All language subtitles for Thats Entertainment 2 (1976) Gene Kelly, Fred Astaire, Judy Garland.eng

The doubt
While the jury is out

Or the thrill
When they're reading the will

Or the chase
For the man with the face

That's entertainment

The dame
Who is known as the flame

Of the king
Of an underworld ring

He's an ape
Who won't let her escape

That's entertainment

It might be a fight
Like you see on the screen

A swain getting slain
For the love of a queen

Some great Shakespearean scene
Where a ghost and a prince meet

And everyone ends in mincemeat

The gag
May be waving the flag

That began
With a Mr. Cohan

Hip-hooray
The American way

The world is a stage

The stage is a world of entertainment

That's entertainment

Here we go!

All right.

That's entertainment

Look what I can do!

It's still me!

It's still me!

And now
As we carry right on

We call upon
Charming Leslie Caron

Anywhere
You can watch Fred Astaire

That's entertainment

A scene
Played by Judy and Gene

It's a song
That goes winging along

Garbo's dance
Has a touch of romance

That's entertainment

"The show must go on"
Is the show business cry

But there's always someone
Who wants to know why

With Robert Taylor we'll try
To come up with an answer

It's Eleanor Powell the dancer

More
There is much more in store

The world is a stage

The stage is a world of entertainment

The bells are ringing

For me and my gal

For Me and My Gal was my first film...

...and, boy, was I lucky.

I co-starred with Judy Garland.

That's what I call starting at the top.

Knowing
To a wedding they're going

And for weeks they've been sewing

They've been sewing something old
And something new

Sew something that is blue
So they can make a trousseau for my gal

They're congregating
For me and my gal

Look here!

Why, that's the parson
Waiting for me and my gal

And sometime
We're gonna build a little home

For two

- Or three
- Or four

- Or five
- Or maybe more

Loveland for me and my gal

Fascinating rhythm, you got me on the go

Fascinating rhythm, I'm all a-quiver

Fred, I hear tap-dancing is popular again.

And here's a lady
who will keep it that way:

Eleanor Powell.

Each morning I'm waking up

Very happyjust to find
That no work has been done

Once it didn't matter

But now you do wrong
When you start to patter

I'm so unhappy

Won't you take a day off?
A couple of weeks

Somewhere far away off
But make it snappy

Oh, how I long to be the man
That I used to be

Oh, fascinating rhythm

Won't you stop picking on me?

I've got a feeling you're fooling

I've got a notion it's make-believe
And you are laughing....

Mr. Kelly, would you tell me
a couple of things...

...you never expected to see?

Well, Mr. Astaire, I never expected
to see Robert Taylor singing.

Moments of paradise

You're such a standout
But how you hand out that

I've got a feeling you're fooling

I've got a feeling it's all a frame

It's just a well-known old army game

No fooling

- No fooling
- No fooling

No fooling

When I'm

When I'm fooling with you

And I certainly never expected to see
Greta Garbo dancing.

Fred, I hear that
since you've been a kid...

...you always said
you wanted to be a dancing man.

No, no, Gene. That's not true.

I never said anything like that in my life.

I wanna be a dancing man

While I can

Gonna leave my footsteps

On the sands of time

If I never leave a dime

A dancing man

With footsteps on the sands

Of rhythm

And rhyme

A dancing man

With footsteps on the sands

Of rhythm

A song of love is a sad song

Hi-Lili, Hi-Lili, Hi-Lo

One of my happiest discoveries
was Leslie Caron.

After An American in Paris,
she starred in Lili.

A song of love is a sad song

For I have loved, and it's so

Hi-Lili, Hi-Lili, Hi-Lo, Hi-Lo

Hi-Lili, Hi-Lili, Hi-Lo

Hi-Lili, Hi-Lili, Hi-Lo, Hi-Lo

Hi-Lili, Hi-Lili

Hi-Lo

Be a clown, be a clown

All the world loves a clown

I always wanted to play a clown...

...and in The Pirate,
I finally got the chance...

...with Judy,
and a terrific Cole Porter song.

Dress in huge baggy pants

And you'll ride the road to romance

A butcher or a baker
Ladies never embrace

A barber for a beau
Would be a social disgrace

They all will come to call
If you can fall on your face

Be a clown, be a clown, be a clown

Be a clown, be a clown

All the world loves a clown

Be the poor silly ass

And you'll always travel first class

The Brothers Marx hit our screens

With their zany routines

Groucho, brash and absurd

Harpo never uttered a word

Chico's quaint piano style

Had his audience in the aisle

They could have played French comedy,
Très, très élégant

Or scenes in English drawing rooms
With riches to flaunt

But they knew they'd get far more laughs
With Margaret Dumont

Be a--

Chico!

Harpo!

Groucho!

- Wait a minute. This can't be my room.
- Yes, sir.

Suite number 58, sir.

Fifty-eight? That's an awful big number
for a birdcage this size.

Wouldn't it be simpler
if you just put the stateroom in the trunk?

Sing ho!
For the open highway

Sing ho!
For the open road

- Hello, boss. What are you doing here?
- Hello.

This makes it a perfect voyage.

- I'm sorry. I thought this was my trunk.
- It is your trunk.

I don't remember packing you boys.

Don't wake him up. He's got insomnia.
He's sleeping it off.

That's as grisly a looking object
as I've ever seen.

Get him up out of there.

