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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,470 --> 00:00:02,500 PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,540 --> 00:00:05,640 I KNOW YOU GOT CANCER. YOU BELONG ON MEDICAL LEAVE. 3 00:00:05,670 --> 00:00:07,640 CYNTHIA TOLD YOU? WHAT’S THE DIFFERENCE? 4 00:00:07,670 --> 00:00:10,370 YOU EVER MEET MY WIFE ‐‐ RITA ORTIZ? MAYBE. IRAQ. 5 00:00:10,400 --> 00:00:12,570 SHE’S GOT ME SCOUTING SQUADS. 6 00:00:12,600 --> 00:00:15,170 SHE’S LOOKING TO MAKE A CHANGE. 7 00:00:15,200 --> 00:00:16,740 WHERE IS SHE NOW? 8 00:00:16,770 --> 00:00:17,970 O.C.C.B. VICE. 9 00:00:18,000 --> 00:00:20,400 I HEARD YOU WERE HERE, FIGURED SHE COULDN’T DO BETTER. 10 00:00:20,440 --> 00:00:21,700 FACT IS, WE’RE FULL UP. 11 00:00:21,740 --> 00:00:24,040 ANY CHANGE, RITA WILL BE MY FIRST CALL. 12 00:00:24,070 --> 00:00:25,400 Andy: HE’S GOT CANCER. 13 00:00:25,440 --> 00:00:27,570 HE WON’T GET TREATMENT ’CAUSE HE’S WORRIED 14 00:00:27,600 --> 00:00:30,300 THAT HIS FAMILY WON’T BE PROVIDED FOR IF HE DIES. 15 00:00:30,340 --> 00:00:32,470 I GUESS THAT EXPLAINS HIS BEHAVIOR. 16 00:00:32,500 --> 00:00:34,100 SOME OF IT. THE REST IS JUST HIM. 17 00:00:34,140 --> 00:00:36,970 YOU’RE GETTING PROMOTED TO FIRST‐GRADE. 18 00:00:37,000 --> 00:00:39,740 WE BOTH KNOW I DIDN’T EARN THIS. IT’S FALSE PRETENSES. 19 00:00:39,770 --> 00:00:42,540 YOU GOT 28 YEARS ON THE JOB. YOU EARNED IT. 20 00:00:42,570 --> 00:00:44,970 TAKE A MEDICAL LEAVE. GET YOURSELF WELL. 21 00:00:45,000 --> 00:00:47,400 "EDDIE GIBSON, FIRST‐GRADE DETECTIVE." 22 00:00:47,440 --> 00:00:49,140 IT’S GOT A RING TO IT. 23 00:00:49,170 --> 00:00:51,100 LIKE A POEM. 24 00:00:51,140 --> 00:00:53,240 THANKS, ANDY. 25 00:01:05,900 --> 00:01:08,340 JOHN. HI. 26 00:01:08,370 --> 00:01:12,570 MEN, HERE I AM. FRESH FROM MY FIRST PRE‐OP AT THE CHIEF SURGEON’S. 27 00:01:12,600 --> 00:01:13,800 HOW DID IT GO? 28 00:01:13,840 --> 00:01:16,070 GOOD. MONDAY, 8:00 A. M., THEY CUT ME OPEN. 29 00:01:16,100 --> 00:01:17,900 DOCTORS DO WONDERS THESE DAYS. 30 00:01:17,940 --> 00:01:20,270 MY UNCLE HAD COLON CANCER BACK IN ’93 ‐‐ 31 00:01:20,300 --> 00:01:21,600 STILL KICKING. 32 00:01:21,640 --> 00:01:22,770 EARLY DETECTION. 33 00:01:22,800 --> 00:01:25,900 MY SET OF CIRCUMSTANCES? 5‐YEAR SURVIVAL RATE, 62%. 34 00:01:25,940 --> 00:01:28,540 THAT DON’T SOUND SO BAD. 35 00:01:28,570 --> 00:01:31,200 NOW THAT THE CAT’S OUT OF THE BAG, I GOT A WHOLE NEW OUTLOOK. 36 00:01:31,240 --> 00:01:33,070 I KNOW I’M GONNA BEAT THIS THING. 37 00:01:33,100 --> 00:01:34,400 THERE YOU GO. 38 00:01:34,440 --> 00:01:37,170 ANYWAY, IT’S BEEN GOOD WORKING WITH Y’ALL. 39 00:01:37,200 --> 00:01:38,500 ANDY, GOT A SEC? 40 00:01:40,270 --> 00:01:41,970 [ CLEARS THROAT ] 41 00:01:42,000 --> 00:01:43,500 YEAH. 42 00:01:46,570 --> 00:01:48,440 I’M ABOUT TO BEQUEATH TO YOU THE CUSHIEST, 43 00:01:48,470 --> 00:01:50,840 BEST‐PAYING MOONLIGHTING GIG IN THE WORLD. 44 00:01:50,870 --> 00:01:52,270 YEAH? DOING WHAT? 45 00:01:52,300 --> 00:01:54,100 SECURITY WORK ‐‐ TUESDAY AND THURSDAY EVENING 46 00:01:54,140 --> 00:01:56,300 FOR A RICH WIDOW ON PARK AVENUE. 47 00:01:56,340 --> 00:01:58,700 I MET HER ON THE JOB WHEN I WAS IN THE 19 SQUAD. 48 00:01:58,740 --> 00:02:01,170 WHAT’S SHE NEED A BODYGUARD FOR, SOMEBODY AFTER HER? 49 00:02:01,200 --> 00:02:03,140 THE MAID GETS TWO EVENINGS OFF, 50 00:02:03,170 --> 00:02:05,640 AND MRS. HORNBY LIKES HAVING SOMEONE AROUND. 51 00:02:05,670 --> 00:02:06,400 I DON’T THINK SO. 52 00:02:06,440 --> 00:02:07,800 DON’T BE TOO HASTY. 53 00:02:07,840 --> 00:02:10,770 PAYS $200 A POP...IN CASH, OFF THE BOOKS. 54 00:02:10,800 --> 00:02:12,770 I, UH, I CAN’T DO IT. 55 00:02:12,800 --> 00:02:15,000 I GOT THEO TO GET HOME TO. 56 00:02:15,040 --> 00:02:17,300 YOUR KID IS WHO YOU’RE DOING IT FOR. 57 00:02:17,340 --> 00:02:18,840 THAT’S WHO I DID IT FOR. 58 00:02:18,870 --> 00:02:21,970 THAT EXTRA $20 GRAND A YEAR COMES IN VERY HANDY. 59 00:02:22,000 --> 00:02:23,300 GOT A DOA DUMP JOB. 60 00:02:23,340 --> 00:02:25,870 BODY FOUND IN A CAR ON LAFAYETTE. 61 00:02:25,900 --> 00:02:27,140 GO. 62 00:02:27,170 --> 00:02:28,570 CATCH A BAD GUY. 63 00:02:28,600 --> 00:02:30,970 YEAH. 64 00:02:31,000 --> 00:02:32,240 SO THIS IS IT? 65 00:02:32,270 --> 00:02:33,270 THIS IS IT. 66 00:02:34,470 --> 00:02:37,770 WE’LL BE SEEING YOU AROUND, EDDIE. 67 00:02:37,800 --> 00:02:39,740 EDDIE, GOOD LUCK. 68 00:02:39,770 --> 00:02:42,370 MANY THANKS. 69 00:02:48,470 --> 00:02:50,570 JUNIOR, I’LL MEET YOU DOWNSTAIRS. 70 00:02:59,270 --> 00:03:01,400 YOU SAID TUESDAYS AND THURSDAYS? 71 00:03:01,440 --> 00:03:04,070 6:00 TO 10:00. THAT’S THE MAID’S TIME OFF. 72 00:03:04,100 --> 00:03:06,070 BUT SHE’S ALWAYS BACK BY 10:00. 73 00:03:06,100 --> 00:03:07,400 SO IT’S A BABYSITTING JOB. 74 00:03:07,440 --> 00:03:09,700 $400‐A‐WEEK BABYSITTING JOB. 75 00:03:09,740 --> 00:03:10,500 YOU INTERESTED? 76 00:03:10,540 --> 00:03:12,600 YEAH, I THINK MAYBE I MIGHT BE. 77 00:03:12,640 --> 00:03:13,800 GREAT. 78 00:03:13,840 --> 00:03:15,800 I’LL PUT YOU IN TOUCH WITH HER BUSINESS MANAGER. 79 00:03:19,540 --> 00:03:22,840 I’VE BEEN SPENDING A LOT OF TIME GETTING MY DUCKS IN A ROW. 80 00:03:22,870 --> 00:03:24,870 JUST IN CASE. 81 00:03:24,900 --> 00:03:27,940 WEREN’T YOU JUST TELLING US YOU’RE GONNA BEAT THIS THING? 82 00:03:27,970 --> 00:03:29,370 SURE. 83 00:03:29,400 --> 00:03:31,470 BUT YOU GOTTA PREPARE FOR THE "WHAT IF..." 84 00:03:31,500 --> 00:03:33,900 DON’T GET OBSESSED WITH THAT. IT DOESN’T HELP. 85 00:03:33,940 --> 00:03:36,040 EASIER SAID THAN DONE, MY FRIEND. 86 00:03:44,770 --> 00:03:47,040 TO TELL YOU THE TRUTH, 87 00:03:47,070 --> 00:03:49,370 I’M SCARED TO DEATH. 88 00:03:49,400 --> 00:03:53,040 GONNA BE ALL RIGHT, EDDIE. 89 00:03:53,070 --> 00:03:56,270 YOU’LL GET THROUGH THIS. 90 00:05:20,100 --> 00:05:22,140 RITA ORTIZ. 91 00:05:22,170 --> 00:05:23,800 LIEUTENANT RODRIGUEZ. 92 00:05:23,840 --> 00:05:26,340 OKAY, NOW I REMEMBER. WE DID MEET ONCE. 93 00:05:26,370 --> 00:05:28,400 JOHN FLAHERTY’S RETIREMENT RACKET. 94 00:05:28,440 --> 00:05:30,470 THAT’S RIGHT. THAT’S RIGHT. 95 00:05:30,500 --> 00:05:32,640 WHEN I SPOKE TO YOUR HUSBAND, 96 00:05:32,670 --> 00:05:34,640 I WAS RACKING MY BRAIN WHERE WE’D MET. 97 00:05:34,670 --> 00:05:37,300 OH, YOU’D JUST COME OUT OF UNDERCOVER NARCOTICS THEN. 98 00:05:37,340 --> 00:05:38,870 YEAH. 99 00:05:38,900 --> 00:05:40,200 HOW DO YOU LIKE BEING A BOSS? 100 00:05:40,240 --> 00:05:42,640 I MISS THE ACTION. I’M NOT GONNA LIE. 101 00:05:42,670 --> 00:05:45,740 BUT YOU CAN ONLY DO THAT KIND OF WORK FOR SO LONG, YOU KNOW. 102 00:05:45,770 --> 00:05:47,200 YEAH, IT’S LIKE VICE. 103 00:05:47,240 --> 00:05:49,600 I LIKED THE COP WORK, BUT IT WAS TIME. 104 00:05:49,640 --> 00:05:52,200 DON MENTIONED YOU WERE READY TO GET OUT. 105 00:05:52,240 --> 00:05:54,370 I FEEL VERY FORTUNATE TO LAND HERE IN THE 15th. 106 00:05:54,400 --> 00:05:56,270 I’M SURE YOU MUST’VE HAD YOUR PICK. 107 00:05:56,300 --> 00:05:57,740 I’M GLAD TO HAVE YOU HERE. 108 00:05:57,770 --> 00:06:00,140 THE OTHER DETECTIVES RESPONDED TO A DUMP JOB 109 00:06:00,170 --> 00:06:01,470 OVER ON LAFAYETTE. 