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These are the user uploaded subtitles that are being translated: 1 00:00:02,837 --> 00:00:05,437 Narrator: CHICHEN ITZA, 2 00:00:05,439 --> 00:00:07,606 A SPECTACULAR ANCIENT MAYA CITY 3 00:00:07,608 --> 00:00:10,175 SHROUDED IN MYSTERY AND MYTHS. 4 00:00:10,177 --> 00:00:13,912 IT'S THE GREATEST ANCIENT CITY IN THE WORLD. 5 00:00:13,914 --> 00:00:16,181 Narrator: IT'S A JUNGLE METROPOLIS 6 00:00:16,183 --> 00:00:18,884 WITH A HIDDEN UNDERWORLD AND DARK SECRETS. 7 00:00:21,155 --> 00:00:24,289 WHAT HAPPENED TO THIS LOST CIVILIZATION? 8 00:00:24,291 --> 00:00:28,394 THE BIG QUESTION THAT DRIVES US IS WHY PEOPLE WERE HERE. 9 00:00:28,396 --> 00:00:33,065 Narrator: HOW AND WHY WAS THIS VAST CITY BUILT? 10 00:00:33,067 --> 00:00:38,337 AND DID THE PEOPLE LIVING HERE PRACTICE HUMAN SACRIFICE? 11 00:00:38,339 --> 00:00:41,807 THE ONLY WAY TO SOLVE THESE MYSTERIES 12 00:00:41,809 --> 00:00:46,145 IS TO GO DEEP INTO THE HEART OF THE MAYAN CITY. 13 00:00:46,147 --> 00:00:49,948 EXPLORING ITS STRUCTURES STONE BY STONE 14 00:00:49,950 --> 00:00:53,552 WILL HELP US UNEARTH THE ASTONISHING SECRETS 15 00:00:53,554 --> 00:00:56,355 AT THE HEART OF THIS ANCIENT WONDER. 16 00:00:56,357 --> 00:00:59,358 -- Captions by VITAC -- www.vitac.com 17 00:00:59,360 --> 00:01:02,761 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 18 00:01:02,763 --> 00:01:05,831 CHICHEN ITZA, MEXICO. 19 00:01:05,833 --> 00:01:10,369 A THOUSAND YEARS AGO, THIS WAS A POWERFUL WORKING CITY... 20 00:01:10,371 --> 00:01:15,340 HOME TO 30,000 PEOPLE -- THE ANCIENT MAYA -- 21 00:01:15,342 --> 00:01:17,910 A CIVILIZATION KNOWN FOR THEIR REMARKABLE SKILL 22 00:01:17,912 --> 00:01:21,113 IN ASTRONOMY, MATHEMATICS, AND ARCHITECTURE. 23 00:01:23,184 --> 00:01:26,151 AND FOR THEIR BLOOD-CURDLING RELIGIOUS RITES. 24 00:01:30,291 --> 00:01:33,425 ARCHEOLOGIST MEMO DE ANDA HAS SPENT MUCH OF HIS LIFETIME 25 00:01:33,427 --> 00:01:37,463 TRYING TO MAKE SENSE OF THIS MYSTERIOUS JUNGLE CITY 26 00:01:37,465 --> 00:01:40,499 AND IT'S AWE-INSPIRING BUILDINGS. 27 00:01:40,501 --> 00:01:42,768 WE'RE JUST SCRATCHING THE SURFACE. 28 00:01:42,770 --> 00:01:45,003 THAT'S LITERALLY WHAT WE'RE DOING. 29 00:01:45,005 --> 00:01:48,140 I'M SURE THIS BUILDING IS STILL HIDING 30 00:01:48,142 --> 00:01:50,375 MANY, MANY SECRETS INSIDE. 31 00:01:50,377 --> 00:01:53,445 Narrator: THE RUINS OF MORE THAN 30 ANCIENT STRUCTURES 32 00:01:53,447 --> 00:01:56,148 AND TEMPLES LIE HIDDEN HERE AMONGST THE TREES, 33 00:01:56,150 --> 00:01:58,250 INCLUDING THIS IMMENSE PYRAMID. 34 00:02:00,821 --> 00:02:03,889 THE CASTILLO, OR TEMPLE OF KUKULKAN, 35 00:02:03,891 --> 00:02:07,359 ONE OF THE NEW SEVEN WONDERS OF THE WORLD. 36 00:02:07,361 --> 00:02:10,162 BUILT FROM TENS OF THOUSANDS OF LIMESTONE BLOCKS, 37 00:02:10,164 --> 00:02:16,568 IT TOWERS 100 FEET HIGH -- AS TALL AS A 10-STORY BUILDING. 38 00:02:16,570 --> 00:02:20,706 AT ITS PEAK, A SACRED TEMPLE 39 00:02:20,708 --> 00:02:23,709 DEDICATED TO THE SERPENT GOD KUKULKAN. 40 00:02:25,980 --> 00:02:30,449 ON EACH SIDE, STEEP STEPS THAT REFLECT HE MAYA CALENDAR. 41 00:02:31,785 --> 00:02:35,821 AND AT THE BASE, SERPENT HEADS LINKED TO THE EQUINOX. 42 00:02:37,691 --> 00:02:43,495 THIS 60,000-TON STRUCTURE IS A MARVEL OF ANCIENT ENGINEERING. 43 00:02:44,899 --> 00:02:47,366 De Anda: THIS IS ONE OF THE MOST WONDERFUL BUILDINGS 44 00:02:47,368 --> 00:02:49,067 FROM THE ANCIENT WORLD. 45 00:02:49,069 --> 00:02:52,371 IT'S A DEMONSTRATION OF POWER, 46 00:02:52,373 --> 00:02:54,840 A DEMONSTRATION OF SPIRITUALITY, 47 00:02:54,842 --> 00:02:56,742 A DEMONSTRATION OF SCIENCE. 48 00:02:56,744 --> 00:02:59,044 IT'S AN IMPORTANT BUILDING. 49 00:02:59,046 --> 00:03:00,646 Narrator: WHY DID THE ANCIENT MAYA 50 00:03:00,648 --> 00:03:04,216 BUILD THIS SPECTACULAR CITY IN THE JUNGLE? 51 00:03:04,218 --> 00:03:07,019 AND HOW DID THEY SOURCE THE MANY THOUSANDS OF TONS 52 00:03:07,021 --> 00:03:11,356 OF STONE NEEDED TO BUILD HUGE TEMPLES AND PYRAMIDS LIKE THIS? 53 00:03:16,197 --> 00:03:19,198 ONE-THIRD OF A MILE FROM THE MAIN PYRAMID, 54 00:03:19,200 --> 00:03:22,668 MEMO IS SEARCHING FOR CLUES. 55 00:03:22,670 --> 00:03:27,539 IT SEEMS THIS IS NO ORDINARY JUNGLE. 56 00:03:27,541 --> 00:03:31,143 THE MAYA DIDN'T HAVE TO REALLY GO FAR AWAY 57 00:03:31,145 --> 00:03:35,647 TO FIND THE MATERIAL TO BUILD THEIR BIG CITIES. 58 00:03:35,649 --> 00:03:37,749 LIMESTONE -- IT'S EVERYWHERE. 59 00:03:37,751 --> 00:03:39,985 THE MATERIAL IS BENEATH THEIR FEET -- 60 00:03:39,987 --> 00:03:42,221 ALL THIS MATERIAL IS RIGHT THERE. 61 00:03:42,223 --> 00:03:45,757 Narrator: THE LIMESTONE LAY WITHIN VERY EASY REACH. 62 00:03:45,759 --> 00:03:47,859 THE SOIL IS VERY, VERY THIN. 63 00:03:47,861 --> 00:03:51,496 IT'S NOT EVEN TWO CENTIMETERS OF SOIL 64 00:03:51,498 --> 00:03:55,834 THAT'S LAYING OVER THE HUGE LIMESTONE BEDROCK. 65 00:03:55,836 --> 00:03:58,670 IT'S LIMESTONE ALL AROUND US. 66 00:03:58,672 --> 00:04:01,540 IT'S ACTUALLY THE WHOLE PENINSULA. 67 00:04:01,542 --> 00:04:05,510 IT'S A BIG LIMESTONE PLATFORM. 68 00:04:05,512 --> 00:04:07,579 Narrator: LIMESTONE WAS THE CRUCIAL INGREDIENT 69 00:04:07,581 --> 00:04:09,781 THAT ALLOWED THE MAYA TO CONSTRUCT CHICHEN ITZA'S 70 00:04:09,783 --> 00:04:12,484 GREAT BUILDINGS. 71 00:04:12,486 --> 00:04:14,453 WORKERS MINED IT IN THIS QUARRY 72 00:04:14,455 --> 00:04:18,190 JUST 500 YARDS FROM THE CASTILLO PYRAMID. 73 00:04:18,192 --> 00:04:22,794 MEMO UNCOVERS SOME EXTRAORDINARY EVIDENCE TO PROVE IT. 74 00:04:22,796 --> 00:04:26,198 RIGHT HERE, WE CAN SEE A PRE-FORM. 75 00:04:26,200 --> 00:04:30,869 IT'S A HUGE PIECE OF ROCK -- OF LIMESTONE -- 76 00:04:30,871 --> 00:04:33,338 THAT THEY STARTED WORKING. 77 00:04:33,340 --> 00:04:35,874 'CAUSE, SEE, THIS IS PERFECTLY ROUND, 78 00:04:35,876 --> 00:04:39,311 AND WE CAN SEE ON ONE SIDE THE START OF THE FORMATION 79 00:04:39,313 --> 00:04:42,714 OF A MOUTH OF A SNAKE. 80 00:04:42,716 --> 00:04:46,285 BUT SOMEHOW, THEY LEAVE IT HERE. 81 00:04:46,287 --> 00:04:50,088 MAYBE BECAUSE IT GOT BROKEN. 82 00:04:50,090 --> 00:04:53,258 Narrator: A REMARKABLE CLUE CARVED BY A MAYA CRAFTSMAN 83 00:04:53,260 --> 00:04:55,060 A THOUSAND YEARS AGO. 84 00:04:55,062 --> 00:04:57,696 De Anda: AND IT SHOWS US BY BEING HERE 85 00:04:57,698 --> 00:05:00,165 IS THAT THEY OBTAINED THE MATERIAL, 86 00:05:00,167 --> 00:05:02,034 AND THEY WORK IT RIGHT HERE. 87 00:05:02,036 --> 00:05:06,638 THEY TAKE IT WHEN IT WAS FINISHED UP TO THE CITY. 88 00:05:06,640 --> 00:05:09,574 SO THAT'S PRETTY AMAZING. 89 00:05:09,576 --> 00:05:12,511 Narrator: THE LOCAL GEOLOGY PROVIDED CHICHEN ITZA'S BUILDERS 90 00:05:12,513 --> 00:05:15,714 WITH AN ENDLESS SUPPLY OF LIMESTONE. 