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1
00:00:01,042 --> 00:00:02,422
YO, DIG THIS.
2
00:00:02,423 --> 00:00:05,013
♪ EUGENE GURKIN
WAS A JANITOR ♪
3
00:00:05,005 --> 00:00:08,175
♪ CLEANING TOILETS
FOR THE MAN ♪
4
00:00:08,179 --> 00:00:10,049
(woman)
♪ SCRUBBIN' AND FLUSHIN' ♪
5
00:00:10,051 --> 00:00:13,051
♪ TILL HE DECIDED
THAT HE HAD ENOUGH ♪
6
00:00:13,054 --> 00:00:16,144
♪ GOT A CREW AND MADE A PLAN ♪
7
00:00:16,137 --> 00:00:18,847
♪ NOW THEY'RE THE... ♪
♪ KNIGHTS OF PROSPERITY ♪
8
00:00:18,849 --> 00:00:21,059
♪ ROBBIN' FROM THE RICH
TO GIVE TO THEMSELVES ♪
9
00:00:21,062 --> 00:00:23,022
♪ KNIGHTS OF PROSPERITY ♪
10
00:00:23,023 --> 00:00:25,153
WE THE KNIGHTS, BABY.
11
00:00:26,947 --> 00:00:30,027
LADY AND GENTLEMEN, WE ARE
GATHERED HERE THIS MORNING
12
00:00:30,030 --> 00:00:32,240
FOR A MEETING
OF THE UTMOST IMPORTANCE.
13
00:00:32,243 --> 00:00:34,253
THE KNIGHTS OF PROSPERITY
14
00:00:34,245 --> 00:00:36,535
HAVE TO CHOOSE
AN OFFICIAL THEME SONG.
15
00:00:36,537 --> 00:00:37,617
OOH.
16
00:00:37,618 --> 00:00:39,208
GARY,
DROP SOME SCIENCE ON US.
17
00:00:39,210 --> 00:00:41,960
"SMUGGLER'S BLUES"
BY GLENN FREY.
WHY THAT PIECE OF CRAP?
18
00:00:41,962 --> 00:00:44,882
BECAUSE IT IS ABOUT CRIMINALS.
IT'S ABOUT SMUGGLERS,
AND WE'RE THIEVES.
19
00:00:44,875 --> 00:00:47,425
THAT IS GLENN FREY'S PROBLEM,
NOT MINE.
WHY BOTHER?
20
00:00:47,428 --> 00:00:51,378
YOU'VE ALREADY GOT THE SONG
PICKED OUT. RIGHT, CHIEF?
GUILTY AS CHARGED.
21
00:00:51,382 --> 00:00:52,842
LOUIS.
22
00:00:55,556 --> 00:00:58,556
(Rush's "Tom Sawyer" playing)
23
00:01:00,391 --> 00:01:03,351
♪ MODERN-DAY WARRIOR,
MEAN, MEAN STRIDE ♪
24
00:01:03,354 --> 00:01:05,994
♪ TODAY'S TOM SAWYER,
MEAN, MEAN PRIDE ♪
25
00:01:05,986 --> 00:01:09,236
♪ THOUGH HIS MIND
IS NOT FOR RENT ♪
26
00:01:09,240 --> 00:01:12,030
♪ DON'T PUT HIM DOWN
AS ARROGANT ♪
27
00:01:12,032 --> 00:01:14,122
♪ HIS RESERVE,
A QUIET DEFENSE ♪
28
00:01:14,115 --> 00:01:16,865
♪ RIDING OUT
THE DAY'S EVENTS ♪
29
00:01:16,867 --> 00:01:18,077
(both) ♪ THE RIVER ♪
30
00:01:18,078 --> 00:01:20,408
(falsetto voice) ♪ WHAT YOU
SAY ABOUT HIS COMPANY ♪
31
00:01:20,411 --> 00:01:22,661
♪ IS WHAT YOU SAY
ABOUT SOCIETY ♪
32
00:01:22,663 --> 00:01:25,303
OKAY, ENOUGH.
ARE WE HERE FOR SINGING
33
00:01:25,296 --> 00:01:28,256
OR FOR ROBBING MICK JAGGER?
THE TWO ARE NOT
MUTUALLY EXCLUSIVE.
34
00:01:28,259 --> 00:01:31,629
HIS APARTMENT IS SWARMING
WITH ARMED GUARDS.
35
00:01:31,632 --> 00:01:33,552
WHAT IS OUR STRATEGY?
36
00:01:33,554 --> 00:01:36,064
I FIGURED
WE'D JUST SNEAK UP ON 'EM.
37
00:01:36,056 --> 00:01:38,516
AND HOW DO WE SNEAK UP ON THEM
WHEN THERE'S A LOCKED DOOR
38
00:01:38,519 --> 00:01:41,139
ON THE WAY
WITH A THUMBPRINT SENSOR?
39
00:01:41,142 --> 00:01:43,482
ANYBODY?
40
00:01:45,025 --> 00:01:46,855
TIPPYTOE?
41
00:01:46,857 --> 00:01:48,857
(knock on door)
WHOA. WE GOT COMPANY.
42
00:01:48,859 --> 00:01:51,399
COME ON. COVER, COVER,
COVER, COVER, COVER.
43
00:01:51,402 --> 00:01:53,322
LOUIS, GET RID OF THE INTRUDER.
WHAT? WHY ME?
44
00:01:53,324 --> 00:01:56,204
YOU'RE EXPENDABLE. GO!
45
00:02:01,162 --> 00:02:03,162
SIMONE?
46
00:02:03,164 --> 00:02:07,214
OH, GOD. UH, SIMONE CASHWELL
FROM THE SECURITY COMPANY.
47
00:02:07,208 --> 00:02:10,748
HELLO, LOUIS PLUNK.
48
00:02:10,751 --> 00:02:14,091
UH, SHE KNOWS MY REAL NAME.
49
00:02:14,094 --> 00:02:16,474
UH, UH,
IT'S TIME TO LAWYER UP.
50
00:02:16,467 --> 00:02:19,137
MANHATTAN.
YES, ROBERT SHAPIRO?
51
00:02:19,139 --> 00:02:21,849
WHAT THE HELL
ARE YOU DOING?
52
00:02:21,852 --> 00:02:24,192
WHAT ARE YOU DOING HERE?
53
00:02:24,185 --> 00:02:27,475
YOU LEFT THIS
AT MY APARTMENT LAST NIGHT.
54
00:02:27,478 --> 00:02:31,028
(chuckles) OH, MY WALLET.
THANKS.
55
00:02:31,031 --> 00:02:32,481
BUT HOW DID YOU
FIND THIS PLACE?
