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1
00:00:12,920 --> 00:00:16,630
GIVE US A SECOND AND THEN WE’LL
BE RIGHT UP, ALL RIGHT?
2
00:00:16,660 --> 00:00:18,930
MORNING.
WHAT DO WE GOT?
3
00:00:18,960 --> 00:00:22,130
D.O.A.’s A ROCKY MORTON,
LOCAL HUSTLER.
4
00:00:22,160 --> 00:00:25,430
APPARENTLY, HE GOT SHOT
IN THE NUTS.
5
00:00:25,460 --> 00:00:26,760
I HAVEN’T
BEEN INSIDE YET.
6
00:00:26,800 --> 00:00:28,760
SHOT IN THE NUTS LIKE A GAY
QUARREL TYPE OF THING?
7
00:00:28,800 --> 00:00:30,030
I HAVEN’T BEEN INSIDE YET.
8
00:00:30,070 --> 00:00:31,600
ANYONE SEE IT?
9
00:00:31,640 --> 00:00:34,410
NO, THE D. O. A.’s BUDDY WAS
UPSTAIRS WITH A PLUMBER.
10
00:00:34,440 --> 00:00:36,770
THEY HEARD A GUNSHOT.
11
00:00:36,810 --> 00:00:38,110
DETECTIVE.
12
00:00:38,140 --> 00:00:39,540
COMING THROUGH.
13
00:00:39,580 --> 00:00:41,610
HERE’S THE PLUMBER.
14
00:00:41,650 --> 00:00:43,920
D.O.A.’s BUDDY’S IN THE KITCHEN.
HIS NAME’S JOEL ROBINSON.
15
00:00:43,950 --> 00:00:45,810
DID YOU GET THE TAPE OUT
OF THIS?
16
00:00:45,850 --> 00:00:47,150
IT’S NOT EVEN REAL.
JUST A SHELL.
17
00:00:49,350 --> 00:00:51,450
ONE TO THE HEAD,
ONE TO THE NUT SACK.
18
00:00:51,490 --> 00:00:53,390
HOPE HE TOOK THE HEAD SHOT
FIRST.
19
00:00:53,420 --> 00:00:54,820
I’LL TAKE THE BUDDY.
20
00:00:56,830 --> 00:00:59,460
DETECTIVE SIPOWICZ, JOEL.
HOW’D YOU KNOW HIM?
21
00:00:59,500 --> 00:01:00,570
WE’RE PARTNERS.
22
00:01:00,600 --> 00:01:02,900
LIKE, WHAT KIND OF
PARTNERS?
23
00:01:02,930 --> 00:01:04,270
BUSINESS.
WHAT OTHER KIND IS THERE?
24
00:01:04,300 --> 00:01:06,430
THE KIND THAT GET SHOT
IN THE CROTCH.
25
00:01:06,470 --> 00:01:09,940
OH, NO WAY‐‐ ROCKY GOT
MORE TRIM THAN HE COULD HANDLE.
26
00:01:09,970 --> 00:01:11,610
WHERE WERE YOU WHEN THIS
WENT DOWN?
27
00:01:11,640 --> 00:01:14,510
WITH THE PLUMBER SNAKING
THE JOHN NEXT DOOR.
28
00:01:14,550 --> 00:01:16,150
ROCKY’S GOT BOTH APARTMENTS.
29
00:01:16,180 --> 00:01:17,680
FOR OVERFLOW INVENTORY?
30
00:01:17,720 --> 00:01:20,330
THIS IS ALL LEGIT STUFF.
IT’S JUST BULK PURCHASE.
31
00:01:20,350 --> 00:01:21,420
ANY OF IT MISSING?
32
00:01:21,450 --> 00:01:22,520
SOME PDA's, I THINK.
33
00:01:22,550 --> 00:01:23,850
WHICH IS WHAT?
34
00:01:23,890 --> 00:01:26,290
PALM PILOT‐‐ KEEPS PHONE
NUMBERS AND STUFF.
35
00:01:26,320 --> 00:01:27,690
I DON’T KNOW.
36
00:01:27,730 --> 00:01:29,800
I’LL NEED MAKES
AND MODELS.
37
00:01:29,830 --> 00:01:32,160
WHAT’D YOU HEAR WHEN
YOU WERE SNAKING THE JOHN?
38
00:01:32,200 --> 00:01:33,440
SHOTS.
39
00:01:33,460 --> 00:01:34,830
WE GO OUT TO LOOK,
40
00:01:34,870 --> 00:01:37,840
AND WE SEE THIS GUY RUNNING DOWN
THE STAIRS WEARING A MASK.
41
00:01:37,870 --> 00:01:40,800
SO THE PLUMBER WENT AFTER HIM,
AND I FOUND ROCKY.
42
00:01:40,840 --> 00:01:43,870
THAT HIS GUN NEXT TO HIM?
43
00:01:43,910 --> 00:01:46,170
HE HAVE A LOT OF ENEMIES?
44
00:01:46,210 --> 00:01:48,210
NO.
45
00:01:48,250 --> 00:01:49,660
I DON’T KNOW.
I CAN’T THINK RIGHT NOW.
46
00:01:49,680 --> 00:01:50,980
ANYBODY ELSE HAVE A KEY?
47
00:01:51,020 --> 00:01:52,720
HE’S VERY
SECURITY‐CONSCIOUS.
48
00:01:52,750 --> 00:01:54,820
SO WHY HAS HE GOT A
FAKE CAMERA?
49
00:01:54,850 --> 00:01:56,550
HE’S ALSO TIGHT WITH
A BUCK.
50
00:01:56,590 --> 00:01:58,690
HE GREW UP IN RAGS.
GIVE THE GUY A BREAK.
51
00:01:58,720 --> 00:01:59,890
ALL RIGHT, JOEL.
52
00:01:59,920 --> 00:02:02,520
GET THAT LIST STARTED.
53
00:02:02,560 --> 00:02:04,990
HEY.
54
00:02:05,030 --> 00:02:06,560
HEARD A SHOT,
WENT AFTER THE GUY.
55
00:02:06,600 --> 00:02:08,700
SHOT OR SHOTS?
56
00:02:08,730 --> 00:02:10,200
THEY WERE RUNNING A SEWER SNAKE,
SO HE COULDN’T TELL.
57
00:02:10,230 --> 00:02:12,070
NO DESCRIPTION ON ACCOUNT
OF A MASK.
58
00:02:12,100 --> 00:02:13,470
HOW’D HE LOSE THE PERP?
59
00:02:13,500 --> 00:02:15,140
GUY GOT INTO A BLACK
4‐DOOR AND SPLIT.
60
00:02:15,170 --> 00:02:16,970
HE WAS TOO FAR AWAY
TO GET A PLATE.
61
00:02:17,010 --> 00:02:20,010
SO, LIFE PARTNER?
BUSINESS PARTNER?
62
00:02:20,040 --> 00:02:21,580
BUSINESS.
HE SAYS THE GUY WASN’T GAY.
63
00:02:21,610 --> 00:02:23,580
HE SURE PISSED SOMEONE
OFF.
64
00:02:23,620 --> 00:02:28,090
THAT THERE‐‐ NIGHTMARE
NUMBER ONE.
65
00:03:50,130 --> 00:03:51,630
MR. DAVIS HERE WAS
GETTING ROBBED,
66
00:03:51,670 --> 00:03:53,070
TRADED SHOTS WITH THE PERP.
67
00:03:53,100 --> 00:03:54,500
THAT’S RIGHT.
I DID.
68
00:03:54,540 --> 00:03:57,010
WE GOT IT NOW.
THANKS.
69
00:03:57,040 --> 00:03:58,740
SO, WHAT HAPPENED?
70
00:03:58,780 --> 00:04:00,620
I GLANCED UP AT THE DOOR
71
00:04:00,650 --> 00:04:03,420
JUST AS THIS CHILI‐PICKING
SON OF A BITCH
72
00:04:03,450 --> 00:04:05,420
WAS PULLING HIS MASK DOWN,
73
00:04:05,450 --> 00:04:07,180
AIMING HIS GUN AND
YELLING, "OPEN THE TILL."
74
00:04:07,220 --> 00:04:10,320
AND DID YOU COMPLY, OR DID YOU
START SHOOTING RIGHT THERE?
75
00:04:10,350 --> 00:04:13,760
HE GOT THE JUMP ON ME,
SO I COUGHED UP 100 BUCKS.
76
00:04:13,790 --> 00:04:15,420
AS SOON AS HE WENT FOR THE
MONEY, I STARTED BLASTING.
77
00:04:15,460 --> 00:04:16,830
DID YOU HIT HIM?
78
00:04:16,860 --> 00:04:20,860
HE WAS HOBBLING WHEN
HE BOOGIED OUT OF HERE.
79
00:04:20,900 --> 00:04:21,930
AND THIS HAPPENED IN
THE STORE?
80
00:04:21,970 --> 00:04:24,440
INSIDE.
I KNOW THE RULES.
81
00:04:24,470 --> 00:04:26,370
I’VE BEEN HERE 11 YEARS.
THE GUN’S LICENSED.
82
00:04:26,400 --> 00:04:27,700
HE SHOT BACK.
83
00:04:27,740 --> 00:04:28,840
THERE’S PROBABLY A SLUG
IN THE WALL.
84
00:04:28,870 --> 00:04:30,840
WAS THIS A CHILI‐PICKING
IRISH GUY OR WHAT?
85
00:04:30,880 --> 00:04:33,280
GIMME A BREAK, OKAY?
86
00:04:33,310 --> 00:04:34,480
BUT YOU’RE SURE
HE’S LATINO?
87
00:04:34,510 --> 00:04:36,440
I SAW BROWN BEFORE THE
MASK CAME DOWN.
88
00:04:36,480 --> 00:04:38,780
CENTRAL’S TRYING
TO RAISE YOU.
89
00:04:38,820 --> 00:04:40,960
SECTOR BOYS ASKING
TO RESPOND TO A SCENE
90
00:04:40,990 --> 00:04:43,360
OF A MALE HISPANIC SHOT A COUPLE
BLOCKS OVER ON 13th AND 2nd.
91
00:04:43,390 --> 00:04:44,800
BULL’S‐EYE.
92
00:04:44,820 --> 00:04:47,190
WE’LL BE BACK FOR YOUR
STATEMENT, MR. DAVIS.
93
00:04:47,230 --> 00:04:50,670
GET THIS GUY’S GUN AND LICENSE
DOWN TO BALLISTICS.
94
00:04:50,700 --> 00:04:53,070
GIVE THAT LITTLE
IRISHMAN MY REGARDS!
95
00:05:05,440 --> 00:05:06,880
THAT WAS BALDWIN.
96
00:05:06,910 --> 00:05:08,710
THE ROBBERY AT THE GROCERY STORE
THEY RESPONDED TO,
97
00:05:08,750 --> 00:05:11,420
OWNER’S PRETTY SURE HE PUT
AT LEAST ONE ROUND
98
00:05:11,450 --> 00:05:12,710
INTO THE HISPANIC MALE
WHO HELD HIM UP.
99
00:05:12,750 --> 00:05:13,850
IT’S THREE BLOCKS
FROM HERE.
100
00:05:13,890 --> 00:05:15,590
THAT DIFFERS A LITTLE.
101
00:05:15,620 --> 00:05:16,690
SLIGHTLY.
102
00:05:18,920 --> 00:05:21,860
JAVIER ROJAS‐‐
THAT’S YOUR REAL NAME?
103
00:05:21,890 --> 00:05:24,260
AND YOU GOT SHOT BY A 6‐FOOT,
DARK‐SKINNED BLACK MALE
104
00:05:24,300 --> 00:05:25,600
WHO TRIED TO ROB YOU DOWN
THE STREET?
105
00:05:25,630 --> 00:05:27,560
YES. BIG GUY.
106
00:05:27,600 --> 00:05:31,430
WERE YOU AT A GROCERY STORE
THREE BLOCKS FROM HERE?
NO.
107
00:05:31,470 --> 00:05:34,740
OWNER’S NOT GONNA IDENTIFY YOU
AS THE GUY WHO ROBBED HIM?
NO!
108
00:05:34,770 --> 00:05:36,500
BEFORE YOU GO ANY FURTHER
WITH THIS THING,
109
00:05:36,540 --> 00:05:37,910
IF YOU DID DO IT,
NOW’S THE TIME TO TELL US.
110
00:05:37,940 --> 00:05:39,780
I DIDN’T ROB ANYBODY!
111
00:05:39,810 --> 00:05:41,040
WE GOTTA GET THIS GUY IN.
112
00:05:41,080 --> 00:05:44,350
RIDE IN THE BUS WITH THIS GUY
TO THE E. R.,
113
00:05:44,380 --> 00:05:46,950
AND STAY WITH HIM TILL YOU
HEAR FROM US.
114
00:05:46,990 --> 00:05:49,130
YOU EVER SEE THIS GUY
BEFORE?
115
00:05:49,150 --> 00:05:51,950
NO, FIRST TIME WAS WHEN
I OPENED THE DOOR
116
00:05:51,990 --> 00:05:53,860
AND HE WAS HOLDING HIS STOMACH
SAYING, "CALL AN AMBULANCE."
117
00:05:53,890 --> 00:05:55,360
AND WHERE WERE YOU?
118
00:05:55,390 --> 00:05:57,530
IN THE BEDROOM.
I HEARD MY WIFE SCREAM.
119
00:05:57,560 --> 00:05:59,630
WHEN HE DROPPED TO THE GROUND,
I SCREAMED.
120
00:05:59,660 --> 00:06:01,100
I RAN IN AND FOUND HIM
ON THE FLOOR.
121
00:06:01,130 --> 00:06:02,860
ANYONE ELSE HERE WHEN IT
HAPPENED?
