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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:44,205 --> 00:01:46,707 Man: GOOD MORNING, MR. PHELPS. 2 00:01:46,740 --> 00:01:49,243 THE MAN YOU'RE LOOKING AT IS DAVID REDDING, 3 00:01:49,277 --> 00:01:51,612 ONE OF THE TOP PHOTOGRAPHERS IN THE COUNTRY. 4 00:01:51,645 --> 00:01:54,815 HE IS ALSO THE CONTACT FOR A SPY APPARATUS 5 00:01:54,848 --> 00:01:57,451 THAT HAS SECRETLY BROUGHT 150 AGENTS 6 00:01:57,485 --> 00:02:00,321 INTO THE UNITED STATES OVER THE PAST FEW MONTHS. 7 00:02:00,354 --> 00:02:02,823 YESTERDAY, ONE OF THE AGENTS WAS PICKED UP. 8 00:02:02,856 --> 00:02:06,327 WE HAVE NOT BEEN ABLE TO GET ANY INFORMATION FROM HIM, 9 00:02:06,360 --> 00:02:09,663 EXCEPT THAT THEY CARRY DEADLY PNEUMONIC PLAGUE BACILLUS, 10 00:02:09,697 --> 00:02:11,932 WHICH IS TO BE RELEASED ON OUR POPULATION 11 00:02:11,965 --> 00:02:13,601 WITHIN 72 HOURS. 12 00:02:13,634 --> 00:02:15,903 WE HAVE DOZENS OF CODED MESSAGES 13 00:02:15,936 --> 00:02:18,672 IN AND OUT OF REDDING'S HEADQUARTERS, 14 00:02:18,706 --> 00:02:21,742 WHICH WE ARE CERTAIN LOCATE AND IDENTIFY THE AGENTS. 15 00:02:21,775 --> 00:02:23,511 HOWEVER, WE HAVE SO FAR 16 00:02:23,544 --> 00:02:25,779 BEEN UNABLE TO BREAK REDDING'S CODE. 17 00:02:25,813 --> 00:02:28,482 YOUR MISSION, SHOULD YOU DECIDE TO ACCEPT IT, 18 00:02:28,516 --> 00:02:30,518 IS TO GET THE KEY TO THE CODE 19 00:02:30,551 --> 00:02:33,521 SO WE CAN PICK UP THOSE AGENTS BEFORE IT'S TOO LATE. 20 00:02:33,554 --> 00:02:36,190 AS ALWAYS, IF YOU OR ANY OF YOUR I.M. FORCE 21 00:02:36,224 --> 00:02:37,925 SHOULD BE CAUGHT OR KILLED, 22 00:02:37,958 --> 00:02:41,495 THE SECRETARY WILL DISAVOW ANY KNOWLEDGE OF YOUR ACTIONS. 23 00:02:41,529 --> 00:02:44,365 THIS RECORDING WILL SELF-DESTRUCT IN FIVE SECONDS. 24 00:02:44,398 --> 00:02:46,700 GOOD LUCK, JIM. 25 00:03:55,369 --> 00:03:56,837 YOU'VE GOT IT. 26 00:03:56,870 --> 00:03:58,739 SURE. I HOPE I REMEMBER IT. YOU'D BETTER. 27 00:03:58,772 --> 00:04:00,841 OH, FRAN WILLIAMS OF ELITE MAGAZINE 28 00:04:00,874 --> 00:04:03,043 SAID SHE'LL COOPERATE FULLY, CINNAMON. 29 00:04:03,076 --> 00:04:04,578 I WAS SURE SHE WOULD. 30 00:04:04,612 --> 00:04:07,681 NOW, THIS IS REDDING'S HOME AND STUDIO. 31 00:04:07,715 --> 00:04:10,318 THIS IS WHERE HE DOES HIS PHOTOGRAPHY. 32 00:04:10,351 --> 00:04:12,620 IT'S SET OFF A SMALL COUNTRY ROAD. 33 00:04:12,653 --> 00:04:14,488 NO OTHER HOMES AROUND IT. 34 00:04:14,522 --> 00:04:17,391 THIS IS THE BOMB SHELTER 35 00:04:17,425 --> 00:04:19,527 ABOUT 50 YARDS FROM THE HOUSE, 36 00:04:19,560 --> 00:04:21,562 WHERE HE DOES TRANSMITTING AND RECEIVING. 37 00:04:21,595 --> 00:04:23,664 IT ALSO HAS AUXILIARY POWER -- 38 00:04:23,697 --> 00:04:26,867 WATER TANKS, AIR FILTRATION, AND EVEN A PERISCOPE. 39 00:04:26,900 --> 00:04:28,469 IT LOOKS AS THOUGH MR. REDDING 40 00:04:28,502 --> 00:04:30,538 WON'T GIVE UP THE INFORMATION WE WANT SO EASILY. 41 00:04:30,571 --> 00:04:33,541 THAT'S WHY THEY HADN'T PICKED HIM UP, SO THAT... 42 00:04:33,574 --> 00:04:35,409 WE CAN WORK ON HIM. 43 00:04:35,443 --> 00:04:37,678 NOW, ARE YOU SET WITH THE JAMMING EQUIPMENT? 44 00:04:37,711 --> 00:04:38,946 READY TO GO, JIM. 45 00:04:38,979 --> 00:04:40,080 THE GUN PERMITS? 46 00:04:40,113 --> 00:04:41,715 NEITHER HAS ONE. 47 00:04:41,749 --> 00:04:44,452 THEY'RE TOO SMART TO CARRY GUNS WITHOUT A PERMIT. 48 00:04:44,485 --> 00:04:46,820 CHECK ANY GUNS THEY HAVE AROUND THE HOUSE. 49 00:04:46,854 --> 00:04:49,390 AND IN THE BOMB SHELTER. 50 00:04:49,423 --> 00:04:51,392 THE NAMES AND LOCATIONS 51 00:04:51,425 --> 00:04:54,562 OF THE AGENTS CARRYING THE BACILLUS 52 00:04:54,595 --> 00:04:57,765 HAVE GOT TO BE SOMEWHERE IN THESE CODED MESSAGES. 53 00:04:57,798 --> 00:05:01,569 A TEAM OF CRYPTOGRAPHERS HAVE BEEN WORKING ON IT. 54 00:05:01,602 --> 00:05:03,537 THEY CAN'T BREAK THE CODE. 55 00:05:03,571 --> 00:05:06,106 I THOUGHT ANY CODE COULD BE BROKEN. 56 00:05:06,139 --> 00:05:07,841 NO, THAT'S NOT TRUE. 57 00:05:07,875 --> 00:05:11,078 CODES BASED ON A CHANGING PROGRESSION OF RANDOM NUMBERS 58 00:05:11,111 --> 00:05:13,747 CAN'T POSSIBLY BE BROKEN WITHOUT THE KEY. 59 00:05:13,781 --> 00:05:15,683 SO WE GET THE KEY. 60 00:05:16,884 --> 00:05:18,686 Man: OH, THAT'S LOVELY, LOVELY, LOVELY. 61 00:05:18,719 --> 00:05:20,588 A LITTLE MORE HAIR, LOTS OF HAIR, 62 00:05:20,621 --> 00:05:22,089 THAT -- OH, THAT'S BEAUTIFUL, HOLD THAT. 63 00:05:22,122 --> 00:05:23,724 HOLD THAT. 64 00:05:23,757 --> 00:05:25,959 NOW COME DOWN WITH ME, THAT'S LOVELY, LOVELY. 