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1
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PREVIOUSLY ON NYPD BLUE...
2
00:00:02,770 --> 00:00:04,700
CONNIE McDOWELL?
YEAH, THAT’S ME.
3
00:00:04,740 --> 00:00:08,400
RITA ORTIZ. I GUESS WE’RE
PARTNERING UP.
4
00:00:08,440 --> 00:00:11,770
YOU ARE RUINING MY EVENING.
GET OVER HERE AND SING!
5
00:00:11,800 --> 00:00:15,040
MRS. HORNBY, I THINK WE BETTER
GET A FEW THINGS CLEAR.
6
00:00:15,070 --> 00:00:16,240
I WANT YOU TO SING.
7
00:00:16,270 --> 00:00:18,400
HOW MUCH MORE CLEAR
DO I HAVE TO BE?
8
00:00:18,440 --> 00:00:19,940
I TOOK THIS JOB
TO PROTECT YOU,
9
00:00:19,970 --> 00:00:24,140
BUT OBVIOUSLY YOU’RE LOOKING
FOR A MAID OR A BABY‐SITTER.
10
00:00:24,170 --> 00:00:25,800
EDDIE DIDN’T HAVE A PROBLEM
WITH IT.
11
00:00:25,840 --> 00:00:29,040
I’M NOT EDDIE. I DON’T SING,
AND I DON’T FETCH.
12
00:00:29,070 --> 00:00:30,940
FINE!
13
00:00:30,970 --> 00:00:32,040
WHO ARE YOU WORKING WITH?
14
00:00:32,070 --> 00:00:33,770
CONNIE McDOWELL
AND ANDY.
15
00:00:33,800 --> 00:00:34,970
THAT SO?
16
00:00:35,000 --> 00:00:36,270
I FIGURE WORK
WITH YOUR KID,
17
00:00:36,300 --> 00:00:38,100
MAYBE YOU AND ME
GET TO HANG OUT.
18
00:00:38,140 --> 00:00:39,570
WHAT’S WITH THE BAGS?
19
00:00:39,600 --> 00:00:42,200
YOU’RE SUCH A GREAT DETECTIVE.
FIGURE IT OUT.
20
00:00:42,240 --> 00:00:44,900
YOU DON’T WANT TO TALK?
21
00:00:44,940 --> 00:00:47,540
YOU STAYING AT THE 15th?
YEAH.
22
00:00:47,570 --> 00:00:49,270
THEN THERE’S NOTHING
TO TALK ABOUT.
23
00:00:49,300 --> 00:00:52,240
YOU DON’T THINK THIS
IS TAKING IT TOO FAR?
24
00:01:10,740 --> 00:01:11,770
[ DOOR OPENS ]
25
00:01:11,800 --> 00:01:12,770
AHH.
26
00:01:14,870 --> 00:01:17,140
COME ON, GUYS.
WHAT IS THIS, A UNION MEETING?
27
00:01:17,170 --> 00:01:18,470
LET’S GO. HUH?
28
00:01:21,040 --> 00:01:22,600
MORNING.
29
00:01:22,640 --> 00:01:25,840
MORNING. NO I. D.,
ONE IN THE HEAD.
30
00:01:25,870 --> 00:01:27,570
TWO MALES, LATINO, MID‐20s.
31
00:01:27,600 --> 00:01:30,070
ONE CRACKS ON THE HEAD
AND TAKES THE CASH.
32
00:01:30,100 --> 00:01:31,270
THE OTHER WENT IN BACK,
33
00:01:31,300 --> 00:01:33,640
THEN CAME OUT WITH THE DOA
THROWING SHOTS.
34
00:01:33,670 --> 00:01:34,840
THE DOA IS A COP?
35
00:01:34,870 --> 00:01:37,000
NOT WITH A PEARL‐HANDLED GUN.
36
00:01:37,040 --> 00:01:38,640
HAVE YOU TALKED TO THE PROS?
37
00:01:38,670 --> 00:01:39,600
CLARK JUST STARTED.
38
00:01:39,640 --> 00:01:41,540
McDOWELL AND ORTIZ
ARE DOING A CANVASS.
39
00:01:41,570 --> 00:01:46,170
EVERYBODY JUST STAY SEATED
AND DON’T CHATTER.
40
00:01:46,200 --> 00:01:48,040
NOBODY GOT A LOOK
AT THE PERPS.
41
00:01:48,070 --> 00:01:50,070
HOW MANY JOHNS WERE THERE?
42
00:01:50,100 --> 00:01:52,640
UH, THE DOA, TWO OTHERS,
AND THIS GUY.
43
00:01:52,670 --> 00:01:57,170
MAMASAN DIDN’T RECOGNIZE ANY OF
THE JOHNS AS REGULARS.
44
00:01:57,200 --> 00:01:58,540
YEAH. UH‐HUH.
45
00:01:58,570 --> 00:02:02,000
HEY, YOU, WAKE UP.
YOU, SLEEPY ‐‐
46
00:02:02,040 --> 00:02:03,640
WHAT DID YOU SEE HERE?
47
00:02:03,670 --> 00:02:05,940
[ Slurring ]
I WAS GETTING A BACK MASSAGE.
48
00:02:05,970 --> 00:02:07,270
THEN WHAT?
49
00:02:07,300 --> 00:02:08,440
I HEAR, "POP, POP, POP,"
50
00:02:08,470 --> 00:02:10,970
AND I WAKE WITH A COP
POKING ME IN THE RIBS.
51
00:02:11,000 --> 00:02:12,900
GET A LOOK AT THE GUY
WHO DID THIS?
52
00:02:12,940 --> 00:02:14,100
I‐I GOTTA GO HOME.
53
00:02:14,140 --> 00:02:15,700
HEY, HEY, HEY, HEY.
54
00:02:15,740 --> 00:02:17,940
A MAN DIED TRYING
TO STOP THIS ROBBERY.
55
00:02:17,970 --> 00:02:19,600
I THINK IT DESERVES
CLEAR THINKING.
56
00:02:19,640 --> 00:02:22,700
MY CAR’S JUST OUT FRONT.
CAN I GO?
57
00:02:22,740 --> 00:02:24,640
GO BACK TO SLEEP.
58
00:02:24,670 --> 00:02:26,800
YOU GIVE HIM BACK THOSE KEYS,
IT’S YOUR ASS.
59
00:02:30,170 --> 00:02:32,570
EXCUSE ME.
60
00:02:43,040 --> 00:02:44,470
GET ANYTHING ON THE CANVASS?
61
00:02:44,500 --> 00:02:47,140
YEAH. ESU FOUND THREE WALLETS
UNDER A CAR DOWN THE BLOCK.
62
00:02:47,170 --> 00:02:48,670
ONE OF THEM WAS THE DOA’s.
63
00:02:48,700 --> 00:02:51,240
McDOWELL AND ORTIZ RAN THEM BACK
TO THE MASSAGE PARLOR ‐‐
64
00:02:51,270 --> 00:02:53,740
SEE IF THE MADAM PUTS
THE OTHER TWO IN THE PLACE.
65
00:02:53,770 --> 00:02:55,870
CHIEF ADIS CALLED.
IN THE LAST MONTH
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THERE’S BEEN FOUR MASSAGE‐PARLOR
RIP‐OFFS IN THE BRONX ‐‐
67
00:02:58,740 --> 00:03:01,140
SAME DESCRIPTION ON THE PERPS,
SAME M. O.,
68
00:03:01,170 --> 00:03:03,040
SAME TYPE OF GUNS.
ANYONE SHOT?
69
00:03:03,070 --> 00:03:04,800
OURS WOULD BE
THE FIRST SHOOTING.
70
00:03:04,840 --> 00:03:07,470
5‐2’S COMING DOWN
TO COMPARE NOTES.
71
00:03:07,500 --> 00:03:09,870
ONE OF THEM’S YOUR DAD.
72
00:03:09,900 --> 00:03:12,070
YOU GOT ANY PROBLEMS WITH THAT?
73
00:03:12,100 --> 00:03:13,340
NO.
74
00:03:13,370 --> 00:03:15,100
THEY’RE COMING
TO HELP ON OUR CASE,
75
00:03:15,140 --> 00:03:17,200
OR ARE WE HELPING ON THEIRS?
76
00:03:17,240 --> 00:03:19,800
IT’S YOUR CASE, BUT YOU’RE
WORKING TOGETHER.
77
00:03:19,840 --> 00:03:21,470
LIEUTENANT...
78
00:03:21,500 --> 00:03:25,100
IF YOU GOT ANY PROBLEMS,
LET’S HEAR ’EM NOW.
79
00:03:25,140 --> 00:03:27,200
I’LL TAKE IT
IN MY OFFICE.
80
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OUR DOA WAS A SHOPKEEPER
WITH A PISTOL PERMIT.
81
00:03:30,640 --> 00:03:32,570
FIGURE HE GOT RIPPED OFF
IN HIS ROOM
82
00:03:32,600 --> 00:03:34,840
AND THEN CHASED THE PERP OUT
TRADING SHOTS.
83
00:03:34,870 --> 00:03:37,740
THE MAMASAN SAID ONE GUY,
TERRENCE OLSEN,
84
00:03:37,770 --> 00:03:40,200
WAS IN THE WAITING ROOM WHEN
THE SHOOTING WENT DOWN.
85
00:03:40,240 --> 00:03:41,700
HE’S A CARDIOLOGIST IN SoHo.
86
00:03:41,740 --> 00:03:44,570
HE WAS A DICK ON THE PHONE,
BUT HE’S COMING IN.
87
00:03:44,600 --> 00:03:46,140
ROBBERY ON BAXTER.
88
00:03:46,170 --> 00:03:49,900
CONNIE, YOU AND RITA ARE UP.
GREG, YOU AND BALDWIN HELP OUT.
89
00:03:49,940 --> 00:03:50,800
LET’S DO IT.
90
00:03:54,340 --> 00:03:56,200
I’LL TELL YOU IN THE CAR.
91
00:04:00,400 --> 00:04:03,800
HAVE YOU GOT A MINUTE?
IT’S VERY IMPORTANT.
92
00:04:05,170 --> 00:04:07,270
YEAH. IN HERE.
93
00:04:15,040 --> 00:04:16,540
FIRST OF ALL,
94
00:04:16,570 --> 00:04:19,470
MRS. HORNBY WANTED ME TO EXTEND
HER DEEPEST APOLOGIES
95
00:04:19,500 --> 00:04:21,700
IF SHE OFFENDED YOU
IN ANY WAY.
96
00:04:21,740 --> 00:04:23,470
TELL HER NO BIG DEAL.
97
00:04:23,500 --> 00:04:26,540
I DON’T KNOW EXACTLY
WHAT HAPPENED. I DON’T CARE.
98
00:04:26,570 --> 00:04:29,270
I’LL BE THE FIRST TO ADMIT
SHE’S NOT THE EASIEST WOMAN
TO GET ALONG WITH AT TIMES.
99
00:04:29,300 --> 00:04:32,240
LOOK, IT’S NICE OF YOU
TO COME DOWN HERE, BUT, UH...
100
00:04:32,270 --> 00:04:35,500
I THINK MRS. HORNBY’S BEEN
WORRYING ABOUT THIS A LITTLE
MORE THAN I HAVE.
101
00:04:35,540 --> 00:04:37,940
SECOND, MRS. HORNBY WOULD LIKE
YOU TO COME BACK
102
00:04:37,970 --> 00:04:39,800
AND PROVIDE SECURITY.
103
00:04:39,840 --> 00:04:41,600
NO. NO WAY.
104
00:04:41,640 --> 00:04:44,140
SHE PROMISES
IT WON’T HAPPEN AGAIN.
105
00:04:44,170 --> 00:04:47,370
SHE’S BETTER OFF WITH
SOMEBODY WHO ENTERTAINS ‐‐
106
00:04:47,400 --> 00:04:51,370
SOMEBODY WHO CAN SING ‐‐
WORK WITH BALLOONS, MAYBE.
107
00:04:51,400 --> 00:04:53,770
HONESTLY,
I THINK YOU’RE RIGHT.
108
00:04:53,800 --> 00:04:56,940
BUT SHE FEELS MORE COMFORTABLE
WITH A DETECTIVE IN HER HOME.
109
00:04:56,970 --> 00:05:00,100
SHE WON’T GIVE ME A MOMENT’S
PEACE TILL I GET YOU BACK.
110
00:05:00,140 --> 00:05:01,600
ASK EDDIE GIBSON
FOR ANOTHER REFERRAL.
111
00:05:01,640 --> 00:05:05,200
SHE DOESN’T WANT
TO MEET ANYONE ELSE.
112
00:05:05,240 --> 00:05:07,740
I TELL YOU WHAT‐‐
I’LL ADD $50 A SHIFT.
113
00:05:07,770 --> 00:05:11,500
THAT’S $250, WHICH, I WOULD LIKE
TO SEE YOU GET ANYWHERE ELSE
114
00:05:11,540 --> 00:05:14,270
FOR FOUR HOURS OF DOING
BASICALLY NOTHING.
115
00:05:14,300 --> 00:05:16,340
YEAH, ’CAUSE MY WHOLE GOAL
IN LIFE, WORKWISE,
116
00:05:16,370 --> 00:05:18,400
IS TO AVOID AS MUCH WORK
AS POSSIBLE.
117
00:05:18,440 --> 00:05:24,000
I APOLOGIZE. $300.
THAT’S $600 A WEEK ‐‐ CASH.
118
00:05:24,040 --> 00:05:26,570
I GOT A YOUNG SON AT HOME.
119
00:05:26,600 --> 00:05:29,400
IT’S NOT WORTH IT TO MISS HIM
TWO NIGHTS A WEEK.
