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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,920 --> 00:00:16,630 GIVE US A SECOND AND THEN WE’LL BE RIGHT UP, ALL RIGHT? 2 00:00:16,660 --> 00:00:18,930 MORNING. WHAT DO WE GOT? 3 00:00:18,960 --> 00:00:22,130 D.O.A.’s A ROCKY MORTON, LOCAL HUSTLER. 4 00:00:22,160 --> 00:00:25,430 APPARENTLY, HE GOT SHOT IN THE NUTS. 5 00:00:25,460 --> 00:00:26,760 I HAVEN’T BEEN INSIDE YET. 6 00:00:26,800 --> 00:00:28,760 SHOT IN THE NUTS LIKE A GAY QUARREL TYPE OF THING? 7 00:00:28,800 --> 00:00:30,030 I HAVEN’T BEEN INSIDE YET. 8 00:00:30,070 --> 00:00:31,600 ANYONE SEE IT? 9 00:00:31,640 --> 00:00:34,410 NO, THE D. O. A.’s BUDDY WAS UPSTAIRS WITH A PLUMBER. 10 00:00:34,440 --> 00:00:36,770 THEY HEARD A GUNSHOT. 11 00:00:36,810 --> 00:00:38,110 DETECTIVE. 12 00:00:38,140 --> 00:00:39,540 COMING THROUGH. 13 00:00:39,580 --> 00:00:41,610 HERE’S THE PLUMBER. 14 00:00:41,650 --> 00:00:43,920 D.O.A.’s BUDDY’S IN THE KITCHEN. HIS NAME’S JOEL ROBINSON. 15 00:00:43,950 --> 00:00:45,810 DID YOU GET THE TAPE OUT OF THIS? 16 00:00:45,850 --> 00:00:47,150 IT’S NOT EVEN REAL. JUST A SHELL. 17 00:00:49,350 --> 00:00:51,450 ONE TO THE HEAD, ONE TO THE NUT SACK. 18 00:00:51,490 --> 00:00:53,390 HOPE HE TOOK THE HEAD SHOT FIRST. 19 00:00:53,420 --> 00:00:54,820 I’LL TAKE THE BUDDY. 20 00:00:56,830 --> 00:00:59,460 DETECTIVE SIPOWICZ, JOEL. HOW’D YOU KNOW HIM? 21 00:00:59,500 --> 00:01:00,570 WE’RE PARTNERS. 22 00:01:00,600 --> 00:01:02,900 LIKE, WHAT KIND OF PARTNERS? 23 00:01:02,930 --> 00:01:04,270 BUSINESS. WHAT OTHER KIND IS THERE? 24 00:01:04,300 --> 00:01:06,430 THE KIND THAT GET SHOT IN THE CROTCH. 25 00:01:06,470 --> 00:01:09,940 OH, NO WAY‐‐ ROCKY GOT MORE TRIM THAN HE COULD HANDLE. 26 00:01:09,970 --> 00:01:11,610 WHERE WERE YOU WHEN THIS WENT DOWN? 27 00:01:11,640 --> 00:01:14,510 WITH THE PLUMBER SNAKING THE JOHN NEXT DOOR. 28 00:01:14,550 --> 00:01:16,150 ROCKY’S GOT BOTH APARTMENTS. 29 00:01:16,180 --> 00:01:17,680 FOR OVERFLOW INVENTORY? 30 00:01:17,720 --> 00:01:20,330 THIS IS ALL LEGIT STUFF. IT’S JUST BULK PURCHASE. 31 00:01:20,350 --> 00:01:21,420 ANY OF IT MISSING? 32 00:01:21,450 --> 00:01:22,520 SOME PDA's, I THINK. 33 00:01:22,550 --> 00:01:23,850 WHICH IS WHAT? 34 00:01:23,890 --> 00:01:26,290 PALM PILOT‐‐ KEEPS PHONE NUMBERS AND STUFF. 35 00:01:26,320 --> 00:01:27,690 I DON’T KNOW. 36 00:01:27,730 --> 00:01:29,800 I’LL NEED MAKES AND MODELS. 37 00:01:29,830 --> 00:01:32,160 WHAT’D YOU HEAR WHEN YOU WERE SNAKING THE JOHN? 38 00:01:32,200 --> 00:01:33,440 SHOTS. 39 00:01:33,460 --> 00:01:34,830 WE GO OUT TO LOOK, 40 00:01:34,870 --> 00:01:37,840 AND WE SEE THIS GUY RUNNING DOWN THE STAIRS WEARING A MASK. 41 00:01:37,870 --> 00:01:40,800 SO THE PLUMBER WENT AFTER HIM, AND I FOUND ROCKY. 42 00:01:40,840 --> 00:01:43,870 THAT HIS GUN NEXT TO HIM? 43 00:01:43,910 --> 00:01:46,170 HE HAVE A LOT OF ENEMIES? 44 00:01:46,210 --> 00:01:48,210 NO. 45 00:01:48,250 --> 00:01:49,660 I DON’T KNOW. I CAN’T THINK RIGHT NOW. 46 00:01:49,680 --> 00:01:50,980 ANYBODY ELSE HAVE A KEY? 47 00:01:51,020 --> 00:01:52,720 HE’S VERY SECURITY‐CONSCIOUS. 48 00:01:52,750 --> 00:01:54,820 SO WHY HAS HE GOT A FAKE CAMERA? 49 00:01:54,850 --> 00:01:56,550 HE’S ALSO TIGHT WITH A BUCK. 50 00:01:56,590 --> 00:01:58,690 HE GREW UP IN RAGS. GIVE THE GUY A BREAK. 51 00:01:58,720 --> 00:01:59,890 ALL RIGHT, JOEL. 52 00:01:59,920 --> 00:02:02,520 GET THAT LIST STARTED. 53 00:02:02,560 --> 00:02:04,990 HEY. 54 00:02:05,030 --> 00:02:06,560 HEARD A SHOT, WENT AFTER THE GUY. 55 00:02:06,600 --> 00:02:08,700 SHOT OR SHOTS? 56 00:02:08,730 --> 00:02:10,200 THEY WERE RUNNING A SEWER SNAKE, SO HE COULDN’T TELL. 57 00:02:10,230 --> 00:02:12,070 NO DESCRIPTION ON ACCOUNT OF A MASK. 58 00:02:12,100 --> 00:02:13,470 HOW’D HE LOSE THE PERP? 59 00:02:13,500 --> 00:02:15,140 GUY GOT INTO A BLACK 4‐DOOR AND SPLIT. 60 00:02:15,170 --> 00:02:16,970 HE WAS TOO FAR AWAY TO GET A PLATE. 61 00:02:17,010 --> 00:02:20,010 SO, LIFE PARTNER? BUSINESS PARTNER? 62 00:02:20,040 --> 00:02:21,580 BUSINESS. HE SAYS THE GUY WASN’T GAY. 63 00:02:21,610 --> 00:02:23,580 HE SURE PISSED SOMEONE OFF. 64 00:02:23,620 --> 00:02:28,090 THAT THERE‐‐ NIGHTMARE NUMBER ONE. 65 00:03:50,130 --> 00:03:51,630 MR. DAVIS HERE WAS GETTING ROBBED, 66 00:03:51,670 --> 00:03:53,070 TRADED SHOTS WITH THE PERP. 67 00:03:53,100 --> 00:03:54,500 THAT’S RIGHT. I DID. 68 00:03:54,540 --> 00:03:57,010 WE GOT IT NOW. THANKS. 69 00:03:57,040 --> 00:03:58,740 SO, WHAT HAPPENED? 70 00:03:58,780 --> 00:04:00,620 I GLANCED UP AT THE DOOR 71 00:04:00,650 --> 00:04:03,420 JUST AS THIS CHILI‐PICKING SON OF A BITCH 72 00:04:03,450 --> 00:04:05,420 WAS PULLING HIS MASK DOWN, 73 00:04:05,450 --> 00:04:07,180 AIMING HIS GUN AND YELLING, "OPEN THE TILL." 74 00:04:07,220 --> 00:04:10,320 AND DID YOU COMPLY, OR DID YOU START SHOOTING RIGHT THERE? 75 00:04:10,350 --> 00:04:13,760 HE GOT THE JUMP ON ME, SO I COUGHED UP 100 BUCKS. 76 00:04:13,790 --> 00:04:15,420 AS SOON AS HE WENT FOR THE MONEY, I STARTED BLASTING. 77 00:04:15,460 --> 00:04:16,830 DID YOU HIT HIM? 78 00:04:16,860 --> 00:04:20,860 HE WAS HOBBLING WHEN HE BOOGIED OUT OF HERE. 79 00:04:20,900 --> 00:04:21,930 AND THIS HAPPENED IN THE STORE? 80 00:04:21,970 --> 00:04:24,440 INSIDE. I KNOW THE RULES. 81 00:04:24,470 --> 00:04:26,370 I’VE BEEN HERE 11 YEARS. THE GUN’S LICENSED. 82 00:04:26,400 --> 00:04:27,700 HE SHOT BACK. 83 00:04:27,740 --> 00:04:28,840 THERE’S PROBABLY A SLUG IN THE WALL. 84 00:04:28,870 --> 00:04:30,840 WAS THIS A CHILI‐PICKING IRISH GUY OR WHAT? 85 00:04:30,880 --> 00:04:33,280 GIMME A BREAK, OKAY? 86 00:04:33,310 --> 00:04:34,480 BUT YOU’RE SURE HE’S LATINO? 87 00:04:34,510 --> 00:04:36,440 I SAW BROWN BEFORE THE MASK CAME DOWN. 88 00:04:36,480 --> 00:04:38,780 CENTRAL’S TRYING TO RAISE YOU. 89 00:04:38,820 --> 00:04:40,960 SECTOR BOYS ASKING TO RESPOND TO A SCENE 90 00:04:40,990 --> 00:04:43,360 OF A MALE HISPANIC SHOT A COUPLE BLOCKS OVER ON 13th AND 2nd. 91 00:04:43,390 --> 00:04:44,800 BULL’S‐EYE. 92 00:04:44,820 --> 00:04:47,190 WE’LL BE BACK FOR YOUR STATEMENT, MR. DAVIS. 93 00:04:47,230 --> 00:04:50,670 GET THIS GUY’S GUN AND LICENSE DOWN TO BALLISTICS. 94 00:04:50,700 --> 00:04:53,070 GIVE THAT LITTLE IRISHMAN MY REGARDS! 95 00:05:05,440 --> 00:05:06,880 THAT WAS BALDWIN. 96 00:05:06,910 --> 00:05:08,710 THE ROBBERY AT THE GROCERY STORE THEY RESPONDED TO, 97 00:05:08,750 --> 00:05:11,420 OWNER’S PRETTY SURE HE PUT AT LEAST ONE ROUND 98 00:05:11,450 --> 00:05:12,710 INTO THE HISPANIC MALE WHO HELD HIM UP. 99 00:05:12,750 --> 00:05:13,850 IT’S THREE BLOCKS FROM HERE. 100 00:05:13,890 --> 00:05:15,590 THAT DIFFERS A LITTLE. 101 00:05:15,620 --> 00:05:16,690 SLIGHTLY. 102 00:05:18,920 --> 00:05:21,860 JAVIER ROJAS‐‐ THAT’S YOUR REAL NAME? 103 00:05:21,890 --> 00:05:24,260 AND YOU GOT SHOT BY A 6‐FOOT, DARK‐SKINNED BLACK MALE 104 00:05:24,300 --> 00:05:25,600 WHO TRIED TO ROB YOU DOWN THE STREET? 105 00:05:25,630 --> 00:05:27,560 YES. BIG GUY. 106 00:05:27,600 --> 00:05:31,430 WERE YOU AT A GROCERY STORE THREE BLOCKS FROM HERE? NO. 107 00:05:31,470 --> 00:05:34,740 OWNER’S NOT GONNA IDENTIFY YOU AS THE GUY WHO ROBBED HIM? NO! 108 00:05:34,770 --> 00:05:36,500 BEFORE YOU GO ANY FURTHER WITH THIS THING, 109 00:05:36,540 --> 00:05:37,910 IF YOU DID DO IT, NOW’S THE TIME TO TELL US. 110 00:05:37,940 --> 00:05:39,780 I DIDN’T ROB ANYBODY! 111 00:05:39,810 --> 00:05:41,040 WE GOTTA GET THIS GUY IN. 112 00:05:41,080 --> 00:05:44,350 RIDE IN THE BUS WITH THIS GUY TO THE E. R., 113 00:05:44,380 --> 00:05:46,950 AND STAY WITH HIM TILL YOU HEAR FROM US. 114 00:05:46,990 --> 00:05:49,130 YOU EVER SEE THIS GUY BEFORE? 115 00:05:49,150 --> 00:05:51,950 NO, FIRST TIME WAS WHEN I OPENED THE DOOR 116 00:05:51,990 --> 00:05:53,860 AND HE WAS HOLDING HIS STOMACH SAYING, "CALL AN AMBULANCE." 117 00:05:53,890 --> 00:05:55,360 AND WHERE WERE YOU? 118 00:05:55,390 --> 00:05:57,530 IN THE BEDROOM. I HEARD MY WIFE SCREAM. 119 00:05:57,560 --> 00:05:59,630 WHEN HE DROPPED TO THE GROUND, I SCREAMED. 120 00:05:59,660 --> 00:06:01,100 I RAN IN AND FOUND HIM ON THE FLOOR. 121 00:06:01,130 --> 00:06:02,860 ANYONE ELSE HERE WHEN IT HAPPENED? 