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1
00:00:01,500 --> 00:00:02,570
PREVIOUSLY ON NYPD BLUE...
2
00:00:02,600 --> 00:00:04,670
I HEAR YOU’RE FIGHTING
LAUGHLIN AND THE SMOKER.
3
00:00:04,700 --> 00:00:05,800
WORD’S OUT, HUH?
4
00:00:05,840 --> 00:00:06,800
YOU EVER FOUGHT?
5
00:00:06,840 --> 00:00:09,370
SURE. IT’S BEEN A WHILE.
IT’S NO BIG DEAL.
6
00:00:09,400 --> 00:00:12,070
SOMEONE STANDING UP FOR ME ‐‐
THAT’S A BIG DEAL.
7
00:00:12,100 --> 00:00:14,200
YOU DESERVE
TO BE STOOD UP FOR.
8
00:00:14,240 --> 00:00:15,940
WHAT’S GOING ON
WITH YOU AND CONNIE?
NOTHING.
9
00:00:15,970 --> 00:00:17,800
WHAT’S HOLDING YOU BACK?
10
00:00:17,840 --> 00:00:19,770
MAYBE THE 20 YEARS BETWEEN US,
ME BEING A MUTT.
11
00:00:19,800 --> 00:00:21,770
MAYBE YOU DO YOURSELF A FAVOR
AND YOU GO WITH IT.
12
00:00:21,800 --> 00:00:23,440
THE MAIN THINGS
THAT YOU’RE WORRIED ABOUT ‐‐
13
00:00:23,470 --> 00:00:25,240
IT DOESN’T LOOK LIKE CONNIE
GIVES A DAMN ABOUT THAT.
14
00:00:31,440 --> 00:00:34,270
YOU STOOD UP FOR ME,
AND I WANTED TO SAY THANKS.
15
00:00:39,770 --> 00:00:40,670
YOU DIDN’T HAVE TO DO THAT.
16
00:00:40,700 --> 00:00:41,570
I WANTED TO.
17
00:00:55,500 --> 00:01:00,070
WE GOT TO GET GOING.
YEAH, WE REALLY DO.
18
00:01:00,100 --> 00:01:02,500
OH, BOY.
19
00:01:08,970 --> 00:01:11,370
WE GOTTA GO.
20
00:01:11,400 --> 00:01:13,540
I STILL HAVE TO GO HOME
AND CHANGE.
21
00:01:13,570 --> 00:01:15,140
I KNOW, I KNOW.
22
00:01:22,100 --> 00:01:23,640
WHAT ARE YOU DOING?
23
00:01:25,840 --> 00:01:27,640
WE’RE GOING.
24
00:01:27,670 --> 00:01:29,240
RIGHT. HERE WE GO.
25
00:01:44,140 --> 00:01:46,370
[ PAGER BEEPS ]
26
00:01:47,770 --> 00:01:49,070
WE GOT TO GO.
27
00:01:49,100 --> 00:01:50,500
YEAH.
28
00:01:52,070 --> 00:01:53,970
I’LL SEE YOU LATER.
29
00:01:54,000 --> 00:01:55,470
YEAH, DEFINITELY.
30
00:01:55,500 --> 00:01:58,040
OKAY. HERE.
31
00:01:58,070 --> 00:02:00,440
UM, SO...
32
00:02:00,470 --> 00:02:01,500
HEY.
33
00:02:04,340 --> 00:02:07,440
DON’T WORRY.
EVERYTHING’S COOL, OKAY?
34
00:02:07,470 --> 00:02:10,400
OKAY.
35
00:02:10,440 --> 00:02:12,740
I GOT TO GO.
36
00:02:12,770 --> 00:02:14,740
I KNOW.
37
00:03:31,010 --> 00:03:33,180
I FOUND A PALM PILOT.
38
00:03:33,210 --> 00:03:36,780
SEND IT TO TARU.
HAVE THEM DECIPHER IT.
39
00:03:36,810 --> 00:03:39,980
IT WAS OPEN
WHEN I FOUND IT.
40
00:03:40,010 --> 00:03:42,040
SO THE MALE AND FEMALE
GET TIED UP HERE,
41
00:03:42,080 --> 00:03:44,080
THEN THE PERP GETS
THE OTHER FEMALE
42
00:03:44,110 --> 00:03:46,940
TO UNLOCK THE STUDIO
AND SHOOTS HER BACK THERE.
43
00:03:46,980 --> 00:03:50,110
SHE KEPT THE MONEY
BACK THERE MAYBE.
44
00:03:50,150 --> 00:03:51,820
GOOD MORNING, CHAMP.
MORNING.
45
00:03:51,850 --> 00:03:53,350
HOW YOU FEELING?
UH, GOOD, GREAT.
46
00:03:53,380 --> 00:03:54,840
WHAT DO WE GOT?
DOA FEMALE IN BACK.
47
00:03:54,880 --> 00:03:56,610
THIS IS HER APARTMENT.
48
00:03:56,650 --> 00:03:58,990
SHE HAS A WHOLE RECORDING
STUDIO SETUP BACK THERE.
49
00:03:59,010 --> 00:04:01,040
AND A WOMAN TIED UP
AND SHOT IN THE HEAD
50
00:04:01,080 --> 00:04:02,780
NEXT TO THIS GUY.
SHE’S STILL ALIVE,
51
00:04:02,810 --> 00:04:04,840
BUT UNCONSCIOUS,
EN ROUTE TO BELLEVUE.
52
00:04:04,880 --> 00:04:06,240
LET ME GO THROUGH
THIS THING.
53
00:04:06,280 --> 00:04:07,280
[ GRUNTS ]
54
00:04:07,310 --> 00:04:08,340
HA HA.
55
00:04:08,380 --> 00:04:11,580
DIDN’T GET MUCH SLEEP,
IT LOOKS LIKE.
56
00:04:11,610 --> 00:04:15,240
YEAH, YEAH, I WAS UP
AND DOWN ALL NIGHT.
57
00:04:15,280 --> 00:04:16,480
ADRENALINE.
58
00:04:16,510 --> 00:04:19,210
PROBABLY, YEAH.
59
00:04:19,250 --> 00:04:20,690
AHEM. GOOD MORNING.
60
00:04:20,710 --> 00:04:22,940
HEY. MORNING.
61
00:04:22,980 --> 00:04:27,440
UH, MEDAVOY AND JONES
ARE CANVASSING.
62
00:04:27,480 --> 00:04:30,010
WHY DON’T YOU GIVE THEM A HAND?
THEY’LL FILL YOU IN.
63
00:04:32,480 --> 00:04:33,710
BIG NIGHT LAST NIGHT,
64
00:04:33,750 --> 00:04:36,150
YOU KNOW, WITH THE, UH,
FIGHT AND ALL.
65
00:04:36,180 --> 00:04:37,840
MM‐HMM.
66
00:04:45,710 --> 00:04:47,980
WE GOT A BOMB THREAT
OVER ON 3rd.
67
00:04:48,010 --> 00:04:49,840
GET McDOWELL AND ORTIZ
ON THE RADIO.
68
00:04:49,880 --> 00:04:51,280
HAVE THEM RESPOND
TO THIS.
69
00:04:51,310 --> 00:04:53,180
WHAT’S UP
WITH YOUR TRIPLE?
70
00:04:53,210 --> 00:04:55,580
IT’S A DOUBLE ‐‐
ONE OF THE FEMALES...
71
00:04:55,610 --> 00:04:57,840
UH, YEAH, A DOA FEMALE WHOSE
APARTMENT IT WAS ‐‐ SHERI LENT.
72
00:04:57,880 --> 00:05:00,840
SHE RENTED OUT TIME
IN A RECORDING STUDIO
73
00:05:00,880 --> 00:05:02,880
SHE HAD SET UP
IN HER BACK BEDROOM.
74
00:05:02,910 --> 00:05:04,710
ANY FORCED ENTRY?
NO.
75
00:05:04,750 --> 00:05:07,050
THE SHOT FEMALE
AND THE DOA MALE
76
00:05:07,080 --> 00:05:08,740
ARE FRIENDS
OF THIS SHERI LENT ‐‐
77
00:05:08,780 --> 00:05:11,040
IN FROM MICHIGAN.
BEEN STAYING THERE A WHILE.
78
00:05:11,080 --> 00:05:13,280
IN LENT’S POCKET COMPUTER,
WE FOUND A LIST
79
00:05:13,310 --> 00:05:15,610
OF THE PEOPLE WHO RENTED OUT
THE RECORDING STUDIO.
80
00:05:15,650 --> 00:05:18,050
WE’RE BRINGING IN THE LAST GUY
LISTED FROM YESTERDAY ‐‐
81
00:05:18,080 --> 00:05:20,810
A COLE McLAUGHLIN.
ALL RIGHT, KEEP ME UP
ON EVERYTHING.
82
00:05:20,850 --> 00:05:21,950
I’M ALREADY GETTING
PHONE CALLS.
83
00:05:21,980 --> 00:05:25,140
ARE YOU GOING
TO TELL ’EM?
84
00:05:25,180 --> 00:05:28,740
UH, MY DAUGHTER KATIE’S
GETTING MARRIED.
85
00:05:28,780 --> 00:05:30,440
HEY, CONGRATULATIONS.
86
00:05:30,480 --> 00:05:31,980
CONGRATULATIONS, GREG.
87
00:05:32,010 --> 00:05:33,410
THAT’S WONDERFUL.
88
00:05:33,450 --> 00:05:34,920
YOU MET THE GUY?
89
00:05:34,950 --> 00:05:36,820
UH, NO. WE’RE HAVING
DINNER TOMORROW NIGHT.
90
00:05:36,850 --> 00:05:38,920
HIS FAMILY LIVES HERE
IN THE CITY,
91
00:05:38,950 --> 00:05:41,390
AND, UH, THEY’RE MAKING
THE ROUNDS, I GUESS.
92
00:05:41,410 --> 00:05:43,410
I’M STILL KIND OF SHOCKED.
93
00:05:43,450 --> 00:05:46,320
I‐I DIDN’T EVEN KNOW SHE WAS
SERIOUS WITH ANYBODY.
94
00:05:46,350 --> 00:05:50,290
MY EX REALLY DROVE A WEDGE
BETWEEN ME AND MY DAUGHTERS.
95
00:05:50,310 --> 00:05:52,540
YOUR EX GOING TO BE
AT THE DINNER TOMORROW NIGHT?
96
00:05:52,580 --> 00:05:55,340
NOT UNLESS MY HEAD’S GOING
TO BE SERVED UP ON A TRAY.
97
00:05:55,380 --> 00:05:58,010
NAH, JUST ME AND KATIE
AND HER FIANCÉ.
98
00:05:58,050 --> 00:06:00,220
THAT’S GREAT NEWS.
99
00:06:00,250 --> 00:06:03,920
UH, NO MORE CARBS, HUH,
TILL AFTER THE WEDDING.
100
00:06:03,950 --> 00:06:06,390
YOU GUYS STAY ON ME
ABOUT THAT.
101
00:06:14,910 --> 00:06:17,140
GET A LOAD OF THIS.
102
00:06:17,180 --> 00:06:19,610
PHONY BOMB THREAT GETS PHONED IN
TO THIS BUILDING OVER HERE,
103
00:06:19,650 --> 00:06:22,620
THE BOMB DOG STARTS GOING NUTS,
SNIFFS OUT THIS LADY’S PURSE.
104
00:06:22,650 --> 00:06:25,120
BOMB SQUAD DOES THEIR THING,
TRY TO DEACTIVATE IT.
105
00:06:25,150 --> 00:06:26,820
TURNS OUT THE LADY
WAS JUST WALKING BY
106
00:06:26,850 --> 00:06:29,850
BUT CARRYING HALF A KEY OF COKE
AND A WHOLE BUNCH OF ECSTASY.
107
00:06:29,880 --> 00:06:30,940
THE BOMB DOG USED TO BE
A DRUG DOG
108
00:06:30,980 --> 00:06:32,780
BEFORE BEING RETRAINED
AFTER 9/11.
109
00:06:32,810 --> 00:06:33,980
THAT’S HER?
110
00:06:34,010 --> 00:06:36,140
YEAH. RHONDA CLIFTON.
SHE’S PUTTING ON
111
00:06:36,180 --> 00:06:38,610
HER AUNT BEE ACT NOW,
SAYING SHE DON’T KNOW HOW
112
00:06:38,650 --> 00:06:40,890
THE DRUGS GOT IN HER PURSE,
YOU KNOW?
113
00:06:40,910 --> 00:06:42,940
DETECTIVES McDOWELL
AND ORTIZ, MS. CLIFTON.
114
00:06:42,980 --> 00:06:45,340
I HAVE ABSOLUTELY NO IDEA
HOW THAT GOT IN MY PURSE.
115
00:06:45,380 --> 00:06:46,980
I SWEAR TO GOD.
