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1
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PREVIOUSLY ON "NYPD BLUE"...
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00:00:02,970 --> 00:00:04,740
I'VE SENT MICHAEL BACK.
3
00:00:04,770 --> 00:00:06,700
WHY?
MICHAEL'S FATHER SHOWED UP.
4
00:00:06,740 --> 00:00:08,940
IF HE'S MADE ANY THREATS,
WE CAN DO SOMETHING ABOUT IT.
5
00:00:08,970 --> 00:00:10,200
MY WIFE DOESN'T FEEL SAFE.
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00:00:10,240 --> 00:00:11,500
I'LL TALK TO MICHAEL'S FATHER.
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00:00:11,540 --> 00:00:13,040
WE'RE DONE.
8
00:00:13,070 --> 00:00:14,940
I'M OFF THE LIST
FOR CAPTAIN'S MONEY.
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00:00:14,970 --> 00:00:16,570
YOU'RE KIDDING.
A LITTLE PAYBACK
FOR THE TRIAL.
10
00:00:16,600 --> 00:00:18,570
THIS IS AS FAR AS I'LL GO
ON THE JOB.
11
00:00:18,600 --> 00:00:19,740
GIVE THEM A YEAR.
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00:00:19,770 --> 00:00:21,170
I'VE ALREADY GIVEN THEM 18.
13
00:00:21,200 --> 00:00:22,770
WHY YOU MESSING UP
MICHAEL'S LIFE?
14
00:00:22,800 --> 00:00:24,570
CAN I ASK YOU
THE SAME THING?
15
00:00:24,600 --> 00:00:26,600
WE'RE HELPING HIM OUT.
THAT'S MESSING WITH HIM?
16
00:00:26,640 --> 00:00:29,240
I'M TALKING ABOUT YOU
TRYING TO TURN HIM INTO
A WHITE BOY LIKE YOURSELF.
17
00:00:29,270 --> 00:00:32,070
GO AHEAD, WHITE BOY.
18
00:00:32,100 --> 00:00:34,170
YOU GLAD ABOUT GOING
TO YOUR AUNT'S?
19
00:00:34,200 --> 00:00:35,740
I DON'T REALLY KNOW HER.
20
00:00:35,770 --> 00:00:38,000
I TALKED TO HER.
SHE SEEMS LIKE A NICE PERSON.
21
00:00:38,040 --> 00:00:39,870
TAMMY?
HI, I'M DETECTIVE JONES.
22
00:00:39,900 --> 00:00:41,740
I CAN'T HAVE ANY PROBLEMS
WITH HIS DAD.
23
00:00:41,770 --> 00:00:43,500
THAT'S MY ONLY CONDITION.
24
00:00:43,540 --> 00:00:45,340
MICHAEL'S FATHER TRIES TO
CONTACT YOU FOR ANY REASON,
25
00:00:45,370 --> 00:00:46,370
CALL ME.
ALL RIGHT.
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00:00:48,240 --> 00:00:49,540
HEY.
27
00:00:49,570 --> 00:00:50,870
HEY, AUNT TAMMY.
28
00:00:50,900 --> 00:00:52,200
LOOK AT YOU, ALL GROWN UP.
29
00:00:53,900 --> 00:00:55,500
YOU READY?
30
00:00:55,540 --> 00:00:57,200
YEAH.
COME ON.
31
00:01:11,200 --> 00:01:12,770
MORNING.
32
00:01:12,800 --> 00:01:14,100
Medavoy: HEY.
33
00:01:14,140 --> 00:01:16,070
D.O.A.'S A STUART STEINMAN.
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THAT'S HIS JEWELRY STORE,
AND THAT'S HIS WIFE.
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00:01:18,200 --> 00:01:19,670
Sipowicz:
SHE WITH HIM?
36
00:01:19,700 --> 00:01:21,600
NO, THEY LIVE
ACROSS THE STREET.
37
00:01:21,640 --> 00:01:24,000
SHE HEARD THE SHOTS, LOOKED OUT
THE WINDOW, SAW HER HUSBAND.
38
00:01:24,040 --> 00:01:26,240
THE WALLET'S ON HIM
AND $300 CASH.
39
00:01:26,270 --> 00:01:28,670
WAS HE CARRYING JEWELRY?
WIFE SAID HE WASN'T.
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00:01:28,700 --> 00:01:30,440
SHE SEE ANYONE
LEAVING THE SCENE?
41
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SHE BROKE DOWN.
WE WERE GIVING HER A MINUTE.
42
00:01:32,400 --> 00:01:33,870
SHE LOOKS BETTER NOW.
43
00:01:33,900 --> 00:01:35,400
WE'LL START A CANVAS.
44
00:01:38,200 --> 00:01:40,570
MRS. STEINMAN, DETECTIVES
SIPOWICZ AND CLARK.
45
00:01:40,600 --> 00:01:42,370
WE'RE VERY SORRY.
46
00:01:42,400 --> 00:01:44,200
DID YOU HEAR THE SHOTS
THIS MORNING?
47
00:01:44,240 --> 00:01:45,740
I WAS IN THE BEDROOM.
48
00:01:45,770 --> 00:01:47,840
I LOOKED OUT THE WINDOW
AND SAW HIM LYING THERE.
49
00:01:47,870 --> 00:01:49,700
Clark: DID YOU SEE ANYONE
ON THE STREET?
50
00:01:49,740 --> 00:01:51,100
I JUST SAW STUART.
51
00:01:51,140 --> 00:01:52,600
WHAT ABOUT A CAR
PULLING AWAY?
52
00:01:52,640 --> 00:01:54,770
I WAS LOOKING
AT MY HUSBAND.
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00:01:54,800 --> 00:01:57,840
CAN YOU THINK OF ANYONE
WHO MIGHT HAVE DONE THIS?
HE WAS A DECENT MAN.
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00:01:57,870 --> 00:01:59,540
ANYONE WHO WAS
GIVING HIM TROUBLE,
55
00:01:59,570 --> 00:02:01,170
PERSONALLY OR IN
HIS BUSINESS LIFE?
56
00:02:01,200 --> 00:02:02,240
MAYBE.
57
00:02:02,270 --> 00:02:03,900
WHO, MRS. STEINMAN?
58
00:02:03,940 --> 00:02:06,570
WELL, THERE'S THIS
NEIGHBORHOOD GUY.
59
00:02:06,600 --> 00:02:10,070
LAST WEEK HE TOLD STUART
HE SHOULD ROT IN HELL,
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00:02:10,100 --> 00:02:11,900
AND WOULD ROT IN HELL.
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00:02:11,940 --> 00:02:13,400
ON ACCOUNT OF WHAT?
62
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BEING A JEW.
63
00:02:14,740 --> 00:02:17,000
THIS GUY CALLS HIMSELF
MOHAMMED SOMETHING.
64
00:02:17,040 --> 00:02:18,570
BUT HE'S WHITE ‐‐
A CONVERT.
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00:02:18,600 --> 00:02:20,540
NOW WHAT COULD BE
MORE FOOLISH?
66
00:02:20,570 --> 00:02:22,740
DID YOUR HUSBAND AND THIS GUY
EVER GET INTO FIGHTS?
67
00:02:22,770 --> 00:02:25,900
JUST A LOT OF YELLING BACK
AND FORTH FROM BOTH OF THEM.
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00:02:25,940 --> 00:02:28,400
DID YOU HEAR THAT
THIS MORNING?
NO.
69
00:02:28,440 --> 00:02:30,270
YOU KNOW WHERE
THIS MOHAMMED LIVES?
70
00:02:30,300 --> 00:02:32,940
IT'S GOT TO BE NEARBY.
71
00:02:32,970 --> 00:02:35,500
I THINK HE GOES
TO THE MOSQUE ON EIGHTH.
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[ SNIFFLING ]
73
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STUART JUST THOUGHT HE WAS
A DUMB, CONFUSED KID.
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00:02:40,970 --> 00:02:43,200
WELL, WE'LL LOOK INTO IT,
MRS. STEINMAN.
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00:02:43,240 --> 00:02:45,770
THEY NEED TO GET THE BLOOD
OFF THE STREET.
76
00:02:45,800 --> 00:02:48,240
HE NEEDS TO BE BURIED WHOLE.
77
00:02:48,270 --> 00:02:50,040
I DON'T KNOW
HOW TO DO THAT.
78
00:02:50,070 --> 00:02:51,700
WHY DON'T YOU GIVE US
THE NUMBER OF YOUR RABBI?
79
00:02:51,740 --> 00:02:54,200
WE'LL SEE IT GETS
TAKEN CARE OF.
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00:02:54,240 --> 00:02:56,540
[ SIGHS ]
HOLY WAR.
81
00:02:56,570 --> 00:02:58,870
YEAH, BUCKLE UP.
82
00:04:13,110 --> 00:04:14,550
HERE'S THE DEAL.
83
00:04:14,570 --> 00:04:15,940
WE GOT A D. O. A. JEWISH MALE.
84
00:04:15,970 --> 00:04:17,570
MAIN SUSPECT RIGHT NOW
IS A MUSLIM
85
00:04:17,610 --> 00:04:19,380
THE D. O. A. HAD SOME
RUN‐INS WITH.
86
00:04:19,410 --> 00:04:21,280
JUNIOR'S TRYING TO GET
AN ADDRESS ON HIM.
87
00:04:21,310 --> 00:04:23,210
HIS NAME'S KAMAL MOHAMMED,
88
00:04:23,240 --> 00:04:25,440
BUT HE'S ACTUALLY A WHITE KID
FORMERLY KNOW AS TIM GARRITY.
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00:04:25,470 --> 00:04:27,000
DETECTIVE JONES?
IT'S MICHAEL.
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00:04:27,040 --> 00:04:28,770
Ortiz:
D.O.A. WAS A JEWELER,
91
00:04:28,810 --> 00:04:30,680
BUT THERE'S NO INDICATION
THIS WAS A ROBBERY,
92
00:04:30,710 --> 00:04:33,050
WHICH MAKES US THINK
THIS WAS A STRAIGHT BEEF.
93
00:04:33,070 --> 00:04:35,370
BIAS UNIT'S BEEN NOTIFIED
IN CASE THIS SHAKES OUT
AS A HATE CRIME.
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00:04:35,410 --> 00:04:36,910
I'LL BE RIGHT THERE.
95
00:04:36,940 --> 00:04:38,870
MICHAEL'S AUNT GOT
ASSAULTED AT HER APARTMENT.
96
00:04:38,910 --> 00:04:40,710
I'M GONNA HEAD OVER THERE.
GO AHEAD.
97
00:04:40,740 --> 00:04:42,670
THE AUNT MICHAEL'S
BEEN STAYING WITH?
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00:04:42,710 --> 00:04:43,910
YEAH.
99
00:04:43,940 --> 00:04:45,670
I'LL COME WITH YOU.
100
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GOT AN ADDRESS
ON THIS MOHAMMED KID.
101
00:04:47,570 --> 00:04:49,040
LET'S HIT IT.
102
00:04:59,370 --> 00:05:00,700
DETECTIVE JONES AND MEDAVOY.
103
00:05:00,740 --> 00:05:02,070
YOU'RE THE ONE
KNOWS THE KID?
104
00:05:02,110 --> 00:05:04,010
YEAH. WHERE'S TAMMY?
105
00:05:04,040 --> 00:05:05,370
ON HER WAY TO BELLEVUE.
106
00:05:05,410 --> 00:05:07,180
SHE GOT KNOCKED AROUND
PRETTY GOOD.
107
00:05:07,210 --> 00:05:09,450
ANYTHING ON THE PERP?
NOTHING.
108
00:05:09,470 --> 00:05:11,070
HOW'D THE JOB COME IN?
109
00:05:11,110 --> 00:05:13,280
NEXT‐DOOR NEIGHBOR HEARD
THE COMMOTION, CALLED 911.
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00:05:13,310 --> 00:05:14,610
THE ONE OUT IN THE HALLWAY?
111
00:05:14,640 --> 00:05:16,440
YEAH.
112
00:05:16,470 --> 00:05:18,270
YOU TAKE HER.
I'LL TALK TO MICHAEL.
113
00:05:20,710 --> 00:05:21,910
YOU ALL RIGHT?
114
00:05:21,940 --> 00:05:22,900
YEAH.
115
00:05:22,940 --> 00:05:24,370
WHAT HAPPENED?
116
00:05:24,410 --> 00:05:26,950
I WAS WALKING TO CATCH THE TRAIN
TO GO TO SCHOOL.
117
00:05:26,970 --> 00:05:29,100
THIS GUY JASON,
WHO LIVES DOWN THE HALL,
118
00:05:29,140 --> 00:05:31,100
COMES RUNNING UP, TELLING ME
AUNT TAMMY JUST GOT ATTACKED.
119
00:05:31,140 --> 00:05:32,900
SO I RUN BACK HERE,
CALLED YOU.
