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1
00:00:01,700 --> 00:00:02,570
Andy:
PREVIOUSLY ON NYPD BLUE‐‐
2
00:00:02,600 --> 00:00:04,800
DETECTIVES,
THIS IS DAVID MOORE.
DAVE.
3
00:00:04,840 --> 00:00:07,040
HE’LL BE FILLING IN
WHILE I’M ON SAFARI.
4
00:00:07,070 --> 00:00:08,840
HOW DO YOU SAY
YOUR NAME AGAIN?
5
00:00:08,870 --> 00:00:10,340
I MISCARRIED YESTERDAY.
6
00:00:10,370 --> 00:00:12,700
ARE YOU ALL RIGHT?
DID YOU SEE THE DOCTOR?
7
00:00:12,740 --> 00:00:15,170
I’M FINE.
8
00:00:15,200 --> 00:00:18,140
[ Crying ]
BUT THE BABY...
9
00:00:18,170 --> 00:00:21,140
I GOT A MESSAGE FROM DON.
BEFORE I CALL BACK, IS THERE
ANYTHING I NEED TO KNOW?
10
00:00:21,170 --> 00:00:22,570
I’M FILING FOR DIVORCE.
11
00:00:22,600 --> 00:00:24,740
IT’S AMICABLE?
SO FAR.
12
00:00:24,770 --> 00:00:26,370
I CAN’T STOP THINKING
ABOUT YOU,
13
00:00:26,400 --> 00:00:28,940
AND I’M JUST ASKING
FOR A SECOND CHANCE.
14
00:00:28,970 --> 00:00:30,440
NO!
I LOVE YOU.
15
00:00:30,470 --> 00:00:32,600
IT’S OVER.
YOU NEED TO ACCEPT THAT.
16
00:00:32,640 --> 00:00:34,800
YOU’VE BEEN ACTING
COMPLETELY WEIRD TODAY.
17
00:00:34,840 --> 00:00:36,170
STOP IT.
18
00:00:36,200 --> 00:00:38,340
IS IT ABOUT ME KISSING YOU
LAST NIGHT?
19
00:00:38,370 --> 00:00:40,500
[ SCOFFS ] NO.
YOU KNOW, WHY WOULD I ‐‐
20
00:00:40,540 --> 00:00:42,400
YEAH.
21
00:00:42,440 --> 00:00:45,800
ANDY, I LOVE YOU
AND THEO DEARLY.
22
00:00:45,840 --> 00:00:47,270
I REALLY DO.
23
00:00:47,300 --> 00:00:50,170
SO, SPENDING ALL THIS TIME
TOGETHER ‐‐
24
00:00:50,200 --> 00:00:52,540
IT’S ABOUT SPENDING TIME
WITH THEO?
25
00:00:52,570 --> 00:00:55,470
IF THIS IS A PROBLEM FOR YOU,
THEN OKAY.
26
00:00:55,500 --> 00:00:59,040
I DON’T WANT TO COMPLICATE
YOUR LIFE.
27
00:01:15,000 --> 00:01:16,970
OKAY, SO, YOU SHOW UP,
28
00:01:17,000 --> 00:01:18,570
AND THERE’S A DEAD WOMAN
ON THE FLOOR
29
00:01:18,600 --> 00:01:20,540
WHO IS SUBSEQUENTLY IDENTIFIED
TO YOU AS A SUPERMODEL.
30
00:01:20,570 --> 00:01:22,540
SHE’S NAKED. SHE’S BEEN
RAPED AND STRANGLED.
31
00:01:22,570 --> 00:01:25,000
BRANDED INTO HER FOREHEAD
IS THE LETTER "B."
32
00:01:25,040 --> 00:01:27,300
NOW, A WEEK EARLIER,
YOU HAD ANOTHER DEAD SUPERMODEL
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00:01:27,340 --> 00:01:29,400
WITH THE LETTER "L" BURNED
INTO HER FOREHEAD.
34
00:01:29,440 --> 00:01:31,970
WHAT DO YOU DO?
WHO DO YOU CALL?
35
00:01:32,000 --> 00:01:34,100
TASK FORCE
WOULD TAKE THAT OVER.
36
00:01:34,140 --> 00:01:36,740
GOOD, ’CAUSE GUESS WHAT?
IT WAS YOUR SISTER WHO WAS
THE FIRST DEAD SUPERMODEL,
37
00:01:36,770 --> 00:01:38,840
SO YOU’RE NOT GONNA LET
ANYBODY TAKE THIS OVER.
38
00:01:38,870 --> 00:01:40,940
WHAT DO YOU DO?
NOTHING. I’M TELLING YOU,
39
00:01:40,970 --> 00:01:42,200
IT’D GET TAKEN FROM ME.
40
00:01:42,240 --> 00:01:43,970
COULD YOU JUST PRETEND
FOR A SECOND
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00:01:44,000 --> 00:01:45,140
AND TELL ME WHAT YOU’D DO?
42
00:01:45,170 --> 00:01:48,100
OKAY, IF IT’S
THAT PERSONAL,
43
00:01:48,140 --> 00:01:49,840
I’D GO TO MY BOSS,
TOSS HIM MY SHIELD,
44
00:01:49,870 --> 00:01:51,940
SAY, "I QUIT, AND I’M WORKING
THIS ON MY OWN."
45
00:01:51,970 --> 00:01:53,440
NOW WE’RE TALKING.
46
00:01:53,470 --> 00:01:55,200
THEN I’D PUT ON THE RING
I’D BEEN SAVING
47
00:01:55,240 --> 00:01:57,200
WHICH ENABLES ME TO TRAVEL
THROUGH SPACE AND TIME,
48
00:01:57,240 --> 00:01:58,940
ADOPTING ANY IDENTITY I NEED.
49
00:01:58,970 --> 00:02:00,370
GET TO WORK.
50
00:02:00,400 --> 00:02:01,740
Tony: YOU READY FOR THIS?
51
00:02:01,770 --> 00:02:04,670
TWO PEOPLE CRUCIFIED IN AN
APARTMENT OVER ON ALLEN STREET.
52
00:02:04,700 --> 00:02:05,900
ONE OF THEM’S DOA.
53
00:02:05,940 --> 00:02:07,370
CRUCIFIED?
54
00:02:07,400 --> 00:02:09,170
THAT’S WHAT THE DESK SERGEANT
TOLD ME.
55
00:02:09,200 --> 00:02:11,040
YOU AND CONNIE ARE UP.
56
00:02:11,070 --> 00:02:12,370
GREAT.
57
00:02:18,570 --> 00:02:20,100
[ GROANING ]
58
00:02:21,170 --> 00:02:22,600
DID YOU HEAR ABOUT THIS?
59
00:02:22,640 --> 00:02:24,240
YEAH. WHO CALLED IT IN?
60
00:02:24,270 --> 00:02:26,370
THE GUY NAILED TO THE BENCH ‐‐
DENNIS CLANCY.
61
00:02:26,400 --> 00:02:29,440
DRAGGED IT OVER TO THE PHONE
AND DIALED WITH HIS TONGUE.
62
00:02:29,470 --> 00:02:31,000
WHAT’S HE DOING
STILL NAILED?
63
00:02:31,040 --> 00:02:32,500
EMS DIDN’T HAVE
THE RIGHT EQUIPMENT,
64
00:02:32,540 --> 00:02:35,340
SO EMERGENCY SERVICES IS
ON THE WAY WITH BOLT CUTTERS.
65
00:02:35,370 --> 00:02:36,670
WHO’S THE DOA?
66
00:02:36,700 --> 00:02:39,040
GIRLFRIEND ‐‐ LORI BAILEY.
SHE’S A STRIPPER.
67
00:02:39,070 --> 00:02:40,570
KEEPS A SAFE HERE
WITH MONEY.
68
00:02:40,600 --> 00:02:41,900
COUPLE OF RUSSIAN GUYS
CAME BY...
69
00:02:41,940 --> 00:02:42,940
HE WAS BABBLING.
70
00:02:42,970 --> 00:02:44,870
[ GROANING ]
71
00:02:44,900 --> 00:02:48,340
DENNIS, WE’RE THE DETECTIVES
INVESTIGATING WHAT HAPPENED.
72
00:02:48,370 --> 00:02:50,200
THESE RUSSIAN GUYS.
73
00:02:50,240 --> 00:02:51,670
YOU NEVER SEEN THEM
BEFORE?
74
00:02:51,700 --> 00:02:54,000
WE GOT IN AN ARGUMENT.
75
00:02:54,040 --> 00:02:55,370
YOU AND THE GIRLFRIEND?
76
00:02:55,400 --> 00:02:58,170
SHE SAID SHE WAS GONNA CALL
A COUPLE OF GUYS
77
00:02:58,200 --> 00:03:00,470
SHE MET AT THE CLUB
TO COME KICK MY ASS.
78
00:03:00,500 --> 00:03:02,800
I TOLD HER TO GO AHEAD.
SHE’S ALWAYS MAKING
THREATS LIKE THAT.
79
00:03:02,840 --> 00:03:04,540
HANG IN THERE.
80
00:03:04,570 --> 00:03:07,570
I DIDN’T KNOW SHE CALLED,
BUT THESE TWO GUYS SHOW UP.
81
00:03:07,600 --> 00:03:09,840
HOW LONG IS IT GONNA TAKE TO GET
THESE DAMN NAILS OUT?
82
00:03:09,870 --> 00:03:12,040
THEY’LL BE HERE IN A MINUTE.
KEEP BREATHING DEEP.
83
00:03:12,070 --> 00:03:13,500
SO THE RUSSIAN GUYS
SHOW UP...
84
00:03:13,540 --> 00:03:15,370
YEAH, BUT BY THEN
SHE CALMED DOWN,
85
00:03:15,400 --> 00:03:17,740
AND SHE TOLD THEM TO TAKE OFF,
BUT THEY START ASKING
86
00:03:17,770 --> 00:03:19,800
WHERE’S THE SAFE,
WHERE DOES SHE KEEP HER MONEY?
87
00:03:19,840 --> 00:03:21,800
AND THEY THINK I KNOW,
BUT I DIDN’T.
88
00:03:21,840 --> 00:03:24,640
I KNEW SHE HAD A SAFE, BUT I
DIDN’T KNOW THE COMBINATION.
89
00:03:24,670 --> 00:03:26,840
THEN THESE ANIMALS
GET OUT THE HAMMER AND NAILS.
90
00:03:26,870 --> 00:03:28,940
[ GROANS ]
91
00:03:28,970 --> 00:03:29,940
I’M OUT OF HERE.
92
00:03:29,970 --> 00:03:31,300
DENNIS, YOU HANG TOUGH.
93
00:03:31,340 --> 00:03:33,400
WE’LL TALK TO YOU MORE
IN A MINUTE.
94
00:03:37,900 --> 00:03:40,040
AHHHHHHH!
95
00:04:54,710 --> 00:04:57,580
Officer:
GUY WHOSE PARTY IT WAS GOT
SHOT ‐‐ DAMON UPCHURCH.
96
00:04:57,610 --> 00:04:58,840
WHAT’S THE OCCASION?
97
00:04:58,880 --> 00:05:00,080
GUY’S A RAPPER.
98
00:05:00,110 --> 00:05:02,380
THIS IS HIS
RECORD‐RELEASE PARTY.
99
00:05:02,410 --> 00:05:03,810
ANYBODY SEE ANYTHING?
100
00:05:03,850 --> 00:05:06,490
VICTIM’S OLDER BROTHER
OVER HERE ‐‐ ADRIAN.
101
00:05:06,510 --> 00:05:07,880
ADRIAN, YOU GOT A SEC?
102
00:05:07,910 --> 00:05:09,610
I DON’T KNOW WHO DID IT.
103
00:05:09,650 --> 00:05:11,850
WE GOT MORE QUESTIONS
THAN THAT.
104
00:05:11,880 --> 00:05:13,610
I AIN’T LEAVIN’ MY BROTHER.
105
00:05:13,650 --> 00:05:15,020
WHEN THINGS SETTLE DOWN,
106
00:05:15,050 --> 00:05:17,790
WE’LL HAVE A RADIO CAR
BRING YOU TO OUR OFFICE.
107
00:05:17,810 --> 00:05:20,240
HANG IN THERE.
I’M RIGHT HERE, MAN.
108
00:05:21,850 --> 00:05:25,450
SIPOWICZ AND CLARK ‐‐
15th DETECTIVE SQUAD.
109
00:05:25,480 --> 00:05:27,440
ANY INFORMATION, WE’LL
KEEP IT CONFIDENTIAL.
110
00:05:27,480 --> 00:05:29,610
YOU DON’T EVEN HAVE
TO GIVE YOUR NAME.
111
00:05:29,650 --> 00:05:31,590
WHEN DID THE SHOOTING OCCUR?
112
00:05:31,610 --> 00:05:33,740
HALF‐HOUR AGO.
IT WAS AN AFTER‐HOURS PARTY.
113
00:05:33,780 --> 00:05:36,010
THIS UPCHURCH RAPS
UNDER THE NAME JINXY.
114
00:05:36,050 --> 00:05:37,550
RIGHT.
YOU HEARD OF HIM?
115
00:05:37,580 --> 00:05:40,740
YEAH, I WENT TO THE ACADEMY
WITH A GUY WHO GREW UP WITH HIM.
116
00:05:40,780 --> 00:05:41,780
WHO THREW THIS THING?
117
00:05:41,810 --> 00:05:44,110
JINXY’S MANAGER,
MARTY TORELLI.
118
00:05:46,980 --> 00:05:48,780
MARTY?
THIS IS YOUR PARTY, HUH?
119
00:05:48,810 --> 00:05:50,240
YEAH, FOR JINXY.
120
00:05:50,280 --> 00:05:51,280
YOU SEE ANYTHING?
121
00:05:51,310 --> 00:05:52,610
NO, UNFORTUNATELY NOT.
122
00:05:52,650 --> 00:05:53,650
YOU GOT ANY MONEY?
123
00:05:53,680 --> 00:05:55,210
MAYBE A COUPLE HUNDRED.
124
00:05:55,250 --> 00:05:58,620
IN THE BANK, ’CAUSE SOMEBODY’S
GONNA HAVE TO PUT UP A REWARD
125
00:05:58,650 --> 00:06:00,320
TO GET THESE PEOPLE’S
MOUTHS MOVING.
