROOM,
599
00:26:11,840 --> 00:26:14,970
AND IF WE DISCOVER LATER THAT
YOU WITHHELD INFORMATION ON US,
600
00:26:15,040 --> 00:26:16,870
WE’RE REALLY GONNA
INCONVENIENCE YOU.
601
00:26:19,810 --> 00:26:22,580
THERE’S A BAR ON THIRD?
602
00:26:22,640 --> 00:26:23,970
THE POWERHOUSE.
603
00:26:24,040 --> 00:26:26,340
RYAN HANGS OUT THERE
A LOT.
ALL RIGHT. GOOD.
604
00:26:26,410 --> 00:26:28,550
HE MUST HAVE DONE
A HELL OF A LOT OF DAMAGE
605
00:26:28,610 --> 00:26:30,750
TO THIS HOTEL ROOM.
606
00:26:30,810 --> 00:26:32,710
THANKS FOR COMING IN.
607
00:26:32,770 --> 00:26:34,900
[ CLEARS THROAT ]
608
00:26:37,740 --> 00:26:40,240
SUCH SERIOUS LOOKS.
609
00:26:40,310 --> 00:26:42,310
THERE’S SOMETHING WE NEED
TO TALK ABOUT, STAN.
610
00:26:42,370 --> 00:26:43,870
APPARENTLY.
611
00:26:43,940 --> 00:26:46,770
WE GOT AN ANONYMOUS
PHONE CALL‐‐ A TIP.
612
00:26:46,840 --> 00:26:48,940
NOW WE GOTTA
DEAL WITH IT.
613
00:26:49,010 --> 00:26:50,480
LET’S DEAL WITH IT.
614
00:26:50,540 --> 00:26:52,240
YOUR EX‐GIRLFRIEND LIVES
IN THE BUILDING
615
00:26:52,310 --> 00:26:53,950
NEXT TO WHERE
THE SHOOTING WAS?
616
00:26:54,010 --> 00:26:55,480
THAT’S RIGHT.
SHE DOES.
617
00:26:55,540 --> 00:26:57,240
WHY DIDN’T YOU TELL US?
618
00:26:57,310 --> 00:26:59,350
’CAUSE THAT HAD NOTHING TO DO
WITH ME CHASING THAT PERP.
619
00:26:59,410 --> 00:27:01,950
YOU WERE LOOKING UP INTO
YOUR EX‐GIRLFRIEND’S WINDOW.
620
00:27:02,010 --> 00:27:04,680
THAT’S WHAT SOME PEOPLE
COULD INTERPRET IT AS.
621
00:27:04,740 --> 00:27:07,440
AND THAT’S ANOTHER REASON
WHY I DIDN’T WANT TO TELL YOU.
622
00:27:07,510 --> 00:27:09,950
I DIDN’T WANT TO PUT YOU
IN THE POSITION WHERE
YOU HAD TO LIE FOR ME.
623
00:27:10,010 --> 00:27:11,880
WE GOT A CIVILIAN SHOT,
AND HE’S ARRESTED.
624
00:27:11,940 --> 00:27:13,500
FOR GOOD REASON.
625
00:27:13,570 --> 00:27:15,400
I WAS CHASING A PERP.
626
00:27:15,470 --> 00:27:16,940
I WAS DOING MY JOB.
627
00:27:17,010 --> 00:27:19,150
AND WHETHER OR NOT
YOU BELIEVE ME,
628
00:27:19,210 --> 00:27:20,950
THAT SON OF A BITCH
IN THE APARTMENT IS AT FAULT.
629
00:27:21,010 --> 00:27:22,810
HE’S WALKING AROUND
WITH AN ILLEGAL GUN
630
00:27:22,870 --> 00:27:25,070
WANTING TO
KILL AN INTRUDER.
631
00:27:25,140 --> 00:27:27,200
AND I WAS OUTSIDE
HIS APARTMENT
632
00:27:27,270 --> 00:27:29,800
AND HE DID NOT FIRE
A WARNING SHOT.
633
00:27:29,870 --> 00:27:31,700
HE WAS SHOOTING
TO KILL ME.
634
00:27:31,770 --> 00:27:33,370
YOU WERE SPYING
ON YOUR EX.
635
00:27:33,440 --> 00:27:35,640
THAT’S WHAT GOT
THE WHOLE BALL STARTED.
636
00:27:35,710 --> 00:27:37,050
I WAS CHASING A PERP!
637
00:27:37,110 --> 00:27:38,510
BRING IT DOWN A PEG,
STAN.
638
00:27:38,570 --> 00:27:40,340
HE NEEDS
TO BRING IT DOWN A PEG.
639
00:27:40,410 --> 00:27:42,050
YOU’VE HAD IT OUT FOR ME
SINCE DAY ONE
640
00:27:42,110 --> 00:27:44,350
AND TO HELL
IF I’M GONNA TAKE IT ANYMORE.
641
00:27:44,410 --> 00:27:46,310
LET ME KNOW WHEN YOU’RE DONE SO
WE CAN GET BACK TO THE SHOOTING.
642
00:27:46,370 --> 00:27:47,740
OH, WE’RE NOT
GETTING BACK TO NOTHING.
643
00:27:47,810 --> 00:27:49,280
WE’RE DONE TALKING.
