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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,936 --> 00:00:06,807 * OH, MY HEART KNOWS MORE WITH EACH PASSING DAY * 3 00:00:06,807 --> 00:00:11,379 * AND I KNOW I'LL CHANGE IF YOU LEAVE OR STAY * 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:11,379 --> 00:00:15,583 * BUT WHEN OUR WORLD TURNS WHERE IT'S TURNING TO * 6 00:00:15,583 --> 00:00:18,519 * YOU'LL SEE SOME HEARTS FADE * 7 00:00:18,519 --> 00:00:25,626 * WHILE MINE SHINES ON THROUGH * 8 00:00:25,626 --> 00:00:32,933 * I WILL STILL BE THERE SOMEDAY FOR YOU * 9 00:00:32,933 --> 00:00:37,138 * YOU SEE, SOMEWHERE * 10 00:00:37,138 --> 00:00:41,575 * SOMEONE WAITS FOR YOU * 11 00:00:41,575 --> 00:00:46,680 * WHO HOPES YOU WILL COME THROUGH * 12 00:00:46,680 --> 00:00:52,120 * WHO WILL WAIT UNTIL YOU DO * 13 00:00:52,120 --> 00:00:57,258 * YOU'LL SEE A LIGHT * 14 00:00:57,258 --> 00:01:02,230 * IN SOME FAMILIAR DOOR * 15 00:01:02,230 --> 00:01:07,201 * AND WHEN YOU REACH THE SHORE * 16 00:01:07,201 --> 00:01:12,373 * LIFE WON'T HURT ANYMORE * 17 00:01:12,373 --> 00:01:15,543 * REMEMBER * 18 00:01:15,543 --> 00:01:20,114 * NIGHT MAY TROUBLE YOU * 19 00:01:20,114 --> 00:01:24,752 * WITH ENDLESS DREAMS * 20 00:01:24,752 --> 00:01:30,858 * BUT BLUE SKIES WAIT FOR YOU * 21 00:01:30,858 --> 00:01:35,596 * BEYOND THE SUNRISE * 22 00:01:35,596 --> 00:01:43,804 * I'M HERE, SO WALK INTO YOUR FATE * 23 00:01:43,804 --> 00:01:49,543 * IT NEVER IS TOO LATE * 24 00:01:49,543 --> 00:01:53,514 * THERE'S SOMEONE SMILING THROUGH * 25 00:01:53,514 --> 00:02:00,988 * WHO WILL DO ALL THEY CAN DO FOR YOU * 26 00:02:00,988 --> 00:02:04,525 * REMEMBER, SOMEWHERE * 27 00:02:04,525 --> 00:02:09,730 * SOMEONE WAITS FOR YOU * 28 00:02:25,145 --> 00:02:28,816 * THERE'S SOMEONE SMILING THROUGH * 29 00:02:28,816 --> 00:02:33,421 Boy: HEY, WATCH OUT. 30 00:02:33,421 --> 00:02:35,623 HI, SPIKE. HOW ARE YOU? 31 00:02:35,623 --> 00:02:36,824 HI, JACK. 32 00:02:36,824 --> 00:02:39,026 BOY, SHE'S SOUNDING GOOD TODAY. 33 00:02:39,026 --> 00:02:40,861 YEAH, SHE'S STRUMMING. 34 00:02:40,861 --> 00:02:42,263 HI, JERRY. 35 00:02:42,263 --> 00:02:43,497 HI, JACK. 36 00:02:43,497 --> 00:02:47,100 MY MOM AND DAD SENT ME A LETTER 37 00:02:47,100 --> 00:02:50,671 ABOUT FOUR DAYS AGO. 38 00:02:50,671 --> 00:02:51,872 COME ON, BOY. 39 00:02:51,872 --> 00:02:54,074 Woman: HOW YOU FEELING TODAY, JIMMY? 40 00:02:54,074 --> 00:02:55,676 NOT BAD. 41 00:02:55,676 --> 00:02:57,077 HI, SPIKE. 42 00:02:57,077 --> 00:02:58,212 HI, KAY. 43 00:02:58,212 --> 00:02:59,813 SEEN JACK? 44 00:02:59,813 --> 00:03:01,615 YEAH. HE'S OUT FRONT. 45 00:03:02,383 --> 00:03:04,385 WESLEY, GET OVER HERE. 46 00:03:04,385 --> 00:03:07,588 [ SWING MUSIC PLAYING ] 47 00:03:11,359 --> 00:03:13,961 HOW YOU DOING, ETHEL? 48 00:03:13,961 --> 00:03:14,962 HI, HONEY. 49 00:03:14,962 --> 00:03:16,964 HI, HONEY. HOW ARE YOU? 50 00:03:16,964 --> 00:03:18,566 GOOD. MMM. 51 00:03:18,566 --> 00:03:20,167 HOPE YOU'RE HUNGRY. 52 00:03:20,167 --> 00:03:22,270 I'M STARVING. 53 00:03:22,270 --> 00:03:24,872 YOU THINK YOU CAN MAKE THAT ANY LOUDER? 54 00:03:24,872 --> 00:03:27,641 [ MUSIC PLAYING LOUDER ] 55 00:03:35,849 --> 00:03:37,251 BUSY DAY, HONEY? 56 00:03:37,251 --> 00:03:39,853 NO, IT WAS THE SAME OLD STUFF, SWEETHEART. 57 00:03:44,292 --> 00:03:47,595 HOW CHEAP CAN YOU GET? 58 00:03:49,663 --> 00:03:51,865 TRAMP! 59 00:03:51,865 --> 00:03:54,001 I THINK SHE'S A SINGER. 60 00:03:54,001 --> 00:03:55,403 SINGER, MY FOOT. 61 00:03:55,403 --> 00:03:58,171 OH. MMM. 62 00:03:58,171 --> 00:04:01,675 SATURDAYS ARE ROTTEN WHEN YOU WORK. 63 00:04:01,675 --> 00:04:04,578 TELL THAT TO THE BILL COLLECTORS, HONEY. 64 00:04:06,814 --> 00:04:09,817 [ SINGING ] 65 00:04:20,027 --> 00:04:24,965 * BUT I DIDN'T THINK I'D FALL IN LOVE * 66 00:04:24,965 --> 00:04:30,371 * I WASN'T THINKING ABOUT ROMANCE * 67 00:04:30,371 --> 00:04:35,709 * I DIDN'T EVEN GIVE LOVE A CHANCE * 68 00:04:35,709 --> 00:04:41,248 * I DIDN'T BELIEVE THAT DREAMS CAME TRUE * 69 00:04:41,248 --> 00:04:46,420 * THEN SUDDENLY, I SAW YOU * 70 00:04:46,420 --> 00:04:51,124 * I DIDN'T THINK IT WOULD HAPPEN SO FAST * 71 00:04:51,124 --> 00:04:56,430 * I THOUGHT IT WOULD TAKE A WHILE * 72 00:04:56,430 --> 00:05:01,669 * BUT I FELL HEAD OVER HEELS IN LOVE * 73 00:05:01,669 --> 00:05:04,672 * THE SECOND I SAW YOU SMILE * 74 00:05:04,672 --> 00:05:06,674 FREE ENTERPRISE IS KILLING ME. 75 00:05:06,674 --> 00:05:09,276 I CAN'T MAKE A DIME IN THAT DUMP. 76 00:05:09,276 --> 00:05:11,679 I KNOW, BABE. MY FEET ARE KILLING ME. 77 00:05:11,679 --> 00:05:14,247 WE'LL SETTLE DOWN WITH A BUSINESS SOON. 78 00:05:14,247 --> 00:05:15,649 I'M DOING SOMETHING DECENT. 79 00:05:15,649 --> 00:05:18,251 I'M GOING TO SELL THE EGYPTIAN. IT'S A CURSE. 80 00:05:18,251 --> 00:05:19,653 [ SIGHS ] 81 00:05:19,653 --> 00:05:22,656 GOT TO BE SOMETHING ELSE A GUY LIKE ME CAN DO 82 00:05:22,656 --> 00:05:25,493 BESIDES RUN A CHEAP DANCE HALL. 83 00:05:28,829 --> 00:05:32,933 BISCUITS, HONEY, YOU COMING IN OR WHAT? 84 00:05:44,044 --> 00:05:48,582 * I'VE GOT A BRAND-NEW HONEY, THINKS THAT I'M OKAY * 85 00:05:48,582 --> 00:05:52,920 * WELL, YOU HAD YOUR CHANCE BUT LET IT SLIP AWAY * 86 00:05:52,920 --> 00:05:55,322 * NOW YOU TELL ME THAT YOU'RE SORRY, DEAR * 87 00:05:55,322 --> 00:05:57,324 * WELL, NOW, AIN'T THAT A SHAME? * 88 00:05:57,324 --> 00:06:02,295 * 'CAUSE I GOT A BRAND-NEW PICTURE * 89 00:06:02,295 --> 00:06:06,299 * AND IT'S IN MY PICTURE FRAME * 90 00:06:06,299 --> 00:06:10,070 Radio announcer: THERE'S FINE SMOKING PLEASURE 91 00:06:10,070 --> 00:06:11,605 IN FINE TOBACCO, 92 00:06:11,605 --> 00:06:14,575 AND LUCKY STRIKE MEANS FINE TOBACCO. 93 00:06:14,575 --> 00:06:17,778 [ BIG BAND MUSIC PLAYING ] 94 00:06:23,717 --> 00:06:26,186 HEY, MISTER, YOU WANT A BALLOON 95 00:06:26,186 --> 00:06:27,788 FOR THE BEAUTIFUL LADY? 96 00:06:27,788 --> 00:06:28,789 YES. 97 00:06:28,789 --> 00:06:30,190 HERE YOU GO. 98 00:06:30,190 --> 00:06:31,925 THANK YOU. 99 00:06:31,925 --> 00:06:34,327 IT'S A WAR! THE GODDAMN JAPS BOMBED HAWAII! 100 00:06:34,327 --> 00:06:37,330 Radio announcer: THE JAPANESE HAVE ATTACKED 101 00:06:37,330 --> 00:06:39,132 PEARL HARBOR, HAWAII, BY AIR, 102 00:06:39,132 --> 00:06:41,134 PRESIDENT ROOSEVELT HAS JUST ANNOUNCED. 103 00:06:41,134 --> 00:06:44,738 THE ATTACK ALSO WAS MADE ON ALL NAVAL AND MILITARY ACTIVITIES 104 00:06:44,738 --> 00:06:46,907 IN THE PRINCIPAL ISLAND OF OAHU. 105 00:06:48,942 --> 00:06:51,344 I HAVE A BOY AT SEA ON A DESTROYER. 106 00:06:51,344 --> 00:06:55,348 FOR ALL I KNOW, HE MAY BE ON HIS WAY TO THE PACIFIC. 107 00:06:55,348 --> 00:06:57,951 TWO OF MY CHILDREN ARE IN COASTAL CITIES. 108 00:06:57,951 --> 00:07:00,921 MRS. ROOSEVELT'S SON'S ON A DESTROYER. 109 00:07:00,921 --> 00:07:03,524 MANY OF YOU WHO HAVE BOYS IN THE SERVICES 110 00:07:03,524 --> 00:07:05,158 WILL NOW BE CALLED UPON... 111 00:07:05,158 --> 00:07:07,961 THIS AMERICAN'S GOING TO DIE WITH PERFECT NAILS. 112 00:07:07,961 --> 00:07:09,062 SHH. 113 00:07:09,062 --> 00:07:10,731 ETHEL. 114 00:07:12,700 --> 00:07:15,503 [ Mumbling ] ETHEL, CAN YOU HAND ME THAT HAMMER? 115 00:07:18,305 --> 00:07:19,973 HONEY -- HONEY, I'M TELLING YOU, 116 00:07:19,973 --> 00:07:22,643 THE LIGHT'S GOING TO SHOW THROUGH THAT THING. 117 00:07:22,643 --> 00:07:26,013 THEY SAID THIS IS HOW YOU'RE SUPPOSED TO DO IT 118 00:07:26,013 --> 00:07:27,681 ON THE RADIO, HON. 119 00:07:27,681 --> 00:07:30,317 WELL, I DON'T THINK IT'S GOING TO DO 120 00:07:30,317 --> 00:07:32,319 A BIT OF GOOD, SWEETHEART. 121 00:07:32,319 --> 00:07:34,187 YOU'RE PROBABLY RIGHT. 122 00:07:34,187 --> 00:07:37,390 LET ME GET UP THERE AND GIVE YOU SOME HELP. 123 00:07:37,390 --> 00:07:39,693 THERE. I DID IT, JACK. 124 00:07:39,693 --> 00:07:42,295 I'M GOING TO GET YOU ANOTHER BEER. 125 00:07:42,295 --> 00:07:44,197 KAY... 126 00:07:44,197 --> 00:07:46,433 I'M SIGNING UP TOMORROW. 127 00:07:46,433 --> 00:07:49,302 I'VE GOT TO. 128 00:07:49,302 --> 00:07:50,704 OH, HONEY, I KNEW. 129 00:07:50,704 --> 00:07:53,974 I KNEW YOU WERE GOING TO SAY THAT. 130 00:07:53,974 --> 00:07:57,410 HONEY... 131 00:07:57,410 --> 00:08:00,447 HONEY, SNAP OUT OF IT, WILL YOU? 132 00:08:00,447 --> 00:08:03,316 HONEY? 133 00:08:03,316 --> 00:08:04,852 PEARL HARBOR'S ONE THING, 134 00:08:04,852 --> 00:08:07,588 BUT THE JAPS AREN'T GOING TO LAND HERE. 135 00:08:07,588 --> 00:08:09,623 HOW DO YOU KNOW? 136 00:08:11,692 --> 00:08:14,895 FIRST OF ALL, THE FISHING'S BEEN REAL LOUSY 137 00:08:14,895 --> 00:08:17,097 OFF SANTA MONICA PIER THIS YEAR. 138 00:08:17,097 --> 00:08:18,498 OH, HONEY. 139 00:08:18,498 --> 00:08:21,702 SECOND OF ALL, I WON'T LET THEM. 140 00:08:21,702 --> 00:08:24,304 WHAT IF SOMETHING HAPPENS TO YOU, HONEY? 141 00:08:24,304 --> 00:08:26,039 LISTEN, KAY. 142 00:08:26,039 --> 00:08:29,442 NOTHING'S GOING TO HAPPEN TO ME... 143 00:08:29,442 --> 00:08:31,845 BUT I'VE GOT TO GO. 144 00:08:31,845 --> 00:08:35,048 DAMN IT. THEY'VE STARTED IT. WE'VE GOT TO FINISH IT. 145 00:08:35,048 --> 00:08:36,449 WE'VE GOT TO. 146 00:08:36,449 --> 00:08:39,452 I'VE GOT TO GO, AND I'LL BE ALL RIGHT. 147 00:08:39,452 --> 00:08:41,689 PROMISE? 148 00:08:41,689 --> 00:08:44,758 I PROMISE. 149 00:08:44,758 --> 00:08:46,326 NOW, LET'S SEE. 150 00:08:46,326 --> 00:08:50,030 A SEAMAN THIRD MAKES $18.75 A MONTH PLUS 5 BUCKS SEA DUTY. 151 00:08:50,030 --> 00:08:53,166 THAT'S $23.75 I CAN SEND YOU HOME EVERY MONTH. 152 00:08:53,166 --> 00:08:56,169 THE PRICES MIGHT GO UP, THOUGH, 'CAUSE OF THE WAR, 153 00:08:56,169 --> 00:08:59,773 SO YOU'VE GOT TO BE CAREFUL HOW YOU SPEND IT, OKAY? 154 00:08:59,773 --> 00:09:02,976 YEAH. I WAS THINKING I COULD TAKE SOMETHING ON. 155 00:09:02,976 --> 00:09:04,177 LIKE WHAT? 156 00:09:04,177 --> 00:09:07,615 A JOB. PENNEY'S IS ASKING FOR SALESCLERKS -- 157 00:09:07,615 --> 00:09:10,718 I DON'T WANT YOU DOING ANY SUCH THING. 158 00:09:12,820 --> 00:09:14,822 I DON'T WANT YOU WORKING. 159 00:09:14,822 --> 00:09:16,957 I JUST WANT YOU TO BE SAFE. 160 00:09:16,957 --> 00:09:19,359 OH, HONEY, WHAT AM I GOING TO DO 161 00:09:19,359 --> 00:09:22,930 IF I DON'T HAVE YOU TO DO THINGS FOR ANYMORE? 162 00:09:34,174 --> 00:09:36,777 THAT LID SURE LOOKS SWELL ON YOU, KAY. 163 00:09:36,777 --> 00:09:40,447 I BOUGHT IT TO SEE YOU OFF. I KNOW YOU LIKE RED. 164 00:09:40,447 --> 00:09:41,915 YEAH, I LIKE RED. 165 00:09:41,915 --> 00:09:45,919 SECTION FIVE, MOVE OUT. SECTION FIVE. 166 00:09:47,955 --> 00:09:51,558 I DON'T KNOW WHAT I'M GOING TO DO WITHOUT YOU, HONEY. 167 00:09:51,558 --> 00:09:53,961 OH, GOD. ME, NEITHER, KAY. 168 00:09:53,961 --> 00:09:57,765 Man: COME ON. MOVE IT OUT. SECTION FIVE, LET'S MOVE IT! 169 00:09:59,867 --> 00:10:02,670 Man: I'LL WRITE YOU EVERY DAY! 170 00:10:02,670 --> 00:10:04,638 BYE, JACK! 171 00:10:04,638 --> 00:10:07,841 All: GOODBYE! BYE! 172 00:11:03,330 --> 00:11:06,333 [ PLAYING SWING MUSIC ] 173 00:11:13,841 --> 00:11:15,242 I SAID TO MYSELF, 174 00:11:15,242 --> 00:11:17,845 "FRANKIE PARKER, YOU BETTER GET OUT OF HERE 175 00:11:17,845 --> 00:11:19,847 IF YOU EVER WANT TO BE SOMEBODY." 176 00:11:19,847 --> 00:11:21,849 SO THAT'S WHEN I DECIDED... 177 00:11:21,849 --> 00:11:24,117 YOU SING REAL NICE. 178 00:11:24,117 --> 00:11:25,652 THANK YOU. 179 00:11:25,652 --> 00:11:27,654 MY UNIT'S SHIPPING OUT TOMORROW -- 180 00:11:27,654 --> 00:11:29,823 NO FOOLING? 181 00:11:32,325 --> 00:11:35,763 LISTEN, UM, FIND YOURSELF ANOTHER GIRL, OKAY? 182 00:11:35,763 --> 00:11:37,731 GOOD LUCK, SWEETIE. 183 00:11:40,734 --> 00:11:43,536 HEY, BISCUITS, YOU SAID I COULD SING TONIGHT, REMEMBER? 184 00:11:43,536 --> 00:11:45,839 I GOT TO GET A BIG NAME UP THERE. 185 00:11:45,839 --> 00:11:47,841 WHAT DO YOU MEAN, A BIG NAME? 186 00:11:47,841 --> 00:11:50,443 COME ON. YOU SAID I COULD SING TONIGHT. 