126
00:06:00,350 --> 00:06:03,120
I’LL ABSOLUTELY GET
BEHIND THAT.
127
00:06:03,150 --> 00:06:03,950
MORNING.
128
00:06:03,980 --> 00:06:05,640
YOU SEE THE INVITES?
129
00:06:05,680 --> 00:06:06,810
NO.
130
00:06:06,850 --> 00:06:09,450
FOUND IT ON THE GROUND
COMING INSIDE.
131
00:06:09,480 --> 00:06:11,140
"CELEBRATE THE RELEASE
132
00:06:11,180 --> 00:06:13,440
"OF JINXY’S NEW ALBUM
’HOLLOW POINT.’
133
00:06:13,480 --> 00:06:17,380
COME HELP SET IT OFF WITH
THE PHATTEST" ‐‐
134
00:06:17,410 --> 00:06:18,740
THIS IS RIDICULOUS.
135
00:06:18,780 --> 00:06:20,180
READ THE BOTTOM.
136
00:06:20,210 --> 00:06:22,440
[ SIGHS ]
137
00:06:22,480 --> 00:06:25,210
OH, MAN.
138
00:06:25,250 --> 00:06:26,290
JUNIOR...
139
00:06:26,310 --> 00:06:29,840
WHO’S YOUR BUDDY YOU WENT
TO THE ACADEMY WITH?
140
00:06:29,880 --> 00:06:31,580
MARCUS HODGES. WHY?
141
00:06:31,610 --> 00:06:33,080
"SECURITY BY NYPD."
142
00:06:42,480 --> 00:06:44,540
WHAT’D YOU GET?
DICK.
143
00:06:44,580 --> 00:06:48,440
ANY WORD ON THE VICTIM?
HE JUST WENT
OUT OF THE PICTURE.
144
00:06:48,480 --> 00:06:50,180
HIS BROTHER, ADRIAN ‐‐
145
00:06:50,210 --> 00:06:52,440
WE’RE GONNA NEED A RADIO CAR
TO BRING HIM IN FROM BELLEVUE.
146
00:06:52,480 --> 00:06:53,480
I’LL TAKE CARE OF THAT.
147
00:06:53,510 --> 00:06:55,140
AND WHAT’S THIS I’M HEARING
148
00:06:55,180 --> 00:06:58,480
ABOUT SECURITY AT THE PARTY
BEING PROVIDED BY THE NYPD?
149
00:06:58,510 --> 00:07:01,410
UH, WE’RE LOOKING INTO IT.
WE DON’T KNOW IF IT’S
A JOKE OR WHAT.
150
00:07:01,450 --> 00:07:03,390
UNIFORMS SAID THEY DIDN’T
SEE ANY SECURITY.
151
00:07:03,410 --> 00:07:05,340
THE MANAGER OF THE DOA
PAID FOR THE PARTY,
152
00:07:05,380 --> 00:07:07,810
BUT HE SAID THE DOA
WAS IN CHARGE OF THE DETAILS.
153
00:07:07,850 --> 00:07:10,090
ANY WORD FROM A MARCUS HODGES?
HE’S ON THE JOB.
154
00:07:10,110 --> 00:07:11,410
HE’S IN THE COFFEE ROOM.
155
00:07:22,510 --> 00:07:23,540
MARCUS.
156
00:07:23,580 --> 00:07:24,810
HEY, WHAT’S UP, JOHN?
157
00:07:24,850 --> 00:07:26,120
HOW YOU DOING?
GOOD.
158
00:07:26,150 --> 00:07:28,250
THIS IS MY PARTNER,
ANDY SIPOWICZ.
HEY.
159
00:07:29,580 --> 00:07:31,180
SO, YOU HEARD ABOUT JINXY.
160
00:07:31,210 --> 00:07:32,880
YEAH.
161
00:07:32,910 --> 00:07:36,040
THE INVITE FOR THE PARTY
SAID "SECURITY BY NYPD."
162
00:07:36,080 --> 00:07:37,940
KNOW ANYTHING ABOUT IT?
163
00:07:37,980 --> 00:07:39,440
SO YOU WERE THERE.
164
00:07:39,480 --> 00:07:40,840
YEAH.
165
00:07:40,880 --> 00:07:41,980
WERE YOU IN CHARGE?
166
00:07:43,550 --> 00:07:45,050
SO WHAT DO I DO?
167
00:07:45,080 --> 00:07:47,380
HOW ABOUT TELLING US
WHAT YOU KNOW, FOR STARTERS?
168
00:07:47,410 --> 00:07:49,240
WELL, I DIDN’T SEE ANYTHING.
169
00:07:49,280 --> 00:07:52,010
IT WAS PACKED, IT WAS LOUD,
I HEARD SHOTS,
170
00:07:52,050 --> 00:07:53,350
AND THEN IT WAS PANDEMONIUM.
171
00:07:53,380 --> 00:07:55,110
HOW MANY COPS YOU
HAVE WORKING THE PARTY?
172
00:07:55,150 --> 00:07:57,950
SIX, BUT THEY’RE
ALL GOOD GUYS.
173
00:07:57,980 --> 00:07:59,840
WE’RE GONNA NEED
THEIR NAMES.
174
00:07:59,880 --> 00:08:01,480
SO THEY’RE GONNA GET
JAMMED UP?
175
00:08:01,510 --> 00:08:02,910
IF THE CASE GOES DOWN QUICK,
176
00:08:02,950 --> 00:08:05,220
OTHER UNITS ARE LESS APT
TO GET INVOLVED.
177
00:08:05,250 --> 00:08:07,090
THAT INVITATION, I DIDN’T KNOW
THEY’D PRINT THAT.
178
00:08:07,110 --> 00:08:09,180
IS THAT WHAT YOU’RE
REGRETTING? GETTING FOUND OUT?
179
00:08:09,210 --> 00:08:10,780
YOU NEVER MOONLIGHTED
BEFORE?
180
00:08:10,810 --> 00:08:12,780
I NEVER RAN
FROM A CRIME SCENE.
181
00:08:12,810 --> 00:08:14,610
THIS WHOLE THING
JUMPED OFF QUICK.
182
00:08:14,650 --> 00:08:16,690
I GOT MY BOYS I GREW UP WITH,
183
00:08:16,710 --> 00:08:19,680
I’M RESPONSIBLE FOR FELLOW
COPS WORKING OFF‐DUTY
WITHOUT PERMISSION ‐‐
184
00:08:19,710 --> 00:08:21,880
MARCUS, YOU NEED
TO TELL US EVERYTHING.
185
00:08:21,910 --> 00:08:23,740
SOMEONE CAME UP TO ME
BEFORE THEY SPLIT.
186
00:08:23,780 --> 00:08:25,710
THEY SAID "FURY DID IT."
187
00:08:25,750 --> 00:08:27,750
HOW MUCH TRUTH TO THAT,
I DON’T KNOW.
188
00:08:27,780 --> 00:08:30,040
FURY THE RAPPER?
YEAH ‐‐ DEREK GLASS.
189
00:08:30,080 --> 00:08:31,780
HIM AND JINXY
GOT A FEUD GOING ON.
190
00:08:31,810 --> 00:08:34,710
IS THERE ANYTHING ELSE
YOU’RE NOT TELLING US?
NO, THAT’S IT.
191
00:08:34,750 --> 00:08:37,020
WE’RE GONNA NEED THE NAMES
OF THE COPS WORKING FOR YOU.
192
00:08:37,050 --> 00:08:38,550
I’LL RUN THIS DEREK GLASS.
193
00:08:38,580 --> 00:08:41,380
MAKE SURE THE DOA’s BROTHER’S
COMING IN FROM THE HOSPITAL.
194
00:08:41,410 --> 00:08:43,180
DOA?
195
00:08:43,210 --> 00:08:44,540
JINXY DIED?
196
00:08:44,580 --> 00:08:45,780
YEAH. A LITTLE WHILE AGO.
197
00:08:45,810 --> 00:08:47,380
OH, MY GOD.
198
00:08:53,380 --> 00:08:56,710
WHY DON’T YOU HAVE A SEAT
AT THE HEAD?
199
00:08:59,880 --> 00:09:02,240
WHERE WERE YOU WHEN
YOUR BROTHER GOT SHOT?
200
00:09:02,280 --> 00:09:03,410
AT THE BAR.
201
00:09:03,450 --> 00:09:04,650
DID YOU SEE ANYTHING?
202
00:09:04,680 --> 00:09:05,740
NO.
203
00:09:05,780 --> 00:09:07,540
DID YOU HEAR ANYTHING
FROM ANYBODY?
204
00:09:07,580 --> 00:09:08,940
NO.
205
00:09:08,980 --> 00:09:11,640
DO YOU KNOW A GUY NAMED FURY ‐‐
DEREK GLASS?
206
00:09:11,680 --> 00:09:13,440
WHY, SURE, I KNOW "FURRY."
207
00:09:13,480 --> 00:09:15,780
YOU AND YOUR BROTHER
HAVE A BEEF WITH HIM?
208
00:09:15,810 --> 00:09:17,780
COME TO THINK OF IT,
YEAH, WE DO.
209
00:09:17,810 --> 00:09:19,540
DON’T START GETTIN’ CUTE,
ADRIAN.
210
00:09:19,580 --> 00:09:20,910
WHAT’S THE BEEF OVER?
211
00:09:20,950 --> 00:09:23,950
IT’S OVER FURRY BEING A
STORE‐BOUGHT, WANNABE THUG
212
00:09:23,980 --> 00:09:25,780
WHO WAS RAISED
OUT IN THE ’BURBS.
213
00:09:25,810 --> 00:09:27,380
BUT THEN HE STARTED
ACTING ALL HARD
214
00:09:27,410 --> 00:09:31,010
TRYING TO COPY JINXY’S STYLE
TO TRY TO MOVE RECORDS.
215
00:09:31,050 --> 00:09:33,190
YOU GUYS MIX IT UP
IN THE PAST?
216
00:09:33,210 --> 00:09:35,580
ABOUT A MONTH AGO,
WE DO A CONCERT.
217
00:09:35,610 --> 00:09:39,480
IN THE BACK OF THE STAGE, WE PUT
UP THIS BIG PICTURE OF FURRY
218
00:09:39,510 --> 00:09:43,280
WHEN HE WAS IN THIS CANDY‐ASS
BOY BAND CALLED READY 2 GO ‐‐
219
00:09:43,310 --> 00:09:47,110
THE GENIE PANTS, THE HIGH‐TOP
FADES, THE STUPID‐ASS GRINS.
220
00:09:47,150 --> 00:09:48,750
OH, MAN.
221
00:09:48,780 --> 00:09:51,410
AND I GUESS
WORD GOT BACK TO FURRY,
222
00:09:51,450 --> 00:09:53,820
AND HE APPARENTLY
DIDN’T LIKE THAT,
223
00:09:53,850 --> 00:09:56,220
WHICH WAS TOO BAD
FOR HIS BITCH ASS.
224
00:09:56,250 --> 00:09:57,790
YOU SEE FURY LAST NIGHT?
225
00:09:57,810 --> 00:09:59,110
YEAH, HE CRASHED IT.
226
00:09:59,150 --> 00:10:01,250
WAS HE INVOLVED
IN THE SHOOTING?
227
00:10:01,280 --> 00:10:02,580
I DON’T KNOW.
228
00:10:02,610 --> 00:10:05,480
DON’T GET IN THE MIDDLE OF THIS,
ADRIAN. LET US HANDLE IT.
229
00:10:05,510 --> 00:10:06,540
HANDLE WHAT?
230
00:10:06,580 --> 00:10:07,610
JUSTICE.
231
00:10:07,650 --> 00:10:09,590
JUSTICE? [ SCOFFS ]
232
00:10:09,610 --> 00:10:11,440
YOU GOT YOURS...
233
00:10:11,480 --> 00:10:12,980
AND I GOT MINE.
234
00:10:13,010 --> 00:10:14,040
THEY’RE THE SAME.
235
00:10:14,080 --> 00:10:15,710
OH, I DON’T THINK SO.
236
00:10:15,750 --> 00:10:17,150
YOU GOT KIDS?
237
00:10:17,180 --> 00:10:18,640
YEAH.
238
00:10:18,680 --> 00:10:20,180
DID YOUR BROTHER
LEAVE KIDS BEHIND?
239
00:10:20,210 --> 00:10:21,610
Yeah.
240
00:10:21,650 --> 00:10:23,150
THEN DO IT FOR THEM.
241
00:10:23,180 --> 00:10:26,410
GO HOME, BE WITH YOUR FAMILY,
AND STAY OUT OF IT.
242
00:10:26,450 --> 00:10:29,790
YOU GET WHO DID THIS...
AND I’LL STAY OUT OF IT.
243
00:10:29,810 --> 00:10:32,440
WE WILL. IT MAY NOT BE
OVERNIGHT, BUT WE WILL.
244
00:10:32,480 --> 00:10:35,640
MEANTIME, YOU GO HOME, AND YOU
WAIT TILL YOU HEAR FROM US.
245
00:10:38,150 --> 00:10:40,090
ALL RIGHT.
246
00:10:45,950 --> 00:10:47,290
VICTIM GOT LUCKY.
247
00:10:47,310 --> 00:10:49,710
WHERE THEY NAILED HIM
DIDN’T BREAK ANY BONES.
248
00:10:49,750 --> 00:10:51,420
THEY’RE TESTING
FOR NERVE DAMAGE.
249
00:10:51,450 --> 00:10:52,720
HIS GIRLFRIEND
WAS A STRIPPER
250
00:10:52,750 --> 00:10:54,920
AT JIMBO’S CLOWN ROOM
OVER ON THIRD.
251
00:10:54,950 --> 00:10:58,090
THESE RUSSIANS, THEY BRING
THE HAMMER AND NAILS WITH THEM?
252
00:10:58,110 --> 00:11:00,110
NO. GOT THEM OUT OF
THE DOA’s TOOLBOX.
253
00:11:00,150 --> 00:11:02,120
WHO GOT NAILED FIRST?
BOYFRIEND DID.
254
00:11:02,150 --> 00:11:05,520
THE GIRLFRIEND WOULDN’T GIVE THE
COMBINATION, SO THEY NAILED HER.
255
00:11:05,550 --> 00:11:08,690
STILL WOULDN’T GIVE IT,
SO THE PERPS RIPPED THE SAFE
OUT OF THE WALL AND TOOK IT.