644
00:27:52,770 --> 00:27:54,170
[ DOOR SLAMS ]
645
00:27:54,240 --> 00:27:55,770
ALL RIGHT, I KNOW
YOU DON’T LIKE THIS GUY,
646
00:27:55,840 --> 00:27:57,940
AND HE ISA HOTHEADED PRICK,
647
00:27:58,010 --> 00:27:59,780
BUT IF IT WAS
ANY OTHER COP,
648
00:27:59,840 --> 00:28:01,540
WE’D LET THE EX‐GIRLFRIEND
ASPECT STAY A SECRET.
649
00:28:01,610 --> 00:28:03,080
SO HATCHER WASN’T DOING
ANYTHING WRONG?
650
00:28:03,140 --> 00:28:04,470
ABSOLUTELY, HE WAS.
651
00:28:04,540 --> 00:28:06,470
BUT NOT ENOUGH
TO PULL THE PLUG ON HIM.
652
00:28:06,540 --> 00:28:09,270
SEE, THIS IS WHAT PEOPLE KEEP
DOING WITH THIS DICKHEAD.
653
00:28:09,340 --> 00:28:11,770
THEY COVER FOR HIM,
HE GOES ONTO THE NEXT SQUAD,
654
00:28:11,840 --> 00:28:14,340
HE SCREWS UP ALL OVER AGAIN.
THIS GUY SHOULD NOT BE A COP.
655
00:28:14,410 --> 00:28:16,880
HE DIDN’T BUST DOWN HER DOOR,
HE DIDN’T MAKE ANY THREATS,
656
00:28:16,940 --> 00:28:18,970
AND SHE SAID HE WASN’T
PHYSICALLY ABUSIVE.
657
00:28:19,040 --> 00:28:21,000
[ SCOFFS ]
DO YOU BELIEVE THAT?
658
00:28:21,070 --> 00:28:23,170
I’VE DROPPED A DIME ON A COP
I THOUGHT WAS A THREAT,
659
00:28:23,240 --> 00:28:25,800
BUT WE DON’T HAVE ENOUGH TO PULL
THE PLUG ON HATCHER RIGHT NOW,
660
00:28:25,870 --> 00:28:28,500
AND IF WE DID, WE’D BE BUYING
OURSELVES A WORLD OF PROBLEMS.
661
00:28:28,570 --> 00:28:30,370
MEANING YOU’RE AFRAID OF
HATCHER’S UNCLE?
662
00:28:30,440 --> 00:28:32,670
WHETHER I AM OR NOT,
WE DON’T HAVE ENOUGH.
663
00:28:32,740 --> 00:28:35,200
GREAT.
664
00:28:35,270 --> 00:28:37,270
WONDERFUL.
665
00:28:43,610 --> 00:28:45,180
EVERYTHING ALL RIGHT?
666
00:28:45,240 --> 00:28:46,570
SURE.
667
00:28:46,640 --> 00:28:48,870
’CAUSE I THOUGHT I HEARD
A DOOR BEING SLAMMED SHUT.
668
00:28:48,940 --> 00:28:51,470
WE GET A CROSS‐BREEZE
GOING THROUGH HERE SOMETIMES.
669
00:28:51,540 --> 00:28:54,740
WELL, TAKE CARE OF IT.
YOU GOT IT, SARGE.
670
00:28:54,810 --> 00:28:57,680
HEY, RYAN DOOLING WAS
GRABBED UP BY ANTI‐CRIME
GETTING ON A BUS.
671
00:28:57,740 --> 00:28:59,400
YEAH, WE’LL, UH,
BRING HIM IN.
672
00:29:01,710 --> 00:29:03,010
WHAT?
673
00:29:07,270 --> 00:29:09,200
[ SIGHS ] I’M A LITTLE
IN THE DARK HERE.
674
00:29:09,270 --> 00:29:11,570
IT’S GONNA GO DOWN
AS A GOOD SHOOT, RIGHT?
675
00:29:11,640 --> 00:29:14,470
THERE WERE A COUPLE QUESTIONS
THAT WERE ANSWERED.
676
00:29:14,540 --> 00:29:15,940
DONE DEAL.
677
00:29:16,010 --> 00:29:18,180
THAT’S ALL
I NEED TO KNOW?
YEP.
678
00:29:31,770 --> 00:29:33,270
YOU GOT A SECOND?
679
00:29:40,740 --> 00:29:42,270
LISTEN...
680
00:29:42,340 --> 00:29:44,270
SOMETIMES I GET WORKED UP,
AND MY TEMPER FLARES.
681
00:29:44,340 --> 00:29:46,270
I APOLOGIZE.
682
00:29:46,340 --> 00:29:47,940
OKAY.
683
00:29:48,010 --> 00:29:50,080
BUT I’M JUST TRYING
TO FIGURE OUT
684
00:29:50,140 --> 00:29:52,100
WHAT IT IS
YOU GOT AGAINST ME.
685
00:29:52,170 --> 00:29:54,240
AND FORGET ABOUT
WHAT HAPPENED TODAY‐‐
686
00:29:54,310 --> 00:29:56,380
THIS STARTED WHEN
I SET FOOT IN THIS SQUAD.
687
00:29:56,440 --> 00:29:58,900
IS IT BECAUSE
I SMACKED THAT SUSPECT AROUND?
688
00:29:58,970 --> 00:30:01,070
OR, YOU KNOW,
GAVE A LITTLE PAYBACK
689
00:30:01,140 --> 00:30:03,300
TO THE FREAK
WHO KIDNAPPED THOSE WOMEN
690
00:30:03,370 --> 00:30:05,070
AND KEPT THEM
AS SEX‐SLAVES?
