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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,240 --> 00:00:02,940 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,970 --> 00:00:04,740 I'VE SENT MICHAEL BACK. 3 00:00:04,770 --> 00:00:06,700 WHY? MICHAEL'S FATHER SHOWED UP. 4 00:00:06,740 --> 00:00:08,940 IF HE'S MADE ANY THREATS, WE CAN DO SOMETHING ABOUT IT. 5 00:00:08,970 --> 00:00:10,200 MY WIFE DOESN'T FEEL SAFE. 6 00:00:10,240 --> 00:00:11,500 I'LL TALK TO MICHAEL'S FATHER. 7 00:00:11,540 --> 00:00:13,040 WE'RE DONE. 8 00:00:13,070 --> 00:00:14,940 I'M OFF THE LIST FOR CAPTAIN'S MONEY. 9 00:00:14,970 --> 00:00:16,570 YOU'RE KIDDING. A LITTLE PAYBACK FOR THE TRIAL. 10 00:00:16,600 --> 00:00:18,570 THIS IS AS FAR AS I'LL GO ON THE JOB. 11 00:00:18,600 --> 00:00:19,740 GIVE THEM A YEAR. 12 00:00:19,770 --> 00:00:21,170 I'VE ALREADY GIVEN THEM 18. 13 00:00:21,200 --> 00:00:22,770 WHY YOU MESSING UP MICHAEL'S LIFE? 14 00:00:22,800 --> 00:00:24,570 CAN I ASK YOU THE SAME THING? 15 00:00:24,600 --> 00:00:26,600 WE'RE HELPING HIM OUT. THAT'S MESSING WITH HIM? 16 00:00:26,640 --> 00:00:29,240 I'M TALKING ABOUT YOU TRYING TO TURN HIM INTO A WHITE BOY LIKE YOURSELF. 17 00:00:29,270 --> 00:00:32,070 GO AHEAD, WHITE BOY. 18 00:00:32,100 --> 00:00:34,170 YOU GLAD ABOUT GOING TO YOUR AUNT'S? 19 00:00:34,200 --> 00:00:35,740 I DON'T REALLY KNOW HER. 20 00:00:35,770 --> 00:00:38,000 I TALKED TO HER. SHE SEEMS LIKE A NICE PERSON. 21 00:00:38,040 --> 00:00:39,870 TAMMY? HI, I'M DETECTIVE JONES. 22 00:00:39,900 --> 00:00:41,740 I CAN'T HAVE ANY PROBLEMS WITH HIS DAD. 23 00:00:41,770 --> 00:00:43,500 THAT'S MY ONLY CONDITION. 24 00:00:43,540 --> 00:00:45,340 MICHAEL'S FATHER TRIES TO CONTACT YOU FOR ANY REASON, 25 00:00:45,370 --> 00:00:46,370 CALL ME. ALL RIGHT. 26 00:00:48,240 --> 00:00:49,540 HEY. 27 00:00:49,570 --> 00:00:50,870 HEY, AUNT TAMMY. 28 00:00:50,900 --> 00:00:52,200 LOOK AT YOU, ALL GROWN UP. 29 00:00:53,900 --> 00:00:55,500 YOU READY? 30 00:00:55,540 --> 00:00:57,200 YEAH. COME ON. 31 00:01:11,200 --> 00:01:12,770 MORNING. 32 00:01:12,800 --> 00:01:14,100 Medavoy: HEY. 33 00:01:14,140 --> 00:01:16,070 D.O.A.'S A STUART STEINMAN. 34 00:01:16,100 --> 00:01:18,170 THAT'S HIS JEWELRY STORE, AND THAT'S HIS WIFE. 35 00:01:18,200 --> 00:01:19,670 Sipowicz: SHE WITH HIM? 36 00:01:19,700 --> 00:01:21,600 NO, THEY LIVE ACROSS THE STREET. 37 00:01:21,640 --> 00:01:24,000 SHE HEARD THE SHOTS, LOOKED OUT THE WINDOW, SAW HER HUSBAND. 38 00:01:24,040 --> 00:01:26,240 THE WALLET'S ON HIM AND $300 CASH. 39 00:01:26,270 --> 00:01:28,670 WAS HE CARRYING JEWELRY? WIFE SAID HE WASN'T. 40 00:01:28,700 --> 00:01:30,440 SHE SEE ANYONE LEAVING THE SCENE? 41 00:01:30,470 --> 00:01:32,370 SHE BROKE DOWN. WE WERE GIVING HER A MINUTE. 42 00:01:32,400 --> 00:01:33,870 SHE LOOKS BETTER NOW. 43 00:01:33,900 --> 00:01:35,400 WE'LL START A CANVAS. 44 00:01:38,200 --> 00:01:40,570 MRS. STEINMAN, DETECTIVES SIPOWICZ AND CLARK. 45 00:01:40,600 --> 00:01:42,370 WE'RE VERY SORRY. 46 00:01:42,400 --> 00:01:44,200 DID YOU HEAR THE SHOTS THIS MORNING? 47 00:01:44,240 --> 00:01:45,740 I WAS IN THE BEDROOM. 48 00:01:45,770 --> 00:01:47,840 I LOOKED OUT THE WINDOW AND SAW HIM LYING THERE. 49 00:01:47,870 --> 00:01:49,700 Clark: DID YOU SEE ANYONE ON THE STREET? 50 00:01:49,740 --> 00:01:51,100 I JUST SAW STUART. 51 00:01:51,140 --> 00:01:52,600 WHAT ABOUT A CAR PULLING AWAY? 52 00:01:52,640 --> 00:01:54,770 I WAS LOOKING AT MY HUSBAND. 53 00:01:54,800 --> 00:01:57,840 CAN YOU THINK OF ANYONE WHO MIGHT HAVE DONE THIS? HE WAS A DECENT MAN. 54 00:01:57,870 --> 00:01:59,540 ANYONE WHO WAS GIVING HIM TROUBLE, 55 00:01:59,570 --> 00:02:01,170 PERSONALLY OR IN HIS BUSINESS LIFE? 56 00:02:01,200 --> 00:02:02,240 MAYBE. 57 00:02:02,270 --> 00:02:03,900 WHO, MRS. STEINMAN? 58 00:02:03,940 --> 00:02:06,570 WELL, THERE'S THIS NEIGHBORHOOD GUY. 59 00:02:06,600 --> 00:02:10,070 LAST WEEK HE TOLD STUART HE SHOULD ROT IN HELL, 60 00:02:10,100 --> 00:02:11,900 AND WOULD ROT IN HELL. 61 00:02:11,940 --> 00:02:13,400 ON ACCOUNT OF WHAT? 62 00:02:13,440 --> 00:02:14,700 BEING A JEW. 63 00:02:14,740 --> 00:02:17,000 THIS GUY CALLS HIMSELF MOHAMMED SOMETHING. 64 00:02:17,040 --> 00:02:18,570 BUT HE'S WHITE ‐‐ A CONVERT. 65 00:02:18,600 --> 00:02:20,540 NOW WHAT COULD BE MORE FOOLISH? 66 00:02:20,570 --> 00:02:22,740 DID YOUR HUSBAND AND THIS GUY EVER GET INTO FIGHTS? 67 00:02:22,770 --> 00:02:25,900 JUST A LOT OF YELLING BACK AND FORTH FROM BOTH OF THEM. 68 00:02:25,940 --> 00:02:28,400 DID YOU HEAR THAT THIS MORNING? NO. 69 00:02:28,440 --> 00:02:30,270 YOU KNOW WHERE THIS MOHAMMED LIVES? 70 00:02:30,300 --> 00:02:32,940 IT'S GOT TO BE NEARBY. 71 00:02:32,970 --> 00:02:35,500 I THINK HE GOES TO THE MOSQUE ON EIGHTH. 72 00:02:35,540 --> 00:02:36,940 [ SNIFFLING ] 73 00:02:36,970 --> 00:02:40,940 STUART JUST THOUGHT HE WAS A DUMB, CONFUSED KID. 74 00:02:40,970 --> 00:02:43,200 WELL, WE'LL LOOK INTO IT, MRS. STEINMAN. 75 00:02:43,240 --> 00:02:45,770 THEY NEED TO GET THE BLOOD OFF THE STREET. 76 00:02:45,800 --> 00:02:48,240 HE NEEDS TO BE BURIED WHOLE. 77 00:02:48,270 --> 00:02:50,040 I DON'T KNOW HOW TO DO THAT. 78 00:02:50,070 --> 00:02:51,700 WHY DON'T YOU GIVE US THE NUMBER OF YOUR RABBI? 79 00:02:51,740 --> 00:02:54,200 WE'LL SEE IT GETS TAKEN CARE OF. 80 00:02:54,240 --> 00:02:56,540 [ SIGHS ] HOLY WAR. 81 00:02:56,570 --> 00:02:58,870 YEAH, BUCKLE UP. 82 00:04:13,110 --> 00:04:14,550 HERE'S THE DEAL. 83 00:04:14,570 --> 00:04:15,940 WE GOT A D. O. A. JEWISH MALE. 84 00:04:15,970 --> 00:04:17,570 MAIN SUSPECT RIGHT NOW IS A MUSLIM 85 00:04:17,610 --> 00:04:19,380 THE D. O. A. HAD SOME RUN‐INS WITH. 86 00:04:19,410 --> 00:04:21,280 JUNIOR'S TRYING TO GET AN ADDRESS ON HIM. 87 00:04:21,310 --> 00:04:23,210 HIS NAME'S KAMAL MOHAMMED, 88 00:04:23,240 --> 00:04:25,440 BUT HE'S ACTUALLY A WHITE KID FORMERLY KNOW AS TIM GARRITY. 89 00:04:25,470 --> 00:04:27,000 DETECTIVE JONES? IT'S MICHAEL. 90 00:04:27,040 --> 00:04:28,770 Ortiz: D.O.A. WAS A JEWELER, 91 00:04:28,810 --> 00:04:30,680 BUT THERE'S NO INDICATION THIS WAS A ROBBERY, 92 00:04:30,710 --> 00:04:33,050 WHICH MAKES US THINK THIS WAS A STRAIGHT BEEF. 93 00:04:33,070 --> 00:04:35,370 BIAS UNIT'S BEEN NOTIFIED IN CASE THIS SHAKES OUT AS A HATE CRIME. 94 00:04:35,410 --> 00:04:36,910 I'LL BE RIGHT THERE. 95 00:04:36,940 --> 00:04:38,870 MICHAEL'S AUNT GOT ASSAULTED AT HER APARTMENT. 96 00:04:38,910 --> 00:04:40,710 I'M GONNA HEAD OVER THERE. GO AHEAD. 97 00:04:40,740 --> 00:04:42,670 THE AUNT MICHAEL'S BEEN STAYING WITH? 98 00:04:42,710 --> 00:04:43,910 YEAH. 99 00:04:43,940 --> 00:04:45,670 I'LL COME WITH YOU. 100 00:04:45,710 --> 00:04:47,550 GOT AN ADDRESS ON THIS MOHAMMED KID. 101 00:04:47,570 --> 00:04:49,040 LET'S HIT IT. 102 00:04:59,370 --> 00:05:00,700 DETECTIVE JONES AND MEDAVOY. 103 00:05:00,740 --> 00:05:02,070 YOU'RE THE ONE KNOWS THE KID? 104 00:05:02,110 --> 00:05:04,010 YEAH. WHERE'S TAMMY? 105 00:05:04,040 --> 00:05:05,370 ON HER WAY TO BELLEVUE. 106 00:05:05,410 --> 00:05:07,180 SHE GOT KNOCKED AROUND PRETTY GOOD. 107 00:05:07,210 --> 00:05:09,450 ANYTHING ON THE PERP? NOTHING. 108 00:05:09,470 --> 00:05:11,070 HOW'D THE JOB COME IN? 109 00:05:11,110 --> 00:05:13,280 NEXT‐DOOR NEIGHBOR HEARD THE COMMOTION, CALLED 911. 110 00:05:13,310 --> 00:05:14,610 THE ONE OUT IN THE HALLWAY? 111 00:05:14,640 --> 00:05:16,440 YEAH. 112 00:05:16,470 --> 00:05:18,270 YOU TAKE HER. I'LL TALK TO MICHAEL. 113 00:05:20,710 --> 00:05:21,910 YOU ALL RIGHT? 114 00:05:21,940 --> 00:05:22,900 YEAH. 115 00:05:22,940 --> 00:05:24,370 WHAT HAPPENED? 116 00:05:24,410 --> 00:05:26,950 I WAS WALKING TO CATCH THE TRAIN TO GO TO SCHOOL. 