116
00:06:47,010 --> 00:06:49,380
WHEN WAS THE LAST TIME
YOU WENT THROUGH YOUR PURSE
117
00:06:49,410 --> 00:06:51,440
AND KNEW IT WASN’T THERE?
THIS MORNING.
118
00:06:51,480 --> 00:06:53,340
SOMEONE MUST’VE DROPPED IT
IN MY PURSE ‐‐
119
00:06:53,380 --> 00:06:54,810
WELL, I DON’T KNOW WHY.
120
00:06:54,850 --> 00:06:57,190
YOU LIVE HERE IN THE CITY,
MS. CLIFTON?
121
00:06:57,210 --> 00:06:59,210
NO, I‐I LIVE UPSTATE
IN GLEN FALLS.
122
00:06:59,250 --> 00:07:00,650
WHAT BROUGHT YOU IN?
123
00:07:00,680 --> 00:07:02,040
SHOPPING.
124
00:07:02,080 --> 00:07:04,240
YOU HAVE ANY TROUBLE
WITH THE LAW IN THE PAST,
125
00:07:04,280 --> 00:07:05,480
ANYTHING DRUG RELATED?
126
00:07:05,510 --> 00:07:08,210
ABSOLUTELY NOT. I’VE NEVER EVEN
GOT A TICKET FOR SPEEDING.
127
00:07:08,250 --> 00:07:10,720
’CAUSE WE’RE GOING
TO FIND OUT.
YOU CAN ASK ANYONE.
128
00:07:10,750 --> 00:07:12,090
I‐I WOULD NOT DO THIS.
THIS IS A MISTAKE.
129
00:07:12,110 --> 00:07:14,980
WE’RE GOING TO TAKE A RIDE
AND TALK ABOUT IT SOME MORE.
130
00:07:15,010 --> 00:07:16,810
OH, MY GOD,
ARE YOU KIDDING ME?
131
00:07:16,850 --> 00:07:20,090
NO. COME ON, MA’AM.
132
00:07:21,380 --> 00:07:24,840
WHY DON’T YOU HAVE A SEAT,
MR. McLAUGHLIN?
133
00:07:24,880 --> 00:07:27,140
YOU COMING FROM WORK?
134
00:07:27,180 --> 00:07:30,740
YES. I’M C. O. O. OF DIGITYNE
ELECTRONICS.
135
00:07:30,780 --> 00:07:33,310
WELL, THAT’S GREAT.
YOU KNOW A SHERI LENT?
136
00:07:33,350 --> 00:07:34,890
I DON’T.
137
00:07:34,910 --> 00:07:38,110
LIVES OVER ON 7th STREET?
138
00:07:38,150 --> 00:07:41,090
SHE LOOKS FAMILIAR,
BUT I CAN’T PLACE FROM WHERE.
139
00:07:41,110 --> 00:07:43,480
WHY WAS YOUR NAME AND NUMBER
IN HER ADDRESS BOOK?
140
00:07:43,510 --> 00:07:45,040
OKAY, SO WHAT’S UP?
141
00:07:45,080 --> 00:07:47,440
TRYING TO FIGURE OUT WHY YOU’RE
LYING ABOUT KNOWING SHERI,
142
00:07:47,480 --> 00:07:49,210
THAT’S WHAT’S UP.
143
00:07:49,250 --> 00:07:51,420
I KNOW HER,
BUT I DON’T KNOW HER.
144
00:07:51,450 --> 00:07:54,720
WHEN DID YOU SEE HER LAST?
WHAT’S SHERI SAYING?
145
00:07:54,750 --> 00:07:56,420
NO, YOU SEE,
THE WAY THIS WORKS
146
00:07:56,450 --> 00:07:59,090
IS WE ASK THE QUESTIONS,
YOU PROVIDE THE ANSWERS.
147
00:07:59,110 --> 00:08:01,210
I’M SORRY. DO I LOOK LIKE
A TOOTHLESS CRACK WHORE
148
00:08:01,250 --> 00:08:03,850
OVER HERE? DON’T TRY
TO STRONG‐ARM ME, DETECTIVE.
149
00:08:03,880 --> 00:08:07,380
I CAN ASK QUESTIONS,
AND I WILL ASK QUESTIONS.
150
00:08:07,410 --> 00:08:09,180
OKAY, GOOD.
WELL, WE FOUND SHERI DEAD
151
00:08:09,210 --> 00:08:11,740
IN HER APARTMENT
THIS MORNING.
152
00:08:11,780 --> 00:08:13,440
AND YOU WERE THE LAST
APPOINTMENT SHE HAD LISTED
153
00:08:13,480 --> 00:08:14,980
IN HER CALENDAR.
154
00:08:15,010 --> 00:08:17,080
NOW, YOU GOT ANY QUESTIONS
ON THAT, COLE?
155
00:08:17,110 --> 00:08:19,580
LOOK, I HAD NOTHING TO DO
WITH ANYTHING LIKE THAT.
156
00:08:19,610 --> 00:08:21,310
PLEASE BELIEVE ME.
157
00:08:21,350 --> 00:08:23,250
SLIPPED RIGHT OUT OF THAT
PRICK SUIT, DIDN’T HE?
158
00:08:23,280 --> 00:08:25,240
I’M A RESPECTED BUSINESSMAN,
I’M A MEMBER
159
00:08:25,280 --> 00:08:27,080
OF THE ASSOCIATION
FOR A BETTER NEW YORK...
160
00:08:27,110 --> 00:08:28,810
WHEN DID YOU SEE HER
LAST?
161
00:08:28,850 --> 00:08:31,150
YESTERDAY.
WHAT FOR?
162
00:08:31,180 --> 00:08:34,040
TO BUY POT. ALL RIGHT?
THERE, I ADMIT IT.
163
00:08:34,080 --> 00:08:36,910
I SMOKE OCCASIONALLY. I NEVER
BUY MORE THAN 1/8th, THOUGH.
164
00:08:36,950 --> 00:08:39,490
SO SHE WAS YOUR DEALER?
YEAH, THAT’S WHAT
SHE DID.
165
00:08:39,510 --> 00:08:41,240
HYDROPONIC ONE‐HIT POT.
166
00:08:41,280 --> 00:08:43,240
WHERE YOU BEEN LAST NIGHT
AND THIS MORNING?
167
00:08:43,280 --> 00:08:46,510
I WAS AT HOME WITH MY WIFE
AND YOUNG SON AND THEN TO WORK.
168
00:08:46,550 --> 00:08:49,250
YOU BANGING HER?
NO!
169
00:08:49,280 --> 00:08:51,710
NO. I‐I WAS NOT.
170
00:08:51,750 --> 00:08:53,820
I BOUGHT POT FROM HER.
THAT’S IT.
171
00:08:53,850 --> 00:08:55,590
ALL RIGHT. START WITH
YESTERDAY MORNING.
172
00:08:55,610 --> 00:08:58,110
WRITE EVERYTHING DOWN.
173
00:08:58,150 --> 00:09:00,090
MS. CLIFTON, WE’VE BEEN
DOING THIS A WHILE,
174
00:09:00,110 --> 00:09:02,580
AND A DEALER STICKING A BUNCH
OF DRUGS IN A WOMAN’S PURSE,
175
00:09:02,610 --> 00:09:05,640
BASICALLY GIVING THOUSANDS
OF DOLLARS AWAY TO A STRANGER ‐‐
176
00:09:05,680 --> 00:09:07,010
THAT DOESN’T HAPPEN.
177
00:09:07,050 --> 00:09:09,850
MAYBE THE DEALER WAS ABOUT
TO GET CAUGHT BY THE POLICE
178
00:09:09,880 --> 00:09:12,440
AND NEEDED TO GET RID
OF IT REAL QUICK.
179
00:09:12,480 --> 00:09:14,580
THAT’S NOT WHAT HAPPENED.
WE KNOW IT, YOU KNOW IT.
180
00:09:14,610 --> 00:09:17,080
I’M TELLING YOU, I DON’T
KNOW HOW THIS PACKAGE
181
00:09:17,110 --> 00:09:18,680
GOT IN MY PURSE.
182
00:09:18,710 --> 00:09:20,140
PRETTY QUICK HERE, MA’AM,
183
00:09:20,180 --> 00:09:22,040
MY PARTNER AND I ARE GOING
TO LOSE ANY SYMPATHY FOR YOU,
184
00:09:22,080 --> 00:09:24,240
ANY INTEREST IN TRYING
TO HELP YOU OUT.
185
00:09:24,280 --> 00:09:25,910
AT THAT POINT, WE’LL JUST
TOSS YOU IN THE SYSTEM,
186
00:09:25,950 --> 00:09:28,150
AND YOU WILL GET PROSECUTED
AND YOU WILL GO TO JAIL.
187
00:09:28,180 --> 00:09:29,810
DO YOU HAVE
A DRUG PROBLEM, MS. CLIFTON?
188
00:09:29,850 --> 00:09:31,290
NO, I TOLD YOU
THAT I DON’T.
189
00:09:31,310 --> 00:09:33,180
SO YOU WERE LOOKING
TO MAKE SOME QUICK MONEY.
190
00:09:33,210 --> 00:09:37,140
THESE AREN’T MY DRUGS.
WERE YOU DOING THIS
FOR SOMEBODY ELSE?
191
00:09:38,580 --> 00:09:41,210
OKAY, FINE. IT’S MINE.
192
00:09:41,250 --> 00:09:43,020
THE PACKAGE IS MINE.
193
00:09:43,050 --> 00:09:44,820
YOU BOUGHT THE DRUGS HERE,
AND YOU WERE GOING
194
00:09:44,850 --> 00:09:46,190
TO SELL THEM UP
IN GLEN FALLS?
YES.
195
00:09:46,210 --> 00:09:48,280
HOW MUCH YOU BUY IT FOR ‐‐
THE COKE AND ECSTASY?
196
00:09:48,310 --> 00:09:50,080
$3,000.
197
00:09:50,110 --> 00:09:51,480
HOW MUCH WERE YOU LOOKING
TO MAKE OFF IT?
198
00:09:51,510 --> 00:09:53,340
DOUBLE.
199
00:09:53,380 --> 00:09:54,940
YOU’RE WAY OFF
ON BOTH FIGURES.
200
00:09:54,980 --> 00:09:56,340
THE DRUGS ARE WORTH
A LOT MORE THAN THAT.
201
00:09:56,380 --> 00:09:59,610
WHAT’S GOING ON,
MS. CLIFTON?
202
00:09:59,650 --> 00:10:02,220
WE’RE DONE, THEN.
203
00:10:02,250 --> 00:10:03,890
THAT’S FELONY WEIGHT
YOU WERE CARRYING,
204
00:10:03,910 --> 00:10:06,810
AND YOU’RE GOING
TO GO TO JAIL.
205
00:10:06,850 --> 00:10:09,450
ANDY SAYS THE DOA
WHOSE APARTMENT IT WAS ‐‐
206
00:10:09,480 --> 00:10:11,810
SHE WAS DEALING HIGH‐END POT
TO A BIG LIST OF CUSTOMERS,
207
00:10:11,850 --> 00:10:13,420
NOT RENTING STUDIO TIME.
208
00:10:13,450 --> 00:10:15,190
THAT’S WHAT THE GUY
IN THE POKEY GAVE ’EM?
209
00:10:15,210 --> 00:10:17,110
YEAH. SO WE’RE GOING TO START
PULLING ALL THE CLIENTS
210
00:10:17,150 --> 00:10:18,650
SHE HAD LISTED
ON THE PALM PILOT
211
00:10:18,680 --> 00:10:20,810
WHILE ANDY AND JOHN FINISH
GETTING THIS GUY’S STATEMENT.
212
00:10:20,850 --> 00:10:22,120
LET ME, UH, REFILL,
213
00:10:22,150 --> 00:10:23,720
AND THEN WE’LL DIVVY UP
THE LIST AND HEAD OUT.
214
00:10:23,750 --> 00:10:25,020
ALL RIGHT.
215
00:10:25,050 --> 00:10:26,490
THIS LADY’S SAYING
SHE DOESN’T KNOW HOW
216
00:10:26,510 --> 00:10:27,880
THE DRUGS GOT
IN HER PURSE.
217
00:10:27,910 --> 00:10:29,140
THEY FELL FROM THE SKY?
218
00:10:29,180 --> 00:10:30,310
THE WHOLE THING
DOESN’T MAKE SENSE,
219
00:10:30,350 --> 00:10:31,590
INCLUDING THESE BEING
HER DRUGS.
220
00:10:31,610 --> 00:10:33,180
WE’RE GOING TO CALL THE P. D.
UP IN GLEN FALLS
221
00:10:33,210 --> 00:10:35,110
WHERE SHE LIVES AND SEE
WHAT THEY HAVE ON HER.