56
00:02:32,483 --> 00:02:35,413
THERE WAS A NOTE IN THERE
WITH THIS ADDRESS ON IT.
57
00:02:35,406 --> 00:02:39,536
SO WHO ARE YOU,
WHY DID YOU LIE TO ME,
58
00:02:39,540 --> 00:02:42,160
AND WHAT ARE YOU DOING
IN THIS CREEPY WAREHOUSE?
59
00:02:42,162 --> 00:02:44,842
WELL, THIS IS, UM...
(coughs)
60
00:02:44,835 --> 00:02:46,835
OKAY. LOOK, SIMONE--
61
00:02:46,837 --> 00:02:49,167
(imitates Yiddish accent)
WELCOME, WELCOME, WELCOME.
62
00:02:49,169 --> 00:02:52,589
WELCOME TO GLICKMAN'S
JEWISH SUPPLY WAREHOUSE, HUH?
63
00:02:52,593 --> 00:02:56,143
YEAH, I'M GLICKMAN,
YENTL GLICKMAN.
64
00:02:56,136 --> 00:02:57,796
HOW CAN I HELP YOU?
65
00:02:57,798 --> 00:03:01,388
UH, ACTUALLY, I-I WAS JUST HERE
FOR LOUIS.
66
00:03:01,392 --> 00:03:02,892
MY STOCK BOY?
67
00:03:02,893 --> 00:03:05,523
OH, WELL, LAST NIGHT HE SAID
HE WAS A MILLIONAIRE PLAYBOY.
68
00:03:05,516 --> 00:03:08,606
LOUIS, HUH?
OY, YI, YI, YI, YI, YI.
69
00:03:08,609 --> 00:03:12,019
WHY WOULD YOU LIE TO SUCH
A BEAUTIFUL YOUNG GOIL, HUH?
OH.
70
00:03:12,022 --> 00:03:14,822
MORE IMPORTANTLY,
LOUIS, IS SHE JEWISH?
71
00:03:14,815 --> 00:03:18,655
SIR, IS THAT A COFFEE FILTER
ON YOUR HEAD?
72
00:03:18,659 --> 00:03:20,819
HUH? OH. OY VEY.
HOW RUDE OF ME.
73
00:03:20,821 --> 00:03:22,991
I SHOULD'VE OFFERED
YOU SOME BREAKFAST.
74
00:03:22,993 --> 00:03:26,003
COME, COME, COME, COME. A YOUNG,
SKINNY GOIL LIKE YOURSELF...
NO, NO, I REALLY--
75
00:03:25,996 --> 00:03:28,706
YOU NEED A NICE--
WHAT WOULD YOU LIKE? A NICE--
76
00:03:28,709 --> 00:03:31,089
PERHAPS YOU'D LIKE
A NICE SCHMEAR.
NO, NO. REALLY, NO.
77
00:03:31,091 --> 00:03:33,091
NO, NO, A NICE SCHMEAR.
NO!
78
00:03:33,093 --> 00:03:35,013
OH, WELL, SUIT YOURSELF.
AS-SALAAM ALAIKUM.
79
00:03:35,005 --> 00:03:39,045
(chuckles nervously)
THAT YENTL--HE LOVES TO KIBITZ.
80
00:03:39,049 --> 00:03:42,139
UH... THANK YOU
FOR STOPPING BY.
81
00:03:42,142 --> 00:03:44,102
ALL CLEAR. HUH?
82
00:03:44,104 --> 00:03:46,484
BRILLIANT IMPROV, CHIEF.
83
00:03:46,477 --> 00:03:49,647
YOU DESERVE A DAYTIME EMMY.
84
00:03:49,650 --> 00:03:52,690
YO, THERE'S A BIG-ASS THUMBPRINT
IN THE CREAM CHEESE.
85
00:03:52,693 --> 00:03:54,623
OH, SORRY ABOUT THAT,
ROCKEFELLER.
86
00:03:54,615 --> 00:03:56,065
SPEAKING OF THUMBPRINTS,
87
00:03:56,066 --> 00:03:58,986
HOW ARE WE GONNA GET PAST
MICK JAGGER'S THUMBPRINT SENSOR?
88
00:03:58,989 --> 00:04:01,619
HMM. DANG. IF ONLY WE HAD
THE THUMBPRINT
89
00:04:01,622 --> 00:04:03,742
OF SOMEONE
WITH SECURITY CLEARANCE.
90
00:04:03,744 --> 00:04:06,084
(Gary) OH, I GET IT NOW.
91
00:04:06,076 --> 00:04:09,206
YOU ARE GOOD.
YOU ARE GOOD.
OH!
92
00:04:09,209 --> 00:04:12,079
EUGENE GURKINS,
YOU'RE A HE-NIUS.
93
00:04:12,082 --> 00:04:14,172
WELL,
THANK YOU, MILADY.
94
00:04:14,174 --> 00:04:17,764
BUT HOW WE GET THE THUMBPRINT
OUT THE CREAM CHEESE?
95
00:04:17,758 --> 00:04:20,678
DOES ANYONE HERE
HAVE DENTAL COVERAGE?
96
00:04:22,723 --> 00:04:25,233
(Muzak playing)
97
00:04:25,225 --> 00:04:28,225
(speaking Hindi)
98
00:05:11,642 --> 00:05:13,732
GREAT JOB, GARY.
THAT FAKE THUMB WILL GET US
99
00:05:13,734 --> 00:05:16,114
PAST THE THUMBPRINT SENSOR,
NO PROBLEM.
YEAH, AND INTO
THE WAITING ARMS
100
00:05:16,106 --> 00:05:18,986
OF GOD KNOWS
HOW MANY GOONS WITH GUNS.
101
00:05:18,989 --> 00:05:22,279
GOD KNOWS AND SO DOES HIS LITTLE
PAL EUGENE BECAUSE ROCKEFELLER
102
00:05:22,282 --> 00:05:25,542
AND I STAKED OUT
MICK'S APARTMENT LAST NIGHT.
103
00:05:25,536 --> 00:05:29,206
STAKED OUT? "STOOK"?
WE "STOOKED"? WE WERE...
"STOKE," "STUCK," "STUCKING."
104
00:05:29,209 --> 00:05:33,079
"STOOKED OUT."
"STOOKED OUT."
NO, NO, IT'S "STOOKED OUT."
105
00:05:33,083 --> 00:05:35,173
OKAY, ANYWAY,
106
00:05:35,165 --> 00:05:38,045
WE WERE WATCHING THE COMINGS
AND GOINGS OF THE GUARDS.
