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so um let's start the recording as well
okay let's get started hello everyone
and welcome to the second escarsa
webinar on earthquakes and traditional
construction
my name is tim michiels and i am a
structural engineer at old structures
engineering in new york
and an adjunct professor at columbia
university
today's webinar is brought to you by
there we go by iskarsa
or the international scientific
committee on the analysis and
restoration of structures of
architectural heritage
while more people join i want to briefly
introduce our scientific committee
we are an international group of
engineers scientists and educators
dedicated to the restoration and care of
build heritage
we focus on the structural and technical
aspects of conservation of architectural
heritage
we have an elected board our president
is gorun arun
and our secretary general is tom
morrison he is
leading the discussion in the chat today
the goals of escarsa are amongst others
to disseminate knowledge
promote international cooperation and
organize international training programs
another goal is to collaborate with
other scientific committees
and we are happy to welcome members from
a wide variety of icomos committees
attending today in the past years
iskarsa has published
principles for the analysis of
conservation and structural restoration
of architectural heritage
we publish newsletters and currently are
developing
guidelines for the analysis and
restoration of heritage structures
pre-pandemic we were organizing yearly
workshop
the latest one was in um
the latest ones were in korea turkey
and the very latest one in iran
you can reach us on iskarsa gmail.com
follow us on facebook or find our
website
okay that brings us to our
webinar on traditional construction and
earthquakes
in this webinar series we are
highlighting traditional structures
because these buildings are often seen
as the most vulnerable
to earthquakes often though these
buildings have seismic mitigation
strategies built in
as part of their original construction
or plastic there unfortunately
the built-in knowledge has sometimes
been lost or is misunderstood
and thus as safekeepers of all buildings
in earthquake areas we all grapple with
the same
question how do we ensure the life
safety of the users of a building
while also making sure that the building
is preserved
with all its valuable features for
future generations
sometimes engineers take a conservative
approach that tries to maximize
structural strength
yet they go well beyond beyond what is
actually needed to ensure life safety
often this damages valuable elements of
the building
and those well-meaning interventions
might paradoxic paradoxically in the end
provide um or contribute to a building's
destruction additionally the regulatory
framework provided by building codes to
properly deal with traditional buildings
is often lacking thus we need to study
learn and discuss traditional
architecture and that's why
why we are here today building
technology in seismic regions has
evolved over centuries leading to local
seismic cultures
today we have another five distinguished
speakers who will discuss the local
seismic cultures they work on
we also hope to hear from you we look
forward
to taking your questions after all the
presentations please feel free to post
them
in the q a section at any time you can
also
upvote questions that you would like to
see answered from other people
we would also already like to let you
know that a third and final seminar on
this
topic is scheduled for thursday april
14th
and in that webinar we will have
speakers talking about kashmir
greece iran nepal and pakistan so mark
your calendars
for thursday april 14th
then before handing over the floor to
our speakers i would like to thank evan
speer
and tom morrison who are my co-hosts
today
i would also like to thank the other
members of the organizing webinar
committee
steve kelly kai weisser goron arun
krieger anjali you
chula aquintudine
finally i would like to thank all of you
distinguished speakers for agreeing to
share with your work with us
today okay
so then without any further ado
i would like to introduce you to our
first speaker stephen j
kelly
[Music]
steve is an architect
and engineer who has devoted these
skills to the preservation of our build
cultural heritage
with 40 years of experience his projects
range from small to immense
simple to sophisticated and cover a wide
range of building materials and systems
his projects are located throughout the
us europe the middle east
asia and north africa steve is a fellow
of the american institute of architects
the association of preservation
technology and u.s icomos
he is a unesco tangible heritage expert
and is the former president
of iskarsa serving from 2008 to 2014.
steve welcome thank you very much i hope
everybody can
hear me okay and you can see my screen
yes i've worked on large projects but
i'm going to talk on i'm going to talk
about some of my smaller and
and very interesting projects that i've
done i've
called this presentation this morning
full of two regions that's a that's a
take off on
a tale of two cities of a
well-known novel but today i'm going to
talk about haiti
and bhutan um
also i wanted to shout out to the world
monument
can you put your presentation full
screen please
oh you can't see it yes i can see it but
go to
window or view and then full screen
review
full screen mode
thank you very much thank you very much
i wanted to give a shout out to the
world monuments fund
because many of the projects two of the
projects i'm talking about i did through
the world monument is fun but the first
area that we're going to speak
about is the island nation of haiti
haiti shares uh the island of hispaniola
with dominican republic you can see this
is
this is my country the united states
cuba
mexico over here and the south american
continent
and talking about projects in
port-au-prince the capital of haiti
haiti has a very interesting history
the the european the europeans landed on
the island
in the uh in the 17th century they
enslaved
the uh taino population it turned out
that the
the indigenous people there
were not very hardy as slaves
and they were decimated and that was
when
the uh the slave trade started from the
west coast of africa
down here um uh enslaved people were
brought from the west coast of africa
and at a time it was like 10 enslaved
people to one
colonist the interesting thing
that happened in um in haiti however
is they had a successful slave rebellion
that happened in 1799
and um and this is this is a very
important
part of the character of the people in
that island is that they
they they've had their freedom for a few
hundred years
it's a very interesting place but we're
going to be talking about the earthquake
and aftermath of the earthquake which
occurred
in uh in january of 2010 it was a 7.0
magnitude earthquake that killed between
two and three hundred thousand people
and left three million homeless
um it was a humanitarian disaster um
we first went there as a world monuments
fund
group um in april of
2010 and uh i've i've been back to the
island
more than ten times the last time
actually um
just about a year ago right before the
pandemic hit
so what i'm going to talk about is the
gingerbread houses
of port-au-prince and when we went in
2010 there were about 300
gingerbread houses they were all built
from the 1880s to the 1920s
there we looked at about 200 of them and
there
are about 150 remaining
the construction types that are well
known for haitian gingerbread houses are
number one uh timber frame or pandubois
waddle and dab or columbage and
unreinforced masonry bearing walls
the mortar that's used is a mixture of
clay and lime
and um and the wood was um the wood was
locally
uh harvested and so the first part the
timber frame i think that many of you
are familiar with this type of
construction this is a this is a wood
construction that has a brace frame in
it
and there's an example of a gingerbread
house with uh
with uh made mostly from timber frame
and then there's the columbage or waddle
this is a this is a timber frame
building where the infill
is filled with with either a rubble
with stone or with brick
and then the third time kind is the
unreinforced masonry
and as you can imagine the unreinforced
masonry
did not do as well during the earthquake
as the pandubois or the colombage
and this is an example of some of the
larger buildings and many of them
strictly out of um masonry are still
standing as
wrecks and they have not been they have
not been restored
an interesting aspect of this is that
you don't see
these three distinct types they're all
mixed together this is a good example
with this
particular building that has an
unreinforced masonry
first level the second level is columbus
in the third level
is brace frame and of course i have to
mention that
after 1925 when wood construction was
banned in port-au-prince there were a
lot of uh
either concrete block or reinforced
masonry structures that were built
um next to as an addition to many of
these buildings
these uh these building forms did not
work well together
and that was some of the things that we
saw when we were doing our first
assessment
but that's going to be a talk for
another time
because this morning i'm going to talk
about two buildings
um in uh in port-au-prince one
is the meson du four which we first
visited in 2010
this is a photograph of it maybe a year
after the earthquake
but the interesting thing that we saw
with this particular building
is the first floor which was
unreinforced masonry
was entirely destroyed
and you can see the the condition we
were able to go up those stairs very
carefully
and we found that the second floor was
in
was in fair condition
and i'm going to have to give a shout
out to our colleague randolph langenbach
who we were with
and randolph was the person who noted
that we had these
horizontal metal ties
in just about all of these unreinforced
masonry
gingerbread houses that we saw and they
had
these wonderful floor delete patterns
where they came outside the outside of
the building
and at the uh this here
is from the meson du four and this is
one of the reasons why the maison de
ford didn't entirely collapse
is because these masonry ties were
holding up these corner piers
if these corner piers had collapsed the
building would have just fallen onto the
ground
and so randolph came up with this idea
that
since some labor was fairly inexpensive
in haiti then what we should do is we
should hold up the second floor
with with uh with emergency shoring
and then reconstruct the first floor
unreinforced masonry
and we came up with this idea of putting
in new horizontal ties
although we were going to put in many
more horizontal ties we made them out of
stainless steel
and here is a stainless steel plate that
we had fabricated in miami
we cut it using lasers and you can see
that this is a
this was about the same size as that
you'll be able to see some of those
where we put them in
so we came up with this scheme to hold
the second floor in place
and we worked with our partners the ins
institute to petra manuel
which is out of um out of belgium the
southern part of belgium
and uh that they were they were mason
jars
and sharpened chairs and they came in
and they were working with the drawings
that we were providing
with our local architectural partner
and this the idea that we came up with
