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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,500 --> 00:00:03,200 PREVIOUSLY ON NYPD BLUE... 2 00:00:03,240 --> 00:00:04,770 OH, YOU SON OF A BITCH. 3 00:00:04,800 --> 00:00:06,140 WHAT ARE YOU DOING HERE? 4 00:00:06,170 --> 00:00:10,270 ALL THIS TIME, ACCUSING ME! I AM NOT COMING HOME TONIGHT. 5 00:00:10,300 --> 00:00:12,300 YOU WERE SUPPOSED TO CALL ME YESTERDAY. 6 00:00:12,340 --> 00:00:14,270 I FELL ASLEEP THE MINUTE I GOT HOME. 7 00:00:14,300 --> 00:00:16,570 EVERYTHING NORMAL? EVERYTHING’S FINE. 8 00:00:16,600 --> 00:00:19,470 WE BOOKED OUR FIRST NIGHT IN ARUSHA AT THE MOMELLA LODGE. 9 00:00:19,500 --> 00:00:22,170 WHO’S "WE," OR DO I WANNA KNOW? 10 00:00:22,200 --> 00:00:23,270 RAY MAXWELL AND I. 11 00:00:23,300 --> 00:00:24,800 WELL, GOOD NIGHT. 12 00:00:29,370 --> 00:00:30,540 GOOD NIGHT, ANDY. 13 00:00:44,640 --> 00:00:45,840 HEY. 14 00:00:45,870 --> 00:00:47,000 WHO’S THE D. O. A.? 15 00:00:47,040 --> 00:00:49,400 DR. ALBERT LU. IT’S HIS OFFICE. 16 00:00:49,440 --> 00:00:51,900 NO FORCED ENTRY. BACK ROOM’S RANSACKED. 17 00:00:51,940 --> 00:00:53,240 WHO CALLED IT IN? 18 00:00:53,270 --> 00:00:55,740 SECURITY GUARD, JIM DOBBS, FOUND THE DOOR OPEN. 19 00:00:55,770 --> 00:00:56,870 YOU TALK TO HIM? 20 00:00:56,900 --> 00:00:58,300 NO, I JUST GOT HERE. 21 00:00:58,340 --> 00:01:01,270 JONES, MEDAVOY, AND ORTIZ ARE DOING A CANVASS. 22 00:01:01,300 --> 00:01:03,100 DOBBS, COME ON. 23 00:01:03,140 --> 00:01:07,070 I, UH, I HAD A LOT OF FUN LAST NIGHT. 24 00:01:07,100 --> 00:01:08,670 THANKS AGAIN. 25 00:01:08,700 --> 00:01:10,400 YOU BET. COME ON. 26 00:01:10,440 --> 00:01:13,640 I GOTTA TALK TO HIM. COME HERE. 27 00:01:13,670 --> 00:01:16,470 HOW’S IT GOING? WHEN’D YOU FIND HIM? 28 00:01:16,500 --> 00:01:19,400 I FOUND THE DOOR OPEN AROUND 3:00 JUST AFTER CLOCKING IN 29 00:01:19,440 --> 00:01:21,040 AT THE CHECKPOINT AROUND THE CORNER. 30 00:01:21,070 --> 00:01:22,570 I COULD TELL YOU EXACTLY. 31 00:01:22,600 --> 00:01:24,370 THE DOC GENERALLY HERE THIS LATE? 32 00:01:24,400 --> 00:01:26,640 I’M ONLY WORKING HERE THREE WEEKS. 33 00:01:26,670 --> 00:01:28,900 YOU SEE ANYBODY LAST NIGHT THAT DIDN’T BELONG? 34 00:01:28,940 --> 00:01:31,100 AROUND 1:30, DOING MY ROUNDS. 35 00:01:31,140 --> 00:01:34,740 I SAW THIS TALL WHITE GUY SORT OF HANGING OUT BY THE ALLEY NEXT DOOR. 36 00:01:34,770 --> 00:01:36,170 SORT OF HALF IN, HALF OUT. 37 00:01:36,200 --> 00:01:37,640 DID YOU TALK TO HIM? 38 00:01:37,670 --> 00:01:40,400 NO, BUT HE WAS GONE WHEN I CAME AROUND AGAIN AT 2:00. 39 00:01:40,440 --> 00:01:43,540 YOU DON’T TALK TO SUSPICIOUS PEOPLE HANGING AROUND ALLEYWAYS? 40 00:01:43,570 --> 00:01:44,740 I JUST THOUGHT HE WAS A JUNKIE. 41 00:01:44,770 --> 00:01:46,470 DID YOU HEAR SHOTS? 42 00:01:46,500 --> 00:01:50,040 NO, BUT WHOEVER DID THIS COULD HAVE USED A SILENCER. 43 00:01:51,300 --> 00:01:53,940 YOUR LITTLE SECURITY OFFICE GOT A TV? 44 00:01:53,970 --> 00:01:55,300 YEAH. 45 00:01:55,340 --> 00:01:57,640 GOT A LITTLE SPACE HEATER, TOO? KEEPS THE PLACE COZY? 46 00:01:57,670 --> 00:01:59,800 I MIGHT HAVE RESTED MY EYES FOR A MINUTE. 47 00:01:59,840 --> 00:02:02,970 YEAH, RIGHT. THANKS. 48 00:02:03,000 --> 00:02:04,640 WHAT, DID HE KICK YOUR DOG? 49 00:02:04,670 --> 00:02:05,500 YOU GOT SOMETHING? 50 00:02:05,540 --> 00:02:07,240 YEAH, FROM THE DOC’S POCKET ‐‐ 51 00:02:07,270 --> 00:02:09,400 VICODIN PRESCRIPTION FOR ANGELA STOKES. 52 00:02:09,440 --> 00:02:11,300 GET MEDAVOY AND JONES TO RUN IT. 53 00:02:11,340 --> 00:02:13,270 I’M GONNA GO GIVE ’EM A HAND ON CANVASS. 54 00:02:13,300 --> 00:02:15,200 [ INDISTINCT TALKING OVER POLICE RADIO ] 55 00:02:18,170 --> 00:02:21,540 HEY, UH, ARE YOU ‐‐ ARE YOU OKAY? 56 00:02:21,570 --> 00:02:22,800 I’M FINE. 57 00:02:22,840 --> 00:02:25,040 DID I DO SOMETHING LAST NIGHT THAT MADE YOU ANGRY? 58 00:02:25,070 --> 00:02:29,270 NO. IT WAS A FUN TIME. 59 00:02:29,300 --> 00:02:31,800 THE LITTLE KISS‐‐DID IT MAKE YOU FEEL UNCOMFORTABLE? 60 00:02:31,840 --> 00:02:33,570 NO, IT WAS FINE. 61 00:02:33,600 --> 00:02:37,100 WE SHOULD LOOK FOR A WAY TO GET TO THE D. O. A.’s FAMILY. 62 00:03:52,500 --> 00:03:55,000 ALL OF THOSE ARE THIS YEAR’S CASES, 63 00:03:55,040 --> 00:03:58,940 AND IN THE HALL ARE THE LAST FIVE YEARS ‐‐ 2001, 2000. 64 00:03:58,970 --> 00:04:00,640 ’99, ET CETERA. GOT IT. 65 00:04:02,270 --> 00:04:04,070 AND I RECOMMEND WAITING UNTIL THERE’S A PILE 66 00:04:04,100 --> 00:04:06,440 RATHER THAN RUNNING OFF THE MINUTE SOMETHING COMES IN. 67 00:04:06,470 --> 00:04:09,700 JOHN, I KNOW HOW TO FILE. MONKEYS CAN FILE. 68 00:04:09,740 --> 00:04:11,640 THE COMPUTER IS FOR... 69 00:04:11,670 --> 00:04:14,740 PERSONAL WORK I’M DOING. I CLEARED IT WITH THE BOROUGH. 70 00:04:14,770 --> 00:04:16,170 ARE YOU A WRITER? 71 00:04:16,200 --> 00:04:19,170 YEAH, YEAH, I AM. I WRITE MOVIES. 72 00:04:19,200 --> 00:04:20,570 BUT DON’T ASK IF I’VE SOLD ANYTHING 73 00:04:20,600 --> 00:04:22,540 OR IF YOU’VE SEEN ANY OF THEM, 74 00:04:22,570 --> 00:04:24,170 ’CAUSE THE ANSWER TO BOTH IS "NO"‐‐FOR NOW. 75 00:04:24,200 --> 00:04:25,440 OH, I SEE. 76 00:04:25,470 --> 00:04:28,570 DETECTIVES, THIS IS DAVID MOORE. 77 00:04:28,600 --> 00:04:29,800 DAVE. 78 00:04:29,840 --> 00:04:31,840 HE’LL BE FILLING IN WHILE I’M ON SAFARI. 79 00:04:31,870 --> 00:04:36,300 ANDY SIPOWICZ, JOHN CLARK, CONNIE McDOWELL. 80 00:04:36,340 --> 00:04:38,000 HOW DO YOU SAY YOUR NAME AGAIN? 81 00:04:38,040 --> 00:04:40,070 ANDY SIPOWICZ. 82 00:04:40,100 --> 00:04:42,000 I’LL WRITE DOWN A PHONETIC SPELLING. 83 00:04:42,040 --> 00:04:43,340 GET ANYTHING ON THE CANVASS? 84 00:04:43,370 --> 00:04:47,170 NO, NO OTHER TENANTS WERE IN THERE LATE. 85 00:04:47,200 --> 00:04:49,100 B.C.I. HAVE ANYTHING ON ANGELA STOKES? 86 00:04:49,140 --> 00:04:50,370 A TON OF PROSS COLLARS. 87 00:04:50,400 --> 00:04:53,070 VICE HAS A LOCATION TO LOOK FOR HER. 88 00:04:53,100 --> 00:04:55,640 WE GOT NARCOTICS SWEEPING THE AREA AROUND THE BUILDING. 89 00:04:55,670 --> 00:04:58,140 THERE’S A METHADONE CLINIC A BLOCK DOWN WHERE JUNKIES BUY. 90 00:04:58,170 --> 00:04:59,470 MAYBE ONE OF THEM SAW SOMETHING. 91 00:04:59,500 --> 00:05:01,170 LIEUTENANT? LINE ONE. 92 00:05:01,200 --> 00:05:03,470 WE PAWED THROUGH THE D. O. A.’s RECORDS 93 00:05:03,500 --> 00:05:05,640 AND FOUND A SECOND OFFICE IN CHELSEA. 94 00:05:05,670 --> 00:05:07,870 HE WORKED WITH A PARTNER ‐‐ RAYMOND CHAMBERS. 95 00:05:07,900 --> 00:05:09,370 HE’S COMING IN. 96 00:05:09,400 --> 00:05:12,840 ANDY, WE GOT A D. O. A. IN AN ALLEY OFF AVENUE "D." 97 00:05:12,870 --> 00:05:15,140 YOU TWO OKAY LENDING A HAND ON BOTH CASES? 98 00:05:15,170 --> 00:05:16,900 WHATEVER YOU NEED. 99 00:05:16,940 --> 00:05:18,600 WANT US TO COME ALONG? 100 00:05:18,640 --> 00:05:20,970 WE GOT THIS. LET’S GO. 101 00:05:21,000 --> 00:05:23,400 SMOKEY SMOKE? 102 00:05:23,440 --> 00:05:26,100 NO, THANK YOU, AND YOU’LL HAVE TO DO THAT OUTSIDE. 103 00:05:26,140 --> 00:05:28,200 ON YOUR BREAK. 104 00:05:28,240 --> 00:05:29,300 BACK IN FIVE. 105 00:05:30,900 --> 00:05:32,270 RELAX. 106 00:05:42,740 --> 00:05:44,340 WHAT DO WE GOT? 107 00:05:44,370 --> 00:05:46,300 THE D. O. A.’s A TERIK EL RAHIM. 108 00:05:46,340 --> 00:05:49,170 A HOMELESS GUY CALLED IT IN FROM THE CORNER BODEGA. 109 00:05:49,200 --> 00:05:50,470 WHO’S THIS? 110 00:05:50,500 --> 00:05:51,940 THE D. O. A.’s GIRLFRIEND, A NATALIE INNISS. 111 00:05:51,970 --> 00:05:53,300 HOW’D SHE GET HIP? 112 00:05:53,340 --> 00:05:54,470 OFF THE D. O. A.’s I. D. 113 00:05:54,500 --> 00:05:57,140 I CALLED TO MAKE THE NOTIFICATION. 114 00:05:57,170 --> 00:05:58,470 HOW LONG YOU BEEN ON THE JOB? 115 00:05:58,500 --> 00:05:59,800 ABOUT A YEAR. 116 00:05:59,840 --> 00:06:04,000 WE NOTIFY ON HOMICIDES. THAT WAY, WE CONTROL SITUATIONS. 117 00:06:04,040 --> 00:06:07,140 WE GET TO SEE THEIR REACTIONS WHEN THE NEWS GETS BROKE. 118 00:06:07,170 --> 00:06:08,340 MY BAD. 119 00:06:08,370 --> 00:06:10,670 [ SCOFFS ] "MY BAD." 120 00:06:10,700 --> 00:06:12,100 JERK. 121 00:06:12,140 --> 00:06:14,770 NATALIE? DETECTIVES CLARK AND SIPOWICZ. 122 00:06:14,800 --> 00:06:17,900 VERY SORRY FOR WHAT HAPPENED. IS THIS YOUR BOYFRIEND? 123 00:06:17,940 --> 00:06:19,170 YES. 124 00:06:19,200 --> 00:06:21,000 ANY IDEA WHO’D WANNA DO THIS TO HIM? 125 00:06:21,040 --> 00:06:23,470 [ Crying ] NO. I CAN’T BELIEVE IT. 126 00:06:23,500 --> 00:06:25,200 WHEN’D YOU SEE HIM LAST? 127 00:06:25,240 --> 00:06:26,540 THIS MORNING. 