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{\an1}>> IT IS ONE OF NEW YORK CITY'S
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{\an1}MOST BELOVED FAMILY TRADITIONS,
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{\an1}THE NEW YORK BOTANICAL
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{\an1}GARDENS HOLIDAY TRAIN SHOW.
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{\an1}AN EXHIBITION THAT MUST BE SEEN
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{\an1}TO BE BELIEVED.
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{\an1}>> THIS IS MY FIRST VISIT AND I
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{\an1}AM JUST IN AWE OF THE DETAIL AND
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{\an1}THE IMAGINATION.
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{\an1}>> A FANTASY LAND COMBINING
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{\an1}MODEL TRAINS WITH THE NEW YORK
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{\an1}SKYLINE BUT WITH A BOTANICAL
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{\an1}TWIST.
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{\an1}>> THOSE BUILDINGS ARE ALL MADE
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{\an1}FROM PLANT PARTS - BARK AND CORK
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{\an1}AND TWIGS AND WHATEVER.
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{\an1}>> WITH ARCHECTURAL DETAILS
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{\an1}CLEVERLY RE-IMAGINED...
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{\an1}>> THAT IS MADE OUT OF RADISH
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{\an1}SEEDS, ALL THOSE LITTLE RED DOTS
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{\an1}ARE RADISH SEEDS.
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{\an1}>> WE TAKE YOU BEHIND THE SCENES
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{\an1}AND SHOW YOU HOW IT ALL COMES
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{\an1}TOGETHER.
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{\an1}>> IT'S LIKE WORKING FOR JOHNNY
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{\an1}APPLESEED, FRANK LLOYD WRIGHT
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{\an1}AND SANTA CLAUS ALL AT THE SAME
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{\an1}TIME.
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{\an1}>> COME EXPLORE THE MAKING OF
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{\an1}THIS MARVELOUS WORLD THAT'S
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{\an1}BROUGHT FAMILIES TOGETHER OVER
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{\an1}THE HOLIDAYS FOR MORE THAN 20
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{\an1}YEARS.
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{\an1}>> THERE'S SOMETHING BETWEEN
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{\an1}ARCHITECTURAL MODELS AND PURE
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{\an1}FANTASY.
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{\an1}>> IT ALL COMES TO LIFE ON
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{\an1}"TREASURES OF NEW YORK: HOLIDAY
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{\an1}TRAIN SHOW."
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{\an1}>> ALL ABOARD.
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{\an1}RIGHT THIS WAY.
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{\an1}>> THIS PROGRAM IS MADE POSSIBLE
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{\an1}BY ROBERT AND VICTORIA ZOELLNER
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{\an1}AND ROSALIND P. WALTER.
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{\an1}AND NOW, HERE IS JUJU CHANG.
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{\an1}>> HAVE YOU EVER WONDERED WHAT
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{\an1}DRAWS PEOPLE TO THIS PLACE YEAR
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{\an1}AFTER YEAR?
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{\an1}EVEN GENERATION AFTER
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{\an1}MAYBE IT'S THE WHIMSICAL TRAINS
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{\an1}ZIPPING ALL AROUND OR THE
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{\an1}BOTANICAL GARDENS.
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{\an1}MAYBE IT'S THE COMBINATION OF
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{\an1}THE TWO RIGHT INSIDE ONE OF THE
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{\an1}MOST BEAUTIFUL GLASS HOUSES IN
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{\an1}AMERICA.
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{\an1}IT'S A HOLIDAY TRADITION THAT
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{\an1}YOU NEVER REALLY OUTGROW.
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{\an1}WHEN YOU COME HERE, WHETHER
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{\an1}YOU'RE A KID OR A KID AT HEART,
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{\an1}YOU CAN'T HELP BUT BE ENCHANTED
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{\an1}BY THIS MAGICAL HOLIDAY TRAIN
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{\an1}SHOW.
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{\an1}SO, CONSIDER THIS PROGRAM YOUR
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{\an1}ALL-ACCESS PASS WHERE YOU'LL
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{\an1}DISCOVER THE INTERSECRETS OF HOW
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{\an1}IT ALL COMES TOGETHER AND WATCH
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{\an1}THE TRANSFORMATION THAT TAKES
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{\an1}PLACE RIGHT BEFORE YOUR EYES.
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{\an1}THE NEW YORK BOTANICAL GARDEN IS
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{\an1}A CENTURY-OLD OASIS IN THE
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{\an1}MIDDLE OF THE BRONX, PLANTS
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{\an1}SPREAD OUT OVER 250 ACRES.
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{\an1}YET EVEN IN THE WINTER MONTHS
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{\an1}WHEN THE TREES HAVE LOST THEIR
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{\an1}FOLIAGE AND THE PLANTS LIE
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{\an1}DORMANT IN THE COLD, IT STILL
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{\an1}DRAWS IN VISITORS FOR ONE OF THE
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{\an1}MOST CELEBRATED THE EVENTS OF
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{\an1}THE YEAR.
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{\an1}THEY FLOCK TO THE SIGNATURE
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{\an1}LANDMARK BUILDING.
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{\an1}THE ENID A. HAUPT CONSERVATORY,
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{\an1}EAGER TO SEE WHAT'S BEHIND THESE
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{\an1}DOORS.
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{\an1}THIS IS THE ANNUAL HOLIDAY TRAIN
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{\an1}SHOW, AN EVENT THAT'S DAZZLED
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{\an1}AUDIENCES FOR MORE THAN 20
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{\an1}YEARS.
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{\an1}AND THIS IS NOT YOUR TRADITIONAL
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{\an1}BOTANICAL EXHIBITION.
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{\an1}IT'S ONE OF THE MOST UNIQUE
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{\an1}SHOWCASES.
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{\an1}WITHIN THIS CRYSTAL PALACE ARE
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{\an1}NOT ONLY LIVING PLANTS BUT A
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{\an1}COMPLEX NETWORK OF OVER A DOZEN
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{\an1}MODEL TRAINS AND MORE THAN 100
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{\an1}REPLICAS OF BRIDGES, BUILDINGS
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{\an1}AND MONUMENTS, METICULOUSLY
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{\an1}CONFIGURED USING TWIGS
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{\an1}AND LEAVES, AND ACORNS AND
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{\an1}SEEDS, AND ALL KINDS OF PLANT
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{\an1}PIECES.
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{\an1}>> THERE'S SOMETHING BETWEEN
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{\an1}KIND OF ARCHITECTURAL MODELS AND
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{\an1}PURE FANTASY.
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{\an1}>> IT'S A CHARMING AND INTIMATE
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{\an1}DISPLAY OF NEW YORK AND THE
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{\an1}SURROUNDING REGION, A MAKE
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{\an1}BELIEVE WORLD THAT SIMPLY TAKES
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{\an1}YOUR BREATH AWAY.
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{\an1}>> IT'S MAGICAL.
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{\an1}IT'S LIKE WALKING INTO A SNOW
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{\an1}GLOBE AND LOOKING AT NEW YORK IN
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{\an1}MINIATURE.
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{\an1}>> EVERY YEAR, HUNDREDS OF
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{\an1}THOUSANDS OF VISITORS TRAVEL
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{\an1}NEAR AND FAR TO GET A SUMPTUOUS
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{\an1}DOSE OF NOSTALGIA.
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{\an1}>> IT'S BEEN A WONDERFUL THING
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{\an1}FOR THE BOTANICAL GARDEN, IT'S
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{\an1}BEEN A WONDERFUL THING FOR NEW
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{\an1}YORK CITY, ONE OF THE WONDERFUL
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{\an1}HOLIDAY TRADITIONS LIKE THE TREE
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{\an1}IN ROCKEFELLER CENTER.
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{\an1}>> AND THERE'S SO MUCH TO SEE,
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{\an1}FROM THE INTRICATE MODEL
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{\an1}OLD-FASHIONED MODEL TRAINS TO
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{\an1}THE VAST DISPLAY OF HAND CRAFTED
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{\an1}NEW YORK LANDMARKS RANGING FROM
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{\an1}THE METROPOLITAN MUSEUM OF ART
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{\an1}TO THE GEORGE WASHINGTON BRIDGE,
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{\an1}TO THE EMPIRE STATE BUILDING.