222
00:10:35,150 --> 00:10:37,250
IF SHE DOESN’T GIVE US ANYBODY
ELSE, THE DRUGS ARE HERS.
223
00:10:37,280 --> 00:10:38,980
I’LL GET HER LODGED
DOWNSTAIRS.
224
00:10:42,550 --> 00:10:45,850
HI. I’M KATIE MEDAVOY,
HERE TO SEE MY DAD.
225
00:10:45,880 --> 00:10:48,180
CONGRATULATIONS
ON YOUR ENGAGEMENT.
226
00:10:48,210 --> 00:10:48,980
THANK YOU.
227
00:10:49,010 --> 00:10:51,210
MAY I SEE THE RING?
SURE.
228
00:10:51,250 --> 00:10:54,350
OH. A NICE SIMPLE BAND
WITH LITTLE BAGUETTES.
229
00:10:54,380 --> 00:10:56,780
IT’S BEAUTIFUL. WHO NEEDS
A BIG DIAMOND, RIGHT?
230
00:10:56,810 --> 00:10:59,180
YEAH, I REALLY LOVE IT.
IS MY DAD AROUND?
231
00:10:59,210 --> 00:11:01,780
YEAH, I’M SORRY.
HE’S IN THE COFFEE ROOM.
232
00:11:01,810 --> 00:11:03,680
IT’S RIGHT THROUGH THERE.
233
00:11:03,710 --> 00:11:05,110
OKAY, THANKS.
234
00:11:08,780 --> 00:11:11,840
HEY.
HEY, DAD.
235
00:11:11,880 --> 00:11:14,710
I THOUGHT YOU WERE OUT TRYING ON
DRESSES WITH YOUR MOM.
236
00:11:14,750 --> 00:11:16,590
OH, WE ENDED A LITTLE EARLY.
237
00:11:16,610 --> 00:11:19,380
EVERYTHING ALL RIGHT?
238
00:11:19,410 --> 00:11:21,340
[ Sighs ] WHAT’S WRONG?
239
00:11:21,380 --> 00:11:23,910
MOM’S NOT GOING TO COME
TO THE WEDDING NOW.
240
00:11:23,950 --> 00:11:25,520
SHE SAID SHE THOUGHT
ABOUT IT,
241
00:11:25,550 --> 00:11:28,090
AND SHE DOESN’T KNOW HOW
SHE’D REACT.
242
00:11:28,110 --> 00:11:30,310
BECAUSE I’LL BE THERE?
243
00:11:30,350 --> 00:11:31,850
YEAH.
244
00:11:31,880 --> 00:11:34,880
I CAN’T BELIEVE HER.
I CAN’T BELIEVE IT.
245
00:11:34,910 --> 00:11:36,880
SO I JUST GOT OFF THE PHONE
WITH KEVIN,
246
00:11:36,910 --> 00:11:39,880
AND I TOLD HIM THAT I THINK
IT MIGHT BE A LOT EASIER
247
00:11:39,910 --> 00:11:42,310
IF WE JUST ELOPE.
248
00:11:42,350 --> 00:11:45,250
I DON’T WANT YOU
TO HAVE TO ELOPE.
249
00:11:45,280 --> 00:11:48,180
HAVE YOUR WEDDING,
’CAUSE IT’S YOUR DAY.
250
00:11:48,210 --> 00:11:50,710
I JUST DON’T WANT
ANY PROBLEMS.
251
00:11:50,750 --> 00:11:53,250
LET YOUR MOTHER COME.
252
00:11:53,280 --> 00:11:55,780
I‐I’LL TAKE YOU AND KEVIN OUT
TO DINNER BEFORE THE WEDDING.
253
00:11:55,810 --> 00:11:57,540
WE’LL HAVE OUR OWN
CELEBRATION.
254
00:11:57,580 --> 00:12:00,710
WELL, YOU SAY THIS NOW, BUT YOU
MIGHT BE REALLY UPSET LATER.
255
00:12:00,750 --> 00:12:03,150
THE ONLY THING
THAT WOULD UPSET ME
256
00:12:03,180 --> 00:12:06,740
IS IF YOU HAVE TO ELOPE
ON ACCOUNT OF YOUR PARENTS.
257
00:12:06,780 --> 00:12:08,510
HAVE YOUR WEDDING.
258
00:12:08,550 --> 00:12:11,220
I DIDN’T COME HERE TO TRY
AND GET YOU TO SAY THAT.
259
00:12:11,250 --> 00:12:13,550
I KNOW.
260
00:12:13,580 --> 00:12:16,080
THANK YOU.
261
00:12:16,110 --> 00:12:20,310
THANK YOU FOR JUST MAKING
MY LIFE A LOT EASIER.
262
00:12:20,350 --> 00:12:22,190
ANYTHING I CAN DO.
263
00:12:41,350 --> 00:12:43,550
IF WE HAVE ANY MORE QUESTIONS,
WE’LL BE IN TOUCH.
264
00:12:43,580 --> 00:12:45,310
THANKS
FOR YOUR HELP.
265
00:12:45,350 --> 00:12:48,350
THAT WAS CHIEF OF POLICE
UP IN GLEN FALLS.
266
00:12:48,380 --> 00:12:50,310
THAT WOMAN WE CAUGHT WITH
A HALF KEY OF COKE ON HER ‐‐
267
00:12:50,350 --> 00:12:52,350
THAT’S WHERE SHE LIVES.
SHE HAVE A RECORD?
268
00:12:52,380 --> 00:12:54,380
NOTHING, BUT SHE DOES HAVE
A DIRTBAG SON
269
00:12:54,410 --> 00:12:57,480
WHO HAD A RECORD UP THERE
UNTIL THEY RAN HIM OUT OF TOWN
270
00:12:57,510 --> 00:12:59,440
AND WHO NOW LIVES
IN OUR FAIR CITY.
271
00:12:59,480 --> 00:13:01,080
IS SHE MULING
FOR HER SON?
272
00:13:01,110 --> 00:13:02,910
I DON’T KNOW.
THEY’RE FAXING OVER
273
00:13:02,950 --> 00:13:05,250
HER SON’S SHEET,
AND I’LL GO HIT HER UP.
274
00:13:11,680 --> 00:13:14,080
SO, WHAT’S THE DEAL?
275
00:13:14,110 --> 00:13:16,580
NOTHING.
276
00:13:16,610 --> 00:13:18,840
I WENT HOME
AFTER THE BAR,
277
00:13:18,880 --> 00:13:21,110
YOU KNOW, AFTER THE FIGHT,
AND I WAS STILL WORKED UP,
278
00:13:21,150 --> 00:13:25,150
SO I COULDN’T SLEEP.
NOTHING HAPPENED WITH NOTHING.
279
00:13:25,180 --> 00:13:29,110
WHAT’S THE DEAL WITH THE REST
OF OUR DOA’s CLIENT LIST?
280
00:13:29,150 --> 00:13:33,620
OH. UM, ROB McCARTHY’S
A SCRATCH NOW,
281
00:13:33,650 --> 00:13:37,590
AND, UH, GREG’S BRINGING IN
THIS GUY DAVE BURGESS.
282
00:13:37,610 --> 00:13:40,880
THANKS,
THAT’S VERY HELPFUL.
283
00:13:40,910 --> 00:13:42,940
YOUR GUY’S IN THE POKEY.
284
00:13:42,980 --> 00:13:45,310
DID YOU GET ANY HIT
OFF HIM?
285
00:13:45,350 --> 00:13:47,120
NAH. PRETTY QUIET.
286
00:13:52,680 --> 00:13:54,410
HEY, JUST CALL YOUR EX,
287
00:13:54,450 --> 00:13:56,790
AND TELL HER TO GET HER HEAD
OUT OF HER ASS.
288
00:13:56,810 --> 00:14:00,540
THAT’S JUST WHAT SHE WANTS ‐‐
A SCENE.
289
00:14:00,580 --> 00:14:02,340
I GOT TO LET IT GO.
290
00:14:02,380 --> 00:14:04,480
I WANT KATIE TO HAVE
A GOOD WEDDING.
291
00:14:04,510 --> 00:14:05,940
I OWE HER THAT.
292
00:14:05,980 --> 00:14:08,480
YOU KNOW
A SHERI LENT, DAVE?
293
00:14:08,510 --> 00:14:09,940
YEAH, I KNOW SHERI, YEAH.
294
00:14:09,980 --> 00:14:10,980
HOW?
295
00:14:11,010 --> 00:14:14,010
PARTY TOGETHER SOMETIMES.
296
00:14:14,050 --> 00:14:14,620
GET HIGH.
297
00:14:14,650 --> 00:14:16,920
YEAH, YOU KNOW, WEED.
298
00:14:16,950 --> 00:14:18,150
SHERI YOUR DEALER?
299
00:14:18,180 --> 00:14:19,910
I‐I DON’T WANT
TO GET HER IN TROUBLE.
300
00:14:19,950 --> 00:14:21,290
JUST ANSWER THE QUESTION
301
00:14:21,310 --> 00:14:22,710
OR YOU’RE GOING
TO GET YOURSELF IN TROUBLE.
302
00:14:22,750 --> 00:14:26,950
YEAH, I BOUGHT POT
OFF SHERI BEFORE, YEAH.
303
00:14:26,980 --> 00:14:28,840
WERE YOU SLEEPING
WITH HER?
304
00:14:28,880 --> 00:14:31,740
NO. NO, I MEAN, SHE WASN’T
NO DOG OR NOTHING,
305
00:14:31,780 --> 00:14:32,840
BUT IT WAS
JUST A POT DEAL.
306
00:14:32,880 --> 00:14:34,240
WHEN DID YOU
SEE HER LAST?
307
00:14:34,280 --> 00:14:35,480
YESTERDAY.
308
00:14:35,510 --> 00:14:36,810
WHAT FOR?
309
00:14:36,850 --> 00:14:38,720
TO BUY POT.
310
00:14:38,750 --> 00:14:40,690
I‐I’M NOT GETTING HER
IN TROUBLE HERE, AM I?
311
00:14:40,710 --> 00:14:42,180
WHO ELSE
WAS AT HER APARTMENT?
312
00:14:42,210 --> 00:14:43,280
NOBODY.
313
00:14:43,310 --> 00:14:44,880
SHE DIDN’T HAVE FRIENDS
STAYING WITH HER?
314
00:14:44,910 --> 00:14:47,110
NO, I WAS THERE
FOR, LIKE, FIVE MINUTES.
315
00:14:47,150 --> 00:14:48,590
THERE WAS
NO ONE ELSE AROUND.
316
00:14:48,610 --> 00:14:50,010
YOU GOT A JOB?
317
00:14:50,050 --> 00:14:51,250
YES.
318
00:14:51,280 --> 00:14:53,410
I‐I WORK FOR MARK DOUGLAS ‐‐
COMMERCIAL PAINTER.
319
00:14:53,450 --> 00:14:56,550
I’VE BEEN WORKING FOR MARK
ALMOST THREE MONTHS NOW.
320
00:14:56,580 --> 00:14:58,440
WHERE YOU BEEN TODAY?
321
00:14:58,480 --> 00:14:59,810
DAY OFF,
322
00:14:59,850 --> 00:15:01,820
BUT I WENT BY TO PICK UP
MY CHECK FROM MARK,
323
00:15:01,850 --> 00:15:03,450
AND THEN I RODE AROUND
WITH HIM FOR A BIT
324
00:15:03,480 --> 00:15:05,580
WHILE HE WAS OFF BIDDING
ON SOME OTHER JOBS.
325
00:15:05,610 --> 00:15:06,840
HOW LONG
WERE YOU WITH HIM?
326
00:15:06,880 --> 00:15:11,110
UM, 7:00 A. M.
TILL, LIKE, 10:00.
327
00:15:11,150 --> 00:15:12,850
I‐I DON’T MEAN
TO BE RUDE,
328
00:15:12,880 --> 00:15:14,080
BUT WOULD YOU MIND TELLING ME
WHAT THIS IS ABOUT?
329
00:15:14,110 --> 00:15:16,380
SHERI’S NAME CAME UP
IN AN INVESTIGATION.
330
00:15:16,410 --> 00:15:18,740
OH. I’M NOT TRYING
TO GET HER IN TROUBLE.
331
00:15:18,780 --> 00:15:21,080
WRITE DOWN
YOUR BOSS’S NUMBER
332
00:15:21,110 --> 00:15:23,480
SO WE CAN VERIFY
WHERE YOU’VE BEEN TODAY.
333
00:15:23,510 --> 00:15:28,080
YOU KNOW, THE FACT THAT POT IS
STILL CLASSIFIED AS A NARCOTIC
334
00:15:28,110 --> 00:15:30,040
UNDER FEDERAL LAW
IS RIDICULOUS.
335
00:15:30,080 --> 00:15:31,710
HOW MANY CRIMES
DO YOU SEE COMMITTED
336
00:15:31,750 --> 00:15:33,420
BY PEOPLE UNDER THE INFLUENCE
OF POT, RIGHT?