128 00:06:26,570 --> 00:06:27,870 WHERE WAS HE OFF TO? 129 00:06:27,900 --> 00:06:29,200 MA’AM? MA’AM? 130 00:06:29,240 --> 00:06:31,340 MA’AM, YOU CAN’T DO THIS. COME ON. COME ON. 131 00:06:31,370 --> 00:06:33,500 I KNOW IT’S HARD, BUT THIS IS A CRIME SCENE, 132 00:06:33,540 --> 00:06:36,140 ALL RIGHT, IF YOU WANT US TO CATCH WHOEVER DID THIS, 133 00:06:36,170 --> 00:06:37,670 YOU GOTTA LEAVE THE SCENE ALONE. 134 00:06:37,700 --> 00:06:39,500 YOU CAN HOLD HIS HAND ALL YOU WANT 135 00:06:39,540 --> 00:06:41,140 AFTER THE CRIME SCENE’S DONE. 136 00:06:41,170 --> 00:06:42,500 COME ON. TAKE HER. 137 00:06:42,540 --> 00:06:44,200 [ CRYING ] 138 00:06:50,000 --> 00:06:52,140 COME ON IN, DR. CHAMBERS. HAVE A SEAT. 139 00:06:52,170 --> 00:06:53,600 BEFORE WE SAY ANYTHING, 140 00:06:53,640 --> 00:06:56,270 I NEED YOU TO KNOW HOW DEVASTATING THIS IS, 141 00:06:56,300 --> 00:06:58,640 AND NOT JUST TO ME AND DR. LU’S FAMILY, 142 00:06:58,670 --> 00:07:01,470 BUT TO HIS WHOLE COMMUNITY OF PATIENTS. 143 00:07:01,500 --> 00:07:02,470 OF COURSE. 144 00:07:02,500 --> 00:07:03,940 WERE YOU AND DR. LU PARTNERS LONG? 145 00:07:03,970 --> 00:07:06,570 SEVEN YEARS. HE PICKED ME UP OUT OF COLUMBIA 146 00:07:06,600 --> 00:07:08,970 DOES HE HAVE ANY ENEMIES YOU KNOW OF? NONE. 147 00:07:09,000 --> 00:07:10,770 WAS HE FAITHFUL TO HIS WIFE? 148 00:07:10,800 --> 00:07:11,970 RELIGIOUSLY DEVOTED. 149 00:07:12,000 --> 00:07:13,070 HOW WAS BUSINESS? 150 00:07:13,100 --> 00:07:14,870 FOR THE LAST FIVE YEARS, 151 00:07:14,900 --> 00:07:18,140 WE’VE BEEN BILLING $80,000 TO $100,000 A MONTH, SO THRIVING, 152 00:07:18,170 --> 00:07:20,370 BUT THAT’S NOT WHAT MOTIVATED DR. LU. 153 00:07:20,400 --> 00:07:21,970 HE WAS COMMUNITY‐ORIENTED. 154 00:07:22,000 --> 00:07:23,600 HENCE THE CHARITY CLINIC. 155 00:07:23,640 --> 00:07:27,040 AND THAT’S WHERE WE FOUND HIM, THE CHARITY CLINIC? 156 00:07:27,070 --> 00:07:28,600 HE WORKED THERE ONE DAY A WEEK, 157 00:07:28,640 --> 00:07:31,300 ALL FREE, ALL ON HIS OWN TIME. 158 00:07:31,340 --> 00:07:33,470 HE GAVE EVERY OUNCE OF HIMSELF FOR NOTHING, 159 00:07:33,500 --> 00:07:35,740 AND I’M TELLING YOU, THAT’S WHAT GOT HIM KILLED. 160 00:07:35,770 --> 00:07:37,400 HOW SO? 161 00:07:37,440 --> 00:07:40,740 HE TREATED SCUM DOWN THERE ‐‐ WHORES, JUNKIES, CRACK HEADS. 162 00:07:40,770 --> 00:07:43,700 THEY WOULD STEAL FROM HIM. THEY’D GET ABUSIVE. 163 00:07:43,740 --> 00:07:44,770 ANYONE SPECIFIC? 164 00:07:44,800 --> 00:07:46,200 I WOULDN’T KNOW. 165 00:07:46,240 --> 00:07:48,500 DID THE DOCTOR EVER MENTION AN ANGELA STOKES? 166 00:07:48,540 --> 00:07:51,100 WE FOUND HER NAME ON A PRESCRIPTION SHEET. 167 00:07:51,140 --> 00:07:54,740 I’VE NEVER HEARD OF HER, AND IT’S PROBABLY NOT HER REAL NAME. 168 00:07:54,770 --> 00:07:57,870 SO WHEN YOU SAY YOU THINK IT WAS ONE OF HIS PATIENTS, 169 00:07:57,900 --> 00:08:01,640 THAT’S LESS ACTUAL KNOWLEDGE OF A THREAT AND MORE SPECULATION. 170 00:08:01,670 --> 00:08:05,270 WHICH I BASE ON HAVING ROTATED THROUGH PLENTY OF COUNTY E. R. s, 171 00:08:05,300 --> 00:08:07,870 WHERE I TREATED ENOUGH SHOOTERS, ABSCESSES, 172 00:08:07,900 --> 00:08:10,770 AND O. D. s AND CRACK BABIES TO KNOW THAT THOSE PEOPLE ‐‐ 173 00:08:10,800 --> 00:08:13,240 RACE NONSPECIFIC ‐‐ 174 00:08:13,270 --> 00:08:15,040 PLACE ABSOLUTELY NO VALUE ON HUMAN LIFE, 175 00:08:15,070 --> 00:08:16,440 THEIR OWN OR OTHERS’. 176 00:08:16,470 --> 00:08:18,040 I TAKE IT YOU DIDN’T PUT IN A LOT OF TIME 177 00:08:18,070 --> 00:08:19,640 AT DR. LU’S FREE CLINIC. 178 00:08:19,670 --> 00:08:22,470 I ADMIRED HIM FOR HIS EFFORTS, BUT NO. 179 00:08:22,500 --> 00:08:25,500 I DID MY TIME DEALING WITH THOSE PEOPLE. 180 00:08:27,270 --> 00:08:29,240 ANYTHING ELSE? 181 00:08:29,270 --> 00:08:30,870 WE’RE DONE. 182 00:08:30,900 --> 00:08:33,240 I PROMISED ALBERT’S WIFE I’D SERVE AS LIAISON, 183 00:08:33,270 --> 00:08:34,540 SO WHEN THERE’S DEVELOPMENTS, 184 00:08:34,570 --> 00:08:36,740 I NEED TO BE CONTACTED IMMEDIATELY. 185 00:08:40,000 --> 00:08:41,400 PRICK. 186 00:08:43,440 --> 00:08:46,500 OH, HEY, JOHN WANTED ME TO TELL YOU 187 00:08:46,540 --> 00:08:49,300 THAT VICE FOUND ANGELA STOKES. 188 00:08:49,340 --> 00:08:51,340 THEY’RE BRINGING HER IN. 189 00:08:51,370 --> 00:08:52,900 CAN I GET SOME MUD? 190 00:08:52,940 --> 00:08:54,270 HELP YOURSELF. 191 00:08:54,300 --> 00:08:57,440 SO I OVERHEARD YOU’RE A SCREENWRITER. 192 00:08:57,470 --> 00:08:58,470 YEP. 193 00:08:58,500 --> 00:09:01,100 ANYTHING I MIGHT HAVE SEEN? 194 00:09:01,140 --> 00:09:02,600 NO, NOT YET. 195 00:09:02,640 --> 00:09:04,840 SO WHAT DO YOU LIKE TO WRITE ABOUT? 196 00:09:04,870 --> 00:09:06,400 WHAT’S YOUR GENRE? 197 00:09:06,440 --> 00:09:09,740 I DON’T PIGEONHOLE MYSELF, BUT I LIKE SCI‐FI, THRILLERS. 198 00:09:09,770 --> 00:09:13,070 I WAS WORKING ON THIS FISH‐OUT‐OF‐WATER ROMANTIC COMEDY, BUT... 199 00:09:13,100 --> 00:09:14,500 STALLED ON ME. 200 00:09:14,540 --> 00:09:16,570 NOW I’M HEADING INTO MORE REALITY‐BASED SUBJECT MATTER. 201 00:09:16,600 --> 00:09:19,140 LIKE POLICE WORK? 202 00:09:19,170 --> 00:09:20,670 IT CROSSED MY MIND. 203 00:09:20,700 --> 00:09:24,500 I’VE GOT ABOUT A MILLION STORIES AND I’VE ALWAYS SAID 204 00:09:24,540 --> 00:09:27,770 THAT IN THE RIGHT HANDS, THEY’D MAKE A GREAT FEATURE FILM. 205 00:09:27,800 --> 00:09:30,340 YEAH, A LOT OF PEOPLE THINK THEIR LIVES WOULD MAKE A GOOD MOVIE. 206 00:09:30,370 --> 00:09:32,140 99% OF THEM ARE WRONG. 207 00:09:32,170 --> 00:09:36,470 HEY, THIS IS THE 1% HERE, PAL. 208 00:09:36,500 --> 00:09:41,540 BUT SINCE YOU ARE LOOKING INTO REALITY‐BASED SUBJECT MATTER, 209 00:09:41,570 --> 00:09:43,800 MAYBE I COULD TELL YOU SOME OF MY STORIES, 210 00:09:43,840 --> 00:09:46,070 PITCH THEM TO YOU, SEE WHAT YOU THINK. 211 00:09:46,100 --> 00:09:47,770 I’LL GET BACK TO YOU ON THAT. 212 00:09:50,740 --> 00:09:54,900 SHOCKING AS IT MAY SEEM, I HAVE LED AN INTERESTING LIFE. 213 00:09:54,940 --> 00:09:57,240 I DIDN’T SAY ANYTHING. 214 00:09:57,270 --> 00:10:00,600 OKAY, THANKS. 215 00:10:00,640 --> 00:10:04,100 TERIK EL RAHIM OWED TWO YEARS PAROLE ON A ROBBERY‐HOMICIDE 216 00:10:04,140 --> 00:10:05,200 FROM 20 YEARS AGO. 217 00:10:05,240 --> 00:10:06,640 BACK THEN, HE WAS MARVIN WINTERS. 218 00:10:06,670 --> 00:10:08,640 MARVIN WINTERS? 219 00:10:08,670 --> 00:10:11,740 A MARKET ON BOWERY, RIGHT? HE BEAT THE OWNER WITH A PIPE? 220 00:10:11,770 --> 00:10:14,970 THAT WAS ONE OF THE WORST BEATINGS I EVER SEEN. 221 00:10:15,000 --> 00:10:17,440 AND THAT WAS JUST A ROBBERY? NO GRUDGE? 222 00:10:17,470 --> 00:10:19,840 HIM AND A PARTNER WENT IN ALL DOPED UP. 223 00:10:19,870 --> 00:10:21,100 WINTERS JUST LOST IT. 224 00:10:21,140 --> 00:10:22,770 GUESS IT CAME BACK TO HIM. 225 00:10:22,800 --> 00:10:24,370 HIS P. O. IS LANCE EDMUNDS. 226 00:10:24,400 --> 00:10:27,700 HE SAYS HE’LL KEEP HIMSELF AVAILABLE ALL DAY. 227 00:10:27,740 --> 00:10:29,900 VICE IS ON THEIR WAY WITH ANGELA STOKES. 228 00:10:29,940 --> 00:10:31,870 RITA, CONNIE, YOU TWO TALK TO HER? 229 00:10:31,900 --> 00:10:32,770 YOU GOT IT. 230 00:10:44,200 --> 00:10:46,100 YOU KNOW THIS IS A LOT OF ATTENTION 231 00:10:46,140 --> 00:10:47,540 FOR A LITTLE BIT OF DOPE. 232 00:10:47,570 --> 00:10:48,700 AND HOOKING. 233 00:10:48,740 --> 00:10:49,740 I GOTTA EAT! 234 00:10:49,770 --> 00:10:53,140 WHERE WERE YOU EARLY THIS MORNING, ANGELA? 235 00:10:53,170 --> 00:10:54,140 WORKING. 236 00:10:54,170 --> 00:10:55,240 ON WHO? 237 00:10:55,270 --> 00:10:56,700 WHAT’S UP? 238 00:10:56,740 --> 00:10:58,770 ACCOUNT FOR YOUR TIME LAST NIGHT, ANGELA. 239 00:10:58,800 --> 00:11:00,940 WITH A LOT OF JOHNS I DIDN’T KNOW 240 00:11:00,970 --> 00:11:02,240 AND DIDN’T ASK FOR I. D., WHY? 241 00:11:02,270 --> 00:11:04,470 YOU KNOW DR. ALBERT LU? 242 00:11:04,500 --> 00:11:06,270 HE’S MY DOCTOR. FOR WHAT? 243 00:11:06,300 --> 00:11:08,300 ISN’T THAT BETWEEN HIM AND ME? 244 00:11:08,340 --> 00:11:10,840 IT TAKES A BACK SEAT TO SOLVING A HOMICIDE. 245 00:11:10,870 --> 00:11:12,370 WHAT HOMICIDE? 246 00:11:14,870 --> 00:11:19,200 YOU’RE SAYING DR. LU ‐‐ DR. LU’S DEAD? 247 00:11:19,240 --> 00:11:20,500 WHAT’D YOU SEE HIM FOR? 248 00:11:20,540 --> 00:11:21,700 FOR, YOU KNOW, THINGS. HEALTH. 249 00:11:21,740 --> 00:11:23,800 YOU’RE SERIOUS? HE’S DEAD? 250 00:11:23,840 --> 00:11:25,870 WHEN’S THE LAST TIME YOU SAW HIM? 251 00:11:25,900 --> 00:11:27,140 A WHILE AGO. 252 00:11:27,170 --> 00:11:28,800 YOU TALK TO HIM RECENTLY? NO. 253 00:11:28,840 --> 00:11:31,940 HOW COME WE FOUND HIM WITH A PRESCRIPTION IN HIS POCKET 254 00:11:31,970 --> 00:11:34,140 MADE OUT TO YOU DATED TODAY? 255 00:11:34,170 --> 00:11:35,570 SOMETHING YOU WANT TO GET OFF YOUR CHEST? 256 00:11:35,600 --> 00:11:38,700 I CALLED HIM ABOUT SOME BACK PAIN. 257 00:11:38,740 --> 00:11:40,040 WHY LIE ABOUT IT? 258 00:11:40,070 --> 00:11:43,770 HE WAS SUPPOSED TO GIVE ME AN EXAMINATION, BUT HE DIDN’T. 259 00:11:43,800 --> 00:11:46,300 I DIDN’T WANT YOU TO THINK HE WAS DOING ANYTHING WRONG. 