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1
00:00:01,040 --> 00:00:02,740
PREVIOUSLY ON NYPD BLUE...
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00:00:02,770 --> 00:00:05,710
DETECTIVE CLARK?
JENNIFER DEVLIN.
I’M TREATING IFEOMA OKEFOR.
3
00:00:05,740 --> 00:00:06,910
FOR HOW LONG?
4
00:00:06,950 --> 00:00:08,290
HOW MUCH CASH YOU GOT?
$50 MILLION.
5
00:00:09,810 --> 00:00:11,950
MALLORY WAS ATTACKED.
WHAT?
6
00:00:11,980 --> 00:00:13,580
IT WAS REAL QUICK.
HE CAME UP BEHIND ME.
7
00:00:13,620 --> 00:00:15,350
JERRY WELLS?
I COULDN’T TELL.
8
00:00:15,390 --> 00:00:17,130
I KNOW YOU’RE BEHIND
WHAT HAPPENED.
9
00:00:17,160 --> 00:00:18,130
I DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
10
00:00:18,160 --> 00:00:19,300
I’M GONNA GET YOU FOR THIS.
11
00:00:19,320 --> 00:00:21,220
I GOT SOME BAD NEWS, FRANK.
12
00:00:21,260 --> 00:00:23,790
THE HOSPITAL CALLED.
MICHELLE DIED FROM THE BEATING.
13
00:00:23,830 --> 00:00:26,230
THE CHILD’S GRANDPARENTS
ARE SEEKING FULL CUSTODY.
14
00:00:26,260 --> 00:00:27,760
THEY CAN’T JUST WALK IN HERE
AND DO THIS.
15
00:00:27,800 --> 00:00:29,570
THEY CAN.
THEY HAVE.
16
00:00:29,600 --> 00:00:31,530
YOU GAVE UP A CHILD OUT OF
WEDLOCK, HE’S AN ALCOHOLIC.
17
00:00:31,570 --> 00:00:34,370
YOU PERFECT? THE TWO OF YOU
BETTER BE PERFECT.
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00:00:34,410 --> 00:00:35,910
THEY’RE COMING AFTER US
FOR THE BABY.
19
00:00:35,940 --> 00:00:37,210
DIGGING INTO US PERSONALLY.
20
00:00:37,240 --> 00:00:38,540
ANY VALUE IN TALKING TO
THEIR SON?
21
00:00:38,580 --> 00:00:40,320
I CAN’T SIT IN A ROOM
WITH HIM.
22
00:00:40,340 --> 00:00:41,140
I CAN.
23
00:00:41,180 --> 00:00:42,780
I’LL DO IT.
24
00:00:42,810 --> 00:00:45,150
I’M NOT ASKING ANYONE TO DO
ANYTHING THEY DON’T WANT TO.
25
00:01:00,500 --> 00:01:01,330
MORNING.
26
00:01:01,370 --> 00:01:02,740
ANYONE RUNNING FOR YOU?
27
00:01:02,770 --> 00:01:03,810
I JUST GOT HERE.
28
00:01:03,840 --> 00:01:05,080
HOW’D IT GO WITH FRANK?
29
00:01:05,100 --> 00:01:06,230
[ SCOFFS ] NOTHING.
30
00:01:06,270 --> 00:01:07,770
I HAD SUCH HIGH HOPES, TOO.
31
00:01:07,810 --> 00:01:10,250
I MEAN, HE BEAT
CONNIE’S SISTER TO DEATH.
32
00:01:10,270 --> 00:01:11,740
I PUT HIM IN JAIL.
33
00:01:11,780 --> 00:01:13,850
WHY WOULDN’T HE BEND OVER
BACKWARDS FOR US?
34
00:01:13,880 --> 00:01:16,650
OWNER SAYS THE GUY
COMES WALKING UP, KEELS OVER.
35
00:01:16,680 --> 00:01:18,850
STABBED THROUGH THE EYE,
LOOKS LIKE.
36
00:01:18,880 --> 00:01:19,850
WHERE IS HE?
37
00:01:19,880 --> 00:01:21,080
THE OWNER?
38
00:01:21,120 --> 00:01:23,180
NO, HIS THIRD COUSIN.
39
00:01:23,220 --> 00:01:24,750
I’LL GET HIM.
40
00:01:24,790 --> 00:01:26,860
[ GRUNTS ]
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A BIG GUY.
42
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COLIN BOGLE, 32.
LIVES UP THE STREET.
43
00:01:31,160 --> 00:01:33,260
PRAKASH SANDAHAR.
NICE TO MEET YOU.
44
00:01:33,300 --> 00:01:35,640
YEAH, SAME HERE.
CAN YOU TELL WHAT YOU SAW?
45
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IF I DO,
WOULD YOU MOVE THE BODY
46
00:01:37,340 --> 00:01:38,710
SO I CAN
HAVE MY CUSTOMERS AGAIN?
47
00:01:38,740 --> 00:01:40,280
JUST KIDDING, OF COURSE.
48
00:01:40,300 --> 00:01:42,170
HE COMES STUMBLING
DOWN THE STREET
49
00:01:42,210 --> 00:01:43,850
WITH HIS HAND OVER HIS EYE
AND FALLS DOWN.
50
00:01:43,880 --> 00:01:45,120
HE BEING
CHASED BY ANYONE?
51
00:01:45,140 --> 00:01:46,370
I DID NOT SEE THAT.
52
00:01:46,410 --> 00:01:48,380
YOU SEEN HIM
AROUND BEFORE?
53
00:01:48,410 --> 00:01:50,710
NO, BUT WHEN I DIE, I HOPE
I DIE IN FRONT OF HIS BUSINESS
54
00:01:50,750 --> 00:01:52,880
SO HE LOSES
ALL HIS MORNING CUSTOMERS.
55
00:01:52,920 --> 00:01:53,960
I’M KIDDING.
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00:01:53,990 --> 00:01:55,490
THANKS FOR THE HELP.
57
00:01:55,520 --> 00:01:58,190
HOW LONG TO MOVE THE MAN?
NOW I’M BEING SERIOUS.
58
00:01:58,220 --> 00:02:00,190
IT’LL GET MOVED
WHEN WE’RE DONE HERE.
59
00:02:00,220 --> 00:02:02,720
WE CAN’T MOVE HIM
AROUND THE CORNER?
60
00:02:02,760 --> 00:02:04,960
I COULD GRAB HIS FEET,
YOU GRAB HIS HAND.
61
00:02:05,000 --> 00:02:07,310
WE’LL MOVE HIM OURSELVES.
62
00:02:07,330 --> 00:02:08,530
I’M KIDDING.
63
00:02:08,570 --> 00:02:10,880
GET BACK
INTO YOUR STORE RIGHT NOW!
64
00:02:10,900 --> 00:02:12,770
I BEG YOUR PARDON.
VERY SORRY.
65
00:02:14,870 --> 00:02:16,710
THIS GUY WAS PROBABLY
HIRED BY THE COLAHANS
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00:02:16,740 --> 00:02:18,540
TO BAIT ME
INTO GETTING PISSED OFF,
67
00:02:18,580 --> 00:02:20,220
AND THEY’RE
VIDEOTAPING ME RIGHT NOW.
68
00:02:20,240 --> 00:02:22,310
ANDY...
69
00:02:22,350 --> 00:02:24,920
IT’S GONNA BE ALL RIGHT.
70
00:03:41,790 --> 00:03:43,090
WHERE HAVE YOU BEEN?
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00:03:43,130 --> 00:03:45,070
RE‐CANVASSING
VALERIE’S BUILDING.
72
00:03:45,100 --> 00:03:46,810
ANYTHING?
NO, NOTHING YET.
73
00:03:46,830 --> 00:03:48,430
HOW’S SHE DOING?
74
00:03:48,470 --> 00:03:51,410
[ SIGHS ] SHE’S SHOOK UP,
BUT, UH, FINE, GENERALLY.
75
00:03:51,440 --> 00:03:54,510
JERRY WELLS’ LAWYER
CALLED ME THIS MORNING.
76
00:03:54,540 --> 00:03:57,570
SAID YOU NEARLY ASSAULTED
HIS CLIENT THE OTHER NIGHT.
77
00:03:57,610 --> 00:03:58,510
THAT’S A BUNCH OF BULLSHIT.
78
00:03:58,540 --> 00:04:00,510
ALSO SAID YOU
THREATENED JERRY LAST WEEK.
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00:04:00,550 --> 00:04:02,250
"PATTERN OF HARASSMENT,"
HE CALLS IT.
80
00:04:02,280 --> 00:04:03,910
I CALL IT WORKING THE CASE.
81
00:04:03,950 --> 00:04:06,480
WHICH I SHOULDN’T BE LETTING
YOU DO IN THE FIRST PLACE.
82
00:04:06,520 --> 00:04:09,030
SO START WORKING IT
WITH A LITTLE MORE SUBTLETY,
83
00:04:09,050 --> 00:04:11,450
OR WE’RE BOTH IN A JACKPOT.
84
00:04:14,790 --> 00:04:16,760
WHAT DID CANVASS TURN UP?
SQUAT.
85
00:04:16,800 --> 00:04:18,600
IF THE GUY WASN’T BLOCKING
THE DOOR TO SOME BODEGA,
86
00:04:18,630 --> 00:04:20,260
HE’D PROBABLY
STILL BE LYING THERE.
87
00:04:20,300 --> 00:04:21,830
DON’T GET TOO COMFORTABLE.
88
00:04:21,870 --> 00:04:24,140
I CHECKED PAST ACTIVITY
ON THE DOA’s BANK CARD.
89
00:04:24,170 --> 00:04:27,370
THERE’S A LOT OF ATM ACTIVITY
AT AN OTB ON DELANCEY.
90
00:04:27,410 --> 00:04:29,180
Clark: THAT’S A BLOCK
FROM THE CRIME SCENE.
91
00:04:29,210 --> 00:04:31,120
WE’VE BEEN LOOKING
INTO FRANK’S PARENTS, ANDY.
92
00:04:31,140 --> 00:04:32,810
NOTHING’S JUMPING OUT YET.
93
00:04:32,840 --> 00:04:34,940
I SPOKE TO A BUNCH OF
JOHN COLAHAN’S EX‐EMPLOYEES ‐‐
94
00:04:34,980 --> 00:04:36,880
NOTHING BEYOND THE GUY
BEING A TOUGH BOSS.
95
00:04:36,920 --> 00:04:38,890
THE NEIGHBOR ANGLE
DOESN’T LOOK PROMISING.
96
00:04:38,920 --> 00:04:40,860
THERE’S LOTS OF TURNOVER,
AND APPARENTLY,
97
00:04:40,890 --> 00:04:43,700
THE COLAHANS ARE THE
KEEP‐TO‐THEMSELVES TYPE.
98
00:04:43,720 --> 00:04:45,050
UH...
99
00:04:45,090 --> 00:04:47,460
NOTHING FROM THE FBI
OR THE ATF,
100
00:04:47,490 --> 00:04:49,890
BUT I GOT A HIT
FROM THE D. E. A.
101
00:04:49,930 --> 00:04:51,490
Clark: DRUG VIOLATION?
102
00:04:51,530 --> 00:04:54,500
ON FEBRUARY 11,
BARBARA COLAHAN TRIED TO BRING
103
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SIX OUNCES OF A DRY
FRENCH CHEESE THROUGH CUSTOMS.
104
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THE CHEESE CONTAINS TRACE
ELEMENTS OF HEMPSEED ‐‐
105
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MARIJUANA ‐‐
BANNED BY D. E. A. RULE.
106
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SHE PAID A $100 FINE,
AND THE CHEESE WAS CONFISCATED.
107
00:05:08,950 --> 00:05:11,160
THE LADY’S
A REGULAR PABLO ESCOBAR.
108
00:05:11,180 --> 00:05:12,380
FOR WHAT IT’S WORTH.
109
00:05:12,420 --> 00:05:13,730
THANKS, GREG.
110
00:05:13,750 --> 00:05:16,050
UH, I GOT SOME OTHER
CALLS OUT, TOO,
111
00:05:16,090 --> 00:05:19,500
INCLUDING ONE TO FRANK’S
HIGH SCHOOL GUIDANCE COUNSELOR.
112
00:05:19,520 --> 00:05:21,160
WE APPRECIATE IT.
113
00:05:21,190 --> 00:05:23,990
I’M GONNA HIT THIS
OTB, BOSS.
114
00:05:24,030 --> 00:05:26,160
ANY WORD
FROM HER LAWYER?
115
00:05:26,200 --> 00:05:27,670
NOTHING.
116
00:05:27,700 --> 00:05:29,260
I’M NOT SAYING IT’S GOLD,
117
00:05:29,300 --> 00:05:31,200
BUT THEY COULD USE
THE CHEESE THING ‐‐
118
00:05:31,240 --> 00:05:33,180
GOES TO CHARACTER.
119
00:05:33,200 --> 00:05:34,600
YEAH.
120
00:05:48,790 --> 00:05:50,200
[ SIGHS ]
121
00:05:50,220 --> 00:05:51,720
BERNIE.
ANDY?
122
00:05:51,760 --> 00:05:53,770
YEAH, IT’S BEEN A WHILE.
123
00:05:53,790 --> 00:05:54,690
YEAH.
124
00:05:54,730 --> 00:05:56,430
ME AND BERNIE GO WAY BACK.
125
00:05:56,460 --> 00:05:57,390
SO YOU A COP, HUH?
126
00:05:57,430 --> 00:05:58,690
YEAH.
127
00:05:58,730 --> 00:06:00,760
SOME REASON I ALWAYS
FIGURED YOU FOR A BUTCHER.