120
00:05:29,440 --> 00:05:32,040
LET ME LET YOU IN
ON A LITTLE SECRET.
121
00:05:32,070 --> 00:05:33,440
MRS. HORNBY DOESN’T HAVE
ANY CHILDREN.
122
00:05:33,470 --> 00:05:36,070
EDDIE WORKED FOR HER FOR
A YEAR AND A HALF.
123
00:05:36,100 --> 00:05:37,940
EDDIE’S DRIVING
A BRAND‐NEW SUV.
124
00:05:37,970 --> 00:05:40,740
EDDIE IS BEING TREATED BY THE
TOP ONCOLOGIST IN NEW YORK.
125
00:05:40,770 --> 00:05:43,140
SHE CARES ABOUT THOSE
WHO ARE CLOSE TO HER.
126
00:05:43,170 --> 00:05:46,640
THINGS A GUY LIKE EDDIE GIBSON
WOULD DO OR WOULD PUT UP WITH
127
00:05:46,670 --> 00:05:49,200
TO GET THOSE KINDS
OF HANDOUTS, I WOULDN’T.
128
00:05:49,240 --> 00:05:51,300
SO THAT’S NOT A BIG
SELLING POINT WITH ME.
129
00:05:51,340 --> 00:05:53,000
YOU CAN LEAD A HORSE
TO WATER.
130
00:05:53,040 --> 00:05:54,670
I GOT WORK TO DO.
131
00:05:54,700 --> 00:05:57,270
WHEN YOU REALIZE YOUR MISTAKE
AND CALL TO THE JOB BACK,
132
00:05:57,300 --> 00:05:59,040
THE OFFER WILL BE BACK TO $200.
133
00:05:59,070 --> 00:06:01,140
YEAH. GO WAIT BY YOUR PHONE.
134
00:07:17,980 --> 00:07:19,150
WHAT DO WE GOT?
135
00:07:19,180 --> 00:07:20,480
BURGLARY ASSAULT ‐‐
136
00:07:20,520 --> 00:07:22,890
TWO WHITE MALES POSE
AS EXTERMINATORS
137
00:07:22,920 --> 00:07:24,390
AND GET INTO
THIS LADY’S APARTMENT.
138
00:07:24,420 --> 00:07:25,660
ONE’S KEEPING HER BUSY,
139
00:07:25,680 --> 00:07:27,610
THE OTHER’S GOING THROUGH
HER JEWELRY BOX.
140
00:07:27,650 --> 00:07:29,350
SHE GETS HIT, STARTS SCREAMING,
THEY BOOK.
141
00:07:29,380 --> 00:07:30,510
WHERE IS SHE?
142
00:07:30,550 --> 00:07:31,880
BELLEVUE.
143
00:07:31,920 --> 00:07:33,860
SHE’LL BE ALL RIGHT.
HER VISION’S GOING.
144
00:07:33,880 --> 00:07:36,050
SHE COULDN’T GIVE US ANYTHING
FOR I. D. ON EITHER.
145
00:07:36,080 --> 00:07:38,080
THESE GUYS HEARD THE SCREAMING,
CHASED THE PERPS.
146
00:07:38,120 --> 00:07:41,120
ONE PERP GOT AWAY.
THEY HELD ONTO THE OTHER ‐‐
147
00:07:41,150 --> 00:07:42,210
A DONNIE HERTZNER.
148
00:07:42,250 --> 00:07:43,850
WHERE IS HE?
149
00:07:43,880 --> 00:07:45,380
HE’S ON HIS WAY
TO BELLEVUE ALSO.
150
00:07:45,420 --> 00:07:49,020
HE GOT A LITTLE BANGED UP IN A
SCUFFLE WITH THESE GUYS.
151
00:07:49,050 --> 00:07:50,180
GOT A WITNESS OVER HERE.
152
00:07:50,220 --> 00:07:53,460
TAKE THAT.
WE GOT THIS.
153
00:07:53,480 --> 00:07:55,150
HEY, FELLAS.
154
00:07:55,180 --> 00:07:56,750
GUY MUST HAVE BEEN A HANDFUL.
155
00:07:56,780 --> 00:07:58,950
YEAH, HE WAS THROWING ELBOWS
AND KICKING.
156
00:07:58,980 --> 00:08:01,650
HE MUST HAVE BEEN ON SOMETHING,
’CAUSE HE DIDN’T QUIT.
157
00:08:01,680 --> 00:08:03,810
WHERE WERE YOU GUYS
WHEN THIS WENT DOWN?
158
00:08:03,850 --> 00:08:05,780
OUT FRONT HERE.
I’M DOING A ROOFING JOB.
159
00:08:05,820 --> 00:08:07,620
I CAME DOWN FOR SOME TOOLS,
160
00:08:07,650 --> 00:08:09,780
AND I HEAR A WOMAN YELLING
FOR HER LIFE.
161
00:08:09,820 --> 00:08:12,090
NEXT THING, TWO GUYS SHOOT
OUT THE DOOR,
162
00:08:12,120 --> 00:08:14,220
AND ME AND HIM
START CHASING THEM.
163
00:08:14,250 --> 00:08:15,510
YOU LIVE AROUND HERE?
164
00:08:15,550 --> 00:08:18,010
YEAH, IN THE BUILDING,
JUST ABOVE MRS. WOODROW.
165
00:08:18,050 --> 00:08:20,610
HEARD HER SCREAM.
BY THE TIME I GOT OUT,
166
00:08:20,650 --> 00:08:22,850
THE SCUMBAGS WERE DOWN
THE STREET.
167
00:08:22,880 --> 00:08:25,780
HE WAS STRUGGLING WITH ONE.
I GAVE HIM A HAND.
168
00:08:25,820 --> 00:08:27,660
HAVE YOU HEARD ANYTHING?
SHE GONNA BE ALL RIGHT?
169
00:08:27,680 --> 00:08:28,810
WE DON’T KNOW YET.
170
00:08:28,850 --> 00:08:30,510
YOU GET A LOOK
AT THE ONE WHO GOT AWAY?
171
00:08:30,550 --> 00:08:32,410
BACK OF HIS HEAD.
NOTHING.
172
00:08:32,450 --> 00:08:33,850
ONCE WE GET A NAME,
173
00:08:33,880 --> 00:08:36,280
WE’LL HAVE YOU LOOK AT PICTURES
IN CASE YOU CAN I. D. HIM.
174
00:08:36,320 --> 00:08:37,360
SURE.
175
00:08:37,380 --> 00:08:38,480
THANKS FOR HELPING OUT.
176
00:08:38,520 --> 00:08:40,220
YEAH.
177
00:08:40,250 --> 00:08:43,280
WE’RE GONNA HEAD TO BELLEVUE ‐‐
TALK TO THE VICTIM AND THE PERP.
178
00:08:43,320 --> 00:08:47,090
WE’LL BE IN CONTACT WHEN WE’RE
READY TO SHOW YOU SOME PHOTOS.
179
00:08:47,120 --> 00:08:48,260
I DON’T GET A CARD?
180
00:08:48,280 --> 00:08:50,180
THERE YOU GO.
181
00:08:50,220 --> 00:08:51,320
WE’LL CALL YOU.
182
00:08:51,350 --> 00:08:52,380
YOU CALL ME.
183
00:09:05,550 --> 00:09:07,080
YOU WATCHING DONNIE HERTZNER?
184
00:09:07,120 --> 00:09:09,660
YEAH. HE’S IN THE O. R.
HE DEVELOPED SOME BLEEDING.
185
00:09:09,680 --> 00:09:11,950
HIS OLD LADY’S AROUND
SOMEWHERE ‐‐ SHELLY HERTZNER.
186
00:09:11,980 --> 00:09:13,510
SHE’S PISSED ’CAUSE
SHE CAN’T SEE HIM.
187
00:09:13,550 --> 00:09:15,610
I’LL GO GET HER.
188
00:09:15,650 --> 00:09:18,780
ME AND MY HUSBAND HAVE
A STANDING AGREEMENT.
189
00:09:18,820 --> 00:09:22,560
IF HE CALLS ME HIS OLD LADY,
HE’S ON COUCH THAT NIGHT.
190
00:09:22,580 --> 00:09:25,910
I’VE ALWAYS WONDERED WHAT BIG
ROMANTIC CAME UP WITH THAT.
191
00:09:25,950 --> 00:09:28,610
HOW LONG YOU BEEN MARRIED?
TWO YEARS.
192
00:09:28,650 --> 00:09:30,450
HOW WAS HE
WITH YOU BEING IN VICE?
193
00:09:30,480 --> 00:09:33,180
HE HAD A PROBLEM WITH
THE HOURS, THE OUTFITS.
194
00:09:33,220 --> 00:09:34,760
YOU WERE READY TO GET OUT?
195
00:09:34,780 --> 00:09:37,350
I WAS READY TO DO WHATEVER I
COULD TO SAVE OUR MARRIAGE.
196
00:09:37,380 --> 00:09:38,380
IS IT BETTER?
197
00:09:38,420 --> 00:09:40,220
WE’RE WORKING AT IT.
198
00:09:40,250 --> 00:09:43,250
SHELLY, I’M DETECTIVE McDOWELL.
THIS IS DETECTIVE ORTIZ.
199
00:09:43,280 --> 00:09:45,950
I WANT TO SEE DONNIE.
THEY WON’T LET ME SEE HIM.
200
00:09:45,980 --> 00:09:48,150
WHO WAS HE RUNNING WITH?
WHAT DO YOU MEAN?
201
00:09:48,180 --> 00:09:49,150
HE DID A BURGLARY.
202
00:09:49,180 --> 00:09:51,750
AND WHOEVER HE DID IT WITH
HUNG HIM OUT.
203
00:09:51,780 --> 00:09:55,110
I DON’T KNOW ANYTHING ABOUT IT.
PLEASE, JUST LET ME SEE HIM.
204
00:09:55,150 --> 00:09:57,550
TELL US WHO
HE WAS RUNNING WITH TODAY,
205
00:09:57,580 --> 00:10:00,180
AND WE’LL LET YOU SEE
YOUR HUSBAND.
206
00:10:00,220 --> 00:10:02,760
AND IT DIDN’T COME FROM ME.
207
00:10:02,780 --> 00:10:04,880
NO.
208
00:10:04,920 --> 00:10:06,220
ANDREW SIME.
209
00:10:06,250 --> 00:10:09,380
HE’S BEEN TRYING TO SUCK DONNIE
IN EVER SINCE DONNIE GOT OUT.
210
00:10:09,420 --> 00:10:11,420
CALL IT IN TO GREG
AND BALDWIN.
211
00:10:11,450 --> 00:10:13,810
WHEN CAN I SEE HIM?
I’LL FIND OUT.
212
00:10:22,520 --> 00:10:24,820
HEY, DON.
RITA’S IN A CASE.
213
00:10:24,850 --> 00:10:28,250
I CAN’T SAY HI TO MY OLD FRIEND
FROM THE BRONX?
214
00:10:28,280 --> 00:10:29,410
COME ON IN.
215
00:10:29,450 --> 00:10:30,610
HOW’S SHE DOING?
216
00:10:30,650 --> 00:10:33,880
SHE’S GREAT ‐‐
WORKING OUT GREAT.
217
00:10:33,920 --> 00:10:35,990
WHO’S SHE PARTNERING WITH ‐‐
CONNIE SOMEBODY?
218
00:10:36,020 --> 00:10:37,090
McDOWELL, YEAH.
219
00:10:37,120 --> 00:10:40,490
WHAT’S SHE LIKE? MARRIED?
DIVORCED? PARTY GIRL?
220
00:10:40,520 --> 00:10:41,620
SINGLE.
221
00:10:41,650 --> 00:10:43,580
PARTY GIRL?
NOT ON SQUAD, SHE’S NOT.
222
00:10:43,620 --> 00:10:44,960
HOW ABOUT THE MEN HERE?
223
00:10:44,980 --> 00:10:46,080
WHY?
224
00:10:46,120 --> 00:10:48,760
I’VE WORKED WITH COPS
FOR A LONG TIME NOW,
225
00:10:48,780 --> 00:10:51,080
AND I KNOW COPS ARE DOGS.
ADMIT IT.
226
00:10:51,120 --> 00:10:52,860
I DIDN’T DENY IT.
227
00:10:52,880 --> 00:10:54,850
I KNOW ONE OF YOUR CODES
IS THAT A COP
228
00:10:54,880 --> 00:10:56,850
NEVER GOES AFTER
ANOTHER COP’S WIFE.
229
00:10:56,880 --> 00:10:58,480
THAT SAME RULE APPARENTLY
DOESN’T APPLY
230
00:10:58,520 --> 00:11:00,020
FOR AN ASSISTANT DA’s WIFE.
231
00:11:00,050 --> 00:11:03,110
IF ANYTHING,
AT RITA’S LAST COMMAND,
232
00:11:03,150 --> 00:11:05,250
THEY WENT AFTER HER LIKE THEY’D
BEEN SHIPWRECKED‐
233
00:11:05,280 --> 00:11:08,550
SOME RESENTMENT FROM ME,
MY OFFICE, LAWYERS IN GENERAL.
234
00:11:08,580 --> 00:11:10,050
THAT’S NOT HAPPENING HERE.
235
00:11:10,080 --> 00:11:14,510
BUT IF SOME OF THE GUYS DO
GET...INAPPROPRIATE
236
00:11:14,550 --> 00:11:16,950
I’D HOPE THAT, YOU KNOW...
237
00:11:16,980 --> 00:11:19,680
I’M NOT GONNA KEEP AN EYE
ON YOUR WIFE FOR YOU.
