Original subtitles

- He'll never hurt you again.

- THE HIGHEST: Previously on, "Ruthless."

- I killed that bastard.

- He's a senator's son.

- THE HIGHEST: Why are you doing this?

- You are a special soul.

- She's with us.

- I just want to get this money, and get out of here.

- We're not going!

- What has you so scared of them?

- I'm not scared.

- Hold still, Sarah, I'm almost done.

Now you need to get cleaned up.

- Then what?

- You have been spending a lot of time with him.

- Don't be jealous.

- He's in a wood pile, I gotta get rid of the body.

- ♪

- OLIVER: Wait, wait, wait, wait, wait,

what are you doing with that?

- The highest wants incense.

- No, I'll do it. - No, I got it!

- No! It's too heavy.

- So, what, you think I'm not man enough to do it?

- William, you're man enough, okay?

- I got it!

- No! Let me do it! Let me do it!

- I will get in trouble.

- You're gonna drop it, okay, stop!

- Do you want me to be beaten?

They will take me to the punishment trailer.

- You will not get beaten, I'll tell 'em I did it.

- No! He'll be angry. - Stop! Stop!

- He will be so mad at me if he sees you helping me,

now move!

- Boy!

- Why would you do that?

- I'm sorry, a'ight? I gotta take this.

- I have to get this to the Highest.

I have to!

- Stop! Now, boy, go to the wood pile,

and get some by hand.

Go now! Go on.

- Okay, okay.

- ♪

- ♪ When the sun go down, we run the city ♪

♪ I feel the angels brought the demons with me ♪

♪ When the sun go down, best believe me ♪

♪ It's nothing new, the streets is undefeated ♪

♪ When the sun go down

♪ Ooh, it get wild, baby, wild, baby, wild, baby, wild ♪

♪ Don't you ever, ever try to move me ♪

♪ You best salute me

♪ It's in the bloodstream we're feeling Rakudushi ♪

♪ The compound, the lessons the lies, the deception ♪

♪ The FBI's weapons, the punishment, detention ♪

♪ And I just wanna free you from this slave shit ♪

♪ So, murder is the case that we're faced with ♪

♪ When the sun go down ♪

- [metal bangs]

- ♪

- Brother, sister.

Sister.

- DIKAHN: Brother. - OLIVER: Dikahn.

- How are you? - Blessed by the Raku.

- Put that down. - Yes, sir.

- ♪

- Wanted to ask you something. The old one.

- Yes, sir, what about her?

- Has she ever flirted with you? - No, sir.

- No?

- No, sir, that's not the way of the Raku.

- Clark said that she flirted with him.

- She heard Clark and I talking,

and--and joking, but then she--

- She what?

- She--she invited him into her trailer.

After that, I don't know what happened.

- And he went? - Yes, sir, he did.

- ♪

- [laughing]

Maybe he's a freak after all.

- I wouldn't know, Dikahn.

- Well, he speaks highly of you. - Thank you, sir.

- ♪

- Did Clark talk to you about recruiting?

- Yes, sir, he has.

- Well, you think you can do it?

- Anything for the Highest, sir.

- That's the right attitude. - Yes, sir.

- ♪

- I need to let you in on something.

- What's that, sir?

- You've seen him--Lilo?

- Yes, sir, I have.

- He's the devil. - Yes, sir, I know.

- And what do you know about him?

- Well, I know that the elder mothers,

they don't like him very much.

- Hmm, none of us do.

But he is important to our operation here.

- Is that so? - Yes.

I saw the way you looked at him, you need to keep him happy,

you understand? - Yes, Dikahn.

- Okay, good. Carry on.

What are you doing with that?

- Well, I--I was gonna take it to the--[stammering].

- Leave it, get to the front gate.

- Okay.

- Go on. - Yes, sir.

- ♪

♪

- Why are you standing there?

- I just was waiting for, um--

- I won't see you tonight? - Yes, your Highest.

- Go. - Yes, your Highest.

- He looks relieved. - You think?

- Yes.

- It's so hard getting these children to learn.

- But you are a great teacher, you will teach.