122
00:06:02,900 --> 00:06:04,430
NO, MY SON’S AT SCHOOL.
123
00:06:04,470 --> 00:06:07,600
CAN I GO TO WORK NOW?
DO YOU NEED US ANYMORE?
124
00:06:07,640 --> 00:06:08,800
IF WE NEED YOU,
WE’LL BE IN TOUCH.
125
00:06:10,680 --> 00:06:12,580
SWING BY THE MARKET,
SHOW THIS TO THE OWNER?
126
00:06:12,610 --> 00:06:14,680
YEAH, I’LL HEAD OFF
MEDAVOY AND JONES.
127
00:06:21,020 --> 00:06:22,550
WHAT’S THE WORD
ON ROCKY MORTON?
128
00:06:22,590 --> 00:06:24,760
TWO COLLARS FOR RECEIVING
STOLEN GOODS.
129
00:06:24,790 --> 00:06:26,050
THEN IT WAS A ROBBERY.
130
00:06:26,090 --> 00:06:30,260
WHOEVER DID HIM HAD TO
HAVE BEEN BUZZED IN.
131
00:06:30,290 --> 00:06:31,990
YOU CAN SEE THE FRONT DOOR
FROM WHERE THE BUZZER IS.
132
00:06:32,030 --> 00:06:34,660
WE’RE THINKING THE PARTNER’S
INVOLVED‐‐JOEL ROBINSON?
133
00:06:34,700 --> 00:06:37,600
HE’S NOT RULED OUT, BUT
THE PLUMBER ACCOUNTS FOR HIM.
134
00:06:37,640 --> 00:06:39,480
WE’RE GONNA TALK
TO A CHLOE O’CONNOR.
135
00:06:39,500 --> 00:06:41,100
SHE WAS INVOLVED
IN A DOMESTIC DISPUTE
136
00:06:41,140 --> 00:06:42,670
WITH THE D. O. A. LAST MONTH.
137
00:06:42,710 --> 00:06:43,980
B.C.I. GOT AN ADDRESS
ON HER?
138
00:06:44,010 --> 00:06:46,110
JUST THE NAME OF HER WORK‐‐
PRIMO VIDEO.
139
00:06:46,140 --> 00:06:47,480
I’M CHECKING THE ADDRESS.
140
00:06:47,510 --> 00:06:48,940
MIGHT WANT TO GET ROBBERY
141
00:06:48,980 --> 00:06:50,280
CHECKING PATTERNS
ON SMALL ELECTRONICS.
142
00:06:50,310 --> 00:06:52,350
I MADE THE CALL.
143
00:06:52,380 --> 00:06:54,550
DETECTIVE McDOWELL?
YOUR SISTER CALLED TWICE.
144
00:06:57,320 --> 00:06:59,320
YOU GOT ANYTHING ON THAT GUY
SHOT IN THE APARTMENT?
145
00:06:59,360 --> 00:07:03,130
JAVIER ROJAS‐‐ NO COLLARS.
THE DELI OWNER COULDN’T I. D.
146
00:07:03,160 --> 00:07:04,360
WE’RE WORKING ON A
CURRENT ADDRESS.
147
00:07:04,400 --> 00:07:06,040
JONES AND MEDAVOY?
148
00:07:06,060 --> 00:07:09,360
HEADING TO THE HOSPITAL,
HOPEFULLY GET A STATEMENT.
149
00:07:09,400 --> 00:07:10,470
DIDN’T KNOW SHE HAD
A SISTER.
150
00:07:10,500 --> 00:07:12,000
ME NEITHER.
151
00:07:12,040 --> 00:07:13,510
AND YOU’RE JUST
CALLING ME NOW?
152
00:07:13,540 --> 00:07:15,280
NO, I UNDERSTAND.
IT’S‐‐
153
00:07:15,310 --> 00:07:17,720
NOW?
154
00:07:17,740 --> 00:07:19,610
WHAT’S SO IMPORTANT?
155
00:07:19,640 --> 00:07:23,180
I’M WORKING.
I CAN’T JUST LEAVE.
156
00:07:23,210 --> 00:07:25,050
PRIMO VIDEO’S ON WEST 4th.
I’M GONNA HIT THE CAN.
157
00:07:25,080 --> 00:07:26,480
ALL RIGHT.
158
00:07:26,520 --> 00:07:28,730
ALL RIGHT, I’LL BE THERE,
BUT I GOT 10 MINUTES.
159
00:07:32,360 --> 00:07:33,700
MY SISTER, MICHELLE.
160
00:07:33,730 --> 00:07:34,730
SHE’S IN THE CITY?
161
00:07:34,760 --> 00:07:36,160
FOR THE LAST THREE MONTHS.
162
00:07:36,190 --> 00:07:37,530
THIS IS THE FIRST
YOU HEARD FROM HER?
163
00:07:37,560 --> 00:07:40,030
SUDDENLY, SHE NEEDS
TO SEE ME.
164
00:07:40,060 --> 00:07:41,300
SHE ALL RIGHT?
165
00:07:41,330 --> 00:07:43,030
I COULDN’T TELL.
166
00:07:43,070 --> 00:07:45,680
I NEED TO STEP OUT
A FEW MINUTES.
167
00:07:45,700 --> 00:07:46,970
EVERYTHING OKAY?
168
00:07:47,010 --> 00:07:50,420
YEAH, MY SISTER’S IN TOWN.
I’LL BE BACK SOON.
169
00:08:05,560 --> 00:08:06,700
MICHELLE.
170
00:08:06,730 --> 00:08:08,770
OH, MY GOD.
YOU SCARED ME.
171
00:08:08,790 --> 00:08:10,930
CONNIE, SWEETIE,
HOW ARE YOU?
172
00:08:10,960 --> 00:08:12,090
I’M FINE.
173
00:08:15,130 --> 00:08:16,260
I CAN’T BELIEVE
YOU’RE HERE.
174
00:08:16,300 --> 00:08:18,600
YEAH, YEAH, THINGS
HAVE BEEN GREAT.
175
00:08:18,640 --> 00:08:22,250
I DIDN’T WANT TO GET IN TOUCH
UNTIL THINGS GOT SETTLED
176
00:08:22,270 --> 00:08:25,270
AND I GOT CALMED DOWN,
SO...
177
00:08:25,310 --> 00:08:27,080
YOU DIDN’T SEEM TOO CALM
ON THE PHONE.
178
00:08:27,110 --> 00:08:29,410
I WAS GOING THROUGH A LITTLE
PANIC, BUT I’M BETTER NOW.
179
00:08:29,450 --> 00:08:31,420
ARE YOU HUNGRY?
DID YOU WANT SOME COFFEE?
180
00:08:31,450 --> 00:08:33,210
NO, THANKS.
181
00:08:33,250 --> 00:08:36,120
SO...HOW ARE YOU?
182
00:08:36,150 --> 00:08:38,090
WHAT’S IT BEEN?
LIKE, A YEAR?
183
00:08:38,120 --> 00:08:39,560
ABOUT THAT.
184
00:08:39,590 --> 00:08:40,960
YOU LOOK GREAT.
185
00:08:40,990 --> 00:08:42,520
YOU LOOK BEAT UP.
186
00:08:42,560 --> 00:08:45,790
AND PREGNANT‐‐
SIX MONTHS.
187
00:08:45,830 --> 00:08:47,760
HEALTHY AS CAN BE, TOO.
188
00:08:47,800 --> 00:08:50,700
I DON’T KNOW THE SEX YET.
I WANT IT TO BE A SURPRISE.
189
00:08:50,740 --> 00:08:52,610
WHO HIT YOU?
190
00:08:52,640 --> 00:08:53,780
FRANK.
191
00:08:53,810 --> 00:08:55,450
THE SAME FRANK?
192
00:08:55,470 --> 00:08:56,970
YOU KNOW, I’M TELLING YOU
RIGHT NOW,
193
00:08:57,010 --> 00:08:58,640
I DON’T NEED A LECTURE,
OKAY?
194
00:08:58,680 --> 00:09:00,390
THINGS HAVE BEEN GOOD.
195
00:09:00,410 --> 00:09:01,980
WE’RE JUST GOING
THROUGH A ROUGH PATCH
196
00:09:02,010 --> 00:09:03,110
AND THINGS
JUST BOILED OVER.
197
00:09:03,150 --> 00:09:04,460
ARE YOU MOVING OUT?
198
00:09:04,480 --> 00:09:07,120
THAT’S WHAT I WANTED
TO TALK TO YOU ABOUT.
199
00:09:07,150 --> 00:09:09,080
I NEED A PLACE TO CRASH
UNTIL THINGS COOL OFF.
200
00:09:09,120 --> 00:09:11,090
IS THIS A REGULAR THING?
201
00:09:11,120 --> 00:09:13,590
NO. NO.
202
00:09:13,630 --> 00:09:16,300
HE’S JUST GOING THROUGH
A REAL ROUGH PATCH.
203
00:09:16,330 --> 00:09:19,470
YOU CAN’T BE GETTING BEAT UP,
AND FRANK SHOULD BE ARRESTED.
204
00:09:19,500 --> 00:09:21,340
NO, YOU ARE NOT
GONNA DO THAT.
205
00:09:21,370 --> 00:09:23,640
PROMISE ME
THAT YOU WON’T DO THAT.
206
00:09:23,670 --> 00:09:25,900
WELL, AT LEAST HE’S
COMING IN TO TALK,
207
00:09:25,940 --> 00:09:28,010
’CAUSE YOU CAN’T LIVE LIKE THIS,
ESPECIALLY WITH A BABY.
208
00:09:28,040 --> 00:09:29,500
OH, GOD, JUST NO LECTURES,
OKAY?!
209
00:09:29,540 --> 00:09:31,440
NO LECTURES RIGHT NOW,
PLEASE!
210
00:09:31,480 --> 00:09:34,090
THIS THING ON MY EYE
IS TWO HOURS OLD,
211
00:09:34,110 --> 00:09:36,080
AND, NO, I DON’T HAVE
ALL THE ANSWERS YET,
212
00:09:36,110 --> 00:09:38,680
BUT BRINGING FRANK IN
FOR A LITTLE TALKING TO
213
00:09:38,720 --> 00:09:41,090
IS NOT GONNA MAKE
ANYTHING BETTER, OKAY?
214
00:09:41,120 --> 00:09:42,850
SO JUST PROMISE
THAT YOU WON’T.
215
00:09:44,720 --> 00:09:46,420
YOU CAN STAY WITH ME
AS LONG AS YOU WANT.
216
00:09:46,460 --> 00:09:48,370
THANK YOU.
THANK YOU.
217
00:09:49,730 --> 00:09:50,690
I LOVE YOU.
218
00:09:52,330 --> 00:09:53,800
HAVE YOU SEEN A DOCTOR?
219
00:09:53,830 --> 00:09:54,930
MADE SURE
THE BABY’S ALL RIGHT?
220
00:09:54,970 --> 00:09:57,610
I’M KIND OF PAYING
OUT OF POCKET.
221
00:09:57,640 --> 00:09:58,410
WELL,
I’LL TAKE CARE OF IT.
222
00:09:59,970 --> 00:10:01,440
DO YOU HAVE
ALL YOUR STUFF?
223
00:10:01,470 --> 00:10:04,010
UM, NOT EVERYTHING.
224
00:10:04,040 --> 00:10:05,440
WHERE ARE YOU STAYING?
I’LL PICK IT UP.
225
00:10:05,480 --> 00:10:07,320
I’M AT THE ROGERS HOTEL
ON HOUSTON,
226
00:10:07,350 --> 00:10:08,720
BUT JUST PICK UP MY STUFF
227
00:10:08,750 --> 00:10:10,620
AND LEAVE FRANK
OUT OF IT, OKAY?
228
00:10:10,650 --> 00:10:13,550
( sighs )
GO TO THE DOCTOR.
229
00:10:13,590 --> 00:10:15,230
AND CALL ME WHEN YOU GET
TO MY APARTMENT.
230
00:10:15,250 --> 00:10:16,320
YOU KNOW THE ADDRESS.
231
00:10:16,350 --> 00:10:17,520
YEAH.
232
00:10:19,590 --> 00:10:20,860
I GOTTA GET BACK.
233
00:10:22,730 --> 00:10:24,170
I KNEW
I COULD COUNT ON YOU.
234
00:10:24,200 --> 00:10:25,670
THANK YOU.
235
00:10:26,770 --> 00:10:27,910
SEE THE DOCTOR.
236
00:10:27,930 --> 00:10:28,900
OKAY.
237
00:10:58,630 --> 00:11:02,200
CHLOE O’CONNOR?
DETECTIVES CLARK AND SIPOWICZ.
238
00:11:02,230 --> 00:11:06,200
WE NEED TO ASK YOU SOME
QUESTIONS ABOUT ROCKY MORTON.
239
00:11:06,240 --> 00:11:07,380
CAN YOU GET
THE FRONT COUNTER?
240
00:11:10,710 --> 00:11:12,010
WHEN’S THE LAST TIME YOU
SAW HIM?
241
00:11:12,040 --> 00:11:13,110
A MONTH AGO.
WHY?
242
00:11:13,140 --> 00:11:15,240
THAT RESULT IN A
DOMESTIC‐DISTURBANCE CALL?
243
00:11:15,280 --> 00:11:16,910
THE JUDGE SAID TO STEER CLEAR
AND I DID.
244
00:11:16,950 --> 00:11:18,050
WHAT’S UP?
245
00:11:18,080 --> 00:11:19,580
WHAT’D YOU ARGUE ABOUT?
246
00:11:19,620 --> 00:11:21,220
HE OWED ME MONEY
FOR WORK I DID FOR HIM.
