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1
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PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,790 --> 00:00:05,390
MICHAEL, YOU'RE SUPPOSED TO
BE IN SCHOOL.
3
00:00:05,460 --> 00:00:07,300
I'M JUST CUTTIN' THIS ONE DAY.
4
00:00:07,360 --> 00:00:09,500
MY CAR'S OUTSIDE.
I'LL MEET YOU THERE IN A SEC.
5
00:00:09,560 --> 00:00:12,200
YOUR DAD'S COMING, TOO.
WE'RE GONNA HAVE A CONVERSATION.
6
00:00:12,260 --> 00:00:14,260
I TOOK A DAY OFF.
WHAT'S THE BIG DEAL?
7
00:00:14,320 --> 00:00:15,620
WHAT YOU DID TODAY WAS
WRONG, MICHAEL.
8
00:00:15,690 --> 00:00:17,290
YOU DON'T WANT ME AROUND
MY DAD.
9
00:00:17,360 --> 00:00:18,930
I DON'T WANT YOU TO
START SLIPPIN'.
10
00:00:18,990 --> 00:00:21,320
MICHAEL KNOWS WHAT'S UP.
HE KNOW WHAT YOU'RE ABOUT.
11
00:00:21,390 --> 00:00:23,590
YOU'RE DAMN RIGHT HE DOES.
I'M ON HIS SIDE.
12
00:00:23,660 --> 00:00:26,560
NAH, HE KNOWS THE ONLY REASON
YOU BEEN KISSIN' HIS ASS
13
00:00:26,620 --> 00:00:29,490
IS TO TRY TO GET HIM TO LIE AND
SAY I KILLED HIS MOTHER.
14
00:00:29,560 --> 00:00:32,360
THAT SOUNDS LIKE WHAT YOU'VE
BEEN PUTTIN' INTO HIS HEAD.
15
00:00:41,720 --> 00:00:43,650
[ BASSOON PLAYING ]
16
00:00:57,960 --> 00:01:00,760
[ PLAYING STOPS ]
17
00:01:00,820 --> 00:01:02,290
IT'S 5:30.
18
00:01:02,360 --> 00:01:05,160
SORRY, I TOTALLY LOST
TRACK OF THE TIME.
19
00:01:05,220 --> 00:01:07,390
SO THE CONCERT IS OVER WITH,
IN OTHER WORDS?
20
00:01:07,460 --> 00:01:09,200
THE RECITAL'S
ACTUALLY TONIGHT,
21
00:01:09,260 --> 00:01:11,200
WHICH IS WHY I'M IN THIS
FRANTIC PRACTICE MODE.
22
00:01:11,260 --> 00:01:12,730
YOU JUST MOVE IN HERE?
23
00:01:12,790 --> 00:01:14,250
YEAH, I'M SUBLETTING.
24
00:01:14,320 --> 00:01:16,320
WELL, JUST TO LET YOU KNOW,
I NEED MY SLEEP.
25
00:01:16,390 --> 00:01:18,190
YOU GONNA PRACTICE
YOUR CLARINET,
26
00:01:18,260 --> 00:01:20,130
YOU DO IT DURING THE DAY.
27
00:01:20,190 --> 00:01:22,690
I UNDERSTAND.
I'M PUTTING IT AWAY.
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00:01:22,760 --> 00:01:25,160
IT'S A BASSOON.
29
00:01:25,220 --> 00:01:26,390
EXCUSE ME?
30
00:01:26,460 --> 00:01:29,100
THE INSTRUMENT I PLAY
IS THE BASSOON.
31
00:01:29,160 --> 00:01:32,260
THANKS FOR CLEARING THAT UP.
32
00:01:39,160 --> 00:01:40,630
WHAT'S GOING ON?
33
00:01:40,690 --> 00:01:42,050
IDIOT NEXT DOOR.
34
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IT'S OKAY, THOUGH.
GO BACK TO SLEEP.
35
00:01:47,790 --> 00:01:49,490
A BASSOON PLAYER.
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COULDN'T HAVE BEEN SOMEONE WHO
WORKS FOR AN AIRLINE MOVES IN,
37
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COULD MAYBE DO US SOME GOOD.
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NOTHING WRONG WITH HAVING
A LITTLE CULTURE
39
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IN THE BUILDING.
40
00:02:00,590 --> 00:02:03,920
YEAH? THEN GIVE ME
A POET OR A MIME.
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[ CHUCKLES ]
42
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[ TELEPHONE RINGS ]
43
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YEAH?
44
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ALL RIGHT. I'LL BE THERE
IN A HALF‐HOUR.
45
00:02:17,190 --> 00:02:18,650
YEAH.
46
00:02:34,220 --> 00:02:35,520
TWO GUYS BUSTED IN.
47
00:02:35,590 --> 00:02:37,920
ROUGHED UP THE WIFE,
ROUGHED UP THE HUSBAND,
48
00:02:37,990 --> 00:02:39,690
MADE OFF
WITH A BUNCH OF STUFF.
49
00:02:39,760 --> 00:02:40,800
WHERE'S THE HUSBAND?
50
00:02:40,860 --> 00:02:43,260
TOOK HIM TO ST. VINCENT'S
WITH CHEST PAINS.
51
00:02:43,320 --> 00:02:45,990
HE'S RETIRED, OFF THE JOB.
NAME'S ROY SHAUNNESSEY.
52
00:02:46,060 --> 00:02:47,900
FROM THE 2‐0.
I KNOW HIM.
53
00:02:50,060 --> 00:02:51,630
MRS. SHAUNNESSEY?
54
00:02:51,690 --> 00:02:54,550
I'M DETECTIVE SIPOWICZ.
THIS IS DETECTIVE CLARK.
55
00:02:54,620 --> 00:02:57,190
I WORKED WITH YOUR HUSBAND
AT THE 2‐0.
56
00:02:57,260 --> 00:02:59,400
I'D LIKE TO GO TO THE HOSPITAL
AND BE WITH HIM.
57
00:02:59,460 --> 00:03:01,530
WE'LL HAVE SOMEONE RUN
YOU OVER THERE.
58
00:03:01,590 --> 00:03:03,520
WE JUST NEED YOU TO TELL
US WHAT HAPPENED.
59
00:03:03,590 --> 00:03:05,550
WE WERE IN BED, ASLEEP.
I HEARD OLIVER BARKING.
60
00:03:05,620 --> 00:03:07,650
ROY WENT INTO THE LIVING ROOM
TO SEE WHAT IT WAS,
61
00:03:07,720 --> 00:03:09,850
AND THE NEXT THING I KNOW,
I HEAR YELLING.
62
00:03:09,920 --> 00:03:14,090
I COME IN HERE, AND I SEE A GUY
WITH A KNIFE TO ROY'S THROAT,
63
00:03:14,160 --> 00:03:17,100
AND THE OTHER GUY TYING HIM
TO THE CHAIR.
64
00:03:17,160 --> 00:03:19,200
WHAT DO YOU
REMEMBER ABOUT THEM?
65
00:03:19,260 --> 00:03:21,260
THEY WORE MASKS.
66
00:03:21,320 --> 00:03:24,190
UH, PROBABLY IN THEIR 20's,
67
00:03:24,260 --> 00:03:26,430
WHITE OR SPANISH‐‐
I'M NOT SURE WHICH.
68
00:03:26,490 --> 00:03:29,250
ONE OF THEM, I THINK, HAD, LIKE,
AN ARMY JACKET ON.
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00:03:29,320 --> 00:03:31,320
WHAT'D THEY DO
WHEN THEY SAW YOU?
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00:03:31,390 --> 00:03:33,950
THE ONE WITH THE KNIFE GRABBED
ME BY THE HAIR.
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00:03:34,020 --> 00:03:35,890
I SAID
"TAKE ANYTHING YOU WANT."
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00:03:35,960 --> 00:03:39,260
HE, UH, PUSHED ME BACK INTO THE
BEDROOM, DUMPED OUT THE DRESSER.
73
00:03:39,320 --> 00:03:41,020
HE SAID HE WANTED THE GUNS.
74
00:03:41,090 --> 00:03:45,350
I TOLD HIM WE HAD NO GUNS, AND,
UH, THAT'S WHEN I GOT THIS.
75
00:03:45,420 --> 00:03:48,590
I GAVE HIM
ABOUT $1,000 IN CASH,
76
00:03:48,660 --> 00:03:52,600
A NECKLACE THAT WAS MY MOTHER'S,
MY WEDDING RING,
77
00:03:52,660 --> 00:03:56,760
A SIGNED LETTER THAT
GENERAL PATTON HAD WRITTEN
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00:03:56,820 --> 00:04:00,350
THAT I BOUGHT ROY OFF THE
INTERNET, AND TWO OF HIS GUNS.
79
00:04:03,320 --> 00:04:05,120
ALL REPLACEABLE, I GUESS.
80
00:04:05,190 --> 00:04:06,290
YEAH.
81
00:04:06,360 --> 00:04:08,900
YOU BOTH HANDLED THIS AS WELL
AS YOU COULD HAVE.
82
00:04:08,960 --> 00:04:12,630
IT'D BE GOOD IF YOU MENTIONED
THAT TO ROY WHEN YOU SEE HIM.
83
00:04:12,690 --> 00:04:15,920
WE'LL HAVE SOMEBODY TAKE YOU
TO THE HOSPITAL NOW.
84
00:04:15,990 --> 00:04:17,320
THANKS.
85
00:04:18,590 --> 00:04:21,050
WHAT KIND OF GUY WAS HE
ON THE JOB?
86
00:04:21,120 --> 00:04:22,520
STAND‐UP, TOUGH.
87
00:04:22,590 --> 00:04:25,620
IT'S DEFINITELY GONNA BE MORE
ABOUT THE PRIDE THAN THE MONEY.
88
00:04:25,690 --> 00:04:28,690
THESE OLD‐TIMERS‐‐ NOW I KNOW
WHY THEY MOVE TO FLORIDA.
89
00:04:28,760 --> 00:04:29,960
OLD‐TIMERS?
90
00:04:30,020 --> 00:04:32,590
I WAS IN THE ACADEMY
WITH THIS GUY.
91
00:04:32,660 --> 00:04:34,260
ALL‐TIMERS.
92
00:04:34,320 --> 00:04:37,520
I SAID "ALL‐TIMERS," AS IN
"ALL‐TIME GREAT COPS."
93
00:05:52,990 --> 00:05:54,890
[ KNOCK ON DOOR ]
94
00:06:02,620 --> 00:06:03,750
MAY I HELP YOU?
95
00:06:03,820 --> 00:06:06,750
I'M YOUR NEW NEIGHBOR.
I'M SUBLETTING FROM JOSIE FAY.
96
00:06:06,820 --> 00:06:08,250
OH, RIGHT.
97
00:06:08,320 --> 00:06:09,650
HI, NICE TO MEET YOU.
98
00:06:09,720 --> 00:06:11,550
I'M KIND OF IN A
HURRY RIGHT NOW.
99
00:06:11,620 --> 00:06:13,650
I JUST WANTED
TO SAY I WAS SORRY
100
00:06:13,720 --> 00:06:16,120
FOR PRACTICING SO LATE LAST
NIGHT AND WAKING YOU GUYS UP.
101
00:06:16,190 --> 00:06:19,020
AND I SEE THAT YOU'RE
A POLICE OFFICER.
102
00:06:19,090 --> 00:06:21,890
I SURE AM.
AND YOU DIDN'T WAKE ME UP.
103
00:06:21,960 --> 00:06:23,500
I GUESS THAT WAS YOUR...
104
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HUSBAND.
105
00:06:25,060 --> 00:06:26,830
WELL, UH, TO MAKE UP FOR IT,
106
00:06:26,890 --> 00:06:30,220
I WANTED TO LEAVE TWO TICKETS
TO TONIGHT'S RECITAL.
107
00:06:30,290 --> 00:06:32,120
OH, YOU
DON'T HAVE TO DO THAT.
108
00:06:32,190 --> 00:06:34,020
I DON'T KNOW IF YOU LIKE
CLASSICAL MUSIC,
109
00:06:34,090 --> 00:06:36,690
BUT WE'RE PERFORMING ONE OF
VIVALDI'S LESSER‐KNOWN WORKS,
110
00:06:36,760 --> 00:06:38,900
AND IT'S A REALLY TERRIFIC
CHAMBER ENSEMBLE.
111
00:06:38,960 --> 00:06:40,130
WELL, THANK YOU.
112
00:06:40,190 --> 00:06:42,990
IT'S A CONCERTO IN "F" MAJOR,
571, IN CASE YOU'RE WONDERING.
113
00:06:43,060 --> 00:06:44,500
OH, I'M NOT FAMILIAR.
114
00:06:44,560 --> 00:06:46,260
THAT'S WHY IT'S LESSER‐KNOWN.
115
00:06:46,320 --> 00:06:49,320
ANYWAY, LAWRENCE TEMPRA HALL,
8:00.
116
00:06:49,390 --> 00:06:51,020
IT SAYS ON THE TICKET.
117
00:06:51,090 --> 00:06:53,950
OH, RIGHT.
WELL, I HOPE YOU CAN MAKE IT.
118
00:06:54,020 --> 00:06:56,290
YOU AND YOUR
HUSBAND, OF COURSE.
119
00:06:56,360 --> 00:06:58,360
OKAY, THANKS.
