All language subtitles for Moko.Jumbie.2017.720p.WEBRip.x264.AAC-[YTS.MX]
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1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:02,106 --> 00:00:04,773
(waves lapping)
3
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
4
00:00:23,285 --> 00:00:26,618
(distant thunder claps)
5
00:00:29,943 --> 00:00:33,568
(distant suspenseful music)
6
00:00:33,568 --> 00:00:34,401
[Flight Attendant] Flight attendants,
7
00:00:34,401 --> 00:00:36,070
please prepare for landing.
8
00:00:36,070 --> 00:00:37,600
Please make sure that your
seat belts are fastened.
9
00:00:37,600 --> 00:00:39,000
Heavy articles may have shifted
10
00:00:39,000 --> 00:00:41,550
during our flight from
London's Heathrow Airport.
11
00:00:41,550 --> 00:00:43,470
11:59 a.m. and the temperature
12
00:00:43,470 --> 00:00:45,820
is a barmy 32 degrees Celsius.
13
00:00:45,820 --> 00:00:47,380
If you're traveling further afield,
14
00:00:47,380 --> 00:00:50,100
we wish you a safe and
pleasant onward journey.
15
00:00:51,018 --> 00:00:52,770
(passengers applaud)
Ladies and gentlemen,
16
00:00:52,770 --> 00:00:55,293
welcome to Trinidad and Tobago.
17
00:00:55,293 --> 00:00:57,960
(birds singing)
18
00:00:59,039 --> 00:01:01,539
(engine revs)
19
00:01:02,488 --> 00:01:04,467
(dogs barking)
20
00:01:04,467 --> 00:01:07,050
(upbeat music)
21
00:01:19,814 --> 00:01:24,731
(moves into mysterious instrumental music)
22
00:03:09,631 --> 00:03:13,048
(distant drumming music)
23
00:03:33,934 --> 00:03:36,851
(insects chirping)
24
00:03:45,632 --> 00:03:48,799
(quiet pensive music)
25
00:05:59,870 --> 00:06:03,953
♪ Da-dum-Boom-by, da-dum-boom-by ♪
26
00:06:25,690 --> 00:06:28,607
(soft sitar music)
27
00:07:59,633 --> 00:08:03,068
(bird squawking)
28
00:08:03,068 --> 00:08:05,568
(fly buzzing)
29
00:08:12,320 --> 00:08:14,658
(cockerel crowing)
30
00:08:14,658 --> 00:08:16,156
♪ Living without you ♪
31
00:08:16,156 --> 00:08:18,881
♪ Trying to get through ♪
32
00:08:18,881 --> 00:08:21,088
♪ Livin' living without you ♪
33
00:08:21,088 --> 00:08:23,428
♪ Trying to deny ♪
(fly buzzing)
34
00:08:23,428 --> 00:08:25,809
♪ Oh I can't see what the fuck ♪
35
00:08:25,809 --> 00:08:28,282
♪ Sometimes it don't feel right ♪
36
00:08:28,282 --> 00:08:30,648
♪ Livin' living without you ♪
37
00:08:30,648 --> 00:08:33,072
♪ Whole night, whole night,
whole night, whole night ♪
38
00:08:33,072 --> 00:08:37,072
♪ Whole day, living without you ♪
39
00:09:10,774 --> 00:09:13,691
(Roger chattering)
40
00:10:12,143 --> 00:10:13,959
(quiet suspenseful music)
41
00:10:13,959 --> 00:10:16,959
(people chattering)
42
00:10:27,617 --> 00:10:30,117
(siren wails)
43
00:10:42,490 --> 00:10:45,323
(telephone rings)
44
00:12:38,720 --> 00:12:41,890
It is a truth universally acknowledged,
45
00:12:41,890 --> 00:12:46,000
that a single man in
possession of good fortune,
46
00:12:46,000 --> 00:12:49,440
must be in want of a wife.