122 00:06:02,900 --> 00:06:04,430 NO, MY SON’S AT SCHOOL. 123 00:06:04,470 --> 00:06:07,600 CAN I GO TO WORK NOW? DO YOU NEED US ANYMORE? 124 00:06:07,640 --> 00:06:08,800 IF WE NEED YOU, WE’LL BE IN TOUCH. 125 00:06:10,680 --> 00:06:12,580 SWING BY THE MARKET, SHOW THIS TO THE OWNER? 126 00:06:12,610 --> 00:06:14,680 YEAH, I’LL HEAD OFF MEDAVOY AND JONES. 127 00:06:21,020 --> 00:06:22,550 WHAT’S THE WORD ON ROCKY MORTON? 128 00:06:22,590 --> 00:06:24,760 TWO COLLARS FOR RECEIVING STOLEN GOODS. 129 00:06:24,790 --> 00:06:26,050 THEN IT WAS A ROBBERY. 130 00:06:26,090 --> 00:06:30,260 WHOEVER DID HIM HAD TO HAVE BEEN BUZZED IN. 131 00:06:30,290 --> 00:06:31,990 YOU CAN SEE THE FRONT DOOR FROM WHERE THE BUZZER IS. 132 00:06:32,030 --> 00:06:34,660 WE’RE THINKING THE PARTNER’S INVOLVED‐‐JOEL ROBINSON? 133 00:06:34,700 --> 00:06:37,600 HE’S NOT RULED OUT, BUT THE PLUMBER ACCOUNTS FOR HIM. 134 00:06:37,640 --> 00:06:39,480 WE’RE GONNA TALK TO A CHLOE O’CONNOR. 135 00:06:39,500 --> 00:06:41,100 SHE WAS INVOLVED IN A DOMESTIC DISPUTE 136 00:06:41,140 --> 00:06:42,670 WITH THE D. O. A. LAST MONTH. 137 00:06:42,710 --> 00:06:43,980 B.C.I. GOT AN ADDRESS ON HER? 138 00:06:44,010 --> 00:06:46,110 JUST THE NAME OF HER WORK‐‐ PRIMO VIDEO. 139 00:06:46,140 --> 00:06:47,480 I’M CHECKING THE ADDRESS. 140 00:06:47,510 --> 00:06:48,940 MIGHT WANT TO GET ROBBERY 141 00:06:48,980 --> 00:06:50,280 CHECKING PATTERNS ON SMALL ELECTRONICS. 142 00:06:50,310 --> 00:06:52,350 I MADE THE CALL. 143 00:06:52,380 --> 00:06:54,550 DETECTIVE McDOWELL? YOUR SISTER CALLED TWICE. 144 00:06:57,320 --> 00:06:59,320 YOU GOT ANYTHING ON THAT GUY SHOT IN THE APARTMENT? 145 00:06:59,360 --> 00:07:03,130 JAVIER ROJAS‐‐ NO COLLARS. THE DELI OWNER COULDN’T I. D. 146 00:07:03,160 --> 00:07:04,360 WE’RE WORKING ON A CURRENT ADDRESS. 147 00:07:04,400 --> 00:07:06,040 JONES AND MEDAVOY? 148 00:07:06,060 --> 00:07:09,360 HEADING TO THE HOSPITAL, HOPEFULLY GET A STATEMENT. 149 00:07:09,400 --> 00:07:10,470 DIDN’T KNOW SHE HAD A SISTER. 150 00:07:10,500 --> 00:07:12,000 ME NEITHER. 151 00:07:12,040 --> 00:07:13,510 AND YOU’RE JUST CALLING ME NOW? 152 00:07:13,540 --> 00:07:15,280 NO, I UNDERSTAND. IT’S‐‐ 153 00:07:15,310 --> 00:07:17,720 NOW? 154 00:07:17,740 --> 00:07:19,610 WHAT’S SO IMPORTANT? 155 00:07:19,640 --> 00:07:23,180 I’M WORKING. I CAN’T JUST LEAVE. 156 00:07:23,210 --> 00:07:25,050 PRIMO VIDEO’S ON WEST 4th. I’M GONNA HIT THE CAN. 157 00:07:25,080 --> 00:07:26,480 ALL RIGHT. 158 00:07:26,520 --> 00:07:28,730 ALL RIGHT, I’LL BE THERE, BUT I GOT 10 MINUTES. 159 00:07:32,360 --> 00:07:33,700 MY SISTER, MICHELLE. 160 00:07:33,730 --> 00:07:34,730 SHE’S IN THE CITY? 161 00:07:34,760 --> 00:07:36,160 FOR THE LAST THREE MONTHS. 162 00:07:36,190 --> 00:07:37,530 THIS IS THE FIRST YOU HEARD FROM HER? 163 00:07:37,560 --> 00:07:40,030 SUDDENLY, SHE NEEDS TO SEE ME. 164 00:07:40,060 --> 00:07:41,300 SHE ALL RIGHT? 165 00:07:41,330 --> 00:07:43,030 I COULDN’T TELL. 166 00:07:43,070 --> 00:07:45,680 I NEED TO STEP OUT A FEW MINUTES. 167 00:07:45,700 --> 00:07:46,970 EVERYTHING OKAY? 168 00:07:47,010 --> 00:07:50,420 YEAH, MY SISTER’S IN TOWN. I’LL BE BACK SOON. 169 00:08:05,560 --> 00:08:06,700 MICHELLE. 170 00:08:06,730 --> 00:08:08,770 OH, MY GOD. YOU SCARED ME. 171 00:08:08,790 --> 00:08:10,930 CONNIE, SWEETIE, HOW ARE YOU? 172 00:08:10,960 --> 00:08:12,090 I’M FINE. 173 00:08:15,130 --> 00:08:16,260 I CAN’T BELIEVE YOU’RE HERE. 174 00:08:16,300 --> 00:08:18,600 YEAH, YEAH, THINGS HAVE BEEN GREAT. 175 00:08:18,640 --> 00:08:22,250 I DIDN’T WANT TO GET IN TOUCH UNTIL THINGS GOT SETTLED 176 00:08:22,270 --> 00:08:25,270 AND I GOT CALMED DOWN, SO... 177 00:08:25,310 --> 00:08:27,080 YOU DIDN’T SEEM TOO CALM ON THE PHONE. 178 00:08:27,110 --> 00:08:29,410 I WAS GOING THROUGH A LITTLE PANIC, BUT I’M BETTER NOW. 179 00:08:29,450 --> 00:08:31,420 ARE YOU HUNGRY? DID YOU WANT SOME COFFEE? 180 00:08:31,450 --> 00:08:33,210 NO, THANKS. 181 00:08:33,250 --> 00:08:36,120 SO...HOW ARE YOU? 182 00:08:36,150 --> 00:08:38,090 WHAT’S IT BEEN? LIKE, A YEAR? 183 00:08:38,120 --> 00:08:39,560 ABOUT THAT. 184 00:08:39,590 --> 00:08:40,960 YOU LOOK GREAT. 185 00:08:40,990 --> 00:08:42,520 YOU LOOK BEAT UP. 186 00:08:42,560 --> 00:08:45,790 AND PREGNANT‐‐ SIX MONTHS. 187 00:08:45,830 --> 00:08:47,760 HEALTHY AS CAN BE, TOO. 188 00:08:47,800 --> 00:08:50,700 I DON’T KNOW THE SEX YET. I WANT IT TO BE A SURPRISE. 189 00:08:50,740 --> 00:08:52,610 WHO HIT YOU? 190 00:08:52,640 --> 00:08:53,780 FRANK. 191 00:08:53,810 --> 00:08:55,450 THE SAME FRANK? 192 00:08:55,470 --> 00:08:56,970 YOU KNOW, I’M TELLING YOU RIGHT NOW, 193 00:08:57,010 --> 00:08:58,640 I DON’T NEED A LECTURE, OKAY? 194 00:08:58,680 --> 00:09:00,390 THINGS HAVE BEEN GOOD. 195 00:09:00,410 --> 00:09:01,980 WE’RE JUST GOING THROUGH A ROUGH PATCH 196 00:09:02,010 --> 00:09:03,110 AND THINGS JUST BOILED OVER. 197 00:09:03,150 --> 00:09:04,460 ARE YOU MOVING OUT? 198 00:09:04,480 --> 00:09:07,120 THAT’S WHAT I WANTED TO TALK TO YOU ABOUT. 199 00:09:07,150 --> 00:09:09,080 I NEED A PLACE TO CRASH UNTIL THINGS COOL OFF. 200 00:09:09,120 --> 00:09:11,090 IS THIS A REGULAR THING? 201 00:09:11,120 --> 00:09:13,590 NO. NO. 202 00:09:13,630 --> 00:09:16,300 HE’S JUST GOING THROUGH A REAL ROUGH PATCH. 203 00:09:16,330 --> 00:09:19,470 YOU CAN’T BE GETTING BEAT UP, AND FRANK SHOULD BE ARRESTED. 204 00:09:19,500 --> 00:09:21,340 NO, YOU ARE NOT GONNA DO THAT. 205 00:09:21,370 --> 00:09:23,640 PROMISE ME THAT YOU WON’T DO THAT. 206 00:09:23,670 --> 00:09:25,900 WELL, AT LEAST HE’S COMING IN TO TALK, 207 00:09:25,940 --> 00:09:28,010 ’CAUSE YOU CAN’T LIVE LIKE THIS, ESPECIALLY WITH A BABY. 208 00:09:28,040 --> 00:09:29,500 OH, GOD, JUST NO LECTURES, OKAY?! 209 00:09:29,540 --> 00:09:31,440 NO LECTURES RIGHT NOW, PLEASE! 210 00:09:31,480 --> 00:09:34,090 THIS THING ON MY EYE IS TWO HOURS OLD, 211 00:09:34,110 --> 00:09:36,080 AND, NO, I DON’T HAVE ALL THE ANSWERS YET, 212 00:09:36,110 --> 00:09:38,680 BUT BRINGING FRANK IN FOR A LITTLE TALKING TO 213 00:09:38,720 --> 00:09:41,090 IS NOT GONNA MAKE ANYTHING BETTER, OKAY? 214 00:09:41,120 --> 00:09:42,850 SO JUST PROMISE THAT YOU WON’T. 215 00:09:44,720 --> 00:09:46,420 YOU CAN STAY WITH ME AS LONG AS YOU WANT. 216 00:09:46,460 --> 00:09:48,370 THANK YOU. THANK YOU. 217 00:09:49,730 --> 00:09:50,690 I LOVE YOU. 218 00:09:52,330 --> 00:09:53,800 HAVE YOU SEEN A DOCTOR? 219 00:09:53,830 --> 00:09:54,930 MADE SURE THE BABY’S ALL RIGHT? 220 00:09:54,970 --> 00:09:57,610 I’M KIND OF PAYING OUT OF POCKET. 221 00:09:57,640 --> 00:09:58,410 WELL, I’LL TAKE CARE OF IT. 222 00:09:59,970 --> 00:10:01,440 DO YOU HAVE ALL YOUR STUFF? 223 00:10:01,470 --> 00:10:04,010 UM, NOT EVERYTHING. 224 00:10:04,040 --> 00:10:05,440 WHERE ARE YOU STAYING? I’LL PICK IT UP. 225 00:10:05,480 --> 00:10:07,320 I’M AT THE ROGERS HOTEL ON HOUSTON, 226 00:10:07,350 --> 00:10:08,720 BUT JUST PICK UP MY STUFF 227 00:10:08,750 --> 00:10:10,620 AND LEAVE FRANK OUT OF IT, OKAY? 228 00:10:10,650 --> 00:10:13,550 ( sighs ) GO TO THE DOCTOR. 229 00:10:13,590 --> 00:10:15,230 AND CALL ME WHEN YOU GET TO MY APARTMENT. 230 00:10:15,250 --> 00:10:16,320 YOU KNOW THE ADDRESS. 231 00:10:16,350 --> 00:10:17,520 YEAH. 232 00:10:19,590 --> 00:10:20,860 I GOTTA GET BACK. 233 00:10:22,730 --> 00:10:24,170 I KNEW I COULD COUNT ON YOU. 234 00:10:24,200 --> 00:10:25,670 THANK YOU. 235 00:10:26,770 --> 00:10:27,910 SEE THE DOCTOR. 236 00:10:27,930 --> 00:10:28,900 OKAY. 237 00:10:58,630 --> 00:11:02,200 CHLOE O’CONNOR? DETECTIVES CLARK AND SIPOWICZ. 238 00:11:02,230 --> 00:11:06,200 WE NEED TO ASK YOU SOME QUESTIONS ABOUT ROCKY MORTON. 239 00:11:06,240 --> 00:11:07,380 CAN YOU GET THE FRONT COUNTER? 240 00:11:10,710 --> 00:11:12,010 WHEN’S THE LAST TIME YOU SAW HIM? 241 00:11:12,040 --> 00:11:13,110 A MONTH AGO. WHY? 242 00:11:13,140 --> 00:11:15,240 THAT RESULT IN A DOMESTIC‐DISTURBANCE CALL? 243 00:11:15,280 --> 00:11:16,910 THE JUDGE SAID TO STEER CLEAR AND I DID. 244 00:11:16,950 --> 00:11:18,050 WHAT’S UP? 245 00:11:18,080 --> 00:11:19,580 WHAT’D YOU ARGUE ABOUT? 246 00:11:19,620 --> 00:11:21,220 HE OWED ME MONEY FOR WORK I DID FOR HIM. 247 00:11:21,250 --> 00:11:22,780 PUTTING UP DRYWALL? 