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1
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Downloaded from
YTS.MX
2
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
3
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[SIRENS BLARING]
4
00:00:57,525 --> 00:00:58,626
[DIAL TONE]
5
00:00:58,659 --> 00:01:01,295
[DIALING]
6
00:01:03,764 --> 00:01:06,700
Woman: YES, I'LL HOLD.
7
00:01:07,435 --> 00:01:09,670
UNCLE NEIL.
8
00:01:09,703 --> 00:01:12,440
HI. IT'S JESSICA.
9
00:01:13,607 --> 00:01:16,444
HOW ARE YOU?
10
00:01:17,811 --> 00:01:19,480
REALLY?
11
00:01:21,449 --> 00:01:25,085
YEAH. I'M IN HOLLYWOOD.
12
00:01:31,925 --> 00:01:33,594
SO WHAT HAVE YOU
BEEN DOING
13
00:01:33,627 --> 00:01:36,730
FOR THE PAST 5 YEARS?
14
00:01:43,637 --> 00:01:45,206
YEAH?
15
00:01:51,579 --> 00:01:53,781
I MISS YOU.
16
00:01:56,350 --> 00:01:58,619
A LOT.
17
00:02:00,221 --> 00:02:03,424
WHEN CAN I COME
AND VISIT YOU?
18
00:02:05,459 --> 00:02:09,563
WELL, CAN YOU COME
AND VISIT ME?
19
00:02:09,597 --> 00:02:13,867
I'D LOVE IT IF YOU CAME
AND VISITED ME.
20
00:02:16,604 --> 00:02:19,607
I DON'T CARE ABOUT THAT.
21
00:02:19,640 --> 00:02:21,175
IT DOESN'T MATTER ANYMORE.
22
00:02:21,209 --> 00:02:24,345
I JUST WANT TO SEE YOU.
23
00:02:27,948 --> 00:02:30,184
OK, I'LL TRY.
24
00:02:33,987 --> 00:02:36,357
ARE YOU READY?
25
00:02:40,628 --> 00:02:48,269
* AMAZING GRACE
26
00:02:48,302 --> 00:02:53,907
* HOW SWEET THE SOUND
27
00:02:53,941 --> 00:03:04,418
* THAT SAVED
A WRETCH LIKE ME *
28
00:03:04,452 --> 00:03:10,624
* I ONCE WAS LOST
29
00:03:10,658 --> 00:03:15,796
* BUT NOW AM FOUND
30
00:03:15,829 --> 00:03:27,508
* WAS BLIND,
BUT NOW I SEE *
31
00:03:33,847 --> 00:03:36,617
YES. OK.
32
00:03:38,352 --> 00:03:39,720
BYE.
33
00:03:44,625 --> 00:03:48,762
CAPTIONING MADE POSSIBLE BY
TRIMARK PICTURES
34
00:04:57,765 --> 00:05:00,368
HEY, HEATHER,
CAN I GET A BEER?
35
00:05:00,401 --> 00:05:01,669
YOU GOT MONEY?
36
00:05:01,702 --> 00:05:02,636
I DO.
37
00:05:02,670 --> 00:05:03,437
HOW YOU DOING?
38
00:05:03,471 --> 00:05:05,339
HAVEN'T SEEN YOU AROUND
IN A WHILE.
39
00:05:05,373 --> 00:05:06,807
AIN'T BEEN AROUND
IN A WHILE.
40
00:05:06,840 --> 00:05:08,542
I'VE BEEN KEEPING
MY EYE ON THE COVER
OF ROLLING STONE.
41
00:05:08,576 --> 00:05:11,011
AIN'T SEEN YOU
THERE EITHER.
42
00:05:11,044 --> 00:05:13,414
KEEP WATCHING.
43
00:05:13,814 --> 00:05:14,715
RIGHT.
44
00:05:14,748 --> 00:05:16,650
EXCUSE ME.
45
00:05:21,755 --> 00:05:24,558
MR. BLACK CLOUD.
46
00:05:30,764 --> 00:05:32,866
HOW YOU DOING?
47
00:05:32,900 --> 00:05:33,867
OK.
48
00:05:33,901 --> 00:05:35,369
HOW ARE YOU?
49
00:05:35,403 --> 00:05:37,471
I WANT TO TALK
TO YOU.
50
00:05:37,505 --> 00:05:39,006
I WANT TO TALK
TO YOU, TOO.
51
00:05:39,039 --> 00:05:40,007
HEY, BOBBY.
52
00:05:40,040 --> 00:05:40,874
Bobby: YEAH?
53
00:05:40,908 --> 00:05:43,911
LOOK AT THIS ONE
THAT PAULINA
SHOWED ME.
54
00:05:43,944 --> 00:05:48,482
I DON'T KNOW HOW
TO GET INTO IT
VERY GRACEFULLY.
55
00:05:48,516 --> 00:05:52,052
Bobby: YEAH, THAT'S--
THAT'S, UH, REAL SEXY.
56
00:05:52,085 --> 00:05:52,953
I LIKE THAT.
57
00:05:52,986 --> 00:05:55,122
YOU DO?
YEAH.
58
00:05:55,155 --> 00:05:56,557
MAKE SURE THIS GUY
PAYS YOU
59
00:05:56,590 --> 00:05:59,560
BEFORE YOU SHOW HIM
ANY TIT, THOUGH.
60
00:06:00,027 --> 00:06:01,094
ARE WE OPEN?
61
00:06:01,128 --> 00:06:03,163
YES, MA'AM,
WE ARE OPEN.
62
00:06:03,196 --> 00:06:04,832
WE ARE?
YES.
63
00:06:04,865 --> 00:06:05,933
FUCK, I GOT TO
GET DRESSED.
64
00:06:05,966 --> 00:06:08,135
LOOK AT THE DIFFERENCE
BETWEEN THAT EYE
AND THAT EYE.
65
00:06:08,168 --> 00:06:11,739
THAT'S LIKE A HALF
A CENTIMETER MORE.
66
00:06:11,772 --> 00:06:12,973
AND YOU CAN'T
PUT THAT OUT.
67
00:06:13,006 --> 00:06:14,007
Bobby:
ANYBODY SEEN JO?
68
00:06:14,041 --> 00:06:16,143
NO. I THINK
SHE WENT OUTSIDE.
69
00:06:16,176 --> 00:06:17,878
SHE'S PROBABLY
OUT SUCKING
SOME GUY'S COCK.
70
00:06:17,911 --> 00:06:21,148
WHEN SHE SHOWS UP,
YOU TELL HER TO
COME IN THE OFFICE.
71
00:06:21,181 --> 00:06:22,483
TELL HER YOURSELF.
72
00:06:22,516 --> 00:06:24,017
Woman: BOBBY?
YEAH.
73
00:06:24,051 --> 00:06:25,185
SIMONE'S GOING UP
FOR ME.
74
00:06:25,218 --> 00:06:26,454
SIMONE'S GOING UP--
75
00:06:26,487 --> 00:06:28,622
HEY. WHATEVER HAPPENS
OUTSIDE THIS CLUB'S
NONE OF MY BUSINESS,
76
00:06:28,656 --> 00:06:30,591
BUT WHAT HAPPENS IN HERE
IS MY BUSINESS.
77
00:06:30,624 --> 00:06:31,759
IF HE GIVES YOU
ANY SHIT,
78
00:06:31,792 --> 00:06:32,593
YOU LET ME KNOW.
79
00:06:32,626 --> 00:06:33,293
I'M IN CONTROL.
DON'T WORRY ABOUT IT.
80
00:06:33,326 --> 00:06:34,327
YEAH, YEAH.
YOU'RE IN CONTROL.
81
00:06:34,361 --> 00:06:37,731
I AM IN CONTROL.
I'M JUST TRYING
TO GET UNSTONED.
82
00:06:37,765 --> 00:06:39,199
OK. HURRY UP.
YOU'RE UP.
83
00:06:39,232 --> 00:06:41,802
Bobby: HURRY UP
AND GET DRESSED, PLEASE.
84
00:06:41,835 --> 00:06:44,472
[COUGHING]
85
00:06:51,144 --> 00:06:53,814
OH, FUCK.
86
00:06:55,949 --> 00:06:58,786
[ROCK'N'ROLL PLAYING]
87
00:06:58,819 --> 00:07:02,690
I'M GETTING SIGNED
RIGHT NOW, SO...
88
00:07:02,723 --> 00:07:03,757
CONGRATULATIONS.
89
00:07:03,791 --> 00:07:05,493
LIKE IT'S FINALLY
TURNING AROUND.
90
00:07:05,526 --> 00:07:07,495
THAT'S SO GOOD
BECAUSE I NEED
SOME MONEY
91
00:07:07,528 --> 00:07:08,929
BECAUSE I NEED
TO BE ABLE
TO GET THINGS
92
00:07:08,962 --> 00:07:13,033
FOR THE LITTLE BOY THAT--
OR THE LITTLE GIRL--
93
00:07:13,066 --> 00:07:14,067
SO, LISTEN.
94
00:07:14,101 --> 00:07:16,837
I REALLY WANT
TO PARTY, YOU KNOW?
95
00:07:16,870 --> 00:07:18,706
OK. COULD YOU JUST
NOT PARTY
96
00:07:18,739 --> 00:07:19,873
FOR, LIKE,
A COUPLE OF DAYS
97
00:07:19,907 --> 00:07:22,743
BECAUSE--AND IF WE
MEET WITH THIS LADY
98
00:07:22,776 --> 00:07:24,745
AND YOU'RE NOT HIGH
FOR A LITTLE WHILE,
99
00:07:24,778 --> 00:07:26,547
THEN SHE'LL THINK THAT
WE'RE BOTH STABLE,
100
00:07:26,580 --> 00:07:28,616
AND YOU CAN TELL HER
THAT YOU'RE GONNA
GET A DEAL
101
00:07:28,649 --> 00:07:30,183
AND YOU'RE JUST GONNA
MAKE A LOT OF MONEY--
102
00:07:30,217 --> 00:07:32,920
AM I GONNA
SIGN SOMETHING?
103
00:07:32,953 --> 00:07:35,088
UM, NO.
WELL, YOU MIGHT
104
00:07:35,122 --> 00:07:35,956
HAVE TO SIGN SOMETHING,
105
00:07:35,989 --> 00:07:37,758
BUT YOU COULD
PROBABLY USE
A FAKE NAME
106
00:07:37,791 --> 00:07:39,893
IF YOU, UM, KNOW
THE SOCIAL SECURITY--
107
00:07:39,927 --> 00:07:40,994
OK, WAIT.
SO I SIGN SOMETHING,
108
00:07:41,028 --> 00:07:44,798
AND YOU'RE GONNA GET
A FULL-GROWN CHILD?
109
00:07:44,832 --> 00:07:46,667
NO. HE WOULD BE,
110
00:07:46,700 --> 00:07:49,970
LIKE, A 6- OR 7-YEAR-OLD
PROBABLY.
111
00:07:50,003 --> 00:07:51,539
I'LL DO IT.
112
00:07:51,572 --> 00:07:53,574
OH, THANK YOU,
CHARLIE.
113
00:07:53,607 --> 00:07:56,677
CHECK THIS OUT, BOBBY.
114
00:07:56,710 --> 00:07:57,645
NICO.
115
00:07:57,678 --> 00:07:58,912
YEAH, CARRIE CRAWFORD?
116
00:07:58,946 --> 00:08:02,049
EDDIE HAZELL
FROM THE BLUE IGUANA.
117
00:08:02,082 --> 00:08:02,983
RIGHT. DOWN IN L.A.
118
00:08:03,016 --> 00:08:05,686
RIGHT. WELL, WE'D LIKE
TO, UM, TO GET NICO IN
119
00:08:05,719 --> 00:08:07,888
FOR A PARTY THAT WE'RE
HAVING DOWN HERE
NEXT WEEK,
120
00:08:07,921 --> 00:08:11,024
AND SHE WOULD BE,
UH--SHE WOULD BE
A GREAT ADDITION
121
00:08:11,058 --> 00:08:14,995
TO OUR PROGRAM,
HAVING HER AS
A FEATURED DANCER.
122
00:08:15,028 --> 00:08:17,831
SHE HAS TIME
IN HER SCHEDULE?
123
00:08:17,865 --> 00:08:20,033
YEAH. NO.
WE'RE REAL HAPPY.
124
00:08:20,067 --> 00:08:22,169
WELL, LOOK.
WHY DON'T YOU
GIVE ME A CALL BACK?
125
00:08:22,202 --> 00:08:25,038
MY NUMBER'S 937-4444.
126
00:08:25,072 --> 00:08:27,307
EDDIE HAZELL.
BLUE IGUANA.
127
00:08:27,340 --> 00:08:30,110
OK. I'LL TALK
TO YOU THEN.
128
00:08:30,143 --> 00:08:31,645
* BABY
129
00:08:31,679 --> 00:08:33,914
THIS AIN'T GONNA
BE CHEAP.
130
00:08:33,947 --> 00:08:36,316
I AIN'T WORRIED
ABOUT CHEAP, BABY.
131
00:08:36,349 --> 00:08:37,117
WE GONNA FILL
THIS CLUB.
132
00:08:37,150 --> 00:08:40,888
SHE'S GETTING
300, 400 GUYS A NIGHT.
133
00:08:40,921 --> 00:08:43,256
THERE'S
A REASON WHY.
134
00:08:43,290 --> 00:08:46,894
Eddie: MY, OH, MY,
WE GOT US A FULL HOUSE.
135
00:08:46,927 --> 00:08:48,095
HOW Y'ALL DOING?
GOOD, GOOD.
136
00:08:48,128 --> 00:08:49,897
HEY, GIRL.
HOW YOU DOING?
137
00:08:49,930 --> 00:08:50,598
OH, THANK YOU.
138
00:08:50,631 --> 00:08:51,431
JUST BE SURE
Y'ALL MAKE MONEY.
139
00:08:51,464 --> 00:08:52,365
I DON'T WANT YOU
GETTING USED TO THIS.
140
00:08:52,399 --> 00:08:55,102
THAT ONE'S FOR YOU.
COME TO MY OFFICE LATER.
141
00:08:55,135 --> 00:08:56,203
I GOT TO TALK TO YOU.
142
00:08:56,236 --> 00:08:57,304
THAT'S FOR YOU,
SWEETIE.
143
00:08:57,337 --> 00:08:58,639
THANKS FOR YOUR HELP.
144
00:08:58,672 --> 00:08:59,239
WHERE'S JO?
145
00:08:59,272 --> 00:09:02,943
I THINK SHE WENT
OUTSIDE.
146
00:09:02,976 --> 00:09:03,911
HEY, BABY.
147
00:09:03,944 --> 00:09:04,778
HEY, EDDIE.
148
00:09:04,812 --> 00:09:05,746
WHERE THE FUCK
YOU BEEN?
149
00:09:05,779 --> 00:09:07,080
WHAT DO YOU MEAN,
WHERE THE FUCK
HAVE I BEEN?
150
00:09:07,114 --> 00:09:08,015
I'M RIGHT HERE.
151
00:09:08,048 --> 00:09:09,116
MY SHIT IS HERE. WHAT?
152
00:09:09,149 --> 00:09:09,750
PUT THAT OUT.
153
00:09:09,783 --> 00:09:12,152
THANK YOU
FOR THE FLOWER.
154
00:09:12,185 --> 00:09:14,254
Jo: WHERE'S MY FLOWER?
155
00:09:14,287 --> 00:09:15,322
YOUR FLOWER?
156
00:09:15,355 --> 00:09:16,156
THANK YOU, SWEETHEART!
157
00:09:16,189 --> 00:09:17,290
JO, DON'T YOU THINK
IT'S EVER GONNA BE
158
00:09:17,324 --> 00:09:19,126
THAT EASY.
UH-UH, UH-UH.
159
00:09:19,159 --> 00:09:20,193
YOU COME
IN HERE LATE.
160
00:09:20,227 --> 00:09:21,595
YOU COME IN HERE
ACTING UP, SMOKING--
161
00:09:21,629 --> 00:09:23,664
FUCK YOU,
FUCK YOU, FUCK YOU.
162
00:09:23,697 --> 00:09:24,564
Eddie: YEAH, OK.
163
00:09:24,598 --> 00:09:26,099
YOU CAN COME GET IT
LATER ON IF YOU GOOD.
164
00:09:26,133 --> 00:09:28,702
Jo: I WAS SICK, EDDIE.
I WAS SICK, OK?
165
00:09:28,736 --> 00:09:31,171
SHUT UP, SHUT UP,
YOU FUCKING HYENA.
166
00:09:31,204 --> 00:09:33,607
BY THE WAY,
I WOULD APPRECIATE IT
IF YOU DIDN'T, LIKE,
167
00:09:33,641 --> 00:09:35,075
GET ALL OVER
THAT BLACK GUY.
168
00:09:35,108 --> 00:09:35,909
HE'S ONE
OF MY REGULARS.
169
00:09:35,943 --> 00:09:37,645
Jo: THE BLACK GUY
WITH THE JHERI CURL?
170
00:09:37,678 --> 00:09:39,179
THAT'S ONE
OF YOUR REGULARS?
171
00:09:39,212 --> 00:09:40,047
YES, IT IS.
172
00:09:40,080 --> 00:09:41,381
OH, MY GOD!
HE'S SUCH
A FUCKING FREAK.
173
00:09:41,414 --> 00:09:42,650
YOU KNOW, I WOULD
APPRECIATE IT
174
00:09:42,683 --> 00:09:43,917
IF YOU TOOK
THAT GUY BACK
175
00:09:43,951 --> 00:09:45,185
BECAUSE HE'S JUST
AN ASSHOLE.
176
00:09:45,218 --> 00:09:46,920
LET ME GIVE YOU
A SUGGESTION, SWEETHEART--
177
00:09:46,954 --> 00:09:47,988
SHE HAS TO GET
TO HER LOCKER.
178
00:09:48,021 --> 00:09:49,790
YOU SHOULD GET
A TIT JOB.
179
00:09:49,823 --> 00:09:50,891
OW! FUCK!
180
00:09:50,924 --> 00:09:54,061
D.J.:
GIVE A BIG ROUND
OF APPLAUSE...
181
00:09:54,094 --> 00:09:55,896
Jo: SHUT UP,
YOU FUCKING PSYCHO!
182
00:09:55,929 --> 00:09:58,065
GET--GET UP.
COME HERE.
183
00:09:58,098 --> 00:10:00,668
D.J.: ...IS JASMINE.
184
00:10:00,701 --> 00:10:02,670
Jo: I THINK I THREW
MY VERTEBRAE OUT.
185
00:10:02,703 --> 00:10:03,904
YOU KNOW WHAT.
JUST TAKE THAT
MONEY YOU--
186
00:10:03,937 --> 00:10:06,807
SHUT UP.
SHUT THE FUCK UP!
187
00:10:06,840 --> 00:10:09,142
I WILL SUSPEND
BOTH OF Y'ALL.
188
00:10:09,176 --> 00:10:10,210
DON'T CALL MY BLUFF.
189
00:10:10,243 --> 00:10:12,813
THANK YOU.
IT'S JUST JEALOUSLY.
190
00:10:12,846 --> 00:10:14,882
Man: * I WISH I WAS A HUNTER
191
00:10:14,915 --> 00:10:16,817
* IN SEARCH
OF DIFFERENT FOOD *
192
00:10:16,850 --> 00:10:18,251
* I WISH I WAS THE ANIMAL
193
00:10:18,285 --> 00:10:20,253
* WHICH FITS
INTO THAT MOOD *
194
00:10:20,287 --> 00:10:21,855
* I WISH I WAS A PERSON
195
00:10:21,889 --> 00:10:23,390
* WITH UNLIMITED BREATH
196
00:10:23,423 --> 00:10:25,192
* I WISH I WAS
A HEARTBEAT *
197
00:10:25,225 --> 00:10:26,727
* THAT NEVER COMES
TO REST *
198
00:10:26,760 --> 00:10:29,396
* KOMM ZU MIR
199
00:10:30,263 --> 00:10:31,965
* KOMM ZU MIR
200
00:10:31,999 --> 00:10:33,867
HERE'S YOUR
DRINK.
OH, THANK YOU.
201
00:10:33,901 --> 00:10:36,069
NO, NO, NO.
IT'S ON ME.
202
00:10:36,103 --> 00:10:37,104
OH, THANK YOU.
203
00:10:37,137 --> 00:10:39,973
* KOMM ZU MIR
204
00:10:40,708 --> 00:10:42,109
* I WISH I WAS A STRANGER
205
00:10:42,142 --> 00:10:43,711
* WHO WANDERS
DOWN THE SKY *
206
00:10:43,744 --> 00:10:44,978
* I WISH I WAS
A STARSHIP... *
207
00:10:45,012 --> 00:10:46,013
DUDE, DO YOU
BELIEVE THAT?
208
00:10:46,046 --> 00:10:47,347
* IN SILENCE FLYING BY
209
00:10:47,380 --> 00:10:49,116
* I WISH I WAS
A PRINCESS *
210
00:10:49,149 --> 00:10:51,184
* WITH ARMIES
AT HER HAND *
211
00:10:51,218 --> 00:10:52,820
* I WISH I WAS A RULER
212
00:10:52,853 --> 00:10:56,156
* WHO'D MAKE THEM
UNDERSTAND *
213
00:10:56,189 --> 00:10:57,324
Man: NO.
I GOT MY OWN.
214
00:10:57,357 --> 00:10:58,091
HERE'S SOME.
215
00:10:58,125 --> 00:11:00,060
DUDE, RIGHT NOW,
I'M GONNA SHOW YOU
216
00:11:00,093 --> 00:11:02,062
HOW IT'S DONE,
ALL RIGHT, BOYS?
217
00:11:02,095 --> 00:11:03,163
OOH, YEAH!
218
00:11:03,196 --> 00:11:04,732
HERE YOU GO.
219
00:11:04,765 --> 00:11:05,766
HA HA!
220
00:11:05,799 --> 00:11:06,700
WHOO!
SEXY!
221
00:11:06,734 --> 00:11:08,301
* WIR SPRENGTEN
JEDEN RAHMEN *
222
00:11:08,335 --> 00:11:09,469
* ALS WIR ZUSAMMEN KAMEN
223
00:11:09,502 --> 00:11:11,805
* WAR'S WIE EINE EXPLOSION,
UND ICH SCHWOR' *
224
00:11:11,839 --> 00:11:13,206
* ICH SPUR'
DIE ERSCHUTTERUNG IMMER NOCH *
225
00:11:13,240 --> 00:11:14,708
* ICH WEISS DU RENNST
UND DOCH *
226
00:11:14,742 --> 00:11:15,943
* BIST DU ERST NAH
UND DA *
227
00:11:15,976 --> 00:11:17,745
* WENN DU
IN MEINEN ARMEN LIEGST *
228
00:11:17,778 --> 00:11:19,446
* ICH GEH' ZU BODEN
WENN DU NICHT *
229
00:11:19,479 --> 00:11:20,447
* MIT MIR FLIEGST
230
00:11:20,480 --> 00:11:22,850
* OH BABY,
BITTE BITTE LAUF LAUF *
231
00:11:22,883 --> 00:11:23,817
* GIB NICHT AUF
232
00:11:23,851 --> 00:11:24,752
* ICH HAB' DICH VERMISST
233
00:11:24,785 --> 00:11:26,153
* ES FRESSEN MICH
DAMONEN AUF *
234
00:11:26,186 --> 00:11:27,354
* WENN DU NICHT
BEI MIR BIST *
235
00:11:27,387 --> 00:11:29,422
* ICH TU' WAS DU VERLANGST
HAB' KEINE ANGST *
236
00:11:29,456 --> 00:11:31,992
* ICH LASS' DICH NICHT
ALLEIN DENN UNS *
237
00:11:32,025 --> 00:11:34,194
Man on radio:
IT'S 10 MINUTES PAST 3:00...
238
00:11:34,227 --> 00:11:35,328
[CELL PHONE RINGING]
239
00:11:35,362 --> 00:11:38,331
AND YOU'RE LISTENING
TO L.A.'S CHOICE
FOR TODAY'S SOUND.
240
00:11:38,365 --> 00:11:39,800
A MELLOW 78 DEGREES...
241
00:11:39,833 --> 00:11:41,201
YEAH?
242
00:11:41,234 --> 00:11:44,337
OH, FUCK.
WHAT TIME IS IT?
243
00:11:44,371 --> 00:11:46,173
NO. I FORGOT.
244
00:11:46,206 --> 00:11:48,075
OK, I FORGOT.
NO. I HAVE IT.
245
00:11:48,108 --> 00:11:49,877
I HAVE IT.
I HAVE IT.
246
00:11:49,910 --> 00:11:51,478
SO, UM--
NO. I'LL BE THERE.
247
00:11:51,511 --> 00:11:53,814
I'LL BE THERE
IN, LIKE, 10 MINUTES.
248
00:11:53,847 --> 00:11:55,949
ALL RIGHT.
249
00:11:55,983 --> 00:11:58,718
OHH.
250
00:12:00,821 --> 00:12:01,488
HEY, JOHNNY.
251
00:12:01,521 --> 00:12:02,956
HEY, HOW YOU DOING?
252
00:12:02,990 --> 00:12:04,191
YOU'VE GOT THE MONEY?
253
00:12:04,224 --> 00:12:05,225
YEAH. HERE YOU GO.
254
00:12:05,258 --> 00:12:06,159
WHAT THE FUCK
IS THIS?
255
00:12:06,193 --> 00:12:07,861
I TOLD YOU 40.
I TOLD YOU 40.
256
00:12:07,895 --> 00:12:09,963
NO, YOU DIDN'T
TELL ME 40.
257
00:12:09,997 --> 00:12:11,765
OH!
258
00:12:11,799 --> 00:12:13,233
[COUGHING]
259
00:12:13,266 --> 00:12:15,068
YOU ALL RIGHT?
260
00:12:16,403 --> 00:12:17,337
YOU ALL RIGHT?
261
00:12:17,370 --> 00:12:18,338
YEAH, I'M FINE.
262
00:12:18,371 --> 00:12:19,372
I'M FINE.
WHERE'S THE REST
OF MY FUCKING MONEY?
263
00:12:19,406 --> 00:12:23,476
I'LL GIVE IT TO YOU
NEXT WEEK, OK?
SEE YOU LATER.
264
00:12:23,510 --> 00:12:25,312
FUCK IT.
265
00:12:25,813 --> 00:12:28,816
Man on radio:
* ECHOES THROUGH MY HEAD
266
00:12:28,849 --> 00:12:34,387
* I JUST WANT YOU
HOME AGAIN *
267
00:12:36,857 --> 00:12:40,093
* ...HAS COME AND GONE
AT LAST *
268
00:12:40,127 --> 00:12:44,497
* I JUST WANT YOU
HOME AGAIN *
269
00:12:45,598 --> 00:12:47,134
TWO.
270
00:12:48,035 --> 00:12:49,336
OH, YOU GOT THEM
FROM IN THERE?
271
00:12:49,369 --> 00:12:50,270
YEAH.
272
00:12:50,303 --> 00:12:52,873
$2.00 EACH.
273
00:12:52,906 --> 00:12:53,841
I KNOW YOU.
274
00:12:53,874 --> 00:12:55,809
YOU DANCE
AT THE BLUE IGUANA,
RIGHT, RIGHT?
275
00:12:55,843 --> 00:12:57,110
I JUST
SAW YOU THERE.
276
00:12:57,144 --> 00:12:58,111
YEAH.
277
00:12:58,145 --> 00:12:58,879
WORD, YO.
WHAT'S YOUR--
278
00:12:58,912 --> 00:13:00,413
JASMINE, RIGHT,
JASMINE?
MM-HMM.
279
00:13:00,447 --> 00:13:02,049
JORGE.
HI, JORGE.
280
00:13:02,082 --> 00:13:03,050
NICE TO MEET YOU.
281
00:13:03,083 --> 00:13:03,951
GOOD TO MEET YOU.
282
00:13:03,984 --> 00:13:04,651
I REMEMBER
YOUR NAME.
283
00:13:04,684 --> 00:13:05,452
YEAH. YOU GONNA
COME BY AGAIN?
284
00:13:05,485 --> 00:13:07,254
YEAH. I SHOULD BE
THERE SOON. YEAH.
285
00:13:07,287 --> 00:13:08,822
CAN I HAVE MY BOOKS?
286
00:13:08,856 --> 00:13:10,090
YEAH.
THANKS.
287
00:13:10,123 --> 00:13:12,359
BYE, HANDSOME.
SAY HI.
288
00:13:12,392 --> 00:13:14,127
I WILL.
289
00:13:15,863 --> 00:13:16,729
I KNOW THAT GIRL.
290
00:13:16,763 --> 00:13:19,232
I DIDN'T KNOW YOU WENT
TO STRIP CLUBS, MAN.
291
00:13:19,266 --> 00:13:20,968
WHAT ARE YOU
TALKING ABOUT?
292
00:13:21,001 --> 00:13:22,302
SHE'S A STRIPPER.
293
00:13:22,335 --> 00:13:24,604
SHE COMES
TO MY POETRY READINGS.
294
00:13:24,637 --> 00:13:27,340
NO. SHE DANCES
AT THE BLUE IGUANA,
THOUGH, MAN.
295
00:13:27,374 --> 00:13:29,342
SHE'S A STRIPPER.
296
00:13:29,376 --> 00:13:31,912
WHY DON'T YOU GO
IN THE BACK AND STACK?
297
00:13:31,945 --> 00:13:33,580
ALL RIGHT.
298
00:13:34,181 --> 00:13:36,016
SHE SAID THAT
I WAS HANDSOME, MAN.
299
00:13:36,049 --> 00:13:38,952
HEY, IT'S A BIG DAY.
300
00:13:54,134 --> 00:13:57,504
Eddie: YEAH,
THIS IS EDDIE HAZELL
FROM THE BLUE IGUANA.
301
00:13:57,537 --> 00:13:59,372
RIGHT. I JUST WANTED
TO INVITE YOU DOWN.
302
00:13:59,406 --> 00:14:00,440
I GOT YOUR CARD
DOWN HERE,
303
00:14:00,473 --> 00:14:01,608
AND I WANTED TO
INVITE YOU DOWN.
304
00:14:01,641 --> 00:14:03,110
I'M JESSIE.
HEY, JESSIE.
I'M BOBBY.
