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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,870 --> 00:00:02,670 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,710 --> 00:00:05,280 I GOT A SON TO GET OUT OF JAIL. GO HOME AND SLEEP IT OFF. 3 00:00:05,310 --> 00:00:07,380 ’CAUSE WHO NEEDS ME. IS THAT IT? NOBODY NEEDS YOU LIKE THIS. 4 00:00:07,410 --> 00:00:09,210 I’M LAST TO KNOW HE’S LOCKED UP. 5 00:00:09,250 --> 00:00:12,560 WHEN I DO FIND OUT, IT’S, "SIPOWICZ HAS GOT IT HANDLED." 6 00:00:12,580 --> 00:00:14,250 I’M MORE UP TO SPEED. 7 00:00:14,290 --> 00:00:16,090 WHAT’S THE BEEF THIS COP HAS WITH MY SON? 8 00:00:16,120 --> 00:00:18,690 I THOUGHT INVESTIGATING COPS WAS AN INTERNAL AFFAIRS JOB. 9 00:00:18,720 --> 00:00:22,290 I’M NOT LOOKING AT COPS, JUST ONE COP‐‐ YOU. 10 00:00:22,330 --> 00:00:24,240 I KNOW IT’S A LOT TO GO AGAINST YOUR PARTNER, 11 00:00:24,260 --> 00:00:27,260 BUT CLARK WAS SET UP BY LAUGHLIN. I CAN’T HELP YOU, DETECTIVE. 12 00:00:27,300 --> 00:00:30,030 "YOU CAN’T HELP ME" IS DIFFERENT THAN SAYING YOU DON’T KNOW ANYTHING. 13 00:00:30,070 --> 00:00:32,470 I DON’T KNOW ANYTHING EITHER. 14 00:00:32,500 --> 00:00:35,370 SO WE’RE NOWHERE? THIS JUST MIGHT TAKE A LITTLE TIME. 15 00:00:35,410 --> 00:00:37,050 SO, I GOTTA BEAT THIS AT TRIAL? 16 00:00:37,080 --> 00:00:38,950 YOU MIGHT HAVE TO PREPARE YOURSELF FOR THAT‐‐ 17 00:00:38,980 --> 00:00:40,090 GOIN’ TO TRIAL. 18 00:00:40,110 --> 00:00:42,680 AND I BEAT IT HOW? 19 00:00:55,960 --> 00:00:58,830 NEIL MAZUR, LIVES ALONE, GAY‐TYPE LITERATURE AROUND‐‐ 20 00:00:58,860 --> 00:01:00,230 ADVOCATE, SO FORTH. 21 00:01:00,260 --> 00:01:02,500 SHANNON CAN RUN IT. YOU HELP WITH TRAFFIC. 22 00:01:02,530 --> 00:01:03,670 THEY GOT GUYS FOR THAT. 23 00:01:03,700 --> 00:01:05,900 THEN GO LEAN AGAINST YOUR CAR. 24 00:01:05,940 --> 00:01:08,080 BY THE WAY, I’M DOCUMENTING ALL THIS HARASSMENT. 25 00:01:08,110 --> 00:01:09,680 EVERY COMMENT, EVERY ACCUSATION. 26 00:01:09,710 --> 00:01:11,670 GET OUTTA HERE. ALL RIGHT. 27 00:01:11,710 --> 00:01:14,780 I GOTTA TESTIFY IN COURT ANYWAYS. 28 00:01:14,810 --> 00:01:17,180 I’LL SEE YOU AFTER LUNCH. 29 00:01:17,220 --> 00:01:19,860 YOU WANT HIM TO BRING YOU DOWN, TOO? 30 00:01:19,880 --> 00:01:21,780 LEAVE HIM ALONE. 31 00:01:21,820 --> 00:01:23,120 WE GOT ANOTHER D. O. A. 32 00:01:23,150 --> 00:01:25,150 THE BOSS WANTS ME AND RITA TO RESPOND. 33 00:01:25,190 --> 00:01:26,990 GO ON. I GOT THIS. DO YOU? 34 00:01:27,030 --> 00:01:28,200 CONNIE, YOU MADE YOUR POINT. 35 00:01:33,160 --> 00:01:34,930 WHO CALLED IT IN? 36 00:01:34,970 --> 00:01:37,210 NEIGHBOR FOUND THE DOOR OPEN, HEARD THE TV ON ALL NIGHT. 37 00:01:38,670 --> 00:01:40,470 [ CLEARS THROAT ] 38 00:01:49,150 --> 00:01:50,460 WHAT? 39 00:01:50,480 --> 00:01:52,850 I HAD TO PUT MY MOM IN A NURSING HOME. 40 00:01:52,880 --> 00:01:55,180 I GOT THREE BROTHERS, BUT NONE OF THEM GOT THE MEANS, 41 00:01:55,220 --> 00:01:57,150 SO I’M THE ONE WHO’S GOTTA TAKE CARE OF HER. 42 00:01:57,190 --> 00:01:58,790 I’M SORRY TO HEAR THAT, SHANNON. 43 00:01:58,820 --> 00:02:00,160 WE CAN TALK ABOUT IT SOME OTHER TIME. 44 00:02:02,330 --> 00:02:03,700 I GOT KIDS. 45 00:02:03,730 --> 00:02:05,890 MY WIFE’S A STAY‐AT‐HOME MOM. 46 00:02:05,930 --> 00:02:08,300 I’M THE PROVIDER FOR MY FAMILY. 47 00:02:08,330 --> 00:02:11,170 DID YOU SEE LAUGHLIN PUT DRUGS ON CLARK? 48 00:02:11,200 --> 00:02:13,640 I’M NOT TRYING TO BE A MARTYR. DID YOU SEE SOMETHIN’? 49 00:02:13,670 --> 00:02:15,800 I DO MY JOB AND MIND MY OWN BUSINESS LIKE EVERYBODY ELSE. 50 00:02:15,840 --> 00:02:18,040 CLARK IS GONNA DO TIME FOR THIS. 51 00:02:18,080 --> 00:02:19,850 DO YOU HAVE ANY OTHER LEADS? 52 00:02:19,880 --> 00:02:22,010 DON’T FEEL ME OUT FOR WHAT ELSE I GOT ON THE CASE. 53 00:02:22,050 --> 00:02:23,590 CAN I STAY OUT OF IT? 54 00:02:23,620 --> 00:02:25,720 EITHER YOU SAW SOMETHING OR YOU DIDN’T. 55 00:02:25,750 --> 00:02:28,420 EITHER YOU STOP CLARK FROM GETTING FRAMED OR YOU DON’T. 56 00:02:28,450 --> 00:02:30,390 WHAT HAPPENS TO ME AS A COP? 57 00:02:30,420 --> 00:02:32,520 WHAT HAPPENS TO YOU AS A MAN 58 00:02:32,560 --> 00:02:34,270 IF YOU DON’T BE A MAN ABOUT THIS, SHANNON? 59 00:02:36,900 --> 00:02:39,100 DID YOU SEE LAUGHLIN PLANT HEROIN ON CLARK? 60 00:02:39,130 --> 00:02:41,230 NO, BUT‐‐ 61 00:02:41,270 --> 00:02:43,010 BUT YOU SAW SOMETHING. 62 00:02:43,030 --> 00:02:45,130 YOU KNOW SOMETHING THAT CAN PROVE LAUGHLIN DID IT. 63 00:02:47,470 --> 00:02:49,170 YEAH. 64 00:02:49,210 --> 00:02:51,280 [ SIGHS ] 65 00:04:02,810 --> 00:04:05,610 DURING THE TRAFFIC STOP, I SAW OFFICER LAUGHLIN 66 00:04:05,650 --> 00:04:07,850 REMOVE A SMALL PACKAGE FROM UNDER THE DRIVER’S SEAT 67 00:04:07,890 --> 00:04:09,800 AND PUT IT IN HIS POCKET. 68 00:04:09,820 --> 00:04:13,990 IN THE CAR, OFFICER LAUGHLIN GOT HIS PERSONAL BAG OUT, 69 00:04:14,030 --> 00:04:15,700 AND HE PUT THE PACKAGE IN IT. 70 00:04:15,730 --> 00:04:17,000 I KNEW IT MUST HAVE BEEN HEROIN. 71 00:04:17,030 --> 00:04:18,590 WHAT MAKES YOU SO SURE? 72 00:04:18,630 --> 00:04:21,960 I’VE SEEN HUNDREDS OF PACKAGES THAT CONTAIN HEROIN. 73 00:04:22,000 --> 00:04:24,770 EACH BAG HAD A STAMP ON IT‐‐ A RED CROWN. 74 00:04:24,800 --> 00:04:27,100 THE HEROIN FOUND IN CLARK’S CAR HAD RED CROWNS. 75 00:04:27,140 --> 00:04:28,300 WHAT ELSE? 76 00:04:28,340 --> 00:04:30,340 THAT NIGHT, 77 00:04:30,370 --> 00:04:32,170 END OF TOUR, 78 00:04:32,210 --> 00:04:34,510 OFFICER LAUGHLIN PULLED A SLIM‐JIM OUT OF THE TRUNK. 79 00:04:34,550 --> 00:04:36,890 CLARIFY WHAT A SLIM‐JIM IS. 80 00:04:36,920 --> 00:04:40,860 IT’S A DEVICE USED TO GAIN ENTRY TO A LOCKED VEHICLE. 81 00:04:40,890 --> 00:04:42,860 I ASKED OFFICER LAUGHLIN WHAT HE INTENDED TO DO. 82 00:04:42,890 --> 00:04:45,300 HE TOLD ME TO LOOK THE OTHER WAY ON THIS ONE. 83 00:04:45,320 --> 00:04:47,620 TELL ’EM ABOUT THE THREATS HE MADE. 84 00:04:47,660 --> 00:04:50,460 DAYS PRIOR TO THE NIGHT I’VE BEEN TALKING ABOUT, 85 00:04:50,490 --> 00:04:52,830 OFFICER LAUGHLIN REPEATEDLY STATED 86 00:04:52,860 --> 00:04:55,130 HE WAS GONNA GET DETECTIVE CLARK BACK. 87 00:04:55,170 --> 00:04:56,270 SPECIFICALLY. 88 00:04:58,240 --> 00:05:00,680 OFFICER LAUGHLIN SAID IT WAS A STREET FIGHT NOW 89 00:05:00,710 --> 00:05:02,080 BETWEEN HIM AND CLARK‐‐ 90 00:05:02,110 --> 00:05:03,820 NO RULES, ANYTHING WENT. 91 00:05:03,840 --> 00:05:06,880 WHY DID IT TAKE TWO DAYS FOR YOU TO COME FORWARD? 92 00:05:06,910 --> 00:05:09,210 THAT DOESN’T MAKE ANY DIFFERENCE. HE’S COMING FORWARD NOW. 93 00:05:09,250 --> 00:05:10,920 WAIT OUT IN THE HALL, OFFICER. 94 00:05:18,690 --> 00:05:22,060 ONCE YOU VOID THE ARREST, I’LL NOTIFY THE D. A. 95 00:05:22,090 --> 00:05:24,330 NOT TO PROCEED WITH THE ARRAIGNMENT. 96 00:05:24,360 --> 00:05:25,860 WHOA, WHOA, WHOA, WHOA, NOT QUITE. 97 00:05:25,900 --> 00:05:27,740 WHAT ELSE YOU NEED, A BURNING BUSH? 98 00:05:27,770 --> 00:05:30,110 WE GOT TWO COPS AND A DETECTIVE ALL SAYING DIFFERENT THINGS. 99 00:05:30,130 --> 00:05:31,900 MEANWHILE, THE DRUGS WERE FOUND IN CLARK’S CAR. 100 00:05:31,940 --> 00:05:33,780 I’LL TAKE IT TO MY CHIEF. 101 00:05:33,810 --> 00:05:35,550 NO ONE’S GETTING OUT OF JAIL 102 00:05:35,570 --> 00:05:37,540 UNTIL WE FIGURE OUT WHAT IS GOING ON. 103 00:05:37,580 --> 00:05:39,550 I CAN TELL YOU WHAT’S GOING ON. 104 00:05:39,580 --> 00:05:41,880 DETECTIVE CLARK GOT FRAMED BY OFFICER LAUGHLIN. 105 00:05:41,910 --> 00:05:44,680 YOU WANT TO CONTINUE WITH YOUR INVESTIGATION, FINE, 106 00:05:44,720 --> 00:05:47,530 BUT CLARK GETS RELEASED NOW. 107 00:05:47,550 --> 00:05:51,290 VOID THE ARREST, OR I’LL CALL THE D. A. MYSELF. 108 00:05:51,320 --> 00:05:52,920 I’LL TAKE CARE OF IT. 109 00:05:52,960 --> 00:05:54,700 QUICKLY. THAT’S HOW YOU TOOK HIM IN. 110 00:05:54,730 --> 00:05:56,300 THAT’S HOW YOU’RE GETTING HIM OUT. 111 00:05:59,660 --> 00:06:02,900 BUSY SQUAD YOU GOT HERE, TONY. YOU SHOULD SELL TICKETS. 112 00:06:02,930 --> 00:06:05,530 THOSE PHONE CALLS YOU NEED TO MAKE TO VOID THE ARREST‐‐ 113 00:06:05,570 --> 00:06:07,470 YOU CAN PLACE THEM FROM MY OFFICE, CAPTAIN. 