now you can see that
this is a this is a drawing of the
reconstructed first floor walls
and here we're adding in these
horizontal ties
and instead of just putting one in at
the top we put in one
two three four layers of them
and the second layer actually goes
through the
through the spring point of the arches
of the first floor
of course it takes a village to do this
type of project so you can see in this
photograph
[Music]
haitian workers and architects um
uh partners from belgium and france
and from the united states and we were
all working together on this particular
project
and here is the building with
the first floor removed and the second
floor held in place it was not moved it
was
left employed we had to do some
we had to do some work on the
foundations which i will show you
there was there was plenty of brick to
be salvaged you can see
piles of foreground that the um
that our our local counterpart was
purchasing and having it delivered
onto the site here is the foundation
system this is the only place where
we introduced reinforced concrete into
the project
we uh the the original foundations are
rubble stone laid in uh
laden clay and we poured
a grade beam on top of the foundation
system but below
grade and that this is what we use as a
basis to
to erect the new um the new masonry
walls
um the photograph of this gentleman here
this is patrick lacroix from the
institute to petra manuel he was our
he was our mason and he was actually
doing a capacity building exercise
teaching local masons how to use how to
work with lime
mortars so we put the whole thing up
with lime water here you can see
the walls almost being erected
and if you look here you can see the
florida leaf pattern
and here is the here here are the walls
ready to receive the second floor um i
wanted to run
these horizontal uh stainless steel uh
ties through all of these uh through all
of these harsh spring points but uh
madame pierre louis would not have it
she uh she agreed that i could do it in
one area i always like to show
what the intervention is and she was she
allowed us to do it in this
one particular area
and so this is what the building looks
like
fully restored this is during one of my
visits
on another project in 2017
and this has become an art gallery and a
venue for um music and
art performances and you can see that we
were able to develop this very
open atmosphere um by the way this uh
this building was built
by haitian architects who were trained
in paris because haiti though it had its
independence
people who were going to the university
many of them went and they studied in
paris so this was
this was designed by a haitian architect
the
the forums are very um french and
european
however the forms have been adapted for
the caribbean
in that the entire first floor there are
no windows or doorways on
all around on the first floor and the
second floor has these large
windows that have got uh they've got
shutters on them so they can
promote uh they can promote ventilation
through the entire
building and these uh these buildings
are extremely comfortable to be in
uh on a on a caribbean hot
caribbean day with a cool breeze
these are some uh i pulled images off of
facebook so i can see what they're doing
at the
meson before and this is they usually
have um musical performance on the
outside
okay the second project i wanted to
share with you
is the mesonet this is a this is a later
gingerbread house also designed by a
by a haitian architect however
in this particular example
there has been a large two-story
uh promenade that made out of reinforced
concrete
that has been built around the outside
of it and um
in most cases something like this would
have destroyed this particular building
but since
the building is almost completely
surrounded by uh concrete editions
um it actually held the building in
place by the way this photograph was
taken
10 years after the earthquake so this is
a recent project
and when i was working on this building
there were squatters on the inside of it
i had to i had to get to know the people
who were
living there and some of the children
were helping me with my
analysis this is a photograph of the
inside of the building
so this is this building has been
standing for 10 years
except being just being uh it's been
rehabilitated
you can see the openness of the
atmosphere and the damage to the
exterior walls this is an image from
their prom
[Music]
front and to give you an idea
of the way this building was constructed
the walls in red
are from the original structure
those that are in uh that are post shade
in pink
are the reinforced concrete editions
which
um which i believe have helped
to hold this building together and for
this particular project we took a little
bit more of a
of a well-known seismic rehabilitation
technique
we were picking areas where the masonry
walls were damaged and we were
picking areas where we could put in a uh
put in shear walls and so these were
areas where we located
shear walls the shear walls that are
being put in
are not made out of reinforced concrete
they're made from
confined masonry that is they put in
a they put in a a a small
column on either side of reinforced
concrete and the interior
is filled with um with masonry
and so it's a it's a it's a it is a
shear wall but it's not quite as rigid
as a
as a as a reinforced concrete shear wall
and to give you an idea of what that
type of thing looks like
this is these are the types of
interventions that they were doing
my last visit there was almost a year
ago it was
my last international visit before the
uh
before the pandemic came and we were
i was all i was worried about about
being able to leave the country
and i've been able to follow what
they're doing
over social media second area i want to
talk about is bhutan
bhutan is located between
india and tibet which is now part of
china so it's
it's in this arc of the himalayas on the
southern slope of the himalaya
my project was located
which is where their international uh uh
airport is
and i'm also going to talk briefly about
the wang du
fa drang zong which is here so i was
working these two areas here
by the way for those of you who are able
to join us during the first
uh during the first webinar uh professor
aaron
and he talked about his work at the
wengdoo federang song
so the thing to know about bhutan is it
is a agrarian society and they have no
industry and if you want if you need
wood
then you have to arrange to have the
the wood filled and they they
mill the wood right on site and that's
what this gentleman is doing he's
milling the wood on site they
use hand tools almost extensively almost
exclusively
and another aspect is this particular
of bhutan they use rammed earth
construction
and they still use it a lot um
this is a photograph of the dedication
of
building that's going up and obviously i
think this woman is one of the one of
the queens
of bhutan but this is something that you
will see
uh pretty much uh everywhere as you're
driving around
and here they put up the formwork on
either side
they normally lay a horizontal wood
member within the uh within the rammed
earth wall
that's something that's important to
remember in this talk
and then the roof is actually separate
from the rest of the building you see
the roof is sitting on the building so
during a seismic
event roof is not going to
be bringing a whole lot of mass to
what's happening there
because it's going to be be moving
separately
so i'm going to talk about the sito
gumpa
this is a this is a monastery
here is the uh here is the the temple
itself
and the monks quarters on either side
here you're looking at the mon
you're looking at the temple straight on
and here here is on the other side
um the temple has these beautiful uh
paintings on the inside that are painted
that are placed on paper
so this is what the the floor plan of
the entire
monastery was like and here is the
temple
the idea was to seismic rehabilitate the
temple
and these uh these areas here were
rehabilitated actually they were
reconstructed they pulled them down and
rebuilt them on site because you can do
that with rammed earth
one of the things we did was added a
separate
kitchen and dining room down here to
complete the courtyard
because they had the the kitchen was on
the second floor of this structure
we were really worried that they were
going to burn it down they have
they have problems with fires here so
this was the plan
for the entire one these are some of my
partners in crime
uh chung dorji and karma wang chuk
uh sonam tashi is not in this photograph
although i hope he has called in this
morning
he is a shout out to sonam and uh
and karma and this was the idea that we
came up with
for the temple um the temple did not
have any horizontal
members in it so we decided to introduce
them we uh these walls are about one
meter thick
and so we were actually carving into the
wall
and we're putting these wood members on
the outside
and on the interior we are connecting
them with
with metal ties it was fairly easy to do
with this rammed earth construction and
then we wanted to wrap the whole thing
with a band
and um beginning of the project we had a
a long four-hour ceremony
uh that included ritual dancing
and a feast where all the villagers came
in
and then we went to work here's the
inside of the temple
with all of the with all the paintings
removed
i believe those are some of the
paintings there that are wrapped up
in the paper and so you can see now that
a lot of this area has been
reconstructed and here is a temple
and here is where we're cutting in and
we're we're installing the wood
it's going in now and here is the entire
uh
group of people that were working on the
on them
on the monument here's sonam and
and here is my favorite plumber and
um and the entire group of villagers
that were working on this we had to wait
until
we were off season because all of the
villages are rice farmers
and the exterior of the of the temple
you can see that
and here's the last part where we're
actually wrapping it with a
polyethylene strap it's the same
material that is used for
seat belts in a car then they were
they were covered with the this is a
clay purging on the outside everything
is
everything is clay and you can see that
we are
actually leaving the uh the strap
exposed in these particular areas
because we want people to be able to see
what the actual intervention is and here
we're finishing up this project
the uh the paintings went back in place
um the the uh the
ritual we had to dedicate the new uh
the new temple and that's the completion
of the
of the sito gumpa monastery and
in the last one minute i'm going to
quickly show you
the wangdufa during zong this is an
administrative center
that has um has a series of courtyards
and the important aspect here is this
building here called the utsi you can
see that you'd see here
building unfortunately had a fire in
2013
and it was um the interior was destroyed
in this
particularly the utsi which is gone here
and we were there in 2013 trying to
uh tout uh traditional techniques for
the seismic retrofit
and professor mann talked a little bit
about that but
what i wanted to share with you is that
this particular otsi
what they did is the swiss
offered to give them the money to put in
a base isolation system
so the utc was completely reconstructed
it's got a base isolation system
underneath it
i was allowed to um to visit this
project
during its uh during its reconstruction
and i was also allowed to