260 00:11:46,340 --> 00:11:48,270 BEING SO PROTECTIVE, YOU MUST HAVE BEEN CLOSE. 261 00:11:48,300 --> 00:11:49,800 HE WAS A GOOD GUY. 262 00:11:49,840 --> 00:11:51,970 ANYONE YOU CAN THINK OF WHO MIGHT HAVE THOUGHT DIFFERENT? 263 00:11:52,000 --> 00:11:53,400 NO. 264 00:11:53,440 --> 00:11:54,940 ALL HE DID WAS HELP PEOPLE. 265 00:11:54,970 --> 00:11:57,800 NEVER ASKED FOR MONEY, NEVER ASKED ANY QUESTIONS. 266 00:11:57,840 --> 00:12:00,400 LIKE, "DO YOU ACTUALLY HAVE BACK PAIN, OR DO YOU JUST HAVE A HABIT?" 267 00:12:00,440 --> 00:12:03,370 EXCUSE ME, BUT 15 YEARS OF GETTING TWISTED AROUND IN CARS 268 00:12:03,400 --> 00:12:05,400 AND DOING GUYS UP AGAINST WALLS TAKES A TOLL. 269 00:12:05,440 --> 00:12:06,500 I BET. 270 00:12:06,540 --> 00:12:09,470 NOT TO MENTION GETTING BEAT ABOUT 60 TIMES. 271 00:12:09,500 --> 00:12:12,040 DID ME A FAVOR ’CAUSE HE WAS A GOOD GUY. 272 00:12:12,070 --> 00:12:14,370 COME ON, ANGELA, YOU’RE GOING IN FOR THE POSSESSION. 273 00:12:14,400 --> 00:12:17,570 WE’LL TALK TO THE D. A., SEE IF WE CAN GET YOU SOME PLAY. 274 00:12:17,600 --> 00:12:20,700 IN THE MEANTIME, YOU’RE GOING DOWNSTAIRS TO A CELL. 275 00:12:20,740 --> 00:12:22,470 GREAT. PERFECT DAY. 276 00:12:32,120 --> 00:12:34,690 TERIK WAS THE MOST IDEAL PAROLEE I’VE DEALT WITH. 277 00:12:34,720 --> 00:12:37,550 THAT’S OKAY, YOU CAN CALL HIM MARVIN IN FRONT OF US. 278 00:12:37,590 --> 00:12:41,020 THIS ISN’T A GUY WHO TOOK THE MUSLIM NAME BECAUSE IT WAS COOL. 279 00:12:41,060 --> 00:12:42,300 HE WAS BEHIND THE PROGRAM. 280 00:12:42,320 --> 00:12:44,320 LIKE WHAT, HE STOPPED EATING PORK? 281 00:12:44,360 --> 00:12:46,360 IN THE YEAR AND HALF HE’S BEEN OUT, 282 00:12:46,390 --> 00:12:48,320 HE’S STARTED UP A COMMUNITY‐ACTIVIST ORGANIZATION 283 00:12:48,360 --> 00:12:50,200 CALLED LIFE SEEDS‐‐ LIFE SEEDS. 284 00:12:50,220 --> 00:12:52,120 WHICH IS FUNDED BY DONATIONS 285 00:12:52,160 --> 00:12:54,260 HE WENT OUT AND GOT FROM MAJOR CORPORATIONS. 286 00:12:54,290 --> 00:12:55,750 SO HE WAS A SHAKEDOWN ARTIST. 287 00:12:55,790 --> 00:12:57,120 NO, HE WASN’T. 288 00:12:57,160 --> 00:12:59,630 EVERY DIME OF THAT MONEY WENT TO COMMUNITY SERVICES. 289 00:12:59,660 --> 00:13:00,760 YOU SAW THE BOOKS? 290 00:13:00,790 --> 00:13:02,190 CONN’S COMMUNITY CENTER? 291 00:13:02,220 --> 00:13:05,020 THAT WAS RENOVATED WITH MONEY TERIK RAISED. 292 00:13:05,060 --> 00:13:06,830 PABLO ESCOBAR BUILT SOCCER FIELDS 293 00:13:06,860 --> 00:13:10,030 WHEN HE WASN’T MOVING TONS OF COKE AND WHACKING JUDGES. 294 00:13:10,060 --> 00:13:11,400 WHO WERE HIS ASSOCIATES? 295 00:13:11,420 --> 00:13:12,690 LOTS OF PEOPLE. 296 00:13:12,720 --> 00:13:15,150 HE WAS OUT IN THE COMMUNITY RAISING MONEY, SPEAKING IN SCHOOLS. 297 00:13:15,190 --> 00:13:17,790 WHO WAS CLOSE TO HIM BESIDES HIS GIRLFRIEND, NATALIE? 298 00:13:17,820 --> 00:13:19,350 HE HAD A BUDDY ERIC GREEN. 299 00:13:19,390 --> 00:13:21,590 ERIC GREEN, WHO WAS IN ON ROBBING 300 00:13:21,620 --> 00:13:24,650 AND BEATING THAT OLD MAN TO DEATH 20 YEARS AGO. 301 00:13:24,690 --> 00:13:26,520 YEAH, ERIC DID 15 YEARS. 302 00:13:26,560 --> 00:13:29,330 THEY HOOKED BACK UP AFTER TERIK GOT OUT, BUT THEY’RE BOTH CLEAN. 303 00:13:29,360 --> 00:13:32,230 ERIC WORKS FOR TERIK AT LIFE SEEDS. 304 00:13:32,260 --> 00:13:35,400 TERIK WATCHES OUT FOR HIM. 305 00:13:35,420 --> 00:13:37,720 TERIK HAVE ANY PROBLEMS IN THE CAN? 306 00:13:37,760 --> 00:13:39,800 FIRST TWO YEARS, UNTIL HE CONVERTED. 307 00:13:39,820 --> 00:13:42,290 NOTHING THE LAST 16 YEARS ‐‐ 308 00:13:42,320 --> 00:13:44,790 MODEL PRISONER, MADE THE BOARD HIS FIRST TIME. 309 00:13:44,820 --> 00:13:48,650 LET’S GO TALK TO HIS SCUMBAG ACCOMPLICE, ERIC GREEN. 310 00:13:48,690 --> 00:13:52,120 HEY. WE KNOW WHAT TERIK DID. HE KNEW WHAT HE DID. 311 00:13:52,160 --> 00:13:54,960 I’M TELLING YOU, THIS GUY WAS OUT THERE TRYING TO MAKE A DIFFERENCE 312 00:13:54,990 --> 00:13:56,550 WITH THE SECOND CHANCE HE GOT. 313 00:13:56,590 --> 00:13:58,520 ANOTHER SOCIOLOGY MAJOR. 314 00:14:04,860 --> 00:14:06,500 HAVE A SEAT, ERIC. 315 00:14:09,490 --> 00:14:12,020 GOT SOME BAD NEWS ABOUT YOUR FRIEND TERIK. 316 00:14:12,060 --> 00:14:14,330 YEAH, I HEARD. HIS GIRLFRIEND TOLD ME. 317 00:14:14,360 --> 00:14:15,830 YOU KNOW ANYTHING ABOUT IT? 318 00:14:15,860 --> 00:14:17,060 I DON’T KNOW WHO DID HIM. 319 00:14:17,090 --> 00:14:18,750 HE SCREW ANYBODY OVER? 320 00:14:18,790 --> 00:14:21,650 NO, TERIK KEPT HIS NOSE CLEAN SINCE HE GOT OUT. 321 00:14:21,690 --> 00:14:25,250 HE KEEP WOMEN ON THE SIDE, ONE OF THEM GET PISSED OFF, MAYBE? 322 00:14:25,290 --> 00:14:28,150 NO, HIM AND NATALIE WERE SOLID. 323 00:14:28,190 --> 00:14:30,250 LOOK, I’M TELLING YOU, TERIK WAS STRAIGHT‐UP MUSLIM. 324 00:14:30,290 --> 00:14:32,290 HE WAS YOUR BEST FRIEND, RIGHT? 325 00:14:32,320 --> 00:14:35,820 AND THERE’S NOTHING YOU CAN DO TO HELP US FIND WHO KILLED HIM? 326 00:14:35,860 --> 00:14:41,260 LAST WEEK, HE HAD TO FIRE THIS KID 327 00:14:41,290 --> 00:14:43,720 WHO WAS WORKING OVER AT HIS COMMUNITY DEAL, LIFE SEEDS. 328 00:14:43,760 --> 00:14:45,130 FOR WHAT? TAKING MONEY. 329 00:14:45,160 --> 00:14:48,330 CASH DONATION CAME IN, KID POCKETED IT. 330 00:14:48,360 --> 00:14:50,630 TERIK FIRED HIM ON THE SPOT. 331 00:14:50,660 --> 00:14:52,230 WHAT’S THIS KID’S NAME? 332 00:14:52,260 --> 00:14:53,900 SHAWN. SHAWN TOMLINSON. 333 00:14:53,920 --> 00:14:57,320 I’M NOT SAYING HE DID ANYTHING, BUT THAT HAPPENED. 334 00:14:57,360 --> 00:14:59,760 YOU WORKED AT LIFE SEEDS, RIGHT? 335 00:14:59,790 --> 00:15:00,790 YEAH. 336 00:15:00,820 --> 00:15:01,790 DOING WHAT? 337 00:15:01,820 --> 00:15:03,090 HELPING OUT. 338 00:15:03,120 --> 00:15:05,350 YOU HELP YOURSELF TO ANY OF THAT MONEY COMING IN 339 00:15:05,390 --> 00:15:08,450 LIKE YOU DID AT FINNERTY’S MARKET 20 YEARS AGO? 340 00:15:08,490 --> 00:15:10,590 JUST REACH IN AND GRAB WHAT YOU CAN, 341 00:15:10,620 --> 00:15:13,490 AND IF SOMEBODY GETS IN THE WAY, THEY GET DEALT WITH? 342 00:15:13,520 --> 00:15:14,550 I DIDN’T KILL TERIK. 343 00:15:14,590 --> 00:15:16,420 THERE’S A LOT OF MONEY AROUND THAT PLACE. 344 00:15:16,460 --> 00:15:17,600 BEATS WORKING. 345 00:15:17,620 --> 00:15:21,120 OR DID YOU GET ALL "REHABILITATED" TOO, LIKE MARVIN? 346 00:15:21,160 --> 00:15:25,300 IF TERIK WAS HERE, HE WOULD SAY ASSALAM ALAIKUM‐‐ 347 00:15:25,320 --> 00:15:28,690 GOD’S PEACE BE UPON YOU, MY BROTHER. 348 00:15:28,720 --> 00:15:32,620 I DIDN’T KILL TERIK. I WISH I KNEW WHO DID. 349 00:15:32,660 --> 00:15:34,530 CAN I GO NOW? 350 00:15:34,560 --> 00:15:37,030 DON’T DEPUTIZE YOURSELF AND GET JAMMED UP AGAIN. 351 00:15:37,060 --> 00:15:39,830 IF YOU FIND ANY INFORMATION, YOU LET US HANDLE IT. 352 00:15:39,860 --> 00:15:40,800 CAN I GO NOW? 353 00:15:40,820 --> 00:15:41,890 YEAH, TAKE OFF. 354 00:15:45,660 --> 00:15:48,530 ASSALAM ALAIKUM. 355 00:15:53,420 --> 00:15:56,120 THIS IS GENERALLY THE STACK HEIGHT AT WHICH I START FILING. 356 00:15:56,160 --> 00:15:57,500 JUST FINISHING THIS THOUGHT, 357 00:15:57,520 --> 00:15:59,520 SO HOW ABOUT WE GIVE IT ANOTHER INCH? 358 00:16:04,090 --> 00:16:07,350 SO, GREG, I WAS THINKING ABOUT WHAT YOU SAID, 359 00:16:07,390 --> 00:16:08,990 AND, YOU KNOW, I’D BE INTERESTED 360 00:16:09,020 --> 00:16:10,750 IF YOU HAD ANYTHING REGARDING A SERIAL KILLER, 361 00:16:10,790 --> 00:16:14,790 ANYTHING UNUSUALLY GRISLY, OR WITH A SEXUAL COMPONENT. 362 00:16:14,820 --> 00:16:17,520 YEAH, I COULD PROBABLY GIVE YOU A COUPLE TO CHOOSE FROM. 363 00:16:17,560 --> 00:16:18,600 COOL. COOL. 364 00:16:18,620 --> 00:16:20,750 LET’S MEET AT DOWNTOWN GROUNDS AT 8:00. 365 00:16:20,790 --> 00:16:22,220 ALL RIGHT. 366 00:16:24,690 --> 00:16:29,090 THAT’S THAT ALTERNATIVE‐TYPE COFFEE HANGOUT PLACE, RIGHT? 367 00:16:29,120 --> 00:16:30,850 THAT’S THE ONE. 368 00:16:30,890 --> 00:16:32,020 DO I NEED TO CHANGE? 369 00:16:32,060 --> 00:16:34,530 WHATEVER. JUST BE THERE AT 8:00. 370 00:16:34,560 --> 00:16:37,460 JUST GOT OFF THE PHONE WITH THIS UNDERCOVER NARCOTICS 371 00:16:37,490 --> 00:16:40,220 WITH THE HEADS‐UP ON ANYONE PEDALING PHARMACEUTICALS, 372 00:16:40,260 --> 00:16:43,160 AND HE RAN INTO THIS JUNKIE IN THOMPSON SQUARE PARK, 373 00:16:43,190 --> 00:16:45,590 WAYNE KING, LOOKING TO OFF‐LOAD SOME VICODIN. 374 00:16:45,620 --> 00:16:47,450 WHAT’S THIS KING LOOK LIKE? 375 00:16:47,490 --> 00:16:50,490 TALL, WHITE, GETS HIS METHADONE AFTERNOONS ON "A" AND 7th. 376 00:16:50,520 --> 00:16:52,620 A SECURITY GUARD SAW A TALL WHITE GUY 377 00:16:52,660 --> 00:16:54,860 IN THE ALLEY BEHIND THE DOCTOR’S OFFICE. 