120
00:07:10,260 --> 00:07:11,860
I HEARD THE ALARM GO OFF,
121
00:07:11,920 --> 00:07:14,920
AND BY THE TIME I REALIZED THAT
IT WAS MY CAR,
122
00:07:14,990 --> 00:07:16,690
IT WAS ALREADY IN FLAMES.
123
00:07:16,760 --> 00:07:19,030
THE FIRE MARSHAL SAYS IT WAS
DEFINITELY ARSON.
124
00:07:19,090 --> 00:07:20,750
ANY IDEA WHO'D
WANT TO TORCH IT?
125
00:07:20,820 --> 00:07:21,720
NONE.
126
00:07:21,790 --> 00:07:23,350
NO ENEMIES?
NO!
127
00:07:23,420 --> 00:07:26,150
PEOPLE DON'T USUALLY SET FIRE TO
CARS ON A RANDOM BASIS.
128
00:07:26,220 --> 00:07:27,820
YOU'RE THE EXPERTS.
129
00:07:27,890 --> 00:07:30,590
WE'D LIKE YOU TO COME INTO THE
15th PRECINCT, MR. TITEL.
130
00:07:30,660 --> 00:07:32,730
WE NEED TO ASK YOU SOME
QUESTIONS.
131
00:07:32,790 --> 00:07:34,720
IT'S BEST NOT TO DO IT OUT
HERE IN PUBLIC.
132
00:07:34,790 --> 00:07:36,990
LET ME TAKE CARE OF SOME QUICK
BUSINESS FIRST,
133
00:07:37,060 --> 00:07:38,830
AND I'LL BE RIGHT BEHIND YOU.
134
00:07:38,890 --> 00:07:40,120
WHAT KIND OF BUSINESS?
135
00:07:40,190 --> 00:07:42,120
WHAT?
136
00:07:42,190 --> 00:07:43,890
HERE.
137
00:07:45,260 --> 00:07:46,660
ON THE HOUSE.
138
00:07:49,260 --> 00:07:53,430
"ONLY SCHMUCKS PAY
INCOME TAX."
139
00:07:53,490 --> 00:07:54,850
HUH.
140
00:08:01,060 --> 00:08:03,230
I DIDN'T WANT TO GO TO THIS
PLACE, BUT I THINK I HAVE TO.
141
00:08:03,290 --> 00:08:05,350
I HAVE TO CONSIDER
142
00:08:05,420 --> 00:08:07,820
THAT MY EX‐WIFE MIGHT HAVE HAD
SOMETHING TO DO WITH THIS.
143
00:08:07,890 --> 00:08:09,990
HAS SHE EVER DONE ANYTHING
VIOLENT IN THE PAST?
144
00:08:10,060 --> 00:08:11,530
OVERTLY VIOLENT, NO.
145
00:08:11,590 --> 00:08:13,520
BUT THERE'S A LOT OF
BITTERNESS, RESENTMENT.
146
00:08:13,590 --> 00:08:16,850
AS I'VE BECOME MORE SUCCESSFUL,
IT'S GOTTEN WORSE.
147
00:08:16,920 --> 00:08:17,950
ANY THREATS?
148
00:08:18,020 --> 00:08:19,520
NO OVERT THREATS.
149
00:08:19,590 --> 00:08:21,090
ANYTHING ELSE
YOU CAN THINK OF?
150
00:08:21,160 --> 00:08:23,230
I'VE BEEN RACKING MY BRAIN.
151
00:08:23,290 --> 00:08:25,690
CAROLYN'S THE ONLY ONE WHO MAKES
ANY SENSE AT ALL.
152
00:08:25,760 --> 00:08:26,960
SO, YOUR BOOK?
153
00:08:27,020 --> 00:08:28,390
ARE YOU SKEPTICAL?
154
00:08:28,460 --> 00:08:32,160
WELL, I JUST DON'T GET WHY
MILLIONS OF PEOPLE PAY TAXES
155
00:08:32,220 --> 00:08:33,920
WHEN THEY DON'T HAVE TO.
156
00:08:33,990 --> 00:08:35,520
THEY ARE MISINFORMED.
157
00:08:35,590 --> 00:08:37,420
THE GOVERNMENT, THROUGH
THE TAX CODE,
158
00:08:37,490 --> 00:08:39,650
DECEIVES US INTO THINKING INCOME
TAXES ARE MANDATORY.
159
00:08:39,720 --> 00:08:41,790
IN FACT, THEY'RE STRICTLY
VOLUNTARY.
160
00:08:41,860 --> 00:08:44,000
YOU DON'T HAVE TO PAY IF YOU
DON'T WANT TO.
161
00:08:44,060 --> 00:08:45,660
THAT IS EXACTLY RIGHT.
162
00:08:45,720 --> 00:08:47,290
WHAT HAPPENS THEN?
163
00:08:47,360 --> 00:08:49,600
YOU GET TO CHAPTER NINE?
NO.
164
00:08:49,660 --> 00:08:51,260
I TAKE YOU THROUGH THE
CONSEQUENCES
165
00:08:51,320 --> 00:08:53,190
AND HOW TO DEAL WITH THEM,
166
00:08:53,260 --> 00:08:55,760
INCLUDING THE "VOLUNTARY NATURE
OF THE AUDIT,"
167
00:08:55,820 --> 00:08:57,150
THE WHOLE THING.
168
00:08:57,220 --> 00:08:58,620
I JUST KEEP COMING BACK
169
00:08:58,690 --> 00:09:00,620
TO WHY THIS HASN'T SEEN THE
LIGHT OF DAY.
170
00:09:00,690 --> 00:09:02,820
THE MOST IMPORTANT FUNCTION
OF GOVERNMENT
171
00:09:02,890 --> 00:09:04,390
IS THE PROPAGATION OF MYTH.
172
00:09:04,460 --> 00:09:07,330
INCOME TAXES ARE STRICTLY
VOLUNTARY, AND THAT'S THE LAW.
173
00:09:07,390 --> 00:09:10,390
YOU SHOULD TELL US WHERE WE
COULD FIND YOUR EX‐WIFE.
174
00:09:10,460 --> 00:09:13,500
YEAH. SHE WORKS AT BED & BATH
WORKS, SECOND AVENUE.
175
00:09:13,560 --> 00:09:16,230
I CAN'T TELL YOU HOW MUCH I HOPE
SHE IS NOT RESPONSIBLE.
176
00:09:16,290 --> 00:09:17,920
WELL, WE'LL LET YOU KNOW.
177
00:09:19,690 --> 00:09:21,620
THANKS.
178
00:09:27,120 --> 00:09:29,150
KEN GROSS TO SEE
DETECTIVE JONES.
179
00:09:29,220 --> 00:09:31,290
I'M MICHAEL WOODRIFF'S
FOSTER PARENT.
180
00:09:31,360 --> 00:09:33,260
HEY, KEN, HOW YOU DOIN'?
181
00:09:33,320 --> 00:09:35,620
I NEED TO TALK TO YOU.
182
00:09:35,690 --> 00:09:38,990
YEAH, SURE.
183
00:09:39,060 --> 00:09:41,600
SO, A PRETTY INTERESTING
CONCEPT, HUH?
184
00:09:41,660 --> 00:09:45,200
VERY INTERESTING
AND VERY ABSURD.
185
00:09:45,260 --> 00:09:47,760
WELL, THAT'S YOUR OPINION.
186
00:09:49,190 --> 00:09:51,120
I KNOW YOU'VE BEEN PRETTY
INVOLVED
187
00:09:51,190 --> 00:09:52,690
WITH MICHAEL'S SITUATION.
188
00:09:52,760 --> 00:09:54,100
WHAT'S GOIN' ON?
189
00:09:54,160 --> 00:09:57,600
I'M SENDING MICHAEL BACK TO
SOCIAL SERVICES.
190
00:09:57,660 --> 00:09:58,760
WHY?
191
00:09:58,820 --> 00:10:00,650
HE'S A GOOD KID.
192
00:10:00,720 --> 00:10:02,950
I'M JUST NOT EQUIPPED.
193
00:10:03,020 --> 00:10:04,720
FOR WHAT?
WHAT DID HE DO?
194
00:10:04,790 --> 00:10:07,790
MICHAEL'S FATHER SHOWED UP
A BUNCH OF TIMES‐‐
195
00:10:07,860 --> 00:10:10,960
IN THE MORNING, BEFORE MICHAEL
LEFT FOR SCHOOL,
196
00:10:11,020 --> 00:10:12,320
AROUND SUPPER TIME.
197
00:10:12,390 --> 00:10:15,020
WE HAVE TWO OTHER KIDS.
WE CAN'T DO IT.
198
00:10:15,090 --> 00:10:17,120
HAS MICHAEL'S FATHER
THREATENED YOU?
199
00:10:17,190 --> 00:10:19,290
THIS JUST ISN'T A GOOD
SITUATION FOR US.
200
00:10:19,360 --> 00:10:21,630
IF HE'S MADE ANY THREATS, WE CAN
DO SOMETHING ABOUT IT.
201
00:10:21,690 --> 00:10:22,950
NO THREATS.
202
00:10:23,020 --> 00:10:24,890
BUT HE'S INTIMIDATED YOU.
203
00:10:24,960 --> 00:10:26,300
WE'RE NOT COMFORTABLE.
204
00:10:26,360 --> 00:10:28,130
MY WIFE DOESN'T FEEL SAFE.
205
00:10:28,190 --> 00:10:30,290
I'LL TALK TO MICHAEL'S FATHER.
206
00:10:30,360 --> 00:10:32,660
BELIEVE ME, I'LL WORK IT OUT.
207
00:10:32,720 --> 00:10:33,790
WE'RE DONE.
208
00:10:33,860 --> 00:10:35,400
I'M SORRY.
209
00:10:35,460 --> 00:10:38,400
MY WIFE AND I ARE BOTH PRETTY
TORN UP HAVING TO DO THIS.
210
00:10:38,460 --> 00:10:41,230
SHE COULDN'T EVEN BRING HERSELF
TO COME DOWN HERE.
211
00:10:43,120 --> 00:10:44,520
OKAY.
212
00:10:44,590 --> 00:10:48,590
I TOLD HER YOU'D FIND
SOMEPLACE ELSE FOR HIM,
213
00:10:48,660 --> 00:10:52,760
MAYBE SOMEPLACE HIS FATHER
DOESN'T KNOW ABOUT.
214
00:10:52,820 --> 00:10:54,250
YEAH.
215
00:10:57,460 --> 00:10:59,230
NO PATTERN
TO THE HOME INVASION.
216
00:10:59,290 --> 00:11:00,590
WHAT ABOUT HIS GUN?
217
00:11:00,660 --> 00:11:02,630
.25‐CALIBER BERETTA AND
A COLT .357.
218
00:11:02,690 --> 00:11:05,150
MAKE SURE THE ALARMS
TRANSMITTED ON THE GUNS.
219
00:11:05,220 --> 00:11:07,320
LET IT BE KNOWN ON THE STREET
THERE'S BUY MONEY
220
00:11:07,390 --> 00:11:09,590
FOR WHATEVER ELSE THEY MIGHT BE
TRYING TO GET RID OF.
221
00:11:09,660 --> 00:11:11,860
WE'LL CONFIRM WHAT WAS STOLEN
WITH SHAUNNESSEY
222
00:11:11,920 --> 00:11:13,050
AS SOON AS WE TALK TO HIM.
223
00:11:13,120 --> 00:11:14,650
YOU HAVEN'T DONE THAT YET?
224
00:11:14,720 --> 00:11:17,390
THEY HAD HIM UNDER OBSERVATION,
BUT I THINK HE'S ALL RIGHT.
225
00:11:17,460 --> 00:11:19,500
IT MIGHT BE SOMETHING
YOU WANT TO KNOW.
226
00:11:19,560 --> 00:11:23,060
OKAY, WELL, HOW ABOUT THE LAST
WE HEARD HE WAS ALL RIGHT?
227
00:11:23,120 --> 00:11:25,120
HE SHOULD BE ON
HIS WAY IN, LIEU.
228
00:11:25,190 --> 00:11:27,890
YEAH, GOOD.
229
00:11:33,260 --> 00:11:35,300
HE'S A LITTLE RAGGY, HUH?
230
00:11:35,360 --> 00:11:38,060
ANDY, ANY INTEREST IN GOING TO
A CONCERT TONIGHT?
231
00:11:38,120 --> 00:11:40,390
IS THAT A TRICK QUESTION?
232
00:11:40,460 --> 00:11:42,500
THE GUY NEXT DOOR GAVE ME
TWO TICKETS.
233
00:11:42,560 --> 00:11:44,260
THE FRUIT THAT WOKE ME UP?
234
00:11:44,320 --> 00:11:46,050
HOW COME HE GAVE THEM TO YOU?
235
00:11:46,120 --> 00:11:47,590
I WAS THE ONLY ONE HOME.
236
00:11:47,660 --> 00:11:51,160
IT'S CHAMBER MUSIC.
IT'S CLASSICAL.
237
00:11:51,220 --> 00:11:53,220
DID YOU HEAR HIM PLAYIN'
THIS MORNING?
238
00:11:53,290 --> 00:11:55,290
IT SOUNDED LIKE SOMEBODY
BEATIN' A MOOSE.
239
00:11:55,360 --> 00:11:57,660
SO GOING TO THIS WOULDN'T BE
ANYTHING YOU'D LIKE TO TRY?