91 00:05:15,716 --> 00:05:18,216 BUT THERE'S A FURTHER MYSTERY. 92 00:05:18,218 --> 00:05:21,787 THE ANCIENT MAYA HAD NO ACCESS TO METAL TOOLS. 93 00:05:21,789 --> 00:05:25,090 HOW DID THEY GET THIS STONE OUT OF THE GROUND? 94 00:05:25,092 --> 00:05:26,558 De Anda: IT IS INTERESTING, 95 00:05:26,560 --> 00:05:28,527 AND IT'S AMAZING AT THE SAME TIME. 96 00:05:28,529 --> 00:05:31,396 HOW CAN THEY BUILD THESE FANTASTIC CITIES 97 00:05:31,398 --> 00:05:34,266 ONLY WITH STONE TOOLS? 98 00:05:34,268 --> 00:05:35,801 Narrator: THE RESOURCEFUL MAYA 99 00:05:35,803 --> 00:05:38,503 CAME UP WITH AN INGENIOUS SOLUTION. 100 00:05:41,542 --> 00:05:46,278 THEY USED SHARDS OF RAZOR-SHARP STONES LIKE CHERT, 101 00:05:46,280 --> 00:05:49,081 SOMETIMES ATTACHING THEM TO WOODEN STICKS. 102 00:05:51,985 --> 00:05:55,754 THEY GOUGED DEEP CHANNELS INTO THE GROUND, 103 00:05:55,756 --> 00:05:59,424 CARVING A CHECKERBOARD PATTERN INTO THE LIMESTONE ROCKS. 104 00:06:02,896 --> 00:06:04,896 THE WORKERS DUG DOWN UNTIL THEY REACHED 105 00:06:04,898 --> 00:06:07,432 A NATURAL BREAK IN THE LIMESTONE BEDROCK. 106 00:06:08,736 --> 00:06:10,702 THIS WAY, THE CHECKERBOARD BLOCKS 107 00:06:10,704 --> 00:06:13,004 WOULD CRACK AWAY FROM THE GROUND. 108 00:06:14,808 --> 00:06:18,110 THEN THEY USED WOODEN LEVERS TO PRY THE BLOCKS OUT. 109 00:06:24,017 --> 00:06:27,786 HOW MUCH EFFORT DID IT TAKE TO REMOVE HEAVY LIMESTONE BLOCKS 110 00:06:27,788 --> 00:06:30,088 WITHOUT MODERN MACHINERY? 111 00:06:30,090 --> 00:06:34,493 TO FIND OUT, MEMO IS HEADING TO A STONE MASONS YARD IN MERIDA, 112 00:06:34,495 --> 00:06:37,963 ABOUT 70 MILES FROM CHICHEN ITZA. 113 00:06:38,999 --> 00:06:42,334 THE STONE MASONS ATTEMPT AN EXPERIMENT. 114 00:06:45,739 --> 00:06:48,006 THEY USE WOODEN LEVERS TO TRY TO EXTRACT 115 00:06:48,008 --> 00:06:51,143 A TWO-TON LIMESTONE BLOCK, 116 00:06:51,145 --> 00:06:54,212 JUST AS THE ANCIENT MAYA WOULD HAVE DONE. 117 00:06:56,383 --> 00:07:00,819 De Anda: ALL THE STONES THEY PUT THERE TO MAKE A LEVER. 118 00:07:00,821 --> 00:07:03,321 I THINK WE PUT A LITTLE BIT TOO MANY. 119 00:07:03,323 --> 00:07:07,626 SO WE NEED SPACE FOR THE BIG LEVER. 120 00:07:09,129 --> 00:07:11,663 THESE GUYS ARE EXTRAORDINARILY SKILLFUL AND STRONG. 121 00:07:11,665 --> 00:07:14,599 I MEAN, THEY'RE GREAT. 122 00:07:14,601 --> 00:07:16,368 SO FAR, SO GOOD. 123 00:07:16,370 --> 00:07:18,503 [ LAUGHS ] 124 00:07:18,505 --> 00:07:21,039 Narrator: SHIFTING THE LIMESTONE THE OLD FASHIONED WAY 125 00:07:21,041 --> 00:07:25,777 CLEARLY REQUIRED BOTH TECHNIQUE AND PLENTY OF MANPOWER. 126 00:07:25,779 --> 00:07:27,345 De Anda: TODAY, THAT I HAVE THE OPPORTUNITY 127 00:07:27,347 --> 00:07:30,649 TO MOVE THIS RELATIVELY SMALL STONE 128 00:07:30,651 --> 00:07:32,751 AND IT WAS SO HARD. 129 00:07:32,753 --> 00:07:34,753 AND THERE WERE A LOT OF PEOPLE, 130 00:07:34,755 --> 00:07:37,622 I REALIZED HOW HARD IT WAS. 131 00:07:37,624 --> 00:07:42,127 AND I'M GETTING MORE AND MORE AND MORE RESPECT FOR THE MAYA, 132 00:07:42,129 --> 00:07:43,428 FOR WHAT THEY DO. 133 00:07:43,430 --> 00:07:44,830 IT'S AMAZING. 134 00:07:44,832 --> 00:07:46,731 WOW, THAT WAS GREAT. 135 00:07:46,733 --> 00:07:47,766 [ LAUGHS ] 136 00:07:47,768 --> 00:07:49,634 THESE GUYS ARE GREAT. 137 00:07:49,636 --> 00:07:52,604 [ APPLAUSE ] 138 00:07:52,606 --> 00:07:54,172 WOW. 139 00:07:54,174 --> 00:07:57,676 Narrator: MOVING ONE STONE WAS BACK-BREAKING WORK. 140 00:07:57,678 --> 00:08:00,579 YET THIS PYRAMID IS MADE OF TENS OF THOUSANDS 141 00:08:00,581 --> 00:08:02,714 OF LIMESTONE BLOCKS. 142 00:08:02,716 --> 00:08:06,351 HOW DID THE ANCIENT MAYA BUILD IT? 143 00:08:06,353 --> 00:08:08,954 THE SECRET TO CONSTRUCTING THIS AMAZING TEMPLE 144 00:08:08,956 --> 00:08:11,490 LIES HIDDEN INSIDE 145 00:08:11,492 --> 00:08:14,526 BECAUSE THIS PYRAMID ISN'T QUITE WHAT IT SEEMS. 146 00:08:17,731 --> 00:08:21,700 CONCEALED BENEATH THE SMOOTH FACADE IS A LAYER OF RUBBLE. 147 00:08:24,271 --> 00:08:26,304 UNDER THAT, AN OLDER PYRAMID, 148 00:08:26,306 --> 00:08:30,075 ROUGHLY HALF THE CASTILLO'S SIZE. 149 00:08:30,077 --> 00:08:36,181 ITS STAIRCASE LEADS TO A SACRED TEMPLE WITH TWO CHAMBERS. 150 00:08:36,183 --> 00:08:39,584 AT THEIR HEART, A THRONE IN THE SHAPE OF A JAGUAR 151 00:08:39,586 --> 00:08:44,823 WITH JADE STONE EYES AND WHITE FLINT TEETH 152 00:08:44,825 --> 00:08:49,060 AND A MYSTERIOUS RECLINING STATUE KNOWN AS A CHAC MOOL. 153 00:08:50,831 --> 00:08:52,731 BUILDING ON TOP OF THIS EXISTING TEMPLE 154 00:08:52,733 --> 00:08:56,001 WAS AN INGENIOUS WAY TO BUILD BIG 155 00:08:56,003 --> 00:08:58,970 AS A NEW ERA IN THE LIFE OF THE CITY DAWNED. 156 00:09:01,174 --> 00:09:04,042 De Anda: THE ANCIENT MAYA, THEY DID NOT DESTROY A BUILDING 157 00:09:04,044 --> 00:09:05,443 TO BUILD ANOTHER ONE. 158 00:09:05,445 --> 00:09:09,648 THEY JUST GO AHEAD AND BUILT ON TOP OF THE OLD BUILDING. 159 00:09:09,650 --> 00:09:12,851 AND BUILT SOMETHING MAJESTIC LIKE THIS. 160 00:09:12,853 --> 00:09:15,053 Narrator: BUT WHY DID THE ANCIENT MAYA 161 00:09:15,055 --> 00:09:19,591 BUILD A GREAT CITY HERE IN THE MIDDLE OF DENSE JUNGLE? 162 00:09:24,778 --> 00:09:27,111 Narrator: IN THE VAST LANDSCAPE OF THE YUCATAN, 163 00:09:27,113 --> 00:09:29,781 WHY DID THE ANCIENT MAYA CHOOSE THIS LOCATION 164 00:09:29,783 --> 00:09:31,949 FOR THEIR CITY? 165 00:09:31,951 --> 00:09:34,685 TO FIND OUT, GEOPHYSICIST RENE CHAVEZ 166 00:09:34,687 --> 00:09:38,256 IS 75 MILES WEST OF CHICHEN ITZA CITY. 167 00:09:38,258 --> 00:09:41,759 USING A NEW TECHNIQUE TO SEE BENEATH ANCIENT MAYA PYRAMIDS, 168 00:09:41,761 --> 00:09:45,696 HE BELIEVES THE ANSWER MAY LIE UNDERGROUND. 169 00:09:45,698 --> 00:09:48,433 THIS IS ONE OF DOZENS OF ANCIENT PYRAMIDS 170 00:09:48,435 --> 00:09:51,769 HIDDEN IN THE MEXICAN JUNGLE. 171 00:09:51,771 --> 00:09:55,139 IT MAY LOOK VERY DIFFERENT FROM THE FAMOUS CASTILLO, 172 00:09:55,141 --> 00:09:57,341 BUT IT'S WHAT MANY MAYA PYRAMIDS LOOK LIKE 173 00:09:57,343 --> 00:10:00,578 BEFORE ARCHEOLOGISTS RESTORE THEM. 174 00:10:00,580 --> 00:10:05,483 WE HAVE TO DEPLOY THE ELECTRODES ON TOP OF THE PYRAMID... 175 00:10:08,388 --> 00:10:11,556 Narrator: RENE'S TEAM LAYS A WEB OF ELECTRODES, 176 00:10:11,558 --> 00:10:12,790 WHICH THEY WILL USE TO SEND 177 00:10:12,792 --> 00:10:16,160 AN ELECTRICAL CURRENT THROUGH THE GROUND. 178 00:10:16,162 --> 00:10:20,131 THE TEAM WILL MEASURE HOW EASILY THE CURRENT TRAVELS. 179 00:10:20,133 --> 00:10:22,400 THEIR READINGS WILL REVEAL IF ANY STRUCTURES 180 00:10:22,402 --> 00:10:26,204 OR STRANGE NATURAL FORMATIONS LIE BENEATH THE ROCKS AND SOIL. 181 00:10:58,872 --> 00:11:02,573 IT TAKES TIME TO PROCESS THE DATA FROM TODAY'S SURVEY. 