All language subtitles for NYPD Blue - S09E09 - Here Comes The Son.eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,500 --> 00:00:02,740 PREVIOUSLY ON NYPD BLUE... 2 00:00:02,770 --> 00:00:04,700 CONNIE McDOWELL? YEAH, THAT’S ME. 3 00:00:04,740 --> 00:00:08,400 RITA ORTIZ. I GUESS WE’RE PARTNERING UP. 4 00:00:08,440 --> 00:00:11,770 YOU ARE RUINING MY EVENING. GET OVER HERE AND SING! 5 00:00:11,800 --> 00:00:15,040 MRS. HORNBY, I THINK WE BETTER GET A FEW THINGS CLEAR. 6 00:00:15,070 --> 00:00:16,240 I WANT YOU TO SING. 7 00:00:16,270 --> 00:00:18,400 HOW MUCH MORE CLEAR DO I HAVE TO BE? 8 00:00:18,440 --> 00:00:19,940 I TOOK THIS JOB TO PROTECT YOU, 9 00:00:19,970 --> 00:00:24,140 BUT OBVIOUSLY YOU’RE LOOKING FOR A MAID OR A BABY‐SITTER. 10 00:00:24,170 --> 00:00:25,800 EDDIE DIDN’T HAVE A PROBLEM WITH IT. 11 00:00:25,840 --> 00:00:29,040 I’M NOT EDDIE. I DON’T SING, AND I DON’T FETCH. 12 00:00:29,070 --> 00:00:30,940 FINE! 13 00:00:30,970 --> 00:00:32,040 WHO ARE YOU WORKING WITH? 14 00:00:32,070 --> 00:00:33,770 CONNIE McDOWELL AND ANDY. 15 00:00:33,800 --> 00:00:34,970 THAT SO? 16 00:00:35,000 --> 00:00:36,270 I FIGURE WORK WITH YOUR KID, 17 00:00:36,300 --> 00:00:38,100 MAYBE YOU AND ME GET TO HANG OUT. 18 00:00:38,140 --> 00:00:39,570 WHAT’S WITH THE BAGS? 19 00:00:39,600 --> 00:00:42,200 YOU’RE SUCH A GREAT DETECTIVE. FIGURE IT OUT. 20 00:00:42,240 --> 00:00:44,900 YOU DON’T WANT TO TALK? 21 00:00:44,940 --> 00:00:47,540 YOU STAYING AT THE 15th? YEAH. 22 00:00:47,570 --> 00:00:49,270 THEN THERE’S NOTHING TO TALK ABOUT. 23 00:00:49,300 --> 00:00:52,240 YOU DON’T THINK THIS IS TAKING IT TOO FAR? 24 00:01:10,740 --> 00:01:11,770 [ DOOR OPENS ] 25 00:01:11,800 --> 00:01:12,770 AHH. 26 00:01:14,870 --> 00:01:17,140 COME ON, GUYS. WHAT IS THIS, A UNION MEETING? 27 00:01:17,170 --> 00:01:18,470 LET’S GO. HUH? 28 00:01:21,040 --> 00:01:22,600 MORNING. 29 00:01:22,640 --> 00:01:25,840 MORNING. NO I. D., ONE IN THE HEAD. 30 00:01:25,870 --> 00:01:27,570 TWO MALES, LATINO, MID‐20s. 31 00:01:27,600 --> 00:01:30,070 ONE CRACKS ON THE HEAD AND TAKES THE CASH. 32 00:01:30,100 --> 00:01:31,270 THE OTHER WENT IN BACK, 33 00:01:31,300 --> 00:01:33,640 THEN CAME OUT WITH THE DOA THROWING SHOTS. 34 00:01:33,670 --> 00:01:34,840 THE DOA IS A COP? 35 00:01:34,870 --> 00:01:37,000 NOT WITH A PEARL‐HANDLED GUN. 36 00:01:37,040 --> 00:01:38,640 HAVE YOU TALKED TO THE PROS? 37 00:01:38,670 --> 00:01:39,600 CLARK JUST STARTED. 38 00:01:39,640 --> 00:01:41,540 McDOWELL AND ORTIZ ARE DOING A CANVASS. 39 00:01:41,570 --> 00:01:46,170 EVERYBODY JUST STAY SEATED AND DON’T CHATTER. 40 00:01:46,200 --> 00:01:48,040 NOBODY GOT A LOOK AT THE PERPS. 41 00:01:48,070 --> 00:01:50,070 HOW MANY JOHNS WERE THERE? 42 00:01:50,100 --> 00:01:52,640 UH, THE DOA, TWO OTHERS, AND THIS GUY. 43 00:01:52,670 --> 00:01:57,170 MAMASAN DIDN’T RECOGNIZE ANY OF THE JOHNS AS REGULARS. 44 00:01:57,200 --> 00:01:58,540 YEAH. UH‐HUH. 45 00:01:58,570 --> 00:02:02,000 HEY, YOU, WAKE UP. YOU, SLEEPY ‐‐ 46 00:02:02,040 --> 00:02:03,640 WHAT DID YOU SEE HERE? 47 00:02:03,670 --> 00:02:05,940 [ Slurring ] I WAS GETTING A BACK MASSAGE. 48 00:02:05,970 --> 00:02:07,270 THEN WHAT? 49 00:02:07,300 --> 00:02:08,440 I HEAR, "POP, POP, POP," 50 00:02:08,470 --> 00:02:10,970 AND I WAKE WITH A COP POKING ME IN THE RIBS. 51 00:02:11,000 --> 00:02:12,900 GET A LOOK AT THE GUY WHO DID THIS? 52 00:02:12,940 --> 00:02:14,100 I‐I GOTTA GO HOME. 53 00:02:14,140 --> 00:02:15,700 HEY, HEY, HEY, HEY. 54 00:02:15,740 --> 00:02:17,940 A MAN DIED TRYING TO STOP THIS ROBBERY. 55 00:02:17,970 --> 00:02:19,600 I THINK IT DESERVES CLEAR THINKING. 56 00:02:19,640 --> 00:02:22,700 MY CAR’S JUST OUT FRONT. CAN I GO? 57 00:02:22,740 --> 00:02:24,640 GO BACK TO SLEEP. 58 00:02:24,670 --> 00:02:26,800 YOU GIVE HIM BACK THOSE KEYS, IT’S YOUR ASS. 59 00:02:30,170 --> 00:02:32,570 EXCUSE ME. 60 00:02:43,040 --> 00:02:44,470 GET ANYTHING ON THE CANVASS? 61 00:02:44,500 --> 00:02:47,140 YEAH. ESU FOUND THREE WALLETS UNDER A CAR DOWN THE BLOCK. 62 00:02:47,170 --> 00:02:48,670 ONE OF THEM WAS THE DOA’s. 63 00:02:48,700 --> 00:02:51,240 McDOWELL AND ORTIZ RAN THEM BACK TO THE MASSAGE PARLOR ‐‐ 64 00:02:51,270 --> 00:02:53,740 SEE IF THE MADAM PUTS THE OTHER TWO IN THE PLACE. 65 00:02:53,770 --> 00:02:55,870 CHIEF ADIS CALLED. IN THE LAST MONTH 66 00:02:55,900 --> 00:02:58,700 THERE’S BEEN FOUR MASSAGE‐PARLOR RIP‐OFFS IN THE BRONX ‐‐ 67 00:02:58,740 --> 00:03:01,140 SAME DESCRIPTION ON THE PERPS, SAME M. O., 68 00:03:01,170 --> 00:03:03,040 SAME TYPE OF GUNS. ANYONE SHOT? 69 00:03:03,070 --> 00:03:04,800 OURS WOULD BE THE FIRST SHOOTING. 70 00:03:04,840 --> 00:03:07,470 5‐2’S COMING DOWN TO COMPARE NOTES. 71 00:03:07,500 --> 00:03:09,870 ONE OF THEM’S YOUR DAD. 72 00:03:09,900 --> 00:03:12,070 YOU GOT ANY PROBLEMS WITH THAT? 73 00:03:12,100 --> 00:03:13,340 NO. 74 00:03:13,370 --> 00:03:15,100 THEY’RE COMING TO HELP ON OUR CASE, 75 00:03:15,140 --> 00:03:17,200 OR ARE WE HELPING ON THEIRS? 76 00:03:17,240 --> 00:03:19,800 IT’S YOUR CASE, BUT YOU’RE WORKING TOGETHER. 77 00:03:19,840 --> 00:03:21,470 LIEUTENANT... 78 00:03:21,500 --> 00:03:25,100 IF YOU GOT ANY PROBLEMS, LET’S HEAR ’EM NOW. 79 00:03:25,140 --> 00:03:27,200 I’LL TAKE IT IN MY OFFICE. 80 00:03:27,240 --> 00:03:30,600 OUR DOA WAS A SHOPKEEPER WITH A PISTOL PERMIT. 81 00:03:30,640 --> 00:03:32,570 FIGURE HE GOT RIPPED OFF IN HIS ROOM 82 00:03:32,600 --> 00:03:34,840 AND THEN CHASED THE PERP OUT TRADING SHOTS. 83 00:03:34,870 --> 00:03:37,740 THE MAMASAN SAID ONE GUY, TERRENCE OLSEN, 84 00:03:37,770 --> 00:03:40,200 WAS IN THE WAITING ROOM WHEN THE SHOOTING WENT DOWN. 85 00:03:40,240 --> 00:03:41,700 HE’S A CARDIOLOGIST IN SoHo. 86 00:03:41,740 --> 00:03:44,570 HE WAS A DICK ON THE PHONE, BUT HE’S COMING IN. 87 00:03:44,600 --> 00:03:46,140 ROBBERY ON BAXTER. 88 00:03:46,170 --> 00:03:49,900 CONNIE, YOU AND RITA ARE UP. GREG, YOU AND BALDWIN HELP OUT. 89 00:03:49,940 --> 00:03:50,800 LET’S DO IT. 90 00:03:54,340 --> 00:03:56,200 I’LL TELL YOU IN THE CAR. 91 00:04:00,400 --> 00:04:03,800 HAVE YOU GOT A MINUTE? IT’S VERY IMPORTANT. 92 00:04:05,170 --> 00:04:07,270 YEAH. IN HERE. 93 00:04:15,040 --> 00:04:16,540 FIRST OF ALL, 94 00:04:16,570 --> 00:04:19,470 MRS. HORNBY WANTED ME TO EXTEND HER DEEPEST APOLOGIES 95 00:04:19,500 --> 00:04:21,700 IF SHE OFFENDED YOU IN ANY WAY. 96 00:04:21,740 --> 00:04:23,470 TELL HER NO BIG DEAL. 97 00:04:23,500 --> 00:04:26,540 I DON’T KNOW EXACTLY WHAT HAPPENED. I DON’T CARE. 98 00:04:26,570 --> 00:04:29,270 I’LL BE THE FIRST TO ADMIT SHE’S NOT THE EASIEST WOMAN TO GET ALONG WITH AT TIMES. 99 00:04:29,300 --> 00:04:32,240 LOOK, IT’S NICE OF YOU TO COME DOWN HERE, BUT, UH... 100 00:04:32,270 --> 00:04:35,500 I THINK MRS. HORNBY’S BEEN WORRYING ABOUT THIS A LITTLE MORE THAN I HAVE. 101 00:04:35,540 --> 00:04:37,940 SECOND, MRS. HORNBY WOULD LIKE YOU TO COME BACK 102 00:04:37,970 --> 00:04:39,800 AND PROVIDE SECURITY. 103 00:04:39,840 --> 00:04:41,600 NO. NO WAY. 104 00:04:41,640 --> 00:04:44,140 SHE PROMISES IT WON’T HAPPEN AGAIN. 105 00:04:44,170 --> 00:04:47,370 SHE’S BETTER OFF WITH SOMEBODY WHO ENTERTAINS ‐‐ 106 00:04:47,400 --> 00:04:51,370 SOMEBODY WHO CAN SING ‐‐ WORK WITH BALLOONS, MAYBE. 107 00:04:51,400 --> 00:04:53,770 HONESTLY, I THINK YOU’RE RIGHT. 108 00:04:53,800 --> 00:04:56,940 BUT SHE FEELS MORE COMFORTABLE WITH A DETECTIVE IN HER HOME. 109 00:04:56,970 --> 00:05:00,100 SHE WON’T GIVE ME A MOMENT’S PEACE TILL I GET YOU BACK. 110 00:05:00,140 --> 00:05:01,600 ASK EDDIE GIBSON FOR ANOTHER REFERRAL. 111 00:05:01,640 --> 00:05:05,200 SHE DOESN’T WANT TO MEET ANYONE ELSE. 112 00:05:05,240 --> 00:05:07,740 I TELL YOU WHAT‐‐ I’LL ADD $50 A SHIFT. 113 00:05:07,770 --> 00:05:11,500 THAT’S $250, WHICH, I WOULD LIKE TO SEE YOU GET ANYWHERE ELSE 114 00:05:11,540 --> 00:05:14,270 FOR FOUR HOURS OF DOING BASICALLY NOTHING. 115 00:05:14,300 --> 00:05:16,340 YEAH, ’CAUSE MY WHOLE GOAL IN LIFE, WORKWISE, 116 00:05:16,370 --> 00:05:18,400 IS TO AVOID AS MUCH WORK AS POSSIBLE. 