305
00:14:03,143 --> 00:14:05,012
I'M HERE
FOR THE AUDITION.
HI, BOBBY.
306
00:14:05,045 --> 00:14:05,913
YEAH, YOU'RE LATE.
307
00:14:05,946 --> 00:14:07,380
I'M SORRY.
I LIKE YOUR HAIR.
308
00:14:07,414 --> 00:14:08,882
Eddie: DEFINITELY
WANT YOU HERE.
309
00:14:08,916 --> 00:14:09,782
IT'S VERY SNAZZY.
310
00:14:09,816 --> 00:14:12,085
COME ON BY
AND JUST ASK
FOR EDDIE HAZELL.
311
00:14:12,119 --> 00:14:13,653
OK. THANKS.
312
00:14:13,686 --> 00:14:14,955
HELLO, MR. HAZELL.
313
00:14:14,988 --> 00:14:16,623
WHO ARE YOU?
MY NAME'S
JESSIE.
314
00:14:16,656 --> 00:14:18,158
I'M HERE
FOR THE AUDITION.
315
00:14:18,191 --> 00:14:19,226
ALL RIGHT. NICE.
316
00:14:19,259 --> 00:14:20,894
I LIKE YOUR GLASSES.
317
00:14:20,928 --> 00:14:21,628
THANK YOU.
318
00:14:21,661 --> 00:14:22,896
FILL THIS OUT.
319
00:14:22,930 --> 00:14:23,596
THANK YOU.
320
00:14:23,630 --> 00:14:24,497
YOU DANCE BEFORE?
321
00:14:24,531 --> 00:14:25,999
YEAH. I DANCED
AT CHEETAH'S
FOR 6 MONTHS.
322
00:14:26,033 --> 00:14:28,936
DO YOU GOT A PEN?
OH, HERE WE GO.
323
00:14:28,969 --> 00:14:30,270
YOU GOT I.D.?
324
00:14:30,303 --> 00:14:32,339
UM, ACTUALLY,
I DON'T HAVE IT ON ME.
325
00:14:32,372 --> 00:14:33,606
IT'S AT THE APARTMENT.
326
00:14:33,640 --> 00:14:35,242
Eddie: WE'RE GONNA
NEED TO SEE SOME I.D.
327
00:14:35,275 --> 00:14:39,546
WE GOT ALL KINDS
OF VICE PEOPLE, A.B.C.,
COMING IN,
328
00:14:39,579 --> 00:14:40,513
AND, UH...
329
00:14:40,547 --> 00:14:43,216
WERE YOU PLANNING ON
STABBING SOMEONE TONIGHT?
330
00:14:44,317 --> 00:14:46,586
NO.
IT'S JUST
A JOKE.
331
00:14:46,619 --> 00:14:48,388
THIS IS SOFT.
332
00:14:48,421 --> 00:14:49,322
SO, UH...
333
00:14:49,356 --> 00:14:51,391
WHERE'D YOU GET THIS?
334
00:14:51,424 --> 00:14:52,259
YEAH.
335
00:14:52,292 --> 00:14:54,161
JIMMY?
YEAH?
336
00:14:54,194 --> 00:14:55,628
PUT IT ON.
337
00:14:55,996 --> 00:14:58,431
Man: * YOU OR I
COULD TELL THE STORY... *
338
00:14:58,465 --> 00:15:04,004
HI. I'M OK.
AND YOU? GOOD.
339
00:15:04,037 --> 00:15:06,239
* BUT ATTENTION FELL
340
00:15:06,273 --> 00:15:11,178
* BEFORE THE LIGHTS
CAME ON AGAIN *
341
00:15:12,045 --> 00:15:15,615
* WITHOUT THE SENSE
OF HEARING *
342
00:15:15,648 --> 00:15:20,253
* MY THOUGHTS
ARE DISAPPEARING *
343
00:15:20,287 --> 00:15:27,494
* AND ALL TIME WILL TELL
344
00:15:28,061 --> 00:15:31,264
* IS THAT ANYONE
345
00:15:31,298 --> 00:15:36,369
* CAN DECIDE
346
00:15:36,403 --> 00:15:38,605
* I LOST THE FIGHT...
347
00:15:38,638 --> 00:15:40,540
Eddie: YEAH.
348
00:15:40,573 --> 00:15:42,709
WE OPEN UP 7:00.
349
00:15:42,742 --> 00:15:46,179
I'LL PUT YOU
IN THE LINEUP.
350
00:15:46,213 --> 00:15:48,248
DON'T FORGET YOUR I.D.
351
00:15:48,281 --> 00:15:49,482
THANK YOU, EDDIE.
352
00:15:49,516 --> 00:15:52,219
I'LL SEE YOU
TONIGHT.
353
00:15:53,320 --> 00:15:55,122
Bobby: WE RUN
A PRETTY TIGHT JOINT HERE.
354
00:15:55,155 --> 00:15:59,659
NO DRUGS, NO HAND JOBS.
NO BLOW JOBS,
AND NO FUCKING.
355
00:15:59,692 --> 00:16:02,329
YOU ARE
SO HANDSOME.
356
00:16:02,362 --> 00:16:04,197
THANK YOU.
DID ANYONE EVER
TELL YOU THAT?
357
00:16:04,231 --> 00:16:06,133
YEAH, I GET IT
ALL THE TIME.
358
00:16:06,166 --> 00:16:08,601
BRAD PITT'S GOT
NOTHING ON ME.
359
00:16:08,635 --> 00:16:10,337
I THINK YOU'RE A DOLL.
360
00:16:10,370 --> 00:16:10,970
THAT'S FINE.
361
00:16:11,004 --> 00:16:13,673
Man on tape:
THE WORD ANGLE
362
00:16:13,706 --> 00:16:20,013
IS SPELLED A-N-G-L-E,
363
00:16:20,047 --> 00:16:30,090
WHILST THE WORD ANGEL
IS SPELLED A-N-G-E-L.
364
00:16:30,123 --> 00:16:31,491
ANGEL.
365
00:16:32,425 --> 00:16:34,094
ANGLE.
366
00:16:34,127 --> 00:16:35,095
ANGLE.
367
00:16:35,128 --> 00:16:36,096
ANGEL.
368
00:16:36,129 --> 00:16:37,497
ANGEL.
369
00:16:41,568 --> 00:16:43,603
HOW MANY NIGHTS?
370
00:16:43,636 --> 00:16:45,305
ONE.
371
00:16:45,338 --> 00:16:47,140
IT'S 30 PLUS TAX.
372
00:16:47,174 --> 00:16:49,642
THAT IS $34.20.
373
00:16:55,348 --> 00:16:55,948
HELLO.
374
00:16:55,982 --> 00:16:59,552
L.A. PAPER.
COMPLIMENTARY.
375
00:17:27,380 --> 00:17:30,750
Man on tape:
LISTEN AND CHECK
YOUR ANSWERS.
376
00:17:30,783 --> 00:17:33,386
PRACTICE SAYING THEM.
377
00:17:33,420 --> 00:17:37,124
A: HE WEARS
A UNIFORM.
378
00:17:37,157 --> 00:17:37,824
HE WEARS A UNIFORM.
379
00:17:37,857 --> 00:17:40,660
Woman on tape:
SHE'S A PILOT.
380
00:17:40,693 --> 00:17:43,830
SHE FLIES
ALL OVER THE WORLD.
381
00:17:43,863 --> 00:17:45,465
SHE'S A PILOT.
382
00:17:45,498 --> 00:17:46,799
PETER HAS
TWO CHILDREN.
383
00:17:46,833 --> 00:17:48,268
Jo: ANGEL.
384
00:17:48,301 --> 00:17:52,639
Woman: IN WINTER,
ALICE GOES SKIING,
385
00:17:52,672 --> 00:17:56,309
AND IN SUMMER,
SHE PLAYS GOLF.
386
00:17:56,343 --> 00:18:02,282
E: BERNADETTE LIVES
IN A FLAT IN PARIS.
387
00:18:02,315 --> 00:18:04,151
D.J.:
LADIES AND GENTLEMEN,
388
00:18:04,184 --> 00:18:09,322
SHE FELL FROM THE SKY,
THE CELESTIAL ANGEL.
389
00:18:14,894 --> 00:18:18,865
[LES MISERY PLAYING]
390
00:18:19,632 --> 00:18:20,767
[MAN WHISTLES]
391
00:18:20,800 --> 00:18:24,237
WHOO-HOO!
392
00:18:33,580 --> 00:18:35,415
Woman: PORTIA,
YOU GOT MY NEGLIGEE?
393
00:18:35,448 --> 00:18:37,717
Jasmine:
UM, YOU KNOW, HI.
YOU KNOW, EXCUSE ME.
394
00:18:37,750 --> 00:18:38,518
HI.
Jessie: HI.
395
00:18:38,551 --> 00:18:41,154
UM, YOU'RE SITTING
IN SOMEONE'S SEAT.
396
00:18:41,188 --> 00:18:43,823
IT'S ANGEL'S SEAT,
SO WHY DON'T YOU
SIT, UH--
397
00:18:43,856 --> 00:18:45,458
YEAH, SIT
IN JO'S SEAT.
398
00:18:45,492 --> 00:18:46,859
I'M JESSIE,
BY THE WAY.
399
00:18:46,893 --> 00:18:48,828
HI, JESSIE.
I'M JASMINE.
400
00:18:48,861 --> 00:18:50,263
YOU HAVE
BEAUTIFUL LIPS.
401
00:18:50,297 --> 00:18:51,864
DO YOU USE COLLAGEN?
402
00:18:51,898 --> 00:18:53,866
NO. THEY'RE NATURAL.
403
00:18:53,900 --> 00:18:54,667
YOU KNOW, THERE'S
SOME FUCKING FREAK
404
00:18:54,701 --> 00:18:56,869
HANGING OUTSIDE
IN A GREEN CADILLAC?
405
00:18:56,903 --> 00:18:58,371
Jessie: I SAW HIM.
406
00:18:58,405 --> 00:18:59,306
DID YOU SEE HIM?
407
00:18:59,339 --> 00:19:00,340
OK, THAT'S
FUCKING FREAKY.
408
00:19:00,373 --> 00:19:02,742
WE OUGHT TO TALK
TO BOBBY ABOUT THAT,
GET HIM TO--
409
00:19:02,775 --> 00:19:03,743
I SAW HIM TWICE
LAST WEEK.
410
00:19:03,776 --> 00:19:04,811
STORMY,
DID YOU SEE HIM?
411
00:19:04,844 --> 00:19:07,180
DID YOU SEE HIM?
NO.
412
00:19:07,214 --> 00:19:08,281
IS HE THERE NOW?
413
00:19:08,315 --> 00:19:09,081
YEAH, I SAW HIM.
414
00:19:09,115 --> 00:19:09,949
DON'T YOU REMEMBER
THAT GUY LAST WEEK
415
00:19:09,982 --> 00:19:10,883
WHO FOLLOWED ME
HOME?
416
00:19:10,917 --> 00:19:11,851
DON'T GO
OUT THERE THOUGH.
417
00:19:11,884 --> 00:19:12,619
Stormy:
I'LL BE RIGHT BACK.
418
00:19:12,652 --> 00:19:13,920
DON'T GO OUTSIDE.
JUST TELL BOBBY.
419
00:19:13,953 --> 00:19:14,787
I WANT TO SEE
WHO IT IS.
420
00:19:14,821 --> 00:19:16,523
JUST TALK TO HIM.
TELL HIM TO
FUCK OFF
421
00:19:16,556 --> 00:19:18,225
IF HE'S THERE.
422
00:19:24,431 --> 00:19:25,865
Man: YEAH!
423
00:19:27,567 --> 00:19:29,902
[MAN WHISTLES]
424
00:20:03,436 --> 00:20:05,605
Jo: I DON'T FUCKING
BELIEVE THIS.
425
00:20:05,638 --> 00:20:06,573
EXCUSE ME, HONEY.
426
00:20:06,606 --> 00:20:10,443
NEW GIRL, BARBIE,
YOU'RE SITTING
IN MY SEAT.
427
00:20:10,477 --> 00:20:11,444
THIS IS MY SEAT.
428
00:20:11,478 --> 00:20:13,313
YOU MIGHT NOTICE
THAT THERE'S, UH,
429
00:20:13,346 --> 00:20:14,514
STUFF IN FRONT
OF IT,
430
00:20:14,547 --> 00:20:15,782
THERE'S A JACKET
ON THE BACK OF IT.
431
00:20:15,815 --> 00:20:17,450
JASMINE,
HOW COULD YOU
LET THIS GIRL
432
00:20:17,484 --> 00:20:18,150
SIT IN MY SEAT?
433
00:20:18,184 --> 00:20:19,118
Jasmine: OH,
DON'T TALK TO ME.
434
00:20:19,151 --> 00:20:20,720
YOU HAVE TO FIND
YOUR OWN SPACE,
SWEETHEART.
435
00:20:20,753 --> 00:20:21,754
IF YOUSE FIND
YOUR OWN SPACE,
436
00:20:21,788 --> 00:20:22,722
WE'RE ALL GONNA
GET ALONG.
437
00:20:22,755 --> 00:20:23,923
Woman: FUCKING GUY'S
BACK AGAIN.
438
00:20:23,956 --> 00:20:24,657
JUST STAY OUT
OF THE WAY.
439
00:20:24,691 --> 00:20:26,359
Second woman:
NO WAY. HE'S BACK?
440
00:20:26,393 --> 00:20:30,263
I'M TELLING YOU.
441
00:20:43,009 --> 00:20:44,043
[APPLAUSE AND CHEERING]
442
00:20:44,076 --> 00:20:46,846
Angel: JASMINE,
YOU KNOW THAT GUY
WHO LOOKS LIKE,
443
00:20:46,879 --> 00:20:50,450
UM--WHO LOOKS LIKE
COLONEL SANDERS?
444
00:20:50,483 --> 00:20:51,584
WHICH ONE?
445
00:20:51,618 --> 00:20:53,420
Jo: HEY, BITCH,
YOU'RE UP.
446
00:20:53,453 --> 00:20:55,322
I JUST CAME
OFFSTAGE.
447
00:20:55,355 --> 00:20:56,656
NO, NOT YOU,
CORNFLAKE.
448
00:20:56,689 --> 00:20:58,024
I'M TALKING
TO JASMINE.
449
00:20:58,057 --> 00:20:59,692
JASMINE, IT'S
YOUR TURN TO GO UP.
450
00:20:59,726 --> 00:21:01,561
I'M NOT GOING UP.
I'M NOT EVEN READY.
451
00:21:01,594 --> 00:21:02,995
I HAVE TO LET
MY RUBBER BREATHE.
452
00:21:03,029 --> 00:21:04,897
Jasmine: IT'S JO.
THEY'RE SAYING JO.
453
00:21:04,931 --> 00:21:06,366
WHAT? THEY'RE NOT
SAYING JO.
454
00:21:06,399 --> 00:21:07,834
I CAN'T GO UP NOW.
I'M NOT READY.
455
00:21:07,867 --> 00:21:08,835
Jessie: I'LL GO.
456
00:21:08,868 --> 00:21:09,902
YOU WILL?
YEAH.
457
00:21:09,936 --> 00:21:11,338
YOU'LL GO FOR ME?
458
00:21:11,371 --> 00:21:12,439
YOU'LL DO THAT FOR ME?
459
00:21:12,472 --> 00:21:13,172
I'D BE HAPPY TO.
460
00:21:13,205 --> 00:21:14,807
HEY, YOU'RE
A REALLY SWEET GIRL,
461
00:21:14,841 --> 00:21:15,742
YOU KNOW THAT?
462
00:21:15,775 --> 00:21:16,643
Jo: SHE'S JESSIE.
463
00:21:16,676 --> 00:21:18,311
SHE'S A NEW ADDITION
TO OUR DRESSING ROOM.
464
00:21:18,345 --> 00:21:19,646
SHE GETS ALONG
WITH EVERYBODY.
465
00:21:19,679 --> 00:21:21,981
WE LOVE LITTLE JESSIE
HERE AT THE BLUE IGUANA.
466
00:21:22,014 --> 00:21:26,819
GO ON. GO ON UP.
YOU'RE GONNA MISS
YOUR--YEAH.
467
00:21:27,754 --> 00:21:30,790
[TECHNO MUSIC PLAYING
AT BLUE IGUANA]
468
00:21:59,151 --> 00:22:01,521
D.J.: AND NOW
MAKING HER STAGE DEBUT--
469
00:22:01,554 --> 00:22:04,857
SHE'S YOUNG,
SHE'S BEAUTIFUL,
SHE'S PERFECTION.
470
00:22:04,891 --> 00:22:07,594
LADIES AND GENTLEMEN,
PUT YOUR HANDS TOGETHER
471
00:22:07,627 --> 00:22:09,896
FOR JESSIE.
472
00:22:09,929 --> 00:22:12,565
[APPLAUSE]
473
00:22:12,599 --> 00:22:14,066
[MAN WHISTLES]
474
00:22:19,105 --> 00:22:24,744
Singers: * SO HERE WE ARE
475
00:22:24,777 --> 00:22:29,682
* THIS IS THE TIME
476
00:22:29,716 --> 00:22:33,586
* TAKE OFF YOUR CLOTHES
477
00:22:33,620 --> 00:22:40,427
* JUST LIKE I'LL
TAKE OFF MINE *
478
00:22:40,460 --> 00:22:45,632
* LIE DOWN WITH ME
479
00:22:45,665 --> 00:22:49,969
* LOOK IN MY EYES...
480
00:22:50,002 --> 00:22:54,541
JUST WONDERING.
DID YOU EVER GET
HER I.D.?
481
00:22:54,574 --> 00:22:57,677
YEAH, I KNOW
WHO SHE IS.
482
00:22:57,710 --> 00:23:00,079
TALKED TO BILLY.
483
00:23:08,988 --> 00:23:11,758
* ANGEL
484
00:23:11,791 --> 00:23:14,160
HEY, MAN, THAT CALL
COME FROM NICO YET, MAN?
485
00:23:14,193 --> 00:23:15,327
IT'S ON THE MACHINE.
486
00:23:15,361 --> 00:23:19,131
COME ON, BOBBY.
YOU SAID YOU WERE
GONNA TELL ME, RIGHT?
487
00:23:19,165 --> 00:23:20,667
MM-HMM.
DAMN.
488
00:23:20,700 --> 00:23:22,401
I'M TELLING YOU.
489
00:23:22,602 --> 00:23:32,979
* I WAITED MANY MOONS
FOR NOW *
490
00:23:33,012 --> 00:23:37,750
* I KNOW YOU WELL
491
00:23:37,784 --> 00:23:42,054
* LET ME SHOW YOU HOW
492
00:23:43,923 --> 00:23:49,028
* DON'T BE AFRAID
493
00:23:49,061 --> 00:23:54,166
* IT'S ONLY ME
494
00:23:54,200 --> 00:23:58,505
* JUST CLOSE OUR EYES
495
00:23:58,538 --> 00:24:04,911
* AND BE WHAT
WE WILL BE *
496
00:24:04,944 --> 00:24:06,579
Man: YEAH.
497
00:24:12,118 --> 00:24:15,688
* ANGEL
498
00:24:22,028 --> 00:24:27,133
HI, UH, EDDIE HAZELL,
THIS IS NICO.
499
00:24:27,166 --> 00:24:29,636
SO IT LOOKS LIKE
WE'RE ON, BABY.
500
00:24:29,669 --> 00:24:30,537
I'LL BE THERE.
501
00:24:30,570 --> 00:24:34,040
UH, YOU HAVE
MY NUMBERS. BYE.
502
00:24:34,073 --> 00:24:35,174
[BEEP]
503
00:24:35,207 --> 00:24:37,877
[WOMAN CRYING]
504
00:25:07,940 --> 00:25:09,041
Jo: OK?
Man: YEAH.
505
00:25:09,075 --> 00:25:10,877
YOU DOING OK,
KID?
YEP.
506
00:25:10,910 --> 00:25:11,944
OK.
507
00:25:11,978 --> 00:25:12,979
YES. DON'T YOU WORRY.
508
00:25:13,012 --> 00:25:14,213
MY GLASSES?
MY GLASSES.
509
00:25:14,246 --> 00:25:15,682
YEAH. WHY DON'T YOU
TAKE THEM OFF?
510
00:25:15,715 --> 00:25:16,683
WE'LL PUT THEM
RIGHT HERE.
511
00:25:16,716 --> 00:25:17,950
YOU CAN FIND THEM
AFTERWARDS.
512
00:25:17,984 --> 00:25:19,285
YOU CAN SEE OK
WITHOUT THEM.
513
00:25:19,318 --> 00:25:22,622
ALL RIGHT, SWEETIE.
OK. HOW'S THAT?
514
00:25:22,655 --> 00:25:23,455
EVERYTHING OK?
YEAH.
515
00:25:23,489 --> 00:25:25,725
YOU WANT TO SEE
THE BAD SIDE?
YEAH.
516
00:25:25,758 --> 00:25:26,926
ALL RIGHT.
YEAH.
517
00:25:26,959 --> 00:25:28,561
HERE WE GO.
518
00:25:28,595 --> 00:25:29,996
OH, GOD.
519
00:25:33,132 --> 00:25:34,667
HI.
520
00:25:35,935 --> 00:25:37,970
JESSIE.
521
00:25:41,173 --> 00:25:42,308
GOT ANY PLANS
TONIGHT?
522
00:25:42,341 --> 00:25:45,578
NO.
LET'S GO.
523
00:25:49,215 --> 00:25:52,652
* I'M THE ONE
THAT CAN'T HIDE *
524
00:25:52,685 --> 00:25:55,054
* GO STEP INSIDE
525
00:25:55,087 --> 00:25:58,891
* TO MAKE A MESS
526
00:25:58,925 --> 00:26:04,764
* I FOUND WINGS TIED
TO YOUR ARMS *
527
00:26:04,797 --> 00:26:07,033
* NO ONE'S CHARMS...
528
00:26:07,066 --> 00:26:09,769
I DON'T HAVE
ANY MONEY FOR THIS.
529
00:26:09,802 --> 00:26:11,303
I'LL MAKE
AN EXCEPTION.
530
00:26:11,337 --> 00:26:13,372
* MAKE ME OVERCOME
531
00:26:13,405 --> 00:26:17,677
* ALL FEARS
532
00:26:20,947 --> 00:26:22,982
Eddie: LISTEN TO THIS.
533
00:26:23,015 --> 00:26:23,783
[BEEP]
534
00:26:23,816 --> 00:26:26,819
[WOMAN CRYING
ON ANSWERING MACHINE]
535
00:26:49,809 --> 00:26:52,845
THAT'S NOT
THE MESSAGE I SAVED.
536
00:26:58,350 --> 00:27:01,053
[WOMAN CRYING]
537
00:27:34,453 --> 00:27:37,790
[SPEAKING RUSSIAN]
538
00:27:55,241 --> 00:27:58,277
Woman: "I REALIZE
OUR ANCESTRAL HUMOR
539
00:27:58,310 --> 00:28:01,347
"GOES TO COMMON
LONGING AND RESISTANCE.
540
00:28:01,380 --> 00:28:04,383
"I KNOW THE EFFORTS
YOU WILL NOT MAKE
541
00:28:04,416 --> 00:28:07,153
"UNTIL YOU ARE READY
TO ACCEPT
542
00:28:07,186 --> 00:28:10,322
I AM NOT A WAR."
543
00:28:10,356 --> 00:28:12,258
OH, THAT WAS GREAT.
544
00:28:12,291 --> 00:28:13,960
GREAT JOB.
THANK YOU, FIONA.
545
00:28:13,993 --> 00:28:14,794
THANK YOU VERY MUCH.
546
00:28:14,827 --> 00:28:16,162
YOU KNOW, I FORGOT
TO MENTION EARLIER.
547
00:28:16,195 --> 00:28:17,730
WE PUT SOME FLIERS
ON THE CHAIRS
548
00:28:17,764 --> 00:28:19,331
REFERRING TO THE UPCOMING
POETRY SLAM
549
00:28:19,365 --> 00:28:20,432
IN SAN FRANCISCO.
550
00:28:20,466 --> 00:28:23,870
UM, AS YOU KNOW,
IT IS THE MOST IMPORTANT
POETRY EVENT
551
00:28:23,903 --> 00:28:24,703
ON THE WEST COAST,
552
00:28:24,737 --> 00:28:26,072
SO BE SURE TO
CHECK IT OUT, ALL RIGHT?
553
00:28:26,105 --> 00:28:27,439
NOW, WITHOUT FURTHER ADO,
554
00:28:27,473 --> 00:28:29,175
I'D LIKE TO BRING UP
SOPHIE DELVAUX,
555
00:28:29,208 --> 00:28:32,478
WHOSE LATEST COLLECTION,
UM, AUTUMN SOPRANOS,
556
00:28:32,511 --> 00:28:37,083
WILL SOON BE PUBLISHED BY
THE HUBCAP POETS LIBRARY.
557
00:28:37,116 --> 00:28:38,717
SOPHIE.
558
00:28:43,990 --> 00:28:45,792
DREAM BOAT.
559
00:28:45,825 --> 00:28:50,062
"SLEEP IS A BOAT MOORED
IN THIS ROOM AT NIGHT
560
00:28:50,096 --> 00:28:51,998
"AND AGAIN AT DAWN.
561
00:28:52,031 --> 00:28:56,235
"IN BETWEEN,
IT JOURNEYS
OVER THE WORLD,
562
00:28:56,268 --> 00:29:00,339
"TRAVELS INSIDE THE SKIN
OF THINGS,
563
00:29:00,372 --> 00:29:03,843
"MOVES OUT
OVER THE STARS,
564
00:29:03,876 --> 00:29:06,813
"COMES SAILING
INTO PORT,
565
00:29:06,846 --> 00:29:09,816
ITS CARGO IMAGES..."
566
00:29:09,849 --> 00:29:13,085
YOU NEVER READ.
567
00:29:13,119 --> 00:29:15,421
NO.
568
00:29:15,454 --> 00:29:18,157
SO WHAT'S THAT
ON YOUR PAPER,
569
00:29:18,190 --> 00:29:19,926
YOUR LAUNDRY LIST
OR SOMETHING?
570
00:29:19,959 --> 00:29:21,360
MM-HMM.
571
00:29:21,393 --> 00:29:24,496
WELL, MAYBE YOU
SHOULD COME AND READ
YOUR LAUNDRY LIST.
572
00:29:24,530 --> 00:29:29,268
" ...AND PLACES,
PALACES, FACES."
573
00:29:29,301 --> 00:29:30,536
MAYBE NOT.
574
00:29:30,569 --> 00:29:31,871
Stormy: HEY.
575
00:29:31,904 --> 00:29:33,305
Man: HEY, BABY.
576
00:29:33,339 --> 00:29:34,841
HEY, STORMY.
YEAH?
577
00:29:34,874 --> 00:29:38,344
DON'T KNOW
A MARIE HUGHES,
DO YOU?
578
00:29:39,545 --> 00:29:42,448
MARIE HUGHES?
RING A BELL?
579
00:29:42,481 --> 00:29:43,482
WHAT IS THAT?
580
00:29:43,515 --> 00:29:44,984
I DON'T KNOW.
SOME ATTORNEY TYPE
DROPPED IT OFF--
581
00:29:45,017 --> 00:29:46,352
UH, 10 MINUTES AGO.
582
00:29:46,385 --> 00:29:48,487
SAID MAKE SURE
SHE GETS IT.
583
00:29:48,520 --> 00:29:49,822
UH, I'LL GIVE IT
TO HER.
584
00:29:49,856 --> 00:29:53,092
I'LL GIVE IT TO HER.
DO YOU KNOW WHO IT IS?
585
00:29:53,125 --> 00:29:55,261
YEAH. IT'S, UH,
IT'S ME.
586
00:29:55,294 --> 00:29:56,328
YOU?
YEAH.
587
00:29:56,362 --> 00:29:58,497
FAN MAIL?
588
00:29:59,131 --> 00:30:03,202
USE YOUR STAGE NAME,
NOT YOUR REAL NAME.
589
00:30:04,203 --> 00:30:06,405
YOU HEAR ME?
590
00:30:14,013 --> 00:30:15,481
[CRYING]
591
00:30:25,391 --> 00:30:27,860
[WHISPERS]
Oh, my God.
592
00:30:41,407 --> 00:30:44,243
OH, MY GOD.
593
00:31:06,999 --> 00:31:09,936
[TOILET FLUSHES]
594
00:31:21,447 --> 00:31:23,182
I THINK
I'M PREGNANT.
595
00:31:23,215 --> 00:31:24,250
NO, YOU'RE NOT.
596
00:31:24,283 --> 00:31:27,053
YEAH. LOOK AT THIS.
597
00:31:27,086 --> 00:31:28,220
WHAT THE FUCK
IS THAT?
598
00:31:28,254 --> 00:31:29,221
THAT'S A PLUS.
599
00:31:29,255 --> 00:31:32,058
THAT MEANS THAT IT'S RIGHT
WHEN YOU'RE PREGNANT.
600
00:31:32,091 --> 00:31:33,159
WHERE DID YOU
GET THIS?
601
00:31:33,192 --> 00:31:34,293
UH, IN THE BATHROOM.
602
00:31:34,326 --> 00:31:35,627
I WAS PEEING
IN THE BATHROOM,
603
00:31:35,661 --> 00:31:38,564
AND I FOUND IT
BENEATH THE TOILET.
604
00:31:38,597 --> 00:31:39,999
DID YOU PISS ON IT?
605
00:31:40,032 --> 00:31:43,102
WELL, I WAS STANDING--
I WAS, YOU KNOW, HOVERING
606
00:31:43,135 --> 00:31:44,203
BECAUSE THE TOILET
IS GROSS,
607
00:31:44,236 --> 00:31:46,672
SO I WAS PEEING,
AND THEN I LOOKED DOWN,
608
00:31:46,705 --> 00:31:48,640
AND I SAW THIS
RIGHT BENEATH
THE TOILET,
609
00:31:48,674 --> 00:31:51,077
AND I--I THINK
I MIGHT HAVE, LIKE,
610
00:31:51,110 --> 00:31:53,279
DRIBBLED ON IT
OR SOMETHING.
611
00:31:53,312 --> 00:31:54,213
DO YOU, LIKE,
PISS ON THE THING?
