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PREVIOUSLY ON "NYPD BLUE"...
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00:00:02,470 --> 00:00:04,710
AFTER TWO PEOPLE BREAK UP,
3
00:00:04,740 --> 00:00:06,910
THE "LET’S STAY FRIENDS" THING
IS A LITTLE NAIVE.
4
00:00:06,950 --> 00:00:09,860
WE’LL DO OUR JOBS,
ACT LIKE ADULTS, AND MOVE ON.
OKAY.
5
00:00:09,880 --> 00:00:12,080
THIS GUY I SENT TO JAIL
A COUPLE YEARS BACK
6
00:00:12,120 --> 00:00:14,790
GOT OUT TODAY OFF A KEY WITNESS
RECANTING HIS TESTIMONY,
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00:00:14,820 --> 00:00:16,120
WHICH IS A TOTAL CROCK.
8
00:00:16,150 --> 00:00:17,850
AND HE DID WHAT?
9
00:00:17,890 --> 00:00:20,220
HE MADE SOME COMMENTS
DURING THE ORIGINAL TRIAL.
10
00:00:20,260 --> 00:00:22,460
PLUS, TODAY HE SAID SOMETHING
THAT WAS CREEPY.
11
00:00:22,490 --> 00:00:24,090
DID YOU TELL THE JUDGE?
12
00:00:24,130 --> 00:00:26,230
IT’S NOTHING OVERT.
IT’S JUST A FEELING.
13
00:00:26,260 --> 00:00:29,060
THEN TODAY, I’VE BEEN GETTING
SOME HANG‐UPS AT MY OFFICE.
14
00:00:29,100 --> 00:00:30,470
I’LL TAKE CARE OF IT.
15
00:00:30,500 --> 00:00:32,200
WHAT ARE YOU GONNA DO?
TALK TO HIM.
16
00:00:32,240 --> 00:00:35,810
IF ANYTHING HAPPENS TO
MS. HAYWOOD‐‐ ANYTHING‐‐
17
00:00:35,840 --> 00:00:37,370
I’M GONNA BE BACK HERE.
18
00:00:37,410 --> 00:00:39,880
THIS WAS ALL A BIG
MISUNDERSTANDING.
19
00:00:39,910 --> 00:00:42,210
YOUR SISTER HAD ABDOMINAL
BLEEDING FROM THE BEATING.
20
00:00:42,250 --> 00:00:43,990
SHE WENT INTO LABOR.
WE DISCOVERED THE‐‐
21
00:00:44,020 --> 00:00:45,820
SHE’S DEAD?
WE DID OUR BEST.
22
00:00:45,850 --> 00:00:48,620
THE BABY?
A GIRL.
23
00:00:48,650 --> 00:00:51,490
OH, MY GOD, ANDY.
I CAN’T BELIEVE IT.
24
00:01:04,340 --> 00:01:07,010
[ SIGHS ] SO?
25
00:01:07,040 --> 00:01:08,500
GREAT.
26
00:01:08,540 --> 00:01:09,970
NOT TOO FORMAL?
27
00:01:10,010 --> 00:01:12,140
I’M GOING FOR RESPONSIBLE,
YET MATERNAL.
28
00:01:12,180 --> 00:01:13,690
THEN YOU’RE ON THE MONEY.
29
00:01:13,710 --> 00:01:15,510
DOES THIS NECKLACE
SAY "SNOB"?
30
00:01:15,550 --> 00:01:17,520
CONNIE, THE HEARING’S
A FORMALITY.
31
00:01:17,550 --> 00:01:19,650
IT’S STILL
IN FRONT OF A JUDGE.
32
00:01:19,680 --> 00:01:22,520
THEY’LL TAKE ONE LOOK AT YOU,
CONFIRM YOU’RE DRAWING BREATH,
33
00:01:22,550 --> 00:01:24,620
AND RUBBER‐STAMP
THE CUSTODIAL RIGHTS.
34
00:01:24,660 --> 00:01:27,270
I’M NOT GONNA ADOPT MY CHILD
LOOKING LIKE A SLOUCH.
35
00:01:27,290 --> 00:01:29,420
I’M JUST SAYING
FOR PURPOSES OF THE COURT,
36
00:01:29,460 --> 00:01:31,930
YOU COULD BE WEARING
HOT PANTS.
37
00:01:31,960 --> 00:01:34,960
[ SIGHS ] THE QUESTION
OF HOME STATUS CAME UP.
38
00:01:35,000 --> 00:01:36,800
IT WENT AWAY, BUT STILL,
39
00:01:36,840 --> 00:01:40,050
MAYBE IT’S SAFE TO
OVERCOMPENSATE CLOTHING‐WISE.
40
00:01:40,070 --> 00:01:43,370
"HOME STATUS" MEANING
"NOT BEING MARRIED"?
41
00:01:43,410 --> 00:01:45,320
MM‐HMM.
42
00:01:45,340 --> 00:01:48,040
MAYBE THAT’S SOMETHING
WE SHOULD TALK ABOUT.
43
00:01:50,750 --> 00:01:53,780
WELL, IT’S NOT SOMETHING
WE NEED TO TALK ABOUT.
44
00:01:53,820 --> 00:01:55,880
[ CLEARS THROAT ]
45
00:01:55,920 --> 00:01:59,020
THEO’S LATE FOR SCHOOL, AND
MICHELLE’S DUE AT DAY CARE.
46
00:02:15,010 --> 00:02:16,510
[ SIREN BEEPS ]
47
00:02:21,080 --> 00:02:22,810
WHAT DO WE GOT?
48
00:02:22,850 --> 00:02:24,690
AFRICAN GUY,
SHOT THREE TIMES.
49
00:02:24,720 --> 00:02:26,220
AFRICAN GUY GOT A NAME?
50
00:02:26,250 --> 00:02:28,420
YEAH, ABOUT 13 OF ’EM‐‐
51
00:02:28,450 --> 00:02:31,590
YINKA MASEKELA OMUKU AG‐‐
52
00:02:31,620 --> 00:02:33,660
ALL RIGHT, STICK
WITH THE FIRST AND LAST.
53
00:02:33,690 --> 00:02:35,020
YINKA OKAFOR.
54
00:02:35,060 --> 00:02:36,320
ANYBODY TALKING?
55
00:02:36,360 --> 00:02:37,930
YOU’RE KIDDING, RIGHT?
56
00:02:37,960 --> 00:02:39,560
DOES IT LOOK LIKE
I’M KIDDING?
57
00:02:39,600 --> 00:02:40,900
NOBODY’S TALKING.
58
00:02:40,930 --> 00:02:42,700
WE GOT AN APARTMENT
ON THIS GUY?
59
00:02:42,730 --> 00:02:44,830
5‐C. STILL TRYING TO
LOCATE THE SUPER, THOUGH.
60
00:02:44,870 --> 00:02:46,700
WE’LL GO UP,
LOOK AROUND.
61
00:02:46,740 --> 00:02:50,010
THERE’S A FIRE ESCAPE.
I CAN TRY TO GET IN THAT WAY.
62
00:02:50,040 --> 00:02:51,610
JUST DON’T GO
BREAKING ANYTHING.
63
00:02:51,640 --> 00:02:54,410
THERE’S A FOOTPRINT
IN THE BLOOD.
64
00:02:54,450 --> 00:02:55,850
I’LL LOOK FOR THE SUPER.
65
00:02:55,880 --> 00:02:57,550
AIN’T NO SUPER
IN THIS DUMP‐‐
66
00:02:57,580 --> 00:03:00,520
JUST SOME MANAGEMENT COMPANY
NOBODY EVER SEES,
67
00:03:00,550 --> 00:03:03,180
JUST LIKE THE POLICE,
TILL A BODY SHOWS UP.
68
00:03:03,220 --> 00:03:04,590
WHO ARE YOU?
69
00:03:04,620 --> 00:03:06,890
SOMEBODY WHO HAS TO
LIVE HERE AFTER Y’ALL LEAVE.
70
00:03:06,930 --> 00:03:08,700
WHAT’S YOUR NAME?
THAT’S MY BUSINESS.
71
00:03:08,730 --> 00:03:10,300
THERE’S THE MENTALITY.
72
00:03:10,330 --> 00:03:12,390
LET ME SEE YOU FIND
WHO DID THIS.
73
00:03:12,430 --> 00:03:14,260
LET ME SEE YOU
STEP UP OR SHUT UP.
74
00:03:14,300 --> 00:03:15,600
WHAT’S IT GONNA BE?
75
00:03:15,630 --> 00:03:16,700
KEYS.
76
00:03:16,740 --> 00:03:17,880
ANDY, KEYS.
77
00:03:17,900 --> 00:03:19,200
PROVE ME WRONG.
78
00:03:19,240 --> 00:03:22,650
I DON’T GOTTA PROVE NOTHING
TO YOU, PAL.
79
00:03:22,670 --> 00:03:24,140
[ CAMERA WHIRS ]
80
00:03:25,440 --> 00:03:27,240
MMM, MAN!
81
00:03:30,010 --> 00:03:31,450
HE SAID HE WAS IN.
82
00:03:31,480 --> 00:03:33,650
HE GOT DOWN THE FIRE ESCAPE,
NO PROBLEM.
83
00:03:33,690 --> 00:03:36,060
HE’S WORKING ON THE WINDOW.
84
00:03:36,090 --> 00:03:37,830
WELL, I DON’T HEAR HIM
IN THERE.
85
00:03:42,960 --> 00:03:45,230
[ SIGHS ]
86
00:03:45,260 --> 00:03:46,900
IT’S CLOSE.
87
00:03:46,930 --> 00:03:49,800
BE RIGHT BACK.
88
00:03:49,830 --> 00:03:51,470
HEY.
WHAT’S GOING ON?
89
00:03:51,500 --> 00:03:52,900
DON’T ASK.
90
00:03:52,940 --> 00:03:54,250
I GOT THE KEYS.
91
00:03:54,270 --> 00:03:56,570
[ GLASS BREAKS,
WOMAN SCREAMS ]
92
00:03:56,610 --> 00:03:58,110
WHAT THE HELL WAS THAT?
93
00:03:58,140 --> 00:04:01,240
[ WOMAN SCREAMING ]
94
00:04:01,280 --> 00:04:02,840
POLICE, FREEZE!
95
00:04:02,880 --> 00:04:04,650
FREEZE! DON’T MOVE!
96
00:04:04,680 --> 00:04:06,780
DROP WHAT’S IN YOUR HAND!
FREEZE!
97
00:04:06,820 --> 00:04:08,820
DROP IT RIGHT NOW!
DO NOT MOVE!
98
00:04:08,850 --> 00:04:10,350
SHE’S BLEEDING PRETTY BAD.
99
00:04:10,390 --> 00:04:11,920
ALL RIGHT, RELAX.
TAKE IT EASY.
100
00:04:11,960 --> 00:04:13,100
DROP IT!
101
00:04:13,120 --> 00:04:14,760
DON’T SHOOT!
HEY!
102
00:04:14,790 --> 00:04:15,990
[ SCREAMING ]
103
00:04:16,030 --> 00:04:17,640
IT’S A CELL PHONE.
104
00:04:17,660 --> 00:04:19,460
CAN SOMEBODY GET A TOWEL?
105
00:04:19,500 --> 00:04:21,770
AHH. IT’S OKAY.
IT’S OKAY.
106
00:04:21,800 --> 00:04:24,500
TAKE IT EASY.
IT’S ALL RIGHT.
107
00:04:24,540 --> 00:04:26,540
[ SOBBING ]
108
00:05:41,050 --> 00:05:43,250
JUNIOR.
109
00:05:43,280 --> 00:05:45,380
ANYTHING ON THE CANVASS?
110
00:05:45,420 --> 00:05:47,260
NOTHING. JONES AND MEDAVOY
ARE STILL OUT THERE.
111
00:05:47,290 --> 00:05:49,130
THE BOROUGH SAID THIS LADY’S
HUSBAND WAS THE THIRD AFRICAN
112
00:05:49,150 --> 00:05:51,790
MURDERED IN THE CITY
IN THE PAST SIX MONTHS.
113
00:05:51,820 --> 00:05:53,620
ANY PROXIMITY TO THIS ONE?
114
00:05:53,660 --> 00:05:56,220
SHOOTING IN GRAMERCY PARK,
STABBING AT 42nd AND 5th.
115
00:05:56,260 --> 00:05:58,890
SO, SORT OF.
D. O. A. GOT A SHEET?
116
00:05:58,930 --> 00:06:01,600
NOTHING ON HIM, BUT HE’S GOT
A BROTHER UNDER INDICTMENT
117
00:06:01,630 --> 00:06:03,870
WITH THE FEDS‐‐ DELE OKAFOR‐‐
FRAUD CHARGES.
118
00:06:03,900 --> 00:06:05,430
THEY GIVE US
A PLACE TO LOOK?
119
00:06:05,470 --> 00:06:06,740
A FEW.
120
00:06:06,770 --> 00:06:08,200
[ MAN SPEAKING ON POLICE RADIO ]
121
00:06:08,240 --> 00:06:10,440
THE BOSS.
122
00:06:10,470 --> 00:06:11,810
DETECTIVE CLARK?
123
00:06:11,840 --> 00:06:13,780
YEAH, I’M CLARK.