65 00:05:25,993 --> 00:05:27,628 LOVELY, LOVELY. 66 00:05:27,661 --> 00:05:29,563 OVER HERE, OVER HERE, OKAY, LET'S SEE SOMETHING. 67 00:05:29,597 --> 00:05:30,831 COME ON, COME ON. 68 00:05:30,864 --> 00:05:33,467 OH, BEAUTIFUL, BEAUTIFUL. BEAUTIFUL! 69 00:05:34,435 --> 00:05:37,371 YES. YES. OH, YES. 70 00:05:37,405 --> 00:05:38,739 SUPER! 71 00:05:38,772 --> 00:05:41,909 WIND IT UP, DAVID. WE HAVE AN APPOINTMENT. 72 00:05:41,942 --> 00:05:43,777 A COUPLE MORE. 73 00:05:43,811 --> 00:05:45,546 BRING IT ACROSS, STEP RIGHT OVER ME. 74 00:05:45,579 --> 00:05:46,780 OH, THAT'S NICE. 75 00:05:46,814 --> 00:05:48,682 THAT'S NICE, NOW COME BACK OVER ME. 76 00:05:48,716 --> 00:05:50,484 THAT'S IT, THAT'S IT, THAT'S BEAUTIFUL. 77 00:05:50,518 --> 00:05:52,720 BEAUTIFUL. 78 00:05:52,753 --> 00:05:54,622 BEAUTIFUL, THAT'S RIGHT. 79 00:05:54,655 --> 00:05:55,889 LOVELY! 80 00:06:23,984 --> 00:06:26,454 THAT'S NICE. NOW UP HERE. UP HERE. 81 00:06:26,487 --> 00:06:29,022 BEAUTIFUL. FOCUS. FOCUS. THAT'S BEAUTIFUL. 82 00:06:29,056 --> 00:06:30,958 BEAUTIFUL. LOOK UP HERE. 83 00:06:30,991 --> 00:06:32,660 TILT UP. TILT UP. TILT UP. 84 00:06:32,693 --> 00:06:35,729 LOVELY, LOVELY, LOVELY. 85 00:06:35,763 --> 00:06:38,766 Man: DAVID, YOU'VE GOT MORE THAN ENOUGH FOR THIS LAYOUT. 86 00:06:38,799 --> 00:06:42,570 I JUST NEED A COUPLE MORE. 87 00:06:42,603 --> 00:06:44,805 THAT'S NICE. THAT'S NICE. THAT'S NICE. 88 00:06:44,838 --> 00:06:47,575 OH, GOOD. GOOD. 89 00:06:47,608 --> 00:06:49,477 PERFECT. HOLD IT. 90 00:06:49,510 --> 00:06:52,946 OKAY, OKAY. JUST A COUPLE MORE. THERE. BEAUTIFUL. 91 00:06:52,980 --> 00:06:56,450 HOLD THAT. HOLD THAT. LOVELY. LOVELY. 92 00:06:56,484 --> 00:06:58,752 THAT'S IT FOR TODAY. 93 00:07:00,521 --> 00:07:03,524 MY SWEET, YOU'RE AN ANGEL. 94 00:07:03,557 --> 00:07:07,761 THANK YOU, BABY. CIAO. SEE YOU SOON. 95 00:07:07,795 --> 00:07:09,162 OOH. 96 00:07:09,196 --> 00:07:11,732 WE'D BETTER GET OUT THERE. 97 00:08:47,294 --> 00:08:50,263 [ MACHINE TYPING ] 98 00:09:42,249 --> 00:09:44,918 Redding: HMM. 99 00:09:44,952 --> 00:09:48,789 ONE, TWO, THREE, FOUR, FIVE... 100 00:09:48,822 --> 00:09:51,091 [ MUMBLING ] 101 00:09:56,363 --> 00:09:58,365 IT'S ABOUT CHANNING, 102 00:09:58,398 --> 00:10:00,734 THE AGENT WHO WAS PICKED UP. 103 00:10:00,768 --> 00:10:03,003 THEY WANT TO KNOW IF HE TALKED 104 00:10:03,036 --> 00:10:05,272 AND IF ANY NEW PLANS WERE MADE 105 00:10:05,305 --> 00:10:07,975 BASED ON WHAT HE MIGHT HAVE SAID. 106 00:10:08,008 --> 00:10:09,109 ANYTHING ELSE? 107 00:10:09,142 --> 00:10:11,244 OH, THAT WILL DO. 108 00:10:37,771 --> 00:10:39,873 MORNING, SANDY. 109 00:10:39,907 --> 00:10:41,274 HI, FRANNY. 110 00:10:41,308 --> 00:10:42,743 HELLO, DAVID. 111 00:10:42,776 --> 00:10:44,211 WHAT'S HAPPENING? 112 00:10:44,244 --> 00:10:46,714 WE'VE GOT TO GET THE ELITE PERSONALITIES FEATURE 113 00:10:46,747 --> 00:10:48,148 FINISHED UP THIS WEEK. 114 00:10:48,181 --> 00:10:50,250 DO THE LAYOUT ON BILLY LAND. 115 00:10:50,283 --> 00:10:53,420 BILLY LAND? HE'S THAT KID WHO MAKES RECORDS. 116 00:10:53,453 --> 00:10:55,689 HE'S A MILLIONAIRE AT 19. 117 00:10:55,723 --> 00:10:58,726 THE FACTS ARE ON THIS SHEET. 118 00:10:58,759 --> 00:11:02,996 SANDY SHOULD HAVE THE APPOINTMENT SET UP FOR YOU. 119 00:11:03,030 --> 00:11:06,299 SANDY, WHAT ABOUT THAT APPOINTMENT WITH BILLY LAND? 120 00:11:06,333 --> 00:11:09,369 BUT HE KNEW ABOUT THIS. 121 00:11:09,402 --> 00:11:12,105 ALL RIGHT, I GUESS YOU'D BETTER CABLE GORMAN 122 00:11:12,139 --> 00:11:13,406 IN THE LONDON OFFICE. 123 00:11:13,440 --> 00:11:16,276 HE CAN HAVE SIMPSON SHOOT IT. 124 00:11:16,309 --> 00:11:19,079 THE NUT LEFT FOR EUROPE LAST NIGHT. 125 00:11:19,112 --> 00:11:20,413 HA HA HA. 126 00:11:20,447 --> 00:11:23,450 WELL, WHAT'S THE SECOND NAME ON THAT LIST? 127 00:11:23,483 --> 00:11:25,819 "CINNAMON CARTER CRAWFORD." 128 00:11:25,853 --> 00:11:27,988 YOU CAN SHOOT HER INSTEAD. 129 00:11:28,021 --> 00:11:31,391 IT'S PROBABLY JUST AS WELL. YOU DO BETTER PICTURES OF WOMEN. 130 00:11:31,424 --> 00:11:35,128 A BIOCHEMIST WHO USED TO BE ONE OF YOUR COVER GIRLS? 131 00:11:35,162 --> 00:11:37,197 BEAUTY AND BRAINS. 132 00:11:37,230 --> 00:11:39,299 THAT SOUNDS INTERESTING. 133 00:11:41,068 --> 00:11:44,772 I'M GOING TO DO SOMETHING SPECIAL WITH THIS. 134 00:11:46,874 --> 00:11:49,342 [ TELEPHONE RINGS ] 135 00:11:49,376 --> 00:11:50,811 HELLO? 