187 00:11:50,443 --> 00:11:52,245 I GOT A GOLD MINE HERE. 188 00:11:52,245 --> 00:11:55,248 THIS COULD BE A FIRST-CLASS HALL IF I PLAY IT RIGHT. 189 00:11:55,248 --> 00:11:57,851 I'M TALKING HELEN FORREST, JENNY SIMS, JOE STAFFORD, 190 00:11:57,851 --> 00:11:59,452 NOT HAZEL ZANUSSI. 191 00:11:59,452 --> 00:12:02,589 YOU WANT TO KNOW WHO GOES DANCING DURING THE WAR? 192 00:12:02,589 --> 00:12:04,324 NO, TELL ME. 193 00:12:04,324 --> 00:12:06,559 EVERYBODY. 194 00:12:06,559 --> 00:12:08,561 BISCUITS, YOU TOLD ME... 195 00:12:08,561 --> 00:12:10,563 HERE YOU GO, BOSS. 196 00:12:10,563 --> 00:12:12,766 HEY, THANK YOU, KNUCKLES. 197 00:12:21,108 --> 00:12:23,844 SHE TAKES A REAL GOOD PICTURE, DOESN'T SHE? 198 00:12:23,844 --> 00:12:27,114 JESUS. 199 00:12:27,114 --> 00:12:30,383 SO THE GIRLS GO FOR ME. IS THAT MY FAULT? 200 00:12:30,383 --> 00:12:32,986 NO, I JUST SORT OF THOUGHT THAT YOU AND I 201 00:12:32,986 --> 00:12:35,488 WERE GOING TO GET RESPECTABLE, BISCUITS. 202 00:12:35,488 --> 00:12:37,124 IT'S FINISHED. SATISFIED? 203 00:12:37,124 --> 00:12:39,960 NOW, HAVEN'T YOU GOT SOMETHING TO DO? 204 00:12:39,960 --> 00:12:44,531 YEAH, I SURE DO. 205 00:12:54,507 --> 00:12:57,510 Man: WOMEN WANTED FOR WAR PRODUCTION WORK 206 00:12:57,510 --> 00:12:59,312 HERE IN OUR CITY. 207 00:12:59,312 --> 00:13:03,116 WHY? MORE AND MORE MEN ARE BEING CALLED 208 00:13:03,116 --> 00:13:04,551 INTO THE ARMED FORCES. 209 00:13:04,551 --> 00:13:07,220 THEIR JOBS MUST BE FILLED AND FILLED NOW, 210 00:13:07,220 --> 00:13:09,422 AND WHO CAN FILL THEM? 211 00:13:09,422 --> 00:13:13,360 YOU -- YOU WOMEN. YOU ARE THE ONES WHO MUST FILL THEM, 212 00:13:13,360 --> 00:13:17,697 WHO CAN GIVE OUR BOYS WHAT THEY NEED -- 213 00:13:17,697 --> 00:13:20,233 A THOUSAND MORE PLANES, 214 00:13:20,233 --> 00:13:22,970 MORE AND MORE TANKS, 215 00:13:22,970 --> 00:13:24,905 AND MORE SHIPS. 216 00:13:36,649 --> 00:13:38,852 Man: GOOD AFTERNOON. 217 00:13:38,852 --> 00:13:41,454 MALCOLM MacBRIDE -- FROM MY BATTLE STATION TO YOURS. 218 00:13:41,454 --> 00:13:43,456 I WANT TO TAKE THIS OPPORTUNITY 219 00:13:43,456 --> 00:13:45,859 TO WELCOME ALL THE MANY NEW ASSOCIATES 220 00:13:45,859 --> 00:13:49,462 TO THE MacBRIDE AIRCRAFT COMPANY HERE IN SANTA MONICA. 221 00:13:49,462 --> 00:13:52,065 WE ARE ENGAGED IN A GREAT WORLD STRUGGLE 222 00:13:52,065 --> 00:13:54,167 TO MAINTAIN OUR AMERICAN WAY OF LIFE 223 00:13:54,167 --> 00:13:55,702 AS WE KNOW IT. 224 00:13:55,702 --> 00:13:58,171 THE CONTRIBUTIONS YOU MAKE HERE AT MacBRIDE 225 00:13:58,171 --> 00:13:59,907 WILL ENSURE OUR VICTORY. 226 00:13:59,907 --> 00:14:03,010 AGAIN, WELCOME FROM MY BATTLE STATION TO YOURS. 227 00:14:03,010 --> 00:14:06,013 THEY GOT SOME PRETTY TIGHT SPACES ON THOSE BOMBERS. 228 00:14:06,013 --> 00:14:08,415 SURE, RIGHT. YOU'D PROBABLY BE REAL GOOD AT THAT. 229 00:14:08,415 --> 00:14:10,417 ARE THEY ASKING FOR REFERENCES? 230 00:14:10,417 --> 00:14:13,153 YOU'RE BREATHING. THAT'S GOOD ENOUGH FOR THEM. 231 00:14:13,153 --> 00:14:15,355 THEY'RE USING EVERYBODY. 232 00:14:17,524 --> 00:14:20,027 "MY DEAREST DARLING, I LOVE YOU, 233 00:14:20,027 --> 00:14:23,030 AND I MISS YOU SO MUCH I CAN HARDLY STAND IT." 234 00:14:23,030 --> 00:14:26,033 I'VE GOT TO GET THIS JOB. BELIEVE ME, I DO. 235 00:14:26,033 --> 00:14:27,434 OH, I BELIEVE YOU. 236 00:14:27,434 --> 00:14:30,503 I'VE GOT A KID TO FEED. HER NAME'S PEGGY. 237 00:14:30,503 --> 00:14:31,771 ISN'T SHE'S SWEET? 238 00:14:31,771 --> 00:14:35,909 MY HUSBAND WOULD KILL ME IF HE KNEW WHAT I WAS DOING. 239 00:14:35,909 --> 00:14:37,510 WELL, I'M VIOLET MULLIGAN. 240 00:14:37,510 --> 00:14:38,745 HEY. 241 00:14:38,745 --> 00:14:43,483 [ MEN YELLING ] 242 00:14:47,087 --> 00:14:49,689 MISS, YOU GOT TO HAVE YOUR HIGH SCHOOL DIPLOMA. 243 00:14:49,689 --> 00:14:51,258 I'VE GOT MY HIGH SCHOOL -- 244 00:14:51,258 --> 00:14:54,027 ATTENTION, NEW EMPLOYEES. LONG HAIR IS DANGEROUS. 245 00:14:54,027 --> 00:14:55,562 SO FOR SAFETY'S SAKE, 246 00:14:55,562 --> 00:14:57,897 CUT YOUR HAIR OR WEAR A HAIRPIN. 247 00:14:57,897 --> 00:14:59,866 SWING SHIFT -- 60 CENTS AN HOUR. 248 00:14:59,866 --> 00:15:01,268 SWING SHIFT? 249 00:15:01,268 --> 00:15:03,836 SWING SHIFT -- 4:00 TO MIDNIGHT, OKAY? 250 00:15:03,836 --> 00:15:05,172 GREAT. 251 00:15:05,172 --> 00:15:07,174 HERE'S YOUR DIPLOMA. 252 00:15:07,174 --> 00:15:09,776 HERE'S YOUR HANDBOOK. PLEASE READ IT THOROUGHLY. 253 00:15:09,776 --> 00:15:11,778 NEXT, PLEASE. 254 00:15:11,778 --> 00:15:13,780 HEY, SMALL WORLD, HUH? 255 00:15:13,780 --> 00:15:15,115 TINY. 256 00:15:15,115 --> 00:15:17,317 WE'RE NEIGHBORS -- THE BALMY PALM. 257 00:15:17,317 --> 00:15:19,686 YEAH, I KNOW WHO YOU ARE. 258 00:15:19,686 --> 00:15:23,123 WELL, I THOUGHT WE COULD GO HOME TOGETHER. 259 00:15:23,123 --> 00:15:25,525 YOU GOT A LOT OF NERVE, YOU KNOW THAT? 260 00:15:25,525 --> 00:15:28,128 EVERY SINGLE TIME I WALK PAST YOUR PLACE, 261 00:15:28,128 --> 00:15:30,130 ALL YOU AND YOUR HUSBAND CAN DO 262 00:15:30,130 --> 00:15:32,132 IS MAKE WISECRACKS ABOUT ME. 263 00:15:32,132 --> 00:15:34,734 WELL, WHAT THE HELL DO YOU THINK I AM, 264 00:15:34,734 --> 00:15:36,603 DEAF, DUMB, AND BLIND? 265 00:15:39,339 --> 00:15:42,942 THIS ITTY-BITTY THING IS NOT A THUMBTACK. 266 00:15:42,942 --> 00:15:45,912 IT'S WHAT WE CALL A RIVET, 267 00:15:45,912 --> 00:15:47,714 AND THIS IS A RIVET GUN, 268 00:15:47,714 --> 00:15:52,085 BUT WE DON'T WANT ANY OF YOU SHOOTING ANYBODY WITH IT, 269 00:15:52,085 --> 00:15:54,087 DO WE, BOYS? 270 00:15:54,087 --> 00:15:55,688 [ DRILLING ] 271 00:15:55,688 --> 00:15:57,557 [ SCREAMING ] 272 00:15:57,557 --> 00:15:58,958 [ DRILLING ] 273 00:15:58,958 --> 00:16:01,428 [ LAUGHTER ] 274 00:16:04,764 --> 00:16:06,299 AHEM. 275 00:16:06,299 --> 00:16:09,002 GET SERIOUS HERE FOR A MOMENT. 276 00:16:09,002 --> 00:16:11,404 RIVETING IS REAL SUITED TO YOU GALS 277 00:16:11,404 --> 00:16:15,708 BECAUSE WOMEN ARE USED TO REPETITIVE TASKS, 278 00:16:15,708 --> 00:16:18,278 AND BELIEVE ME, LADIES, 279 00:16:18,278 --> 00:16:19,679 AS STRANGE AS ALL THIS MAY SEEM, 280 00:16:19,679 --> 00:16:22,449 AFTER TRAINING, YOU'LL BE USING THESE TOOLS 281 00:16:22,449 --> 00:16:25,052 AS EASILY AS YOU WOULD A CAN OPENER 282 00:16:25,052 --> 00:16:27,454 OR A SEWING MACHINE NEEDLE AT HOME. 283 00:16:36,329 --> 00:16:38,465 THOSE ARE YOUR SKINNERS! 284 00:16:38,465 --> 00:16:40,200 WHAT? 285 00:16:40,200 --> 00:16:41,801 YOUR SKINNERS! 286 00:16:41,801 --> 00:16:42,802 RIGHT! 287 00:16:42,802 --> 00:16:45,072 YOUR REAMER! 288 00:16:45,072 --> 00:16:46,673 YOUR BUCKLE-UPPER! 289 00:16:46,673 --> 00:16:49,442 RIGHT! 290 00:16:49,442 --> 00:16:51,078 COME ON! 291 00:16:54,514 --> 00:16:55,848 I CAN'T. 292 00:16:55,848 --> 00:16:58,785 YES, YOU CAN. HERE. 293 00:16:58,785 --> 00:17:00,487 HIT IT. 294 00:17:03,056 --> 00:17:05,825 VERY GOOD. 295 00:17:05,825 --> 00:17:08,595 HIT IT. 296 00:17:08,595 --> 00:17:11,631 VERY GOOD. LET'S DO A COUPLE MORE 297 00:17:11,631 --> 00:17:13,032 BEFORE YOU FORGET. 298 00:17:13,032 --> 00:17:15,802 I THINK I LEARNED IT, BUSTER. 299 00:17:23,143 --> 00:17:24,377 AAH! 300 00:17:24,377 --> 00:17:25,978 HEY! WHAT ARE YOU -- 301 00:17:25,978 --> 00:17:27,980 MY GOD, WHAT HAVE I DONE? 302 00:17:27,980 --> 00:17:29,516 OH, GOT YOU. 303 00:17:29,516 --> 00:17:30,783 I'M SORRY. 304 00:17:30,783 --> 00:17:32,185 IT'S ALL RIGHT. 305 00:17:32,185 --> 00:17:33,586 LISTEN TO HER. 306 00:17:33,586 --> 00:17:35,788 OH, SURE, LUCKY. IT'S LADIES' DAY. 307 00:17:35,788 --> 00:17:37,190 HEY, BULL'S-EYE. 308 00:17:37,190 --> 00:17:39,192 I COULD'VE GONE RIGHT THROUGH YOUR -- 309 00:17:39,192 --> 00:17:40,527 YOU DIDN'T. 310 00:17:40,527 --> 00:17:41,661 [ BUZZ ] 311 00:17:41,661 --> 00:17:43,496 AAH! 312 00:17:43,496 --> 00:17:47,634 COME ON. WHY DON'T YOU COME? 313 00:17:52,205 --> 00:17:54,607 I'M YOUR LEADMAN. YOU JUST TAKE A DEEP BREATH, 314 00:17:54,607 --> 00:17:56,809 AND YOU'LL GET YOUR CONFIDENCE BACK. 315 00:17:59,712 --> 00:18:01,614 OKAY. 316 00:18:01,614 --> 00:18:04,284 MAYBE I JUST SHOULD HAVE STAYED AT HOME. 317 00:18:04,284 --> 00:18:06,286 OH, BALLS. LOOK, YOU'RE DO-- 318 00:18:06,286 --> 00:18:08,588 I MEAN, I'M SORRY. 319 00:18:08,588 --> 00:18:12,192 THAT'S OKAY. MY HUSBAND USED TO SAY THAT ALL THE TIME. 320 00:18:12,192 --> 00:18:13,926 OH, BALLS. OH, BALLS. 321 00:18:13,926 --> 00:18:15,295 YEAH, IT'S OKAY. 322 00:18:15,295 --> 00:18:16,929 IS HE DEAD? 323 00:18:16,929 --> 00:18:19,266 NO. 324 00:18:19,266 --> 00:18:20,900 YOU OKAY? 325 00:18:20,900 --> 00:18:25,004 YEAH, I'M FINE. THANKS. 326 00:18:25,004 --> 00:18:27,407 I'M GOING TO WATCH YOU FOR A WHILE 327 00:18:27,407 --> 00:18:30,009 'CAUSE WHEN YOU GET NERVOUS, YOU CAN HURT YOURSELF. 328 00:18:30,009 --> 00:18:32,779 OKAY. THANK YOU A LOT. 329 00:18:32,779 --> 00:18:34,181 ARE YOU ALL RIGHT? 330 00:18:34,181 --> 00:18:35,782 I'M FINE. 331 00:18:43,055 --> 00:18:47,294 [ HORN BLOWS ] 332 00:18:47,294 --> 00:18:49,396 HEY, MOON. 333 00:19:39,279 --> 00:19:41,113 [ DINGS BELL ] 334 00:19:41,113 --> 00:19:43,115 MOVE IT OR LOSE IT, TOOTS. 335 00:19:43,115 --> 00:19:44,717 HEY, I MISSED MY BUS. 336 00:19:44,717 --> 00:19:45,852 TOUGH. 337 00:19:45,852 --> 00:19:46,853 HMPH. 338 00:19:59,899 --> 00:20:01,100 [ REVS ENGINE ] 339 00:20:01,100 --> 00:20:02,702 OH! 340 00:20:02,702 --> 00:20:04,203 HEY. 341 00:20:04,203 --> 00:20:06,005 YOU NEED A LIFT? 342 00:20:06,005 --> 00:20:08,074 IN THAT? 343 00:20:08,074 --> 00:20:10,109 IT'S ALL I GOT. 344 00:20:10,109 --> 00:20:14,614 WELL, I SURE GET TIRED BY THE END OF THE DAY. 345 00:20:16,749 --> 00:20:18,217 OH. 346 00:20:18,217 --> 00:20:19,486 OH. 347 00:20:19,486 --> 00:20:21,087 WHOA, THAT'S MY TRUMPET. 348 00:20:21,087 --> 00:20:23,623 OH, I'M SORRY. 349 00:20:23,623 --> 00:20:25,057 HOLD ON. 350 00:20:25,057 --> 00:20:26,859 YIKES. 351 00:20:33,099 --> 00:20:34,200 WHEE! 352 00:20:34,200 --> 00:20:35,635 HA HA HA! 353 00:20:35,635 --> 00:20:38,671 I BOUGHT IT FROM A GUY WHO WENT INTO THE ARMY. 354 00:20:38,671 --> 00:20:41,641 OH, MY HUSBAND'S IN THE NAVY. 355 00:20:41,641 --> 00:20:44,611 OH, BOY! HI! 356 00:20:47,914 --> 00:20:49,616 [ MEOW ] 357 00:20:52,218 --> 00:20:53,820 [ MOTORCYCLE APPROACHES ] 358 00:20:53,820 --> 00:20:56,323 [ DOGS BARKING ] 359 00:20:56,323 --> 00:20:59,859 [ CAT SCREECHES ] 360 00:21:02,061 --> 00:21:04,731 OH. 361 00:21:04,731 --> 00:21:06,733 WELL, I'LL SEE YOU TOMORROW. 362 00:21:06,733 --> 00:21:08,735 BRIGHT AND EARLY. OH, WELL, 4:00. 363 00:21:08,735 --> 00:21:11,338 IT'S ALL SO TURNED AROUND, ISN'T IT? 364 00:21:11,338 --> 00:21:12,939 MY NAME'S LUCKY. 365 00:21:12,939 --> 00:21:14,341 KAY WALSH, KAY WALSH. 366 00:21:14,341 --> 00:21:15,742 ALL OF THE ABOVE. 367 00:21:15,742 --> 00:21:17,744 LUCKY -- THAT'S A FUNNY NAME. 368 00:21:17,744 --> 00:21:19,746 HOW'D YOU GET THAT NAME, LUCKY? 369 00:21:19,746 --> 00:21:22,349 I BETTER NOT TELL YOU. IT'S KIND OF DIRTY. 370 00:21:22,349 --> 00:21:25,318 UM, EVENING, MRS. WALSH. 371 00:21:25,318 --> 00:21:27,320 YOU JUST STICK WITH IT, KAY. 372 00:21:27,320 --> 00:21:28,921 I WILL. THANKS. 373 00:21:28,921 --> 00:21:32,425 GUESS WHAT, SPIKE. I'M WORKING NOW. 374 00:21:42,234 --> 00:21:43,736 HAZEL. 375 00:21:45,104 --> 00:21:46,473 Woman: BISCUITS! 376 00:21:46,473 --> 00:21:50,843 WHAT ARE YOU DOING? YOU'RE CRAZY! 377 00:21:52,845 --> 00:21:55,582 HEY, HAZEL, WHAT ARE YOU DOING ON THE STREETS? 378 00:21:55,582 --> 00:21:57,584 GET OUT OF MY WAY, BISCUITS! 379 00:21:57,584 --> 00:21:59,952 GET OUT OF MY WAY! 380 00:21:59,952 --> 00:22:01,187 OH! 381 00:22:01,187 --> 00:22:02,254 YOU OKAY? 382 00:22:02,254 --> 00:22:03,723 Woman: BISCUITS? 383 00:22:03,723 --> 00:22:04,724 UHH. 384 00:22:04,724 --> 00:22:06,593 BISCUITS. 385 00:22:09,061 --> 00:22:11,464 YOU KNOW, I THINK THE BIKE'S MESSED UP. 386 00:22:11,464 --> 00:22:13,700 HEY, LOOK AT IT. 387 00:22:13,700 --> 00:22:16,035 I'LL GIVE YOU A RIDE HOME. 388 00:22:16,035 --> 00:22:17,637 BISCUITS. 