Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,024 --> 00:00:03,328
This video is brought to you by Moby
2
00:00:03,584 --> 00:00:07,424
An online cinema streaming hand-picked
exceptional films from around the tub
3
00:00:07,936 --> 00:00:10,496
Is 1 months for yes movie.com
4
00:00:11,008 --> 00:00:12,008
Stories of old
5
00:00:38,656 --> 00:00:40,192
Deep in the Amazon rainforest
6
00:00:41,472 --> 00:00:46,592
Walk into any direction and you encounter
nothing but jungle for at least 500 miles
7
00:00:47,360 --> 00:00:49,408
Are in mayonnaise making a movie
8
00:00:50,176 --> 00:00:50,944
His name
9
00:00:51,200 --> 00:00:52,224
Earnhardt song
10
00:00:54,016 --> 00:00:57,187
Definition of watching it from
burden of Dreams documentary
11
00:00:57,199 --> 00:00:59,904
regarding the turbulent
production of its chorale.
12
00:01:00,160 --> 00:01:03,143
Which tells the story of a
man determined to transport an
13
00:01:03,155 --> 00:01:06,304
enormous Riverboat over a
small mountain in order to finance
14
00:01:06,560 --> 00:01:08,864
Stream of building an
opera house in the Amazon
15
00:01:09,888 --> 00:01:12,702
Besides the optical
fuel final any production
16
00:01:12,714 --> 00:01:16,032
filming so far away from
civilization also confronted
17
00:01:16,288 --> 00:01:18,848
Tow truck in the steam
with injuries and illnesses
18
00:01:19,104 --> 00:01:20,128
Milestone natives
19
00:01:20,384 --> 00:01:22,432
Candy Crush definition of nature itself
20
00:01:22,944 --> 00:01:27,040
Which seemed intent on crushing the
dreams of any man who entered its round
21
00:01:28,320 --> 00:01:29,856
But despite these hardships
22
00:01:30,112 --> 00:01:31,392
Adjunct assistant
23
00:01:31,648 --> 00:01:35,232
Finished his film roughly five
years after pre-production began
24
00:01:35,488 --> 00:01:38,628
And it's one of the most
remarkable stories in the history
25
00:01:38,640 --> 00:01:41,632
of filmmaking and yet for
someone with a career as long
26
00:01:41,888 --> 00:01:45,984
Prolificacy Hartsock it is but
one of many exceptional tails
27
00:01:46,752 --> 00:01:50,592
The cinematic adventures have led
him across the globe more than once
28
00:01:50,848 --> 00:01:51,616
Shofar
29
00:01:51,872 --> 00:01:55,712
He's the only director to have
made a film on every single continent
30
00:01:56,736 --> 00:01:59,854
Is unique approach to
filmmaking has not come without
31
00:01:59,866 --> 00:02:02,880
controversy here is a man
who hypnotized his entire
32
00:02:03,136 --> 00:02:05,184
Can't force film Heart of Glass
33
00:02:05,696 --> 00:02:08,539
Who founded first
feature films in the stolen
34
00:02:08,551 --> 00:02:11,840
camera believing family
he had a natural right to it
35
00:02:12,096 --> 00:02:14,772
Who runs the Rock Film
School where he teaches
36
00:02:14,784 --> 00:02:17,472
students how to pick
locks in forged documents
37
00:02:17,728 --> 00:02:20,788
Who made Five feature
films with Klaus Kinski an
38
00:02:20,800 --> 00:02:23,872
actor who was notoriously
difficult to work with
39
00:02:24,128 --> 00:02:27,200
Volcanoes on the verge of eruption
40
00:02:27,712 --> 00:02:31,808
What's got shot during interview by
what was most likely an airsoft rifle
41
00:02:32,832 --> 00:02:34,624
Shake It Off like it was nothing
42
00:02:37,440 --> 00:02:40,256
It is because of the many
wild stories such as fees
43
00:02:40,512 --> 00:02:44,864
Does hartzoge inadvertently build somewhat
of a personal mythology around itself
44
00:02:45,376 --> 00:02:48,448
But I am more interested
in is this work itself
45
00:02:48,960 --> 00:02:51,849
After all his films on a
reason famous director of
46
00:02:51,861 --> 00:02:55,104
Huntsville to for once called
her job the most important
47
00:02:55,360 --> 00:02:56,640
Director Eli
48
00:02:57,152 --> 00:03:02,272
Do a check Lane film critic Rodger Ebert
at stud even his failures are spectacular
49
00:03:02,784 --> 00:03:05,975
Having watched over
40 of his films I'm inclined
50
00:03:05,987 --> 00:03:08,928
to agree there's an
almost spiritual quality
51
00:03:09,184 --> 00:03:12,181
Stories in his images
of filled with the beauty
52
00:03:12,193 --> 00:03:15,328
and absurdity that never
fail to invoke estranged
53
00:03:15,584 --> 00:03:17,376
Intimate sense of humanity
54
00:03:17,888 --> 00:03:22,240
So today let's review the work
of Hispanic Matic storyteller
55
00:03:22,496 --> 00:03:25,248
Examine the philosophy
beneath this seemingly
56
00:03:25,260 --> 00:03:28,384
unwavering resolve to
capture Humanity on satellite
57
00:03:28,896 --> 00:03:33,760
And explore the significance of the many
stories he brought home from far away lands
58
00:03:54,240 --> 00:03:56,032
Let's start off with a basic question
59
00:03:56,288 --> 00:03:58,336
I Don't Wanna Hurt socks films about
60
00:03:58,848 --> 00:04:01,809
Well it's like a stated he
doesn't consciously consider the
61
00:04:01,821 --> 00:04:04,992
themes in his films and despite
his insistence that film is not
62
00:04:05,248 --> 00:04:07,296
Naughty Auto Scholars but of illiterates
63
00:04:07,552 --> 00:04:11,136
I think we can nevertheless
strawesome it Illuminating connections
64
00:04:11,648 --> 00:04:14,452
Journey into her Chuck's
filmography the seems to be
65
00:04:14,464 --> 00:04:17,280
one fundamental Conflict
at the heart of his stories
66
00:04:17,536 --> 00:04:20,653
They are all about the
human spirit that it struggles
67
00:04:20,665 --> 00:04:23,679
against the universe that
is inherently violent and
68
00:04:26,239 --> 00:04:28,799
There is no Harmony in the universe
69
00:04:29,055 --> 00:04:31,103
We have to get acquainted to this idea that
70
00:04:31,871 --> 00:04:33,919
There's no real hominy recipe
71
00:04:34,431 --> 00:04:35,711
Have conceived it
72
00:04:37,503 --> 00:04:40,831
We already find such a story
and Hartsock first feature film
73
00:04:41,343 --> 00:04:45,439
Signs of life was released in
1968 and tells the story of tragic
74
00:04:45,695 --> 00:04:49,535
Soldier who is recovering from
an injury on an island in Greece
75
00:04:50,047 --> 00:04:52,385
Are we briefly see
Hartsock himself as one
76
00:04:52,397 --> 00:04:54,911
of the extras movies
do I check out the truck
77
00:04:55,679 --> 00:04:57,727
Promise is simple but clever
78
00:04:57,983 --> 00:05:00,287
Earthshock Sentosa film around a soldier
79
00:05:00,543 --> 00:05:03,699
Type of character who is generally
defined by Omission that needs
80
00:05:03,711 --> 00:05:06,687
to be accomplished and put
them in a place that doesn't offer
81
00:05:06,943 --> 00:05:08,479
Or any real purpose or meaning
82
00:05:09,503 --> 00:05:11,807
It doesn't take long for boredom to set in
83
00:05:12,063 --> 00:05:15,123
And soon we are following
strike and his fellow soldiers
84
00:05:15,135 --> 00:05:18,207
as they are finding increasingly
strange ways to occupy.