107
00:05:38,048 --> 00:05:41,168
FROM 3:00 TO 4:00 A.M. THERE'S
ONLY 2 GUARDS IN POSITION.
108
00:05:41,171 --> 00:05:43,171
THAT GIVES US
A 1-HOUR STRIKE ZONE.
EXACTLY.
109
00:05:43,173 --> 00:05:45,853
THERE'S ONLY TWO OF THEM,
AND THERE'S SIX OF US, OKAY?
110
00:05:45,846 --> 00:05:49,096
SO WE USE THE THUMBPRINT,
WE SNEAK UP ON 'EM,
111
00:05:49,099 --> 00:05:50,969
AND WE DISARM 'EM.
YEAH, I DON'T KNOW, CHIEF.
112
00:05:50,971 --> 00:05:52,971
HOW AM I GONNA EXPLAIN
A GUNSHOT WOUND TO THE WIFE?
113
00:05:52,973 --> 00:05:54,863
SQUATCH, WE CAN DO
THIS THING, ALL RIGHT?
114
00:05:54,855 --> 00:05:57,025
WE'RE STREET GUYS.
REMEMBER WHEN I SAID
THAT YOU WERE A HE-NIUS?
115
00:05:57,027 --> 00:05:59,857
UH, YEAH.
YOU'RE AN IDIOT.
116
00:05:59,860 --> 00:06:02,110
I GREW UP
IN THE STREETS OF CARTAGENA
117
00:06:02,112 --> 00:06:04,752
SURROUNDED
BY THUGS AND MURDERERS.
118
00:06:04,745 --> 00:06:07,785
MY BOYFRIEND ENRICO
ONCE SLASHED A MAN'S THROAT
119
00:06:07,788 --> 00:06:09,618
WITH A DEBIT CARD.
120
00:06:09,620 --> 00:06:12,120
YOU KNOW, IN THE FUTURE,
WHEN YOU TELL THAT STORY,
121
00:06:12,122 --> 00:06:14,122
I WOULD GO WITH "CREDIT CARD."
122
00:06:14,124 --> 00:06:16,844
LOOK, I KNOW STREET GUYS.
123
00:06:16,837 --> 00:06:20,207
NO OFFENSE,
YOU'RE NOT STREET GUYS.
124
00:06:20,210 --> 00:06:23,710
ALL RIGHT.
WHAT DO YOU WANT US TO DO?
THIS.
125
00:06:23,714 --> 00:06:28,064
THE LEARNING ANNEX. "50 WAYS
TO REDUCE CLOSET CLUTTER."
126
00:06:28,058 --> 00:06:29,888
TURN THE PAGE.
127
00:06:29,890 --> 00:06:32,430
"GET IN FIGHTING SHAPE
WITH HAWTHORNE JANSEN.
128
00:06:32,433 --> 00:06:34,983
WORLD-FAMOUS EXPERT ON..."
129
00:06:34,975 --> 00:06:37,855
SECURITY AND SELF-DEFENSE.
130
00:06:40,020 --> 00:06:42,730
I CONSULTED
ON THE MOVIE "PANIC ROOM."
131
00:06:42,733 --> 00:06:45,123
IT WAS MY IDEA
TO HAVE A PANIC ROOM
132
00:06:45,115 --> 00:06:48,905
WITHIN THE PANIC ROOM
WITHIN THE PANIC ROOM,
133
00:06:48,909 --> 00:06:51,159
KINDA LIKE
RUSSIAN NESTING DOLLS.
134
00:06:51,161 --> 00:06:53,241
THEY DIDN'T USE THAT.
THE MOVIE SUFFERED.
135
00:06:53,243 --> 00:06:56,133
I PUT TOGETHER
PERSONAL SECURITY PROGRAMS
136
00:06:56,126 --> 00:06:58,036
FOR SOME
OF HOLLYWOOD'S BIGGEST NAMES--
137
00:06:58,038 --> 00:07:01,798
YOUR ELAYNE BOOSLERS,
YOUR IAN ZIERINGS,
138
00:07:01,802 --> 00:07:04,092
YOUR "WEIRD ALS" YANKOVIC.
139
00:07:04,094 --> 00:07:06,104
OOH. YOU KNOW WEIRD AL?
140
00:07:06,096 --> 00:07:09,346
IS HE WEIRD IN PERSON,
OR IS IT ALL JUST AN ACT?
141
00:07:09,349 --> 00:07:11,549
THAT'S THE WRONG QUESTION.
SORRY.
142
00:07:11,552 --> 00:07:14,052
THE REAL QUESTION IS
HAS HE EVER BEEN ROBBED?
143
00:07:14,054 --> 00:07:15,694
NOT ON MY WATCH.
144
00:07:15,686 --> 00:07:18,146
HAS HE EVER BEEN MURDERED?
NOT ON MY WATCH.
145
00:07:18,148 --> 00:07:21,818
HAS HE EVER BEEN RAPED?
THAT'S BETWEEN HIM AND HIS GOD.
146
00:07:21,822 --> 00:07:23,522
I NEED A VOLUNTEER.
147
00:07:23,524 --> 00:07:25,994
UH...
148
00:07:25,986 --> 00:07:27,156
YOU.
149
00:07:27,157 --> 00:07:28,947
ME?
MISS, COME UP, PLEASE.
150
00:07:31,371 --> 00:07:34,161
WHAT'S YOUR NAME?
ESPERANZA.
151
00:07:34,164 --> 00:07:38,004
(Spanish accent) ESPERANZA--
THAT MEANS "HOPE," RIGHT?
152
00:07:37,998 --> 00:07:39,788
Sí.
153
00:07:39,790 --> 00:07:42,000
WELL, I HOPE
YOU'LL BE KIND ENOUGH
154
00:07:42,002 --> 00:07:45,432
TO HELP ME DEMONSTRATE SOME
OF MY SELF-DEFENSE TECHNIQUES.
155
00:07:45,425 --> 00:07:47,925
I WOULD BE DELIGHTED.
OKAY, LET ME HAVE YOUR ARM.
156
00:07:47,928 --> 00:07:50,088
CAN YOU BELIEVE THIS LOSER?
COME ON.
157
00:07:50,090 --> 00:07:52,090
PAY ATTENTION, STREET GUY.
158
00:07:52,092 --> 00:07:55,652
NOW IMAGINE I'VE TAKEN IT
BEHIND YOU LIKE THIS. OOH!
159
00:07:55,646 --> 00:07:57,016
NICE MOVES.
160
00:07:57,017 --> 00:08:00,647
MAYBE I SHOULD SIT DOWN
AND LET YOU TEACH CLASS, HUH?