47
00:12:49,440 --> 00:12:52,200
However little known the feelings or views
48
00:12:52,200 --> 00:12:57,200
of such a man may be on his
first entering a neighborhood,
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00:12:57,340 --> 00:12:59,780
this truth is so well fixed
50
00:12:59,780 --> 00:13:02,700
in the minds of the surrounding families,
51
00:13:02,700 --> 00:13:06,960
that he is considered
as the rightful property
52
00:13:06,960 --> 00:13:10,610
of someone or other of their daughters.
53
00:13:10,610 --> 00:13:14,680
My dear Mr. Bennet, said
his lady to him one day,
54
00:13:14,680 --> 00:13:18,930
have you heard that Netherfield
Park is let at last?
55
00:13:18,930 --> 00:13:22,233
Mr. Bennet replied that he had not.
56
00:13:23,780 --> 00:13:26,613
(Gloria clapping)
57
00:13:46,396 --> 00:13:50,146
(ominous instrumental music)
58
00:14:06,657 --> 00:14:09,740
(palm tree rustling)
59
00:14:28,336 --> 00:14:31,253
(distant drumming)
60
00:14:45,089 --> 00:14:47,922
(hammer pounding)
61
00:15:47,589 --> 00:15:50,149
(people chattering)
62
00:15:50,149 --> 00:15:50,982
[Man] How are you today?
63
00:15:50,982 --> 00:15:52,240
[Mary] Good, good.
64
00:15:52,240 --> 00:15:53,073
[Man] Fresh fish here.
65
00:15:53,073 --> 00:15:55,810
[Mary] Yes, fresh fish,
I interested in this one.
66
00:15:55,810 --> 00:15:57,370
[Woman] This one is for broth.
67
00:15:57,370 --> 00:15:59,453
[Mary] Well, alright, I want this one.
68
00:16:00,805 --> 00:16:01,638
[Man] Yes, this nice,
69
00:16:01,638 --> 00:16:03,871
this the lady and this old gentleman.
70
00:16:03,871 --> 00:16:06,371
(man mumbles)
71
00:16:08,533 --> 00:16:09,366
(car horn beeps)
72
00:16:09,366 --> 00:16:12,004
[Man] Come along Ahram, play game.
73
00:16:12,004 --> 00:16:14,715
[Ahram] Yeah, I comin' I comin'.
74
00:16:14,715 --> 00:16:15,899
I come in an hour.
75
00:16:15,899 --> 00:16:17,421
I'll come now (laughs).
76
00:16:17,421 --> 00:16:20,921
(card players chattering)
77
00:16:37,888 --> 00:16:40,471
(Mary giggles)
78
00:17:38,098 --> 00:17:43,098
(door creeks)
(bells chiming)
79
00:17:44,252 --> 00:17:48,002
(ominous instrumental music)
80
00:20:27,313 --> 00:20:30,681
(insects humming)
(quiet mysterious music)
81
00:20:30,681 --> 00:20:33,264
(dogs barking)
82
00:20:44,951 --> 00:20:47,126
(men mumbling)
83
00:20:47,126 --> 00:20:48,867
[Man] Wait, what is that?
84
00:20:48,867 --> 00:20:50,760
What are we goin' under s'now.
85
00:20:50,760 --> 00:20:52,085
[Man] Where we goin'?
86
00:20:52,085 --> 00:20:57,085
[Man] I don't know.