612
00:31:54,246 --> 00:31:56,215
THERE'S PISS ON IT,
AND I MIGHT HAVE BEEN--
613
00:31:56,248 --> 00:31:57,049
THAT'S
FUCKING GROSS.
614
00:31:57,083 --> 00:31:58,317
I MIGHT HAVE DRIBBLED
ON IT BECAUSE--
615
00:31:58,350 --> 00:31:59,685
WHO YOU FUCKING?
616
00:31:59,718 --> 00:32:01,653
WELL, NOBODY
RIGHT NOW, BUT I--
617
00:32:01,687 --> 00:32:03,289
I HEARD ON
THE DISCOVERY CHANNEL
618
00:32:03,322 --> 00:32:05,391
THAT SPERM CAN LIVE
A REALLY LONG TIME.
619
00:32:05,424 --> 00:32:07,659
WHEN'S THE LAST TIME
YOU FUCKED ANYONE?
620
00:32:07,693 --> 00:32:10,963
UM, LIKE
6 OR 7 MONTHS.
IT'S NOT YOURS.
621
00:32:10,997 --> 00:32:11,730
CASTLE, THIS YOURS?
622
00:32:11,763 --> 00:32:13,165
Castle: NO, HONEY.
THAT'S NOT MINE.
623
00:32:13,199 --> 00:32:14,066
Woman: UH-UH.
IT'S NOT MINE.
624
00:32:14,100 --> 00:32:16,202
SEE? IT'S MINE.
NO, IT'S NOT.
IT'S NOT.
625
00:32:16,235 --> 00:32:17,336
GIRLS,
THIS ISN'T YOURS?
626
00:32:17,369 --> 00:32:18,404
ANGE, HONEY,
YOU KNOW WHAT?
627
00:32:18,437 --> 00:32:19,305
YOU KNOW, YOU
DIDN'T PISS ON IT.
628
00:32:19,338 --> 00:32:20,172
YOU'RE NOT
FUCKING ANYONE.
629
00:32:20,206 --> 00:32:23,109
WELL, I'VE BEEN WANTING
TO GET PREGNANT.
630
00:32:23,142 --> 00:32:24,676
HEY, UM, JESSIE,
IS THIS YOURS?
631
00:32:24,710 --> 00:32:26,212
Jo: GET YOUR HANDS
OFF OF MY SHIT
632
00:32:26,245 --> 00:32:27,679
FOR ONE MINUTE, JESSIE.
633
00:32:27,713 --> 00:32:30,449
I'D APPRECIATE IT.
THANKS.
634
00:32:30,482 --> 00:32:31,517
SEE?
IT'S NOT YOURS.
635
00:32:31,550 --> 00:32:35,387
JASMINE, IT MAY HAVE
PISS ON IT OR NOT
BECAUSE I--
636
00:32:35,421 --> 00:32:38,724
WHOO!
637
00:32:45,297 --> 00:32:47,699
Man: THAT'S THE THING!
638
00:32:47,733 --> 00:32:48,667
OH!
639
00:32:48,700 --> 00:32:49,535
ANGE, DON'T.
640
00:32:49,568 --> 00:32:51,203
ANGE, DON'T.
WHY DO YOU WANT
TO KEEP IT
641
00:32:51,237 --> 00:32:53,739
IF SOMEONE PISSED
ON THAT?
IT'S NOT YOURS.
642
00:32:53,772 --> 00:32:56,742
WHOO!
643
00:32:56,775 --> 00:33:02,148
OK, KIDS, GOING UPTOWN!
644
00:33:05,284 --> 00:33:08,254
[MAN WHISTLING]
645
00:33:10,289 --> 00:33:14,193
AAH! AAH! AAH! AAH!
646
00:33:14,226 --> 00:33:15,061
AAH!
647
00:33:15,094 --> 00:33:20,332
STORMY, WHAT DO YOU GET
FOR A BLOW JOB?
648
00:33:20,366 --> 00:33:23,802
$100.
649
00:33:23,835 --> 00:33:26,038
OK.
650
00:33:36,582 --> 00:33:39,718
AAH!
651
00:33:48,294 --> 00:33:50,796
WHY? JUST MAKE IT--
JUST GIVE IT TO ME.
652
00:33:50,829 --> 00:33:52,064
JO, IS THIS YOURS?
653
00:33:52,098 --> 00:33:52,831
WHAT IS IT? WHAT?
654
00:33:52,864 --> 00:33:54,533
WHAT IS IT? LOOK.
HELLO? IT'S A--
655
00:33:54,566 --> 00:33:55,634
WHAT DO YOU
THINK IT IS?
656
00:33:55,667 --> 00:33:56,802
I DON'T KNOW WHAT
THE FUCK IT IS.
657
00:33:56,835 --> 00:33:57,836
WHAT IS IT?
IT STINKS.
658
00:33:57,869 --> 00:33:59,671
GET IT AWAY
FROM ME.
659
00:33:59,705 --> 00:34:00,806
SIT DOWN.
660
00:34:00,839 --> 00:34:02,241
SIT DOWN.
WHAT?
661
00:34:02,274 --> 00:34:04,243
ARE YOU PREGNANT?
662
00:34:04,276 --> 00:34:05,077
WHAT?
663
00:34:05,111 --> 00:34:06,412
ARE YOU PREGNANT?
664
00:34:06,445 --> 00:34:07,246
WHAT? AM I PREGNANT?
665
00:34:07,279 --> 00:34:07,979
WHAT THE FUCK
IS THE MATTER WITH YOU?
666
00:34:08,013 --> 00:34:09,648
DO I LOOK LIKE
I'M PREGNANT? NO.
667
00:34:09,681 --> 00:34:10,449
I'M NOT
PREGNANT, OK?
668
00:34:10,482 --> 00:34:12,551
I'M NOT PREGNANT.
WHAT'S GOING ON?
669
00:34:12,584 --> 00:34:13,552
BECAUSE ANGEL
FOUND IT,
670
00:34:13,585 --> 00:34:14,520
AND SHE THINKS
IT'S HERS,
671
00:34:14,553 --> 00:34:15,554
BUT IT'S OBVIOUSLY
NOT HERS.
672
00:34:15,587 --> 00:34:16,688
WELL, IF ANGEL
FOUND IT,
673
00:34:16,722 --> 00:34:17,689
IT'S PROBABLY HERS.
674
00:34:17,723 --> 00:34:20,259
ANGEL, HONEY,
ARE YOU PREGNANT?
675
00:34:20,292 --> 00:34:22,128
JO.
CONGRATULATIONS!
676
00:34:22,161 --> 00:34:23,795
JO! ANGEL!
677
00:34:23,829 --> 00:34:25,864
AW, YOU'LL MAKE
SUCH A GOOD MOTHER.
678
00:34:25,897 --> 00:34:28,800
JUST DON'T LEAVE
THE BABY IN THE PARK, OK?
679
00:34:28,834 --> 00:34:30,469
Jasmine:
JO, SIT DOWN.
680
00:34:30,502 --> 00:34:31,303
I'M NOT PREGNANT.
681
00:34:31,337 --> 00:34:34,506
WILL YOU LOOK AT ME?
ARE YOU PREGNANT?
682
00:34:34,540 --> 00:34:35,607
NO.
683
00:34:35,641 --> 00:34:36,675
HOW LATE ARE YOU?
684
00:34:36,708 --> 00:34:38,210
I'M NOT LATE.
685
00:34:38,244 --> 00:34:39,645
I'M NOT LATE. I'M NOT LATE.
686
00:34:39,678 --> 00:34:41,480
OK. SO SHE'S
NOT PREGNANT.
687
00:34:41,513 --> 00:34:42,448
GIVE IT TO ME.
688
00:34:42,481 --> 00:34:45,717
WILL YOU JUST LEAVE YOUR
HANDS OFF OF MY PILLS?
689
00:34:53,459 --> 00:34:54,360
FUCK.
690
00:34:54,393 --> 00:34:56,462
WHAT THE FUCK IS THE MATTER
WITH YOU PEOPLE?
691
00:34:56,495 --> 00:34:57,696
HOW LATE
ARE YOU?
692
00:34:57,729 --> 00:34:59,865
I'M NOT LATE, OK?
693
00:34:59,898 --> 00:35:02,301
ALL RIGHT. I GOT--
694
00:35:02,334 --> 00:35:04,836
CAN'T--GIVE ME THIS.
695
00:35:07,606 --> 00:35:08,807
ALL RIGHT.
WHAT'S THAT MEAN?
696
00:35:08,840 --> 00:35:10,376
IT MEANS
YOU'RE PREGNANT.
697
00:35:10,409 --> 00:35:11,677
IT'S A--
IT'S A PLUS.
698
00:35:11,710 --> 00:35:14,580
THAT IS A LITTLE
BLUE PLUS SIGN
RIGHT THERE.
699
00:35:14,613 --> 00:35:16,615
ALL RIGHT, SWEETHEART.
I'M NOT A MORON.
700
00:35:16,648 --> 00:35:18,150
I READ THE BOX, OK?
701
00:35:18,184 --> 00:35:20,286
ALL RIGHT.
IT'S A PLUS SIGN, OK?
702
00:35:20,319 --> 00:35:21,353
ARE YOU GONNA
KEEP IT?
703
00:35:21,387 --> 00:35:22,388
ALL RIGHT. YOU KNOW--
704
00:35:22,421 --> 00:35:23,889
NO, I'M NOT GONNA KEEP IT.
I'M GONNA THROW IT AWAY.
705
00:35:23,922 --> 00:35:26,392
THAT'S DISGUSTING.
WHAT DO YOU THINK?
706
00:35:26,425 --> 00:35:27,659
YOU WANT A DOCTOR?
I HAVE A DOCTOR.
707
00:35:27,693 --> 00:35:31,630
NO. YOU KNOW I THINK,
WHAT HAPPENED IS I GOT
A DEFECTIVE E.P.T.
708
00:35:31,663 --> 00:35:34,500
BECAUSE IT WAS IN MY--
709
00:35:34,533 --> 00:35:37,169
OH, IT'S SO
BEAUTIFUL.
710
00:35:37,203 --> 00:35:39,305
HONEY, THEY HAVE
A DOCTOR IN CULVER CITY
711
00:35:39,338 --> 00:35:41,773
THAT CAN TAKE CARE
OF IT, ALL RIGHT?
712
00:35:41,807 --> 00:35:43,175
OK. YEAH. ALL RIGHT.
713
00:35:43,209 --> 00:35:44,476
CAN YOU MAKE
AN APPOINTMENT FOR ME?
714
00:35:44,510 --> 00:35:47,346
BECAUSE I DON'T WANT
TO CARRY IT AROUND.
715
00:35:47,379 --> 00:35:48,914
IT'S OK. IT'S OK.
716
00:35:51,350 --> 00:35:53,619
HEY, BOBBY.
717
00:35:53,652 --> 00:35:55,754
BOBBY, HAVE YOU
SEEN CHARLIE?
718
00:35:55,787 --> 00:35:57,423
YEAH,
I'VE SEEN HIM.
719
00:35:57,456 --> 00:35:59,558
HE GAVE ME A TIP.
720
00:35:59,591 --> 00:36:01,227
FUCKING ASSHOLE.
721
00:36:01,260 --> 00:36:02,060
OH, WELL,
WHERE IS HE?
722
00:36:02,093 --> 00:36:03,929
I HAVE TO ARRANGE
SOMETHING WITH HIM.
723
00:36:03,962 --> 00:36:05,831
YOU REALLY
WANT TO KNOW?
724
00:36:05,864 --> 00:36:07,699
YEAH. WHY?
WHAT HAPPENED?
725
00:36:07,733 --> 00:36:09,601
COME ON. LET'S GO
FOR A SMOKE.
726
00:36:09,635 --> 00:36:12,471
WHY? WHAT HAPPENED?
WHAT--
727
00:36:14,440 --> 00:36:17,376
ASSHOLE! GOD!
THE MOTHERFUCKER!
728
00:36:17,409 --> 00:36:19,845
I MEAN,
WHAT AM I SUPPOSED
TO DO NOW, HUH?
729
00:36:19,878 --> 00:36:20,646
YOU'RE GONNA
BE FINE.
730
00:36:20,679 --> 00:36:21,813
WHAT DO YOU MEAN,
I'M GONNA BE FINE?
731
00:36:21,847 --> 00:36:24,350
HE TOLD ME THAT
HE WAS GONNA COME TO
THE MEETING WITH ME.
732
00:36:24,383 --> 00:36:28,254
I GET HIM SOMETHING,
AND THEN HE WAS GONNA
BE MY FIANCé,
733
00:36:28,287 --> 00:36:29,321
AND HE MADE ME
A PROMISE.
734
00:36:29,355 --> 00:36:30,389
HE TOLD ME TO MY FACE.
735
00:36:30,422 --> 00:36:31,823
HE SAID, "I'M GONNA
COME WITH YOU,"
736
00:36:31,857 --> 00:36:34,926
AND THEN HE GOES OFF
WITH THE FIRST
FUCKING LITTLE--
737
00:36:34,960 --> 00:36:35,527
YOU KNOW?
738
00:36:35,561 --> 00:36:36,695
WELL, YOU NEED
THE LEECH?
739
00:36:36,728 --> 00:36:38,630
HERE. HERE.
CALM DOWN.
740
00:36:38,664 --> 00:36:42,568
OH, FUCK, AND I NEED HIM
TO SHOW THAT I'M, LIKE,
741
00:36:42,601 --> 00:36:47,306
YOU KNOW, A WHOLE PERSON
WHO'S GONNA GET MARRIED
AND STUFF SO THAT--
742
00:36:47,339 --> 00:36:49,875
SIT DOWN.
SIT DOWN. SIT DOWN.
743
00:36:49,908 --> 00:36:51,710
RELAX.
744
00:36:53,412 --> 00:36:54,212
BOBBY--
745
00:36:54,246 --> 00:36:56,415
YOU CAN DO A LOT BETTER
THAN CHARLIE.
746
00:36:56,448 --> 00:36:57,516
YEAH. RIGHT.
747
00:36:57,549 --> 00:37:00,018
SOME KID'S GONNA BE
REAL LUCKY TO HAVE YOU
AS A MOM.
748
00:37:00,051 --> 00:37:00,952
THAT'S WHAT YOU GOT
TO REMEMBER.
749
00:37:00,986 --> 00:37:03,322
SEE, HE WASN'T EVEN
GONNA BE THERE WITH ME.
750
00:37:03,355 --> 00:37:06,425
HE WAS JUST GONNA GO
TO THE INTERVIEW.
751
00:37:06,458 --> 00:37:08,927
NOW WHAT AM I GONNA DO?
752
00:37:08,960 --> 00:37:11,830
GIVE ME THAT FUCKING TIP
HE GAVE YOU.
753
00:37:11,863 --> 00:37:13,832
HMM?
754
00:37:15,601 --> 00:37:18,404
WHAT THE FUCK YOU DOING?
THAT'S MY MONEY.
755
00:37:18,437 --> 00:37:19,471
THAT'S MY MONEY!
THAT'S--
756
00:37:19,505 --> 00:37:20,539
THAT'S
CHARLIE'S MONEY.
757
00:37:20,572 --> 00:37:22,040
HERE.
YOU CAN HAVE THIS.
758
00:37:22,073 --> 00:37:24,643
DICKHEAD.
759
00:37:30,349 --> 00:37:31,617
TELL YOU WHAT.
760
00:37:31,650 --> 00:37:32,518
I'M GONNA GO
CHECK WITH EDDIE,
761
00:37:32,551 --> 00:37:34,386
AND I'LL GIVE YOU
A RIDE HOME, ALL RIGHT?
762
00:37:34,420 --> 00:37:36,688
I'LL LOVE YOU
A LONG TIME, BOBBY.
763
00:37:36,722 --> 00:37:38,824
OK.
764
00:37:45,096 --> 00:37:48,700
Woman: MISS WILLOW?
YOU CAN COME IN NOW.
765
00:37:48,734 --> 00:37:50,869
THANKS.
766
00:37:52,604 --> 00:37:53,739
MISS WILLOW,
767
00:37:53,772 --> 00:37:57,676
WHY DO YOU WANT
TO FOSTER A CHILD?
768
00:37:57,709 --> 00:37:58,677
WELL, UM,
769
00:37:58,710 --> 00:38:00,779
BECAUSE I REALLY
LOVE CHILDREN
770
00:38:00,812 --> 00:38:05,384
AND I REALLY
FEEL THAT I COULD
GIVE THEM
771
00:38:05,417 --> 00:38:08,086
A SAFE AND HAPPY
PLACE TO BE
772
00:38:08,119 --> 00:38:10,021
WHILE THEY'RE WAITING
FOR THEIR PARENTS
773
00:38:10,055 --> 00:38:13,058
TO GET OUT
OF REHAB OR JAIL.
774
00:38:13,091 --> 00:38:13,792
SOMETIMES--YEAH.
775
00:38:13,825 --> 00:38:16,061
THESE--SOMETIMES
THE KIDS DO COME
776
00:38:16,094 --> 00:38:17,629
FROM VERY DISTURBED
BACKGROUNDS,
777
00:38:17,663 --> 00:38:21,333
AND IT'S IMPORTANT
TO HAVE A SAFE
AND SECURE ENVIRONMENT
778
00:38:21,367 --> 00:38:22,801
AND SOMEONE
WITH AN OPEN MIND.
779
00:38:22,834 --> 00:38:25,504
YEAH. I HAVE
A VERY OPEN MIND.
780
00:38:25,537 --> 00:38:26,071
YEAH?
781
00:38:26,104 --> 00:38:27,072
YEAH.
LIKE, YOUR SIGN,
782
00:38:27,105 --> 00:38:29,475
IT SAYS "THE HAND
OF FRIENDSHIP
HAS NO COLOR."
783
00:38:29,508 --> 00:38:32,444
LIKE, I DON'T
LOOK DOWN ON
MICHAEL JACKSON
784
00:38:32,478 --> 00:38:34,980
FOR CHANGING THE COLOR
OF HIS SKIN.
785
00:38:35,013 --> 00:38:36,982
WE HAVE PEOPLE
IN MY BUILDING
786
00:38:37,015 --> 00:38:39,485
THAT ARE--
THERE'S 3 LESBIANS
787
00:38:39,518 --> 00:38:40,619
LIVING IN ONE APARTMENT,
788
00:38:40,652 --> 00:38:42,821
AND ALL OF THEM SLEEP
IN THE SAME BED,
789
00:38:42,854 --> 00:38:44,823
AND THEY'RE, LIKE,
THE MOST NORMAL PEOPLE
790
00:38:44,856 --> 00:38:45,691
THAT YOU COULD
EVER MEET.
791
00:38:45,724 --> 00:38:47,926
THEY'RE--EVEN THOUGH
THEY SLEEP TOGETHER,
792
00:38:47,959 --> 00:38:49,060
THEY'RE SO NICE.
793
00:38:49,094 --> 00:38:50,462
OH, I'M SURE THEY--
794
00:38:50,496 --> 00:38:52,631
ACTUALLY, YOU LIVE
IN THE SAME BUILDING,
795
00:38:52,664 --> 00:38:55,767
SO THIS IS
AN APARTMENT ON, UM...
796
00:38:55,801 --> 00:38:56,902
WHITSET?
797
00:38:56,935 --> 00:38:57,503
SPEC.
798
00:38:57,536 --> 00:38:58,504
OH, UH, SPEC.
YOU MOVED.
799
00:38:58,537 --> 00:39:01,006
NO. IT'S RIGHT
AROUND THE CORNER
FROM WHITSET.
800
00:39:01,039 --> 00:39:02,741
THAT WAS
THE DIRECTION.
801
00:39:02,774 --> 00:39:04,610
OK. SO...
802
00:39:04,643 --> 00:39:08,013
OK. AND SO, HOW LONG
HAVE YOU LIVED
IN LOS ANGELES?
803
00:39:08,046 --> 00:39:08,780
FOR 6 YEARS.
804
00:39:08,814 --> 00:39:10,716
6 YEARS? AND WHERE
DID YOU GROW UP?
805
00:39:10,749 --> 00:39:11,450
OKLAHOMA.
806
00:39:11,483 --> 00:39:13,619
SO YOU MOVED HERE
FROM OKLAHOMA?
807
00:39:13,652 --> 00:39:14,386
6 YEARS FROM OKLAHOMA?
808
00:39:14,420 --> 00:39:16,988
WELL, NO, I--
I WAS IN LAS VEGAS.
809
00:39:17,022 --> 00:39:17,689
OH, YEAH?
810
00:39:17,723 --> 00:39:18,957
WHAT WERE YOU DOING
IN VEGAS?
811
00:39:18,990 --> 00:39:20,726
OH, I WAS ENGAGED.
812
00:39:20,759 --> 00:39:22,694
DID YOU GET
MARRIED?
813
00:39:22,728 --> 00:39:23,662
NO. UM, WELL,
814
00:39:23,695 --> 00:39:26,632
I WOULD HAVE,
BUT HE DIDN'T
WANT TO MARRY ME
815
00:39:26,665 --> 00:39:28,567
BECAUSE I, UM--
816
00:39:28,600 --> 00:39:29,768
HE WAS A VERY
WEALTHY MAN,
817
00:39:29,801 --> 00:39:31,169
BUT HE HAD SOME
CHARACTER FLAWS.
818
00:39:31,202 --> 00:39:34,873
SOME CHAR--WELL,
LIKE, WHAT KIND
OF CHARACTER FLAWS?
819
00:39:34,906 --> 00:39:37,075
HE LIKED
REALLY YOUNG WOMEN.
820
00:39:37,108 --> 00:39:38,109
YOU'RE A BEAUTIFUL
WOMAN YOURSELF.
821
00:39:38,143 --> 00:39:40,779
I CAN'T IMAGINE HIM
FINDING SOMEONE
MORE YOUNGER
822
00:39:40,812 --> 00:39:42,013
OR ATTRACTIVE
THAN YOU.
823
00:39:42,047 --> 00:39:45,150
WELL, THANKS,
BUT WHEN I TURNED 25,
824
00:39:45,183 --> 00:39:48,620
I WAS JUST
KIND OF KICKED OUT.
825
00:39:48,654 --> 00:39:50,622
DO YOU HAVE
A SIGNIFICANT OTHER NOW?
826
00:39:50,656 --> 00:39:52,724
MM-HMM.
THAT, UM, CHARLIE.
827
00:39:52,758 --> 00:39:54,059
HE'S MY FIANCé,
828
00:39:54,092 --> 00:39:56,061
AND HE WAS GONNA
COME WITH ME TODAY,
829
00:39:56,094 --> 00:39:59,130
AND I KNOW YOU
MIGHT BE WORRIED
THAT HE'S NOT HERE,
830
00:39:59,164 --> 00:40:00,799
BUT HE HAS
A BIG RECORD DEAL,
831
00:40:00,832 --> 00:40:02,468
AND THEY NEEDED HIM
IN NEW YORK
832
00:40:02,501 --> 00:40:07,906
BECAUSE HE MIGHT,
UM, BE DOING SOME
MUSIC WITH YANNI
833
00:40:07,939 --> 00:40:10,075
OR SOME
OTHER PEOPLE.
834
00:40:10,108 --> 00:40:12,544
THAT'S VERY--
THAT'S VERY SOULFUL.
835
00:40:12,578 --> 00:40:13,445
MM-HMM.
836
00:40:13,479 --> 00:40:16,948
OK.
IT'S VERY SOULFUL.
837
00:40:16,982 --> 00:40:18,484
WHAT DO YOU--
838
00:40:18,517 --> 00:40:21,953
WHAT DO YOU FEAR
MOST IN LIFE?
839
00:40:22,588 --> 00:40:23,855
UM...
840
00:40:23,889 --> 00:40:24,590
DEATH.
841
00:40:24,623 --> 00:40:27,559
WHAT DOES THAT
BRING UP FOR YOU?
842
00:40:27,593 --> 00:40:29,761
NOT BEING ABLE
TO LIVE.
843
00:40:29,795 --> 00:40:33,899
AND WHAT ABOUT THE MOST
PLEASURABLE THING?
844
00:40:33,932 --> 00:40:35,066
LOVE.
845
00:40:35,100 --> 00:40:38,003
LOVE.
YEAH.
846
00:40:38,036 --> 00:40:39,137
MISS WILLOW...
847
00:40:39,170 --> 00:40:40,872
MM-HMM?
848
00:40:40,906 --> 00:40:42,140
WHAT DO YOU THINK--
849
00:40:42,173 --> 00:40:46,478
WHAT DO YOU THINK
YOU CAN GIVE A CHILD?
850
00:40:46,512 --> 00:40:49,548
UM, WELL, UM,
I HAVE A TEDDY BEAR
851
00:40:49,581 --> 00:40:51,950
THAT I HAD
WHEN I WAS A KID,
852
00:40:51,983 --> 00:40:53,885
AND, UM, I--I--I--
853
00:40:53,919 --> 00:40:56,855
I MAKE A REALLY GOOD
FLUFFERNUTTER SANDWICH.
854
00:40:56,888 --> 00:40:59,758
YOU ARE--YOU'RE--
YOU'RE VERY CHARMING.
855
00:40:59,791 --> 00:41:00,559
YOU'RE VERY CHARMING.
856
00:41:00,592 --> 00:41:03,261
I WANT YOU TO
UNDERSTAND SOMETHING.
857
00:41:03,294 --> 00:41:05,831
FOSTERING A CHILD
IS NOT A HOBBY,
858
00:41:05,864 --> 00:41:07,633
AND IT'S NOT
LIKE AN ACTIVITY--
859
00:41:07,666 --> 00:41:08,600
OH, NO. I KNOW.
860
00:41:08,634 --> 00:41:09,935
IT'S VERY--
IT'S SERIOUS.
861
00:41:09,968 --> 00:41:11,069
IT'S AN OCCUPATION,
862
00:41:11,102 --> 00:41:13,238
A COMMITMENT THAT
YOU'RE GONNA MAKE.
863
00:41:13,271 --> 00:41:14,005
I KNOW.
I UNDERSTAND THAT.
864
00:41:14,039 --> 00:41:17,275
I--I HAVE TOO MANY
HOBBIES ALREADY.
865
00:41:17,308 --> 00:41:19,545
HA HA HA HA! OK.
866
00:41:19,578 --> 00:41:21,847
[SPEAKING RUSSIAN]
867
00:42:04,289 --> 00:42:05,891
Jasmine:
JO, WOULD YOU
LOOK AT MY ASS?
868
00:42:05,924 --> 00:42:07,292
THERE'S
SOMETHING IN IT.
869
00:42:07,325 --> 00:42:09,895
IT STINKS. IS IT
WARTS OR SOMETHING?
870
00:42:09,928 --> 00:42:11,162
NO, IT'S NOT.
NO, SWEETHEART.
871
00:42:11,196 --> 00:42:12,631
YOU JUST CUT YOUR
ASSHOLE, THAT'S ALL.
872
00:42:12,664 --> 00:42:14,065
YOU SHOULD JUST PUT
A LITTLE SOLVENT--WAIT.
873
00:42:14,099 --> 00:42:15,767
Angel: YOU MIGHT
FEEL SORRY FOR ME
874
00:42:15,801 --> 00:42:17,869
BECAUSE I ONLY MADE
ONE DOLLAR. HA!
875
00:42:17,903 --> 00:42:19,638
Woman: OH, PLEASE.
876
00:42:19,671 --> 00:42:21,807
Jessie: JESUS, ANGEL.
877
00:42:21,840 --> 00:42:24,009
WAY TO GO.
878
00:42:24,375 --> 00:42:25,143
Angel: HEY, JO...
879
00:42:25,176 --> 00:42:27,245
PUT SOME ALOE VERA
ON THAT, JASMINE.
880
00:42:27,278 --> 00:42:28,847
I'VE BEEN THINKING
ABOUT LITTLE JO
881
00:42:28,880 --> 00:42:32,050
BECAUSE I THINK
IT WOULD BE REALLY
EASY TO REMEMBER
882
00:42:32,083 --> 00:42:33,919
BECAUSE IT'S LIKE
YOUR NAME.
883
00:42:33,952 --> 00:42:34,786
Jo: MM-HMM.
884
00:42:34,820 --> 00:42:36,988
AND IT WOULD BE GOOD
FOR A GIRL OR A BOY.
885
00:42:37,022 --> 00:42:39,725
[WHISTLING]
886
00:42:49,868 --> 00:42:54,339
Man: * DON'T TAKE MY SOUL
887
00:42:57,676 --> 00:43:03,314
* NOT FROM ME NOW
888
00:43:04,783 --> 00:43:11,757
* DON'T SEND NO ROSES
889
00:43:11,790 --> 00:43:15,360
* MY PENANCE IS DUE
890
00:43:15,393 --> 00:43:17,763
HEY. CAN I JUST
GET YOUR ATTENTION?
891
00:43:17,796 --> 00:43:18,529
DON'T FORGET--
892
00:43:18,563 --> 00:43:20,231
HELLO, TIFFANY.
PARTY AT MY HOUSE.
893
00:43:20,265 --> 00:43:22,834
BIG PARTY AT MY HOUSE
DAY AFTER TOMORROW
894
00:43:22,868 --> 00:43:23,669
FOR THE FOSTER KID.
895
00:43:23,702 --> 00:43:24,535
IT TAKES A WHILE TO FIND
THE RIGHT GUY,
896
00:43:24,569 --> 00:43:27,038
AND SOMETIMES PEOPLE
CAN PISS OFF PEOPLE,
897
00:43:27,072 --> 00:43:28,039
AND THE THING IS--
898
00:43:28,073 --> 00:43:28,774
HELLO?
WHAT?
899
00:43:28,807 --> 00:43:29,708
WE'RE GETTING
MY APARTMENT READY
900
00:43:29,741 --> 00:43:31,643
FOR MY FOSTER KID
THE DAY AFTER
TOMORROW.
901
00:43:31,677 --> 00:43:34,079
I'M GONNA MAKE
A MAP FOR EVERYBODY
SO EVERYONE KNOWS
902
00:43:34,112 --> 00:43:36,948
HOW TO GET TO
MY APARTMENT, OK?
903
00:43:45,323 --> 00:43:48,960
Man: REMEMBER
THESE GLASSES?