- Yes, I will--always will.

Do I look old? - Old?

- Yes.

- No, your Highest, you're timeless.

- I feel old.

- Well, you have carried the weight of us all

for thousands of years, that will make you feel old.

- Well, I do.

- But you're not; you're beautiful.

- Thank you.

- It's true.

Do I need to get you a mirror? - Stop it.

- No, look at the way everyone lights up when you're around.

- Is that lighting up or is that fear?

- It's pure joy.

Just look at the children,

they are the ones who tell it all.

- Yes, they do. - They don't lie.

- No, no, they are pure.

- Yes, they are.

- ♪

- Do you think it's wrong for me to send them?

- Send them where?

- Never mind.

- You can tell me.

- To the border for pickup.

- How?

- We will teach them how to mule.

- Mule? - Yes.

- Your Highest-- - Right,

you know a lot, this is deep.

- I understand.

- ♪

- Yes, we have to do what we have to do.

- Yes, we do.

- That's why I need Yancy to get those buses up and running.

He's gotta get down there, and get down there fast or--

we'll have trouble.

- What kind of trouble?

- This is an evil world.

- Yes, it is.

- But we bring the light, good to so many.

- Yes, we do.

- Sometimes we have to do things we hate

in order for us to survive.

- I understand.

- But will they?

- Will who?

- The white man's world.

I would never harm those children.

- No, of course not. - I wouldn't do that.

- I know.

- ♪

- But they will be better because of this;

by helping me. - Yes.

- THE HIGHEST: Helping us all. - Yes, they will.

- And they will have fun,

and they'll--they'll get to see the ocean.

- That sounds exciting. - Yes!

Yes, yeah, something I never did as a kid.

- Never? - THE HIGHEST: No, no, you?

- No.

- Well, we'll have to do that together one day.

- DIKAHN: What's that? - Hello, brother.

- Hello, your Highest.

- Hello.

- How are you? - I'm good.

You aren't going to say hello to your brother?

- Hello, River.

- It's good to see you.

- Is there something you should be doing?

- Dikahn--

- No, there isn't.

- Well, perhaps he can find something.

- Do you have something to say to me in private?

- Yes.

- You can share it in front of him.

- Your Highest, I'd rather not.

- It's okay, I'll leave.

- Thank you.

- ♪

- I will see you tonight, your Highest.

- You will see him tomorrow.

- [clearing throat] Very well.

- ♪

- That is not becoming.

- I need to talk to you, sir. - Talk!

- Shall we go inside?

- Okay. Okay.

- ♪

- That was a good meal.

- Thank you, Elder Mother.

- I see you are learning to cook very good.

- Thank you, Elder Mother.

- Everybody seems very pleased.

- Thank you. Was the Highest?

- The Highest only eats my cooking.

- Of course.

- Don't think too much of yourself, Tally.

- Yes, Elder Mother.

- Ruth, make sure these girls get the work done,

and done well. - Yes, Elder Mother.

- MARVA: You know, Tally,

you and Ruth have been very good since your punishment.

- Thank you, Elder Mother.

- Nothing like a little punishment

to turn your thinking around.

- That will do it every time.

- You see, Sister Agnes?

- Oh yes, I see, I see.

- Well, I been thinking,

it's a waste for you and Ruth to be in the same room.

- We don't mind, Elder Mother.

- I know you don't,

but these girls could use some learning.

- AGNES: Oh, I think that's a good idea.

- I know. [chuckling] - Oh, that's great.

- MARVA: Ruth? - Yes, Elder Mother.

- You stay here with these girls

and, Tally, you move in with the others.

- Yes, Elder Mother.

- Good.

I see that devil's car still parked in the back.

- Yes.

- What is he doing? Is he still in there with Joan?

- No, it's your fault.

- Eh? Why is it my fault?

- He's in the bathroom.

- Oh! How long?

- All night.

- Oh my lord! [chuckling]

Well, I did good, I did real good.

- Whatever you did to him, that worked.

- Oh, yes, that's for sure. Oh, I love it, I love it.

- Oh, my too, Elder Mother.

