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1
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Tina! Tina! Tina! Tina!
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Well, hey, everybody!
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00:00:28,170 --> 00:00:31,199
Come on, give it to me.
I said hi, everybody!
4
00:00:33,191 --> 00:00:35,250
Let me hear you say, ""
5
00:01:55,170 --> 00:01:57,129
I wondered sometimes
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if anyone has approached you
to do the story of your life,
7
00:02:01,141 --> 00:02:03,090
which is indeed fantastic.
8
00:02:03,111 --> 00:02:04,191
Yes.
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00:02:04,209 --> 00:02:06,191
But I don't want to play
the part.
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00:02:06,209 --> 00:02:08,050
I've done it.
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00:02:08,070 --> 00:02:10,050
Who else could
play the part of Tina Turner?
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00:02:10,070 --> 00:02:12,219
We'll find someone.
13
00:02:12,240 --> 00:02:16,030
I just really don't want to play
the part, you know what I mean?
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00:02:16,050 --> 00:02:17,110
No, you don't know what I mean
15
00:02:17,131 --> 00:02:19,060
'cause you'd have to know me
to know.
16
00:02:19,080 --> 00:02:22,159
It was just so unlike me,
my life,
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00:02:22,180 --> 00:02:25,040
that I don't want anyone
to know about it, I mean...
18
00:02:25,060 --> 00:02:27,110
You mean
it'd be too painful or too--
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00:02:27,131 --> 00:02:30,021
It wasn't a--
It wasn't--
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00:02:30,040 --> 00:02:31,110
It wasn't a good life.
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00:02:31,131 --> 00:02:32,210
It was in some areas,
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00:02:32,230 --> 00:02:34,230
but the goodness did not balance
the bad.
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00:02:34,250 --> 00:02:37,210
So it's like not-- not wanting
to be reminded.
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00:02:37,230 --> 00:02:39,140
You don't like to pull out
old clothes, you know?
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00:02:39,159 --> 00:02:41,120
It's like old memories,
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00:02:41,140 --> 00:02:43,140
you wanna just leave that
in the past and done with,
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00:02:43,159 --> 00:02:45,099
and a lot of things
you don't really wanna say,
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00:02:45,120 --> 00:02:48,030
but there comes a time
when you do have to say it.
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This is interview one, take one.
30
00:03:17,170 --> 00:03:19,200
In 1981,
you did this interview
31
00:03:19,219 --> 00:03:23,040
with People magazine where,
for the first time, really,
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00:03:23,060 --> 00:03:25,219
you spoke openly
about your past with Ike.
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00:03:25,240 --> 00:03:27,030
Yeah.
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00:03:27,050 --> 00:03:28,191
And I'm curious
if you can remember at all
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any of the thoughts
you had around the decision
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00:03:32,150 --> 00:03:35,219
-to be public about that?
-About my past?
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About your past,
but also, I guess,
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-about the abuse specifically.
-Yeah. Yeah, that was quite...
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nerve-racking.
Actually, I called my psychic
40
00:03:44,180 --> 00:03:47,050
and I said,
"What's gonna happen?"
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00:03:47,070 --> 00:03:52,021
'Cause I was really apprehensive
about giving the story away,
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because it was telling,
it was really telling.
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And she said, "No, Tina,
44
00:03:58,210 --> 00:04:01,060
it's going to do
just the opposite.
45
00:04:01,080 --> 00:04:03,159
It's gonna break everything
wide open."
46
00:04:03,180 --> 00:04:05,100
In the early eighties,
47
00:04:05,120 --> 00:04:08,219
being in People magazine was
the equivalent of going viral.
48
00:04:08,240 --> 00:04:11,050
We had 30 million readers,
49
00:04:11,070 --> 00:04:14,060
and if somebody wanted to reach
a lot of people,
50
00:04:14,080 --> 00:04:19,021
there was really no bigger place
to go than People magazine.
51
00:04:19,040 --> 00:04:22,209
I was the music editor of
People magazine for many years,
52
00:04:22,230 --> 00:04:27,170
and this is
the December 7th, 1981 issue,
53
00:04:27,190 --> 00:04:31,029
when Tina decided
to tell her story.
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00:04:31,050 --> 00:04:33,100
And it was the first time
she'd told the story
55
00:04:33,120 --> 00:04:34,230
in public to a journalist.
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00:04:35,191 --> 00:04:37,250
So, um, this is the story.
57
00:04:38,029 --> 00:04:41,060
I reported it and wrote it
for People magazine.
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00:04:43,110 --> 00:04:47,050
This is,
the picture of Tina.
59
00:04:53,130 --> 00:04:56,209
"Tina Turner remains
rock's original Jagger,
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00:04:56,230 --> 00:05:00,029
a primitive force who,
glittering in sequins
61
00:05:00,050 --> 00:05:01,250
and a gold chain miniskirt,
62
00:05:02,029 --> 00:05:05,130
typically assaults the stage
in mid-scream
63
00:05:05,149 --> 00:05:08,130
with both legs pumping,
hips grinding,
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00:05:08,149 --> 00:05:11,250
long mane whirling,
and her mouth wrapped around
65
00:05:12,029 --> 00:05:15,060
some of the sexiest sounds
ever set to music.
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00:05:15,081 --> 00:05:19,029
More than five years have passed
since Tina's bitter break
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00:05:19,050 --> 00:05:22,240
with Ike Turner,
her long-time husband, sideman,
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00:05:23,021 --> 00:05:25,141
and music collaborator
on such classics
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00:05:25,160 --> 00:05:28,220
as 'Proud Mary'
and 'Come Together.'
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00:05:28,240 --> 00:05:31,230
Only now is Tina able to discuss
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00:05:31,250 --> 00:05:34,240
what she claims
were the harrowing events
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00:05:35,021 --> 00:05:36,201
leading up to their split."
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I lived 16 years with a man
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00:05:40,220 --> 00:05:43,201
that I knew there was no way
I could ever be happy with,
75
00:05:43,220 --> 00:05:46,100
but I felt that
I had to stay there.
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00:05:47,220 --> 00:05:49,201
You have to believe me,
now, when I tell you something.
77
00:05:49,220 --> 00:05:52,149
My ex-husband
was a physically violent man.
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00:05:52,170 --> 00:05:54,220
I went through basic torture.
79
00:05:54,240 --> 00:05:57,149
Torture? You would
say-- you would call it torture?
80
00:05:57,170 --> 00:05:59,149
I-- To me it was.
81
00:05:59,170 --> 00:06:01,250
A lot of people don't know,
and your magazine
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00:06:02,029 --> 00:06:05,130
will probably be the first
to make it publicly known.
83
00:06:06,089 --> 00:06:08,209
I was living a life of death.
84
00:06:09,130 --> 00:06:11,141
I didn't exist.
85
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But I survived it.
86
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And when I walked out,
I walked.
87
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And I didn't look back.
88
00:06:20,029 --> 00:06:23,040
People choose
to tell their story
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for lots of different reasons.
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00:06:25,029 --> 00:06:26,160
I think she told me so much
91
00:06:26,180 --> 00:06:28,209
because she wanted
to just tell it
92
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and then forget it.
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It didn't quite
work out that way
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00:06:32,130 --> 00:06:37,040
because now that story
is a great mark of her life.
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Ladies and gentlemen,
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you've seen them live
from coast to coast.
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Now you're about to see them
all together
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00:06:51,170 --> 00:06:54,100
for the very first time
on national television.
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00:06:54,120 --> 00:06:57,081
Hollywood A Go-Go presents
the fantastic
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00:06:57,100 --> 00:07:00,160
Ike and Tina Turner Revue!
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00:07:30,190 --> 00:07:33,130
When I was
a teenager back in the sixties,
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I knew of their record
that they had out,
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but I had never seen them.
And then they came on TV,
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and I saw her dancing.
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And that's all I could look at.
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I was just so amazed
at this woman!
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00:07:55,021 --> 00:07:57,090
I remember
standing there watching her
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and saying,
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"Whatever that is,
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I want some of that."
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00:08:02,240 --> 00:08:04,100
I got the spirit.
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It's no different
than being in a church
113
00:08:07,230 --> 00:08:10,220
where you are moved
and stirred to the point
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00:08:10,240 --> 00:08:12,180
where you could feel it
inside yourself.
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00:08:41,059 --> 00:08:44,190
Back then,
you had the whole Motown Revue,
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00:08:44,211 --> 00:08:47,130
you had Diana Ross,
Mary Wells,
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00:08:47,149 --> 00:08:50,080
the Temptations
in these Italian suits,
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and were putting forth
an image of sophistication.
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00:08:53,211 --> 00:08:55,070
And they were all...
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00:08:56,130 --> 00:08:59,169
...that kind of stuff,
and Tina was more, "yeah!"
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That kind of stuff,
it's wild, it's your sensuality,
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00:09:03,211 --> 00:09:05,179
your sexuality,
and it's in your face.
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00:09:10,059 --> 00:09:11,169
Did you ever study dancing?
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00:09:11,190 --> 00:09:12,211
- No.
- No?
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00:09:12,230 --> 00:09:15,020
And what about-- what about
music, singing?
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No, no music at all.
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00:09:16,110 --> 00:09:18,029
Everything is just natural
for me.
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00:09:18,049 --> 00:09:19,110
I'm a performer.
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00:09:19,130 --> 00:09:23,080
And I sing and Ike does the,
the managing and producing.
130
00:09:24,250 --> 00:09:28,159
It was Ike's band,
but he knew
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00:09:28,179 --> 00:09:32,091
that in order to--
to be a number one,
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00:09:32,110 --> 00:09:36,059
he needed Tina, 'cause Tina
was the shining star.
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00:12:20,230 --> 00:12:23,120
He was like her hero,
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00:12:23,140 --> 00:12:25,059
like a big brother.
135
00:12:25,080 --> 00:12:27,230
And he seen her
like a little sister.
136
00:12:27,250 --> 00:12:30,169
That relationship
was very beautiful,
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00:12:30,190 --> 00:12:32,029
it really was.
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00:12:50,039 --> 00:12:51,179
I wasn't thinking of...
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00:12:51,200 --> 00:12:54,130
"I'll go to St. Louis,
and I'll start singing,
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00:12:54,149 --> 00:12:56,070
and I'll be a star."
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00:12:57,029 --> 00:13:00,120
I was young, naive,
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00:13:00,140 --> 00:13:02,091
just a country girl,
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00:13:02,110 --> 00:13:06,250
and everything
just opened up to me.
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00:13:14,110 --> 00:13:16,149
Tina,
you started your musical career
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in a church choir
in your hometown.
146
00:13:18,149 --> 00:13:21,190
Do you consider your musical
roots to be Black gospel?
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00:13:21,211 --> 00:13:25,250
Yes, certainly.
Black gospel, blues,
148
00:13:26,029 --> 00:13:28,250
BB King's music
was our radio during that time.
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00:13:29,029 --> 00:13:30,159
What kind of songs
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00:13:30,179 --> 00:13:32,240
were you singing as a member
of the church choir?
151
00:13:33,020 --> 00:13:38,059
Well, we called them--
Well, it was a Baptist church,
152
00:13:38,080 --> 00:13:41,070
and they were just
spiritual songs, um...
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00:13:41,091 --> 00:13:46,020
songs about, you know,
love, and, um, giving,
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00:13:46,039 --> 00:13:48,029
and, and...
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00:13:48,049 --> 00:13:51,179
doing all of the right things
that make life good.
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00:13:53,020 --> 00:13:54,100
Those were good times, you know,
157
00:13:54,120 --> 00:13:57,190
to remember all of the church
singing and the choir and all.
158
00:14:02,149 --> 00:14:05,091
When you're in the South,
there's nothing... happened
159
00:14:05,110 --> 00:14:08,049
except the church, the piano,
the preacher.
160
00:14:08,070 --> 00:14:11,149
During that time, I didn't know
about anywhere else,
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00:14:11,169 --> 00:14:15,240
so seeing Lucille Ball
and Loretta Young,
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00:14:16,020 --> 00:14:18,149
all the beautiful ladies
of Hollywood,
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00:14:18,169 --> 00:14:24,059
they were a role model
for a performer.
164
00:14:24,080 --> 00:14:27,190
But I didn't think that
I would actually achieve that,
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00:14:27,211 --> 00:14:29,190
because, first, I wasn't pretty,
166
00:14:29,211 --> 00:14:32,169
and I didn't have the clothes,
I didn't have the means.
167
00:14:35,100 --> 00:14:38,100
I remember the first
Vogue magazine that I saw,
168
00:14:38,120 --> 00:14:42,169
and I remember my first
French poster of Champs-Élysées,
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00:14:42,190 --> 00:14:47,091
the Eiffel Tower, and the--
the very-- very French woman.
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00:14:47,110 --> 00:14:49,091
I was like, "
that's what I want!
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00:14:49,110 --> 00:14:52,020
The world.
That's where I wanna go."
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00:14:57,049 --> 00:14:59,070
I got the impression
from her, she always felt
173
00:14:59,091 --> 00:15:02,240
a little bit of out of time
or a little bit out of place.
174
00:15:03,020 --> 00:15:05,240
I didn't think she ever felt
like people understood her
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or really liked her
for who she was.
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00:15:08,130 --> 00:15:10,091
And the talent she had,
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she finally learned
that she had,
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can win you a lot of people
who will recognize who you are
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00:15:14,211 --> 00:15:17,179
and will become
like your-- your real family,
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00:15:18,070 --> 00:15:19,110
or try to.
181
00:15:20,159 --> 00:15:22,211
Ike,
first of all, if we can--
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00:15:22,230 --> 00:15:25,059
if we can kinda go back
a long way
183
00:15:25,080 --> 00:15:26,159
to when you were a young man,
184
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a lot of people credit you
with doing
185
00:15:28,250 --> 00:15:31,179
the first ever rock and roll
record, "Rocket 88."
186
00:15:31,200 --> 00:15:33,179
- Yeah, that was in 1951.
- Yeah.
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00:15:33,200 --> 00:15:35,240
How did-- how did
that thing happen?
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00:15:36,020 --> 00:15:38,120
Well...
I lived in Clarksdale,
Mississippi,
189
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which is actually 61 miles
from Memphis,
190
00:15:41,110 --> 00:15:45,020
and BB King, my mother,
she practically raised him,
you know?
191
00:15:45,039 --> 00:15:48,049
And, um, one night,
we was coming from
Chambers, Mississippi, playing,
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00:15:48,070 --> 00:15:49,130
and, BB,
I asked him, I said,
193
00:15:49,149 --> 00:15:51,169
"Man, can we play a song?"
And he said-- he said, "Yeah."
194
00:15:51,190 --> 00:15:53,240
So he let my band
play one number, so anyway,
195
00:15:54,020 --> 00:15:56,020
he said, "Man, you guys
should be recording."
196
00:15:56,039 --> 00:15:58,080
And, man, we didn't have
any material, so on the way up,
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00:15:58,100 --> 00:16:01,020
we decided to write this song,
and that's when I wrote
the song "Rocket 88."