378 00:16:54,890 --> 00:16:57,850 WE ALSO FOUND A WOMAN WHO GAVE THE SAME DESCRIPTION. 379 00:16:57,890 --> 00:16:59,520 SHE’S NO GOOD FOR I. D., THOUGH. 380 00:16:59,560 --> 00:17:02,260 GET A PHOTO OF KING AND SIT ON THE CLINIC. 381 00:17:07,290 --> 00:17:09,020 I’M ASSUMING ALL YOUR WORK’S DONE. 382 00:17:09,060 --> 00:17:11,230 ABSOLUTELY, LIEUTENANT, AND HAVING MY COMPUTER 383 00:17:11,260 --> 00:17:13,360 IS SOMETHING I CLEARED WITH THE BOROUGH. 384 00:17:13,390 --> 00:17:15,950 WHEN YOU’RE WORKING MY SQUAD, YOU CLEAR THINGS WITH ME. 385 00:17:15,990 --> 00:17:18,750 GOT IT. WE’RE ALL CAUGHT UP. 386 00:17:18,790 --> 00:17:21,450 [ PAGER BEEPS ] 387 00:17:21,490 --> 00:17:24,020 JOHN? I’LL BE CHANGING MY PAGER AND HOME PHONE. 388 00:17:24,060 --> 00:17:26,160 MAKE SURE I GET YOU THE NEW NUMBERS 389 00:17:26,190 --> 00:17:28,750 AND THEY DON’T GO TO ANYONE OUTSIDE THE SQUAD. 390 00:17:28,790 --> 00:17:30,450 OF COURSE. 391 00:17:30,490 --> 00:17:31,890 DON? 392 00:17:31,920 --> 00:17:35,150 YEAH, A LOT OF PAGES, A LOT OF CALLS MIDDLE OF THE NIGHT. 393 00:17:35,190 --> 00:17:36,590 DID YOU TELL YOUR LAWYER? 394 00:17:36,620 --> 00:17:38,090 UM...HE’LL STOP. 395 00:17:52,060 --> 00:17:53,530 SIT DOWN. 396 00:17:57,960 --> 00:18:00,330 YOU KNOW A TERIK EL RAHIM, SHAWN? 397 00:18:00,360 --> 00:18:02,460 YEAH. HOW? 398 00:18:02,490 --> 00:18:06,350 WORKED FOR HIM AT LIFE SEEDS, THIS COMMUNITY OUTREACH JOINT. 399 00:18:06,390 --> 00:18:07,920 WHY’D YOU STOP WORKING THERE? 400 00:18:07,960 --> 00:18:09,600 I WANTED TO LEAVE. 401 00:18:09,620 --> 00:18:12,220 AFTER HE CAUGHT YOU POCKETING DONATIONS? 402 00:18:12,260 --> 00:18:15,060 TERIK PRESSING CHARGES AGAINST ME FOR THAT? 403 00:18:15,090 --> 00:18:16,790 MUST HAVE PISSED YOU OFF, GETTING FIRED. 404 00:18:16,820 --> 00:18:19,890 NO, IF I WAS MAD AT ANYBODY, I WAS MAD AT MYSELF. 405 00:18:19,920 --> 00:18:21,450 WHERE YOU BEEN THIS MORNING? 406 00:18:21,490 --> 00:18:23,250 HANDLING MY BUSINESS, WHY AM I HERE? 407 00:18:23,290 --> 00:18:25,820 YOU GOT PEOPLE WHO CAN VOUCH FOR YOU? 408 00:18:25,860 --> 00:18:27,730 SLEPT IN TILL TEN. ASK MY MOM. 409 00:18:27,760 --> 00:18:29,160 MOMS DON’T CUT IT. WHO ELSE? 410 00:18:29,190 --> 00:18:31,450 JUST HER, THEN I WENT DOWN TO THE CORNER BODEGA, 411 00:18:31,490 --> 00:18:33,420 GOT A JUICE, AND READ THE SPORTS PAGES. 412 00:18:33,460 --> 00:18:35,660 TERIK PRESSING CHARGES ON ME OR WHAT? 413 00:18:35,690 --> 00:18:36,890 TERIK’S DEAD. 414 00:18:38,320 --> 00:18:40,390 OH, NO, NO, NO. NO WAY, MAN! 415 00:18:40,420 --> 00:18:42,050 I DON’T KNOW NOTHING ABOUT THAT! 416 00:18:42,090 --> 00:18:44,950 I SLEPT IN THEN WENT DOWN TO THE BODEGA! 417 00:18:44,990 --> 00:18:46,550 WHO’D WANT TERIK DEAD? 418 00:18:46,590 --> 00:18:49,420 LISTEN, MAN, HE WAS OUT THERE HELPING A LOT OF PEOPLE, 419 00:18:49,460 --> 00:18:51,960 BUT SOME WEREN’T READY TO BE HELPED, YOU KNOW? 420 00:18:51,990 --> 00:18:53,320 LIKE YOU? 421 00:18:53,360 --> 00:18:54,800 I’M TALKING ABOUT HARD‐CORE DUDES, MAN! 422 00:18:54,820 --> 00:18:56,920 HE WAS MIXING IT UP WITH GANG‐BANGERS, 423 00:18:56,960 --> 00:18:59,030 TRYING TO BROKER A TRUCE, GET THEM JOBS. 424 00:18:59,060 --> 00:19:01,360 ANY ONE OF THEM COULD HAVE, BUT NOT ME! 425 00:19:01,390 --> 00:19:05,350 WE’LL CHECK OUT YOUR STORY. MEANWHILE, YOU’RE STAYING HERE. 426 00:19:05,390 --> 00:19:06,590 THAT’S MESSED UP ABOUT TERIK. 427 00:19:06,620 --> 00:19:09,520 HE WAS A GREAT MAN, BETTER THAN ANY OF US. 428 00:19:09,560 --> 00:19:11,360 BETTER THAN US, HUH? 429 00:19:11,390 --> 00:19:14,320 YEAH! YOU OUT THERE TALKING IN SCHOOLS 430 00:19:14,360 --> 00:19:16,160 OR BUILDING COMMUNITY CENTERS, GIVING PEOPLE HOPE? 431 00:19:16,190 --> 00:19:17,520 I DON’T THINK SO! 432 00:19:17,560 --> 00:19:20,060 NO, WE’RE OUT THERE TRYING TO KEEP PEOPLE SAFE 433 00:19:20,090 --> 00:19:21,820 FROM ASSHOLES LIKE YOUR OLD BOSS, 434 00:19:21,860 --> 00:19:25,000 WHO BEAT AN OLD MAN’S BRAINS IN FOR 75 BUCKS. 435 00:19:25,020 --> 00:19:26,690 THAT WAS A LONG TIME AGO, MAN. 436 00:19:26,720 --> 00:19:28,220 GET UP. 437 00:19:28,260 --> 00:19:30,530 WE SHOULD PUT YOU IN TOUCH WITH THE VICTIM’S KIDS, 438 00:19:30,560 --> 00:19:32,330 SEE HOW LONG AGO IT WAS FOR THEM. 439 00:19:37,520 --> 00:19:39,190 TERIK WAS A GREAT MAN! 440 00:19:39,220 --> 00:19:41,050 HE WAS A MURDERER! 441 00:19:52,660 --> 00:19:54,900 YOU SHOULD TELL HIM ABOUT FRANK DELGADO. 442 00:19:54,920 --> 00:19:56,220 SORRY? 443 00:19:56,260 --> 00:19:58,630 IN YOUR SPITBALLING SESSION TONIGHT WITH DAVE, 444 00:19:58,660 --> 00:20:01,160 YOU SHOULD TELL HIM HOW FRANK DELGADO DUMPED 445 00:20:01,190 --> 00:20:03,090 THOSE SIX PROSS IN THE EAST RIVER. 446 00:20:03,120 --> 00:20:04,450 THAT WAS A GOOD CASE. 447 00:20:04,490 --> 00:20:07,090 THAT WASN’T BAD, BUT I GOT SOME STRONGER STUFF. 448 00:20:07,120 --> 00:20:09,420 JUST MAKE SURE YOU GET STUFF IN WRITING 449 00:20:09,460 --> 00:20:11,460 BEFORE YOU REALLY COMMIT TO A BUSINESS DEAL. 450 00:20:11,490 --> 00:20:14,520 I’M NOT TOO WORRIED. DAVE SEEMS LIKE AN OPEN GUY. 451 00:20:14,560 --> 00:20:17,260 HE LAID THINGS RIGHT OUT ON THE TABLE. 452 00:20:17,290 --> 00:20:20,250 IT’S THE QUIET ONES THAT ARE FULL OF SURPRISES. 453 00:20:20,290 --> 00:20:21,650 I’LL REMEMBER THAT. 454 00:20:21,690 --> 00:20:25,990 AND, YOU KNOW, DOESN’T WORK OUT, I MADE A NEW FRIEND. 455 00:20:26,020 --> 00:20:29,590 GOT IT, GREG. 456 00:20:31,120 --> 00:20:32,290 WHAT’S UP? 457 00:20:32,320 --> 00:20:35,090 GUY IN THE RASTA HAT, THAT’S HIM. 458 00:20:41,260 --> 00:20:43,260 DON’T MOVE, WAYNE! 459 00:20:43,290 --> 00:20:44,220 UGH! 460 00:20:44,260 --> 00:20:46,100 WHAT’S UP, MAN?! WHAT IS THIS?! 461 00:20:46,120 --> 00:20:47,720 HE’S GOT A GUN. 462 00:20:47,760 --> 00:20:48,700 GOT ANY NEEDLES ON YOU? 463 00:20:48,720 --> 00:20:49,850 NO! 464 00:20:49,890 --> 00:20:50,890 DON’T THINK YOU’RE GETTING AWAY 465 00:20:50,920 --> 00:20:52,450 WITH THAT 20 BUCKS YOU OWE ME, WAYNE! 466 00:20:52,490 --> 00:20:53,790 SHUT UP, OR YOU’RE ALL GOING IN. 467 00:20:53,820 --> 00:20:55,920 YO, MAN, THAT AIN’T MY GUN. 468 00:20:55,960 --> 00:20:56,900 IT’S HIS. 469 00:20:56,920 --> 00:20:57,990 SHUT UP! 470 00:21:11,290 --> 00:21:13,090 I CAN’T TELL YOU HOW I GOT THAT GUN. 471 00:21:13,120 --> 00:21:14,750 ALL I KNOW IS IT’S NOT MINE. 472 00:21:14,790 --> 00:21:16,450 IT FALL OUT OF THE SKY, WAYNE? 473 00:21:16,490 --> 00:21:19,020 WHEN I SMOKE A DUB AND DRINK, I BLACK OUT, 474 00:21:19,060 --> 00:21:20,930 SO I’M SAYING IT WAS PLANTED ON ME. 475 00:21:20,960 --> 00:21:22,500 UH‐HUH. 476 00:21:24,090 --> 00:21:25,390 I’LL GET HIM SITUATED. 477 00:21:28,960 --> 00:21:30,030 HE A PERP? 478 00:21:30,060 --> 00:21:32,330 COULD BE. HE HAD A PIECE ON HIM. 479 00:21:32,360 --> 00:21:35,230 I COULDN’T GET IN TOUCH WITH YOU LAST NIGHT. 480 00:21:35,260 --> 00:21:37,560 I WASN’T FEELING SO GOOD. 481 00:21:37,590 --> 00:21:40,320 YOU TALK TO THE DOCTOR ABOUT IT? 482 00:21:40,360 --> 00:21:44,300 BALDWIN, I’M NOT GONNA BE AROUND FOR THE NEXT FEW DAYS. 483 00:21:44,320 --> 00:21:46,750 I’M GONNA TAKE SOME TIME AND SEE MY FOLKS. 484 00:21:46,790 --> 00:21:48,120 ALL OF A SUDDEN? 485 00:21:49,620 --> 00:21:52,650 I REALLY CAN’T HAVE THIS CONVERSATION RIGHT HERE. 486 00:21:52,690 --> 00:21:54,220 COME HERE. 487 00:22:00,690 --> 00:22:02,390 [ DOOR CLOSES ] 488 00:22:02,420 --> 00:22:03,750 [ SNIFFLES ] 489 00:22:03,790 --> 00:22:05,620 ARE YOU SICK? 490 00:22:05,660 --> 00:22:07,430 I MISCARRIED YESTERDAY. 491 00:22:10,990 --> 00:22:13,650 WHY DIDN’T YOU CALL ME? WHAT HAPPENED? 492 00:22:13,690 --> 00:22:17,020 I DON’T KNOW. THERE WAS SOME BLOOD ‐‐ 493 00:22:17,060 --> 00:22:20,100 ARE YOU ALL RIGHT? YOU SEEN A DOCTOR? 494 00:22:20,120 --> 00:22:22,620 YEAH, I WENT IN. I’M FINE. 495 00:22:22,660 --> 00:22:25,830 [ Crying ] BUT THE BABY... 496 00:22:25,860 --> 00:22:28,200 [ SNIFFLES ] 497 00:22:28,220 --> 00:22:31,750 I GOTTA GO NOW, OKAY? I JUST CAN’T MISS MY TRAIN. 498 00:22:31,790 --> 00:22:33,550 WHY DIDN’T YOU CALL ME? 499 00:22:33,590 --> 00:22:36,390 I DIDN’T WANT TO TALK ABOUT IT. 500 00:22:36,420 --> 00:22:37,950 I GOTTA GO NOW. 501 00:22:37,990 --> 00:22:40,220 I’LL CALL YOU TONIGHT. 502 00:22:42,320 --> 00:22:43,620 [ CRYING ] 503 00:22:45,060 --> 00:22:49,000 I’M SO SORRY, VALERIE. 504 00:22:49,020 --> 00:22:50,650 ME TOO. 505 00:22:56,060 --> 00:22:58,630 [ DOOR OPENS ] 506 00:22:58,660 --> 00:23:01,660 [ DOOR CLOSES, KNOCK ON DOOR ] 507 00:23:01,690 --> 00:23:03,390 [ DOOR OPENS ] 508 00:23:09,090 --> 00:23:11,150 WANT ME TO TAKE THIS ALONE? 509 00:23:13,820 --> 00:23:15,090 YOU OKAY? 510 00:23:15,120 --> 00:23:17,420 WHAT’S WRONG? 