- Yes?
- We've come to make up your room.

Come in, girls. Leave all hope behind.

Work fast because
you gotta get out in 10 minutes.

Tomasso. Wake up.
They're going to fix the bed.

I'd like two pillows on that bed there.

All right, bring him in.

There's a slight misunderstanding here.

I said the girls had to work fast,
not your friend.

He's still asleep.

You know, he does better asleep
than I do awake.

Yeah, he always sleeps that way.

- Now he's half-asleep.
- Yes, he's half-asleep in a half Nelson.

- All right, come on.
- Yes?

I'm the engineer.
I'm here to turn off the heat.

You can start right in on him.

- Did you want a manicure?
- No. Come on in.

I hadn't planned on a manicure,
but on a journey like this...

...you ought to have
every convenience you can get.

Did you want your nails long or short?

You better make them short.
It's getting kind of crowded in here.

I'm the engineer's assistant.

I had a premonition
you were going to show up.

The engineer's over there in the corner.
You can chop your way right through.

Is it my imagination,
or is it getting crowded in here?

I got plenty of room.

- Yes?
- Is my Aunt Minnie in here?

You can come in and prowl around
if you want to.

If she isn't in here, you can probably
find somebody just as good.

- Could I use your phone?
- Use the phone?

- I'll lay you even money you can't get in.
- How do you do?

This boat will be in New York
before you get to that phone.

I came to mop up.

Just the woman I'm looking for.
Come right ahead.

You have to start on the ceiling.
It's the only place that's not occupied.

- You can clean my shoes if you want to.
- Operator.

Tell Aunt Minnie to send up
a bigger room, will you?

- Steward.
- Come right ahead.

- The food!
- We've been waiting all afternoon for you.

I want my Aunt Minnie!

From this moment on

You and I, babe

We'll be riding high, babe

Every care is gone

From this moment on

Kiss Me Kate,
with Cole Porter's lilting music...

...choreographed by Hermes Pan...

...and performed by Ann Miller
and company.

That's Bob Fosse
dancing with Carol Haney.

I wonder what ever happened to him?

I love the looks of you

The lure of you

I'd love to make

A tour of you

The arms, the eyes

The mouth of you

The east, west, north

And the south of you

I'd love to gain

Complete control of you

And handle even the heart

And soul of you

So love at least
A small percent of me, do

For I love all of you

Cyd Charisse, lovely Cyd Charisse.

How she dances.

This is from Silk Stockings.

I get too hungry for dinner at 8

I like the theater but never come late

I never bother with people I hate

That's why the lady is a tramp

Beautiful Lena Horne sings a great
Rodgers and Hart standard...

...from the film Words and Music.

Won't go to Harlem in ermine and pearls

Don't dish the dirt
With the rest of the girls

That's why the lady is a tramp

I like the free, fresh wind in my hair

Life without care

I'm broke, that's oke

Hate California, it's cold and it's damp

That's why the lady

Is a tramp

They asked me how I knew

My true love was true

Jerome Kern wrote some of
the loveliest melodies I've ever heard.

And none lovelier than this one,
sung by Kathryn Grayson...

...and danced by
Marge and Gower Champion.

Something here inside

Cannot be denied

They said someday you'll find

All who love are blind

When your heart's on fire

You must realize

Smoke gets in your eyes

I could hardly wait to keep our date

This lovely Easter morning

Someone once asked Jerome Kern...

...where in American music
he would place Irving Berlin.

Mr. Kern replied,
"Irving Berlin is American music."

For

In your Easter bonnet

With all the frills upon it

You'll be the grandest fella

In the Easter parade

I'll be all in clover

And when they look us over

We'll be the proudest couple

In the Easter parade

On the avenue

Fifth Avenue

The photographers will snap us

And you'll find that you're
In the rotogravure

Oh, I could write a sonnet

About your Easter bonnet

And of the guy I'm taking

To the Easter parade

On the avenue

Fifth Avenue

The photographers will snap us

And you'll find that you're
In the rotogravure

I could write a sonnet

About your Easter bonnet

And of the girl I'm taking

To the Easter parade

Anything that happens in life

Can happen on the screen

Fantasies appear

Colorful and queer

Watch me

You'll see just what I mean

First

Take the red from the scene

After that

Please remove all the green

Then the yellow and blue,
Make them disappear too

What's left?

Black and white

But that's quite all right

It's entertainment

You came

I was alone

Here's Bing Crosby...

...starting us off in some numbers
filmed in glorious black and white.

The siren he's singing to is Fifi D'Orsay.

The film is Going Hollywood.

Born to be kissed

I can't resist

You are temptation

And I am yours

Here is my heart

Take it and say

We'll never part

I'm just a slave

Only a slave

To you

Temptation

Dear, when you smiled at me

I heard a melody

It haunted me from the start

Judy Garland told me
that this is the song she sang...

...for her audition at MGM.

By the way, she got the job.

Zing! Went the strings of my heart

I still recall the thrill

I guess I always will

I hope 'twill never depart

I knew I loved you heaps

And you were mine for keeps

Zing! Went the strings

Of my heart

The wonderful Ethel Waters
in Cabin in the Sky.

And that's Rochester on guitar.