110 00:06:01,500 --> 00:06:03,870 HOOK UP WITH THEM THERE. INTRODUCE YOURSELF. 111 00:06:03,900 --> 00:06:05,900 YOU’LL BE PARTNERING UP WITH CONNIE McDOWELL. 112 00:06:05,940 --> 00:06:07,570 WHEN YOU GOT TIME, 113 00:06:07,600 --> 00:06:10,740 I RECOMMEND YOU OBSERVE AS MANY INTERVIEWS AS YOU CAN. 114 00:06:10,770 --> 00:06:11,640 WELCOME ABOARD. 115 00:06:11,670 --> 00:06:13,240 THANK YOU. 116 00:06:25,070 --> 00:06:28,070 THE CAR’S REGISTERED TO AN ELDERLY WOMAN IN BROOKLYN. 117 00:06:28,100 --> 00:06:30,000 SHE REPORTED IT STOLEN 3 DAYS AGO. 118 00:06:30,040 --> 00:06:32,970 DOA HISPANIC WITH NO I. D. 119 00:06:33,000 --> 00:06:34,940 WE SHOULD GET A CLEARANCE ON THIS CASE 120 00:06:34,970 --> 00:06:36,300 FOR JUST GETTING HIM I. D.’d, 121 00:06:36,340 --> 00:06:38,200 LET ALONE FINDING OUT WHO DID IT. 122 00:06:38,240 --> 00:06:40,470 WE GOT A BURGLARY ME AND BALDWIN GOTTA RESPOND TO. 123 00:06:40,500 --> 00:06:42,400 WHAT DID YOU GUYS GET CANVASSED? 124 00:06:42,440 --> 00:06:45,070 BODEGA AND LAUNDRY ACROSS THE STREET. NOTHING IN EITHER. 125 00:06:45,100 --> 00:06:46,640 STOLEN PUPPIES WE’RE RESPONDING TO. 126 00:06:46,670 --> 00:06:49,500 YOU BETTER GET OVER THERE, LIGHTS AND SIRENS. 127 00:06:49,540 --> 00:06:52,400 DO YOU KNOW I HAVE GONE TO MAKE NOTIFICATION TO NEXT OF KIN 128 00:06:52,440 --> 00:06:54,540 ON A DEAD COLOMBIAN DRUG DEALER? 129 00:06:54,570 --> 00:06:56,440 I SHOWED THE PHOTO OF THE GUY 130 00:06:56,470 --> 00:06:58,640 WITH THE 3 BULLET HOLES IN THE HEAD 131 00:06:58,670 --> 00:07:00,600 TO THE WIDOW AND IN FRONT OF HIS 3 KIDS. 132 00:07:00,640 --> 00:07:02,300 SHE FALLS APART, 133 00:07:02,340 --> 00:07:04,900 AND 60 SECONDS LATER, SHE IS LYING THROUGH HER TEETH ‐‐ 134 00:07:04,940 --> 00:07:07,140 SHE HAS NO IDEA HOW HER HUSBAND MADE A LIVING. 135 00:07:07,170 --> 00:07:10,070 MEANWHILE, SHE GOT A 60‐INCH BIG‐SCREEN TV RIGHT BEHIND HER. 136 00:07:10,100 --> 00:07:11,800 SHE’S GOTTA SURVIVE IN THAT WORLD. 137 00:07:11,840 --> 00:07:13,100 EVEN MOBSTER WIVES, 138 00:07:13,140 --> 00:07:15,840 WHEN THEIR HUSBANDS GET WHACKED, START POINTING THEIR FINGER. 139 00:07:15,870 --> 00:07:17,300 NOT ON THE WITNESS STAND. 140 00:07:17,340 --> 00:07:19,340 WHAT IS THIS, POINT/COUNTERPOINT? 141 00:07:19,370 --> 00:07:22,140 YOU GONNA CONTEST EVERYTHING I SAY? 142 00:07:22,170 --> 00:07:24,470 YOU WANNA PUT STRINGS IN OUR BACKS YOU CAN PULL 143 00:07:24,500 --> 00:07:26,740 WHEN YOU WANT OUR OPINION? "YES, ANDY. YES, ANDY." 144 00:07:26,770 --> 00:07:28,500 MY ORIGINAL POINT IS, 145 00:07:28,540 --> 00:07:32,170 YOU GOT A DEAD HISPANIC WITH NO I. D., YOU GOT THIS... 146 00:07:32,200 --> 00:07:33,800 SORRY TO INTERRUPT. 147 00:07:33,840 --> 00:07:35,370 CONNIE McDOWELL? 148 00:07:35,400 --> 00:07:36,800 YEAH, THAT’S ME. 149 00:07:36,840 --> 00:07:39,100 RITA ORTIZ ‐‐ I GUESS WE’RE PARTNERING UP. 150 00:07:39,140 --> 00:07:41,300 OH, YEAH. HEY, HOW’S IT GOING, RITA? 151 00:07:41,340 --> 00:07:43,970 LIEUTENANT RODRIGUEZ MENTIONED HE WAS TRYING TO GET YOU. 152 00:07:44,000 --> 00:07:45,740 ANDY SIPOWICZ. JOHN CLARK. 153 00:07:45,770 --> 00:07:47,000 HOW’S IT GOING? 154 00:07:47,040 --> 00:07:48,340 NICE TO MEET YOU. 155 00:07:48,370 --> 00:07:50,900 HI. I JUST SPOKE WITH THE LIEUTENANT. 156 00:07:50,940 --> 00:07:52,370 MISSING PERSONS HAS A REPORT, 157 00:07:52,400 --> 00:07:54,140 FITS THE DESCRIPTION OF THE DOA HERE ‐‐ 158 00:07:54,170 --> 00:07:55,440 UNCLE ON HIS NEPHEW. 159 00:07:55,470 --> 00:07:56,940 THE NEPHEW’S ILLEGAL, 160 00:07:56,970 --> 00:08:00,640 BEEN WORKING FOR HIS UNCLE’S CONSTRUCTION COMPANY. 161 00:08:00,670 --> 00:08:01,700 WE’LL CHECK THAT OUT. 162 00:08:01,740 --> 00:08:03,100 GOOD. 163 00:08:06,540 --> 00:08:08,570 HOW ABOUT NEXT TIME GIVING ME A HEADS‐UP 164 00:08:08,600 --> 00:08:10,470 SO I DON’T STEP ON MY DICK. 165 00:08:10,500 --> 00:08:11,500 YES, ANDY. 166 00:08:11,540 --> 00:08:12,500 YES, ANDY. 167 00:08:12,540 --> 00:08:13,670 YES, ANDY. 168 00:08:24,770 --> 00:08:26,100 HEARD WE GOT STOLEN PUPPIES. 169 00:08:26,140 --> 00:08:27,500 YEAH. DROP EVERYTHING. 170 00:08:27,540 --> 00:08:29,970 BUSTED WINDOW BY THE FIRE ESCAPE, 171 00:08:30,000 --> 00:08:32,070 BUT NOTHING MISSING BUT THE MUTTS. 172 00:08:32,100 --> 00:08:34,200 THEY’RE PUREBRED ENGLISH BULLDOGS. 173 00:08:34,240 --> 00:08:35,770 SORRY, SIR. 174 00:08:35,800 --> 00:08:37,340 NAME’S RAY MAXWELL. 175 00:08:37,370 --> 00:08:39,800 IT’S LIKE HE LOST HIS MOTHER. CAN WE SPLIT? 176 00:08:39,840 --> 00:08:43,370 YEAH. 177 00:08:43,400 --> 00:08:45,870 HOW YOU DOING, MR. MAXWELL? 178 00:08:45,900 --> 00:08:48,600 DETECTIVES JONES AND MEDAVOY. 179 00:08:48,640 --> 00:08:51,670 THIS IS BRIDGET. SHE’S VERY UPSET. 180 00:08:51,700 --> 00:08:54,770 I KNOW THAT THIS ISN’T THE CRIME OF THE CENTURY, 181 00:08:54,800 --> 00:08:57,570 BUT I CAN’T TELL YOU HOW DISTRESSING THIS IS. 182 00:08:57,600 --> 00:09:01,300 WELL, HOW MANY WERE TAKEN, MR. MAXWELL? 183 00:09:01,340 --> 00:09:02,240 5. 184 00:09:02,270 --> 00:09:05,970 PIEBALD COLORING, ROSE EARS ‐‐ LITTLE GEMS. 185 00:09:06,000 --> 00:09:07,840 YOU, UH, LIVE HERE ALONE? 186 00:09:07,870 --> 00:09:11,540 WITH MY BUSINESS PARTNER CARTER. HE’S AT A JOB INTERVIEW. 187 00:09:11,570 --> 00:09:13,970 ANYONE YOU CAN THINK OF WHO MIGHT’VE TAKEN THE DOGS? 188 00:09:14,000 --> 00:09:15,400 ANYONE WHO KNEW THEY WERE HERE. 189 00:09:15,440 --> 00:09:17,800 I PUT A NOTICE OF THE LITTER IN THE BULLDOGGER LAST WEEK. 190 00:09:17,840 --> 00:09:19,600 I’VE ALREADY HAD HALF A DOZEN INQUIRIES. 191 00:09:19,640 --> 00:09:21,970 HOW MUCH ARE THE DOGS WORTH APIECE? 192 00:09:22,000 --> 00:09:23,070 $3,000. 193 00:09:23,100 --> 00:09:24,600 YOU’RE KIDDING. 194 00:09:24,640 --> 00:09:26,840 THE SIRE WAS A BRAZILIAN GRAND CHAMPION, 195 00:09:26,870 --> 00:09:29,470 AND BRIDGET WAS THE ’98 BEST IN BREED AT WESTMINSTER. 196 00:09:29,500 --> 00:09:31,470 THAT IS A PLATINUM BLOODLINE. 197 00:09:31,500 --> 00:09:34,270 WE NEED THE NAMES OF THE PEOPLE WHO MADE INQUIRIES. 198 00:09:34,300 --> 00:09:36,440 AND IF YOU FILL OUT A REPORT, WE’D APPRECIATE IT. 199 00:09:36,470 --> 00:09:38,170 WE’LL ALSO WANT TO TALK TO CARTER, 200 00:09:38,200 --> 00:09:39,770 IF YOU COULD HAVE HIM COME IN. 201 00:09:39,800 --> 00:09:41,200 I’LL GET MY JACKET. 202 00:09:42,970 --> 00:09:45,700 I CAN SEE YOUR WHEELS TURNING. 203 00:09:45,740 --> 00:09:47,140 $3,000 A POP?! 204 00:09:47,170 --> 00:09:49,170 AREN’T YOU ALLERGIC TO DOGS? 205 00:09:49,200 --> 00:09:52,240 LONGHAIRS. NOT BULLDOGS. I HAD A BULLDOG ‐‐ LUTHER. 206 00:09:52,270 --> 00:09:54,470 I NEVER WOULD’VE LET MY EX‐WIFE KEEP HIM 207 00:09:54,500 --> 00:09:56,340 IF I’D KNOWN WHAT HE WAS WORTH. 208 00:09:56,370 --> 00:09:57,640 AND THINK ABOUT IT ‐‐ 209 00:09:57,670 --> 00:10:00,400 START‐UP‐WISE, ALL YOU NEED IS DOG FOOD AND WATER. 210 00:10:00,440 --> 00:10:02,470 I’M SURE IT’S MORE COMPLICATED THAN THAT. 211 00:10:02,500 --> 00:10:03,800 DON’T ASK ME TO GET INVOLVED. 