511 00:23:20,490 --> 00:23:21,790 SHE MISCARRIED. 512 00:23:21,820 --> 00:23:24,450 OH, BALDWIN. 513 00:23:24,490 --> 00:23:27,850 LOOK, LET’S JUST... GO TALK TO THIS GUY. 514 00:23:27,890 --> 00:23:30,850 NO, LET’S GET SOME COFFEE OR GO FOR A WALK OR SOMETHING. 515 00:23:30,890 --> 00:23:32,420 LET’S JUST GO TALK TO THE GUY. 516 00:23:32,460 --> 00:23:34,960 WHATEVER YOU WANT. 517 00:23:40,420 --> 00:23:41,490 [ DOOR OPENS ] 518 00:23:43,720 --> 00:23:45,190 THANKS, JOSH. 519 00:23:45,220 --> 00:23:46,020 ANYTIME. 520 00:23:46,060 --> 00:23:47,830 CAN I TALK NOW? 521 00:23:47,860 --> 00:23:49,160 SIT DOWN! 522 00:23:49,190 --> 00:23:51,650 WAYNE, I DON’T WANNA HEAR A WORD OUT OF YOU 523 00:23:51,690 --> 00:23:53,390 UNLESS YOU’RE ANSWERING A QUESTION. 524 00:23:53,420 --> 00:23:57,150 THIS IS A BIG MISUN‐‐ SHUT UP, WAYNE! 525 00:23:57,190 --> 00:23:59,820 DO YOU KNOW WHO DR. ALBERT LU IS? NO, I DO NOT. 526 00:23:59,860 --> 00:24:02,530 WHAT WERE YOU DOING LAST NIGHT AT 2:00 IN THE MORNING? 527 00:24:02,560 --> 00:24:04,030 AT THIS CLUB ON AVENUE "D." 528 00:24:04,060 --> 00:24:06,400 WE GOT A WITNESS PUTS YOU 529 00:24:06,420 --> 00:24:09,520 OUTSIDE DR. LU’S MEDICAL OFFICE BUILDING AT 2:00. 530 00:24:09,560 --> 00:24:10,800 IT COULDN’T BE ME. 531 00:24:10,820 --> 00:24:12,950 WHERE’D YOU GET THE PHARMACEUTICALS WE FOUND ON YOU? 532 00:24:12,990 --> 00:24:14,590 I GOT ’EM OFF A FRIEND. 533 00:24:14,620 --> 00:24:15,620 WHO’S YOUR FRIEND? 534 00:24:15,660 --> 00:24:16,900 I’D RATHER NOT SAY. 535 00:24:16,920 --> 00:24:20,350 WAYNE, THE .38 WE FOUND ON YOU IS ON ITS WAY TO BALLISTICS 536 00:24:20,390 --> 00:24:23,290 AND WILL BE DETERMINED TO BE THE SAME GUN USED 537 00:24:23,320 --> 00:24:26,290 TO FIRE 6 BULLETS INTO DR. LU AT 2:00 A. M. 538 00:24:26,320 --> 00:24:28,250 I DON’T KNOW NOTHING ABOUT IT. 539 00:24:28,290 --> 00:24:30,950 THE INVENTORY OF PILLS YOU WERE TRYING TO PEDDLE ‐‐ 540 00:24:30,990 --> 00:24:33,350 THEY WILL MATCH THE PILLS STOLEN FROM DR. LU. 541 00:24:33,390 --> 00:24:36,990 THE LITTLE FLECKS OF BLOOD ON THE SOLE OF YOUR SHOES ‐‐ 542 00:24:37,020 --> 00:24:39,220 THEY WILL MATCH UP TO DR. LU’S BLOOD. 543 00:24:39,260 --> 00:24:42,700 WHEN ALL THESE THINGS ARE ADDED UP BY A JUDGE AND JURY, 544 00:24:42,720 --> 00:24:44,190 YOU WILL BE PUT TO DEATH. 545 00:24:44,220 --> 00:24:45,420 WHOA, WHOA, WHOA. 546 00:24:45,460 --> 00:24:47,400 YOUR ONLY CHANCE OF GETTING OUT OF THIS ALIVE 547 00:24:47,420 --> 00:24:50,020 IS BY TELLING US WHAT HAPPENED AND WHY. 548 00:24:50,060 --> 00:24:51,460 I DIDN’T DO ANYTHING. 549 00:24:51,490 --> 00:24:53,220 COME ON. YOU’RE GOING IN THE CELL. 550 00:24:53,260 --> 00:24:55,060 JUST HOLD ON! I DIDN’T DO ANYTHING! 551 00:24:57,820 --> 00:24:59,250 I WAS THERE. 552 00:24:59,290 --> 00:25:03,190 BABY DOLL DID IT. I DON’T KNOW HER REAL NAME. 553 00:25:03,220 --> 00:25:04,850 BABY DOLL DID IT. SURE, WAYNE. 554 00:25:04,890 --> 00:25:06,290 I’M SERIOUS. 555 00:25:06,320 --> 00:25:09,190 SHE DO TRICKS, RIGHT? AND SHE SHOOTS JUNK, TOO. 556 00:25:09,220 --> 00:25:10,590 SO I SEEN HER AROUND. 557 00:25:10,620 --> 00:25:13,350 AND YESTERDAY SHE SAYS TO ME SHE NEEDED A GUN 558 00:25:13,390 --> 00:25:16,590 AND SHE GOT AN EASY SCORE AND DO I WANT IN ON IT. 559 00:25:16,620 --> 00:25:19,020 SO WE GET BUZZED IN. 560 00:25:19,060 --> 00:25:20,860 AND BABY DOLL GO GET THE DOC. 561 00:25:20,890 --> 00:25:25,750 SHE SAYS SHE’LL WATCH THE DOC WHILE I GO GET THE STASH. 562 00:25:25,790 --> 00:25:27,590 SO I GIVE HER THE GUN. 563 00:25:27,620 --> 00:25:31,390 AND I AIN’T GONE 10 SECONDS WHEN I HEAR "POP! POP! POP!" 564 00:25:31,420 --> 00:25:33,750 THEN I HEAR "POP! POP! POP!" SOME MORE. 565 00:25:33,790 --> 00:25:35,120 I COME OUT. 566 00:25:35,160 --> 00:25:37,360 SHE’S STANDING THERE, GUN’S SMOKING, 567 00:25:37,390 --> 00:25:39,450 SPITTING ON THE DOC, CURSING HIS ASS, 568 00:25:39,490 --> 00:25:42,990 AND KICKING HIS DEAD BODY IN THE STOMACH. 569 00:25:43,020 --> 00:25:44,020 WHY WAS SHE DOING THAT? 570 00:25:44,060 --> 00:25:46,300 SHE’S PSYCHO! 571 00:25:46,320 --> 00:25:49,720 I DIDN’T KNOW SHE WAS PSYCHO BEFORE, BUT HERE WE ARE. 572 00:25:49,760 --> 00:25:51,730 WHERE ARE WE GONNA FIND HER? 573 00:25:51,760 --> 00:25:53,000 AVENUE "C." 574 00:25:53,020 --> 00:25:54,390 UP. YOU’RE POINTING HER OUT. 575 00:25:54,420 --> 00:25:56,050 OKAY. OKAY. 576 00:25:58,760 --> 00:25:59,930 [ TELEPHONES RINGING ] 577 00:25:59,960 --> 00:26:01,300 YOU KNOW, THE LIEUTENANT 578 00:26:01,320 --> 00:26:03,350 FROWNS ON EXCESSIVE PERSONAL CALLS AT WORK. 579 00:26:03,390 --> 00:26:06,220 I GOT ONE RULE, AND I MADE IT VERY CLEAR TO THE BOROUGH ‐‐ 580 00:26:06,260 --> 00:26:07,700 I GOTTA BE REACHABLE. 581 00:26:07,720 --> 00:26:09,820 ’CAUSE UNLIKE THESE OTHER ZOMBIES IN THE P. A. A. POOL, 582 00:26:09,860 --> 00:26:11,530 I’M TRYING TO GET OUT OF HERE. 583 00:26:11,560 --> 00:26:15,330 I GOT PLANS AND I NEED TO BE REACHABLE WHEN MY AGENT CALLS. 584 00:26:15,360 --> 00:26:16,230 ALL RIGHTY. 585 00:26:20,390 --> 00:26:22,650 THIS TOMLINSON KID’S STORY CHECK OUT? 586 00:26:22,690 --> 00:26:24,990 YEAH, MOM VOUCHES HE WAS RACKED OUT TILL 10:00. 587 00:26:25,020 --> 00:26:26,250 SHE CREDIBLE? 588 00:26:26,290 --> 00:26:28,250 YEAH, BUT IT’S STILL HIS MOM, YOU KNOW. 589 00:26:28,290 --> 00:26:31,520 BODEGA OWNER CONFIRMS THAT HE SAW TOMLINSON AT 11:00. 590 00:26:31,560 --> 00:26:34,000 WE ALSO WENT BY AND TALKED TO TERIK’S GIRLFRIEND. 591 00:26:34,020 --> 00:26:35,190 SHE COULDN’T GIVE US MUCH. 592 00:26:35,220 --> 00:26:37,290 WHERE WAS TERIK HEADED THIS MORNING? 593 00:26:37,320 --> 00:26:39,250 SHE’S SAYING HE DIDN’T TELL HER. 594 00:26:39,290 --> 00:26:41,690 HE DID TAKE OFF IN A CAR THAT HASN’T BEEN RECOVERED. 595 00:26:41,720 --> 00:26:43,150 WE PUT AN ALARM OUT ON THAT. 596 00:26:43,190 --> 00:26:44,920 ANYTHING FROM THE M.E. YET? 597 00:26:44,960 --> 00:26:46,700 TWO SHOTS CLOSE RANGE WITH LARGE CALIBER. 598 00:26:46,720 --> 00:26:49,390 BOTH WENT THROUGH THE BODY. NEITHER WAS RECOVERED. 599 00:26:49,420 --> 00:26:50,620 SO NOW WHAT? 600 00:26:50,660 --> 00:26:52,130 WE’RE GONNA GO THROUGH TERIK’S PAROLE FOLDER 601 00:26:52,160 --> 00:26:54,300 AND CHECK OUT SOME OF HIS OTHER ASSOCIATES. 602 00:26:54,320 --> 00:26:56,050 LET ME KNOW IF YOU NEED ANYTHING. 603 00:26:59,090 --> 00:27:01,320 DETECTIVE, I NEED TO SPEAK WITH YOU. 604 00:27:11,420 --> 00:27:14,790 THIS TEMP IS A DISASTER WAITING TO HAPPEN. 605 00:27:14,820 --> 00:27:16,190 WE’LL KEEP HIM IN LINE. 606 00:27:16,220 --> 00:27:18,320 WELL, I CAN’T LEAVE YOU GUYS LIKE THIS IN GOOD CONSCIENCE, 607 00:27:18,360 --> 00:27:20,160 SO I’LL JUST HAVE TO CANCEL THE VACATION. 608 00:27:20,190 --> 00:27:22,850 JOHN, NOTHING AGAINST YOUR ABILITIES AS A P. A. A., 609 00:27:22,890 --> 00:27:24,650 BUT WE’LL SURVIVE IF YOU LEAVE. 610 00:27:24,690 --> 00:27:27,150 IT’LL BE BETTER IF I STAYED. 611 00:27:27,190 --> 00:27:32,420 PLUS, THIS WHOLE TRIP... 612 00:27:32,460 --> 00:27:35,260 YOU WORRIED ABOUT FLYING STILL? 613 00:27:35,290 --> 00:27:37,420 I’M JUST WORRIED THAT MAYBE IT’S TOO SOON. 614 00:27:37,460 --> 00:27:40,300 RAY AND I HAVE ONLY GONE OUT FOR A SHORT TIME. 615 00:27:40,320 --> 00:27:42,720 WHEN YOU GO AWAY WITH SOMEONE, IT’S MAKE OR BREAK. 616 00:27:42,760 --> 00:27:47,060 IT’S A VACATION. GO AND HAVE A GOOD TIME. 617 00:27:47,090 --> 00:27:50,450 THIS IS THE FIRST PERSON I’VE MET... 618 00:27:50,490 --> 00:27:53,720 IN A LONG TIME THAT I’VE REALLY CARED FOR, AND... 619 00:27:53,760 --> 00:27:55,300 ALLOWED MYSELF TO BE INTIMATE WITH. 620 00:27:55,320 --> 00:27:58,320 WHOA, WHOA, WHOA. KEEP IT CLEAN HERE. 621 00:27:58,360 --> 00:28:00,030 OKAY... 622 00:28:00,060 --> 00:28:01,660 I’M HAVING A PANIC ATTACK. 623 00:28:01,690 --> 00:28:03,050 NO, YOU’RE NOT. 624 00:28:03,090 --> 00:28:06,220 I DON’T WANT TO SCREW THIS UP. 625 00:28:06,260 --> 00:28:08,630 I DON’T WANT TO GO BACK TO BEING ALONE. 626 00:28:08,660 --> 00:28:10,260 JOHN, YOU’RE A GOOD GUY. 627 00:28:10,290 --> 00:28:13,920 THIS RAY MAXWELL ‐‐ HE’S A GOOD GUY, AND... 628 00:28:13,960 --> 00:28:17,930 WHEN YOU GOT TWO GOOD GUYS, YOU KNOW... 629 00:28:17,960 --> 00:28:19,300 AY. 630 00:28:19,320 --> 00:28:21,350 THE LAST TRIP I TOOK WITH SOMEONE 631 00:28:21,390 --> 00:28:23,950 ENDED IN A SHOUTING MATCH AT A SUSHI BAR IN CANCUN 632 00:28:23,990 --> 00:28:27,350 OVER ME WANTING TO SEE THE RUINS AND HIM WANTING TO GO CLUBBING. 633 00:28:27,390 --> 00:28:28,620 WE TOOK SEPARATE FLIGHTS HOME. 634 00:28:28,660 --> 00:28:31,360 LOOK, WHO CARES? THESE THINGS ARE GONNA HAPPEN. 