124
00:06:13,810 --> 00:06:15,880
JENNIFER DEVLIN.
I’M TREATING IFEOMA OKAFOR.
125
00:06:15,910 --> 00:06:17,810
HOW’D YOU GET THE NAME?
SHE TALK TO YOU?
126
00:06:17,850 --> 00:06:20,080
A LITTLE, BUT MY FRENCH
IS RUSTY.
127
00:06:20,120 --> 00:06:23,280
YOUR FRENCH GOOD ENOUGH TO
TRANSLATE A LITTLE?
128
00:06:23,320 --> 00:06:25,550
NOT UNLESS YOU’RE ASKING
TO PASS THE SALT.
129
00:06:25,590 --> 00:06:27,660
WE’RE JUST WAITING
ON THE PLASTICS RESIDENT,
130
00:06:27,690 --> 00:06:29,290
THEN SHE’S ALL YOURS.
131
00:06:29,330 --> 00:06:30,640
HOW LONG IS IT GONNA TAKE?
132
00:06:30,660 --> 00:06:32,330
HOW MUCH CASH YOU GOT?
133
00:06:32,360 --> 00:06:34,260
ON ME?
$50 MILLION.
134
00:06:34,300 --> 00:06:35,830
A HOUR, HOPEFULLY.
135
00:06:35,870 --> 00:06:37,810
GOT A CARD?
I’LL CALL WHEN SHE’S SET UP.
136
00:06:37,840 --> 00:06:39,980
BOSS CALLED US IN‐‐
STALKING CASE.
137
00:06:40,000 --> 00:06:42,140
Woman: DR. SUSSMAN
TO THE O. R. POST‐OP.
138
00:06:42,170 --> 00:06:45,140
DR. SUSSMAN
TO THE O. R. POST‐OP.
139
00:06:45,180 --> 00:06:46,920
WHAT HAPPENED?
140
00:06:46,950 --> 00:06:49,320
NOTHIN’.
[ CLEARS THROAT ]
141
00:06:49,350 --> 00:06:51,020
REMEMBER,
WE GOT COURT AT 10:00.
142
00:06:51,050 --> 00:06:52,150
YEAH.
143
00:06:52,180 --> 00:06:54,820
[ SIGHS ]
144
00:06:54,850 --> 00:06:57,820
EASY WITH
THE CHARLES BOYER ACT.
145
00:06:57,860 --> 00:06:59,200
WHO?
146
00:06:59,220 --> 00:07:02,660
NEVER MIND.
JUST WATCH YOUR STEP A LITTLE.
147
00:07:09,630 --> 00:07:10,700
HEY.
148
00:07:10,740 --> 00:07:12,210
GOOD MORNING.
149
00:07:12,240 --> 00:07:13,950
ANYTHING ON YOUR D. O. A.?
150
00:07:13,970 --> 00:07:15,700
NO, NOBODY’S TALKING.
151
00:07:15,740 --> 00:07:19,310
WIFE’S GETTING PATCHED UP.
SHE’LL BE HERE IN AN HOUR.
152
00:07:19,340 --> 00:07:22,210
SO I GUESS YOUR CONVERSATION
WITH WELLS DID THE TRICK.
153
00:07:22,250 --> 00:07:24,860
I KEPT IT NICE AND FRIENDLY,
LIKE I TOLD YOU.
154
00:07:24,880 --> 00:07:26,980
YOU GET ANY MORE
HANG‐UP CALLS?
155
00:07:27,020 --> 00:07:28,180
NO.
156
00:07:28,220 --> 00:07:29,480
WELL, THERE YOU GO.
157
00:07:29,520 --> 00:07:31,020
I APPRECIATE WHAT YOU DID.
158
00:07:31,060 --> 00:07:32,160
IT’S NO PROBLEM.
159
00:07:32,190 --> 00:07:34,560
...I HAVE TO LIVE ON TIPS,
160
00:07:34,590 --> 00:07:36,790
BUT I DON’T THINK I SEND OFF
THE WRONG IMPRESSION THAT WAY.
161
00:07:36,830 --> 00:07:38,830
LET’S TALK ABOUT IT
IN THE ROOM.
162
00:07:38,860 --> 00:07:40,160
I’LL GET HER SETTLED.
163
00:07:40,200 --> 00:07:41,900
STALKING COMPLAINT.
164
00:07:41,930 --> 00:07:43,460
HEARING’S IN AN HOUR.
165
00:07:43,500 --> 00:07:45,900
THE JUDGE IS FREDERICK OWEN.
DO YOU KNOW HIM?
166
00:07:45,940 --> 00:07:47,410
YEAH. HE’S GOOD.
167
00:07:47,440 --> 00:07:50,140
STRAIGHT SHOOTER.
YOU LOOK GREAT.
168
00:07:50,170 --> 00:07:51,240
THANKS.
169
00:07:51,280 --> 00:07:52,980
YOU’LL BE FINE, CONNIE.
170
00:07:53,010 --> 00:07:55,510
THANK YOU.
[ CLEARS THROAT ]
171
00:07:55,550 --> 00:07:57,060
I’LL SEE YOU AROUND.
172
00:07:57,080 --> 00:07:58,180
THANKS AGAIN.
173
00:08:04,420 --> 00:08:07,990
I MADE THE MISTAKE
OF BEING NICE TO THIS GUY.
174
00:08:08,030 --> 00:08:10,040
HE SAID HE WAS A DOCTOR.
175
00:08:10,060 --> 00:08:11,690
WHERE’D YOU MEET HIM?
176
00:08:11,730 --> 00:08:13,730
I WAIT TABLES
OVER AT SAN JUAN CAFÉ.
177
00:08:13,770 --> 00:08:15,870
HE STARTED COMING IN FOR LUNCH,
SITTING IN MY SECTION,
178
00:08:15,900 --> 00:08:17,930
WHICH IS FINE‐‐ I’VE ALWAYS
HAD A COUPLE REGULARS.
179
00:08:17,970 --> 00:08:19,430
SLOW DOWN A LITTLE.
180
00:08:19,470 --> 00:08:21,340
Sorry.
181
00:08:21,370 --> 00:08:23,070
SO, HE’S A CUSTOMER.
MM‐HMM.
182
00:08:23,110 --> 00:08:24,680
WHEN DID THIS ALL START?
183
00:08:24,710 --> 00:08:27,610
LIKE, TWO WEEKS AGO.
FIRST, HE LEAVES ME HIS NUMBER,
184
00:08:27,650 --> 00:08:30,690
SAYS, "CALL ME,"
BUT I JUST WASN’T INTERESTED.
185
00:08:30,720 --> 00:08:33,390
SO YOU NEVER HAD ANY RELATIONS
WITH THIS DOCTOR?
186
00:08:33,420 --> 00:08:36,060
NO...AND THEN SOMEHOW HE GETS
AHOLD OF MY HOME NUMBER,
187
00:08:36,090 --> 00:08:38,860
AND NOW HE KEEPS CALLING ME AND
LEAVING MESSAGES ON MY MACHINE
188
00:08:38,890 --> 00:08:40,460
LIKE HE’S MAD AT ME OR
SOMETHING.
189
00:08:40,490 --> 00:08:42,360
HE’S BEEN THREATENING YOU?
190
00:08:42,390 --> 00:08:44,790
NOT AT FIRST, SO I JUST
LET IT GO, FIGURING IT’D STOP.
191
00:08:44,830 --> 00:08:47,930
BUT THEN I GOT A NOTE UNDER MY
DOOR AT MY HOME THE OTHER DAY.
192
00:08:47,970 --> 00:08:49,980
I WOUND UP CALLING IN
SICK YESTERDAY
193
00:08:50,000 --> 00:08:52,370
BECAUSE I THOUGHT HE WAS GONNA
SHOW UP ON MY SHIFT.
194
00:08:52,400 --> 00:08:54,040
CANDACE, YOU NEED TO
SLOW DOWN A LITTLE.
195
00:08:54,070 --> 00:08:56,100
Sorry.
196
00:08:56,140 --> 00:08:57,410
YOU STILL HAVE
THE NOTE?
197
00:08:57,440 --> 00:08:59,740
I THREW IT DOWN
THE INCINERATOR.
198
00:08:59,780 --> 00:09:01,140
I WAS SO UPSET.
199
00:09:02,410 --> 00:09:05,750
OH! BUT I FOUND
THE CARD HE GAVE ME.
200
00:09:05,780 --> 00:09:07,880
HE WROTE HIS CELL NUMBER
ON THE BACK,
201
00:09:07,920 --> 00:09:09,450
SAID CALL HIM ANYTIME.
202
00:09:09,490 --> 00:09:11,800
WHAT ABOUT THE MESSAGES
ON YOUR MACHINE?
203
00:09:11,820 --> 00:09:13,390
I DELETED MOST OF THEM.
204
00:09:13,420 --> 00:09:15,260
THEY WERE JUST SO CREEPY,
YOU KNOW?
205
00:09:15,290 --> 00:09:17,260
DON’T ERASE ANY MORE.
WE MIGHT NEED THAT.
206
00:09:17,300 --> 00:09:19,440
I DON’T KNOW.
207
00:09:19,460 --> 00:09:21,660
AT FIRST I THOUGHT I WAS CRAZY.
DID I LEAD THIS GUY ON?
208
00:09:21,700 --> 00:09:24,300
I JUST WANT SOMEBODY
TO TELL HIM TO LEAVE ME ALONE.
209
00:09:24,340 --> 00:09:26,850
WELL, WE’LL TALK TO THIS DOCTOR,
SEE WHAT WE CAN DO.
210
00:09:26,870 --> 00:09:28,900
I JUST WANT IT TO STOP.
I HAVE TO GET BACK TO WORK.
211
00:09:28,940 --> 00:09:30,770
DON’T WORRY.
212
00:09:30,810 --> 00:09:34,310
GO ON AHEAD BACK TO WORK,
AND WE’LL TAKE CARE OF THIS.
213
00:09:34,350 --> 00:09:36,350
THANKS A LOT.
214
00:09:36,380 --> 00:09:38,510
[ KNOCK ON DOOR ]
215
00:09:39,880 --> 00:09:40,850
UH‐OH.
216
00:09:40,890 --> 00:09:42,430
WHAT?
217
00:09:42,450 --> 00:09:45,320
WHENEVER YOU KNOCK FIRST,
IT’S NEVER A GOOD SIGN.
218
00:09:45,360 --> 00:09:47,630
DO YOU HAVE A SECOND
OR NOT?
219
00:09:51,560 --> 00:09:56,300
UH...I‐I GOT THIS FRIEND
WHO’S WEIGHIN’ SOMETHING.
220
00:09:56,330 --> 00:09:57,670
OKAY.
221
00:09:57,700 --> 00:10:00,200
SOMETHING THAT COULD
TAKE SOME JUICE.
222
00:10:00,240 --> 00:10:02,170
LAY IT ON ME.
223
00:10:02,210 --> 00:10:05,620
A WAIVER FOR TWO PEOPLE IN THE
SAME COMMAND TO LIVE TOGETHER.
224
00:10:05,640 --> 00:10:08,040
A WAIVER
FROM EMPLOYEE RELATIONS.
225
00:10:08,080 --> 00:10:09,850
YEAH, THAT’S IT.
226
00:10:09,880 --> 00:10:12,650
WOULD THIS FRIEND BE
IN HIS 50's, MUSTACHE,
227
00:10:12,680 --> 00:10:14,680
FROG PENCIL HOLDER
ON HIS DESK?
228
00:10:14,720 --> 00:10:16,620
[ PEN CLATTERS ]
229
00:10:16,660 --> 00:10:18,160
PERHAPS.
230
00:10:18,190 --> 00:10:20,490
THAT KIND OF WAIVER
NORMALLY REQUESTS
231
00:10:20,520 --> 00:10:23,060
THE "MARRIED" PARTIES
WORK SEPARATE SHIFTS.
232
00:10:23,090 --> 00:10:25,790
YEAH, BUT HIM AND HER WERE
HOPING TO SEE EACH OTHER
233
00:10:25,830 --> 00:10:27,800
MORE THAN
TWO MINUTES A DAY.
234
00:10:27,830 --> 00:10:29,870
IT’S A GOOD THING
HE’S LOOKING INTO IT NOW,
235
00:10:29,900 --> 00:10:31,830
INSTEAD OF AFTER
THEY MOVED IN TOGETHER.
236
00:10:31,870 --> 00:10:33,840
WHICH HIS BOSS
DOESN’T KNOW ABOUT.
237
00:10:33,870 --> 00:10:36,070
OH, OF COURSE NOT.
238
00:10:36,110 --> 00:10:38,250
TELL YOUR FRIEND THERE’S NO WAY
THAT’S GONNA FLY STRAIGHT UP.
239
00:10:38,280 --> 00:10:40,250
IT’S GONNA NEED A CONTRACT.
240
00:10:40,280 --> 00:10:43,180
OH, HE’S GOT SOME JUICE FROM
THE FIRST DEPUTY COMMISSIONER
241
00:10:43,210 --> 00:10:45,180
WHO PROMOTED HIM
TO FIRST GRADE.
242
00:10:45,220 --> 00:10:47,490
SO YOUR FRIEND JUST NEEDS
SOMEONE TO SPOT HIM
243
00:10:47,520 --> 00:10:49,350
AS HE ATTEMPTS THIS
LITTLE BIT OF ACROBATICS?