85
00:05:21,279 --> 00:05:24,430
Eventually the quietness
of the island twice tragic
86
00:05:24,442 --> 00:05:27,423
insane and he threatens
to blow up in ammunition
87
00:05:27,679 --> 00:05:28,679
Depot
88
00:05:29,215 --> 00:05:31,403
Is rebellion however it
doesn't make much of
89
00:05:31,415 --> 00:05:33,567
an impact than this
resolved rather quickly
90
00:05:35,103 --> 00:05:38,687
Story that ends with the island
returning to its Daily Business
91
00:05:38,943 --> 00:05:42,783
Seemingly unaware and
uncaring of the great inner turmoil
92
00:05:43,039 --> 00:05:44,831
Variance try this one man
93
00:05:46,879 --> 00:05:50,463
This contrasted photo emphasized
in hoodstock second feature film
94
00:05:50,975 --> 00:05:54,010
Even dwarfs started small is
about a group of 12 to begin a
95
00:05:54,022 --> 00:05:57,119
riot against the oppressive
order of their Correctional inst
96
00:05:58,143 --> 00:06:01,203
By assuming the perspective
of people who are only about 2
97
00:06:01,215 --> 00:06:04,287
ft tall the entire world around
it becomes out of football
98
00:06:05,823 --> 00:06:07,871
It was hard trust way of highlighting that
99
00:06:08,127 --> 00:06:08,895
In his words
100
00:06:09,151 --> 00:06:11,455
It is not that also a monstrous
101
00:06:11,711 --> 00:06:15,039
It Is Us in the society we
have created for ourselves
102
00:06:15,295 --> 00:06:17,343
And it is within this absurdity
103
00:06:17,599 --> 00:06:20,415
We as individuals
travel to a show. Identity
104
00:06:21,183 --> 00:06:24,767
To make ourselves understood
and establish meaningful connections
105
00:06:26,815 --> 00:06:29,455
It is as if there is
something of an essence or a
106
00:06:29,467 --> 00:06:32,703
concentrated form of each of
us that is screaming to get out
107
00:06:33,215 --> 00:06:36,543
And that is a perfectly-formed
representation of Who We Are
108
00:06:41,407 --> 00:06:44,709
No Aeronautics filmography
becomes this longing
109
00:06:44,721 --> 00:06:47,551
more creatinine is
1971 documentary film
110
00:06:47,807 --> 00:06:49,599
Land of silence and darkness
111
00:06:50,111 --> 00:06:52,927
Which follows about deaf
and blind finished helping her
112
00:06:53,183 --> 00:06:55,867
I know work helping
others like yourself who
113
00:06:55,879 --> 00:06:58,815
experienced the world
and unimaginable isolation
114
00:07:09,055 --> 00:07:09,823
I'm at home
115
00:07:10,079 --> 00:07:12,895
I teach children who are
deaf and blind from birth
116
00:07:13,151 --> 00:07:15,711
Never experienced real human contact
117
00:07:21,855 --> 00:07:24,281
The inability to
communicate is also a
118
00:07:24,293 --> 00:07:27,231
prominent theme in the
Enigma of kaspar Hauser
119
00:07:27,487 --> 00:07:32,351
Which is Loosely based on the
true story of kaspar Hauser in 1828
120
00:07:32,607 --> 00:07:35,079
Beer in Nuremberg after
having been held captive
121
00:07:35,091 --> 00:07:37,727
in a locked room since as
long as he could remember
122
00:07:38,751 --> 00:07:41,751
Despite the great and
still unresolved mystery of
123
00:07:41,763 --> 00:07:44,895
who Casper was where he
came from and who in prison
124
00:07:45,151 --> 00:07:46,175
Then release them
125
00:07:46,431 --> 00:07:48,991
Chuck was more interested in Casper himself
126
00:07:49,503 --> 00:07:51,295
Having no concept of the Worlds
127
00:07:51,807 --> 00:07:55,647
Hirchak saw him as someone who
was completely isolated from society
128
00:07:55,903 --> 00:07:57,695
Being without language
129
00:07:58,207 --> 00:08:02,047
Trying to communicate himself to
a world unable to understand them
130
00:08:05,375 --> 00:08:09,727
Is fundamental struggle is present in
virtually every film her talk has made
131
00:08:11,519 --> 00:08:14,079
Darren is fictional films like voice actor
132
00:08:14,335 --> 00:08:16,639
Which is about a
hopelessly oppressed Soldier
133
00:08:17,151 --> 00:08:20,392
Inesperado which was her
choice remake of the classic
134
00:08:20,404 --> 00:08:23,295
story of The Immortal
yet Loveless down Dracula
135
00:08:23,807 --> 00:08:24,575
And instruction
136
00:08:24,831 --> 00:08:29,183
But we found a way to have an immigrant as
he chases the American dream in Wisconsin
137
00:08:32,511 --> 00:08:34,303
And if Darren is nonfiction award
138
00:08:34,815 --> 00:08:37,850
Like the story of Walter
Steiner and his dream of setting a
139
00:08:37,862 --> 00:08:40,959
world record in ski flying in
the great Ecstasy of with Cara
140
00:08:41,215 --> 00:08:41,727
Christina
141
00:08:41,983 --> 00:08:44,986
Dieter dengler who survived
the terrible ordeal when
142
00:08:44,998 --> 00:08:48,127
his plane crashed in the
jungle during the Vietnam war
143
00:08:48,383 --> 00:08:51,443
Little Dieter needs to fly
and of Timothy Treadwell
144
00:08:51,455 --> 00:08:54,527
and activist killed by the
Bears he sought to bring
145
00:08:55,039 --> 00:08:56,039
Chris McMahon
146
00:08:59,135 --> 00:09:00,415
Hey little champion
147
00:09:03,999 --> 00:09:08,863
Hertzog even went as far as saying
always characters belong to the same family
148
00:09:09,375 --> 00:09:11,935
Why don't they be
fictional or non-fictional
149
00:09:12,447 --> 00:09:13,471
They have no Shadows
150
00:09:13,727 --> 00:09:15,263
Elvis out bats
151
00:09:15,519 --> 00:09:17,055
They all emerge from the dock
152
00:09:18,079 --> 00:09:20,909
I've always thought of my
film that's really being one
153
00:09:20,921 --> 00:09:23,711
big bore that I've been
concentrating on for 40 years
154
00:09:24,479 --> 00:09:27,513
The characters in this huge
stories are all desperate and
155
00:09:27,525 --> 00:09:30,623
solitary Rebels with no language
with which to communicate
156
00:09:31,135 --> 00:09:33,695
Inevitably they suffer because of this
157
00:09:34,207 --> 00:09:36,767
They know their Rebellion
this dude to failure
158
00:09:37,023 --> 00:09:38,815
I think continue without respite
159
00:09:39,327 --> 00:09:39,839
Bonded
160
00:09:40,095 --> 00:09:42,399
Struggling on their own without assistance
161
00:09:43,679 --> 00:09:47,775
Are tucks characters all remind us of
our own desire to express ourselves
162
00:09:48,287 --> 00:09:50,335
To make clear to others Who We Are
163
00:09:50,591 --> 00:09:53,407
And how often we
stumble and fall in that effort
164
00:09:53,663 --> 00:09:56,808
How often we experience a
deep sense of loneliness when
165
00:09:56,820 --> 00:09:59,807
we are unable to articulate
our thoughts and dreams.