248 00:11:22,820 --> 00:11:25,190 WHAT’S IT MATTER SEEING AS I DID WHAT THE JUDGE TOLD ME, 249 00:11:25,220 --> 00:11:26,860 AND I AM NOT IN VIOLATION OF THAT. 250 00:11:26,890 --> 00:11:28,560 HE GOT ROBBED THIS MORNING, 251 00:11:28,590 --> 00:11:30,060 AND YOU’RE ON RECORD FOR HAVING A BEEF WITH HIM. 252 00:11:30,090 --> 00:11:33,430 I LET HIM TAKE SOME PHOTOS, 253 00:11:33,460 --> 00:11:36,130 WHICH HE WASN’T SUPPOSED TO PUT ON THE INTERNET AND DID. 254 00:11:36,170 --> 00:11:37,640 I WANTED MORE MONEY. 255 00:11:37,670 --> 00:11:39,770 AFTER COURT, I LET IT DROP. 256 00:11:39,800 --> 00:11:41,570 CAN YOU ACCOUNT FOR YOURSELF THIS MORNING? 257 00:11:41,610 --> 00:11:45,480 I WAS HOME, THEN I GOT COFFEE, THEN I CAME HERE. 258 00:11:45,510 --> 00:11:47,210 ‐ WAS ANYONE WITH YOU? ‐ NO. 259 00:11:47,250 --> 00:11:49,320 UNTIL YOU CAN ACCOUNT FOR ALL OF IT, 260 00:11:49,350 --> 00:11:51,920 YOU GIVE US WHERE TO LOOK FOR WHO COULD HAVE ROBBED ROCKY 261 00:11:51,950 --> 00:11:53,280 OR WE’RE GONNA BUILD THIS CASE ON YOU. 262 00:11:57,420 --> 00:12:00,060 ANTON BUTLER‐‐ PIMP. 263 00:12:00,090 --> 00:12:01,290 ROCKY BURNED HIM ON A COKE DEAL, 264 00:12:01,330 --> 00:12:02,900 AND HE SAID HE’D ALWAYS GET PAYBACK. 265 00:12:02,930 --> 00:12:04,440 YOU’RE SHOWING US WHERE HE LIVES. LET’S GO. 266 00:12:04,460 --> 00:12:06,490 COME ON. 267 00:12:06,530 --> 00:12:08,300 [ SIGHS ] 268 00:12:14,340 --> 00:12:18,070 EAST RIVER PARK‐‐ HISPANIC MALE D. O. A. IN A PORTA POTTY. 269 00:12:18,110 --> 00:12:19,410 LOOKS LIKE HE’S SHOT IN THE GUT. 270 00:12:19,440 --> 00:12:20,440 FITS THE DESCRIPTION OF YOUR PERP 271 00:12:20,480 --> 00:12:23,080 IN THE DELI STICKUPS THIS MORNING, RIGHT? 272 00:12:23,110 --> 00:12:24,910 BUT YOU ALREADY HAVE SOMEONE YOU LIKE FOR THAT, RIGHT? 273 00:12:24,950 --> 00:12:26,150 WE THINK WE DO. HE’S IN THE O. R. 274 00:12:26,180 --> 00:12:28,020 FIGURE IT OUT. 275 00:12:29,220 --> 00:12:30,520 YOU FIND ANTON? 276 00:12:30,560 --> 00:12:31,630 GUY BOUNCED AROUND A LOT. 277 00:12:31,660 --> 00:12:32,700 WE JUST GOT AN ADDRESS. 278 00:12:32,720 --> 00:12:34,620 WHERE’S THE GIRL, CHLOE? 279 00:12:34,660 --> 00:12:37,090 BACK AT HER MEANINGFUL JOB. SHE’S REACHABLE. 280 00:12:37,130 --> 00:12:38,460 WE’RE GONNA CHECK WITH THE D. A. FOR A WARRANT, 281 00:12:38,500 --> 00:12:39,500 THEN HIT ANTON’S PLACE. 282 00:12:39,530 --> 00:12:40,800 WHAT’S B.C.I. GOT ON HIM? 283 00:12:40,830 --> 00:12:43,160 POSSESSION, DEALING, AND A GUN CHARGE THAT GOT DROPPED. 284 00:12:43,200 --> 00:12:44,400 WE’LL BACK YOU UP. 285 00:12:48,540 --> 00:12:50,340 EVERYTHING ALL RIGHT? 286 00:12:50,370 --> 00:12:52,370 SIX MONTHS PREGNANT AND HER HUSBAND’S WHACKING HER AROUND. 287 00:12:52,410 --> 00:12:53,940 WE BRINGING HIM IN? 288 00:12:53,980 --> 00:12:55,210 I PROMISED I WOULDN’T, 289 00:12:55,250 --> 00:12:56,520 BUT IF IT’S YOU DOING THE TALKING, 290 00:12:56,550 --> 00:12:57,810 THEN TECHNICALLY, I’M NOT BREAKING THE PROMISE. 291 00:12:57,850 --> 00:12:59,010 WHERE IS HE? 292 00:12:59,050 --> 00:13:00,180 ANDY, YOU GOT A GUY TO PICK UP. 293 00:13:00,220 --> 00:13:01,650 HE CAN WAIT AN HOUR. 294 00:13:01,690 --> 00:13:03,460 YOUR SISTER WANT HER HUSBAND COLLARED? 295 00:13:03,490 --> 00:13:04,800 NOT AT THE MOMENT. 296 00:13:04,820 --> 00:13:07,890 THEN LET THE HUSBAND WAIT. PICK UP YOUR SUSPECT. 297 00:13:07,930 --> 00:13:10,140 I’M SYMPATHETIC, BUT WE GOT A LOT OF THINGS TO TAKE CARE OF. 298 00:13:10,160 --> 00:13:11,990 YOU GOT A PLACE TO LOOK FOR HIM? 299 00:13:12,030 --> 00:13:13,530 WE’LL GET UNIFORM TO SNATCH HIM UP. 300 00:13:13,570 --> 00:13:16,370 THEY’RE STAYING AT THE ROGERS HOTEL ON HOUSTON. 301 00:13:16,400 --> 00:13:17,500 I’LL TAKE CARE OF THAT. 302 00:13:17,540 --> 00:13:18,410 GO WITH RITA. SHE’LL FILL YOU IN. 303 00:13:20,670 --> 00:13:21,900 WE’LL MAKE TIME. 304 00:13:34,790 --> 00:13:36,490 D.O.A. IN THE PORTA POTTY. 305 00:13:36,520 --> 00:13:38,390 LOOKS LIKE HE GOT ONE IN THE SIDE. 306 00:13:38,420 --> 00:13:40,920 THIS GUY FISHING OFF THE SEAWALL FOUND HIM. 307 00:13:40,960 --> 00:13:42,820 HI. WHAT’S YOUR NAME, SIR? 308 00:13:42,860 --> 00:13:45,390 ALBERT SIMON, 71, STANTON STREET. 309 00:13:45,430 --> 00:13:46,530 I’VE LIVED THERE NINE YEARS. 310 00:13:46,570 --> 00:13:48,240 HOW’D YOU FIND THE MAN? 311 00:13:48,270 --> 00:13:51,880 I WAS FISHING FOR STRIPED BASS, WHICH IS A LOSING PROPOSITION, 312 00:13:51,900 --> 00:13:53,030 BUT I NEED THE SUNSHINE‐‐ 313 00:13:53,070 --> 00:13:54,940 DID YOU SEE THE MAN GO IN THE JOHN? 314 00:13:54,970 --> 00:13:57,040 I DID NOT. 315 00:13:57,080 --> 00:13:59,550 I APPROACHED THE FACILITIES WITH A FULL BLADDER. 316 00:13:59,580 --> 00:14:01,780 THE FIRST ONE THERE IS A CATASTROPHE 317 00:14:01,810 --> 00:14:03,440 OVERFLOWING WITH HUMAN WASTE. 318 00:14:03,480 --> 00:14:06,350 SO I TRIED THE SECOND ONE, BUT THE DOOR WAS LOCKED. 319 00:14:06,380 --> 00:14:08,120 SO I WAITED. 320 00:14:08,150 --> 00:14:11,690 AFTER A PERIOD OF TIME, I KNOCKED WITH NO RESPONSE. 321 00:14:11,720 --> 00:14:16,260 I COULD HAVE EASILY GONE BEHIND ONE OF THESE TREES, 322 00:14:16,290 --> 00:14:18,730 BUT I HAVE A CERTAIN DEGREE OF RESPECT FOR THE COMMUNITY‐‐ 323 00:14:18,760 --> 00:14:19,930 HOW’D YOU GET THE DOOR OPEN? 324 00:14:19,960 --> 00:14:23,530 I USED A SMALL STEAK KNIFE THAT I USE CLEANING THE FISH. 325 00:14:23,570 --> 00:14:26,430 DID YOU SEE ANYONE PUT HIM IN THERE, ANYONE MILLING AROUND? 326 00:14:26,470 --> 00:14:28,100 IT’S IMPORTANT YOU REMEMBER. 327 00:14:30,580 --> 00:14:32,050 I HAVE TO BE UP FRONT. 328 00:14:32,080 --> 00:14:33,650 I’VE BEEN DRINKING. 329 00:14:33,680 --> 00:14:35,980 Rita: OKAY. THANKS FOR YOUR HELP. 330 00:14:39,980 --> 00:14:41,780 UGH! 331 00:14:41,820 --> 00:14:44,420 [ FLIES BUZZING ] DON’T THEY EVER CLEAN THESE THINGS? 332 00:14:44,460 --> 00:14:47,300 [ GROANS ] 333 00:14:47,330 --> 00:14:49,470 .45 AUTOMATIC. 334 00:14:51,330 --> 00:14:52,990 SOME CASH... A COUPLE CHECKS. 335 00:14:55,870 --> 00:14:56,940 [ SIGHS ] 336 00:14:56,970 --> 00:14:58,070 MADE OUT TO SPEEDY MART. 337 00:14:58,100 --> 00:14:59,940 SKI MASK. 338 00:14:59,970 --> 00:15:02,270 SO THIS IS THE GUY WHO ROBBED THE MARKET THIS MORNING. 339 00:15:02,310 --> 00:15:03,850 [ SIGHS ] 340 00:15:03,880 --> 00:15:05,480 RIGHT. 341 00:15:05,510 --> 00:15:07,080 SO THE GUY WE FOUND SHOT AT THE APARTMENT‐‐ 342 00:15:07,110 --> 00:15:08,340 HE WAS TELLING THE TRUTH ABOUT BEING ROBBED? 343 00:15:16,520 --> 00:15:18,290 EXCUSE ME. DETECTIVES McDOWELL AND ORTIZ. 344 00:15:18,320 --> 00:15:19,960 WE’RE HERE FOR A JAVIER ROJAS. 345 00:15:19,990 --> 00:15:21,260 HE’S STILL IN THE O. R. 346 00:15:21,290 --> 00:15:23,090 THE BULLET SLIPPED NEXT TO HIS SPINE. 347 00:15:23,130 --> 00:15:24,670 HE PARALYZED? 348 00:15:24,700 --> 00:15:26,440 WE DON’T KNOW YET. THAT’S HIS BROTHER OUT THERE. 349 00:15:26,460 --> 00:15:28,960 HE’S LOOKING FOR SOME ANSWERS AS TO HOW JAVIER GOT SHOT. 350 00:15:29,000 --> 00:15:30,830 THANKS. 351 00:15:32,540 --> 00:15:34,510 ESTABAN ROJAS. 352 00:15:34,540 --> 00:15:36,200 DO YOU KNOW WHAT HAPPENED TO JAVIER? 353 00:15:36,240 --> 00:15:37,470 HE’S SAYING HE WAS ROBBED. 354 00:15:37,510 --> 00:15:38,710 WHERE? BY WHO? 355 00:15:38,740 --> 00:15:40,440 OVER ON 13th AND 2nd. 356 00:15:40,480 --> 00:15:42,980 WE’RE HAVING A PROBLEM COMING UP WITH WITNESSES. 357 00:15:43,010 --> 00:15:45,680 THE ADDRESS WE GOT ON YOUR BROTHER IS ASTORIA. 358 00:15:45,720 --> 00:15:48,790 DO YOU KNOW WHAT HE MIGHT HAVE BEEN DOING OVER ON 13th AND 2nd? 359 00:15:48,820 --> 00:15:52,850 WE’RE LOOKING FOR ANYBODY WHO CAN HELP US FIGURE THIS OUT. 360 00:15:52,890 --> 00:15:55,060 YEAH, HE’S GOT ONE FRIEND WHO LIVES IN THE EAST VILLAGE, 361 00:15:55,090 --> 00:15:55,990 BUT I DON’T KNOW HER NAME. 362 00:15:56,030 --> 00:15:57,800 LIZ JIMENEZ? 363 00:15:57,830 --> 00:15:59,490 LIKE I SAID, I DON’T KNOW WHO THE FRIEND IS, 364 00:15:59,530 --> 00:16:02,130 BUT I DO KNOW THE NAME LIZ JIMENEZ. 365 00:16:02,170 --> 00:16:03,210 THEY DATED IN COLLEGE. 366 00:16:03,230 --> 00:16:05,170 IS THERE BAD BLOOD, 367 00:16:05,200 --> 00:16:06,800 ANYTHING THAT COULD LEAD TO HIM GETTING SHOT? 368 00:16:06,840 --> 00:16:09,070 NO. SHE HAVE SOMETHING TO DO WITH THIS? 369 00:16:12,740 --> 00:16:15,680 WE FOUND YOUR BROTHER AT LIZ’S APARTMENT. 