117 00:05:26,970 --> 00:05:29,100 THIS GUY JASON, WHO LIVES DOWN THE HALL, 118 00:05:29,140 --> 00:05:31,100 COMES RUNNING UP, TELLING ME AUNT TAMMY JUST GOT ATTACKED. 119 00:05:31,140 --> 00:05:32,900 SO I RUN BACK HERE, CALLED YOU. 120 00:05:32,940 --> 00:05:34,940 WHERE'S TAMMY'S OTHER KIDS? 121 00:05:34,970 --> 00:05:37,500 SCHOOL. THEY LEFT BEFORE I DID. 122 00:05:37,540 --> 00:05:39,070 SHE BEEN HAVING A PROBLEM WITH ANYBODY? 123 00:05:39,110 --> 00:05:40,350 NO. 124 00:05:40,370 --> 00:05:41,600 SHE SEEING ANYONE? 125 00:05:41,640 --> 00:05:43,400 NOT THAT I KNOW ABOUT. 126 00:05:43,440 --> 00:05:45,240 WAS YOUR DAD HERE THIS MORNING? 127 00:05:45,270 --> 00:05:46,840 NOPE. 128 00:05:46,870 --> 00:05:49,000 HAS HE BEEN HERE AT ALL SINCE YOU MOVED IN? 129 00:05:49,040 --> 00:05:51,240 NO. I TOLD YOU I'D LET YOU KNOW IF HE DID. 130 00:05:51,270 --> 00:05:53,440 'CAUSE IT SOUNDS LIKE SOMETHING HE'D DO, MICHAEL. 131 00:05:53,470 --> 00:05:54,740 I DIDN'T SEE HIM. 132 00:05:54,770 --> 00:05:56,240 I DON'T KNOW WHAT ELSE TO TELL YOU. 133 00:05:56,270 --> 00:05:57,740 IF YOU'RE LYING, 134 00:05:57,770 --> 00:05:59,740 IF YOU KNOW YOUR DAD WAS HERE, I'M DONE, MICHAEL. 135 00:05:59,770 --> 00:06:02,700 I CAN'T BE AROUND THIS ANYMORE, KNOWING HE'S HURTING PEOPLE. 136 00:06:02,740 --> 00:06:04,300 I'M TELLING YOU THE TRUTH. 137 00:06:10,710 --> 00:06:12,410 SIT DOWN, TIM. 138 00:06:14,040 --> 00:06:16,440 KAMAL, IF YOU DON'T MIND. 139 00:06:18,410 --> 00:06:19,880 YOU KNOW STUART STEINMAN? 140 00:06:19,910 --> 00:06:21,380 YES. 141 00:06:21,410 --> 00:06:22,850 WHEN DID YOU SEE HIM LAST? 142 00:06:22,870 --> 00:06:24,700 A FEW DAYS AGO. WHY? 143 00:06:24,740 --> 00:06:26,400 HE GOT ASSAULTED THIS MORNING. 144 00:06:26,440 --> 00:06:28,100 WE KNOW THAT YOU TWO LIKE TO GET INTO IT. 145 00:06:28,140 --> 00:06:30,340 JUST VERBALLY ‐‐ DISCUSSION. 146 00:06:30,370 --> 00:06:31,370 REGARDING? 147 00:06:31,410 --> 00:06:34,180 ZIONISM, PALESTINE, ISLAM. 148 00:06:34,210 --> 00:06:35,510 HOW HOT WOULD IT GET? 149 00:06:35,540 --> 00:06:37,500 OCCASIONALLY, VOICES WERE RAISED. 150 00:06:37,540 --> 00:06:39,040 NEVER CAME TO BLOWS? 151 00:06:39,070 --> 00:06:41,840 INVITE ALL TO THE WAY OF THY LORD WITH WISDOM 152 00:06:41,870 --> 00:06:44,900 AND BEAUTIFUL PREACHING AND ARGUE WITH THEM, 153 00:06:44,940 --> 00:06:46,840 NOT ASSAULT THEM. 154 00:06:46,870 --> 00:06:48,000 IS HE ALL RIGHT? 155 00:06:48,040 --> 00:06:50,040 HE'S DEAD ‐‐ SHOT TWICE. 156 00:06:51,540 --> 00:06:53,170 ACCOUNT FOR YOURSELF THIS MORNING. 157 00:06:53,210 --> 00:06:55,910 IS THAT AN ACCUSATION? YEAH, IT IS, TIM. 158 00:06:55,940 --> 00:06:58,270 BECAUSE I ENGAGED THE MAN IN VERBAL DISCOURSE, 159 00:06:58,310 --> 00:07:00,380 OR BECAUSE I'M A MUSLIM? 160 00:07:00,410 --> 00:07:02,780 IT'S JUST YOU IN HERE, NO OTHER "MOO‐SLIMS." 161 00:07:02,810 --> 00:07:05,450 I ASK YOU NOT TO DISPARAGE THE NAME OF MY RELIGION. 162 00:07:05,470 --> 00:07:08,500 THE ONLY THING WE'RE DISPARAGING IS YOU, YOU PHONY ASSHOLE. 163 00:07:08,540 --> 00:07:09,870 WHERE WERE YOU? 164 00:07:09,910 --> 00:07:11,780 FAJR‐‐ MORNING PRAYERS. 165 00:07:11,810 --> 00:07:13,280 WHO WILL CONFIRM IT? 166 00:07:13,310 --> 00:07:15,050 I WILL NOT GIVE YOU THE NAMES OF MY BROTHERS. 167 00:07:15,070 --> 00:07:16,870 THEN YOU'LL SIT YOUR ASS IN A CELL. 168 00:07:16,910 --> 00:07:19,450 THERE ARE OTHER MUSLIMS IMPRISONED UNJUSTLY. 169 00:07:19,470 --> 00:07:21,270 IT IS MY HONOR TO JOIN THEM. 170 00:07:22,610 --> 00:07:25,450 WHEN DID YOU CONVERT? TWO YEARS AGO. 171 00:07:25,470 --> 00:07:28,340 WHYDID YOU CONVERT? WHY ARE YOU A COP? 172 00:07:28,370 --> 00:07:31,240 TO SOLVE CRIMES LIKE THIS ONE, 173 00:07:31,270 --> 00:07:34,070 BUT UNLIKE YOU AND YOUR CONVERSION, 174 00:07:34,110 --> 00:07:36,080 I'VE BEEN AT THIS FOR OVER 30 YEARS. 175 00:07:36,110 --> 00:07:38,080 I GOT NOTHING TO PROVE TO MY PALS. 176 00:07:38,110 --> 00:07:40,380 AND IF THAT'S WHAT YOU'RE DOING HERE BY STONEWALLING US, 177 00:07:40,410 --> 00:07:42,280 KNOCK OFF THE BULLSHIT NOW. 178 00:07:42,310 --> 00:07:44,410 BECAUSE IF YOU WERE INVOLVED, WE CAN HELP YOU. 179 00:07:44,440 --> 00:07:46,840 BUT IF YOU WEREN'T, AND THIS IS A WASTE OF OUR TIME, 180 00:07:46,870 --> 00:07:48,600 I'LL RIP THAT BEARD OUT OF YOUR FACE. 181 00:07:48,640 --> 00:07:50,740 I HAVE NOTHING MORE TO SAY TO YOU. 182 00:07:55,310 --> 00:07:57,080 UNIFORM PICKED UP MICHAEL'S DAD. 183 00:07:57,110 --> 00:07:58,210 THEY'RE BRINGING HIM IN. 184 00:07:58,240 --> 00:07:59,370 ALL RIGHT. 185 00:08:01,070 --> 00:08:02,070 HOW YOU FEELING? 186 00:08:02,110 --> 00:08:03,510 [ SIGHS ] 187 00:08:03,540 --> 00:08:05,870 LIKE I'M GETTING SUCKED INTO SOMETHING 188 00:08:05,910 --> 00:08:07,280 THAT'S GONNA END UP BAD. 189 00:08:07,310 --> 00:08:09,110 FOR MICHAEL? NO, FOR ME. 190 00:08:09,140 --> 00:08:11,270 ALL I WANT IS TO SEE MICHAEL TURN OUT ALL RIGHT, 191 00:08:11,310 --> 00:08:13,210 BUT HIS DAD... 192 00:08:13,240 --> 00:08:16,500 I FEEL LIKE I'M GETTING PUSHED PAST WHAT I CAN DEAL WITH. 193 00:08:16,540 --> 00:08:19,540 YOU WANT ME TO TALK TO MICHAEL, BEING OBJECTIVE? 194 00:08:19,570 --> 00:08:21,770 NO, I DON'T WANT ANYONE TALKING TO HIM BUT ME. 195 00:08:21,810 --> 00:08:24,050 THE KID'S DOING ALL HE CAN TO HANG IN THERE AS IT IS. 196 00:08:27,640 --> 00:08:29,100 SO WHERE YOU AT? 197 00:08:29,140 --> 00:08:31,270 I BELIEVE MICHAEL. I DON'T THINK HE SAW ANYTHING. 198 00:08:31,310 --> 00:08:33,050 WHERE YOU AT WITH HIS FATHER? 199 00:08:33,070 --> 00:08:35,040 OR ARE YOU WALKING AROUND HERE WITH YOUR JAW SET 200 00:08:35,070 --> 00:08:36,500 RELATED TO SOMETHING ELSE? 201 00:08:36,540 --> 00:08:38,200 LOOK, I'M NOT GONNA LIE TO YOU. 202 00:08:38,240 --> 00:08:40,270 PART OF HIS GAME'S BEEN TRYING TO DRAW ME OUT. 203 00:08:40,310 --> 00:08:42,210 DRAW YOU INTO BEATING THE HELL OUT OF HIM, 204 00:08:42,240 --> 00:08:44,000 WHICH WOULD SOLVE ALL OF HIS PROBLEMS. 205 00:08:44,040 --> 00:08:45,770 WHICH IS WHY I HAVEN'T. 206 00:08:45,810 --> 00:08:48,550 IF HE'S TRYING TO GET TO YOU, WHY GIVE HIM WHAT HE WANTS? 207 00:08:48,570 --> 00:08:50,640 LET GREG AND RITA TAKE THE INTERVIEW. 208 00:08:54,640 --> 00:08:55,900 ALL RIGHT. 209 00:08:55,940 --> 00:08:57,700 WHAT'S UP WITH THE NEIGHBOR? 210 00:08:57,740 --> 00:08:59,400 SHE WILLING TO LOOK AT A LINEUP? 211 00:08:59,440 --> 00:09:01,270 SHE SAYS SHE DIDN'T GET A GOOD LOOK, 212 00:09:01,310 --> 00:09:03,550 AND SHE MADE IT PRETTY CLEAR SHE'S NOT GETTING INVOLVED 213 00:09:03,570 --> 00:09:05,600 PAST THE GENERAL DESCRIPTION SHE GAVE US. 214 00:09:07,040 --> 00:09:09,440 I APPRECIATE YOUR LEVELING WITH ME. 215 00:09:12,440 --> 00:09:14,870 SO HOW SHOULD WE GO AT CRAIG? ANY TIPS? 216 00:09:14,910 --> 00:09:16,450 I'VE TRIED EVERYTHING I KNOW. 217 00:09:17,910 --> 00:09:19,410 ALL RIGHT. 218 00:09:29,610 --> 00:09:33,010 SO, PHOEBE, HOW LONG HAVE YOU WORKED FOR MR. STEINMAN? 219 00:09:33,040 --> 00:09:34,200 TWO YEARS. 220 00:09:34,240 --> 00:09:35,870 DO YOU KNOW ANYTHING ABOUT HIS ARGUMENTS 221 00:09:35,910 --> 00:09:37,610 WITH A MUSLIM GUY IN THE NEIGHBORHOOD? 222 00:09:37,640 --> 00:09:39,370 THE WHITE KID? SURE. 223 00:09:39,410 --> 00:09:42,010 DID HE EVER SAY HE FELT THREATENED BY THIS WHITE KID? 224 00:09:42,040 --> 00:09:44,070 MR. STEINMAN FELT SORRY FOR HIM, 225 00:09:44,110 --> 00:09:46,710 'CAUSE HE WAS SO MISGUIDED. 226 00:09:46,740 --> 00:09:49,340 ANYBODY ELSE YOUR BOSS WAS HAVING PROBLEMS WITH? 227 00:09:49,370 --> 00:09:51,000 NO. 228 00:09:51,040 --> 00:09:53,370 I MEAN...I DON'T KNOW. 229 00:09:53,410 --> 00:09:57,610 PHOEBE, IF YOU KNOW SOMETHING, YOU NEED TO TELL ME. 230 00:09:57,640 --> 00:09:59,700 COULD IT FALL UNDER THE HEADING OF 231 00:09:59,740 --> 00:10:02,740 "YOU DIDN'T HEAR IT FROM ME," FOR VARIOUS REASONS? 