244
00:10:49,390 --> 00:10:50,760
SO TO SPEAK.
245
00:10:50,790 --> 00:10:52,020
I’LL LOOK INTO IT.
246
00:10:52,060 --> 00:10:53,260
I’LL TELL HIM.
247
00:11:14,250 --> 00:11:17,390
IN THE MATTER
OF MICHELLE COLAHAN.
248
00:11:17,420 --> 00:11:18,660
OFFICER.
249
00:11:19,920 --> 00:11:21,680
[ SIGHS ]
WHAT’S GOING ON?
250
00:11:21,720 --> 00:11:23,120
MAYBE ANOTHER CASE.
251
00:11:23,150 --> 00:11:25,190
YOUR HONOR, I HAVE AN
APPLICATION HERE
252
00:11:25,220 --> 00:11:26,890
FROM A
JOHN AND BARBARA COLAHAN,
253
00:11:26,930 --> 00:11:28,930
THE CHILD’S PATERNAL
GRANDPARENTS.
254
00:11:28,960 --> 00:11:31,060
THE HEARING’S TODAY.
NO APPLICATION WAS NOTICED.
255
00:11:31,100 --> 00:11:33,140
YOUR HONOR, I REPRESENT
MR. AND MRS. COLAHAN.
256
00:11:33,160 --> 00:11:34,760
IF I MAY BE HEARD?
257
00:11:34,800 --> 00:11:36,100
QUICKLY, COUNSELOR.
258
00:11:36,130 --> 00:11:37,770
MY CLIENTS ARE ESTRANGED
FROM THEIR SON,
259
00:11:37,800 --> 00:11:39,640
MICHELLE COLAHAN’S FATHER.
260
00:11:39,670 --> 00:11:41,940
THEY HAVE HAD NO CONTACT WITH
HIM SINCE HIS INCARCERATION
261
00:11:41,970 --> 00:11:44,310
AND ONLY RECENTLY LEARNED
OF THIS CUSTODY HEARING.
262
00:11:44,340 --> 00:11:46,540
JUDGE, THEY CAN’T JUST SHOW UP
HERE LIKE THIS.
263
00:11:46,580 --> 00:11:48,280
I WILL HANDLE IT,
MS. McDOWELL.
264
00:11:48,310 --> 00:11:50,280
THE DUTY WAS INCUMBENT
UPON YOUR CLIENTS
265
00:11:50,310 --> 00:11:52,450
TO MAKE REASONABLE INQUIRIES,
MS. GENOW.
266
00:11:52,480 --> 00:11:54,550
I AM AWARE OF THAT,
YOUR HONOR,
267
00:11:54,590 --> 00:11:56,960
AND THEY FAILED IN THAT REGARD,
BUT AS THE COURT KNOWS,
268
00:11:56,990 --> 00:11:59,820
CUSTODY DETERMINATIONS
ARE BASED ON THE BEST
INTERESTS OF THE CHILD, AND‐‐
269
00:11:59,860 --> 00:12:02,420
I’M AWARE OF THE LAW,
MS. GENOW.
270
00:12:02,460 --> 00:12:05,160
HAVE YOU EVEN SERVED
MS. McDOWELL WITH PAPERS?
271
00:12:05,200 --> 00:12:07,270
NOTARIZED‐‐
WITH YOUR PERMISSION?
272
00:12:07,300 --> 00:12:09,130
YOUR HONOR, I DON’T‐‐
273
00:12:09,170 --> 00:12:12,940
I DON’T UNDERSTAND WHAT’S
HAPPENING HERE.
274
00:12:12,970 --> 00:12:15,240
THE CHILD’S GRANDPARENTS
ARE SEEKING FULL CUSTODY.
275
00:12:15,270 --> 00:12:17,810
THEY HAVE SERVED YOU WITH
AN ORDER TO SHOW CAUSE,
276
00:12:17,840 --> 00:12:20,840
WHICH REQUIRES YOU TO
SHOW WHY THEY SHOULD
NOT BE GRANTED CUSTODY.
277
00:12:20,880 --> 00:12:24,110
WE WILL RECONVENE IN FOUR DAYS
TO HEAR THIS MATTER.
278
00:12:24,150 --> 00:12:26,080
THEIR SON KILLED MY SISTER!
279
00:12:26,120 --> 00:12:28,090
THAT’S WHY WE’RE RAISING HER.
280
00:12:28,120 --> 00:12:30,650
I WILL REVIEW EVERYTHING,
MS. McDOWELL.
281
00:12:30,690 --> 00:12:32,350
WE LOVE THAT LITTLE GIRL.
282
00:12:32,390 --> 00:12:34,660
WE TOOK HER HOME
FROM THE HOSPITAL.
283
00:12:34,690 --> 00:12:37,130
YOU SHOULD STRONGLY CONSIDER
RETAINING COUNSEL.
284
00:12:37,160 --> 00:12:39,530
THEY CAN’T JUST WALK
IN HERE AND DO THIS.
285
00:12:39,560 --> 00:12:41,200
THEY CAN. THEY HAVE.
286
00:12:41,230 --> 00:12:43,400
EDDIE, CALL THE NEXT CASE.
287
00:12:46,140 --> 00:12:47,480
WHY ARE YOU DOING THIS?
288
00:12:47,510 --> 00:12:48,650
EXCUSE ME.
289
00:12:48,670 --> 00:12:50,210
YOU AMBUSH US?
290
00:12:50,240 --> 00:12:52,010
ANYTHING THAT YOU WISH
TO COMMUNICATE
291
00:12:52,040 --> 00:12:53,610
REGARDING THIS MATTER,
292
00:12:53,650 --> 00:12:56,350
YOU DIRECT TO MY ATTENTION
FROM HERE ON OUT.
293
00:13:06,690 --> 00:13:08,620
SO, WHAT’S
YOUR NEXT MOVE?
294
00:13:08,660 --> 00:13:10,230
GET A LAWYER, FIGHT IT.
295
00:13:10,260 --> 00:13:12,390
CONNIE HOLDING UP
ALL RIGHT?
296
00:13:12,430 --> 00:13:14,060
YEAH, SHE’S BETTER NOW.
297
00:13:14,100 --> 00:13:16,000
I’M GONNA NEED THAT WAIVER.
298
00:13:16,030 --> 00:13:17,800
I’M ON IT.
299
00:13:17,840 --> 00:13:20,180
EVEN IF WE HAVE TO WORK
SEPARATE SHIFTS, WE WILL,
300
00:13:20,200 --> 00:13:22,240
’CAUSE WE NEED TO BOLSTER
OUR CASE,
301
00:13:22,270 --> 00:13:24,640
SEEIN’ AS THEY’RE ACCUSING US
OF BEING UNFIT PARENTS.
302
00:13:24,680 --> 00:13:27,220
ANDY, I GOT YOUR BACK.
DON’T WORRY ABOUT THE WAIVER.
303
00:13:27,250 --> 00:13:29,660
DON’T WORRY ABOUT HAVING
TO WORK SEPARATE SHIFTS.
304
00:13:29,680 --> 00:13:32,080
JUST GO HANDLE YOUR BUSINESS
AND LEAVE ALL THAT TO ME.
305
00:13:32,120 --> 00:13:33,860
OKAY, THANKS.
306
00:13:35,450 --> 00:13:37,390
WAIT A SECOND‐‐
I’M CONFUSED.
307
00:13:37,420 --> 00:13:39,590
WHERE WERE THESE PEOPLE
THREE MONTHS AGO?
308
00:13:39,620 --> 00:13:41,860
THEY’RE SAYING THEY DIDN’T KNOW
ABOUT ANY OF THIS
309
00:13:41,890 --> 00:13:43,420
UNTIL RECENTLY.
310
00:13:43,460 --> 00:13:44,690
AND THEY WANT FULL CUSTODY?
311
00:13:44,730 --> 00:13:45,730
YEAH.
312
00:13:45,760 --> 00:13:47,230
THIS IS A JOKE.
313
00:13:47,270 --> 00:13:49,010
WHAT
ARE THEY ALLEGING?
314
00:13:49,030 --> 00:13:51,730
UNMARRIED WORKING COUPLE,
DANGEROUS PROFESSION,
315
00:13:51,770 --> 00:13:53,600
PERSONAL HISTORY‐‐
YOU NAME IT.
316
00:13:53,640 --> 00:13:55,400
THEY HIRED
AN INVESTIGATOR?
317
00:13:55,440 --> 00:13:57,410
THEY MUST HAVE, YEAH.
318
00:13:57,440 --> 00:14:01,010
WHEN VALERIE CALLS BACK, EVEN IF
I’M IN AN INTERVIEW, CAN‐‐
319
00:14:01,050 --> 00:14:02,520
OF COURSE.
320
00:14:02,550 --> 00:14:04,690
ANDY, GREG
HAD A GOOD POINT.
321
00:14:04,720 --> 00:14:07,790
MAYBE WE SHOULD TRY TO CONTACT
THE GRANDPARENTS ON OUR OWN,
322
00:14:07,820 --> 00:14:09,750
SEE IF THEY’LL SIT DOWN
AND TALK.
323
00:14:09,790 --> 00:14:11,450
THEIR LAWYER
WON’T LET THEM.
324
00:14:11,490 --> 00:14:14,190
THEN LET ’EM
BE IN THE ROOM.
325
00:14:14,230 --> 00:14:16,070
I JUST NEED TO TALK
TO THESE PEOPLE.
326
00:14:16,090 --> 00:14:17,930
IT’S WORTH A CALL.
YOU NEVER KNOW.
327
00:14:17,960 --> 00:14:20,430
ALL RIGHT.
328
00:14:20,460 --> 00:14:22,630
DETECTIVE CLARK?
329
00:14:22,670 --> 00:14:25,240
WE GOT IT. THANKS.
330
00:14:25,270 --> 00:14:27,900
THE TRANSLATOR’S
FIVE MINUTES AWAY.
331
00:14:31,110 --> 00:14:32,970
EVERYTHING’S
GONNA WORK OUT.
332
00:14:33,010 --> 00:14:33,980
YEAH.
333
00:14:37,450 --> 00:14:39,650
UH, SODA?
334
00:14:41,450 --> 00:14:43,220
WANT SOMETHING TO DRINK?
335
00:14:43,250 --> 00:14:47,960
WAT‐‐ UM, WATER?
336
00:14:47,990 --> 00:14:49,930
NO DRINK.
337
00:14:49,960 --> 00:14:52,060
YOU SPEAK ENGLISH?
338
00:14:52,100 --> 00:14:53,640
A LITTLE.
339
00:14:53,670 --> 00:14:55,510
WHY HAVEN’T YOU
BEEN SPEAKING IT?
340
00:14:55,530 --> 00:14:57,730
I WAS AFRAID.
341
00:14:57,770 --> 00:14:59,840
AND NOT ANSWERING THE DOOR
AND RUNNING FROM US?
342
00:14:59,870 --> 00:15:03,840
I SAW MY HUSBAND
FROM THE WINDOW.
343
00:15:03,880 --> 00:15:06,020
I WAS AFRAID.
344
00:15:06,040 --> 00:15:07,840
DID YOU SEE WHAT HAPPENED
TO HIM? WHO DID THIS?
345
00:15:07,880 --> 00:15:11,850
JUST HIM LYING
ON THE STREET.
346
00:15:11,880 --> 00:15:14,020
WE’RE VERY SORRY
FOR YOUR LOSS,
347
00:15:14,050 --> 00:15:17,350
BUT WE NEED TO ASK YOU SOME
QUESTIONS IF YOU’RE UP TO IT.
348
00:15:17,390 --> 00:15:19,920
ANYONE YOU KNOW OF
WANTED TO HURT YOUR HUSBAND?
349
00:15:19,960 --> 00:15:21,760
NO.
350
00:15:21,790 --> 00:15:23,660
WHAT DID HE DO FOR A LIVING?
351
00:15:23,700 --> 00:15:26,140
PARK CARS IN A LOT
ON ASTOR PLACE.
352
00:15:26,160 --> 00:15:28,100
HE DO ANYTHING
FOR EXTRA MONEY?
353
00:15:28,130 --> 00:15:30,530
STOCK SHELVES
FOUR NIGHTS A WEEK.
354
00:15:30,570 --> 00:15:33,430
I’M ASKING MORE ALONG THE LINES
OF BEING INVOLVED WITH DRUGS.
355
00:15:33,470 --> 00:15:34,670
NO.
356
00:15:34,710 --> 00:15:36,480
NO, BUT MAYBE
HE KEPT IT FROM YOU.
357
00:15:36,510 --> 00:15:38,480
YINKA HAD NOTHING
TO DO WITH DRUGS.
358
00:15:38,510 --> 00:15:41,640
WHAT ABOUT STEALING CREDIT‐CARD
NUMBERS OR IDENTITY THEFT?
359
00:15:41,680 --> 00:15:43,780
I NEVER HEARD
OF THESE THINGS.
360
00:15:43,820 --> 00:15:46,790
DO YOU HAVE MUCH CONTACT
WITH HIS BROTHER DELE?
361
00:15:46,820 --> 00:15:48,480
YINKA DID NOT
ACT LIKE DELE.
362
00:15:48,520 --> 00:15:50,950
HE WAS HONEST.