136 00:11:50,844 --> 00:11:53,113 MR. PHELPS? FRAN WILLIAMS. 137 00:11:53,146 --> 00:11:54,882 HE'S ON HIS WAY. 138 00:11:54,915 --> 00:11:56,884 THANK YOU, MISS WILLIAMS. 139 00:12:10,563 --> 00:12:12,132 [ KNOCK ON DOOR ] 140 00:12:12,165 --> 00:12:13,533 YES? 141 00:12:13,566 --> 00:12:16,069 I HAVE MR. REDDING HERE, DR. CRAWFORD. 142 00:12:16,103 --> 00:12:18,338 ALL RIGHT, JUST GIVE ME A MOMENT, PLEASE. 143 00:12:41,995 --> 00:12:44,364 THANK YOU, JOSHUA. HI. COME ON IN. 144 00:12:44,397 --> 00:12:46,466 HI. HOW ARE YOU? 145 00:12:47,567 --> 00:12:49,402 WOULD YOU LIKE A CUP OF COFFEE? 146 00:12:49,436 --> 00:12:52,439 OH, NO, THANKS. 147 00:12:52,472 --> 00:12:57,244 THIS IS NOT AN EASY PLACE TO GET INTO. 148 00:12:57,277 --> 00:12:59,112 YES, I KNOW. 149 00:12:59,146 --> 00:13:01,849 A TEAM OF US ARE WORKING ON A PROJECT 150 00:13:01,882 --> 00:13:04,117 FOR THE FEDERAL SECURITY DEPARTMENT. 151 00:13:04,151 --> 00:13:05,385 VERY TOP SECRET. 152 00:13:05,418 --> 00:13:07,520 I SEE. I REMEMBER YOU. 153 00:13:07,554 --> 00:13:10,958 I MUST HAVE SEEN YOU ON A DOZEN ELITE COVERS. 154 00:13:10,991 --> 00:13:13,493 THOSE WERE FUN TIMES. 155 00:13:13,526 --> 00:13:15,528 WE WANT TO DO A LAYOUT ON YOU. 156 00:13:15,562 --> 00:13:19,266 FRAN CALLED, BUT I TOLD HER IT WOULD PROBABLY BE IMPOSSIBLE. 157 00:13:19,299 --> 00:13:20,567 WHY NOT? 158 00:13:20,600 --> 00:13:22,135 TIME. 159 00:13:22,169 --> 00:13:24,137 IT WOULD ONLY TAKE A FEW HOURS. 160 00:13:24,171 --> 00:13:25,538 I COULD SHOOT YOU HERE. 161 00:13:25,572 --> 00:13:27,540 I'VE GOT MY CAMERAS IN THE CAR. 162 00:13:27,574 --> 00:13:30,543 NO, THAT'S ABSOLUTELY OUT OF THE QUESTION. 163 00:13:30,577 --> 00:13:33,446 CAMERAS ARE STRICTLY VERBOTEN IN HERE. 164 00:13:33,480 --> 00:13:37,017 I'M SORRY. IT PROBABLY WOULD HAVE BEEN FUN. 165 00:13:37,050 --> 00:13:40,988 LISTEN, WE DON'T HAVE TO DO THE LAYOUT HERE. 166 00:13:41,021 --> 00:13:43,056 I'VE GOT A GREAT IDEA. 167 00:13:43,090 --> 00:13:46,426 I'LL PUT TOGETHER A STYLIZED SET AT MY STUDIO, 168 00:13:46,459 --> 00:13:48,595 AND WE COULD SHOOT SOME FASHION STUFF 169 00:13:48,628 --> 00:13:51,298 AS WELL AS THE PERSONALITY LAYOUT. 170 00:13:51,331 --> 00:13:52,900 WHY NOT? 171 00:13:52,933 --> 00:13:54,467 HUH? 172 00:13:54,501 --> 00:13:56,569 FORMER MODEL BACK IN HARNESS... 173 00:13:56,603 --> 00:13:58,071 FRAN WILL LOVE IT. 174 00:13:58,105 --> 00:13:59,272 BUT WHEN? 175 00:13:59,306 --> 00:14:00,507 UH, TOMORROW'S SATURDAY. 176 00:14:00,540 --> 00:14:02,475 IF YOU'RE FREE, COME ON TOMORROW. 177 00:14:02,509 --> 00:14:03,944 I THINK YOU'RE SERIOUS. 178 00:14:03,977 --> 00:14:05,278 I AM. 179 00:14:05,312 --> 00:14:08,448 CAN I BRING MY HUSBAND? 180 00:14:08,481 --> 00:14:09,582 Y-- 181 00:14:09,616 --> 00:14:13,486 HUSBANDS ARE WELCOME. 182 00:14:21,228 --> 00:14:23,163 LOAD ME UP, ALEX. 183 00:14:23,196 --> 00:14:24,197 ALL RIGHT. 184 00:14:36,109 --> 00:14:37,310 HOW DO I LOOK? 185 00:14:37,344 --> 00:14:38,478 FANTASTIC. 186 00:14:38,511 --> 00:14:40,147 AND THEN SOME. 187 00:14:40,180 --> 00:14:42,115 I THOUGHT WE'D TRY SOME FASHION POSES OVER HERE 188 00:14:42,149 --> 00:14:43,984 BY THE LAB STUFF... 189 00:14:44,017 --> 00:14:45,652 BEHIND THE BOTTLES. 190 00:14:49,990 --> 00:14:51,291 OKAY... 191 00:14:51,324 --> 00:14:53,393 THAT'S GOOD. MOVE A LITTLE TO YOUR LEFT. 192 00:14:55,162 --> 00:14:57,264 AH, THAT'S IT. THAT'S IT. 193 00:14:57,297 --> 00:14:59,466 UH-HUH, UH-HUH, PERFECT. 194 00:14:59,499 --> 00:15:02,002 OKAY, OPEN IT UP A LITTLE, 195 00:15:02,035 --> 00:15:03,971 LITTLE MORE EXCITEMENT. 196 00:15:04,004 --> 00:15:07,674 YES, THAT'S BETTER. THAT'S BETTER. 197 00:15:07,707 --> 00:15:10,978 REMEMBER, YOU'RE A SEXY BIOCHEMIST. 198 00:15:11,011 --> 00:15:12,145 HO HO HO HO. 199 00:15:12,179 --> 00:15:14,381 YOU REALLY ARE. 200 00:15:14,414 --> 00:15:17,350 PERFECT! NOW TURN WITH YOUR BACK TOWARD ME... 201 00:15:17,384 --> 00:15:18,718 YOUR BACK TO ME, 202 00:15:18,751 --> 00:15:21,421 AND THEN COME BACK THIS WAY VERY SLOWLY. 203 00:15:21,454 --> 00:15:22,990 OKAY. 204 00:15:23,023 --> 00:15:24,224 DAVID. 205 00:15:24,257 --> 00:15:25,592 WHAT? 206 00:15:25,625 --> 00:15:27,961 WHAT IS IT THAT YOU'VE WRITTEN THERE? 