182 00:11:05,078 --> 00:11:07,445 RENE CAN ONLY HOPE IT PROVIDES RESULTS 183 00:11:07,447 --> 00:11:09,447 AS SPECTACULAR AS HIS RECENT FINDINGS 184 00:11:09,449 --> 00:11:11,082 FROM A SIMILAR INVESTIGATION 185 00:11:11,084 --> 00:11:13,918 AT CHICHEN ITZA'S GREAT CASTILLO PYRAMID. 186 00:11:21,861 --> 00:11:24,061 IN THIS MODEL, EACH COLOR REPRESENTS 187 00:11:24,063 --> 00:11:26,030 A DIFFERENT GEOLOGICAL MATERIAL. 188 00:11:46,786 --> 00:11:50,021 RENE'S RESULTS REVEAL SOMETHING EXTRAORDINARY. 189 00:11:54,494 --> 00:11:58,896 HIDDEN DIRECTLY BENEATH THE CASTILLO PYRAMID, 190 00:11:58,898 --> 00:12:02,166 BELOW A FIVE-YARD-THICK LAYER OF LIMESTONE 191 00:12:02,168 --> 00:12:05,870 SITS A GIANT UNDERGROUND CAVE FULL OF WATER -- 192 00:12:05,872 --> 00:12:09,373 A FORMATION KNOWN AS A CENOTE. 193 00:12:09,375 --> 00:12:14,712 THE CAVE CONTAINS AS MUCH WATER AS SIX OLYMPIC SWIMMING POOLS. 194 00:12:14,714 --> 00:12:18,849 IT EXTENDS OVER 65 FEET UNDERGROUND. 195 00:12:18,851 --> 00:12:20,952 BUILDING A PYRAMID RIGHT ON TOP OF A CAVE 196 00:12:20,954 --> 00:12:25,523 FULL OF WATER MIGHT SEEM SURPRISING, 197 00:12:25,525 --> 00:12:28,426 BUT ITS EXISTENCE HERE HAS DRAMATIC IMPLICATIONS 198 00:12:28,428 --> 00:12:31,529 FOR OUR UNDERSTANDING OF THIS ICONIC TEMPLE. 199 00:12:54,120 --> 00:12:57,188 WITHOUT DIGGING, THERE'S NO WAY TO ACCESS THE CENOTE 200 00:12:57,190 --> 00:12:59,223 HIDDEN UNDER THE CASTILLO. 201 00:13:00,760 --> 00:13:02,493 SO ARCHEOLOGISTS MEMO DE ANDA 202 00:13:02,495 --> 00:13:05,129 IS VISITING ANOTHER NEARBY CENOTE 203 00:13:05,131 --> 00:13:08,299 TO INVESTIGATE WHAT MAY LIE BENEATH THE PYRAMID. 204 00:13:08,301 --> 00:13:09,700 De Anda: ISN'T THIS WONDERFUL? 205 00:13:09,702 --> 00:13:12,737 IT'S ONE OF THE MANY CENOTES 206 00:13:12,739 --> 00:13:15,206 WE HAVE IN THE YUCATAN PENINSULA. 207 00:13:15,208 --> 00:13:18,442 IT'S A WONDER OF NATURE. 208 00:13:18,444 --> 00:13:21,812 HUGE CAVERN, THIS IS ESSENTIALLY WHAT CENOTES ARE. 209 00:13:21,814 --> 00:13:25,850 IT'S A HUGE CAVERN THAT GOT FLOODED WITH LOTS OF RAIN 210 00:13:25,852 --> 00:13:28,019 FOR THOUSANDS OF YEARS. 211 00:13:28,021 --> 00:13:31,956 AND YOU CAN REALLY FEEL THE MAGIC OF BEING HERE. 212 00:13:33,359 --> 00:13:34,792 Narrator: THERE'S ONE CRUCIAL DIFFERENCE 213 00:13:34,794 --> 00:13:38,863 BETWEEN THIS CENOTE AND THE ONE UNDER THE CASTILLO. 214 00:13:38,865 --> 00:13:41,098 AT THIS CENOTE, THE ROOF HAS FALLEN IN, 215 00:13:41,100 --> 00:13:44,802 MAKING IT LOOK MORE LIKE A LAKE THAN A CAVE. 216 00:13:44,804 --> 00:13:46,837 THE ONE BELOW EL CASTILLO 217 00:13:46,839 --> 00:13:48,939 PROBABLY IS GOING TO COLLAPSE ONE DAY. 218 00:13:48,941 --> 00:13:50,474 WE DON'T KNOW WHEN. 219 00:13:50,476 --> 00:13:52,910 IT HAS BEEN THERE FOR CENTURIES. 220 00:13:52,912 --> 00:13:55,880 SO, HOPEFULLY, NOT FOR A LONG TIME. 221 00:14:00,553 --> 00:14:02,887 Narrator: UNDERGROUND LAKES LIKE THIS ARE THE REASON 222 00:14:02,889 --> 00:14:07,124 THE GREAT CITY OF CHICHEN ITZA WAS BUILT IN THIS AREA. 223 00:14:07,126 --> 00:14:10,494 THERE ARE NO SURFACE RIVERS IN THIS PART OF MEXICO. 224 00:14:12,065 --> 00:14:13,698 THE ONLY SOURCE OF DRINKING WATER 225 00:14:13,700 --> 00:14:16,434 WAS HIDDEN UNDERGROUND IN CENOTES. 226 00:14:18,304 --> 00:14:20,705 BUT THESE WEREN'T JUST A SOURCE OF WATER. 227 00:14:24,077 --> 00:14:26,377 De Anda: THEY WERE PLACES FOR WORSHIP, 228 00:14:26,379 --> 00:14:28,946 AND SOMETIMES PEOPLE DON'T UNDERSTAND, 229 00:14:28,948 --> 00:14:32,583 BUT WHEN YOU STAND HERE AND SEE THIS BEAUTY 230 00:14:32,585 --> 00:14:36,087 AND FEEL THIS MAGIC, YOU UNDERSTAND. 231 00:14:37,290 --> 00:14:39,657 Narrator: CENOTES HAD DEEP RELIGIOUS SIGNIFICANCE 232 00:14:39,659 --> 00:14:43,060 AND WERE SEEN AS A PHYSICAL LINK TO THE MAYA UNDERWORLD. 233 00:14:46,132 --> 00:14:48,065 IS IT POSSIBLE THE ANCIENT MAYA 234 00:14:48,067 --> 00:14:52,036 KNEW ABOUT THE CENOTE HIDDEN UNDER THE CASTILLO? 235 00:14:52,038 --> 00:14:56,040 DID THEY BUILD ON TOP OF IT ON PURPOSE? 236 00:14:56,042 --> 00:14:58,609 MEMO BELIEVES THE MUST HAVE 237 00:14:58,611 --> 00:15:01,045 BECAUSE THE CASTILLO HAS A REMARKABLE RELATIONSHIP 238 00:15:01,047 --> 00:15:03,147 WITH FOUR OTHER IMPORTANT UNDERGROUND LAKES 239 00:15:03,149 --> 00:15:07,118 THAT ARE VISIBLE ON THE CHICHEN ITZA SITE. 240 00:15:07,120 --> 00:15:11,288 De Anda: THIS IS EL CASTILLO OR KUKULKAN TEMPLE. 241 00:15:11,290 --> 00:15:14,158 ONE OF THE THINGS THAT'S AMAZING ABOUT THIS BUILDING 242 00:15:14,160 --> 00:15:19,063 IS THAT IT'S SITUATED RIGHT IN THE MIDDLE OF FOUR CENOTES. 243 00:15:19,065 --> 00:15:23,000 IT'S THE SACRED CENOTE TO THE NORTH, 244 00:15:23,002 --> 00:15:26,003 THE XTOLOC CENOTE TO THE SOUTH, 245 00:15:26,005 --> 00:15:30,207 SAGRADO CENOTE TO THE EAST, 246 00:15:30,209 --> 00:15:33,244 AND HOLTUN CENOTE TO THE WEST. 247 00:15:33,246 --> 00:15:35,679 Narrator: THE ANCIENT MAYA DIVIDED THEIR UNIVERSE 248 00:15:35,681 --> 00:15:38,349 INTO QUADRANTS. 249 00:15:38,351 --> 00:15:41,952 THESE WERE ALIGNED WITH THE FOUR POINTS OF THE COMPASS. 250 00:15:41,954 --> 00:15:43,754 COULD CHICHEN ITZA'S LAYOUT BE 251 00:15:43,756 --> 00:15:48,392 A PHYSICAL REPRESENTATION OF THE MAYA UNIVERSE? 252 00:15:48,394 --> 00:15:51,061 SO IF YOU DRAW TWO LINES, 253 00:15:51,063 --> 00:15:55,966 THE CENTER OF THOSE LINES IS EL CASTILLO. 254 00:15:55,968 --> 00:15:57,401 EL CASTILLO WAS BUILT THERE 255 00:15:57,403 --> 00:16:01,772 BECAUSE THE ORIENTATION OF THOSE FOUR CENOTES. 256 00:16:01,774 --> 00:16:03,574 Narrator: HOW THOSE ANCIENT MAYA KNEW 257 00:16:03,576 --> 00:16:07,244 ABOUT THE FIFTH CENOTE UNDER THE CASTILLO REMAINS A MYSTERY, 258 00:16:07,246 --> 00:16:09,680 BUT MEMO BELIEVES THEY DID, 259 00:16:09,682 --> 00:16:11,882 AND THAT THE GREAT PYRAMID WAS BUILT ON THIS SITE 260 00:16:11,884 --> 00:16:16,086 BECAUSE IT SYMBOLIZED THE CENTER OF THE MAYA UNIVERSE. 261 00:16:16,088 --> 00:16:19,223 De Anda: WHEN THEY SAID THERE IS A CENOTE UNDER THE CASTILLO, 262 00:16:19,225 --> 00:16:24,295 AND YOU SEE IT'S THE CENTER OF THESE SACRED ALIGNMENT, 263 00:16:24,297 --> 00:16:27,331 IT MAKES A LOT OF SENSE. 264 00:16:27,333 --> 00:16:28,699 Narrator: THE LAYOUT OF THESE CENOTES 265 00:16:28,701 --> 00:16:31,702 CREATED A LOCATION WITH DEEP RELIGIOUS MEANING. 266 00:16:33,906 --> 00:16:36,674 BUT THE SACRED SIGNIFICANCE DOESN'T END HERE. 267 00:16:39,612 --> 00:16:42,379 DURING EXCAVATIONS AT THE CASTILLO PYRAMID, 268 00:16:42,381 --> 00:16:45,616 ARCHEOLOGISTS MAKE AN ASTONISHING DISCOVERY. 