161
00:08:00,651 --> 00:08:04,021
(Esperanza giggles)
MAYBE YOU SHOULD.
162
00:08:04,024 --> 00:08:05,164
(laughing) THAT'S RIGHT.
163
00:08:11,702 --> 00:08:13,702
(imitating Hawthorne Jansen)
YEAH, HEY, YEAH.
164
00:08:13,704 --> 00:08:16,714
I'M HAWTHORNE JANSEN, YEAH.
I'M A REAL COOL GUY, YEAH.
165
00:08:16,707 --> 00:08:19,787
I PRETEND TO KNOW HOW TO FIGHT
SO I CAN HIT ON HOT CHICKS.
166
00:08:19,790 --> 00:08:21,580
(normal voice)
I MEAN, WHAT A LOSER.
167
00:08:21,582 --> 00:08:24,332
I THOUGHT HE WAS
A CAPTIVATING PUBLIC SPEAKER.
168
00:08:24,334 --> 00:08:25,684
(pounding on door)
169
00:08:25,676 --> 00:08:28,506
HO! POSITIONS!
QUICK, COVER THE TABLE!
170
00:08:28,508 --> 00:08:30,548
OH, ESPERANZA, HEY.
171
00:08:30,551 --> 00:08:34,131
UH, WHAT'S HE DOING HERE?
172
00:08:34,134 --> 00:08:36,524
HAWTHORNE AGREED TO GIVE US
OUR OWN PRIVATE LESSON.
173
00:08:36,516 --> 00:08:38,516
THESE ARE
YOUR HOT FRIENDS?
174
00:08:38,518 --> 00:08:39,768
YEAH.
175
00:08:39,770 --> 00:08:43,100
YOU NAUGHTY GIRL.
176
00:08:43,103 --> 00:08:46,653
SOMETIMES NAUGHTY,
SOMETIMES NICE.
177
00:08:48,699 --> 00:08:51,319
I DON'T LIKE TO TALK
ABOUT THIS PUBLICLY,
178
00:08:51,321 --> 00:08:53,321
BUT SOME YEARS AGO,
FOR A WEEK,
179
00:08:53,323 --> 00:08:57,163
I WAS THE HEAD OF LOCAL SECURITY
FOR FRANK SINATRA... JR.,
180
00:08:57,157 --> 00:08:59,497
AND I LEARNED
A LOT OF VALUABLE LESSONS
181
00:08:59,499 --> 00:09:02,499
AS FAR AS TAKING CARE
OF PEOPLE--
LOOK, WE'D LOVE TO HEAR
182
00:09:02,502 --> 00:09:05,512
THE WHEREFORES AND WHY NOTS
OF YOUR TRAVELS AND ADVENTURES,
183
00:09:05,505 --> 00:09:08,165
BUT CAN WE CUT TO THE HEART
OF THE STEAK, PLEASE?
184
00:09:08,168 --> 00:09:12,628
WE NEED TO LEARN HOW TO DISARM
TWO GUYS WITH GUNS.
YOU, STAND UP, PLEASE.
185
00:09:12,633 --> 00:09:16,143
TAKE THIS GUN
AND HOLD IT ON ME.
186
00:09:16,136 --> 00:09:18,806
UH, UH, LIKE THIS?
187
00:09:18,809 --> 00:09:22,019
(Eugene)
LOOK OUT! WHOA!
(all grunting)
188
00:09:22,022 --> 00:09:25,992
PRESSURE POINTS
AND THE ELEMENT OF SURPRISE.
THANK YOU.
189
00:09:25,986 --> 00:09:28,896
WOW, THAT WAS--THAT WAS
IMPRESSIVE, BUT I, UH...
190
00:09:28,899 --> 00:09:31,609
(chuckles) I'D LIKE
TO SEE YOU TRY THAT
191
00:09:31,612 --> 00:09:34,702
ON MY FRIEND ROCKEFELLER BUTTS
HERE. HMM?
192
00:09:34,695 --> 00:09:36,195
YEAH.
193
00:09:36,196 --> 00:09:37,906
(neck cracks)
194
00:09:39,750 --> 00:09:41,660
(Rockefeller grunts)
(thud)
195
00:09:41,662 --> 00:09:45,762
PRESSURE POINTS,
ELEMENT OF SURPRISE.
FANTASTIC.
196
00:09:45,756 --> 00:09:49,706
(whispers) HE IS SO COOL.
♪ BRINGING IN THE SHEEP ♪
197
00:09:49,710 --> 00:09:53,840
UNFORTUNATELY, THE ELEMENT
OF SURPRISE IS USELESS ON ME.
198
00:09:53,844 --> 00:09:56,064
MY TRAINING IS SUCH AS
TO BE PREPARED
199
00:09:56,056 --> 00:09:59,216
FOR ANY EVENTUALITIES,
NO MATTER HOW SUDDEN.
200
00:09:59,219 --> 00:10:01,809
QUESTION, SIR. UH...
201
00:10:01,812 --> 00:10:05,732
YOU SAY YOU'RE NOT SUSCEPTIBLE
TO THE ELEMENT OF SURPRISE.
202
00:10:05,726 --> 00:10:08,726
WELL, IF THAT'S THE CASE,
HOW THEN DO YOU EXPLAIN THIS?!
203
00:10:08,729 --> 00:10:10,439
(grunts)
204
00:10:10,440 --> 00:10:11,650
EXCELLENT. EXCELLENT!
205
00:10:11,652 --> 00:10:13,902
DO YOU WANT TO PLAY GAMES
206
00:10:13,904 --> 00:10:16,544
OR YOU WANT TO LEARN
HOW TO FIGHT?
207
00:10:16,536 --> 00:10:19,196
AAH! HUH, NO.
NO, NO, I WANT TO-- (grunts)
208
00:10:19,199 --> 00:10:20,579
AAH!
209
00:10:20,580 --> 00:10:25,010
LEARN HOW TO FIGHT!
(groans)
210
00:10:25,005 --> 00:10:27,205
OKAY, HERE'S WHAT
WE'RE GONNA DO.
211
00:10:27,207 --> 00:10:28,917
I'M GONNA GIVE YOU ALL
A CRASH COURSE IN--
AAH!
212
00:10:28,919 --> 00:10:30,919
(crash)
213
00:10:30,921 --> 00:10:32,591
THE ART OF DEFENSE AND ATTACK.
214
00:10:32,592 --> 00:10:35,852
WHEN YOU'RE DONE,
YOU WILL NO LONGER BE PEOPLE.
215
00:10:35,846 --> 00:10:38,216
YOU'LL BE TRAINED WEAPONS.