238
00:11:19,720 --> 00:11:22,720
IT’S NOT LIKE I’M ASKING
FOR ONE OF YOUR KIDNEYS, TONY.
239
00:11:22,750 --> 00:11:24,750
I’M NOT GONNA KEEP
AN EYE ON HER.
240
00:11:24,780 --> 00:11:27,050
LET’S MAKE THIS THE LAST TIME
WE TALK ABOUT IT, HUH?
241
00:11:27,080 --> 00:11:30,010
IF I WAS A COP, YOU WOULD.
YOU’RE WRONG.
242
00:11:30,050 --> 00:11:32,210
IT’S GREAT SEEING YOU.
243
00:11:32,250 --> 00:11:34,450
[ SIGHS ]
244
00:11:36,450 --> 00:11:39,410
YOU’VE BEEN THROUGH THIS DRILL A
COUPLE TIMES BEFORE, ANDREW.
245
00:11:39,450 --> 00:11:40,880
LOOKS LIKE YOU TESTIFIED
AGAINST YOUR ACCOMPLICE,
246
00:11:40,920 --> 00:11:42,520
AND WORKED OUT A PLEA
EACH TIME.
247
00:11:42,550 --> 00:11:45,050
YEAH. SO?
248
00:11:45,080 --> 00:11:47,450
THAT HOW WE’RE DOING THIS?
DOING WHAT?
249
00:11:47,480 --> 00:11:49,310
WHAT DID I DO?
250
00:11:49,350 --> 00:11:50,850
WHEN YOU’RE OLD AND GRAY,
ANDREW,
251
00:11:50,880 --> 00:11:52,780
AND YOU’RE REGALING
YOUR GRANDKIDS
252
00:11:52,820 --> 00:11:55,320
WITH STORIES
ABOUT YOUR WILD YOUTH
253
00:11:55,350 --> 00:11:57,150
AND YOU GATHER THE LITTLE
MOPPETS AROUND,
254
00:11:57,180 --> 00:12:00,180
TELL THEM ABOUT THE TIME YOU
POSED AS AN EXTERMINATOR
255
00:12:00,220 --> 00:12:01,220
WITH YOUR BUDDY DONNIE
256
00:12:01,250 --> 00:12:04,310
AND HOW YOU TRIED TO RIP OFF
THE 80‐YEAR‐OLD WOMAN.
257
00:12:04,350 --> 00:12:06,780
BUT SHE WOULDN’T GIVE IT UP,
258
00:12:06,820 --> 00:12:08,960
SO YOU SUCKER‐PUNCHED HER
AND RAN,
259
00:12:08,980 --> 00:12:11,050
LEAVING DONNIE BEHIND
TO GET HIS ASS KICKED.
260
00:12:11,080 --> 00:12:14,710
THEN GO ON ABOUT HOW
YOU BEEN BUSTED BEFORE
261
00:12:14,750 --> 00:12:16,780
POSING AS AN EXTERMINATOR
262
00:12:16,820 --> 00:12:19,490
AND HOW PEOPLE
SAW YOU FLEE THE SCENE
263
00:12:19,520 --> 00:12:21,020
IN YOUR EXTERMINATOR OUTFIT
264
00:12:21,050 --> 00:12:24,180
AND HOW YOU’D NEVER WORKED
AS AN EXTERMINATOR BEFORE
265
00:12:24,220 --> 00:12:27,260
SO THERE WAS NO OTHER REASON
FOR YOU TO OWN THE UNIFORM.
266
00:12:27,280 --> 00:12:31,550
BUT YOU MIGHT WANT TO LEAVE OUT
HOW WHEN THE COPS CAME,
267
00:12:31,580 --> 00:12:34,550
INSTEAD OF DITCHING THEM,
268
00:12:34,580 --> 00:12:37,210
YOU HAD THE EXTERMINATOR
COVERALLS
269
00:12:37,250 --> 00:12:39,010
BALLED UP
ON YOUR BEDROOM FLOOR.
270
00:12:41,480 --> 00:12:43,980
YEAH, OKAY.
271
00:12:44,020 --> 00:12:47,720
LET’S WRITE IT UP.
272
00:12:52,150 --> 00:12:54,080
THE ACCOMPLICE, ANDREW SIME ‐‐
HE WENT FOR IT
273
00:12:54,120 --> 00:12:56,390
HE ACTS LIKE HE’S ON
A SNOOTFUL OF DDT
274
00:12:56,420 --> 00:12:58,720
BUT HE CLEARED UP LONG ENOUGH
275
00:12:58,750 --> 00:13:01,710
TO PIN THE WHOLE THING ON HIS
RUNNING BUDDY, DONNIE HERTZNER,
276
00:13:01,750 --> 00:13:03,710
WHO THOSE TWO CIVILIANS
DETAINED AT THE SCENE.
277
00:13:03,750 --> 00:13:06,510
WHAT’S HERTZNER SAYING?
278
00:13:06,550 --> 00:13:08,410
HE WENT DOA
ABOUT 10 MINUTES AGO.
279
00:13:08,450 --> 00:13:09,380
YOU’RE KIDDING.
280
00:13:09,420 --> 00:13:10,520
FROM WHAT?
281
00:13:10,550 --> 00:13:12,710
BLEEDING INTO HIS BRAIN.
282
00:13:12,750 --> 00:13:14,880
OFF THE BEATING HE TOOK FROM
THOSE GUYS ON THE STREET?
283
00:13:14,920 --> 00:13:15,760
LOOKING LIKE IT.
284
00:13:15,780 --> 00:13:17,550
WE GOTTA FIND T
WHAT HAPPENED OUT THERE.
285
00:13:17,580 --> 00:13:20,580
ALL WE’VE BEEN HEARING IS THESE
TWO GUYS WERE GOOD SAMARITANS
286
00:13:20,620 --> 00:13:22,620
WHO RESPONDED WHEN THE OLD LADY
STARTED SCREAMING.
287
00:13:22,650 --> 00:13:24,080
THE PERP
WAS THROWING PUNCHES, TOO.
288
00:13:24,120 --> 00:13:27,120
ONE OF THE GUYS GOT A BUSTED LIP
TRYING TO HOLD THE PERP.
289
00:13:27,150 --> 00:13:28,180
THAT’S SOME OF IT.
290
00:13:28,220 --> 00:13:30,560
BUT NOW WE GOTTA FIND OUT
EVERYTHING THAT HAPPENED.
291
00:13:30,580 --> 00:13:31,880
LET’S GO
292
00:13:35,420 --> 00:13:37,120
YOU GOT A SECOND?
293
00:13:47,650 --> 00:13:49,710
I’LL TELL YOU WHAT
I’M NOT UP FOR ‐‐
294
00:13:49,750 --> 00:13:51,210
GOING BACK TO THE NONSENSE
295
00:13:51,250 --> 00:13:54,580
OF US HAVING TO ACT LIKE WE
DON’T KNOW EACH OTHER AT WORK.
296
00:13:54,620 --> 00:13:56,660
I’M NOT GONNA DO IT.
297
00:13:59,420 --> 00:14:00,590
I THINK I’M PREGNANT.
298
00:14:02,250 --> 00:14:03,610
YOU THINK?
299
00:14:03,650 --> 00:14:05,710
I TOOK A TEST.
TWICE.
300
00:14:05,750 --> 00:14:07,150
THEY BOTH CAME BACK POSITIVE?
301
00:14:07,180 --> 00:14:08,950
YEAH, OTHERWISE I WOULDN’T
THINK I’M PREGNANT.
302
00:14:08,980 --> 00:14:12,780
YOU DROPPED THIS ON MY LAP,
I’M SORRY IF I’M A LITTLE
MIXED UP HERE.
303
00:14:12,820 --> 00:14:15,490
THAT’S WHY I’VE BEEN
THE WAY I AM.
304
00:14:18,220 --> 00:14:21,290
HOW DID THIS HAPPEN?
I THOUGHT YOU WERE ON THE PILL.
305
00:14:21,320 --> 00:14:23,460
I AM, BUT I’M PREGNANT.
306
00:14:29,480 --> 00:14:33,410
IT’S GONNA BE ALL RIGHT.
307
00:14:33,450 --> 00:14:34,880
SO WHAT’S NEXT?
308
00:14:34,920 --> 00:14:36,220
I DON’T KNOW.
309
00:14:36,250 --> 00:14:37,810
I GOTTA THINK.
310
00:14:37,850 --> 00:14:40,510
AT WHAT POINT DO I GET INVOLVED
IN THE DECISION PROCESS?
311
00:14:40,550 --> 00:14:42,580
I’LL LET YOU KNOW.
312
00:14:56,820 --> 00:14:58,420
JOHNNY.
313
00:14:58,450 --> 00:15:00,010
HEY. IT’S BEEN A WHILE.
314
00:15:00,050 --> 00:15:02,310
HEY, BRIAN, HOW YOU DOING?
HOW’S LOUISE?
315
00:15:02,350 --> 00:15:03,810
REAL GOOD.
EVERYONE’S GOOD.
316
00:15:07,180 --> 00:15:08,250
POP.
317
00:15:08,280 --> 00:15:09,510
JOHN.
318
00:15:09,550 --> 00:15:11,850
COME ON, SHAKE HANDS
OR SOMETHING.
319
00:15:13,480 --> 00:15:15,210
BRIAN HOWERSON,
ANDY SIPOWITZ.
320
00:15:15,250 --> 00:15:16,810
ARE WE READY TO GET STARTED?
321
00:15:16,850 --> 00:15:17,910
COFFEE ROOM.
322
00:15:24,050 --> 00:15:26,810
WE’VE HAD FOUR REPORTED MASSAGE
PARLORS HIT IN THE LAST MONTH ‐‐
323
00:15:26,850 --> 00:15:29,510
TWO HISPANIC MALES IN THEIR 20s,
IN EARLY MORNING,
324
00:15:29,550 --> 00:15:31,410
STICK UP THE MADAM,
AND HIT THE ROAD.
325
00:15:31,450 --> 00:15:32,710
ANY LUCK WITH WITNESSES?
326
00:15:32,750 --> 00:15:34,650
MADAM’S PUT ON THE FLOOR
RIGHT AWAY.
327
00:15:34,680 --> 00:15:36,610
ANY I. D. s ON THE JOHNS?
328
00:15:36,650 --> 00:15:38,380
PEOPLE DON’T SHOW I.D.s
IN PLACES LIKE THAT.
329
00:15:38,420 --> 00:15:40,260
ON OURS, ESU FOUND WALLETS
DUMPED NEARBY.
330
00:15:40,280 --> 00:15:41,750
ONE BELONGED TO A DOA.
331
00:15:41,780 --> 00:15:43,680
ANOTHER I. D. WAS IDENTIFIED
BY THE MADAM
332
00:15:43,720 --> 00:15:45,290
AS BELONGING TO A JOHN.
333
00:15:45,320 --> 00:15:47,420
MAYBE THEY’RE NOT RELATED.
334
00:15:47,450 --> 00:15:50,650
WHAT KIND OF GUNS
THE PERPS CARRY?
335
00:15:50,680 --> 00:15:52,610
SILVER‐COLORED AUTOMATICS.
336
00:15:52,650 --> 00:15:54,780
ONE OF THE GUYS HAVE A MUSTACHE,
THE OTHER CLEAN‐SHAVEN?
337
00:15:54,820 --> 00:15:57,360
THE GUY WITH THE MUSTACHE
HAD A WOOLEN HAT?
338
00:15:57,380 --> 00:15:58,650
MAYBE THEY ARE RELATED.
339
00:15:58,680 --> 00:16:01,110
FIRST STEP ‐‐ WE GET ON THE
PHONE TO COMMANDS IN THE BRONX
340
00:16:01,150 --> 00:16:03,550
AND HAVE THEM PULL 61’s ON
WALLETS REPORTED LOST OR STOLEN
341
00:16:03,580 --> 00:16:05,050
THE DAY AFTER YOUR ROBBERIES.
342
00:16:05,080 --> 00:16:07,580
WHY DON’T YOU EXPLAIN
THE OVERSIGHT?
343
00:16:07,620 --> 00:16:08,790
I DIDN’T SAY THERE WAS
AN OVERSIGHT.
344
00:16:08,820 --> 00:16:10,790
I JUST MEANT WE SHOULD COVER
OUR BASES.
345
00:16:10,820 --> 00:16:13,020
LET US TAKE CARE
OF COMMANDS IN THE BRONX.
346
00:16:13,050 --> 00:16:15,450
YOU HUNT FOR YOUR JOHN
WHO LOST HIS WALLET.
347
00:16:15,480 --> 00:16:17,850
SORRY TO INTERRUPT.
DR. OLSEN TO SEE YOU.
348
00:16:17,880 --> 00:16:19,710
SPEAK OF THE DEVIL,
HERE HE IS.
349
00:16:19,750 --> 00:16:21,650
WE’LL BE LOOKING IN.
350
00:16:33,850 --> 00:16:35,450
WHAT IS THERE TO TALK ABOUT?
351
00:16:35,480 --> 00:16:37,820
I’D RATHER YOU JUST GAVE ME
THE WALLET ‐‐
352
00:16:37,850 --> 00:16:39,180
LET ME GET BACK TO THE OFFICE.
353
00:16:39,220 --> 00:16:41,380
WE NEED TO TALK TO YOU
ABOUT LOST IT.
354
00:16:41,420 --> 00:16:43,150
IT JUST FELL OUT
OF MY POCKET.
355
00:16:43,180 --> 00:16:44,620
ANY IDEA WHERE?