- But he wasn't suppose to be in there for that long.

- No? - MARVA: No.

Shall we go check on him?

- I sent Joan.

- MARVA: What did she say? - He wasn't there.

- Oh!

That devil is probably around in the hen house somewhere.

- Shall we go and look for him? - Yes.

You check in the children's den, and I'll check in the women's.

- Okay.

- Are they gone? - Wash the dishes.

- We are having a meeting tonight after lights out.

- Joan? - We've all been there.

- ♪

- A meeting for what?

- To discuss leaving.

- No one is leaving.

- Yes, they are.

- Who are "they?"

- There is a group leaving tonight.

- What? - Yes.

- How are they doing that?

- I told you we had a car coming,

but you didn't believe me.

- I'm not listening to this.

Come on, Tally, let them talk. - Ruth.

- Tally, let them talk, and come with me.

- ♪

- Okay.

- If they are gonna talk about leaving,

they are going to get killed, and we won't be a part of this.

Let them talk.

- ♪

- It's not us.

- Whoever it is will be dealt with by the Raku.

Let's go.

- ♪

- They didn't believe you. - I know.

- Are they really leaving tonight?

- Yes. - I wanna go.

- No! - Why not?

- They are the first to try to leave.

- I want to go. - Paula!

- I still need to go to the hospital.

- Not if you're dead. - Paula?

- I have to get out.

- I will help you, Paula. - No!

- You should go, too, Zane.

- Why are you staying?

- 'Cuz I have to. - Why?

- We can't all leave at once.

You really should leave, Zane.

- ♪

- No, I'm not going.

- Well, I'm going.

- ♪

- And I will tell you all about it tonight.

- Okay. - I don't feel good about this.

- And you feel good about being here?

- You shouldn't go. - Shhh!

- ♪

- Ruth? - I don't want to hear it.

- What if-- - I don't trust her.

And are you gonna be able to get Tavia and Callie?

- No. - No, is right.

We haven't even seen them.

- I know, but maybe we can get the Sheriff.

- I'ma let you think about that.

- But the guy that I met was nice.

- You told me the Sheriff was in on it.

- I know, but he's loyal, maybe.

- If you go to him, then what?

- I'll tell him we need help.

- Tally, if you leave with them, you will not make it to morning.

- ♪

- Well, maybe I could just find out their plan.

- Their plan is to commit suicide.

- Isn't that what we're all waiting to do here?

- Okay.

Well, you do what you wanna do,

I'm not leaving here 'til I know I can survive.

I'm close.

- What? - I'm close.

I'm in at the top.

- With Dikahn? - I'm not talking about Dikahn.

- What?

- You can't tell anyone.

- What is it?

- ♪

- I had sex with the Highest.

- What?

- Yeah.

- He likes women?

- He's crazy, and he's a freak.

He's deranged.

- Ruth, when did this happen?

- Earlier.

- What? - Yeah.

- And you didn't tell me?

- Because I knew you would act like this.

- Okay, what the hell is going on?

- There is a bigger play here--

bigger than the money that I have at Barry's.

There's something big going down, and I want in.

- What are you talking about?

- We cannot only get out of here,

but we can get rich.

- Okay, you have to tell me what you're saying.

- I don't really know, all I know is that they want me in.

- TALLY: Who?

- I can't tell you that.

- Well, can you at least tell me if Dikahn is in on it?

- RUTH: No, no.

- Ruth, you are in dangerous waters.

- ♪

- I know.

- You can't let him find out

that you've been with the Highest.

- I know.

- What if he tells him? - He won't.

- ♪

- And how do you know?

- Because he feels dirty after he's done.

- What?

- That son of a bitch is fucking crazy.

- ♪

- You know, I don't know what you're saying right now.

- ♪

- What do you mean? - Look, I don't know.

- Well, if you don't trust me then

there's nothing more that I can say to you.

- You're talking about a bigger score,

and I just wanna get the hell out of here.

- And go where with nothing?

- Ruth, you said you had money.

- ♪

- And how long will that last, huh?

How long, Tally? - Hmm-mm, hmm-mm.