370 00:16:15,710 --> 00:16:16,880 SHE AND HER HUSBAND SAID 371 00:16:16,920 --> 00:16:18,860 JAVIER POUNDED ON THE DOOR NEEDING HELP. 372 00:16:18,880 --> 00:16:21,520 THEY SAID THEY DIDN’T KNOW HIM. JAVIER TOLD THE SAME STORY. 373 00:16:21,550 --> 00:16:24,090 WHAT’S YOUR BROTHER’S RELATIONSHIP WITH LIZ? 374 00:16:24,120 --> 00:16:25,190 I TOLD YOU‐‐ THEY DATED IN COLLEGE. 375 00:16:25,220 --> 00:16:26,690 THEY SLEEPING TOGETHER? 376 00:16:26,730 --> 00:16:28,670 I DON’T KNOW ANYTHING ABOUT IT. 377 00:16:28,690 --> 00:16:30,830 WHEN YOUR BROTHER SAID HE WAS HEADING TO THE EAST VILLAGE, 378 00:16:30,860 --> 00:16:34,030 DID HE SAY HE WAS GONNA GET LAID OR WHAT? 379 00:16:34,070 --> 00:16:35,440 JUST TO SEE A FRIEND. 380 00:16:35,470 --> 00:16:37,180 A MARRIED FRIEND? 381 00:16:37,200 --> 00:16:39,170 DOES LIZ’S HUSBAND KNOW THEY STILL SEE EACH OTHER? 382 00:16:39,200 --> 00:16:40,940 LIZ’S HUSBAND EVER THREATEN YOUR BROTHER? 383 00:16:40,970 --> 00:16:43,440 NO, NOT THAT I KNOW OF. 384 00:16:43,470 --> 00:16:45,840 ARE YOU THINKING HE GOT SHOT AT LIZ’S? 385 00:16:45,880 --> 00:16:47,920 WE’RE GONNA FIND OUT. 386 00:17:03,390 --> 00:17:04,130 TV’s ON. 387 00:17:06,600 --> 00:17:07,730 TEAMS IN POSITION? 388 00:17:07,770 --> 00:17:09,270 Side team in position. 389 00:17:09,300 --> 00:17:10,530 Front team in position. 390 00:17:10,570 --> 00:17:12,600 WE’RE GOING IN. 391 00:17:15,470 --> 00:17:17,410 YO, ANTON! OPEN THE DOOR! 392 00:17:18,840 --> 00:17:19,940 [ KNOCK ON DOOR ] 393 00:17:19,980 --> 00:17:21,780 [ SCRAPING ] THAT’S A WINDOW. 394 00:17:21,810 --> 00:17:22,680 SON OF A BITCH! 395 00:17:27,690 --> 00:17:29,930 FREEZE! 396 00:17:29,950 --> 00:17:31,350 I’M HIT! 397 00:17:42,670 --> 00:17:44,640 FREEZE, ASSHOLE! 398 00:17:44,670 --> 00:17:46,900 DON’T MOVE! DON’T MOVE! 399 00:17:46,940 --> 00:17:48,340 DROP THE GUN! DROP THE GUN! 400 00:17:48,370 --> 00:17:50,170 DROP IT! 401 00:17:50,210 --> 00:17:51,110 ON THE GROUND! HANDS BEHIND YOUR BACK! 402 00:17:51,140 --> 00:17:52,340 DON’T SHOOT ME! 403 00:17:54,310 --> 00:17:57,450 15th SQUAD TO CENTRAL "K." OFFICER SHOT, 14th AND "B." 404 00:17:57,480 --> 00:17:59,480 HAVE A SUPERVISOR AND A BUS RESPOND FORTHWITH. 405 00:17:59,520 --> 00:18:00,830 YOU OKAY? 406 00:18:00,850 --> 00:18:01,980 YEAH. IT’S JUST MY ARM. 407 00:18:18,670 --> 00:18:20,300 OVER HERE. 408 00:18:20,340 --> 00:18:22,070 STOP RIGHT THERE. 409 00:18:25,480 --> 00:18:28,020 YOU’RE AWFUL QUIET THERE, ANTON. 410 00:18:28,050 --> 00:18:31,160 ATTEMPTED MURDER OF A COP WITNESSED BY 10 OTHER COPS, 411 00:18:31,180 --> 00:18:33,310 I GUESS I’D HAVE A LOT ON MY MIND, TOO. 412 00:18:33,350 --> 00:18:34,980 Y’ALL DIDN’T SAY NOTHING ABOUT BEING NO COP. 413 00:18:35,020 --> 00:18:37,390 SO THAT GUY YOU SHOT IN FULL UNIFORM 414 00:18:37,420 --> 00:18:40,020 WASN’T ENOUGH OF A TIP‐OFF?! 415 00:18:40,060 --> 00:18:41,960 THIS IS A DONE DEAL, ANTON. YOU’RE LOCKED UP. 416 00:18:41,990 --> 00:18:44,060 THE ONLY QUESTION NOW IS WHAT KIND OF TIME. 417 00:18:44,100 --> 00:18:45,400 I PERSONALLY GOT NO INTEREST 418 00:18:45,430 --> 00:18:47,460 IN YOU EVER BEING ON THE STREET AGAIN, 419 00:18:47,500 --> 00:18:50,200 BUT WE GOT A CASE TO CLEAR, SO YOU GOT ONE SHOT, 420 00:18:50,230 --> 00:18:53,870 BUT IF ANYTHING COMES OUT OF THAT MOUTH THAT ISN’T THE TRUTH, 421 00:18:53,910 --> 00:18:55,380 I WILL TIE YOU TO THAT CHAIR, 422 00:18:55,410 --> 00:18:57,250 AND I WILL PUSH YOU OUT THAT WINDOW, 423 00:18:57,280 --> 00:18:59,080 AND THERE AIN’T A COP IN THIS BUILDING 424 00:18:59,110 --> 00:19:00,880 WHO WILL SAY THAT YOU DIDN’T JUMP! 425 00:19:00,910 --> 00:19:03,580 Y’ALL FREAKED ME OUT. Y’ALL JUST FREAKED ME OUT. 426 00:19:03,620 --> 00:19:05,520 YOU TELL US WHAT HAPPENED THIS MORNING. 427 00:19:05,550 --> 00:19:07,920 HE OWED ME 3 GRAND IN ROCK. 428 00:19:07,950 --> 00:19:10,590 I TOLD HIM IF HE AIN’T GIVE UP THE MONEY BY THIS MORNING, 429 00:19:10,620 --> 00:19:12,320 I WAS GONNA COME VISIT HIM, SO I DID. 430 00:19:12,360 --> 00:19:13,360 HOW’D IT GO BAD? 431 00:19:13,390 --> 00:19:16,260 HE DIDN’T GIVE IT UP. SO, 432 00:19:16,290 --> 00:19:19,360 I SAT HIM DOWN, MY BOY HELD HIS ARMS, AND WE HAD A SMOKE, 433 00:19:19,400 --> 00:19:21,770 AND SOME ASHES FELL ON HIS ARM. 434 00:19:21,800 --> 00:19:23,400 HAPPENED TO GET SOME BURNS FROM IT, 435 00:19:23,430 --> 00:19:24,500 THAT’S JUST THE PRICE OF BUSINESS. 436 00:19:24,540 --> 00:19:25,910 WHAT ABOUT THE TWO BULLETS IN HIM? 437 00:19:25,940 --> 00:19:28,750 WAIT, WHAT NOW? 438 00:19:28,770 --> 00:19:30,740 THE ONE IN HIS NUTS. THE ONE IN HIS HEAD. 439 00:19:30,780 --> 00:19:33,020 DIDN’T NOBODY SHOOT DERVIS. 440 00:19:33,040 --> 00:19:35,180 WHO THE HELL IS DERVIS? 441 00:19:35,210 --> 00:19:39,750 DERVIS WATTS WHO OWES ME 3 GRAND IN ROCK? 442 00:19:39,780 --> 00:19:41,120 THAT WAS THIS MORNING? 443 00:19:41,150 --> 00:19:43,380 ALL MORNING, AND WHEN I LEFT, 444 00:19:43,420 --> 00:19:44,890 HE WAS ALIVE AND THANKFUL TO BE THAT WAY. 445 00:19:46,120 --> 00:19:47,890 YOU KNOW ROCKY MORTON? 446 00:19:47,930 --> 00:19:49,370 NEVER HEARD OF HIM. 447 00:19:49,390 --> 00:19:50,630 YOU KNOW CHLOE O’CONNOR? 448 00:19:52,830 --> 00:19:53,900 WHY? 449 00:19:53,930 --> 00:19:55,100 HOW DO YOU KNOW HER?! 450 00:19:55,130 --> 00:19:56,570 SHE WORKED FOR ME. 451 00:19:56,600 --> 00:19:57,930 TURNING TRICKS? 452 00:19:57,970 --> 00:19:59,430 FOR A WHILE, AND THEN SHE SPLIT. 453 00:19:59,470 --> 00:20:02,600 SAID I GOT HER HOOKED ON ROCK, WHICH I DO NOT DO. 454 00:20:02,640 --> 00:20:04,770 [ KNOCK ON DOOR ] 455 00:20:04,810 --> 00:20:05,670 I NEED A MINUTE. 456 00:20:10,620 --> 00:20:13,560 Y’ALL SAYING THIS AIN’T GOT NOTHING TO DO WITH DERVIS? 457 00:20:13,590 --> 00:20:15,360 DON’T YOU MOVE. 458 00:20:18,960 --> 00:20:20,230 WHAT’S HIS STORY? 459 00:20:20,260 --> 00:20:22,120 CLAIMING HE WAS TOTALLY UNINVOLVED. 460 00:20:22,160 --> 00:20:23,420 TEND TO BELIEVE HIM. 461 00:20:23,460 --> 00:20:25,130 ROBBERY CALLED. 462 00:20:25,160 --> 00:20:26,430 THEY GOT WORD A GUY NAMED CHRIS NELSON 463 00:20:26,460 --> 00:20:28,330 WAS OFF‐LOADING THESE PALM PILOTS 464 00:20:28,370 --> 00:20:29,980 LIKE THE ONES STOLEN FROM ROCKY. 465 00:20:30,000 --> 00:20:31,770 B.C.I. SET UP A MEET WITH HIM IN A HALF‐HOUR. 466 00:20:31,800 --> 00:20:35,270 THIS GUY’S A COLLAR FOR ATTEMPTED MURDER OF A COP. 467 00:20:38,980 --> 00:20:40,950 OKAY, THANKS. 468 00:20:40,980 --> 00:20:45,010 THAT WAS LIZ JIMENEZ. SHE’S BACK AT HER APARTMENT. 469 00:20:45,050 --> 00:20:46,350 THE DESK SERGEANT CALLED. 470 00:20:46,380 --> 00:20:47,920 UNIFORMS ARE BRINGING FRANK UP. 471 00:20:47,950 --> 00:20:49,180 THEY GET HIM AT THE HOTEL? 472 00:20:49,220 --> 00:20:51,690 YEAH, COMING BACK FROM THE BAR. 473 00:20:51,720 --> 00:20:53,120 HE WASTED? 474 00:20:53,160 --> 00:20:54,300 THEY SAID NOT TOO BAD. 475 00:20:54,330 --> 00:20:56,270 WHEN DID ANDY AND JOHN HEAD OUT? 476 00:20:56,290 --> 00:20:58,160 JUST A MINUTE AGO. YOU WERE UP AT ANTI‐CRIME. 477 00:20:58,200 --> 00:21:00,310 I CAN’T KEEP HIM HERE ALL DAY. 478 00:21:02,300 --> 00:21:05,800 I WANT TO GO IN, BUT I PROMISED MICHELLE. 479 00:21:05,840 --> 00:21:08,210 WOULD YOU GUYS MIND HAVING A TALK WITH FRANK? 480 00:21:08,240 --> 00:21:09,640 WE’D BE HAPPY TO. 481 00:21:11,340 --> 00:21:14,180 I MEAN, THIS IS A GUY BEATING A PREGNANT WOMAN. 482 00:21:14,210 --> 00:21:15,680 WE GOT IT. 483 00:21:15,710 --> 00:21:17,310 THANKS. 484 00:21:17,350 --> 00:21:19,650 FIVE MINUTES, THEN WE’LL GO GET LIZ. 485 00:21:19,680 --> 00:21:21,320 YOU BET. 486 00:21:25,020 --> 00:21:27,320 UM, LOOK, WHAT’S GOING ON HERE? 487 00:21:34,900 --> 00:21:37,170 WE KNOW YOU BEAT YOUR WIFE TODAY, FRANK. 488 00:21:37,200 --> 00:21:41,370 THIS IS THE PLACE WHERE MY WIFE’S SISTER WORKS, RIGHT? 489 00:21:41,410 --> 00:21:42,810 FRANK, OUR TIME IN THIS ROOM 490 00:21:42,840 --> 00:21:45,310 IS GONNA CONSIST OF US TALKING AND YOU LISTENING. 491 00:21:45,340 --> 00:21:47,710 OKAY, COOL. 492 00:21:47,750 --> 00:21:48,850 GOT IT. 493 00:21:48,880 --> 00:21:50,810 GOOD. 494 00:21:50,850 --> 00:21:52,480 SO HERE’S WHERE WE’RE AT‐‐ 495 00:21:52,520 --> 00:21:55,760 WE TALKED TO EVERYONE INVOLVED, AND WE WORKED IT OUT 496 00:21:55,790 --> 00:21:58,100 SO THAT YOU’RE NOT GONNA GET CHARGED WITH SPOUSAL ABUSE. 