128
00:06:00,800 --> 00:06:03,000
NO, COP ‐‐
20‐PLUS YEARS NOW.
129
00:06:04,300 --> 00:06:06,230
UH, ANYWAYS...
130
00:06:06,270 --> 00:06:08,700
YEAH, COLIN BOGLE
A FRIEND OF YOURS?
131
00:06:08,740 --> 00:06:11,040
I KNOW HIM.
I WOULDN’T SAY FRIEND.
132
00:06:11,080 --> 00:06:13,220
CLERK SAYS YOU AND COLIN
OPEN THE PLACE EVERY MORNING.
133
00:06:13,240 --> 00:06:16,210
[ LAUGHS ] DAMN, I CAN’T
BELIEVE YOU A COP, ANDY.
134
00:06:16,250 --> 00:06:18,160
COLIN GOT
INTO A FIGHT EARLIER.
135
00:06:18,180 --> 00:06:19,950
DO YOU KNOW ANYTHING
ABOUT THAT?
136
00:06:19,980 --> 00:06:22,620
YEAH, WE WERE WATCHING
THE PONIES FROM THE CAR.
137
00:06:22,650 --> 00:06:24,590
I GO TAKE A LEAK, COME BACK,
138
00:06:24,620 --> 00:06:27,590
SEE THIS GUY CRACK COLIN
IN THE FACE RIGHT OUTSIDE THERE.
139
00:06:27,630 --> 00:06:28,800
GUY WALKS AWAY.
140
00:06:28,830 --> 00:06:30,470
COLIN RUNS OFF
HOLDING HIS HEAD.
141
00:06:30,490 --> 00:06:31,730
GUY HAVE A WEAPON?
142
00:06:31,760 --> 00:06:32,830
DIDN’T LOOK LIKE IT.
143
00:06:32,860 --> 00:06:34,730
WHAT’D THE GUY LOOK LIKE?
144
00:06:34,770 --> 00:06:37,310
HARD TO MAKE OUT FROM WHERE
I WAS. HAPPENED QUICK, TOO.
145
00:06:37,340 --> 00:06:39,180
WHITE GUY, GREEN GUY...
146
00:06:39,200 --> 00:06:40,570
WHITE GUY.
147
00:06:40,610 --> 00:06:42,580
YOU DIDN’T GO OUT THERE
AND TRY AND HELP?
148
00:06:42,610 --> 00:06:44,250
HE HAD IT COMING.
149
00:06:44,280 --> 00:06:45,520
’CAUSE COLIN’S DEAD.
150
00:06:45,540 --> 00:06:47,680
FROM GETTING HIT
OUTSIDE THERE?!
151
00:06:47,710 --> 00:06:49,340
YEAH, IT LOOKS LIKE IT.
152
00:06:49,380 --> 00:06:51,950
WELL, HE WAS THE
GET‐IN‐YOUR‐FACE TYPE.
153
00:06:51,980 --> 00:06:54,520
LOOK LIKE HE
GOT IN THE WRONG FACE.
154
00:06:54,550 --> 00:06:57,920
MINUTE TO POST.
ANYTHING ELSE?
155
00:06:57,960 --> 00:07:00,900
WHY DON’T YOU
GIVE US A SECOND, HUH?
156
00:07:05,400 --> 00:07:07,110
[ CLEARS THROAT ]
157
00:07:07,130 --> 00:07:08,530
SO, HOW YOU BEEN, BERN?
158
00:07:08,570 --> 00:07:10,210
ALL RIGHT.
159
00:07:10,230 --> 00:07:12,270
YOU STILL PLAYING
IN YOUR BAND?
160
00:07:12,300 --> 00:07:14,470
NOT FOR A WHILE NOW.
161
00:07:14,510 --> 00:07:18,650
GUESS YOU HAVEN’T
BEEN GOING TO MEETINGS.
162
00:07:18,680 --> 00:07:20,120
DON’T NEED TO.
163
00:07:20,140 --> 00:07:21,510
FOR MY HEART.
164
00:07:21,550 --> 00:07:23,020
ONE A DAY.
165
00:07:23,050 --> 00:07:24,860
BEER FOR YOUR HEART?
166
00:07:24,880 --> 00:07:29,320
I GOT MY LIFE
UNDER CONTROL, OKAY?
167
00:07:29,350 --> 00:07:32,690
AND YOU’RE NOT MY SPONSOR.
168
00:07:32,720 --> 00:07:35,620
THEY’RE GOING
TO THE STARTING GATE.
169
00:07:35,660 --> 00:07:38,630
ALL RIGHT, WELL, UH...
170
00:07:38,660 --> 00:07:40,630
YOU TAKE CARE OF YOURSELF,
BERNIE.
171
00:07:40,670 --> 00:07:42,540
AND, UH,
IF YOU NEED ANYTHING...
172
00:07:42,570 --> 00:07:44,210
THANKS.
173
00:07:53,040 --> 00:07:56,680
PETER TATEL WAS ONE OF MY
STUDENTS IN THE EARLY ’70s.
174
00:07:56,720 --> 00:07:58,860
HE’S A TOP AIDE
TO DICK CHENEY.
175
00:07:58,880 --> 00:08:02,520
I’M SURE THAT STARTED UNDER
YOUR GOOD GUIDANCE, MA’AM.
176
00:08:02,550 --> 00:08:04,250
LIGHT MILK, TWO SUGARS.
177
00:08:04,290 --> 00:08:05,820
OH, WHO KNOWS?
178
00:08:05,860 --> 00:08:09,430
BUT LIKE I SAID, YOU GENERALLY
REMEMBER THE GOOD ONES.
179
00:08:09,460 --> 00:08:11,830
WHICH FRANK COLAHAN WAS NOT,
I TAKE IT.
180
00:08:11,860 --> 00:08:14,900
THINKING ABOUT IT, HE WAS
THE TYPE WHO SPENT MORE TIME
181
00:08:14,930 --> 00:08:16,600
IN THE PARKING LOT
THAN IN THE CLASSROOM.
182
00:08:16,640 --> 00:08:18,080
SMOKING, DRINKING...
183
00:08:18,100 --> 00:08:19,700
FAMILIAR WITH THE ROUTINE,
DETECTIVE?
184
00:08:19,740 --> 00:08:21,340
MORE SO THAN
I’D LIKE TO ADMIT.
185
00:08:21,370 --> 00:08:22,570
HMM.
186
00:08:24,710 --> 00:08:26,840
DID YOU RECALL
ANY INCONSISTENCIES
187
00:08:26,880 --> 00:08:28,680
IN FRANK’S BEHAVIOR?
188
00:08:28,710 --> 00:08:31,350
ANYTHING THAT MIGHT SUGGEST
DIFFICULTIES AT HOME?
189
00:08:31,380 --> 00:08:34,120
I’M STILL NOT CLEAR WHAT YOU
NEED ALL THIS INFORMATION FOR.
190
00:08:34,150 --> 00:08:36,620
IT’S MY UNDERSTANDING
FRANK’S ALREADY IN JAIL.
191
00:08:36,660 --> 00:08:39,030
THIS IS REGARDING
HIS SENTENCING.
192
00:08:39,060 --> 00:08:41,530
SINCE THERE’S A POSSIBILITY
OF CAPITAL PUNISHMENT,
193
00:08:41,560 --> 00:08:43,020
WHICH IS
A VERY SERIOUS THING ‐‐
194
00:08:43,060 --> 00:08:44,290
OH, I AGREE.
195
00:08:44,330 --> 00:08:46,760
...IF THERE’S ANYTHING
FROM HIS PAST HOME LIFE
196
00:08:46,800 --> 00:08:49,400
THAT MIGHT WARRANT
A MORE LENIENT SENTENCE,
197
00:08:49,430 --> 00:08:51,100
WE NEED TO KNOW.
198
00:08:51,140 --> 00:08:54,210
SO YOU’RE ASKING DID I SUSPECT
SOME KIND OF ABUSE IN THE HOME?
199
00:08:54,240 --> 00:08:55,700
FRANK’S AN ALCOHOLIC.
200
00:08:55,740 --> 00:08:57,640
HE BEAT HIS WIFE
AND ULTIMATELY KILLED HER.
201
00:08:57,680 --> 00:09:00,890
WE’RE WONDERING IF THE APPLE
DIDN’T FALL FAR FROM THE TREE.
202
00:09:00,910 --> 00:09:03,710
BUT IF I SUSPECT IT NOW,
WHY DIDN’T I REPORT IT THEN?
203
00:09:03,750 --> 00:09:06,450
YOU’RE ASKING ME
TO ADMIT I WAS NEGLIGENT.
204
00:09:06,480 --> 00:09:09,790
MA’AM, THIS CONVERSATION’S
BETWEEN YOU AND ME.
205
00:09:09,820 --> 00:09:11,890
ALL WE’RE TRYING TO DO
IS HELP FRANK COLAHAN,
206
00:09:11,920 --> 00:09:13,660
WHO’S LOOKING
POSSIBLY AT DEATH ROW,
207
00:09:13,690 --> 00:09:15,620
AND COULD USE
ALL THE HELP HE CAN GET.
208
00:09:15,660 --> 00:09:18,730
FOR ALL I COULD TELL,
FRANK WAS A BORN DELINQUENT,
209
00:09:18,760 --> 00:09:20,130
BUT HIS SISTER ‐‐
210
00:09:20,160 --> 00:09:21,460
HE HAS A SISTER?
211
00:09:21,500 --> 00:09:22,800
ADRIAN.
212
00:09:22,830 --> 00:09:26,400
SHE TOOK SUCH
A DRAMATIC TURN FOR THE WORSE ‐‐
213
00:09:26,440 --> 00:09:29,180
GRADES, SELF‐ESTEEM, HYGIENE.
214
00:09:29,210 --> 00:09:30,420
IT ALL WENT SO QUICKLY.
215
00:09:30,440 --> 00:09:32,010
I DON’T KNOW IF THAT HELPS
216
00:09:32,040 --> 00:09:34,440
AS FAR AS GAUGING
WHAT FRANK EXPERIENCED AT HOME.
217
00:09:34,480 --> 00:09:35,980
DO YOU HAVE ANY INDICATION
218
00:09:36,010 --> 00:09:38,250
OF WHAT MOTIVATED
THESE CHANGES IN ADRIAN?
219
00:09:38,280 --> 00:09:40,980
I TRIED TO TALK TO HER ABOUT IT,
BUT SHE SHUT DOWN.
220
00:09:41,020 --> 00:09:42,980
DO YOU KNOW
WHERE TO FIND ADRIAN?
221
00:09:43,020 --> 00:09:45,090
OH, I HAVEN’T HEARD
OF ADRIAN IN YEARS.
222
00:09:45,120 --> 00:09:48,920
BUT SHE HAD A GOOD FRIEND,
BETTY NAGLE.
223
00:09:48,960 --> 00:09:50,630
SHE’S ON THE ALUMNI COMMITTEE.
224
00:09:50,660 --> 00:09:51,960
SHE MIGHT KNOW.
225
00:09:54,970 --> 00:09:57,310
DOA GOT INTO A BRAWL
OUTSIDE THE OTB
226
00:09:57,340 --> 00:09:58,480
Rodriguez: ANY WITNESSES?
227
00:09:58,500 --> 00:10:00,100
[ SCOFFS ] HALF OF ONE.
228
00:10:00,140 --> 00:10:03,610
I JUST GOT INFO ON
A LOAN SHARK, WORKED THAT OTB
229
00:10:03,640 --> 00:10:05,270
MAY HAVE HAD
DEALINGS WITH BOGLE.
230
00:10:05,310 --> 00:10:06,840
GET HIM IN.
231
00:10:06,880 --> 00:10:10,380
I THINK I GOT SOMETHING
REGARDING YOUR CUSTODY ISSUE.
232
00:10:10,410 --> 00:10:13,450
FRANK COLAHAN’S GREAT‐GRANDPA
WAS A RUMRUNNER IN THE ’20s?
233
00:10:13,480 --> 00:10:14,720
[ SIGHS ] NO.
234
00:10:14,750 --> 00:10:16,450
FRANK HAS
A SISTER NAMED ADRIAN.
235
00:10:16,490 --> 00:10:18,060
YOU SERIOUS?
236
00:10:18,090 --> 00:10:20,460
NOT ONLY THAT, BUT THE
GUIDANCE COUNSELOR’S PRETTY SURE
237
00:10:20,490 --> 00:10:21,860
THERE WAS TROUBLE AT HOME.
238
00:10:21,890 --> 00:10:24,130
TROUBLE FOR FRANK,
OR THE SISTER, OR BOTH?
239
00:10:24,160 --> 00:10:27,160
SHE COULDN’T SPECIFY, AND SHE
DOESN’T KNOW HOW TO FIND ADRIAN,
240
00:10:27,200 --> 00:10:30,030
BUT THERE’S A WOMAN ON THE
ALUMNI COMMITTEE OF HER SCHOOL.
241
00:10:30,070 --> 00:10:31,700
SHE’S AN OLD FRIEND
OF ADRIAN’S,
242
00:10:31,740 --> 00:10:33,210
SO SHE’S GETTING HER NUMBER.
243
00:10:33,240 --> 00:10:34,580
BETTY NAGLE.
244
00:10:34,610 --> 00:10:36,210
THANKS, GREG.
245
00:10:36,240 --> 00:10:37,710
GOOD WORK, MEDAVOY.
246
00:10:54,460 --> 00:10:56,320
CRIME SCENE CALLED.
247
00:10:56,360 --> 00:10:58,160
WE JUST GOT A HIT.
248
00:10:58,200 --> 00:11:00,770
A CIGARETTE BOX ON THE STOOP
OUTSIDE VALERIE’S BUILDING ‐‐
249
00:11:00,800 --> 00:11:02,600
PRINTS COME BACK
TO A RICK RINALDI.