114 00:06:19,680 --> 00:06:21,380 HEY. 115 00:06:21,420 --> 00:06:24,220 UH, KIM WALKER. PAPER BOY FOUND HER. 116 00:06:24,260 --> 00:06:26,100 SLASHED UP GOOD. 117 00:06:26,120 --> 00:06:30,060 THE PLACE IS A LITTLE BUSTED UP, BUT NO SIGN OF BREAK‐IN. 118 00:06:30,090 --> 00:06:32,230 THAT GUY‐‐ LIVES IN THE BASEMENT APARTMENT‐‐ 119 00:06:32,260 --> 00:06:34,100 SAYS SHE’S A COMMUNITY ACTIVIST. 120 00:06:34,130 --> 00:06:36,830 HAVEN’T TALKED TO HIM YET. TIMOTHY BOSHAM. 121 00:06:36,870 --> 00:06:39,970 "WOMEN, TAKE CONTROL. DON’T LET GANGS RUN YOUR LIFE." 122 00:06:40,000 --> 00:06:41,440 ALL RIGHT, WE’LL TAKE HIM. 123 00:06:41,470 --> 00:06:43,070 [ CELL PHONE RINGS ] HELLO? 124 00:06:43,110 --> 00:06:45,350 MR. BOSHAM, 125 00:06:45,380 --> 00:06:47,520 DETECTIVES MEDAVOY AND JONES. 126 00:06:47,550 --> 00:06:50,190 LOOK AT ’EM‐‐ CIRCLING LIKE VULTURES. 127 00:06:50,210 --> 00:06:51,780 [ INDISTINCT CONVERSATIONS ] 128 00:06:51,820 --> 00:06:53,290 WHAT’S THAT MEAN? 129 00:06:53,320 --> 00:06:54,790 NEIGHBORHOOD’S GONE TO HELL. 130 00:06:54,820 --> 00:06:57,250 I UNDERSTAND SHE WAS TRYING TO DO SOMETHING ABOUT IT. 131 00:06:57,290 --> 00:06:59,350 SHE RAN A GROUP, HAD MEETINGS‐‐ 132 00:06:59,390 --> 00:07:01,320 NOBLE BUT FUTILE, AS YOU CAN SEE. 133 00:07:01,360 --> 00:07:03,660 CAN YOU THINK OF ANYONE THAT MIGHT HAVE DONE THIS? 134 00:07:03,700 --> 00:07:05,840 LOOK AROUND YOU. 135 00:07:05,860 --> 00:07:08,260 I’M NOT SAYING THAT ’CAUSE THEY’RE BLACK. THEY’RE DRUG DEALERS. 136 00:07:08,300 --> 00:07:10,130 WERE YOU HOME LAST NIGHT? 137 00:07:10,170 --> 00:07:12,470 SLEPT AT MY MOTHER’S IN NYACK‐‐ SCRABBLE NIGHT. 138 00:07:12,500 --> 00:07:14,370 YEAH, WE GOT IT. THANKS. 139 00:07:19,080 --> 00:07:21,050 GOT NOTHIN’ FOR YOU. 140 00:07:21,080 --> 00:07:24,510 DIDN’T ASK ANYTHING YET. 141 00:07:24,550 --> 00:07:25,880 WHY ARE YOU LOOKING AWAY? 142 00:07:25,920 --> 00:07:27,790 SHE GOT NOTHIN’ TO SAY EITHER. 143 00:07:27,820 --> 00:07:30,150 IF ANY OF YOU GET YOUR HEAD OUT OF YOUR ASS, 144 00:07:30,190 --> 00:07:32,120 RITA ORTIZ, 15th SQUAD. 145 00:07:32,160 --> 00:07:33,770 IDIOTS. 146 00:07:36,600 --> 00:07:40,210 THEY’RE GONNA LOCK UP LAUGHLIN. JOHN’S GETTING OUT OF JAIL. 147 00:07:40,230 --> 00:07:42,160 OH, MY GOD. OH, MY GOD. 148 00:07:49,270 --> 00:07:51,210 CLOSE THE DOOR. 149 00:07:51,240 --> 00:07:52,670 WHAT’S GOING ON? 150 00:07:52,710 --> 00:07:54,080 CLOSE IT. 151 00:07:56,550 --> 00:07:58,710 OFFICER LAUGHLIN, WE’RE PLACING YOU UNDER ARREST. 152 00:07:58,750 --> 00:08:00,180 OH, YOU’RE JOKING. 153 00:08:00,220 --> 00:08:02,380 POSSESSION OF DRUGS, OFFICIAL MISCONDUCT, 154 00:08:02,420 --> 00:08:04,990 OBSTRUCTING GOVERNMENTAL ADMINISTRATION, 155 00:08:05,020 --> 00:08:07,060 AND OTHER CHARGES DETERMINED BY THE D. A.’s OFFICE. 156 00:08:07,090 --> 00:08:09,160 SURRENDER YOUR GUN, YOUR SHIELD, AND YOUR I. D. 157 00:08:09,190 --> 00:08:11,730 WHOA. THIS IS CRAZY. I DIDN’T DO NOTHIN’! 158 00:08:11,760 --> 00:08:14,700 YOU’LL GET YOUR DAY IN COURT. MEANWHILE, DO WHAT I TELL YOU. 159 00:08:14,730 --> 00:08:17,700 GO EASY, WE’LL LET YOU CHANGE OUT IN THE LOCKER ROOM. 160 00:08:17,740 --> 00:08:20,080 KEEP FLEXIN’, YOU GET PROCESSED IN YOUR UNIFORM. 161 00:08:21,540 --> 00:08:24,440 THIS IS THAT CLARK THING. YOU THINK I SET HIM UP. 162 00:08:24,480 --> 00:08:27,350 THEY KNOW YOU DID. YOU’RE DONE, LAUGHLIN‐‐ DONE. 163 00:08:27,380 --> 00:08:28,940 [ SIGHS ] 164 00:08:46,260 --> 00:08:48,430 HEY. LET’S GO. 165 00:08:48,470 --> 00:08:49,980 GETTING ARRAIGNED? 166 00:08:50,000 --> 00:08:52,430 YOU’RE GOING HOME. 167 00:08:52,470 --> 00:08:55,400 SHANNON ROLLED ON LAUGHLIN. 168 00:08:55,440 --> 00:08:58,240 HE SAW HIM PLANT THE DRUGS IN MY CAR? 169 00:08:58,280 --> 00:08:59,820 HE SAW ENOUGH. 170 00:09:01,650 --> 00:09:02,790 [ SIGHS ] 171 00:09:04,120 --> 00:09:06,320 LAUGHLIN’S GETTING LOCKED UP? 172 00:09:06,350 --> 00:09:10,150 YEAH. COME ON. IT’S DONE. IT’S OVER WITH. 173 00:09:14,430 --> 00:09:16,770 COME ON. 174 00:09:16,800 --> 00:09:18,970 I WAS BEGINNING TO THINK THAT‐‐ 175 00:09:19,000 --> 00:09:20,670 COME ON. 176 00:09:34,480 --> 00:09:36,910 HE LOOKS GOOD‐‐ HEALTHY. 177 00:09:36,950 --> 00:09:39,250 HE WASN’T IN THE GULAG, MEDAVOY. 178 00:09:39,280 --> 00:09:41,780 I CAN’T BELIEVE HE’S WORKING TODAY. 179 00:09:41,820 --> 00:09:43,690 I’M SURE HE GAVE YOU PROPER THANKS, 180 00:09:43,720 --> 00:09:45,320 BUT YOU’RE GETTING MORE FROM ME. 181 00:09:45,360 --> 00:09:47,130 THANKS, ANDY. 182 00:09:47,160 --> 00:09:49,960 WE’LL HAVE SIPOWICZ RUN THE CASE FOR YOU. HE ALREADY DID. 183 00:09:49,990 --> 00:09:51,430 ANYONE BEEN WORKING IT? 184 00:09:51,460 --> 00:09:54,100 A CO‐WORKER SAID THE GAY D. O. A., NEIL MAZUR, 185 00:09:54,130 --> 00:09:56,700 WAS LIVING WITH A SPANISH GUY, ARTURO JIMENEZ, 186 00:09:56,740 --> 00:09:58,280 ON PAROLE, STOCK BOY AT A MARKET ON B. 187 00:09:58,300 --> 00:09:59,670 WE’LL GRAB HIM. 188 00:09:59,700 --> 00:10:02,340 YOUR GUNS AND SHIELD ARE DOWNSTAIRS. WELCOME BACK. 189 00:10:02,370 --> 00:10:03,540 THANKS. 190 00:10:03,580 --> 00:10:05,620 IT’S GREAT TO SEE YOU. HEY. 191 00:10:05,640 --> 00:10:08,680 MY MAN. 192 00:10:08,710 --> 00:10:10,210 Connie: WELCOME BACK, JOHN. 193 00:10:13,050 --> 00:10:14,980 BEST I COULD DO ON SHORT NOTICE. 194 00:10:15,020 --> 00:10:16,050 I APPRECIATE IT. 195 00:10:18,920 --> 00:10:21,660 I’LL PUT THEM IN SOME WATER. 196 00:10:21,690 --> 00:10:23,120 OKAY. 197 00:10:23,160 --> 00:10:25,330 YOU GOT A MINUTE FOR ME? 198 00:10:25,360 --> 00:10:26,700 THEN WE’LL GO? 199 00:10:26,730 --> 00:10:28,230 YEAH, TAKE YOUR TIME. 200 00:10:32,700 --> 00:10:36,740 LOOKING FOR DETECTIVE ORTIZ. 201 00:10:36,780 --> 00:10:38,520 UH, SHE’LL BE BACK IN A MINUTE. 202 00:10:38,540 --> 00:10:40,310 I GOT INFO ON WHO KILLED KIM WALKER, 203 00:10:40,340 --> 00:10:42,040 AND I AIN’T GOT TIME TO WASTE, SO‐‐ 204 00:10:42,080 --> 00:10:43,410 I’LL BE RIGHT WITH YOU. 205 00:10:46,380 --> 00:10:47,420 [ SIGHS ] 206 00:10:47,450 --> 00:10:50,990 RITA, SOMEONE HERE ON OUR D. O. A. 207 00:10:51,020 --> 00:10:53,920 [ CLEARS THROAT ] LET’S GO. 208 00:10:53,960 --> 00:10:54,920 HEY. 209 00:11:00,360 --> 00:11:03,160 WHAT’S YOUR NAME? 210 00:11:03,200 --> 00:11:05,170 DREDA. 211 00:11:05,200 --> 00:11:06,900 YOU WERE THROWING A LOT OF ATTITUDE. 212 00:11:06,940 --> 00:11:08,600 WHY THE CHANGE OF HEART? 213 00:11:08,640 --> 00:11:11,370 I GOT A NAME FOR YOU. THAT’S IT. NO TIME FOR CONVERSATION. 214 00:11:11,410 --> 00:11:12,840 LET’S HEAR IT, THEN. 215 00:11:12,880 --> 00:11:15,790 SHAKEDOWN, ALL RIGHT? WE GOOD? 216 00:11:15,810 --> 00:11:17,410 NOT QUITE. WHO’S SHAKEDOWN? 217 00:11:17,450 --> 00:11:18,680 BANGER, SECOND AVENUE PRED, 218 00:11:18,720 --> 00:11:21,230 HANGS OUT AT A RECORD SHOP OFF THIRD. 219 00:11:21,250 --> 00:11:22,820 YOU A BANGER, TOO? 220 00:11:24,720 --> 00:11:27,390 I KNEW THIS WAS STUPID. 221 00:11:27,430 --> 00:11:30,200 TELL US, OR WE RUN YOU WITH THE GANG UNIT, FIND OUT ANYWAY. 222 00:11:30,230 --> 00:11:32,560 I ROLL WITH THE QUEEN BEES. 223 00:11:32,600 --> 00:11:34,210 YOU GOT A RELATIONSHIP WITH SHAKEDOWN? 224 00:11:34,230 --> 00:11:35,630 I KNOW HIS OLD LADY, RHONDA. 225 00:11:35,670 --> 00:11:37,380 WERE YOU EVER HIS OLD LADY? 226 00:11:37,400 --> 00:11:38,600 NO. 227 00:11:38,640 --> 00:11:40,450 SO, DELIVERING HIM TO US 228 00:11:40,470 --> 00:11:42,140 WOULDN’T BE ABOUT HIM HOOKING UP WITH THIS NEW GIRL? 229 00:11:42,170 --> 00:11:43,810 OR PISSING YOU OFF IN SOME OTHER WAY? 230 00:11:43,840 --> 00:11:45,410 MAN, Y’ALL GOT ROCKS IN YOUR HEAD. 231 00:11:45,440 --> 00:11:47,310 WE’VE BEEN BURNED BEFORE. 232 00:11:47,350 --> 00:11:48,920 WHY SHAKEDOWN? 233 00:11:48,950 --> 00:11:50,960 LOOK, RHONDA WAS ON A DIFFERENT TRACK. 234 00:11:50,980 --> 00:11:52,410 KIM WAS HELPING OUT. 235 00:11:52,450 --> 00:11:55,150 WITH HER OUTREACH PROGRAM? SHAKEDOWN DIDN’T DIG IT. 236 00:11:55,190 --> 00:11:58,430 HE GOT IN KIM’S FACE, SLASHED THE TIRES ON KIM’S TRUCK. 