climb underneath you would see to see
the base isolation system but it was
not allowed to take any photographs i
think it's the only base isolation
system that was put in
in the himalayas and so with that i'd
like to say
thank you and open the questions or
to go to the next speaker thank you very
much
you are you're muted tim
thank you that always has to happen once
during a webinar right so
um all the rest is now on notice um
thank you so much for your presentation
steve
we will not go to questions just yet you
can post your questions in the q a or in
the chat
also welcome to all the people who have
just joined
um i noticed some of you joined during
steve's presentation feel free to
introduce yourself in the chat we would
like this to
for this to be an active participation
webinar
and so we will move on to our next
presentation which i'm personally very
excited about
because meredith hijazi is going to
address one of my favorite traditional
structures
merdat is a professor of traditional
structures
in the faculty of civil engineering at
the university of isfahan
in iran he's an expert member of ikomas
iscarsa and the chief adviser to the
iranian ministry of cultural heritage
handicrafts and tourism he has been the
director
of structural restoration of a number of
national and world heritage sites
in iran he has published six books and
more than 46 journal papers and 116
conference papers mostly on
architectural heritage
welcome merdat
uh thank you very much tim i hope you
have my voice
yes we do
the subject that i'm going to explain is
about
traditional construction techniques in
perishier to mitigate
earthquake effects and my case study
is in pair space
first i will give you a short
introduction then we go to pairs police
then we go
to nearby ancient sites then we go
two or three hundred kilometers away to
susa and
again we return to paris valleys
well if you had have a look at the
uh at the map of the country at the
moment
but when you go for 25 centuries ago
the first persian empire was so
large and here
a sousa and pairs for us
where the capital of the empire
i'm going to make a talk about the paris
parish and then
i go to pasargadi and then to susa
to see what was the
construction methods in that era
if you have a look at the
micro zonation of
earthquake in iran you can see here that
shiraz and also susa
is located in a high
risk zone for earthquake
first let's have it look at pairs
for this it's quite a huge
site more than 120
000 square meter the area
and its construction took about
100 years and this is what we
see today
as you can see the uh site is
constructed
on a high platform just adjacent to a
mountain here and if we
go back a few centuries ago say
25 or 23 centuries ago this was the
situation it had
and it is very important that this
site was not a governmental site but it
was
a ritual site for celebrating the new
year
which we call no rules in iran and it
is on 21st of march
since then still we have the stem
ceremony and it's very important
ceremony for iranians
to celebrate that therefore the paris
police
is very important to persians
it's a situation at the moment
these are the remaining of the site
it is the word heritage site
it is very well preserved
and even there have been some um
researches to the building to this site
for example if you have a look at the
clan you can find the golden proportion
there
it means that the design of the
plan and other dimensions are based on
some
ratios mostly on golden ratio
let's go to see how was the foundation
built at that one as you can see the
foundation was built
in several layers of stone as you see
and these stones were connected with
flexible metal connectors
we see the same procedure the same
method
for other sites let me
well if you have a look here even at
present you can see the metal
connectors which uh connect the
stones together and still it works
uh let's go a few kilometers about 10
kilometer away from
paris police to pass our guardian nash
and natural stuff
here is persporius near shiraz then we
have an actual
roster of one kilometer and then about
nine kilometers again
away we have possibility here
this is the remaining of paso grady
palace
and this is the tomb that most of you
know it's the tomb of
cyrus the great
and if you go to narshirostan near the
dharjam
near paris paris you see some sort
of stone stone
[Music]
stone tower which worked as a calendar
for the new year and some sort of
ceremonies
let's have a look at the foundation uh
we start with the foundation of
the tomb of cyrus
as you can see they
dug the ground they went for
one or two meters down then they put the
first
layer of the foundation which was stone
and then they put the second layer
or the upper layer of the stone
they were just put together with no
connection
you see the same technique used
in in that power here
the first layer and the upper layer
on the ground ground level and also
on other other other buildings
as you see when you have earthquake here
you have some sort of some sort of
acceleration or some sort of movement if
you want to say
and when you have two layers of
two layers of foundation they can easily
slip against and somehow
they can dissipate the energy of
earthquake
it's the same rule in in in the
buildings in the south
in i commit period for more than
uh three or four centuries they ruled
the country
let's like too pearcefully again
if you have a look here at one of the
walls it is not a wall also
it it acts as a platform for the
superstructure here you see irregular
cuts have been used for the
for the for these stones and you have
irregular joints again the
architect has
this had this idea that give the
possibility of
of movement to the stones in this case
there are some movement of the ground
these stones
are free to move without damaging the
superstructure
let's go to the columns
if you have a look here
there is a special connection between
the
main part of the column and the support
part of the column
it's like this
again there has been a connection
between the two parts in order to make
it uh
possible to rotate somehow because it's
at the moment with this technique it is
not a
rigid connection anymore but it is
somehow semi-rigid it means that
if the top of the column would like to
move somehow it is possible at the
bottom that
you have some sort of rotation and it
prevents from
the cracking or the breaking of the
stone and again if we go for the beams
here
at the top if you look the the beams
wear wood and
it's like this okay and again
here you need some sort of
freedom for both movement and rotation
and therefore they didn't use a very
rigid connection here but they use some
sort of center-rich connection
in order to load the top
beam to rotate and move in case of
earthquake and
in this how they were able to dissipate
the energy of the
of the earthquake
and more important is the rigidity of
the whole roof
they use some sort of wooden roof in
order to make a rigid diaphragm at the
top
in order to make
all the columns have similar and
same movement at the top and they
they make it to move uh in a in
in in in in a similar way
for the all columns and having a
rigidly off strike or a rigid roof is
very important for those
tall columns
let's go two or three kilometers away to
the
uh west to susa
which is here it
used to be again
the the capital of the of the of the
empire in some time
uh here you see the
uh the one of the palaces here
this is the side here
is another palace
the one or two kilometers away and
in the middle is the mausoleum of
daniel
well this is the aerial photo here to
the right is the
apadena place of susa very over the tomb
of daniel and to the left
is the shahooz palace which
was built about 200 bc
this is again the situation and maybe
here
you can see this is the daniel monsolium
and here this upper and to the
bottom that you can see is the older
part
if you have a look at the
if you have a look at the topography of
this
system here uh to the right you see the
old talents here it was
very old it was 24 centuries ago it was
built if you have a look here the ground
level
was here but they decided to
to to to bring the level about
four meters up and from here you started
to
construct the new palace like this
if you have a look here
at the bottom very bottom you have the
remains of heroes from the
previous period and they add some sort
of sand
or gravel layer here for about
one or two meters and from here on the
top of the sand
layer they started constructing the
the site or the pilots with columns of
about 22 meters high
and again here when you have sand here
is some sort
of base isolation here in case you have
some sort of acceleration or movement in
the ground
these these this
sand or gravel layers prevent
the energy the total energy
going up to the to the to the main
building
let's come back again to paris police
i'm going to give some talk about the
sewage system because i think
the sewage system is somehow related to
the
foundation system of the of the site
if you have a look here this is the site
and when you have heavy rain
it's like this therefore for such a huge
uh huge huge site you need to
have some sort of some sort of sewage
system in order to
in order to drain and somehow convey the
rain and somehow the sewage and this is
what they found a few years ago
as you can see there is a underground
sewage system
as you can see it was discovered a few
years ago
and two years ago we had a very heavy
storm and rain fall there
and you can see it worked at that time
it means the uh the city the city of
shiraz and nearby maratha city
where were both flooded but it was
interesting that
that that pair space
was not flouted if i can show you this
you should see a movie which shows how
the water is running inside the soldier
system
this is at the same time that on the
floor of the site there is no water
but one kilometer away nearby city
they're just
flooded and many people have to leave
their homes it means that
it means that it is not it's just sort
of the
foundation for earthquake but also the
the design of uh of
foundation for the flood or for your
ceiling system is also
very important okay
let me finish my uh talk with uh
with the memory of skarsall visit to
paris police in 2018
and i should give you some references
here
there are five books that i with my
colleague have written and also there
are some
some papers that you can find also in
the references
and also it is my email address in case
anybody
would like to contact me it is possible
to contact me
i thank you very much and i hope you
have enjoyed my presentation
thank you so much for the wonderful
presentation merdat
again if you have questions you can post
them in the q a
or in the chat and we will discuss them
at the end after all presentations
and so now we will move on to the next
presentation which is by
fernando pena mondragon he is the head
of the structural engineering department
of the institute of engineering at unam
in mexico fernando received his
doctorate
in seismic engineering from the
polytechnico de milano in italy
and did a postdoc in at the university
of migno in portugal
he has published a multitude of
scientific articles on the seismic
vulnerability of historic masonry
and he is the treasurer of the council
of the mexican society of structural
engineering
welcome fernando thank you very much
i will talk to you about some lessons
that
we have uh obtaining from the
earthquakes that hit mexico
in september of 2017.
