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1
00:00:01,500 --> 00:00:03,200
PREVIOUSLY ON NYPD BLUE...
2
00:00:03,240 --> 00:00:04,770
OH, YOU SON OF A BITCH.
3
00:00:04,800 --> 00:00:06,140
WHAT ARE YOU DOING HERE?
4
00:00:06,170 --> 00:00:10,270
ALL THIS TIME, ACCUSING ME!
I AM NOT COMING HOME TONIGHT.
5
00:00:10,300 --> 00:00:12,300
YOU WERE SUPPOSED TO CALL ME
YESTERDAY.
6
00:00:12,340 --> 00:00:14,270
I FELL ASLEEP THE MINUTE
I GOT HOME.
7
00:00:14,300 --> 00:00:16,570
EVERYTHING NORMAL?
EVERYTHING’S FINE.
8
00:00:16,600 --> 00:00:19,470
WE BOOKED OUR FIRST NIGHT IN
ARUSHA AT THE MOMELLA LODGE.
9
00:00:19,500 --> 00:00:22,170
WHO’S "WE,"
OR DO I WANNA KNOW?
10
00:00:22,200 --> 00:00:23,270
RAY MAXWELL AND I.
11
00:00:23,300 --> 00:00:24,800
WELL, GOOD NIGHT.
12
00:00:29,370 --> 00:00:30,540
GOOD NIGHT, ANDY.
13
00:00:44,640 --> 00:00:45,840
HEY.
14
00:00:45,870 --> 00:00:47,000
WHO’S THE D. O. A.?
15
00:00:47,040 --> 00:00:49,400
DR. ALBERT LU.
IT’S HIS OFFICE.
16
00:00:49,440 --> 00:00:51,900
NO FORCED ENTRY.
BACK ROOM’S RANSACKED.
17
00:00:51,940 --> 00:00:53,240
WHO CALLED IT IN?
18
00:00:53,270 --> 00:00:55,740
SECURITY GUARD, JIM DOBBS,
FOUND THE DOOR OPEN.
19
00:00:55,770 --> 00:00:56,870
YOU TALK TO HIM?
20
00:00:56,900 --> 00:00:58,300
NO, I JUST GOT HERE.
21
00:00:58,340 --> 00:01:01,270
JONES, MEDAVOY, AND ORTIZ
ARE DOING A CANVASS.
22
00:01:01,300 --> 00:01:03,100
DOBBS, COME ON.
23
00:01:03,140 --> 00:01:07,070
I, UH, I HAD A LOT OF FUN
LAST NIGHT.
24
00:01:07,100 --> 00:01:08,670
THANKS AGAIN.
25
00:01:08,700 --> 00:01:10,400
YOU BET.
COME ON.
26
00:01:10,440 --> 00:01:13,640
I GOTTA TALK TO HIM.
COME HERE.
27
00:01:13,670 --> 00:01:16,470
HOW’S IT GOING?
WHEN’D YOU FIND HIM?
28
00:01:16,500 --> 00:01:19,400
I FOUND THE DOOR OPEN AROUND
3:00 JUST AFTER CLOCKING IN
29
00:01:19,440 --> 00:01:21,040
AT THE CHECKPOINT AROUND
THE CORNER.
30
00:01:21,070 --> 00:01:22,570
I COULD TELL YOU EXACTLY.
31
00:01:22,600 --> 00:01:24,370
THE DOC GENERALLY HERE
THIS LATE?
32
00:01:24,400 --> 00:01:26,640
I’M ONLY WORKING HERE
THREE WEEKS.
33
00:01:26,670 --> 00:01:28,900
YOU SEE ANYBODY LAST NIGHT
THAT DIDN’T BELONG?
34
00:01:28,940 --> 00:01:31,100
AROUND 1:30,
DOING MY ROUNDS.
35
00:01:31,140 --> 00:01:34,740
I SAW THIS TALL WHITE GUY
SORT OF HANGING OUT BY
THE ALLEY NEXT DOOR.
36
00:01:34,770 --> 00:01:36,170
SORT OF HALF IN, HALF OUT.
37
00:01:36,200 --> 00:01:37,640
DID YOU TALK TO HIM?
38
00:01:37,670 --> 00:01:40,400
NO, BUT HE WAS GONE WHEN
I CAME AROUND AGAIN AT 2:00.
39
00:01:40,440 --> 00:01:43,540
YOU DON’T TALK TO SUSPICIOUS
PEOPLE HANGING AROUND ALLEYWAYS?
40
00:01:43,570 --> 00:01:44,740
I JUST THOUGHT
HE WAS A JUNKIE.
41
00:01:44,770 --> 00:01:46,470
DID YOU HEAR SHOTS?
42
00:01:46,500 --> 00:01:50,040
NO, BUT WHOEVER DID THIS COULD
HAVE USED A SILENCER.
43
00:01:51,300 --> 00:01:53,940
YOUR LITTLE SECURITY OFFICE
GOT A TV?
44
00:01:53,970 --> 00:01:55,300
YEAH.
45
00:01:55,340 --> 00:01:57,640
GOT A LITTLE SPACE HEATER, TOO?
KEEPS THE PLACE COZY?
46
00:01:57,670 --> 00:01:59,800
I MIGHT HAVE RESTED MY EYES
FOR A MINUTE.
47
00:01:59,840 --> 00:02:02,970
YEAH, RIGHT.
THANKS.
48
00:02:03,000 --> 00:02:04,640
WHAT,
DID HE KICK YOUR DOG?
49
00:02:04,670 --> 00:02:05,500
YOU GOT SOMETHING?
50
00:02:05,540 --> 00:02:07,240
YEAH, FROM THE DOC’S
POCKET ‐‐
51
00:02:07,270 --> 00:02:09,400
VICODIN PRESCRIPTION FOR
ANGELA STOKES.
52
00:02:09,440 --> 00:02:11,300
GET MEDAVOY AND JONES
TO RUN IT.
53
00:02:11,340 --> 00:02:13,270
I’M GONNA GO GIVE ’EM A HAND
ON CANVASS.
54
00:02:13,300 --> 00:02:15,200
[ INDISTINCT TALKING OVER
POLICE RADIO ]
55
00:02:18,170 --> 00:02:21,540
HEY, UH, ARE YOU ‐‐
ARE YOU OKAY?
56
00:02:21,570 --> 00:02:22,800
I’M FINE.
57
00:02:22,840 --> 00:02:25,040
DID I DO SOMETHING LAST NIGHT
THAT MADE YOU ANGRY?
58
00:02:25,070 --> 00:02:29,270
NO. IT WAS A FUN TIME.
59
00:02:29,300 --> 00:02:31,800
THE LITTLE KISS‐‐DID IT MAKE YOU
FEEL UNCOMFORTABLE?
60
00:02:31,840 --> 00:02:33,570
NO, IT WAS FINE.
61
00:02:33,600 --> 00:02:37,100
WE SHOULD LOOK FOR A WAY TO GET
TO THE D. O. A.’s FAMILY.
62
00:03:52,500 --> 00:03:55,000
ALL OF THOSE ARE THIS
YEAR’S CASES,
63
00:03:55,040 --> 00:03:58,940
AND IN THE HALL ARE THE LAST
FIVE YEARS ‐‐ 2001, 2000.
64
00:03:58,970 --> 00:04:00,640
’99, ET CETERA.
GOT IT.
65
00:04:02,270 --> 00:04:04,070
AND I RECOMMEND WAITING UNTIL
THERE’S A PILE
66
00:04:04,100 --> 00:04:06,440
RATHER THAN RUNNING OFF THE
MINUTE SOMETHING COMES IN.
67
00:04:06,470 --> 00:04:09,700
JOHN, I KNOW HOW TO FILE.
MONKEYS CAN FILE.
68
00:04:09,740 --> 00:04:11,640
THE COMPUTER IS FOR...
69
00:04:11,670 --> 00:04:14,740
PERSONAL WORK I’M DOING.
I CLEARED IT WITH THE BOROUGH.
70
00:04:14,770 --> 00:04:16,170
ARE YOU A WRITER?
71
00:04:16,200 --> 00:04:19,170
YEAH, YEAH, I AM.
I WRITE MOVIES.
72
00:04:19,200 --> 00:04:20,570
BUT DON’T ASK IF I’VE SOLD
ANYTHING
73
00:04:20,600 --> 00:04:22,540
OR IF YOU’VE SEEN ANY
OF THEM,
74
00:04:22,570 --> 00:04:24,170
’CAUSE THE ANSWER TO BOTH IS
"NO"‐‐FOR NOW.
75
00:04:24,200 --> 00:04:25,440
OH, I SEE.
76
00:04:25,470 --> 00:04:28,570
DETECTIVES, THIS IS
DAVID MOORE.
77
00:04:28,600 --> 00:04:29,800
DAVE.
78
00:04:29,840 --> 00:04:31,840
HE’LL BE FILLING IN WHILE I’M
ON SAFARI.
79
00:04:31,870 --> 00:04:36,300
ANDY SIPOWICZ, JOHN CLARK,
CONNIE McDOWELL.
80
00:04:36,340 --> 00:04:38,000
HOW DO YOU SAY YOUR NAME
AGAIN?
81
00:04:38,040 --> 00:04:40,070
ANDY SIPOWICZ.
82
00:04:40,100 --> 00:04:42,000
I’LL WRITE DOWN A PHONETIC
SPELLING.
83
00:04:42,040 --> 00:04:43,340
GET ANYTHING ON THE CANVASS?
84
00:04:43,370 --> 00:04:47,170
NO, NO OTHER TENANTS WERE IN
THERE LATE.
85
00:04:47,200 --> 00:04:49,100
B.C.I. HAVE ANYTHING ON
ANGELA STOKES?
86
00:04:49,140 --> 00:04:50,370
A TON OF PROSS COLLARS.
87
00:04:50,400 --> 00:04:53,070
VICE HAS A LOCATION TO LOOK
FOR HER.
88
00:04:53,100 --> 00:04:55,640
WE GOT NARCOTICS SWEEPING THE
AREA AROUND THE BUILDING.
89
00:04:55,670 --> 00:04:58,140
THERE’S A METHADONE CLINIC A
BLOCK DOWN WHERE JUNKIES BUY.
90
00:04:58,170 --> 00:04:59,470
MAYBE ONE OF THEM SAW
SOMETHING.
91
00:04:59,500 --> 00:05:01,170
LIEUTENANT?
LINE ONE.
92
00:05:01,200 --> 00:05:03,470
WE PAWED THROUGH THE D. O. A.’s
RECORDS
93
00:05:03,500 --> 00:05:05,640
AND FOUND A SECOND OFFICE
IN CHELSEA.
94
00:05:05,670 --> 00:05:07,870
HE WORKED WITH A PARTNER ‐‐
RAYMOND CHAMBERS.
95
00:05:07,900 --> 00:05:09,370
HE’S COMING IN.
96
00:05:09,400 --> 00:05:12,840
ANDY, WE GOT A D. O. A. IN AN
ALLEY OFF AVENUE "D."
97
00:05:12,870 --> 00:05:15,140
YOU TWO OKAY LENDING A HAND ON
BOTH CASES?
98
00:05:15,170 --> 00:05:16,900
WHATEVER YOU NEED.
99
00:05:16,940 --> 00:05:18,600
WANT US TO COME ALONG?
100
00:05:18,640 --> 00:05:20,970
WE GOT THIS.
LET’S GO.
101
00:05:21,000 --> 00:05:23,400
SMOKEY SMOKE?
102
00:05:23,440 --> 00:05:26,100
NO, THANK YOU, AND YOU’LL HAVE
TO DO THAT OUTSIDE.
103
00:05:26,140 --> 00:05:28,200
ON YOUR BREAK.
104
00:05:28,240 --> 00:05:29,300
BACK IN FIVE.
105
00:05:30,900 --> 00:05:32,270
RELAX.
106
00:05:42,740 --> 00:05:44,340
WHAT DO WE GOT?
107
00:05:44,370 --> 00:05:46,300
THE D. O. A.’s A
TERIK EL RAHIM.
108
00:05:46,340 --> 00:05:49,170
A HOMELESS GUY CALLED IT IN FROM
THE CORNER BODEGA.
109
00:05:49,200 --> 00:05:50,470
WHO’S THIS?
110
00:05:50,500 --> 00:05:51,940
THE D. O. A.’s GIRLFRIEND,
A NATALIE INNISS.
111
00:05:51,970 --> 00:05:53,300
HOW’D SHE GET HIP?
112
00:05:53,340 --> 00:05:54,470
OFF THE D. O. A.’s I. D.
113
00:05:54,500 --> 00:05:57,140
I CALLED TO MAKE THE
NOTIFICATION.
114
00:05:57,170 --> 00:05:58,470
HOW LONG YOU BEEN ON THE
JOB?
115
00:05:58,500 --> 00:05:59,800
ABOUT A YEAR.
116
00:05:59,840 --> 00:06:04,000
WE NOTIFY ON HOMICIDES.
THAT WAY, WE CONTROL SITUATIONS.
117
00:06:04,040 --> 00:06:07,140
WE GET TO SEE THEIR REACTIONS
WHEN THE NEWS GETS BROKE.
118
00:06:07,170 --> 00:06:08,340
MY BAD.
119
00:06:08,370 --> 00:06:10,670
[ SCOFFS ] "MY BAD."
120
00:06:10,700 --> 00:06:12,100
JERK.
121
00:06:12,140 --> 00:06:14,770
NATALIE?
DETECTIVES CLARK AND SIPOWICZ.
122
00:06:14,800 --> 00:06:17,900
VERY SORRY FOR WHAT HAPPENED.
IS THIS YOUR BOYFRIEND?
123
00:06:17,940 --> 00:06:19,170
YES.
124
00:06:19,200 --> 00:06:21,000
ANY IDEA
WHO’D WANNA DO THIS TO HIM?
125
00:06:21,040 --> 00:06:23,470
[ Crying ] NO.
I CAN’T BELIEVE IT.
126
00:06:23,500 --> 00:06:25,200
WHEN’D YOU SEE HIM LAST?
127
00:06:25,240 --> 00:06:26,540
THIS MORNING.
128
00:06:26,570 --> 00:06:27,870
WHERE WAS HE OFF TO?
129
00:06:27,900 --> 00:06:29,200
MA’AM? MA’AM?
130
00:06:29,240 --> 00:06:31,340
MA’AM, YOU CAN’T DO THIS.
COME ON. COME ON.
