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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,270 --> 00:00:03,340 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:03,370 --> 00:00:05,840 SHE DIDN'T COME HOME. 3 00:00:05,880 --> 00:00:07,590 THERE'S NOT A LOT WE CAN DO FOR HER 4 00:00:07,610 --> 00:00:09,380 IF SHE'S GONNA KEEP GOING BACK TO THIS GUY. 5 00:00:09,410 --> 00:00:11,110 MICHELLE. 6 00:00:11,150 --> 00:00:12,550 JUST STAY STILL. I'M GONNA GET YOU SOME HELP. 7 00:00:12,580 --> 00:00:14,220 YOUR SISTER HAD ABDOMINAL BLEEDING. 8 00:00:14,250 --> 00:00:16,080 SHE WENT INTO LABOR, AND WE DISCOVERED THE EXTENT. 9 00:00:16,120 --> 00:00:17,220 THE BABY. 10 00:00:17,260 --> 00:00:18,700 A GIRL‐‐ EIGHT WEEKS PREMATURE. 11 00:00:18,720 --> 00:00:20,890 MICHELLE'S BLEEDING WAS VERY BAD. 12 00:00:20,930 --> 00:00:22,270 I'M ON MY WAY. 13 00:00:22,290 --> 00:00:23,690 WHAT IS IT? 14 00:00:23,730 --> 00:00:25,930 CONNIE'S SISTER. SHE DIED FROM HER INJURIES. 15 00:00:25,960 --> 00:00:28,300 I SHOULD'VE SEEN THIS COMING! 16 00:00:28,330 --> 00:00:30,800 NO, DON'T YOU TALK LIKE THAT. 17 00:00:30,840 --> 00:00:32,310 YOU GOTTA THINK ABOUT HER BABY NOW. 18 00:00:52,520 --> 00:00:53,590 WHAT DO WE GOT? 19 00:00:53,630 --> 00:00:55,270 PETE COSTELLO FROM ANTICRIME. 20 00:00:55,290 --> 00:00:57,990 HE'S D. O. A., AND HIS PARTNER'S WOUNDED. 21 00:00:58,030 --> 00:01:00,560 MAYA ANDERSON'S HIS PARTNER, RIGHT? 22 00:01:00,600 --> 00:01:02,460 SHE'S GONNA BE OKAY. SHE TOOK ONE IN THE ARM. 23 00:01:02,500 --> 00:01:04,070 ANYONE IN CUSTODY? 24 00:01:04,100 --> 00:01:06,840 WE DON'T EVEN HAVE A DESCRIPTION YET. 25 00:01:06,870 --> 00:01:09,440 PETE AND JANIE HAVE BEEN MARRIED, LIKE, 10 YEARS. 26 00:01:09,470 --> 00:01:10,640 SOMEBODY'S GOTTA TALK TO HER. 27 00:01:11,810 --> 00:01:13,110 HEY, BALDWIN. 28 00:01:13,140 --> 00:01:14,680 HEY. YOU ALL RIGHT? 29 00:01:14,710 --> 00:01:16,610 YEAH. THE BULLET JUST WENT THROUGH. 30 00:01:16,650 --> 00:01:18,310 DID YOU HEAR ABOUT PETE? YEAH. 31 00:01:18,350 --> 00:01:20,450 SOMEBODY'S GOTTA GO AND TELL HIS WIFE JANIE. 32 00:01:20,480 --> 00:01:21,920 I'LL TAKE CARE OF IT. 33 00:01:21,950 --> 00:01:23,950 RIGHT NOW YOU NEED TO TELL US WHAT HAPPENED. 34 00:01:23,990 --> 00:01:26,820 WE WERE ON PATROL, AND WE SAW TWO GUYS TRYING TO BOOST A CAR. 35 00:01:26,860 --> 00:01:28,460 WHAT'D THEY LOOK LIKE? 36 00:01:28,490 --> 00:01:30,030 BLACK, IN THEIR 20's. 37 00:01:30,060 --> 00:01:31,630 WE IDENTIFIED OURSELVES, BUT THEY STARTED SHOOTING. 38 00:01:31,660 --> 00:01:33,160 AS YOU WERE APPROACHING? 39 00:01:33,200 --> 00:01:35,210 YEAH. I GOT HIT AND FELL DOWN, THEN PETE GOT HIT. 40 00:01:35,230 --> 00:01:36,670 DID YOU GET ANY SHOTS OFF? 41 00:01:36,700 --> 00:01:38,830 I THINK I HIT ONE OF THEM IN THE CHEST. 42 00:01:38,870 --> 00:01:40,670 CAN YOU I. D. HIM? I DON'T THINK SO. 43 00:01:40,710 --> 00:01:42,450 WOULD YOU RECOGNIZE HIM IF YOU SAW HIM AGAIN? 44 00:01:42,470 --> 00:01:44,010 MAYBE. I DON'T KNOW. 45 00:01:44,040 --> 00:01:47,140 ANYTHING ELSE YOU CAN GIVE US‐‐ CLOTHES, FACIAL HAIR? 46 00:01:47,180 --> 00:01:49,550 HE HAD A BLUE SHIRT‐‐ THE ONE WHO GOT HIT‐‐ 47 00:01:49,580 --> 00:01:52,010 AND DARK PANTS AND SOME KIND OF JACKET. 48 00:01:52,050 --> 00:01:54,050 ALL RIGHT. WE'LL BE BACK LATER. 49 00:01:54,090 --> 00:01:57,230 HANG IN THERE. 50 00:01:57,260 --> 00:01:59,500 YOU LET THE DOCTOR TAKE CARE OF YOU. 51 00:01:59,520 --> 00:02:01,390 I'LL COME BY AND SEE YOU LATER. 52 00:02:01,430 --> 00:02:03,070 OKAY. 53 00:02:03,090 --> 00:02:05,060 OKAY. 54 00:02:08,730 --> 00:02:11,870 PERP'S HIT IN THE CHEST‐‐ HOW FAR COULD HE GET? 55 00:02:11,900 --> 00:02:14,170 HEY, DO ME A FAVOR AND GET THIS MAN OUT OF HERE. 56 00:02:14,210 --> 00:02:15,380 SORRY. WITH A D. O. A., 57 00:02:15,410 --> 00:02:17,720 I'M SUPPOSED TO WAIT FOR CRIME SCENE AND THE M.E. 58 00:02:17,740 --> 00:02:18,910 HE'S A COP. 59 00:02:18,940 --> 00:02:21,140 I DON'T LIKE HIM LYING THERE IN THE STREET 60 00:02:21,180 --> 00:02:22,080 WITH EVERYBODY GAWKING. 61 00:02:23,920 --> 00:02:25,720 YEAH. OKAY. 62 00:02:25,750 --> 00:02:27,980 WE APPRECIATE IT. 63 00:02:28,020 --> 00:02:30,850 HEY, YOU THINK MAYA'S GONNA BE ANY GOOD FOR INFO LATER 64 00:02:30,890 --> 00:02:32,090 OR IS THAT IT? 65 00:02:32,120 --> 00:02:33,350 I DON'T KNOW. 66 00:02:33,390 --> 00:02:35,660 I'LL STICK CLOSE BY, SEE IF SHE THAWS OUT. 67 00:02:35,690 --> 00:02:38,360 CONNIE AND RITA SAY THEY GOT A GUY WHO SAW A BLACK MALE 68 00:02:38,400 --> 00:02:40,910 RUN INTO A BUILDING A BLOCK AWAY ABOUT 20 MINUTES AGO. 69 00:02:40,930 --> 00:02:43,570 LOOKS LIKE HE MIGHT BE INJURED. 70 00:02:43,600 --> 00:02:46,100 YOU GUYS HANDLE THE CRIME SCENE. 71 00:02:49,570 --> 00:02:50,610 ANYTHING? 72 00:02:50,640 --> 00:02:51,910 WE GOT BLOOD HERE. 73 00:02:51,940 --> 00:02:53,340 WHERE'S THE WITNESS? 74 00:02:53,380 --> 00:02:55,390 WE GOT HIS INFORMATION. HE TOOK OFF. 75 00:02:55,410 --> 00:02:56,680 WHAT'S UP? 76 00:02:56,720 --> 00:02:58,420 YOU SEE ANYBODY GO IN THE BUILDING BLEEDING? 77 00:02:58,450 --> 00:03:00,120 DIDN'T SEE NOBODY. HEARD SOME RUNNING AROUND. 78 00:03:00,150 --> 00:03:02,020 WE'RE GONNA TAKE A LOOK AROUND. 79 00:03:02,050 --> 00:03:03,220 DON'T STEP IN THE BLOOD. 80 00:03:03,250 --> 00:03:05,450 GOOD‐BYE! 81 00:03:16,770 --> 00:03:19,000 OVER HERE! 82 00:04:45,860 --> 00:04:48,700 I WENT AND ORDERED SOME FLOWERS FOR OFFICER COSTELLO'S FAMILY. 83 00:04:48,730 --> 00:04:50,640 I PUT YOUR NAME ON THE CARD. 84 00:04:50,660 --> 00:04:51,990 OH, I TOOK CARE OF IT. 85 00:04:52,030 --> 00:04:54,400 WE'LL ALL KICK IN. 86 00:04:54,430 --> 00:04:55,500 YOU KNEW COSTELLO? 87 00:04:55,530 --> 00:04:58,130 WE TALKED WHEN I WAS WORKING ANTICRIME. 88 00:04:58,170 --> 00:05:00,240 HE WAS A KIND MAN AND A GOOD OFFICER. 89 00:05:00,270 --> 00:05:01,900 WE GOT THE DEAD PERP'S SHEET. 90 00:05:01,940 --> 00:05:03,370 NAME WAS DESHAWN TROY. 91 00:05:03,410 --> 00:05:05,980 COUPLE COLLARS FOR GRAND LARCENY AUTO AND OTHER PETTY STUFF. 92 00:05:06,010 --> 00:05:07,580 RUNNING BUDDIES? NOTHING LISTED. 93 00:05:07,610 --> 00:05:09,040 WHO BAILED HIM OUT EACH TIME? 94 00:05:09,080 --> 00:05:11,180 HIS MOM. 95 00:05:11,220 --> 00:05:13,060 ARE YOU ALL RIGHT? 96 00:05:13,080 --> 00:05:16,250 SAME FLORIST THAT DID MICHELLE'S FUNERAL. 97 00:05:16,290 --> 00:05:17,430 YEAH. 98 00:05:17,460 --> 00:05:19,500 THEY DO A GOOD JOB, ANYWAY. 99 00:05:19,520 --> 00:05:21,060 YOU STILL GONNA PICK UP MICHELLE'S DAUGHTER TONIGHT? 100 00:05:21,090 --> 00:05:22,590 IF THIS THING WRAPS, YEAH. 101 00:05:22,630 --> 00:05:24,500 IF NOT, I'LL CALL THE HOSPITAL 102 00:05:24,530 --> 00:05:26,390 AND SEE IF I CAN DO IT TOMORROW. 103 00:05:26,430 --> 00:05:28,060 IT'S THE LAST THING WE NEED, 104 00:05:28,100 --> 00:05:30,830 BUT THERE'S A POSSIBLE CHILD ABDUCTION ON SIXTH AND AVENUE B. 105 00:05:30,870 --> 00:05:32,730 THE OTHER GUYS STILL ON CANVASS? YEAH. 106 00:05:32,770 --> 00:05:34,600 I'LL GET RITA TO MEET YOU THERE. 107 00:05:34,640 --> 00:05:36,440 LET ME KNOW IF YOU NEED ANY MANPOWER. 108 00:05:36,470 --> 00:05:38,040 ANYTHING ON THE SECOND SHOOTER? 109 00:05:38,080 --> 00:05:40,350 NOTHING. I'M GONNA MAKE SOME MORE CALLS ON IT. 110 00:05:40,380 --> 00:05:41,680 DID YOU KNOW COSTELLO? 111 00:05:41,710 --> 00:05:44,410 NO. I HEARD A LOT OF GOOD THINGS ABOUT HIM. 112 00:05:44,450 --> 00:05:47,050 HE SHOWED ME PICTURES OF HIS DAUGHTER LAST WEEK. 113 00:05:47,090 --> 00:05:48,290 10 MONTHS, I THINK. 114 00:06:08,470 --> 00:06:10,910 KID'S NAMED MARCELLO ZAPETA. 2 YEARS OLD. 115 00:06:10,940 --> 00:06:12,540 GOT TAKEN 40 MINUTES AGO. 116 00:06:12,580 --> 00:06:15,290 MOTHER PUT IN THE CALL AND GOT HER HUSBAND DOWN HERE. 117 00:06:15,310 --> 00:06:16,810 ALBERTO AND COLATA ZAPETA. 118 00:06:16,850 --> 00:06:18,750 THAT WOMAN SAW HIM GET TAKEN. 119 00:06:18,780 --> 00:06:21,420 THE PARENTS ARE SAYING LOOK AT THE BIRTH MOTHER. 120 00:06:21,450 --> 00:06:22,720 THE KID'S ADOPTED. 121 00:06:22,750 --> 00:06:24,150 I'LL TAKE THE WITNESS. 122 00:06:26,860 --> 00:06:28,990 MR. AND MRS. ZAPETA? DETECTIVE ORTIZ. 