117 00:05:18,440 --> 00:05:24,000 I APOLOGIZE. $300. THAT’S $600 A WEEK ‐‐ CASH. 118 00:05:24,040 --> 00:05:26,570 I GOT A YOUNG SON AT HOME. 119 00:05:26,600 --> 00:05:29,400 IT’S NOT WORTH IT TO MISS HIM TWO NIGHTS A WEEK. 120 00:05:29,440 --> 00:05:32,040 LET ME LET YOU IN ON A LITTLE SECRET. 121 00:05:32,070 --> 00:05:33,440 MRS. HORNBY DOESN’T HAVE ANY CHILDREN. 122 00:05:33,470 --> 00:05:36,070 EDDIE WORKED FOR HER FOR A YEAR AND A HALF. 123 00:05:36,100 --> 00:05:37,940 EDDIE’S DRIVING A BRAND‐NEW SUV. 124 00:05:37,970 --> 00:05:40,740 EDDIE IS BEING TREATED BY THE TOP ONCOLOGIST IN NEW YORK. 125 00:05:40,770 --> 00:05:43,140 SHE CARES ABOUT THOSE WHO ARE CLOSE TO HER. 126 00:05:43,170 --> 00:05:46,640 THINGS A GUY LIKE EDDIE GIBSON WOULD DO OR WOULD PUT UP WITH 127 00:05:46,670 --> 00:05:49,200 TO GET THOSE KINDS OF HANDOUTS, I WOULDN’T. 128 00:05:49,240 --> 00:05:51,300 SO THAT’S NOT A BIG SELLING POINT WITH ME. 129 00:05:51,340 --> 00:05:53,000 YOU CAN LEAD A HORSE TO WATER. 130 00:05:53,040 --> 00:05:54,670 I GOT WORK TO DO. 131 00:05:54,700 --> 00:05:57,270 WHEN YOU REALIZE YOUR MISTAKE AND CALL TO THE JOB BACK, 132 00:05:57,300 --> 00:05:59,040 THE OFFER WILL BE BACK TO $200. 133 00:05:59,070 --> 00:06:01,140 YEAH. GO WAIT BY YOUR PHONE. 134 00:07:17,980 --> 00:07:19,150 WHAT DO WE GOT? 135 00:07:19,180 --> 00:07:20,480 BURGLARY ASSAULT ‐‐ 136 00:07:20,520 --> 00:07:22,890 TWO WHITE MALES POSE AS EXTERMINATORS 137 00:07:22,920 --> 00:07:24,390 AND GET INTO THIS LADY’S APARTMENT. 138 00:07:24,420 --> 00:07:25,660 ONE’S KEEPING HER BUSY, 139 00:07:25,680 --> 00:07:27,610 THE OTHER’S GOING THROUGH HER JEWELRY BOX. 140 00:07:27,650 --> 00:07:29,350 SHE GETS HIT, STARTS SCREAMING, THEY BOOK. 141 00:07:29,380 --> 00:07:30,510 WHERE IS SHE? 142 00:07:30,550 --> 00:07:31,880 BELLEVUE. 143 00:07:31,920 --> 00:07:33,860 SHE’LL BE ALL RIGHT. HER VISION’S GOING. 144 00:07:33,880 --> 00:07:36,050 SHE COULDN’T GIVE US ANYTHING FOR I. D. ON EITHER. 145 00:07:36,080 --> 00:07:38,080 THESE GUYS HEARD THE SCREAMING, CHASED THE PERPS. 146 00:07:38,120 --> 00:07:41,120 ONE PERP GOT AWAY. THEY HELD ONTO THE OTHER ‐‐ 147 00:07:41,150 --> 00:07:42,210 A DONNIE HERTZNER. 148 00:07:42,250 --> 00:07:43,850 WHERE IS HE? 149 00:07:43,880 --> 00:07:45,380 HE’S ON HIS WAY TO BELLEVUE ALSO. 150 00:07:45,420 --> 00:07:49,020 HE GOT A LITTLE BANGED UP IN A SCUFFLE WITH THESE GUYS. 151 00:07:49,050 --> 00:07:50,180 GOT A WITNESS OVER HERE. 152 00:07:50,220 --> 00:07:53,460 TAKE THAT. WE GOT THIS. 153 00:07:53,480 --> 00:07:55,150 HEY, FELLAS. 154 00:07:55,180 --> 00:07:56,750 GUY MUST HAVE BEEN A HANDFUL. 155 00:07:56,780 --> 00:07:58,950 YEAH, HE WAS THROWING ELBOWS AND KICKING. 156 00:07:58,980 --> 00:08:01,650 HE MUST HAVE BEEN ON SOMETHING, ’CAUSE HE DIDN’T QUIT. 157 00:08:01,680 --> 00:08:03,810 WHERE WERE YOU GUYS WHEN THIS WENT DOWN? 158 00:08:03,850 --> 00:08:05,780 OUT FRONT HERE. I’M DOING A ROOFING JOB. 159 00:08:05,820 --> 00:08:07,620 I CAME DOWN FOR SOME TOOLS, 160 00:08:07,650 --> 00:08:09,780 AND I HEAR A WOMAN YELLING FOR HER LIFE. 161 00:08:09,820 --> 00:08:12,090 NEXT THING, TWO GUYS SHOOT OUT THE DOOR, 162 00:08:12,120 --> 00:08:14,220 AND ME AND HIM START CHASING THEM. 163 00:08:14,250 --> 00:08:15,510 YOU LIVE AROUND HERE? 164 00:08:15,550 --> 00:08:18,010 YEAH, IN THE BUILDING, JUST ABOVE MRS. WOODROW. 165 00:08:18,050 --> 00:08:20,610 HEARD HER SCREAM. BY THE TIME I GOT OUT, 166 00:08:20,650 --> 00:08:22,850 THE SCUMBAGS WERE DOWN THE STREET. 167 00:08:22,880 --> 00:08:25,780 HE WAS STRUGGLING WITH ONE. I GAVE HIM A HAND. 168 00:08:25,820 --> 00:08:27,660 HAVE YOU HEARD ANYTHING? SHE GONNA BE ALL RIGHT? 169 00:08:27,680 --> 00:08:28,810 WE DON’T KNOW YET. 170 00:08:28,850 --> 00:08:30,510 YOU GET A LOOK AT THE ONE WHO GOT AWAY? 171 00:08:30,550 --> 00:08:32,410 BACK OF HIS HEAD. NOTHING. 172 00:08:32,450 --> 00:08:33,850 ONCE WE GET A NAME, 173 00:08:33,880 --> 00:08:36,280 WE’LL HAVE YOU LOOK AT PICTURES IN CASE YOU CAN I. D. HIM. 174 00:08:36,320 --> 00:08:37,360 SURE. 175 00:08:37,380 --> 00:08:38,480 THANKS FOR HELPING OUT. 176 00:08:38,520 --> 00:08:40,220 YEAH. 177 00:08:40,250 --> 00:08:43,280 WE’RE GONNA HEAD TO BELLEVUE ‐‐ TALK TO THE VICTIM AND THE PERP. 178 00:08:43,320 --> 00:08:47,090 WE’LL BE IN CONTACT WHEN WE’RE READY TO SHOW YOU SOME PHOTOS. 179 00:08:47,120 --> 00:08:48,260 I DON’T GET A CARD? 180 00:08:48,280 --> 00:08:50,180 THERE YOU GO. 181 00:08:50,220 --> 00:08:51,320 WE’LL CALL YOU. 182 00:08:51,350 --> 00:08:52,380 YOU CALL ME. 183 00:09:05,550 --> 00:09:07,080 YOU WATCHING DONNIE HERTZNER? 184 00:09:07,120 --> 00:09:09,660 YEAH. HE’S IN THE O. R. HE DEVELOPED SOME BLEEDING. 185 00:09:09,680 --> 00:09:11,950 HIS OLD LADY’S AROUND SOMEWHERE ‐‐ SHELLY HERTZNER. 186 00:09:11,980 --> 00:09:13,510 SHE’S PISSED ’CAUSE SHE CAN’T SEE HIM. 187 00:09:13,550 --> 00:09:15,610 I’LL GO GET HER. 188 00:09:15,650 --> 00:09:18,780 ME AND MY HUSBAND HAVE A STANDING AGREEMENT. 189 00:09:18,820 --> 00:09:22,560 IF HE CALLS ME HIS OLD LADY, HE’S ON COUCH THAT NIGHT. 190 00:09:22,580 --> 00:09:25,910 I’VE ALWAYS WONDERED WHAT BIG ROMANTIC CAME UP WITH THAT. 191 00:09:25,950 --> 00:09:28,610 HOW LONG YOU BEEN MARRIED? TWO YEARS. 192 00:09:28,650 --> 00:09:30,450 HOW WAS HE WITH YOU BEING IN VICE? 193 00:09:30,480 --> 00:09:33,180 HE HAD A PROBLEM WITH THE HOURS, THE OUTFITS. 194 00:09:33,220 --> 00:09:34,760 YOU WERE READY TO GET OUT? 195 00:09:34,780 --> 00:09:37,350 I WAS READY TO DO WHATEVER I COULD TO SAVE OUR MARRIAGE. 196 00:09:37,380 --> 00:09:38,380 IS IT BETTER? 197 00:09:38,420 --> 00:09:40,220 WE’RE WORKING AT IT. 198 00:09:40,250 --> 00:09:43,250 SHELLY, I’M DETECTIVE McDOWELL. THIS IS DETECTIVE ORTIZ. 199 00:09:43,280 --> 00:09:45,950 I WANT TO SEE DONNIE. THEY WON’T LET ME SEE HIM. 200 00:09:45,980 --> 00:09:48,150 WHO WAS HE RUNNING WITH? WHAT DO YOU MEAN? 201 00:09:48,180 --> 00:09:49,150 HE DID A BURGLARY. 202 00:09:49,180 --> 00:09:51,750 AND WHOEVER HE DID IT WITH HUNG HIM OUT. 203 00:09:51,780 --> 00:09:55,110 I DON’T KNOW ANYTHING ABOUT IT. PLEASE, JUST LET ME SEE HIM. 204 00:09:55,150 --> 00:09:57,550 TELL US WHO HE WAS RUNNING WITH TODAY, 205 00:09:57,580 --> 00:10:00,180 AND WE’LL LET YOU SEE YOUR HUSBAND. 206 00:10:00,220 --> 00:10:02,760 AND IT DIDN’T COME FROM ME. 207 00:10:02,780 --> 00:10:04,880 NO. 208 00:10:04,920 --> 00:10:06,220 ANDREW SIME. 209 00:10:06,250 --> 00:10:09,380 HE’S BEEN TRYING TO SUCK DONNIE IN EVER SINCE DONNIE GOT OUT. 210 00:10:09,420 --> 00:10:11,420 CALL IT IN TO GREG AND BALDWIN. 211 00:10:11,450 --> 00:10:13,810 WHEN CAN I SEE HIM? I’LL FIND OUT. 212 00:10:22,520 --> 00:10:24,820 HEY, DON. RITA’S IN A CASE. 213 00:10:24,850 --> 00:10:28,250 I CAN’T SAY HI TO MY OLD FRIEND FROM THE BRONX? 214 00:10:28,280 --> 00:10:29,410 COME ON IN. 215 00:10:29,450 --> 00:10:30,610 HOW’S SHE DOING? 216 00:10:30,650 --> 00:10:33,880 SHE’S GREAT ‐‐ WORKING OUT GREAT. 217 00:10:33,920 --> 00:10:35,990 WHO’S SHE PARTNERING WITH ‐‐ CONNIE SOMEBODY? 218 00:10:36,020 --> 00:10:37,090 McDOWELL, YEAH. 219 00:10:37,120 --> 00:10:40,490 WHAT’S SHE LIKE? MARRIED? DIVORCED? PARTY GIRL? 220 00:10:40,520 --> 00:10:41,620 SINGLE. 221 00:10:41,650 --> 00:10:43,580 PARTY GIRL? NOT ON SQUAD, SHE’S NOT. 222 00:10:43,620 --> 00:10:44,960 HOW ABOUT THE MEN HERE? 223 00:10:44,980 --> 00:10:46,080 WHY? 224 00:10:46,120 --> 00:10:48,760 I’VE WORKED WITH COPS FOR A LONG TIME NOW, 225 00:10:48,780 --> 00:10:51,080 AND I KNOW COPS ARE DOGS. ADMIT IT. 226 00:10:51,120 --> 00:10:52,860 I DIDN’T DENY IT. 227 00:10:52,880 --> 00:10:54,850 I KNOW ONE OF YOUR CODES IS THAT A COP 228 00:10:54,880 --> 00:10:56,850 NEVER GOES AFTER ANOTHER COP’S WIFE. 229 00:10:56,880 --> 00:10:58,480 THAT SAME RULE APPARENTLY DOESN’T APPLY 230 00:10:58,520 --> 00:11:00,020 FOR AN ASSISTANT DA’s WIFE. 231 00:11:00,050 --> 00:11:03,110 IF ANYTHING, AT RITA’S LAST COMMAND, 232 00:11:03,150 --> 00:11:05,250 THEY WENT AFTER HER LIKE THEY’D BEEN SHIPWRECKED‐ 233 00:11:05,280 --> 00:11:08,550 SOME RESENTMENT FROM ME, MY OFFICE, LAWYERS IN GENERAL. 