All language subtitles for Swing.Shift.1984.1080p.WEBRip.x264.AAC-[YTS.MX]
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Filipino
Finnish
French
Frisian
Galician
Georgian
German
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latin
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Persian
Polish
Punjabi
Romanian
Samoan
Scots Gaelic
Serbian
Sesotho
Shona
Sindhi
Sinhala
Slovak
Slovenian
Somali
Sundanese
Swahili
Swedish
Tajik
Tamil
Telugu
Thai
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Xhosa
Yiddish
Yoruba
Zulu
Odia (Oriya)
Kinyarwanda
Turkmen
Tatar
Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
2
00:00:02,936 --> 00:00:06,807
* OH, MY HEART KNOWS MORE
WITH EACH PASSING DAY *
3
00:00:06,807 --> 00:00:11,379
* AND I KNOW I'LL CHANGE
IF YOU LEAVE OR STAY *
4
00:00:08,000 --> 00:00:13,000
Official YIFY movies site:
YTS.MX
5
00:00:11,379 --> 00:00:15,583
* BUT WHEN OUR WORLD TURNS
WHERE IT'S TURNING TO *
6
00:00:15,583 --> 00:00:18,519
* YOU'LL SEE
SOME HEARTS FADE *
7
00:00:18,519 --> 00:00:25,626
* WHILE MINE
SHINES ON THROUGH *
8
00:00:25,626 --> 00:00:32,933
* I WILL STILL BE THERE
SOMEDAY FOR YOU *
9
00:00:32,933 --> 00:00:37,138
* YOU SEE, SOMEWHERE *
10
00:00:37,138 --> 00:00:41,575
* SOMEONE WAITS FOR YOU *
11
00:00:41,575 --> 00:00:46,680
* WHO HOPES
YOU WILL COME THROUGH *
12
00:00:46,680 --> 00:00:52,120
* WHO WILL WAIT
UNTIL YOU DO *
13
00:00:52,120 --> 00:00:57,258
* YOU'LL SEE A LIGHT *
14
00:00:57,258 --> 00:01:02,230
* IN SOME FAMILIAR DOOR *
15
00:01:02,230 --> 00:01:07,201
* AND WHEN
YOU REACH THE SHORE *
16
00:01:07,201 --> 00:01:12,373
* LIFE WON'T HURT ANYMORE *
17
00:01:12,373 --> 00:01:15,543
* REMEMBER *
18
00:01:15,543 --> 00:01:20,114
* NIGHT MAY TROUBLE YOU *
19
00:01:20,114 --> 00:01:24,752
* WITH ENDLESS DREAMS *
20
00:01:24,752 --> 00:01:30,858
* BUT BLUE SKIES WAIT FOR YOU *
21
00:01:30,858 --> 00:01:35,596
* BEYOND THE SUNRISE *
22
00:01:35,596 --> 00:01:43,804
* I'M HERE,
SO WALK INTO YOUR FATE *
23
00:01:43,804 --> 00:01:49,543
* IT NEVER IS TOO LATE *
24
00:01:49,543 --> 00:01:53,514
* THERE'S SOMEONE
SMILING THROUGH *
25
00:01:53,514 --> 00:02:00,988
* WHO WILL DO
ALL THEY CAN DO FOR YOU *
26
00:02:00,988 --> 00:02:04,525
* REMEMBER, SOMEWHERE *
27
00:02:04,525 --> 00:02:09,730
* SOMEONE WAITS FOR YOU *
28
00:02:25,145 --> 00:02:28,816
* THERE'S SOMEONE
SMILING THROUGH *
29
00:02:28,816 --> 00:02:33,421
Boy: HEY, WATCH OUT.
30
00:02:33,421 --> 00:02:35,623
HI, SPIKE. HOW ARE YOU?
31
00:02:35,623 --> 00:02:36,824
HI, JACK.
32
00:02:36,824 --> 00:02:39,026
BOY, SHE'S SOUNDING
GOOD TODAY.
33
00:02:39,026 --> 00:02:40,861
YEAH, SHE'S STRUMMING.
34
00:02:40,861 --> 00:02:42,263
HI, JERRY.
35
00:02:42,263 --> 00:02:43,497
HI, JACK.
36
00:02:43,497 --> 00:02:47,100
MY MOM AND DAD
SENT ME A LETTER
37
00:02:47,100 --> 00:02:50,671
ABOUT FOUR DAYS AGO.
38
00:02:50,671 --> 00:02:51,872
COME ON, BOY.
39
00:02:51,872 --> 00:02:54,074
Woman: HOW YOU FEELING
TODAY, JIMMY?
40
00:02:54,074 --> 00:02:55,676
NOT BAD.
41
00:02:55,676 --> 00:02:57,077
HI, SPIKE.
42
00:02:57,077 --> 00:02:58,212
HI, KAY.
43
00:02:58,212 --> 00:02:59,813
SEEN JACK?
44
00:02:59,813 --> 00:03:01,615
YEAH. HE'S OUT FRONT.
45
00:03:02,383 --> 00:03:04,385
WESLEY, GET OVER HERE.
46
00:03:04,385 --> 00:03:07,588
[ SWING MUSIC PLAYING ]
47
00:03:11,359 --> 00:03:13,961
HOW YOU DOING, ETHEL?
48
00:03:13,961 --> 00:03:14,962
HI, HONEY.
49
00:03:14,962 --> 00:03:16,964
HI, HONEY. HOW ARE YOU?
50
00:03:16,964 --> 00:03:18,566
GOOD. MMM.
51
00:03:18,566 --> 00:03:20,167
HOPE YOU'RE HUNGRY.
52
00:03:20,167 --> 00:03:22,270
I'M STARVING.
53
00:03:22,270 --> 00:03:24,872
YOU THINK YOU CAN
MAKE THAT ANY LOUDER?
54
00:03:24,872 --> 00:03:27,641
[ MUSIC PLAYING LOUDER ]
55
00:03:35,849 --> 00:03:37,251
BUSY DAY, HONEY?
56
00:03:37,251 --> 00:03:39,853
NO, IT WAS THE SAME
OLD STUFF, SWEETHEART.
57
00:03:44,292 --> 00:03:47,595
HOW CHEAP CAN YOU GET?
58
00:03:49,663 --> 00:03:51,865
TRAMP!
59
00:03:51,865 --> 00:03:54,001
I THINK SHE'S A SINGER.
60
00:03:54,001 --> 00:03:55,403
SINGER, MY FOOT.
61
00:03:55,403 --> 00:03:58,171
OH. MMM.
62
00:03:58,171 --> 00:04:01,675
SATURDAYS ARE ROTTEN
WHEN YOU WORK.
63
00:04:01,675 --> 00:04:04,578
TELL THAT TO THE BILL
COLLECTORS, HONEY.
64
00:04:06,814 --> 00:04:09,817
[ SINGING ]
65
00:04:20,027 --> 00:04:24,965
* BUT I DIDN'T THINK
I'D FALL IN LOVE *
66
00:04:24,965 --> 00:04:30,371
* I WASN'T THINKING
ABOUT ROMANCE *
67
00:04:30,371 --> 00:04:35,709
* I DIDN'T EVEN GIVE LOVE
A CHANCE *
68
00:04:35,709 --> 00:04:41,248
* I DIDN'T BELIEVE
THAT DREAMS CAME TRUE *
69
00:04:41,248 --> 00:04:46,420
* THEN SUDDENLY, I SAW YOU *
70
00:04:46,420 --> 00:04:51,124
* I DIDN'T THINK
IT WOULD HAPPEN SO FAST *
71
00:04:51,124 --> 00:04:56,430
* I THOUGHT IT WOULD
TAKE A WHILE *
72
00:04:56,430 --> 00:05:01,669
* BUT I FELL
HEAD OVER HEELS IN LOVE *
73
00:05:01,669 --> 00:05:04,672
* THE SECOND
I SAW YOU SMILE *
74
00:05:04,672 --> 00:05:06,674
FREE ENTERPRISE
IS KILLING ME.
75
00:05:06,674 --> 00:05:09,276
I CAN'T MAKE A DIME
IN THAT DUMP.
76
00:05:09,276 --> 00:05:11,679
I KNOW, BABE.
MY FEET ARE KILLING ME.
77
00:05:11,679 --> 00:05:14,247
WE'LL SETTLE DOWN
WITH A BUSINESS SOON.
78
00:05:14,247 --> 00:05:15,649
I'M DOING
SOMETHING DECENT.
79
00:05:15,649 --> 00:05:18,251
I'M GOING TO SELL
THE EGYPTIAN. IT'S A CURSE.
80
00:05:18,251 --> 00:05:19,653
[ SIGHS ]
81
00:05:19,653 --> 00:05:22,656
GOT TO BE SOMETHING ELSE
A GUY LIKE ME CAN DO
82
00:05:22,656 --> 00:05:25,493
BESIDES RUN
A CHEAP DANCE HALL.
83
00:05:28,829 --> 00:05:32,933
BISCUITS, HONEY,
YOU COMING IN OR WHAT?
84
00:05:44,044 --> 00:05:48,582
* I'VE GOT A BRAND-NEW HONEY,
THINKS THAT I'M OKAY *
85
00:05:48,582 --> 00:05:52,920
* WELL, YOU HAD YOUR CHANCE
BUT LET IT SLIP AWAY *
86
00:05:52,920 --> 00:05:55,322
* NOW YOU TELL ME
THAT YOU'RE SORRY, DEAR *
87
00:05:55,322 --> 00:05:57,324
* WELL, NOW,
AIN'T THAT A SHAME? *
88
00:05:57,324 --> 00:06:02,295
* 'CAUSE I GOT
A BRAND-NEW PICTURE *
89
00:06:02,295 --> 00:06:06,299
* AND IT'S
IN MY PICTURE FRAME *
90
00:06:06,299 --> 00:06:10,070
Radio announcer:
THERE'S FINE SMOKING PLEASURE
91
00:06:10,070 --> 00:06:11,605
IN FINE TOBACCO,
92
00:06:11,605 --> 00:06:14,575
AND LUCKY STRIKE
MEANS FINE TOBACCO.
93
00:06:14,575 --> 00:06:17,778
[ BIG BAND MUSIC PLAYING ]
94
00:06:23,717 --> 00:06:26,186
HEY, MISTER,
YOU WANT A BALLOON
95
00:06:26,186 --> 00:06:27,788
FOR THE BEAUTIFUL LADY?
96
00:06:27,788 --> 00:06:28,789
YES.
97
00:06:28,789 --> 00:06:30,190
HERE YOU GO.
98
00:06:30,190 --> 00:06:31,925
THANK YOU.
99
00:06:31,925 --> 00:06:34,327
IT'S A WAR! THE GODDAMN JAPS
BOMBED HAWAII!
100
00:06:34,327 --> 00:06:37,330
Radio announcer:
THE JAPANESE HAVE ATTACKED
101
00:06:37,330 --> 00:06:39,132
PEARL HARBOR, HAWAII, BY AIR,
102
00:06:39,132 --> 00:06:41,134
PRESIDENT ROOSEVELT
HAS JUST ANNOUNCED.
103
00:06:41,134 --> 00:06:44,738
THE ATTACK ALSO WAS MADE ON ALL
NAVAL AND MILITARY ACTIVITIES
104
00:06:44,738 --> 00:06:46,907
IN THE PRINCIPAL ISLAND
OF OAHU.
105
00:06:48,942 --> 00:06:51,344
I HAVE A BOY AT SEA
ON A DESTROYER.
106
00:06:51,344 --> 00:06:55,348
FOR ALL I KNOW, HE MAY BE
ON HIS WAY TO THE PACIFIC.
107
00:06:55,348 --> 00:06:57,951
TWO OF MY CHILDREN
ARE IN COASTAL CITIES.
108
00:06:57,951 --> 00:07:00,921
MRS. ROOSEVELT'S SON'S
ON A DESTROYER.
109
00:07:00,921 --> 00:07:03,524
MANY OF YOU WHO HAVE BOYS
IN THE SERVICES
110
00:07:03,524 --> 00:07:05,158
WILL NOW BE CALLED UPON...
111
00:07:05,158 --> 00:07:07,961
THIS AMERICAN'S GOING TO DIE
WITH PERFECT NAILS.
112
00:07:07,961 --> 00:07:09,062
SHH.
113
00:07:09,062 --> 00:07:10,731
ETHEL.
114
00:07:12,700 --> 00:07:15,503
[ Mumbling ] ETHEL, CAN YOU
HAND ME THAT HAMMER?
115
00:07:18,305 --> 00:07:19,973
HONEY --
HONEY, I'M TELLING YOU,
116
00:07:19,973 --> 00:07:22,643
THE LIGHT'S GOING
TO SHOW THROUGH THAT THING.
117
00:07:22,643 --> 00:07:26,013
THEY SAID THIS IS HOW
YOU'RE SUPPOSED TO DO IT
118
00:07:26,013 --> 00:07:27,681
ON THE RADIO, HON.
119
00:07:27,681 --> 00:07:30,317
WELL, I DON'T THINK
IT'S GOING TO DO
120
00:07:30,317 --> 00:07:32,319
A BIT OF GOOD, SWEETHEART.
121
00:07:32,319 --> 00:07:34,187
YOU'RE PROBABLY RIGHT.
122
00:07:34,187 --> 00:07:37,390
LET ME GET UP THERE
AND GIVE YOU SOME HELP.
123
00:07:37,390 --> 00:07:39,693
THERE. I DID IT, JACK.
124
00:07:39,693 --> 00:07:42,295
I'M GOING TO GET YOU
ANOTHER BEER.
125
00:07:42,295 --> 00:07:44,197
KAY...
126
00:07:44,197 --> 00:07:46,433
I'M SIGNING UP TOMORROW.
127
00:07:46,433 --> 00:07:49,302
I'VE GOT TO.
128
00:07:49,302 --> 00:07:50,704
OH, HONEY, I KNEW.
129
00:07:50,704 --> 00:07:53,974
I KNEW YOU WERE
GOING TO SAY THAT.
130
00:07:53,974 --> 00:07:57,410
HONEY...
131
00:07:57,410 --> 00:08:00,447
HONEY, SNAP OUT OF IT,
WILL YOU?
132
00:08:00,447 --> 00:08:03,316
HONEY?
133
00:08:03,316 --> 00:08:04,852
PEARL HARBOR'S ONE THING,
134
00:08:04,852 --> 00:08:07,588
BUT THE JAPS AREN'T
GOING TO LAND HERE.
135
00:08:07,588 --> 00:08:09,623
HOW DO YOU KNOW?
136
00:08:11,692 --> 00:08:14,895
FIRST OF ALL,
THE FISHING'S BEEN REAL LOUSY
137
00:08:14,895 --> 00:08:17,097
OFF SANTA MONICA PIER
THIS YEAR.
138
00:08:17,097 --> 00:08:18,498
OH, HONEY.
139
00:08:18,498 --> 00:08:21,702
SECOND OF ALL,
I WON'T LET THEM.
140
00:08:21,702 --> 00:08:24,304
WHAT IF SOMETHING
HAPPENS TO YOU, HONEY?
141
00:08:24,304 --> 00:08:26,039
LISTEN, KAY.
142
00:08:26,039 --> 00:08:29,442
NOTHING'S GOING
TO HAPPEN TO ME...
143
00:08:29,442 --> 00:08:31,845
BUT I'VE GOT TO GO.
144
00:08:31,845 --> 00:08:35,048
DAMN IT. THEY'VE STARTED IT.
WE'VE GOT TO FINISH IT.
145
00:08:35,048 --> 00:08:36,449
WE'VE GOT TO.
146
00:08:36,449 --> 00:08:39,452
I'VE GOT TO GO,
AND I'LL BE ALL RIGHT.
147
00:08:39,452 --> 00:08:41,689
PROMISE?
148
00:08:41,689 --> 00:08:44,758
I PROMISE.
149
00:08:44,758 --> 00:08:46,326
NOW, LET'S SEE.
150
00:08:46,326 --> 00:08:50,030
A SEAMAN THIRD MAKES $18.75
A MONTH PLUS 5 BUCKS SEA DUTY.
151
00:08:50,030 --> 00:08:53,166
THAT'S $23.75 I CAN
SEND YOU HOME EVERY MONTH.
152
00:08:53,166 --> 00:08:56,169
THE PRICES MIGHT GO UP,
THOUGH, 'CAUSE OF THE WAR,
153
00:08:56,169 --> 00:08:59,773
SO YOU'VE GOT TO BE CAREFUL
HOW YOU SPEND IT, OKAY?
154
00:08:59,773 --> 00:09:02,976
YEAH. I WAS THINKING
I COULD TAKE SOMETHING ON.
155
00:09:02,976 --> 00:09:04,177
LIKE WHAT?
156
00:09:04,177 --> 00:09:07,615
A JOB. PENNEY'S IS ASKING
FOR SALESCLERKS --
157
00:09:07,615 --> 00:09:10,718
I DON'T WANT YOU DOING
ANY SUCH THING.
158
00:09:12,820 --> 00:09:14,822
I DON'T
WANT YOU WORKING.
159
00:09:14,822 --> 00:09:16,957
I JUST WANT YOU
TO BE SAFE.
160
00:09:16,957 --> 00:09:19,359
OH, HONEY,
WHAT AM I GOING TO DO
161
00:09:19,359 --> 00:09:22,930
IF I DON'T HAVE YOU
TO DO THINGS FOR ANYMORE?
162
00:09:34,174 --> 00:09:36,777
THAT LID SURE LOOKS SWELL
ON YOU, KAY.
163
00:09:36,777 --> 00:09:40,447
I BOUGHT IT TO SEE YOU OFF.
I KNOW YOU LIKE RED.
164
00:09:40,447 --> 00:09:41,915
YEAH, I LIKE RED.
165
00:09:41,915 --> 00:09:45,919
SECTION FIVE, MOVE OUT.
SECTION FIVE.
166
00:09:47,955 --> 00:09:51,558
I DON'T KNOW WHAT I'M GOING
TO DO WITHOUT YOU, HONEY.
167
00:09:51,558 --> 00:09:53,961
OH, GOD.
ME, NEITHER, KAY.
168
00:09:53,961 --> 00:09:57,765
Man: COME ON. MOVE IT OUT.
SECTION FIVE, LET'S MOVE IT!
169
00:09:59,867 --> 00:10:02,670
Man: I'LL WRITE YOU
EVERY DAY!
170
00:10:02,670 --> 00:10:04,638
BYE, JACK!
171
00:10:04,638 --> 00:10:07,841
All: GOODBYE! BYE!
172
00:11:03,330 --> 00:11:06,333
[ PLAYING SWING MUSIC ]
173
00:11:13,841 --> 00:11:15,242
I SAID TO MYSELF,
174
00:11:15,242 --> 00:11:17,845
"FRANKIE PARKER,
YOU BETTER GET OUT OF HERE
175
00:11:17,845 --> 00:11:19,847
IF YOU EVER WANT
TO BE SOMEBODY."
176
00:11:19,847 --> 00:11:21,849
SO THAT'S
WHEN I DECIDED...
177
00:11:21,849 --> 00:11:24,117
YOU SING REAL NICE.
178
00:11:24,117 --> 00:11:25,652
THANK YOU.
179
00:11:25,652 --> 00:11:27,654
MY UNIT'S SHIPPING OUT
TOMORROW --
180
00:11:27,654 --> 00:11:29,823
NO FOOLING?
181
00:11:32,325 --> 00:11:35,763
LISTEN, UM, FIND YOURSELF
ANOTHER GIRL, OKAY?
182
00:11:35,763 --> 00:11:37,731
GOOD LUCK, SWEETIE.
183
00:11:40,734 --> 00:11:43,536
HEY, BISCUITS, YOU SAID
I COULD SING TONIGHT, REMEMBER?