Here I go again

I'm hearing trumpets blow again

All aglow again

Taking a chance on love

Here I slide again

About to take that ride again

Starry-eyed again

Taking a chance on love

I thought the cards were a frame-up

And I never would try

But now I'm taking the game up

And the ace of hearts is high

Things are mending now

I see a rainbow blending now

We'll have our happy ending now

Taking a chance on love

Gotta swing thatjinx away

Swing a hi-de-hey

Hi-de-hey-de
Rap, tap on wood

Eleanor Powell in Born to Dance.

And she sure was.

Three cheers for the red, white, and blue

Three cheers for the red, white, and blue

The Army and Navy forever

Three cheers

For the red, white, and blue

Men, the ship we were waiting
for is anchored in the river...

...but it's in the hands of the police.

Our plan's been discovered,
and if we're ever to have our freedom...

...we've gotta fight for it tonight.
Who's with me?

Not me.

All right, if I have to, I'll go alone.

- Wait, Charles. I'll go with you.
- One man at last.

And me too.

Nelson Eddy and Jeanette MacDonald
were the king and queen of operetta...

...and New Moon
was one of their most popular.

Now we're 10! That makes an army.
Come on!

Give me some men
Who are stout-hearted men

Who will fight for the right they adore

Start me with ten
Who are stout-hearted men

And I'll soon give you ten thousand more

I'm going.

Shoulder to shoulder

And bolder and bolder

They grow as they go to the fore

Then there's nothing in the world

Can halt or mar a plan

When stout-hearted men

Can stick together man to man

Charles, you can't fight
the whole French fleet.

It's fight or perish
for every man on this island.

- Charles.
- Goodbye, Marianne.

Forgive me for any grief
I've ever caused you.

Charles.

You'll come back, Charles.

You must come back to me.

This eager heart of mine is singing

Lover, come back to me

Near or far, wherever you are

I'm coming back to you

Love will guide me

In the light that follows night

I'll see you smiling through

Your love

Will be beside me

The sky is blue

The night is cold

The moon is new

But love is old

And while you're waiting there

This heart of mine is singing

I will come back

- To you
- To me

Oh, what a tune

One of my favorite comedians...

...also happens to be
one of my favorite human beings...

...that lovable lunatic, Jimmy Durante.

It's got the whole world spooning

I'm walking down the street

I'm walking down the street

Tell me, Mr. James,
now just what did you accomplish?

That note was given to me
by Bing Crosby...

...and was he glad to get rid of it.

I got rhythm, I got music

I got my man
Who could ask for anything more?

I got daisies

Now, Busby Berkeley's dude-ranch finale
from Girl Crazy...

...with Judy, Mickey, and Tommy Dorsey.

Old Man Trouble,
I don't mind him

You won't find him 'round my door

I got starlight
I got sweet dreams

I got my man
Who could ask for anything more?

Who could ask for anything more?

Who could ask for anything more?

Be a clown, be a clown

All the world loves a clown

Take a pie in the face

And you'll wow the whole human race

In the beginning,
there was slapstick comedy.

And Laurel and Hardy.

So you can't sleep?

Abbott and Costello being
Abbott and Costello.

I'm gonna put this in your ears...

...and then when I go to sleep,
you won't hear the record.

When I go to sleep,
you take the arm off...

- ...and the record will stop, and I'll sleep.
- All right.

Now how's that?

Everything all right?

How's that? All right?

Is that all right?

I said, is that all right?

- Is that all right, the stuff in your ears?
- Yes. Can't hear. Swell.

And when you go to sleep,
I'll turn it off.

- Take it off. These are good.
- Go ahead and get your sleep.

Now I know I'll get some sleep.
I said I know I'll get some sleep.

I said I know I'll get some sleep.

- I'm gonna get some sleep.
- What?

I says, I'm gonna get some sleep.

- That's what I'm here for.
- Then why do you keep saying:

- I can't hear you, please.
- Then keep them in your ears...

- ...you don't have to listen to nothing.
- What?

Look. Now, listen.

Don't get excited, please. Will you?
With these in my ears, I can't hear.

Here. Try it yourself now. See that?
Now, can you hear anything?

- What?
- Can you hear me?

You can't hear anything, can you?

How can I hear if you're gonna
put these in my ears like that?

After all, I can't hear
if you got them in my ears.

He's got them again.

In this 1929 film...

...among a group of songwriters,
we find....

Well, he'll introduce himself.

Ladies and gentlemen,
may I introduce myself?

My name is Jack Benny,
and I was asked...

...to be master of ceremonies
for this occasion.

I'd like to identify these boys for you...

...so in case you find them
prowling around your home some night...

...you'll know how to address them.

Mr. Nacio Herb Brown,
the composer at the piano...

...and Mr. Arthur Freed, the lyricist...

...who also writes the words.

These two boys wrote...

..."Doll Dance," "Broadway Melody"...

..."You Were Meant For Me,"
the "Pagan Love Song"...

...and "The Wedding of the Painted Doll."

It's a holiday

Today's the wedding of the painted dolls

It's a jolly day

The news is spreading all around the halls

Red Riding Hood and Buster Brown

The Jumping Jack jumped into town

From far and near, they're coming here

Church bells ringing

Bringing all the little dollies
From the follies

With their painted cheeks

Little mama doll has fussed around
For weeks and weeks

Shoo the blues, no time to lose

Bikes and shoes will spread the news

That it's a holiday

Today's the wedding
Of the little painted doll

I've come to the conclusion that it's a very
simple matter to write a popular song.