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{\an1}>> TOGETHER, THESE INCREDIBLE
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{\an1}BUILDINGS, WHICH DO DEFY
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{\an1}DESCRIPTION -- THEY MUST BE SEEN
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{\an1}TO BE BELIEVED.
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{\an1}AND THE TRAINS CREATE JUST A
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{\an1}MOMENT OF MAGIC AND FANTASY OVER
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{\an1}THE HOLIDAY SEASON.
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{\an1}>> THE MAGIC ACTUALLY SPRINGS
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{\an1}FROM THE EXTRAORDINARY
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{\an1}IMAGINATION OF PAUL BUSSE,
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{\an1}CREATING BOTANICAL TRAIN
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{\an1}DISPLAYS ALL OVER THE COUNTRY.
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{\an1}>> HE HAS BEEN OUR PARTNER.
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{\an1}HE IS THE ARTIST WHOSE WORK WE
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{\an1}CELEBRATE.
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{\an1}BUT THE GARDEN AND THE
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{\an1}CONSERVATORY PROVIDE THE PERFECT
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{\an1}STAGE FOR HIS WORK.
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{\an1}>> EACH OF THE MODELS ON DISPLAY
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{\an1}IS A MASTERPIECE IN ITS OWN
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{\an1}RIGHT.
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{\an1}DELICATELY HAND CRAFTED WITH A
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{\an1}KEEN ATTENTION TO DETAIL,
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{\an1}REFLECTING THE ARCHITECTURAL
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{\an1}QUALITIES OF THE ORIGINAL.
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{\an1}TAKE CITY HALL, ORNATELY
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{\an1}DECORATED WITH THE LATTICE OF
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{\an1}DOGWOOD TWIGS, CRISSCROSSING
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{\an1}EACH WINDOW, PERCHED ATOP STATUE
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{\an1}OF JUSTICE, HER SCALES MADE OF
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{\an1}ACORN CAPS.
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{\an1}A NECKLACE OF WHEAT STALKS.
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{\an1}HER TORCH FLAME FASHIONED FROM A
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{\an1}DRIED MONARCH FLOWER INSIDE A
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{\an1}POMEGRANATE HAT.
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{\an1}OF COURSE, NEARBY, THE ELLIS
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{\an1}ISLAND IMMIGRATION BUILDING,
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{\an1}WITH TOWERS COMPROMISED OF
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{\an1}FUNGUS, HEMLOCK, AND SEVERAL
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{\an1}VARIETIES OF PINE CONE SCALES.
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{\an1}>> THE DETAILS JUST KIND OF KEEP
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{\an1}ON.
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{\an1}EVERY PLANT YOU CAN IMAGINE IS
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{\an1}USED FOR EVERY ARCHITECTURAL
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{\an1}DETAIL YOU COULD NAME.
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{\an1}>> TOWERING HIGH ABOVE THE CITY
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{\an1}SCAPE ARE FOUR NEW YORK BRIDGES,
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{\an1}CRAFTED OUT OF ALL KINDS OF
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{\an1}VARIOUS TREE BRANCHES AND BARK.
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{\an1}THERE'S THE GEORGE WASHINGTON
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{\an1}BRIDGE, SPANNING THE HUDSON
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{\an1}RIVER.
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{\an1}AND ON THE EAST RIVER, THE
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{\an1}MANHATTAN BRIDGE, THE BROOKLYN
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{\an1}BRIDGE AND THE HALE GATE BRIDGE.
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{\an1}>> I'M STANDING UNDERNEATH THE
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{\an1}BROOKLYN BRIDGE.
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{\an1}ONE OF THE REAL MAGICAL PARTS OF
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{\an1}THE HOLIDAY TRAIN SHOW IS THAT
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{\an1}THERE ARE TRAINS RUNNING ALL
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{\an1}AROUND YOU AND EVEN OVER YOUR
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{\an1}HEAD.
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{\an1}REALLY, I DON'T KNOW OF ANYBODY
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{\an1}THAT DOESN'T LIKE TRAINS IN SOME
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{\an1}WAY OR ANOTHER.
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{\an1}>> ALL THE MODEL TRAINS IN THIS
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{\an1}SHOW ARE G-SCALE SIZED, ONE OF
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{\an1}THE LARGEST TYPES OF MODEL
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{\an1}RAILROAD.
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{\an1}IT'S THE PASSION TRAIN
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{\an1}ENTHUSIASTS HAVE ENJOYED AS PART
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{\an1}OF AMERICAN CULTURE FOR MORE
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{\an1}THAN A CENTURY.
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{\an1}>> IT'S SORT OF ONE OF THOSE
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{\an1}HOBBIES THAT'S
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{\an1}MULTIGENERATIONAL.
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{\an1}WE SEE FAMILIES COMING,
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{\an1}GRANDPARENTS BRINGING GRAND
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{\an1}KIDS, PARENTS POINTING OUT
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{\an1}TRAINS TO THEIR KIDS AND THERE
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{\an1}IS SORT OF AN EXCITEMENT ABOUT
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{\an1}IT.
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{\an1}>> THE TRAINS RUN ALONG MORE
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{\an1}THAN 1,200 FEET OF TRACK,
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{\an1}CRISSCROSSING THE LENGTH OF MORE
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{\an1}THAN FOUR FOOTBALL FIELDS.
220
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{\an1}WINDING AROUND CORNERS AND
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{\an1}THROUGH TUNNELS AND ACROSS
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{\an1}TRESTLES.
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{\an1}PACIFIC RAILWAY RACES THROUGH
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{\an1}HARLEM.
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{\an1}THE KIDS LIKE THE NOVELTY TRAINS
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{\an1}LIKE THIS LADYBUG LINER.
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{\an1}OF COURSE, THOMAS THE TRAIN HAS
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{\an1}CELEBRITY STATUS.
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{\an1}>> THERE HE IS, THOMAS!
230
00:08:58,438 --> 00:09:00,807
{\an1}I CAN SEE THOMAS, MOMMY!
231
00:09:00,807 --> 00:09:02,375
{\an1}>> IT'S A REALLY FUN EXPERIENCE
232
00:09:02,375 --> 00:09:04,010
{\an1}FOR OUR VISITORS WHO COME TO SEE
233
00:09:04,010 --> 00:09:06,479
{\an1}THE TRAINS AND THE PLANTS AND
234
00:09:06,479 --> 00:09:07,680
{\an1}EVERYTHING REALLY LIT UP AND
235
00:09:07,680 --> 00:09:08,148
{\an1}MAGICAL.
236
00:09:08,148 --> 00:09:10,550
{\an1}>> IT'S A CELEBRATION OF THE
237
00:09:10,550 --> 00:09:12,886
{\an1}CITY, TRULY UNLIKE ANY OTHER.
238
00:09:12,886 --> 00:09:15,121
{\an1}AND YET THIS WONDERFUL TRADITION
239
00:09:15,121 --> 00:09:18,958
{\an1}ACTUALLY HAS ITS ROOTS OVER 650
240
00:09:18,958 --> 00:09:20,360
{\an1}MILES OUTSIDE THE CITY LIMITS IN
241
00:09:20,360 --> 00:09:24,964
{\an1}THE ROLLING HILLS OF NORTHERN
242
00:09:24,964 --> 00:09:25,331
{\an1}KENTUCKY.
243
00:09:25,331 --> 00:09:27,600
{\an1}[ PHONE RINGING ]
244
00:09:27,600 --> 00:09:29,102
{\an1}>> GOOD MORNING, APPLIED
245
00:09:29,102 --> 00:09:29,502
{\an1}IMAGINATION.
246
00:09:29,502 --> 00:09:30,637
{\an1}LESLIE SPEAKING.
247
00:09:30,637 --> 00:09:31,905
{\an1}MAY I HELP YOU?
248
00:09:31,905 --> 00:09:33,807
{\an1}>> THIS IS WHERE THE SHOW'S
249
00:09:33,807 --> 00:09:38,144
{\an1}CREATOR, PAUL BUSSE, AND HIS
250
00:09:38,144 --> 00:09:39,712
{\an1}COMPANY WORK ON THE UNIQUE CRAFT
251
00:09:39,712 --> 00:09:40,747
{\an1}THEY CALL BOTANICAL
252
00:09:40,747 --> 00:09:41,514
{\an1}ARCHITECTURE.