131
00:06:31,370 --> 00:06:33,500
I KNOW IT’S HARD,
BUT THIS IS A CRIME SCENE,
132
00:06:33,540 --> 00:06:36,140
ALL RIGHT, IF YOU WANT US TO
CATCH WHOEVER DID THIS,
133
00:06:36,170 --> 00:06:37,670
YOU GOTTA LEAVE
THE SCENE ALONE.
134
00:06:37,700 --> 00:06:39,500
YOU CAN HOLD HIS HAND
ALL YOU WANT
135
00:06:39,540 --> 00:06:41,140
AFTER THE CRIME SCENE’S
DONE.
136
00:06:41,170 --> 00:06:42,500
COME ON. TAKE HER.
137
00:06:42,540 --> 00:06:44,200
[ CRYING ]
138
00:06:50,000 --> 00:06:52,140
COME ON IN, DR. CHAMBERS.
HAVE A SEAT.
139
00:06:52,170 --> 00:06:53,600
BEFORE WE SAY ANYTHING,
140
00:06:53,640 --> 00:06:56,270
I NEED YOU TO KNOW HOW
DEVASTATING THIS IS,
141
00:06:56,300 --> 00:06:58,640
AND NOT JUST TO ME
AND DR. LU’S FAMILY,
142
00:06:58,670 --> 00:07:01,470
BUT TO HIS WHOLE COMMUNITY
OF PATIENTS.
143
00:07:01,500 --> 00:07:02,470
OF COURSE.
144
00:07:02,500 --> 00:07:03,940
WERE YOU AND DR. LU
PARTNERS LONG?
145
00:07:03,970 --> 00:07:06,570
SEVEN YEARS.
HE PICKED ME UP
OUT OF COLUMBIA
146
00:07:06,600 --> 00:07:08,970
DOES HE HAVE ANY ENEMIES
YOU KNOW OF?
NONE.
147
00:07:09,000 --> 00:07:10,770
WAS HE FAITHFUL TO HIS
WIFE?
148
00:07:10,800 --> 00:07:11,970
RELIGIOUSLY DEVOTED.
149
00:07:12,000 --> 00:07:13,070
HOW WAS BUSINESS?
150
00:07:13,100 --> 00:07:14,870
FOR THE LAST FIVE YEARS,
151
00:07:14,900 --> 00:07:18,140
WE’VE BEEN BILLING $80,000 TO
$100,000 A MONTH, SO THRIVING,
152
00:07:18,170 --> 00:07:20,370
BUT THAT’S NOT WHAT MOTIVATED
DR. LU.
153
00:07:20,400 --> 00:07:21,970
HE WAS COMMUNITY‐ORIENTED.
154
00:07:22,000 --> 00:07:23,600
HENCE THE CHARITY CLINIC.
155
00:07:23,640 --> 00:07:27,040
AND THAT’S WHERE WE FOUND HIM,
THE CHARITY CLINIC?
156
00:07:27,070 --> 00:07:28,600
HE WORKED THERE
ONE DAY A WEEK,
157
00:07:28,640 --> 00:07:31,300
ALL FREE,
ALL ON HIS OWN TIME.
158
00:07:31,340 --> 00:07:33,470
HE GAVE EVERY OUNCE OF HIMSELF
FOR NOTHING,
159
00:07:33,500 --> 00:07:35,740
AND I’M TELLING YOU, THAT’S WHAT
GOT HIM KILLED.
160
00:07:35,770 --> 00:07:37,400
HOW SO?
161
00:07:37,440 --> 00:07:40,740
HE TREATED SCUM DOWN THERE ‐‐
WHORES, JUNKIES, CRACK HEADS.
162
00:07:40,770 --> 00:07:43,700
THEY WOULD STEAL FROM HIM.
THEY’D GET ABUSIVE.
163
00:07:43,740 --> 00:07:44,770
ANYONE SPECIFIC?
164
00:07:44,800 --> 00:07:46,200
I WOULDN’T KNOW.
165
00:07:46,240 --> 00:07:48,500
DID THE DOCTOR EVER MENTION AN
ANGELA STOKES?
166
00:07:48,540 --> 00:07:51,100
WE FOUND HER NAME ON A
PRESCRIPTION SHEET.
167
00:07:51,140 --> 00:07:54,740
I’VE NEVER HEARD OF HER, AND
IT’S PROBABLY NOT HER REAL NAME.
168
00:07:54,770 --> 00:07:57,870
SO WHEN YOU SAY YOU THINK IT WAS
ONE OF HIS PATIENTS,
169
00:07:57,900 --> 00:08:01,640
THAT’S LESS ACTUAL KNOWLEDGE OF
A THREAT AND MORE SPECULATION.
170
00:08:01,670 --> 00:08:05,270
WHICH I BASE ON HAVING ROTATED
THROUGH PLENTY OF COUNTY E. R. s,
171
00:08:05,300 --> 00:08:07,870
WHERE I TREATED ENOUGH SHOOTERS,
ABSCESSES,
172
00:08:07,900 --> 00:08:10,770
AND O. D. s AND CRACK BABIES TO
KNOW THAT THOSE PEOPLE ‐‐
173
00:08:10,800 --> 00:08:13,240
RACE NONSPECIFIC ‐‐
174
00:08:13,270 --> 00:08:15,040
PLACE ABSOLUTELY NO VALUE ON
HUMAN LIFE,
175
00:08:15,070 --> 00:08:16,440
THEIR OWN OR OTHERS’.
176
00:08:16,470 --> 00:08:18,040
I TAKE IT YOU DIDN’T
PUT IN A LOT OF TIME
177
00:08:18,070 --> 00:08:19,640
AT DR. LU’S FREE CLINIC.
178
00:08:19,670 --> 00:08:22,470
I ADMIRED HIM FOR HIS EFFORTS,
BUT NO.
179
00:08:22,500 --> 00:08:25,500
I DID MY TIME DEALING
WITH THOSE PEOPLE.
180
00:08:27,270 --> 00:08:29,240
ANYTHING ELSE?
181
00:08:29,270 --> 00:08:30,870
WE’RE DONE.
182
00:08:30,900 --> 00:08:33,240
I PROMISED ALBERT’S WIFE I’D
SERVE AS LIAISON,
183
00:08:33,270 --> 00:08:34,540
SO WHEN THERE’S DEVELOPMENTS,
184
00:08:34,570 --> 00:08:36,740
I NEED TO BE CONTACTED
IMMEDIATELY.
185
00:08:40,000 --> 00:08:41,400
PRICK.
186
00:08:43,440 --> 00:08:46,500
OH, HEY, JOHN WANTED ME
TO TELL YOU
187
00:08:46,540 --> 00:08:49,300
THAT VICE FOUND
ANGELA STOKES.
188
00:08:49,340 --> 00:08:51,340
THEY’RE BRINGING HER IN.
189
00:08:51,370 --> 00:08:52,900
CAN I GET SOME MUD?
190
00:08:52,940 --> 00:08:54,270
HELP YOURSELF.
191
00:08:54,300 --> 00:08:57,440
SO I OVERHEARD YOU’RE A
SCREENWRITER.
192
00:08:57,470 --> 00:08:58,470
YEP.
193
00:08:58,500 --> 00:09:01,100
ANYTHING I MIGHT HAVE SEEN?
194
00:09:01,140 --> 00:09:02,600
NO, NOT YET.
195
00:09:02,640 --> 00:09:04,840
SO WHAT DO YOU LIKE TO
WRITE ABOUT?
196
00:09:04,870 --> 00:09:06,400
WHAT’S YOUR GENRE?
197
00:09:06,440 --> 00:09:09,740
I DON’T PIGEONHOLE MYSELF, BUT I
LIKE SCI‐FI, THRILLERS.
198
00:09:09,770 --> 00:09:13,070
I WAS WORKING ON THIS
FISH‐OUT‐OF‐WATER
ROMANTIC COMEDY, BUT...
199
00:09:13,100 --> 00:09:14,500
STALLED ON ME.
200
00:09:14,540 --> 00:09:16,570
NOW I’M HEADING INTO MORE
REALITY‐BASED SUBJECT MATTER.
201
00:09:16,600 --> 00:09:19,140
LIKE POLICE WORK?
202
00:09:19,170 --> 00:09:20,670
IT CROSSED MY MIND.
203
00:09:20,700 --> 00:09:24,500
I’VE GOT ABOUT A MILLION STORIES
AND I’VE ALWAYS SAID
204
00:09:24,540 --> 00:09:27,770
THAT IN THE RIGHT HANDS, THEY’D
MAKE A GREAT FEATURE FILM.
205
00:09:27,800 --> 00:09:30,340
YEAH, A LOT OF PEOPLE THINK
THEIR LIVES WOULD MAKE
A GOOD MOVIE.
206
00:09:30,370 --> 00:09:32,140
99% OF THEM ARE WRONG.
207
00:09:32,170 --> 00:09:36,470
HEY, THIS IS
THE 1% HERE, PAL.
208
00:09:36,500 --> 00:09:41,540
BUT SINCE YOU ARE LOOKING INTO
REALITY‐BASED SUBJECT MATTER,
209
00:09:41,570 --> 00:09:43,800
MAYBE I COULD TELL YOU SOME
OF MY STORIES,
210
00:09:43,840 --> 00:09:46,070
PITCH THEM TO YOU,
SEE WHAT YOU THINK.
211
00:09:46,100 --> 00:09:47,770
I’LL GET BACK TO YOU ON THAT.
212
00:09:50,740 --> 00:09:54,900
SHOCKING AS IT MAY SEEM, I HAVE
LED AN INTERESTING LIFE.
213
00:09:54,940 --> 00:09:57,240
I DIDN’T SAY ANYTHING.
214
00:09:57,270 --> 00:10:00,600
OKAY, THANKS.
215
00:10:00,640 --> 00:10:04,100
TERIK EL RAHIM OWED TWO YEARS
PAROLE ON A ROBBERY‐HOMICIDE
216
00:10:04,140 --> 00:10:05,200
FROM 20 YEARS AGO.
217
00:10:05,240 --> 00:10:06,640
BACK THEN, HE WAS
MARVIN WINTERS.
218
00:10:06,670 --> 00:10:08,640
MARVIN WINTERS?
219
00:10:08,670 --> 00:10:11,740
A MARKET ON BOWERY, RIGHT?
HE BEAT THE OWNER WITH A PIPE?
220
00:10:11,770 --> 00:10:14,970
THAT WAS ONE OF THE WORST
BEATINGS I EVER SEEN.
221
00:10:15,000 --> 00:10:17,440
AND THAT WAS JUST A ROBBERY?
NO GRUDGE?
222
00:10:17,470 --> 00:10:19,840
HIM AND A PARTNER WENT IN ALL
DOPED UP.
223
00:10:19,870 --> 00:10:21,100
WINTERS JUST LOST IT.
224
00:10:21,140 --> 00:10:22,770
GUESS IT CAME BACK TO HIM.
225
00:10:22,800 --> 00:10:24,370
HIS P. O. IS LANCE EDMUNDS.
226
00:10:24,400 --> 00:10:27,700
HE SAYS HE’LL KEEP HIMSELF
AVAILABLE ALL DAY.
227
00:10:27,740 --> 00:10:29,900
VICE IS ON THEIR WAY WITH
ANGELA STOKES.
228
00:10:29,940 --> 00:10:31,870
RITA, CONNIE,
YOU TWO TALK TO HER?
229
00:10:31,900 --> 00:10:32,770
YOU GOT IT.
230
00:10:44,200 --> 00:10:46,100
YOU KNOW THIS IS A LOT OF
ATTENTION
231
00:10:46,140 --> 00:10:47,540
FOR A LITTLE BIT OF DOPE.
232
00:10:47,570 --> 00:10:48,700
AND HOOKING.
233
00:10:48,740 --> 00:10:49,740
I GOTTA EAT!
234
00:10:49,770 --> 00:10:53,140
WHERE WERE YOU EARLY THIS
MORNING, ANGELA?
235
00:10:53,170 --> 00:10:54,140
WORKING.
236
00:10:54,170 --> 00:10:55,240
ON WHO?
237
00:10:55,270 --> 00:10:56,700
WHAT’S UP?
238
00:10:56,740 --> 00:10:58,770
ACCOUNT FOR YOUR TIME LAST
NIGHT, ANGELA.
239
00:10:58,800 --> 00:11:00,940
WITH A LOT OF JOHNS I
DIDN’T KNOW
240
00:11:00,970 --> 00:11:02,240
AND DIDN’T ASK FOR I. D.,
WHY?
241
00:11:02,270 --> 00:11:04,470
YOU KNOW DR. ALBERT LU?
242
00:11:04,500 --> 00:11:06,270
HE’S MY DOCTOR.
FOR WHAT?
243
00:11:06,300 --> 00:11:08,300
ISN’T THAT BETWEEN HIM
AND ME?
244
00:11:08,340 --> 00:11:10,840
IT TAKES A BACK SEAT TO SOLVING
A HOMICIDE.
245
00:11:10,870 --> 00:11:12,370
WHAT HOMICIDE?
246
00:11:14,870 --> 00:11:19,200
YOU’RE SAYING DR. LU ‐‐
DR. LU’S DEAD?
247
00:11:19,240 --> 00:11:20,500
WHAT’D YOU SEE HIM FOR?
248
00:11:20,540 --> 00:11:21,700
FOR, YOU KNOW, THINGS.
HEALTH.
249
00:11:21,740 --> 00:11:23,800
YOU’RE SERIOUS?
HE’S DEAD?
250
00:11:23,840 --> 00:11:25,870
WHEN’S THE LAST TIME
YOU SAW HIM?
251
00:11:25,900 --> 00:11:27,140
A WHILE AGO.
252
00:11:27,170 --> 00:11:28,800
YOU TALK TO HIM RECENTLY?
NO.
253
00:11:28,840 --> 00:11:31,940
HOW COME WE FOUND HIM WITH A
PRESCRIPTION IN HIS POCKET
254
00:11:31,970 --> 00:11:34,140
MADE OUT TO YOU DATED TODAY?
255
00:11:34,170 --> 00:11:35,570
SOMETHING YOU WANT TO GET OFF
YOUR CHEST?
256
00:11:35,600 --> 00:11:38,700
I CALLED HIM ABOUT SOME
BACK PAIN.
257
00:11:38,740 --> 00:11:40,040
WHY LIE ABOUT IT?