363
00:15:50,990 --> 00:15:52,950
THE WAY HE WAS KILLED
DOESN’T SUPPORT THAT.
364
00:15:52,990 --> 00:15:56,290
HE WAS HONEST,
WORKED HARD‐‐ TOO HARD.
365
00:15:56,330 --> 00:15:57,870
WHILE HIS BROTHER
WAS LIVING IT UP.
366
00:15:57,900 --> 00:16:02,010
[ Voice breaking ]
HE WAS HONEST, HONEST MAN.
367
00:16:02,030 --> 00:16:04,070
SO YOU HAD NO CONTACT
WITH HIS BROTHER?
368
00:16:06,910 --> 00:16:09,510
DELE STAY WITH US
TWO WEEKS AGO.
369
00:16:09,540 --> 00:16:12,140
HE THOUGHT SOME MAN
WAS COMING TO GET HIM.
370
00:16:12,180 --> 00:16:13,720
WHO? WHAT MAN?
371
00:16:13,750 --> 00:16:16,220
HE DID NOT SAY.
WE DID NOT ASK.
372
00:16:16,250 --> 00:16:18,790
YOU KNOW WHERE
WE CAN FIND DELE?
373
00:16:23,690 --> 00:16:25,250
TAKE YOUR TIME.
374
00:16:27,060 --> 00:16:28,890
HAVE A SEAT, DR. HALE.
375
00:16:28,930 --> 00:16:32,340
I HAD TO RESCHEDULE
MY MORNING APPOINTMENTS.
376
00:16:32,360 --> 00:16:34,930
WE FELT IT NECESSARY
THAT WE SPEAK TO YOU IN PERSON.
377
00:16:34,970 --> 00:16:37,610
YOU SAID SOMEONE WAS USING
MY SOCIAL SECURITY NUMBER?
378
00:16:37,640 --> 00:16:39,910
ACTUALLY, DR. HALE,
THIS IS IN REGARDS TO A WOMAN
379
00:16:39,940 --> 00:16:42,000
NAMED CANDACE HEWITT,
WHO I THINK YOU KNOW.
380
00:16:42,040 --> 00:16:44,270
OF COURSE I KNOW CANDACE.
IS SHE IN TROUBLE?
381
00:16:44,310 --> 00:16:45,670
SHE SAYS YOU’VE BEEN
HARASSING HER.
382
00:16:45,710 --> 00:16:47,280
WHAT?
383
00:16:47,310 --> 00:16:49,750
CALLING HER,
LEAVING THREATENING MESSAGES.
384
00:16:49,780 --> 00:16:51,110
THAT TRUE?
385
00:16:51,150 --> 00:16:53,250
NO, OF COURSE NOT.
386
00:16:53,280 --> 00:16:55,380
LOOK, YOU NEED TO UNDERSTAND
387
00:16:55,420 --> 00:16:58,890
THAT CANDACE HEWITT
IS A PATIENT OF MINE.
388
00:16:58,920 --> 00:17:00,460
YOU’RE HER SHRINK?
389
00:17:00,490 --> 00:17:03,860
UNTIL RECENTLY, YES.
YOU DIDN’T KNOW THAT?
390
00:17:03,900 --> 00:17:07,310
CANDACE HAS SOME VERY SERIOUS
PSYCHOLOGICAL ISSUES,
391
00:17:07,330 --> 00:17:09,360
AND THAT’S ALL I CAN SAY.
392
00:17:09,400 --> 00:17:11,800
WELL, YOU’RE GONNA NEED TO SAY
MORE THAN THAT, DR. HALE,
393
00:17:11,840 --> 00:17:13,880
BECAUSE YOU’RE BEING
ACCUSED OF STALKING HER.
394
00:17:13,910 --> 00:17:15,480
OH, MY GOD!
395
00:17:15,510 --> 00:17:17,650
YOU MIGHT WANT TO DROP
THE DOCTOR/PATIENT PRIVILEGE
396
00:17:17,680 --> 00:17:19,320
BEFORE WE PUT YOU IN CUFFS.
397
00:17:19,340 --> 00:17:21,210
WHEN SHE STOPPED
COMING TO SEE ME,
398
00:17:21,250 --> 00:17:22,820
I CALLED TO CHECK UP ON HER.
399
00:17:22,850 --> 00:17:24,420
SHE TOLD ME SHE WAS FINE.
400
00:17:24,450 --> 00:17:26,480
SHE HAD A JOB AT THIS DINER
WAITING TABLES.
401
00:17:26,520 --> 00:17:28,460
WHERE YOU’VE BEEN GOING
TO SEE HER EVERY DAY.
402
00:17:28,490 --> 00:17:29,800
TWICE.
403
00:17:29,820 --> 00:17:32,150
I FELT IT WAS
MY PROFESSIONAL DUTY.
404
00:17:32,190 --> 00:17:34,890
AND TALKING TO HER,
SHE SEEMED PRETTY AGITATED.
405
00:17:34,930 --> 00:17:37,070
I COULD TELL SHE WAS
OFF HER MEDS.
406
00:17:37,100 --> 00:17:39,300
I’M VERY UNCOMFORTABLE
TALKING ABOUT THIS.
407
00:17:39,330 --> 00:17:40,760
MEDS FOR WHAT?
408
00:17:40,800 --> 00:17:42,130
ISN’T IT OBVIOUS?
409
00:17:42,170 --> 00:17:43,680
WE DON’T WANT TO GUESS,
410
00:17:43,700 --> 00:17:45,630
SO WHY DON’T YOU TELL US
WHAT’S GOING ON?
411
00:17:45,670 --> 00:17:47,900
SHE HAS SEVERE BOUTS
OF DELUSIONAL PARANOIA.
412
00:17:47,940 --> 00:17:50,640
I ASKED CANDACE TO SCHEDULE
AN APPOINTMENT TO COME IN,
413
00:17:50,680 --> 00:17:53,080
BUT SHE DECLINED‐‐
SHE INSISTED SHE WAS FINE.
414
00:17:53,110 --> 00:17:56,310
CLEARLY THAT WASN’T THE CASE,
OR I WOULDN’T BE HERE RIGHT NOW.
415
00:17:56,350 --> 00:17:59,960
SERIOUS PSYCHOLOGICAL ISSUES,
BUT SHE’S HOLDING DOWN A JOB.
416
00:17:59,980 --> 00:18:01,650
CANDACE WORKS VERY WELL
417
00:18:01,690 --> 00:18:03,700
IN ORGANIZED,
WELL‐CONSTRUCTED ENVIRONMENTS.
418
00:18:03,720 --> 00:18:06,350
IT’S WHEN SHE’S ON HER OWN THAT
SHE STARTS TO HAVE TROUBLE.
419
00:18:07,860 --> 00:18:11,360
WE’LL SORT THIS OUT
AND BE IN TOUCH.
420
00:18:13,460 --> 00:18:17,430
WHEN YOU TALK TO HER,
PLEASE...ASK HER TO GET HELP‐‐
421
00:18:17,470 --> 00:18:20,100
IF NOT FROM ME,
THEN SOMEONE ELSE.
422
00:18:20,140 --> 00:18:21,240
SURE.
423
00:18:29,810 --> 00:18:31,380
ANYTHING FROM HAYWOOD?
424
00:18:31,420 --> 00:18:33,690
HER OFFICE SAYS
SHE’S IN COURT.
425
00:18:33,720 --> 00:18:36,550
SHE GET WORD OF WHAT HAPPENED
AND WE NEED HER WHEN SHE’S FREE?
426
00:18:36,590 --> 00:18:38,620
YEAH. THEY SAID
SHE SHOULD BE HERE SOON.
427
00:18:38,660 --> 00:18:40,870
YOU HAVE DELE OKAFOR?
YEP.
428
00:18:40,890 --> 00:18:43,160
THE FEDS ARE SAYING
THE TWO PRIOR AFRICAN HOMICIDES
429
00:18:43,190 --> 00:18:45,160
ARE TIED TO A FRAUD RING.
430
00:18:45,200 --> 00:18:47,470
THEY’RE SUPPLYING CASH TO A
GROUP OF COKE DEALERS ABROAD.
431
00:18:47,500 --> 00:18:49,000
THIS DELE TIES RIGHT IN.
432
00:18:49,030 --> 00:18:50,970
THEN WHY IS HIS BROTHER
THE ONE DEAD?
433
00:18:51,000 --> 00:18:53,000
THEY SAID TO ASK DELE.
BIG HELP.
434
00:18:53,040 --> 00:18:55,210
THAT SHRINK YOUR COLLAR?
435
00:18:55,240 --> 00:18:58,170
SAYS CANDACE
IS HIS LOONY PATIENT.
436
00:18:58,210 --> 00:18:59,640
SHE’S THE WHACK JOB.
437
00:18:59,680 --> 00:19:01,410
THAT LEGIT?
438
00:19:01,450 --> 00:19:03,990
HE’S COMING OFF BETTER
THAN SHE DID.
439
00:19:04,020 --> 00:19:06,520
DETECTIVE CLARK?
DR. JENNIFER DEVLIN.
440
00:19:10,690 --> 00:19:12,190
DR. DEVLIN.
441
00:19:12,220 --> 00:19:13,990
HEY. YEAH.
442
00:19:14,030 --> 00:19:17,200
YOUR PATIENT CAME IN, AND WE
TALKED TO HER AND SENT HER HOME.
443
00:19:17,230 --> 00:19:19,360
YOU TOO.
444
00:19:19,400 --> 00:19:21,210
YEAH, GOOD.
445
00:19:21,230 --> 00:19:23,400
OKAY.
THANKS FOR EVERYTHING.
446
00:19:23,430 --> 00:19:25,070
[ RECEIVER CLATTERS ]
447
00:19:25,100 --> 00:19:26,530
WE TALKING TO DELE?
448
00:19:33,980 --> 00:19:35,780
THANKS, HANK.
449
00:19:35,810 --> 00:19:37,780
GOT IT.
450
00:19:37,820 --> 00:19:40,890
SORRY
ABOUT YOUR BROTHER.
451
00:19:40,920 --> 00:19:42,420
YEAH, THANKS.
452
00:19:42,450 --> 00:19:43,950
ANY IDEA WHO DID IT?
453
00:19:43,990 --> 00:19:45,750
HOW WOULD I KNOW?
454
00:19:45,790 --> 00:19:48,360
DISPENSE WITH THE CRAP, HUH?
IT’S NO MYSTERY YOU’RE A CROOK.
455
00:19:48,390 --> 00:19:49,560
BUSINESSMAN!
456
00:19:49,590 --> 00:19:51,090
UNDER INDICTMENT.
457
00:19:51,130 --> 00:19:52,790
BUT FOR THE RIGHT
INFORMATION,
458
00:19:52,830 --> 00:19:54,630
YOU MIGHT SAVE
YOURSELF JAIL TIME.
459
00:19:54,670 --> 00:19:56,440
HOW CAN I HELP?
460
00:19:56,470 --> 00:19:58,210
YOUR BROTHER
IN ON YOUR SCAMS?
461
00:19:58,240 --> 00:19:59,610
SOMETIMES.
462
00:19:59,640 --> 00:20:01,400
HE MAKE ENEMIES
BECAUSE OF IT?
463
00:20:01,440 --> 00:20:02,870
A FEW PEOPLE.
464
00:20:02,910 --> 00:20:04,580
HOW ABOUT SOME NAMES?
465
00:20:08,110 --> 00:20:09,950
WHAT ARE YOU DOING?
466
00:20:09,980 --> 00:20:11,380
I’M TRYING
TO REMEMBER THE NAMES.
467
00:20:11,420 --> 00:20:12,920
OR TRYING TO MAKE THEM UP.
468
00:20:12,950 --> 00:20:14,820
MAYBE WE SHOULD
CLARIFY, DELE.
469
00:20:14,850 --> 00:20:17,150
YOU DROP JAIL TIME
FOR GOOD INFORMATION,
470
00:20:17,190 --> 00:20:19,090
NOT BULLSHIT THAT
WASTES OUR TIME.
471
00:20:19,120 --> 00:20:20,990
YINKA NEVER DID
ANYTHING WRONG.
472
00:20:21,030 --> 00:20:23,230
HE WAS A SLAVE
IN THIS COUNTRY.
473
00:20:23,260 --> 00:20:24,890
MEANING WHAT?
474
00:20:24,930 --> 00:20:28,000
HE WORKED 18, 19 HOURS A DAY
FOR NOTHING‐‐ PENNIES.
475
00:20:28,030 --> 00:20:29,730
AND HE NEVER
CROSSED A SOUL?
476
00:20:29,770 --> 00:20:31,400
NOBODY.
477
00:20:31,440 --> 00:20:33,910
AND YOU NEVER SERVED HIM UP
TO SOMEBODY YOU CROSSED?
478
00:20:33,940 --> 00:20:35,300
WHAT DOES THIS MEAN?
479
00:20:35,340 --> 00:20:37,470
NEVER BLAMED YOUR BROTHER
FOR SOMETHING YOU DID?
480
00:20:37,510 --> 00:20:39,310
MAKE HIM AN ENEMY
HE DIDN’T KNOW HE HAD?
481
00:20:39,340 --> 00:20:40,910
WHY WOULD I DO SUCH A THING?
482
00:20:40,950 --> 00:20:43,090
YOU JUST DID IT
30 SECONDS AGO.
483
00:20:43,110 --> 00:20:47,120
HE’S DEAD.