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00:05:32,940 --> 00:05:34,940
WHERE'S TAMMY'S OTHER KIDS?
121
00:05:34,970 --> 00:05:37,500
SCHOOL.
THEY LEFT BEFORE I DID.
122
00:05:37,540 --> 00:05:39,070
SHE BEEN HAVING A PROBLEM
WITH ANYBODY?
123
00:05:39,110 --> 00:05:40,350
NO.
124
00:05:40,370 --> 00:05:41,600
SHE SEEING ANYONE?
125
00:05:41,640 --> 00:05:43,400
NOT THAT I KNOW ABOUT.
126
00:05:43,440 --> 00:05:45,240
WAS YOUR DAD HERE
THIS MORNING?
127
00:05:45,270 --> 00:05:46,840
NOPE.
128
00:05:46,870 --> 00:05:49,000
HAS HE BEEN HERE AT ALL
SINCE YOU MOVED IN?
129
00:05:49,040 --> 00:05:51,240
NO. I TOLD YOU
I'D LET YOU KNOW IF HE DID.
130
00:05:51,270 --> 00:05:53,440
'CAUSE IT SOUNDS LIKE
SOMETHING HE'D DO, MICHAEL.
131
00:05:53,470 --> 00:05:54,740
I DIDN'T SEE HIM.
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I DON'T KNOW WHAT ELSE
TO TELL YOU.
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00:05:56,270 --> 00:05:57,740
IF YOU'RE LYING,
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00:05:57,770 --> 00:05:59,740
IF YOU KNOW YOUR DAD WAS HERE,
I'M DONE, MICHAEL.
135
00:05:59,770 --> 00:06:02,700
I CAN'T BE AROUND THIS ANYMORE,
KNOWING HE'S HURTING PEOPLE.
136
00:06:02,740 --> 00:06:04,300
I'M TELLING YOU THE TRUTH.
137
00:06:10,710 --> 00:06:12,410
SIT DOWN, TIM.
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00:06:14,040 --> 00:06:16,440
KAMAL, IF YOU DON'T MIND.
139
00:06:18,410 --> 00:06:19,880
YOU KNOW STUART STEINMAN?
140
00:06:19,910 --> 00:06:21,380
YES.
141
00:06:21,410 --> 00:06:22,850
WHEN DID YOU SEE HIM LAST?
142
00:06:22,870 --> 00:06:24,700
A FEW DAYS AGO.
WHY?
143
00:06:24,740 --> 00:06:26,400
HE GOT ASSAULTED
THIS MORNING.
144
00:06:26,440 --> 00:06:28,100
WE KNOW THAT YOU TWO
LIKE TO GET INTO IT.
145
00:06:28,140 --> 00:06:30,340
JUST VERBALLY ‐‐
DISCUSSION.
146
00:06:30,370 --> 00:06:31,370
REGARDING?
147
00:06:31,410 --> 00:06:34,180
ZIONISM, PALESTINE,
ISLAM.
148
00:06:34,210 --> 00:06:35,510
HOW HOT WOULD IT GET?
149
00:06:35,540 --> 00:06:37,500
OCCASIONALLY,
VOICES WERE RAISED.
150
00:06:37,540 --> 00:06:39,040
NEVER CAME TO BLOWS?
151
00:06:39,070 --> 00:06:41,840
INVITE ALL TO THE WAY
OF THY LORD WITH WISDOM
152
00:06:41,870 --> 00:06:44,900
AND BEAUTIFUL PREACHING
AND ARGUE WITH THEM,
153
00:06:44,940 --> 00:06:46,840
NOT ASSAULT THEM.
154
00:06:46,870 --> 00:06:48,000
IS HE ALL RIGHT?
155
00:06:48,040 --> 00:06:50,040
HE'S DEAD ‐‐ SHOT TWICE.
156
00:06:51,540 --> 00:06:53,170
ACCOUNT FOR YOURSELF
THIS MORNING.
157
00:06:53,210 --> 00:06:55,910
IS THAT AN ACCUSATION?
YEAH, IT IS, TIM.
158
00:06:55,940 --> 00:06:58,270
BECAUSE I ENGAGED THE MAN
IN VERBAL DISCOURSE,
159
00:06:58,310 --> 00:07:00,380
OR BECAUSE I'M A MUSLIM?
160
00:07:00,410 --> 00:07:02,780
IT'S JUST YOU IN HERE,
NO OTHER "MOO‐SLIMS."
161
00:07:02,810 --> 00:07:05,450
I ASK YOU NOT TO DISPARAGE
THE NAME OF MY RELIGION.
162
00:07:05,470 --> 00:07:08,500
THE ONLY THING WE'RE DISPARAGING
IS YOU, YOU PHONY ASSHOLE.
163
00:07:08,540 --> 00:07:09,870
WHERE WERE YOU?
164
00:07:09,910 --> 00:07:11,780
FAJR‐‐ MORNING PRAYERS.
165
00:07:11,810 --> 00:07:13,280
WHO WILL CONFIRM IT?
166
00:07:13,310 --> 00:07:15,050
I WILL NOT GIVE YOU
THE NAMES OF MY BROTHERS.
167
00:07:15,070 --> 00:07:16,870
THEN YOU'LL SIT YOUR ASS
IN A CELL.
168
00:07:16,910 --> 00:07:19,450
THERE ARE OTHER MUSLIMS
IMPRISONED UNJUSTLY.
169
00:07:19,470 --> 00:07:21,270
IT IS MY HONOR
TO JOIN THEM.
170
00:07:22,610 --> 00:07:25,450
WHEN DID YOU CONVERT?
TWO YEARS AGO.
171
00:07:25,470 --> 00:07:28,340
WHYDID YOU CONVERT?
WHY ARE YOU A COP?
172
00:07:28,370 --> 00:07:31,240
TO SOLVE CRIMES
LIKE THIS ONE,
173
00:07:31,270 --> 00:07:34,070
BUT UNLIKE YOU
AND YOUR CONVERSION,
174
00:07:34,110 --> 00:07:36,080
I'VE BEEN AT THIS
FOR OVER 30 YEARS.
175
00:07:36,110 --> 00:07:38,080
I GOT NOTHING TO PROVE
TO MY PALS.
176
00:07:38,110 --> 00:07:40,380
AND IF THAT'S WHAT YOU'RE DOING
HERE BY STONEWALLING US,
177
00:07:40,410 --> 00:07:42,280
KNOCK OFF THE BULLSHIT NOW.
178
00:07:42,310 --> 00:07:44,410
BECAUSE IF YOU WERE INVOLVED,
WE CAN HELP YOU.
179
00:07:44,440 --> 00:07:46,840
BUT IF YOU WEREN'T,
AND THIS IS A WASTE OF OUR TIME,
180
00:07:46,870 --> 00:07:48,600
I'LL RIP THAT BEARD
OUT OF YOUR FACE.
181
00:07:48,640 --> 00:07:50,740
I HAVE NOTHING MORE
TO SAY TO YOU.
182
00:07:55,310 --> 00:07:57,080
UNIFORM PICKED UP
MICHAEL'S DAD.
183
00:07:57,110 --> 00:07:58,210
THEY'RE BRINGING HIM IN.
184
00:07:58,240 --> 00:07:59,370
ALL RIGHT.
185
00:08:01,070 --> 00:08:02,070
HOW YOU FEELING?
186
00:08:02,110 --> 00:08:03,510
[ SIGHS ]
187
00:08:03,540 --> 00:08:05,870
LIKE I'M GETTING SUCKED
INTO SOMETHING
188
00:08:05,910 --> 00:08:07,280
THAT'S GONNA END UP BAD.
189
00:08:07,310 --> 00:08:09,110
FOR MICHAEL?
NO, FOR ME.
190
00:08:09,140 --> 00:08:11,270
ALL I WANT IS TO SEE MICHAEL
TURN OUT ALL RIGHT,
191
00:08:11,310 --> 00:08:13,210
BUT HIS DAD...
192
00:08:13,240 --> 00:08:16,500
I FEEL LIKE I'M GETTING PUSHED
PAST WHAT I CAN DEAL WITH.
193
00:08:16,540 --> 00:08:19,540
YOU WANT ME TO TALK TO MICHAEL,
BEING OBJECTIVE?
194
00:08:19,570 --> 00:08:21,770
NO, I DON'T WANT ANYONE
TALKING TO HIM BUT ME.
195
00:08:21,810 --> 00:08:24,050
THE KID'S DOING ALL HE CAN
TO HANG IN THERE AS IT IS.
196
00:08:27,640 --> 00:08:29,100
SO WHERE YOU AT?
197
00:08:29,140 --> 00:08:31,270
I BELIEVE MICHAEL.
I DON'T THINK HE SAW ANYTHING.
198
00:08:31,310 --> 00:08:33,050
WHERE YOU AT
WITH HIS FATHER?
199
00:08:33,070 --> 00:08:35,040
OR ARE YOU WALKING AROUND HERE
WITH YOUR JAW SET
200
00:08:35,070 --> 00:08:36,500
RELATED TO SOMETHING ELSE?
201
00:08:36,540 --> 00:08:38,200
LOOK, I'M NOT GONNA
LIE TO YOU.
202
00:08:38,240 --> 00:08:40,270
PART OF HIS GAME'S BEEN
TRYING TO DRAW ME OUT.
203
00:08:40,310 --> 00:08:42,210
DRAW YOU INTO BEATING THE HELL
OUT OF HIM,
204
00:08:42,240 --> 00:08:44,000
WHICH WOULD SOLVE
ALL OF HIS PROBLEMS.
205
00:08:44,040 --> 00:08:45,770
WHICH IS WHY I HAVEN'T.
206
00:08:45,810 --> 00:08:48,550
IF HE'S TRYING TO GET TO YOU,
WHY GIVE HIM WHAT HE WANTS?
207
00:08:48,570 --> 00:08:50,640
LET GREG AND RITA
TAKE THE INTERVIEW.
208
00:08:54,640 --> 00:08:55,900
ALL RIGHT.
209
00:08:55,940 --> 00:08:57,700
WHAT'S UP
WITH THE NEIGHBOR?
210
00:08:57,740 --> 00:08:59,400
SHE WILLING TO LOOK
AT A LINEUP?
211
00:08:59,440 --> 00:09:01,270
SHE SAYS SHE DIDN'T
GET A GOOD LOOK,
212
00:09:01,310 --> 00:09:03,550
AND SHE MADE IT PRETTY CLEAR
SHE'S NOT GETTING INVOLVED
213
00:09:03,570 --> 00:09:05,600
PAST THE GENERAL DESCRIPTION
SHE GAVE US.
214
00:09:07,040 --> 00:09:09,440
I APPRECIATE YOUR
LEVELING WITH ME.
215
00:09:12,440 --> 00:09:14,870
SO HOW SHOULD WE GO AT CRAIG?
ANY TIPS?
216
00:09:14,910 --> 00:09:16,450
I'VE TRIED EVERYTHING
I KNOW.
217
00:09:17,910 --> 00:09:19,410
ALL RIGHT.
218
00:09:29,610 --> 00:09:33,010
SO, PHOEBE, HOW LONG HAVE YOU
WORKED FOR MR. STEINMAN?
219
00:09:33,040 --> 00:09:34,200
TWO YEARS.
220
00:09:34,240 --> 00:09:35,870
DO YOU KNOW ANYTHING
ABOUT HIS ARGUMENTS
221
00:09:35,910 --> 00:09:37,610
WITH A MUSLIM GUY
IN THE NEIGHBORHOOD?
222
00:09:37,640 --> 00:09:39,370
THE WHITE KID?
SURE.
223
00:09:39,410 --> 00:09:42,010
DID HE EVER SAY HE FELT
THREATENED BY THIS WHITE KID?
224
00:09:42,040 --> 00:09:44,070
MR. STEINMAN FELT SORRY
FOR HIM,
225
00:09:44,110 --> 00:09:46,710
'CAUSE HE WAS SO MISGUIDED.
226
00:09:46,740 --> 00:09:49,340
ANYBODY ELSE YOUR BOSS
WAS HAVING PROBLEMS WITH?
227
00:09:49,370 --> 00:09:51,000
NO.
228
00:09:51,040 --> 00:09:53,370
I MEAN...I DON'T KNOW.
229
00:09:53,410 --> 00:09:57,610
PHOEBE, IF YOU KNOW SOMETHING,
YOU NEED TO TELL ME.
230
00:09:57,640 --> 00:09:59,700
COULD IT FALL
UNDER THE HEADING OF
231
00:09:59,740 --> 00:10:02,740
"YOU DIDN'T HEAR IT FROM ME,"
FOR VARIOUS REASONS?
232
00:10:02,770 --> 00:10:04,500
SURE.
233
00:10:04,540 --> 00:10:08,770
I OVERHEARD MR. STEINMAN HAVING
AN ARGUMENT WITH D. J. DRANO.
234
00:10:10,440 --> 00:10:12,040
THE RAPPER, YOU KNOW?