258
00:11:40,070 --> 00:11:43,770
HE WAS SUPPOSED TO GIVE ME AN
EXAMINATION, BUT HE DIDN’T.
259
00:11:43,800 --> 00:11:46,300
I DIDN’T WANT YOU TO THINK HE
WAS DOING ANYTHING WRONG.
260
00:11:46,340 --> 00:11:48,270
BEING SO PROTECTIVE, YOU MUST
HAVE BEEN CLOSE.
261
00:11:48,300 --> 00:11:49,800
HE WAS A GOOD GUY.
262
00:11:49,840 --> 00:11:51,970
ANYONE YOU CAN THINK OF WHO
MIGHT HAVE THOUGHT DIFFERENT?
263
00:11:52,000 --> 00:11:53,400
NO.
264
00:11:53,440 --> 00:11:54,940
ALL HE DID WAS HELP PEOPLE.
265
00:11:54,970 --> 00:11:57,800
NEVER ASKED FOR MONEY,
NEVER ASKED ANY QUESTIONS.
266
00:11:57,840 --> 00:12:00,400
LIKE, "DO YOU ACTUALLY HAVE
BACK PAIN, OR DO YOU JUST
HAVE A HABIT?"
267
00:12:00,440 --> 00:12:03,370
EXCUSE ME, BUT 15 YEARS OF
GETTING TWISTED AROUND IN CARS
268
00:12:03,400 --> 00:12:05,400
AND DOING GUYS UP
AGAINST WALLS TAKES A TOLL.
269
00:12:05,440 --> 00:12:06,500
I BET.
270
00:12:06,540 --> 00:12:09,470
NOT TO MENTION GETTING BEAT
ABOUT 60 TIMES.
271
00:12:09,500 --> 00:12:12,040
DID ME A FAVOR
’CAUSE HE WAS A GOOD GUY.
272
00:12:12,070 --> 00:12:14,370
COME ON, ANGELA, YOU’RE GOING IN
FOR THE POSSESSION.
273
00:12:14,400 --> 00:12:17,570
WE’LL TALK TO THE D. A., SEE IF
WE CAN GET YOU SOME PLAY.
274
00:12:17,600 --> 00:12:20,700
IN THE MEANTIME, YOU’RE GOING
DOWNSTAIRS TO A CELL.
275
00:12:20,740 --> 00:12:22,470
GREAT.
PERFECT DAY.
276
00:12:32,120 --> 00:12:34,690
TERIK WAS THE MOST IDEAL PAROLEE
I’VE DEALT WITH.
277
00:12:34,720 --> 00:12:37,550
THAT’S OKAY, YOU CAN CALL HIM
MARVIN IN FRONT OF US.
278
00:12:37,590 --> 00:12:41,020
THIS ISN’T A GUY WHO TOOK THE
MUSLIM NAME BECAUSE IT WAS COOL.
279
00:12:41,060 --> 00:12:42,300
HE WAS BEHIND THE PROGRAM.
280
00:12:42,320 --> 00:12:44,320
LIKE WHAT, HE STOPPED EATING
PORK?
281
00:12:44,360 --> 00:12:46,360
IN THE YEAR AND HALF
HE’S BEEN OUT,
282
00:12:46,390 --> 00:12:48,320
HE’S STARTED UP A
COMMUNITY‐ACTIVIST ORGANIZATION
283
00:12:48,360 --> 00:12:50,200
CALLED LIFE SEEDS‐‐
LIFE SEEDS.
284
00:12:50,220 --> 00:12:52,120
WHICH IS
FUNDED BY DONATIONS
285
00:12:52,160 --> 00:12:54,260
HE WENT OUT AND GOT
FROM MAJOR CORPORATIONS.
286
00:12:54,290 --> 00:12:55,750
SO HE WAS A SHAKEDOWN
ARTIST.
287
00:12:55,790 --> 00:12:57,120
NO, HE WASN’T.
288
00:12:57,160 --> 00:12:59,630
EVERY DIME OF THAT MONEY WENT TO
COMMUNITY SERVICES.
289
00:12:59,660 --> 00:13:00,760
YOU SAW THE BOOKS?
290
00:13:00,790 --> 00:13:02,190
CONN’S COMMUNITY CENTER?
291
00:13:02,220 --> 00:13:05,020
THAT WAS RENOVATED WITH MONEY
TERIK RAISED.
292
00:13:05,060 --> 00:13:06,830
PABLO ESCOBAR BUILT SOCCER
FIELDS
293
00:13:06,860 --> 00:13:10,030
WHEN HE WASN’T MOVING TONS OF
COKE AND WHACKING JUDGES.
294
00:13:10,060 --> 00:13:11,400
WHO WERE HIS ASSOCIATES?
295
00:13:11,420 --> 00:13:12,690
LOTS OF PEOPLE.
296
00:13:12,720 --> 00:13:15,150
HE WAS OUT IN THE COMMUNITY
RAISING MONEY,
SPEAKING IN SCHOOLS.
297
00:13:15,190 --> 00:13:17,790
WHO WAS CLOSE TO HIM BESIDES
HIS GIRLFRIEND, NATALIE?
298
00:13:17,820 --> 00:13:19,350
HE HAD A BUDDY
ERIC GREEN.
299
00:13:19,390 --> 00:13:21,590
ERIC GREEN, WHO WAS IN ON
ROBBING
300
00:13:21,620 --> 00:13:24,650
AND BEATING THAT OLD MAN TO
DEATH 20 YEARS AGO.
301
00:13:24,690 --> 00:13:26,520
YEAH, ERIC DID 15 YEARS.
302
00:13:26,560 --> 00:13:29,330
THEY HOOKED BACK UP AFTER TERIK
GOT OUT, BUT THEY’RE BOTH CLEAN.
303
00:13:29,360 --> 00:13:32,230
ERIC WORKS FOR TERIK AT
LIFE SEEDS.
304
00:13:32,260 --> 00:13:35,400
TERIK WATCHES OUT FOR HIM.
305
00:13:35,420 --> 00:13:37,720
TERIK HAVE ANY PROBLEMS
IN THE CAN?
306
00:13:37,760 --> 00:13:39,800
FIRST TWO YEARS,
UNTIL HE CONVERTED.
307
00:13:39,820 --> 00:13:42,290
NOTHING THE LAST 16 YEARS ‐‐
308
00:13:42,320 --> 00:13:44,790
MODEL PRISONER, MADE THE BOARD
HIS FIRST TIME.
309
00:13:44,820 --> 00:13:48,650
LET’S GO TALK TO HIS SCUMBAG
ACCOMPLICE, ERIC GREEN.
310
00:13:48,690 --> 00:13:52,120
HEY. WE KNOW WHAT TERIK DID.
HE KNEW WHAT HE DID.
311
00:13:52,160 --> 00:13:54,960
I’M TELLING YOU, THIS GUY
WAS OUT THERE TRYING TO
MAKE A DIFFERENCE
312
00:13:54,990 --> 00:13:56,550
WITH THE SECOND CHANCE HE GOT.
313
00:13:56,590 --> 00:13:58,520
ANOTHER SOCIOLOGY MAJOR.
314
00:14:04,860 --> 00:14:06,500
HAVE A SEAT, ERIC.
315
00:14:09,490 --> 00:14:12,020
GOT SOME BAD NEWS ABOUT YOUR
FRIEND TERIK.
316
00:14:12,060 --> 00:14:14,330
YEAH, I HEARD.
HIS GIRLFRIEND TOLD ME.
317
00:14:14,360 --> 00:14:15,830
YOU KNOW ANYTHING ABOUT IT?
318
00:14:15,860 --> 00:14:17,060
I DON’T KNOW WHO DID HIM.
319
00:14:17,090 --> 00:14:18,750
HE SCREW ANYBODY OVER?
320
00:14:18,790 --> 00:14:21,650
NO, TERIK KEPT HIS NOSE CLEAN
SINCE HE GOT OUT.
321
00:14:21,690 --> 00:14:25,250
HE KEEP WOMEN ON THE SIDE, ONE
OF THEM GET PISSED OFF, MAYBE?
322
00:14:25,290 --> 00:14:28,150
NO,
HIM AND NATALIE WERE SOLID.
323
00:14:28,190 --> 00:14:30,250
LOOK, I’M TELLING YOU, TERIK WAS
STRAIGHT‐UP MUSLIM.
324
00:14:30,290 --> 00:14:32,290
HE WAS YOUR BEST FRIEND,
RIGHT?
325
00:14:32,320 --> 00:14:35,820
AND THERE’S NOTHING YOU CAN DO
TO HELP US FIND WHO KILLED HIM?
326
00:14:35,860 --> 00:14:41,260
LAST WEEK,
HE HAD TO FIRE THIS KID
327
00:14:41,290 --> 00:14:43,720
WHO WAS WORKING OVER AT HIS
COMMUNITY DEAL, LIFE SEEDS.
328
00:14:43,760 --> 00:14:45,130
FOR WHAT?
TAKING MONEY.
329
00:14:45,160 --> 00:14:48,330
CASH DONATION CAME IN, KID
POCKETED IT.
330
00:14:48,360 --> 00:14:50,630
TERIK FIRED HIM
ON THE SPOT.
331
00:14:50,660 --> 00:14:52,230
WHAT’S THIS KID’S NAME?
332
00:14:52,260 --> 00:14:53,900
SHAWN.
SHAWN TOMLINSON.
333
00:14:53,920 --> 00:14:57,320
I’M NOT SAYING HE DID ANYTHING,
BUT THAT HAPPENED.
334
00:14:57,360 --> 00:14:59,760
YOU WORKED AT LIFE SEEDS,
RIGHT?
335
00:14:59,790 --> 00:15:00,790
YEAH.
336
00:15:00,820 --> 00:15:01,790
DOING WHAT?
337
00:15:01,820 --> 00:15:03,090
HELPING OUT.
338
00:15:03,120 --> 00:15:05,350
YOU HELP YOURSELF TO ANY OF THAT
MONEY COMING IN
339
00:15:05,390 --> 00:15:08,450
LIKE YOU DID AT FINNERTY’S
MARKET 20 YEARS AGO?
340
00:15:08,490 --> 00:15:10,590
JUST REACH IN AND GRAB
WHAT YOU CAN,
341
00:15:10,620 --> 00:15:13,490
AND IF SOMEBODY GETS IN THE WAY,
THEY GET DEALT WITH?
342
00:15:13,520 --> 00:15:14,550
I DIDN’T KILL TERIK.
343
00:15:14,590 --> 00:15:16,420
THERE’S A LOT OF MONEY
AROUND THAT PLACE.
344
00:15:16,460 --> 00:15:17,600
BEATS WORKING.
345
00:15:17,620 --> 00:15:21,120
OR DID YOU GET ALL
"REHABILITATED" TOO,
LIKE MARVIN?
346
00:15:21,160 --> 00:15:25,300
IF TERIK WAS HERE, HE WOULD SAY
ASSALAM ALAIKUM‐‐
347
00:15:25,320 --> 00:15:28,690
GOD’S PEACE BE UPON YOU,
MY BROTHER.
348
00:15:28,720 --> 00:15:32,620
I DIDN’T KILL TERIK.
I WISH I KNEW WHO DID.
349
00:15:32,660 --> 00:15:34,530
CAN I GO NOW?
350
00:15:34,560 --> 00:15:37,030
DON’T DEPUTIZE YOURSELF
AND GET JAMMED UP AGAIN.
351
00:15:37,060 --> 00:15:39,830
IF YOU FIND ANY INFORMATION,
YOU LET US HANDLE IT.
352
00:15:39,860 --> 00:15:40,800
CAN I GO NOW?
353
00:15:40,820 --> 00:15:41,890
YEAH, TAKE OFF.
354
00:15:45,660 --> 00:15:48,530
ASSALAM ALAIKUM.
355
00:15:53,420 --> 00:15:56,120
THIS IS GENERALLY THE STACK
HEIGHT AT WHICH I START FILING.
356
00:15:56,160 --> 00:15:57,500
JUST FINISHING THIS THOUGHT,
357
00:15:57,520 --> 00:15:59,520
SO HOW ABOUT WE GIVE IT
ANOTHER INCH?
358
00:16:04,090 --> 00:16:07,350
SO, GREG, I WAS THINKING ABOUT
WHAT YOU SAID,
359
00:16:07,390 --> 00:16:08,990
AND, YOU KNOW,
I’D BE INTERESTED
360
00:16:09,020 --> 00:16:10,750
IF YOU HAD ANYTHING
REGARDING A SERIAL KILLER,
361
00:16:10,790 --> 00:16:14,790
ANYTHING UNUSUALLY GRISLY, OR
WITH A SEXUAL COMPONENT.
362
00:16:14,820 --> 00:16:17,520
YEAH, I COULD PROBABLY GIVE YOU
A COUPLE TO CHOOSE FROM.
363
00:16:17,560 --> 00:16:18,600
COOL. COOL.
364
00:16:18,620 --> 00:16:20,750
LET’S MEET AT DOWNTOWN GROUNDS
AT 8:00.
365
00:16:20,790 --> 00:16:22,220
ALL RIGHT.
366
00:16:24,690 --> 00:16:29,090
THAT’S THAT ALTERNATIVE‐TYPE
COFFEE HANGOUT PLACE, RIGHT?
367
00:16:29,120 --> 00:16:30,850
THAT’S THE ONE.
368
00:16:30,890 --> 00:16:32,020
DO I NEED TO CHANGE?
369
00:16:32,060 --> 00:16:34,530
WHATEVER.
JUST BE THERE AT 8:00.
370
00:16:34,560 --> 00:16:37,460
JUST GOT OFF THE PHONE WITH THIS
UNDERCOVER NARCOTICS
371
00:16:37,490 --> 00:16:40,220
WITH THE HEADS‐UP ON ANYONE
PEDALING PHARMACEUTICALS,
372
00:16:40,260 --> 00:16:43,160
AND HE RAN INTO THIS JUNKIE IN
THOMPSON SQUARE PARK,
373
00:16:43,190 --> 00:16:45,590
WAYNE KING, LOOKING
TO OFF‐LOAD SOME VICODIN.
374
00:16:45,620 --> 00:16:47,450
WHAT’S THIS KING LOOK LIKE?
375
00:16:47,490 --> 00:16:50,490
TALL, WHITE, GETS HIS METHADONE
AFTERNOONS ON "A" AND 7th.