497 00:21:58,120 --> 00:21:59,190 YOU TALKED TO MICHELLE? WHAT DID SHE SAY? 498 00:21:59,220 --> 00:22:00,520 FRANK! 499 00:22:00,560 --> 00:22:03,020 I’M SORRY. AND I’M SERIOUS. 500 00:22:03,060 --> 00:22:05,530 YOU OPEN YOUR MOUTH ONE MORE TIME BEFORE WE TELL YOU 501 00:22:05,560 --> 00:22:07,860 AND WE’RE GONNA HAUL YOUR ASS RIGHT DOWN TO A CELL. 502 00:22:07,900 --> 00:22:09,530 WHAT YOU GOTTA COME TO TERMS WITH RIGHT NOW 503 00:22:09,570 --> 00:22:12,400 IS THAT YOUR WIFE DOESN’T WANT ANYTHING TO DO WITH YOU ANYMORE. 504 00:22:12,440 --> 00:22:15,280 SO NO MORE CONTACT. NO MORE PHONE CALLS. 505 00:22:15,310 --> 00:22:17,050 NO MORE NOTHING. IT’S DONE. 506 00:22:17,080 --> 00:22:19,590 YOU GO YOUR MERRY WAY. SHE’LL GO HERS. 507 00:22:19,610 --> 00:22:22,610 THE ALTERNATIVE TO THAT IS YOU GETTING LOCKED UP. 508 00:22:22,650 --> 00:22:24,120 SO WHAT’S IT GONNA BE? 509 00:22:24,150 --> 00:22:25,380 I CAN TALK NOW? 510 00:22:25,420 --> 00:22:26,930 YEAH. 511 00:22:26,950 --> 00:22:28,880 SHE WAS SLAPPING ON ME. I WAS DEFENDING MYSELF! 512 00:22:28,920 --> 00:22:30,220 FRANK! 513 00:22:30,250 --> 00:22:31,390 OKAY. 514 00:22:31,420 --> 00:22:32,620 WHAT’S IT GONNA BE?! 515 00:22:36,930 --> 00:22:37,960 ALL RIGHT. 516 00:22:38,000 --> 00:22:39,770 UH... 517 00:22:39,800 --> 00:22:41,960 [ CHUCKLES ] I’M DONE. 518 00:22:42,000 --> 00:22:43,460 YOU KNOW, WE’RE DONE. 519 00:22:43,500 --> 00:22:45,930 I UNDERSTAND NOW THAT OUR RELATIONSHIP WAS JUST TOO HEATED 520 00:22:45,970 --> 00:22:48,400 AND WE CAN’T BE AROUND EACH OTHER. 521 00:22:48,440 --> 00:22:51,140 THIS‐‐ [ SIGHS ] 522 00:22:51,180 --> 00:22:53,720 THIS IS A BIG WAKE‐UP CALL FOR ME. 523 00:22:53,750 --> 00:22:57,620 I APPRECIATE YOU GUYS TREATING ME LIKE A HUMAN BEING. 524 00:23:02,820 --> 00:23:03,720 HOW LONG YOU BEEN IN NEW YORK? 525 00:23:03,760 --> 00:23:04,760 THREE MONTHS. 526 00:23:04,790 --> 00:23:05,790 FROM WHERE? 527 00:23:05,820 --> 00:23:07,490 CHICAGO. 528 00:23:07,530 --> 00:23:09,300 GO BACK TO CHICAGO. 529 00:23:09,330 --> 00:23:11,740 IF YOU LAY HANDS ON THIS GIRL AGAIN, YOU’RE GOING TO JAIL. 530 00:23:11,760 --> 00:23:14,160 AND THESE AREN’T EMPTY THREATS, FRANK. 531 00:23:15,970 --> 00:23:17,180 DON’T FIND OUT THE HARD WAY. 532 00:23:20,370 --> 00:23:21,340 BEAT IT. 533 00:23:29,450 --> 00:23:31,190 HOW’D IT GO? 534 00:23:31,220 --> 00:23:33,990 IT DIDN’T. 535 00:23:34,020 --> 00:23:35,580 WERE YOU LOOKING IN? 536 00:23:35,620 --> 00:23:39,920 YEAH, I WAS, AND, UH, "GO BACK TO CHICAGO"? 537 00:23:39,960 --> 00:23:42,520 DID YOU GIVE HIM A PAT ON THE ASS ON THE WAY OUT? 538 00:23:42,560 --> 00:23:45,630 HE SAID HE’D STAY AWAY KNOWING HE’D GET LOCKED UP IF HE DIDN’T. 539 00:23:45,660 --> 00:23:48,130 HE’S A LIAR! HIS WORD DOESN’T MEAN DICK! 540 00:23:48,170 --> 00:23:50,180 WHAT’D YOU WANT US TO DO, PUT A GUN TO HIS HEAD? 541 00:23:50,200 --> 00:23:52,930 LEAN ON HIM A LITTLE! PUT SOME FEAR INTO HIM! 542 00:23:52,970 --> 00:23:54,700 WE LEAN ON HIM, WE SEND HIM HOME ALL PISSED OFF 543 00:23:54,740 --> 00:23:56,940 AND READY TO TAKE IT OUT ON SOMEBODY, LIKE YOUR SISTER. 544 00:23:56,980 --> 00:23:58,620 HE’S ONLY GONNA RESPOND TO A REAL THREAT, 545 00:23:58,640 --> 00:24:00,280 NOT PLEASANT CONVERSATION. 546 00:24:00,310 --> 00:24:02,140 WHAT’S THE PROBLEM? 547 00:24:02,180 --> 00:24:04,310 NOTHING. 548 00:24:04,350 --> 00:24:06,210 WE TALKED TO HER SISTER’S HUSBAND. 549 00:24:06,250 --> 00:24:08,880 WE MADE IT CLEAR THAT HE WAS TO KEEP AWAY FROM HER. 550 00:24:08,920 --> 00:24:10,550 HE MADE IT CLEAR THAT HE UNDERSTOOD. 551 00:24:10,590 --> 00:24:13,050 CONNIE, WE DID WHAT WE FELT WAS RIGHT IN THE ROOM. 552 00:24:13,090 --> 00:24:15,860 AND I’M SAYING YOU COULD HAVE DONE A LITTLE MORE. 553 00:24:15,890 --> 00:24:18,960 YOU KNOW HOW WE CAN AVOID THIS? DON’T ASK US FOR ANY FAVORS. 554 00:24:19,000 --> 00:24:21,910 ALL RIGHT, EVERYBODY CHILL OUT. 555 00:24:21,930 --> 00:24:25,000 RITA, YOU AND CONNIE GO GET LIZ JIMENEZ 556 00:24:25,040 --> 00:24:26,910 AND SEE WHAT THE HELL HAPPENED AT THEIR APARTMENT THIS MORNING. 557 00:24:26,940 --> 00:24:27,900 YOU GOT THIS CHRIS NELSON? 558 00:24:27,940 --> 00:24:29,740 IN THE POKEY. 559 00:24:29,770 --> 00:24:31,540 DO YOUR INTERVIEW. 560 00:24:31,580 --> 00:24:32,720 MELLOW OUT. 561 00:24:35,580 --> 00:24:37,980 I, UH, I NEED A MINUTE. 562 00:24:38,020 --> 00:24:39,060 I’LL GET THE CAR. 563 00:24:39,080 --> 00:24:40,080 THANKS. 564 00:24:51,530 --> 00:24:53,490 WHERE’D YOU GET THE PALM PILOTS, CHRIS? 565 00:24:53,530 --> 00:24:56,360 BOUGHT ’EM FROM A GUY. DIDN’T GET HIS NAME. 566 00:24:56,400 --> 00:24:59,270 HMM, SO CREDIBILITY IN THE SWAG GAME 567 00:24:59,300 --> 00:25:01,540 IS ABOUT HAVING A TRUSTING FACE LIKE YOURS? 568 00:25:01,570 --> 00:25:04,870 IT’S NOT SWAG, OKAY? I PAY FOR ’EM AND RESELL ’EM. 569 00:25:04,910 --> 00:25:07,410 ONLY DIFFERENCE BETWEEN ME AND CIRCUIT CITY 570 00:25:07,450 --> 00:25:09,290 IS THE 8.25% KICKBACK TO THE GOVERNMENT. 571 00:25:09,310 --> 00:25:11,580 YOU SPECIALIZE IN ELECTRONICS? 572 00:25:11,620 --> 00:25:16,060 I KNOW PDA's, DVD PLAYERS, CD BURNERS, HIGH‐END, HIGH‐QUALITY. 573 00:25:16,090 --> 00:25:18,130 YOU KNOW ANYTHING ABOUT SECURITY CAMERAS? 574 00:25:18,160 --> 00:25:20,430 NOT MUCH OF A MARKET FOR THEM, 575 00:25:20,460 --> 00:25:22,260 BUT I AM AWARE OF THEIR FUNCTION. 576 00:25:22,290 --> 00:25:24,630 DID YOU HAPPEN TO NOTICE THE CAMERA OVER THE DOOR 577 00:25:24,660 --> 00:25:26,600 WHEN YOU TOOK OFF ROCKY MORTON THIS MORNING? 578 00:25:26,630 --> 00:25:28,230 ROCKY? 579 00:25:28,270 --> 00:25:30,940 YEAH, MORTON, THE GUY YOU TOOK THE PALM PILOTS FROM. 580 00:25:30,970 --> 00:25:33,400 HEY, I PAID FOR THOSE PALMS. 581 00:25:33,440 --> 00:25:35,580 THE GUY I BOUGHT ’EM FROM CALLED HIMSELF LAMAR. 582 00:25:35,610 --> 00:25:37,450 LAMAR. 583 00:25:37,480 --> 00:25:39,220 YOU THINK YOU CAN SIT THERE BULLYING US 584 00:25:39,240 --> 00:25:40,880 ’CAUSE YOU HAD A MASK ON INSIDE, 585 00:25:40,910 --> 00:25:44,780 BUT I GUESS YOU DIDN’T NOTICE THE TWO EXTERIOR CAMERAS. 586 00:25:44,820 --> 00:25:47,230 SEEMS LIKE ROCKY KNEW A LITTLE MORE ABOUT ELECTRONICS 587 00:25:47,250 --> 00:25:48,320 THAN YOU THERE, CHRIS. 588 00:25:52,460 --> 00:25:54,130 YOU KNOW WHAT THIS BOILS DOWN TO? 589 00:25:54,160 --> 00:25:57,090 STICK TO WHAT YOU KNOW. 590 00:25:57,130 --> 00:25:58,660 WHICH DOESN’T INCLUDE ROBBERY. 591 00:25:58,700 --> 00:26:01,570 I WAS TOLD THIS WOULD BE AN EASY SCORE. 592 00:26:01,600 --> 00:26:03,630 TOLD BY WHO? 593 00:26:03,670 --> 00:26:05,930 CRACK WHORE, CHLOE SOMETHING. 594 00:26:05,970 --> 00:26:08,070 SHE SAID THIS SCUMBAG THAT WAS PIMPING HER 595 00:26:08,110 --> 00:26:09,780 HAD A LOT OF STUFF. 596 00:26:09,810 --> 00:26:12,770 SHE SAID WE’D GO IN, HOLD A GUN ON THE GUY, 597 00:26:12,810 --> 00:26:14,840 WHO SHE SAID WOULD CRAP HIS SHORTS AT THE SIGHT OF IT, 598 00:26:14,880 --> 00:26:16,480 TAKE WHAT WE COULD, AND SPLIT. 599 00:26:16,510 --> 00:26:17,980 BUT HE DIDN’T CRAP. 600 00:26:18,020 --> 00:26:19,960 HE‐‐ HE JUMPED AT ME. 601 00:26:19,980 --> 00:26:21,420 HOW’D HIS PANTS DROP? 602 00:26:21,450 --> 00:26:24,990 WHEN WE WERE FIGHTING, I SOMEHOW GOT AHOLD OF HIS BELT. 603 00:26:25,020 --> 00:26:27,190 WHEN’D YOUR GUN GO OFF? 604 00:26:27,230 --> 00:26:32,100 I WAS RUNNING OUT, AND HE WAS, LIKE, ON THE GROUND 605 00:26:32,130 --> 00:26:34,430 WITH HIS PANTS AT HIS ANKLES CRAWLING AT ME LIKE A CRAB, 606 00:26:34,470 --> 00:26:35,870 AND HE GOT AHOLD OF MY FOOT. 607 00:26:35,900 --> 00:26:37,370 I WAS JUST TRYING TO GET FREE, 608 00:26:37,400 --> 00:26:40,000 AND I LET ONE GO. 609 00:26:40,040 --> 00:26:41,170 I THINK IT HIT HIM IN THE LEG. 610 00:26:41,210 --> 00:26:42,880 THEN WHAT? 611 00:26:42,910 --> 00:26:44,150 I WAS OUT THE DOOR. 612 00:26:44,180 --> 00:26:45,520 HE DIDN’T FIRE BACK? 613 00:26:45,540 --> 00:26:47,210 HE DIDN’T HAVE A GUN. 614 00:26:47,250 --> 00:26:48,690 WHEN’D YOU FIRE THE SECOND SHOT? 615 00:26:48,710 --> 00:26:49,850 I ONLY SHOT ONCE. 616 00:26:49,880 --> 00:26:51,650 THERE WAS TWO BULLETS, CHRIS. 