250
00:11:02,630 --> 00:11:04,270
ALSO MATCHES ONE
THEY LIFTED FROM THE DOOR.
251
00:11:04,300 --> 00:11:06,230
YOU RUN HIM THROUGH BCI?
252
00:11:06,270 --> 00:11:08,170
HE WAS CAUGHT FOR DRUNK DRIVING.
ADDRESS COMES BACK TO VISTA.
253
00:11:08,210 --> 00:11:09,210
HIT IT.
254
00:11:12,040 --> 00:11:13,840
ANY LUCK
FINDING FRANK’S SISTER?
255
00:11:13,880 --> 00:11:16,080
I RAN ADRIAN COLAHAN
THROUGH DMV ‐‐ NOTHING.
256
00:11:16,110 --> 00:11:18,080
Sipowicz: SO EITHER SHE
NEVER GOT A LICENSE,
257
00:11:18,120 --> 00:11:20,190
OR SHE CHANGED HER NAME
BEFORE SHE GOT IT.
258
00:11:20,220 --> 00:11:22,750
I GOT A CALL INTO HER FRIEND
FROM WHEN THEY WERE KIDS.
259
00:11:22,790 --> 00:11:23,930
WAITING TO HEAR BACK.
260
00:11:23,960 --> 00:11:25,060
WE’LL FIND HER.
261
00:11:26,290 --> 00:11:27,860
TONY GRIMALDI.
262
00:11:27,890 --> 00:11:30,390
YEAH, UH, CAN YOU PUT HIM
IN INTERVIEW 3? THANKS.
263
00:11:30,430 --> 00:11:32,060
Ortiz: HE’S THE LOAN SHARK
THE DOA WAS INTO.
264
00:11:32,100 --> 00:11:33,640
ANTICRIME PICKED HIM UP FOR US.
265
00:11:33,670 --> 00:11:35,240
YOU’RE
IN CONNIE’S INTERVIEW?
266
00:11:35,270 --> 00:11:37,580
I’M SORRY, BUT I NEED TO GET
AHOLD OF FRANK’S SISTER.
267
00:11:37,600 --> 00:11:39,200
YOU AND JOHN TAKE IT.
268
00:11:39,240 --> 00:11:40,380
SURE.
269
00:11:40,400 --> 00:11:41,540
THANKS.
270
00:11:41,570 --> 00:11:42,700
READY?
271
00:11:42,740 --> 00:11:43,870
YEAH.
272
00:11:43,910 --> 00:11:46,310
LET’S DO IT.
273
00:11:46,340 --> 00:11:48,140
[ DOOR OPENS ]
274
00:11:50,180 --> 00:11:52,480
HOW’S THE
SHYLOCK BUSINESS, TONY?
275
00:11:52,520 --> 00:11:54,090
GAVE ALL THAT UP,
DETECTIVE.
276
00:11:54,120 --> 00:11:56,280
I JUST RUN MY BAR NOW.
THAT’S IT.
277
00:11:56,320 --> 00:11:59,250
SO, THE ASSAULT COLLAR
YOU TOOK A FEW YEARS BACK?
278
00:11:59,290 --> 00:12:00,720
WHAT ABOUT IT?
279
00:12:00,760 --> 00:12:02,420
STATE LIQUOR AUTHORITY
MIGHT BE INTERESTED
280
00:12:02,460 --> 00:12:04,460
HOW A CONVICTED FELON
GOT A LIQUOR LICENSE.
281
00:12:04,500 --> 00:12:06,070
LICENSE AIN’T IN MY NAME.
282
00:12:06,100 --> 00:12:08,570
AND I’M A LITTLE CURIOUS
AS TO ALL THE HOSTILITY.
283
00:12:08,600 --> 00:12:10,770
YOU LOAN ANY MONEY
TO A COLIN BOGLE?
284
00:12:10,800 --> 00:12:12,900
I DID ‐‐
A GRAND, TWO MONTHS AGO.
285
00:12:12,940 --> 00:12:14,410
HE PAY YOU BACK?
NO.
286
00:12:14,440 --> 00:12:16,740
YOU GO LOOKING
TO COLLECT A VIG TODAY?
287
00:12:16,780 --> 00:12:19,350
NO, I’VE FORGIVEN
ALL MY LOANS.
288
00:12:19,380 --> 00:12:20,750
DON’T PISS ME OFF.
289
00:12:20,780 --> 00:12:23,440
I SWEAR I’M
OUT OF THAT BUSINESS!
290
00:12:23,480 --> 00:12:25,150
I’M A PROMISE KEEPER NOW.
291
00:12:25,180 --> 00:12:26,250
A WHAT?
292
00:12:26,280 --> 00:12:27,480
PROMISE KEEPER.
293
00:12:27,520 --> 00:12:30,420
I’M COMMITTED
TO HONORING JESUS CHRIST...
294
00:12:30,450 --> 00:12:34,260
THROUGH WORSHIP, PRAYER,
AND OBEDIENCE TO GOD’S WORD.
295
00:12:34,290 --> 00:12:35,260
SINCE WHEN?
296
00:12:35,290 --> 00:12:36,490
LAST SATURDAY.
297
00:12:36,530 --> 00:12:39,370
MY BROTHER‐IN‐LAW RONNY
TOOK ME TO THIS SEMINAR.
298
00:12:39,400 --> 00:12:42,310
I SAW WHAT
A WRETCHED LIFE I WAS LIVING.
299
00:12:42,330 --> 00:12:43,930
PRAISE BE TO GOD.
300
00:12:43,970 --> 00:12:46,470
WHAT ABOUT THE PROMISE
YOU MUST HAVE MADE TO COLIN ‐‐
301
00:12:46,500 --> 00:12:49,770
THE ONE ABOUT BREAKING HIS
KNEECAPS IF HE DIDN’T PAY?
302
00:12:49,810 --> 00:12:51,810
I’M DONE WITH ALL THAT NOW.
303
00:12:51,840 --> 00:12:55,480
I’M COMMITTED
TO SPIRITUAL, MORAL, ETHICAL,
304
00:12:55,510 --> 00:12:57,110
AND SEXUAL PURITY.
305
00:12:57,150 --> 00:12:59,650
’CAUSE COLIN’S DEAD.
306
00:12:59,680 --> 00:13:02,450
COLIN’S DEAD?
307
00:13:02,490 --> 00:13:04,200
TONY...
308
00:13:04,220 --> 00:13:07,190
IF THIS IS SOME ACT, YOU HIDING
BEHIND SOME GOD‐SQUAD BIT,
309
00:13:07,230 --> 00:13:09,330
I’M GONNA COME DOWN
ON YOU TWICE AS HARD.
310
00:13:09,360 --> 00:13:10,660
IT’S NOT.
311
00:13:10,700 --> 00:13:12,570
WHO ELSE
WOULD WANT COLIN DEAD?
312
00:13:12,600 --> 00:13:15,410
COLIN ‐‐ IF I COULD SET ASIDE
MY FAITH HERE FOR A SECOND ‐‐
313
00:13:15,430 --> 00:13:17,800
WAS A REAL ASSHOLE,
REAL SCUM OF THE EARTH.
314
00:13:17,840 --> 00:13:21,310
LOT OF GUYS WOULD LOVE TO PUT
ONE IN THE BACK OF HIS HEAD.
315
00:13:21,340 --> 00:13:23,040
BUT...THAT’S
THE DEVIL TALKING,
316
00:13:23,070 --> 00:13:25,470
AND I’VE KICKED HIM
OUT OF MY LIFE, SO...
317
00:13:25,510 --> 00:13:26,910
WHERE WERE YOU THIS MORNING?
318
00:13:26,950 --> 00:13:28,550
WITH MY WIFE AND CHILDREN,
319
00:13:28,580 --> 00:13:32,210
WHO I’VE COMMITTED
TO REBUILDING STRONG TIES WITH
320
00:13:32,250 --> 00:13:35,920
THROUGH LOVE, PROTECTION,
AND BIBLICAL VALUES.
321
00:13:35,950 --> 00:13:38,250
WE’RE GONNA CALL
AND FIND OUT.
322
00:13:38,290 --> 00:13:39,690
GO RIGHT AHEAD.
323
00:13:39,720 --> 00:13:41,290
JUST TAKE OFF.
324
00:13:47,730 --> 00:13:49,000
[ DOOR OPENS ]
325
00:13:49,030 --> 00:13:50,400
GOOD TO WORK WITH YOU.
326
00:13:50,430 --> 00:13:51,900
YEAH.
327
00:13:53,640 --> 00:13:57,040
YEAH, OKAY. THANKS.
328
00:13:57,940 --> 00:13:59,580
ANYTHING FROM THE SHYLOCK?
329
00:13:59,610 --> 00:14:00,840
HE’S BORN AGAIN.
330
00:14:00,880 --> 00:14:02,280
YOU’RE KIDDING.
331
00:14:02,310 --> 00:14:04,610
NO, AS OF LAST SATURDAY,
HE’S A PROMISE PILGRIM?
332
00:14:04,650 --> 00:14:05,850
KEEPER.
333
00:14:05,880 --> 00:14:07,050
PROMISE KEEPER.
334
00:14:07,090 --> 00:14:08,890
THERE’S ANOTHER ANGLE TO WORK.
335
00:14:08,920 --> 00:14:11,290
IRVIN GOT AN ANONYMOUS CALL
FROM A PAY PHONE
336
00:14:11,320 --> 00:14:14,120
SAYING THAT THE DOA WAS ARGUING
WITH A MARTY IRONS
337
00:14:14,160 --> 00:14:15,960
OUTSIDE THE OTB
THIS MORNING.
338
00:14:15,990 --> 00:14:17,430
IRONS WORKS AT A MUSIC STORE
339
00:14:17,460 --> 00:14:19,700
DOWN THE BLOCK
FROM THE CRIME SCENE.
340
00:14:19,730 --> 00:14:21,730
THIS MARTY COMING IN?
YEAH.
341
00:14:21,770 --> 00:14:23,540
HEY, YOU FIND
FRANK’S SISTER YET?
342
00:14:23,570 --> 00:14:25,570
I LEFT A COUPLE OF MESSAGES
FOR THIS BETTY NAGLE.
343
00:14:25,600 --> 00:14:27,270
I HAVEN’T HEARD BACK.
344
00:14:27,310 --> 00:14:29,980
ANY WORD ON THE GRANDPARENTS
GETTING THAT SUPERVISED VISIT?
345
00:14:30,010 --> 00:14:31,570
NOT YET,
BUT THE LATER IT GETS,
346
00:14:31,610 --> 00:14:33,540
THE BETTER THE ODDS
ARE IT WON’T HAPPEN.
347
00:14:33,580 --> 00:14:35,510
15 SQUAD.
348
00:14:37,480 --> 00:14:38,810
DETECTIVE CLARK...
349
00:14:38,850 --> 00:14:40,820
HMM? WHO IS IT?
350
00:14:40,850 --> 00:14:41,980
DR. DEVLIN.
351
00:14:44,020 --> 00:14:45,620
UH, I’LL CALL HER BACK.
352
00:14:45,660 --> 00:14:47,500
GO AHEAD AND TAKE IT.
353
00:14:49,860 --> 00:14:51,890
I’M SUPPOSED
TO MEET HER FOR LUNCH.
354
00:14:51,930 --> 00:14:53,430
JUST GET THE CALL OVER WITH.
355
00:14:56,640 --> 00:14:57,980
HEY. I’M SORRY.
356
00:14:58,000 --> 00:15:00,600
I CAN’T MAKE IT.
I’M UP TO MY EARS.
357
00:15:00,640 --> 00:15:02,670
TONIGHT WORKS.
358
00:15:02,710 --> 00:15:04,480
YEAH. OKAY.
359
00:15:04,510 --> 00:15:07,010
UH, YOU TOO.
360
00:15:10,380 --> 00:15:11,450
MARTY IRONS.
361
00:15:15,850 --> 00:15:18,120
DETECTIVES SIPOWICZ, CLARK.
362
00:15:18,160 --> 00:15:20,400
NICE TO MEET YOU.
363
00:15:25,230 --> 00:15:28,460
SO, MARTY, YOU WORK AT A
MUSIC STORE ON DELANCEY STREET?
364
00:15:28,500 --> 00:15:29,600
SINCE HIGH SCHOOL.
365
00:15:29,630 --> 00:15:31,600
THE JOB’S PUTTING ME
THROUGH HUNTER.
366
00:15:31,640 --> 00:15:33,950
I’M EIGHT CREDITS
SHY OF GRADUATION.
367
00:15:33,970 --> 00:15:35,500
B.A. IN ASIAN PHILOSOPHY.
368
00:15:35,540 --> 00:15:38,140
THAT’S GREAT.
YOU KNOW A COLIN BOGLE?
369
00:15:38,180 --> 00:15:40,520
FREQUENTS THE OTB
NEAR YOUR STORE.
370
00:15:40,550 --> 00:15:43,560
SURE. HE’D BEEN COMING
BY A LOT LATELY.
371
00:15:43,580 --> 00:15:45,210
AND DOING WHAT?
372
00:15:45,250 --> 00:15:48,180
WE HAVE A LARGE GOATSKIN DRUM
FROM SENEGAL ON DISPLAY.
373
00:15:48,220 --> 00:15:50,450
MR. BOGLE WOULD ALWAYS
COME IN AND BANG ON IT,
374
00:15:50,490 --> 00:15:52,490
USUALLY WHEN HE WAS DRUNK,
WHICH WAS MOST OF THE TIME.
375
00:15:52,520 --> 00:15:54,490
DID HE BANG
ON IT THIS MORNING?