269 00:16:52,467 --> 00:16:54,500 Narrator: AT THE BASE OF THE CASTILLO PYRAMID, 270 00:16:54,502 --> 00:16:57,470 ARCHEOLOGISTS MAKE A SURPRISING DISCOVERY. 271 00:17:06,280 --> 00:17:08,114 DIGGING MORE THAN SIX FEED UNDERGROUND, 272 00:17:08,116 --> 00:17:10,349 THEY UNEARTHED A DARK SECRET. 273 00:17:12,887 --> 00:17:17,690 AMONGST THE RUBBLE, THEY FOUND SHARDS OF BONE, 274 00:17:17,692 --> 00:17:19,825 SKULL FRAGMENTS, AND EVEN TEETH 275 00:17:19,827 --> 00:17:24,363 THAT PROVE THESE REMAINS ARE HUMAN. 276 00:17:24,365 --> 00:17:27,133 ARCHEOLOGISTS UNEARTHED OVER 900 PIECES 277 00:17:27,135 --> 00:17:31,604 BELONGING TO OVER 100 DIFFERENT INDIVIDUALS. 278 00:17:31,606 --> 00:17:33,839 WHO WERE THESE PEOPLE? 279 00:17:33,841 --> 00:17:35,674 AND WHY WERE THEY BURIED HERE? 280 00:17:42,784 --> 00:17:46,819 THESE MYSTERIOUS FINDS TELL AN EXTRAORDINARY STORY. 281 00:17:48,523 --> 00:17:52,491 AT HER LAB IN MERIDA, BIO-ARCHEOLOGIST VERA TIESLER 282 00:17:52,493 --> 00:17:55,194 FORENSICALLY ANALYZES THE BONES. 283 00:17:56,330 --> 00:17:58,431 SHE'S UNCOVERING THE REMARKABLE SECRETS 284 00:17:58,433 --> 00:18:00,900 OF WHO THESE PEOPLE WERE 285 00:18:00,902 --> 00:18:04,904 AND WHY THEY WEREN'T GIVEN A PROPER BURIAL OR CREMATED. 286 00:18:04,906 --> 00:18:08,374 THESE REMAINS WERE FOUND AT ONE SIDE OF THE CASTILLO'S, 287 00:18:08,376 --> 00:18:11,243 AND THERE WAS A HIGH INCIDENCE OF DIFFERENT FORMS 288 00:18:11,245 --> 00:18:13,913 OF A NUTRITIONAL DEPRIVATION, 289 00:18:13,915 --> 00:18:16,615 EVERYTHING THAT HAS TO DO WITH SUFFERING, HUNGER, 290 00:18:16,617 --> 00:18:18,384 NOT BEING NOURISHED ADEQUATELY, 291 00:18:18,386 --> 00:18:22,421 OR SUFFERING FROM MANY, MANY EPISODES OF INFECTIOUS DISEASE, 292 00:18:22,423 --> 00:18:24,957 FOR EXAMPLE. 293 00:18:24,959 --> 00:18:26,926 Narrator: THESE BONES COME FROM PEOPLE 294 00:18:26,928 --> 00:18:29,128 ON THE FRINGES OF SOCIETY, 295 00:18:29,130 --> 00:18:30,729 INDIVIDUALS IN POOR HEALTH 296 00:18:30,731 --> 00:18:34,934 WHO WERE NOT VALUED OR WHO WERE EXPENDABLE. 297 00:18:34,936 --> 00:18:36,402 IN THIS SKULL CAP, 298 00:18:36,404 --> 00:18:39,405 WHAT WE SEE ARE THESE DISTINCTIVE PORES. 299 00:18:39,407 --> 00:18:45,244 THEY MOSTLY STEM FROM EPISODES OF ANEMIA DURING INFANCY. 300 00:18:45,246 --> 00:18:49,381 IF WE TAKE A CLOSER LOOK AT THESE TEETH, 301 00:18:49,383 --> 00:18:52,284 WE CAN SEE THESE DISTINCTIVE GROOVES 302 00:18:52,286 --> 00:18:55,054 THAT CROSS OVER THE SURFACE. 303 00:18:55,056 --> 00:18:58,224 AND THESE BASICALLY TELL US THAT A PERSON SUFFERED 304 00:18:58,226 --> 00:19:02,461 FROM SEVERAL EPISODES OF PHYSIOLOGICAL STRESS. 305 00:19:05,299 --> 00:19:07,633 Narrator: VERA FINDS EVIDENCE THAT THE SURROUNDING FLESH 306 00:19:07,635 --> 00:19:10,970 WAS DELIBERATELY REMOVED FROM SOME OF THESE BONES. 307 00:19:13,941 --> 00:19:16,208 THE BONY REMNANTS THAT WE RECOVERED 308 00:19:16,210 --> 00:19:20,813 AROUND EL CASTILLO SHOW DISTINCTIVE CUT MARKS. 309 00:19:20,815 --> 00:19:23,115 Narrator: IT'S NO NORMAL BURIAL. 310 00:19:23,117 --> 00:19:27,419 WHAT THESE REMAINS SHOW IS BASICALLY PRACTICES 311 00:19:27,421 --> 00:19:32,725 THAT RELATE TO FLAYING TO DE-FLESHING -- 312 00:19:32,727 --> 00:19:36,362 BODY PROCESSING, SO TO SPEAK. 313 00:19:36,364 --> 00:19:37,930 Narrator: VERY BELIEVES THESE BONES 314 00:19:37,932 --> 00:19:42,668 ARE EVIDENCE OF GRUESOME SACRIFICIAL RITUALS. 315 00:19:42,670 --> 00:19:44,803 Tiesler: THEY'RE REMNANTS THAT PROBABLY STEM 316 00:19:44,805 --> 00:19:48,874 FROM RITUAL ACTIONS INVOLVING ANIMAL AND HUMAN SACRIFICE. 317 00:19:50,978 --> 00:19:54,113 BUT THESE WERE PART OF PRACTICES 318 00:19:54,115 --> 00:19:56,649 CONDUCTED BY ELITE PRACTITIONERS, 319 00:19:56,651 --> 00:20:00,786 ELITE PRIESTS FROM CHICHEN ITZA. 320 00:20:02,723 --> 00:20:05,591 Narrator: THIS IS A REMARKABLE CLAIM. 321 00:20:05,593 --> 00:20:08,394 HOW CAN VERA EVEN BE CERTAIN THAT REMAINS LIKE THESE 322 00:20:08,396 --> 00:20:10,195 BELONG TO THE ANCIENT MAYA? 323 00:20:12,633 --> 00:20:17,002 SOME TRULY COMPELLING EVIDENCE COMES FROM THE SACRED CENOTE -- 324 00:20:17,004 --> 00:20:18,737 ONE OF THE FOUR UNDERGROUND LAKES 325 00:20:18,739 --> 00:20:20,839 THAT SURROUND THE CASTILLO. 326 00:20:20,841 --> 00:20:26,178 THIS SKULL COMES FROM THE SACRED CENOTE OF CHICHEN ITZA. 327 00:20:26,180 --> 00:20:29,315 IT'S CAST FROM A CHILD'S SKULL. 328 00:20:32,186 --> 00:20:34,086 Narrator: ONE CRUCIAL CLUE REVEALS 329 00:20:34,088 --> 00:20:37,256 THAT THIS CANNOT BE A MODERN SKULL -- 330 00:20:37,258 --> 00:20:38,724 ITS SHAPE. 331 00:20:38,726 --> 00:20:43,162 Tiesler: THIS HEAD FORM HAS BEEN CALLED TOP FLATTENING. 332 00:20:43,164 --> 00:20:45,664 IT'S A SORT OF ARTIFICIAL SHAPE 333 00:20:45,666 --> 00:20:48,601 THAT HAS BEEN PRODUCED WITH BOARDS 334 00:20:48,603 --> 00:20:54,206 AND ADAPTED TO MAKE THE TOP OF THE HEAD MORE FLATTENED. 335 00:20:54,208 --> 00:20:56,842 Narrator: HEAD SHAPING WAS A COMMON MAYA PRACTICE, 336 00:20:56,844 --> 00:20:59,712 AND ARCHEOLOGISTS HAVE FOUND MANY MORE SKULLS LIKE THIS 337 00:20:59,714 --> 00:21:01,614 IN THE SACRED CENOTE. 338 00:21:01,616 --> 00:21:05,918 THIS HEAD IS ONE OUT OF MORE THAN A HUNDRED INFANT SKELETONS 339 00:21:05,920 --> 00:21:09,121 THAT WERE FOUND IN THE SACRED CENOTE. 340 00:21:09,123 --> 00:21:10,823 Narrator: THE PRESENCE OF SO MANY BONES 341 00:21:10,825 --> 00:21:13,158 CAN BE NO ACCIDENT. 342 00:21:13,160 --> 00:21:16,061 THEY MUST HAVE BEEN PLACED IN THE CENOTE INTENTIONALLY -- 343 00:21:16,063 --> 00:21:19,098 PROBABLY AS OFFERINGS TO THE MAYA GODS. 344 00:21:20,167 --> 00:21:21,734 ARCHEOLOGIST MEMO DE ANDA 345 00:21:21,736 --> 00:21:24,503 IS NOW INVESTIGATING THIS ASTONISHING THEORY. 346 00:21:24,505 --> 00:21:29,041 WHY WOULD A SOPHISTICATED SOCIETY LIKE THE ANCIENT MAYA 347 00:21:29,043 --> 00:21:31,443 HAVE PRACTICED HUMAN SACRIFICE? 348 00:21:31,445 --> 00:21:34,847 NEW CLUES LIE AT THE BOTTOM OF THIS DEEP ABYSS. 349 00:21:39,378 --> 00:21:41,411 Narrator: CHICHEN ITZA... 350 00:21:41,413 --> 00:21:43,380 THIS MYSTERIOUS ANCIENT CITY 351 00:21:43,382 --> 00:21:46,783 IS SLOWLY GIVING UP ITS SECRETS. 352 00:21:46,785 --> 00:21:49,219 INVESTIGATIONS ARE SHEDDING DRAMATIC NEW LIGHT 353 00:21:49,221 --> 00:21:52,589 ON ITS SPECTACULAR BUILDINGS AND RELIGIOUS RITUALS. 354 00:21:55,460 --> 00:21:58,261 THE REMAINS OF HUNDREDS OF VICTIMS OF HUMAN SACRIFICE 355 00:21:58,263 --> 00:22:01,931 HAVE BEEN FOUND INSIDE CHICHEN ITZA'S SACRED CENOTE. 356 00:22:03,435 --> 00:22:06,970 COULD THIS DARK PRACTICE HAVE HAPPENED AT OTHER CENOTES, TOO? 357 00:22:14,146 --> 00:22:16,246 ARCHEOLOGIST MEMO DE ANDA IS CONDUCTING 358 00:22:16,248 --> 00:22:18,782 A MAJOR NEW INVESTIGATION AT UNDERGROUND LAKES 359 00:22:18,784 --> 00:22:20,850 ACROSS THE YUCATAN PENINSULA. 