256
00:11:08,710 --> 00:11:10,010
SHOT HER ON THE WAY OUT.
257
00:11:10,050 --> 00:11:12,150
SHE SITS THERE GETTING NAILS
DRIVEN THROUGH HER HANDS
258
00:11:12,180 --> 00:11:13,640
RATHER THAN GIVE UP
STRIPPING MONEY?
259
00:11:13,680 --> 00:11:15,140
YEAH.
260
00:11:15,180 --> 00:11:17,340
HOW MUCH WAS IN THE SAFE?
BOYFRIEND DIDN’T KNOW.
261
00:11:17,380 --> 00:11:19,080
WHY DIDN’T THE PERP
SHOOT THE BOYFRIEND?
262
00:11:19,110 --> 00:11:21,880
ONE OF THE PERPS
FIRED SHOTS AT BOTH OF THEM,
263
00:11:21,910 --> 00:11:24,740
HITTING THE GIRLFRIEND
AND JUST MISSING HIM,
BUT HE PLAYED DEAD.
264
00:11:24,780 --> 00:11:27,140
YOU FIND A BULLET HOLE
WHERE THE PERP MISSED?
265
00:11:27,180 --> 00:11:29,380
IN THE WALL, RIGHT
WHERE THE BOYFRIEND WAS.
266
00:11:29,410 --> 00:11:32,280
BRING IN WHOEVER RUNS JIMBO’S.
I’LL CALL THE FBI,
267
00:11:32,310 --> 00:11:34,810
SEE IF THEY GOT ANY PATTERNS
ON RUSSIANS WITH HAMMERS.
268
00:11:36,910 --> 00:11:40,280
A CRUCIFIED STRIPPER.
ARE YOU SERIOUS?
269
00:11:40,310 --> 00:11:41,440
DON’T WET YOURSELF.
270
00:11:41,480 --> 00:11:43,810
YOU GOTTA FILL ME IN LATER.
271
00:11:45,850 --> 00:11:47,920
WHAT’D THE BROTHER SAY?
272
00:11:47,950 --> 00:11:49,990
NOTHING. BUT HE WAS THERE.
HE KNOWS SOMETHING.
273
00:11:50,010 --> 00:11:51,080
ANY LUCK FINDING FURY?
274
00:11:51,110 --> 00:11:52,610
THIS IS DEREK GLASS, RIGHT?
275
00:11:52,650 --> 00:11:54,950
YEAH, AND HE’S
WHO WE NEED TO TALK TO.
276
00:11:54,980 --> 00:11:57,040
MEDAVOY AND JONES JUST FOUND HIM
AT SOME GIRL’S APARTMENT.
277
00:11:57,080 --> 00:11:58,710
THEY’RE BRINGING HIM IN.
ALL RIGHT.
278
00:11:58,750 --> 00:12:01,120
NO WORD YET ON WHAT THAT "NYPD
SECURITY" THING WAS ALL ABOUT?
279
00:12:01,150 --> 00:12:04,250
THE COP WHO WAS IN ‐‐
MARCUS HODGES ‐‐
280
00:12:04,280 --> 00:12:05,480
HE WAS WORKING SECURITY,
281
00:12:05,510 --> 00:12:08,110
AND, BOSS, I PROBABLY
SHOULD’VE TOLD YOU EARLIER,
282
00:12:08,150 --> 00:12:10,490
BUT I WENT
TO THE ACADEMY WITH HIM,
283
00:12:10,510 --> 00:12:12,080
AND HE KNOWS HE SCREWED UP.
284
00:12:12,110 --> 00:12:14,680
SO HE WAS THERE
WHEN THE SHOTS WERE FIRED?
285
00:12:14,710 --> 00:12:17,710
HE DIDN’T SEE ANYTHING.
HE PANICKED AND LEFT.
BUT HE’S HELPING OUT NOW?
286
00:12:17,750 --> 00:12:20,150
HE AIN’T A BAD GUY. I DON’T
WANT TO SEE HIM GET HURT.
287
00:12:20,180 --> 00:12:22,040
IF ALL HE DID WAS LEAVE
AFTER THE SHOTS,
288
00:12:22,080 --> 00:12:23,280
IT’S NOT A PROBLEM,
289
00:12:23,310 --> 00:12:24,910
BUT IF HE’S HINDERING
OR OBSTRUCTING,
290
00:12:24,950 --> 00:12:27,120
WE’RE GONNA HAVE TO NOTIFY
INTERNAL AFFAIRS.
291
00:12:27,150 --> 00:12:28,190
HE’S NOT.
292
00:12:28,210 --> 00:12:29,380
OKAY.
293
00:12:29,410 --> 00:12:32,080
THERE WERE SOME OTHER COPS
WORKING SECURITY LAST NIGHT.
294
00:12:32,110 --> 00:12:34,240
WE’RE GONNA HIT ’EM UP.
295
00:12:34,280 --> 00:12:35,240
KEEP ME UPDATED.
296
00:12:36,910 --> 00:12:38,540
THAT SUCKS ABOUT JINXY.
297
00:12:38,580 --> 00:12:40,980
"ARMED RESPONSE"
IS AN OUTRAGEOUS CD.
298
00:12:41,010 --> 00:12:42,040
YEAH.
299
00:12:42,080 --> 00:12:44,540
SO YOU LISTEN TO THAT RAP
MUMBO JUMBO?
300
00:12:44,580 --> 00:12:46,340
I’VE HEARD
SOME HIP‐HOP BEFORE, SURE.
301
00:12:46,380 --> 00:12:48,380
OH, SO IT’S HIP‐HOP NOW.
302
00:12:48,410 --> 00:12:50,810
NOT EVERYBODY’S STILL
LISTENING TO, UH, YOU KNOW,
303
00:12:50,850 --> 00:12:52,790
LITTLE LOUIE
AND THE SHOESHINERS, ANDY.
304
00:12:52,810 --> 00:12:54,080
[ LAUGHS ]
305
00:13:01,280 --> 00:13:03,380
SO YOU KNOW THIS GUY
MARCUS PRETTY GOOD?
306
00:13:03,410 --> 00:13:06,410
YEAH. WE HAVEN’T BEEN IN CONTACT
MUCH SINCE THE ACADEMY,
307
00:13:06,450 --> 00:13:07,790
BUT, UH, HE’S A GOOD GUY.
308
00:13:07,810 --> 00:13:09,210
ENOUGH TO VOUCH FOR HIM?
309
00:13:09,250 --> 00:13:12,420
I WAS TAKING THE SUBWAY
BACK TO QUEENS TO GET MY CAR,
310
00:13:12,450 --> 00:13:15,620
AND THERE’S THESE THREE GUYS
HASSLING A WOMAN ON THE TRAIN.
311
00:13:15,650 --> 00:13:17,690
THIS IS THE SAME DAY OUR
INSTRUCTOR WENT OVER
312
00:13:17,710 --> 00:13:19,610
HOW WHILE
YOU’RE IN THE ACADEMY,
313
00:13:19,650 --> 00:13:21,890
YOU SEE AN INCIDENT,
YOU SHOULD DIAL 911.
314
00:13:21,910 --> 00:13:24,410
YOU’RE NOT SUPPOSED
TO BE TAKING POLICE ACTION.
315
00:13:24,450 --> 00:13:27,420
SO YOU GET INVOLVED.
YEAH, AND THEN THESE
THREE GUYS TURN ON ME.
316
00:13:27,450 --> 00:13:30,050
I DON’T HAVE MY GUN,
OBVIOUSLY, ’CAUSE I’M
STILL IN THE ACADEMY.
317
00:13:30,080 --> 00:13:33,010
AND FOR A SECOND THERE,
I’M WONDERING IF I’M GONNA
BE TAKIN’ SOME LUMPS HERE.
318
00:13:33,050 --> 00:13:36,020
MARCUS ‐‐ I KNEW HIM
FROM MY CLASS, BUT I DIDN’T
KNOW HE WAS ON THE TRAIN.
319
00:13:36,050 --> 00:13:37,120
RIGHT WHEN THE FISTS
START FLYING,
320
00:13:37,150 --> 00:13:38,790
HE’S RIGHT THERE
BACKING ME UP.
321
00:13:38,810 --> 00:13:41,040
SO, YEAH,
I CAN VOUCH FOR HIM.
322
00:13:41,080 --> 00:13:43,980
GOOD, ’CAUSE YOU’RE
OUT ON A LIMB NOW.
323
00:13:57,310 --> 00:13:58,810
HAVE A SEAT, DEREK.
324
00:14:02,310 --> 00:14:05,480
SHOW UP AT JINXY’S PARTY
LAST NIGHT?
NOPE.
325
00:14:05,510 --> 00:14:08,240
[ CHUCKLES ]
FIRST THING OUT OF YOUR
MOUTH’S A LIE, DEREK?
326
00:14:08,280 --> 00:14:09,210
THAT AIN’T GOOD.
327
00:14:09,250 --> 00:14:10,450
WHERE WERE YOU?
328
00:14:10,480 --> 00:14:11,510
[ SCOFFS ]
329
00:14:11,550 --> 00:14:13,550
♪ BLACK POLICEMAN ♪
330
00:14:13,580 --> 00:14:15,510
♪ BLACK POLICEMAN ♪
331
00:14:15,550 --> 00:14:18,950
♪ CUFFIN’ HIS OWN PEOPLE
FAST AS HE CAN ♪
332
00:14:18,980 --> 00:14:20,540
ANSWER THE QUESTION, DEREK.
333
00:14:20,580 --> 00:14:22,780
I WAS WITH ONE
OF MY FEMALES, MAN.
334
00:14:22,810 --> 00:14:24,710
THE GIRL WHOSE APARTMENT
WE PICKED YOU UP AT?
335
00:14:24,750 --> 00:14:26,420
NO, A DIFFERENT ONE.
336
00:14:26,450 --> 00:14:27,490
WHAT’S HER NAME?
337
00:14:27,510 --> 00:14:28,910
DEANDRA, DEONDRA ‐‐
338
00:14:28,950 --> 00:14:30,490
STARTS WITH A "D,"
I KNOW THAT.
339
00:14:30,510 --> 00:14:33,410
WE GO WITNESSES.
WE KNOW YOU WERE
AT THE PARTY LAST NIGHT.
340
00:14:33,450 --> 00:14:36,090
♪ BLACK POLICEMAN,
HUGGIN’ UP ON THE MAYOR ♪
341
00:14:36,110 --> 00:14:38,080
♪ BLACK BLOOD ON HIS HANDS ♪
342
00:14:38,110 --> 00:14:41,310
THIS COMING FROM A GUY WHOSE
CONTRIBUTION TO SOCIETY
343
00:14:41,350 --> 00:14:44,290
IS RAPPING ABOUT BITCHES
AND HOS AND GOLD RIMS.
344
00:14:44,310 --> 00:14:46,740
YO, I GETS MINES
IN THE MUSIC GAME, SON.
345
00:14:46,780 --> 00:14:48,880
I AIN’T HOLDIN’
MY PEOPLE DOWN.
346
00:14:48,910 --> 00:14:50,910
YOU GOT KIDS OUT THERE
ROBBIN’ AND KILLIN’
347
00:14:50,950 --> 00:14:52,890
TO GET THOSE MATERIAL THINGS
YOU’RE FLAUNTING, FURY.
348
00:14:52,910 --> 00:14:55,410
YEAH, WELL, I AIN’T LOCKIN’
BROTHERS UP, BROTHER.
349
00:14:55,450 --> 00:15:00,020
DEREK, YOU NEED TO ACCOUNT
FOR WHERE YOU WERE LAST NIGHT,
350
00:15:00,050 --> 00:15:03,250
AND GIRLS WITH NO NAMES
AIN’T GONNA CUT IT.
351
00:15:03,280 --> 00:15:06,110
OKAY, MAYBE I DID
STOP BY JINXY’S PARTY,
352
00:15:06,150 --> 00:15:09,350
BUT IT WAS WHACK ’CAUSE
HE’S A BITCH, SO I WAS OUT ‐‐
353
00:15:09,380 --> 00:15:10,540
ME AND MY BOYS.
354
00:15:10,580 --> 00:15:12,080
WHAT WAS THE ARGUMENT OVER?
355
00:15:12,110 --> 00:15:13,310
AIN’T NO ARGUMENT GOIN’ ON.
356
00:15:13,350 --> 00:15:15,220
JINXY AND HIS CREW
GIVE YOU A HARD TIME
357
00:15:15,250 --> 00:15:17,120
FOR BEIN’ IN THAT BOY BAND
WHEN YOU WERE YOUNGER?
358
00:15:17,150 --> 00:15:19,750
THEM THINKING YOU’RE SOFT,
MAYBE THEY CALLED YOU "FURRY."
359
00:15:19,780 --> 00:15:20,780
[ CHUCKLES ]
360
00:15:20,810 --> 00:15:22,910
♪ BLACK POLICEMAN ♪
361
00:15:24,480 --> 00:15:28,510
THEY PISS YOU OFF LAST NIGHT,
AND YOU DO SOMETHING ABOUT IT?
362
00:15:28,550 --> 00:15:29,750
[ KNOCK ON DOOR ]
363
00:15:38,750 --> 00:15:41,020
THIS GUY’S LAWYER CALLED
TO SHUT US DOWN.
364
00:15:41,050 --> 00:15:42,520
IT’S ON THE RECORD.
ALL RIGHT.
365
00:15:42,550 --> 00:15:44,450
DO WE HAVE ENOUGH
TO ARREST HIM?
366
00:15:44,480 --> 00:15:47,010
NO, NOT YET.
CAN WE HOLD HIM
FOR A WHILE?
367
00:15:47,050 --> 00:15:48,720
THE LAWYER’S ON HIS WAY
RIGHT NOW.
368
00:15:48,750 --> 00:15:51,250
WE’LL KICK HIM.
369
00:15:51,280 --> 00:15:52,810
Greg: TAKE OFF, DEREK.
370
00:15:52,850 --> 00:15:56,790
WE’LL BE IN TOUCH LATER
IF WE NEED ANYTHING.
371
00:15:56,810 --> 00:15:58,340
♪ BLACK POLICEMAN ♪
372
00:15:58,380 --> 00:16:00,140
YOU KNOW, I’M GLAD
YOUR LAWYER CALLED,
373
00:16:00,180 --> 00:16:02,140
SO NOW I CAN TELL YOU
WHAT’S TRUE.