247
00:11:21,250 --> 00:11:22,780
PUTTING UP DRYWALL?
248
00:11:22,820 --> 00:11:25,190
WHAT’S IT MATTER SEEING AS I DID
WHAT THE JUDGE TOLD ME,
249
00:11:25,220 --> 00:11:26,860
AND I AM NOT
IN VIOLATION OF THAT.
250
00:11:26,890 --> 00:11:28,560
HE GOT ROBBED
THIS MORNING,
251
00:11:28,590 --> 00:11:30,060
AND YOU’RE ON RECORD
FOR HAVING A BEEF WITH HIM.
252
00:11:30,090 --> 00:11:33,430
I LET HIM TAKE
SOME PHOTOS,
253
00:11:33,460 --> 00:11:36,130
WHICH HE WASN’T SUPPOSED TO PUT
ON THE INTERNET AND DID.
254
00:11:36,170 --> 00:11:37,640
I WANTED MORE MONEY.
255
00:11:37,670 --> 00:11:39,770
AFTER COURT,
I LET IT DROP.
256
00:11:39,800 --> 00:11:41,570
CAN YOU ACCOUNT FOR YOURSELF
THIS MORNING?
257
00:11:41,610 --> 00:11:45,480
I WAS HOME, THEN I GOT COFFEE,
THEN I CAME HERE.
258
00:11:45,510 --> 00:11:47,210
‐ WAS ANYONE WITH YOU?
‐ NO.
259
00:11:47,250 --> 00:11:49,320
UNTIL YOU CAN ACCOUNT
FOR ALL OF IT,
260
00:11:49,350 --> 00:11:51,920
YOU GIVE US WHERE TO LOOK FOR
WHO COULD HAVE ROBBED ROCKY
261
00:11:51,950 --> 00:11:53,280
OR WE’RE GONNA BUILD THIS
CASE ON YOU.
262
00:11:57,420 --> 00:12:00,060
ANTON BUTLER‐‐ PIMP.
263
00:12:00,090 --> 00:12:01,290
ROCKY BURNED HIM ON A
COKE DEAL,
264
00:12:01,330 --> 00:12:02,900
AND HE SAID HE’D ALWAYS
GET PAYBACK.
265
00:12:02,930 --> 00:12:04,440
YOU’RE SHOWING US
WHERE HE LIVES. LET’S GO.
266
00:12:04,460 --> 00:12:06,490
COME ON.
267
00:12:06,530 --> 00:12:08,300
[ SIGHS ]
268
00:12:14,340 --> 00:12:18,070
EAST RIVER PARK‐‐ HISPANIC MALE
D. O. A. IN A PORTA POTTY.
269
00:12:18,110 --> 00:12:19,410
LOOKS LIKE HE’S SHOT
IN THE GUT.
270
00:12:19,440 --> 00:12:20,440
FITS THE DESCRIPTION
OF YOUR PERP
271
00:12:20,480 --> 00:12:23,080
IN THE DELI STICKUPS
THIS MORNING, RIGHT?
272
00:12:23,110 --> 00:12:24,910
BUT YOU ALREADY HAVE SOMEONE
YOU LIKE FOR THAT, RIGHT?
273
00:12:24,950 --> 00:12:26,150
WE THINK WE DO.
HE’S IN THE O. R.
274
00:12:26,180 --> 00:12:28,020
FIGURE IT OUT.
275
00:12:29,220 --> 00:12:30,520
YOU FIND ANTON?
276
00:12:30,560 --> 00:12:31,630
GUY BOUNCED AROUND A LOT.
277
00:12:31,660 --> 00:12:32,700
WE JUST GOT
AN ADDRESS.
278
00:12:32,720 --> 00:12:34,620
WHERE’S THE GIRL,
CHLOE?
279
00:12:34,660 --> 00:12:37,090
BACK AT HER MEANINGFUL JOB.
SHE’S REACHABLE.
280
00:12:37,130 --> 00:12:38,460
WE’RE GONNA CHECK WITH
THE D. A. FOR A WARRANT,
281
00:12:38,500 --> 00:12:39,500
THEN HIT ANTON’S PLACE.
282
00:12:39,530 --> 00:12:40,800
WHAT’S B.C.I. GOT ON HIM?
283
00:12:40,830 --> 00:12:43,160
POSSESSION, DEALING, AND A GUN
CHARGE THAT GOT DROPPED.
284
00:12:43,200 --> 00:12:44,400
WE’LL BACK YOU UP.
285
00:12:48,540 --> 00:12:50,340
EVERYTHING ALL RIGHT?
286
00:12:50,370 --> 00:12:52,370
SIX MONTHS PREGNANT AND HER
HUSBAND’S WHACKING HER AROUND.
287
00:12:52,410 --> 00:12:53,940
WE BRINGING HIM IN?
288
00:12:53,980 --> 00:12:55,210
I PROMISED I WOULDN’T,
289
00:12:55,250 --> 00:12:56,520
BUT IF IT’S YOU
DOING THE TALKING,
290
00:12:56,550 --> 00:12:57,810
THEN TECHNICALLY, I’M NOT
BREAKING THE PROMISE.
291
00:12:57,850 --> 00:12:59,010
WHERE IS HE?
292
00:12:59,050 --> 00:13:00,180
ANDY, YOU GOT A GUY
TO PICK UP.
293
00:13:00,220 --> 00:13:01,650
HE CAN WAIT AN HOUR.
294
00:13:01,690 --> 00:13:03,460
YOUR SISTER WANT
HER HUSBAND COLLARED?
295
00:13:03,490 --> 00:13:04,800
NOT AT THE MOMENT.
296
00:13:04,820 --> 00:13:07,890
THEN LET THE HUSBAND WAIT.
PICK UP YOUR SUSPECT.
297
00:13:07,930 --> 00:13:10,140
I’M SYMPATHETIC, BUT WE GOT
A LOT OF THINGS TO TAKE CARE OF.
298
00:13:10,160 --> 00:13:11,990
YOU GOT A PLACE TO LOOK
FOR HIM?
299
00:13:12,030 --> 00:13:13,530
WE’LL GET UNIFORM
TO SNATCH HIM UP.
300
00:13:13,570 --> 00:13:16,370
THEY’RE STAYING AT
THE ROGERS HOTEL ON HOUSTON.
301
00:13:16,400 --> 00:13:17,500
I’LL TAKE CARE OF THAT.
302
00:13:17,540 --> 00:13:18,410
GO WITH RITA.
SHE’LL FILL YOU IN.
303
00:13:20,670 --> 00:13:21,900
WE’LL MAKE TIME.
304
00:13:34,790 --> 00:13:36,490
D.O.A. IN THE PORTA POTTY.
305
00:13:36,520 --> 00:13:38,390
LOOKS LIKE HE GOT ONE
IN THE SIDE.
306
00:13:38,420 --> 00:13:40,920
THIS GUY FISHING
OFF THE SEAWALL FOUND HIM.
307
00:13:40,960 --> 00:13:42,820
HI.
WHAT’S YOUR NAME, SIR?
308
00:13:42,860 --> 00:13:45,390
ALBERT SIMON, 71,
STANTON STREET.
309
00:13:45,430 --> 00:13:46,530
I’VE LIVED
THERE NINE YEARS.
310
00:13:46,570 --> 00:13:48,240
HOW’D YOU FIND THE MAN?
311
00:13:48,270 --> 00:13:51,880
I WAS FISHING FOR STRIPED BASS,
WHICH IS A LOSING PROPOSITION,
312
00:13:51,900 --> 00:13:53,030
BUT I NEED THE SUNSHINE‐‐
313
00:13:53,070 --> 00:13:54,940
DID YOU SEE THE MAN GO
IN THE JOHN?
314
00:13:54,970 --> 00:13:57,040
I DID NOT.
315
00:13:57,080 --> 00:13:59,550
I APPROACHED THE FACILITIES
WITH A FULL BLADDER.
316
00:13:59,580 --> 00:14:01,780
THE FIRST ONE THERE IS
A CATASTROPHE
317
00:14:01,810 --> 00:14:03,440
OVERFLOWING
WITH HUMAN WASTE.
318
00:14:03,480 --> 00:14:06,350
SO I TRIED THE SECOND ONE,
BUT THE DOOR WAS LOCKED.
319
00:14:06,380 --> 00:14:08,120
SO I WAITED.
320
00:14:08,150 --> 00:14:11,690
AFTER A PERIOD OF TIME,
I KNOCKED WITH NO RESPONSE.
321
00:14:11,720 --> 00:14:16,260
I COULD HAVE EASILY GONE BEHIND
ONE OF THESE TREES,
322
00:14:16,290 --> 00:14:18,730
BUT I HAVE A CERTAIN DEGREE
OF RESPECT FOR THE COMMUNITY‐‐
323
00:14:18,760 --> 00:14:19,930
HOW’D YOU GET THE
DOOR OPEN?
324
00:14:19,960 --> 00:14:23,530
I USED A SMALL STEAK KNIFE
THAT I USE CLEANING THE FISH.
325
00:14:23,570 --> 00:14:26,430
DID YOU SEE ANYONE PUT HIM IN
THERE, ANYONE MILLING AROUND?
326
00:14:26,470 --> 00:14:28,100
IT’S IMPORTANT
YOU REMEMBER.
327
00:14:30,580 --> 00:14:32,050
I HAVE TO BE UP FRONT.
328
00:14:32,080 --> 00:14:33,650
I’VE BEEN DRINKING.
329
00:14:33,680 --> 00:14:35,980
Rita: OKAY.
THANKS FOR YOUR HELP.
330
00:14:39,980 --> 00:14:41,780
UGH!
331
00:14:41,820 --> 00:14:44,420
[ FLIES BUZZING ]
DON’T THEY EVER
CLEAN THESE THINGS?
332
00:14:44,460 --> 00:14:47,300
[ GROANS ]
333
00:14:47,330 --> 00:14:49,470
.45 AUTOMATIC.
334
00:14:51,330 --> 00:14:52,990
SOME CASH...
A COUPLE CHECKS.
335
00:14:55,870 --> 00:14:56,940
[ SIGHS ]
336
00:14:56,970 --> 00:14:58,070
MADE OUT TO SPEEDY MART.
337
00:14:58,100 --> 00:14:59,940
SKI MASK.
338
00:14:59,970 --> 00:15:02,270
SO THIS IS THE GUY WHO ROBBED
THE MARKET THIS MORNING.
339
00:15:02,310 --> 00:15:03,850
[ SIGHS ]
340
00:15:03,880 --> 00:15:05,480
RIGHT.
341
00:15:05,510 --> 00:15:07,080
SO THE GUY WE FOUND SHOT
AT THE APARTMENT‐‐
342
00:15:07,110 --> 00:15:08,340
HE WAS TELLING THE TRUTH
ABOUT BEING ROBBED?
343
00:15:16,520 --> 00:15:18,290
EXCUSE ME.
DETECTIVES McDOWELL AND ORTIZ.
344
00:15:18,320 --> 00:15:19,960
WE’RE HERE FOR
A JAVIER ROJAS.
345
00:15:19,990 --> 00:15:21,260
HE’S STILL IN THE O. R.
346
00:15:21,290 --> 00:15:23,090
THE BULLET SLIPPED
NEXT TO HIS SPINE.
347
00:15:23,130 --> 00:15:24,670
HE PARALYZED?
348
00:15:24,700 --> 00:15:26,440
WE DON’T KNOW YET.
THAT’S HIS BROTHER OUT THERE.
349
00:15:26,460 --> 00:15:28,960
HE’S LOOKING FOR SOME ANSWERS
AS TO HOW JAVIER GOT SHOT.
350
00:15:29,000 --> 00:15:30,830
THANKS.
351
00:15:32,540 --> 00:15:34,510
ESTABAN ROJAS.
352
00:15:34,540 --> 00:15:36,200
DO YOU KNOW WHAT HAPPENED
TO JAVIER?
353
00:15:36,240 --> 00:15:37,470
HE’S SAYING
HE WAS ROBBED.
354
00:15:37,510 --> 00:15:38,710
WHERE? BY WHO?
355
00:15:38,740 --> 00:15:40,440
OVER ON 13th AND 2nd.
356
00:15:40,480 --> 00:15:42,980
WE’RE HAVING A PROBLEM COMING
UP WITH WITNESSES.
357
00:15:43,010 --> 00:15:45,680
THE ADDRESS WE GOT ON YOUR
BROTHER IS ASTORIA.
358
00:15:45,720 --> 00:15:48,790
DO YOU KNOW WHAT HE MIGHT HAVE
BEEN DOING OVER ON 13th AND 2nd?
359
00:15:48,820 --> 00:15:52,850
WE’RE LOOKING FOR ANYBODY WHO
CAN HELP US FIGURE THIS OUT.
360
00:15:52,890 --> 00:15:55,060
YEAH, HE’S GOT ONE FRIEND WHO
LIVES IN THE EAST VILLAGE,
361
00:15:55,090 --> 00:15:55,990
BUT I DON’T KNOW HER NAME.
362
00:15:56,030 --> 00:15:57,800
LIZ JIMENEZ?
363
00:15:57,830 --> 00:15:59,490
LIKE I SAID, I DON’T KNOW WHO
THE FRIEND IS,
364
00:15:59,530 --> 00:16:02,130
BUT I DO KNOW THE NAME
LIZ JIMENEZ.
365
00:16:02,170 --> 00:16:03,210
THEY DATED IN COLLEGE.
366
00:16:03,230 --> 00:16:05,170
IS THERE BAD BLOOD,
367
00:16:05,200 --> 00:16:06,800
ANYTHING THAT COULD LEAD TO
HIM GETTING SHOT?