123 00:06:29,030 --> 00:06:30,840 CAN YOU TELL ME WHAT HAPPENED? 124 00:06:30,860 --> 00:06:32,290 I WAS WALKING MARCELLO, 125 00:06:32,330 --> 00:06:34,800 AND I SAW THIS DOG RUNNING IN THE STREET, 126 00:06:34,830 --> 00:06:37,670 SO I WENT AFTER IT JUST TO KEEP IT FROM BEING RUN OVER. 127 00:06:37,700 --> 00:06:39,170 IT WAS MAYBE 10, 15 SECONDS. 128 00:06:39,200 --> 00:06:41,300 WHEN I TURNED AROUND, HE WAS GONE. 129 00:06:41,340 --> 00:06:42,770 WHAT WAS HE WEARING? 130 00:06:42,810 --> 00:06:44,480 BLUE SHORTS, YELLOW TOP, 131 00:06:44,510 --> 00:06:47,340 AND A WHITE HAT WITH TURTLES ON THE BRIM. 132 00:06:47,380 --> 00:06:49,850 YOU DIDN'T SEE WHO TOOK HIM? NO. 133 00:06:49,880 --> 00:06:52,450 YOU TOLD THE OFFICER THE BIRTH MOTHER WAS SOMEONE TO TALK TO? 134 00:06:52,480 --> 00:06:53,920 LUISA SALAZAR. 135 00:06:53,950 --> 00:06:55,850 A FEW MONTHS BACK, THE ADOPTION AGENCY CALLED. 136 00:06:55,890 --> 00:06:57,830 THE WOMAN WANTED TO START SEEING MARCELLO, 137 00:06:57,860 --> 00:06:59,600 BUT WE AGREED THERE'D BE NO CONTACT. 138 00:06:59,620 --> 00:07:01,620 THEY SAID SHE KEPT CALLING AND TO BE CAUTIOUS. 139 00:07:01,660 --> 00:07:03,790 DO YOU KNOW WHERE SHE LIVES, WHAT SHE LOOKS LIKE? 140 00:07:03,830 --> 00:07:05,930 WE ONLY MET HER ONCE, IN THE HOSPITAL. 141 00:07:05,960 --> 00:07:07,760 SHE'S 19, MAYBE. LIVES IN THE CITY. 142 00:07:07,800 --> 00:07:09,700 THAT'S ALL WE WERE TOLD ABOUT HER. 143 00:07:09,730 --> 00:07:11,670 SHE WOULDN'T HURT HIM, WOULD SHE? 144 00:07:11,700 --> 00:07:14,700 YOU NEED TO GO HOME. AN OFFICER WILL GO WITH YOU. 145 00:07:14,740 --> 00:07:15,800 OH, MY GOD. 146 00:07:18,140 --> 00:07:20,510 WRITE DOWN THE NAME OF THAT ADOPTION AGENCY. 147 00:07:20,550 --> 00:07:22,150 I'LL BE RIGHT BACK. 148 00:07:22,180 --> 00:07:25,280 SHE SAYS THE KIDNAPPER WAS HEAVYSET, LATE 20's, 149 00:07:25,320 --> 00:07:26,520 AND SPANISH. 150 00:07:26,550 --> 00:07:28,220 DID SHE SEE HIS FACE? 151 00:07:28,250 --> 00:07:30,190 THE GUY HAD A HAT PULLED LOW. 152 00:07:30,220 --> 00:07:31,690 THE SERGEANT RADIOED 153 00:07:31,720 --> 00:07:34,620 ASKING IF WE NEED TO GET AVIATION AND CANINE ROLLING. 154 00:07:34,660 --> 00:07:36,290 BOTH, BUT HOLD ON THE AMBER ALERT 155 00:07:36,330 --> 00:07:37,800 TILL WE'RE CLEAR WHAT'S GOING ON. 156 00:07:37,830 --> 00:07:38,960 RIGHT. 157 00:07:39,000 --> 00:07:40,840 COME ON. LET'S GET YOU HOME. 158 00:07:49,410 --> 00:07:51,250 IF YOU HEAR OR THINK OF SOMETHING LATER, 159 00:07:51,280 --> 00:07:52,420 CALL THAT NUMBER. 160 00:07:52,440 --> 00:07:53,510 YEAH, OKAY. 161 00:07:58,020 --> 00:07:59,320 [ KNOCKS ] 162 00:07:59,350 --> 00:08:00,650 WHO IS IT? 163 00:08:00,690 --> 00:08:02,130 POLICE. 164 00:08:08,930 --> 00:08:10,200 HOW YOU DOIN'? 165 00:08:10,230 --> 00:08:11,530 YOUR PARENTS HOME? 166 00:08:11,560 --> 00:08:12,560 MY DAD'S AT WORK. 167 00:08:12,600 --> 00:08:13,710 WHAT ABOUT YOUR MOM? 168 00:08:13,730 --> 00:08:15,030 IT'S JUST MY DAD. 169 00:08:15,070 --> 00:08:17,240 I'M DETECTIVE CLARK FROM THE 15th PRECINCT. 170 00:08:17,270 --> 00:08:18,230 WHAT'S YOUR NAME? 171 00:08:18,270 --> 00:08:19,700 ROBERT DUPREE. 172 00:08:19,740 --> 00:08:21,940 WERE YOU HOME THIS MORNING? YEAH. 173 00:08:21,970 --> 00:08:24,040 SKIPPING SCHOOL? I GOT A COLD. 174 00:08:24,080 --> 00:08:26,380 THERE WAS A SHOOTING OUTSIDE THIS MORNING. 175 00:08:26,410 --> 00:08:29,210 YOU KNOW ANYTHING ABOUT IT? HEARD TWO POLICEMEN GOT SHOT. 176 00:08:29,250 --> 00:08:31,560 HOW'D YOU FIND THAT OUT? NEIGHBOR TOLD ME. 177 00:08:31,580 --> 00:08:33,180 WHICH NEIGHBOR? SOME GUY. 178 00:08:33,220 --> 00:08:36,530 YOU DON'T SOUND LIKE YOU HAVE A COLD, ROBERT. 179 00:08:36,560 --> 00:08:37,800 DID YOU SEE SOMETHING? 180 00:08:37,820 --> 00:08:39,220 NO. 181 00:08:39,260 --> 00:08:41,900 ROBERT, ONE OF THE POLICEMEN WHO GOT SHOT DIED. 182 00:08:41,930 --> 00:08:44,970 NOW, I KNOW YOU WANT TO HELP FIND THE PERSON WHO DID THAT, 183 00:08:45,000 --> 00:08:46,940 SO LET'S JUST LAY IT OUT, OKAY? 184 00:08:46,970 --> 00:08:48,940 I WAS COMING OUT OF THE BUILDING, 185 00:08:48,970 --> 00:08:51,040 I SAW THE POLICEMAN ON THE GROUND, 186 00:08:51,070 --> 00:08:53,230 AND THESE TWO GUYS RUNNING ALL SCARED. 187 00:08:53,270 --> 00:08:56,140 BUT I DIDN'T SEE THEIR FACES, SO I CAN'T HELP. 188 00:08:56,170 --> 00:08:58,310 HOW DID YOU KNOW THEY WERE SCARED? 189 00:08:58,340 --> 00:08:59,440 I DON'T KNOW. 190 00:08:59,480 --> 00:09:01,050 IF IT WAS YOU WHO GOT SHOT, 191 00:09:01,080 --> 00:09:03,310 AND SOME GUY SAW IT AND LIED ABOUT IT, 192 00:09:03,350 --> 00:09:05,720 AND THEY LET THE GUY WHO SHOT YOU GO FREE, 193 00:09:05,750 --> 00:09:07,580 HOW WOULD THAT MAKE YOU FEEL? 194 00:09:07,620 --> 00:09:09,450 HE SAID HE'D KILL ME IF I TOLD. 195 00:09:09,490 --> 00:09:12,130 HE KILLED A COP. 196 00:09:12,160 --> 00:09:13,600 HE'S NOT GONNA DO ANYTHING THE REST OF HIS LIFE 197 00:09:13,630 --> 00:09:15,400 EXCEPT SIT IN A JAIL CELL. 198 00:09:15,430 --> 00:09:18,240 LET'S GO DOWN TO MY WORK SO WE CAN TALK ABOUT THIS SOME MORE. 199 00:09:18,260 --> 00:09:20,560 I SHOULD CALL MY DAD AND TELL HIM. 200 00:09:20,600 --> 00:09:21,660 WE CAN DO THAT FROM DOWN THERE. 201 00:09:45,390 --> 00:09:46,590 KID'S IN THERE? 202 00:09:46,630 --> 00:09:48,770 YEAH, AND HE'S SAYING THE TWO PERPS, 203 00:09:48,790 --> 00:09:51,190 ONE OF THEM WAS BLEEDING, HOLDING HIS STOMACH. 204 00:09:51,230 --> 00:09:53,430 AND HE'S SAYING THAT THE SECOND PERP, 205 00:09:53,460 --> 00:09:56,030 THE ONE WHO THREATENED HIM IF HE'D SAY ANYTHING, 206 00:09:56,070 --> 00:09:58,310 HE WAS ALSO BLEEDING, FROM HIS RIGHT HAND. 207 00:09:58,340 --> 00:09:59,810 WHAT'S UP WITH HIS PARENTS? 208 00:09:59,840 --> 00:10:02,040 MOM'S OUT OF THE PICTURE. DAD'S AT WORK. 209 00:10:02,070 --> 00:10:04,270 ROBERT SAID HE SHOULD CHECK IN WITH HIM. 210 00:10:04,310 --> 00:10:07,140 JUST NOW HE SAID THAT? BACK AT THE APARTMENT. 211 00:10:07,180 --> 00:10:09,810 BUT NOTHING RECENTLY? NOT SINCE THE APARTMENT. 212 00:10:09,850 --> 00:10:12,880 KID ASKS AGAIN TO TALK TO HIS OLD MAN, WE DEAL WITH IT. 213 00:10:12,920 --> 00:10:16,060 TILL THEN, WE KEEP IT TIGHT BETWEEN US THAT WE GOT HIM. 214 00:10:16,090 --> 00:10:18,230 WHAT ABOUT THE BOSS? 215 00:10:18,260 --> 00:10:20,200 IT'S JUST GONNA BE A PROBLEM FOR HIM. 216 00:10:20,220 --> 00:10:21,720 IT COULD BE A PROBLEM FOR US. 217 00:10:21,760 --> 00:10:23,460 I'M LOOKING FOR A COP KILLER. 218 00:10:23,490 --> 00:10:25,030 WHAT DO YOU THINK I'M DOING? 219 00:10:25,060 --> 00:10:27,360 I'LL GET TO ALL AREA HOSPITALS 220 00:10:27,400 --> 00:10:29,900 FOR MALE BLACKS WITH HAND INJURIES. 221 00:10:29,930 --> 00:10:32,570 YOU GET THE KID SET UP WITH THE MUG BOOKS. 222 00:10:38,740 --> 00:10:40,040 EXCUSE ME. 223 00:10:40,080 --> 00:10:41,910 LUISA SALAZAR WORK HERE? 224 00:10:46,020 --> 00:10:48,390 LUISA SALAZAR? DETECTIVES ORTIZ AND McDOWELL. 225 00:10:48,420 --> 00:10:50,050 WE NEED TO TALK TO YOU A MINUTE. 226 00:10:50,090 --> 00:10:51,390 I'M WORKING. 227 00:10:51,420 --> 00:10:53,820 WE CAN SEE THAT. WE NEED TO TALK TO YOU. 228 00:10:53,860 --> 00:10:56,260 WHERE WERE YOU BETWEEN 9:00 AND 10:00 THIS MORNING? 229 00:10:56,290 --> 00:10:58,090 WORKING. WHY? 230 00:10:58,130 --> 00:11:00,100 THE LITTLE BOY YOU GAVE UP FOR ADOPTION, 231 00:11:00,130 --> 00:11:02,000 SOMEBODY SNATCHED HIM THIS MORNING. 232 00:11:02,030 --> 00:11:04,330 OH, MY GOD. OH, MY‐‐ OH, MY GOD, IS HE ALL RIGHT? 233 00:11:04,370 --> 00:11:05,830 WE DON'T KNOW. 234 00:11:05,870 --> 00:11:08,070 HAVE YOU HAD ANY CONTACT WITH THE FAMILY THAT ADOPTED HIM? 235 00:11:08,110 --> 00:11:10,520 NO. I DON'T EVEN KNOW WHERE THEY LIVE. 236 00:11:10,540 --> 00:11:12,170 YOU NEVER TRIED TO CONTACT THEM? 237 00:11:12,210 --> 00:11:15,340 NO. I CALLED THE AGENCY, BUT THAT WAS DIFFERENT. 