237 00:11:58,460 --> 00:12:00,630 BAD STUFF. WHERE IS HE NOW? 238 00:12:00,660 --> 00:12:02,960 GONE. THAT’S WHY I SAY IT’S HIM. 239 00:12:02,990 --> 00:12:06,360 THIS IS AN AWFUL GOOD DEED. WHAT’S IN IT FOR YOU? 240 00:12:08,600 --> 00:12:10,770 I WAS IN THE PROGRAM ON THE SLY. 241 00:12:10,800 --> 00:12:12,830 KIM WAS A GOOD LADY‐‐ STAND‐UP. 242 00:12:12,870 --> 00:12:14,470 IS THAT GOOD ENOUGH FOR YOU? 243 00:12:14,510 --> 00:12:15,910 SHAKEDOWN’S REAL NAME. 244 00:12:15,940 --> 00:12:18,140 TROY WIGGINS. CAN I GO NOW? 245 00:12:18,180 --> 00:12:19,550 APPRECIATE YOUR HELP. 246 00:12:26,650 --> 00:12:28,020 SIT DOWN. 247 00:12:31,160 --> 00:12:34,270 YOU DID NINE MONTHS FOR ASSAULT, ARTURO? YEAH. 248 00:12:34,290 --> 00:12:36,830 WHAT WAS THAT ALL ABOUT? IT WAS AT A BAR. 249 00:12:36,860 --> 00:12:38,430 I WAS WEARING A BRONCO HAT 250 00:12:38,460 --> 00:12:40,430 WHEN THIS FOOL IN A RAIDERS JERSEY 251 00:12:40,460 --> 00:12:42,600 POURED BEER ON MY HEAD, SO I TOOK CARE OF BUSINESS. 252 00:12:42,630 --> 00:12:44,530 WHERE WERE YOU LAST NIGHT? 253 00:12:44,570 --> 00:12:46,270 I WAS AT MY GIRLFRIEND’S PARENTS’ HOUSE IN WHITE PLAINS. 254 00:12:46,300 --> 00:12:47,870 GIRLFRIEND? 255 00:12:47,910 --> 00:12:49,650 YEAH. THAT’S WHAT I SAID, RIGHT? 256 00:12:49,670 --> 00:12:51,310 ’CAUSE LAST NIGHT 257 00:12:51,340 --> 00:12:54,280 YOUR OLD BOYFRIEND, NEIL MAZUR, GOT KILLED. 258 00:12:54,310 --> 00:12:55,880 YOU CALL ME MARICÓN? 259 00:12:55,910 --> 00:12:58,010 IF MARICóN MEANS YOU AND THIS NEIL 260 00:12:58,050 --> 00:13:00,620 WERE HITTING EACH OTHER IN THE SEAT, THEN, YEAH, THAT’S WHAT I’M CALLING YOU. 261 00:13:00,650 --> 00:13:03,520 SIT YOUR ASS BACK DOWN, ARTURO. 262 00:13:03,560 --> 00:13:06,030 ALL RIGHT, ALL RIGHT. I KNOW NEIL. 263 00:13:06,060 --> 00:13:08,130 BUT I DON’T WANT NO CONFUSION 264 00:13:08,160 --> 00:13:10,960 AS TO WHAT THE DEAL WAS WHEN I WAS LIVING THERE. 265 00:13:11,000 --> 00:13:13,970 ALL RIGHT. WHAT WAS THE DEAL, THEN? 266 00:13:14,000 --> 00:13:15,660 WHEN I GOT OUT OF RIKERS, 267 00:13:15,700 --> 00:13:17,900 NEIL GAVE ME A PLACE TO CRASH. THAT’S IT. 268 00:13:17,940 --> 00:13:21,480 55‐YEAR‐OLD RICH GAY GUY TAKES IN AN EX‐CON, 269 00:13:21,510 --> 00:13:23,410 SO YOU WERE, WHAT, GIVING HIM CAREER ADVICE? 270 00:13:23,440 --> 00:13:25,140 I SAID I’M NO MARICóN. 271 00:13:25,180 --> 00:13:27,550 ARTURO, WE’RE GONNA FIND OUT WHAT HAPPENED, 272 00:13:27,580 --> 00:13:30,250 SO IF YOU START TO LIE ABOUT ONE THING‐‐ 273 00:13:30,280 --> 00:13:33,350 WHEN I GOT OUT, ME AND MY GIRL WEREN’T TALKING, AND I DIDN’T HAVE ANYWHERE TO GO, 274 00:13:33,380 --> 00:13:35,080 SO I STAYED AT NEIL’S TILL I GOT ON MY FEET. 275 00:13:35,120 --> 00:13:37,890 A WEEK INTO IT, HE COMES IN MY ROOM AND CLIMBS IN BED. 276 00:13:37,920 --> 00:13:39,890 STARTS RUBBING DOWN THERE. 277 00:13:39,920 --> 00:13:42,260 I GET IT NOW, MAN. NOTHING IS FOR FREE. 278 00:13:42,290 --> 00:13:45,060 SO I CLOSE MY EYES AND PRETEND IT’S MY GIRL. 279 00:13:45,100 --> 00:13:46,200 WHY’D YOU MOVE OUT? 280 00:13:46,230 --> 00:13:48,030 COMES INTO MY ROOM LAST WEEK, 281 00:13:48,070 --> 00:13:50,340 AND I SEE HIM TEAR OPEN A CONDOM. 282 00:13:50,370 --> 00:13:52,730 I TOLD HIM TO STEP, AND I GOT OUTTA THERE! 283 00:13:52,770 --> 00:13:55,040 HAVEN’T SEEN HIM SINCE. 284 00:13:55,070 --> 00:13:57,040 HOW’D YOU AND NEIL MEET IN THE FIRST PLACE? 285 00:13:57,080 --> 00:13:59,690 WHILE I WAS STILL IN RIKERS, THROUGH A HOMEBOY‐‐ 286 00:13:59,710 --> 00:14:01,880 HIDALGO TAVAREZ. 287 00:14:01,910 --> 00:14:03,780 WHAT’S HIDALGO’S CONNECTION TO NEIL? 288 00:14:03,820 --> 00:14:06,120 I DON’T KNOW, MAN. THEY’RE PEN PALS OR SOMETHING. 289 00:14:06,150 --> 00:14:07,680 ANYWAY, WHEN I WAS BEING RELEASED, 290 00:14:07,720 --> 00:14:09,550 HIDALGO KNEW ABOUT MY SITUATION, 291 00:14:09,590 --> 00:14:12,590 SO HE TOLD ME TO RING UP NEIL WHEN I GOT OUT. AND THAT’S WHAT I DID. 292 00:14:12,620 --> 00:14:14,120 SO, WE’RE NOT GONNA FIND ANY EVIDENCE 293 00:14:14,160 --> 00:14:16,190 OF YOU BEING AT NEIL’S LAST NIGHT? NOPE. 294 00:14:16,230 --> 00:14:19,200 YOU DIDN’T GO BACK THERE TO GET ANOTHER HANDOUT, NO. 295 00:14:19,230 --> 00:14:21,730 TO CLOSE YOUR EYES AND PRETEND HE WAS YOUR GIRL AGAIN? 296 00:14:21,770 --> 00:14:24,140 I TOLD YOU I’M NOT A HOMO! SURE, YOU ARE. 297 00:14:25,600 --> 00:14:27,700 YOU TAKE CARE OF BUSINESS LAST NIGHT, ARTURO? 298 00:14:27,740 --> 00:14:30,470 I WAS WITH MY GIRL. YEAH? WE’LL SEE ABOUT THAT. 299 00:14:30,510 --> 00:14:32,310 SIT DOWN. 300 00:14:32,340 --> 00:14:34,180 GIVE US HER INFORMATION. 301 00:14:35,910 --> 00:14:38,910 [ TELEPHONE RINGS, INDISTINCT CONVERSATIONS ] 302 00:14:38,950 --> 00:14:41,750 JOHN, WOULD YOU MIND GETTING MR. BOSHAM HERE SITUATED 303 00:14:41,790 --> 00:14:43,960 IN INTERVIEW 3‐‐ MAYBE GET HIM SOME COFFEE? 304 00:14:43,990 --> 00:14:45,650 HOW DO YOU TAKE IT? 305 00:14:45,690 --> 00:14:48,860 BLACK, BUT ONLY SANKA, AND IF NOT SANKA, THEN TEA. 306 00:14:52,860 --> 00:14:54,660 ALL RIGHT... 307 00:14:56,270 --> 00:14:58,610 TIMOTHY BOSHAM. OUR D. O. A. KIM WALKER‐‐ 308 00:14:58,640 --> 00:15:00,250 HER DOWNSTAIRS NEIGHBOR. 309 00:15:00,270 --> 00:15:02,300 WHATEVER HAPPENED TO SHAKEDOWN? 310 00:15:02,340 --> 00:15:03,470 NOWHERE TO BE FOUND. 311 00:15:03,510 --> 00:15:05,180 HE WAS LOCKED UP IN JERSEY‐‐ 312 00:15:05,210 --> 00:15:07,140 DRUNK AND DISORDERLY‐‐ LATE LAST NIGHT. 313 00:15:07,180 --> 00:15:09,480 SO, HE’S OFF THE LIST. WHAT’S WITH BOSHAM? 314 00:15:09,510 --> 00:15:11,410 WE GOT A CALL BACK FROM ANOTHER TENANT IN THE BUILDING‐‐ 315 00:15:11,450 --> 00:15:13,150 SAID WALKER AND BOSHAM DIDN’T GET ALONG. 316 00:15:13,180 --> 00:15:15,520 SAID BOSHAM USED TO LEAVE NOTES ON HER DOOR. 317 00:15:15,550 --> 00:15:17,850 WE WENT TO HER PLACE, FOUND A WHOLE FILE’S WORTH. 318 00:15:17,890 --> 00:15:20,260 HAS BOSHAM GOT A RECORD? NO, NOTHING. 319 00:15:20,290 --> 00:15:21,920 VERY PARTICULAR MAN. 320 00:15:21,960 --> 00:15:23,190 SEE WHERE IT GOES. 321 00:15:25,400 --> 00:15:27,140 ANY CALLS FROM JOHN’S DAD? 322 00:15:27,170 --> 00:15:28,670 NOTHING THROUGH HERE. 323 00:15:28,700 --> 00:15:30,630 HE DOESN’T KNOW JOHN’S OUT? 324 00:15:30,670 --> 00:15:33,370 HE’S NOT HOME, AND HIS CELL’S OFF. 325 00:15:33,400 --> 00:15:35,440 DID YOU LEAVE MESSAGES? ALL OVER. 326 00:15:35,470 --> 00:15:37,840 LET’S MOVE ON. WE GOT HIGHER PRIORITIES. 327 00:15:43,720 --> 00:15:46,660 JUST A COUPLE OF FOLLOW‐UP QUESTIONS, MR. BOSHAM. 328 00:15:46,690 --> 00:15:48,460 SHOULDN’T TAKE LONG. 329 00:15:48,490 --> 00:15:50,260 GOOD. TRASH CAN? 330 00:15:53,090 --> 00:15:54,990 HOW’D YOU GET ALONG WITH KIM WALKER? 331 00:15:56,830 --> 00:15:58,490 FINE. 332 00:15:58,530 --> 00:16:00,700 DIDN’T LIVE TOO LOUD FOR YOUR TASTE? 333 00:16:00,730 --> 00:16:03,460 HER LEVELS COULD BE A LITTLE... 334 00:16:03,500 --> 00:16:04,570 IRKSOME. 335 00:16:04,600 --> 00:16:08,170 LOUD STEREO, PEOPLE TALKING? 336 00:16:08,210 --> 00:16:10,880 SHE USED HER APARTMENT FOR A MEETING HALL. 337 00:16:10,910 --> 00:16:12,810 YOU EVER HAVE WORDS WITH HER ABOUT IT? 338 00:16:12,840 --> 00:16:15,080 WHY ARE WE HAVING THIS CONVERSATION? 339 00:16:15,110 --> 00:16:17,150 YOU LEFT HER A LOT OF NASTY NOTES. 340 00:16:17,180 --> 00:16:19,750 "PLEASE KEEP YOUR MUSIC AT A RESPECTABLE LEVEL"? 341 00:16:19,780 --> 00:16:21,880 THAT’S NASTY? 342 00:16:21,920 --> 00:16:24,390 "WELL, THE NOISE LEVEL OF LAST NIGHT’S MEETING 343 00:16:24,420 --> 00:16:27,560 "ONLY SERVED TO PROVE YOU’RE NOT ONLY AS ATTRACTIVE AS A GORILLA, 344 00:16:27,590 --> 00:16:29,990 YOU’RE JUST AS CONSCIENTIOUS." THAT WAS A JOKE. 345 00:16:30,030 --> 00:16:32,360 OH, THEY’RE FIGHTING WORDS. TRUST ME. 346 00:16:32,400 --> 00:16:35,410 THAT WAS AN OUTRAGEOUSLY LOUD EVENING. 347 00:16:35,430 --> 00:16:37,370 DID SHE HAVE ANOTHER ONE LAST NIGHT? 