212 00:10:03,840 --> 00:10:05,770 NO, I’LL JUST CALL YOU FROM PARK AVENUE. 213 00:10:17,400 --> 00:10:19,970 ...ESE CABLE QUE ESTÁ ARRIBA. 214 00:10:20,000 --> 00:10:20,940 ALLÁ! 215 00:10:20,970 --> 00:10:22,000 ESO! 216 00:10:22,040 --> 00:10:23,900 RENALDO MOLINA? 217 00:10:23,940 --> 00:10:25,170 YES? 218 00:10:25,200 --> 00:10:26,740 DETECTIVES McDOWELL, ORTIZ. 219 00:10:26,770 --> 00:10:28,340 WHAT’S WRONG? 220 00:10:28,370 --> 00:10:30,770 YOU FILED A MISSING‐PERSONS REPORT 221 00:10:30,800 --> 00:10:32,540 ON YOUR NEPHEW, OSCAR MOLINA. 222 00:10:32,570 --> 00:10:34,170 WE HAVE A PICTURE FOR YOU TO LOOK AT. 223 00:10:34,200 --> 00:10:36,740 CAN YOU TELL US IF IT’S OSCAR? 224 00:10:36,770 --> 00:10:40,140 HE’S DEAD. THIS MAN YOU’RE GOING TO SHOW ME. 225 00:10:40,170 --> 00:10:41,770 [ SIGHS ] YEAH. 226 00:10:41,800 --> 00:10:43,140 ARE YOU OKAY WITH THIS? 227 00:10:47,040 --> 00:10:50,400 [ SIGHS ] 228 00:10:50,440 --> 00:10:53,540 WE’RE VERY SORRY, MR. MOLINA. 229 00:10:53,570 --> 00:10:56,900 WHEN WAS THE LAST TIME YOU SAW YOUR NEPHEW? 230 00:10:56,940 --> 00:11:01,200 TWO DAYS AGO, WHEN THE I.N.S. CAME TO TAKE HIM AWAY. 231 00:11:01,240 --> 00:11:04,000 IMMIGRATION AGENTS TOOK OSCAR AWAY TWO DAYS AGO, 232 00:11:04,040 --> 00:11:05,840 AND HE HASN’T BEEN SEEN SINCE? 233 00:11:05,870 --> 00:11:06,970 DID YOU REPORT IT? 234 00:11:07,000 --> 00:11:08,600 YES. 235 00:11:08,640 --> 00:11:11,540 THE I. N. S. SAID THEY’D LOOK INTO IT. 236 00:11:11,570 --> 00:11:14,270 I DON’T HEAR BACK, SO I CALLED THE POLICE 237 00:11:14,300 --> 00:11:16,540 WHEN OSCAR DOESN’T SHOW FOR WORK YESTERDAY. 238 00:11:16,570 --> 00:11:19,200 THEY SAY, "MAKE A MISSING‐PERSONS REPORT." 239 00:11:19,240 --> 00:11:21,000 DID YOU GET A LOOK AT THE AGENTS? 240 00:11:21,040 --> 00:11:22,640 I SAW THEM, BUT I WAS NOT CLOSE. 241 00:11:22,670 --> 00:11:25,270 I HAVE A WORKER WHO WAS NEARBY OSCAR AT THE TIME. 242 00:11:25,300 --> 00:11:27,070 CAN YOU GET HIM FOR US? 243 00:11:27,100 --> 00:11:28,940 HE’S HOME. MY MEN ARE SCARED NOW. 244 00:11:28,970 --> 00:11:31,640 IF YOU COULD GET US HIS NUMBER, WE’D APPRECIATE IT. 245 00:11:39,500 --> 00:11:41,700 I HAD A FRIEND WHO BRED VIZSLAS. 246 00:11:41,740 --> 00:11:45,540 THEY’RE LIKE HIS CHILDREN, SO I CAN IMAGINE HOW YOU FEEL. 247 00:11:45,570 --> 00:11:46,900 THANK YOU. 248 00:11:46,940 --> 00:11:48,700 DO YOU HAVE A DOG? 249 00:11:48,740 --> 00:11:49,770 HAD. 250 00:11:49,800 --> 00:11:53,840 A BLACK COCKER WITH A WHITE CREST ‐‐ HANK. 251 00:11:53,870 --> 00:11:55,370 COCKERS ARE SWEETHEARTS. 252 00:11:55,400 --> 00:11:58,570 GOOD DISPOSITION, GREAT WITH KIDS ‐‐ 253 00:11:58,600 --> 00:12:00,140 A LOT LIKE BULLDOGS. 254 00:12:00,170 --> 00:12:01,870 I HOPE THEY’RE OKAY. 255 00:12:01,900 --> 00:12:05,640 I’M SORRY. I SHOULDN’T HAVE BROUGHT UP DOGS. 256 00:12:05,670 --> 00:12:07,400 YOU WERE BEING KIND. 257 00:12:07,440 --> 00:12:10,300 THERE’S NEVER A REASON TO APOLOGIZE FOR A KINDNESS. 258 00:12:10,340 --> 00:12:13,340 MY GOD, RAY, WHAT A NIGHTMARE. WHAT HAPPENED? 259 00:12:13,370 --> 00:12:15,370 THEY BROKE IN THE KITCHEN WINDOW 260 00:12:15,400 --> 00:12:17,140 RIGHT BY THE FIRE ESCAPE. 261 00:12:17,170 --> 00:12:19,440 TELL ME ‐‐ WHAT DID I SAY ABOUT IRON BARS? 262 00:12:19,470 --> 00:12:21,000 MAYBE NOW YOU’LL LISTEN TO ME ON OCCASION. 263 00:12:21,040 --> 00:12:23,140 CARTER LYNCH? 264 00:12:23,170 --> 00:12:26,740 DETECTIVES MEDAVOY AND JONES. WE’RE WORKING THE INVESTIGATION. 265 00:12:26,770 --> 00:12:28,640 THEY ASKED IF I’D SEEN ANYONE SUSPICIOUS 266 00:12:28,670 --> 00:12:30,940 IN THE NEIGHBORHOOD, AND I REMEMBERED THAT MAN 267 00:12:30,970 --> 00:12:32,540 THAT YOU SAW BREAKING INTO THAT CAR. 268 00:12:32,570 --> 00:12:35,300 YOU THINK HE WENT FROM STEALING STEREOS TO PUREBRED PUPPIES? 269 00:12:35,340 --> 00:12:37,670 Baldwin: WHEN DID YOU SEE THIS HAPPEN? 270 00:12:37,700 --> 00:12:40,270 FOUR MONTHS AGO, AND I HAVEN’T SEEN HIM SINCE. 271 00:12:40,300 --> 00:12:41,640 SO ‐‐ HIGHLY UNLIKELY. 272 00:12:41,670 --> 00:12:43,970 I ASSUME RAY TOLD YOU ABOUT THE INQUIRIES. 273 00:12:44,000 --> 00:12:47,270 WE’VE CHECKED OUT EVERYONE WHO INQUIRED ABOUT A PUPPY. 274 00:12:47,300 --> 00:12:49,840 THEY ALL HAVE ALIBIS FOR THIS MORNING. 275 00:12:49,870 --> 00:12:51,040 THE PUPPIES ARE JUST GONE? 276 00:12:51,070 --> 00:12:53,770 WELL, THE NEXT STEP IS TO NOTIFY AREA PET SHOPS OF THE THEFT 277 00:12:53,800 --> 00:12:56,240 AND HAVE YOU GUYS LOOK AT MUG BOOKS OF LOCAL BURGLARS. 278 00:12:56,270 --> 00:12:58,740 UNLESS THERE’S ANYONE ELSE YOU THINK MIGHT’VE DONE THIS. 279 00:12:58,770 --> 00:13:01,140 DID YOU TELL THEM ABOUT LOIS DUNBAR? 280 00:13:01,170 --> 00:13:02,540 NOW WHO’S BEING UNLIKELY? 281 00:13:02,570 --> 00:13:04,640 LOIS DUNBAR WOULD LIKE NOTHING MORE 282 00:13:04,670 --> 00:13:06,640 THAN TO CLOSE US DOWN FOR 6 MONTHS. 283 00:13:06,670 --> 00:13:08,870 SHE OWNS A PET STORE IN THE VILLAGE ‐‐ 284 00:13:08,900 --> 00:13:12,140 WASHINGTON SQUARE BARK. 285 00:13:12,170 --> 00:13:13,070 SHE SELLS DOGS FROM PUPPY MILLS, 286 00:13:13,100 --> 00:13:15,500 STRICTLY AGAINST, 287 00:13:15,540 --> 00:13:17,470 BUT I DOUBT SHE WOULD DO THIS. 288 00:13:17,500 --> 00:13:19,540 THEY NEARLY CAME TO BLOWS OVER IT. 289 00:13:19,570 --> 00:13:22,570 WE HAD A DISCUSSION LAST WEEK AT A SHOW IN VIRGINIA 290 00:13:22,600 --> 00:13:25,640 REGARDING AN EDITORIAL I HAD WRITTEN IN THE BULLDOGGER. 291 00:13:25,670 --> 00:13:28,540 I THINK IT’S SICK TO PROMOTE DOG‐BREEDING TECHNIQUES 292 00:13:28,570 --> 00:13:31,470 THAT RESEMBLE VEAL FARMING ‐‐ WHICH I ALSO OBJECT TO. 293 00:13:31,500 --> 00:13:34,800 SO I PUT IT DOWN ON PAPER, AND IT COST HER SOME BUSINESS. 294 00:13:34,840 --> 00:13:37,370 WELL, HAS MS. DUNBAR EVER BEEN TO YOUR HOME? 295 00:13:37,400 --> 00:13:39,500 A FEW TIMES FOR BULLDOG SOCIETY MEETINGS. 296 00:13:39,540 --> 00:13:41,440 ALL RIGHT, WELL, WE’LL CHECK HER OUT. 297 00:13:41,470 --> 00:13:43,470 IN THE MEANTIME, IF YOU WOULDN’T MIND 298 00:13:43,500 --> 00:13:45,770 LOOKING AT THOSE MUG BOOKS, WE’D APPRECIATE IT. 299 00:13:45,800 --> 00:13:49,040 JOHN, COULD YOU GET THEM UP TO ANTI‐CRIME? 300 00:13:49,070 --> 00:13:50,470 OH. SURE. 301 00:13:51,940 --> 00:13:54,740 I JUST DON’T SEE LOIS DOING SOMETHING THIS CRUEL. 302 00:13:54,770 --> 00:13:56,540 BECAUSE YOU LIVE IN A FANTASY LAND 303 00:13:56,570 --> 00:13:58,670 WHERE YOU THINK EVERYONE’S GOOD AND KIND. 304 00:13:58,700 --> 00:14:01,100 WHEREAS LOIS, GOD HELP HER, IS FROM THE REAL WORLD. 305 00:14:03,170 --> 00:14:04,700 [ DOOR SLAMS ] 306 00:14:04,740 --> 00:14:08,400 AY, AY, AY. 307 00:14:19,590 --> 00:14:22,490 SPECIAL AGENT MARK KOLBERG FROM I. N. S. 308 00:14:22,520 --> 00:14:24,950 YEAH, WE SPOKE. HOW YOU DOING, MARK? 309 00:14:24,990 --> 00:14:26,490 I LOOKED INTO IT, 310 00:14:26,520 --> 00:14:29,580 AND THERE’S NO REPORT ON ANYBODY BEING TAKEN INTO CUSTODY 311 00:14:29,620 --> 00:14:31,550 FROM THE JOB SITE TWO DAYS AGO ‐‐ 312 00:14:31,590 --> 00:14:33,430 WHICH DOESN’T MEAN WE DON’T HAVE AGENTS 313 00:14:33,450 --> 00:14:35,120 WHO COULD’VE BEEN INVOLVED IN THIS. 314 00:14:35,150 --> 00:14:36,950 YOU HAVE A FILE ON THE DOA? 315 00:14:36,990 --> 00:14:38,330 NOTHING DOCUMENTED. 