238 00:11:15,380 --> 00:11:16,710 WHY'D YOU DO THAT? 239 00:11:16,750 --> 00:11:19,450 I WANTED TO KNOW IF THERE WAS A CHANCE I COULD SEE HIM. 240 00:11:19,480 --> 00:11:20,850 THEY SAID NO, I SAID OKAY. 241 00:11:20,890 --> 00:11:22,390 AND YOU LET IT GO AT THAT? 242 00:11:22,420 --> 00:11:23,850 I MADE CHANGES IN MY LIFE. 243 00:11:23,890 --> 00:11:25,890 I WANTED THEM TO KNOW ABOUT IT. 244 00:11:25,920 --> 00:11:28,860 WE PULLED YOUR ARREST RECORD‐‐ PICKED UP TWICE HOLDING METH. 245 00:11:28,890 --> 00:11:31,090 YOU HAD TO KNOW THAT WASN'T GONNA OPEN DOORS. 246 00:11:31,130 --> 00:11:32,890 I'VE BEEN CLEAN FOR 16 MONTHS. 247 00:11:32,930 --> 00:11:35,200 EVENTUALLY THEY GOTTA TAKE THAT INTO ACCOUNT. 248 00:11:35,230 --> 00:11:37,470 THEN MAYBE I COULD BE A PART OF HIS LIFE. 249 00:11:37,500 --> 00:11:39,640 THEY DO DO THAT. THERE IS OPEN ADOPTION. 250 00:11:39,670 --> 00:11:41,040 YOU STILL WITH THE FATHER? 251 00:11:41,070 --> 00:11:42,100 NO. 252 00:11:42,140 --> 00:11:43,810 I AM DEFINITELY WITHOUT HIM. 253 00:11:43,840 --> 00:11:45,310 WHEN DID YOU SEE HIM LAST? 254 00:11:45,340 --> 00:11:47,380 WHEN I TOLD HIM I WAS PREGNANT. 255 00:11:47,410 --> 00:11:49,650 AND YOU HAVEN'T TALKED TO HIM SINCE? 256 00:11:49,680 --> 00:11:51,950 I GOT NO REASON TO TALK TO HIM. 257 00:11:51,980 --> 00:11:55,250 NO DESIRE TO GET YOUR LITTLE FAMILY BACK TOGETHER? 258 00:11:55,290 --> 00:11:57,500 I WOULDN'T RAISE A KID WITH THAT ASSHOLE. 259 00:11:57,520 --> 00:11:59,890 WHAT'S HIS NAME AND WHERE CAN WE FIND HIM? 260 00:11:59,920 --> 00:12:02,590 HE DIDN'T WANT THE BABY THEN, WHY WOULD HE WANT IT NOW? 261 00:12:02,630 --> 00:12:04,300 LET US WORRY ABOUT THAT. 262 00:12:04,330 --> 00:12:07,660 JAVIER CERROTA, OKAY? 263 00:12:07,700 --> 00:12:11,270 HE WORKS AT QUEENS AUTO BODY ON NORTHERN BOULEVARD. 264 00:12:11,300 --> 00:12:13,200 KEEP YOURSELF AVAILABLE. 265 00:12:17,780 --> 00:12:21,690 SHE DOESN'T LEAVE WITHOUT US GETTING A CALL. 266 00:12:26,480 --> 00:12:28,250 SO, JAVIER... 267 00:12:28,290 --> 00:12:30,500 HOW OLD ARE YOU? 268 00:12:30,520 --> 00:12:33,860 39. YOU COULD'VE ASKED ME THAT AT WORK. 269 00:12:33,890 --> 00:12:35,490 39. 270 00:12:35,530 --> 00:12:38,540 SO HOW OLD WAS LUISA SALAZAR WHEN YOU KNOCKED HER UP? 271 00:12:38,560 --> 00:12:40,000 SHE SAID SHE WAS 18. 272 00:12:40,030 --> 00:12:42,500 SHE TOLD ME HER BIRTHDAY, I DID THE MATH. 273 00:12:42,530 --> 00:12:44,170 I THINK YOU CAME UP A LITTLE SHORT. 274 00:12:44,200 --> 00:12:45,870 SHE MAKING SOME KIND OF COMPLAINT? 275 00:12:45,900 --> 00:12:47,370 PICK HER UP CRUISING THE HIGH SCHOOLS? 276 00:12:47,410 --> 00:12:48,950 SHE LIVED A FEW DOORS DOWN, 277 00:12:48,970 --> 00:12:50,970 AND THEN SHE LIVED WITH US FOR A WHILE. 278 00:12:51,010 --> 00:12:52,210 YOU AND YOUR WIFE? 279 00:12:52,240 --> 00:12:54,610 SHE COULDN'T GET ALONG WITH HER FOLKS, 280 00:12:54,650 --> 00:12:57,120 MY WIFE FELT SORRY ABOUT IT, WE TOOK HER IN. 281 00:12:57,150 --> 00:12:58,480 AND YOU NAILED HER. 282 00:12:58,520 --> 00:13:01,230 I'M NOT SAYING IT'S RIGHT, IT JUST HAPPENED. 283 00:13:01,250 --> 00:13:02,720 NOW, WHAT'S GOING ON? 284 00:13:02,750 --> 00:13:05,550 THE SON BY YOU AND LUISA WAS KIDNAPPED THIS MORNING. 285 00:13:05,590 --> 00:13:07,120 YOU KNOW ANYTHING ABOUT IT? 286 00:13:07,160 --> 00:13:08,660 NOTHING AT ALL. 287 00:13:08,690 --> 00:13:11,490 EXPLAIN A LITTLE MORE ABOUT YOUR RELATIONSHIP WITH THE GIRL. 288 00:13:11,530 --> 00:13:13,830 YOU KNOW HER PARENTS? THEY KNOW ABOUT YOU AND LUISA? 289 00:13:13,870 --> 00:13:15,310 NO. 290 00:13:15,330 --> 00:13:17,800 I TOLD HER HOW MUCH DAMAGE SHE WOULD DO IF SHE TOLD. 291 00:13:17,840 --> 00:13:19,910 I TOLD HER THE BEST THING WOULD BE AN ABORTION. 292 00:13:19,940 --> 00:13:21,870 SO YOU WERE SCREWING WITH HER HEAD, TOO. 293 00:13:21,910 --> 00:13:24,520 I SAID I WOULD PAY FOR IT AND THEN DRIVE HER TO THE CLINIC, 294 00:13:24,540 --> 00:13:26,980 BUT THE DAY OF THE APPOINTMENT, SHE DISAPPEARED, RAN AWAY. 295 00:13:27,010 --> 00:13:28,640 THAT'S THE LAST YOU HEARD OF HER? 296 00:13:28,680 --> 00:13:31,150 MY WIFE GETS UPDATES FROM LUISA'S MOTHER. 297 00:13:31,180 --> 00:13:34,080 YOU AND LUISA, YOU'VE HAD NO RELATIONSHIP SINCE THEN? 298 00:13:34,120 --> 00:13:36,080 NO. PROBABLY NO OTHER GUY, EITHER. 299 00:13:36,120 --> 00:13:38,190 HER MOM TOLD MY WIFE SHE WENT QUEER. 300 00:13:38,220 --> 00:13:40,090 YOU'RE SAYING SHE'S A LESBIAN? 301 00:13:40,120 --> 00:13:42,420 SHE'S GOT A GIRLFRIEND‐‐ TERESA OR "T." 302 00:13:42,460 --> 00:13:44,560 WHERE CAN WE FIND HER? I DON'T KNOW. 303 00:13:44,600 --> 00:13:46,370 MAYBE LUISA'S MOM GOT SOME IDEA. 304 00:13:46,400 --> 00:13:47,670 WHAT'S HER NUMBER? 305 00:13:47,700 --> 00:13:49,730 IS THIS GONNA GET BACK TO MY WIFE? 306 00:13:49,770 --> 00:13:52,730 WHAT'S THE POINT IF I WASN'T INVOLVED IN THE KIDNAPPING? 307 00:13:52,770 --> 00:13:55,500 WRITE WHO CAN VERIFY WHERE YOU WERE THIS MORNING, 308 00:13:55,540 --> 00:13:57,770 AND MAYBE YOU'RE NOT A COLLAR FOR RAPE. 309 00:13:57,810 --> 00:13:59,470 YOUR WIFE, THAT'S YOUR PROBLEM. 310 00:14:03,920 --> 00:14:05,890 YEAH, ALL RIGHT. 311 00:14:05,920 --> 00:14:07,190 THANKS. 312 00:14:07,220 --> 00:14:09,050 HOW'S THE KID DOING? 313 00:14:09,090 --> 00:14:10,800 HE'S STILL LOOKING AT MUG BOOKS. 314 00:14:10,820 --> 00:14:12,590 I GOT JOSH KEEPING AN EYE ON HIM. 315 00:14:12,620 --> 00:14:13,720 HE ASK FOR HIS DAD AGAIN? 316 00:14:13,760 --> 00:14:14,960 NO. 317 00:14:14,990 --> 00:14:17,030 HE'S HUNGRY. I'M GONNA GET HIM SOMETHING. 318 00:14:17,060 --> 00:14:18,960 15th SQUAD. OH, SURE, HOLD ON, SERGEANT. 319 00:14:19,000 --> 00:14:20,940 BALLISTICS REPORT CAME BACK. LIEUTENANT. 320 00:14:20,970 --> 00:14:22,640 THE SLUG FOUND IN PETE COSTELLO 321 00:14:22,670 --> 00:14:24,610 DIDN'T MATCH OUR D.O.A. SHOOTER'S GUN. 322 00:14:24,640 --> 00:14:27,650 THE SECOND SHOOTER WHO'S IN THE WIND IS THE ONE WHO KILLED PETE. 323 00:14:27,670 --> 00:14:30,410 DETECTIVE McDOWELL, MRS. PERRY CALLED FROM SOCIAL SERVICES. 324 00:14:30,440 --> 00:14:32,870 THEY NEED YOUR SIGNATURE ON THE FOSTER‐CARE RELEASE. 325 00:14:32,910 --> 00:14:34,610 CAN YOU CALL HER BACK FOR ME, 326 00:14:34,650 --> 00:14:36,450 TELL HER WHAT WE'RE DEALING WITH, 327 00:14:36,480 --> 00:14:38,150 AND SEE IF I CAN DO IT BY FAX? 328 00:14:38,180 --> 00:14:40,650 OF COURSE. 329 00:14:40,690 --> 00:14:42,090 TODAY'S THE BIG DAY? 330 00:14:42,120 --> 00:14:44,590 I WAS HOPING. WE'LL SEE WHAT HAPPENS. 331 00:14:44,620 --> 00:14:46,390 WHERE YOU AT ON YOUR CASE? 332 00:14:46,420 --> 00:14:49,120 I NEED TO LOOK INTO THE BIRTH MOTHER'S GIRLFRIEND TERESA, 333 00:14:49,160 --> 00:14:50,630 SEE WHAT THE DEAL IS THERE. 334 00:14:50,660 --> 00:14:52,130 THAT WAS THE DESK SERGEANT. 335 00:14:52,160 --> 00:14:55,100 HE TELLS ME A COP ON THE THIRD FLOOR WENT INTO THE BATHROOM 336 00:14:55,130 --> 00:14:57,800 AND FOUND A LITTLE KID WHO SAID HE WAS BROUGHT THERE 337 00:14:57,840 --> 00:15:00,310 BY DETECTIVE CLARK. YOU KNOW ANYTHING ABOUT THIS? 338 00:15:00,340 --> 00:15:03,140 HE GOT A LOOK AT THE SECOND SHOOTER THIS MORNING. 339 00:15:03,170 --> 00:15:05,110 HE CAN I. D. THE GUY? YEAH. 340 00:15:05,140 --> 00:15:06,740 HOW OLD IS HE? 12. 341 00:15:06,780 --> 00:15:09,080 YOU HAVE ANY PLANS ON TELLING ME ABOUT THIS? 342 00:15:09,110 --> 00:15:11,280 I'M THE ONE SAID WE SHOULD KEEP IT TIGHT. 343 00:15:11,320 --> 00:15:12,690 IT WAS BOTH OUR DECISION. 344 00:15:12,720 --> 00:15:14,590 YOU HAVEN'T TALKED TO HIS PARENTS. 345 00:15:14,620 --> 00:15:15,950 HE HASN'T BEEN ASKING. 346 00:15:15,990 --> 00:15:18,600 THIS IS OUR ONLY WITNESS, SO WE CAN'T RISK ANYTHING. 347 00:15:18,620 --> 00:15:20,520 THE RISK IS CALLING HIS PARENTS. 348 00:15:20,560 --> 00:15:23,660 YOU DO NOTHING MORE WITH HIM UNTIL HIS PARENTS GIVE THE OKAY! 349 00:15:23,700 --> 00:15:26,840 IT'S GONNA BE ONE BIG HASSLE ABOUT, "IS THE KID SAFE?," 350 00:15:26,870 --> 00:15:28,670 "ARE WE GONNA PROTECT HIM?," 351 00:15:28,700 --> 00:15:31,930 AND IN THE END, THE DAD IS STILL NOT GONNA COOPERATE, 352 00:15:31,970 --> 00:15:35,000 AND WE CAN FORGET ABOUT I.D.ing THIS SECOND SHOOTER. 353 00:15:35,040 --> 00:15:38,610 THE KID'S TESTIMONY IS WORTHLESS IF WE DON'T NOTIFY THE PARENTS. 354 00:15:38,640 --> 00:15:40,980 WE JUST NEED HIM TO POINT OUT THE SHOOTER. 