207 00:15:27,995 --> 00:15:29,262 UH, I DON'T KNOW. 208 00:15:29,296 --> 00:15:30,730 I THOUGHT THERE SHOULD BE SOME SORT 209 00:15:30,763 --> 00:15:32,732 OF CHEMICAL FORMULA ON IT. 210 00:15:32,765 --> 00:15:34,367 THAT WOULD BE NICE, 211 00:15:34,401 --> 00:15:37,070 EXCEPT THAT WHAT YOU'VE WRITTEN IN FACT IS A KIND 212 00:15:37,104 --> 00:15:40,173 OF WONDERFUL COMBINATION OF TURPENTINE AND OATMEAL. 213 00:15:40,207 --> 00:15:42,009 HA HA HA. YOU'RE KIDDING. 214 00:15:42,042 --> 00:15:43,410 Alex: HA HA HA HA. 215 00:15:43,443 --> 00:15:45,078 HA HA HA. 216 00:15:45,112 --> 00:15:46,413 SHALL I FIX IT? 217 00:15:46,446 --> 00:15:48,448 FOR THE CHEMISTS AMONG OUR READERS, 218 00:15:48,481 --> 00:15:50,017 PERHAPS YOU SHOULD. 219 00:15:50,050 --> 00:15:52,285 ALEX, CLEAN OFF THE BOARD. 220 00:15:52,319 --> 00:15:53,386 CERTAINLY. 221 00:15:57,690 --> 00:15:59,659 I HAD TO MENTION IT -- SECOND NATURE. 222 00:15:59,692 --> 00:16:01,128 I'M SORRY. 223 00:16:01,161 --> 00:16:03,163 WELL, I'M NOT. I'M GLAD YOU NOTICED. 224 00:16:03,196 --> 00:16:06,099 LISTEN, I THINK I WILL LEAVE YOU TWO TO WORK 225 00:16:06,133 --> 00:16:08,235 AND TAKE A LITTLE STROLL, HMM? 226 00:16:08,268 --> 00:16:10,303 GOOD IDEA. IT'S A BEAUTIFUL DAY. 227 00:16:10,337 --> 00:16:12,572 WE'LL BE AT THIS FOR A FEW HOURS. 228 00:16:12,605 --> 00:16:14,574 I'LL BE BACK IN A WHILE. 229 00:16:14,607 --> 00:16:17,110 HAVE FUN. 230 00:16:17,144 --> 00:16:20,347 MY CONTRIBUTION... 231 00:16:20,380 --> 00:16:22,082 TO SCIENCE. 232 00:16:53,446 --> 00:16:55,082 VERY IMPRESSIVE. 233 00:16:55,115 --> 00:16:57,484 I KNEW YOU'D LIKE IT. 234 00:16:57,517 --> 00:17:00,087 OKAY, LET'S GET BACK TO WORK. 235 00:17:05,758 --> 00:17:07,560 PERFECT! THAT'S GOOD. 236 00:17:07,594 --> 00:17:10,063 THAT'S GOOD...LOVELY, LOVELY, LOVELY. 237 00:17:10,097 --> 00:17:11,331 YES, THAT'S NICE. 238 00:17:11,364 --> 00:17:12,565 NOW OPEN IT UP. 239 00:17:12,599 --> 00:17:14,134 GOOD, GOOD, GOOD. 240 00:17:14,167 --> 00:17:15,502 [ CLICK ] 241 00:17:19,539 --> 00:17:20,507 [ CLICK ] 242 00:17:20,540 --> 00:17:22,075 YES, IT'S PERFECT. 243 00:17:22,109 --> 00:17:24,111 PERFECT! 244 00:17:24,144 --> 00:17:26,413 YES, THAT IS LOVELY! 245 00:17:26,446 --> 00:17:27,780 [ CLICK ] 246 00:17:29,449 --> 00:17:30,450 [ CLICK ] 247 00:17:30,483 --> 00:17:32,552 LOVELY, LOVELY! 248 00:17:32,585 --> 00:17:34,521 COULDN'T BE LOVELIER. 249 00:17:34,554 --> 00:17:36,556 THAT DOES THIS OUTFIT. 250 00:17:36,589 --> 00:17:39,159 WHY DON'T YOU HAVE A SMOKE AND CHANGE? 251 00:17:43,896 --> 00:17:46,166 HOW AM I DOING? 252 00:17:46,199 --> 00:17:49,636 MY SWEET, YOU'RE A NATURAL. 253 00:18:50,830 --> 00:18:54,401 DAVID, I'VE DONE SOMETHING TERRIBLE. 254 00:18:54,434 --> 00:18:57,270 THAT FORMULA IS TOP SECRET. 255 00:18:57,304 --> 00:19:00,473 I DIDN'T REALIZE IT WHEN I WAS WRITING IT. 256 00:19:00,507 --> 00:19:02,442 I'LL HAVE TO HAVE THE FILM. 257 00:19:02,475 --> 00:19:04,411 WE GOT SOME GREAT STUFF! 258 00:19:04,444 --> 00:19:05,612 PLEASE. 259 00:19:05,645 --> 00:19:07,747 OH. 260 00:19:07,780 --> 00:19:09,382 DIG IT OUT, ALEX. 261 00:19:21,561 --> 00:19:23,896 THIS IS GOING TO HURT. 262 00:19:32,272 --> 00:19:34,307 I'M SORRY, DAVID. 263 00:19:34,341 --> 00:19:36,776 I GUESS THIS BUSINESS OF WORKING ON ALL THIS 264 00:19:36,809 --> 00:19:39,279 TOP SECRET MATERIAL IS GETTING TO ME -- 265 00:19:39,312 --> 00:19:41,214 THE SECURITY, THE GUARDS, 266 00:19:41,248 --> 00:19:44,417 THE CONSTANT REMINDER THAT THEY ARE LISTENING. 267 00:19:44,451 --> 00:19:47,787 I HATE IT. IT SCARES ME. 268 00:19:47,820 --> 00:19:53,260 I DON'T KNOW. I GUESS BEING A SECURITY RISK JUST SCARES ME. 269 00:19:53,293 --> 00:19:55,395 I'M SORRY, DAVID. 270 00:19:55,428 --> 00:19:57,597 FORGET IT. YOU'RE BEAUTIFUL. 271 00:19:57,630 --> 00:20:00,367 NOW, LET'S START AGAIN. 272 00:20:00,400 --> 00:20:02,335 I'LL WRITE YOU ANOTHER ONE. 273 00:20:02,369 --> 00:20:03,736 NO OATMEAL. 274 00:20:03,770 --> 00:20:05,305 NO TURPENTINE. 275 00:20:13,613 --> 00:20:16,583 [ BLOWTORCH HISSING ] 276 00:20:32,832 --> 00:20:37,337 Redding: OKAY, OKAY. THAT'S PERFECT. 277 00:20:37,370 --> 00:20:39,339 GIVE ME THE SAME THING GOING THE OTHER WAY. 278 00:20:39,372 --> 00:20:41,508 THAT A GIRL. THAT A GIRL. THAT'S NICE. 279 00:20:41,541 --> 00:20:43,843 UP. YEAH. 280 00:20:43,876 --> 00:20:45,712 NOW COME TOWARDS ME. 281 00:20:45,745 --> 00:20:47,914 YES, YES, YES. THAT'S IT. 282 00:20:47,947 --> 00:20:50,817 GOOD. HOLD THAT. JUST A MINUTE. THAT'S LOVELY. 283 00:22:26,145 --> 00:22:28,548 Redding: WORK YOUR WAY TOWARD ALEX A LITTLE. 