691
00:30:05,140 --> 00:30:07,370
I MEAN,
YOU’RE AN ACTIVE COP, RIGHT?
692
00:30:07,440 --> 00:30:09,540
YOU’RE NOT AFRAID
TO PUT YOUR HANDS ON A GUY.
693
00:30:09,610 --> 00:30:12,710
WE GOT MORE IN COMMON
THAN YOU THINK, SIPOWICZ.
694
00:30:12,770 --> 00:30:14,240
IS THAT IT?
695
00:30:14,310 --> 00:30:16,250
ARE YOU, LIKE,
THREATENED BY ME OR SOMETHING?
696
00:30:16,310 --> 00:30:19,410
IN TERMS OF THIS JOB, STAN,
WE GOT NOTHING IN COMMON.
697
00:30:19,470 --> 00:30:21,300
AND IF IT WAS UP TO ME,
698
00:30:21,370 --> 00:30:23,370
THERE’S NO WAY YOU’D BE
CARRYING A BADGE AND A GUN.
699
00:30:23,440 --> 00:30:27,300
WELL, I THOUGHT WE COULD
WORK THIS OUT.
700
00:30:27,370 --> 00:30:28,500
I GUESS NOT.
701
00:30:28,570 --> 00:30:31,100
EVERYBODY’S ENTITLED
TO A SCREW‐UP HERE AND THERE.
702
00:30:31,170 --> 00:30:33,070
BUT YOU’VE MADE
A CAREER OUT OF IT.
703
00:30:33,140 --> 00:30:35,170
DO YOURSELF A FAVOR‐‐
FIND A NEW HOME.
704
00:30:35,240 --> 00:30:37,870
’CAUSE I’M NOT GONNA LET YOU
PUT A STINK ON THIS SQUAD.
705
00:30:37,940 --> 00:30:39,540
I’M NOT
GOING ANYWHERE.
706
00:30:39,610 --> 00:30:40,850
IF ANYBODY’S DUE FOR
A CHANGE OF VENUE, IT’S YOU.
707
00:30:40,910 --> 00:30:42,850
YOU THINK?
708
00:30:42,910 --> 00:30:44,180
DAMN STRAIGHT.
709
00:30:44,240 --> 00:30:45,940
ARE YOU GONNA RUN
TO YOUR UNCLE
710
00:30:46,010 --> 00:30:47,810
AND BEG HIM TO DO SOMETHING
ABOUT ME?
711
00:30:47,870 --> 00:30:49,770
I DON’T KNOW
ABOUT THE RUN PART,
712
00:30:49,840 --> 00:30:51,900
BUT SOUNDS LIKE YOU GOT A PRETTY
GOOD IDEA HOW THINGS WORK.
713
00:30:51,970 --> 00:30:53,940
WELL, LET ME TELL
YOU SOMETHING‐‐
714
00:30:54,010 --> 00:30:57,650
YOU, YOUR UNCLE, AND ANYBODY
WHO BEARS A RESEMBLANCE
715
00:30:57,710 --> 00:31:00,150
CAN SHOVE IT
CLEAN UP THEIR ASS!
716
00:31:01,840 --> 00:31:04,140
BETTER START THINKING ABOUT
FINDING A NEW COMMAND, PAL.
717
00:31:19,530 --> 00:31:22,060
SO, RYAN, UH...
718
00:31:22,130 --> 00:31:24,190
WHY YOU LEAVING TOWN
IN SUCH A HURRY?
719
00:31:24,260 --> 00:31:26,230
Ryan: JUST KINDA DONE
WITH NEW YORK.
720
00:31:26,300 --> 00:31:28,300
READY FOR THAT
NEXT ADVENTURE.
721
00:31:28,360 --> 00:31:30,330
YOU GOT SOME UNFINISHED BUSINESS
BACK AT THE FAUNTLEROY.
722
00:31:30,400 --> 00:31:32,340
DON’T LAUGH...
723
00:31:32,400 --> 00:31:33,840
I’M SERIOUS‐‐
724
00:31:33,900 --> 00:31:36,140
I WAS GONNA MAIL THEM
THE THREE DAYS’ I OWED.
725
00:31:36,200 --> 00:31:37,940
WE’RE TALKING ABOUT
THE BULLET HOLE IN YOUR WALL.
726
00:31:38,000 --> 00:31:40,040
SAY WHAT?
YOU HEARD ME.
727
00:31:40,100 --> 00:31:42,340
I DON’T KNOW
ANYTHING ABOUT THAT.
728
00:31:42,400 --> 00:31:44,240
WE’RE FIGURING
THE GUN WENT OFF
729
00:31:44,300 --> 00:31:45,740
EITHER WHEN EVA WAS THERE
OR SOMETIME AFTER.
730
00:31:45,800 --> 00:31:47,540
I DON’T KNOW ABOUT
A BULLET HOLE.
731
00:31:47,600 --> 00:31:50,040
YOU KNOW, YOUR CURRENT
APPROACH HERE, RYAN?
732
00:31:50,100 --> 00:31:51,740
THE HEAD‐IN‐THE‐SAND THING?
733
00:31:51,800 --> 00:31:53,640
THAT’S JUST GONNA GET YOU
STUCK HERE IN NEW YORK.