253
00:09:41,514 --> 00:09:44,317
{\an1}>> APPLIED IMAGINATION IS A
254
00:09:44,317 --> 00:09:45,752
{\an1}GROUP OF VERY CREATIVE PEOPLE
255
00:09:45,752 --> 00:09:48,488
{\an1}THAT CREATES THREE-DIMENSIONAL
256
00:09:48,488 --> 00:09:50,690
{\an1}SPACES INVOLVING TRAINS AND
257
00:09:50,690 --> 00:09:52,959
{\an1}MINIATURES AND PLANTS.
258
00:09:52,959 --> 00:09:55,094
{\an1}>> WE UTILIZE JUST ABOUT
259
00:09:55,094 --> 00:09:58,264
{\an1}ANYTHING WE CAN GET OUR HANDS
260
00:09:58,264 --> 00:09:58,565
{\an1}ON.
261
00:09:58,565 --> 00:10:00,533
{\an1}A WALK THROUGH THE WOODS IS NOT
262
00:10:00,533 --> 00:10:02,569
{\an1}THE SAME THING ANYMORE.
263
00:10:02,569 --> 00:10:04,437
{\an1}YOU GO UNDER THE OAK TREE AND
264
00:10:04,437 --> 00:10:07,340
{\an1}YOU CAN LEAN OVER AND FIND THE
265
00:10:07,340 --> 00:10:08,641
{\an1}PERFECT ACORN CAPS AND THE
266
00:10:08,641 --> 00:10:10,810
{\an1}BRANCHES IN THE TREES, YOU LOOK
267
00:10:10,810 --> 00:10:14,347
{\an1}AT THEM AND GO, THAT'S GOT A
268
00:10:14,347 --> 00:10:15,114
{\an1}NEAT CRICK.
269
00:10:15,114 --> 00:10:16,549
{\an1}I NEED THAT.
270
00:10:16,549 --> 00:10:18,651
{\an1}>> THEY LOOK FOR TEXTURE, COLOR,
271
00:10:18,651 --> 00:10:20,420
{\an1}SHAPE AND SIZE WHEN INTERPRETING
272
00:10:20,420 --> 00:10:21,688
{\an1}A BUILDING'S DETAIL.
273
00:10:21,688 --> 00:10:23,890
{\an1}A MODEL CAN TAKE ANYWHERE FROM A
274
00:10:23,890 --> 00:10:26,226
{\an1}FEW WEEKS TO SEVERAL MONTHS TO
275
00:10:26,226 --> 00:10:30,230
{\an1}COMPLETE, ALL DEPENDING UPON ITS
276
00:10:30,230 --> 00:10:32,232
{\an1}INTRICACY AND SHEER SIZE.
277
00:10:32,232 --> 00:10:34,133
{\an1}UNLIKE AN ARCHITECTURAL MODEL,
278
00:10:34,133 --> 00:10:36,302
{\an1}WHICH IS A PERFECT REPLICA OF A
279
00:10:36,302 --> 00:10:37,904
{\an1}BUILDING, BOTANICAL ARCHITECTURE
280
00:10:37,904 --> 00:10:38,538
{\an1}IS DIFFERENT.
281
00:10:38,538 --> 00:10:41,140
{\an1}>> I WOULD DESCRIBE BOTANICAL
282
00:10:41,140 --> 00:10:42,709
{\an1}ARCHITECTURE AS SCALE MODELS,
283
00:10:42,709 --> 00:10:45,512
{\an1}NOT NECESSARILY TO SCALE, BUT
284
00:10:45,512 --> 00:10:48,715
{\an1}BROUGHT DOWN TO A SIZE THAT
285
00:10:48,715 --> 00:10:50,350
{\an1}COINCIDES WITH WHATEVER 3-D
286
00:10:50,350 --> 00:10:53,219
{\an1}LANDSCAPE WE'RE PUTTING IT IN.
287
00:10:53,219 --> 00:10:55,088
{\an1}>> AN ILLUSIONIST THAN A MODEL
288
00:10:55,088 --> 00:10:55,688
{\an1}MAKER.
289
00:10:55,688 --> 00:10:59,158
{\an1}>> TAKE PAUL'S RENDITION OF THE
290
00:10:59,158 --> 00:11:00,627
{\an1}NEW YORK PUBLIC LIBRARY.
291
00:11:00,627 --> 00:11:02,362
{\an1}THE REAL VERSION IS AN EARLY
292
00:11:02,362 --> 00:11:06,299
{\an1}20th CENTURY NEOCLASSICAL MARBLE
293
00:11:06,299 --> 00:11:08,401
{\an1}BUILDING, DECORATED WITH ORNATE
294
00:11:08,401 --> 00:11:12,605
{\an1}STONE CORNICES AND CORINTHIAN
295
00:11:12,605 --> 00:11:14,674
{\an1}COLUMNS, LOCATED ON FIFTH AVENUE
296
00:11:14,674 --> 00:11:17,810
{\an1}IN MIDTOWN MANHATTAN, THE ACTUAL
297
00:11:17,810 --> 00:11:20,213
{\an1}LIBRARY STANDS TWO CITY BLOCKS.
298
00:11:20,213 --> 00:11:21,948
{\an1}PAUL'S VERSION FOCUSES ONLY ON
299
00:11:21,948 --> 00:11:23,449
{\an1}THE MAIN ENTRANCE, WITH STONE
300
00:11:23,449 --> 00:11:26,753
{\an1}WORK MADE OF BARK AND THE ICONIC
301
00:11:26,753 --> 00:11:31,357
{\an1}LIONS ARE MADE OF PEAR-SHAPED
302
00:11:31,357 --> 00:11:31,724
{\an1}PODS.
303
00:11:31,724 --> 00:11:34,127
{\an1}ALL THESE MINUTE DETAILS HELP TO
304
00:11:34,127 --> 00:11:36,296
{\an1}CAPTURE THE ESSENCE OF THE
305
00:11:36,296 --> 00:11:37,330
{\an1}ACTUAL BUILDING.
306
00:11:37,330 --> 00:11:39,566
{\an1}IN RECENT YEARS, PAUL HAS HAD TO
307
00:11:39,566 --> 00:11:41,601
{\an1}TAKE A STEP BACK FROM HIS WORK
308
00:11:41,601 --> 00:11:43,336
{\an1}AS HE HAS BATTLED WITH THE ONSET
309
00:11:43,336 --> 00:11:45,505
{\an1}OF PARKINSON'S DISEASE, BUT HE
310
00:11:45,505 --> 00:11:47,140
{\an1}STILL IS INTIMATELY INVOLVED IN
311
00:11:47,140 --> 00:11:47,840
{\an1}THE PROCESS.
312
00:11:47,840 --> 00:11:50,777
{\an1}>> WELL, TODAY, MY PURPOSE IS TO
313
00:11:50,777 --> 00:11:54,013
{\an1}JUST BE AN INSPIRATION.
314
00:11:54,013 --> 00:11:55,882
{\an1}>> PAUL STILL REMEMBERS THAT
315
00:11:55,882 --> 00:11:57,450
{\an1}LIFE-CHANGING MOMENT WHEN, OVER
316
00:11:57,450 --> 00:12:00,587
{\an1}20 YEARS AGO, THE NEW YORK
317
00:12:00,587 --> 00:12:02,355
{\an1}BOTANICAL GARDEN CONTACTED HIM
318
00:12:02,355 --> 00:12:03,556
{\an1}TO CREATE THEIR FIRST TRAIN
319
00:12:03,556 --> 00:12:03,957
{\an1}SHOW.
320
00:12:03,957 --> 00:12:06,359
{\an1}>> I COULDN'T BELIEVE IT.
321
00:12:06,359 --> 00:12:08,995
{\an1}SUCH A WONDERFUL INSTITUTION.
322
00:12:08,995 --> 00:12:10,897
{\an1}THEY TALKED TO LITTLE OLD ME OUT
323
00:12:10,897 --> 00:12:11,998
{\an1}HERE IN KENTUCKY.
324
00:12:11,998 --> 00:12:13,633
{\an1}>> THIS IS THE INAUGURAL SHOW
325
00:12:13,633 --> 00:12:16,336
{\an1}PAUL CREATED FOR THE GARDEN.