184
00:11:43,536 --> 00:11:45,839
I GOT TO GET
A BIG NAME UP THERE.
185
00:11:45,839 --> 00:11:47,841
WHAT DO YOU MEAN,
A BIG NAME?
186
00:11:47,841 --> 00:11:50,443
COME ON. YOU SAID
I COULD SING TONIGHT.
187
00:11:50,443 --> 00:11:52,245
I GOT A GOLD MINE HERE.
188
00:11:52,245 --> 00:11:55,248
THIS COULD BE A FIRST-CLASS HALL
IF I PLAY IT RIGHT.
189
00:11:55,248 --> 00:11:57,851
I'M TALKING HELEN FORREST,
JENNY SIMS, JOE STAFFORD,
190
00:11:57,851 --> 00:11:59,452
NOT HAZEL ZANUSSI.
191
00:11:59,452 --> 00:12:02,589
YOU WANT TO KNOW WHO GOES
DANCING DURING THE WAR?
192
00:12:02,589 --> 00:12:04,324
NO, TELL ME.
193
00:12:04,324 --> 00:12:06,559
EVERYBODY.
194
00:12:06,559 --> 00:12:08,561
BISCUITS, YOU TOLD ME...
195
00:12:08,561 --> 00:12:10,563
HERE YOU GO, BOSS.
196
00:12:10,563 --> 00:12:12,766
HEY, THANK YOU, KNUCKLES.
197
00:12:21,108 --> 00:12:23,844
SHE TAKES A REAL GOOD PICTURE,
DOESN'T SHE?
198
00:12:23,844 --> 00:12:27,114
JESUS.
199
00:12:27,114 --> 00:12:30,383
SO THE GIRLS GO FOR ME.
IS THAT MY FAULT?
200
00:12:30,383 --> 00:12:32,986
NO, I JUST SORT OF THOUGHT
THAT YOU AND I
201
00:12:32,986 --> 00:12:35,488
WERE GOING
TO GET RESPECTABLE, BISCUITS.
202
00:12:35,488 --> 00:12:37,124
IT'S FINISHED. SATISFIED?
203
00:12:37,124 --> 00:12:39,960
NOW, HAVEN'T YOU GOT
SOMETHING TO DO?
204
00:12:39,960 --> 00:12:44,531
YEAH, I SURE DO.
205
00:12:54,507 --> 00:12:57,510
Man: WOMEN WANTED
FOR WAR PRODUCTION WORK
206
00:12:57,510 --> 00:12:59,312
HERE IN OUR CITY.
207
00:12:59,312 --> 00:13:03,116
WHY? MORE AND MORE MEN
ARE BEING CALLED
208
00:13:03,116 --> 00:13:04,551
INTO THE ARMED FORCES.
209
00:13:04,551 --> 00:13:07,220
THEIR JOBS MUST BE FILLED
AND FILLED NOW,
210
00:13:07,220 --> 00:13:09,422
AND WHO CAN FILL THEM?
211
00:13:09,422 --> 00:13:13,360
YOU -- YOU WOMEN. YOU ARE
THE ONES WHO MUST FILL THEM,
212
00:13:13,360 --> 00:13:17,697
WHO CAN GIVE OUR BOYS
WHAT THEY NEED --
213
00:13:17,697 --> 00:13:20,233
A THOUSAND MORE PLANES,
214
00:13:20,233 --> 00:13:22,970
MORE AND MORE TANKS,
215
00:13:22,970 --> 00:13:24,905
AND MORE SHIPS.
216
00:13:36,649 --> 00:13:38,852
Man: GOOD AFTERNOON.
217
00:13:38,852 --> 00:13:41,454
MALCOLM MacBRIDE -- FROM
MY BATTLE STATION TO YOURS.
218
00:13:41,454 --> 00:13:43,456
I WANT TO TAKE
THIS OPPORTUNITY
219
00:13:43,456 --> 00:13:45,859
TO WELCOME ALL
THE MANY NEW ASSOCIATES
220
00:13:45,859 --> 00:13:49,462
TO THE MacBRIDE AIRCRAFT
COMPANY HERE IN SANTA MONICA.
221
00:13:49,462 --> 00:13:52,065
WE ARE ENGAGED
IN A GREAT WORLD STRUGGLE
222
00:13:52,065 --> 00:13:54,167
TO MAINTAIN
OUR AMERICAN WAY OF LIFE
223
00:13:54,167 --> 00:13:55,702
AS WE KNOW IT.
224
00:13:55,702 --> 00:13:58,171
THE CONTRIBUTIONS
YOU MAKE HERE AT MacBRIDE
225
00:13:58,171 --> 00:13:59,907
WILL ENSURE OUR VICTORY.
226
00:13:59,907 --> 00:14:03,010
AGAIN, WELCOME FROM
MY BATTLE STATION TO YOURS.
227
00:14:03,010 --> 00:14:06,013
THEY GOT SOME PRETTY TIGHT
SPACES ON THOSE BOMBERS.
228
00:14:06,013 --> 00:14:08,415
SURE, RIGHT. YOU'D PROBABLY
BE REAL GOOD AT THAT.
229
00:14:08,415 --> 00:14:10,417
ARE THEY ASKING
FOR REFERENCES?
230
00:14:10,417 --> 00:14:13,153
YOU'RE BREATHING.
THAT'S GOOD ENOUGH FOR THEM.
231
00:14:13,153 --> 00:14:15,355
THEY'RE USING EVERYBODY.
232
00:14:17,524 --> 00:14:20,027
"MY DEAREST DARLING,
I LOVE YOU,
233
00:14:20,027 --> 00:14:23,030
AND I MISS YOU SO MUCH
I CAN HARDLY STAND IT."
234
00:14:23,030 --> 00:14:26,033
I'VE GOT TO GET THIS JOB.
BELIEVE ME, I DO.
235
00:14:26,033 --> 00:14:27,434
OH, I BELIEVE YOU.
236
00:14:27,434 --> 00:14:30,503
I'VE GOT A KID TO FEED.
HER NAME'S PEGGY.
237
00:14:30,503 --> 00:14:31,771
ISN'T SHE'S SWEET?
238
00:14:31,771 --> 00:14:35,909
MY HUSBAND WOULD KILL ME
IF HE KNEW WHAT I WAS DOING.
239
00:14:35,909 --> 00:14:37,510
WELL,
I'M VIOLET MULLIGAN.
240
00:14:37,510 --> 00:14:38,745
HEY.
241
00:14:38,745 --> 00:14:43,483
[ MEN YELLING ]
242
00:14:47,087 --> 00:14:49,689
MISS, YOU GOT TO HAVE
YOUR HIGH SCHOOL DIPLOMA.
243
00:14:49,689 --> 00:14:51,258
I'VE GOT MY HIGH SCHOOL --
244
00:14:51,258 --> 00:14:54,027
ATTENTION, NEW EMPLOYEES.
LONG HAIR IS DANGEROUS.
245
00:14:54,027 --> 00:14:55,562
SO FOR SAFETY'S SAKE,
246
00:14:55,562 --> 00:14:57,897
CUT YOUR HAIR
OR WEAR A HAIRPIN.
247
00:14:57,897 --> 00:14:59,866
SWING SHIFT --
60 CENTS AN HOUR.
248
00:14:59,866 --> 00:15:01,268
SWING SHIFT?
249
00:15:01,268 --> 00:15:03,836
SWING SHIFT --
4:00 TO MIDNIGHT, OKAY?
250
00:15:03,836 --> 00:15:05,172
GREAT.
251
00:15:05,172 --> 00:15:07,174
HERE'S YOUR DIPLOMA.
252
00:15:07,174 --> 00:15:09,776
HERE'S YOUR HANDBOOK.
PLEASE READ IT THOROUGHLY.
253
00:15:09,776 --> 00:15:11,778
NEXT, PLEASE.
254
00:15:11,778 --> 00:15:13,780
HEY, SMALL WORLD, HUH?
255
00:15:13,780 --> 00:15:15,115
TINY.
256
00:15:15,115 --> 00:15:17,317
WE'RE NEIGHBORS --
THE BALMY PALM.
257
00:15:17,317 --> 00:15:19,686
YEAH,
I KNOW WHO YOU ARE.
258
00:15:19,686 --> 00:15:23,123
WELL, I THOUGHT
WE COULD GO HOME TOGETHER.
259
00:15:23,123 --> 00:15:25,525
YOU GOT A LOT OF NERVE,
YOU KNOW THAT?
260
00:15:25,525 --> 00:15:28,128
EVERY SINGLE TIME
I WALK PAST YOUR PLACE,
261
00:15:28,128 --> 00:15:30,130
ALL YOU
AND YOUR HUSBAND CAN DO
262
00:15:30,130 --> 00:15:32,132
IS MAKE WISECRACKS
ABOUT ME.
263
00:15:32,132 --> 00:15:34,734
WELL, WHAT THE HELL
DO YOU THINK I AM,
264
00:15:34,734 --> 00:15:36,603
DEAF, DUMB, AND BLIND?
265
00:15:39,339 --> 00:15:42,942
THIS ITTY-BITTY THING
IS NOT A THUMBTACK.
266
00:15:42,942 --> 00:15:45,912
IT'S WHAT WE CALL A RIVET,
267
00:15:45,912 --> 00:15:47,714
AND THIS IS A RIVET GUN,
268
00:15:47,714 --> 00:15:52,085
BUT WE DON'T WANT ANY OF YOU
SHOOTING ANYBODY WITH IT,
269
00:15:52,085 --> 00:15:54,087
DO WE, BOYS?
270
00:15:54,087 --> 00:15:55,688
[ DRILLING ]
271
00:15:55,688 --> 00:15:57,557
[ SCREAMING ]
272
00:15:57,557 --> 00:15:58,958
[ DRILLING ]
273
00:15:58,958 --> 00:16:01,428
[ LAUGHTER ]
274
00:16:04,764 --> 00:16:06,299
AHEM.
275
00:16:06,299 --> 00:16:09,002
GET SERIOUS HERE
FOR A MOMENT.
276
00:16:09,002 --> 00:16:11,404
RIVETING IS REAL SUITED
TO YOU GALS
277
00:16:11,404 --> 00:16:15,708
BECAUSE WOMEN ARE USED
TO REPETITIVE TASKS,
278
00:16:15,708 --> 00:16:18,278
AND BELIEVE ME, LADIES,
279
00:16:18,278 --> 00:16:19,679
AS STRANGE AS ALL THIS
MAY SEEM,
280
00:16:19,679 --> 00:16:22,449
AFTER TRAINING,
YOU'LL BE USING THESE TOOLS
281
00:16:22,449 --> 00:16:25,052
AS EASILY AS YOU WOULD
A CAN OPENER
282
00:16:25,052 --> 00:16:27,454
OR A SEWING MACHINE NEEDLE
AT HOME.
283
00:16:36,329 --> 00:16:38,465
THOSE ARE YOUR SKINNERS!
284
00:16:38,465 --> 00:16:40,200
WHAT?
285
00:16:40,200 --> 00:16:41,801
YOUR SKINNERS!
286
00:16:41,801 --> 00:16:42,802
RIGHT!
287
00:16:42,802 --> 00:16:45,072
YOUR REAMER!
288
00:16:45,072 --> 00:16:46,673
YOUR BUCKLE-UPPER!
289
00:16:46,673 --> 00:16:49,442
RIGHT!
290
00:16:49,442 --> 00:16:51,078
COME ON!
291
00:16:54,514 --> 00:16:55,848
I CAN'T.
292
00:16:55,848 --> 00:16:58,785
YES, YOU CAN. HERE.
293
00:16:58,785 --> 00:17:00,487
HIT IT.
294
00:17:03,056 --> 00:17:05,825
VERY GOOD.
295
00:17:05,825 --> 00:17:08,595
HIT IT.
296
00:17:08,595 --> 00:17:11,631
VERY GOOD.
LET'S DO A COUPLE MORE
297
00:17:11,631 --> 00:17:13,032
BEFORE YOU FORGET.
298
00:17:13,032 --> 00:17:15,802
I THINK I LEARNED IT,
BUSTER.
299
00:17:23,143 --> 00:17:24,377
AAH!
300
00:17:24,377 --> 00:17:25,978
HEY! WHAT ARE YOU --
301
00:17:25,978 --> 00:17:27,980
MY GOD,
WHAT HAVE I DONE?
302
00:17:27,980 --> 00:17:29,516
OH, GOT YOU.
303
00:17:29,516 --> 00:17:30,783
I'M SORRY.
304
00:17:30,783 --> 00:17:32,185
IT'S ALL RIGHT.
305
00:17:32,185 --> 00:17:33,586
LISTEN TO HER.
306
00:17:33,586 --> 00:17:35,788
OH, SURE, LUCKY.
IT'S LADIES' DAY.
307
00:17:35,788 --> 00:17:37,190
HEY, BULL'S-EYE.
308
00:17:37,190 --> 00:17:39,192
I COULD'VE GONE
RIGHT THROUGH YOUR --
309
00:17:39,192 --> 00:17:40,527
YOU DIDN'T.
310
00:17:40,527 --> 00:17:41,661
[ BUZZ ]
311
00:17:41,661 --> 00:17:43,496
AAH!
312
00:17:43,496 --> 00:17:47,634
COME ON.
WHY DON'T YOU COME?
313
00:17:52,205 --> 00:17:54,607
I'M YOUR LEADMAN.
YOU JUST TAKE A DEEP BREATH,
314
00:17:54,607 --> 00:17:56,809
AND YOU'LL GET
YOUR CONFIDENCE BACK.
315
00:17:59,712 --> 00:18:01,614
OKAY.
316
00:18:01,614 --> 00:18:04,284
MAYBE I JUST SHOULD HAVE
STAYED AT HOME.
317
00:18:04,284 --> 00:18:06,286
OH, BALLS.
LOOK, YOU'RE DO--
318
00:18:06,286 --> 00:18:08,588
I MEAN, I'M SORRY.
319
00:18:08,588 --> 00:18:12,192
THAT'S OKAY. MY HUSBAND USED
TO SAY THAT ALL THE TIME.
320
00:18:12,192 --> 00:18:13,926
OH, BALLS. OH, BALLS.
321
00:18:13,926 --> 00:18:15,295
YEAH, IT'S OKAY.
322
00:18:15,295 --> 00:18:16,929
IS HE DEAD?
323
00:18:16,929 --> 00:18:19,266
NO.
324
00:18:19,266 --> 00:18:20,900
YOU OKAY?
325
00:18:20,900 --> 00:18:25,004
YEAH, I'M FINE. THANKS.
326
00:18:25,004 --> 00:18:27,407
I'M GOING TO WATCH YOU
FOR A WHILE
327
00:18:27,407 --> 00:18:30,009
'CAUSE WHEN YOU GET NERVOUS,
YOU CAN HURT YOURSELF.
328
00:18:30,009 --> 00:18:32,779
OKAY. THANK YOU A LOT.
329
00:18:32,779 --> 00:18:34,181
ARE YOU ALL RIGHT?
330
00:18:34,181 --> 00:18:35,782
I'M FINE.
331
00:18:43,055 --> 00:18:47,294
[ HORN BLOWS ]
332
00:18:47,294 --> 00:18:49,396
HEY, MOON.
333
00:19:39,279 --> 00:19:41,113
[ DINGS BELL ]
334
00:19:41,113 --> 00:19:43,115
MOVE IT
OR LOSE IT, TOOTS.
335
00:19:43,115 --> 00:19:44,717
HEY, I MISSED MY BUS.
336
00:19:44,717 --> 00:19:45,852
TOUGH.
337
00:19:45,852 --> 00:19:46,853
HMPH.
338
00:19:59,899 --> 00:20:01,100
[ REVS ENGINE ]
339
00:20:01,100 --> 00:20:02,702
OH!
340
00:20:02,702 --> 00:20:04,203
HEY.
341
00:20:04,203 --> 00:20:06,005
YOU NEED A LIFT?
342
00:20:06,005 --> 00:20:08,074
IN THAT?
343
00:20:08,074 --> 00:20:10,109
IT'S ALL I GOT.
344
00:20:10,109 --> 00:20:14,614
WELL, I SURE GET TIRED
BY THE END OF THE DAY.
345
00:20:16,749 --> 00:20:18,217
OH.
346
00:20:18,217 --> 00:20:19,486
OH.
347
00:20:19,486 --> 00:20:21,087
WHOA, THAT'S MY TRUMPET.
348
00:20:21,087 --> 00:20:23,623
OH, I'M SORRY.
349
00:20:23,623 --> 00:20:25,057
HOLD ON.
350
00:20:25,057 --> 00:20:26,859
YIKES.
351
00:20:33,099 --> 00:20:34,200
WHEE!
352
00:20:34,200 --> 00:20:35,635
HA HA HA!
353
00:20:35,635 --> 00:20:38,671
I BOUGHT IT FROM A GUY
WHO WENT INTO THE ARMY.
354
00:20:38,671 --> 00:20:41,641
OH, MY HUSBAND'S
IN THE NAVY.
355
00:20:41,641 --> 00:20:44,611
OH, BOY! HI!
356
00:20:47,914 --> 00:20:49,616
[ MEOW ]
357
00:20:52,218 --> 00:20:53,820
[ MOTORCYCLE APPROACHES ]
358
00:20:53,820 --> 00:20:56,323
[ DOGS BARKING ]
359
00:20:56,323 --> 00:20:59,859
[ CAT SCREECHES ]
360
00:21:02,061 --> 00:21:04,731
OH.
361
00:21:04,731 --> 00:21:06,733
WELL, I'LL SEE YOU
TOMORROW.
362
00:21:06,733 --> 00:21:08,735
BRIGHT AND EARLY.
OH, WELL, 4:00.
363
00:21:08,735 --> 00:21:11,338
IT'S ALL SO TURNED AROUND,
ISN'T IT?
364
00:21:11,338 --> 00:21:12,939
MY NAME'S LUCKY.
365
00:21:12,939 --> 00:21:14,341
KAY WALSH, KAY WALSH.
366
00:21:14,341 --> 00:21:15,742
ALL OF THE ABOVE.
367
00:21:15,742 --> 00:21:17,744
LUCKY --
THAT'S A FUNNY NAME.
368
00:21:17,744 --> 00:21:19,746
HOW'D YOU
GET THAT NAME, LUCKY?
369
00:21:19,746 --> 00:21:22,349
I BETTER NOT TELL YOU.
IT'S KIND OF DIRTY.
370
00:21:22,349 --> 00:21:25,318
UM, EVENING, MRS. WALSH.
371
00:21:25,318 --> 00:21:27,320
YOU JUST
STICK WITH IT, KAY.
372
00:21:27,320 --> 00:21:28,921
I WILL. THANKS.
373
00:21:28,921 --> 00:21:32,425
GUESS WHAT, SPIKE.
I'M WORKING NOW.
374
00:21:42,234 --> 00:21:43,736
HAZEL.
375
00:21:45,104 --> 00:21:46,473
Woman: BISCUITS!
376
00:21:46,473 --> 00:21:50,843
WHAT ARE YOU DOING?
YOU'RE CRAZY!
377
00:21:52,845 --> 00:21:55,582
HEY, HAZEL, WHAT ARE YOU
DOING ON THE STREETS?
378
00:21:55,582 --> 00:21:57,584
GET OUT OF MY WAY,
BISCUITS!
379
00:21:57,584 --> 00:21:59,952
GET OUT OF MY WAY!
380
00:21:59,952 --> 00:22:01,187
OH!
381
00:22:01,187 --> 00:22:02,254
YOU OKAY?
382
00:22:02,254 --> 00:22:03,723
Woman: BISCUITS?