284 00:22:28,581 --> 00:22:30,550 I WANT TO SPLIT THE BACKGROUND. 285 00:22:30,583 --> 00:22:31,984 THAT A GIRL. 286 00:22:32,018 --> 00:22:33,720 THAT'S NICE. 287 00:22:33,753 --> 00:22:35,121 BEAUTIFUL. LET'S DO THAT AGAIN. 288 00:22:35,154 --> 00:22:38,991 RAISING UP JUST A BIT. OH, THAT'S LOVELY. 289 00:22:39,025 --> 00:22:41,561 LOVELY. 290 00:22:41,594 --> 00:22:44,464 PERFECT. A LITTLE MORE FOG, ALEX. 291 00:22:44,497 --> 00:22:46,699 THAT'S GOOD. THAT'S NICE. 292 00:22:46,733 --> 00:22:48,868 THAT'S NICE. A LITTLE MORE TOWARD ME. 293 00:22:48,901 --> 00:22:50,069 HOW'S IT GOING? 294 00:22:50,102 --> 00:22:52,071 WE'LL MAKE THIS THE LAST SHOT. 295 00:22:52,104 --> 00:22:54,441 OH, THAT'S LOVELY. 296 00:22:54,474 --> 00:22:56,709 PERFECT. WRAP IT UP. SAVE THE FOG. 297 00:22:56,743 --> 00:22:59,111 WAS IT AS MUCH FUN AS YOU REMEMBERED? 298 00:22:59,145 --> 00:23:01,714 YES, BUT MORE WORK THAN I REMEMBERED. 299 00:23:01,748 --> 00:23:03,115 I'LL GET MY THINGS. 300 00:23:03,149 --> 00:23:04,584 OKAY. 301 00:23:04,617 --> 00:23:06,586 GET STARTED IN THE DARKROOM, ALEX. 302 00:23:06,619 --> 00:23:07,854 Alex: RIGHT. 303 00:23:07,887 --> 00:23:09,889 DAVID, I WANT TO THANK YOU. 304 00:23:09,922 --> 00:23:11,458 IT'S MY PLEASURE. 305 00:23:11,491 --> 00:23:14,594 WHETHER THE MAGAZINE USES THE PICTURES OR NOT, 306 00:23:14,627 --> 00:23:16,128 I'VE NEVER SEEN HER SO EXCITED. 307 00:23:16,162 --> 00:23:17,129 WHO WAS? 308 00:23:17,163 --> 00:23:18,598 NEVER MIND. 309 00:23:18,631 --> 00:23:20,900 THANK YOU. I HOPE THE PICTURES ARE GOOD. 310 00:23:20,933 --> 00:23:23,603 THEY WILL BE, MY SWEET. THEY'RE OF YOU. 311 00:23:23,636 --> 00:23:24,604 BYE. 312 00:23:24,637 --> 00:23:25,605 THANKS AGAIN. 313 00:23:25,638 --> 00:23:26,873 I'LL SHOW YOU OUT. 314 00:23:26,906 --> 00:23:28,941 NO, NO, NO. WE'LL FIND OUR WAY. 315 00:23:28,975 --> 00:23:31,143 I'LL BE IN TOUCH. 316 00:23:51,931 --> 00:23:56,669 IT'S THE FORMULA FOR IACINE METHYL-THIONINE CHLORIDE, 317 00:23:56,703 --> 00:23:59,972 THE CULTURE MEDIUM THE BACILLUS IS SUPPORTED IN. 318 00:24:04,544 --> 00:24:08,681 SHE MAY BE WORKING ON SOME MEANS OF COMBATING OUR PROJECT. 319 00:24:08,715 --> 00:24:11,518 WELL, THAT'S WHAT THE CENTER THINKS. 320 00:24:11,551 --> 00:24:14,020 THEY WANT US TO FIND OUT EVERYTHING SHE KNOWS. 321 00:24:14,053 --> 00:24:17,924 DO YOU THINK SHE'LL TALK? 322 00:24:17,957 --> 00:24:21,594 HA HA HA. 323 00:24:21,628 --> 00:24:22,762 SHE'LL TALK. 324 00:24:32,572 --> 00:24:36,108 THEY ARE MAGNIFICENT, MY SWEET. MAGNIFICENT. 325 00:24:36,142 --> 00:24:39,111 OH, DAVID, I'M SO PLEASED. I'M JUST DYING TO SEE THEM. 326 00:24:39,145 --> 00:24:41,914 WHY DON'T YOU AND YOUR HUSBAND DRIVE UP? 327 00:24:41,948 --> 00:24:44,250 DAVID, I DON'T KNOW. I'M SUPPOSED TO BE 328 00:24:44,283 --> 00:24:46,218 AT THE FEDERAL SECURITY DEPARTMENT. 329 00:24:46,252 --> 00:24:48,120 NONSENSE. IT'S SUNDAY. 330 00:24:48,154 --> 00:24:51,057 NOBODY WORKS ON SUNDAY. I'LL EXPECT YOU FOR BRUNCH. 331 00:24:51,090 --> 00:24:53,660 ALL RIGHT. ALL RIGHT. WE'LL BE THERE, 332 00:24:53,693 --> 00:24:55,194 BUT WE'LL RUSH BACK. 333 00:24:55,227 --> 00:24:57,664 OKAY. SEE YOU IN ABOUT AN HOUR. 334 00:25:00,867 --> 00:25:03,870 OKAY, ALEX. HEY, LET ME SEE THESE. 335 00:25:13,713 --> 00:25:15,982 THEY'RE GOOD. 336 00:25:16,015 --> 00:25:18,985 TOO BAD NOBODY WILL EVER SEE THEM. 337 00:25:45,778 --> 00:25:47,213 [ CAR TIRE SCREECHES ] 338 00:26:16,375 --> 00:26:18,344 [ DOORBELL RINGS ] 339 00:26:30,356 --> 00:26:32,391 OH, GOOD MORNING, DOCTOR, MR. CRAWFORD. 340 00:26:32,424 --> 00:26:33,392 GOOD MORNING. 341 00:26:33,425 --> 00:26:35,261 Alex: WON'T YOU COME IN? 342 00:26:35,294 --> 00:26:36,696 HI, BEAUTIFUL. 343 00:26:36,729 --> 00:26:37,830 HI. 344 00:26:37,864 --> 00:26:40,066 OVER HERE. WAIT TILL YOU SEE. 345 00:26:41,968 --> 00:26:44,036 THERE YOU ARE. 346 00:26:44,070 --> 00:26:47,674 OH, DAVID, THEY'RE GREAT! 347 00:26:47,707 --> 00:26:49,175 YOU'VE MADE ME LOOK BEAUTIFUL! 348 00:26:57,149 --> 00:26:58,651 THEY'RE MAGNIFICENT. 349 00:26:58,685 --> 00:27:00,853 Redding: ALL I DID WAS SNAP THE SHUTTER. 350 00:27:00,887 --> 00:27:02,822 EVEN THE REJECTS WERE EXCITING. 351 00:27:02,855 --> 00:27:04,691 OH, I'D LOVE TO SEE THEM. 352 00:27:04,724 --> 00:27:07,259 HERE THEY ARE. 353 00:27:07,293 --> 00:27:08,928 WILL YOU LOOK AT THAT? 354 00:27:08,961 --> 00:27:11,664 James: AH, THAT'S GREAT. 