374
00:16:02,180 --> 00:16:04,440
YOU ARE THE PUSSY
EVERYBODY SAYS YOU ARE,
375
00:16:04,480 --> 00:16:07,440
AND IF YOU GOT A PROBLEM
WITH THAT, THEN JUMP ON UP.
376
00:16:07,480 --> 00:16:08,680
[ SNIFFS ]
377
00:16:08,710 --> 00:16:11,010
YEAH, I THOUGHT SO.
378
00:16:13,510 --> 00:16:17,680
♪ HE GETS A "THANK YOU" LETTER
FROM THE KU KLUX KLAN ♪
379
00:16:17,710 --> 00:16:19,110
ALL RIGHT, COME ON.
380
00:16:19,150 --> 00:16:20,790
COME ON.
THROW SOMETHING.
381
00:16:20,810 --> 00:16:25,010
WHAT, YOUR BODYGUARDS
AIN’T HERE TO FINISH
YOUR FIGHT?
382
00:16:33,480 --> 00:16:34,980
TAKE A SEAT.
383
00:16:35,010 --> 00:16:38,840
SO, HOW LONG YOU OWN JIMBO’S
CLOWN ROOM, JOSEPH?
384
00:16:38,880 --> 00:16:40,210
[ Russian accent ]
THREE YEARS.
385
00:16:40,250 --> 00:16:41,850
YOU MANAGE THE PLACE, TOO?
YES.
386
00:16:41,880 --> 00:16:43,340
SO YOU’RE NOT
AN ABSENTEE OWNER?
387
00:16:43,380 --> 00:16:44,610
A WHAT?
388
00:16:44,650 --> 00:16:46,750
YOU KNOW WHAT’S GOING ON
IN YOUR CLUB?
389
00:16:46,780 --> 00:16:48,810
IT’S MY BUSINESS.
OF COURSE I KNOW.
390
00:16:48,850 --> 00:16:50,190
YOU KNOW A LORI BAILEY?
391
00:16:50,210 --> 00:16:54,310
YEAH. SHE MY BEST DANCER.
USE THE NAME COCO.
392
00:16:54,350 --> 00:16:56,950
SOMETHING WRONG?
393
00:16:56,980 --> 00:16:58,840
HER NAME CAME UP
IN AN INVESTIGATION.
394
00:16:58,880 --> 00:17:01,640
WHAT GUYS DOES LORI
HANG OUT WITH?
395
00:17:01,680 --> 00:17:03,510
SHE GIRLFRIEND
FOR THIS GUY DENNIS,
396
00:17:03,550 --> 00:17:05,350
USED TO BE DJ AT MY CLUB.
397
00:17:05,380 --> 00:17:08,580
WHAT RUSSIAN GUYS
DOES SHE HANG OUT WITH?
I DON’T KNOW.
398
00:17:08,610 --> 00:17:12,440
PART OF THIS INVESTIGATION
INVOLVES TWO RUSSIAN GUYS
WHO WERE AT LORI’S APARTMENT.
399
00:17:12,480 --> 00:17:13,510
WHY IS THIS MY PROBLEM?
400
00:17:13,550 --> 00:17:15,950
WHERE ELSE WOULD SHE
MEET RUSSIAN GUYS, JOSEPH?
401
00:17:15,980 --> 00:17:17,310
IT’S BIG CITY.
402
00:17:17,350 --> 00:17:19,890
YOU GOT RUSSIAN MEN
WORKING AT YOUR CLUB?
403
00:17:19,910 --> 00:17:22,210
OF COURSE ‐‐ FAMILY.
404
00:17:22,250 --> 00:17:24,690
I HAVE A BROTHER,
TWO COUSINS.
405
00:17:24,710 --> 00:17:27,680
BUT THEY DON’T TALK TO GIRLS
OUTSIDE CLUB. I DON’T ALLOW.
406
00:17:27,710 --> 00:17:30,680
JOSEPH, YOU’RE GONNA TELL US WHO
LORI WAS HANGING OUT WITH,
407
00:17:30,710 --> 00:17:34,010
OR WE’RE GONNA GET THE FIRE
DEPARTMENT, THE BOARD OF HEALTH,
408
00:17:34,050 --> 00:17:36,590
THE STATE LIQUOR AUTHORITY,
VICE DOWN THERE EVERY NIGHT.
409
00:17:36,610 --> 00:17:39,880
BACK IN RUSSIA,
IT WAS EASIER.
410
00:17:39,910 --> 00:17:41,610
WHEN THERE’S A PROBLEM
WITH POLICE,
411
00:17:41,650 --> 00:17:44,250
WE WORK IT OUT WITH MONEY.
412
00:17:44,280 --> 00:17:46,180
YOU WANT TO GET
IN SOME REAL TROUBLE,
413
00:17:46,210 --> 00:17:47,780
YOU KEEP GOING
IN THAT DIRECTION.
414
00:17:47,810 --> 00:17:49,710
I’M SAYING WE
DO THAT THERE...
415
00:17:49,750 --> 00:17:50,850
NOT HERE.
416
00:17:50,880 --> 00:17:52,440
OF COURSE NOT.
417
00:17:52,480 --> 00:17:54,810
THE NAMES OF THE RUSSIAN GUYS
LORI WAS HANGING AROUND,
418
00:17:54,850 --> 00:17:57,150
OR YOU’RE GONNA START
SEEING A LOT MORE OF US.
419
00:17:57,180 --> 00:17:59,480
I DON’T KNOW,
BUT I ASK AROUND.
420
00:17:59,510 --> 00:18:01,080
YOU DO THAT.
421
00:18:05,780 --> 00:18:08,610
WE’RE GONNA NEED A LIST
OF ALL EMPLOYEES
422
00:18:08,650 --> 00:18:10,720
FAXED OVER
WITHIN THE HOUR.
423
00:18:10,750 --> 00:18:12,090
I DO THAT.
424
00:18:13,580 --> 00:18:16,910
IS THAT ONE OF THE RUSSIANS
WHO CRUCIFIED THE STRIPPER?
425
00:18:19,050 --> 00:18:20,820
Rita: NOT MUCH
ON THE OWNER OF THE CLUB,
426
00:18:20,850 --> 00:18:22,390
BUT HE’S GONNA ASK AROUND.
427
00:18:22,410 --> 00:18:24,840
BOYFRIEND’S SAYING HIS
GIRLFRIEND WAS NAILED
TO THE TABLE FIRST
428
00:18:24,880 --> 00:18:26,540
THEN SHOT LATER, RIGHT?
RIGHT.
429
00:18:26,580 --> 00:18:28,140
WELL, HE’S LYING.
430
00:18:28,180 --> 00:18:29,980
THE M. E.’s SAYING
IT’S THE OTHER WAY AROUND ‐‐
431
00:18:30,010 --> 00:18:31,710
SHOT FIRST, THEN NAILED.
432
00:18:31,750 --> 00:18:33,820
WOUND’S POSTMORTEM.
433
00:18:33,850 --> 00:18:35,220
THE BOYFRIEND’S
STILL AT BELLEVUE.
434
00:18:35,250 --> 00:18:38,350
COP THERE ASKED HIM
WHO HE WANTS NOTIFIED.
435
00:18:38,380 --> 00:18:39,880
THIS GUY SAYS TELL HIS WIFE.
436
00:18:39,910 --> 00:18:41,880
THE BOYFRIEND, DENNIS CLANCY,
HE’S MARRIED?
437
00:18:41,910 --> 00:18:43,540
YEAH, TO A BETTY ANN CLANCY.
438
00:18:43,580 --> 00:18:45,510
THEY LIVE OVER ON 13th STREET.
439
00:18:45,550 --> 00:18:47,650
DID UNIFORM NOTIFY HER?
440
00:18:47,680 --> 00:18:49,640
NO.
441
00:18:55,210 --> 00:18:56,210
NEED ANYTHING, BOSS?
442
00:18:56,250 --> 00:18:58,490
DAVE, HOW LONG
WE KNOWN EACH OTHER?
443
00:18:58,510 --> 00:18:59,880
GOING ON A WEEK NOW.
444
00:18:59,910 --> 00:19:01,340
SEEMS LONGER, DOESN’T IT?
445
00:19:01,380 --> 00:19:02,980
YEAH, IT SURE DOES.
446
00:19:03,010 --> 00:19:04,640
I THINK WE’RE AT THAT POINT
447
00:19:04,680 --> 00:19:06,840
WHERE WE CAN BE HONEST
WITH EACH OTHER.
448
00:19:06,880 --> 00:19:09,110
I WOULD THINK SO.
I WOULD HOPE SO.
449
00:19:09,150 --> 00:19:10,150
GOOD.
450
00:19:10,180 --> 00:19:12,880
YOU’RE STARTING TO REALLY
PISS ME OFF, DAVE.
451
00:19:12,910 --> 00:19:15,110
SORRY TO HEAR THAT.
452
00:19:15,150 --> 00:19:16,850
DESPITE MY WARNING
TO CONCENTRATE ON YOUR WORK,
453
00:19:16,880 --> 00:19:18,510
YOU FAIL TO DO THAT.
454
00:19:18,550 --> 00:19:22,150
NOW, MY GUESS IS THAT
YOU CONSIDER YOURSELF
DESTINED FOR GREATER THINGS.
455
00:19:22,180 --> 00:19:24,680
I WISH YOU LUCK
IN THAT REGARD, I REALLY DO.
456
00:19:24,710 --> 00:19:26,380
BUT IN TRYING TO CONVINCE
OTHERS AND YOURSELF
457
00:19:26,410 --> 00:19:28,140
THAT YOU’RE NOT GONNA
BE ANSWERING PHONES
458
00:19:28,180 --> 00:19:30,680
FOR THE REST OF YOUR LIFE,
YOU OVERCOMPENSATE
459
00:19:30,710 --> 00:19:32,510
AND COME ACROSS
LIKE A REAL ASSHOLE.
460
00:19:32,550 --> 00:19:35,050
MAYBE IT’S MORE
OF A PERSONALITY CONFLICT,
461
00:19:35,080 --> 00:19:37,540
’CAUSE I’VE WORKED
IN A LOT OF OTHER COMMANDS ‐‐
462
00:19:37,580 --> 00:19:38,610
GOT ALONG
WITH EVERYONE GREAT.
463
00:19:38,650 --> 00:19:40,720
WHERE?
IN THE OLD RECORD SECTION?
464
00:19:40,750 --> 00:19:42,090
THE PISTOL LICENSE BUREAU?
465
00:19:42,110 --> 00:19:44,810
THIS IS A DETECTIVE SQUAD.
WE DO POLICE WORK HERE.
466
00:19:44,850 --> 00:19:47,450
YOU’RE RESPONSIBLE
FOR GETTING INFORMATION TO US
467
00:19:47,480 --> 00:19:48,440
REGARDING SERIOUS BUSINESS.
468
00:19:48,480 --> 00:19:49,740
YEAH, I’M AWARE OF THAT.
469
00:19:49,780 --> 00:19:51,680
AND I BELIEVE I’VE BEEN
GETTING YOU THAT INFORMATION ‐‐
470
00:19:51,710 --> 00:19:53,810
THIS TIME IT’S
NOT A DISCUSSION, DAVE.
471
00:19:53,850 --> 00:19:55,850
FROM NOW ON,
UNTIL JOHN GETS BACK,
472
00:19:55,880 --> 00:19:58,840
I WANT THAT COMPUTER PUT AWAY,
I WANT YOUR CELL PHONE OFF,
473
00:19:58,880 --> 00:20:01,080
AND I DON’T WANT YOU
PUMPING THE DETECTIVES
474
00:20:01,110 --> 00:20:02,810
FOR INFORMATION FOR MATERIAL.
475
00:20:02,850 --> 00:20:04,790
YOU DO YOUR JOB
OR HIT THE ROAD.
476
00:20:04,810 --> 00:20:06,780
YOU’RE THE BOSS.
477
00:20:06,810 --> 00:20:08,110
THAT’S RIGHT.
478
00:20:13,110 --> 00:20:14,740
[ INDISTINCT CONVERSATION ]
479
00:20:14,780 --> 00:20:16,380
TERRENCE?
480
00:20:16,410 --> 00:20:17,380
SEE YA.
481
00:20:23,210 --> 00:20:24,510
WE, UH...
482
00:20:24,550 --> 00:20:27,490
TALKED TO MARCUS HODGES.
483
00:20:27,510 --> 00:20:29,440
OKAY.
484
00:20:29,480 --> 00:20:32,440
SAID YOU WERE DOING SECURITY
FOR HIM AT JINXY’S PARTY.
485
00:20:32,480 --> 00:20:33,610
YEAH.
486
00:20:33,650 --> 00:20:35,220
WERE YOU THERE
WHEN JINXY GOT SHOT?
487
00:20:35,250 --> 00:20:36,420
YEAH.
488
00:20:36,450 --> 00:20:38,590
YOU SEE ANYTHING?
489
00:20:38,610 --> 00:20:40,010
NO.
490
00:20:40,050 --> 00:20:42,590
SO YOU’RE STILL ON 18‐MONTH
PROBATION, HUH, TERRENCE?
491
00:20:42,610 --> 00:20:43,840
THAT’S RIGHT.
492
00:20:43,880 --> 00:20:45,310
YOU REMEMBER
HOW PROBATION WORKS?
493
00:20:45,350 --> 00:20:46,590
YEAH.
494
00:20:46,610 --> 00:20:48,080
ONE PHONE CALL,
AND YOU’RE FIRED.
495
00:20:48,110 --> 00:20:50,310
WANT TO STAY A COP?
I REALLY DO.
496
00:20:50,350 --> 00:20:53,020
YOU’RE GETTING ONE CHANCE, RIGHT
HERE, TO TELL US WHAT HAPPENED.
497
00:20:53,050 --> 00:20:55,790
YOU HOLD BACK ANYTHING,
AND I’LL FIND OUT IF YOU DO,
498
00:20:55,810 --> 00:20:58,080
THEN I’M MAKING
THAT PHONE CALL.
499
00:20:58,110 --> 00:20:59,840
WHAT HAS MARCUS TOLD YOU?
500
00:20:59,880 --> 00:21:01,880
WE’RE NOT LOOKING
FOR QUESTIONS FROM YOU.