166
00:10:00,063 --> 00:10:01,063
Hotels around us
167
00:10:01,343 --> 00:10:06,463
Prices of the Greek for stain
168
00:10:06,975 --> 00:10:08,511
Lawson Drive
169
00:10:10,815 --> 00:10:16,959
Deaf people on the farthest fringes
of our societies that was weapon gas.
170
00:10:17,215 --> 00:10:20,275
Misunderstood open-faced
with Incredible trauma
171
00:10:20,287 --> 00:10:23,359
do not become Outsiders
in the films of Florida
172
00:10:23,615 --> 00:10:29,759
Instead they become Saints embodiments
of the human spirit that exists within each
173
00:10:30,015 --> 00:10:36,159
Longing to manifest itself
174
00:10:45,375 --> 00:10:48,447
That's a remedy to our
inability to articulate ourselves
175
00:10:48,959 --> 00:10:49,727
On loneliness
176
00:10:49,983 --> 00:10:53,055
Hertzog often speaks of I
need for adequate images
177
00:10:54,079 --> 00:10:55,359
If calcium comes in between
178
00:10:56,639 --> 00:11:00,479
Midwinter in Civilization stand, 20 minutes
179
00:11:00,991 --> 00:11:02,783
Elective scuba tanks demon
180
00:11:04,063 --> 00:11:08,159
From here we can turn our attention
from the stories to the Storyteller
181
00:11:08,415 --> 00:11:13,023
Are chocolate men's the worn-out images
that surround us in our modern civilization
182
00:11:13,279 --> 00:11:16,607
Those doesn't post guards
the Hollywood sets and of course
183
00:11:17,119 --> 00:11:18,119
Jenna Fischer
184
00:11:18,399 --> 00:11:19,679
If you switch on television
185
00:11:20,703 --> 00:11:22,751
Ridiculous and it's destructive
186
00:11:23,519 --> 00:11:25,311
It kills us and talk shows
187
00:11:25,823 --> 00:11:26,847
Will will kill us
188
00:11:27,103 --> 00:11:28,127
They kill our language
189
00:11:29,407 --> 00:11:30,687
So we have to
190
00:11:30,943 --> 00:11:33,247
Declare holy war against
191
00:11:33,759 --> 00:11:36,319
What we see at every
single day on television
192
00:11:37,087 --> 00:11:40,415
In this brief documentary called
Werner Herzog eats his shoe
193
00:11:40,671 --> 00:11:43,631
Chucktown to the aspiring
filmmaker Darryl Morris by
194
00:11:43,643 --> 00:11:46,559
claiming he wouldn't be
able to make his first film
195
00:11:46,815 --> 00:11:48,863
Which lights were better at her track lost
196
00:11:49,119 --> 00:11:51,679
Resulting in him having to eat his own shoe
197
00:11:56,543 --> 00:11:58,884
The real point of the
story however wasn't that
198
00:11:58,896 --> 00:12:01,151
hertzog had no faith
in this fellow filmmaker
199
00:12:01,407 --> 00:12:04,991
But rather he wanted to motivate
Morris to pursue his project
200
00:12:05,247 --> 00:12:10,111
He wanted to push him to think outside the
box and create something fresh and original
201
00:12:10,367 --> 00:12:13,695
Which in this case became the
acclaimed documentary Gates of Heaven
202
00:12:13,951 --> 00:12:18,303
A film about a pet cemetery in the stories
of the people who have buried that's there
203
00:12:19,327 --> 00:12:20,351
But more importantly
204
00:12:20,607 --> 00:12:24,447
The short film reflects firetrucks
on quest to find adequate images
205
00:12:24,959 --> 00:12:26,751
These images can be man-made
206
00:12:27,007 --> 00:12:29,905
Example if we return to
our checks first feature film
207
00:12:29,917 --> 00:12:33,151
that's one image of a landscape
with thousands of windmills
208
00:12:33,407 --> 00:12:36,223
But according to her
Chuck inspired the entire film
209
00:12:36,991 --> 00:12:39,551
It was like a field of
flowers gone mad he said
210
00:12:40,063 --> 00:12:43,647
Landscape of complete
ecstasy in fantastic Madness
211
00:12:44,927 --> 00:12:46,719
I can be found in people themselves
212
00:12:47,231 --> 00:12:53,375
31
213
00:12:55,935 --> 00:12:58,637
And how much wood would a
woodchuck chuck woodchuck
214
00:12:58,649 --> 00:13:01,311
documents the rapid
language of cattle Auctioneers
215
00:13:01,567 --> 00:13:04,127
Calling it the real poetry of capitalism
216
00:13:04,895 --> 00:13:08,991
Am I so fascinated by it that even
included in his feature films treasure
217
00:13:09,247 --> 00:13:11,039
Which was released the following year
218
00:13:11,295 --> 00:13:13,599
Gmail
219
00:13:14,623 --> 00:13:16,927
The real music in the delivery of speech
220
00:13:17,439 --> 00:13:19,487
The sense of Rhythm these people have
221
00:13:19,743 --> 00:13:22,047
It is almost like a ritual incantation
222
00:13:22,815 --> 00:13:25,297
But mostly they are
discovered in the unknown
223
00:13:25,309 --> 00:13:27,423
and mysterious
places across the world
224
00:13:27,679 --> 00:13:28,191
And
225
00:13:28,447 --> 00:13:29,471
Loreto-arts
226
00:13:29,727 --> 00:13:31,263
He would even go beyond it
227
00:13:31,519 --> 00:13:33,311
Homicide statistics
228
00:13:33,567 --> 00:13:39,711
Aphmau speak no doubt.