383
00:22:03,723 --> 00:22:04,724
UHH.
384
00:22:04,724 --> 00:22:06,593
BISCUITS.
385
00:22:09,061 --> 00:22:11,464
YOU KNOW, I THINK
THE BIKE'S MESSED UP.
386
00:22:11,464 --> 00:22:13,700
HEY, LOOK AT IT.
387
00:22:13,700 --> 00:22:16,035
I'LL GIVE YOU
A RIDE HOME.
388
00:22:16,035 --> 00:22:17,637
BISCUITS.
389
00:22:17,637 --> 00:22:21,641
IF YOU DON'T GET OUT OF HERE
AT THE COUNT OF FIVE,
390
00:22:21,641 --> 00:22:23,342
I'M CALLING THE COPS.
391
00:22:23,342 --> 00:22:25,311
1, 2, 3...
392
00:22:25,311 --> 00:22:27,313
YOU'RE MAKING
A BIG MISTAKE.
393
00:22:27,313 --> 00:22:30,282
4...
394
00:22:30,282 --> 00:22:35,888
[ SWING MUSIC PLAYING ]
395
00:22:35,888 --> 00:22:37,890
[ SIGHS ]
396
00:23:17,464 --> 00:23:21,768
[ GRUNTING ]
397
00:23:21,768 --> 00:23:23,202
AAH!
398
00:23:23,202 --> 00:23:26,338
[ SOBBING ]
399
00:23:26,338 --> 00:23:27,940
Woman: CAN THAT RACKET!
400
00:23:27,940 --> 00:23:29,942
[ DOGS BARKING ]
401
00:23:29,942 --> 00:23:32,612
OH, GEE.
ARE YOU ALL RIGHT?
402
00:23:32,612 --> 00:23:34,013
WH-WHAT HAPPENED?
403
00:23:34,013 --> 00:23:36,415
Spike: NOW WHAT THE HELL
IS GOING ON?
404
00:23:36,415 --> 00:23:39,385
IT'S NOTHING, SPIKE.
IT'S NOT THE JAPS OR ANYTHING.
405
00:23:39,385 --> 00:23:42,188
JUST GO BACK TO BED.
406
00:23:55,201 --> 00:23:57,103
I LIKE YOUR HAIR.
407
00:23:57,103 --> 00:23:59,872
OH, THANK YOU.
408
00:23:59,872 --> 00:24:03,910
GOSH, JACK WOULD HAVE
A HEART ATTACK IF HE SAW ME.
409
00:24:03,910 --> 00:24:05,478
WHO'S JACK?
410
00:24:05,478 --> 00:24:07,514
MY HUSBAND.
411
00:24:07,514 --> 00:24:10,717
RIGHT --
MR. PERSONALITY.
412
00:24:12,151 --> 00:24:15,855
WELL, I SHOULD GO HOME.
413
00:24:15,855 --> 00:24:18,491
OH, WAIT.
I MADE THIS FOR YOU.
414
00:24:27,066 --> 00:24:30,036
MY NAME IS KAY.
WHAT'S YOUR NAME?
415
00:24:30,036 --> 00:24:32,138
HAZEL.
416
00:24:32,138 --> 00:24:33,439
HAZEL?
417
00:24:33,439 --> 00:24:35,241
YEAH. IT'S MY MOM'S NAME.
418
00:24:35,241 --> 00:24:38,244
I USED TO WATCH YOU
GO TO WORK ALL THE TIME
419
00:24:38,244 --> 00:24:41,447
JUST TO SEE WHAT NEW OUTFIT
YOU'D BE WEARING.
420
00:24:41,447 --> 00:24:42,682
THANKS.
421
00:24:42,682 --> 00:24:44,483
ARE YOU A SINGER?
422
00:24:46,252 --> 00:24:47,654
WHAT IS THIS?
423
00:24:47,654 --> 00:24:50,022
HOT MILK.
424
00:24:50,022 --> 00:24:52,358
OH.
425
00:24:52,358 --> 00:24:54,927
YEAH, I'M A SINGER.
426
00:24:54,927 --> 00:24:56,729
I KNEW IT.
427
00:24:56,729 --> 00:24:59,532
I DIDN'T EVEN TELL BISCUITS
ABOUT MY NEW JOB.
428
00:24:59,532 --> 00:25:00,967
BISCUITS?
429
00:25:00,967 --> 00:25:03,903
OH, JUST SOME GUY
I USED TO KNOW.
430
00:25:06,005 --> 00:25:07,239
OH.
431
00:25:07,239 --> 00:25:10,042
IT'S JACK IN UNIFORM.
432
00:25:10,042 --> 00:25:12,812
RIGHT.
433
00:25:12,812 --> 00:25:15,582
IF HE KNEW
WHERE I WAS WORKING,
434
00:25:15,582 --> 00:25:17,650
HE WOULDN'T BELIEVE IT.
435
00:25:17,650 --> 00:25:20,252
HE'D NEVER PICTURE ME
RIVETING AND DRILLING AND --
436
00:25:20,252 --> 00:25:23,455
RIDING MOTORCYCLES?
437
00:25:23,455 --> 00:25:25,558
WELL, I NEEDED A RIDE.
438
00:25:25,558 --> 00:25:27,760
OKAY. IT'S NONE
OF MY BEESWAX.
439
00:25:27,760 --> 00:25:29,762
I DIDN'T DO
ANYTHING WRONG.
440
00:25:29,762 --> 00:25:32,298
ALL RIGHT.
I'M NOT YOUR HUSBAND.
441
00:25:32,298 --> 00:25:35,101
IT WAS JUST A RIDE,
AND THAT WAS ALL.
442
00:25:35,101 --> 00:25:36,502
ALL RIGHT. JESUS.
443
00:25:36,502 --> 00:25:38,104
[ BIRD CHIRPING ]
444
00:25:38,104 --> 00:25:40,707
WELL, I GUESS
I BETTER GET GOING.
445
00:25:40,707 --> 00:25:42,909
I GOT TO GO
TO WORK TOMORROW.
446
00:25:42,909 --> 00:25:44,510
YEAH.
447
00:25:44,510 --> 00:25:47,513
MMM.
448
00:25:47,513 --> 00:25:50,817
YOU GOT A LITTLE, UH,
MUSTACHE.
449
00:25:50,817 --> 00:25:53,519
[ Giggling ] OH.
450
00:25:53,519 --> 00:25:55,321
AHEM. HAZEL?
451
00:25:55,321 --> 00:25:56,689
YEAH?
452
00:25:56,689 --> 00:25:58,691
DON'T WORRY
ABOUT THAT GUY.
453
00:25:58,691 --> 00:25:59,959
WHAT GUY?
454
00:25:59,959 --> 00:26:02,461
YOU KNOW, THE ONE
YOU USED TO KNOW.
455
00:26:02,461 --> 00:26:04,063
YOU'LL
FIND SOMEBODY ELSE.
456
00:26:09,101 --> 00:26:10,703
SEE YOU LATER.
457
00:26:20,713 --> 00:26:22,682
Radio announcer:
ALMOST FIVE MONTHS
458
00:26:22,682 --> 00:26:26,152
SINCE ENTERING THE WAR...
459
00:26:26,152 --> 00:26:27,654
OVER THERE.
460
00:26:27,654 --> 00:26:29,155
THERE'S A SPACE.
461
00:26:29,155 --> 00:26:30,189
WHERE?
462
00:26:30,189 --> 00:26:32,124
[ HORN HONKS ]
463
00:26:34,326 --> 00:26:36,062
WHAT ARE YOU DOING?
464
00:26:38,330 --> 00:26:41,100
WHO THE HELL
DO YOU THINK YOU ARE?
465
00:26:41,100 --> 00:26:44,103
I'M GOING TO TELL YOU
WHO I AM. I'M MOON WILLENS.
466
00:26:44,103 --> 00:26:47,473
I'VE BEEN WORKING AT THIS
DAMN PLACE FOR 12 LONG YEARS.
467
00:26:47,473 --> 00:26:51,077
THIS IS MY PARKING SPACE,
AND I AIN'T ABOUT TO LOSE IT
468
00:26:51,077 --> 00:26:55,347
TO A BUNCH OF FLY-BY-NIGHT
WOMEN LIKE YOU. UNH-UNH.
469
00:26:55,347 --> 00:26:58,785
[ HORN HONKS ]
470
00:26:58,785 --> 00:27:01,788
YOU DON'T BELONG HERE,
NONE OF YOU!
471
00:27:03,890 --> 00:27:05,291
WHAT'S HIS TROUBLE?
472
00:27:05,291 --> 00:27:07,894
WELL, WE WERE JUST
COMING IN HERE.
473
00:27:07,894 --> 00:27:11,297
I SAW THAT PARKING PLACE,
AND THEN HE PULLED IN.
474
00:27:12,899 --> 00:27:14,901
WELL, YOU HAVEN'T
QUIT YET.
475
00:27:14,901 --> 00:27:17,770
NO. WE HAVE TO WIN
THE WAR, DON'T WE?
476
00:27:17,770 --> 00:27:19,772
I'M JUST TRYING
TO PAY THE BILLS
477
00:27:19,772 --> 00:27:21,974
AND STAY OUT
OF TROUBLE MYSELF.
478
00:27:29,648 --> 00:27:31,583
GET LOST.
479
00:27:31,583 --> 00:27:33,552
HEY.
480
00:27:33,552 --> 00:27:34,954
WHAT'S TROUBLING YOU?
481
00:27:34,954 --> 00:27:36,823
I'D LIKE TO TURN THIS IN
482
00:27:36,823 --> 00:27:39,225
FOR A LEFT-HANDED
LOCK WIRE PLIER, PLEASE.
483
00:27:39,225 --> 00:27:41,761
HEY, LOU,
WE GOT ANOTHER PATSY.
484
00:27:41,761 --> 00:27:45,231
STICK OUT YOUR LEFT HAND.
485
00:27:47,533 --> 00:27:50,737
THERE, NOW YOU GOT A LEFT-HAND
LOCK WIRE PLIER.
486
00:27:50,737 --> 00:27:52,705
GOT IT?
487
00:27:52,705 --> 00:27:54,440
YEAH, I GOT IT.
488
00:27:54,440 --> 00:27:56,408
NOW REMEMBER IT.
489
00:27:56,408 --> 00:27:59,178
ALL YOU GOT TO SAY IS,
"LISTEN, YOU BIG APE,
490
00:27:59,178 --> 00:28:01,213
"YOU EVER PULL THAT
ON ME AGAIN,
491
00:28:01,213 --> 00:28:03,349
AND I'LL SLAP
YOUR EARS OFF."
492
00:28:03,349 --> 00:28:06,018
LISTEN, YOU BIG APE.
LISTEN, YOU BIG APE.
493
00:28:06,018 --> 00:28:08,254
OKAY. BACK TO WORK, LADIES.
494
00:28:08,254 --> 00:28:14,393
LISTEN,
YOU BIG FAT APE. YEAH.
495
00:28:17,296 --> 00:28:20,499
HOW DO I WORK MY LEFT-HAND
LOCK WIRE PLIERS?
496
00:28:20,499 --> 00:28:21,868
NOW, LISTEN,
497
00:28:21,868 --> 00:28:23,569
YOU BIG...
498
00:28:23,569 --> 00:28:24,904
BIG WHAT?
499
00:28:24,904 --> 00:28:26,505
BIG FAT...
500
00:28:26,505 --> 00:28:28,240
MM-HMM.
501
00:28:56,368 --> 00:28:58,905
[ MEN LAUGH ]
502
00:29:01,673 --> 00:29:03,843
SHE'S SO GORGEOUS.
503
00:29:03,843 --> 00:29:06,012
HAVE A SEAT.
504
00:29:08,815 --> 00:29:11,017
OH, SORRY.
505
00:29:12,618 --> 00:29:13,953
THANK YOU.
506
00:29:13,953 --> 00:29:16,088
HI. HOW YOU DOING?
507
00:29:16,088 --> 00:29:18,290
BOY, THE DAYS
ARE GETTING LONGER.
508
00:29:18,290 --> 00:29:20,292
WHAT DOES THAT MEAN?
509
00:29:20,292 --> 00:29:21,961
I DON'T KNOW.
510
00:29:21,961 --> 00:29:24,230
WHAT'D YOU SAY IT FOR?
511
00:29:24,230 --> 00:29:27,099
YOU SEEM A LITTLE
UNCOMFORTABLE.
512
00:29:27,099 --> 00:29:29,969
WHERE'S YOUR MOTORCYCLE?
513
00:29:29,969 --> 00:29:32,504
I'M TAKING MY POKE
AT HITLER, SAVING GAS.
514
00:29:32,504 --> 00:29:33,873
WHERE ARE YOU FROM, KAY?
515
00:29:33,873 --> 00:29:37,977
WE'RE FROM IOWA,
MY HUSBAND JACK AND ME.
516
00:29:37,977 --> 00:29:40,646
I'M PLAYING MY HORN
TONIGHT, KAY.
517
00:29:40,646 --> 00:29:42,448
YOU WANT TO COME HEAR ME?
518
00:29:42,448 --> 00:29:45,384
NO, I HAVE
A MILLION THINGS TO DO.
519
00:29:45,384 --> 00:29:48,387
I'M NOT BAD, REALLY.
IT'S A CUTE LITTLE PLACE.
520
00:29:48,387 --> 00:29:50,722
NO, I HAVE TO WRITE JACK
A LETTER.
521
00:29:50,722 --> 00:29:52,358
I UNDERSTAND.
522
00:29:52,358 --> 00:29:56,528
SO WHAT ABOUT YOU?
YOU LIKE GOOD MUSIC?
523
00:29:56,528 --> 00:29:58,130
ARE YOU ADDRESSING ME?
524
00:29:58,130 --> 00:30:00,432
YOU'RE BARKING UP
THE WRONG TREE, MISTER.
525
00:30:00,432 --> 00:30:01,600
MY MOTHER ALWAYS SAID
526
00:30:01,600 --> 00:30:04,436
SOMEDAY I'D MEET
A WONDERFUL GIRL LIKE YOU.
527
00:30:04,436 --> 00:30:06,472
SEE YOU TOMORROW, KAY.
528
00:30:06,472 --> 00:30:07,739
BYE.
529
00:30:07,739 --> 00:30:09,341
BYE.
530
00:30:28,560 --> 00:30:32,764
TAKING US ONE STEP CLOSER
TO VICTORY.
531
00:30:32,764 --> 00:30:35,567
OKAY.
532
00:30:40,639 --> 00:30:42,241
* BIG BUCKS *
533
00:30:43,809 --> 00:30:45,411
* BIG BUCKS *
534
00:30:52,751 --> 00:30:54,353
* BIG BUCKS *
535
00:30:55,854 --> 00:30:57,456
* BIG BUCKS *
536
00:31:04,596 --> 00:31:06,198
* BIG BUCKS *
537
00:31:07,733 --> 00:31:09,335
* BIG BUCKS *
538
00:31:16,742 --> 00:31:18,344
* BIG BUCKS *
539
00:31:19,711 --> 00:31:21,047
* BIG BUCKS *
540
00:31:39,932 --> 00:31:42,969
* DOO DOO DOO DOO *
541
00:31:42,969 --> 00:31:44,971
* DOO DOO DOO DOO
DOO DOO DOO *
542
00:31:44,971 --> 00:31:46,973
* DOO *
543
00:31:46,973 --> 00:31:48,674
* PARLEZ-VOUS FRANçAIS, BABY *
544
00:31:48,674 --> 00:31:50,042
* SPRECHEN SIE DEUTSCH *
545
00:31:50,042 --> 00:31:53,445
* MONEY
IS A UNIVERSAL LANGUAGE *
546
00:31:53,445 --> 00:31:55,247
BYE.
547
00:31:55,247 --> 00:31:57,649
TALK TO YOU
A MINUTE, KAY?
548
00:31:57,649 --> 00:31:59,385
SURE.
549
00:31:59,385 --> 00:32:02,488
SOME GUYS JUST CAN'T
TAKE NO FOR AN ANSWER.
550
00:32:02,488 --> 00:32:03,755
YEAH, I KNOW.
551
00:32:03,755 --> 00:32:05,524
YOU SAID IT, STRETCH.
552
00:32:05,524 --> 00:32:07,359
BYE, KAY.
553
00:32:07,359 --> 00:32:08,427
WELL, UM,
554
00:32:08,427 --> 00:32:10,929
I THINK OUR LINE
IS MOVING REALLY FAST,
555
00:32:10,929 --> 00:32:12,898
DON'T YOU, MR. LOCKHART?
556
00:32:12,898 --> 00:32:14,967
LAST CHANCE, KAY.
557
00:32:14,967 --> 00:32:16,668
KELLY'S, SATURDAY NIGHT --
558
00:32:16,668 --> 00:32:19,571
LUCKY LOCKHART
AND HIS HOT JAZZ TRUMPET.
559
00:32:19,571 --> 00:32:21,373
WELL...
560
00:32:21,373 --> 00:32:23,442
IT'S GREAT
WORKING WITH YOU,
561
00:32:23,442 --> 00:32:26,912
AND I THINK YOU'RE THE BEST
LEADMAN ON THE LINE,
562
00:32:26,912 --> 00:32:30,449
AND I JUST KNOW
YOU'RE A SWELL FELLA,
563
00:32:30,449 --> 00:32:34,820
BUT YOU'VE BEEN
ASKING ME OUT EVERY WEEK
564
00:32:34,820 --> 00:32:36,955
FOR THE LAST FIVE MONTHS,
565
00:32:36,955 --> 00:32:39,558
AND I KEEP HAVING
TO TURN YOU DOWN,
566
00:32:39,558 --> 00:32:44,563
AND PEOPLE
ARE BEGINNING TO TALK.
567
00:32:44,563 --> 00:32:48,467
I'M JUST TRYING TO IMPROVE
YOUR TASTE IN MUSIC, KAY.
568
00:32:50,402 --> 00:32:53,472
BUT YOU WON'T
HAVE TO TURN ME DOWN AGAIN.
569
00:32:57,676 --> 00:33:01,613
DON'T BE LATE,
OR I'LL DOCK YOU, MRS. WALSH.
570
00:33:01,613 --> 00:33:03,615
[ CHEERING ]
571
00:33:20,866 --> 00:33:22,534
Man: ATTENTION, PLEASE.
572
00:33:22,534 --> 00:33:26,572
WE HAVE JUST RECEIVED NEWS
OF ANOTHER TRAGIC LOSS.
573
00:33:26,572 --> 00:33:30,809
THE JAPANESE HAVE SUNK
THE U.S. CARRIER HORNET
574
00:33:30,809 --> 00:33:32,311
DEFENDING GUADALCANAL.
575
00:33:32,311 --> 00:33:34,113
I KNOW MANY OF YOU
SWING-SHIFTERS
576
00:33:34,113 --> 00:33:37,616
HAVE HUSBANDS, SONS,
AND SWEETHEARTS ON GUADALCANAL.
577
00:33:37,616 --> 00:33:41,187
WE MUST WORK HARDER
TO HELP TURN THE TIDE.
578
00:33:41,187 --> 00:33:43,122
SIGNING OFF.
579
00:34:05,844 --> 00:34:07,379
HE ASKED ME OUT TONIGHT.
580
00:34:07,379 --> 00:34:10,082
I'M JUST GOING TO TELL HIM
NOT TO BOTHER ME ANYMORE.
581
00:34:10,082 --> 00:34:11,750
IT'S UP TO YOU.
582
00:34:11,750 --> 00:34:13,819
MAYBE YOU COULD
COME ALONG, HAZEL,
583
00:34:13,819 --> 00:34:15,787
JUST TO KEEP THINGS SAFE.