355 00:27:28,815 --> 00:27:30,649 DAVID. 356 00:27:32,018 --> 00:27:34,253 I DESTROYED THAT ROLL OF FILM. 357 00:27:38,490 --> 00:27:41,027 YOU'D BETTER SIT DOWN, MY SWEET. 358 00:27:41,060 --> 00:27:42,228 WHAT'S THIS ALL ABOUT? 359 00:27:42,261 --> 00:27:44,931 DO WHAT HE SAYS. 360 00:27:58,510 --> 00:28:02,314 IACINE METHYL-THIONINE CHLORIDE. 361 00:28:02,348 --> 00:28:05,718 AN INTERESTING SUBSTANCE. 362 00:28:05,752 --> 00:28:09,121 I'M IN CHARGE OF THE PROJECT YOU'RE INVESTIGATING 363 00:28:09,155 --> 00:28:11,758 FOR THE FEDERAL SECURITY DEPARTMENT. 364 00:28:13,525 --> 00:28:14,927 BUT YOU'RE AN AMERICAN. 365 00:28:14,961 --> 00:28:17,229 SO WAS MY FATHER, 366 00:28:17,263 --> 00:28:19,131 JASON REDDING. 367 00:28:19,165 --> 00:28:21,067 JASON REDDING, 368 00:28:21,100 --> 00:28:25,071 NUCLEAR PHYSICIST -- TRIED, CONVICTED, 369 00:28:25,104 --> 00:28:27,106 EXECUTED, 370 00:28:27,139 --> 00:28:30,476 FOR PASSING AMERICA'S PRECIOUS SECRETS ON TO THE ENEMY. 371 00:28:30,509 --> 00:28:33,212 AND LIKE FATHER LIKE SON. 372 00:28:33,245 --> 00:28:34,747 WRONG. 373 00:28:34,781 --> 00:28:38,484 UNLIKE MY FATHER, I AM A TRAITOR. 374 00:28:38,517 --> 00:28:40,486 YOU SEE, 375 00:28:40,519 --> 00:28:44,223 MY FATHER WAS ABSOLUTELY LOYAL TO THIS COUNTRY. 376 00:28:44,256 --> 00:28:46,225 HE LOVED IT. 377 00:28:46,258 --> 00:28:50,096 HE LOVED IT ENOUGH TO BUILD A BOMB HE DESPISED. 378 00:28:50,129 --> 00:28:52,464 SO MUCH SO THAT WHEN HE WAS ACCUSED, 379 00:28:52,498 --> 00:28:55,434 HE ANSWERED EVERY QUESTION PUT TO HIM HONESTLY. 380 00:28:55,467 --> 00:28:57,837 HE WAS EVEN NAIVE ENOUGH 381 00:28:57,870 --> 00:28:59,939 TO ADMIT THAT HE HAD MANY FRIENDS, 382 00:28:59,972 --> 00:29:02,942 MEN HE HAD KNOWN ALL HIS LIFE, WHO WERE COMMUNISTS. 383 00:29:02,975 --> 00:29:05,244 THAT MADE HIM A SPY. 384 00:29:05,277 --> 00:29:08,047 Dan: HE WAS CONVICTED BECAUSE PAPERS IN HIS HANDWRITING 385 00:29:08,080 --> 00:29:10,316 WERE FOUND IN THE POSSESSION OF AN ENEMY AGENT, 386 00:29:10,349 --> 00:29:11,918 TOP-SECRET PAPERS HE ADMITTED 387 00:29:11,951 --> 00:29:13,886 HE'D SMUGGLED ONTO THE TESTING GROUND. 388 00:29:13,920 --> 00:29:16,255 NOT SMUGGLED. 389 00:29:16,288 --> 00:29:18,858 LEFT IN HIS COAT, 390 00:29:18,891 --> 00:29:20,993 ABSENTMINDEDLY. 391 00:29:21,027 --> 00:29:24,463 SOMEBODY STOLE THEM, PASSED THEM ON TO THE ENEMY. 392 00:29:24,496 --> 00:29:26,866 WHY WASN'T THAT SOMEBODY EVER FOUND? 393 00:29:26,899 --> 00:29:28,567 THEY NEVER LOOKED FOR HIM. 394 00:29:28,600 --> 00:29:31,503 THEY HAD THEIR PATSY -- MY FATHER. 395 00:29:31,537 --> 00:29:34,106 BUT, DAVID, IF WHAT YOU SAY IS TRUE 396 00:29:34,140 --> 00:29:37,276 AND YOUR FATHER WAS INNOCENT AND REALLY LOVED HIS COUNTRY, 397 00:29:37,309 --> 00:29:39,545 WHY ARE YOU DOING WHAT YOU'RE DOING? 398 00:29:39,578 --> 00:29:45,885 THIS COUNTRY KILLED MY FATHER. 399 00:29:48,487 --> 00:29:51,057 I WAS JASON REDDING'S BEST FRIEND. 400 00:29:51,090 --> 00:29:54,593 AS IT TURNED OUT, HIS ONLY FRIEND. 401 00:29:54,626 --> 00:29:57,096 THAT LAST NIGHT IN THE DEATH HOUSE, 402 00:29:57,129 --> 00:29:59,398 I PROMISED HIM I WOULD RAISE HIS SON, 403 00:29:59,431 --> 00:30:02,134 AND I ALSO PROMISED MYSELF 404 00:30:02,168 --> 00:30:05,137 THAT DAVID AND I WOULD ONE DAY MAKE THEM PAY 405 00:30:05,171 --> 00:30:08,240 FOR THE MURDER OF DAVID'S FATHER. 406 00:30:08,274 --> 00:30:11,277 I WANT TO KNOW WHAT THE FEDERAL SECURITY PEOPLE KNOW 407 00:30:11,310 --> 00:30:13,179 AND EXACTLY HOW MUCH THE MAN 408 00:30:13,212 --> 00:30:16,248 KNOWN AS WILSON CHANNING HAS TOLD YOU. 409 00:30:22,654 --> 00:30:25,992 YOU KNOW I CAN'T TELL YOU ANYTHING. 410 00:30:26,025 --> 00:30:27,226 YOU KNOW THAT. 411 00:30:27,259 --> 00:30:29,595 YOUR HUSBAND MEANS A GREAT DEAL TO YOU. 412 00:30:29,628 --> 00:30:31,263 WHAT DO YOU MEAN? 413 00:30:41,407 --> 00:30:42,975 Redding: SEE THIS KNOB? 414 00:30:43,009 --> 00:30:46,312 THIS KNOB CONTROLS VOLTAGE OUTPUT, 415 00:30:46,345 --> 00:30:50,549 FROM 55 TO 80,000. 416 00:30:50,582 --> 00:30:53,419 I WONDER HOW MANY YOUR HUSBAND CAN STAND 417 00:30:53,452 --> 00:30:55,888 BEFORE HIS HEART STOPS. 418 00:31:05,464 --> 00:31:08,034 SIT DOWN OVER THERE. 419 00:31:12,204 --> 00:31:14,173 CINNAMON, 420 00:31:14,206 --> 00:31:16,208 DON'T TELL THEM ANYTHING. 421 00:31:17,676 --> 00:31:18,911 NOTHING. 