326
00:12:16,336 --> 00:12:18,671
{\an1}IT FEATURED JUST 15 MODELS AND
327
00:12:18,671 --> 00:12:19,706
{\an1}FOUR TRAINS.
328
00:12:19,706 --> 00:12:21,841
{\an1}AS THE YEARS WENT BY, THE SHOW
329
00:12:21,841 --> 00:12:23,309
{\an1}GREW WITH MORE BUILDINGS AND
330
00:12:23,309 --> 00:12:25,278
{\an1}MORE TRAIN TRACKS, AND MORE
331
00:12:25,278 --> 00:12:25,612
{\an1}TRAINS.
332
00:12:25,612 --> 00:12:27,547
{\an1}NOT EVEN RENOVATIONS OF THE
333
00:12:27,547 --> 00:12:29,215
{\an1}CONSERVATORY BUILDING IN THE
334
00:12:29,215 --> 00:12:31,517
{\an1}EARLY '90s COULD STOP THE SHOW.
335
00:12:31,517 --> 00:12:33,219
{\an1}INSTEAD, THEY HELD IT OUTSIDE.
336
00:12:33,219 --> 00:12:34,754
{\an1}>> IT WAS BEAUTIFUL, BUT IT WAS
337
00:12:34,754 --> 00:12:37,323
{\an1}HARD FOR PEOPLE, YOU KNOW,
338
00:12:37,323 --> 00:12:38,691
{\an1}PARTLY BECAUSE THOSE WERE STILL
339
00:12:38,691 --> 00:12:40,259
{\an1}VERY COLD WINTERS WE WERE
340
00:12:40,259 --> 00:12:40,593
{\an1}HAVING.
341
00:12:40,593 --> 00:12:45,898
{\an1}SOME DAYS THE TRAINS WOULD BE
342
00:12:45,898 --> 00:12:46,933
{\an1}LIKE FROZEN IN PLACE ON THE
343
00:12:46,933 --> 00:12:47,300
{\an1}TRACK.
344
00:12:47,300 --> 00:12:49,602
{\an1}>> AT LAST COUNT THERE ARE MORE
345
00:12:49,602 --> 00:12:51,838
{\an1}THAN 150 MODELS IN THE GARDEN'S
346
00:12:51,838 --> 00:12:53,306
{\an1}COLLECTION, WHICH IS MORE THAN
347
00:12:53,306 --> 00:12:55,274
{\an1}THEY CAN EVEN FIT IN THE INDOOR
348
00:12:55,274 --> 00:12:55,842
{\an1}EXHIBITION SPACE.
349
00:12:55,842 --> 00:12:57,977
{\an1}>> WE FEEL LIKE WE'VE GOT A
350
00:12:57,977 --> 00:13:00,546
{\an1}REALLY NICE CROSS SECTION OF
351
00:13:00,546 --> 00:13:02,682
{\an1}SKYSCRAPERS AND MANSIONS AND
352
00:13:02,682 --> 00:13:04,050
{\an1}MUSEUMS AND IT'S COME TO THE
353
00:13:04,050 --> 00:13:05,785
{\an1}POINT WHERE WE'RE A LITTLE BIT
354
00:13:05,785 --> 00:13:07,587
{\an1}SQUEEZED FOR SPACE IN HERE.
355
00:13:07,587 --> 00:13:09,522
{\an1}>> WHICH MEANS SOME BUILDINGS
356
00:13:09,522 --> 00:13:11,324
{\an1}ARE SWITCHED OUT FROM YEAR TO
357
00:13:11,324 --> 00:13:11,824
{\an1}YEAR.
358
00:13:11,824 --> 00:13:15,194
{\an1}>> AND EVERY YEAR, THE SHOW
359
00:13:15,194 --> 00:13:16,763
{\an1}FEELS KIND OF NEW AND NEWLY
360
00:13:16,763 --> 00:13:18,164
{\an1}CONCEIVED AND FRESH, AND THAT'S
361
00:13:18,164 --> 00:13:25,271
{\an1}GREAT TO SEE.
362
00:13:25,271 --> 00:13:26,539
{\an1}>> EACH YEAR, IT'S AS IF THEY
363
00:13:26,539 --> 00:13:27,640
{\an1}BEGIN ANEW.
364
00:13:27,640 --> 00:13:28,841
{\an1}SETTING UP THE HOLIDAY TRAIN
365
00:13:28,841 --> 00:13:34,914
{\an1}SHOW IS A WEEK-LONG AFFAIR.
366
00:13:34,914 --> 00:13:36,783
{\an1}JUST WEEKS BEFORE THE
367
00:13:36,783 --> 00:13:38,384
{\an1}EXTRAVAGANZA IS TO OPEN, THE
368
00:13:38,384 --> 00:13:40,353
{\an1}IMAGINATION CREW ARRIVES AT THE
369
00:13:40,353 --> 00:13:41,654
{\an1}GARDEN ALONG WITH THE HELP OF
370
00:13:41,654 --> 00:13:44,090
{\an1}LOCAL ARTISTS AND BUILDERS.
371
00:13:44,090 --> 00:13:45,091
{\an1}THIS SMALL ARMY GETS STRAIGHT TO
372
00:13:45,091 --> 00:13:45,391
{\an1}WORK.
373
00:13:45,391 --> 00:13:47,126
{\an1}>> IT'S A LOT OF HARD WORK.
374
00:13:47,126 --> 00:13:48,461
{\an1}I ENJOY DOING IT EVERY YEAR.
375
00:13:48,461 --> 00:13:50,930
{\an1}IT'S LIKE WORKING FOR JOHNNY
376
00:13:50,930 --> 00:13:51,964
{\an1}APPLESEED, FRANK LLOYD WRIGHT
377
00:13:51,964 --> 00:13:53,499
{\an1}AND SANTA CLAUS ALL AT THE SAME
378
00:13:53,499 --> 00:13:53,900
{\an1}TIME.
379
00:13:53,900 --> 00:13:56,903
{\an1}>> FIRST, THEY HAUL THE BRIDGES
380
00:13:56,903 --> 00:14:00,173
{\an1}AND TRACKS OUT OF STORAGE, AND
381
00:14:00,173 --> 00:14:03,142
{\an1}DELIVER THEM TO THE
382
00:14:03,142 --> 00:14:03,576
{\an1}CONSERVATORY.
383
00:14:03,576 --> 00:14:06,679
{\an1}MORE THAN 1,200 FEET OF MODEL
384
00:14:06,679 --> 00:14:08,981
{\an1}RAILWAY TRACK IS ARRANGED IN
385
00:14:08,981 --> 00:14:10,917
{\an1}SECTIONS, ACCORDING TO A
386
00:14:10,917 --> 00:14:12,752
{\an1}PREDESIGNED LAYOUT.
387
00:14:12,752 --> 00:14:14,821
{\an1}EACH SECTION OF TRACK IS PIECED
388
00:14:14,821 --> 00:14:17,557
{\an1}TOGETHER LIKE A PUZZLE, JOINED
389
00:14:17,557 --> 00:14:20,393
{\an1}PERFECTLY TO ALLOW TRAINS TO RUN
390
00:14:20,393 --> 00:14:20,760
{\an1}SMOOTHLY.
391
00:14:20,760 --> 00:14:22,361
{\an1}THE CREW COMES PREPARED WITH
392
00:14:22,361 --> 00:14:24,464
{\an1}SPARE PARTS, KNOWING THAT THESE
393
00:14:24,464 --> 00:14:25,765
{\an1}TRACKS HAVE SEEN HUNDREDS OF
394
00:14:25,765 --> 00:14:29,068
{\an1}HOURS OF USE FROM PREVIOUS
395
00:14:29,068 --> 00:14:29,368
{\an1}YEARS.
396
00:14:29,368 --> 00:14:31,337
{\an1}THEY ASSEMBLE THE TRACKS,
397
00:14:31,337 --> 00:14:36,642
{\an1}REPLACING RAILROAD TIES AND
398
00:14:36,642 --> 00:14:39,912
{\an1}REFURBISHING JOINTS AS NEEDED.
399
00:14:39,912 --> 00:14:40,646
{\an1}THE MODEL TRAIN TRACKS ARE ALSO
400
00:14:40,646 --> 00:14:41,547
{\an1}CLEANED AND THE RAILS MUST BE
401
00:14:41,547 --> 00:14:42,014
{\an1}POLISHED.