501
00:21:01,910 --> 00:21:03,310
MARCUS WOULD KNOW
WHAT HAPPENED.
502
00:21:03,350 --> 00:21:04,790
WHY?
503
00:21:04,810 --> 00:21:07,080
AS SOON AS I HEARD
THE SHOTS, I TURN,
504
00:21:07,110 --> 00:21:09,080
AND MARCUS IS STANDING
WHERE JINXY DROPPED.
505
00:21:09,110 --> 00:21:10,810
I MEAN, IT WAS A MADHOUSE.
506
00:21:10,850 --> 00:21:12,920
I RAN TOWARD THE SHOTS,
507
00:21:12,950 --> 00:21:15,050
AND I SEE MARCUS AND JINXY’S
BROTHER ADRIAN ‐‐
508
00:21:15,080 --> 00:21:16,510
THEY’RE BOTH RUNNING
AFTER THE PERP.
509
00:21:16,550 --> 00:21:18,050
I GOT BOXED IN
AND LOST THEM.
510
00:21:18,080 --> 00:21:20,340
DID YOU TALK TO MARCUS
BEFORE YOU SPLIT?
511
00:21:20,380 --> 00:21:22,340
YEAH. HE TOLD ALL OF US
WORKING SECURITY TO LEAVE,
512
00:21:22,380 --> 00:21:25,180
TOLD US WE WERE NEVER THERE,
THAT HE WOULD HANDLE IT.
513
00:21:25,210 --> 00:21:27,910
DID MARCUS COOK UP A STORY
FOR YOU GUYS TO TELL?
514
00:21:27,950 --> 00:21:31,220
NO. HE JUST SAID THIS
WAS ON HIM AND TO GET LOST.
515
00:21:31,250 --> 00:21:33,120
ALL RIGHT.
516
00:21:33,150 --> 00:21:35,490
IS THERE GONNA BE
A PHONE CALL MADE?
517
00:21:35,510 --> 00:21:37,110
NOT FROM US.
518
00:21:51,450 --> 00:21:52,490
Woman: YEAH?
519
00:21:52,510 --> 00:21:53,710
POLICE. OPEN UP.
520
00:21:53,750 --> 00:21:54,820
WHY?
521
00:21:54,850 --> 00:21:57,390
JUST OPEN THE DOOR.
522
00:21:57,410 --> 00:21:59,380
BETTY ANN CLANCY?
523
00:21:59,410 --> 00:22:00,840
YEAH. WHY?
524
00:22:00,880 --> 00:22:03,540
WE NEED TO COME IN
AND TALK TO YOU.
525
00:22:03,580 --> 00:22:04,840
ABOUT WHAT?
526
00:22:04,880 --> 00:22:06,640
OPEN THE DOOR.
527
00:22:06,680 --> 00:22:09,710
LET ME SEE
YOUR BADGES AGAIN.
528
00:22:23,410 --> 00:22:27,610
WE’RE INVESTIGATING A COMPLAINT
REGARDING LORI BAILEY.
529
00:22:27,650 --> 00:22:28,790
YOU KNOW HER?
530
00:22:28,810 --> 00:22:30,180
MY HUSBAND DOES.
531
00:22:33,750 --> 00:22:36,050
HEY, YOU GOT QUESTIONS
ABOUT LORI, OKAY,
532
00:22:36,080 --> 00:22:38,610
BUT I DIDN’T SAY
YOU COULD SNOOP AROUND.
533
00:22:38,650 --> 00:22:40,550
YOUR HUSBAND’S
DENNIS CLANCY, RIGHT?
534
00:22:40,580 --> 00:22:42,010
YEAH.
535
00:22:42,050 --> 00:22:43,820
HOW DOES YOUR HUSBAND
KNOW LORI?
536
00:22:43,850 --> 00:22:46,150
I’D LIKE TO KNOW
WHAT THE INVESTIGATION IS.
537
00:22:46,180 --> 00:22:49,110
WE’RE CUTTING YOU SOME MAJOR
SLACK, ’CAUSE I’M PRETTY SURE
538
00:22:49,150 --> 00:22:51,990
YOU GOT A SUBSTANCE OR TWO
IN HERE YOU PROBABLY SHOULDN’T.
539
00:22:52,010 --> 00:22:54,710
SO START MEETING US
HALFWAY.
540
00:22:59,650 --> 00:23:02,490
DENNIS HAS BEEN
SLEEPING WITH HER ‐‐
541
00:23:02,510 --> 00:23:05,810
PRETTY MUCH SHACKING UP.
APPARENTLY WITH
YOUR KNOWLEDGE.
542
00:23:05,850 --> 00:23:08,250
IF YOU HAD A COUPLE HOURS,
I COULD TELL YOU WHAT
I’M UP AGAINST,
543
00:23:08,280 --> 00:23:09,540
BUT I DOUBT
YOU’D WANT TO HEAR IT.
544
00:23:09,580 --> 00:23:11,880
DENNIS GOT YOU HOOKED,
HE COPS FOR BOTH OF YOU.
545
00:23:11,910 --> 00:23:13,310
YOU’RE TRYING TO KICK,
546
00:23:13,350 --> 00:23:15,720
BUT MEANWHILE, YOU’RE STUCK
WITH WHAT YOU CAN GET.
547
00:23:15,750 --> 00:23:16,950
BASICALLY.
548
00:23:16,980 --> 00:23:18,740
YOUR HUSBAND HAVE
ANY BIG DEBTS?
549
00:23:18,780 --> 00:23:20,180
I DON’T KNOW.
I DON’T ASK.
550
00:23:20,210 --> 00:23:23,080
WAS DENNIS INVOLVED IN THIS?
WE DON’T KNOW YET.
551
00:23:23,110 --> 00:23:24,910
Connie: WHERE DOES
DENNIS GET HIS MONEY?
552
00:23:24,950 --> 00:23:26,590
HE WORKING ANYWHERE SINCE
HE STOPPED DJing AT JIMBO’S?
553
00:23:26,610 --> 00:23:28,610
SOME FREELANCE DJ WORK
AT PARTIES,
554
00:23:28,650 --> 00:23:31,290
AND HE’S APPRENTICING NOW
TO BECOME A PIERCING ARTIST.
555
00:23:31,310 --> 00:23:32,580
WHERE?
556
00:23:32,610 --> 00:23:33,980
RED DEVIL TATTOO.
557
00:23:34,010 --> 00:23:35,240
WHO’S HE
APPRENTICE UNDER?
558
00:23:35,280 --> 00:23:37,080
FOSS ‐‐ FOSS MILLER.
559
00:23:37,110 --> 00:23:40,080
THEY JUST PIERCE EARS
AND BELLY BUTTONS?
560
00:23:40,110 --> 00:23:42,380
EVERYTHING.
561
00:23:42,410 --> 00:23:44,310
YOU NAME IT.
562
00:23:44,350 --> 00:23:45,250
GOOD FOR YOU.
563
00:23:45,280 --> 00:23:47,640
LAST WEEK, DENNIS
PIERCED MY ‐‐
564
00:23:47,680 --> 00:23:49,740
WE GOT IT.
565
00:23:49,780 --> 00:23:51,640
THANKS.
566
00:24:04,900 --> 00:24:07,100
WE’VE BEEN GETTING MORE
INFORMATION, MARCUS.
567
00:24:07,140 --> 00:24:09,340
ANYBODY GIVE UP FURY
AS THE SHOOTER?
568
00:24:09,370 --> 00:24:10,700
NO, BUT THE INFORMATION
WE’RE GETTING
569
00:24:10,740 --> 00:24:12,510
IS THAT YOU WERE THERE
WHEN IT HAPPENED.
570
00:24:12,540 --> 00:24:14,440
NO, I WAS CLOSE BY,
BUT I DIDN’T SEE NOTHING.
571
00:24:14,470 --> 00:24:16,030
I DON’T UNDERSTAND
WHAT THE PROBLEM IS.
572
00:24:16,070 --> 00:24:18,400
DON’T YOU WANT TO HELP ARREST
FURY FOR KILLING YOUR FRIEND?
573
00:24:18,440 --> 00:24:19,980
HELL, YES, I DO,
AND IF I COULD ‐‐
574
00:24:20,000 --> 00:24:22,270
ALL RIGHT,
QUIT DICKIN’ US AROUND.
575
00:24:22,300 --> 00:24:23,900
YOU KEEP WAITING
TO FIND OUT WHAT WE KNOW
576
00:24:23,940 --> 00:24:25,410
BEFORE YOU TOSS US
ANOTHER CRUMB,
577
00:24:25,440 --> 00:24:26,840
AND IT STOPS NOW!
578
00:24:26,870 --> 00:24:29,230
YOU STARSTRUCK ’CAUSE
YOU GOT SOME FAMOUS FRIENDS,
579
00:24:29,270 --> 00:24:30,700
SO NOW YOU’RE
THEIR ERRAND BOY?
580
00:24:30,740 --> 00:24:32,940
I’VE BEEN FRIENDS
WITH JINXY AND ADRIAN
A LONG TIME.
581
00:24:32,970 --> 00:24:34,830
A LOT LONGER
THAN I’VE BEEN A COP.
582
00:24:34,870 --> 00:24:36,670
YOU KNOW ANYTHING
ABOUT FRIENDS?
583
00:24:36,700 --> 00:24:38,630
YEAH, YOU GOT ONE STANDING
IN FRONT OF YOU
584
00:24:38,670 --> 00:24:40,230
WHO VOUCHED FOR YOU ALL DAY,
585
00:24:40,270 --> 00:24:43,370
AND IT’S THE ONLY REASON YOU’RE
NOT ANSWERING THESE QUESTIONS
586
00:24:43,400 --> 00:24:44,900
TO INTERNAL AFFAIRS
RIGHT NOW!
587
00:24:44,940 --> 00:24:46,440
SO YOU SIDING WITH THEM?
588
00:24:46,470 --> 00:24:48,430
YOU TURNING YOUR BACK
ON BEING A COP?
589
00:24:54,170 --> 00:24:56,530
I WAS THERE. I HEAR SHOTS.
590
00:24:56,570 --> 00:24:58,270
I SPIN AROUND,
AND JINXY’S GOING DOWN.
591
00:24:58,300 --> 00:24:59,770
A COUPLE OF SECONDS LATER,
592
00:24:59,800 --> 00:25:02,170
I SEE FURY RUNNING
WITH A GUN IN HIS HANDS,
593
00:25:02,200 --> 00:25:04,030
SO I GO AFTER HIM,
BUT I LOST HIM
594
00:25:04,070 --> 00:25:06,470
’CAUSE I GOT KNOCKED DOWN
BY EVERYBODY SWARMING THE DOOR.
595
00:25:06,500 --> 00:25:08,100
WHY NOT TELL US
THAT EARLIER?
596
00:25:08,140 --> 00:25:09,710
I FIGURED WHOEVER
CAUGHT THE CASE
597
00:25:09,740 --> 00:25:11,410
WOULD FIND OUT
ON THEIR OWN
598
00:25:11,440 --> 00:25:13,410
WITHOUT US
HAVING TO GET INVOLVED.
599
00:25:13,440 --> 00:25:15,640
THERE WAS MORE THAN
A THOUSAND PEOPLE THERE.
600
00:25:15,670 --> 00:25:17,870
I WAS NOT AN EYEWITNESS
TO THE SHOOTING.
601
00:25:17,900 --> 00:25:19,870
I DON’T KNOW.
602
00:25:19,900 --> 00:25:22,500
I’M TELLING YOU NOW.
603
00:25:22,540 --> 00:25:23,940
DID ADRIAN SEE THE SHOOTING?
604
00:25:23,970 --> 00:25:25,270
I DON’T THINK SO,
605
00:25:25,300 --> 00:25:28,000
BUT ADRIAN WAS RUNNING
AFTER FURY WITH ME.
HE HAD A GUN.
606
00:25:28,040 --> 00:25:30,880
HE PULLED IT OUT
AND FIRED A FEW SHOTS AT FURY.
607
00:25:30,900 --> 00:25:31,930
HE’S ON PAROLE.
608
00:25:31,970 --> 00:25:33,870
SO ADRIAN TELLS YOU
TO STAY OUT OF IT
609
00:25:33,900 --> 00:25:35,900
’CAUSE HE FIRED A GUN
AND HE’D GO BACK IN THE JOINT,
610
00:25:35,940 --> 00:25:38,880
OR TO STAY OUT OF IT SO HE
CAN RETALIATE AGAINST FURY?
611
00:25:38,900 --> 00:25:40,430
HE GAVE ME HIS WORD
HE WOULDN’T.
612
00:25:40,470 --> 00:25:42,100
SO ADRIAN’S
TELLING YOU WHAT TO DO?
613
00:25:42,140 --> 00:25:43,410
I LET HIM DOWN, MAN.
614
00:25:43,440 --> 00:25:45,510
THEY HIRED ME
TO KEEP THINGS COOL,
615
00:25:45,540 --> 00:25:49,310
AND JINXY ENDS UP
GETTING KILLED IN FRONT OF ME.
616
00:25:49,340 --> 00:25:51,440
I COULD BARELY LOOK ADRIAN
IN THE EYE.
617
00:25:51,470 --> 00:25:52,530
ALL RIGHT.
618
00:25:52,570 --> 00:25:54,630
SINCE FURY IS
LAWYERED UP NOW,
619
00:25:54,670 --> 00:25:57,300
I’LL TRY AND GET THE D.A.
TO AUTHORIZE ARREST
620
00:25:57,340 --> 00:25:58,540
ON THE GUN CHARGE.
621
00:26:00,640 --> 00:26:02,710
THAT’S IT.
THAT’S EVERYTHING, JOHN.
622
00:26:15,700 --> 00:26:17,430
HOW YOU DOIN’, LADIES?
623
00:26:17,470 --> 00:26:19,100
WE’RE GOOD.
YOU FOSS?
624
00:26:19,140 --> 00:26:20,480
I’M FOSS.
625
00:26:20,500 --> 00:26:23,170
YOU HAVE A DENNIS CLANCY
WORKING FOR YOU?
626
00:26:23,200 --> 00:26:25,130
WORKIN’ FOR ME?
OFF AND ON.
627
00:26:25,170 --> 00:26:26,230
IT’S MORE, HE JUST HANGS OUT.