I don't like when you're like this, Ruth.

- Like what?

- If those men find out that you're playing them,

you, our kids, me, we're all dead.

- Tally. - TALLY: No!

They fuck each other, Ruth. You don't think that they talk?

- You-- - No!

- ♪

- I'm--I'm gonna make my own way.

- Tally.

- No, no! I'm glad we're changing rooms.

- ♪

- Damn it!

- ♪

- [crickets chirping]

- [dogs barking]

- ♪

♪

- Oliver. - Yes?

- Why do you keep looking in that gate?

- It smells good. - We just had dinner.

- Yeah, I know, but I'm still a little hungry.

- Are you watching her? - No.

- Oliver.

- I'm telling you, okay, I promise, I'm not.

- Good! - I--

- Because you shouldn't be. - I know, I know.

- Also I wanted to thank you for not having my back.

- What are you talking about? - Dikahn told me

that you said you didn't see anything with the Elder Mother.

- I had your back.

- Then you should have told him what you saw.

- Really, he laughed. - And so what?

- How was I suppose to know if he was serious or not?

- So, you lied? - No. I told him the truth,

I just didn't tell him that I saw you flirting.

I told him that I saw you go in. - Well, well.

- I promise, I was protecting you.

- You sure that's what it was?

- Brother, on the Raku, that's what it was.

- Okay.

Oliver, what is so interesting in that gate?

- Brother, all my attention is right here.

- Good, because it should be out here.

Focus! - AGNES: Boy!

- Yes, Elder Mother?

- Have you seen Lilo? - No, Elder Mother.

- And you took him to the outhouse?

- Yes, Elder Mother. - And you left him there?

- Yes, Elder Mother.

- Well, come find him,

he's probably doing something terrible.

- I'll go. - No, brother, I'll go.

- No, no, no, you stay, and you keep watch.

I'll go.

- ♪

- ♪

- You're still here.

- Yeah, I told him I would drive you to his place.

- How long do you think this will last?

- Not too long, I hope.

- But this undercover thing

could go on for a long time, right?

- AGENT GREEN: Yeah. - Damn.

- If it was me, it'll be over already.

- Well, it's not you.

- You wanna talk about this?

- Actually, I wanna go pick up my son from the nanny,

and not talk about this.

- See, that's my problem, you still love this guy.

- Well, I can't turn it off like you do, sorry.

- Yeah, whatever.

- Well, it's the truth, I don't care if you get mad.

- ♪

- [cell phone ringing]

- This is Mack. - We got a problem.

- MACK: What is it? - The sheriff.

- MACK: What about him?

- Something is not right about him.

- Tell me.

- Well, he won't go up and check on them.

- MACK: Uh, you remember what happened last time?

- Yeah, I know.

I still think he's going to be a problem.

- You think he's involved?

- Nah, I think he's scared shitless.

- MACK: Wow, that could be a problem.

- BRIAN: Yes. Any word from Andrew?

- Yeah, he just left, he's headed back to them.

- BRIAN: So, he's with us? - It seems that way.

- Well, that's good news. - MACK: Yes.

- But, why was he with you?

- They told him to kill his wife.

- What? - MACK: Yes.

- Are you serious? - MACK: Yes.

- What the hell?

- They said if he wanted back in,

he'd have to prove that he was loyal,

so we staged it. - Staged her death?

- Yes.

- Well, they'll need more proof.

- It's gonna be online and in the local news,

unknown woman. - Okay.

- MACK: So, let's let him back in, keep me posted.

- Okay. - MACK: He should be there soon.

- Okay, Mack, let's talk again soon.

- Okay, I'll check-in in the morning.

- Okay, uh, hey, um, Mack? - MACK: Yeah?

- Where's Malcolm in all this?

- That's a whole other story.

- How much does he know? - All of it.

- BRIAN: You think that's wise?

- You know, he was there when Andrew showed up,

I had to defuse the situation.

- Be careful with him. - MACK: I know.

- He's vindictive. - I got it!

- BRIAN: Okay.

- Alright, I'll talk to you later.

- Yeah.