(Eugene) OH, GOD HELP ME.
216
00:10:38,218 --> 00:10:39,598
ARE YOU READY?
217
00:10:39,599 --> 00:10:42,759
(Rush's "Tom Sawyer" playing)
218
00:10:45,185 --> 00:10:47,605
♪ A MODERN-DAY WARRIOR,
MEAN, MEAN STRIDE ♪
219
00:10:47,607 --> 00:10:50,567
♪ TODAY'S TOM SAWYER,
MEAN, MEAN PRIDE ♪
220
00:10:50,570 --> 00:10:54,230
♪♪♪
221
00:10:59,870 --> 00:11:02,160
♪ THOUGH HIS MIND
IS NOT FOR RENT ♪
222
00:11:02,162 --> 00:11:04,962
♪ DON'T PUT HIM DOWN
AS ARROGANT ♪
223
00:11:04,955 --> 00:11:07,955
♪ HIS RESERVE,
A QUIET DEFENSE ♪
224
00:11:07,958 --> 00:11:11,248
♪ RIDING OUT
THE DAY'S EVENTS ♪
225
00:11:11,251 --> 00:11:13,131
♪ THE RIVER ♪
226
00:11:17,888 --> 00:11:20,178
♪ WHAT YOU SAY
ABOUT HIS COMPANY ♪
227
00:11:20,180 --> 00:11:22,800
♪ IS WHAT YOU SAY
ABOUT SOCIETY ♪
228
00:11:22,803 --> 00:11:24,683
♪ CATCH THE MIST ♪
229
00:11:24,684 --> 00:11:26,024
♪ CATCH THE MYTH ♪
230
00:11:26,016 --> 00:11:28,856
♪ CATCH THE MYSTERY,
CATCH THE DRIFT ♪
231
00:11:30,610 --> 00:11:36,490
WELL DONE, PEOPLE. GOOD,
HARD WORK. VERY, VERY NICE.
232
00:11:36,486 --> 00:11:39,696
COME ON OVER HERE.
LET'S TALK ABOUT IT.
233
00:11:39,699 --> 00:11:43,239
HAWTHORNE, THANK YOU.
YOU ARE WONDERFUL.
AND SO ARE YOU.
234
00:11:43,243 --> 00:11:45,593
WELL, WELL, WELL,
WELL, WELL, WELL, BRAVO, HUH?
235
00:11:45,585 --> 00:11:47,585
THANK YOU, THANK YOU,
HAWTHORNE,
236
00:11:47,587 --> 00:11:50,127
FOR COVERING SOME VERY BASIC
AND RUDIMENTARY GROUND.
237
00:11:50,130 --> 00:11:52,500
IF YOU'LL JUST STEP ASIDE NOW,
I'LL TAKE OVER,
238
00:11:52,502 --> 00:11:55,142
AND WE'LL DEAL
WITH SOME OF THE FINER,
239
00:11:55,135 --> 00:11:57,425
MORE SOPHISTICATED POINTS
OF SELF-DEFENSE, OKAY?
240
00:11:57,427 --> 00:12:00,297
BUT YOU DESERVE A HAND.
THANK YOU.
WHAT ARE YOU GONNA TEACH 'EM?
241
00:12:00,300 --> 00:12:04,550
WELL, I LIKE TO, UH, FOCUS MORE
ON THE, UH, MENTAL PREPARAZIONE.
242
00:12:04,554 --> 00:12:07,234
I'M KIND OF, UH,
INTO EASTERN PHILOSOPHIES,
243
00:12:07,227 --> 00:12:10,897
SO YOU MIGHT NOT UNDERSTAND.
YEAH,
EAST OF LEFFERTS BOULEVARD.
244
00:12:10,901 --> 00:12:13,481
I'D LOVE TO SEE
WHAT YOU GOT.
245
00:12:13,483 --> 00:12:16,493
OKAY. WELL, THEN MEET ME
OUTSIDE IN FIVE MINUTES,
246
00:12:16,486 --> 00:12:19,236
AND I'LL SHOW YOU
WHAT I'VE GOT.
247
00:12:20,570 --> 00:12:23,320
MAKE IT 20, OKAY?
248
00:12:23,323 --> 00:12:25,293
CALL IT AN EVEN 30.
249
00:12:25,285 --> 00:12:28,285
OR I'LL JUST--I'LL CALL YOU,
ACTUALLY, WHEN I'M READY.
250
00:12:31,421 --> 00:12:33,041
WELCOME.
251
00:12:33,043 --> 00:12:36,053
(tribal music playing)
252
00:12:38,548 --> 00:12:41,758
THE MIND, MY FRIENDS,
IS A TERRIBLE THING TO WASTE,
253
00:12:41,761 --> 00:12:45,651
AND IF YOU THINK EDUCATION
IS EXPENSIVE, TRY IGNORANCE.
254
00:12:45,645 --> 00:12:47,805
EXCUSE ME.
WHAT IS THIS?
255
00:12:47,808 --> 00:12:51,388
HOT COALS, MY FAIR ESPERANZA,
A BED OF HOT COALS.
256
00:12:51,391 --> 00:12:54,101
AND WHAT ARE WE SUPPOSED TO DO
WITH THESE HOT COALS, PRAY TELL?
257
00:12:54,104 --> 00:12:57,114
WE'RE GONNA
WALK ACROSS THEM BAREFOOT.
258
00:12:57,107 --> 00:12:59,357
YEAH,
I'M GONNA PASS ON THAT.
259
00:12:59,359 --> 00:13:02,279
UH, H-HOW IS
WALKING ACROSS HOT COALS
260
00:13:02,282 --> 00:13:04,702
GONNA HELP US DO
WHAT WE HAVE TO DO?
261
00:13:04,704 --> 00:13:07,624
BECAUSE IT WILL MENTALLY PREPARE
US TO DO WHAT WE HAVE TO DO.
262
00:13:07,617 --> 00:13:10,497
IF YOU THINK YOU CAN DO IT,
YOU CAN DO IT.
263
00:13:10,500 --> 00:13:14,080
I SAW IT ON "SURVIVOR."
THEY USE
SPECIAL TELEVISION COALS!
264
00:13:14,084 --> 00:13:17,514
OKAY, I'M GONNA GO.
OKAY, SEE,
THAT DOESN'T SURPRISE ME.
265
00:13:17,507 --> 00:13:19,627
I KNEW YOU WOULDN'T GET IT.
266
00:13:19,629 --> 00:13:22,339
YOU WANNA WALK ME
TO MY CAR?
267
00:13:22,342 --> 00:13:23,722
SURE.