355 00:15:41,010 --> 00:15:42,710 THIS GOES BY THE BOOKS, 356 00:15:42,750 --> 00:15:45,160 SO CALL THE PARENTS IN, OR I'LL CALL THEM MYSELF! 357 00:15:45,180 --> 00:15:47,380 THAT'S JUST GREAT. THAT IS JUST GREAT. 358 00:15:47,420 --> 00:15:49,550 I GOT A FEW WORDS FOR THIS ASSHOLE 359 00:15:49,590 --> 00:15:52,720 WHO WENT RUNNING TO THE SERGEANT INSTEAD OF COMING TO US. 360 00:15:52,760 --> 00:15:55,270 DETECTIVE CLARK, THERE'S A CALL FOR YOU. 361 00:15:58,430 --> 00:16:00,230 DETECTIVE CLARK. 362 00:16:00,260 --> 00:16:01,660 HEY, JERRY. 363 00:16:01,700 --> 00:16:04,730 YEAH, WHAT'S HE DOING? 364 00:16:06,710 --> 00:16:09,150 CAN YOU PUT HIM IN A CAB? 365 00:16:09,170 --> 00:16:10,570 OKAY, I'LL TAKE CARE OF IT. 366 00:16:10,610 --> 00:16:12,010 THANKS, JERRY. 367 00:16:12,040 --> 00:16:13,810 WHAT'S THAT ABOUT? 368 00:16:13,850 --> 00:16:17,220 BARTENDER FROM THE BRICKHOUSE GRILL. 369 00:16:17,250 --> 00:16:20,020 I GUESS MY DAD IS DRUNK, AND HE'S CAUSING A SCENE, 370 00:16:20,050 --> 00:16:21,650 LIKE I NEED THIS RIGHT NOW. 371 00:16:21,690 --> 00:16:23,700 HOW LONG HAS YOUR DAD BEEN DRINKING? 372 00:16:23,720 --> 00:16:24,750 FIRST I HEARD OF IT. 373 00:16:26,290 --> 00:16:27,920 HE WON'T LEAVE. I GOTTA DO SOMETHING. 374 00:16:27,960 --> 00:16:29,730 GET DOWN THERE AND DEAL WITH IT. 375 00:16:29,760 --> 00:16:31,990 I'LL CALL ROBERT'S DAD, AND BRING HIM SOMETHING TO EAT. 376 00:16:32,030 --> 00:16:33,430 GO. 377 00:16:47,380 --> 00:16:48,410 HEY, JERRY. 378 00:16:48,450 --> 00:16:50,420 JOHN. I'M SORRY TO CALL, 379 00:16:50,450 --> 00:16:53,510 BUT HE GOT INTO IT WITH A COUPLE OF GUYS. 380 00:16:53,550 --> 00:16:55,180 DID YOU CALL HIM, JERRY? 381 00:16:55,220 --> 00:16:58,020 THESE WERE GUYS JUST LAUGHING A LITTLE LOUD. 382 00:16:58,060 --> 00:17:00,230 THEY'RE DISTURBING THE ATMOSPHERE, BOTHERING PATRONS. 383 00:17:00,260 --> 00:17:01,360 WHAT'D HE DO ABOUT IT? 384 00:17:01,390 --> 00:17:04,260 HE SHOWED HIS BADGE, GOT IN THEIR FACE. 385 00:17:04,300 --> 00:17:07,310 I JUST ASKED COULD THEY POSSIBLY SHOW A LITTLE COURTESY, 386 00:17:07,330 --> 00:17:09,970 WHICH YOU MIGHT ALSO DO BY MINDING YOUR OWN BUSINESS. 387 00:17:13,440 --> 00:17:15,280 WHAT'S GOING ON, POP? 388 00:17:15,310 --> 00:17:16,580 IT'S MY DAY OFF. 389 00:17:16,610 --> 00:17:18,770 I CAME IN FOR LUNCH AND A LITTLE HIGHBALL. 390 00:17:18,810 --> 00:17:21,410 I THINK YOU MIGHT'VE LET THE HIGHBALLS GET AHEAD OF YOU. 391 00:17:21,450 --> 00:17:22,490 THAT DOESN'T HAPPEN. 392 00:17:22,510 --> 00:17:24,550 WHY DON'T YOU LET ME GET YOU BACK HOME? 393 00:17:24,580 --> 00:17:26,410 WHY DON'T YOU MIND YOUR OWN BUSINESS? 394 00:17:26,450 --> 00:17:27,720 YOU AND HIM. 395 00:17:27,750 --> 00:17:29,480 AND REFILL THAT! 396 00:17:29,520 --> 00:17:31,650 I'M GONNA MAKE MY OWN WAY HOME, JOHN. 397 00:17:31,690 --> 00:17:33,390 COME ON, POP. THIS IS YOUR PLACE. 398 00:17:33,420 --> 00:17:35,320 YOU DON'T WANT TO SOUR THINGS HERE. 399 00:17:35,360 --> 00:17:37,990 WE HAD A COP KILLED THIS MORNING. 400 00:17:38,030 --> 00:17:40,530 DON'T MAKE THIS DAY WORSE FOR ME. 401 00:17:48,540 --> 00:17:51,410 JERRY, I'LL COME BACK FOR HIS TAB. 402 00:17:51,440 --> 00:17:52,770 FORGET IT, JOHN. 403 00:18:05,020 --> 00:18:07,820 WE APPRECIATE YOU COMING IN TO TALK TO US, MR. ALPADIDO. 404 00:18:07,860 --> 00:18:10,590 YEAH, LOOK, ARE YOU GONNA PUT MY NAME IN SOME COMPUTER? 405 00:18:10,630 --> 00:18:12,090 ARE WE GONNA FIND SOMETHING IF WE DO? 406 00:18:12,130 --> 00:18:15,160 12, 15 YEARS AGO, I GOT INVOLVED IN SOME SCRAPES. 407 00:18:15,200 --> 00:18:16,770 NOTHING TOO SERIOUS. 408 00:18:16,800 --> 00:18:19,840 I DON'T WANT YOU GUYS ALL, "YOU DIDN'T TELL US." 409 00:18:19,870 --> 00:18:21,140 WE GOT THE HEADS UP. 410 00:18:21,170 --> 00:18:23,170 NOW TELL US ABOUT THE SHOOTING THIS MORNING. 411 00:18:23,210 --> 00:18:24,450 WHERE WERE YOU? 412 00:18:24,480 --> 00:18:26,450 AT THE WINDOW IN MY KITCHEN. 413 00:18:26,480 --> 00:18:29,120 HOW FAR AWAY IS THAT FROM WHERE IT HAPPENED? 414 00:18:29,150 --> 00:18:31,360 ACROSS THE STREET, FOUR STORIES UP, 415 00:18:31,380 --> 00:18:32,780 MAYBE 50 YARDS SOUTH. 416 00:18:32,820 --> 00:18:35,230 TOO FAR AWAY TO PICK ANYONE OUT OF A LINEUP. 417 00:18:35,250 --> 00:18:36,550 WHAT'D YOU SEE? 418 00:18:36,590 --> 00:18:38,550 TWO BLACK GUYS STANDING NEXT TO A CAR, 419 00:18:38,590 --> 00:18:40,720 TWO COPS WALK UP TO HIM‐‐ ONE GUY, ONE GIRL. 420 00:18:40,760 --> 00:18:42,490 HOW COULD YOU TELL THEY WERE COPS? 421 00:18:42,530 --> 00:18:43,670 WERE THEY IN UNIFORM? 422 00:18:43,700 --> 00:18:46,340 NO, JUST CLOTHES, BUT THEY HAD THE WALK. 423 00:18:46,360 --> 00:18:47,960 I MEAN, YOU COULD TELL. 424 00:18:48,000 --> 00:18:50,300 SO, THE COPS GET THE TWO GUYS SEPARATED. 425 00:18:50,330 --> 00:18:52,400 THIS IS AFTER THE SHOOTING STARTED? 426 00:18:52,440 --> 00:18:54,410 THAT'S COMING LATER. WHEN LATER? 427 00:18:54,440 --> 00:18:56,370 WHILE THEY WERE FRISKING THEM. 428 00:18:56,410 --> 00:18:58,820 THE TWO BLACK GUYS DIDN'T START SHOOTING 429 00:18:58,840 --> 00:19:00,510 RIGHT WHEN THE COPS WALKED UP? 430 00:19:00,550 --> 00:19:02,050 NO. I SAID WHAT I SAID. 431 00:19:02,080 --> 00:19:03,240 YOU SURE ABOUT THAT? 432 00:19:03,280 --> 00:19:04,580 WHAT'S GOING ON HERE? 433 00:19:04,620 --> 00:19:06,830 JUST TELL IT THE WAY IT HAPPENED. 434 00:19:06,850 --> 00:19:08,750 THAT'S WHAT I'VE BEEN DOING! 435 00:19:08,790 --> 00:19:10,860 WHILE THE COPS ARE FRISKING THE TWO GUYS, 436 00:19:10,890 --> 00:19:12,820 THE ONE WITH THE GIRL COP PULLS A GUN. 437 00:19:12,860 --> 00:19:14,930 HE STARTS SHOOTING, THE COPS SHOOT BACK. 438 00:19:14,960 --> 00:19:17,330 ABOUT A SECOND LATER, THEY'RE BOTH ON THE GROUND, 439 00:19:17,360 --> 00:19:19,390 AND THE TWO BLACK GUYS ARE HAULING ASS. 440 00:19:19,430 --> 00:19:22,430 WOULD YOU CARE TO EXPLAIN WHY YOU'RE HERE SIX HOURS LATER? 441 00:19:22,470 --> 00:19:24,340 THE LAST THING I WANT TO DO 442 00:19:24,370 --> 00:19:27,270 IS INTRODUCE MYSELF TO A BIG CROWD OF COPS. 443 00:19:27,310 --> 00:19:30,050 BUT I RAN A FEW ERRANDS, AND IT WAS KIND OF EATING AT ME, 444 00:19:30,070 --> 00:19:32,570 AND WHEN I CAME BACK, I FOUND YOUR CARD UNDER MY DOOR, 445 00:19:32,610 --> 00:19:34,380 AND I TOOK IT AS A SIGN TO SPEAK UP. 446 00:19:34,410 --> 00:19:35,540 WE'RE GLAD YOU DID. 447 00:19:35,580 --> 00:19:37,080 DON'T SOUND LIKE IT. 448 00:19:37,120 --> 00:19:39,930 I CAN WALK OUT THAT DOOR AND FORGET IT IF YOU WANT ME TO. 449 00:19:39,950 --> 00:19:41,850 NO, JUST WRITE DOWN WHAT YOU TOLD US. 450 00:19:41,890 --> 00:19:43,130 I'M GONNA HEAD OUT. 451 00:19:43,150 --> 00:19:45,620 YEAH. I'LL WAIT TO HEAR FROM YOU. 452 00:19:56,940 --> 00:19:58,210 HOW YOU DOING? 453 00:19:58,240 --> 00:20:00,750 GOOD. I SHOULD BE RELEASED SOON. 454 00:20:00,770 --> 00:20:03,140 I NEED A MINUTE ALONE. 455 00:20:03,170 --> 00:20:05,470 SURE. 456 00:20:05,510 --> 00:20:08,540 ALL RIGHT. 457 00:20:08,580 --> 00:20:10,080 WHAT'S WRONG? 458 00:20:10,110 --> 00:20:11,710 I JUST TALKED TO A WITNESS 459 00:20:11,750 --> 00:20:14,450 SAID YOU AND COSTELLO WERE ABOUT TO CUFF THE PERPS 460 00:20:14,490 --> 00:20:15,960 WHEN THE SHOOTING STARTED. 461 00:20:15,990 --> 00:20:17,100 WE WERE WALKING UP. 462 00:20:17,120 --> 00:20:19,250 I TALKED TO HIM, MAYA. HE'S SOLID. 463 00:20:19,290 --> 00:20:20,890 IT WAS LIKE I SAID. 464 00:20:20,930 --> 00:20:23,770 I KNOW WHAT YOU WENT THROUGH THIS MORNING, 465 00:20:23,800 --> 00:20:26,670 AND IF YOU'RE CONFUSED, THAT'S UNDERSTANDABLE. 466 00:20:26,700 --> 00:20:28,760 BUT THIS WITNESS ISN'T GOING AWAY. 467 00:20:28,800 --> 00:20:30,130 AND THERE COULD BE MORE. 468 00:20:30,170 --> 00:20:31,630 WELL, I HEARD SOMETHING, 469 00:20:31,670 --> 00:20:34,170 AND I THOUGHT PETE'S GUY WAS GIVING HIM TROUBLE. 470 00:20:34,210 --> 00:20:36,180 THIS IS AFTER YOU TOSSED YOUR GUY? 471 00:20:36,210 --> 00:20:37,250 YEAH. 472 00:20:37,280 --> 00:20:39,620 WELL, I STARTED TO TOSS HIM. 473 00:20:39,640 --> 00:20:40,980 YOU'RE NOT SURE? 474 00:20:41,010 --> 00:20:42,780 IT HAPPENED SO FAST. 475 00:20:42,810 --> 00:20:45,580 SO YOU LOOKED OVER AT PETE TO SEE IF HE NEEDED HELP. 476 00:20:45,620 --> 00:20:48,160 IT WAS JUST A SECOND, BALDWIN. 