234 00:11:08,580 --> 00:11:10,050 THAT’S NOT HAPPENING HERE. 235 00:11:10,080 --> 00:11:14,510 BUT IF SOME OF THE GUYS DO GET...INAPPROPRIATE 236 00:11:14,550 --> 00:11:16,950 I’D HOPE THAT, YOU KNOW... 237 00:11:16,980 --> 00:11:19,680 I’M NOT GONNA KEEP AN EYE ON YOUR WIFE FOR YOU. 238 00:11:19,720 --> 00:11:22,720 IT’S NOT LIKE I’M ASKING FOR ONE OF YOUR KIDNEYS, TONY. 239 00:11:22,750 --> 00:11:24,750 I’M NOT GONNA KEEP AN EYE ON HER. 240 00:11:24,780 --> 00:11:27,050 LET’S MAKE THIS THE LAST TIME WE TALK ABOUT IT, HUH? 241 00:11:27,080 --> 00:11:30,010 IF I WAS A COP, YOU WOULD. YOU’RE WRONG. 242 00:11:30,050 --> 00:11:32,210 IT’S GREAT SEEING YOU. 243 00:11:32,250 --> 00:11:34,450 [ SIGHS ] 244 00:11:36,450 --> 00:11:39,410 YOU’VE BEEN THROUGH THIS DRILL A COUPLE TIMES BEFORE, ANDREW. 245 00:11:39,450 --> 00:11:40,880 LOOKS LIKE YOU TESTIFIED AGAINST YOUR ACCOMPLICE, 246 00:11:40,920 --> 00:11:42,520 AND WORKED OUT A PLEA EACH TIME. 247 00:11:42,550 --> 00:11:45,050 YEAH. SO? 248 00:11:45,080 --> 00:11:47,450 THAT HOW WE’RE DOING THIS? DOING WHAT? 249 00:11:47,480 --> 00:11:49,310 WHAT DID I DO? 250 00:11:49,350 --> 00:11:50,850 WHEN YOU’RE OLD AND GRAY, ANDREW, 251 00:11:50,880 --> 00:11:52,780 AND YOU’RE REGALING YOUR GRANDKIDS 252 00:11:52,820 --> 00:11:55,320 WITH STORIES ABOUT YOUR WILD YOUTH 253 00:11:55,350 --> 00:11:57,150 AND YOU GATHER THE LITTLE MOPPETS AROUND, 254 00:11:57,180 --> 00:12:00,180 TELL THEM ABOUT THE TIME YOU POSED AS AN EXTERMINATOR 255 00:12:00,220 --> 00:12:01,220 WITH YOUR BUDDY DONNIE 256 00:12:01,250 --> 00:12:04,310 AND HOW YOU TRIED TO RIP OFF THE 80‐YEAR‐OLD WOMAN. 257 00:12:04,350 --> 00:12:06,780 BUT SHE WOULDN’T GIVE IT UP, 258 00:12:06,820 --> 00:12:08,960 SO YOU SUCKER‐PUNCHED HER AND RAN, 259 00:12:08,980 --> 00:12:11,050 LEAVING DONNIE BEHIND TO GET HIS ASS KICKED. 260 00:12:11,080 --> 00:12:14,710 THEN GO ON ABOUT HOW YOU BEEN BUSTED BEFORE 261 00:12:14,750 --> 00:12:16,780 POSING AS AN EXTERMINATOR 262 00:12:16,820 --> 00:12:19,490 AND HOW PEOPLE SAW YOU FLEE THE SCENE 263 00:12:19,520 --> 00:12:21,020 IN YOUR EXTERMINATOR OUTFIT 264 00:12:21,050 --> 00:12:24,180 AND HOW YOU’D NEVER WORKED AS AN EXTERMINATOR BEFORE 265 00:12:24,220 --> 00:12:27,260 SO THERE WAS NO OTHER REASON FOR YOU TO OWN THE UNIFORM. 266 00:12:27,280 --> 00:12:31,550 BUT YOU MIGHT WANT TO LEAVE OUT HOW WHEN THE COPS CAME, 267 00:12:31,580 --> 00:12:34,550 INSTEAD OF DITCHING THEM, 268 00:12:34,580 --> 00:12:37,210 YOU HAD THE EXTERMINATOR COVERALLS 269 00:12:37,250 --> 00:12:39,010 BALLED UP ON YOUR BEDROOM FLOOR. 270 00:12:41,480 --> 00:12:43,980 YEAH, OKAY. 271 00:12:44,020 --> 00:12:47,720 LET’S WRITE IT UP. 272 00:12:52,150 --> 00:12:54,080 THE ACCOMPLICE, ANDREW SIME ‐‐ HE WENT FOR IT 273 00:12:54,120 --> 00:12:56,390 HE ACTS LIKE HE’S ON A SNOOTFUL OF DDT 274 00:12:56,420 --> 00:12:58,720 BUT HE CLEARED UP LONG ENOUGH 275 00:12:58,750 --> 00:13:01,710 TO PIN THE WHOLE THING ON HIS RUNNING BUDDY, DONNIE HERTZNER, 276 00:13:01,750 --> 00:13:03,710 WHO THOSE TWO CIVILIANS DETAINED AT THE SCENE. 277 00:13:03,750 --> 00:13:06,510 WHAT’S HERTZNER SAYING? 278 00:13:06,550 --> 00:13:08,410 HE WENT DOA ABOUT 10 MINUTES AGO. 279 00:13:08,450 --> 00:13:09,380 YOU’RE KIDDING. 280 00:13:09,420 --> 00:13:10,520 FROM WHAT? 281 00:13:10,550 --> 00:13:12,710 BLEEDING INTO HIS BRAIN. 282 00:13:12,750 --> 00:13:14,880 OFF THE BEATING HE TOOK FROM THOSE GUYS ON THE STREET? 283 00:13:14,920 --> 00:13:15,760 LOOKING LIKE IT. 284 00:13:15,780 --> 00:13:17,550 WE GOTTA FIND T WHAT HAPPENED OUT THERE. 285 00:13:17,580 --> 00:13:20,580 ALL WE’VE BEEN HEARING IS THESE TWO GUYS WERE GOOD SAMARITANS 286 00:13:20,620 --> 00:13:22,620 WHO RESPONDED WHEN THE OLD LADY STARTED SCREAMING. 287 00:13:22,650 --> 00:13:24,080 THE PERP WAS THROWING PUNCHES, TOO. 288 00:13:24,120 --> 00:13:27,120 ONE OF THE GUYS GOT A BUSTED LIP TRYING TO HOLD THE PERP. 289 00:13:27,150 --> 00:13:28,180 THAT’S SOME OF IT. 290 00:13:28,220 --> 00:13:30,560 BUT NOW WE GOTTA FIND OUT EVERYTHING THAT HAPPENED. 291 00:13:30,580 --> 00:13:31,880 LET’S GO 292 00:13:35,420 --> 00:13:37,120 YOU GOT A SECOND? 293 00:13:47,650 --> 00:13:49,710 I’LL TELL YOU WHAT I’M NOT UP FOR ‐‐ 294 00:13:49,750 --> 00:13:51,210 GOING BACK TO THE NONSENSE 295 00:13:51,250 --> 00:13:54,580 OF US HAVING TO ACT LIKE WE DON’T KNOW EACH OTHER AT WORK. 296 00:13:54,620 --> 00:13:56,660 I’M NOT GONNA DO IT. 297 00:13:59,420 --> 00:14:00,590 I THINK I’M PREGNANT. 298 00:14:02,250 --> 00:14:03,610 YOU THINK? 299 00:14:03,650 --> 00:14:05,710 I TOOK A TEST. TWICE. 300 00:14:05,750 --> 00:14:07,150 THEY BOTH CAME BACK POSITIVE? 301 00:14:07,180 --> 00:14:08,950 YEAH, OTHERWISE I WOULDN’T THINK I’M PREGNANT. 302 00:14:08,980 --> 00:14:12,780 YOU DROPPED THIS ON MY LAP, I’M SORRY IF I’M A LITTLE MIXED UP HERE. 303 00:14:12,820 --> 00:14:15,490 THAT’S WHY I’VE BEEN THE WAY I AM. 304 00:14:18,220 --> 00:14:21,290 HOW DID THIS HAPPEN? I THOUGHT YOU WERE ON THE PILL. 305 00:14:21,320 --> 00:14:23,460 I AM, BUT I’M PREGNANT. 306 00:14:29,480 --> 00:14:33,410 IT’S GONNA BE ALL RIGHT. 307 00:14:33,450 --> 00:14:34,880 SO WHAT’S NEXT? 308 00:14:34,920 --> 00:14:36,220 I DON’T KNOW. 309 00:14:36,250 --> 00:14:37,810 I GOTTA THINK. 310 00:14:37,850 --> 00:14:40,510 AT WHAT POINT DO I GET INVOLVED IN THE DECISION PROCESS? 311 00:14:40,550 --> 00:14:42,580 I’LL LET YOU KNOW. 312 00:14:56,820 --> 00:14:58,420 JOHNNY. 313 00:14:58,450 --> 00:15:00,010 HEY. IT’S BEEN A WHILE. 314 00:15:00,050 --> 00:15:02,310 HEY, BRIAN, HOW YOU DOING? HOW’S LOUISE? 315 00:15:02,350 --> 00:15:03,810 REAL GOOD. EVERYONE’S GOOD. 316 00:15:07,180 --> 00:15:08,250 POP. 317 00:15:08,280 --> 00:15:09,510 JOHN. 318 00:15:09,550 --> 00:15:11,850 COME ON, SHAKE HANDS OR SOMETHING. 319 00:15:13,480 --> 00:15:15,210 BRIAN HOWERSON, ANDY SIPOWITZ. 320 00:15:15,250 --> 00:15:16,810 ARE WE READY TO GET STARTED? 321 00:15:16,850 --> 00:15:17,910 COFFEE ROOM. 322 00:15:24,050 --> 00:15:26,810 WE’VE HAD FOUR REPORTED MASSAGE PARLORS HIT IN THE LAST MONTH ‐‐ 323 00:15:26,850 --> 00:15:29,510 TWO HISPANIC MALES IN THEIR 20s, IN EARLY MORNING, 324 00:15:29,550 --> 00:15:31,410 STICK UP THE MADAM, AND HIT THE ROAD. 325 00:15:31,450 --> 00:15:32,710 ANY LUCK WITH WITNESSES? 326 00:15:32,750 --> 00:15:34,650 MADAM’S PUT ON THE FLOOR RIGHT AWAY. 327 00:15:34,680 --> 00:15:36,610 ANY I. D. s ON THE JOHNS? 328 00:15:36,650 --> 00:15:38,380 PEOPLE DON’T SHOW I.D.s IN PLACES LIKE THAT. 329 00:15:38,420 --> 00:15:40,260 ON OURS, ESU FOUND WALLETS DUMPED NEARBY. 330 00:15:40,280 --> 00:15:41,750 ONE BELONGED TO A DOA. 331 00:15:41,780 --> 00:15:43,680 ANOTHER I. D. WAS IDENTIFIED BY THE MADAM 332 00:15:43,720 --> 00:15:45,290 AS BELONGING TO A JOHN. 333 00:15:45,320 --> 00:15:47,420 MAYBE THEY’RE NOT RELATED. 334 00:15:47,450 --> 00:15:50,650 WHAT KIND OF GUNS THE PERPS CARRY? 335 00:15:50,680 --> 00:15:52,610 SILVER‐COLORED AUTOMATICS. 336 00:15:52,650 --> 00:15:54,780 ONE OF THE GUYS HAVE A MUSTACHE, THE OTHER CLEAN‐SHAVEN? 337 00:15:54,820 --> 00:15:57,360 THE GUY WITH THE MUSTACHE HAD A WOOLEN HAT? 338 00:15:57,380 --> 00:15:58,650 MAYBE THEY ARE RELATED. 339 00:15:58,680 --> 00:16:01,110 FIRST STEP ‐‐ WE GET ON THE PHONE TO COMMANDS IN THE BRONX 340 00:16:01,150 --> 00:16:03,550 AND HAVE THEM PULL 61’s ON WALLETS REPORTED LOST OR STOLEN 341 00:16:03,580 --> 00:16:05,050 THE DAY AFTER YOUR ROBBERIES. 342 00:16:05,080 --> 00:16:07,580 WHY DON’T YOU EXPLAIN THE OVERSIGHT? 343 00:16:07,620 --> 00:16:08,790 I DIDN’T SAY THERE WAS AN OVERSIGHT. 344 00:16:08,820 --> 00:16:10,790 I JUST MEANT WE SHOULD COVER OUR BASES. 345 00:16:10,820 --> 00:16:13,020 LET US TAKE CARE OF COMMANDS IN THE BRONX. 346 00:16:13,050 --> 00:16:15,450 YOU HUNT FOR YOUR JOHN WHO LOST HIS WALLET. 347 00:16:15,480 --> 00:16:17,850 SORRY TO INTERRUPT. DR. OLSEN TO SEE YOU. 348 00:16:17,880 --> 00:16:19,710 SPEAK OF THE DEVIL, HERE HE IS. 349 00:16:19,750 --> 00:16:21,650 WE’LL BE LOOKING IN. 350 00:16:33,850 --> 00:16:35,450 WHAT IS THERE TO TALK ABOUT? 351 00:16:35,480 --> 00:16:37,820 I’D RATHER YOU JUST GAVE ME THE WALLET ‐‐ 352 00:16:37,850 --> 00:16:39,180 LET ME GET BACK TO THE OFFICE. 353 00:16:39,220 --> 00:16:41,380 WE NEED TO TALK TO YOU ABOUT LOST IT. 354 00:16:41,420 --> 00:16:43,150 IT JUST FELL OUT OF MY POCKET. 355 00:16:43,180 --> 00:16:44,620 ANY IDEA WHERE? 