337
00:15:33,450 --> 00:15:35,520
YOU GOT A RECORD, DAVE?
YOU DONE ANY TIME?
338
00:15:35,550 --> 00:15:37,090
NO. ABSOLUTELY NOT.
339
00:15:43,480 --> 00:15:46,680
I DIDN’T DO ANYTHING WRONG.
PLEASE LET ME OUT OF HERE.
340
00:15:46,710 --> 00:15:49,980
YOU’VE BEEN IN A CELL
FOR TWO HOURS.
341
00:15:50,010 --> 00:15:51,340
IMAGINE 15 YEARS IN HERE.
342
00:15:51,380 --> 00:15:53,640
NO.
THAT’S WHAT
YOU’RE LOOKING AT.
343
00:15:53,680 --> 00:15:55,240
THOSE WEREN’T MY DRUGS.
344
00:15:55,280 --> 00:15:56,440
ARE THEY YOUR SON’S?
345
00:15:56,480 --> 00:15:57,540
WHY WOULD YOU SAY THAT?
346
00:15:57,580 --> 00:15:59,140
ARE THEY ERIC’S?
347
00:15:59,180 --> 00:16:00,810
NO.
348
00:16:00,850 --> 00:16:03,150
YOU’RE IN TOWN FOR THE DAY.
349
00:16:03,180 --> 00:16:05,380
YOUR SON, WHO HAS PREVIOUS
DRUG CONVICTIONS, LIVES HERE.
350
00:16:05,410 --> 00:16:06,710
YOU’RE CAUGHT WITH DRUGS.
351
00:16:06,750 --> 00:16:08,350
IT’S STARTING TO LINE UP
FOR US.
352
00:16:08,380 --> 00:16:09,780
ERIC’S A GOOD BOY.
353
00:16:09,810 --> 00:16:11,110
WE’RE SURE HE IS.
354
00:16:11,150 --> 00:16:13,320
HE FELL
INTO THE WRONG CROWD
355
00:16:13,350 --> 00:16:15,150
AFTER HIS DAD LEFT.
356
00:16:15,180 --> 00:16:17,340
TELL US WHAT HAPPENED TODAY
AND WE’LL GET YOU OUT OF HERE.
357
00:16:17,380 --> 00:16:19,440
NO, HE CAN’T
GO BACK TO JAIL.
358
00:16:19,480 --> 00:16:21,340
WE’LL DO OUR BEST
TO GET HIM IN A PROGRAM.
359
00:16:27,310 --> 00:16:29,210
HE GAVE ME THE PACKAGE.
360
00:16:29,250 --> 00:16:33,050
IT WAS GIFT‐WRAPPED.
HE SAID IT WAS A PRESENT
361
00:16:33,080 --> 00:16:35,540
FOR DAN, THIS FRIEND OF HIS
UP IN GLEN FALLS.
362
00:16:35,580 --> 00:16:37,780
DID YOU KNOW THERE WERE
DRUGS IN THE PACKAGE?
363
00:16:37,810 --> 00:16:39,210
NO, OF COURSE NOT.
364
00:16:39,250 --> 00:16:40,590
WRITE DOWN
WHERE TO FIND ERIC.
365
00:16:40,610 --> 00:16:42,110
SIT DOWN.
366
00:16:44,650 --> 00:16:48,390
OUR GUY IN THE POKEY
DAVE BURGESS ‐‐
367
00:16:48,410 --> 00:16:49,940
HIS ALIBI STICKS.
368
00:16:49,980 --> 00:16:52,240
HIS BOSS CONFIRMS HE CAME BY
TO GET HIS CHECK AT 7:00 SHARP,
369
00:16:52,280 --> 00:16:53,210
HUNG OUT TILL 10:00.
370
00:16:53,250 --> 00:16:54,890
HIS BOSS SAYS
HE’S A GOOD WORKER,
371
00:16:54,910 --> 00:16:56,280
BUT HALF WACKY.
372
00:16:56,310 --> 00:16:57,410
I RAN HIS NAME.
THERE’S A DAVID BURGESS,
373
00:16:57,450 --> 00:16:59,520
SAME DATE OF BIRTH,
WANTED FOR QUESTIONING
374
00:16:59,550 --> 00:17:03,090
FOR AN ARSON IN TOPEKA, KANSAS,
FIVE YEARS AGO.
375
00:17:03,110 --> 00:17:04,480
GET HIM PRINTED
AND COMPARE IT?
376
00:17:04,510 --> 00:17:06,110
YEAH.
NEED HELP?
377
00:17:06,150 --> 00:17:07,890
NO, I GOT IT.
378
00:17:14,810 --> 00:17:16,540
WHERE ARE YOU FROM
ORIGINALLY, DAVE?
379
00:17:16,580 --> 00:17:18,410
ALL OVER.
380
00:17:18,450 --> 00:17:20,550
MY DAD WAS A TRUCKER,
KEPT MOVING THE FAMILY.
381
00:17:20,580 --> 00:17:22,080
HOW ABOUT YOURSELF?
382
00:17:22,110 --> 00:17:24,280
YOU EVER SPEND TIME
IN TOPEKA?
383
00:17:24,310 --> 00:17:25,380
KANSAS?
384
00:17:25,410 --> 00:17:26,440
YEAH.
NO.
385
00:17:26,480 --> 00:17:28,710
THERE’S AN OUTSTANDING WARRANT
IN TOPEKA
386
00:17:28,750 --> 00:17:30,890
FOR A DAVID BURGESS,
SAME DATE OF BIRTH
387
00:17:30,910 --> 00:17:32,680
AS YOU GOT LISTED
ON YOUR NEW YORK LICENSE.
388
00:17:32,710 --> 00:17:34,880
IT’S NOT ME.
389
00:17:34,910 --> 00:17:37,540
WELL, NOTHING PERSONAL,
BUT WE GOT TO FIND OUT FOR SURE.
390
00:17:37,580 --> 00:17:38,810
OH.
391
00:17:38,850 --> 00:17:40,890
OH, HEY,
WHAT IT COULD BE ‐‐
392
00:17:40,910 --> 00:17:43,080
I WAS A VICTIM
OF AN IDENTITY THEFT.
393
00:17:43,110 --> 00:17:45,210
THIS GUY GOT HOLD OF MY NAME,
MY VITAL STATISTICS,
394
00:17:45,250 --> 00:17:47,150
AND BASICALLY RACKED UP
THOUSANDS OF DOLLARS IN MY NAME
395
00:17:47,180 --> 00:17:49,480
AND DID WHO KNOWS WHAT
KIND OF ILLEGAL ACTIVITY.
396
00:17:49,510 --> 00:17:51,710
I‐I’M STILL GETTING CALLS
BECAUSE OF HIM.
397
00:17:51,750 --> 00:17:54,090
ALL RIGHT, SO, UH,
WHAT WE GOT TO DO, THEN,
398
00:17:54,110 --> 00:17:55,480
IS TAKE YOU DOWN
TO FINGERPRINT YOU.
399
00:17:55,510 --> 00:17:57,110
NO, IT WASN’T ME.
400
00:17:57,150 --> 00:17:58,520
THIS IS STANDARD PROCEDURE.
IT’LL TAKE A FEW MINUTES
401
00:17:58,550 --> 00:18:00,920
TO PROVE IT’S NOT YOU,
THEN YOU’LL BE ON YOUR WAY.
402
00:18:03,650 --> 00:18:05,990
YOU ‐‐
YOU KNOW, I’VE BEEN
NOTHING BUT NICE TO YOU GUYS.
403
00:18:06,010 --> 00:18:07,940
I’VE BEEN NOTHING
BUT COOPERATIVE,
404
00:18:07,980 --> 00:18:10,010
AND I GET STANDARD PROCEDURE
IN RETURN.
405
00:18:10,050 --> 00:18:11,290
RELAX, DAVE.
406
00:18:11,310 --> 00:18:12,580
I AM RELAXED,
407
00:18:12,610 --> 00:18:14,280
AND I WOULD LIKE
TO GO HOME NOW
408
00:18:14,310 --> 00:18:15,380
BECAUSE I HAVE BEEN
NOTHING BUT NICE TO YOU.
409
00:18:15,410 --> 00:18:17,110
WELL, WE’RE GOING
TO HAVE TO PRINT YOU FIRST,
410
00:18:17,150 --> 00:18:19,620
AND THEN
YOU CAN GO HOME.
411
00:18:19,650 --> 00:18:20,720
COME ON.
412
00:18:27,510 --> 00:18:28,380
TAKE IT EASY.
413
00:18:28,410 --> 00:18:30,210
SIT DOWN AND PUT
YOUR HANDS ON THE TABLE!
414
00:18:30,250 --> 00:18:31,550
WE’RE GOING
TO WORK THIS OUT, DAVE.
415
00:18:31,580 --> 00:18:33,540
I WAS SO NICE TO YOU.
416
00:18:33,580 --> 00:18:35,740
YOU STILL ARE NICE.
SO AM I.
417
00:18:35,780 --> 00:18:37,380
NO, NO, NO, NO, NO.
YOU ARE NOT!
418
00:18:37,410 --> 00:18:40,280
YOU SHOULD HAVE LET ME GO.
YOU HAPPY NOW?
419
00:18:40,310 --> 00:18:41,140
EVERYTHING IS GOING
TO WORK OUT.
420
00:18:41,180 --> 00:18:42,710
SHUT UP!
421
00:18:48,510 --> 00:18:50,210
THAT WAS MEDAVOY
AND JONES.
422
00:18:50,250 --> 00:18:51,790
THE FEMALE
SHOT AT THE APARTMENT
423
00:18:51,810 --> 00:18:53,940
SAID A JAMAICAN NAMED ED
WAS THE SHOOTER.
424
00:18:53,980 --> 00:18:55,780
I’LL SEE
WHAT NARCOTICS HAS ON THAT.
425
00:18:55,810 --> 00:18:57,880
NO LUCK FINDING
THIS WOMAN’S SON.
426
00:18:57,910 --> 00:19:00,340
THE SON WHO PLANTED
THE DRUGS ON HER?
YEAH.
427
00:19:00,380 --> 00:19:03,440
WE NOTIFIED THE SECTOR CARS
TO KEEP AN EYE OUT.
428
00:19:03,480 --> 00:19:05,080
WHERE ‐‐
WHERE’S ANDY?
429
00:19:05,110 --> 00:19:07,580
HE’S SUPPOSED TO BE TAKING
THIS GUY DOWN AND GET PRINTED.
430
00:19:07,610 --> 00:19:08,640
I DON’T KNOW.
LET ME CHECK.
431
00:19:10,980 --> 00:19:13,480
AHEM.
432
00:19:13,510 --> 00:19:15,010
ANDY.
433
00:19:15,050 --> 00:19:16,690
Andy: DON’T COME
IN HERE, JOHN.
434
00:19:16,710 --> 00:19:19,110
YOU ALL RIGHT?
435
00:19:19,150 --> 00:19:20,350
Dave: DON’T YOU LISTEN?
DON’T COME IN HERE.
436
00:19:20,380 --> 00:19:23,240
WHEN I’M READY TO TALK
TO YOU GUYS, I WILL.
437
00:19:40,450 --> 00:19:41,720
WHAT THE HELL IS THIS?
438
00:19:41,750 --> 00:19:43,850
I DON’T KNOW.
439
00:19:46,450 --> 00:19:47,850
HOW’D HE GET ANDY’S GUN?
440
00:19:47,880 --> 00:19:49,880
THAT’S NOT ANDY’S GUN.
441
00:19:49,910 --> 00:19:51,380
THE GUY’S HOLDING
A SILVER AUTOMATIC.
442
00:20:15,870 --> 00:20:17,470
WHAT DO WE KNOW
ABOUT THIS GUY?
443
00:20:17,510 --> 00:20:19,250
HE’S WANTED
FOR AN ARSON IN KANSAS.
444
00:20:19,270 --> 00:20:20,740
THAT’S IT.
445
00:20:20,770 --> 00:20:22,440
HAS HE GOT FAMILY
THAT COULD TALK TO HIM?
446
00:20:22,470 --> 00:20:23,770
WE’RE LOOKING
AT ALL THAT.
447
00:20:23,810 --> 00:20:25,080
WE GOT BROOKLYN DETECTIVES
448
00:20:25,110 --> 00:20:26,480
WHO ARE GOING THROUGH
HIS APARTMENT RIGHT NOW.
449
00:20:26,510 --> 00:20:27,680
15th SQUAD.
450
00:20:27,710 --> 00:20:30,150
HOLD ON.
DETECTIVE ORTIZ?
451
00:20:30,170 --> 00:20:32,870
WE DON’T KNOW WHAT HE WANTS.
HE HASN’T ASKED FOR ANYTHING?