87
00:21:47,554 --> 00:21:51,554
(suspicious instrumental music)
88
00:24:09,014 --> 00:24:12,597
(moves into pensive music)
89
00:24:42,675 --> 00:24:45,842
(frantic dance music)
90
00:24:55,938 --> 00:24:58,521
(Asha panting)
91
00:25:35,064 --> 00:25:39,147
(melancholic instrumental music)
92
00:26:53,538 --> 00:26:56,121
(dogs barking)
93
00:26:59,272 --> 00:27:02,772
(wary instrumental music)
94
00:27:38,856 --> 00:27:41,464
(Asha screams)
95
00:27:41,464 --> 00:27:44,047
(Roger laughs)
96
00:29:33,729 --> 00:29:37,818
♪ She was lookin' irie ♪
97
00:29:37,818 --> 00:29:42,018
♪ So ah start to chat she ♪
98
00:29:42,018 --> 00:29:44,268
♪ She said ♪
99
00:29:57,395 --> 00:29:59,891
♪ Come on she said rack me, rack me ♪
100
00:29:59,891 --> 00:30:02,575
♪ Rootsie come rack me, rack me ♪
101
00:30:02,575 --> 00:30:04,842
♪ Rack, rack ♪
102
00:30:04,842 --> 00:30:05,999
♪ Rack, rack ♪
103
00:30:05,999 --> 00:30:08,261
♪ Don't stop she said rack me body ♪
104
00:30:08,261 --> 00:30:11,928
♪ Rootsie come rack me body ♪
105
00:31:15,736 --> 00:31:18,079
♪ And den she said rack me, rack me ♪
106
00:31:18,079 --> 00:31:20,635
♪ Rootsie come rack me, rack me ♪
107
00:31:20,635 --> 00:31:22,998
♪ Rack, rack ♪
108
00:31:22,998 --> 00:31:23,915
Argh!
109
00:32:07,179 --> 00:32:08,012
Okay.
110
00:32:18,474 --> 00:32:21,186
(door slams)
111
00:32:21,186 --> 00:32:25,019
(optimistic electronic music)
112
00:33:13,424 --> 00:33:15,374
(moves into menacing music)
(insects chirping)
113
00:33:15,374 --> 00:33:17,957
(dogs howling)
114
00:33:54,354 --> 00:33:57,854
(distant steel pan music)
115
00:34:22,929 --> 00:34:24,573
Three, four.
116
00:34:24,573 --> 00:34:28,240
(spirited steel pan music)
117
00:35:06,682 --> 00:35:10,099
(lively steel pan music)
118
00:35:40,448 --> 00:35:42,209
Rastafari!
119
00:35:42,209 --> 00:35:44,657
Jah, yuh freein' ah part.
120
00:35:44,657 --> 00:35:46,074
Important, right?
121
00:35:49,169 --> 00:35:54,169
(people laughing)
(people chattering)
122
00:36:07,651 --> 00:36:08,484
Night.
123
00:36:09,460 --> 00:36:14,460
(people chattering)
(insects chirping)
124
00:36:57,977 --> 00:37:01,894
(unnerving instrumental music)
125
00:37:03,344 --> 00:37:07,011
(Asha and Roger chattering)
126
00:38:15,228 --> 00:38:18,478
(joyful calypso music)
127
00:38:49,620 --> 00:38:50,453
Yeah.
128
00:39:39,377 --> 00:39:40,294
You're blessed man.
129
00:39:40,294 --> 00:39:42,711
Alright man.
Yeah, bless.
130
00:40:36,334 --> 00:40:41,334
(insects chirping)
(Roger mumbles)
131
00:40:47,713 --> 00:40:48,546
Step.
132
00:40:50,571 --> 00:40:53,071
(fly buzzing)
133
00:40:56,388 --> 00:41:01,388
(distant explosion booms)
(wind howling)
134
00:41:06,020 --> 00:41:09,853
(chilling instrumental music)
135
00:42:09,258 --> 00:42:11,461
(machete banging)
136
00:42:11,461 --> 00:42:15,211
(pensive instrumental music)
137
00:43:23,988 --> 00:43:27,405
(distant drumming music)
138
00:43:42,578 --> 00:43:45,661
(distant wind howls)
139
00:43:52,861 --> 00:43:56,278
(moves into eerie music)
140
00:44:20,172 --> 00:44:22,922
(birds tweeting)
141
00:45:07,925 --> 00:45:11,425
(wary instrumental music)
142
00:46:15,129 --> 00:46:20,129
(moves into pensive music)
(bells chiming)
143
00:47:29,135 --> 00:47:31,802
(bells chiming)