so uh but first i would like to
acknowledge
my team especially
my colleagues professor marcus chavez
and
professor natalia garcia and
our army of students and project
engineer
here is the last one squad
they participate with us but there are a
lot of
uh many students and engineers that
work with us
in september 7 and september
19 two large earthquakes hit
mexico and left
two thousand three hundred forty damage
architectural
heritage buildings throughout the
country especially
in the center and south of
the country so this is
really a huge number
of damage buildings
so um i would like to focus that
this number is only the listed buildings
that uh in mexico are considered
as architectural heritage but there are
a lot of
small houses and particular buildings
that are not counted in this number
but that
is they are part of our
um ancient uh
structures so uh this number
it's almost the six percent of all the
architectural heritage listed
in this region so it's really really
a huge number so
after that we made a
survey of trying to see
and understand the different dimensions
that occur
in these buildings for example this is
the common dimension in churches
so uh there are many churches of
these types so many small churches of
one name
and really practical
all the towns in mexico
and we found in general
this type of damage so in the first say
the facilities particular
only in playing the match practically
the out-of-plane damage is only a
see in the front space
due to the crying overturning of the
front in this
and this is a
really interesting picture for example
this is
a diagonal crack due to the shear
stresses
in the tower and this is
a front view and this is
the other part of the tower so
it's like that the tower has cut by a
knife
no so uh we don't understand why
don't uh collapse this part
of the tower and
besides there was a street
and the street was closed because the
vibration induced by cars and rocks that
are passing
it could collapse the tower so
this is a typical damage in a lot of
churches that we found another typical
uh damage in
doms and drums there was a
the typical uh cracking that we can see
in literature with radial and uh
meridional cracks some
dumbs were collapses or
shear stress damage the drum
[Music]
uh bolts have
also the typical the meshes that we can
found in literature
with this longitudinal cracks
especially do because the walls
that support the arcs and the balls
opening and that's
the reason to find these longitudinal
cracks after uh
in walls we can see the
typical diagonal cracks due to the shear
stresses
at the base of the walls we can see
these horizontal cracks due to the
flexural moment in the
outer plane of the wall and
we can see also these vertical cracks
that is due to the shear stresses and
these vertical cracks were found when
the
masonry was a very bad
quality especially when it was made but
peoples with people's stones
and earth more darks or very bad
mortar so
um another damage that we can found in
some buildings especially uh we focus
on the monasteries that
were attached to the churches that would
visit
so it's the of course the collapse of
the
roof so the overturning
of the center of the walls like
in this case and this particular case is
very interesting
because it was uh the cloister
of an ancient monastery and all the
second floor was collapsed
so uh we can see here all the average
of the second
floor but this is
how the material uh
go down to the yard so
in this particular case the mansuri
was very very poor
made by rounded stones
pivots and a very very weak
earth mortar so from its
origin the masonry was a very bad
quality
and we
when we have a very
bad quality masonry
we can found a
collapse mechanism the structure
disgrace completely so
when the second floor completely
collapsed
the material has uh behavior
like a fluid and all the material
was concentrated in this part
so this is how how they
the combine was after the earthquake
fortunately in this case was no
day any dead or some person endure it
but this is a very dangerous
behavior in because
in the earthquake this is a very fragile
behavior so
the conclusion of the observer the match
in this
survey that we made in the different
regions that
has struck by these two earthquakes
where the the mass patterns and
collapses that we found
were similar than those observed impacts
events
this is for me
very impressive conclusion so
we don't found new
behaviors in the
in the seismic behavior of the buildings
so we know the behaviors we know from
the past
events the different types of the mass
and the collapses so for example big
towers
balls and dawns continue to be the most
believable elements
so these three elements of the churches
is always the elements
that where we have a problems of damage
and special collapses and of course
like in the
in some cases the collapses were
due to poor quality of the masonry
so
from from this
in general in in mexico intervention
projects
are based of course in the icomo's and
escarsio recommendations
but authorities and practitioners
take four particular recommendations
from all the universe of e-commerce
and scarce principles and
recommendations so
especially authorities recommend minimal
interventions
non-invasive techniques use of
compatible materials and techniques
and of course traditional materials and
techniques
are preferred
but unfortunately this full
recommendation
has become as the best project is to
return the structure to
its original conditions
so the idea in general
in practically all
the intervention projects in these
dimension structures
is trying to return to original
condition
of the structures before the earthquake
so what can we expect from an
intervention whose objective is to
return the structure
to its original conditions
so
we have evidence of pass events
here i put only three
particular events that
damage a lot of structures for example
in 1973
1980 and 1999 we have
three earthquakes similar to those
that occur in 2017
and we have always the same
scenario so a lot of the match
a lot of collapses the same kind
of the matches the same kind of
collapses and
someone said
insanity is doing the same thing over
and over again
and expecting different results so
if we're trying to
restore the
destructor to its original conditions
we know what will happen with these
structures
in the next sysmic semicolon we will
have
the same dimensions we will have the
same
weak elements we will have the same
collapses
so now we are trying to change this
paradigm in mexico
actually the paradigm is the aim of the
project
is the conservation of the authenticity
of the architectural
heritage so uh
we don't have time to discuss
what authenticity it means
but this is the idea here in mexico
so the best project is
try to conserve the authenticity of the
architectural
heritage
however we need to change
this because
sometimes we forget
the most important aim of
the engineering structures so is that
the safe work of human life
in this particular
event scenic events we have really
few deaths and injury persons
because the earthquakes hit in an hour
of the day and in a week of the day
that there was not a concentration
of people in for example in the churches
but if this seismic event
hit in a sunday in the
uh at 12 o'clock when
almost all the churches are full
in the mess so
there was a really really tragedy in
mexico
because was collapsed and killed a lot
of people
so we cannot forget
that the most important aim of any
intervention
must be the same word of human life
those thinking about
this idea we need
that the criterion to be follow
is not just trying to return to the
authenticity and conservative
authenticity
of the structure instead
trying to use
a cost benefit criteria
so cost of course is not only
economic costs so what we can
lose if we choose some particular
technique or material in intervention of
course loss of authenticity
we cannot forget that in
any intervention project we need to
conserve
the architectural heritage all the
implicit
uh values in the that the building
contains
like history artistic
values architectural historic
etc and we must
put in a balance so this costs what we
will
lost with an intervention but
at the same time what will be the
benefit
so the benefit in the human life
safeguard of human life
of course conservation of the
authenticity
conservation of all the values of
the buildings benefits
in the structural behavior etc so
we need
as engineering projects just remember
that always the capacity
must be greater than the demand capacity
in the sense of strength of destructor
dutility
deformation etc and demand in the sense
of loads
displacement etc and
remember that the aim of any
intervention project
should be in the first place the safe
work of the human life
in the second place of course
preservation of the building value
artistic historic
architectural and of course we
should remember the match in the
structure
so if we change the paradigm
and we don't forget the human life
we will preserve the building value
because to preserve this
safe work human life is for example
that the structure will not collapse
if the structure will not collapse
the building value will conserve
unfortunately at least in mexico
and in many practitioners that
are involved in this
in this area they think that
it's mandatory
to try to conserve a structure
in its original conditions
[Music]
however it's a very often discussion
that what original condition means
so we know that any intervention that we
make in a building
even the small interventions will
change this idea of virginity
so we need change we are fighting
to change this idea and remember
that the most important is
the capacity much bigger than demand
of course
with trees aim
no don't forget of course the
preservation of the building value
so
how can we improve the performance of
the structure
we can improve increasing the capacity
decreasing the demand or at the same
time
increasing the capacity and decreasing
the demand
so in this context
of cost benefit criteria
so we need to focus on solving the
causes
and the problems and not only the
solving the symptoms
we can found a lot of intervention
projects
that we have some cracks in the
structures
and the practitioners just only want
to close the cracks with some
material and that's all and the
structure is
okay but this is
not to solve the problem because
we need to understand what was
the structural behavior to have these
crack patterns
so we need
to understand first the structural
behavior
and after try to
propose an intervention project of
course it must be based
on the current conservation criteria
but we must follow
almost the modern criteria of structural
analysis and design
we need to incorporate the new tools
that we have in
structural engineering in the seismic
engineering
to study and to conserve this kind of
structures so
a technique or some material
may be good for one case but not for
another one
and in this particular case in
for me it's i don't like to divide
the materials and techniques as
traditional or new
because this has
allowed this idea that only the
traditional