389 00:22:17,637 --> 00:22:21,641 IF YOU DON'T GET OUT OF HERE AT THE COUNT OF FIVE, 390 00:22:21,641 --> 00:22:23,342 I'M CALLING THE COPS. 391 00:22:23,342 --> 00:22:25,311 1, 2, 3... 392 00:22:25,311 --> 00:22:27,313 YOU'RE MAKING A BIG MISTAKE. 393 00:22:27,313 --> 00:22:30,282 4... 394 00:22:30,282 --> 00:22:35,888 [ SWING MUSIC PLAYING ] 395 00:22:35,888 --> 00:22:37,890 [ SIGHS ] 396 00:23:17,464 --> 00:23:21,768 [ GRUNTING ] 397 00:23:21,768 --> 00:23:23,202 AAH! 398 00:23:23,202 --> 00:23:26,338 [ SOBBING ] 399 00:23:26,338 --> 00:23:27,940 Woman: CAN THAT RACKET! 400 00:23:27,940 --> 00:23:29,942 [ DOGS BARKING ] 401 00:23:29,942 --> 00:23:32,612 OH, GEE. ARE YOU ALL RIGHT? 402 00:23:32,612 --> 00:23:34,013 WH-WHAT HAPPENED? 403 00:23:34,013 --> 00:23:36,415 Spike: NOW WHAT THE HELL IS GOING ON? 404 00:23:36,415 --> 00:23:39,385 IT'S NOTHING, SPIKE. IT'S NOT THE JAPS OR ANYTHING. 405 00:23:39,385 --> 00:23:42,188 JUST GO BACK TO BED. 406 00:23:55,201 --> 00:23:57,103 I LIKE YOUR HAIR. 407 00:23:57,103 --> 00:23:59,872 OH, THANK YOU. 408 00:23:59,872 --> 00:24:03,910 GOSH, JACK WOULD HAVE A HEART ATTACK IF HE SAW ME. 409 00:24:03,910 --> 00:24:05,478 WHO'S JACK? 410 00:24:05,478 --> 00:24:07,514 MY HUSBAND. 411 00:24:07,514 --> 00:24:10,717 RIGHT -- MR. PERSONALITY. 412 00:24:12,151 --> 00:24:15,855 WELL, I SHOULD GO HOME. 413 00:24:15,855 --> 00:24:18,491 OH, WAIT. I MADE THIS FOR YOU. 414 00:24:27,066 --> 00:24:30,036 MY NAME IS KAY. WHAT'S YOUR NAME? 415 00:24:30,036 --> 00:24:32,138 HAZEL. 416 00:24:32,138 --> 00:24:33,439 HAZEL? 417 00:24:33,439 --> 00:24:35,241 YEAH. IT'S MY MOM'S NAME. 418 00:24:35,241 --> 00:24:38,244 I USED TO WATCH YOU GO TO WORK ALL THE TIME 419 00:24:38,244 --> 00:24:41,447 JUST TO SEE WHAT NEW OUTFIT YOU'D BE WEARING. 420 00:24:41,447 --> 00:24:42,682 THANKS. 421 00:24:42,682 --> 00:24:44,483 ARE YOU A SINGER? 422 00:24:46,252 --> 00:24:47,654 WHAT IS THIS? 423 00:24:47,654 --> 00:24:50,022 HOT MILK. 424 00:24:50,022 --> 00:24:52,358 OH. 425 00:24:52,358 --> 00:24:54,927 YEAH, I'M A SINGER. 426 00:24:54,927 --> 00:24:56,729 I KNEW IT. 427 00:24:56,729 --> 00:24:59,532 I DIDN'T EVEN TELL BISCUITS ABOUT MY NEW JOB. 428 00:24:59,532 --> 00:25:00,967 BISCUITS? 429 00:25:00,967 --> 00:25:03,903 OH, JUST SOME GUY I USED TO KNOW. 430 00:25:06,005 --> 00:25:07,239 OH. 431 00:25:07,239 --> 00:25:10,042 IT'S JACK IN UNIFORM. 432 00:25:10,042 --> 00:25:12,812 RIGHT. 433 00:25:12,812 --> 00:25:15,582 IF HE KNEW WHERE I WAS WORKING, 434 00:25:15,582 --> 00:25:17,650 HE WOULDN'T BELIEVE IT. 435 00:25:17,650 --> 00:25:20,252 HE'D NEVER PICTURE ME RIVETING AND DRILLING AND -- 436 00:25:20,252 --> 00:25:23,455 RIDING MOTORCYCLES? 437 00:25:23,455 --> 00:25:25,558 WELL, I NEEDED A RIDE. 438 00:25:25,558 --> 00:25:27,760 OKAY. IT'S NONE OF MY BEESWAX. 439 00:25:27,760 --> 00:25:29,762 I DIDN'T DO ANYTHING WRONG. 440 00:25:29,762 --> 00:25:32,298 ALL RIGHT. I'M NOT YOUR HUSBAND. 441 00:25:32,298 --> 00:25:35,101 IT WAS JUST A RIDE, AND THAT WAS ALL. 442 00:25:35,101 --> 00:25:36,502 ALL RIGHT. JESUS. 443 00:25:36,502 --> 00:25:38,104 [ BIRD CHIRPING ] 444 00:25:38,104 --> 00:25:40,707 WELL, I GUESS I BETTER GET GOING. 445 00:25:40,707 --> 00:25:42,909 I GOT TO GO TO WORK TOMORROW. 446 00:25:42,909 --> 00:25:44,510 YEAH. 447 00:25:44,510 --> 00:25:47,513 MMM. 448 00:25:47,513 --> 00:25:50,817 YOU GOT A LITTLE, UH, MUSTACHE. 449 00:25:50,817 --> 00:25:53,519 [ Giggling ] OH. 450 00:25:53,519 --> 00:25:55,321 AHEM. HAZEL? 451 00:25:55,321 --> 00:25:56,689 YEAH? 452 00:25:56,689 --> 00:25:58,691 DON'T WORRY ABOUT THAT GUY. 453 00:25:58,691 --> 00:25:59,959 WHAT GUY? 454 00:25:59,959 --> 00:26:02,461 YOU KNOW, THE ONE YOU USED TO KNOW. 455 00:26:02,461 --> 00:26:04,063 YOU'LL FIND SOMEBODY ELSE. 456 00:26:09,101 --> 00:26:10,703 SEE YOU LATER. 457 00:26:20,713 --> 00:26:22,682 Radio announcer: ALMOST FIVE MONTHS 458 00:26:22,682 --> 00:26:26,152 SINCE ENTERING THE WAR... 459 00:26:26,152 --> 00:26:27,654 OVER THERE. 460 00:26:27,654 --> 00:26:29,155 THERE'S A SPACE. 461 00:26:29,155 --> 00:26:30,189 WHERE? 462 00:26:30,189 --> 00:26:32,124 [ HORN HONKS ] 463 00:26:34,326 --> 00:26:36,062 WHAT ARE YOU DOING? 464 00:26:38,330 --> 00:26:41,100 WHO THE HELL DO YOU THINK YOU ARE? 465 00:26:41,100 --> 00:26:44,103 I'M GOING TO TELL YOU WHO I AM. I'M MOON WILLENS. 466 00:26:44,103 --> 00:26:47,473 I'VE BEEN WORKING AT THIS DAMN PLACE FOR 12 LONG YEARS. 467 00:26:47,473 --> 00:26:51,077 THIS IS MY PARKING SPACE, AND I AIN'T ABOUT TO LOSE IT 468 00:26:51,077 --> 00:26:55,347 TO A BUNCH OF FLY-BY-NIGHT WOMEN LIKE YOU. UNH-UNH. 469 00:26:55,347 --> 00:26:58,785 [ HORN HONKS ] 470 00:26:58,785 --> 00:27:01,788 YOU DON'T BELONG HERE, NONE OF YOU! 471 00:27:03,890 --> 00:27:05,291 WHAT'S HIS TROUBLE? 472 00:27:05,291 --> 00:27:07,894 WELL, WE WERE JUST COMING IN HERE. 473 00:27:07,894 --> 00:27:11,297 I SAW THAT PARKING PLACE, AND THEN HE PULLED IN. 474 00:27:12,899 --> 00:27:14,901 WELL, YOU HAVEN'T QUIT YET. 475 00:27:14,901 --> 00:27:17,770 NO. WE HAVE TO WIN THE WAR, DON'T WE? 476 00:27:17,770 --> 00:27:19,772 I'M JUST TRYING TO PAY THE BILLS 477 00:27:19,772 --> 00:27:21,974 AND STAY OUT OF TROUBLE MYSELF. 478 00:27:29,648 --> 00:27:31,583 GET LOST. 479 00:27:31,583 --> 00:27:33,552 HEY. 480 00:27:33,552 --> 00:27:34,954 WHAT'S TROUBLING YOU? 481 00:27:34,954 --> 00:27:36,823 I'D LIKE TO TURN THIS IN 482 00:27:36,823 --> 00:27:39,225 FOR A LEFT-HANDED LOCK WIRE PLIER, PLEASE. 483 00:27:39,225 --> 00:27:41,761 HEY, LOU, WE GOT ANOTHER PATSY. 484 00:27:41,761 --> 00:27:45,231 STICK OUT YOUR LEFT HAND. 485 00:27:47,533 --> 00:27:50,737 THERE, NOW YOU GOT A LEFT-HAND LOCK WIRE PLIER. 486 00:27:50,737 --> 00:27:52,705 GOT IT? 487 00:27:52,705 --> 00:27:54,440 YEAH, I GOT IT. 488 00:27:54,440 --> 00:27:56,408 NOW REMEMBER IT. 489 00:27:56,408 --> 00:27:59,178 ALL YOU GOT TO SAY IS, "LISTEN, YOU BIG APE, 490 00:27:59,178 --> 00:28:01,213 "YOU EVER PULL THAT ON ME AGAIN, 491 00:28:01,213 --> 00:28:03,349 AND I'LL SLAP YOUR EARS OFF." 492 00:28:03,349 --> 00:28:06,018 LISTEN, YOU BIG APE. LISTEN, YOU BIG APE. 493 00:28:06,018 --> 00:28:08,254 OKAY. BACK TO WORK, LADIES. 494 00:28:08,254 --> 00:28:14,393 LISTEN, YOU BIG FAT APE. YEAH. 495 00:28:17,296 --> 00:28:20,499 HOW DO I WORK MY LEFT-HAND LOCK WIRE PLIERS? 496 00:28:20,499 --> 00:28:21,868 NOW, LISTEN, 497 00:28:21,868 --> 00:28:23,569 YOU BIG... 498 00:28:23,569 --> 00:28:24,904 BIG WHAT? 499 00:28:24,904 --> 00:28:26,505 BIG FAT... 500 00:28:26,505 --> 00:28:28,240 MM-HMM. 501 00:28:56,368 --> 00:28:58,905 [ MEN LAUGH ] 502 00:29:01,673 --> 00:29:03,843 SHE'S SO GORGEOUS. 503 00:29:03,843 --> 00:29:06,012 HAVE A SEAT. 504 00:29:08,815 --> 00:29:11,017 OH, SORRY. 505 00:29:12,618 --> 00:29:13,953 THANK YOU. 506 00:29:13,953 --> 00:29:16,088 HI. HOW YOU DOING? 507 00:29:16,088 --> 00:29:18,290 BOY, THE DAYS ARE GETTING LONGER. 508 00:29:18,290 --> 00:29:20,292 WHAT DOES THAT MEAN? 509 00:29:20,292 --> 00:29:21,961 I DON'T KNOW. 510 00:29:21,961 --> 00:29:24,230 WHAT'D YOU SAY IT FOR? 511 00:29:24,230 --> 00:29:27,099 YOU SEEM A LITTLE UNCOMFORTABLE. 512 00:29:27,099 --> 00:29:29,969 WHERE'S YOUR MOTORCYCLE? 513 00:29:29,969 --> 00:29:32,504 I'M TAKING MY POKE AT HITLER, SAVING GAS. 514 00:29:32,504 --> 00:29:33,873 WHERE ARE YOU FROM, KAY? 515 00:29:33,873 --> 00:29:37,977 WE'RE FROM IOWA, MY HUSBAND JACK AND ME. 516 00:29:37,977 --> 00:29:40,646 I'M PLAYING MY HORN TONIGHT, KAY. 517 00:29:40,646 --> 00:29:42,448 YOU WANT TO COME HEAR ME? 518 00:29:42,448 --> 00:29:45,384 NO, I HAVE A MILLION THINGS TO DO. 519 00:29:45,384 --> 00:29:48,387 I'M NOT BAD, REALLY. IT'S A CUTE LITTLE PLACE. 520 00:29:48,387 --> 00:29:50,722 NO, I HAVE TO WRITE JACK A LETTER. 521 00:29:50,722 --> 00:29:52,358 I UNDERSTAND. 522 00:29:52,358 --> 00:29:56,528 SO WHAT ABOUT YOU? YOU LIKE GOOD MUSIC? 523 00:29:56,528 --> 00:29:58,130 ARE YOU ADDRESSING ME? 524 00:29:58,130 --> 00:30:00,432 YOU'RE BARKING UP THE WRONG TREE, MISTER. 525 00:30:00,432 --> 00:30:01,600 MY MOTHER ALWAYS SAID 526 00:30:01,600 --> 00:30:04,436 SOMEDAY I'D MEET A WONDERFUL GIRL LIKE YOU. 527 00:30:04,436 --> 00:30:06,472 SEE YOU TOMORROW, KAY. 528 00:30:06,472 --> 00:30:07,739 BYE. 529 00:30:07,739 --> 00:30:09,341 BYE. 530 00:30:28,560 --> 00:30:32,764 TAKING US ONE STEP CLOSER TO VICTORY. 531 00:30:32,764 --> 00:30:35,567 OKAY. 532 00:30:40,639 --> 00:30:42,241 * BIG BUCKS * 533 00:30:43,809 --> 00:30:45,411 * BIG BUCKS * 534 00:30:52,751 --> 00:30:54,353 * BIG BUCKS * 535 00:30:55,854 --> 00:30:57,456 * BIG BUCKS * 536 00:31:04,596 --> 00:31:06,198 * BIG BUCKS * 537 00:31:07,733 --> 00:31:09,335 * BIG BUCKS * 538 00:31:16,742 --> 00:31:18,344 * BIG BUCKS * 539 00:31:19,711 --> 00:31:21,047 * BIG BUCKS * 540 00:31:39,932 --> 00:31:42,969 * DOO DOO DOO DOO * 541 00:31:42,969 --> 00:31:44,971 * DOO DOO DOO DOO DOO DOO DOO * 542 00:31:44,971 --> 00:31:46,973 * DOO * 543 00:31:46,973 --> 00:31:48,674 * PARLEZ-VOUS FRANçAIS, BABY * 544 00:31:48,674 --> 00:31:50,042 * SPRECHEN SIE DEUTSCH * 545 00:31:50,042 --> 00:31:53,445 * MONEY IS A UNIVERSAL LANGUAGE * 546 00:31:53,445 --> 00:31:55,247 BYE. 547 00:31:55,247 --> 00:31:57,649 TALK TO YOU A MINUTE, KAY? 548 00:31:57,649 --> 00:31:59,385 SURE. 549 00:31:59,385 --> 00:32:02,488 SOME GUYS JUST CAN'T TAKE NO FOR AN ANSWER. 550 00:32:02,488 --> 00:32:03,755 YEAH, I KNOW. 551 00:32:03,755 --> 00:32:05,524 YOU SAID IT, STRETCH. 552 00:32:05,524 --> 00:32:07,359 BYE, KAY. 553 00:32:07,359 --> 00:32:08,427 WELL, UM, 554 00:32:08,427 --> 00:32:10,929 I THINK OUR LINE IS MOVING REALLY FAST, 555 00:32:10,929 --> 00:32:12,898 DON'T YOU, MR. LOCKHART? 556 00:32:12,898 --> 00:32:14,967 LAST CHANCE, KAY. 557 00:32:14,967 --> 00:32:16,668 KELLY'S, SATURDAY NIGHT -- 558 00:32:16,668 --> 00:32:19,571 LUCKY LOCKHART AND HIS HOT JAZZ TRUMPET. 559 00:32:19,571 --> 00:32:21,373 WELL... 560 00:32:21,373 --> 00:32:23,442 IT'S GREAT WORKING WITH YOU, 561 00:32:23,442 --> 00:32:26,912 AND I THINK YOU'RE THE BEST LEADMAN ON THE LINE, 562 00:32:26,912 --> 00:32:30,449 AND I JUST KNOW YOU'RE A SWELL FELLA, 563 00:32:30,449 --> 00:32:34,820 BUT YOU'VE BEEN ASKING ME OUT EVERY WEEK 564 00:32:34,820 --> 00:32:36,955 FOR THE LAST FIVE MONTHS, 565 00:32:36,955 --> 00:32:39,558 AND I KEEP HAVING TO TURN YOU DOWN, 566 00:32:39,558 --> 00:32:44,563 AND PEOPLE ARE BEGINNING TO TALK. 567 00:32:44,563 --> 00:32:48,467 I'M JUST TRYING TO IMPROVE YOUR TASTE IN MUSIC, KAY. 568 00:32:50,402 --> 00:32:53,472 BUT YOU WON'T HAVE TO TURN ME DOWN AGAIN. 569 00:32:57,676 --> 00:33:01,613 DON'T BE LATE, OR I'LL DOCK YOU, MRS. WALSH. 570 00:33:01,613 --> 00:33:03,615 [ CHEERING ] 571 00:33:20,866 --> 00:33:22,534 Man: ATTENTION, PLEASE. 572 00:33:22,534 --> 00:33:26,572 WE HAVE JUST RECEIVED NEWS OF ANOTHER TRAGIC LOSS. 573 00:33:26,572 --> 00:33:30,809 THE JAPANESE HAVE SUNK THE U.S. CARRIER HORNET 574 00:33:30,809 --> 00:33:32,311 DEFENDING GUADALCANAL. 575 00:33:32,311 --> 00:33:34,113 I KNOW MANY OF YOU SWING-SHIFTERS 576 00:33:34,113 --> 00:33:37,616 HAVE HUSBANDS, SONS, AND SWEETHEARTS ON GUADALCANAL. 577 00:33:37,616 --> 00:33:41,187 WE MUST WORK HARDER TO HELP TURN THE TIDE. 578 00:33:41,187 --> 00:33:43,122 SIGNING OFF. 579 00:34:05,844 --> 00:34:07,379 HE ASKED ME OUT TONIGHT. 580 00:34:07,379 --> 00:34:10,082 I'M JUST GOING TO TELL HIM NOT TO BOTHER ME ANYMORE. 581 00:34:10,082 --> 00:34:11,750 IT'S UP TO YOU. 582 00:34:11,750 --> 00:34:13,819 MAYBE YOU COULD COME ALONG, HAZEL, 583 00:34:13,819 --> 00:34:15,787 JUST TO KEEP THINGS SAFE. 584 00:34:15,787 --> 00:34:17,623 OH, NO. UNH-UNH. 585 00:34:17,623 --> 00:34:18,990 WHY NOT? 586 00:34:18,990 --> 00:34:20,559 WHAT ARE YOU GOING TO DO? 587 00:34:20,559 --> 00:34:23,395 YOU'RE OFF TOMORROW. YOU GOING TO SIT HOME? 588 00:34:23,395 --> 00:34:26,332 OH, I THOUGHT I'D WHIP UP A BATCH OF VICTORY FUDGE. 