376
00:15:54,530 --> 00:15:57,140
ACTUALLY, I FOUND HIM
URINATING ON OUR FRONT DOOR
377
00:15:57,160 --> 00:15:58,560
WHEN I CAME TO OPEN UP.
378
00:15:58,600 --> 00:15:59,870
YOU TWO GO AT IT?
379
00:15:59,900 --> 00:16:01,400
HE DID.
I ASKED HIM TO LEAVE.
380
00:16:01,430 --> 00:16:03,630
HE RAN THROUGH
HIS USUAL LAUNDRY LIST
381
00:16:03,670 --> 00:16:06,130
OF PROFANITIES AND INSULTS,
THEN HE LEFT.
382
00:16:06,170 --> 00:16:07,200
DID YOU HIT HIM?
383
00:16:07,240 --> 00:16:09,340
NO. HE’S TWICE MY SIZE.
384
00:16:09,370 --> 00:16:12,470
SO YOU ASKED HIM TO LEAVE,
HE RAN HIS MOUTH, AND HE LEFT.
385
00:16:12,510 --> 00:16:14,910
AND THIS TOOK PLACE
IN FRONT OF YOUR STORE?
386
00:16:14,950 --> 00:16:16,150
YES, SIR.
387
00:16:16,180 --> 00:16:17,680
WE GOT A WITNESS SAYS
388
00:16:17,720 --> 00:16:20,530
THAT CONVERSATION
TOOK PLACE OUTSIDE THE OTB
389
00:16:20,550 --> 00:16:23,220
OKAY, I MIGHT HAVE FOLLOWED
COLIN DOWN THE BLOCK A LITTLE.
390
00:16:23,250 --> 00:16:24,750
I TAKE THAT BACK.
391
00:16:24,790 --> 00:16:27,190
I WAS WALKING AWAY FROM HIM.
HE WAS FOLLOWING ME.
392
00:16:27,230 --> 00:16:28,700
SEE RIGHT THERE?
393
00:16:28,730 --> 00:16:30,900
THAT’S WHAT WE CALL
AN "INCONSISTENCY," MARTY.
394
00:16:30,930 --> 00:16:32,490
WHAT,
BECAUSE I MISIDENTIFIED
395
00:16:32,530 --> 00:16:34,830
WHERE COLIN AND I ARGUED
BY HALF A BLOCK?
396
00:16:34,870 --> 00:16:36,210
WHAT DIFFERENCE DOES IT MAKE?
397
00:16:36,230 --> 00:16:37,500
A BIG DIFFERENCE.
398
00:16:37,540 --> 00:16:39,180
AND NOW IT’S
AN ARGUMENT YOU HAD,
399
00:16:39,200 --> 00:16:41,240
NOT YOU STANDING THERE
LIKE ABE LINCOLN.
400
00:16:41,270 --> 00:16:43,070
I’M TELLING THE TRUTH,
401
00:16:43,110 --> 00:16:45,450
AND YOU GUYS ARE ALL
READING INTO LITTLE THINGS,
402
00:16:45,480 --> 00:16:47,190
TRYING TO MAKE
SOMETHING OUT OF NOTHING.
403
00:16:47,210 --> 00:16:48,580
ONE MORE TIME ‐‐
404
00:16:48,610 --> 00:16:50,680
DID YOU HIT COLIN
IN THE HEAD THIS MORNING?
405
00:16:50,720 --> 00:16:51,890
NO.
406
00:16:51,920 --> 00:16:53,260
SINCE WE GOT YOU HERE,
407
00:16:53,280 --> 00:16:55,420
DO YOU MIND STICKING
AROUND FOR A LINEUP
408
00:16:55,450 --> 00:16:57,520
TO ELIMINATE YOURSELF
AS A SUSPECT?
409
00:16:57,560 --> 00:16:58,730
[ SCOFFS ]
410
00:16:58,760 --> 00:17:00,800
INNOCENT FOLKS USUALLY
DON’T MIND DOING IT.
411
00:17:00,830 --> 00:17:02,900
IF IT’LL...
412
00:17:02,930 --> 00:17:05,570
[ SIGHS ] OKAY, SURE.
413
00:17:05,600 --> 00:17:07,110
UP.
414
00:17:09,100 --> 00:17:11,130
YOU ALWAYS RUN
WHEN YOU SEE COPS COMING?
415
00:17:11,170 --> 00:17:12,300
FORCE OF HABIT.
416
00:17:12,340 --> 00:17:15,110
I’VE HAD SOME BAD EXPERIENCES.
417
00:17:15,140 --> 00:17:17,210
KEEP IT
STRAIGHTFORWARD AND HONEST ‐‐
418
00:17:17,240 --> 00:17:18,810
YOU WON’T HAVE ANOTHER ONE.
419
00:17:18,840 --> 00:17:21,740
NOW, EXPLAIN WHAT WERE YOU
DOING AT 225 UNIVERSITY?
420
00:17:21,780 --> 00:17:23,280
I NEVER BEEN THERE.
421
00:17:23,310 --> 00:17:25,110
EXPLAIN YOUR PRINTS
OFF THAT BUILDING’S DOOR...
422
00:17:25,150 --> 00:17:27,720
OR OFF THE PACK OF SMOKES
WE FOUND BY THE STOOP.
423
00:17:27,750 --> 00:17:29,320
MENTHOLS, RIGHT?
424
00:17:29,350 --> 00:17:32,750
YEAH, YOU KNOW WHAT?
UH, IT’S COMING BACK TO ME NOW.
425
00:17:32,790 --> 00:17:33,890
I WAS THERE.
426
00:17:33,930 --> 00:17:35,570
WHEN?
THIS WEEKEND.
427
00:17:35,590 --> 00:17:37,930
TROLLING FOR JANITOR JOBS,
MUST HAVE STOPPED IN.
428
00:17:37,960 --> 00:17:39,960
ARE YOU GONNA TAKE
THESE CUFFS OFF?
429
00:17:40,000 --> 00:17:41,960
YOU WENT THERE TUESDAY NIGHT?
430
00:17:42,000 --> 00:17:44,230
TUESDAY I WAS HOME,
WATCHING TV ‐‐
431
00:17:44,270 --> 00:17:45,830
THAT CROCODILE GUY.
432
00:17:45,870 --> 00:17:48,170
’CAUSE A WOMAN GOT
ATTACKED THERE TUESDAY NIGHT.
433
00:17:48,210 --> 00:17:49,580
NO, NOT ME.
434
00:17:49,610 --> 00:17:51,810
AND THIS WOMAN ‐‐
SHE FOUGHT BACK.
435
00:17:51,840 --> 00:17:53,940
GOT HER ATTACKER’S SKIN
UNDER HER NAILS.
436
00:17:53,980 --> 00:17:55,510
I’M GETTING A SWAB
FROM YOUR MOUTH.
437
00:17:55,550 --> 00:17:56,990
IF THE SWAB MATCHES THE SKIN ‐‐
438
00:17:57,020 --> 00:17:58,520
I DON’T GOTTA DO THAT.
439
00:17:58,550 --> 00:18:00,420
YOU’RE DOING IT IF I GOTTA
PRY THOSE TEETH OPEN
440
00:18:00,450 --> 00:18:02,820
AND STICK MY FIST
DOWN YOUR THROAT!
441
00:18:02,850 --> 00:18:05,120
WHAT HAPPENED?!
RIGHT NOW!
442
00:18:05,160 --> 00:18:07,600
’CAUSE I GOT
NO PATIENCE FOR SELF‐PITY.
443
00:18:07,630 --> 00:18:10,440
BUT YOU GOTTA UNDERSTAND,
I’VE BEEN OUT OF WORK TWO YEARS!
444
00:18:10,460 --> 00:18:13,800
FAST FOODS, STOCK ROOMS ‐‐
NOBODY HIRES AN EX‐CON.
445
00:18:13,830 --> 00:18:14,860
WHAT HAPPENED?
446
00:18:14,900 --> 00:18:16,330
I NEEDED MONEY.
447
00:18:16,370 --> 00:18:18,110
WHY DID YOU BEAT ON HER?
448
00:18:18,140 --> 00:18:21,050
I GO FOR HER PURSE, SHE STARTS
FIGHTING, YOU KNOW HOW IT IS.
449
00:18:21,070 --> 00:18:22,670
WHO PUT YOU UP TO THIS?
NOBODY.
450
00:18:22,710 --> 00:18:24,150
JERRY WELLS, RICK!
451
00:18:24,180 --> 00:18:26,550
I DON’T KNOW
ANYONE NAMED JERRY.
452
00:18:26,580 --> 00:18:28,640
YOU WANT TO TAKE
A BEATING FOR THIS?!
453
00:18:28,680 --> 00:18:30,210
I JUST SAID I DID IT!
454
00:18:30,250 --> 00:18:32,450
NOW YOU’RE GONNA BEAT ME IF
I DON’T PUT IT ON SOMEONE ELSE?!
455
00:18:32,480 --> 00:18:35,680
SO YOU JUST RANDOMLY HAPPENED
ON THIS BUILDING, THAT WOMAN?
456
00:18:35,720 --> 00:18:38,020
I CAN’T PAY MY RENT.
I NEED MONEY.
457
00:18:38,060 --> 00:18:39,800
NOTHING RANDOM ABOUT THAT.
458
00:18:39,820 --> 00:18:43,360
IF I FIND OUT THIS IS
A HAND JOB, I’LL TAKE YOU APART.
459
00:18:46,160 --> 00:18:47,500
LET’S GO.
460
00:18:53,710 --> 00:18:55,250
UM...
461
00:18:55,270 --> 00:18:56,370
I’M NOT SURE.
462
00:18:56,410 --> 00:18:58,150
WELL, TAKE YOUR TIME.
463
00:18:58,180 --> 00:19:00,650
DON’T RECOGNIZE NOBODY.
464
00:19:00,680 --> 00:19:01,540
YOU SURE?
465
00:19:01,580 --> 00:19:03,510
IF I WASN’T, I’D TELL YOU.
466
00:19:06,020 --> 00:19:07,230
Rodriguez: KICK ’EM.
467
00:19:09,220 --> 00:19:10,490
CAN I GO NOW?
468
00:19:10,520 --> 00:19:12,190
I NEED A MINUTE
WITH BERNIE HERE.
469
00:19:12,220 --> 00:19:13,220
OH, HERE WE GO.
470
00:19:13,260 --> 00:19:14,370
THE LINEUP’S OVER.
471
00:19:14,390 --> 00:19:15,660
I REALIZE THAT.
472
00:19:15,690 --> 00:19:17,360
MAKE IT QUICK.
473
00:19:19,360 --> 00:19:21,330
WHAT’S THE PROBLEM,
BERNIE, HMM?
474
00:19:21,370 --> 00:19:23,010
YOU SEE SOME GUY HIT COLIN.
475
00:19:23,030 --> 00:19:24,330
FROM ACROSS THE STREET.
476
00:19:24,370 --> 00:19:26,370
YOU AFRAID
OF STICKING YOUR NECK OUT?
477
00:19:26,400 --> 00:19:28,000
YOU INGRATE SON OF A BITCH,
I’VE BEEN HELPING YOU!
478
00:19:28,040 --> 00:19:30,340
SOMETHING TELLS ME YOU KNOW MORE
THAN YOU’RE SAYING, BERNIE.
479
00:19:30,370 --> 00:19:32,510
I NEED TO KNOW EVERYTHING.
480
00:19:32,540 --> 00:19:34,240
I DON’T LIKE YOUR TONE, ANDY.
481
00:19:34,280 --> 00:19:36,680
AND I DON’T GIVE A DAMN
IF YOU ARE A COP.
482
00:19:36,720 --> 00:19:38,920
THIS GUY COLIN,
WHO YOU KNEW, IS DEAD.
483
00:19:38,950 --> 00:19:41,450
YOU GONNA LOOK DOWN YOUR NOSE
AT ME ’CAUSE WHAT?
484
00:19:41,490 --> 00:19:43,460
I DRINK A BEER
EVERY NOW AND AGAIN.
485
00:19:43,490 --> 00:19:45,130
NO, WE’RE TALKING ABOUT COLIN.
486
00:19:45,160 --> 00:19:46,800
WE’RE TALKING
ABOUT WHAT YOU SAW.
487
00:19:46,830 --> 00:19:49,230
YOU’RE GONNA TELL ME HOW
TO CONDUCT MYSELF,
488
00:19:49,260 --> 00:19:51,190
EVEN THOUGH
NO ONE’S ASKING YOU TO?
489
00:19:51,230 --> 00:19:52,790
THAT AIN’T THE CASE, BERNIE.
490
00:19:52,830 --> 00:19:53,800
HERE’S AN IDEA ‐‐
491
00:19:53,830 --> 00:19:55,200
YOU LIVE YOUR LIFE.
492
00:19:55,230 --> 00:19:56,700
STAY OUT OF MINE, OKAY?
493
00:19:56,740 --> 00:19:59,910
I SAW WHAT I SAW,
I TOLD YOU WHAT I KNOW.
494
00:19:59,940 --> 00:20:01,570
WE’RE DONE.
495
00:20:06,810 --> 00:20:07,840
[ KNOCK ON DOOR ]
496
00:20:13,080 --> 00:20:14,580
HEY.
497
00:20:14,620 --> 00:20:17,420
BALDWIN, YOU DON’T HAVE
TO CHECK ON ME EVERY TWO HOURS.
498
00:20:17,460 --> 00:20:19,230
I’M JUST BRINGING YOU LUNCH ‐‐
499
00:20:19,260 --> 00:20:20,700
THE LENTIL SOUP YOU LIKE.
500
00:20:23,090 --> 00:20:24,430
THANK YOU.