452
00:20:32,910 --> 00:20:35,080
THE NEGOTIATOR’S
TRYING TO FIGURE THAT OUT.
453
00:20:36,310 --> 00:20:37,310
THIS WAY.
454
00:20:37,340 --> 00:20:38,700
OKAY. THANKS.
455
00:20:38,740 --> 00:20:41,140
THE WOMAN
CARRYING THE DRUGS ‐‐
456
00:20:41,170 --> 00:20:43,700
SECTOR CAR FOUND HER SON.
THEY’RE BRINGING HIM IN.
457
00:20:43,740 --> 00:20:45,370
INTERVIEW HIM
DOWN IN 124.
458
00:20:45,410 --> 00:20:46,750
[ SIGHS ]
459
00:20:46,770 --> 00:20:49,300
CONNIE, EVERYTHING
WILL WORK OUT,
460
00:20:49,340 --> 00:20:50,600
SO GO WORK YOUR CASE
461
00:20:50,640 --> 00:20:52,140
BECAUSE THERE’S NOTHING
YOU CAN DO HERE.
462
00:20:58,840 --> 00:21:00,440
WHAT THE HELL’S
GOING ON?
463
00:21:00,470 --> 00:21:03,140
GUY WE HAD IN THE POKEY, HE’S
GOT ANDY HELD HOSTAGE IN THERE.
464
00:21:03,170 --> 00:21:04,340
Baldwin: YEAH, BUT HOW?
465
00:21:04,370 --> 00:21:05,840
THAT’S WHAT WE’RE TRYING
TO FIGURE OUT.
466
00:21:05,870 --> 00:21:07,670
GREG, WHEN YOU BROUGHT
THIS GUY IN,
467
00:21:07,710 --> 00:21:09,510
DIDN’T YOU TOSS HIM?
468
00:21:09,540 --> 00:21:12,570
I‐I COULD HAVE
SWORE I DID.
469
00:21:12,610 --> 00:21:14,310
HE’S GOT A SMALL AUTOMATIC
IN THERE.
470
00:21:14,340 --> 00:21:15,300
THAT’S NOT ANDY’S GUN.
471
00:21:15,340 --> 00:21:17,900
GOD, I‐I DON’T KNOW.
472
00:21:17,940 --> 00:21:19,500
ALL RIGHT,
I’M GOING BACK IN THERE.
473
00:21:19,540 --> 00:21:20,740
GREG, YOU STAY HERE.
474
00:21:20,770 --> 00:21:22,500
JOHN, YOU AND BALDWIN
KEEP WORKING THE CASE.
475
00:21:22,540 --> 00:21:23,940
WHILE ANDY’S
GOT A GUN TO HIS HEAD.
476
00:21:23,970 --> 00:21:25,240
WE GOT TWO DOAs,
477
00:21:25,270 --> 00:21:27,140
AND WHO KNOWS IF THIS GUY
IN THE POKEY’S INVOLVED SOMEHOW?
478
00:21:27,170 --> 00:21:28,770
EITHER YOU WORK IT
OR I’LL ASSIGN IT
479
00:21:28,810 --> 00:21:30,580
TO SOMEBODY ELSE.
WHAT’S IT GOING TO BE?
480
00:21:30,610 --> 00:21:33,210
THAT’S WHAT
IT’S GOT TO BE.
481
00:21:33,240 --> 00:21:35,170
SURVIVING VICTIM GAVE YOU
A JAMAICAN NAMED ED
482
00:21:35,210 --> 00:21:36,610
AS THE SHOOTER?
YEAH.
483
00:21:36,640 --> 00:21:38,640
GET ON IT.
484
00:21:43,210 --> 00:21:45,650
IT’S ALL RIGHT, GREG.
485
00:21:49,240 --> 00:21:50,670
I DIDN’T SET FIRE
TO THE MAN’S HOUSE.
486
00:21:50,710 --> 00:21:52,050
WAS I IN THE VICINITY?
487
00:21:52,070 --> 00:21:54,640
YEAH. YEAH, I WAS,
BUT I DID NOT SET FIRE TO IT.
488
00:21:54,670 --> 00:21:56,040
WHO DID
SET FIRE TO IT?
489
00:21:56,070 --> 00:21:57,740
DON’T YOU THINK
IF I KNEW
490
00:21:57,770 --> 00:22:00,100
I WOULD HAVE PRESENTED
THAT INFORMATION TO THE POLICE?
491
00:22:00,140 --> 00:22:01,800
YOU ‐‐ YOU THINK I LIKE
BEING ACCUSED
492
00:22:01,840 --> 00:22:02,370
OF A CRIME
I DIDN’T COMMIT?
493
00:22:02,410 --> 00:22:03,780
WHOSE HOUSE WAS IT?
494
00:22:03,810 --> 00:22:06,180
OKAY, WELL, THIS IS
WHY PEOPLE THOUGHT IT WAS ME,
495
00:22:06,210 --> 00:22:08,950
BECAUSE THE GUY
WHO OWNED THE HOUSE ‐‐
496
00:22:08,970 --> 00:22:10,040
I DIDN’T LIKE HIM.
HE WAS GARBAGE.
497
00:22:10,070 --> 00:22:11,270
HEY, YOU THERE?
498
00:22:11,310 --> 00:22:13,050
SHUT UP!
THIS MAN ‐‐
499
00:22:13,070 --> 00:22:15,140
HE STOLE AN IDEA FROM ME
THAT I PATENTED,
500
00:22:15,170 --> 00:22:17,570
AND NOW HE GOES ON
AND MAKES MONEY OFF THE PRODUCT,
501
00:22:17,610 --> 00:22:18,650
LEAVING ME WHAT?
OUT IN THE COLD?
502
00:22:18,670 --> 00:22:20,300
SORRY, CHARLIE?
UNH‐UNH. UNH‐UNH.
503
00:22:20,340 --> 00:22:21,640
WRONG GUY.
504
00:22:21,670 --> 00:22:22,940
[ Knocking ]
DAVE, TALK TO ME.
505
00:22:22,970 --> 00:22:24,740
SHUT UP! BUT THEN,
ON TOP OF ALL THIS,
506
00:22:24,770 --> 00:22:26,300
HE TURNS IT ON ME.
507
00:22:26,340 --> 00:22:28,870
HE GETS A RESTRAINING ORDER ON
ME, PAINTS ME AS THE BAD GUY.
508
00:22:28,910 --> 00:22:30,680
WAS I HAPPY
THE MAN’S HOUSE BURNED DOWN?
509
00:22:30,710 --> 00:22:32,480
HELL, YES, I WAS ‐‐
510
00:22:32,510 --> 00:22:34,310
THIS IS DETECTIVE MARTY HOWARD.
WE’RE GOING TO WORK THIS OUT.
511
00:22:34,340 --> 00:22:36,240
SHUT UP!
WHO IS THIS IDIOT?
512
00:22:36,270 --> 00:22:37,640
A HOSTAGE NEGOTIATOR.
513
00:22:37,670 --> 00:22:39,670
WELL, HE SUCKS! HE SUCKS,
AND HE’S PISSING ME OFF!
514
00:22:39,710 --> 00:22:41,750
HOWARD, THIS IS SIPOWICZ.
515
00:22:41,770 --> 00:22:44,840
BACK OFF
UNTIL YOU HEAR DIFFERENT.
516
00:22:44,870 --> 00:22:46,040
BACK OFF!
517
00:22:48,170 --> 00:22:49,940
SURVEILLANCE TEAM
WILL BE HERE AT 5:00.
518
00:22:51,410 --> 00:22:52,280
SNIPERS?
519
00:22:52,310 --> 00:22:53,610
YEAH.
520
00:22:53,640 --> 00:22:54,870
WHERE ARE THEY
GOING TO SET UP?
521
00:22:54,910 --> 00:22:55,750
RIGHT HERE.
522
00:22:55,770 --> 00:22:57,070
AS A LAST RESORT.
523
00:22:57,110 --> 00:22:58,580
ALWAYS.
524
00:22:58,610 --> 00:22:59,780
WHAT WAS YOUR INVENTION
THIS GUY STOLE?
525
00:22:59,810 --> 00:23:03,080
YOU ‐‐ YOU DON’T CARE.
526
00:23:03,110 --> 00:23:07,010
THEN WHAT ELSE ARE WE GOING
TO TALK ABOUT, DAVE?
527
00:23:07,040 --> 00:23:09,700
HOW ABOUT
IF YOU DON’T SHUT YOUR MOUTH,
528
00:23:11,170 --> 00:23:12,500
I’M GOING TO BLOW
YOUR HEAD OFF?!
529
00:23:12,540 --> 00:23:14,500
HOW ABOUT
WE TALK ABOUT THAT?!
530
00:23:21,570 --> 00:23:24,070
SIT DOWN, ERIC.
531
00:23:26,710 --> 00:23:27,980
SO WHAT’S GOING ON?
532
00:23:28,010 --> 00:23:28,980
WE FOUND THE DRUGS
ON YOUR MOM.
533
00:23:29,010 --> 00:23:30,210
WE’VE GOT HER
IN CUSTODY.
534
00:23:30,240 --> 00:23:31,540
WHAT DRUGS?
535
00:23:31,570 --> 00:23:33,240
THE COKE AND ECSTASY
YOU GIFT‐WRAPPED
536
00:23:33,270 --> 00:23:35,300
AND TOLD HER TO HAND OVER
TO YOUR FRIEND DAN
537
00:23:35,340 --> 00:23:36,640
WHEN SHE GOT BACK
TO GLEN FALLS.
538
00:23:36,670 --> 00:23:38,670
I DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
539
00:23:38,710 --> 00:23:39,950
THAT’S NOT HOW IT’S GOING
TO WORK TODAY, ERIC.
540
00:23:39,970 --> 00:23:41,440
DON’T WASTE OUR TIME
OR YOUR MOM’S,
541
00:23:41,470 --> 00:23:43,770
’CAUSE SHE’S SITTING
IN A CELL RIGHT NOW FOR YOU.
542
00:23:43,810 --> 00:23:45,810
NEVER GAVE MY MOM A GIFT
OF DRUGS OR ANYTHING.
543
00:23:45,840 --> 00:23:48,000
I SERIOUSLY DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
544
00:23:48,040 --> 00:23:49,440
SO YOUR 45‐YEAR‐OLD MOM
WITH NO RECORD
545
00:23:49,470 --> 00:23:53,240
IS LYING ABOUT YOU GIVING HER
A PACKAGE TO TAKE UPSTATE.
546
00:23:53,270 --> 00:23:56,500
I GUESS SO.
SHE’S UP IN THE SUBURBS
DEALING COKE AND ECSTASY.
547
00:23:56,540 --> 00:23:57,500
I DON’T KNOW.
548
00:23:57,540 --> 00:23:58,970
ERIC, THIS IS YOU
549
00:23:59,010 --> 00:24:00,980
HANGING YOUR MOM
OUT TO DRY.
YOU KNOW THAT, RIGHT?
550
00:24:01,010 --> 00:24:04,750
LOOK, I’M SORRY,
BUT I’M TOTALLY CONFUSED HERE.
551
00:24:04,770 --> 00:24:06,200
I DON’T KNOW
WHAT YOU’RE TALKING ABOUT.
552
00:24:07,810 --> 00:24:10,350
SO YOU TRICK YOUR MOM INTO
CARRYING YOUR DRUGS BACK HOME
553
00:24:10,370 --> 00:24:12,840
FOR YOU BECAUSE THE COPS
TOLD YOU NEVER TO COME BACK,
554
00:24:12,870 --> 00:24:15,300
’CAUSE WITH YOUR RECORD,
IF YOU GET CAUGHT WITH THEM,
555
00:24:15,340 --> 00:24:17,470
THAT’S STRAIGHT TO THE PEN,
BUT IF YOUR MOM GETS CAUGHT...
556
00:24:17,510 --> 00:24:19,380
IS THAT HOW IT IS?
557
00:24:19,410 --> 00:24:21,150
NOPE. YOU’RE WAY OFF.
558
00:24:21,170 --> 00:24:23,270
ERIC, I KNOW
YOU’VE HIT SOME HARD TIMES,
559
00:24:23,310 --> 00:24:25,280
AND YOU’VE PROBABLY DONE THINGS
YOU WISH YOU COULD DO OVER,
560
00:24:25,310 --> 00:24:26,950
BUT DON’T SELL OUT YOUR MOM.
561
00:24:26,970 --> 00:24:28,940
DON’T DO IT TO HER,
DON’T DO IT TO YOURSELF.
562
00:24:28,970 --> 00:24:31,240
I WOULD STAND UP FOR HER
IF I DID THIS,
563
00:24:31,270 --> 00:24:32,740
BUT I DIDN’T.
564
00:24:32,770 --> 00:24:35,040
MAYBE SHE’S GOT A HABIT
OR SOMETHING. I DON’T KNOW.