360 00:22:22,688 --> 00:22:24,821 HE'S INVESTIGATED HUNDREDS OF CENOTES 361 00:22:24,823 --> 00:22:27,123 OVER HIS 25-YEAR CAREER. 362 00:22:28,727 --> 00:22:31,995 MEMO WANTS TO KNOW MORE ABOUT THE PART HUMAN SACRIFICE PLAYED 363 00:22:31,997 --> 00:22:35,198 IN MAYA'S SACRED RITES. 364 00:22:35,200 --> 00:22:37,400 HE'S CREATING THREE-DIMENSIONAL MODELING 365 00:22:37,402 --> 00:22:40,236 OF THE OFFERINGS HE FINDS TO HUNT FOR CLUES. 366 00:22:41,540 --> 00:22:42,972 TODAY, THIS WORK HAS BROUGHT HIM 367 00:22:42,974 --> 00:22:44,574 TO ANOTHER OF THE FOUR CENOTES 368 00:22:44,576 --> 00:22:47,610 THAT SURROUND THE CASTILLO PYRAMID. 369 00:22:47,612 --> 00:22:52,949 WE ARE AT CENOTE HOLTUN INSIDE CHICHEN ITZA. 370 00:22:52,951 --> 00:22:56,486 AND THE ANCIENT MAYA CARVED THE ENTRANCE. 371 00:22:56,488 --> 00:22:58,321 IT'S SPECTACULAR, IT'S SO BEAUTIFUL. 372 00:22:58,323 --> 00:23:00,356 IT'S A HUGE DOME. 373 00:23:00,358 --> 00:23:01,658 READY TO GO. 374 00:23:01,660 --> 00:23:04,094 Narrator: THE ONLY WAY TO EXPLORE THIS HIDDEN LAKE 375 00:23:04,096 --> 00:23:06,963 IS TO DIVE. 376 00:23:06,965 --> 00:23:09,399 BUT THE ONLY WAY TO REACH THE WATER 377 00:23:09,401 --> 00:23:13,837 IS A NEARLY 80-FOOT VERTICAL ABSEIL INTO THE DARK. 378 00:23:13,839 --> 00:23:16,072 THIS IS NOT FOR THE FAINTHEARTED. 379 00:23:18,210 --> 00:23:23,046 THIS VAST CAVERN EXTENDS OVER 225 FEET DOWN. 380 00:23:23,048 --> 00:23:25,348 IT CONTAINS A LARGE UNDERGROUND LAKE 381 00:23:25,350 --> 00:23:28,418 OVER 160 FEET DEEP. 382 00:23:28,420 --> 00:23:30,453 De Anda: GOING DOWN IN A CENOTE 383 00:23:30,455 --> 00:23:33,289 IS ONE OF THE BEST EXPERIENCES IN THE WORLD. 384 00:23:41,500 --> 00:23:44,534 Narrator: RAINWATER CARVED THIS IMMENSE CAVERN 385 00:23:44,536 --> 00:23:48,905 INTO THE LIMESTONE BEDROCK OVER THOUSANDS OF YEARS. 386 00:23:48,907 --> 00:23:51,441 De Anda: WE'RE ABOUT EIGHT, NINE METERS DOWN. 387 00:23:51,443 --> 00:23:56,279 AND CAN SEE THE CULTURAL RICHNESS OF THIS PLACE. 388 00:24:01,286 --> 00:24:03,820 AND I DON'T WANT TO APPROACH TOO CLOSE 389 00:24:03,822 --> 00:24:08,658 BECAUSE IT CAN DESTROY EVERYTHING IN A SECOND. 390 00:24:08,660 --> 00:24:11,961 Narrator: MEMO IS MAKING SOME SHOCKING DISCOVERIES -- 391 00:24:11,963 --> 00:24:14,697 CERAMIC OFFERINGS, 392 00:24:14,699 --> 00:24:16,432 A KNIFE, 393 00:24:16,434 --> 00:24:18,868 ANIMAL BONES, 394 00:24:18,870 --> 00:24:22,038 AND HUMAN REMAINS. 395 00:24:22,040 --> 00:24:24,474 EACH TIME HE DIVES INTO THIS CENOTE, 396 00:24:24,476 --> 00:24:26,643 MEMO TAKES HIGH-RESOLUTION PHOTOGRAPHS 397 00:24:26,645 --> 00:24:29,012 OF HIS FINDS FROM ALL ANGLES. 398 00:24:29,014 --> 00:24:32,649 BUT EXACTLY WHAT HAPPENED IN THIS MYSTERIOUS CAVERN? 399 00:24:32,651 --> 00:24:35,351 MEMO HAS FOUND A REMARKABLE CLUE. 400 00:24:35,353 --> 00:24:38,955 De Anda: RIGHT IN FRONT OF ME, YOU CAN SEE A SHELF. 401 00:24:38,957 --> 00:24:44,127 IT'S A NATURAL SHELF, IDEAL TO MAKE A RITUAL DEPOSIT. 402 00:24:44,129 --> 00:24:47,030 Narrator: MORE BONES, OTHER OFFERINGS, 403 00:24:47,032 --> 00:24:51,267 AND EVEN TRACES OF CHARCOAL REMAIN ON THIS SHELF. 404 00:24:51,269 --> 00:24:53,203 AMAZINGLY, IT APPEARS THIS PLATFORM 405 00:24:53,205 --> 00:24:55,438 WAS ONCE A SACRED ALTAR. 406 00:24:56,575 --> 00:24:59,676 De Anda: THIS IS PART OF THE SPIRITUAL WORLD. 407 00:24:59,678 --> 00:25:01,945 CENOTES ARE SILENT WITNESSES 408 00:25:01,947 --> 00:25:06,382 OF A VERY IMPORTANT PART OF THE ANCIENT MAYAN LIFE. 409 00:25:06,384 --> 00:25:09,152 THIS IS A VERY IMPORTANT PART OF THEIR UNIVERSE. 410 00:25:13,692 --> 00:25:16,392 Narrator: MEMO HAS FOUND SOME TRULY EXTRAORDINARY EVIDENCE 411 00:25:16,394 --> 00:25:19,028 ABOUT THE RITES CONDUCTED IN THIS CENOTE. 412 00:25:22,133 --> 00:25:24,167 De Anda: IT WAS A VERY, VERY NICE DIVE. 413 00:25:24,169 --> 00:25:27,070 AND I THINK WE GET WHAT WE NEEDED. 414 00:25:28,440 --> 00:25:30,773 Narrator: MEMO HAS BEEN PHOTOGRAPHING THIS SITE 415 00:25:30,775 --> 00:25:33,676 FOR FIVE YEARS. 416 00:25:33,678 --> 00:25:35,511 A CUSTOM-MADE COMPUTER PROGRAM 417 00:25:35,513 --> 00:25:38,348 HAS PROCESSED THE PHOTOS TAKEN SO FAR... 418 00:25:38,350 --> 00:25:41,117 AND TURNED THEM INTO AMAZING THREE-DIMENSIONAL MODELS 419 00:25:41,119 --> 00:25:42,952 OF HIS DISCOVERIES. 420 00:25:42,954 --> 00:25:45,521 WHAT I'M LOOKING AT RIGHT NOW IS A BIRD'S EYE VIEW 421 00:25:45,523 --> 00:25:47,523 OF THE WHOLE SHELF. 422 00:25:47,525 --> 00:25:50,159 THIS IS AN AMAZING, AMAZING IMAGE. 423 00:25:50,161 --> 00:25:52,528 I CAN TELL YOU WITHOUT ANY DOUBT 424 00:25:52,530 --> 00:25:54,030 IT'S UNIQUE IN THE WORLD. 425 00:25:54,032 --> 00:25:58,268 THERE'S NO OTHER ARCHEOLOGICAL PROJECT THAT IS DOING THIS. 426 00:25:58,270 --> 00:26:00,970 Narrator: THE MODELS PROVIDE AN INCREDIBLE PERMANENT RECORD 427 00:26:00,972 --> 00:26:04,040 OF THE CENOTE'S MYSTERIOUS CONTENTS. 428 00:26:05,410 --> 00:26:08,311 IT'S THE NEXT BEST THING OF HAVING AN OBJECT IN MY HAND. 429 00:26:08,313 --> 00:26:12,448 AND THE BEAUTY OF THIS IS THAT WE LEAVE THEM THERE. 430 00:26:14,019 --> 00:26:15,351 Narrator: THIS MODEL ALLOWS MEMO 431 00:26:15,353 --> 00:26:17,854 TO STUDY THE SHELF IN MORE DETAIL. 432 00:26:17,856 --> 00:26:19,989 IT EVEN SHOWS STINGRAY SPINES, 433 00:26:19,991 --> 00:26:23,860 ANOTHER ITEM ASSOCIATED WITH MAYA RELIGIOUS RITUALS. 434 00:26:23,862 --> 00:26:28,064 STINGRAY SPINES WERE USED IN CEREMONIES, RITUALS -- 435 00:26:28,066 --> 00:26:30,066 RITUALS TO ATTRACT RAIN. 436 00:26:30,068 --> 00:26:32,268 THEY USED TO BE, LIKE, SELF-SACRIFICE. 437 00:26:32,270 --> 00:26:36,973 BLOODLETTING -- A LOT OF BLOOD COULD MEAN A LOT OF FERTILITY, 438 00:26:36,975 --> 00:26:40,643 ESPECIALLY IF THIS BLOOD COMES FROM THE PENIS. 439 00:26:40,645 --> 00:26:42,178 Narrator: IS IT POSSIBLE RITUALS 440 00:26:42,180 --> 00:26:45,648 LIKE BLOODLETTING WERE CARRIED OUT HERE? 441 00:26:45,650 --> 00:26:49,919 AND IF SO, HOW DID THE MAYA UTILIZE THIS UNDERWATER PLACE 442 00:26:49,921 --> 00:26:53,222 WITHOUT MODERN DIVING EQUIPMENT? 443 00:26:57,565 --> 00:26:59,965 Narrator: ARCHEOLOGIST MEMO DE ANDA IS UNCOVERING 444 00:26:59,967 --> 00:27:01,400 HOW THE MAYA CONSTRUCTED 445 00:27:01,402 --> 00:27:04,002 A SACRED ALTAR ON A SHELF DEEP UNDERWATER 446 00:27:04,004 --> 00:27:07,172 WITHOUT THE USE OF DIVING EQUIPMENT. 447 00:27:07,174 --> 00:27:09,441 PERHAPS THEY DIDN'T HAVE TO. 448 00:27:09,443 --> 00:27:11,610 MEMO BELIEVES THE WATER LEVEL IN THE CENOTE 449 00:27:11,612 --> 00:27:14,112 MUST HAVE BEEN MUCH LOWER WHEN THE OFFERINGS WERE LEFT HERE, 450 00:27:14,114 --> 00:27:16,415 THANKS TO A TERRIBLE NATURAL PHENOMENON 451 00:27:16,417 --> 00:27:19,418 THAT THREATENED THE ENTIRE FUTURE OF CHICHEN ITZA -- 452 00:27:19,420 --> 00:27:21,753 DROUGHT. 