Let's see how songwriter Sammy Cahn
feels about that.

Writing a song can be agony or ecstasy.

It can take half an hour or half a year.

But when anyone
writes a song in a movie...

...there never seems to be any problem.

Inspiration turns on
faster than a light bulb.

For instance...

...look how hard
Ann Sothern and Robert Young...

...have to struggle to write a song...

...which was written by
George and Ira Gershwin.

Hey, "Oh, sweet and lovely."

Oh, sweet and lovely,
can it be true?

You are the one
Baby, be mine

Baby, be mine

Oh, sweet and lovely,
Baby, be mine

Baby, be good
Lady, be good

That's it, "Lady, be good."

Oh, sweet and lovely lady, be good

Yeah!

Oh, sweet and lovely lady, be good

Oh, lady, be good to me

How's that?

I am so awfully misunderstood

So, lady, be good to me

This feeling.

Lew Ayres, prodded by Al Shean...

...sets his love for Jeanette MacDonald
to music.

You got something that hurts you,
that's important, that means something.

Well, write it out. Put it in notes.

Orchestrate it.
Make the violins tell it, and the brasses.

You never lost Mary Hale.
You lost yourself.

You were like a bird that wouldn't fly,
a fish that wouldn't swim...

...a musician that wouldn't write.

Speaking a woman's name
night after night before you go to sleep...

...that's for nobodies, for weaklings.

But you, you gotta sing out her name
so she'll hear it...

...and no matter where she is,
she'll hear her name in your music...

...and then she'll come back to you.

Although your tears may fall

Jimmy.

We won't be far apart

Summerjourneys to Niagara
And to other places

Aggravate all our cares

We'll save our fares

I've a cozy little flat
In what is known as old Manhattan

We'll settle down

Right here in town

We'll have Manhattan,
The Bronx and Staten Island too

It's lovely going through

Now Mickey Rooney
and Tom Drake show us...

...how Rodgers and Hart did it.

It's very fancy

On old Delancey Street, you know

The subway charms us so

When balmy breezes blow
To and fro

Fred Astaire and Red Skelton
as Kalmar and Ruby.

I wouldn't write that song with you
if you begged me.

Begged you? I didn't even ask you.

I guess you just can't help it, Harry.
I feel sorry for you.

Feel sorry for me?
You must think I'm just some--

I can tell you what I think of you
in three little words.

You're a dope!

Three little words, "You're a dope."

You are a dope

In the film The Great Waltz...

...Fernand Gravet as Johann Strauss...

...composed "Tales from
the Vienna Woods"...

...just by riding through the woods
with Miliza Korjus.

Come on, my Rosie

Come on, my Rosie

That's entertainment

Good morning
Good morning

It's great to stay up late

Good morning
Good morning to you

When the band began to play

This is one of those terrific
Singin' in the Rain numbers...

...with Gene, Debbie Reynolds,
and Donald O'Connor having a ball.

So good morning
Good morning

Sunbeams will soon smile through

Good morning

Good morning to you
And you and you and you

Good morning
Good morning

We've gabbed the whole night through

Good morning
Good morning to you

Nothing could be grander
Than to be in Louisiana

In the morning
In the morning

It's great to stay up late

Good morning
Good morning to you

Might be just as iffy
If we was in Mississippi

When we left the movie show
The future wasn't bright

But came the dawn

The show goes on
And I don't wannna say good night

- So say good morning
- Good morning

Rainbows are shining through

Good morning
Good morning

Bonjour

Buenos dias

Buongiorno

Guten Morgen

Good morning to you

Fred, Nanette Fabray,
and Jack Buchanan...

...as a very young trio in this Schwartz and
Dietz number from Band Wagon.

Mrs. Wipple Poofer loves to talk
to Mrs. Hildendorfer

Of the fatal natal day
She had her silly Willy

Mrs. Hudson-Cooper loves to
talk to Mrs. Golden-Wasser

Of her major operation
When she had her twins

But when Mother comes along
She silences the others

She accomplished something
That is very rare in mothers

MGM has got a Leo
But Mama has got a trio

She is proud
But says three is a crowd

Oh, we do everything alike
We look alike

We dress alike, we walk alike
We talk alike, and what is more

We hate each other very much
We hate our folks

We're sick ofjokes
On what an art it is to tell us apart

We eat the same kind of vittles
We drink the same kind of bottles

We sit in the same kind of highchair
Highchair, highchair

I wish I had a gun
A widdle gun

It would be fun to shoot the other two

And be only one

Have yourself a merry little Christmas

Fred, you remember
those wonderful parties with Judy...

...where she'd get up and sing this song?

She first sang it to Margaret O'Brien
in Meet Me in St. Louis.

Next year all our troubles
Will be miles away

Once again, as in olden days

Happy golden days

Of yore

Faithful friends

Who were dear to us

Will be near to us

Once more

Someday soon

We all will be together

If the fates allow

Until then

We'll have to muddle through

Somehow

So have yourself

A merry little

Christmas

Now

Stepping out with my baby
Can't go wrong 'cause I'm in right

It's for sure, not for maybe

That I'm all dressed up tonight

Here you are again, Fred,
in Easter Parade.

Can't be bad to feel so good

Never felt quite so sunny
And I keep on knocking wood

There'll be smooth sailing
'Cause I'm trimming my sails

With a bright shine on my shoes
And on my nails

Stepping out with my baby
Can't go wrong 'cause I'm in right

Ask me when will the day be
The big day may be tonight

What a fabulous bit of trick photography.