617 00:26:51,680 --> 00:26:54,220 I SQUEEZED THAT TRIGGER ONE TIME AND BEAT IT. 618 00:26:54,250 --> 00:26:56,620 WHERE WAS CHLOE DURING THIS? 619 00:26:56,660 --> 00:26:58,530 HISTORY AS SOON AS HE JUMPED ME, 620 00:26:58,560 --> 00:27:01,030 AND THAT’S WHEN I FIRED ONE TIME. 621 00:27:01,060 --> 00:27:03,790 HE YELPED, LET GO OF MY LEG, AND I WAS GONE. 622 00:27:03,830 --> 00:27:07,100 WRITE DOWN WHAT YOU SAID. 623 00:27:12,440 --> 00:27:15,180 WE RAN INTO JAVIER’S BROTHER AT THE HOSPITAL‐‐ ESTABAN. 624 00:27:15,210 --> 00:27:17,050 WE KNOW YOU DATED JAVIER IN COLLEGE. 625 00:27:17,080 --> 00:27:19,820 OKAY. 626 00:27:19,840 --> 00:27:21,340 WHY’D YOU LIE ABOUT IT? 627 00:27:21,380 --> 00:27:23,080 JAVIER DIDN’T WANT TO INVOLVE US. 628 00:27:23,110 --> 00:27:24,350 WHO SHOT HIM? 629 00:27:24,380 --> 00:27:26,510 HE WAS ROBBED DOWN THE STREET. 630 00:27:26,550 --> 00:27:28,880 THERE WAS NO BLOOD TRAIL LEADING TO YOUR APARTMENT. 631 00:27:28,920 --> 00:27:30,890 JAVIER TOLD US HE WAS SHOT DOWN THE STREET. 632 00:27:30,920 --> 00:27:32,190 ARE YOU OUT OF YOUR MIND? 633 00:27:32,220 --> 00:27:35,320 YOU GOTTA BE OUT OF YOUR MIND. 634 00:27:35,360 --> 00:27:38,230 WE FIND YOUR EX‐BOYFRIEND SHOT IN YOUR APARTMENT, 635 00:27:38,260 --> 00:27:39,530 AND HERE YOU ARE STILL PLAYING GAMES. 636 00:27:39,560 --> 00:27:41,700 IF YOU DON’T START TELLING US THE TRUTH RIGHT NOW, 637 00:27:41,730 --> 00:27:43,600 WE’LL PUT YOU IN HANDCUFFS AND TAKE YOU TO JAIL. 638 00:27:43,640 --> 00:27:46,240 WHO SHOT JAVIER?! 639 00:27:46,270 --> 00:27:47,940 I DIDN’T SEE! I WAS IN THE BEDROOM! 640 00:27:47,970 --> 00:27:50,240 WHAT WAS YOUR GENERAL IMPRESSION OF WHAT HAPPENED? 641 00:27:50,270 --> 00:27:53,940 JAVIER CAME BY TO TALK. 642 00:27:53,980 --> 00:27:55,840 MY HUSBAND FORGOT PAPERS FOR WORK. 643 00:27:55,880 --> 00:27:57,350 JAVIER HID IN THE CLOSET. 644 00:27:57,380 --> 00:28:00,450 WE WENT TO THE BEDROOM TO GET HIS WORK. 645 00:28:00,480 --> 00:28:02,520 MY HUSBAND HEARD A NOISE, GRABBED HIS GUN, 646 00:28:02,550 --> 00:28:04,950 AND TOLD ME TO STAY IN THE ROOM. 647 00:28:04,990 --> 00:28:07,190 AND I DID. 648 00:28:07,230 --> 00:28:08,900 I FROZE. 649 00:28:08,930 --> 00:28:11,270 I SHOULD HAVE GONE OUT THERE. 650 00:28:11,300 --> 00:28:14,570 DID YOUR HUSBAND SUSPECT IT WAS JAVIER? 651 00:28:14,600 --> 00:28:15,800 NO. 652 00:28:15,830 --> 00:28:18,600 HAVE YOU BEEN SLEEPING WITH JAVIER? NO! 653 00:28:18,640 --> 00:28:21,250 WHEN YOU MADE IT INTO THE LIVING ROOM, WHAT WAS GOING ON? 654 00:28:21,270 --> 00:28:23,470 JAVIER TOLD US TO SAY HE GOT SHOT DOWN THE STREET. 655 00:28:26,140 --> 00:28:28,240 WHY’D JAVIER COOK UP A FAKE STORY? 656 00:28:28,280 --> 00:28:29,780 DID YOUR HUSBAND THREATEN HIM IF HE DIDN’T? 657 00:28:29,810 --> 00:28:30,810 NO. 658 00:28:30,850 --> 00:28:32,480 JAVIER GETS SHOT BY YOUR HUSBAND 659 00:28:32,520 --> 00:28:34,860 AND VOLUNTEERS TO SAY IT WAS SOMEONE ELSE? 660 00:28:37,490 --> 00:28:40,160 I DATED BOTH JAVIER AND RICARDO. 661 00:28:40,190 --> 00:28:43,160 I GOT PREGNANT. 662 00:28:43,190 --> 00:28:48,300 JAVIER WAS TOO WILD, SO I MARRIED RICARDO. 663 00:28:49,470 --> 00:28:51,340 HE WAS A BETTER HUSBAND. 664 00:28:51,370 --> 00:28:52,970 THAT’S EVEN LESS OF A REASON 665 00:28:53,000 --> 00:28:55,300 FOR JAVIER TO COVER FOR THE GUY WHO TOOK YOU AWAY. 666 00:28:57,980 --> 00:28:59,050 MY SON... 667 00:29:02,650 --> 00:29:03,990 JAVIER’S THE DAD. 668 00:29:06,150 --> 00:29:07,280 DOES YOUR HUSBAND KNOW? 669 00:29:07,320 --> 00:29:09,850 WE NEVER TALKED ABOUT IT. 670 00:29:09,890 --> 00:29:12,590 JAVIER KNOWS, THOUGH. 671 00:29:12,620 --> 00:29:15,760 THAT’S WHY I STILL LET HIM COME BY‐‐ TO SEE HIM‐‐ 672 00:29:15,790 --> 00:29:17,960 AND I KNOW THAT’S WHY HE WANTED TO TELL THE FAKE STORY‐‐ 673 00:29:18,000 --> 00:29:21,340 SO OUR SON’S LIFE WOULDN’T BE RUINED. 674 00:29:21,370 --> 00:29:24,410 WELL, WE’RE GONNA NEED TO TALK TO YOUR HUSBAND NOW. 675 00:29:26,970 --> 00:29:28,800 [ SNIFFLES ] 676 00:29:40,380 --> 00:29:41,620 CHRIS NELSON GAVE YOU UP. 677 00:29:41,650 --> 00:29:43,320 WHAT’S THAT MEAN? 678 00:29:43,350 --> 00:29:46,190 YOU BROUGHT HIM IN ON AN EASY SCORE AND IT WENT SOUR. 679 00:29:46,220 --> 00:29:48,390 HE ALSO INDICATED YOU MIGHT HAVE REASON TO DO IT PAST MONEY. 680 00:29:48,430 --> 00:29:51,140 MAINLY THAT ROCKY WAS PIMPING YOU. 681 00:29:51,160 --> 00:29:53,730 HE’S LYING. I’VE NEVER BEEN A HOOKER. 682 00:29:53,770 --> 00:29:56,510 YOU GOT TWO PROSS COLLARS, AND PEOPLE CALL YOU A CRACK WHORE. 683 00:29:56,530 --> 00:29:58,070 IT’S A LIE. 684 00:29:58,100 --> 00:30:00,500 YOU STICK TO YOUR VIRTUE AND GO AWAY AS AN ACCOMPLICE, 685 00:30:00,540 --> 00:30:01,900 BUT NOT JUST ON A ROBBERY, 686 00:30:01,940 --> 00:30:03,170 BECAUSE THERE’S TWO BULLETS IN ROCKY‐‐ 687 00:30:03,210 --> 00:30:06,320 ONE IN HIS NUTS AND ONE IN HIS SKULL. 688 00:30:06,340 --> 00:30:08,010 YOU WANT TO TAKE ALL THE WEIGHT ON THIS 689 00:30:08,050 --> 00:30:10,160 OR IS THERE MORE TO THIS STORY? 690 00:30:10,180 --> 00:30:11,750 I DON’T KNOW ANYTHING ABOUT A MURDER! 691 00:30:14,550 --> 00:30:15,420 WHERE YOU FROM, CHLOE? 692 00:30:17,460 --> 00:30:19,430 CENTERVILLE, INDIANA. 693 00:30:20,730 --> 00:30:21,670 HOW LONG YOU BEEN IN NEW YORK? 694 00:30:21,690 --> 00:30:23,590 NINE MONTHS. 695 00:30:23,630 --> 00:30:25,190 CAME HERE TO ACT, SING, DANCE? 696 00:30:25,230 --> 00:30:26,730 ACT. 697 00:30:26,770 --> 00:30:29,010 HOW LONG WERE YOU IN TOWN BEFORE YOU WERE ON THE STREET? 698 00:30:29,030 --> 00:30:31,170 TWO MONTHS. 699 00:30:31,200 --> 00:30:32,170 WHERE’D YOU MEET ROCKY? 700 00:30:32,200 --> 00:30:34,940 IN A BAR. 701 00:30:34,970 --> 00:30:37,240 I WAS STRUNG OUT. 702 00:30:37,280 --> 00:30:39,380 HE GAVE ME A PLACE TO STAY. 703 00:30:39,410 --> 00:30:41,280 THEN HE PUT YOU ON THE STREET? 704 00:30:42,580 --> 00:30:43,780 WHEN’D YOU STOP GETTING ALONG? 705 00:30:43,820 --> 00:30:46,220 AFTER HE STARTED SELLING ME TO GUYS, 706 00:30:46,250 --> 00:30:49,690 LIKE, FOR WEEKS ON END. 707 00:30:49,720 --> 00:30:51,450 [ Voice breaking ] I SAID THAT I HATED IT 708 00:30:51,490 --> 00:30:53,090 AND THAT I WANTED TO STOP. 709 00:30:53,120 --> 00:30:56,190 HE SAID I HAD DOPE TO PAY OFF. WE GOT IN A BIG FIGHT. 710 00:30:56,230 --> 00:30:58,970 THAT THE DOMESTIC DISTURBANCE LAST MONTH? 711 00:30:59,000 --> 00:31:02,910 I SAID, "JUST GIVE ME THE MONEY TO GO HOME AND WE’RE EVEN." 712 00:31:02,930 --> 00:31:05,730 HE TOLD ME TO GO TO HELL AND KICKED ME OUT. 713 00:31:05,770 --> 00:31:09,870 [ SNIFFLES ] I HAD NOWHERE TO GO. 714 00:31:09,910 --> 00:31:11,110 SO YOU CAME UP WITH THIS PLAN? 715 00:31:11,140 --> 00:31:14,280 FIRST HIS PARTNER, JOEL, TRIED TO PUT ME UP, 716 00:31:14,310 --> 00:31:16,410 BUT THEN HE RAN OUT OF MONEY, AND I FLIPPED. 717 00:31:16,450 --> 00:31:18,220 I WENT ON A 2‐WEEK BINGE 718 00:31:18,250 --> 00:31:19,650 AND HAD TO STAY THE NIGHT IN THE HOSPITAL 719 00:31:19,680 --> 00:31:21,420 BECAUSE I SLASHED MY WRISTS, 720 00:31:21,450 --> 00:31:25,050 BUT, YEAH, AFTER THAT, I CAME UP WITH A PLAN. 721 00:31:25,090 --> 00:31:26,660 IT WASN’T SUPPOSED TO GO LIKE THIS, 722 00:31:26,690 --> 00:31:29,460 AND I DON’T KNOW ANYTHING ABOUT ROCKY GETTING KILLED! 723 00:31:29,490 --> 00:31:32,890 WHAT DO YOU KNOW? 724 00:31:32,930 --> 00:31:34,730 [ SIGHS ] 725 00:31:34,770 --> 00:31:36,940 WHEN WE CAME, ROCKY JUST JUMPED CHRIS 726 00:31:36,970 --> 00:31:38,300 AND STARTED FIGHTING HIM OVER HIS GUN. 727 00:31:38,340 --> 00:31:41,250 I GOT SCARED! I RAN! 728 00:31:41,270 --> 00:31:42,740 DID YOU HEAR SHOTS? 729 00:31:42,770 --> 00:31:45,910 JUST ONE, BUT THEN I WAS OUT THE DOOR, 730 00:31:45,940 --> 00:31:48,310 AND CHRIS WAS, LIKE, A FEW SECONDS BEHIND ME! 731 00:31:48,350 --> 00:31:49,960 AND NO SECOND SHOT? 732 00:31:49,980 --> 00:31:52,910 I JUST HEARD ONE, AND THEN CHRIS WAS THERE. 733 00:31:52,950 --> 00:31:54,950 I SWEAR! 734 00:31:54,990 --> 00:31:56,960 WOW, HE’S REALLY DEAD? 735 00:31:56,990 --> 00:31:58,620 AND CHRIS REALLY SHOT HIM IN THE NUTS? 736 00:31:58,660 --> 00:32:00,230 YEAH. 737 00:32:01,830 --> 00:32:03,300 THAT’S THE FIRST GOOD THING TO HAPPEN TO ME 738 00:32:03,330 --> 00:32:04,800 SINCE I GOT TO NEW YORK. 739 00:32:04,830 --> 00:32:07,300 ALL RIGHT, WRITE IT DOWN. 740 00:32:07,330 --> 00:32:09,160 START WITH INDIANA. 