348 00:16:37,400 --> 00:16:39,670 I WOULDN’T KNOW. I WAS AT MY MOTHER’S. 349 00:16:39,700 --> 00:16:41,340 YOU DIDN’T PAY HER ANY KIND OF VISIT? NO. 350 00:16:41,370 --> 00:16:43,400 WE’LL FIND OUT IF YOU DID. 351 00:16:43,440 --> 00:16:45,510 [ CHUCKLES ] 352 00:16:45,540 --> 00:16:47,580 ARE YOU... 353 00:16:47,610 --> 00:16:49,910 ACTUALLY ACCUSING ME 354 00:16:49,950 --> 00:16:52,050 OF KILLING ANOTHER HUMAN BEING? 355 00:16:52,080 --> 00:16:53,920 IT’S CLEAR YOU’RE A GUY WITH A TEMPER. 356 00:16:53,950 --> 00:16:56,280 IF IT GOT AWAY FROM YOU, TELL US NOW 357 00:16:56,320 --> 00:16:59,450 BEFORE WE START LOOKING AT YOU FOR PLANNING SOMETHING OUT. 358 00:16:59,490 --> 00:17:03,020 OH, PLEASE. I DIDN’T KILL KIM WALKER. 359 00:17:03,060 --> 00:17:06,090 I TOLD YOU‐‐ THIRD TIME NOW‐‐ 360 00:17:06,130 --> 00:17:09,160 I WAS AT MY MOTHER’S IN NYACK. 361 00:17:11,070 --> 00:17:13,070 [ TELEPHONE RINGS, INDISTINCT CONVERSATIONS ] 362 00:17:13,100 --> 00:17:14,700 ANYTHING ON HIM? 363 00:17:14,740 --> 00:17:16,100 CHECK HIS ALIBI. 364 00:17:16,140 --> 00:17:18,070 HE’S A REAL WHACK JOB, THOUGH. 365 00:17:18,110 --> 00:17:20,610 A WHACK JOB WHO’S GONNA LOSE HIS TEETH. 366 00:17:20,650 --> 00:17:22,790 DETECTIVE CLARK, YOUR FATHER’S DOWNSTAIRS. 367 00:17:22,810 --> 00:17:24,880 HE GATHERED ALL THE UNIFORMS AROUND 368 00:17:24,920 --> 00:17:26,420 AND SAID HE WANTED TO MAKE AN ANNOUNCEMENT. 369 00:17:26,450 --> 00:17:27,650 I THINK HE’S BEEN DRINKING. 370 00:17:32,660 --> 00:17:35,270 HE’S A GOOD KID, GOOD SON, 371 00:17:35,290 --> 00:17:38,390 BUT IF THAT DOESN’T MAKE ANY DIFFERENCE, HE IS A GOOD COP. 372 00:17:38,430 --> 00:17:39,490 OH, MAN. 373 00:17:39,530 --> 00:17:40,760 THERE’S GUYS IN THIS PRECINCT 374 00:17:40,800 --> 00:17:42,330 TRIED TO RUIN HIS CAREER, 375 00:17:42,370 --> 00:17:44,180 TRIED TO RUIN HIS LIFE WITH SOME RUMORS! 376 00:17:44,200 --> 00:17:45,730 COME ON, DAD, COME ON. THAT ENDS NOW. 377 00:17:45,770 --> 00:17:46,940 JOHN IS NOT WITH INTERNAL AFFAIRS. 378 00:17:46,970 --> 00:17:48,940 I AM! 379 00:17:48,970 --> 00:17:52,740 I PUT IN MY PAPERS, SO DON’T WORRY ABOUT THAT. 380 00:17:52,780 --> 00:17:54,620 IF YOU HAVE A PROBLEM, TAKE IT UP WITH ME, 381 00:17:54,650 --> 00:17:57,420 BUT YOU LEAVE MY SON ALONE! HE DIDN’T DO NOTHING! 382 00:17:57,450 --> 00:17:58,780 YOU LEAVE HIM ALONE! 383 00:18:11,660 --> 00:18:13,330 HIS DAD MEANT WELL. 384 00:18:13,360 --> 00:18:15,000 YEAH, SO DID CUSTER. 385 00:18:15,030 --> 00:18:16,770 WHERE’S JONES AND MEDAVOY? 386 00:18:16,800 --> 00:18:19,170 THEY’RE BRINGING IN THIS LEVAR RUSH. 387 00:18:19,200 --> 00:18:21,040 CRIME SCENE LIFTED HIS PRINTS IN KIM WALKER’S APARTMENT. 388 00:18:21,070 --> 00:18:24,010 LEVAR’S GOT TIES TO THE SECOND AVENUE PREDS‐‐ 389 00:18:24,040 --> 00:18:27,140 SAME GANG THAT WAS HASSLING THE D. O. A. 390 00:18:27,180 --> 00:18:28,610 UH, SORRY ABOUT ALL THAT. 391 00:18:28,650 --> 00:18:29,590 DON’T WORRY ABOUT IT. 392 00:18:31,150 --> 00:18:33,180 WHAT’S GOING ON WITH OUR CASE? 393 00:18:33,220 --> 00:18:35,630 ARTURO’S ALIBI PANNED OUT. I KICKED HIM 10 MINUTES AGO. 394 00:18:35,650 --> 00:18:37,490 HOW ABOUT THIS GUY HIDALGO AT RIKERS 395 00:18:37,520 --> 00:18:39,150 WHO ARTURO SAID HOOKED HIM UP WITH THE D. O. A.? 396 00:18:39,190 --> 00:18:41,020 GOT LIFE FOR KILLING HIS GIRLFRIEND’S EX. 397 00:18:41,060 --> 00:18:42,920 LET’S GO TALK TO HIM. 398 00:18:47,330 --> 00:18:50,230 FULL DAY. 399 00:18:50,270 --> 00:18:51,830 YOU GET YOUR DAD HOME ALL RIGHT? 400 00:18:51,870 --> 00:18:54,300 YEAH, GOT HIM IN A CAB. 401 00:18:54,340 --> 00:18:56,070 HEY, YOU OKAY? 402 00:18:56,110 --> 00:18:58,720 FINE. LET’S HIT IT. 403 00:19:01,110 --> 00:19:04,050 SO, IT SAYS HERE THAT YOU WERE SENTENCED TO THREE YEARS 404 00:19:04,080 --> 00:19:06,410 IN WALLKILL FOR ROBBERY‐ASSAULT, LEVAR. 405 00:19:07,950 --> 00:19:09,820 AND YOU DID EVERY DAY OF IT. 406 00:19:09,850 --> 00:19:12,150 YEAH. 407 00:19:12,190 --> 00:19:14,390 SOMEONE INSIDE YOU DON’T GET ALONG WITH? OR YOU JUST LIKE FIGHTIN’? 408 00:19:14,430 --> 00:19:16,670 I ONLY GET SO MUCH OUT OF HOOPS AND BENCH PRESS. 409 00:19:16,700 --> 00:19:18,870 YOU’RE A FUNNY MAN. 410 00:19:18,900 --> 00:19:22,270 YOU RUN WITH THE SECOND AVENUE PREDS? I DON’T RUN WITH A GANG. 411 00:19:22,300 --> 00:19:23,730 THAT’S NOT WHAT OUR GANG UNIT SAYS. 412 00:19:23,770 --> 00:19:25,370 THEY’RE WRONG. 413 00:19:25,400 --> 00:19:28,540 YOU EVER BEEN BY AN APARTMENT BUILDING 414 00:19:28,570 --> 00:19:30,370 AT 1820 AVENUE B? 415 00:19:30,410 --> 00:19:32,010 DOUBT IT. 416 00:19:32,040 --> 00:19:33,680 YOU KNOW A WOMAN NAMED KIM WALKER? 417 00:19:33,710 --> 00:19:35,510 NO. 418 00:19:35,550 --> 00:19:38,460 RAN AN ANTI‐GANG PROGRAM GETTING FEMALE BANGERS OUTTA THE LIFE. 419 00:19:38,480 --> 00:19:40,250 DOESN’T RING ANY BELLS? 420 00:19:40,280 --> 00:19:42,080 IT DOES NOT. WHAT’S UP? 421 00:19:42,120 --> 00:19:44,220 KIM WALKER WAS MURDERED EARLY THIS MORNING, 422 00:19:44,260 --> 00:19:46,200 AND YOUR FINGERPRINTS ARE IN HER APARTMENT. 423 00:19:46,220 --> 00:19:48,390 WHAT DID YOU SAY THAT ADDRESS WAS AGAIN? 424 00:19:48,430 --> 00:19:50,040 HERE WE GO. 425 00:19:50,060 --> 00:19:51,860 NO, I MIGHT HAVE BEEN THERE. 426 00:19:51,900 --> 00:19:53,970 I WAS JUST BREAKIN’ Y’ALL ASS A LITTLE. 427 00:19:54,000 --> 00:19:55,430 YEAH, WELL, YOU DONE? 428 00:19:55,470 --> 00:19:56,980 ’CAUSE WE GOT WAYS OF BREAKIN’ ASS, TOO. 429 00:19:57,000 --> 00:19:59,100 1820 AVENUE B. 430 00:19:59,140 --> 00:20:01,310 YEAH, I BEEN THERE. 431 00:20:01,340 --> 00:20:03,710 EARLY THIS MORNING? NO, A WEEK AGO. 432 00:20:03,740 --> 00:20:05,770 SHE WAS PUTTING STUFF IN MY GIRL’S HEAD. 433 00:20:05,810 --> 00:20:07,640 I WANTED TO PUT A STOP TO IT. 434 00:20:07,680 --> 00:20:10,110 DID IT GET PHYSICAL? NOTHIN’ PHYSICAL NEEDED. 435 00:20:10,150 --> 00:20:11,750 I LAID OUT MY CASE. 436 00:20:11,780 --> 00:20:14,550 SHE HEARD IT CALM AND COOL, AND I SPLIT. 437 00:20:14,590 --> 00:20:16,600 ACCOUNT FOR YOURSELF EARLIER THIS MORNING. 438 00:20:16,620 --> 00:20:18,820 I WAS IN BED WITH MY GIRL GETTING MY BAG LAPPED. 439 00:20:21,460 --> 00:20:22,920 LUCKY LADY GOT A NAME? 440 00:20:22,960 --> 00:20:24,590 DREDA LOPEZ. 441 00:20:28,500 --> 00:20:31,500 IS THERE A PROBLEM? 442 00:20:31,540 --> 00:20:34,450 YOU’RE STICKING AROUND. 443 00:20:34,470 --> 00:20:36,670 WHAT’S UP, YO? 444 00:20:43,050 --> 00:20:45,290 DETECTIVES SIPOWICZ AND CLARK. 445 00:20:45,320 --> 00:20:47,590 WHAT’S GOIN’ ON? THANKS FOR TALKING TO US. 446 00:20:47,620 --> 00:20:48,850 NO PROBLEM. 447 00:20:48,890 --> 00:20:50,360 WHAT PRECINCT YOU GUYS FROM? 448 00:20:50,390 --> 00:20:51,490 15th. 449 00:20:51,520 --> 00:20:53,120 OH, YEAH. OKAY. 450 00:20:53,160 --> 00:20:54,870 YOU KNOW A NEIL MAZUR, HIDALGO? 451 00:20:54,890 --> 00:20:56,860 SURE, I KNOW NEIL. HOW? 452 00:21:00,900 --> 00:21:02,960 THIS INMATE LETTER‐WRITING‐PROGRAM THING. 453 00:21:03,000 --> 00:21:05,800 WE WROTE BACK AND FORTH. HE TOOK INTEREST IN MY CASE. 454 00:21:05,840 --> 00:21:07,810 HE’D COME DOWN AND VISIT SOMETIMES. 455 00:21:07,840 --> 00:21:09,940 YOU HOOKED HIM UP WITH AN ARTURO JIMENEZ? 456 00:21:09,970 --> 00:21:11,540 YEAH. 457 00:21:11,580 --> 00:21:13,820 MORE LIKE YOU PIMPED ARTURO OUT. 458 00:21:13,850 --> 00:21:16,720 I GOT THE HINT AFTER A WHILE NEIL WAS GAY AND LIKED LATINOS. 459 00:21:16,750 --> 00:21:18,680 GUYS I KNEW THAT WERE GETTING OUT‐‐ 460 00:21:18,720 --> 00:21:21,490 GOOD GUYS, LOOKIN’ TO MAKE IT ON THE OUTSIDE‐‐ I’D SET THEM UP WITH NEIL. 461 00:21:21,520 --> 00:21:23,650 I’D TELL THEM TO WALK AROUND WITH THEIR SHIRTS OFF 462 00:21:23,690 --> 00:21:25,620 AND HE’D GIVE THEM ROOM AND BOARD. 463 00:21:25,660 --> 00:21:27,500 ANYTHING BEYOND THAT WAS THEIR BUSINESS. 464 00:21:27,530 --> 00:21:28,870 WHAT WAS IN IT FOR YOU? 465 00:21:28,890 --> 00:21:30,490 NEIL WAS LOOKING INTO MY CASE, 466 00:21:30,530 --> 00:21:32,130 LOOKING TO MAYBE GET ME A LAWYER. 467 00:21:32,160 --> 00:21:33,900 WHY THE TRIP OUT TO RIKERS? 468 00:21:33,930 --> 00:21:35,500 NEIL GOT KILLED LAST NIGHT. 469 00:21:35,530 --> 00:21:37,730 OH, HELL. 470 00:21:39,400 --> 00:21:42,370 CAN YOU POINT US IN A DIRECTION? 