Please, Kelly. I don't tell your secrets.

Ten cents a dance

That's what they pay me

Gosh, how they weigh me down

Doris Day, belting out
another great Rodgers and Hart tune...

...from Love Me or Leave Me.

Ten cents a dance

Dandies and rough guys

Tough guys who tear my gown

7 to midnight I hear drums

Loudly the saxophone blows

Trumpets are tearing my eardrums

Customers crush my toes

Sometimes I think

I've found my hero

But it's a queer romance

All that you need is a ticket

Come on, big boy

Ten cents a dance

- I got
- Rhythm

- I got
- Music

- I got
- My gal

Who could ask for anything more?

I've always said,
just put Gene with a bunch of kids...

...and you're bound to come up
with a winner. Watch.

- I got
- My gal

Who could ask for anything more?

Old man Trouble,
I don't mind him

You won't find him 'round my door

- I got
- Rhythm

- I got
- Music

- I got
- My gal

Who could ask for anything more?

Who could ask for anything more?

Charlie Chaplin!

Aeroplane!

Who could ask for anything more?

More!

You see a pair of laughing eyes

And suddenly you're sighing sighs

You're thinking nothing's wrong
You string along, boy

Then snap!

Those eyes, those sighs

They're part of the tender trap

After having sung with the Harry James
and Tommy Dorsey orchestras...

...Frank Sinatra made his solo debut...

...at the Paramount Theater in New York
in December, 1942.

They had to call out the police
to control the crowds.

Especially his most avid fans,
the bobbysoxers.

When he walked out on the stage...

...it was not merely the birth of a star...

...but the creation of a legend.

I'll walk alone

They'll ask me why

And I'll tell them I'd rather

There are dreams I must gather

I'll walk alone

It was inevitable that the Sinatra hysteria
would lead him to Hollywood...

...and equally inevitable that producer
Arthur Freed would choose him...

...to sing Kern and Hammerstein's classic:

Ol' Man River.

Ol' man river

That ol' man river

He must know somethin'

But he don't say nothin'

He just keeps rollin'

He keeps on rollin' along

He don't plant taters

And he don't plant cotton

And them what plants 'em

Is soon forgotten

But ol' man river

Just keeps rollin' along

I fall in love too easily

There's something about a Sinatra ballad
that makes it automatically unforgettable.

Here is young Blue Eyes singing
one of my favorites from Anchors Aweigh.

I fall in love too terribly hard

For love to ever last

My heart should be well-schooled

'Cause I've been fooled

In the past

And still I fall in love

Too easily

I fall in love

Too fast

I believe

Frank sings to
Jimmy Durante and Billy Roy in:

It Happened in Brooklyn.

If you'll wish for the dream
By the wishing well

Don't tell the wish
Or you'll break the spell

It may sound naive

But that's what I believe

I don't care

High Society.

And it can't get much higher...

...than Frank serenading
the future princess of Monaco.

'Cause you're sensational

Making love

Is quite an art

What you require is the proper squire

To fire your heart

And if you'll say
That one fine day

You'll let me come to call

We'll have a ball

'Cause you're sensational

Sensational

That's all

She argued

Fought like a wildcat

She threatened

Practically drew a gun on the boy

She said,
"You can't send me home

- Not like this"
- What happened?

She finally got her kiss

It seems only yesterday
that I did this number with Frank.

That's when he taught me how to dance.

What a time we had tonight

What a dish, what a dream, what a dame

And she lives alone

I gets weary

And so sick of tryin'

I'm tired of livin'

But I'm feared of dyin'

And ol' man river

He just keeps rollin'

Along

Movie buffs and the rest

Have a line or scene they like best

The courtroom where a lawyer pleads
For his client's life

A sleuth that's hot but cannot spot
The gun or the knife

But you'll knock 'em flat with

"That's no lady, that was my wife"

They all last, unsurpassed

Here's the cast

Please let me stay.

But I want to be alone.

I just want to be alone.

We want to be alone.

But we want to be left alone.

Do you want to be alone, comrade?

No.

I don't know how
you'll look tomorrow.

But right now, you're the
most beautiful dame in the world.

- Wanna work with me?
- Yes, Mr. Gallagher.

Shake.

- Yes, sir.
- Now, beat it.

Thank you.

Goodbye, Mr. Chips.

Annual income, 20 pounds.

Annual expenditure, 19 pounds.

Result? Happiness.

Annual income, 20 pounds.

Annual expenditure, 21 pounds.

Result? Misery.

That advice is so far worth taking...

...I have never taken it myself...

...and am the miserable
creature you behold.

Grand Hotel. Always the same.

People come, people go.
Nothing ever happens.

I was reading a book the other day.

Reading a book?

Yes, it's all about civilization
or something.

A nutty kind of a book.

Do you know the guy says...

...that machinery is going
to take the place of every profession?

Oh, my dear.

That's something
you need never worry about.

I'd like to run barefoot through your hair.

The picturesque impressions
indelibly fixed in our memory.

It is time to conclude our visit...

...and reluctantly say
farewell to Hong Kong...

...the hub of the Orient.

And as the midnight sun lingers
on the skyline of the city...

...we most reluctantly say
farewell to Stockholm...

... Venice of the north.