402
00:14:42,014 --> 00:14:44,350
{\an1}>> YOU HAVE TO CLEAN THEM OFF.
403
00:14:44,350 --> 00:14:46,285
{\an1}THAT'S HOW THE TRAINS GET THEIR
404
00:14:46,285 --> 00:14:47,553
{\an1}POWER, THROUGH THE TRACK.
405
00:14:47,553 --> 00:14:50,189
{\an1}IF IT'S DIRTY, IT'S LIKE AN
406
00:14:50,189 --> 00:14:53,292
{\an1}INSULATOR AND IT WILL STOP.
407
00:14:53,292 --> 00:14:54,494
{\an1}SOMETIMES THEY'LL JUST RUN OVER
408
00:14:54,494 --> 00:14:56,929
{\an1}THIS DIRT BUT MORE OFTEN THAN
409
00:14:56,929 --> 00:14:58,164
{\an1}NOT, THEY WON'T.
410
00:14:58,164 --> 00:15:00,333
{\an1}>> NEXT, THE BRIDGES ARE HAULED
411
00:15:00,333 --> 00:15:02,602
{\an1}IN PIECE BY PIECE AND ASSEMBLED,
412
00:15:02,602 --> 00:15:23,456
{\an1}WHICH IS NO EASY FEAT.
413
00:15:23,456 --> 00:15:24,557
{\an1}>> ALL RIGHT.
414
00:15:24,557 --> 00:15:25,558
{\an1}>> WE ON?
415
00:15:25,558 --> 00:15:33,566
{\an1}>> YEAH, YOU'RE ON.
416
00:15:33,566 --> 00:15:39,005
{\an1}♪♪
417
00:15:39,005 --> 00:15:41,307
{\an1}>> SPACE IS A PRECIOUS COMMODITY
418
00:15:41,307 --> 00:15:42,942
{\an1}AND EVERY INCH COUNTS,
419
00:15:42,942 --> 00:15:44,744
{\an1}ESPECIALLY WHEN ALL THE PARTS
420
00:15:44,744 --> 00:15:48,714
{\an1}BECOME INTERCONNECTED.
421
00:15:48,714 --> 00:15:50,917
{\an1}DOWN AT GROUND LEVEL, THE CREW
422
00:15:50,917 --> 00:15:53,953
{\an1}BEGINS LANDSCAPING, INSTALLING
423
00:15:53,953 --> 00:15:58,324
{\an1}POOLS AND WATERFALLS, AND
424
00:15:58,324 --> 00:16:03,129
{\an1}TUNNELS ARE MADE FROM HOLLOWED
425
00:16:03,129 --> 00:16:04,297
{\an1}OUT LOGS.
426
00:16:04,297 --> 00:16:05,665
{\an1}IT'S AN ELABORATE PRODUCTION
427
00:16:05,665 --> 00:16:07,400
{\an1}THAT ALL HAPPENS IN JUST A
428
00:16:07,400 --> 00:16:08,534
{\an1}MATTER OF DAYS.
429
00:16:08,534 --> 00:16:10,837
{\an1}ONCE THE TRACKS ARE BUILT, MODEL
430
00:16:10,837 --> 00:16:13,306
{\an1}RAILROAD TECHNICIANS INSPECT THE
431
00:16:13,306 --> 00:16:15,708
{\an1}SYSTEM OF ELECTRIFIED RAILS,
432
00:16:15,708 --> 00:16:18,277
{\an1}WHICH POWER THE TRAINS VIA
433
00:16:18,277 --> 00:16:19,011
{\an1}DIRECT CURRENT.
434
00:16:19,011 --> 00:16:21,447
{\an1}THEY TWEAK THE CURVATURE OF THE
435
00:16:21,447 --> 00:16:22,248
{\an1}TRACKS.
436
00:16:22,248 --> 00:16:25,418
{\an1}>> OKAY.
437
00:16:25,418 --> 00:16:27,186
{\an1}>> AND CLEAR ANY OBSTRUCTIONS
438
00:16:27,186 --> 00:16:29,021
{\an1}THAT MAY LAY IN THE TRAIN'S
439
00:16:29,021 --> 00:16:29,589
{\an1}PATH.
440
00:16:29,589 --> 00:16:31,657
{\an1}>> GOING GOOD.
441
00:16:31,657 --> 00:16:32,258
{\an1}MUCH BETTER.
442
00:16:32,258 --> 00:16:34,360
{\an1}>> MEANWHILE, THE MODELS ARE
443
00:16:34,360 --> 00:16:37,296
{\an1}BROUGHT IN, ONE BY ONE.
444
00:16:37,296 --> 00:16:39,298
{\an1}AS THEY'RE LAID OUT, THEY'RE
445
00:16:39,298 --> 00:16:40,433
{\an1}INSPECTED FOR ANY DAMAGE FROM
446
00:16:40,433 --> 00:16:42,335
{\an1}LAST YEAR'S SHOW AND REPAIRS ARE
447
00:16:42,335 --> 00:16:49,342
{\an1}MADE ON THE SPOT.
448
00:16:49,342 --> 00:16:52,278
{\an1}SOME ARE NOT SO HEAVY, WHILE
449
00:16:52,278 --> 00:16:53,980
{\an1}OTHERS, LIKE THE MASSIVE MODEL
450
00:16:53,980 --> 00:16:57,984
{\an1}OF THE FLAGSHIP MACY'S STORE IN
451
00:16:57,984 --> 00:16:59,452
{\an1}HERALD'S SQUARE TAKES EIGHT
452
00:16:59,452 --> 00:17:00,786
{\an1}PEOPLE TO HANDLE.
453
00:17:00,786 --> 00:17:02,388
{\an1}>> IS IT ON?
454
00:17:02,388 --> 00:17:09,395
{\an1}>> SOME ARE PLACED IN SPECIFIC
455
00:17:09,395 --> 00:17:10,630
{\an1}LOCATIONS.
456
00:17:10,630 --> 00:17:12,131
{\an1}OR GROUPED TOGETHER, ACCORDING
457
00:17:12,131 --> 00:17:14,667
{\an1}TO A NEIGHBORHOOD THEME.
458
00:17:14,667 --> 00:17:17,470
{\an1}IT'S A COLOSSAL TEAM EFFORT FROM
459
00:17:17,470 --> 00:17:18,738
{\an1}START TO FINISH, WORKING
460
00:17:18,738 --> 00:17:20,806
{\an1}TOGETHER TO TRY TO TRANSFORM THE
461
00:17:20,806 --> 00:17:21,974
{\an1}CONSERVATORY INTO THE HOLIDAY
462
00:17:21,974 --> 00:17:27,079
{\an1}TRAIN SHOW AS WE KNOW IT.
463
00:17:27,079 --> 00:17:29,882
{\an1}ONCE THE MODELS ARE ALL IN PLACE
464
00:17:29,882 --> 00:17:32,485
{\an1}AND THE TRAINS ARE UP AND
465
00:17:32,485 --> 00:17:34,720
{\an1}RUNNING, THE CREW PUTS ON THE
466
00:17:34,720 --> 00:17:38,257
{\an1}FINISHING TOUCHES.
467
00:17:38,257 --> 00:17:41,494
{\an1}>> BY THE TIME WE GET DONE, IT'S
468
00:17:41,494 --> 00:17:41,827
{\an1}AMAZING.
469
00:17:41,827 --> 00:17:43,362
{\an1}WE'VE TAKEN MORE OR LESS AN
470
00:17:43,362 --> 00:17:45,064
{\an1}EMPTY ROOM AND TURNED IT INTO A
471
00:17:45,064 --> 00:17:45,798
{\an1}MENAGERIE.
472
00:17:45,798 --> 00:17:49,168
{\an1}>> JUST IN TIME TO KICK OFF THE
473
00:17:49,168 --> 00:17:50,569
{\an1}HOLIDAY SEASON, THE EXHIBITION
474
00:17:50,569 --> 00:17:54,407
{\an1}FINALLY OPENS ITS DOORS TO THE
475
00:17:54,407 --> 00:17:55,741
{\an1}PUBLIC.