356
00:16:44,650 --> 00:16:47,520
WELL, I KNEW THAT, I WOULDN’T
HAVE LOST IT, RIGHT?
357
00:16:47,550 --> 00:16:49,150
WHEN DID YOU NOTICE
IT WAS GONE?
358
00:16:49,180 --> 00:16:50,550
WHEN I GOT HOME.
359
00:16:50,580 --> 00:16:52,320
WERE YOU IN CHINATOWN
LAST NIGHT?
360
00:16:52,350 --> 00:16:53,320
NO.
361
00:16:53,350 --> 00:16:55,420
EVER HEARD OF A MASSAGE
PARLOR IN CHINATOWN
362
00:16:55,450 --> 00:16:57,420
CALLED THE SHANGHAI
DIAMOND GARDEN?
363
00:16:57,450 --> 00:16:59,850
PLEASE, IF I COULD JUST
HAVE MY WALLET ‐‐
364
00:16:59,880 --> 00:17:01,350
WE CAN’T DO THAT, DR. OLSEN.
365
00:17:01,380 --> 00:17:03,580
IT WAS PART OF A HOMICIDE
INVESTIGATION.
366
00:17:03,620 --> 00:17:06,320
THE GUY WHO TRIED TO STOP YOU
FROM BEING ROBBED
367
00:17:06,350 --> 00:17:07,720
DIED FROM HIS WOUNDS.
368
00:17:07,750 --> 00:17:10,520
WE WOULD LIKE TO THINK YOU DID
ALL YOU COULD TO HELP.
369
00:17:10,550 --> 00:17:13,480
BUT IF NOT, NOW IS THE TIME
TO MAKE UP FOR IT.
370
00:17:13,520 --> 00:17:14,580
MEANING?
371
00:17:14,620 --> 00:17:16,980
START BY TELLING US
WHAT YOU SAW LAST NIGHT.
372
00:17:17,020 --> 00:17:19,220
I DON’T KNOW
ABOUT ANY ROBBERY,
373
00:17:19,250 --> 00:17:22,780
AND I THINK I SHOULD TALK
TO MY ATTORNEY.
374
00:17:22,820 --> 00:17:25,220
WERE YOU A PART
OF THIS ROBBERY, DR. OLSEN?
375
00:17:25,250 --> 00:17:26,950
WHY ON EARTH
WOULD YOU THINK THAT?
376
00:17:26,980 --> 00:17:28,450
THEN WHY WOULD YOU NEED
A LAWYER?
377
00:17:28,480 --> 00:17:30,280
HELP US, AND WE’LL GET
CONFESSIONS
378
00:17:30,320 --> 00:17:31,480
FROM THESE PERPETRATORS.
379
00:17:31,520 --> 00:17:34,020
NO ONE WILL KNOW
YOU WENT TO THE PLACE,
380
00:17:34,050 --> 00:17:35,320
NO ONE WILL KNOW
YOU COOPERATED.
381
00:17:35,350 --> 00:17:37,350
I THINK I NEED TO SPEAK
WITH MY ATTORNEY.
382
00:17:37,380 --> 00:17:40,480
WE’LL BE IN TOUCH.
383
00:17:46,020 --> 00:17:47,680
THE MAN ASKS FOR AN ATTORNEY,
384
00:17:47,720 --> 00:17:51,220
YOU JUST KEEP ON
LIKE HE NEVER SAID A WORD.
385
00:17:51,250 --> 00:17:53,020
I THOUGHT HE MIGHT
COME OFF IT.
386
00:17:53,050 --> 00:17:54,580
YOU TEACH HIM THAT?
I MIGHT HAVE.
387
00:17:54,620 --> 00:17:56,380
NEXT TIME ME AND HOWERSON
TAKE THE ROOM.
388
00:17:56,420 --> 00:17:57,650
YOU TAKE THE PHONE CALLS.
389
00:17:57,680 --> 00:17:58,680
WHAT ARE YOU TALKING ABOUT?
390
00:17:58,720 --> 00:17:59,980
WASN’T EXACTLY
A SUCCESS IN THERE.
391
00:18:00,020 --> 00:18:02,120
HE WASN’T TALKING NO MATTER WHO
WAS IN THE ROOM.
392
00:18:02,150 --> 00:18:03,420
WE’LL NEVER KNOW,
WILL WE?
393
00:18:03,450 --> 00:18:05,520
YOU’VE BEEN WORKING THIS
THREE HOURS.
394
00:18:05,550 --> 00:18:07,620
WE’VE BEEN ON IT A MONTH.
WE’LL TAKE THE ROOM.
395
00:18:14,720 --> 00:18:17,880
WE CONTACTED AN INDIVIDUAL,
JOSH LAURIE.
396
00:18:17,920 --> 00:18:19,750
REPORTED HIS WALLET STOLEN
397
00:18:19,780 --> 00:18:21,820
THE MORNING OF NOVEMBER 2nd
OF THIS YEAR.
398
00:18:21,850 --> 00:18:26,380
THAT WAS THE DAY AFTER
OUR ROBBERY AT, UH...
399
00:18:26,420 --> 00:18:28,180
HOUSE OF LEE MASSAGE
IN THE BRONX.
400
00:18:28,220 --> 00:18:30,720
MR. LAURIE ADMITTED
TO BEING ROBBED,
401
00:18:30,750 --> 00:18:33,220
BUT HE COULDN’T IDENTIFY
THE PERPETRATORS.
402
00:18:33,250 --> 00:18:35,750
HE DID SAY THAT WHEN HE REPORTED
THE CREDIT CARD STOLEN,
403
00:18:35,780 --> 00:18:38,680
THE COMPANY INQUIRED ABOUT
A PURCHASE THAT SAME MORNING
404
00:18:38,720 --> 00:18:41,080
AT AN ELECTRONICS STORE
ON BROOKNER BOULEVARD.
405
00:18:41,120 --> 00:18:42,580
NAME OF THE SHOP IS...
406
00:18:42,620 --> 00:18:47,280
A GUY TRIED TO BUY A BIG‐SCREEN
TV WITH LAURIE’S CREDIT CARD.
407
00:18:47,320 --> 00:18:48,720
THE CLERK COULDN’T KEEP HIM
THERE,
408
00:18:48,750 --> 00:18:50,620
BUT WHEN THE GUY SPLIT,
SHE GOT HIS PLATE.
409
00:18:50,650 --> 00:18:52,250
WHO’S THE GUY?
410
00:18:52,280 --> 00:18:55,050
VINCENT PEREZ.
JUNIOR’S LOOKING INTO HIM.
411
00:18:55,080 --> 00:18:56,620
GRAB HIM UP.
412
00:18:58,480 --> 00:19:02,780
HEY... I’VE UPDATED A FEW BOSSES
IN THE LAST 26 YEARS.
413
00:19:02,820 --> 00:19:05,280
IF HE WANTS MORE THAN
THE BARE BONES, HE ASKS.
414
00:19:05,320 --> 00:19:07,520
AND DON’T CALL MY SON "JUNIOR"
IN FRONT OF ME.
415
00:19:07,550 --> 00:19:09,350
PEREZ HAS A RAP SHEET
FOR GRAND LARCENY.
416
00:19:09,380 --> 00:19:10,420
LIVES IN THROGS NECK.
417
00:19:10,450 --> 00:19:12,080
BETWEEN FORDHAM ROAD
AND THE HIGHWAY.
418
00:19:12,120 --> 00:19:14,350
WE GOT A QUICK WAY
IF YOU WANNA FOLLOW.
419
00:19:14,380 --> 00:19:15,620
THEY’LL FIND IT.
420
00:19:30,650 --> 00:19:32,620
YOU EVER HAD
A PARTNER BEFORE?
421
00:19:32,650 --> 00:19:34,720
OF COURSE.
422
00:19:34,750 --> 00:19:36,420
DID YOU KEEP IT
STRICTLY BUSINESS,
423
00:19:36,450 --> 00:19:38,750
OR DID YOU HAPPEN TO CHAT
ABOUT YOUR PERSONAL LIFE?
424
00:19:38,780 --> 00:19:41,550
THIS A ROUNDABOUT WAY OF
GETTING TO ME AND MY DAD?
425
00:19:41,580 --> 00:19:44,020
I TALK TO YOU ABOUT CYNTHIA
AND ANDY JR.,
426
00:19:44,050 --> 00:19:46,880
AND IF THEO THROWS A DECENT
PITCH OR BARFS IN SCHOOL,
427
00:19:46,920 --> 00:19:48,250
YOU KNOW ABOUT IT.
428
00:19:48,280 --> 00:19:51,150
IF THERE WAS SOMETHING YOU COULD
DO ABOUT ME AND MY DAD,
429
00:19:51,180 --> 00:19:53,480
I WOULD TALK TO YOU ABOUT IT,
BUT YOU CAN’T.
430
00:19:53,520 --> 00:19:55,280
IT DOESN’T MEAN
KEEP IT A SECRET.
431
00:19:55,320 --> 00:19:58,150
YOU’RE NOT A NEUTRAL PARTY.
YOU GUYS HATE EACH OTHER.
432
00:19:58,180 --> 00:20:00,720
I DON’T HATE HIM.
WE JUST‐‐
433
00:20:00,750 --> 00:20:02,850
WE DON’T THINK THE SAME.
434
00:20:02,880 --> 00:20:05,980
NOW WHO’S KEEPING SECRETS?
435
00:20:06,020 --> 00:20:07,350
WHAT HAPPENED WITH YOU GUYS?
436
00:20:07,380 --> 00:20:11,050
ALL RIGHT. LEGALLY...
437
00:20:11,080 --> 00:20:13,220
WHEN DO YOU READ
A GUY HIS RIGHTS?
438
00:20:13,250 --> 00:20:14,380
SOON AS HE’S
IN CUSTODY.
439
00:20:14,420 --> 00:20:16,480
BEFORE YOU TALK TO HIM
OR AFTER?
440
00:20:16,520 --> 00:20:17,420
BEFORE.
441
00:20:17,450 --> 00:20:19,550
HOW MANY TIMES
HAVE YOU DONE THAT?
442
00:20:19,580 --> 00:20:22,050
NEVER. ANYONE WITH HALF A BRAIN
WOULD LAWYER UP. WHY?
443
00:20:22,080 --> 00:20:24,450
WHEN YOUR DAD AND ME
WERE AT THE 2‐8,
444
00:20:24,480 --> 00:20:27,050
WE WORKED A ROBBERY
ON AN 84‐YEAR‐OLD WOMAN
445
00:20:27,080 --> 00:20:29,120
WHO GOT BEAT
WITH THE BUTT OF A GUN.
446
00:20:29,150 --> 00:20:30,220
WE GOT THE PERP IN.
447
00:20:30,250 --> 00:20:32,120
HE GAVE A FULL,
DETAILED CONFESSION.
448
00:20:32,150 --> 00:20:33,520
WHEN I WAS ON THE STAND
449
00:20:33,550 --> 00:20:36,180
AND THE D. A. ASKED IF I ADVISED
THE PERP OF HIS RIGHTS
450
00:20:36,220 --> 00:20:37,980
BEFORE I TALKED TO HIM,
I SAID YES.
451
00:20:38,020 --> 00:20:39,320
YEAH, BUT YOU HADN’T.
452
00:20:39,350 --> 00:20:41,450
WHEN YOUR OLD MAN
GOT ON THE STAND
453
00:20:41,480 --> 00:20:44,450
AND THEY ASKED HIM IF I’D GIVEN
THE PERP HIS RIGHTS WHEN I SAID,
454
00:20:44,480 --> 00:20:46,880
HE SAID HE NEVER HEARD ME
DO IT.
455
00:20:46,920 --> 00:20:48,580
MAYBE HE DIDN’T KNOW BETTER.
456
00:20:48,620 --> 00:20:49,420
OH, HE KNEW BETTER.
457
00:20:49,450 --> 00:20:51,280
SO HE DID IT
TO SPITE YOU?
458
00:20:51,320 --> 00:20:53,280
HE WAS SCARED
OF GETTING CAUGHT IN A LIE,
459
00:20:53,320 --> 00:20:54,380
AND THE CASE WAS TOSSED.
460
00:20:54,420 --> 00:20:55,950
I GAVE HIM HELL FOR IT.
461
00:20:55,980 --> 00:20:57,520
WHEN I DRANK,
I GAVE HIM WORSE HELL ‐‐
462
00:20:57,550 --> 00:20:59,720
IN PUBLIC,
IN FRONT OF OTHER COPS.
463
00:20:59,750 --> 00:21:02,420
TWO MONTHS LATER, THE PERP DID
ANOTHER PUSH‐IN,
464
00:21:02,450 --> 00:21:04,320
AND AN OLD LADY GOT KILLED.
465
00:21:04,350 --> 00:21:06,650
I GOT DRUNK AND FOUND YOUR DAD
TO FIGHT HIM,
466
00:21:06,680 --> 00:21:08,780
BUT HE WOULDN’T COME OUT
OF THE BAR.
467
00:21:08,820 --> 00:21:10,350
I PUSHED IT WAY TOO FAR.
468
00:21:10,380 --> 00:21:12,950
THE FACT IS
HE TOLD THE ACTUAL TRUTH.
469
00:21:12,980 --> 00:21:15,750
YEAH, WHICH GOT
AN OLD LADY KILLED.
470
00:21:15,780 --> 00:21:18,680
I’M SURE A WEEK DOESN’T PASS
WHEN THAT’S NOT ON HIS MIND.
471
00:21:18,720 --> 00:21:22,850
Unit one to unit two, suspect is
riding up on a gray bicycle.
472
00:21:22,880 --> 00:21:24,780
UNIT TWO MOVING IN.