589 00:34:26,332 --> 00:34:28,334 LOOK, HONEY, YOU DON'T NEED ME. 590 00:34:28,334 --> 00:34:30,736 I GOT FAITH IN YOU. 591 00:34:30,736 --> 00:34:32,938 YOU DO? 592 00:34:32,938 --> 00:34:35,674 SURE. 593 00:34:39,311 --> 00:34:41,780 I REALLY LIKE YOU, HAZEL, 594 00:34:41,780 --> 00:34:43,515 A LOT. 595 00:34:43,515 --> 00:34:46,352 WELL, GEE, KAY, I REALLY LIKE YOU, TOO. 596 00:34:46,352 --> 00:34:48,354 NO, I REALLY LIKE YOU. 597 00:34:48,354 --> 00:34:51,257 ALL RIGHT. DON'T GET SENTIMENTAL ON ME. 598 00:34:51,257 --> 00:34:53,159 * LIKE EYES, LIKE NOSE * 599 00:34:53,159 --> 00:34:54,960 * LIKE THE HAIR, AND LIKE THOSE TOES * 600 00:34:54,960 --> 00:34:57,263 * OOH, LOOK THERE, AIN'T YOU PRETTY? * 601 00:34:57,263 --> 00:34:59,198 YES, SIR. 602 00:35:00,899 --> 00:35:03,935 NOW, YOU WANTED TO TELL ME SOMETHING? 603 00:35:03,935 --> 00:35:06,505 OH, LUCKY, THANK YOU. 604 00:35:08,640 --> 00:35:10,909 LUCKY... 605 00:35:10,909 --> 00:35:13,412 I THINK YOU'RE A SWELL GUY. 606 00:35:13,412 --> 00:35:16,582 I THINK YOU ARE TERRIFIC. 607 00:35:18,384 --> 00:35:20,419 YOU KNOW, THERE ARE A LOT 608 00:35:20,419 --> 00:35:22,921 OF GREAT GIRLS AT THE PLANT, LUCKY. 609 00:35:22,921 --> 00:35:24,523 MILLIONS. 610 00:35:24,523 --> 00:35:26,292 SINGLE GALS. 611 00:35:26,292 --> 00:35:29,428 LOTS OF THEM, TOO. SO? 612 00:35:34,600 --> 00:35:37,769 OH, SPIKE AND ETHEL, MY LANDLORDS. 613 00:35:37,769 --> 00:35:40,105 WHAT'S THE MATTER? 614 00:35:40,105 --> 00:35:42,808 WHAT'S WRONG? 615 00:35:42,808 --> 00:35:44,810 KAY? 616 00:35:44,810 --> 00:35:46,412 SORRY. 617 00:35:46,412 --> 00:35:48,146 WAIT A MINUTE. 618 00:35:48,146 --> 00:35:49,748 OH, EXCUSE ME, I -- 619 00:35:49,748 --> 00:35:53,018 YOU ALL RIGHT? WHAT ARE YOU DOING? 620 00:35:53,018 --> 00:35:55,153 WAIT A MINUTE. 621 00:35:59,558 --> 00:36:01,227 TAXI! 622 00:36:03,729 --> 00:36:05,264 Lucky: KAY! 623 00:36:05,264 --> 00:36:06,865 EXCUSE ME. 624 00:36:06,865 --> 00:36:08,200 OW. 625 00:36:08,200 --> 00:36:09,768 WAIT. WAIT A MINUTE. 626 00:36:09,768 --> 00:36:13,239 I CAN'T. I CAN'T, LUCKY. I'M MARRIED. 627 00:36:13,239 --> 00:36:15,241 SO WHAT? SO THAT'S IT? 628 00:36:15,241 --> 00:36:16,708 IT'S WRONG! 629 00:36:16,708 --> 00:36:19,445 COME ON, KAY. IT'S YOUR OWN LIFE. 630 00:36:19,445 --> 00:36:22,147 YOU'VE GOT A RIGHT TO BE HAPPY. 631 00:36:22,147 --> 00:36:23,949 I CAN'T. 632 00:36:23,949 --> 00:36:27,753 I'M MARRIED. DON'T YOU UNDERSTAND THAT? 633 00:36:29,755 --> 00:36:31,757 DON'T YOU GET IT? 634 00:36:37,796 --> 00:36:40,899 PLEASE... 635 00:36:40,899 --> 00:36:43,602 GO AWAY. 636 00:36:49,608 --> 00:36:52,811 COME ON. I'LL GIVE YOU A RIDE HOME. 637 00:36:52,811 --> 00:36:54,346 NO. 638 00:36:54,346 --> 00:36:56,782 JUST COME OUT OF THE ALLEYWAY. 639 00:36:56,782 --> 00:36:58,650 NO. 640 00:37:00,752 --> 00:37:03,355 SUIT YOURSELF. 641 00:37:12,531 --> 00:37:15,667 HEY, KAY, HAZEL, LOOK! 642 00:37:15,667 --> 00:37:17,669 I GOT ANOTHER LETTER FROM AL, 643 00:37:17,669 --> 00:37:19,671 AND IT'S ONLY TWO MONTHS OLD. 644 00:37:19,671 --> 00:37:21,840 YOU HAD ME KEEPING YOU COMPANY ALL NIGHT, 645 00:37:21,840 --> 00:37:23,642 YOU WOULDN'T NEED ANYBODY ELSE. 646 00:37:23,642 --> 00:37:26,177 ALL THESE GUYS THINK THEY'RE GOD'S GIFT, 647 00:37:26,177 --> 00:37:27,879 EVERY LAST ONE OF THEM. 648 00:37:27,879 --> 00:37:30,349 SWEETIE, IT'S ALWAYS BEEN THAT WAY. 649 00:37:30,349 --> 00:37:33,819 HI. I THOUGHT I WAS GOING TO BE LATE. 650 00:37:33,819 --> 00:37:37,623 Man: THERE SHE IS. MRS. SHERMAN, LADIES? 651 00:37:40,692 --> 00:37:43,295 ARE YOU MRS. JEANNIE SHERMAN? 652 00:37:43,295 --> 00:37:44,830 YES. 653 00:37:44,830 --> 00:37:47,299 WIFE OF CORPORAL ALBERT SHERMAN 654 00:37:47,299 --> 00:37:49,635 OF GLENDALE, CALIFORNIA? 655 00:37:49,635 --> 00:37:50,669 YES. 656 00:37:50,669 --> 00:37:53,472 I'M SORRY TO INFORM YOU THAT -- 657 00:37:53,472 --> 00:37:56,975 THAT YOUR -- THAT -- 658 00:37:56,975 --> 00:37:58,744 I'M S-- 659 00:37:58,744 --> 00:38:00,812 I'M SORRY TO INFORM YOU... 660 00:38:05,417 --> 00:38:07,419 I-I'M SORRY. 661 00:38:07,419 --> 00:38:10,656 I'VE NEVER DONE THIS BEFORE. 662 00:38:22,067 --> 00:38:23,735 Man: ASSOCIATES... 663 00:38:23,735 --> 00:38:27,906 CONGRATULATIONS FOR HAVING SURPASSED OUR 1942 QUOTA. 664 00:38:27,906 --> 00:38:32,110 CELEBRATE A GOOD YEAR'S WORK AT THE SWING SHIFT JAMBOREE. 665 00:38:32,110 --> 00:38:35,313 REMEMBER, THE SWING SHIFT JAMBOREE -- 666 00:38:35,313 --> 00:38:39,084 THIS SATURDAY NIGHT AT THE EGYPTIAN BALLROOM. 667 00:38:41,587 --> 00:38:43,889 Radio announcer: ELEVENTH LONG MONTH, 668 00:38:43,889 --> 00:38:46,892 UNITED STATES NAVAL FORCES HAVE DESTROYED 669 00:38:46,892 --> 00:38:49,561 23 JAPANESE WARSHIPS AND TRANSPORTS... 670 00:38:49,561 --> 00:38:55,501 PEEWEE, WHERE'D YOU GET THAT DRESS? MUSEUM? 671 00:38:55,501 --> 00:38:58,269 NO GOOD, HUH? 672 00:38:58,269 --> 00:39:00,305 YOU GOT A SWELL SHAPE, SWEETHEART. 673 00:39:00,305 --> 00:39:01,940 WHY ARE YOU AFRAID TO SHOW IT? 674 00:39:01,940 --> 00:39:04,209 JACK DOESN'T LIKE REVEALING THINGS. 675 00:39:04,209 --> 00:39:06,845 SO? LET HIM WEAR IT. 676 00:39:06,845 --> 00:39:10,482 WELL, I DON'T WANT TO GO TO THE DANCE ANYWAY. 677 00:39:10,482 --> 00:39:12,884 GOOD. ME, NEITHER. 678 00:39:12,884 --> 00:39:15,153 DO YOU LIKE IT UP OR DOWN? 679 00:39:15,153 --> 00:39:17,088 I LIKE IT UP. 680 00:39:17,088 --> 00:39:19,290 YEAH. 681 00:39:19,290 --> 00:39:23,395 BACK TO THE WAR NEWS TONIGHT FOR NOVEMBER 17... 682 00:39:23,395 --> 00:39:25,397 I JUST THOUGHT, YOU KNOW, 683 00:39:25,397 --> 00:39:27,399 SINCE IT WAS DOWN THE STREET, 684 00:39:27,399 --> 00:39:29,401 YOU KNOW, THAT LITTLE PLACE. 685 00:39:29,401 --> 00:39:31,403 THE EGYPTIAN BALLROOM? UNH-UNH. 686 00:39:31,403 --> 00:39:33,304 I'VE HAD IT WITH THAT PLACE. 687 00:39:33,304 --> 00:39:35,306 I WOULDN'T BE CAUGHT DEAD THERE. 688 00:39:35,306 --> 00:39:37,075 ME, EITHER. 689 00:39:37,075 --> 00:39:39,077 WHAT A DUMB IDEA. 690 00:39:39,077 --> 00:39:41,413 THE EGYPTIAN BALLROOM. 691 00:39:41,413 --> 00:39:43,449 SWING SHIFT JAMBOREE. 692 00:39:43,449 --> 00:39:46,985 STUPID. GOD. 693 00:39:46,985 --> 00:39:51,022 WELL, WE COULD JUST STAY HOME AND DO SOMETHING. 694 00:39:51,022 --> 00:39:52,924 SURE. 695 00:39:52,924 --> 00:39:55,093 WE COULD, UM... 696 00:39:59,998 --> 00:40:03,469 WE COULD CLEAN OUT YOUR KITCHEN DRAWERS. 697 00:40:03,469 --> 00:40:06,538 SURE, WE COULD DO THAT. 698 00:40:10,341 --> 00:40:13,945 THEY'LL PROBABLY THINK WE'RE STUCK-UP FOR NOT GOING. 699 00:40:13,945 --> 00:40:15,346 SO? 700 00:40:15,346 --> 00:40:17,015 WHO CARES? 701 00:40:17,015 --> 00:40:18,884 I DON'T CARE. 702 00:40:18,884 --> 00:40:20,586 OKAY. 703 00:40:20,586 --> 00:40:22,888 GOT ANY ACES? 704 00:40:26,157 --> 00:40:29,695 ARE YOU ABSOLUTELY SURE YOU DON'T WANT TO GO? 705 00:40:31,497 --> 00:40:33,965 THAT DRESS LOOKS RIDICULOUS. 706 00:40:33,965 --> 00:40:35,567 IT DOES? 707 00:40:35,567 --> 00:40:38,169 MM-HMM. WE'LL WORK ON IT. LET'S FIX YOU UP. 708 00:40:38,169 --> 00:40:39,571 AND... 709 00:40:39,571 --> 00:40:43,575 HEY, I'M GAININ'. 710 00:40:48,980 --> 00:40:51,750 * HEY, THERE, GALS, SPREAD THE NEWS * 711 00:40:51,750 --> 00:40:54,753 * I'VE GOT THE SO-SO SWING SHIFT BLUES * 712 00:40:54,753 --> 00:40:57,255 * I MAKE GOOD MONEY, I PAY MY RENT * 713 00:40:57,255 --> 00:40:59,758 * BUT I'D RATHER BE THE COMPANY PRESIDENT * 714 00:40:59,758 --> 00:41:02,260 HI, HAZEL. I THOUGHT YOU'D NEVER MAKE IT. 715 00:41:02,260 --> 00:41:03,829 BYE. 716 00:41:03,829 --> 00:41:05,731 KAY, COME ON. COME ON. 717 00:41:05,731 --> 00:41:07,599 HEY, WHO'S THE NEW GIRL? 718 00:41:07,599 --> 00:41:09,968 NOT RIGHT NOW, OKAY? LATER. 719 00:41:15,440 --> 00:41:17,408 HONEY, IS THIS CHECK OKAY? 720 00:41:17,408 --> 00:41:19,010 HI. 721 00:41:19,010 --> 00:41:20,546 CARE TO DANCE? 722 00:41:20,546 --> 00:41:22,480 YEAH, SURE. 723 00:41:27,919 --> 00:41:30,088 COME ON. 724 00:41:57,015 --> 00:41:58,817 HAZEL? 725 00:41:58,817 --> 00:42:04,455 * THERE'S A WORLD I KNOW * 726 00:42:04,455 --> 00:42:09,728 * NOT FAR FROM HERE * 727 00:42:09,728 --> 00:42:12,497 I DIDN'T THINK I WAS EVER GOING TO SEE YOU AGAIN, 728 00:42:12,497 --> 00:42:14,465 BUT YOU SHOW UP. 729 00:42:14,465 --> 00:42:16,501 HERE WE ARE BACK AT THE EGYPTIAN, 730 00:42:16,501 --> 00:42:18,704 JUST LIKE OLD TIMES, HUH? 731 00:42:20,906 --> 00:42:23,474 I KNEW I SHOULDN'T HAVE COME HERE. 732 00:42:23,474 --> 00:42:25,043 NOT TRUE. 733 00:42:25,043 --> 00:42:28,747 YOU GOT TO SEE WHAT FATE HAS IN STORE FOR YOU 734 00:42:28,747 --> 00:42:31,617 'CAUSE JUST WHEN YOU THINK YOU'RE THROUGH 735 00:42:31,617 --> 00:42:34,419 WITH SOMETHING AND LIFE HAS GOT YOU BEAT, 736 00:42:34,419 --> 00:42:37,623 IT COMES RIGHT BACK TO YOU STRONGER THAN EVER. 737 00:42:37,623 --> 00:42:40,258 EVERYTHING'S GOOD AGAIN, 738 00:42:40,258 --> 00:42:41,993 JUST LIKE US. 739 00:42:44,295 --> 00:42:45,864 I CAME HERE TONIGHT 740 00:42:45,864 --> 00:42:47,899 TO BE WITH MY FRIENDS, BISCUITS. 741 00:42:47,899 --> 00:42:50,936 THERE'S PLENTY OF NICE GUYS AT THE PLANT, 742 00:42:50,936 --> 00:42:53,071 AND YOU DON'T LOOK SO BEAT TO ME. 743 00:42:53,071 --> 00:42:55,707 YOU PROBABLY GOT ALL THE MONEY 744 00:42:55,707 --> 00:42:57,809 AND ALL THE GIRLS YOU CAN HANDLE. 745 00:42:57,809 --> 00:43:00,679 IT'S WHAT YOU'VE ALWAYS WANTED, ISN'T IT? 746 00:43:00,679 --> 00:43:02,648 IT'S WHAT I ALWAYS WANTED. 747 00:43:02,648 --> 00:43:04,315 WHY DON'T YOU GO ON INSIDE 748 00:43:04,315 --> 00:43:06,918 AND ENJOY YOURSELF WITH YOUR NEW FRIENDS? 749 00:43:06,918 --> 00:43:09,855 I THINK I'D LIKE TO JUST FINISH MY CIGARETTE, 750 00:43:09,855 --> 00:43:11,990 IF YOU DON'T MIND. 751 00:43:15,160 --> 00:43:17,362 HAZEL, SOMEDAY I'M GOING TO DO SOMETHING 752 00:43:17,362 --> 00:43:19,264 THAT'LL SURPRISE YOU. 753 00:43:19,264 --> 00:43:21,166 YOU WAIT AND SEE. 754 00:43:21,166 --> 00:43:23,168 [ DOOR SLAMS ] 755 00:43:24,569 --> 00:43:27,939 [ PLAYING SWING MUSIC ] 756 00:44:25,496 --> 00:44:29,701 * DANCING IN THE DARK * 757 00:44:29,701 --> 00:44:31,569 * TILL THE TUNE ENDS * 758 00:44:31,569 --> 00:44:36,607 * WE'RE DANCING IN THE DARK * 759 00:44:36,607 --> 00:44:38,209 HI. 760 00:44:38,209 --> 00:44:39,745 HI. 761 00:44:39,745 --> 00:44:42,848 BOY, I DON'T KNOW MUCH ABOUT MUSIC, 762 00:44:42,848 --> 00:44:45,216 BUT YOU WERE JUST TERRIFIC. 763 00:44:45,216 --> 00:44:46,417 THANKS. 764 00:44:46,417 --> 00:44:49,287 I REALLY AM A MUSICIAN. I'M NOT A MECHANIC. 765 00:44:49,287 --> 00:44:51,890 WORKING AT MacBRIDE'S IS KILLING ME. 766 00:44:51,890 --> 00:44:54,325 WHY AREN'T YOU IN THE SERVICE? 767 00:44:57,195 --> 00:44:58,997 I'M A JAP SPY. 768 00:44:58,997 --> 00:45:01,266 AREN'T YOU EVER SERIOUS ABOUT ANYTHING? 769 00:45:01,266 --> 00:45:03,935 YOU TELL ME WHAT THERE IS TO BE SERIOUS ABOUT. 770 00:45:03,935 --> 00:45:07,939 EVERYTHING -- THE WAR, THE NAZIS, 771 00:45:07,939 --> 00:45:10,742 WINSTON CHURCHILL. 772 00:45:15,180 --> 00:45:17,949 I THINK YOU LOOK PRETTIER WITHOUT ALL THAT STUFF. 773 00:45:17,949 --> 00:45:20,185 YOU'RE TOO GOOD-LOOKING FOR THAT. 774 00:45:30,762 --> 00:45:32,497 LUCKY! 775 00:45:35,934 --> 00:45:38,937 YOU WANT A RIDE HOME? 776 00:45:48,814 --> 00:45:51,016 [ THUNDER CRASHES ] 777 00:45:58,423 --> 00:46:00,358 Kay: WHEW! OH! 778 00:46:00,358 --> 00:46:02,160 GET INSIDE! 779 00:46:02,160 --> 00:46:05,030 GOSH. I'M FREEZING. NOW I'M STARVING. 780 00:46:05,030 --> 00:46:06,965 THAT'S NOT ALL. 781 00:46:06,965 --> 00:46:08,834 WHAT ELSE AM I? 782 00:46:08,834 --> 00:46:10,635 FOR ONE THING, YOU'RE ALL WET. 783 00:46:10,635 --> 00:46:13,404 YOUR MAKEUP'S PROBABLY IN YOUR NYLONS BY NOW. 784 00:46:13,404 --> 00:46:16,474 WHY, WHAT'D YOU THINK I WAS GOING TO SAY? 785 00:46:16,474 --> 00:46:18,143 NOTHING. 