904
00:43:48,994 --> 00:43:51,029
I WAS WONDERING
IF, UH,
905
00:43:51,062 --> 00:43:54,099
MAYBE YOU COULD,
UH, HOLD THEM
906
00:43:54,132 --> 00:43:55,934
WHILE I, UH...
907
00:43:55,967 --> 00:44:00,438
I STRAIGHTEN IT OUT
WITH THE LANDLORD.
908
00:44:00,471 --> 00:44:02,173
STRAIGHT IT OUT?
909
00:44:02,207 --> 00:44:06,077
THOSE ARE--THOSE
WERE MY WIFE'S.
910
00:44:06,111 --> 00:44:07,445
SHE LOVED THEM,
AND, UH,
911
00:44:07,478 --> 00:44:11,950
IT'S THE ONLY MEMENTO
I GOT OF HER.
912
00:45:10,308 --> 00:45:12,077
D.J.: THAT'S STORMY.
913
00:45:12,110 --> 00:45:14,980
[APPLAUSE]
914
00:45:18,216 --> 00:45:25,056
EDDIE, HARRY LEFT
HIS BINOCULARS
HERE FOR YOU.
915
00:45:25,090 --> 00:45:26,191
HARRY LEFT THESE?
916
00:45:26,224 --> 00:45:28,226
YEAH.
917
00:45:29,360 --> 00:45:31,096
THANKS.
918
00:45:31,129 --> 00:45:32,197
HEY, DESIREE.
919
00:45:32,230 --> 00:45:34,032
YEAH?
920
00:45:34,065 --> 00:45:34,933
YOU OK?
921
00:45:34,966 --> 00:45:38,369
YEAH, I'M FINE.
922
00:46:13,371 --> 00:46:19,044
UH, HI. IT'S ROOM 208.
923
00:46:19,077 --> 00:46:23,414
YES. NO, I AM NOT GOING.
924
00:46:23,448 --> 00:46:26,017
YES. I STAY
ONE MORE NIGHT.
925
00:46:26,051 --> 00:46:30,088
Man: * LIFT ME
LIKE AN OLIVE BRANCH *
926
00:46:30,121 --> 00:46:33,191
* BE MY HOMEWARD DOVE
927
00:46:33,224 --> 00:46:35,961
* AND DANCE ME
928
00:46:35,994 --> 00:46:40,031
* TO THE END OF LOVE
929
00:46:40,065 --> 00:46:42,167
OH. NO PROBLEM.
930
00:46:42,200 --> 00:46:44,069
HEY THERE.
931
00:46:53,144 --> 00:46:54,379
YOU WANT ME TO GET OUT
OF YOUR WAY?
932
00:46:54,412 --> 00:46:55,513
HMM?
YOU WANT ME TO GO?
933
00:46:55,546 --> 00:46:58,583
NO. I AIN'T GOT
NOWHERE TO GO.
934
00:47:04,655 --> 00:47:06,491
LIGHT ME ONE,
WILL YOU?
935
00:47:06,524 --> 00:47:08,493
YEAH. SURE.
936
00:47:20,671 --> 00:47:22,974
HE'S HERE, BOBBY.
937
00:47:23,008 --> 00:47:25,110
WHO?
938
00:47:25,143 --> 00:47:27,245
SULLIVAN.
939
00:47:27,278 --> 00:47:29,447
YOUR BROTHER?
940
00:47:31,216 --> 00:47:33,118
YES.
941
00:47:38,389 --> 00:47:40,491
HE WANTS ME
TO GO SEE HIM.
942
00:47:40,525 --> 00:47:41,960
GONNA?
943
00:47:41,993 --> 00:47:44,129
HE'S STAYING
AT THE SUNSET HILTON.
944
00:47:44,162 --> 00:47:48,433
YOU KNOW
WHERE THAT IS?
945
00:47:48,466 --> 00:47:52,237
YEAH. YEAH.
946
00:47:52,270 --> 00:47:56,041
HE'S GETTING
MARRIED.
947
00:47:56,074 --> 00:47:58,643
HE'S GONNA BE A DADDY.
948
00:47:58,676 --> 00:48:00,678
YOU'RE GONNA BE
AN AUNT.
949
00:48:00,711 --> 00:48:02,880
FUCK YOU.
950
00:48:05,216 --> 00:48:08,353
FUCK, NO. I DON'T
WANT TO SEE HIM.
951
00:48:11,222 --> 00:48:14,359
HOW'D WE DO TONIGHT?
952
00:48:14,392 --> 00:48:16,427
DID ALL RIGHT.
953
00:48:19,965 --> 00:48:22,000
WANT SOME ADVICE?
954
00:48:22,033 --> 00:48:23,234
WAIT TILL CHRISTMAS.
955
00:48:23,268 --> 00:48:25,103
YOU BUY THEM ALL
NICE LITTLE GIFTS.
956
00:48:25,136 --> 00:48:26,237
YOU GO HOME.
YOU HUG THEM.
957
00:48:26,271 --> 00:48:28,173
YOU TAKE A PICTURE.
YOU GO HOME.
958
00:48:28,206 --> 00:48:30,641
I DON'T WANT
ANY ADVICE.
959
00:48:31,676 --> 00:48:34,245
I WANT TO SEE HIM.
960
00:48:34,279 --> 00:48:37,382
Bobby:
'74 FLEETWOOD.
961
00:48:37,415 --> 00:48:40,618
Stormy: WE DROVE
ACROSS THE COUNTRY
IN THAT CAR.
962
00:48:40,651 --> 00:48:44,155
I ALWAYS WANTED
TO DO THAT.
963
00:48:44,189 --> 00:48:47,592
BEST MEMORIES
OF MY LIFE.
964
00:48:52,730 --> 00:48:54,632
HE'S RIGHT THERE.
WHERE?
965
00:48:54,665 --> 00:48:57,702
RIGHT THERE.
MY BROTHER.
966
00:48:57,735 --> 00:48:59,070
HOW DO YOU KNOW?
967
00:48:59,104 --> 00:49:00,538
I KNOW.
968
00:49:01,539 --> 00:49:03,374
I KNOW HE'S ON, UH,
969
00:49:03,408 --> 00:49:05,276
ON THE LEFT SIDE
OF THE BED,
970
00:49:05,310 --> 00:49:08,313
AND HE'S SMOKING
A CIGARETTE,
971
00:49:08,346 --> 00:49:11,049
AND HE'S THINKING.
972
00:49:18,189 --> 00:49:19,257
I'M NOT GOING UP.
973
00:49:19,290 --> 00:49:21,726
I DON'T WANT
TO GO UP THERE.
974
00:49:24,295 --> 00:49:25,330
YOU WANT TO GO BACK
TO MY PLACE?
975
00:49:25,363 --> 00:49:26,531
NO. JUST, YOU KNOW,
TAKE ME BACK
976
00:49:26,564 --> 00:49:29,400
TO MY CAR, ALL RIGHT?
977
00:49:29,434 --> 00:49:31,502
ALL RIGHT.
978
00:49:31,536 --> 00:49:33,271
[STARTS ENGINE]
979
00:49:33,304 --> 00:49:37,508
Man: OK. THIS IS
AN EXCELLENT GUITAR,
SO...
980
00:49:37,542 --> 00:49:40,045
THANK YOU.
981
00:49:40,078 --> 00:49:42,280
WHOA.
982
00:49:45,750 --> 00:49:48,153
BABY, COME HERE.
983
00:49:48,186 --> 00:49:50,521
Charlie: HERE. HERE.
LET ME TELL YOU.
984
00:49:50,555 --> 00:49:51,556
YOU HEAR
THAT SOUND?
985
00:49:51,589 --> 00:49:54,192
YEAH. THIS IS A '59
GIBSON LES PAUL.
986
00:49:54,225 --> 00:49:58,663
THIS--THERE IS MORE
HISTORY BEHIND
THIS INSTRUMENT.
987
00:49:58,696 --> 00:50:01,466
YOU GOT TO HOLD IT
LIKE A PRECIOUS BABY.
988
00:50:01,499 --> 00:50:02,333
Jessie: OH, BABY.
989
00:50:02,367 --> 00:50:04,135
THINK
BABY JESUS CHRIST.
990
00:50:04,169 --> 00:50:07,004
GOT THE GOODS.
991
00:50:07,805 --> 00:50:10,308
I AM SO PROUD
OF YOU.
992
00:50:10,341 --> 00:50:13,211
Man: CASH OR--
993
00:50:13,244 --> 00:50:14,145
OH, CASH.
994
00:50:14,179 --> 00:50:16,614
IT'S CASH.
TAKE THAT.
995
00:50:16,647 --> 00:50:18,183
OK. EXCELLENT.
996
00:50:18,216 --> 00:50:19,117
ARE YOU HAPPY?
997
00:50:19,150 --> 00:50:21,219
THANK YOU,
HONEY.
998
00:51:01,592 --> 00:51:05,130
Man: * DANCE ME
TO YOUR BEAUTY *
999
00:51:05,163 --> 00:51:08,866
* WITH A BURNING VIOLIN
1000
00:51:08,899 --> 00:51:11,836
* DANCE ME
THROUGH THE PANIC *
1001
00:51:11,869 --> 00:51:16,141
* TILL I'M GATHERED
SAFELY IN *
1002
00:51:16,174 --> 00:51:19,810
* LIFT ME
LIKE AN OLIVE BRANCH *
1003
00:51:19,844 --> 00:51:23,348
* AND BE MY HOMEWARD DOVE
1004
00:51:23,381 --> 00:51:25,850
* AND DANCE ME
1005
00:51:25,883 --> 00:51:29,587
* TO THE END OF LOVE
1006
00:51:30,621 --> 00:51:33,224
* YEAH, DANCE ME
1007
00:51:33,258 --> 00:51:36,327
* TO THE END OF LOVE
1008
00:51:37,862 --> 00:51:40,598
* LET ME SEE YOUR BEAUTY
1009
00:51:40,631 --> 00:51:45,770
* WHEN THE WITNESSES
ARE GONE... *
1010
00:51:45,803 --> 00:51:48,406
Jasmine: ANGE, I GOT
ALL THIS REALLY,
REALLY GREAT STUFF
1011
00:51:48,439 --> 00:51:51,742
AT THE 99 CENT STORE,
AND I THOUGHT--WAKE UP--
1012
00:51:51,776 --> 00:51:53,744
AND I GOT THIS REALLY,
REALLY GREAT SNORKEL.
1013
00:51:53,778 --> 00:51:56,681
THE KID CAN USE IT
AS A SNORKEL
IN THIS POOL.
1014
00:51:56,714 --> 00:51:59,150
OH, THAT'S
SO CUTE!
1015
00:51:59,184 --> 00:52:02,187
WHERE'S JO?
WHERE IS EVERYBODY?
1016
00:52:02,220 --> 00:52:03,288
I THINK
THAT EVERYBODY
1017
00:52:03,321 --> 00:52:05,256
HAD AN APPOINTMENT
OR SOMETHING.
1018
00:52:05,290 --> 00:52:06,824
I HAVEN'T HEARD
FROM ANYBODY.
1019
00:52:06,857 --> 00:52:08,226
OK. YOU KNOW
THAT GUY
1020
00:52:08,259 --> 00:52:10,561
WHO THROWS THAT
SHIT UP ONSTAGE?
1021
00:52:10,595 --> 00:52:11,896
YEAH.
1022
00:52:11,929 --> 00:52:12,563
PRESENTS!
1023
00:52:12,597 --> 00:52:13,531
OH, YAY. I NEED
TO WAKE UP.
1024
00:52:13,564 --> 00:52:16,767
SO I THINK THAT
WE SHOULD SMOKE IT
RIGHT NOW.
1025
00:52:16,801 --> 00:52:18,636
YEAH. BECAUSE
WE NEED TO ORGANIZE.
1026
00:52:18,669 --> 00:52:20,738
WE NEED
TO CONCENTRATE.
1027
00:52:20,771 --> 00:52:21,672
SMELL THAT.
1028
00:52:21,706 --> 00:52:23,274
Jasmine: OH, MY GOD.
DID YOU MOVE THE COUCH?
1029
00:52:23,308 --> 00:52:24,542
YEAH. BECAUSE
I'M WORKING
1030
00:52:24,575 --> 00:52:26,577
ON THE FENG SHUI.
WHOA.
1031
00:52:26,611 --> 00:52:28,679
WHAT THE FUCK
IS FENG SHUI?
1032
00:52:28,713 --> 00:52:31,916
IT'S--AREN'T YOU
FROM, LIKE, ASIA?
1033
00:52:31,949 --> 00:52:34,419
NO. I'M FROM
SEATTLE, HONEY.
1034
00:52:34,452 --> 00:52:35,553
LIGHT ME.
1035
00:52:35,586 --> 00:52:38,289
WELL, FENG SHUI IS LIKE
THE ANCIENT OREAL--
1036
00:52:38,323 --> 00:52:41,959
ORIENTAL RITUAL OF
DECORATING YOUR HOUSE
1037
00:52:41,992 --> 00:52:44,629
WHERE YOU MOVE ALL
OF YOUR FURNITURE
1038
00:52:44,662 --> 00:52:46,831
SO THAT THE CHI--
1039
00:52:46,864 --> 00:52:47,965
OH, MY GOD.
1040
00:52:47,998 --> 00:52:50,501
ENERGY CAN GO
THROUGH THE HOUSE.
1041
00:52:50,535 --> 00:52:52,370
IT BLOWS FROM ONE END
TO THE OTHER.
1042
00:52:52,403 --> 00:52:54,872
OK. WE CAN WORK
WITH THAT.
1043
00:52:54,905 --> 00:52:56,907
[COUGHING]
1044
00:52:57,308 --> 00:52:58,743
ANGE...
Angel: WHAT?
1045
00:52:58,776 --> 00:53:00,845
IT'S A FUCKING STY
IN HERE.
1046
00:53:00,878 --> 00:53:01,912
OH, I KNOW.
I'M GONNA--
1047
00:53:01,946 --> 00:53:02,713
WELL, YOU GOT
TO CLEAN IT.
1048
00:53:02,747 --> 00:53:04,515
I'M GONNA--
I'M DOING IT
RIGHT NOW.
1049
00:53:04,549 --> 00:53:06,817
I WAS JUST WAITING
FOR EVERYONE
TO GET HERE.
1050
00:53:06,851 --> 00:53:09,387
YEAH. WELL, WHERE'S
THE KID GONNA SLEEP?
1051
00:53:09,420 --> 00:53:10,588
HE'S GONNA SLEEP
IN HERE,
1052
00:53:10,621 --> 00:53:12,423
AND I'M GONNA SLEEP
OUT ON THE COUCH.
1053
00:53:12,457 --> 00:53:14,292
HE'S GONNA SLEEP
ON A FUCKING
HEART-SHAPED BED?
1054
00:53:14,325 --> 00:53:15,226
NO. I'M GONNA--
1055
00:53:15,260 --> 00:53:17,395
I WAS THINKING
I WOULD TURN IT
UPSIDE DOWN,
1056
00:53:17,428 --> 00:53:19,297
AND IT WOULD LOOK
LIKE A SPACESHIP.
1057
00:53:19,330 --> 00:53:20,097
OK. THAT'S
A GOOD IDEA,
1058
00:53:20,130 --> 00:53:21,699
AND YOU GOT TO GET RID
OF THIS SHEET.
1059
00:53:21,732 --> 00:53:23,000
GET HIM
SPACESHIP SHEETS.
1060
00:53:23,033 --> 00:53:24,569
GOOD IDEA.
THAT'S
A GOOD IDEA.
1061
00:53:24,602 --> 00:53:25,470
THAT'S
A GOOD IDEA.
1062
00:53:25,503 --> 00:53:28,306
OH, MY GOD. AND YOU
HAVE TO FIX THIS HOLE.
1063
00:53:28,339 --> 00:53:30,708
I'LL TELL BOBBY TO FIX
THIS FUCKING HOLE.
1064
00:53:30,741 --> 00:53:32,543
WE SHOULD
MAKE A LIST.
1065
00:53:32,577 --> 00:53:35,212
OK. DICTATE.
1066
00:53:36,046 --> 00:53:38,349
FIX THE HOLE.
1067
00:53:39,384 --> 00:53:42,387
UM, BUY WALLPAPER.
1068
00:53:42,420 --> 00:53:44,422
BOBBY WILL KNOW
WHERE TO BUY
WALLPAPER.
1069
00:53:44,455 --> 00:53:46,424
HE WILL?
MM-HMM.
1070
00:53:46,457 --> 00:53:48,326
OK.
1071
00:53:48,593 --> 00:53:49,660
FIX THE
AIR CONDITIONING.
1072
00:53:49,694 --> 00:53:50,828
IT'S SO FUCKING HOT
IN HERE.
1073
00:53:50,861 --> 00:53:52,930
WELL, I CAN'T FIX
THE AIR CONDITIONING THING
1074
00:53:52,963 --> 00:53:55,633
BECAUSE THERE'S SOME
RATS LIVING IN IT.
1075
00:53:55,666 --> 00:53:57,968
ANGEL, YOU CAN'T
LIVE WITH RATS!
1076
00:53:58,002 --> 00:53:58,669
WELL, I LIKE RATS.
1077
00:53:58,703 --> 00:53:59,937
NO. WE GOT TO GET
RID OF THEM!
1078
00:53:59,970 --> 00:54:01,839
JASMINE!
JASMINE, DON'T.
1079
00:54:01,872 --> 00:54:04,008
WHAT AM I GONNA DO?
I'M NOT GONNA KILL THEM.
1080
00:54:04,041 --> 00:54:05,676
YEAH. YOU HAVE
TO KILL THE RATS.
1081
00:54:05,710 --> 00:54:06,444
JASMINE, NO!
1082
00:54:06,477 --> 00:54:07,712
WE'LL GET BOBBY
TO KILL THE RATS.
1083
00:54:07,745 --> 00:54:09,380
SHE'S NOT GONNA
LET YOU KEEP THE KID
1084
00:54:09,414 --> 00:54:10,080
IF YOU HAVE RATS.
1085
00:54:10,114 --> 00:54:11,916
I'M NOT--I WON'T
KEEP THE RATS.
1086
00:54:11,949 --> 00:54:13,351
I'LL PUT THEM
AT YOUR HOUSE.
1087
00:54:13,384 --> 00:54:14,752
I AM NOT
KEEPING RATS!
1088
00:54:14,785 --> 00:54:15,553
JUST TEMPORARILY.
1089
00:54:15,586 --> 00:54:16,721
WE CAN JUST TAKE
THE WHOLE UNIT OUT,
1090
00:54:16,754 --> 00:54:19,957
AND WE CAN JUST
PUT IT AT YOUR HOUSE
FOR THE TIME BEING.
1091
00:54:19,990 --> 00:54:22,026
NO, NO! THE KID NEEDS
AIR CONDITIONING,
1092
00:54:22,059 --> 00:54:23,160
AND HE CAN'T
LIVE WITH RATS.
1093
00:54:23,193 --> 00:54:25,563
SHE'S NOT GONNA
LET YOU KEEP THE KID
IF YOU HAVE RATS.
1094
00:54:25,596 --> 00:54:27,932
WELL, I'M AGAINST
KILLING THEM.
1095
00:54:27,965 --> 00:54:31,402
SACRIFICE
THE FUCKING RATS.
1096
00:54:33,571 --> 00:54:36,474
I'M HUNGRY.
1097
00:54:36,707 --> 00:54:38,709
MAYBE WE SHOULD WORK
ON THE LIST OUTSIDE,
1098
00:54:38,743 --> 00:54:39,944
AND WE'LL WORK
ON OUR TANS.
1099
00:54:39,977 --> 00:54:40,545
OK. I WANT
SOME PIZZA.
1100
00:54:40,578 --> 00:54:42,413
DO YOU WANT
SOME PIZZA?
1101
00:54:42,447 --> 00:54:43,448
YEAH.
1102
00:54:43,481 --> 00:54:44,982
WHAT KIND
DO YOU WANT?
1103
00:54:45,015 --> 00:54:45,816
ANY KIND.
1104
00:54:45,850 --> 00:54:46,584
YOU CAN'T TAKE YOUR
TOP OFF OUT THERE
1105
00:54:46,617 --> 00:54:48,419
BECAUSE MR. SHERMAN--
THAT, LIKE,
1106
00:54:48,453 --> 00:54:50,788
100-YEAR-OLD MAN
ALWAYS LOOKS--
WHO'S THAT?
1107
00:54:50,821 --> 00:54:52,857
THAT'S MY--
MY DAD.
1108
00:54:52,890 --> 00:54:54,792
YOUR DAD
IS ADAM WEST?
1109
00:54:54,825 --> 00:54:58,363
WELL, HE'S WHO
I LIKE TO THINK OF
AS MY DAD.
1110
00:54:58,396 --> 00:54:59,964
BUT DON'T YOU THINK
HE KIND OF LOOKS
LIKE ME?
1111
00:54:59,997 --> 00:55:03,000
LIKE, LOOK AT HIS
JAW AND HIS MOUTH--
IT'S JUST--
1112
00:55:03,033 --> 00:55:05,903
EVEN HIS WHOLE NOSE
AND EVERYTHING.
IT LOOKS--
1113
00:55:05,936 --> 00:55:06,737
NO.
LOOK.
1114
00:55:06,771 --> 00:55:09,607
LOOK AT THE--LOOK.
IF I STOOD THIS WAY?
1115
00:55:09,640 --> 00:55:10,575
MM-HMM.
1116
00:55:10,608 --> 00:55:13,043
YOU DON'T
LOOK LIKE HIM.
1117
00:55:13,744 --> 00:55:14,579
REALLY?
1118
00:55:14,612 --> 00:55:16,514
IT'S OK. YOU DON'T
HAVE TO LOOK LIKE HIM.
1119
00:55:16,547 --> 00:55:17,448
LET'S GET PEPPERONI.
1120
00:55:17,482 --> 00:55:21,586
DON'T TELL THE LADY
THAT YOUR DAD IS BATMAN.
1121
00:55:21,619 --> 00:55:23,053
WHY?
1122
00:55:23,087 --> 00:55:25,356
ELLEN. ELLEN TAYLOR.
1123
00:55:25,390 --> 00:55:26,156
Woman: OK.
HAVE A SEAT,
1124
00:55:26,190 --> 00:55:28,058
AND WE'LL CALL YOU
WHEN WE'RE READY.
1125
00:55:28,092 --> 00:55:30,094
OK.
1126
00:55:33,631 --> 00:55:35,866
Woman:
YOUR NAME'S ELLEN?
1127
00:55:35,900 --> 00:55:36,667
YEAH.
1128
00:55:36,701 --> 00:55:38,603
THAT'S WHAT WE WANT
TO NAME THE BABY
1129
00:55:38,636 --> 00:55:39,236
IF IT'S A GIRL--
1130
00:55:39,269 --> 00:55:41,406
AFTER MY HUSBAND'S
GRANDMA.
1131
00:55:41,439 --> 00:55:42,707
IT'S KIND OF
AN OLD-FASHIONED NAME,
1132
00:55:42,740 --> 00:55:44,875
BUT IT'S SO PRETTY.
1133
00:55:44,909 --> 00:55:47,144
UM, EXCUSE ME, ELLEN,
1134
00:55:47,177 --> 00:55:48,078
YOU CAN'T SMOKE
IN HERE.
1135
00:55:48,112 --> 00:55:49,980
THERE'S NO SMOKING
IN HERE.
1136
00:55:50,014 --> 00:55:51,015
OH, I'M SORRY.
1137
00:55:51,048 --> 00:55:52,683
BECAUSE IT'S
A DOCTOR'S OFFICE.
1138
00:55:52,717 --> 00:55:54,852
YOU KNOW, YOU SHOULD
PROBABLY REALLY
SERIOUSLY CONSIDER
1139
00:55:54,885 --> 00:55:58,122
STOPPING SMOKING
AT THIS POINT, YOU KNOW?
1140
00:55:58,155 --> 00:55:59,089
WHY?
1141
00:55:59,123 --> 00:56:01,559
WELL, I MEAN,
IT'S REALLY BAD
FOR THE BABY.
1142
00:56:01,592 --> 00:56:03,728
I'M SORRY. ELLEN...
MM-HMM?
1143
00:56:03,761 --> 00:56:04,929
YOU MIGHT BE ABLE
TO SMOKE OUTSIDE,
1144
00:56:04,962 --> 00:56:08,466
BUT YOU CAN'T SMOKE
IN HERE, AND IT'S--
1145
00:56:08,499 --> 00:56:12,803
LIKE I SAID,
IT'S REALLY BAD
FOR THE BABY.
1146
00:56:12,837 --> 00:56:14,872
YOU KNOW,
A GIRLFRIEND OF MINE--
1147
00:56:14,905 --> 00:56:16,006
SHE WENT
FOR ACUPUNCTURE--
1148
00:56:16,040 --> 00:56:17,174
YOU KNOW WHAT?
I DON'T GIVE A FUCK
1149
00:56:17,207 --> 00:56:19,510
ABOUT THE GIRLFRIEND
OF YOURS, OK?
1150
00:56:19,544 --> 00:56:20,411
ALL RIGHT?
1151
00:56:20,445 --> 00:56:22,146
EVERYBODY DOESN'T
HAVE A HAPPY, CHEERFUL,
1152
00:56:22,179 --> 00:56:24,749
CHIRPY LIFE LIKE
YOU DO, ALL RIGHT?
1153
00:56:24,782 --> 00:56:27,084
OK? EVERYBODY'S NOT HERE
TO HAVE A BABY.
1154
00:56:27,117 --> 00:56:29,487
SOME OF US--FUCK YOU!
1155
00:56:29,520 --> 00:56:30,588
FUCK YOU, BITCH!
1156
00:56:30,621 --> 00:56:32,723
SOME OF US ARE HERE
TO HAVE ABORTIONS!
1157
00:56:32,757 --> 00:56:33,724
DID YOU EVER
THINK OF THAT?
1158
00:56:33,758 --> 00:56:35,092
DID YOU EVER
THINK OF THAT?
1159
00:56:35,125 --> 00:56:36,761
DID YOU EVER
THINK OF THAT?
1160
00:56:36,794 --> 00:56:38,529
DID YOU EVER
THINK OF THAT?
1161
00:56:38,563 --> 00:56:39,564
NO. BECAUSE
YOU DON'T THINK.
1162
00:56:39,597 --> 00:56:40,731
YOU JUST RATTLE
ON AND ON
1163
00:56:40,765 --> 00:56:42,132
ABOUT YOUR HAPPY
LITTLE HUSBAND
1164
00:56:42,166 --> 00:56:44,869
AND YOUR HAPPY
LITTLE GRANDMOTHER
NAMED ELLEN,
1165
00:56:44,902 --> 00:56:46,003
AND YOU DON'T
GIVE A FUCK
1166
00:56:46,036 --> 00:56:47,004
ABOUT OTHER PEOPLE!
1167
00:56:47,037 --> 00:56:49,006
YOU HAVE
A PROBLEM, LADY.
1168
00:56:49,039 --> 00:56:50,140
YOU THINK YOU'RE
THE ONLY PERSON
1169
00:56:50,174 --> 00:56:51,742
WITH REPRODUCTIVE
ORGANS?
1170
00:56:51,776 --> 00:56:53,043
I'M GONNA HAVE
THIS FUCKING BABY.
1171
00:56:53,077 --> 00:56:54,178
I'M GONNA
HAVE THIS BABY,
1172
00:56:54,211 --> 00:56:55,646
AND MY BABY
IS GONNA SELL DRUGS
1173
00:56:55,680 --> 00:56:56,947
TO YOUR BABY
ON THE PLAYGROUND!
1174
00:56:56,981 --> 00:57:01,486
YOU KNOW THAT?
YOU FUCKING BITCH!
1175
00:57:02,787 --> 00:57:05,490
OH, MY GOD.
1176
00:57:05,523 --> 00:57:07,758
WHAT THE FUCK IS THAT?
1177
00:57:07,792 --> 00:57:08,759
Angel:
OH, MY GOD.
1178
00:57:08,793 --> 00:57:10,227
Jasmine:
WHO ARE THESE FOR?
1179
00:57:10,260 --> 00:57:14,465
Jimmy:
THESE ARE FOR ANGEL.
1180
00:57:14,499 --> 00:57:16,133
HA HA HA HA!
1181
00:57:16,166 --> 00:57:17,067
STACY'S FLOWER COMPANY.
1182
00:57:17,101 --> 00:57:19,203
Jasmine: WHO ARE THEY FROM?
IS THERE A CARD?
1183
00:57:19,236 --> 00:57:21,138
WELL, THE DRIVER SAID
HE WASN'T ALLOWED
1184
00:57:21,171 --> 00:57:22,840
TO TELL ME
WHO PAID FOR THEM.
1185
00:57:22,873 --> 00:57:24,241
Angel:
WHAT ARE YOU--
1186
00:57:24,274 --> 00:57:25,976
WHAT ARE YOU
TALKING ABOUT?
1187
00:57:26,010 --> 00:57:27,044
THEY'RE FROM
A FUNERAL PARLOR.
1188
00:57:27,077 --> 00:57:30,147
THEY'RE FOR--
I'M NOT DEAD.
1189
00:57:30,180 --> 00:57:32,016
BUT THEY LOOK LIKE
THEY'RE BIG.
1190
00:57:32,049 --> 00:57:34,251
THESE ARE
SO BEAUTIFUL.
1191
00:57:34,284 --> 00:57:36,921
NICE, ANGEL.
YOU SCORED.
1192
00:57:36,954 --> 00:57:37,788
OH, MY GOD.
1193
00:57:37,822 --> 00:57:39,023
WELL, WHO
ARE THEY FROM?
1194
00:57:39,056 --> 00:57:41,258
Jimmy: DRIVER SAID
HE WASN'T ALLOWED TO TELL ME.
1195
00:57:41,291 --> 00:57:43,260
DID THEY GIVE
A CARD?
1196
00:57:43,293 --> 00:57:44,529
JIMMY, DID THEY
GIVE A CARD?
1197
00:57:44,562 --> 00:57:47,264
NO, NO, NO. I DON'T
KNOW NOTHING ELSE.
1198
00:57:47,297 --> 00:57:49,600
THEY'RE--I BET
THEY'RE FROM DALE.
1199
00:57:49,634 --> 00:57:52,002
YOU KNOW, THE GUY
WITH THE BALD HEAD.
1200
00:57:52,036 --> 00:57:52,603
THE BIG GUY.