635 00:28:31,390 --> 00:28:34,420 BUT YOU GOTTA DECIDE IF YOU’RE GONNA STAY CRAWLED UNDER A ROCK 636 00:28:34,460 --> 00:28:37,800 OR IF YOU’RE GONNA GET OUT THERE AND TAKE YOUR CHANCES. 637 00:28:37,820 --> 00:28:38,950 BE A MAN. 638 00:28:38,990 --> 00:28:41,690 YOU’RE RIGHT. 639 00:28:41,720 --> 00:28:46,050 THEY FOUND TERIK’S CAR OVER IN LONG ISLAND CITY, TORCHED. 640 00:28:50,520 --> 00:28:52,650 I’LL GO. 641 00:28:52,690 --> 00:28:54,350 I’M GOING. 642 00:28:54,390 --> 00:28:58,020 AND EVERYTHING WILL BE FINE... RIGHT? 643 00:28:58,060 --> 00:28:59,860 ABSOLUTELY. 644 00:28:59,890 --> 00:29:02,150 WHATEVER HAPPENS. 645 00:29:13,220 --> 00:29:15,520 WE’LL TAKE THE GIRL. ANY OTHER COLLARS ARE YOURS. 646 00:29:19,320 --> 00:29:20,120 FREEZE! 647 00:29:20,160 --> 00:29:21,500 POLICE, FREEZE! 648 00:29:21,520 --> 00:29:23,220 GET DOWN! 649 00:29:28,060 --> 00:29:29,730 ALL RIGHT, THAT’S ENOUGH! 650 00:29:29,760 --> 00:29:32,630 LEAVE ME ALONE! 651 00:29:34,060 --> 00:29:37,830 YOU BABY DOLL? YOU GONNA CALM DOWN? 652 00:29:37,860 --> 00:29:38,830 THAT’S A NO. 653 00:29:38,860 --> 00:29:40,400 ASSHOLES! 654 00:29:40,420 --> 00:29:42,220 YEAH. COME ON. 655 00:29:42,260 --> 00:29:44,830 DOWN ON YOUR KNEES. CUFFS. 656 00:29:44,860 --> 00:29:46,230 PUT YOUR HANDS BEHIND YOUR HEAD! 657 00:29:47,860 --> 00:29:49,330 LET’S GO. 658 00:30:01,160 --> 00:30:04,230 LISA McDONALD ‐‐ IS THAT YOUR REAL NAME? 659 00:30:04,260 --> 00:30:06,200 HOW LONG YOU BEEN WORKING THE STREETS, LISA? 660 00:30:06,220 --> 00:30:07,590 I DON’T KNOW. 661 00:30:07,620 --> 00:30:12,420 LONG ENOUGH TO KNOW AN EASY SCORE WHEN YOU SEE ONE? 662 00:30:12,460 --> 00:30:15,430 OR WAS WHAT HAPPENED LAST NIGHT MORE COMPLICATED THAN THAT? 663 00:30:15,460 --> 00:30:17,060 I DON’T KNOW ABOUT ANY SCORE. 664 00:30:17,090 --> 00:30:19,750 WE KNOW YOU DID IT, WE KNOW WHO YOU DID IT WITH, 665 00:30:19,790 --> 00:30:22,590 AND WE GOT PEOPLE OUT THERE LOOKING FOR WAYNE RIGHT NOW. 666 00:30:22,620 --> 00:30:23,650 DON’T KNOW HIM. 667 00:30:23,690 --> 00:30:25,790 YOU DO, AND RIGHT NOW WHERE’S WE DETERMINE 668 00:30:25,820 --> 00:30:27,320 IF THIS WAS TWO SICK JUNKIES 669 00:30:27,360 --> 00:30:30,200 TOO STUPID TO PULL OFF A ROBBERY ON AN UPSTANDING CITIZEN 670 00:30:30,220 --> 00:30:31,790 OR IF THERE WAS SOMETHING ELSE GOING ON. 671 00:30:31,820 --> 00:30:32,720 WHAT DOES THAT MEAN? 672 00:30:32,760 --> 00:30:34,030 YOU TELL US. 673 00:30:34,060 --> 00:30:36,460 SEE, A GUY WITH SIX ROUNDS PUMPED INTO HIM ‐‐ 674 00:30:36,490 --> 00:30:38,590 THAT DOESN’T SAY "BOTCHED ROBBERY." 675 00:30:38,620 --> 00:30:41,390 MEANING YOU KNEW THE DOCTOR FROM SOMETHING PRIOR. 676 00:30:41,420 --> 00:30:44,120 UNLESS YOU TELL US WHY, YOU’LL GO DOWN AS A PSYCHO 677 00:30:44,160 --> 00:30:45,700 WHO KILLED A DECENT GUY FOR NO REASON. 678 00:30:45,720 --> 00:30:47,050 DECENT, MY ASS. 679 00:30:47,090 --> 00:30:48,020 YOU’RE SAYING HE WASN’T? 680 00:30:48,060 --> 00:30:50,260 I’M A RUNAWAY, RIGHT? 681 00:30:50,290 --> 00:30:53,850 I’M BROKE, I’M HOOKING, I’M DOING TOO MUCH DOPE. 682 00:30:53,890 --> 00:30:58,950 BUT THAT DOESN’T MAKE ME LESS THAN ANYONE ELSE OR ANY DOCTOR. 683 00:30:58,990 --> 00:31:00,990 WHAT DID DR. LU DO TO YOU? 684 00:31:01,020 --> 00:31:03,620 I GOT WORD FROM THIS WOMAN 685 00:31:03,660 --> 00:31:06,360 ABOUT THIS DOCTOR WHO LIKED YOUNG GIRLS, 686 00:31:06,390 --> 00:31:09,050 WOULD TRADE PRESCRIPTIONS FOR SEX. 687 00:31:09,090 --> 00:31:11,820 I’D GO TO HIS OFFICE, HE’D DO HIS THING. 688 00:31:11,860 --> 00:31:14,800 THEN I’D LEAVE WITH A PRESCRIPTION MADE OUT TO HER. 689 00:31:14,820 --> 00:31:15,920 WHAT’S HER NAME? 690 00:31:15,960 --> 00:31:17,730 ANGELA STOKES. 691 00:31:17,760 --> 00:31:20,800 YOU GIVE THE SCRIP TO ANGELA, SHE’D GET IT FILLED, 692 00:31:20,820 --> 00:31:22,150 YOU’D SPLIT THE DOPE. 693 00:31:22,190 --> 00:31:24,690 THAT’S HOW SHE EXPLAINED IT TO ME ‐‐ REAL SIMPLE. 694 00:31:24,720 --> 00:31:26,050 HOW’D IT GET COMPLICATED? 695 00:31:28,990 --> 00:31:31,120 I DON’T WANT TO TELL YOU. 696 00:31:32,560 --> 00:31:35,460 WAS IT SOMETHING OF A SEXUAL NATURE? 697 00:31:35,490 --> 00:31:39,520 IF YOU WANT TO CALL IT THAT. I DON’T. 698 00:31:39,560 --> 00:31:41,730 NORMAL PEOPLE DON’T. 699 00:31:41,760 --> 00:31:43,100 THIS ALL HAPPENED YESTERDAY? 700 00:31:44,660 --> 00:31:46,700 A COUPLE OF DAYS AGO. 701 00:31:46,720 --> 00:31:51,690 I SPENT THE WHOLE DAY YESTERDAY IN THE SHOWER, 702 00:31:51,720 --> 00:31:54,290 AND I COULDN’T GET CLEAN. 703 00:31:54,320 --> 00:31:55,490 [ CRYING ] 704 00:31:55,520 --> 00:31:56,920 SO I CALLED ANGELA 705 00:31:56,960 --> 00:32:00,360 AND ASKED HER IF THE DOCTOR WANTED ANOTHER GET‐TOGETHER. 706 00:32:00,390 --> 00:32:03,650 SHE SAID YEAH, SO I WENT BACK. 707 00:32:03,690 --> 00:32:04,720 WITH WAYNE. 708 00:32:04,760 --> 00:32:09,600 HE HAD THE GUN, BUT... 709 00:32:09,620 --> 00:32:12,820 WAYNE JUST THOUGHT IT WAS GONNA BE A ROBBERY. 710 00:32:12,860 --> 00:32:14,430 ALL RIGHT. 711 00:32:14,460 --> 00:32:17,530 I’M NOT A PIECE OF TOILET PAPER. 712 00:32:17,560 --> 00:32:23,130 WHAT HE DID, THE DOCTOR. YOU CAN’T DO THAT TO PEOPLE. 713 00:32:25,190 --> 00:32:27,550 NOT EVEN SOMEONE LIKE ME. 714 00:32:27,590 --> 00:32:29,890 [ SOBBING ] 715 00:32:43,120 --> 00:32:45,720 THE GUY OVER HERE IS JERRY HOPKINS. 716 00:32:45,760 --> 00:32:47,430 HE SAW IT, CALLED IT IN. 717 00:32:47,460 --> 00:32:50,800 WE’RE GONNA NEED CRIME SCENE TO LOOK FOR TWO SLUGS HERE. 718 00:32:50,820 --> 00:32:52,450 JERRY? 719 00:32:52,490 --> 00:32:53,520 YEAH? 720 00:32:53,560 --> 00:32:54,600 WHAT’D YOU SEE HERE? 721 00:32:54,620 --> 00:32:56,620 BLACK GUY RUNNING AWAY FROM THIS CAR. 722 00:32:56,660 --> 00:32:57,460 FLAMES HAD JUST STARTED. 723 00:32:57,490 --> 00:32:58,750 WHERE’D YOU SEE THAT FROM? 724 00:32:58,790 --> 00:32:59,820 SECOND FLOOR. 725 00:32:59,860 --> 00:33:01,100 WHAT WERE YOU DOING UP THERE? 726 00:33:01,120 --> 00:33:02,390 I OWN IT. I’M RENOVATING. 727 00:33:02,420 --> 00:33:04,490 YOU WERE LOOKING OUT THE WINDOW WHEN IT HAPPENED? 728 00:33:04,520 --> 00:33:06,850 I HEARD A BIG "WHOOSH," AND I RAN TO LOOK. 729 00:33:06,890 --> 00:33:08,390 I THOUGHT MY BUILDING WAS GOING UP. 730 00:33:08,420 --> 00:33:11,150 WHAT ELSE CAN YOU GIVE US ON THIS BLACK GUY WHO DID IT? 731 00:33:11,190 --> 00:33:13,220 I’M HERE LIVING BY MYSELF. I’M A SITTING DUCK. 732 00:33:13,260 --> 00:33:15,500 DON’T WORRY ABOUT THAT. IT AIN’T COMING BACK AT YOU. 733 00:33:15,520 --> 00:33:17,320 THIS IS FOR INSURANCE FINE PRINT. 734 00:33:17,360 --> 00:33:20,900 HE WAS MEDIUM HEIGHT, BUT BUILT. YOU KNOW, STOCKY. 735 00:33:20,920 --> 00:33:22,390 LIGHT SKIN? DARK SKIN? 736 00:33:22,420 --> 00:33:25,020 DARK, REAL DARK. HAD A SHAVED HEAD. 737 00:33:25,060 --> 00:33:26,260 YOUNGER? OLDER? 738 00:33:26,290 --> 00:33:28,750 WASN’T NO KID. LIKE IN HIS 40s. 739 00:33:28,790 --> 00:33:30,950 THANKS FOR THE HELP. 740 00:33:30,990 --> 00:33:32,090 THANKS. 741 00:33:36,560 --> 00:33:39,600 IT SAYS SOMETHING TO US, ERIC ‐‐ YOU NOT SKIPPING TOWN. 742 00:33:39,620 --> 00:33:41,790 IT SAYS TO US YOU WERE WANTING TO BE CAUGHT 743 00:33:41,820 --> 00:33:42,990 AND HAVE THIS BE OVER WITH. 744 00:33:43,020 --> 00:33:44,050 FOR WHAT? 745 00:33:44,090 --> 00:33:45,650 FOR KILLING MARVIN. 746 00:33:45,690 --> 00:33:47,890 IF YOU WOULD’VE WALKED AWAY, NO ONE WOULD HAVE SEEN YOU. 747 00:33:47,920 --> 00:33:50,620 SETTING FIRE TO THE CAR BROUGHT ATTENTION TO YOURSELF. 748 00:33:50,660 --> 00:33:53,200 YOU’RE GOING UP FOR THIS, AND IF YOU TAKE THIS TO TRIAL, 749 00:33:53,220 --> 00:33:55,120 THEN ALL THE PEOPLE THAT KNEW YOU AND TERIK 750 00:33:55,160 --> 00:33:57,100 ARE GONNA COME UP WITH THEIR OWN STORIES, 751 00:33:57,120 --> 00:33:58,420 AND YOU’RE GONNA BE HATED. 752 00:33:58,460 --> 00:34:01,060 YOU WANT TO HAVE THEM GLARING AT YOU IN COURT? 753 00:34:01,090 --> 00:34:02,350 YOU TELL US WHAT HAPPENED, 754 00:34:02,390 --> 00:34:04,650 AND YOU WON’T HAVE TO GO THROUGH ANOTHER TRIAL. 755 00:34:04,690 --> 00:34:05,720 I AIN’T TALKING TO YOU. 756 00:34:05,760 --> 00:34:07,460 THEN TALK TO ME. 757 00:34:07,490 --> 00:34:09,250 I AIN’T TALKING WITH HIM IN THE ROOM. 758 00:34:09,290 --> 00:34:10,820 YOU CAN KISS MY BLACK ASS. 759 00:34:10,860 --> 00:34:12,130 ALL RIGHT. DON’T YOU TALK. 760 00:34:12,160 --> 00:34:13,330 WE’LL GO WITH OUR WITNESSES, 761 00:34:13,360 --> 00:34:15,360 AND WE WILL LOCK YOUR BLACK ASS UP 762 00:34:15,390 --> 00:34:16,790 WITHOUT NO STATEMENT, ALL RIGHT? 763 00:34:16,820 --> 00:34:18,250 I AIN’T TALKING TO HIM. 764 00:34:18,290 --> 00:34:22,620 WHAT DO YOU WANT TO DO HERE? IF YOU WANT, I’LL TAKE IT. 765 00:34:26,690 --> 00:34:27,650 YEAH. TAKE OFF. 766 00:34:27,690 --> 00:34:29,350 SHUT UP! 767 00:34:31,990 --> 00:34:36,350 DON’T YOU EVER ASK ME TO LEAVE IN FRONT OF A SUSPECT AGAIN. 