232 00:10:02,770 --> 00:10:04,500 SURE. 233 00:10:04,540 --> 00:10:08,770 I OVERHEARD MR. STEINMAN HAVING AN ARGUMENT WITH D. J. DRANO. 234 00:10:10,440 --> 00:10:12,040 THE RAPPER, YOU KNOW? 235 00:10:13,370 --> 00:10:16,200 DARNELL ELLISON, REAL TOUGH GUY. 236 00:10:16,240 --> 00:10:18,340 HE'S BEEN SHOT A FEW TIMES. 237 00:10:18,370 --> 00:10:20,170 HE WAS A CLIENT OF MR. STEINMAN'S? 238 00:10:20,210 --> 00:10:22,680 AND SOME OTHER PRETTY WELL‐KNOWN RAPPERS. 239 00:10:22,710 --> 00:10:25,580 THEY COMMISSIONED BIG, FLASHY PIECES ‐‐ 240 00:10:25,610 --> 00:10:28,780 $30,000 TO $50,000 IN STONES. 241 00:10:28,810 --> 00:10:30,380 WHAT WAS THE ARGUMENT ABOUT? 242 00:10:30,410 --> 00:10:32,680 I DON'T KNOW, BECAUSE IT WAS OVER THE PHONE, 243 00:10:32,710 --> 00:10:33,910 BUT IT WAS UGLY. 244 00:10:33,940 --> 00:10:36,340 LIKE THREATENING? LIKE NASTY. 245 00:10:36,370 --> 00:10:39,340 AND, PERSONALLY, I WOULDN'T WANT TO GET ON DRANO'S BAD SIDE. 246 00:10:39,370 --> 00:10:42,170 I THINK PEOPLE WHO HAVE END UP DEAD. 247 00:10:42,210 --> 00:10:44,380 AT LEAST THAT'S WHAT HE SINGS ABOUT. 248 00:10:44,410 --> 00:10:48,450 WELL, DO YOU HAVE AN ADDRESS FOR THIS, UM, DRANO? 249 00:10:48,470 --> 00:10:51,540 I DON'T HAVE ADDRESSES FOR ANY OF THESE GUYS. 250 00:10:51,570 --> 00:10:53,500 AND THEY ONLY PAY IN CASH. 251 00:10:53,540 --> 00:10:55,340 WELL, HOW CAN WE FIND HIM? 252 00:10:55,370 --> 00:10:58,440 HE HANGS OUT AT PHAT FACTORY ON BLEEKER. 253 00:10:58,470 --> 00:11:00,900 IT'S A HIP‐HOP RECORD STORE. 254 00:11:00,940 --> 00:11:03,870 HE HAD INVITED ME THERE ONCE TO HANG OUT WITH HIM. 255 00:11:03,910 --> 00:11:05,780 I MEAN, I DIDN'T GO. 256 00:11:05,810 --> 00:11:07,750 WHAT WOULD MY MOM SAY? 257 00:11:07,770 --> 00:11:09,540 PHAT FACTORY, OKAY. 258 00:11:09,570 --> 00:11:11,740 WELL, THANKS, PHOEBE. WE'LL BE IN TOUCH. 259 00:11:16,110 --> 00:11:20,010 BOSS, THE D. O. A. STEINMAN HAD A RAPPER CLIENTELE. 260 00:11:20,040 --> 00:11:22,540 HIS SALESGIRL JUST GAVE US ONE TO LOOK AT ‐‐ D. J. DRANO. 261 00:11:22,570 --> 00:11:25,370 WHERE ARE SIPOWICZ AND CLARK? RECANVASSING. 262 00:11:25,410 --> 00:11:28,210 ALL RIGHT, GET THEM HIP TO THIS, UH, WHO? 263 00:11:28,240 --> 00:11:29,500 DRANO. 264 00:11:29,540 --> 00:11:30,840 DRANO. 265 00:11:30,870 --> 00:11:32,400 I'LL BE BACK IN AN HOUR. 266 00:11:34,910 --> 00:11:36,280 [ SIGHS ] 267 00:11:36,310 --> 00:11:38,080 WHERE YOU BEEN TODAY, CRAIG? 268 00:11:38,110 --> 00:11:39,580 LOOKING FOR WORK. 269 00:11:39,610 --> 00:11:41,110 AS A BEER TASTER? 270 00:11:42,740 --> 00:11:45,170 I'VE BEEN OUT POUNDING THE PAVEMENT FOR DAYS NOW, 271 00:11:45,210 --> 00:11:46,850 PER MY PAROLE REQUIREMENTS. 272 00:11:46,870 --> 00:11:49,740 I GOT A LOT OF DOORS SLAMMED IN MY FACE. 273 00:11:49,770 --> 00:11:52,270 FRUSTRATION GOT TO ME, AND I HAD MYSELF A DRINK OR TWO. 274 00:11:52,310 --> 00:11:53,580 THAT'S ALL. 275 00:11:53,610 --> 00:11:56,750 PISS‐TEST ME IF YOU WANT. 276 00:11:56,770 --> 00:12:00,000 THAT FRUSTRATION GET YOU OVER TO MICHAEL'S AUNT'S APARTMENT THIS MORNING? 277 00:12:00,040 --> 00:12:01,340 NO, MA'AM. 278 00:12:01,370 --> 00:12:03,440 I'VE BEEN INSTRUCTED TO KEEP AWAY FROM THERE, 279 00:12:03,470 --> 00:12:05,340 AND THAT'S JUST WHAT I'VE BEEN DOING. 280 00:12:05,370 --> 00:12:07,500 WE GOT A WITNESS SAW YOU KNOCKING ON TAMMY'S DOOR. 281 00:12:07,540 --> 00:12:09,900 YOU FORGETTING I'VE BEEN IN HERE BEFORE? 282 00:12:09,940 --> 00:12:12,170 I DEALT WITH YOU PEOPLE BEFORE. 283 00:12:12,210 --> 00:12:13,950 I'VE BEEN LIED TO BEFORE. 284 00:12:13,970 --> 00:12:17,040 I.E., YOU'RE TRYING TO CALL WHAT YOU THINK IS MY BLUFF 285 00:12:17,070 --> 00:12:20,200 BY PRESENTING FACTS I KNOW AIN'T TRUE. 286 00:12:20,240 --> 00:12:21,540 WELL, I AIN'T BITING. 287 00:12:21,570 --> 00:12:23,900 NO BLUFFING THIS TIME, CRAIG. 288 00:12:23,940 --> 00:12:25,900 WE GOT A WITNESS. WE'LL PROVE YOU WERE THERE. 289 00:12:25,940 --> 00:12:27,940 OKAY, SO SAY YOU PROVE I WAS THERE. 290 00:12:27,970 --> 00:12:31,340 LET'S ASSUME THAT. DON'T MEAN I BEAT UP ON TAMMY. 291 00:12:31,370 --> 00:12:33,340 HELL, SHE'S TAKING CARE OF MY SON. 292 00:12:33,370 --> 00:12:35,740 IF ANYTHING, I REACH MY HAND OUT TO HER IN GRATITUDE. 293 00:12:35,770 --> 00:12:37,440 YOU'VE BEEN UP ALL NIGHT DRINKING. 294 00:12:37,470 --> 00:12:39,400 YOU WENT OVER THERE LOOKING FOR MICHAEL. 295 00:12:39,440 --> 00:12:41,340 TAMMY GAVE YOU SOME LIP, AND YOU SMACKED HER AROUND. 296 00:12:41,370 --> 00:12:43,270 AIN'T BITING, MA'AM. 297 00:12:45,110 --> 00:12:48,550 YOUR EX‐WIFE COULDN'T TESTIFY ABOUT THE BEATING YOU GAVE HER, 298 00:12:48,570 --> 00:12:50,600 BUT THE DIFFERENCE HERE IS TAMMY LIVED. 299 00:12:50,640 --> 00:12:52,340 AND WHEN SHE GETS OUT OF SURGERY, 300 00:12:52,370 --> 00:12:54,770 AFTER THEY RECONSTRUCT HER EYE SOCKET, 301 00:12:54,810 --> 00:12:56,450 WE'RE GONNA BE THERE. 302 00:12:56,470 --> 00:12:59,270 TELL HER "GET WELL SOON" FROM ME. 303 00:13:03,940 --> 00:13:05,900 CAN I GO? 304 00:13:05,940 --> 00:13:07,270 BEAT IT. 305 00:13:11,240 --> 00:13:12,900 [ DOOR OPENS, CLOSES ] 306 00:13:17,140 --> 00:13:19,870 [ RAP MUSIC PLAYS ] 307 00:13:22,540 --> 00:13:24,340 DARNELL ELLISON. 308 00:13:24,370 --> 00:13:25,600 DRANO? 309 00:13:25,640 --> 00:13:27,500 AIN'T HERE. 310 00:13:27,540 --> 00:13:29,340 I RECOGNIZE YOU, DARNELL. COME ON. 311 00:13:29,370 --> 00:13:30,540 WHY? 312 00:13:30,570 --> 00:13:32,000 YOU KNOW A STUART STEINMAN? 313 00:13:32,040 --> 00:13:33,000 STU THE JEW... 314 00:13:33,040 --> 00:13:35,340 ...ELER? 315 00:13:35,370 --> 00:13:36,670 [ LAUGHTER ] 316 00:13:36,710 --> 00:13:38,280 WHAT ABOUT HIM? YOU HAD A BEEF WITH HIM? 317 00:13:38,310 --> 00:13:40,610 DON'T INVOLVE YOU...YET. 318 00:13:40,640 --> 00:13:42,870 WHAT'S THAT MEAN? 319 00:13:42,910 --> 00:13:45,950 NOTHING, BIG MONEY. I GOT NO BEEF WITH Y'ALL. 320 00:13:45,970 --> 00:13:47,940 BUT I GOT NO REASON TO GO IN, NEITHER. 321 00:13:47,970 --> 00:13:50,700 SO IF YOU DON'T MIND... ANOTHER TIME. 322 00:13:50,740 --> 00:13:52,700 YOU DONE FRONTING FOR YOUR BOYS HERE, DARNELL? 323 00:13:52,740 --> 00:13:55,000 OFFICER, NOW DON'T GET ALL HOT, ALL RIGHT? 324 00:13:55,040 --> 00:13:57,940 NO, IT'S DETECTIVE. NOW GET DOWN OFF THE COUNTER. 325 00:13:57,970 --> 00:13:59,440 OR WHAT? 326 00:13:59,470 --> 00:14:00,700 WE TOSS THE PLACE. 327 00:14:00,740 --> 00:14:01,740 GO AHEAD. 328 00:14:03,210 --> 00:14:05,250 YOU FIRST. 329 00:14:05,270 --> 00:14:07,040 ALL RIGHT, ALL RIGHT. 330 00:14:07,070 --> 00:14:08,870 MAYBE I GOT A FEW MINUTES. 331 00:14:08,910 --> 00:14:10,350 UH‐HUH. 332 00:14:10,370 --> 00:14:11,400 LET'S GO. 333 00:14:11,440 --> 00:14:13,740 COME ON! GET OFF THAT THING! 334 00:14:17,470 --> 00:14:19,340 SO WHY "DRANO"? 335 00:14:19,370 --> 00:14:21,240 'CAUSE I GET THINGS MOVING. 336 00:14:21,270 --> 00:14:24,470 STUART STEINMAN ‐‐ WHEN DID YOU SEE HIM LAST? 337 00:14:26,440 --> 00:14:28,440 A MONTH AGO, MAYBE MORE. 338 00:14:28,470 --> 00:14:30,440 MOSTLY WE TALK ON THE PHONE. 339 00:14:30,470 --> 00:14:33,240 WHAT WAS YOUR LAST CONVERSATION ABOUT? WHY? 340 00:14:33,270 --> 00:14:35,540 STEINMAN GOT SHOT THIS MORNING. WASN'T ME. 341 00:14:35,570 --> 00:14:37,840 ALWAYS GOT THAT "WASN'T ME" AT THE TIP OF YOUR TONGUE? 342 00:14:37,870 --> 00:14:40,270 LOTS OF FOLKS GET SHOT IN MY GAME, SON. 343 00:14:40,310 --> 00:14:42,850 I KNOW WHEN I'M THE ONE WHO DID IT ‐‐ THIS WASN'T ME. 344 00:14:42,870 --> 00:14:45,270 AFRAID WE'RE GONNA NEED YOU TO CONVINCE US OF THAT, 345 00:14:45,310 --> 00:14:48,080 'CAUSE THE WAY WE HEAR IT, YOUR LAST CONVERSATION WITH STEINMAN 346 00:14:48,110 --> 00:14:50,250 WAS MORE OF AN ARGUMENT. WHAT ABOUT? 347 00:14:50,270 --> 00:14:52,540 BAD ROCKS ‐‐ BEAT ROCKS. 348 00:14:52,570 --> 00:14:53,870 BAD JEWELS. 