268
00:13:23,723 --> 00:13:28,893
BUT, ES--OKAY. HUH.
I'M WALKING ON HOT COALS NOW!
269
00:13:28,889 --> 00:13:31,479
OH, JEEZ, YES! AAH!
270
00:13:31,481 --> 00:13:35,531
ESPERANZA, I AM ALIVE!
MY SOUL IS FREE!
271
00:13:35,525 --> 00:13:39,145
OH, MY GOD!
I'M IN INTENSE PHYSICAL PAIN!
272
00:13:48,909 --> 00:13:51,499
(Poison)
♪ EVERY ROSE HAS ITS THORN ♪
273
00:13:51,501 --> 00:13:52,871
(knock on door)
274
00:13:52,873 --> 00:13:54,713
(Squatch) EUGENE?
275
00:13:54,714 --> 00:13:56,514
IT'S OPEN.
276
00:13:56,506 --> 00:14:00,876
♪ JUST LIKE EVERY NIGHT
HAS ITS DAWN ♪
277
00:14:00,881 --> 00:14:02,261
HOW ARE THE DOGS?
278
00:14:02,262 --> 00:14:04,262
TENDER.
279
00:14:04,264 --> 00:14:06,394
LISTEN,
A LITTLE FRIENDLY ADVICE--
280
00:14:06,386 --> 00:14:08,556
KEEP YOUR EYES ON THE PRIZE.
281
00:14:08,558 --> 00:14:10,598
WHAT?
282
00:14:10,600 --> 00:14:13,350
AFTER WE ROB MICK JAGGER, YOU'RE
GONNA HAVE SO MANY BROADS,
283
00:14:13,353 --> 00:14:16,403
THEY'RE GONNA HAVE TO PUT
VELVET ROPES AROUND YOUR ASS.
284
00:14:16,396 --> 00:14:18,736
WHAT ARE YOU SAYING?
OKAY.
285
00:14:18,738 --> 00:14:22,148
I'M SAYING...
286
00:14:22,152 --> 00:14:24,152
FORGET ABOUT ESPERANZA
FOR NOW, OKAY?
287
00:14:24,154 --> 00:14:26,874
WE CAN'T AFFORD
TO HAVE YOU DISTRACTED.
288
00:14:26,866 --> 00:14:29,196
WHOA, ESPERANZA?
289
00:14:29,199 --> 00:14:32,199
WHAT ARE YOU--WHAT ARE YOU
TALKING ABOUT, ESPERANZA?
290
00:14:32,202 --> 00:14:35,212
ALLS I'M SAYING IS
THAT WHEN GUYS STOP THINKING
291
00:14:35,205 --> 00:14:37,585
WITH THEIR BRAINS,
AND THEY START THINKING
292
00:14:37,587 --> 00:14:40,417
WITH THE OLD PIDDLE-DEE-DUNK,
THEY DO STUPID THINGS.
293
00:14:40,420 --> 00:14:42,840
OKAY, WELL, THANK YOU VERY MUCH,
DR. JOYCE BROTHERS, OKAY?
294
00:14:42,842 --> 00:14:45,852
BUT EUGENE GURKIN'S NEVER DONE
NOTHING STUPID FOR ANY BROAD.
295
00:14:45,845 --> 00:14:48,265
YOU GOT JEALOUS
AND BURNT YOUR FEET OFF.
296
00:14:48,268 --> 00:14:50,638
I DID WHAT I DID TO HELP
THE KNIGHTS OF PROSPERITY
297
00:14:50,640 --> 00:14:52,810
MENTALLY PREPARE TO ROB
MICK JAGGER. THAT'S IT.
298
00:14:52,812 --> 00:14:54,812
NO, YOU DID WHAT YOU DID
299
00:14:54,814 --> 00:14:57,694
BECAUSE ESPERANZA'S GOT A RACK
THAT CAN BE SEEN FROM SPACE.
300
00:14:57,687 --> 00:14:59,937
OKAY, "A," MY RELATIONSHIP
WITH ESPERANZA
301
00:14:59,940 --> 00:15:02,320
IS PURELY PROFESSIONAL,
OKAY?
302
00:15:02,322 --> 00:15:05,662
AND "B," EVEN IF I HAD FEELINGS
FOR THE YOUNG LADY--
303
00:15:05,655 --> 00:15:08,905
WHICH I DON'T--THEY WOULD NOT
BE BASED ON MERE PHYSICALITIES.
304
00:15:08,908 --> 00:15:10,488
I APOLOGIZE.
305
00:15:10,490 --> 00:15:12,580
YEAH, ARE WE DONE HERE?
306
00:15:12,582 --> 00:15:13,582
WE'RE DONE.
307
00:15:16,036 --> 00:15:17,336
(screams)
308
00:15:17,337 --> 00:15:18,957
(thud)
309
00:15:18,959 --> 00:15:21,709
(groans)
310
00:15:21,711 --> 00:15:23,381
ALL RIGHT, GUYS, LISTEN UP.
311
00:15:23,383 --> 00:15:26,433
WITH THIS KEY, THE CODE
AND THE THUMBPRINT, I'LL GET IN.
312
00:15:26,426 --> 00:15:29,426
I'LL LEAVE THE DOOR PROPPED OPEN
FOR THE REST OF YOU.
313
00:15:29,429 --> 00:15:32,849
WHEN I GO IN AND SAY,
"OH, IT'S SO GOOD TO BE HOME,"
314
00:15:32,852 --> 00:15:35,232
THAT'S THE CUE
FOR YOU GUYS TO RUSH IN
315
00:15:35,225 --> 00:15:37,315
AND DISMANTLE THE GUARDS.
OKAY, ANY QUESTIONS?
316
00:15:37,317 --> 00:15:39,687
ARE THE GUARDS MENTALLY ILL?
(Eugene) WHAT?
317
00:15:39,689 --> 00:15:43,189
HOW ELSE ARE THEY GONNA
BELIEVE YOU'RE MICK JAGGER
318
00:15:43,193 --> 00:15:46,203
IN THAT RIDICULOUS MASK?
THIS MASK IS ONLY SUPPOSED TO
319
00:15:46,196 --> 00:15:48,446
GET ME PAST
THE SECURITY CAMERAS.
320
00:15:48,448 --> 00:15:52,198
ONCE I'M FACE TO FACE, IT SERVES
AN ENTIRELY DIFFERENT PURPOSE.
EXCUSE ME, BUT WHAT IS
THE PURPOSE OF THAT?
321
00:15:52,202 --> 00:15:53,702
SHOCK AND AWE.
322
00:15:53,703 --> 00:15:56,173
THAT THUMB
DON'T LOOK NATURAL.