368
00:16:06,840 --> 00:16:09,070
NO. SHE HAVE SOMETHING TO
DO WITH THIS?
369
00:16:12,740 --> 00:16:15,680
WE FOUND YOUR BROTHER
AT LIZ’S APARTMENT.
370
00:16:15,710 --> 00:16:16,880
SHE AND HER HUSBAND SAID
371
00:16:16,920 --> 00:16:18,860
JAVIER POUNDED ON THE DOOR
NEEDING HELP.
372
00:16:18,880 --> 00:16:21,520
THEY SAID THEY DIDN’T KNOW HIM.
JAVIER TOLD THE SAME STORY.
373
00:16:21,550 --> 00:16:24,090
WHAT’S YOUR BROTHER’S
RELATIONSHIP WITH LIZ?
374
00:16:24,120 --> 00:16:25,190
I TOLD YOU‐‐ THEY DATED IN
COLLEGE.
375
00:16:25,220 --> 00:16:26,690
THEY SLEEPING TOGETHER?
376
00:16:26,730 --> 00:16:28,670
I DON’T KNOW ANYTHING
ABOUT IT.
377
00:16:28,690 --> 00:16:30,830
WHEN YOUR BROTHER SAID HE WAS
HEADING TO THE EAST VILLAGE,
378
00:16:30,860 --> 00:16:34,030
DID HE SAY HE WAS GONNA
GET LAID OR WHAT?
379
00:16:34,070 --> 00:16:35,440
JUST TO SEE A FRIEND.
380
00:16:35,470 --> 00:16:37,180
A MARRIED FRIEND?
381
00:16:37,200 --> 00:16:39,170
DOES LIZ’S HUSBAND KNOW THEY
STILL SEE EACH OTHER?
382
00:16:39,200 --> 00:16:40,940
LIZ’S HUSBAND EVER
THREATEN YOUR BROTHER?
383
00:16:40,970 --> 00:16:43,440
NO,
NOT THAT I KNOW OF.
384
00:16:43,470 --> 00:16:45,840
ARE YOU THINKING HE GOT
SHOT AT LIZ’S?
385
00:16:45,880 --> 00:16:47,920
WE’RE GONNA FIND OUT.
386
00:17:03,390 --> 00:17:04,130
TV’s ON.
387
00:17:06,600 --> 00:17:07,730
TEAMS IN POSITION?
388
00:17:07,770 --> 00:17:09,270
Side team in position.
389
00:17:09,300 --> 00:17:10,530
Front team in position.
390
00:17:10,570 --> 00:17:12,600
WE’RE GOING IN.
391
00:17:15,470 --> 00:17:17,410
YO, ANTON!
OPEN THE DOOR!
392
00:17:18,840 --> 00:17:19,940
[ KNOCK ON DOOR ]
393
00:17:19,980 --> 00:17:21,780
[ SCRAPING ]
THAT’S A WINDOW.
394
00:17:21,810 --> 00:17:22,680
SON OF A BITCH!
395
00:17:27,690 --> 00:17:29,930
FREEZE!
396
00:17:29,950 --> 00:17:31,350
I’M HIT!
397
00:17:42,670 --> 00:17:44,640
FREEZE, ASSHOLE!
398
00:17:44,670 --> 00:17:46,900
DON’T MOVE!
DON’T MOVE!
399
00:17:46,940 --> 00:17:48,340
DROP THE GUN!
DROP THE GUN!
400
00:17:48,370 --> 00:17:50,170
DROP IT!
401
00:17:50,210 --> 00:17:51,110
ON THE GROUND!
HANDS BEHIND YOUR BACK!
402
00:17:51,140 --> 00:17:52,340
DON’T SHOOT ME!
403
00:17:54,310 --> 00:17:57,450
15th SQUAD TO CENTRAL "K."
OFFICER SHOT, 14th AND "B."
404
00:17:57,480 --> 00:17:59,480
HAVE A SUPERVISOR AND A
BUS RESPOND FORTHWITH.
405
00:17:59,520 --> 00:18:00,830
YOU OKAY?
406
00:18:00,850 --> 00:18:01,980
YEAH.
IT’S JUST MY ARM.
407
00:18:18,670 --> 00:18:20,300
OVER HERE.
408
00:18:20,340 --> 00:18:22,070
STOP RIGHT THERE.
409
00:18:25,480 --> 00:18:28,020
YOU’RE AWFUL QUIET THERE,
ANTON.
410
00:18:28,050 --> 00:18:31,160
ATTEMPTED MURDER OF A COP
WITNESSED BY 10 OTHER COPS,
411
00:18:31,180 --> 00:18:33,310
I GUESS I’D HAVE A LOT ON
MY MIND, TOO.
412
00:18:33,350 --> 00:18:34,980
Y’ALL DIDN’T SAY NOTHING
ABOUT BEING NO COP.
413
00:18:35,020 --> 00:18:37,390
SO THAT GUY YOU SHOT
IN FULL UNIFORM
414
00:18:37,420 --> 00:18:40,020
WASN’T ENOUGH OF
A TIP‐OFF?!
415
00:18:40,060 --> 00:18:41,960
THIS IS A DONE DEAL, ANTON.
YOU’RE LOCKED UP.
416
00:18:41,990 --> 00:18:44,060
THE ONLY QUESTION NOW
IS WHAT KIND OF TIME.
417
00:18:44,100 --> 00:18:45,400
I PERSONALLY GOT
NO INTEREST
418
00:18:45,430 --> 00:18:47,460
IN YOU EVER BEING
ON THE STREET AGAIN,
419
00:18:47,500 --> 00:18:50,200
BUT WE GOT A CASE TO CLEAR,
SO YOU GOT ONE SHOT,
420
00:18:50,230 --> 00:18:53,870
BUT IF ANYTHING COMES OUT OF
THAT MOUTH THAT ISN’T THE TRUTH,
421
00:18:53,910 --> 00:18:55,380
I WILL TIE YOU TO THAT CHAIR,
422
00:18:55,410 --> 00:18:57,250
AND I WILL PUSH YOU
OUT THAT WINDOW,
423
00:18:57,280 --> 00:18:59,080
AND THERE AIN’T A COP IN
THIS BUILDING
424
00:18:59,110 --> 00:19:00,880
WHO WILL SAY THAT YOU
DIDN’T JUMP!
425
00:19:00,910 --> 00:19:03,580
Y’ALL FREAKED ME OUT.
Y’ALL JUST FREAKED ME OUT.
426
00:19:03,620 --> 00:19:05,520
YOU TELL US WHAT HAPPENED
THIS MORNING.
427
00:19:05,550 --> 00:19:07,920
HE OWED ME 3 GRAND IN ROCK.
428
00:19:07,950 --> 00:19:10,590
I TOLD HIM IF HE AIN’T GIVE UP
THE MONEY BY THIS MORNING,
429
00:19:10,620 --> 00:19:12,320
I WAS GONNA COME VISIT HIM,
SO I DID.
430
00:19:12,360 --> 00:19:13,360
HOW’D IT GO BAD?
431
00:19:13,390 --> 00:19:16,260
HE DIDN’T GIVE IT UP.
SO,
432
00:19:16,290 --> 00:19:19,360
I SAT HIM DOWN, MY BOY HELD
HIS ARMS, AND WE HAD A SMOKE,
433
00:19:19,400 --> 00:19:21,770
AND SOME ASHES FELL ON
HIS ARM.
434
00:19:21,800 --> 00:19:23,400
HAPPENED TO GET SOME BURNS
FROM IT,
435
00:19:23,430 --> 00:19:24,500
THAT’S JUST THE
PRICE OF BUSINESS.
436
00:19:24,540 --> 00:19:25,910
WHAT ABOUT THE TWO BULLETS
IN HIM?
437
00:19:25,940 --> 00:19:28,750
WAIT, WHAT NOW?
438
00:19:28,770 --> 00:19:30,740
THE ONE IN HIS NUTS.
THE ONE IN HIS HEAD.
439
00:19:30,780 --> 00:19:33,020
DIDN’T NOBODY
SHOOT DERVIS.
440
00:19:33,040 --> 00:19:35,180
WHO THE HELL IS DERVIS?
441
00:19:35,210 --> 00:19:39,750
DERVIS WATTS WHO OWES ME
3 GRAND IN ROCK?
442
00:19:39,780 --> 00:19:41,120
THAT WAS THIS MORNING?
443
00:19:41,150 --> 00:19:43,380
ALL MORNING,
AND WHEN I LEFT,
444
00:19:43,420 --> 00:19:44,890
HE WAS ALIVE AND THANKFUL
TO BE THAT WAY.
445
00:19:46,120 --> 00:19:47,890
YOU KNOW ROCKY MORTON?
446
00:19:47,930 --> 00:19:49,370
NEVER HEARD OF HIM.
447
00:19:49,390 --> 00:19:50,630
YOU KNOW CHLOE O’CONNOR?
448
00:19:52,830 --> 00:19:53,900
WHY?
449
00:19:53,930 --> 00:19:55,100
HOW DO YOU KNOW HER?!
450
00:19:55,130 --> 00:19:56,570
SHE WORKED FOR ME.
451
00:19:56,600 --> 00:19:57,930
TURNING TRICKS?
452
00:19:57,970 --> 00:19:59,430
FOR A WHILE,
AND THEN SHE SPLIT.
453
00:19:59,470 --> 00:20:02,600
SAID I GOT HER HOOKED ON ROCK,
WHICH I DO NOT DO.
454
00:20:02,640 --> 00:20:04,770
[ KNOCK ON DOOR ]
455
00:20:04,810 --> 00:20:05,670
I NEED A MINUTE.
456
00:20:10,620 --> 00:20:13,560
Y’ALL SAYING THIS AIN’T GOT
NOTHING TO DO WITH DERVIS?
457
00:20:13,590 --> 00:20:15,360
DON’T YOU MOVE.
458
00:20:18,960 --> 00:20:20,230
WHAT’S HIS STORY?
459
00:20:20,260 --> 00:20:22,120
CLAIMING HE WAS TOTALLY
UNINVOLVED.
460
00:20:22,160 --> 00:20:23,420
TEND TO BELIEVE HIM.
461
00:20:23,460 --> 00:20:25,130
ROBBERY CALLED.
462
00:20:25,160 --> 00:20:26,430
THEY GOT WORD A GUY NAMED
CHRIS NELSON
463
00:20:26,460 --> 00:20:28,330
WAS OFF‐LOADING
THESE PALM PILOTS
464
00:20:28,370 --> 00:20:29,980
LIKE THE ONES STOLEN
FROM ROCKY.
465
00:20:30,000 --> 00:20:31,770
B.C.I. SET UP A MEET WITH HIM
IN A HALF‐HOUR.
466
00:20:31,800 --> 00:20:35,270
THIS GUY’S A COLLAR
FOR ATTEMPTED MURDER OF A COP.
467
00:20:38,980 --> 00:20:40,950
OKAY, THANKS.
468
00:20:40,980 --> 00:20:45,010
THAT WAS LIZ JIMENEZ.
SHE’S BACK AT HER APARTMENT.
469
00:20:45,050 --> 00:20:46,350
THE DESK SERGEANT CALLED.
470
00:20:46,380 --> 00:20:47,920
UNIFORMS ARE
BRINGING FRANK UP.
471
00:20:47,950 --> 00:20:49,180
THEY GET HIM
AT THE HOTEL?
472
00:20:49,220 --> 00:20:51,690
YEAH, COMING BACK FROM
THE BAR.
473
00:20:51,720 --> 00:20:53,120
HE WASTED?
474
00:20:53,160 --> 00:20:54,300
THEY SAID NOT TOO BAD.
475
00:20:54,330 --> 00:20:56,270
WHEN DID ANDY AND JOHN
HEAD OUT?
476
00:20:56,290 --> 00:20:58,160
JUST A MINUTE AGO.
YOU WERE UP AT ANTI‐CRIME.
477
00:20:58,200 --> 00:21:00,310
I CAN’T KEEP HIM HERE
ALL DAY.
478
00:21:02,300 --> 00:21:05,800
I WANT TO GO IN,
BUT I PROMISED MICHELLE.
479
00:21:05,840 --> 00:21:08,210
WOULD YOU GUYS MIND
HAVING A TALK WITH FRANK?
480
00:21:08,240 --> 00:21:09,640
WE’D BE HAPPY TO.
481
00:21:11,340 --> 00:21:14,180
I MEAN, THIS IS A GUY BEATING
A PREGNANT WOMAN.
482
00:21:14,210 --> 00:21:15,680
WE GOT IT.
483
00:21:15,710 --> 00:21:17,310
THANKS.
484
00:21:17,350 --> 00:21:19,650
FIVE MINUTES, THEN WE’LL
GO GET LIZ.
485
00:21:19,680 --> 00:21:21,320
YOU BET.
486
00:21:25,020 --> 00:21:27,320
UM, LOOK, WHAT’S GOING
ON HERE?
487
00:21:34,900 --> 00:21:37,170
WE KNOW YOU BEAT YOUR WIFE
TODAY, FRANK.
488
00:21:37,200 --> 00:21:41,370
THIS IS THE PLACE WHERE MY
WIFE’S SISTER WORKS, RIGHT?
489
00:21:41,410 --> 00:21:42,810
FRANK, OUR TIME
IN THIS ROOM
490
00:21:42,840 --> 00:21:45,310
IS GONNA CONSIST OF US TALKING
AND YOU LISTENING.
491
00:21:45,340 --> 00:21:47,710
OKAY, COOL.
492
00:21:47,750 --> 00:21:48,850
GOT IT.
493
00:21:48,880 --> 00:21:50,810
GOOD.