349 00:14:53,910 --> 00:14:55,080 YOU KNOW SERENITY? 350 00:14:55,110 --> 00:14:56,580 A SINGER. 351 00:14:56,610 --> 00:14:59,210 MY GIRL, WHO I WAS BANGING AROUND ON, BUT I'M PAST THAT. 352 00:14:59,240 --> 00:15:02,200 AND TO PROVE IT, I LAID ON HER AN EMERALD AND DIAMOND NECKLACE 353 00:15:02,240 --> 00:15:03,270 OF KERMIT THE FROG. 354 00:15:03,310 --> 00:15:04,880 OR I THOUGHT IT WAS, 355 00:15:04,910 --> 00:15:07,350 'CAUSE SHE HAD IT APPRAISED, AND IT WASN'T WORTH DICK. 356 00:15:07,370 --> 00:15:08,940 WHAT DID YOU PAY FOR THAT? 357 00:15:08,970 --> 00:15:10,200 60 GRAND. 358 00:15:10,240 --> 00:15:11,570 WASN'T WORTH FIVE. 359 00:15:11,610 --> 00:15:14,050 WASN'T NOTHING ABOUT IT FOR REAL. 360 00:15:14,070 --> 00:15:15,700 SO I CALLED THE JEWELER. 361 00:15:15,740 --> 00:15:18,170 SAID, "REFUND THE DOUGH, OR WE GOT SERIOUS TROUBLE." 362 00:15:18,210 --> 00:15:19,550 WHAT'D HE SAY? 363 00:15:19,570 --> 00:15:21,170 HE DIDN'T KNOW WHAT I WAS TALKING ABOUT. 364 00:15:21,210 --> 00:15:23,680 HOW DID YOU LEAVE IT? UNRESOLVED. 365 00:15:23,710 --> 00:15:26,050 YOU VISIT STEINMAN OUTSIDE HIS SHOP THIS MORNING, 366 00:15:26,070 --> 00:15:28,500 MAYBE GET THINGS MOVING ON YOUR PAYBACK? 367 00:15:28,540 --> 00:15:30,100 NO, I DID NOT. 368 00:15:30,140 --> 00:15:32,040 YOU GOT A HARD‐ASS REPUTATION. 369 00:15:32,070 --> 00:15:35,070 THIS GUY MAKES YOU LOOK LIKE A CHUMP. WAS NOT ME. 370 00:15:35,110 --> 00:15:37,880 IF IT WAS, THAT'S SOMETHING YOU WANT TO GET WAY AHEAD OF. 371 00:15:37,910 --> 00:15:39,410 WAS NOT ME. 372 00:15:39,440 --> 00:15:40,700 PROVE IT. 373 00:15:45,810 --> 00:15:47,180 JULIA McCORKLE ‐‐ 374 00:15:47,210 --> 00:15:48,680 STUY TOWN. 375 00:15:48,710 --> 00:15:51,510 I WAS THERE FROM 10:00 LAST NIGHT TO 10:00 THIS MORNING. 376 00:15:51,540 --> 00:15:54,270 CALL HER AND SEE. WE WILL. 377 00:15:54,310 --> 00:15:57,110 60 GRAND FOR A KERMIT THE FROG NECKLACE ‐‐ 378 00:15:57,140 --> 00:15:58,770 WHAT, ARE YOU OUT OF YOUR MIND? 379 00:15:58,810 --> 00:16:01,450 DON'T ASK ME, MAN. TALK TO SERENITY. 380 00:16:01,470 --> 00:16:03,570 BUT DON'T TALK TO HER ABOUT JULIA, RIGHT? 381 00:16:12,110 --> 00:16:13,710 WHAT DID DRANO GIVE YOU? 382 00:16:13,740 --> 00:16:15,000 THE RUNAROUND. 383 00:16:15,040 --> 00:16:16,870 WE GOT TO GET THE D. O. A.'s WIFE IN HERE, 384 00:16:16,910 --> 00:16:18,710 SEE WHAT SHE KNOWS ABOUT THIS IDIOT. 385 00:16:18,740 --> 00:16:20,870 [ Sarcastic ] HE GETS THINGS MOVING. 386 00:16:20,910 --> 00:16:22,850 THAT'S WHY HE GOES BY DRANO. 387 00:16:22,870 --> 00:16:24,770 CAN WE GET THE D. O. A.'s WIFE IN HERE ALREADY? 388 00:16:27,410 --> 00:16:28,910 HEY, MICHAEL. 389 00:16:28,940 --> 00:16:31,340 HEY. IS DETECTIVE JONES HERE? 390 00:16:31,370 --> 00:16:33,270 NO, HE WENT OUT TO GET SOMETHING TO EAT. 391 00:16:33,310 --> 00:16:35,080 YOU NEED SOMETHING? 392 00:16:35,110 --> 00:16:37,550 I WAS CHECKING TO SEE IF HE HEARD ANYTHING ON MY AUNT TAMMY. 393 00:16:37,570 --> 00:16:39,400 SHE'S OUT OF SURGERY. SHE'S GONNA BE OKAY. 394 00:16:39,440 --> 00:16:41,270 WE'RE GONNA HEAD DOWN THERE SOON, 395 00:16:41,310 --> 00:16:43,180 SO WE'LL TELL HER YOU WERE ASKING ABOUT HER. 396 00:16:43,210 --> 00:16:44,680 NEED ANYTHING ELSE? 397 00:16:44,710 --> 00:16:47,350 NO, THAT'S IT. TELL HIM I'LL CHECK IN LATER. 398 00:16:47,370 --> 00:16:49,040 YEAH, I'LL DO THAT. 399 00:16:49,070 --> 00:16:50,270 HEY, MICHAEL... 400 00:16:50,310 --> 00:16:52,250 LET'S ME AND YOU GRAB A SODA. 401 00:16:52,270 --> 00:16:54,600 I GOT TO GET TO SCHOOL. ALREADY MISSED HALF A DAY. 402 00:16:54,640 --> 00:16:55,970 REAL QUICK ‐‐ COME ON. 403 00:17:04,040 --> 00:17:05,540 ANDY. 404 00:17:11,270 --> 00:17:12,240 THIRSTY? 405 00:17:12,270 --> 00:17:13,440 I'M GOOD. 406 00:17:13,470 --> 00:17:14,740 HAVE A SEAT. 407 00:17:17,810 --> 00:17:21,380 WORD I GOT WAS YOU DIDN'T SEE YOUR DAD COME BY THIS MORNING. 408 00:17:21,410 --> 00:17:23,080 THAT'S RIGHT. 409 00:17:23,110 --> 00:17:25,780 BUT IF WE KIND OF LOOK AT THINGS HONESTLY, REALISTICALLY, 410 00:17:25,810 --> 00:17:28,080 IT WAS YOUR DAD WHO BEAT UP YOUR AUNT THIS MORNING. 411 00:17:29,640 --> 00:17:31,600 YOU SEE WHAT YOU'RE DOING RIGHT NOW, MICHAEL, 412 00:17:31,640 --> 00:17:33,070 LOOKING THE OTHER WAY? 413 00:17:33,110 --> 00:17:34,680 THAT'S STARTING TO GET PEOPLE HURT. 414 00:17:34,710 --> 00:17:37,380 I DIDN'T SEE HIM HIT AUNT TAMMY. 415 00:17:37,410 --> 00:17:39,350 BUT YOU SAW HIM HIT YOUR MOM. 416 00:17:39,370 --> 00:17:40,900 YOU SAW HIM KILL HER. 417 00:17:40,940 --> 00:17:44,270 BUT YOU KEPT QUIET, AND LOOK WHERE WE ARE NOW. 418 00:17:44,310 --> 00:17:46,410 [ SIGHS ] 419 00:17:46,440 --> 00:17:49,500 I KNOW YOU LOVE HIM, AND HE'S YOUR ONLY FAMILY, 420 00:17:49,540 --> 00:17:51,840 AND YOU DON'T WANT TO LOSE HIM, 421 00:17:51,870 --> 00:17:55,100 AND YOU HOLD ONTO THIS HOPE THAT HE'LL TURN THINGS AROUND AND BE A DECENT GUY, 422 00:17:55,140 --> 00:17:57,100 BUT THAT'S JUST NOT GONNA HAPPEN, MICHAEL. 423 00:17:57,140 --> 00:17:58,800 HE'S PROVEN THAT. 424 00:18:01,610 --> 00:18:03,010 AND NOW YOUR AUNT, 425 00:18:03,040 --> 00:18:05,040 WHO WENT OUT ON A LIMB TO HELP YOU ‐‐ 426 00:18:05,070 --> 00:18:06,940 LOOK AT ME, MICHAEL. 427 00:18:08,070 --> 00:18:11,900 SHE'S IN THE HOSPITAL WITH HER FACE SMASHED IN. 428 00:18:11,940 --> 00:18:14,400 YOUR DAD HURTS PEOPLE. 429 00:18:14,440 --> 00:18:17,500 THAT'S JUST THE WAY HIS BRAIN'S WIRED. 430 00:18:17,540 --> 00:18:19,170 AND HE'S GONNA KEEP ON DOING IT. 431 00:18:19,210 --> 00:18:21,750 SO YOU NEED TO STEP UP, BE A MAN, 432 00:18:21,770 --> 00:18:25,040 AND PROTECT THE OTHER PEOPLE IN YOUR LIFE RIGHT NOW, 433 00:18:25,070 --> 00:18:27,270 OR THIS IS GONNA BE ON YOU. 434 00:18:31,910 --> 00:18:33,910 YOU NEED TO GET TO SCHOOL, MICHAEL. 435 00:18:44,710 --> 00:18:46,110 HE'S GETTING THERE. 436 00:18:46,140 --> 00:18:47,840 I DON'T WANT YOU TALKING TO HIM. WE CLEAR? 437 00:18:47,870 --> 00:18:50,070 WHAT'S THE WORST THAT COULD HAPPEN, BALDWIN? 438 00:18:50,110 --> 00:18:52,380 HE'D TELL THE TRUTH, AND HIS DAD WOULD GO TO PRISON FOR MURDER? 439 00:18:52,410 --> 00:18:54,510 IS THERE SOME REASON YOU'RE OPPOSED TO THAT? 440 00:18:54,540 --> 00:18:56,270 WHEN HE'S READY TO TALK ABOUT IT, FINE. 441 00:18:56,310 --> 00:18:58,080 AND I DON'T KNOW IF HE EVER WILL BE. 442 00:18:58,110 --> 00:18:59,850 BUT IF WE FORCE HIM TO FLIP ON HIS DAD, 443 00:18:59,870 --> 00:19:01,170 HE MIGHT LOSE IT ALTOGETHER. 444 00:19:01,210 --> 00:19:02,950 NOW THAT'S THE WAY IT IS. 445 00:19:02,970 --> 00:19:05,070 HIS DAD IS GONNA KILL SOMEBODY AGAIN... 446 00:19:05,110 --> 00:19:06,680 MAYBE YOU. 447 00:19:06,710 --> 00:19:08,050 I'M HANDLING THIS. 448 00:19:08,070 --> 00:19:09,100 BUT YOU'RE NOT. 449 00:19:09,140 --> 00:19:12,040 DON'T TALK TO MICHAEL AGAIN. 450 00:19:12,070 --> 00:19:14,500 PUT YOUR HAND DOWN, BALDWIN. 451 00:19:14,540 --> 00:19:16,240 IF YOU DO, 452 00:19:16,270 --> 00:19:18,740 YOU'LL SEE A SIDE OF ME YOU'VE NEVER SEEN BEFORE. 453 00:19:18,770 --> 00:19:20,440 PUT YOUR HAND DOWN. 454 00:19:40,470 --> 00:19:43,270 I APPRECIATE YOU COMING IN, MRS. STEINMAN. 455 00:19:43,310 --> 00:19:45,280 WE JUST GOT A COUPLE QUESTIONS. 456 00:19:48,370 --> 00:19:51,840 DID YOUR HUSBAND EVER MENTION A CLIENT NAMED DARNELL ELLISON? 457 00:19:51,870 --> 00:19:54,000 NO. 458 00:19:54,040 --> 00:19:56,370 ELLISON'S ALSO KNOWN AS "DRANO." 459 00:19:56,410 --> 00:19:58,110 HAVE YOU HEARD THAT NAME? 460 00:19:58,140 --> 00:20:00,240 IS HE ONE OF THE MUSICIANS? 461 00:20:00,270 --> 00:20:02,570 DID YOUR HUSBAND MENTION HAVING A PROBLEM WITH HIM? 462 00:20:02,610 --> 00:20:04,250 NO. 463 00:20:04,270 --> 00:20:07,270 DID YOUR HUSBAND EVER TALK ABOUT HAVING AN ISSUE WITH QUALITY CONTROL, 464 00:20:07,310 --> 00:20:08,880 AS FAR AS STONES HE SOLD? 465 00:20:08,910 --> 00:20:11,180 WHAT'S THIS DRANO SAYING, THAT HE GOT FAKES? 