240
00:11:57,720 --> 00:11:59,820
IT'S GONNA BE HELL
GETTIN' A SITTER.
241
00:11:59,890 --> 00:12:02,050
I MEAN, IF YOU'RE DYIN' TO
GO TO THIS THING‐‐
242
00:12:02,120 --> 00:12:04,320
NO, IT'S ALL RIGHT.
IT'S NO BIG DEAL.
243
00:12:10,760 --> 00:12:11,860
ANDY.
244
00:12:11,920 --> 00:12:13,590
HEY, ROY.
HOW YOU FEELING?
245
00:12:13,660 --> 00:12:15,730
FINE, FINE.
YOU CAUGHT MY CASE?
246
00:12:15,790 --> 00:12:17,350
YEAH, WE'RE ON IT.
247
00:12:17,420 --> 00:12:19,290
ANY HELP I CAN BE,
OBVIOUSLY.
248
00:12:19,360 --> 00:12:21,560
THIS IS MY PARTNER, JOHN CLARK.
ROY SHAUNNESSEY.
249
00:12:21,620 --> 00:12:23,690
HI, ROY.
NICE TO MEET YOU.
250
00:12:23,760 --> 00:12:25,000
HAVE A SEAT.
251
00:12:25,060 --> 00:12:27,960
YOU GET THE SERIAL NUMBER
OF THE GUNS?
252
00:12:28,020 --> 00:12:29,420
YEAH.
253
00:12:29,490 --> 00:12:31,690
WELL, THE WEDDING RING'S
A GOLD BAND
254
00:12:31,760 --> 00:12:33,860
WITH OUR INITIALS ENGRAVED ON
THE INSIDE.
255
00:12:33,920 --> 00:12:36,490
THE NECKLACE HAS GOT SOME KIND
OF GREEN JEWELS ON IT
256
00:12:36,560 --> 00:12:38,360
WITH LITTLE, TINY DIAMONDS.
257
00:12:38,420 --> 00:12:40,820
WHAT ABOUT THAT, UH, LETTER
SIGNED BY PATTON?
258
00:12:40,890 --> 00:12:43,150
YEAH, HE WROTE IT TO THE WIDOW
OF A TANK COMMANDER
259
00:12:43,220 --> 00:12:44,850
KILLED IN NORTH AFRICA.
260
00:12:44,920 --> 00:12:47,320
IT'S WORTH ABOUT $1,500 IF YOU
KNOW WHAT IT IS.
261
00:12:47,390 --> 00:12:49,450
SINCE THEY TOOK IT, THEY'RE
PROBABLY GONNA FENCE IT.
262
00:12:49,520 --> 00:12:52,250
NOT MANY PLACES WILL FENCE THAT
KIND OF THING,
263
00:12:52,320 --> 00:12:54,150
SO IT'S A GOOD PLACE
TO START.
264
00:12:54,220 --> 00:12:55,490
GOOD.
265
00:12:55,560 --> 00:12:57,830
COULD HAVE BEEN WORSE, ROY.
266
00:12:57,890 --> 00:12:59,250
OH, ABSOLUTELY.
267
00:12:59,320 --> 00:13:01,320
MY WIFE COULD HAVE BEEN
VIOLATED.
268
00:13:01,390 --> 00:13:03,550
SHE COULD HAVE BEEN HURT A LOT
WORSE THAN SHE WAS.
269
00:13:03,620 --> 00:13:05,790
WE'RE CHECKING ON CASES WITH
SIMILAR M. O.'s IN THE AREA.
270
00:13:05,860 --> 00:13:08,260
WE'LL ALSO HAVE SOME PHOTOS OF
KNOWN BURGLARS.
271
00:13:08,320 --> 00:13:11,050
MAYBE ONE OF 'EM MAY RING
A BELL.
272
00:13:11,120 --> 00:13:13,850
GOOD, YEAH.
I APPRECIATE THE EFFORT, GUYS.
273
00:13:13,920 --> 00:13:17,420
ROY, I KNOW YOU PROBABLY WANT TO
HANDLE THIS YOURSELF.
274
00:13:17,490 --> 00:13:19,650
NO, NO, NO.
THOSE DAYS ARE GONE.
275
00:13:19,720 --> 00:13:22,290
ZECH AND ME, WE'RE TALKIN' ABOUT
MOVIN' TO FLORIDA.
276
00:13:22,360 --> 00:13:24,100
WHEN ARE YOU GETTIN' OUT, ANDY?
277
00:13:24,160 --> 00:13:25,530
NOT ANY TIME SOON.
278
00:13:25,590 --> 00:13:27,520
IT'S ALL CHANGED SO MUCH,
THOUGH.
279
00:13:27,590 --> 00:13:30,020
LOOK WHO THEY LET ON THE JOB.
280
00:13:30,090 --> 00:13:32,250
NO OFFENSE, BUT IN OUR DAYS,
281
00:13:32,320 --> 00:13:35,120
MOST GUYS HAD MILITARY
BACKGROUNDS, FAMILIES.
282
00:13:35,190 --> 00:13:37,350
WE LOOKED AT THE JOB AS
A STEP UP
283
00:13:37,420 --> 00:13:40,150
AS OPPOSED TO JUST A PAYCHECK
AND BENEFITS.
284
00:13:40,220 --> 00:13:42,720
I ADMIRE YOU FOR HANGIN' IN
THERE.
285
00:13:42,790 --> 00:13:43,750
COME ON, ROY.
286
00:13:43,820 --> 00:13:45,890
I'LL GET YOU SET UP WITH
THOSE MUG BOOKS.
287
00:14:04,450 --> 00:14:07,110
THAT LITTLE PRICK BARRY
SENT YOU TO ME?
288
00:14:07,180 --> 00:14:09,480
WELL, HE DIDN'T MAKE ANY
ACCUSATIONS.
289
00:14:09,550 --> 00:14:11,680
WE JUST HAVE TO TALK TO YOU,
THAT'S ALL.
290
00:14:11,750 --> 00:14:13,650
HE SAID HE COULDN'T
IMAGINE YOU
291
00:14:13,710 --> 00:14:15,710
DOING ANYTHING ALONG
THESE LINES,
292
00:14:15,780 --> 00:14:17,680
BUT SINCE THE ACRIMONY
OF THE DIVORCE...
293
00:14:17,750 --> 00:14:20,010
WAS THERE SOMEONE HE COULD
IMAGINE?
294
00:14:20,080 --> 00:14:22,280
UH, NO ONE ELSE THAT
CAME TO MIND.
295
00:14:22,350 --> 00:14:24,710
TELL HIM TO THINK A LITTLE
HARDER, THE BIG BRAIN.
296
00:14:24,780 --> 00:14:26,550
WELL, IS THERE SOMEONE
YOU'RE AWARE OF?
297
00:14:26,610 --> 00:14:28,410
I'M NOT POINTING ANY FINGERS.
298
00:14:28,480 --> 00:14:29,980
I'M JUST GONNA TELL YOU
299
00:14:30,050 --> 00:14:32,310
THAT THERE'S PEOPLE HE'S
BURNED...AND PLENTY OF 'EM.
300
00:14:32,380 --> 00:14:33,550
HOW'D HE BURN THEM?
301
00:14:33,610 --> 00:14:37,010
LOOK, ALL I KNOW IS HE GOT
CURSED OUT IN RESTAURANTS,
302
00:14:37,080 --> 00:14:39,680
AND WE HAD TO CHANGE OUR
PHONE NUMBER
303
00:14:39,750 --> 00:14:42,010
BECAUSE OF LATE‐NIGHT
HANG‐UP CALLS.
304
00:14:42,080 --> 00:14:45,810
THIS IS IN RESPONSE
TO...HIS TAX BOOK?
305
00:14:45,880 --> 00:14:47,450
NOT SO MUCH THE BOOK.
306
00:14:47,510 --> 00:14:51,510
IT'S MORE THE BODY SLAM THESE
POOR IDIOTS GOT FROM THE I. R. S.
307
00:14:51,580 --> 00:14:55,150
AFTER THEY FILED THEIR "SCREW
YOU, UNCLE SAM" RETURN.
308
00:14:55,210 --> 00:14:57,180
SO HIS SYSTEM DOESN'T WORK?
309
00:14:57,250 --> 00:14:59,810
SOMETHING WASN'T WORKING
FOR SOME OF THESE PEOPLE
310
00:14:59,880 --> 00:15:01,880
'CAUSE THEY WERE VERY
PISSED OFF.
311
00:15:01,950 --> 00:15:04,680
BECAUSE YOUR EX‐HUSBAND'S
SYSTEM WAS FLAWED
312
00:15:04,750 --> 00:15:06,780
OR THEY DIDN'T FOLLOW
INSTRUCTIONS?
313
00:15:06,850 --> 00:15:08,550
BECAUSE HE'S VERY SPECIFIC.
314
00:15:08,610 --> 00:15:11,410
UH, WHERE WERE YOU AROUND 7:00
THIS MORNING, CAROLYN?
315
00:15:11,480 --> 00:15:12,950
DOING QUARTERLY INVENTORY.
316
00:15:13,010 --> 00:15:14,880
WE NEED TO CONFIRM THAT WITH
YOUR MANAGER.
317
00:15:14,950 --> 00:15:16,410
FINE, BE MY GUEST.
318
00:15:16,480 --> 00:15:20,450
I SET FIRE TO BARRY'S CAR,
HE'S GONNA BE IN IT.
319
00:15:31,210 --> 00:15:32,450
GENTS.
320
00:15:32,510 --> 00:15:36,050
WE'RE LOOKIN' FOR SOME OLD
STUFF, MAYBE WORLD WAR II ERA.
321
00:15:36,110 --> 00:15:38,780
DON'T HAVE THAT, BUT IF I KNOW
PEOPLE‐‐ AND I DO‐‐
322
00:15:38,850 --> 00:15:40,850
THIS GUY RIGHT HERE IS
A SPRINGSTEEN FAN.
323
00:15:40,910 --> 00:15:42,210
HOW'D YOU GUESS?
324
00:15:42,280 --> 00:15:45,050
I GOT A JACKET FROM THE '84
TOUR‐‐ $1,500.
325
00:15:45,110 --> 00:15:46,750
YEAH, THAT'S A LITTLE STEEP.
326
00:15:46,810 --> 00:15:48,510
YOU GOT TO LIKE VAN HALEN.
327
00:15:48,580 --> 00:15:50,350
ONE OF MICHAEL ANTHONY'S BASSES
SIGNED BY THE BAND‐‐
328
00:15:50,410 --> 00:15:52,250
I CAN LET YOU HAVE IT
FOR $1,000.
329
00:15:52,310 --> 00:15:54,280
SO YOU ONLY DEAL WITH
ROCK 'N' ROLL MEMORABILIA?
330
00:15:54,350 --> 00:15:57,710
YOU‐‐ DON'T SAY IT
'CAUSE I KNOW.
331
00:15:57,780 --> 00:16:00,280
MAJOR FRANKIE VALLI FAN,
RIGHT?
332
00:16:00,350 --> 00:16:01,280
[ CHUCKLES ]
333
00:16:01,350 --> 00:16:03,880
WE'RE LOOKIN' FOR SOMETHING
NON‐MUSIC‐RELATED.
334
00:16:03,950 --> 00:16:06,010
COLE PORTER, BENNY GOODMAN?
TALK TO ME.
335
00:16:06,080 --> 00:16:08,080
HOW ABOUT A LETTER FROM
GEORGE PATTON
336
00:16:08,150 --> 00:16:09,910
TO THE WIDOW OF A TANK
COMMANDER?
337
00:16:09,980 --> 00:16:11,910
CAN'T HELP YOU.
338
00:16:11,980 --> 00:16:13,980
YOU GOT A BILL OF SALE FOR THAT
SPRINGSTEEN JACKET?
339
00:16:14,050 --> 00:16:15,610
WHAT KIND OF QUESTION IS THAT?
340
00:16:15,680 --> 00:16:17,710
THE KIND THAT COMES WITH A SET
OF HANDCUFFS ATTACHED.
341
00:16:17,780 --> 00:16:19,510
WHERE IS THIS COMIN' FROM?
342
00:16:19,580 --> 00:16:22,110
PEOPLE TELL US YOU'RE THE MAN TO
SEE FOR STOLEN MEMORABILIA.
343
00:16:22,180 --> 00:16:24,110
THAT'S WAY IN THE PAST.
344
00:16:24,180 --> 00:16:26,110
HEY, THIS IS A POLICE
INVESTIGATION.
345
00:16:26,180 --> 00:16:28,550
THAT MEANS IF ANY OF THIS CRAP
IN HERE IS STOLEN,
346
00:16:28,610 --> 00:16:31,010
WE PADLOCK THE STORE, AND YOU'RE
UNDER ARREST.
347
00:16:31,080 --> 00:16:32,610
I RUN
A LEGITIMATE BUSINESS NOW.
348
00:16:32,680 --> 00:16:35,250
YOU WANT TO KEEP RUNNIN' IT,
YOU BETTER BEAT THE BUSHES,
349
00:16:35,310 --> 00:16:37,650
COME UP WITH SOME INFO ON THAT
LETTER BY THE END OF THE DAY.
350
00:16:37,710 --> 00:16:38,950
GOT IT.
351
00:16:39,010 --> 00:16:43,810
AND COLE PORTER WAS 20 YEARS
BEFORE MY TIME, PAL.