THERE’S NO HARM.
484
00:20:47,150 --> 00:20:49,120
YEAH, AND WHEN YOU USED HIS
APARTMENT AS A HIDEOUT,
485
00:20:49,150 --> 00:20:50,850
THAT DIDN’T
MAYBE PUT HIM AT RISK?
486
00:20:50,890 --> 00:20:53,090
CROSSING THE STREET,
YOU ARE AT RISK.
487
00:20:53,120 --> 00:20:55,120
MOUTHING OFF TO A DETECTIVE‐‐
THAT’S A RISK, TOO.
488
00:20:55,160 --> 00:20:57,290
ALL RIGHT, THE GUYS
COMING AFTER YOU‐‐
489
00:20:57,330 --> 00:20:59,130
DID THEY EVER COME
AFTER YOUR BROTHER?
490
00:20:59,160 --> 00:21:01,030
NO. NO CHANCE.
491
00:21:01,070 --> 00:21:04,880
YINKA WAS THE KIND OF IMMIGRANT
YOU WANT IN THIS COUNTRY.
492
00:21:04,900 --> 00:21:07,640
NOT LIKE YOU.
493
00:21:07,670 --> 00:21:11,640
NO...NOT LIKE ME.
494
00:21:17,050 --> 00:21:18,780
I LOOKED INTO THEIR LAWYER.
495
00:21:18,820 --> 00:21:20,790
SHE’S SHARP.
THEY HAVE A PREPARED CASE.
496
00:21:20,820 --> 00:21:22,450
IT’S A BUNCH OF LIES.
497
00:21:22,490 --> 00:21:24,500
I’M JUST SAYING
THEY’RE PREPARED.
498
00:21:24,520 --> 00:21:26,720
YOU KNOW THEY’RE PUSHING
FOR FULL CUSTODY, RIGHT?
499
00:21:26,760 --> 00:21:28,520
WHICH COULD BE A PLOY
500
00:21:28,560 --> 00:21:30,790
SO THEY CAN COMPROMISE
ON SHARED CUSTODY.
501
00:21:30,830 --> 00:21:34,030
FULL, SHARED‐‐ NEITHER
ONE OF THOSE IS GONNA HAPPEN.
502
00:21:34,070 --> 00:21:37,080
CONNIE, THEY’RE ASKING
FOR SOME FORM OF VISITATION
503
00:21:37,100 --> 00:21:40,070
EVEN BEFORE THE HEARING,
AND THEY’LL PROBABLY GET IT.
504
00:21:40,100 --> 00:21:41,840
YOU NEED TO PREPARE YOURSELF.
505
00:21:41,870 --> 00:21:44,910
[ EXHALES ]
I‐I CAN’T BELIEVE THIS.
506
00:21:44,940 --> 00:21:46,840
I’LL KEEP TABS BEST I CAN.
507
00:21:46,880 --> 00:21:49,210
IF THERE’S ANYTHING ELSE
I CAN DO, CALL ME.
508
00:21:49,250 --> 00:21:51,460
THANKS, VALERIE.
THANKS.
509
00:21:53,350 --> 00:21:56,790
GOT A HOMICIDE SHOOTING A BLOCK
FROM THIS MORNING’S CRIME SCENE.
510
00:22:01,760 --> 00:22:03,560
DON’T WORK YOURSELF UP.
511
00:22:03,600 --> 00:22:05,540
I AM NOT
GIVING UP THAT BABY.
512
00:22:05,560 --> 00:22:07,230
YOU WON’T HAVE TO.
513
00:22:12,040 --> 00:22:13,980
DON’T WORRY.
514
00:22:37,600 --> 00:22:39,470
GUY CAUGHT ONE IN THE EAR.
515
00:22:39,500 --> 00:22:41,240
MORRIS HAWKINS.
516
00:22:41,270 --> 00:22:42,940
CASING FROM A 9
IS IN THE GUTTER.
517
00:22:46,300 --> 00:22:49,300
IN THE AFRICAN CRIME SCENE,
THE GUY YOU GOT INTO IT WITH.
518
00:22:49,340 --> 00:22:51,440
HE GOT INTO IT WITH ME.
YOU KNOW HIM?
519
00:22:51,480 --> 00:22:53,280
LOCAL MOUTH,
IN EVERYONE’S BUSINESS.
520
00:22:53,310 --> 00:22:54,880
HE HAVE ENEMIES?
521
00:22:54,910 --> 00:22:56,750
HAD TO HAVE.
COULDN’T GIVE YOU NAMES.
522
00:22:56,780 --> 00:22:59,050
HOW DOES THIS GUY
RELATE BACK TO THE AFRICAN?
523
00:22:59,080 --> 00:23:00,820
WAS HE DOING HIS OWN
INVESTIGATION?
524
00:23:00,850 --> 00:23:02,980
CELL PHONE, ANYTHING?
525
00:23:03,020 --> 00:23:05,150
HE’S GOT A BUSINESS CARD
WITH HIS HOME PHONE.
526
00:23:05,190 --> 00:23:06,490
MORRIS HAWKINS.
527
00:23:06,520 --> 00:23:08,320
I’LL CALL IT IN
TO MEDAVOY AND JONES.
528
00:23:08,360 --> 00:23:10,390
WE NEED EVERYONE
HAWKINS TALKED TO TODAY.
529
00:23:10,430 --> 00:23:11,830
ALL RIGHT,
I’LL START A CANVASS.
530
00:23:14,600 --> 00:23:18,130
FAT CHANCE COMING UP
WITH A WITNESS.
531
00:23:18,170 --> 00:23:21,300
15 SQUAD AT HOMICIDE
TO 15 SQUAD BASE.
532
00:23:32,220 --> 00:23:33,260
ANYONE TALKING?
533
00:23:33,280 --> 00:23:35,480
NO ONE.
PRETTY MUCH WHAT WE EXPECTED.
534
00:23:35,520 --> 00:23:37,490
WHERE THE HELL
ARE MEDAVOY AND JONES?
535
00:23:37,520 --> 00:23:39,290
SNATCHING UP
A JOSH BRASWELL.
536
00:23:39,320 --> 00:23:41,420
THEY TALKED TO
MORRIS HAWKINS’S ROOMMATE.
537
00:23:41,460 --> 00:23:43,630
HAWKINS HAD BEEN LOOKING
FOR THIS KID, JOSH,
538
00:23:43,660 --> 00:23:45,160
SINCE AFTER
YINKA OKAFOR WAS SHOT.
539
00:23:45,200 --> 00:23:47,310
KID? HOW OLD IS HE?
16.
540
00:23:47,330 --> 00:23:49,330
WHY WAS HAWKINS
LOOKING FOR HIM?
541
00:23:49,370 --> 00:23:51,710
ALL THE ROOMMATE KNEW WAS
HAWKINS WANTED TO FIND THE KID.
542
00:23:51,740 --> 00:23:53,140
BRASWELL GOT A RECORD?
543
00:23:53,170 --> 00:23:55,200
POT POSSESSION.
544
00:23:55,240 --> 00:23:57,510
HEADING TO YOUR DEPUTY
COMMISSIONER’S OFFICE.
545
00:23:57,540 --> 00:23:59,640
YOU’LL CALL
WITH DEVELOPMENTS?
546
00:23:59,680 --> 00:24:01,210
ANYTHING I KNOW,
YOU’LL KNOW.
547
00:24:07,550 --> 00:24:09,180
[ SIGHS ]
548
00:24:09,220 --> 00:24:11,620
SO WE JUST SIT HERE?
549
00:24:11,660 --> 00:24:13,360
IT’S GONNA WORK OUT, ANDY.
550
00:24:13,390 --> 00:24:15,120
YEAH?
WHO’S YOUR SOURCE?
551
00:24:15,160 --> 00:24:17,160
COFFEE?
552
00:24:17,200 --> 00:24:19,500
NO.
553
00:24:19,530 --> 00:24:20,900
THANKS.
554
00:24:40,350 --> 00:24:42,250
OH, I DIDN’T EXPECT YOU
TO COME IN HERE.
555
00:24:42,290 --> 00:24:43,830
HE HASN’T COME IN TODAY.
556
00:24:43,860 --> 00:24:46,060
YEAH, WELL,
WE SPOKE TO DR. HALE.
557
00:24:46,090 --> 00:24:48,020
YOU DID?
DID YOU ARREST HIM?
558
00:24:48,060 --> 00:24:50,860
NOT YET, BECAUSE HE BROUGHT
SOMETHING TO OUR ATTENTION
559
00:24:50,900 --> 00:24:53,270
THAT YOU NEGLECTED
TO TELL US, CANDACE‐‐
560
00:24:53,300 --> 00:24:54,770
THAT YOU WERE
A PATIENT OF HIS.
561
00:24:54,800 --> 00:24:56,400
THAT’S RIDICULOUS.
562
00:24:56,430 --> 00:24:58,730
THAT YOU MAY BE HAVING SOME
PROBLEMS COPING
563
00:24:58,770 --> 00:25:00,840
SINCE YOU WENT OFF
YOUR MEDS.
564
00:25:00,870 --> 00:25:02,740
WHAT?
I AM NOT ON ANY MEDICATION.
565
00:25:02,770 --> 00:25:05,110
LOOK, I DON’T KNOW
WHAT THIS GUY TOLD YOU,
566
00:25:05,140 --> 00:25:07,840
BUT I AM NOT HIS PATIENT, AND I
DON’T KNOW ANYTHING ABOUT HIM
567
00:25:07,880 --> 00:25:10,080
OTHER THAN THE FACT
THAT HE KEEPS HARASSING ME.
568
00:25:10,110 --> 00:25:12,410
HAVE YOU EVER BEEN UNDER
PSYCHIATRIC CARE?
569
00:25:12,450 --> 00:25:15,420
NO! I’VE NEVER BEEN TO A SHRINK.
WHAT THE HELL IS GOING ON?
570
00:25:15,450 --> 00:25:18,690
WE’RE JUST TRYING
TO GET TO THE BOTTOM OF THIS.
571
00:25:18,720 --> 00:25:22,360
I DON’T CARE WHAT HE TOLD YOU.
THE GUY IS STALKING ME.
572
00:25:22,390 --> 00:25:24,760
CANDACE, WE’RE GONNA CHECK
ALL THE PHONE RECORDS.
573
00:25:24,800 --> 00:25:26,870
GOOD. I’LL BRING YOU
MY ANSWERING MACHINE.
574
00:25:26,900 --> 00:25:28,560
YOU CAN LISTEN
TO THE MESSAGES.
575
00:25:28,600 --> 00:25:30,630
WE MAY JUST HAVE
TO DO THAT.
FINE.
576
00:25:30,670 --> 00:25:32,230
EVERYTHING OKAY?
577
00:25:32,270 --> 00:25:34,400
ASK HER‐‐ THE GUY SITS
IN MY SECTION EVERY DAY.
578
00:25:34,440 --> 00:25:36,100
YOU KNOW WHO
SHE’S TALKING ABOUT?
579
00:25:36,140 --> 00:25:37,470
THE DOCTOR GUY?
YEAH.
580
00:25:37,510 --> 00:25:39,440
I TRIED TO SERVE HIM YESTERDAY,
581
00:25:39,480 --> 00:25:41,250
BUT HE ONLY WANTED CANDACE
TO WAIT ON HIM.
582
00:25:41,280 --> 00:25:42,710
HE COMES IN A LOT?
583
00:25:42,750 --> 00:25:44,390
EVERY DAY
FOR THE PAST TWO WEEKS.
584
00:25:44,420 --> 00:25:46,390
I’M TELLING YOU,
THE GUY’S A PSYCHO.
585
00:25:46,420 --> 00:25:48,330
ALL RIGHT.
WE’LL LOOK INTO IT FURTHER.
586
00:25:48,350 --> 00:25:50,290
BUT YOU DON’T WANT
TO BE WASTING OUR TIME.
587
00:25:50,320 --> 00:25:52,320
I’M NOT. I SWEAR.
588
00:25:58,930 --> 00:26:01,130
WHERE WERE YOU
THIS MORNING, JOSH?
589
00:26:01,170 --> 00:26:03,940
WENT UP TO MY BOY RAY’S HOUSE
FOR A LITTLE WAKE AND BAKE.
590
00:26:03,970 --> 00:26:06,000
PULL SOME TUBES.
591
00:26:06,040 --> 00:26:07,480
PULL TUBES, HUH?
592
00:26:07,510 --> 00:26:09,080
WHAT’S THAT‐‐
SPANKING IT?
593
00:26:09,110 --> 00:26:10,450
COME ON, NOW.
594
00:26:10,470 --> 00:26:12,240
JOSH IS SAYING HE GOT HIGH
595
00:26:12,280 --> 00:26:15,320
AND USING LINGO
THAT SURE MAKES HIM SOUND COOL.
596
00:26:15,350 --> 00:26:17,620
YOU KNOW
A MORRIS HAWKINS, JOSH?
597
00:26:17,650 --> 00:26:19,180
MM, NOPE.
598
00:26:19,220 --> 00:26:20,860
WE GOT RELIABLE SOURCES
599
00:26:20,890 --> 00:26:23,630
SAY THAT HE WAS LOOKING
FOR YOU ALL DAY,
600
00:26:23,660 --> 00:26:25,630
AND THEN HE ENDED UP DEAD.