471 00:21:42,410 --> 00:21:44,580 ON THE OFF CHANCE YOU HAPPEN TO BE 472 00:21:44,610 --> 00:21:46,410 A "WHAT’S IN IT FOR ME" TYPE, 473 00:21:46,440 --> 00:21:49,410 WE SAW THAT YOU’RE HEADING UP TO ATTICA IN A FEW WEEKS. 474 00:21:49,450 --> 00:21:51,690 YOU HELP US WITH WHO KILLED NEIL, 475 00:21:51,720 --> 00:21:53,220 WE’LL GET YOU TO SING SING, A LITTLE CLOSER TO THE CITY. 476 00:21:57,390 --> 00:22:01,190 JOSE RINCÓN. HE GOT OUT A MONTH AGO. 477 00:22:01,230 --> 00:22:04,440 JOSE MADE CONTACT WITH HIM WHEN HE GOT OUT 478 00:22:04,460 --> 00:22:06,030 WITHOUT ME KNOWING ABOUT IT. 479 00:22:06,060 --> 00:22:08,530 NEIL SAID JOSE WAS TRYING TO SHAKE HIM DOWN FOR MONEY. 480 00:22:08,570 --> 00:22:11,180 ALL RIGHT. IF JOSE’S THE GUY, 481 00:22:11,200 --> 00:22:13,230 WE’LL GET YOU TRANSFERRED TO SING SING. 482 00:22:13,270 --> 00:22:15,070 YOU DON’T NEED TO DO NOTHING. 483 00:22:15,110 --> 00:22:17,750 NEIL WAS GOOD TO ME. HE HELPED ME. 484 00:22:17,780 --> 00:22:19,320 THIS IS ME HELPING HIM. 485 00:22:23,250 --> 00:22:24,960 Clark: ON THE GATE! 486 00:22:29,090 --> 00:22:30,630 THIS IS GREAT. 487 00:22:30,660 --> 00:22:33,460 YOU DON’T THINK PEOPLE SAW YOU DRAGGING ME OUT OF MY PLACE? 488 00:22:33,490 --> 00:22:35,390 YOU DON’T THINK THAT’S GONNA GET BACK TO PEOPLE? 489 00:22:35,430 --> 00:22:38,440 LEVAR RUSH YOUR OLD MAN? 490 00:22:38,460 --> 00:22:42,060 SO WHAT? WHERE WAS HE LAST NIGHT? 491 00:22:42,100 --> 00:22:43,530 I DON’T KNOW. 492 00:22:43,570 --> 00:22:45,430 OUT WITH HIS BOYS. HMM. 493 00:22:45,470 --> 00:22:47,040 HE SAID HE WAS WITH YOU. 494 00:22:47,070 --> 00:22:50,640 ALL RIGHT, YEAH, YEAH. I’M GETTING THE DAYS CONFUSED. 495 00:22:50,680 --> 00:22:52,580 HE WAS WITH ME. 496 00:22:52,610 --> 00:22:55,610 HE EVER GO BY KIM WALKER’S APARTMENT? HE EVER BEEN INSIDE? 497 00:22:55,650 --> 00:22:58,420 SHE WOULDN’T LET HIM INSIDE. ’CAUSE HE THREATENED HER? 498 00:22:58,450 --> 00:23:00,950 ONE TIME HE CAME BY DURING A MEETING. 499 00:23:00,990 --> 00:23:04,300 BUT HE NEVER WENT INSIDE. HE JUST STOOD ON THE STREET. 500 00:23:04,320 --> 00:23:05,820 WHAT, READING OUT POETRY? 501 00:23:05,860 --> 00:23:10,270 SCREAMING AND THROWING BEER CANS AT HER WINDOW. 502 00:23:10,290 --> 00:23:11,890 IT HAPPENED ONCE. 503 00:23:11,930 --> 00:23:14,230 I QUIT GOING TO SEE KIM. HE LAID OFF. 504 00:23:14,270 --> 00:23:16,140 WHAT’S UP YOUR ASS ABOUT LEVAR? 505 00:23:16,170 --> 00:23:19,950 WE’RE CURIOUS HOW HIS PRINT WOUND UP IN KIM’S APARTMENT. 506 00:23:19,970 --> 00:23:23,000 HE WASN’T WITH YOU LAST NIGHT, WAS HE? I GOT THE DAYS MIXED UP. 507 00:23:23,040 --> 00:23:25,010 YOU’RE PROTECTING HIM. YOU’VE BEEN DOING IT ALL DAY. 508 00:23:25,040 --> 00:23:27,580 HOW? GIVING UP THIS SHAKEDOWN, 509 00:23:27,610 --> 00:23:29,410 WHO YOU DAMN WELL KNEW WAS LOCKED UP. 510 00:23:29,450 --> 00:23:32,160 I SWEAR TO GOD, I DIDN’T KNOW THAT. 511 00:23:32,180 --> 00:23:34,820 YOU WERE GIVING US A TAIL TO CHASE TO THROW US OFF LEVAR. 512 00:23:34,850 --> 00:23:37,090 HE WAS WITH ME LAST NIGHT. 513 00:23:37,120 --> 00:23:39,090 YOU GOT KIDS WITH HIM? 514 00:23:39,120 --> 00:23:40,920 LITTLE BOY. 515 00:23:40,960 --> 00:23:43,260 MAKES SENSE NOT WANTING TO SEND HIS DAD TO JAIL. 516 00:23:43,290 --> 00:23:45,460 BUT IS IT RIGHT, HIM GETTING AWAY WITH THIS? 517 00:23:45,500 --> 00:23:47,170 [ SIGHS ] 518 00:23:47,200 --> 00:23:49,130 MAN, COME ON. 519 00:23:49,170 --> 00:23:51,680 NO. LOOK. 520 00:23:51,700 --> 00:23:54,040 17 STAB WOUNDS. 521 00:23:54,070 --> 00:23:55,370 SHE DESERVE THAT? 522 00:23:55,410 --> 00:23:57,480 NO. 523 00:23:57,510 --> 00:23:59,610 THEN WHY ARE YOU LYING FOR THE GUY WHO DID IT? 524 00:23:59,640 --> 00:24:01,780 I GOT A WHOLE LIFE I’M INVOLVED IN. 525 00:24:01,810 --> 00:24:04,280 THE BAD ONE THAT SHE TRIED TO GET YOU OUT OF? 526 00:24:04,320 --> 00:24:07,530 I DON’T BACK UP MY MAN, 527 00:24:07,550 --> 00:24:09,820 AIN’T NOBODY GONNA LOOK ME IN THE EYE EVER AGAIN. 528 00:24:09,850 --> 00:24:12,790 THIS LADY WAS YOUR FRIEND. SHE TRIED TO HELP YOU. 529 00:24:12,820 --> 00:24:15,560 ALL YOU’RE DOING IS STICKING UP FOR THE GUY WHO KILLED HER. 530 00:24:18,000 --> 00:24:19,540 [ SNIFFLES ] 531 00:24:19,560 --> 00:24:22,000 HE WASN’T WITH YOU AT ALL LAST NIGHT? 532 00:24:22,030 --> 00:24:26,870 NOT LAST NIGHT... 533 00:24:26,910 --> 00:24:29,510 NOT THIS MORNING. 534 00:24:29,540 --> 00:24:31,340 [ CRYING ] 535 00:24:31,380 --> 00:24:33,420 SON OF A BITCH. 536 00:24:42,520 --> 00:24:44,150 YOU WANNA COME, YOU GOTTA PICK IT UP FROM ME. THAT’S‐‐ 537 00:24:44,190 --> 00:24:45,850 JOSE RINCóN? YEAH. 538 00:24:47,190 --> 00:24:48,760 GET BACK AT YOU LATER. 539 00:24:48,790 --> 00:24:51,690 WHEN WAS THE LAST TIME YOU SEEN NEIL MAZUR? 540 00:24:51,730 --> 00:24:54,760 DON’T KNOW NO NEIL MAZUR, AT LEAST BY NAME. 541 00:24:54,800 --> 00:24:57,070 THE OLD GAY GUY YOU FOUND THROUGH HIDALGO TAVAREZ. 542 00:24:57,100 --> 00:25:00,070 OKAY, NOW, HIDALGO‐‐ HIM I KNOW. 543 00:25:00,100 --> 00:25:03,500 I THINK YOU KNOW MORE THAN THAT. LET’S TALK AT THE STATION HOUSE. 544 00:25:03,540 --> 00:25:06,240 YOU GUYS HASSLING ME BECAUSE OF WHAT HIDALGO TAVAREZ TOLD YOU? 545 00:25:06,280 --> 00:25:09,020 YOU IN BUSINESS WITH A SNAKE. ALL HE DO IS PLAY PEOPLE. 546 00:25:09,050 --> 00:25:10,860 WE’LL TALK ABOUT IT DOWN THERE. 547 00:25:10,880 --> 00:25:13,350 ME AND HIDALGO WENT AT IT IN RIKERS. 548 00:25:13,380 --> 00:25:15,180 HE’S HAD A HARD‐ON FOR ME EVER SINCE. 549 00:25:15,220 --> 00:25:18,050 NOW, I NEVER HEARD OF NO NEIL WHATEVER HIS NAME IS. 550 00:25:18,090 --> 00:25:19,690 LET’S GO. I DIDN’T DO NOTHING. 551 00:25:19,720 --> 00:25:21,760 COME ON. 552 00:25:21,790 --> 00:25:23,420 [ TIRES SCREECH, HORN HONKS ] 553 00:25:23,460 --> 00:25:25,230 [ SIREN WAILING IN DISTANCE ] 554 00:25:25,260 --> 00:25:26,560 OHH! 555 00:25:26,600 --> 00:25:28,300 GET YOUR HANDS UP. 556 00:25:28,330 --> 00:25:30,630 YEAH, MOST GUYS WHO DON’T DO NOTHING TEND TO RUN. 557 00:25:30,670 --> 00:25:33,700 THAT’S WHY I RAN. I OWE TIME. 558 00:25:33,740 --> 00:25:35,870 I KNEW YOU GUYS WOULD FIND IT IF YOU SEARCHED ME. 559 00:25:35,910 --> 00:25:37,420 PLANNING AHEAD‐‐ THAT’S GOOD, JOSE. 560 00:25:37,440 --> 00:25:40,110 DO YOUR THING, MAN. SEND ME TO RIKERS. 561 00:25:40,140 --> 00:25:42,810 GONNA HAVE A CONVERSATION WITH HIDALGO. 562 00:25:47,990 --> 00:25:49,660 COME ON. 563 00:25:49,690 --> 00:25:53,220 NO, MAN, WHAT’S UP? WHAT Y’ALL SO FREAKED OUT ABOUT? 564 00:25:53,260 --> 00:25:55,070 WE TALKED TO DREDA. 565 00:25:55,090 --> 00:25:57,230 YOU WEREN’T WITH HER LAST NIGHT. 566 00:25:57,260 --> 00:25:59,930 THAT BITCH AIN’T BACKIN’ ME UP? 567 00:25:59,960 --> 00:26:01,900 BITCH IS LYING. 568 00:26:01,930 --> 00:26:05,230 THAT’S HOW YOU’RE GONNA PUT IT TO THE JUDGE? "BITCH IS LYIN’"? 569 00:26:05,270 --> 00:26:07,570 YOU NEED A SYMPATHETIC ANGLE, LEVAR. 570 00:26:07,610 --> 00:26:10,850 I’D START WITH THE IDEAS KIM WAS PUTTING IN DREDA’S HEAD 571 00:26:10,880 --> 00:26:13,020 AND HOW THAT WAS THREATENING YOUR MANHOOD. 572 00:26:13,040 --> 00:26:14,780 YOU CALLIN’ ME A PUNK? 573 00:26:14,810 --> 00:26:17,480 KIM PROMOTED EDUCATION, RIGHT? THAT DON’T MAKE ME A PUNK. 574 00:26:17,520 --> 00:26:20,590 WHEN DREDA’S IN SCHOOL, WHO’S MAKING THE MEALS? 575 00:26:20,620 --> 00:26:22,920 WERE YOU PUTTING ON THE APRON? HELL, NO. 576 00:26:22,950 --> 00:26:24,820 BUT THAT’S WHAT KIM EXPECTED, RIGHT‐‐ 577 00:26:24,860 --> 00:26:27,800 A WHOLE "DIVISION OF LABOR" TYPE THING 578 00:26:27,830 --> 00:26:31,140 THAT DOESN’T EXACTLY FLY IN YOUR SOCIAL STRUCTURE. 579 00:26:31,160 --> 00:26:33,260 YOU’RE THE MAN. YOU BRING HOME THE DOUGH. 580 00:26:33,300 --> 00:26:35,640 BUT KIM DIDN’T GET THAT. IT GOT VIOLENT. 581 00:26:35,670 --> 00:26:37,640 I TOLD YOU‐‐ HER AND ME‐‐ 582 00:26:37,670 --> 00:26:39,530 WE HAD A CONVERSATION ABOUT THAT. 583 00:26:39,570 --> 00:26:41,540 YELLING FROM THE STREET ISN’T A CONVERSATION. 584 00:26:41,570 --> 00:26:43,500 WE’RE TALKING ABOUT GOING TO HER PLACE THIS MORNING. 