376
00:16:50,520 --> 00:16:52,620
A SECURITY GUARD SAW A TALL
WHITE GUY
377
00:16:52,660 --> 00:16:54,860
IN THE ALLEY BEHIND
THE DOCTOR’S OFFICE.
378
00:16:54,890 --> 00:16:57,850
WE ALSO FOUND A WOMAN WHO GAVE
THE SAME DESCRIPTION.
379
00:16:57,890 --> 00:16:59,520
SHE’S NO GOOD FOR I. D.,
THOUGH.
380
00:16:59,560 --> 00:17:02,260
GET A PHOTO OF KING AND SIT ON
THE CLINIC.
381
00:17:07,290 --> 00:17:09,020
I’M ASSUMING ALL YOUR
WORK’S DONE.
382
00:17:09,060 --> 00:17:11,230
ABSOLUTELY, LIEUTENANT,
AND HAVING MY COMPUTER
383
00:17:11,260 --> 00:17:13,360
IS SOMETHING I CLEARED WITH
THE BOROUGH.
384
00:17:13,390 --> 00:17:15,950
WHEN YOU’RE WORKING MY SQUAD,
YOU CLEAR THINGS WITH ME.
385
00:17:15,990 --> 00:17:18,750
GOT IT.
WE’RE ALL CAUGHT UP.
386
00:17:18,790 --> 00:17:21,450
[ PAGER BEEPS ]
387
00:17:21,490 --> 00:17:24,020
JOHN? I’LL BE CHANGING MY PAGER
AND HOME PHONE.
388
00:17:24,060 --> 00:17:26,160
MAKE SURE I GET YOU THE NEW
NUMBERS
389
00:17:26,190 --> 00:17:28,750
AND THEY DON’T GO TO ANYONE
OUTSIDE THE SQUAD.
390
00:17:28,790 --> 00:17:30,450
OF COURSE.
391
00:17:30,490 --> 00:17:31,890
DON?
392
00:17:31,920 --> 00:17:35,150
YEAH, A LOT OF PAGES, A LOT OF
CALLS MIDDLE OF THE NIGHT.
393
00:17:35,190 --> 00:17:36,590
DID YOU TELL YOUR LAWYER?
394
00:17:36,620 --> 00:17:38,090
UM...HE’LL STOP.
395
00:17:52,060 --> 00:17:53,530
SIT DOWN.
396
00:17:57,960 --> 00:18:00,330
YOU KNOW A TERIK EL RAHIM,
SHAWN?
397
00:18:00,360 --> 00:18:02,460
YEAH.
HOW?
398
00:18:02,490 --> 00:18:06,350
WORKED FOR HIM AT LIFE SEEDS,
THIS COMMUNITY OUTREACH JOINT.
399
00:18:06,390 --> 00:18:07,920
WHY’D YOU STOP
WORKING THERE?
400
00:18:07,960 --> 00:18:09,600
I WANTED TO LEAVE.
401
00:18:09,620 --> 00:18:12,220
AFTER HE CAUGHT YOU POCKETING
DONATIONS?
402
00:18:12,260 --> 00:18:15,060
TERIK PRESSING CHARGES AGAINST
ME FOR THAT?
403
00:18:15,090 --> 00:18:16,790
MUST HAVE PISSED YOU OFF,
GETTING FIRED.
404
00:18:16,820 --> 00:18:19,890
NO, IF I WAS MAD AT ANYBODY, I
WAS MAD AT MYSELF.
405
00:18:19,920 --> 00:18:21,450
WHERE YOU BEEN THIS MORNING?
406
00:18:21,490 --> 00:18:23,250
HANDLING MY BUSINESS,
WHY AM I HERE?
407
00:18:23,290 --> 00:18:25,820
YOU GOT PEOPLE
WHO CAN VOUCH FOR YOU?
408
00:18:25,860 --> 00:18:27,730
SLEPT IN TILL TEN.
ASK MY MOM.
409
00:18:27,760 --> 00:18:29,160
MOMS DON’T CUT IT.
WHO ELSE?
410
00:18:29,190 --> 00:18:31,450
JUST HER, THEN I WENT DOWN TO
THE CORNER BODEGA,
411
00:18:31,490 --> 00:18:33,420
GOT A JUICE, AND READ THE
SPORTS PAGES.
412
00:18:33,460 --> 00:18:35,660
TERIK PRESSING CHARGES ON ME
OR WHAT?
413
00:18:35,690 --> 00:18:36,890
TERIK’S DEAD.
414
00:18:38,320 --> 00:18:40,390
OH, NO, NO, NO.
NO WAY, MAN!
415
00:18:40,420 --> 00:18:42,050
I DON’T KNOW NOTHING ABOUT
THAT!
416
00:18:42,090 --> 00:18:44,950
I SLEPT IN
THEN WENT DOWN TO THE BODEGA!
417
00:18:44,990 --> 00:18:46,550
WHO’D WANT TERIK DEAD?
418
00:18:46,590 --> 00:18:49,420
LISTEN, MAN, HE WAS OUT THERE
HELPING A LOT OF PEOPLE,
419
00:18:49,460 --> 00:18:51,960
BUT SOME WEREN’T READY TO BE
HELPED, YOU KNOW?
420
00:18:51,990 --> 00:18:53,320
LIKE YOU?
421
00:18:53,360 --> 00:18:54,800
I’M TALKING ABOUT HARD‐CORE
DUDES, MAN!
422
00:18:54,820 --> 00:18:56,920
HE WAS MIXING IT UP WITH
GANG‐BANGERS,
423
00:18:56,960 --> 00:18:59,030
TRYING TO BROKER A TRUCE, GET
THEM JOBS.
424
00:18:59,060 --> 00:19:01,360
ANY ONE OF THEM COULD HAVE,
BUT NOT ME!
425
00:19:01,390 --> 00:19:05,350
WE’LL CHECK OUT YOUR STORY.
MEANWHILE, YOU’RE STAYING HERE.
426
00:19:05,390 --> 00:19:06,590
THAT’S MESSED UP ABOUT TERIK.
427
00:19:06,620 --> 00:19:09,520
HE WAS A GREAT MAN, BETTER THAN
ANY OF US.
428
00:19:09,560 --> 00:19:11,360
BETTER THAN US, HUH?
429
00:19:11,390 --> 00:19:14,320
YEAH! YOU OUT THERE TALKING
IN SCHOOLS
430
00:19:14,360 --> 00:19:16,160
OR BUILDING COMMUNITY CENTERS,
GIVING PEOPLE HOPE?
431
00:19:16,190 --> 00:19:17,520
I DON’T THINK SO!
432
00:19:17,560 --> 00:19:20,060
NO, WE’RE OUT THERE TRYING TO
KEEP PEOPLE SAFE
433
00:19:20,090 --> 00:19:21,820
FROM ASSHOLES LIKE YOUR
OLD BOSS,
434
00:19:21,860 --> 00:19:25,000
WHO BEAT AN OLD MAN’S BRAINS IN
FOR 75 BUCKS.
435
00:19:25,020 --> 00:19:26,690
THAT WAS A LONG TIME AGO,
MAN.
436
00:19:26,720 --> 00:19:28,220
GET UP.
437
00:19:28,260 --> 00:19:30,530
WE SHOULD PUT YOU IN TOUCH WITH
THE VICTIM’S KIDS,
438
00:19:30,560 --> 00:19:32,330
SEE HOW LONG AGO IT WAS
FOR THEM.
439
00:19:37,520 --> 00:19:39,190
TERIK WAS A GREAT MAN!
440
00:19:39,220 --> 00:19:41,050
HE WAS A MURDERER!
441
00:19:52,660 --> 00:19:54,900
YOU SHOULD TELL HIM ABOUT
FRANK DELGADO.
442
00:19:54,920 --> 00:19:56,220
SORRY?
443
00:19:56,260 --> 00:19:58,630
IN YOUR SPITBALLING SESSION
TONIGHT WITH DAVE,
444
00:19:58,660 --> 00:20:01,160
YOU SHOULD TELL HIM HOW
FRANK DELGADO DUMPED
445
00:20:01,190 --> 00:20:03,090
THOSE SIX PROSS IN
THE EAST RIVER.
446
00:20:03,120 --> 00:20:04,450
THAT WAS A GOOD CASE.
447
00:20:04,490 --> 00:20:07,090
THAT WASN’T BAD, BUT I GOT
SOME STRONGER STUFF.
448
00:20:07,120 --> 00:20:09,420
JUST MAKE SURE YOU GET STUFF
IN WRITING
449
00:20:09,460 --> 00:20:11,460
BEFORE YOU REALLY COMMIT TO A
BUSINESS DEAL.
450
00:20:11,490 --> 00:20:14,520
I’M NOT TOO WORRIED.
DAVE SEEMS LIKE AN OPEN GUY.
451
00:20:14,560 --> 00:20:17,260
HE LAID THINGS RIGHT OUT
ON THE TABLE.
452
00:20:17,290 --> 00:20:20,250
IT’S THE QUIET ONES THAT ARE
FULL OF SURPRISES.
453
00:20:20,290 --> 00:20:21,650
I’LL REMEMBER THAT.
454
00:20:21,690 --> 00:20:25,990
AND, YOU KNOW, DOESN’T WORK OUT,
I MADE A NEW FRIEND.
455
00:20:26,020 --> 00:20:29,590
GOT IT, GREG.
456
00:20:31,120 --> 00:20:32,290
WHAT’S UP?
457
00:20:32,320 --> 00:20:35,090
GUY IN THE RASTA HAT,
THAT’S HIM.
458
00:20:41,260 --> 00:20:43,260
DON’T MOVE, WAYNE!
459
00:20:43,290 --> 00:20:44,220
UGH!
460
00:20:44,260 --> 00:20:46,100
WHAT’S UP, MAN?!
WHAT IS THIS?!
461
00:20:46,120 --> 00:20:47,720
HE’S GOT A GUN.
462
00:20:47,760 --> 00:20:48,700
GOT ANY NEEDLES
ON YOU?
463
00:20:48,720 --> 00:20:49,850
NO!
464
00:20:49,890 --> 00:20:50,890
DON’T THINK
YOU’RE GETTING AWAY
465
00:20:50,920 --> 00:20:52,450
WITH THAT 20 BUCKS
YOU OWE ME, WAYNE!
466
00:20:52,490 --> 00:20:53,790
SHUT UP, OR YOU’RE ALL
GOING IN.
467
00:20:53,820 --> 00:20:55,920
YO, MAN, THAT AIN’T MY GUN.
468
00:20:55,960 --> 00:20:56,900
IT’S HIS.
469
00:20:56,920 --> 00:20:57,990
SHUT UP!
470
00:21:11,290 --> 00:21:13,090
I CAN’T TELL YOU HOW I GOT
THAT GUN.
471
00:21:13,120 --> 00:21:14,750
ALL I KNOW IS IT’S NOT MINE.
472
00:21:14,790 --> 00:21:16,450
IT FALL OUT OF THE SKY,
WAYNE?
473
00:21:16,490 --> 00:21:19,020
WHEN I SMOKE A DUB AND DRINK,
I BLACK OUT,
474
00:21:19,060 --> 00:21:20,930
SO I’M SAYING IT WAS PLANTED
ON ME.
475
00:21:20,960 --> 00:21:22,500
UH‐HUH.
476
00:21:24,090 --> 00:21:25,390
I’LL GET HIM SITUATED.
477
00:21:28,960 --> 00:21:30,030
HE A PERP?
478
00:21:30,060 --> 00:21:32,330
COULD BE.
HE HAD A PIECE ON HIM.
479
00:21:32,360 --> 00:21:35,230
I COULDN’T GET IN TOUCH WITH YOU
LAST NIGHT.
480
00:21:35,260 --> 00:21:37,560
I WASN’T FEELING SO GOOD.
481
00:21:37,590 --> 00:21:40,320
YOU TALK TO THE DOCTOR
ABOUT IT?
482
00:21:40,360 --> 00:21:44,300
BALDWIN, I’M NOT GONNA BE AROUND
FOR THE NEXT FEW DAYS.
483
00:21:44,320 --> 00:21:46,750
I’M GONNA TAKE SOME TIME
AND SEE MY FOLKS.
484
00:21:46,790 --> 00:21:48,120
ALL OF A SUDDEN?
485
00:21:49,620 --> 00:21:52,650
I REALLY CAN’T HAVE THIS
CONVERSATION RIGHT HERE.
486
00:21:52,690 --> 00:21:54,220
COME HERE.
487
00:22:00,690 --> 00:22:02,390
[ DOOR CLOSES ]
488
00:22:02,420 --> 00:22:03,750
[ SNIFFLES ]
489
00:22:03,790 --> 00:22:05,620
ARE YOU SICK?
490
00:22:05,660 --> 00:22:07,430
I MISCARRIED YESTERDAY.
491
00:22:10,990 --> 00:22:13,650
WHY DIDN’T YOU CALL ME?
WHAT HAPPENED?
492
00:22:13,690 --> 00:22:17,020
I DON’T KNOW.
THERE WAS SOME BLOOD ‐‐
493
00:22:17,060 --> 00:22:20,100
ARE YOU ALL RIGHT?
YOU SEEN A DOCTOR?
494
00:22:20,120 --> 00:22:22,620
YEAH, I WENT IN.
I’M FINE.
495
00:22:22,660 --> 00:22:25,830
[ Crying ] BUT THE BABY...
496
00:22:25,860 --> 00:22:28,200
[ SNIFFLES ]
497
00:22:28,220 --> 00:22:31,750
I GOTTA GO NOW, OKAY?
I JUST CAN’T MISS MY TRAIN.
498
00:22:31,790 --> 00:22:33,550
WHY DIDN’T YOU CALL ME?
499
00:22:33,590 --> 00:22:36,390
I DIDN’T WANT TO TALK
ABOUT IT.
500
00:22:36,420 --> 00:22:37,950
I GOTTA GO NOW.
501
00:22:37,990 --> 00:22:40,220
I’LL CALL YOU TONIGHT.
502
00:22:42,320 --> 00:22:43,620
[ CRYING ]
503
00:22:45,060 --> 00:22:49,000
I’M SO SORRY, VALERIE.
504
00:22:49,020 --> 00:22:50,650
ME TOO.
505
00:22:56,060 --> 00:22:58,630
[ DOOR OPENS ]
506
00:22:58,660 --> 00:23:01,660
[ DOOR CLOSES, KNOCK ON DOOR ]
507
00:23:01,690 --> 00:23:03,390
[ DOOR OPENS ]
508
00:23:09,090 --> 00:23:11,150
WANT ME TO TAKE THIS ALONE?