501
00:20:24,460 --> 00:20:26,760
[ CLEARS THROAT ]
502
00:20:26,800 --> 00:20:29,130
SO, HOW YOU FEELING?
503
00:20:29,170 --> 00:20:31,580
OKAY.
PUTTING ON A BRAVE FACE.
504
00:20:31,600 --> 00:20:33,300
YOU DON’T HAVE
TO DO THAT WITH ME.
505
00:20:33,340 --> 00:20:35,150
IT’S HELPING.
506
00:20:35,170 --> 00:20:37,940
THERE’S ENOUGH FOR TWO.
507
00:20:37,980 --> 00:20:41,120
YEAH, I, UH, I NEED
TO GET BACK IN A MINUTE,
508
00:20:41,150 --> 00:20:42,590
BUT WE MADE A COLLAR.
509
00:20:42,610 --> 00:20:45,410
RICK RINALDI ‐‐
YOU EVER HEARD OF HIM?
510
00:20:45,450 --> 00:20:48,250
NO.
ANY CONNECTION TO JERRY WELLS?
511
00:20:48,290 --> 00:20:49,830
HE SAID HE DIDN’T KNOW WELLS.
512
00:20:49,850 --> 00:20:50,850
YOU BUY THAT?
513
00:20:50,890 --> 00:20:52,320
WE DIDN’T OFFHAND,
514
00:20:52,360 --> 00:20:55,200
BUT WE GAVE HIM EVERY CHANCE
TO DEAL WELLS OFF.
515
00:20:55,230 --> 00:20:58,270
SO THIS WAS JUST WRONG PLACE,
WRONG TIME?
516
00:20:58,300 --> 00:21:00,040
YEAH, IT LOOKS LIKE IT.
517
00:21:06,470 --> 00:21:08,270
IT’S NOT MUCH COMFORT.
518
00:21:08,310 --> 00:21:10,650
KNOWING THE GUY THAT DID THIS
519
00:21:10,680 --> 00:21:13,690
IS OFF THE STREET
IS ALL I NEED.
520
00:21:13,710 --> 00:21:14,640
AND HE IS.
521
00:21:16,350 --> 00:21:18,060
SO THERE YOU GO.
522
00:21:19,880 --> 00:21:21,880
ALL RIGHT.
523
00:21:21,920 --> 00:21:24,790
I BETTER GET BACK.
524
00:21:24,820 --> 00:21:29,120
BUT WELLS KNOWS TO STAY
AWAY FROM ME, RIGHT?
525
00:21:29,160 --> 00:21:31,030
HE KNOWS.
526
00:21:43,510 --> 00:21:46,650
SO YOU WERE ADRIAN COLAHAN’S
FRIEND IN HIGH SCHOOL?
527
00:21:46,680 --> 00:21:49,380
YES. NOW, IS THIS ABOUT
ADRIAN OR FRANK?
528
00:21:49,410 --> 00:21:50,810
ULTIMATELY FRANK,
529
00:21:50,850 --> 00:21:52,750
BUT WE HAVE QUESTIONS ABOUT
THEIR HOME LIFE IN GENERAL.
530
00:21:52,780 --> 00:21:55,020
SHOULDN’T YOU
BE TALKING TO FRANK?
531
00:21:55,050 --> 00:21:56,350
WE KNOW IT’S CONFUSING.
532
00:21:56,390 --> 00:21:57,900
UM, HERE’S WHERE WE’RE AT ‐‐
533
00:21:57,920 --> 00:21:59,920
FRANK’S GOING
UP FOR SENTENCING,
534
00:21:59,960 --> 00:22:02,220
AND WE’RE TRYING TO GET
INFORMATION ABOUT HIS UPBRINGING
535
00:22:02,260 --> 00:22:05,090
BECAUSE THAT WILL INFORM
THE SEVERITY OF HIS PUNISHMENT.
536
00:22:05,130 --> 00:22:08,560
AND FRANK CAN SAY WHATEVER HE
WANTS, BUT THAT’S HIS VERSION.
537
00:22:08,600 --> 00:22:10,500
AND HIS PARENTS,
THE COLAHANS,
538
00:22:10,530 --> 00:22:13,000
THEY’RE NOT ABOUT TO VOLUNTEER
ANYTHING NEGATIVE
539
00:22:13,040 --> 00:22:14,350
ABOUT HOW THEY RAISED HIM.
540
00:22:14,370 --> 00:22:15,940
A LITTLE CLEARER NOW?
541
00:22:15,970 --> 00:22:17,610
SO THIS IS TO HELP FRANK?
542
00:22:17,640 --> 00:22:19,440
THIS IS TO GET
TO THE ABSOLUTE TRUTH
543
00:22:19,480 --> 00:22:21,090
’CAUSE THERE’S A LIFE
AT STAKE.
544
00:22:21,110 --> 00:22:23,180
I’M SORRY. IF YOU’RE LOOKING
TO HELP FRANK,
545
00:22:23,210 --> 00:22:26,110
I’M PROBABLY NOT THE PERSON
YOU SHOULD BE TALKING TO.
546
00:22:26,150 --> 00:22:27,680
WHY’S THAT?
547
00:22:27,720 --> 00:22:30,550
HE WAS A BAD GUY BACK THEN.
OBVIOUSLY NOTHING CHANGED.
548
00:22:30,590 --> 00:22:32,390
HE DID SOMETHING TO YOU?
549
00:22:32,420 --> 00:22:34,590
NO. NO.
550
00:22:34,630 --> 00:22:37,100
HE JUST ‐‐ HE WASN’T A REAL GOOD
BROTHER TO ADRIAN.
551
00:22:37,130 --> 00:22:39,460
WELL, WE UNDERSTAND THAT ADRIAN
TOOK A NOSE DIVE
552
00:22:39,500 --> 00:22:41,210
AT ONE POINT DURING
HIGH SCHOOL ‐‐
553
00:22:41,230 --> 00:22:43,770
STARTED DOING DRUGS
AND DRINKING.
554
00:22:43,800 --> 00:22:47,400
WAS THAT PROBLEMS WITH FRANK
OR PROBLEMS AT HOME?
555
00:22:47,440 --> 00:22:50,370
FRANK...IN MY OPINION.
556
00:22:50,410 --> 00:22:52,470
BETTY, WE REALLY
NEED YOU TO BE SPECIFIC.
557
00:22:52,510 --> 00:22:55,210
ADRIAN WAS A TOTAL
MISS GOODY‐TWO‐SHOES.
558
00:22:55,250 --> 00:22:57,620
SHE NEVER EVEN KISSED A GUY.
559
00:22:57,650 --> 00:22:59,820
BELIEVE ME,
I WOULD HAVE KNOWN.
560
00:22:59,850 --> 00:23:02,750
AND THEN ONE DAY,
SHE’S PREGNANT,
561
00:23:02,790 --> 00:23:05,130
ENDS UP GETTING AN ABORTION.
562
00:23:05,160 --> 00:23:09,130
PERSONALLY, I ALWAYS THOUGHT
THAT FRANK HAD RAPED HER
563
00:23:09,160 --> 00:23:11,560
BECAUSE HE WAS SUCH
A HOODLUM.
564
00:23:11,600 --> 00:23:13,300
DID YOU EVER
ASK ADRIAN ABOUT IT?
565
00:23:13,330 --> 00:23:14,960
SHE WOULDN’T TALK ABOUT IT.
566
00:23:15,000 --> 00:23:16,970
AND THEN WHEN THE DRINKING
AND THE DRUGS STARTED,
567
00:23:17,000 --> 00:23:19,400
THAT WAS BASICALLY
THE END OF OUR FRIENDSHIP.
568
00:23:19,440 --> 00:23:20,580
WE’RE HAVING TROUBLE
LOCATING ADRIAN.
569
00:23:20,610 --> 00:23:23,680
YEAH. SHE’S BEEN MARRIED
AND REMARRIED.
570
00:23:23,710 --> 00:23:27,240
I THINK HER NEW
LAST NAME IS CAFFEE ‐‐
571
00:23:27,280 --> 00:23:29,180
C‐A‐F‐F‐E‐E.
572
00:23:34,950 --> 00:23:36,250
HEY.
573
00:23:36,290 --> 00:23:39,530
I, UH, I WAS GOING THROUGH
RICK RINALDI’S PAROLE FILE,
574
00:23:39,560 --> 00:23:41,360
AND THIS JUMPED OUT.
575
00:23:41,390 --> 00:23:44,760
MERCHANT MARINE,
BASED IN GENOA, 1988, HUH?
576
00:23:44,800 --> 00:23:46,610
THAT LOOKED AWFULLY FAMILIAR.
577
00:23:46,630 --> 00:23:49,100
THIS IS WELLS’ PROFILE.
578
00:23:49,130 --> 00:23:50,600
THEY’RE SHIPMATES?
579
00:23:50,640 --> 00:23:52,540
ANOTHER CONVERSATION
WITH RICK?
580
00:23:52,570 --> 00:23:53,840
YEAH, DEFINITELY.
581
00:23:53,870 --> 00:23:56,100
WE REALLY
APPRECIATE IT, BETTY.
582
00:23:56,140 --> 00:23:58,140
YEAH.
583
00:23:59,810 --> 00:24:02,010
WE GOT A LINE ON WHERE TO
FIND FRANK’S SISTER.
584
00:24:02,050 --> 00:24:04,360
AND THE FRIEND SUSPECTED
FRANK MOLESTED HER,
585
00:24:04,380 --> 00:24:06,280
AND HE MIGHT HAVE GOT
HER PREGNANT.
586
00:24:06,320 --> 00:24:07,960
HE MOLESTED HIS OWN SISTER?
587
00:24:07,990 --> 00:24:09,960
YEAH. YEAH, I MEAN, PROVING IT,
THAT’S ANOTHER DEAL.
588
00:24:09,990 --> 00:24:11,820
WELL, IT SHINES A LIGHT
ON THE FAMILY AT LEAST.
589
00:24:11,860 --> 00:24:13,670
I’LL BRING OUR LAWYER
UP TO SPEED.
590
00:24:13,690 --> 00:24:15,860
YEAH, I’LL ‐‐
I’LL TRACK DOWN ADRIAN.
591
00:24:15,890 --> 00:24:18,130
UH, ANDY, WE DUMPED
BERNIE’S CELL PHONE.
592
00:24:18,160 --> 00:24:21,060
THERE’S A CALL IN TO
THE MUSIC STORE IRONS WORKS AT.
593
00:24:21,100 --> 00:24:24,000
HE PLACED IT RIGHT AFTER WE LEFT
THE OTB THIS MORNING.
594
00:24:24,040 --> 00:24:25,810
I CAN TAKE IT ALONE
IF YOU WANT.
595
00:24:25,840 --> 00:24:27,680
GO AHEAD, ANDY.
I’LL MAKE THE CALLS.
596
00:24:27,710 --> 00:24:30,050
IT’S GONNA BE ALL RIGHT.
IT WAS A BAD FAMILY.
597
00:24:30,070 --> 00:24:32,540
THEY COULDN’T EVEN RAISE
THEIR OWN KIDS RIGHT.
598
00:24:32,580 --> 00:24:34,220
I KNOW.
599
00:24:37,250 --> 00:24:38,910
GOT IT.
600
00:24:41,390 --> 00:24:42,660
WHAT’S GOING ON?
601
00:24:42,690 --> 00:24:44,560
TELL US ABOUT GENOA, RICK.
602
00:24:44,590 --> 00:24:46,190
WHAT, NOW?
603
00:24:46,220 --> 00:24:48,490
GENOA, WHERE YOUR PAROLE FILE
SAYS YOU WERE STATIONED
604
00:24:48,530 --> 00:24:50,540
WITH THE MERCHANT MARINES
IN 1988.
605
00:24:50,560 --> 00:24:52,230
YEAH, WITH JERRY WELLS
AS YOUR SHIPMATE.
606
00:24:52,260 --> 00:24:54,000
THAT’S NOT THE GUY YOU
WERE ASKING ABOUT.
607
00:24:54,030 --> 00:24:55,660
OH, YOU KNOW
DAMN WELL IT WAS.
608
00:24:55,700 --> 00:24:57,500
I HAVEN’T SEEN HIM
IN 15 YEARS.
609
00:24:57,540 --> 00:24:59,110
THEN IT’S SOME COINCIDENCE
610
00:24:59,140 --> 00:25:01,280
YOU ATTACKING THE WOMAN
THAT HE’S IN A BEEF WITH.
611
00:25:01,310 --> 00:25:02,880
GUESS SO.
612
00:25:02,910 --> 00:25:05,780
NOW, THIS WOMAN, THE DISTRICT
ATTORNEY, SHE MEANS A LOT TO ME,
613
00:25:05,810 --> 00:25:07,840
AND WHEN I LOOK AT HER
ALL BRUISED UP,
614
00:25:07,880 --> 00:25:10,350
IT MAKES ME WANT TO KILL
THE GUY WHO DID THIS.
615
00:25:10,380 --> 00:25:12,380
IT WASN’T PERSONAL.
SHUT UP!
616
00:25:12,420 --> 00:25:14,760
BUT I’M MORE INTERESTED IN
TAKING DOWN THE GUY BEHIND IT
617
00:25:14,790 --> 00:25:16,460
RATHER THAN
THE IDIOT FOR HIRE.
618
00:25:16,490 --> 00:25:18,100
I DID IT ALL ON MY OWN.
619
00:25:18,120 --> 00:25:20,560
UNLESS THAT IDIOT KEEPS LYING
STRAIGHT TO MY FACE!
620
00:25:20,590 --> 00:25:22,220
THIS IS ALL ON ME.