materials and techniques are good for
the intervention
in this kind of structures and
return to the previous
state before the earthquake
but if we use exactly the same materials
and the same techniques for example
in the case of of these cloister that
collapsed all the second floor because
the masonry was a very
bad quality now
in this particular case the authorities
and the engineering projects that
are involved
in the reconstruction of
the building wanted to use
the same kind of masonry because it was
its
original material and this is
a really bad mistake because
we will have the same problem in the
future
so if we will reconstruct
the second floor of the monastery we
should reconstruct
with a better performance than before
so the selection of the technique and
material
will depend on how we will improve the
structural behavior
we need just to remember this part
that sometimes we forget
because we are involved in in another
question
but sometimes in the interpretation
project
we forget this simple idea
always the capacity must
be greater than demand
so how we improve
the structural behavior is
what material and what technique we must
to use
of course taking in account all
the conservation criteria taking in
account the conservation of the
values of the structure but
improving the structural behavior
improving
the seismic behavior for don't have
first any collapse if the structure
collapse
means that the intervention project
was failed
so the first point that we
have in mind is that the structure
must not collapse
so
just uh as a summary of
this idea that i want to share
today with you is that in mexico
at least in mexico we need to change the
paradigm
and don't forget that the most important
aim is the safe word of the human life
and after that is the conservation of
the all
values of destructors so
the structural intervention must improve
structural response so if we have
collapse in the structure means that the
structure
have a very bad scenic behavior
so we need to improve this because
if we made exactly the same we will have
exactly
the same problem so
due to the two earthquakes that hit
mexico in
2017 we have really a lot
of damaged buildings and mexico
has not the resources to
uh uh to conserve all
that or to intervene and restore all
that uh buildings
after three years of the events
we have almost uh
one third part of the structures that
has not been intervented
today so this is a huge problem so
we need to improve the structural
behavior
of our structures and of course is not
to return the structure to this initial
condition
because means that the initial condition
is not
perhaps not good performance
and we need
remember that any intervention
will modify the original structure so
any intervention that we've made
we change the original structure so it's
really complicated
just this idea to return to the
structure to its original conditions
of course the intervention project must
be multi-disciplinary
because the structural engineering
is an important part to increase
fernando sorry to interrupt we're going
to have to move on very soon to the next
presentation in order
not to go okay i i will finish now this
is the last
slide so uh
the intervention project must be
interdisciplinary so of course to
uh trying to save work not only the
human life but
also the value of the
buildings and each problem is unique
so we can make some general rules that
this is another problem in the
practitioners that
once a general rule
to solve the problem and
we propose that a good benefit must be
followed
thank you very much thank you so much
fernando and i think you're raising
a bunch of really interesting topics
that we will touch on in the discussion
later
for example that your distinction
between traditional and modern
methods and especially when you bring up
authenticity and human life i would like
to point out to all the
attendees that escarsa will be putting
up
a specific webinar on authenticity and
reconstruction at the end of april you
will get the information about that
um in a few weeks i would also like to
encourage people who are watching our
webinar through facebook live to post
questions there we are monitoring your
questions and we'll address them at the
end
um that said we will move on to the next
speaker
amina abdesemet fufa is a professor of
build urban and natural cultural
heritage
with a particular focus on heritage at
risk due to earthquakes
landslides and flooding she is also the
director of the research sciences
laboratory of environmental and
technology
environment and technology for the
architecture and patrimony
at the universite de blind aside from
being a professor
amina is also an active professional
architect
of build cultural heritage and historic
sites at the ministry of culture in
algeria
she has supervised many restoration
projects and is currently in charge of
the restoration of the palace of the day
and palace of the base at the citadel of
algiers
which is a unesco world heritage site
welcome amina
thank you tim and
good evening everybody thank you very
much for the invitation and
i'm here i'm happy to share with you the
um experience of the
north african countries and the
particular the
magrav region so my talk today is about
earthquake resistant
techniques from action to 20th century
in the maghreb region
where i will present the case of algeria
tunisia and morocco
um well so all over the world
buildings located
in risk prone in seismic pro risk area
are almost
and exclusively constricted on the basis
of the experience and
observation of local builders the people
living in this uh
risk region has developed over time
many strategies to coexist with this
phenomena in particular social behavior
and constructive approach and at
preventing
and limiting the exposure of buildings
and inhabitants
the concept of local culture encompass
encompasses this social and technical
dimension dimension
of the act of building and the process
of developing the knowledge
and its skills the vernacular way uh
the vernacular as a way of living as a
characterization of construction
and self-protection methods turned out
to be a valuable
source of practices techniques and
measures
proven over the century and
to and and of the many of
hazard for the construction of a
sustainable built
environment accessible and secure
so this
this
that shows the distribution of
earthquake in the mediterranean
and we noticed that the most
the most event located
in the west central region
um when we have
the seismicity of the northern
lights right and those
moderate seismic countries except recent
earthquakes
which happened during the 21st century
maghrib countries has experienced
in the past several seismic event
that caused loss of human lives and
damage to property in different region
the historical earthquake knows uh
no since ancient ancient time to today
greatly increase
the probabilistic of an earthquake
occurring
and damage in the future so we have
three great earthquake that happened in
this
during the um past uh the 1716
earthquake of algiers the 16 25
24 of first and 1795
so um based on this information
fundamental question of interest for the
architect and
engineers are how did the local
population
build their houses resisting earthquake
loads
and what what structural techniques did
the local population
use for building their house to protect
themselves
against earthquake
of africa and
here in the algerian country and morocco
and fest and we have uh all the
techniques are located in the coastal
line
and some of them are located in the
highland
in the west island of algerian country
the techniques developed are of two
scales
the first are architectural and urban
concept
and the second are the construction so
we have
architectural design urban design human
design
such as the um
discharging discharging arches
voted basement linked by archers
and from the details we have the
reinforced
masonry with wooden logs reinforced must
only by layers of bricks and reinforced
rained
earth
during the um during the
autumn and in recent periods the three
cities big cities algiers tunisia and
fest
uh showed typical characteristics of
muslim cities their buildings blocks
are a lot of
various sizes
the plots are fully built and the houses
are leaning
against each other constitute
constituting or forming
a compact unit forming a narrow
street which are covered by galleries
sometimes they are built with
they are voted or
are called
and and they this
this different characteristic of urban
design constitutes a structural
continuum
so when
when
when when the uh passageway
are voted and they disconnect
between between the houses this is a
perfect
perspective
which is connected with two parts
of the two sides of the
houses and we have here in this picture
in this slide
different different case of
um connection between the battery
and the houses and this
structural continuum which dissipates
have different different cases uh we
um we just
a basement and in the higher part of the
building
we have three three three
um three votes
between the two part of the buildings
so there are two series
inside and outside the houses which
connect between
the two blocks
this has a different example of algae's
covered passageway with
roof
these charging arches we have
buttresses first or in this picture
the the different um
during the 20th century uh during the
french
colonization the recommendation
of the 18th 44 by the military engineers
for the construction of algaes they
pricks
they brexit bricks click shaped as well
for the private and public construction
the low buildings because of the seismic
risk
and to work the basement and to join the
building between them
by archives i'm sorry to not um present
i lost my photos
recently and unfortunate unfortunately i
did not
have time to go to the site to take
another picture
but it is uh it is written in the
military engineers
report that jesus has
has been built obtaining taking into
account this
so from the part of the
the constructive detail some of
techniques were discovered or was
highlighted
during the investigation institute
investigation in the territory in the
algerian
and the magribun territory so here we
have
um announcing time site
of caesarea cetera
located in albania
and these techniques
where we have a certain position
superposition of
two layers of spoon and
platinum is not too big but it is
a plate made of made of
blick which
is treated
or disposed of the depths of
and
because we have some problems hearing
you
maybe because turn off your video maybe
the audio quality
will be better thank you
[Music]
sorry
what's the problem you don't hear me we
don't hear you very well
your sound goes on and out so i'm i'm
worried it's the quality of your
internet
so maybe if you turn off your video
which should be on the
bottom left of your screen you can maybe
turn that off
if you don't find it we can just yes
perfect thank you can you continue
yeah uh did i repeat or i
continue no you can just continue okay
so this um
it's called um is an opis system
uh where we have two layers of different
materials
and this stone tables are
surrendered of the stone