768 00:34:36,390 --> 00:34:38,990 HE’S NOT GONNA GIVE IT UP WITH YOU IN THE ROOM. 769 00:34:39,020 --> 00:34:40,690 I’D HAVE GOT IT OUT OF HIM. 770 00:34:40,720 --> 00:34:41,650 IT’S GOING BAD IN THERE. 771 00:34:41,690 --> 00:34:43,490 OH, YOU THINK SO? 772 00:34:43,520 --> 00:34:45,550 AND THIS IS COMING FROM YOUR VAST FOUR MONTHS’ EXPERIENCE 773 00:34:45,590 --> 00:34:47,320 AS A DETECTIVE. 774 00:34:47,360 --> 00:34:50,160 IF I’M TOO INVESTED OR THE PERP HAS IT OUT FOR ME, 775 00:34:50,190 --> 00:34:51,820 DOESN’T IT MAKE SENSE HAVING ME LEAVE 776 00:34:51,860 --> 00:34:53,130 IF IT MEANS GETTING THE STATEMENT? 777 00:34:53,160 --> 00:34:55,430 WE CONTROL THE ROOM, NOT HIM. 778 00:34:55,460 --> 00:34:57,500 I’D HAVE NEVER GIVEN THIS ASSHOLE THE PLEASURE 779 00:34:57,520 --> 00:35:01,350 OF CHUMPING YOU OUT IN YOUR OWN HOUSE. 780 00:35:01,390 --> 00:35:02,920 YEAH, O‐OKAY. 781 00:35:02,960 --> 00:35:06,060 WHAT YOU DID CUTS MY NUTS OFF AS FAR AS THAT GUY’S CONCERNED. 782 00:35:06,090 --> 00:35:08,490 SO EITHER I SPEND THE NEXT SIX HOURS TUNING HIM UP 783 00:35:08,520 --> 00:35:09,450 TO EARN THEM BACK 784 00:35:09,490 --> 00:35:12,490 OR YOU GO IN ALONE AND GET LUCKY. 785 00:35:12,520 --> 00:35:13,950 UP TO YOU. 786 00:35:23,490 --> 00:35:27,220 THAT’S ONE RACIST PRICK YOU HANGING OUT WITH. 787 00:35:27,260 --> 00:35:28,200 HEY, THAT’S ENOUGH! 788 00:35:28,220 --> 00:35:29,590 HE WAS IN UNIFORM 789 00:35:29,620 --> 00:35:31,890 WHEN YOU AND TERIK ROBBED AND KILLED THAT MAN 790 00:35:31,920 --> 00:35:33,250 20 YEARS AGO! 791 00:35:33,290 --> 00:35:35,850 HE SAW THAT GUY’S HEAD OPENED UP ON THE FLOOR! 792 00:35:35,890 --> 00:35:37,990 I DIDN’T KILL NOBODY! TERIK DID! 793 00:35:38,020 --> 00:35:41,420 BUT I DID 15 YEARS, OKAY? I DIDN’T KILL NOBODY. 794 00:35:41,460 --> 00:35:44,500 SO TERIK NOT MAKE IT RIGHT WITH YOU WHEN HE GOT OUT? 795 00:35:44,520 --> 00:35:47,120 HE ONLY DID THREE MORE YEARS THAN ME. THAT’S FINE. 796 00:35:47,160 --> 00:35:49,030 HE COME OUT ALL CONVERTED, THAT’S FINE. 797 00:35:49,060 --> 00:35:51,160 BUT NOW HE GOT THESE GUILTY WHITE FOLKS 798 00:35:51,190 --> 00:35:52,450 THROWING MONEY AT HIM, 799 00:35:52,490 --> 00:35:55,220 AND I GOT 15 YEARS OF LIVING TO MAKE UP FOR. 800 00:35:55,260 --> 00:35:57,230 YOU JUST WANTED A PIECE OF THE ACTION. 801 00:35:57,260 --> 00:35:59,260 NO, I GOT IT COMING TO ME. 802 00:35:59,290 --> 00:36:01,390 BUT HE JUST GONNA GIVE ME $200 A WEEK, 803 00:36:01,420 --> 00:36:04,290 AND I GOTTA ANSWER PHONES AND SET UP TABLES 804 00:36:04,320 --> 00:36:06,750 AND KISS PEOPLE’S ASS FOR IT? UNH‐UNH. 805 00:36:06,790 --> 00:36:08,350 SO I STOPPED DOING IT. 806 00:36:08,390 --> 00:36:13,720 HE SAY HE GOTTA STOP PAYING ME. 807 00:36:13,760 --> 00:36:16,660 WHAT WENT WRONG THIS MORNING? 808 00:36:16,690 --> 00:36:18,420 LOOK, I CALL HIM. 809 00:36:18,460 --> 00:36:23,030 I JUST WANT TO TALK THIS OUT, JUST REMIND HIM. 810 00:36:23,060 --> 00:36:27,060 SO HE PICKED ME UP. I LAY OUT MY CASE. 811 00:36:27,090 --> 00:36:28,790 HE JUST GONNA SHAKE HIS HEAD 812 00:36:28,820 --> 00:36:32,250 AND THEN HE GONNA REACH IN HIS POCKET AND PULL OUT 200 BUCKS 813 00:36:32,290 --> 00:36:35,850 LIKE I GOT A HAT IN MY HAND, TALKING ABOUT "THIS IS IT." 814 00:36:35,890 --> 00:36:37,150 HE GONNA CUT ME OFF! 815 00:36:37,190 --> 00:36:39,390 TALKING ABOUT I GOT TO GO OUT 816 00:36:39,420 --> 00:36:41,920 AND FIND MY OWN WAY, MY BROTHER. 817 00:36:41,960 --> 00:36:45,260 15 YEARS, MAN! 15 YEARS ’CAUSE OF HIM! 818 00:36:45,290 --> 00:36:47,350 WE WENT IN THAT MARKET TO SNAG A BEER, 819 00:36:47,390 --> 00:36:50,520 AND I GOT 15 YEARS PUT ON ME, MAN. 820 00:36:54,690 --> 00:36:58,320 LOOK, YOU JUST MAKE SURE THE PEOPLE KNOW THAT 821 00:36:58,360 --> 00:37:00,860 WHEN THEY ASK YOU WHAT HAPPENED, THAT’S ALL. 822 00:37:00,890 --> 00:37:03,490 WHERE’S THE GUN? 823 00:37:03,520 --> 00:37:04,890 I THREW IT IN THE RIVER. 824 00:37:07,620 --> 00:37:10,850 I’LL MAKE SURE IT GOES DOWN THAT IT WASN’T PREMEDITATED. 825 00:37:10,890 --> 00:37:14,120 THAT’LL HELP YOU OUT. 826 00:37:18,460 --> 00:37:21,230 I DON’T EVEN GIVE A DAMN NO MORE, MAN. 827 00:37:23,820 --> 00:37:25,420 THANKS, LISA. TAKE CARE. 828 00:37:25,460 --> 00:37:28,160 SO WHAT NOW? I HAD A SHOT AT NIGHT COURT. 829 00:37:28,190 --> 00:37:30,450 YOU KNOW A PROSS WHO GOES BY "BABY DOLL"? 830 00:37:30,490 --> 00:37:31,750 NO. 831 00:37:31,790 --> 00:37:32,920 YOUNG GIRL, MINOR, BLACK HAIR. 832 00:37:32,960 --> 00:37:34,400 YOU PIMPED HER TO DR. LU 833 00:37:34,420 --> 00:37:36,590 FOR GOD KNOWS WHAT KIND OF SICK BEHAVIOR. 834 00:37:36,620 --> 00:37:37,590 I DON’T PIMP ANYBODY. 835 00:37:37,620 --> 00:37:39,520 YOU DO AND YOU’RE A COLLAR FOR IT 836 00:37:39,560 --> 00:37:41,260 AND ENDANGERING THE WELFARE OF A MINOR. 837 00:37:41,290 --> 00:37:43,320 YOU WANT TO FACE A FULL BIT? FINE WITH ME. 838 00:37:43,360 --> 00:37:45,300 BUT SINCE WE’RE LOOKING TO KEEP THE GIRL 839 00:37:45,320 --> 00:37:47,850 FROM HAVING TO GO THROUGH CHAPTER AND VERSE ON THE STAND 840 00:37:47,890 --> 00:37:49,450 ABOUT YOUR MESSED‐UP OPERATION, 841 00:37:49,490 --> 00:37:51,650 WE’RE GONNA LET YOU HELP YOURSELF WITH A STATEMENT. 842 00:37:51,690 --> 00:37:53,050 UP TO YOU. 843 00:37:56,720 --> 00:37:58,990 OKAY. YEAH. 844 00:37:59,020 --> 00:38:01,950 I GOTTA GET BY, TOO, YOU KNOW. 845 00:38:01,990 --> 00:38:02,990 IT’S NOT EASY. 846 00:38:03,020 --> 00:38:04,590 SHUT UP AND WRITE. 847 00:38:15,830 --> 00:38:18,960 OKAY, NOW, I SHOWED YOU WHERE I KEEP THE COLES DIRECTORY 848 00:38:19,000 --> 00:38:21,400 AND THE NUMBERS FOR THE BOROUGH, THE M. E., AND B.C.I. 849 00:38:21,430 --> 00:38:22,490 YOU SURE DID. 850 00:38:22,530 --> 00:38:24,330 AND THIS IS MY NUMBER AT HOME, 851 00:38:24,360 --> 00:38:27,330 WHERE I’LL BE CHECKING MESSAGES DAILY IN CASE THERE’S A PROBLEM. 852 00:38:27,360 --> 00:38:28,390 WE WENT THROUGH THIS. 853 00:38:28,430 --> 00:38:31,460 ALL RIGHT, I’M GOING. 854 00:38:31,500 --> 00:38:34,170 NOT BEFORE WE BUY YOU A SEND‐OFF BEER. 855 00:38:34,200 --> 00:38:36,340 THAT’S VERY KIND, BUT I HAVEN’T EVEN STARTED PACKING, 856 00:38:36,360 --> 00:38:39,660 AND THEN I HAVE TO GO TO THE PHARMACY FOR SUNSCREEN AND ‐‐ 857 00:38:39,700 --> 00:38:42,400 NO PROBLEM, JOHN. IT’S OKAY. 858 00:38:42,430 --> 00:38:43,860 HAVE A FUN TRIP. 859 00:38:47,460 --> 00:38:49,190 SIT. 860 00:38:49,230 --> 00:38:50,960 ANYONE FOR A BEER? THE SUN’S GOING DOWN. 861 00:38:51,000 --> 00:38:52,440 THAT’S WORTH CELEBRATING, ISN’T IT? 862 00:38:52,460 --> 00:38:53,730 COUNT ME IN. 863 00:38:53,760 --> 00:38:55,230 ME TOO. I’LL MEET YOU THERE. 864 00:38:57,530 --> 00:38:59,930 SO, UH, WE’RE ALL SQUARED AWAY THEN, RIGHT, DAVE? 865 00:38:59,960 --> 00:39:01,060 PREPARE TO BE DAZZLED, LIEUTENANT. 866 00:39:03,100 --> 00:39:05,770 UH, ANDY, CONNIE, YOU COMING? 867 00:39:05,800 --> 00:39:07,440 I, UH, I GOTTA CATCH UP. 868 00:39:07,460 --> 00:39:08,730 NOT TONIGHT. 869 00:39:08,760 --> 00:39:10,230 BEER, FELLAS? 870 00:39:10,260 --> 00:39:12,630 EITHER YOU’RE WITH US OR YOU’RE AGAINST US. 871 00:39:12,660 --> 00:39:13,960 I CAN’T DO IT. 872 00:39:14,000 --> 00:39:16,340 I’LL TAKE MISS STOKES HERE TO CENTRAL BOOKING, 873 00:39:16,360 --> 00:39:17,460 THEN I’M GOING HOME. 874 00:39:17,500 --> 00:39:19,000 I GOTTA PASS, TOO. 875 00:39:20,700 --> 00:39:22,040 SO, GREG, 8:00? 876 00:39:22,060 --> 00:39:25,090 YEAH, DAVE, IT LOOKS LIKE I’M GONNA HAVE TO CANCEL. 877 00:39:25,130 --> 00:39:28,360 WOW. YOU HUNG IN THERE FOR WHAT, FIVE HOURS? 878 00:39:28,400 --> 00:39:30,000 WHAT PERSEVERANCE. 879 00:39:30,030 --> 00:39:31,360 I’M JUST SAYING ANOTHER TIME. 880 00:39:31,400 --> 00:39:32,700 YEAH, WHATEVER. 881 00:39:32,730 --> 00:39:35,790 HEY, DAVE. I GOT A STORY FOR YA. 882 00:39:35,830 --> 00:39:38,130 THIS P. A. A. WANNA‐BE WRITER 883 00:39:38,160 --> 00:39:40,960 SPENDS HIS DAY TYPING ON HIS COMPUTER AND TALKING ON HIS CELL PHONE 884 00:39:41,000 --> 00:39:42,840 WHEN HE SHOULD’VE BEEN DOING HIS JOB, 885 00:39:42,860 --> 00:39:46,330 UNTIL THE DETECTIVES IN THE SQUAD GET SO SICK OF THIS ASSHOLE 886 00:39:46,360 --> 00:39:49,660 THAT THEY PULL HIS SHIRT OVER HIS HEAD LIKE HE GOT IN A HOCKEY FIGHT, 887 00:39:49,700 --> 00:39:51,570 AND THEY TOSS HIM OUT A WINDOW. WHAT DO YOU THINK? 888 00:39:51,600 --> 00:39:53,300 [ GIGGLES ] 889 00:39:53,330 --> 00:39:57,490 THINK, UH, YOU AND I SHOULD BE TALKING. 890 00:39:57,530 --> 00:39:59,560 TOMORROW, YOU’RE JUST A P. A. A. 891 00:39:59,600 --> 00:40:01,300 NO PROBLEM. 