734
00:31:53,700 --> 00:31:56,500
BUT TELL US WHAT HAPPENED,
735
00:31:56,560 --> 00:31:58,830
APOLOGIZE TO THE HOTEL
FOR THE HASSLE,
736
00:31:58,900 --> 00:32:00,840
AND YOU CAN GO
ON YOUR MERRY WAY.
737
00:32:00,900 --> 00:32:03,040
HAVE YOU GUYS
SEEN THAT HOTEL?
738
00:32:03,100 --> 00:32:06,540
THERE’S MORE BULLET HOLES
IN THAT PLACE THAN BEDS.
739
00:32:06,600 --> 00:32:08,270
YOU GOTTA
LEVEL WITH US.
740
00:32:08,330 --> 00:32:09,990
WHAT MAKES YOU
SO SURE IT WAS ME?
741
00:32:10,060 --> 00:32:11,360
GEORGE SCHIFFER.
742
00:32:11,430 --> 00:32:13,290
THE OLD MAN LIVING
IN THE ROOM NEXT TO YOU.
743
00:32:13,360 --> 00:32:15,830
REMEMBER HIM?
YEAH, I KNOW GEORGE.
744
00:32:15,900 --> 00:32:19,100
HE’S DEAD...FROM A BULLET
THAT CAME FROM YOUR ROOM.
745
00:32:19,160 --> 00:32:21,160
NOW, THIS GUY WAS JUST
LIVING HIS LIFE,
746
00:32:21,230 --> 00:32:23,290
MINDING HIS OWN BUSINESS.
747
00:32:23,360 --> 00:32:25,630
HE DESERVED BETTER THAN TO GO
OUT WITH A BULLET IN HIS CHEST,
748
00:32:25,700 --> 00:32:28,040
BUT YOU AND YOUR STUPID‐ASS
CLUB FRIENDS CAUSED HIS DEATH.
749
00:32:28,100 --> 00:32:29,570
I DIDN’T DO IT.
750
00:32:29,630 --> 00:32:31,160
HELL, YEAH, YOU DID.
751
00:32:31,230 --> 00:32:33,790
UNLESS YOU
CONVINCE US DIFFERENT.
752
00:32:33,860 --> 00:32:35,260
IT WAS EVA.
753
00:32:35,330 --> 00:32:36,430
EVA?
754
00:32:36,500 --> 00:32:37,840
WHAT HAPPENED?
755
00:32:37,900 --> 00:32:40,470
SHE CAME BY
’CAUSE I OWED HER MONEY,
756
00:32:40,530 --> 00:32:42,030
BUT I’D BLOWN IT ALL.
757
00:32:42,100 --> 00:32:44,370
SHE PULLS OUT A GUN TO THREATEN
ME, AND IT JUST WENT OFF.
758
00:32:44,430 --> 00:32:48,160
SO WE AGREED TO DENY
IT EVER HAPPENED.
759
00:32:48,230 --> 00:32:50,330
YOU KNOW, FROM WHAT
I’VE HEARD ABOUT YOU, RYAN,
760
00:32:50,400 --> 00:32:52,000
IT WOULDN’T BE A STRETCH
YOU PINNING THIS ON A GIRL.
761
00:32:52,060 --> 00:32:54,630
EVA FIRED THE GUN!
THAT’S WHAT HAPPENED.
762
00:32:54,700 --> 00:32:57,240
YOU’RE STICKING AROUND.
GEORGE IS REALLY DEAD?
763
00:32:57,300 --> 00:33:00,940
YOU DON’T NEED TO
PUT ON THE FAKE GRIEF.
764
00:33:01,000 --> 00:33:02,170
ACTUALLY, IT’S KIND OF
AN INSULT.
765
00:33:02,230 --> 00:33:03,790
I’M NOT FAKING NOTHING.
766
00:33:03,860 --> 00:33:06,260
I MOVED INTO THAT PLACE,
’CAUSE MY BROTHER KICKED ME OUT.
767
00:33:06,330 --> 00:33:09,030
I WAS COMPLETELY ALONE,
AND I GUESS I WAS CRYING.
768
00:33:09,100 --> 00:33:11,370
THERE’S A KNOCK ON MY DOOR,
AND IT’S GEORGE.
769
00:33:11,430 --> 00:33:13,290
HE ASKED ME IF I WAS OKAY.
770
00:33:13,360 --> 00:33:17,790
HE’S THE ONLY PERSON TO ASK ME
THAT IN I DON’T KNOW HOW LONG.
771
00:33:17,860 --> 00:33:19,890
IF THIS COMES BACK
TO YOU...
772
00:33:23,460 --> 00:33:25,230
SO THEN THE GUY
IN THE APARTMENT
773
00:33:25,300 --> 00:33:26,970
GETS CHARGED WITH
CRIMINAL POSSESSION
774
00:33:27,030 --> 00:33:29,490
OF AN UNREGISTERED WEAPON,
RECKLESS ENDANGERMENT,
775
00:33:29,560 --> 00:33:31,260
AND SECOND‐DEGREE ASSAULT.
776
00:33:31,330 --> 00:33:33,930
NO PRIORS, SO FIGURE
HE’LL DO LESS THAN A YEAR.
777
00:33:34,000 --> 00:33:35,970
EVEN IF HE JUST
GOT PROBATION,
778
00:33:36,030 --> 00:33:37,760
AS LONG AS HE GETS THE MESSAGE
HE WAS IN THE WRONG.
779
00:33:37,830 --> 00:33:39,590
SURE.