316 00:14:38,350 --> 00:14:40,650 ANY INVESTIGATIONS RELATIVE TO HIS EMPLOYER? 317 00:14:40,690 --> 00:14:42,760 YEAH, WE’VE HAD DEALINGS WITH MOLINA. 318 00:14:42,790 --> 00:14:44,890 HE HAS A HISTORY OF HIRING ILLEGALS, 319 00:14:44,920 --> 00:14:47,480 AND WE’VE GOT AGENTS LEANING ON HIM PRETTY GOOD. 320 00:14:47,520 --> 00:14:49,250 ANY AGENTS IN PARTICULAR? 321 00:14:49,290 --> 00:14:51,090 MIKE TORRES AND JOE RAMOS. 322 00:14:51,120 --> 00:14:52,550 AND I’M GONNA TELL YOU, 323 00:14:52,590 --> 00:14:55,560 WE’VE HAD A SERIES OF COMPLAINTS AGAINST THEM. 324 00:14:55,590 --> 00:14:56,660 FOR? 325 00:14:56,690 --> 00:14:58,230 LET’S SAY "OVERLY AGGRESSIVE." 326 00:14:58,250 --> 00:15:00,780 WE HAVE AN INTERNAL INVESTIGATION 327 00:15:00,820 --> 00:15:02,450 ONGOING ON THEM FOR THAT. 328 00:15:02,490 --> 00:15:04,260 PLUS, THEY’VE HAD A LOT OF CONTACT 329 00:15:04,290 --> 00:15:05,590 WITH MOLINA CONSTRUCTION. 330 00:15:05,620 --> 00:15:07,950 I COULD SEE THEIR TACTICS LEADING UP TO THIS. 331 00:15:07,990 --> 00:15:10,360 LET’S TALK TO THEM. 332 00:15:10,390 --> 00:15:12,190 I’D LIKE TO BE COPIED ON ALL PAPERWORK. 333 00:15:12,220 --> 00:15:15,450 I HOPE YOU’RE NOT DEPUTIZING US TO TRY AND NAIL THESE AGENTS 334 00:15:15,490 --> 00:15:18,260 FOR SOME INTERNAL AFFAIRS‐TYPE PROBLEMS YOU GOT COOKING. 335 00:15:18,290 --> 00:15:19,590 I WAS ASKED TO COME DOWN. 336 00:15:19,620 --> 00:15:21,980 I’M TELLING YOU THE SITUATION AS I SEE IT. 337 00:15:22,020 --> 00:15:23,550 THANKS FOR YOUR HELP. 338 00:15:28,020 --> 00:15:30,580 WE’LL BRING THEM IN. 339 00:15:36,250 --> 00:15:37,580 HAVE A SEAT, MS. DUNBAR. 340 00:15:37,620 --> 00:15:39,380 THEN WE’LL BREAK THE SILENCE? 341 00:15:39,420 --> 00:15:42,020 BECAUSE I’M CONFUSED AS TO WHAT I DID THIS TIME. 342 00:15:42,050 --> 00:15:43,820 HAD A FEW RUN‐INS WITH THE LAW? 343 00:15:43,850 --> 00:15:47,020 ONCE ‐‐ RECEIVING A SHIPMENT OF MOLUCCAN COCKATOOS 344 00:15:47,050 --> 00:15:50,080 THERE’S NO WAY I COULD HAVE KNOWN WERE SMUGGLED. 345 00:15:50,120 --> 00:15:53,650 HOW ABOUT BULLDOGS, MS. DUNBAR? IS YOUR NOSE CLEAN THERE? 346 00:15:53,690 --> 00:15:54,960 YES. WHY? 347 00:15:54,990 --> 00:15:56,860 DO YOU KNOW RAY MAXWELL? 348 00:15:56,890 --> 00:16:00,060 DOES HE ACTUALLY WANT ME ARRESTED FOR INSULTING HIM? 349 00:16:00,090 --> 00:16:01,530 TELL US YOUR SIDE. 350 00:16:01,550 --> 00:16:04,420 HE WROTE AN EDITORIAL IN A TRADE MAGAZINE 351 00:16:04,450 --> 00:16:07,550 MAKING ABSURD GENERALIZATIONS ABOUT PET STORES, 352 00:16:07,590 --> 00:16:10,060 SO I CALLED HIM A SEDITIOUS PRICK. 353 00:16:10,090 --> 00:16:11,590 HE NEEDED TO KNOW 354 00:16:11,620 --> 00:16:14,380 WE’RE NOT ALL MILLIONAIRES WITH A CUTE HOBBY. 355 00:16:14,420 --> 00:16:16,420 SOME OF US DO THIS FOR A LIVING. 356 00:16:16,450 --> 00:16:18,450 WHERE WERE YOU THIS MORNING AROUND 8:00? 357 00:16:18,490 --> 00:16:19,790 WHAT HAPPENED AT 8:00? 358 00:16:19,820 --> 00:16:22,620 SOMEONE STOLE A LITTER OF RAY MAXWELL’S PUPPIES. 359 00:16:22,650 --> 00:16:24,580 AND RAY’S SAYING I DID IT? 360 00:16:24,620 --> 00:16:27,020 WHO DOES HE THINK I AM, CRUELLA DeVILLE? 361 00:16:27,050 --> 00:16:30,180 IF IT’LL HELP, I WAS ON THE PHONE WITH MY VENDORS 362 00:16:30,220 --> 00:16:31,650 FROM 7:00 TILL WE OPENED. 363 00:16:31,690 --> 00:16:33,330 THEY’LL BE HAPPY TO CONFIRM. 364 00:16:33,350 --> 00:16:36,220 THEIR NUMBERS. 365 00:16:37,720 --> 00:16:39,580 MS. DUNBAR... 366 00:16:39,620 --> 00:16:46,580 WHAT’S THE GENERAL START‐UP COST OF A DOG‐BREEDING OPERATION? 367 00:16:47,950 --> 00:16:51,580 JUST PRETEND THAT WAS THE WIND. JUST...KEEP WRITING. 368 00:16:54,990 --> 00:16:55,990 HAVE A SEAT, GUYS. 369 00:16:56,020 --> 00:16:57,480 WE’RE KIND OF BUSY. 370 00:16:57,520 --> 00:17:00,080 IF YOU DON’T MIND, MAYBE WE COULD JUST GET TO IT? 371 00:17:00,120 --> 00:17:02,480 YOU GUYS PAY A VISIT TO THE WORK SITE 372 00:17:02,520 --> 00:17:05,120 MOLINA CONSTRUCTION’S GOT AT 10th AND "C" TWO DAYS AGO? 373 00:17:05,150 --> 00:17:06,080 NO. 374 00:17:06,120 --> 00:17:07,820 YOU BEEN THERE BEFORE? 375 00:17:07,850 --> 00:17:09,580 YEAH. WHAT FOR? 376 00:17:09,620 --> 00:17:11,680 YOU GUYS LOOKING FOR OUR HELP, 377 00:17:11,720 --> 00:17:13,920 OR IS THIS ABOUT SOMETHING ELSE? 378 00:17:13,950 --> 00:17:15,720 THIS IS ABOUT SOMETHING ELSE. 379 00:17:15,750 --> 00:17:18,180 TWO I. N. S. AGENTS FITTING YOUR DESCRIPTION 380 00:17:18,220 --> 00:17:20,520 PULLED A LABORER OFF THAT SITE 2 DAYS AGO. 381 00:17:20,550 --> 00:17:22,980 TODAY, HE ENDS UP STRANGLED IN THE FRONT SEAT OF A STOLEN CAR. 382 00:17:23,020 --> 00:17:24,880 WE DIDN’T PULL NO ONE OFF OF THAT JOB SITE, 383 00:17:24,920 --> 00:17:26,850 AND WE DIDN’T STRANGLE NO ONE IN NO STOLEN CAR. 384 00:17:26,890 --> 00:17:29,360 WE PROBABLY WOULD’VE REMEMBERED SOMETHING LIKE THAT. 385 00:17:29,390 --> 00:17:31,130 WHERE WERE YOU GUYS 2 DAYS AGO, 10:00 A. M.? 386 00:17:31,150 --> 00:17:32,450 YOU LOOKING TO HANG US? 387 00:17:32,490 --> 00:17:34,460 YOU SEE US THROWING A ROPE OVER A TREE BRANCH? 388 00:17:34,490 --> 00:17:36,430 WE’RE ASKING QUESTIONS WE GOTTA ASK. 389 00:17:36,450 --> 00:17:39,180 2 DAYS AGO, 10:00 A. M., WE WERE DOING A SURVEILLANCE ‐‐ 390 00:17:39,220 --> 00:17:40,450 WAREHOUSE DOWN BY THE DOCKS. 391 00:17:40,490 --> 00:17:41,890 CAN ANYBODY VERIFY? 392 00:17:41,920 --> 00:17:44,620 DID KOLBERG PUT YOU UP TO THIS? IS THAT WHAT THIS IS ABOUT? 393 00:17:44,650 --> 00:17:46,950 WE GOT A DOA. THAT’S WHAT THIS IS ABOUT. 394 00:17:46,990 --> 00:17:49,930 2 HISPANIC I. N. S. AGENTS WERE LAST SEEN WITH THIS DOA. 395 00:17:49,950 --> 00:17:52,920 ARE YOU REALLY WONDERING WHY THE HELL WE BROUGHT YOU IN? 396 00:17:52,950 --> 00:17:55,420 NOW, DON’T COMPOUND IT WITH THE COWBOY ATTITUDE. 397 00:17:55,450 --> 00:17:56,980 OKAY, OKAY, LOOK. 398 00:17:57,020 --> 00:17:59,820 ME AND MY PARTNER HAVE BEEN HASSLED BY OUR OWN DEPARTMENT 399 00:17:59,850 --> 00:18:01,880 FOR THINGS WE DIDN’T DO ‐‐ MANY TIMES. 400 00:18:01,920 --> 00:18:04,680 SO MAYBE YOU’LL EXCUSE US IF WE’RE SENSITIVE TO ACCUSATIONS. 401 00:18:04,720 --> 00:18:06,320 UNDERSTANDABLE. 402 00:18:06,350 --> 00:18:09,080 WE DIDN’T PULL NO ONE OFF THAT SITE, AND WE DIDN’T KILL NOBODY. 403 00:18:09,120 --> 00:18:10,650 WE WERE ON SURVEILLANCE. 404 00:18:10,690 --> 00:18:12,890 AND YOU’RE GONNA HAVE TO TAKE OUR WORD FOR IT, 405 00:18:12,920 --> 00:18:15,050 BECAUSE EVEN THOUGH WE CHECKED IN ONCE OR TWICE, 406 00:18:15,090 --> 00:18:17,660 WE STAYED OFF THE RADIO FOR THE MOST PART OF THAT MORNING. 407 00:18:17,690 --> 00:18:19,960 PAST THAT, YOU’RE GONNA HAVE TO TALK TO OUR DELEGATE. 408 00:18:19,990 --> 00:18:21,330 ALL RIGHT. 409 00:18:28,390 --> 00:18:30,930 I WANNA KNOW IF THEY CHECKED IN AT ALL THAT DAY. 410 00:18:30,950 --> 00:18:33,280 YEAH. 411 00:18:35,950 --> 00:18:37,880 HOW DID IT GO? 412 00:18:37,920 --> 00:18:39,680 WE’RE GONNA TRY AND VERIFY THEIR STORY. 