1201
00:57:52,637 --> 00:57:53,904
THE REALLY SWEET
BIG MAN.
1202
00:57:53,938 --> 00:57:55,139
HE'S, LIKE,
KIND OF NERDY.
1203
00:57:55,172 --> 00:57:55,973
THE GUY
DRIVES A BUS.
1204
00:57:56,006 --> 00:57:57,808
YEAH. BUT SOMETIMES
THOSE NERDY GUYS--
1205
00:57:57,842 --> 00:58:01,011
YOU DON'T KNOW,
THEY'RE, LIKE,
FROM SILICON VALLEY.
1206
00:58:01,045 --> 00:58:02,279
HE'S A POOR NERD.
1207
00:58:02,312 --> 00:58:03,981
NO, NO, NO.
HE'S JUST POOR.
1208
00:58:04,014 --> 00:58:05,282
Jimmy: WELL,
I'LL SEE YOU LATER.
1209
00:58:05,315 --> 00:58:06,884
ANGEL, IT'S, LIKE,
200 BUCKS.
1210
00:58:06,917 --> 00:58:08,519
LIKE, 300 BUCKS.
1211
00:58:08,553 --> 00:58:09,687
I KNOW IT'S KIND OF
UGLY, BUT--
1212
00:58:09,720 --> 00:58:13,157
SO I HAVE, LIKE,
AN INDEPENDENTLY WEALTHY
SECRET ADMIRER.
1213
00:58:13,190 --> 00:58:14,091
I'M GONNA
TAKE ONE, OK?
1214
00:58:14,124 --> 00:58:16,226
MAYBE THEY'RE FROM CHARLIE.
YOU NEVER KNOW.
1215
00:58:16,260 --> 00:58:19,029
HIS RECORD DEAL
MIGHT HAVE COME THROUGH.
1216
00:58:19,063 --> 00:58:20,698
JUST KIDDING.
1217
00:58:20,731 --> 00:58:22,299
JUST KIDDING, SWEETIE.
1218
00:58:22,332 --> 00:58:25,570
OH, MY GOD,
I CAN'T BELIEVE IT.
1219
00:58:25,603 --> 00:58:26,436
YOU LUCKY GIRL.
1220
00:58:26,470 --> 00:58:33,010
I KNOW. IT'S, LIKE--
I'M, LIKE, SO LUCKY.
1221
00:58:36,914 --> 00:58:39,650
[JAZZ MUSIC PLAYING]
1222
00:59:08,879 --> 00:59:09,847
D.J.: OK. HERE WE GO.
1223
00:59:09,880 --> 00:59:11,916
WE'RE GONNA KICK IT
INTO THE NEXT GEAR RIGHT NOW
1224
00:59:11,949 --> 00:59:15,085
BECAUSE COMING TO THE STAGE
IS OUR RESIDENT WILD CHILD.
1225
00:59:15,119 --> 00:59:18,188
IT'S JO!
1226
00:59:18,222 --> 00:59:21,058
[WHISTLING AND CHEERING]
1227
00:59:25,029 --> 00:59:27,765
Man: COME ON, GIRL!
1228
00:59:27,798 --> 00:59:29,967
Different man:
YEAH, DO IT!
1229
00:59:30,000 --> 00:59:32,236
GET ON THAT POLE!
1230
00:59:32,269 --> 00:59:34,171
[MEN SHOUTING]
1231
00:59:34,204 --> 00:59:35,873
YEAH!
YEAH!
1232
00:59:35,906 --> 00:59:37,007
WHOO!
1233
00:59:37,041 --> 00:59:37,908
RIGHT HERE!
1234
00:59:37,942 --> 00:59:41,145
GET ON THAT POLE!
1235
00:59:41,178 --> 00:59:42,312
[SHOUTING]
1236
00:59:42,346 --> 00:59:43,714
JO, IT'S ENOUGH.
1237
00:59:43,748 --> 00:59:45,149
DAVE, DAVE,
GET OVER HERE.
1238
00:59:45,182 --> 00:59:47,084
GET HER OFF THE STAGE!
1239
00:59:47,117 --> 00:59:47,918
JO!
1240
00:59:47,952 --> 00:59:49,319
WHAT THE FUCK
IS THE MATTER WITH YOU?
1241
00:59:49,353 --> 00:59:51,021
WHAT THE FUCK
IS THE MATTER WITH YOU?
1242
00:59:51,055 --> 00:59:53,023
WHAT THE FUCK
IS THE MATTER WITH YOU?
1243
00:59:53,057 --> 00:59:54,792
GET HER OFF THE STAGE!
1244
00:59:54,825 --> 00:59:56,794
JO! JO, GET OFF THE STAGE!
1245
00:59:56,827 --> 00:59:59,764
GET HER OFF THE STAGE NOW!
1246
00:59:59,797 --> 01:00:01,866
[INDISTINCT SCREAMING]
1247
01:00:01,899 --> 01:00:03,734
GET HER OUT!
1248
01:00:03,768 --> 01:00:05,002
GET HER OFF THE STAGE!
1249
01:00:05,035 --> 01:00:06,336
[JO SCREAMING]
1250
01:00:06,370 --> 01:00:07,137
ANGEL, GET ON THE STAGE.
1251
01:00:07,171 --> 01:00:10,007
ANGEL, GET OUT ONSTAGE!
GET ONSTAGE!
1252
01:00:10,040 --> 01:00:11,942
I THINK YOU NEED
TO CALM DOWN, ALL RIGHT?
1253
01:00:11,976 --> 01:00:14,344
D.J.: ANGEL TO THE STAGE.
ANGEL TO THE STAGE.
1254
01:00:14,378 --> 01:00:16,046
GET ON NOW!
1255
01:00:16,080 --> 01:00:18,015
ALL RIGHT.
OK. HERE WE GO.
1256
01:00:18,048 --> 01:00:20,184
JO!
1257
01:00:20,217 --> 01:00:21,118
OH, FUCK!
1258
01:00:21,151 --> 01:00:23,854
[MUSIC PLAYING]
1259
01:00:24,321 --> 01:00:26,957
Jo: WHAT THE FUCK?!
GET OFF ME!
1260
01:00:26,991 --> 01:00:28,192
TAKE YOUR HANDS OFF ME!
1261
01:00:28,225 --> 01:00:30,961
[MUSIC PLAYING]
1262
01:00:34,431 --> 01:00:35,232
GET BACK!
1263
01:00:35,265 --> 01:00:37,201
WHAT THE FUCK
IS THE MATTER WITH YOU?
1264
01:00:37,234 --> 01:00:39,069
[GLASS BREAKING]
1265
01:00:39,103 --> 01:00:39,870
FUCKING ASSHOLE!
1266
01:00:39,904 --> 01:00:41,939
IS THIS HER SHIT?
IS THIS HER SHIT?
1267
01:00:41,972 --> 01:00:43,774
YES.
IS THIS HER SHIT?
1268
01:00:43,808 --> 01:00:45,275
[JO SCREAMING]
1269
01:00:45,309 --> 01:00:47,311
GET THE FUCK OUT!
1270
01:00:47,344 --> 01:00:48,378
GET OUT OF HERE!
1271
01:00:48,412 --> 01:00:50,280
Jo: YOU'RE A BIG MAN,
AREN'T YOU?
1272
01:00:50,314 --> 01:00:51,849
Jo: YOU'RE A BIG MAN!
1273
01:00:51,882 --> 01:00:52,582
Jasmine: JO, COME ON.
1274
01:00:52,616 --> 01:00:55,052
GET YOUR HANDS OFF ME,
YOU SHIT!
1275
01:00:55,085 --> 01:00:56,854
YOU SHIT!
LET HER GO!
1276
01:00:56,887 --> 01:00:57,688
LET HER GO!
1277
01:00:57,722 --> 01:00:59,323
ALL RIGHT, DAVE.
KEEP HER OUT OF HERE.
1278
01:00:59,356 --> 01:01:00,157
KEEP HER OUT OF HERE!
1279
01:01:00,190 --> 01:01:02,459
Jo: MY STUFF!
I WANT MY STUFF, JESSIE!
1280
01:01:02,492 --> 01:01:05,395
I WANT MY STUFF!
GIVE ME MY STUFF!
1281
01:01:05,429 --> 01:01:07,397
HERE'S YOUR BAG.
1282
01:01:19,243 --> 01:01:22,446
OK. THIS ONE'S FROM ME.
1283
01:01:22,479 --> 01:01:23,914
"PALE SHADES OF GRAY
1284
01:01:23,948 --> 01:01:27,852
"LEFT THE CLOUDS
ABOVE THE BED HAVE FILLED.
1285
01:01:27,885 --> 01:01:30,921
"THERE IS NO SMILE
IN THIS ROOM,
1286
01:01:30,955 --> 01:01:33,758
"NO LAUGH DURING LOVE.
1287
01:01:33,791 --> 01:01:36,994
"A PALL GENTLY DESCENDS
OVER THE SPACE
1288
01:01:37,027 --> 01:01:41,431
"ONCE A SANCTUM,
NOW A HOLLOW SHAPE
1289
01:01:41,465 --> 01:01:43,267
"AS THE SUN RISES
1290
01:01:43,300 --> 01:01:46,136
AND MY EYES
FILL WITH BLACK."
1291
01:01:46,170 --> 01:01:48,205
[APPLAUSE]
1292
01:01:48,238 --> 01:01:50,174
THANK YOU.
1293
01:01:50,207 --> 01:01:51,141
ALL RIGHT.
1294
01:01:51,175 --> 01:01:53,844
I'VE GOT A VERY SPECIAL
SURPRISE FOR US TODAY.
1295
01:01:53,878 --> 01:01:56,246
I DECIDED TO BRING UP
A SPECIAL MYSTERY GUEST,
1296
01:01:56,280 --> 01:01:58,415
AND IT'S SOMEONE WHO'S
ACTUALLY NEVER READ BEFORE,
1297
01:01:58,448 --> 01:01:59,383
SO WHEN SHE COMES UP,
1298
01:01:59,416 --> 01:02:01,485
I WANT YOU TO GIVE
A REALLY BIG ENCOURAGEMENT.
1299
01:02:01,518 --> 01:02:04,721
LET'S HEAR IT FOR JASMINE.
1300
01:02:08,092 --> 01:02:10,094
JASMINE...
1301
01:02:10,127 --> 01:02:11,796
COME ON UP.
1302
01:02:11,962 --> 01:02:12,930
YOU DON'T WANT TO READ?
1303
01:02:12,963 --> 01:02:14,198
COME ON UP.
GIVE IT A TRY.
1304
01:02:14,231 --> 01:02:15,966
LET'S GIVE HER
ENCOURAGEMENT, GUYS.
1305
01:02:16,000 --> 01:02:18,468
Woman: YEAH!
1306
01:02:20,504 --> 01:02:22,840
Dennis:
WE'VE ALL BEEN THERE.
1307
01:02:26,977 --> 01:02:29,246
MY NAME IS CATHY.
1308
01:02:39,389 --> 01:02:43,527
"IF, IN THE SKYLARK TONGUING
AFTERNOON A DRIFT OF HAIR,
1309
01:02:43,560 --> 01:02:47,497
"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.
1310
01:02:47,531 --> 01:02:49,399
"IF, IN THE MORNING
OF YOUR SOUL
1311
01:02:49,433 --> 01:02:52,102
"A BRUSH OF TENDERLY
IMAGINED LIPS,
1312
01:02:52,136 --> 01:02:56,807
"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.
1313
01:02:56,841 --> 01:03:00,244
"IF, IN THE MESSY COCKTAIL DREGS
OF A MIDNIGHT GLASS
1314
01:03:00,277 --> 01:03:01,846
"A TEARDROP FALLS,
1315
01:03:01,879 --> 01:03:06,550
"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.
1316
01:03:06,583 --> 01:03:09,353
"IF, IN THE SINGING
TWILIGHT OF THE DAWN,
1317
01:03:09,386 --> 01:03:11,822
"YOU GIVE YOUR HEART
UNWANTED,
1318
01:03:11,856 --> 01:03:15,826
"IT'S ONLY LOVE BUT GONE
IN THE WAY OF EVERYTHING.
1319
01:03:15,860 --> 01:03:20,564
"THEN WHAT IN THE HOURS
OF YOUR LIFE IS LOVE?
1320
01:03:20,597 --> 01:03:22,833
"IT'S HERE AND GONE...
1321
01:03:22,867 --> 01:03:26,436
AND GIVES ITS NAME
TO EVERYTHING."
1322
01:03:26,470 --> 01:03:29,106
[APPLAUSE]
1323
01:03:36,113 --> 01:03:37,081
Dennis: ALL RIGHT.
1324
01:03:37,114 --> 01:03:39,984
WELL, THAT'S IT FOR TODAY,
1325
01:03:40,017 --> 01:03:42,086
SO WE'LL SEE EVERYBODY
NEXT TIME,
1326
01:03:42,119 --> 01:03:43,988
AND THANKS A LOT.
1327
01:03:55,499 --> 01:03:56,633
WHY DID YOU
CALL MY NAME?
1328
01:03:56,666 --> 01:03:58,903
I DIDN'T ASK YOU
TO CALL MY NAME.
1329
01:03:58,936 --> 01:04:01,238
I DON'T EVEN KNOW YOU.
1330
01:04:01,271 --> 01:04:04,141
THAT POEM
WAS REALLY GREAT.
1331
01:04:05,409 --> 01:04:08,178
CATHY, I--
1332
01:04:08,545 --> 01:04:09,613
IT WAS REALLY GREAT.
1333
01:04:09,646 --> 01:04:13,250
I DON'T KNOW
WHAT TO SAY.
1334
01:04:13,283 --> 01:04:14,451
YEAH, WELL, THANKS.
1335
01:04:14,484 --> 01:04:17,387
LOOK, HAVE YOU GOT
ANY MORE?
1336
01:04:20,124 --> 01:04:20,724
YEAH.
1337
01:04:20,757 --> 01:04:22,359
YOU GOT TO
GET UP AND READ.
1338
01:04:22,392 --> 01:04:23,227
I MEAN, THAT'S ALL.
1339
01:04:23,260 --> 01:04:25,295
YOU GOT TO
GET UP AND READ.
1340
01:04:25,329 --> 01:04:26,630
WHY?
BECAUSE YOU'RE GOOD.
1341
01:04:26,663 --> 01:04:27,898
I HATE
TO DISAPPOINT YOU,
1342
01:04:27,932 --> 01:04:31,068
BUT YOU'RE
REALLY GOOD.
1343
01:04:34,438 --> 01:04:36,006
WHO IS IT?
1344
01:04:36,040 --> 01:04:37,274
IT'S, UH--
1345
01:04:37,307 --> 01:04:39,476
IT'S ME.
1346
01:04:39,509 --> 01:04:40,677
IT'S YOU?
1347
01:04:40,710 --> 01:04:44,281
YEAH, IT WAS SITTING
AROUND MY APARTMENT.
1348
01:04:45,382 --> 01:04:47,151
THAT'S ME.
1349
01:04:48,152 --> 01:04:53,057
THIS WOMAN I USED TO
BE WITH--MARIA--
1350
01:04:53,090 --> 01:04:54,458
SHE'S BEAUTIFUL.
1351
01:04:54,491 --> 01:04:56,326
SHE WAS A PAINTER.
1352
01:04:56,360 --> 01:04:58,996
SHE PAINTED THAT THING.
1353
01:04:59,029 --> 01:05:00,097
SHE WAS NORTH AFRICAN.
1354
01:05:00,130 --> 01:05:03,133
SHE HAD THIS PRETTY
HEAVY ACCENT, MAN,
1355
01:05:03,167 --> 01:05:05,302
AND LIVED IN PARIS,
NEW YORK--
1356
01:05:05,335 --> 01:05:05,970
ALL OVER THE PLACE,
1357
01:05:06,003 --> 01:05:10,074
AND SHE HAD ME
SIT 5 WEEKS--
1358
01:05:10,107 --> 01:05:11,608
5 WEEKS
TO DO THAT THING.
1359
01:05:11,641 --> 01:05:14,144
YOU SIT STILL
FOR 5 WEEKS, HUH?
1360
01:05:14,178 --> 01:05:17,514
YOU CAN'T SIT STILL
FOR 5 MINUTES.
1361
01:05:17,547 --> 01:05:19,183
YEAH...
1362
01:05:19,216 --> 01:05:21,251
AND SHE WOULD
TALK TO ME.
1363
01:05:21,285 --> 01:05:23,988
SHE WOULD TALK
ABOUT, UH...
1364
01:05:24,021 --> 01:05:28,158
SHAPES AND COLORS...
1365
01:05:28,192 --> 01:05:29,960
LIGHT, SHADOW--
1366
01:05:29,994 --> 01:05:32,229
ALL THE STUFF, YOU KNOW--
PAINTER SHIT, YOU KNOW?
1367
01:05:32,262 --> 01:05:35,432
AND THEN SHE WOULD
USE ALL OF THAT,
1368
01:05:35,465 --> 01:05:39,003
AND THAT'S WHAT
POPPED THIS THING TO LIFE.
1369
01:05:39,569 --> 01:05:42,539
LIKE, SHE COULD
LOOK AT YOUR BODY,
1370
01:05:42,572 --> 01:05:44,474
AND SHE WOULD PAINT YOU,
1371
01:05:44,508 --> 01:05:48,478
BUT SHE WOULD BRING OUT
SHIT THAT YOU
NEVER, EVER SEE,
1372
01:05:48,512 --> 01:05:50,547
YOU KNOW WHAT I MEAN?
1373
01:05:51,148 --> 01:05:53,517
SHE WAS A WILD GIRL,
TOO, MAN.
1374
01:05:53,550 --> 01:05:55,385
WHEN SHE GOT TIRED
IN THE AFTERNOON,
1375
01:05:55,419 --> 01:05:59,956
SHE'D SAY,
"EDDIE, WANT TO EAT?"
1376
01:06:04,028 --> 01:06:07,564
I WAS ALONE
IN THIS ROOM,
1377
01:06:07,597 --> 01:06:09,233
AND, UH...
THIS APARTMENT
1378
01:06:09,266 --> 01:06:13,203
WITH THIS GUY I USED TO
LIVE WITH IN SEATTLE--
1379
01:06:13,237 --> 01:06:14,238
HE HAD A LOT OF BOOKS,
1380
01:06:14,271 --> 01:06:17,241
SO I WOULD JUST,
YOU KNOW, SIT
AND READ ALL DAY,
1381
01:06:17,274 --> 01:06:20,177
AND ONE DAY, I JUST
COULDN'T STAND IT
ANY LONGER,
1382
01:06:20,210 --> 01:06:23,647
AND I, YOU KNOW,
SHUT ALL THE BLINDS,
1383
01:06:23,680 --> 01:06:24,781
AND...
1384
01:06:24,814 --> 01:06:25,582
[SIGH]
1385
01:06:25,615 --> 01:06:26,383
KNEELED ON THE FLOOR,
1386
01:06:26,416 --> 01:06:29,619
AND I WAS, LIKE,
BAWLING MY EYES OUT,
1387
01:06:29,653 --> 01:06:32,689
AND I WROTE IT.
1388
01:06:33,723 --> 01:06:36,160
I TORE IT UP.
1389
01:06:36,560 --> 01:06:39,663
I CAN'T BELIEVE
YOU WANT TO HEAR
THIS STUFF.
1390
01:06:39,696 --> 01:06:42,432
WERE YOU STRIPPING THEN?
1391
01:06:44,134 --> 01:06:45,369
UH, YEAH.
1392
01:06:45,402 --> 01:06:46,736
YEAH, I WAS WORKING
UP IN SEATTLE.
1393
01:06:46,770 --> 01:06:47,804
HOW DO YOU KNOW
I WAS A STRIPPER?
1394
01:06:47,837 --> 01:06:51,475
OH, THIS KID
WHO WORKS FOR ME
SAID HE SAW YOU DANCE.
1395
01:06:51,508 --> 01:06:52,509
OH, YEAH?
YEAH.
1396
01:06:52,542 --> 01:06:53,243
TELL HIM I SAY HI.
1397
01:06:53,277 --> 01:06:56,246
IN THIS DREAM
I HAD LAST NIGHT--
1398
01:06:56,280 --> 01:06:57,181
REMEMBER THAT CAT
JOHNNY WASHINGTON
1399
01:06:57,214 --> 01:06:59,649
THAT I GOT IN A FIGHT WITH
DOWN IN SAN DIEGO?
1400
01:06:59,683 --> 01:07:02,352
I DON'T REMEMBER HIM
ON PURPOSE.
1401
01:07:02,386 --> 01:07:03,487
I JUST SAW MY KNIFE,
MAN,
1402
01:07:03,520 --> 01:07:06,590
MY HAND JUST CUTTING HIM,
CUTTING HIM, CUTTING HIS FACE,
1403
01:07:06,623 --> 01:07:08,425
MAN, BLOOD JUST
GETTING ON EVERYTHING,
1404
01:07:08,458 --> 01:07:10,694
BLOOD GETTING ALL OVER.
1405
01:07:14,564 --> 01:07:15,232
STRANGE, MAN.
1406
01:07:15,265 --> 01:07:18,435
THEN I COULDN'T
WASH MY HANDS.
1407
01:07:24,574 --> 01:07:26,243
REMEMBER THAT PHONE CALL?
1408
01:07:26,276 --> 01:07:29,279
THE GIRL CRYING I PLAYED
FOR YOU THE OTHER DAY?
1409
01:07:29,313 --> 01:07:31,315
ERASE IT.
1410
01:07:31,815 --> 01:07:33,483
NO, I WOULD HAVE
ERASED IT LAST WEEK.
1411
01:07:33,517 --> 01:07:36,286
I WOULD HAVE SAID
"FUCK THE BITCH," MAN,
1412
01:07:36,320 --> 01:07:37,687
BUT...I DON'T KNOW.
1413
01:07:37,721 --> 01:07:39,856
THIS WEEK,
I CAN'T SAY
FUCK THE BITCH,
1414
01:07:39,889 --> 01:07:41,825
YOU KNOW WHAT I MEAN?
1415
01:07:47,664 --> 01:07:50,434
YOU GOT SOME HERB
WITH YOU?
1416
01:07:51,135 --> 01:07:52,569
YEAH.
1417
01:07:54,538 --> 01:07:57,307
WHY DON'T YOU
ROLL US A JOINT?
1418
01:07:58,475 --> 01:08:01,611
SO DO YOU--DO YOU
GO TO STRIP CLUBS?
1419
01:08:01,645 --> 01:08:02,412
NO.
1420
01:08:02,446 --> 01:08:04,414
YEAH, YOU DON'T
SEEM LIKE THE TYPE.
1421
01:08:04,448 --> 01:08:05,282
YEAH?
1422
01:08:05,315 --> 01:08:06,316
WHAT'S THE TYPE?
1423
01:08:06,350 --> 01:08:07,351
YOU KNOW,
MARRIED, LONELY.
1424
01:08:07,384 --> 01:08:10,420
UH-HUH. YEAH,
THERE'S THIS KID
WHO WORKS FOR ME--
1425
01:08:10,454 --> 01:08:11,321
JORGE--HE--
1426
01:08:11,355 --> 01:08:12,756
OH, YEAH. HE'S THE KIND
OF KID THAT GOES.
1427
01:08:12,789 --> 01:08:15,392
YEAH, HE SAID YOU
WERE ON A BILLBOARD.
1428
01:08:15,425 --> 01:08:16,760
YEAH, THE BLUE IGUANA
HAS A COUPLE.
1429
01:08:16,793 --> 01:08:19,429
I'M ONLY ON ONE OF THEM
SINCE MY TITS ARE SMALL,
1430
01:08:19,463 --> 01:08:21,231
BUT I'M GOING
TO GET THEM DONE.
1431
01:08:21,265 --> 01:08:24,234
SO ARE YOU THE KIND OF
GUY WHO LIKES BIG TITS?
1432
01:08:24,268 --> 01:08:25,135
UH...HA HA!
1433
01:08:25,169 --> 01:08:26,136
ACTUALLY, YOU KNOW WHAT?
I GOT TO TELL YOU.
1434
01:08:26,170 --> 01:08:29,306
I'M NOT REALLY USED TO
THAT LINE OF QUESTIONING,
1435
01:08:29,339 --> 01:08:32,442
UH, TO TELL YOU
THE TRUTH.
1436
01:08:32,476 --> 01:08:33,377
ALL RIGHT.
1437
01:08:33,410 --> 01:08:36,346
DO YOU HAVE ANY OTHER
WRITERS AT YOUR CLUB?
1438
01:08:36,380 --> 01:08:38,382
YOU KNOW, MAYBE WE COULD
CHANGE THE WHOLE VENUE.
1439
01:08:38,415 --> 01:08:41,485
I DON'T KNOW WHAT
YOU'RE DOING WITH ME.
1440
01:08:41,518 --> 01:08:42,419
WHAT?
1441
01:08:42,452 --> 01:08:44,654
YOU SHOULD BE WITH,
LIKE, THAT FRENCH GIRL.
1442
01:08:44,688 --> 01:08:47,191
SHE'S A GOOD POET.
1443
01:08:52,229 --> 01:08:54,731
I REALLY
WANT TO KISS YOU.
1444
01:08:55,599 --> 01:08:56,266
OK.
1445
01:08:56,300 --> 01:08:59,203
NO. I REALLY
WANT TO KISS YOU.
1446
01:08:59,969 --> 01:09:02,706
I WANT TO KISS THE POET.
1447
01:09:22,492 --> 01:09:25,529
DO YOU HAVE A PROBLEM
WITH ME DANCING?
1448
01:09:25,562 --> 01:09:27,197
NO.
1449
01:09:36,640 --> 01:09:37,907
[MUSIC PLAYING
IN THE DISTANCE]
1450
01:09:37,941 --> 01:09:39,743
Woman: ANGEL...
1451
01:09:39,776 --> 01:09:41,945
YEAH?
1452
01:09:41,978 --> 01:09:44,714
I HAVE SOMETHING
FOR YOU.
1453
01:09:45,982 --> 01:09:47,651
AGAIN?
1454
01:09:47,684 --> 01:09:49,619
OH, MY GOD!
1455
01:09:49,653 --> 01:09:50,620
WHAT IS IT?
1456
01:09:50,654 --> 01:09:52,456
OPEN IT UP.
1457
01:09:52,989 --> 01:09:55,392
WHA--
1458
01:09:56,526 --> 01:09:58,895
OH, MY GOSH!
1459
01:09:58,928 --> 01:10:00,697
THAT IS LOVELY.
1460
01:10:00,730 --> 01:10:03,433
LOOK AT THAT.
LOOK AT THAT.
1461
01:10:04,468 --> 01:10:06,303
OH, MY GOD.
1462
01:10:06,336 --> 01:10:09,539
JEWELS.
YES, IT'S JEWELS.
1463
01:10:09,573 --> 01:10:13,310
OH, AND LOOK...
1464
01:10:13,710 --> 01:10:16,646
CHARLIE?
1465
01:10:16,680 --> 01:10:19,215
CHARLIE?
1466
01:10:19,483 --> 01:10:20,550
HEY, BABY! AAH!
1467
01:10:20,584 --> 01:10:21,951
WHAT A MINUTE! AHH!
1468
01:10:21,985 --> 01:10:23,820
GUESS WHAT!
CHARLIE!
1469
01:10:23,853 --> 01:10:24,688
CHARLIE!
1470
01:10:24,721 --> 01:10:25,755
THEY DON'T WANT ME.
1471
01:10:25,789 --> 01:10:26,690
CHARLIE! AAH!
1472
01:10:26,723 --> 01:10:27,891
WANT TO KNOW WHY?
1473
01:10:27,924 --> 01:10:28,758
AAH!
1474
01:10:28,792 --> 01:10:31,295
BECAUSE I HANG OUT
WITH SKANKS LIKE YOU!
1475
01:10:31,328 --> 01:10:32,429
CHARLIE!
1476
01:10:32,462 --> 01:10:33,897
PLEASE STOP IT!
1477
01:10:33,930 --> 01:10:35,999
YOU'RE HURTING ME!
CHARLIE!
1478
01:10:36,032 --> 01:10:37,701
AREN'T YOU PRETTY?
JUST FUCK MORALS!
1479
01:10:37,734 --> 01:10:38,835
CHARLIE, I'M SORRY!
1480
01:10:38,868 --> 01:10:39,703
COME HERE!
1481
01:10:39,736 --> 01:10:41,305
I'M SORRY, CHARLIE.
1482
01:10:41,338 --> 01:10:44,574
AAH! I'M SORRY,
CHARLIE.
1483
01:10:45,475 --> 01:10:47,744
I MET SOMEONE.
1484
01:10:49,879 --> 01:10:51,481
OK. WHAT'S HIS NAME?
1485
01:10:51,515 --> 01:10:52,949
DENNIS.
1486
01:10:52,982 --> 01:10:54,651
DENNIS, AND...
1487
01:10:54,684 --> 01:10:56,486
AND...
1488
01:10:59,423 --> 01:11:02,892
AND I THINK--
I DON'T KNOW.
1489
01:11:04,861 --> 01:11:06,730
HE'S A POET.
1490
01:11:07,331 --> 01:11:09,566
HE RUNS THAT THING
AT THE COFFEE GROUND,
1491
01:11:09,599 --> 01:11:10,567
AND...
1492
01:11:10,600 --> 01:11:12,302
HE LIKES MY POETRY,
SO...
1493
01:11:12,336 --> 01:11:14,538
SO YOU'RE GONNA GO
TO SAN FRANCISCO
WITH DENNIS?
1494
01:11:14,571 --> 01:11:15,839
YEAH, HE INVITED ME
UP THERE.
1495
01:11:15,872 --> 01:11:18,608
THERE'S THIS BIG SLAM,
AND...
1496
01:11:20,844 --> 01:11:21,645
YEAH.
1497
01:11:21,678 --> 01:11:24,514
AND YOU'RE GONNA
SUPPORT HIM STRIPPING?
1498
01:11:24,548 --> 01:11:25,715
NO.
1499
01:11:25,749 --> 01:11:28,352
I DON'T KNOW. NO.
1500
01:11:33,623 --> 01:11:36,993
I THOUGHT WE'D JUST
KIND OF WRITE TOGETHER,
1501
01:11:37,026 --> 01:11:38,628
AND...