584
00:34:15,787 --> 00:34:17,623
OH, NO. UNH-UNH.
585
00:34:17,623 --> 00:34:18,990
WHY NOT?
586
00:34:18,990 --> 00:34:20,559
WHAT ARE YOU
GOING TO DO?
587
00:34:20,559 --> 00:34:23,395
YOU'RE OFF TOMORROW.
YOU GOING TO SIT HOME?
588
00:34:23,395 --> 00:34:26,332
OH, I THOUGHT I'D WHIP UP
A BATCH OF VICTORY FUDGE.
589
00:34:26,332 --> 00:34:28,334
LOOK, HONEY,
YOU DON'T NEED ME.
590
00:34:28,334 --> 00:34:30,736
I GOT FAITH IN YOU.
591
00:34:30,736 --> 00:34:32,938
YOU DO?
592
00:34:32,938 --> 00:34:35,674
SURE.
593
00:34:39,311 --> 00:34:41,780
I REALLY LIKE YOU, HAZEL,
594
00:34:41,780 --> 00:34:43,515
A LOT.
595
00:34:43,515 --> 00:34:46,352
WELL, GEE, KAY,
I REALLY LIKE YOU, TOO.
596
00:34:46,352 --> 00:34:48,354
NO, I REALLY LIKE YOU.
597
00:34:48,354 --> 00:34:51,257
ALL RIGHT. DON'T GET
SENTIMENTAL ON ME.
598
00:34:51,257 --> 00:34:53,159
* LIKE EYES, LIKE NOSE *
599
00:34:53,159 --> 00:34:54,960
* LIKE THE HAIR,
AND LIKE THOSE TOES *
600
00:34:54,960 --> 00:34:57,263
* OOH, LOOK THERE,
AIN'T YOU PRETTY? *
601
00:34:57,263 --> 00:34:59,198
YES, SIR.
602
00:35:00,899 --> 00:35:03,935
NOW, YOU WANTED
TO TELL ME SOMETHING?
603
00:35:03,935 --> 00:35:06,505
OH, LUCKY, THANK YOU.
604
00:35:08,640 --> 00:35:10,909
LUCKY...
605
00:35:10,909 --> 00:35:13,412
I THINK YOU'RE A SWELL GUY.
606
00:35:13,412 --> 00:35:16,582
I THINK YOU ARE TERRIFIC.
607
00:35:18,384 --> 00:35:20,419
YOU KNOW,
THERE ARE A LOT
608
00:35:20,419 --> 00:35:22,921
OF GREAT GIRLS
AT THE PLANT, LUCKY.
609
00:35:22,921 --> 00:35:24,523
MILLIONS.
610
00:35:24,523 --> 00:35:26,292
SINGLE GALS.
611
00:35:26,292 --> 00:35:29,428
LOTS OF THEM, TOO. SO?
612
00:35:34,600 --> 00:35:37,769
OH, SPIKE AND ETHEL,
MY LANDLORDS.
613
00:35:37,769 --> 00:35:40,105
WHAT'S THE MATTER?
614
00:35:40,105 --> 00:35:42,808
WHAT'S WRONG?
615
00:35:42,808 --> 00:35:44,810
KAY?
616
00:35:44,810 --> 00:35:46,412
SORRY.
617
00:35:46,412 --> 00:35:48,146
WAIT A MINUTE.
618
00:35:48,146 --> 00:35:49,748
OH, EXCUSE ME, I --
619
00:35:49,748 --> 00:35:53,018
YOU ALL RIGHT?
WHAT ARE YOU DOING?
620
00:35:53,018 --> 00:35:55,153
WAIT A MINUTE.
621
00:35:59,558 --> 00:36:01,227
TAXI!
622
00:36:03,729 --> 00:36:05,264
Lucky: KAY!
623
00:36:05,264 --> 00:36:06,865
EXCUSE ME.
624
00:36:06,865 --> 00:36:08,200
OW.
625
00:36:08,200 --> 00:36:09,768
WAIT. WAIT A MINUTE.
626
00:36:09,768 --> 00:36:13,239
I CAN'T. I CAN'T, LUCKY.
I'M MARRIED.
627
00:36:13,239 --> 00:36:15,241
SO WHAT?
SO THAT'S IT?
628
00:36:15,241 --> 00:36:16,708
IT'S WRONG!
629
00:36:16,708 --> 00:36:19,445
COME ON, KAY.
IT'S YOUR OWN LIFE.
630
00:36:19,445 --> 00:36:22,147
YOU'VE GOT A RIGHT
TO BE HAPPY.
631
00:36:22,147 --> 00:36:23,949
I CAN'T.
632
00:36:23,949 --> 00:36:27,753
I'M MARRIED.
DON'T YOU UNDERSTAND THAT?
633
00:36:29,755 --> 00:36:31,757
DON'T YOU GET IT?
634
00:36:37,796 --> 00:36:40,899
PLEASE...
635
00:36:40,899 --> 00:36:43,602
GO AWAY.
636
00:36:49,608 --> 00:36:52,811
COME ON. I'LL GIVE YOU
A RIDE HOME.
637
00:36:52,811 --> 00:36:54,346
NO.
638
00:36:54,346 --> 00:36:56,782
JUST COME OUT
OF THE ALLEYWAY.
639
00:36:56,782 --> 00:36:58,650
NO.
640
00:37:00,752 --> 00:37:03,355
SUIT YOURSELF.
641
00:37:12,531 --> 00:37:15,667
HEY, KAY, HAZEL, LOOK!
642
00:37:15,667 --> 00:37:17,669
I GOT ANOTHER LETTER
FROM AL,
643
00:37:17,669 --> 00:37:19,671
AND IT'S ONLY
TWO MONTHS OLD.
644
00:37:19,671 --> 00:37:21,840
YOU HAD ME KEEPING YOU
COMPANY ALL NIGHT,
645
00:37:21,840 --> 00:37:23,642
YOU WOULDN'T NEED
ANYBODY ELSE.
646
00:37:23,642 --> 00:37:26,177
ALL THESE GUYS
THINK THEY'RE GOD'S GIFT,
647
00:37:26,177 --> 00:37:27,879
EVERY LAST ONE OF THEM.
648
00:37:27,879 --> 00:37:30,349
SWEETIE, IT'S ALWAYS
BEEN THAT WAY.
649
00:37:30,349 --> 00:37:33,819
HI. I THOUGHT
I WAS GOING TO BE LATE.
650
00:37:33,819 --> 00:37:37,623
Man: THERE SHE IS.
MRS. SHERMAN, LADIES?
651
00:37:40,692 --> 00:37:43,295
ARE YOU
MRS. JEANNIE SHERMAN?
652
00:37:43,295 --> 00:37:44,830
YES.
653
00:37:44,830 --> 00:37:47,299
WIFE OF CORPORAL
ALBERT SHERMAN
654
00:37:47,299 --> 00:37:49,635
OF GLENDALE, CALIFORNIA?
655
00:37:49,635 --> 00:37:50,669
YES.
656
00:37:50,669 --> 00:37:53,472
I'M SORRY
TO INFORM YOU THAT --
657
00:37:53,472 --> 00:37:56,975
THAT YOUR -- THAT --
658
00:37:56,975 --> 00:37:58,744
I'M S--
659
00:37:58,744 --> 00:38:00,812
I'M SORRY
TO INFORM YOU...
660
00:38:05,417 --> 00:38:07,419
I-I'M SORRY.
661
00:38:07,419 --> 00:38:10,656
I'VE NEVER
DONE THIS BEFORE.
662
00:38:22,067 --> 00:38:23,735
Man: ASSOCIATES...
663
00:38:23,735 --> 00:38:27,906
CONGRATULATIONS FOR HAVING
SURPASSED OUR 1942 QUOTA.
664
00:38:27,906 --> 00:38:32,110
CELEBRATE A GOOD YEAR'S WORK
AT THE SWING SHIFT JAMBOREE.
665
00:38:32,110 --> 00:38:35,313
REMEMBER,
THE SWING SHIFT JAMBOREE --
666
00:38:35,313 --> 00:38:39,084
THIS SATURDAY NIGHT
AT THE EGYPTIAN BALLROOM.
667
00:38:41,587 --> 00:38:43,889
Radio announcer:
ELEVENTH LONG MONTH,
668
00:38:43,889 --> 00:38:46,892
UNITED STATES NAVAL FORCES
HAVE DESTROYED
669
00:38:46,892 --> 00:38:49,561
23 JAPANESE WARSHIPS
AND TRANSPORTS...
670
00:38:49,561 --> 00:38:55,501
PEEWEE, WHERE'D YOU
GET THAT DRESS? MUSEUM?
671
00:38:55,501 --> 00:38:58,269
NO GOOD, HUH?
672
00:38:58,269 --> 00:39:00,305
YOU GOT A SWELL SHAPE,
SWEETHEART.
673
00:39:00,305 --> 00:39:01,940
WHY ARE YOU
AFRAID TO SHOW IT?
674
00:39:01,940 --> 00:39:04,209
JACK DOESN'T LIKE
REVEALING THINGS.
675
00:39:04,209 --> 00:39:06,845
SO? LET HIM WEAR IT.
676
00:39:06,845 --> 00:39:10,482
WELL, I DON'T WANT TO GO
TO THE DANCE ANYWAY.
677
00:39:10,482 --> 00:39:12,884
GOOD. ME, NEITHER.
678
00:39:12,884 --> 00:39:15,153
DO YOU LIKE IT
UP OR DOWN?
679
00:39:15,153 --> 00:39:17,088
I LIKE IT UP.
680
00:39:17,088 --> 00:39:19,290
YEAH.
681
00:39:19,290 --> 00:39:23,395
BACK TO THE WAR NEWS
TONIGHT FOR NOVEMBER 17...
682
00:39:23,395 --> 00:39:25,397
I JUST THOUGHT,
YOU KNOW,
683
00:39:25,397 --> 00:39:27,399
SINCE IT
WAS DOWN THE STREET,
684
00:39:27,399 --> 00:39:29,401
YOU KNOW,
THAT LITTLE PLACE.
685
00:39:29,401 --> 00:39:31,403
THE EGYPTIAN BALLROOM?
UNH-UNH.
686
00:39:31,403 --> 00:39:33,304
I'VE HAD IT
WITH THAT PLACE.
687
00:39:33,304 --> 00:39:35,306
I WOULDN'T
BE CAUGHT DEAD THERE.
688
00:39:35,306 --> 00:39:37,075
ME, EITHER.
689
00:39:37,075 --> 00:39:39,077
WHAT A DUMB IDEA.
690
00:39:39,077 --> 00:39:41,413
THE EGYPTIAN BALLROOM.
691
00:39:41,413 --> 00:39:43,449
SWING SHIFT JAMBOREE.
692
00:39:43,449 --> 00:39:46,985
STUPID. GOD.
693
00:39:46,985 --> 00:39:51,022
WELL, WE COULD JUST
STAY HOME AND DO SOMETHING.
694
00:39:51,022 --> 00:39:52,924
SURE.
695
00:39:52,924 --> 00:39:55,093
WE COULD, UM...
696
00:39:59,998 --> 00:40:03,469
WE COULD CLEAN OUT
YOUR KITCHEN DRAWERS.
697
00:40:03,469 --> 00:40:06,538
SURE, WE COULD DO THAT.
698
00:40:10,341 --> 00:40:13,945
THEY'LL PROBABLY THINK
WE'RE STUCK-UP FOR NOT GOING.
699
00:40:13,945 --> 00:40:15,346
SO?
700
00:40:15,346 --> 00:40:17,015
WHO CARES?
701
00:40:17,015 --> 00:40:18,884
I DON'T CARE.
702
00:40:18,884 --> 00:40:20,586
OKAY.
703
00:40:20,586 --> 00:40:22,888
GOT ANY ACES?
704
00:40:26,157 --> 00:40:29,695
ARE YOU ABSOLUTELY SURE
YOU DON'T WANT TO GO?
705
00:40:31,497 --> 00:40:33,965
THAT DRESS LOOKS
RIDICULOUS.
706
00:40:33,965 --> 00:40:35,567
IT DOES?
707
00:40:35,567 --> 00:40:38,169
MM-HMM. WE'LL WORK ON IT.
LET'S FIX YOU UP.
708
00:40:38,169 --> 00:40:39,571
AND...
709
00:40:39,571 --> 00:40:43,575
HEY, I'M GAININ'.
710
00:40:48,980 --> 00:40:51,750
* HEY, THERE, GALS,
SPREAD THE NEWS *
711
00:40:51,750 --> 00:40:54,753
* I'VE GOT
THE SO-SO SWING SHIFT BLUES *
712
00:40:54,753 --> 00:40:57,255
* I MAKE GOOD MONEY,
I PAY MY RENT *
713
00:40:57,255 --> 00:40:59,758
* BUT I'D RATHER
BE THE COMPANY PRESIDENT *
714
00:40:59,758 --> 00:41:02,260
HI, HAZEL. I THOUGHT
YOU'D NEVER MAKE IT.
715
00:41:02,260 --> 00:41:03,829
BYE.
716
00:41:03,829 --> 00:41:05,731
KAY, COME ON. COME ON.
717
00:41:05,731 --> 00:41:07,599
HEY, WHO'S THE NEW GIRL?
718
00:41:07,599 --> 00:41:09,968
NOT RIGHT NOW, OKAY? LATER.
719
00:41:15,440 --> 00:41:17,408
HONEY, IS THIS CHECK OKAY?
720
00:41:17,408 --> 00:41:19,010
HI.
721
00:41:19,010 --> 00:41:20,546
CARE TO DANCE?
722
00:41:20,546 --> 00:41:22,480
YEAH, SURE.
723
00:41:27,919 --> 00:41:30,088
COME ON.
724
00:41:57,015 --> 00:41:58,817
HAZEL?
725
00:41:58,817 --> 00:42:04,455
* THERE'S A WORLD I KNOW *
726
00:42:04,455 --> 00:42:09,728
* NOT FAR FROM HERE *
727
00:42:09,728 --> 00:42:12,497
I DIDN'T THINK I WAS EVER
GOING TO SEE YOU AGAIN,
728
00:42:12,497 --> 00:42:14,465
BUT YOU SHOW UP.
729
00:42:14,465 --> 00:42:16,501
HERE WE ARE BACK
AT THE EGYPTIAN,
730
00:42:16,501 --> 00:42:18,704
JUST LIKE OLD TIMES, HUH?
731
00:42:20,906 --> 00:42:23,474
I KNEW I SHOULDN'T
HAVE COME HERE.
732
00:42:23,474 --> 00:42:25,043
NOT TRUE.
733
00:42:25,043 --> 00:42:28,747
YOU GOT TO SEE WHAT FATE
HAS IN STORE FOR YOU
734
00:42:28,747 --> 00:42:31,617
'CAUSE JUST WHEN YOU
THINK YOU'RE THROUGH
735
00:42:31,617 --> 00:42:34,419
WITH SOMETHING
AND LIFE HAS GOT YOU BEAT,
736
00:42:34,419 --> 00:42:37,623
IT COMES RIGHT BACK TO YOU
STRONGER THAN EVER.
737
00:42:37,623 --> 00:42:40,258
EVERYTHING'S GOOD AGAIN,
738
00:42:40,258 --> 00:42:41,993
JUST LIKE US.
739
00:42:44,295 --> 00:42:45,864
I CAME HERE TONIGHT
740
00:42:45,864 --> 00:42:47,899
TO BE WITH
MY FRIENDS, BISCUITS.
741
00:42:47,899 --> 00:42:50,936
THERE'S PLENTY
OF NICE GUYS AT THE PLANT,
742
00:42:50,936 --> 00:42:53,071
AND YOU DON'T LOOK
SO BEAT TO ME.
743
00:42:53,071 --> 00:42:55,707
YOU PROBABLY
GOT ALL THE MONEY
744
00:42:55,707 --> 00:42:57,809
AND ALL THE GIRLS
YOU CAN HANDLE.
745
00:42:57,809 --> 00:43:00,679
IT'S WHAT YOU'VE
ALWAYS WANTED, ISN'T IT?
746
00:43:00,679 --> 00:43:02,648
IT'S WHAT
I ALWAYS WANTED.
747
00:43:02,648 --> 00:43:04,315
WHY DON'T YOU
GO ON INSIDE
748
00:43:04,315 --> 00:43:06,918
AND ENJOY YOURSELF
WITH YOUR NEW FRIENDS?
749
00:43:06,918 --> 00:43:09,855
I THINK I'D LIKE
TO JUST FINISH MY CIGARETTE,
750
00:43:09,855 --> 00:43:11,990
IF YOU DON'T MIND.
751
00:43:15,160 --> 00:43:17,362
HAZEL, SOMEDAY
I'M GOING TO DO SOMETHING
752
00:43:17,362 --> 00:43:19,264
THAT'LL SURPRISE YOU.
753
00:43:19,264 --> 00:43:21,166
YOU WAIT AND SEE.
754
00:43:21,166 --> 00:43:23,168
[ DOOR SLAMS ]
755
00:43:24,569 --> 00:43:27,939
[ PLAYING SWING MUSIC ]
756
00:44:25,496 --> 00:44:29,701
* DANCING IN THE DARK *
757
00:44:29,701 --> 00:44:31,569
* TILL THE TUNE ENDS *
758
00:44:31,569 --> 00:44:36,607
* WE'RE DANCING IN THE DARK *
759
00:44:36,607 --> 00:44:38,209
HI.
760
00:44:38,209 --> 00:44:39,745
HI.
761
00:44:39,745 --> 00:44:42,848
BOY, I DON'T KNOW
MUCH ABOUT MUSIC,
762
00:44:42,848 --> 00:44:45,216
BUT YOU WERE JUST TERRIFIC.
763
00:44:45,216 --> 00:44:46,417
THANKS.
764
00:44:46,417 --> 00:44:49,287
I REALLY AM A MUSICIAN.
I'M NOT A MECHANIC.
765
00:44:49,287 --> 00:44:51,890
WORKING AT MacBRIDE'S
IS KILLING ME.
766
00:44:51,890 --> 00:44:54,325
WHY AREN'T YOU
IN THE SERVICE?
767
00:44:57,195 --> 00:44:58,997
I'M A JAP SPY.
768
00:44:58,997 --> 00:45:01,266
AREN'T YOU EVER SERIOUS
ABOUT ANYTHING?
769
00:45:01,266 --> 00:45:03,935
YOU TELL ME WHAT THERE IS
TO BE SERIOUS ABOUT.
770
00:45:03,935 --> 00:45:07,939
EVERYTHING --
THE WAR, THE NAZIS,
771
00:45:07,939 --> 00:45:10,742
WINSTON CHURCHILL.
772
00:45:15,180 --> 00:45:17,949
I THINK YOU LOOK PRETTIER
WITHOUT ALL THAT STUFF.
773
00:45:17,949 --> 00:45:20,185
YOU'RE TOO GOOD-LOOKING
FOR THAT.
774
00:45:30,762 --> 00:45:32,497
LUCKY!
775
00:45:35,934 --> 00:45:38,937
YOU WANT A RIDE HOME?
776
00:45:48,814 --> 00:45:51,016
[ THUNDER CRASHES ]
777
00:45:58,423 --> 00:46:00,358
Kay: WHEW! OH!
778
00:46:00,358 --> 00:46:02,160
GET INSIDE!
779
00:46:02,160 --> 00:46:05,030
GOSH. I'M FREEZING.
NOW I'M STARVING.
780
00:46:05,030 --> 00:46:06,965
THAT'S NOT ALL.
781
00:46:06,965 --> 00:46:08,834
WHAT ELSE AM I?
782
00:46:08,834 --> 00:46:10,635
FOR ONE THING,
YOU'RE ALL WET.