585 00:26:43,540 --> 00:26:45,210 I WASN’T THERE. IT WASN’T ME. 586 00:26:45,240 --> 00:26:46,710 WE’RE PAST THAT. 587 00:26:46,750 --> 00:26:49,050 THE QUESTION NOW IS "HOW DID IT GO BAD"? 588 00:26:49,080 --> 00:26:50,810 IT WASN’T ME. 589 00:26:50,850 --> 00:26:53,720 "IT WASN’T ME" AND "BITCH IS LYIN’" IS A SORRY DEFENSE, 590 00:26:53,750 --> 00:26:56,550 BUT IF THAT’S WHAT YOU WANT TO GO WITH, YOU’RE GOING IN THE CELLS. 591 00:26:56,590 --> 00:26:58,320 WE’LL GET THE D. A. GET ON YOUR FEET. 592 00:26:58,360 --> 00:26:59,970 Y’ALL LOCKIN’ ME UP? 593 00:26:59,990 --> 00:27:02,060 YOU LIED ABOUT YOUR ALIBI, YOUR PRINTS ARE IN HER APARTMENT, 594 00:27:02,090 --> 00:27:03,490 SO, YEAH, I’D SAY SO. 595 00:27:03,530 --> 00:27:05,740 WHOA, WHOA, WHOA, WHOA, WHOA, WHOA. 596 00:27:05,760 --> 00:27:07,160 CAN I ASK A QUESTION? 597 00:27:07,200 --> 00:27:09,500 SAY SOMEBODY WAS INVOLVED BUT HE WAS PUT UP TO IT. 598 00:27:09,530 --> 00:27:11,870 IS THERE A WAY TO DEFER THE PROSECUTION? 599 00:27:11,900 --> 00:27:13,670 "DEFER THE PROSECUTION"‐‐ 600 00:27:13,710 --> 00:27:15,980 YOU MEAN, LIKE, SPREAD THE BLAME AROUND? 601 00:27:16,010 --> 00:27:17,750 SAY SOMEONE GOT A KEY TO AN APARTMENT. 602 00:27:17,780 --> 00:27:21,150 THE PERSON WHO GAVE HIM THE KEY‐‐ THEY GET SOME, TOO? 603 00:27:21,180 --> 00:27:24,010 YEAH, THEY MIGHT GET MOST OF THE PROSECUTION. 604 00:27:24,050 --> 00:27:27,080 BUT THAT’S ONLY WITH A FULL DISCLOSURE OF WHAT HAPPENED, 605 00:27:27,120 --> 00:27:29,020 OR YOU GET THE WHOLE PROSECUTION. 606 00:27:29,050 --> 00:27:31,250 WHO GAVE YOU THE KEY TO KIM WALKER’S APARTMENT? 607 00:27:31,290 --> 00:27:33,720 DOWNSTAIRS NEIGHBOR‐‐ A WHITE GUY. 608 00:27:33,760 --> 00:27:35,590 TIMOTHY BOSHAM? 609 00:27:35,630 --> 00:27:39,570 I WASN’T DOING JACK. I WAS BUYING JUICE IN A BODEGA. 610 00:27:39,600 --> 00:27:43,670 WHITENESS ROLLS UP, OFFERING ME A KEY TO THIS LADY APARTMENT. 611 00:27:43,700 --> 00:27:45,330 WHY? 612 00:27:45,370 --> 00:27:47,000 HE SAW ME YELLING FROM THE STREET THAT TIME 613 00:27:47,040 --> 00:27:48,770 AND SAID WE HAD A MUTUAL INTEREST 614 00:27:48,810 --> 00:27:50,680 IN SEEING HER RUN OFF. 615 00:27:50,710 --> 00:27:52,770 HE ALSO SAID SHE HAD NICE STUFF IN HER CRIB. 616 00:27:52,810 --> 00:27:54,710 HE SAID SMASH THE PLACE UP 617 00:27:54,750 --> 00:27:57,290 AND WRITE "GET YOUR ASS OUT" ON THE WALL," 618 00:27:57,320 --> 00:27:59,960 AND TAKE HER STUFF. ALL GOOD. 619 00:27:59,980 --> 00:28:02,120 BUT HOW’D SHE END UP WITH ALL THOSE STAB WOUNDS? 620 00:28:02,150 --> 00:28:04,620 BITCH WALKED IN ON ME IN THE MIDDLE OF IT. 621 00:28:04,660 --> 00:28:07,570 I SAID, "SIT DOWN." SHE SAID, "NO." 622 00:28:07,590 --> 00:28:11,360 I SAID, "SIT YOUR ASS DOWN." SHE SLAPPED MY FACE. 623 00:28:11,400 --> 00:28:14,770 BLAME IT ON HER STRONG WILL. BITCH WOULDN’T LISTEN TO REASON. 624 00:28:14,800 --> 00:28:17,530 CAN YOU STOP CALLING HER "BITCH" LONG ENOUGH TO GET IT ON PAPER? 625 00:28:17,570 --> 00:28:20,370 AND THE PROSECUTION GETS DEFERRED? 626 00:28:20,400 --> 00:28:23,870 YEAH. WE’LL LOOK INTO IT. 627 00:28:23,910 --> 00:28:25,470 START WRITING. 628 00:28:32,850 --> 00:28:34,420 ABOUT JOSE? 629 00:28:34,450 --> 00:28:37,150 YEAH, THE SAME JOSE RINCóN 630 00:28:37,190 --> 00:28:39,050 WHO SHANKED YOU IN THE SHOWER THREE MONTHS AGO. 631 00:28:39,090 --> 00:28:41,120 SO? 632 00:28:41,160 --> 00:28:43,990 SO, WE CAN’T HELP FEELING A LITTLE WORKED HERE, HIDALGO, 633 00:28:44,030 --> 00:28:46,260 LIKE YOU HAD US GO LOCK UP ONE OF YOUR ENEMIES 634 00:28:46,300 --> 00:28:50,180 WHO HAD NOTHING TO DO WITH HOW NEIL MAZUR GOT KILLED. 635 00:28:50,200 --> 00:28:52,330 I HAD A BEEF WITH JOSE. THAT’S NO LIE. 636 00:28:52,370 --> 00:28:54,800 BUT HE DID MESS WITH NEIL WHEN HE GOT OUT. 637 00:28:54,840 --> 00:28:56,810 IF JOSE IS SAYING DIFFERENT, HE’S LYING TO SAVE HIS ASS. 638 00:28:56,840 --> 00:28:58,940 JOSE ALIBIS OUT FOR LAST NIGHT. 639 00:28:58,980 --> 00:29:00,090 HE DIDN’T KILL NEIL. 640 00:29:00,110 --> 00:29:01,440 I DIDN’T TELL YOU HE DID IT. 641 00:29:01,480 --> 00:29:03,280 I SAID HE’S SOMEONE YOU SHOULD LOOK AT. 642 00:29:03,310 --> 00:29:05,250 Clark: WE CHECKED INTO YOUR CASE. 643 00:29:05,280 --> 00:29:07,250 THE D. A. SAID THAT YOU HAD AN APPEAL 644 00:29:07,290 --> 00:29:08,660 THAT WAS DISMISSED A FEW MONTHS BACK. 645 00:29:08,690 --> 00:29:10,100 YOUR LAWYER WAS PAID FOR BY NEIL. 646 00:29:10,120 --> 00:29:12,450 I TOLD YOU‐‐ NEIL WAS HELPING ME OUT. 647 00:29:12,490 --> 00:29:14,360 THE D. A. SAID THAT NEIL PULLED THE PLUG ON YOUR LAWYER 648 00:29:14,390 --> 00:29:16,190 THE NIGHT BEFORE YOUR FINAL HEARING. 649 00:29:16,230 --> 00:29:17,640 I DIDN’T KNOW THAT. 650 00:29:17,660 --> 00:29:19,600 ALL I HEARD WAS I LOST THE APPEAL. 651 00:29:19,630 --> 00:29:22,700 HEY, WE KNOW THIS GOES THROUGH YOU. 652 00:29:22,730 --> 00:29:25,200 YEAH. I TUNNELED OUT, KILLED NEIL, 653 00:29:25,240 --> 00:29:28,450 TUNNELED BACK IN BEFORE BED CHECK. ARE YOU GUYS CRAZY? 654 00:29:28,470 --> 00:29:31,310 YOU PUSHED THE BUTTON ON HIM. YOU HAD ONE OF YOUR BOYS DO IT. 655 00:29:31,340 --> 00:29:32,840 THAT’S WAY OFF, MAN. 656 00:29:32,880 --> 00:29:35,150 YOU PIPELINE NEIL A BUNCH OF SHIRTLESS HISPANICS 657 00:29:35,180 --> 00:29:37,280 IN EXCHANGE FOR HIM PAYING YOUR BILLS. 658 00:29:37,320 --> 00:29:39,520 ARTURO GOES OVER THERE, HE DOESN’T PUT OUT, 659 00:29:39,550 --> 00:29:41,950 NEIL BLAMES YOU, AND HE CUTS OFF THE FINANCES. 660 00:29:41,990 --> 00:29:43,490 WAY OFF. 661 00:29:43,520 --> 00:29:47,120 LAST CHANCE, HIDALGO. YOU GOT A LIFE SENTENCE. 662 00:29:47,160 --> 00:29:49,960 YOU POINT US IN THE RIGHT DIRECTION, WE’LL TRANSFER YOU TO SING SING. 663 00:29:49,990 --> 00:29:51,660 THAT’S A HALF‐HOUR FROM NEW YORK 664 00:29:51,700 --> 00:29:53,370 INSTEAD OF FIVE HOURS AWAY LIKE ATTICA. 665 00:29:53,400 --> 00:29:55,340 ATTICA’S FINE WITH ME. 666 00:29:55,370 --> 00:29:58,340 I HAVE AN AUNT AND UNCLE WHO LIVE UPSTATE 667 00:29:58,370 --> 00:30:01,070 THAT MY FAMILY CAN STAY WITH WHEN THEY VISIT. 668 00:30:01,110 --> 00:30:03,380 MORE IMPORTANT, I DON’T KNOW WHO KILLED NEIL. 669 00:30:03,410 --> 00:30:06,550 THIS GUY WAS MY ONLY HOPE TO GET MY CASE OVERTURNED. 670 00:30:06,580 --> 00:30:08,240 I WOULDN’T KILL MY ONLY HOPE. 671 00:30:10,250 --> 00:30:12,250 IF YOU ARE SCREWING WITH US, HIDALGO, 672 00:30:12,280 --> 00:30:14,420 YOU ARE SCREWING WITH THE WRONG COPS. 673 00:30:14,450 --> 00:30:16,550 I’M TELLING THE TRUTH. 674 00:30:16,590 --> 00:30:18,750 YOU DON’T WANT TO BELIEVE ME, THEN DON’T BELIEVE ME. 675 00:30:31,240 --> 00:30:34,450 ANTICRIME PICKED UP A GUY DRIVING YOUR D. O. A.’s CAR‐‐ 676 00:30:34,470 --> 00:30:36,770 CHRIS AGUILAR. HEARD OF HIM? 677 00:30:36,810 --> 00:30:39,110 NOT SO FAR. I’LL HIT THE COMPUTER. 678 00:30:41,080 --> 00:30:42,210 GREG AND BALDWIN? 679 00:30:42,250 --> 00:30:43,860 BRINGING IN TIMOTHY BOSHAM. 680 00:30:43,880 --> 00:30:45,950 AGUILAR WILL BE UP IN 10 MINUTES. 681 00:30:49,590 --> 00:30:51,290 YOU WANT TO COOK TONIGHT? 682 00:30:51,320 --> 00:30:53,720 THOUGHT I’D PICK SOMETHING UP. 683 00:30:53,760 --> 00:30:56,790 IT’S BEEN FOUR NIGHTS OF TAKEOUT. 684 00:30:56,830 --> 00:31:01,260 [ SIGHS ] I HAVEN’T EXACTLY HAD TIME TO COOK. 685 00:31:01,300 --> 00:31:03,430 I’VE BEEN A LITTLE BUSY. 686 00:31:03,470 --> 00:31:05,880 YOU’RE RIGHT. TAKEOUT’S FINE. 687 00:31:05,900 --> 00:31:07,740 TOMORROW WE’LL START COOKING. 688 00:31:07,770 --> 00:31:10,470 YEAH, THAT’LL BE FUN. 689 00:31:15,910 --> 00:31:18,710 HAVE TO ADMIT, MR. BOSHAM... 690 00:31:18,750 --> 00:31:21,250 YOU DON’T LOOK LIKE THE TYPE TO DO A VIOLENT MURDER. 691 00:31:21,290 --> 00:31:22,790 PARDON ME? 692 00:31:22,820 --> 00:31:25,220 WE TALKED WITH LEVAR. HE’S GIVING A STATEMENT NOW. 693 00:31:25,260 --> 00:31:27,400 WHO’S LEVAR? 694 00:31:27,430 --> 00:31:29,400 LEVAR RUSH, WHO’S CRAPPING HIS PANTS 695 00:31:29,430 --> 00:31:31,770 FROM WITNESSING YOUR DISPLAY OF PSYCHOTIC BEHAVIOR. 696 00:31:31,800 --> 00:31:34,810 WHAT THE HELL ARE YOU TALKING ABOUT? YOU KILLED KIM WALKER. 