494
00:21:50,850 --> 00:21:52,480
SO HERE’S
WHERE WE’RE AT‐‐
495
00:21:52,520 --> 00:21:55,760
WE TALKED TO EVERYONE INVOLVED,
AND WE WORKED IT OUT
496
00:21:55,790 --> 00:21:58,100
SO THAT YOU’RE NOT GONNA GET
CHARGED WITH SPOUSAL ABUSE.
497
00:21:58,120 --> 00:21:59,190
YOU TALKED TO MICHELLE?
WHAT DID SHE SAY?
498
00:21:59,220 --> 00:22:00,520
FRANK!
499
00:22:00,560 --> 00:22:03,020
I’M SORRY.
AND I’M SERIOUS.
500
00:22:03,060 --> 00:22:05,530
YOU OPEN YOUR MOUTH ONE MORE
TIME BEFORE WE TELL YOU
501
00:22:05,560 --> 00:22:07,860
AND WE’RE GONNA HAUL YOUR ASS
RIGHT DOWN TO A CELL.
502
00:22:07,900 --> 00:22:09,530
WHAT YOU GOTTA COME TO TERMS
WITH RIGHT NOW
503
00:22:09,570 --> 00:22:12,400
IS THAT YOUR WIFE DOESN’T WANT
ANYTHING TO DO WITH YOU ANYMORE.
504
00:22:12,440 --> 00:22:15,280
SO NO MORE CONTACT.
NO MORE PHONE CALLS.
505
00:22:15,310 --> 00:22:17,050
NO MORE NOTHING.
IT’S DONE.
506
00:22:17,080 --> 00:22:19,590
YOU GO YOUR MERRY WAY.
SHE’LL GO HERS.
507
00:22:19,610 --> 00:22:22,610
THE ALTERNATIVE TO THAT
IS YOU GETTING LOCKED UP.
508
00:22:22,650 --> 00:22:24,120
SO WHAT’S IT GONNA BE?
509
00:22:24,150 --> 00:22:25,380
I CAN TALK NOW?
510
00:22:25,420 --> 00:22:26,930
YEAH.
511
00:22:26,950 --> 00:22:28,880
SHE WAS SLAPPING ON ME.
I WAS DEFENDING MYSELF!
512
00:22:28,920 --> 00:22:30,220
FRANK!
513
00:22:30,250 --> 00:22:31,390
OKAY.
514
00:22:31,420 --> 00:22:32,620
WHAT’S IT GONNA BE?!
515
00:22:36,930 --> 00:22:37,960
ALL RIGHT.
516
00:22:38,000 --> 00:22:39,770
UH...
517
00:22:39,800 --> 00:22:41,960
[ CHUCKLES ]
I’M DONE.
518
00:22:42,000 --> 00:22:43,460
YOU KNOW, WE’RE DONE.
519
00:22:43,500 --> 00:22:45,930
I UNDERSTAND NOW THAT OUR
RELATIONSHIP WAS JUST TOO HEATED
520
00:22:45,970 --> 00:22:48,400
AND WE CAN’T BE AROUND
EACH OTHER.
521
00:22:48,440 --> 00:22:51,140
THIS‐‐
[ SIGHS ]
522
00:22:51,180 --> 00:22:53,720
THIS IS A BIG WAKE‐UP CALL
FOR ME.
523
00:22:53,750 --> 00:22:57,620
I APPRECIATE YOU GUYS TREATING
ME LIKE A HUMAN BEING.
524
00:23:02,820 --> 00:23:03,720
HOW LONG YOU BEEN IN
NEW YORK?
525
00:23:03,760 --> 00:23:04,760
THREE MONTHS.
526
00:23:04,790 --> 00:23:05,790
FROM WHERE?
527
00:23:05,820 --> 00:23:07,490
CHICAGO.
528
00:23:07,530 --> 00:23:09,300
GO BACK TO CHICAGO.
529
00:23:09,330 --> 00:23:11,740
IF YOU LAY HANDS ON THIS GIRL
AGAIN, YOU’RE GOING TO JAIL.
530
00:23:11,760 --> 00:23:14,160
AND THESE AREN’T
EMPTY THREATS, FRANK.
531
00:23:15,970 --> 00:23:17,180
DON’T FIND OUT
THE HARD WAY.
532
00:23:20,370 --> 00:23:21,340
BEAT IT.
533
00:23:29,450 --> 00:23:31,190
HOW’D IT GO?
534
00:23:31,220 --> 00:23:33,990
IT DIDN’T.
535
00:23:34,020 --> 00:23:35,580
WERE YOU LOOKING IN?
536
00:23:35,620 --> 00:23:39,920
YEAH, I WAS, AND, UH,
"GO BACK TO CHICAGO"?
537
00:23:39,960 --> 00:23:42,520
DID YOU GIVE HIM A PAT ON THE
ASS ON THE WAY OUT?
538
00:23:42,560 --> 00:23:45,630
HE SAID HE’D STAY AWAY KNOWING
HE’D GET LOCKED UP IF HE DIDN’T.
539
00:23:45,660 --> 00:23:48,130
HE’S A LIAR!
HIS WORD DOESN’T MEAN DICK!
540
00:23:48,170 --> 00:23:50,180
WHAT’D YOU WANT US TO DO,
PUT A GUN TO HIS HEAD?
541
00:23:50,200 --> 00:23:52,930
LEAN ON HIM A LITTLE!
PUT SOME FEAR INTO HIM!
542
00:23:52,970 --> 00:23:54,700
WE LEAN ON HIM, WE SEND HIM
HOME ALL PISSED OFF
543
00:23:54,740 --> 00:23:56,940
AND READY TO TAKE IT OUT ON
SOMEBODY, LIKE YOUR SISTER.
544
00:23:56,980 --> 00:23:58,620
HE’S ONLY GONNA RESPOND
TO A REAL THREAT,
545
00:23:58,640 --> 00:24:00,280
NOT PLEASANT CONVERSATION.
546
00:24:00,310 --> 00:24:02,140
WHAT’S THE PROBLEM?
547
00:24:02,180 --> 00:24:04,310
NOTHING.
548
00:24:04,350 --> 00:24:06,210
WE TALKED TO HER SISTER’S
HUSBAND.
549
00:24:06,250 --> 00:24:08,880
WE MADE IT CLEAR THAT HE WAS
TO KEEP AWAY FROM HER.
550
00:24:08,920 --> 00:24:10,550
HE MADE IT CLEAR THAT HE
UNDERSTOOD.
551
00:24:10,590 --> 00:24:13,050
CONNIE, WE DID WHAT WE FELT
WAS RIGHT IN THE ROOM.
552
00:24:13,090 --> 00:24:15,860
AND I’M SAYING YOU COULD HAVE
DONE A LITTLE MORE.
553
00:24:15,890 --> 00:24:18,960
YOU KNOW HOW WE CAN AVOID THIS?
DON’T ASK US FOR ANY FAVORS.
554
00:24:19,000 --> 00:24:21,910
ALL RIGHT,
EVERYBODY CHILL OUT.
555
00:24:21,930 --> 00:24:25,000
RITA, YOU AND CONNIE
GO GET LIZ JIMENEZ
556
00:24:25,040 --> 00:24:26,910
AND SEE WHAT THE HELL HAPPENED
AT THEIR APARTMENT THIS MORNING.
557
00:24:26,940 --> 00:24:27,900
YOU GOT THIS CHRIS NELSON?
558
00:24:27,940 --> 00:24:29,740
IN THE POKEY.
559
00:24:29,770 --> 00:24:31,540
DO YOUR INTERVIEW.
560
00:24:31,580 --> 00:24:32,720
MELLOW OUT.
561
00:24:35,580 --> 00:24:37,980
I, UH, I NEED A MINUTE.
562
00:24:38,020 --> 00:24:39,060
I’LL GET THE CAR.
563
00:24:39,080 --> 00:24:40,080
THANKS.
564
00:24:51,530 --> 00:24:53,490
WHERE’D YOU GET THE
PALM PILOTS, CHRIS?
565
00:24:53,530 --> 00:24:56,360
BOUGHT ’EM FROM A GUY.
DIDN’T GET HIS NAME.
566
00:24:56,400 --> 00:24:59,270
HMM, SO CREDIBILITY IN
THE SWAG GAME
567
00:24:59,300 --> 00:25:01,540
IS ABOUT HAVING A TRUSTING
FACE LIKE YOURS?
568
00:25:01,570 --> 00:25:04,870
IT’S NOT SWAG, OKAY?
I PAY FOR ’EM AND RESELL ’EM.
569
00:25:04,910 --> 00:25:07,410
ONLY DIFFERENCE BETWEEN ME
AND CIRCUIT CITY
570
00:25:07,450 --> 00:25:09,290
IS THE 8.25% KICKBACK
TO THE GOVERNMENT.
571
00:25:09,310 --> 00:25:11,580
YOU SPECIALIZE
IN ELECTRONICS?
572
00:25:11,620 --> 00:25:16,060
I KNOW PDA's, DVD PLAYERS, CD
BURNERS, HIGH‐END, HIGH‐QUALITY.
573
00:25:16,090 --> 00:25:18,130
YOU KNOW ANYTHING ABOUT
SECURITY CAMERAS?
574
00:25:18,160 --> 00:25:20,430
NOT MUCH OF A MARKET
FOR THEM,
575
00:25:20,460 --> 00:25:22,260
BUT I AM AWARE OF
THEIR FUNCTION.
576
00:25:22,290 --> 00:25:24,630
DID YOU HAPPEN TO NOTICE THE
CAMERA OVER THE DOOR
577
00:25:24,660 --> 00:25:26,600
WHEN YOU TOOK OFF
ROCKY MORTON THIS MORNING?
578
00:25:26,630 --> 00:25:28,230
ROCKY?
579
00:25:28,270 --> 00:25:30,940
YEAH, MORTON, THE GUY YOU TOOK
THE PALM PILOTS FROM.
580
00:25:30,970 --> 00:25:33,400
HEY, I PAID FOR
THOSE PALMS.
581
00:25:33,440 --> 00:25:35,580
THE GUY I BOUGHT ’EM FROM
CALLED HIMSELF LAMAR.
582
00:25:35,610 --> 00:25:37,450
LAMAR.
583
00:25:37,480 --> 00:25:39,220
YOU THINK YOU CAN SIT
THERE BULLYING US
584
00:25:39,240 --> 00:25:40,880
’CAUSE YOU HAD A MASK
ON INSIDE,
585
00:25:40,910 --> 00:25:44,780
BUT I GUESS YOU DIDN’T NOTICE
THE TWO EXTERIOR CAMERAS.
586
00:25:44,820 --> 00:25:47,230
SEEMS LIKE ROCKY KNEW
A LITTLE MORE ABOUT ELECTRONICS
587
00:25:47,250 --> 00:25:48,320
THAN YOU THERE, CHRIS.
588
00:25:52,460 --> 00:25:54,130
YOU KNOW WHAT THIS BOILS
DOWN TO?
589
00:25:54,160 --> 00:25:57,090
STICK TO WHAT YOU KNOW.
590
00:25:57,130 --> 00:25:58,660
WHICH DOESN’T INCLUDE
ROBBERY.
591
00:25:58,700 --> 00:26:01,570
I WAS TOLD THIS WOULD BE
AN EASY SCORE.
592
00:26:01,600 --> 00:26:03,630
TOLD BY WHO?
593
00:26:03,670 --> 00:26:05,930
CRACK WHORE,
CHLOE SOMETHING.
594
00:26:05,970 --> 00:26:08,070
SHE SAID THIS SCUMBAG
THAT WAS PIMPING HER
595
00:26:08,110 --> 00:26:09,780
HAD A LOT OF STUFF.
596
00:26:09,810 --> 00:26:12,770
SHE SAID WE’D GO IN,
HOLD A GUN ON THE GUY,
597
00:26:12,810 --> 00:26:14,840
WHO SHE SAID WOULD CRAP HIS
SHORTS AT THE SIGHT OF IT,
598
00:26:14,880 --> 00:26:16,480
TAKE WHAT WE COULD,
AND SPLIT.
599
00:26:16,510 --> 00:26:17,980
BUT HE DIDN’T CRAP.
600
00:26:18,020 --> 00:26:19,960
HE‐‐ HE JUMPED AT ME.
601
00:26:19,980 --> 00:26:21,420
HOW’D HIS PANTS DROP?
602
00:26:21,450 --> 00:26:24,990
WHEN WE WERE FIGHTING, I SOMEHOW
GOT AHOLD OF HIS BELT.
603
00:26:25,020 --> 00:26:27,190
WHEN’D YOUR GUN GO OFF?
604
00:26:27,230 --> 00:26:32,100
I WAS RUNNING OUT, AND HE WAS,
LIKE, ON THE GROUND
605
00:26:32,130 --> 00:26:34,430
WITH HIS PANTS AT HIS ANKLES
CRAWLING AT ME LIKE A CRAB,
606
00:26:34,470 --> 00:26:35,870
AND HE GOT AHOLD OF
MY FOOT.
607
00:26:35,900 --> 00:26:37,370
I WAS JUST TRYING TO
GET FREE,
608
00:26:37,400 --> 00:26:40,000
AND I LET ONE GO.
609
00:26:40,040 --> 00:26:41,170
I THINK IT HIT HIM IN
THE LEG.
610
00:26:41,210 --> 00:26:42,880
THEN WHAT?
611
00:26:42,910 --> 00:26:44,150
I WAS OUT THE DOOR.
612
00:26:44,180 --> 00:26:45,520
HE DIDN’T FIRE BACK?
613
00:26:45,540 --> 00:26:47,210
HE DIDN’T HAVE A GUN.
614
00:26:47,250 --> 00:26:48,690
WHEN’D YOU FIRE
THE SECOND SHOT?
615
00:26:48,710 --> 00:26:49,850
I ONLY SHOT ONCE.