780
00:33:39,660 --> 00:33:41,260
YOU ALL RIGHT
WITH THAT, STAN?
781
00:33:41,330 --> 00:33:43,730
NO PROBLEM.
I’M NOT LOOKING TO HURT THE GUY.
782
00:33:43,800 --> 00:33:46,070
WE’LL GET THE CASE FOLDER
OVER TO YOU AFTER WE’RE DONE.
783
00:33:46,130 --> 00:33:47,630
HAVE A GOOD NIGHT.
784
00:33:47,700 --> 00:33:49,140
Ortiz: YOU TOO.
785
00:33:51,900 --> 00:33:53,600
THANKS, MAN.
786
00:33:53,660 --> 00:33:55,530
YOU GOT IT.
787
00:34:03,630 --> 00:34:05,760
I DIDN’T FIRE A GUN.
788
00:34:05,830 --> 00:34:07,290
EVA...
789
00:34:07,360 --> 00:34:09,860
YOU’RE DUG IN, OBVIOUSLY,
AND I KNOW, AT A CERTAIN POINT,
790
00:34:09,930 --> 00:34:12,490
PEOPLE FEEL THEY’VE COMMITTED TO
A LIE, AND THEY WON’T UNDO IT,
791
00:34:12,560 --> 00:34:14,690
BECAUSE, MORE THAN ANYTHING,
THEY’RE EMBARRASSED.
792
00:34:14,760 --> 00:34:16,190
BUT WE’RE NOT
YOUR PARENTS.
793
00:34:16,260 --> 00:34:17,830
WE’RE NOT GONNA
HOLD IT AGAINST YOU.
794
00:34:17,900 --> 00:34:19,740
WE GOT RYAN SAYING
YOU FIRED THE GUN.
795
00:34:19,800 --> 00:34:21,970
WE GOT WITNESSES WE CAN
PARADE IN FRONT OF A JUDGE.
796
00:34:22,030 --> 00:34:24,230
YOU GOTTA START
THINKING CLEARLY NOW, EVA.
797
00:34:24,300 --> 00:34:26,470
RYAN’S GOT A LOT OF NERVE
BLAMING THIS ON ME.
798
00:34:26,530 --> 00:34:27,660
DID HE FIRE THE GUN?
799
00:34:27,730 --> 00:34:29,890
[ SCOFFS ]
800
00:34:29,960 --> 00:34:32,760
I AM SO DONE
WITH THIS BULLSHIT.
801
00:34:32,830 --> 00:34:35,790
AND I SWEAR‐‐ AND YOU CAN TELL
THE PEOPLE AT THE HOTEL THIS‐‐
802
00:34:35,860 --> 00:34:37,590
I AM ABSOLUTELY
GOING TO CHANGE MY LIFE.
803
00:34:37,660 --> 00:34:39,060
OKAY, WE’LL TELL THEM.
804
00:34:39,130 --> 00:34:40,930
’CAUSE THIS WAS JUST...
THE CAPPER.
805
00:34:41,000 --> 00:34:42,970
THIS WAS THE WAKE‐UP CALL
THAT I NEEDED.
806
00:34:43,030 --> 00:34:45,760
I AM ENROLLING AT
NASSAU COMMUNITY COLLEGE TODAY.
807
00:34:45,830 --> 00:34:47,790
WHAT HAPPENED
LAST NIGHT?
808
00:34:47,860 --> 00:34:50,130
I MET RYAN AT
THE LIGHT FACTORY‐‐
809
00:34:50,200 --> 00:34:53,540
THIS CLUB, AND HE FINDS OUT
THAT I WANT TO BE A DEEJAY.
810
00:34:53,600 --> 00:34:55,000
[ LAUGHS ]
811
00:34:55,060 --> 00:34:57,930
AND HE TELLS ME
THAT HE WORKS FOR A RECORD LABEL
812
00:34:58,000 --> 00:35:00,370
AND A BUNCH OF
SWEET‐TALK LATER,
813
00:35:00,430 --> 00:35:04,530
HE GETS ME TO GIVE HIM 500 BUCKS
TO COVER "PRODUCTION COSTS,"
814
00:35:04,600 --> 00:35:07,470
BUT THEN EACH TIME I SEE HIM,
I START GETTING THE BRUSH‐OFF.
815
00:35:07,530 --> 00:35:09,790
SO I HAVE MY COUSIN
FOLLOW HIM ONE NIGHT,
816
00:35:09,860 --> 00:35:12,960
AND I FIND OUT THAT HE’S STAYING
AT THAT DUMP, THE FAUNTLEROY.
817
00:35:13,030 --> 00:35:15,230
COUPLE DAYS GO BY,
I DON’T SEE HIM AT THE CLUB,
818
00:35:15,300 --> 00:35:17,040
I WENT TO HIS HOTEL
TO GET MY MONEY.
819
00:35:17,100 --> 00:35:18,670
DID YOU TAKE
THE GUN WITH YOU?
820
00:35:18,730 --> 00:35:20,060
YES, I DID.
821
00:35:20,130 --> 00:35:22,090
AND I CAN’T TELL YOU WHY,
OTHER THAN
822
00:35:22,160 --> 00:35:25,990
I WAS SO FRUSTRATED
AND SO TIRED OF BEING LIED TO
823
00:35:26,060 --> 00:35:28,290
AND $500
IS A LOT TO ME.