509
00:23:13,820 --> 00:23:15,090
YOU OKAY?
510
00:23:15,120 --> 00:23:17,420
WHAT’S WRONG?
511
00:23:20,490 --> 00:23:21,790
SHE MISCARRIED.
512
00:23:21,820 --> 00:23:24,450
OH, BALDWIN.
513
00:23:24,490 --> 00:23:27,850
LOOK, LET’S JUST...
GO TALK TO THIS GUY.
514
00:23:27,890 --> 00:23:30,850
NO, LET’S GET SOME COFFEE OR GO
FOR A WALK OR SOMETHING.
515
00:23:30,890 --> 00:23:32,420
LET’S JUST GO TALK TO
THE GUY.
516
00:23:32,460 --> 00:23:34,960
WHATEVER YOU WANT.
517
00:23:40,420 --> 00:23:41,490
[ DOOR OPENS ]
518
00:23:43,720 --> 00:23:45,190
THANKS, JOSH.
519
00:23:45,220 --> 00:23:46,020
ANYTIME.
520
00:23:46,060 --> 00:23:47,830
CAN I TALK NOW?
521
00:23:47,860 --> 00:23:49,160
SIT DOWN!
522
00:23:49,190 --> 00:23:51,650
WAYNE, I DON’T WANNA HEAR A WORD
OUT OF YOU
523
00:23:51,690 --> 00:23:53,390
UNLESS YOU’RE ANSWERING A
QUESTION.
524
00:23:53,420 --> 00:23:57,150
THIS IS A BIG MISUN‐‐
SHUT UP, WAYNE!
525
00:23:57,190 --> 00:23:59,820
DO YOU KNOW WHO
DR. ALBERT LU IS?
NO, I DO NOT.
526
00:23:59,860 --> 00:24:02,530
WHAT WERE YOU DOING LAST NIGHT
AT 2:00 IN THE MORNING?
527
00:24:02,560 --> 00:24:04,030
AT THIS CLUB ON AVENUE "D."
528
00:24:04,060 --> 00:24:06,400
WE GOT A WITNESS PUTS YOU
529
00:24:06,420 --> 00:24:09,520
OUTSIDE DR. LU’S MEDICAL OFFICE
BUILDING AT 2:00.
530
00:24:09,560 --> 00:24:10,800
IT COULDN’T BE ME.
531
00:24:10,820 --> 00:24:12,950
WHERE’D YOU GET THE
PHARMACEUTICALS WE FOUND ON YOU?
532
00:24:12,990 --> 00:24:14,590
I GOT ’EM OFF A FRIEND.
533
00:24:14,620 --> 00:24:15,620
WHO’S YOUR FRIEND?
534
00:24:15,660 --> 00:24:16,900
I’D RATHER NOT SAY.
535
00:24:16,920 --> 00:24:20,350
WAYNE, THE .38 WE FOUND ON YOU
IS ON ITS WAY TO BALLISTICS
536
00:24:20,390 --> 00:24:23,290
AND WILL BE DETERMINED TO BE
THE SAME GUN USED
537
00:24:23,320 --> 00:24:26,290
TO FIRE 6 BULLETS INTO DR. LU
AT 2:00 A. M.
538
00:24:26,320 --> 00:24:28,250
I DON’T KNOW NOTHING
ABOUT IT.
539
00:24:28,290 --> 00:24:30,950
THE INVENTORY OF PILLS YOU WERE
TRYING TO PEDDLE ‐‐
540
00:24:30,990 --> 00:24:33,350
THEY WILL MATCH THE PILLS STOLEN
FROM DR. LU.
541
00:24:33,390 --> 00:24:36,990
THE LITTLE FLECKS OF BLOOD ON
THE SOLE OF YOUR SHOES ‐‐
542
00:24:37,020 --> 00:24:39,220
THEY WILL MATCH UP TO
DR. LU’S BLOOD.
543
00:24:39,260 --> 00:24:42,700
WHEN ALL THESE THINGS ARE ADDED
UP BY A JUDGE AND JURY,
544
00:24:42,720 --> 00:24:44,190
YOU WILL BE PUT TO DEATH.
545
00:24:44,220 --> 00:24:45,420
WHOA, WHOA, WHOA.
546
00:24:45,460 --> 00:24:47,400
YOUR ONLY CHANCE OF GETTING OUT
OF THIS ALIVE
547
00:24:47,420 --> 00:24:50,020
IS BY TELLING US WHAT HAPPENED
AND WHY.
548
00:24:50,060 --> 00:24:51,460
I DIDN’T DO ANYTHING.
549
00:24:51,490 --> 00:24:53,220
COME ON.
YOU’RE GOING IN THE CELL.
550
00:24:53,260 --> 00:24:55,060
JUST HOLD ON!
I DIDN’T DO ANYTHING!
551
00:24:57,820 --> 00:24:59,250
I WAS THERE.
552
00:24:59,290 --> 00:25:03,190
BABY DOLL DID IT.
I DON’T KNOW HER REAL NAME.
553
00:25:03,220 --> 00:25:04,850
BABY DOLL DID IT.
SURE, WAYNE.
554
00:25:04,890 --> 00:25:06,290
I’M SERIOUS.
555
00:25:06,320 --> 00:25:09,190
SHE DO TRICKS, RIGHT?
AND SHE SHOOTS JUNK, TOO.
556
00:25:09,220 --> 00:25:10,590
SO I SEEN HER AROUND.
557
00:25:10,620 --> 00:25:13,350
AND YESTERDAY SHE SAYS TO ME
SHE NEEDED A GUN
558
00:25:13,390 --> 00:25:16,590
AND SHE GOT AN EASY SCORE AND DO
I WANT IN ON IT.
559
00:25:16,620 --> 00:25:19,020
SO WE GET BUZZED IN.
560
00:25:19,060 --> 00:25:20,860
AND BABY DOLL GO GET THE DOC.
561
00:25:20,890 --> 00:25:25,750
SHE SAYS SHE’LL WATCH THE DOC
WHILE I GO GET THE STASH.
562
00:25:25,790 --> 00:25:27,590
SO I GIVE HER THE GUN.
563
00:25:27,620 --> 00:25:31,390
AND I AIN’T GONE 10 SECONDS WHEN
I HEAR "POP! POP! POP!"
564
00:25:31,420 --> 00:25:33,750
THEN I HEAR "POP! POP!
POP!" SOME MORE.
565
00:25:33,790 --> 00:25:35,120
I COME OUT.
566
00:25:35,160 --> 00:25:37,360
SHE’S STANDING THERE,
GUN’S SMOKING,
567
00:25:37,390 --> 00:25:39,450
SPITTING ON THE DOC,
CURSING HIS ASS,
568
00:25:39,490 --> 00:25:42,990
AND KICKING HIS DEAD BODY IN
THE STOMACH.
569
00:25:43,020 --> 00:25:44,020
WHY WAS SHE DOING THAT?
570
00:25:44,060 --> 00:25:46,300
SHE’S PSYCHO!
571
00:25:46,320 --> 00:25:49,720
I DIDN’T KNOW SHE WAS PSYCHO
BEFORE, BUT HERE WE ARE.
572
00:25:49,760 --> 00:25:51,730
WHERE ARE WE GONNA FIND HER?
573
00:25:51,760 --> 00:25:53,000
AVENUE "C."
574
00:25:53,020 --> 00:25:54,390
UP. YOU’RE POINTING HER OUT.
575
00:25:54,420 --> 00:25:56,050
OKAY. OKAY.
576
00:25:58,760 --> 00:25:59,930
[ TELEPHONES RINGING ]
577
00:25:59,960 --> 00:26:01,300
YOU KNOW, THE LIEUTENANT
578
00:26:01,320 --> 00:26:03,350
FROWNS ON EXCESSIVE PERSONAL
CALLS AT WORK.
579
00:26:03,390 --> 00:26:06,220
I GOT ONE RULE, AND I MADE IT
VERY CLEAR TO THE BOROUGH ‐‐
580
00:26:06,260 --> 00:26:07,700
I GOTTA BE REACHABLE.
581
00:26:07,720 --> 00:26:09,820
’CAUSE UNLIKE THESE OTHER
ZOMBIES IN THE P. A. A. POOL,
582
00:26:09,860 --> 00:26:11,530
I’M TRYING TO GET OUT OF HERE.
583
00:26:11,560 --> 00:26:15,330
I GOT PLANS AND I NEED TO BE
REACHABLE WHEN MY AGENT CALLS.
584
00:26:15,360 --> 00:26:16,230
ALL RIGHTY.
585
00:26:20,390 --> 00:26:22,650
THIS TOMLINSON KID’S STORY
CHECK OUT?
586
00:26:22,690 --> 00:26:24,990
YEAH, MOM VOUCHES HE WAS RACKED
OUT TILL 10:00.
587
00:26:25,020 --> 00:26:26,250
SHE CREDIBLE?
588
00:26:26,290 --> 00:26:28,250
YEAH, BUT IT’S STILL HIS MOM,
YOU KNOW.
589
00:26:28,290 --> 00:26:31,520
BODEGA OWNER CONFIRMS THAT HE
SAW TOMLINSON AT 11:00.
590
00:26:31,560 --> 00:26:34,000
WE ALSO WENT BY AND TALKED TO
TERIK’S GIRLFRIEND.
591
00:26:34,020 --> 00:26:35,190
SHE COULDN’T GIVE US MUCH.
592
00:26:35,220 --> 00:26:37,290
WHERE WAS TERIK HEADED
THIS MORNING?
593
00:26:37,320 --> 00:26:39,250
SHE’S SAYING HE DIDN’T
TELL HER.
594
00:26:39,290 --> 00:26:41,690
HE DID TAKE OFF IN A CAR THAT
HASN’T BEEN RECOVERED.
595
00:26:41,720 --> 00:26:43,150
WE PUT AN ALARM OUT ON THAT.
596
00:26:43,190 --> 00:26:44,920
ANYTHING FROM THE M.E. YET?
597
00:26:44,960 --> 00:26:46,700
TWO SHOTS CLOSE RANGE WITH LARGE
CALIBER.
598
00:26:46,720 --> 00:26:49,390
BOTH WENT THROUGH THE BODY.
NEITHER WAS RECOVERED.
599
00:26:49,420 --> 00:26:50,620
SO NOW WHAT?
600
00:26:50,660 --> 00:26:52,130
WE’RE GONNA GO THROUGH TERIK’S
PAROLE FOLDER
601
00:26:52,160 --> 00:26:54,300
AND CHECK OUT SOME OF HIS OTHER
ASSOCIATES.
602
00:26:54,320 --> 00:26:56,050
LET ME KNOW IF YOU NEED
ANYTHING.
603
00:26:59,090 --> 00:27:01,320
DETECTIVE, I NEED TO SPEAK
WITH YOU.
604
00:27:11,420 --> 00:27:14,790
THIS TEMP IS A DISASTER
WAITING TO HAPPEN.
605
00:27:14,820 --> 00:27:16,190
WE’LL KEEP HIM IN LINE.
606
00:27:16,220 --> 00:27:18,320
WELL, I CAN’T LEAVE YOU GUYS
LIKE THIS IN GOOD CONSCIENCE,
607
00:27:18,360 --> 00:27:20,160
SO I’LL JUST HAVE TO CANCEL
THE VACATION.
608
00:27:20,190 --> 00:27:22,850
JOHN, NOTHING AGAINST
YOUR ABILITIES AS A P. A. A.,
609
00:27:22,890 --> 00:27:24,650
BUT WE’LL SURVIVE
IF YOU LEAVE.
610
00:27:24,690 --> 00:27:27,150
IT’LL BE BETTER IF I STAYED.
611
00:27:27,190 --> 00:27:32,420
PLUS, THIS WHOLE TRIP...
612
00:27:32,460 --> 00:27:35,260
YOU WORRIED ABOUT FLYING
STILL?
613
00:27:35,290 --> 00:27:37,420
I’M JUST WORRIED THAT
MAYBE IT’S TOO SOON.
614
00:27:37,460 --> 00:27:40,300
RAY AND I HAVE ONLY GONE OUT
FOR A SHORT TIME.
615
00:27:40,320 --> 00:27:42,720
WHEN YOU GO AWAY WITH SOMEONE,
IT’S MAKE OR BREAK.
616
00:27:42,760 --> 00:27:47,060
IT’S A VACATION.
GO AND HAVE A GOOD TIME.
617
00:27:47,090 --> 00:27:50,450
THIS IS THE FIRST PERSON
I’VE MET...
618
00:27:50,490 --> 00:27:53,720
IN A LONG TIME THAT I’VE
REALLY CARED FOR, AND...
619
00:27:53,760 --> 00:27:55,300
ALLOWED MYSELF TO BE
INTIMATE WITH.
620
00:27:55,320 --> 00:27:58,320
WHOA, WHOA, WHOA.
KEEP IT CLEAN HERE.
621
00:27:58,360 --> 00:28:00,030
OKAY...
622
00:28:00,060 --> 00:28:01,660
I’M HAVING A PANIC ATTACK.
623
00:28:01,690 --> 00:28:03,050
NO, YOU’RE NOT.
624
00:28:03,090 --> 00:28:06,220
I DON’T WANT TO SCREW
THIS UP.
625
00:28:06,260 --> 00:28:08,630
I DON’T WANT TO GO BACK
TO BEING ALONE.
626
00:28:08,660 --> 00:28:10,260
JOHN, YOU’RE A GOOD GUY.
627
00:28:10,290 --> 00:28:13,920
THIS RAY MAXWELL ‐‐
HE’S A GOOD GUY, AND...
628
00:28:13,960 --> 00:28:17,930
WHEN YOU GOT TWO GOOD GUYS,
YOU KNOW...
629
00:28:17,960 --> 00:28:19,300
AY.
630
00:28:19,320 --> 00:28:21,350
THE LAST TRIP I TOOK WITH
SOMEONE
631
00:28:21,390 --> 00:28:23,950
ENDED IN A SHOUTING MATCH
AT A SUSHI BAR IN CANCUN
632
00:28:23,990 --> 00:28:27,350
OVER ME WANTING TO SEE THE RUINS
AND HIM WANTING TO GO CLUBBING.
633
00:28:27,390 --> 00:28:28,620
WE TOOK SEPARATE FLIGHTS
HOME.
634
00:28:28,660 --> 00:28:31,360
LOOK, WHO CARES?