621
00:25:22,260 --> 00:25:24,860
THEN THAT IDIOT WILL FACE
A FULL RIDE FROM THE COURT,
622
00:25:24,900 --> 00:25:27,910
BUT ONLY AFTER HE TAKES A TRIP
TO THE ALLEY WITH ME!
623
00:25:27,930 --> 00:25:29,770
[ SOBS ]
624
00:25:29,800 --> 00:25:32,230
WHAT’S GOING ON HERE, RICK?
DID JERRY WELLS HIRE YOU?
625
00:25:32,270 --> 00:25:33,370
NO.
626
00:25:33,400 --> 00:25:35,300
DOES HE HAVE
SOMETHING ON YOU?
627
00:25:35,340 --> 00:25:40,380
I’M SORRY I HURT YOUR FRIEND,
BUT I DID IT ON MY OWN,
628
00:25:40,410 --> 00:25:43,610
AND IF WE’RE GOING TO THE ALLEY,
THEN LET’S GET IT OVER WITH.
629
00:25:53,860 --> 00:25:57,290
MADE A CALL ON YOUR CELL PHONE
THIS MORNING TO A MUSIC STORE
630
00:25:57,330 --> 00:25:59,060
RIGHT AFTER WE TALKED TO YOU.
631
00:25:59,100 --> 00:26:00,610
SO?
632
00:26:00,630 --> 00:26:02,400
MARTY IRONS WORKS THERE,
633
00:26:02,430 --> 00:26:05,470
WHO WAS IN THE LINEUP EARLIER
AND YOU FAILED TO PICK OUT.
634
00:26:05,500 --> 00:26:07,740
I WASN’T CALLING
FOR NO MARTY.
635
00:26:07,770 --> 00:26:09,340
I JUST NEEDED SOME
GUITAR STRINGS.
636
00:26:09,370 --> 00:26:11,810
WE’RE GONNA HAUL YOUR ASS
IN FRONT OF THE GRAND JURY
637
00:26:11,840 --> 00:26:13,470
SO THAT YOU CAN
LIE TO THEM.
638
00:26:13,510 --> 00:26:15,440
THEN YOU’LL END UP
DOING MORE TIME
639
00:26:15,480 --> 00:26:17,150
THAN THE GUY
WHO DID THE MURDER.
640
00:26:17,180 --> 00:26:19,450
[ SIGHS ] SO THIS IS
HOW IT IS, HUH?
641
00:26:19,480 --> 00:26:21,920
LOOKS LIKE IT.
GET ON YOUR FEET, BERNIE.
LET’S GO.
642
00:26:21,950 --> 00:26:25,090
ALL RIGHT, IT WAS MARTY.
I SAW HIM HIT COLIN.
643
00:26:25,120 --> 00:26:27,260
AND YOU DIDN’T TELL US THIS
EARLIER BECAUSE?
644
00:26:27,290 --> 00:26:29,930
COLIN WAS AN ASSHOLE.
MARTY’S A GOOD KID.
645
00:26:29,960 --> 00:26:32,530
HE LETS ME COME INTO THE STORE
AND PLAY THE GUITARS
646
00:26:32,560 --> 00:26:34,100
WHENEVER I WANT.
647
00:26:34,130 --> 00:26:36,770
WHY DID YOU CALL MARTY
AFTER WE TALKED TO YOU?
648
00:26:36,800 --> 00:26:39,700
I WAS GONNA TELL HIM
TO TURN HIMSELF IN
649
00:26:39,740 --> 00:26:42,470
SO I COULD STAY
THE HELL OUT OF THIS.
650
00:26:42,510 --> 00:26:44,320
I ENDED UP HANGING UP.
651
00:26:44,340 --> 00:26:45,940
WHO STARTED THE FIGHT?
652
00:26:45,980 --> 00:26:48,950
I LOOKED OVER.
THEY WERE JAWING AT EACH OTHER.
653
00:26:48,980 --> 00:26:51,880
COLIN SHOVED MARTY,
AND MARTY DID HIS THING.
654
00:26:51,920 --> 00:26:54,490
AND YOU WEREN’T INVOLVED
IN ANY WAY?
655
00:26:54,520 --> 00:26:56,480
WILL YOU VOUCH FOR ME HERE?
656
00:26:56,520 --> 00:26:58,690
WHAT DID MARTY USE
TO KILL COLIN?
657
00:26:58,720 --> 00:27:01,660
DAMN HANDS.
HE’S INTO THAT JUJITSU NONSENSE.
658
00:27:01,690 --> 00:27:03,960
HE DIDN’T USE A KNIFE,
MAYBE A PEN?
659
00:27:04,000 --> 00:27:06,340
HE DON’T NEED IT.
HE’S A KARATE MAN.
660
00:27:06,360 --> 00:27:08,000
I’LL GET MARTY IN HERE.
661
00:27:17,910 --> 00:27:20,010
SO WHAT HAPPENED, BERNIE?
662
00:27:20,040 --> 00:27:23,240
JUST SOME THINGS.
MY PROBLEM, NOT YOURS.
663
00:27:25,920 --> 00:27:29,230
GOT ARTHRITIS IN MY HANDS,
CAN’T PLAY ANYMORE ‐‐
664
00:27:29,250 --> 00:27:31,190
NOT GOOD ENOUGH ANYWAY.
665
00:27:31,220 --> 00:27:33,990
WHAT ABOUT YOUR GRANDKIDS YOU
WERE SO PROUD OF?
ALL GROWN UP.
666
00:27:34,030 --> 00:27:36,600
SO THE ALTERNATIVE IS GETTING
TRASHED EVERY DAY AT THE OTB?
667
00:27:36,630 --> 00:27:38,360
I GUESS SO.
668
00:27:41,370 --> 00:27:44,840
WE BOTH KNOW IT’S ‐‐ IT’S HARDER
LIVING A RIGHT LIFE.
669
00:27:44,870 --> 00:27:47,240
I’M CURRENTLY GOING
THROUGH SOMETHING
670
00:27:47,270 --> 00:27:50,110
WHERE PEOPLE ARE USING
MY PAST AGAINST ME,
671
00:27:50,140 --> 00:27:52,440
AND I’M GETTING
MY ASS KICKED.
672
00:27:52,480 --> 00:27:54,050
IT’S HARD.
673
00:27:54,080 --> 00:27:56,410
IT’D BE A LOT EASIER TO JUST
DUCK INTO A BAR AND STAY THERE,
674
00:27:56,450 --> 00:28:00,090
BUT IT’S NOT A LIFE, BERNIE.
675
00:28:00,120 --> 00:28:02,020
IS THIS WHAT
YOU REALLY WANT?
676
00:28:02,050 --> 00:28:04,290
THIS IS WHAT I CAN
HANDLE RIGHT NOW.
677
00:28:04,320 --> 00:28:05,620
THIS IS HOW I HANDLE IT.
678
00:28:05,660 --> 00:28:07,730
[ KNOCK ON DOOR ]
679
00:28:07,760 --> 00:28:09,290
SORRY.
680
00:28:09,330 --> 00:28:11,970
I GOT AHOLD OF ADRIAN COLAHAN.
DO YOU WANNA COME WITH ME?
681
00:28:12,000 --> 00:28:12,870
YEAH.
682
00:28:12,900 --> 00:28:14,770
OKAY, I’LL GET THE CAR.
683
00:28:18,300 --> 00:28:21,370
ALL RIGHT, SOMEONE WILL
BE COMING IN HERE
684
00:28:21,410 --> 00:28:22,880
TO GET YOUR STATEMENT.
685
00:28:22,910 --> 00:28:24,880
I GOT YOUR CARD ALREADY.
686
00:28:24,910 --> 00:28:26,470
THIS IS MY HOME NUMBER.
687
00:28:28,310 --> 00:28:30,980
YOU WANNA GO TO A MEETING,
WANNA GET SOME COFFEE,
688
00:28:31,020 --> 00:28:33,320
DO WHATEVER, WHENEVER,
YOU JUST CALL ME.
689
00:28:50,270 --> 00:28:52,630
BALDWIN,
LET ME TAKE THE LEAD.
690
00:28:52,670 --> 00:28:54,300
NO, I GOT IT.
691
00:28:54,340 --> 00:28:58,410
IF YOU TEE OFF ON THIS GUY,
IT COULD BE YOUR JOB.
692
00:28:58,440 --> 00:29:00,410
GREG.
693
00:29:00,440 --> 00:29:02,940
LET ME HANDLE IT.
694
00:29:04,780 --> 00:29:06,820
WHAT THE HELL
IS THIS, NOW?
695
00:29:06,850 --> 00:29:09,990
YOU’RE A COLLAR ACTING IN
CONCERT ON ASSAULT.
696
00:29:10,020 --> 00:29:12,750
OH, PERFECT, MORE HARASSMENT.
I’M GONNA OWN YOUR ASS.
697
00:29:12,790 --> 00:29:14,490
YEAH?
698
00:29:14,530 --> 00:29:17,200
RICK RINALDI JUST GAVE YOU UP,
JERRY, SO IT’S US OWNING YOU.
699
00:29:17,230 --> 00:29:19,160
YOU WANT TO TALK A DEAL,
YOU GOT 30 SECONDS.
700
00:29:19,200 --> 00:29:21,310
SORRY, FELLAS.
I DON’T KNOW A RICK RINALDI.
701
00:29:21,330 --> 00:29:23,360
YOUR BUDDY IN
THE MERCHANT MARINES
702
00:29:23,400 --> 00:29:26,100
WHO YOU FORCED INTO
ATTACKING A. D. A. HAYWOOD?
703
00:29:26,140 --> 00:29:28,050
I FORCED A GROWN MAN
INTO ATTACKING SOMEONE?
704
00:29:28,070 --> 00:29:30,140
WE’LL CALL IT
EXTORTION, THEN,
705
00:29:30,170 --> 00:29:31,770
’CAUSE HE TOLD US ALL ABOUT WHAT
YOU’RE HOLDING OVER HIM.
706
00:29:31,810 --> 00:29:33,940
HOW HE’S INTO YOU
FOR 10 GRAND
707
00:29:33,980 --> 00:29:35,780
’CAUSE HIS MOM NEEDS
A HIP OPERATION,
708
00:29:35,810 --> 00:29:37,710
AND THIS IS HOW YOU
MADE HIM PAY IT BACK.
709
00:29:37,750 --> 00:29:40,050
YOUR 30 SECONDS ARE UP.
WHOA! WAIT! WHOA!
710
00:29:40,080 --> 00:29:42,450
THAT GUY DID A MURDER, OKAY?
THAT’S WHAT I GOT TO DEAL.
711
00:29:42,490 --> 00:29:44,130
RINALDI DID A MURDER?
712
00:29:44,160 --> 00:29:45,800
HE’S NOT INTO ME FOR MONEY.
713
00:29:45,820 --> 00:29:47,890
I SAW HIM KILL A GUY
IN A BAR FIGHT.
714
00:29:47,930 --> 00:29:49,500
AND WHERE’D IT HAPPEN?
715
00:29:49,530 --> 00:29:52,670
’92, GIN MILL IN SINGAPORE.
716
00:29:52,700 --> 00:29:54,010
GOT INTO IT
WITH A SOUTH AFRICAN,
717
00:29:54,030 --> 00:29:56,200
SMACKED HIS HEAD, AND DIED.
IT WAS MURDER.
718
00:29:56,230 --> 00:29:58,030
WHICH YOU’VE BEEN HOLDING OVER
HIM EVER SINCE.
719
00:29:58,070 --> 00:29:59,640
A FEW ERRANDS HERE AND THERE.
720
00:29:59,670 --> 00:30:00,800
YEAH, LIKE
BEATING UP A WOMAN?
721
00:30:00,840 --> 00:30:02,340
WHICH I SHOULD
BE ABLE TO TRADE
722
00:30:02,370 --> 00:30:04,410
FOR THE INFO ON
THE MURDER THAT HE DID.
723
00:30:04,440 --> 00:30:09,010
WE NEED WHAT YOU SAID TO RICK
BEFORE WE CONSIDER ANYTHING.
724
00:30:09,050 --> 00:30:11,260
I TOLD HIM TO ROUGH HER UP
AND THEN WE’RE EVEN.
725
00:30:13,350 --> 00:30:14,350
HEY!
726
00:30:17,760 --> 00:30:19,830
I SHOULD PUT A BULLET
IN YOUR BRAIN.
727
00:30:19,860 --> 00:30:21,360
WHOA! WHOA!
728
00:30:21,390 --> 00:30:23,220
BALDWIN.
729
00:30:23,260 --> 00:30:26,530
YOU SHOULD
THANK THIS MAN, JERRY.
730
00:30:26,570 --> 00:30:28,740
HE JUST SAVED YOUR LIFE.
731
00:30:28,770 --> 00:30:31,440
COME ON.
732
00:30:44,880 --> 00:30:46,750
YOU’RE CONNIE McDOWELL?
733
00:30:46,790 --> 00:30:49,130
YES. HI.
THIS IS ANDY SIPOWICZ.
734
00:30:49,150 --> 00:30:51,590
ADRIAN CAFFEE.
COME IN.
735
00:30:56,760 --> 00:30:58,590
SORRY FOR THE MESS.
736
00:30:58,630 --> 00:31:01,400
HOW MANY YOU GOT?
TWO ‐‐ BOYS.
737
00:31:01,430 --> 00:31:03,060
SO, FRANK.
738
00:31:03,100 --> 00:31:05,930
IT’S TERRIBLE WHAT HAPPENED,
BUT I SHOULD TELL YOU
739
00:31:05,970 --> 00:31:08,400
I REALLY HAVEN’T SPOKEN
TO HIM IN A LONG TIME.
740
00:31:08,440 --> 00:31:09,810
WOULD YOU LIKE TO SIT?