786 00:46:18,143 --> 00:46:20,278 YOU KNOW ME BETTER THAN THAT. 787 00:46:20,278 --> 00:46:23,614 I WAS GOING TO MAKE A TOTALLY UNACCEPTABLE SUGGESTION. 788 00:46:23,614 --> 00:46:25,616 WHAT'S YOUR SUGGESTION? 789 00:46:25,616 --> 00:46:26,918 I HAPPEN TO MAKE 790 00:46:26,918 --> 00:46:28,854 THE BEST CHEESE OMELET IN THE WORLD. 791 00:46:28,854 --> 00:46:30,521 CHANGE YOUR CLOTHES. 792 00:46:30,521 --> 00:46:32,457 HOW ABOUT YOU? 793 00:46:32,457 --> 00:46:34,459 CHANGE INTO WHAT? 794 00:46:34,459 --> 00:46:35,693 THIS? 795 00:46:35,693 --> 00:46:36,862 FORGET IT. 796 00:46:36,862 --> 00:46:38,129 OR THIS? 797 00:46:38,129 --> 00:46:40,098 I'LL CATCH PNEUMONIA FIRST. 798 00:46:40,098 --> 00:46:43,401 IT'S THIS OR THIS. TAKE YOUR CHOICE. 799 00:46:43,401 --> 00:46:45,770 HOW MUCH LONGER? I'M STARVING. 800 00:46:45,770 --> 00:46:47,805 JUST HOLD ON ANOTHER MINUTE. 801 00:46:47,805 --> 00:46:49,607 WHY? 802 00:46:49,607 --> 00:46:51,742 HERE'S WHY. 803 00:46:51,742 --> 00:46:54,579 OH, LUCKY, YOU'RE PRETTY GOOD. 804 00:46:54,579 --> 00:46:55,981 STOP IT. 805 00:46:55,981 --> 00:46:57,983 IT'S JUST A LITTLE SOMETHING I WHIPPED UP. 806 00:46:57,983 --> 00:46:59,918 YOU DO THIS TO ME ALL THE TIME. 807 00:46:59,918 --> 00:47:02,787 OH, LUCKY, THE THINGS YOU DO. 808 00:47:02,787 --> 00:47:04,890 HOW ABOUT A LITTLE SUPPER MUSIC? 809 00:47:04,890 --> 00:47:06,958 SURE. 810 00:47:13,798 --> 00:47:15,867 HMM. "SKYLARK." 811 00:47:17,668 --> 00:47:19,537 NO GOOD? 812 00:47:19,537 --> 00:47:20,738 NO, IT'S OKAY. 813 00:47:20,738 --> 00:47:24,542 I JUST PLAY IT A LOT WHEN I'M ALONE, THAT'S ALL. 814 00:47:24,542 --> 00:47:26,777 [ SLOW MUSIC PLAYS ] 815 00:47:26,777 --> 00:47:28,546 TOO LOUD? 816 00:47:46,998 --> 00:47:49,067 DO YOU KNOW THIS? 817 00:47:52,670 --> 00:47:54,639 [ PLAYS ALONG WITH MUSIC ] 818 00:47:54,639 --> 00:47:56,407 OH, THIS OLD MOUTHPIECE. 819 00:47:56,407 --> 00:47:58,809 IT'S GETTING HARD TO HIT THE HIGH NOTES. 820 00:47:58,809 --> 00:48:00,545 NO EXCUSES, REALLY. 821 00:48:02,914 --> 00:48:05,050 AREN'T YOU GOING TO EAT? 822 00:48:05,050 --> 00:48:07,518 IN A MINUTE. 823 00:48:09,054 --> 00:48:12,023 I LOOKED ALL OVER FOR YOU AT THE JAMBOREE. 824 00:48:13,391 --> 00:48:15,961 NEVER DID GET TO DANCE WITH YOU. 825 00:48:15,961 --> 00:48:18,629 WOULD YOU LIKE TO? 826 00:48:31,509 --> 00:48:33,711 YOU MEET JACK IN HIGH SCHOOL? 827 00:48:33,711 --> 00:48:35,113 UH-HUH. 828 00:48:35,113 --> 00:48:38,649 4-YEAR LETTERMAN. IN WHAT? 829 00:48:38,649 --> 00:48:42,053 BASKETBALL, BASEBALL, TRACK, FOOTBALL. 830 00:48:42,053 --> 00:48:44,589 HE WAS QUITE AN ATHLETE. 831 00:48:44,589 --> 00:48:46,591 HE STILL IS, I'M SURE. 832 00:48:58,669 --> 00:49:02,307 * SKYLARK * 833 00:49:02,307 --> 00:49:08,679 * HAVE YOU ANYTHING TO SAY TO ME? * 834 00:49:08,679 --> 00:49:14,285 * WON'T YOU TELL ME WHERE MY LOVE CAN BE? * 835 00:49:14,285 --> 00:49:18,523 * IS THERE A MEADOW IN THE MIST * 836 00:49:18,523 --> 00:49:23,261 * WHERE SOMEONE'S WAITING TO BE KISSED? * 837 00:49:23,261 --> 00:49:27,765 * SKYLARK * 838 00:49:27,765 --> 00:49:33,438 * HAVE YOU SEEN A VALLEY GREEN WITH TREES? * 839 00:49:35,740 --> 00:49:39,944 HOW COME YOU NEVER ASKED ME IF I WAS 4-F? 840 00:49:39,944 --> 00:49:41,746 I DON'T KNOW. 841 00:49:41,746 --> 00:49:47,085 WELL, JUST IN CASE YOU EVER WONDERED ABOUT IT, I AM. 842 00:49:47,085 --> 00:49:49,187 THE ARMY TURNED ME DOWN. 843 00:49:49,187 --> 00:49:51,522 FLUNKED MY PHYSICAL. 844 00:49:51,522 --> 00:49:52,923 I'M SORRY. 845 00:49:52,923 --> 00:49:55,160 DON'T BE. IT'S NOT WORTH IT. 846 00:49:55,160 --> 00:49:57,162 I'M NOT SICK. 847 00:49:57,162 --> 00:49:59,064 I'M JUST 4-F. 848 00:49:59,064 --> 00:50:00,865 4-F, THAT'S ALL. 849 00:50:00,865 --> 00:50:04,669 IT'S NOT LIKE THEY CALLED YOU A DIRTY NAME, LUCKY. 850 00:50:04,669 --> 00:50:07,138 HMM. IT ISN'T? 851 00:50:07,138 --> 00:50:09,140 SKIP IT. 852 00:50:09,140 --> 00:50:11,476 BELIEVE ME, IF IT HADN'T BEEN FOR THE WAR, 853 00:50:11,476 --> 00:50:14,612 NOBODY WOULD HAVE SAID A THING ABOUT MY BAD HEART. 854 00:50:14,612 --> 00:50:17,215 BESIDES, IT DOESN'T BOTHER ME. 855 00:50:17,215 --> 00:50:20,085 IT DOESN'T BOTHER ME. 856 00:50:20,085 --> 00:50:22,220 YEAH, I CAN SEE THAT. 857 00:50:22,220 --> 00:50:25,022 IT BOTHERS ME A LITTLE, 858 00:50:25,022 --> 00:50:29,260 MAINLY OF MAKING GIRLS NERVOUS. 859 00:50:33,198 --> 00:50:35,166 MAKING GIRLS NERVOUS HOW? 860 00:50:35,166 --> 00:50:37,034 IF YOU KNEW 861 00:50:37,034 --> 00:50:39,270 AND YOU SAW ME DO SOMETHING STRENUOUS... 862 00:50:39,270 --> 00:50:41,306 YOU WOULDN'T WANT ME TO WORRY. 863 00:50:41,306 --> 00:50:43,374 THAT'S VERY CONSIDERATE. 864 00:50:43,374 --> 00:50:44,575 THANKS. 865 00:50:44,575 --> 00:50:47,445 I JUST WANT YOU TO ENJOY YOURSELF. 866 00:50:47,445 --> 00:50:49,447 YEAH, AND YOU WERE JUST SO SURE 867 00:50:49,447 --> 00:50:51,449 THAT YOU COULD GET ME INTO BED 868 00:50:51,449 --> 00:50:53,851 THAT YOU DIDN'T WANT ME TO BE NERVOUS 869 00:50:53,851 --> 00:50:55,253 ABOUT YOUR BAD HEART. 870 00:50:55,253 --> 00:50:57,255 I DON'T HAVE A BAD HEART. 871 00:50:57,255 --> 00:50:58,956 I'M TELLING YOU I DON'T CARE. 872 00:50:58,956 --> 00:51:02,059 BOY, I DON'T KNOW HOW YOU LET ME GET INTO THIS. 873 00:51:02,059 --> 00:51:04,061 GET YOU INTO WHAT? 874 00:51:04,061 --> 00:51:06,497 I DON'T HAVE TO SPELL IT OUT. 875 00:51:06,497 --> 00:51:09,234 I'D LIKE TO THINK WE MADE LOVE TO EACH OTHER. 876 00:51:09,234 --> 00:51:11,236 ARE YOU TRYING TO TELL ME 877 00:51:11,236 --> 00:51:13,671 THAT I'M RESPONSIBLE FOR ALL THIS, 878 00:51:13,671 --> 00:51:16,141 WHEN YOU'VE BEEN ASKING ME OUT FOREVER, 879 00:51:16,141 --> 00:51:17,908 AND I KEEP SAYING NO? 880 00:51:17,908 --> 00:51:19,777 YOU MEANT YES. 881 00:51:19,777 --> 00:51:21,312 I MEANT NO. 882 00:51:21,312 --> 00:51:23,414 WELL, SOMEBODY AROUND HERE SAID YES. 883 00:51:23,414 --> 00:51:26,417 I SAID YES BECAUSE I FELT SORRY FOR YOU. 884 00:51:26,417 --> 00:51:28,386 JUST GET OUT OF HERE. 885 00:51:28,386 --> 00:51:31,256 WHAT THE HELL DOES IT LOOK LIKE I'M DOING? 886 00:51:31,256 --> 00:51:34,091 I WON'T EVEN PUT ON MY SHOES. 887 00:51:34,091 --> 00:51:36,594 I NEVER WANT TO SEE YOU AGAIN. 888 00:51:36,594 --> 00:51:38,596 NEVER. 889 00:51:42,300 --> 00:51:44,502 [ KNOCK ON DOOR ] 890 00:51:47,138 --> 00:51:48,939 WHO IS IT? 891 00:51:48,939 --> 00:51:51,142 ME. 892 00:51:54,345 --> 00:51:57,548 I DON'T KNOW WHAT THE HELL WE'RE TALKING ABOUT, KAY. 893 00:51:57,548 --> 00:52:00,651 WE'VE GOT TO GO BACK TO WORK IN 12 HOURS. 894 00:52:03,454 --> 00:52:04,989 WHAT I DON'T UNDERSTAND 895 00:52:04,989 --> 00:52:08,693 IS WHY IT HAD TO HAPPEN IN THE FIRST PLACE. 896 00:52:08,693 --> 00:52:10,395 WORLD WAR II? 897 00:52:11,696 --> 00:52:15,900 NO. WHY DID WE HAVE TO END UP WORKING TOGETHER? 898 00:52:20,104 --> 00:52:22,106 KAY, ARE YOU ALL RIGHT? 899 00:52:22,106 --> 00:52:23,974 I'M FINE. 900 00:52:23,974 --> 00:52:25,876 JUST WONDERING. 901 00:52:27,678 --> 00:52:30,748 I'LL NEVER SEE YOU AGAIN EXCEPT MONDAY THROUGH FRIDAY 902 00:52:30,748 --> 00:52:33,818 FROM 4:00 TILL MIDNIGHT EVERY SWING SHIFT. 903 00:52:35,620 --> 00:52:39,357 I SWEAR, IF YOU WERE ANY KIND OF A GENTLEMAN... 904 00:52:39,357 --> 00:52:42,627 I'D WHAT, WORK GRAVEYARD? 905 00:52:42,627 --> 00:52:44,629 WHAT? 906 00:52:46,564 --> 00:52:49,500 YOU WOULDN'T KNOW SO MUCH ABOUT ME. 907 00:52:57,308 --> 00:53:01,446 YOU'RE EVERYWHERE IN MY WORK AND MY LIFE. 908 00:53:03,648 --> 00:53:06,451 HOW WILL I EVER GET RID OF YOU? 909 00:53:08,886 --> 00:53:11,222 YOU CAN'T, I HOPE. 910 00:53:21,065 --> 00:53:22,800 KAY... 911 00:53:24,802 --> 00:53:26,804 IS THAT BAD? 912 00:53:28,806 --> 00:53:30,808 I DON'T KNOW. 913 00:53:34,479 --> 00:53:38,483 WELL, I GUESS WE'RE IN IT, HUH? 914 00:53:38,483 --> 00:53:41,819 FOR THE DURATION. 915 00:53:41,819 --> 00:53:43,688 BOY. 916 00:53:49,694 --> 00:53:52,430 YOU DON'T HAVE TO GET RID OF IT, KAY. 917 00:53:52,430 --> 00:53:54,632 YOU JUST BLEW YOUR NOSE. 918 00:54:09,079 --> 00:54:11,181 WHOO! 919 00:54:11,181 --> 00:54:14,018 AAH! 920 00:54:18,523 --> 00:54:21,326 WE MADE THOSE. 921 00:54:30,468 --> 00:54:32,670 [ FIRECRACKERS POPPING ] 922 00:54:47,885 --> 00:54:50,120 YOU GOT IT. 923 00:54:50,120 --> 00:54:51,989 HEY, SWEETHEART! 924 00:54:51,989 --> 00:54:53,190 YEAH? 925 00:54:53,190 --> 00:54:54,825 WHAT'S UP? 926 00:54:54,825 --> 00:54:57,362 ALLIES INTO PALERMO. AXIS ON THE RUN. 927 00:54:57,362 --> 00:54:59,263 YOU WANT ONE? 928 00:54:59,263 --> 00:55:01,065 SURE. CATCH. 929 00:55:01,065 --> 00:55:02,867 OUT JOY RIDING, HUH? 930 00:55:02,867 --> 00:55:04,969 USING UP THAT BLACK MARKET GAS? 931 00:55:04,969 --> 00:55:07,705 Hazel: THAT'S WHAT YOU USE WHEN YOU GO JOY RIDING. 932 00:55:07,705 --> 00:55:10,307 LUCKY AND HAZEL INVITED ME TO THE BEACH. 933 00:55:10,307 --> 00:55:13,143 THEY MUST HAVE THOUGHT I WAS GETTING LONELY. 934 00:55:13,143 --> 00:55:15,179 BYE, LUCKY. THANKS. 935 00:55:15,179 --> 00:55:17,081 GOODBYE, HONEY. 936 00:55:17,081 --> 00:55:18,949 GOODBYE, SWEETHEART. 937 00:55:18,949 --> 00:55:20,351 SEE YOU SOON. 938 00:55:20,351 --> 00:55:22,553 YOU GOT TO COME NEXT TIME, SPIKE. 939 00:55:22,553 --> 00:55:24,755 WE HAD A REAL SWELL TIME. 940 00:55:37,301 --> 00:55:39,303 25. 941 00:55:39,303 --> 00:55:41,038 THAT'S GOOD. 942 00:55:41,038 --> 00:55:42,840 SECTOR 25, CLEAR NOW. 943 00:55:42,840 --> 00:55:45,943 WE'RE GOING TO GO THROUGH THERE. 944 00:56:03,394 --> 00:56:05,329 Woman: HEY, WHERE DO WE STAND 945 00:56:05,329 --> 00:56:08,098 ON THIS PARTICULAR SEGMENT? 946 00:56:57,114 --> 00:56:59,349 VIOLET! 947 00:56:59,349 --> 00:57:01,552 VIOLET! 948 00:57:07,492 --> 00:57:10,695 [ ALARM SOUNDING ] 949 00:57:34,652 --> 00:57:37,988 OH, BUT KAY WAS SO WONDERFUL, WASN'T SHE? 950 00:57:37,988 --> 00:57:39,456 OH, GOOD NIGHT! 951 00:57:39,456 --> 00:57:40,725 GOODBYE. 952 00:57:40,725 --> 00:57:44,328 FIVE GUYS, YEAH, LIKE THAT. 953 00:57:44,328 --> 00:57:46,897 HEY, LUCKY, YOU SEEN KAY? 954 00:57:46,897 --> 00:57:49,734 SHE GOT CALLED INTO PERSONNEL BEFORE THE SHIFT ENDED. 955 00:57:49,734 --> 00:57:52,302 I THINK THEY'RE GOING TO GIVE HER A MEDAL. 956 00:57:52,302 --> 00:57:54,004 SHE SAVED VIOLET'S LIFE. 957 00:57:54,004 --> 00:57:56,340 HEY, GUESS WHAT! GUESS WHAT! 958 00:57:56,340 --> 00:57:58,475 THEY'RE MAKING ME A LEADMAN. 959 00:57:58,475 --> 00:57:59,744 YES, YES! 960 00:57:59,744 --> 00:58:02,179 THEY SAID I WAS FAST ON MY FEET. 961 00:58:02,179 --> 00:58:03,881 MacBRIDE SHOOK MY HAND. 962 00:58:03,881 --> 00:58:06,150 I TOLD HIM THE LINE WAS MOVING TOO FAST. 963 00:58:06,150 --> 00:58:09,086 THEY JUST SMILED AND HANDED YOU A PROMOTION, RIGHT? 964 00:58:09,086 --> 00:58:11,822 I THOUGHT YOU'D BE PROUD OF ME. 965 00:58:11,822 --> 00:58:15,159 SO WE'RE STILL GOING TO GET TOGETHER LATER ON? 966 00:58:15,159 --> 00:58:18,095 SURE. 967 00:58:20,497 --> 00:58:23,968 AND, KAY, I AM PROUD, 968 00:58:23,968 --> 00:58:25,435 REALLY. 969 00:58:25,435 --> 00:58:27,104 THANKS. 970 00:58:27,104 --> 00:58:28,939 GOOD NIGHT, LUCKY. 971 00:59:12,149 --> 00:59:15,219 Lucky: HA HA! HERE IT IS, GIRLS! 972 00:59:15,219 --> 00:59:16,754 Kay: OH, LOOK! 973 00:59:16,754 --> 00:59:18,222 WE'RE HERE. 974 00:59:18,222 --> 00:59:20,357 OH! 975 00:59:20,357 --> 00:59:23,761 OH, IT'S WONDERFUL. 976 00:59:23,761 --> 00:59:26,030 * TAKE ME, BROTHER * 977 00:59:26,030 --> 00:59:28,899 * LA-DA-DA LA-DA-DA LA-DI DA-DA * 978 00:59:28,899 --> 00:59:32,502 * LA-DA-DA LA-DA-DA LA-DI DA-DA * 979 00:59:32,502 --> 00:59:35,706 [ BIG BAND MUSIC PLAYING ] 980 01:00:02,299 --> 01:00:06,637 OH, THIS IS BETTER THAN ANYTHING -- 981 01:00:06,637 --> 01:00:09,640 THIS PLACE, 982 01:00:09,640 --> 01:00:11,909 THE MUSIC, 983 01:00:11,909 --> 01:00:14,378 DANCING WITH YOU. 984 01:00:14,378 --> 01:00:17,381 IT'S PRETTY DAMN GOOD. 985 01:00:17,381 --> 01:00:19,116 OH... 986 01:00:20,785 --> 01:00:25,389 OH, I WISH IT COULD BE LIKE THIS FOREVER. 