453 00:27:21,755 --> 00:27:28,560 THIS SHELF, PROBABLY, WAS ABOVE WATER SOME 1,200 YEARS AGO, 454 00:27:28,562 --> 00:27:31,330 WHEN THIS PLACE WAS DRY. 455 00:27:31,332 --> 00:27:35,567 AND MAYBE IT WAS DRY BECAUSE OF THIS BIG DROUGHT. 456 00:27:35,569 --> 00:27:40,906 SO THIS SHELF, THIS LEDGE SHOULD HAVE BEEN EXPOSED. 457 00:27:43,010 --> 00:27:45,544 Narrator: THE SHELF LIES NEARLY 100 FEET DOWN, 458 00:27:45,546 --> 00:27:48,280 TUCKED AWAY AT THE FAR EDGE OF THE CAVERN. 459 00:27:48,282 --> 00:27:51,283 AS DROUGHTS HIT, THE WATER LEVEL IN THE CENOTE DROPPED, 460 00:27:51,285 --> 00:27:53,018 EXPOSING THE SHELF. 461 00:27:55,222 --> 00:27:57,923 THE MAYA PROBABLY CLIMBED DOWN INTO THE CENOTE 462 00:27:57,925 --> 00:28:00,325 USING A LADDER BUILT FROM PIECES OF TREE TRUNK 463 00:28:00,327 --> 00:28:02,728 TIED TOGETHER WITH FLEXIBLE BRANCHES. 464 00:28:07,334 --> 00:28:09,301 THEY COULD DESCEND INTO THE CENOTE 465 00:28:09,303 --> 00:28:11,570 TO LEAVE THEIR OFFERINGS, 466 00:28:11,572 --> 00:28:14,006 PERHAPS REACHING THE SHELF BY CANOE. 467 00:28:17,144 --> 00:28:19,177 MANY YEARS LATER, WITH THE DROUGHTS OVER, 468 00:28:19,179 --> 00:28:21,013 THE WATER LEVEL ROSE AGAIN, 469 00:28:21,015 --> 00:28:24,549 COVERING THE ARTIFACTS AND PRESERVING THEM TO THIS DAY. 470 00:28:25,819 --> 00:28:29,955 WHY DID THE ANCIENT MAYA CONDUCT THESE ELABORATE RITUALS? 471 00:28:29,957 --> 00:28:34,226 THE MOSTLY GOD THAT THEY WERE OFFERED TO WAS CHAAC, 472 00:28:34,228 --> 00:28:35,761 THE RAIN GOD. 473 00:28:35,763 --> 00:28:38,964 I THINK THEY MAKE THESE OFFERINGS TO ENCOURAGE RAINS. 474 00:28:42,236 --> 00:28:46,772 Narrator: CENOTES LAY AT THE HEART OF CHICHEN ITZA. 475 00:28:46,774 --> 00:28:49,041 THEY PROVIDED LIFE-GIVING WATER. 476 00:28:51,111 --> 00:28:52,844 THEY HAD IMMENSE RELIGIOUS IMPORTANCE, 477 00:28:52,846 --> 00:28:54,613 ESPECIALLY WHEN DROUGHT HIT. 478 00:28:57,885 --> 00:28:59,618 AND THEY EVEN DICTATED THE LOCATION 479 00:28:59,620 --> 00:29:02,721 OF THE GREAT CASTILLO PYRAMID. 480 00:29:02,723 --> 00:29:05,257 BUT COULD THE CASTILLO'S DISTINCTIVE SHAPE 481 00:29:05,259 --> 00:29:07,192 HOLD HIDDEN MEANING, TOO? 482 00:29:07,194 --> 00:29:09,394 COULD THERE BE MORE TO ITS OUTER APPEARANCE 483 00:29:09,396 --> 00:29:11,096 THAN FIRST MEETS THE EYE? 484 00:29:13,233 --> 00:29:15,100 De Anda: IT'S MUCH MORE THAN A BUILDING. 485 00:29:15,102 --> 00:29:17,636 YOU SEE THE PERFECTION IN THE LINES. 486 00:29:17,638 --> 00:29:19,671 BUT WHEN YOU KNOW A LITTLE BIT MORE ABOUT, 487 00:29:19,673 --> 00:29:24,342 IT'S -- YOU KNOW, IT'S A MATHEMATICAL BUILDING. 488 00:29:24,344 --> 00:29:27,012 IT'S RELATED TO ASTRONOMY. 489 00:29:27,014 --> 00:29:30,549 IT'S RELATED TO THE AGRICULTURAL CYCLES. 490 00:29:35,189 --> 00:29:38,690 Narrator: THIS PYRAMID CONTAINS ANOTHER SECRET. 491 00:29:38,692 --> 00:29:42,794 IT'S ALSO A MONUMENTAL CALENDAR FOR THE CITY. 492 00:29:42,796 --> 00:29:48,366 18 STONE TERRACES REPRESENT THE 18 MAYA MONTHS OF THE YEAR. 493 00:29:48,368 --> 00:29:52,537 91 STEPS ON EACH SIDE, PLUS THE TOP PLATFORM, 494 00:29:52,539 --> 00:29:55,507 GIVE 365 STEPS -- 495 00:29:55,509 --> 00:29:57,976 ONE FOR EACH DAY OF THE YEAR. 496 00:29:57,978 --> 00:29:59,978 AND TWICE A YEAR ON THE EQUINOX, 497 00:29:59,980 --> 00:30:03,014 THE SUN CASTS A SHADOW SO PERFECTLY ALIGNED, 498 00:30:03,016 --> 00:30:08,186 AN IMMENSE SNAKE APPEARS TO SLITHER DOWN THE MAIN STEPS. 499 00:30:08,188 --> 00:30:10,722 THIS IS THE SERPENT GOD KUKULKAN, 500 00:30:10,724 --> 00:30:12,858 TO WHOM THE TEMPLE IS DEDICATED. 501 00:30:16,196 --> 00:30:17,529 IT'S HARD TO UNDERSTAND 502 00:30:17,531 --> 00:30:20,031 HOW THEY COULD MASTER THE TECHNIQUE 503 00:30:20,033 --> 00:30:23,034 NOT ONLY TO BUILD THIS FANTASTIC BUILDING, 504 00:30:23,036 --> 00:30:25,837 BUT TO MAKE IT SO BEAUTIFUL, SO INTERESTING, 505 00:30:25,839 --> 00:30:28,573 AND RELATE IT TO THE SUN, 506 00:30:28,575 --> 00:30:31,576 TO RELATE IT TO THE CHANGES OF SEASONS. 507 00:30:31,578 --> 00:30:34,079 IT'S GREAT. 508 00:30:37,050 --> 00:30:39,017 Narrator: THE ANCIENT MAYA WERE SO DEDICATED 509 00:30:39,019 --> 00:30:41,887 TO TRACKING THE MOVEMENTS OF THE PLANETS AND STARS 510 00:30:41,889 --> 00:30:44,623 THAT THEY EVEN CONSTRUCTED THIS BUILDING -- 511 00:30:44,625 --> 00:30:47,692 AN EXTRAORDINARY OBSERVATORY. 512 00:30:47,694 --> 00:30:49,895 De Anda: WELL, THIS IS EL CARACOL. 513 00:30:49,897 --> 00:30:52,497 IT'S A WONDERFUL BUILDING. 514 00:30:52,499 --> 00:30:56,301 IT RECEIVED THAT NAME BECAUSE OF THE SPIRAL FORM. 515 00:30:56,303 --> 00:31:01,406 Narrator: "CARACOL" MEANS SNAIL OR SEA SHELL IN SPANISH 516 00:31:01,408 --> 00:31:03,608 BECAUSE HIDDEN INSIDE THE OBSERVATORY 517 00:31:03,610 --> 00:31:05,544 IS A SPIRAL STAIRCASE. 518 00:31:08,115 --> 00:31:10,749 De Anda: THIS ONE IN PARTICULAR SERVED THE PURPOSE 519 00:31:10,751 --> 00:31:15,086 OF GAZING THE SKIES AND MAPPING THEM. 520 00:31:15,088 --> 00:31:18,089 AND THEY WERE VERY GOOD ASTRONOMERS. 521 00:31:18,091 --> 00:31:20,025 THEY HAVE A VERY GOOD KNOWLEDGE 522 00:31:20,027 --> 00:31:23,695 OF THE MOVEMENT OF THE CELESTIAL BODIES. 523 00:31:25,532 --> 00:31:27,499 Narrator: THE ANCIENT MAYA DIDN'T HAVE TELESCOPES, 524 00:31:27,501 --> 00:31:28,967 BUT THAT DIDN'T STOP THEM 525 00:31:28,969 --> 00:31:33,638 FROM MAKING INCREDIBLY DETAILED OBSERVATIONS WITH THE NAKED EYE. 526 00:31:33,640 --> 00:31:37,242 De Anda: THIS BUILDING, IT'S ON TOP OF SEVERAL PLATFORMS, 527 00:31:37,244 --> 00:31:43,114 AND STANDS OUT MAYBE TO AVOID THE CANOPY OF TREES. 528 00:31:43,116 --> 00:31:47,719 JUST HIGH ENOUGH FOR THE ANCIENT MAYAN ASTRONOMERS 529 00:31:47,721 --> 00:31:49,554 TO LOOK ALL AROUND, 530 00:31:49,556 --> 00:31:53,291 EVEN WHEN THE SUN IS RISING OR IT'S SETTING. 531 00:31:54,494 --> 00:31:56,761 Narrator: DUE TO THE CARACOL'S RUINED CONDITION, 532 00:31:56,763 --> 00:31:59,431 FEW OF THE OBSERVATORY WINDOWS REMAIN. 533 00:32:01,935 --> 00:32:03,902 De Anda: THERE IS ACTUALLY THREE OF THEM. 534 00:32:03,904 --> 00:32:06,471 THEY'RE VERY INTERESTINGLY ALIGNED. 535 00:32:10,677 --> 00:32:14,346 Narrator: THE MAYA ALIGNED THE CARACOL WITH THE HEAVENS. 536 00:32:14,348 --> 00:32:17,782 THE MAIN STAIRCASE FACES THE SETTING POINT OF VENUS, 537 00:32:17,784 --> 00:32:21,186 ONE OF THE MOST IMPORTANT OBJECTS IN THE MAYA SKY. 538 00:32:23,724 --> 00:32:26,157 THE TOWER ON THE TOP HAS WINDOWS THAT LINE UP 539 00:32:26,159 --> 00:32:28,827 WITH VENUS' NORTHERN AND SOUTHERNMOST POSITIONS. 