741 00:32:11,300 --> 00:32:13,370 THE HUSBAND’S LAWYERED UP. HE’S NOT SAYING ANYTHING. 742 00:32:13,400 --> 00:32:15,000 BUT THE WIFE SAYS HE FIRED THE SHOT? 743 00:32:15,040 --> 00:32:16,970 THE WIFE SAW HIM LEAVE THE BEDROOM WITH THE GUN, 744 00:32:17,010 --> 00:32:19,980 BUT SHE’S CLAIMING TO NOT BE AN EYEBALL WITNESS. 745 00:32:20,010 --> 00:32:21,480 AND WE BELIEVE HER? 746 00:32:21,510 --> 00:32:22,880 WHO KNOWS? 747 00:32:22,910 --> 00:32:25,380 THE HUSBAND’S A COLLAR REGARDLESS, RIGHT? 748 00:32:25,420 --> 00:32:26,660 THE OTHER GUY, JAVIER, 749 00:32:26,690 --> 00:32:28,690 HE’S SAYING HE WAS SHOT DOWN THE STREET? 750 00:32:28,720 --> 00:32:29,520 BUT EVERYBODY KNOWS THAT’S A BUNCH OF B. S. 751 00:32:32,190 --> 00:32:33,290 YOU NEED TO MAKE A CALL? 752 00:32:33,320 --> 00:32:35,720 NO. 753 00:32:35,760 --> 00:32:37,290 NOW, WHERE WERE WE? 754 00:32:37,330 --> 00:32:39,630 I WAS GONNA SAY B. S. OR NOT, 755 00:32:39,660 --> 00:32:41,230 YOU GOTTA GET JAVIER TO COME OFF HIS STATEMENT. 756 00:32:41,270 --> 00:32:42,370 THEN THE HUSBAND’S A COLLAR. 757 00:32:42,400 --> 00:32:45,500 ALL RIGHT, YOU AND GREG GET DOWN TO BELLEVUE 758 00:32:45,540 --> 00:32:47,850 AND GET JAVIER OFF HIS STORY. 759 00:32:47,870 --> 00:32:49,470 LIEUTENANT RODRIGUEZ. 760 00:32:49,510 --> 00:32:51,580 OH. 761 00:32:55,350 --> 00:32:57,060 HOW ABOUT JUST LETTING IT SLIDE NEXT TIME 762 00:32:57,080 --> 00:32:58,510 INSTEAD OF BUSTING MY CHOPS IN FRONT OF MY BOSS? 763 00:32:58,550 --> 00:33:00,880 THE WAY SHE WAS SHAKING HER HAND SO VIOLENTLY, 764 00:33:00,920 --> 00:33:02,020 IT LOOKED URGENT. 765 00:33:02,050 --> 00:33:04,220 OKAY. ALL RIGHT. 766 00:33:04,260 --> 00:33:06,870 THIS CHICK, CHLOE, AND THE GUY SHE DID THE ROBBERY WITH, 767 00:33:06,890 --> 00:33:09,090 NEITHER IS SAYING THEY FIRED OR HEARD THE SECOND SHOT. 768 00:33:09,130 --> 00:33:11,100 M.E.’s REPORT CAME BACK. 769 00:33:11,130 --> 00:33:13,230 THE BULLET IN THE D. O. A.’s HEAD MATCHES HIS OWN GUN. 770 00:33:13,260 --> 00:33:16,430 THE BULLET FOUND IN HIS CROTCH CAME BACK A DIFFERENT CALIBER. 771 00:33:16,470 --> 00:33:17,910 NO PRINTS FOUND ON HIS GUN. 772 00:33:17,940 --> 00:33:21,250 HE TOOK HIMSELF OUT FROM THE PAIN OF BEING SHOT IN THE BALLS? 773 00:33:21,270 --> 00:33:23,570 I DON’T KNOW. WE GOTTA TALK TO HIS PARTNER, 774 00:33:23,610 --> 00:33:25,110 SEE HOW FAR APART HE HEARD THE GUNSHOTS. 775 00:33:25,140 --> 00:33:27,180 ALL RIGHT, GOOD. 776 00:33:27,210 --> 00:33:28,780 ANY NEWS ON YOUR SISTER? 777 00:33:28,810 --> 00:33:31,080 YEAH, SHE CHECKED OUT FINE. 778 00:33:31,120 --> 00:33:33,420 SHE’S NAPPING RIGHT NOW AT MY APARTMENT. 779 00:33:33,450 --> 00:33:35,150 I’LL CALL YOU LATER. 780 00:33:39,290 --> 00:33:41,790 HI, WE’RE DETECTIVES JONES AND MEDAVOY. 781 00:33:41,830 --> 00:33:43,130 WE NEED A MINUTE WITH JAVIER. 782 00:33:45,330 --> 00:33:46,130 I’LL BE RIGHT OUT HERE. 783 00:33:48,730 --> 00:33:50,930 WE JUST HEARD. I’M SORRY. 784 00:33:50,970 --> 00:33:53,100 I’LL WALK AGAIN. YOU CAN BET ON IT. 785 00:33:53,140 --> 00:33:56,980 JAVIER, WE TALKED TO LIZ. SHE TOLD US WHAT HAPPENED. 786 00:33:57,010 --> 00:33:59,440 I WAS SHOT BY A GUY UP THE STREET FROM HER APARTMENT. 787 00:33:59,480 --> 00:34:01,250 HEY, TO BE HONEST WITH YOU, 788 00:34:01,280 --> 00:34:03,110 IT’S A REAL NOBLE THING YOU DID, 789 00:34:03,150 --> 00:34:05,660 CHANGING THE STORY TO PROTECT YOUR AND LIZ’S SON, 790 00:34:05,680 --> 00:34:07,550 BUT THE TRUTH IS OUT NOW. 791 00:34:07,590 --> 00:34:09,290 I WAS ROBBED AND SHOT UP THE STREET. 792 00:34:09,320 --> 00:34:12,150 JAVIER, YOU STICK TO THAT STORY AND RICARDO, 793 00:34:12,190 --> 00:34:13,990 WHO TOOK YOUR GIRLFRIEND, TOOK YOUR KID, 794 00:34:14,030 --> 00:34:16,840 AND SHOT YOU, HE WALKS, AND YOU MAY NEVER WALK AGAIN. 795 00:34:16,860 --> 00:34:18,630 HE DIDN’T TAKE LIZ. 796 00:34:18,660 --> 00:34:21,000 HE DIDN’T TAKE MY SON. 797 00:34:21,030 --> 00:34:23,260 SHE MARRIED HIM BECAUSE HE’D BE A BETTER HUSBAND, 798 00:34:23,300 --> 00:34:24,830 AND SHE WAS RIGHT, 799 00:34:24,870 --> 00:34:26,570 AND HE’S A GOOD FATHER TO ROBERT. 800 00:34:26,610 --> 00:34:28,310 I’M NOT GONNA RUIN ALL THAT. 801 00:34:28,340 --> 00:34:29,940 SO YOU’RE LETTING HIM GET AWAY WITH SHOOTING YOU? 802 00:34:29,970 --> 00:34:32,610 YOU’RE GONNA MAKE US CALL TO HAVE HIM RELEASED? 803 00:34:32,640 --> 00:34:34,510 I WAS ROBBED AND SHOT 804 00:34:34,550 --> 00:34:36,320 BY A GUY UP THE STREET FROM HER APARTMENT. 805 00:34:36,350 --> 00:34:38,120 YOU’RE EMOTIONAL. 806 00:34:38,150 --> 00:34:39,920 UNDERSTANDABLY. 807 00:34:39,950 --> 00:34:42,080 WHEN YOU CALM DOWN, GIVE US A CALL. 808 00:34:42,120 --> 00:34:43,180 WE CAN TALK. 809 00:34:43,220 --> 00:34:44,350 TAKE YOUR CARD. 810 00:34:44,390 --> 00:34:46,860 WHAT I SAID IS WHAT HAPPENED, 811 00:34:46,890 --> 00:34:48,490 AND I’LL NEVER SAY ANYTHING DIFFERENT. 812 00:34:48,530 --> 00:34:50,170 ALL RIGHT, THEN. 813 00:34:50,190 --> 00:34:52,090 YOU’RE A STAND‐UP GUY, JAVIER. 814 00:34:52,130 --> 00:34:54,400 YOU’RE CRAZY, BUT YOU’RE A STAND‐UP GUY. 815 00:35:11,220 --> 00:35:12,990 WHERE WERE YOU HEADED, JOEL? 816 00:35:13,020 --> 00:35:14,330 NOWHERE. 817 00:35:14,350 --> 00:35:16,120 WHEN YOU GET PICKED UP AT THE AIRPORT, 818 00:35:16,150 --> 00:35:17,990 THAT’S USUALLY AN INDICATION YOU’RE HEADING SOMEWHERE. 819 00:35:18,020 --> 00:35:19,790 ALBANY TO VISIT MY UNCLE. 820 00:35:19,820 --> 00:35:22,120 THIS YOUR BAG? 821 00:35:22,160 --> 00:35:24,560 YOU ALWAYS CARRY 20 GRAND WHEN YOU VISIT YOUR UNCLE? 822 00:35:24,600 --> 00:35:27,070 ROCKY DIDN’T HAVE HIS GUN ON HIM WHEN HE GOT ROBBED. 823 00:35:27,100 --> 00:35:29,630 WE NEED TO KNOW HOW IT WOUND UP LYING NEXT TO HIM. 824 00:35:29,670 --> 00:35:31,130 HE MUST HAVE HAD IT ON HIM. 825 00:35:31,170 --> 00:35:33,400 HE DIDN’T, AND WE GOT YOUR PRINT OFF OF IT. 826 00:35:33,440 --> 00:35:34,550 HOW’D IT GET THERE? 827 00:35:34,570 --> 00:35:36,240 I’VE HELD THAT GUN BEFORE. 828 00:35:36,270 --> 00:35:38,010 DID YOU FIRE IT TODAY OR ANY OTHER GUN? 829 00:35:38,040 --> 00:35:39,540 I HAVEN’T FIRED A GUN IN YEARS. 830 00:35:39,580 --> 00:35:42,140 WE GOT A SUBPOENA TO DO A PARAFFIN TEST ON YOUR HAND 831 00:35:42,180 --> 00:35:45,350 THAT’LL DETERMINE YOU FIRED A GUN TODAY. 832 00:35:45,380 --> 00:35:47,820 YOU’VE KNOWN ROCKY HOW MANY YEARS? 15. 833 00:35:47,850 --> 00:35:50,750 IT DON’T MAKE SENSE THAT YOU’D KILL HIM OVER 20 GRAND, 834 00:35:50,790 --> 00:35:53,660 BUT THAT’S HOW IT’LL GO DOWN UNLESS WE HEAR DIFFERENT. 835 00:35:53,690 --> 00:35:55,920 OH, GOD. 836 00:35:55,960 --> 00:35:57,360 HOW’D YOU TWO HOOK UP? 837 00:35:57,400 --> 00:36:00,440 I WAS IN ACCOUNTS PAYABLE AT A SHIPPING COMPANY, 838 00:36:00,460 --> 00:36:04,170 AND HE HAD A BULK‐RATE RACKET ON BRINGING IN CHINESE POTTERY, 839 00:36:04,200 --> 00:36:06,700 AND WE HIT IT OFF, AND HE BROUGHT ME IN WITH HIM. 840 00:36:06,740 --> 00:36:08,070 DOING THE BOOKS? 841 00:36:08,110 --> 00:36:10,550 BOOKS, THE GROCERY SHOPPING. 842 00:36:10,580 --> 00:36:14,550 IF A TRUCK PULLED UP AT 4:00 IN THE MORNING WITH 200 VCRs, 843 00:36:14,580 --> 00:36:16,210 I’M THE ONE WHO CARRIED THEM UP THE STAIRS. 844 00:36:16,250 --> 00:36:17,390 WHEN DID HE START RUNNING WHORES? 845 00:36:17,420 --> 00:36:20,260 YOU SEE, THAT’S WHEN IT TURNED THE CORNER. 846 00:36:20,280 --> 00:36:22,550 THREE YEARS AGO, IT CHANGED HIM, 847 00:36:22,590 --> 00:36:25,100 AND THEN WHEN HE STARTED SELLING GIRLS LIKE SEX SLAVES, 848 00:36:25,120 --> 00:36:27,060 THAT’S‐‐ THAT’S SICK! 849 00:36:27,090 --> 00:36:28,420 IT’S SICK! 850 00:36:28,460 --> 00:36:30,360 HOW WELL DID YOU KNOW CHLOE O’CONNOR? 851 00:36:30,390 --> 00:36:33,630 SHE’S A NICE GIRL. 852 00:36:33,670 --> 00:36:38,810 INDIANA GIRL RIGHT OFF THE BUS, AND HE TREATED HER LIKE HELL. 853 00:36:38,840 --> 00:36:40,480 YOU KNOW SHE WAS INVOLVED 854 00:36:40,500 --> 00:36:41,770 IN WHAT HAPPENED IN THE APARTMENT THIS MORNING? 855 00:36:41,810 --> 00:36:44,820 YEAH, WHEN I CAME OUT OF THE OTHER APARTMENT, 856 00:36:44,840 --> 00:36:46,740 HE WAS BLEEDING ON THE FLOOR SCREAMING, 857 00:36:46,780 --> 00:36:48,380 "GET MY 9, YOU STUPID ASSHOLE! 