413 00:18:39,720 --> 00:18:40,620 YOU LOCATE THAT WITNESS? 414 00:18:40,650 --> 00:18:42,680 YEAH. BOTH HIM AND THE DOA’S UNCLE 415 00:18:42,720 --> 00:18:45,520 DIDN’T GIVE US MUCH PAST THE I. N. S. AGENTS BEING HISPANIC, 416 00:18:45,550 --> 00:18:46,880 BUT THEY’LL LOOK AT PHOTOS. 417 00:18:46,920 --> 00:18:49,180 RUN A PHOTO ARRAY OF THE AGENTS WHO WERE JUST HERE. 418 00:18:49,220 --> 00:18:50,750 YEAH, WE’LL DO THAT. 419 00:18:50,790 --> 00:18:52,930 WHAT WOULD THIS HAVE BEEN OVER IF IT’S I. N. S.? 420 00:18:52,950 --> 00:18:54,480 THE DOA THEIR SNITCH? 421 00:18:54,520 --> 00:18:55,950 DON’T OVERLOOK THIS BEING A SHAKEDOWN THAT WENT BAD. 422 00:18:55,990 --> 00:18:57,490 IT HAPPENS. 423 00:18:57,520 --> 00:19:00,420 I.N.S. DOES WHAT THEY WANT WHEN IT COMES TO ILLEGAL ALIENS. 424 00:19:00,450 --> 00:19:02,120 NO DUE PROCESS, NOTHING. 425 00:19:02,150 --> 00:19:04,820 DOES THE WORD "ILLEGAL" MEAN ANYTHING TO ANYBODY ANYMORE? 426 00:19:04,850 --> 00:19:05,880 YEAH, BUT COME ON. 427 00:19:05,920 --> 00:19:08,280 MOST OF THESE PEOPLE ARE HERE BUSTING THEIR HUMP 428 00:19:08,320 --> 00:19:09,850 DOING JOBS NOBODY ELSE WANTS. 429 00:19:09,890 --> 00:19:12,390 WE WERE ALL IMMIGRANTS AT SOME POINT, RIGHT? 430 00:19:12,420 --> 00:19:14,250 OR IS SIPOWICZ A NAVAJO NAME? 431 00:19:14,290 --> 00:19:16,860 NO, ABSOLUTELY. OPEN THE BORDERS UP. 432 00:19:16,890 --> 00:19:20,060 SEE WHAT OTHER HITS THIS COUNTRY CAN TAKE. 433 00:19:20,090 --> 00:19:22,460 I GOTTA GO TO LUNCH. I’LL BE BACK. 434 00:19:29,820 --> 00:19:30,980 DETECTIVE... 435 00:19:31,020 --> 00:19:33,250 CORY BEACHAM ‐‐ MRS. HORNBY’S BUSINESS MANAGER. 436 00:19:33,290 --> 00:19:34,190 WE SPOKE ON THE PHONE. 437 00:19:34,220 --> 00:19:35,720 ANDY SIPOWICZ. 438 00:19:35,750 --> 00:19:38,580 DETECTIVE GIBSON FILLED YOU IN ON SOME OF THE DETAILS? 439 00:19:38,620 --> 00:19:39,850 SOME. 440 00:19:39,890 --> 00:19:41,260 YOU’LL BE HERE AT 6:00 SHARP. 441 00:19:41,290 --> 00:19:42,730 MARTA’S BACK BY 10:00, 442 00:19:42,750 --> 00:19:45,150 AT WHICH POINT SHE’LL HAND YOU AN ENVELOPE 443 00:19:45,190 --> 00:19:46,590 CONTAINING $200 IN CASH. 444 00:19:46,620 --> 00:19:49,580 THIS IS ALL ASSUMING THAT MRS. HORNBY APPROVES OF YOU. 445 00:19:49,620 --> 00:19:52,780 IF SHE DOES, WE’LL ASK YOU TO SIGN A NONDISCLOSURE AGREEMENT. 446 00:19:52,820 --> 00:19:55,620 ANYTHING YOU HEAR OR SEE STAYS IN THE APARTMENT. 447 00:19:55,650 --> 00:19:57,220 ANY QUESTIONS? 448 00:19:57,250 --> 00:19:58,520 I GOT IT. 449 00:19:58,550 --> 00:20:01,520 LET’S GET YOU INTRODUCED. 450 00:20:01,550 --> 00:20:02,520 SUSAN? 451 00:20:02,550 --> 00:20:04,120 DETECTIVE SIPOWICZ IS HERE. 452 00:20:07,750 --> 00:20:10,720 SO, YOU’RE A POLICEMAN LIKE EDDIE? 453 00:20:10,750 --> 00:20:13,350 ACTUALLY, ME AND EDDIE ARE DETECTIVES. 454 00:20:13,390 --> 00:20:14,590 ARE YOU MARRIED? 455 00:20:14,620 --> 00:20:17,220 MY WIFE PASSED AWAY A COUPLE YEARS AGO. 456 00:20:17,250 --> 00:20:18,980 OH, I’M SORRY. 457 00:20:19,020 --> 00:20:20,880 MY HUSBAND, TOO ‐‐ 458 00:20:20,920 --> 00:20:22,350 JULY 31, 1988. 459 00:20:22,390 --> 00:20:25,090 DO YOU HAVE ANY CHILDREN? 460 00:20:25,120 --> 00:20:26,580 I HAVE ONE BOY. 461 00:20:26,620 --> 00:20:28,620 DONALD AND I NEVER HAD CHILDREN. 462 00:20:30,120 --> 00:20:33,080 WELL, THEN. 463 00:20:33,120 --> 00:20:35,980 SO, I’LL BE SEEING YOU TONIGHT. 464 00:20:36,020 --> 00:20:38,180 YEAH. I’LL SEE YOU TONIGHT. 465 00:20:38,220 --> 00:20:40,080 I DON’T LIKE COLOGNE. 466 00:20:40,120 --> 00:20:42,080 DID YOU TELL HIM ABOUT THE COLOGNE? 467 00:20:42,120 --> 00:20:43,450 I’M SORRY, I DIDN’T. 468 00:20:43,490 --> 00:20:45,060 I DON’T WEAR IT, SO IT WON’T BE A PROBLEM. 469 00:20:45,090 --> 00:20:46,460 I SMELL COLOGNE. 470 00:20:49,350 --> 00:20:50,750 THAT’S AFTERSHAVE. 471 00:20:50,790 --> 00:20:52,160 WELL, IT’S DREADFUL. 472 00:20:52,190 --> 00:20:54,360 IF YOU DON’T MIND, I’D ASK THAT YOU DON’T WEAR IT. 473 00:20:54,390 --> 00:20:56,660 I’LL WORK SOMETHING OUT. 474 00:20:56,690 --> 00:20:58,330 SEE YOU TONIGHT! 475 00:21:03,990 --> 00:21:07,190 OKAY, WE’LL BE THERE. 476 00:21:07,220 --> 00:21:09,980 LET’S GO, PARTNER. 477 00:21:10,020 --> 00:21:13,320 LOVELY BEAST PET STORE JUST GOT AN INQUIRY FROM A GUY 478 00:21:13,350 --> 00:21:15,380 LOOKING TO OFF‐LOAD BULLDOG PUPS. 479 00:21:15,420 --> 00:21:17,650 ARE THEY STALLING HIM AT THE STORE? 480 00:21:17,690 --> 00:21:20,930 NO. THEY TOLD HIM TO COME IN IN AN HOUR WITH THE LITTER. 481 00:21:20,950 --> 00:21:24,220 YOU RUN PHOTO LINEUPS OF THE AGENTS FOR THE 2 WITNESSES? 482 00:21:24,250 --> 00:21:26,280 THE WORKER WHO SAW THEM CLOSEST 483 00:21:26,320 --> 00:21:28,580 SAID IT MOST LIKELY WASN’T ANY IN THE ARRAY, 484 00:21:28,620 --> 00:21:30,580 BUT THE UNCLE POINTED OUT AGENT RAMOS 485 00:21:30,620 --> 00:21:32,420 AND SAID HE MIGHT’VE BEEN ONE OF THE GUYS. 486 00:21:32,450 --> 00:21:34,120 THE UNCLE KNOW RAMOS AND TORRES 487 00:21:34,150 --> 00:21:35,550 FROM PAST RUN‐INS AT HIS BUSINESS? 488 00:21:35,590 --> 00:21:38,360 HE DID. SO, YEAH, YOU GOTTA FACTOR THAT IN. 489 00:21:38,390 --> 00:21:40,490 BUT HE COULDN’T BE SURE EITHER WAY. 490 00:21:40,520 --> 00:21:42,120 BOTH WITNESSES WERE INTIMIDATED 491 00:21:42,150 --> 00:21:44,050 AT THE PROSPECT OF DEALING WITH I. N. S. 492 00:21:44,090 --> 00:21:45,690 YOU VERIFY THE AGENTS’ STORY? 493 00:21:45,720 --> 00:21:48,350 YEAH. THEIR DISPATCH CONFIRMED THAT TORRES AND RAMOS 494 00:21:48,390 --> 00:21:50,030 DID RADIO IN A COUPLE TIMES 495 00:21:50,050 --> 00:21:51,880 AROUND WHEN OUR DOA GOT SNATCHED, 496 00:21:51,920 --> 00:21:54,620 BUT DISPATCH DIDN’T KNOW THE LOCATION OF THE TRANSMISSION, 497 00:21:54,650 --> 00:21:56,820 SO IT DOESN’T MEAN THESE GUYS WEREN’T INVOLVED. 498 00:21:56,850 --> 00:21:58,580 HAVEN’T CAUGHT THEM IN A LIE, AT LEAST. 499 00:21:58,620 --> 00:22:00,650 GOT A COUPLE OF FINGERPRINT HITS 500 00:22:00,690 --> 00:22:02,590 OFF THE STOLEN CAR THE DOA WAS IN, 501 00:22:02,620 --> 00:22:04,720 ALL COMING BACK TO A RAFAEL MERCADO ‐‐ 502 00:22:04,750 --> 00:22:07,320 SECURITY GUARD AT SUPER BARGAINS UP ON 120th STREET, 503 00:22:07,350 --> 00:22:08,850 SPANISH HARLEM. 504 00:22:08,890 --> 00:22:11,390 YOU AND ANDY TAKE A RIDE. IF YOU NEED HELP, CALL. 505 00:22:11,420 --> 00:22:12,320 YEAH. 506 00:22:24,350 --> 00:22:26,650 I’M PICKING UP A SECURITY JOB. 507 00:22:26,690 --> 00:22:27,990 YEAH? 508 00:22:28,020 --> 00:22:30,580 I’M LOOKING AT 15 YEARS OF PAID EDUCATION FOR THEO. 509 00:22:30,620 --> 00:22:32,320 YOU’RE NOT GONNA FIND THAT 510 00:22:32,350 --> 00:22:34,320 AT THE BOTTOM OF A BOX OF CRACKER JACKS. 511 00:22:34,350 --> 00:22:36,380 ONLY 2 NIGHTS A WEEK AWAY FROM HIM. 512 00:22:36,420 --> 00:22:38,650 YOU’RE LOOKING AHEAD. YOU’RE BEING A GOOD DAD. 513 00:22:41,820 --> 00:22:43,380 EXCUSE ME. 514 00:22:43,420 --> 00:22:47,350 SECURITY GUARD RAFAEL MERCADO? 515 00:22:50,250 --> 00:22:51,580 THANKS. 516 00:22:55,920 --> 00:22:56,920 HI. 517 00:22:56,950 --> 00:22:58,720 TALK TO YOU FOR A SECOND? 