356 00:16:44,650 --> 00:16:47,520 WELL, I KNEW THAT, I WOULDN’T HAVE LOST IT, RIGHT? 357 00:16:47,550 --> 00:16:49,150 WHEN DID YOU NOTICE IT WAS GONE? 358 00:16:49,180 --> 00:16:50,550 WHEN I GOT HOME. 359 00:16:50,580 --> 00:16:52,320 WERE YOU IN CHINATOWN LAST NIGHT? 360 00:16:52,350 --> 00:16:53,320 NO. 361 00:16:53,350 --> 00:16:55,420 EVER HEARD OF A MASSAGE PARLOR IN CHINATOWN 362 00:16:55,450 --> 00:16:57,420 CALLED THE SHANGHAI DIAMOND GARDEN? 363 00:16:57,450 --> 00:16:59,850 PLEASE, IF I COULD JUST HAVE MY WALLET ‐‐ 364 00:16:59,880 --> 00:17:01,350 WE CAN’T DO THAT, DR. OLSEN. 365 00:17:01,380 --> 00:17:03,580 IT WAS PART OF A HOMICIDE INVESTIGATION. 366 00:17:03,620 --> 00:17:06,320 THE GUY WHO TRIED TO STOP YOU FROM BEING ROBBED 367 00:17:06,350 --> 00:17:07,720 DIED FROM HIS WOUNDS. 368 00:17:07,750 --> 00:17:10,520 WE WOULD LIKE TO THINK YOU DID ALL YOU COULD TO HELP. 369 00:17:10,550 --> 00:17:13,480 BUT IF NOT, NOW IS THE TIME TO MAKE UP FOR IT. 370 00:17:13,520 --> 00:17:14,580 MEANING? 371 00:17:14,620 --> 00:17:16,980 START BY TELLING US WHAT YOU SAW LAST NIGHT. 372 00:17:17,020 --> 00:17:19,220 I DON’T KNOW ABOUT ANY ROBBERY, 373 00:17:19,250 --> 00:17:22,780 AND I THINK I SHOULD TALK TO MY ATTORNEY. 374 00:17:22,820 --> 00:17:25,220 WERE YOU A PART OF THIS ROBBERY, DR. OLSEN? 375 00:17:25,250 --> 00:17:26,950 WHY ON EARTH WOULD YOU THINK THAT? 376 00:17:26,980 --> 00:17:28,450 THEN WHY WOULD YOU NEED A LAWYER? 377 00:17:28,480 --> 00:17:30,280 HELP US, AND WE’LL GET CONFESSIONS 378 00:17:30,320 --> 00:17:31,480 FROM THESE PERPETRATORS. 379 00:17:31,520 --> 00:17:34,020 NO ONE WILL KNOW YOU WENT TO THE PLACE, 380 00:17:34,050 --> 00:17:35,320 NO ONE WILL KNOW YOU COOPERATED. 381 00:17:35,350 --> 00:17:37,350 I THINK I NEED TO SPEAK WITH MY ATTORNEY. 382 00:17:37,380 --> 00:17:40,480 WE’LL BE IN TOUCH. 383 00:17:46,020 --> 00:17:47,680 THE MAN ASKS FOR AN ATTORNEY, 384 00:17:47,720 --> 00:17:51,220 YOU JUST KEEP ON LIKE HE NEVER SAID A WORD. 385 00:17:51,250 --> 00:17:53,020 I THOUGHT HE MIGHT COME OFF IT. 386 00:17:53,050 --> 00:17:54,580 YOU TEACH HIM THAT? I MIGHT HAVE. 387 00:17:54,620 --> 00:17:56,380 NEXT TIME ME AND HOWERSON TAKE THE ROOM. 388 00:17:56,420 --> 00:17:57,650 YOU TAKE THE PHONE CALLS. 389 00:17:57,680 --> 00:17:58,680 WHAT ARE YOU TALKING ABOUT? 390 00:17:58,720 --> 00:17:59,980 WASN’T EXACTLY A SUCCESS IN THERE. 391 00:18:00,020 --> 00:18:02,120 HE WASN’T TALKING NO MATTER WHO WAS IN THE ROOM. 392 00:18:02,150 --> 00:18:03,420 WE’LL NEVER KNOW, WILL WE? 393 00:18:03,450 --> 00:18:05,520 YOU’VE BEEN WORKING THIS THREE HOURS. 394 00:18:05,550 --> 00:18:07,620 WE’VE BEEN ON IT A MONTH. WE’LL TAKE THE ROOM. 395 00:18:14,720 --> 00:18:17,880 WE CONTACTED AN INDIVIDUAL, JOSH LAURIE. 396 00:18:17,920 --> 00:18:19,750 REPORTED HIS WALLET STOLEN 397 00:18:19,780 --> 00:18:21,820 THE MORNING OF NOVEMBER 2nd OF THIS YEAR. 398 00:18:21,850 --> 00:18:26,380 THAT WAS THE DAY AFTER OUR ROBBERY AT, UH... 399 00:18:26,420 --> 00:18:28,180 HOUSE OF LEE MASSAGE IN THE BRONX. 400 00:18:28,220 --> 00:18:30,720 MR. LAURIE ADMITTED TO BEING ROBBED, 401 00:18:30,750 --> 00:18:33,220 BUT HE COULDN’T IDENTIFY THE PERPETRATORS. 402 00:18:33,250 --> 00:18:35,750 HE DID SAY THAT WHEN HE REPORTED THE CREDIT CARD STOLEN, 403 00:18:35,780 --> 00:18:38,680 THE COMPANY INQUIRED ABOUT A PURCHASE THAT SAME MORNING 404 00:18:38,720 --> 00:18:41,080 AT AN ELECTRONICS STORE ON BROOKNER BOULEVARD. 405 00:18:41,120 --> 00:18:42,580 NAME OF THE SHOP IS... 406 00:18:42,620 --> 00:18:47,280 A GUY TRIED TO BUY A BIG‐SCREEN TV WITH LAURIE’S CREDIT CARD. 407 00:18:47,320 --> 00:18:48,720 THE CLERK COULDN’T KEEP HIM THERE, 408 00:18:48,750 --> 00:18:50,620 BUT WHEN THE GUY SPLIT, SHE GOT HIS PLATE. 409 00:18:50,650 --> 00:18:52,250 WHO’S THE GUY? 410 00:18:52,280 --> 00:18:55,050 VINCENT PEREZ. JUNIOR’S LOOKING INTO HIM. 411 00:18:55,080 --> 00:18:56,620 GRAB HIM UP. 412 00:18:58,480 --> 00:19:02,780 HEY... I’VE UPDATED A FEW BOSSES IN THE LAST 26 YEARS. 413 00:19:02,820 --> 00:19:05,280 IF HE WANTS MORE THAN THE BARE BONES, HE ASKS. 414 00:19:05,320 --> 00:19:07,520 AND DON’T CALL MY SON "JUNIOR" IN FRONT OF ME. 415 00:19:07,550 --> 00:19:09,350 PEREZ HAS A RAP SHEET FOR GRAND LARCENY. 416 00:19:09,380 --> 00:19:10,420 LIVES IN THROGS NECK. 417 00:19:10,450 --> 00:19:12,080 BETWEEN FORDHAM ROAD AND THE HIGHWAY. 418 00:19:12,120 --> 00:19:14,350 WE GOT A QUICK WAY IF YOU WANNA FOLLOW. 419 00:19:14,380 --> 00:19:15,620 THEY’LL FIND IT. 420 00:19:30,650 --> 00:19:32,620 YOU EVER HAD A PARTNER BEFORE? 421 00:19:32,650 --> 00:19:34,720 OF COURSE. 422 00:19:34,750 --> 00:19:36,420 DID YOU KEEP IT STRICTLY BUSINESS, 423 00:19:36,450 --> 00:19:38,750 OR DID YOU HAPPEN TO CHAT ABOUT YOUR PERSONAL LIFE? 424 00:19:38,780 --> 00:19:41,550 THIS A ROUNDABOUT WAY OF GETTING TO ME AND MY DAD? 425 00:19:41,580 --> 00:19:44,020 I TALK TO YOU ABOUT CYNTHIA AND ANDY JR., 426 00:19:44,050 --> 00:19:46,880 AND IF THEO THROWS A DECENT PITCH OR BARFS IN SCHOOL, 427 00:19:46,920 --> 00:19:48,250 YOU KNOW ABOUT IT. 428 00:19:48,280 --> 00:19:51,150 IF THERE WAS SOMETHING YOU COULD DO ABOUT ME AND MY DAD, 429 00:19:51,180 --> 00:19:53,480 I WOULD TALK TO YOU ABOUT IT, BUT YOU CAN’T. 430 00:19:53,520 --> 00:19:55,280 IT DOESN’T MEAN KEEP IT A SECRET. 431 00:19:55,320 --> 00:19:58,150 YOU’RE NOT A NEUTRAL PARTY. YOU GUYS HATE EACH OTHER. 432 00:19:58,180 --> 00:20:00,720 I DON’T HATE HIM. WE JUST‐‐ 433 00:20:00,750 --> 00:20:02,850 WE DON’T THINK THE SAME. 434 00:20:02,880 --> 00:20:05,980 NOW WHO’S KEEPING SECRETS? 435 00:20:06,020 --> 00:20:07,350 WHAT HAPPENED WITH YOU GUYS? 436 00:20:07,380 --> 00:20:11,050 ALL RIGHT. LEGALLY... 437 00:20:11,080 --> 00:20:13,220 WHEN DO YOU READ A GUY HIS RIGHTS? 438 00:20:13,250 --> 00:20:14,380 SOON AS HE’S IN CUSTODY. 439 00:20:14,420 --> 00:20:16,480 BEFORE YOU TALK TO HIM OR AFTER? 440 00:20:16,520 --> 00:20:17,420 BEFORE. 441 00:20:17,450 --> 00:20:19,550 HOW MANY TIMES HAVE YOU DONE THAT? 442 00:20:19,580 --> 00:20:22,050 NEVER. ANYONE WITH HALF A BRAIN WOULD LAWYER UP. WHY? 443 00:20:22,080 --> 00:20:24,450 WHEN YOUR DAD AND ME WERE AT THE 2‐8, 444 00:20:24,480 --> 00:20:27,050 WE WORKED A ROBBERY ON AN 84‐YEAR‐OLD WOMAN 445 00:20:27,080 --> 00:20:29,120 WHO GOT BEAT WITH THE BUTT OF A GUN. 446 00:20:29,150 --> 00:20:30,220 WE GOT THE PERP IN. 447 00:20:30,250 --> 00:20:32,120 HE GAVE A FULL, DETAILED CONFESSION. 448 00:20:32,150 --> 00:20:33,520 WHEN I WAS ON THE STAND 449 00:20:33,550 --> 00:20:36,180 AND THE D. A. ASKED IF I ADVISED THE PERP OF HIS RIGHTS 450 00:20:36,220 --> 00:20:37,980 BEFORE I TALKED TO HIM, I SAID YES. 451 00:20:38,020 --> 00:20:39,320 YEAH, BUT YOU HADN’T. 452 00:20:39,350 --> 00:20:41,450 WHEN YOUR OLD MAN GOT ON THE STAND 453 00:20:41,480 --> 00:20:44,450 AND THEY ASKED HIM IF I’D GIVEN THE PERP HIS RIGHTS WHEN I SAID, 454 00:20:44,480 --> 00:20:46,880 HE SAID HE NEVER HEARD ME DO IT. 455 00:20:46,920 --> 00:20:48,580 MAYBE HE DIDN’T KNOW BETTER. 456 00:20:48,620 --> 00:20:49,420 OH, HE KNEW BETTER. 457 00:20:49,450 --> 00:20:51,280 SO HE DID IT TO SPITE YOU? 458 00:20:51,320 --> 00:20:53,280 HE WAS SCARED OF GETTING CAUGHT IN A LIE, 459 00:20:53,320 --> 00:20:54,380 AND THE CASE WAS TOSSED. 460 00:20:54,420 --> 00:20:55,950 I GAVE HIM HELL FOR IT. 461 00:20:55,980 --> 00:20:57,520 WHEN I DRANK, I GAVE HIM WORSE HELL ‐‐ 462 00:20:57,550 --> 00:20:59,720 IN PUBLIC, IN FRONT OF OTHER COPS. 463 00:20:59,750 --> 00:21:02,420 TWO MONTHS LATER, THE PERP DID ANOTHER PUSH‐IN, 464 00:21:02,450 --> 00:21:04,320 AND AN OLD LADY GOT KILLED. 465 00:21:04,350 --> 00:21:06,650 I GOT DRUNK AND FOUND YOUR DAD TO FIGHT HIM, 466 00:21:06,680 --> 00:21:08,780 BUT HE WOULDN’T COME OUT OF THE BAR. 467 00:21:08,820 --> 00:21:10,350 I PUSHED IT WAY TOO FAR. 468 00:21:10,380 --> 00:21:12,950 THE FACT IS HE TOLD THE ACTUAL TRUTH. 469 00:21:12,980 --> 00:21:15,750 YEAH, WHICH GOT AN OLD LADY KILLED. 470 00:21:15,780 --> 00:21:18,680 I’M SURE A WEEK DOESN’T PASS WHEN THAT’S NOT ON HIS MIND. 471 00:21:18,720 --> 00:21:22,850 Unit one to unit two, suspect is riding up on a gray bicycle. 