352
00:16:43,880 --> 00:16:45,910
[ SCOFFS ]
353
00:16:45,980 --> 00:16:47,910
COLE PORTER.
354
00:16:54,310 --> 00:16:57,180
I'M SHOOTING FOR A MILLION
IN SALES THIS YEAR.
355
00:16:57,250 --> 00:16:59,110
I CARRY A NUMBER OF TITLES.
356
00:16:59,180 --> 00:17:00,780
"THE MYTH OF COMPULSORY
EDUCATION,"
357
00:17:00,850 --> 00:17:03,780
"HOW TO BEAT A DRUNK‐DRIVING
CHARGE WITHOUT PAYING A LAWYER,"
358
00:17:03,850 --> 00:17:05,580
"PLAY THE PIANO WITHOUT
READING MUSIC."
359
00:17:05,650 --> 00:17:07,980
YOUR EX‐WIFE SEEMS TO THINK
YOU HAVE SOME ENEMIES.
360
00:17:08,050 --> 00:17:09,980
IT IS SO
LIKE HER TO SAY THAT.
361
00:17:10,050 --> 00:17:11,380
IT'S NOT TRUE?
362
00:17:11,450 --> 00:17:12,580
ENEMIES? NO.
363
00:17:12,650 --> 00:17:14,880
HAVE PEOPLE COME IN HERE WITH
UNREASONABLE EXPECTATIONS
364
00:17:14,950 --> 00:17:16,080
AND BEEN DISAPPOINTED?
365
00:17:16,150 --> 00:17:17,950
I WON'T SAY THAT'S NEVER
HAPPENED,
366
00:17:18,010 --> 00:17:19,650
BUT NO ONE I CALL AN ENEMY.
367
00:17:19,710 --> 00:17:21,150
WHEN YOU SAY "DISAPPOINTED,"
368
00:17:21,210 --> 00:17:23,580
YOU MEAN LIKE SOMEONE DIDN'T
BEAT DRUNK‐DRIVING CHARGES,
369
00:17:23,650 --> 00:17:26,280
OR THEY DIDN'T LEARN HOW TO PLAY
THE PIANO WITHOUT READING MUSIC?
370
00:17:26,350 --> 00:17:28,350
OR GOT POPPED FOR NOT PAYING
THEIR TAXES?
371
00:17:28,410 --> 00:17:30,410
NO ONE WHO HAS FOLLOWED
MY ADVICE
372
00:17:30,480 --> 00:17:32,750
HAS WOUND UP OWING THE
GOVERNMENT A DIME.
373
00:17:32,810 --> 00:17:34,580
I STILL CAN'T UNDERSTAND HOW
THAT CAN BE.
374
00:17:34,650 --> 00:17:36,650
YOU UNDERSTAND HOW THE FIFTH
AMENDMENT PROTECTS US
375
00:17:36,710 --> 00:17:38,550
AGAINST SELF‐INCRIMINATION?
376
00:17:38,610 --> 00:17:39,810
RIGHT.
377
00:17:39,880 --> 00:17:42,780
WELL, TAX RETURNS, THEREFORE,
HAVE TO BE VOLUNTARY BY NATURE.
378
00:17:42,850 --> 00:17:45,310
THE LAW SAYS YOU HAVE TO FILE
A TAX RETURN.
379
00:17:45,380 --> 00:17:47,610
THE LAW SAYS YOU "MUST" FILE
A TAX RETURN.
380
00:17:47,680 --> 00:17:49,080
WHAT'S THE DIFFERENCE?
381
00:17:49,150 --> 00:17:51,910
BECAUSE, IN THE LAW, "MUST"
ACTUALLY MEANS "MAY."
382
00:17:51,980 --> 00:17:53,650
YOU'RE ALLOWED TO PAY TAXES.
383
00:17:53,710 --> 00:17:55,610
YOU'RE NOT REQUIRED TO PAY
TAXES.
384
00:17:55,680 --> 00:17:57,350
I CAN'T BELIEVE IT.
385
00:17:57,410 --> 00:18:00,910
ALL THESE YEARS
I'VE BEEN PAYIN' TAXES.
386
00:18:00,980 --> 00:18:02,880
EVERYONE I KNOW HAS BEEN
PAYIN' TAXES.
387
00:18:02,950 --> 00:18:04,750
HOW ABOUT IF WE DO THIS?
388
00:18:04,810 --> 00:18:06,610
I PREPARE YOUR RETURN
PERSONALLY.
389
00:18:06,680 --> 00:18:09,250
I USE THE LANGUAGE THAT PROVIDES
IRONCLAD PROTECTION
390
00:18:09,310 --> 00:18:11,050
AGAINST THE I.R.S.
PROSECUTING.
391
00:18:11,110 --> 00:18:13,150
YOU PAY ZERO DOLLARS
IN TAXES,
392
00:18:13,210 --> 00:18:16,350
AND ABSOLUTELY NOTHING WILL
HAPPEN TO YOU.
393
00:18:16,410 --> 00:18:18,310
HOW MUCH?
394
00:18:18,380 --> 00:18:19,450
GRATIS.
395
00:18:19,510 --> 00:18:21,850
WANNA SHOW YOUR APPRECIATION?
TELL YOUR FRIENDS.
396
00:18:21,910 --> 00:18:24,150
IT DOESN'T LOOK YOUR EX‐WIFE HAD
ANYTHING TO DO
397
00:18:24,210 --> 00:18:25,780
WITH SETTIN' YOUR CAR ON FIRE.
398
00:18:25,850 --> 00:18:27,650
I'M GLAD TO HEAR IT.
399
00:18:27,710 --> 00:18:29,450
I PUT IN FOR THE INSURANCE
CLAIM.
400
00:18:29,510 --> 00:18:31,980
I'D JUST AS SOON IT WAS AN ACT
OF RANDOM URBAN VIOLENCE.
401
00:18:32,050 --> 00:18:34,050
WE'LL NEED NAMES OF ANYBODY YOU
HAD A BEEF WITH.
402
00:18:34,110 --> 00:18:35,950
I HONESTLY CAN'T THINK
OF A SOUL.
403
00:18:36,010 --> 00:18:39,480
KEEP THINKIN'.
I GOT TO MAKE A STOP, OKAY?
404
00:18:39,550 --> 00:18:40,680
HERE, DETECTIVE.
405
00:18:40,750 --> 00:18:43,180
"BUY AN APARTMENT BUILDING AT
A GOVERNMENT AUCTION."
406
00:18:51,980 --> 00:18:53,580
THE GUY'S NAME IS J. J.
407
00:18:53,650 --> 00:18:55,080
WHERE DO WE FIND HIM?
408
00:18:55,150 --> 00:18:56,880
THAT I CAN'T TELL YOU.
409
00:18:56,950 --> 00:18:58,180
SO, JUST J. J.?
410
00:18:58,250 --> 00:18:59,610
RIGHT.
411
00:18:59,680 --> 00:19:02,410
WE OUGHT TO BE ABLE TO PIN HIM
DOWN REAL GOOD WITH THAT.
412
00:19:02,480 --> 00:19:04,080
WHAT DO YOU WANT FROM ME?
413
00:19:04,150 --> 00:19:06,250
I PUT OUT THE WORD TO MY
COLLEAGUES
414
00:19:06,310 --> 00:19:08,380
THAT I NEEDED THIS PATTON
LETTER IF IT TURNS UP.
415
00:19:08,450 --> 00:19:11,250
HALF‐HOUR LATER, AN ANONYMOUS
MIDDLEMAN COMES IN,
416
00:19:11,310 --> 00:19:13,350
SAYS HIS CONTACT BOUGHT IT OFF
A GUY NAMED J. J.
417
00:19:13,410 --> 00:19:14,650
FOR A HUNDRED BUCKS.
418
00:19:14,710 --> 00:19:16,050
THAT'S ALL HE KNEW.
419
00:19:16,110 --> 00:19:18,050
I PAID THE HUNDRED, AND I COME
RIGHT DOWN HERE.
420
00:19:18,110 --> 00:19:20,250
AND YOU FIGURED
THAT WOULD BE THE END OF IT?
421
00:19:20,310 --> 00:19:22,480
ACTUALLY, I WAS THINKIN' I MIGHT
HEAR SOMETHIN'
422
00:19:22,550 --> 00:19:24,710
ALONG THE LINES OF "THANK YOU,
MR. EPILITO.
423
00:19:24,780 --> 00:19:26,280
LET'S GET YOU REIMBURSED."
424
00:19:26,350 --> 00:19:29,410
A GUY COMES IN OFF THE STREET
YOU NEVER SEEN BEFORE?
425
00:19:29,480 --> 00:19:31,580
THAT'S WHY I WANTED TO DEAL WITH
SOMEONE IN AUTHORITY.
426
00:19:31,650 --> 00:19:34,480
WE NEED YOU TO IDENTIFY WHICH
COLLEAGUE YOU GOT IT FROM.
427
00:19:34,550 --> 00:19:35,680
I DON'T KNOW.
428
00:19:35,750 --> 00:19:38,550
BUT YOU MIGHT START RUNNIN' WITH
THIS J. J., ALL RIGHT?
429
00:19:38,610 --> 00:19:40,080
MORE THAN THAT, I DON'T KNOW.
430
00:19:40,150 --> 00:19:42,550
WE HAVE HIM FOR RECEIVING
STOLEN PROPERTY?
431
00:19:42,610 --> 00:19:45,050
LOCK HIM UP AND TURN HIM OVER TO
THE D. A. AS NONCOOPERATIVE.
432
00:19:45,110 --> 00:19:47,150
I BROUGHT IN THE LETTER.
HOW AM I NONCOOPERATIVE?
433
00:19:47,210 --> 00:19:49,210
IF I KNEW YOU WERE GONNA BREAK
OUT THE DUMP SCREWS,
434
00:19:49,280 --> 00:19:50,810
I NEVER WOULD HAVE COME IN.
435
00:19:50,880 --> 00:19:52,210
RUN THE NICKNAME J. J.
436
00:19:52,280 --> 00:19:54,310
SEE IF YOU GET ANY PRINTS
OFF THE LETTER.
437
00:20:03,610 --> 00:20:04,880
WHAT?
438
00:20:04,950 --> 00:20:06,850
DROPPING OFF THE CASE FOLDERS
YOU ASKED ME FOR.
439
00:20:06,910 --> 00:20:08,180
ON THE DESK.
440
00:20:15,510 --> 00:20:19,050
RITA...
CLOSE THE DOOR.
441
00:20:24,050 --> 00:20:25,850
I'M OFF THE LIST FOR
CAPTAIN'S MONEY.
442
00:20:25,910 --> 00:20:27,250
YOU'RE KIDDING.
443
00:20:27,310 --> 00:20:29,350
A LITTLE PAYBACK
FOR THE TRIAL.
444
00:20:29,410 --> 00:20:30,610
INTERNAL AFFAIRS?
445
00:20:30,680 --> 00:20:32,280
THIS COMES FROM HIGHER UP‐‐
446
00:20:32,350 --> 00:20:34,480
POLICE COMMISSIONER'S
OFFICE, PROBABLY.
447
00:20:34,550 --> 00:20:35,880
I'M REALLY SORRY.
448
00:20:35,950 --> 00:20:39,810
EDDIE GIBSON‐‐ HE GOT
PROMOTED TO SERGEANT.
449
00:20:39,880 --> 00:20:41,810
WELL, NOW YOU KNOW IT'S
JUST A JOKE.
450
00:20:41,880 --> 00:20:44,180
MY CAREER YOU MEAN?
I'VE HIT THE WALL.
451
00:20:44,250 --> 00:20:46,580
THIS IS AS FAR AS I'LL GO
ON THE JOB.
452
00:20:46,650 --> 00:20:48,050
GIVE 'EM A YEAR.
453
00:20:48,110 --> 00:20:49,550
I'VE ALREADY GIVEN 'EM 18.
454
00:20:50,850 --> 00:20:54,950
BUT, HEY, THAT'S MY PROBLEM.
455
00:20:55,010 --> 00:20:58,350
THANKS FOR LISTENING.
456
00:21:11,950 --> 00:21:13,280
ALL RIGHT, FOLKS,
457
00:21:13,350 --> 00:21:16,180
THREE GUESSES WHAT THIS
BROTHER DOES FOR A LIVIN'.
458
00:21:16,250 --> 00:21:17,750
LET'S TAKE A WALK, CRAIG.
459
00:21:17,810 --> 00:21:19,010
NOPE.
460
00:21:19,080 --> 00:21:21,810
I AIN'T ASKIN'.
IN THE BACK. COME ON.
461
00:21:21,880 --> 00:21:24,280
I AIN'T THAT
KIND OF GUY, CHIEF.
462
00:21:24,350 --> 00:21:27,550
YOU GOT MICHAEL KICKED OUT
OF HIS FOSTER HOME.
463
00:21:27,610 --> 00:21:31,350
SORRY TO HEAR THAT, BUT HE
DIDN'T LIKE 'EM MUCH ANYWAY.
464
00:21:31,410 --> 00:21:32,510
HE LIKED 'EM FINE.
465
00:21:32,580 --> 00:21:35,050
HE TELLS YOU ONE THING
AND EVERYBODY ELSE ANOTHER.
466
00:21:35,110 --> 00:21:37,350
THOUGHT YOU WERE SUPPOSED TO
HAVE A TRAINED MIND.