518 00:22:58,750 --> 00:22:59,920 SURE. 519 00:22:59,950 --> 00:23:01,220 GET HIM. GET HIM! 520 00:23:05,220 --> 00:23:06,720 AAAH! 521 00:23:06,750 --> 00:23:08,680 Junior: YOU OKAY? 522 00:23:08,720 --> 00:23:10,120 GO! GO! 523 00:23:22,450 --> 00:23:24,120 MOVE! MOVE! MOVE! 524 00:23:24,150 --> 00:23:26,120 MOVE! 525 00:23:32,990 --> 00:23:34,460 YOU GOT HIM? 526 00:23:34,490 --> 00:23:36,560 YEAH. YOU OKAY, ANDY? 527 00:23:36,590 --> 00:23:38,890 YEAH. NOW LET’S GET HIM OUT OF HERE. 528 00:23:46,790 --> 00:23:50,730 WELL...IT’S CONCEIVABLE YOU COULD MAKE THAT MUCH, BUT ‐‐ 529 00:23:50,750 --> 00:23:53,280 HEY, KAREN. WOULD YOU LIKE TO TRY ONE OF THESE? 530 00:23:53,320 --> 00:23:55,520 LET ME KNOW WHAT YOU THINK. 531 00:23:55,550 --> 00:23:58,020 WHAT A PRETTY LITTLE DOG. 532 00:23:58,050 --> 00:23:59,380 WHAT’S HER NAME? 533 00:23:59,420 --> 00:24:01,420 HIS NAME IS JOHNNY. 534 00:24:01,450 --> 00:24:04,350 Whew. 535 00:24:04,390 --> 00:24:08,990 SO, THE START‐UP COST OF BREEDING BULLDOG PUPPIES 536 00:24:09,020 --> 00:24:10,650 IS $3,000 537 00:24:10,690 --> 00:24:12,830 WITH A POTENTIAL ANNUAL RETURN OF $50,000. 538 00:24:12,850 --> 00:24:14,620 DIDN’T ASK. 539 00:24:14,650 --> 00:24:18,320 ESSENTIALLY THAT 3 GRAND IS JUST THE COST OF THE BITCH. 540 00:24:18,350 --> 00:24:20,980 THE SERVICES OF THE MALE YOU HIRE OUT FOR. 541 00:24:21,020 --> 00:24:24,720 AND THEN YOU JUST INTRODUCE THEM AND PUT THEM IN A ROOM 542 00:24:24,750 --> 00:24:27,680 WITH MOOD LIGHTING AND A BARRY WHITE RECORD? 543 00:24:27,720 --> 00:24:28,920 [ CHUCKLES ] NO. NO, NO. 544 00:24:28,950 --> 00:24:30,720 THEY DON’T MATE WELL ‐‐ TOO MUCH BELLY. 545 00:24:30,750 --> 00:24:32,420 THE BITCH NEEDS TO BE INSEMINATED. 546 00:24:32,450 --> 00:24:34,020 ARTIFICIALLY, HUH? 547 00:24:34,050 --> 00:24:36,280 WHAT’S THE PROCESS THERE? 548 00:24:36,320 --> 00:24:39,680 THE SPERM IS INTRODUCED WITH A DEVICE ‐‐ LIKE A DROPPER. 549 00:24:39,720 --> 00:24:42,520 HOW DO YOU GET THE SPERM IN THE FIRST PLACE? 550 00:24:42,550 --> 00:24:44,850 YOU DRAW IT OUT WITH A SYRINGE? 551 00:24:44,890 --> 00:24:47,590 YOU PUT A RECEPTACLE DEVICE AROUND THE MALE 552 00:24:47,620 --> 00:24:50,820 AND ‐‐ YOU KNOW. IT’S A MANUAL DEAL. 553 00:24:50,850 --> 00:24:52,920 MANUAL? 554 00:24:52,950 --> 00:24:56,120 LIKE...LIKE... 555 00:24:56,150 --> 00:24:58,020 MANIPULATION, YEAH. 556 00:24:58,050 --> 00:25:01,550 SO THAT’S WHAT ALL THE TAIL‐WAGGING’S ABOUT. 557 00:25:05,320 --> 00:25:07,320 ARE YOU LARRY? I SURE AM. 558 00:25:07,350 --> 00:25:09,680 EXCUSE ME. WHAT’S YOUR NAME? 559 00:25:09,720 --> 00:25:10,980 TOM. 560 00:25:11,020 --> 00:25:12,920 WHAT YOU GOT IN THE BOX THERE, TOM? 561 00:25:12,950 --> 00:25:14,180 PUPPIES. 562 00:25:14,220 --> 00:25:16,820 AW. WHERE’D YOU GET THEM FROM? 563 00:25:16,850 --> 00:25:17,920 FROM MY DOG. 564 00:25:17,950 --> 00:25:21,520 YEAH? WE’RE GONNA BRING YOU IN AND VERIFY THAT. 565 00:25:21,550 --> 00:25:23,780 MY DOG’S OUT OF TOWN. 566 00:25:23,820 --> 00:25:25,780 A LITTLE DOGGY VACATION? 567 00:25:25,820 --> 00:25:27,980 SOMEBODY TOOK MY DOG OUT OF TOWN. 568 00:25:28,020 --> 00:25:29,650 RIGHT. 569 00:25:31,790 --> 00:25:33,330 COME ON. 570 00:25:43,390 --> 00:25:45,290 I USED TO BE A COP... 571 00:25:45,320 --> 00:25:47,550 IN THE DOMINICAN REPUBLIC. 572 00:25:47,590 --> 00:25:49,830 DID YOU RUN AWAY WHEN YOU WERE A COP, TOO? 573 00:25:49,850 --> 00:25:52,220 MY TOURIST VISA EXPIRED. I THOUGHT YOU WERE I. N. S. 574 00:25:52,250 --> 00:25:54,080 HOW LONG WERE YOU A COP? 575 00:25:54,120 --> 00:25:55,250 FIVE YEAR. 576 00:25:55,290 --> 00:25:57,530 YEAH? TRY AND JOIN UP OUT HERE? 577 00:25:57,550 --> 00:25:59,320 NO HIGH‐SCHOOL DIPLOMA. 578 00:25:59,350 --> 00:26:02,350 I TELL THEM WHAT I KNOW ABOUT THE STREET. 579 00:26:02,390 --> 00:26:05,290 THAT’S 10 TIMES MORE THAN A DAMN HIGH‐SCHOOL DIPLOMA. 580 00:26:05,320 --> 00:26:07,180 WHAT DO YOU KNOW ABOUT OSCAR MOLINA? 581 00:26:07,220 --> 00:26:08,750 I DON’T. 582 00:26:08,790 --> 00:26:12,660 WHAT DO YOU KNOW ABOUT A JOB SITE AT 10th AND "C"? 583 00:26:12,690 --> 00:26:14,060 NOTHING. 584 00:26:14,090 --> 00:26:16,590 WHAT DO YOU KNOW ABOUT A STOLEN CAR TAKEN OUT OF BROOKLYN? 585 00:26:16,620 --> 00:26:18,620 YOU PROBABLY NEVER WERE A COP. 586 00:26:18,650 --> 00:26:20,480 WHY WOULD YOU SAY SOMETHING LIKE THAT? 587 00:26:20,520 --> 00:26:22,880 WE’VE GOT YOUR FINGERPRINTS ON THAT STOLEN CAR. 588 00:26:22,920 --> 00:26:26,350 MAYBE A FRIEND OF MINE GIVE ME A RIDE IN ONE THAT’S STOLEN. 589 00:26:26,390 --> 00:26:27,830 BACK TO OSCAR MOLINA. 590 00:26:27,850 --> 00:26:29,220 I SEE HIM AROUND. 591 00:26:29,250 --> 00:26:31,250 YEAH? WHERE? 592 00:26:31,290 --> 00:26:32,560 PEOPLE POINT HIM OUT. 593 00:26:32,590 --> 00:26:35,060 THAT’S THE GUY WHO HAS SEX WITH CHILDREN. 594 00:26:35,090 --> 00:26:36,790 I STAY AWAY FROM HIM. 595 00:26:36,820 --> 00:26:39,220 HE MOLEST ANYBODY CLOSE TO YOU? 596 00:26:39,250 --> 00:26:41,280 IF HE DID, WE COULD UNDERSTAND 597 00:26:41,320 --> 00:26:43,250 HOW THAT WOULD MAKE YOU WANT TO HURT HIM. 598 00:26:43,290 --> 00:26:46,190 I TELL YOU WHAT I HEARD. HE RAPES KIDS. 599 00:26:46,220 --> 00:26:49,280 DO YOU KNOW ANYBODY WHO WANTED TO HURT HIM? 600 00:26:49,320 --> 00:26:53,020 YOU SEE, THAT’S THE PROBLEM WITH YOU GUYS HERE. 601 00:26:53,050 --> 00:26:54,580 BACK HOME, A MOLESTER IS KILLED. 602 00:26:54,620 --> 00:26:58,250 THAT IS GOD MAKING EVERYTHING TAKE CARE OF ITSELF. 603 00:26:58,290 --> 00:27:00,030 IT’S NOT FOR THE POLICE TO WORRY ABOUT. 604 00:27:00,050 --> 00:27:02,120 WHY WORRY ABOUT IT? 605 00:27:05,550 --> 00:27:07,980 HOW’D YOU MAKE OUT? 606 00:27:08,020 --> 00:27:09,650 HE’S PLAYING GAMES. 607 00:27:09,690 --> 00:27:11,890 DID YOU RUN A PHOTO LINEUP ON THIS GUY? 608 00:27:11,920 --> 00:27:14,880 A WORKER PICKED HIM OUT AS ONE OF THE I. N. S. AGENTS. 609 00:27:14,920 --> 00:27:17,620 BUT THE UNCLE SAYS NO WAY HE WAS ONE OF THEM. 610 00:27:17,650 --> 00:27:19,680 HE WAS FURTHER AWAY THAN ANY WORKERS. 611 00:27:19,720 --> 00:27:21,820 WE WENT OVER IT. HE’S SAYING NO WAY. 612 00:27:21,850 --> 00:27:24,050 THIS GUY SAYS THE DOA IS A KNOWN PEDOPHILE. 613 00:27:24,090 --> 00:27:26,360 IF IT’S TRUE, THAT OPENS IT UP. 614 00:27:26,390 --> 00:27:28,790 THE DOA WORKED FOR HIS UNCLE, RIGHT? LIVED WITH HIM? 615 00:27:28,820 --> 00:27:30,620 YEAH. 616 00:27:30,650 --> 00:27:33,120 THE UNCLE HAVE KIDS? DIDN’T GET THAT FAR. 617 00:27:33,150 --> 00:27:34,850 GO BY HIS HOME. LOOK INTO IT. 618 00:27:34,890 --> 00:27:36,060 YOU AND RITA. 619 00:27:36,090 --> 00:27:37,460 ALL RIGHT. 620 00:27:45,890 --> 00:27:47,160 YOU WATCH. 621 00:27:47,190 --> 00:27:49,530 ANY OPENING, HE’S BRINGING HIS PEOPLE IN. 622 00:27:49,550 --> 00:27:51,820 ISN’T THAT TRADITION ON THE JOB? 623 00:27:51,850 --> 00:27:54,750 THEY DIDN’T CALL IT IRISH WELFARE FOR NOTHING. 624 00:27:54,790 --> 00:27:57,860 YES, ANDY. YES, ANDY. YES, ANDY. 625 00:27:57,890 --> 00:28:00,230 THAT BALL‐BREAKER. 626 00:28:04,320 --> 00:28:06,150 THANKS. ANYTIME. 