466 00:20:11,210 --> 00:20:12,510 PRETTY MUCH. 467 00:20:12,540 --> 00:20:13,900 SEE? 468 00:20:13,940 --> 00:20:16,540 I TOLD STUART THE LAST TIME NOT TO DEAL WITH THESE PEOPLE. 469 00:20:16,570 --> 00:20:18,340 WHAT HAPPENED LAST TIME? SAME THING ‐‐ 470 00:20:18,370 --> 00:20:20,900 SOME RAPPER SAID HE GOT FAKE STONES. 471 00:20:20,940 --> 00:20:22,040 HE MADE THREATS. 472 00:20:22,070 --> 00:20:24,200 HE SLASHED STUART'S TIRES. 473 00:20:24,240 --> 00:20:25,740 WHAT WAS THE RAPPER'S NAME? 474 00:20:25,770 --> 00:20:27,540 KING SOMETHING ‐‐ 475 00:20:27,570 --> 00:20:29,400 STEVE OR LARRY, MAYBE. 476 00:20:29,440 --> 00:20:31,700 PAUL ‐‐ KING PAUL. 477 00:20:31,740 --> 00:20:32,770 THAT'S IT. 478 00:20:33,740 --> 00:20:36,070 [ CLEARS THROAT ] WHEN WAS THIS? 479 00:20:36,110 --> 00:20:37,510 LAST YEAR. 480 00:20:37,540 --> 00:20:38,540 WAS IT RESOLVED? 481 00:20:40,210 --> 00:20:42,850 STUART REPLACED THE PIECE ‐‐ 482 00:20:42,870 --> 00:20:45,500 $20,000 OUT OF POCKET. 483 00:20:45,540 --> 00:20:46,770 IT NEARLY BROKE US. 484 00:20:46,810 --> 00:20:48,110 WHAT WAS THE PIECE? 485 00:20:48,140 --> 00:20:50,700 RUBY‐ENCRUSTED SUPERMAN SYMBOL. 486 00:20:50,740 --> 00:20:53,440 IF IT WAS A SHAKEDOWN, WHY DIDN'T YOUR HUSBAND CALL THE POLICE? 487 00:20:53,470 --> 00:20:56,940 WELL, THIS KING PAUL BROUGHT THE PIECE IN TO PROVE HIS POINT. 488 00:20:56,970 --> 00:21:00,540 BUT WHAT HE BROUGHT IN WAS A KNOCKOFF OF WHAT STUART MADE. 489 00:21:00,570 --> 00:21:02,940 SO YOU'RE SAYING THIS "KING PAUL" 490 00:21:02,970 --> 00:21:05,940 WENT TO THE TROUBLE OF HAVING HIS SUPERMAN SYMBOL COPIED 491 00:21:05,970 --> 00:21:08,000 SO HE COULD RIP YOUR HUSBAND OFF? 492 00:21:08,040 --> 00:21:11,440 I DON'T KNOW, BUT HE DIDN'T GET THE FAKE FROM STUART. 493 00:21:11,470 --> 00:21:14,200 MRS. STEINMAN, WE WANT TO CATCH THE GUY WHO DID THIS, 494 00:21:14,240 --> 00:21:16,200 BUT IF YOU'RE HOLDING BACK SOMETHING 495 00:21:16,240 --> 00:21:18,400 ABOUT YOUR HUSBAND'S BUSINESS PRACTICES, 496 00:21:18,440 --> 00:21:19,940 HOWEVER EMBARRASSING ‐‐ 497 00:21:19,970 --> 00:21:22,540 STUART NEVER SOLD ANYTHING FAKE IN HIS LIFE! 498 00:21:22,570 --> 00:21:26,240 HE WAS AN HONEST MAN WHO BUILT HIMSELF UP FROM THE GROUND. 499 00:21:26,270 --> 00:21:27,770 OKAY. 500 00:21:27,810 --> 00:21:30,250 [ Voice breaking ] HE WAS AN HONEST, DECENT MAN... 501 00:21:31,870 --> 00:21:33,740 AND A GOOD HUSBAND. 502 00:21:35,540 --> 00:21:37,440 MAY I LEAVE NOW? 503 00:21:47,270 --> 00:21:49,240 HEY, TAMMY. 504 00:21:49,270 --> 00:21:51,200 WHAT DO YOU WANT? 505 00:21:51,240 --> 00:21:53,540 WE WANT TO FIND OUT WHO DID THIS TO YOU. 506 00:21:53,570 --> 00:21:54,900 I NEVER SEEN HIM BEFORE. 507 00:21:54,940 --> 00:21:56,700 HOW DID HE GET INTO YOUR APARTMENT? 508 00:21:56,740 --> 00:21:58,870 PUSHED HIS WAY IN WHEN I WAS HEADING OUT. 509 00:21:58,910 --> 00:22:00,110 WHAT'D HE LOOK LIKE? 510 00:22:00,140 --> 00:22:01,740 BLACK AND IN HIS 20s. 511 00:22:01,770 --> 00:22:03,500 I DIDN'T SEE MUCH. 512 00:22:03,540 --> 00:22:05,370 WAS IT CRAIG? 513 00:22:05,410 --> 00:22:07,680 I'D HAVE SAID SO IF IT WAS. 514 00:22:07,710 --> 00:22:09,210 THIS PUTS HIM AWAY, TAMMY. 515 00:22:09,240 --> 00:22:11,340 I DIDN'T WANT NOTHING TO DO WITH CRAIG. 516 00:22:11,370 --> 00:22:14,170 I TOLD YOU THAT FROM THE GET‐GO, WHEN I AGREED TO TAKE MICHAEL. 517 00:22:14,210 --> 00:22:15,380 REMEMBER? 518 00:22:15,410 --> 00:22:17,180 I REMEMBER. 519 00:22:17,210 --> 00:22:19,180 AND YOU SAID YOU'D TAKE CARE OF IT. 520 00:22:19,210 --> 00:22:21,110 AND I'VE BEEN TRYING, BELIEVE ME. 521 00:22:21,140 --> 00:22:23,200 BUT I CAN'T WATCH WHAT HE DOES EVERY MINUTE OF THE DAY. 522 00:22:23,240 --> 00:22:25,670 I JUST WANT TO GET SOME SLEEP HERE. 523 00:22:25,710 --> 00:22:28,110 IF CRAIG DID THIS TO YOU, HE GOES AWAY TO PRISON, 524 00:22:28,140 --> 00:22:30,200 AND HE CAN'T HURT ANYBODY ELSE. 525 00:22:30,240 --> 00:22:33,200 AND YOU KNOW WHAT'S FUNNY ABOUT THAT? 526 00:22:33,240 --> 00:22:35,500 THAT'S WHAT THEY TOLD MY SISTER 527 00:22:35,540 --> 00:22:37,400 WHEN CRAIG PUT HER IN THE HOSPITAL. 528 00:22:37,440 --> 00:22:39,770 SO SHE TESTIFIED AGAINST HIM. 529 00:22:39,810 --> 00:22:41,910 CRAIG GETS OUT A COUPLE YEARS LATER. 530 00:22:41,940 --> 00:22:44,000 DENISE IS DEAD. 531 00:22:44,040 --> 00:22:45,840 THIS WOULD BE A THIRD STRIKE AGAINST HIM. 532 00:22:45,870 --> 00:22:48,400 You can save all that. 533 00:22:48,440 --> 00:22:50,270 I DON'T BELIEVE YOU. 534 00:22:50,310 --> 00:22:52,350 I DON'T BELIEVE YOUR LEGAL SYSTEM. 535 00:22:52,370 --> 00:22:54,570 I DON'T BELIEVE NOTHING! 536 00:22:55,870 --> 00:22:58,200 I DON'T KNOW WHO HIT ME. NOW LEAVE ME ALONE. 537 00:23:02,470 --> 00:23:04,100 ALL RIGHT, THEN. 538 00:23:07,640 --> 00:23:10,600 AND MICHAEL'S GOT TO FIND SOMEPLACE ELSE TO LIVE... 539 00:23:10,640 --> 00:23:12,140 AS IN TODAY. 540 00:23:13,540 --> 00:23:15,140 I'M SORRY. 541 00:23:31,470 --> 00:23:32,700 WHERE ARE WE AT? 542 00:23:32,740 --> 00:23:34,600 THE D. O. A., STEINMAN? 543 00:23:34,640 --> 00:23:37,740 HE'S GOT A PREVIOUS INCIDENT PASSING OFF FAKE STONES. 544 00:23:37,770 --> 00:23:40,870 SOME RAPPER NAMED KING PAUL ‐‐ REAL NAME, PAUL JAMISON. 545 00:23:40,910 --> 00:23:42,080 WE TALK TO JAMISON? 546 00:23:42,110 --> 00:23:43,880 LIVES IN LOS ANGELES NOW. 547 00:23:43,910 --> 00:23:46,380 WHOEVER WE TALKED TO SAID THE KING DOESN'T TALK TO COPS. 548 00:23:46,410 --> 00:23:48,850 GET WITH HIS LAWYER OR MANAGER, JOSIAS FREELAND. 549 00:23:48,870 --> 00:23:51,600 SAME MANAGER FOR THIS DRANO THAT WE TALKED TO EARLIER. 550 00:23:51,640 --> 00:23:53,740 IS THAT A COINCIDENCE? Clark: WE DON'T KNOW. 551 00:23:53,770 --> 00:23:56,270 WE RAN THE D. O. A.'s PHONE. THERE'S CALLS TO FREELAND. 552 00:23:56,310 --> 00:23:58,410 FREELAND SHOULD BE HERE ANY MINUTE. 553 00:23:59,310 --> 00:24:02,950 MICHAEL'S AUNT TAMMY SAID SHE DIDN'T RECOGNIZE HER ATTACKER. 554 00:24:02,970 --> 00:24:04,700 SHE'S SCARED OF CRAIG. 555 00:24:04,740 --> 00:24:05,870 YEAH. 556 00:24:05,910 --> 00:24:07,750 WHERE WE AT WITH HIM? NOWHERE. 557 00:24:07,770 --> 00:24:09,670 MICHAEL KNOW ANYTHING? 558 00:24:09,710 --> 00:24:10,910 NO. 559 00:24:12,240 --> 00:24:14,170 KEEP WORKING ON THE WITNESS, 560 00:24:14,210 --> 00:24:15,850 ANYONE WHO SAW CRAIG COME AND GO. 561 00:24:15,870 --> 00:24:17,070 WILL DO. 562 00:24:18,540 --> 00:24:20,870 JOSIAS FREELAND FOR DETECTIVE CLARK 563 00:24:20,910 --> 00:24:23,110 AND SOMEBODY ELSE I CAN'T PRONOUNCE. 564 00:24:23,140 --> 00:24:25,440 SIPOWICZ. THIS WAY. 565 00:24:34,470 --> 00:24:36,070 DIDN'T MEAN TO OFFEND OUT THERE. 566 00:24:36,110 --> 00:24:37,610 I'LL LIVE. SIT DOWN. 567 00:24:39,970 --> 00:24:42,200 SO D. J. DRANO AND KING PAUL ‐‐ 568 00:24:42,240 --> 00:24:44,770 YOU KNOW ABOUT THEIR DEALINGS WITH A JEWELER NAMED STUART STEINMAN? 569 00:24:44,810 --> 00:24:47,550 I KNEW THEY HAD TROUBLE, FAKE JEWELS AND WHATNOT. 570 00:24:47,570 --> 00:24:48,870 YOU GET INVOLVED IN IT? 571 00:24:48,910 --> 00:24:51,210 I HAD TO ‐‐ PART OF THE JOB. 572 00:24:51,240 --> 00:24:53,340 WHEN'S THE LAST TIME YOU TALKED TO STEINMAN? 573 00:24:53,370 --> 00:24:55,440 GENTLEMEN, I THINK YOU'RE WELL AWARE 574 00:24:55,470 --> 00:24:57,670 THAT I SPOKE WITH MR. STEINMAN LAST NIGHT. 575 00:24:57,710 --> 00:25:00,050 YOU'RE JUST A CUT‐TO‐THE‐CHASE KIND OF GUY, HUH? 576 00:25:00,070 --> 00:25:01,540 SO WHAT DID YOU TALK ABOUT? 577 00:25:01,570 --> 00:25:02,700 DRANO'S FAKE FROG. 578 00:25:02,740 --> 00:25:04,200 WHAT ABOUT IT? 579 00:25:04,240 --> 00:25:05,900 STEINMAN NEEDED TO REPLACE IT, LIKE WITH KING PAUL. 580 00:25:05,940 --> 00:25:07,400 OR PAY THE MONEY BACK. 581 00:25:07,440 --> 00:25:08,600 HE GOT THE POINT. 