And it is in this paradise
of the Canadian Rockies...

...that we reluctantly say
farewell to beautiful Banff.

With this thought,
we most reluctantly say...

...farewell to the Taj Mahal.

We reluctantly say,
farewell, colorful Guatemala.

We reluctantly conclude
our visit to Japan.

Farewell to Ireland, the Emerald Isle.

Farewell to Switzerland.

Farewell Udaipur.

Farewell to all....

Farewell....

I am Tandaleo.

Jane. Tarzan.

Jane. Tarzan.

Jane. Tarzan.

Please stop.

Just walk natural,
as if you were out for a stroll.

Not a word. Not a word.

Hold it right there!
Where are you going with that elephant?

What elephant?

As soon as I saw you, I said to myself:

"There's a hot-looking little number."

Don't let it throw you, champ.

I'm 20 degrees cooler than you think.

Dames are just like traffic.

Sometimes you gotta stop,
sometimes you gotta go.

Certain women should be struck regularly,
like gongs.

You see that chess game over there?

When I was 4 years old,
I played 10 people all at once...

...blindfolded.

I lost every game.

Lie down.

Lie down.

Stand up.

Grandpa, I love you.

Rosetta, I love you.

Tippy, I love you.

- Honey, I love you.
- Honey, I love you.

Kippy, I love you.

I love you, Duke.

What are you trying to do?
Steal my gag line?

To begin with, I took four years at Vassar.

Vassar? But that's a girls' college.

I found that out the third year.

I'd have been there yet,
but I went out for the swimming team.

It's all right. That's in every contract.

That's what they call a sanity clause.

You can't fool me.
There ain't no Sanity Claus.

Hold me closer.

Closer.

Closer!

I hold you any closer,
I'll be in back of you.

It's a far, far better thing I do,
than I have ever done.

It's a far, far better rest I go to...

...than I have ever known.

Oh, Lassie!

You're my Lassie come home.

But, Rhett, if you go...

...where shall I go? What shall I do?

Frankly, my dear, I don't give a damn.

What can I say about Paris
that wouldn't be redundant?

Even people who have never been there
know of its glories...

...from songs, books, movies, paintings...

...even cookbooks.

And thanks to the invention
of film and records...

...there is one national treasure...

...who will live as long as all the others.

That's Paris.

City of girls and lights!

Maurice Chevalier.

Here he is, singing about his Paris,
in one of his early films.

I'm going to Maxim's
Where all the girls are dreams

Each kiss goes on the wine list
And mine is quite a fine list

Lolo, Dodo, Juju

Cloclo, Margot, Frufru

We promise to be faithful
Until the night is through

Let us gaze in the wine while it's wet

Let's do things that we'll live to regret

Let me dance till the restaurant whirls

With the girls, girls, girls, girls, girls

Where there's wine and there's women
And song

It is wrong not to do something wrong

When you do something wrong
You must do something right

And I'm doing all right tonight

You know...

...I guess more songs have been written
about Paris than any other city.

One of the loveliest and most poignant...

...was by Jerome Kern
and Oscar Hammerstein.

Dinah Shore sings it in
Till the Clouds Roll By.

The last time I saw Paris

Her trees were dressed for spring

And lovers walked beneath those trees

And birds found songs to sing

I dodged the same old taxicabs

That I had dodged for years

The chorus of their squeaky horns

Was music to my ears

The last time I saw Paris

Her heart was warm and gay

No matter how they change her

I'll remember her

That way

Paris is called the City of Lights.

When these lights are turned on,
it becomes the diamond of the world.

Lovers, of course...

...prefer the romantic shadows
along the banks of the Seine.

Another famous Parisian landmark...

...but of a different kind.

We see Georges Guetary performing...

...in true Folies Bergère style.

I'll build a stairway to Paradise

With a new step every day

I'm going to get there at any price

Stand aside, I'm on my way

I've got the blues

And up above, it's so fair

Shoes, go on and carry me there

I'll build a stairway to Paradise

With a new step every day

I'll build a stairway to Paradise

With a new step every day

I'm going to get there at any price

Stand aside, I'm on my way

I've got the blues

And up above, it's so fair

Shoes, go on and carry me there

I'll build a stairway to Paradise

With a new step every day

With a new step

Every day

The Place du Trocadéro
is one of my favorite places in Paris.

It's a great hangout
for children who skate.

So I always bring my kids here
to join me.

You know...

...a number on roller skates,
that might not be a bad idea.

This is Montmartre...

...a very different section of the city.

As you see, the sidewalks are jammed
with young artists plying their trade.

Montmartre is also world-renowned
for its colorful cabarets.

The cancan,
danced by Gwen Verdon and company.

Not far from Paris is Versailles...

...one of the most beautiful palaces
ever built.

A museum now,
it's still used for special state dinners...

...and charity balls.

Some suggestion of a...

...Bal de Versaille...

...was captured by Ernst Lubitsch
in the picture The Merry Widow...

...filmed in 1934.

Gene dances in the cartoon

Then there's Bing,
He and Louis will croon

Bobby Van could jump over the moon

That's entertainment

You'll see Fred and Judy as tramps

Cyd plays one of those glamorous vamps

Howard Keel,
He'll sum up the whole deal

The world's a cartoon

A great big balloon of entertainment

Hey, Gene, you've had
some very unusual dancing partners.

But these, from Invitation to the Dance,
beat everything.