565
00:24:36,310 --> 00:24:37,680
CAN I GO?
566
00:24:37,710 --> 00:24:39,650
YOU’RE NOT GOING ANYWHERE.
567
00:24:43,440 --> 00:24:44,700
WHAT’S GOING ON?
568
00:24:44,740 --> 00:24:47,200
THE PERP AND DETECTIVE SIPOWICZ
ARE TALKING.
569
00:24:47,240 --> 00:24:49,300
THE PERP’S NOT DEALING
WITH THE NEGOTIATOR.
570
00:24:49,340 --> 00:24:51,040
CAN WE LOOK IN THROUGH
THE OBSERVATION ROOM YET?
571
00:24:51,070 --> 00:24:52,940
NO, ON THEIR ORDERS,
572
00:24:52,970 --> 00:24:54,670
AND WORD JUST CAME IN
FROM BELLEVUE ‐‐
573
00:24:54,710 --> 00:24:56,310
JUDY GURTIN, THE WOMAN
THAT SURVIVED THE SHOOTING
574
00:24:56,340 --> 00:25:00,700
AT THE RECORDING STUDIO,
JUST DIED.
575
00:25:00,740 --> 00:25:02,670
AIN’T NOTHING FROM NARCOTICS
ON ANY JAMAICAN NAMED ED?
576
00:25:02,710 --> 00:25:06,150
THAT WAS TARU.
577
00:25:06,170 --> 00:25:08,970
THE DOA MALE AT THE APARTMENT
GLENN GURTIN ‐‐
578
00:25:09,010 --> 00:25:11,450
THEY DUMPED HIS CELL PHONE,
AND THERE WAS A CALL OUT
579
00:25:11,470 --> 00:25:14,940
TO AN ED BRODY,
JAMAICA, QUEENS.
580
00:25:14,970 --> 00:25:16,940
RUNNING AROUND LOOKING
FOR A JAMAICAN.
581
00:25:16,970 --> 00:25:19,600
HE’S GOT A RECORD
AND A MUG SHOT YOU CAN PICK UP.
582
00:25:27,810 --> 00:25:29,710
OKAY, TONY,
WE’LL TAKE IT FROM HERE.
583
00:25:29,740 --> 00:25:30,870
OKAY.
584
00:25:33,570 --> 00:25:34,740
WHY DON’T YOU GIVE US
A LITTLE ROOM?
585
00:25:34,770 --> 00:25:36,500
I’M STAYING RIGHT HERE.
586
00:25:36,540 --> 00:25:38,540
LET US DO OUR JOB.
587
00:25:38,570 --> 00:25:40,900
IT’S MY COMMAND, MY DETECTIVE
IN THERE. I’M STAYING.
588
00:25:40,940 --> 00:25:42,540
SO JUST ACCEPT THAT
AND DON’T WASTE TIME
589
00:25:42,570 --> 00:25:44,000
TURNING THIS
INTO A PISSING MATCH.
590
00:25:44,040 --> 00:25:45,500
Dave: JUST KEEP
YOUR HANDS ON THE TABLE.
591
00:25:45,540 --> 00:25:46,740
WHAT DO YOU WANT, DAVE?
592
00:25:46,770 --> 00:25:49,300
I WANT TO BE LEFT ALONE.
593
00:25:49,340 --> 00:25:51,770
THIS IS HOW YOU GO ABOUT
WANTING TO BE LEFT ALONE?
594
00:25:51,810 --> 00:25:54,250
YOU BROUGHT ME IN HERE,
595
00:25:54,270 --> 00:25:57,300
AND I ANSWERED YOUR STUPID
QUESTIONS ABOUT BUYING POT.
596
00:25:57,340 --> 00:25:58,340
YOU COULD HAVE LET ME GO.
597
00:25:58,370 --> 00:25:59,270
DAVE, WE GOT TO TALK,
BUDDY.
598
00:25:59,310 --> 00:26:00,610
DAMN IT!
599
00:26:00,640 --> 00:26:03,370
BACK OFF! I’M NOT GOING
TO SAY IT AGAIN.
600
00:26:03,410 --> 00:26:04,810
YOU SHOULD HAVE
LET ME GO.
601
00:26:06,040 --> 00:26:07,500
YOU SHOULD HAVE
LET ME GO.
602
00:26:07,540 --> 00:26:10,140
LET’S TRY AND FOCUS
ON WHAT WE CAN DO NOW.
603
00:26:10,170 --> 00:26:14,040
YOU KNOW WHAT WOULD HAPPEN
IF THEY GOT A HOLD OF ME,
604
00:26:14,070 --> 00:26:16,670
THE THINGS THAT I’VE SEEN,
THE THINGS I KNOW?
605
00:26:16,710 --> 00:26:20,010
I COULD PULL THE RUG OUT FROM
UNDER THIS ENTIRE GOVERNMENT,
606
00:26:20,040 --> 00:26:21,140
AND THEY KNOW IT.
607
00:26:21,170 --> 00:26:22,670
SO WHAT CAN WE DO?
608
00:26:22,710 --> 00:26:24,380
YOU DON’T CARE.
609
00:26:24,410 --> 00:26:25,680
NO, I DO CARE.
610
00:26:25,710 --> 00:26:29,250
DON’T YOU LIE TO ME!
DON’T YOU LIE TO ME!
611
00:26:29,270 --> 00:26:30,970
NOW, THE ONLY REASON
THAT YOU ARE STILL ALIVE
612
00:26:31,010 --> 00:26:34,080
IS BECAUSE YOU HAVEN’T
TRIED TO LIE TO ME LIKE THAT ‐‐
613
00:26:34,110 --> 00:26:36,910
THAT ASSHOLE OUT THERE AND
PRETEND YOU’RE MY BEST FRIEND.
614
00:26:36,940 --> 00:26:38,200
DAVE...
615
00:26:38,240 --> 00:26:40,870
I WANT TO WALK OUT OF HERE,
616
00:26:40,910 --> 00:26:44,080
SO I’M NOT LYING
WHEN I SAY I CARE.
617
00:26:44,110 --> 00:26:46,980
DO I CARE BECAUSE
I FEEL LIKE YOU’RE MY BROTHER?
618
00:26:47,010 --> 00:26:50,980
NO. I CARE BECAUSE
WE’RE IN THIS TOGETHER NOW,
619
00:26:51,010 --> 00:26:54,950
AND I WANT TO SEE IT WORK OUT
FOR THE BOTH OF US.
620
00:26:54,970 --> 00:26:56,800
WHAT IS TO WORK OUT?
621
00:26:56,840 --> 00:26:59,670
I AM A DEAD MAN
NO MATTER WHAT.
622
00:27:06,140 --> 00:27:07,700
THIS GUY
WHO’S HOLDING ANDY HOSTAGE ‐‐
623
00:27:07,740 --> 00:27:10,370
BROOKLYN DETECTIVES
WENT THROUGH HIS APARTMENT
624
00:27:10,410 --> 00:27:11,980
AND FOUND
A STOCKPILE OF GUNS
625
00:27:12,010 --> 00:27:13,810
AND STACKS OF JOURNALS
SPOUTING ALL SORTS OF NONSENSE.
626
00:27:13,840 --> 00:27:15,940
PLUS, WORD’S COMING BACK NOW
627
00:27:15,970 --> 00:27:19,100
THAT HE DID TIME
IN A MENTAL HOSPITAL.
628
00:27:19,140 --> 00:27:20,570
IT’LL WORK OUT.
629
00:27:20,610 --> 00:27:22,180
YEAH, WE SHOULD BE
BACK THERE FOR ANDY.
630
00:27:22,210 --> 00:27:23,280
THERE’S NOTHING WE CAN DO
BACK AT THE SQUAD
631
00:27:23,310 --> 00:27:24,910
EXCEPT GET WORKED UP.
632
00:27:24,940 --> 00:27:26,240
WHAT WAS MEDAVOY THINKING
WHEN HE GRABBED THIS GUY UP,
633
00:27:26,270 --> 00:27:27,200
OR WAS HE?
634
00:27:27,240 --> 00:27:28,400
HEY, YOU KNOW WHAT GREG NEEDS
RIGHT NOW?
635
00:27:28,440 --> 00:27:29,570
SUPPORT FROM THE REST OF US.
636
00:27:29,610 --> 00:27:31,610
HE MADE A MISTAKE,
637
00:27:31,640 --> 00:27:33,870
BUT DON’T THINK
THIS ISN’T TEARING HIM UP.
638
00:27:33,910 --> 00:27:37,350
AW, COME ON.
IT’S ON NY1 NOW.
639
00:27:37,370 --> 00:27:38,840
WHAT, DID THEY
GIVE ANDY’S NAME?
640
00:27:38,870 --> 00:27:41,040
NO, JUST THAT THERE’S
A HOSTAGE SITUATION
641
00:27:41,070 --> 00:27:42,100
INVOLVING A DETECTIVE.
642
00:27:42,140 --> 00:27:43,940
SHOULD WE DO SOMETHING
ABOUT THEO?
643
00:27:43,970 --> 00:27:45,040
I DON’T KNOW.
644
00:27:48,740 --> 00:27:50,140
HERE’S OUR GUY.
645
00:28:20,470 --> 00:28:21,440
MY ARM!
646
00:28:21,470 --> 00:28:23,140
SHUT UP!
647
00:28:31,640 --> 00:28:32,800
WE’LL DO A DOUBLE TAP.
648
00:28:32,840 --> 00:28:35,300
FIRST SHOOTER
TAKES OUT THE WINDOW,
649
00:28:35,340 --> 00:28:37,340
SECOND HITS THE TARGET.
WE’RE AN INCH FROM THE GLASS.
650
00:28:37,370 --> 00:28:38,540
WHAT IF IT DOESN’T
SHATTER?
651
00:28:38,570 --> 00:28:40,040
WE’LL HIT THE TARGET.
652
00:28:40,070 --> 00:28:41,700
WHAT IF THIS GUY FLINCHES
AND PULLS THE TRIGGER?
653
00:28:41,740 --> 00:28:44,270
THIS GUY WON’T TALK
TO OUR NEGOTIATOR.
654
00:28:44,310 --> 00:28:45,780
HE’S OBVIOUSLY DERANGED.
655
00:28:45,810 --> 00:28:47,480
HE’S NOT EVEN TALKING
TO YOUR GUY ANYMORE.
656
00:28:47,510 --> 00:28:48,950
I DON’T LIKE IT.
657
00:28:48,970 --> 00:28:50,040
I HAVE CLEARANCE
TO GO TACTICAL.
658
00:28:50,070 --> 00:28:53,000
IF I HAVE THE SHOT,
I’M TAKING IT.
659
00:28:53,040 --> 00:28:54,540
I’VE LET YOU STAY IN HERE
AS A COURTESY,
660
00:28:54,570 --> 00:28:56,770
BUT MAYBE YOU SHOULD THINK
ABOUT LEAVING NOW.
661
00:28:56,810 --> 00:28:59,580
CLEAR THE HALLWAY
IN CASE OF RICOCHET.
662
00:28:59,610 --> 00:29:02,080
I DON’T LIKE IT.
663
00:29:02,110 --> 00:29:03,180
WE’RE CLEAR ON THAT.
664
00:29:06,070 --> 00:29:08,070
Andy: COME ON, DAVE,
WHAT’S GOING ON?
665
00:29:10,510 --> 00:29:13,150
WHAT ARE WE GOING
TO DO, DAVE?
666
00:29:13,170 --> 00:29:16,040
PRESIDENT JIMMY CARTER
667
00:29:16,070 --> 00:29:19,600
WAS READY
TO DECRIMINALIZE POT.
668
00:29:19,640 --> 00:29:21,500
NOT LEGALIZE, WHICH IS
WHAT EVERYBODY TRIPS ON.
669
00:29:21,540 --> 00:29:22,870
DECRIMINALIZE.
670
00:29:22,910 --> 00:29:25,580
AND THEN HIS DRUG CZAR
CONVINCES HIM
671
00:29:25,610 --> 00:29:28,210
THAT IT’S A HARD DRUG ‐‐
A GATEWAY DRUG.
672
00:29:28,240 --> 00:29:30,200
WE GOT TO START
FIGURING THIS OUT, DAVE.
673
00:29:30,240 --> 00:29:32,940
DO YOU REALIZE
THE BENEFITS IF THEY DID?
674
00:29:32,970 --> 00:29:34,970
THE REDUCED
DRUG‐RELATED CRIME,
675
00:29:35,010 --> 00:29:37,380
THE REDUCED OVERCROWDING
OF THE PRISON SYSTEM,
676
00:29:37,410 --> 00:29:38,710
THE ENTANGLEMENT
OF THE COURTS.
677
00:29:38,740 --> 00:29:40,570
AND IF YOU LOOK
AT THE EFFECT
678
00:29:40,610 --> 00:29:43,150
ON INDIVIDUAL
CANNABIS POSENDERS ‐‐
679
00:29:43,170 --> 00:29:45,200
INDIVIDUAL...