473
00:21:24,820 --> 00:21:29,250
I’M SURE HE’S GOT HIS VERSION.
THAT’S JUST MINE.
474
00:21:32,180 --> 00:21:33,450
FREEZE! POLICE!
475
00:21:33,480 --> 00:21:35,050
DON’T SHOOT ME!
DON’T SHOOT ME!
476
00:21:35,080 --> 00:21:36,780
I SAID FREEZE,
OR YOU’RE GONNA GET SHOT.
477
00:21:36,820 --> 00:21:38,320
STAY DOWN.
NOBODY’S GONNA SHOOT YOU.
478
00:21:38,350 --> 00:21:40,080
WHAT’S YOUR NAME?
I DIDN’T DO ANYTHING!
479
00:21:40,120 --> 00:21:41,450
JUST ANSWER THE QUESTION.
480
00:21:41,480 --> 00:21:43,120
VINCENT PEREZ.
I SWEAR I DIDN’T DO ANYTHING.
481
00:21:43,150 --> 00:21:45,780
HOLD YOUR TONGUE TILL I TELL YOU
DIFFERENTLY, WE’LL BE FRIENDS.
482
00:21:45,820 --> 00:21:48,350
YOU KEEP TALKING,
WE GOT PROBLEMS. UNDERSTAND?
483
00:21:48,380 --> 00:21:50,480
EXCUSE ME.
EXCUSE ME!
484
00:21:50,520 --> 00:21:54,480
SUSPECT IS COMING WITH US.
BRIAN?
485
00:21:55,880 --> 00:21:57,180
PERPS RIDING WITH YOU
486
00:21:57,220 --> 00:21:59,950
GOT A HABIT OF GETTING BRUISED
ON THE WAY TO THE HOUSE.
487
00:21:59,980 --> 00:22:01,780
HE TEACH YOU THAT, TOO?
488
00:22:01,820 --> 00:22:03,180
HE’S ALL YOURS.
489
00:22:14,450 --> 00:22:15,780
SODA?
490
00:22:15,820 --> 00:22:17,180
SURE.
491
00:22:17,220 --> 00:22:19,280
NOW, JUST TO CONFIRM, MR. PEREZ,
492
00:22:19,320 --> 00:22:21,580
YOU UNDERSTAND YOUR RIGHTS
AS WE READ THEM TO YOU,
493
00:22:21,620 --> 00:22:23,680
AND YOU’RE WILLING TO TALK
WITHOUT AN ATTORNEY PRESENT?
494
00:22:23,720 --> 00:22:26,050
YEAH, AND I THINK I KNOW
WHY I’M HERE.
495
00:22:26,080 --> 00:22:28,120
BEFORE YOU SAY ANYTHING,
RELAX.
496
00:22:28,150 --> 00:22:29,480
TAKE IT EASY.
WE’RE YOUR FRIENDS.
497
00:22:29,520 --> 00:22:30,920
WE’RE TRYING TO HELP YOU.
498
00:22:30,950 --> 00:22:33,420
THAT’S GOOD TO HEAR.
NOW IF I COULD JUST EXPLAIN ‐‐
499
00:22:33,450 --> 00:22:35,380
LET ME EXPLAIN SOMETHING
TO YOU FIRST...
500
00:22:35,420 --> 00:22:39,080
IF HE’D LET HIM,
THE GUY WOULD ROLL.
501
00:22:39,120 --> 00:22:40,180
...ABSOLUTELY READY TO DO.
502
00:22:40,220 --> 00:22:42,880
BUT IF YOU LIE TO US,
OUR HANDS ARE TIED.
503
00:22:42,920 --> 00:22:44,420
UNDERSTOOD.
504
00:22:44,450 --> 00:22:45,680
WHERE WERE YOU
THIS MORNING 2:00 A. M.?
505
00:22:45,720 --> 00:22:48,680
WORK. I’M A STOCK BOY
AT THE SUPERMART.
506
00:22:48,720 --> 00:22:50,980
IS THIS NOT ABOUT
THE CREDIT CARD?
507
00:22:51,020 --> 00:22:52,820
TELL US ABOUT THE CREDIT CARD.
508
00:22:52,850 --> 00:22:57,120
PLEASE, I CAN’T DO
ANY MORE JAIL TIME.
509
00:22:57,150 --> 00:22:59,320
I’LL TELL YOU WHERE I GOT IT.
510
00:22:59,350 --> 00:23:01,780
JUST HELP ME OUT...OKAY?
511
00:23:01,820 --> 00:23:02,820
WE’LL SEE.
512
00:23:02,850 --> 00:23:06,850
JULIO ALAMEDA SOLD IT TO ME
FOR 50 BUCKS.
513
00:23:06,880 --> 00:23:11,350
I’VE BEEN OUT OF JAIL SIX MONTHS
AND STRAIGHT, ALL OF IT,
514
00:23:11,380 --> 00:23:14,520
BUT I AIN’T MAKING JACK
AT THE MARKET
515
00:23:14,550 --> 00:23:17,250
AND I WANTED THE SONY
FLAT‐SCREEN,
516
00:23:17,280 --> 00:23:19,150
SO I DID SOMETHING STUPID.
517
00:23:19,180 --> 00:23:20,620
WHERE’D ALAMEDA GET
THE CARD?
518
00:23:20,650 --> 00:23:21,720
HE DIDN’T SAY.
519
00:23:21,750 --> 00:23:23,880
HE SAY ANYTHING ABOUT
BEING A STICKUP MAN?
520
00:23:23,920 --> 00:23:25,720
I DON’T KNOW HIM
REAL GOOD.
521
00:23:25,750 --> 00:23:27,980
AND WE’RE JUST SUPPOSED
TO BELIEVE THIS?
522
00:23:28,020 --> 00:23:30,250
THAT’S ALL I KNOW.
523
00:23:30,280 --> 00:23:35,420
PLEASE...I REALLY DO NOT WANT
TO GO BACK TO JAIL.
524
00:23:35,450 --> 00:23:38,520
NO PROMISES, BUT WE’LL SEE.
525
00:23:40,850 --> 00:23:42,120
ALAMEDA’S PLACES.
526
00:23:50,550 --> 00:23:51,550
JULIO ALAMEDA.
527
00:23:51,580 --> 00:23:52,820
YEAH, WE HEARD.
528
00:23:52,850 --> 00:23:55,620
HONEY, NOT VINEGAR ‐‐
THAT’S WHAT GETS THE BEES.
529
00:24:07,820 --> 00:24:09,350
HAVE A SEAT, CHERYL.
530
00:24:19,520 --> 00:24:20,750
THANK YOU.
531
00:24:22,450 --> 00:24:25,080
WE WANTED TO TALK TO YOU ABOUT
WHAT HAPPENED THIS MORNING.
532
00:24:25,120 --> 00:24:26,850
OKAY.
533
00:24:26,880 --> 00:24:28,320
THOSE TWO GOOD SAMARITANS
534
00:24:28,350 --> 00:24:29,650
WHO APPREHENDED
ONE OF THE BURGLARS ‐‐
535
00:24:29,680 --> 00:24:31,550
DID YOU SEE THEM
GRAB HIM ON THE STREET?
536
00:24:31,580 --> 00:24:33,480
I DID.
537
00:24:33,520 --> 00:24:35,020
WERE YOU THERE
THE WHOLE TIME?
538
00:24:35,050 --> 00:24:36,350
I WAS.
539
00:24:36,380 --> 00:24:38,450
THEY FOUGHT ‐‐
ALL THREE OF THEM?
540
00:24:38,480 --> 00:24:41,120
LIKE BEAR CUBS
IN A GUNNYSACK.
541
00:24:48,380 --> 00:24:50,150
WERE THEY FIGHTING
THE WHOLE TIME,
542
00:24:50,180 --> 00:24:51,580
OR DID THE BURGLAR
EVER QUIT FIGHTING?
543
00:24:51,620 --> 00:24:53,650
HE QUIT, BUT HE KEPT
RUNNING HIS MOUTH,
544
00:24:53,680 --> 00:24:55,020
SO THEY GAVE HIM ONE GOOD.
545
00:24:55,050 --> 00:24:56,080
WHAT DO YOU MEAN BY THAT?
546
00:24:56,120 --> 00:24:59,080
IS THAT ARMANI
OR A KNOCK OFF?
547
00:24:59,120 --> 00:25:00,420
’CAUSE IT’S WORKING
EITHER WAY.
548
00:25:00,450 --> 00:25:02,580
CHERYL. JUST TELL US
WHAT HAPPENED.
549
00:25:02,620 --> 00:25:04,780
OKAY.
550
00:25:04,820 --> 00:25:06,950
THE BURGLAR DUDE WAS KICKING,
SCREAMING, AND PUNCHING,
551
00:25:06,980 --> 00:25:08,420
THE OTHER GUYS
WERE GIVING IT BACK.
552
00:25:08,450 --> 00:25:10,180
THEY ENDED UP ON THE GROUND,
553
00:25:10,220 --> 00:25:12,880
AND THEN THERE WAS SOME TALKING
BACK AND FORTH,
554
00:25:12,920 --> 00:25:14,680
AND THE BIG WHITE GUY ‐‐
WHACK! ‐‐
555
00:25:14,720 --> 00:25:17,580
NAILED THE BURGLAR’S HEAD ON
THE CURB, AND THAT SHUT HIM UP.
556
00:25:17,620 --> 00:25:19,950
HOW MANY TIMES DID THE WHITE GUY
WHACK THE BURGLAR’S HEAD?
557
00:25:19,980 --> 00:25:22,220
ONCE. WHY?
558
00:25:22,250 --> 00:25:23,950
’CAUSE THE BURGLAR’S DEAD
BECAUSE OF IT.
559
00:25:23,980 --> 00:25:26,120
WELL SCREW HIM ANYWAY.
560
00:25:28,650 --> 00:25:30,480
SPEAKING OF WHICH...
561
00:25:36,250 --> 00:25:38,450
SO THEY BOTH HAVE THE SUSPECT
ON THE GROUND
562
00:25:38,480 --> 00:25:40,550
AND THE FIGHTING HAD STOPPED?
563
00:25:40,580 --> 00:25:43,250
THEN MacPHERSON KNOCKS
THE SUSPECT’S HEAD ON THE CURB?
564
00:25:43,280 --> 00:25:45,280
REMEMBER, MacPHERSON HAS
INJURIES FROM THIS GUY.
565
00:25:45,320 --> 00:25:47,150
BUT THE FIGHTING HAD STOPPED,
566
00:25:47,180 --> 00:25:48,180
SO MacPHERSON WASN’T
DEFENDING HIMSELF.
567
00:25:48,220 --> 00:25:49,720
THE SUSPECT WAS MOUTHING OFF.
568
00:25:49,750 --> 00:25:52,150
IT DOESN’T MAKE ANY DIFFERENCE.
THE SUSPECT CAPITULATED.
569
00:25:52,180 --> 00:25:53,520
ALL VIOLENCE HAD CEASED.
570
00:25:53,550 --> 00:25:56,250
NO ONE WAS IN DANGER OF ANY
PHYSICAL HARM AT THIS POINT.
571
00:25:56,280 --> 00:25:58,420
MacPHERSON COMMITTED AN
AGGRESSIVE ACT
572
00:25:58,450 --> 00:26:00,420
THAT LED
TO THE SUSPECT’S DEATH,
573
00:26:00,450 --> 00:26:02,850
AND THAT ACT CONSTITUTES
DEADLY PHYSICAL FORCE
574
00:26:02,880 --> 00:26:04,020
UNDER THE PENAL LAW.
575
00:26:04,050 --> 00:26:05,250
SO, WHAT’S HE LOOKING AT?
576
00:26:05,280 --> 00:26:06,980
MANSLAUGHTER, FIRST DEGREE,
"B" FELONY.
577
00:26:07,020 --> 00:26:08,550
MANDATORY JAIL TIME.
578
00:26:08,580 --> 00:26:10,020
RIGHT.
579
00:26:10,050 --> 00:26:11,920
WHAT ABOUT THE OTHER GUY,
EWELL?
580
00:26:11,950 --> 00:26:15,320
HE WAS HOLDING THE SUSPECT DOWN
WHEN MacPHERSON HIT HIS HEAD.
581
00:26:15,350 --> 00:26:17,050
ACTING IN CONCERT,
EQUALLY CULPABLE,
582
00:26:17,080 --> 00:26:18,280
SO THAT’S MANSLAUGHTER TOO.
583
00:26:18,320 --> 00:26:20,020
BUT NO MANDATORY JAIL TIME.
584
00:26:20,050 --> 00:26:22,820
POSSIBLY PROBATION IF HE
TESTIFIES AGAINST MacPHERSON.
585
00:26:22,850 --> 00:26:24,480
LET’S BRING THEM BOTH IN.
586
00:26:24,520 --> 00:26:27,250
THIS IS WHY I SIGNED UP
FOR THIS JOB.
587
00:26:36,980 --> 00:26:38,880
HAVE A SEAT.
588
00:26:38,920 --> 00:26:42,150
WE NEED TO TALK MORE ABOUT WHEN
YOU DETAINED THAT GUY.
589
00:26:42,180 --> 00:26:44,920
OKAY. HOW’S THE OLD LADY?
SHE’S FINE.
590
00:26:44,950 --> 00:26:46,380
WHO STARTED THROWING PUNCHES?
591
00:26:46,420 --> 00:26:48,250
HE DID ‐‐ THROWING ELBOWS.
592
00:26:48,280 --> 00:26:49,750
ANYBODY HIT HIM IN THE HEAD?