stone masonry so um
this is uh this is not some
ancient techniques used by the past
during the medieval medieval period
we have the reigned earth reinforced by
wooden
this kind of
uh in the city where um
where
the moorish uh lived
because in the city we where we have
found these
techniques the moorish lives
during the summer and they have
blocked this
this technique
for the people who are living in the
city
and this is part of the walls the walls
the surroundings of the city and we can
see
red earth air force dialogues of
during the ottoman period and we found
the
we found the techniques of the
transmission of foundation
the foundation of the column we have
we have superposition of
two layers two perpendicular layers of
treyarch which is a which is
a cedar wood and these slots
would take has the role of
shock absorber and he
minimized the application of ground
acceleration
this is um this is one of the
techniques of the energy dissipation
of the in the foundation
vertical structures such as
walls we found um we
found that the wooden logs are inserted
in all the depths
of the walls
and this is uh in the site of
tunis these are in the site office
we have also the this kind of
uh this this kind of techniques
they reported in the
pillars in algiers and tunisia
we have also the training at the angle
uh
also in different in the different um
different cities so here we have the
training of the the wall we have
this this have they are um
this these techniques or these
logs are put
in this um in this in this manner
and they were where where the
greater fragility fragility fragility of
the world
is due to the combination between
bending effect and shear and torsion so
this technique this technique did
diminute the the effect of uh
and the angle did not collapse
algiers there is a particular techniques
in archers
in arches they are reinforced by logs of
yeah and we can find
sometimes one layers when we have only
the art
artists we can find also two layers
layers of logs of tria when the
column supported the
supported method revolved
only vault this
of two materials
one rigid and the other flexible
guarantee due to the slip movement or
rolling
which is a good resistance to share
during earthquake
and those the uh this system of archive
is contribute to the resistance of
earthquake of earthquake loads this is
particular to all this
um haven't found it in another site
this is the galleries of
houses
and the other one is
the site of tunis
blocks are also used in the
um and compula and you can find these
logs here and
this character they
they are they they are uh
playing the role also of a shock
absorbers
and
well the other techniques
which is different from the reinforced
reinforcements only with the logs of tui
and this says um techniques which
was used in the city built
built or constructed constructed by the
moorish
when they arrived at algeria's history
so uh during the 15th century we have
this uh earth and earth
and it was um this is called tapia
valenciana
and it was evaluated by christine in
spain
as a seismic resistant techniques and it
was uh
used at valencia after the great
earthquake of
13 50
uh 95 on 59
if yes 1359
earthquake later during the 19th century
this same the same techniques was used
in the colonial buildings
such as resistance
and at my at my city
because it is located in a very high
risk area we have fought the
beef
um so marbling and fault
which arrived and which arrived
until the uh the city and i was
destroyed
several times in the history the first
the first recognized
the first important earthquake was the
the one of uh 17
25
17 25 year earthquake where
all the city was destroyed and then the
reconstructions
was during their
constriction all the the houses were
built with the capital and siena
and when the when the french were
at in algeria they used this technique
because they
are because they they were
they were
because they know they they know during
this time that the city
is
this big area
and in the um different
in other region in the highland of
um in the in the west highland
we discovered a system which
is so we called um
traditional warning system this
uh this this is
made of it's built with the
beam of with with the logs of
trees and the hooking system of food
element
uh they detached the the
detached when soil movement happened
and this happened not only when the
earthquake happened but also when we
have a landslide
because the constriction are
sloping on sloping uh
soil so we have uh this techniques was
used
in the historical uh in historical
mosque during the 17th
century and this um
the in the this region was known
as the first known earthquake was
the earthquake of the 18th
um and during the
project uh as
as today
we are we are talking about the use of
compatible materials of
historical techniques we have
repealed we have reused the
techniques uh using the logs
of wood inserted in the masonry and in
the columns so we have here
for the restoration and here after the
restoration it was really difficult to
ask
to to reproduce and to reuse
the um the uh
these techniques because in algeria
our regulation is is still
dating from the 18th
from 1918 uh it was
the the regulation was made after the
al-aznab earthquake and
during this time the restoration was
made
over the world by the reinforced
concrete
so the techniques of the post
consolidation
are still today in our regulation with
the
still with the reinforced concrete but
but today the research has evolved and
with
our students we are now working on the
basis of the euro code 8
for the remason rebuilding while waiting
to develop
our own regulation for historical
building
so the citadel of algiers today
is restored according the european
code and not following the algerian one
but it is not easier because for us
because
the regulation the algerian regulation
is still applied today
and we must to see conventions
this is um this this is a picture
showing the
um shaking table
test that
which has been done during the
perpetuate project
seismic preservation of historical
building
where algeria contributes and
the uh and they
we have
they have a mosque
at algiers today is located at inside
the citadel of algiers
and the the
the prototype collapsed at the uh
acceleration of uh the recent earthquake
of
algiers yes it was collapsed
because uh the prototype was isolated it
was not uh
it was not um connected with
the other part of the building or the
other part of
the construction but we have just
simulated
a part of a part of the vault
of the mosque
i it is known that the man has always
know how to adapt to different natural
risk particularly earthquake
in the north african region and in
particular the magrav earthquake
resistant technique have been developed
also the moderate seismicity before the
regulation
from antiquity to the colonial period
earthquake resistant technique are
different from one region to another
they constitute today the transferable
indigenous knowledge
in the mediterranean being thank you
very much for your attention
thank you so much amina for this
wonderful presentation
it's also wonderful to see that
parallels are being
drawn in the chat between the techniques
in iran for example and then in the mag
weapon it's
something we can come back to when we um
start the discussion
um now i would like to introduce our
last speaker
jitendra bottara who's speaking to us
from new zealand where it's currently
almost 4 a.m in the morning so thank you
um chitandra for your
for your dedication so jitendra is in
nepali based in new zealand
he's a fellow of the um fellow of
engineering
new zealand and of the new zealand
society for earthquake engineering
he is director of recipro international
engineering a new zealand based company
and has
lectured and written extensively on
seismic engineering and disaster risk
mitigation
he has provided advisory services about
disaster risk reduction
earthquake recovery and reconstruction
to many governments and international
organizations
including the united nations and the
asian development bank
he is an ardent believer in identifying
strong linkages between social
and seismic engineering for seismic
safety welcome jitendra
what
see here so
you hear me yes we can okay
so give me a minute um
[Music]
it is recording my screen
and you can see my screen yes my project
all good to go
okay good
thank you team for the kind introduction
good morning from the country of sunrise
good day good afternoon good evening
to all from around the globe
in my today's presentation i will be
discussing about my experiences and
observations of
last two and a half decades and seismic
resilience of vernacular construction
along the himalayan arc i have two more
co-speakers professor jason ingham and
dr dimitrov
both from new zealand but i will be
presenting
this webinar thank you to ecomo
kamos for this opportunity to share my
observations
in my presentation today i'll be
discussing about
identifying seismic resilient vernacular
construction
missionary building systems along the
himalayan arc
and i'll evaluate their seismic
resilience
from uh from current engineering
perspective
my goal is not to romanticize or glorify
the vernacular construction but to
scrutinize
these because these are live
construction in himalayan region
but the fundamental question is why
should we study
this vernacular earthquake easily and
construct our vernacular construction at
all
because earthquake after earthquake it
has been proved
these are very weak highly vulnerable
construction
either you go to himalayas or anywhere
in the world
so why should we study them rather than
discarding them and bringing
something more modern which can provide
us better seismic safety
but in my opinion and my observations
in work in many countries i believe this
vernacular construction can provide
disaster risk reduction
in a sustainable way when i say
disaster risk reduction i am not talking
about only natural disasters
i am talking about cultural disaster and
i am also talking about
socio-economic disaster so they are
sustainable system because they
developed over the time
due to from the experience of the people
a large part of himalayas is still very
inaccessible
if we are talking about this vernacular
construction
the knowledge base is with the community
we don't need to bring
technical engineering knowledge from
outside
the material construction materials are
there
so people have no dependency and
importation of material
they are socioeconomically more amenable
they conserve culture and
environmentally
they are environmentally sustainable
because they require minimal
energy over their life cycle
but of course this building system have
their own problems
their own limitations that we need to
understand they can't fit everywhere
though they could be sustainable in
certain context
so we need to understand this but there
are certain
building types along the himalayas
with certain earthquake resilient
features
which has provided seismic safety over
the centuries
and in each earthquake they have proved
their
validity they are validated by
earthquakes
so let's look at the himalayas so from