198
00:16:20,211 --> 00:16:23,059
Ike Turner
is a very important part
199
00:16:23,080 --> 00:16:25,091
of R&B history.
Everybody relied on him
200
00:16:25,110 --> 00:16:28,179
'cause he really knew music,
and he scored a real hit record
201
00:16:28,200 --> 00:16:31,190
with a song in 1951
called "Rocket 88."
202
00:16:31,211 --> 00:16:34,039
People say it's
the first rock and roll record.
203
00:16:34,059 --> 00:16:36,070
And when it comes out,
Chess has credited it
204
00:16:36,091 --> 00:16:38,159
to Jackie Brenston
and his Delta Cats.
205
00:16:38,179 --> 00:16:40,140
Ike Turner did that song,
you know.
206
00:16:40,159 --> 00:16:42,029
He made everything
about it happen,
207
00:16:42,049 --> 00:16:44,120
and it's credited
to one of his saxophone players.
208
00:16:44,140 --> 00:16:46,159
Imagine how he feels about this?
209
00:16:46,179 --> 00:16:48,211
And I think that's the story
of his career.
210
00:16:48,230 --> 00:16:50,140
I think he became paranoid
about that,
211
00:16:50,159 --> 00:16:53,039
he said, "People are always
trying to rip me off."
212
00:16:53,059 --> 00:16:55,179
He was always obsessed on it.
213
00:16:55,200 --> 00:16:58,250
"Everybody leaves me.
I make 'em, you know, popular
214
00:16:59,029 --> 00:17:01,159
and get a hit record
and everything for them,
215
00:17:01,179 --> 00:17:02,190
and they all leave me."
216
00:17:05,230 --> 00:17:07,130
Ike had a problem
217
00:17:07,151 --> 00:17:09,119
of writing songs for people
218
00:17:09,140 --> 00:17:11,020
and they would leave,
219
00:17:11,039 --> 00:17:13,119
and I promised him
that I wouldn't leave him.
220
00:17:15,109 --> 00:17:17,151
In those days,
a promise is a promise.
221
00:17:27,029 --> 00:17:28,039
Bullock.
222
00:18:14,221 --> 00:18:16,039
I finished school,
223
00:18:16,059 --> 00:18:19,059
and I went to a recording studio
and I did a demo,
224
00:18:19,079 --> 00:18:21,049
and that's when
the hit record came.
225
00:18:36,211 --> 00:18:38,130
Ike came in
and he said, you know,
226
00:18:38,151 --> 00:18:40,079
"The people in New York
are very excited.
227
00:18:40,099 --> 00:18:42,171
We got a hit record."
He was very excited, you know.
228
00:18:42,191 --> 00:18:45,020
And then there was a contract
started coming in.
229
00:18:48,089 --> 00:18:51,069
I was very ignorant
to show business.
230
00:18:51,089 --> 00:18:53,181
I didn't have any idea
what it was about.
231
00:18:56,181 --> 00:18:58,119
She really was young.
232
00:19:00,020 --> 00:19:04,181
She never had no ambition
to be some kind of superstar,
233
00:19:04,201 --> 00:19:08,020
but she-- when she sang,
she just-- she just had it.
234
00:19:09,191 --> 00:19:12,020
And Ike exploited it.
235
00:19:12,039 --> 00:19:15,020
He had to make sure
he was gonna get his this time,
236
00:19:15,039 --> 00:19:17,161
so he makes sure
that his name is on it.
237
00:19:17,181 --> 00:19:19,181
And that's when he put
the whole show together,
238
00:19:19,201 --> 00:19:20,250
the Ike and Tina Turner Revue,
239
00:19:21,029 --> 00:19:23,059
and gave her
the name Tina Turner.
240
00:19:34,181 --> 00:19:38,039
Sheena, Queen of
the Jungle, it was a TV series.
241
00:19:38,059 --> 00:19:40,211
"Tina" and "Sheena," I guess
it just sounded close to him,
242
00:19:40,230 --> 00:19:43,230
and it sounded good,
"Ike and Tina Revue,"
243
00:19:43,250 --> 00:19:45,230
as a whole entity.
244
00:19:45,250 --> 00:19:47,240
So he changed it,
didn't even ask her,
245
00:19:48,020 --> 00:19:49,201
she didn't know anything
about it.
246
00:19:57,191 --> 00:20:00,029
Tina was the gold mine,
he knew that.
247
00:20:02,069 --> 00:20:04,171
He created
this Frankenstein thing,
248
00:20:04,191 --> 00:20:07,099
and he had to control her.
249
00:20:07,119 --> 00:20:11,029
So he had to change that thing
from, "being my little sister,
250
00:20:11,049 --> 00:20:13,119
no, no,
you've gotta be my wife now."
251
00:20:13,140 --> 00:20:14,171
Boom.
252
00:22:05,059 --> 00:22:07,181
You'd never know
from one minute to the next,
253
00:22:07,201 --> 00:22:09,029
Ike could be having a good time,
254
00:22:09,049 --> 00:22:10,181
and everybody was having
a good time,
255
00:22:10,201 --> 00:22:12,161
and it could just flip
in a second.
256
00:22:12,181 --> 00:22:15,020
And I think, with-- with women,
I think, you know,
257
00:22:15,039 --> 00:22:17,171
he figured
he had the upper hand.
258
00:22:17,191 --> 00:22:20,211
And especially like with Tina,
you know, that was like...
259
00:22:22,059 --> 00:22:25,039
I think him instilling in her,
260
00:22:25,059 --> 00:22:26,201
"You'd better be good,
or, you know,
261
00:22:26,221 --> 00:22:28,250
I'm gonna beat the shit
out of you."
262
00:22:29,029 --> 00:22:31,250
And did on many occasions,
you know, I mean,
263
00:22:32,029 --> 00:22:35,171
and for no reason,
a lot of times, it was just...
264
00:22:36,250 --> 00:22:38,059
I really don't know.
265
00:22:38,079 --> 00:22:40,109
I don't think he knows
a lot of the time.
266
00:22:44,201 --> 00:22:47,029
I felt obligated to stay there,
267
00:22:47,049 --> 00:22:48,151
and I was afraid.
268
00:22:48,171 --> 00:22:50,069
And I stayed.
That was just how it was.
269
00:22:50,089 --> 00:22:52,230
I felt very loyal to Ike,
and I didn't wanna hurt him.
270
00:22:52,250 --> 00:22:55,020
I mean, sometimes, like,
after he'd beat me up,
271
00:22:55,039 --> 00:22:56,140
I'd end up feeling sorry
for him,
272
00:22:56,161 --> 00:22:57,161
and why am I feeling sorry?
273
00:22:57,181 --> 00:22:59,049
I'm sitting here
all bruised and torn,
274
00:22:59,069 --> 00:23:01,039
and then all of a sudden
I'm feeling sorry for him,
275
00:23:01,059 --> 00:23:03,171
you know?
Little things like that.
276
00:23:03,191 --> 00:23:05,151
I was 23 years old or something,
you know,
277
00:23:05,171 --> 00:23:08,089
I mean, early twenties.
I was just all--
278
00:23:08,109 --> 00:23:10,191
How do you call it when someone
brainwashes you like this?
279
00:23:10,211 --> 00:23:12,211
- Brainwashed.
- Maybe I was brainwashed.
280
00:23:12,230 --> 00:23:15,049
Yeah, I was--
I was afraid of him...
281
00:23:15,069 --> 00:23:18,089
and, um, I cared
what happened to him,
282
00:23:18,109 --> 00:23:21,029
and I knew that if I left,
there was no one to sing.
283
00:23:21,049 --> 00:23:24,089
So I was caught up in guilt
and fear.
284
00:23:24,109 --> 00:23:26,201
Yeah, those are the two worst
qualities, I think,
285
00:23:26,221 --> 00:23:29,069
for a young girl
to be caught up into.
286
00:23:35,221 --> 00:23:39,079
And now let's go
with Ike and Tina Turner!
287
00:24:05,069 --> 00:24:08,201
In those early days,
we'd play three shows a night.
288
00:24:08,221 --> 00:24:11,140
Two shows this place,
two shows that place
289
00:24:11,161 --> 00:24:13,250
and two shows
at the after-hours place.
290
00:24:14,029 --> 00:24:16,029
It was hard work.
291
00:24:16,049 --> 00:24:20,079
I can remember working
as many as four shows a night,
292
00:24:20,099 --> 00:24:23,089
and every night
and every show...
293
00:24:25,049 --> 00:24:26,201
Was packed.
294
00:24:26,221 --> 00:24:28,230
Right now,
I'm gonna tell you
a little something about my man.
295
00:24:36,049 --> 00:24:38,130
He rehearsed constantly.
296
00:24:38,151 --> 00:24:40,250
Even sometimes we'd be driving
to the next show,
297
00:24:41,029 --> 00:24:42,221
and he'd be playing the guitar
in the back
298
00:24:42,240 --> 00:24:45,240
and having Tina sing.
I mean, it was 24/7.
299
00:24:46,020 --> 00:24:47,099
The show
has to be perfect.
300
00:24:47,119 --> 00:24:49,059
Every single part of it
has to be perfect.
301
00:24:49,079 --> 00:24:51,020
He was one of those guys
who would, you know,
302
00:24:51,039 --> 00:24:53,029
turn around on stage
and point at somebody,
303
00:24:53,049 --> 00:24:55,020
they know they're getting
a ten-dollar fine
304
00:24:55,039 --> 00:24:56,109
'cause they just blew a note.
305
00:25:00,099 --> 00:25:02,069
She didn't have
the glam team,
306
00:25:02,089 --> 00:25:03,221
someone doing the hair
and the makeup
307
00:25:03,240 --> 00:25:05,230
and the stylist
getting the wardrobe.
308
00:25:05,250 --> 00:25:08,079
They did it all themselves.
309
00:25:18,069 --> 00:25:21,181
The only freedom
I had was when the Ikettes and I
310
00:25:21,201 --> 00:25:25,049
got the dancing ready
and I got the dresses ready,
311
00:25:25,069 --> 00:25:26,151
and we'd get everything,
312
00:25:26,171 --> 00:25:28,211
except we didn't even know
what song was coming up.
313
00:25:28,230 --> 00:25:32,119
He would, "duh-dum,"
do it with the guitar, you know?
314
00:25:35,079 --> 00:25:36,230
It was awful in a way,
315
00:25:36,250 --> 00:25:38,079
but it was a lesson.
316
00:25:38,099 --> 00:25:42,250
Now that I look back,
I see it as a training.
317
00:25:43,029 --> 00:25:47,211
You-- you adjust to
what is given,
318
00:25:47,230 --> 00:25:50,069
and that is what was given
at the time.
319
00:25:56,069 --> 00:25:58,099
He controlled the music,
and she had to--
320
00:25:58,119 --> 00:26:00,069
It was always his music,
and it was--
321
00:26:00,089 --> 00:26:02,211
which is very samey, if you
listen to it all the time.
322
00:26:02,230 --> 00:26:05,099
A lot of it's just brilliant.
I love those records.
323
00:26:05,119 --> 00:26:06,191
But it's-- it's of a type.
324
00:26:06,211 --> 00:26:08,221
It's one thing.
It's Ike Turner's stuff.
325
00:26:08,240 --> 00:26:11,130
And she-- I think she had
broader tastes than that.
326
00:26:11,151 --> 00:26:14,151
She must have felt
there was more you could do
with music than this.
327
00:26:14,171 --> 00:26:16,119
I think she probably had
a bigger dream than--
328
00:26:16,140 --> 00:26:18,119
without knowing it, than he did.
329
00:26:20,221 --> 00:26:23,151
People started to see
that there was more to Tina
330
00:26:23,171 --> 00:26:26,069
than what Ike had to offer her.
331
00:26:26,089 --> 00:26:29,171
Especially after the River Deep
Mountain High album,
332
00:26:29,191 --> 00:26:31,191
you know, with Phil Spector.
333
00:26:31,211 --> 00:26:33,221
Phil Spector was
the greatest pop record producer
334
00:26:33,240 --> 00:26:35,039
of that period.
335
00:26:35,059 --> 00:26:37,059
He played the studio
like an instrument, you know,
336
00:26:37,079 --> 00:26:38,211
and he found all these singers,
337
00:26:38,230 --> 00:26:40,161
and he made
these wonderful records.
338
00:26:40,181 --> 00:26:43,161
And when Phil Spector wanted to
make River Deep Mountain High,
339
00:26:43,181 --> 00:26:45,191
Ike's presence
was not necessary.
340
00:26:45,211 --> 00:26:48,039
Just bring Tina in,
'cause she's the star.
341
00:26:49,181 --> 00:26:53,049
Spector didn't want Ike
nowhere near the studio,
342
00:26:53,069 --> 00:26:55,039
so he paid Ike
X amount of dollars
343
00:26:55,059 --> 00:26:58,140
to get him taken care of,
so to speak,
344
00:26:58,161 --> 00:27:01,079
so that he wasn't--
wouldn't interfere with Tina.
345
00:27:01,099 --> 00:27:03,221
And that was the first time
they gave Tina...
346
00:27:05,029 --> 00:27:08,029
her chance to sing differently.
347
00:27:10,161 --> 00:27:15,171
I remember
starting to sing with Phil,
348
00:27:15,191 --> 00:27:19,029
that style of singing
which I had been singing.
349
00:27:20,250 --> 00:27:22,049
One more time.
350
00:27:22,069 --> 00:27:24,181
And he said, "No, no, no, no.
Just sing the melody."
351
00:27:25,191 --> 00:27:27,151
And I liked that.
352
00:27:27,171 --> 00:27:30,230
That was a freedom
that I didn't have.
353
00:27:30,250 --> 00:27:34,181
You know, like a bird
that gets out of a cage.
354
00:27:34,201 --> 00:27:37,211
I was excited about singing
a different type of song.
355
00:27:37,230 --> 00:27:41,049
I was excited about getting
out of the studio on my own.
356
00:27:41,069 --> 00:27:44,119
It was a freedom
to do something different.
357
00:28:53,099 --> 00:28:55,029
It was so big,
358
00:28:55,049 --> 00:28:57,151
and my voice sounded
so different
359
00:28:57,171 --> 00:28:59,221
standing on top
of all that music.
360
00:29:05,140 --> 00:29:06,230
People started to see
361
00:29:06,250 --> 00:29:09,020
Tina was capable
of so much more.
362
00:29:09,039 --> 00:29:10,240
She-- she had wings, man.
363
00:29:16,161 --> 00:29:19,119
This is such
an overpowering orchestration,
364
00:29:19,140 --> 00:29:20,140
it's so complex,
365
00:29:20,161 --> 00:29:23,049
it's this record
that just blows out walls.
366
00:29:40,130 --> 00:29:41,191
It just died
in the United States.
367
00:29:41,211 --> 00:29:42,240
It died.
Nobody wanted to hear it.
368
00:29:43,020 --> 00:29:44,181
And you listen to this record
and you think,
369
00:29:44,201 --> 00:29:46,099
"What's the matter
with this country?"