892 00:40:01,330 --> 00:40:02,790 UP. 893 00:40:02,830 --> 00:40:07,960 DETECTIVE, RAYMOND CHAMBERS. ANY PROGRESS WITH THE CASE? 894 00:40:08,000 --> 00:40:09,870 HEY, JOSH, WILL YOU GET HER DOWNSTAIRS FOR ME? 895 00:40:09,900 --> 00:40:11,700 I’LL BE DOWN IN A MINUTE. 896 00:40:13,600 --> 00:40:14,770 YEAH, WE MADE AN ARREST. 897 00:40:14,800 --> 00:40:16,140 I ASKED TO BE KEPT INFORMED. 898 00:40:16,160 --> 00:40:17,830 WE’VE BEEN BUSY WITH THE CASE. 899 00:40:17,860 --> 00:40:19,230 THE ASIAN‐AMERICAN PHYSICIANS ASSOCIATION 900 00:40:19,260 --> 00:40:22,160 WANTS TO RUN AN IN‐DEPTH OBITUARY ON DR. LU. 901 00:40:22,200 --> 00:40:24,540 THEY WOULD LIKE SOME INFORMATION ABOUT THE MURDER. 902 00:40:24,560 --> 00:40:27,130 THE WOMAN THAT WAS HERE, DOC ‐‐ THE PROSTITUTE ‐‐ WAS INVOLVED, 903 00:40:27,160 --> 00:40:29,930 AS WAS A 16‐YEAR‐OLD GIRL WHO CAN’T STOP CRYING 904 00:40:29,960 --> 00:40:32,390 ’CAUSE OF THE SICK THINGS YOUR PARTNER DID TO HER. 905 00:40:32,430 --> 00:40:33,790 YOU WANT TO KNOW MORE? 906 00:40:46,600 --> 00:40:49,540 UH, I SCREWED UP TODAY. 907 00:40:49,560 --> 00:40:50,760 THE GUY WENT. 908 00:40:50,800 --> 00:40:52,640 YEAH, BUT I DID IT WRONG. 909 00:40:52,660 --> 00:40:53,860 IT WON’T HAPPEN AGAIN. 910 00:40:56,300 --> 00:40:58,000 MY BAD. 911 00:40:58,030 --> 00:40:59,390 PBBHHT. 912 00:40:59,430 --> 00:41:01,790 GOOD NIGHT. 913 00:41:05,130 --> 00:41:06,330 NIGHT. 914 00:41:06,360 --> 00:41:07,530 GOOD NIGHT. 915 00:41:10,230 --> 00:41:13,430 YOU GOT TIME FOR A COFFEE BEFORE YOU HEAD HOME? 916 00:41:13,460 --> 00:41:15,960 I GOT TO FINISH THESE 5’s. 917 00:41:16,000 --> 00:41:17,870 YEAH, I GOT SOME PAPERWORK, TOO, 918 00:41:17,900 --> 00:41:19,170 SO WHENEVER YOU’RE READY. 919 00:41:30,000 --> 00:41:31,700 HEY. 920 00:41:31,730 --> 00:41:34,990 HEY, GREG. 921 00:41:35,030 --> 00:41:40,090 I CAN’T TELL YOU HOW SORRY I AM THAT VALERIE LOST THE BABY. 922 00:41:40,130 --> 00:41:42,130 THANKS. 923 00:41:42,160 --> 00:41:45,330 I’VE BEEN A REAL IDIOT LATELY. 924 00:41:45,360 --> 00:41:47,260 IT’S NOT ALL ON YOU. 925 00:41:47,300 --> 00:41:50,740 NO, I SAW YOU BECOMING FRIENDS WITH CLARK, 926 00:41:50,760 --> 00:41:55,160 AND I FELT THREATENED, AND I ACTED OUT. 927 00:41:55,200 --> 00:41:56,700 I APOLOGIZE. 928 00:41:59,730 --> 00:42:01,330 ACCEPTED. 929 00:42:01,360 --> 00:42:05,230 THAT’S IT. I’LL LEAVE YOU ALONE. 930 00:42:05,260 --> 00:42:09,430 HEY, AFTER I FINISH WITH ANGELA IN CENTRAL BOOKING, 931 00:42:09,460 --> 00:42:11,660 I WAS GONNA WATCH THE KNICK GAME. 932 00:42:11,700 --> 00:42:13,070 YOU WANT TO STOP BY? 933 00:42:13,100 --> 00:42:14,370 YEAH? 934 00:42:14,400 --> 00:42:17,570 YEAH, IF YOU WANT. 935 00:42:17,600 --> 00:42:20,140 SURE. SURE. 936 00:42:20,160 --> 00:42:21,160 ALL RIGHT. 937 00:42:28,760 --> 00:42:30,190 WHAT ARE WE CELEBRATING AGAIN? 938 00:42:30,230 --> 00:42:32,260 WHICH ONE IS THE "SHOW ME" STATE AGAIN? 939 00:42:32,300 --> 00:42:33,440 MISSOURI. 940 00:42:33,460 --> 00:42:36,460 HERE’S TO THE "SHOW ME" STATE OF MISSOURI ‐‐ 941 00:42:36,500 --> 00:42:38,270 WHATEVER THE HELL THAT MEANS. 942 00:42:38,300 --> 00:42:41,800 SHOW ME? ARE YOU SERIOUS? SHOW ME WHAT? 943 00:42:41,830 --> 00:42:43,060 THAT’S WHAT I’M SAYING. 944 00:42:43,100 --> 00:42:45,400 I THINK IT’S ABOUT THEM BEING SKEPTICS OR SOMETHING. 945 00:42:45,430 --> 00:42:47,190 HMM. 946 00:42:47,230 --> 00:42:50,090 HEY, RITA, YOU EXPECTING YOUR HUSBAND? 947 00:42:50,130 --> 00:42:52,160 NO. 948 00:42:52,200 --> 00:42:55,170 I’M SORRY. I KNOW I SHOULDN’T BE HERE. 949 00:42:55,200 --> 00:42:56,640 NO, YOU SHOULDN’T. 950 00:42:56,660 --> 00:43:00,330 ISN’T THIS COZY? COZY, COZY, COZY. 951 00:43:00,360 --> 00:43:01,760 DON, GET OUT OF HERE. 952 00:43:01,800 --> 00:43:03,840 I KNEW IT. I KNEW IT. 953 00:43:03,860 --> 00:43:05,790 YOU KNEW WHAT, DON? YOU’RE DRUNK. GO HOME. 954 00:43:05,830 --> 00:43:07,090 I’LL GET YOU A CAB. 955 00:43:07,130 --> 00:43:08,890 HOW LONG YOU BEEN BANGING HER, TONY, HUH? 956 00:43:08,930 --> 00:43:10,460 DON’T MAKE AN ASS OF YOURSELF. 957 00:43:10,500 --> 00:43:11,800 YOU COULDN’T HANDLE A WHITE GUY 958 00:43:11,830 --> 00:43:13,930 PULLING ONE OF YOUR GIRLS OUT OF THE NEIGHBORHOOD. 959 00:43:13,960 --> 00:43:15,760 DON’T COME BY OUR STATION HOUSE AGAIN. 960 00:43:15,800 --> 00:43:16,900 I’M TELLING YOU. 961 00:43:16,930 --> 00:43:18,790 YOU BANGING HER, TOO, TOUGH GUY? 962 00:43:18,830 --> 00:43:21,090 I DON’T WANT TO HAVE TO THROW YOU OUT ON YOUR ASS. 963 00:43:21,130 --> 00:43:22,260 IT’S OKAY. 964 00:43:25,330 --> 00:43:26,490 I’M SORRY. 965 00:43:26,530 --> 00:43:28,560 JUST GO! 966 00:43:28,600 --> 00:43:29,670 I MISS YOU. 967 00:43:29,700 --> 00:43:30,840 OH, MY GOD. 968 00:43:30,860 --> 00:43:33,290 I’M SORRY FOR WHAT I’VE DONE, 969 00:43:33,330 --> 00:43:35,030 BUT I CAN’T STOP THINKING ABOUT YOU, 970 00:43:35,060 --> 00:43:38,030 AND I’M JUST ASKING FOR A SECOND CHANCE. 971 00:43:38,060 --> 00:43:39,060 NO. 972 00:43:39,100 --> 00:43:40,040 I LOVE YOU. 973 00:43:40,060 --> 00:43:42,160 IT’S OVER! YOU NEED TO ACCEPT THAT! 974 00:43:42,200 --> 00:43:43,970 NEITHER ONE OF US WAS PERFECT. 975 00:43:44,000 --> 00:43:45,570 I NEVER CHEATED ON YOU, DON. 976 00:43:45,600 --> 00:43:48,500 I KNOW YOU WANT TO BELIEVE THAT TO MAKE YOURSELF FEEL BETTER, 977 00:43:48,530 --> 00:43:49,760 BUT I NEVER DID. 978 00:43:49,800 --> 00:43:52,040 SO YOU WANT TO BE ENEMIES, I GUESS, HUH? 979 00:43:52,060 --> 00:43:53,330 I WANT YOU TO LEAVE. 980 00:43:53,360 --> 00:43:55,230 ENEMIES IT IS. 981 00:44:15,400 --> 00:44:16,570 HERE YOU GO. 982 00:44:16,600 --> 00:44:19,800 ALL RIGHT. SO WE GOT OUR COFFEE NOW. 983 00:44:19,830 --> 00:44:23,260 DID EVERYTHING GO ALL RIGHT AFTER I LEFT LAST NIGHT? 984 00:44:23,300 --> 00:44:24,340 YEAH. 985 00:44:24,360 --> 00:44:25,490 THEN WHAT’S THE PROBLEM? 986 00:44:25,530 --> 00:44:28,930 THERE’S NO PROBLEM. YOU TRYING TO TALK ME INTO ONE? 987 00:44:28,960 --> 00:44:30,960 YOU’VE BEEN ACTING COMPLETELY WEIRD TODAY. 988 00:44:31,000 --> 00:44:32,000 STOP IT. 989 00:44:33,630 --> 00:44:36,090 IS IT ABOUT ME KISSING YOU LAST NIGHT? 990 00:44:36,130 --> 00:44:40,630 NO, WHAT WOULD THE BIG DEAL BE ABOUT...YOU KNOW, WHY WOULD I... 991 00:44:43,530 --> 00:44:45,090 YEAH. YEAH, IT IS. 992 00:44:45,130 --> 00:44:47,430 ANDY... 993 00:44:47,460 --> 00:44:50,160 I LOVE YOU AND THEO DEARLY. 994 00:44:50,200 --> 00:44:51,570 I REALLY DO. 995 00:44:51,600 --> 00:44:54,040 AND LAST NIGHT, I WAS... 996 00:44:54,060 --> 00:44:57,560 I WAS JUST SO HAPPY, IT JUST CAME OUT. 997 00:44:57,600 --> 00:45:01,900 I WASN’T TRYING TO BE COY OR FLIRT. 998 00:45:01,930 --> 00:45:04,330 WELL, ALL IT DID WAS MAKE ME THINK 999 00:45:04,360 --> 00:45:07,690 HOW WE’VE BEEN SPENDING A LOT OF TIME TOGETHER 1000 00:45:07,730 --> 00:45:10,990 WHEN YOU SHOULD BE SPENDING YOUR NIGHTS OUT THERE 1001 00:45:11,030 --> 00:45:14,030 MEETING SOME GUY THAT YOU COULD BE WITH, GO THE DISTANCE WITH. 1002 00:45:14,060 --> 00:45:16,330 THANK YOU FOR LOOKING OUT FOR ME LIKE THAT, 1003 00:45:16,360 --> 00:45:18,030 BUT I’M FINE. 1004 00:45:18,060 --> 00:45:21,530 AND THIS SPENDING TIME WITH YOU AND THEO HAS MEANT A LOT TO ME. 1005 00:45:21,560 --> 00:45:24,630 IT FEELS COMFORTABLE. 1006 00:45:24,660 --> 00:45:28,260 IT MAKES ME FEEL GOOD. 1007 00:45:28,300 --> 00:45:30,900 AND I’VE BEEN HOPING... 1008 00:45:30,930 --> 00:45:34,360 THAT IT’S BEEN MAKING YOU FEEL GOOD, TOO. 1009 00:45:34,400 --> 00:45:36,770 IT HAS. 1010 00:45:38,030 --> 00:45:39,490 GOOD. 1011 00:45:39,530 --> 00:45:44,260 ALL I’M SAYING IS YOU’RE GONNA NEED TO FIND SOMEONE YOUR AGE 1012 00:45:44,300 --> 00:45:46,440 TO HAVE KIDS WITH AND START A FAMILY WITH. 1013 00:45:46,460 --> 00:45:48,260 THAT’S NOT GONNA HAPPEN. 1014 00:45:48,300 --> 00:45:49,300 SURE IT WILL. 1015 00:45:49,330 --> 00:45:51,890 YOU’LL FIND THE RIGHT GUY, AND BOOM. 1016 00:45:51,930 --> 00:45:53,990 I CAN’T HAVE KIDS. 1017 00:45:55,960 --> 00:45:59,330 LIKE, PHYSICALLY, I’M NOT ABLE TO. 1018 00:45:59,360 --> 00:46:02,590 I HAD COMPLICATIONS WHEN I WAS 15 WHEN ALL THAT HAPPENED, 1019 00:46:02,630 --> 00:46:05,430 AND, UH, I CAN’T. 1020 00:46:05,460 --> 00:46:07,130 OH. 1021 00:46:09,130 --> 00:46:11,090 SO SPENDING ALL THIS TIME TOGETHER, 1022 00:46:11,130 --> 00:46:13,590 IT’S ABOUT SPENDING TIME WITH THEO. 1023 00:46:16,530 --> 00:46:17,690 [ SIGHS ] 1024 00:46:17,730 --> 00:46:20,960 IF THIS IS A PROBLEM FOR YOU, THEN OKAY. 1025 00:46:22,600 --> 00:46:24,540 I DON’T WANT TO COMPLICATE YOUR LIFE. 1026 00:46:25,630 --> 00:46:26,860 [ SIGHS ] 1027 00:46:33,730 --> 00:46:35,860 [ SIGHS ] 75588

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