601
00:26:25,660 --> 00:26:28,130
YEP, SURE DOES
LOOK LIKE IT.
602
00:26:28,160 --> 00:26:29,990
WE’RE THINKING THAT MORRIS
GETTING KILLED
603
00:26:30,030 --> 00:26:31,760
HAS SOMETHING TO DO
WITH THE DEATH
604
00:26:31,800 --> 00:26:33,640
OF AN AFRICAN GUY
EARLY THIS MORNING.
605
00:26:33,670 --> 00:26:36,170
MAYBE HE SOLD SOMEBODY
A FAKE‐ASS GUCCI BAG,
606
00:26:36,200 --> 00:26:37,700
AND THEY GOT EVEN.
607
00:26:39,900 --> 00:26:41,370
TAKE OFF YOUR SHOES, JOSH.
608
00:26:41,410 --> 00:26:43,310
WHY, WHAT FOR?
609
00:26:43,340 --> 00:26:45,140
BECAUSE WE’RE GONNA MATCH
YOUR SHOES
610
00:26:45,180 --> 00:26:46,890
TO THE FOOTPRINTS WE GOT
611
00:26:46,910 --> 00:26:49,280
DANCIN’ ALL AROUND
THE BODY OF THAT DEAD AFRICAN.
612
00:26:49,310 --> 00:26:50,610
GET THOSE SHOES OFF!
613
00:26:50,650 --> 00:26:51,880
ALL RIGHT, WAIT.
614
00:26:51,920 --> 00:26:53,990
GET ’EM OFF.
DAMN.
615
00:26:54,020 --> 00:26:56,150
YOU TRIED TO ROB THE AFRICAN,
IT WENT BAD‐‐
616
00:26:56,190 --> 00:26:57,330
IS THAT WHAT HAPPENED?
617
00:26:57,360 --> 00:26:59,200
YEAH, OKAY.
618
00:26:59,220 --> 00:27:01,020
"YEAH, OKAY"?
619
00:27:01,060 --> 00:27:04,130
I DIDN’T ASK IF YOU WANT
FRIES WITH THAT, JOSH.
620
00:27:04,160 --> 00:27:07,000
DID YOU KILL THE AFRICAN GUY
THIS MORNING?!
621
00:27:08,900 --> 00:27:11,670
YEAH. PUT IT ON ME.
622
00:27:11,700 --> 00:27:14,240
BUT REMEMBER, I’M A MINOR.
623
00:27:17,710 --> 00:27:19,710
YO, YO, YO, YO.
624
00:27:19,740 --> 00:27:22,080
YOU WON’T GET AWAY FROM ME.
TRY AND MOVE YOUR ARMS.
625
00:27:22,110 --> 00:27:23,850
YOU’RE 16, JOSH.
626
00:27:23,880 --> 00:27:26,510
THAT MAKES YOU ADULT IDIOT,
NOT A MINOR IDIOT.
627
00:27:26,550 --> 00:27:28,750
YOU COP TO THIS, YOU’LL
BE DOING 25 TO LIFE
628
00:27:28,790 --> 00:27:30,900
IN A FEDERAL PEN
WITH GUYS BIGGER THAN ME.
629
00:27:30,920 --> 00:27:32,890
AND THEY’LL TURN YOU OUT
AS A PUNK ON YOUR FIRST DAY,
630
00:27:32,920 --> 00:27:34,590
AND YOU KNOW
WHAT I’M TALKING ABOUT.
631
00:27:34,630 --> 00:27:36,070
YOU’RE ABOUT TO GIVE
YOUR LIFE AWAY
632
00:27:36,090 --> 00:27:37,490
TO WHOEVER
YOU’RE COVERING FOR.
633
00:27:37,530 --> 00:27:39,760
I’M GIVING YOU
ONE LAST CHANCE.
634
00:27:43,400 --> 00:27:45,530
I DIDN’T PULL THE TRIGGER.
635
00:27:45,570 --> 00:27:47,100
I WAS THERE AS A WITNESS.
636
00:27:50,110 --> 00:27:51,610
WHAT DO YOU MEAN,
"WITNESS"?
637
00:27:51,640 --> 00:27:55,040
MY BOY NEEDED POINTS
TO BE AN O. G.‐‐
638
00:27:55,080 --> 00:27:57,610
YOU KNOW,
ORIGINAL GANGSTER.
639
00:27:57,650 --> 00:27:59,280
POINTS?
640
00:27:59,320 --> 00:28:02,690
5 POINTS FOR A ROBBERY
AND 10 FOR A BODY.
641
00:28:02,720 --> 00:28:04,220
95 TO BE AN O. G.
642
00:28:04,260 --> 00:28:06,100
THIS IS A WHITE GANG?
643
00:28:06,120 --> 00:28:08,520
IT’S A GANG!
AND I’M IN IT.
644
00:28:08,560 --> 00:28:10,060
BUT IT’S A BUNCH
OF WHITE GUYS?
645
00:28:10,090 --> 00:28:11,690
YEAH. SO?
646
00:28:11,730 --> 00:28:14,130
WHAT’S THIS GUY’S NAME‐‐
THE O. G.?
647
00:28:17,600 --> 00:28:18,900
PAT RYMER.
648
00:28:18,940 --> 00:28:20,780
PAT KILLED MORRIS HAWKINS
649
00:28:20,810 --> 00:28:23,820
WHEN HE FOUND OUT THAT MORRIS
WAS HASSLING YOU?
650
00:28:23,840 --> 00:28:28,410
THAT’S WHAT HE SAID, BUT...
YOU GOT TO ASK PAT YOURSELF.
651
00:28:28,450 --> 00:28:30,220
YOU GUYS LET PAT KNOW...
652
00:28:30,250 --> 00:28:33,550
I DIDN’T PUT IT ALL ON HIM.
653
00:28:33,590 --> 00:28:35,990
I ADMITTED
TO MY PART, OKAY?
654
00:28:36,020 --> 00:28:38,290
SO I’M DOWN WITH MY SET.
655
00:28:38,320 --> 00:28:40,960
[ Sighing ] OH, MAN.
656
00:28:44,600 --> 00:28:46,000
[ KNOCKING ]
657
00:28:51,440 --> 00:28:53,650
EXCUSE ME, WHAT IS GOING ON?
I’M WITH A‐‐
658
00:28:53,670 --> 00:28:55,700
WE’RE LOOKING FOR
DR. HALE.
659
00:28:56,880 --> 00:28:58,850
I’M DR. HALE.
660
00:28:58,880 --> 00:29:00,420
DR. KENNETH HALE?
661
00:29:00,440 --> 00:29:01,740
YES, THAT’S ME.
662
00:29:01,780 --> 00:29:03,240
CAN I HELP YOU?
663
00:29:03,280 --> 00:29:05,950
THIS YOUR CARD?
664
00:29:05,980 --> 00:29:07,650
YES, IT’S MINE.
665
00:29:07,690 --> 00:29:09,660
YOU RECOGNIZE THE PHONE NUMBER
ON THE BACK?
666
00:29:09,690 --> 00:29:11,150
NO.
667
00:29:11,190 --> 00:29:13,090
IS THERE SOME KIND
OF A PROBLEM OR IS‐‐
668
00:29:13,120 --> 00:29:15,020
WE THINK SOMEONE’S BEEN
USING YOUR NAME.
669
00:29:15,060 --> 00:29:17,030
I’M SORRY.
HE GAVE YOU MY CARD?
670
00:29:17,060 --> 00:29:19,700
HE SAID HE WAS YOU. HE MUST HAVE
GOT IT FROM YOUR OFFICE.
671
00:29:19,730 --> 00:29:21,800
WE BELIEVE THIS GUY
MAY BE A THREAT.
672
00:29:21,830 --> 00:29:23,430
HE’S BEEN HARASSING A YOUNG
WOMAN, CLAIMING TO BE YOU.
673
00:29:23,470 --> 00:29:25,880
WOW.
WHAT DOES HE LOOK LIKE?
674
00:29:25,900 --> 00:29:29,170
MIDDLE‐AGED GUY, ABOUT 6’, GRAY
HAIR, BEARD LIKE A PROFESSOR.
675
00:29:29,210 --> 00:29:30,850
OH, MY.
676
00:29:30,880 --> 00:29:33,550
YOU GOT A NAME
IN MIND, DOCTOR?
677
00:29:33,580 --> 00:29:35,810
COULD BE ADAM ZARETSKY.
678
00:29:35,850 --> 00:29:37,820
BECAUSE HE FITS THE DESCRIPTION
OR THE BEHAVIOR?
679
00:29:37,850 --> 00:29:39,310
I’D SAY BOTH.
680
00:29:39,350 --> 00:29:42,320
LET ME ASK YOU, HAS THIS MAN
DONE ANYTHING PHYSICAL
681
00:29:42,350 --> 00:29:45,350
TO THIS WOMAN WHILE HE WAS
PASSING HIMSELF OFF AS ME?
682
00:29:45,390 --> 00:29:47,860
WELL, DOES THIS ZARETSKY
HAVE A VIOLENT HISTORY?
683
00:29:47,890 --> 00:29:49,830
I’M NOT AT LIBERTY
TO DISCUSS‐‐
684
00:29:49,860 --> 00:29:52,130
IF SOMEONE’S IN DANGER,
YOU HAVE AN OBLIGATION.
685
00:29:52,160 --> 00:29:55,200
ADAM NEVER INDICATED
ANY AGGRESSION WHEN
HE WAS IN MY CARE.
686
00:29:55,230 --> 00:29:57,000
HE WASN’T OBLIGATED
TO CONTINUE‐‐
687
00:29:57,040 --> 00:29:59,310
DOES HE HAVE
A VIOLENT HISTORY OR NOT?
688
00:29:59,340 --> 00:30:02,550
10 YEARS AGO, ADAM ZARETSKY
KILLED A WOMAN
689
00:30:02,570 --> 00:30:05,670
WHILE HE WAS PRETENDING
TO BE A DOCTOR.
690
00:30:05,710 --> 00:30:07,340
WHAT’S HE DOING
ON THE STREET?
691
00:30:07,380 --> 00:30:09,850
HE WAS FOUND NOT GUILTY
BY REASON OF INSANITY,
692
00:30:09,880 --> 00:30:12,050
AND AFTER FOUR YEARS,
IT WAS DETERMINED
693
00:30:12,080 --> 00:30:13,410
HE WAS NO LONGER IN NEED‐‐
694
00:30:13,450 --> 00:30:15,480
IS THIS ZARETSKY’S
CELL PHONE NUMBER?
695
00:30:15,520 --> 00:30:18,150
YOU HAVE TO UNDERSTAND
THAT IF IT WERE UP TO ME,
696
00:30:18,190 --> 00:30:20,220
HE WOULD NOT HAVE
BEEN RELEASED.
697
00:30:20,260 --> 00:30:23,160
HOWEVER, THEY CONCLUDED THAT
HE WAS NO LONGER A THREAT.
698
00:30:23,190 --> 00:30:25,530
JUST CHECK THE NUMBER.
699
00:30:25,560 --> 00:30:27,400
THAT’S HIS CELL PHONE.
700
00:30:27,430 --> 00:30:28,930
OKAY, THANKS.
701
00:30:28,970 --> 00:30:31,540
CANDACE LEFT WORK 10 MINUTES
AGO, WAS HEADING HOME.
702
00:30:37,880 --> 00:30:39,280
THIS IS HER APARTMENT.
703
00:30:42,380 --> 00:30:43,910
CANDACE?
704
00:30:43,950 --> 00:30:45,550
POLICE! OPEN UP!
705
00:30:47,120 --> 00:30:48,580
[ THUMPING ]
706
00:30:48,620 --> 00:30:50,120
DID YOU HEAR SOMETHING?
707
00:30:50,150 --> 00:30:52,250
DEFINITELY.
708
00:30:52,290 --> 00:30:54,290
ALL RIGHT,
I’M TAKING THE DOOR.
709
00:30:57,500 --> 00:30:58,800
THROUGH THERE.
710
00:31:02,430 --> 00:31:03,770
ON YOUR KNEES!
711
00:31:03,800 --> 00:31:05,730
YOU’VE GOT THIS ALL WRONG.
I’M A DOCTOR.
712
00:31:05,770 --> 00:31:07,300
ON YOUR KNEES!
HANDS ON YOUR HEAD.
713
00:31:07,340 --> 00:31:08,640
I’M A DOCTOR.
714
00:31:08,670 --> 00:31:10,310
CANDACE.
ARE YOU ALL RIGHT?
715
00:31:13,440 --> 00:31:14,810
UHH.
716
00:31:14,850 --> 00:31:16,450
SHE’S BREATHING OKAY.
717
00:31:16,480 --> 00:31:18,880
SHE’S A VERY SICK WOMAN.
SHE NEEDS CARE.
718
00:31:18,920 --> 00:31:20,390
SHUT YOUR MOUTH!
719
00:31:20,420 --> 00:31:21,980
I’LL CALL FOR AN AMBULANCE.
720
00:31:32,960 --> 00:31:35,130
I GUESS IF THERE’S
BLACK GUYS OUT THERE
721
00:31:35,170 --> 00:31:38,510
DOING STUPID WHITE‐GUY THINGS
LIKE PLAYING GOLF,
722
00:31:38,540 --> 00:31:41,510
IT’S ONLY FAIR THERE’S WHITE
GUYS OUT THERE PLAYING GANGSTER.