680
00:29:45,240 --> 00:29:46,670
CANNABIS...
681
00:29:46,710 --> 00:29:49,480
POSSESSION OFFENDERS...
682
00:29:49,510 --> 00:29:52,250
WHAT IS GOING ON
OUT THERE?
683
00:29:52,270 --> 00:29:53,070
DAMN.
684
00:29:54,870 --> 00:29:56,800
WELL, TO HELL WITH IT, THEN.
TO HELL WITH IT.
685
00:29:56,840 --> 00:29:58,640
YOU SHOULD HAVE
JUST LET ME GO.
686
00:29:58,670 --> 00:30:02,370
LET ME GET YOU
SOME POT, DAVE, HUH?
687
00:30:02,410 --> 00:30:03,750
WOULD YOU LIKE THAT?
688
00:30:03,770 --> 00:30:05,970
YOU COULD HAVE A JOINT.
689
00:30:06,010 --> 00:30:08,480
YOU CAN DO THAT?
690
00:30:08,510 --> 00:30:11,150
IF I TELL YOU I CAN DO IT,
I CAN DO IT.
691
00:30:11,170 --> 00:30:13,570
SMOKE A JOINT, RELAX.
692
00:30:13,610 --> 00:30:15,010
WE’LL FIGURE IT OUT
FROM THERE.
693
00:30:15,040 --> 00:30:16,640
NO HURRY.
694
00:30:18,970 --> 00:30:20,900
A‐ALL RIGHT.
695
00:30:20,940 --> 00:30:22,170
OKAY.
696
00:30:22,210 --> 00:30:26,450
NOW JUST TAKE YOUR FINGERS
OFF THOSE TRIGGERS FOR ME, OKAY?
697
00:30:31,840 --> 00:30:36,040
GET LIEUTENANT RODRIGUEZ.
I NEED A COUPLE JOINTS.
698
00:30:36,070 --> 00:30:37,400
THIS GUY’S
JUST JERKING US OFF.
699
00:30:37,440 --> 00:30:38,440
HE’S TALKING.
700
00:30:38,470 --> 00:30:39,900
I’M GOING DOWN
TO THE PROPERTY ROOM
701
00:30:39,940 --> 00:30:41,100
AND GETTING SOME POT.
HOLD OFF.
702
00:30:41,140 --> 00:30:42,200
YOU GOT 15 MINUTES.
703
00:30:42,240 --> 00:30:43,870
WHY?
704
00:30:43,910 --> 00:30:45,710
WHERE IS ANYBODY GOING HERE?
JUST HOLD OFF.
705
00:30:45,740 --> 00:30:47,940
Dave: THEY’RE NOT
DOING ANYTHING. WHAT’S GOING ON?
706
00:30:47,970 --> 00:30:49,370
GET RODRIGUEZ.
707
00:30:49,410 --> 00:30:51,050
I’M RIGHT HERE, ANDY.
708
00:30:51,070 --> 00:30:54,340
MY MAN DAVE HERE NEEDS
A COUPLE OF JOINTS.
709
00:30:54,370 --> 00:30:56,670
NO RAGWEED
AND ‐‐ AND NOTHING LACED.
710
00:30:56,710 --> 00:30:58,850
NO RAGWEED,
NOTHING LACED.
711
00:30:58,870 --> 00:31:00,940
GOT IT.
I’LL SLIDE THEM UNDER THE DOOR.
712
00:31:00,970 --> 00:31:02,970
HUH?
713
00:31:05,570 --> 00:31:07,570
THOMAS JEFFERSON
SMOKED POT.
714
00:31:07,610 --> 00:31:11,010
I DIDN’T KNOW THAT.
715
00:31:11,040 --> 00:31:13,470
I WANT TO KNOW
WHAT I’M BEING HELD ON.
716
00:31:13,510 --> 00:31:14,550
ERIC?
717
00:31:19,110 --> 00:31:20,110
GET IN.
718
00:31:20,140 --> 00:31:22,240
WHAT’S UP?
WHAT AM I DOING HERE?
719
00:31:22,270 --> 00:31:24,170
GET YOUR ASS IN THERE.
720
00:31:26,640 --> 00:31:28,940
WHO’S GOING TO JAIL?
721
00:31:28,970 --> 00:31:32,070
ERIC’S SAYING HE NEVER GAVE YOU
THE PACKAGE, MS. CLIFTON.
722
00:31:32,110 --> 00:31:33,610
ERIC.
723
00:31:33,640 --> 00:31:36,370
SWEETHEART,
WHAT’S GOING ON?
724
00:31:36,410 --> 00:31:37,810
I CAN’T GO BACK
TO JAIL, MOM.
725
00:31:37,840 --> 00:31:39,540
THIS TIME
WOULD BE FOREVER.
726
00:31:39,570 --> 00:31:41,000
BUT THEY’RE GOING
TO SEND ME TO JAIL.
727
00:31:41,040 --> 00:31:42,200
NO, THEY WON’T.
728
00:31:42,240 --> 00:31:43,300
OH, YES, THEY WILL.
729
00:31:43,340 --> 00:31:45,070
FELONY WEIGHT.
AUTOMATIC JAIL TIME.
730
00:31:45,110 --> 00:31:46,450
ERIC?
731
00:31:53,640 --> 00:31:55,800
SWEETHEART, PLEASE
DON’T DO THIS TO ME.
732
00:31:55,840 --> 00:31:58,870
I CAN’T GO BACK
TO JAIL, MOM.
733
00:31:58,910 --> 00:32:01,110
YOU’RE AS BIG A SCUMBAG
734
00:32:01,140 --> 00:32:02,870
AS I’VE EVER DEALT WITH
IN MY LIFE.
735
00:32:02,910 --> 00:32:05,810
LET’S GO, THEN.
WE GOT TO PROCESS YOUR MOM.
736
00:32:08,310 --> 00:32:09,980
I LOVE YOU, SON.
737
00:32:11,770 --> 00:32:12,870
I DO.
738
00:32:14,470 --> 00:32:18,240
NO MATTER WHAT,
I LOVE YOU.
739
00:32:18,270 --> 00:32:20,470
I DO.
740
00:32:20,510 --> 00:32:22,650
[ SOBBING ]
741
00:32:22,670 --> 00:32:24,870
[ Sobbing ]
I LOVE YOU, TOO, MOM.
742
00:32:24,910 --> 00:32:26,480
I KNOW.
743
00:32:26,510 --> 00:32:28,180
I’M SO SORRY.
744
00:32:31,470 --> 00:32:32,600
ALL RIGHT.
745
00:32:32,640 --> 00:32:34,270
IT’S MINE, OKAY?
746
00:32:34,310 --> 00:32:35,880
NO. NO.
747
00:32:43,070 --> 00:32:44,440
YOU KNOW A GLENN
AND JUDY GURTIN, ED?
748
00:32:44,470 --> 00:32:45,500
I KNOW GLENN.
749
00:32:45,540 --> 00:32:46,670
HOW DO YOU KNOW HIM?
750
00:32:46,710 --> 00:32:47,910
MUTUAL FRIENDS.
751
00:32:47,940 --> 00:32:49,700
YEAH? WHEN’D
YOU SEE HIM LAST?
752
00:32:49,740 --> 00:32:51,600
IT’S BEEN A WHILE.
COULDN’T EVEN TELL YOU.
753
00:32:51,640 --> 00:32:53,370
HAVE YOU DONE
A LOT OF TIME, ED?
754
00:32:53,410 --> 00:32:55,710
YEAH, I’VE MADE
SOME MISTAKES.
755
00:32:55,740 --> 00:32:58,300
YEAH, ALL VIOLENT CRIMES.
756
00:32:58,340 --> 00:33:00,540
JUDY AND GLENN WERE STAYING
AT THEIR FRIEND’S APARTMENT ‐‐
757
00:33:00,570 --> 00:33:03,170
THIS WOMAN NAMED SHERI LENT.
758
00:33:03,210 --> 00:33:04,410
OKAY.
759
00:33:04,440 --> 00:33:05,770
OH, SHERI GOT ROBBED
THIS MORNING,
760
00:33:05,810 --> 00:33:08,050
AND WHOEVER DID IT
SHOT ALL THREE OF THEM.
761
00:33:08,070 --> 00:33:10,200
THAT’S MESSED UP.
I DIDN’T KNOW THAT.
762
00:33:10,240 --> 00:33:11,700
WHY’D YOU RUN WHEN WE WALKED UP
ON YOU, ED?
763
00:33:11,740 --> 00:33:15,040
I HAD SOME BAD DEALINGS
WITH COPS. THAT’S ALL.
764
00:33:15,070 --> 00:33:16,940
HEY, I DIDN’T
DO NO SHOOTINGS.
765
00:33:16,970 --> 00:33:18,570
I’VE BEEN
KEEPING IT CLEAN, BOSS.
766
00:33:18,610 --> 00:33:19,850
WHEN JUDY GOT SHOT,
767
00:33:19,870 --> 00:33:21,500
THE BULLET WENT
IN BACK OF HER HEAD,
768
00:33:21,540 --> 00:33:22,700
ROLLED HER SKULL AROUND,
AND CAME OUT.
769
00:33:22,740 --> 00:33:24,240
YEAH?
YEAH.
770
00:33:24,270 --> 00:33:26,440
YOU WANT TO KNOW THE FIRST THING
SHE WAS ABLE TO SAY?
771
00:33:26,470 --> 00:33:28,000
"ED FROM JAMAICA."
772
00:33:28,040 --> 00:33:30,040
WELL, THERE’S A LOT
OF EDS OUT IN JAMAICA.
773
00:33:30,070 --> 00:33:34,070
HOW MANY DO YOU THINK SHOWED UP
ON GLENN’S CELL PHONE RECORDS?
774
00:33:34,110 --> 00:33:35,310
ALL RIGHT.
775
00:33:35,340 --> 00:33:37,770
I GOT A CALL FROM GLENN
A COUPLE OF DAYS AGO.
776
00:33:37,810 --> 00:33:39,650
THE WOMAN HIM AND JUDY
WERE STAYING WITH’S
777
00:33:39,670 --> 00:33:40,740
A BIG POT DEALER,
778
00:33:40,770 --> 00:33:42,600
AND HE WANTED ME
TO HOOK HIM UP
779
00:33:42,640 --> 00:33:43,970
WITH SOMEONE
WHO COULD PULL A ROBBERY.
780
00:33:44,010 --> 00:33:45,680
I TOLD HIM
I WAS OUT OF THAT GAME.
781
00:33:45,710 --> 00:33:47,380
END OF CONVERSATION.
782
00:33:47,410 --> 00:33:48,750
IF WE WALK
OUT OF THIS ROOM
783
00:33:48,770 --> 00:33:49,970
WITHOUT YOU TELLING US
WHAT HAPPENED,
784
00:33:50,010 --> 00:33:51,110
THERE WON’T BE
ANY DEAL, ED.
785
00:33:51,140 --> 00:33:52,670
I DON’T KNOW
ANYTHING ABOUT THIS.
786
00:33:52,710 --> 00:33:54,250
ALL RIGHT.
LET’S TAKE A RIDE.
787
00:33:54,270 --> 00:33:55,600
WHERE?
BELLEVUE.
788
00:33:55,640 --> 00:33:57,200
WHAT’S UP? WHY?
789
00:33:57,240 --> 00:33:58,200
JUDY LIVED.
790
00:33:58,240 --> 00:33:59,940
GREAT.
791
00:33:59,970 --> 00:34:01,670
YEAH, WE’RE GOING TO STAND YOU
IN A LINEUP, ED. LET’S GO.
792
00:34:01,710 --> 00:34:03,110
COME ON, LET’S GO.
793
00:34:03,140 --> 00:34:05,440
WHAT KIND OF DEAL
ARE WE TALKING ABOUT?
794
00:34:05,470 --> 00:34:06,940
YOU WON’T GET THE NEEDLE.
795
00:34:06,970 --> 00:34:08,300
I MEAN, YOU SPENT HALF
YOUR LIFE IN THE JOINT.
796
00:34:08,340 --> 00:34:09,940
IT’S NOT LIKE
YOU CAN’T DO THE TIME.
797
00:34:09,970 --> 00:34:11,340
GLENN SET IT UP?
798
00:34:11,370 --> 00:34:12,870
I TIE HIM AND JUDY UP,
799
00:34:12,910 --> 00:34:15,210
I TAKE THE BLOND BITCH
BACK INTO THE ROOM
800
00:34:15,240 --> 00:34:16,240
TO GET THE DOPE.
801
00:34:16,270 --> 00:34:17,470
SHE PULLS OUT A GUN
802
00:34:17,510 --> 00:34:18,910
SHE’S GOT HIDDEN
UNDER THIS CONSOLE,
803
00:34:18,940 --> 00:34:21,140
SO I TAKE HER OUT.