627 00:28:06,190 --> 00:28:08,230 EVERYTHING WORK OUT WITH THE DOGS? 628 00:28:08,250 --> 00:28:11,180 ACTUALLY, TOM, WE HIT A SNAG. 629 00:28:11,220 --> 00:28:14,480 WHERE WERE YOU THIS MORNING AROUND 8:00? 630 00:28:14,520 --> 00:28:16,650 MY APARTMENT. WHAT KIND OF SNAG? 631 00:28:16,690 --> 00:28:19,490 ANYONE WITH YOU? JUST THE DOGGIES. 632 00:28:19,520 --> 00:28:22,180 EVER BEEN TO 1791 SPRING STREET? 633 00:28:22,220 --> 00:28:23,480 DOUBT IT. 634 00:28:23,520 --> 00:28:26,820 THE GROCER ACROSS THE STREET SAW A GUY LOOKING LIKE YOU 635 00:28:26,850 --> 00:28:30,280 LEAVE 1791 SPRING STREET AT 8:00 HOLDING A BIG BOX. 636 00:28:30,320 --> 00:28:32,520 AFTER HE POSITIVELY IDENTIFIES YOU, TOM, 637 00:28:32,550 --> 00:28:35,820 YOU’LL BE FACING A BURGLARY CHARGE. 638 00:28:35,850 --> 00:28:37,680 THIS IS UNREAL. 639 00:28:37,720 --> 00:28:41,150 WHAT LED YOU TO THE PUPPIES? 640 00:28:41,190 --> 00:28:43,160 A GUY WHO COMES INTO THIS CLUB I GO TO. 641 00:28:43,190 --> 00:28:46,190 I DON’T EVEN LIKE DOGS, BUT HE OFFERS ME 1,000 BUCKS. 642 00:28:46,220 --> 00:28:47,820 WHO’S THE GUY? 643 00:28:47,850 --> 00:28:49,880 CARTER SOMETHING. 644 00:28:49,920 --> 00:28:50,920 LYNCH? 645 00:28:50,950 --> 00:28:52,150 THAT’S IT. 646 00:28:52,190 --> 00:28:54,930 HE GAVE ME A KEY, TOLD ME WHERE TO GO, 647 00:28:54,950 --> 00:28:58,550 SAID TO MAKE SURE I BUST IN BY THE FIRE ESCAPE, EASY GRAND. 648 00:28:58,590 --> 00:29:01,730 TWO MORE, YOU COULD HAVE YOURSELF A BUSINESS. 649 00:29:01,750 --> 00:29:04,580 WHAT WAS THE PLAN FOR AFTER HE TOOK THE DOGS? 650 00:29:04,620 --> 00:29:06,550 I WAS SUPPOSED TO KEEP THEM THE WEEK, 651 00:29:06,590 --> 00:29:08,160 AND THEN HE WAS GONNA GET THEM. 652 00:29:08,190 --> 00:29:10,030 WHAT MADE YOU SELL THEM? 653 00:29:10,050 --> 00:29:12,920 I JUST COULDN’T TAKE THOSE LITTLE NIGHTMARES ANYMORE. 654 00:29:12,950 --> 00:29:15,550 I COULDN’T REACH CARTER, SO I FOUND THIS PET SHOP 655 00:29:15,590 --> 00:29:17,590 AND ASKED HOW MUCH THEY PAID FOR PUPPIES. 656 00:29:17,620 --> 00:29:20,350 WHEN YOU SAY YOU COULDN’T TAKE THOSE NIGHTMARES ANYMORE, 657 00:29:20,390 --> 00:29:21,490 WHAT DID YOU MEAN? 658 00:29:21,520 --> 00:29:23,780 IN THE SPACE OF FIVE HOURS, 659 00:29:23,820 --> 00:29:28,980 I HAD LIQUID DOG GRAVY ON MY FLOOR, ON MY RUG, 660 00:29:29,020 --> 00:29:30,280 EVEN IN MY SHOE. 661 00:29:30,320 --> 00:29:33,880 YOU KNOW HOW PUPPIES ARE CONSTANTLY YIPPING? 662 00:29:33,920 --> 00:29:35,550 MULTIPLY THAT BY FIVE 663 00:29:35,590 --> 00:29:38,330 AND THEN COVER EVERYTHING YOU OWN 664 00:29:38,350 --> 00:29:40,550 IN THE MOST FOUL‐SMELLING URINE AND FECES, 665 00:29:40,590 --> 00:29:43,190 AND YOU’LL HAVE SOME IDEA OF WHAT MY MORNING WAS LIKE. 666 00:29:43,220 --> 00:29:45,680 EASY MONEY. 667 00:29:45,720 --> 00:29:48,320 WRITE DOWN ABOUT THE BURGLARY. 668 00:29:57,920 --> 00:29:59,280 YES? 669 00:29:59,320 --> 00:30:02,450 THIS RENALDO MOLINA’S APARTMENT? YOU ARE? 670 00:30:02,490 --> 00:30:04,260 I’M MARIA, HIS WIFE. 671 00:30:04,290 --> 00:30:06,960 DETECTIVES ORTIZ AND McDOWELL. 672 00:30:06,990 --> 00:30:08,530 RENALDO’S NOT HERE. 673 00:30:08,550 --> 00:30:10,850 YEAH, WE KNOW. CAN WE COME IN? 674 00:30:10,890 --> 00:30:13,190 OKAY. 675 00:30:17,920 --> 00:30:19,820 WHO ELSE LIVES HERE? 676 00:30:19,850 --> 00:30:21,650 JUST RENALDO AND ME. 677 00:30:24,420 --> 00:30:27,020 EITHER OF YOU HAVE CHILDREN? 678 00:30:27,050 --> 00:30:28,250 NO. NOT YET. 679 00:30:28,290 --> 00:30:30,830 DID YOU KNOW HIS NEPHEW OSCAR? 680 00:30:30,850 --> 00:30:32,820 HE LIVED HERE? 681 00:30:32,850 --> 00:30:35,180 YES, BUT HE MOVED. I DON’T KNOW WHERE HE LIVES NOW. 682 00:30:35,220 --> 00:30:37,820 LIVES? 683 00:30:37,850 --> 00:30:39,120 OSCAR’S DEAD. 684 00:30:39,150 --> 00:30:41,350 WHEN? 685 00:30:41,390 --> 00:30:42,590 HOW? 686 00:30:42,620 --> 00:30:45,050 LAST COUPLE DAYS, AND WE DON’T KNOW. 687 00:30:45,090 --> 00:30:47,030 YOU AND OSCAR WERE FRIENDS? 688 00:30:47,050 --> 00:30:48,580 A LITTLE BIT. 689 00:30:48,620 --> 00:30:51,280 WAS YOUR HUSBAND JEALOUS OF YOU AND OSCAR? 690 00:30:51,320 --> 00:30:53,750 WERE YOU SLEEPING WITH OSCAR? 691 00:30:53,790 --> 00:30:55,030 NO! 692 00:30:55,050 --> 00:30:56,220 BUT YOUR HUSBAND THOUGHT YOU WERE? 693 00:30:56,250 --> 00:30:57,680 WE HAVE OTHER DETECTIVES 694 00:30:57,720 --> 00:31:00,320 TALKING TO PEOPLE WHO SAW WHAT HAPPENED. 695 00:31:00,350 --> 00:31:02,720 WE’RE GONNA FIND OUT HOW OSCAR GOT KILLED. 696 00:31:02,750 --> 00:31:05,120 IF YOU STAND BETWEEN US AND THE TRUTH, 697 00:31:05,150 --> 00:31:07,080 YOU’LL END UP GETTING HURT. 698 00:31:07,120 --> 00:31:08,420 I DON’T KNOW WHAT HAPPENED. 699 00:31:08,450 --> 00:31:09,680 DON’T LIE TO US, MARIA. 700 00:31:09,720 --> 00:31:10,550 I DON’T KNOW! 701 00:31:10,590 --> 00:31:11,890 HOW LONG HAVE YOU LIVED IN THE U. S.? 702 00:31:11,920 --> 00:31:13,120 THREE YEARS. 703 00:31:13,150 --> 00:31:15,580 DID YOUR HUSBAND BRING YOU FROM THE DOMINICAN REPUBLIC? 704 00:31:15,620 --> 00:31:16,780 YES. 705 00:31:16,820 --> 00:31:18,150 NOW, I WANT THE TRUTH. 706 00:31:18,190 --> 00:31:21,630 DID YOUR HUSBAND THINK THAT YOU AND OSCAR WERE TOGETHER? 707 00:31:23,520 --> 00:31:25,350 DID YOUR HUSBAND THREATEN OSCAR? 708 00:31:26,990 --> 00:31:28,730 HE SAY HE’D KILL HIM? 709 00:31:28,750 --> 00:31:31,320 YOU NEED TO GET A PHOTO OF YOUR HUSBAND. 710 00:31:38,020 --> 00:31:40,120 THEY WEREN’T HAVING SEX. 711 00:31:40,150 --> 00:31:41,680 HER HUSBAND TAKES OUT THE NEPHEW 712 00:31:41,720 --> 00:31:43,780 JUST FOR MAKING EYES AT HER? 713 00:31:43,820 --> 00:31:46,480 I CAN BELIEVE IT. 714 00:31:48,250 --> 00:31:51,520 WE MIGHT HAVE A BREAKTHROUGH HERE, RAFAEL. 715 00:31:51,550 --> 00:31:53,320 OKAY. 716 00:31:58,950 --> 00:32:02,780 THIS GUY HIRE YOU TO KILL THAT MAN TWO DAYS AGO? 717 00:32:02,820 --> 00:32:05,720 THAT GUY THAT WAS KILLED WAS A CHILD MOLESTER. 718 00:32:05,750 --> 00:32:07,750 THAT WAS NO MOLESTER, RAFAEL. 719 00:32:07,790 --> 00:32:10,890 THE GUY WHO GOT KILLED WAS TRYING TO SCREW THIS GUY’S WIFE. 720 00:32:10,920 --> 00:32:12,350 NO. 721 00:32:12,390 --> 00:32:14,460 YES. AND THE MACHISMO KICKED IN. 722 00:32:14,490 --> 00:32:15,860 HE TOLD YOU A STORY 723 00:32:15,890 --> 00:32:19,030 THAT WOULD MAKE YOU WANT TO BRING JUSTICE. 724 00:32:19,050 --> 00:32:22,250 IT’S A LIE, RAFAEL. DON’T PROTECT HIM. 725 00:32:22,290 --> 00:32:24,760 YOU’RE FORGETTING I WAS A COP. 726 00:32:24,790 --> 00:32:27,390 I KNOW ABOUT TELLING LIES TO GET PEOPLE’S HEAD SPINNING. 727 00:32:27,420 --> 00:32:29,020 YOU GOT FAMILY OUT HERE? 728 00:32:29,050 --> 00:32:30,180 YEAH. 729 00:32:30,220 --> 00:32:31,750 THEY ALL LEGAL? 730 00:32:31,790 --> 00:32:34,930 IF YOU KEEP LYING ABOUT YOUR INVOLVEMENT IN THIS, 731 00:32:34,950 --> 00:32:38,450 I WILL ROUND UP EVERY FAMILY MEMBER, EVERY FRIEND, 732 00:32:38,490 --> 00:32:41,690 ANYBODY THAT YOU EVER HAD A CONVERSATION WITH, 733 00:32:41,720 --> 00:32:44,820 AND WHOEVER ISN’T LEGAL IS ON THE FIRST PLANE OUT OF HERE. 734 00:32:44,850 --> 00:32:48,180 I WILL TELL THEM THAT RAFAEL BOUGHT THEIR TICKET. 