229
00:13:39,967 --> 00:13:43,551
We can't even get one
person tomorrow since I clearly
230
00:13:44,319 --> 00:13:45,343
I wouldn't have a problem
231
00:13:46,111 --> 00:13:47,647
One way truck it sounds right
232
00:13:51,999 --> 00:13:54,559
It is exactly 2 filming in the real world
233
00:13:54,815 --> 00:13:56,854
Does Hot Shot gives
his films a sense of
234
00:13:56,866 --> 00:13:59,167
reality that is not found
without a filmmaker
235
00:13:59,935 --> 00:14:02,751
This becomes especially
clear instructional films
236
00:14:03,775 --> 00:14:06,079
Take a film like fitzcarraldo for example
237
00:14:06,335 --> 00:14:09,395
If it were any other production
the story of a man holding
238
00:14:09,407 --> 00:14:12,479
a steamboat over a mountain
deep in the jungle would it be
239
00:14:12,735 --> 00:14:15,295
InDesign through sets
props and scale models
240
00:14:15,807 --> 00:14:16,831
But not with her child
241
00:14:17,087 --> 00:14:19,944
Who believes that the
audience intuitively knows what
242
00:14:19,956 --> 00:14:22,719
is real and that it affects
how they watch the film
243
00:14:23,231 --> 00:14:24,511
And you can tell the difference
244
00:14:25,791 --> 00:14:27,327
It's not a plastic belt in the disc
245
00:14:28,095 --> 00:14:30,655
50 slope is no no joke at all
246
00:14:43,199 --> 00:14:46,271
Much of what you see in
her sex films is indeed real
247
00:14:46,527 --> 00:14:49,599
You really used hundreds
of rats in Nosferatu
248
00:14:49,855 --> 00:14:51,391
And all these monkeys in a Gra
249
00:14:51,903 --> 00:14:55,487
The strongman really lifted
900 pounds in invincible
250
00:14:55,743 --> 00:14:57,535
And attacked us really lost weight
251
00:14:57,791 --> 00:15:00,095
Play prisoners of war in Rescue Dawn
252
00:15:00,863 --> 00:15:03,684
His commitment to bring
reality into his fictional
253
00:15:03,696 --> 00:15:06,751
films has led to some
unorthodox directorial decisions
254
00:15:07,519 --> 00:15:09,311
The enigma of kaspar Hauser
255
00:15:09,567 --> 00:15:12,383
Hot Shot cast a man
named Bruno to play Casper
256
00:15:12,895 --> 00:15:15,847
A choice which seems rather
odd seeing as Bruno wasn't
257
00:15:15,859 --> 00:15:19,039
adults and gas but was still a
young boy when he was found
258
00:15:19,807 --> 00:15:22,623
Bruno ever had a troubled past of his own
259
00:15:23,135 --> 00:15:26,975
As a child he was beaten so badly
by his mother that he lost his speech
260
00:15:27,231 --> 00:15:31,839
And he ended up spending the majority of
his life in asylums prisons in foster homes
261
00:15:32,607 --> 00:15:35,617
And it must follow our ability
that convinced Hartsock that
262
00:15:35,629 --> 00:15:38,751
Bruno would capture the essence
of Casper better than any Act
263
00:15:39,007 --> 00:15:40,007
I could have done
264
00:15:40,799 --> 00:15:41,823
Mentioned before
265
00:15:42,079 --> 00:15:44,383
Hartsock experimented
with hypnosis in order
266
00:15:44,639 --> 00:15:45,151
Clash
267
00:15:45,407 --> 00:15:48,233
The film is about a prophet
for season apocalyptic
268
00:15:48,245 --> 00:15:50,527
event in the town
that the glass and mat
269
00:15:51,039 --> 00:15:53,855
Chuck's fashion was
one of collective Madness
270
00:15:54,111 --> 00:15:56,557
Characters who are aware
overcoming catastrophe
271
00:15:56,569 --> 00:15:58,719
and yet continue to
walk straight into it
272
00:15:59,487 --> 00:16:02,573
It is this deliriousness that
hurts what makes visceral to
273
00:16:02,585 --> 00:16:05,631
the audience through hypnosis
which but everyone accepted
274
00:16:05,887 --> 00:16:07,679
Prophet into a walking days
275
00:16:07,935 --> 00:16:08,959
Turn the hearts into
276
00:16:10,239 --> 00:16:13,311
The hypnosis doubtful was
not a tool of manipulation
277
00:16:13,567 --> 00:16:14,847
One of dialyzation
278
00:16:15,103 --> 00:16:17,919
A way to emphasize the underlying story
279
00:16:19,455 --> 00:16:22,179
The main point is that
all of these images emits a
280
00:16:22,191 --> 00:16:25,087
realness that contains the
self-transcendence quality
281
00:16:25,599 --> 00:16:28,927
These are precisely the kind
of images hertzog is looking for
282
00:16:29,183 --> 00:16:33,791
Those two callicreative story and
resonate with us on a deeper level
283
00:16:34,303 --> 00:16:36,095
Give us adequate images
284
00:16:36,351 --> 00:16:37,887
Relax adequate
285
00:16:38,143 --> 00:16:40,191
Images of a civilization doesn't have
286
00:16:40,447 --> 00:16:41,727
Adequate images
287
00:16:42,239 --> 00:16:44,031
And I think the civilization
288
00:16:44,799 --> 00:16:47,615
Is steamed rice going
to die out like dinosaurs
289
00:16:47,871 --> 00:16:48,871
It does not
290
00:16:49,151 --> 00:16:51,199
Developing adequate language for
291
00:16:51,455 --> 00:16:52,479
Adequate images
292
00:16:53,247 --> 00:16:56,063
I see this a very very dramatic situation
293
00:16:57,343 --> 00:16:58,367
What I'm working on
294
00:16:59,135 --> 00:17:00,671
Anagram of images
295
00:18:15,679 --> 00:18:20,031
Well there is indeed a significant amount
of reality in our trucks fictional films
296
00:18:20,287 --> 00:18:22,847
He seems to take the
opposite approach with his Nan
297
00:18:23,103 --> 00:18:24,103
Fictional films
298
00:18:24,383 --> 00:18:27,443
Those who have seen films
like fata Morgana or lessons
299
00:18:27,455 --> 00:18:30,527
of Darkness Nota foot
itches and presented as it is in
300
00:18:30,783 --> 00:18:33,855
The literal sense is
curated and fictionalized
301
00:18:34,111 --> 00:18:37,127
The desert Landscapes of
fata Morgana are accompanied
302
00:18:37,139 --> 00:18:39,999
by music in a retelling of
the Mayan creation myth
303
00:18:40,767 --> 00:18:43,802
The burning oil fields in lessons
of Darkness are turned into
304
00:18:43,814 --> 00:18:46,911
something which feels more
like an apocalyptic science-fiction
305
00:18:48,447 --> 00:18:50,495
Something is looming over the city
306
00:18:51,263 --> 00:18:53,823
The city that will soon
be laid waste by War
307
00:18:55,615 --> 00:18:56,895
Now we could still alive
308
00:18:57,407 --> 00:18:58,431
Biding its time
309
00:18:59,711 --> 00:19:03,039
Nobody has it begun to
suspect the impending doom
310
00:19:06,623 --> 00:19:09,951
Stylization supposed
to reveal a deeper truth
311
00:19:10,207 --> 00:19:13,535
To capture something essential
about The Human Experience
312
00:19:13,791 --> 00:19:17,119
And this brings us to the
question of the nature of our reality
313
00:19:17,375 --> 00:19:18,911
How Cinema represents
314
00:19:19,423 --> 00:19:23,263