370
00:29:46,119 --> 00:29:48,130
You know? I'm so ashamed
to be an American.
371
00:29:48,151 --> 00:29:51,020
You know, it's like,
"What's wrong?"
372
00:29:51,039 --> 00:29:55,181
Um, so-- And that was a big blow
to Spector's career,
373
00:29:55,201 --> 00:29:59,059
and, you know,
maybe Ike, probably,
374
00:29:59,079 --> 00:30:01,069
was thinking, you know,
"Well, see?
375
00:30:01,089 --> 00:30:04,181
He's not so great.
You should stick with me."
376
00:30:04,201 --> 00:30:08,109
Like any Black artist in
America that do, any tune,
377
00:30:08,130 --> 00:30:11,039
it has to go, like, top ten
on the R&B charts
378
00:30:11,059 --> 00:30:13,089
before the top 40 stations
will touch it.
379
00:30:13,109 --> 00:30:16,119
And "River Deep,"
was not a Black record,
380
00:30:16,140 --> 00:30:19,079
you know, and so it wouldn't
make the top ten on R&B charts,
381
00:30:19,099 --> 00:30:22,059
and so, therefore, the top 40
radio stations wouldn't play it.
382
00:30:22,079 --> 00:30:24,161
But where in England, they,
they listen to the record,
383
00:30:24,181 --> 00:30:27,151
and if the record
is an R&B record,
it's an R&B rhythm, you know,
384
00:30:27,171 --> 00:30:29,079
if it's rhythm and blues,
it's rhythm and blues,
385
00:30:29,099 --> 00:30:30,181
and if it's pop,
it's pop, you know,
386
00:30:30,201 --> 00:30:32,221
and so it got played over here.
It never got played in America.
387
00:30:32,240 --> 00:30:34,089
The Black jockeys
say it's too white,
388
00:30:34,109 --> 00:30:35,171
the white jockeys say
it's too Black.
389
00:31:04,130 --> 00:31:06,069
You live in LA?
Yes.
390
00:31:06,089 --> 00:31:07,211
What sort of life
do you have?
391
00:31:07,230 --> 00:31:10,130
Well, my life is sort
of based around my four sons.
392
00:31:10,151 --> 00:31:12,230
I have a housekeeper that takes
care of them when I travel.
393
00:31:12,250 --> 00:31:14,230
Being a wife and being Tina
at the same time
394
00:31:14,250 --> 00:31:16,059
is almost like a split person.
395
00:31:16,079 --> 00:31:18,171
But I'm able to separate
the two, so everything is fine,
396
00:31:18,191 --> 00:31:21,099
and the whole thing is sane.
397
00:31:29,049 --> 00:31:33,069
Ike Junior and Michael
were Ike's kids
398
00:31:33,089 --> 00:31:36,181
by Lorraine,
his previous wife.
399
00:31:36,201 --> 00:31:40,240
Tina had Craig when she was
with the saxophone player,
400
00:31:41,020 --> 00:31:42,079
Raymond Hill,
401
00:31:42,099 --> 00:31:45,250
and then she had Ronnie,
you know, with Ike.
402
00:31:46,029 --> 00:31:48,250
They were, like, all together
by the time I met Tina.
403
00:31:50,151 --> 00:31:52,151
Michael,
don't stand on that-- that door,
404
00:31:52,171 --> 00:31:54,151
don't lean
on that door like that.
405
00:31:55,240 --> 00:31:57,089
I made myself a family.
406
00:31:57,109 --> 00:32:00,171
I totally psyched myself out,
and I made a home,
407
00:32:00,191 --> 00:32:04,119
and I found some pleasure
in that home every now and then.
408
00:32:04,140 --> 00:32:06,079
Birthdays with children,
and dinners,
409
00:32:06,099 --> 00:32:07,230
Thanksgiving dinners,
periodically,
410
00:32:07,250 --> 00:32:09,230
but at least I had
some sense of a life
411
00:32:09,250 --> 00:32:11,181
of what I had always wanted.
412
00:32:20,119 --> 00:32:21,250
Where my trophy at?
413
00:32:22,029 --> 00:32:23,089
Give me my trophy.
414
00:32:23,109 --> 00:32:25,151
That's a water boy trophy,
it's not--
415
00:32:25,171 --> 00:32:27,109
- Where's Mother's new trophy?
- Hey, Craig?
416
00:32:27,130 --> 00:32:28,181
What?
417
00:32:28,201 --> 00:32:31,089
She was gone
most of the time.
418
00:32:31,109 --> 00:32:33,089
Over a period of eight years,
419
00:32:33,109 --> 00:32:34,240
everything was basically
the same,
420
00:32:35,020 --> 00:32:36,250
eight months on the road,
four months back,
421
00:32:37,029 --> 00:32:39,230
eight months on the road,
four months back.
422
00:32:39,250 --> 00:32:42,029
She was very, very strict,
um,
423
00:32:42,049 --> 00:32:43,130
particularly when she was home.
424
00:32:43,151 --> 00:32:46,109
We couldn't have company
unless we finished our homework,
425
00:32:46,130 --> 00:32:49,099
we had to do our chores,
we had to eat breakfast,
426
00:32:49,119 --> 00:32:51,119
lunch, and dinner
at the same time.
427
00:32:51,140 --> 00:32:54,230
She really took
to raising us personally
428
00:32:54,250 --> 00:32:57,130
because, basically,
that was her happiness
429
00:32:57,151 --> 00:32:58,171
to a certain extent.
430
00:33:26,029 --> 00:33:29,191
Everybody was happy
around my mother,
431
00:33:29,211 --> 00:33:31,119
and she was always sad.
432
00:33:31,140 --> 00:33:33,020
She never had friends,
433
00:33:33,039 --> 00:33:35,201
she never had anybody
she could really confide in.
434
00:33:35,221 --> 00:33:38,201
So, basically, her happiness
was with us
435
00:33:38,221 --> 00:33:40,240
and her time alone in her room.
436
00:33:41,020 --> 00:33:43,161
And there was nothing she can do
about her circumstances.
437
00:33:44,250 --> 00:33:47,069
He had to know
where she was at all the time.
438
00:33:47,089 --> 00:33:50,089
She was on allowance,
she didn't have her own money.
439
00:33:50,109 --> 00:33:52,119
My mother really had
a nonexistent life
440
00:33:52,140 --> 00:33:55,099
other than the studio
and the house.
441
00:33:59,079 --> 00:34:01,191
When I first interviewed her,
442
00:34:01,211 --> 00:34:03,201
one of the questions
she kept on asking was,
443
00:34:03,221 --> 00:34:07,191
"Why did I stay? Why did I stay?
People wanna know why I stayed."
444
00:34:07,211 --> 00:34:10,130
And for me, it was interesting
445
00:34:10,150 --> 00:34:14,199
to think about the violence
that happened before Ike,
446
00:34:14,219 --> 00:34:17,130
'cause I think a lot of people
don't know that
447
00:34:17,150 --> 00:34:21,021
she grew up watching
violence in her own home.
448
00:36:04,099 --> 00:36:05,139
And right now...
449
00:36:08,039 --> 00:36:11,021
I think you might like to hear
something from us...
450
00:36:13,210 --> 00:36:17,021
...and easy.
451
00:36:20,099 --> 00:36:22,190
I'd like to do that for you.
452
00:36:22,210 --> 00:36:25,199
But there's just one thing.
You see...
453
00:36:25,219 --> 00:36:28,110
we never, ever do nothing...
454
00:36:32,090 --> 00:36:37,039
We always do it nice...
455
00:36:37,170 --> 00:36:39,039
and rough.
456
00:36:40,090 --> 00:36:42,150
And we're gonna take
the beginning of this song,
457
00:36:43,110 --> 00:36:46,231
and we're gonna do it... easy.
458
00:36:53,079 --> 00:36:54,119
Listen.
459
00:37:28,231 --> 00:37:31,199
I was truly a friend to Ike.
460
00:37:31,219 --> 00:37:34,059
I had promised
that I would help him...
461
00:37:35,179 --> 00:37:39,231
so I was still trying
to help him to get a hit record.
462
00:37:43,199 --> 00:37:45,059
Two, three, four, come on!
463
00:37:50,130 --> 00:37:51,130
Whoo!
464
00:38:34,119 --> 00:38:36,159
"Proud Mary" became a hit.
465
00:38:36,179 --> 00:38:38,059
We were all over America.
466
00:38:48,030 --> 00:38:49,219
That's fabulous.
467
00:38:49,239 --> 00:38:51,239
Who settles
an argument if you--
468
00:38:52,021 --> 00:38:55,199
Things are not always
the way they look, you know.
469
00:38:55,219 --> 00:38:57,099
No, Ike's kinda quiet.
470
00:38:57,119 --> 00:38:58,150
Yeah, he's-- he's--
471
00:38:58,170 --> 00:39:01,179
Ike is very bashful
when the lights are on, and--
472
00:39:03,159 --> 00:39:05,039
But on the other hand,
473
00:39:05,059 --> 00:39:06,179
when he's in
the recording studio,
474
00:39:06,199 --> 00:39:08,150
Ike's the one that does
all of the ruling around,
475
00:39:08,170 --> 00:39:11,030
the talking,
he's the whole thing.
476
00:39:11,050 --> 00:39:12,150
But in public, he's like this.
477
00:39:12,170 --> 00:39:14,239
Yeah, 'cause he can't get it
together. It takes him--
478
00:40:25,190 --> 00:40:28,219
I swear you're behind me.
Y'all behind me, right?
479
00:40:28,239 --> 00:40:31,139
These are-- I'm on--
I'm on a speed above
480
00:40:31,159 --> 00:40:32,190
where y'all feel that.
481
00:40:32,210 --> 00:40:35,021
You don't hear me.
482
00:40:42,190 --> 00:40:44,050
I'm just sayin', like,
you're telling her--
483
00:40:44,070 --> 00:40:45,231
you're tellin' her that,
and she's not getting there.
484
00:40:45,251 --> 00:40:47,199
I'm just trying to give her
an example...
485
00:40:48,079 --> 00:40:49,179
of how to sing.
486
00:40:50,179 --> 00:40:53,050
Okay.
487
00:41:11,119 --> 00:41:13,099
In the later part
of their career when, you know,
488
00:41:13,119 --> 00:41:14,099
the hits weren't coming in,
489
00:41:14,119 --> 00:41:15,199
a lot of money
wasn't coming in,
490
00:41:15,219 --> 00:41:18,139
he started placing
the blame elsewhere.
491
00:41:18,159 --> 00:41:21,070
You know, he took a lot
of his anger out on her.
492
00:41:22,251 --> 00:41:26,150
Most of the time, um,
when Ike would come home,
493
00:41:26,170 --> 00:41:28,139
he would take her
back in the room
494
00:41:28,159 --> 00:41:29,239
and then close the door.
495
00:41:30,021 --> 00:41:32,099
And there'd be the screams.
496
00:41:32,119 --> 00:41:34,090
And we were so petrified,
we were in bed
497
00:41:34,110 --> 00:41:36,231
with the, you know,
covers over our heads.
498
00:41:36,251 --> 00:41:40,130
And then I remember
one time he was...
499
00:41:45,039 --> 00:41:47,159
...he was,
um, striking my mother,
500
00:41:48,119 --> 00:41:49,231
and I was young,
501
00:41:49,251 --> 00:41:54,021
and, he had thrown
some scalding hot coffee on her.
502
00:41:56,021 --> 00:41:57,231
And I went,
banged on the door...
503
00:41:59,170 --> 00:42:01,231
and I said, "Mother!"
And then it stopped,
504
00:42:01,251 --> 00:42:03,190
and then she said,
"Craig, I'm okay."
505
00:42:05,139 --> 00:42:08,070
He came to apologize,
506
00:42:08,090 --> 00:42:11,070
and he apologized
for the third-degree burn
507
00:42:11,090 --> 00:42:13,239
but didn't apologize
for throwing the coffee on her.
508
00:42:14,021 --> 00:42:15,231
At that point in time,
I hated that man
509
00:42:15,251 --> 00:42:17,210
for the rest of my life.
510
00:42:17,231 --> 00:42:20,251
And I will never forget that,
never.
511
00:42:38,190 --> 00:42:40,150
I had begun to not really care.
512
00:42:43,119 --> 00:42:45,231
And I was there alone.
513
00:42:45,251 --> 00:42:48,021
How can I tell you
what alone meant?
514
00:43:50,150 --> 00:43:53,119
We got to the hospital,
and they pumped her stomach
515
00:43:53,139 --> 00:43:57,030
and Ike was out talking
to the doctor or something,
516
00:43:57,050 --> 00:43:58,219
and I was in there,
just her and I,
517
00:43:58,239 --> 00:44:01,079
and I was scared shitless,
and I said,
518
00:44:01,099 --> 00:44:03,090
"Tina, you can't die on me.
Come on, now."
519
00:44:03,110 --> 00:44:05,150
It just really scared me,
'cause I didn't know what had--
520
00:44:05,170 --> 00:44:09,251
you know-- if she was gonna
pull through or not.
521
00:44:37,150 --> 00:44:40,021
- These are some
difficult questions, now, and...
- Okay.
522
00:44:40,039 --> 00:44:42,150
...there was
a time when she was unhappy,
523
00:44:42,170 --> 00:44:44,079
and there was
a suicide attempt.
524
00:44:44,099 --> 00:44:46,079
Can you talk
about her unhappiness
525
00:44:46,099 --> 00:44:48,021
and how that made you feel?
526
00:44:52,090 --> 00:44:54,190
Well, I can't really say
how I felt
527
00:44:54,210 --> 00:44:57,190
because I never knew
how she felt.
528
00:44:57,210 --> 00:45:01,210
I didn't know why
she attempted suicide,
529
00:45:01,231 --> 00:45:05,170
because I thought maybe
that it was a...
530
00:45:07,039 --> 00:45:08,039
well...
531
00:45:10,150 --> 00:45:11,139
Let me start this again.
532
00:45:11,159 --> 00:45:14,039
All right,
at first, Tina, um,
533
00:45:14,059 --> 00:45:16,231
attempting suicide
two or three times,
534
00:45:16,251 --> 00:45:20,210
um, I think that
this was some form of attention.
535
00:45:20,231 --> 00:45:24,130
Um, she was unhappy about
the things that I was doing.
536
00:45:24,150 --> 00:45:26,179
Um, me being a womanizer,
537
00:45:26,199 --> 00:45:28,239
being with all these women
and stuff like this.
538
00:45:29,021 --> 00:45:31,059
And I think that,
the real truth
539
00:45:31,079 --> 00:45:35,239
is that she was trying
to be something that she wasn't.
540
00:45:36,021 --> 00:45:38,199
She was-- Wait a minute,
I wanna clarify this.
541
00:45:38,219 --> 00:45:43,130
She was trying to be
what she thought I wanted.
542
00:45:43,150 --> 00:45:45,150
Not what she-- what really was.