783
00:46:10,635 --> 00:46:13,404
YOUR MAKEUP'S PROBABLY
IN YOUR NYLONS BY NOW.
784
00:46:13,404 --> 00:46:16,474
WHY, WHAT'D YOU THINK
I WAS GOING TO SAY?
785
00:46:16,474 --> 00:46:18,143
NOTHING.
786
00:46:18,143 --> 00:46:20,278
YOU KNOW ME BETTER
THAN THAT.
787
00:46:20,278 --> 00:46:23,614
I WAS GOING TO MAKE A TOTALLY
UNACCEPTABLE SUGGESTION.
788
00:46:23,614 --> 00:46:25,616
WHAT'S YOUR SUGGESTION?
789
00:46:25,616 --> 00:46:26,918
I HAPPEN TO MAKE
790
00:46:26,918 --> 00:46:28,854
THE BEST CHEESE OMELET
IN THE WORLD.
791
00:46:28,854 --> 00:46:30,521
CHANGE YOUR CLOTHES.
792
00:46:30,521 --> 00:46:32,457
HOW ABOUT YOU?
793
00:46:32,457 --> 00:46:34,459
CHANGE INTO WHAT?
794
00:46:34,459 --> 00:46:35,693
THIS?
795
00:46:35,693 --> 00:46:36,862
FORGET IT.
796
00:46:36,862 --> 00:46:38,129
OR THIS?
797
00:46:38,129 --> 00:46:40,098
I'LL CATCH PNEUMONIA FIRST.
798
00:46:40,098 --> 00:46:43,401
IT'S THIS OR THIS.
TAKE YOUR CHOICE.
799
00:46:43,401 --> 00:46:45,770
HOW MUCH LONGER?
I'M STARVING.
800
00:46:45,770 --> 00:46:47,805
JUST HOLD ON
ANOTHER MINUTE.
801
00:46:47,805 --> 00:46:49,607
WHY?
802
00:46:49,607 --> 00:46:51,742
HERE'S WHY.
803
00:46:51,742 --> 00:46:54,579
OH, LUCKY,
YOU'RE PRETTY GOOD.
804
00:46:54,579 --> 00:46:55,981
STOP IT.
805
00:46:55,981 --> 00:46:57,983
IT'S JUST A LITTLE SOMETHING
I WHIPPED UP.
806
00:46:57,983 --> 00:46:59,918
YOU DO THIS TO ME
ALL THE TIME.
807
00:46:59,918 --> 00:47:02,787
OH, LUCKY,
THE THINGS YOU DO.
808
00:47:02,787 --> 00:47:04,890
HOW ABOUT A LITTLE
SUPPER MUSIC?
809
00:47:04,890 --> 00:47:06,958
SURE.
810
00:47:13,798 --> 00:47:15,867
HMM. "SKYLARK."
811
00:47:17,668 --> 00:47:19,537
NO GOOD?
812
00:47:19,537 --> 00:47:20,738
NO, IT'S OKAY.
813
00:47:20,738 --> 00:47:24,542
I JUST PLAY IT A LOT
WHEN I'M ALONE, THAT'S ALL.
814
00:47:24,542 --> 00:47:26,777
[ SLOW MUSIC PLAYS ]
815
00:47:26,777 --> 00:47:28,546
TOO LOUD?
816
00:47:46,998 --> 00:47:49,067
DO YOU KNOW THIS?
817
00:47:52,670 --> 00:47:54,639
[ PLAYS ALONG WITH MUSIC ]
818
00:47:54,639 --> 00:47:56,407
OH, THIS OLD MOUTHPIECE.
819
00:47:56,407 --> 00:47:58,809
IT'S GETTING HARD
TO HIT THE HIGH NOTES.
820
00:47:58,809 --> 00:48:00,545
NO EXCUSES, REALLY.
821
00:48:02,914 --> 00:48:05,050
AREN'T YOU GOING TO EAT?
822
00:48:05,050 --> 00:48:07,518
IN A MINUTE.
823
00:48:09,054 --> 00:48:12,023
I LOOKED ALL OVER FOR YOU
AT THE JAMBOREE.
824
00:48:13,391 --> 00:48:15,961
NEVER DID
GET TO DANCE WITH YOU.
825
00:48:15,961 --> 00:48:18,629
WOULD YOU LIKE TO?
826
00:48:31,509 --> 00:48:33,711
YOU MEET JACK
IN HIGH SCHOOL?
827
00:48:33,711 --> 00:48:35,113
UH-HUH.
828
00:48:35,113 --> 00:48:38,649
4-YEAR LETTERMAN.
IN WHAT?
829
00:48:38,649 --> 00:48:42,053
BASKETBALL, BASEBALL,
TRACK, FOOTBALL.
830
00:48:42,053 --> 00:48:44,589
HE WAS QUITE AN ATHLETE.
831
00:48:44,589 --> 00:48:46,591
HE STILL IS, I'M SURE.
832
00:48:58,669 --> 00:49:02,307
* SKYLARK *
833
00:49:02,307 --> 00:49:08,679
* HAVE YOU ANYTHING
TO SAY TO ME? *
834
00:49:08,679 --> 00:49:14,285
* WON'T YOU TELL ME
WHERE MY LOVE CAN BE? *
835
00:49:14,285 --> 00:49:18,523
* IS THERE A MEADOW
IN THE MIST *
836
00:49:18,523 --> 00:49:23,261
* WHERE SOMEONE'S WAITING
TO BE KISSED? *
837
00:49:23,261 --> 00:49:27,765
* SKYLARK *
838
00:49:27,765 --> 00:49:33,438
* HAVE YOU SEEN
A VALLEY GREEN WITH TREES? *
839
00:49:35,740 --> 00:49:39,944
HOW COME YOU NEVER ASKED ME
IF I WAS 4-F?
840
00:49:39,944 --> 00:49:41,746
I DON'T KNOW.
841
00:49:41,746 --> 00:49:47,085
WELL, JUST IN CASE YOU
EVER WONDERED ABOUT IT, I AM.
842
00:49:47,085 --> 00:49:49,187
THE ARMY TURNED ME DOWN.
843
00:49:49,187 --> 00:49:51,522
FLUNKED MY PHYSICAL.
844
00:49:51,522 --> 00:49:52,923
I'M SORRY.
845
00:49:52,923 --> 00:49:55,160
DON'T BE.
IT'S NOT WORTH IT.
846
00:49:55,160 --> 00:49:57,162
I'M NOT SICK.
847
00:49:57,162 --> 00:49:59,064
I'M JUST 4-F.
848
00:49:59,064 --> 00:50:00,865
4-F, THAT'S ALL.
849
00:50:00,865 --> 00:50:04,669
IT'S NOT LIKE THEY CALLED YOU
A DIRTY NAME, LUCKY.
850
00:50:04,669 --> 00:50:07,138
HMM. IT ISN'T?
851
00:50:07,138 --> 00:50:09,140
SKIP IT.
852
00:50:09,140 --> 00:50:11,476
BELIEVE ME, IF IT
HADN'T BEEN FOR THE WAR,
853
00:50:11,476 --> 00:50:14,612
NOBODY WOULD HAVE SAID
A THING ABOUT MY BAD HEART.
854
00:50:14,612 --> 00:50:17,215
BESIDES,
IT DOESN'T BOTHER ME.
855
00:50:17,215 --> 00:50:20,085
IT DOESN'T BOTHER ME.
856
00:50:20,085 --> 00:50:22,220
YEAH, I CAN SEE THAT.
857
00:50:22,220 --> 00:50:25,022
IT BOTHERS ME A LITTLE,
858
00:50:25,022 --> 00:50:29,260
MAINLY OF MAKING
GIRLS NERVOUS.
859
00:50:33,198 --> 00:50:35,166
MAKING GIRLS NERVOUS HOW?
860
00:50:35,166 --> 00:50:37,034
IF YOU KNEW
861
00:50:37,034 --> 00:50:39,270
AND YOU SAW ME
DO SOMETHING STRENUOUS...
862
00:50:39,270 --> 00:50:41,306
YOU WOULDN'T WANT ME
TO WORRY.
863
00:50:41,306 --> 00:50:43,374
THAT'S VERY CONSIDERATE.
864
00:50:43,374 --> 00:50:44,575
THANKS.
865
00:50:44,575 --> 00:50:47,445
I JUST WANT YOU
TO ENJOY YOURSELF.
866
00:50:47,445 --> 00:50:49,447
YEAH, AND YOU WERE
JUST SO SURE
867
00:50:49,447 --> 00:50:51,449
THAT YOU COULD
GET ME INTO BED
868
00:50:51,449 --> 00:50:53,851
THAT YOU DIDN'T WANT ME
TO BE NERVOUS
869
00:50:53,851 --> 00:50:55,253
ABOUT YOUR BAD HEART.
870
00:50:55,253 --> 00:50:57,255
I DON'T HAVE A BAD HEART.
871
00:50:57,255 --> 00:50:58,956
I'M TELLING YOU
I DON'T CARE.
872
00:50:58,956 --> 00:51:02,059
BOY, I DON'T KNOW HOW YOU
LET ME GET INTO THIS.
873
00:51:02,059 --> 00:51:04,061
GET YOU INTO WHAT?
874
00:51:04,061 --> 00:51:06,497
I DON'T HAVE
TO SPELL IT OUT.
875
00:51:06,497 --> 00:51:09,234
I'D LIKE TO THINK
WE MADE LOVE TO EACH OTHER.
876
00:51:09,234 --> 00:51:11,236
ARE YOU TRYING
TO TELL ME
877
00:51:11,236 --> 00:51:13,671
THAT I'M RESPONSIBLE
FOR ALL THIS,
878
00:51:13,671 --> 00:51:16,141
WHEN YOU'VE BEEN ASKING ME
OUT FOREVER,
879
00:51:16,141 --> 00:51:17,908
AND I KEEP SAYING NO?
880
00:51:17,908 --> 00:51:19,777
YOU MEANT YES.
881
00:51:19,777 --> 00:51:21,312
I MEANT NO.
882
00:51:21,312 --> 00:51:23,414
WELL, SOMEBODY AROUND HERE
SAID YES.
883
00:51:23,414 --> 00:51:26,417
I SAID YES BECAUSE
I FELT SORRY FOR YOU.
884
00:51:26,417 --> 00:51:28,386
JUST GET OUT OF HERE.
885
00:51:28,386 --> 00:51:31,256
WHAT THE HELL DOES IT
LOOK LIKE I'M DOING?
886
00:51:31,256 --> 00:51:34,091
I WON'T EVEN
PUT ON MY SHOES.
887
00:51:34,091 --> 00:51:36,594
I NEVER WANT
TO SEE YOU AGAIN.
888
00:51:36,594 --> 00:51:38,596
NEVER.
889
00:51:42,300 --> 00:51:44,502
[ KNOCK ON DOOR ]
890
00:51:47,138 --> 00:51:48,939
WHO IS IT?
891
00:51:48,939 --> 00:51:51,142
ME.
892
00:51:54,345 --> 00:51:57,548
I DON'T KNOW WHAT THE HELL
WE'RE TALKING ABOUT, KAY.
893
00:51:57,548 --> 00:52:00,651
WE'VE GOT TO GO BACK
TO WORK IN 12 HOURS.
894
00:52:03,454 --> 00:52:04,989
WHAT I DON'T UNDERSTAND
895
00:52:04,989 --> 00:52:08,693
IS WHY IT HAD TO HAPPEN
IN THE FIRST PLACE.
896
00:52:08,693 --> 00:52:10,395
WORLD WAR II?
897
00:52:11,696 --> 00:52:15,900
NO. WHY DID WE HAVE TO END UP
WORKING TOGETHER?
898
00:52:20,104 --> 00:52:22,106
KAY, ARE YOU ALL RIGHT?
899
00:52:22,106 --> 00:52:23,974
I'M FINE.
900
00:52:23,974 --> 00:52:25,876
JUST WONDERING.
901
00:52:27,678 --> 00:52:30,748
I'LL NEVER SEE YOU AGAIN
EXCEPT MONDAY THROUGH FRIDAY
902
00:52:30,748 --> 00:52:33,818
FROM 4:00 TILL MIDNIGHT
EVERY SWING SHIFT.
903
00:52:35,620 --> 00:52:39,357
I SWEAR, IF YOU WERE
ANY KIND OF A GENTLEMAN...
904
00:52:39,357 --> 00:52:42,627
I'D WHAT,
WORK GRAVEYARD?
905
00:52:42,627 --> 00:52:44,629
WHAT?
906
00:52:46,564 --> 00:52:49,500
YOU WOULDN'T KNOW
SO MUCH ABOUT ME.
907
00:52:57,308 --> 00:53:01,446
YOU'RE EVERYWHERE
IN MY WORK AND MY LIFE.
908
00:53:03,648 --> 00:53:06,451
HOW WILL I EVER
GET RID OF YOU?
909
00:53:08,886 --> 00:53:11,222
YOU CAN'T, I HOPE.
910
00:53:21,065 --> 00:53:22,800
KAY...
911
00:53:24,802 --> 00:53:26,804
IS THAT BAD?
912
00:53:28,806 --> 00:53:30,808
I DON'T KNOW.
913
00:53:34,479 --> 00:53:38,483
WELL, I GUESS
WE'RE IN IT, HUH?
914
00:53:38,483 --> 00:53:41,819
FOR THE DURATION.
915
00:53:41,819 --> 00:53:43,688
BOY.
916
00:53:49,694 --> 00:53:52,430
YOU DON'T HAVE TO GET RID
OF IT, KAY.
917
00:53:52,430 --> 00:53:54,632
YOU JUST BLEW YOUR NOSE.
918
00:54:09,079 --> 00:54:11,181
WHOO!
919
00:54:11,181 --> 00:54:14,018
AAH!
920
00:54:18,523 --> 00:54:21,326
WE MADE THOSE.
921
00:54:30,468 --> 00:54:32,670
[ FIRECRACKERS POPPING ]
922
00:54:47,885 --> 00:54:50,120
YOU GOT IT.
923
00:54:50,120 --> 00:54:51,989
HEY, SWEETHEART!
924
00:54:51,989 --> 00:54:53,190
YEAH?
925
00:54:53,190 --> 00:54:54,825
WHAT'S UP?
926
00:54:54,825 --> 00:54:57,362
ALLIES INTO PALERMO.
AXIS ON THE RUN.
927
00:54:57,362 --> 00:54:59,263
YOU WANT ONE?
928
00:54:59,263 --> 00:55:01,065
SURE. CATCH.
929
00:55:01,065 --> 00:55:02,867
OUT JOY RIDING, HUH?
930
00:55:02,867 --> 00:55:04,969
USING UP
THAT BLACK MARKET GAS?
931
00:55:04,969 --> 00:55:07,705
Hazel: THAT'S WHAT YOU USE
WHEN YOU GO JOY RIDING.
932
00:55:07,705 --> 00:55:10,307
LUCKY AND HAZEL
INVITED ME TO THE BEACH.
933
00:55:10,307 --> 00:55:13,143
THEY MUST HAVE THOUGHT
I WAS GETTING LONELY.
934
00:55:13,143 --> 00:55:15,179
BYE, LUCKY. THANKS.
935
00:55:15,179 --> 00:55:17,081
GOODBYE, HONEY.
936
00:55:17,081 --> 00:55:18,949
GOODBYE, SWEETHEART.
937
00:55:18,949 --> 00:55:20,351
SEE YOU SOON.
938
00:55:20,351 --> 00:55:22,553
YOU GOT TO COME
NEXT TIME, SPIKE.
939
00:55:22,553 --> 00:55:24,755
WE HAD A REAL SWELL TIME.
940
00:55:37,301 --> 00:55:39,303
25.
941
00:55:39,303 --> 00:55:41,038
THAT'S GOOD.
942
00:55:41,038 --> 00:55:42,840
SECTOR 25, CLEAR NOW.
943
00:55:42,840 --> 00:55:45,943
WE'RE GOING TO GO
THROUGH THERE.
944
00:56:03,394 --> 00:56:05,329
Woman:
HEY, WHERE DO WE STAND
945
00:56:05,329 --> 00:56:08,098
ON THIS PARTICULAR SEGMENT?
946
00:56:57,114 --> 00:56:59,349
VIOLET!
947
00:56:59,349 --> 00:57:01,552
VIOLET!
948
00:57:07,492 --> 00:57:10,695
[ ALARM SOUNDING ]
949
00:57:34,652 --> 00:57:37,988
OH, BUT KAY WAS
SO WONDERFUL, WASN'T SHE?
950
00:57:37,988 --> 00:57:39,456
OH, GOOD NIGHT!
951
00:57:39,456 --> 00:57:40,725
GOODBYE.
952
00:57:40,725 --> 00:57:44,328
FIVE GUYS, YEAH,
LIKE THAT.
953
00:57:44,328 --> 00:57:46,897
HEY, LUCKY,
YOU SEEN KAY?
954
00:57:46,897 --> 00:57:49,734
SHE GOT CALLED INTO PERSONNEL
BEFORE THE SHIFT ENDED.
955
00:57:49,734 --> 00:57:52,302
I THINK THEY'RE GOING TO
GIVE HER A MEDAL.
956
00:57:52,302 --> 00:57:54,004
SHE SAVED VIOLET'S LIFE.
957
00:57:54,004 --> 00:57:56,340
HEY, GUESS WHAT!
GUESS WHAT!
958
00:57:56,340 --> 00:57:58,475
THEY'RE MAKING ME
A LEADMAN.
959
00:57:58,475 --> 00:57:59,744
YES, YES!
960
00:57:59,744 --> 00:58:02,179
THEY SAID I WAS FAST
ON MY FEET.
961
00:58:02,179 --> 00:58:03,881
MacBRIDE SHOOK MY HAND.
962
00:58:03,881 --> 00:58:06,150
I TOLD HIM THE LINE
WAS MOVING TOO FAST.
963
00:58:06,150 --> 00:58:09,086
THEY JUST SMILED AND HANDED YOU
A PROMOTION, RIGHT?
964
00:58:09,086 --> 00:58:11,822
I THOUGHT YOU'D BE
PROUD OF ME.
965
00:58:11,822 --> 00:58:15,159
SO WE'RE STILL GOING TO
GET TOGETHER LATER ON?
966
00:58:15,159 --> 00:58:18,095
SURE.
967
00:58:20,497 --> 00:58:23,968
AND, KAY, I AM PROUD,
968
00:58:23,968 --> 00:58:25,435
REALLY.
969
00:58:25,435 --> 00:58:27,104
THANKS.
970
00:58:27,104 --> 00:58:28,939
GOOD NIGHT, LUCKY.
971
00:59:12,149 --> 00:59:15,219
Lucky: HA HA!
HERE IT IS, GIRLS!
972
00:59:15,219 --> 00:59:16,754
Kay: OH, LOOK!
973
00:59:16,754 --> 00:59:18,222
WE'RE HERE.
974
00:59:18,222 --> 00:59:20,357
OH!
975
00:59:20,357 --> 00:59:23,761
OH, IT'S WONDERFUL.
976
00:59:23,761 --> 00:59:26,030
* TAKE ME, BROTHER *
977
00:59:26,030 --> 00:59:28,899
* LA-DA-DA LA-DA-DA
LA-DI DA-DA *
978
00:59:28,899 --> 00:59:32,502
* LA-DA-DA LA-DA-DA
LA-DI DA-DA *
979
00:59:32,502 --> 00:59:35,706
[ BIG BAND MUSIC PLAYING ]
980
01:00:02,299 --> 01:00:06,637
OH, THIS IS BETTER
THAN ANYTHING --
981
01:00:06,637 --> 01:00:09,640
THIS PLACE,
982
01:00:09,640 --> 01:00:11,909
THE MUSIC,
983
01:00:11,909 --> 01:00:14,378
DANCING WITH YOU.