- ♪

- [phone ringing]

- LYNN'S VOICEMAIL: Hey, this is Lynn,

leave me a message.

- Hi, baby, it's me, where are you?

Call me back, I been calling you all day.

- ♪

- [phone ringing]

- CYNTHIA: Hey! - Hi.

Have you-- - CYNTHIA: She was here earlier.

- ♪

- And what did she say?

- CYNTHIA: She said she wanted to use.

- Damn! - CYNTHIA: Yeah.

- Where did she go?

- CYNTHIA: I don't know.

I--I can go to your house.

- Thank you. - CYNTHIA: No problem.

- ♪

- You been drinking? - CYNTHIA: I'll take an Uber.

- Thank you. - CYNTHIA: Okay.

- I'm on my way there. - CYNTHIA: Alright.

- Thanks!

- ♪

- You still here? - What does that mean?

- Well, it's too late to go up there tonight.

- Well, I-- - Nah, go on home.

- Well, I really-- - No, go on.

- ♪

- Sheriff, what's going on? - What do you mean?

- I mean why this reluctance to go after these people?

- What are you talking about?

- Well, we had the information we needed to go up there,

and you won't do it. - It's not that.

- Then what is it? - Brian.

- Yes?

- You wanna be careful with these people, huh?

- I know that.

- Well, I don't wanna upset 'em.

- Sheriff? - No, listen to me,

I don't wanna upset them without a plan.

- We got a plan. - And what's that?

- Get enough evidence to put them away.

- Well, I get that, but it's--

- No, no buts, there are children up there.

People up there that are dying, being murdered.

- We don't know that.

- And we'll never get that evidence

if we don't go up there. - I am going up there.

- When? - Tomorrow.

- Sir!

- Tomorrow in the daylight, okay?

- ♪

- Okay. - Now, go on home.

- Sure, but you need to know

that every day you wait, the closer you get to disaster.

- Well, we won't let that happen.

- Are you sure about that? - Yes, I am.

- Okay.

- You know, you young kids are always ready

to go in guns blazing.

I been you, I get it,

but sometimes, the seasoned approach is better.

- ♪

- Well, I hear you. - But you don't believe it?

- Not in this situation.

- Alright, go on home. - Sure.

- ♪

- ♪

♪

- I don't know about you.

- What's there not to know?

- I just--I just don't know.

- I'm sorry.

- You are a confusing woman.

- I don't mean to be.

- He was so mad at me.

- I'm sorry.

- I don't like it when he's mad at me.

- No one does.

- None of you are me.

- No, we're not.

- None of you are at his right hand.

- No, we're not.

- Why did you do this to me? Why?

- I couldn't help it.

- Ruth, are you playing games?

Hmm? - No.

- Are you sure? - Yeah.

I'm not; I wouldn't do that.

- I saw you...

online.

- Sir. - On these pages.

- That was years ago,

before I found the light of the Raku.

- ♪

- So, you've changed that much? - Yes.

- [chuckling] It didn't feel that way

when you had your hands all over me.

- ♪

- You do that to me.

You know I love you.

You know I'm carrying your child.

- You don't know that. - I know that.

- How do you know that, huh?

- I told you, you'll see.

He's gonna look just like you.

- He?

- Yes, he.

I feel like it's a he.

- Leave, carefully, he can't see us together.

- You are going to be a great father.

- Ssh!

He's a child of the Highest.

- Yes, but he will look like you.

- ♪

- Leave carefully.

- ♪

- Go!

- ♪

- BRIAN: Lynn! - LYNN: Yeah!

- Is Cynthia here? - No.

- ♪

- I thought she was coming over. - No.

- ♪

- Hey. - [sighs]

Hey.

- How was your day? - Good.

- I've been calling you all day. - Yeah, I know.

- So, what's going on? Why didn't you call me back?

- I didn't wanna talk.

- ♪

- So, this is about your parents?

- This is about everything!

- Yeah, I can see that. - Good.

- ♪

- You wanna tell me in particular?

Lynn? - I want a divorce.

- Lynn! - I do!

- Do I make you that unhappy? - No, you make me that sad.