235
00:10:13,370 --> 00:10:16,200
DARNELL ELLISON,
REAL TOUGH GUY.
236
00:10:16,240 --> 00:10:18,340
HE'S BEEN SHOT A FEW TIMES.
237
00:10:18,370 --> 00:10:20,170
HE WAS A CLIENT
OF MR. STEINMAN'S?
238
00:10:20,210 --> 00:10:22,680
AND SOME OTHER
PRETTY WELL‐KNOWN RAPPERS.
239
00:10:22,710 --> 00:10:25,580
THEY COMMISSIONED BIG,
FLASHY PIECES ‐‐
240
00:10:25,610 --> 00:10:28,780
$30,000 TO $50,000
IN STONES.
241
00:10:28,810 --> 00:10:30,380
WHAT WAS THE ARGUMENT ABOUT?
242
00:10:30,410 --> 00:10:32,680
I DON'T KNOW,
BECAUSE IT WAS OVER THE PHONE,
243
00:10:32,710 --> 00:10:33,910
BUT IT WAS UGLY.
244
00:10:33,940 --> 00:10:36,340
LIKE THREATENING?
LIKE NASTY.
245
00:10:36,370 --> 00:10:39,340
AND, PERSONALLY, I WOULDN'T WANT
TO GET ON DRANO'S BAD SIDE.
246
00:10:39,370 --> 00:10:42,170
I THINK PEOPLE WHO HAVE
END UP DEAD.
247
00:10:42,210 --> 00:10:44,380
AT LEAST THAT'S WHAT
HE SINGS ABOUT.
248
00:10:44,410 --> 00:10:48,450
WELL, DO YOU HAVE AN ADDRESS
FOR THIS, UM, DRANO?
249
00:10:48,470 --> 00:10:51,540
I DON'T HAVE ADDRESSES
FOR ANY OF THESE GUYS.
250
00:10:51,570 --> 00:10:53,500
AND THEY ONLY PAY IN CASH.
251
00:10:53,540 --> 00:10:55,340
WELL, HOW CAN WE FIND HIM?
252
00:10:55,370 --> 00:10:58,440
HE HANGS OUT
AT PHAT FACTORY ON BLEEKER.
253
00:10:58,470 --> 00:11:00,900
IT'S A HIP‐HOP RECORD STORE.
254
00:11:00,940 --> 00:11:03,870
HE HAD INVITED ME THERE ONCE
TO HANG OUT WITH HIM.
255
00:11:03,910 --> 00:11:05,780
I MEAN, I DIDN'T GO.
256
00:11:05,810 --> 00:11:07,750
WHAT WOULD MY MOM SAY?
257
00:11:07,770 --> 00:11:09,540
PHAT FACTORY, OKAY.
258
00:11:09,570 --> 00:11:11,740
WELL, THANKS, PHOEBE.
WE'LL BE IN TOUCH.
259
00:11:16,110 --> 00:11:20,010
BOSS, THE D. O. A. STEINMAN
HAD A RAPPER CLIENTELE.
260
00:11:20,040 --> 00:11:22,540
HIS SALESGIRL JUST GAVE US ONE
TO LOOK AT ‐‐ D. J. DRANO.
261
00:11:22,570 --> 00:11:25,370
WHERE ARE SIPOWICZ
AND CLARK?
RECANVASSING.
262
00:11:25,410 --> 00:11:28,210
ALL RIGHT, GET THEM
HIP TO THIS, UH, WHO?
263
00:11:28,240 --> 00:11:29,500
DRANO.
264
00:11:29,540 --> 00:11:30,840
DRANO.
265
00:11:30,870 --> 00:11:32,400
I'LL BE BACK IN AN HOUR.
266
00:11:34,910 --> 00:11:36,280
[ SIGHS ]
267
00:11:36,310 --> 00:11:38,080
WHERE YOU BEEN TODAY,
CRAIG?
268
00:11:38,110 --> 00:11:39,580
LOOKING FOR WORK.
269
00:11:39,610 --> 00:11:41,110
AS A BEER TASTER?
270
00:11:42,740 --> 00:11:45,170
I'VE BEEN OUT POUNDING
THE PAVEMENT FOR DAYS NOW,
271
00:11:45,210 --> 00:11:46,850
PER MY PAROLE REQUIREMENTS.
272
00:11:46,870 --> 00:11:49,740
I GOT A LOT OF DOORS
SLAMMED IN MY FACE.
273
00:11:49,770 --> 00:11:52,270
FRUSTRATION GOT TO ME,
AND I HAD MYSELF A DRINK OR TWO.
274
00:11:52,310 --> 00:11:53,580
THAT'S ALL.
275
00:11:53,610 --> 00:11:56,750
PISS‐TEST ME IF YOU WANT.
276
00:11:56,770 --> 00:12:00,000
THAT FRUSTRATION GET YOU
OVER TO MICHAEL'S AUNT'S
APARTMENT THIS MORNING?
277
00:12:00,040 --> 00:12:01,340
NO, MA'AM.
278
00:12:01,370 --> 00:12:03,440
I'VE BEEN INSTRUCTED
TO KEEP AWAY FROM THERE,
279
00:12:03,470 --> 00:12:05,340
AND THAT'S JUST WHAT
I'VE BEEN DOING.
280
00:12:05,370 --> 00:12:07,500
WE GOT A WITNESS SAW YOU
KNOCKING ON TAMMY'S DOOR.
281
00:12:07,540 --> 00:12:09,900
YOU FORGETTING I'VE BEEN
IN HERE BEFORE?
282
00:12:09,940 --> 00:12:12,170
I DEALT WITH YOU
PEOPLE BEFORE.
283
00:12:12,210 --> 00:12:13,950
I'VE BEEN LIED TO BEFORE.
284
00:12:13,970 --> 00:12:17,040
I.E., YOU'RE TRYING TO CALL
WHAT YOU THINK IS MY BLUFF
285
00:12:17,070 --> 00:12:20,200
BY PRESENTING FACTS
I KNOW AIN'T TRUE.
286
00:12:20,240 --> 00:12:21,540
WELL, I AIN'T BITING.
287
00:12:21,570 --> 00:12:23,900
NO BLUFFING
THIS TIME, CRAIG.
288
00:12:23,940 --> 00:12:25,900
WE GOT A WITNESS.
WE'LL PROVE YOU WERE THERE.
289
00:12:25,940 --> 00:12:27,940
OKAY, SO SAY YOU PROVE
I WAS THERE.
290
00:12:27,970 --> 00:12:31,340
LET'S ASSUME THAT.
DON'T MEAN I BEAT UP ON TAMMY.
291
00:12:31,370 --> 00:12:33,340
HELL, SHE'S TAKING CARE
OF MY SON.
292
00:12:33,370 --> 00:12:35,740
IF ANYTHING, I REACH MY HAND
OUT TO HER IN GRATITUDE.
293
00:12:35,770 --> 00:12:37,440
YOU'VE BEEN UP ALL NIGHT
DRINKING.
294
00:12:37,470 --> 00:12:39,400
YOU WENT OVER THERE
LOOKING FOR MICHAEL.
295
00:12:39,440 --> 00:12:41,340
TAMMY GAVE YOU SOME LIP,
AND YOU SMACKED HER AROUND.
296
00:12:41,370 --> 00:12:43,270
AIN'T BITING, MA'AM.
297
00:12:45,110 --> 00:12:48,550
YOUR EX‐WIFE COULDN'T TESTIFY
ABOUT THE BEATING YOU GAVE HER,
298
00:12:48,570 --> 00:12:50,600
BUT THE DIFFERENCE HERE
IS TAMMY LIVED.
299
00:12:50,640 --> 00:12:52,340
AND WHEN SHE GETS OUT
OF SURGERY,
300
00:12:52,370 --> 00:12:54,770
AFTER THEY RECONSTRUCT
HER EYE SOCKET,
301
00:12:54,810 --> 00:12:56,450
WE'RE GONNA BE THERE.
302
00:12:56,470 --> 00:12:59,270
TELL HER "GET WELL SOON"
FROM ME.
303
00:13:03,940 --> 00:13:05,900
CAN I GO?
304
00:13:05,940 --> 00:13:07,270
BEAT IT.
305
00:13:11,240 --> 00:13:12,900
[ DOOR OPENS, CLOSES ]
306
00:13:17,140 --> 00:13:19,870
[ RAP MUSIC PLAYS ]
307
00:13:22,540 --> 00:13:24,340
DARNELL ELLISON.
308
00:13:24,370 --> 00:13:25,600
DRANO?
309
00:13:25,640 --> 00:13:27,500
AIN'T HERE.
310
00:13:27,540 --> 00:13:29,340
I RECOGNIZE YOU, DARNELL.
COME ON.
311
00:13:29,370 --> 00:13:30,540
WHY?
312
00:13:30,570 --> 00:13:32,000
YOU KNOW A STUART STEINMAN?
313
00:13:32,040 --> 00:13:33,000
STU THE JEW...
314
00:13:33,040 --> 00:13:35,340
...ELER?
315
00:13:35,370 --> 00:13:36,670
[ LAUGHTER ]
316
00:13:36,710 --> 00:13:38,280
WHAT ABOUT HIM?
YOU HAD A BEEF WITH HIM?
317
00:13:38,310 --> 00:13:40,610
DON'T INVOLVE YOU...YET.
318
00:13:40,640 --> 00:13:42,870
WHAT'S THAT MEAN?
319
00:13:42,910 --> 00:13:45,950
NOTHING, BIG MONEY.
I GOT NO BEEF WITH Y'ALL.
320
00:13:45,970 --> 00:13:47,940
BUT I GOT NO REASON
TO GO IN, NEITHER.
321
00:13:47,970 --> 00:13:50,700
SO IF YOU DON'T MIND...
ANOTHER TIME.
322
00:13:50,740 --> 00:13:52,700
YOU DONE FRONTING
FOR YOUR BOYS HERE, DARNELL?
323
00:13:52,740 --> 00:13:55,000
OFFICER, NOW DON'T GET ALL HOT,
ALL RIGHT?
324
00:13:55,040 --> 00:13:57,940
NO, IT'S DETECTIVE.
NOW GET DOWN OFF THE COUNTER.
325
00:13:57,970 --> 00:13:59,440
OR WHAT?
326
00:13:59,470 --> 00:14:00,700
WE TOSS THE PLACE.
327
00:14:00,740 --> 00:14:01,740
GO AHEAD.
328
00:14:03,210 --> 00:14:05,250
YOU FIRST.
329
00:14:05,270 --> 00:14:07,040
ALL RIGHT,
ALL RIGHT.
330
00:14:07,070 --> 00:14:08,870
MAYBE I GOT A FEW MINUTES.
331
00:14:08,910 --> 00:14:10,350
UH‐HUH.
332
00:14:10,370 --> 00:14:11,400
LET'S GO.
333
00:14:11,440 --> 00:14:13,740
COME ON!
GET OFF THAT THING!
334
00:14:17,470 --> 00:14:19,340
SO WHY "DRANO"?
335
00:14:19,370 --> 00:14:21,240
'CAUSE I GET
THINGS MOVING.
336
00:14:21,270 --> 00:14:24,470
STUART STEINMAN ‐‐
WHEN DID YOU SEE HIM LAST?
337
00:14:26,440 --> 00:14:28,440
A MONTH AGO, MAYBE MORE.
338
00:14:28,470 --> 00:14:30,440
MOSTLY WE TALK ON THE PHONE.
339
00:14:30,470 --> 00:14:33,240
WHAT WAS YOUR LAST
CONVERSATION ABOUT?
WHY?
340
00:14:33,270 --> 00:14:35,540
STEINMAN GOT SHOT
THIS MORNING.
WASN'T ME.
341
00:14:35,570 --> 00:14:37,840
ALWAYS GOT THAT "WASN'T ME"
AT THE TIP OF YOUR TONGUE?
342
00:14:37,870 --> 00:14:40,270
LOTS OF FOLKS GET SHOT
IN MY GAME, SON.
343
00:14:40,310 --> 00:14:42,850
I KNOW WHEN I'M THE ONE
WHO DID IT ‐‐ THIS WASN'T ME.
344
00:14:42,870 --> 00:14:45,270
AFRAID WE'RE GONNA NEED YOU
TO CONVINCE US OF THAT,
345
00:14:45,310 --> 00:14:48,080
'CAUSE THE WAY WE HEAR IT, YOUR
LAST CONVERSATION WITH STEINMAN
346
00:14:48,110 --> 00:14:50,250
WAS MORE OF AN ARGUMENT.
WHAT ABOUT?
347
00:14:50,270 --> 00:14:52,540
BAD ROCKS ‐‐ BEAT ROCKS.
348
00:14:52,570 --> 00:14:53,870
BAD JEWELS.
349
00:14:53,910 --> 00:14:55,080
YOU KNOW SERENITY?
350
00:14:55,110 --> 00:14:56,580
A SINGER.