697 00:31:34,830 --> 00:31:36,400 LEVAR BEGGED YOU TO STOP, 698 00:31:36,430 --> 00:31:38,730 BUT YOU KEPT STABBING HER AND STABBING HER. 699 00:31:38,770 --> 00:31:41,000 YOU WANT TO TALK TO LEVAR? HE’S DOWNSTAIRS RIGHT NOW. 700 00:31:41,040 --> 00:31:43,100 YEAH, I WOULD LIKE TO TALK TO LEVAR, 701 00:31:43,140 --> 00:31:44,940 BECAUSE THAT’S A FLAT‐OUT LIE. 702 00:31:44,980 --> 00:31:47,250 WELL, IT MADE SENSE TO US. 703 00:31:47,280 --> 00:31:49,440 NOW, YOU HAD A CLOSE RELATIONSHIP 704 00:31:49,480 --> 00:31:52,810 WITH THE PREVIOUS TENANT, MRS. CERILLO? SHE WAS MY FRIEND. 705 00:31:52,850 --> 00:31:56,280 WE HEAR YOU WERE PRETTY UPSET WHEN SHE MOVED OUT, 706 00:31:56,320 --> 00:32:00,020 AND THE PROSPECT OF A NEW TENANT GOT YOU ALL RILED UP. 707 00:32:00,060 --> 00:32:01,820 I HAD NATURAL TREPIDATION. 708 00:32:01,860 --> 00:32:05,260 THAT LEVAR SAID EVOLVED INTO A NATURAL MURDER PLAN. 709 00:32:05,300 --> 00:32:06,770 NONSENSE. 710 00:32:06,800 --> 00:32:08,630 YOU HAD A KEY TO MRS. CERILLO’S APARTMENT. 711 00:32:08,670 --> 00:32:10,810 SO? 712 00:32:10,840 --> 00:32:12,940 THE DOOR TO KIM WALKER’S APARTMENT WAS OPENED WITH A KEY. 713 00:32:12,970 --> 00:32:14,700 LEVAR TELLS US YOU BROUGHT HIM IN 714 00:32:14,740 --> 00:32:17,470 TO DO A MINOR ROBBERY, AND THEN YOU FLIPPED OUT. 715 00:32:17,510 --> 00:32:19,680 HOW COULD I FLIP OUT 716 00:32:19,710 --> 00:32:21,980 WHEN I WAS WITH MY MOTHER IN NYACK? 717 00:32:22,010 --> 00:32:23,110 ANYONE ELSE VOUCH FOR YOU? 718 00:32:23,150 --> 00:32:24,890 NO. 719 00:32:24,920 --> 00:32:28,390 ’CAUSE MOTHERS HAVE BEEN KNOWN TO LIE FOR THEIR SONS. 720 00:32:28,420 --> 00:32:30,520 THAT WON’T STAND UP IN COURT. 721 00:32:30,560 --> 00:32:33,730 LEVAR HAS A KEY, MR. BOSHAM. WE KNOW THAT FOR CERTAIN. 722 00:32:33,760 --> 00:32:35,560 IF THERE’S ANOTHER VERSION OF THE EVENTS, 723 00:32:35,590 --> 00:32:38,230 TELL US, OR WE HAVE TO GO WITH HIS SIDE. 724 00:32:38,260 --> 00:32:43,300 IF‐‐ IF I LEFT A KEY WHERE SOMEONE FOUND IT 725 00:32:43,330 --> 00:32:45,530 AND USED IT FOR ILL, 726 00:32:45,570 --> 00:32:47,400 THAT’S TOO BAD. 727 00:32:47,440 --> 00:32:51,470 SO, YOU LEFT A KEY OUT FOR LEVAR TO USE ON HIS OWN? 728 00:32:51,510 --> 00:32:54,040 MAYBE UNDER A LOOSE PIECE OF CONCRETE 729 00:32:54,080 --> 00:32:55,540 ON ONE OF THE STAIRS. 730 00:32:55,580 --> 00:32:58,180 WHICH HE WAS TO USE FOR WHAT? THAT WAS UP TO HIM. 731 00:32:58,220 --> 00:33:01,190 DID YOU TELL HIM SHE HAD EXPENSIVE ITEMS? 732 00:33:01,220 --> 00:33:03,150 POSSIBLY. 733 00:33:03,190 --> 00:33:05,100 AND IF SOMEONE WERE TO SCARE HER, 734 00:33:05,120 --> 00:33:07,020 IT MIGHT BE MUTUALLY BENEFICIAL? 735 00:33:07,060 --> 00:33:09,690 AGAIN, POSSIBLY. 736 00:33:09,730 --> 00:33:12,190 BUT BREAK IN HER APARTMENT, STAB HER‐‐ 737 00:33:12,230 --> 00:33:16,770 GENTLEMEN, ALL I DID WAS DROP A KEY. 738 00:33:18,370 --> 00:33:20,240 MAY I LEAVE NOW? 739 00:33:20,270 --> 00:33:22,370 WE NEED IT WRITTEN DOWN. THEN WE’LL SEE. 740 00:33:22,410 --> 00:33:24,950 PEN, PAPER‐‐ THE SOONER, THE BETTER. 741 00:33:29,610 --> 00:33:32,410 DRIVING AROUND IN A DEAD MAN’S CAR, CHRIS‐‐ 742 00:33:32,450 --> 00:33:34,850 THAT’LL GET PEOPLE TALKING. I HAVE AN EXPLANATION. 743 00:33:34,890 --> 00:33:37,600 SOME GUY CAME UP AND OFFERED 200 TO GET RID OF IT, 744 00:33:37,620 --> 00:33:39,350 WHICH I WAS IN THE PROCESS OF DOING WHEN COPS PULLED ME OVER. 745 00:33:39,390 --> 00:33:41,420 YOU JUST GOT OUT OF RIKERS, DIDN’T YOU? 746 00:33:41,460 --> 00:33:43,260 YEAH, I PASSED A BAD CHECK‐‐ 747 00:33:43,290 --> 00:33:46,190 YOU WERE ON THE SAME TIER AS HIDALGO TAVAREZ? YEAH. 748 00:33:46,230 --> 00:33:48,360 WE’VE BEEN TALKING TO HIDALGO. 749 00:33:48,400 --> 00:33:50,970 WE KNOW HE’D BEEN SENDING STRAPPING, YOUNG MEN 750 00:33:51,000 --> 00:33:53,970 LIKE YOURSELF OVER TO SEE NEIL MAZUR. 751 00:33:54,010 --> 00:33:56,920 NEIL’S THE RECENTLY DEPARTED OWNER OF THE CAR YOU’RE DRIVING. 752 00:33:56,940 --> 00:33:58,440 I DON’T KNOW ANYTHING ABOUT THE OWNER. 753 00:33:58,480 --> 00:34:00,090 SURE, YOU DO. 754 00:34:00,110 --> 00:34:02,640 SOME GUY GAVE ME 200 THIS MORNING TO GET RID OF IT. 755 00:34:02,680 --> 00:34:04,450 DON’T FLOAT THAT LIE AGAIN, CHRIS. 756 00:34:04,480 --> 00:34:05,910 IT WILL NOT BE WORTH YOUR WHILE. 757 00:34:05,950 --> 00:34:08,380 TRUST ME. HIDALGO SENT YOU OVER TO NEIL’S 758 00:34:08,420 --> 00:34:10,150 SO YOU COULD GET THREE HOTS AND A COT. 759 00:34:10,190 --> 00:34:13,660 IN EXCHANGE, YOU LET NEIL TREAT YOU LIKE AN ICE CREAM CONE. 760 00:34:13,690 --> 00:34:15,490 NO, NO, HELL, NO. I DON’T DO THAT, MAN. 761 00:34:15,530 --> 00:34:17,000 HOW DO YOU THINK WE KNOW? 762 00:34:17,030 --> 00:34:19,330 FROM HIDALGO‐‐ FROM LISTENING TO HIM TALK. 763 00:34:19,360 --> 00:34:21,430 NOW, WE’RE GONNA GO BACK OVER THERE, 764 00:34:21,470 --> 00:34:23,440 AND WE’RE GONNA OFFER TO LET HIDALGO 765 00:34:23,470 --> 00:34:26,440 SEE HIS FAMILY MORE OFTEN IN EXCHANGE FOR INFO ON YOU, 766 00:34:26,470 --> 00:34:29,170 AND IF YOU DON’T THINK HE IS GONNA POUNCE, 767 00:34:29,210 --> 00:34:31,450 THEN YOU ARE DUMBER THAN YOU LOOK. 768 00:34:31,480 --> 00:34:34,590 IF HE HAS TO TELL US WHAT HAPPENED, YOU GET NO DEAL, 769 00:34:34,610 --> 00:34:37,010 BECAUSE WHEN WE SIT DOWN WITH THE D. A., THAT’S HOW IT WORKS. 770 00:34:37,050 --> 00:34:38,980 CHRIS? PSST! 771 00:34:39,020 --> 00:34:40,790 YOU FOLLOWING US HERE? 772 00:34:40,820 --> 00:34:42,680 WHEN DO YOU SIT DOWN WITH THE D. A.? 773 00:34:44,690 --> 00:34:48,090 LOOK AT IT THIS WAY. 774 00:34:48,130 --> 00:34:51,440 WE GOT TWO SEALS HERE‐‐ YOU AND HIDALGO. 775 00:34:51,460 --> 00:34:54,460 WHICHEVER ONE BARKS AND CLAPS ITS FLIPPERS‐‐ 776 00:34:54,500 --> 00:34:56,800 THAT’S THE ONE THAT GETS THE FISH. 777 00:34:56,840 --> 00:34:59,380 DO YOU WANT THE FISH OR NOT? 778 00:35:02,240 --> 00:35:04,340 YEAH. YEAH. 779 00:35:04,380 --> 00:35:06,050 WHAT HAPPENED LAST NIGHT? 780 00:35:07,750 --> 00:35:09,790 HIDALGO TOLD ME TO GO OVER TO NEIL’S APARTMENT. 781 00:35:09,810 --> 00:35:12,350 HE SAID NEIL WOULD BUZZ ME UP BECAUSE HE LIKES HISPANICS. 782 00:35:12,380 --> 00:35:14,220 I DID NOT HAVE SEX WITH THAT GUY. 783 00:35:14,250 --> 00:35:16,790 YEAH, OKAY, FINE. SO YOU GET BUZZED UP. 784 00:35:16,820 --> 00:35:20,190 HIDALGO SAID NEIL HAD A SAFE, BUT HE DIDN’T KNOW WHERE. 785 00:35:20,220 --> 00:35:23,160 HIDALGO TOLD ME HE WANTED NEIL KNOCKED AROUND REAL GOOD. 786 00:35:23,190 --> 00:35:26,060 I GUESS NEIL SCREWED HIDALGO OVER SOME LAWYER. 787 00:35:26,100 --> 00:35:28,640 IN EXCHANGE FOR THAT, I COULD HAVE WHAT WAS IN THE SAFE. 788 00:35:28,670 --> 00:35:30,340 BUT NEIL WOULDN’T GIVE UP THE SAFE, 789 00:35:30,370 --> 00:35:32,670 WHICH PISSED ME OFF EVEN MORE. 790 00:35:32,700 --> 00:35:34,170 PLUS I WAS HIGH. 791 00:35:34,210 --> 00:35:35,710 THERE’S NO SAFE IN THAT APARTMENT. 792 00:35:35,740 --> 00:35:37,740 THERE ISN’T? 793 00:35:37,780 --> 00:35:39,050 NO. 794 00:35:39,080 --> 00:35:40,750 HIDALGO SET YOU UP. 795 00:35:40,780 --> 00:35:42,740 HE JUST WANTED NEIL TO GET HURT. 796 00:35:42,780 --> 00:35:45,150 WHY’D YOU DO THIS FOR HIDALGO? 797 00:35:45,180 --> 00:35:47,850 HE GAVE ME PROTECTION WHEN I WAS IN THE JOINT. 798 00:35:49,890 --> 00:35:51,420 I OWED HIM A FAVOR. 799 00:35:56,090 --> 00:35:58,030 I FINISHED THIS 20 MINUTES AGO. 800 00:35:58,060 --> 00:35:59,660 MAY I LEAVE NOW? 801 00:35:59,700 --> 00:36:03,500 AFRAID SOMETHING’S COME UP‐‐ CRAZY THING. 802 00:36:03,530 --> 00:36:06,230 YOU EVER HEARD THE TERM "ACTING IN CONCERT"? WHY? 803 00:36:06,270 --> 00:36:08,070 IT’S A LEGAL TERM. IT MEANS LEAVING A KEY OUT 804 00:36:08,110 --> 00:36:10,580 KNOWING SOMEONE’S GONNA DO A CRIME WITH IT‐‐ 805 00:36:10,610 --> 00:36:12,340 YOU’RE JUST AS RESPONSIBLE AS THE GUY WHO DID THE CRIME. 806 00:36:12,380 --> 00:36:15,020 SO YOU’RE UNDER ARREST, MR. BOSHAM‐‐ 807 00:36:15,050 --> 00:36:17,690 CONSPIRACY TO COMMIT ROBBERY AND FELONY MURDER. 808 00:36:17,720 --> 00:36:19,020 CRAZY, HUH? 809 00:36:19,050 --> 00:36:21,780 YOU’RE JOKING. YOU’RE BOTH INSANE. 