582 00:25:08,640 --> 00:25:10,240 AFTER YOU THREATENED HIM? 583 00:25:10,270 --> 00:25:12,740 WHY WOULD I THREATEN A MAN ADMITTING HE DID WRONG 584 00:25:12,770 --> 00:25:15,370 AND PROMISING TO TAKE CARE OF THE PROBLEM? 585 00:25:15,410 --> 00:25:17,580 NOW, STEINMAN ADMITTED IT WAS FAKE? 586 00:25:17,610 --> 00:25:20,280 HE DID, LIKE HE DID WITH KING PAUL. 587 00:25:20,310 --> 00:25:22,050 AND HE SAID HE'D MAKE IT RIGHT. 588 00:25:22,070 --> 00:25:24,240 BUT SOMEHOW THIS MORNING HE WINDS UP SHOT. 589 00:25:24,270 --> 00:25:27,200 WELL, OBVIOUSLY, STEINMAN DID SOME SHADY BUSINESS, 590 00:25:27,240 --> 00:25:30,070 AND I DOUBT WE'RE THE ONLY FOLKS THAT HE TRIED TO RIP OFF. 591 00:25:30,110 --> 00:25:32,950 OR MAYBE I'M IN HERE BECAUSE WE'RE THE ONLYBLACKFOLKS ‐‐ 592 00:25:32,970 --> 00:25:35,870 NO, YOU'RE THE ONLY FOLKS WHO MAKE IT KNOWN TO THE WORLD 593 00:25:35,910 --> 00:25:37,780 IN YOUR MUSIC IF SOMEBODY CROSSES YOU, 594 00:25:37,810 --> 00:25:38,780 THEY GET TAKEN OUT. 595 00:25:38,810 --> 00:25:40,180 SHOW BIZ, DETECTIVE. 596 00:25:40,210 --> 00:25:42,450 KING PAUL WENT TO CATHOLIC SCHOOL. 597 00:25:42,470 --> 00:25:44,540 DRANO'S DAD MANAGED A FACTORY. 598 00:25:44,570 --> 00:25:46,170 SHOWBIZ. 599 00:25:46,210 --> 00:25:47,610 CALL IT WHAT YOU WANT. 600 00:25:47,640 --> 00:25:49,200 GUYS STILL GET KILLED AND DO MURDERS. 601 00:25:49,240 --> 00:25:51,440 WHERE WERE YOU THIS MORNING? ME? 602 00:25:51,470 --> 00:25:53,770 OH, COME ON. NOW YOU'RE GETTING ABSURD. 603 00:25:53,810 --> 00:25:55,610 YOU INTRODUCE YOUR GUYS TO STEINMAN? 604 00:25:55,640 --> 00:25:57,170 I DID. 605 00:25:57,210 --> 00:25:59,410 SO THEM GETTING SCREWED OVER IS ON YOUR HANDS. 606 00:25:59,440 --> 00:26:02,600 NOW THAT HAPPENED TO ME, I'D DROP YOUR ASS AS MANAGER. 607 00:26:02,640 --> 00:26:04,440 YEAH, BUT IF YOU KILLED STEINMAN, 608 00:26:04,470 --> 00:26:06,870 THAT MIGHT GET YOU BACK IN YOUR GUYS' FAVOR. 609 00:26:06,910 --> 00:26:09,550 I DON'T NEED ANY ACT ENOUGH TO DO MURDER. 610 00:26:09,570 --> 00:26:11,440 WHERE WERE YOU THIS MORNING? 611 00:26:11,470 --> 00:26:13,840 MY OFFICE, ON THE PHONE TO LONDON. 612 00:26:13,870 --> 00:26:15,270 WE'LL LOOK INTO IT. 613 00:26:15,310 --> 00:26:17,380 BE MY GUEST. 614 00:26:17,410 --> 00:26:20,280 [ CELLPHONE RINGS TO TUNE OF "WHEN THE SAINTS COME MARCHING IN"] 615 00:26:20,310 --> 00:26:21,450 MAY I? 616 00:26:27,070 --> 00:26:29,440 TAMMY'S NEIGHBOR AIN'T BUDGING. 617 00:26:29,470 --> 00:26:31,540 SHE WON'T EVEN LOOK AT A PHOTO ARRAY. 618 00:26:31,570 --> 00:26:33,700 ANY CHANCE SHE MIGHT CHANGE HER MIND ONCE SHE CALMS DOWN? 619 00:26:33,740 --> 00:26:34,740 DOUBT IT. 620 00:26:34,770 --> 00:26:36,240 SO WE HAVE NOTHING. 621 00:26:36,270 --> 00:26:38,240 WE GOT TWO WITNESSES WHO REFUSE TO COOPERATE. 622 00:26:38,270 --> 00:26:40,200 MAKES IT TOUGH TO DO OUR JOBS. 623 00:26:40,240 --> 00:26:42,440 WELL, THE MANAGER'S STANDING UP FOR DRANO AND KING PAUL, 624 00:26:42,470 --> 00:26:43,670 WHICH MEANS DICK. 625 00:26:43,710 --> 00:26:45,350 BUT DRANO ALIBIED OUT, RIGHT? 626 00:26:45,370 --> 00:26:47,200 DOESN'T MEAN HE DIDN'T GET ONE OF HIS BUDDIES 627 00:26:47,240 --> 00:26:48,570 TO PULL THE TRIGGER. 628 00:26:48,610 --> 00:26:50,410 I REALLY APPRECIATE YOUR COOPERATION. 629 00:26:50,440 --> 00:26:52,440 YOU TOO. 630 00:26:52,470 --> 00:26:54,040 THAT WAS THE MAIN GUY, 631 00:26:54,070 --> 00:26:56,100 THE SHEIK AT THE MOSQUE TIM GARRITY WORSHIPS AT. 632 00:26:56,140 --> 00:26:58,170 HE SAYS GARRITY WASN'T THERE THIS MORNING. 633 00:26:58,210 --> 00:27:00,080 GET GARRITY IN HERE. 634 00:27:06,240 --> 00:27:07,400 Jones: HEY, MICHAEL. 635 00:27:07,440 --> 00:27:09,000 HEY. 636 00:27:09,040 --> 00:27:10,100 WHAT'S GOING ON? 637 00:27:11,570 --> 00:27:13,070 I WANT TO TALK TO HIM. 638 00:27:15,740 --> 00:27:17,400 IS EVERYTHING ALL RIGHT? 639 00:27:18,740 --> 00:27:19,740 YEAH. 640 00:27:24,570 --> 00:27:26,070 ALL RIGHT, GO AHEAD. 641 00:27:43,370 --> 00:27:46,270 DID YOU COME BACK TO TALK TO ME ABOUT YOUR DAD? 642 00:27:49,110 --> 00:27:51,380 DID YOU SEE HIM HURT YOUR AUNT THIS MORNING? 643 00:27:54,540 --> 00:27:57,540 BUT YOU SAW YOUR DAD AT THE APARTMENT THIS MORNING 644 00:27:57,570 --> 00:27:58,700 BEFORE YOU LEFT? 645 00:28:02,740 --> 00:28:05,040 YOU READY TO TALK ABOUT YOUR MOM AND DAD? 646 00:28:07,410 --> 00:28:10,710 DID YOU SEE YOUR DAD BEAT UP YOUR MOM THAT NIGHT? 647 00:28:12,370 --> 00:28:14,240 YEAH. 648 00:28:14,270 --> 00:28:16,540 DID YOU SEE THE WHOLE THING? 649 00:28:18,970 --> 00:28:20,370 I TRIED TO STOP HIM, 650 00:28:20,410 --> 00:28:22,910 BUT...HE THREW ME IN A ROOM AND HIT ME 651 00:28:22,940 --> 00:28:24,440 AND TOLD ME TO STAY THERE. 652 00:28:26,270 --> 00:28:28,100 I HEARD THE REST. 653 00:28:30,040 --> 00:28:31,940 WAS THAT THE LAST YOU SAW OF HER? 654 00:28:34,570 --> 00:28:38,770 I CAME OUT WHEN HE WAS PUTTING HER IN THAT SHOPPING CART. 655 00:28:43,240 --> 00:28:45,400 WE'RE GONNA DO EVERYTHING WE CAN TO AVOID IT, 656 00:28:45,440 --> 00:28:47,400 BUT YOU MAY HAVE TO TESTIFY TO THIS, 657 00:28:47,440 --> 00:28:51,000 MAYBE IN COURT WITH YOUR DAD SITTING IN THE SAME ROOM. 658 00:28:51,040 --> 00:28:53,300 ARE YOU GONNA BE ABLE TO DO THAT? 659 00:28:56,870 --> 00:28:59,070 I DON'T WANT HIM HURTING NOBODY ELSE. 660 00:29:05,310 --> 00:29:07,610 YOU'RE A GOOD MAN. 661 00:29:20,710 --> 00:29:23,180 HE SAW HIS DAD KILL HIS MOM. 662 00:29:23,210 --> 00:29:26,450 HE'LL DO WHAT HE HAS TO, TESTIMONY‐WISE. 663 00:29:26,470 --> 00:29:28,340 DO WE KNOW WHERE TO FIND CRAIG? 664 00:29:28,370 --> 00:29:31,270 WE GOT PLACES WE COULD LOOK. 665 00:29:31,310 --> 00:29:33,250 HE'S A COLLAR. BRING HIM IN. 666 00:29:33,270 --> 00:29:35,770 MICHAEL SHOULD STAY HERE UNTIL WE GET OUR HANDS ON THIS GUY. 667 00:29:35,810 --> 00:29:36,810 ABSOLUTELY. 668 00:29:41,870 --> 00:29:45,000 HE CONSIDERS YOU A FATHER FIGURE, NOT A COP. 669 00:29:45,040 --> 00:29:47,200 THAT'S WHY HE COULDN'T GIVE IT UP TO YOU. 670 00:29:53,310 --> 00:29:54,980 [ SNIFFLING ] 671 00:30:14,410 --> 00:30:16,150 I'M PROUD OF YOU. 672 00:30:19,270 --> 00:30:20,970 [ CRYING ] 673 00:30:31,640 --> 00:30:34,740 SO WHAT KIND OF GUY WERE YOU IN HIGH SCHOOL, TIM? 674 00:30:34,770 --> 00:30:36,340 A JOCK TYPE, POPULAR? 675 00:30:36,370 --> 00:30:38,770 I DON'T SEE THE POINT ‐‐ NAH, I DIDN'T THINK SO. 676 00:30:38,810 --> 00:30:41,010 I'LL BET YOU DIDN'T HAVE A LOT OF FRIENDS, 677 00:30:41,040 --> 00:30:42,940 AND THE FRIENDS YOU DID HAVE WERE PROBABLY LIKE THEM ASSHOLES 678 00:30:42,970 --> 00:30:44,540 WHO SHOT UP THAT SCHOOL IN COLORADO. 679 00:30:44,570 --> 00:30:46,070 I AM A PEACEFUL MAN. 680 00:30:46,110 --> 00:30:47,880 YOU'RE AN OUTSIDER AND A LONER. 681 00:30:47,910 --> 00:30:50,350 AND YOU CHOSE THE LEAST LIKELY GROUP TO JOIN 682 00:30:50,370 --> 00:30:51,870 TO MAKE YOURSELF LOOK SMART. 683 00:30:51,910 --> 00:30:53,710 I CHOSE ISLAM BECAUSE I BELIEVE ‐‐ 684 00:30:53,740 --> 00:30:56,440 BECAUSE THEY'D TAKE YOU? YEAH, ABSOLUTELY. 685 00:30:56,470 --> 00:30:58,200 STATE OF THE WORLD NOW, 686 00:30:58,240 --> 00:31:00,770 THEY'RE THRILLED TO SEE ANY WHITE GUY TAKE INTEREST. 687 00:31:00,810 --> 00:31:02,210 THE ONLY QUESTION NOW IS, 688 00:31:02,240 --> 00:31:04,500 ARE YOU THE LONE PSYCHO IN THE GROUP, 689 00:31:04,540 --> 00:31:07,600 OR WAS KILLING STUART STEINMAN AN ORGANIZED PLAN INVOLVING OTHERS? 690 00:31:07,640 --> 00:31:10,000 I DID NOT KILL STUART STEINMAN, 691 00:31:10,040 --> 00:31:12,670 AND THAT YOU WOULD IMPLICATE MY FELLOW MUSLIMS ‐‐ 692 00:31:12,710 --> 00:31:14,510 ALL RIGHT, IF YOU DID IT ALONE, 693 00:31:14,540 --> 00:31:16,500 WE CAN SAY YOU GOT IN AN ARGUMENT WITH STEINMAN 694 00:31:16,540 --> 00:31:18,670 OVER ZIONISM OR ISLAM, AND IT GOT OUT OF HAND. 695 00:31:18,710 --> 00:31:20,910 OR IF THIS WAS AN ORGANIZED PLAN, 696 00:31:20,940 --> 00:31:23,200 YOU CAN DEAL UP THE OTHER PLAYERS AND SAVE YEARS OF YOUR LIFE. 697 00:31:23,240 --> 00:31:24,840 BUT YOU GOT TO COME CLEAN. 