351
00:14:56,610 --> 00:14:59,210
MY GIRL, WHO I WAS BANGING
AROUND ON, BUT I'M PAST THAT.
352
00:14:59,240 --> 00:15:02,200
AND TO PROVE IT, I LAID ON HER
AN EMERALD AND DIAMOND NECKLACE
353
00:15:02,240 --> 00:15:03,270
OF KERMIT THE FROG.
354
00:15:03,310 --> 00:15:04,880
OR I THOUGHT IT WAS,
355
00:15:04,910 --> 00:15:07,350
'CAUSE SHE HAD IT APPRAISED,
AND IT WASN'T WORTH DICK.
356
00:15:07,370 --> 00:15:08,940
WHAT DID YOU PAY FOR THAT?
357
00:15:08,970 --> 00:15:10,200
60 GRAND.
358
00:15:10,240 --> 00:15:11,570
WASN'T WORTH FIVE.
359
00:15:11,610 --> 00:15:14,050
WASN'T NOTHING ABOUT IT
FOR REAL.
360
00:15:14,070 --> 00:15:15,700
SO I CALLED THE JEWELER.
361
00:15:15,740 --> 00:15:18,170
SAID, "REFUND THE DOUGH,
OR WE GOT SERIOUS TROUBLE."
362
00:15:18,210 --> 00:15:19,550
WHAT'D HE SAY?
363
00:15:19,570 --> 00:15:21,170
HE DIDN'T KNOW
WHAT I WAS TALKING ABOUT.
364
00:15:21,210 --> 00:15:23,680
HOW DID YOU LEAVE IT?
UNRESOLVED.
365
00:15:23,710 --> 00:15:26,050
YOU VISIT STEINMAN OUTSIDE
HIS SHOP THIS MORNING,
366
00:15:26,070 --> 00:15:28,500
MAYBE GET THINGS MOVING
ON YOUR PAYBACK?
367
00:15:28,540 --> 00:15:30,100
NO, I DID NOT.
368
00:15:30,140 --> 00:15:32,040
YOU GOT A HARD‐ASS
REPUTATION.
369
00:15:32,070 --> 00:15:35,070
THIS GUY MAKES YOU
LOOK LIKE A CHUMP.
WAS NOT ME.
370
00:15:35,110 --> 00:15:37,880
IF IT WAS, THAT'S SOMETHING
YOU WANT TO GET WAY AHEAD OF.
371
00:15:37,910 --> 00:15:39,410
WAS NOT ME.
372
00:15:39,440 --> 00:15:40,700
PROVE IT.
373
00:15:45,810 --> 00:15:47,180
JULIA McCORKLE ‐‐
374
00:15:47,210 --> 00:15:48,680
STUY TOWN.
375
00:15:48,710 --> 00:15:51,510
I WAS THERE FROM 10:00 LAST
NIGHT TO 10:00 THIS MORNING.
376
00:15:51,540 --> 00:15:54,270
CALL HER AND SEE.
WE WILL.
377
00:15:54,310 --> 00:15:57,110
60 GRAND FOR A KERMIT
THE FROG NECKLACE ‐‐
378
00:15:57,140 --> 00:15:58,770
WHAT, ARE YOU OUT
OF YOUR MIND?
379
00:15:58,810 --> 00:16:01,450
DON'T ASK ME, MAN.
TALK TO SERENITY.
380
00:16:01,470 --> 00:16:03,570
BUT DON'T TALK TO HER
ABOUT JULIA, RIGHT?
381
00:16:12,110 --> 00:16:13,710
WHAT DID DRANO GIVE YOU?
382
00:16:13,740 --> 00:16:15,000
THE RUNAROUND.
383
00:16:15,040 --> 00:16:16,870
WE GOT TO GET
THE D. O. A.'s WIFE IN HERE,
384
00:16:16,910 --> 00:16:18,710
SEE WHAT SHE KNOWS
ABOUT THIS IDIOT.
385
00:16:18,740 --> 00:16:20,870
[ Sarcastic ]
HE GETS THINGS MOVING.
386
00:16:20,910 --> 00:16:22,850
THAT'S WHY HE GOES
BY DRANO.
387
00:16:22,870 --> 00:16:24,770
CAN WE GET THE D. O. A.'s WIFE
IN HERE ALREADY?
388
00:16:27,410 --> 00:16:28,910
HEY, MICHAEL.
389
00:16:28,940 --> 00:16:31,340
HEY.
IS DETECTIVE JONES HERE?
390
00:16:31,370 --> 00:16:33,270
NO, HE WENT OUT
TO GET SOMETHING TO EAT.
391
00:16:33,310 --> 00:16:35,080
YOU NEED SOMETHING?
392
00:16:35,110 --> 00:16:37,550
I WAS CHECKING TO SEE
IF HE HEARD ANYTHING
ON MY AUNT TAMMY.
393
00:16:37,570 --> 00:16:39,400
SHE'S OUT OF SURGERY.
SHE'S GONNA BE OKAY.
394
00:16:39,440 --> 00:16:41,270
WE'RE GONNA HEAD
DOWN THERE SOON,
395
00:16:41,310 --> 00:16:43,180
SO WE'LL TELL HER
YOU WERE ASKING ABOUT HER.
396
00:16:43,210 --> 00:16:44,680
NEED ANYTHING ELSE?
397
00:16:44,710 --> 00:16:47,350
NO, THAT'S IT.
TELL HIM I'LL CHECK IN LATER.
398
00:16:47,370 --> 00:16:49,040
YEAH, I'LL DO THAT.
399
00:16:49,070 --> 00:16:50,270
HEY, MICHAEL...
400
00:16:50,310 --> 00:16:52,250
LET'S ME AND YOU
GRAB A SODA.
401
00:16:52,270 --> 00:16:54,600
I GOT TO GET TO SCHOOL.
ALREADY MISSED HALF A DAY.
402
00:16:54,640 --> 00:16:55,970
REAL QUICK ‐‐ COME ON.
403
00:17:04,040 --> 00:17:05,540
ANDY.
404
00:17:11,270 --> 00:17:12,240
THIRSTY?
405
00:17:12,270 --> 00:17:13,440
I'M GOOD.
406
00:17:13,470 --> 00:17:14,740
HAVE A SEAT.
407
00:17:17,810 --> 00:17:21,380
WORD I GOT WAS YOU DIDN'T SEE
YOUR DAD COME BY THIS MORNING.
408
00:17:21,410 --> 00:17:23,080
THAT'S RIGHT.
409
00:17:23,110 --> 00:17:25,780
BUT IF WE KIND OF LOOK AT THINGS
HONESTLY, REALISTICALLY,
410
00:17:25,810 --> 00:17:28,080
IT WAS YOUR DAD WHO BEAT UP
YOUR AUNT THIS MORNING.
411
00:17:29,640 --> 00:17:31,600
YOU SEE WHAT YOU'RE DOING
RIGHT NOW, MICHAEL,
412
00:17:31,640 --> 00:17:33,070
LOOKING THE OTHER WAY?
413
00:17:33,110 --> 00:17:34,680
THAT'S STARTING
TO GET PEOPLE HURT.
414
00:17:34,710 --> 00:17:37,380
I DIDN'T SEE HIM
HIT AUNT TAMMY.
415
00:17:37,410 --> 00:17:39,350
BUT YOU SAW HIM
HIT YOUR MOM.
416
00:17:39,370 --> 00:17:40,900
YOU SAW HIM KILL HER.
417
00:17:40,940 --> 00:17:44,270
BUT YOU KEPT QUIET,
AND LOOK WHERE WE ARE NOW.
418
00:17:44,310 --> 00:17:46,410
[ SIGHS ]
419
00:17:46,440 --> 00:17:49,500
I KNOW YOU LOVE HIM,
AND HE'S YOUR ONLY FAMILY,
420
00:17:49,540 --> 00:17:51,840
AND YOU DON'T WANT
TO LOSE HIM,
421
00:17:51,870 --> 00:17:55,100
AND YOU HOLD ONTO THIS
HOPE THAT HE'LL TURN THINGS
AROUND AND BE A DECENT GUY,
422
00:17:55,140 --> 00:17:57,100
BUT THAT'S JUST NOT
GONNA HAPPEN, MICHAEL.
423
00:17:57,140 --> 00:17:58,800
HE'S PROVEN THAT.
424
00:18:01,610 --> 00:18:03,010
AND NOW YOUR AUNT,
425
00:18:03,040 --> 00:18:05,040
WHO WENT OUT ON A LIMB
TO HELP YOU ‐‐
426
00:18:05,070 --> 00:18:06,940
LOOK AT ME, MICHAEL.
427
00:18:08,070 --> 00:18:11,900
SHE'S IN THE HOSPITAL
WITH HER FACE SMASHED IN.
428
00:18:11,940 --> 00:18:14,400
YOUR DAD HURTS PEOPLE.
429
00:18:14,440 --> 00:18:17,500
THAT'S JUST THE WAY
HIS BRAIN'S WIRED.
430
00:18:17,540 --> 00:18:19,170
AND HE'S GONNA
KEEP ON DOING IT.
431
00:18:19,210 --> 00:18:21,750
SO YOU NEED TO STEP UP,
BE A MAN,
432
00:18:21,770 --> 00:18:25,040
AND PROTECT THE OTHER PEOPLE
IN YOUR LIFE RIGHT NOW,
433
00:18:25,070 --> 00:18:27,270
OR THIS IS GONNA BE ON YOU.
434
00:18:31,910 --> 00:18:33,910
YOU NEED TO GET TO SCHOOL,
MICHAEL.
435
00:18:44,710 --> 00:18:46,110
HE'S GETTING THERE.
436
00:18:46,140 --> 00:18:47,840
I DON'T WANT YOU TALKING TO HIM.
WE CLEAR?
437
00:18:47,870 --> 00:18:50,070
WHAT'S THE WORST
THAT COULD HAPPEN, BALDWIN?
438
00:18:50,110 --> 00:18:52,380
HE'D TELL THE TRUTH,
AND HIS DAD WOULD GO
TO PRISON FOR MURDER?
439
00:18:52,410 --> 00:18:54,510
IS THERE SOME REASON
YOU'RE OPPOSED TO THAT?
440
00:18:54,540 --> 00:18:56,270
WHEN HE'S READY
TO TALK ABOUT IT, FINE.
441
00:18:56,310 --> 00:18:58,080
AND I DON'T KNOW
IF HE EVER WILL BE.
442
00:18:58,110 --> 00:18:59,850
BUT IF WE FORCE HIM
TO FLIP ON HIS DAD,
443
00:18:59,870 --> 00:19:01,170
HE MIGHT LOSE IT ALTOGETHER.
444
00:19:01,210 --> 00:19:02,950
NOW THAT'S THE WAY IT IS.
445
00:19:02,970 --> 00:19:05,070
HIS DAD IS GONNA
KILL SOMEBODY AGAIN...
446
00:19:05,110 --> 00:19:06,680
MAYBE YOU.
447
00:19:06,710 --> 00:19:08,050
I'M HANDLING THIS.
448
00:19:08,070 --> 00:19:09,100
BUT YOU'RE NOT.
449
00:19:09,140 --> 00:19:12,040
DON'T TALK TO MICHAEL AGAIN.
450
00:19:12,070 --> 00:19:14,500
PUT YOUR HAND DOWN,
BALDWIN.
451
00:19:14,540 --> 00:19:16,240
IF YOU DO,
452
00:19:16,270 --> 00:19:18,740
YOU'LL SEE A SIDE OF ME
YOU'VE NEVER SEEN BEFORE.
453
00:19:18,770 --> 00:19:20,440
PUT YOUR HAND DOWN.
454
00:19:40,470 --> 00:19:43,270
I APPRECIATE YOU COMING IN,
MRS. STEINMAN.
455
00:19:43,310 --> 00:19:45,280
WE JUST GOT
A COUPLE QUESTIONS.
456
00:19:48,370 --> 00:19:51,840
DID YOUR HUSBAND EVER MENTION
A CLIENT NAMED DARNELL ELLISON?
457
00:19:51,870 --> 00:19:54,000
NO.
458
00:19:54,040 --> 00:19:56,370
ELLISON'S ALSO KNOWN
AS "DRANO."
459
00:19:56,410 --> 00:19:58,110
HAVE YOU HEARD THAT NAME?
460
00:19:58,140 --> 00:20:00,240
IS HE ONE OF THE MUSICIANS?
461
00:20:00,270 --> 00:20:02,570
DID YOUR HUSBAND MENTION
HAVING A PROBLEM WITH HIM?
462
00:20:02,610 --> 00:20:04,250
NO.
463
00:20:04,270 --> 00:20:07,270
DID YOUR HUSBAND EVER TALK
ABOUT HAVING AN ISSUE
WITH QUALITY CONTROL,
464
00:20:07,310 --> 00:20:08,880
AS FAR AS STONES HE SOLD?