477 00:20:48,190 --> 00:20:51,260 CRYING IS NOT GONNA DO ANYTHING FOR US RIGHT NOW, MAYA. 478 00:20:51,290 --> 00:20:53,620 I NEED TO KNOW WHAT THE HELL HAPPENED. 479 00:20:53,660 --> 00:20:57,130 I STARTED TO TOSS HIM, AND I MISSED THE GUN. 480 00:20:57,160 --> 00:20:58,190 [ SOBS ] 481 00:20:58,230 --> 00:20:59,900 OKAY. 482 00:21:02,030 --> 00:21:03,300 WE GOTTA CORRECT THIS. 483 00:21:03,330 --> 00:21:04,770 I'LL TALK TO THE A. D. A., 484 00:21:04,800 --> 00:21:07,000 SEE WHAT WE CAN DO ABOUT YOUR STATEMENT. 485 00:21:07,040 --> 00:21:08,440 EVERYBODY'S GONNA HATE ME. 486 00:21:08,470 --> 00:21:09,970 WE'RE GONNA WORK THIS OUT. 487 00:21:10,010 --> 00:21:12,840 DON'T TALK TO ANYONE ELSE ABOUT THIS TILL YOU HEAR FROM ME. 488 00:21:12,880 --> 00:21:13,990 THEY'RE GONNA HATE ME. 489 00:21:15,180 --> 00:21:17,110 [ WHIMPERS ] 490 00:21:17,150 --> 00:21:18,880 I'LL TALK TO YOU LATER. 491 00:21:23,990 --> 00:21:27,490 YOU'RE DOING A REAL GOOD THING HERE, ROBERT. 492 00:21:27,530 --> 00:21:28,500 YEAH? 493 00:21:28,530 --> 00:21:29,530 YEAH. 494 00:21:29,560 --> 00:21:31,130 YOUR DAD WILL BE HERE SOON, 495 00:21:31,160 --> 00:21:33,060 AND I DON'T KNOW WHAT'S GONNA HAPPEN, 496 00:21:33,100 --> 00:21:35,470 BUT YOU'RE DOING A REAL GOOD THING. 497 00:21:35,500 --> 00:21:38,170 WHEN I HEARD THE POLICEMAN DIED, 498 00:21:38,200 --> 00:21:42,540 IT MADE ME SAD 'CAUSE OF ALL THE POLICEMEN THAT DIED ON 9/11. 499 00:21:42,570 --> 00:21:45,870 REALLY WISH I COULD'VE DONE SOMETHING THAT DAY, 500 00:21:45,910 --> 00:21:47,040 JUST TO HELP. 501 00:21:47,080 --> 00:21:48,640 WE ALL FELT LIKE THAT. 502 00:21:48,680 --> 00:21:51,150 WHAT MATTERS IS YOU'RE HELPING NOW 503 00:21:51,180 --> 00:21:54,580 'CAUSE WE REALLY WANT TO TRY AND GET THE GUY WHO DID THIS. 504 00:21:54,620 --> 00:21:56,050 OKAY. 505 00:21:56,090 --> 00:21:58,000 HEY, ROBERT. 506 00:21:58,020 --> 00:21:59,050 HEY. 507 00:21:59,090 --> 00:22:00,520 HOW YOU DOING THERE, CHAMP? 508 00:22:00,560 --> 00:22:02,160 GOOD. I HAVEN'T RECOGNIZED THE GUY YET. 509 00:22:02,190 --> 00:22:03,320 OKAY. 510 00:22:03,360 --> 00:22:04,760 HOW'D IT GO? 511 00:22:04,800 --> 00:22:07,740 I GOT HIM HOME. I'LL CHECK IN ON HIM LATER. 512 00:22:07,770 --> 00:22:09,270 SOMETHING'S EATING AT HIM. 513 00:22:09,300 --> 00:22:10,430 YEAH. 514 00:22:10,470 --> 00:22:12,170 YOUR SUSPECT‐‐ TERESA? 515 00:22:12,200 --> 00:22:14,900 T.T. WE PICKED HER UP AT HER APARTMENT. 516 00:22:14,940 --> 00:22:15,940 ANY SIGN OF THE BABY? 517 00:22:15,970 --> 00:22:17,040 NO. 518 00:22:19,880 --> 00:22:20,840 ROBERT. 519 00:22:20,880 --> 00:22:21,910 DAD. 520 00:22:21,950 --> 00:22:23,560 ARE YOU ALL RIGHT? YEAH. 521 00:22:23,580 --> 00:22:25,010 COME HERE. 522 00:22:25,050 --> 00:22:27,380 I'M DETECTIVE SIPOWICZ. DETECTIVE CLARK. 523 00:22:27,420 --> 00:22:28,720 LIEUTENANT RODRIGUEZ. 524 00:22:28,750 --> 00:22:30,120 ROBERT'S BEEN A BIG HELP. 525 00:22:30,150 --> 00:22:32,050 LET ME SAVE EVERYBODY A LOT OF TIME. 526 00:22:32,090 --> 00:22:33,350 HE'S NOT BEING A WITNESS. 527 00:22:33,390 --> 00:22:34,960 A POLICE OFFICER WAS KILLED. 528 00:22:34,990 --> 00:22:36,560 I'M SORRY TO HEAR THAT, 529 00:22:36,600 --> 00:22:38,940 AND I KNOW YOU GUYS ARE DOING EVERYTHING YOU CAN, 530 00:22:38,960 --> 00:22:41,460 WHICH EXPLAINS WHY YOU TOOK MY SON OUT OF THE APARTMENT. 531 00:22:41,500 --> 00:22:43,060 I'M WILLING TO LOOK PAST THAT, 532 00:22:43,100 --> 00:22:45,700 LIKE YOU'RE GONNA LOOK PAST ROBERT BEING A WITNESS. 533 00:22:45,740 --> 00:22:48,150 WE'LL MAKE SURE HE DOES NOT HAVE TO TESTIFY. 534 00:22:48,170 --> 00:22:50,070 I'M NOT PUTTING HIM IN DANGER! 535 00:22:50,110 --> 00:22:51,810 THE SAFEST THING FOR YOUR BOY 536 00:22:51,840 --> 00:22:54,310 IS TO GET THE GUY WHO DID THIS LOCKED UP QUICK. 537 00:22:54,350 --> 00:22:56,320 IT'S NOT GONNA HAPPEN. LET'S GO, ROBERT. 538 00:22:57,950 --> 00:23:01,050 WELL, IT'S A GOOD THING WE PLAYED THIS STRAIGHT, 539 00:23:01,090 --> 00:23:03,560 'CAUSE WE'RE IN TERRIFIC SHAPE NOW. 540 00:23:03,590 --> 00:23:06,120 GO AHEAD AND BELIEVE WHAT YOU WANT, ANDY. 541 00:23:06,160 --> 00:23:07,930 JUST KEEP WORKING THE CASE. 542 00:23:07,960 --> 00:23:10,490 IN NARCOTICS, YOU LOSE A WITNESS, YOU'RE OUT A KILO. 543 00:23:10,530 --> 00:23:12,460 THIS IS A DEAD COP WE'RE TALKING ABOUT, 544 00:23:12,500 --> 00:23:13,770 AND HE AIN'T COMING BACK! 545 00:23:13,800 --> 00:23:16,730 DON'T YOU EVER SAY SOMETHING LIKE THAT TO ME AGAIN! 546 00:23:16,770 --> 00:23:19,230 OUR ONLY WITNESS IS GONE, LIEUTENANT‐‐ GONE! 547 00:23:19,270 --> 00:23:20,100 I'M WARNING YOU! 548 00:23:20,140 --> 00:23:20,940 DETECTIVE. 549 00:23:20,970 --> 00:23:22,400 WHAT?! 550 00:23:22,440 --> 00:23:24,740 BELLEVUE E. R. JUST ADMITTED A BLACK MAN 551 00:23:24,780 --> 00:23:27,620 WITH THE TIP OF HIS RIGHT FINGER MISSING. 552 00:23:27,650 --> 00:23:29,690 COOL DOWN OR DON'T COME BACK HERE! 553 00:23:38,790 --> 00:23:39,820 CONNIE... 554 00:23:39,860 --> 00:23:41,190 REAL QUICK. 555 00:23:41,230 --> 00:23:42,970 I'LL GET THE CAR. 556 00:23:42,990 --> 00:23:43,860 YEAH. 557 00:23:50,640 --> 00:23:53,010 WE'VE TALKED ABOUT THIS, BUT I GOTTA HEAR IT NOW‐‐ 558 00:23:53,040 --> 00:23:55,380 THAT IF I GET GUNNED DOWN, YOU'LL TAKE CARE OF THEO. 559 00:23:55,410 --> 00:23:57,950 IS THIS WHAT GOT YOU GOING WITH THE BOSS? 560 00:23:57,980 --> 00:23:59,950 TELL ME YOU'LL TAKE CARE OF THEO. 561 00:23:59,980 --> 00:24:01,280 YOU KNOW I WILL. 562 00:24:01,310 --> 00:24:03,140 YOU DON'T EVER HAVE TO WORRY ABOUT THAT. 563 00:24:05,720 --> 00:24:07,790 DON'T DO THIS. YOU'RE NOT ALONE. 564 00:24:07,820 --> 00:24:09,790 I'M HERE. I'M NOT GOING ANYWHERE. 565 00:24:09,820 --> 00:24:10,850 ALL RIGHT. 566 00:24:10,890 --> 00:24:12,490 GO TO THE HOSPITAL, OKAY? 567 00:24:12,520 --> 00:24:14,020 IN AN HOUR, 568 00:24:14,060 --> 00:24:16,730 THIS WHOLE THING WITH THE BOSS IS GONNA BLOW OVER. 569 00:24:21,000 --> 00:24:22,160 THANKS, JOSH. 570 00:24:22,200 --> 00:24:25,500 SO, TERESA, T. T., 571 00:24:25,540 --> 00:24:28,310 WHERE WERE YOU THIS MORNING BETWEEN 9:00 AND 10:00? 572 00:24:28,340 --> 00:24:30,140 MY APARTMENT. 573 00:24:30,170 --> 00:24:32,010 YOU WEREN'T ANYWHERE NEAR SIXTH STREET AND AVENUE B? 574 00:24:32,040 --> 00:24:33,410 NOT A CHANCE. 575 00:24:33,440 --> 00:24:35,010 HOW LONG YOU AND LUISA BEEN TOGETHER? 576 00:24:35,050 --> 00:24:36,150 WHO'S LUISA? 577 00:24:36,180 --> 00:24:37,510 LUISA SALAZAR, 578 00:24:37,550 --> 00:24:40,650 WHO YOU BAILED OUT ON A METH CHARGE LAST YEAR. 579 00:24:40,690 --> 00:24:42,760 SO, HOW LONG‐‐ 580 00:24:42,790 --> 00:24:44,200 A YEAR, YEAR AND A HALF? 581 00:24:44,220 --> 00:24:45,320 LIKE THAT. 582 00:24:45,360 --> 00:24:46,830 YOU HELP GET HER STRAIGHT? 583 00:24:46,860 --> 00:24:48,160 YEAH. SO WHAT? 584 00:24:48,190 --> 00:24:49,930 SO WHY ARE YOU SENDING HER AWAY? 585 00:24:49,960 --> 00:24:51,260 WHAT ARE YOU TALKING ABOUT? 586 00:24:51,300 --> 00:24:53,370 A WITNESS SAW YOU CARRYING THAT LITTLE BOY. 587 00:24:53,400 --> 00:24:55,440 WE GO FEDERAL WITH THE KIDNAPPING CHARGE. 588 00:24:55,470 --> 00:24:57,010 THAT'S 20 YEARS MINIMUM. NO TIME OFF. 589 00:24:57,040 --> 00:24:58,840 YOU DO EVERY DAY, YOU AND LUISA. 590 00:24:58,870 --> 00:25:00,700 I AIN'T SAID NOTHING ABOUT HER. 591 00:25:00,740 --> 00:25:03,040 YOU'RE IN THIS TOGETHER. YOU'RE LINKED. 592 00:25:03,070 --> 00:25:05,910 I TELL YOU TO BREAK THE LAW, I'M AS GUILTY AS YOU ARE. 593 00:25:05,940 --> 00:25:08,010 YOU CAN'T DO THAT! IT'S ALREADY DONE. 594 00:25:08,050 --> 00:25:10,020 THE ONLY THING WORKING FOR YOU NOW 595 00:25:10,050 --> 00:25:12,180 IS HOW BAD WE WANT THAT LITTLE BOY BACK. 596 00:25:12,220 --> 00:25:14,290 TELL US WHERE HE IS, AND IF HE'S SAFE, 597 00:25:14,320 --> 00:25:16,590 THERE'LL BE CONSIDERATION FOR BOTH OF YOU. 598 00:25:16,620 --> 00:25:19,250 WE'RE GONNA FIND HIM WITH YOU OR WITHOUT YOU, T. T. 599 00:25:19,290 --> 00:25:21,990 THE ONLY DIFFERENCE IS WHAT THE OUTCOME IS FOR YOU AND LUISA. 