543
00:45:45,170 --> 00:45:48,119
She was trying to please me,
and so therefore,
544
00:45:48,139 --> 00:45:50,030
she was going through
a lot of hurt
545
00:45:50,050 --> 00:45:52,190
and I think she had a very
unhappy life because of that.
546
00:45:52,210 --> 00:45:54,110
I think we were living a lie,
547
00:45:54,130 --> 00:45:58,021
and, if I'd have
used my head any at all,
548
00:45:58,039 --> 00:46:00,059
I would've known better.
549
00:46:00,079 --> 00:46:04,150
And so this is what led
to our, um, downfall.
550
00:47:07,050 --> 00:47:10,070
Buddhism was a way out.
551
00:47:11,070 --> 00:47:13,239
And it changed your attitude
towards
552
00:47:14,021 --> 00:47:15,150
the situation that you're in.
553
00:47:15,170 --> 00:47:17,239
The more you chant,
the more, you know,
554
00:47:18,021 --> 00:47:20,170
you become liberated mentally.
555
00:47:31,021 --> 00:47:33,239
Nam myoho renge kyo,
nam myoho renge kyo,
556
00:47:34,021 --> 00:47:36,170
nam myoho renge kyo,
nam myoho renge kyo,
557
00:47:36,190 --> 00:47:39,130
nam myoho renge kyo,
nam myoho renge kyo,
558
00:47:39,150 --> 00:47:42,110
nam myoho renge kyo,
nam myoho renge kyo,
559
00:47:42,130 --> 00:47:45,070
nam myoho renge kyo,
nam myoho renge kyo,
560
00:47:45,090 --> 00:47:48,099
nam myoho renge kyo,
nam myoho renge kyo...
561
00:48:52,239 --> 00:48:54,219
Ike had recognized it too,
562
00:48:54,239 --> 00:48:57,079
that he couldn't control
her anymore
563
00:48:57,099 --> 00:49:00,079
because she just wasn't
putting up with any of that.
564
00:49:00,099 --> 00:49:02,039
Right now,
565
00:49:02,059 --> 00:49:04,030
I'm gonna talk about respect,
566
00:49:04,199 --> 00:49:06,059
because you see...
567
00:49:07,110 --> 00:49:09,070
respect is what I want.
568
00:49:10,130 --> 00:49:13,050
I think it's what most
of us want.
569
00:49:13,070 --> 00:49:15,219
But, you know, we don't always
get what we want.
570
00:49:16,139 --> 00:49:18,090
Especially us women.
571
00:49:19,231 --> 00:49:21,210
Tonight, I'm gonna speak
for us women, you see,
572
00:49:21,231 --> 00:49:25,179
because somehow, the men
573
00:49:25,199 --> 00:49:28,190
always manage to get
what they want.
574
00:49:29,110 --> 00:49:31,070
That's right.
575
00:49:31,090 --> 00:49:32,179
They do what they wanna do
576
00:49:33,231 --> 00:49:35,150
whenever they want to do it.
577
00:49:36,050 --> 00:49:38,030
And you know what?
578
00:49:38,050 --> 00:49:41,070
They do it with whoever
they want to do it with.
579
00:49:42,090 --> 00:49:44,039
But that's just started us women
to thinking.
580
00:49:44,219 --> 00:49:46,179
Yeah, we can think too.
581
00:49:46,199 --> 00:49:50,039
We think that whatever's
out there in the streets
582
00:49:50,199 --> 00:49:52,219
must be good.
583
00:49:52,239 --> 00:49:56,139
'Cause your man's been
out there a long time.
584
00:49:56,159 --> 00:49:59,150
Now us women wants to go out
there and get us some too.
585
00:50:00,239 --> 00:50:02,099
I want you to...
586
00:51:14,231 --> 00:51:16,079
Okay, okay.
587
00:53:21,070 --> 00:53:24,039
The memory of that
was horrendous, of course,
588
00:53:24,059 --> 00:53:27,059
because I was practically
run over by a truck.
589
00:53:27,079 --> 00:53:28,190
I didn't-- I didn't--
590
00:53:28,210 --> 00:53:30,110
Well, I wasn't thinking clearly,
of course.
591
00:53:30,130 --> 00:53:34,021
And so I thought at that point
was a time when I could cross.
592
00:53:34,039 --> 00:53:37,079
But, you know, I felt like
I was moving slow.
593
00:53:37,099 --> 00:53:38,190
And there was that big truck,
594
00:53:38,210 --> 00:53:40,099
really one of the big ones
coming,
595
00:53:40,119 --> 00:53:43,130
and the horn blew and...
596
00:53:43,150 --> 00:53:49,079
And what I mostly remember
is flashing lights.
597
00:55:23,199 --> 00:55:25,251
The next day,
it was the Fourth of July,
598
00:55:26,030 --> 00:55:27,199
and I said,
"Well, the Fourth of July,"
599
00:55:27,219 --> 00:55:29,039
but I'll remember every time,
600
00:55:29,059 --> 00:55:32,119
"Fourth of July,
that's when I got my freedom."
601
00:56:08,159 --> 00:56:12,079
The divorce
was... clean-cut.
602
00:56:12,099 --> 00:56:16,039
I got nothing.
No money, no house, no car.
603
00:56:45,130 --> 00:56:48,170
That is when I realized
that I could use Tina
604
00:56:48,190 --> 00:56:52,139
to become a business.
605
00:56:54,079 --> 00:56:56,150
And so I said,
"I'll just take my name."
606
00:56:59,039 --> 00:57:00,079
Ike fought a little bit
607
00:57:00,099 --> 00:57:03,030
because he knew
what I would do with it,
608
00:57:03,050 --> 00:57:07,021
and it was through court
that I got it, Tina.
609
00:57:11,159 --> 00:57:14,219
To keep it... is to reclaim it.
610
00:57:14,239 --> 00:57:17,039
Reshape it, refine it.
611
00:57:19,130 --> 00:57:22,050
Also a kind of like,
"fuck you" to Ike.
612
00:57:22,070 --> 00:57:24,199
"Yeah, you gave me this name,
613
00:57:24,219 --> 00:57:27,050
but watch what I build with it."
614
00:58:15,119 --> 00:58:17,059
I realized I had to go to work.
615
00:58:17,079 --> 00:58:18,231
I mean,
I couldn't just stay there
616
00:58:18,251 --> 00:58:22,059
and wait for what?
I had to work.
617
00:58:22,079 --> 00:58:23,139
After Tina left Ike,
618
00:58:23,159 --> 00:58:25,239
somebody had to pay
for all the dates they blew,
619
00:58:26,021 --> 00:58:28,050
and Tina wound up
with all the bills,
620
00:58:28,070 --> 00:58:29,190
none of the money.
621
00:58:29,210 --> 00:58:30,239
She would go do Vegas.
622
00:58:31,021 --> 00:58:32,231
She'd go do, like,
McDonald's conventions.
623
00:58:32,251 --> 00:58:35,199
She'd play anywhere just
to make the money to get by.
624
00:58:39,059 --> 00:58:41,190
Ike wasn't paying
anything at that point.
625
00:58:41,210 --> 00:58:45,139
So she's gotta support herself
and the kids.
626
00:58:45,159 --> 00:58:48,021
So that's when I started
booking television shows.
627
00:58:48,039 --> 00:58:50,150
I mean, we were doing everything
from The Brady Bunch...
628
00:58:53,231 --> 00:58:57,021
- ...to Hollywood Squares.
- ...in The Hollywood Squares!
629
00:58:57,039 --> 00:58:58,251
Whatever TV shows
we could get her on,
630
00:58:59,030 --> 00:59:01,030
because that was the only
source of income at that point.
631
00:59:01,050 --> 00:59:03,030
Ike and Tina, where's Ike?
632
00:59:03,050 --> 00:59:06,039
I don't know.
633
00:59:06,059 --> 00:59:08,050
So nice to have
you on this show, Tina.
634
00:59:08,070 --> 00:59:09,139
Thank you.
635
00:59:09,159 --> 00:59:12,090
What I remember
is there was always the shadow
636
00:59:12,110 --> 00:59:14,170
of Ike Turner.
637
00:59:14,190 --> 00:59:18,179
It was really hard for her,
you know.
638
00:59:18,199 --> 00:59:20,251
Is it all right for me
to ask you if you and Ike
639
00:59:21,030 --> 00:59:24,119
are together, or separated,
or divorced, or...?
640
00:59:25,070 --> 00:59:26,239
Separated and divorced.
641
00:59:27,021 --> 00:59:28,170
Separated and divorced?
642
00:59:28,190 --> 00:59:30,050
Yeah. We are divorced.
643
00:59:30,070 --> 00:59:33,039
- Yeah, it took
a while for you to decide.
- Yes.
644
00:59:33,059 --> 00:59:35,159
Well, yes. It was--
I mean, we're family,
645
00:59:35,179 --> 00:59:38,079
- we've been together
for, like, 16 years.
- Yeah.
646
00:59:38,099 --> 00:59:41,039
-Ike and Tina Turner, that--
that was a unit.
-Yeah.
647
00:59:41,059 --> 00:59:43,090
They still-- People still
call me "Ike and Tina."
648
00:59:43,110 --> 00:59:45,021
- Ike and Tina.
- Yeah, they do.
649
00:59:45,039 --> 00:59:47,231
He triggered
a lot of trauma.
650
00:59:48,179 --> 00:59:50,110
Just the thought of him.
651
00:59:50,130 --> 00:59:52,159
You know,
'cause there was a lot.
652
00:59:52,179 --> 00:59:55,030
But she's a professional.
She'd get on stage,
653
00:59:55,050 --> 00:59:59,039
you'd never know
anything was up. Ever.
654
00:59:59,059 --> 01:00:01,070
Five, six, seven, eight.
655
01:00:18,231 --> 01:00:20,150
I was-- I was becoming stagnant.
656
01:00:20,170 --> 01:00:22,090
I knew
that there was something else,
657
01:00:22,110 --> 01:00:24,079
and I realized
I wasn't going anywhere.
658
01:00:24,099 --> 01:00:25,210
I'd be in Las Vegas
all my life.
659
01:00:25,231 --> 01:00:27,110
Five, six, seven, eight,
660
01:00:27,130 --> 01:00:29,021
change position,
two, three four...
661
01:00:29,039 --> 01:00:31,070
I was ready to get out there.
662
01:00:31,090 --> 01:00:33,039
This is fine,
what you've got so far,
663
01:00:33,059 --> 01:00:35,050
but it's not good enough.
664
01:00:35,070 --> 01:00:37,210
Well then, the next question is,
but you'll have to get
665
01:00:37,231 --> 01:00:39,099
someone to organize that.
666
01:00:39,119 --> 01:00:41,190
That is when
Roger came into the picture.
667
01:00:52,159 --> 01:00:54,251
Well, I was
working with Olivia Newton-John,
668
01:00:55,030 --> 01:00:57,130
and we were doing
a television special
669
01:00:57,150 --> 01:00:58,239
called Hollywood Nights.
670
01:00:59,021 --> 01:01:01,050
And Olivia had this desire
671
01:01:01,070 --> 01:01:03,130
to have really strong
female singers
672
01:01:03,150 --> 01:01:05,070
back her in one or two songs.
673
01:01:07,159 --> 01:01:09,239
We had a list
of people we asked,
674
01:01:10,021 --> 01:01:12,110
Toni Tennille,
Captain &Tennille.
675
01:01:12,130 --> 01:01:14,079
I think Peaches was in it,
676
01:01:14,099 --> 01:01:18,159
Tina Turner, and that's
when I first met Tina.
677
01:01:29,159 --> 01:01:31,199
I remember when I walked
into Roger's office,
678
01:01:31,219 --> 01:01:33,070
he looked at me.
679
01:01:33,090 --> 01:01:34,251
I will never forget that look.
680
01:01:35,030 --> 01:01:36,231
It was in wonder, like,
681
01:01:36,251 --> 01:01:39,210
"How old is she?
What can I do with her?"
682
01:01:39,231 --> 01:01:42,021
All of that. And then I said,
683
01:01:42,039 --> 01:01:44,030
"I simply want a manager.
I don't know what to do.
684
01:01:44,050 --> 01:01:45,251
I need to work,
I want to work."
685
01:01:46,030 --> 01:01:49,150
And then he said, "I need
to see what you do."
686
01:01:49,170 --> 01:01:52,239
And so I said, "Well,
I'm opening in San Francisco."
687
01:01:59,179 --> 01:02:01,190
They were doing
a two-week residency
688
01:02:01,210 --> 01:02:04,039
at the Fairmont Hotel
in San Francisco,
689
01:02:04,059 --> 01:02:05,079
two shows a night.
690
01:02:12,030 --> 01:02:13,239
The first show was supper,
you know,
691
01:02:14,021 --> 01:02:16,030
everyone eating dinner,
and I'm like going,
692
01:02:16,050 --> 01:02:17,079
"Christ," you know, this is...
693
01:02:18,219 --> 01:02:19,239
It was very cabaret,
694
01:02:20,021 --> 01:02:21,170
and they did a lot
of cover versions.
695
01:02:21,190 --> 01:02:24,219
I didn't react that excited.
696
01:02:24,239 --> 01:02:27,059
'Cause I didn't think I could
do anything with her.
697
01:02:45,159 --> 01:02:47,110
Anyway, we stayed
for the second show,
698
01:02:47,130 --> 01:02:49,219
and the second show,
being like a nine o'clock show,
699
01:02:49,239 --> 01:02:53,030
it was people had some drinks,
they were standing on tables
700
01:02:53,050 --> 01:02:54,219
and Tina was just working
the audience.
701
01:02:54,239 --> 01:02:58,130
And I went, "Wow. What a great
live performance."
702
01:03:17,231 --> 01:03:19,251
You know
when you meet an artist
703
01:03:20,030 --> 01:03:21,150
if they have got something
that grabs you,
704
01:03:21,170 --> 01:03:23,070
and, obviously, it did to me,
705
01:03:23,090 --> 01:03:25,110
and she was also
incredibly determined.
706
01:03:26,199 --> 01:03:29,139
Roger said
to me, "What do you want?"
707
01:03:31,070 --> 01:03:32,110
I had a dream.
708
01:03:32,130 --> 01:03:35,150
My dream is to be the first
Black rock and roll singer
709
01:03:35,170 --> 01:03:37,199
to pack places,
like the Stones
710
01:03:37,219 --> 01:03:40,139
or those people that are packing
those kinds of places, you know?
711
01:03:40,159 --> 01:03:43,099
"I want to fill
the rock stadiums,
like Mick and Keith."
712
01:03:43,119 --> 01:03:45,021
And I said, "Yep, that's what
we're gonna do."
713
01:03:45,039 --> 01:03:46,210
I had no idea
if we were gonna do it,
714
01:03:46,231 --> 01:03:49,170
'cause there weren't any female
rock artists
715
01:03:49,190 --> 01:03:52,021
in the world selling out
football stadiums.
716
01:03:53,251 --> 01:03:56,170
Tina's problem
after leaving the Ike orbit
717
01:03:56,190 --> 01:03:59,050
was now she's on her own,
she's just Tina Turner,
718
01:03:59,070 --> 01:04:00,130
but who is that?