465
00:20:08,910 --> 00:20:11,180
WHAT'S THIS DRANO SAYING,
THAT HE GOT FAKES?
466
00:20:11,210 --> 00:20:12,510
PRETTY MUCH.
467
00:20:12,540 --> 00:20:13,900
SEE?
468
00:20:13,940 --> 00:20:16,540
I TOLD STUART THE LAST TIME
NOT TO DEAL WITH THESE PEOPLE.
469
00:20:16,570 --> 00:20:18,340
WHAT HAPPENED LAST TIME?
SAME THING ‐‐
470
00:20:18,370 --> 00:20:20,900
SOME RAPPER
SAID HE GOT FAKE STONES.
471
00:20:20,940 --> 00:20:22,040
HE MADE THREATS.
472
00:20:22,070 --> 00:20:24,200
HE SLASHED STUART'S TIRES.
473
00:20:24,240 --> 00:20:25,740
WHAT WAS THE RAPPER'S NAME?
474
00:20:25,770 --> 00:20:27,540
KING SOMETHING ‐‐
475
00:20:27,570 --> 00:20:29,400
STEVE OR LARRY, MAYBE.
476
00:20:29,440 --> 00:20:31,700
PAUL ‐‐ KING PAUL.
477
00:20:31,740 --> 00:20:32,770
THAT'S IT.
478
00:20:33,740 --> 00:20:36,070
[ CLEARS THROAT ]
WHEN WAS THIS?
479
00:20:36,110 --> 00:20:37,510
LAST YEAR.
480
00:20:37,540 --> 00:20:38,540
WAS IT RESOLVED?
481
00:20:40,210 --> 00:20:42,850
STUART REPLACED THE PIECE ‐‐
482
00:20:42,870 --> 00:20:45,500
$20,000 OUT OF POCKET.
483
00:20:45,540 --> 00:20:46,770
IT NEARLY BROKE US.
484
00:20:46,810 --> 00:20:48,110
WHAT WAS THE PIECE?
485
00:20:48,140 --> 00:20:50,700
RUBY‐ENCRUSTED
SUPERMAN SYMBOL.
486
00:20:50,740 --> 00:20:53,440
IF IT WAS A SHAKEDOWN,
WHY DIDN'T YOUR HUSBAND
CALL THE POLICE?
487
00:20:53,470 --> 00:20:56,940
WELL, THIS KING PAUL BROUGHT
THE PIECE IN TO PROVE HIS POINT.
488
00:20:56,970 --> 00:21:00,540
BUT WHAT HE BROUGHT IN WAS
A KNOCKOFF OF WHAT STUART MADE.
489
00:21:00,570 --> 00:21:02,940
SO YOU'RE SAYING
THIS "KING PAUL"
490
00:21:02,970 --> 00:21:05,940
WENT TO THE TROUBLE OF HAVING
HIS SUPERMAN SYMBOL COPIED
491
00:21:05,970 --> 00:21:08,000
SO HE COULD
RIP YOUR HUSBAND OFF?
492
00:21:08,040 --> 00:21:11,440
I DON'T KNOW, BUT HE DIDN'T
GET THE FAKE FROM STUART.
493
00:21:11,470 --> 00:21:14,200
MRS. STEINMAN, WE WANT TO
CATCH THE GUY WHO DID THIS,
494
00:21:14,240 --> 00:21:16,200
BUT IF YOU'RE HOLDING
BACK SOMETHING
495
00:21:16,240 --> 00:21:18,400
ABOUT YOUR HUSBAND'S
BUSINESS PRACTICES,
496
00:21:18,440 --> 00:21:19,940
HOWEVER EMBARRASSING ‐‐
497
00:21:19,970 --> 00:21:22,540
STUART NEVER SOLD ANYTHING
FAKE IN HIS LIFE!
498
00:21:22,570 --> 00:21:26,240
HE WAS AN HONEST MAN WHO BUILT
HIMSELF UP FROM THE GROUND.
499
00:21:26,270 --> 00:21:27,770
OKAY.
500
00:21:27,810 --> 00:21:30,250
[ Voice breaking ] HE WAS
AN HONEST, DECENT MAN...
501
00:21:31,870 --> 00:21:33,740
AND A GOOD HUSBAND.
502
00:21:35,540 --> 00:21:37,440
MAY I LEAVE NOW?
503
00:21:47,270 --> 00:21:49,240
HEY, TAMMY.
504
00:21:49,270 --> 00:21:51,200
WHAT DO YOU WANT?
505
00:21:51,240 --> 00:21:53,540
WE WANT TO FIND OUT
WHO DID THIS TO YOU.
506
00:21:53,570 --> 00:21:54,900
I NEVER SEEN HIM BEFORE.
507
00:21:54,940 --> 00:21:56,700
HOW DID HE GET INTO
YOUR APARTMENT?
508
00:21:56,740 --> 00:21:58,870
PUSHED HIS WAY IN
WHEN I WAS HEADING OUT.
509
00:21:58,910 --> 00:22:00,110
WHAT'D HE LOOK LIKE?
510
00:22:00,140 --> 00:22:01,740
BLACK AND IN HIS 20s.
511
00:22:01,770 --> 00:22:03,500
I DIDN'T SEE MUCH.
512
00:22:03,540 --> 00:22:05,370
WAS IT CRAIG?
513
00:22:05,410 --> 00:22:07,680
I'D HAVE SAID SO IF IT WAS.
514
00:22:07,710 --> 00:22:09,210
THIS PUTS HIM AWAY, TAMMY.
515
00:22:09,240 --> 00:22:11,340
I DIDN'T WANT
NOTHING TO DO WITH CRAIG.
516
00:22:11,370 --> 00:22:14,170
I TOLD YOU THAT FROM THE GET‐GO,
WHEN I AGREED TO TAKE MICHAEL.
517
00:22:14,210 --> 00:22:15,380
REMEMBER?
518
00:22:15,410 --> 00:22:17,180
I REMEMBER.
519
00:22:17,210 --> 00:22:19,180
AND YOU SAID
YOU'D TAKE CARE OF IT.
520
00:22:19,210 --> 00:22:21,110
AND I'VE BEEN TRYING,
BELIEVE ME.
521
00:22:21,140 --> 00:22:23,200
BUT I CAN'T WATCH WHAT HE DOES
EVERY MINUTE OF THE DAY.
522
00:22:23,240 --> 00:22:25,670
I JUST WANT TO GET
SOME SLEEP HERE.
523
00:22:25,710 --> 00:22:28,110
IF CRAIG DID THIS TO YOU,
HE GOES AWAY TO PRISON,
524
00:22:28,140 --> 00:22:30,200
AND HE CAN'T HURT
ANYBODY ELSE.
525
00:22:30,240 --> 00:22:33,200
AND YOU KNOW
WHAT'S FUNNY ABOUT THAT?
526
00:22:33,240 --> 00:22:35,500
THAT'S WHAT THEY TOLD
MY SISTER
527
00:22:35,540 --> 00:22:37,400
WHEN CRAIG PUT HER
IN THE HOSPITAL.
528
00:22:37,440 --> 00:22:39,770
SO SHE TESTIFIED
AGAINST HIM.
529
00:22:39,810 --> 00:22:41,910
CRAIG GETS OUT
A COUPLE YEARS LATER.
530
00:22:41,940 --> 00:22:44,000
DENISE IS DEAD.
531
00:22:44,040 --> 00:22:45,840
THIS WOULD BE A THIRD STRIKE
AGAINST HIM.
532
00:22:45,870 --> 00:22:48,400
You can save all that.
533
00:22:48,440 --> 00:22:50,270
I DON'T BELIEVE YOU.
534
00:22:50,310 --> 00:22:52,350
I DON'T BELIEVE
YOUR LEGAL SYSTEM.
535
00:22:52,370 --> 00:22:54,570
I DON'T BELIEVE NOTHING!
536
00:22:55,870 --> 00:22:58,200
I DON'T KNOW WHO HIT ME.
NOW LEAVE ME ALONE.
537
00:23:02,470 --> 00:23:04,100
ALL RIGHT, THEN.
538
00:23:07,640 --> 00:23:10,600
AND MICHAEL'S GOT TO FIND
SOMEPLACE ELSE TO LIVE...
539
00:23:10,640 --> 00:23:12,140
AS IN TODAY.
540
00:23:13,540 --> 00:23:15,140
I'M SORRY.
541
00:23:31,470 --> 00:23:32,700
WHERE ARE WE AT?
542
00:23:32,740 --> 00:23:34,600
THE D. O. A., STEINMAN?
543
00:23:34,640 --> 00:23:37,740
HE'S GOT A PREVIOUS INCIDENT
PASSING OFF FAKE STONES.
544
00:23:37,770 --> 00:23:40,870
SOME RAPPER NAMED KING PAUL ‐‐
REAL NAME, PAUL JAMISON.
545
00:23:40,910 --> 00:23:42,080
WE TALK TO JAMISON?
546
00:23:42,110 --> 00:23:43,880
LIVES IN LOS ANGELES NOW.
547
00:23:43,910 --> 00:23:46,380
WHOEVER WE TALKED TO SAID
THE KING DOESN'T TALK TO COPS.
548
00:23:46,410 --> 00:23:48,850
GET WITH HIS LAWYER OR MANAGER,
JOSIAS FREELAND.
549
00:23:48,870 --> 00:23:51,600
SAME MANAGER FOR THIS DRANO
THAT WE TALKED TO EARLIER.
550
00:23:51,640 --> 00:23:53,740
IS THAT A COINCIDENCE?
Clark: WE DON'T KNOW.
551
00:23:53,770 --> 00:23:56,270
WE RAN THE D. O. A.'s PHONE.
THERE'S CALLS TO FREELAND.
552
00:23:56,310 --> 00:23:58,410
FREELAND SHOULD BE HERE
ANY MINUTE.
553
00:23:59,310 --> 00:24:02,950
MICHAEL'S AUNT TAMMY SAID SHE
DIDN'T RECOGNIZE HER ATTACKER.
554
00:24:02,970 --> 00:24:04,700
SHE'S SCARED OF CRAIG.
555
00:24:04,740 --> 00:24:05,870
YEAH.
556
00:24:05,910 --> 00:24:07,750
WHERE WE AT WITH HIM?
NOWHERE.
557
00:24:07,770 --> 00:24:09,670
MICHAEL KNOW ANYTHING?
558
00:24:09,710 --> 00:24:10,910
NO.
559
00:24:12,240 --> 00:24:14,170
KEEP WORKING ON THE WITNESS,
560
00:24:14,210 --> 00:24:15,850
ANYONE WHO SAW CRAIG
COME AND GO.
561
00:24:15,870 --> 00:24:17,070
WILL DO.
562
00:24:18,540 --> 00:24:20,870
JOSIAS FREELAND
FOR DETECTIVE CLARK
563
00:24:20,910 --> 00:24:23,110
AND SOMEBODY ELSE
I CAN'T PRONOUNCE.
564
00:24:23,140 --> 00:24:25,440
SIPOWICZ.
THIS WAY.
565
00:24:34,470 --> 00:24:36,070
DIDN'T MEAN TO OFFEND
OUT THERE.
566
00:24:36,110 --> 00:24:37,610
I'LL LIVE.
SIT DOWN.
567
00:24:39,970 --> 00:24:42,200
SO D. J. DRANO
AND KING PAUL ‐‐
568
00:24:42,240 --> 00:24:44,770
YOU KNOW ABOUT THEIR
DEALINGS WITH A JEWELER
NAMED STUART STEINMAN?
569
00:24:44,810 --> 00:24:47,550
I KNEW THEY HAD TROUBLE,
FAKE JEWELS AND WHATNOT.
570
00:24:47,570 --> 00:24:48,870
YOU GET INVOLVED IN IT?
571
00:24:48,910 --> 00:24:51,210
I HAD TO ‐‐
PART OF THE JOB.
572
00:24:51,240 --> 00:24:53,340
WHEN'S THE LAST TIME
YOU TALKED TO STEINMAN?
573
00:24:53,370 --> 00:24:55,440
GENTLEMEN,
I THINK YOU'RE WELL AWARE
574
00:24:55,470 --> 00:24:57,670
THAT I SPOKE
WITH MR. STEINMAN LAST NIGHT.
575
00:24:57,710 --> 00:25:00,050
YOU'RE JUST A CUT‐TO‐THE‐CHASE
KIND OF GUY, HUH?
576
00:25:00,070 --> 00:25:01,540
SO WHAT DID YOU TALK ABOUT?
577
00:25:01,570 --> 00:25:02,700
DRANO'S FAKE FROG.
578
00:25:02,740 --> 00:25:04,200
WHAT ABOUT IT?
579
00:25:04,240 --> 00:25:05,900
STEINMAN NEEDED TO REPLACE IT,
LIKE WITH KING PAUL.
580
00:25:05,940 --> 00:25:07,400
OR PAY THE MONEY BACK.