600 00:25:24,130 --> 00:25:27,360 HOW'D YOU FIND THE FAMILY THAT ADOPTED HIM? 601 00:25:27,400 --> 00:25:30,430 LUISA SAW THEM ON THE SUBWAY, JUST BY ACCIDENT. 602 00:25:30,470 --> 00:25:32,070 SHE FOLLOWED THEM HOME. 603 00:25:32,100 --> 00:25:34,440 THAT'S WHEN SHE GOT THE IDEA? 604 00:25:34,470 --> 00:25:37,070 IT'S HER BABY! THERE SHOULD BE RESPECT FOR THAT! 605 00:25:37,110 --> 00:25:40,210 ASSHOLES AT THE AGENCY BASICALLY TOLD HER TO GO SCREW HERSELF! 606 00:25:40,240 --> 00:25:42,710 YOU GAVE THE BOY TO SOMEONE AFTER YOU TOOK HIM. 607 00:25:42,750 --> 00:25:44,620 WHO WAS IT‐‐ A RELATIVE, A FRIEND? 608 00:25:44,650 --> 00:25:45,780 I HAVE TO SEE LUISA. 609 00:25:45,820 --> 00:25:47,330 TELL US WHERE THE BABY IS! 610 00:25:47,350 --> 00:25:49,380 WE GET HIM TONIGHT, WE CAN ARRANGE 611 00:25:49,420 --> 00:25:51,790 FOR YOU TO SEE LUISA BEFORE YOU GO IN THE SYSTEM. 612 00:25:54,460 --> 00:25:57,130 I GAVE HIM TO MY AUNT IN BROOKLYN. 613 00:25:57,160 --> 00:25:59,490 I TOLD HER I WAS TAKING CARE OF HIM FOR A FRIEND. 614 00:25:59,530 --> 00:26:01,130 HE'S FINE. I CALL EVERY HOUR. 615 00:26:01,170 --> 00:26:02,410 YOU'RE TAKING US THERE. 616 00:26:02,430 --> 00:26:04,570 YOU'RE NOT LYING ABOUT ME SEEING LUISA, RIGHT? 617 00:26:04,600 --> 00:26:06,900 WE'RE NOT LYING. 618 00:26:06,940 --> 00:26:09,540 WHAT'S UP? 619 00:26:13,610 --> 00:26:16,510 UH, I GOT A LITTLE SITUATION HERE. 620 00:26:16,550 --> 00:26:17,750 ALL RIGHT. 621 00:26:17,780 --> 00:26:20,020 PETE COSTELLO WHO GOT KILLED TODAY, 622 00:26:20,050 --> 00:26:22,280 WELL, HIS PARTNER IS MAYA ANDERSON. 623 00:26:22,320 --> 00:26:23,320 YOUR GIRLFRIEND? 624 00:26:23,350 --> 00:26:24,520 WE DATED. 625 00:26:24,560 --> 00:26:26,670 WHAT DO YOU NEED, BALDWIN? 626 00:26:26,690 --> 00:26:28,120 SHE GOT SHOT. 627 00:26:28,160 --> 00:26:30,330 HE PARTNER GOT KILLED RIGHT IN FRONT OF HER. 628 00:26:30,360 --> 00:26:31,830 SO SHE WASN'T THINKING STRAIGHT. 629 00:26:31,860 --> 00:26:33,290 WHEN SHE DID WHAT? 630 00:26:33,330 --> 00:26:34,600 WHEN SHE GAVE HER STATEMENT. 631 00:26:34,630 --> 00:26:36,130 SHE LEFT SOMETHING OUT? 632 00:26:36,170 --> 00:26:41,210 SHE SAID THE PERPS STARTED SHOOTING AS THEY WALKED UP, 633 00:26:41,240 --> 00:26:43,710 BUT, ACTUALLY, IT HAPPENED A LITTLE LATER. 634 00:26:43,740 --> 00:26:45,440 WHO WAS DERELICT? 635 00:26:45,480 --> 00:26:47,990 SHE DIDN'T TOSS HER GUY. SHE TOOK HER EYES OFF HIM. 636 00:26:48,010 --> 00:26:49,780 DID IT GET HER PARTNER KILLED? 637 00:26:49,810 --> 00:26:52,280 THE PERP WE'RE LOOKING FOR GOT HER PARTNER KILLED 638 00:26:52,320 --> 00:26:54,490 BY PULLING THE TRIGGER. SHE JUST MADE A MISTAKE. 639 00:26:54,520 --> 00:26:56,820 ALL RIGHT. 640 00:26:56,860 --> 00:26:58,800 IS THERE ANYTHING WE CAN DO HERE? 641 00:26:58,820 --> 00:27:00,890 TELL HER TO GIVE ME A CORRECTED STATEMENT, 642 00:27:00,930 --> 00:27:03,500 AND I'LL PUT IT IN THE FILE WITH THE NOTES FROM THE SCENE. 643 00:27:03,530 --> 00:27:05,970 THEN SHE'LL HAVE TWO STORIES. THAT'S A RED FLAG. 644 00:27:06,000 --> 00:27:07,640 THE ONLY PART THAT'S CHANGING 645 00:27:07,670 --> 00:27:10,140 IS HOW THE WHOLE THING JUMPED OFF, THAT'S IT. 646 00:27:10,170 --> 00:27:13,230 SHE'S A COP, SHE'S IN A JAM, AND SHE NEEDS SOME HELP. 647 00:27:18,610 --> 00:27:21,110 [ SIGHS ] 648 00:27:25,380 --> 00:27:27,580 HERE'S THE FILE. 649 00:27:27,620 --> 00:27:29,420 GIVE IT BACK TO ME BY THE END OF THE DAY, 650 00:27:29,450 --> 00:27:32,250 AND PUT WHAT YOU NEED TO IN IT. 651 00:27:36,430 --> 00:27:39,040 I OWE YOU. 652 00:27:39,060 --> 00:27:42,360 YOU DON'T OWE ME ANYTHING. 653 00:27:45,400 --> 00:27:48,170 WHERE WERE YOU BETWEEN 7:00 AND 8:00 THIS MORNING, MARTELL? 654 00:27:48,210 --> 00:27:49,210 HOME. 655 00:27:49,240 --> 00:27:50,670 DOING WHAT? 656 00:27:50,710 --> 00:27:52,770 GETTING THE TOP OF MY FINGER GRINDED OFF. 657 00:27:52,810 --> 00:27:54,680 HOW'D THAT HAPPEN? 658 00:27:54,710 --> 00:27:57,850 MY GIRLFRIEND GETS A PEACH PIT STUCK IN THE GARBAGE DISPOSAL. 659 00:27:57,880 --> 00:27:59,510 SO I REACH IN TO FISH IT OUT. 660 00:27:59,550 --> 00:28:01,920 SHE GETS THE BRIGHT IDEA TO TURN ON THE LIGHT 661 00:28:01,950 --> 00:28:03,450 SO I CAN SEE BETTER. 662 00:28:03,490 --> 00:28:06,260 PROBLEM IS SHE HITS THE GARBAGE DISPOSAL. 663 00:28:06,290 --> 00:28:09,190 IS THAT WHY I'M HERE? DID SHE CALL YOU GUYS? 664 00:28:09,230 --> 00:28:11,240 YOU GET YOUR FINGER CHEWED OFF 665 00:28:11,260 --> 00:28:13,630 'CAUSE YOUR GIRLFRIEND HITS THE SWITCH 666 00:28:13,670 --> 00:28:15,870 AND SEE IF YOU DON'T BACKHAND HER. 667 00:28:15,900 --> 00:28:18,200 WE GOT WITNESSES SAW YOU AND YOUR BUDDY DESHAWN 668 00:28:18,240 --> 00:28:19,880 ARGUE WITH THOSE COPS THIS MORNING. 669 00:28:19,900 --> 00:28:21,400 WHAT? YEAH. 670 00:28:21,440 --> 00:28:23,910 SO LET'S FORGET ABOUT PEACH PITS AND GARBAGE DISPOSALS 671 00:28:23,940 --> 00:28:25,570 AND TALK ABOUT WHAT WENT WRONG. 672 00:28:25,610 --> 00:28:27,810 I THINK WE GOT SOME WIRES CROSSED UP IN HERE. 673 00:28:27,850 --> 00:28:29,890 WE COULD PUT THIS WHOLE THING ON DESHAWN. 674 00:28:29,910 --> 00:28:31,880 THAT'S HOW YOU'RE GONNA WANT TO PLAY THIS. 675 00:28:31,920 --> 00:28:33,560 I DON'T KNOW NO DESHAWN. 676 00:28:33,590 --> 00:28:35,590 AND I DON'T KNOW NOTHING ABOUT ARGUING WITH NO COPS. 677 00:28:35,620 --> 00:28:37,650 WHY'D YOU WAIT SIX HOURS TO GO TO THE HOSPITAL? 678 00:28:37,690 --> 00:28:39,090 I AIN'T GOT NO INSURANCE. 679 00:28:39,120 --> 00:28:41,390 IT WOULDN'T STOP BLEEDING, SO I HAD TO GO. 680 00:28:41,430 --> 00:28:43,570 WE'RE GONNA LOOK INTO YOUR LIFE, MARTELL. 681 00:28:43,600 --> 00:28:45,600 WE'RE GONNA RUN YOUR CRIMINAL RECORD 682 00:28:45,630 --> 00:28:48,400 AND TALK TO EVERYBODY YOU KNOW, AND IF WE SEE ANYTHING 683 00:28:48,430 --> 00:28:50,770 ABOUT YOU AND DESHAWN TROY HAVING ANY CONTACT‐‐ 684 00:28:50,800 --> 00:28:52,330 LOOK ALL YOU WANT. 685 00:28:52,370 --> 00:28:55,970 WHATEVER IT IS GOT Y'ALL PISSED OFF, I DIDN'T DO IT. 686 00:28:56,010 --> 00:28:59,020 I SWEAR TO GOD. 687 00:29:08,050 --> 00:29:10,150 I CAN'T WRITE WITH MY LEFT HAND. 688 00:29:10,190 --> 00:29:11,650 WORK IT OUT. 689 00:29:13,630 --> 00:29:15,170 WHERE YOU BEEN? 690 00:29:15,190 --> 00:29:16,360 CANVASS. 691 00:29:16,390 --> 00:29:17,530 ANYTHING? 692 00:29:17,560 --> 00:29:18,630 NO. 693 00:29:18,660 --> 00:29:19,830 WHERE'S JONES? 694 00:29:19,860 --> 00:29:21,260 HE'S TALKING TO MAYA. 695 00:29:21,300 --> 00:29:23,460 I GUESS SHE REMEMBERED SOME EXTRA DETAILS 696 00:29:23,500 --> 00:29:24,700 ABOUT THE SHOOTING. 697 00:29:24,740 --> 00:29:25,940 LIKE WHAT? 698 00:29:25,970 --> 00:29:28,370 I DON'T KNOW. HE'S HEADED DOWN THERE NOW. 699 00:29:28,410 --> 00:29:30,480 WE LIKE HIM? 700 00:29:30,510 --> 00:29:32,270 UH, MAYBE. WE'LL LOOK INTO HIM, 701 00:29:32,310 --> 00:29:34,840 SEE IF HE HAS ANY CONNECTION WITH THE D. O. A. SHOOTER. 702 00:29:34,880 --> 00:29:36,780 HOW'S HE EXPLAIN THE FINGER INJURY? 703 00:29:36,820 --> 00:29:38,720 GARBAGE DISPOSAL. WE'LL CHECK ON THAT, TOO. 704 00:29:38,750 --> 00:29:41,120 HEY. 705 00:29:41,150 --> 00:29:45,220 ROBERT, WAIT IN THE HALLWAY. 706 00:29:45,260 --> 00:29:47,370 DID YOU GUILT‐TRIP HIM ABOUT 9/11? 707 00:29:47,390 --> 00:29:50,490 THAT'S WHAT HE BROUGHT UP TO ME AS A REASON FOR WANTING TO HELP. 708 00:29:50,530 --> 00:29:53,290 I DIDN'T DO THAT. NONE OF US WOULD DO THAT. 709 00:29:53,330 --> 00:29:55,730 YOUR SON BROUGHT THAT UP ON HIS OWN. 710 00:29:55,770 --> 00:29:58,710 I WANT YOU TO BE CLEAR WE DON'T THROW THAT AROUND. 711 00:29:58,740 --> 00:30:00,180 WELL, HE WANTS TO HELP, 712 00:30:00,200 --> 00:30:02,640 AND I DON'T WANT TO START TEACHING HIM NOT TO. 713 00:30:02,670 --> 00:30:04,540 YOU GOT A REALLY GOOD SON, MR. DUPREE. 714 00:30:04,580 --> 00:30:07,020 IF YOU WANT HIM TO LOOK AT SOME PHOTOS, THAT'S FINE, 715 00:30:07,050 --> 00:30:08,590 BUT THAT'S ALL HE'S DOING. 716 00:30:08,610 --> 00:30:10,110 WE'LL MEET YOU IN THE HALLWAY. 717 00:30:11,880 --> 00:30:13,380 IF HE'S NOT GONNA TESTIFY, 718 00:30:13,420 --> 00:30:15,860 THERE'S NO NEED TO GET ALL FORMAL WITH A LINEUP. 