984
01:00:14,378 --> 01:00:17,381
IT'S PRETTY DAMN GOOD.
985
01:00:17,381 --> 01:00:19,116
OH...
986
01:00:20,785 --> 01:00:25,389
OH, I WISH IT COULD BE
LIKE THIS FOREVER.
987
01:00:25,389 --> 01:00:27,391
WHY NOT?
988
01:00:38,969 --> 01:00:40,871
ISN'T IT UNUSUAL
FOR SOMEBODY
989
01:00:40,871 --> 01:00:43,007
WITH YOUR AMAZING LOOKS
TO BE A RIVETER?
990
01:00:43,007 --> 01:00:45,009
NO. IT'S AMAZING
FOR SOMEONE
991
01:00:45,009 --> 01:00:47,344
WITH MY UNUSUAL LOOKS
TO BE A RIVETER.
992
01:00:47,344 --> 01:00:48,412
TOUCHé.
993
01:00:48,412 --> 01:00:50,547
THAT MEANS YOU WOUNDED ME
SLIGHTLY.
994
01:00:50,547 --> 01:00:52,482
YOU GOT QUITE A LINE,
O'CONNOR --
995
01:00:52,482 --> 01:00:54,151
THE COME ON,
THE FRENCH LESSON.
996
01:00:54,151 --> 01:00:56,286
YOU'RE QUITE A DANCER.
WHAT'S YOUR ROOM NUMBER?
997
01:00:56,286 --> 01:00:58,723
THERE YOU GO BEATING
AROUND THE BUSH AGAIN.
998
01:00:58,723 --> 01:01:00,725
O'Connor:
IN A FEW MONTHS,
999
01:01:00,725 --> 01:01:03,127
I DON'T KNOW
IF I'M GOING TO BE ALIVE.
1000
01:01:03,127 --> 01:01:06,230
SO IF I CAME ON
A LITTLE BIT STRONG,
1001
01:01:06,230 --> 01:01:08,198
I APOLOGIZE.
1002
01:01:08,198 --> 01:01:09,366
BISCUITS.
1003
01:01:09,366 --> 01:01:10,500
BISCUITS?
1004
01:01:10,500 --> 01:01:11,601
BISCUITS!
1005
01:01:11,601 --> 01:01:14,371
HI, HAZEL.
1006
01:01:14,371 --> 01:01:16,073
SURPRISED, HUH?
1007
01:01:16,073 --> 01:01:17,241
YEAH.
1008
01:01:17,241 --> 01:01:18,642
WHO'S THIS GUY?
1009
01:01:18,642 --> 01:01:20,510
PARDON ME.
1010
01:01:20,510 --> 01:01:21,779
PARDON ME, SIR.
1011
01:01:21,779 --> 01:01:23,380
PARDON ME, SIR.
1012
01:01:23,380 --> 01:01:24,749
BEAT IT, BUDDY.
1013
01:01:24,749 --> 01:01:26,583
GO PEDDLE YOUR FRENCH
ELSEWHERE, SIR.
1014
01:01:26,583 --> 01:01:28,919
AU REVOIR -- THAT MEANS
SCRAM, ALL RIGHT?
1015
01:01:28,919 --> 01:01:31,221
GOOD EVENING,
MRS. ZANUSSI.
1016
01:01:31,221 --> 01:01:32,356
SEE YA.
1017
01:01:32,356 --> 01:01:34,224
BEAT IT, ALL RIGHT?
1018
01:01:35,726 --> 01:01:38,028
SAME OLD
LIGHT TOUCH, HAZEL.
1019
01:01:38,028 --> 01:01:42,032
I DON'T KNOW WHY
I DID THAT.
1020
01:01:42,032 --> 01:01:44,769
Man: SEAMAN TOOHEY!
1021
01:01:44,769 --> 01:01:46,403
SEAMAN TOOHEY? WHAT --
1022
01:01:46,403 --> 01:01:49,506
SOMETHING IN LIFE KEEPS
BRINGING YOU AND ME TOGETHER.
1023
01:01:49,506 --> 01:01:51,275
I'M SHIPPING OUT TONIGHT.
1024
01:01:51,275 --> 01:01:52,542
TONIGHT?
1025
01:01:52,542 --> 01:01:55,913
YEAH. I'M GLAD, THOUGH.
NOW I CAN TELL YOU I'M SORRY
1026
01:01:55,913 --> 01:01:58,916
FOR FRANKIE, THE BROADS,
THE PROMISES, EVERYTHING.
1027
01:01:58,916 --> 01:02:01,051
I MESSED UP REAL BAD
WITH YOU, HAZEL.
1028
01:02:01,051 --> 01:02:04,154
YOU TALK LIKE YOU'RE
GOING TO DIE OR SOMETHING.
1029
01:02:04,154 --> 01:02:06,791
COME ON, TOOHEY.
LET'S GO.
1030
01:02:09,193 --> 01:02:12,997
TAKE CARE OF YOURSELF,
HAZEL.
1031
01:02:28,678 --> 01:02:31,882
OH, HAPPY NEW YEAR,
DOLL.
1032
01:02:31,882 --> 01:02:34,484
IT'S ALMOST MIDNIGHT,
YOU KNOW.
1033
01:02:36,620 --> 01:02:38,355
OH!
1034
01:02:38,355 --> 01:02:41,158
OUT OF UNIFORM, BUDDY.
1035
01:02:41,158 --> 01:02:44,528
I DON'T HAVE
A UNIFORM, BUDDY.
1036
01:02:44,528 --> 01:02:45,896
DON'T PUSH ME!
1037
01:02:45,896 --> 01:02:47,898
TAKE A HIKE, LEATHERNECK!
YOU WANT IT?
1038
01:02:47,898 --> 01:02:49,900
YOU WANT A PIECE
OF ME, ASSHOLE?
1039
01:02:49,900 --> 01:02:51,501
COME GET IT!
1040
01:02:51,501 --> 01:02:53,237
WAIT A MINUTE!
1041
01:02:53,237 --> 01:02:54,771
NO!
1042
01:02:56,907 --> 01:03:00,510
Crowd: 10...9...8...
1043
01:03:00,510 --> 01:03:03,647
7...6...5...
1044
01:03:03,647 --> 01:03:07,651
4...3...2...1!
1045
01:03:07,651 --> 01:03:10,054
HAPPY NEW YEAR!
1046
01:03:10,054 --> 01:03:13,257
[ "AULD LANG SYNE" PLAYING ]
1047
01:03:13,257 --> 01:03:16,827
[ CHEERING ]
1048
01:03:16,827 --> 01:03:20,197
Man:
JUNE 6, 1944 -- D-DAY.
1049
01:03:20,197 --> 01:03:22,466
AMERICAN, BRITISH,
AND CANADIAN TROOPS LANDED
1050
01:03:22,466 --> 01:03:24,468
IN NORTHERN FRANCE
THIS MORNING.
1051
01:03:24,468 --> 01:03:27,071
STAND BY FOR
GENERAL EISENHOWER'S BROADCAST
1052
01:03:27,071 --> 01:03:29,339
AS THE ALLIES LAUNCH
THIS GREAT INVASION.
1053
01:03:29,339 --> 01:03:32,142
Eisenhower:
SOLDIERS, SAILORS, AND AIRMEN
1054
01:03:32,142 --> 01:03:34,544
OF THE ALLIED
EXPEDITIONARY FORCE,
1055
01:03:34,544 --> 01:03:37,681
YOU ARE ABOUT TO EMBARK
UPON THE GREAT CRUSADE
1056
01:03:37,681 --> 01:03:41,151
TOWARD WHICH WE HAVE STRIVEN
THESE MANY MONTHS.
1057
01:03:41,151 --> 01:03:43,153
IN COMPANY
WITH OUR BRAVE ALLIES
1058
01:03:43,153 --> 01:03:45,455
AND BROTHERS IN ARMS
ON OTHER FRONTS,
1059
01:03:45,455 --> 01:03:47,557
YOU WILL BRING ABOUT
THE DESTRUCTION
1060
01:03:47,557 --> 01:03:50,660
OF THE GERMAN WAR MACHINE,
THE ELIMINATION OF NAZI TYRANNY
1061
01:03:50,660 --> 01:03:53,030
OVER THE OPPRESSED PEOPLES
OF EUROPE,
1062
01:03:53,030 --> 01:03:55,765
AND SECURITY FOR OURSELVES
IN A FREE WORLD.
1063
01:03:55,765 --> 01:03:57,601
GOOD LUCK, AND LET US ALL
1064
01:03:57,601 --> 01:04:00,570
BESEECH THE BLESSING
OF ALMIGHTY GOD
1065
01:04:00,570 --> 01:04:04,074
UPON THIS GREAT
AND NOBLE UNDERTAKING.
1066
01:04:04,074 --> 01:04:08,913
ASSOCIATES, BACK TO WORK!
1067
01:04:08,913 --> 01:04:12,649
HAPPY BIRTHDAY!
THE SHIRT'S FROM HAZEL.
1068
01:04:12,649 --> 01:04:14,051
OH, REALLY?
1069
01:04:14,051 --> 01:04:16,520
YEP. JUST A MINUTE.
I'LL BE RIGHT BACK.
1070
01:04:16,520 --> 01:04:18,255
I FORGOT SOMETHING.
1071
01:04:18,255 --> 01:04:19,189
THANKS.
1072
01:04:19,189 --> 01:04:20,925
YOU'RE WELCOME,
LUCKY.
1073
01:04:20,925 --> 01:04:22,392
OH, GREAT.
1074
01:04:22,392 --> 01:04:24,929
* DA-DUN *
1075
01:04:24,929 --> 01:04:28,598
ALL RIGHT, WHAT IS IT?
1076
01:04:28,598 --> 01:04:33,070
MY CONTRIBUTION
TO YOUR MUSICAL CAREER.
1077
01:04:34,905 --> 01:04:36,907
YOU LIKE IT?
1078
01:04:36,907 --> 01:04:39,509
JESUS, KAY.
1079
01:04:39,509 --> 01:04:41,511
OH, BABY, THANKS.
1080
01:04:41,511 --> 01:04:42,980
YOU'RE WELCOME.
1081
01:04:43,047 --> 01:04:46,250
[ SWING MUSIC PLAYING ]
1082
01:04:49,786 --> 01:04:51,788
[ DOG BARKS ]
1083
01:04:51,788 --> 01:04:54,391
[ CAT MEOWS ]
1084
01:05:12,409 --> 01:05:14,678
KAY!
1085
01:05:14,678 --> 01:05:17,681
IT'S ME!
1086
01:05:17,681 --> 01:05:21,118
KAY, I'M HOME!
1087
01:05:21,118 --> 01:05:23,287
WHO WANTS A BEER?
1088
01:05:23,287 --> 01:05:24,554
I DO.
1089
01:05:24,554 --> 01:05:27,691
[ GIGGLING ]
1090
01:05:31,428 --> 01:05:34,164
[ LAUGHING ]
1091
01:06:02,326 --> 01:06:03,593
HI.
1092
01:06:03,593 --> 01:06:04,728
HI.
1093
01:06:04,728 --> 01:06:06,463
IS MY WIFE HERE?
1094
01:06:06,463 --> 01:06:08,332
IS KAY HERE?
1095
01:06:08,332 --> 01:06:09,266
KAY?
1096
01:06:09,266 --> 01:06:10,900
KAY, LOOK WHO'S HERE.
1097
01:06:10,900 --> 01:06:12,602
HEY, WATCH THIS.
1098
01:06:12,602 --> 01:06:14,404
Jack: KAY!
1099
01:06:16,273 --> 01:06:18,908
JACK!
1100
01:06:18,908 --> 01:06:20,477
JACK!
1101
01:06:20,477 --> 01:06:22,479
JACK!
1102
01:06:24,614 --> 01:06:26,416
I DON'T BELIEVE IT.
1103
01:06:26,416 --> 01:06:29,019
I'M ON LIBERTY.
I BROUGHT YOU A ROSE.
1104
01:06:29,019 --> 01:06:30,820
THANKS.
1105
01:06:30,820 --> 01:06:33,423
UM, THIS IS LUCKY.
1106
01:06:33,423 --> 01:06:35,192
HI.
1107
01:06:35,192 --> 01:06:37,927
LUCKY,
NICE TO MEET YOU.
1108
01:06:37,927 --> 01:06:39,896
AND HAZEL,
1109
01:06:39,896 --> 01:06:41,965
AND, WELL,
WE ALL WORK TOGETHER.
1110
01:06:41,965 --> 01:06:43,967
COME ON, LET'S --
LET'S --
1111
01:06:43,967 --> 01:06:45,702
EXCUSE US.
1112
01:06:50,940 --> 01:06:54,244
WE'RE SHIPPING OUT AGAIN
IN 48 HOURS.
1113
01:06:54,244 --> 01:06:57,381
COULDN'T TELL ANYBODY
WE WERE COMING IN.
1114
01:06:57,381 --> 01:07:00,584
COULDN'T BREATHE A WORD
ABOUT IT. HOW ABOUT THAT?
1115
01:07:00,584 --> 01:07:02,586
THAT'S SOMETHING.
1116
01:07:11,995 --> 01:07:14,464
KAY...
1117
01:07:14,464 --> 01:07:16,466
WHERE --
1118
01:07:24,474 --> 01:07:27,277
KAY.
1119
01:07:29,279 --> 01:07:31,681
WHAT IS IT, HONEY?
1120
01:07:31,681 --> 01:07:33,817
WHO'S THE LEADMAN?
1121
01:07:35,719 --> 01:07:37,987
ANYBODY I KNOW?
1122
01:07:37,987 --> 01:07:40,290
YEAH, IT'S SOMEBODY
YOU KNOW.
1123
01:07:40,290 --> 01:07:42,892
WELL, WHO IS IT?
1124
01:07:42,892 --> 01:07:46,696
IT'S ME.
I'M THE LEADMAN.
1125
01:07:46,696 --> 01:07:48,398
YOU?
1126
01:07:51,000 --> 01:07:52,736
SEE?
1127
01:07:57,006 --> 01:07:59,042
SEE?
1128
01:07:59,042 --> 01:08:01,010
I GOT A PROMOTION.
1129
01:08:01,010 --> 01:08:02,612
THAT'S GREAT.
1130
01:08:02,612 --> 01:08:04,314
THANKS.
1131
01:08:04,314 --> 01:08:06,416
I CAME IN TO TRY ON
MY CIVVIES
1132
01:08:06,416 --> 01:08:08,418
TO SEE WHAT THEY FELT LIKE,
1133
01:08:08,418 --> 01:08:10,420
BUT THEY DIDN'T
SEEM TO BE HERE.
1134
01:08:10,420 --> 01:08:12,556
I'M SORRY, HONEY.
1135
01:08:12,556 --> 01:08:15,559
OH, THIS CLOSET IS FULL
OF EQUIPMENT AND STUFF,
1136
01:08:15,559 --> 01:08:18,027
AND IT'S LIKE
FIBBER McGEE'S CLOSET,
1137
01:08:18,027 --> 01:08:19,696
BUT THEY'RE IN BOXES.
1138
01:08:19,696 --> 01:08:22,432
NO, NO, DON'T BOTHER
WITH IT, KAY.
1139
01:08:22,432 --> 01:08:24,434
I CAN'T
WEAR THEM ANYWAY.
1140
01:08:24,434 --> 01:08:26,903
I CAN JUST WEAR THEM
IN THE HOUSE.
1141
01:08:26,903 --> 01:08:29,773
WELL, ALL RIGHT.
1142
01:08:29,773 --> 01:08:31,107
MY GOSH.
1143
01:08:31,107 --> 01:08:32,876
WHAT A MESS.
1144
01:08:38,915 --> 01:08:41,518
CONGRATULATIONS.
1145
01:08:41,518 --> 01:08:44,188
THANKS.
1146
01:08:44,188 --> 01:08:46,122
OH, YOU GOT IT.
1147
01:08:46,122 --> 01:08:48,124
YEAH, I GOT IT...
1148
01:08:48,124 --> 01:08:49,993
ALL OVER EVERYTHING.
1149
01:08:49,993 --> 01:08:51,728
GOOD JOB.
1150
01:08:51,728 --> 01:08:53,463
THANKS.
1151
01:08:55,999 --> 01:08:58,001
DID YOU HAVE
A GOOD REST?
1152
01:08:58,001 --> 01:08:59,736
MM-HMM.
1153
01:08:59,736 --> 01:09:01,538
SURE DID.
1154
01:09:01,538 --> 01:09:05,008
[ "BUT NOT FOR ME" PLAYING ]
1155
01:09:05,008 --> 01:09:07,611
WELL, WELCOME HOME,
HONEY.
1156
01:09:07,611 --> 01:09:09,613
THANKS.
1157
01:09:20,557 --> 01:09:23,893
ARE YOU GOING TO
CHANGE THAT?
1158
01:09:23,893 --> 01:09:26,230
SURE, HONEY.
1159
01:09:31,701 --> 01:09:33,503
[ STOPS RECORD ]
1160
01:09:33,503 --> 01:09:35,972
SO LIKE I SAID,
CONGRATULATIONS.
1161
01:09:35,972 --> 01:09:37,374
CONGRATS.
1162
01:09:37,374 --> 01:09:39,108
FOR WHAT?
1163
01:09:39,108 --> 01:09:40,677
YOU KNOW.
1164
01:09:40,677 --> 01:09:43,247
WHAT DID YOU SAY
YOU WERE MAKING?
1165
01:09:43,247 --> 01:09:45,249
$1.35 AN HOUR.
1166
01:09:45,249 --> 01:09:47,851
WHAT DID YOU SAY
ABOUT OVERTIME?
1167
01:09:47,851 --> 01:09:49,719
I DIDN'T.
1168
01:09:49,719 --> 01:09:52,989
BEATS ME ANYWAY.
1169
01:09:52,989 --> 01:09:55,525
BEATS ME ALL TO HELL.
1170
01:09:55,525 --> 01:09:58,127
HERE'S TO YOU, KIDDO,
1171
01:09:58,127 --> 01:10:00,997
AND THAT GUY
YOU WORK WITH.
1172
01:10:00,997 --> 01:10:03,132
WHAT'S HIS NAME?
1173
01:10:03,132 --> 01:10:05,134
LUCKY.
1174
01:10:05,134 --> 01:10:08,538
THERE'S NO QUESTION
ABOUT THAT.
1175
01:10:08,538 --> 01:10:10,507
WHAT DO YOU MEAN?
1176
01:10:10,507 --> 01:10:13,543
HE'S STATESIDE, NOT IN UNIFORM.
HOW LUCKY CAN YOU GET?
1177
01:10:13,543 --> 01:10:16,380
I DON'T THINK
HE'D CALL IT LUCKY.
1178
01:10:16,380 --> 01:10:18,448
WELL, THE NEXT TIME
YOU GO TO WORK,
1179
01:10:18,448 --> 01:10:20,384
ASK HIM WHAT HE'D CALL IT
1180
01:10:20,384 --> 01:10:22,719
AND WHERE I MIGHT STAND
IN LINE TO GET IT.
1181
01:10:22,719 --> 01:10:26,290
WHAT WOULD YOU
CALL IT, JACK?
1182
01:10:26,290 --> 01:10:30,560
I'D CALL IT CHEATING, KAY.
1183
01:10:34,264 --> 01:10:37,401
I WENT TO WAR!
1184
01:10:37,401 --> 01:10:39,403
I KNOW.
1185
01:10:39,403 --> 01:10:43,573
SO WHO ELSE GOT LUCKY
BESIDES LUCKY?