Well, you take some skins

Jazz begins

And you take a bass

Man, now we're gettin' someplace

Take a box

One that rocks

Take a blue horn, New Orleans-born

High Society brings Bing and Satchmo
together to explain jazz.

Take a bone

Hold the phone

Take a spot

Cool and hot

Now you has jazz, jazz,
Jazz, jazz, jazz

Pops, you want to grab
a little of what's left here?

- Yeah, daddy, yeah!
- Here we go.

- If you sail
- A-sailin', sailin'

- Over the sea
- Will you wait for me?

Take my tip,
They're all molto hip in Italy

Well, arrivederci
As for France?

- I know you're very big there
- Yes, believe it or not

I do believe
I do indeed

The Frenchmen all
prefer what they call

- "Le jazz hot"
- Formidable

Take a plane

Go to Siam

In Bangkok today, round the clock,
they all like the jazz

Indians on

The Amazon

Beat one bar,
And all of them are

Oh, well, gone, man, gone!

From the Equator

Up to the Pole

Everybody wingin', everybody singin'

That rock, rock, rock, rock 'n' roll

And from the east to the west

From the coast to the coast

Jazz is king 'cause jazz is the thing

The folks dig most

Now, that's jazz

We're a couple of swells

We stop at the best hotels

But we prefer the country

Far away from the city smells

Fred, here you are with Judy.

Even when you play a tramp,
you're in top hat and tails.

The pride of the tennis courts

In June, July, and August

We look cute
When we're dressed in shorts

The Vanderbilts are waiting
At the club

But how are we to get there,
That's the rub

That's the rub

We would sail up the avenue
But we haven't got a yacht

We would drive up the avenue
But the horse we had was shot

We would ride on a trolley car
But we haven't got the fare

So we'll walk up the avenue

Yes, we'll walk up the avenue

Yes, we'll walk up the avenue
Till we're there

We would swim up the avenue
But we haven't any lake

So we'll walk up the avenue

Yes, we'll walk up the avenue

Yes, a walk up the avenue's
What we'll take

"V" stands for vim, vigor, vitality,
and Bobby Van...

...in this number from Small Town Girl.

How.

Take me to Broadway
And let me take it from there

Take me to Broadway
And let me take it from there

- Gotta dance!
- Gotta dance!

- Gotta dance!
- Gotta dance!

Cyd Charisse...

...lovely Cyd Charisse, how she dances.

This from Singin' in the Rain.

There's no business
Like show business

Like no business I know

Everything about it is appealing

In Annie Get Your Gun...

...Betty Hutton, Howard Keel, Keenan Wynn,
Louis Calhern and company...

...tear the screen apart...

...with Irving Berlin's
fabulous anthem to entertainment.

There's no people like show people

They smile when they are low

Even with a turkey
That you know will fold

You may be stranded out in the cold

Still you wouldn't change it
For a sack of gold

Let's go on with the show

Let's go on with the show!

There's no business
Like show business

Like no business I know

Everything about it is appealing

Everything the traffic will allow

Nowhere could you get that happy feelin'

When you are stealin' that extra bow

There's no people like show people

They smile when they are low

Even with a turkey
That you know will fold

You may be stranded out in the cold

Still you wouldn't change it
For a sack of gold

Let's go on with the show

Let's go on with the

Spencer Tracy and Katharine Hepburn.

They starred in nine films together...

...and were undoubtedly
the most successful dramatic team...

...in screen history.

Let's look at some of their work,
together, and apart.

There, that's better. I'm Father Flanagan.

I saw your brother Joe
just a little while ago.

We had a long talk about you, Whitey.

Joe wants you to come with me
to Boys Town.

You've got a swell chance
taking me to that joint.

Look, in a pinch,
I can be tougher than you are...

...and I guess maybe this is the pinch.

You're coming with me to Boys Town
because that's what your brother wants.

And that's the way I want it.

Shorty, you mind backing up
and letting me by?

Yeah, I do mind. Suppose you back up,
and don't call me Shorty.

Shorty or sonny,
what difference does it make?

Move over, bud.

I'm wearing Justin boots
with 4-inch heels.

They'll sure make big dents
in that little frame of yours.

Lady athlete, properly handled,
always a market.

Always.

I don't think
you've ever been properly handled.

That's right, not even by myself.

Very few brains.

- There's one thing I gotta say, though.
- What?

Nicely packed, that kit.

Is, at that.

Not much meat on her,
but what's there is cherce.

- Let's get out.
- Okay.

I told you already.
I ain't gonna make no deals with you.

- Two against one.
- That's right, two against one...

...and that's how it is
in this business, too, wise guy.

Two against one.

You want your usual percent?

My glasses.

That's no fair.

What's the big idea?
Where are my glasses?

- What is this?
- It's no fair.

Did you ever see
a thing like this before?

We're so different,
we could help each other, couldn't we?

- I mean, really help. That is, if we....
- What?

Don't rush me. Give me time.

- One, two, three....
- I've been thinking...

...all sorts of things in all ways.

Backwards, forwards, every which way,
but chiefly forwards.

I hope that means that you've decided
to stop living in the past.

Yes, and I've got to thinking
maybe you're right.

It is stupid of me, it is selfish...

...but it is a terrible world to live in
alone, with just memories.

You've got qualities to face it
and do something about it with.

Your eye is so clear. You see straight.