323
00:15:56,166 --> 00:16:00,166
EXACTLY. THAT'S PART OF
THE MASTER PLAN, BROTHER BUTTS.
324
00:16:00,170 --> 00:16:03,080
"HEY, WAIT A MINUTE.
YOU'RE NOT THE REAL MICK JAGGER,
325
00:16:03,083 --> 00:16:06,093
AND THAT THUMB IS VERY CONFUSING
TO ME," AND KABOOM!
326
00:16:06,086 --> 00:16:09,086
WE'RE ON TOP OF 'EM WITH
SURPRISE AND PRESSURE POINTS
327
00:16:09,089 --> 00:16:10,469
AND THE MENTAL PREPARATION
328
00:16:10,470 --> 00:16:13,300
THAT IS DERIVED
FROM WALKING ON HOT COALS,
329
00:16:13,303 --> 00:16:18,403
WHICH IS A, UH, THRILL THAT ONLY
LOUIS AND I HAVE EXPERIENCED.
330
00:16:18,398 --> 00:16:21,808
JACKASS, JACKASS JR.
331
00:16:33,033 --> 00:16:35,253
SQUATCH, SQUATCH, COME HERE.
332
00:16:35,245 --> 00:16:37,955
IF SOMETHING HAPPENS TO ME
UP THERE, ALL RIGHT,
333
00:16:37,957 --> 00:16:40,827
I WANT YOU TO PUT ON
MY TOMBSTONE IN BIG, FAT LETTERS
334
00:16:40,830 --> 00:16:43,620
"DIED ROBBING MICK JAGGER,"
SO AT LEAST PEOPLE KNOW
335
00:16:43,623 --> 00:16:47,053
I WENT FOR IT, ALL RIGHT?
WHAT IF YOU DIE
AND WE GET AWAY?
336
00:16:47,047 --> 00:16:49,627
THAT TOMBSTONE WOULD DRAW
UNNECESSARY ATTENTION TO US.
337
00:16:49,629 --> 00:16:52,969
FOR CRYING OUT LOUD, GARY!
WHAT?
I CANNOT MAKE A PROMISE,
338
00:16:52,972 --> 00:16:55,982
AND THEN HE IS DEAD, AND THEN
I CANNOT KEEP THE PROMISE.
339
00:16:55,975 --> 00:16:57,975
BETTER WE SHOULD TALK
ABOUT IT NOW,
340
00:16:57,977 --> 00:17:00,227
AND DO NOT CALL ME GARY.
OKAY, LET'S DO THIS THING.
341
00:17:00,230 --> 00:17:01,850
UH, SERIOUSLY,
WHAT ABOUT THAT TOMBSTONE?
342
00:17:01,851 --> 00:17:03,811
WHOA, WHOA, WHOA,
WAIT A MINUTE.
343
00:17:03,813 --> 00:17:06,413
IT'S NATH PRAN.
THAT'S MICK'S HOUSEBOY.
344
00:17:06,406 --> 00:17:08,906
I RECOGNIZE HIM FROM TV.
345
00:17:08,908 --> 00:17:11,238
UH-OH, MAYDAY,
I THINK HE SEES THE MASK.
346
00:17:11,241 --> 00:17:13,821
DAMN STRAIGHT. HE'S GOT
FOUR SECURITY GUARDS WITH HIM.
347
00:17:13,823 --> 00:17:17,123
WHY FOUR?
THERE WERE SUPPOSED TO BE TWO!
348
00:17:17,117 --> 00:17:19,117
OKAY,
LET'S GO BACK TO GLICKMAN'S
349
00:17:19,119 --> 00:17:21,789
AND RETHINK THIS THING.
COME ON. GO.
350
00:17:21,791 --> 00:17:24,621
HEY, MICK JAGGER.
LET ME GET A PICTURE.
351
00:17:24,624 --> 00:17:27,594
NO, NO, MAN. I'M NOT MICK.
I'M JUST A GUY WEARING A MASK.
352
00:17:27,587 --> 00:17:30,797
BUDDY, I KNOW. I'M NOT THAT
WASTED. HEY, CIRCLE, COME ON.
353
00:17:30,800 --> 00:17:34,050
GET A PHOTO OF ME
AND MICK JAGGER OVER HERE.
WE GOTTA GO, CHIEF. GOTTA GO!
354
00:17:34,053 --> 00:17:36,393
GET HIM OFF ME!
GET HIM OFF ME!
HEY, IT'S MICK JAGGER.
355
00:17:36,386 --> 00:17:39,306
WE'LL TAKE IT FROM HERE,
SIR, AND, YOU, STOP.
356
00:17:39,309 --> 00:17:42,269
WHAT'S THIS ALL ABOUT?
SIR?
357
00:17:42,272 --> 00:17:45,282
(tires screech)
SIR, I'M GONNA ASK YOU THIS
ONCE AND ONLY ONCE.
358
00:17:45,275 --> 00:17:49,185
WHAT ARE YOU DOING IN FRONT
OF MICK JAGGER'S BUILDING
359
00:17:49,189 --> 00:17:50,569
DRESSED AS MICK JAGGER?
360
00:17:50,570 --> 00:17:55,750
(chuckles nervously) UH, UH,
UH, UH, I'M A SUPER FAN?
361
00:17:57,827 --> 00:18:00,907
(humming)
362
00:18:06,256 --> 00:18:08,506
I DO CORPORATE EVENTS!
363
00:18:16,426 --> 00:18:18,556
(Squatch) THAT WAS A DISASTER.
MAYBE WE SHOULD START
A HEDGE FUND.
364
00:18:18,558 --> 00:18:21,138
THOSE GUYS MAKE MILLIONS.
WHAT'S A HEDGE FUND?
365
00:18:21,141 --> 00:18:24,351
I HAVE NO IDEA.
WHAT ARE WE DOING HERE?
366
00:18:24,354 --> 00:18:26,364
WELL, THIS IS WHERE
MICK'S GUARDS HANG OUT,
367
00:18:26,356 --> 00:18:29,486
AND THERE ARE TWO
AT THE BAR RIGHT NOW.
368
00:18:29,489 --> 00:18:31,859
WHAT WE GOTTA FIGURE OUT IS
WHY THEY UPPED SECURITY.
369
00:18:31,861 --> 00:18:34,031
BUT, LISTEN,
EVEN IF THERE'S FOUR OF THEM,
370
00:18:34,033 --> 00:18:36,043
THERE'S SIX OF US, RIGHT?