987 01:00:25,389 --> 01:00:27,391 WHY NOT? 988 01:00:38,969 --> 01:00:40,871 ISN'T IT UNUSUAL FOR SOMEBODY 989 01:00:40,871 --> 01:00:43,007 WITH YOUR AMAZING LOOKS TO BE A RIVETER? 990 01:00:43,007 --> 01:00:45,009 NO. IT'S AMAZING FOR SOMEONE 991 01:00:45,009 --> 01:00:47,344 WITH MY UNUSUAL LOOKS TO BE A RIVETER. 992 01:00:47,344 --> 01:00:48,412 TOUCHé. 993 01:00:48,412 --> 01:00:50,547 THAT MEANS YOU WOUNDED ME SLIGHTLY. 994 01:00:50,547 --> 01:00:52,482 YOU GOT QUITE A LINE, O'CONNOR -- 995 01:00:52,482 --> 01:00:54,151 THE COME ON, THE FRENCH LESSON. 996 01:00:54,151 --> 01:00:56,286 YOU'RE QUITE A DANCER. WHAT'S YOUR ROOM NUMBER? 997 01:00:56,286 --> 01:00:58,723 THERE YOU GO BEATING AROUND THE BUSH AGAIN. 998 01:00:58,723 --> 01:01:00,725 O'Connor: IN A FEW MONTHS, 999 01:01:00,725 --> 01:01:03,127 I DON'T KNOW IF I'M GOING TO BE ALIVE. 1000 01:01:03,127 --> 01:01:06,230 SO IF I CAME ON A LITTLE BIT STRONG, 1001 01:01:06,230 --> 01:01:08,198 I APOLOGIZE. 1002 01:01:08,198 --> 01:01:09,366 BISCUITS. 1003 01:01:09,366 --> 01:01:10,500 BISCUITS? 1004 01:01:10,500 --> 01:01:11,601 BISCUITS! 1005 01:01:11,601 --> 01:01:14,371 HI, HAZEL. 1006 01:01:14,371 --> 01:01:16,073 SURPRISED, HUH? 1007 01:01:16,073 --> 01:01:17,241 YEAH. 1008 01:01:17,241 --> 01:01:18,642 WHO'S THIS GUY? 1009 01:01:18,642 --> 01:01:20,510 PARDON ME. 1010 01:01:20,510 --> 01:01:21,779 PARDON ME, SIR. 1011 01:01:21,779 --> 01:01:23,380 PARDON ME, SIR. 1012 01:01:23,380 --> 01:01:24,749 BEAT IT, BUDDY. 1013 01:01:24,749 --> 01:01:26,583 GO PEDDLE YOUR FRENCH ELSEWHERE, SIR. 1014 01:01:26,583 --> 01:01:28,919 AU REVOIR -- THAT MEANS SCRAM, ALL RIGHT? 1015 01:01:28,919 --> 01:01:31,221 GOOD EVENING, MRS. ZANUSSI. 1016 01:01:31,221 --> 01:01:32,356 SEE YA. 1017 01:01:32,356 --> 01:01:34,224 BEAT IT, ALL RIGHT? 1018 01:01:35,726 --> 01:01:38,028 SAME OLD LIGHT TOUCH, HAZEL. 1019 01:01:38,028 --> 01:01:42,032 I DON'T KNOW WHY I DID THAT. 1020 01:01:42,032 --> 01:01:44,769 Man: SEAMAN TOOHEY! 1021 01:01:44,769 --> 01:01:46,403 SEAMAN TOOHEY? WHAT -- 1022 01:01:46,403 --> 01:01:49,506 SOMETHING IN LIFE KEEPS BRINGING YOU AND ME TOGETHER. 1023 01:01:49,506 --> 01:01:51,275 I'M SHIPPING OUT TONIGHT. 1024 01:01:51,275 --> 01:01:52,542 TONIGHT? 1025 01:01:52,542 --> 01:01:55,913 YEAH. I'M GLAD, THOUGH. NOW I CAN TELL YOU I'M SORRY 1026 01:01:55,913 --> 01:01:58,916 FOR FRANKIE, THE BROADS, THE PROMISES, EVERYTHING. 1027 01:01:58,916 --> 01:02:01,051 I MESSED UP REAL BAD WITH YOU, HAZEL. 1028 01:02:01,051 --> 01:02:04,154 YOU TALK LIKE YOU'RE GOING TO DIE OR SOMETHING. 1029 01:02:04,154 --> 01:02:06,791 COME ON, TOOHEY. LET'S GO. 1030 01:02:09,193 --> 01:02:12,997 TAKE CARE OF YOURSELF, HAZEL. 1031 01:02:28,678 --> 01:02:31,882 OH, HAPPY NEW YEAR, DOLL. 1032 01:02:31,882 --> 01:02:34,484 IT'S ALMOST MIDNIGHT, YOU KNOW. 1033 01:02:36,620 --> 01:02:38,355 OH! 1034 01:02:38,355 --> 01:02:41,158 OUT OF UNIFORM, BUDDY. 1035 01:02:41,158 --> 01:02:44,528 I DON'T HAVE A UNIFORM, BUDDY. 1036 01:02:44,528 --> 01:02:45,896 DON'T PUSH ME! 1037 01:02:45,896 --> 01:02:47,898 TAKE A HIKE, LEATHERNECK! YOU WANT IT? 1038 01:02:47,898 --> 01:02:49,900 YOU WANT A PIECE OF ME, ASSHOLE? 1039 01:02:49,900 --> 01:02:51,501 COME GET IT! 1040 01:02:51,501 --> 01:02:53,237 WAIT A MINUTE! 1041 01:02:53,237 --> 01:02:54,771 NO! 1042 01:02:56,907 --> 01:03:00,510 Crowd: 10...9...8... 1043 01:03:00,510 --> 01:03:03,647 7...6...5... 1044 01:03:03,647 --> 01:03:07,651 4...3...2...1! 1045 01:03:07,651 --> 01:03:10,054 HAPPY NEW YEAR! 1046 01:03:10,054 --> 01:03:13,257 [ "AULD LANG SYNE" PLAYING ] 1047 01:03:13,257 --> 01:03:16,827 [ CHEERING ] 1048 01:03:16,827 --> 01:03:20,197 Man: JUNE 6, 1944 -- D-DAY. 1049 01:03:20,197 --> 01:03:22,466 AMERICAN, BRITISH, AND CANADIAN TROOPS LANDED 1050 01:03:22,466 --> 01:03:24,468 IN NORTHERN FRANCE THIS MORNING. 1051 01:03:24,468 --> 01:03:27,071 STAND BY FOR GENERAL EISENHOWER'S BROADCAST 1052 01:03:27,071 --> 01:03:29,339 AS THE ALLIES LAUNCH THIS GREAT INVASION. 1053 01:03:29,339 --> 01:03:32,142 Eisenhower: SOLDIERS, SAILORS, AND AIRMEN 1054 01:03:32,142 --> 01:03:34,544 OF THE ALLIED EXPEDITIONARY FORCE, 1055 01:03:34,544 --> 01:03:37,681 YOU ARE ABOUT TO EMBARK UPON THE GREAT CRUSADE 1056 01:03:37,681 --> 01:03:41,151 TOWARD WHICH WE HAVE STRIVEN THESE MANY MONTHS. 1057 01:03:41,151 --> 01:03:43,153 IN COMPANY WITH OUR BRAVE ALLIES 1058 01:03:43,153 --> 01:03:45,455 AND BROTHERS IN ARMS ON OTHER FRONTS, 1059 01:03:45,455 --> 01:03:47,557 YOU WILL BRING ABOUT THE DESTRUCTION 1060 01:03:47,557 --> 01:03:50,660 OF THE GERMAN WAR MACHINE, THE ELIMINATION OF NAZI TYRANNY 1061 01:03:50,660 --> 01:03:53,030 OVER THE OPPRESSED PEOPLES OF EUROPE, 1062 01:03:53,030 --> 01:03:55,765 AND SECURITY FOR OURSELVES IN A FREE WORLD. 1063 01:03:55,765 --> 01:03:57,601 GOOD LUCK, AND LET US ALL 1064 01:03:57,601 --> 01:04:00,570 BESEECH THE BLESSING OF ALMIGHTY GOD 1065 01:04:00,570 --> 01:04:04,074 UPON THIS GREAT AND NOBLE UNDERTAKING. 1066 01:04:04,074 --> 01:04:08,913 ASSOCIATES, BACK TO WORK! 1067 01:04:08,913 --> 01:04:12,649 HAPPY BIRTHDAY! THE SHIRT'S FROM HAZEL. 1068 01:04:12,649 --> 01:04:14,051 OH, REALLY? 1069 01:04:14,051 --> 01:04:16,520 YEP. JUST A MINUTE. I'LL BE RIGHT BACK. 1070 01:04:16,520 --> 01:04:18,255 I FORGOT SOMETHING. 1071 01:04:18,255 --> 01:04:19,189 THANKS. 1072 01:04:19,189 --> 01:04:20,925 YOU'RE WELCOME, LUCKY. 1073 01:04:20,925 --> 01:04:22,392 OH, GREAT. 1074 01:04:22,392 --> 01:04:24,929 * DA-DUN * 1075 01:04:24,929 --> 01:04:28,598 ALL RIGHT, WHAT IS IT? 1076 01:04:28,598 --> 01:04:33,070 MY CONTRIBUTION TO YOUR MUSICAL CAREER. 1077 01:04:34,905 --> 01:04:36,907 YOU LIKE IT? 1078 01:04:36,907 --> 01:04:39,509 JESUS, KAY. 1079 01:04:39,509 --> 01:04:41,511 OH, BABY, THANKS. 1080 01:04:41,511 --> 01:04:42,980 YOU'RE WELCOME. 1081 01:04:43,047 --> 01:04:46,250 [ SWING MUSIC PLAYING ] 1082 01:04:49,786 --> 01:04:51,788 [ DOG BARKS ] 1083 01:04:51,788 --> 01:04:54,391 [ CAT MEOWS ] 1084 01:05:12,409 --> 01:05:14,678 KAY! 1085 01:05:14,678 --> 01:05:17,681 IT'S ME! 1086 01:05:17,681 --> 01:05:21,118 KAY, I'M HOME! 1087 01:05:21,118 --> 01:05:23,287 WHO WANTS A BEER? 1088 01:05:23,287 --> 01:05:24,554 I DO. 1089 01:05:24,554 --> 01:05:27,691 [ GIGGLING ] 1090 01:05:31,428 --> 01:05:34,164 [ LAUGHING ] 1091 01:06:02,326 --> 01:06:03,593 HI. 1092 01:06:03,593 --> 01:06:04,728 HI. 1093 01:06:04,728 --> 01:06:06,463 IS MY WIFE HERE? 1094 01:06:06,463 --> 01:06:08,332 IS KAY HERE? 1095 01:06:08,332 --> 01:06:09,266 KAY? 1096 01:06:09,266 --> 01:06:10,900 KAY, LOOK WHO'S HERE. 1097 01:06:10,900 --> 01:06:12,602 HEY, WATCH THIS. 1098 01:06:12,602 --> 01:06:14,404 Jack: KAY! 1099 01:06:16,273 --> 01:06:18,908 JACK! 1100 01:06:18,908 --> 01:06:20,477 JACK! 1101 01:06:20,477 --> 01:06:22,479 JACK! 1102 01:06:24,614 --> 01:06:26,416 I DON'T BELIEVE IT. 1103 01:06:26,416 --> 01:06:29,019 I'M ON LIBERTY. I BROUGHT YOU A ROSE. 1104 01:06:29,019 --> 01:06:30,820 THANKS. 1105 01:06:30,820 --> 01:06:33,423 UM, THIS IS LUCKY. 1106 01:06:33,423 --> 01:06:35,192 HI. 1107 01:06:35,192 --> 01:06:37,927 LUCKY, NICE TO MEET YOU. 1108 01:06:37,927 --> 01:06:39,896 AND HAZEL, 1109 01:06:39,896 --> 01:06:41,965 AND, WELL, WE ALL WORK TOGETHER. 1110 01:06:41,965 --> 01:06:43,967 COME ON, LET'S -- LET'S -- 1111 01:06:43,967 --> 01:06:45,702 EXCUSE US. 1112 01:06:50,940 --> 01:06:54,244 WE'RE SHIPPING OUT AGAIN IN 48 HOURS. 1113 01:06:54,244 --> 01:06:57,381 COULDN'T TELL ANYBODY WE WERE COMING IN. 1114 01:06:57,381 --> 01:07:00,584 COULDN'T BREATHE A WORD ABOUT IT. HOW ABOUT THAT? 1115 01:07:00,584 --> 01:07:02,586 THAT'S SOMETHING. 1116 01:07:11,995 --> 01:07:14,464 KAY... 1117 01:07:14,464 --> 01:07:16,466 WHERE -- 1118 01:07:24,474 --> 01:07:27,277 KAY. 1119 01:07:29,279 --> 01:07:31,681 WHAT IS IT, HONEY? 1120 01:07:31,681 --> 01:07:33,817 WHO'S THE LEADMAN? 1121 01:07:35,719 --> 01:07:37,987 ANYBODY I KNOW? 1122 01:07:37,987 --> 01:07:40,290 YEAH, IT'S SOMEBODY YOU KNOW. 1123 01:07:40,290 --> 01:07:42,892 WELL, WHO IS IT? 1124 01:07:42,892 --> 01:07:46,696 IT'S ME. I'M THE LEADMAN. 1125 01:07:46,696 --> 01:07:48,398 YOU? 1126 01:07:51,000 --> 01:07:52,736 SEE? 1127 01:07:57,006 --> 01:07:59,042 SEE? 1128 01:07:59,042 --> 01:08:01,010 I GOT A PROMOTION. 1129 01:08:01,010 --> 01:08:02,612 THAT'S GREAT. 1130 01:08:02,612 --> 01:08:04,314 THANKS. 1131 01:08:04,314 --> 01:08:06,416 I CAME IN TO TRY ON MY CIVVIES 1132 01:08:06,416 --> 01:08:08,418 TO SEE WHAT THEY FELT LIKE, 1133 01:08:08,418 --> 01:08:10,420 BUT THEY DIDN'T SEEM TO BE HERE. 1134 01:08:10,420 --> 01:08:12,556 I'M SORRY, HONEY. 1135 01:08:12,556 --> 01:08:15,559 OH, THIS CLOSET IS FULL OF EQUIPMENT AND STUFF, 1136 01:08:15,559 --> 01:08:18,027 AND IT'S LIKE FIBBER McGEE'S CLOSET, 1137 01:08:18,027 --> 01:08:19,696 BUT THEY'RE IN BOXES. 1138 01:08:19,696 --> 01:08:22,432 NO, NO, DON'T BOTHER WITH IT, KAY. 1139 01:08:22,432 --> 01:08:24,434 I CAN'T WEAR THEM ANYWAY. 1140 01:08:24,434 --> 01:08:26,903 I CAN JUST WEAR THEM IN THE HOUSE. 1141 01:08:26,903 --> 01:08:29,773 WELL, ALL RIGHT. 1142 01:08:29,773 --> 01:08:31,107 MY GOSH. 1143 01:08:31,107 --> 01:08:32,876 WHAT A MESS. 1144 01:08:38,915 --> 01:08:41,518 CONGRATULATIONS. 1145 01:08:41,518 --> 01:08:44,188 THANKS. 1146 01:08:44,188 --> 01:08:46,122 OH, YOU GOT IT. 1147 01:08:46,122 --> 01:08:48,124 YEAH, I GOT IT... 1148 01:08:48,124 --> 01:08:49,993 ALL OVER EVERYTHING. 1149 01:08:49,993 --> 01:08:51,728 GOOD JOB. 1150 01:08:51,728 --> 01:08:53,463 THANKS. 1151 01:08:55,999 --> 01:08:58,001 DID YOU HAVE A GOOD REST? 1152 01:08:58,001 --> 01:08:59,736 MM-HMM. 1153 01:08:59,736 --> 01:09:01,538 SURE DID. 1154 01:09:01,538 --> 01:09:05,008 [ "BUT NOT FOR ME" PLAYING ] 1155 01:09:05,008 --> 01:09:07,611 WELL, WELCOME HOME, HONEY. 1156 01:09:07,611 --> 01:09:09,613 THANKS. 1157 01:09:20,557 --> 01:09:23,893 ARE YOU GOING TO CHANGE THAT? 1158 01:09:23,893 --> 01:09:26,230 SURE, HONEY. 1159 01:09:31,701 --> 01:09:33,503 [ STOPS RECORD ] 1160 01:09:33,503 --> 01:09:35,972 SO LIKE I SAID, CONGRATULATIONS. 1161 01:09:35,972 --> 01:09:37,374 CONGRATS. 1162 01:09:37,374 --> 01:09:39,108 FOR WHAT? 1163 01:09:39,108 --> 01:09:40,677 YOU KNOW. 1164 01:09:40,677 --> 01:09:43,247 WHAT DID YOU SAY YOU WERE MAKING? 1165 01:09:43,247 --> 01:09:45,249 $1.35 AN HOUR. 1166 01:09:45,249 --> 01:09:47,851 WHAT DID YOU SAY ABOUT OVERTIME? 1167 01:09:47,851 --> 01:09:49,719 I DIDN'T. 1168 01:09:49,719 --> 01:09:52,989 BEATS ME ANYWAY. 1169 01:09:52,989 --> 01:09:55,525 BEATS ME ALL TO HELL. 1170 01:09:55,525 --> 01:09:58,127 HERE'S TO YOU, KIDDO, 1171 01:09:58,127 --> 01:10:00,997 AND THAT GUY YOU WORK WITH. 1172 01:10:00,997 --> 01:10:03,132 WHAT'S HIS NAME? 1173 01:10:03,132 --> 01:10:05,134 LUCKY. 1174 01:10:05,134 --> 01:10:08,538 THERE'S NO QUESTION ABOUT THAT. 1175 01:10:08,538 --> 01:10:10,507 WHAT DO YOU MEAN? 1176 01:10:10,507 --> 01:10:13,543 HE'S STATESIDE, NOT IN UNIFORM. HOW LUCKY CAN YOU GET? 1177 01:10:13,543 --> 01:10:16,380 I DON'T THINK HE'D CALL IT LUCKY. 1178 01:10:16,380 --> 01:10:18,448 WELL, THE NEXT TIME YOU GO TO WORK, 1179 01:10:18,448 --> 01:10:20,384 ASK HIM WHAT HE'D CALL IT 1180 01:10:20,384 --> 01:10:22,719 AND WHERE I MIGHT STAND IN LINE TO GET IT. 1181 01:10:22,719 --> 01:10:26,290 WHAT WOULD YOU CALL IT, JACK? 1182 01:10:26,290 --> 01:10:30,560 I'D CALL IT CHEATING, KAY. 1183 01:10:34,264 --> 01:10:37,401 I WENT TO WAR! 1184 01:10:37,401 --> 01:10:39,403 I KNOW. 1185 01:10:39,403 --> 01:10:43,573 SO WHO ELSE GOT LUCKY BESIDES LUCKY? 1186 01:10:45,542 --> 01:10:49,746 DIDN'T IT MEAN ANYTHING... 