You're so honest, quick, aware,
fearless, forthright, and--

- Wait a minute.
- Don't stop me.

I'm none of those, except maybe honest.
I've got qualities for it too.

I'm strong and have lots of energy.

I'm brave too. Things don't get me down,
and I can take punishment.

It isn't just this house I can offer you
or myself as an assistant.

After all we said
to each other that night...

...the way we understand
each other about love...

...you know I never could...

...and I know you never could
or would want to...

...and then there's all that
powerful commodity to be put to use.

- So I thought--
- You thought?

I wondered if you'd like to marry me.

What were you doing down
in my bailiwick today?

- Just a little ambulance chasing.
- Successful?

- I got the case.
- What case?

A girl named Doris Attinger
shot her husband. I'm going to defend her.

Now, when did you begin to suspect...

...that you were losing
your husband's affection?

When he started batting me around.

Farewell, Amanda

What's the matter?
Don't you want your rub now? What...?

What are you, sore about a little slap?

No.

- What then?
- You meant that, didn't you?

- You really meant that.
- No.

I can tell, I know your touch.

- I know a slap from a slug.
- Well, okay, okay--

I'm not so sure it is.
I'm not so sure I care to expose myself...

...to typical, instinctive masculine brutality.

Come, now.

It felt not only like you meant it,
but like you felt you had a right to.

I can tell.

What have you got back there,
radar equipment?

All right. All right.

Break it up.

Adam. Adam. Listen to me. Adam-

Don't you handle me, lady. I'm not nutty.

Adam, you're sick. Please.

- What do you think you're doing?
- Teaching a lesson.

Him first, then comes yours.

- Now get away, Amanda.
- Don't you do it, Amanda.

Stop it, Adam. Stop it!

- You've no right.
- That's all I wanted to hear.

Licorice.

If there's anything I'm a sucker for,
it's licorice.

- I figure you can take care of yourself.
- No, I can't.

- I bet you could even lick me.
- No, I couldn't.

- Sure, I think so.
- No, I couldn't.

- I need someone to look after me.
- What about me?

Why not?

I don't know if I can lick you
or you can lick me...

- ...but I'll tell you one thing I do know.
- What?

- Together, we can lick them all.
- You bet.

And together they did...

...because everything
about Tracy and Hepburn...

...was cherce.

Can it be

I like myself

She likes me

So I like myself

If someone wonderful as she is

Can think I'm wonderful

I must be quite a guy

Gene, you finally did work out
that number on skates, didn't you?

Yes, I guess I did...

...in a film dreamed up
by Comden and Green...

...called It's Always Fair Weather.

Dislike myself

But now my love has got me

Ridin' high

She likes me so
So do I

I can remember everything
as if it were yesterday.

- We met at 9
- We met at 8

- I was on time
- No, you were late

Ah, yes, I remember it well

Here's my favorite boulevardier
with Hermione Gingold...

...and a lovely Lerner and Loewe
song from Gigi.

I remember it well

That dazzling April moon

There was none that night

And the month was June

That's right, that's right

It warms my heart
To know that you

Remember still
The way you do

Ah, yes

I remember it well

- That carriage ride
- You walked me home

- You lost a glove
- I lost a comb

Ah, yes, I remember it well

- That brilliant sky
- We had some rain

- Those Russian songs
- From sunny Spain

Ah, yes, I remember it well

You wore a gown of gold

I was all in blue

Am I getting old?

Oh, no

Not you

How strong you were
How young and gay

A prince of love in every way

Ah, yes

I remember it well

The last time
Ginger and I worked together...

...was in The Barkleys of Broadway.

I think this is one of the best routines
you ever did.

Yes!

No picture about entertainment
would be complete...

...without a number from
wet and wonderful Esther Williams.

And she does it
without trick photography.

A show that is really a show

Sends you out with a kind of a glow

And you say as you go on your way

That's entertainment

The art that appeals to the heart

Is a song thatjust has to belong

Or a dance that is sure to entrance

That's entertainment

And now may we pause
For a moment or two?

Because there's a chore
That we feel we should do

We'd like to name just a few

Of the stars you have seen here

Performing a song or scene here

There were

Judy Garland, Leslie Caron,
Greta Garbo, Doris Day

Bob Taylor, Jack Buchanan,
Tony Martin, Maurice Chevalier

Bing Crosby, Mickey Rooney,
Eleanor Powell, Nanette Fabray

That's entertainment

Clark Gable, Melvyn Douglas,
Bob Montgomery, John Barrymore

Hermione Gingold, Esther Williams,
Frank Sinatra, Dinah Shore

- Franchot Tone, Greer Garson
- Katharine Hepburn, Spencer Tracy

Roddy McDowall, Myrna Loy,
and William Powell

Jeanette MacDonald, Debbie Reynolds,
Marge and Gower Champion

Ann Miller, Cary Grant, Ann Sothern,
Louis Armstrong, Bobby Van

Jean Harlow, Cyd Charisse,
Joan Crawford, Vivien Leigh, Tarzan

That makes 42

We've missed many who
Have entertained you

And if it's a hit,
Then they'll go on from there

They played a charade
That was lighter than air

A good old-fashioned affair

As we sing this finale
We hope it was up your alley

No death like you get in Macbeth

No ordeal like the end of Camille

This goodbye brings a tear to the eye

The world is a stage

The stage is the world of entertainment

[ENGLISH]