628
00:26:26,270 --> 00:26:27,970
YOU KNOW A LORI BAILEY?
629
00:26:28,000 --> 00:26:29,430
NO. SOMETHING WRONG HERE?
630
00:26:29,470 --> 00:26:30,530
CRAZIEST THING HAPPENED‐‐
631
00:26:30,570 --> 00:26:32,030
WE GOT A COMPLAINT
FROM SOMEONE
632
00:26:32,070 --> 00:26:34,800
WHO WAS TRYING TO GET
A PIERCING THROUGH THEIR HAND.
633
00:26:34,840 --> 00:26:37,380
IT GOT ALL SCREWED UP, BUT
THE COMPLAINT MENTIONED DENNIS
634
00:26:37,400 --> 00:26:39,030
AS THE GUY WHO DID
THE PIERCING.
635
00:26:39,070 --> 00:26:40,300
THAT IDIOT.
636
00:26:40,340 --> 00:26:41,640
DID IT HAPPEN HERE?
637
00:26:41,670 --> 00:26:43,400
HELL, NO.
THIS IS A LEGITIMATE SHOP.
638
00:26:43,440 --> 00:26:45,680
DID YOU TEACH DENNIS
HOW TO PIERCE A HAND?
639
00:26:45,700 --> 00:26:47,100
IS THAT WHAT HE’S SAYING?
640
00:26:47,140 --> 00:26:48,340
DID YOU?
641
00:26:48,370 --> 00:26:49,670
ALL RIGHT.
642
00:26:49,700 --> 00:26:51,900
DENNIS WAS ASKING ME
HOW I WOULD DO IT.
643
00:26:51,940 --> 00:26:54,740
I TELL HIM IT’S DAMN NEAR
IMPOSSIBLE AND DANGEROUS.
644
00:26:54,770 --> 00:26:56,700
HE KEEPS ON ME ‐‐
"WHAT IF YOU HAD TO?"
645
00:26:56,740 --> 00:26:59,410
SO I TOLD HIM, "IF SOMEONE
HAD A GUN TO MY HEAD,
646
00:26:59,440 --> 00:27:01,280
"I’D DO IT BETWEEN THE MIDDLE
AND FOREFINGER,
647
00:27:01,300 --> 00:27:02,670
JUST ABOVE THE KNUCKLES."
648
00:27:02,700 --> 00:27:05,200
WE WERE TALKING ABOUT IT
TO JUST KILL TIME.
649
00:27:05,240 --> 00:27:06,940
I THOUGHT WE WERE
KILLING TIME.
650
00:27:06,970 --> 00:27:08,830
HE MENTION HE WAS
PLANNING ON DOING IT?
651
00:27:08,870 --> 00:27:11,130
NO, NOT TO ME.
YOU HAD NOTHING TO DO
WITH THIS, FOSS?
652
00:27:11,170 --> 00:27:12,930
’CAUSE THE OTHER SHOE’S
DROPPING, HERE.
653
00:27:12,970 --> 00:27:14,670
NOW WOULD BE THE TIME
TO TELL US.
654
00:27:14,700 --> 00:27:16,970
NO. AND DENNIS
IS AN IDIOT FOR TRYING.
655
00:27:17,000 --> 00:27:18,430
IF YOU SEE HIM BEFORE ME,
656
00:27:18,470 --> 00:27:21,330
TELL HIM NOT TO
COME AROUND HERE AGAIN.
657
00:27:24,000 --> 00:27:27,070
SO, WHAT DO YOU SAY?
WHILE WE’RE HERE...
658
00:27:27,100 --> 00:27:28,600
NOT IN THIS LIFETIME.
659
00:27:31,900 --> 00:27:34,570
WE HAVE AN EYEWITNESS
WHO PUTS A GUN ON FURY
660
00:27:34,600 --> 00:27:36,000
RIGHT AFTER HE
HEARD SHOTS FIRED.
661
00:27:36,040 --> 00:27:38,080
BUT NO EYEWITNESS WHO SEES
FURY SHOOT THE DOA?
662
00:27:38,100 --> 00:27:39,370
NO.
663
00:27:39,400 --> 00:27:40,800
AND FURY’S LAWYERED UP.
664
00:27:40,840 --> 00:27:44,110
WE NEED YOU TO AUTHORIZE THE
ARREST ON A WEAPONS CHARGE.
665
00:27:44,140 --> 00:27:45,480
WE’LL TAKE IT FROM THERE.
666
00:27:45,500 --> 00:27:47,700
I HAVE TO RUN IT
BY MY BUREAU CHIEF.
667
00:27:47,740 --> 00:27:48,880
THEN RUN IT.
668
00:27:48,900 --> 00:27:50,530
WHO’S THE WITNESS?
A COP...
669
00:27:50,570 --> 00:27:52,530
GREAT.
WHO’S WORKING SECURITY
OFF THE BOOKS
670
00:27:52,570 --> 00:27:54,530
AND WHO WE’D LIKE
TO LEAVE OUT OF IT.
671
00:27:54,570 --> 00:27:57,870
I’LL JUST TELL MY BOSS
YOU HAVE A RELIABLE WITNESS.
672
00:27:57,900 --> 00:27:59,030
SOONER THAN LATER.
673
00:27:59,070 --> 00:28:00,430
I KNOW.
674
00:28:08,770 --> 00:28:09,600
HEY.
675
00:28:09,640 --> 00:28:11,140
HOW YOU DOIN’?
676
00:28:11,170 --> 00:28:13,000
BETTER. A LOT BETTER.
677
00:28:13,040 --> 00:28:14,510
IT’S LIKE
THE FOG’S CLEARED.
678
00:28:14,540 --> 00:28:16,780
YOU’VE BEEN THROUGH
A LOT, NO DOUBT.
679
00:28:16,800 --> 00:28:19,800
I FINALLY FEEL LIKE MY HEAD’S
ON STRAIGHT WITH WORK.
680
00:28:19,840 --> 00:28:21,940
I KNOW HOW IMPORTANT
THAT IS TO YOU.
681
00:28:21,970 --> 00:28:24,730
AFTER WHAT
I’VE BEEN THROUGH,
682
00:28:24,770 --> 00:28:28,270
I REALIZE THAT IT’S NOT AS
IMPORTANT AS OTHER THINGS.
683
00:28:29,570 --> 00:28:31,270
I NEED TO GET ON THIS,
THOUGH.
684
00:28:31,300 --> 00:28:32,570
SURE.
685
00:28:32,600 --> 00:28:34,230
ARE WE ALL RIGHT?
686
00:28:34,270 --> 00:28:35,500
YEAH, WE’RE ALL RIGHT.
687
00:28:35,540 --> 00:28:37,480
AFTER I GET CAUGHT UP,
WE’LL GET TOGETHER?
688
00:28:37,500 --> 00:28:40,730
YEAH, YOU GOT IT.
689
00:28:40,770 --> 00:28:41,870
HEY, JOHN.
690
00:28:41,900 --> 00:28:44,330
COUNSELOR.
691
00:28:47,700 --> 00:28:50,400
WHAT THE HELL
ARE YOU DOING BACK?
692
00:28:50,440 --> 00:28:52,710
UH, THE TRIP
GOT CUT SHORT.
693
00:28:52,740 --> 00:28:54,810
HOW’S EVERYTHING
GOING, DAVE?
694
00:28:54,840 --> 00:28:56,210
DANDY.
695
00:28:56,240 --> 00:28:57,580
WHAT HAPPENED?
696
00:28:57,600 --> 00:28:59,700
I’M STILL NOT READY
TO TALK ABOUT IT.
697
00:28:59,740 --> 00:29:02,440
BROUGHT SOME GIFTS BACK
FOR EVERYONE, THOUGH.
698
00:29:02,470 --> 00:29:04,630
SOMETHING GO WRONG
ON THE SAFARI?
699
00:29:04,670 --> 00:29:07,070
WE NEVER GOT OFF
THE PLANE IN AFRICA.
700
00:29:07,100 --> 00:29:08,400
WHAT HAPPENED?
701
00:29:08,440 --> 00:29:09,780
WE WERE FLYING TO PARIS
702
00:29:09,800 --> 00:29:12,030
TO CATCH OUR CONNECTING
FLIGHT TO AFRICA
703
00:29:12,070 --> 00:29:14,770
WHEN AN ELDERLY MAN
SUFFERED A HEART ATTACK,
704
00:29:14,800 --> 00:29:18,030
SO WE HAD TO MAKE WHAT THEY CALL
A MEDICAL DIVERSION LANDING
705
00:29:18,070 --> 00:29:19,200
IN ICELAND,
706
00:29:19,240 --> 00:29:20,680
WHICH IS WHAT THEY CALL
707
00:29:20,700 --> 00:29:22,970
A NON‐PLANNED
INTERNATIONAL DESTINATION.
708
00:29:23,000 --> 00:29:26,130
SO WE HAD TO WAIT THERE TO BE
REFUELED AND RE‐PREPPED.
709
00:29:26,170 --> 00:29:27,300
HOW LONG DID THAT TAKE?
710
00:29:27,340 --> 00:29:28,440
TWO DAYS.
711
00:29:28,470 --> 00:29:29,900
STUCK IN THE AIRPORT?
712
00:29:29,940 --> 00:29:31,540
MILITARY BASE ‐‐
713
00:29:31,570 --> 00:29:34,430
WAS A MILITARY BASE ‐‐
CURRENTLY ABANDONED.
714
00:29:34,470 --> 00:29:36,770
AND THEN WE
FINALLY GOT TO PARIS,
715
00:29:36,800 --> 00:29:39,100
AND AFTER WAITING AT DE GAULLE
FOR EIGHT HOURS,
716
00:29:39,140 --> 00:29:40,640
WE FINALLY MADE IT TO KENYA,
717
00:29:40,670 --> 00:29:43,900
BUT WE LANDED IN THE MIDDLE OF
AN ATTEMPTED COUPS, APPARENTLY.
718
00:29:43,940 --> 00:29:47,780
SO 16 HOURS ON THE TARMAC THERE,
THEN BACK TO PARIS,
719
00:29:47,800 --> 00:29:51,000
AND FINALLY RAY AND I
MADE IT BACK HOME,
720
00:29:51,040 --> 00:29:55,410
STILL TALKING TO EACH OTHER
AND VERY MUCH GLAD TO BE ALIVE.
721
00:29:55,440 --> 00:29:58,040
BUT "BOO HOO HOO," RIGHT?
FORGET ALL THAT.
722
00:29:58,070 --> 00:30:00,870
I CAME BY TO BRING YOU
WHAT I BROUGHT BACK,
723
00:30:00,900 --> 00:30:03,500
BUT PLEASE FORGIVE
HOW TACKY THEY ARE,
724
00:30:03,540 --> 00:30:06,410
AS I ONLY HAD ACCESS
TO AIRPORT GIFT SHOPS.
725
00:30:06,440 --> 00:30:08,310
Tony: JOHN...
726
00:30:08,340 --> 00:30:09,540
YOU GOT A SECOND?
727
00:30:10,870 --> 00:30:13,200
John: GOOD TO SEE YOU,
LIEUTENANT.
728
00:30:13,240 --> 00:30:14,840
WELCOME BACK.
729
00:30:14,870 --> 00:30:16,070
THANK YOU.
730
00:30:16,100 --> 00:30:17,930
I‐I HOPE YOU GOLF.
731
00:30:17,970 --> 00:30:20,970
LISTEN, I KNOW YOU STILL GOT
A COUPLE OF WEEKS LEFT
732
00:30:21,000 --> 00:30:22,470
IN YOUR VACATION,
733
00:30:22,500 --> 00:30:25,200
BUT, UH, IF YOU
WANT TO COME BACK EARLY...
734
00:30:25,240 --> 00:30:27,240
IS, UH, DAVE
NOT WORKING OUT?
735
00:30:27,270 --> 00:30:28,400
WHEN CAN YOU START AGAIN?
736
00:30:28,440 --> 00:30:29,810
TOMORROW.
737
00:30:29,840 --> 00:30:31,710
I OWE YOU.
738
00:30:31,740 --> 00:30:33,980
IT’S GOOD TO BE BACK.
739
00:30:36,770 --> 00:30:39,530
HEALING UP ALL RIGHT THERE,
MR. CLANCY?
740
00:30:39,570 --> 00:30:41,370
I’M STILL IN A LOT
OF PAIN.
741
00:30:41,400 --> 00:30:42,470
I CAN IMAGINE.
742
00:30:42,500 --> 00:30:45,430
WE TALKED TO THE MEDICAL
EXAMINER.
743
00:30:45,470 --> 00:30:47,400
THEY’VE ESTABLISHED THAT LORI
WAS SHOT FIRST
744
00:30:47,440 --> 00:30:48,980
THEN HAMMERED
TO THE COFFEE TABLE,
745
00:30:49,000 --> 00:30:50,930
WHICH DIFFERS A LITTLE
FROM WHAT YOU TOLD US.
746
00:30:50,970 --> 00:30:52,070
OH, REALLY?
747
00:30:52,100 --> 00:30:54,200
THAT’S INTERESTING,
’CAUSE I WAS THERE,
748
00:30:54,240 --> 00:30:56,440
AND SHE WAS NAILED FIRST
AND THEN SHOT.
749
00:30:56,470 --> 00:30:59,170
I’M CURIOUS...
DOWN AT RED DEVIL TATTOO,
750
00:30:59,200 --> 00:31:01,830
WHEN YOU WERE SHOOTING IT
WITH FOSS ON HOW HE’D
PIERCE THE PALM OF A HAND,
751
00:31:01,870 --> 00:31:03,770
DID YOU ASK HOW MUCH
IT WOULD HURT?
752
00:31:03,800 --> 00:31:06,570
IS IT MORE PAINFUL THAN
YOU THOUGHT IT WOULD BE?
753
00:31:06,600 --> 00:31:08,200
WHAT THE HELL ARE YOU
TALKING ABOUT?
754
00:31:08,240 --> 00:31:11,340
DENNIS, SINCE A GUY CAN’T NAIL
BOTH HIS HANDS TO A BENCH
755
00:31:11,370 --> 00:31:12,700
AND MAKE A SAFE DISAPPEAR,
756
00:31:12,740 --> 00:31:15,080
THAT TELLS US SOMEONE ELSE
WAS IN ON IT WITH YOU.