581
00:25:07,440 --> 00:25:08,600
HE GOT THE POINT.
582
00:25:08,640 --> 00:25:10,240
AFTER YOU THREATENED HIM?
583
00:25:10,270 --> 00:25:12,740
WHY WOULD I THREATEN A MAN
ADMITTING HE DID WRONG
584
00:25:12,770 --> 00:25:15,370
AND PROMISING TO TAKE CARE
OF THE PROBLEM?
585
00:25:15,410 --> 00:25:17,580
NOW, STEINMAN ADMITTED
IT WAS FAKE?
586
00:25:17,610 --> 00:25:20,280
HE DID, LIKE HE DID
WITH KING PAUL.
587
00:25:20,310 --> 00:25:22,050
AND HE SAID
HE'D MAKE IT RIGHT.
588
00:25:22,070 --> 00:25:24,240
BUT SOMEHOW THIS MORNING
HE WINDS UP SHOT.
589
00:25:24,270 --> 00:25:27,200
WELL, OBVIOUSLY, STEINMAN
DID SOME SHADY BUSINESS,
590
00:25:27,240 --> 00:25:30,070
AND I DOUBT WE'RE THE ONLY FOLKS
THAT HE TRIED TO RIP OFF.
591
00:25:30,110 --> 00:25:32,950
OR MAYBE I'M IN HERE BECAUSE
WE'RE THE ONLYBLACKFOLKS ‐‐
592
00:25:32,970 --> 00:25:35,870
NO, YOU'RE THE ONLY FOLKS
WHO MAKE IT KNOWN TO THE WORLD
593
00:25:35,910 --> 00:25:37,780
IN YOUR MUSIC
IF SOMEBODY CROSSES YOU,
594
00:25:37,810 --> 00:25:38,780
THEY GET TAKEN OUT.
595
00:25:38,810 --> 00:25:40,180
SHOW BIZ, DETECTIVE.
596
00:25:40,210 --> 00:25:42,450
KING PAUL
WENT TO CATHOLIC SCHOOL.
597
00:25:42,470 --> 00:25:44,540
DRANO'S DAD
MANAGED A FACTORY.
598
00:25:44,570 --> 00:25:46,170
SHOWBIZ.
599
00:25:46,210 --> 00:25:47,610
CALL IT WHAT YOU WANT.
600
00:25:47,640 --> 00:25:49,200
GUYS STILL GET KILLED
AND DO MURDERS.
601
00:25:49,240 --> 00:25:51,440
WHERE WERE YOU THIS MORNING?
ME?
602
00:25:51,470 --> 00:25:53,770
OH, COME ON.
NOW YOU'RE GETTING ABSURD.
603
00:25:53,810 --> 00:25:55,610
YOU INTRODUCE YOUR GUYS
TO STEINMAN?
604
00:25:55,640 --> 00:25:57,170
I DID.
605
00:25:57,210 --> 00:25:59,410
SO THEM GETTING SCREWED OVER
IS ON YOUR HANDS.
606
00:25:59,440 --> 00:26:02,600
NOW THAT HAPPENED TO ME,
I'D DROP YOUR ASS AS MANAGER.
607
00:26:02,640 --> 00:26:04,440
YEAH, BUT IF YOU
KILLED STEINMAN,
608
00:26:04,470 --> 00:26:06,870
THAT MIGHT GET YOU BACK
IN YOUR GUYS' FAVOR.
609
00:26:06,910 --> 00:26:09,550
I DON'T NEED ANY ACT
ENOUGH TO DO MURDER.
610
00:26:09,570 --> 00:26:11,440
WHERE WERE YOU THIS MORNING?
611
00:26:11,470 --> 00:26:13,840
MY OFFICE,
ON THE PHONE TO LONDON.
612
00:26:13,870 --> 00:26:15,270
WE'LL LOOK INTO IT.
613
00:26:15,310 --> 00:26:17,380
BE MY GUEST.
614
00:26:17,410 --> 00:26:20,280
[ CELLPHONE RINGS TO TUNE
OF "WHEN THE SAINTS
COME MARCHING IN"]
615
00:26:20,310 --> 00:26:21,450
MAY I?
616
00:26:27,070 --> 00:26:29,440
TAMMY'S NEIGHBOR
AIN'T BUDGING.
617
00:26:29,470 --> 00:26:31,540
SHE WON'T EVEN LOOK
AT A PHOTO ARRAY.
618
00:26:31,570 --> 00:26:33,700
ANY CHANCE SHE MIGHT CHANGE
HER MIND ONCE SHE CALMS DOWN?
619
00:26:33,740 --> 00:26:34,740
DOUBT IT.
620
00:26:34,770 --> 00:26:36,240
SO WE HAVE NOTHING.
621
00:26:36,270 --> 00:26:38,240
WE GOT TWO WITNESSES
WHO REFUSE TO COOPERATE.
622
00:26:38,270 --> 00:26:40,200
MAKES IT TOUGH
TO DO OUR JOBS.
623
00:26:40,240 --> 00:26:42,440
WELL, THE MANAGER'S STANDING UP
FOR DRANO AND KING PAUL,
624
00:26:42,470 --> 00:26:43,670
WHICH MEANS DICK.
625
00:26:43,710 --> 00:26:45,350
BUT DRANO
ALIBIED OUT, RIGHT?
626
00:26:45,370 --> 00:26:47,200
DOESN'T MEAN HE DIDN'T
GET ONE OF HIS BUDDIES
627
00:26:47,240 --> 00:26:48,570
TO PULL THE TRIGGER.
628
00:26:48,610 --> 00:26:50,410
I REALLY APPRECIATE
YOUR COOPERATION.
629
00:26:50,440 --> 00:26:52,440
YOU TOO.
630
00:26:52,470 --> 00:26:54,040
THAT WAS THE MAIN GUY,
631
00:26:54,070 --> 00:26:56,100
THE SHEIK AT THE MOSQUE
TIM GARRITY WORSHIPS AT.
632
00:26:56,140 --> 00:26:58,170
HE SAYS GARRITY
WASN'T THERE THIS MORNING.
633
00:26:58,210 --> 00:27:00,080
GET GARRITY IN HERE.
634
00:27:06,240 --> 00:27:07,400
Jones: HEY, MICHAEL.
635
00:27:07,440 --> 00:27:09,000
HEY.
636
00:27:09,040 --> 00:27:10,100
WHAT'S GOING ON?
637
00:27:11,570 --> 00:27:13,070
I WANT TO TALK TO HIM.
638
00:27:15,740 --> 00:27:17,400
IS EVERYTHING ALL RIGHT?
639
00:27:18,740 --> 00:27:19,740
YEAH.
640
00:27:24,570 --> 00:27:26,070
ALL RIGHT, GO AHEAD.
641
00:27:43,370 --> 00:27:46,270
DID YOU COME BACK TO TALK TO ME
ABOUT YOUR DAD?
642
00:27:49,110 --> 00:27:51,380
DID YOU SEE HIM HURT YOUR AUNT
THIS MORNING?
643
00:27:54,540 --> 00:27:57,540
BUT YOU SAW YOUR DAD AT
THE APARTMENT THIS MORNING
644
00:27:57,570 --> 00:27:58,700
BEFORE YOU LEFT?
645
00:28:02,740 --> 00:28:05,040
YOU READY TO TALK
ABOUT YOUR MOM AND DAD?
646
00:28:07,410 --> 00:28:10,710
DID YOU SEE YOUR DAD
BEAT UP YOUR MOM THAT NIGHT?
647
00:28:12,370 --> 00:28:14,240
YEAH.
648
00:28:14,270 --> 00:28:16,540
DID YOU SEE
THE WHOLE THING?
649
00:28:18,970 --> 00:28:20,370
I TRIED TO STOP HIM,
650
00:28:20,410 --> 00:28:22,910
BUT...HE THREW ME IN A ROOM
AND HIT ME
651
00:28:22,940 --> 00:28:24,440
AND TOLD ME TO STAY THERE.
652
00:28:26,270 --> 00:28:28,100
I HEARD THE REST.
653
00:28:30,040 --> 00:28:31,940
WAS THAT THE LAST
YOU SAW OF HER?
654
00:28:34,570 --> 00:28:38,770
I CAME OUT WHEN HE WAS PUTTING
HER IN THAT SHOPPING CART.
655
00:28:43,240 --> 00:28:45,400
WE'RE GONNA DO EVERYTHING
WE CAN TO AVOID IT,
656
00:28:45,440 --> 00:28:47,400
BUT YOU MAY HAVE
TO TESTIFY TO THIS,
657
00:28:47,440 --> 00:28:51,000
MAYBE IN COURT WITH YOUR DAD
SITTING IN THE SAME ROOM.
658
00:28:51,040 --> 00:28:53,300
ARE YOU GONNA BE ABLE
TO DO THAT?
659
00:28:56,870 --> 00:28:59,070
I DON'T WANT HIM
HURTING NOBODY ELSE.
660
00:29:05,310 --> 00:29:07,610
YOU'RE A GOOD MAN.
661
00:29:20,710 --> 00:29:23,180
HE SAW HIS DAD KILL HIS MOM.
662
00:29:23,210 --> 00:29:26,450
HE'LL DO WHAT HE HAS TO,
TESTIMONY‐WISE.
663
00:29:26,470 --> 00:29:28,340
DO WE KNOW WHERE
TO FIND CRAIG?
664
00:29:28,370 --> 00:29:31,270
WE GOT PLACES
WE COULD LOOK.
665
00:29:31,310 --> 00:29:33,250
HE'S A COLLAR.
BRING HIM IN.
666
00:29:33,270 --> 00:29:35,770
MICHAEL SHOULD STAY HERE UNTIL
WE GET OUR HANDS ON THIS GUY.
667
00:29:35,810 --> 00:29:36,810
ABSOLUTELY.
668
00:29:41,870 --> 00:29:45,000
HE CONSIDERS YOU A FATHER
FIGURE, NOT A COP.
669
00:29:45,040 --> 00:29:47,200
THAT'S WHY HE COULDN'T
GIVE IT UP TO YOU.
670
00:29:53,310 --> 00:29:54,980
[ SNIFFLING ]
671
00:30:14,410 --> 00:30:16,150
I'M PROUD OF YOU.
672
00:30:19,270 --> 00:30:20,970
[ CRYING ]
673
00:30:31,640 --> 00:30:34,740
SO WHAT KIND OF GUY WERE YOU
IN HIGH SCHOOL, TIM?
674
00:30:34,770 --> 00:30:36,340
A JOCK TYPE, POPULAR?
675
00:30:36,370 --> 00:30:38,770
I DON'T SEE THE POINT ‐‐
NAH, I DIDN'T THINK SO.
676
00:30:38,810 --> 00:30:41,010
I'LL BET YOU DIDN'T HAVE
A LOT OF FRIENDS,
677
00:30:41,040 --> 00:30:42,940
AND THE FRIENDS YOU DID HAVE
WERE PROBABLY LIKE THEM ASSHOLES
678
00:30:42,970 --> 00:30:44,540
WHO SHOT UP THAT SCHOOL
IN COLORADO.
679
00:30:44,570 --> 00:30:46,070
I AM A PEACEFUL MAN.
680
00:30:46,110 --> 00:30:47,880
YOU'RE AN OUTSIDER
AND A LONER.
681
00:30:47,910 --> 00:30:50,350
AND YOU CHOSE THE LEAST
LIKELY GROUP TO JOIN
682
00:30:50,370 --> 00:30:51,870
TO MAKE YOURSELF LOOK SMART.
683
00:30:51,910 --> 00:30:53,710
I CHOSE ISLAM
BECAUSE I BELIEVE ‐‐
684
00:30:53,740 --> 00:30:56,440
BECAUSE THEY'D TAKE YOU?
YEAH, ABSOLUTELY.
685
00:30:56,470 --> 00:30:58,200
STATE OF THE WORLD NOW,
686
00:30:58,240 --> 00:31:00,770
THEY'RE THRILLED TO SEE ANY
WHITE GUY TAKE INTEREST.
687
00:31:00,810 --> 00:31:02,210
THE ONLY QUESTION NOW IS,
688
00:31:02,240 --> 00:31:04,500
ARE YOU THE LONE PSYCHO
IN THE GROUP,
689
00:31:04,540 --> 00:31:07,600
OR WAS KILLING STUART
STEINMAN AN ORGANIZED
PLAN INVOLVING OTHERS?
690
00:31:07,640 --> 00:31:10,000
I DID NOT KILL
STUART STEINMAN,
691
00:31:10,040 --> 00:31:12,670
AND THAT YOU WOULD
IMPLICATE MY FELLOW MUSLIMS ‐‐
692
00:31:12,710 --> 00:31:14,510
ALL RIGHT,
IF YOU DID IT ALONE,
693
00:31:14,540 --> 00:31:16,500
WE CAN SAY YOU GOT IN
AN ARGUMENT WITH STEINMAN
694
00:31:16,540 --> 00:31:18,670
OVER ZIONISM OR ISLAM,
AND IT GOT OUT OF HAND.