467
00:21:37,410 --> 00:21:39,280
WHY YOU MESSIN' UP
MICHAEL'S LIFE?
468
00:21:39,350 --> 00:21:41,250
I COULD
ASK YOU THE SAME THING.
469
00:21:41,310 --> 00:21:43,350
HELPIN' HIM OUT, GETTIN' HIM
A PLACE TO LIVE?
470
00:21:43,410 --> 00:21:46,380
TRYIN' TO TURN HIM INTO A WHITE
BOY LIKE YOURSELF.
471
00:21:46,450 --> 00:21:49,180
GO AHEAD...WHITE BOY.
472
00:21:55,480 --> 00:21:57,150
THAT'S WHAT YOU WANT.
473
00:21:57,210 --> 00:22:00,580
THAT'S HOW YOU THINK YOU'LL
GET RID OF ME.
474
00:22:04,380 --> 00:22:05,910
ASSAULT CHARGE.
475
00:22:05,980 --> 00:22:08,910
SUE THE DEPARTMENT.
SUE ME.
476
00:22:08,980 --> 00:22:12,750
I'M JUST
HERE HAVIN' A COCKTAIL.
477
00:22:12,810 --> 00:22:14,580
ENJOY IT.
478
00:22:14,650 --> 00:22:16,550
I'LL SEE YOU AROUND.
479
00:22:39,710 --> 00:22:41,870
IT'S DEFINITELY CAROLYN.
480
00:22:41,940 --> 00:22:44,470
THIS THE, UH,
POISONOUS VARIETY?
481
00:22:44,540 --> 00:22:46,540
A BLUE KRAIT?
OH, YEAH.
482
00:22:46,610 --> 00:22:48,110
HOW TOUGH
ARE THEY TO COME BY?
483
00:22:48,180 --> 00:22:51,120
NOT TOUGH, IF YOU'RE WORKIN' AS
A CHOKE SETTER IN SRI LANKA.
484
00:22:51,180 --> 00:22:53,320
WHEN WAS THE LAST TIME
CAROLYN CONTACTED YOU?
485
00:22:53,380 --> 00:22:55,250
I SAW HER A COUPLE WEEKS AGO IN
THE STORE WHERE SHE WORKS.
486
00:22:55,310 --> 00:22:57,010
I NEEDED BATH TOWELS.
487
00:22:57,080 --> 00:22:59,350
I DON'T SEE WHY I SHOULD BE
FORECLOSED FROM A BARGAIN
488
00:22:59,410 --> 00:23:01,270
JUST 'CAUSE SHE WORKS
AT THAT STORE.
489
00:23:01,340 --> 00:23:02,570
WE'RE GOOD HERE.
490
00:23:02,640 --> 00:23:04,710
ALL RIGHT, THANKS.
491
00:23:04,780 --> 00:23:07,750
Just keep it away.
492
00:23:07,810 --> 00:23:10,210
SHE KNOWS I'M DEATHLY
AFRAID OF SNAKES.
493
00:23:10,280 --> 00:23:12,580
YEAH. WE'LL, UH, TRY AND LIFT
SOME PRINTS OFF THE BOX,
494
00:23:12,640 --> 00:23:15,010
THOUGH I DOUBT IF WE CAN GET
ANYTHING USEFUL.
495
00:23:15,080 --> 00:23:17,750
BY THE WAY, I'M PREPARING MY
STANDARD RETURN FOR YOU.
496
00:23:17,810 --> 00:23:20,610
ALL I NEED IS THE CORRECT
SPELLING OF YOUR LAST NAME,
YOUR EARNING STATEMENT,
497
00:23:20,680 --> 00:23:23,280
AND ZIP‐A‐DEE‐DOO‐DAH.
498
00:23:23,340 --> 00:23:25,210
UH, I'D LOVE
TO BELIEVE THAT‐‐
499
00:23:25,280 --> 00:23:26,850
NOW, LISTEN TO ME.
500
00:23:26,910 --> 00:23:28,840
YOU SUBMIT THE RETURN EXACTLY
AS I'VE PREPARED IT,
501
00:23:28,910 --> 00:23:30,840
THE GOVERNMENT WILL
NOT COME AFTER YOU.
502
00:23:30,910 --> 00:23:33,270
THEY WILL NOT TAKE ON
A CHALLENGE TO THEIR AUTHORITY.
503
00:23:33,340 --> 00:23:34,440
YOU OWE THEM NOTHING.
504
00:23:34,510 --> 00:23:35,970
COME ON, LET'S GO, GREG.
505
00:23:36,040 --> 00:23:37,010
YEAH.
506
00:23:37,080 --> 00:23:38,950
NOTHING.
507
00:23:39,010 --> 00:23:42,240
M‐E‐D‐A‐V‐O‐Y.
508
00:23:49,880 --> 00:23:52,280
GOIN' BACK AT THE EX‐WIFE'S
A WASTE OF TIME.
509
00:23:52,340 --> 00:23:54,510
I DON'T UNDERSTAND WHY
YOU'RE SO DUG IN, BALDWIN.
510
00:23:54,580 --> 00:23:56,520
HER ALIBI HELD
THE FIRST TIME,
511
00:23:56,580 --> 00:23:58,380
THERE'S NO HISTORY
OF HARASSMENT,
512
00:23:58,440 --> 00:24:00,610
AND THE ONLY REASON YOU WANT
TO BELIEVE THIS HUCKSTER
513
00:24:00,680 --> 00:24:02,550
IS YOU THINK HE'S GONNA SAVE YOU
MONEY ON YOUR TAXES.
514
00:24:02,610 --> 00:24:05,210
YOU GET YOUR MIND MADE UP,
THAT'S IT.
515
00:24:05,280 --> 00:24:07,950
YEAH, THE GUY'S RUNNING A SCAM
WITH THE TAXES‐‐ CASE CLOSED.
516
00:24:08,010 --> 00:24:09,970
NEW INFORMATION
DOESN'T MATTER.
517
00:24:10,040 --> 00:24:12,440
AN EMBITTERED
EX‐SPOUSE DOESN'T MATTER.
518
00:24:12,510 --> 00:24:14,540
THAT THE GUY MAKES
A REASONED ARGUMENT
519
00:24:14,610 --> 00:24:16,470
THAT MAYBE TAXES ARE
VOLUNTARY‐‐
520
00:24:16,540 --> 00:24:18,170
THAT DOESN'T MATTER.
521
00:24:18,240 --> 00:24:19,310
THIS FAX CAME FOR YOU.
522
00:24:19,380 --> 00:24:20,980
THANKS, JOHN.
523
00:24:21,040 --> 00:24:22,210
WHAT'S THAT?
524
00:24:22,280 --> 00:24:25,120
IT'S PARKING CITATIONS WHERE
HIS CAR GOT BURNED.
525
00:24:25,180 --> 00:24:26,950
YOU'LL RUMMAGE THROUGH
PARKING TICKETS
526
00:24:27,010 --> 00:24:28,910
BEFORE YOU'LL TAKE A MAN
AT HIS WORD.
527
00:24:28,980 --> 00:24:30,080
YEP.
528
00:24:30,140 --> 00:24:31,510
SO, SHERLOCK?
529
00:24:31,580 --> 00:24:33,420
OH, A VAN
WITH COMMERCIAL PLATES
530
00:24:33,480 --> 00:24:35,620
GOT A TICKET FOR
BEING DOUBLE‐PARKED.
531
00:24:35,680 --> 00:24:38,220
OH, GREAT. THAT'S MORE PROMISING
THAN AN EX‐WIFE
532
00:24:38,280 --> 00:24:41,320
WHO KNOWS THAT HE'S SQUEAMISH
ABOUT REPTILES.
533
00:24:41,380 --> 00:24:45,720
A VAN WITH COMMERCIAL PLATES
REGISTERED TO A PET STORE.
534
00:24:56,740 --> 00:24:58,940
HEY, ANDY, LATENT PRINTS
GOT A HIT
535
00:24:59,010 --> 00:25:01,570
FROM THAT FRAME
THE PATTON LETTER WAS IN.
536
00:25:01,640 --> 00:25:03,170
COMES BACK TO THAT J. J.
537
00:25:03,240 --> 00:25:06,210
DO YOU KNOW THAT GUY?
538
00:25:06,280 --> 00:25:07,680
NO.
539
00:25:07,740 --> 00:25:10,440
WHY DON'T YOU HEAD ON HOME, ROY?
WE'LL KEEP YOU UPDATED.
540
00:25:10,510 --> 00:25:13,110
I MUST HAVE SAID THAT TO 2,000
PEOPLE WHEN I WAS ON THE JOB.
541
00:25:13,180 --> 00:25:15,420
NEVER UNDERSTOOD HOW FRUSTRATING
IT WAS TO HEAR UNTIL NOW.
542
00:25:15,480 --> 00:25:17,380
YOU KNOW THIS IS OUR TOP
PRIORITY.
543
00:25:17,440 --> 00:25:19,310
YEAH, KEEP ME UPDATED.
544
00:25:21,840 --> 00:25:23,510
WHAT GOT HIM OFF THE JOB?
545
00:25:23,580 --> 00:25:25,420
DISABILITY.
I THINK HE HAD 22 YEARS.
546
00:25:25,480 --> 00:25:27,020
LEGIT CLAIM?
547
00:25:27,080 --> 00:25:29,080
YEAH, HE FELL THROUGH THE FLOOR
OF AN ABANDONED BUILDING
548
00:25:29,140 --> 00:25:30,410
CHASING A JUNKIE.
549
00:25:30,480 --> 00:25:32,280
EVEN WITH THE TIME
THAT HE HAD IN,
550
00:25:32,340 --> 00:25:34,740
HE WAS ONE OF THOSE GUYS WHO
WASN'T READY FOR RETIREMENT.
551
00:25:34,810 --> 00:25:36,840
WELL, IT SURE CAUGHT MY DAD
FLAT‐FOOTED
552
00:25:36,910 --> 00:25:38,210
WHEN HE PUT IN HIS PAPERS.
553
00:25:38,280 --> 00:25:40,250
SO, UH, WE GOT A PLACE TO
LOOK FOR THIS J. J.?
554
00:25:40,310 --> 00:25:41,310
YEAH.
555
00:25:41,380 --> 00:25:42,980
LET'S RUN IT FOR THE BOSS.
556
00:25:43,040 --> 00:25:44,240
GOOD.
557
00:25:55,210 --> 00:25:56,740
THANKS.
558
00:25:56,810 --> 00:25:58,940
SO, UH, THEY GONNA TRY
559
00:25:59,010 --> 00:26:01,040
AND FIND ANOTHER
FOSTER FAMILY FOR MICHAEL?
560
00:26:01,110 --> 00:26:02,940
WELL, MICHAEL'S AUNT
IS TAKING HIM IN.
561
00:26:03,010 --> 00:26:04,940
WHERE'S SHE BEEN
UP TILL NOW?
562
00:26:05,010 --> 00:26:07,440
SCARED TO DEATH
OF MICHAEL'S DAD.
563
00:26:07,510 --> 00:26:10,010
HAVING HER SISTER GET KILLED,
I GUESS YOU CAN'T BLAME HER.
564
00:26:10,080 --> 00:26:11,550
YEAH.
565
00:26:15,340 --> 00:26:16,970
CAN I HELP YOU?
566
00:26:17,040 --> 00:26:20,210
YEAH, UH,
DETECTIVES MEDAVOY AND JONES.
567
00:26:20,280 --> 00:26:21,580
WOULD YOU HAPPEN TO KNOW
568
00:26:21,640 --> 00:26:23,870
WHO WAS DRIVING YOUR
STORE VAN THIS MORNING?
569
00:26:23,940 --> 00:26:26,070
WHAT HAPPENED?
WAS THERE AN ACCIDENT?
570
00:26:26,140 --> 00:26:27,340
WELL, IT'S POSSIBLE
571
00:26:27,410 --> 00:26:29,670
THAT IT WAS NEARBY TO
WHERE AN ACCIDENT OCCURRED.
572
00:26:29,740 --> 00:26:31,740
WE'D JUST LIKE TO TALK
TO THE DRIVER.
573
00:26:31,810 --> 00:26:33,240
FIND OUT IF HE SAW ANYTHING.
574
00:26:33,310 --> 00:26:35,310
WELL, I WAS DRIVING.
DIDN'T SEE AN ACCIDENT.
575
00:26:35,380 --> 00:26:36,750
OKAY, THEN.
576
00:26:36,810 --> 00:26:39,070
YOU THE RESIDENT SNAKE
EXPERT?
577
00:26:39,140 --> 00:26:40,540
WHAT DO YOU NEED?
578
00:26:40,610 --> 00:26:42,910
LOOKIN' FOR SOMETHING IN
THE WAY OF A BLUE KRAIT.
579
00:26:42,980 --> 00:26:44,020
NO CAN DO.
580
00:26:44,080 --> 00:26:45,450
WHY NOT?
581
00:26:45,510 --> 00:26:46,870
POISONOUS.
582
00:26:46,940 --> 00:26:48,870
YOU DON'T SELL
POISONOUS SNAKES?
583
00:26:48,940 --> 00:26:50,970
RIGHT.
I HAVE A RETICULATED PYTHON.
584
00:26:51,040 --> 00:26:53,510
I HAVE AN EMERALD TREE BOA.
I HAVE A FEW CORN SNAKES.