723
00:31:41,540 --> 00:31:43,740
WELL,
I AIN’T PLAYING, CHIEF.
724
00:31:43,780 --> 00:31:46,250
HE’S RIGHT‐‐ KILLING TWO GUYS
IN ONE DAY AIN’T PLAYIN’ AT ALL.
725
00:31:46,280 --> 00:31:48,350
I DON’T KNOW
NOTHING ABOUT THAT.
726
00:31:48,380 --> 00:31:50,350
I’M JUST LETTIN’ YOUR MAN HERE
KNOW I AIN’T NO JOKE.
727
00:31:50,380 --> 00:31:53,750
IT’S GONNA BE DECISION TIME
WHEN YOU GET LOCKED UP, PAT.
728
00:31:53,790 --> 00:31:56,960
THE BLACK GUYS, THEY’RE NOT
GONNA PROTECT YOU BECAUSE‐‐
729
00:31:56,990 --> 00:31:59,490
ARE YOU SITTING DOWN?‐‐
YOU AIN’T BLACK.
730
00:31:59,520 --> 00:32:02,190
AND THE ARYAN BROTHERHOOD,
THEY AIN’T GONNA PROTECT YOU
731
00:32:02,230 --> 00:32:05,100
BECAUSE IT’S NOT ABOUT HOW WELL
YOU CAN BREAK‐DANCE WITH ’EM.
732
00:32:05,130 --> 00:32:06,800
WHATEVER YOU SAY, DUDE.
733
00:32:06,830 --> 00:32:08,360
WE GOT WITNESSES, PAT.
734
00:32:08,400 --> 00:32:10,270
THEY SAW YOU KILL YINKA OKAFOR
THIS MORNING,
735
00:32:10,300 --> 00:32:11,930
AND THEN YOU KILLED
MORRIS HAWKINS
736
00:32:11,970 --> 00:32:14,170
SINCE HE WAS ONTO YOU
FOR KILLING OKAFOR.
737
00:32:14,210 --> 00:32:16,780
YOU SHOULD HEAR YOURSELF RIGHT
NOW ’CAUSE YOU SOUND CRAZY.
738
00:32:16,810 --> 00:32:18,710
SAME GUN WAS USED TO
KILL BOTH GUYS.
739
00:32:18,740 --> 00:32:20,880
I’VE BEEN COOL WITH Y’ALL,
YOU KNOW WHAT I’M SAYING?
740
00:32:20,910 --> 00:32:22,710
THEN Y’ALL HAUL ME
OUT OF MY CRIB.
741
00:32:22,750 --> 00:32:26,160
YOU AND YOUR BOY JOSH,
THAT’S WHAT PEOPLE SAW.
742
00:32:26,180 --> 00:32:28,980
THEY SEEN THE WRONG TWO PEOPLE,
YOU KNOW WHAT I’M SAYING?
743
00:32:29,020 --> 00:32:32,220
DID YOU HONESTLY THINK THAT
JOSH IS GONNA TAKE THE HEAT
744
00:32:32,260 --> 00:32:35,070
BECAUSE HE’S A MINOR AND HE’S
STILL GOT FOULS TO GIVE?
745
00:32:35,090 --> 00:32:37,960
HE IS 16, DICKHEAD‐‐
ADULT‐‐
746
00:32:38,000 --> 00:32:40,510
AND THE PROSPECTS
OF DOING ADULT TIME
747
00:32:40,530 --> 00:32:42,800
TENDS TO GET A
16‐YEAR‐OLD’S MOUTH MOVING.
748
00:32:42,830 --> 00:32:44,900
DO YOU KNOW
WHAT I’M SAYING?
749
00:32:44,940 --> 00:32:48,150
5 POINTS FOR A ROBBERY,
10 FOR A BODY,
750
00:32:48,170 --> 00:32:49,840
95 TO BE AN O. G.
751
00:32:49,870 --> 00:32:52,170
SEEMS A LITTLE SILLY NOW,
DOESN’T IT?
752
00:32:52,210 --> 00:32:55,040
BUT IF JOSH HAD MORE TO DO WITH
IT THAN JUST BEING A WITNESS,
753
00:32:55,080 --> 00:32:56,340
WE’RE ALL EARS.
754
00:33:03,720 --> 00:33:06,390
I AIN’T SAYING A DAMN THING.
I AIN’T NO PUNK.
755
00:33:06,420 --> 00:33:07,820
LANDS ON YOU‐‐ BOTH MURDERS.
756
00:33:07,860 --> 00:33:09,830
I AIN’T SAYIN’ NOTHING.
757
00:33:09,860 --> 00:33:11,830
THIS PUTS YOU OVER
ON THE SCOREBOARD
758
00:33:11,860 --> 00:33:13,530
WITH YOUR HALF‐ASS GANG?
YOU A BIG O. G. NOW?
759
00:33:13,570 --> 00:33:15,010
WHAT YOU THINK?
760
00:33:15,030 --> 00:33:16,260
CONGRATS.
761
00:33:29,080 --> 00:33:31,210
YOU COMING FROM BELLEVUE?
762
00:33:31,250 --> 00:33:34,350
YEAH. CANDACE IS BEING TREATED.
SHE’LL BE OKAY.
763
00:33:34,390 --> 00:33:36,130
ZARETSKY SHOT HER UP
WITH KETAMINE,
764
00:33:36,150 --> 00:33:38,190
BUT THERE WAS NO SIGN
OF SEXUAL ASSAULT.
765
00:33:38,220 --> 00:33:39,720
RITA STILL IN WITH HIM?
766
00:33:39,760 --> 00:33:41,420
SHE GOT A STATEMENT.
767
00:33:41,460 --> 00:33:43,760
NOW WE’RE GETTIN’ HIM OVER
FOR A PSYCH EVALUATION.
768
00:33:43,800 --> 00:33:45,540
HOW DID HE GET
IN HER APARTMENT?
769
00:33:45,560 --> 00:33:47,460
PUSHED IN WHEN
SHE RETURNED FROM WORK.
770
00:33:47,500 --> 00:33:49,200
THERE’S NO DOUBT
HE WAS GONNA KILL HER,
771
00:33:49,230 --> 00:33:50,630
BUT HALFWAY THROUGH
THE INTERVIEW,
772
00:33:50,670 --> 00:33:52,400
HE STARTED
SPOUTING GIBBERISH.
773
00:33:52,440 --> 00:33:54,110
SETTING UP FOR
ANOTHER INSANITY DEFENSE.
774
00:33:54,140 --> 00:33:56,440
THEY’RE NEVER GONNA
LET THIS GUY OUT AGAIN.
775
00:33:56,470 --> 00:33:58,940
I WANT TO MAKE IT CLEAR THAT
THIS AIN’T RATTIN’ OUT, OKAY?
776
00:33:58,980 --> 00:34:00,490
CALL IT WHATEVER YOU WANT.
777
00:34:00,510 --> 00:34:02,580
’CAUSE I COPPED
ON MY END.
778
00:34:02,610 --> 00:34:04,780
AND IT’S CLEAR HOW
YOU’RE OWNIN’ UP TO YOUR END
779
00:34:04,820 --> 00:34:07,390
BY TESTIFYING THAT YOU SAW
PAT RYMER KILL YINKA OKAFOR,
780
00:34:07,420 --> 00:34:09,320
AND THAT HE TOLD YOU
HE KILLED MORRIS HAWKINS.
781
00:34:09,350 --> 00:34:10,490
YEAH.
782
00:34:10,520 --> 00:34:12,320
TWO HARDWORKING GUYS
WITH FAMILIES
783
00:34:12,360 --> 00:34:13,830
WHO DIDN’T DO NOTHING
TO YOU.
784
00:34:13,860 --> 00:34:15,660
I GOT IT, OKAY?
785
00:34:15,690 --> 00:34:17,760
YOU BETTER, ’CAUSE
IF YOU’RE BACK IN HERE AGAIN,
786
00:34:17,800 --> 00:34:19,240
YOU GET NO RHYTHM.
787
00:34:19,260 --> 00:34:22,100
OH, MY GOD.
I’M TRISH BRASWELL.
788
00:34:22,130 --> 00:34:23,570
THAT’S MY SON.
789
00:34:23,600 --> 00:34:24,770
HI, MOM.
790
00:34:24,800 --> 00:34:26,270
PROUD DAY, JOSHUA.
791
00:34:26,300 --> 00:34:28,500
HE WAS A WITNESS
IN A HOMICIDE THIS MORNING.
792
00:34:28,540 --> 00:34:30,310
HE NEEDS TO TESTIFY
TO WHAT HE SAW
793
00:34:30,340 --> 00:34:32,140
OR THERE’LL BE CHARGES
AGAINST HIM.
794
00:34:32,180 --> 00:34:33,850
WHAT DID YOU DO?
NOTHING.
795
00:34:33,880 --> 00:34:35,980
HE’S BEEN RUNNING
WITH A GANG.
796
00:34:36,010 --> 00:34:38,450
IT’S UP TO YOU TO MAKE SURE
YOUR SON APPEARS IN COURT.
797
00:34:38,480 --> 00:34:40,080
BELIEVE ME, HE WILL.
798
00:34:40,120 --> 00:34:42,280
AND IN THE MEANTIME,
KEEP HIM OFF THE STREET.
799
00:34:42,320 --> 00:34:44,490
HE IS NOT LEAVING
HIS ROOM FOR A YEAR.
800
00:34:44,520 --> 00:34:46,120
OH, WHAT‐‐
IS HE GROUNDED?
801
00:34:46,160 --> 00:34:49,130
DO YOU HAVE ANY IDEA WHAT
YOUR KID WAS INVOLVED IN?
802
00:34:49,160 --> 00:34:51,330
I DIDN’T‐‐
I DIDN’T SEE THIS COMING.
803
00:34:51,360 --> 00:34:54,160
BEING PART OF TWO HOMICIDES
DON’T JUST POP OUT OF THE BLUE.
804
00:34:54,200 --> 00:34:57,030
WAKE UP, LADY, BEFORE YOUR KID
IS INVOLVED IN ANOTHER MURDER
805
00:34:57,070 --> 00:34:58,670
WITH HIM ON THE TRIGGER.
806
00:34:58,700 --> 00:35:01,140
I AM DOING MY BEST WITH HIM,
AND YOU KNOW WHAT?
807
00:35:01,170 --> 00:35:03,500
I’M DOING IT ALONE,
SO DON’T YOU LECTURE ME.
808
00:35:03,540 --> 00:35:05,170
YEAH, OKAY.
809
00:35:05,210 --> 00:35:06,210
WE’RE GOING.
810
00:35:06,240 --> 00:35:07,840
REMEMBER WHAT
WE SAID, JOSH.
811
00:35:07,880 --> 00:35:09,810
MS. GENOW,
IS THAT RIGHT?
812
00:35:09,850 --> 00:35:12,150
BERTA GENOW,
COUNCIL FOR THE COLAHANS.
813
00:35:12,180 --> 00:35:14,380
LET’S TALK IN HERE.
814
00:35:20,160 --> 00:35:22,490
WOULD ANYONE‐‐
815
00:35:22,530 --> 00:35:26,170
WOULD ANYONE LIKE ANYTHING‐‐
SOME SODA?
816
00:35:26,200 --> 00:35:28,410
JUST SO YOU KNOW, I STRONGLY
ADVISED MY CLIENTS
817
00:35:28,430 --> 00:35:30,300
AGAINST SPEAKING TO YOU
IN PERSON,
818
00:35:30,330 --> 00:35:32,470
BUT BECAUSE THEY CONCEDED
TO YOUR REQUEST,
819
00:35:32,500 --> 00:35:34,040
LET’S KEEP THIS SHORT
AND TO THE POINT.
820
00:35:40,210 --> 00:35:42,380
MR. AND MRS. COLAHAN,
821
00:35:42,410 --> 00:35:46,680
WE’LL ADMIT WE WERE BLINDSIDED
THIS MORNING.
822
00:35:46,720 --> 00:35:49,920
WE HAD NO IDEA YOU HAD ANY
INTEREST IN CUSTODY OF MICHELLE.
823
00:35:49,950 --> 00:35:53,020
SHE IS OUR GRANDDAUGHTER, AND
WE’RE CONCERNED FOR HER SAFETY.
824
00:35:53,060 --> 00:35:54,930
WHICH IS WHAT WE
WANTED TO DISCUSS.
825
00:35:54,960 --> 00:35:58,890
SHE IS LOVED,
WELL‐CARED FOR.
826
00:35:58,930 --> 00:36:03,200
AND YOU’RE WELCOME TO COME BY
THE APARTMENT ANYTIME AND SEE.
827
00:36:03,230 --> 00:36:06,570
IN FACT, WE’D BE HAPPY TO HAVE
YOU OVER FOR DINNER,
828
00:36:06,610 --> 00:36:08,210
IF YOU’D LIKE.
829
00:36:08,240 --> 00:36:11,170
MS. McDOWELL, THE ONLY REASON
MY CLIENTS ARE HERE
830
00:36:11,210 --> 00:36:13,610
IS TO LISTEN
TO A PROPOSAL FOR CUSTODY.