Because her socks thoughts on
the subject or rather unconventional
315
00:19:23,519 --> 00:19:27,103
You must make a brief detour to
get the necessary historical context
316
00:19:35,295 --> 00:19:38,241
In the early sixties the
question of how to capture
317
00:19:38,253 --> 00:19:41,439
and represent reality resulted
into comparable yet this
318
00:19:41,695 --> 00:19:43,487
Stink methods for filming documentary
319
00:19:44,511 --> 00:19:48,863
The first being Direction, which
originated in the United States in Canada
320
00:19:49,119 --> 00:19:51,167
And the second being Cinema verite
321
00:19:51,423 --> 00:19:52,959
Which was developed in France
322
00:19:54,495 --> 00:19:56,543
Napa City
323
00:19:57,311 --> 00:19:59,359
Victreebel These Arms lyrics
324
00:20:00,127 --> 00:20:01,663
Can we donate a memorial
325
00:20:02,943 --> 00:20:04,735
An experience nouvelle
326
00:20:05,247 --> 00:20:06,247
The Cinemark
327
00:20:07,295 --> 00:20:10,367
Characterized by a
switch for a new cinematic
328
00:20:11,135 --> 00:20:15,743
Domingo being to create more objective
and honored representations of reality
329
00:20:16,255 --> 00:20:18,960
Are made possible by the
development of lightweight
330
00:20:18,972 --> 00:20:21,375
cameras and portable
synchronize Times Record
331
00:20:21,887 --> 00:20:23,935
Which allowed for more non-intrusive ways
332
00:20:24,191 --> 00:20:24,703
Filming
333
00:20:24,959 --> 00:20:25,959
Can you play
334
00:20:31,359 --> 00:20:34,203
This quest for objective
realism posed a significant
335
00:20:34,215 --> 00:20:37,503
methodological problem is the
act of filmmaking is biosphere
336
00:20:37,759 --> 00:20:40,063
Very nature manipulation of reality
337
00:20:40,319 --> 00:20:42,879
And can therefore never
retrieve a true reflection of
338
00:20:43,647 --> 00:20:46,175
To account for this
direction am I argued that
339
00:20:46,187 --> 00:20:48,511
the filmmaker should
be a passive Observer
340
00:20:48,767 --> 00:20:50,559
Fly-on-the-wall Westworld
341
00:20:50,815 --> 00:20:54,143
Strive to capture the world
as objectively as possible
342
00:20:54,399 --> 00:20:56,936
Represented in such
a way that it feels as if
343
00:20:56,948 --> 00:20:59,775
reality is unfolding
naturally before the audience
344
00:21:04,383 --> 00:21:08,223
McDonald
345
00:21:08,735 --> 00:21:12,063
Cinema verite has a slightly
different philosophy about the role of
346
00:21:12,319 --> 00:21:15,491
Filmmaker and suggest more
active participation in which
347
00:21:15,503 --> 00:21:18,464
the filmmaker is included
into the film as a subject
348
00:21:20,000 --> 00:21:23,035
Now by making the process of
filmmaking more transparent than
349
00:21:23,047 --> 00:21:26,144
giving the audience more insight
into the relation between the
350
00:21:27,168 --> 00:21:28,168
The Observer
351
00:21:28,960 --> 00:21:32,544
This method also allows for
more staging and interventions
352
00:21:32,800 --> 00:21:37,664
Which according to Dan Krause a well-known
filmmaker in the cinema verite tradition
353
00:21:37,920 --> 00:21:41,248
Town & Country electrical
of capturing truthful reality
354
00:21:42,272 --> 00:21:45,600
He states that no dockumentary
can ever show you the truth
355
00:21:46,112 --> 00:21:47,152
Because there are multiple
356
00:21:48,160 --> 00:21:52,256
But very taken at least related
truth as seen by a single Observer
357
00:21:53,280 --> 00:21:56,126
Call Cinema verite has
been criticized for at I'm
358
00:21:56,138 --> 00:21:59,168
feeling more like reporting
than artistic expression
359
00:21:59,424 --> 00:22:02,496
It is nevertheless become
an influential method that
360
00:22:02,752 --> 00:22:04,288
Together with directional map
361
00:22:04,544 --> 00:22:06,262
Are still popular today in both
362
00:22:06,274 --> 00:22:08,896
non-fictional as well
as fictional filmmaking
363
00:22:09,920 --> 00:22:13,504
Hertzog however fundamentally
disagrees with his philosophy
364
00:22:13,760 --> 00:22:17,600
And there's a wholly different approach
when it comes to capturing cinematic truth
365
00:22:18,112 --> 00:22:19,904
Was she somewhat tongue-in-cheek
366
00:22:20,160 --> 00:22:22,464
Articulated in his Minnesota declaration
367
00:22:25,536 --> 00:22:29,120
I would like to call it the money
that the Minnesota declaration
368
00:22:29,376 --> 00:22:34,752
Truth and fact in documentary
Cinema and it has the title
369
00:22:35,008 --> 00:22:35,776
Lectins
370
00:22:36,032 --> 00:22:37,032
Darkness
371
00:22:37,568 --> 00:22:38,848
The listings of numbers
372
00:22:39,872 --> 00:22:40,872
1
373
00:22:41,152 --> 00:22:47,296
I think of Declaration the so-called
Cinema verite is devoid of repetir
374
00:22:47,552 --> 00:22:53,696
Which is merely superficial
truth the truth of accountant
375
00:22:53,952 --> 00:22:58,304
When Rodger Ebert. Bells from the deep
376
00:22:58,560 --> 00:23:00,957
Red Sox 1993
documentary on the strange
377
00:23:00,969 --> 00:23:03,680
beliefs found while
wandering through Russia
378
00:23:04,192 --> 00:23:07,199
He told her Chaka fascinated
he Washed by the people who
379
00:23:07,211 --> 00:23:10,336
believe there was a city
populated by Angels at the bottom
380
00:23:11,872 --> 00:23:14,137
A city that would
only reveal itself if they
381
00:23:14,149 --> 00:23:16,224
spread themselves
over the ice and be at
382
00:23:17,504 --> 00:23:20,064
Inviting Monk's claiming to be Jesus Christ
383
00:23:21,088 --> 00:23:22,112
Hundreds of stomach fat
384
00:23:22,624 --> 00:23:25,440
Walking through Russia with
their prophecies and warnings
385
00:23:28,512 --> 00:23:29,536
Do a surprise
386
00:23:29,792 --> 00:23:31,072
Hertzog then replied
387
00:23:31,328 --> 00:23:32,608
But you know Rodger
388
00:23:32,864 --> 00:23:33,888
It is all made up
389
00:23:34,400 --> 00:23:35,424
It is not real
390
00:23:35,680 --> 00:23:36,704
I invented it
391
00:23:37,472 --> 00:23:39,843
Indeed as well-known
as far as hockey is for
392
00:23:39,855 --> 00:23:42,080
bringing reality
into his fictional films
393
00:23:42,336 --> 00:23:45,664
Just as well-known is he for
bringing fiction into his documentary
394
00:23:46,688 --> 00:23:49,721
Encounters at the end of the
world for example we see a
395
00:23:49,733 --> 00:23:52,832
few scientists bateria to
the ice and listen to the song
396
00:23:53,088 --> 00:23:53,600
Seals
397
00:23:53,856 --> 00:23:55,392
Even though in reality
398
00:23:55,648 --> 00:23:57,440
The seals were impossible to hear
399
00:23:57,696 --> 00:23:59,744
And the sound for edited in later
400
00:24:00,256 --> 00:24:01,536