585
00:26:53,580 --> 00:26:55,820
I KIND OF HAD MY HEART
SET ON A KRAIT.
586
00:26:55,880 --> 00:26:57,650
I WAS TOLD THEY MAKE GOOD
COMPANIONS.
587
00:26:57,710 --> 00:26:59,840
THEY DON'T‐‐
THEY'RE POISONOUS.
588
00:26:59,910 --> 00:27:01,910
THEY CAN'T BE BROUGHT
INTO THE COUNTRY.
589
00:27:01,980 --> 00:27:04,650
THEY CAN'T BE SOLD.
SORRY.
590
00:27:04,710 --> 00:27:07,040
WE NEED YOU TO TAKE
A RIDE WITH US, RALPH.
591
00:27:07,110 --> 00:27:08,340
I'M KIND OF WORKIN'.
592
00:27:08,410 --> 00:27:09,770
WELL, WE NEED TO TALK TO YOU
593
00:27:09,840 --> 00:27:12,740
ABOUT A BLUE KRAIT THAT SOMEBODY
FOUND THIS MORNING.
594
00:27:12,810 --> 00:27:14,910
SO YOU'RE NOT REALLY
HERE ABOUT AN ACCIDENT?
595
00:27:14,980 --> 00:27:15,820
RIGHT.
596
00:27:15,880 --> 00:27:17,150
I HATE BEING LIED TO.
597
00:27:17,210 --> 00:27:19,440
I WISH PEOPLE WOULD JUST SAY
WHAT'S ON THEIR MIND‐‐
598
00:27:19,510 --> 00:27:21,340
SAY WHAT THEY WANT‐‐
JUST SAY IT!
599
00:27:21,410 --> 00:27:23,510
LET'S GO.
600
00:27:23,580 --> 00:27:27,080
MARK, I'LL BE
BACK IN A WHILE.
601
00:27:42,380 --> 00:27:43,720
YEAH?
602
00:27:43,780 --> 00:27:46,550
DETECTIVES‐‐ LOOKIN'
FOR J. J.‐‐ JAMES FLAHERTY.
603
00:27:46,610 --> 00:27:47,910
THEY JUST TOOK HIM.
604
00:27:47,980 --> 00:27:50,120
SOME OLD GUY BUSTS
THE DOOR OPEN,
605
00:27:50,180 --> 00:27:52,280
PUTS A GUN AT J. J.'s HEAD,
AND HAULED HIM OUT OF HERE.
606
00:27:52,340 --> 00:27:54,310
WHAT DID HE LOOK LIKE‐‐
THIS GUY WHO BUSTED IN.
607
00:27:54,380 --> 00:27:56,550
OLDER‐‐
HE LOOKED LIKE A COP.
608
00:27:56,610 --> 00:27:59,170
DID HE SAY HE WAS A COP?
DID HE SAY HIS NAME?
609
00:27:59,240 --> 00:28:00,870
NO. HE WAS PISSED, THOUGH.
610
00:28:00,940 --> 00:28:03,410
AND HE JUST TOOK
J. J. RIGHT OUT OF HERE.
611
00:28:03,480 --> 00:28:05,520
WHO'S J. J. BEEN
PULLIN' JOBS WITH?
612
00:28:05,580 --> 00:28:07,150
WHAT JOBS?
HE'S NEVER TOLD ME.
613
00:28:07,210 --> 00:28:09,940
THIS "OLDER" COP IS SOMEBODY
THAT J. J. RIPPED OFF.
614
00:28:10,010 --> 00:28:12,310
NOW, THE FACT THAT HE DRAGGED
J. J. OUT OF HERE
615
00:28:12,380 --> 00:28:13,880
INSTEAD OF JUST KILLIN' HIM,
616
00:28:13,940 --> 00:28:16,540
TELL US HE WANTS WHOEVER YOUR
BOYFRIEND IS PULLIN' JOBS WITH.
617
00:28:16,610 --> 00:28:17,970
NOW, WHO IS IT?
618
00:28:18,040 --> 00:28:21,640
I DON'T KNOW NAMES.
J. J. KEEPS ME OUT OF THAT.
619
00:28:33,580 --> 00:28:35,020
HAVE YOU HEARD FROM ROY?
620
00:28:35,080 --> 00:28:37,250
NO, I THOUGHT
HE WAS WITH YOU.
621
00:28:37,310 --> 00:28:39,070
DO YOU RECOGNIZE THIS GUY?
622
00:28:39,140 --> 00:28:42,010
[ Voice breaking ]
YEAH... IT'S J. J.
623
00:28:42,080 --> 00:28:43,580
HOW DO YOU KNOW HIM?
624
00:28:43,640 --> 00:28:45,570
HE DOES ODD JOBS FOR US.
WHAT'S GOING ON?
625
00:28:45,640 --> 00:28:47,940
ROY GRABBED J. J. UP
ABOUT A HALF‐HOUR AGO.
626
00:28:48,010 --> 00:28:49,140
OH, MY GOD.
627
00:28:49,210 --> 00:28:51,540
WE THINK HE'S GOING TO PICK UP
WHO J. J. ROBBED YOU WITH.
628
00:28:51,610 --> 00:28:53,610
DO YOU KNOW
WHO THAT WOULD BE?
629
00:28:53,680 --> 00:28:55,850
NO. LET ME TRY
ROY'S CELL PHONE.
630
00:28:55,910 --> 00:28:58,340
WE'VE BEEN TRYIN'. IT'S NOT ON.
HOW WELL DO YOU KNOW J. J.?
631
00:28:58,410 --> 00:28:59,840
NOT VERY.
632
00:28:59,910 --> 00:29:01,810
ROY HIRED HIM TO, UM,
RE‐TILE THE BATHROOM.
633
00:29:01,880 --> 00:29:03,780
J.J. LISTENED
TO ROY'S STORIES,
634
00:29:03,840 --> 00:29:05,110
SO ROY KEPT HIRING HIM
635
00:29:05,180 --> 00:29:07,280
TO DO THINGS
HE COULD HAVE DONE HIMSELF.
636
00:29:07,340 --> 00:29:09,710
THERE'S A RUNNING BUDDY J.J.
TOOK A COLLAR WITH‐‐
637
00:29:09,780 --> 00:29:11,950
NICHOLAS RICHMON.
DOES THAT NAME RING A BELL?
638
00:29:12,010 --> 00:29:13,740
NO. I'M SORRY.
639
00:29:13,810 --> 00:29:15,870
ALL RIGHT,
STICK BY THE PHONE.
640
00:29:15,940 --> 00:29:18,640
IF ROY CALLS YOU, YOU GET AHOLD
OF US IMMEDIATELY.
641
00:29:18,710 --> 00:29:20,840
YOU'RE NOT GONNA HURT HIM,
RIGHT?
642
00:29:20,910 --> 00:29:24,140
NO.
JUST STICK BY THE PHONE.
643
00:29:27,080 --> 00:29:28,980
[ SIREN WAILS ]
644
00:29:31,840 --> 00:29:33,040
HEY!
645
00:29:33,110 --> 00:29:34,540
YOU J. J.?
646
00:29:34,610 --> 00:29:35,910
YEAH.
647
00:29:35,980 --> 00:29:38,280
I WAS ABDUCTED BY THIS CRAZY
SON OF A BITCH, ROY SHAUNNESSEY.
648
00:29:38,340 --> 00:29:40,270
THE GUY YOU
ROBBED THIS MORNING?
649
00:29:40,340 --> 00:29:41,570
I WAS JUST CHILLIN'‐‐
650
00:29:41,640 --> 00:29:43,410
WHERE IS SHAUNNESSEY NOW?
651
00:29:43,480 --> 00:29:45,750
HE WENT TO GO GET MY BUDDY,
NICKY.
652
00:29:45,810 --> 00:29:47,410
WHERE'S NICKY LIVE?
653
00:29:47,480 --> 00:29:49,580
3B, BUT I'VE BEEN HEARING
YELLIN' COMING FROM THE ROOF.
654
00:29:49,640 --> 00:29:54,240
HEY! HEY, TELL NICKY
HE HAD A GUN TO MY HEAD!
655
00:29:54,310 --> 00:29:57,270
[ GRUNTING ]
656
00:29:57,340 --> 00:29:58,910
HEY!
657
00:30:01,510 --> 00:30:03,040
HEY!
658
00:30:03,110 --> 00:30:05,740
HEY!
TOUCH THAT GUN, YOU'RE DEAD!
659
00:30:05,810 --> 00:30:08,070
THIS GUY CHASED ME UP HERE,
WAVING HIS GUN.
660
00:30:08,140 --> 00:30:10,840
HE'S CRAZY! I DIDN'T KNOW
WHAT HE WAS GONNA DO.
661
00:30:10,910 --> 00:30:12,210
WHATEVER YOU SAY, NICKY.
662
00:30:12,280 --> 00:30:14,550
IT'S HIS GUN, MAN.
I TOOK IT AWAY FROM HIM.
663
00:30:14,610 --> 00:30:16,070
GET UP.
664
00:30:20,210 --> 00:30:22,570
PROBABLY NOT THE BEST WAY
YOU COULD HAVE HANDLED IT, ROY.
665
00:30:22,640 --> 00:30:24,570
I GOT THE DRAIN OVER THERE‐‐
I DIDN'T SEE IT.
666
00:30:24,640 --> 00:30:26,510
I LOST MY BALANCE‐‐
THAT'S HOW HE GOT MY GUN.
667
00:30:26,580 --> 00:30:27,850
DRAINS COME UP ON YOU.
668
00:30:27,910 --> 00:30:29,770
I HAD THE DROP ON
THE SON OF A BITCH.
669
00:30:29,840 --> 00:30:31,270
THAT HADN'T HAPPENED,
670
00:30:31,340 --> 00:30:33,470
I'D HAVE WALKED THEM RIGHT
INTO THE HOUSE‐‐ BOTH OF THEM.
671
00:30:33,540 --> 00:30:34,810
ALL BY YOURSELF.
672
00:30:34,880 --> 00:30:36,880
NOT LIKE I HAVEN'T
DONE IT BEFORE‐‐
673
00:30:36,940 --> 00:30:39,740
BRINGIN' 'EM IN TWO AT
A TIME, HUH?
674
00:30:39,810 --> 00:30:42,570
ALL RIGHT, WE'RE GONNA NEED TO
GO IN AND SORT THIS OUT.
675
00:30:42,640 --> 00:30:45,040
THEY HIT MY WIFE...
676
00:30:45,110 --> 00:30:48,270
RIGHT IN THE FACE.
677
00:30:48,340 --> 00:30:50,210
I COULDN'T DO ANYTHING.
678
00:30:50,280 --> 00:30:51,520
IT'S ALL RIGHT, ROY.
679
00:30:51,580 --> 00:30:53,480
I HAD TO BEG THEM NOT
TO HIT HER AGAIN.
680
00:30:53,540 --> 00:30:55,210
I HAD TO BEG THEM.
681
00:30:55,280 --> 00:30:58,620
IT'S OKAY. COME ON.
682
00:30:58,680 --> 00:31:00,820
YOU GONNA CUFF ME?
683
00:31:00,880 --> 00:31:02,180
NO.
684
00:31:06,340 --> 00:31:09,240
[ SIGHS ]
685
00:31:23,410 --> 00:31:25,510
WHAT WERE YOU DOING THIS
MORNING, RALPH?
686
00:31:25,570 --> 00:31:27,100
PICKING UP STUFF
AT A WHOLESALER'S.
687
00:31:27,170 --> 00:31:27,970
WHERE ARE THEY LOCATED?
688
00:31:28,040 --> 00:31:29,970
VARIOUS PLACES‐‐
689
00:31:30,040 --> 00:31:31,400
ONE'S IN JACKSON HEIGHTS
690
00:31:31,470 --> 00:31:34,170
AND ONE'S OVER BY
THE KOSCIUSKO BRIDGE.
691
00:31:34,240 --> 00:31:36,170
WHY DID YOU GET A TICKET OVER ON
ST. MARK'S PLACE
692
00:31:36,240 --> 00:31:38,200
IF YOU WERE GOIN' BY
THE KOSCIUSKO BRIDGE?
693
00:31:38,270 --> 00:31:40,040
YOU EVER WORK IN
PERSONAL ASPECTS
694
00:31:40,110 --> 00:31:41,510
IN THE COURSE OF BUSINESS?
695
00:31:41,570 --> 00:31:42,300
WHAT KIND
OF PERSONAL ASPECTS?
696
00:31:42,370 --> 00:31:43,900
A CHICK, ALL RIGHT?
697
00:31:43,970 --> 00:31:45,900
WHERE'S SHE LIVE?
698
00:31:45,970 --> 00:31:47,400
BY THERE.
699
00:31:47,470 --> 00:31:49,540
NAME AND ADDRESS, RALPH.
700
00:31:49,610 --> 00:31:51,180
COME ON, MAN.
701
00:31:51,240 --> 00:31:53,540
I GIVE THAT UP, I AIN'T
GONNA BE GOIN' BACK THERE.
702
00:31:53,610 --> 00:31:55,780
NAME BARRY TITEL
MEAN ANYTHING TO YOU?
703
00:31:55,840 --> 00:31:57,640
NO.