831
00:36:18,580 --> 00:36:20,350
[ SIGHS ]
832
00:36:20,380 --> 00:36:24,190
I PLAN TO ADOPT MICHELLE AND
RAISE HER AS MY DAUGHTER.
833
00:36:24,220 --> 00:36:28,920
THAT SAID, YOU CAN SEE HER
ANYTIME YOU LIKE.
834
00:36:28,960 --> 00:36:32,590
THAT SAID, MY CLIENTS WILL
ENTERTAIN ONLY ONE PROPOSAL‐‐
835
00:36:32,630 --> 00:36:34,730
THAT YOU RELINQUISH
FULL CUSTODY TO THEM
836
00:36:34,770 --> 00:36:36,910
IN EXCHANGE FOR
LIMITED VISITATION RIGHTS.
837
00:36:36,940 --> 00:36:38,440
YOU’RE JOKING.
838
00:36:38,470 --> 00:36:40,070
WE’RE NOT,
SO ACCEPT THAT PROPOSAL,
839
00:36:40,100 --> 00:36:42,440
OR WE HAVE NOTHING MORE
TO TALK ABOUT.
840
00:36:42,470 --> 00:36:45,440
YOU WANT TO TURN THIS INTO A
BATTLE, EVERYONE’S GONNA LOSE,
841
00:36:45,480 --> 00:36:46,920
NO ONE MORE THAN THE KID.
842
00:36:46,950 --> 00:36:49,250
TELL US‐‐ WHO IS IT WHO RAISED
YOUR OTHER KIDS?
843
00:36:49,280 --> 00:36:51,280
WHAT DOES THAT MEAN?
844
00:36:51,320 --> 00:36:54,090
YOU GAVE UP A CHILD OUT OF
WEDLOCK, HE’S AN ALCOHOLIC,
845
00:36:54,120 --> 00:36:56,420
AND FOR SOME REASON YOU EXPECT
US TO ALLOW OUR GRANDCHILD
846
00:36:56,450 --> 00:36:59,420
TO BE RAISED IN AN APARTMENT
WITH LOADED GUNS.
847
00:36:59,460 --> 00:37:01,000
YOU GOT A LOT OF NERVE.
848
00:37:01,030 --> 00:37:03,000
DO YOU HAVE A PROPOSAL
FOR CUSTODY OR NOT?
849
00:37:03,030 --> 00:37:04,570
WE GOT NOTHING FOR YOU.
850
00:37:04,600 --> 00:37:06,240
BARBARA, JOHN,
WE’RE DONE HERE.
851
00:37:06,260 --> 00:37:08,060
WHAT ABOUT YOU?
YOU PERFECT?
852
00:37:08,100 --> 00:37:09,570
THIS CONVERSATION IS OVER.
853
00:37:09,600 --> 00:37:11,270
’CAUSE THE TWO OF YOU
BETTER BE PERFECT.
854
00:37:11,300 --> 00:37:13,470
THIS IS NOT HOW
YOU WANT TO PLAY THIS.
855
00:37:13,500 --> 00:37:15,540
I’M DONE LISTENING.
GET THE HELL OUT OF HERE.
856
00:37:21,810 --> 00:37:24,180
THEY’RE COMING AFTER US
FOR THE BABY‐‐
857
00:37:24,220 --> 00:37:26,090
DIGGING INTO US
PERSONALLY,
858
00:37:26,120 --> 00:37:27,960
AND FOR ME,
THAT’S A DEEP WELL.
859
00:37:27,990 --> 00:37:29,700
JUST GET WITH YOUR LAWYER.
860
00:37:29,720 --> 00:37:31,650
WHAT WE NEED IS SOMETHING
ON THESE PEOPLE.
861
00:37:31,690 --> 00:37:33,820
WE GOT FOUR DAYS.
862
00:37:33,860 --> 00:37:36,490
I’LL GET ON WITH DMV,
SEE CAN GET THEIR
SOCIAL‐SECURITY NUMBERS.
863
00:37:36,530 --> 00:37:38,470
AND OLD ADDRESSES, TOO.
864
00:37:38,500 --> 00:37:41,170
WE’LL GET A LIST OF NEIGHBORS,
DIVVY IT UP, DO A CANVASS.
865
00:37:41,200 --> 00:37:43,030
ANY VALUE IN TALKING
TO THEIR SON, FRANK?
866
00:37:43,070 --> 00:37:44,640
I CAN’T SIT IN
A ROOM WITH HIM.
867
00:37:44,670 --> 00:37:46,640
I CAN.
I’LL DO IT.
868
00:37:46,670 --> 00:37:48,770
I’M NOT ASKING ANYONE
TO DO ANYTHING ILLEGAL
869
00:37:48,810 --> 00:37:50,480
OR ANYTHING
THEY DON’T WANT TO.
870
00:37:50,510 --> 00:37:51,710
ANDY, WE’RE ON IT.
871
00:37:53,650 --> 00:37:55,450
THAT WAS BELLEVUE.
872
00:37:55,480 --> 00:37:58,110
VALERIE WAS ATTACKED IN THE
HALLWAY OF HER BUILDING.
873
00:37:58,150 --> 00:38:00,580
SHE’S OKAY. SHE’S IN
THE E. R. BEING TREATED.
874
00:38:12,360 --> 00:38:14,030
YES?
875
00:38:14,070 --> 00:38:15,710
HI, I’M DETECTIVE JONES.
I’M LOOKING FOR VALERIE HAYWOOD.
876
00:38:15,730 --> 00:38:17,530
SHE’S RIGHT HERE.
SHE’S FINE.
877
00:38:17,570 --> 00:38:18,970
SHE’S SHAKEN UP.
878
00:38:19,000 --> 00:38:20,240
WHAT HAPPENED?
879
00:38:20,270 --> 00:38:22,500
IT LOOKS LIKE SHE WAS HIT
A FEW TIMES.
880
00:38:22,540 --> 00:38:24,340
WE RAN SOME TESTS‐‐
IT’S ALL SUPERFICIAL.
881
00:38:24,380 --> 00:38:26,220
BUT WHEN YOU TALK TO HER,
882
00:38:26,240 --> 00:38:27,580
TRY NOT TO MAKE A BIG DEAL
ABOUT THE BRUISE ON HER FACE.
883
00:38:27,610 --> 00:38:29,340
SHE’S WORRIED ABOUT THAT?
884
00:38:29,380 --> 00:38:31,210
I’M JUST SAYING FROM
A WOMAN’S POINT OF VIEW.
885
00:38:31,250 --> 00:38:32,510
I GOT IT. THANKS.
886
00:38:32,550 --> 00:38:35,080
DR. SUSSMAN
TO THE O. R. POST‐OP.
887
00:38:35,120 --> 00:38:38,820
DR. SUSSMAN
TO THE O. R. POST‐OP.
888
00:38:38,860 --> 00:38:39,870
VALERIE.
889
00:38:39,890 --> 00:38:42,160
OH, BALDWIN.
890
00:38:42,190 --> 00:38:43,830
IT’S OKAY.
891
00:38:43,860 --> 00:38:45,160
WHAT HAPPENED?
892
00:38:45,200 --> 00:38:47,370
I DON’T KNOW.
IT WAS REAL QUICK.
893
00:38:47,400 --> 00:38:48,660
HE CAME UP BEHIND ME.
894
00:38:48,700 --> 00:38:49,870
WAS IT JERRY WELLS?
895
00:38:49,900 --> 00:38:51,530
I COULDN’T TELL.
896
00:38:51,570 --> 00:38:53,370
HE HAD A MASK ON,
897
00:38:53,400 --> 00:38:57,570
AND THEN I COVERED UP
’CAUSE HE STARTED HITTING ME.
898
00:38:57,610 --> 00:39:01,540
[ Sighing ] OKAY.
899
00:39:01,580 --> 00:39:03,410
THEY’RE GONNA RUN
SOME MORE TESTS.
900
00:39:03,450 --> 00:39:05,060
I’LL BE BACK
IN A LITTLE BIT.
901
00:39:05,080 --> 00:39:07,220
STAY WITH ME.
I’LL BE RIGHT BACK.
902
00:39:07,250 --> 00:39:09,520
DON’T GO OVER THERE.
DON’T DO ANYTHING STUPID.
903
00:39:09,550 --> 00:39:10,850
I WON’T.
904
00:39:10,890 --> 00:39:12,720
I’LL SEE YOU IN A BIT.
905
00:39:12,760 --> 00:39:14,330
BALDWIN...
906
00:39:20,570 --> 00:39:22,070
OPEN UP!
907
00:39:22,100 --> 00:39:23,700
YEAH?
OPEN UP, JERRY.
908
00:39:23,740 --> 00:39:26,040
[ LOCK RATTLES ]
909
00:39:26,070 --> 00:39:27,100
HEY!
910
00:39:27,140 --> 00:39:29,070
WHAT IS THIS, MAN?
911
00:39:29,110 --> 00:39:31,250
WHAT’S GOING ON?
912
00:39:31,280 --> 00:39:33,250
I’M A DETECTIVE, MA’AM.
I NEED TO TALK TO JERRY.
913
00:39:33,280 --> 00:39:35,120
THE DETECTIVE
WHO THREATENED ME, MOM.
914
00:39:35,150 --> 00:39:36,960
LET’S GO TALK IN THE HALLWAY.
915
00:39:36,980 --> 00:39:38,750
SO YOU CAN ATTACK ME
LIKE YOU TOLD ME YOU WOULD?
916
00:39:38,780 --> 00:39:40,580
YOU THINK I’M BUYING THIS?
917
00:39:40,620 --> 00:39:42,420
YOU’RE BEHIND WHAT HAPPENED
TO A. D. A. HAYWOOD TONIGHT.
918
00:39:42,450 --> 00:39:44,550
I DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
919
00:39:44,590 --> 00:39:46,590
I’VE BEEN WITH MY MOM
AND MY NIECES ALL DAY.
920
00:39:46,630 --> 00:39:48,930
I’M GONNA GET YOU FOR THIS.
YOU CAN COUNT ON THAT.
921
00:39:48,960 --> 00:39:50,060
YOU LET GO OF HIM!
922
00:39:50,090 --> 00:39:51,630
SEE THIS, MOM?
YOU SEE THIS?
923
00:39:51,660 --> 00:39:53,560
I’M CALLING THE POLICE!
924
00:39:53,600 --> 00:39:54,830
GET THE VIDEO CAMERA OUT.
GET THIS ON TAPE.
925
00:39:59,300 --> 00:40:01,500
YOU CAN BET YOUR ASS
WE’RE GONNA SETTLE THIS UP.
926
00:40:13,480 --> 00:40:15,250
$5,000 FOR A RETAINER.
927
00:40:15,290 --> 00:40:17,500
YOU GOTTA FIGURE
THAT WILL GO QUICK.
928
00:40:17,520 --> 00:40:18,820
I GOT SOME SAVINGS.
929
00:40:18,860 --> 00:40:20,700
I CAN TAKE OUT
A PENSION LOAN
930
00:40:20,730 --> 00:40:22,700
OR AN EMERGENCY LOAN
FROM THE UNION.
931
00:40:22,730 --> 00:40:25,270
I CAN, TOO.
932
00:40:25,300 --> 00:40:27,540
I DON’T WANT YOU
SHOULDERING THIS ALONE.
933
00:40:27,570 --> 00:40:29,240
I DON’T WANT YOU TO,
EITHER.
934
00:40:31,800 --> 00:40:35,000
MOST OF THEIR AMMO
IS ON ACCOUNT OF MY PAST.
935
00:40:35,040 --> 00:40:37,540
OH, THEY HAD SOME FOR ME,
TOO.
936
00:40:39,880 --> 00:40:42,510
YOURS ALONE
WOULD BE EASIER TO WEATHER.
937
00:40:42,550 --> 00:40:44,520
WHAT ARE YOU SAYING?
938
00:40:44,550 --> 00:40:48,280
IF IT MAKES SENSE FOR US
TO FIGHT THIS TOGETHER,
939
00:40:48,320 --> 00:40:51,890
MAYBE GET MARRIED TO BOLSTER
THE CASE, LET’S DO IT.
940
00:40:51,920 --> 00:40:53,820
BUT IF YOU OR THE ATTORNEY
941
00:40:53,860 --> 00:40:55,790
THINK THERE’S A BETTER SHOT
WITHOUT MY BAGGAGE‐‐
942
00:40:55,830 --> 00:40:57,370
NO ONE’S BREAKING UP
THIS FAMILY.
943
00:41:02,070 --> 00:41:05,240
IT’S TIMES LIKE THIS I WISH
I’D BEEN A BETTER MAN.
944
00:41:05,270 --> 00:41:09,810
ANDY, YOUR PAST MADE YOU
WHO YOU ARE NOW.
945
00:41:09,840 --> 00:41:11,370
AND I LOVE YOU.
946
00:41:17,450 --> 00:41:20,320
CAN I READ IN HERE
FOR A LITTLE WHILE?
947
00:41:20,350 --> 00:41:21,680
YEAH, SURE, SQUIRT.
COME ON.
948
00:41:21,720 --> 00:41:23,690
[ CLICKING TONGUE ]
949
00:41:23,720 --> 00:41:24,850
COME HERE.
950
00:41:24,890 --> 00:41:26,190
YEAH.
69743
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