east to east west it is something like
2400 kilometer long
and we all know himalayas are seat of
mega earthquakes many many magnitude
8 plus earthquakes but let's look at the
building types
so if you look from east to west from
bhutan to
almost close to palmyr west of pakistan
western pakistan
you see a lot of building types which
have
survived earthquakes after earthquakes
maybe some buildings are
weak some are stronger but the most
important thing is
how intuitively how intelligently
people have used whatever resources they
have
to make this building earthquake
resilient
so it is not a matter of weak or strong
it's a matter of
how intelligently the system has evolved
or developed if you look at these
building types
we can broadly classify these building
types in two groups
one is earthquake earthquake-less
mercenary buildings
where timber runners or bamboo runners
are laid along the length of the
building
and they are tied together by class
members
and these timber members these runners
tie whole building
together as a box and provide box action
these timber members subdivide masonry
in small parts
thereby it prevents widening of cracks
dangerously and then masonry
and timber work together
as a composite system to survive an
earthquake
or earthquake shaking the other system
if you look at
is basically timber framed masonry
buildings
good thing with this system is their
walls are very thin
something like four and a half inch to
18 depending on brick
or stone they have timber frames
with bracings but bracing doesn't need
to be accept
it could be any any configuration as you
can see
in the left photograph mercenary is
confined in
small compartments
and meso is held by timber and masonry
and timber work together
to develop a composite system
and these both systems have developed
over the time
through the experience and they have
survived well
but of course as i see along the
himalayas
there are more timberless system
than the timber frame system timber
frame system are muslian
western himalayas
time to look at their seismic uh safety
or to do assessment
if you look at earthquake engineering or
building safety
uh there are two ways for building
to be earthquake resilient either
building has to be very strong
or it must have deformation capacity
we all know these vernacular masonry
buildings are very weak
because the masonry is very weak because
of mud motor or many times there is no
more
motor we can't make strong
the motor we can't because there is no
alternative in many areas
or most of the areas i would say
connections of these buildings
are i would say cannot be made rigid
they are semi rigid we can't make them
rigid like welded or bolted connection
so they are relatively weaker than
industrialized modern materials
but the beautiful thing is the people
have turned these weakness into the
strength
so the building can survive earthquake
shaking
so basically people have adopted
deformation
route provide more and more deformation
capacity
to the system so they can survive an
earthquake it is something like saying
if i am flexible enough if you push me
i'll just deflect you can't push me any
further
because i am deflecting and that's how
these buildings
work but the important thing is
we lack understanding of these building
systems
this vernacular building system the
earthquake and resilient building
systems
work differently than the industrialized
modern materials
buildings constructed of cement
steel or reverse and our building cores
are written for these industrialized
modern materials
which are mostly monolithic
so we can't apply this building course
to this vernacular construction and
every time if you apply
what we find is these buildings are
unsafe or vulnerable
whereas this building has survived
earthquake after earthquake
so we need to rethink our strategy
or our approach to these buildings let's
take one example
on the left on the right there is a
building system
a base isolated building system and what
happens in base isolated building system
whole building remains as a rigid body
works as a rigid body without any
non-linearity
all the non-linearity or deformation
happens in the base and at the base
isolated system
in the base isolated system whereas if
you look at
this vernacular construction it's a
stone in one motor but with
reinforced concrete bends and you see
how it works because the motor has very
it doesn't have any strength practically
so
everything slides and rocks and that's
how it
works so let's see this
small video where did it go
so the consequences are because of our
lack of understanding
the consequences are of sorry
the consequences are here is a temple
from karphendo valley
is a five five-tier temple this temple
has survived
1833 earthquake 1934 earthquake
and recently 2015 earthquake with
minimal damage
all the studies completed until now i
have
seen so this building is this temple is
highly vulnerable to earthquakes
but no study i have seen it to indicate
why this building survived all the mega
earthquakes
that clearly shows we don't understand
these building systems
so we need to develop new strategy
to the understand this building system
the fundamental philosophy earthquake
safety is life safety
so we can't apply current building cores
or the standards
to evaluate these buildings so let's go
to the fundamentals
and look at these buildings from
fundamental principles
are these buildings really uh earthquake
shefa or they meet
earthquake resilient principles
so i evaluated these buildings from
configuration
integrity redundancy stiffness
deformability capability energy
dissipation and
reduced seismic weight
if you look at configuration point of
view these buildings are very simple
vertically and horizontally they are
very regular
their windows are very small the small
window means
there's a larger wall area to carry
seismic force
they have very well defined load paths
so the load can easily travel from
point of its origin to the ground if you
look at the
length to width ratio or lay height to
width ratio
it is a typically one to two and most of
the standards would
recommend this should be less than three
so this building from configuration
point of view are good buildings
if you look at the bottom left building
it is a circular building
and i am not sure if you are aware of
circular buildings
though indian force performed extremely
well
during gujarat earthquake in 2001
and this building is from west nepal
let's look at the integrity point of
view
my observation in many many earthquakes
is one of the
biggest reason of catastrophic failure
of vernacular construction or even any
building system
is loss of integrity
these earthquake resilient vernacular
construction system
have enhanced integrity
people have tried to use whatever they
have any resource
to improve integrity of these buildings
other thing is they are flexible joints
because they couldn't make rigid joints
but the beautiful thing with
flexible joint is they flex
thereby release energy but at the same
time they do not
over stress the connection or the
connecting elements
so the controlled movement helps
releasing energy but helps building to
deform
what about redundancy
any resilient system it could be even
our family
if our family is resilient that means it
must have a redundancy plan
it must have backup system these
building systems have
high redundancy because these buildings
have
multiple load paths
they have sacrificial elements so for
example if you look at the
left figure left image the part of wall
has collapsed
building is still standing well
so basically it is meeting the the its
requirement of
maintaining integrity if you look at the
central
miss you can see how badly walls have
deformed
due to 2005 pakistan earthquake or the
kashmir earthquake
and a few of the stones has already
fallen off
still wall is maintaining its integrity
so that means this system has very high
redundancy
and redundancy is one of the trait of
any
earthquake resilient system
what about stiffness one of the biggest
problem i have seen
in many many earthquakes is the
reinforced concrete frame building
barely suffer from soft history
mechanism
because of obvious reasons
though masonry buildings these
vernacular masonry buildings
are flexible in nature have enough
stiffness
to avoid such type of failure
of course this can happen to this build
these vernacular construction also
if earthquake is a very long
and very high intensity but
probabilistically that's
very unlikely to happen
so these buildings have enough stiffness
to survive earthquake though they are
very flexible
what about deformability these
vernacular construction systems
work on the deformability their capacity
to deform
but if many elements different elements
deform in different way
if and if they do not have compatibility
things would start breaking the moment
one element breaks
that chain of brave failure will start
and that would lead to catastrophic
failure
but the cool system good thing with
these systems is
they are very compatible different
elements are compatible
for example wall is sliding the motor
sorry missionary units are sliding past
each other they are rocking
like this the joints are flexible
or semi-rigid so all this control
movement avoids stress concentration
in particular elements thereby helps
building to survive
what about energy dissipation
as early as shown by many presenters
and you may have seen during many
earthquakes in the past earthquakes
masonry buildings are very large cracks
like this because these cracks have to
happen
to release energy because earthquake is
imparting energy to the building system
but what happens if there are seismic
bands
there are runners or frames let's look
at a video
here with timber frame
this test was completed in 2018 when we
completed a
very extensive test on masonry buildings
so
let's have a video
the acceleration of this video during
shaking was
1g that was the capacity of the table it
is 2 30 scale model
and you can see how mesonory is sliding
past
each other and units are rocking
so you can see through this sliding it
is releasing energy it's
like a friction damper or rocking damper
and the beautiful thing is in
the the left figure you see very large
cracks
but mud motor if there are timber bands
or the
some bands some form of tying elements
that the cracks are prevented
from widening dangerously
because these bands hold the masonry
together
and other thing is beautiful thing with
masonry in mud motor is because it is
always in cracked state
so that means degradation is very low
compared to high strength machinery
what about seismic mass people have
tried their best to reduce
mass for example in the central figure
bottom two stories are
masonry uh with timber bands but
one is a light structure same in that
this is
timber frame construction say from
pakistan
and just by doing this timber frame
people have reduced seismic weight by
almost one third to half so that's a
significance
reduction in seismic force that leads to
reduction in seismic force
what i mean is people have tried their
best
to improve the system if you put this
all seven attributes of seismic