704
00:31:57,710 --> 00:32:00,450
HERE'S WHAT'S
GONNA HAPPEN, RALPH‐‐
705
00:32:00,510 --> 00:32:02,010
WE'RE GONNA LIFT THE PRINTS
706
00:32:02,070 --> 00:32:04,070
OFF THE BOX IN
BARRY TITEL'S OFFICE‐‐
707
00:32:04,140 --> 00:32:05,200
THE ONE THE BLUE KRAIT
CAME IN‐‐
708
00:32:05,270 --> 00:32:06,870
WE'RE GONNA TRACE
THE IMPORT RECORDS
709
00:32:06,940 --> 00:32:09,070
AND FIND OUT IF THIS TYPE OF
SNAKE CAN BE TRACED BACK TO YOU.
710
00:32:09,140 --> 00:32:11,340
AND THE LONGER YOU LIE TO US,
711
00:32:11,410 --> 00:32:13,510
THE HARDER IT'S GONNA BE
FOR US TO HELP.
712
00:32:13,570 --> 00:32:16,100
THE FACT THAT NOBODY GOT HURT'S
GONNA WORK IN YOUR FAVOR.
713
00:32:16,170 --> 00:32:17,800
WHAT HAPPENED, RALPH?
714
00:32:17,870 --> 00:32:21,840
MY OLD MAN HAD A PET STORE.
715
00:32:21,910 --> 00:32:24,680
HE LOST IT WHEN HE GOT NAILED
FOR TAX EVASION.
716
00:32:24,740 --> 00:32:26,670
WHERE IS HE NOW?
717
00:32:26,740 --> 00:32:28,070
DANBURY FEDERAL PRISON.
718
00:32:28,140 --> 00:32:30,400
DID HE READ TITEL'S BOOK?
719
00:32:30,470 --> 00:32:32,700
MY MOTHER SAID,
"DON'T DO IT."
720
00:32:32,770 --> 00:32:35,200
I SAID, "DON'T DO IT."
EVERYBODY SAID, "DON'T DO IT."
721
00:32:35,270 --> 00:32:37,300
HE'S A STUBBORN BASTARD,
THOUGH,
722
00:32:37,370 --> 00:32:39,700
AND BUSTED HIS ASS FOR EVERY
BUCK HE EVER EARNED.
723
00:32:39,770 --> 00:32:42,270
THIS "NO TAXES" THING WAS TOO
GOOD FOR HIM TO PASS UP.
724
00:32:42,340 --> 00:32:44,370
ALL RIGHT, SO YOU SET TITEL'S
CAR ON FIRE.
725
00:32:44,440 --> 00:32:46,270
I ASKED THAT PRICK FOR HELP.
726
00:32:46,340 --> 00:32:48,800
HE SAID MY DAD MUST HAVE
MADE A MISTAKE
727
00:32:48,870 --> 00:32:50,340
WHEN HE FILED HIS RETURNS.
728
00:32:50,410 --> 00:32:52,410
AND THE SNAKE
IN THE MAILBOX...
729
00:32:52,470 --> 00:32:55,140
I COULD HAVE PUT A BLACK MAMBA
IN THERE, YOU KNOW?
730
00:32:55,210 --> 00:32:58,350
I COULD HAVE PUT IN A TAIPAN
OR A CARPET VIPER.
731
00:32:58,410 --> 00:33:00,850
I PUT IN A KRAIT SO HE'D HAVE
A GOOD CHANCE OF SURVIVING.
732
00:33:00,910 --> 00:33:03,810
WELL, WE'LL SEE THAT THAT'S
TAKEN INTO ACCOUNT.
733
00:33:03,870 --> 00:33:05,970
AND NOTHIN' HAPPENS TO
THIS ASSHOLE, TITEL‐‐
734
00:33:06,040 --> 00:33:10,040
EVEN THOUGH HE
RUINED MY DAD'S LIFE?!
735
00:33:10,110 --> 00:33:12,680
WE'RE GONNA NEED TO KEEP YOU
DOWNSTAIRS
736
00:33:12,740 --> 00:33:14,040
UNTIL WE SORT THIS OUT.
737
00:33:14,110 --> 00:33:15,610
LET'S GO.
738
00:33:21,470 --> 00:33:24,870
TITEL'S THE GUY WHO SHOULD BE
DOING TIME IN DANBURY.
739
00:33:30,540 --> 00:33:32,740
[ CLEARS THROAT ]
ALL RIGHT.
740
00:33:32,810 --> 00:33:35,910
ALL RIGHT, J. J.,
HERE'S WHERE WE'RE AT‐‐
741
00:33:35,970 --> 00:33:38,400
YOU WORK FOR MR. SHAUNNESSEY,
SO YOU CASE THE PLACE.
742
00:33:38,470 --> 00:33:40,700
YOU BRING NICKY IN FOR LOOKOUT,
THEN YOU BREAK IN,
743
00:33:40,770 --> 00:33:43,200
YOU THREATEN THE SHAUNNESSEYS
WITH YOUR KNIFE,
744
00:33:43,270 --> 00:33:44,640
AND CLEAN THE PLACE OUT.
745
00:33:44,710 --> 00:33:47,350
THE ONLY TRUE PART OF THAT IS
MY WORKING FOR SHAUNNESSEY.
746
00:33:47,410 --> 00:33:49,710
AND ALL I KNOW IS SHAUNNESSEY
BUSTED INTO MY APARTMENT,
747
00:33:49,770 --> 00:33:52,400
PUTS A GUN TO MY HEAD,
AND TAKES ME OVER TO NICKY'S.
748
00:33:52,470 --> 00:33:54,540
SO I DON'T CARE
WHAT THAT GUY'S SAYIN'.
749
00:33:54,610 --> 00:33:57,180
NO, IT'S NOT WHAT
MR. SHAUNNESSEY'S SAYIN'‐‐
750
00:33:57,240 --> 00:33:58,870
IT'S WHAT NICKY'S SAYIN'.
751
00:33:58,940 --> 00:34:00,400
NO WAY.
752
00:34:00,470 --> 00:34:02,370
J.J., DON'T BE THAT GUY‐‐
THE ONE WHO THINKS
753
00:34:02,440 --> 00:34:04,740
HIS BLOOD BROTHER IS IN THE
OTHER ROOM, STANDING UP FOR HIM.
754
00:34:04,810 --> 00:34:06,010
COME ON.
755
00:34:06,070 --> 00:34:07,570
GO TO HELL.
756
00:34:07,640 --> 00:34:09,670
NICKY'S WRITING HIS STATEMENT.
I WAS JUST IN THERE.
757
00:34:09,740 --> 00:34:10,870
WELL, GOOD FOR HIM.
758
00:34:10,940 --> 00:34:13,270
AND VERY BAD FOR YOU.
IT TOOK ABOUT TWO MINUTES.
759
00:34:13,340 --> 00:34:15,440
THE PROMISE OF A PACK OF
CIGARETTES AND A COLD DRINK,
760
00:34:15,510 --> 00:34:16,910
AND HE LAID IT AT YOUR FEET.
761
00:34:16,970 --> 00:34:18,200
YOU KNEW THE APARTMENT.
762
00:34:18,270 --> 00:34:20,270
YOU KNEW
THE PEOPLE WHO LIVED THERE,
763
00:34:20,340 --> 00:34:22,270
YOU KNEW
WHERE THE VALUABLES WERE.
764
00:34:22,340 --> 00:34:24,240
NICKY WAS JUST
WATCHIN' THE DOOR.
765
00:34:24,310 --> 00:34:25,610
WE SHOULD BE TALKIN'
766
00:34:25,670 --> 00:34:27,540
ABOUT HOW SHAUNNESSEY BUSTED
INTO MY APARTMENT
767
00:34:27,610 --> 00:34:29,680
AND PUT A 9 mm
TO MY HEAD.
768
00:34:29,740 --> 00:34:31,970
COP TO THE HOME INVASION, THAT
WILL BE YOUR BARGAINING CHIP.
769
00:34:32,040 --> 00:34:33,470
YOU STONEWALL US,
770
00:34:33,540 --> 00:34:37,100
AND SHAUNNESSEY COMING INTO YOUR
APARTMENT NEVER HAPPENED.
771
00:34:37,170 --> 00:34:40,740
ALL RIGHT, I'LL TALK...
772
00:34:40,810 --> 00:34:43,480
WHEN I SEE WHAT NICKY'S WRITIN',
WHEN IT'S IN FRONT OF ME.
773
00:34:43,540 --> 00:34:45,370
IT'S JUST GONNA MAKE
YOU FEEL BAD,
774
00:34:45,440 --> 00:34:47,900
'CAUSE IF HE GETS IT
ON RECORD FIRST, IT'S GOSPEL.
775
00:34:47,970 --> 00:34:49,240
YOU'LL BE SUCKIN' HIND TIT.
776
00:34:49,310 --> 00:34:51,680
SHOW ME HIS STATEMENT,
AND THEN WE'LL TALK.
777
00:34:51,740 --> 00:34:52,840
YEAH, WE'LL BE TALKIN'
778
00:34:52,910 --> 00:34:55,410
ABOUT HOW YOU'RE GOIN'
TO PRISON FOR 20 YEARS.
779
00:35:03,840 --> 00:35:05,200
[ DOOR CLOSES ]
780
00:35:05,270 --> 00:35:06,940
J.J. WAS THE LOOKOUT.
781
00:35:07,010 --> 00:35:08,880
HE TIPPED YOU TO
THE SHAUNNESSEY'S.
782
00:35:08,940 --> 00:35:10,140
YOU PULLED THE JOB.
783
00:35:10,210 --> 00:35:13,210
NO‐‐ OTHER WAY AROUND.
784
00:35:17,210 --> 00:35:19,650
YEAH,
J.J.'s WRITING IT UP‐‐
785
00:35:19,710 --> 00:35:22,250
NICKY'S IDEA‐‐
NICKY WAS THE MUSCLE.
786
00:35:22,310 --> 00:35:24,480
YOU SEE THAT,
YOU STUPID IDIOT?
787
00:35:24,540 --> 00:35:26,800
I TOLD YOU THAT GUY WOULD FOLD,
AND NOW WHERE ARE YOU?
788
00:35:26,870 --> 00:35:29,670
I DON'T KNOW. I DON'T KNOW.
I GOT TO THINK.
789
00:35:29,740 --> 00:35:30,870
YOU'VE BEEN THINKIN'.
790
00:35:30,940 --> 00:35:33,000
YOU'VE BEEN OVERTHINKIN',
AND LOOK WHERE IT'S GOT YOU.
791
00:35:33,070 --> 00:35:34,970
I WANT TO SEE
WHAT J. J. WROTE UP.
792
00:35:35,040 --> 00:35:36,170
WE'LL USE J. J.'s STATEMENT.
793
00:35:36,240 --> 00:35:37,700
HOLD UP, HOLD UP!
794
00:35:37,770 --> 00:35:40,370
NO, WE'RE DONE HOLDIN' UP.
DO YOU WANT THE DEAL OR NOT?
795
00:35:40,440 --> 00:35:42,600
I'LL TELL YOU MY PART IN WHAT
HAPPENED THIS MORNING.
796
00:35:42,670 --> 00:35:45,640
J.J. CAN SAY WHAT HE WANTS.
DO I STILL HAVE TIME?
797
00:35:45,710 --> 00:35:47,350
GET ON IT.
798
00:35:47,410 --> 00:35:50,310
J.J. CAME TO ME WITH THE PLAN
SINCE HE KNEW SHAUNNESSEY.
799
00:35:50,370 --> 00:35:52,770
HE GOT A LITTLE TOO HIGH
BEFOREHAND.
800
00:35:52,840 --> 00:35:54,270
WHO HAD THE KNIFE?
801
00:35:54,340 --> 00:35:56,470
I DID, BUT I DIDN'T USE IT.
802
00:35:56,540 --> 00:35:58,770
WHO PUNCHED
MRS. SHAUNNESSEY?
803
00:35:58,840 --> 00:36:00,040
J.J. DID.
804
00:36:00,110 --> 00:36:03,210
J.J. WITH NO VIOLENT PRIORS‐‐
HE DID THE SMACKIN' AROUND?
805
00:36:03,270 --> 00:36:04,740
WE BOTH DID.
806
00:36:04,810 --> 00:36:06,280
SIMULTANEOUSLY?
807
00:36:06,340 --> 00:36:09,670
SHE KEPT SCREAMING.
I COULD HAVE DONE WORSE, RIGHT?
808
00:36:09,740 --> 00:36:11,240
WHY DON'T YOU START
809
00:36:11,310 --> 00:36:14,380
WITH WHEN J. J. CAME
TO YOU WITH THE PLAN?
810
00:36:14,440 --> 00:36:16,870
[ BREATHING HEAVILY ]
811
00:36:22,070 --> 00:36:24,470
SO...NEWS?
812
00:36:24,540 --> 00:36:26,000
YEAH. RALPH BASSETT DID IT
813
00:36:26,070 --> 00:36:29,540
ON ACCOUNT OF HIS DAD GOING TO
PRISON FOR FOLLOWING YOUR BOOK.
814
00:36:29,610 --> 00:36:30,910
OH.
815
00:36:30,970 --> 00:36:33,700
ON THAT SUBJECT, FIRST OFF,
KUDOS ON THE POLICE WORK.
816
00:36:33,770 --> 00:36:36,270
I'M GONNA SLEEP A LOT EASIER
TONIGHT THANKS TO YOU GUYS.
817
00:36:36,340 --> 00:36:38,340
AS FAR AS ALVIN BASSETT GOES,
I DO FEEL BAD.