824
00:35:28,360 --> 00:35:31,760
AND I WAS JUST PISSED
FOR LETTING MYSELF GET CONNED.
825
00:35:31,830 --> 00:35:33,530
WHERE’D YOU GET THE GUN?
826
00:35:33,600 --> 00:35:35,170
MY COUSIN.
827
00:35:35,230 --> 00:35:37,630
HE WAS GONNA COME WITH ME, BUT
HE HAD TO PULL A DOUBLE‐SHIFT.
828
00:35:37,700 --> 00:35:40,570
I KNOW WHERE HE KEEPS IT,
SO I JUST ROLLED OVER TO
HIS PLACE AND I TOOK IT.
829
00:35:40,630 --> 00:35:43,360
SO, WHAT HAPPENED
WHEN YOU GOT TO RYAN’S ROOM?
830
00:35:43,430 --> 00:35:45,890
HE FINALLY ADMITS THAT HE
DOESN’T WORK FOR A RECORD LABEL
831
00:35:45,960 --> 00:35:47,630
AND THAT HE BLEW
ALL MY MONEY ON DRUGS.
832
00:35:47,700 --> 00:35:51,070
SO I PULLED OUT THE GUN
TO SHOW HIM THAT I WAS SERIOUS,
833
00:35:51,130 --> 00:35:53,390
AND I PULLED BACK THE...
834
00:35:53,460 --> 00:35:54,660
HAMMER.
835
00:35:54,730 --> 00:35:56,060
RIGHT,
I COCKED THE HAMMER BACK‐‐
836
00:35:56,130 --> 00:35:58,060
JUST TO SCARE HIM.
837
00:35:58,130 --> 00:36:00,260
THERE WAS NO WAY
I WAS GOING TO SHOOT HIM.
838
00:36:00,330 --> 00:36:03,430
WHEN I PULLED MY FINGER BACK ON
THE TRIGGER, THE GUN WENT OFF,
839
00:36:03,500 --> 00:36:05,170
AND IT SCARED THE HELL
OUT OF THE BOTH OF US.
840
00:36:05,230 --> 00:36:08,630
SO, THERE I AM
IN THIS SKANKY HOTEL ROOM
841
00:36:08,700 --> 00:36:10,240
WITH A GUN IN MY HAND,
842
00:36:10,300 --> 00:36:13,040
TRYING TO GET 500 BUCKS BACK
FROM A LYING DRUG ADDICT
843
00:36:13,100 --> 00:36:15,870
THAT WAS SUPPOSED
TO MAKE ME A SUPERSTAR DEEJAY.
844
00:36:15,930 --> 00:36:20,590
I’M SO DONE WITH ALL THAT.
I SWEAR TO GOD.
845
00:36:20,660 --> 00:36:22,760
YOU NEED
TO WRITE THAT UP.
846
00:36:22,830 --> 00:36:24,760
Okay.
847
00:36:24,830 --> 00:36:28,360
"I ACCIDENTALLY...
848
00:36:28,430 --> 00:36:32,160
"FIRED THE GUN...
849
00:36:32,230 --> 00:36:34,890
"IN RYAN DOOLING’S ROOM.
850
00:36:34,960 --> 00:36:36,990
I AM VERY SORRY."
851
00:36:41,830 --> 00:36:43,390
THERE’S, UH...
852
00:36:43,460 --> 00:36:45,790
THERE’S SOMETHING ELSE
WE NEED TO TALK ABOUT NOW, EVA.
853
00:36:45,860 --> 00:36:47,660
WHAT?
854
00:36:47,730 --> 00:36:50,830
THE BULLET YOU FIRED
WENT THROUGH A WALL
855
00:36:50,900 --> 00:36:52,540
AND A MAN WAS KILLED.
856
00:36:54,330 --> 00:36:55,330
NO.
857
00:36:55,400 --> 00:36:57,140
YES.
858
00:36:58,460 --> 00:36:59,660
NO.
859
00:36:59,730 --> 00:37:02,660
YOU’RE LOOKING AT
CRIMINALLY NEGLIGENT HOMICIDE.
860
00:37:02,730 --> 00:37:04,890
I’M GOING TO JAIL?
861
00:37:04,960 --> 00:37:07,030
WELL, IT’S UP TO A JURY,
862
00:37:07,100 --> 00:37:09,840
BUT SOMEONE DIED
AS A RESULT OF YOUR BEHAVIOR.
863
00:37:09,900 --> 00:37:13,000
WE’RE SORRY.
864
00:37:18,860 --> 00:37:21,360
HEADING OUT, STAN?
865
00:37:21,430 --> 00:37:23,260
GOING DOWN TO BELLEVUE
TO GET THE BANDAGE CHANGED.
866
00:37:23,330 --> 00:37:24,730
MOST GUYS WOULD HAVE
TAKEN A DAY OFF.
867
00:37:24,800 --> 00:37:26,340
SAYS A LOT ABOUT YOU.
868
00:37:26,400 --> 00:37:27,470
THANKS, SARGE.
869
00:37:27,530 --> 00:37:28,860
ALL RIGHT, PARTNER.
870
00:37:28,930 --> 00:37:31,130
NIGHT, STAN.
HEAL UP.
871
00:37:31,200 --> 00:37:34,100
HEY, A BUDDY OF MINE HAS
HIS MONTHLY POKER GAME TONIGHT.
872
00:37:34,160 --> 00:37:36,530
LOW STAKES, GOOD GUYS,
ALWAYS FUN.