472 00:21:22,880 --> 00:21:24,780 UNIT TWO MOVING IN. 473 00:21:24,820 --> 00:21:29,250 I’M SURE HE’S GOT HIS VERSION. THAT’S JUST MINE. 474 00:21:32,180 --> 00:21:33,450 FREEZE! POLICE! 475 00:21:33,480 --> 00:21:35,050 DON’T SHOOT ME! DON’T SHOOT ME! 476 00:21:35,080 --> 00:21:36,780 I SAID FREEZE, OR YOU’RE GONNA GET SHOT. 477 00:21:36,820 --> 00:21:38,320 STAY DOWN. NOBODY’S GONNA SHOOT YOU. 478 00:21:38,350 --> 00:21:40,080 WHAT’S YOUR NAME? I DIDN’T DO ANYTHING! 479 00:21:40,120 --> 00:21:41,450 JUST ANSWER THE QUESTION. 480 00:21:41,480 --> 00:21:43,120 VINCENT PEREZ. I SWEAR I DIDN’T DO ANYTHING. 481 00:21:43,150 --> 00:21:45,780 HOLD YOUR TONGUE TILL I TELL YOU DIFFERENTLY, WE’LL BE FRIENDS. 482 00:21:45,820 --> 00:21:48,350 YOU KEEP TALKING, WE GOT PROBLEMS. UNDERSTAND? 483 00:21:48,380 --> 00:21:50,480 EXCUSE ME. EXCUSE ME! 484 00:21:50,520 --> 00:21:54,480 SUSPECT IS COMING WITH US. BRIAN? 485 00:21:55,880 --> 00:21:57,180 PERPS RIDING WITH YOU 486 00:21:57,220 --> 00:21:59,950 GOT A HABIT OF GETTING BRUISED ON THE WAY TO THE HOUSE. 487 00:21:59,980 --> 00:22:01,780 HE TEACH YOU THAT, TOO? 488 00:22:01,820 --> 00:22:03,180 HE’S ALL YOURS. 489 00:22:14,450 --> 00:22:15,780 SODA? 490 00:22:15,820 --> 00:22:17,180 SURE. 491 00:22:17,220 --> 00:22:19,280 NOW, JUST TO CONFIRM, MR. PEREZ, 492 00:22:19,320 --> 00:22:21,580 YOU UNDERSTAND YOUR RIGHTS AS WE READ THEM TO YOU, 493 00:22:21,620 --> 00:22:23,680 AND YOU’RE WILLING TO TALK WITHOUT AN ATTORNEY PRESENT? 494 00:22:23,720 --> 00:22:26,050 YEAH, AND I THINK I KNOW WHY I’M HERE. 495 00:22:26,080 --> 00:22:28,120 BEFORE YOU SAY ANYTHING, RELAX. 496 00:22:28,150 --> 00:22:29,480 TAKE IT EASY. WE’RE YOUR FRIENDS. 497 00:22:29,520 --> 00:22:30,920 WE’RE TRYING TO HELP YOU. 498 00:22:30,950 --> 00:22:33,420 THAT’S GOOD TO HEAR. NOW IF I COULD JUST EXPLAIN ‐‐ 499 00:22:33,450 --> 00:22:35,380 LET ME EXPLAIN SOMETHING TO YOU FIRST... 500 00:22:35,420 --> 00:22:39,080 IF HE’D LET HIM, THE GUY WOULD ROLL. 501 00:22:39,120 --> 00:22:40,180 ...ABSOLUTELY READY TO DO. 502 00:22:40,220 --> 00:22:42,880 BUT IF YOU LIE TO US, OUR HANDS ARE TIED. 503 00:22:42,920 --> 00:22:44,420 UNDERSTOOD. 504 00:22:44,450 --> 00:22:45,680 WHERE WERE YOU THIS MORNING 2:00 A. M.? 505 00:22:45,720 --> 00:22:48,680 WORK. I’M A STOCK BOY AT THE SUPERMART. 506 00:22:48,720 --> 00:22:50,980 IS THIS NOT ABOUT THE CREDIT CARD? 507 00:22:51,020 --> 00:22:52,820 TELL US ABOUT THE CREDIT CARD. 508 00:22:52,850 --> 00:22:57,120 PLEASE, I CAN’T DO ANY MORE JAIL TIME. 509 00:22:57,150 --> 00:22:59,320 I’LL TELL YOU WHERE I GOT IT. 510 00:22:59,350 --> 00:23:01,780 JUST HELP ME OUT...OKAY? 511 00:23:01,820 --> 00:23:02,820 WE’LL SEE. 512 00:23:02,850 --> 00:23:06,850 JULIO ALAMEDA SOLD IT TO ME FOR 50 BUCKS. 513 00:23:06,880 --> 00:23:11,350 I’VE BEEN OUT OF JAIL SIX MONTHS AND STRAIGHT, ALL OF IT, 514 00:23:11,380 --> 00:23:14,520 BUT I AIN’T MAKING JACK AT THE MARKET 515 00:23:14,550 --> 00:23:17,250 AND I WANTED THE SONY FLAT‐SCREEN, 516 00:23:17,280 --> 00:23:19,150 SO I DID SOMETHING STUPID. 517 00:23:19,180 --> 00:23:20,620 WHERE’D ALAMEDA GET THE CARD? 518 00:23:20,650 --> 00:23:21,720 HE DIDN’T SAY. 519 00:23:21,750 --> 00:23:23,880 HE SAY ANYTHING ABOUT BEING A STICKUP MAN? 520 00:23:23,920 --> 00:23:25,720 I DON’T KNOW HIM REAL GOOD. 521 00:23:25,750 --> 00:23:27,980 AND WE’RE JUST SUPPOSED TO BELIEVE THIS? 522 00:23:28,020 --> 00:23:30,250 THAT’S ALL I KNOW. 523 00:23:30,280 --> 00:23:35,420 PLEASE...I REALLY DO NOT WANT TO GO BACK TO JAIL. 524 00:23:35,450 --> 00:23:38,520 NO PROMISES, BUT WE’LL SEE. 525 00:23:40,850 --> 00:23:42,120 ALAMEDA’S PLACES. 526 00:23:50,550 --> 00:23:51,550 JULIO ALAMEDA. 527 00:23:51,580 --> 00:23:52,820 YEAH, WE HEARD. 528 00:23:52,850 --> 00:23:55,620 HONEY, NOT VINEGAR ‐‐ THAT’S WHAT GETS THE BEES. 529 00:24:07,820 --> 00:24:09,350 HAVE A SEAT, CHERYL. 530 00:24:19,520 --> 00:24:20,750 THANK YOU. 531 00:24:22,450 --> 00:24:25,080 WE WANTED TO TALK TO YOU ABOUT WHAT HAPPENED THIS MORNING. 532 00:24:25,120 --> 00:24:26,850 OKAY. 533 00:24:26,880 --> 00:24:28,320 THOSE TWO GOOD SAMARITANS 534 00:24:28,350 --> 00:24:29,650 WHO APPREHENDED ONE OF THE BURGLARS ‐‐ 535 00:24:29,680 --> 00:24:31,550 DID YOU SEE THEM GRAB HIM ON THE STREET? 536 00:24:31,580 --> 00:24:33,480 I DID. 537 00:24:33,520 --> 00:24:35,020 WERE YOU THERE THE WHOLE TIME? 538 00:24:35,050 --> 00:24:36,350 I WAS. 539 00:24:36,380 --> 00:24:38,450 THEY FOUGHT ‐‐ ALL THREE OF THEM? 540 00:24:38,480 --> 00:24:41,120 LIKE BEAR CUBS IN A GUNNYSACK. 541 00:24:48,380 --> 00:24:50,150 WERE THEY FIGHTING THE WHOLE TIME, 542 00:24:50,180 --> 00:24:51,580 OR DID THE BURGLAR EVER QUIT FIGHTING? 543 00:24:51,620 --> 00:24:53,650 HE QUIT, BUT HE KEPT RUNNING HIS MOUTH, 544 00:24:53,680 --> 00:24:55,020 SO THEY GAVE HIM ONE GOOD. 545 00:24:55,050 --> 00:24:56,080 WHAT DO YOU MEAN BY THAT? 546 00:24:56,120 --> 00:24:59,080 IS THAT ARMANI OR A KNOCK OFF? 547 00:24:59,120 --> 00:25:00,420 ’CAUSE IT’S WORKING EITHER WAY. 548 00:25:00,450 --> 00:25:02,580 CHERYL. JUST TELL US WHAT HAPPENED. 549 00:25:02,620 --> 00:25:04,780 OKAY. 550 00:25:04,820 --> 00:25:06,950 THE BURGLAR DUDE WAS KICKING, SCREAMING, AND PUNCHING, 551 00:25:06,980 --> 00:25:08,420 THE OTHER GUYS WERE GIVING IT BACK. 552 00:25:08,450 --> 00:25:10,180 THEY ENDED UP ON THE GROUND, 553 00:25:10,220 --> 00:25:12,880 AND THEN THERE WAS SOME TALKING BACK AND FORTH, 554 00:25:12,920 --> 00:25:14,680 AND THE BIG WHITE GUY ‐‐ WHACK! ‐‐ 555 00:25:14,720 --> 00:25:17,580 NAILED THE BURGLAR’S HEAD ON THE CURB, AND THAT SHUT HIM UP. 556 00:25:17,620 --> 00:25:19,950 HOW MANY TIMES DID THE WHITE GUY WHACK THE BURGLAR’S HEAD? 557 00:25:19,980 --> 00:25:22,220 ONCE. WHY? 558 00:25:22,250 --> 00:25:23,950 ’CAUSE THE BURGLAR’S DEAD BECAUSE OF IT. 559 00:25:23,980 --> 00:25:26,120 WELL SCREW HIM ANYWAY. 560 00:25:28,650 --> 00:25:30,480 SPEAKING OF WHICH... 561 00:25:36,250 --> 00:25:38,450 SO THEY BOTH HAVE THE SUSPECT ON THE GROUND 562 00:25:38,480 --> 00:25:40,550 AND THE FIGHTING HAD STOPPED? 563 00:25:40,580 --> 00:25:43,250 THEN MacPHERSON KNOCKS THE SUSPECT’S HEAD ON THE CURB? 564 00:25:43,280 --> 00:25:45,280 REMEMBER, MacPHERSON HAS INJURIES FROM THIS GUY. 565 00:25:45,320 --> 00:25:47,150 BUT THE FIGHTING HAD STOPPED, 566 00:25:47,180 --> 00:25:48,180 SO MacPHERSON WASN’T DEFENDING HIMSELF. 567 00:25:48,220 --> 00:25:49,720 THE SUSPECT WAS MOUTHING OFF. 568 00:25:49,750 --> 00:25:52,150 IT DOESN’T MAKE ANY DIFFERENCE. THE SUSPECT CAPITULATED. 569 00:25:52,180 --> 00:25:53,520 ALL VIOLENCE HAD CEASED. 570 00:25:53,550 --> 00:25:56,250 NO ONE WAS IN DANGER OF ANY PHYSICAL HARM AT THIS POINT. 571 00:25:56,280 --> 00:25:58,420 MacPHERSON COMMITTED AN AGGRESSIVE ACT 572 00:25:58,450 --> 00:26:00,420 THAT LED TO THE SUSPECT’S DEATH, 573 00:26:00,450 --> 00:26:02,850 AND THAT ACT CONSTITUTES DEADLY PHYSICAL FORCE 574 00:26:02,880 --> 00:26:04,020 UNDER THE PENAL LAW. 575 00:26:04,050 --> 00:26:05,250 SO, WHAT’S HE LOOKING AT? 576 00:26:05,280 --> 00:26:06,980 MANSLAUGHTER, FIRST DEGREE, "B" FELONY. 577 00:26:07,020 --> 00:26:08,550 MANDATORY JAIL TIME. 578 00:26:08,580 --> 00:26:10,020 RIGHT. 579 00:26:10,050 --> 00:26:11,920 WHAT ABOUT THE OTHER GUY, EWELL? 580 00:26:11,950 --> 00:26:15,320 HE WAS HOLDING THE SUSPECT DOWN WHEN MacPHERSON HIT HIS HEAD. 581 00:26:15,350 --> 00:26:17,050 ACTING IN CONCERT, EQUALLY CULPABLE, 582 00:26:17,080 --> 00:26:18,280 SO THAT’S MANSLAUGHTER TOO. 583 00:26:18,320 --> 00:26:20,020 BUT NO MANDATORY JAIL TIME. 584 00:26:20,050 --> 00:26:22,820 POSSIBLY PROBATION IF HE TESTIFIES AGAINST MacPHERSON. 585 00:26:22,850 --> 00:26:24,480 LET’S BRING THEM BOTH IN. 586 00:26:24,520 --> 00:26:27,250 THIS IS WHY I SIGNED UP FOR THIS JOB. 587 00:26:36,980 --> 00:26:38,880 HAVE A SEAT. 588 00:26:38,920 --> 00:26:42,150 WE NEED TO TALK MORE ABOUT WHEN YOU DETAINED THAT GUY. 589 00:26:42,180 --> 00:26:44,920 OKAY. HOW’S THE OLD LADY? SHE’S FINE. 590 00:26:44,950 --> 00:26:46,380 WHO STARTED THROWING PUNCHES? 591 00:26:46,420 --> 00:26:48,250 HE DID ‐‐ THROWING ELBOWS. 592 00:26:48,280 --> 00:26:49,750 ANYBODY HIT HIM IN THE HEAD? 593 00:26:49,780 --> 00:26:53,020 I HIT HIM IN THE JAW A FEW TIMES AFTER HE CONNECTED ON ME. 594 00:26:53,050 --> 00:26:55,180 STANDING UP? WE ENDED UP ON THE GROUND. 