resilience in
one figure together what we see
is more this shaded area better the
building is
so this is an unrained force machinery
building vernacular building again
but have very little
gray area that means this building is
highly vulnerable
but last building system
is a much much better than indian force
masonry
because very large shaded area
if you look at timber frame building
these are further
better
but we need to understand these timber
frames building are mostly one to two
story
whereas this timberless building can go
maybe three story
or even more
so each building type has their own
limitations
and there is strength and we need to
understand that
so the conclusion is
vernacular building systems are
sustainable building systems
and again i highlight when we look at
sustainability
it is not only earthquake or any natural
disaster
sustainability means cultural
sustainability
socioeconomic sustainability because
these
cars life these are important tenures of
life
not only the technology
barnacular earthquake resilient building
system can provide
earthquake safety sustainably so the
important thing is
to to mainstream
promote these strengths and mainstream
this construction system of course as i
mentioned earlier
these building systems are their own
weaknesses and strengths
and we need to study these weaknesses to
understand how we can improve them
using modern technologies
so that should be our goal
thank you very much ah this is all about
my presentation
and if you have any question please feel
free to
ask thank you thank you so much
chitandra for such a wonderful
presentations i
i particularly liked your um
your analogies trying to um
you know explain very difficult concepts
with very simple analogies and i think
it's
it gives us a great overview of why
traditional
um structures can work well so i would
like to pick up on that
now and if you could stop sharing your
screen so we can
get all of the panelists
on the screen then that would be great
thank you and so we will go on for about
another 15 minutes with discussion
based on the questions that were raised
and first of all i would like to um
go back to what you actually put on your
last slide jitendra and like the two
signs of change
versus go back to um the same old
and that that also brings me back to the
points that fernando raised about
traditional versus modern interventions
and rebuilding better
um and i was also really struggling
tendra by your comment there that we
should not glorify
um one slide back but better understand
traditional structures and so i wanted
to ask steve
to comment on that interaction of new
and old techniques in traditional
structures
based on different um approaches that
you presented steve
and maybe later jitendra you can uh
chime in on that as well
should i try steve okay i think we'll go
back to sleep first
um okay okay i i am here i
can't seem to turn on my video but um
i'm here
and um i'm interested in
the combat compatibility of
okay let's see start my video i'm
interested in the
um the issue of compatibility of
traditional and modern techniques i know
that
in the past uh materials such as
reinforced concrete reinforced concrete
is
concrete has become like the bad boy in
heritage conservation
and in many in many ways that
is that is earned but i don't think that
we should always just say
certain materials or certain techniques
um can't be used
it's really a question of compatibility
now in the presentations i
did i sh in haiti i showed that we
actually used
concrete in the foundations in bhutan
we got this uh horizontal uh tie
going like what jatendra was talking
about
using a uh using a polyethylene strap
and that is because
we couldn't go all the way around the
building and tie the wood in
the way that um the way that would have
been
deal based on the building that we had
but i think
that i think it is okay to look at
content materials and contemporary
techniques we should always start with
the guideline of
minimum intervention but
when we intervene on a building as
minimal as that intervention may be
it's going to be a change so there's
always going to be a change fernando was
talking about the change and the change
that we need to have
these are these are important topics but
we should always start with
what is minimum and the uh the
principles
that are there are scarce principles and
also the guidelines they're working
working with i like to look at these as
guidelines or road maps
is something that you can start with if
you're taking a trip you may look at a
roadmap but then you may decide to go a
different way
based on what based on what
road or sites that you want to see
so i think that we can have some
guidelines but we don't need to have
strict
rules i hope that that uh i hope that
that answers your question
it does it does any of the other
panelists chitandra for example wants to
chime in
you did you have a comment on that as
well
i would like to add to stephen
compatibility is important issue
and of course as i mentioned we need to
understand
limitations and strength of this
vernacular construction
and bring in modern science or modern
engineering
to improve them further rather than
discarding them and there is a lot of
opportunity to do that
because that time if you look at
historically
there are only five construction
materials along the himalayas
stone semi-burnt bricks mud
timber and bamboo but now we have more
materials
these buildings are very flexible and
they said stones or brick
so we can bring some confinement uh
polypropylene
or it could be wires or anything but
this
system should be compatible with the
existing system
so rather than destroying the philosophy
of existing system or the vernacular
construction system
we should be enhancing that properties
that characteristic
that's how i think and we did some
testing on that
some extensive set table testing that
could be one of the largest
testing program in this end time on
stone missionary and we found
fantastic results
i i think that's a great um that's a
great comment thank you um
i don't know fernando as this all
started with you i'm wondering if you
want to comment further or if we
should move on to the next one yes of
course i
i agree with stefan and
i like a definition of what means
minimum
intervention of philip garnier that
write in the chat i will read it that
he said that minimum intervention means
maximum
understanding so that is the idea
so uh when i talk
about the the change of of the idea
is that um we are
according with this karsa principle and
icomos
and of course the minimum intervention
is
uh a part of of of this
idea of intervention however uh
sometimes for professionals
involving the practitioners um and
unfortunately
at the same time in some part of the
authorities
they don't understand very well these
principles
so in the academia is well spread and
understanding
and etc so i try to
show how the practitioners are thinking
in mexico not not their academia so
when i say that we need to change the
idea is
the idea in the sense of
first we need to know the structure and
knowing the structure is how to
make the intervention of course taking
in account the minimum
intervention and when i said that uh
the general rules is not possible uh
i don't i don't say
that the guidelines is not okay
i i agree with stephen kelly that
it's a type of road map but
unfortunately the practitioners take
like a quick receipt that okay
the first step is this this this this
and i will
do these steps in all the cases
but without knowing the structure
without
knowing why the structure have
that damage so
i think that one
aim of the academy is to spread
this knowledge to the practitioners and
in the first place to the authorities
because uh when i talk to authorities
is in all levels of authorities in
general
the directors of uh the institute
that is uh regarding to conservation
of uh the architectural heritage in
mexico
they understand very well these concepts
and
these ideas how to conserve
but they is though authorities
that they are in field and
they are working with the practitioners
sometimes
they are not full understand these ideas
thank you so much um i would like to
move on to another point that was made
um a couple of times in the chat i think
um
it was very well voiced by fateme saraj
who said that
many of the construction techniques that
amina was showing
in algeria were very similar
to what was what you could find in iran
for example
and i was wondering if amina or merdot
could
maybe comment on that transfer of
technology and similarities
i think that yes
it's probable because
there is a transfer there is transfer of
technology i know that between the
uh um
the two side of the mediterranean basin
there is transfer
of different technologies or different
techniques of constriction
but and using the
logs of wood in the measuring
uh i think that the last um
the last country
or the um yes the country that i uh
i'm sure that there is this techniques
is syria because they discovered
during the um they they discovered
uh in lataki that the
historical building uh constructed after
the major earthquake historical mother
earthquake
uh with the earthen they they they
reinforced the earth and the rent
uh they ran the earth
constriction with the wood and it is
written
in logarithmic language
so i'm not for the
part of um from iran i'm not sure and i
don't know if there is this
similarity between the
magribun region and the eastern region
so if possible mayhem can say
can explain to us if there is this kind
of techniques in his country
yes actually i don't think that there is
a
need for a transmission
of techniques between the two countries
because
first the uh the climate
of algeria is very similar to the
climate of central iran which is
war and also the people
in these two countries had the same
problems
and also they had
both people in people in both countries
were
human beings and they had their own
knowledge and therefore
to solve the same problem they reach the
same
solution that's simple probably
sometimes there would be some
exchange of knowledge but between
algeria and iran i don't think there
have been such an exchange of knowledge
during the
history and therefore i think it's the
same
solution to the same problem and
that's it the material is the same the
climate is the same and also
the mentality of the two people two
nations are the same it is just the
matter of same problem same
solution i think that is a wonderful
comment
um to indeed like recognize that several
of these techniques
recur all around the world and often
people have arrived at the same
solution because it just makes sense
with that said i'm being mindful of the
time i would like to thank
all of our panelists once more for
making time to
attend the webinar i would also and
speak at the webinar i would also like
to remind everyone that there is a first
and final part to this webinar series on
thursday
april the 14th and with that i would
also
finally like to thank all the
participants for the active
participation
in the chat thank you so much
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