719
01:04:02,199 --> 01:04:04,170
She is, by this point,
720
01:04:04,190 --> 01:04:06,159
older than your average
pop stars,
721
01:04:06,179 --> 01:04:07,239
she's a middle-aged woman.
722
01:04:08,021 --> 01:04:10,110
Is she R&B, is it--
was it disco?
723
01:04:10,130 --> 01:04:11,170
Wasn't she doing that recently?
724
01:04:11,190 --> 01:04:14,210
It was very unclear,
her image was unclear.
725
01:04:14,231 --> 01:04:17,021
When Tina said,
"I'd like you to manage me,"
726
01:04:17,039 --> 01:04:18,099
I immediately thought, "Well,
727
01:04:18,119 --> 01:04:20,030
we've got to get her
a record deal,
728
01:04:20,050 --> 01:04:21,159
we've got to change the image
729
01:04:21,179 --> 01:04:23,231
so people
at record companies know
730
01:04:23,251 --> 01:04:26,150
that you're not just
a Vegas cabaret act.
731
01:04:26,170 --> 01:04:28,119
We're gonna make it current."
732
01:04:28,139 --> 01:04:30,251
I said, "We're gonna have
to make a rock show."
733
01:04:37,159 --> 01:04:39,030
I was ready for change.
734
01:04:39,050 --> 01:04:40,219
I was ready for that.
735
01:04:43,210 --> 01:04:46,070
Well, first of all,
the long hair was a--
736
01:04:46,090 --> 01:04:48,190
a look that I used
for Ike and Tina.
737
01:04:49,110 --> 01:04:50,150
So cut the hair.
738
01:04:52,021 --> 01:04:54,050
That was a change immediately.
739
01:04:56,070 --> 01:04:58,199
Then the Bob Mackie
clothes went.
740
01:05:00,179 --> 01:05:02,231
Pulled out some
of my rock and roll dresses,
741
01:05:02,251 --> 01:05:04,059
the shorter ones.
742
01:05:04,231 --> 01:05:06,039
And I went to work.
743
01:05:06,059 --> 01:05:07,119
Five, six, seven, eight!
744
01:05:11,030 --> 01:05:12,179
Ladies and gentlemen...
745
01:05:14,110 --> 01:05:15,210
Tina Turner!
746
01:05:41,079 --> 01:05:42,251
We hired a young band.
747
01:05:43,030 --> 01:05:44,251
We didn't really have any money,
748
01:05:45,030 --> 01:05:47,090
so Tina, who had always knew
749
01:05:47,110 --> 01:05:49,039
what she wanted them
to look like,
750
01:05:49,059 --> 01:05:52,050
said, "We'll put them
in black karate suits."
751
01:05:52,070 --> 01:05:54,050
The band hated them.
752
01:05:54,070 --> 01:05:56,079
The musicians were like,
"Why do we have to wear these?"
753
01:05:56,099 --> 01:05:58,139
I said, "Well you know, you each
get a different color belt."
754
01:06:01,231 --> 01:06:03,139
We looked a little bit shabby,
755
01:06:03,159 --> 01:06:05,251
but that's what
rock and roll is. It's shabby.
756
01:06:07,090 --> 01:06:09,090
She wanted two girls,
757
01:06:09,110 --> 01:06:11,231
to get away, I think,
from that Ikette thing.
758
01:06:14,130 --> 01:06:17,090
She was reinventing herself
759
01:06:17,110 --> 01:06:18,159
as Tina Turner.
760
01:06:20,139 --> 01:06:22,190
That was the beginning
of me taking control
761
01:06:22,210 --> 01:06:24,030
of my performance.
762
01:06:25,159 --> 01:06:26,219
I was my own boss.
763
01:06:59,070 --> 01:07:01,079
So, the minute
we changed the show,
764
01:07:01,099 --> 01:07:03,059
reviews were great,
everything was going well.
765
01:07:03,079 --> 01:07:05,199
And then we started working
to try to get a record deal.
766
01:07:05,219 --> 01:07:08,039
Nobody would touch Tina Turner.
767
01:07:08,059 --> 01:07:11,219
When I first started
trying to look for a deal
768
01:07:11,239 --> 01:07:13,119
with Tina,
769
01:07:14,039 --> 01:07:15,090
the general feeling was,
770
01:07:15,110 --> 01:07:16,190
"Is she still
with that guy, Ike?"
771
01:07:16,210 --> 01:07:18,110
No one had any idea.
772
01:07:18,130 --> 01:07:21,190
Tina needed to be exposed
as, "She's a solo artist,
773
01:07:21,210 --> 01:07:23,119
she's not associated with Ike."
774
01:07:24,179 --> 01:07:27,179
Roger came to me, asking me
775
01:07:27,199 --> 01:07:31,050
if I would be willing
to give the story to the press,
776
01:07:31,190 --> 01:07:35,059
and I was afraid to...
777
01:07:35,079 --> 01:07:39,219
put it out because of
what I might receive from Ike.
778
01:07:49,021 --> 01:07:51,030
I didn't really know too much
779
01:07:51,050 --> 01:07:52,219
about the backstory,
780
01:07:52,239 --> 01:07:55,150
and nobody knew
about the traumas
781
01:07:55,170 --> 01:07:56,219
that she went through.
782
01:07:56,239 --> 01:08:00,079
You know, I just was looking
for a simple comeback story.
783
01:08:00,099 --> 01:08:01,231
Little did I know, you know,
784
01:08:01,251 --> 01:08:05,099
there was this whole legend,
that came about.
785
01:08:08,219 --> 01:08:11,039
I didn't know what to expect.
786
01:08:13,070 --> 01:08:16,020
I wanted to stop people
from thinking
787
01:08:16,041 --> 01:08:17,201
that Ike and Tina
was so positive.
788
01:08:17,220 --> 01:08:19,170
I mean, he was-- it was--
789
01:08:19,190 --> 01:08:23,020
that we were such a love team,
or a great team,
790
01:08:23,041 --> 01:08:24,230
and it wasn't like that.
791
01:08:24,250 --> 01:08:29,150
So I thought, if nothing else,
at least people would know.
792
01:08:34,050 --> 01:08:35,250
Tina Turner is a legend,
793
01:08:36,030 --> 01:08:37,210
a major influence on rock stars
794
01:08:37,230 --> 01:08:40,050
like Rod Stewart
and Mick Jagger.
795
01:08:40,070 --> 01:08:42,220
Once, she was teamed
with her husband, Ike.
796
01:08:42,240 --> 01:08:44,020
Now she's on her own,
797
01:08:44,041 --> 01:08:47,070
trying to establish herself
as a star once again.
798
01:08:47,090 --> 01:08:49,140
My life with Ike, it was,
799
01:08:49,161 --> 01:08:52,070
one that a lot of, maybe,
people are familiar with,
800
01:08:52,090 --> 01:08:54,201
of husbands that is,
801
01:08:54,220 --> 01:08:57,030
that practice brutality.
802
01:08:57,050 --> 01:08:58,110
- Yeah?
- Yeah.
803
01:08:58,130 --> 01:09:01,190
Nobody talked
about sexual abuse,
804
01:09:01,210 --> 01:09:04,201
physical abuse, domestic abuse.
805
01:09:04,220 --> 01:09:06,060
Abuse, period.
806
01:09:06,081 --> 01:09:09,230
Our generation
is the generation
807
01:09:09,250 --> 01:09:13,240
that started
to break the silence.
808
01:09:15,121 --> 01:09:19,020
Tina, she couldn't
voice her own opinions.
809
01:09:19,041 --> 01:09:21,161
Everything that she did
was with Ike.
810
01:09:21,180 --> 01:09:25,060
The idea of Tina
as a presence on her own
811
01:09:25,081 --> 01:09:28,180
and having escaped,
people loved that story.
812
01:09:28,201 --> 01:09:33,140
They wanted-- You know,
here was somebody to root for.
813
01:09:33,161 --> 01:09:37,130
Once the word was out,
we met a guy called Carter,
814
01:09:37,150 --> 01:09:40,180
John Carter at Capital
who believed in her.
815
01:09:40,201 --> 01:09:43,190
I had always been
interested in artists
816
01:09:43,210 --> 01:09:45,230
that no one else
was interested in.
817
01:09:45,250 --> 01:09:48,121
Once a star, always a threat,
818
01:09:48,140 --> 01:09:50,090
and that's the way I felt
about Tina.
819
01:09:50,110 --> 01:09:52,070
So you play that thing,
you're playing that,
820
01:09:52,090 --> 01:09:53,190
and you're playing
the strum under me,
821
01:09:53,210 --> 01:09:55,100
and we move down stage
with that.
822
01:09:55,121 --> 01:09:57,081
Let's just get that right.
That's exactly...
823
01:09:57,100 --> 01:10:01,210
Carter basically gave us
a development deal.
824
01:10:01,230 --> 01:10:04,050
We tried probably eight
or ten tracks,
825
01:10:04,070 --> 01:10:07,190
still trying to find our way.
We never got quite there.
826
01:10:07,210 --> 01:10:09,121
Stay under me there,
but just come down.
827
01:10:09,140 --> 01:10:11,100
Keep the pulse under me.
Don't lose the--
828
01:10:11,121 --> 01:10:12,201
We record a few things,
829
01:10:12,220 --> 01:10:16,020
and as much as Roger
and I would get enthusiastic
830
01:10:16,041 --> 01:10:17,240
about a song here
and a song there,
831
01:10:18,020 --> 01:10:21,130
it was never really
the body of work that we needed.
832
01:10:23,180 --> 01:10:25,041
And then one day,
833
01:10:25,060 --> 01:10:27,240
Carter rang me up,
beside himself,
834
01:10:28,020 --> 01:10:30,110
because there'd been
a change of management
835
01:10:30,130 --> 01:10:32,060
at Capital Records.
836
01:10:32,081 --> 01:10:33,170
And they'd been in a meeting,
837
01:10:33,190 --> 01:10:36,030
and they'd been going through
the roster of artists, I guess,
838
01:10:36,050 --> 01:10:41,081
and the new management
didn't want Tina on the label.
839
01:10:41,100 --> 01:10:43,050
The new regime comes in...
840
01:10:43,070 --> 01:10:46,041
...and like any new regime,
841
01:10:46,060 --> 01:10:48,121
they've got their own idea
about what they wanna do.
842
01:10:48,140 --> 01:10:51,121
- Right.
- So I flip out,
843
01:10:51,140 --> 01:10:56,100
I go downstairs, and I said,
"Hey, this is my act."
844
01:10:56,121 --> 01:10:58,201
And the classic quote is,
845
01:10:58,220 --> 01:11:02,041
"Carter, you signed
this old nigger douchebag?"
846
01:11:02,060 --> 01:11:03,140
Whoa. Whoa.
847
01:11:03,161 --> 01:11:06,180
"Yeah, yeah, I did,
and I'm really happy about it.
848
01:11:06,201 --> 01:11:08,150
Now pick up the phone
and call Roger Davies."
849
01:11:08,170 --> 01:11:11,020
- Wow.
- He said,
"No fucking way."
850
01:11:11,041 --> 01:11:13,170
And I get on my knees,
and I said,
851
01:11:13,190 --> 01:11:16,180
"I'm now gonna beg you,
and I'm not gonna get up
852
01:11:16,201 --> 01:11:19,041
until you pick up the phone."
853
01:11:19,060 --> 01:11:23,090
And there was a long stare down,
854
01:11:23,110 --> 01:11:25,230
- and he picks up the phone.
- Wow.
855
01:11:25,250 --> 01:11:29,020
Well, he says, "Okay,
she's back on the roster."
856
01:11:29,041 --> 01:11:30,210
"You finish your record,
857
01:11:30,230 --> 01:11:31,250
but you understand
858
01:11:32,030 --> 01:11:35,110
that we're gonna do nothing.
That's all there is."
859
01:12:07,201 --> 01:12:09,150
I was held back...
860
01:12:10,180 --> 01:12:12,100
for a very long time.
861
01:12:13,130 --> 01:12:15,090
But I didn't suffer
from those things,
862
01:12:15,110 --> 01:12:17,100
and it's not necessary
to suffer about that
863
01:12:17,121 --> 01:12:20,150
because what can you do
about it? You know?
864
01:12:21,140 --> 01:12:23,100
So I didn't think
about those things.
865
01:12:25,240 --> 01:12:28,050
She always had a belief
it was gonna be okay.
866
01:12:28,070 --> 01:12:32,020
And I think you had to have
that belief to get-- keep going.
867
01:12:37,090 --> 01:12:40,130
Radio, as you know in America,
was very categorized.
868
01:12:40,150 --> 01:12:42,110
And there's pop,
and there's R&B, there's urban,
869
01:12:42,130 --> 01:12:46,020
then there's hot AC,
and she wanted to sing rock.
870
01:12:46,041 --> 01:12:50,121
And that wasn't really what
they thought would work.
871
01:12:50,140 --> 01:12:52,190
And that's when we knew
that it had to be England,
872
01:12:52,210 --> 01:12:55,030
'cause England
and Europe got her.
873
01:13:04,170 --> 01:13:10,050
It was London,
it was another whole experience
874
01:13:10,190 --> 01:13:12,090
from America.
875
01:13:12,110 --> 01:13:14,090
You know, it felt like home.
876
01:13:14,110 --> 01:13:16,230
It felt so comfortable
877
01:13:16,250 --> 01:13:18,240
that I could've been there
all my life.
878
01:13:22,030 --> 01:13:25,041
Well I didn't have
that many friends in America
879
01:13:25,060 --> 01:13:27,220
because, of course, Ike,
880
01:13:27,240 --> 01:13:30,060
and then when I left Ike,
881
01:13:30,230 --> 01:13:33,230
immediately, I went to work.
882
01:13:36,110 --> 01:13:38,190
My sons were at home,
they were fine.
883
01:13:40,041 --> 01:13:42,110
My oldest was 28, um...
884
01:13:42,130 --> 01:13:45,030
my youngest is moving
well into his middle twenties,
885
01:13:45,050 --> 01:13:47,170
so not really kids anymore.
886
01:13:47,190 --> 01:13:49,250
I left everything
and everybody behind.
887
01:13:50,030 --> 01:13:52,081
I needed every minute
of my brain
888
01:13:52,240 --> 01:13:55,110
to map my life together.
889
01:13:57,020 --> 01:13:59,170
It's almost like
she had a coming of age
890
01:13:59,190 --> 01:14:01,030
at 40 years old.
891
01:14:01,050 --> 01:14:03,081
The fact that
she has this voice,
892
01:14:03,100 --> 01:14:06,060
this incredible,
incredible voice,
893
01:14:06,081 --> 01:14:09,161
I would say the industry
didn't even really know
what to do with.
894
01:14:10,230 --> 01:14:13,060
Roger could see
what could be done
895
01:14:13,081 --> 01:14:15,050
when other people
couldn't imagine
896
01:14:15,070 --> 01:14:16,140
what it could become.