1187 01:10:49,746 --> 01:10:51,881 THAT... 1188 01:10:51,881 --> 01:10:54,250 THAT YOU'RE MY WIFE? 1189 01:10:55,685 --> 01:10:59,255 OF COURSE IT MEANT SOMETHING. 1190 01:11:01,958 --> 01:11:04,093 I TRIED TO WAIT, 1191 01:11:04,093 --> 01:11:07,497 BUT EVERYTHING IN THIS HOUSE REMINDED ME OF YOU. 1192 01:11:07,497 --> 01:11:09,032 SURE, BABY. 1193 01:11:10,634 --> 01:11:13,470 BLAME IT ON THE WAR. IT'S EVERYBODY'S EXCUSE. 1194 01:11:13,470 --> 01:11:16,440 I'M NOT THE SAME, 1195 01:11:16,440 --> 01:11:19,809 AND NEITHER ARE YOU. 1196 01:11:19,809 --> 01:11:22,912 I'M SORRY. 1197 01:11:26,049 --> 01:11:30,186 I WAS WRONG. I'M SORRY. 1198 01:11:30,186 --> 01:11:33,690 DO YOU LOVE THIS GUY? 1199 01:11:36,726 --> 01:11:38,395 DO YOU? 1200 01:11:38,395 --> 01:11:41,631 OH, JACK... 1201 01:11:51,408 --> 01:11:54,544 OH, JACK, PLEASE FORGIVE ME. 1202 01:11:54,544 --> 01:11:57,381 [ DOOR CLOSES ] 1203 01:12:03,553 --> 01:12:06,289 YEAH, MOON TOLD ME ABOUT THAT. 1204 01:12:06,289 --> 01:12:08,124 Woman: SEE YOU TOMORROW. 1205 01:12:08,124 --> 01:12:11,027 WHAT THE HELL ARE YOU DOING HERE, LUCK? 1206 01:12:11,027 --> 01:12:12,562 THOUGHT YOU WERE SICK. 1207 01:12:12,562 --> 01:12:15,031 CAN I TALK TO YOU A MINUTE, HAZEL? 1208 01:12:15,031 --> 01:12:16,566 SURE. 1209 01:12:16,566 --> 01:12:20,303 COME ON, VIOLET. LET'S GO PICK UP PEGGY. 1210 01:12:20,303 --> 01:12:22,706 Woman: GOOD NIGHT, HAZEL. 1211 01:12:22,706 --> 01:12:26,309 LISTEN, I'M PLAYING AT KELLY'S LATER ON TONIGHT. 1212 01:12:26,309 --> 01:12:30,046 WANT TO COME? 1213 01:12:30,046 --> 01:12:33,016 I DON'T THINK SO. 1214 01:12:35,284 --> 01:12:38,287 ALL RIGHT. 1215 01:12:38,287 --> 01:12:40,824 HA HA HA. SUIT YOURSELF. 1216 01:12:40,824 --> 01:12:43,026 YOU GOING TO BE ALL RIGHT? 1217 01:12:43,026 --> 01:12:44,494 MMM. 1218 01:12:46,530 --> 01:12:49,666 NEVER BETTER. 1219 01:12:54,438 --> 01:12:57,641 [ BLUES MUSIC PLAYING ] 1220 01:13:16,325 --> 01:13:18,462 IS THIS TAKEN? 1221 01:13:18,462 --> 01:13:20,664 THANK YOU. 1222 01:13:23,933 --> 01:13:26,069 ONE SCOTCH. 1223 01:14:06,042 --> 01:14:07,777 Kay: JACK! 1224 01:14:07,777 --> 01:14:09,846 JACK! 1225 01:14:09,846 --> 01:14:11,715 YOU'RE LEAVING SO EARLY. 1226 01:14:11,715 --> 01:14:13,717 YOU WEREN'T SUPPOSED TO GO -- 1227 01:14:13,717 --> 01:14:16,720 I COULDN'T SLEEP. I GOT TO GET OUT OF HERE. 1228 01:14:16,720 --> 01:14:18,588 DID YOU READ MY NOTE? 1229 01:14:18,588 --> 01:14:22,058 NO. WHAT'S THE NOTE SAY, JACK? 1230 01:14:22,058 --> 01:14:24,127 WHAT'S IT SAY? 1231 01:14:24,127 --> 01:14:28,331 I CAN'T...BELIEVE WHAT YOU'VE DONE. 1232 01:14:28,331 --> 01:14:30,199 OH, HONEY, 1233 01:14:30,199 --> 01:14:31,668 I'M SORRY. 1234 01:14:31,668 --> 01:14:35,138 I'M SO SORRY. 1235 01:14:35,138 --> 01:14:36,540 ALL RIGHT. 1236 01:14:36,540 --> 01:14:39,475 ALL RIGHT, LET'S GET OUT OF HERE. 1237 01:14:56,192 --> 01:14:57,827 [ Reading ] "DEAR KAY, 1238 01:14:57,827 --> 01:15:00,564 "I DON'T UNDERSTAND WHAT YOU'VE DONE, 1239 01:15:00,564 --> 01:15:02,566 "BUT I GUESS YOU'RE RIGHT. 1240 01:15:02,566 --> 01:15:04,233 "EVERYTHING CHANGES. 1241 01:15:04,233 --> 01:15:06,435 "I'M DIFFERENT, YOU'RE DIFFERENT, 1242 01:15:06,435 --> 01:15:08,371 "THE WHOLE WORLD IS DIFFERENT. 1243 01:15:08,371 --> 01:15:11,207 "I DON'T KNOW WHAT'S RIGHT ANYMORE. 1244 01:15:11,207 --> 01:15:14,544 "I GUESS WE BOTH HAVE A LOT OF THINKING TO DO. 1245 01:15:14,544 --> 01:15:18,114 "I'LL TRY AND WRITE WHEN I'M NOT SO CONFUSED. 1246 01:15:18,114 --> 01:15:20,584 "THEY SAY THE WAR WILL BE OVER SOON. 1247 01:15:20,584 --> 01:15:22,251 "I HOPE SO. 1248 01:15:22,251 --> 01:15:25,454 "IT'S SURE TAKEN ITS TOLL ON ALL OF US. 1249 01:15:25,454 --> 01:15:29,192 ALL THE BEST. JACK." 1250 01:15:46,710 --> 01:15:51,147 [ DOG BARKS ] 1251 01:15:58,622 --> 01:16:00,890 WHAT DID YOU THINK OF THE GUYS 1252 01:16:00,890 --> 01:16:03,492 I PLAYED WITH LAST NIGHT? 1253 01:16:03,492 --> 01:16:05,494 THEY WERE OKAY. 1254 01:16:05,494 --> 01:16:06,996 YOU WERE BETTER. 1255 01:16:06,996 --> 01:16:10,233 THEY'RE HEADING BACK EAST 1256 01:16:10,233 --> 01:16:12,168 IN A COUPLE OF WEEKS. 1257 01:16:12,168 --> 01:16:15,138 I COULD PROBABLY WORK IT OUT TO GO WITH THEM. 1258 01:16:25,915 --> 01:16:29,185 WHAT'S THE MATTER, HAZEL? 1259 01:16:29,185 --> 01:16:32,188 IT'S NOT GOING TO BE SO HOT TELLING KAY ABOUT THIS. 1260 01:16:32,188 --> 01:16:35,024 WHAT'S THE BIG HURRY IN TELLING HER? 1261 01:16:35,024 --> 01:16:37,961 BESIDES, I'M THE ONE WITH THE BROKEN HEART, REMEMBER? 1262 01:16:37,961 --> 01:16:41,364 I DON'T THINK I CAN LOOK HER IN THE EYE 1263 01:16:41,364 --> 01:16:43,266 UNTIL I DO. 1264 01:17:00,650 --> 01:17:03,887 [ DOG BARKING ] 1265 01:17:08,792 --> 01:17:10,960 WAIT! WAIT A MINUTE! 1266 01:17:14,998 --> 01:17:18,001 KAY! 1267 01:17:45,094 --> 01:17:47,363 Kay: COME IN. 1268 01:17:59,308 --> 01:18:02,611 GOD, I DON'T EVEN RECOGNIZE THE PLACE. 1269 01:18:02,611 --> 01:18:05,214 WOULD YOU LIKE SOME TEA? 1270 01:18:05,214 --> 01:18:06,883 SOME TEA? 1271 01:18:06,883 --> 01:18:09,318 [ BIRD CHIRPS ] 1272 01:18:14,924 --> 01:18:17,393 I'LL TAKE SOME TEA. 1273 01:18:24,801 --> 01:18:26,936 JACK'S MOTHER GAVE ME THIS TEA SET 1274 01:18:26,936 --> 01:18:29,238 WHEN WE WERE MARRIED. 1275 01:18:29,238 --> 01:18:31,640 REALLY? IT'S LOVELY. 1276 01:18:31,640 --> 01:18:33,509 THANK YOU. 1277 01:18:33,509 --> 01:18:36,379 [ POURS TEA ] 1278 01:18:36,379 --> 01:18:38,381 CREAM? 1279 01:18:38,381 --> 01:18:41,517 YES, PLEASE. 1280 01:18:41,517 --> 01:18:43,920 SUGAR? 1281 01:18:43,920 --> 01:18:46,522 YOU GOT SUGAR? 1282 01:18:46,522 --> 01:18:49,525 HOW MANY SUGARS? 1283 01:18:49,525 --> 01:18:52,161 NO SUGAR, THANKS. 1284 01:18:57,666 --> 01:18:59,803 THANK YOU. 1285 01:18:59,803 --> 01:19:01,971 YOU'RE WELCOME. 1286 01:19:04,808 --> 01:19:06,810 SANDWICH? 1287 01:19:06,810 --> 01:19:09,078 KAY... 1288 01:19:09,078 --> 01:19:11,480 SEEING YOU WITH JACK MADE LUCKY NUTS. 1289 01:19:11,480 --> 01:19:14,884 I WAS LONELY. IT'S NOT GOING TO HAPPEN AGAIN. 1290 01:19:19,088 --> 01:19:22,558 WELL, WHO'D HAVE THOUGHT THIS WOULD HAPPEN TO US? 1291 01:19:22,558 --> 01:19:26,295 SO... 1292 01:19:28,231 --> 01:19:31,100 WHAT ARE WE GOING TO DO ABOUT THIS? 1293 01:19:33,502 --> 01:19:36,372 OH... 1294 01:19:36,372 --> 01:19:39,242 WE'LL ALL BE FRIENDS. 1295 01:19:42,979 --> 01:19:46,115 WHAT ELSE? 1296 01:19:49,485 --> 01:19:52,856 [ JAZZ MUSIC PLAYING ] 1297 01:19:52,856 --> 01:19:57,326 * YOU HAD PLENTY MONEY -- 1922 * 1298 01:19:57,326 --> 01:20:01,064 * YOU LET OTHER WOMEN MAKE A FOOL OF YOU * 1299 01:20:01,064 --> 01:20:04,200 * WHY DON'T YOU DO RIGHT * 1300 01:20:04,200 --> 01:20:07,871 * LIKE SOME OTHER MEN DO? * 1301 01:20:10,206 --> 01:20:11,941 * GET OUT OF HERE * 1302 01:20:11,941 --> 01:20:16,880 * AND GIVE ME SOME MONEY, TOO * 1303 01:20:42,338 --> 01:20:45,909 * WHY DON'T YOU DO RIGHT * 1304 01:20:45,909 --> 01:20:50,046 * LIKE SOME OTHER MEN DO? * 1305 01:20:50,046 --> 01:20:54,117 * LIKE SOME OTHER MEN DO? * 1306 01:20:55,818 --> 01:20:58,521 Man: ALL RIGHT. 1307 01:20:58,521 --> 01:21:00,656 THANK YOU. 1308 01:21:00,656 --> 01:21:02,391 WAITER. 1309 01:21:02,391 --> 01:21:04,193 KAY, HONEY, 1310 01:21:04,193 --> 01:21:07,196 DON'T YOU THINK YOU'D BETTER TAKE IT EASY? 1311 01:21:07,196 --> 01:21:09,198 WHY? WE'RE CELEBRATING, AREN'T WE? 1312 01:21:09,198 --> 01:21:10,934 WHAT ARE WE CELEBRATING? 1313 01:21:10,934 --> 01:21:12,401 EVERYTHING. 1314 01:21:12,401 --> 01:21:14,137 FRIENDSHIP. 1315 01:21:18,407 --> 01:21:22,145 SO...HERE WE ARE. 1316 01:21:22,145 --> 01:21:23,346 MMM. 1317 01:21:23,346 --> 01:21:25,949 YOU STILL BLOW A MEAN HORN, LUCKY. 1318 01:21:25,949 --> 01:21:27,951 GLAD YOU LIKED IT, KAY. 1319 01:21:27,951 --> 01:21:30,786 HAZEL LIKED IT, TOO, DIDN'T YOU, HAZE? 1320 01:21:30,786 --> 01:21:31,921 HAZE? 1321 01:21:31,921 --> 01:21:33,389 HA HA HA. 1322 01:21:33,389 --> 01:21:34,790 FIRST CIRCLE. 1323 01:21:34,790 --> 01:21:36,392 FIRST CIRCLE? 1324 01:21:36,392 --> 01:21:38,394 ANOTHER ROUND. 1325 01:21:41,830 --> 01:21:45,701 TO LUCKY AND HAZEL. 1326 01:21:45,701 --> 01:21:47,836 TO KAY AND JACK. 1327 01:21:47,836 --> 01:21:51,107 HERE'S MUD IN YOUR EYE. 1328 01:21:52,708 --> 01:21:55,945 KAY, WHY DON'T YOU SLOW DOWN? COME ON. 1329 01:21:55,945 --> 01:21:58,547 OH, DON'T TELL ME WHAT TO DO. 1330 01:21:58,547 --> 01:22:00,083 ISN'T IT FUNNY? 1331 01:22:00,083 --> 01:22:03,086 ISN'T IT FUNNY HOW THINGS HAPPEN SO FAST? 1332 01:22:03,086 --> 01:22:05,688 KAY, YOU'VE HAD A LITTLE TOO MUCH TO DRINK. 1333 01:22:05,688 --> 01:22:07,090 ISN'T IT? 1334 01:22:07,090 --> 01:22:09,258 YEAH. YEAH, IT'S FUNNY. 1335 01:22:09,258 --> 01:22:11,660 ALL THE TIME THAT LUCKY AND I WERE TOGETHER 1336 01:22:11,660 --> 01:22:15,464 AND ALL THE TIME THAT HAZEL AND I WERE BEST FRIENDS, 1337 01:22:15,464 --> 01:22:16,565 I NEVER KNEW. 1338 01:22:16,565 --> 01:22:18,501 IT WASN'T LIKE THAT. I TOLD YOU. 1339 01:22:18,501 --> 01:22:20,536 IT JUST HAPPENED ALL OF A SUDDEN. 1340 01:22:20,536 --> 01:22:24,640 COME ON, I THOUGHT YOU SAID WE WERE GOING TO BE FRIENDS. 1341 01:22:24,640 --> 01:22:25,774 FRIENDS? 1342 01:22:25,774 --> 01:22:28,044 FRIENDS ARE THE MOST IMPORTANT THING, RIGHT? 1343 01:22:28,044 --> 01:22:29,912 HERE'S TO GOOD MUSIC. 1344 01:22:29,912 --> 01:22:31,547 RIGHT, HAZEL? 1345 01:22:31,547 --> 01:22:34,317 LOTS OF THINGS ARE IMPORTANT, KAY. 1346 01:22:34,317 --> 01:22:36,519 BUT FRIENDS ARE THE MOST IMPORTANT THING, 1347 01:22:36,519 --> 01:22:39,122 GOOD FRIENDS, FRIENDS YOU CAN TRUST. 1348 01:22:39,122 --> 01:22:41,324 YOU MEAN LIKE THE WAY HUSBANDS ARE SUPPOSED TO 1349 01:22:41,324 --> 01:22:42,925 BE ABLE TO TRUST THEIR WIVES? 1350 01:22:42,925 --> 01:22:44,060 TONE IT, HAZEL. 1351 01:22:44,060 --> 01:22:46,129 THE WAY YOUR LOVE LIFE WAS GOING, 1352 01:22:46,129 --> 01:22:48,764 I DON'T BLAME YOU FOR TAKING WHAT YOU COULD GET. 1353 01:22:48,764 --> 01:22:49,898 THANKS, KAY. 1354 01:22:49,898 --> 01:22:51,900 WHAT ABOUT YOU, JACK, AND LUCKY? 1355 01:22:51,900 --> 01:22:53,802 THAT MADE A REAL PRETTY PICTURE, KAY. 1356 01:22:53,802 --> 01:22:57,740 THAT WAS ME, JACK, AND LUCKY! THIS IS ME, YOU, AND LUCKY! 1357 01:22:57,740 --> 01:22:59,542 YOU TWO DON'T NEED ME. 1358 01:22:59,542 --> 01:23:00,943 NOPE, I'M GOING. 1359 01:23:00,943 --> 01:23:03,146 YOU'RE ON YOUR OWN, SWEETHEART. 1360 01:23:05,414 --> 01:23:07,683 THERE'S A WORD FOR YOU. 1361 01:23:07,683 --> 01:23:09,085 STAY AWAY FROM ME. 1362 01:23:09,085 --> 01:23:10,953 ONLY I CAN'T SAY IT. 1363 01:23:10,953 --> 01:23:12,921 OH, YES, I CAN. WHORE! 1364 01:23:12,921 --> 01:23:14,723 DID YOU CALL ME A WHORE? 1365 01:23:14,723 --> 01:23:17,460 DID YOU SEE ANYBODY ELSE I COULD BE SPEAKING TO? 1366 01:23:17,460 --> 01:23:18,861 YOU'RE THE WHORE, SWEETHEART. 1367 01:23:18,861 --> 01:23:21,064 I MAY HAVE SLEPT WITH SOMEONE'S BOYFRIEND, 1368 01:23:21,064 --> 01:23:23,466 BUT I DIDN'T SPEND TWO YEARS OF MY LIFE 1369 01:23:23,466 --> 01:23:25,868 PUTTING A KNIFE IN MY HUSBAND'S BACK. 1370 01:23:25,868 --> 01:23:29,738 Kay: YOU NEVER HAD A HUSBAND. YOU NEVER HAD A BOYFRIEND. 1371 01:23:29,738 --> 01:23:32,308 I DON'T CARE WHAT HAPPENS TO YOU, 1372 01:23:32,308 --> 01:23:35,178 AND I DON'T CARE WHAT HAPPENS TO HIM. 1373 01:23:35,178 --> 01:23:37,813 SO WHY DON'T YOU JUST GO AWAY, OKAY? 1374 01:23:37,813 --> 01:23:39,215 RIDE. 1375 01:23:39,215 --> 01:23:40,816 Man: WHERE TO, SWEETIE? 1376 01:23:40,816 --> 01:23:42,218 Hazel: LEAVE ME ALONE. 1377 01:23:42,218 --> 01:23:43,952 GET YOUR HANDS OFF ME. 1378 01:23:43,952 --> 01:23:46,689 GET AWAY FROM ME! 1379 01:23:46,689 --> 01:23:48,291 Hazel: LET'S JUST GO. 1380 01:23:48,291 --> 01:23:51,194 I WAS IN LOVE! 1381 01:23:51,194 --> 01:23:53,596 SHUT UP! 1382 01:23:53,596 --> 01:23:57,333 [ SOBBING ] 1383 01:23:57,333 --> 01:23:59,735 COME ON, KAY, I'LL GET YOU HOME. 1384 01:23:59,735 --> 01:24:01,370 NO, DON'T TOUCH ME. 1385 01:24:01,370 --> 01:24:03,539 HOW ARE YOU GOING TO GET HOME? 1386 01:24:03,539 --> 01:24:06,842 IF I CAN BUILD A GODDAMN AIRPLANE, 1387 01:24:06,842 --> 01:24:09,044 I CAN GET MYSELF HOME. 1388 01:24:35,604 --> 01:24:38,040 HOW DO YOU FEEL? 1389 01:24:38,040 --> 01:24:42,311 I FEEL SICK. 1390 01:24:46,349 --> 01:24:50,085 I CALLED MacBRIDE'S THIS MORNING AND QUIT. 1391 01:24:52,488 --> 01:24:55,324 I'M LEAVING. 