810 00:36:21,820 --> 00:36:24,050 IMAGINE AN INNER‐CITY GORILLA 811 00:36:24,090 --> 00:36:27,090 STUMBLING ONTO SOMETHING AS COMPLICATED AS THAT. 812 00:36:27,130 --> 00:36:28,770 YOU KNEW WHAT YOU WERE DOING ALL ALONG. 813 00:36:28,790 --> 00:36:30,290 YOU TRICKED ME! 814 00:36:30,330 --> 00:36:32,360 YOU’RE GIVING ME TOO MUCH CREDIT. 815 00:36:32,400 --> 00:36:34,140 I NEED TO SPEAK WITH MY MOTHER. 816 00:36:34,170 --> 00:36:35,570 LET’S GO. 817 00:36:35,600 --> 00:36:37,130 I WANT MY MOTHER RIGHT NOW. 818 00:36:37,170 --> 00:36:39,330 ON YOUR FEET, OR WE’LL DRAG YOU OUT. 819 00:36:56,590 --> 00:36:58,890 Clark: SHANNON. 820 00:36:58,920 --> 00:37:02,260 I’VE BEEN TRYING TO FIGURE OUT WHAT TO SAY‐‐ 821 00:37:02,290 --> 00:37:03,660 HOW TO THANK YOU. 822 00:37:03,700 --> 00:37:06,300 I JUST TOLD THE TRUTH. 823 00:37:06,330 --> 00:37:08,060 A LOT OF GUYS WOULD’VE TAKEN IT TO THE GRAVE. 824 00:37:08,100 --> 00:37:10,730 YEAH, I’M BEGINNING TO SEE WHY. 825 00:37:10,770 --> 00:37:12,670 THEY GONNA LET YOU STAY ON THE JOB? 826 00:37:12,700 --> 00:37:14,270 I DON’T KNOW YET. 827 00:37:14,310 --> 00:37:16,580 I’LL DO EVERYTHING I CAN‐‐ TALK TO EVERYBODY I CAN. 828 00:37:16,610 --> 00:37:17,940 THANKS. 829 00:37:17,980 --> 00:37:21,090 OH, THE OTHER COPS‐‐ FROM WHAT I’VE SEEN‐‐ 830 00:37:21,110 --> 00:37:22,740 NO ONE’S GIVING YOU HEAT? 831 00:37:22,780 --> 00:37:24,610 THEY’VE BEEN GOOD. 832 00:37:24,650 --> 00:37:27,920 PLUS THEY WEREN’T TOO SHOCKED LAUGHLIN WAS DIRTY. 833 00:37:27,950 --> 00:37:29,790 I SHOULD GET HOME. 834 00:37:29,820 --> 00:37:31,850 I JUST WANT YOU TO KNOW... 835 00:37:31,890 --> 00:37:34,490 I WOULD HAVE DONE THE SAME FOR YOU. 836 00:37:34,530 --> 00:37:36,870 I’VE THOUGHT ABOUT THAT. 837 00:37:36,900 --> 00:37:39,200 THAT’S WHAT MADE ME STEP UP. 838 00:38:09,830 --> 00:38:12,790 CHRIS AGUILAR GAVE YOU UP. SAID HE OWED YOU A FAVOR. 839 00:38:12,830 --> 00:38:15,560 THAT’S CRAZY. YOU TELL CHRIS‐‐ 840 00:38:17,070 --> 00:38:19,740 [ LAUGHING ] 841 00:38:19,770 --> 00:38:22,470 OKAY, YOU GOT ME. I’VE BEEN A BAD BOY. 842 00:38:22,510 --> 00:38:25,020 I’LL MAKE SURE I DON’T EAT DESSERT TONIGHT. 843 00:38:25,040 --> 00:38:26,470 I KNOW ABOUT FAVORS. 844 00:38:26,510 --> 00:38:28,740 OH, YOU DO, HUH? 845 00:38:28,780 --> 00:38:31,210 YEAH. WHEN I WAS IN UNIFORM, I WAS PARTNERED WITH THIS GUY, 846 00:38:31,250 --> 00:38:33,010 KURT KREITZER. 847 00:38:33,050 --> 00:38:35,650 WE WERE LOOKING FOR A GUY WHO HELD UP A LIQUOR STORE. 848 00:38:35,690 --> 00:38:38,360 KURT THOUGHT HE SAW SOMEONE, SO HE FIRES A SHOT. 849 00:38:38,390 --> 00:38:40,420 TURNS OUT IT WAS A WOMAN‐‐ A CIVILIAN. 850 00:38:40,460 --> 00:38:43,060 WOW, FASCINATING. THE WOMAN WAS GRAZED, 851 00:38:43,090 --> 00:38:45,030 AND I TALKED HER OUT OF FILING A COMPLAINT. 852 00:38:45,060 --> 00:38:47,730 AFTER THAT, KURT WAS TOO SKITTISH TO BE A COP, 853 00:38:47,770 --> 00:38:50,740 BUT HE OWED ME A FAVOR. LISTEN, TODAY WAS GREAT. 854 00:38:50,770 --> 00:38:53,270 I HAVEN’T HAD THIS MUCH FUN SINCE I DON’T KNOW WHEN. 855 00:38:53,300 --> 00:38:56,370 HIDALGO, YOU’VE BEEN GIVING ME THE RUNAROUND ALL DAY. 856 00:38:56,410 --> 00:38:58,520 YOU HAD SOMEBODY KILLED. AT LEAST HEAR MY STORY. 857 00:38:58,540 --> 00:39:01,040 SCREW YOUR STORY, SCREW YOUR BUDDY KURT, 858 00:39:01,080 --> 00:39:02,610 AND SCREW YOU. 859 00:39:02,650 --> 00:39:05,720 HE WANTED A JOB WHERE HE KNEW WHO THE GOOD GUYS WERE 860 00:39:05,750 --> 00:39:07,350 AND WHO THE BAD GUYS WERE. 861 00:39:07,390 --> 00:39:09,060 OH, I GET IT. 862 00:39:09,090 --> 00:39:11,560 YOU CAME BACK BECAUSE YOU WANT WHAT NEIL WANTED‐‐ 863 00:39:11,590 --> 00:39:13,190 SOME YOUNG LATIN BOYS‐‐ 864 00:39:13,220 --> 00:39:15,020 BUT YOU CAN’T COME RIGHT OUT AND SAY IT. 865 00:39:15,060 --> 00:39:18,260 SO HE LEFT THE POLICE FORCE, AND HE WENT INTO CORRECTIONS‐‐ 866 00:39:18,300 --> 00:39:19,470 GOOD GUYS, BAD GUYS‐‐ 867 00:39:19,500 --> 00:39:21,740 AND HE’S DONE REALLY WELL FOR HIMSELF. 868 00:39:21,770 --> 00:39:23,940 MOVED UP TO DEPUTY COMMISSIONER OF ADMINISTRATION 869 00:39:23,970 --> 00:39:26,900 FOR ALL THE PENS IN THE STATE. 870 00:39:26,940 --> 00:39:30,140 HE’S WHO I WAS GONNA CALL TO GET YOU TRANSFERRED CLOSER TO HOME, 871 00:39:30,170 --> 00:39:31,610 BACK WHEN I THOUGHT 872 00:39:31,640 --> 00:39:33,310 THAT WE WERE GONNA TREAT EACH OTHER CIVIL. 873 00:39:33,340 --> 00:39:35,540 WHY DON’T YOU GET LOST, MAN? 874 00:39:35,580 --> 00:39:37,810 WENDY CORRECTIONAL FACILITY, ALDEN, NEW YORK, 875 00:39:37,850 --> 00:39:39,750 A HALF‐HOUR FROM THE CANADIAN BORDER, 876 00:39:39,780 --> 00:39:41,220 10 HOURS FROM HERE. 877 00:39:41,250 --> 00:39:43,720 THEY CALL IT THE ICEBOX, HIDALGO, 878 00:39:43,760 --> 00:39:45,900 SO YOU HAVE YOUR FAMILY SEND EARMUFFS 879 00:39:45,920 --> 00:39:48,890 FOR THOSE DAYS WHERE IT GETS 10 BELOW IN THE YARD. 880 00:39:48,930 --> 00:39:51,940 AND YOU ARE THERE FOR THE REST OF YOUR LIFE. 881 00:39:51,960 --> 00:39:54,330 OH, SO YOU’RE TRYING TO RUN A GAME ON ME NOW. 882 00:39:54,370 --> 00:39:58,340 THE GAME’S BEEN RUN, DICKHEAD. YOU SHIP OUT TOMORROW. 883 00:40:00,040 --> 00:40:02,170 WRONG COP. 884 00:40:09,310 --> 00:40:11,080 [ KNOCK ON DOOR ] 885 00:40:11,120 --> 00:40:12,720 YEAH?! 886 00:40:20,120 --> 00:40:21,360 HEY, POP. 887 00:40:21,390 --> 00:40:22,690 HEY, JOHN. 888 00:40:24,400 --> 00:40:26,540 COME IN. 889 00:40:31,740 --> 00:40:33,680 RITA’S COMING OVER IN A LITTLE BIT. 890 00:40:35,970 --> 00:40:37,370 HADN’T HEARD FROM YOU. 891 00:40:37,410 --> 00:40:39,340 DROPPED BY TO SEE IF EVERYTHING’S ALL RIGHT. 892 00:40:39,380 --> 00:40:42,020 YEAH, WELL, YOU KNOW, 893 00:40:42,050 --> 00:40:43,490 AS GOOD AS CAN BE EXPECTED. 894 00:40:48,090 --> 00:40:49,800 YOU UPSET ABOUT TODAY? 895 00:40:49,820 --> 00:40:51,490 I’LL TELL YOU, JOHN, 896 00:40:51,520 --> 00:40:54,820 THAT WAS LIKE AN ELEPHANT STEPPING OFF MY CHEST. 897 00:40:54,860 --> 00:40:57,160 IT’S OUT THERE NOW. 898 00:40:57,200 --> 00:40:58,800 LET PEOPLE SAY WHAT THEY WANT. 899 00:40:58,830 --> 00:41:01,000 WOULD YOU HAVE SAID IT SOBER? 900 00:41:01,030 --> 00:41:03,030 ABSOLUTELY. 901 00:41:03,070 --> 00:41:04,840 I WANTED THOSE COPS TO LEAVE YOU ALONE. 902 00:41:04,870 --> 00:41:06,570 THAT WAS THE ONLY WAY I KNEW HOW. 903 00:41:08,910 --> 00:41:12,680 YOUR NEW JOB‐‐ THEY GET WIND? 904 00:41:12,710 --> 00:41:15,510 YEAH. I WAS EXPECTING THAT. SO, THEY LET YOU GO? 905 00:41:15,550 --> 00:41:18,720 I CARE ABOUT YOU MORE THAN SOME SECURITY JOB. 906 00:41:18,750 --> 00:41:21,680 HEY, POP, YOU’VE BEEN MAKING DECISIONS LATELY 907 00:41:21,720 --> 00:41:24,520 BASED ON WHAT YOU THINK MY BEST INTERESTS ARE, 908 00:41:24,560 --> 00:41:27,200 AND IT’S YOU LOOKING OUT FOR ME, AND I APPRECIATE IT, 909 00:41:27,230 --> 00:41:30,040 BUT THEY HAVEN’T BEEN GOOD DECISIONS, DAD. 910 00:41:30,060 --> 00:41:32,830 THAT’S WHAT LIFE IS LIKE SOMETIMES, JOHN. 911 00:41:32,860 --> 00:41:35,400 OR DO YOU LIVE IN SOME PERFECT WORLD 912 00:41:35,430 --> 00:41:37,400 THAT I DON’T KNOW ABOUT? 913 00:41:37,440 --> 00:41:39,380 LETTING INTERNAL AFFAIRS FLIP YOU 914 00:41:39,400 --> 00:41:41,540 BECAUSE YOU BOUGHT THEIR BLUFF THEY’D GO AFTER ME? 915 00:41:41,570 --> 00:41:44,370 ANNOUNCING TO THE WORLD THAT YOU WORK FOR THEM, 916 00:41:44,410 --> 00:41:45,870 EVEN AFTER I GOT RELEASED? 917 00:41:45,910 --> 00:41:47,610 THOSE TWO MOVES ALONE 918 00:41:47,650 --> 00:41:49,560 HAVE TURNED OUR LIVES UPSIDE DOWN. 919 00:41:49,580 --> 00:41:51,750 AND HERE I WAS THINKING I STOOD UP FOR MY SON! 920 00:41:51,780 --> 00:41:55,550 DAD, I LOVE YOU. YOU’RE MY ONLY FAMILY. 921 00:41:55,590 --> 00:41:59,260 BUT DON’T MAKE DECISIONS FOR ME ANYMORE. 922 00:41:59,290 --> 00:42:02,190 YOU’RE DRINKING TOO MUCH. THAT’S GOTTA STOP. 923 00:42:02,230 --> 00:42:06,140 WORRY ABOUT YOURSELF. TAKE CARE OF YOURSELF. 924 00:42:07,630 --> 00:42:09,000 I’LL BE FINE. 925 00:42:14,240 --> 00:42:16,640 WELL‐‐I’LL SEE YOU AROUND. 926 00:43:02,690 --> 00:43:06,360 [ CLASSICAL MUSIC PLAYING ] 70312

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