THESE THINGS ARE GONNA HAPPEN.
635
00:28:31,390 --> 00:28:34,420
BUT YOU GOTTA DECIDE IF YOU’RE
GONNA STAY CRAWLED UNDER A ROCK
636
00:28:34,460 --> 00:28:37,800
OR IF YOU’RE GONNA GET OUT THERE
AND TAKE YOUR CHANCES.
637
00:28:37,820 --> 00:28:38,950
BE A MAN.
638
00:28:38,990 --> 00:28:41,690
YOU’RE RIGHT.
639
00:28:41,720 --> 00:28:46,050
THEY FOUND TERIK’S CAR OVER IN
LONG ISLAND CITY, TORCHED.
640
00:28:50,520 --> 00:28:52,650
I’LL GO.
641
00:28:52,690 --> 00:28:54,350
I’M GOING.
642
00:28:54,390 --> 00:28:58,020
AND EVERYTHING WILL BE FINE...
RIGHT?
643
00:28:58,060 --> 00:28:59,860
ABSOLUTELY.
644
00:28:59,890 --> 00:29:02,150
WHATEVER HAPPENS.
645
00:29:13,220 --> 00:29:15,520
WE’LL TAKE THE GIRL.
ANY OTHER COLLARS ARE YOURS.
646
00:29:19,320 --> 00:29:20,120
FREEZE!
647
00:29:20,160 --> 00:29:21,500
POLICE, FREEZE!
648
00:29:21,520 --> 00:29:23,220
GET DOWN!
649
00:29:28,060 --> 00:29:29,730
ALL RIGHT,
THAT’S ENOUGH!
650
00:29:29,760 --> 00:29:32,630
LEAVE ME ALONE!
651
00:29:34,060 --> 00:29:37,830
YOU BABY DOLL?
YOU GONNA CALM DOWN?
652
00:29:37,860 --> 00:29:38,830
THAT’S A NO.
653
00:29:38,860 --> 00:29:40,400
ASSHOLES!
654
00:29:40,420 --> 00:29:42,220
YEAH. COME ON.
655
00:29:42,260 --> 00:29:44,830
DOWN ON YOUR KNEES.
CUFFS.
656
00:29:44,860 --> 00:29:46,230
PUT YOUR HANDS BEHIND
YOUR HEAD!
657
00:29:47,860 --> 00:29:49,330
LET’S GO.
658
00:30:01,160 --> 00:30:04,230
LISA McDONALD ‐‐
IS THAT YOUR REAL NAME?
659
00:30:04,260 --> 00:30:06,200
HOW LONG YOU BEEN WORKING
THE STREETS, LISA?
660
00:30:06,220 --> 00:30:07,590
I DON’T KNOW.
661
00:30:07,620 --> 00:30:12,420
LONG ENOUGH TO KNOW AN EASY
SCORE WHEN YOU SEE ONE?
662
00:30:12,460 --> 00:30:15,430
OR WAS WHAT HAPPENED LAST NIGHT
MORE COMPLICATED THAN THAT?
663
00:30:15,460 --> 00:30:17,060
I DON’T KNOW ABOUT ANY SCORE.
664
00:30:17,090 --> 00:30:19,750
WE KNOW YOU DID IT,
WE KNOW WHO YOU DID IT WITH,
665
00:30:19,790 --> 00:30:22,590
AND WE GOT PEOPLE OUT THERE
LOOKING FOR WAYNE RIGHT NOW.
666
00:30:22,620 --> 00:30:23,650
DON’T KNOW HIM.
667
00:30:23,690 --> 00:30:25,790
YOU DO, AND RIGHT NOW WHERE’S
WE DETERMINE
668
00:30:25,820 --> 00:30:27,320
IF THIS WAS TWO SICK JUNKIES
669
00:30:27,360 --> 00:30:30,200
TOO STUPID TO PULL OFF A ROBBERY
ON AN UPSTANDING CITIZEN
670
00:30:30,220 --> 00:30:31,790
OR IF THERE WAS SOMETHING ELSE
GOING ON.
671
00:30:31,820 --> 00:30:32,720
WHAT DOES THAT MEAN?
672
00:30:32,760 --> 00:30:34,030
YOU TELL US.
673
00:30:34,060 --> 00:30:36,460
SEE, A GUY WITH SIX ROUNDS
PUMPED INTO HIM ‐‐
674
00:30:36,490 --> 00:30:38,590
THAT DOESN’T SAY "BOTCHED
ROBBERY."
675
00:30:38,620 --> 00:30:41,390
MEANING YOU KNEW THE DOCTOR
FROM SOMETHING PRIOR.
676
00:30:41,420 --> 00:30:44,120
UNLESS YOU TELL US WHY,
YOU’LL GO DOWN AS A PSYCHO
677
00:30:44,160 --> 00:30:45,700
WHO KILLED A DECENT GUY
FOR NO REASON.
678
00:30:45,720 --> 00:30:47,050
DECENT, MY ASS.
679
00:30:47,090 --> 00:30:48,020
YOU’RE SAYING HE WASN’T?
680
00:30:48,060 --> 00:30:50,260
I’M A RUNAWAY, RIGHT?
681
00:30:50,290 --> 00:30:53,850
I’M BROKE, I’M HOOKING,
I’M DOING TOO MUCH DOPE.
682
00:30:53,890 --> 00:30:58,950
BUT THAT DOESN’T MAKE ME LESS
THAN ANYONE ELSE OR ANY DOCTOR.
683
00:30:58,990 --> 00:31:00,990
WHAT DID DR. LU
DO TO YOU?
684
00:31:01,020 --> 00:31:03,620
I GOT WORD FROM THIS WOMAN
685
00:31:03,660 --> 00:31:06,360
ABOUT THIS DOCTOR WHO LIKED
YOUNG GIRLS,
686
00:31:06,390 --> 00:31:09,050
WOULD TRADE PRESCRIPTIONS
FOR SEX.
687
00:31:09,090 --> 00:31:11,820
I’D GO TO HIS OFFICE,
HE’D DO HIS THING.
688
00:31:11,860 --> 00:31:14,800
THEN I’D LEAVE WITH A
PRESCRIPTION MADE OUT TO HER.
689
00:31:14,820 --> 00:31:15,920
WHAT’S HER NAME?
690
00:31:15,960 --> 00:31:17,730
ANGELA STOKES.
691
00:31:17,760 --> 00:31:20,800
YOU GIVE THE SCRIP TO ANGELA,
SHE’D GET IT FILLED,
692
00:31:20,820 --> 00:31:22,150
YOU’D SPLIT THE DOPE.
693
00:31:22,190 --> 00:31:24,690
THAT’S HOW SHE EXPLAINED IT TO
ME ‐‐ REAL SIMPLE.
694
00:31:24,720 --> 00:31:26,050
HOW’D IT GET COMPLICATED?
695
00:31:28,990 --> 00:31:31,120
I DON’T WANT TO TELL YOU.
696
00:31:32,560 --> 00:31:35,460
WAS IT SOMETHING OF A SEXUAL
NATURE?
697
00:31:35,490 --> 00:31:39,520
IF YOU WANT TO CALL IT THAT.
I DON’T.
698
00:31:39,560 --> 00:31:41,730
NORMAL PEOPLE DON’T.
699
00:31:41,760 --> 00:31:43,100
THIS ALL HAPPENED YESTERDAY?
700
00:31:44,660 --> 00:31:46,700
A COUPLE OF DAYS AGO.
701
00:31:46,720 --> 00:31:51,690
I SPENT THE WHOLE DAY YESTERDAY
IN THE SHOWER,
702
00:31:51,720 --> 00:31:54,290
AND I COULDN’T GET CLEAN.
703
00:31:54,320 --> 00:31:55,490
[ CRYING ]
704
00:31:55,520 --> 00:31:56,920
SO I CALLED ANGELA
705
00:31:56,960 --> 00:32:00,360
AND ASKED HER IF THE DOCTOR
WANTED ANOTHER GET‐TOGETHER.
706
00:32:00,390 --> 00:32:03,650
SHE SAID YEAH,
SO I WENT BACK.
707
00:32:03,690 --> 00:32:04,720
WITH WAYNE.
708
00:32:04,760 --> 00:32:09,600
HE HAD THE GUN, BUT...
709
00:32:09,620 --> 00:32:12,820
WAYNE JUST THOUGHT IT WAS GONNA
BE A ROBBERY.
710
00:32:12,860 --> 00:32:14,430
ALL RIGHT.
711
00:32:14,460 --> 00:32:17,530
I’M NOT A PIECE OF TOILET PAPER.
712
00:32:17,560 --> 00:32:23,130
WHAT HE DID, THE DOCTOR.
YOU CAN’T DO THAT TO PEOPLE.
713
00:32:25,190 --> 00:32:27,550
NOT EVEN SOMEONE LIKE ME.
714
00:32:27,590 --> 00:32:29,890
[ SOBBING ]
715
00:32:43,120 --> 00:32:45,720
THE GUY OVER HERE IS
JERRY HOPKINS.
716
00:32:45,760 --> 00:32:47,430
HE SAW IT, CALLED IT IN.
717
00:32:47,460 --> 00:32:50,800
WE’RE GONNA NEED CRIME SCENE TO
LOOK FOR TWO SLUGS HERE.
718
00:32:50,820 --> 00:32:52,450
JERRY?
719
00:32:52,490 --> 00:32:53,520
YEAH?
720
00:32:53,560 --> 00:32:54,600
WHAT’D YOU SEE HERE?
721
00:32:54,620 --> 00:32:56,620
BLACK GUY RUNNING AWAY
FROM THIS CAR.
722
00:32:56,660 --> 00:32:57,460
FLAMES HAD JUST STARTED.
723
00:32:57,490 --> 00:32:58,750
WHERE’D YOU SEE THAT
FROM?
724
00:32:58,790 --> 00:32:59,820
SECOND FLOOR.
725
00:32:59,860 --> 00:33:01,100
WHAT WERE YOU DOING
UP THERE?
726
00:33:01,120 --> 00:33:02,390
I OWN IT.
I’M RENOVATING.
727
00:33:02,420 --> 00:33:04,490
YOU WERE LOOKING OUT THE
WINDOW WHEN IT HAPPENED?
728
00:33:04,520 --> 00:33:06,850
I HEARD A BIG "WHOOSH," AND I
RAN TO LOOK.
729
00:33:06,890 --> 00:33:08,390
I THOUGHT MY BUILDING
WAS GOING UP.
730
00:33:08,420 --> 00:33:11,150
WHAT ELSE CAN YOU GIVE US
ON THIS BLACK GUY WHO DID IT?
731
00:33:11,190 --> 00:33:13,220
I’M HERE LIVING BY MYSELF.
I’M A SITTING DUCK.
732
00:33:13,260 --> 00:33:15,500
DON’T WORRY ABOUT THAT.
IT AIN’T COMING BACK AT YOU.
733
00:33:15,520 --> 00:33:17,320
THIS IS FOR INSURANCE
FINE PRINT.
734
00:33:17,360 --> 00:33:20,900
HE WAS MEDIUM HEIGHT, BUT BUILT.
YOU KNOW, STOCKY.
735
00:33:20,920 --> 00:33:22,390
LIGHT SKIN? DARK SKIN?
736
00:33:22,420 --> 00:33:25,020
DARK, REAL DARK.
HAD A SHAVED HEAD.
737
00:33:25,060 --> 00:33:26,260
YOUNGER? OLDER?
738
00:33:26,290 --> 00:33:28,750
WASN’T NO KID.
LIKE IN HIS 40s.
739
00:33:28,790 --> 00:33:30,950
THANKS FOR THE HELP.
740
00:33:30,990 --> 00:33:32,090
THANKS.
741
00:33:36,560 --> 00:33:39,600
IT SAYS SOMETHING TO US, ERIC ‐‐
YOU NOT SKIPPING TOWN.
742
00:33:39,620 --> 00:33:41,790
IT SAYS TO US YOU WERE WANTING
TO BE CAUGHT
743
00:33:41,820 --> 00:33:42,990
AND HAVE THIS BE OVER WITH.
744
00:33:43,020 --> 00:33:44,050
FOR WHAT?
745
00:33:44,090 --> 00:33:45,650
FOR KILLING MARVIN.
746
00:33:45,690 --> 00:33:47,890
IF YOU WOULD’VE WALKED AWAY,
NO ONE WOULD HAVE SEEN YOU.
747
00:33:47,920 --> 00:33:50,620
SETTING FIRE TO THE CAR BROUGHT
ATTENTION TO YOURSELF.
748
00:33:50,660 --> 00:33:53,200
YOU’RE GOING UP FOR THIS,
AND IF YOU TAKE THIS TO TRIAL,
749
00:33:53,220 --> 00:33:55,120
THEN ALL THE PEOPLE THAT KNEW
YOU AND TERIK
750
00:33:55,160 --> 00:33:57,100
ARE GONNA COME UP WITH THEIR OWN
STORIES,
751
00:33:57,120 --> 00:33:58,420
AND YOU’RE GONNA BE HATED.
752
00:33:58,460 --> 00:34:01,060
YOU WANT TO HAVE THEM
GLARING AT YOU IN COURT?
753
00:34:01,090 --> 00:34:02,350
YOU TELL US WHAT HAPPENED,
754
00:34:02,390 --> 00:34:04,650
AND YOU WON’T HAVE TO GO THROUGH
ANOTHER TRIAL.
755
00:34:04,690 --> 00:34:05,720
I AIN’T TALKING TO YOU.
756
00:34:05,760 --> 00:34:07,460
THEN TALK TO ME.
757
00:34:07,490 --> 00:34:09,250
I AIN’T TALKING WITH HIM
IN THE ROOM.
758
00:34:09,290 --> 00:34:10,820
YOU CAN KISS MY BLACK ASS.
759
00:34:10,860 --> 00:34:12,130
ALL RIGHT.
DON’T YOU TALK.
760
00:34:12,160 --> 00:34:13,330
WE’LL GO WITH OUR WITNESSES,
761
00:34:13,360 --> 00:34:15,360
AND WE WILL LOCK YOUR
BLACK ASS UP
762
00:34:15,390 --> 00:34:16,790
WITHOUT NO STATEMENT,
ALL RIGHT?
763
00:34:16,820 --> 00:34:18,250
I AIN’T TALKING TO HIM.
764
00:34:18,290 --> 00:34:22,620
WHAT DO YOU WANT TO DO HERE?