1502
01:11:40,964 --> 01:11:43,032
DOES HE KNOW
WHAT YOU DO?
1503
01:11:43,066 --> 01:11:43,800
YEAH.
1504
01:11:43,833 --> 01:11:46,770
HE'S, LIKE, TOTALLY
FINE WITH IT.
1505
01:11:47,571 --> 01:11:48,304
YEAH.
1506
01:11:48,338 --> 01:11:50,940
HE REALLY FUCKING
LOVES MY POETRY.
1507
01:11:50,974 --> 01:11:54,010
SO HE THINKS
THAT I CAN, YOU KNOW...
1508
01:11:54,611 --> 01:11:58,014
I DON'T KNOW,
GET PUBLISHED OR
SOMETHING, YOU KNOW?
1509
01:12:03,720 --> 01:12:05,889
DOES HE LOVE YOU?
1510
01:12:07,491 --> 01:12:08,224
I DON'T KNOW.
1511
01:12:08,257 --> 01:12:10,760
I JUST MET HIM,
LIKE, 3 DAYS AGO.
1512
01:12:13,563 --> 01:12:14,864
THAT'S A REALLY
SMART THING TO DO THEN.
1513
01:12:14,898 --> 01:12:18,435
I THINK THAT YOU SHOULD
GO TO SAN FRANCISCO
WITH DENNIS THE POET,
1514
01:12:18,468 --> 01:12:20,404
WHO YOU MET 3 DAYS AGO
1515
01:12:20,437 --> 01:12:25,509
AND WRITE POETRY
AND SUPPORT HIM.
1516
01:12:29,946 --> 01:12:33,016
I NEED SOME MORE
FUCKING CIGARETTES.
1517
01:12:35,519 --> 01:12:36,686
Jo: BAD! YOU ARE BAD!
1518
01:12:36,720 --> 01:12:37,587
I AM VERY BAD!
1519
01:12:37,621 --> 01:12:40,724
YOU ARE VERY, VERY,
VERY, VERY, VERY BAD!
1520
01:12:40,757 --> 01:12:42,125
VERY BAD! VERY BAD!
1521
01:12:42,158 --> 01:12:43,993
I'VE HAD A BAD WEEK
AND BEEN TERRIBLE.
1522
01:12:44,027 --> 01:12:45,128
I DON'T CARE ABOUT
YOUR WEEK.
1523
01:12:45,161 --> 01:12:46,930
DO I GIVE A FUCK
ABOUT YOUR WEEK?
1524
01:12:46,963 --> 01:12:48,798
I DON'T CARE ABOUT
YOUR WEEK.
1525
01:12:48,832 --> 01:12:49,699
ARE YOU HUNGRY?
1526
01:12:49,733 --> 01:12:50,700
YES, MISTRESS, STARVING.
1527
01:12:50,734 --> 01:12:52,736
ALL RIGHT, THERE YOU GO.
1528
01:12:52,769 --> 01:12:53,437
EAT! EAT!
1529
01:12:53,470 --> 01:12:54,604
BLESS YOU, MISTRESS.
THANK YOU.
1530
01:12:54,638 --> 01:12:55,605
ALL RIGHT,
ENOUGH OF THIS SHIT.
1531
01:12:55,639 --> 01:12:58,408
IT'S TIME TO TAKE
THE LITTLE WORMY
FOR A WALK.
1532
01:12:58,442 --> 01:12:59,409
YES, MISTRESS.
OK?
1533
01:12:59,443 --> 01:13:00,577
GET DOWN ON THE GROUND.
GET DOWN ON THE GROUND.
1534
01:13:00,610 --> 01:13:04,948
GET DOWN ON THE GROUND
AND CRAWL! CRAWL!
CRAWL! CRAWL!
1535
01:13:04,981 --> 01:13:07,551
CRAWL LIKE THE SUBHUMAN
CREATURE THAT YOU ARE!
1536
01:13:07,584 --> 01:13:08,752
[KNOCK ON DOOR]
1537
01:13:08,785 --> 01:13:09,853
YOU'RE A FUCK--
1538
01:13:09,886 --> 01:13:10,720
WHO THE FUCK IS THAT?
1539
01:13:10,754 --> 01:13:13,022
ALL RIGHT, YOU JUST
STAY RIGHT HERE, OK?
1540
01:13:13,056 --> 01:13:15,592
I'M FINE.
1541
01:13:18,962 --> 01:13:20,497
JESSIE, WHAT ARE YOU
DOING HERE?
1542
01:13:20,530 --> 01:13:22,666
I JUST THOUGHT--
IT'S 3:00
IN THE MORNING.
1543
01:13:22,699 --> 01:13:23,800
WHAT THE FUCK
ARE YOU DOING?
1544
01:13:23,833 --> 01:13:25,935
I JUST THOUGHT THAT
MAYBE YOU NEEDED
A LITTLE COMPANY.
1545
01:13:25,969 --> 01:13:27,571
WELL, SWEETHEART,
YOU THOUGHT WRONG.
1546
01:13:27,604 --> 01:13:29,038
I HAVE COMPANY.
GOOD-BYE.
1547
01:13:29,072 --> 01:13:30,874
WHO IS THAT?
JESSIE!
1548
01:13:30,907 --> 01:13:32,476
JESSIE, I'M RIGHT IN
THE MIDDLE OF SOMETHING.
1549
01:13:32,509 --> 01:13:34,944
CAN'T YOU TELL?
I HAVE A LIFE.
CAN YOU GO, PLEASE?
1550
01:13:34,978 --> 01:13:37,013
ANGEL SAID YOU MIGHT
NEED SOME COMPANY
1551
01:13:37,046 --> 01:13:38,782
ON ACCOUNT OF
THE BABY AND ALL.
1552
01:13:38,815 --> 01:13:39,683
WELL, ANGEL THOUGHT WRONG.
1553
01:13:39,716 --> 01:13:41,818
COMPANY IS THE LAST
FUCKING THING I NEED.
1554
01:13:41,851 --> 01:13:43,753
YOU'VE GOT TO GO.
GOOD-BYE.
1555
01:13:43,787 --> 01:13:44,854
NO.
1556
01:13:44,888 --> 01:13:46,022
HI.
HI.
1557
01:13:46,055 --> 01:13:49,626
Jo: ALL RIGHT.
DON'T TALK TO HIM.
HE'S BEING PUNISHED, OK?
1558
01:13:49,659 --> 01:13:50,760
ANYWAY,
HE DOESN'T EXIST.
1559
01:13:50,794 --> 01:13:52,596
HE'S JUST A LITTLE,
PATHETIC WORM.
1560
01:13:52,629 --> 01:13:53,863
GET DOWN ON THE FLOOR!
1561
01:13:53,897 --> 01:13:55,599
DID I TELL YOU
TO SIT UP?
1562
01:13:55,632 --> 01:13:56,933
GET DOWN ON THE FLOOR!
1563
01:13:56,966 --> 01:13:58,935
I DON'T NEED ANY
CONVERSATION FROM YOU.
1564
01:13:58,968 --> 01:14:00,870
JESSIE, COME ON.
GET UP OFF THE FLOOR.
1565
01:14:00,904 --> 01:14:01,705
YOU HAVE BEEN
A VERY, VERY--
1566
01:14:01,738 --> 01:14:03,507
I HAVE, MISTRESS.
I'VE BEEN TERRIBLE.
1567
01:14:03,540 --> 01:14:04,373
VERY BAD BOY!
1568
01:14:04,407 --> 01:14:06,810
ALL RIGHT. STOP!
STOP, ALL RIGHT?
STOP!
1569
01:14:06,843 --> 01:14:09,679
YOU, DON'T TALK TO HER.
DON'T TALK TO HER, OK?
1570
01:14:09,713 --> 01:14:10,647
I JUST FIGURED--
WHY NOT?
1571
01:14:10,680 --> 01:14:12,248
CAN'T YOU SEE WE'RE IN
THE MIDDLE OF SOMETHING?
1572
01:14:12,281 --> 01:14:14,518
JESSIE, COME ON. HERE.
SIT DOWN. SIT DOWN.
1573
01:14:14,551 --> 01:14:15,284
BUT I WANT TO PLAY.
1574
01:14:15,318 --> 01:14:16,620
I'M NOT PLAYING.
THIS IS BUSINESS.
1575
01:14:16,653 --> 01:14:20,023
DOES THIS PATHETIC THING
LOOK LIKE SOMETHING
I WOULD HAVE FUN WITH?
1576
01:14:20,056 --> 01:14:21,057
IT'S BUSINESS.
1577
01:14:21,090 --> 01:14:23,493
THIS IS NOT
A FRIEND OF MINE.
THIS IS A CLIENT.
1578
01:14:23,527 --> 01:14:24,828
DO YOU MIND
IF I STAY?
1579
01:14:24,861 --> 01:14:25,562
LOOK, DON'T TALK TO--
1580
01:14:25,595 --> 01:14:28,031
SHUT UP!
GET DOWN ON THE GROUND!
1581
01:14:28,064 --> 01:14:29,065
RIGHT AWAY,
MISTRESS.
1582
01:14:29,098 --> 01:14:30,266
ARE YOU HUNGRY, WORM?
1583
01:14:30,299 --> 01:14:31,134
OH, YES.
1584
01:14:31,167 --> 01:14:31,835
ARE YOU THIRSTY?
1585
01:14:31,868 --> 01:14:34,137
DRINK! DRINK
THE FUCKING VODKA!
1586
01:14:34,170 --> 01:14:36,506
KEEP YOUR HEAD ON THE--
1587
01:14:36,540 --> 01:14:37,206
JESSIE!
1588
01:14:37,240 --> 01:14:38,041
YOU'VE BEEN BAD.
1589
01:14:38,074 --> 01:14:38,942
DON'T DRINK THAT.
THAT'S DISGUSTING.
1590
01:14:38,975 --> 01:14:41,244
DON'T YOU DRINK THAT.
IT'S DIRTY. GET UP.
1591
01:14:41,277 --> 01:14:42,278
MAY I HAVE TWO MISTRESSES
THIS EVENING?
1592
01:14:42,311 --> 01:14:44,514
NO, YOU ARE NOT HAVING
TWO MISTRESSES THIS EVENING.
1593
01:14:44,548 --> 01:14:47,016
JESSIE, THAT DOES IT.
YOU'VE GOT TO GET
OUT OF HERE.
1594
01:14:47,050 --> 01:14:48,818
GO ON, GO ON.
GET OUT OF HERE. GO ON.
1595
01:14:48,852 --> 01:14:50,820
NO. NO, JO.
PLEASE LET ME STAY.
1596
01:14:50,854 --> 01:14:53,222
JO, I HAVE
NOWHERE TO GO.
1597
01:14:53,256 --> 01:14:53,957
ALL RIGHT.
1598
01:14:53,990 --> 01:14:55,759
LET'S NOT GET
ALL MELODRAMATIC.
1599
01:14:55,792 --> 01:14:58,094
ALL RIGHT. COME HERE.
GET UP. STAND UP.
1600
01:14:58,127 --> 01:14:58,828
WHAT ARE YOU LOOKING AT?
1601
01:14:58,862 --> 01:15:00,964
DO YOU MIND
IF I STAY
TONIGHT?
1602
01:15:00,997 --> 01:15:01,698
NO, YOU CAN STAY.
1603
01:15:01,731 --> 01:15:03,299
SEE, HE DOESN'T
MIND IF I STAY.
1604
01:15:03,332 --> 01:15:05,969
YOUR OPINION
DOES NOT COUNT.
1605
01:15:06,002 --> 01:15:07,937
JESSIE...
1606
01:15:07,971 --> 01:15:08,905
WHAT HAPPENED TO YOU?
1607
01:15:08,938 --> 01:15:11,875
WHAT THE FUCK IS THIS?
WHO DID THAT TO YOU?
1608
01:15:11,908 --> 01:15:12,742
DID CHARLIE HIT YOU?
1609
01:15:12,776 --> 01:15:15,612
NO, I JUST WANT TO
HAVE A SLUMBER PARTY.
1610
01:15:15,645 --> 01:15:16,412
YOU SHOULD
PUT ICE ON--
1611
01:15:16,445 --> 01:15:18,014
DO YOU WANT TO HAVE
A SLUMBER PARTY?
1612
01:15:18,047 --> 01:15:19,716
CAN YOU STAY
OUT OF THIS, OK?
1613
01:15:19,749 --> 01:15:20,416
BECAUSE WE'RE IN THE--
1614
01:15:20,449 --> 01:15:22,151
I WANT TO HAVE
A SLUMBER PARTY.
1615
01:15:22,185 --> 01:15:22,986
JESSIE, GET UP.
1616
01:15:23,019 --> 01:15:24,621
DON'T. YOU DON'T KNOW
WHERE HE'S BEEN.
1617
01:15:24,654 --> 01:15:25,454
COME ON, SWEETHEART.
1618
01:15:25,488 --> 01:15:27,190
YOU NEED TO LIE DOWN
AND SLEEP IT OFF.
1619
01:15:27,223 --> 01:15:29,025
THIS IS NOT
A PLACE FOR KIDS.
1620
01:15:29,058 --> 01:15:30,960
COME ON, JO.
I WANT TO PLAY.
1621
01:15:30,994 --> 01:15:31,861
ALL RIGHT. YOU WIN.
1622
01:15:31,895 --> 01:15:33,897
YOU CAN STAY HERE,
BUT YOU CAN'T STAY HERE
1623
01:15:33,930 --> 01:15:35,164
FOR MORE THAN ONE NIGHT,
1624
01:15:35,198 --> 01:15:37,000
BECAUSE I HAVE,
FRANKLY, A LIFE.
1625
01:15:37,033 --> 01:15:38,134
BUT I WANT TO PLAY,
JO.
1626
01:15:38,167 --> 01:15:41,170
NO. NO. YOU LIE HERE
AND BE REALLY QUIET
1627
01:15:41,204 --> 01:15:42,538
AND JUST SLEEP IT OFF
1628
01:15:42,572 --> 01:15:48,011
AND DON'T BOTHER ME
WHEN I'M DOING MY BUSINESS
WITH THE NICE MAN, OK?
1629
01:15:48,044 --> 01:15:50,013
JUST WHEN
YOU GET BACK...
1630
01:16:06,930 --> 01:16:09,666
[MUSIC PLAYING]
1631
01:16:11,968 --> 01:16:15,939
Man: * THERE'S
THIS GIRL CECILIA *
1632
01:16:18,074 --> 01:16:19,976
* WHO WAS A SWEETHEART
1633
01:16:20,009 --> 01:16:23,212
* AS A CHILD
1634
01:16:52,809 --> 01:16:54,110
[WHISTLES]
1635
01:16:54,143 --> 01:16:56,212
OFFICER?
1636
01:16:56,245 --> 01:16:57,413
OFFICER, COULD--
1637
01:16:57,446 --> 01:16:58,281
COULD YOU HELP ME WITH--
1638
01:16:58,314 --> 01:17:01,284
COULD YOU HELP ME
TAKE A PICTURE OF MY--
1639
01:17:01,317 --> 01:17:03,286
I WANT TO TAKE
A PICTURE OF MYSELF
1640
01:17:03,319 --> 01:17:04,821
IN FRONT OF
THIS BILLBOARD.
1641
01:17:04,854 --> 01:17:05,889
IS THAT YOU?
1642
01:17:05,922 --> 01:17:07,724
YEAH.
REALLY?
1643
01:17:07,757 --> 01:17:11,928
I'M A LOT SMALLER
IN PERSON,
1644
01:17:11,961 --> 01:17:14,363
BUT, UM...
1645
01:17:15,164 --> 01:17:15,865
SEE, I CAN--
1646
01:17:15,899 --> 01:17:19,135
I THINK I'M
ONLY GETTING MY HAT.
1647
01:17:19,168 --> 01:17:21,871
[RADIO BEEPING]
1648
01:17:22,305 --> 01:17:25,775
YOU REALIZE YOU'RE
NOT SUPPOSED TO
BE DOWN HERE?
1649
01:17:25,809 --> 01:17:27,343
UM...SORRY.
1650
01:17:27,376 --> 01:17:28,878
I'M GONNA LEAVE
AS SOON AS I--
1651
01:17:28,912 --> 01:17:32,048
I JUST WANTED TO
GET A GOOD SHOT OF MY--
1652
01:17:32,081 --> 01:17:34,050
ALL RIGHT.
MY PICTURE.
1653
01:17:34,083 --> 01:17:35,351
THANKS.
1654
01:17:35,384 --> 01:17:36,786
IS IT READY TO GO?
1655
01:17:36,820 --> 01:17:38,955
YEAH. THERE.
1656
01:17:38,988 --> 01:17:39,956
THANKS.
1657
01:17:39,989 --> 01:17:40,790
A LITTLE WIDER.
1658
01:17:40,824 --> 01:17:43,059
COULD YOU JUST TAKE IT
A LITTLE WIDER?
1659
01:17:43,092 --> 01:17:44,327
YOU MEAN BACK?
YEAH.
1660
01:17:44,360 --> 01:17:46,062
HOW'S THAT?
1661
01:17:46,095 --> 01:17:47,931
I GOT IT ALL.
1662
01:17:47,964 --> 01:17:49,699
READY? CHEESE.
1663
01:17:49,733 --> 01:17:51,000
CHEESE.
CHEESE.
1664
01:17:51,034 --> 01:17:51,935
[CLICK]
1665
01:17:51,968 --> 01:17:53,002
HA! THANK YOU.
1666
01:17:53,036 --> 01:17:54,203
YOU'RE WELCOME.
1667
01:17:54,237 --> 01:17:57,006
DID ANYONE EVERY TELL
YOU YOU LOOK A LOT
LIKE FRED GWYNNE?
1668
01:17:57,040 --> 01:17:58,842
YOU KNOW, THE GUY
WHO WAS HERMAN MUNSTER.
1669
01:17:58,875 --> 01:18:01,044
NO. NO ONE'S EVER
TOLD ME THAT BEFORE.
1670
01:18:01,077 --> 01:18:01,878
YOU DO.
1671
01:18:01,911 --> 01:18:03,880
I REALLY LIKED HIM.
1672
01:18:03,913 --> 01:18:06,482
HE WAS, LIKE,
THE GREAT--FUCK!
1673
01:18:06,515 --> 01:18:08,017
SHIT!
1674
01:18:08,051 --> 01:18:08,785
OH, NO!
1675
01:18:08,818 --> 01:18:10,219
I FUCKING LOCKED
MY KEYS IN MY CAR,
1676
01:18:10,253 --> 01:18:12,889
AND I'VE GOT TO
BE AT WORK.
1677
01:18:12,922 --> 01:18:14,323
OH, NO.
1678
01:18:14,357 --> 01:18:15,491
DAMN IT.
1679
01:18:15,524 --> 01:18:16,793
DO YOU HAVE A HANGER?
1680
01:18:16,826 --> 01:18:18,995
THIS SIDE'S OPEN.
1681
01:18:19,028 --> 01:18:21,330
WILL YOU UNLOCK
THIS DOOR FOR ME?
1682
01:18:21,364 --> 01:18:23,833
SURE.
THANKS.
1683
01:18:24,901 --> 01:18:25,869
YEAH.
1684
01:18:25,902 --> 01:18:26,970
THIS RIGHT HERE.
1685
01:18:27,003 --> 01:18:30,506
THIS IS THE LOCK
RIGHT--
1686
01:18:30,539 --> 01:18:33,242
MA'AM, IS THIS MARIJUANA?
1687
01:18:33,977 --> 01:18:35,812
UM...
1688
01:18:35,845 --> 01:18:36,612
I THINK IT'S, UM--
1689
01:18:36,645 --> 01:18:39,015
IT'S JUST--IT'S
AN HERBAL CIGARETTE.
1690
01:18:39,048 --> 01:18:42,418
YOU WANT TO STEP
AROUND THE SIDE
OF THE CAR, PLEASE?
1691
01:18:42,451 --> 01:18:44,921
I--I DID NOT INHALE.
1692
01:18:44,954 --> 01:18:45,654
I--
1693
01:18:45,688 --> 01:18:47,223
STEP AROUND
THE SIDE OF THE CAR.
1694
01:18:47,256 --> 01:18:48,958
THIS WILL
ONLY TAKE A MINUTE.
1695
01:18:48,992 --> 01:18:49,625
WELL, IT--
1696
01:18:49,658 --> 01:18:51,360
IT'S PROBABLY
JUST OREGANO.
1697
01:18:51,394 --> 01:18:52,796
YOU SHOULD PROBABLY
HAVE IT EXAMINED
1698
01:18:52,829 --> 01:18:54,397
BECAUSE I DON'T
EVEN FEEL STONED.
1699
01:18:54,430 --> 01:18:57,100
I WILL HAVE IT EXAMINED.
1700
01:18:57,300 --> 01:18:59,068
IT'LL JUST TAKE
A SECOND, OK?
1701
01:18:59,102 --> 01:18:59,769
DON'T BE ALARMED.
1702
01:18:59,803 --> 01:19:02,338
DO--DO YOU HAVE TO
HANDCUFF ME?
1703
01:19:02,371 --> 01:19:03,006
I'M AFRAID I DO.
1704
01:19:03,039 --> 01:19:04,173
THIS WILL ONLY
TAKE A MINUTE.
1705
01:19:04,207 --> 01:19:07,944
BUT YOU CAN FIND ME
AT THE BLUE IGUANA,
LIKE, EVERY DAY.
1706
01:19:07,977 --> 01:19:09,813
I'M REALLY
A GOOD PERSON,
1707
01:19:09,846 --> 01:19:10,746
AND I HAVE--
1708
01:19:10,780 --> 01:19:12,048
MA'AM, I'M JUST GONNA
ASK YOU TO STAND STILL
1709
01:19:12,081 --> 01:19:13,482
JUST FOR
A FEW MINUTES, OK?
OK.
1710
01:19:13,516 --> 01:19:15,819
I'M JUST GONNA
TAKE A LOOK IN THE CAR
1711
01:19:15,852 --> 01:19:16,786
FOR YOUR LICENSE
AND REGISTRATION.
1712
01:19:16,820 --> 01:19:19,889
OK, BUT IT'S JUST THAT
I HAVE RESPONSIBILITIES
1713
01:19:19,923 --> 01:19:23,192
AND CHILDREN THAT
I MIGHT NEED TO BE
A ROLE MODEL FOR,
1714
01:19:23,226 --> 01:19:26,129
AND IF I GET A RECORD,
IT WOULD BE REALLY BAD.
1715
01:19:26,162 --> 01:19:26,796
I UNDERSTAND.
1716
01:19:26,830 --> 01:19:28,197
WHERE--
IS THIS YOUR PURSE?
1717
01:19:28,231 --> 01:19:31,500
YEAH, THAT FUZZY--
THE PINK--
1718
01:19:32,401 --> 01:19:34,403
THIS?
YEAH.
1719
01:19:35,872 --> 01:19:38,975
OFFICER, IS THERE
ANY WAY YOU COULD
MAYBE--
1720
01:19:39,008 --> 01:19:39,876
I'M GONNA PAY THAT.
1721
01:19:39,909 --> 01:19:43,546
I GOT AN EXTENSION
ON IT, AND I'M
GONNA--
1722
01:19:43,579 --> 01:19:44,547
WHICH ONE IS YOUR WALLET?
1723
01:19:44,580 --> 01:19:48,084
IT'S THE ONE THAT SAYS
"BAD MOTHERFUCKER"
ON IT.
1724
01:19:48,117 --> 01:19:50,219
HA! DID YOU EVER
SEE PULP FICTION?
1725
01:19:50,253 --> 01:19:51,454
NO, I NEVER
SAW THAT ONE.
1726
01:19:51,487 --> 01:19:55,391
WELL, YOU KNOW,
JOHN TRAVOLTA'S CAREER
CAME BACK AFTER THAT.
1727
01:19:55,424 --> 01:20:00,396
I WAS SICK WHEN
THEY TOOK THAT PICTURE.
1728
01:20:02,932 --> 01:20:04,200
OFFICER...
1729
01:20:04,233 --> 01:20:05,601
A LOT OF BILLS, MA'AM.
1730
01:20:05,634 --> 01:20:08,571
YEAH, THEY'RE ALL ONES,
BUT, UM...
1731
01:20:08,604 --> 01:20:11,474
YOU CAN HAVE SOME.
1732
01:20:13,609 --> 01:20:14,543
WHAT ARE THESE?
1733
01:20:14,577 --> 01:20:17,213
THEY'RE MY FRIEND
JO'S VITAMINS
1734
01:20:17,246 --> 01:20:21,250
FOR HER PREGNANCY,
I THINK.
1735
01:20:24,487 --> 01:20:26,555
IS THERE ANY WAY
THAT, UM, OFFICER,
1736
01:20:26,589 --> 01:20:28,224
THAT MAYBE YOU COULD
FORGET ABOUT THIS,
1737
01:20:28,257 --> 01:20:31,327
BECAUSE I'M REALLY
A GOOD PERSON.
1738
01:20:31,360 --> 01:20:33,997
YOU KNOW, YOU
COULD COME DOWN
TO THE BLUE IGUANA,
1739
01:20:34,030 --> 01:20:37,233
AND THEY LET
L.A.P.D. IN THERE
ALL THE TIME FOR FREE
1740
01:20:37,266 --> 01:20:39,502
BECAUSE WE'RE
A REALLY CLEAN CLUB.
1741
01:20:39,535 --> 01:20:40,269
THAT RIGHT?
1742
01:20:40,303 --> 01:20:42,038
AND EDDIE GETS MAD--
OUR MANAGER--
1743
01:20:42,071 --> 01:20:44,473
SOMETIMES HE CAN'T EVEN
GET THEM OUT OF THE CLUB
1744
01:20:44,507 --> 01:20:45,741
BECAUSE THEY
LIKE IT SO MUCH,
1745
01:20:45,774 --> 01:20:50,213
AND MY FRIEND JO,
SHE WORKS WITH A LOT
OF L.A.P.D. GUYS, AND--
1746
01:20:50,246 --> 01:20:51,080
OK.
1747
01:20:51,114 --> 01:20:52,916
SHE'S REALLY BEAUTIFUL.
I'M SURE SHE'D--
1748
01:20:52,949 --> 01:20:53,983
I'M GONNA ASK--
1749
01:20:54,017 --> 01:20:54,683
LIKE YOU.
1750
01:20:54,717 --> 01:20:56,920
WELL, I'M HAPPY
TO HEAR THAT.
1751
01:20:56,953 --> 01:20:58,421
I'M GONNA ASK YOU
TO STAY BY THE CAR
1752
01:20:58,454 --> 01:20:59,522
JUST FOR A COUPLE
OF MINUTES
1753
01:20:59,555 --> 01:21:02,926
WHILE I GO RUN THE LICENSE
AND REGISTRATION, ALL RIGHT?
1754
01:21:02,959 --> 01:21:03,692
OK. IS THAT NECESSARY?
1755
01:21:03,726 --> 01:21:05,028
IT REALLY IS.
I'LL BE RIGHT BACK.
1756
01:21:05,061 --> 01:21:09,398
BUT, OFFICER, UM,
IS THIS GONNA BE, LIKE,
ON THE NEWS OR ANYTHING?
1757
01:21:09,432 --> 01:21:10,499
NO, NO, NO, NO, NO.
1758
01:21:10,533 --> 01:21:11,267
IT'S GONNA BE OK.
1759
01:21:11,300 --> 01:21:13,402
BECAUSE I DON'T--
I REALLY CAN'T--
1760
01:21:13,436 --> 01:21:16,072
I DON'T--
I'VE ALWAYS WANTED
TO BE IN THE ENQUIRER
1761
01:21:16,105 --> 01:21:18,641
BUT NOT FOR, LIKE,
GETTING ARRESTED.
1762
01:21:18,674 --> 01:21:21,677
I THOUGHT MAYBE
IF I HAD, LIKE,
A HANDSOME HUNK
1763
01:21:21,710 --> 01:21:24,047
OR A NICE DRESS
OR SOMETHING--
1764
01:21:24,080 --> 01:21:26,882
IS THERE--
IS--
1765
01:21:27,016 --> 01:21:28,952
SHIT!
IT WON'T TAKE A MINUTE.
1766
01:21:28,985 --> 01:21:30,619
OK.
1767
01:21:30,653 --> 01:21:32,421
SHIT!
1768
01:21:44,000 --> 01:21:45,234
HI, EDDIE.
1769
01:21:45,268 --> 01:21:46,669
WHERE'S JASMINE?
1770
01:21:46,702 --> 01:21:50,006
UM, SHE WASN'T
FEELING TOO WELL.
1771
01:21:51,674 --> 01:21:53,109
Eddie: ARE YOU OK?
1772
01:21:53,142 --> 01:21:54,543
YEAH.
1773
01:22:08,391 --> 01:22:11,194
[LEONARD COHEN'S DANCE ME
TO THE END OF LOVE PLAYING]
1774
01:22:11,227 --> 01:22:15,965
Cohen: * DANCE ME
TO THE WEDDING NOW *
1775
01:22:15,999 --> 01:22:19,435
* DANCE ME ON AND ON
1776
01:22:19,468 --> 01:22:22,972
* DANCE ME VERY TENDERLY
1777
01:22:23,006 --> 01:22:26,142
* AND DANCE ME VERY LONG
1778
01:22:26,175 --> 01:22:30,980
* WE'RE BOTH OF US
BENEATH OUR LOVE... *
1779
01:22:31,014 --> 01:22:32,248
OH, FUCK!
1780
01:22:32,281 --> 01:22:33,349
WHAT'S THE MATTER?
1781
01:22:33,382 --> 01:22:34,183
FUCK! FUCK!
1782
01:22:34,217 --> 01:22:35,618
YOU HAVE TO GO TO WORK?
1783
01:22:35,651 --> 01:22:36,552
NO. NO.
1784
01:22:36,585 --> 01:22:38,354
YOU WANT ME
TO CALL YOUR BOSS?
NO, NO, NO.
1785
01:22:38,387 --> 01:22:40,189
NO.
I'LL CALL HIM.
NO. FUCK OFF!
1786
01:22:40,223 --> 01:22:41,057
NO. DON'T CALL HIM.
1787
01:22:41,090 --> 01:22:42,658
FUCK OFF?
WHAT'S HIS NAME?
1788
01:22:42,691 --> 01:22:43,592
NOTHING.