873
00:37:36,600 --> 00:37:38,240
I CAN GET YOU A SEAT
IF YOU WANT.
874
00:37:38,300 --> 00:37:39,740
I ALREADY GOT PLANS.
THANKS, THOUGH.
875
00:37:39,800 --> 00:37:41,870
I’M OUT.
876
00:37:48,460 --> 00:37:49,930
EVERYTHING ALL RIGHT?
877
00:37:50,000 --> 00:37:52,470
YEAH. THANKS.
878
00:37:52,530 --> 00:37:54,530
THERE’S NOTHING I NEED
TO KNOW ABOUT?
879
00:37:54,600 --> 00:37:56,340
I MEAN, I AM PARTNERED
WITH THE GUY.
880
00:37:58,930 --> 00:38:00,960
JUST KEEP AN EYE ON HIM.
881
00:38:01,030 --> 00:38:03,260
DON’T LET HIM DRAG YOU
INTO SOMETHING BAD.
882
00:38:03,330 --> 00:38:04,860
OKAY.
883
00:38:04,930 --> 00:38:06,490
Irvin: 15th SQUAD?
884
00:38:08,660 --> 00:38:10,430
UH, DETECTIVE SIPOWICZ?
885
00:38:12,160 --> 00:38:14,260
HEY.
886
00:38:14,330 --> 00:38:15,890
YEAH?
887
00:38:15,960 --> 00:38:17,990
I’LL COME DOWN RIGHT NOW.
888
00:38:25,330 --> 00:38:27,630
[ SIGHS ]
889
00:38:27,700 --> 00:38:29,200
WHAT’S UP?
890
00:38:29,260 --> 00:38:31,360
SO IF THERE’S ONE THING
WE LEARNED ABOUT HATCHER TODAY,
891
00:38:31,430 --> 00:38:33,490
IT’S THAT HE’S GOT A JEALOUS
STREAK AND A PROBLEM WITH WOMEN.
892
00:38:33,560 --> 00:38:35,030
AGREED?
OKAY.
893
00:38:35,100 --> 00:38:37,040
YOU KNOW HIS WIFE
WAS MURDERED, RIGHT?
894
00:38:37,100 --> 00:38:39,300
YEAH, THE GANG HE WAS
LOOKING INTO TO BRING DOWN,
895
00:38:39,360 --> 00:38:41,160
TRIED TO KILL HIM WITH A CAR
BOMB, AND GOT HIS WIFE INSTEAD.
896
00:38:41,230 --> 00:38:43,160
NO ONE WAS EVER
COLLARED FOR IT.
897
00:38:43,230 --> 00:38:45,930
YOU KNOW WHAT?
YOU’RE STARTING TO WORRY ME.
898
00:38:46,000 --> 00:38:48,070
SO I GO LOOK
AT THE CASE FOLDER.
899
00:38:48,130 --> 00:38:50,790
THE WHOLE INVESTIGATION CENTERED
ON THIS GANG‐RETALIATION THEORY.
900
00:38:50,860 --> 00:38:52,360
GO HOME.
901
00:38:52,430 --> 00:38:54,690
BE WITH CONNIE, PLAY WITH
YOUR KIDS, CHILL OUT.
902
00:38:54,760 --> 00:38:56,190
SO IN THE FIVES,
903
00:38:56,260 --> 00:38:58,130
I SEE THAT HATCHER’S PARTNER
IN THE GANG UNIT
904
00:38:58,200 --> 00:39:00,700
ASKED TO BE RE‐ASSIGNED AFTER
THIS WHOLE THING WENT DOWN.
905
00:39:00,760 --> 00:39:02,530
THE GUY’S NAME
IS CARL GARRETY.
906
00:39:02,600 --> 00:39:05,170
I CALL TO FIND HIM,
HE’S NO LONGER ON THE JOB.
907
00:39:05,230 --> 00:39:08,790
HE THREE‐QUARTERED OUT OFF
A KNEE INJURY THREE YEARS BACK.
908
00:39:08,860 --> 00:39:11,130
HE’S NOW
AN INSURANCE INVESTIGATOR.
909
00:39:11,200 --> 00:39:12,800
SO I’M GOING
TO SEE HIM...
910
00:39:12,860 --> 00:39:14,290
IN AN HOUR.
911
00:39:14,360 --> 00:39:16,530
ANDY, TAKE A STEP BACK
AND LOOK AT WHAT YOU’RE DOING.
912
00:39:16,600 --> 00:39:19,240
I’M GOING TO MEET THIS GUY.
YOU COMING OR NOT?
913
00:39:25,730 --> 00:39:28,130
HOLD UP.
914
00:39:36,760 --> 00:39:38,660
WERE YOU SCARED?
915
00:39:38,730 --> 00:39:40,290
OF WHAT?
916
00:39:40,360 --> 00:39:42,730
WELL, IF THIS GANG
WAS TRYING TO KILL YOUR PARTNER,
917
00:39:42,800 --> 00:39:45,200
DIDN’T YOU THINK THEY’D TRY
AND TAKE YOU OUT, TOO?
918
00:39:45,260 --> 00:39:48,860
I GUESS.
MAYBE A LITTLE. YEAH.
919
00:39:48,930 --> 00:39:51,330
IT WAS A CRAZY TIME.
920
00:39:56,030 --> 00:39:58,490
YOU CLOSE
TO HATCHER’S WIFE?