741
00:31:09,840 --> 00:31:10,970
THANK YOU.
742
00:31:12,640 --> 00:31:15,740
SO...HE’S IN JAIL, RIGHT?
743
00:31:15,780 --> 00:31:17,450
THAT’S RIGHT.
744
00:31:17,480 --> 00:31:20,320
SO WHAT EXACTLY
DO YOU NEED FROM ME?
745
00:31:20,350 --> 00:31:23,050
FRANK’S WIFE, MICHELLE,
WAS MY SISTER.
746
00:31:23,090 --> 00:31:26,000
OH, MY GOD.
I’M SO SORRY.
747
00:31:26,020 --> 00:31:28,290
SHE WAS PREGNANT WHEN
FRANK KILLED HER,
748
00:31:28,330 --> 00:31:30,170
SO I TOOK CUSTODY OF THE BABY,
749
00:31:30,190 --> 00:31:32,560
AND WHEN I WENT TO FORMALLY
ADOPT HER,
750
00:31:32,600 --> 00:31:35,510
YOUR PARENTS CAME OUT OF NOWHERE
AND CONTESTED IT.
751
00:31:35,530 --> 00:31:38,000
CHARGING THAT WE’RE
UNFIT TO RAISE HER.
752
00:31:38,040 --> 00:31:40,250
IT’S BASICALLY LEFT US
DEFENSELESS,
753
00:31:40,270 --> 00:31:42,470
SO WE’RE FORCED TO LOOK
INTO THEM.
754
00:31:42,510 --> 00:31:44,980
WELL, I HAVEN’T SPOKEN
TO MY PARENTS IN 15 YEARS.
755
00:31:45,010 --> 00:31:47,080
WHAT’S THE REASON FOR THAT,
IF YOU DON’T MIND ME ASKING?
756
00:31:47,110 --> 00:31:49,510
WELL, I DON’T SEE HOW
IT’S RELEVANT,
757
00:31:49,550 --> 00:31:51,980
BUT WE JUST DON’T
SEE EYE TO EYE.
758
00:31:52,020 --> 00:31:53,990
WELL, IN TALKING WITH PEOPLE,
759
00:31:54,020 --> 00:31:58,290
WE’VE FOUND OUT THAT YOU AND
FRANK BOTH HAD TOUGH CHILDHOODS.
760
00:32:00,390 --> 00:32:03,760
I‐I’M REALLY SORRY MY PARENTS
ARE DOING THIS TO YOU,
761
00:32:03,800 --> 00:32:05,600
BUT I DON’T THINK
I CAN HELP.
762
00:32:05,630 --> 00:32:08,930
YOU CAN TELL US WHY YOU WENT
FROM BEING A REALLY GOOD KID
763
00:32:08,970 --> 00:32:11,110
TO SUDDENLY DOING DRUGS
AND DRINKING.
764
00:32:11,140 --> 00:32:13,180
WHAT, I WAS THE ONLY ONE?
765
00:32:13,200 --> 00:32:14,870
I WAS A TEENAGER.
766
00:32:14,910 --> 00:32:17,050
YOU COULD TALK ABOUT
WHO GOT YOU PREGNANT.
767
00:32:17,080 --> 00:32:19,550
WHO TOLD YOU THAT?
768
00:32:19,580 --> 00:32:21,540
DID FRANK DO THAT TO YOU?
769
00:32:21,580 --> 00:32:23,010
NO. THAT’S CRAZY.
770
00:32:23,050 --> 00:32:26,520
I GOT A LOT TO BLAME FRANK FOR,
BUT NOT THAT.
771
00:32:26,550 --> 00:32:29,520
THEN WHO?
THAT’S NONE OF YOUR
BUSINESS.
772
00:32:29,550 --> 00:32:32,150
I REALLY CAN’T HELP YOU.
I’M SORRY.
773
00:32:32,190 --> 00:32:34,290
YOU DON’T UNDERSTAND.
THE HEARING IS IN TWO DAYS.
774
00:32:34,330 --> 00:32:36,530
THE KIDS WILL BE HOME SOON.
YOU SHOULD LEAVE NOW.
775
00:32:36,560 --> 00:32:38,860
IF IT WASN’T YOUR BROTHER,
WAS IT YOUR FATHER?
776
00:32:38,900 --> 00:32:41,570
GET OUT,
AND I MEAN RIGHT NOW.
777
00:32:41,600 --> 00:32:42,900
ADRIAN, HELP US.
778
00:32:42,930 --> 00:32:44,970
IF HE FORCED YOU
TO HAVE SEX WITH HIM,
779
00:32:45,000 --> 00:32:47,370
WHAT MAKES YOU THINK THAT HE
WON’T EVENTUALLY DO IT AGAIN?
780
00:32:47,410 --> 00:32:48,610
GET OUT!
781
00:33:11,860 --> 00:33:13,700
HAVE A SEAT, MARTY.
782
00:33:17,600 --> 00:33:20,500
I TALKED TO SOME PEOPLE
AT YOUR OLD HIGH SCHOOL.
783
00:33:20,540 --> 00:33:23,540
THE IMPRESSION I GOT WAS
YOU HAD A HARD TIME OF IT.
784
00:33:23,580 --> 00:33:26,080
THIS IS GETTING
A LITTLE RIDICULOUS.
785
00:33:26,110 --> 00:33:28,780
YOUR NAME WAS MARTY SEAMON
BACK THEN, RIGHT?
786
00:33:28,810 --> 00:33:30,210
SO?
787
00:33:30,250 --> 00:33:33,010
AND THE OTHER KIDS HAD A
NICKNAME FOR YOU ‐‐ SPOOGE.
788
00:33:33,050 --> 00:33:34,680
DO YOU HAVE
A QUESTION OR NOT?
789
00:33:34,720 --> 00:33:36,620
THAT’S WHAT GOT YOU
INTO MARTIAL ARTS, RIGHT?
790
00:33:36,660 --> 00:33:40,470
KARATE, AIKIDO ‐‐ BOTH OF WHICH
YOU HAVE BLACK BELTS IN.
791
00:33:40,490 --> 00:33:43,190
WHAT IS THE QUESTION?
WHY AM I HERE?
792
00:33:43,230 --> 00:33:46,200
DIM‐MAK ‐‐
DEATH‐POINT STRIKING.
793
00:33:46,230 --> 00:33:49,200
YOUR INTERNET HOME PAGE
TALKS ALL ABOUT IT.
794
00:33:49,230 --> 00:33:51,700
IT LISTS ALL KINDS OF WAYS
TO KILL SOMEONE.
795
00:33:51,740 --> 00:33:54,880
MY FAVORITE IS WHERE YOU STICK
YOUR FINGER THROUGH A GUY’S EYE
796
00:33:54,910 --> 00:33:57,320
CLEAN INTO HIS BRAIN.
797
00:33:57,340 --> 00:33:59,810
YOU SEE WHERE THIS IS GOING,
MARTY?
798
00:33:59,840 --> 00:34:02,310
YOU KILLED COLIN BOGLE
THIS MORNING, AND I KNOW IT.
799
00:34:02,350 --> 00:34:04,120
I GOT A WITNESS WHO
BACKS ME UP...
800
00:34:04,150 --> 00:34:07,280
BUT HE SHOVED YOU,
AND THAT’S IMPORTANT.
801
00:34:07,320 --> 00:34:09,380
I WAS DEFENDING MYSELF.
EXACTLY.
802
00:34:09,420 --> 00:34:11,990
SO NOW THE FIRST THING
WE NEED TO WORK ON
803
00:34:12,020 --> 00:34:14,220
IS WHY YOU DIDN’T CALL
911 RIGHT THEN,
804
00:34:14,260 --> 00:34:16,220
WHY YOU’VE
BEEN LYING ALL DAY.
805
00:34:16,260 --> 00:34:18,230
I WAS SCARED.
OKAY.
806
00:34:18,260 --> 00:34:21,460
THAT’S FINE,
PERFECTLY UNDERSTANDABLE.
807
00:34:21,500 --> 00:34:24,730
AND I WAS AFRAID NO ONE WAS
GONNA BELIEVE ME.
808
00:34:24,770 --> 00:34:26,570
I‐I WAS DEFENDING MYSELF.
809
00:34:26,610 --> 00:34:27,650
I UNDERSTAND.
810
00:34:27,670 --> 00:34:29,810
WHEN YOU GO BEFORE
THE GRAND JURY,
811
00:34:29,840 --> 00:34:32,670
YOU’RE GONNA WANNA TELL
YOUR SIDE OF IT.
812
00:34:32,710 --> 00:34:34,640
BECAUSE SOME PEOPLE
ARE GONNA ARGUE ‐‐
813
00:34:34,680 --> 00:34:36,580
EVEN THOUGH HE SHOVED
YOU FIRST ‐‐
814
00:34:36,620 --> 00:34:38,590
THAT SINCE YOU KNOW THIS
HIGH‐LEVEL KARATE,
815
00:34:38,620 --> 00:34:39,860
YOU’RE AT FAULT.
816
00:34:39,880 --> 00:34:41,520
AND SOME PEOPLE
ARE GONNA ARGUE
817
00:34:41,550 --> 00:34:43,750
THAT SINCE YOU GOT TEASED
IN HIGH SCHOOL,
818
00:34:43,790 --> 00:34:46,020
THE FACT THAT YOU
HAVE TWO BLACK BELTS
819
00:34:46,060 --> 00:34:48,270
SHOWS THAT YOU WERE
WAITING FOR THIS DAY,
820
00:34:48,290 --> 00:34:50,330
WAITING FOR A CHANCE
TO KILL A BULLY.
821
00:34:50,360 --> 00:34:52,160
THAT’S NOT TRUE.
HEY, AND I AGREE WITH YOU.
822
00:34:52,200 --> 00:34:54,010
BUT THAT’S WHAT PEOPLE
ARE GONNA SAY.
823
00:34:54,030 --> 00:34:56,700
THEY ALSO MIGHT POINT OUT
THAT IF YOU DIDN’T HAVE
824
00:34:56,740 --> 00:34:58,440
ALL THIS TRAINING,
825
00:34:58,470 --> 00:35:00,470
WHAT WOULD’VE HAPPENED IS THAT
YOU PUNCH COLIN IN THE NOSE,
826
00:35:00,500 --> 00:35:01,940
AND THAT’S THE END OF IT.
827
00:35:01,970 --> 00:35:03,540
INSTEAD, COLIN IS DEAD.
828
00:35:03,580 --> 00:35:07,620
I DIDN’T WANT TO KILL HIM.
829
00:35:07,650 --> 00:35:10,290
HE HAD THIS CRAZY LOOK
IN HIS EYES.
830
00:35:10,310 --> 00:35:13,150
HE MOVED TOWARD ME,
AND I REACTED.
831
00:35:14,750 --> 00:35:16,950
I’M SORRY.
832
00:35:16,990 --> 00:35:18,750
I’M NOT A BAD PERSON.
833
00:35:20,690 --> 00:35:22,860
ALL RIGHT.
834
00:35:22,890 --> 00:35:27,130
WHAT YOU NEED TO SAY IS YOU
WALKED AWAY FROM THIS GUY.
835
00:35:27,170 --> 00:35:29,640
HE FOLLOWED YOU,
GOT IN YOUR FACE,
836
00:35:29,670 --> 00:35:32,870
YOU TOLD HIM REPEATEDLY TO BACK
OFF, HE CAME AFTER YOU ANYWAY.
837
00:35:32,900 --> 00:35:36,640
NOW, HE WAS A HUGE GUY.
YOU WERE IN FEAR FOR YOUR LIFE.
838
00:35:36,680 --> 00:35:38,820
I’LL PUT IN A GOOD WORD
WITH THE D. A.
839
00:35:38,840 --> 00:35:40,580
SO YOU BELIEVE ME?
840
00:35:40,610 --> 00:35:42,880
IF I DIDN’T, YOU’D BE IN A WHOLE
DIFFERENT SITUATION RIGHT NOW.
841
00:35:49,450 --> 00:35:51,320
WELLS FINISH HIS STATEMENT?
842
00:35:51,360 --> 00:35:53,200
YEAH, WE’RE JUST HEADING TO
CENTRAL BOOKING.
843
00:35:53,220 --> 00:35:55,220
RICK RINALDI?
YEAH, HE’S COMING, TOO.
844
00:35:55,260 --> 00:35:56,990
WHAT HAPPENED IN SINGAPORE?
THAT WORTH PURSUING?
845
00:35:57,030 --> 00:35:59,160
THERE’S NO LOVE LOST FOR
RINALDI, BUT MOPE THAT HE IS,
846
00:35:59,200 --> 00:36:01,770
I’VE BEEN THINKING PRESS FOR
THE MAXIMUM ON THE ASSAULT.
847
00:36:01,800 --> 00:36:03,630
LET IT GO AT THAT.
848
00:36:06,440 --> 00:36:07,680
SO?
849
00:36:07,710 --> 00:36:09,780
ADRIAN’S NOT COOPERATING.
ANY WORD FROM OUR LAWYER?
850
00:36:09,810 --> 00:36:12,070
JUST THAT HE’D BE
A LITTLE EARLY.
851
00:36:12,110 --> 00:36:14,380
ANYTHING COMES UP
WITH YOUR ATTORNEY
852
00:36:14,410 --> 00:36:17,350
THAT I CAN BE OF HELP
WITH, CALL.
853
00:36:17,380 --> 00:36:19,510
HOW’D IT GO WITH MARTY?
HE WENT FOR IT.
854
00:36:19,550 --> 00:36:22,380
I TALKED TO THE D. A.
HE’LL PUSH FOR JUSTIFIABLE.
855
00:36:22,420 --> 00:36:25,050
MAYBE ADRIAN JUST NEEDS
A NIGHT TO SLEEP ON IT.