IF YOU WANT, I’LL TAKE IT.
765
00:34:26,690 --> 00:34:27,650
YEAH. TAKE OFF.
766
00:34:27,690 --> 00:34:29,350
SHUT UP!
767
00:34:31,990 --> 00:34:36,350
DON’T YOU EVER ASK ME TO LEAVE
IN FRONT OF A SUSPECT AGAIN.
768
00:34:36,390 --> 00:34:38,990
HE’S NOT GONNA GIVE IT UP
WITH YOU IN THE ROOM.
769
00:34:39,020 --> 00:34:40,690
I’D HAVE GOT IT OUT OF HIM.
770
00:34:40,720 --> 00:34:41,650
IT’S GOING BAD IN THERE.
771
00:34:41,690 --> 00:34:43,490
OH, YOU THINK SO?
772
00:34:43,520 --> 00:34:45,550
AND THIS IS COMING FROM YOUR
VAST FOUR MONTHS’ EXPERIENCE
773
00:34:45,590 --> 00:34:47,320
AS A DETECTIVE.
774
00:34:47,360 --> 00:34:50,160
IF I’M TOO INVESTED OR THE PERP
HAS IT OUT FOR ME,
775
00:34:50,190 --> 00:34:51,820
DOESN’T IT MAKE SENSE
HAVING ME LEAVE
776
00:34:51,860 --> 00:34:53,130
IF IT MEANS GETTING THE
STATEMENT?
777
00:34:53,160 --> 00:34:55,430
WE CONTROL THE ROOM,
NOT HIM.
778
00:34:55,460 --> 00:34:57,500
I’D HAVE NEVER GIVEN THIS
ASSHOLE THE PLEASURE
779
00:34:57,520 --> 00:35:01,350
OF CHUMPING YOU OUT IN YOUR
OWN HOUSE.
780
00:35:01,390 --> 00:35:02,920
YEAH, O‐OKAY.
781
00:35:02,960 --> 00:35:06,060
WHAT YOU DID CUTS MY NUTS OFF
AS FAR AS THAT GUY’S CONCERNED.
782
00:35:06,090 --> 00:35:08,490
SO EITHER I SPEND THE NEXT SIX
HOURS TUNING HIM UP
783
00:35:08,520 --> 00:35:09,450
TO EARN THEM BACK
784
00:35:09,490 --> 00:35:12,490
OR YOU GO IN ALONE AND
GET LUCKY.
785
00:35:12,520 --> 00:35:13,950
UP TO YOU.
786
00:35:23,490 --> 00:35:27,220
THAT’S ONE RACIST PRICK
YOU HANGING OUT WITH.
787
00:35:27,260 --> 00:35:28,200
HEY, THAT’S ENOUGH!
788
00:35:28,220 --> 00:35:29,590
HE WAS IN UNIFORM
789
00:35:29,620 --> 00:35:31,890
WHEN YOU AND TERIK ROBBED AND
KILLED THAT MAN
790
00:35:31,920 --> 00:35:33,250
20 YEARS AGO!
791
00:35:33,290 --> 00:35:35,850
HE SAW THAT GUY’S HEAD OPENED UP
ON THE FLOOR!
792
00:35:35,890 --> 00:35:37,990
I DIDN’T KILL NOBODY!
TERIK DID!
793
00:35:38,020 --> 00:35:41,420
BUT I DID 15 YEARS, OKAY?
I DIDN’T KILL NOBODY.
794
00:35:41,460 --> 00:35:44,500
SO TERIK NOT MAKE IT RIGHT WITH
YOU WHEN HE GOT OUT?
795
00:35:44,520 --> 00:35:47,120
HE ONLY DID THREE MORE YEARS
THAN ME. THAT’S FINE.
796
00:35:47,160 --> 00:35:49,030
HE COME OUT ALL CONVERTED,
THAT’S FINE.
797
00:35:49,060 --> 00:35:51,160
BUT NOW HE GOT THESE GUILTY
WHITE FOLKS
798
00:35:51,190 --> 00:35:52,450
THROWING MONEY AT HIM,
799
00:35:52,490 --> 00:35:55,220
AND I GOT 15 YEARS OF LIVING
TO MAKE UP FOR.
800
00:35:55,260 --> 00:35:57,230
YOU JUST WANTED A PIECE
OF THE ACTION.
801
00:35:57,260 --> 00:35:59,260
NO, I GOT IT COMING TO ME.
802
00:35:59,290 --> 00:36:01,390
BUT HE JUST GONNA GIVE ME
$200 A WEEK,
803
00:36:01,420 --> 00:36:04,290
AND I GOTTA ANSWER PHONES AND
SET UP TABLES
804
00:36:04,320 --> 00:36:06,750
AND KISS PEOPLE’S ASS
FOR IT? UNH‐UNH.
805
00:36:06,790 --> 00:36:08,350
SO I STOPPED DOING IT.
806
00:36:08,390 --> 00:36:13,720
HE SAY HE GOTTA STOP
PAYING ME.
807
00:36:13,760 --> 00:36:16,660
WHAT WENT WRONG THIS MORNING?
808
00:36:16,690 --> 00:36:18,420
LOOK, I CALL HIM.
809
00:36:18,460 --> 00:36:23,030
I JUST WANT TO TALK THIS OUT,
JUST REMIND HIM.
810
00:36:23,060 --> 00:36:27,060
SO HE PICKED ME UP.
I LAY OUT MY CASE.
811
00:36:27,090 --> 00:36:28,790
HE JUST GONNA SHAKE HIS HEAD
812
00:36:28,820 --> 00:36:32,250
AND THEN HE GONNA REACH IN HIS
POCKET AND PULL OUT 200 BUCKS
813
00:36:32,290 --> 00:36:35,850
LIKE I GOT A HAT IN MY HAND,
TALKING ABOUT "THIS IS IT."
814
00:36:35,890 --> 00:36:37,150
HE GONNA CUT ME OFF!
815
00:36:37,190 --> 00:36:39,390
TALKING ABOUT I GOT TO GO OUT
816
00:36:39,420 --> 00:36:41,920
AND FIND MY OWN WAY,
MY BROTHER.
817
00:36:41,960 --> 00:36:45,260
15 YEARS, MAN!
15 YEARS ’CAUSE OF HIM!
818
00:36:45,290 --> 00:36:47,350
WE WENT IN THAT MARKET TO
SNAG A BEER,
819
00:36:47,390 --> 00:36:50,520
AND I GOT 15 YEARS PUT
ON ME, MAN.
820
00:36:54,690 --> 00:36:58,320
LOOK, YOU JUST MAKE SURE THE
PEOPLE KNOW THAT
821
00:36:58,360 --> 00:37:00,860
WHEN THEY ASK YOU WHAT HAPPENED,
THAT’S ALL.
822
00:37:00,890 --> 00:37:03,490
WHERE’S THE GUN?
823
00:37:03,520 --> 00:37:04,890
I THREW IT IN THE RIVER.
824
00:37:07,620 --> 00:37:10,850
I’LL MAKE SURE IT GOES DOWN
THAT IT WASN’T PREMEDITATED.
825
00:37:10,890 --> 00:37:14,120
THAT’LL HELP YOU OUT.
826
00:37:18,460 --> 00:37:21,230
I DON’T EVEN GIVE A DAMN
NO MORE, MAN.
827
00:37:23,820 --> 00:37:25,420
THANKS, LISA.
TAKE CARE.
828
00:37:25,460 --> 00:37:28,160
SO WHAT NOW?
I HAD A SHOT AT NIGHT COURT.
829
00:37:28,190 --> 00:37:30,450
YOU KNOW A PROSS WHO GOES BY
"BABY DOLL"?
830
00:37:30,490 --> 00:37:31,750
NO.
831
00:37:31,790 --> 00:37:32,920
YOUNG GIRL, MINOR,
BLACK HAIR.
832
00:37:32,960 --> 00:37:34,400
YOU PIMPED HER TO DR. LU
833
00:37:34,420 --> 00:37:36,590
FOR GOD KNOWS WHAT KIND OF
SICK BEHAVIOR.
834
00:37:36,620 --> 00:37:37,590
I DON’T PIMP ANYBODY.
835
00:37:37,620 --> 00:37:39,520
YOU DO AND YOU’RE A COLLAR
FOR IT
836
00:37:39,560 --> 00:37:41,260
AND ENDANGERING THE WELFARE
OF A MINOR.
837
00:37:41,290 --> 00:37:43,320
YOU WANT TO FACE A FULL BIT?
FINE WITH ME.
838
00:37:43,360 --> 00:37:45,300
BUT SINCE WE’RE LOOKING TO KEEP
THE GIRL
839
00:37:45,320 --> 00:37:47,850
FROM HAVING TO GO THROUGH
CHAPTER AND VERSE ON THE STAND
840
00:37:47,890 --> 00:37:49,450
ABOUT YOUR MESSED‐UP OPERATION,
841
00:37:49,490 --> 00:37:51,650
WE’RE GONNA LET YOU HELP
YOURSELF WITH A STATEMENT.
842
00:37:51,690 --> 00:37:53,050
UP TO YOU.
843
00:37:56,720 --> 00:37:58,990
OKAY. YEAH.
844
00:37:59,020 --> 00:38:01,950
I GOTTA GET BY, TOO,
YOU KNOW.
845
00:38:01,990 --> 00:38:02,990
IT’S NOT EASY.
846
00:38:03,020 --> 00:38:04,590
SHUT UP AND WRITE.
847
00:38:15,830 --> 00:38:18,960
OKAY, NOW, I SHOWED YOU WHERE I
KEEP THE COLES DIRECTORY
848
00:38:19,000 --> 00:38:21,400
AND THE NUMBERS FOR THE BOROUGH,
THE M. E., AND B.C.I.
849
00:38:21,430 --> 00:38:22,490
YOU SURE DID.
850
00:38:22,530 --> 00:38:24,330
AND THIS IS MY NUMBER AT HOME,
851
00:38:24,360 --> 00:38:27,330
WHERE I’LL BE CHECKING MESSAGES
DAILY IN CASE THERE’S A PROBLEM.
852
00:38:27,360 --> 00:38:28,390
WE WENT THROUGH THIS.
853
00:38:28,430 --> 00:38:31,460
ALL RIGHT, I’M GOING.
854
00:38:31,500 --> 00:38:34,170
NOT BEFORE WE BUY YOU A
SEND‐OFF BEER.
855
00:38:34,200 --> 00:38:36,340
THAT’S VERY KIND, BUT I HAVEN’T
EVEN STARTED PACKING,
856
00:38:36,360 --> 00:38:39,660
AND THEN I HAVE TO GO TO THE
PHARMACY FOR SUNSCREEN AND ‐‐
857
00:38:39,700 --> 00:38:42,400
NO PROBLEM, JOHN.
IT’S OKAY.
858
00:38:42,430 --> 00:38:43,860
HAVE A FUN TRIP.
859
00:38:47,460 --> 00:38:49,190
SIT.
860
00:38:49,230 --> 00:38:50,960
ANYONE FOR A BEER?
THE SUN’S GOING DOWN.
861
00:38:51,000 --> 00:38:52,440
THAT’S WORTH CELEBRATING,
ISN’T IT?
862
00:38:52,460 --> 00:38:53,730
COUNT ME IN.
863
00:38:53,760 --> 00:38:55,230
ME TOO.
I’LL MEET YOU THERE.
864
00:38:57,530 --> 00:38:59,930
SO, UH, WE’RE ALL SQUARED AWAY
THEN, RIGHT, DAVE?
865
00:38:59,960 --> 00:39:01,060
PREPARE TO BE DAZZLED,
LIEUTENANT.
866
00:39:03,100 --> 00:39:05,770
UH, ANDY, CONNIE,
YOU COMING?
867
00:39:05,800 --> 00:39:07,440
I, UH, I GOTTA CATCH UP.
868
00:39:07,460 --> 00:39:08,730
NOT TONIGHT.
869
00:39:08,760 --> 00:39:10,230
BEER, FELLAS?
870
00:39:10,260 --> 00:39:12,630
EITHER YOU’RE WITH US
OR YOU’RE AGAINST US.
871
00:39:12,660 --> 00:39:13,960
I CAN’T DO IT.
872
00:39:14,000 --> 00:39:16,340
I’LL TAKE MISS STOKES HERE TO
CENTRAL BOOKING,
873
00:39:16,360 --> 00:39:17,460
THEN I’M GOING HOME.
874
00:39:17,500 --> 00:39:19,000
I GOTTA PASS, TOO.
875
00:39:20,700 --> 00:39:22,040
SO, GREG, 8:00?
876
00:39:22,060 --> 00:39:25,090
YEAH, DAVE, IT LOOKS LIKE I’M
GONNA HAVE TO CANCEL.
877
00:39:25,130 --> 00:39:28,360
WOW. YOU HUNG IN THERE FOR WHAT,
FIVE HOURS?
878
00:39:28,400 --> 00:39:30,000
WHAT PERSEVERANCE.
879
00:39:30,030 --> 00:39:31,360
I’M JUST SAYING ANOTHER TIME.
880
00:39:31,400 --> 00:39:32,700
YEAH, WHATEVER.
881
00:39:32,730 --> 00:39:35,790
HEY, DAVE.
I GOT A STORY FOR YA.
882
00:39:35,830 --> 00:39:38,130
THIS P. A. A. WANNA‐BE WRITER
883
00:39:38,160 --> 00:39:40,960
SPENDS HIS DAY TYPING
ON HIS COMPUTER
AND TALKING ON HIS CELL PHONE
884
00:39:41,000 --> 00:39:42,840
WHEN HE SHOULD’VE BEEN
DOING HIS JOB,
885
00:39:42,860 --> 00:39:46,330
UNTIL THE DETECTIVES
IN THE SQUAD GET SO SICK
OF THIS ASSHOLE
886
00:39:46,360 --> 00:39:49,660
THAT THEY PULL HIS SHIRT OVER
HIS HEAD LIKE HE GOT IN
A HOCKEY FIGHT,
887
00:39:49,700 --> 00:39:51,570
AND THEY TOSS HIM OUT A WINDOW.
WHAT DO YOU THINK?
888
00:39:51,600 --> 00:39:53,300
[ GIGGLES ]
889
00:39:53,330 --> 00:39:57,490
THINK, UH,
YOU AND I SHOULD BE TALKING.
890
00:39:57,530 --> 00:39:59,560
TOMORROW, YOU’RE JUST A P. A. A.