422 00:31:20,279 --> 00:31:23,182 THIS IS A GUN. 423 00:31:30,990 --> 00:31:32,658 DON'T TELL THEM! 424 00:31:32,691 --> 00:31:34,526 WHAT DO THEY KNOW? 425 00:31:36,328 --> 00:31:38,264 TELL ME WHAT THEY KNOW! 426 00:31:42,234 --> 00:31:43,669 AAH! DON'T TELL THEM. 427 00:31:45,137 --> 00:31:46,205 WHAT? 428 00:31:46,238 --> 00:31:48,340 TELL ME. 429 00:31:55,081 --> 00:31:56,348 NO. 430 00:31:56,382 --> 00:31:59,385 I'LL TELL YOU. IT WON'T HELP YOU, ANYWAY. 431 00:31:59,418 --> 00:32:02,388 WHEN YOUR AGENTS CAME TO THIS COUNTRY WITH THEIR CANISTERS, 432 00:32:02,421 --> 00:32:04,223 THEY COMMITTED AN ACT OF WAR. 433 00:32:04,256 --> 00:32:05,958 AT THIS VERY MOMENT, 434 00:32:05,992 --> 00:32:08,627 THIS COUNTRY IS PLANNING TO LAUNCH A NUCLEAR ATTACK 435 00:32:08,660 --> 00:32:11,563 WHICH WILL DESTROY YOUR COUNTRY, TOTALLY DESTROY IT. 436 00:32:11,597 --> 00:32:14,033 I DON'T BELIEVE IT. 437 00:32:14,066 --> 00:32:16,702 WHEN YOUR AGENTS LEARN THAT THEIR COUNTRY IS ANNIHILATED, 438 00:32:16,735 --> 00:32:19,005 DO YOU THINK THEY'RE GOING TO CARRY OUT YOUR ORDERS? 439 00:32:20,539 --> 00:32:24,243 IF SHE'S TELLING THE TRUTH, IT'S ALL OVER. 440 00:32:24,276 --> 00:32:26,012 WE FAILED. 441 00:32:28,314 --> 00:32:29,515 MAYBE NOT. 442 00:32:32,751 --> 00:32:37,656 EVEN WITH OUR LIMITED MISSILE CAPACITY, THERE MAY BE A WAY. 443 00:32:37,689 --> 00:32:41,260 WHAT WOULD HAPPEN IF A NUCLEAR MISSILE 444 00:32:41,293 --> 00:32:43,829 WIPED OUT NEW YORK BEFORE THEY ATTACKED US? 445 00:32:47,699 --> 00:32:49,735 WOULDN'T WASHINGTON ASSUME 446 00:32:49,768 --> 00:32:53,605 THAT THE ATTACK CAME FROM THE RUSSIANS OR THE RED CHINESE? 447 00:32:56,708 --> 00:32:58,744 SINCE THEY COULDN'T VERIFY IT, 448 00:32:58,777 --> 00:33:02,081 WOULDN'T WASHINGTON HAVE TO RETALIATE AGAINST THE RUSSIANS 449 00:33:02,114 --> 00:33:04,583 OR THE CHINESE BEFORE THEY DEALT WITH US? 450 00:33:04,616 --> 00:33:08,320 WE'D BE THE ONLY SURVIVING POWER. 451 00:33:08,354 --> 00:33:10,022 EXACTLY. 452 00:33:12,658 --> 00:33:15,261 CONTACT THE CENTER. 453 00:33:15,294 --> 00:33:17,096 [ GUNSHOTS ] 454 00:33:18,330 --> 00:33:19,698 ALEX. 455 00:33:19,731 --> 00:33:21,133 THANK YOU, DOCTOR. 456 00:33:21,167 --> 00:33:22,368 YOU'VE BEEN MOST HELPFUL. 457 00:34:01,840 --> 00:34:04,810 [ HIGH-PITCHED STATIC ] 458 00:34:18,490 --> 00:34:19,791 [ STATIC CONTINUES ] 459 00:34:45,584 --> 00:34:47,286 [ STATIC STOPS ] 460 00:35:09,608 --> 00:35:11,577 ALEX! 461 00:35:14,180 --> 00:35:16,548 IF THE CENTER SHOULD ACCEPT OUR PLAN, 462 00:35:16,582 --> 00:35:19,551 THEY'LL BE LAUNCHING THEIR MISSILES IN AN HOUR OR TWO. 463 00:35:19,585 --> 00:35:21,320 LET'S MOVE TO THE SHELTER. 464 00:35:21,353 --> 00:35:23,422 STAY RIGHT WHERE YOU ARE. 465 00:35:25,591 --> 00:35:29,161 WHAT'S GOING ON? WHO ARE YOU? 466 00:35:29,195 --> 00:35:31,297 FEDERAL SECURITY DEPARTMENT. 467 00:35:31,330 --> 00:35:33,932 WE HAVE WARRANTS FOR YOUR ARREST. 468 00:35:33,965 --> 00:35:35,901 WELL, WHAT'S THE CHARGES? 469 00:35:35,934 --> 00:35:38,504 ESPIONAGE. UNLESS WE CAN PICK UP THOSE AGENTS 470 00:35:38,537 --> 00:35:40,239 BEFORE THEY RELEASE THE BACILLUS, 471 00:35:40,272 --> 00:35:41,840 IT WILL BE MURDER, MASS MURDER. 472 00:35:41,873 --> 00:35:42,841 WHAT? 473 00:35:42,874 --> 00:35:44,510 WHAT IS THIS, 474 00:35:44,543 --> 00:35:46,812 SOME SORT OF PRACTICAL JOKE? 475 00:35:46,845 --> 00:35:49,815 NO, IT'S NO JOKE. ALL RIGHT, LET'S GO. 476 00:35:49,848 --> 00:35:53,819 STAY HERE. TEAR UP THE PLACE UNTIL YOU CAN FIND THAT CODE. 477 00:35:53,852 --> 00:35:55,454 I SAID LET'S GO. 478 00:35:55,487 --> 00:35:57,256 WHERE ARE YOU TAKING US? 479 00:35:57,289 --> 00:35:58,924 TO NEW YORK, FEDERAL COURTS BUILDING. 480 00:35:58,957 --> 00:36:00,559 NEW YORK? 481 00:36:00,592 --> 00:36:03,662 WAIT A MINUTE. 482 00:36:03,695 --> 00:36:05,464 MAYBE, UH, 483 00:36:05,497 --> 00:36:08,534 MAYBE WE CAN WORK SOMETHING OUT -- A DEAL? 484 00:36:08,567 --> 00:36:10,436 WHAT KIND OF A DEAL? 485 00:36:12,238 --> 00:36:16,208 WE'LL GIVE YOU THE CODE AND SHOW YOU HOW IT WORKS. 486 00:36:16,242 --> 00:36:19,211 WE'LL GIVE YOU THE NAMES OF ALL THE AGENTS 487 00:36:19,245 --> 00:36:21,747 AND WHERE YOU CAN PICK THEM UP. 488 00:36:21,780 --> 00:36:24,750 I CAN'T MAKE A DEAL. 489 00:36:24,783 --> 00:36:26,752 BUT IF I BRING YOU IN WITH A CODE, 490 00:36:26,785 --> 00:36:28,754 AND YOU TELL US EVERYTHING YOU KNOW, 491 00:36:28,787 --> 00:36:31,323 I THINK WE CAN WORK SOMETHING OUT. 492 00:36:32,891 --> 00:36:35,494 CODE'S IN THE SHELTER. 