476
00:17:55,741 --> 00:18:00,880
{\an1}>> FOR ME, THAT'S THE EXCITING
477
00:18:00,880 --> 00:18:01,347
{\an1}MOMENT.
478
00:18:01,347 --> 00:18:02,848
{\an1}IT'S JUST SO BEAUTIFUL, THAT
479
00:18:02,848 --> 00:18:04,183
{\an1}FIRST MOMENT WHEN THE DOORS
480
00:18:04,183 --> 00:18:04,483
{\an1}OPEN.
481
00:18:04,483 --> 00:18:08,254
{\an1}AND I'M SO PROUD OF IT.
482
00:18:08,254 --> 00:18:10,690
{\an1}>> YOU GET SUCH A SENSE OF
483
00:18:10,690 --> 00:18:11,157
{\an1}ACCOMPLISHMENT.
484
00:18:11,157 --> 00:18:15,861
{\an1}MY EYES GO OVER AND SAY, OH, I
485
00:18:15,861 --> 00:18:16,896
{\an1}DID THIS BUILDING.
486
00:18:16,896 --> 00:18:18,631
{\an1}OH, I DID THAT BUILDING.
487
00:18:18,631 --> 00:18:20,933
{\an1}IT'S JUST THE BEST TIME EVER.
488
00:18:20,933 --> 00:18:22,168
{\an1}>> FOR ALL THE BUZZ AND
489
00:18:22,168 --> 00:18:23,903
{\an1}EXCITEMENT THE SHOW CREATES, IT
490
00:18:23,903 --> 00:18:27,206
{\an1}ALSO PROVIDES A SPECIAL BONDING
491
00:18:27,206 --> 00:18:28,641
{\an1}EXPERIENCE.
492
00:18:28,641 --> 00:18:34,313
{\an1}>> IT'S A VERY GENTLE WAY FOR
493
00:18:34,313 --> 00:18:37,116
{\an1}FAMILIES TO HAVE A NICE
494
00:18:37,116 --> 00:18:37,650
{\an1}EXPERIENCE TOGETHER.
495
00:18:37,650 --> 00:18:39,318
{\an1}IT'S NOT ABOUT SHOPPING FOR THE
496
00:18:39,318 --> 00:18:41,721
{\an1}HOLIDAYS OR HIGH-TECH ANYTHING.
497
00:18:41,721 --> 00:18:43,356
{\an1}IT HAS TRANQUILITY ABOUT IT.
498
00:18:43,356 --> 00:18:45,458
{\an1}>> ANYTHING WE DO TOGETHER AS A
499
00:18:45,458 --> 00:18:46,459
{\an1}FAMILY IS EXTRA SPECIAL.
500
00:18:46,459 --> 00:18:48,327
{\an1}IT'S HARD TO FIND THE TIME THAT
501
00:18:48,327 --> 00:18:50,029
{\an1}WE ALL CAN DO SOMETHING
502
00:18:50,029 --> 00:18:50,863
{\an1}TOGETHER.
503
00:18:50,863 --> 00:18:53,432
{\an1}>> WONDER AND NEW AND
504
00:18:53,432 --> 00:18:53,966
{\an1}EXCITEMENT.
505
00:18:53,966 --> 00:18:55,968
{\an1}IT'S JUST SO MUCH FUN TO SEE IT
506
00:18:55,968 --> 00:18:57,436
{\an1}THROUGH HIS EYES AND SEE HIS
507
00:18:57,436 --> 00:18:58,137
{\an1}EXCITEMENT.
508
00:18:58,137 --> 00:19:00,940
{\an1}>> REGARDLESS OF WHETHER THEY
509
00:19:00,940 --> 00:19:03,075
{\an1}COME TO SEE THE BOTANICAL
510
00:19:03,075 --> 00:19:04,477
{\an1}ARCHITECTURE OR THE TRAINS,
511
00:19:04,477 --> 00:19:07,279
{\an1}VISITORS WALK AWAY WITH A
512
00:19:07,279 --> 00:19:08,147
{\an1}GREATER APPRECIATION FOR NEW
513
00:19:08,147 --> 00:19:08,447
{\an1}YORK.
514
00:19:08,447 --> 00:19:10,249
{\an1}>> I THINK THEY ALSO LEARN ABOUT
515
00:19:10,249 --> 00:19:11,817
{\an1}NEW YORK CITY, THESE PEOPLE.
516
00:19:11,817 --> 00:19:15,321
{\an1}THEY'RE REMINDED ABOUT OUR
517
00:19:15,321 --> 00:19:16,222
{\an1}CONSTELLATION, IMPORTANT
518
00:19:16,222 --> 00:19:17,857
{\an1}LANDMARKS HERE, WHICH IS VERY
519
00:19:17,857 --> 00:19:18,557
{\an1}WONDERFUL.
520
00:19:18,557 --> 00:19:22,028
{\an1}>> AND IN THAT CONSTELLATION OF
521
00:19:22,028 --> 00:19:25,297
{\an1}LANDMARKS, ONE SET OF BUILDINGS
522
00:19:25,297 --> 00:19:25,765
{\an1}SHINES BRIGHTLY.
523
00:19:25,765 --> 00:19:27,500
{\an1}>> THIS IS THE MANHATTAN SCENE
524
00:19:27,500 --> 00:19:29,101
{\an1}AND THE HOLIDAY TRAIN SHOW.
525
00:19:29,101 --> 00:19:31,003
{\an1}IT'S ONE OF THE FAVORITE SCENES
526
00:19:31,003 --> 00:19:32,438
{\an1}OF OUR VISITORS HERE WHEN THEY
527
00:19:32,438 --> 00:19:33,539
{\an1}COME TO SEE THE SHOW.
528
00:19:33,539 --> 00:19:35,641
{\an1}IT HAS ALL OF THEIR NEW YORK
529
00:19:35,641 --> 00:19:37,543
{\an1}CITY FAVORITE LANDMARKS,
530
00:19:37,543 --> 00:19:40,346
{\an1}INCLUDING THE GE BUILDING, ST.
531
00:19:40,346 --> 00:19:42,882
{\an1}PATRICK'S CATHEDRAL, THE GARDENS
532
00:19:42,882 --> 00:19:44,884
{\an1}AT ROCKEFELLER CENTER AND SOME
533
00:19:44,884 --> 00:19:47,019
{\an1}OF THE COOL PLANT PARTS INCLUDED
534
00:19:47,019 --> 00:19:52,925
{\an1}IN THIS DISPLAY ARE OKRA PODS,
535
00:19:52,925 --> 00:19:54,627
{\an1}USED AS THE DRESSES OF THE
536
00:19:54,627 --> 00:19:56,529
{\an1}ANGELS AT ROCKEFELLER CENTER.
537
00:19:56,529 --> 00:19:58,097
{\an1}CHECKING OUT THE SIGN AT RADIO
538
00:19:58,097 --> 00:19:59,732
{\an1}CITY, THOSE ARE MADE OUT OF
539
00:19:59,732 --> 00:20:00,733
{\an1}RADISH SEEDS.
540
00:20:00,733 --> 00:20:02,768
{\an1}ALL THOSE LITTLE RED DOTS ARE
541
00:20:02,768 --> 00:20:05,971
{\an1}RADISH SEEDS.
542
00:20:05,971 --> 00:20:07,206
{\an1}WHEN YOU TAKE A REALLY CLOSE
543
00:20:07,206 --> 00:20:07,940
{\an1}LOOK AT ST. PATRICK'S CATHEDRAL,
544
00:20:07,940 --> 00:20:11,177
{\an1}YOU CAN SEE A REAL ASSORTMENT OF
545
00:20:11,177 --> 00:20:12,211
{\an1}PLANT PARTS.
546
00:20:12,211 --> 00:20:14,480
{\an1}BECAUSE IT'S SUCH A DETAILED AND
547
00:20:14,480 --> 00:20:16,482
{\an1}ORNAMENTED BUILDING, YOU WOULD
548
00:20:16,482 --> 00:20:18,017
{\an1}NOTICE ALL THE DETAIL OF FAIRIES
549
00:20:18,017 --> 00:20:22,288
{\an1}AND PINE CONES AND PEA PODS AND
550
00:20:22,288 --> 00:20:23,055
{\an1}LEAVES.