- What am I doing? - I don't wanna be with you.

- What--what is it?

- ♪

- I just can't stand...

looking at you.

- Please-- - LYNN: No, no.

- Please. - Brian, listen to me,

I'm trying to make myself perfectly clear

at this very moment, okay?

I don't want to be with you anymore.

- What--what is-- - Just--enough, okay?

- ♪

- Look, baby, I--

I know I said I wasn't ready for a baby,

but you weren't either.

I love you, I just--I just love you.

Had I known this would have this kind of effect on you,

I'm so sorry.

- I wasn't ready.

- Baby, listen to me, I know this is hard,

we will get through it, we will.

You know how much I love you.

Just wait, wait right here.

Here.

- What is it? - Look at it.

- [deep exhale] Brian.

- Please?

- What?

- You don't remember?

- ♪

- Yeah.

- We went to that lake, and we locked it.

You remember when we engraved our names on it?

- ♪

- And we locked those two locks together,

and we threw away that key.

- ♪

- Yeah. [sniffling]

- They had to drain that lake for some repair work on the dam.

- ♪

- I walked out there, and I found it.

- [sniffling]

- You see?

You can still see our names on it.

- ♪

- [sniffling]

You should have left it--[clearing throat]

- I thought about it,

but then I thought we could go back,

and throw it in when they refill it.

And renew our vows.

- ♪

- Brian? - I love you.

I love you so much, I'm not gonna let this go.

- [sniffling]

- I can't, I can't, I can't.

- ♪

- [crying]

- ♪

- Hey, brother. - Hey, brother.

- So, how's it going up in there?

- It's going okay. We're just glad you're back.

- I'm glad to be back, brother.

Are you gonna open the gate, though?

- Men, take a break, thank you.

- ♪

- Bro? - I have a problem.

- What is it, come on, talk to me, son?

- It's Lilo. - Who the hell is this Lilo guy?

- Man he-- he's with the cartel.

- The cartel? In here? - OLIVER: Yes.

Look, I'm dead anyway, so I gotta tell you.

- Talk to me, son! - He took Lacey.

- You mean, your Lacey? - OLIVER: Yeah.

- Took her where?

- OLIVER: Man, he took her, trafficked her.

They raped her, man, they beat her.

- Hold up, wait, whoa, whoa, whoa, where is she?

- She's back. - She's in there now?

- OLIVER: She's here. - And she told you all this?

- She did.

- Alright, I mean, I'm listening, man, go, go on.

- He had to use the bathroom,

and Elder Mother asked me to take him,

so on the way there,

he was bragging about what they did, you know.

Man, I snapped, and I--

- Whoa, whoa, whoa, what did you do, man?

- Man, I chopped his fucking head off, okay?

- Wait, hold-- you--

- ♪

- Yeah, I chopped his fucking head off.

- Oliver, where's the body?

- He's at the wood pile.

- What?

Alright, I mean, let me in, man, open the gate.

- I put him in a wheel barrel, okay,

and then I seen William with the wheel barrel,

he was taking wood to the Highest, and--and, man--

- Whoa, whoa, whoa, slow down, son.

Tell me the rest, get it together, please, come on.

- Right, then I got it from William, okay,

and then Dikahn came along,

he asked me to leave it in the middle of the camp.

- Where is the wheel barrel now?

- It was near the finance trailer.

- You telling me you got a dead body

in the middle of the damn camp?

- It was, Andrew, okay, it was!

- So, where is it now?

Oliver?

You know, you don't even worry about it, alright,

I got it, I got it, I'll handle it, I got it!

- What are you going to do, brother?

- I'm going to see Dikahn and the Highest,

and then we gon' figure it out, alright?

- Okay. You're not gonna tell 'em, are you?

- Brother, I'm not even officially back inside yet,

I can't tell them about your shit, come on.

Where is the wheel barrel right now?

- That's what I'm trying to tell you, brother,

it's gone, it moved.

I don't know where it is, it's gone.

You see what I'm saying, Andrew? The wheel barrel is gone.

- ♪

- [trumpets blowing]

- ♪

- ♪

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