695
00:31:18,710 --> 00:31:20,910
OR IF THIS WAS
AN ORGANIZED PLAN,
696
00:31:20,940 --> 00:31:23,200
YOU CAN DEAL UP THE
OTHER PLAYERS AND SAVE
YEARS OF YOUR LIFE.
697
00:31:23,240 --> 00:31:24,840
BUT YOU GOT TO COME CLEAN.
698
00:31:24,870 --> 00:31:26,540
WHAT MAKES YOU SO CERTAIN
I KILLED THIS MAN?
699
00:31:26,570 --> 00:31:28,370
YOU LIED TO US
WHERE YOU WERE THIS MORNING.
700
00:31:28,410 --> 00:31:30,250
NO ONE SAW YOU
AT THE MOSQUE.
701
00:31:30,270 --> 00:31:32,440
AND THE SURVEILLANCE CAMERAS ‐‐
ALL 23 OF THEM ‐‐
702
00:31:32,470 --> 00:31:35,200
NONE OF THEM
SAW YOU, EITHER.
703
00:31:36,540 --> 00:31:38,700
YOU DIDN'T KNOW THEY HAD
SURVEILLANCE CAMERAS.
704
00:31:41,570 --> 00:31:44,740
SO WHY YOU LIED,
OR TELL US WHAT HAPPENED.
705
00:31:47,270 --> 00:31:49,370
I WASN'T AT MORNING PRAYERS.
706
00:31:49,410 --> 00:31:51,080
WHEN YOU WENT
TO SEE STEINMAN,
707
00:31:51,110 --> 00:31:53,950
WAS IT ON YOUR OWN,
OR WERE OTHERS INVOLVED?
708
00:31:53,970 --> 00:31:55,440
I DIDN'T GO
TO SEE STEINMAN.
709
00:31:55,470 --> 00:31:57,070
WE'RE GOING
BACKWARDS, TIM.
710
00:31:57,110 --> 00:31:59,780
I WENT TO HAVE A MASSAGE
FOR MY BAD BACK.
711
00:31:59,810 --> 00:32:01,980
AND YOU DIDN'T
TELL US THIS. WHY?
712
00:32:06,570 --> 00:32:08,740
BECAUSE IT WAS
A SPANK‐OFF JOINT?
713
00:32:08,770 --> 00:32:10,540
I HAVE A BAD BACK.
714
00:32:10,570 --> 00:32:12,140
YOU WERE GETTING
YOUR NUTS OFF.
715
00:32:13,770 --> 00:32:16,170
TIM, COP TO IT
AND TELL US HOW TO CONFIRM IT
716
00:32:16,210 --> 00:32:17,680
OR FACE A MURDER RAP.
717
00:32:17,710 --> 00:32:20,410
THE PLACE IS CALLED
HAPPY TIME MASSAGE.
718
00:32:20,440 --> 00:32:22,770
IT'S ON 25th
AND 6th AVENUE.
719
00:32:22,810 --> 00:32:25,410
THE GIRL'S NAME IS SUZY.
SHE'LL KNOW ME.
720
00:32:25,440 --> 00:32:27,070
I'M A REGULAR.
721
00:32:27,110 --> 00:32:29,750
SO WHAT EXACTLY
IS THE KORAN'S POSITION
722
00:32:29,770 --> 00:32:32,700
ON MUSLIMS PAYING
TO GET THEIR BALLS OILED?
723
00:32:34,040 --> 00:32:35,170
THE FLESH IS WEAK.
724
00:32:35,210 --> 00:32:36,180
NO!
725
00:32:36,210 --> 00:32:38,210
THE IDIOT IS WEAK.
726
00:32:38,240 --> 00:32:39,900
STAY HERE.
727
00:32:42,210 --> 00:32:43,950
THANKS.
728
00:32:43,970 --> 00:32:45,900
DRANO'S MANAGER,
JOSIAS FREELAND?
729
00:32:45,940 --> 00:32:48,870
I RAN HIS CELLPHONE AND GOT
A BUNCH OF RECENT CALLS
730
00:32:48,910 --> 00:32:51,210
TO A HIGH‐END COSTUME JEWELER
ON CANAL STREET.
731
00:32:51,240 --> 00:32:54,040
THE PLACE SPECIALIZES
IN COPYING FANCY JEWELS,
732
00:32:54,070 --> 00:32:57,040
LIKE DRANO'S KERMIT THE FROG
OR THE SUPERMAN PENDANT.
733
00:32:57,070 --> 00:32:58,840
HOW RECENT WERE THE CALLS?
734
00:32:58,870 --> 00:33:00,840
WOULD HAVE BEEN RIGHT AFTER
STUART STEINMAN WAS KILLED.
735
00:33:00,870 --> 00:33:02,840
YOU GET IN CONTACT
WITH THE COSTUME JEWELER?
736
00:33:02,870 --> 00:33:04,540
THE PERSON I TALKED TO
SAID THE OWNER
737
00:33:04,570 --> 00:33:06,500
JUST WALKED OUT
THIS MORNING.
738
00:33:06,540 --> 00:33:08,440
SAID HE WAS GOING ON VACATION
AND DIDN'T SAY WHERE.
739
00:33:08,470 --> 00:33:10,900
DID THEY CONFIRM COPYING
THE KERMIT AND SUPERMAN THING?
740
00:33:10,940 --> 00:33:13,240
NO, THE GUY SAID ONLY
THE OWNER WOULD KNOW,
741
00:33:13,270 --> 00:33:15,840
BUT THAT A FEW WEEKS AGO
THEY GOT A BIG ORDER
OF GLASS EMERALDS.
742
00:33:15,870 --> 00:33:17,500
SO MAYBE.
743
00:33:17,540 --> 00:33:20,200
WE NEED TO TALK
TO THIS JOSIAS FREELAND.
744
00:33:20,240 --> 00:33:22,570
CONNIE WILL BRING YOU
UP TO SPEED.
745
00:33:22,610 --> 00:33:24,350
BARTENDER AT
THE ACES HIGH CALLED.
746
00:33:24,370 --> 00:33:25,970
CRAIG WOODRUFF
JUST WALKED IN.
747
00:33:28,410 --> 00:33:29,680
BALDWIN?
748
00:33:29,710 --> 00:33:30,710
I'M FINE.
749
00:33:34,440 --> 00:33:36,170
UH...
750
00:33:36,210 --> 00:33:37,810
TWO SECONDS.
751
00:33:41,110 --> 00:33:42,350
REAL QUICK.
752
00:33:42,370 --> 00:33:44,870
YOU FREE FOR DINNER TONIGHT,
WITH ME?
753
00:33:44,910 --> 00:33:46,710
I MEAN, IF YOU'RE BUSY...
754
00:33:46,740 --> 00:33:47,940
NO. SURE.
755
00:33:47,970 --> 00:33:49,070
GREAT.
756
00:33:49,110 --> 00:33:50,580
I'LL GET WITH YOU LATER.
757
00:33:59,370 --> 00:34:01,940
TELL US ABOUT CANAL STREET
JEWELRY, JOSIAS.
758
00:34:01,970 --> 00:34:04,770
FELLAS,
WHAT AM I DOING HERE?
CANAL STREET JEWELRY,
759
00:34:04,810 --> 00:34:07,280
WHO YOU CALLED THREE TIMES
BEFORE NOON THIS MORNING.
760
00:34:08,940 --> 00:34:11,440
I WAS LOOKING FOR A TIARA
FOR MY NIECE.
761
00:34:11,470 --> 00:34:13,340
SHE'S DOING A SCHOOL PLAY.
762
00:34:13,370 --> 00:34:16,070
YOU KNOW THEY SPECIALIZE IN
KNOCKING OFF EXPENSIVE GARBAGE,
763
00:34:16,110 --> 00:34:18,210
LIKE YOUR KERMIT THE FROG
AND SUPERMAN SYMBOL?
764
00:34:18,240 --> 00:34:19,670
I DIDN'T KNOW THAT.
765
00:34:19,710 --> 00:34:21,410
THAT'S NOT WHY
YOU CALLED THE OWNER
766
00:34:21,440 --> 00:34:23,270
AND TOLD HIM GET OUT OF TOWN
FOR A WHILE?
767
00:34:23,310 --> 00:34:24,880
EXCUSE ME?
768
00:34:24,910 --> 00:34:27,010
THE OWNER'S ASSISTANT CONFIRMED
KNOCKING OFF THE JEWELS
769
00:34:27,040 --> 00:34:29,040
AND SAID THAT THE ORDER
CAME FROM YOU.
770
00:34:29,070 --> 00:34:32,040
ON THE WAY TO PICK YOU UP,
WE PUT IN A CALL TO DRANO.
771
00:34:32,070 --> 00:34:34,370
HE SAID THE JEWELRY
HE ORDERED FROM STEINMAN
772
00:34:34,410 --> 00:34:36,550
WAS PICKED UP
AND DELIVERED TO HIM BY YOU.
773
00:34:36,570 --> 00:34:38,200
KING PAUL SAID
THE SAME THING.
774
00:34:38,240 --> 00:34:40,040
ON THE WAY TO YOUR CLIENTS,
775
00:34:40,070 --> 00:34:42,440
DID THE STUFF MAKE A DETOUR
TO CANAL STREET JEWELRY?
776
00:34:42,470 --> 00:34:44,700
WHATEVER ASSISTANT
YOU TALKED TO IS A LIAR.
777
00:34:44,740 --> 00:34:47,770
YOU GOT STEINMAN TO PAY UP ONCE
WITH KING PAUL'S JEWELRY.
778
00:34:47,810 --> 00:34:50,380
YOU THOUGHT YOU COULD DO IT
AGAIN WITH DRANO'S?
779
00:34:50,410 --> 00:34:52,580
YOU KNOW WHAT I SEE HERE?
780
00:34:52,610 --> 00:34:54,110
A CONSPIRACY.
781
00:34:54,140 --> 00:34:56,500
SEE WHATEVER YOU WANT,
BUT START THINKING ABOUT A DEAL.
782
00:34:56,540 --> 00:34:58,240
BECAUSE WITHOUT ONE,
YOU'RE DEAD.
783
00:34:58,270 --> 00:35:00,500
AS FAR AS WE HEAR IT,
784
00:35:00,540 --> 00:35:03,270
RIPPING OFF IMMATURE,
GUN‐TOTING DELINQUENTS
785
00:35:03,310 --> 00:35:05,280
IS NO WAY TO SURVIVE
IN A RAP GAME.
786
00:35:05,310 --> 00:35:08,180
THEY'LL GET YOU ON THE STREET.
THEY'LL GET YOU IN JAIL.
787
00:35:08,210 --> 00:35:10,750
NOW YOU COULD DEAL FOR
ADMINISTRATIVE SEGREGATION,
788
00:35:10,770 --> 00:35:12,170
BUT YOU BETTER START NOW,
789
00:35:12,210 --> 00:35:13,610
BEFORE THE OFFER'S
OFF THE TABLE.
790
00:35:13,640 --> 00:35:15,700
YOU WANT TO STAY ALIVE?
791
00:35:18,210 --> 00:35:19,780
YES.
792
00:35:19,810 --> 00:35:22,210
DID STEINMAN FIGURE OUT
IT WAS YOU
793
00:35:22,240 --> 00:35:25,440
THAT SWITCHED THE JEWELS
ON DRANO AND KING PAUL?
794
00:35:25,470 --> 00:35:27,270
YES.
795
00:35:27,310 --> 00:35:29,250
HE THREATEN TO GO
TO THE POLICE?
796
00:35:29,270 --> 00:35:30,170
YES.
797
00:35:30,210 --> 00:35:32,450
SO YOU SHOT HIM.
798
00:35:32,470 --> 00:35:34,200
YES OR NO?
799
00:35:34,240 --> 00:35:36,600
YES, BUT YOU GOT
TO UNDERSTAND SOMETHING.
800
00:35:36,640 --> 00:35:39,040
IN MY INDUSTRY,
APPEARANCE IS EVERYTHING.
801
00:35:39,070 --> 00:35:41,370
YOU GOT AN EXPENSIVE LIFESTYLE.
YOU RAN SHORT.
802
00:35:41,410 --> 00:35:43,510
YOU COOKED UP A SCHEME.
IT BACKFIRED.
803
00:35:43,540 --> 00:35:45,870
YOU THINK IT'S THAT SIMPLE,
THAT I GOT GREEDY?
804
00:35:45,910 --> 00:35:47,580
I CAME FROM NOTHING!
805
00:35:47,610 --> 00:35:50,180
I WORKED 20 HOURS A DAY
TO GET TO WHERE I AM,
806
00:35:50,210 --> 00:35:51,950
COMPETING AGAINST
IVY‐LEAGUE WHITE BOYS,
807
00:35:51,970 --> 00:35:53,200
BIG MANAGEMENT FIRMS.