757
00:31:15,100 --> 00:31:16,770
YOU GIVE US THAT SOMEONE,
758
00:31:16,800 --> 00:31:19,970
OR YOU GET CHARGED WITH THE
WHOLE DEAL ‐‐ MURDER, ROBBERY.
759
00:31:20,000 --> 00:31:21,170
I DIDN’T DO ANY OF THAT.
760
00:31:21,200 --> 00:31:22,770
ALL RIGHT.
761
00:31:22,800 --> 00:31:24,270
THEN GET IN.
762
00:31:24,300 --> 00:31:25,300
WHY?
763
00:31:25,340 --> 00:31:26,410
GET IN!
764
00:31:26,440 --> 00:31:27,540
TWO RUSSIAN GUYS CAME ‐‐
765
00:31:27,570 --> 00:31:29,300
THIS IS REALITY NOW, OKAY?
766
00:31:29,340 --> 00:31:32,680
YOU’RE GOING UP FOR THE MURDER
AND ROBBERY OF YOUR GIRLFRIEND
767
00:31:32,700 --> 00:31:34,600
UNLESS YOU GIVE US
WHO WAS IN ON IT.
768
00:31:36,800 --> 00:31:38,830
NO. NO.
769
00:31:38,870 --> 00:31:39,830
GET UP.
770
00:31:39,870 --> 00:31:41,130
NO.
771
00:31:41,170 --> 00:31:42,300
YOU’RE GOING IN.
772
00:31:42,340 --> 00:31:44,540
ALL RIGHT!
IT WAS HANK GRENDA.
773
00:31:48,000 --> 00:31:48,970
HOW DO YOU KNOW HIM?
774
00:31:49,000 --> 00:31:50,530
WE OWE THE SAME DEALER.
775
00:31:50,570 --> 00:31:52,670
HANK NAILED YOU
TO THE BENCH?
776
00:31:52,700 --> 00:31:53,730
YEAH.
777
00:31:53,770 --> 00:31:56,470
AND I THOUGHT FOR SURE
SEEING ME GETTING NAILED
778
00:31:56,500 --> 00:31:58,730
WOULD MAKE HER GIVE IT UP,
BUT SHE DIDN’T.
779
00:31:58,770 --> 00:32:00,930
SHOWS ME HOW MUCH
I MEANT TO HER.
780
00:32:00,970 --> 00:32:03,670
BUT LORI DIDN’T TELL YOU GUYS
THE COMBINATION TO THE SAFE,
781
00:32:03,700 --> 00:32:05,370
SO YOU TELL HANK
TO SHOOT HER?
782
00:32:05,400 --> 00:32:07,900
NO, HANK WAS GETTING PISSED
’CAUSE SHE WOULDN’T GIVE IT UP.
783
00:32:07,940 --> 00:32:11,040
SO, LIKE A MORON, HE SAYS,
"DENNIS, TALK TO HER."
784
00:32:11,070 --> 00:32:13,800
AND HIM KNOWING MY NAME,
SHE FIGURES I SET IT UP,
785
00:32:13,840 --> 00:32:15,510
SO SHE STARTS REALLY
SCREAMING,
786
00:32:15,540 --> 00:32:18,140
AND HE GETS PISSED RIGHT BACK,
AND HE SHOT HER.
787
00:32:18,170 --> 00:32:21,000
SO HE PULLS THE SAFE OUT,
HAMMERS HER TO THE COFFEE TABLE,
788
00:32:21,040 --> 00:32:23,780
AND THROWS A SHOT INTO THE WALL
TO FIT THE NEW STORY?
789
00:32:23,800 --> 00:32:24,770
YEAH.
790
00:32:24,800 --> 00:32:26,800
WHERE ARE WE GONNA
FIND HANK GRENDA?
791
00:32:26,840 --> 00:32:28,980
I DIDN’T SHOOT HER.
I DIDN’T TOUCH HER.
792
00:32:29,000 --> 00:32:31,500
THE PLAN, THE WAY IT WAS
SUPPOSED TO GO DOWN,
793
00:32:31,540 --> 00:32:33,740
IS I WAS GONNA TAKE
ALL THE PAIN, NOT LORI.
794
00:32:33,770 --> 00:32:37,130
NOTHING WAS GONNA
HAPPEN TO HER.
795
00:32:37,170 --> 00:32:38,630
LOOK, I LOVED HER.
796
00:32:38,670 --> 00:32:39,870
YEAH?
797
00:32:39,900 --> 00:32:41,970
WHERE’S HANK?
798
00:32:49,600 --> 00:32:51,800
[ MACHINE WHIRRING ]
799
00:33:02,400 --> 00:33:04,530
AM I MAKING TOO MUCH NOISE?
800
00:33:04,570 --> 00:33:06,400
PUT THAT DOWN, HANK.
I WANT TO EXPLAIN.
801
00:33:06,440 --> 00:33:07,540
PUT THAT DOWN FIRST.
802
00:33:09,670 --> 00:33:11,800
GET YOUR HANDS
ON THE BENCH.
803
00:33:13,270 --> 00:33:15,600
IT’S MY SAFE.
I FORGOT THE COMBO.
804
00:33:15,640 --> 00:33:16,980
YEAH. YOU GOT IT, HANK.
805
00:33:25,540 --> 00:33:28,810
WHAT I DID FOR MARCUS ‐‐
I’D DO IT AGAIN.
806
00:33:28,840 --> 00:33:29,840
YEAH.
807
00:33:29,870 --> 00:33:32,230
I MEAN, I HEARD YOU,
THOUGH,
808
00:33:32,270 --> 00:33:34,070
ABOUT GOING OUT ON A LIMB.
809
00:33:34,100 --> 00:33:36,470
JUST THAT I’VE GONE TO BAT
FOR GUYS BEFORE,
810
00:33:36,500 --> 00:33:38,030
AND I ENDED UP
GETTING BURNED.
811
00:33:38,070 --> 00:33:40,230
IF YOU STICK YOURSELF
OUT THERE TOO FAR
812
00:33:40,270 --> 00:33:41,630
AND IT PLAYS OUT WRONG,
813
00:33:41,670 --> 00:33:43,970
YOU END UP GETTING SCREWED
RIGHT ALONG WITH THEM.
814
00:33:44,000 --> 00:33:47,870
SO, WHAT WOULD YOU
HAVE DONE IN THIS SITUATION?
815
00:33:47,900 --> 00:33:49,470
SAME THING YOU DID.
816
00:33:49,500 --> 00:33:52,700
NOBODY’S LOOKING OUT
FOR COPS BUT COPS.
817
00:33:52,740 --> 00:33:54,010
YEP.
818
00:33:55,870 --> 00:33:58,070
THIS IS HIM.
819
00:33:58,100 --> 00:33:59,300
[ ENGINE TURNS OVER ]
820
00:33:59,340 --> 00:34:02,210
LET’S TAKE THEM
WHEN THEY GET IN THE CAR.
821
00:34:02,240 --> 00:34:03,340
Man: COPY THAT.
822
00:34:07,000 --> 00:34:08,330
WHO’S THIS?
823
00:34:12,000 --> 00:34:12,870
HOLY ‐‐
824
00:34:14,170 --> 00:34:16,270
[ TIRES SQUEAL ]
825
00:34:27,200 --> 00:34:28,870
DROP THE GUN!
DROP IT!
826
00:34:28,900 --> 00:34:29,900
DROP THE GUN!
827
00:34:29,940 --> 00:34:30,940
Andy: GET YOUR HANDS UP!
828
00:34:30,970 --> 00:34:34,330
GET YOUR HANDS UP!
LET ME SEE ’EM!
829
00:34:34,370 --> 00:34:36,730
DID I GET HIM!
DID I GET THAT BITCH?
830
00:34:36,770 --> 00:34:38,400
SHUT UP! YOU OKAY
OVER THERE, JUNIOR?
831
00:34:38,440 --> 00:34:39,680
YEAH, I GOT IT.
832
00:34:39,700 --> 00:34:41,870
YOU MAKE SURE HE
KNOWS IT WAS ME.
833
00:34:41,900 --> 00:34:44,030
SHUT YOUR MOUTH!
YOU ALL RIGHT IN THE CAB?
834
00:34:44,070 --> 00:34:45,130
YEAH, I’M FINE.
835
00:34:45,170 --> 00:34:46,370
LET’S GO.
836
00:34:46,400 --> 00:34:47,470
LET’S GO, ADRIAN.
837
00:34:49,870 --> 00:34:51,500
HOLD ON, DEREK.
HELP’S COMING.
838
00:34:51,540 --> 00:34:54,440
15th SQUAD ‐‐ WE GOT A 1013
AT SIXTH AND BOWERY,
839
00:34:54,470 --> 00:34:56,030
PEOPLE SHOT IN THE STREET.
840
00:34:56,070 --> 00:34:59,100
AND A 53 ‐‐ PERPS INVOLVED.
PUT A RUSH ON THE AMBULANCE.
841
00:34:59,140 --> 00:35:00,310
MY MOM...
842
00:35:00,340 --> 00:35:01,980
ALL RIGHT.
843
00:35:02,000 --> 00:35:04,100
VERNA GLASS IN FORT LEE.
844
00:35:04,140 --> 00:35:05,710
OKAY.
845
00:35:07,170 --> 00:35:08,430
BUS IS ON THE WAY.
846
00:35:09,800 --> 00:35:11,330
OH, MAN.
847
00:35:11,370 --> 00:35:13,600
IT’S OKAY, DEREK.
IT’S OKAY.
848
00:35:27,840 --> 00:35:29,680
HANK...
849
00:35:29,700 --> 00:35:31,700
UH ‐‐ HANK.
POKEY?
850
00:35:31,740 --> 00:35:32,980
YEAH, THANKS.
851
00:35:34,070 --> 00:35:35,270
HEY.
852
00:35:35,300 --> 00:35:36,870
HI, RITA.
I WAS IN THE NEIGHBORHOOD.
853
00:35:36,900 --> 00:35:39,670
CONNIE McDOWELL,
THIS IS LESLEY WALDEN.
854
00:35:39,700 --> 00:35:42,300
LESLEY’S HANDLING
MY DIVORCE.
855
00:35:42,340 --> 00:35:43,580
NICE TO MEET YOU.
856
00:35:43,600 --> 00:35:45,070
YOU GOT A MINUTE?
857
00:35:45,100 --> 00:35:46,400
SURE.
858
00:35:46,440 --> 00:35:47,680
I’LL UPDATE THE BOSS.
859
00:35:47,700 --> 00:35:48,700
OKAY.
860
00:35:51,600 --> 00:35:53,200
WHERE’S THE LIEUTENANT?
861
00:35:53,240 --> 00:35:54,540
DOWN IN THE CAPTAIN’S
OFFICE.
862
00:35:54,570 --> 00:35:56,730
APPARENTLY, THERE WAS
A DRIVE‐BY SHOOTING
863
00:35:56,770 --> 00:35:58,730
INVOLVING A SUSPECT
IN THE OTHER CASE.
864
00:35:58,770 --> 00:35:59,800
WHO?
865
00:35:59,840 --> 00:36:00,780
I DON’T KNOW.
866
00:36:00,800 --> 00:36:03,370
I’M ONLY HERE TO GIVE
AND TAKE MESSAGES.
867
00:36:03,400 --> 00:36:05,970
THE LIEUTENANT DID SAY
HE’D BE BACK MOMENTARILY.
868
00:36:07,640 --> 00:36:09,610
WHAT THE HELL’S
WRONG WITH YOU?
869
00:36:09,640 --> 00:36:12,480
TODAY’S MY LAST DAY,
SO I’M SPENDING IT
870
00:36:12,500 --> 00:36:15,400
THE WAY ALL GOVERNMENT
EMPLOYEES APPARENTLY SHOULD ‐‐
871
00:36:15,440 --> 00:36:17,110
LIKE A ROBOT.
872
00:36:17,140 --> 00:36:19,080
OH.
873
00:36:19,100 --> 00:36:21,370
OKAY.
874
00:36:23,470 --> 00:36:26,200
WHEN YOU DEAL WITH A DIVORCE,
EMOTIONS RUN HIGH.
875
00:36:26,240 --> 00:36:27,680
PEOPLE CAN GET STUBBORN.
876
00:36:27,700 --> 00:36:30,070
DON AGREE TO GET THIS
OVER WITH QUICK?
877
00:36:30,100 --> 00:36:33,030
NO. HE IS CONTESTING THE
CONSTRUCTIVE ABANDONMENT.
878
00:36:33,070 --> 00:36:34,130
WHY?
879
00:36:34,170 --> 00:36:35,200
I DON’T KNOW.
880
00:36:35,240 --> 00:36:36,840
I SPOKE WITH DON’S
ATTORNEY.
881
00:36:36,870 --> 00:36:41,030
HE’S REJECTED ALL OF OUR OFFERS
OF DIVISION OF PROPERTY.
882
00:36:41,070 --> 00:36:42,400
SO, THEN, WHAT NOW?
883
00:36:42,440 --> 00:36:44,110
THEY’RE REQUESTING
A JURY TRIAL.
884
00:36:44,140 --> 00:36:46,210
I DON’T BELIEVE THIS.
885
00:36:46,240 --> 00:36:48,080
THAT’S PROBABLY A BLUFF
FROM DON
886
00:36:48,100 --> 00:36:50,230
TO TRY TO GET
A BETTER SETTLEMENT.
BETTER...
887
00:36:50,270 --> 00:36:53,570
I’M GIVING HIM EVERYTHING
HE’S ENTITLED TO, IF NOT MORE.
888
00:36:53,600 --> 00:36:56,070
I’M NOT GOING AFTER HIS MONEY
OR THE APARTMENT.
889
00:36:56,100 --> 00:36:58,870
I JUST ‐‐ I WANT WHAT
I CAME INTO THE MARRIAGE WITH.
890
00:36:58,900 --> 00:37:02,370
I KNOW, AND I EXPRESSED
VERY CLEARLY TO DON’S ATTORNEY
891
00:37:02,400 --> 00:37:04,200
THAT DON IS BEING
UNREASONABLE.
892
00:37:04,240 --> 00:37:07,180
HOW LONG’S IT TAKE BEFORE
IT GOES TO A JURY TRIAL?
893
00:37:07,200 --> 00:37:08,400
DEPENDS.
BALLPARK?