540 00:32:28,829 --> 00:32:32,030 AND A THIRD WINDOW IS ALIGNED WITH ASTRONOMICAL SOUTH. 541 00:32:34,134 --> 00:32:37,602 THE CORNERS OF THE BASE PLATFORM ALIGN WITH THE SUN'S SHADOW 542 00:32:37,604 --> 00:32:40,171 ON THE SOLSTICE SUNRISE AND SUNSET. 543 00:32:45,679 --> 00:32:48,313 INCREDIBLY, AT LEAST 20 ASTRONOMICAL EVENTS 544 00:32:48,315 --> 00:32:52,217 ARE INCORPORATED INTO THIS STRUCTURE. 545 00:32:52,219 --> 00:32:56,087 THE MAYA USED THEIR OBSERVATIONS TO PREDICT HARVESTS, DEATHS, 546 00:32:56,089 --> 00:32:58,423 AND EVEN GOOD TIMES TO GO TO WAR. 547 00:33:01,728 --> 00:33:03,161 CHICHEN ITZA... 548 00:33:03,163 --> 00:33:05,597 A CITY SHAPED BY THE EARTH, 549 00:33:05,599 --> 00:33:06,965 BY WATER, 550 00:33:06,967 --> 00:33:09,401 AND BY THE MOVEMENTS OF THE PLANETS. 551 00:33:09,403 --> 00:33:13,104 WHERE THE BUILDINGS ARE MOLDED BY BELIEFS, 552 00:33:13,106 --> 00:33:16,908 WHERE SACRED MEANING IS NEVER FAR AWAY. 553 00:33:16,910 --> 00:33:19,411 BUT HOW DID THIS CITY BECOME SO SUCCESSFUL 554 00:33:19,413 --> 00:33:21,046 AND SO POWERFUL? 555 00:33:21,048 --> 00:33:26,551 AN INVESTIGATION 125 MILES AWAY REVEALS STARTLING CLUES. 556 00:33:31,685 --> 00:33:35,220 Narrator: CHICHEN ITZA, MEXICO. 557 00:33:35,222 --> 00:33:37,922 THIS ABANDONED CITY WAS ONCE ONE OF THE MOST POWERFUL 558 00:33:37,924 --> 00:33:42,927 POLITICAL AND RELIGIOUS CENTERS IN THE AMERICAS, 559 00:33:42,929 --> 00:33:46,498 DRAWING PILGRIMS FROM FAR AND WIDE TO ITS SACRED SITES. 560 00:33:48,535 --> 00:33:51,436 HOW DID PEOPLE TRAVEL ACROSS THE CITY, THROUGH DENSE JUNGLE 561 00:33:51,438 --> 00:33:54,005 AND SOMETIMES WATERLOGGED GROUND? 562 00:33:56,443 --> 00:34:02,247 THE SOLUTION -- SACBES, A UNIQUE KIND OF ROAD. 563 00:34:02,249 --> 00:34:06,150 THIS AMAZING ROAD WE'RE WALKING ON NOW, 564 00:34:06,152 --> 00:34:09,454 IT'S ONE OF THE SACBES OR WIDE ROADS. 565 00:34:09,456 --> 00:34:11,656 YOU CAN SEE IT'S PRETTY WIDE. 566 00:34:11,658 --> 00:34:14,092 AND IT'S HIGH. 567 00:34:14,094 --> 00:34:17,262 Narrator: THIS MIGHT NOT LOOK LIKE ANYTHING SPECIAL, 568 00:34:17,264 --> 00:34:21,199 BUT A MIRACLE OF ENGINEERING LIES HIDDEN BENEATH THE SURFACE. 569 00:34:23,970 --> 00:34:25,770 RAISED HIGH ABOVE THE JUNGLE FLOOR 570 00:34:25,772 --> 00:34:29,607 TO ESCAPE THE SWAMPY GROUND OF THE RAINY SEASON, 571 00:34:29,609 --> 00:34:31,576 THESE SOPHISTICATED CAUSEWAYS 572 00:34:31,578 --> 00:34:35,446 ARE A MARVEL OF ANCIENT ENGINEERING. 573 00:34:35,448 --> 00:34:38,016 AT THE BASE, LARGE STONES ARE FIXED IN PLACE 574 00:34:38,018 --> 00:34:42,453 WITH ANCIENT MORTAR TO CREATE A SOLID FOUNDATION. 575 00:34:42,455 --> 00:34:45,757 TINY STONES LEVEL THE SURFACE, 576 00:34:45,759 --> 00:34:48,359 AND MASONRY WALLS ENCLOSE THE SIDES. 577 00:34:50,130 --> 00:34:52,564 ANCIENT PLASTER MADE FROM POWDERED LIMESTONE 578 00:34:52,566 --> 00:34:55,400 FORMS THE TOP LAYER, 579 00:34:55,402 --> 00:34:58,036 CREATING A FORTIFIED, SMOOTH PATH TO ALLOW 580 00:34:58,038 --> 00:34:59,437 CHICHEN ITZA'S CITIZENS 581 00:34:59,439 --> 00:35:01,839 TO TRAVEL ACROSS THE CITY WITH EASE. 582 00:35:07,480 --> 00:35:09,881 I THINK THEY HAD A LOT OF FUNCTIONS. 583 00:35:09,883 --> 00:35:12,517 COMMUNICATING -- THAT'S FOR SURE ONE OF THEM. 584 00:35:12,519 --> 00:35:14,953 THAT'S THE MAIN USE OF ROADS. 585 00:35:14,955 --> 00:35:18,156 THIS IS LIKE AN UMBILICAL CORD, 586 00:35:18,158 --> 00:35:20,725 JUST PULLING THE SITE TOGETHER. 587 00:35:20,727 --> 00:35:23,628 BUT THERE WERE A LOT OF REASONS, 588 00:35:23,630 --> 00:35:26,998 JUST PRACTICALLY OR SYMBOLICALLY, 589 00:35:27,000 --> 00:35:31,202 OR TO EXTEND THE POLITICAL BOUNDARIES. 590 00:35:31,204 --> 00:35:32,804 Narrator: ARCHEOLOGISTS ARE CONSTANTLY 591 00:35:32,806 --> 00:35:35,773 FINDING NEW CAUSEWAYS. 592 00:35:35,775 --> 00:35:40,011 THE SCALE OF THOSE DISCOVERED SO FAR AT CHICHEN ITZA IS VAST. 593 00:35:43,350 --> 00:35:45,984 SACBES CAUSEWAYS CRISSCROSSED OVER THE CITY, 594 00:35:45,986 --> 00:35:48,119 CONNECTING THE MAIN TEMPLES WITH QUARRIES 595 00:35:48,121 --> 00:35:50,021 AND OUTLYING COMMUNITIES. 596 00:35:53,426 --> 00:35:56,828 ONE LED TO THE SACRED CENOTE OVER 300 YARDS AWAY, 597 00:35:56,830 --> 00:35:58,596 THROUGH THE JUNGLE. 598 00:35:58,598 --> 00:36:00,698 OTHERS EVEN STRETCHED OUT OF CHICHEN ITZA 599 00:36:00,700 --> 00:36:03,635 TO DISTANT SETTLEMENTS OVER FOUR MILES AWAY. 600 00:36:05,872 --> 00:36:08,906 MORE THAN 90 OF THESE WHITE ROADS HAVE BEEN DISCOVERED, 601 00:36:08,908 --> 00:36:12,477 REVEALING THE COMPLEX NETWORK OF THIS GREAT METROPOLIS. 602 00:36:15,682 --> 00:36:19,784 THEY ALL LED BACK TO THE CENTER OF CHICHEN ITZA. 603 00:36:19,786 --> 00:36:21,586 IN ITS PRIME, A BUSTLING CITY 604 00:36:21,588 --> 00:36:24,422 WITH A POPULATION OF MORE THAN 30,000. 605 00:36:25,825 --> 00:36:28,593 THESE SACBES WERE REALLY IMPORTANT. 606 00:36:28,595 --> 00:36:32,497 THEY REALLY HELPED THE CITIES TO THRIVE. 607 00:36:32,499 --> 00:36:33,965 Narrator: BUT CAUSEWAYS ON THEIR OWN 608 00:36:33,967 --> 00:36:38,069 WERE NOT ENOUGH TO ENSURE CHICHEN ITZA'S SUCCESS. 609 00:36:38,071 --> 00:36:40,405 THERE WERE NO NEARBY RIVERS. 610 00:36:40,407 --> 00:36:41,739 IT WOULD BE HUNDREDS OF YEARS 611 00:36:41,741 --> 00:36:45,076 BEFORE THE FIRST HORSES ARRIVED IN MEXICO. 612 00:36:45,078 --> 00:36:47,912 AND THE MAYA HAD NOT INVENTED THE WHEEL. 613 00:36:47,914 --> 00:36:50,481 HOW COULD PEOPLE TRAVEL LONGER DISTANCES 614 00:36:50,483 --> 00:36:52,617 OR MOVE GOODS FAST? 615 00:36:58,091 --> 00:37:01,392 125 MILES NORTHWEST OF CHICHEN ITZA, 616 00:37:01,394 --> 00:37:03,795 ARCHEOLOGIST JEFFREY GLOVER AND HIS TEAM 617 00:37:03,797 --> 00:37:05,863 ARE SEARCHING FOR CLUES. 618 00:37:07,233 --> 00:37:10,201 WATER BECAME THE HIGHWAY, YOU KNOW. 619 00:37:10,203 --> 00:37:12,704 YOU WOULD HAVE HUNDREDS, THOUSANDS OF THESE CANOES 620 00:37:12,706 --> 00:37:15,606 ANNUALLY TRAVELING UP AND DOWN THE COAST. 621 00:37:17,544 --> 00:37:19,777 HOME, SWEET HOME. 622 00:37:19,779 --> 00:37:21,913 Narrator: THIS IS VISTA ALEGRE, 623 00:37:21,915 --> 00:37:24,315 THE SITE OF A MYSTERIOUS LONG-ABANDONED, 624 00:37:24,317 --> 00:37:26,951 COASTAL SETTLEMENT. 625 00:37:26,953 --> 00:37:29,987 JEFFERY BELIEVES VISTA ALEGRE WAS ONCE A SEA PORT 626 00:37:29,989 --> 00:37:33,458 WITH CONNECTIONS TO CHICHEN ITZA. 627 00:37:33,460 --> 00:37:36,761 HE'S TRYING TO FIND EVIDENCE TO LINK THE TWO SITES. 628 00:37:38,732 --> 00:37:40,164 SO FAR, JEFFREY AND HIS TEAM 629 00:37:40,166 --> 00:37:44,001 HAVE FOUND THE REMAINS OF ANCIENT STRUCTURES, 630 00:37:44,003 --> 00:37:47,538 SHARDS OF OBSIDIAN -- A ROCK USED IN TOOLS -- 631 00:37:47,540 --> 00:37:50,108 AND FRAGMENTS OF POTTERY. 