551
00:20:23,055 --> 00:20:25,057
{\an1}SO PEOPLE REALLY LIKE TO GET A
552
00:20:25,057 --> 00:20:27,226
{\an1}CLOSE LOOK OF ALL THE DETAIL
553
00:20:27,226 --> 00:20:28,194
{\an1}THAT'S INCLUDED.
554
00:20:28,194 --> 00:20:29,962
{\an1}PEOPLE WILL SORT OF TAKE A GROUP
555
00:20:29,962 --> 00:20:31,764
{\an1}PICTURE RIGHT IN FRONT OF THIS
556
00:20:31,764 --> 00:20:32,164
{\an1}SCENE.
557
00:20:32,164 --> 00:20:34,033
{\an1}IT IS ONE OF THEIR FAVORITE
558
00:20:34,033 --> 00:20:36,235
{\an1}HOLIDAY LANDMARKS.
559
00:20:36,235 --> 00:20:40,406
{\an1}>> OTHER FAVORITES INCLUDE THE
560
00:20:40,406 --> 00:20:43,275
{\an1}APOLLO THEATER, THE WASHINGTON
561
00:20:43,275 --> 00:20:45,744
{\an1}SQUARE ARCH, AND THE LITTLE RED
562
00:20:45,744 --> 00:20:47,146
{\an1}LIGHTHOUSE UNDER THE GEORGE
563
00:20:47,146 --> 00:20:47,913
{\an1}WASHINGTON BRIDGE.
564
00:20:47,913 --> 00:20:51,784
{\an1}THE LIST GOES ON AND ON.
565
00:20:51,784 --> 00:20:52,651
{\an1}>> IT'S FUN.
566
00:20:52,651 --> 00:20:54,720
{\an1}IT'S FUN TO SEE PARENTS POINT
567
00:20:54,720 --> 00:20:56,856
{\an1}OUT BUILDINGS TO THE KIDS AND
568
00:20:56,856 --> 00:20:57,990
{\an1}THEY HAVE BEEN THERE OR THEY
569
00:20:57,990 --> 00:20:59,725
{\an1}RECOGNIZE THE LIONS IN FRONT OF
570
00:20:59,725 --> 00:21:01,760
{\an1}THE LIBRARY, OR THEY RECOGNIZE
571
00:21:01,760 --> 00:21:05,664
{\an1}THE MUSEUM OR THE PLANETARIUM.
572
00:21:05,664 --> 00:21:07,733
{\an1}>> THERE ARE ALSO MODELS OF
573
00:21:07,733 --> 00:21:10,002
{\an1}BUILDINGS THAT HAVE LONG SINCE
574
00:21:10,002 --> 00:21:13,539
{\an1}BEEN DEMOLISHED, OFFERING
575
00:21:13,539 --> 00:21:16,308
{\an1}VISITORS A UNIQUE GLIMPSE INTO
576
00:21:16,308 --> 00:21:20,146
{\an1}THE CITY'S PAST, BUILT IN THE
577
00:21:20,146 --> 00:21:24,717
{\an1}EARLY 1880s WITH GILDED DETAILS
578
00:21:24,717 --> 00:21:31,557
{\an1}AND ORNATE INTERIOR, IT WAS
579
00:21:31,557 --> 00:21:32,291
{\an1}UNLIKE ANYTHING NEW YORKERS HAD
580
00:21:32,291 --> 00:21:32,925
{\an1}EVER SEEN.
581
00:21:32,925 --> 00:21:34,727
{\an1}IT CAPTURES THE ESSENCE OF THE
582
00:21:34,727 --> 00:21:40,966
{\an1}ORIGINAL WITH CINNAMON AND
583
00:21:40,966 --> 00:21:41,667
{\an1}BEECHWOOD TRIM.
584
00:21:41,667 --> 00:21:43,602
{\an1}AND THERE'S THE ORIGINAL YANKEE
585
00:21:43,602 --> 00:21:45,070
{\an1}STADIUM, THE HOUSE THAT RUTH
586
00:21:45,070 --> 00:21:45,538
{\an1}BUILT.
587
00:21:45,538 --> 00:21:48,107
{\an1}>> THIS IS YANKEE STADIUM THAT
588
00:21:48,107 --> 00:21:49,575
{\an1}WAS BUILT IN 1923.
589
00:21:49,575 --> 00:21:51,777
{\an1}IT WAS THE ONE THAT WAS
590
00:21:51,777 --> 00:21:52,645
{\an1}DEMOLISHED IN 2010.
591
00:21:52,645 --> 00:21:54,180
{\an1}IT IS DEFINITELY A CROWD
592
00:21:54,180 --> 00:21:55,848
{\an1}FAVORITE HERE AT OUR HOLIDAY
593
00:21:55,848 --> 00:21:56,515
{\an1}TRAIN SHOW.
594
00:21:56,515 --> 00:21:58,050
{\an1}THERE'S A LOT OF DETAIL IN HERE
595
00:21:58,050 --> 00:22:00,986
{\an1}WITH THE FLAGS AND THE LIGHTING.
596
00:22:00,986 --> 00:22:02,821
{\an1}EACH OF THE LIGHT FIXTURES IS
597
00:22:02,821 --> 00:22:05,024
{\an1}MADE OUT OF THE CAP OF AN ACORN.
598
00:22:05,024 --> 00:22:07,893
{\an1}AND YOU CAN SEE ALL THE SIGNAGE
599
00:22:07,893 --> 00:22:15,034
{\an1}INCLUDED INSIDE, AND THE CROWD.
600
00:22:15,034 --> 00:22:18,904
{\an1}>> AND THEN THERE'S THE MASSIVE
601
00:22:18,904 --> 00:22:20,573
{\an1}20-SQUARE-FOOT REPLICA OF THE
602
00:22:20,573 --> 00:22:22,741
{\an1}ORIGINAL PENN STATION, A 20th
603
00:22:22,741 --> 00:22:25,978
{\an1}CENTURY MASTERPIECE OF THE
604
00:22:25,978 --> 00:22:27,947
{\an1}BOZART STYLE AND ONE OF THE LOST
605
00:22:27,947 --> 00:22:29,548
{\an1}ARCHITECTURAL JEWELS OF NEW YORK
606
00:22:29,548 --> 00:22:29,982
{\an1}CITY.
607
00:22:29,982 --> 00:22:32,484
{\an1}>> IT WAS BUILT IN 1910, BUT
608
00:22:32,484 --> 00:22:33,886
{\an1}DEMOLISHED IN 1964.
609
00:22:33,886 --> 00:22:35,421
{\an1}WHEN MOST PEOPLE COME UPON THIS,
610
00:22:35,421 --> 00:22:36,455
{\an1}THEY ARE STRUCK BY THE BEAUTY OF
611
00:22:36,455 --> 00:22:38,023
{\an1}THIS MODEL AND THEY STOP TO READ
612
00:22:38,023 --> 00:22:39,391
{\an1}THE LABEL AND THEY REALIZE IT'S
613
00:22:39,391 --> 00:22:42,161
{\an1}NOT THE PENN STATION THAT THEY
614
00:22:42,161 --> 00:22:44,263
{\an1}KNOW, THAT THIS WAS THE REAL
615
00:22:44,263 --> 00:22:48,100
{\an1}DEAL BEFORE IT WAS DEMOLISHED.
616
00:22:48,100 --> 00:22:48,801
{\an1}>> THE MODEL FEATURES OVER 100
617
00:22:48,801 --> 00:22:51,370
{\an1}COLUMNS MADE OF HONEYSUCKLE
618
00:22:51,370 --> 00:22:51,737
{\an1}BRANCHES.
619
00:22:51,737 --> 00:22:54,573
{\an1}MINIATURE CLOCKS ARE MADE FROM
620
00:22:54,573 --> 00:22:56,675
{\an1}BIRCH BARK AND SEEDS AND ARE
621
00:22:56,675 --> 00:23:04,717
{\an1}FLANKED WITH EAGLES, REMINDING
622
00:23:04,717 --> 00:23:06,852
{\an1}US OF THE NEW YORK THAT ONCE
623
00:23:06,852 --> 00:23:07,219
{\an1}WAS.