856
00:36:25,090 --> 00:36:26,890
SHE THREW US OUT,
SO WHO KNOWS?
857
00:36:26,930 --> 00:36:28,930
GOOD NIGHT.
858
00:36:33,570 --> 00:36:36,310
THIS LATE AND STILL
NO WORD ON VISITATION.
859
00:36:36,330 --> 00:36:38,270
I MEAN,
WHAT DOES THAT MEAN?
860
00:36:38,300 --> 00:36:40,700
I DON’T KNOW.
861
00:36:40,740 --> 00:36:42,440
CONNIE, ANDY.
862
00:36:42,470 --> 00:36:44,770
[ CLEARS THROAT ]
LET’S TALK IN HERE.
863
00:36:44,810 --> 00:36:46,940
OKAY. HI.
864
00:36:51,080 --> 00:36:52,450
YOU GOT MY MESSAGE
865
00:36:52,480 --> 00:36:54,580
ABOUT FRANK COLAHAN BEING
WILLING TO TESTIFY
866
00:36:54,620 --> 00:36:57,390
IN EXCHANGE FOR BEING
TRANSFERRED TO ANOTHER PRISON?
867
00:36:57,420 --> 00:36:59,390
I KNOW IT’S A LONG SHOT.
868
00:36:59,420 --> 00:37:01,390
WE CAN’T CALL HIM, ANDY.
869
00:37:01,430 --> 00:37:03,330
YOU SAID THE COLAHAN’S
RELATIONSHIP
870
00:37:03,360 --> 00:37:05,060
WITH THEIR KIDS WAS CRUCIAL.
871
00:37:05,100 --> 00:37:07,610
IT IS, BUT FRANK WON’T TESTIFY
WITHOUT AN INDUCEMENT,
872
00:37:07,630 --> 00:37:09,570
SO HE’LL BE EASY
TO IMPEACH.
873
00:37:09,600 --> 00:37:12,100
BEYOND WHICH, THE TESTIMONY
OF A CONVICTED KILLER
874
00:37:12,140 --> 00:37:13,410
ISN’T WORTH MUCH.
875
00:37:13,440 --> 00:37:14,910
WHAT ELSE WE GOT?
876
00:37:14,940 --> 00:37:17,740
THERE’S A DAUGHTER
IN THE PICTURE ‐‐ ADRIAN.
877
00:37:17,780 --> 00:37:21,420
WE THINK SHE MAY HAVE BEEN
SEXUALLY ABUSED BY HER DAD.
878
00:37:21,450 --> 00:37:23,760
SHE’LL TESTIFY TO THAT?
NO, NOT YET.
879
00:37:23,780 --> 00:37:26,280
WELL, OBVIOUSLY WE’LL
NEED HER TO TESTIFY.
880
00:37:26,320 --> 00:37:27,430
YEAH, YEAH.
881
00:37:27,450 --> 00:37:29,080
OKAY. WHAT ELSE?
882
00:37:29,120 --> 00:37:32,120
HOW ABOUT YOU? WHAT ELSE?
WHAT DO YOU GOT FOR US?
883
00:37:32,160 --> 00:37:33,300
[ CELL PHONE RINGS ]
884
00:37:33,320 --> 00:37:35,760
SORRY.
885
00:37:35,790 --> 00:37:38,590
DAN REARDON.
886
00:37:38,630 --> 00:37:40,200
YEAH.
887
00:37:40,230 --> 00:37:42,330
ALL RIGHT,
THEY’LL BE THERE.
888
00:37:42,370 --> 00:37:44,880
THE CUSTODIAL VISITATION’S
BEEN APPROVED.
889
00:37:44,900 --> 00:37:47,500
DON’T GET DISCOURAGED.
THIS WAS LIKELY.
890
00:37:47,540 --> 00:37:49,200
THE COURT JUST WANTS TO SEE
891
00:37:49,240 --> 00:37:51,670
HOW THE COLAHANS
RELATE TO THE CHILD.
892
00:37:51,710 --> 00:37:54,540
NOW, HERE’S THE ADDRESS FOR
THE FAMILY SERVICES BUILDING.
893
00:37:54,580 --> 00:37:57,810
YOU’LL NEED TO BE THERE WITH
THE BABY IN AN HOUR.
894
00:37:57,850 --> 00:38:01,220
LISTEN, ASSUMING THAT WE CAN’T
DIG UP ANY MORE DIRT,
895
00:38:01,250 --> 00:38:02,620
WHERE’S THAT LEAVE US?
896
00:38:02,650 --> 00:38:04,490
THERE ARE A LOT
OF POSITIVES HERE.
897
00:38:04,520 --> 00:38:06,320
YOU TWO HAVE BONDED
WITH MICHELLE.
898
00:38:06,360 --> 00:38:08,130
YOU HAVE A LONGER
LIFE EXPECTANCY
899
00:38:08,160 --> 00:38:09,630
THAN HER GRANDPARENTS,
900
00:38:09,660 --> 00:38:11,290
AND WE HAVE A PARADE
OF CHARACTER WITNESSES
901
00:38:11,330 --> 00:38:12,560
WHO WILL SING YOUR PRAISES.
902
00:38:12,600 --> 00:38:14,370
IS THAT GONNA BE ENOUGH?
903
00:38:14,400 --> 00:38:16,460
WE’RE GONNA DO
EVERYTHING WE CAN.
904
00:38:16,500 --> 00:38:18,730
FAMILY COURT ‐‐
IT’S A CRAPSHOOT.
905
00:38:18,770 --> 00:38:20,670
AND THE COLAHANS HAVE A CASE.
906
00:38:20,710 --> 00:38:23,820
YOU MIGHT HAVE TO RECONCILE
YOURSELVES TO THE FACT
907
00:38:23,840 --> 00:38:26,680
THAT THEY MAY GET SHARED
CUSTODY...OR MORE.
908
00:38:30,410 --> 00:38:31,980
WE NEED A MINUTE.
909
00:38:32,020 --> 00:38:33,520
SURE.
910
00:38:44,300 --> 00:38:46,740
I CAN’T BELIEVE THIS
IS HAPPENING.
911
00:38:46,770 --> 00:38:48,810
OH, ANDY.
912
00:38:53,910 --> 00:38:55,110
ALL RIGHT, LISTEN.
913
00:38:55,140 --> 00:38:57,270
YOU TAKE THEO AND THE BABY
OVER TO RITA’S.
914
00:38:57,310 --> 00:38:59,940
STAY THERE TONIGHT, AND DON’T
TELL ANYBODY WHERE YOU ARE.
915
00:39:10,490 --> 00:39:13,120
WHAT MADE YOU
WANT TO BE A COP?
916
00:39:13,160 --> 00:39:15,700
MY DAD WAS ONE.
HOW ABOUT YOU?
917
00:39:15,730 --> 00:39:18,700
COME FROM A LONG LINE
OF E. R. DOCTORS?
918
00:39:18,730 --> 00:39:21,530
DAD’S AN ACTUARY.
MOM TEACHES THIRD GRADE.
919
00:39:21,570 --> 00:39:23,370
SO HOW’D YOU
GET INTO MEDICINE?
920
00:39:23,400 --> 00:39:26,070
IN JUNIOR HIGH,
921
00:39:26,100 --> 00:39:29,070
WE WENT ON A FIELD TRIP TO
THIS WILDLIFE PRESERVE,
922
00:39:29,110 --> 00:39:32,220
AND THIS BEAR, HE BROKE FREE
AND WENT AT OUR TEACHER,
923
00:39:32,240 --> 00:39:35,410
BASICALLY DISEMBOWELED HIM
WITH ONE SWIPE OF HIS CLAW.
924
00:39:35,450 --> 00:39:36,720
MY GOD.
925
00:39:36,750 --> 00:39:39,550
THE BEAR RAN OFF,
AND I HELD MY TEACHER,
926
00:39:39,580 --> 00:39:42,550
AND I THOUGHT, "NEVER AGAIN.
927
00:39:42,590 --> 00:39:44,400
NEVER AGAIN."
928
00:39:44,420 --> 00:39:46,050
ARE YOU SERIOUS?
929
00:39:46,090 --> 00:39:47,460
NO.
930
00:39:47,490 --> 00:39:51,230
MY GRANDFATHER WAS A DOCTOR.
I GOT IT FROM HIM.
931
00:39:51,260 --> 00:39:53,430
I KNEW YOU WERE JOKING.
I DIDN’T BUY IT FOR A SECOND.
932
00:39:53,460 --> 00:39:54,930
YEAH, RIGHT.
933
00:39:58,170 --> 00:39:59,800
I’M GLAD YOU MADE IT OUT.
934
00:39:59,840 --> 00:40:00,900
I AM, TOO.
935
00:40:00,940 --> 00:40:03,070
OUR SCHEDULES HAVEN’T
MADE IT EASY.
936
00:40:03,110 --> 00:40:06,020
YEAH, WELL, THAT’S
A GOOD NEWS/BAD NEWS THING.
937
00:40:06,040 --> 00:40:07,310
BAD NEWS BEING...
938
00:40:07,350 --> 00:40:08,950
I DON’T HAVE
A LOT OF FREE TIME,
939
00:40:08,980 --> 00:40:13,410
BUT THE FREE TIME I DO HAVE,
I TEND TO MAKE THE MOST OF IT.
940
00:40:13,450 --> 00:40:15,480
I FIND YOU VERY INTERESTING.
941
00:40:15,520 --> 00:40:18,990
[ PAGER BEEPS ]
942
00:40:19,020 --> 00:40:22,290
SOMETIMES BEING A RESIDENT
REALLY BLOWS.
943
00:40:22,330 --> 00:40:23,530
I NEED TO GO.
944
00:40:23,560 --> 00:40:25,890
OKAY. LET’S GET YOU A CAB.
945
00:40:27,870 --> 00:40:29,470
I GOT IT.
946
00:40:36,470 --> 00:40:38,310
I’D LIKE TO SEE YOU AGAIN.
947
00:40:38,340 --> 00:40:39,780
WHEN?
YESTERDAY.
948
00:40:39,810 --> 00:40:41,710
I’M BUSY YESTERDAY.
HOW’S FRIDAY?
949
00:40:41,750 --> 00:40:43,560
I DON’T KNOW MY SCHEDULE.
950
00:40:46,550 --> 00:40:48,180
WE’LL WORK IT OUT.
951
00:40:48,220 --> 00:40:50,020
EVEN IF IT’S LAST MINUTE?
952
00:40:50,050 --> 00:40:51,650
EVEN BETTER.
953
00:41:00,830 --> 00:41:03,500
I TEND TO MAKE THE MOST
OF MY FREE TIME, TOO.
954
00:41:21,450 --> 00:41:22,850
MR. SIPOWICZ?
955
00:41:22,890 --> 00:41:25,700
TINA HABER, CHILD SERVICES.
956
00:41:26,360 --> 00:41:27,600
WHERE’S MICHELLE?
957
00:41:27,630 --> 00:41:30,270
WE COULDN’T BRING HER.
958
00:41:30,290 --> 00:41:32,490
SHE CAUGHT A COLD ‐‐
102 FEVER.
959
00:41:32,530 --> 00:41:34,330
YOU ARE UNBELIEVABLE.
960
00:41:34,370 --> 00:41:36,680
MR. SIPOWICZ, WE REALLY WOULD
HAVE APPRECIATED A PHONE CALL.
961
00:41:36,700 --> 00:41:38,370
WELL, HE DIDN’T HAVE
TIME TO CALL.
962
00:41:38,400 --> 00:41:39,840
HE JUST THOUGHT IT UP
IN THE CAR.
963
00:41:39,870 --> 00:41:41,670
ARE THEY IN THE PARKING LOT?
NO.
964
00:41:41,710 --> 00:41:43,510
DO WE NEED
TO CALL OUR ATTORNEY
965
00:41:43,540 --> 00:41:45,370
TO FORCE YOU TO PRODUCE
MICHELLE?
966
00:41:45,410 --> 00:41:46,910
YOU CAN DO
WHATEVER YOU WANT.
967
00:41:46,950 --> 00:41:48,220
YOU’RE NOT GONNA SEE
THAT KID TONIGHT.
968
00:41:48,250 --> 00:41:50,020
JOHN, CALL THE LAWYER.
969
00:41:50,050 --> 00:41:52,780
NO, LET THEM HAVE THEIR TIME.
THIS IS THE LAST THEY SEE HER.
970
00:41:52,820 --> 00:41:54,360
I WOULDN’T COUNT ON THAT.
971
00:41:54,390 --> 00:41:55,860
WHY, ’CAUSE YOU’RE A COP?
972
00:41:55,890 --> 00:41:58,030
YOU THINK YOU CAN DEFY
A COURT ORDER?
973
00:41:58,060 --> 00:41:59,230
KID’S SICK.
974
00:41:59,260 --> 00:42:01,430
YOU’RE A LIAR,
ALONG WITH BEING A DRUNK.
975
00:42:01,460 --> 00:42:04,190
I’D BE REAL CAREFUL ABOUT
THROWING STUFF LIKE THAT AROUND.
976
00:42:04,230 --> 00:42:06,630
I THINK MAYBE WE SHOULD JUST
CALL THIS OFF FOR TONIGHT.
977
00:42:09,500 --> 00:42:13,070
DAY AFTER TOMORROW ‐‐ THAT’S THE
LAST TIME YOU SEE THAT CHILD.
978
00:42:13,100 --> 00:42:14,070
I PROMISE YOU.
979
00:42:14,110 --> 00:42:15,610
WE’LL SEE.
980
00:42:19,740 --> 00:42:21,610
[ DOOR CLOSES ]
72031
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