593
00:26:49,780 --> 00:26:53,020
I HIT HIM IN THE JAW A FEW TIMES
AFTER HE CONNECTED ON ME.
594
00:26:53,050 --> 00:26:55,180
STANDING UP?
WE ENDED UP ON THE GROUND.
595
00:26:55,220 --> 00:26:57,220
YOU FOUND THE SCUMBAG
HE DID IT WITH YET?
596
00:26:57,250 --> 00:26:58,280
YEAH, HE’S LOCKED UP.
597
00:26:58,320 --> 00:27:00,250
SO WHAT’S THIS
ALL ABOUT?
598
00:27:00,280 --> 00:27:02,450
HE HAVE A GUN
OR A KNIFE ON HIM?
599
00:27:02,480 --> 00:27:04,250
NO. WHEN THE OTHER GUY
HELPING OUT
600
00:27:04,280 --> 00:27:07,320
HELD THAT DICKHEAD’S ARMS BACK,
I PATTED HIM DOWN TO MAKE SURE.
601
00:27:07,350 --> 00:27:09,280
WHAT’S THE PROBLEM?
HE DIED.
602
00:27:16,250 --> 00:27:17,680
FROM WHAT HAPPENED ON THE
STREET?
603
00:27:17,720 --> 00:27:19,020
THEY THINK SO.
604
00:27:19,050 --> 00:27:20,780
WHAT, LIKE, A HEART ATTACK?
605
00:27:20,820 --> 00:27:21,780
BRAIN INJURY.
606
00:27:21,820 --> 00:27:23,920
HE LOOKED FINE
WHEN THEY TOOK HIM AWAY.
607
00:27:23,950 --> 00:27:25,050
HE WAS WALKING AROUND.
608
00:27:25,080 --> 00:27:26,880
DID HE HIT HIS HEAD WHEN
YOU WERE FIGHTING?
609
00:27:26,920 --> 00:27:28,450
NO. I DON’T KNOW.
610
00:27:28,480 --> 00:27:32,080
LOOK, THERE WAS AN OLD LADY
SCREAMING OUT THE WINDOW,
611
00:27:32,120 --> 00:27:34,020
AND I HELPED OUT.
612
00:27:34,050 --> 00:27:35,780
I GOT KICKED AND HIT
IN THE PROCESS.
613
00:27:35,820 --> 00:27:39,080
THERE WAS A LOT OF OTHER PEOPLE
ON THE STREET JUST WATCHING.
614
00:27:39,120 --> 00:27:40,320
ME AND THAT BLACK GUY
615
00:27:40,350 --> 00:27:42,720
ARE THE ONLY TWO THAT DID
ANYTHING ABOUT IT.
616
00:27:42,750 --> 00:27:46,150
NOW YOU COME AT ME WITH THIS?
AM I UNDER ARREST?
617
00:27:46,180 --> 00:27:47,780
NO, JUST TRYING TO FIND OUT
WHAT HAPPENED.
618
00:27:47,820 --> 00:27:49,620
I TOLD YOU.
619
00:28:00,180 --> 00:28:03,080
[ TIRES SCREECH ]
620
00:28:04,920 --> 00:28:07,820
PLEASE, MR. ALAMEDA,
DO NOT MOVE.
621
00:28:07,850 --> 00:28:08,720
SON OF A BITCH.
622
00:28:15,850 --> 00:28:18,220
[ TIRES SCREECH, HORN HONKS ]
623
00:28:27,280 --> 00:28:29,750
WHAT’D YOU THINK YOU WERE DOING
HITTING A COP?!
624
00:28:29,780 --> 00:28:31,880
YOU DIDN’T THINK
YOU’D GET HIT BACK?!
625
00:28:31,920 --> 00:28:33,580
POLICE BRUTALITY!
626
00:28:33,620 --> 00:28:35,020
DON’T YOU HIT HIM!
627
00:28:35,050 --> 00:28:36,780
LET’S GET OFF THE STREET.
628
00:28:36,820 --> 00:28:38,880
I DIDN’T.
629
00:28:38,920 --> 00:28:41,180
WE GOT THIS GUY.
HE’S OURS FROM NOW ON.
630
00:28:41,220 --> 00:28:42,980
WAIT UNTIL ME AND JOHN HAVE
ANOTHER CONVERSATION
631
00:28:43,020 --> 00:28:43,980
WITH THE DOCTOR.
632
00:28:44,020 --> 00:28:45,480
THE DOCTOR LAWYERED UP.
633
00:28:45,520 --> 00:28:47,520
HE’S GONNA LAWYER UP AGAIN.
IT’S A WASTE OF TIME.
634
00:28:47,550 --> 00:28:49,680
HOW CAN COVERING OUR BASES
BE A WASTE OF TIME?
635
00:28:49,720 --> 00:28:51,580
YOU COVER THEM.
I’LL GIVE YOU AN HOUR.
636
00:28:51,620 --> 00:28:54,020
HOW ABOUT YOU WAIT
TILL WE GET BACK?
637
00:29:08,280 --> 00:29:11,120
WHAT ARE YOU DOING HERE?
WHAT DO YOU WANT?
638
00:29:11,150 --> 00:29:14,080
WE NEED ANOTHER MINUTE OF YOUR
TIME, DOCTOR.
639
00:29:18,180 --> 00:29:19,920
I DON’T HAVE
ANYTHING MORE TO SAY.
640
00:29:19,950 --> 00:29:22,920
WE GOT A HOMICIDE TO SOLVE,
SO WE CAN TALK IN PRIVATE
641
00:29:22,950 --> 00:29:25,480
OR AIR YOUR WHORING OUT
IN FRONT OF YOUR PATIENTS.
642
00:29:25,520 --> 00:29:28,150
THEN WE COULD HEAD OUT TO
WESTCHESTER, TALK TO YOUR WIFE.
643
00:29:28,180 --> 00:29:29,550
THAT’S BLACKMAIL.
644
00:29:29,580 --> 00:29:32,020
YOU SHOULD BE SICK WITH YOURSELF
THAT WE GOTTA THREATEN YOU,
645
00:29:32,050 --> 00:29:34,750
WHERE IF YOU’D HAVE FOLLOWED
YOUR OATH AND STUCK AROUND,
646
00:29:34,780 --> 00:29:36,720
YOU PROBABLY COULD HAVE
SAVED THAT GUY’S LIFE.
647
00:29:36,750 --> 00:29:39,050
HE HAD A BULLET IN HIS BRAIN.
648
00:29:39,080 --> 00:29:41,580
HE HAD NO PULSE.
HE WAS DEAD.
649
00:29:41,620 --> 00:29:43,850
JUST TELL US IF YOU SAW ANY OF
THESE GUYS ROB
650
00:29:43,880 --> 00:29:46,120
THE SHANGHAI DIAMOND GARDEN LAST
NIGHT, AND WE’RE GONE.
651
00:29:53,180 --> 00:29:56,150
HIM. DONE?
652
00:29:56,180 --> 00:29:57,520
WAS HE THE SHOOTER?
653
00:29:57,550 --> 00:30:00,120
HE WAS WHO HIT THE WOMAN
IN THE FRONT.
654
00:30:00,150 --> 00:30:01,650
I REALLY HAVE TO GO NOW.
655
00:30:03,350 --> 00:30:05,450
WE APPRECIATE IT.
656
00:30:13,880 --> 00:30:15,020
HAVE A SEAT, MR. EWELL.
657
00:30:15,050 --> 00:30:17,520
WHAT’S GOING ON?
658
00:30:17,550 --> 00:30:19,920
WE’VE ENCOUNTERED A BIT
OF A PROBLEM, MR. EWELL.
659
00:30:19,950 --> 00:30:21,350
NAMELY?
660
00:30:21,380 --> 00:30:23,620
THE GUY YOU AND MR. MacPHERSON
DETAINED AT THE SCENE ‐‐
661
00:30:23,650 --> 00:30:24,950
HE DIED AS A RESULT
662
00:30:24,980 --> 00:30:27,020
OF MR. MacPHERSON SLAMMING
HIS HEAD AGAINST THE CURB.
663
00:30:27,050 --> 00:30:28,350
HE WAS TIRED OF THAT PRICK
664
00:30:28,380 --> 00:30:30,050
CUSSING AND FIGHTING
AND KICKING US.
665
00:30:30,080 --> 00:30:33,480
WAS HE KICKING AND FIGHTING WHEN
MR. MacPHERSON SLAMMED HIS HEAD?
666
00:30:33,520 --> 00:30:36,220
YOU MEAN,
AT THAT MOMENT?
667
00:30:36,250 --> 00:30:39,380
HE AIN’T LOOKING AT NO CHARGES
BROUGHT AGAINST HIM, IS HE?
668
00:30:39,420 --> 00:30:41,180
POSSIBLY.
OH, MAN.
669
00:30:41,220 --> 00:30:42,580
WE’VE BEEN INSTRUCTED
TO TELL YOU
670
00:30:42,620 --> 00:30:45,280
THAT IF YOU TESTIFY
AGAINST MR. MacPHERSON,
671
00:30:45,320 --> 00:30:48,050
YOU COULD SAVE YOURSELF
JAIL TIME.
672
00:30:48,080 --> 00:30:50,180
WHAT’S JAIL TIME
GOT TO DO WITH ME?
673
00:30:50,220 --> 00:30:52,720
THE GUY DIED AS A RESULT
OF INJURIES HE RECEIVED
674
00:30:52,750 --> 00:30:55,320
WHILE BEING DETAINED BY YOU
AND MR. MacPHERSON.
675
00:30:55,350 --> 00:30:57,220
I DIDN’T HIT HIS HEAD
ON THE CURB.
676
00:30:57,250 --> 00:30:58,620
YOU WERE HOLDING HIM DOWN.
677
00:30:58,650 --> 00:31:02,020
HE ROBBED AN OLD LADY.
THE LADY WAS SCREAMING.
678
00:31:02,050 --> 00:31:03,350
APPARENTLY, SHE ‐‐
679
00:31:03,380 --> 00:31:04,620
WE KNOW WHAT HAPPENED.
680
00:31:04,650 --> 00:31:06,650
WE KNOW YOU WERE DOING
THE RIGHT THING,
681
00:31:06,680 --> 00:31:09,150
NOBODY IN THE SQUAD IS HAPPY
WITH THE RAMIFICATIONS,
682
00:31:09,180 --> 00:31:11,420
BUT THE MAN DIED.
683
00:31:11,450 --> 00:31:14,720
IF YOU AGREE TO TESTIFY AGAINST
MR. MacPHERSON ‐‐
684
00:31:14,750 --> 00:31:16,150
MR. MacPHERSON?
685
00:31:16,180 --> 00:31:18,550
THE ONLY ONE ON THE STREET
TO GET INVOLVED?
686
00:31:18,580 --> 00:31:22,020
MR. MacPHERSON, WHO GOT PUNCHED
BY THAT ASSHOLE LIKE I DID?
687
00:31:22,050 --> 00:31:23,880
I’M GONNA TESTIFY AGAINST HIM?
688
00:31:23,920 --> 00:31:27,220
WHAT KIND OF PUNK‐ASS BITCH
DO YOU THINK I AM?
689
00:31:27,250 --> 00:31:28,620
IT’S AN OPTION
YOU NEED TO KNOW.
690
00:31:28,650 --> 00:31:31,880
YOU CAN TAKE YOUR OPTION
AND SHOVE IT.
691
00:31:31,920 --> 00:31:33,420
I WANT A LAWYER,
692
00:31:33,450 --> 00:31:36,620
’CAUSE THIS IS ABOUT SOME OF THE
MOST MESSED UP BUNCH OF ‐‐
693
00:31:36,650 --> 00:31:39,520
IT’S AN OPEN OFFER
IF YOU CHANGE YOUR MIND.
694
00:31:39,550 --> 00:31:40,550
OHH.
695
00:31:47,420 --> 00:31:49,750
HEY, JOHN, YOU SEEN MY DAD
AND HIS PARTNER?
696
00:31:49,780 --> 00:31:52,250
THEY’RE IN THE POKEY ROOM
WITH MR. ALAMEDA.
697
00:31:52,280 --> 00:31:53,720
HOW LONG THEY BEEN IN THERE?
698
00:31:53,750 --> 00:31:55,880
SINCE THEY GOT BACK ‐‐
A HALF‐HOUR.
699
00:31:55,920 --> 00:31:57,450
SON OF A BITCH.
700
00:31:59,450 --> 00:32:01,920
HOW MANY TIMES
I GOTTA SAY THIS?
701
00:32:01,950 --> 00:32:03,420
I WASN’T IN NO CATHOUSE!
702
00:32:03,450 --> 00:32:06,180
MR. ALAMEDA, I DON’T THINK
YOU UNDERSTAND.
703
00:32:06,220 --> 00:32:07,820
WE’RE TRYING TO HELP YOU.
704
00:32:07,850 --> 00:32:09,320
HOW IT HELP?
705
00:32:09,350 --> 00:32:12,480
YOU CUFFIN’ ME
IN FRONT OF MY BOYS,
706
00:32:12,520 --> 00:32:15,180
RUININ’ MY REP AS A DECENT GUY.
707
00:32:15,220 --> 00:32:17,150
IF THAT WAS DISRESPECTFUL,
WE’RE SORRY.
708
00:32:17,180 --> 00:32:19,480
GUY SMACKED HIM,
AND HE’S APOLOGIZING?
709
00:32:19,520 --> 00:32:21,220
DEFINITELY
LAYING ON THE HONEY.
710
00:32:21,250 --> 00:32:22,680
YOU REALLY WANNA HELP ME,
711
00:32:22,720 --> 00:32:26,250
YOU GET ME A SLICE OF PIZZA
AND ANOTHER SODA,
712
00:32:26,280 --> 00:32:27,580
’CAUSE I CAN’T THINK
WHEN I’M HUNGRY.