897
01:14:16,161 --> 01:14:19,090
Said, "There's this new kind of
production technique in England,
898
01:14:19,110 --> 01:14:20,240
and there are these new people,
899
01:14:21,020 --> 01:14:22,161
they're getting new sounds,
900
01:14:22,180 --> 01:14:24,161
and you should be part of that."
901
01:14:26,161 --> 01:14:28,250
I was collecting songs.
I used to carry around
902
01:14:29,030 --> 01:14:31,081
this leather bag
full of cassettes
903
01:14:31,100 --> 01:14:33,240
and asking a bunch of people
and, you know,
904
01:14:34,020 --> 01:14:36,110
Terry Britten,
he was a bit of a hero of mine,
905
01:14:36,130 --> 01:14:39,190
and he had songs
I think might work for Tina.
906
01:14:39,210 --> 01:14:42,190
Roger's tea.
907
01:14:45,161 --> 01:14:48,100
"What's Love" is probably
the worst demo ever done
908
01:14:48,121 --> 01:14:51,140
to this date. I mean,
there's no-- there's no--
909
01:14:52,230 --> 01:14:56,070
Just none of that stuff.
Very white, very pop.
910
01:14:56,230 --> 01:14:59,060
And nothing remotely
911
01:14:59,081 --> 01:15:00,220
would say Tina Turner.
912
01:15:02,070 --> 01:15:04,070
Originally,
it did go to an English band
913
01:15:04,090 --> 01:15:06,070
called, um, Bucks Fizz.
914
01:15:06,090 --> 01:15:07,250
They were really popular
at the time
915
01:15:08,030 --> 01:15:10,230
and, I think they actually
recorded it.
916
01:15:22,161 --> 01:15:24,020
I thought "What's Love" was...
917
01:15:24,250 --> 01:15:26,150
it could be a big song.
918
01:15:27,081 --> 01:15:29,150
Tina never really liked it.
919
01:15:29,170 --> 01:15:33,161
It was terrible.
It was awful. It was...
920
01:15:33,180 --> 01:15:37,180
I was rock and roll,
I was not--
921
01:15:37,201 --> 01:15:40,081
That was a--
that was a pop song.
922
01:15:40,100 --> 01:15:42,110
So Roger says, "All right,
all right, all right.
923
01:15:42,130 --> 01:15:44,030
Just one thing,
you've gotta meet Terry Britten,
924
01:15:44,050 --> 01:15:45,170
you've gotta meet him
'cause he's a great writer,
925
01:15:45,190 --> 01:15:47,170
and maybe he can make some
adjustments or whatever."
926
01:15:47,190 --> 01:15:48,220
And I went, "All right."
927
01:15:50,230 --> 01:15:54,030
We walked in, and I didn't know
what to expect at first,
928
01:15:54,050 --> 01:15:55,250
and Terry was like
a little leprechaun.
929
01:15:56,030 --> 01:15:57,090
I mean, he's very short.
930
01:15:57,110 --> 01:15:59,170
He was sitting there, and his
legs were hanging.
931
01:15:59,190 --> 01:16:03,121
There's just something about his
legs hanging that I remember.
932
01:16:03,140 --> 01:16:05,140
She came in,
and immediately, she said,
933
01:16:05,161 --> 01:16:07,090
"Well, you know
I don't like that song,
934
01:16:07,110 --> 01:16:08,150
and I don't wanna do that song,
935
01:16:08,170 --> 01:16:10,220
and it's Roger-- Roger
that wants me to do it."
936
01:16:10,240 --> 01:16:13,081
Well, I said, "Well, you know,
if it doesn't work out,
937
01:16:13,100 --> 01:16:15,130
you won't use it,
so let's give it a go."
938
01:16:19,100 --> 01:16:21,140
I had to find a way
to sing the song,
939
01:16:21,161 --> 01:16:24,081
so he would say,
"Tina, sing this
940
01:16:24,100 --> 01:16:25,130
how you would sing it."
941
01:16:25,150 --> 01:16:29,240
So, okay. Then I applied
my heavy voice to it and--
942
01:16:32,121 --> 01:16:34,090
She was trying
to get her head round it.
943
01:16:34,110 --> 01:16:36,100
"How's this little...
944
01:16:36,121 --> 01:16:39,110
...work?" Sort of thing,
and, I said to her,
945
01:16:39,130 --> 01:16:41,180
"Tina, this is a jog."
946
01:16:41,201 --> 01:16:44,180
And we both stood and jogged.
947
01:16:44,201 --> 01:16:46,070
I said-- and--
948
01:16:46,090 --> 01:16:48,121
she was singing loud,
and I went, "Quieter, quieter."
949
01:16:48,140 --> 01:16:51,020
She said, "If I go any quieter,
I'll be whispering."
950
01:16:51,041 --> 01:16:54,180
I said, "Yeah, that's it." And
we start to jog on this thing,
951
01:16:54,201 --> 01:16:57,240
and suddenly she went,
"I got it, I got it, I got it."
952
01:17:18,050 --> 01:17:20,140
I was stunned
afterwards, after the session.
953
01:17:22,110 --> 01:17:24,090
They weren't used to
a strong voice
954
01:17:24,110 --> 01:17:26,020
standing on top of music.
955
01:17:26,041 --> 01:17:28,110
But I converted it
and made it my own.
956
01:17:37,201 --> 01:17:38,240
She said,
"You know what?
957
01:17:39,020 --> 01:17:41,030
People are gonna say
this is a Tina Turner song.
958
01:17:41,050 --> 01:17:43,050
It's not Tina doing a cover.
959
01:17:44,070 --> 01:17:45,201
This is Tina Turner's song."
960
01:17:54,070 --> 01:17:57,100
I knocked that album out
in two weeks in the studio.
961
01:17:57,121 --> 01:17:59,190
Done. Finished.
962
01:17:59,210 --> 01:18:02,070
We just went
from studio to studio,
963
01:18:02,090 --> 01:18:04,070
and, literally,
two or three weeks,
964
01:18:04,090 --> 01:18:05,130
the album was done.
965
01:18:05,150 --> 01:18:07,240
We turned up with an album
that sold 20 million copies.
966
01:18:09,161 --> 01:18:12,140
When the album was out
and we were in New York
967
01:18:12,161 --> 01:18:14,220
at Tower Records
doing a record signing,
968
01:18:14,240 --> 01:18:18,190
and I got the call
from our record company
969
01:18:18,210 --> 01:18:21,201
that it had gone--
"What's Love" had gone
to number one on Billboard.
970
01:18:21,220 --> 01:18:23,030
In Tower Records?
971
01:18:23,050 --> 01:18:24,180
This was in Tower Records.
972
01:18:24,201 --> 01:18:26,121
And I just jumped up
and I said to everybody,
"It's number one!"
973
01:18:26,140 --> 01:18:28,090
And they all started cheering.
It was wonderful.
974
01:18:28,110 --> 01:18:30,170
You know,
when you said that,
I honestly have to tell you,
975
01:18:30,190 --> 01:18:32,150
I know it's gonna sound
real corny, but I mean it,
976
01:18:32,170 --> 01:18:34,041
when I saw you
say that last night,
977
01:18:34,060 --> 01:18:37,210
that this went number one today,
I just, like, burst into tears
978
01:18:37,230 --> 01:18:41,170
because, to me, it was like
there is some justice after all.
979
01:18:41,190 --> 01:18:43,060
I don't know if you feel
that way about it,
980
01:18:43,081 --> 01:18:46,050
but it was very moving.
Number one.
981
01:19:09,090 --> 01:19:11,150
And the record
of the year is
982
01:19:11,170 --> 01:19:14,030
"What's Love Got to Do with It,"
Tina Turner.
983
01:19:26,110 --> 01:19:29,060
My goodness. This has been
a wonderful evening.
984
01:19:29,081 --> 01:19:32,081
I'd like to take this award
985
01:19:32,100 --> 01:19:35,220
and give it to someone
that's been wonderful to me
986
01:19:35,240 --> 01:19:38,161
as a friend, and in business,
987
01:19:38,180 --> 01:19:42,041
and in many ways, my manager,
Roger Davies.
988
01:19:42,060 --> 01:19:43,240
It's been a wonderful year.
989
01:19:48,150 --> 01:19:50,081
My Private Dancer album,
990
01:19:50,100 --> 01:19:52,130
no, I don't consider it
a comeback album.
991
01:19:52,150 --> 01:19:54,130
Tina had never arrived.
992
01:19:54,150 --> 01:19:57,060
It was Tina's debut
for the first time,
993
01:19:57,081 --> 01:19:59,100
and this was my first album.
994
01:20:00,030 --> 01:20:01,230
Tina Turner!
995
01:20:02,250 --> 01:20:04,230
Tina Turner!
996
01:20:09,100 --> 01:20:11,070
It reached a stage where,
997
01:20:11,090 --> 01:20:14,041
after Private Dancer,
it was unbelievably big.
998
01:20:15,090 --> 01:20:17,210
It was a runaway train.
999
01:20:17,230 --> 01:20:19,180
When you're hot, you're hot,
1000
01:20:19,201 --> 01:20:21,170
and this lady is the hottest.
1001
01:20:21,190 --> 01:20:23,210
-Here's...
-Tina Turner!
1002
01:20:25,180 --> 01:20:27,060
I had my boyfriend
standing in line
1003
01:20:27,081 --> 01:20:28,210
since 3:00 in the morning
to get these tickets.
1004
01:20:28,230 --> 01:20:30,161
I said, "That's it,
the relationship's over
1005
01:20:30,180 --> 01:20:31,250
unless you get me
these tickets."
1006
01:20:32,030 --> 01:20:34,020
And if she isn't sexy,
I don't know who is.
1007
01:20:34,041 --> 01:20:36,020
Give our honors to Tina Turner.
1008
01:20:36,041 --> 01:20:37,110
Stupenda, stupenda.
1009
01:20:41,050 --> 01:20:44,240
...Tina Turner.
1010
01:20:45,020 --> 01:20:47,121
Um, Private Dancer,
I think we ended up doing
1011
01:20:47,140 --> 01:20:49,070
a hundred and fifty concerts.
1012
01:20:51,060 --> 01:20:53,110
And then we went on
to break every rule.
1013
01:20:55,110 --> 01:20:59,020
On that album,
we did the biggest tour
we've ever done.
1014
01:20:59,041 --> 01:21:01,230
We played 230 shows
in 18 months,
1015
01:21:01,250 --> 01:21:03,060
everywhere in the world.
1016
01:21:06,240 --> 01:21:11,110
This 50-year-old woman playing
at stadiums throughout Europe
1017
01:21:11,130 --> 01:21:14,180
and having an audience
ranging from about 15 to 60
1018
01:21:14,201 --> 01:21:16,140
was pretty amazing.
1019
01:21:16,161 --> 01:21:19,081
- She makes you feel young.
She's alive, she's bouncing.
I know, I feel like
1020
01:21:19,100 --> 01:21:22,170
- I'm 20 years younger.
- I can't wait
for them to come back.
1021
01:21:22,190 --> 01:21:25,190
When I'm on stage,
and it's like 20,000 people,
1022
01:21:25,210 --> 01:21:27,161
then you know that
it's all worthwhile, you know.
1023
01:21:27,180 --> 01:21:30,030
But it's really a lot
that goes on behind the scenes
1024
01:21:30,050 --> 01:21:31,150
when you-- I've never been
this big before,
1025
01:21:31,170 --> 01:21:34,190
you know what I mean? And you--
It's just incredible.
1026
01:21:35,190 --> 01:21:37,090
We didn't stop.
1027
01:21:37,110 --> 01:21:40,060
We played the small halls,
we played the clubs,
1028
01:21:40,081 --> 01:21:42,081
we did all the TVs,
we got to arenas.
1029
01:21:42,100 --> 01:21:44,110
We eventually fulfilled
her dream
1030
01:21:44,130 --> 01:21:46,201
and filled the stadiums.
1031
01:21:46,220 --> 01:21:51,050
That concert in Rio
was 186,000 people there.
1032
01:21:52,180 --> 01:21:56,121
Tina! Tina!
1033
01:21:56,140 --> 01:21:58,041
Hello, Rio!
1034
01:22:00,170 --> 01:22:03,140
Give it to me. Hello, Rio!
1035
01:22:09,121 --> 01:22:11,100
You can't imagine
what it was like for me
1036
01:22:11,121 --> 01:22:13,100
to finally to stand there
and draw all those people.
1037
01:22:13,121 --> 01:22:15,140
It's a feeling of, like,
"I did it,"
1038
01:22:15,161 --> 01:22:17,030
and it's really genuine.
1039
01:22:17,050 --> 01:22:20,020
It's-- it is almost like magic,
because you're standing there,
1040
01:22:20,041 --> 01:22:22,250
and they're really
giving you love.
1041
01:22:23,030 --> 01:22:24,100
Are you ready?
1042
01:22:25,190 --> 01:22:28,060
Are you ready for me?
1043
01:22:28,081 --> 01:22:30,170
I'm ready for you.
Hello.
1044
01:24:34,060 --> 01:24:35,201
Thank you.
1045
01:25:07,140 --> 01:25:11,121
In 1985, she signed on
to do the third Mad Max movie,
1046
01:25:11,140 --> 01:25:12,210
Beyond Thunderdome.
1047
01:25:12,230 --> 01:25:14,150
Rolling Stones sent me
to cover this.
1048
01:25:14,170 --> 01:25:16,081
Great, I would love
to cover this.
1049
01:25:17,090 --> 01:25:19,210
She was the biggest pop star
in the world.
1050
01:25:19,230 --> 01:25:22,090
I mean, it was already clear
that there were gonna be people
1051
01:25:22,110 --> 01:25:24,050
doing these quickie bios
of Tina Turner,
1052
01:25:24,070 --> 01:25:26,060
which I thought was really
tacky, so I get over there
1053
01:25:26,081 --> 01:25:28,020
and I talk to Roger,
and I said, "You know,
1054
01:25:28,041 --> 01:25:31,100
maybe you should have someone
do a book.
1055
01:25:31,121 --> 01:25:33,060
You know,
do an actual biography.
1056
01:25:33,081 --> 01:25:35,100
And... could be me.
1057
01:25:35,121 --> 01:25:36,190
I mean,
could be anybody, you know.
1058
01:25:36,210 --> 01:25:38,210
- I don't want to be pushy."
- You pitched to them?
1059
01:25:38,230 --> 01:25:41,130
Yeah. Well,
I brought up the possibility
1060
01:25:41,150 --> 01:25:43,140
of doing something
to forestall
1061
01:25:43,161 --> 01:25:45,161
all these bad books
that would be coming out.
1062
01:25:46,130 --> 01:25:49,030
When she became successful,
1063
01:25:49,050 --> 01:25:51,190
the past came up,
and it got a lot of press
1064
01:25:51,210 --> 01:25:54,060
'cause she was also
hugely popular.