In another example
401
00:24:01,792 --> 00:24:04,303
A little pizza needs
to fly receive these are
402
00:24:04,315 --> 00:24:07,168
being obsessed about
making sure every door is open
403
00:24:07,680 --> 00:24:08,192
Except
404
00:24:08,704 --> 00:24:11,008
Peter wasn't really
obsessed about doors at all
405
00:24:11,520 --> 00:24:13,056
Chuck asked him to do it
406
00:24:13,824 --> 00:24:16,074
Seen such as these
may not be factually
407
00:24:16,086 --> 00:24:18,688
honest and they certainly
are not transparent
408
00:24:18,944 --> 00:24:21,760
Picture of to communicate
a different kind of Truth
409
00:24:22,784 --> 00:24:25,600
I didn't know whether to
believe you about your own film
410
00:24:25,856 --> 00:24:29,184
Even wrote about her sex
confession about Bells from the deep
411
00:24:29,696 --> 00:24:31,232
But I know you speak of ecstatic
412
00:24:32,000 --> 00:24:34,048
Of a truth Beyond merely factual
413
00:24:34,560 --> 00:24:37,120
A truth tetrachords not in the real world
414
00:24:37,632 --> 00:24:38,400
But the world
415
00:24:38,656 --> 00:24:39,656
Sweet dreaming
416
00:24:52,480 --> 00:24:55,552
Filmmakers of Cinema
verite reassemble Taurus
417
00:24:56,064 --> 00:24:58,880
Who take pictures amid ancient ruins
418
00:25:02,208 --> 00:25:04,256
In our talks remake of Nosferatu
419
00:25:04,512 --> 00:25:08,096
Jonathan Harker travel to
Transylvania to meet with count Drac
420
00:25:09,120 --> 00:25:13,728
On this way he meets some villagers who
question the existence of Dracula's castle
421
00:25:14,240 --> 00:25:17,160
The gypsies have
been saying that no such
422
00:25:17,172 --> 00:25:20,384
concert exist except
maybe in the imagination
423
00:25:22,176 --> 00:25:28,320
Just throwing face he implying that
424
00:25:28,576 --> 00:25:34,720
Gypsies were not mistaken but then a shadow
moves over the mountain and at the realm
425
00:25:34,976 --> 00:25:37,822
Pumpkin train
covers all reality like a
426
00:25:37,834 --> 00:25:41,120
blanket the castle
reveals itself to Jonathan
427
00:25:41,376 --> 00:25:44,598
I think sequencers as a fitting
metaphor for the experience
428
00:25:44,610 --> 00:25:47,520
of ecstatic to ask that her
truck speaks of its about
429
00:25:47,776 --> 00:25:50,959
How did experience that
lies beyond the birthstones
430
00:25:50,971 --> 00:25:53,920
of the ruins beyond the
accountants truth about
431
00:25:54,176 --> 00:25:57,359
Art of The Human Experience
that cannot be captured
432
00:25:57,371 --> 00:26:00,320
by logical reason and
yet still deeply resonate
433
00:26:00,576 --> 00:26:05,184
Anemos self
434
00:26:05,440 --> 00:26:08,000
So there's some accountants
truth and dare something.
435
00:26:09,024 --> 00:26:11,584
And you will find that in great poetry
436
00:26:12,096 --> 00:26:14,912
When you listen or when
you read a great poem
437
00:26:15,168 --> 00:26:21,312
It will occur to you very abruptly
that there's a deep in your mistress
438
00:26:21,568 --> 00:26:27,712
In this poem in India do
you feel like illuminated
439
00:26:27,968 --> 00:26:30,016
And you don't have to read
440
00:26:30,528 --> 00:26:36,672
Lots of literature about this very
poem you just know it in instantly
441
00:26:36,928 --> 00:26:43,072
And why do you know it because I send
text to see of truth that is in this poem
442
00:26:43,328 --> 00:26:45,376
Indian Cinema you have this
443
00:26:47,168 --> 00:26:50,332
ITouch entire career
is defined by attempting
444
00:26:50,344 --> 00:26:53,312
to create these
experiences of ecstatic to
445
00:26:53,568 --> 00:26:56,564
Can I specifically say
create for they are not
446
00:26:56,576 --> 00:26:59,712
found in the world as it
is they require the app
447
00:26:59,968 --> 00:27:01,504
And of a director of poet
448
00:27:01,760 --> 00:27:02,760
Tornados
449
00:27:04,064 --> 00:27:06,624
The octopus strata of Truth in cinema
450
00:27:06,880 --> 00:27:08,928
Is there such a thing as poetic
451
00:27:09,184 --> 00:27:10,720
Ecstatic truth
452
00:27:11,488 --> 00:27:15,840
It is mysterious and Elusive and can
be reached only through fabrication
453
00:27:16,096 --> 00:27:18,656
And Imagination and stylization
454
00:27:20,448 --> 00:27:23,264
If we we visit the earlier
mentioned Fabrications
455
00:27:23,520 --> 00:27:27,872
We can get a sense of how this
dilation and ancestor truth of those scenes
456
00:27:28,384 --> 00:27:30,176
In the case of Bells from the deep
457
00:27:30,432 --> 00:27:31,456
Otaku Cafe
458
00:27:31,712 --> 00:27:34,528
The belief in the lost
city at the bottom of a lake
459
00:27:35,040 --> 00:27:37,817
And then all that certain
details of the situation
460
00:27:37,829 --> 00:27:40,672
to illuminate something
deeper about religion and I
461
00:27:41,440 --> 00:27:43,834
Add Russian who looks
to be in deep meditation
462
00:27:43,846 --> 00:27:46,304
was actually a drunk
who fell asleep on the ice
463
00:27:46,816 --> 00:27:48,608
Is irrelevant to that understanding
464
00:27:49,632 --> 00:27:51,424
Encounters at the end of the world
465
00:27:51,680 --> 00:27:53,984
The sounds of the seals
may not have been there
466
00:27:54,240 --> 00:27:58,592
But the scene doesn't Focus to pay close
attention to the strange world around us
467
00:27:59,104 --> 00:28:01,408
Mashed potatoes
obsession with opening doors
468
00:28:01,664 --> 00:28:03,456
Hertzog simply explained
469
00:28:03,712 --> 00:28:05,248
Dita does not ready to die
470
00:28:05,760 --> 00:28:07,296
But it is how he feels
471
00:28:08,320 --> 00:28:12,416
And a speaking about how documentary
should be made and in which would be
472
00:28:12,672 --> 00:28:16,768
You should be only like a
fly-on-the-wall and not interfere
473
00:28:17,024 --> 00:28:20,864
And I just couldn't take it anymore
and I grab the mic and I said no
474
00:28:21,120 --> 00:28:26,752
We should be at the rectus we are
creators we should be the Hornets it sting
475
00:28:27,008 --> 00:28:33,152
We we go out there and then there was a
row of disgust against need and I shouted
476
00:28:33,664 --> 00:28:36,224
Happy New Year's losers
477
00:28:37,248 --> 00:28:41,344
Creating experiences of ecstatic
to is not just about fabrication
478
00:28:41,600 --> 00:28:44,389
It's also about staging
situations in such a way
479
00:28:44,401 --> 00:28:47,488
that people will eventually
Express something genuine
480
00:28:47,744 --> 00:28:51,328
Something from the heart that
would otherwise remain on articulator
481
00:28:54,656 --> 00:28:55,656
Apologized
482
00:28:56,448 --> 00:28:57,984
This wrist watches still in and Eva.