144
00:47:41,368 --> 00:47:44,085
♪ Whole day, whole day, whole day ♪
145
00:47:44,085 --> 00:47:49,085
♪ Whole day, livin' without you ♪
146
00:47:49,943 --> 00:47:52,577
♪ Whole day, livin' without you ♪
147
00:47:52,577 --> 00:47:57,577
♪ Livin' living without you ♪
148
00:47:57,863 --> 00:48:00,618
♪ Whole day living without you ♪
149
00:48:00,618 --> 00:48:03,526
♪ Whole day, whole day, whole day ♪
150
00:48:03,526 --> 00:48:06,275
♪ Whole day, I'm living without you ♪
151
00:48:06,275 --> 00:48:10,025
♪ Livin' living without you ♪
152
00:48:26,937 --> 00:48:30,550
(pensive instrumental music)
153
00:48:30,550 --> 00:48:33,039
♪ Whole day, whole day, whole day ♪
154
00:48:33,039 --> 00:48:35,718
♪ Whole day, living without you ♪
155
00:48:35,718 --> 00:48:39,385
♪ Livin' living without you ♪
156
00:48:51,297 --> 00:48:55,297
(moves into somber sitar music)
157
00:49:58,930 --> 00:50:02,513
(tense instrumental music)
158
00:51:33,249 --> 00:51:35,749
(oil hissing)
159
00:51:38,257 --> 00:51:41,174
(foreboding music)
160
00:52:31,507 --> 00:52:34,007
(man humming)
161
00:53:55,045 --> 00:53:57,962
(insects chirping)
162
00:54:02,212 --> 00:54:04,712
(fly buzzing)
163
00:54:13,918 --> 00:54:17,751
(chilling instrumental music)
164
00:55:00,003 --> 00:55:03,586
(unverving drumming music)
165
00:55:35,498 --> 00:55:38,998
(moves into serene music)
166
00:56:36,930 --> 00:56:41,401
(sinister music)
(woman mumbles)
167
00:56:41,401 --> 00:56:42,753
[Roger] Asha.
168
00:56:42,753 --> 00:56:44,009
Asha?
169
00:56:44,009 --> 00:56:45,176
[Mary] Asha.
170
00:56:46,860 --> 00:56:51,110
[Glora] Wit' ya nose and
drink it down, one time.
171
00:56:54,938 --> 00:56:56,214
[Asha] I'm fine.
172
00:56:56,214 --> 00:56:59,866
[Roger] Ya feelin' real hard boil.
173
00:56:59,866 --> 00:57:01,210
Told to sow seeds,
174
00:57:01,210 --> 00:57:04,202
and he plants seeds up on the river bank.
175
00:57:04,202 --> 00:57:06,375
He plants seeds up on the sand.
176
00:57:06,375 --> 00:57:08,300
When all of his seed been sown,
177
00:57:08,300 --> 00:57:11,121
because if it planted
it on the stony ground,
178
00:57:11,121 --> 00:57:13,327
and then he plant it on the stony ground,
179
00:57:13,327 --> 00:57:18,160
the seeds grow up in ever
lastin' life, the seeds grow up.
180
00:57:25,096 --> 00:57:27,846
(birds chirping)
181
00:57:38,580 --> 00:57:42,080
(calm instrumental music)
182
00:58:33,405 --> 00:58:35,905
(door creaks)
183
00:59:02,042 --> 00:59:04,959
(car horn honking)
184
00:59:12,725 --> 00:59:13,558
Gloria!
185
00:59:15,433 --> 00:59:19,016
(Roger and man chattering)
186
00:59:24,109 --> 00:59:26,576
(engine grumbles)
187
00:59:26,576 --> 00:59:29,493
(car horn honking)
188
00:59:40,400 --> 00:59:43,233
(birds chirping)
189
01:00:01,352 --> 01:00:04,352
(suspenseful music)
190
01:00:26,173 --> 01:00:28,756
(solemn music)
191
01:01:50,094 --> 01:01:53,594
(moves into serene music)
192
01:02:13,895 --> 01:02:16,645
(car horn beeps)
193
01:02:45,103 --> 01:02:46,936
What you doing here?
194
01:02:49,861 --> 01:02:52,542
Oh, you don't want to answer.
195
01:02:52,542 --> 01:02:55,279
You could sing but you can't talk now.
196
01:02:55,279 --> 01:02:56,946
What you doing here?
197
01:02:58,623 --> 01:03:01,950
Get out me yard.