632 00:37:50,110 --> 00:37:51,576 BUT A KEY CLUE COMES FROM 633 00:37:51,578 --> 00:37:53,678 A PARTICULAR VARIETY OF POTTERY 634 00:37:53,680 --> 00:37:56,981 KNOWN AS BALANTUN BLACK ON SLATE. 635 00:37:59,319 --> 00:38:05,189 Glover: SO THIS IS BALANTUN BLACK ON SLATE. 636 00:38:05,191 --> 00:38:06,758 IT HAS THAT LOVELY TRICKLE DESIGN 637 00:38:06,760 --> 00:38:09,494 THAT WAS REALLY POPULAR ACROSS THE YUCATAN 638 00:38:09,496 --> 00:38:11,229 FROM THE CLASSIC PERIOD. 639 00:38:11,231 --> 00:38:13,131 YOU KNOW, THE COOL THING ABOUT THIS, RIGHT, IS THAT 640 00:38:13,133 --> 00:38:18,669 IT'S A DOMESTIC WARE THAT'S VERY COMMON AT CHICHEN. 641 00:38:18,671 --> 00:38:22,206 IT'S WHAT YOU TYPICALLY WOULD FIND IN HOUSEHOLDS AT CHICHEN. 642 00:38:22,208 --> 00:38:24,041 YEAH, I MEAN, IT DOESN'T SEEM LIKE MUCH. 643 00:38:24,043 --> 00:38:26,177 IT'S JUST A BIT OF BROKEN POTTERY. 644 00:38:26,179 --> 00:38:28,279 BUT IT CLEARLY DEMONSTRATES A LINK 645 00:38:28,281 --> 00:38:32,316 BETWEEN OUR REGION AND THE CHICHEN REGION. 646 00:38:32,318 --> 00:38:34,018 Narrator: FROM THE POTTERY EVIDENCE, 647 00:38:34,020 --> 00:38:37,889 WE KNOW THAT THIS SETTLEMENT WAS LINKED TO CHICHEN ITZA. 648 00:38:37,891 --> 00:38:40,825 BUT WHAT EXACTLY WAS THIS PLACE? 649 00:38:40,827 --> 00:38:42,326 A PORT TO PROVIDE TRADERS 650 00:38:42,328 --> 00:38:46,130 EN ROUTE TO CHICHEN WITH FOOD AND PROVISIONS? 651 00:38:46,132 --> 00:38:47,698 OR SOMETHING MORE? 652 00:38:47,700 --> 00:38:50,201 AN OFFICIAL OUTPOST THAT CHICHEN ITZA CREATED 653 00:38:50,203 --> 00:38:52,570 TO CONTROL SEA TRADE? 654 00:38:52,572 --> 00:38:56,974 JEFFREY HOPES HIS WORK HERE WILL ONE DAY SOLVE THIS RIDDLE. 655 00:38:56,976 --> 00:39:00,077 EITHER WAY, IT APPEARS VISTA ALEGRE WAS ONE COG 656 00:39:00,079 --> 00:39:01,913 IN A HIGHLY EFFICIENT TRADING MACHINE 657 00:39:01,915 --> 00:39:05,116 THAT SERVED THE GREAT CITY OF CHICHEN ITZA. 658 00:39:07,287 --> 00:39:12,223 LONG-DISTANCE TRADE WAS CONDUCTED BY SEA 659 00:39:12,225 --> 00:39:15,293 AND BASED AROUND THE MAYA CANOE. 660 00:39:15,295 --> 00:39:17,361 EACH CANOE WAS UP TO 60 FEET LONG 661 00:39:17,363 --> 00:39:19,831 AND COULD CARRY SEVERAL TONS OF CARGO. 662 00:39:24,137 --> 00:39:27,805 EACH PORT WAS ABOUT 25 MILES FROM THE NEXT -- 663 00:39:27,807 --> 00:39:30,908 THE DISTANCE THAT COULD BE TRAVELED BY CANOE IN ONE DAY. 664 00:39:34,347 --> 00:39:38,549 THIS POWERFUL TRADE NETWORK STRETCHED ALL AROUND THE COAST. 665 00:39:38,551 --> 00:39:42,386 THE STEPPING STONES LED TO CHICHEN ITZA'S MAIN PORT -- 666 00:39:42,388 --> 00:39:44,455 ISLA CERRITOS. 667 00:39:46,159 --> 00:39:49,760 UP TO 400 CANOES TRADED HERE AT ONE TIME. 668 00:39:49,762 --> 00:39:52,663 THIS LUCRATIVE PORT STRENGTHENED CHICHEN ITZA'S POWER 669 00:39:52,665 --> 00:39:55,700 OVER THE WHOLE PENINSULA. 670 00:39:55,702 --> 00:39:58,336 Glover: THAT'S WHAT WOULD HAVE REALLY FUELED THE CITY, 671 00:39:58,338 --> 00:40:00,204 THAT IT GREW INTO A HUGE CITY, 672 00:40:00,206 --> 00:40:02,240 I THINK, THROUGH THE RELIGIOUS SIGNIFICANCE 673 00:40:02,242 --> 00:40:04,909 AS A PILGRIMAGE CENTER WAS IMPORTANT. 674 00:40:04,911 --> 00:40:09,780 BUT IT BEING AN ECONOMIC JUGGERNAUT WAS, I THINK, 675 00:40:09,782 --> 00:40:12,149 PROBABLY MORE IMPORTANT TO ITS SUCCESS. 676 00:40:14,487 --> 00:40:17,622 Narrator: TRADE HELPED CHICHEN ITZA TO THRIVE. 677 00:40:17,624 --> 00:40:22,727 THE CITY GREW RICH SELLING SALT, CACAO, AND TEXTILES, 678 00:40:22,729 --> 00:40:24,095 AND BROUGHT IN PRECIOUS STONES 679 00:40:24,097 --> 00:40:27,131 SUCH AS OBSIDIAN USED TO CREATE TOOLS. 680 00:40:28,868 --> 00:40:33,104 BUT, SOON, THE MIGHT WOULD FALL. 681 00:40:33,106 --> 00:40:35,172 BY THE END OF THE 11th CENTURY, 682 00:40:35,174 --> 00:40:37,642 CHICHEN ITZA WAS IN MAJOR DECLINE. 683 00:40:40,446 --> 00:40:43,915 WHAT COULD HAVE CAUSED THIS POWERFUL CITY-STATE TO COLLAPSE? 684 00:40:46,953 --> 00:40:48,653 MEMO BELIEVES THE ANSWER LIES 685 00:40:48,655 --> 00:40:50,588 IN THE CENOTES THAT WERE SO IMPORTANT 686 00:40:50,590 --> 00:40:53,691 TO THE ANCIENT PEOPLE OF THIS REGION 687 00:40:53,693 --> 00:40:57,695 AND IN THE EVIDENCE THEY CONTAIN OF DROUGHT. 688 00:40:57,697 --> 00:41:00,698 De Anda: WE HAD FOUND THAT THE SITE 689 00:41:00,700 --> 00:41:04,535 HAD TO OVERCOME A HUGE DROUGHT, 690 00:41:04,537 --> 00:41:07,805 5, 10, OR MAYBE 15 YEARS WITHOUT RAIN. 691 00:41:07,807 --> 00:41:09,573 THEY HAD NO AGRICULTURE. 692 00:41:09,575 --> 00:41:12,143 SO NO WAY TO FEED THE PEOPLE. 693 00:41:12,145 --> 00:41:15,947 WE HAVE FOUND THIS EVIDENCE IN CENOTES 694 00:41:15,949 --> 00:41:20,518 WHERE WE COULD SEE HOW THE WATER LEVEL LOWERED. 695 00:41:20,520 --> 00:41:22,753 Narrator: UNDERGROUND LAKES WITH THEIR SEEMINGLY 696 00:41:22,755 --> 00:41:25,356 BOTTOMLESS SUPPLY OF FRESH WATER HAD BEEN THE KEY 697 00:41:25,358 --> 00:41:27,491 TO CHICHEN ITZA'S SUCCESS. 698 00:41:29,762 --> 00:41:34,432 NOW AS THAT WATER RAN LOW AND THE HARVESTS FAILED, 699 00:41:34,434 --> 00:41:39,070 CHICHEN ITZA'S GLORY DAYS HAD COME TO AN END. 700 00:41:39,072 --> 00:41:42,740 THE RULERS, THE KINGS OF THE MAYAN AREA, 701 00:41:42,742 --> 00:41:46,444 THEY CALLED THEMSELVES DESCENDENTS OF THE GODS. 702 00:41:46,446 --> 00:41:52,416 SO THEY ATTRIBUTED THEMSELVES A DIVINE ORIGIN. 703 00:41:52,418 --> 00:41:56,253 SO WHEN THEY CANNOT, COULD NOT PRODUCE WATER, 704 00:41:56,255 --> 00:41:59,423 PEOPLE MUST HAVE BEEN VERY, VERY ANGRY. 705 00:41:59,425 --> 00:42:01,058 SOME PEOPLE MOVING AWAY, 706 00:42:01,060 --> 00:42:04,929 SOME OTHERS TRYING TO GET THE POWER AND TO CONTROL. 707 00:42:04,931 --> 00:42:07,064 Narrator: CHICHEN ITZA WAS GRADUALLY ABANDONED 708 00:42:07,066 --> 00:42:10,368 AND RECLAIMED BY THE JUNGLE. 709 00:42:10,370 --> 00:42:12,903 ITS SECRETS WERE ALMOST LOST FOREVER. 710 00:42:15,308 --> 00:42:20,611 BUT THANKS TO INVESTIGATIONS BY ARCHEOLOGISTS AND SCIENTISTS, 711 00:42:20,613 --> 00:42:24,815 THE MYSTERIOUS CITY OF CHICHEN ITZA IS BEGINNING, 712 00:42:24,817 --> 00:42:26,751 LITTLE BY LITTLE, 713 00:42:26,753 --> 00:42:29,220 TO GIVE UP ITS BEST-KEPT SECRETS. 714 00:42:31,758 --> 00:42:35,926 THE INGENIOUS STRUCTURE OF ITS SACBES CAUSEWAYS, 715 00:42:35,928 --> 00:42:40,598 THE ANCIENT PYRAMID HIDDEN INSIDE THE CASTILLO, 716 00:42:40,600 --> 00:42:45,169 AND THE HUMAN REMAINS IN ITS VERY FOUNDATIONS. 717 00:42:45,171 --> 00:42:48,406 THESE MAKE CHICHEN ITZA 718 00:42:48,408 --> 00:42:52,943 ONE OF THE MOST AWE-INSPIRING ANCIENT WONDERS EVER BUILT. 57289

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