1065
01:25:54,081 --> 01:25:56,210
People continued
to ask about Ike,
1066
01:25:56,230 --> 01:25:59,161
even after she had had
huge solo success.
1067
01:25:59,180 --> 01:26:01,110
They'd bring up
the same old stuff,
1068
01:26:01,130 --> 01:26:03,060
over and over,
in every interview.
1069
01:26:03,081 --> 01:26:04,140
We couldn't stop it.
1070
01:26:04,161 --> 01:26:08,161
Ike was, arrested on some
cocaine charges in Pasadena.
1071
01:26:08,180 --> 01:26:10,081
Yeah, for possession
1072
01:26:10,100 --> 01:26:13,240
and-- and conspiracy,
possibly for dealing.
1073
01:26:14,161 --> 01:26:16,161
Any reaction to that?
1074
01:26:16,180 --> 01:26:19,220
I, you know, I'd like to hear
all positive things.
1075
01:26:19,240 --> 01:26:21,250
I'd love to hear
that Ike had a record deal,
1076
01:26:22,030 --> 01:26:24,201
- and he was producing
an album on himself.
- Yeah.
1077
01:26:28,250 --> 01:26:30,050
Right.
1078
01:26:44,170 --> 01:26:49,020
Yeah.
1079
01:26:49,041 --> 01:26:51,140
I think that she said
at the time that, "I can do this
1080
01:26:51,161 --> 01:26:52,230
and not talk about it again.
1081
01:26:52,250 --> 01:26:54,060
Everybody's talking about it.
1082
01:26:54,081 --> 01:26:56,050
Everybody has this idea
about it, thinks this or that.
1083
01:26:56,070 --> 01:26:58,090
So, I know what happened.
I'll say what happened.
1084
01:26:58,110 --> 01:27:00,110
Then I won't have
to address it again."
1085
01:27:01,161 --> 01:27:03,250
A long line of fans
waited outside
1086
01:27:04,030 --> 01:27:06,090
a Barnes and Noble bookstore
for Tina.
1087
01:27:06,110 --> 01:27:08,230
The soulful singer is now
also an author,
1088
01:27:08,250 --> 01:27:10,170
and she was in town,
anxious and willing
1089
01:27:10,190 --> 01:27:12,210
to autograph
a few hundred copies.
1090
01:27:12,230 --> 01:27:14,150
It was worth getting sweaty,
1091
01:27:14,170 --> 01:27:15,230
going up there, pushing people,
1092
01:27:15,250 --> 01:27:18,110
getting them out the way,
seeing Tina Turner. I love her.
1093
01:27:18,130 --> 01:27:20,020
"What's Love Got to Do with It"?
1094
01:27:20,041 --> 01:27:21,140
Tina's book, by the way,
1095
01:27:21,161 --> 01:27:24,081
tracing her rise and fall
and rise again,
1096
01:27:24,100 --> 01:27:25,220
is titled I, Tina.
1097
01:27:27,041 --> 01:27:30,030
It was a top ten
New York Times best seller,
1098
01:27:30,050 --> 01:27:31,170
strict because of Tina Turner.
1099
01:27:31,190 --> 01:27:33,060
I mean,
they could put an empty book out
1100
01:27:33,081 --> 01:27:36,150
with her picture on the cover,
that book would have sold.
1101
01:27:36,170 --> 01:27:40,130
She just felt
maybe it will put it to bed
1102
01:27:40,150 --> 01:27:41,250
once and for all.
1103
01:27:42,030 --> 01:27:44,150
Which, of course, it didn't.
It just made it bigger.
1104
01:27:44,170 --> 01:27:46,220
Albuquerque, New Mexico, hello.
1105
01:27:46,240 --> 01:27:48,060
I read your book,
1106
01:27:48,081 --> 01:27:50,180
and it's totally
changed my life.
1107
01:27:50,201 --> 01:27:52,150
I love you. I thank you.
1108
01:27:53,240 --> 01:27:56,220
That story
reached so many people
1109
01:27:56,240 --> 01:27:59,230
who felt like they had to kinda
keep their secrets
1110
01:27:59,250 --> 01:28:01,180
locked away deep down.
1111
01:28:01,201 --> 01:28:04,050
But then I wonder
that thing of, like,
1112
01:28:04,070 --> 01:28:06,121
it's like a Pandora's box
situation, right?
1113
01:28:06,140 --> 01:28:08,230
Like, "Damn, I gotta tell
this story again?"
1114
01:28:13,121 --> 01:28:15,250
And then
the film came out,
1115
01:28:16,030 --> 01:28:19,250
and just kinda brought
more attention to her name,
1116
01:28:20,030 --> 01:28:23,030
for people to see
what happened and everything.
1117
01:28:23,050 --> 01:28:25,020
- What'd you say?
- Don't start with me.
1118
01:28:25,041 --> 01:28:27,020
I ain't in the mood today,
all right?
1119
01:28:27,041 --> 01:28:28,250
It's tangible in the sense
you're watching it.
1120
01:28:29,030 --> 01:28:30,140
I'll give up
all that other stuff,
1121
01:28:30,161 --> 01:28:32,081
but only
if I get to keep my name.
1122
01:28:32,100 --> 01:28:35,050
I worked too hard for it,
Your Honor.
1123
01:28:35,070 --> 01:28:37,090
That just changed
everything for her.
1124
01:28:38,190 --> 01:28:41,210
That role changed my life.
1125
01:28:41,230 --> 01:28:46,060
I mean, I'm not Tina,
and I've got so much,
1126
01:28:46,081 --> 01:28:48,090
love from others.
1127
01:28:48,110 --> 01:28:50,110
Men, women who have come up
and said,
1128
01:28:50,130 --> 01:28:55,070
"You playing her in that story
changed my life."
1129
01:28:55,090 --> 01:28:58,090
The story
goes out into people's houses,
1130
01:28:58,110 --> 01:29:01,140
and then it becomes a part
of their life as well.
1131
01:29:01,161 --> 01:29:03,100
It's Tina Day!
1132
01:29:07,240 --> 01:29:10,110
That's hard
to wrap your mind around,
1133
01:29:10,130 --> 01:29:12,190
that your life has been
an inspiration,
1134
01:29:12,210 --> 01:29:14,110
maybe the worst parts
of your life
1135
01:29:14,130 --> 01:29:16,030
has been an inspiration.
1136
01:29:16,050 --> 01:29:17,230
We have 50,000
letters downstairs
1137
01:29:17,250 --> 01:29:21,161
from women who have also
been through it and survived.
1138
01:29:21,180 --> 01:29:24,140
Tina did it, so can you,
let's celebrate.
1139
01:29:29,020 --> 01:29:31,210
She's no longer
in control of that story.
1140
01:29:31,230 --> 01:29:33,201
That's what happens to icons.
1141
01:29:35,041 --> 01:29:37,220
Anna Mae Bullock
has her own life.
1142
01:29:37,240 --> 01:29:40,130
Tina Turner
belongs to the world.
1143
01:29:56,140 --> 01:29:58,050
Miss Turner, welcome to Venice.
1144
01:29:58,070 --> 01:30:00,090
Can you give me your views
on the film?
1145
01:30:01,180 --> 01:30:04,070
Well, I haven't as yet
seen the film.
1146
01:30:07,220 --> 01:30:14,041
Well, I'm not so thrilled
about thinking about the past
1147
01:30:14,060 --> 01:30:18,201
and how I lived my life,
it was-- made a story--
1148
01:30:18,220 --> 01:30:21,050
the story was actually written
1149
01:30:21,070 --> 01:30:24,020
so that I would no longer
have to discuss the issue.
1150
01:30:24,041 --> 01:30:27,020
I don't love that it's always
talked about, you see.
1151
01:30:27,041 --> 01:30:29,210
I made a point of--
of just putting the news out
1152
01:30:29,230 --> 01:30:31,090
to stop the thing,
1153
01:30:31,110 --> 01:30:33,030
so that I could go on
with my life.
1154
01:30:33,050 --> 01:30:36,130
And this constant reminder
is not so good.
1155
01:30:36,150 --> 01:30:38,190
You know,
I'm not so happy about it.
1156
01:30:38,210 --> 01:30:40,201
So, do I want to sit in a screen
1157
01:30:40,220 --> 01:30:43,130
and watch the violence
and all the brutality?
1158
01:30:43,150 --> 01:30:45,150
No. That's why
I haven't seen it.
1159
01:30:49,250 --> 01:30:52,020
You know,
when you talk to journalists
1160
01:30:52,041 --> 01:30:56,100
over and over
for 20 or 30 or 40 years,
1161
01:30:56,121 --> 01:30:58,090
memories come back.
1162
01:30:58,110 --> 01:31:00,201
She has partly dreams about it,
1163
01:31:00,220 --> 01:31:02,240
they're not pleasant.
1164
01:31:03,020 --> 01:31:04,150
So I think these are
these things
1165
01:31:04,170 --> 01:31:07,201
that come back to her
when she opens that book.
1166
01:31:07,220 --> 01:31:11,180
It's like when soldiers
come back from the war.
1167
01:31:11,201 --> 01:31:16,121
It's not an easy time to--
to have this in your memory,
1168
01:31:16,140 --> 01:31:20,030
and then try to forget.
I see it a little bit like that.
1169
01:31:20,050 --> 01:31:22,250
Tina today
is a world superstar, um,
1170
01:31:23,030 --> 01:31:25,250
but there was a point where you
had to become the Comeback Kid.
1171
01:31:26,190 --> 01:31:27,230
How did you get the strength
1172
01:31:27,250 --> 01:31:29,210
to get out
of that situation with Ike?
1173
01:31:29,230 --> 01:31:32,220
We are going to talk
about him, aren't we?
1174
01:31:32,240 --> 01:31:35,140
Okay.
1175
01:31:35,161 --> 01:31:40,020
I need my fan now,
I just had a flush.
1176
01:31:40,041 --> 01:31:41,190
How did I get out
of that situation?
1177
01:31:41,210 --> 01:31:44,210
Let me figure out how I can
talk about that, two seconds.
1178
01:31:44,230 --> 01:31:46,190
No, no, I know how
to get out of it.
1179
01:31:46,210 --> 01:31:49,121
I'm just going to say,
um, something.
1180
01:31:49,140 --> 01:31:51,100
Give me two seconds here.
1181
01:31:51,121 --> 01:31:53,190
You don't want to think
about those times, you know.
1182
01:31:53,210 --> 01:31:56,030
You just want to--
it to just to go away.
1183
01:31:56,050 --> 01:31:57,201
But if you're gonna keep
bringing it up,
1184
01:31:57,220 --> 01:32:00,210
the brain is saying,
"You want to remember that."
1185
01:32:02,220 --> 01:32:05,140
That scene comes back.
1186
01:32:05,161 --> 01:32:09,140
You-- you're dreaming. It's--
The real picture is there.
1187
01:32:09,161 --> 01:32:12,090
It's-- it's like a curse.
1188
01:32:15,070 --> 01:32:16,220
You raised a son by him,
1189
01:32:16,240 --> 01:32:18,030
a son by another man,
1190
01:32:18,050 --> 01:32:20,130
and two of Ike's kids
by other women.
1191
01:32:20,150 --> 01:32:23,090
There were always other women
on the scene.
1192
01:32:23,110 --> 01:32:25,050
What was that like for you?
1193
01:32:25,070 --> 01:32:26,250
When you were married to Ike,
1194
01:32:27,030 --> 01:32:30,070
what was the absolutely
worse moment?
1195
01:32:30,090 --> 01:32:32,250
What do you think
attracts women to bad men?
1196
01:32:33,030 --> 01:32:34,210
Is there a real lowlight?
1197
01:32:34,230 --> 01:32:37,030
Something you'd love to forget?
1198
01:32:37,050 --> 01:32:39,110
And of course,
the book and the movie features
1199
01:32:39,130 --> 01:32:41,250
your allegations
about his bashings.
1200
01:32:42,030 --> 01:32:43,161
Tell me about that?
1201
01:32:43,180 --> 01:32:45,050
I'm-- I'm past it.
1202
01:32:45,070 --> 01:32:47,220
It's been 16 years
since I haven't been with Ike,
1203
01:32:47,240 --> 01:32:50,140
and the movie and the book
is bringing me back to the past,
1204
01:32:50,161 --> 01:32:52,170
of something
that was really awful.
1205
01:32:52,190 --> 01:32:54,201
My life is wonderful
at the moment.
1206
01:32:54,220 --> 01:32:56,090
I'm a happy person now,
1207
01:32:56,110 --> 01:32:59,041
and I don't dwell
on unhappiness.
1208
01:33:04,180 --> 01:33:07,090
The trauma is still so deep
that to go back there
1209
01:33:07,110 --> 01:33:10,220
makes you feel like
you're actually going back.
1210
01:33:12,081 --> 01:33:15,060
If you don't address the wounds
of your past,
1211
01:33:15,081 --> 01:33:17,121
you continue to bleed.
1212
01:33:20,230 --> 01:33:22,210
You know, she just--
she always had the feeling
1213
01:33:22,230 --> 01:33:24,121
that she wasn't loved.
1214
01:33:24,140 --> 01:33:28,020
She wasn't, you know,
she wasn't a wanted child.
1215
01:33:31,201 --> 01:33:35,041
I think with her mom,
I think that's still the--
1216
01:33:35,060 --> 01:33:38,140
the dramatization
of being left as a child,
1217
01:33:38,161 --> 01:33:40,030
that never left.
1218
01:33:47,170 --> 01:33:50,170
Ma was, not kind.
1219
01:33:52,170 --> 01:33:55,121
When I became a star,
of course, back then,
1220
01:33:55,140 --> 01:33:58,090
she was happy because
I bought her a house.
1221
01:33:58,110 --> 01:34:01,150
I did all kinds of things
for her. She was my mother.
1222
01:34:01,170 --> 01:34:04,041
You know, I was trying
to make her comfortable,
1223
01:34:04,060 --> 01:34:07,070
because she didn't have
a husband, she was alone.
1224
01:34:07,090 --> 01:34:09,140
But she still didn't like me.
1225
01:34:11,140 --> 01:34:13,190
Even after I became Tina,
1226
01:34:13,210 --> 01:34:15,170
Ma still was a little bit,
1227
01:34:15,190 --> 01:34:17,100
"Who did that?"
or "Who did this?"
1228
01:34:17,121 --> 01:34:18,161
And I said, "I did it, Ma."
1229
01:34:18,180 --> 01:34:21,100
You know, I was happy
to show my mother what I did.
1230
01:34:21,121 --> 01:34:23,250
I had a house,
I had gotten a car,
1231
01:34:24,030 --> 01:34:25,190
and she said,
"I don't believe it.
1232
01:34:25,210 --> 01:34:28,110
You're my daughter,
I know you didn't--"
1233
01:34:28,130 --> 01:34:30,161
Something to this affect.
1234
01:34:31,210 --> 01:34:33,201
Yeah, she...
1235
01:34:35,201 --> 01:34:37,190
She didn't want.