198
01:03:01,950 --> 01:03:03,950
What are you doing here?
199
01:04:02,995 --> 01:04:06,912
(melancholic electronic music)
200
01:05:19,982 --> 01:05:23,399
(intense drumming music)
201
01:05:42,441 --> 01:05:45,691
(joyful calypso music)
202
01:09:35,303 --> 01:09:38,136
(distant banging)
203
01:09:57,987 --> 01:10:02,987
(creature groaning)
(dogs howling)
204
01:10:21,970 --> 01:10:26,970
(wings rustling)
(bird crowing)
205
01:10:44,261 --> 01:10:46,761
(siren wails)
206
01:10:48,099 --> 01:10:50,849
(glass smashing)
207
01:11:01,203 --> 01:11:04,078
(radio crackling)
208
01:11:04,078 --> 01:11:05,495
Jeez.
Nothing?
209
01:11:25,213 --> 01:11:28,796
(wistful electronic music)
210
01:15:02,295 --> 01:15:05,878
(Sujata and Mary mumbling)
211
01:16:15,394 --> 01:16:18,311
(perturbing music)
212
01:16:45,311 --> 01:16:49,061
(pensive instrumental music)
213
01:22:19,878 --> 01:22:23,378
(quiet suspenseful music)
214
01:24:43,952 --> 01:24:47,452
(quiet melancholic music)
215
01:25:06,909 --> 01:25:10,409
(distant thunder rumbles)
216
01:26:04,474 --> 01:26:07,141
(waves lapping)
217
01:26:18,724 --> 01:26:21,641
(unsettling music)
218
01:27:16,773 --> 01:27:19,273
(fly buzzing)
219
01:28:49,300 --> 01:28:53,633
("Budapest II" by Martial Canterel)
220
01:29:00,830 --> 01:29:04,450
♪ A trip, a month away from moments ♪
221
01:29:04,450 --> 01:29:07,618
♪ You can't fool the local thoughts ♪
222
01:29:07,618 --> 01:29:10,965
♪ As I approach, I mark an arrow ♪
223
01:29:10,965 --> 01:29:14,402
♪ Bullet marks they wanted found ♪
224
01:29:14,402 --> 01:29:17,684
♪ Is it war, I can't be sure ♪
225
01:29:17,684 --> 01:29:21,178
♪ Is it what you'll find in my heart ♪
226
01:29:21,178 --> 01:29:24,543
♪ In that case, is it safe ♪
227
01:29:24,543 --> 01:29:28,710
♪ Is it what you'll take my heart ♪
228
01:29:41,156 --> 01:29:44,981
♪ A trip, a month away from homeland ♪
229
01:29:44,981 --> 01:29:48,029
♪ You can't fool the local thoughts ♪
230
01:29:48,029 --> 01:29:51,349
♪ As I approach, I mark an arrow ♪
231
01:29:51,349 --> 01:29:54,765
♪ With advance they wanted four ♪
232
01:29:54,765 --> 01:29:58,163
♪ Is it war, I can't be sure ♪
233
01:29:58,163 --> 01:30:01,519
♪ Is it what you'll find in my heart ♪
234
01:30:01,519 --> 01:30:04,812
♪ In that case, is it safe ♪
235
01:30:04,812 --> 01:30:09,229
♪ Is it what you'll take in my heart ♪
236
01:31:58,576 --> 01:32:03,076
("And I Thought" by Martial Canterel)
237
01:32:28,911 --> 01:32:29,875
♪ Your heart is pure ♪
238
01:32:29,875 --> 01:32:31,618
♪ Your eyes are wide ♪
239
01:32:31,618 --> 01:32:33,883
♪ Beckons me to come inside ♪
240
01:32:33,883 --> 01:32:36,427
♪ Distant love, my sanctuary ♪
241
01:32:36,427 --> 01:32:38,947
♪ Foolish hope, no guarantees ♪
242
01:32:38,947 --> 01:32:43,889
♪ And I thought ♪
243
01:32:43,889 --> 01:32:46,556
♪ And I thought ♪
244
01:33:09,450 --> 01:33:12,700
(joyful calypso music)
15273