921
00:39:58,560 --> 00:40:00,860
WHY WOULD YOU SAY THAT?
922
00:40:00,930 --> 00:40:02,430
YOU’RE THROWING
SHOTS BACK.
923
00:40:02,500 --> 00:40:04,540
SEEMS LIKE
IT’S DIFFICULT TO TALK ABOUT.
924
00:40:04,600 --> 00:40:06,270
WELL, SHE WAS
A GREAT LADY.
925
00:40:06,330 --> 00:40:08,990
WE JUST TALKED
TO HIS EX‐GIRLFRIEND TODAY
926
00:40:09,060 --> 00:40:10,960
OVER THE SHOOTING
THAT HAPPENED?
927
00:40:11,030 --> 00:40:12,790
SHE SAID
HATCHER WAS ABUSIVE.
928
00:40:12,860 --> 00:40:14,590
HUH.
929
00:40:14,660 --> 00:40:18,090
WERE YOU AWARE OF ANY ABUSE
BETWEEN HATCHER AND HIS WIFE?
930
00:40:18,160 --> 00:40:20,060
THEY HAD THEIR
SHARE OF PROBLEMS.
931
00:40:20,130 --> 00:40:21,930
ALONG THE LINES
OF WHAT?
932
00:40:22,000 --> 00:40:23,840
SHE WASN’T HAPPY.
933
00:40:23,900 --> 00:40:26,200
SHE WAS AFRAID OF HIM.
934
00:40:26,260 --> 00:40:29,560
HOW DO YOU KNOW THIS?
SHE CONFIDED IN ME.
935
00:40:29,630 --> 00:40:32,730
WHY DIDN’T YOU COME FORWARD
WITH THAT INFORMATION?
936
00:40:32,800 --> 00:40:35,970
I MEAN, IT’S NOT LIKE
YOU AND HATCHER WERE
THE BEST OF BUDDIES.
937
00:40:36,030 --> 00:40:37,560
ALL YOU HAD TO DO
WAS DROP A DIME.
938
00:40:37,630 --> 00:40:40,330
I WAS MARRIED, TOO.
939
00:40:42,000 --> 00:40:44,140
YOU WERE HAVING
AN AFFAIR WITH HER.
940
00:40:45,960 --> 00:40:48,030
I COULDN’T
SAY ANYTHING THEN,
941
00:40:48,100 --> 00:40:50,470
’CAUSE I WAS SCARED OF
LOSING MY WIFE.
942
00:40:50,530 --> 00:40:52,490
I WAS SCARED OF
WHAT STAN WOULD DO.
943
00:40:52,560 --> 00:40:54,260
’CAUSE IF HE DIDKILL MARCY,
944
00:40:54,330 --> 00:40:56,430
HE WAS CAPABLE OF
DOING THE SAME TO ME.
945
00:40:56,500 --> 00:40:58,040
I’M DIVORCED NOW.
946
00:40:58,100 --> 00:41:01,940
SO THERE’S NO ONE TO HURT
BY TALKING ABOUT IT.
947
00:41:02,000 --> 00:41:05,540
AND AS FAR AS MY FEARS
OF WHAT STAN WOULD DO?
948
00:41:05,600 --> 00:41:07,540
TO HELL WITH IT.
I DON’T CARE ANYMORE.
949
00:41:09,000 --> 00:41:11,770
WHAT DID HATCHER’S WIFE
TELL YOU ABOUT HIM?
950
00:41:11,830 --> 00:41:13,760
SHE WAS READY TO LEAVE.
951
00:41:13,830 --> 00:41:15,690
SHE TOLD HIM THAT,
952
00:41:15,760 --> 00:41:19,090
HE ACCUSED HER
OF HAVING AN AFFAIR,
953
00:41:19,160 --> 00:41:21,360
AND SHE ADMITTED TO IT.
954
00:41:21,430 --> 00:41:25,390
HOW SOON AFTER SHE TOLD YOU
DID SHE TURN UP DEAD?
955
00:41:25,460 --> 00:41:27,360
THREE DAYS.
956
00:41:27,430 --> 00:41:31,190
I KEPT HOPING THEY’D FIND
A DIARY ENTRY OR...
957
00:41:31,260 --> 00:41:34,190
MAYBE SHE TOLD A GIRLFRIEND
AND THEY’D COME FORWARD
958
00:41:34,260 --> 00:41:36,590
SO I WOULDN’T
HAVE TO GET INVOLVED.
959
00:41:36,660 --> 00:41:39,090
PLUS, WHO KNOWS?
960
00:41:39,160 --> 00:41:41,260
IT COULD HAVE BEEN
A COINCIDENCE.
961
00:41:41,330 --> 00:41:43,830
IT COULD HAVE BEEN
A RETALIATION HIT.
962
00:41:43,900 --> 00:41:46,000
[ INHALES DEEPLY ]
963
00:41:47,260 --> 00:41:49,260
I GOTTA GO.
964
00:41:51,360 --> 00:41:53,260
GOOD LUCK.
965
00:41:56,560 --> 00:41:59,490
OH, MAN.
966
00:41:59,560 --> 00:42:01,890
HATCHER KILLED HIS WIFE.
967
00:42:01,960 --> 00:42:05,260
EITHER HE CONTRACTED IT
OR HE DID IT HIMSELF,
968
00:42:05,330 --> 00:42:08,960
BUT I GUARANTEE YOU,
HATCHER KILLED HIS WIFE.
73054
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