698 00:31:24,870 --> 00:31:26,540 WHAT MAKES YOU SO CERTAIN I KILLED THIS MAN? 699 00:31:26,570 --> 00:31:28,370 YOU LIED TO US WHERE YOU WERE THIS MORNING. 700 00:31:28,410 --> 00:31:30,250 NO ONE SAW YOU AT THE MOSQUE. 701 00:31:30,270 --> 00:31:32,440 AND THE SURVEILLANCE CAMERAS ‐‐ ALL 23 OF THEM ‐‐ 702 00:31:32,470 --> 00:31:35,200 NONE OF THEM SAW YOU, EITHER. 703 00:31:36,540 --> 00:31:38,700 YOU DIDN'T KNOW THEY HAD SURVEILLANCE CAMERAS. 704 00:31:41,570 --> 00:31:44,740 SO WHY YOU LIED, OR TELL US WHAT HAPPENED. 705 00:31:47,270 --> 00:31:49,370 I WASN'T AT MORNING PRAYERS. 706 00:31:49,410 --> 00:31:51,080 WHEN YOU WENT TO SEE STEINMAN, 707 00:31:51,110 --> 00:31:53,950 WAS IT ON YOUR OWN, OR WERE OTHERS INVOLVED? 708 00:31:53,970 --> 00:31:55,440 I DIDN'T GO TO SEE STEINMAN. 709 00:31:55,470 --> 00:31:57,070 WE'RE GOING BACKWARDS, TIM. 710 00:31:57,110 --> 00:31:59,780 I WENT TO HAVE A MASSAGE FOR MY BAD BACK. 711 00:31:59,810 --> 00:32:01,980 AND YOU DIDN'T TELL US THIS. WHY? 712 00:32:06,570 --> 00:32:08,740 BECAUSE IT WAS A SPANK‐OFF JOINT? 713 00:32:08,770 --> 00:32:10,540 I HAVE A BAD BACK. 714 00:32:10,570 --> 00:32:12,140 YOU WERE GETTING YOUR NUTS OFF. 715 00:32:13,770 --> 00:32:16,170 TIM, COP TO IT AND TELL US HOW TO CONFIRM IT 716 00:32:16,210 --> 00:32:17,680 OR FACE A MURDER RAP. 717 00:32:17,710 --> 00:32:20,410 THE PLACE IS CALLED HAPPY TIME MASSAGE. 718 00:32:20,440 --> 00:32:22,770 IT'S ON 25th AND 6th AVENUE. 719 00:32:22,810 --> 00:32:25,410 THE GIRL'S NAME IS SUZY. SHE'LL KNOW ME. 720 00:32:25,440 --> 00:32:27,070 I'M A REGULAR. 721 00:32:27,110 --> 00:32:29,750 SO WHAT EXACTLY IS THE KORAN'S POSITION 722 00:32:29,770 --> 00:32:32,700 ON MUSLIMS PAYING TO GET THEIR BALLS OILED? 723 00:32:34,040 --> 00:32:35,170 THE FLESH IS WEAK. 724 00:32:35,210 --> 00:32:36,180 NO! 725 00:32:36,210 --> 00:32:38,210 THE IDIOT IS WEAK. 726 00:32:38,240 --> 00:32:39,900 STAY HERE. 727 00:32:42,210 --> 00:32:43,950 THANKS. 728 00:32:43,970 --> 00:32:45,900 DRANO'S MANAGER, JOSIAS FREELAND? 729 00:32:45,940 --> 00:32:48,870 I RAN HIS CELLPHONE AND GOT A BUNCH OF RECENT CALLS 730 00:32:48,910 --> 00:32:51,210 TO A HIGH‐END COSTUME JEWELER ON CANAL STREET. 731 00:32:51,240 --> 00:32:54,040 THE PLACE SPECIALIZES IN COPYING FANCY JEWELS, 732 00:32:54,070 --> 00:32:57,040 LIKE DRANO'S KERMIT THE FROG OR THE SUPERMAN PENDANT. 733 00:32:57,070 --> 00:32:58,840 HOW RECENT WERE THE CALLS? 734 00:32:58,870 --> 00:33:00,840 WOULD HAVE BEEN RIGHT AFTER STUART STEINMAN WAS KILLED. 735 00:33:00,870 --> 00:33:02,840 YOU GET IN CONTACT WITH THE COSTUME JEWELER? 736 00:33:02,870 --> 00:33:04,540 THE PERSON I TALKED TO SAID THE OWNER 737 00:33:04,570 --> 00:33:06,500 JUST WALKED OUT THIS MORNING. 738 00:33:06,540 --> 00:33:08,440 SAID HE WAS GOING ON VACATION AND DIDN'T SAY WHERE. 739 00:33:08,470 --> 00:33:10,900 DID THEY CONFIRM COPYING THE KERMIT AND SUPERMAN THING? 740 00:33:10,940 --> 00:33:13,240 NO, THE GUY SAID ONLY THE OWNER WOULD KNOW, 741 00:33:13,270 --> 00:33:15,840 BUT THAT A FEW WEEKS AGO THEY GOT A BIG ORDER OF GLASS EMERALDS. 742 00:33:15,870 --> 00:33:17,500 SO MAYBE. 743 00:33:17,540 --> 00:33:20,200 WE NEED TO TALK TO THIS JOSIAS FREELAND. 744 00:33:20,240 --> 00:33:22,570 CONNIE WILL BRING YOU UP TO SPEED. 745 00:33:22,610 --> 00:33:24,350 BARTENDER AT THE ACES HIGH CALLED. 746 00:33:24,370 --> 00:33:25,970 CRAIG WOODRUFF JUST WALKED IN. 747 00:33:28,410 --> 00:33:29,680 BALDWIN? 748 00:33:29,710 --> 00:33:30,710 I'M FINE. 749 00:33:34,440 --> 00:33:36,170 UH... 750 00:33:36,210 --> 00:33:37,810 TWO SECONDS. 751 00:33:41,110 --> 00:33:42,350 REAL QUICK. 752 00:33:42,370 --> 00:33:44,870 YOU FREE FOR DINNER TONIGHT, WITH ME? 753 00:33:44,910 --> 00:33:46,710 I MEAN, IF YOU'RE BUSY... 754 00:33:46,740 --> 00:33:47,940 NO. SURE. 755 00:33:47,970 --> 00:33:49,070 GREAT. 756 00:33:49,110 --> 00:33:50,580 I'LL GET WITH YOU LATER. 757 00:33:59,370 --> 00:34:01,940 TELL US ABOUT CANAL STREET JEWELRY, JOSIAS. 758 00:34:01,970 --> 00:34:04,770 FELLAS, WHAT AM I DOING HERE? CANAL STREET JEWELRY, 759 00:34:04,810 --> 00:34:07,280 WHO YOU CALLED THREE TIMES BEFORE NOON THIS MORNING. 760 00:34:08,940 --> 00:34:11,440 I WAS LOOKING FOR A TIARA FOR MY NIECE. 761 00:34:11,470 --> 00:34:13,340 SHE'S DOING A SCHOOL PLAY. 762 00:34:13,370 --> 00:34:16,070 YOU KNOW THEY SPECIALIZE IN KNOCKING OFF EXPENSIVE GARBAGE, 763 00:34:16,110 --> 00:34:18,210 LIKE YOUR KERMIT THE FROG AND SUPERMAN SYMBOL? 764 00:34:18,240 --> 00:34:19,670 I DIDN'T KNOW THAT. 765 00:34:19,710 --> 00:34:21,410 THAT'S NOT WHY YOU CALLED THE OWNER 766 00:34:21,440 --> 00:34:23,270 AND TOLD HIM GET OUT OF TOWN FOR A WHILE? 767 00:34:23,310 --> 00:34:24,880 EXCUSE ME? 768 00:34:24,910 --> 00:34:27,010 THE OWNER'S ASSISTANT CONFIRMED KNOCKING OFF THE JEWELS 769 00:34:27,040 --> 00:34:29,040 AND SAID THAT THE ORDER CAME FROM YOU. 770 00:34:29,070 --> 00:34:32,040 ON THE WAY TO PICK YOU UP, WE PUT IN A CALL TO DRANO. 771 00:34:32,070 --> 00:34:34,370 HE SAID THE JEWELRY HE ORDERED FROM STEINMAN 772 00:34:34,410 --> 00:34:36,550 WAS PICKED UP AND DELIVERED TO HIM BY YOU. 773 00:34:36,570 --> 00:34:38,200 KING PAUL SAID THE SAME THING. 774 00:34:38,240 --> 00:34:40,040 ON THE WAY TO YOUR CLIENTS, 775 00:34:40,070 --> 00:34:42,440 DID THE STUFF MAKE A DETOUR TO CANAL STREET JEWELRY? 776 00:34:42,470 --> 00:34:44,700 WHATEVER ASSISTANT YOU TALKED TO IS A LIAR. 777 00:34:44,740 --> 00:34:47,770 YOU GOT STEINMAN TO PAY UP ONCE WITH KING PAUL'S JEWELRY. 778 00:34:47,810 --> 00:34:50,380 YOU THOUGHT YOU COULD DO IT AGAIN WITH DRANO'S? 779 00:34:50,410 --> 00:34:52,580 YOU KNOW WHAT I SEE HERE? 780 00:34:52,610 --> 00:34:54,110 A CONSPIRACY. 781 00:34:54,140 --> 00:34:56,500 SEE WHATEVER YOU WANT, BUT START THINKING ABOUT A DEAL. 782 00:34:56,540 --> 00:34:58,240 BECAUSE WITHOUT ONE, YOU'RE DEAD. 783 00:34:58,270 --> 00:35:00,500 AS FAR AS WE HEAR IT, 784 00:35:00,540 --> 00:35:03,270 RIPPING OFF IMMATURE, GUN‐TOTING DELINQUENTS 785 00:35:03,310 --> 00:35:05,280 IS NO WAY TO SURVIVE IN A RAP GAME. 786 00:35:05,310 --> 00:35:08,180 THEY'LL GET YOU ON THE STREET. THEY'LL GET YOU IN JAIL. 787 00:35:08,210 --> 00:35:10,750 NOW YOU COULD DEAL FOR ADMINISTRATIVE SEGREGATION, 788 00:35:10,770 --> 00:35:12,170 BUT YOU BETTER START NOW, 789 00:35:12,210 --> 00:35:13,610 BEFORE THE OFFER'S OFF THE TABLE. 790 00:35:13,640 --> 00:35:15,700 YOU WANT TO STAY ALIVE? 791 00:35:18,210 --> 00:35:19,780 YES. 792 00:35:19,810 --> 00:35:22,210 DID STEINMAN FIGURE OUT IT WAS YOU 793 00:35:22,240 --> 00:35:25,440 THAT SWITCHED THE JEWELS ON DRANO AND KING PAUL? 794 00:35:25,470 --> 00:35:27,270 YES. 795 00:35:27,310 --> 00:35:29,250 HE THREATEN TO GO TO THE POLICE? 796 00:35:29,270 --> 00:35:30,170 YES. 797 00:35:30,210 --> 00:35:32,450 SO YOU SHOT HIM. 798 00:35:32,470 --> 00:35:34,200 YES OR NO? 799 00:35:34,240 --> 00:35:36,600 YES, BUT YOU GOT TO UNDERSTAND SOMETHING. 800 00:35:36,640 --> 00:35:39,040 IN MY INDUSTRY, APPEARANCE IS EVERYTHING. 801 00:35:39,070 --> 00:35:41,370 YOU GOT AN EXPENSIVE LIFESTYLE. YOU RAN SHORT. 802 00:35:41,410 --> 00:35:43,510 YOU COOKED UP A SCHEME. IT BACKFIRED. 803 00:35:43,540 --> 00:35:45,870 YOU THINK IT'S THAT SIMPLE, THAT I GOT GREEDY? 804 00:35:45,910 --> 00:35:47,580 I CAME FROM NOTHING! 805 00:35:47,610 --> 00:35:50,180 I WORKED 20 HOURS A DAY TO GET TO WHERE I AM, 806 00:35:50,210 --> 00:35:51,950 COMPETING AGAINST IVY‐LEAGUE WHITE BOYS, 807 00:35:51,970 --> 00:35:53,200 BIG MANAGEMENT FIRMS. 