616
00:26:49,880 --> 00:26:51,650
THERE WAS TWO BULLETS,
CHRIS.
617
00:26:51,680 --> 00:26:54,220
I SQUEEZED THAT TRIGGER
ONE TIME AND BEAT IT.
618
00:26:54,250 --> 00:26:56,620
WHERE WAS CHLOE
DURING THIS?
619
00:26:56,660 --> 00:26:58,530
HISTORY AS SOON AS
HE JUMPED ME,
620
00:26:58,560 --> 00:27:01,030
AND THAT’S WHEN I
FIRED ONE TIME.
621
00:27:01,060 --> 00:27:03,790
HE YELPED, LET GO OF MY LEG,
AND I WAS GONE.
622
00:27:03,830 --> 00:27:07,100
WRITE DOWN WHAT YOU SAID.
623
00:27:12,440 --> 00:27:15,180
WE RAN INTO JAVIER’S BROTHER
AT THE HOSPITAL‐‐ ESTABAN.
624
00:27:15,210 --> 00:27:17,050
WE KNOW YOU DATED JAVIER
IN COLLEGE.
625
00:27:17,080 --> 00:27:19,820
OKAY.
626
00:27:19,840 --> 00:27:21,340
WHY’D YOU LIE ABOUT IT?
627
00:27:21,380 --> 00:27:23,080
JAVIER DIDN’T WANT TO
INVOLVE US.
628
00:27:23,110 --> 00:27:24,350
WHO SHOT HIM?
629
00:27:24,380 --> 00:27:26,510
HE WAS ROBBED DOWN
THE STREET.
630
00:27:26,550 --> 00:27:28,880
THERE WAS NO BLOOD TRAIL
LEADING TO YOUR APARTMENT.
631
00:27:28,920 --> 00:27:30,890
JAVIER TOLD US HE WAS SHOT
DOWN THE STREET.
632
00:27:30,920 --> 00:27:32,190
ARE YOU OUT OF YOUR MIND?
633
00:27:32,220 --> 00:27:35,320
YOU GOTTA BE OUT OF
YOUR MIND.
634
00:27:35,360 --> 00:27:38,230
WE FIND YOUR EX‐BOYFRIEND SHOT
IN YOUR APARTMENT,
635
00:27:38,260 --> 00:27:39,530
AND HERE YOU ARE STILL
PLAYING GAMES.
636
00:27:39,560 --> 00:27:41,700
IF YOU DON’T START TELLING US
THE TRUTH RIGHT NOW,
637
00:27:41,730 --> 00:27:43,600
WE’LL PUT YOU IN HANDCUFFS
AND TAKE YOU TO JAIL.
638
00:27:43,640 --> 00:27:46,240
WHO SHOT JAVIER?!
639
00:27:46,270 --> 00:27:47,940
I DIDN’T SEE!
I WAS IN THE BEDROOM!
640
00:27:47,970 --> 00:27:50,240
WHAT WAS YOUR GENERAL IMPRESSION
OF WHAT HAPPENED?
641
00:27:50,270 --> 00:27:53,940
JAVIER CAME BY TO TALK.
642
00:27:53,980 --> 00:27:55,840
MY HUSBAND FORGOT PAPERS
FOR WORK.
643
00:27:55,880 --> 00:27:57,350
JAVIER HID IN THE CLOSET.
644
00:27:57,380 --> 00:28:00,450
WE WENT TO THE BEDROOM
TO GET HIS WORK.
645
00:28:00,480 --> 00:28:02,520
MY HUSBAND HEARD A NOISE,
GRABBED HIS GUN,
646
00:28:02,550 --> 00:28:04,950
AND TOLD ME TO STAY
IN THE ROOM.
647
00:28:04,990 --> 00:28:07,190
AND I DID.
648
00:28:07,230 --> 00:28:08,900
I FROZE.
649
00:28:08,930 --> 00:28:11,270
I SHOULD HAVE GONE
OUT THERE.
650
00:28:11,300 --> 00:28:14,570
DID YOUR HUSBAND SUSPECT
IT WAS JAVIER?
651
00:28:14,600 --> 00:28:15,800
NO.
652
00:28:15,830 --> 00:28:18,600
HAVE YOU BEEN SLEEPING
WITH JAVIER?
NO!
653
00:28:18,640 --> 00:28:21,250
WHEN YOU MADE IT INTO THE LIVING
ROOM, WHAT WAS GOING ON?
654
00:28:21,270 --> 00:28:23,470
JAVIER TOLD US TO SAY
HE GOT SHOT DOWN THE STREET.
655
00:28:26,140 --> 00:28:28,240
WHY’D JAVIER COOK UP
A FAKE STORY?
656
00:28:28,280 --> 00:28:29,780
DID YOUR HUSBAND THREATEN
HIM IF HE DIDN’T?
657
00:28:29,810 --> 00:28:30,810
NO.
658
00:28:30,850 --> 00:28:32,480
JAVIER GETS SHOT
BY YOUR HUSBAND
659
00:28:32,520 --> 00:28:34,860
AND VOLUNTEERS TO SAY
IT WAS SOMEONE ELSE?
660
00:28:37,490 --> 00:28:40,160
I DATED BOTH JAVIER
AND RICARDO.
661
00:28:40,190 --> 00:28:43,160
I GOT PREGNANT.
662
00:28:43,190 --> 00:28:48,300
JAVIER WAS TOO WILD,
SO I MARRIED RICARDO.
663
00:28:49,470 --> 00:28:51,340
HE WAS A BETTER HUSBAND.
664
00:28:51,370 --> 00:28:52,970
THAT’S EVEN LESS
OF A REASON
665
00:28:53,000 --> 00:28:55,300
FOR JAVIER TO COVER
FOR THE GUY WHO TOOK YOU AWAY.
666
00:28:57,980 --> 00:28:59,050
MY SON...
667
00:29:02,650 --> 00:29:03,990
JAVIER’S THE DAD.
668
00:29:06,150 --> 00:29:07,280
DOES YOUR HUSBAND KNOW?
669
00:29:07,320 --> 00:29:09,850
WE NEVER TALKED ABOUT IT.
670
00:29:09,890 --> 00:29:12,590
JAVIER KNOWS, THOUGH.
671
00:29:12,620 --> 00:29:15,760
THAT’S WHY I STILL LET HIM
COME BY‐‐ TO SEE HIM‐‐
672
00:29:15,790 --> 00:29:17,960
AND I KNOW THAT’S WHY HE WANTED
TO TELL THE FAKE STORY‐‐
673
00:29:18,000 --> 00:29:21,340
SO OUR SON’S LIFE
WOULDN’T BE RUINED.
674
00:29:21,370 --> 00:29:24,410
WELL, WE’RE GONNA NEED TO TALK
TO YOUR HUSBAND NOW.
675
00:29:26,970 --> 00:29:28,800
[ SNIFFLES ]
676
00:29:40,380 --> 00:29:41,620
CHRIS NELSON GAVE YOU UP.
677
00:29:41,650 --> 00:29:43,320
WHAT’S THAT MEAN?
678
00:29:43,350 --> 00:29:46,190
YOU BROUGHT HIM IN ON AN EASY
SCORE AND IT WENT SOUR.
679
00:29:46,220 --> 00:29:48,390
HE ALSO INDICATED YOU MIGHT HAVE
REASON TO DO IT PAST MONEY.
680
00:29:48,430 --> 00:29:51,140
MAINLY THAT ROCKY
WAS PIMPING YOU.
681
00:29:51,160 --> 00:29:53,730
HE’S LYING.
I’VE NEVER BEEN A HOOKER.
682
00:29:53,770 --> 00:29:56,510
YOU GOT TWO PROSS COLLARS, AND
PEOPLE CALL YOU A CRACK WHORE.
683
00:29:56,530 --> 00:29:58,070
IT’S A LIE.
684
00:29:58,100 --> 00:30:00,500
YOU STICK TO YOUR VIRTUE AND GO
AWAY AS AN ACCOMPLICE,
685
00:30:00,540 --> 00:30:01,900
BUT NOT JUST ON A ROBBERY,
686
00:30:01,940 --> 00:30:03,170
BECAUSE THERE’S TWO BULLETS
IN ROCKY‐‐
687
00:30:03,210 --> 00:30:06,320
ONE IN HIS NUTS AND
ONE IN HIS SKULL.
688
00:30:06,340 --> 00:30:08,010
YOU WANT TO TAKE ALL THE
WEIGHT ON THIS
689
00:30:08,050 --> 00:30:10,160
OR IS THERE MORE
TO THIS STORY?
690
00:30:10,180 --> 00:30:11,750
I DON’T KNOW ANYTHING
ABOUT A MURDER!
691
00:30:14,550 --> 00:30:15,420
WHERE YOU FROM, CHLOE?
692
00:30:17,460 --> 00:30:19,430
CENTERVILLE, INDIANA.
693
00:30:20,730 --> 00:30:21,670
HOW LONG YOU BEEN IN
NEW YORK?
694
00:30:21,690 --> 00:30:23,590
NINE MONTHS.
695
00:30:23,630 --> 00:30:25,190
CAME HERE TO ACT,
SING, DANCE?
696
00:30:25,230 --> 00:30:26,730
ACT.
697
00:30:26,770 --> 00:30:29,010
HOW LONG WERE YOU IN TOWN BEFORE
YOU WERE ON THE STREET?
698
00:30:29,030 --> 00:30:31,170
TWO MONTHS.
699
00:30:31,200 --> 00:30:32,170
WHERE’D YOU MEET ROCKY?
700
00:30:32,200 --> 00:30:34,940
IN A BAR.
701
00:30:34,970 --> 00:30:37,240
I WAS STRUNG OUT.
702
00:30:37,280 --> 00:30:39,380
HE GAVE ME A PLACE
TO STAY.
703
00:30:39,410 --> 00:30:41,280
THEN HE PUT YOU ON
THE STREET?
704
00:30:42,580 --> 00:30:43,780
WHEN’D YOU STOP
GETTING ALONG?
705
00:30:43,820 --> 00:30:46,220
AFTER HE STARTED SELLING
ME TO GUYS,
706
00:30:46,250 --> 00:30:49,690
LIKE, FOR WEEKS ON END.
707
00:30:49,720 --> 00:30:51,450
[ Voice breaking ]
I SAID THAT I HATED IT
708
00:30:51,490 --> 00:30:53,090
AND THAT I WANTED
TO STOP.
709
00:30:53,120 --> 00:30:56,190
HE SAID I HAD DOPE TO PAY OFF.
WE GOT IN A BIG FIGHT.
710
00:30:56,230 --> 00:30:58,970
THAT THE DOMESTIC DISTURBANCE
LAST MONTH?
711
00:30:59,000 --> 00:31:02,910
I SAID, "JUST GIVE ME THE MONEY
TO GO HOME AND WE’RE EVEN."
712
00:31:02,930 --> 00:31:05,730
HE TOLD ME TO GO TO HELL
AND KICKED ME OUT.
713
00:31:05,770 --> 00:31:09,870
[ SNIFFLES ]
I HAD NOWHERE TO GO.
714
00:31:09,910 --> 00:31:11,110
SO YOU CAME UP WITH
THIS PLAN?
715
00:31:11,140 --> 00:31:14,280
FIRST HIS PARTNER, JOEL,
TRIED TO PUT ME UP,
716
00:31:14,310 --> 00:31:16,410
BUT THEN HE RAN OUT OF MONEY,
AND I FLIPPED.
717
00:31:16,450 --> 00:31:18,220
I WENT ON A 2‐WEEK BINGE
718
00:31:18,250 --> 00:31:19,650
AND HAD TO STAY THE NIGHT
IN THE HOSPITAL
719
00:31:19,680 --> 00:31:21,420
BECAUSE I SLASHED
MY WRISTS,
720
00:31:21,450 --> 00:31:25,050
BUT, YEAH, AFTER THAT,
I CAME UP WITH A PLAN.
721
00:31:25,090 --> 00:31:26,660
IT WASN’T SUPPOSED TO
GO LIKE THIS,
722
00:31:26,690 --> 00:31:29,460
AND I DON’T KNOW ANYTHING
ABOUT ROCKY GETTING KILLED!
723
00:31:29,490 --> 00:31:32,890
WHAT DO YOU KNOW?
724
00:31:32,930 --> 00:31:34,730
[ SIGHS ]
725
00:31:34,770 --> 00:31:36,940
WHEN WE CAME, ROCKY JUST
JUMPED CHRIS
726
00:31:36,970 --> 00:31:38,300
AND STARTED FIGHTING HIM
OVER HIS GUN.
727
00:31:38,340 --> 00:31:41,250
I GOT SCARED!
I RAN!
728
00:31:41,270 --> 00:31:42,740
DID YOU HEAR SHOTS?
729
00:31:42,770 --> 00:31:45,910
JUST ONE, BUT THEN I WAS
OUT THE DOOR,
730
00:31:45,940 --> 00:31:48,310
AND CHRIS WAS, LIKE,
A FEW SECONDS BEHIND ME!
731
00:31:48,350 --> 00:31:49,960
AND NO SECOND SHOT?
732
00:31:49,980 --> 00:31:52,910
I JUST HEARD ONE,
AND THEN CHRIS WAS THERE.
733
00:31:52,950 --> 00:31:54,950
I SWEAR!
734
00:31:54,990 --> 00:31:56,960
WOW, HE’S REALLY DEAD?
735
00:31:56,990 --> 00:31:58,620
AND CHRIS REALLY SHOT HIM
IN THE NUTS?
736
00:31:58,660 --> 00:32:00,230
YEAH.