483
00:28:58,752 --> 00:28:59,752
Bag
484
00:29:00,288 --> 00:29:06,432
However I want you to have this
watch first Clans this in English
485
00:29:06,688 --> 00:29:09,607
Americarna delivers the
final belongings of Timothy
486
00:29:09,619 --> 00:29:12,832
Treadwell to his old girlfriend
seems awkwardly artifact
487
00:29:13,088 --> 00:29:19,232
Official until we get this moment
488
00:29:19,488 --> 00:29:25,632
Slept one night that
hurts up frequently uses to
489
00:29:25,888 --> 00:29:28,924
Look at moments like these is
taking the subjects of his films
490
00:29:28,936 --> 00:29:32,032
back to the places where something
significant happened to them
491
00:29:32,288 --> 00:29:38,432
Recreating their
experiences as they happened
492
00:29:38,688 --> 00:29:41,623
Flip down the bank but
he's told you before is
493
00:29:41,635 --> 00:29:44,832
the river after the Park
Service arrived in Timely
494
00:29:45,088 --> 00:29:51,232
Warm up through the Alders hear this the
same trail that I'd come up the first time
495
00:29:51,488 --> 00:29:57,632
Victoria Theatre tangler
little Dieter needs to fly
496
00:29:57,888 --> 00:30:01,015
I was hopping behind
another trying to keep my
497
00:30:01,027 --> 00:30:04,032
balance but pretty
soon I fell over and then
498
00:30:04,288 --> 00:30:07,316
Divide 11 days in the
jungle left of being the
499
00:30:07,328 --> 00:30:10,432
sole survivor of a plane
crash in wings of Hope
500
00:30:10,688 --> 00:30:16,832
Boston Symphony Orchestra Christmas
501
00:30:17,088 --> 00:30:20,118
Ancestor the reality of
these experiences the real
502
00:30:20,130 --> 00:30:23,232
cause to search for adequate
images and these image
503
00:30:23,488 --> 00:30:27,840
I just need to be witnessed
firsthand just a movie
504
00:30:28,096 --> 00:30:29,096
Don't worry about it
505
00:30:30,400 --> 00:30:33,472
I think Roger Ebert effectively
summed it up when he wrote
506
00:30:34,240 --> 00:30:35,264
I understand this
507
00:30:35,776 --> 00:30:36,800
What must be true
508
00:30:37,056 --> 00:30:38,056
Must be true
509
00:30:38,336 --> 00:30:39,360
What might not be true
510
00:30:39,872 --> 00:30:41,920
Ami make more True by invention
511
00:30:42,432 --> 00:30:44,224
Your films frame-by-frame
512
00:30:44,480 --> 00:30:46,272
Container kind of rapture is true
513
00:30:46,528 --> 00:30:48,832
That transcends to factually mundane
514
00:30:49,088 --> 00:30:51,136
And yet when you find something real
515
00:30:51,392 --> 00:30:52,392
You show it
516
00:30:59,072 --> 00:31:03,424
Now we can begin to understand why
our talk especially in his documentaries
517
00:31:03,680 --> 00:31:06,976
Only seems to wander off from
the factual subject by including
518
00:31:06,988 --> 00:31:09,824
a variety of seemingly
random stories from the people
519
00:31:10,080 --> 00:31:11,080
Encounter
520
00:31:11,360 --> 00:31:13,408
He's not interested in the facts
521
00:31:13,664 --> 00:31:15,200
Is interested in their dreams
522
00:31:15,968 --> 00:31:16,736
This is awesome
523
00:31:16,992 --> 00:31:21,344
A bumblebee when it was
doing its Duty was flying around
524
00:31:22,368 --> 00:31:22,880
God
525
00:31:23,136 --> 00:31:24,160
Right there
526
00:31:24,928 --> 00:31:28,512
I Was Not Afraid no no no
I was not afraid it was more
527
00:31:30,816 --> 00:31:32,352
A feeling of
528
00:31:33,120 --> 00:31:34,656
Bulletproof scenes
529
00:31:34,912 --> 00:31:35,936
I'm deep sinks
530
00:31:36,960 --> 00:31:42,080
A way to understand
things which is not directly
531
00:31:43,104 --> 00:31:44,104
Will be moved
532
00:32:07,936 --> 00:32:10,828
Discharge for the Deep
expressions of our innermost
533
00:32:10,840 --> 00:32:14,080
selves also comes with a
certain amount of responsibility
534
00:32:14,336 --> 00:32:17,664
Alot of these important to know
how to push for deeper truth
535
00:32:17,920 --> 00:32:20,224
Just as important is it to know when not
536
00:32:21,504 --> 00:32:22,504
The Weeknd
537
00:32:26,112 --> 00:32:27,136
You do not have to talk
538
00:32:30,464 --> 00:32:33,524
But I probably at Maya the
most about her talk is how
539
00:32:33,536 --> 00:32:36,608
he throughout the entirety
of his career always meant
540
00:32:36,864 --> 00:32:38,400
Dana strong sense of dignity
541
00:32:38,912 --> 00:32:42,496
He doesn't rely on shock
or exploitation to tell his story
542
00:32:43,264 --> 00:32:46,483
Grizzly Man for example if
they was found with the recording
543
00:32:46,495 --> 00:32:49,408
of the final moments of
Timothy Treadwell and his girl
544
00:32:50,432 --> 00:32:53,760
And while her truck was pushed
to mention and included in the film
545
00:32:54,016 --> 00:32:58,112
Which happened in this scene
where he and he alone listen to the day
546
00:32:58,624 --> 00:33:01,184
He was adamant about
not revealing its compound
547
00:33:01,952 --> 00:33:03,232
Violate the rights
548
00:33:03,744 --> 00:33:04,744
In the thickness
549
00:33:06,304 --> 00:33:07,304
Two individuals
550
00:33:07,840 --> 00:33:08,864
You just don't do it
551
00:33:09,632 --> 00:33:12,704
This restraint also showed
itself in the white diamond
552
00:33:12,960 --> 00:33:16,288
Biochar comes across a
mysterious cave behind the waterfall
553
00:33:16,544 --> 00:33:20,128
Banded up lowering a
cameraman down waterfall 2 review
554
00:33:20,384 --> 00:33:20,896
Find
555
00:33:21,408 --> 00:33:25,504
But because the case mystery was
considered sacred to the native population
556
00:33:25,760 --> 00:33:27,808
Heart-shaped decided
not to show the footage
557
00:33:28,576 --> 00:33:34,464
Why don't think it should be
published this is behind you it would last
558
00:33:34,720 --> 00:33:36,000
How about all culture
559
00:33:36,256 --> 00:33:37,280
10 store
560
00:33:37,536 --> 00:33:38,816
Where is diarrhea
561
00:33:40,352 --> 00:33:45,472