624
00:23:07,219 --> 00:23:09,955
{\an1}THERE'S ONE REPLICA THAT PAUL
625
00:23:09,955 --> 00:23:11,423
{\an1}BUSSE HAS MADE THAT IS A
626
00:23:11,423 --> 00:23:12,691
{\an1}PARTICULAR FAVORITE OF THE
627
00:23:12,691 --> 00:23:13,325
{\an1}GARDEN'S PRESIDENT.
628
00:23:13,325 --> 00:23:16,528
{\an1}>> I GUESS MY FAVORITE MODEL IS
629
00:23:16,528 --> 00:23:18,163
{\an1}THE MODEL OF THE CONSERVATORY.
630
00:23:18,163 --> 00:23:20,065
{\an1}ONE YEAR, HE SURPRISED US.
631
00:23:20,065 --> 00:23:20,966
{\an1}I DON'T THINK WE KNEW HE WAS
632
00:23:20,966 --> 00:23:21,734
{\an1}GOING TO DO IT.
633
00:23:21,734 --> 00:23:23,736
{\an1}HE JUST ARRIVED TO SET UP SHOW
634
00:23:23,736 --> 00:23:26,071
{\an1}AND HAD AN IMMENSE MODEL OF THE
635
00:23:26,071 --> 00:23:26,605
{\an1}CONSERVATORY ITSELF.
636
00:23:26,605 --> 00:23:28,474
{\an1}>> THE DELICATE MODEL WAS
637
00:23:28,474 --> 00:23:32,211
{\an1}CONSTRUCTED USING REEDS AS THE
638
00:23:32,211 --> 00:23:34,246
{\an1}BUILDING'S FRAME AND RESIN AS
639
00:23:34,246 --> 00:23:35,481
{\an1}THE GLASS.
640
00:23:35,481 --> 00:23:38,851
{\an1}>> IT WAS A PLEASANT SURPRISE.
641
00:23:38,851 --> 00:23:40,219
{\an1}IT WAS A BRILLIANT THING.
642
00:23:40,219 --> 00:23:43,289
{\an1}>> EACH MODEL HOLDS SENTIMENTAL
643
00:23:43,289 --> 00:23:44,757
{\an1}VALUE IN DIFFERENT WAYS AND
644
00:23:44,757 --> 00:23:51,196
{\an1}EVERYONE HAS THEIR OWN PERSONAL
645
00:23:51,196 --> 00:23:53,098
{\an1}FAVORITE.
646
00:23:53,098 --> 00:23:59,238
{\an1}THE SHEER ARTISTRY OF THE
647
00:23:59,238 --> 00:24:01,940
{\an1}BUILDINGS COMBINED WITH THE
648
00:24:01,940 --> 00:24:07,046
{\an1}SWIRL OF THE TRAINS AND THE JOY
649
00:24:07,046 --> 00:24:09,148
{\an1}OF THE HOLIDAY SEASON ARE WHAT
650
00:24:09,148 --> 00:24:11,116
{\an1}MAKE THIS ANNUAL TRADITION ONE
651
00:24:11,116 --> 00:24:13,252
{\an1}OF THE GREATEST TRAIN SHOWS IN
652
00:24:13,252 --> 00:24:14,019
{\an1}THE COUNTRY.
653
00:24:14,019 --> 00:24:16,288
{\an1}>> IT CAN ONLY HAPPEN IN NEW
654
00:24:16,288 --> 00:24:18,123
{\an1}YORK, IN THE WAY THAT IT
655
00:24:18,123 --> 00:24:18,457
{\an1}HAPPENS.
656
00:24:18,457 --> 00:24:20,426
{\an1}IT CAN ONLY HAPPEN IN THE HAUPT
657
00:24:20,426 --> 00:24:21,493
{\an1}CONSERVATORY.
658
00:24:21,493 --> 00:24:25,731
{\an1}>> A PLACE WHERE FAMILY MEMORIES
659
00:24:25,731 --> 00:24:27,833
{\an1}ARE MADE AND THE MAGIC OF THE
660
00:24:27,833 --> 00:24:29,101
{\an1}HOLIDAYS TRULY COMES ALIVE.
661
00:24:29,101 --> 00:24:31,036
{\an1}>> I THINK BACK TO WHEN I WAS A
662
00:24:31,036 --> 00:24:34,640
{\an1}LITTLE KID AND I WAS ALWAYS
663
00:24:34,640 --> 00:24:35,674
{\an1}INSPIRED BY THOSE EXPERIENCES
664
00:24:35,674 --> 00:24:37,409
{\an1}AND REMEMBER THEM TO THIS DAY.
665
00:24:37,409 --> 00:24:39,345
{\an1}AND I WOULD LOVE IF THAT
666
00:24:39,345 --> 00:24:40,946
{\an1}HAPPENED TO SOMEBODY ELSE.
667
00:24:40,946 --> 00:24:43,382
{\an1}>> AND IT'S ALL PLEASURE.
668
00:24:43,382 --> 00:24:44,516
{\an1}IT'S ABOUT THE TRAINS.
669
00:24:44,516 --> 00:24:46,285
{\an1}IT'S ABOUT THE HOLIDAYS.
670
00:24:46,285 --> 00:24:47,419
{\an1}IT'S ABOUT FAMILY OUTING.
671
00:24:47,419 --> 00:24:51,724
{\an1}IT'S ABOUT THOSE HISTORIC
672
00:24:51,724 --> 00:25:02,167
{\an1}BUILDINGS.
673
00:25:02,167 --> 00:25:03,902
{\an1}IT'S A WONDERFUL NEW YORK
674
00:25:03,902 --> 00:25:04,370
{\an1}TRADITION.
675
00:25:04,370 --> 00:25:06,338
{\an1}I HOPE WE'LL ALWAYS HAVE IT.
676
00:25:06,338 --> 00:25:08,574
{\an1}I THINK IT'S BEEN A GREAT THING.
677
00:25:08,574 --> 00:25:10,075
{\an1}>> WHAT I LOVE MOST ABOUT THE
678
00:25:10,075 --> 00:25:11,410
{\an1}HOLIDAY TRAIN SHOW HERE AT THE
679
00:25:11,410 --> 00:25:13,078
{\an1}NEW YORK BOTANICAL GARDEN IS
680
00:25:13,078 --> 00:25:14,847
{\an1}THAT THERE REALLY IS SOMETHING
681
00:25:14,847 --> 00:25:16,382
{\an1}FOR EVERYONE.
682
00:25:16,382 --> 00:25:18,350
{\an1}EACH YEAR, IT GIVES VISITORS A
683
00:25:18,350 --> 00:25:20,986
{\an1}BREAK FROM THE EVERYDAY PACE,
684
00:25:20,986 --> 00:25:22,654
{\an1}IMMERSING THEM INTO THE JOYOUS
685
00:25:22,654 --> 00:25:24,790
{\an1}WORLD OF FANTASY AND SPARKS YOUR
686
00:25:24,790 --> 00:25:26,592
{\an1}IMAGINATION IN A WAY THAT MODERN
687
00:25:26,592 --> 00:25:28,694
{\an1}TECHNOLOGY JUST CAN'T.
688
00:25:28,694 --> 00:25:29,661
{\an1}MOST IMPORTANTLY, YOU CAN SHARE
689
00:25:29,661 --> 00:25:30,763
{\an1}THIS EXPERIENCE TOGETHER, WITH
690
00:25:30,763 --> 00:25:31,630
{\an1}FRIENDS AND FAMILY.
691
00:25:31,630 --> 00:25:36,368
{\an1}DID YOU LIKE IT?
692
00:25:36,368 --> 00:25:42,441
{\an1}[ ALL: YEAH ]
693
00:25:42,441 --> 00:25:48,981
{\an1}>> I HOPE YOU ENJOYED OUR
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00:25:48,981 --> 00:25:53,352
{\an1}SPECIAL, TREASURES OF NEW YORK:
695
00:25:53,352 --> 00:25:56,622
{\an1}HOLIDAY TRAIN SHOW.
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00:25:56,622 --> 00:26:00,359
{\an1}>>> THIS WAS MADE POSSIBLE BY
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00:26:00,359 --> 00:26:05,397
{\an1}ROBERT AND VICTORIA ZOELLNER AND
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00:26:05,397 --> 00:26:05,397
{\an1}ROSALIND P. WALTER.
49513
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