737
00:32:01,830 --> 00:32:03,300
THAT’S THE FIRST GOOD THING
TO HAPPEN TO ME
738
00:32:03,330 --> 00:32:04,800
SINCE I GOT TO NEW YORK.
739
00:32:04,830 --> 00:32:07,300
ALL RIGHT,
WRITE IT DOWN.
740
00:32:07,330 --> 00:32:09,160
START WITH INDIANA.
741
00:32:11,300 --> 00:32:13,370
THE HUSBAND’S LAWYERED UP.
HE’S NOT SAYING ANYTHING.
742
00:32:13,400 --> 00:32:15,000
BUT THE WIFE SAYS
HE FIRED THE SHOT?
743
00:32:15,040 --> 00:32:16,970
THE WIFE SAW HIM LEAVE THE
BEDROOM WITH THE GUN,
744
00:32:17,010 --> 00:32:19,980
BUT SHE’S CLAIMING TO NOT BE
AN EYEBALL WITNESS.
745
00:32:20,010 --> 00:32:21,480
AND WE BELIEVE HER?
746
00:32:21,510 --> 00:32:22,880
WHO KNOWS?
747
00:32:22,910 --> 00:32:25,380
THE HUSBAND’S A COLLAR
REGARDLESS, RIGHT?
748
00:32:25,420 --> 00:32:26,660
THE OTHER GUY, JAVIER,
749
00:32:26,690 --> 00:32:28,690
HE’S SAYING HE WAS SHOT
DOWN THE STREET?
750
00:32:28,720 --> 00:32:29,520
BUT EVERYBODY KNOWS
THAT’S A BUNCH OF B. S.
751
00:32:32,190 --> 00:32:33,290
YOU NEED TO MAKE A CALL?
752
00:32:33,320 --> 00:32:35,720
NO.
753
00:32:35,760 --> 00:32:37,290
NOW, WHERE WERE WE?
754
00:32:37,330 --> 00:32:39,630
I WAS GONNA SAY B. S.
OR NOT,
755
00:32:39,660 --> 00:32:41,230
YOU GOTTA GET JAVIER TO COME
OFF HIS STATEMENT.
756
00:32:41,270 --> 00:32:42,370
THEN THE HUSBAND’S
A COLLAR.
757
00:32:42,400 --> 00:32:45,500
ALL RIGHT, YOU AND GREG GET
DOWN TO BELLEVUE
758
00:32:45,540 --> 00:32:47,850
AND GET JAVIER
OFF HIS STORY.
759
00:32:47,870 --> 00:32:49,470
LIEUTENANT RODRIGUEZ.
760
00:32:49,510 --> 00:32:51,580
OH.
761
00:32:55,350 --> 00:32:57,060
HOW ABOUT JUST LETTING IT
SLIDE NEXT TIME
762
00:32:57,080 --> 00:32:58,510
INSTEAD OF BUSTING MY
CHOPS IN FRONT OF MY BOSS?
763
00:32:58,550 --> 00:33:00,880
THE WAY SHE WAS SHAKING
HER HAND SO VIOLENTLY,
764
00:33:00,920 --> 00:33:02,020
IT LOOKED URGENT.
765
00:33:02,050 --> 00:33:04,220
OKAY.
ALL RIGHT.
766
00:33:04,260 --> 00:33:06,870
THIS CHICK, CHLOE, AND THE GUY
SHE DID THE ROBBERY WITH,
767
00:33:06,890 --> 00:33:09,090
NEITHER IS SAYING THEY FIRED
OR HEARD THE SECOND SHOT.
768
00:33:09,130 --> 00:33:11,100
M.E.’s REPORT CAME BACK.
769
00:33:11,130 --> 00:33:13,230
THE BULLET IN THE D. O. A.’s
HEAD MATCHES HIS OWN GUN.
770
00:33:13,260 --> 00:33:16,430
THE BULLET FOUND IN HIS CROTCH
CAME BACK A DIFFERENT CALIBER.
771
00:33:16,470 --> 00:33:17,910
NO PRINTS FOUND ON
HIS GUN.
772
00:33:17,940 --> 00:33:21,250
HE TOOK HIMSELF OUT FROM THE
PAIN OF BEING SHOT IN THE BALLS?
773
00:33:21,270 --> 00:33:23,570
I DON’T KNOW. WE GOTTA TALK
TO HIS PARTNER,
774
00:33:23,610 --> 00:33:25,110
SEE HOW FAR APART HE
HEARD THE GUNSHOTS.
775
00:33:25,140 --> 00:33:27,180
ALL RIGHT, GOOD.
776
00:33:27,210 --> 00:33:28,780
ANY NEWS ON YOUR SISTER?
777
00:33:28,810 --> 00:33:31,080
YEAH,
SHE CHECKED OUT FINE.
778
00:33:31,120 --> 00:33:33,420
SHE’S NAPPING RIGHT NOW
AT MY APARTMENT.
779
00:33:33,450 --> 00:33:35,150
I’LL CALL YOU LATER.
780
00:33:39,290 --> 00:33:41,790
HI, WE’RE DETECTIVES
JONES AND MEDAVOY.
781
00:33:41,830 --> 00:33:43,130
WE NEED
A MINUTE WITH JAVIER.
782
00:33:45,330 --> 00:33:46,130
I’LL BE RIGHT OUT HERE.
783
00:33:48,730 --> 00:33:50,930
WE JUST HEARD.
I’M SORRY.
784
00:33:50,970 --> 00:33:53,100
I’LL WALK AGAIN.
YOU CAN BET ON IT.
785
00:33:53,140 --> 00:33:56,980
JAVIER, WE TALKED TO LIZ.
SHE TOLD US WHAT HAPPENED.
786
00:33:57,010 --> 00:33:59,440
I WAS SHOT BY A GUY UP THE
STREET FROM HER APARTMENT.
787
00:33:59,480 --> 00:34:01,250
HEY, TO BE HONEST
WITH YOU,
788
00:34:01,280 --> 00:34:03,110
IT’S A REAL NOBLE THING
YOU DID,
789
00:34:03,150 --> 00:34:05,660
CHANGING THE STORY TO PROTECT
YOUR AND LIZ’S SON,
790
00:34:05,680 --> 00:34:07,550
BUT THE TRUTH IS OUT NOW.
791
00:34:07,590 --> 00:34:09,290
I WAS ROBBED AND SHOT UP
THE STREET.
792
00:34:09,320 --> 00:34:12,150
JAVIER, YOU STICK TO THAT
STORY AND RICARDO,
793
00:34:12,190 --> 00:34:13,990
WHO TOOK YOUR GIRLFRIEND,
TOOK YOUR KID,
794
00:34:14,030 --> 00:34:16,840
AND SHOT YOU, HE WALKS,
AND YOU MAY NEVER WALK AGAIN.
795
00:34:16,860 --> 00:34:18,630
HE DIDN’T TAKE LIZ.
796
00:34:18,660 --> 00:34:21,000
HE DIDN’T TAKE MY SON.
797
00:34:21,030 --> 00:34:23,260
SHE MARRIED HIM BECAUSE
HE’D BE A BETTER HUSBAND,
798
00:34:23,300 --> 00:34:24,830
AND SHE WAS RIGHT,
799
00:34:24,870 --> 00:34:26,570
AND HE’S A GOOD FATHER
TO ROBERT.
800
00:34:26,610 --> 00:34:28,310
I’M NOT GONNA RUIN
ALL THAT.
801
00:34:28,340 --> 00:34:29,940
SO YOU’RE LETTING HIM GET AWAY
WITH SHOOTING YOU?
802
00:34:29,970 --> 00:34:32,610
YOU’RE GONNA MAKE US CALL TO
HAVE HIM RELEASED?
803
00:34:32,640 --> 00:34:34,510
I WAS ROBBED AND SHOT
804
00:34:34,550 --> 00:34:36,320
BY A GUY UP THE STREET
FROM HER APARTMENT.
805
00:34:36,350 --> 00:34:38,120
YOU’RE EMOTIONAL.
806
00:34:38,150 --> 00:34:39,920
UNDERSTANDABLY.
807
00:34:39,950 --> 00:34:42,080
WHEN YOU CALM DOWN,
GIVE US A CALL.
808
00:34:42,120 --> 00:34:43,180
WE CAN TALK.
809
00:34:43,220 --> 00:34:44,350
TAKE YOUR CARD.
810
00:34:44,390 --> 00:34:46,860
WHAT I SAID
IS WHAT HAPPENED,
811
00:34:46,890 --> 00:34:48,490
AND I’LL NEVER SAY ANYTHING
DIFFERENT.
812
00:34:48,530 --> 00:34:50,170
ALL RIGHT, THEN.
813
00:34:50,190 --> 00:34:52,090
YOU’RE A STAND‐UP GUY,
JAVIER.
814
00:34:52,130 --> 00:34:54,400
YOU’RE CRAZY, BUT YOU’RE
A STAND‐UP GUY.
815
00:35:11,220 --> 00:35:12,990
WHERE WERE YOU HEADED,
JOEL?
816
00:35:13,020 --> 00:35:14,330
NOWHERE.
817
00:35:14,350 --> 00:35:16,120
WHEN YOU GET PICKED UP
AT THE AIRPORT,
818
00:35:16,150 --> 00:35:17,990
THAT’S USUALLY AN INDICATION
YOU’RE HEADING SOMEWHERE.
819
00:35:18,020 --> 00:35:19,790
ALBANY TO VISIT MY UNCLE.
820
00:35:19,820 --> 00:35:22,120
THIS YOUR BAG?
821
00:35:22,160 --> 00:35:24,560
YOU ALWAYS CARRY 20 GRAND
WHEN YOU VISIT YOUR UNCLE?
822
00:35:24,600 --> 00:35:27,070
ROCKY DIDN’T HAVE HIS GUN ON HIM
WHEN HE GOT ROBBED.
823
00:35:27,100 --> 00:35:29,630
WE NEED TO KNOW HOW IT
WOUND UP LYING NEXT TO HIM.
824
00:35:29,670 --> 00:35:31,130
HE MUST HAVE HAD IT
ON HIM.
825
00:35:31,170 --> 00:35:33,400
HE DIDN’T, AND WE GOT YOUR
PRINT OFF OF IT.
826
00:35:33,440 --> 00:35:34,550
HOW’D IT GET THERE?
827
00:35:34,570 --> 00:35:36,240
I’VE HELD THAT GUN BEFORE.
828
00:35:36,270 --> 00:35:38,010
DID YOU FIRE IT TODAY
OR ANY OTHER GUN?
829
00:35:38,040 --> 00:35:39,540
I HAVEN’T FIRED A GUN
IN YEARS.
830
00:35:39,580 --> 00:35:42,140
WE GOT A SUBPOENA TO DO A
PARAFFIN TEST ON YOUR HAND
831
00:35:42,180 --> 00:35:45,350
THAT’LL DETERMINE YOU FIRED
A GUN TODAY.
832
00:35:45,380 --> 00:35:47,820
YOU’VE KNOWN ROCKY HOW
MANY YEARS?
15.
833
00:35:47,850 --> 00:35:50,750
IT DON’T MAKE SENSE THAT YOU’D
KILL HIM OVER 20 GRAND,
834
00:35:50,790 --> 00:35:53,660
BUT THAT’S HOW IT’LL GO DOWN
UNLESS WE HEAR DIFFERENT.
835
00:35:53,690 --> 00:35:55,920
OH, GOD.
836
00:35:55,960 --> 00:35:57,360
HOW’D YOU TWO HOOK UP?
837
00:35:57,400 --> 00:36:00,440
I WAS IN ACCOUNTS PAYABLE
AT A SHIPPING COMPANY,
838
00:36:00,460 --> 00:36:04,170
AND HE HAD A BULK‐RATE RACKET
ON BRINGING IN CHINESE POTTERY,
839
00:36:04,200 --> 00:36:06,700
AND WE HIT IT OFF, AND HE
BROUGHT ME IN WITH HIM.
840
00:36:06,740 --> 00:36:08,070
DOING THE BOOKS?
841
00:36:08,110 --> 00:36:10,550
BOOKS,
THE GROCERY SHOPPING.
842
00:36:10,580 --> 00:36:14,550
IF A TRUCK PULLED UP AT 4:00
IN THE MORNING WITH 200 VCRs,
843
00:36:14,580 --> 00:36:16,210
I’M THE ONE WHO
CARRIED THEM UP THE STAIRS.
844
00:36:16,250 --> 00:36:17,390
WHEN DID HE START RUNNING
WHORES?
845
00:36:17,420 --> 00:36:20,260
YOU SEE, THAT’S WHEN
IT TURNED THE CORNER.
846
00:36:20,280 --> 00:36:22,550
THREE YEARS AGO,
IT CHANGED HIM,
847
00:36:22,590 --> 00:36:25,100
AND THEN WHEN HE STARTED SELLING
GIRLS LIKE SEX SLAVES,
848
00:36:25,120 --> 00:36:27,060
THAT’S‐‐ THAT’S SICK!
849
00:36:27,090 --> 00:36:28,420
IT’S SICK!
850
00:36:28,460 --> 00:36:30,360
HOW WELL DID YOU KNOW
CHLOE O’CONNOR?
851
00:36:30,390 --> 00:36:33,630
SHE’S A NICE GIRL.
852
00:36:33,670 --> 00:36:38,810
INDIANA GIRL RIGHT OFF THE BUS,
AND HE TREATED HER LIKE HELL.
853
00:36:38,840 --> 00:36:40,480
YOU KNOW SHE WAS INVOLVED
854
00:36:40,500 --> 00:36:41,770
IN WHAT HAPPENED IN THE
APARTMENT THIS MORNING?