493 00:36:35,527 --> 00:36:36,962 AFTER YOU. 494 00:36:53,512 --> 00:36:55,481 ALL RIGHT, OPEN IT UP. 495 00:37:01,587 --> 00:37:03,555 GO AHEAD. 496 00:37:32,751 --> 00:37:33,952 GO AHEAD. 497 00:38:13,759 --> 00:38:15,527 SIT DOWN OVER THERE. 498 00:38:15,561 --> 00:38:18,530 LET'S GET RID OF HIM, DAVID. WHY KEEP HIM AROUND? 499 00:38:18,564 --> 00:38:21,933 BECAUSE SOONER OR LATER, ONE OF US IS GOING TO HAVE TO 500 00:38:21,967 --> 00:38:24,002 GO CHECK ON THE FALLOUT LEVEL. 501 00:38:24,035 --> 00:38:27,606 [ RADIO STATIONS CHANGING ] 502 00:38:39,385 --> 00:38:41,753 [ SOFT JAZZ PLAYING ] 503 00:39:40,446 --> 00:39:41,613 [ SOFT JAZZ CONTINUES ] 504 00:40:19,751 --> 00:40:22,153 [ SOFT JAZZ CONTINUES ] 505 00:40:22,187 --> 00:40:25,524 Willie: ALL COMMERCIAL BROADCASTING IS SUSPENDED. 506 00:40:25,557 --> 00:40:27,192 SWITCH TO YOUR EMERGENCY STATION. 507 00:40:27,225 --> 00:40:30,195 REPEAT -- ALL COMMERCIAL BROADCASTING IS SUSPENDED. 508 00:40:30,228 --> 00:40:31,663 SWITCH -- 509 00:40:31,697 --> 00:40:33,098 [ STATIC ] 510 00:40:35,166 --> 00:40:37,636 Barney: NORAD REPORTS ENEMY MISSILES EN ROUTE 511 00:40:37,669 --> 00:40:39,838 TO THE CONTINENTAL UNITED STATES. 512 00:40:39,871 --> 00:40:43,675 ALL CITIZENS ARE INSTRUCTED TO TAKE SHELTER AT ONCE. 513 00:40:43,709 --> 00:40:45,210 THIS IS NOT A TEST. 514 00:40:45,243 --> 00:40:48,980 REPEAT, ALL CITIZENS TAKE SHELTER. 515 00:40:49,014 --> 00:40:52,618 REPEAT, ALL CITIZENS TAKE COVER. 516 00:40:52,651 --> 00:40:55,554 THIS IS NOT A TEST. THIS IS NOT... 517 00:40:55,587 --> 00:40:56,988 SIT DOWN. 518 00:40:57,022 --> 00:41:00,125 TAKE COVER. TAKE COVER. TAKE -- 519 00:41:00,158 --> 00:41:03,795 [ HIGH-PITCHED TONE ] 520 00:41:27,118 --> 00:41:28,153 [ EXPLOSION ] 521 00:41:52,243 --> 00:41:54,045 HOW FAR WAS IT? 522 00:41:55,280 --> 00:41:57,849 20 TO 25 MILES. 523 00:41:57,883 --> 00:42:00,586 THAT'S NEW YORK. 524 00:42:00,619 --> 00:42:04,656 THE FIRESTORM WILL REACH HERE IN ANOTHER FEW SECONDS. 525 00:42:23,875 --> 00:42:27,245 MUST BE 200 DEGREES UP THERE. 526 00:42:27,278 --> 00:42:30,315 IT WILL BURN OUT, THEN WE CAN TAKE A LOOK. 527 00:42:46,665 --> 00:42:48,233 IT'S NOT AS HOT. 528 00:42:48,266 --> 00:42:50,301 THE FIRES MUST BE BURNING OUT. 529 00:42:50,335 --> 00:42:52,303 LET'S TAKE A LOOK. 530 00:44:43,048 --> 00:44:46,217 RAISE THE ANTENNA. 531 00:45:14,946 --> 00:45:16,014 D...F...I... 532 00:45:24,856 --> 00:45:27,258 Q...S...U...V. 533 00:46:02,127 --> 00:46:04,195 WHAT'S THE DATE? 534 00:46:04,229 --> 00:46:07,365 Alex: 23rd. 535 00:46:20,445 --> 00:46:22,413 ALL SET. 536 00:46:30,321 --> 00:46:33,491 WHAT'S THE FIRST LETTER? 537 00:46:33,524 --> 00:46:35,293 "J." 538 00:46:35,326 --> 00:46:36,461 "J." 539 00:46:37,628 --> 00:46:39,330 MINUS TWO. 540 00:46:45,370 --> 00:46:46,938 "F." 541 00:46:46,972 --> 00:46:50,308 THE SECOND LETTER IS "L." 542 00:46:50,341 --> 00:46:53,111 "L"... 543 00:46:53,144 --> 00:46:54,345 MINUS SEVEN. 544 00:46:54,379 --> 00:46:59,951 1, 2, 3, 4, 5, 6, 7... 545 00:46:59,985 --> 00:47:02,287 "B." 546 00:47:02,320 --> 00:47:04,990 "F," "B." 547 00:47:06,958 --> 00:47:10,261 IT'S NOT DECODING. ARE YOU SURE IT'S AN "L"? 548 00:47:10,295 --> 00:47:13,131 POSITIVE. 549 00:47:13,164 --> 00:47:15,400 WHAT'S THE THIRD LETTER? 550 00:47:15,433 --> 00:47:19,437 THIRD LETTER IS "W." 551 00:47:21,339 --> 00:47:22,440 "W," 9. 552 00:47:22,473 --> 00:47:27,145 1, 2, 3, 4, 5, 6, 7... 553 00:47:29,314 --> 00:47:30,381 "J." 554 00:47:30,415 --> 00:47:33,251 "F" "B" "J." 555 00:47:33,284 --> 00:47:36,654 THERE'S SOMETHING WRONG. IT'S NOT DECODING. 556 00:47:36,687 --> 00:47:38,656 THE CENTER'S MADE A MISTAKE. 557 00:47:38,689 --> 00:47:40,591 NO, YOU HAVE. 558 00:48:04,615 --> 00:48:07,885 IT'S A SIMPLE CODE ONCE YOU HAVE THE KEY. 559 00:48:09,955 --> 00:48:11,589 GET IN TOUCH WITH THE DEPARTMENT. 560 00:48:11,622 --> 00:48:13,591 TELL THEM TO START BREAKING THE CODE. 561 00:48:41,219 --> 00:48:43,454 WHILE YOU'RE IN YOUR CELL WAITING TO DIE, 562 00:48:43,488 --> 00:48:45,456 I WANT YOU TO THINK ABOUT SOMETHING. 563 00:48:45,490 --> 00:48:48,226 IF YOUR FATHER REALLY WAS INNOCENT, 564 00:48:48,259 --> 00:48:51,229 WHO WOULD'VE BEEN MORE LIKELY TO WANT TO FRAME HIM, 565 00:48:51,262 --> 00:48:54,332 THE UNITED STATES GOVERNMENT OR HIS BEST FRIEND, 566 00:48:54,365 --> 00:48:58,936 WHO ALSO HAPPENED TO BE AN ENEMY AGENT, EVEN THEN? 38409

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