808 00:35:53,240 --> 00:35:55,070 I COULDN'T JUST LET THAT GO. 809 00:35:55,110 --> 00:35:58,010 SO IT WAS ON THE JEWELER TO BANKROLL YOUR CASH‐FLOW PROBLEM. 810 00:35:58,040 --> 00:35:59,570 HE HAD PLENTY ‐‐ MORE THAN ENOUGH. 811 00:35:59,610 --> 00:36:02,010 YOU WERE WAY OFF. 812 00:36:02,040 --> 00:36:04,200 [ SIGHS ] 813 00:36:04,240 --> 00:36:06,370 I WANT ADMINISTRATIVE SEGREGATION 814 00:36:06,410 --> 00:36:08,580 IN THE FACILITY OF MY CHOOSING. 815 00:36:08,610 --> 00:36:10,550 THIS AIN'T NO RECORD DEAL, PAL. 816 00:36:25,410 --> 00:36:27,350 GOT AN UPDATE FOR YOU, CRAIG. 817 00:36:27,370 --> 00:36:28,570 LET'S HEAR IT. 818 00:36:28,610 --> 00:36:30,410 AFTER SEEING WHAT HAPPENED TO HIS AUNT, 819 00:36:30,440 --> 00:36:32,740 MICHAEL FINALLY DECIDED HE COULDN'T LET IT GO ANYMORE. 820 00:36:32,770 --> 00:36:34,000 SOUNDS COMPLICATED. 821 00:36:34,040 --> 00:36:35,670 IT'S NOT. 822 00:36:35,710 --> 00:36:38,550 HE JUST GAVE A STATEMENT ABOUT HOW HE SAW YOU KILL HIS MOM. 823 00:36:38,570 --> 00:36:39,940 [ SCOFFING ] 824 00:36:39,970 --> 00:36:42,600 YOU GUYS AND YOUR TIRED‐ASS BLUFFS, MAN. 825 00:36:44,540 --> 00:36:46,200 YOU'RE GOING IN, CRAIG. 826 00:36:46,240 --> 00:36:47,940 THIS IS IT. 827 00:36:47,970 --> 00:36:49,770 AND TO THE EXTENT THAT YOU CARE, 828 00:36:49,810 --> 00:36:51,710 I'LL BE LOOKING OUT FOR MICHAEL. 829 00:36:51,740 --> 00:36:53,670 NOT TO GET BACK AT YOU, 830 00:36:53,710 --> 00:36:57,210 BUT BECAUSE HE'S A GOOD KID AND DESERVES A CHANCE. 831 00:36:59,070 --> 00:37:00,840 SO MICHAEL'S SAYING WHAT NOW? 832 00:37:00,870 --> 00:37:02,100 ONE LAST THING... 833 00:37:03,310 --> 00:37:04,780 I'M GONNA MAKE YOU A DEAL. 834 00:37:04,810 --> 00:37:07,280 REALLY? 835 00:37:07,310 --> 00:37:09,210 DON'T PUSH THIS TO TRIAL. 836 00:37:10,640 --> 00:37:14,100 DON'T FORCE MICHAEL TO TESTIFY AND RELIVE THIS ALL OVER AGAIN. 837 00:37:14,140 --> 00:37:15,740 LET HIM GO. 838 00:37:17,310 --> 00:37:19,450 WHAT'S THE DEAL PART? 839 00:37:19,470 --> 00:37:23,900 IF YOU AGREE TO THAT, I'LL LET YOU FINISH YOUR COLD BEER, 840 00:37:23,940 --> 00:37:27,270 'CAUSE IT'S THE LAST ONE YOU'RE EVER GONNA HAVE. 841 00:37:36,610 --> 00:37:38,550 JUST KEEP IN MIND, 842 00:37:38,570 --> 00:37:40,240 IF YOU BREAK THE DEAL, 843 00:37:40,270 --> 00:37:42,900 I'LL CALL IN A FAVOR WITH THE DEPARTMENT OF CORRECTIONS, 844 00:37:42,940 --> 00:37:44,670 AND YOU'LL BE IN 23‐HOUR LOCKDOWN 845 00:37:44,710 --> 00:37:46,610 FOR HOWEVER MANY YEARS YOU GOT LEFT. 846 00:37:46,640 --> 00:37:49,370 OR SOMEONE ON YOUR TIER? 847 00:37:49,410 --> 00:37:51,710 I'LL HELP ONE OF THEIR FAMILY MEMBERS ON THE OUTSIDE, 848 00:37:51,740 --> 00:37:53,870 AND THEY'LL DEAL WITH YOU WHATEVER WAY THEY WANT. 849 00:37:53,910 --> 00:37:56,880 SO I WANT YOU TO THINK ABOUT THAT BEER... 850 00:37:56,910 --> 00:37:58,910 'CAUSE I'LL PUSH A BUTTON ON YOU, 851 00:37:58,940 --> 00:38:01,400 AND DON'T THINK I WON'T ENJOY EVERY SECOND OF IT. 852 00:38:08,640 --> 00:38:11,370 IF WHAT YOU SAY IS TRUE... 853 00:38:11,410 --> 00:38:13,780 AND MICHAEL BETRAYED HIS OWN FLESH AND BLOOD 854 00:38:13,810 --> 00:38:15,610 AND SIDED WITH A COP LIKE YOU... 855 00:38:18,040 --> 00:38:20,540 THEN HE'S DEAD TO ME. 856 00:38:26,110 --> 00:38:27,950 AND HE'S ALL YOURS. 857 00:38:29,870 --> 00:38:31,540 ON YOUR FEET. 858 00:38:36,770 --> 00:38:38,970 [ HANDCUFFS CLICKING ] 859 00:38:45,140 --> 00:38:46,240 SO... 860 00:38:47,440 --> 00:38:49,400 THIS IS NICE. 861 00:38:49,440 --> 00:38:50,770 YEAH. 862 00:38:50,810 --> 00:38:52,780 FOOD'S GOOD. 863 00:38:52,810 --> 00:38:55,750 AND WE'RE JUST SHARING A MEAL, OR... 864 00:38:55,770 --> 00:38:57,400 MAYBE MORE THAN THAT. 865 00:38:57,440 --> 00:38:58,940 IT'S UP TO YOU. 866 00:38:58,970 --> 00:39:00,840 ISN'T THIS A LITTLE OUT OF BALANCE? 867 00:39:00,870 --> 00:39:02,540 A BOSS AND A SUBORDINATE FROM THE SAME COMMAND 868 00:39:02,570 --> 00:39:03,770 IS VERY OUT OF BALANCE. 869 00:39:03,810 --> 00:39:05,710 BUT HERE WE ARE. YEAH. 870 00:39:07,770 --> 00:39:09,300 [ CLEARS THROAT ] 871 00:39:10,570 --> 00:39:13,440 I DON'T ‐‐ I DON'T KNOW HOW COMFORTABLE I AM WITH IT. 872 00:39:13,470 --> 00:39:16,340 WITH ME OR WITH THE SITUATION? 873 00:39:16,370 --> 00:39:19,500 I DON'T LIKE THE IDEA OF KEEPING A SECRET IN THE SQUAD. 874 00:39:19,540 --> 00:39:21,740 WELL, WHAT IF YOU DIDN'T HAVE TO? 875 00:39:21,770 --> 00:39:23,770 I MEAN, WHAT IF THE SITUATION CHANGED? 876 00:39:23,810 --> 00:39:25,950 THAT MEANS SOMEONE TRANSFERRING OUT OF THE 15th. 877 00:39:25,970 --> 00:39:27,500 WHAT IF THAT HAPPENED? 878 00:39:27,540 --> 00:39:29,900 IT'D LOOK LIKE WE'D HAD AN ONGOING THING, 879 00:39:29,940 --> 00:39:32,700 AND THAT SOMEBODY TRANSFERRED TO MAKE IT ETHICAL. 880 00:39:32,740 --> 00:39:35,040 [ SIGHS ] 881 00:39:35,070 --> 00:39:37,440 I DON'T LIKE PEOPLE TALKING BEHIND MY BACK. 882 00:39:37,470 --> 00:39:39,240 I'VE BEEN THROUGH IT TOO MUCH. 883 00:39:40,740 --> 00:39:42,900 WELL, SAY ALL THAT WAS OFF THE TABLE ‐‐ 884 00:39:42,940 --> 00:39:44,700 NO TALKING, NO RUMORS. 885 00:39:44,740 --> 00:39:46,600 WE WERE FREE AND CLEAR. 886 00:39:46,640 --> 00:39:48,500 WOULD YOU WANT TO SPEND MORE TIME WITH ME? 887 00:39:48,540 --> 00:39:50,740 FREE AND CLEAR? 888 00:39:50,770 --> 00:39:52,570 YEAH, I WOULD. 889 00:39:54,110 --> 00:39:56,880 I'VE BEEN APPROACHED BY THIS REAL ESTATE DEVELOPER 890 00:39:56,910 --> 00:39:58,550 ABOUT HEADING UP HIS SECURITY. 891 00:39:58,570 --> 00:40:00,100 I'M CONSIDERING TAKING THE JOB. 892 00:40:00,140 --> 00:40:01,370 'CAUSE OF THIS? 893 00:40:01,410 --> 00:40:03,010 BECAUSE IT'S A GOOD OPPORTUNITY, 894 00:40:03,040 --> 00:40:05,200 AND BECAUSE LOSING THE TRIAL DROPPED THE CEILING 895 00:40:05,240 --> 00:40:07,100 ON HOW FAR I'LL EVER GET ON THE JOB. 896 00:40:08,770 --> 00:40:10,770 WHEN DO YOU GIVE YOUR ANSWER TO THE DEVELOPER? 897 00:40:10,810 --> 00:40:12,180 BY THE END OF THE WEEK. 898 00:40:12,210 --> 00:40:14,110 HARD TO IMAGINE YOU OFF THE JOB. 899 00:40:15,540 --> 00:40:17,000 THINK ABOUT IT. 900 00:40:17,040 --> 00:40:18,840 I WILL. 901 00:40:18,870 --> 00:40:20,370 WILL YOU? 902 00:40:20,410 --> 00:40:22,010 YEAH. 903 00:40:22,040 --> 00:40:24,270 I WILL, TOO. 904 00:40:36,110 --> 00:40:38,610 THIS PULLS OUT INTO A BED. 905 00:40:38,640 --> 00:40:40,800 THE COUCH IS FINE. 906 00:40:42,410 --> 00:40:43,910 HOW YOU HOLDING UP? 907 00:40:43,940 --> 00:40:45,540 ALL RIGHT. 908 00:40:47,810 --> 00:40:51,410 AS FAR AS...HAVING TO MOVE OUT AND... 909 00:40:51,440 --> 00:40:53,340 YOU KNOW, YOUR AUNT TAMMY ‐‐ 910 00:40:53,370 --> 00:40:54,600 NO. 911 00:40:54,640 --> 00:40:56,270 I GOT IT. 912 00:40:59,610 --> 00:41:00,710 SO WHAT NOW? 913 00:41:00,740 --> 00:41:03,440 CRASH HERE FOR A WHILE. 914 00:41:03,470 --> 00:41:05,200 HOW LONG'S A WHILE? 915 00:41:05,240 --> 00:41:06,740 LONG AS YOU NEED. 916 00:41:08,440 --> 00:41:11,200 WELL, I NEED... 917 00:41:11,240 --> 00:41:13,270 A PLACE TO LIVE. 918 00:41:24,410 --> 00:41:26,210 I'LL GET A DRESSER FOR YOU... 919 00:41:26,240 --> 00:41:28,370 PUT IT IN THE CORNER FOR YOUR STUFF. 920 00:41:32,240 --> 00:41:35,200 THIS IS YOUR HOME NOW IF YOU WANT IT. 921 00:41:35,240 --> 00:41:37,870 YOU SURE THAT'S COOL WITH YOU? 922 00:41:37,910 --> 00:41:40,750 MICHAEL, AFTER SEEING WHAT YOU DID TODAY, 923 00:41:40,770 --> 00:41:43,940 IT WOULD BE MY PRIVILEGE TO HAVE YOU AS A ROOMMATE. 924 00:41:46,410 --> 00:41:47,410 OKAY. 925 00:41:48,740 --> 00:41:51,000 AND I'LL START LOOKING INTO IT PAPERWORK‐WISE 926 00:41:51,040 --> 00:41:52,570 IN ORDER TO MAKE IT OFFICIAL. 927 00:41:57,210 --> 00:41:59,910 I DON'T WANT YOU WORRYING ABOUT ANYTHING. 928 00:42:04,640 --> 00:42:05,900 THANKS. 929 00:42:05,940 --> 00:42:07,200 NO SWEAT. 67201

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