1789
01:22:43,626 --> 01:22:45,394
OK. I'D LIKE TO TALK
TO MR. NOTHING, PLEASE.
1790
01:22:45,428 --> 01:22:47,430
NO! STOP IT!
NO, NO, NO.
1791
01:22:47,463 --> 01:22:48,064
OK.
1792
01:22:48,097 --> 01:22:50,399
DON'T.
I WANT TO STAY HERE.
1793
01:22:50,433 --> 01:22:52,135
OK.
1794
01:22:53,636 --> 01:22:56,272
BUT I WANT TO SMOKE.
1795
01:22:56,505 --> 01:22:58,141
YOU HAVE A GREAT ASS.
1796
01:22:58,174 --> 01:22:59,042
YOU CAN HIT IT.
1797
01:22:59,075 --> 01:23:01,310
I DON'T WANT TO HIT IT.
I WANT TO KISS IT.
1798
01:23:01,344 --> 01:23:04,013
YOU WANT TO KISS MY ASS?
1799
01:23:05,148 --> 01:23:07,083
[KISS]
1800
01:23:09,318 --> 01:23:11,154
THANK YOU.
1801
01:23:13,422 --> 01:23:20,229
Susan Tedeschi: * LORD,
I LOVE YOU IN SO MANY WAYS *
1802
01:23:20,263 --> 01:23:26,169
* LORD, I LOVE YOU
EACH AND EVERY DAY *
1803
01:23:26,202 --> 01:23:32,108
* BUT NOW IS THE TIME
WHEN I MUST ASK YOU WHY *
1804
01:23:32,141 --> 01:23:37,080
* WHY MUST YOU LIVE
AND WHY MUST YOU DIE? *
1805
01:23:37,113 --> 01:23:40,616
* WELL, I'M
LOOKING FOR ANSWERS *
1806
01:23:40,649 --> 01:23:47,356
* LOOKING FOR ANSWERS
THAT NOBODY KNOWS... *
1807
01:23:48,624 --> 01:23:50,226
HI, EDDIE.
1808
01:23:50,259 --> 01:23:51,294
SORRY I'M LATE.
1809
01:23:51,327 --> 01:23:52,695
BETTER MAKE IT GOOD,
GIRL.
1810
01:23:52,728 --> 01:23:54,263
I KNOW. I HAD
REALLY BAD CRAMPS.
1811
01:23:54,297 --> 01:23:55,664
OH. YOU HAD
REALLY BAD CRAMPS?
1812
01:23:55,698 --> 01:23:56,832
SORRY.
I'M HERE!
1813
01:23:56,865 --> 01:23:58,033
THAT'S A GODDAMN
PRIZE WINNER.
1814
01:23:58,067 --> 01:24:01,137
WHAT THE FUCK, YOU'RE HERE?
YOU'RE HERE LATE,
GODDAMN IT.
1815
01:24:01,170 --> 01:24:02,305
WHERE THE FUCK WERE YOU?
1816
01:24:02,338 --> 01:24:04,573
YOU COULDN'T CALL?
1817
01:24:04,840 --> 01:24:07,710
I NEED V.I.P. NIGHT OFF.
1818
01:24:08,311 --> 01:24:10,079
GODDAMN,
YOU'RE PRICELESS.
EDDIE--
1819
01:24:10,113 --> 01:24:11,180
I SWEAR TO GOD,
YOU DON'T--
1820
01:24:11,214 --> 01:24:13,249
I CAN'T WORK ANYWAYS.
MY FUCKING CRAMPS
ARE SO BAD.
1821
01:24:13,282 --> 01:24:14,383
OH, YOUR CRAMPS
ARE KILLING YOU?
1822
01:24:14,417 --> 01:24:15,451
HOW LONG YOU WORKED HERE,
JASMINE?
1823
01:24:15,484 --> 01:24:17,386
IT DOESN'T MATTER.
I WAS TALKING
TO JO AND ANGEL--
1824
01:24:17,420 --> 01:24:19,122
HOW LONG YOU WORKED HERE?
A YEAR, RIGHT?
YEAH.
1825
01:24:19,155 --> 01:24:21,590
WHEN WAS THE LAST TIME
YOU GOT OFF FOR CRAMPS?
NEVER!
1826
01:24:21,624 --> 01:24:22,625
WHAT THE FUCK
IS YOUR PROBLEM?
1827
01:24:22,658 --> 01:24:23,859
WHAT THE FUCK
IS MY PROBLEM?
1828
01:24:23,892 --> 01:24:25,828
MY PROBLEM IS I WANT
YOU TO JUST DON'T
TELL ME A GODDAMN LIE!
1829
01:24:25,861 --> 01:24:28,264
I'M JUST SAYING,
JO AND ANGEL HAVE,
LIKE, 3 OTHER PEOPLE--
1830
01:24:28,297 --> 01:24:28,964
FUCK JO AND ANGEL!
1831
01:24:28,997 --> 01:24:30,533
THIS AIN'T ABOUT
JO AND ANGEL!
1832
01:24:30,566 --> 01:24:31,867
I RUN THIS MOTHERFUCKER.
1833
01:24:31,900 --> 01:24:35,304
I'M ASKING YOU
WHAT THE GODDAMN DEAL
REALLY IS.
1834
01:24:35,338 --> 01:24:37,106
I DIDN'T ASK YOU
ABOUT NO GODDAMN PERIOD,
1835
01:24:37,140 --> 01:24:39,475
SO DON'T TELL ME ABOUT
NO FATHERFUCKING PERIOD!
1836
01:24:39,508 --> 01:24:41,144
I CAN'T.
I CAN'T. I CAN'T.
1837
01:24:41,177 --> 01:24:41,944
I'LL COME BACK
ON MONDAY.
1838
01:24:41,977 --> 01:24:44,147
I'LL WORK
ALL THE REST
OF THE WEEK.
1839
01:24:44,180 --> 01:24:45,114
I NEED
THE WEEKEND OFF.
1840
01:24:45,148 --> 01:24:46,482
TOMORROW NIGHT,
YOU'RE DANCING.
1841
01:24:46,515 --> 01:24:47,783
YOU'RE ONE
OF MY STAR GIRLS.
1842
01:24:47,816 --> 01:24:49,685
I NEED YOU IN HERE,
SO DON'T FUCK WITH ME, OK?
1843
01:24:49,718 --> 01:24:52,688
YOU COME IN HERE LATE
AND GONNA ASK
FOR TOMORROW OFF?
1844
01:24:52,721 --> 01:24:53,822
WHAT IS
THE BIG FUCKING DEAL?
1845
01:24:53,856 --> 01:24:56,359
THE BIG FUCKING DEAL
IS I NEED TO KNOW.
1846
01:24:56,392 --> 01:24:58,394
WHAT?
1847
01:24:58,427 --> 01:25:00,429
THE TRUTH.
1848
01:25:00,929 --> 01:25:03,566
THE GODDAMN TRUTH!
1849
01:25:03,699 --> 01:25:05,468
DON'T FUCK WITH ME,
JASMINE.
1850
01:25:05,501 --> 01:25:08,171
YOU TELL ME WHAT'S UP.
1851
01:25:09,238 --> 01:25:11,407
I CAN'T. I CAN'T.
1852
01:25:11,440 --> 01:25:13,142
WHAT THE FUCK
DO YOU CARE?
1853
01:25:13,176 --> 01:25:15,278
WHAT THE FUCK DO YOU
CARE ABOUT ANYWAYS?
1854
01:25:15,311 --> 01:25:16,011
WHAT THE FUCK--
1855
01:25:16,044 --> 01:25:17,646
YOU CAN GET
ANYONE ELSE IN HERE.
1856
01:25:17,680 --> 01:25:18,414
IT DOESN'T MATTER
TO YOU.
1857
01:25:18,447 --> 01:25:20,716
I CARE BECAUSE I CARE,
GODDAMN IT!
1858
01:25:20,749 --> 01:25:21,817
DON'T TREAT ME
LIKE NO TRASH!
1859
01:25:21,850 --> 01:25:23,586
I AM NOT. I AM NOT
TREATING YOU LIKE--
1860
01:25:23,619 --> 01:25:25,688
I WAS TELLING YOU THAT
I HAVE A FUCKING LIFE
1861
01:25:25,721 --> 01:25:26,722
AND I NEED
THE WEEKEND OFF--
1862
01:25:26,755 --> 01:25:30,826
YOU AIN'T GOT
NO FUCKING LIFE!
THIS IS YOUR LIFE!
1863
01:25:31,327 --> 01:25:33,329
YOU GOT THAT?
1864
01:25:33,362 --> 01:25:34,330
YOU AIN'T GOT NO FRIENDS,
1865
01:25:34,363 --> 01:25:36,599
BECAUSE TWO MINUTES
AFTER YOU WALK OUT OF HERE,
1866
01:25:36,632 --> 01:25:37,933
ONE OF YOUR
DOUBLE-CROSSING FRIENDS
1867
01:25:37,966 --> 01:25:41,704
IS GONNA COME IN HERE
AND SNITCH ON YOUR ASS!
1868
01:25:42,838 --> 01:25:43,939
DON'T FUCK WITH ME.
1869
01:25:43,972 --> 01:25:44,807
I FUCKING QUIT!
1870
01:25:44,840 --> 01:25:46,275
GODDAMN YOU!
I'M SORRY!
1871
01:25:46,309 --> 01:25:47,109
I WAS--
1872
01:25:47,142 --> 01:25:48,344
DON'T WALK IN HERE
AND FUCK MY SHIT UP!
1873
01:25:48,377 --> 01:25:51,347
EDDIE, YOU KNOW,
YOU HAVE YOUR LIFE,
AND I'LL HAVE MINE, OK?
1874
01:25:51,380 --> 01:25:53,216
YOU AIN'T GOT A LIFE!
1875
01:25:53,249 --> 01:25:54,717
[DOOR CLOSES]
1876
01:26:22,811 --> 01:26:24,947
MISS WILLOW?
1877
01:26:24,980 --> 01:26:26,849
IT'S SARAH.
1878
01:26:30,719 --> 01:26:32,688
[KNOCK ON DOOR]
1879
01:26:32,721 --> 01:26:34,590
MISS WILLOW?
1880
01:26:36,525 --> 01:26:39,228
[KNOCK ON DOOR]
1881
01:26:39,695 --> 01:26:41,330
BECKY?
1882
01:26:42,665 --> 01:26:44,300
HELLO?
1883
01:26:44,333 --> 01:26:46,635
[KNOCK ON DOOR]
1884
01:26:46,669 --> 01:26:51,974
[ANSWERING MACHINE
CLICKS ON AND BEEPS]
1885
01:26:52,007 --> 01:26:53,642
Dennis, on machine:
HEY, IT'S ME.
1886
01:26:53,676 --> 01:26:55,311
UM, OK, UH, LET'S SEE.
1887
01:26:55,344 --> 01:26:57,313
I'VE TAKEN CARE
OF THE REGISTRATION.
1888
01:26:57,346 --> 01:26:58,180
WE'RE BOTH SIGNED UP,
1889
01:26:58,213 --> 01:26:59,848
AND I GOT OUR NAMES,
YOU KNOW, SIGNED UP,
1890
01:26:59,882 --> 01:27:02,951
SO I PUT YOUR NAME UP THERE
FOR THE OPEN READ.
1891
01:27:02,985 --> 01:27:03,652
DON'T BE SCARED.
1892
01:27:03,686 --> 01:27:04,853
THERE'S A LOT OF PEOPLE
IN IT,
1893
01:27:04,887 --> 01:27:06,755
AND THERE'S
STRENGTH IN NUMBERS.
1894
01:27:06,789 --> 01:27:08,524
IT'S GONNA BE REALLY GOOD,
1895
01:27:08,557 --> 01:27:09,792
SO, UH, CALL ME BACK
1896
01:27:09,825 --> 01:27:12,295
SO I KNOW WHAT TIME
TO GET TOGETHER WITH YOU.
1897
01:27:12,328 --> 01:27:14,597
OK. BYE.
1898
01:27:14,630 --> 01:27:15,798
[BEEP]
1899
01:27:15,831 --> 01:27:16,865
Bobby: JIMMY,
WHAT'S YOUR FAVORITE?
1900
01:27:16,899 --> 01:27:18,301
Jimmy:
AND GOD SPOKE.
1901
01:27:18,334 --> 01:27:19,402
IS THAT
A FUCKING MOVIE?
1902
01:27:19,435 --> 01:27:21,670
YOU GOT THIS PLACE
LOOKING A LITTLE
DIFFERENT, JIMMY.
1903
01:27:21,704 --> 01:27:23,706
HEY, EDDIE.
WHAT IT IS?
1904
01:27:23,739 --> 01:27:24,707
ALL RIGHT.
1905
01:27:24,740 --> 01:27:26,642
OK, UH,
RUN OUT TO MY CAR
1906
01:27:26,675 --> 01:27:28,911
AND GET A COUPLE BOXES
I LEFT IN THERE.
1907
01:27:28,944 --> 01:27:29,912
SURE. NO PROBLEM.
1908
01:27:29,945 --> 01:27:31,447
HEY, BOBBY, UM...
1909
01:27:31,480 --> 01:27:32,080
Bobby: WHAT?
1910
01:27:32,114 --> 01:27:34,683
START THINGS UP
WITH THIS.
1911
01:27:34,717 --> 01:27:35,784
Bobby: YEAH.
1912
01:27:35,818 --> 01:27:37,686
OH, YEAH, UM...
1913
01:27:37,720 --> 01:27:38,987
YEAH, CALL JO.
1914
01:27:39,021 --> 01:27:40,756
I'M NOT
CALLING HER, MAN.
1915
01:27:40,789 --> 01:27:42,925
IF YOU WANT TO CALL HER,
YOU CALL HER.
1916
01:27:42,958 --> 01:27:44,893
ALL RIGHT.
I'LL CALL HER.
1917
01:27:44,927 --> 01:27:47,463
YOU'RE BRINGING HER
BACK IN HERE TO WORK?
1918
01:27:47,496 --> 01:27:48,597
WE NEED EVERYBODY.
1919
01:27:48,631 --> 01:27:50,699
SO ANYWAY, YOU GOT TO RENT
BEHIND THE GREEN DOOR
1920
01:27:50,733 --> 01:27:53,769
BECAUSE THE TRAPEZE SCENE
IS SO FUCKING HOT.
1921
01:27:55,738 --> 01:27:56,639
HEY, BOBBY!
YEAH?
1922
01:27:56,672 --> 01:27:58,807
YOU SEEN THEM GLASSES
THAT WERE ON MY DESK?
1923
01:27:58,841 --> 01:28:02,645
I SAW THEM LAST NIGHT.
THEY WERE SITTING THERE.
1924
01:28:03,078 --> 01:28:04,380
THEY AIN'T HERE NOW,
MAN.
1925
01:28:04,413 --> 01:28:06,081
WELL, I DON'T HAVE THEM!
1926
01:28:06,114 --> 01:28:09,385
MOTHERFUCKING BROADS!
1927
01:28:09,418 --> 01:28:11,354
HEY, MAYBE THE GIRLS
WENT TO THE OPERA
1928
01:28:11,387 --> 01:28:13,055
AND HAD TO BORROW THEM.
1929
01:29:05,908 --> 01:29:08,777
[FAINT MUSIC IN BACKGROUND]
1930
01:29:24,026 --> 01:29:26,795
[LOUD MUSIC PLAYING]
1931
01:29:28,697 --> 01:29:30,433
[MAN WHISTLES]
1932
01:29:30,766 --> 01:29:33,101
[MAN WHISTLES]
1933
01:29:34,770 --> 01:29:37,039
[MAN WHISTLES]
1934
01:29:38,507 --> 01:29:40,809
[MAN WHISTLES]
1935
01:29:45,881 --> 01:29:48,484
HELLO. HA HA!
1936
01:29:48,517 --> 01:29:49,852
HEY. HOW ARE YOU?
1937
01:29:49,885 --> 01:29:51,854
WELL, BABY--
1938
01:29:51,887 --> 01:29:52,588
OH!
WHOOP!
1939
01:29:52,621 --> 01:29:54,723
THAT'S OK.
DON'T WORRY ABOUT IT.
1940
01:29:54,757 --> 01:29:56,091
MMM.
1941
01:29:56,124 --> 01:29:58,894
Jo:
NO. I CAN PICK IT UP
UNTIL NEXT WEEK
1942
01:29:58,927 --> 01:30:01,630
BECAUSE THEY'RE--
HEY, EDDIE.
1943
01:30:03,231 --> 01:30:03,866
Eddie: THIS IS NICO.
1944
01:30:03,899 --> 01:30:04,667
Bobby: HERE.
LET ME HELP YOU.
1945
01:30:04,700 --> 01:30:06,435
NICO, WHY DON'T YOU
SIT RIGHT THERE?
1946
01:30:06,469 --> 01:30:07,235
LET ME GET YOU
A PLACE HERE.
1947
01:30:07,269 --> 01:30:08,203
Jasmine: EDDIE,
THAT'S ANGEL'S SEAT.
1948
01:30:08,236 --> 01:30:10,105
Bobby: THAT USED TO BE
ANGEL'S SEAT.
1949
01:30:10,138 --> 01:30:11,974
BOBBY, THAT'S
ANGEL'S STUFF!
1950
01:30:12,007 --> 01:30:14,142
YOU NEED ANYTHING,
YOU JUST LET ME KNOW.
1951
01:30:14,176 --> 01:30:16,612
Jo: YOU HAD
TOO MUCH TO DRINK.
1952
01:30:16,645 --> 01:30:18,681
NO. JUST LIE DOWN
AND SLEEP IT OFF.
1953
01:30:18,714 --> 01:30:19,582
Angel:
I'M JUST GONNA--
1954
01:30:19,615 --> 01:30:21,650
OK. THERE WE GO.
CAREFUL. CAREFUL. CAREFUL.
1955
01:30:21,684 --> 01:30:22,885
WHOOPSIE. HA HA!
1956
01:30:22,918 --> 01:30:23,886
EXCUSE ME.
1957
01:30:23,919 --> 01:30:25,187
YEAH?
THAT'S ANGEL'S SEAT.
1958
01:30:25,220 --> 01:30:26,989
Jasmine: EDDIE
GAVE IT TO HER.
1959
01:30:27,022 --> 01:30:28,991
HELLO? PORN STAR?
1960
01:30:29,024 --> 01:30:30,092
THIS IS ANGEL'S SEAT.
1961
01:30:30,125 --> 01:30:31,560
Bobby: JO,
MIND YOUR OWN BUSINESS.
1962
01:30:31,594 --> 01:30:32,928
GET BACK TO WORK.
DON'T START WITH ME.
1963
01:30:32,961 --> 01:30:33,696
SHE'S SITTING
IN ANGEL'S SEAT.
1964
01:30:33,729 --> 01:30:35,531
THIS HAS ALWAYS BEEN
ANGEL'S SEAT.
1965
01:30:35,564 --> 01:30:36,599
ANGEL HAS SENIORITY.
1966
01:30:36,632 --> 01:30:37,866
GET YOUR ASS
OUT ON THE FLOOR!
1967
01:30:37,900 --> 01:30:39,835
FUCK YOU, BOBBY.
YOU SHOULD
TAKE CARE OF THIS.
1968
01:30:39,868 --> 01:30:42,037
EVERYBODY TAKES
ADVANTAGE OF ANGEL.
1969
01:30:42,070 --> 01:30:43,572
THANK YOU.
1970
01:30:43,606 --> 01:30:46,174
AW, THAT'S SO SWEET.
1971
01:30:46,208 --> 01:30:47,976
THANKS.
1972
01:30:48,010 --> 01:30:49,111
Dave: $15, PLEASE.
1973
01:30:49,144 --> 01:30:51,980
Dennis: ALL RIGHT.
UM, I'D LIKE
TO SEE JASMINE, PLEASE.
1974
01:30:52,014 --> 01:30:52,715
WHAT?
1975
01:30:52,748 --> 01:30:53,616
I'D LIKE TO SEE
JASMINE, PLEASE.
1976
01:30:53,649 --> 01:30:56,151
IS IT IMPORTANT?
WE'RE A BIT BUSY
TONIGHT.
1977
01:30:56,184 --> 01:30:57,152
OH. YEAH.
1978
01:30:57,185 --> 01:30:58,887
I'M A FRIEND OF HERS.
1979
01:30:58,921 --> 01:30:59,788
HOLD ON A SECOND.
1980
01:30:59,822 --> 01:31:00,623
D.J.: NOW, THAT'S
WHAT I CALL PERFECTION.
1981
01:31:00,656 --> 01:31:03,258
GIVE IT UP, EVERYBODY.
THAT WAS JESSIE!
1982
01:31:03,291 --> 01:31:05,027
Woman: HEY, SHAMA LAMA,
YOU UP NEXT, GIRL?
1983
01:31:05,060 --> 01:31:06,094
Shama Lama:
YEAH. I CAN'T WAIT.
1984
01:31:06,128 --> 01:31:07,896
D.J.: IF YOU WANT A CHANCE
TO GET YOUR PICTURE TAKEN
1985
01:31:07,930 --> 01:31:11,834
WITH THE ADULT FILM STAR NICO,
IT'S ONLY $10...
1986
01:31:11,867 --> 01:31:12,768
HEY, JASMINE.
WHAT?
1987
01:31:12,801 --> 01:31:15,103
I GOT A DENNIS
OUT FRONT.
1988
01:31:15,137 --> 01:31:17,840
WANT ME TO TOSS HIM?
1989
01:31:18,741 --> 01:31:20,943
NO. I'M UP NEXT,
AREN'T I?
YEAH.
1990
01:31:20,976 --> 01:31:23,111
GIVE HIM A GOOD SEAT.
HE CAN WATCH ME.
1991
01:31:23,145 --> 01:31:23,979
ALL RIGHT.
1992
01:31:24,012 --> 01:31:27,883
I'LL THROW
THE LITTLE BOY
TO THE LIONS.
1993
01:31:31,319 --> 01:31:32,655
D.J.: ALL RIGHT,
LADIES AND GENTLEMEN,
1994
01:31:32,688 --> 01:31:33,556
LET'S KEEP GOING
RIGHT NOW.
1995
01:31:33,589 --> 01:31:37,626
LET'S PLEASE WELCOME
TO THE STAGE JASMINE.
1996
01:31:37,660 --> 01:31:38,827
[CLAPPING]
1997
01:31:38,861 --> 01:31:42,931
[MOBY'S PORCELAIN PLAYING]
1998
01:31:47,936 --> 01:31:50,205
[MAN WHISTLES]
1999
01:32:36,318 --> 01:32:43,892
* IN MY DREAMS,
I'M DYING ALL THE TIME *
2000
01:32:46,629 --> 01:32:53,902
* AS I WAKE
ITS KALEIDOSCOPIC MIND *
2001
01:32:57,139 --> 01:33:02,210
* I NEVER MEANT TO HURT YOU
2002
01:33:03,011 --> 01:33:07,650
* I NEVER MEANT TO LIE
2003
01:33:10,352 --> 01:33:14,757
* SO THIS IS GOOD-BYE
2004
01:33:15,924 --> 01:33:19,895
* THIS IS GOOD-BYE
2005
01:33:28,737 --> 01:33:30,806
[MAN WHISTLES]
2006
01:33:37,445 --> 01:33:39,648
* TELL THE TRUTH
2007
01:33:39,682 --> 01:33:44,152
* YOU NEVER WANTED ME
2008
01:33:46,388 --> 01:33:49,057
* TELL ME
2009
01:33:58,433 --> 01:34:00,803
[MAN WHISTLES]
2010
01:34:06,474 --> 01:34:07,375
[MAN WHISTLES]
2011
01:34:07,409 --> 01:34:14,817
* IN MY DREAMS,
I'M JEALOUS ALL THE TIME *
2012
01:34:17,219 --> 01:34:23,759
* AS I WAKE,
I'M GOING OUT OF MY MIND *
2013
01:34:23,792 --> 01:34:27,830
THERE SOMETHING I CAN
DO FOR YOU TONIGHT?
2014
01:34:28,096 --> 01:34:30,398
HOW MUCH FOR A BLOW?
2015
01:34:30,432 --> 01:34:32,801
HUNDRED BUCKS.
2016
01:34:33,869 --> 01:34:36,772
YEAH.
I CAN HANDLE THAT.
2017
01:34:39,474 --> 01:34:41,209
LOOK AT--
LOOK AT ME.
2018
01:34:41,243 --> 01:34:43,678
LOOK IN MY EYES.
2019
01:34:44,079 --> 01:34:46,081
YEAH.
2020
01:34:55,023 --> 01:34:55,991
HEY.
2021
01:34:56,024 --> 01:34:57,860
HI.
2022
01:35:17,079 --> 01:35:20,315
DO YOU WANT
TO SIT DOWN?
2023
01:35:20,348 --> 01:35:22,317
SURE.
2024
01:35:53,816 --> 01:35:56,051
HEY, UH...
2025
01:36:04,960 --> 01:36:07,062
OHH...
2026
01:36:07,095 --> 01:36:09,497
I'M SO SORRY.
2027
01:36:09,932 --> 01:36:13,368
NO. THERE'S NOTHING
TO BE SORRY ABOUT.
2028
01:36:13,401 --> 01:36:15,403
NO.
2029
01:36:17,139 --> 01:36:20,408
THERE'S NOTHING
TO BE SORRY ABOUT.
2030
01:36:32,520 --> 01:36:37,092
I'M LOOKING AT THIS ROOM
WITH YOU IN IT.
2031
01:36:45,067 --> 01:36:47,069
[CRYING]
2032
01:36:53,608 --> 01:36:55,110
I FEEL SAFE.
2033
01:36:55,143 --> 01:36:57,946
I FEEL SAFE NOW.
2034
01:37:16,431 --> 01:37:19,001
MMM.
2035
01:37:20,535 --> 01:37:23,538
MAKE LOVE TO ME.
2036
01:37:24,372 --> 01:37:26,474
I CAN'T. I CAN'T.
2037
01:37:26,508 --> 01:37:28,443
OK.
2038
01:37:35,117 --> 01:37:36,084
I'M GETTING MARRIED.
2039
01:37:36,118 --> 01:37:37,519
SHH, SHH, SHH, SHH.
2040
01:37:37,552 --> 01:37:40,956
NO, NO, NO,
NO, NO ,NO, NO.
2041
01:37:44,092 --> 01:37:46,461
[BOTH CRYING SOFTLY]
2042
01:37:55,203 --> 01:37:56,371
D.J.: NICO!
2043
01:37:56,404 --> 01:38:01,009
[ECHO AND THE BUNNYMEN'S
LIPS LIKE SUGAR PLAYING]
2044
01:38:09,684 --> 01:38:13,221
* SHE FLOATS LIKE A SWAN
2045
01:38:14,089 --> 01:38:17,592
* GRACE ON THE WATER
2046
01:38:18,026 --> 01:38:21,296
* LIPS LIKE SUGAR
2047
01:38:21,663 --> 01:38:23,598
* LIPS LIKE SUGAR
2048
01:38:23,631 --> 01:38:28,270
* JUST WHEN YOU THINK
YOU'VE CAUGHT HER *
2049
01:38:28,303 --> 01:38:31,974
* SHE GLIDES ACROSS THE WATER
2050
01:38:32,007 --> 01:38:35,643
* SHE CALLS FOR YOU TONIGHT
2051
01:38:35,677 --> 01:38:38,613
* TO SHARE THIS MOONLIGHT
2052
01:38:38,646 --> 01:38:42,084
* YOU'LL FLOW DOWN HER RIVER
2053
01:38:42,117 --> 01:38:46,121
* SHE'LL ASK,
AND YOU'LL GIVE HER *
2054
01:38:46,154 --> 01:38:49,357
* LIPS LIKE SUGAR
2055
01:38:49,391 --> 01:38:53,061
* SUGAR KISSES
2056
01:38:53,095 --> 01:38:56,664
* LIPS LIKE SUGAR
2057
01:38:56,698 --> 01:39:01,003
* SUGAR KISSES
2058
01:39:04,606 --> 01:39:07,575
YEAH!
ALL RIGHT!
2059
01:39:07,609 --> 01:39:09,577
YEAAAAH!
2060
01:39:14,149 --> 01:39:17,685
YEAH. IS, UH,
HARRY GOLDBERG IN?
2061
01:39:18,286 --> 01:39:20,455
IT'S ED HAZELL.
2062
01:39:20,488 --> 01:39:23,225
I'M A FRIEND.
2063
01:39:25,027 --> 01:39:27,362
WELL, HAS HE GONE AWAY?
2064
01:39:27,395 --> 01:39:29,431
NO?
2065
01:39:33,568 --> 01:39:35,203
YEAH.
2066
01:39:36,671 --> 01:39:39,174
YEAH. THANKS A LOT.
2067
01:39:44,446 --> 01:39:48,116
D.J.: LADIES AND GENTLEMEN,
THE FABULOUS NICO!
2068
01:39:48,150 --> 01:39:50,018
THE ONE AND ONLY!
2069
01:39:50,052 --> 01:39:52,120
[CHEERING]
2070
01:39:57,725 --> 01:39:59,527
LADIES AND GENTLEMEN,
2071
01:39:59,561 --> 01:40:01,129
THE HEAVENLY...
2072
01:40:01,163 --> 01:40:03,198
ANGEL.
2073
01:40:04,166 --> 01:40:05,567
Nico: ARE YOU ANGEL?
2074
01:40:05,600 --> 01:40:06,401
WHAT?
2075
01:40:06,434 --> 01:40:07,802
I THINK YOU'RE UP.
2076
01:40:07,835 --> 01:40:09,804
OH, FUCK.
2077
01:40:09,837 --> 01:40:12,174
OH, SHIT.
2078
01:40:14,409 --> 01:40:17,212
OH, FUCK.
NEVER MIND.
2079
01:40:18,446 --> 01:40:21,449
OK. NEVER MIND.
FUCK IT.