1186
01:10:45,542 --> 01:10:49,746
DIDN'T IT MEAN ANYTHING...
1187
01:10:49,746 --> 01:10:51,881
THAT...
1188
01:10:51,881 --> 01:10:54,250
THAT YOU'RE MY WIFE?
1189
01:10:55,685 --> 01:10:59,255
OF COURSE
IT MEANT SOMETHING.
1190
01:11:01,958 --> 01:11:04,093
I TRIED TO WAIT,
1191
01:11:04,093 --> 01:11:07,497
BUT EVERYTHING IN THIS HOUSE
REMINDED ME OF YOU.
1192
01:11:07,497 --> 01:11:09,032
SURE, BABY.
1193
01:11:10,634 --> 01:11:13,470
BLAME IT ON THE WAR.
IT'S EVERYBODY'S EXCUSE.
1194
01:11:13,470 --> 01:11:16,440
I'M NOT THE SAME,
1195
01:11:16,440 --> 01:11:19,809
AND NEITHER ARE YOU.
1196
01:11:19,809 --> 01:11:22,912
I'M SORRY.
1197
01:11:26,049 --> 01:11:30,186
I WAS WRONG. I'M SORRY.
1198
01:11:30,186 --> 01:11:33,690
DO YOU LOVE THIS GUY?
1199
01:11:36,726 --> 01:11:38,395
DO YOU?
1200
01:11:38,395 --> 01:11:41,631
OH, JACK...
1201
01:11:51,408 --> 01:11:54,544
OH, JACK,
PLEASE FORGIVE ME.
1202
01:11:54,544 --> 01:11:57,381
[ DOOR CLOSES ]
1203
01:12:03,553 --> 01:12:06,289
YEAH, MOON TOLD ME
ABOUT THAT.
1204
01:12:06,289 --> 01:12:08,124
Woman:
SEE YOU TOMORROW.
1205
01:12:08,124 --> 01:12:11,027
WHAT THE HELL ARE YOU
DOING HERE, LUCK?
1206
01:12:11,027 --> 01:12:12,562
THOUGHT YOU WERE SICK.
1207
01:12:12,562 --> 01:12:15,031
CAN I TALK TO YOU
A MINUTE, HAZEL?
1208
01:12:15,031 --> 01:12:16,566
SURE.
1209
01:12:16,566 --> 01:12:20,303
COME ON, VIOLET.
LET'S GO PICK UP PEGGY.
1210
01:12:20,303 --> 01:12:22,706
Woman:
GOOD NIGHT, HAZEL.
1211
01:12:22,706 --> 01:12:26,309
LISTEN, I'M PLAYING AT
KELLY'S LATER ON TONIGHT.
1212
01:12:26,309 --> 01:12:30,046
WANT TO COME?
1213
01:12:30,046 --> 01:12:33,016
I DON'T THINK SO.
1214
01:12:35,284 --> 01:12:38,287
ALL RIGHT.
1215
01:12:38,287 --> 01:12:40,824
HA HA HA.
SUIT YOURSELF.
1216
01:12:40,824 --> 01:12:43,026
YOU GOING TO BE
ALL RIGHT?
1217
01:12:43,026 --> 01:12:44,494
MMM.
1218
01:12:46,530 --> 01:12:49,666
NEVER BETTER.
1219
01:12:54,438 --> 01:12:57,641
[ BLUES MUSIC PLAYING ]
1220
01:13:16,325 --> 01:13:18,462
IS THIS TAKEN?
1221
01:13:18,462 --> 01:13:20,664
THANK YOU.
1222
01:13:23,933 --> 01:13:26,069
ONE SCOTCH.
1223
01:14:06,042 --> 01:14:07,777
Kay: JACK!
1224
01:14:07,777 --> 01:14:09,846
JACK!
1225
01:14:09,846 --> 01:14:11,715
YOU'RE LEAVING
SO EARLY.
1226
01:14:11,715 --> 01:14:13,717
YOU WEREN'T
SUPPOSED TO GO --
1227
01:14:13,717 --> 01:14:16,720
I COULDN'T SLEEP.
I GOT TO GET OUT OF HERE.
1228
01:14:16,720 --> 01:14:18,588
DID YOU READ MY NOTE?
1229
01:14:18,588 --> 01:14:22,058
NO. WHAT'S
THE NOTE SAY, JACK?
1230
01:14:22,058 --> 01:14:24,127
WHAT'S IT SAY?
1231
01:14:24,127 --> 01:14:28,331
I CAN'T...BELIEVE
WHAT YOU'VE DONE.
1232
01:14:28,331 --> 01:14:30,199
OH, HONEY,
1233
01:14:30,199 --> 01:14:31,668
I'M SORRY.
1234
01:14:31,668 --> 01:14:35,138
I'M SO SORRY.
1235
01:14:35,138 --> 01:14:36,540
ALL RIGHT.
1236
01:14:36,540 --> 01:14:39,475
ALL RIGHT,
LET'S GET OUT OF HERE.
1237
01:14:56,192 --> 01:14:57,827
[ Reading ] "DEAR KAY,
1238
01:14:57,827 --> 01:15:00,564
"I DON'T UNDERSTAND
WHAT YOU'VE DONE,
1239
01:15:00,564 --> 01:15:02,566
"BUT I GUESS YOU'RE RIGHT.
1240
01:15:02,566 --> 01:15:04,233
"EVERYTHING CHANGES.
1241
01:15:04,233 --> 01:15:06,435
"I'M DIFFERENT,
YOU'RE DIFFERENT,
1242
01:15:06,435 --> 01:15:08,371
"THE WHOLE WORLD IS DIFFERENT.
1243
01:15:08,371 --> 01:15:11,207
"I DON'T KNOW
WHAT'S RIGHT ANYMORE.
1244
01:15:11,207 --> 01:15:14,544
"I GUESS WE BOTH HAVE
A LOT OF THINKING TO DO.
1245
01:15:14,544 --> 01:15:18,114
"I'LL TRY AND WRITE
WHEN I'M NOT SO CONFUSED.
1246
01:15:18,114 --> 01:15:20,584
"THEY SAY THE WAR
WILL BE OVER SOON.
1247
01:15:20,584 --> 01:15:22,251
"I HOPE SO.
1248
01:15:22,251 --> 01:15:25,454
"IT'S SURE TAKEN ITS TOLL
ON ALL OF US.
1249
01:15:25,454 --> 01:15:29,192
ALL THE BEST. JACK."
1250
01:15:46,710 --> 01:15:51,147
[ DOG BARKS ]
1251
01:15:58,622 --> 01:16:00,890
WHAT DID YOU THINK
OF THE GUYS
1252
01:16:00,890 --> 01:16:03,492
I PLAYED WITH
LAST NIGHT?
1253
01:16:03,492 --> 01:16:05,494
THEY WERE OKAY.
1254
01:16:05,494 --> 01:16:06,996
YOU WERE BETTER.
1255
01:16:06,996 --> 01:16:10,233
THEY'RE HEADING BACK EAST
1256
01:16:10,233 --> 01:16:12,168
IN A COUPLE OF WEEKS.
1257
01:16:12,168 --> 01:16:15,138
I COULD PROBABLY WORK IT OUT
TO GO WITH THEM.
1258
01:16:25,915 --> 01:16:29,185
WHAT'S THE MATTER, HAZEL?
1259
01:16:29,185 --> 01:16:32,188
IT'S NOT GOING TO BE SO HOT
TELLING KAY ABOUT THIS.
1260
01:16:32,188 --> 01:16:35,024
WHAT'S THE BIG HURRY
IN TELLING HER?
1261
01:16:35,024 --> 01:16:37,961
BESIDES, I'M THE ONE WITH
THE BROKEN HEART, REMEMBER?
1262
01:16:37,961 --> 01:16:41,364
I DON'T THINK I CAN
LOOK HER IN THE EYE
1263
01:16:41,364 --> 01:16:43,266
UNTIL I DO.
1264
01:17:00,650 --> 01:17:03,887
[ DOG BARKING ]
1265
01:17:08,792 --> 01:17:10,960
WAIT! WAIT A MINUTE!
1266
01:17:14,998 --> 01:17:18,001
KAY!
1267
01:17:45,094 --> 01:17:47,363
Kay: COME IN.
1268
01:17:59,308 --> 01:18:02,611
GOD, I DON'T EVEN
RECOGNIZE THE PLACE.
1269
01:18:02,611 --> 01:18:05,214
WOULD YOU LIKE SOME TEA?
1270
01:18:05,214 --> 01:18:06,883
SOME TEA?
1271
01:18:06,883 --> 01:18:09,318
[ BIRD CHIRPS ]
1272
01:18:14,924 --> 01:18:17,393
I'LL TAKE SOME TEA.
1273
01:18:24,801 --> 01:18:26,936
JACK'S MOTHER GAVE ME
THIS TEA SET
1274
01:18:26,936 --> 01:18:29,238
WHEN WE WERE MARRIED.
1275
01:18:29,238 --> 01:18:31,640
REALLY? IT'S LOVELY.
1276
01:18:31,640 --> 01:18:33,509
THANK YOU.
1277
01:18:33,509 --> 01:18:36,379
[ POURS TEA ]
1278
01:18:36,379 --> 01:18:38,381
CREAM?
1279
01:18:38,381 --> 01:18:41,517
YES, PLEASE.
1280
01:18:41,517 --> 01:18:43,920
SUGAR?
1281
01:18:43,920 --> 01:18:46,522
YOU GOT SUGAR?
1282
01:18:46,522 --> 01:18:49,525
HOW MANY SUGARS?
1283
01:18:49,525 --> 01:18:52,161
NO SUGAR, THANKS.
1284
01:18:57,666 --> 01:18:59,803
THANK YOU.
1285
01:18:59,803 --> 01:19:01,971
YOU'RE WELCOME.
1286
01:19:04,808 --> 01:19:06,810
SANDWICH?
1287
01:19:06,810 --> 01:19:09,078
KAY...
1288
01:19:09,078 --> 01:19:11,480
SEEING YOU WITH JACK
MADE LUCKY NUTS.
1289
01:19:11,480 --> 01:19:14,884
I WAS LONELY. IT'S NOT
GOING TO HAPPEN AGAIN.
1290
01:19:19,088 --> 01:19:22,558
WELL, WHO'D HAVE THOUGHT
THIS WOULD HAPPEN TO US?
1291
01:19:22,558 --> 01:19:26,295
SO...
1292
01:19:28,231 --> 01:19:31,100
WHAT ARE WE GOING TO DO
ABOUT THIS?
1293
01:19:33,502 --> 01:19:36,372
OH...
1294
01:19:36,372 --> 01:19:39,242
WE'LL ALL BE FRIENDS.
1295
01:19:42,979 --> 01:19:46,115
WHAT ELSE?
1296
01:19:49,485 --> 01:19:52,856
[ JAZZ MUSIC PLAYING ]
1297
01:19:52,856 --> 01:19:57,326
* YOU HAD PLENTY MONEY --
1922 *
1298
01:19:57,326 --> 01:20:01,064
* YOU LET OTHER WOMEN MAKE
A FOOL OF YOU *
1299
01:20:01,064 --> 01:20:04,200
* WHY DON'T YOU DO RIGHT *
1300
01:20:04,200 --> 01:20:07,871
* LIKE SOME OTHER MEN DO? *
1301
01:20:10,206 --> 01:20:11,941
* GET OUT OF HERE *
1302
01:20:11,941 --> 01:20:16,880
* AND GIVE ME
SOME MONEY, TOO *
1303
01:20:42,338 --> 01:20:45,909
* WHY DON'T YOU DO RIGHT *
1304
01:20:45,909 --> 01:20:50,046
* LIKE SOME OTHER MEN DO? *
1305
01:20:50,046 --> 01:20:54,117
* LIKE SOME OTHER MEN DO? *
1306
01:20:55,818 --> 01:20:58,521
Man: ALL RIGHT.
1307
01:20:58,521 --> 01:21:00,656
THANK YOU.
1308
01:21:00,656 --> 01:21:02,391
WAITER.
1309
01:21:02,391 --> 01:21:04,193
KAY, HONEY,
1310
01:21:04,193 --> 01:21:07,196
DON'T YOU THINK YOU'D
BETTER TAKE IT EASY?
1311
01:21:07,196 --> 01:21:09,198
WHY? WE'RE CELEBRATING,
AREN'T WE?
1312
01:21:09,198 --> 01:21:10,934
WHAT ARE WE CELEBRATING?
1313
01:21:10,934 --> 01:21:12,401
EVERYTHING.
1314
01:21:12,401 --> 01:21:14,137
FRIENDSHIP.
1315
01:21:18,407 --> 01:21:22,145
SO...HERE WE ARE.
1316
01:21:22,145 --> 01:21:23,346
MMM.
1317
01:21:23,346 --> 01:21:25,949
YOU STILL BLOW
A MEAN HORN, LUCKY.
1318
01:21:25,949 --> 01:21:27,951
GLAD YOU LIKED IT, KAY.
1319
01:21:27,951 --> 01:21:30,786
HAZEL LIKED IT, TOO,
DIDN'T YOU, HAZE?
1320
01:21:30,786 --> 01:21:31,921
HAZE?
1321
01:21:31,921 --> 01:21:33,389
HA HA HA.
1322
01:21:33,389 --> 01:21:34,790
FIRST CIRCLE.
1323
01:21:34,790 --> 01:21:36,392
FIRST CIRCLE?
1324
01:21:36,392 --> 01:21:38,394
ANOTHER ROUND.
1325
01:21:41,830 --> 01:21:45,701
TO LUCKY AND HAZEL.
1326
01:21:45,701 --> 01:21:47,836
TO KAY AND JACK.
1327
01:21:47,836 --> 01:21:51,107
HERE'S MUD IN YOUR EYE.
1328
01:21:52,708 --> 01:21:55,945
KAY, WHY DON'T YOU
SLOW DOWN? COME ON.
1329
01:21:55,945 --> 01:21:58,547
OH, DON'T TELL ME
WHAT TO DO.
1330
01:21:58,547 --> 01:22:00,083
ISN'T IT FUNNY?
1331
01:22:00,083 --> 01:22:03,086
ISN'T IT FUNNY HOW
THINGS HAPPEN SO FAST?
1332
01:22:03,086 --> 01:22:05,688
KAY, YOU'VE HAD A LITTLE
TOO MUCH TO DRINK.
1333
01:22:05,688 --> 01:22:07,090
ISN'T IT?
1334
01:22:07,090 --> 01:22:09,258
YEAH.
YEAH, IT'S FUNNY.
1335
01:22:09,258 --> 01:22:11,660
ALL THE TIME THAT LUCKY
AND I WERE TOGETHER
1336
01:22:11,660 --> 01:22:15,464
AND ALL THE TIME THAT HAZEL
AND I WERE BEST FRIENDS,
1337
01:22:15,464 --> 01:22:16,565
I NEVER KNEW.
1338
01:22:16,565 --> 01:22:18,501
IT WASN'T LIKE THAT.
I TOLD YOU.
1339
01:22:18,501 --> 01:22:20,536
IT JUST HAPPENED
ALL OF A SUDDEN.
1340
01:22:20,536 --> 01:22:24,640
COME ON, I THOUGHT YOU SAID
WE WERE GOING TO BE FRIENDS.
1341
01:22:24,640 --> 01:22:25,774
FRIENDS?
1342
01:22:25,774 --> 01:22:28,044
FRIENDS ARE THE MOST
IMPORTANT THING, RIGHT?
1343
01:22:28,044 --> 01:22:29,912
HERE'S TO GOOD MUSIC.
1344
01:22:29,912 --> 01:22:31,547
RIGHT, HAZEL?
1345
01:22:31,547 --> 01:22:34,317
LOTS OF THINGS
ARE IMPORTANT, KAY.
1346
01:22:34,317 --> 01:22:36,519
BUT FRIENDS ARE
THE MOST IMPORTANT THING,
1347
01:22:36,519 --> 01:22:39,122
GOOD FRIENDS,
FRIENDS YOU CAN TRUST.
1348
01:22:39,122 --> 01:22:41,324
YOU MEAN LIKE THE WAY
HUSBANDS ARE SUPPOSED TO
1349
01:22:41,324 --> 01:22:42,925
BE ABLE TO TRUST
THEIR WIVES?
1350
01:22:42,925 --> 01:22:44,060
TONE IT, HAZEL.
1351
01:22:44,060 --> 01:22:46,129
THE WAY YOUR LOVE LIFE
WAS GOING,
1352
01:22:46,129 --> 01:22:48,764
I DON'T BLAME YOU FOR TAKING
WHAT YOU COULD GET.
1353
01:22:48,764 --> 01:22:49,898
THANKS, KAY.
1354
01:22:49,898 --> 01:22:51,900
WHAT ABOUT YOU, JACK,
AND LUCKY?
1355
01:22:51,900 --> 01:22:53,802
THAT MADE A REAL
PRETTY PICTURE, KAY.
1356
01:22:53,802 --> 01:22:57,740
THAT WAS ME, JACK, AND LUCKY!
THIS IS ME, YOU, AND LUCKY!
1357
01:22:57,740 --> 01:22:59,542
YOU TWO DON'T NEED ME.
1358
01:22:59,542 --> 01:23:00,943
NOPE, I'M GOING.
1359
01:23:00,943 --> 01:23:03,146
YOU'RE ON YOUR OWN,
SWEETHEART.
1360
01:23:05,414 --> 01:23:07,683
THERE'S A WORD FOR YOU.
1361
01:23:07,683 --> 01:23:09,085
STAY AWAY FROM ME.
1362
01:23:09,085 --> 01:23:10,953
ONLY I CAN'T SAY IT.
1363
01:23:10,953 --> 01:23:12,921
OH, YES, I CAN. WHORE!
1364
01:23:12,921 --> 01:23:14,723
DID YOU
CALL ME A WHORE?
1365
01:23:14,723 --> 01:23:17,460
DID YOU SEE ANYBODY ELSE
I COULD BE SPEAKING TO?
1366
01:23:17,460 --> 01:23:18,861
YOU'RE THE WHORE,
SWEETHEART.
1367
01:23:18,861 --> 01:23:21,064
I MAY HAVE SLEPT
WITH SOMEONE'S BOYFRIEND,
1368
01:23:21,064 --> 01:23:23,466
BUT I DIDN'T SPEND
TWO YEARS OF MY LIFE
1369
01:23:23,466 --> 01:23:25,868
PUTTING A KNIFE
IN MY HUSBAND'S BACK.
1370
01:23:25,868 --> 01:23:29,738
Kay: YOU NEVER HAD A HUSBAND.
YOU NEVER HAD A BOYFRIEND.
1371
01:23:29,738 --> 01:23:32,308
I DON'T CARE WHAT
HAPPENS TO YOU,
1372
01:23:32,308 --> 01:23:35,178
AND I DON'T CARE WHAT
HAPPENS TO HIM.
1373
01:23:35,178 --> 01:23:37,813
SO WHY DON'T YOU JUST
GO AWAY, OKAY?
1374
01:23:37,813 --> 01:23:39,215
RIDE.
1375
01:23:39,215 --> 01:23:40,816
Man: WHERE TO, SWEETIE?
1376
01:23:40,816 --> 01:23:42,218
Hazel: LEAVE ME ALONE.
1377
01:23:42,218 --> 01:23:43,952
GET YOUR HANDS OFF ME.
1378
01:23:43,952 --> 01:23:46,689
GET AWAY FROM ME!
1379
01:23:46,689 --> 01:23:48,291
Hazel: LET'S JUST GO.
1380
01:23:48,291 --> 01:23:51,194
I WAS IN LOVE!
1381
01:23:51,194 --> 01:23:53,596
SHUT UP!