719 00:30:15,890 --> 00:30:18,530 WE JUST NEED TO KNOW WE'RE DEALING WITH THE RIGHT GUY. 720 00:30:18,560 --> 00:30:21,300 ALL RIGHT. LET'S TAKE HIM IN THE OBSERVATION ROOM. 721 00:30:34,640 --> 00:30:36,670 ROBERT, WE'RE GONNA LIFT THIS SHADE UP. 722 00:30:36,710 --> 00:30:39,440 THERE'S A 2‐WAY MIRROR, SO THE PERSON IN THERE CAN'T SEE YOU. 723 00:30:39,480 --> 00:30:41,290 YOU TELL US IF YOU RECOGNIZE THE MAN 724 00:30:41,310 --> 00:30:42,940 SITTING AT THE TABLE IN THERE, OKAY? 725 00:30:42,980 --> 00:30:44,210 OKAY. 726 00:30:49,590 --> 00:30:51,690 THAT'S HIM. 727 00:30:51,720 --> 00:30:54,120 HE'S THE ONE THAT SAID HE'D KILL ME. 728 00:30:57,400 --> 00:30:58,640 GO ON HOME NOW. 729 00:30:58,660 --> 00:31:00,400 WE'LL BE IN CONTACT IF WE NEED TO. 730 00:31:00,430 --> 00:31:04,030 HEY, ROBERT... 731 00:31:04,070 --> 00:31:05,330 WE REALLY APPRECIATE IT. 732 00:31:19,450 --> 00:31:21,480 SO THIS IS THE COP KILLER. 733 00:31:21,520 --> 00:31:22,920 THAT'S HIM. 734 00:31:22,950 --> 00:31:25,150 DO WHAT YOU GOTTA DO. 735 00:31:43,510 --> 00:31:45,980 YOU'RE NOT GONNA BE ABLE TO READ IT TOO GOOD, 736 00:31:46,010 --> 00:31:47,510 BUT I GAVE IT MY BEST SHOT. 737 00:31:47,550 --> 00:31:48,920 THAT'S ALL YOU CAN ASK FOR. 738 00:31:48,950 --> 00:31:50,520 I HEAR THAT. 739 00:31:55,620 --> 00:31:57,250 SO WHAT'S UP? 740 00:31:57,290 --> 00:31:59,190 HOW'S YOUR HAND DOING? 741 00:31:59,220 --> 00:32:01,920 YOU KNOW. SAME. STILL HURTING. 742 00:32:01,960 --> 00:32:03,590 BANDAGE HOLDING UP? 743 00:32:03,630 --> 00:32:04,830 YEAH. 744 00:32:04,860 --> 00:32:05,990 LET ME SEE. 745 00:32:06,030 --> 00:32:09,100 COME ON. 746 00:32:09,130 --> 00:32:12,670 CUT IT DOWN TO THE BONE, DID YOU SAY? 747 00:32:12,700 --> 00:32:15,000 YEAH. A WHOLE HALF A FINGER IS GONE. 748 00:32:15,040 --> 00:32:17,210 GARBAGE DISPOSAL TOOK IT RIGHT OFF. 749 00:32:17,240 --> 00:32:18,440 OW! 750 00:32:18,480 --> 00:32:20,520 YOU GOT PICKED OUT. PICKED OUT OF WHAT?! 751 00:32:20,550 --> 00:32:22,690 WE KNOW YOU WERE WITH DESHAWN THIS MORNING. 752 00:32:22,710 --> 00:32:24,780 I WAS WITH MY GIRLFRIEND THIS MORNING. 753 00:32:24,820 --> 00:32:26,560 HEY! HEY! TAKE IT EASY, NOW, OKAY?! 754 00:32:26,590 --> 00:32:29,060 YOU ARE GONNA START TELLING THE TRUTH NOW, MARTELL. 755 00:32:29,090 --> 00:32:31,200 YOU FALL BACK ON ANY OF YOUR LAME‐ASS LIES, 756 00:32:31,220 --> 00:32:33,660 I'M GONNA GRIND YOUR STUB FINGER INTO THIS TABLE! 757 00:32:33,690 --> 00:32:37,190 I SWEAR TO GOD, I DON'T KNOW WHAT YOU'RE T‐‐ AAH! 758 00:32:37,230 --> 00:32:39,630 PUT IT ALL ON DESHAWN! HE'S NOT GONNA SAY DIFFERENT! 759 00:32:39,660 --> 00:32:41,730 HE'S ON A SLAB DOWN AT THE CORONER'S OFFICE! 760 00:32:41,770 --> 00:32:44,140 A COP GOT KILLED MARTELL. THE RULES ARE DIFFERENT. 761 00:32:44,170 --> 00:32:45,470 YOU'RE GONNA GIVE IT UP, 762 00:32:45,500 --> 00:32:47,670 OR GET PUT THROUGH PAIN YOU NEVER IMAGINED. 763 00:32:47,710 --> 00:32:51,080 LAY IT ALL OFF ON DESHAWN! 764 00:32:51,110 --> 00:32:52,670 OKAY! 765 00:32:52,710 --> 00:32:53,740 OKAY! 766 00:32:53,780 --> 00:32:55,740 IT WAS AN ACCIDENT. 767 00:32:55,780 --> 00:32:58,080 BUT DESHAWN GOT IT ROLLING. HE HAD THE GUN. 768 00:32:58,120 --> 00:33:00,730 HE DID THE SHOOTING. I WAS JUST THERE FOR THE CAR. 769 00:33:00,750 --> 00:33:02,650 HOW DOES THAT MAKE IT AN ACCIDENT? 770 00:33:02,690 --> 00:33:05,100 WE'RE WORKING THE CAR, THEN THE COPS COME UP. 771 00:33:05,120 --> 00:33:07,560 I'M NERVOUS BECAUSE DESHAWN'S BEEN INSIDE TWICE, 772 00:33:07,590 --> 00:33:09,760 AND HE ALREADY SAID HE AIN'T GOING BACK. 773 00:33:09,790 --> 00:33:12,230 BUT IT'S COOL. EVERYBODY'S BEHAVING. 774 00:33:12,260 --> 00:33:15,400 AND THEN THIS CHICK COP TURNS AWAY FROM DESHAWN, 775 00:33:15,430 --> 00:33:17,730 GIVES HIM AN OPENING. HE TOOK IT. 776 00:33:17,770 --> 00:33:19,570 THAT'S NOT AN ACCIDENT, MARTELL! 777 00:33:19,600 --> 00:33:21,870 HE STARTED SHOOTING. THEY STARTED SHOOTING. 778 00:33:21,910 --> 00:33:23,680 I JUST HAULED ASS OUT OF THERE. 779 00:33:23,710 --> 00:33:25,340 BUT YOU DID HAVE A GUN ON YOU. 780 00:33:25,380 --> 00:33:26,920 NO. 781 00:33:26,950 --> 00:33:29,450 YES! YEAH, YEAH, I HAD A GUN, BUT I DIDN'T USE IT. 782 00:33:29,480 --> 00:33:31,410 WHERE IS IT? MY BOY JASON'S. 783 00:33:31,450 --> 00:33:33,010 IS IT GONNA MATCH THE BULLET 784 00:33:33,050 --> 00:33:34,950 WE TOOK OUT OF THAT COP THAT GOT KILLED?! 785 00:33:40,930 --> 00:33:43,700 THAT FEMALE COP TURNED AWAY FROM YOU. 786 00:33:43,730 --> 00:33:45,760 YOU HAD THE OPENING. 787 00:33:45,800 --> 00:33:47,140 YOU TOOK IT. 788 00:33:49,000 --> 00:33:51,970 YOU COME LOOKING TO TAKE SOMEBODY IN, 789 00:33:52,000 --> 00:33:55,040 YOU DON'T TURN YOUR BACK ON THEM. 790 00:33:55,070 --> 00:33:56,610 YOU CAN'T DO THAT. 791 00:33:56,640 --> 00:33:58,970 YOU CAN'T DO THAT. 792 00:34:05,450 --> 00:34:06,580 THANKS, HANK. 793 00:34:06,620 --> 00:34:07,820 SO WHY AM I HERE? 794 00:34:07,850 --> 00:34:09,990 YOU KNOW I'M GONNA GET FIRED. 795 00:34:14,930 --> 00:34:17,100 THE BOY'S BACK WITH HIS PARENTS. 796 00:34:17,130 --> 00:34:19,630 WE'RE GONNA NEED YOUR STATEMENT, LUISA. 797 00:34:19,660 --> 00:34:20,930 CAN'T IT JUST WAIT? 798 00:34:20,970 --> 00:34:22,310 YOU GOT FIVE MINUTES. 799 00:34:25,040 --> 00:34:26,880 THEY WERE GONNA LOCK YOU UP AND‐‐ 800 00:34:28,440 --> 00:34:30,340 CAN I HOLD HER? 801 00:34:30,370 --> 00:34:31,910 JUST A LITTLE? 802 00:34:31,940 --> 00:34:33,910 [ SOBS ] 803 00:34:33,950 --> 00:34:36,350 WE'RE GONNA GET THROUGH THIS, OKAY? 804 00:34:36,380 --> 00:34:38,250 I'M NEVER GONNA SEE YOU AGAIN. 805 00:34:38,280 --> 00:34:39,620 NO, THAT AIN'T GONNA HAPPEN. 806 00:34:39,650 --> 00:34:40,820 IT'S GONNA BE ALL RIGHT. 807 00:34:40,850 --> 00:34:44,050 IT'S GONNA BE FINE. 808 00:34:55,030 --> 00:34:56,770 DID CLARK LEAVE? 809 00:34:56,800 --> 00:34:58,200 HAD SOMEPLACE TO BE. 810 00:34:58,240 --> 00:35:01,310 I SPOKE WITH PETE COSTELLO'S WIFE. 811 00:35:01,340 --> 00:35:03,610 MEANT A LOT THAT YOU GOT CATES. 812 00:35:03,640 --> 00:35:05,340 SO, GOOD WORK. PASS THAT ON TO CLARK. 813 00:35:07,810 --> 00:35:10,350 YOU KNOW, PROCEDURALLY, AS A BOSS, 814 00:35:10,380 --> 00:35:13,820 THERE'S A LOT OF BASES I GOTTA MAKE SURE GET COVERED. 815 00:35:13,850 --> 00:35:15,280 YOU KNOW MY SIDE OF IT. 816 00:35:15,320 --> 00:35:16,950 IS IT GONNA BE A PROBLEM? 817 00:35:16,990 --> 00:35:19,690 'CAUSE YOU AND ME BUTTING HEADS DIDN'T HELP ANYTHING‐‐ 818 00:35:19,720 --> 00:35:20,990 JUST WASTED TIME. 819 00:35:21,030 --> 00:35:22,570 THE CASE CLEARED. 820 00:35:22,590 --> 00:35:25,390 I'M ASKING, YOU AND ME‐‐ IS IT GOING PAST TODAY? 821 00:35:25,430 --> 00:35:27,630 ALL I CARED ABOUT WAS MAKING THE CASE. 822 00:35:27,670 --> 00:35:29,340 THAT'S ALL I EVER CARE ABOUT. 823 00:35:29,370 --> 00:35:30,740 SAME HERE. 824 00:35:30,770 --> 00:35:33,370 THEN WE'RE ON THE SAME PAGE, MEANING THIS HORSE IS DEAD, 825 00:35:33,400 --> 00:35:35,440 BUT FOR SOME REASON WE'RE STILL HERE BEATING IT. 826 00:35:37,240 --> 00:35:38,570 TOMORROW. 827 00:35:38,610 --> 00:35:40,240 YEAH. 828 00:35:42,080 --> 00:35:43,010 HOW'D YOU DO? 829 00:35:43,050 --> 00:35:44,260 THEY BOTH WENT. 830 00:35:44,280 --> 00:35:46,880 RITA'S GETTING THEM TO CENTRAL BOOKING. 831 00:35:46,920 --> 00:35:49,020 THAT SOCIAL WORKER CALL BACK? 832 00:35:49,050 --> 00:35:50,720 ALL THE PAPER WORK CAME THROUGH. 833 00:35:50,760 --> 00:35:52,030 IT'S WRAPPED UP? 834 00:35:52,060 --> 00:35:53,430 WE'RE GOOD TO PICK HER UP. 835 00:35:53,460 --> 00:35:55,870 YOU ALL RIGHT? 836 00:35:57,560 --> 00:35:59,060 CONNIE? 837 00:36:01,970 --> 00:36:03,340 FOR THE BABY. 838 00:36:03,370 --> 00:36:06,340 RITA, THANK YOU. 839 00:36:06,370 --> 00:36:10,210 UM, I'M SORRY IT HAD TO COME ABOUT THE WAY IT DID, 840 00:36:10,240 --> 00:36:11,870 LOSING YOUR SISTER. 841 00:36:11,910 --> 00:36:12,940 I KNOW. 842 00:36:12,980 --> 00:36:15,450 IT'S BEEN HARD KNOWING WHAT TO SAY. 843 00:36:15,480 --> 00:36:17,450 BUT I'M REALLY EXCITED FOR YOU. 844 00:36:19,420 --> 00:36:21,060 THAT MEANS A LOT TO ME. 845 00:36:21,090 --> 00:36:23,860 YOU'LL CALL ME LATER, TELL ME HOW IT'S GOING? 