1392 01:25:10,173 --> 01:25:11,607 YOU WANT THIS BACK? 1393 01:25:11,607 --> 01:25:16,512 NO. I'D REALLY LIKE YOU TO KEEP THAT. 1394 01:25:16,512 --> 01:25:18,514 ME, TOO. 1395 01:25:18,514 --> 01:25:20,383 THANKS. 1396 01:25:22,785 --> 01:25:26,389 COME WITH ME, KAY. 1397 01:25:29,124 --> 01:25:31,394 I CAN'T. 1398 01:25:53,782 --> 01:25:57,019 GOODBYE, KAY. 1399 01:25:57,019 --> 01:25:59,488 WAIT, LUCKY. 1400 01:26:02,858 --> 01:26:05,328 MABEL STODDARD'S HUSBAND IS IN THE PACIFIC. 1401 01:26:05,328 --> 01:26:07,596 SHE TOOK THIS JOB FOR THE DURATION. 1402 01:26:07,596 --> 01:26:10,333 MRS. STODDARD, HOW DO YOU LIKE YOUR JOB? 1403 01:26:10,333 --> 01:26:11,834 I LOVE IT. 1404 01:26:11,834 --> 01:26:14,737 AFTER THE WAR, DO YOU PLAN TO KEEP ON WORKING? 1405 01:26:14,737 --> 01:26:17,740 AS I WAS SAYING, WHEN MY HUSBAND COMES BACK, 1406 01:26:17,740 --> 01:26:19,808 I'M GOING TO BE BUSY -- HOME. 1407 01:26:19,808 --> 01:26:21,210 GOOD FOR YOU. 1408 01:26:21,210 --> 01:26:24,146 EACH RETURNING SERVICEMAN WILL GET HIS JOB BACK 1409 01:26:24,146 --> 01:26:25,948 WHEN THE WAR IS WON, 1410 01:26:25,948 --> 01:26:28,951 AND YOU GIRLS AND WOMEN, YOU'LL BE GOING HOME, 1411 01:26:28,951 --> 01:26:30,919 BACK TO BEING HOUSEWIVES AND MOTHERS 1412 01:26:30,919 --> 01:26:33,922 AS YOU PROMISED TO DO WHEN YOU CAME TO WORK WITH US. 1413 01:26:33,922 --> 01:26:36,859 YOUR LIVES WILL RETURN TO NORMAL. 1414 01:26:43,399 --> 01:26:45,601 THANK YOU. 1415 01:26:50,873 --> 01:26:52,875 THANK YOU. 1416 01:26:55,010 --> 01:26:56,679 Man: ATTENTION, PLEASE. 1417 01:26:56,679 --> 01:27:00,583 THE CEREMONY COMMEMORATING THE LAST SBD DIVE BOMBER 1418 01:27:00,583 --> 01:27:04,287 PRODUCED BY MacBRIDE'S WILL START IN A FEW MOMENTS. 1419 01:27:04,287 --> 01:27:06,289 [ SIREN DRONING ] 1420 01:27:06,289 --> 01:27:09,358 [ HORNS HONKING ] 1421 01:27:12,160 --> 01:27:14,297 ASSOCIATES... 1422 01:27:14,297 --> 01:27:17,933 WE SHARE A GREAT MOMENT IN HISTORY. 1423 01:27:17,933 --> 01:27:21,870 JAPAN HAS SURRENDERED. THE WAR IS OVER! 1424 01:27:30,546 --> 01:27:32,881 ASSOCIATES, ASSOCIATES. 1425 01:27:32,881 --> 01:27:34,116 EXCUSE ME. EXCUSE ME. 1426 01:27:34,116 --> 01:27:37,953 CAN WE HAVE SOME QUIET, PLEASE, FOR MR. MacBRIDE? 1427 01:27:37,953 --> 01:27:42,558 ASSOCIATES, I WANT TO THANK EACH AND EVERY ONE OF YOU 1428 01:27:42,558 --> 01:27:46,995 FOR A JOB WELL DONE. 1429 01:28:00,609 --> 01:28:03,312 THEY DROPPED US JUST LIKE THAT. 1430 01:28:03,312 --> 01:28:04,847 I KNEW IT. 1431 01:28:04,847 --> 01:28:07,850 KNOWING THAT YOU HAVE DONE YOUR PART 1432 01:28:07,850 --> 01:28:09,852 TO BRING PEACE TO A STRIFE-TORN WORLD, 1433 01:28:09,852 --> 01:28:11,454 AND ESPECIALLY YOU GIRLS... 1434 01:28:11,454 --> 01:28:14,122 GOOD LUCK TO YOU. 1435 01:28:14,122 --> 01:28:16,992 NOW YOU CAN BECOME HOUSEWIVES AND MOTHERS AGAIN, 1436 01:28:16,992 --> 01:28:20,195 TO MAKE HOMES AND FAMILIES FOR ALL OUR RETURNING HEROES. 1437 01:28:20,195 --> 01:28:21,330 LAST HIRED... 1438 01:28:21,330 --> 01:28:22,965 Both: FIRST FIRED. 1439 01:28:22,965 --> 01:28:26,502 TAKING AWAY THE BEST JOB I EVER HAD. 1440 01:28:26,502 --> 01:28:29,705 A YEAR OF WELDING SCHOOL. 1441 01:28:37,346 --> 01:28:40,949 SHIRT. 1442 01:28:57,566 --> 01:29:00,769 [ PLAYING BLUES MUSIC ] 1443 01:29:09,978 --> 01:29:12,981 [ Reading ] "DEAR LUCKY, I WAS CLEANING HOUSE YESTERDAY 1444 01:29:12,981 --> 01:29:14,983 "WHEN I CAME ACROSS THESE PICTURES 1445 01:29:14,983 --> 01:29:17,586 "OF OUR GOING-AWAY PARTY AT MacBRIDE'S. 1446 01:29:17,586 --> 01:29:19,588 "I THOUGHT YOU MIGHT LIKE THEM. 1447 01:29:19,588 --> 01:29:21,390 "HAVEN'T HEARD FROM JACK IN A WHILE, 1448 01:29:21,390 --> 01:29:24,593 "BUT I'VE BEEN NOTIFIED OF HIS FLEET'S ARRIVAL NEXT WEEK. 1449 01:29:24,593 --> 01:29:27,596 "I'M HOPING -- WELL, I HOPING FOR THE BEST. 1450 01:29:27,596 --> 01:29:29,998 "I KNOW THINGS GOT MUDDLED IN THE END, 1451 01:29:29,998 --> 01:29:32,968 "BUT I JUST WANT TO SAY THANKS FOR SO MANY THINGS. 1452 01:29:32,968 --> 01:29:36,171 "I SURE HOPE THINGS ARE FINALLY GOING YOUR WAY. 1453 01:29:36,171 --> 01:29:38,507 GOOD LUCK. KAY." 1454 01:30:13,341 --> 01:30:17,045 PLEASE FORGIVE ME. 1455 01:30:21,216 --> 01:30:23,819 YOU'RE FORGIVEN. 1456 01:30:55,417 --> 01:30:57,419 HOW'D YOU GET HERE? 1457 01:30:57,419 --> 01:31:01,690 I BORROWED SPIKE AND ETHEL'S CAR. 1458 01:31:01,690 --> 01:31:05,561 COME ON. LET'S GO HOME. 1459 01:31:05,561 --> 01:31:08,931 CAN I HELP YOU WITH THIS OR ANYTHING? 1460 01:31:08,931 --> 01:31:11,233 NO, I GOT IT. 1461 01:31:39,828 --> 01:31:43,031 PUT YOUR BAG DOWN. 1462 01:31:48,837 --> 01:31:50,839 I WENT TO THE STORE 1463 01:31:50,839 --> 01:31:53,842 AND GOT SOMETHING SPECIAL FOR DINNER, 1464 01:31:53,842 --> 01:31:57,079 UNLESS YOU'D RATHER GO OUT. 1465 01:32:00,916 --> 01:32:02,718 WHERE IS HE? 1466 01:32:02,718 --> 01:32:06,354 IT'S OVER. 1467 01:32:06,354 --> 01:32:10,993 THAT'S GOOD NEWS. 1468 01:32:10,993 --> 01:32:13,696 I KNOW I HURT YOU, HONEY. 1469 01:32:17,733 --> 01:32:20,135 I LOVE YOU. 1470 01:33:07,515 --> 01:33:10,085 STILL WORKING? 1471 01:33:10,085 --> 01:33:13,756 THEY LET US GO WHEN IT WAS ALL OVER. 1472 01:33:13,756 --> 01:33:15,758 THAT MAKES TWO OF US. 1473 01:33:15,758 --> 01:33:18,226 NOW WE'RE BOTH OUT OF A JOB. 1474 01:33:18,226 --> 01:33:20,362 YEAH. 1475 01:33:30,072 --> 01:33:33,275 I JUST LOVE YOU SO GODDAMN MUCH. 1476 01:33:33,275 --> 01:33:36,979 I LOVE YOU, TOO. 1477 01:33:45,721 --> 01:33:47,322 HEY, JEANNIE, WHAT'S THIS? 1478 01:33:47,322 --> 01:33:48,924 IT'S CALLED A DIP. 1479 01:33:48,924 --> 01:33:50,058 YEAH? 1480 01:33:50,058 --> 01:33:52,861 YEAH, YOU STICK THE POTATO CHIPS IN IT. 1481 01:33:52,861 --> 01:33:54,596 Clarence: HI, HOW ARE YOU? 1482 01:33:54,596 --> 01:33:57,265 Man: HOW ARE YOU? 1483 01:33:57,265 --> 01:34:01,737 EVERYBODY, I'D LIKE TO INTRODUCE TO ALL OF YOU, 1484 01:34:01,737 --> 01:34:04,206 THIS IS MY NEW HUSBAND ARCHIBALD TOOHEY. 1485 01:34:04,206 --> 01:34:05,607 HOW DO YOU DO? 1486 01:34:05,607 --> 01:34:08,276 Clarence: HI. 1487 01:34:08,276 --> 01:34:09,411 THIS IS FANTASTIC. 1488 01:34:09,411 --> 01:34:11,947 A WASHER -- ALL ELECTRIC. 1489 01:34:11,947 --> 01:34:14,750 Clarence: OH, FABULOUS! 1490 01:34:14,750 --> 01:34:17,452 IT TORE A SHIRT THE OTHER DAY. 1491 01:34:17,452 --> 01:34:18,787 HI, EVERYBODY. 1492 01:34:18,787 --> 01:34:20,555 KAY! KAY, HEY! 1493 01:34:20,555 --> 01:34:25,761 WELL, THIS IS JACK, MY HUSBAND, AND HE JUST GOT BACK. 1494 01:34:25,761 --> 01:34:27,162 I'M CLARENCE. 1495 01:34:27,162 --> 01:34:29,364 WELCOME HOME, BOY, WELCOME HOME. 1496 01:34:29,364 --> 01:34:31,299 AND THIS IS ANNIE. 1497 01:34:31,299 --> 01:34:33,501 THE GOVERNMENT'S PROMISED US A NEW RANCH HOUSE 1498 01:34:33,501 --> 01:34:34,770 IN THE VALLEY. 1499 01:34:34,770 --> 01:34:36,171 RANCH HOUSE? 1500 01:34:36,171 --> 01:34:38,774 YEAH, THEY'RE BUILDING A WHOLE BUNCH OF THEM. 1501 01:34:38,774 --> 01:34:40,175 THEY'RE ALL ALIKE, TOO. 1502 01:34:40,175 --> 01:34:42,177 WITH ALL THESE SERVICEMEN COMING BACK, 1503 01:34:42,177 --> 01:34:44,780 THERE'S GOING TO BE A LARGE NEED FOR HOUSING. 1504 01:34:44,780 --> 01:34:46,749 HAZEL, HAZEL. 1505 01:34:46,749 --> 01:34:52,620 HI. I JUST WANTED TO SAY CONGRATULATIONS. 1506 01:34:52,620 --> 01:34:54,422 THANK YOU. 1507 01:34:54,422 --> 01:34:56,424 THIS IS MY HUSBAND ARCHIBALD TOOHEY. 1508 01:34:56,424 --> 01:34:58,626 BISCUITS TOOHEY. PLEASURE TO MEET YOU. 1509 01:34:58,626 --> 01:34:59,895 EXCUSE ME. 1510 01:34:59,895 --> 01:35:02,497 I SEE YOU WERE IN THE PACIFIC, HUH? 1511 01:35:02,497 --> 01:35:04,733 YOU BET. YEP. 1512 01:35:04,733 --> 01:35:09,237 I JUST WANT TO FORGET THE PAST AND START ALL OVER AGAIN. 1513 01:35:09,237 --> 01:35:11,673 WITH ANOTHER LITTLE ONE ON THE WAY, 1514 01:35:11,673 --> 01:35:14,042 I'M SURE GLAD DEACON HAS A JOB. 1515 01:35:14,042 --> 01:35:16,411 Woman: REMEMBER THAT FIRST DAY, STANDING IN LINE? 1516 01:35:16,411 --> 01:35:17,813 I WAS SO SCARED. 1517 01:35:17,813 --> 01:35:20,515 I THOUGHT THEY WERE GOING TO LAUGH AT US. 1518 01:35:20,515 --> 01:35:22,517 THEY DID LAUGH AT US. 1519 01:35:22,517 --> 01:35:24,519 WELL, WE SHOWED THEM. 1520 01:35:24,519 --> 01:35:25,788 Woman: WE SURE DID. 1521 01:35:25,788 --> 01:35:27,489 YEAH! 1522 01:35:27,489 --> 01:35:29,858 WE SHOWED THEM. 1523 01:35:34,029 --> 01:35:37,199 HERE'S TO KAY AND JACK, JEANNIE AND BOBBY, 1524 01:35:37,199 --> 01:35:41,804 CLARENCE AND ANNIE, VIOLET AND DEACON, 1525 01:35:41,804 --> 01:35:45,774 AND HAZEL AND ME, AND ALL OF US -- 1526 01:35:45,774 --> 01:35:47,776 TO NO MORE WAR 1527 01:35:47,776 --> 01:35:50,979 AND ONE HELL OF A FUTURE. 1528 01:35:59,687 --> 01:36:07,695 * IN THAT SMALL CAFE * 1529 01:36:07,695 --> 01:36:14,369 * THE PARK ACROSS THE WAY * 1530 01:36:14,369 --> 01:36:21,009 * THE CHILDREN'S CAROUSEL * 1531 01:36:21,009 --> 01:36:24,980 * THE CHESTNUT TREES * 1532 01:36:24,980 --> 01:36:29,251 * THE WISHING WELL * 1533 01:36:29,251 --> 01:36:37,259 * I'LL BE SEEING YOU * 1534 01:36:37,259 --> 01:36:44,066 * IN EVERY LOVELY SUMMER'S DAY * 1535 01:36:44,066 --> 01:36:51,406 * IN EVERYTHING THAT'S LIGHT AND GAY * 1536 01:36:51,406 --> 01:36:58,613 * I'LL ALWAYS THINK OF YOU THAT WAY * 1537 01:36:58,613 --> 01:37:05,487 * I'LL FIND YOU IN THE MORNING SUN * 1538 01:37:05,487 --> 01:37:06,889 KAY. 1539 01:37:06,889 --> 01:37:14,229 * AND WHEN THE NIGHT IS NEW * 1540 01:37:14,229 --> 01:37:17,699 * I'LL BE LOOKING * 1541 01:37:17,699 --> 01:37:18,967 HAZEL. 1542 01:37:18,967 --> 01:37:21,904 * AT THE MOON * 1543 01:37:21,904 --> 01:37:29,077 * BUT I'LL BE SEEING YOU * 1544 01:37:29,077 --> 01:37:35,517 WE SHOWED THEM, DIDN'T WE? 1545 01:37:35,517 --> 01:37:39,922 Hazel: BOY, DID WE EVER. 1546 01:37:39,922 --> 01:37:44,859 * YOU SEE, SOMEWHERE * 1547 01:37:44,859 --> 01:37:49,331 * SOMEONE WAITS FOR YOU * 1548 01:37:49,331 --> 01:37:54,469 * WHO HOPES YOU WILL COME THROUGH * 1549 01:37:54,469 --> 01:37:59,674 * WHO WILL WAIT UNTIL YOU DO * 1550 01:37:59,674 --> 01:38:05,080 * YOU'LL SEE A LIGHT * 1551 01:38:05,080 --> 01:38:09,817 * IN SOME FAMILIAR DOOR * 1552 01:38:09,817 --> 01:38:14,822 * AND WHEN YOU REACH THE SHORE * 1553 01:38:14,822 --> 01:38:20,528 * LIFE WON'T HURT ANYMORE * 1554 01:38:20,528 --> 01:38:28,070 * REMEMBER, NIGHT MAY TROUBLE YOU * 1555 01:38:28,070 --> 01:38:32,274 * WITH ENDLESS DREAMS * 1556 01:38:32,274 --> 01:38:38,513 * BUT BLUE SKIES WAIT FOR YOU * 1557 01:38:38,513 --> 01:38:45,420 * BEYOND THE SUNRISE, I'M HERE * 1558 01:38:45,420 --> 01:38:50,358 * SO WALK INTO YOUR FATE * 1559 01:38:50,358 --> 01:38:56,364 * IT NEVER IS TOO LATE * 1560 01:38:56,364 --> 01:39:01,303 * THERE'S SOMEONE SMILING THROUGH * 1561 01:39:01,303 --> 01:39:05,907 * WHO WILL DO ALL THEY CAN DO * 1562 01:39:05,907 --> 01:39:08,143 * FOR YOU * 1563 01:39:08,143 --> 01:39:11,379 * REMEMBER, SOMEWHERE * 1564 01:39:11,379 --> 01:39:16,551 * SOMEONE WAITS FOR YOU * 1565 01:39:32,167 --> 01:39:36,404 * THERE'S SOMEONE SMILING THROUGH * 1566 01:39:36,404 --> 01:39:41,309 * WHO WILL DO ALL THEY CAN DO * 1567 01:39:41,309 --> 01:39:43,345 * FOR YOU * 1568 01:39:43,345 --> 01:39:47,949 * REMEMBER, SOMEWHERE * 1569 01:39:47,949 --> 01:39:52,687 * SOMEONE WAITS FOR YOU * 1570 01:39:52,687 --> 01:39:57,092 -- Captions by VITAC -- Burbank, Pittsburgh, Tampa, and Washington, D.C. 1571 01:39:57,092 --> 01:40:00,295 CAPTIONS PAID FOR BY WARNER BROS. INC. 96205

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