855
00:36:41,810 --> 00:36:44,820
YEAH, WHEN I CAME OUT OF THE
OTHER APARTMENT,
856
00:36:44,840 --> 00:36:46,740
HE WAS BLEEDING ON THE FLOOR
SCREAMING,
857
00:36:46,780 --> 00:36:48,380
"GET MY 9,
YOU STUPID ASSHOLE!
858
00:36:48,410 --> 00:36:50,050
WE’RE GONNA FIND HER
AND BLOW HER BRAINS OUT!"
859
00:36:50,080 --> 00:36:52,550
SO THEN YOU GOT THE GUN,
AND THEN WHAT HAPPENED?
860
00:36:52,580 --> 00:36:54,050
WELL...
861
00:36:54,090 --> 00:36:55,990
HE WAS...
862
00:36:56,020 --> 00:37:00,060
JUST SQUIRMING,
ALL BLOODY AND PITIFUL,
863
00:37:00,090 --> 00:37:01,920
SCREAMING EVERY NAME
IN THE BOOK AT ME,
864
00:37:01,960 --> 00:37:03,730
WHICH WAS NOTHING UNUSUAL, BUT
HE SAID HE WAS GONNA KILL HER.
865
00:37:03,760 --> 00:37:05,990
I MEAN‐‐
866
00:37:06,030 --> 00:37:08,330
HE WAS SUCH A BASTARD
TO HER.
867
00:37:08,370 --> 00:37:09,840
SO YOU SHOT HIM.
868
00:37:12,770 --> 00:37:15,240
HE NEVER SHOULD HAVE GOTTEN
INTO RUNNING GIRLS.
869
00:37:15,270 --> 00:37:18,270
THAT’S‐‐ THAT’S AN EVIL
BUSINESS.
870
00:37:18,310 --> 00:37:21,310
ALL RIGHT, LET’S GO.
871
00:37:21,350 --> 00:37:23,190
WHEN YOU WRITE THIS UP,
872
00:37:23,210 --> 00:37:24,910
LAND ON HOW HE THREATENED
TO KILL HER,
873
00:37:24,950 --> 00:37:26,580
HOW YOU WERE AFRAID
FOR HER SAFETY.
874
00:37:26,620 --> 00:37:28,720
SURE. THANKS.
875
00:37:33,490 --> 00:37:35,160
YOU ARE SUCH A CHICKEN.
876
00:37:35,190 --> 00:37:36,490
ALL RIGHT, THEN,
WHO GOES FIRST?
877
00:37:36,530 --> 00:37:37,470
ME FIRST.
878
00:37:37,500 --> 00:37:39,270
TRUTH OR DARE?
879
00:37:39,300 --> 00:37:41,270
[ CHUCKLES ]
880
00:37:41,300 --> 00:37:42,800
I CAN’T BELIEVE I’M
DOING THIS.
881
00:37:42,830 --> 00:37:44,200
TRUTH OR DARE?
882
00:37:44,240 --> 00:37:45,440
TRUTH.
883
00:37:45,470 --> 00:37:46,870
HMM. OKAY.
884
00:37:46,910 --> 00:37:50,380
DO YOU REMEMBER THE NAMES
OF EVERY GIRL YOU SLEPT WITH?
885
00:37:50,410 --> 00:37:52,810
YEAH.
886
00:37:52,840 --> 00:37:55,510
I WAS STUCK IN AN ELEVATOR ONCE
WITH SOME CHEERLEADERS,
887
00:37:55,550 --> 00:37:57,690
BUT I JUST REFER TO THEM
AS "THE SQUAD." IS THAT OKAY?
888
00:37:57,720 --> 00:38:00,290
YOUR TURN.
889
00:38:00,320 --> 00:38:01,880
ALL RIGHT, TRUTH OR‐‐
DARE.
890
00:38:05,660 --> 00:38:06,570
LOSE THE TOP.
891
00:38:17,670 --> 00:38:19,000
TRUTH OR DARE?
892
00:38:19,040 --> 00:38:20,650
TRUTH.
893
00:38:20,670 --> 00:38:21,840
ARE YOU GONNA DO TRUTH
ALL NIGHT?
894
00:38:21,870 --> 00:38:23,000
IS THAT YOUR QUESTION?
895
00:38:23,040 --> 00:38:26,010
WHAT DO YOU THINK OF ME?
896
00:38:26,040 --> 00:38:27,910
DO YOU TAKE ME SERIOUSLY,
897
00:38:27,950 --> 00:38:29,990
OR AM I
JUST A FUN DISTRACTION?
898
00:38:30,010 --> 00:38:32,410
I’M THINKING BACK
TO A CONVERSATION
899
00:38:32,450 --> 00:38:34,320
WE HAD AT A CERTAIN
HOT‐DOG STAND,
900
00:38:34,350 --> 00:38:36,150
AND YOU TOLD ME YOU JUST
WANTED TO HAVE FUN.
901
00:38:36,190 --> 00:38:37,330
NOW,
IF THAT’S CHANGED‐‐
902
00:38:37,360 --> 00:38:38,830
IT HASN’T.
903
00:38:38,860 --> 00:38:41,030
OKAY.
904
00:38:41,060 --> 00:38:43,020
TRUTH OR DARE.
905
00:38:43,060 --> 00:38:44,430
DARE.
906
00:38:44,460 --> 00:38:46,260
I THINK THOSE PANTS
NEED TO GO.
907
00:38:58,640 --> 00:38:59,880
DAMN.
908
00:38:59,910 --> 00:39:01,410
TRUTH OR DARE?
909
00:39:01,450 --> 00:39:02,720
DARE.
910
00:39:02,750 --> 00:39:04,390
GET THAT SHIRT OFF.
911
00:39:04,420 --> 00:39:05,590
YOU TAKE IT OFF.
912
00:39:09,950 --> 00:39:12,120
MMM.
913
00:39:12,160 --> 00:39:15,730
TECHNICALLY...
914
00:39:15,760 --> 00:39:18,190
YOU’RE NOT SUPPOSED
TO DARE A DARE.
915
00:39:18,230 --> 00:39:19,960
NO?
916
00:39:22,330 --> 00:39:23,570
LET’S PLAY SOMETHING ELSE,
THEN.
917
00:39:23,600 --> 00:39:25,470
OKAY.
918
00:39:39,520 --> 00:39:41,490
SO, YOU WORKING?
919
00:39:41,520 --> 00:39:44,620
I’M GOING TO SUNY.
I WILL BE GOING TO SUNY.
920
00:39:44,660 --> 00:39:46,460
THERE’S A PROBLEM WITH SOME
OF MY CREDITS TRANSFERRING,
921
00:39:46,490 --> 00:39:49,390
BUT IT’S GETTING WORKED OUT, AND
THEN I’M GONNA GET MY DEGREE.
922
00:39:49,430 --> 00:39:52,970
YOU’VE BEEN TALKING ABOUT
THIS DEGREE A LONG TIME.
923
00:39:53,000 --> 00:39:55,640
HAVE YOU THOUGHT ABOUT SETTING
IT ASIDE FOR A WHILE
924
00:39:55,670 --> 00:39:57,480
AND JUST GETTING A JOB?
925
00:39:57,500 --> 00:39:59,500
WELL, YOU CAN’T GET MUCH
WITHOUT A DEGREE.
926
00:39:59,540 --> 00:40:02,350
YOU MIGHT BETTER SERVE
YOURSELF STARTING SMALL
927
00:40:02,370 --> 00:40:03,940
AND KEEPING THINGS
MANAGEABLE
928
00:40:03,980 --> 00:40:06,280
’CAUSE SCHOOL DOESN’T SEEM
TO HAVE WORKED OUT SO FAR.
929
00:40:06,310 --> 00:40:08,180
I’LL THINK ABOUT IT.
930
00:40:08,210 --> 00:40:09,510
IT’S NOT JUST
ABOUT YOU NOW.
931
00:40:09,550 --> 00:40:11,450
THERE’S GONNA BE
A BABY INVOLVED.
932
00:40:11,480 --> 00:40:12,610
I’M AWARE OF THAT.
933
00:40:12,650 --> 00:40:15,020
WHAT ABOUT FRANK?
YOU DON’T LET UP.
934
00:40:15,050 --> 00:40:16,620
I’M JUST WORRIED
ABOUT YOU.
935
00:40:16,660 --> 00:40:18,660
YOU DON’T THINK I’M
A LITTLE BIT WORRIED, TOO?
936
00:40:18,690 --> 00:40:20,360
I’M SCARED TO DEATH.
937
00:40:20,390 --> 00:40:22,920
OF FRANK?
THAT HE’LL HURT YOU?
938
00:40:22,960 --> 00:40:25,690
HOW ABOUT OF BEING
ON MY OWN,
939
00:40:25,730 --> 00:40:28,500
OF BEING A MOM
AND STAYING CLEAN,
940
00:40:28,530 --> 00:40:30,870
WHICH I HAVE THROUGHOUT
THIS ENTIRE PREGNANCY,
941
00:40:30,900 --> 00:40:32,870
AND DIAPERS AND PROVIDING?
942
00:40:32,900 --> 00:40:34,540
GOD, IT’S LIKE THE WHOLE
WORLD’S COMING DOWN ON ME,
943
00:40:34,570 --> 00:40:35,600
AND I’M SCARED TO DEATH.
944
00:40:35,640 --> 00:40:37,540
MAYBE THAT’S A GOOD THING.
945
00:40:37,580 --> 00:40:40,490
NOW YOU HAVE TO
STOP RUNNING AROUND
946
00:40:40,510 --> 00:40:41,540
AND GET YOUR LIFE
TOGETHER.
947
00:40:41,580 --> 00:40:43,780
I REALLY WANT TO.
948
00:40:43,820 --> 00:40:44,860
LET ME HELP.
949
00:40:44,880 --> 00:40:45,980
[ SNIFFLES ]
950
00:40:46,020 --> 00:40:48,530
[ DOORBELL BUZZES ]
951
00:40:48,550 --> 00:40:50,120
Frank: MICHELLE, IT’S ME.
952
00:40:50,150 --> 00:40:52,450
OH, MY GOD.
953
00:40:52,490 --> 00:40:53,350
[ LOUD KNOCKING ]
954
00:41:01,500 --> 00:41:03,670
FRANK, GO HOME
OR I’M GONNA‐‐
I WANNA TALK TO MY WIFE.
955
00:41:03,700 --> 00:41:04,970
SHE DOESN'T WANNA
TALK TO YOU.
956
00:41:05,000 --> 00:41:06,330
’CAUSE SHE WANTS ME
IN JAIL?
957
00:41:06,370 --> 00:41:08,170
IS THAT WHY I GOT DRAGGED INTO
THE POLICE STATION?
958
00:41:08,210 --> 00:41:09,820
I ASKED YOU NOT TO!
959
00:41:09,840 --> 00:41:11,540
ONE GUY THREATENED
TO BREAK MY ARM.
960
00:41:11,580 --> 00:41:12,820
QUIT LYING, FRANK.
961
00:41:12,840 --> 00:41:14,740
YOU’RE RIGHT.
IT WAS VERY PLEASANT.
962
00:41:14,780 --> 00:41:15,880
IT WAS A GREAT AFTERNOON.
963
00:41:15,910 --> 00:41:17,650
MICHELLE, CAN I TALK TO YOU,
PLEASE?
964
00:41:17,680 --> 00:41:19,380
GO HOME.
965
00:41:19,420 --> 00:41:21,390
WHAT DO YOU WANT?
SAY IT AND GO.
966
00:41:21,420 --> 00:41:24,420
I’M SORRY.
967
00:41:24,460 --> 00:41:26,400
I FEEL AWFUL, YOU KNOW?
968
00:41:26,420 --> 00:41:28,720
I MADE A MISTAKE, AND I
WANT TO MAKE IT UP TO YOU.
969
00:41:28,760 --> 00:41:30,660
I DON’T DESERVE
THIS KIND OF THING, FRANK!
970
00:41:30,700 --> 00:41:31,840
I’M NOT GONNA STAND
FOR IT.
971
00:41:31,860 --> 00:41:36,030
CAN WE JUST GET COFFEE,
TALK A FEW MINUTES ALONE?
972
00:41:36,070 --> 00:41:37,610
I’LL BRING YOU
RIGHT BACK.
973
00:41:37,640 --> 00:41:41,880
JUST...LET ME THROW MYSELF
AT YOUR FEET
974
00:41:41,910 --> 00:41:42,880
LIKE THE SLAVE THAT I AM.
975
00:41:42,910 --> 00:41:45,920
[ CHUCKLES ]
976
00:41:45,940 --> 00:41:47,040
THIS IS A BIG JOKE?
977
00:41:47,080 --> 00:41:49,750
IT’S JUST SOMETHING THAT
HE SAYS.
978
00:41:49,780 --> 00:41:52,010
JUST A COFFEE, YOU KNOW?
10 MINUTES?
979
00:41:52,050 --> 00:41:54,380
I LOVE YOU.
980
00:41:54,420 --> 00:41:56,620
I’M SICK OVER THIS.
PLEASE.
981
00:41:56,660 --> 00:41:57,960
WAIT OUTSIDE.
982
00:41:57,990 --> 00:41:59,450
[ DOOR CLOSES ]
983
00:42:01,260 --> 00:42:03,960
DON’T DO THIS, MICHELLE.
GIVE IT THE NIGHT AT LEAST.
984
00:42:04,000 --> 00:42:05,970
JUST LET ME HEAR HIM OUT.
HE’S THE BABY’S FATHER.
985
00:42:06,000 --> 00:42:07,940
DON’T GO HOME WITH HIM.
986
00:42:07,970 --> 00:42:09,010
I’LL CALL YOU.
987
00:42:20,980 --> 00:42:21,980
[ SIGHS ]
988
00:43:04,460 --> 00:43:08,070
( violin plays )
71907
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