858 00:36:48,410 --> 00:36:50,050 WE’RE GONNA FIND HER AND BLOW HER BRAINS OUT!" 859 00:36:50,080 --> 00:36:52,550 SO THEN YOU GOT THE GUN, AND THEN WHAT HAPPENED? 860 00:36:52,580 --> 00:36:54,050 WELL... 861 00:36:54,090 --> 00:36:55,990 HE WAS... 862 00:36:56,020 --> 00:37:00,060 JUST SQUIRMING, ALL BLOODY AND PITIFUL, 863 00:37:00,090 --> 00:37:01,920 SCREAMING EVERY NAME IN THE BOOK AT ME, 864 00:37:01,960 --> 00:37:03,730 WHICH WAS NOTHING UNUSUAL, BUT HE SAID HE WAS GONNA KILL HER. 865 00:37:03,760 --> 00:37:05,990 I MEAN‐‐ 866 00:37:06,030 --> 00:37:08,330 HE WAS SUCH A BASTARD TO HER. 867 00:37:08,370 --> 00:37:09,840 SO YOU SHOT HIM. 868 00:37:12,770 --> 00:37:15,240 HE NEVER SHOULD HAVE GOTTEN INTO RUNNING GIRLS. 869 00:37:15,270 --> 00:37:18,270 THAT’S‐‐ THAT’S AN EVIL BUSINESS. 870 00:37:18,310 --> 00:37:21,310 ALL RIGHT, LET’S GO. 871 00:37:21,350 --> 00:37:23,190 WHEN YOU WRITE THIS UP, 872 00:37:23,210 --> 00:37:24,910 LAND ON HOW HE THREATENED TO KILL HER, 873 00:37:24,950 --> 00:37:26,580 HOW YOU WERE AFRAID FOR HER SAFETY. 874 00:37:26,620 --> 00:37:28,720 SURE. THANKS. 875 00:37:33,490 --> 00:37:35,160 YOU ARE SUCH A CHICKEN. 876 00:37:35,190 --> 00:37:36,490 ALL RIGHT, THEN, WHO GOES FIRST? 877 00:37:36,530 --> 00:37:37,470 ME FIRST. 878 00:37:37,500 --> 00:37:39,270 TRUTH OR DARE? 879 00:37:39,300 --> 00:37:41,270 [ CHUCKLES ] 880 00:37:41,300 --> 00:37:42,800 I CAN’T BELIEVE I’M DOING THIS. 881 00:37:42,830 --> 00:37:44,200 TRUTH OR DARE? 882 00:37:44,240 --> 00:37:45,440 TRUTH. 883 00:37:45,470 --> 00:37:46,870 HMM. OKAY. 884 00:37:46,910 --> 00:37:50,380 DO YOU REMEMBER THE NAMES OF EVERY GIRL YOU SLEPT WITH? 885 00:37:50,410 --> 00:37:52,810 YEAH. 886 00:37:52,840 --> 00:37:55,510 I WAS STUCK IN AN ELEVATOR ONCE WITH SOME CHEERLEADERS, 887 00:37:55,550 --> 00:37:57,690 BUT I JUST REFER TO THEM AS "THE SQUAD." IS THAT OKAY? 888 00:37:57,720 --> 00:38:00,290 YOUR TURN. 889 00:38:00,320 --> 00:38:01,880 ALL RIGHT, TRUTH OR‐‐ DARE. 890 00:38:05,660 --> 00:38:06,570 LOSE THE TOP. 891 00:38:17,670 --> 00:38:19,000 TRUTH OR DARE? 892 00:38:19,040 --> 00:38:20,650 TRUTH. 893 00:38:20,670 --> 00:38:21,840 ARE YOU GONNA DO TRUTH ALL NIGHT? 894 00:38:21,870 --> 00:38:23,000 IS THAT YOUR QUESTION? 895 00:38:23,040 --> 00:38:26,010 WHAT DO YOU THINK OF ME? 896 00:38:26,040 --> 00:38:27,910 DO YOU TAKE ME SERIOUSLY, 897 00:38:27,950 --> 00:38:29,990 OR AM I JUST A FUN DISTRACTION? 898 00:38:30,010 --> 00:38:32,410 I’M THINKING BACK TO A CONVERSATION 899 00:38:32,450 --> 00:38:34,320 WE HAD AT A CERTAIN HOT‐DOG STAND, 900 00:38:34,350 --> 00:38:36,150 AND YOU TOLD ME YOU JUST WANTED TO HAVE FUN. 901 00:38:36,190 --> 00:38:37,330 NOW, IF THAT’S CHANGED‐‐ 902 00:38:37,360 --> 00:38:38,830 IT HASN’T. 903 00:38:38,860 --> 00:38:41,030 OKAY. 904 00:38:41,060 --> 00:38:43,020 TRUTH OR DARE. 905 00:38:43,060 --> 00:38:44,430 DARE. 906 00:38:44,460 --> 00:38:46,260 I THINK THOSE PANTS NEED TO GO. 907 00:38:58,640 --> 00:38:59,880 DAMN. 908 00:38:59,910 --> 00:39:01,410 TRUTH OR DARE? 909 00:39:01,450 --> 00:39:02,720 DARE. 910 00:39:02,750 --> 00:39:04,390 GET THAT SHIRT OFF. 911 00:39:04,420 --> 00:39:05,590 YOU TAKE IT OFF. 912 00:39:09,950 --> 00:39:12,120 MMM. 913 00:39:12,160 --> 00:39:15,730 TECHNICALLY... 914 00:39:15,760 --> 00:39:18,190 YOU’RE NOT SUPPOSED TO DARE A DARE. 915 00:39:18,230 --> 00:39:19,960 NO? 916 00:39:22,330 --> 00:39:23,570 LET’S PLAY SOMETHING ELSE, THEN. 917 00:39:23,600 --> 00:39:25,470 OKAY. 918 00:39:39,520 --> 00:39:41,490 SO, YOU WORKING? 919 00:39:41,520 --> 00:39:44,620 I’M GOING TO SUNY. I WILL BE GOING TO SUNY. 920 00:39:44,660 --> 00:39:46,460 THERE’S A PROBLEM WITH SOME OF MY CREDITS TRANSFERRING, 921 00:39:46,490 --> 00:39:49,390 BUT IT’S GETTING WORKED OUT, AND THEN I’M GONNA GET MY DEGREE. 922 00:39:49,430 --> 00:39:52,970 YOU’VE BEEN TALKING ABOUT THIS DEGREE A LONG TIME. 923 00:39:53,000 --> 00:39:55,640 HAVE YOU THOUGHT ABOUT SETTING IT ASIDE FOR A WHILE 924 00:39:55,670 --> 00:39:57,480 AND JUST GETTING A JOB? 925 00:39:57,500 --> 00:39:59,500 WELL, YOU CAN’T GET MUCH WITHOUT A DEGREE. 926 00:39:59,540 --> 00:40:02,350 YOU MIGHT BETTER SERVE YOURSELF STARTING SMALL 927 00:40:02,370 --> 00:40:03,940 AND KEEPING THINGS MANAGEABLE 928 00:40:03,980 --> 00:40:06,280 ’CAUSE SCHOOL DOESN’T SEEM TO HAVE WORKED OUT SO FAR. 929 00:40:06,310 --> 00:40:08,180 I’LL THINK ABOUT IT. 930 00:40:08,210 --> 00:40:09,510 IT’S NOT JUST ABOUT YOU NOW. 931 00:40:09,550 --> 00:40:11,450 THERE’S GONNA BE A BABY INVOLVED. 932 00:40:11,480 --> 00:40:12,610 I’M AWARE OF THAT. 933 00:40:12,650 --> 00:40:15,020 WHAT ABOUT FRANK? YOU DON’T LET UP. 934 00:40:15,050 --> 00:40:16,620 I’M JUST WORRIED ABOUT YOU. 935 00:40:16,660 --> 00:40:18,660 YOU DON’T THINK I’M A LITTLE BIT WORRIED, TOO? 936 00:40:18,690 --> 00:40:20,360 I’M SCARED TO DEATH. 937 00:40:20,390 --> 00:40:22,920 OF FRANK? THAT HE’LL HURT YOU? 938 00:40:22,960 --> 00:40:25,690 HOW ABOUT OF BEING ON MY OWN, 939 00:40:25,730 --> 00:40:28,500 OF BEING A MOM AND STAYING CLEAN, 940 00:40:28,530 --> 00:40:30,870 WHICH I HAVE THROUGHOUT THIS ENTIRE PREGNANCY, 941 00:40:30,900 --> 00:40:32,870 AND DIAPERS AND PROVIDING? 942 00:40:32,900 --> 00:40:34,540 GOD, IT’S LIKE THE WHOLE WORLD’S COMING DOWN ON ME, 943 00:40:34,570 --> 00:40:35,600 AND I’M SCARED TO DEATH. 944 00:40:35,640 --> 00:40:37,540 MAYBE THAT’S A GOOD THING. 945 00:40:37,580 --> 00:40:40,490 NOW YOU HAVE TO STOP RUNNING AROUND 946 00:40:40,510 --> 00:40:41,540 AND GET YOUR LIFE TOGETHER. 947 00:40:41,580 --> 00:40:43,780 I REALLY WANT TO. 948 00:40:43,820 --> 00:40:44,860 LET ME HELP. 949 00:40:44,880 --> 00:40:45,980 [ SNIFFLES ] 950 00:40:46,020 --> 00:40:48,530 [ DOORBELL BUZZES ] 951 00:40:48,550 --> 00:40:50,120 Frank: MICHELLE, IT’S ME. 952 00:40:50,150 --> 00:40:52,450 OH, MY GOD. 953 00:40:52,490 --> 00:40:53,350 [ LOUD KNOCKING ] 954 00:41:01,500 --> 00:41:03,670 FRANK, GO HOME OR I’M GONNA‐‐ I WANNA TALK TO MY WIFE. 955 00:41:03,700 --> 00:41:04,970 SHE DOESN'T WANNA TALK TO YOU. 956 00:41:05,000 --> 00:41:06,330 ’CAUSE SHE WANTS ME IN JAIL? 957 00:41:06,370 --> 00:41:08,170 IS THAT WHY I GOT DRAGGED INTO THE POLICE STATION? 958 00:41:08,210 --> 00:41:09,820 I ASKED YOU NOT TO! 959 00:41:09,840 --> 00:41:11,540 ONE GUY THREATENED TO BREAK MY ARM. 960 00:41:11,580 --> 00:41:12,820 QUIT LYING, FRANK. 961 00:41:12,840 --> 00:41:14,740 YOU’RE RIGHT. IT WAS VERY PLEASANT. 962 00:41:14,780 --> 00:41:15,880 IT WAS A GREAT AFTERNOON. 963 00:41:15,910 --> 00:41:17,650 MICHELLE, CAN I TALK TO YOU, PLEASE? 964 00:41:17,680 --> 00:41:19,380 GO HOME. 965 00:41:19,420 --> 00:41:21,390 WHAT DO YOU WANT? SAY IT AND GO. 966 00:41:21,420 --> 00:41:24,420 I’M SORRY. 967 00:41:24,460 --> 00:41:26,400 I FEEL AWFUL, YOU KNOW? 968 00:41:26,420 --> 00:41:28,720 I MADE A MISTAKE, AND I WANT TO MAKE IT UP TO YOU. 969 00:41:28,760 --> 00:41:30,660 I DON’T DESERVE THIS KIND OF THING, FRANK! 970 00:41:30,700 --> 00:41:31,840 I’M NOT GONNA STAND FOR IT. 971 00:41:31,860 --> 00:41:36,030 CAN WE JUST GET COFFEE, TALK A FEW MINUTES ALONE? 972 00:41:36,070 --> 00:41:37,610 I’LL BRING YOU RIGHT BACK. 973 00:41:37,640 --> 00:41:41,880 JUST...LET ME THROW MYSELF AT YOUR FEET 974 00:41:41,910 --> 00:41:42,880 LIKE THE SLAVE THAT I AM. 975 00:41:42,910 --> 00:41:45,920 [ CHUCKLES ] 976 00:41:45,940 --> 00:41:47,040 THIS IS A BIG JOKE? 977 00:41:47,080 --> 00:41:49,750 IT’S JUST SOMETHING THAT HE SAYS. 978 00:41:49,780 --> 00:41:52,010 JUST A COFFEE, YOU KNOW? 10 MINUTES? 979 00:41:52,050 --> 00:41:54,380 I LOVE YOU. 980 00:41:54,420 --> 00:41:56,620 I’M SICK OVER THIS. PLEASE. 981 00:41:56,660 --> 00:41:57,960 WAIT OUTSIDE. 982 00:41:57,990 --> 00:41:59,450 [ DOOR CLOSES ] 983 00:42:01,260 --> 00:42:03,960 DON’T DO THIS, MICHELLE. GIVE IT THE NIGHT AT LEAST. 984 00:42:04,000 --> 00:42:05,970 JUST LET ME HEAR HIM OUT. HE’S THE BABY’S FATHER. 985 00:42:06,000 --> 00:42:07,940 DON’T GO HOME WITH HIM. 986 00:42:07,970 --> 00:42:09,010 I’LL CALL YOU. 987 00:42:20,980 --> 00:42:21,980 [ SIGHS ] 988 00:43:04,460 --> 00:43:08,070 ( violin plays ) 71907

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