Ethically Revelation about her socks deeper
concern about humanity and the dreams that
562
00:33:45,728 --> 00:33:46,240
Finest
563
00:33:46,752 --> 00:33:49,056
We are losing Richardson
Richardson Richardson
564
00:33:50,592 --> 00:33:54,944
Couches and individuality
Sign Languages in mythology sin
565
00:33:55,200 --> 00:33:57,248
Will be Stark naked at the end will
566
00:33:58,784 --> 00:34:00,832
Like all the cities in the world now
567
00:34:02,368 --> 00:34:03,904
Skyscraper sentence
568
00:34:04,672 --> 00:34:05,440
And I
569
00:34:05,696 --> 00:34:07,744
Universal kind of culture like
570
00:34:08,000 --> 00:34:09,536
Like the American culture
571
00:34:10,560 --> 00:34:13,492
And so when you watch
a film like her socks Into
572
00:34:13,504 --> 00:34:16,448
The Inferno it's not just
a film about volcanoes
573
00:34:16,704 --> 00:34:21,056
You really got us a story about the
mythologies humans have created around them
574
00:34:21,824 --> 00:34:23,616
When you watch God's angry man
575
00:34:23,872 --> 00:34:27,456
The story of a man who could
be easily turned into a caricature
576
00:34:27,968 --> 00:34:30,272
That is it for the Festival of pets
577
00:34:31,296 --> 00:34:34,368
How do you spell impossible
578
00:34:34,624 --> 00:34:36,928
Unsuck manages to pick Beyond The Mask
579
00:34:37,696 --> 00:34:40,512
Yeah I'm almost cried a minute
ago when you asked me to
580
00:34:42,304 --> 00:34:43,584
When I dream about 2
581
00:34:44,608 --> 00:34:45,888
Misunderstanding
582
00:34:46,144 --> 00:34:47,424
Is the is the pain
583
00:34:48,704 --> 00:34:49,984
Everybody thinks I'm a fighter
584
00:34:50,240 --> 00:34:51,264
And I hate to fight
585
00:34:52,544 --> 00:34:55,529
When you watch hartzman of
the sun strange courting rituals
586
00:34:55,541 --> 00:34:58,688
of the world Abby tried could
have been an exercise in exhaust
587
00:34:59,456 --> 00:35:03,296
Where is not for her trucks at 4
to humanize them and show that
588
00:35:03,552 --> 00:35:05,600
Beneath the outer layers of appearances
589
00:35:05,856 --> 00:35:07,648
Are is the same human soul
590
00:35:07,904 --> 00:35:08,904
Shining through
591
00:35:17,376 --> 00:35:19,424
When you watch Cave of Forgotten Dreams
592
00:35:19,680 --> 00:35:23,520
It's not the archaeological discovery
of cave paintings that moves you
593
00:35:23,776 --> 00:35:26,867
The realization that our
human Spirit was already
594
00:35:26,879 --> 00:35:29,920
alive and burning with
passion over 30,000 years
595
00:35:32,224 --> 00:35:35,433
Red Sox lifelong dedication
to capturing the tequila.
596
00:35:35,445 --> 00:35:38,368
Collective dreams aslatua
filmography unlike and
597
00:35:38,624 --> 00:35:39,624
Any others
598
00:35:39,904 --> 00:35:43,016
His work is filled with
experiences of Peep through
599
00:35:43,028 --> 00:35:45,792
that Illuminating Enlighten
our own existence
600
00:35:46,304 --> 00:35:49,120
They overcome all systems
moments of ecstasy when
601
00:35:49,376 --> 00:35:51,936
Despite cross incontinence and sanctuaries
602
00:35:52,448 --> 00:35:55,776
We find our brothers and
sisters and instantly know
603
00:35:56,288 --> 00:35:57,824
We are no longer alone
604
00:35:58,592 --> 00:35:59,872
My belief is it
605
00:36:00,384 --> 00:36:01,920
All these dreams
606
00:36:02,688 --> 00:36:03,968
Russell
607
00:36:04,736 --> 00:36:08,832
And the only distinction between
me and you is that I can articulate them
608
00:36:09,088 --> 00:36:13,696
And that is what poetry or painting
a literature filmmaking is all about
609
00:36:14,464 --> 00:36:15,744
Sesame Place.
610
00:36:17,024 --> 00:36:19,584
And I I make films because
611
00:36:19,840 --> 00:36:22,144
I have not learned anything else
612
00:36:23,424 --> 00:36:26,240
And I know I can do it to a certain degree
613
00:36:27,008 --> 00:36:27,776
And
614
00:36:28,032 --> 00:36:29,056
It is my duty
615
00:36:30,080 --> 00:36:31,080
Because this
616
00:36:32,128 --> 00:36:34,944
Might be there in a
Chronicle of what we are
617
00:36:35,968 --> 00:36:40,064
And we have to articulate ourselves
otherwise we would be cows in a field
618
00:38:03,264 --> 00:38:05,824
In today's onslaught of empty consumption
619
00:38:06,080 --> 00:38:09,920
Offering infant distraction on the
magnitude that breaks even the best
620
00:38:10,944 --> 00:38:13,248
If the monks stopped meditating
621
00:38:13,504 --> 00:38:14,504
If they stop
622
00:38:15,296 --> 00:38:17,344
They all seem to be tweeting
623
00:38:17,600 --> 00:38:22,208
Grave rebels in the war against television
was struggling to find adequate images
624
00:38:22,464 --> 00:38:26,304
To seek refuge in a place where
meaningful stories will still honored
625
00:38:26,560 --> 00:38:27,328
Fortunately
626
00:38:27,584 --> 00:38:29,376
They found a safe haven the movie
627
00:38:30,912 --> 00:38:33,177
Movie is an online
cinema streaming and pick
628
00:38:33,189 --> 00:38:35,264
selection of films
from around the clock
629
00:38:35,776 --> 00:38:39,616
Everyday they present the new
film and every day to take one away
630
00:38:40,128 --> 00:38:42,731
Whether it's a Timeless
classic without provoking
631
00:38:42,743 --> 00:38:44,992
documentary or in
the client's masterpiece
632
00:38:45,248 --> 00:38:48,576
Are always 30 perfectly
curated films to discover
633
00:38:48,832 --> 00:38:51,815
It's a simple but highly
effective way to start exploring
634
00:38:51,827 --> 00:38:54,976
the riches of Cinema and I'm
happy to share this with you by
635
00:38:55,232 --> 00:38:56,256
Offering 30 days
636
00:38:57,536 --> 00:39:00,864
So I don't know if I took
mobe.com like stories of old
637
00:39:01,120 --> 00:39:02,912
Virginia extended free trial
638
00:39:03,168 --> 00:39:04,168
Today
52826
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.