891
00:39:59,600 --> 00:40:01,300
NO PROBLEM.
892
00:40:01,330 --> 00:40:02,790
UP.
893
00:40:02,830 --> 00:40:07,960
DETECTIVE, RAYMOND CHAMBERS.
ANY PROGRESS WITH THE CASE?
894
00:40:08,000 --> 00:40:09,870
HEY, JOSH, WILL YOU GET HER
DOWNSTAIRS FOR ME?
895
00:40:09,900 --> 00:40:11,700
I’LL BE DOWN IN A MINUTE.
896
00:40:13,600 --> 00:40:14,770
YEAH, WE MADE AN ARREST.
897
00:40:14,800 --> 00:40:16,140
I ASKED TO BE KEPT INFORMED.
898
00:40:16,160 --> 00:40:17,830
WE’VE BEEN BUSY
WITH THE CASE.
899
00:40:17,860 --> 00:40:19,230
THE ASIAN‐AMERICAN PHYSICIANS
ASSOCIATION
900
00:40:19,260 --> 00:40:22,160
WANTS TO RUN AN IN‐DEPTH
OBITUARY ON DR. LU.
901
00:40:22,200 --> 00:40:24,540
THEY WOULD LIKE SOME INFORMATION
ABOUT THE MURDER.
902
00:40:24,560 --> 00:40:27,130
THE WOMAN THAT WAS HERE, DOC ‐‐
THE PROSTITUTE ‐‐ WAS INVOLVED,
903
00:40:27,160 --> 00:40:29,930
AS WAS A 16‐YEAR‐OLD GIRL WHO
CAN’T STOP CRYING
904
00:40:29,960 --> 00:40:32,390
’CAUSE OF THE SICK THINGS YOUR
PARTNER DID TO HER.
905
00:40:32,430 --> 00:40:33,790
YOU WANT TO KNOW MORE?
906
00:40:46,600 --> 00:40:49,540
UH, I SCREWED UP TODAY.
907
00:40:49,560 --> 00:40:50,760
THE GUY WENT.
908
00:40:50,800 --> 00:40:52,640
YEAH, BUT I DID IT WRONG.
909
00:40:52,660 --> 00:40:53,860
IT WON’T HAPPEN AGAIN.
910
00:40:56,300 --> 00:40:58,000
MY BAD.
911
00:40:58,030 --> 00:40:59,390
PBBHHT.
912
00:40:59,430 --> 00:41:01,790
GOOD NIGHT.
913
00:41:05,130 --> 00:41:06,330
NIGHT.
914
00:41:06,360 --> 00:41:07,530
GOOD NIGHT.
915
00:41:10,230 --> 00:41:13,430
YOU GOT TIME FOR A COFFEE BEFORE
YOU HEAD HOME?
916
00:41:13,460 --> 00:41:15,960
I GOT TO FINISH THESE 5’s.
917
00:41:16,000 --> 00:41:17,870
YEAH, I GOT SOME PAPERWORK,
TOO,
918
00:41:17,900 --> 00:41:19,170
SO WHENEVER YOU’RE READY.
919
00:41:30,000 --> 00:41:31,700
HEY.
920
00:41:31,730 --> 00:41:34,990
HEY, GREG.
921
00:41:35,030 --> 00:41:40,090
I CAN’T TELL YOU HOW SORRY I AM
THAT VALERIE LOST THE BABY.
922
00:41:40,130 --> 00:41:42,130
THANKS.
923
00:41:42,160 --> 00:41:45,330
I’VE BEEN A REAL IDIOT
LATELY.
924
00:41:45,360 --> 00:41:47,260
IT’S NOT ALL ON YOU.
925
00:41:47,300 --> 00:41:50,740
NO, I SAW YOU BECOMING FRIENDS
WITH CLARK,
926
00:41:50,760 --> 00:41:55,160
AND I FELT THREATENED, AND I
ACTED OUT.
927
00:41:55,200 --> 00:41:56,700
I APOLOGIZE.
928
00:41:59,730 --> 00:42:01,330
ACCEPTED.
929
00:42:01,360 --> 00:42:05,230
THAT’S IT.
I’LL LEAVE YOU ALONE.
930
00:42:05,260 --> 00:42:09,430
HEY, AFTER I FINISH WITH ANGELA
IN CENTRAL BOOKING,
931
00:42:09,460 --> 00:42:11,660
I WAS GONNA WATCH THE KNICK
GAME.
932
00:42:11,700 --> 00:42:13,070
YOU WANT TO STOP BY?
933
00:42:13,100 --> 00:42:14,370
YEAH?
934
00:42:14,400 --> 00:42:17,570
YEAH, IF YOU WANT.
935
00:42:17,600 --> 00:42:20,140
SURE. SURE.
936
00:42:20,160 --> 00:42:21,160
ALL RIGHT.
937
00:42:28,760 --> 00:42:30,190
WHAT ARE WE CELEBRATING
AGAIN?
938
00:42:30,230 --> 00:42:32,260
WHICH ONE IS THE
"SHOW ME" STATE AGAIN?
939
00:42:32,300 --> 00:42:33,440
MISSOURI.
940
00:42:33,460 --> 00:42:36,460
HERE’S TO THE "SHOW ME" STATE
OF MISSOURI ‐‐
941
00:42:36,500 --> 00:42:38,270
WHATEVER THE HELL
THAT MEANS.
942
00:42:38,300 --> 00:42:41,800
SHOW ME? ARE YOU SERIOUS?
SHOW ME WHAT?
943
00:42:41,830 --> 00:42:43,060
THAT’S WHAT I’M SAYING.
944
00:42:43,100 --> 00:42:45,400
I THINK IT’S ABOUT THEM BEING
SKEPTICS OR SOMETHING.
945
00:42:45,430 --> 00:42:47,190
HMM.
946
00:42:47,230 --> 00:42:50,090
HEY, RITA, YOU EXPECTING YOUR
HUSBAND?
947
00:42:50,130 --> 00:42:52,160
NO.
948
00:42:52,200 --> 00:42:55,170
I’M SORRY.
I KNOW I SHOULDN’T BE HERE.
949
00:42:55,200 --> 00:42:56,640
NO, YOU SHOULDN’T.
950
00:42:56,660 --> 00:43:00,330
ISN’T THIS COZY?
COZY, COZY, COZY.
951
00:43:00,360 --> 00:43:01,760
DON, GET OUT OF HERE.
952
00:43:01,800 --> 00:43:03,840
I KNEW IT.
I KNEW IT.
953
00:43:03,860 --> 00:43:05,790
YOU KNEW WHAT, DON?
YOU’RE DRUNK. GO HOME.
954
00:43:05,830 --> 00:43:07,090
I’LL GET YOU A CAB.
955
00:43:07,130 --> 00:43:08,890
HOW LONG YOU BEEN BANGING HER,
TONY, HUH?
956
00:43:08,930 --> 00:43:10,460
DON’T MAKE AN ASS
OF YOURSELF.
957
00:43:10,500 --> 00:43:11,800
YOU COULDN’T HANDLE A WHITE GUY
958
00:43:11,830 --> 00:43:13,930
PULLING ONE OF YOUR GIRLS OUT OF
THE NEIGHBORHOOD.
959
00:43:13,960 --> 00:43:15,760
DON’T COME BY OUR
STATION HOUSE AGAIN.
960
00:43:15,800 --> 00:43:16,900
I’M TELLING YOU.
961
00:43:16,930 --> 00:43:18,790
YOU BANGING HER, TOO,
TOUGH GUY?
962
00:43:18,830 --> 00:43:21,090
I DON’T WANT TO HAVE TO THROW
YOU OUT ON YOUR ASS.
963
00:43:21,130 --> 00:43:22,260
IT’S OKAY.
964
00:43:25,330 --> 00:43:26,490
I’M SORRY.
965
00:43:26,530 --> 00:43:28,560
JUST GO!
966
00:43:28,600 --> 00:43:29,670
I MISS YOU.
967
00:43:29,700 --> 00:43:30,840
OH, MY GOD.
968
00:43:30,860 --> 00:43:33,290
I’M SORRY FOR WHAT I’VE
DONE,
969
00:43:33,330 --> 00:43:35,030
BUT I CAN’T STOP THINKING
ABOUT YOU,
970
00:43:35,060 --> 00:43:38,030
AND I’M JUST ASKING
FOR A SECOND CHANCE.
971
00:43:38,060 --> 00:43:39,060
NO.
972
00:43:39,100 --> 00:43:40,040
I LOVE YOU.
973
00:43:40,060 --> 00:43:42,160
IT’S OVER!
YOU NEED TO ACCEPT THAT!
974
00:43:42,200 --> 00:43:43,970
NEITHER ONE OF US WAS
PERFECT.
975
00:43:44,000 --> 00:43:45,570
I NEVER CHEATED ON YOU,
DON.
976
00:43:45,600 --> 00:43:48,500
I KNOW YOU WANT TO BELIEVE THAT
TO MAKE YOURSELF FEEL BETTER,
977
00:43:48,530 --> 00:43:49,760
BUT I NEVER DID.
978
00:43:49,800 --> 00:43:52,040
SO YOU WANT TO BE ENEMIES,
I GUESS, HUH?
979
00:43:52,060 --> 00:43:53,330
I WANT YOU TO LEAVE.
980
00:43:53,360 --> 00:43:55,230
ENEMIES IT IS.
981
00:44:15,400 --> 00:44:16,570
HERE YOU GO.
982
00:44:16,600 --> 00:44:19,800
ALL RIGHT.
SO WE GOT OUR COFFEE NOW.
983
00:44:19,830 --> 00:44:23,260
DID EVERYTHING GO ALL RIGHT
AFTER I LEFT LAST NIGHT?
984
00:44:23,300 --> 00:44:24,340
YEAH.
985
00:44:24,360 --> 00:44:25,490
THEN WHAT’S THE PROBLEM?
986
00:44:25,530 --> 00:44:28,930
THERE’S NO PROBLEM.
YOU TRYING TO TALK ME INTO ONE?
987
00:44:28,960 --> 00:44:30,960
YOU’VE BEEN ACTING COMPLETELY
WEIRD TODAY.
988
00:44:31,000 --> 00:44:32,000
STOP IT.
989
00:44:33,630 --> 00:44:36,090
IS IT ABOUT ME KISSING YOU
LAST NIGHT?
990
00:44:36,130 --> 00:44:40,630
NO, WHAT WOULD THE BIG DEAL BE
ABOUT...YOU KNOW, WHY WOULD I...
991
00:44:43,530 --> 00:44:45,090
YEAH. YEAH, IT IS.
992
00:44:45,130 --> 00:44:47,430
ANDY...
993
00:44:47,460 --> 00:44:50,160
I LOVE YOU AND THEO DEARLY.
994
00:44:50,200 --> 00:44:51,570
I REALLY DO.
995
00:44:51,600 --> 00:44:54,040
AND LAST NIGHT, I WAS...
996
00:44:54,060 --> 00:44:57,560
I WAS JUST SO HAPPY,
IT JUST CAME OUT.
997
00:44:57,600 --> 00:45:01,900
I WASN’T TRYING TO BE COY
OR FLIRT.
998
00:45:01,930 --> 00:45:04,330
WELL, ALL IT DID WAS
MAKE ME THINK
999
00:45:04,360 --> 00:45:07,690
HOW WE’VE BEEN SPENDING A LOT OF
TIME TOGETHER
1000
00:45:07,730 --> 00:45:10,990
WHEN YOU SHOULD BE SPENDING YOUR
NIGHTS OUT THERE
1001
00:45:11,030 --> 00:45:14,030
MEETING SOME GUY THAT YOU COULD
BE WITH, GO THE DISTANCE WITH.
1002
00:45:14,060 --> 00:45:16,330
THANK YOU FOR LOOKING OUT
FOR ME LIKE THAT,
1003
00:45:16,360 --> 00:45:18,030
BUT I’M FINE.
1004
00:45:18,060 --> 00:45:21,530
AND THIS SPENDING TIME WITH YOU
AND THEO HAS MEANT A LOT TO ME.
1005
00:45:21,560 --> 00:45:24,630
IT FEELS COMFORTABLE.
1006
00:45:24,660 --> 00:45:28,260
IT MAKES ME FEEL GOOD.
1007
00:45:28,300 --> 00:45:30,900
AND I’VE BEEN HOPING...
1008
00:45:30,930 --> 00:45:34,360
THAT IT’S BEEN MAKING YOU
FEEL GOOD, TOO.
1009
00:45:34,400 --> 00:45:36,770
IT HAS.
1010
00:45:38,030 --> 00:45:39,490
GOOD.
1011
00:45:39,530 --> 00:45:44,260
ALL I’M SAYING IS YOU’RE GONNA
NEED TO FIND SOMEONE YOUR AGE
1012
00:45:44,300 --> 00:45:46,440
TO HAVE KIDS WITH AND START A
FAMILY WITH.
1013
00:45:46,460 --> 00:45:48,260
THAT’S NOT GONNA HAPPEN.
1014
00:45:48,300 --> 00:45:49,300
SURE IT WILL.
1015
00:45:49,330 --> 00:45:51,890
YOU’LL FIND THE RIGHT GUY,
AND BOOM.
1016
00:45:51,930 --> 00:45:53,990
I CAN’T HAVE KIDS.
1017
00:45:55,960 --> 00:45:59,330
LIKE, PHYSICALLY, I’M NOT
ABLE TO.
1018
00:45:59,360 --> 00:46:02,590
I HAD COMPLICATIONS WHEN I WAS
15 WHEN ALL THAT HAPPENED,
1019
00:46:02,630 --> 00:46:05,430
AND, UH, I CAN’T.
1020
00:46:05,460 --> 00:46:07,130
OH.
1021
00:46:09,130 --> 00:46:11,090
SO SPENDING ALL THIS TIME
TOGETHER,
1022
00:46:11,130 --> 00:46:13,590
IT’S ABOUT SPENDING TIME
WITH THEO.
1023
00:46:16,530 --> 00:46:17,690
[ SIGHS ]
1024
00:46:17,730 --> 00:46:20,960
IF THIS IS A PROBLEM FOR YOU,
THEN OKAY.
1025
00:46:22,600 --> 00:46:24,540
I DON’T WANT TO COMPLICATE
YOUR LIFE.
1026
00:46:25,630 --> 00:46:26,860
[ SIGHS ]
1027
00:46:33,730 --> 00:46:35,860
[ SIGHS ]
75588
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