595 00:26:55,220 --> 00:26:57,220 YOU FOUND THE SCUMBAG HE DID IT WITH YET? 596 00:26:57,250 --> 00:26:58,280 YEAH, HE’S LOCKED UP. 597 00:26:58,320 --> 00:27:00,250 SO WHAT’S THIS ALL ABOUT? 598 00:27:00,280 --> 00:27:02,450 HE HAVE A GUN OR A KNIFE ON HIM? 599 00:27:02,480 --> 00:27:04,250 NO. WHEN THE OTHER GUY HELPING OUT 600 00:27:04,280 --> 00:27:07,320 HELD THAT DICKHEAD’S ARMS BACK, I PATTED HIM DOWN TO MAKE SURE. 601 00:27:07,350 --> 00:27:09,280 WHAT’S THE PROBLEM? HE DIED. 602 00:27:16,250 --> 00:27:17,680 FROM WHAT HAPPENED ON THE STREET? 603 00:27:17,720 --> 00:27:19,020 THEY THINK SO. 604 00:27:19,050 --> 00:27:20,780 WHAT, LIKE, A HEART ATTACK? 605 00:27:20,820 --> 00:27:21,780 BRAIN INJURY. 606 00:27:21,820 --> 00:27:23,920 HE LOOKED FINE WHEN THEY TOOK HIM AWAY. 607 00:27:23,950 --> 00:27:25,050 HE WAS WALKING AROUND. 608 00:27:25,080 --> 00:27:26,880 DID HE HIT HIS HEAD WHEN YOU WERE FIGHTING? 609 00:27:26,920 --> 00:27:28,450 NO. I DON’T KNOW. 610 00:27:28,480 --> 00:27:32,080 LOOK, THERE WAS AN OLD LADY SCREAMING OUT THE WINDOW, 611 00:27:32,120 --> 00:27:34,020 AND I HELPED OUT. 612 00:27:34,050 --> 00:27:35,780 I GOT KICKED AND HIT IN THE PROCESS. 613 00:27:35,820 --> 00:27:39,080 THERE WAS A LOT OF OTHER PEOPLE ON THE STREET JUST WATCHING. 614 00:27:39,120 --> 00:27:40,320 ME AND THAT BLACK GUY 615 00:27:40,350 --> 00:27:42,720 ARE THE ONLY TWO THAT DID ANYTHING ABOUT IT. 616 00:27:42,750 --> 00:27:46,150 NOW YOU COME AT ME WITH THIS? AM I UNDER ARREST? 617 00:27:46,180 --> 00:27:47,780 NO, JUST TRYING TO FIND OUT WHAT HAPPENED. 618 00:27:47,820 --> 00:27:49,620 I TOLD YOU. 619 00:28:00,180 --> 00:28:03,080 [ TIRES SCREECH ] 620 00:28:04,920 --> 00:28:07,820 PLEASE, MR. ALAMEDA, DO NOT MOVE. 621 00:28:07,850 --> 00:28:08,720 SON OF A BITCH. 622 00:28:15,850 --> 00:28:18,220 [ TIRES SCREECH, HORN HONKS ] 623 00:28:27,280 --> 00:28:29,750 WHAT’D YOU THINK YOU WERE DOING HITTING A COP?! 624 00:28:29,780 --> 00:28:31,880 YOU DIDN’T THINK YOU’D GET HIT BACK?! 625 00:28:31,920 --> 00:28:33,580 POLICE BRUTALITY! 626 00:28:33,620 --> 00:28:35,020 DON’T YOU HIT HIM! 627 00:28:35,050 --> 00:28:36,780 LET’S GET OFF THE STREET. 628 00:28:36,820 --> 00:28:38,880 I DIDN’T. 629 00:28:38,920 --> 00:28:41,180 WE GOT THIS GUY. HE’S OURS FROM NOW ON. 630 00:28:41,220 --> 00:28:42,980 WAIT UNTIL ME AND JOHN HAVE ANOTHER CONVERSATION 631 00:28:43,020 --> 00:28:43,980 WITH THE DOCTOR. 632 00:28:44,020 --> 00:28:45,480 THE DOCTOR LAWYERED UP. 633 00:28:45,520 --> 00:28:47,520 HE’S GONNA LAWYER UP AGAIN. IT’S A WASTE OF TIME. 634 00:28:47,550 --> 00:28:49,680 HOW CAN COVERING OUR BASES BE A WASTE OF TIME? 635 00:28:49,720 --> 00:28:51,580 YOU COVER THEM. I’LL GIVE YOU AN HOUR. 636 00:28:51,620 --> 00:28:54,020 HOW ABOUT YOU WAIT TILL WE GET BACK? 637 00:29:08,280 --> 00:29:11,120 WHAT ARE YOU DOING HERE? WHAT DO YOU WANT? 638 00:29:11,150 --> 00:29:14,080 WE NEED ANOTHER MINUTE OF YOUR TIME, DOCTOR. 639 00:29:18,180 --> 00:29:19,920 I DON’T HAVE ANYTHING MORE TO SAY. 640 00:29:19,950 --> 00:29:22,920 WE GOT A HOMICIDE TO SOLVE, SO WE CAN TALK IN PRIVATE 641 00:29:22,950 --> 00:29:25,480 OR AIR YOUR WHORING OUT IN FRONT OF YOUR PATIENTS. 642 00:29:25,520 --> 00:29:28,150 THEN WE COULD HEAD OUT TO WESTCHESTER, TALK TO YOUR WIFE. 643 00:29:28,180 --> 00:29:29,550 THAT’S BLACKMAIL. 644 00:29:29,580 --> 00:29:32,020 YOU SHOULD BE SICK WITH YOURSELF THAT WE GOTTA THREATEN YOU, 645 00:29:32,050 --> 00:29:34,750 WHERE IF YOU’D HAVE FOLLOWED YOUR OATH AND STUCK AROUND, 646 00:29:34,780 --> 00:29:36,720 YOU PROBABLY COULD HAVE SAVED THAT GUY’S LIFE. 647 00:29:36,750 --> 00:29:39,050 HE HAD A BULLET IN HIS BRAIN. 648 00:29:39,080 --> 00:29:41,580 HE HAD NO PULSE. HE WAS DEAD. 649 00:29:41,620 --> 00:29:43,850 JUST TELL US IF YOU SAW ANY OF THESE GUYS ROB 650 00:29:43,880 --> 00:29:46,120 THE SHANGHAI DIAMOND GARDEN LAST NIGHT, AND WE’RE GONE. 651 00:29:53,180 --> 00:29:56,150 HIM. DONE? 652 00:29:56,180 --> 00:29:57,520 WAS HE THE SHOOTER? 653 00:29:57,550 --> 00:30:00,120 HE WAS WHO HIT THE WOMAN IN THE FRONT. 654 00:30:00,150 --> 00:30:01,650 I REALLY HAVE TO GO NOW. 655 00:30:03,350 --> 00:30:05,450 WE APPRECIATE IT. 656 00:30:13,880 --> 00:30:15,020 HAVE A SEAT, MR. EWELL. 657 00:30:15,050 --> 00:30:17,520 WHAT’S GOING ON? 658 00:30:17,550 --> 00:30:19,920 WE’VE ENCOUNTERED A BIT OF A PROBLEM, MR. EWELL. 659 00:30:19,950 --> 00:30:21,350 NAMELY? 660 00:30:21,380 --> 00:30:23,620 THE GUY YOU AND MR. MacPHERSON DETAINED AT THE SCENE ‐‐ 661 00:30:23,650 --> 00:30:24,950 HE DIED AS A RESULT 662 00:30:24,980 --> 00:30:27,020 OF MR. MacPHERSON SLAMMING HIS HEAD AGAINST THE CURB. 663 00:30:27,050 --> 00:30:28,350 HE WAS TIRED OF THAT PRICK 664 00:30:28,380 --> 00:30:30,050 CUSSING AND FIGHTING AND KICKING US. 665 00:30:30,080 --> 00:30:33,480 WAS HE KICKING AND FIGHTING WHEN MR. MacPHERSON SLAMMED HIS HEAD? 666 00:30:33,520 --> 00:30:36,220 YOU MEAN, AT THAT MOMENT? 667 00:30:36,250 --> 00:30:39,380 HE AIN’T LOOKING AT NO CHARGES BROUGHT AGAINST HIM, IS HE? 668 00:30:39,420 --> 00:30:41,180 POSSIBLY. OH, MAN. 669 00:30:41,220 --> 00:30:42,580 WE’VE BEEN INSTRUCTED TO TELL YOU 670 00:30:42,620 --> 00:30:45,280 THAT IF YOU TESTIFY AGAINST MR. MacPHERSON, 671 00:30:45,320 --> 00:30:48,050 YOU COULD SAVE YOURSELF JAIL TIME. 672 00:30:48,080 --> 00:30:50,180 WHAT’S JAIL TIME GOT TO DO WITH ME? 673 00:30:50,220 --> 00:30:52,720 THE GUY DIED AS A RESULT OF INJURIES HE RECEIVED 674 00:30:52,750 --> 00:30:55,320 WHILE BEING DETAINED BY YOU AND MR. MacPHERSON. 675 00:30:55,350 --> 00:30:57,220 I DIDN’T HIT HIS HEAD ON THE CURB. 676 00:30:57,250 --> 00:30:58,620 YOU WERE HOLDING HIM DOWN. 677 00:30:58,650 --> 00:31:02,020 HE ROBBED AN OLD LADY. THE LADY WAS SCREAMING. 678 00:31:02,050 --> 00:31:03,350 APPARENTLY, SHE ‐‐ 679 00:31:03,380 --> 00:31:04,620 WE KNOW WHAT HAPPENED. 680 00:31:04,650 --> 00:31:06,650 WE KNOW YOU WERE DOING THE RIGHT THING, 681 00:31:06,680 --> 00:31:09,150 NOBODY IN THE SQUAD IS HAPPY WITH THE RAMIFICATIONS, 682 00:31:09,180 --> 00:31:11,420 BUT THE MAN DIED. 683 00:31:11,450 --> 00:31:14,720 IF YOU AGREE TO TESTIFY AGAINST MR. MacPHERSON ‐‐ 684 00:31:14,750 --> 00:31:16,150 MR. MacPHERSON? 685 00:31:16,180 --> 00:31:18,550 THE ONLY ONE ON THE STREET TO GET INVOLVED? 686 00:31:18,580 --> 00:31:22,020 MR. MacPHERSON, WHO GOT PUNCHED BY THAT ASSHOLE LIKE I DID? 687 00:31:22,050 --> 00:31:23,880 I’M GONNA TESTIFY AGAINST HIM? 688 00:31:23,920 --> 00:31:27,220 WHAT KIND OF PUNK‐ASS BITCH DO YOU THINK I AM? 689 00:31:27,250 --> 00:31:28,620 IT’S AN OPTION YOU NEED TO KNOW. 690 00:31:28,650 --> 00:31:31,880 YOU CAN TAKE YOUR OPTION AND SHOVE IT. 691 00:31:31,920 --> 00:31:33,420 I WANT A LAWYER, 692 00:31:33,450 --> 00:31:36,620 ’CAUSE THIS IS ABOUT SOME OF THE MOST MESSED UP BUNCH OF ‐‐ 693 00:31:36,650 --> 00:31:39,520 IT’S AN OPEN OFFER IF YOU CHANGE YOUR MIND. 694 00:31:39,550 --> 00:31:40,550 OHH. 695 00:31:47,420 --> 00:31:49,750 HEY, JOHN, YOU SEEN MY DAD AND HIS PARTNER? 696 00:31:49,780 --> 00:31:52,250 THEY’RE IN THE POKEY ROOM WITH MR. ALAMEDA. 697 00:31:52,280 --> 00:31:53,720 HOW LONG THEY BEEN IN THERE? 698 00:31:53,750 --> 00:31:55,880 SINCE THEY GOT BACK ‐‐ A HALF‐HOUR. 699 00:31:55,920 --> 00:31:57,450 SON OF A BITCH. 700 00:31:59,450 --> 00:32:01,920 HOW MANY TIMES I GOTTA SAY THIS? 701 00:32:01,950 --> 00:32:03,420 I WASN’T IN NO CATHOUSE! 702 00:32:03,450 --> 00:32:06,180 MR. ALAMEDA, I DON’T THINK YOU UNDERSTAND. 703 00:32:06,220 --> 00:32:07,820 WE’RE TRYING TO HELP YOU. 704 00:32:07,850 --> 00:32:09,320 HOW IT HELP? 705 00:32:09,350 --> 00:32:12,480 YOU CUFFIN’ ME IN FRONT OF MY BOYS, 706 00:32:12,520 --> 00:32:15,180 RUININ’ MY REP AS A DECENT GUY. 707 00:32:15,220 --> 00:32:17,150 IF THAT WAS DISRESPECTFUL, WE’RE SORRY. 708 00:32:17,180 --> 00:32:19,480 GUY SMACKED HIM, AND HE’S APOLOGIZING? 709 00:32:19,520 --> 00:32:21,220 DEFINITELY LAYING ON THE HONEY. 710 00:32:21,250 --> 00:32:22,680 YOU REALLY WANNA HELP ME, 711 00:32:22,720 --> 00:32:26,250 YOU GET ME A SLICE OF PIZZA AND ANOTHER SODA, 712 00:32:26,280 --> 00:32:27,580 ’CAUSE I CAN’T THINK WHEN I’M HUNGRY. 