713
00:32:27,620 --> 00:32:29,450
THEN YOU BETTER
BE READY TO TALK.
714
00:32:29,480 --> 00:32:31,550
I WON’T KNOW
TILL IT’S HERE.
715
00:32:31,580 --> 00:32:33,750
WE’LL GET THE FOOD, AND THEN
WE’LL KEEP TALKING.
716
00:32:33,780 --> 00:32:35,120
JUST GO GET MY FOOD ‐‐
717
00:32:35,150 --> 00:32:36,750
AND SOME SMOKES!
718
00:32:37,920 --> 00:32:40,350
[ DOOR CLOSES ]
719
00:32:44,250 --> 00:32:46,350
GOT TIRED OF WAITING,
SO WE TOOK A SHOT.
720
00:32:46,380 --> 00:32:47,920
YEAH, THE GUY’S TOUGH.
721
00:32:47,950 --> 00:32:51,120
WE’RE JUST GETTING STARTED.
HE WANTS FOOD.
722
00:32:51,150 --> 00:32:52,950
YOU’LL HAVE THE COURTESY
NOT TO TALK TO HIM ‐‐
723
00:32:52,980 --> 00:32:54,750
NOT IN THE MIDDLE
OF OUR INTERVIEW.
724
00:32:54,780 --> 00:32:58,220
BACK IN A LITTLE WHILE.
725
00:33:04,880 --> 00:33:06,350
WHAT DO YOU WANT?
726
00:33:06,380 --> 00:33:07,950
THERE’S NO SMOKING
IN THIS ROOM.
727
00:33:07,980 --> 00:33:10,280
THERE’S NO SODA DRINKING
AND NO PIZZA COMING EITHER.
728
00:33:10,320 --> 00:33:12,250
GUYS WHO HIT COPS
DON’T GET BUFFET MEALS.
729
00:33:12,280 --> 00:33:14,650
WHAT’S UP WITH YOU, MAN?
WHERE ARE THE OTHER GUYS?
730
00:33:14,680 --> 00:33:17,250
THEY GOT SICK OF YOUR ATTITUDE,
SO THEY SENT FOR COPS
731
00:33:17,280 --> 00:33:19,180
WHO AREN’T AFRAID OF GETTING
THEIR HANDS BLOODY.
732
00:33:19,220 --> 00:33:22,180
I DIDN’T MEAN TO HIT THAT DUDE.
HE STARTLED ME.
733
00:33:22,220 --> 00:33:24,450
NO, YOU SUCKER PUNCHED HIM
CLEAR AS DAY, JULIO,
734
00:33:24,480 --> 00:33:27,750
AND I GOT NEWS FOR YOU ‐‐
THAT COP’S MY FATHER.
735
00:33:27,780 --> 00:33:30,220
MMM, YEAH, UH‐HUH.
AND HE’S MY UNCLE.
736
00:33:32,120 --> 00:33:33,950
HE’S MY DAD, YOU PRICK!
737
00:33:33,980 --> 00:33:36,020
I DON’T GIVE A DAMN
WHO HE IS!
738
00:33:37,480 --> 00:33:40,380
JULIO, THIS WILL KEEP UP
UNTIL MORNING
739
00:33:40,420 --> 00:33:43,450
UNLESS YOU TELL US WHAT HAPPENED
AT THE SHANGHAI DIAMOND GARDEN!
740
00:33:43,480 --> 00:33:46,250
THEN YOU’RE OUT OF HERE
AND AT CENTRAL BOOKING,
741
00:33:46,280 --> 00:33:47,850
WHERE NO ONE CAN GET TO YOU!
742
00:33:47,880 --> 00:33:50,450
OR JUST KEEP SAYING YOU WERE
GETTING LAID LAST NIGHT,
743
00:33:50,480 --> 00:33:52,480
AND WHEN MY ARMS GET TIRED
FROM BEATING YOU,
744
00:33:52,520 --> 00:33:54,350
I’LL JUST HANDCUFF YOU
TO THAT CHAIR
745
00:33:54,380 --> 00:33:55,880
AND PUT THIS SIGN
ON YOUR CHEST,
746
00:33:55,920 --> 00:33:58,420
AND WE’RE GONNA PARADE IN
EVERY COP IN THE HOUSE
747
00:33:58,450 --> 00:33:59,880
TO COME IN
AND WORK OUT ON YOU.
748
00:33:59,920 --> 00:34:01,180
I DIDN’T MEAN TO HIT NOBODY.
749
00:34:01,220 --> 00:34:04,680
LAST NIGHT I’M SURE YOU DIDN’T
MEAN TO KILL THAT GUY EITHER,
750
00:34:04,720 --> 00:34:06,050
BUT SOMEHOW HE IS DEAD!
751
00:34:06,080 --> 00:34:07,150
I DIDN’T KILL HIM, MAN!
752
00:34:07,180 --> 00:34:08,320
THEN WHO DID?
753
00:34:08,350 --> 00:34:09,550
DON’T SAY
YOU WEREN’T THERE,
754
00:34:09,580 --> 00:34:13,280
OR YOU DON’T KNOW.
WE GOT YOU IDENTIFIED.
755
00:34:13,320 --> 00:34:15,150
CARLOS SHOT THAT GUY, MAN.
I DIDN’T SHOOT NOBODY.
756
00:34:15,180 --> 00:34:16,820
WHAT HAPPENED?
757
00:34:16,850 --> 00:34:19,580
IT’S MY JOB TO GET THE DOUGH
FROM THE LADY OUT FRONT
758
00:34:19,620 --> 00:34:21,280
WHILE CARLOS GOES
BACK TO THE JOHNS.
759
00:34:21,320 --> 00:34:23,720
IS THAT THE SAME SETUP
IN THE PLACES IN THE BRONX?
760
00:34:23,750 --> 00:34:26,050
THE SAME DEAL, EXCEPT THIS TIME
CARLOS GOES IN BACK
761
00:34:26,080 --> 00:34:28,650
AND COMES RUNNING OUT ’CAUSE
SOME PSYCHO’S SHOOTING AT HIM.
762
00:34:28,680 --> 00:34:30,320
WHERE ARE WE GONNA FIND
CARLOS?
763
00:34:30,350 --> 00:34:32,520
DOWN AT THE POOL HALL
ON THE CONCOURSE.
764
00:34:32,550 --> 00:34:34,350
I’M SUPPOSED TO MEET HIM THERE
IN AN HOUR
765
00:34:34,380 --> 00:34:35,620
TO DIVVY UP THE TAKES.
766
00:34:35,650 --> 00:34:36,680
WRITE IT ALL DOWN.
767
00:34:36,720 --> 00:34:39,050
START WITH THE PLACE YOU
TOOK OFF IN THE BRONX
768
00:34:39,080 --> 00:34:41,050
AND FINISH WITH THE ONE
IN CHINATOWN.
769
00:34:41,080 --> 00:34:42,580
TWO YEARS ‐‐ TWO YEARS OF THIS.
770
00:34:42,620 --> 00:34:45,050
HE’S IN JAIL, NO LAWSUIT,
FIRED OFF THE JOB.
771
00:34:45,080 --> 00:34:49,720
JOHN, LIGHTEN UP ON THE KID.
HE GOT THE JOB DONE.
772
00:35:03,080 --> 00:35:06,250
OH, DETECTIVE,
CORY BEACHAM CALLED
773
00:35:06,280 --> 00:35:08,850
AND ASKED ME
TO TELL YOU "400."
774
00:35:08,880 --> 00:35:09,950
HE SAID YOU’D UNDERSTAND.
775
00:35:09,980 --> 00:35:10,950
YEAH.
776
00:35:10,980 --> 00:35:12,080
GOOD NIGHT.
777
00:35:12,120 --> 00:35:14,090
NIGHT.
778
00:35:14,120 --> 00:35:16,290
IS THAT $400 A WEEK?
A SHIFT.
779
00:35:16,320 --> 00:35:18,320
FOR SITTING AROUND
WHILE SHE SINGS OLD TUNES?
780
00:35:18,350 --> 00:35:19,880
I’D DO IT
IN A GORILLA SUIT.
781
00:35:19,920 --> 00:35:21,890
THAT’D BE EASIER.
SHE COULDN’T SEE MY SHAME.
782
00:35:21,920 --> 00:35:23,920
YOU’RE CRAZY
IF YOU TURN IT DOWN.
783
00:35:23,950 --> 00:35:25,510
[ CLEARS THROAT ]
784
00:35:26,980 --> 00:35:29,210
WHAT DO YOU SAY
AFTER WE GRAB CARLOS
785
00:35:29,250 --> 00:35:31,550
WE GIVE THE COLLAR TO YOUR DAD
AND HOWERSON?
786
00:35:31,580 --> 00:35:33,310
YOU THINK?
787
00:35:33,350 --> 00:35:34,910
THEY’VE BEEN WORKING
THE CASE A MONTH,
788
00:35:34,950 --> 00:35:36,680
AND IF WE TAKE
THE COLLAR,
789
00:35:36,720 --> 00:35:39,060
IT’D JUST BE ANOTHER THING
EATING AT YOUR OLD MAN.
790
00:35:42,850 --> 00:35:44,780
HOW COULD YOU BEAT
THAT MAN?
791
00:35:44,820 --> 00:35:47,520
YOU WATCH THE INTERVIEW?
792
00:35:47,550 --> 00:35:49,880
YOU’RE A BUM.
AS BIG A BUM AS HE IS.
793
00:35:49,920 --> 00:35:52,560
IF YOU’RE PISSED OFF
BECAUSE WE STOLE YOUR PLAY,
794
00:35:52,580 --> 00:35:54,750
AS FAR AS WE’RE CONCERNED,
YOU CAN HAVE THE COLLAR.
795
00:35:54,780 --> 00:35:58,180
YOU TURN MY KID INTO A GOON
AND THEN RUB MY NOSE IN IT?
796
00:35:58,220 --> 00:35:59,960
WE’RE DOING WHAT’S RIGHT.
797
00:35:59,980 --> 00:36:02,650
YOU GOT A LOT OF NERVE TALKING
ABOUT DOING WHAT’S RIGHT.
798
00:36:02,680 --> 00:36:05,010
I WOULDN’T HAVE HIT HIM
IF HE DIDN’T HIT YOU.
799
00:36:05,050 --> 00:36:07,750
YOU KNOW WHERE YOU CAN STICK
YOUR COLLAR.
800
00:36:15,180 --> 00:36:16,950
CLARK...
801
00:36:16,980 --> 00:36:19,150
YOU WANNA PISS ON MY SHOES,
KNOCK YOURSELF OUT,
802
00:36:19,180 --> 00:36:20,480
BUT IT’S US WHO GOT THE BEEF.
803
00:36:20,520 --> 00:36:22,090
YOUR KID DON’T BELONG
IN THE MIDDLE.
804
00:36:22,120 --> 00:36:23,660
I’M NOT TALKING TO YOU
ABOUT MY FAMILY.
805
00:36:23,680 --> 00:36:25,410
KEEP ON LIKE THIS,
YOU WON’T HAVE A FAMILY.
806
00:36:25,450 --> 00:36:27,350
I GOT YOU TO THANK
FOR THAT.
807
00:36:27,380 --> 00:36:30,150
LOOK, 20 YEARS AGO YOU AND ME
HAD A LEGITIMATE BEEF.
808
00:36:30,180 --> 00:36:32,250
AND MAYBE I PUSHED IT TOO FAR.
809
00:36:32,280 --> 00:36:34,450
BACK THEN, I PUSHED A LOT
OF THINGS TOO FAR.
810
00:36:34,480 --> 00:36:36,680
I’M SORRY FOR THAT.
811
00:36:36,720 --> 00:36:37,820
NOW ACCEPT MY APOLOGY
812
00:36:37,850 --> 00:36:40,010
AND QUIT DRAGGING YOUR KID
THROUGH THE MUD
813
00:36:40,050 --> 00:36:41,280
’CAUSE YOU’RE ANGRY
AT ME.
814
00:36:41,320 --> 00:36:43,690
YOU KNOW THE PHRASE "DAY LATE
AND A DOLLAR SHORT"?
815
00:36:43,720 --> 00:36:46,760
YEAH. MY SON AND ME
DIDN’T TALK FOR YEARS,
816
00:36:46,780 --> 00:36:50,810
AND NOT TOO LONG AFTER MENDING
FENCES, I LOST HIM ON THE JOB.
817
00:36:50,850 --> 00:36:52,710
NOT A DAY GOES BY
818
00:36:52,750 --> 00:36:54,510
THAT I DON’T WISH I COULD HAVE
THEM YEARS BACK.
819
00:36:54,550 --> 00:36:56,550
YOU DON’T WANT THAT
HAPPENING TO YOU.
820
00:36:56,580 --> 00:36:58,510
GO TO HELL.
821
00:37:14,750 --> 00:37:16,580
[ HAMMERING ]
822
00:37:18,980 --> 00:37:21,210
Man: HEY, SHUT UP DOWN THERE!
823
00:37:21,250 --> 00:37:22,350
MIND YOUR OWN BUSINESS!
824
00:37:22,380 --> 00:37:25,380
[ KNOCK ON DOOR ]
825
00:37:31,350 --> 00:37:33,950
HEY.
826
00:37:33,980 --> 00:37:36,750
HEY.
827
00:37:47,450 --> 00:37:52,310
I’M ‐‐ I’M PROCESSING THIS
AND DEALING WITH THIS
828
00:37:52,350 --> 00:37:53,750
THE BEST WAY I CAN.