818
00:36:38,410 --> 00:36:39,880
I MEAN, HOW COULD I NOT?
819
00:36:39,940 --> 00:36:42,870
IF THE SON REIMBURSES ME
FOR THE DAMAGE TO MY CAR,
820
00:36:42,940 --> 00:36:44,270
I WON'T PRESS CHARGES.
821
00:36:44,340 --> 00:36:45,870
[ Sarcastically ]
'CAUSE YOU GOT SUCH A BIG HEART.
822
00:36:45,940 --> 00:36:48,670
WHAT'S WITH THAT TONE?
I'M THE CRIME VICTIM HERE.
823
00:36:48,740 --> 00:36:50,940
THE ONLY REASON
YOU'RE DROPPING CHARGES
824
00:36:51,010 --> 00:36:52,710
IS YOU DON'T WANT
IT GETTING OUT
825
00:36:52,770 --> 00:36:54,840
THAT SOMEONE WHO FOLLOWED
YOUR ADVICE WOUND UP IN JAIL.
826
00:36:54,910 --> 00:36:56,980
I'M GONNA DO MY BEST TO MAKE
SURE IT DOES GET OUT.
827
00:36:57,040 --> 00:36:58,300
IT'S THE FEDERAL GOVERNMENT
828
00:36:58,370 --> 00:37:00,340
THAT WANTS TO KEEP
THIS HUSHED UP, NOT ME!
829
00:37:00,410 --> 00:37:02,650
I'M CALLING MY FRIEND IN
THE U. S. ATTORNEY'S OFFICE,
830
00:37:02,710 --> 00:37:03,910
AND ONE OF THESE DAYS,
831
00:37:03,970 --> 00:37:06,400
THE FEDERAL GOVERNMENT'S GONNA
BE KNOCKIN' ON YOUR DOOR...
832
00:37:06,470 --> 00:37:07,240
SCUMBAG.
833
00:37:07,310 --> 00:37:08,810
I GOT TO GO PICK UP MICHAEL.
834
00:37:08,870 --> 00:37:10,770
YEAH, I'LL WRAP THIS UP.
835
00:37:10,840 --> 00:37:13,170
SO...
836
00:37:13,240 --> 00:37:14,670
I GUESS...
837
00:37:14,740 --> 00:37:16,570
DOES THAT MEAN YOU
DON'T WANT THIS‐‐
838
00:37:16,640 --> 00:37:19,240
PROPERLY PREPARED TAX RETURN
IN YOUR NAME
839
00:37:19,310 --> 00:37:21,650
THAT ENSURES YOU WON'T
PAY A RED CENT?
840
00:37:21,710 --> 00:37:23,950
FILE THAT RIGHT THERE.
841
00:37:24,010 --> 00:37:25,580
FINE.
842
00:37:25,640 --> 00:37:27,840
YOU KEEP WORKING FOR
UNCLE SAM JANUARY TO JUNE.
843
00:37:27,910 --> 00:37:31,250
ME? I'M GONNA GO PISS AWAY SOME
OF MY TAX SAVINGS
844
00:37:31,310 --> 00:37:33,680
ON TWO UKRAINIAN HOOKERS
AND A T‐BONE STEAK.
845
00:37:33,740 --> 00:37:35,600
YOU DO THAT.
846
00:37:40,410 --> 00:37:42,410
YOU CUT DEALS WITH THEM?
847
00:37:42,470 --> 00:37:44,870
NO, THEY'RE GONNA
DO STRAIGHT TIME.
848
00:37:46,970 --> 00:37:48,540
[ SIGHS ]
849
00:37:48,610 --> 00:37:50,850
I FEEL LIKE ONE OF THEM
OLD POLICE DOGS
850
00:37:50,910 --> 00:37:52,210
OUT AT RODMAN'S NECK‐‐
851
00:37:52,270 --> 00:37:54,100
RUN UP TO THE FENCE AND BARK,
YOU KNOW,
852
00:37:54,170 --> 00:37:56,370
BUT MOST OF THE TIME, THEY JUST
LAY AROUND AND WAIT TO GET FED.
853
00:37:56,440 --> 00:37:58,140
YOU'RE NOT THAT OLD, ROY.
854
00:37:58,210 --> 00:38:00,580
YEAH, TELL ME ALL
THE OLD SLOGANS, ANDY.
855
00:38:00,640 --> 00:38:03,570
"GROWING OLD'S A BITCH, BUT IT
BEATS THE ALTERNATIVE."
856
00:38:03,640 --> 00:38:06,240
THERE'S A CERTAIN AMOUNT OF
TRUTH TO THOSE.
857
00:38:06,310 --> 00:38:08,250
"YOU NEED TO GET OUT
OF THE HOUSE, HONEY.
858
00:38:08,310 --> 00:38:10,380
YOU NEED TO PICK UP A HOBBY,
SWEETHEART"‐‐
859
00:38:10,440 --> 00:38:12,300
HOW'S THAT GONNA SOUND
TO YOU, ANDY?
860
00:38:12,370 --> 00:38:13,900
LIKE GOOD ADVICE.
861
00:38:13,970 --> 00:38:16,470
EVERYTHING OKAY?
862
00:38:16,540 --> 00:38:17,870
OH, YEAH.
863
00:38:17,940 --> 00:38:20,770
WELL, UH,
THANKS FOR YOUR HELP.
864
00:38:20,840 --> 00:38:23,870
HEY, ROY, TAKE CARE.
865
00:38:41,640 --> 00:38:43,540
YOU GLAD ABOUT GOING
TO YOUR AUNT'S?
866
00:38:43,610 --> 00:38:45,710
AIN'T NOTHIN'
I CAN DO ABOUT IT.
867
00:38:45,770 --> 00:38:48,000
YOU KNOW, I TALKED
TO HER ON THE PHONE,
868
00:38:48,070 --> 00:38:49,970
AND SHE SEEMS LIKE
A NICE PERSON.
869
00:38:50,040 --> 00:38:51,400
I DON'T EVEN REALLY KNOW HER.
870
00:38:51,470 --> 00:38:54,040
WELL, SHE SEEMS NICE.
871
00:38:54,110 --> 00:38:57,950
SO, MY DAD SCARED
OFF MR. AND MRS. GROSS.
872
00:38:58,010 --> 00:38:59,450
I DON'T KNOW.
873
00:38:59,510 --> 00:39:01,650
THAT‐‐ THAT MAY HAVE
FACTORED IN A LITTLE.
874
00:39:01,710 --> 00:39:05,350
ONCE HE KNEW WHERE I WAS LIVIN',
I TOLD HIM NOT TO COME BY,
875
00:39:05,410 --> 00:39:07,080
BUT HE WOULDN'T LISTEN.
876
00:39:07,140 --> 00:39:09,240
I DON'T KNOW WHY HE SCREWED
THAT UP FOR ME.
877
00:39:09,310 --> 00:39:11,610
YOU KNOW,
IN THINKING ABOUT IT,
878
00:39:11,670 --> 00:39:13,740
YOUR DAD ACTING
THE WAY HE IS,
879
00:39:13,810 --> 00:39:16,180
IT'S LIKE HE THINKS I'M TRYING
TO TAKE YOU AWAY FROM HIM.
880
00:39:16,240 --> 00:39:18,500
SO WHAT DOES THAT MEAN?
YOU BACKIN' OUT, TOO?
881
00:39:18,570 --> 00:39:20,440
NO. NO.
882
00:39:20,510 --> 00:39:23,650
NOTHING'S CHANGED AS FAR AS
YOU AND ME ARE CONCERNED.
883
00:39:23,710 --> 00:39:26,210
I'M JUST...
884
00:39:26,270 --> 00:39:27,970
JUST TRYING TO FIGURE OUT
WHY YOUR DAD'S DOING THIS.
885
00:39:28,040 --> 00:39:29,670
YEAH.
886
00:39:29,740 --> 00:39:32,200
MICHAEL...
887
00:39:32,270 --> 00:39:34,900
LOOK AT ME.
888
00:39:34,970 --> 00:39:37,600
I'M SERIOUS.
889
00:39:37,670 --> 00:39:39,140
I'M NOT BACKING OUT.
890
00:39:39,210 --> 00:39:41,110
[ KNOCK ON DOOR ]
891
00:39:41,170 --> 00:39:42,740
MICHAEL'S AUNT IS HERE.
892
00:39:42,810 --> 00:39:45,650
ALL RIGHT.
THANKS, JOHN.
893
00:39:45,710 --> 00:39:47,950
[ DOOR CLOSES ]
894
00:39:48,010 --> 00:39:50,750
GIVE ME A MINUTE,
ALL RIGHT?
895
00:39:57,140 --> 00:39:59,500
[ DOOR CLOSES ]
896
00:40:02,340 --> 00:40:05,640
TAMMY, HI.
I'M DETECTIVE JONES.
897
00:40:05,710 --> 00:40:07,110
HI. WHERE'S MICHAEL?
898
00:40:07,170 --> 00:40:08,640
HE'LL BE OUT IN A SECOND.
899
00:40:08,710 --> 00:40:10,980
BUT I‐‐ I APPRECIATE
YOU DOING THIS.
900
00:40:11,040 --> 00:40:13,900
I WOULD HAVE TAKEN HIM IN
BEFORE, WHEN MY SISTER DIED,
901
00:40:13,970 --> 00:40:16,100
BUT I GOT THREE KIDS
OF MY OWN
902
00:40:16,170 --> 00:40:17,570
AND ONLY TWO BEDROOMS.
903
00:40:17,640 --> 00:40:19,970
WELL, I'M SURE YOU KNOW
MICHAEL'S‐‐ HE'S A GREAT KID.
904
00:40:20,040 --> 00:40:21,970
YEAH, HE'S GOOD.
HE'S GOOD.
905
00:40:22,040 --> 00:40:23,540
HE'S A LITTLE NERVOUS, THOUGH.
906
00:40:23,610 --> 00:40:25,280
YEAH, SO AM I,
907
00:40:25,340 --> 00:40:28,370
'CAUSE, UH, I CAN'T HAVE
ANY PROBLEMS WITH HIS DAD‐‐
908
00:40:28,440 --> 00:40:29,840
THAT'S MY ONLY CONDITION.
909
00:40:29,910 --> 00:40:32,010
I'M GONNA GIVE YOU
MY HOME AND PAGER NUMBER.
910
00:40:32,070 --> 00:40:34,770
IF MICHAEL'S FATHER TRIES TO
CONTACT YOU FOR ANY REASON,
911
00:40:34,840 --> 00:40:36,000
CALL ME.
912
00:40:36,070 --> 00:40:38,800
THAT'S FINE, BUT MAKE SURE
HE DOESN'T COME TO MY PLACE.
913
00:40:38,870 --> 00:40:41,340
CRAIG'S ONLY ALLOWED
PREARRANGED, SUPERVISED VISITS.
914
00:40:41,410 --> 00:40:43,310
OTHER THAN THAT, HE'S IN
VIOLATION OF HIS PAROLE,
915
00:40:43,370 --> 00:40:45,800
AND HE CAN BE SENT
BACK TO PRISON‐‐ HE KNOWS THAT.
916
00:40:45,870 --> 00:40:48,100
BUT THOSE VISITS DON'T TAKE
PLACE IN MY APARTMENT.
917
00:40:48,170 --> 00:40:50,070
NO. THAT WILL HAPPEN
AT SOCIAL SERVICES.
918
00:40:50,140 --> 00:40:51,470
AS LONG AS CRAIG KNOWS
919
00:40:51,540 --> 00:40:53,440
THAT IF HE AIN'T GONNA MAKE
NO PROBLEMS FOR ME,
920
00:40:53,510 --> 00:40:55,610
I AIN'T GONNA MAKE
NO PROBLEMS FOR HIM.
921
00:40:55,670 --> 00:40:57,240
[ FOOTSTEPS ]
922
00:40:59,540 --> 00:41:01,170
HEY.
923
00:41:01,240 --> 00:41:02,940
HEY, AUNT TAMMY.
924
00:41:03,010 --> 00:41:04,810
LOOK AT YOU‐‐ ALL GROWN UP.
925
00:41:04,870 --> 00:41:06,370
[ CHUCKLES ]
926
00:41:06,440 --> 00:41:08,500
READY?
927
00:41:08,570 --> 00:41:09,870
YEAH.
928
00:41:09,940 --> 00:41:11,500
COME ON.
929
00:41:13,310 --> 00:41:14,450
HEY, MICHAEL,
930
00:41:14,510 --> 00:41:17,110
TOMORROW FOR BREAKFAST‐‐
SAME PLACE, ALL RIGHT?
931
00:41:17,170 --> 00:41:18,840
OKAY.
932
00:41:26,040 --> 00:41:27,740
[ CLASSICAL MUSIC PLAYS ]
933
00:41:36,070 --> 00:41:38,200
[ MUSIC STOPS ]
934
00:41:43,640 --> 00:41:46,340
WHAT MADE YOU
CHANGE YOUR MIND?
935
00:41:46,410 --> 00:41:48,150
UH, YOU WERE RIGHT.
936
00:41:48,210 --> 00:41:51,080
IT'S NICE TO GET OUT
SOMETIMES‐‐
937
00:41:51,140 --> 00:41:53,070
BROADEN YOUR HORIZONS.
938
00:41:53,140 --> 00:41:55,600
[ MUSIC RESUMES ]
69342
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