713 00:32:27,620 --> 00:32:29,450 THEN YOU BETTER BE READY TO TALK. 714 00:32:29,480 --> 00:32:31,550 I WON’T KNOW TILL IT’S HERE. 715 00:32:31,580 --> 00:32:33,750 WE’LL GET THE FOOD, AND THEN WE’LL KEEP TALKING. 716 00:32:33,780 --> 00:32:35,120 JUST GO GET MY FOOD ‐‐ 717 00:32:35,150 --> 00:32:36,750 AND SOME SMOKES! 718 00:32:37,920 --> 00:32:40,350 [ DOOR CLOSES ] 719 00:32:44,250 --> 00:32:46,350 GOT TIRED OF WAITING, SO WE TOOK A SHOT. 720 00:32:46,380 --> 00:32:47,920 YEAH, THE GUY’S TOUGH. 721 00:32:47,950 --> 00:32:51,120 WE’RE JUST GETTING STARTED. HE WANTS FOOD. 722 00:32:51,150 --> 00:32:52,950 YOU’LL HAVE THE COURTESY NOT TO TALK TO HIM ‐‐ 723 00:32:52,980 --> 00:32:54,750 NOT IN THE MIDDLE OF OUR INTERVIEW. 724 00:32:54,780 --> 00:32:58,220 BACK IN A LITTLE WHILE. 725 00:33:04,880 --> 00:33:06,350 WHAT DO YOU WANT? 726 00:33:06,380 --> 00:33:07,950 THERE’S NO SMOKING IN THIS ROOM. 727 00:33:07,980 --> 00:33:10,280 THERE’S NO SODA DRINKING AND NO PIZZA COMING EITHER. 728 00:33:10,320 --> 00:33:12,250 GUYS WHO HIT COPS DON’T GET BUFFET MEALS. 729 00:33:12,280 --> 00:33:14,650 WHAT’S UP WITH YOU, MAN? WHERE ARE THE OTHER GUYS? 730 00:33:14,680 --> 00:33:17,250 THEY GOT SICK OF YOUR ATTITUDE, SO THEY SENT FOR COPS 731 00:33:17,280 --> 00:33:19,180 WHO AREN’T AFRAID OF GETTING THEIR HANDS BLOODY. 732 00:33:19,220 --> 00:33:22,180 I DIDN’T MEAN TO HIT THAT DUDE. HE STARTLED ME. 733 00:33:22,220 --> 00:33:24,450 NO, YOU SUCKER PUNCHED HIM CLEAR AS DAY, JULIO, 734 00:33:24,480 --> 00:33:27,750 AND I GOT NEWS FOR YOU ‐‐ THAT COP’S MY FATHER. 735 00:33:27,780 --> 00:33:30,220 MMM, YEAH, UH‐HUH. AND HE’S MY UNCLE. 736 00:33:32,120 --> 00:33:33,950 HE’S MY DAD, YOU PRICK! 737 00:33:33,980 --> 00:33:36,020 I DON’T GIVE A DAMN WHO HE IS! 738 00:33:37,480 --> 00:33:40,380 JULIO, THIS WILL KEEP UP UNTIL MORNING 739 00:33:40,420 --> 00:33:43,450 UNLESS YOU TELL US WHAT HAPPENED AT THE SHANGHAI DIAMOND GARDEN! 740 00:33:43,480 --> 00:33:46,250 THEN YOU’RE OUT OF HERE AND AT CENTRAL BOOKING, 741 00:33:46,280 --> 00:33:47,850 WHERE NO ONE CAN GET TO YOU! 742 00:33:47,880 --> 00:33:50,450 OR JUST KEEP SAYING YOU WERE GETTING LAID LAST NIGHT, 743 00:33:50,480 --> 00:33:52,480 AND WHEN MY ARMS GET TIRED FROM BEATING YOU, 744 00:33:52,520 --> 00:33:54,350 I’LL JUST HANDCUFF YOU TO THAT CHAIR 745 00:33:54,380 --> 00:33:55,880 AND PUT THIS SIGN ON YOUR CHEST, 746 00:33:55,920 --> 00:33:58,420 AND WE’RE GONNA PARADE IN EVERY COP IN THE HOUSE 747 00:33:58,450 --> 00:33:59,880 TO COME IN AND WORK OUT ON YOU. 748 00:33:59,920 --> 00:34:01,180 I DIDN’T MEAN TO HIT NOBODY. 749 00:34:01,220 --> 00:34:04,680 LAST NIGHT I’M SURE YOU DIDN’T MEAN TO KILL THAT GUY EITHER, 750 00:34:04,720 --> 00:34:06,050 BUT SOMEHOW HE IS DEAD! 751 00:34:06,080 --> 00:34:07,150 I DIDN’T KILL HIM, MAN! 752 00:34:07,180 --> 00:34:08,320 THEN WHO DID? 753 00:34:08,350 --> 00:34:09,550 DON’T SAY YOU WEREN’T THERE, 754 00:34:09,580 --> 00:34:13,280 OR YOU DON’T KNOW. WE GOT YOU IDENTIFIED. 755 00:34:13,320 --> 00:34:15,150 CARLOS SHOT THAT GUY, MAN. I DIDN’T SHOOT NOBODY. 756 00:34:15,180 --> 00:34:16,820 WHAT HAPPENED? 757 00:34:16,850 --> 00:34:19,580 IT’S MY JOB TO GET THE DOUGH FROM THE LADY OUT FRONT 758 00:34:19,620 --> 00:34:21,280 WHILE CARLOS GOES BACK TO THE JOHNS. 759 00:34:21,320 --> 00:34:23,720 IS THAT THE SAME SETUP IN THE PLACES IN THE BRONX? 760 00:34:23,750 --> 00:34:26,050 THE SAME DEAL, EXCEPT THIS TIME CARLOS GOES IN BACK 761 00:34:26,080 --> 00:34:28,650 AND COMES RUNNING OUT ’CAUSE SOME PSYCHO’S SHOOTING AT HIM. 762 00:34:28,680 --> 00:34:30,320 WHERE ARE WE GONNA FIND CARLOS? 763 00:34:30,350 --> 00:34:32,520 DOWN AT THE POOL HALL ON THE CONCOURSE. 764 00:34:32,550 --> 00:34:34,350 I’M SUPPOSED TO MEET HIM THERE IN AN HOUR 765 00:34:34,380 --> 00:34:35,620 TO DIVVY UP THE TAKES. 766 00:34:35,650 --> 00:34:36,680 WRITE IT ALL DOWN. 767 00:34:36,720 --> 00:34:39,050 START WITH THE PLACE YOU TOOK OFF IN THE BRONX 768 00:34:39,080 --> 00:34:41,050 AND FINISH WITH THE ONE IN CHINATOWN. 769 00:34:41,080 --> 00:34:42,580 TWO YEARS ‐‐ TWO YEARS OF THIS. 770 00:34:42,620 --> 00:34:45,050 HE’S IN JAIL, NO LAWSUIT, FIRED OFF THE JOB. 771 00:34:45,080 --> 00:34:49,720 JOHN, LIGHTEN UP ON THE KID. HE GOT THE JOB DONE. 772 00:35:03,080 --> 00:35:06,250 OH, DETECTIVE, CORY BEACHAM CALLED 773 00:35:06,280 --> 00:35:08,850 AND ASKED ME TO TELL YOU "400." 774 00:35:08,880 --> 00:35:09,950 HE SAID YOU’D UNDERSTAND. 775 00:35:09,980 --> 00:35:10,950 YEAH. 776 00:35:10,980 --> 00:35:12,080 GOOD NIGHT. 777 00:35:12,120 --> 00:35:14,090 NIGHT. 778 00:35:14,120 --> 00:35:16,290 IS THAT $400 A WEEK? A SHIFT. 779 00:35:16,320 --> 00:35:18,320 FOR SITTING AROUND WHILE SHE SINGS OLD TUNES? 780 00:35:18,350 --> 00:35:19,880 I’D DO IT IN A GORILLA SUIT. 781 00:35:19,920 --> 00:35:21,890 THAT’D BE EASIER. SHE COULDN’T SEE MY SHAME. 782 00:35:21,920 --> 00:35:23,920 YOU’RE CRAZY IF YOU TURN IT DOWN. 783 00:35:23,950 --> 00:35:25,510 [ CLEARS THROAT ] 784 00:35:26,980 --> 00:35:29,210 WHAT DO YOU SAY AFTER WE GRAB CARLOS 785 00:35:29,250 --> 00:35:31,550 WE GIVE THE COLLAR TO YOUR DAD AND HOWERSON? 786 00:35:31,580 --> 00:35:33,310 YOU THINK? 787 00:35:33,350 --> 00:35:34,910 THEY’VE BEEN WORKING THE CASE A MONTH, 788 00:35:34,950 --> 00:35:36,680 AND IF WE TAKE THE COLLAR, 789 00:35:36,720 --> 00:35:39,060 IT’D JUST BE ANOTHER THING EATING AT YOUR OLD MAN. 790 00:35:42,850 --> 00:35:44,780 HOW COULD YOU BEAT THAT MAN? 791 00:35:44,820 --> 00:35:47,520 YOU WATCH THE INTERVIEW? 792 00:35:47,550 --> 00:35:49,880 YOU’RE A BUM. AS BIG A BUM AS HE IS. 793 00:35:49,920 --> 00:35:52,560 IF YOU’RE PISSED OFF BECAUSE WE STOLE YOUR PLAY, 794 00:35:52,580 --> 00:35:54,750 AS FAR AS WE’RE CONCERNED, YOU CAN HAVE THE COLLAR. 795 00:35:54,780 --> 00:35:58,180 YOU TURN MY KID INTO A GOON AND THEN RUB MY NOSE IN IT? 796 00:35:58,220 --> 00:35:59,960 WE’RE DOING WHAT’S RIGHT. 797 00:35:59,980 --> 00:36:02,650 YOU GOT A LOT OF NERVE TALKING ABOUT DOING WHAT’S RIGHT. 798 00:36:02,680 --> 00:36:05,010 I WOULDN’T HAVE HIT HIM IF HE DIDN’T HIT YOU. 799 00:36:05,050 --> 00:36:07,750 YOU KNOW WHERE YOU CAN STICK YOUR COLLAR. 800 00:36:15,180 --> 00:36:16,950 CLARK... 801 00:36:16,980 --> 00:36:19,150 YOU WANNA PISS ON MY SHOES, KNOCK YOURSELF OUT, 802 00:36:19,180 --> 00:36:20,480 BUT IT’S US WHO GOT THE BEEF. 803 00:36:20,520 --> 00:36:22,090 YOUR KID DON’T BELONG IN THE MIDDLE. 804 00:36:22,120 --> 00:36:23,660 I’M NOT TALKING TO YOU ABOUT MY FAMILY. 805 00:36:23,680 --> 00:36:25,410 KEEP ON LIKE THIS, YOU WON’T HAVE A FAMILY. 806 00:36:25,450 --> 00:36:27,350 I GOT YOU TO THANK FOR THAT. 807 00:36:27,380 --> 00:36:30,150 LOOK, 20 YEARS AGO YOU AND ME HAD A LEGITIMATE BEEF. 808 00:36:30,180 --> 00:36:32,250 AND MAYBE I PUSHED IT TOO FAR. 809 00:36:32,280 --> 00:36:34,450 BACK THEN, I PUSHED A LOT OF THINGS TOO FAR. 810 00:36:34,480 --> 00:36:36,680 I’M SORRY FOR THAT. 811 00:36:36,720 --> 00:36:37,820 NOW ACCEPT MY APOLOGY 812 00:36:37,850 --> 00:36:40,010 AND QUIT DRAGGING YOUR KID THROUGH THE MUD 813 00:36:40,050 --> 00:36:41,280 ’CAUSE YOU’RE ANGRY AT ME. 814 00:36:41,320 --> 00:36:43,690 YOU KNOW THE PHRASE "DAY LATE AND A DOLLAR SHORT"? 815 00:36:43,720 --> 00:36:46,760 YEAH. MY SON AND ME DIDN’T TALK FOR YEARS, 816 00:36:46,780 --> 00:36:50,810 AND NOT TOO LONG AFTER MENDING FENCES, I LOST HIM ON THE JOB. 817 00:36:50,850 --> 00:36:52,710 NOT A DAY GOES BY 818 00:36:52,750 --> 00:36:54,510 THAT I DON’T WISH I COULD HAVE THEM YEARS BACK. 819 00:36:54,550 --> 00:36:56,550 YOU DON’T WANT THAT HAPPENING TO YOU. 820 00:36:56,580 --> 00:36:58,510 GO TO HELL. 821 00:37:14,750 --> 00:37:16,580 [ HAMMERING ] 822 00:37:18,980 --> 00:37:21,210 Man: HEY, SHUT UP DOWN THERE! 823 00:37:21,250 --> 00:37:22,350 MIND YOUR OWN BUSINESS! 824 00:37:22,380 --> 00:37:25,380 [ KNOCK ON DOOR ] 825 00:37:31,350 --> 00:37:33,950 HEY. 826 00:37:33,980 --> 00:37:36,750 HEY. 827 00:37:47,450 --> 00:37:52,310 I’M ‐‐ I’M PROCESSING THIS AND DEALING WITH THIS 828 00:37:52,350 --> 00:37:53,750 THE BEST WAY I CAN. 829 00:37:53,780 --> 00:37:55,480 BY YOURSELF. 