829
00:37:53,780 --> 00:37:55,480
BY YOURSELF.
830
00:37:56,620 --> 00:37:58,760
FOR NOW...
YEAH.
831
00:37:58,780 --> 00:38:00,010
I CAN RESPECT THAT.
832
00:38:00,050 --> 00:38:03,510
NOT HAVING TO WORRY ABOUT US,
ABOUT YOU,
833
00:38:03,550 --> 00:38:05,980
WOULD BE ONE LESS THING
WEIGHING ON ME.
834
00:38:06,020 --> 00:38:07,220
THEN DON’T WORRY.
835
00:38:08,420 --> 00:38:11,290
ARE YOU LEANING TOWARDS
ONE DECISION OR ANOTHER?
836
00:38:11,320 --> 00:38:14,120
No...I don’t know.
837
00:38:14,150 --> 00:38:15,980
WELL, I’LL SUPPORT
WHATEVER YOU DO.
838
00:38:16,020 --> 00:38:17,290
THANK YOU.
839
00:38:17,320 --> 00:38:18,960
BUT JUST SO YOU DO KNOW,
840
00:38:18,980 --> 00:38:21,550
IF YOU’RE THINKING ABOUT HAVING
THE KID, I’LL BE THERE.
841
00:38:21,580 --> 00:38:23,110
WE CAN GET MARRIED ‐‐
WHATEVER YOU WANT.
842
00:38:23,150 --> 00:38:24,110
BALDWIN‐‐
843
00:38:24,150 --> 00:38:26,280
JUST LISTEN.
844
00:38:26,320 --> 00:38:29,560
I WANT YOU TO HAVE ALL
YOUR INFORMATION STRAIGHT
845
00:38:29,580 --> 00:38:30,510
FOR WHEN YOU DECIDE.
846
00:38:30,550 --> 00:38:31,380
OKAY.
847
00:38:31,420 --> 00:38:33,720
I GREW UP WITHOUT A DAD,
848
00:38:33,750 --> 00:38:36,880
AND I SWORE I WOULDN’T TURN
AROUND AND DO IT TO MY CHILD.
849
00:38:36,920 --> 00:38:39,160
I’VE MADE CONSCIOUS DECISIONS
THROUGHOUT MY LIFE
850
00:38:39,180 --> 00:38:40,710
TO PREVENT THAT HAPPENING.
851
00:38:40,750 --> 00:38:42,880
BUT...
852
00:38:42,920 --> 00:38:45,760
HERE WE ARE.
853
00:38:45,780 --> 00:38:48,750
AND IF YOU DECIDE
TO KEEP THE CHILD,
854
00:38:48,780 --> 00:38:50,750
I’LL BE THERE.
855
00:38:58,150 --> 00:39:00,480
YOU WANNA STAY HERE TONIGHT?
856
00:39:05,880 --> 00:39:07,310
Okay.
857
00:39:18,820 --> 00:39:22,060
IT’S SO GOOD TO SEE YOU.
858
00:39:22,080 --> 00:39:23,510
YOU TOO.
859
00:39:23,550 --> 00:39:25,750
THERE’S EGG SALAD AND SLICED
TOMATOES IN THE REFRIGERATOR.
860
00:39:25,780 --> 00:39:27,280
THANK YOU, MARTA.
HAVE FUN TONIGHT.
861
00:39:27,320 --> 00:39:29,190
THANK YOU, MA’AM.
I’LL SEE YOU AT 10:00.
862
00:39:29,220 --> 00:39:31,460
CORY MENTIONED ONE OF
THE THINGS HOLDING YOU BACK
863
00:39:31,480 --> 00:39:33,750
WAS YOUR WANTING TO SPEND TIME
WITH YOUR SON.
864
00:39:33,780 --> 00:39:34,710
YEAH, THAT’S RIGHT.
865
00:39:34,750 --> 00:39:37,310
WELL, BRING HIM NEXT TIME.
I LOVE CHILDREN.
866
00:39:37,350 --> 00:39:39,280
HE’S IN BED, USUALLY,
BY 8:00,
867
00:39:39,320 --> 00:39:41,020
SO I’VE GOT IT
ALL WORKED OUT.
868
00:39:41,050 --> 00:39:42,250
GOOD NIGHT, MA’AM.
869
00:39:43,950 --> 00:39:45,350
[ DOOR CLOSES ]
870
00:39:45,380 --> 00:39:48,010
I THINK MARTA HAS BEEN
STEALING FROM ME.
871
00:39:48,050 --> 00:39:49,710
THERE’S JEWELRY MISSING,
872
00:39:49,750 --> 00:39:52,680
AND I DON’T HAVE
THAT MANY VISITORS.
873
00:39:52,720 --> 00:39:53,860
OKAY.
874
00:39:53,880 --> 00:39:55,880
I HAVEN’T TOLD CORY YET.
875
00:39:55,920 --> 00:39:57,220
WHY NOT?
876
00:39:57,250 --> 00:39:59,380
HE’D FIRE HER OUTRIGHT.
877
00:39:59,420 --> 00:40:01,360
SO, WHAT DO YOU WANT TO DO?
878
00:40:01,380 --> 00:40:05,110
WHAT ABOUT THOSE LITTLE, TINY
HIDDEN VIDEO CAMERAS?
879
00:40:05,150 --> 00:40:08,080
YEAH, BUT THOSE ARE MORE
ABOUT CATCHING A NANNY
880
00:40:08,120 --> 00:40:09,760
TAKING A WOODEN SPOON
TO YOUR KID.
881
00:40:09,780 --> 00:40:10,910
TRYING TO SEE A MAID
882
00:40:10,950 --> 00:40:13,510
WHO HAS FULL ACCESS TO YOUR
PLACE TO BEGIN WITH
883
00:40:13,550 --> 00:40:15,480
PALM AN EARRING
IN GRAINY BLACK AND WHITE
884
00:40:15,520 --> 00:40:17,060
IS A LITTLE MORE DIFFICULT.
885
00:40:17,080 --> 00:40:18,450
I’M JUST SUPPOSED TO
STAND BY
886
00:40:18,480 --> 00:40:20,650
AND WATCH MY JEWELRY
FLY OUT THE DOOR?
887
00:40:20,680 --> 00:40:21,710
NOW, YOU RELAX.
888
00:40:21,750 --> 00:40:23,480
I’M SORRY.
889
00:40:23,520 --> 00:40:25,860
LEAVE SOMETHING OF VALUE
IN A SPECIFIC SPOT,
890
00:40:25,880 --> 00:40:28,250
MAKE SURE NOBODY ELSE
HAS ACCESS TO THE ROOM,
891
00:40:28,280 --> 00:40:30,610
AND THEN SEE IF IT
TURNS UP MISSING.
892
00:40:30,650 --> 00:40:32,850
I DID ‐‐ A NECKLACE,
AND IT’S GONE.
893
00:40:32,880 --> 00:40:34,050
THEN YOU GOT A PROBLEM.
894
00:40:34,080 --> 00:40:36,750
COULD YOU TALK TO HER
895
00:40:36,780 --> 00:40:39,810
WITHOUT LETTING ON
THAT I PUT YOU UP TO IT
896
00:40:39,850 --> 00:40:43,910
OR MAKING IT LOOK LIKE
IT’S ABOUT STEALING THINGS?
897
00:40:43,950 --> 00:40:47,150
WELL, THAT CONVERSATION’S GONNA
BE ABOUT THE WEATHER THEN.
898
00:40:47,180 --> 00:40:48,910
WOULD YOU PLEASE
TAKE CARE OF IT?
899
00:40:48,950 --> 00:40:50,510
I DON’T NEED TO KNOW
ANY DETAILS.
900
00:40:51,580 --> 00:40:53,380
HOW LONG HAS SHE BEEN
YOUR MAID?
901
00:40:53,420 --> 00:40:56,360
10 YEARS.
DO YOU MIND IF I SING?
902
00:40:56,380 --> 00:40:57,710
YOU KNOW, I WAS THINKING
903
00:40:57,750 --> 00:40:59,780
MAYBE WE SHOULD GO OVER
THE GROUND RULES
904
00:40:59,820 --> 00:41:02,620
SO WE DON’T REPEAT WHAT
HAPPENED THE OTHER NIGHT.
905
00:41:02,650 --> 00:41:03,850
WE’LL BE FINE.
906
00:41:03,880 --> 00:41:08,150
LET’S JUST JUMP IN AND SEE
WHERE THE WINDS OF FATE TAKE US.
907
00:41:08,180 --> 00:41:10,750
♪ YOU MAKE ME FEEL SO YOUNG ♪
908
00:41:10,780 --> 00:41:15,180
REMEMBER THAT ONE ‐‐ DANCING
CHEEK TO CHEEK AT THE PROM?
909
00:41:15,220 --> 00:41:18,160
♪ YOU MAKE ME FEEL LIKE... ♪
910
00:41:18,180 --> 00:41:20,050
SPRING HAS SPRUNG.
911
00:41:20,080 --> 00:41:22,150
YOU ARE A DELIGHT!
912
00:41:22,180 --> 00:41:24,950
♪ THE MOMENT THAT YOU SPEAK ♪
913
00:41:24,980 --> 00:41:26,350
♪ I WANNA... ♪
914
00:41:26,380 --> 00:41:27,780
YOU GET OUT MUCH?
915
00:41:27,820 --> 00:41:28,690
OH, NO.
916
00:41:28,720 --> 00:41:30,690
WHEN WAS THE LAST TIME
YOU WERE OUTSIDE?
917
00:41:30,720 --> 00:41:33,290
NOT SINCE THE ATTACKS.
918
00:41:33,320 --> 00:41:35,220
♪ GO PLAY HIDE AND SEEK ♪
919
00:41:35,250 --> 00:41:37,580
♪ I WANNA GO
AND BOUNCE THE MOON ♪
920
00:41:37,620 --> 00:41:40,620
♪ JUST LIKE A TOY BALLOON ♪
921
00:41:40,650 --> 00:41:42,810
♪ YOU AND I ♪
922
00:41:42,850 --> 00:41:45,450
♪ ARE JUST LIKE
A COUPLE OF TOTS ♪
923
00:41:45,480 --> 00:41:49,180
♪ RUNNING ACROSS A MEADOW ♪
924
00:41:49,220 --> 00:41:51,690
♪ PICKING UP LOTS OF
FORGET‐ME‐NOTS ♪
925
00:42:02,850 --> 00:42:04,350
HEY.
926
00:42:04,380 --> 00:42:06,610
HE’S JUST STARTING
TO GO TO SLEEP
927
00:42:06,650 --> 00:42:08,850
’CAUSE HE WAS REALLY WOUND UP,
928
00:42:08,880 --> 00:42:11,810
AND HE DIDN’T HAVE
ANY ICE CREAM AFTER 7:00.
929
00:42:11,850 --> 00:42:13,010
ALL RIGHT.
I’LL TALK TO HIM.
930
00:42:13,050 --> 00:42:14,710
HOW’D IT GO?
931
00:42:14,750 --> 00:42:18,010
I GOTTA LOOK AT THE MAID FOR
STEALING JEWELRY NOW.
932
00:42:18,050 --> 00:42:19,750
ANYTHING I COULD HELP WITH
933
00:42:19,780 --> 00:42:21,210
NO, I GOT IT.
934
00:42:21,250 --> 00:42:23,010
ANDY, YOU’RE DOING
THE RIGHT THING.
935
00:42:23,050 --> 00:42:25,510
THINK OF IT AS ADDING
TO THEO’S COLLEGE FUND.
936
00:42:25,550 --> 00:42:26,580
YEAH, I GUESS.
937
00:42:26,620 --> 00:42:29,190
I BETTER GO. LET ME SAY
GOOD NIGHT TO HIM.
938
00:42:29,220 --> 00:42:32,420
I REALLY APPRECIATE
YOU DOING THIS, CONNIE.
939
00:42:32,450 --> 00:42:34,910
YOU’RE DOING ME
THE FAVOR, ANDY.
940
00:42:34,950 --> 00:42:37,610
ANY TIME.
941
00:42:37,650 --> 00:42:38,850
OH, UM...
942
00:42:38,880 --> 00:42:42,010
HE CLEARED HIS PLATE AFTER
DINNER WITHOUT ME EVEN ASKING.
943
00:42:42,050 --> 00:42:43,380
REALLY?
944
00:42:43,420 --> 00:42:44,520
YEAH.
945
00:42:44,550 --> 00:42:46,210
HI, DADDY.
946
00:42:46,250 --> 00:42:47,950
HEY, SQUIRT.
CONNIE’S GOTTA GO NOW.
947
00:42:47,980 --> 00:42:48,980
SLEEP TIGHT?
948
00:42:49,020 --> 00:42:51,160
OKAY.
949
00:42:51,180 --> 00:42:53,310
I HAD A LOT OF FUN TONIGHT.
950
00:42:53,350 --> 00:42:55,480
When are you coming back?
951
00:42:55,520 --> 00:42:56,690
NEXT MONDAY.
952
00:42:56,720 --> 00:42:58,460
Promise?
I PROMISE.
953
00:42:58,480 --> 00:42:59,510
Okay.
954
00:42:59,550 --> 00:43:00,780
Okay.
955
00:43:08,850 --> 00:43:10,750
DON’T LET
THE BEDBUGS BITE.
956
00:43:14,450 --> 00:43:16,150
WHERE’S THAT
STUFFED ANIMAL?
957
00:43:16,180 --> 00:43:18,650
WHERE DID IT GO?
958
00:43:25,180 --> 00:43:28,280
[ WHISPERING ]
71600
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