She didn't want me,
1236
01:34:37,210 --> 01:34:39,050
she didn't want to be around me,
1237
01:34:39,070 --> 01:34:41,150
even though she wanted
my success.
1238
01:34:41,170 --> 01:34:46,070
But I did for her
as if she loved me.
1239
01:34:50,100 --> 01:34:53,161
She's had
a few kind of ups and downs
1240
01:34:53,180 --> 01:34:54,180
in her life as well.
1241
01:34:54,201 --> 01:34:57,030
It hasn't--
it hasn't been all happy.
1242
01:34:57,050 --> 01:34:59,240
- Right.
- Um...
1243
01:35:00,020 --> 01:35:03,170
When-- when she's unhappy,
how-- how does she deal with it?
1244
01:35:07,060 --> 01:35:09,161
I would say she...
1245
01:35:12,250 --> 01:35:16,121
She did a great job
of dealing with it, because...
1246
01:35:17,150 --> 01:35:19,161
she would figure out the problem
1247
01:35:19,180 --> 01:35:21,140
and how to handle it.
1248
01:35:24,030 --> 01:35:26,201
Would she
kind of come running home
to you crying?
1249
01:35:26,220 --> 01:35:31,050
No, no, no, no,
she figured that out on her own.
1250
01:35:31,070 --> 01:35:34,020
Have you
had any particularly...
1251
01:35:34,041 --> 01:35:37,081
any particular moments
that you were really proud of?
1252
01:35:40,050 --> 01:35:43,250
Well, I've been proud of her
ever since she started singing.
1253
01:35:45,020 --> 01:35:46,140
But it's like...
1254
01:35:47,220 --> 01:35:52,070
a person-- some people's
afraid to climb a ladder
1255
01:35:52,090 --> 01:35:54,070
unless someone's holding it.
1256
01:35:55,060 --> 01:35:56,170
But she's not.
1257
01:35:56,190 --> 01:35:59,030
Once she make that first step
on that ladder,
1258
01:35:59,050 --> 01:36:02,190
she keep climbing up,
up, up, up.
1259
01:36:03,110 --> 01:36:04,190
She's not afraid.
1260
01:36:05,081 --> 01:36:06,121
She'll try it.
1261
01:36:07,130 --> 01:36:10,020
She's not afraid
to try anything.
1262
01:36:15,030 --> 01:36:17,100
Do you think
that now, after all the--
1263
01:36:17,121 --> 01:36:19,230
I mean, you've risen to the top
of the entertainment field,
1264
01:36:19,250 --> 01:36:21,090
where you've maybe
sacrificed love for--
1265
01:36:21,110 --> 01:36:22,170
- Rising.
- This is what--
1266
01:36:22,190 --> 01:36:23,250
This is what
readers will say, now.
1267
01:36:24,030 --> 01:36:25,220
"She has no--
she has no love in her life."
1268
01:36:25,240 --> 01:36:28,090
Kurt, we're gonna
get really heavy now
1269
01:36:28,110 --> 01:36:29,161
because I'm drinking.
1270
01:36:29,180 --> 01:36:31,050
- You're gonna find out.
- Good.
1271
01:36:31,070 --> 01:36:35,220
I have not received love
almost ever in my life.
1272
01:36:35,240 --> 01:36:37,090
I did not have it
with my mother,
1273
01:36:37,110 --> 01:36:39,110
and my father
from the beginning of birth.
1274
01:36:39,130 --> 01:36:40,170
And I survived.
1275
01:36:40,190 --> 01:36:43,041
Why did I get so far
without love, Kurt?
1276
01:36:43,060 --> 01:36:45,190
I've never had it.
And it-- and if I cry here,
1277
01:36:45,210 --> 01:36:47,030
it doesn't mean
that I pity myself,
1278
01:36:47,050 --> 01:36:49,140
it means that tears come
with certain memories.
1279
01:36:49,161 --> 01:36:51,020
No. Tears are not bad.
1280
01:36:51,041 --> 01:36:55,220
I have had
not one love affair
1281
01:36:55,240 --> 01:36:59,150
that was genuine
and sustained itself.
1282
01:36:59,170 --> 01:37:01,190
Not one.
1283
01:37:01,210 --> 01:37:03,121
Kurt, I've been through...
1284
01:37:03,140 --> 01:37:05,210
...fucking tons of heartbreak.
1285
01:37:05,230 --> 01:37:08,201
I have analyzed it.
I said, "What's wrong with me?"
1286
01:37:08,220 --> 01:37:11,161
I've looked in the mirror
with myself stripped of makeup
1287
01:37:11,180 --> 01:37:13,100
and without hair.
1288
01:37:13,121 --> 01:37:15,180
Why can't someone see the beauty
1289
01:37:15,201 --> 01:37:18,041
in the woman it is that I am?
1290
01:37:18,060 --> 01:37:20,240
Not a goddamn person
that found it.
1291
01:41:42,161 --> 01:41:44,170
The man
that I'm looking for, actually,
1292
01:41:44,190 --> 01:41:46,180
has to be a very strong man,
1293
01:41:46,201 --> 01:41:49,081
to wear, actually, the trousers,
1294
01:41:49,100 --> 01:41:52,100
but yet not to dominate me.
1295
01:41:52,121 --> 01:41:54,050
And that's fair.
1296
01:42:02,070 --> 01:42:05,081
Tina, over here!
1297
01:42:05,100 --> 01:42:07,100
We met at a Cologne airport.
1298
01:42:07,121 --> 01:42:09,170
No, actually it was,
Düsseldorf Airport.
1299
01:42:09,190 --> 01:42:12,060
And, her manager, Roger,
1300
01:42:12,081 --> 01:42:15,240
asked me to--
to pick up Tina.
1301
01:42:17,110 --> 01:42:19,201
He was younger.
He was 30 years old at the time.
1302
01:42:20,210 --> 01:42:23,090
The prettiest face.
I mean, you cannot.
1303
01:42:23,110 --> 01:42:28,070
I said, it was like saying,
"Where did he come from?"
1304
01:42:28,090 --> 01:42:30,170
He was really so good looking.
1305
01:42:30,190 --> 01:42:33,220
My heart went,
"ba-boomp, bop, bop."
1306
01:42:33,240 --> 01:42:37,070
And it means that
a soul has met.
1307
01:42:37,090 --> 01:42:38,240
And my hands were shaking.
1308
01:42:39,020 --> 01:42:43,090
So Roger said to me,
"Tina, you ride with Erwin."
1309
01:42:43,110 --> 01:42:46,180
And I-- I wanted to go, "Yay."
1310
01:42:48,170 --> 01:42:53,030
We enjoyed the ride.
I enjoyed driving the artist.
1311
01:42:53,050 --> 01:42:54,170
Actually a superstar for us,
1312
01:42:54,190 --> 01:42:56,240
where you're normally
a little nervous, you know.
1313
01:42:57,020 --> 01:42:59,140
But,
I wasn't nervous either.
1314
01:42:59,161 --> 01:43:01,201
I was just doing the job.
1315
01:43:03,081 --> 01:43:06,081
When he
found out that I liked him,
1316
01:43:06,100 --> 01:43:07,201
he came to America.
1317
01:43:07,220 --> 01:43:11,050
We were in Nashville,
I think it was,
1318
01:43:11,070 --> 01:43:12,230
and I said to him,
1319
01:43:12,250 --> 01:43:16,140
"When you come to LA,
I want you to make love to me."
1320
01:43:17,230 --> 01:43:20,201
But I thought that I could say
that 'cause I was a free woman,
1321
01:43:20,220 --> 01:43:23,220
I didn't have a boyfriend.
I liked him.
1322
01:43:23,240 --> 01:43:26,090
There was nothing wrong with it,
it was just sex.
1323
01:43:26,110 --> 01:43:29,020
And he looked at me
as if he doesn't--
1324
01:43:29,041 --> 01:43:34,121
didn't believe
what he was hearing.
1325
01:43:34,140 --> 01:43:36,030
I laugh now at the moment,
1326
01:43:36,050 --> 01:43:38,121
because I sometimes
get that look
1327
01:43:38,140 --> 01:43:39,220
when I do certain things.
1328
01:43:41,090 --> 01:43:46,190
He was just so, so different.
1329
01:43:46,210 --> 01:43:50,170
So laid back, so comfortable,
so unpretentious.
1330
01:43:52,110 --> 01:43:55,041
And that was the beginning
of our relationship.
1331
01:44:05,020 --> 01:44:08,230
I really needed love.
I just needed to love a person.
1332
01:44:12,100 --> 01:44:14,201
How many years later, darling,
we got married?
1333
01:44:15,161 --> 01:44:16,230
Twenty-seven.
1334
01:44:21,201 --> 01:44:26,180
It's love. It's something
we both have for each other.
1335
01:44:26,201 --> 01:44:31,041
I always refer to it
as an electrical charge.
1336
01:44:31,060 --> 01:44:32,140
I still have it.
1337
01:44:32,161 --> 01:44:35,060
I still have it and even though
when I left her
1338
01:44:35,081 --> 01:44:37,150
two hours ago,
three hours ago this morning,
1339
01:44:37,170 --> 01:44:39,110
I still have that feeling.
1340
01:44:39,130 --> 01:44:43,180
That feeling is still with me,
and, it's in my heart.
1341
01:44:43,201 --> 01:44:45,121
I feel very warm about this.
1342
01:45:57,140 --> 01:45:58,230
First, a minute to remember
1343
01:45:58,250 --> 01:46:00,230
one of the fathers
of rock and roll.
1344
01:46:00,250 --> 01:46:04,110
Ike Turner died today at age 76.
1345
01:46:04,130 --> 01:46:06,250
Back in 1951,
Turner helped record
1346
01:46:07,030 --> 01:46:09,030
what is one of the first
rock and roll records,
1347
01:46:09,050 --> 01:46:12,070
"Rocket 88," with his band,
The Kings of Rhythm.
1348
01:46:12,090 --> 01:46:15,020
He may be best known
as the abusive ex-husband
1349
01:46:15,041 --> 01:46:17,180
of Tina Turner, with whom
he performed for many years.
1350
01:46:17,201 --> 01:46:18,240
After their separation,
1351
01:46:19,020 --> 01:46:20,250
Ike Turner continued
to make music.
1352
01:46:21,030 --> 01:46:24,170
In 1991, he was inducted into
the Rock & Roll Hall of Fame,
1353
01:46:24,190 --> 01:46:25,201
and earlier this year,
1354
01:46:25,220 --> 01:46:27,220
his record Risin' with the Blues
1355
01:46:27,240 --> 01:46:30,161
won a Grammy
for Traditional Blues Album.
1356
01:46:32,081 --> 01:46:34,060
For a long time,
I did hate Ike,
1357
01:46:34,081 --> 01:46:35,170
I have to say that.
1358
01:46:35,190 --> 01:46:38,170
But then after he died,
1359
01:46:38,190 --> 01:46:41,070
I really realized
that he was a sick person.
1360
01:46:41,090 --> 01:46:44,130
He was an ill person
at the soul.
1361
01:46:45,180 --> 01:46:48,110
He did get me started,
1362
01:46:48,130 --> 01:46:51,081
and, he was good to me
in the beginning.
1363
01:46:51,100 --> 01:46:53,081
So I have some good thoughts.
1364
01:46:55,060 --> 01:46:57,240
Maybe it was a good thing
that I met him.
1365
01:46:58,201 --> 01:47:00,070
That, I don't know.
1366
01:47:17,081 --> 01:47:21,130
It hurts to have to
remember those times.
1367
01:47:25,130 --> 01:47:30,020
But at a certain stage,
forgiveness takes over.
1368
01:47:31,230 --> 01:47:34,140
Forgiving means
not to hold on.
1369
01:47:35,190 --> 01:47:37,081
You let it go,
1370
01:47:37,100 --> 01:47:39,161
because it only hurts you.
1371
01:47:39,180 --> 01:47:42,090
Not forgiving, you suffer,
1372
01:47:42,110 --> 01:47:44,190
'cause you think about it
over and over again.
1373
01:47:44,210 --> 01:47:46,110
And for what?
1374
01:47:49,060 --> 01:47:51,140
I had an abusive life.
1375
01:47:51,161 --> 01:47:53,140
There's no other way
to tell the story.
1376
01:47:53,161 --> 01:47:55,180
It's a reality, it's a truth.
1377
01:47:57,050 --> 01:47:58,100
That's what you've got.
1378
01:47:59,060 --> 01:48:00,190
So you have to accept it.
1379
01:48:33,110 --> 01:48:34,201
Working it.
Working it as always.
1380
01:48:34,220 --> 01:48:35,240
Why thank you, honey.
1381
01:48:36,020 --> 01:48:38,060
Can you tell us
what Tina means to you?
1382
01:48:41,240 --> 01:48:43,201
The money shot is coming.
1383
01:48:50,090 --> 01:48:52,190
Some people say
the life that I lived
1384
01:48:52,210 --> 01:48:55,070
and the performances
that I gave,
1385
01:48:55,090 --> 01:48:59,230
the appreciation
is blasting with the people.
1386
01:49:00,240 --> 01:49:04,121
And yeah, I should be proud
of that-- I am--
1387
01:49:06,210 --> 01:49:08,110
but when do you stop
being proud?
1388
01:49:08,130 --> 01:49:09,201
I mean, when do you--
1389
01:49:09,220 --> 01:49:13,090
How do you bow out slowly,
1390
01:49:13,110 --> 01:49:14,180
just go away?
1391
01:49:20,180 --> 01:49:23,070
She said,
"I'm going to America
1392
01:49:23,090 --> 01:49:26,201
and I'm going to say goodbye
to my American fans,
1393
01:49:26,220 --> 01:49:29,090
and, I'll wrap it up."
1394
01:49:29,110 --> 01:49:33,060
And I think this
documentary here and the play,
1395
01:49:33,240 --> 01:49:35,070
this is it.
1396
01:49:36,210 --> 01:49:39,240
It's a closure, a closure.
1397
01:49:40,240 --> 01:49:45,081
Tina, Tina, Tina!
1398
01:50:03,100 --> 01:50:08,220
What I gleaned
from her life was love.
1399
01:50:08,240 --> 01:50:11,110
Love of self,
love of her family,
1400
01:50:11,130 --> 01:50:14,090
love of her-- of her talent.
1401
01:50:14,110 --> 01:50:16,050
Love of audiences,
1402
01:50:16,070 --> 01:50:18,130
of music, of freedom.
1403
01:50:25,140 --> 01:50:27,050
But there's a part of her,
I guess,
1404
01:50:27,070 --> 01:50:29,100
that we've all laid claim to,
1405
01:50:29,121 --> 01:50:32,150
we've all embraced
across the world,
1406
01:50:32,170 --> 01:50:34,140
and I hope she knows that.
1407
01:50:34,161 --> 01:50:37,130
You know, how beloved,
how loved she is.
1408
01:50:38,170 --> 01:50:41,060
She is absolutely adored.
1409
01:55:42,201 --> 01:55:44,020
Sing it, everybody!
1410
01:57:25,190 --> 01:57:26,250
Thank you.
109084