830 00:37:56,620 --> 00:37:58,760 FOR NOW... YEAH. 831 00:37:58,780 --> 00:38:00,010 I CAN RESPECT THAT. 832 00:38:00,050 --> 00:38:03,510 NOT HAVING TO WORRY ABOUT US, ABOUT YOU, 833 00:38:03,550 --> 00:38:05,980 WOULD BE ONE LESS THING WEIGHING ON ME. 834 00:38:06,020 --> 00:38:07,220 THEN DON’T WORRY. 835 00:38:08,420 --> 00:38:11,290 ARE YOU LEANING TOWARDS ONE DECISION OR ANOTHER? 836 00:38:11,320 --> 00:38:14,120 No...I don’t know. 837 00:38:14,150 --> 00:38:15,980 WELL, I’LL SUPPORT WHATEVER YOU DO. 838 00:38:16,020 --> 00:38:17,290 THANK YOU. 839 00:38:17,320 --> 00:38:18,960 BUT JUST SO YOU DO KNOW, 840 00:38:18,980 --> 00:38:21,550 IF YOU’RE THINKING ABOUT HAVING THE KID, I’LL BE THERE. 841 00:38:21,580 --> 00:38:23,110 WE CAN GET MARRIED ‐‐ WHATEVER YOU WANT. 842 00:38:23,150 --> 00:38:24,110 BALDWIN‐‐ 843 00:38:24,150 --> 00:38:26,280 JUST LISTEN. 844 00:38:26,320 --> 00:38:29,560 I WANT YOU TO HAVE ALL YOUR INFORMATION STRAIGHT 845 00:38:29,580 --> 00:38:30,510 FOR WHEN YOU DECIDE. 846 00:38:30,550 --> 00:38:31,380 OKAY. 847 00:38:31,420 --> 00:38:33,720 I GREW UP WITHOUT A DAD, 848 00:38:33,750 --> 00:38:36,880 AND I SWORE I WOULDN’T TURN AROUND AND DO IT TO MY CHILD. 849 00:38:36,920 --> 00:38:39,160 I’VE MADE CONSCIOUS DECISIONS THROUGHOUT MY LIFE 850 00:38:39,180 --> 00:38:40,710 TO PREVENT THAT HAPPENING. 851 00:38:40,750 --> 00:38:42,880 BUT... 852 00:38:42,920 --> 00:38:45,760 HERE WE ARE. 853 00:38:45,780 --> 00:38:48,750 AND IF YOU DECIDE TO KEEP THE CHILD, 854 00:38:48,780 --> 00:38:50,750 I’LL BE THERE. 855 00:38:58,150 --> 00:39:00,480 YOU WANNA STAY HERE TONIGHT? 856 00:39:05,880 --> 00:39:07,310 Okay. 857 00:39:18,820 --> 00:39:22,060 IT’S SO GOOD TO SEE YOU. 858 00:39:22,080 --> 00:39:23,510 YOU TOO. 859 00:39:23,550 --> 00:39:25,750 THERE’S EGG SALAD AND SLICED TOMATOES IN THE REFRIGERATOR. 860 00:39:25,780 --> 00:39:27,280 THANK YOU, MARTA. HAVE FUN TONIGHT. 861 00:39:27,320 --> 00:39:29,190 THANK YOU, MA’AM. I’LL SEE YOU AT 10:00. 862 00:39:29,220 --> 00:39:31,460 CORY MENTIONED ONE OF THE THINGS HOLDING YOU BACK 863 00:39:31,480 --> 00:39:33,750 WAS YOUR WANTING TO SPEND TIME WITH YOUR SON. 864 00:39:33,780 --> 00:39:34,710 YEAH, THAT’S RIGHT. 865 00:39:34,750 --> 00:39:37,310 WELL, BRING HIM NEXT TIME. I LOVE CHILDREN. 866 00:39:37,350 --> 00:39:39,280 HE’S IN BED, USUALLY, BY 8:00, 867 00:39:39,320 --> 00:39:41,020 SO I’VE GOT IT ALL WORKED OUT. 868 00:39:41,050 --> 00:39:42,250 GOOD NIGHT, MA’AM. 869 00:39:43,950 --> 00:39:45,350 [ DOOR CLOSES ] 870 00:39:45,380 --> 00:39:48,010 I THINK MARTA HAS BEEN STEALING FROM ME. 871 00:39:48,050 --> 00:39:49,710 THERE’S JEWELRY MISSING, 872 00:39:49,750 --> 00:39:52,680 AND I DON’T HAVE THAT MANY VISITORS. 873 00:39:52,720 --> 00:39:53,860 OKAY. 874 00:39:53,880 --> 00:39:55,880 I HAVEN’T TOLD CORY YET. 875 00:39:55,920 --> 00:39:57,220 WHY NOT? 876 00:39:57,250 --> 00:39:59,380 HE’D FIRE HER OUTRIGHT. 877 00:39:59,420 --> 00:40:01,360 SO, WHAT DO YOU WANT TO DO? 878 00:40:01,380 --> 00:40:05,110 WHAT ABOUT THOSE LITTLE, TINY HIDDEN VIDEO CAMERAS? 879 00:40:05,150 --> 00:40:08,080 YEAH, BUT THOSE ARE MORE ABOUT CATCHING A NANNY 880 00:40:08,120 --> 00:40:09,760 TAKING A WOODEN SPOON TO YOUR KID. 881 00:40:09,780 --> 00:40:10,910 TRYING TO SEE A MAID 882 00:40:10,950 --> 00:40:13,510 WHO HAS FULL ACCESS TO YOUR PLACE TO BEGIN WITH 883 00:40:13,550 --> 00:40:15,480 PALM AN EARRING IN GRAINY BLACK AND WHITE 884 00:40:15,520 --> 00:40:17,060 IS A LITTLE MORE DIFFICULT. 885 00:40:17,080 --> 00:40:18,450 I’M JUST SUPPOSED TO STAND BY 886 00:40:18,480 --> 00:40:20,650 AND WATCH MY JEWELRY FLY OUT THE DOOR? 887 00:40:20,680 --> 00:40:21,710 NOW, YOU RELAX. 888 00:40:21,750 --> 00:40:23,480 I’M SORRY. 889 00:40:23,520 --> 00:40:25,860 LEAVE SOMETHING OF VALUE IN A SPECIFIC SPOT, 890 00:40:25,880 --> 00:40:28,250 MAKE SURE NOBODY ELSE HAS ACCESS TO THE ROOM, 891 00:40:28,280 --> 00:40:30,610 AND THEN SEE IF IT TURNS UP MISSING. 892 00:40:30,650 --> 00:40:32,850 I DID ‐‐ A NECKLACE, AND IT’S GONE. 893 00:40:32,880 --> 00:40:34,050 THEN YOU GOT A PROBLEM. 894 00:40:34,080 --> 00:40:36,750 COULD YOU TALK TO HER 895 00:40:36,780 --> 00:40:39,810 WITHOUT LETTING ON THAT I PUT YOU UP TO IT 896 00:40:39,850 --> 00:40:43,910 OR MAKING IT LOOK LIKE IT’S ABOUT STEALING THINGS? 897 00:40:43,950 --> 00:40:47,150 WELL, THAT CONVERSATION’S GONNA BE ABOUT THE WEATHER THEN. 898 00:40:47,180 --> 00:40:48,910 WOULD YOU PLEASE TAKE CARE OF IT? 899 00:40:48,950 --> 00:40:50,510 I DON’T NEED TO KNOW ANY DETAILS. 900 00:40:51,580 --> 00:40:53,380 HOW LONG HAS SHE BEEN YOUR MAID? 901 00:40:53,420 --> 00:40:56,360 10 YEARS. DO YOU MIND IF I SING? 902 00:40:56,380 --> 00:40:57,710 YOU KNOW, I WAS THINKING 903 00:40:57,750 --> 00:40:59,780 MAYBE WE SHOULD GO OVER THE GROUND RULES 904 00:40:59,820 --> 00:41:02,620 SO WE DON’T REPEAT WHAT HAPPENED THE OTHER NIGHT. 905 00:41:02,650 --> 00:41:03,850 WE’LL BE FINE. 906 00:41:03,880 --> 00:41:08,150 LET’S JUST JUMP IN AND SEE WHERE THE WINDS OF FATE TAKE US. 907 00:41:08,180 --> 00:41:10,750 ♪ YOU MAKE ME FEEL SO YOUNG ♪ 908 00:41:10,780 --> 00:41:15,180 REMEMBER THAT ONE ‐‐ DANCING CHEEK TO CHEEK AT THE PROM? 909 00:41:15,220 --> 00:41:18,160 ♪ YOU MAKE ME FEEL LIKE... ♪ 910 00:41:18,180 --> 00:41:20,050 SPRING HAS SPRUNG. 911 00:41:20,080 --> 00:41:22,150 YOU ARE A DELIGHT! 912 00:41:22,180 --> 00:41:24,950 ♪ THE MOMENT THAT YOU SPEAK ♪ 913 00:41:24,980 --> 00:41:26,350 ♪ I WANNA... ♪ 914 00:41:26,380 --> 00:41:27,780 YOU GET OUT MUCH? 915 00:41:27,820 --> 00:41:28,690 OH, NO. 916 00:41:28,720 --> 00:41:30,690 WHEN WAS THE LAST TIME YOU WERE OUTSIDE? 917 00:41:30,720 --> 00:41:33,290 NOT SINCE THE ATTACKS. 918 00:41:33,320 --> 00:41:35,220 ♪ GO PLAY HIDE AND SEEK ♪ 919 00:41:35,250 --> 00:41:37,580 ♪ I WANNA GO AND BOUNCE THE MOON ♪ 920 00:41:37,620 --> 00:41:40,620 ♪ JUST LIKE A TOY BALLOON ♪ 921 00:41:40,650 --> 00:41:42,810 ♪ YOU AND I ♪ 922 00:41:42,850 --> 00:41:45,450 ♪ ARE JUST LIKE A COUPLE OF TOTS ♪ 923 00:41:45,480 --> 00:41:49,180 ♪ RUNNING ACROSS A MEADOW ♪ 924 00:41:49,220 --> 00:41:51,690 ♪ PICKING UP LOTS OF FORGET‐ME‐NOTS ♪ 925 00:42:02,850 --> 00:42:04,350 HEY. 926 00:42:04,380 --> 00:42:06,610 HE’S JUST STARTING TO GO TO SLEEP 927 00:42:06,650 --> 00:42:08,850 ’CAUSE HE WAS REALLY WOUND UP, 928 00:42:08,880 --> 00:42:11,810 AND HE DIDN’T HAVE ANY ICE CREAM AFTER 7:00. 929 00:42:11,850 --> 00:42:13,010 ALL RIGHT. I’LL TALK TO HIM. 930 00:42:13,050 --> 00:42:14,710 HOW’D IT GO? 931 00:42:14,750 --> 00:42:18,010 I GOTTA LOOK AT THE MAID FOR STEALING JEWELRY NOW. 932 00:42:18,050 --> 00:42:19,750 ANYTHING I COULD HELP WITH 933 00:42:19,780 --> 00:42:21,210 NO, I GOT IT. 934 00:42:21,250 --> 00:42:23,010 ANDY, YOU’RE DOING THE RIGHT THING. 935 00:42:23,050 --> 00:42:25,510 THINK OF IT AS ADDING TO THEO’S COLLEGE FUND. 936 00:42:25,550 --> 00:42:26,580 YEAH, I GUESS. 937 00:42:26,620 --> 00:42:29,190 I BETTER GO. LET ME SAY GOOD NIGHT TO HIM. 938 00:42:29,220 --> 00:42:32,420 I REALLY APPRECIATE YOU DOING THIS, CONNIE. 939 00:42:32,450 --> 00:42:34,910 YOU’RE DOING ME THE FAVOR, ANDY. 940 00:42:34,950 --> 00:42:37,610 ANY TIME. 941 00:42:37,650 --> 00:42:38,850 OH, UM... 942 00:42:38,880 --> 00:42:42,010 HE CLEARED HIS PLATE AFTER DINNER WITHOUT ME EVEN ASKING. 943 00:42:42,050 --> 00:42:43,380 REALLY? 944 00:42:43,420 --> 00:42:44,520 YEAH. 945 00:42:44,550 --> 00:42:46,210 HI, DADDY. 946 00:42:46,250 --> 00:42:47,950 HEY, SQUIRT. CONNIE’S GOTTA GO NOW. 947 00:42:47,980 --> 00:42:48,980 SLEEP TIGHT? 948 00:42:49,020 --> 00:42:51,160 OKAY. 949 00:42:51,180 --> 00:42:53,310 I HAD A LOT OF FUN TONIGHT. 950 00:42:53,350 --> 00:42:55,480 When are you coming back? 951 00:42:55,520 --> 00:42:56,690 NEXT MONDAY. 952 00:42:56,720 --> 00:42:58,460 Promise? I PROMISE. 953 00:42:58,480 --> 00:42:59,510 Okay. 954 00:42:59,550 --> 00:43:00,780 Okay. 955 00:43:08,850 --> 00:43:10,750 DON’T LET THE BEDBUGS BITE. 956 00:43:14,450 --> 00:43:16,150 WHERE’S THAT STUFFED ANIMAL? 957 00:43:16,180 --> 00:43:18,650 WHERE DID IT GO? 958 00:43:25,180 --> 00:43:28,280 [ WHISPERING ] 71600

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.