846 00:36:23,890 --> 00:36:24,920 I WILL. 847 00:36:24,960 --> 00:36:26,800 THANK YOU. 848 00:36:30,800 --> 00:36:33,270 SO, ARE YOU READY? WE DON'T WANT TO BE LATE. 849 00:36:33,300 --> 00:36:34,310 YEAH, I'M READY. 850 00:36:34,330 --> 00:36:35,460 I DON'T WANT TO RUSH YOU. 851 00:36:35,500 --> 00:36:36,360 I'M READY. 852 00:36:36,400 --> 00:36:38,830 OKAY. 853 00:36:48,150 --> 00:36:49,420 HEY. 854 00:36:49,450 --> 00:36:50,790 HEY. 855 00:36:50,820 --> 00:36:52,990 I CALLED YOU A COUPLE TIMES. 856 00:36:53,020 --> 00:36:54,760 I WASN'T PICKING UP. 857 00:36:54,790 --> 00:36:56,290 WHERE YOU HEADED? 858 00:36:56,320 --> 00:36:59,420 I'M GONNA STAY WITH MY FOLKS A WHILE. 859 00:36:59,460 --> 00:37:01,400 I CALLED THE COMMAND. I'M TAKING SOME TIME. 860 00:37:01,430 --> 00:37:02,470 WHEN ARE YOU COMING BACK? 861 00:37:02,490 --> 00:37:03,830 I DON'T THINK I AM. 862 00:37:03,860 --> 00:37:06,600 YOU DON'T NEED TO MAKE ANY BIG DECISIONS RIGHT NOW, MAYA. 863 00:37:06,630 --> 00:37:07,960 I CAN'T FACE WORK RIGHT NOW. 864 00:37:08,000 --> 00:37:09,930 EVERYBODY'S GONNA BE TALKING ABOUT IT. 865 00:37:09,970 --> 00:37:11,970 NO ONE'S GONNA WANT TO PARTNER WITH ME. 866 00:37:12,000 --> 00:37:15,400 I WATCH OTHER PEOPLE DO THE JOB, AND THEY'RE QUICK AND CONFIDENT, 867 00:37:15,440 --> 00:37:18,010 AND I SEE THAT'S WHAT I SHOULD BE, BUT I'M NOT. 868 00:37:18,040 --> 00:37:20,610 I MEAN, I LOVE THE JOB, AND I LOVE MY FELLOW COPS. 869 00:37:20,650 --> 00:37:21,990 I'M JUST NOT GOOD AT IT. 870 00:37:22,010 --> 00:37:24,650 AND PETE‐‐ I CAN'T BELIEVE HE'S GONE. 871 00:37:24,680 --> 00:37:27,180 HE'D STILL BE HERE IF IT WASN'T FOR ME. 872 00:37:27,220 --> 00:37:29,080 MARTELL CATES KILLED PETE, 873 00:37:29,120 --> 00:37:31,320 AND WE GOT MARTELL LOCKED UP FOR IT. 874 00:37:31,360 --> 00:37:34,030 I GOTTA GO. 875 00:37:39,200 --> 00:37:41,270 THANKS FOR CLEANING UP THE STATEMENTS FOR ME. 876 00:37:41,300 --> 00:37:42,200 YEAH, NO PROBLEM. 877 00:37:49,870 --> 00:37:51,610 CALL ME WHEN YOU GET THERE. 878 00:37:51,640 --> 00:37:54,210 MAYA, DON'T GET DOWN ON YOURSELF, ALL RIGHT? 879 00:37:54,250 --> 00:37:56,350 THINGS LIKE THIS, IF YOU LET THEM, 880 00:37:56,380 --> 00:37:58,010 THEY BUILD MOMENTUM AND‐‐ 881 00:37:58,050 --> 00:38:00,220 WELL, JUST DON'T GET DOWN ON YOURSELF. 882 00:38:00,250 --> 00:38:03,120 OKAY. 883 00:38:03,150 --> 00:38:04,390 I'LL SEE YOU. 884 00:38:25,940 --> 00:38:28,540 [ TELEVISION PLAYING, DOOR OPENS ] 885 00:38:28,580 --> 00:38:32,010 JOHN, THAT YOU? 886 00:38:32,050 --> 00:38:33,850 YEAH. 887 00:38:33,890 --> 00:38:36,760 NETS ARE ON. LOSING, UNFORTUNATELY. 888 00:38:36,790 --> 00:38:38,150 HOW YOU FEELING? 889 00:38:38,190 --> 00:38:39,820 I'M FINE. 890 00:38:39,860 --> 00:38:42,660 I SHOULDN'T HAVE BEEN DRINKING ON AN EMPTY STOMACH. 891 00:38:42,690 --> 00:38:45,430 AND I ORDERED THE PORK CHOPS, WHICH TOOK TOO LONG, 892 00:38:45,460 --> 00:38:47,530 SO I HAD A FEW MORE IN THE MEANTIME. 893 00:38:47,570 --> 00:38:48,570 GOT AWAY FROM IT. 894 00:38:48,600 --> 00:38:50,370 OH, PLEASE, REF. 895 00:38:50,400 --> 00:38:52,870 DAD, CAN YOU TURN THAT OFF. 896 00:38:52,900 --> 00:38:54,370 I'M WATCHING IT. 897 00:38:54,410 --> 00:38:57,380 WELL, I'D LIKE TO TALK TO YOU ABOUT WHAT'S GOING ON HERE. 898 00:38:57,410 --> 00:38:58,840 NOTHING IS GOING ON. 899 00:38:58,880 --> 00:38:59,920 [ SIGHS ] 900 00:38:59,940 --> 00:39:01,710 [ TELEVISION STOPS ] 901 00:39:01,750 --> 00:39:04,590 IT'S NOT NORMAL, YOU GETTING DRUNK IN THE MIDDLE OF THE DAY. 902 00:39:04,620 --> 00:39:06,760 IT'S NOT NORMAL, YOU GETTING DRUNK AT ALL. 903 00:39:06,790 --> 00:39:09,930 MAYBE YOU'RE NOT AS PERCEPTIVE AS YOU THINK YOU ARE. 904 00:39:09,950 --> 00:39:12,750 YOU WANT TO START TALKING MAN TO MAN? FINE. 905 00:39:12,790 --> 00:39:15,520 YOU WERE SHOCKED‐‐ NO, STUNNED‐‐ TO LEARN RECENTLY 906 00:39:15,560 --> 00:39:18,690 THAT I HAVE THE SAME NATURAL URGES AS ANY OTHER MAN. 907 00:39:18,730 --> 00:39:21,260 NOW YOU'RE LEARNING THAT I HAVE A DRINK OR TWO. 908 00:39:21,300 --> 00:39:22,600 IT'S TIME YOU GREW UP. 909 00:39:22,630 --> 00:39:23,730 [ TELEVISION PLAYS ] 910 00:39:27,070 --> 00:39:29,570 AFTER YOU COPPED TO SEEING THAT PROSTITUTE, 911 00:39:29,610 --> 00:39:32,470 ARE YOU SURE ALL YOU GOT FROM I. A. B. WAS A 10‐DAY RIP? 912 00:39:32,510 --> 00:39:34,440 YOU SHOULD'VE BEEN FIRED. DOESN'T MAKE ANY SENSE. 913 00:39:34,480 --> 00:39:36,310 I JUST GOT THE RIP. 914 00:39:36,350 --> 00:39:38,990 'CAUSE I KNOW THEY OFFERED TO TURN YOU OUT AS AN INFORMANT 915 00:39:39,020 --> 00:39:40,730 TO SAVE YOUR JOB AND YOUR PENSION. 916 00:39:40,750 --> 00:39:41,980 WHICH I REFUSED. 917 00:39:42,020 --> 00:39:43,250 ARE YOU SURE? 918 00:39:43,290 --> 00:39:45,430 YOU BARELY RETURN MY CALLS SINCE THEN. 919 00:39:45,460 --> 00:39:48,130 AND NOW I GOTTA DRAG YOU WASTED OUT OF A BAR AT NOON. 920 00:39:48,160 --> 00:39:50,760 I'M A RAT? THAT'S WHAT YOU THINK ABOUT YOUR FATHER? 921 00:39:50,800 --> 00:39:52,900 YOUR SON FINDING OUT THAT YOU'RE A WHOREMONGER, 922 00:39:52,930 --> 00:39:54,260 THAT'S A LITTLE HUMILIATING. 923 00:39:54,300 --> 00:39:56,130 PUTTING A BLEMISH ON A PERFECT CAREER, 924 00:39:56,170 --> 00:39:57,440 THAT IS ALSO HUMILIATING. 925 00:39:57,470 --> 00:39:59,430 ALL OF WHICH TAKES TIME TO WORK THROUGH, 926 00:39:59,470 --> 00:40:01,340 WHICH I AM SORRY IS NOT UP TO YOUR PACE. 927 00:40:01,370 --> 00:40:02,970 SOMETHING'S GOING ON. 928 00:40:03,010 --> 00:40:04,420 NOW I'M WATCHING THIS GAME. 929 00:40:04,440 --> 00:40:06,410 YOU WANT TO WATCH WITH ME, THAT'S FINE, 930 00:40:06,440 --> 00:40:08,010 BUT THIS CONVERSATION IS OVER. 931 00:40:08,050 --> 00:40:10,320 I GUESS I'LL TALK TO YOU LATER. 932 00:40:10,350 --> 00:40:13,180 NOT ABOUT THAT. YOU DON'T BRING THAT UP AGAIN! 933 00:40:19,160 --> 00:40:20,870 [ TELEVISION STOPS ] 934 00:40:30,740 --> 00:40:32,880 SHOULD WE ASK IF THERE'S A PROBLEM? 935 00:40:32,900 --> 00:40:36,140 SHE SAID IT'D BE 10 MINUTES. THAT WAS ROUGHLY 7 MINUTES AGO. 936 00:40:36,170 --> 00:40:38,970 BUT ON THE PHONE, SHE SAID THE PAPER WORK WENT THROUGH. 937 00:40:39,010 --> 00:40:40,480 THAT'S WHAT SHE SAID. 938 00:40:40,510 --> 00:40:43,650 [ SIGHS ] 939 00:40:43,680 --> 00:40:45,480 I'LL PROBABLY NEED TO GET A LAWYER 940 00:40:45,520 --> 00:40:46,790 FOR THE OFFICIAL ADOPTION. 941 00:40:46,820 --> 00:40:48,480 SHE SAID IT CAN GET COMPLICATED. 942 00:40:48,520 --> 00:40:50,290 THAT'S WHY YOU GET THE LAWYER. 943 00:40:50,320 --> 00:40:52,690 I UNDERSTAND THAT. I'M JUST A LITTLE CONCERNED 944 00:40:52,720 --> 00:40:55,160 'CAUSE WHEN SOMEONE SAYS IT CAN GET COMPLICATED, 945 00:40:55,190 --> 00:40:56,490 WHO KNOWS WHAT THEY MEAN. 946 00:40:56,530 --> 00:40:58,240 PROBABLY PAPER WORK AND STUFF. 947 00:41:00,400 --> 00:41:03,730 THERE'S A LOT OF THINGS RUNNING THROUGH MY HEAD. 948 00:41:03,770 --> 00:41:06,330 LET THEM OUT. 949 00:41:06,370 --> 00:41:08,400 FEEDINGS, DIAPERS, COLIC. 950 00:41:08,440 --> 00:41:12,210 WILL SHE SLEEP THE NIGHT? WILL I SLEEP THE NIGHT? 951 00:41:12,240 --> 00:41:14,210 YOU WANT THE WHOLE LIST? 952 00:41:14,250 --> 00:41:16,250 GOT AT LEAST ANOTHER MINUTE. 953 00:41:16,280 --> 00:41:20,050 DO YOU THINK VALERIE WOULD KNOW A DECENT ADOPTION ATTORNEY? 954 00:41:20,080 --> 00:41:22,950 I MEAN, HOW OFTEN WOULD SHE INTERACT WITH THEM? 955 00:41:25,060 --> 00:41:27,370 HI, CONNIE. WE'RE ALL SQUARED AWAY. 956 00:41:27,390 --> 00:41:30,930 SO WE CAN‐‐ WE CAN TAKE HER HOME? 957 00:41:30,960 --> 00:41:32,060 YOU CAN TAKE HER HOME. 958 00:41:35,030 --> 00:41:37,100 IN A FEW DAYS, YOU'LL GET SOME COPIES 959 00:41:37,140 --> 00:41:39,950 OF THE FOSTER‐CARE PAPER WORK AND THE BIRTH CERTIFICATE. 960 00:41:39,970 --> 00:41:42,070 YOU HAVE MY CARD IF YOU NEED ANYTHING. 961 00:41:42,110 --> 00:41:43,380 THANKS FOR YOUR HELP. 962 00:41:43,410 --> 00:41:44,650 GOOD LUCK. 963 00:41:46,310 --> 00:41:49,880 OH, MY GOD, ANDY. 964 00:41:49,910 --> 00:41:51,480 I CAN'T BELIEVE IT. 965 00:41:54,290 --> 00:41:55,860 COME ON. 966 00:41:55,890 --> 00:41:58,130 LET'S GO HOME. 69946

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