2080
01:40:23,118 --> 01:40:26,454
[BUBBLE'S SPARKLESTAR PLAYING]
2081
01:40:26,688 --> 01:40:29,791
* ...CRASHIN' ON YOUR DOORSTEP
2082
01:40:29,824 --> 01:40:34,796
* YOUR SMILE IN MY HEAD
2083
01:40:34,829 --> 01:40:37,799
* YOU ALWAYS WALK AWAY
2084
01:40:37,832 --> 01:40:40,668
* EVERY TIME I LOOK AT YOU
2085
01:40:40,702 --> 01:40:47,809
* I CAN'T BELIEVE
I'LL EVER LOVE AGAIN *
2086
01:40:49,311 --> 01:40:51,313
[MAN WHISTLES]
2087
01:40:51,679 --> 01:40:55,150
* DIDN'T MEAN TO MAKE YOU CRY
2088
01:40:55,183 --> 01:40:57,519
* OR MAKE YOU LOVE SO HARD
2089
01:40:57,552 --> 01:41:01,256
* DIDN'T MEAN
TO MAKE YOU SAY GOOD-BYE *
2090
01:41:01,289 --> 01:41:04,459
* OR FALL APART TRYIN'
2091
01:41:04,492 --> 01:41:07,295
* SHAKIN' ON THE FLOOR
2092
01:41:07,329 --> 01:41:10,798
* COME ON AND STEAL MY SOUL
2093
01:41:10,832 --> 01:41:13,168
HEH HEH.
THANK YOU.
2094
01:41:13,201 --> 01:41:14,136
HA HA!
2095
01:41:14,169 --> 01:41:16,070
ALL RIGHT.
2096
01:41:16,471 --> 01:41:19,574
* I'M WISHIN' I COULD
MAKE YOU UNDERSTAND *
2097
01:41:19,607 --> 01:41:22,277
HEY, FELLAS.
HOW'S IT GOING?
2098
01:41:22,310 --> 01:41:24,546
EXCUSE MY BREASTS.
I'M LACTATING.
2099
01:41:24,579 --> 01:41:28,216
* YOU ALWAYS WALK AWAY
2100
01:41:28,250 --> 01:41:30,152
I CAN'T GET
TOO EXCITED
2101
01:41:30,185 --> 01:41:32,154
BECAUSE THEN
MY RUBBER ROLLS UP.
2102
01:41:32,187 --> 01:41:32,787
HA HA!
2103
01:41:32,820 --> 01:41:37,425
* I'LL NEVER LOVE AGAIN
2104
01:41:37,459 --> 01:41:41,129
* NO
2105
01:41:41,163 --> 01:41:46,468
* YOU KNOW
YOU'VE GOT TO TRUST ME *
2106
01:41:46,501 --> 01:41:53,275
* EVEN WHEN I'M GOIN' WRONG
2107
01:41:53,541 --> 01:41:58,880
* YOU KNOW YOU GOTTA LOVE ME
2108
01:41:58,913 --> 01:42:04,219
* OVER AND OVER AGAIN
2109
01:42:04,252 --> 01:42:09,657
* TILL IT'S GONE
2110
01:42:19,467 --> 01:42:21,269
* OOH HOO
2111
01:42:21,303 --> 01:42:24,239
Man: YEAH, BABY!
2112
01:42:29,944 --> 01:42:32,280
* OOH HOO HOO
2113
01:42:32,314 --> 01:42:35,417
* I'M CRASHIN'
ON YOUR DOORSTEP *
2114
01:42:35,450 --> 01:42:41,823
* YOUR SMILE AND KISSES
ON MY HEAD *
2115
01:42:41,856 --> 01:42:44,226
* OH, DON'T YOU WALK AWAY
2116
01:42:44,259 --> 01:42:45,893
OH, GOD.
2117
01:42:45,927 --> 01:42:47,629
DAVE?
2118
01:42:47,662 --> 01:42:48,796
DON'T MOVE.
2119
01:42:48,830 --> 01:42:51,833
IT'S YOU, ISN'T IT?
2120
01:42:51,866 --> 01:42:53,901
DAVE? DON'T MOVE.
2121
01:42:53,935 --> 01:42:54,836
DON'T MOVE.
2122
01:42:54,869 --> 01:42:57,539
DAVE, CAN YOU HELP ME
WITH MY MONEY, PLEASE?
2123
01:42:57,572 --> 01:42:58,740
COULD YOU...
PICK UP--
2124
01:42:58,773 --> 01:42:59,441
DON'T MOVE.
2125
01:42:59,474 --> 01:43:00,275
D.J.:
THAT'S ANGEL, EVERYBODY.
2126
01:43:00,308 --> 01:43:02,810
SHOW HER YOUR LOVE.
ANGEL, EVERYBODY.
2127
01:43:02,844 --> 01:43:03,911
COME ON.
WHAT DO YOU SAY?
2128
01:43:03,945 --> 01:43:07,682
IT'S THE ONE,
THE FLOWER--
2129
01:43:07,715 --> 01:43:08,416
JASMINE?
2130
01:43:08,450 --> 01:43:09,751
JASMINE, IT'S THE--
2131
01:43:09,784 --> 01:43:12,820
THE GUY--
THE FLOWER GUY
IS OUT THERE.
2132
01:43:12,854 --> 01:43:13,621
OH, MY GOD, JASMINE,
2133
01:43:13,655 --> 01:43:15,557
HE'S THE MOST DREAMY
THING YOU EVER--
2134
01:43:15,590 --> 01:43:18,560
YOU KNOW, THE GUY WITH
THE RED DRESS, JASMINE?
2135
01:43:18,593 --> 01:43:19,461
I'M GONNA--
2136
01:43:19,494 --> 01:43:22,897
DO YOU HAVE ANYTHING
TO STRAIGHTEN ME OUT?
2137
01:43:22,930 --> 01:43:24,732
HUH?
2138
01:43:25,867 --> 01:43:27,635
OH, FUCK.
2139
01:43:27,669 --> 01:43:31,873
[ERIC CLAPTON'S
RIVER OF TEARS PLAYING]
2140
01:43:41,383 --> 01:43:43,618
WOO WOO!
2141
01:43:47,955 --> 01:43:50,392
[MAN WHISTLES]
2142
01:44:09,677 --> 01:44:14,482
* IT'S 3 MILES TO THE RIVER
2143
01:44:17,519 --> 01:44:21,356
* THAT WOULD CARRY ME AWAY
2144
01:44:23,658 --> 01:44:28,262
* AND TWO MILES
TO THE DUSTY STREET *
2145
01:44:30,598 --> 01:44:34,536
* THAT I SAW YOU ON TODAY
2146
01:44:36,371 --> 01:44:41,476
* IT'S 4 MILES
TO MY LONELY ROOM *
2147
01:44:44,111 --> 01:44:48,383
* WHERE I WILL HIDE MY FACE
2148
01:44:50,017 --> 01:44:55,523
* AND ABOUT HALF A MILE
TO THE DOWNTOWN BAR *
2149
01:44:57,492 --> 01:45:01,596
* THAT I RAN FROM IN DISGRACE
2150
01:45:02,930 --> 01:45:08,836
* LORD, HOW LONG
HAVE I GOT TO KEEP ON RUNNING? *
2151
01:45:09,604 --> 01:45:15,610
* 7 HOURS, 7 DAYS, OR 7 YEARS?
2152
01:45:16,143 --> 01:45:20,982
* ALL I KNOW IS,
SINCE YOU'VE BEEN GONE *
2153
01:45:21,015 --> 01:45:24,552
* FEEL LIKE I'M DROWNING
2154
01:45:24,586 --> 01:45:27,355
* IN A RIVER
2155
01:45:28,089 --> 01:45:31,959
* DROWNING
2156
01:45:32,627 --> 01:45:38,900
* IN A RIVER OF TEARS
2157
01:45:40,635 --> 01:45:43,905
* DROWNING IN A RIVER
2158
01:45:47,141 --> 01:45:51,513
* FEEL LIKE I'M DROWNING
2159
01:45:53,481 --> 01:45:56,684
* DROWNING IN A RIVER
2160
01:46:30,485 --> 01:46:32,186
* IN 3 MORE DAYS
2161
01:46:32,219 --> 01:46:35,790
* I'LL LEAVE THIS TOWN
2162
01:46:37,124 --> 01:46:41,429
* AND DISAPPEAR
WITHOUT A TRACE... *
2163
01:46:43,698 --> 01:46:45,867
WHAT? WHAT?
2164
01:46:45,900 --> 01:46:46,534
WAIT A MINUTE.
2165
01:46:46,568 --> 01:46:48,970
WHAT ARE YOU
GOING AWAY FOR?
2166
01:46:49,003 --> 01:46:50,872
WAIT A MINUTE!
2167
01:46:50,905 --> 01:46:54,776
* WHERE NO ONE KNOWS MY FACE
2168
01:46:57,512 --> 01:47:02,016
* I WISH THAT I COULD HOLD YOU
2169
01:47:02,917 --> 01:47:04,586
* ONE MORE TIME
2170
01:47:04,619 --> 01:47:07,922
* TO EASE THE PAIN
2171
01:47:24,205 --> 01:47:26,608
OH, MY GOD.
2172
01:47:28,009 --> 01:47:30,011
OH, MY GOD.
2173
01:47:31,012 --> 01:47:32,914
OH, MY--
2174
01:47:36,017 --> 01:47:38,185
OH, MY GOD.
2175
01:47:40,021 --> 01:47:42,557
OH, MY GOD.
2176
01:47:43,057 --> 01:47:46,027
OH, MY GOD. HA!
2177
01:47:46,694 --> 01:47:48,896
[DOOR CLOSES]
2178
01:48:05,780 --> 01:48:07,749
Jo: JESSIE?
2179
01:48:07,782 --> 01:48:09,517
YEAH?
2180
01:48:10,117 --> 01:48:12,587
I CAN'T SLEEP.
2181
01:48:12,620 --> 01:48:14,622
ARE YOU OK?
2182
01:48:17,291 --> 01:48:20,227
DO YOU WANT
TO COME JOIN ME?
2183
01:48:21,796 --> 01:48:23,765
SURE.
2184
01:48:47,622 --> 01:48:49,924
SING SOMETHING.
2185
01:48:57,932 --> 01:49:06,273
* RIVER RUNNING DEEP
2186
01:49:06,307 --> 01:49:14,015
* CARRY ME IN MY SLEEP
2187
01:49:14,048 --> 01:49:21,889
* I WANT TO ESCAPE
THIS NIGHT *
2188
01:49:21,923 --> 01:49:29,897
* AND WAIT TILL
THE CALM DAYLIGHT *
2189
01:49:29,931 --> 01:49:32,700
* 'CAUSE TOMORROW
2190
01:49:32,734 --> 01:49:34,702
* WILL BE
2191
01:49:34,736 --> 01:49:37,805
* A GOOD THING
2192
01:49:43,377 --> 01:49:44,946
OHH.
2193
01:49:54,789 --> 01:49:57,091
DO YOU HAVE A LIGHT?
2194
01:49:59,193 --> 01:50:02,730
YEAH, I HAVE.
2195
01:50:06,901 --> 01:50:08,035
THANK YOU.
2196
01:50:08,069 --> 01:50:10,104
YOU CAN GO HOME NOW,
YOU KNOW.
2197
01:50:10,137 --> 01:50:11,739
YEAH.
2198
01:50:13,407 --> 01:50:14,709
CAN I?
2199
01:50:14,742 --> 01:50:16,110
YEAH.
2200
01:50:21,048 --> 01:50:22,950
WHAT TIME IS IT?
2201
01:50:23,718 --> 01:50:25,820
I DON'T KNOW. 3:30.
2202
01:50:28,690 --> 01:50:31,125
WHY ARE YOU STILL HERE?
2203
01:50:31,358 --> 01:50:32,994
WHY ARE YOU
STILL HERE?
2204
01:50:33,027 --> 01:50:35,830
GOOD FUCKING QUESTION.
2205
01:50:39,066 --> 01:50:40,735
WHO KNOWS?
2206
01:50:40,768 --> 01:50:43,137
I GUESS I FELL ASLEEP.
2207
01:50:43,170 --> 01:50:44,238
IS THAT WHAT HAPPENED?
2208
01:50:44,271 --> 01:50:47,174
YEAH.
YOU WERE ASLEEP
FOR A LONG TIME.
2209
01:50:47,208 --> 01:50:49,711
COULD BE WORSE.
2210
01:50:53,280 --> 01:50:55,883
YOU HAVE PRETTY HAIR.
2211
01:50:56,350 --> 01:50:58,352
THANKS.
2212
01:51:00,354 --> 01:51:00,988
YOU KNOW, I'M SORRY.
2213
01:51:01,022 --> 01:51:04,225
I FOR--I FORGOT
YOUR NAME.
2214
01:51:06,293 --> 01:51:08,863
SO DO I.
2215
01:51:09,363 --> 01:51:13,735
IT'S, UH...NICO.
2216
01:51:13,768 --> 01:51:14,802
NICO.
2217
01:51:14,836 --> 01:51:16,704
YEAH.
2218
01:51:18,205 --> 01:51:20,775
WHAT ARE YOU WRITING?
2219
01:51:20,808 --> 01:51:22,209
WHAT?
2220
01:51:28,182 --> 01:51:31,352
I'M JUST TRYING
TO KEEP YOU HERE.
2221
01:51:33,087 --> 01:51:35,456
I HATE THIS PART.
2222
01:51:35,489 --> 01:51:37,191
GOING HOME?
2223
01:51:37,224 --> 01:51:38,893
NO.
2224
01:51:38,926 --> 01:51:43,731
IT'S AN AWKWARD
FUCKING TRANSITION,
YOU KNOW.
2225
01:51:46,100 --> 01:51:47,401
IT'S LIKE...
2226
01:51:47,434 --> 01:51:52,840
IT'S JUST 3 MORE HOURS
TILL SUNSET--SUNRISE.
2227
01:51:58,946 --> 01:52:01,148
WHERE'S YOUR NEXT GIG?
2228
01:52:01,182 --> 01:52:03,918
TRAVEL AROUND
A LOT, RIGHT?
2229
01:52:03,951 --> 01:52:06,420
YEAH. YEAH.
2230
01:52:06,453 --> 01:52:09,356
SO, WHERE DO YOU,
LIKE, LIVE?
2231
01:52:10,091 --> 01:52:13,294
HOTEL. HOTELS.
2232
01:52:13,327 --> 01:52:16,363
WHERE DO YOU--
WHERE DO YOU LIVE?
2233
01:52:16,864 --> 01:52:19,801
I LOST MY HOUSE.
2234
01:52:19,834 --> 01:52:21,068
OH.
2235
01:52:21,102 --> 01:52:23,237
NO BIG DEAL.
2236
01:52:33,247 --> 01:52:36,250
WHAT ARE YOU WRITING?
2237
01:52:36,283 --> 01:52:38,185
WHAT?
2238
01:52:38,820 --> 01:52:40,988
YOU WRITE, RIGHT?
2239
01:52:41,255 --> 01:52:43,557
THAT'S WHAT YOU DO.
YOU WRITE.
2240
01:52:43,590 --> 01:52:46,460
YEAH. YOU'RE A WRITER.
2241
01:52:46,493 --> 01:52:48,262
IT'S SO FUCKING FUNNY.
2242
01:52:48,295 --> 01:52:50,531
I MEAN, IT'S, LIKE,
WRITERS, YOU KNOW,
2243
01:52:50,564 --> 01:52:55,236
YOU ALL WRITE, AND THEN
YOU NEVER WANT TO READ
WHAT YOU WROTE.
2244
01:52:56,003 --> 01:52:57,504
SO, YOU STRIP
ALL NIGHT HERE,
2245
01:52:57,538 --> 01:53:00,541
AND THEN YOU SIT
BACK HERE AND WRITE.
2246
01:53:05,279 --> 01:53:06,480
YEAH, I'M SAFE.
2247
01:53:06,513 --> 01:53:09,917
I WON'T REMEMBER IT
TOMORROW.
2248
01:53:17,091 --> 01:53:19,193
IS IT, UM...
2249
01:53:19,226 --> 01:53:21,062
IS IT A SONG?
2250
01:53:21,095 --> 01:53:24,065
NO. I DON'T
WRITE SONGS.
2251
01:53:24,631 --> 01:53:28,569
IS IT, UM...
IS IT A STORY?
2252
01:53:29,236 --> 01:53:30,571
NO.
2253
01:53:34,541 --> 01:53:37,011
I WRITE POEMS.
2254
01:53:38,479 --> 01:53:40,147
AH.
2255
01:53:40,181 --> 01:53:42,349
OH, POETRY.
2256
01:53:42,383 --> 01:53:46,220
I HAVE A FRIEND--
UH, I HAD A FRIEND
2257
01:53:46,253 --> 01:53:48,856
WHO USED TO WRITE POETRY.
2258
01:53:48,890 --> 01:53:53,861
HE USED TO CALL ME,
AND HE'D READ THEM TO ME.
2259
01:53:53,895 --> 01:53:55,629
HUH.
2260
01:53:55,662 --> 01:53:57,264
YEAH.
2261
01:53:57,531 --> 01:54:00,367
HE WROTE
REALLY GOOD POEMS.
2262
01:54:00,401 --> 01:54:01,235
YEAH?
2263
01:54:01,268 --> 01:54:03,437
YEAH, HE DID.
2264
01:54:04,171 --> 01:54:06,240
YEAH. IT'S HARD
TO WRITE GOOD POEMS.
2265
01:54:06,273 --> 01:54:07,975
YEAH.
2266
01:54:11,478 --> 01:54:14,015
IT WOULD REALLY, UM...
2267
01:54:15,316 --> 01:54:18,519
BE NICE TO HEAR
A POEM AGAIN.
2268
01:54:20,387 --> 01:54:22,523
PLEASE?
2269
01:54:35,269 --> 01:54:38,372
"WHEN LIGHT SHATTERED
ACROSS THE FLOOR
2270
01:54:38,405 --> 01:54:42,243
"AND BRIEFLY THERE WAS
A THUNDER BETWEEN US,
2271
01:54:42,276 --> 01:54:43,644
"IF YOUR EYES
HAD HELD WATER,
2272
01:54:43,677 --> 01:54:46,480
"IT WOULD HAVE
NOT SPILLED,
2273
01:54:46,513 --> 01:54:48,349
"AND WHEN WE PEELED
ASIDE THE DREAMS,
2274
01:54:48,382 --> 01:54:52,486
"THE SKIN UNDERNEATH
WAS STILL YOUNG.
2275
01:54:52,519 --> 01:54:53,354
"WHEN ALL WAS BLACK,
2276
01:54:53,387 --> 01:54:56,423
"YOU SMOOTHED ASIDE
THE WORDS AND SAID,
2277
01:54:56,457 --> 01:54:58,492
"IT'S THERE,
THE LIGHT.
2278
01:54:58,525 --> 01:55:03,931
WHEN YOU WANT IT,
IT'LL BE WAITING
FOR YOU."
2279
01:55:03,965 --> 01:55:07,634
"A CERTAIN PEACE
CAME INTO YOUR EYES...
2280
01:55:07,668 --> 01:55:09,971
"THAT THIS WAS
NO DIFFERENT,
2281
01:55:10,004 --> 01:55:11,372
"THAT THIS WAS
SO DIFFERENT,
2282
01:55:11,405 --> 01:55:13,507
"YET EVERY BIT THE SAME.
2283
01:55:13,540 --> 01:55:17,611
"AND YOUR HANDS STILLED
WITH SATISFACTION.
2284
01:55:17,644 --> 01:55:20,948
"YOU DID THIS
WITHOUT TOUCH...
2285
01:55:20,982 --> 01:55:21,815
"SO THAT ALL AROUND ME,
2286
01:55:21,848 --> 01:55:26,453
"YOUR HANDS STOOD,
SHAPED LIKE SHELTERS.
2287
01:55:26,487 --> 01:55:29,356
"ALL AROUND ME,
THERE WAS ROOM,
2288
01:55:29,390 --> 01:55:30,224
"AND AFTER EACH HOUR,
2289
01:55:30,257 --> 01:55:34,628
"THE HALLWAYS OUTSIDE
WERE LIKE CAVERNS.
2290
01:55:34,661 --> 01:55:37,431
"AND AROUND THE CORNER
AND DOWN THE STAIRS,
2291
01:55:37,464 --> 01:55:41,168
"THERE LURKED,
AS ALWAYS, LIGHT...
2292
01:55:41,202 --> 01:55:44,405
AS EVER, LIGHT."
2293
01:55:50,544 --> 01:55:53,514
IS IT ABOUT A GUY?
2294
01:55:53,547 --> 01:55:55,449
NO.
2295
01:56:00,654 --> 01:56:02,990
IS IT ABOUT YOU?
2296
01:56:08,529 --> 01:56:10,297
NO.
2297
01:56:15,669 --> 01:56:17,704
MAYBE.
2298
01:56:19,506 --> 01:56:23,410
I'M SORRY. I JUST
HAD A BAD DAY.
2299
01:56:27,448 --> 01:56:29,250
DO YOU HAVE A LIGHT?
2300
01:56:29,283 --> 01:56:31,052
YEAH.
2301
01:56:41,495 --> 01:56:44,131
WHAT'S IT ABOUT?
2302
01:56:47,434 --> 01:56:49,603
IT'S ABOUT...
2303
01:56:51,138 --> 01:56:53,107
IT'S ABOUT...
2304
01:56:56,443 --> 01:57:00,214
YOU KNOW HOW--
YOU KNOW HOW, LIKE,
2305
01:57:00,247 --> 01:57:02,583
WHEN YOU'RE IN HERE,
2306
01:57:02,616 --> 01:57:05,119
AND IT'S
ALWAYS DARK.
2307
01:57:05,152 --> 01:57:10,557
IT'S ALWAYS, LIKE,
1:00 IN THE MORNING.
2308
01:57:12,626 --> 01:57:18,065
IT'S ABOUT,
YOU KNOW, MORNING...
2309
01:57:18,465 --> 01:57:20,267
STUFF INSIDE YOU.
2310
01:57:20,301 --> 01:57:23,437
STUFF INSIDE YOU.
2311
01:57:25,272 --> 01:57:27,040
ME, TOO.
2312
01:57:31,145 --> 01:57:33,414
IT'S A NICE POEM.
2313
01:57:35,516 --> 01:57:37,418
THANK YOU.
2314
01:57:37,618 --> 01:57:40,654
YOU KNOW WHAT
A CRYPTOGRAPHER IS?
2315
01:57:40,687 --> 01:57:43,824
I NEVER PAID ATTENTION
IN SCHOOL.
2316
01:57:44,725 --> 01:57:46,827
IT'S A CODE BREAKER.
2317
01:57:46,860 --> 01:57:47,661
AHH.
2318
01:57:47,694 --> 01:57:49,563
DURING THE WAR...
2319
01:57:50,264 --> 01:57:52,366
THAT'S WHAT HARRY WAS.
2320
01:57:54,368 --> 01:57:57,804
THERE ARE ONLY
TWO OR THREE OF THEM
IN THE WHOLE WORLD,
2321
01:57:57,838 --> 01:58:00,307
AND HARRY WAS ONE OF THEM.
2322
01:58:00,674 --> 01:58:03,076
HE WAS THE BEST, MAN.
2323
01:58:06,313 --> 01:58:08,882
THAT SHIT'S GONNA
KILL YOU, BOY.
2324
01:58:08,915 --> 01:58:10,651
HOPE SO.
2325
01:58:14,755 --> 01:58:16,457
WANT TO GET
SOMETHING TO EAT?
2326
01:58:16,490 --> 01:58:18,159
SURE.
2327
01:58:19,826 --> 01:58:22,763
YOU KNOW, I'LL GIVE
THAT OLD JEW ONE THING.
2328
01:58:22,796 --> 01:58:23,730
HOPE TO GOD
WHEN I'M THAT OLD,
2329
01:58:23,764 --> 01:58:26,167
I STILL LOVE PUSSY
LIKE HE DOES,
2330
01:58:26,200 --> 01:58:30,171
EVEN IF I'VE GOT
TO USE BINOCULARS
TO SEE IT.
2331
01:58:31,538 --> 01:58:34,341
Bobby: HAVE YOU
EVER SANG?
2332
01:58:34,375 --> 01:58:35,242
Eddie: SANG?
2333
01:58:35,276 --> 01:58:38,845
YEAH, LIKE IN PUBLIC,
IN FRONT OF PEOPLE?
2334
01:58:39,413 --> 01:58:40,814
YEAH, A LONG TIME AGO.
2335
01:58:40,847 --> 01:58:42,449
YOU DID?
2336
01:58:42,616 --> 01:58:44,618
DID YOU
GET NERVOUS?
2337
01:58:45,719 --> 01:58:47,254
YEAH.
2338
01:58:47,288 --> 01:58:48,555
YEAH,
BECAUSE, UH,
2339
01:58:48,589 --> 01:58:50,391
JESSIE'S GOING
OVER TO DIMPLES
THIS AFTERNOON.
2340
01:58:50,424 --> 01:58:52,793
YOU KNOW, THE PLACE
OVER IN BURBANK--
KARAOKE--
2341
01:58:52,826 --> 01:58:55,296
AND, UH, A BUNCH
OF THE GIRLS
ARE GOING,
2342
01:58:55,329 --> 01:58:56,197
SO, UM--
2343
01:58:56,230 --> 01:58:57,331
WHAT, OUR GIRLS?
2344
01:58:57,364 --> 01:58:58,064
YEAH.
2345
01:58:58,098 --> 01:58:59,466
JESSIE SAID
EVERYBODY CAN SING,
2346
01:58:59,500 --> 01:59:00,867
SO I THOUGHT,
YOU KNOW,
2347
01:59:00,901 --> 01:59:01,802
WHAT THE FUCK?
2348
01:59:01,835 --> 01:59:03,237
OUR GIRLS CAN SING?
2349
01:59:03,270 --> 01:59:04,438
YEAH.
2350
01:59:04,471 --> 01:59:06,807
GODDAMN.
2351
01:59:07,841 --> 01:59:11,278
THIS RUSSIAN
MOTHERFUCKER GOT SHOT...
2352
01:59:11,578 --> 01:59:12,413
AND SOME SHOT.
2353
01:59:12,446 --> 01:59:14,515
RIGHT THROUGH THE HEART,
2354
01:59:14,548 --> 01:59:18,252
IN THE WINDOW OF HIS HOUSE
OVER IN WOODLAND HILLS.
2355
01:59:18,785 --> 01:59:19,620
DAMN!
2356
01:59:19,653 --> 01:59:21,555
QUICK WAY TO GO.
2357
01:59:21,588 --> 01:59:22,523
PHEW.
2358
01:59:22,556 --> 01:59:23,557
SO, I THOUGHT,
IF YOU WEREN'T
DOING ANYTHING,
2359
01:59:23,590 --> 01:59:24,291
MAYBE, YOU KNOW,
2360
01:59:24,325 --> 01:59:27,228
IF YOU DROP BY,
WE COULD, LIKE,
2361
01:59:27,261 --> 01:59:28,962
DO IT TOGETHER,
LIKE A DUET,
2362
01:59:28,995 --> 01:59:30,531
A FRANK AND SAMMY
KIND OF THING.
2363
01:59:30,564 --> 01:59:31,698
WHAT TIME IS THAT?
2364
01:59:31,732 --> 01:59:32,666
3:00.
2365
01:59:32,699 --> 01:59:35,269
NO, MAN.
2366
01:59:35,302 --> 01:59:37,371
I'LL BE ASLEEP.
2367
01:59:37,704 --> 01:59:40,341
CAPTIONING MADE POSSIBLE BY
TRIMARK PICTURES
2368
01:59:40,374 --> 01:59:44,845
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
2369
02:00:03,730 --> 02:00:07,601
* WITH EYES OF FIRE
2370
02:00:09,803 --> 02:00:13,274
* NO ONE CAN SEE
2371
02:00:14,808 --> 02:00:20,347
* THE SMOKE
FROM THE SWEET GRASS *
2372
02:00:20,947 --> 02:00:24,451
* COVERS ME
2373
02:00:35,862 --> 02:00:39,400
* I AM DRAWN
2374
02:00:41,635 --> 02:00:44,505
* I AM DRAWN
2375
02:00:44,538 --> 02:00:46,973
* TO HER
2376
02:00:48,475 --> 02:00:52,813
* LIKE A MOTH TO THE FLAME
2377
02:00:52,846 --> 02:00:54,948
* SHE LEADS ME DOWN
2378
02:00:54,981 --> 02:00:59,586
* UNBOUND
2379
02:01:01,555 --> 02:01:04,358
* UNBOUND
2380
02:01:09,596 --> 02:01:12,533
* UNBOUND
2381
02:01:12,566 --> 02:01:16,337
* I AM LOST
2382
02:01:18,372 --> 02:01:21,808
* I AM LOST
2383
02:01:24,511 --> 02:01:28,582
* HAS ANYBODY SEEN ME?
2384
02:01:29,716 --> 02:01:33,487
* I AM LOST
2385
02:01:35,356 --> 02:01:39,560
* OH, NOTHING IS FORGOTTEN
2386
02:01:41,595 --> 02:01:45,366
* ONLY LEFT BEHIND
2387
02:01:46,867 --> 02:01:50,471
* WHEREVER I AM
2388
02:01:52,072 --> 02:01:55,942
* SHE LEADS ME DOWN
2389
02:01:57,844 --> 02:02:01,014
* UNBOUND
2390
02:02:03,484 --> 02:02:06,587
* NO BORDERS
2391
02:02:06,620 --> 02:02:09,022
* NO FENCES
2392
02:02:09,055 --> 02:02:12,359
* NO WALLS
2393
02:02:14,828 --> 02:02:17,598
* NO BORDERS
2394
02:02:17,631 --> 02:02:21,768
* NO FENCES
2395
02:02:35,782 --> 02:02:40,153
* LIKE A MOTH TO THE FLAME
2396
02:02:40,186 --> 02:02:41,988
* SHE LEADS ME DOWN
2397
02:02:42,022 --> 02:02:47,127
* UNBOUND
2398
02:02:48,862 --> 02:02:52,399
* UNBOUND
2399
02:02:54,468 --> 02:02:57,471
* NO BORDERS
2400
02:02:57,504 --> 02:03:00,073
* NO FENCES
2401
02:03:00,106 --> 02:03:03,043
* UNBOUND
2402
02:03:05,879 --> 02:03:08,515
* NO BORDERS
2403
02:03:08,549 --> 02:03:11,151
* NO FENCES
2404
02:03:11,184 --> 02:03:14,154
* UNBOUND
2405
02:03:16,990 --> 02:03:19,726
* UNBOUND
2406
02:03:20,093 --> 02:03:22,729
* UNBOUND
148685