808
00:35:53,240 --> 00:35:55,070
I COULDN'T JUST LET THAT GO.
809
00:35:55,110 --> 00:35:58,010
SO IT WAS ON THE JEWELER TO
BANKROLL YOUR CASH‐FLOW PROBLEM.
810
00:35:58,040 --> 00:35:59,570
HE HAD PLENTY ‐‐
MORE THAN ENOUGH.
811
00:35:59,610 --> 00:36:02,010
YOU WERE WAY OFF.
812
00:36:02,040 --> 00:36:04,200
[ SIGHS ]
813
00:36:04,240 --> 00:36:06,370
I WANT ADMINISTRATIVE
SEGREGATION
814
00:36:06,410 --> 00:36:08,580
IN THE FACILITY
OF MY CHOOSING.
815
00:36:08,610 --> 00:36:10,550
THIS AIN'T NO
RECORD DEAL, PAL.
816
00:36:25,410 --> 00:36:27,350
GOT AN UPDATE
FOR YOU, CRAIG.
817
00:36:27,370 --> 00:36:28,570
LET'S HEAR IT.
818
00:36:28,610 --> 00:36:30,410
AFTER SEEING WHAT HAPPENED
TO HIS AUNT,
819
00:36:30,440 --> 00:36:32,740
MICHAEL FINALLY DECIDED HE
COULDN'T LET IT GO ANYMORE.
820
00:36:32,770 --> 00:36:34,000
SOUNDS COMPLICATED.
821
00:36:34,040 --> 00:36:35,670
IT'S NOT.
822
00:36:35,710 --> 00:36:38,550
HE JUST GAVE A STATEMENT ABOUT
HOW HE SAW YOU KILL HIS MOM.
823
00:36:38,570 --> 00:36:39,940
[ SCOFFING ]
824
00:36:39,970 --> 00:36:42,600
YOU GUYS AND YOUR TIRED‐ASS
BLUFFS, MAN.
825
00:36:44,540 --> 00:36:46,200
YOU'RE GOING IN, CRAIG.
826
00:36:46,240 --> 00:36:47,940
THIS IS IT.
827
00:36:47,970 --> 00:36:49,770
AND TO THE EXTENT
THAT YOU CARE,
828
00:36:49,810 --> 00:36:51,710
I'LL BE LOOKING OUT
FOR MICHAEL.
829
00:36:51,740 --> 00:36:53,670
NOT TO GET BACK AT YOU,
830
00:36:53,710 --> 00:36:57,210
BUT BECAUSE HE'S A GOOD KID
AND DESERVES A CHANCE.
831
00:36:59,070 --> 00:37:00,840
SO MICHAEL'S
SAYING WHAT NOW?
832
00:37:00,870 --> 00:37:02,100
ONE LAST THING...
833
00:37:03,310 --> 00:37:04,780
I'M GONNA MAKE YOU A DEAL.
834
00:37:04,810 --> 00:37:07,280
REALLY?
835
00:37:07,310 --> 00:37:09,210
DON'T PUSH THIS TO TRIAL.
836
00:37:10,640 --> 00:37:14,100
DON'T FORCE MICHAEL TO TESTIFY
AND RELIVE THIS ALL OVER AGAIN.
837
00:37:14,140 --> 00:37:15,740
LET HIM GO.
838
00:37:17,310 --> 00:37:19,450
WHAT'S THE DEAL PART?
839
00:37:19,470 --> 00:37:23,900
IF YOU AGREE TO THAT, I'LL LET
YOU FINISH YOUR COLD BEER,
840
00:37:23,940 --> 00:37:27,270
'CAUSE IT'S THE LAST ONE
YOU'RE EVER GONNA HAVE.
841
00:37:36,610 --> 00:37:38,550
JUST KEEP IN MIND,
842
00:37:38,570 --> 00:37:40,240
IF YOU BREAK THE DEAL,
843
00:37:40,270 --> 00:37:42,900
I'LL CALL IN A FAVOR WITH
THE DEPARTMENT OF CORRECTIONS,
844
00:37:42,940 --> 00:37:44,670
AND YOU'LL BE IN
23‐HOUR LOCKDOWN
845
00:37:44,710 --> 00:37:46,610
FOR HOWEVER MANY YEARS
YOU GOT LEFT.
846
00:37:46,640 --> 00:37:49,370
OR SOMEONE ON YOUR TIER?
847
00:37:49,410 --> 00:37:51,710
I'LL HELP ONE OF THEIR FAMILY
MEMBERS ON THE OUTSIDE,
848
00:37:51,740 --> 00:37:53,870
AND THEY'LL DEAL WITH YOU
WHATEVER WAY THEY WANT.
849
00:37:53,910 --> 00:37:56,880
SO I WANT YOU
TO THINK ABOUT THAT BEER...
850
00:37:56,910 --> 00:37:58,910
'CAUSE I'LL PUSH
A BUTTON ON YOU,
851
00:37:58,940 --> 00:38:01,400
AND DON'T THINK I WON'T ENJOY
EVERY SECOND OF IT.
852
00:38:08,640 --> 00:38:11,370
IF WHAT YOU SAY IS TRUE...
853
00:38:11,410 --> 00:38:13,780
AND MICHAEL BETRAYED
HIS OWN FLESH AND BLOOD
854
00:38:13,810 --> 00:38:15,610
AND SIDED WITH
A COP LIKE YOU...
855
00:38:18,040 --> 00:38:20,540
THEN HE'S DEAD TO ME.
856
00:38:26,110 --> 00:38:27,950
AND HE'S ALL YOURS.
857
00:38:29,870 --> 00:38:31,540
ON YOUR FEET.
858
00:38:36,770 --> 00:38:38,970
[ HANDCUFFS CLICKING ]
859
00:38:45,140 --> 00:38:46,240
SO...
860
00:38:47,440 --> 00:38:49,400
THIS IS NICE.
861
00:38:49,440 --> 00:38:50,770
YEAH.
862
00:38:50,810 --> 00:38:52,780
FOOD'S GOOD.
863
00:38:52,810 --> 00:38:55,750
AND WE'RE JUST
SHARING A MEAL, OR...
864
00:38:55,770 --> 00:38:57,400
MAYBE MORE THAN THAT.
865
00:38:57,440 --> 00:38:58,940
IT'S UP TO YOU.
866
00:38:58,970 --> 00:39:00,840
ISN'T THIS A LITTLE
OUT OF BALANCE?
867
00:39:00,870 --> 00:39:02,540
A BOSS AND A SUBORDINATE
FROM THE SAME COMMAND
868
00:39:02,570 --> 00:39:03,770
IS VERY OUT OF BALANCE.
869
00:39:03,810 --> 00:39:05,710
BUT HERE WE ARE.
YEAH.
870
00:39:07,770 --> 00:39:09,300
[ CLEARS THROAT ]
871
00:39:10,570 --> 00:39:13,440
I DON'T ‐‐ I DON'T KNOW HOW
COMFORTABLE I AM WITH IT.
872
00:39:13,470 --> 00:39:16,340
WITH ME
OR WITH THE SITUATION?
873
00:39:16,370 --> 00:39:19,500
I DON'T LIKE THE IDEA OF KEEPING
A SECRET IN THE SQUAD.
874
00:39:19,540 --> 00:39:21,740
WELL, WHAT IF
YOU DIDN'T HAVE TO?
875
00:39:21,770 --> 00:39:23,770
I MEAN,
WHAT IF THE SITUATION CHANGED?
876
00:39:23,810 --> 00:39:25,950
THAT MEANS SOMEONE TRANSFERRING
OUT OF THE 15th.
877
00:39:25,970 --> 00:39:27,500
WHAT IF THAT HAPPENED?
878
00:39:27,540 --> 00:39:29,900
IT'D LOOK LIKE WE'D HAD
AN ONGOING THING,
879
00:39:29,940 --> 00:39:32,700
AND THAT SOMEBODY TRANSFERRED
TO MAKE IT ETHICAL.
880
00:39:32,740 --> 00:39:35,040
[ SIGHS ]
881
00:39:35,070 --> 00:39:37,440
I DON'T LIKE PEOPLE TALKING
BEHIND MY BACK.
882
00:39:37,470 --> 00:39:39,240
I'VE BEEN THROUGH IT
TOO MUCH.
883
00:39:40,740 --> 00:39:42,900
WELL, SAY ALL THAT
WAS OFF THE TABLE ‐‐
884
00:39:42,940 --> 00:39:44,700
NO TALKING, NO RUMORS.
885
00:39:44,740 --> 00:39:46,600
WE WERE FREE AND CLEAR.
886
00:39:46,640 --> 00:39:48,500
WOULD YOU WANT TO SPEND
MORE TIME WITH ME?
887
00:39:48,540 --> 00:39:50,740
FREE AND CLEAR?
888
00:39:50,770 --> 00:39:52,570
YEAH, I WOULD.
889
00:39:54,110 --> 00:39:56,880
I'VE BEEN APPROACHED BY
THIS REAL ESTATE DEVELOPER
890
00:39:56,910 --> 00:39:58,550
ABOUT HEADING UP
HIS SECURITY.
891
00:39:58,570 --> 00:40:00,100
I'M CONSIDERING
TAKING THE JOB.
892
00:40:00,140 --> 00:40:01,370
'CAUSE OF THIS?
893
00:40:01,410 --> 00:40:03,010
BECAUSE IT'S A GOOD
OPPORTUNITY,
894
00:40:03,040 --> 00:40:05,200
AND BECAUSE LOSING THE TRIAL
DROPPED THE CEILING
895
00:40:05,240 --> 00:40:07,100
ON HOW FAR I'LL EVER GET
ON THE JOB.
896
00:40:08,770 --> 00:40:10,770
WHEN DO YOU GIVE YOUR ANSWER
TO THE DEVELOPER?
897
00:40:10,810 --> 00:40:12,180
BY THE END OF THE WEEK.
898
00:40:12,210 --> 00:40:14,110
HARD TO IMAGINE YOU
OFF THE JOB.
899
00:40:15,540 --> 00:40:17,000
THINK ABOUT IT.
900
00:40:17,040 --> 00:40:18,840
I WILL.
901
00:40:18,870 --> 00:40:20,370
WILL YOU?
902
00:40:20,410 --> 00:40:22,010
YEAH.
903
00:40:22,040 --> 00:40:24,270
I WILL, TOO.
904
00:40:36,110 --> 00:40:38,610
THIS PULLS OUT INTO A BED.
905
00:40:38,640 --> 00:40:40,800
THE COUCH IS FINE.
906
00:40:42,410 --> 00:40:43,910
HOW YOU HOLDING UP?
907
00:40:43,940 --> 00:40:45,540
ALL RIGHT.
908
00:40:47,810 --> 00:40:51,410
AS FAR AS...HAVING
TO MOVE OUT AND...
909
00:40:51,440 --> 00:40:53,340
YOU KNOW,
YOUR AUNT TAMMY ‐‐
910
00:40:53,370 --> 00:40:54,600
NO.
911
00:40:54,640 --> 00:40:56,270
I GOT IT.
912
00:40:59,610 --> 00:41:00,710
SO WHAT NOW?
913
00:41:00,740 --> 00:41:03,440
CRASH HERE FOR A WHILE.
914
00:41:03,470 --> 00:41:05,200
HOW LONG'S A WHILE?
915
00:41:05,240 --> 00:41:06,740
LONG AS YOU NEED.
916
00:41:08,440 --> 00:41:11,200
WELL, I NEED...
917
00:41:11,240 --> 00:41:13,270
A PLACE TO LIVE.
918
00:41:24,410 --> 00:41:26,210
I'LL GET A DRESSER FOR YOU...
919
00:41:26,240 --> 00:41:28,370
PUT IT IN THE CORNER
FOR YOUR STUFF.
920
00:41:32,240 --> 00:41:35,200
THIS IS YOUR HOME NOW
IF YOU WANT IT.
921
00:41:35,240 --> 00:41:37,870
YOU SURE THAT'S COOL
WITH YOU?
922
00:41:37,910 --> 00:41:40,750
MICHAEL, AFTER SEEING
WHAT YOU DID TODAY,
923
00:41:40,770 --> 00:41:43,940
IT WOULD BE MY PRIVILEGE
TO HAVE YOU AS A ROOMMATE.
924
00:41:46,410 --> 00:41:47,410
OKAY.
925
00:41:48,740 --> 00:41:51,000
AND I'LL START LOOKING
INTO IT PAPERWORK‐WISE
926
00:41:51,040 --> 00:41:52,570
IN ORDER
TO MAKE IT OFFICIAL.
927
00:41:57,210 --> 00:41:59,910
I DON'T WANT YOU
WORRYING ABOUT ANYTHING.
928
00:42:04,640 --> 00:42:05,900
THANKS.
929
00:42:05,940 --> 00:42:07,200
NO SWEAT.
67201
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