TWO GUARDS, FOUR GUARDS,
371
00:18:36,035 --> 00:18:38,655
THE UNEXPECTED BOY
IN THE WHITE SUIT--
372
00:18:38,658 --> 00:18:41,158
WE DO NOT KNOW
WHAT WE ARE DOING.
373
00:18:41,161 --> 00:18:44,291
YEAH, EUGE,
IT'S TIME TO GIVE UP.
374
00:18:44,294 --> 00:18:47,344
NO, I DON'T KNOW, SQUATCH,
MAYBE YOU'RE RIGHT.
375
00:18:47,337 --> 00:18:51,007
HEY, WOULD YOU BOYS MIND
IF WE BOUGHT THE LADY A DRINK?
376
00:18:51,010 --> 00:18:52,250
NO, THANK YOU.
377
00:18:52,252 --> 00:18:54,962
AW, COME ON,
JUST ONE DRINK.
378
00:18:54,964 --> 00:18:58,524
MAYBE YOU DIDN'T HEAR THE LADY.
SHE SAID, "NO, THANK YOU."
379
00:18:58,518 --> 00:19:03,058
I WASN'T TALKING TO YOU.
380
00:19:03,062 --> 00:19:06,152
SO WHAT DO YOU SAY?
COME ON, HONEY, LET'S GO.
381
00:19:06,145 --> 00:19:09,105
(Rush's "Tom Sawyer" playing)
382
00:19:09,108 --> 00:19:12,108
♪♪♪
383
00:19:20,700 --> 00:19:22,580
PRESSURE POINTS
AND SURPRISE.
384
00:19:22,582 --> 00:19:26,252
YEAH, AND THE EXACTITUDE
OF MENTAL PREPARATION
385
00:19:26,246 --> 00:19:29,546
THAT ONLY WALKING
ON HOT COALS PROVIDES.
386
00:19:29,549 --> 00:19:31,089
(cheering)
387
00:19:31,090 --> 00:19:32,460
VERY NICE!
388
00:19:32,462 --> 00:19:36,602
(cheering,
speaking indistinctly)
389
00:19:36,596 --> 00:19:39,176
THANK YOU, STREET GUY.
390
00:19:42,011 --> 00:19:44,431
THAT WAS
SOME PRETTY SWEET STUFF.
391
00:19:44,434 --> 00:19:47,614
EVER DO ANY SECURITY WORK?
SOME.
392
00:19:47,607 --> 00:19:49,977
IF YOU'RE INTERESTED,
GIVE ME A CALL.
393
00:19:55,985 --> 00:19:58,445
GENTLEMEN,
LET US PLEASE REFRAIN
394
00:19:58,448 --> 00:20:00,448
FROM ANY OUTWARD DISPLAY
OF EMOTION,
395
00:20:00,450 --> 00:20:02,450
BUT NOTE
THAT ONE ROCKEFELLER BUTTS
396
00:20:02,452 --> 00:20:05,082
WAS JUST OFFERED EMPLOYMENT
IN MICK JAGGER'S APARTMENT,
397
00:20:05,084 --> 00:20:07,834
AND THE KNIGHTS OF PROSPERITY
ARE BACK IN BUSINESS!
398
00:20:07,827 --> 00:20:10,037
YES!
399
00:20:10,039 --> 00:20:13,419
THESE ARE
SOME TASTY-ASS PEANUTS!
400
00:20:13,423 --> 00:20:15,213
(all laugh)
401
00:20:15,214 --> 00:20:18,644
(cell phone rings)
HELLO?
402
00:20:18,638 --> 00:20:21,098
OH, HI, HAWTHORNE.
HOW ARE YOU?
403
00:20:21,100 --> 00:20:24,720
HEY, EUGENE, UH, HOW MUCH DO
THOSE MASSAGE CHAIRS COST?
404
00:20:24,724 --> 00:20:27,064
I'M THINKING ABOUT
INVESTING IN ONE.
405
00:20:27,056 --> 00:20:29,016
I DON'T KNOW, SQUATCH.
406
00:20:29,018 --> 00:20:31,438
OKAY. THANK YOU SO MUCH.
BYE.
407
00:20:31,441 --> 00:20:33,061
THAT WAS HAWTHORNE.
408
00:20:33,062 --> 00:20:36,032
HE WANTED ME TO GO
WITH HIM TO THE POCONOS.
409
00:20:36,025 --> 00:20:41,065
OH, HEARD THEY GOT A LOT
OF, UH, NICE RESORTS OUT THERE.
410
00:20:41,070 --> 00:20:43,070
YOU THINK
I WOULD GO WITH HIM?
411
00:20:43,072 --> 00:20:46,082
WHAT KIND OF WOMAN
DO YOU THINK I AM, EUGENE?
412
00:20:46,075 --> 00:20:50,705
I DON'T KNOW. YOU GUYS SEEMED
PRETTY FRIENDLY. I MEAN...
413
00:20:50,710 --> 00:20:55,040
IF I WASN'T FRIENDLY,
WOULD HE TEACH US HOW TO FIGHT?
414
00:20:55,044 --> 00:20:59,804
OH, OH, RIGHT.
RIGHT, YEAH.
415
00:20:59,799 --> 00:21:03,089
BESIDES, I'M LOOKING
FOR A NEW LIFE.
416
00:21:03,092 --> 00:21:06,272
THE LAST THING I WANT
IS A NEW MAN.
417
00:21:06,265 --> 00:21:10,885
OH, YEAH. YOU WANT TO FOCUS.
KEEP YOUR EYES ON THE PRIZE.
418
00:21:10,890 --> 00:21:13,060
EXACTLY.
419
00:21:13,062 --> 00:21:15,952
THE QUESTION IS,
WILL THOSE TWO GUYS EVER TRY
420
00:21:15,945 --> 00:21:18,735
TO PICK UP ANOTHER GIRL
IN A BAR AGAIN?
421
00:21:18,738 --> 00:21:21,158
NOT THIS BAR.
NO.
422
00:21:21,160 --> 00:21:24,320
NO, I THINK THE REAL QUESTION IS
HOW COME THEY ASKED ROCKEFELLER
423
00:21:24,324 --> 00:21:28,084
TO BE PART OF THE SECURITY TEAM
AND NOT ME?
BECAUSE I'M
A 300-POUND BLACK GUY.
424
00:21:28,077 --> 00:21:31,247
(all laugh)
(Squatch)
HERE'S TO THE BLACK GUY.
425
00:21:31,250 --> 00:21:33,250
♪ KNIGHTS OF PROSPERITY ♪
426
00:21:33,252 --> 00:21:35,252
WE THE KNIGHTS, BABY.
♪ YEAH, HEY ♪
33395
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