894
00:37:08,440 --> 00:37:10,140
WORST CASE ‐‐ TWO YEARS.
895
00:37:10,170 --> 00:37:13,130
SO HE’S MESSING WITH ME.
896
00:37:13,170 --> 00:37:14,570
HE’S TRYING.
897
00:37:14,600 --> 00:37:16,530
SO, THEN, WHAT’S
THE NEXT STEP,
898
00:37:16,570 --> 00:37:18,600
AS FAR AS YOU AND I
ARE CONCERNED?
899
00:37:18,640 --> 00:37:21,480
NEXT STEP IS WE EXCHANGE
FINANCIAL DISCLOSURES WITH THEM.
900
00:37:21,500 --> 00:37:24,700
I MEAN, HOW MUCH IS THIS
GONNA COST ME?
901
00:37:24,740 --> 00:37:27,410
WHEN YOU CAME TO ME, WE BOTH
THOUGHT THIS WOULD GO QUICK
902
00:37:27,440 --> 00:37:28,910
AND THEREFORE CHEAP.
903
00:37:28,940 --> 00:37:31,580
OBVIOUSLY, NOW THIS COULD
GO ON FOR A LONG TIME,
904
00:37:31,600 --> 00:37:33,270
ESPECIALLY IF DON
DOESN’T CALM DOWN.
905
00:37:33,300 --> 00:37:34,470
HOW MUCH?
906
00:37:34,500 --> 00:37:37,130
NORMALLY, I REQUIRE
A $10,000 RETAINER.
907
00:37:37,170 --> 00:37:40,230
[ SIGHS ]
908
00:37:40,270 --> 00:37:41,970
I CAN GET YOU FOUR NOW.
909
00:37:44,170 --> 00:37:45,870
OKAY.
910
00:37:47,840 --> 00:37:50,480
THIS IS HOW DON IS TRYING
TO GET BACK AT ME.
911
00:37:50,500 --> 00:37:52,070
HE KNOWS I CAN’T
AFFORD THIS.
912
00:37:52,100 --> 00:37:54,730
YOU’VE MOVED OUT?
YOU GOT MOST OF YOUR STUFF?
913
00:37:54,770 --> 00:37:56,130
YEAH.
914
00:37:56,170 --> 00:37:58,100
START PUTTING THIS
BEHIND YOU.
915
00:37:58,140 --> 00:37:59,480
START GETTING ON
WITH YOUR LIFE.
916
00:37:59,500 --> 00:38:01,430
LET ME DO MY JOB,
917
00:38:01,470 --> 00:38:04,570
AND WHEN IT HAPPENS,
IT HAPPENS.
918
00:38:04,600 --> 00:38:06,070
I’LL CALL YOU.
919
00:38:06,100 --> 00:38:08,100
THANKS.
920
00:38:08,140 --> 00:38:10,340
[ DOOR CLOSES ]
[ SIGHS ]
921
00:38:10,370 --> 00:38:13,100
Tony: OKAY, NOW,
HOW’D YOU GET THE GUY
THAT’S IN THE POKEY?
922
00:38:13,140 --> 00:38:16,480
DENNIS CLANCY, THE BOYFRIEND,
GAVE UP HIS ACCOMPLICE,
HANK GRENDA.
923
00:38:16,500 --> 00:38:18,330
WE BUSTED IN ON GRENDA
AT THIS GARAGE,
924
00:38:18,370 --> 00:38:21,130
AND HE WAS IN PROCESS OF TRYING
TO DRILL INTO THE SAFE.
925
00:38:21,170 --> 00:38:23,130
HE’S A COMPLETE MOPE ‐‐
GAVE IT RIGHT UP.
926
00:38:23,170 --> 00:38:26,130
AND GRENDA’S STORY MATCHED
THE ONE THE STRIPPER’S
BOYFRIEND GAVE YOU?
927
00:38:26,170 --> 00:38:27,300
YEAH. EXACTLY.
928
00:38:27,340 --> 00:38:28,380
SO NO RUSSIANS?
929
00:38:28,400 --> 00:38:29,800
NO RUSSIANS.
930
00:38:29,840 --> 00:38:31,280
GOOD WORK.
931
00:38:32,770 --> 00:38:34,470
EVERYTHING WRAP UP
DOWN THERE?
932
00:38:34,500 --> 00:38:36,900
YEAH. CRIME SCENE’S
TAKING PHOTOS.
933
00:38:36,940 --> 00:38:37,980
I’M MAPPING IT OUT.
934
00:38:38,000 --> 00:38:39,970
MEDAVOY AND JONES
ARE ON THEIR WAY BACK.
935
00:38:41,470 --> 00:38:43,100
YOU GUYS ALL RIGHT?
936
00:38:43,140 --> 00:38:44,040
YEAH.
937
00:38:51,500 --> 00:38:53,270
SHIPPING OUT,
LIEUTENANT.
938
00:38:53,300 --> 00:38:54,770
OKAY.
939
00:38:54,800 --> 00:38:56,730
AND I’LL BE TAKING
SOME TIME OFF
940
00:38:56,770 --> 00:38:59,930
TO FINISH THIS SCRIPT I STARTED
ABOUT A SERIAL KILLER,
941
00:38:59,970 --> 00:39:01,870
CENTERED AROUND
A DETECTIVE SQUAD.
942
00:39:01,900 --> 00:39:04,230
THE PEOPLE I’VE LET
READ THE FIRST 20 PAGES
943
00:39:04,270 --> 00:39:05,300
ARE BASICALLY FREAKING OUT.
944
00:39:05,340 --> 00:39:06,810
LET ME GUESS ‐‐
945
00:39:06,840 --> 00:39:08,740
THE LIEUTENANT’S GONNA
BE AN ASSHOLE, RIGHT?
946
00:39:08,770 --> 00:39:09,800
YEAH.
947
00:39:11,770 --> 00:39:13,870
I’M GONNA MAKE IT.
YOU’LL SEE.
948
00:39:13,900 --> 00:39:15,030
CHEER UP, DAVE.
949
00:39:19,770 --> 00:39:22,830
FAREWELL.
PEACE AND FREEDOM.
950
00:39:22,870 --> 00:39:24,230
ARE YOU DONE?
951
00:39:24,270 --> 00:39:25,500
Dave: YEP.
952
00:39:25,540 --> 00:39:27,740
APPARENTLY, MY SERVICES
ARE NO LONGER NEEDED.
953
00:39:27,770 --> 00:39:29,500
MAYBE THEY WILL
SOMEWHERE ELSE, RIGHT?
954
00:39:29,540 --> 00:39:31,010
ONE CAN ONLY HOPE, RIGHT?
955
00:39:32,170 --> 00:39:33,370
TAKE CARE OF YOURSELF.
956
00:39:33,400 --> 00:39:34,500
YEAH. THANKS.
957
00:39:34,540 --> 00:39:36,840
Connie: BYE, DAVE.
958
00:39:36,870 --> 00:39:38,770
I HEARD.
959
00:39:51,740 --> 00:39:54,880
YOU WANT TO CATCH SOMETHING
TO EAT TONIGHT?
960
00:39:54,900 --> 00:39:56,970
THEO’S GOT A PLAY DATE
UNTIL 8:00.
961
00:39:59,100 --> 00:40:00,800
SURE.
962
00:40:08,600 --> 00:40:10,300
CASE IS CLOSED.
FURY’S DEAD.
963
00:40:10,340 --> 00:40:11,780
ADRIAN’S IN CUSTODY
FOR HIS MURDER.
964
00:40:11,800 --> 00:40:14,270
YOU DON’T NEED TO WORRY
ABOUT THIS GOING TO TRIAL
965
00:40:14,300 --> 00:40:15,830
AND YOU BEING
PULLED AS A WITNESS.
966
00:40:15,870 --> 00:40:18,130
I TOLD ADRIAN
NOT TO DO ANYTHING.
967
00:40:18,170 --> 00:40:19,500
I GUESS HE DIDN’T LISTEN.
968
00:40:19,540 --> 00:40:21,680
THIS IS THE WORST DAY
OF MY LIFE.
969
00:40:21,700 --> 00:40:24,470
I TRIED TO DO A FAVOR FOR
SOMEONE FROM THE NEIGHBORHOOD ‐‐
970
00:40:24,500 --> 00:40:26,170
I THINK YOU’RE
IN THE CLEAR
971
00:40:26,200 --> 00:40:28,000
AS FAR AS
INTERNAL AFFAIRS GOES.
972
00:40:28,040 --> 00:40:29,140
WHAT ABOUT YOUR BOSS?
973
00:40:29,170 --> 00:40:31,870
HE’S STAND‐UP.
I DON’T SEE HIM DOING ANYTHING.
974
00:40:31,900 --> 00:40:34,100
WHAT ABOUT YOU?
975
00:40:34,140 --> 00:40:35,880
[ SIGHS ]
WHAT ABOUT ME, MARCUS?
976
00:40:35,900 --> 00:40:38,630
ARE YOU ASKING IF I’M GONNA
TURN YOU OVER TO IAB?
977
00:40:38,670 --> 00:40:40,700
I’M ASKING IF I LOST
YOUR RESPECT,
978
00:40:40,740 --> 00:40:42,810
IF I LOST YOU AS A FRIEND.
979
00:40:42,840 --> 00:40:45,180
I LIKE TO THINK I WOULD
HAVE DONE THINGS DIFFERENT.
980
00:40:45,200 --> 00:40:46,800
THERE WAS SO MUCH
GOING ON.
981
00:40:46,840 --> 00:40:48,040
I KNOW WHAT HAPPENED.
982
00:40:48,070 --> 00:40:53,470
LOOK, I WAS GONNA RESIGN,
BUT I CAN’T LEAVE LIKE THIS.
983
00:40:53,500 --> 00:40:55,370
SO I’M GONNA STAY
ON THE JOB,
984
00:40:55,400 --> 00:40:58,270
MAKE UP FOR IT.
985
00:40:58,300 --> 00:40:59,770
OKAY.
986
00:41:01,140 --> 00:41:02,480
I GOTTA GET BACK IN.
987
00:41:10,300 --> 00:41:12,330
HEY...
988
00:41:12,370 --> 00:41:14,670
I’M SORRY.
989
00:41:14,700 --> 00:41:16,730
ALL RIGHT.
990
00:41:31,700 --> 00:41:34,300
WE WERE WATCHING
THIS ANIMAL SHOW,
991
00:41:34,340 --> 00:41:38,540
AND I POINT TO THE SCREEN,
AND I SAY, "THAT’S AN OSTRICH,"
992
00:41:38,570 --> 00:41:41,130
AND THEO SAYS,
"THAT’S AN EMU."
993
00:41:41,170 --> 00:41:42,400
YOU BELIEVE THAT?
994
00:41:42,440 --> 00:41:43,810
WAS IT AN EMU?
995
00:41:43,840 --> 00:41:46,640
NO. BUT THE FACT THAT HE
EVEN KNEW WHAT AN EMU IS.
996
00:41:46,670 --> 00:41:48,530
HE’S A SMART KID.
997
00:41:52,200 --> 00:41:55,530
THEO WAS ASKING WHEN YOU
WERE GONNA BE COMING BY NEXT.
998
00:42:00,140 --> 00:42:01,840
WHAT DO YOU
WANT ME TO DO?
999
00:42:01,870 --> 00:42:05,170
I CAN ONLY MAKE DECISIONS
BASED ON WHAT YOU TELL ME.
1000
00:42:05,200 --> 00:42:07,600
AND LAST TIME WE
TALKED ABOUT US,
1001
00:42:07,640 --> 00:42:10,480
IT SOUNDED LIKE IT
WASN’T WORKING FOR YOU.
1002
00:42:10,500 --> 00:42:12,670
I KNOW.
I KNOW WHAT I SAID.
1003
00:42:12,700 --> 00:42:16,630
I DON’T UNDERSTAND
WHY YOU WANT TO TURN AWAY
1004
00:42:16,670 --> 00:42:19,830
FROM SOMETHING
THAT FEELS GOOD.
1005
00:42:19,870 --> 00:42:21,030
I GOT MY SON.
1006
00:42:21,070 --> 00:42:24,430
HE’S MY BLESSING,
MY SECOND CHANCE.
1007
00:42:24,470 --> 00:42:25,800
I GOT MY JOB.
1008
00:42:25,840 --> 00:42:28,180
ANYTHING MORE ‐‐ EVERY TIME
I TRY TO REACH OUT
1009
00:42:28,200 --> 00:42:31,170
FOR SOMETHING BEYOND THAT,
IT GETS TAKEN FROM ME.
1010
00:42:31,200 --> 00:42:34,600
THAT’S WHERE I FEEL
I WAS GOING SPENDING
TIME WITH YOU.
1011
00:42:34,640 --> 00:42:36,780
YOU CAN’T LIVE YOUR LIFE
DEFENSIVELY LIKE THAT.
1012
00:42:36,800 --> 00:42:38,700
SURE YOU CAN.
1013
00:42:38,740 --> 00:42:40,810
YOU DON’T HAVE TO,
IS WHAT I’M SAYING.
1014
00:42:40,840 --> 00:42:45,280
OKAY, SO, WHAT DO YOU
WANT TO DO?
1015
00:42:47,540 --> 00:42:49,410
I WANT YOU IN OUR LIFE.
1016
00:42:49,440 --> 00:42:52,540
THEN LET’S JUST LEAVE IT
AT THAT. OKAY?
1017
00:42:52,570 --> 00:42:56,230
LET’S JUST AGREE TO BE
IN EACH OTHER’S LIVES
1018
00:42:56,270 --> 00:42:58,100
AND NOT LABEL IT
PAST THAT.
1019
00:42:58,140 --> 00:42:59,180
OKAY.
1020
00:42:59,200 --> 00:43:00,970
WE’LL KEEP IT SIMPLE,
1021
00:43:01,000 --> 00:43:04,430
’CAUSE WHATEVER THIS
IS OR ISN’T, IT WORKS.
1022
00:43:04,470 --> 00:43:05,930
DON’T YOU THINK?
1023
00:43:05,970 --> 00:43:07,500
YEAH.
1024
00:43:07,540 --> 00:43:09,780
ALL RIGHT, THEN.
1025
00:43:31,000 --> 00:43:32,870
♪ ♪
1026
00:43:56,100 --> 00:43:57,870
( classical music playing )
75194
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