1382
01:23:53,596 --> 01:23:57,333
[ SOBBING ]
1383
01:23:57,333 --> 01:23:59,735
COME ON, KAY,
I'LL GET YOU HOME.
1384
01:23:59,735 --> 01:24:01,370
NO, DON'T TOUCH ME.
1385
01:24:01,370 --> 01:24:03,539
HOW ARE YOU
GOING TO GET HOME?
1386
01:24:03,539 --> 01:24:06,842
IF I CAN BUILD
A GODDAMN AIRPLANE,
1387
01:24:06,842 --> 01:24:09,044
I CAN GET MYSELF HOME.
1388
01:24:35,604 --> 01:24:38,040
HOW DO YOU FEEL?
1389
01:24:38,040 --> 01:24:42,311
I FEEL SICK.
1390
01:24:46,349 --> 01:24:50,085
I CALLED MacBRIDE'S
THIS MORNING AND QUIT.
1391
01:24:52,488 --> 01:24:55,324
I'M LEAVING.
1392
01:25:10,173 --> 01:25:11,607
YOU WANT THIS BACK?
1393
01:25:11,607 --> 01:25:16,512
NO. I'D REALLY LIKE YOU
TO KEEP THAT.
1394
01:25:16,512 --> 01:25:18,514
ME, TOO.
1395
01:25:18,514 --> 01:25:20,383
THANKS.
1396
01:25:22,785 --> 01:25:26,389
COME WITH ME, KAY.
1397
01:25:29,124 --> 01:25:31,394
I CAN'T.
1398
01:25:53,782 --> 01:25:57,019
GOODBYE, KAY.
1399
01:25:57,019 --> 01:25:59,488
WAIT, LUCKY.
1400
01:26:02,858 --> 01:26:05,328
MABEL STODDARD'S HUSBAND
IS IN THE PACIFIC.
1401
01:26:05,328 --> 01:26:07,596
SHE TOOK THIS JOB
FOR THE DURATION.
1402
01:26:07,596 --> 01:26:10,333
MRS. STODDARD, HOW
DO YOU LIKE YOUR JOB?
1403
01:26:10,333 --> 01:26:11,834
I LOVE IT.
1404
01:26:11,834 --> 01:26:14,737
AFTER THE WAR, DO YOU
PLAN TO KEEP ON WORKING?
1405
01:26:14,737 --> 01:26:17,740
AS I WAS SAYING,
WHEN MY HUSBAND COMES BACK,
1406
01:26:17,740 --> 01:26:19,808
I'M GOING TO
BE BUSY -- HOME.
1407
01:26:19,808 --> 01:26:21,210
GOOD FOR YOU.
1408
01:26:21,210 --> 01:26:24,146
EACH RETURNING SERVICEMAN
WILL GET HIS JOB BACK
1409
01:26:24,146 --> 01:26:25,948
WHEN THE WAR IS WON,
1410
01:26:25,948 --> 01:26:28,951
AND YOU GIRLS AND WOMEN,
YOU'LL BE GOING HOME,
1411
01:26:28,951 --> 01:26:30,919
BACK TO BEING HOUSEWIVES
AND MOTHERS
1412
01:26:30,919 --> 01:26:33,922
AS YOU PROMISED TO DO
WHEN YOU CAME TO WORK WITH US.
1413
01:26:33,922 --> 01:26:36,859
YOUR LIVES WILL RETURN
TO NORMAL.
1414
01:26:43,399 --> 01:26:45,601
THANK YOU.
1415
01:26:50,873 --> 01:26:52,875
THANK YOU.
1416
01:26:55,010 --> 01:26:56,679
Man: ATTENTION, PLEASE.
1417
01:26:56,679 --> 01:27:00,583
THE CEREMONY COMMEMORATING
THE LAST SBD DIVE BOMBER
1418
01:27:00,583 --> 01:27:04,287
PRODUCED BY MacBRIDE'S
WILL START IN A FEW MOMENTS.
1419
01:27:04,287 --> 01:27:06,289
[ SIREN DRONING ]
1420
01:27:06,289 --> 01:27:09,358
[ HORNS HONKING ]
1421
01:27:12,160 --> 01:27:14,297
ASSOCIATES...
1422
01:27:14,297 --> 01:27:17,933
WE SHARE A GREAT MOMENT
IN HISTORY.
1423
01:27:17,933 --> 01:27:21,870
JAPAN HAS SURRENDERED.
THE WAR IS OVER!
1424
01:27:30,546 --> 01:27:32,881
ASSOCIATES, ASSOCIATES.
1425
01:27:32,881 --> 01:27:34,116
EXCUSE ME. EXCUSE ME.
1426
01:27:34,116 --> 01:27:37,953
CAN WE HAVE SOME QUIET,
PLEASE, FOR MR. MacBRIDE?
1427
01:27:37,953 --> 01:27:42,558
ASSOCIATES, I WANT TO THANK
EACH AND EVERY ONE OF YOU
1428
01:27:42,558 --> 01:27:46,995
FOR A JOB WELL DONE.
1429
01:28:00,609 --> 01:28:03,312
THEY DROPPED US
JUST LIKE THAT.
1430
01:28:03,312 --> 01:28:04,847
I KNEW IT.
1431
01:28:04,847 --> 01:28:07,850
KNOWING THAT YOU
HAVE DONE YOUR PART
1432
01:28:07,850 --> 01:28:09,852
TO BRING PEACE
TO A STRIFE-TORN WORLD,
1433
01:28:09,852 --> 01:28:11,454
AND ESPECIALLY YOU GIRLS...
1434
01:28:11,454 --> 01:28:14,122
GOOD LUCK TO YOU.
1435
01:28:14,122 --> 01:28:16,992
NOW YOU CAN BECOME HOUSEWIVES
AND MOTHERS AGAIN,
1436
01:28:16,992 --> 01:28:20,195
TO MAKE HOMES AND FAMILIES
FOR ALL OUR RETURNING HEROES.
1437
01:28:20,195 --> 01:28:21,330
LAST HIRED...
1438
01:28:21,330 --> 01:28:22,965
Both: FIRST FIRED.
1439
01:28:22,965 --> 01:28:26,502
TAKING AWAY THE BEST JOB
I EVER HAD.
1440
01:28:26,502 --> 01:28:29,705
A YEAR OF WELDING SCHOOL.
1441
01:28:37,346 --> 01:28:40,949
SHIRT.
1442
01:28:57,566 --> 01:29:00,769
[ PLAYING BLUES MUSIC ]
1443
01:29:09,978 --> 01:29:12,981
[ Reading ] "DEAR LUCKY,
I WAS CLEANING HOUSE YESTERDAY
1444
01:29:12,981 --> 01:29:14,983
"WHEN I CAME ACROSS
THESE PICTURES
1445
01:29:14,983 --> 01:29:17,586
"OF OUR GOING-AWAY PARTY
AT MacBRIDE'S.
1446
01:29:17,586 --> 01:29:19,588
"I THOUGHT YOU MIGHT LIKE THEM.
1447
01:29:19,588 --> 01:29:21,390
"HAVEN'T HEARD FROM JACK
IN A WHILE,
1448
01:29:21,390 --> 01:29:24,593
"BUT I'VE BEEN NOTIFIED OF HIS
FLEET'S ARRIVAL NEXT WEEK.
1449
01:29:24,593 --> 01:29:27,596
"I'M HOPING --
WELL, I HOPING FOR THE BEST.
1450
01:29:27,596 --> 01:29:29,998
"I KNOW THINGS GOT MUDDLED
IN THE END,
1451
01:29:29,998 --> 01:29:32,968
"BUT I JUST WANT TO SAY THANKS
FOR SO MANY THINGS.
1452
01:29:32,968 --> 01:29:36,171
"I SURE HOPE THINGS
ARE FINALLY GOING YOUR WAY.
1453
01:29:36,171 --> 01:29:38,507
GOOD LUCK. KAY."
1454
01:30:13,341 --> 01:30:17,045
PLEASE FORGIVE ME.
1455
01:30:21,216 --> 01:30:23,819
YOU'RE FORGIVEN.
1456
01:30:55,417 --> 01:30:57,419
HOW'D YOU GET HERE?
1457
01:30:57,419 --> 01:31:01,690
I BORROWED SPIKE
AND ETHEL'S CAR.
1458
01:31:01,690 --> 01:31:05,561
COME ON.
LET'S GO HOME.
1459
01:31:05,561 --> 01:31:08,931
CAN I HELP YOU WITH THIS
OR ANYTHING?
1460
01:31:08,931 --> 01:31:11,233
NO, I GOT IT.
1461
01:31:39,828 --> 01:31:43,031
PUT YOUR BAG DOWN.
1462
01:31:48,837 --> 01:31:50,839
I WENT TO THE STORE
1463
01:31:50,839 --> 01:31:53,842
AND GOT SOMETHING SPECIAL
FOR DINNER,
1464
01:31:53,842 --> 01:31:57,079
UNLESS YOU'D RATHER
GO OUT.
1465
01:32:00,916 --> 01:32:02,718
WHERE IS HE?
1466
01:32:02,718 --> 01:32:06,354
IT'S OVER.
1467
01:32:06,354 --> 01:32:10,993
THAT'S GOOD NEWS.
1468
01:32:10,993 --> 01:32:13,696
I KNOW I HURT YOU, HONEY.
1469
01:32:17,733 --> 01:32:20,135
I LOVE YOU.
1470
01:33:07,515 --> 01:33:10,085
STILL WORKING?
1471
01:33:10,085 --> 01:33:13,756
THEY LET US GO
WHEN IT WAS ALL OVER.
1472
01:33:13,756 --> 01:33:15,758
THAT MAKES TWO OF US.
1473
01:33:15,758 --> 01:33:18,226
NOW WE'RE BOTH OUT
OF A JOB.
1474
01:33:18,226 --> 01:33:20,362
YEAH.
1475
01:33:30,072 --> 01:33:33,275
I JUST LOVE YOU
SO GODDAMN MUCH.
1476
01:33:33,275 --> 01:33:36,979
I LOVE YOU, TOO.
1477
01:33:45,721 --> 01:33:47,322
HEY, JEANNIE,
WHAT'S THIS?
1478
01:33:47,322 --> 01:33:48,924
IT'S CALLED A DIP.
1479
01:33:48,924 --> 01:33:50,058
YEAH?
1480
01:33:50,058 --> 01:33:52,861
YEAH, YOU STICK
THE POTATO CHIPS IN IT.
1481
01:33:52,861 --> 01:33:54,596
Clarence: HI, HOW ARE YOU?
1482
01:33:54,596 --> 01:33:57,265
Man: HOW ARE YOU?
1483
01:33:57,265 --> 01:34:01,737
EVERYBODY, I'D LIKE TO
INTRODUCE TO ALL OF YOU,
1484
01:34:01,737 --> 01:34:04,206
THIS IS MY NEW HUSBAND
ARCHIBALD TOOHEY.
1485
01:34:04,206 --> 01:34:05,607
HOW DO YOU DO?
1486
01:34:05,607 --> 01:34:08,276
Clarence: HI.
1487
01:34:08,276 --> 01:34:09,411
THIS IS FANTASTIC.
1488
01:34:09,411 --> 01:34:11,947
A WASHER --
ALL ELECTRIC.
1489
01:34:11,947 --> 01:34:14,750
Clarence: OH, FABULOUS!
1490
01:34:14,750 --> 01:34:17,452
IT TORE A SHIRT
THE OTHER DAY.
1491
01:34:17,452 --> 01:34:18,787
HI, EVERYBODY.
1492
01:34:18,787 --> 01:34:20,555
KAY!
KAY, HEY!
1493
01:34:20,555 --> 01:34:25,761
WELL, THIS IS JACK, MY HUSBAND,
AND HE JUST GOT BACK.
1494
01:34:25,761 --> 01:34:27,162
I'M CLARENCE.
1495
01:34:27,162 --> 01:34:29,364
WELCOME HOME, BOY,
WELCOME HOME.
1496
01:34:29,364 --> 01:34:31,299
AND THIS IS ANNIE.
1497
01:34:31,299 --> 01:34:33,501
THE GOVERNMENT'S PROMISED
US A NEW RANCH HOUSE
1498
01:34:33,501 --> 01:34:34,770
IN THE VALLEY.
1499
01:34:34,770 --> 01:34:36,171
RANCH HOUSE?
1500
01:34:36,171 --> 01:34:38,774
YEAH, THEY'RE BUILDING
A WHOLE BUNCH OF THEM.
1501
01:34:38,774 --> 01:34:40,175
THEY'RE ALL ALIKE, TOO.
1502
01:34:40,175 --> 01:34:42,177
WITH ALL THESE SERVICEMEN
COMING BACK,
1503
01:34:42,177 --> 01:34:44,780
THERE'S GOING TO BE
A LARGE NEED FOR HOUSING.
1504
01:34:44,780 --> 01:34:46,749
HAZEL, HAZEL.
1505
01:34:46,749 --> 01:34:52,620
HI. I JUST WANTED
TO SAY CONGRATULATIONS.
1506
01:34:52,620 --> 01:34:54,422
THANK YOU.
1507
01:34:54,422 --> 01:34:56,424
THIS IS MY HUSBAND
ARCHIBALD TOOHEY.
1508
01:34:56,424 --> 01:34:58,626
BISCUITS TOOHEY.
PLEASURE TO MEET YOU.
1509
01:34:58,626 --> 01:34:59,895
EXCUSE ME.
1510
01:34:59,895 --> 01:35:02,497
I SEE YOU WERE
IN THE PACIFIC, HUH?
1511
01:35:02,497 --> 01:35:04,733
YOU BET. YEP.
1512
01:35:04,733 --> 01:35:09,237
I JUST WANT TO FORGET THE PAST
AND START ALL OVER AGAIN.
1513
01:35:09,237 --> 01:35:11,673
WITH ANOTHER LITTLE ONE
ON THE WAY,
1514
01:35:11,673 --> 01:35:14,042
I'M SURE GLAD
DEACON HAS A JOB.
1515
01:35:14,042 --> 01:35:16,411
Woman: REMEMBER THAT FIRST DAY,
STANDING IN LINE?
1516
01:35:16,411 --> 01:35:17,813
I WAS SO SCARED.
1517
01:35:17,813 --> 01:35:20,515
I THOUGHT THEY WERE
GOING TO LAUGH AT US.
1518
01:35:20,515 --> 01:35:22,517
THEY DID LAUGH AT US.
1519
01:35:22,517 --> 01:35:24,519
WELL, WE SHOWED THEM.
1520
01:35:24,519 --> 01:35:25,788
Woman: WE SURE DID.
1521
01:35:25,788 --> 01:35:27,489
YEAH!
1522
01:35:27,489 --> 01:35:29,858
WE SHOWED THEM.
1523
01:35:34,029 --> 01:35:37,199
HERE'S TO KAY AND JACK,
JEANNIE AND BOBBY,
1524
01:35:37,199 --> 01:35:41,804
CLARENCE AND ANNIE,
VIOLET AND DEACON,
1525
01:35:41,804 --> 01:35:45,774
AND HAZEL AND ME,
AND ALL OF US --
1526
01:35:45,774 --> 01:35:47,776
TO NO MORE WAR
1527
01:35:47,776 --> 01:35:50,979
AND ONE HELL OF A FUTURE.
1528
01:35:59,687 --> 01:36:07,695
* IN THAT SMALL CAFE *
1529
01:36:07,695 --> 01:36:14,369
* THE PARK ACROSS THE WAY *
1530
01:36:14,369 --> 01:36:21,009
* THE CHILDREN'S CAROUSEL *
1531
01:36:21,009 --> 01:36:24,980
* THE CHESTNUT TREES *
1532
01:36:24,980 --> 01:36:29,251
* THE WISHING WELL *
1533
01:36:29,251 --> 01:36:37,259
* I'LL BE SEEING YOU *
1534
01:36:37,259 --> 01:36:44,066
* IN EVERY
LOVELY SUMMER'S DAY *
1535
01:36:44,066 --> 01:36:51,406
* IN EVERYTHING
THAT'S LIGHT AND GAY *
1536
01:36:51,406 --> 01:36:58,613
* I'LL ALWAYS
THINK OF YOU THAT WAY *
1537
01:36:58,613 --> 01:37:05,487
* I'LL FIND YOU
IN THE MORNING SUN *
1538
01:37:05,487 --> 01:37:06,889
KAY.
1539
01:37:06,889 --> 01:37:14,229
* AND WHEN THE NIGHT
IS NEW *
1540
01:37:14,229 --> 01:37:17,699
* I'LL BE LOOKING *
1541
01:37:17,699 --> 01:37:18,967
HAZEL.
1542
01:37:18,967 --> 01:37:21,904
* AT THE MOON *
1543
01:37:21,904 --> 01:37:29,077
* BUT I'LL BE SEEING YOU *
1544
01:37:29,077 --> 01:37:35,517
WE SHOWED THEM,
DIDN'T WE?
1545
01:37:35,517 --> 01:37:39,922
Hazel: BOY, DID WE EVER.
1546
01:37:39,922 --> 01:37:44,859
* YOU SEE, SOMEWHERE *
1547
01:37:44,859 --> 01:37:49,331
* SOMEONE WAITS FOR YOU *
1548
01:37:49,331 --> 01:37:54,469
* WHO HOPES YOU WILL
COME THROUGH *
1549
01:37:54,469 --> 01:37:59,674
* WHO WILL WAIT UNTIL YOU DO *
1550
01:37:59,674 --> 01:38:05,080
* YOU'LL SEE A LIGHT *
1551
01:38:05,080 --> 01:38:09,817
* IN SOME FAMILIAR DOOR *
1552
01:38:09,817 --> 01:38:14,822
* AND WHEN YOU REACH THE SHORE *
1553
01:38:14,822 --> 01:38:20,528
* LIFE WON'T HURT ANYMORE *
1554
01:38:20,528 --> 01:38:28,070
* REMEMBER, NIGHT
MAY TROUBLE YOU *
1555
01:38:28,070 --> 01:38:32,274
* WITH ENDLESS DREAMS *
1556
01:38:32,274 --> 01:38:38,513
* BUT BLUE SKIES WAIT FOR YOU *
1557
01:38:38,513 --> 01:38:45,420
* BEYOND THE SUNRISE,
I'M HERE *
1558
01:38:45,420 --> 01:38:50,358
* SO WALK INTO YOUR FATE *
1559
01:38:50,358 --> 01:38:56,364
* IT NEVER IS TOO LATE *
1560
01:38:56,364 --> 01:39:01,303
* THERE'S SOMEONE
SMILING THROUGH *
1561
01:39:01,303 --> 01:39:05,907
* WHO WILL DO ALL THEY CAN DO *
1562
01:39:05,907 --> 01:39:08,143
* FOR YOU *
1563
01:39:08,143 --> 01:39:11,379
* REMEMBER, SOMEWHERE *
1564
01:39:11,379 --> 01:39:16,551
* SOMEONE WAITS FOR YOU *
1565
01:39:32,167 --> 01:39:36,404
* THERE'S SOMEONE
SMILING THROUGH *
1566
01:39:36,404 --> 01:39:41,309
* WHO WILL DO ALL THEY CAN DO *
1567
01:39:41,309 --> 01:39:43,345
* FOR YOU *
1568
01:39:43,345 --> 01:39:47,949
* REMEMBER, SOMEWHERE *
1569
01:39:47,949 --> 01:39:52,687
* SOMEONE WAITS FOR YOU *
1570
01:39:52,687 --> 01:39:57,092
-- Captions by VITAC --
Burbank, Pittsburgh, Tampa,
and Washington, D.C.
1571
01:39:57,092 --> 01:40:00,295
CAPTIONS PAID FOR
BY WARNER BROS. INC.
96205