I HAD NO CHOICE.
804
00:34:21,170 --> 00:34:23,970
YEAH, WELL,
YOU’LL WANT TO PLAY THAT UP.
805
00:34:27,670 --> 00:34:29,900
WHAT ARE WE GOING
TO DO, DAVE?
806
00:34:31,540 --> 00:34:32,870
THEY WANT ME DEAD.
807
00:34:32,910 --> 00:34:34,410
THEN DON’T PUT YOURSELF
808
00:34:34,440 --> 00:34:36,570
IN A POSITION
FOR THEM TO KILL YOU.
809
00:34:36,610 --> 00:34:37,510
YOU DON’T KNOW
810
00:34:37,540 --> 00:34:39,200
WHAT THE GOVERNMENT
IS CAPABLE OF.
811
00:34:39,240 --> 00:34:42,040
SURE I DO.
812
00:34:42,070 --> 00:34:43,200
I WAS IN VIETNAM.
813
00:34:43,240 --> 00:34:45,300
I’M NOT A FAN
OF THE GOVERNMENT EITHER.
814
00:34:45,340 --> 00:34:48,340
YOU WERE IN VIETNAM?
815
00:34:48,370 --> 00:34:50,970
YEAH.
816
00:34:52,540 --> 00:34:54,370
WHAT DO YOU WANT, DAVE?
817
00:34:54,410 --> 00:34:56,550
I WANT PEOPLE TO KNOW
818
00:34:56,570 --> 00:34:58,940
WHAT THE GOVERNMENT
HAS TRIED TO DO TO ME.
819
00:34:58,970 --> 00:35:00,370
THEN LET’S
GET THE WORD OUT.
820
00:35:00,410 --> 00:35:02,080
HOW?
821
00:35:02,110 --> 00:35:04,710
I’M AN INVESTIGATOR.
I KNOW PEOPLE IN THE PRESS.
822
00:35:04,740 --> 00:35:09,070
THAT WON’T DO ANY GOOD.
823
00:35:09,110 --> 00:35:10,750
SO THEN YOU’RE NOT
REALLY SERIOUS
824
00:35:10,770 --> 00:35:13,070
ABOUT PEOPLE KNOWING WHAT
THE GOVERNMENT DID TO YOU.
825
00:35:13,110 --> 00:35:15,880
I AM SERIOUS.
826
00:35:15,910 --> 00:35:20,580
THEN LET’S DO IT.
ME AND YOU.
827
00:35:20,610 --> 00:35:22,910
I HAVE IT ALL WRITTEN DOWN
828
00:35:22,940 --> 00:35:25,470
IN MY JOURNALS
BACK AT MY APARTMENT.
829
00:35:25,510 --> 00:35:26,850
DO IT HERE.
830
00:35:26,870 --> 00:35:29,270
WE’VE GOT TO GET
THE WORD OUT NOW.
831
00:35:29,310 --> 00:35:31,150
DON’T LIE TO ME.
832
00:35:31,170 --> 00:35:32,300
I’M NOT.
833
00:35:32,340 --> 00:35:33,670
WRITE IT DOWN,
834
00:35:33,710 --> 00:35:35,550
I’LL GET IT OUT
TO MY CONTACTS IN THE PRESS.
835
00:35:36,910 --> 00:35:40,750
THERE’S A PAD
AND A PEN RIGHT HERE.
836
00:35:40,770 --> 00:35:42,870
JUST GET IT DOWN.
837
00:35:50,810 --> 00:35:53,550
I DON’T KNOW
WHERE TO START.
838
00:35:53,570 --> 00:35:56,170
THE INVENTION
THEY STOLE FROM YOU.
839
00:36:29,710 --> 00:36:33,480
DAVE, DON’T MOVE.
840
00:36:33,510 --> 00:36:35,680
JUST TRUST ME
FOR ONE SECOND
841
00:36:35,710 --> 00:36:37,280
AND DON’T MOVE.
842
00:36:37,310 --> 00:36:39,250
IF YOU MOVE ONE INCH,
843
00:36:39,270 --> 00:36:42,700
I KNOW THAT THERE’S PEOPLE
BEHIND THAT GLASS RIGHT NOW
844
00:36:42,740 --> 00:36:46,140
WITH GUNS,
AND THEY’LL SHOOT YOU DEAD.
845
00:36:46,170 --> 00:36:48,040
JUST DON’T MOVE, OKAY?
846
00:36:48,070 --> 00:36:50,170
BECAUSE YOU DON’T WANT
TO GO OUT LIKE THIS.
847
00:36:50,210 --> 00:36:52,150
I DON’T WANT YOU
TO GO OUT LIKE THIS.
848
00:36:52,170 --> 00:36:55,300
IF YOU DIE, NO ONE
WILL EVER HEAR YOUR STORY,
849
00:36:55,340 --> 00:36:57,040
SO REAL SLOW,
850
00:36:57,070 --> 00:36:59,970
I WANT YOU TO MOVE YOUR HAND
AWAY FROM THE GUN.
851
00:37:00,010 --> 00:37:03,150
NO ONE’S
GOING TO CARE ANYWAY.
852
00:37:03,170 --> 00:37:04,540
I’LL CARE.
853
00:37:04,570 --> 00:37:06,600
I WANT TO FIND OUT
WHAT HAPPENED TO YOU.
854
00:37:06,640 --> 00:37:07,700
DON’T LIE TO ME.
855
00:37:07,740 --> 00:37:09,540
I’M NOT LYING.
856
00:37:09,570 --> 00:37:11,340
REAL SLOW.
857
00:37:11,370 --> 00:37:15,100
MOVE YOUR HAND
AWAY FROM THE GUN.
858
00:37:15,140 --> 00:37:16,340
COME ON.
859
00:37:16,370 --> 00:37:18,540
COME ON.
860
00:37:18,570 --> 00:37:21,370
YOU PROMISE YOU’LL LOOK INTO
WHAT THE GOVERNMENT DID TO ME?
861
00:37:21,410 --> 00:37:22,810
I WILL.
862
00:37:39,470 --> 00:37:40,770
THERE YOU GO.
863
00:37:43,010 --> 00:37:44,210
NOW, REAL SLOW,
864
00:37:44,240 --> 00:37:47,340
I WANT YOU
TO PUT YOUR HANDS ON THE TABLE
865
00:37:47,370 --> 00:37:48,840
LIKE I DID.
866
00:37:48,870 --> 00:37:52,040
OKAY.
867
00:37:52,070 --> 00:37:53,600
GOOD.
868
00:37:53,640 --> 00:37:56,500
NOW, I’M GOING
TO COME AROUND...
869
00:37:58,240 --> 00:38:01,300
AND I’M GOING
TO TAKE THE OTHER GUN.
870
00:38:01,340 --> 00:38:02,770
[ SCREAMING ]
871
00:38:02,810 --> 00:38:04,880
NO, NO! WE’RE ALL RIGHT!
872
00:38:04,910 --> 00:38:06,710
WE’RE ALL RIGHT!
WE’RE ALL RIGHT!
873
00:38:06,740 --> 00:38:09,540
YOU’RE ALL RIGHT.
IT’S ALL RIGHT. RELAX.
874
00:38:09,570 --> 00:38:13,470
IT’S ALL RIGHT.
875
00:38:13,510 --> 00:38:15,180
NOW STAND UP FOR ME.
876
00:38:15,210 --> 00:38:17,050
YOU PROMISED.
877
00:38:17,070 --> 00:38:18,800
[ HANDCUFFS CLICK ]
878
00:38:18,840 --> 00:38:20,040
I KNOW.
879
00:38:20,070 --> 00:38:20,870
I PROMISED,
880
00:38:20,910 --> 00:38:23,450
AND I’LL SEE YOU SOON.
881
00:38:23,470 --> 00:38:27,370
I’M GOING TO HAND YOU OFF
TO LIEUTENANT RODRIGUEZ NOW.
882
00:38:27,410 --> 00:38:28,510
IT’S GOING TO BE ALL RIGHT.
883
00:38:32,310 --> 00:38:33,710
COME ON.
884
00:38:52,740 --> 00:38:53,800
LET’S GET HIM INSIDE.
885
00:38:56,310 --> 00:38:57,480
SORRY, ANDY.
886
00:38:57,510 --> 00:38:58,980
IT’S ALL RIGHT.
887
00:38:59,010 --> 00:39:00,610
SORRY.
888
00:39:11,940 --> 00:39:13,800
MEDAVOY, YOU GOT
YOUR DAUGHTER
889
00:39:13,840 --> 00:39:16,700
OUTSIDE THE PRECINCT
ASKING FOR YOU.
890
00:39:20,040 --> 00:39:22,770
I’LL GO GET THEO,
GET HIM HOME.
891
00:39:22,810 --> 00:39:24,080
OKAY.
892
00:39:43,570 --> 00:39:45,570
WHAT’S GOING ON?
893
00:39:45,610 --> 00:39:46,950
UH, JUST, UH,
894
00:39:46,970 --> 00:39:49,070
A LITTLE PROBLEM
WITH A SUSPECT.
895
00:39:49,110 --> 00:39:50,580
THEY SAID ON THE NEWS
A DETECTIVE WAS HELD HOSTAGE.
896
00:39:50,610 --> 00:39:51,950
I DIDN’T KNOW.
897
00:39:51,970 --> 00:39:53,470
YEAH, IT WORKED OUT.
EVERYTHING’S OKAY.
898
00:39:53,510 --> 00:39:54,910
WELL, THANK GOD.
899
00:39:54,940 --> 00:39:56,070
YEAH.
900
00:39:56,110 --> 00:39:59,250
DAD, I’VE BEEN THINKING
ABOUT WHAT YOU SAID,
901
00:39:59,270 --> 00:40:00,500
AND THANK YOU.
902
00:40:00,540 --> 00:40:02,400
IT WAS SO SWEET OF YOU
TO DO THAT,
903
00:40:02,440 --> 00:40:03,940
BUT I WANT YOU THERE.
904
00:40:03,970 --> 00:40:07,400
I MEAN,
WHO’D WALK ME DOWN THE AISLE?
905
00:40:07,440 --> 00:40:09,270
YEAH, YEAH.
906
00:40:09,310 --> 00:40:10,950
I WAS THINKING
ABOUT THAT, TOO.
907
00:40:10,970 --> 00:40:13,370
SO I TOLD MOM SHE’S GOING
TO HAVE TO DEAL WITH IT
908
00:40:13,410 --> 00:40:15,450
OR KEVIN AND I WILL ELOPE,
909
00:40:15,470 --> 00:40:17,340
WHICH SHE’LL NEVER GO FOR.
910
00:40:17,370 --> 00:40:19,440
OKAY.
911
00:40:19,470 --> 00:40:22,940
I’M SORRY THAT I EVEN PUT YOU
IN THAT POSITION, I REALLY AM.
912
00:40:22,970 --> 00:40:24,640
HEY, NO PROBLEM.
913
00:40:24,670 --> 00:40:26,540
ARE YOU ALL RIGHT?
914
00:40:26,570 --> 00:40:28,270
YEAH, I’M FINE.
915
00:40:28,310 --> 00:40:30,150
JUST A HECTIC DAY.
916
00:40:30,170 --> 00:40:32,140
YEAH, I CAN IMAGINE.
917
00:40:32,170 --> 00:40:34,040
WELL, I’LL SEE YOU TOMORROW
FOR DINNER.
918
00:40:34,070 --> 00:40:36,000
I CAN’T WAIT
FOR YOU TO MEET KEVIN.
919
00:40:36,040 --> 00:40:37,600
YEAH.
920
00:40:37,640 --> 00:40:39,340
I’LL SEE YOU TOMORROW.
921
00:40:39,370 --> 00:40:41,040
OKAY.
922
00:40:45,340 --> 00:40:47,500
BYE.
923
00:41:04,010 --> 00:41:05,450
DADDY!
924
00:41:08,540 --> 00:41:10,540
WHOA, WHOA, WHOA.
HEY, SQUIRT.
925
00:41:12,170 --> 00:41:13,470
WHERE HAVE YOU BEEN?
926
00:41:13,510 --> 00:41:15,350
I HAD TO WORK LATE
AT THE OFFICE.
927
00:41:15,370 --> 00:41:17,070
I DON’T LIKE THAT.
928
00:41:17,110 --> 00:41:18,750
NEITHER DO I.
929
00:41:18,770 --> 00:41:20,900
THEO, GO GET READY
FOR BED, OKAY?
930
00:41:20,940 --> 00:41:22,600
OKAY.
931
00:42:01,370 --> 00:42:03,500
CAN YOU STAY A WHILE?
932
00:42:06,710 --> 00:42:08,680
I’LL STAY
AS LONG AS YOU NEED.
67392
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