735 00:32:48,220 --> 00:32:50,550 I AM THAT PISSED, AND I WILL DO IT! 736 00:32:50,590 --> 00:32:54,290 YOU KNOW THAT GUY WAS NOT A CHILD MOLESTER? 737 00:32:54,320 --> 00:32:57,580 HE FLIRTED WITH THIS GUY’S WIFE. 738 00:33:02,120 --> 00:33:04,120 WHAT HAPPENS TO HIM? 739 00:33:04,150 --> 00:33:05,420 HE’S GONNA GET LOCKED UP. 740 00:33:05,450 --> 00:33:08,220 DID THIS GUY MOLINA HIRE YOU? 741 00:33:08,250 --> 00:33:12,050 YEAH, FOR $2,000. 742 00:33:12,090 --> 00:33:14,230 ALL RIGHT, TWO GUYS PICKED HIM UP. 743 00:33:14,250 --> 00:33:16,350 WHO’S THE OTHER GUY YOU DID IT WITH? 744 00:33:16,390 --> 00:33:19,630 I’LL NEVER TELL YOU. IT WAS ME. I BROUGHT HIM IN. 745 00:33:19,650 --> 00:33:22,420 RAFAEL, YOU CAN SAVE YOURSELF A LOT OF YEARS 746 00:33:22,450 --> 00:33:24,650 IF YOU TELL US WHO ELSE WAS IN ON IT. 747 00:33:24,690 --> 00:33:27,590 YEAH, I KNOW HOW IT WORKS, BUT I AIN’T GONNA DO IT. 748 00:33:27,620 --> 00:33:30,180 ANYWAY, HE’S BACK IN THE DOMINICAN REPUBLIC. 749 00:33:31,550 --> 00:33:34,420 I’LL TAKE WHATEVER’S COMING. 750 00:33:34,450 --> 00:33:36,380 WE CAN RESPECT THAT. 751 00:33:36,420 --> 00:33:37,950 YOU LEAVE MY FAMILY ALONE. 752 00:33:37,990 --> 00:33:39,790 ALL RIGHT. 753 00:33:39,820 --> 00:33:42,280 LET’S GO. 754 00:33:51,020 --> 00:33:54,250 THE LIEUTENANT SUGGESTED I LOOK IN ON INTERVIEWS. 755 00:33:54,290 --> 00:33:56,260 IT WOULD BE NICE IF SOMEBODY TOLD ME. 756 00:33:56,290 --> 00:33:58,530 SORRY. IS IT OKAY THAT I DO? 757 00:33:58,550 --> 00:34:00,850 [ CLEARS THROAT ] YEAH, SURE. 758 00:34:02,990 --> 00:34:04,690 LOOK, WHAT I SAID IN THERE 759 00:34:04,720 --> 00:34:06,920 ABOUT ROUNDING UP HIS FAMILY ‐‐ 760 00:34:06,950 --> 00:34:08,550 IT WAS A GOOD INTERVIEW. 761 00:34:08,590 --> 00:34:10,590 THERE’S THREATS TO GET PEOPLE TO GO, 762 00:34:10,620 --> 00:34:12,720 AND THERE’S WHAT YOU’RE REALLY DOING. 763 00:34:12,750 --> 00:34:15,420 I KNOW THE DIFFERENCE. IT WAS A GOOD INTERVIEW. 764 00:34:15,450 --> 00:34:17,920 SO NOW YOU GO GRAB UP THE UNCLE? 765 00:34:17,950 --> 00:34:20,450 YEAH. YOU WANT TO TAKE A RIDE? 766 00:34:21,790 --> 00:34:24,130 SURE. 767 00:34:38,790 --> 00:34:41,390 I DON’T UNDERSTAND THE PRIVATE ASPECT OF THIS. 768 00:34:41,420 --> 00:34:42,650 WHY CAN’T RAY COME IN? 769 00:34:45,290 --> 00:34:47,230 WE SPOKE WITH TOM BURRIS. 770 00:34:47,250 --> 00:34:50,250 HE TOLD US HOW YOU SET THIS UP. 771 00:34:50,290 --> 00:34:53,460 [ CHUCKLES ] I DON’T KNOW ANY TOM BURRIS. 772 00:34:53,490 --> 00:34:55,930 THAT’S NOT HOW YOU WANT TO PLAY THIS, MR. LYNCH. 773 00:34:55,950 --> 00:34:57,420 TELL US WHAT HAPPENED, 774 00:34:57,450 --> 00:34:59,620 AND MAYBE THIS COULD BE SETTLED OUTSIDE A COURTROOM. 775 00:34:59,650 --> 00:35:02,980 RAY DESCRIBED YOU TWO AS PARTNERS IN A DOG BREEDING, 776 00:35:03,020 --> 00:35:05,220 BUT IS THERE MORE TO IT THAN THAT? 777 00:35:05,250 --> 00:35:06,820 THERE WAS. WE BROKE UP. 778 00:35:06,850 --> 00:35:09,680 YOU STILL LIVE TOGETHER. IT COULDN’T HAVE BEEN TOO NASTY. 779 00:35:09,720 --> 00:35:12,350 IT WASN’T PLEASANT, BUT SINCE NOTHING PHASES RAY, 780 00:35:12,390 --> 00:35:14,760 HE SAID I COULD STAY UNTIL I FOUND A NEW PLACE. 781 00:35:14,790 --> 00:35:17,290 SO YOU ARRANGED THE BURGLARY FOR MOVING‐OUT MONEY? 782 00:35:17,320 --> 00:35:19,080 I MIGHT HAVE MENTIONED TO TOM 783 00:35:19,120 --> 00:35:21,620 THAT THERE WAS SOME VALUABLE PUPPIES IN THE LOFT. 784 00:35:21,650 --> 00:35:25,050 IS THIS AFTER YOU GAVE HIM A KEY AND TOLD HIM YOU’D MEET HIM? 785 00:35:25,090 --> 00:35:27,090 RAY SHOULD SHARE SOME OF THE BLAME. 786 00:35:27,120 --> 00:35:29,650 HE GOT ME USED TO A LIFESTYLE WAY BEYOND MY MEANS. 787 00:35:29,690 --> 00:35:31,890 THAT’S YOUR REASON FOR RIPPING HIM OFF? 788 00:35:31,920 --> 00:35:33,720 HE’S WEALTHY. 789 00:35:33,750 --> 00:35:35,580 I’M OUT OF WORK. 790 00:35:35,620 --> 00:35:38,620 HE PAYS FOR MEALS, FOR CABS, FOR CLOTHES. 791 00:35:38,650 --> 00:35:41,320 I’M SORRY, BUT I STARTED TO FEEL WORTHLESS. 792 00:35:41,350 --> 00:35:44,620 IS THAT WHAT YOU WANT US TO TELL HIM? 793 00:35:44,650 --> 00:35:48,450 I WANTED THE MONEY AND A SENSE OF INDEPENDENCE, 794 00:35:48,490 --> 00:35:51,230 SO I ACTED OUT OF FRUSTRATION. 795 00:35:51,250 --> 00:35:54,650 BUT REALLY I HOPED THAT HE WOULD TURN TO ME FOR SUPPORT 796 00:35:54,690 --> 00:35:57,430 AND MAYBE TAKE ME BACK. 797 00:35:57,450 --> 00:35:59,850 THAT’S THE TRUTH. 798 00:35:59,890 --> 00:36:03,290 WE’LL TALK TO HIM. 799 00:36:05,390 --> 00:36:08,060 WE EXPLAINED THE SITUATION TO MR. MAXWELL, 800 00:36:08,090 --> 00:36:10,390 AND HE SAID IF LYNCH WAS OUT BY TONIGHT, 801 00:36:10,420 --> 00:36:12,020 HE WOULDN’T PRESS CHARGES. 802 00:36:12,050 --> 00:36:14,680 WELL, THE LAST THING I NEED IS A RELUCTANT COMPLAINANT. 803 00:36:14,720 --> 00:36:16,350 WE’LL MAKE SURE LYNCH VACATES? 804 00:36:16,390 --> 00:36:18,460 WE’LL SEND HIM WITH UNIFORMED COPS. 805 00:36:18,490 --> 00:36:21,590 PUT IT IN YOUR REPORTS AND SEND ME A COPY. 806 00:36:21,620 --> 00:36:22,680 I’LL GET LYNCH. 807 00:36:22,720 --> 00:36:25,280 DO YOU NEED SOMEONE TO INFORM MR. MAXWELL? 808 00:36:25,320 --> 00:36:27,320 YOU VOLUNTEERING? 809 00:36:27,350 --> 00:36:29,580 HE AND I HAD A CONVERSATION EARLIER, 810 00:36:29,620 --> 00:36:32,680 AND ANY EXCUSE TO LOOK AT THOSE PUPPIES... 811 00:36:32,720 --> 00:36:34,020 BY ALL MEANS. 812 00:36:36,020 --> 00:36:39,350 GO, TIGER. 813 00:36:41,590 --> 00:36:45,230 OUR ASSISTANT DISTRICT ATTORNEY AGREED TO THE TERMS 814 00:36:45,250 --> 00:36:47,880 YOU DECIDED ON REGARDING MR. LYNCH. 815 00:36:47,920 --> 00:36:50,220 GOOD. IT’S BEST FOR EVERYONE. 816 00:36:50,250 --> 00:36:52,620 I CONFESS I OVERHEARD THE TERMS, 817 00:36:52,650 --> 00:36:55,580 AND I THINK YOUR EQUANIMITY IS ADMIRABLE. 818 00:36:55,620 --> 00:36:57,050 AGAIN, THANK YOU. 819 00:36:57,090 --> 00:36:59,830 BEST OF LUCK. 820 00:36:59,850 --> 00:37:01,580 DO YOU GO TO THE THEATER? 821 00:37:01,620 --> 00:37:04,250 WHENEVER I CAN. 822 00:37:04,290 --> 00:37:07,130 CARTER AND I WERE SUPPOSED TO GO TONIGHT, 823 00:37:07,150 --> 00:37:08,620 BUT...[ CLEARS THROAT ] 824 00:37:08,650 --> 00:37:11,750 WOULD YOU LIKE TICKETS TO "THE PRODUCERS"? 825 00:37:11,790 --> 00:37:14,090 THEY WERE A GIFT FROM NATHAN LANE’S MANAGER, 826 00:37:14,120 --> 00:37:15,680 SO THEY SHOULD BE GOOD. 827 00:37:15,720 --> 00:37:19,280 YOU’RE GIVING AWAY HOUSE SEATS TO "THE PRODUCERS"? 828 00:37:19,320 --> 00:37:21,220 I’M JUST NOT IN THE MOOD. 829 00:37:21,250 --> 00:37:24,920 THAT’S LIKE SAYING YOU’RE NOT IN THE MOOD TO WIN THE LOTTERY. 830 00:37:24,950 --> 00:37:27,550 I‐I COULDN’T TAKE THEM. YOU’VE GOT TO GO. 831 00:37:27,590 --> 00:37:30,260 HOW ABOUT IF YOU WENT WITH ME? 832 00:37:31,920 --> 00:37:35,020 I’D LOVE TO... TRULY... 833 00:37:35,050 --> 00:37:38,220 BUT I PROMISED ONE OF THE DETECTIVES I WOULD BABYSIT. 834 00:37:38,250 --> 00:37:40,050 SOME OTHER TIME THEN. 835 00:37:40,090 --> 00:37:42,390 NO, WAIT. 836 00:37:42,420 --> 00:37:45,280 GIVE ME A HALF‐HOUR, AND I’LL WORK SOMETHING OUT. 837 00:37:57,120 --> 00:37:58,580 DETECTIVE SIPOWICZ ‐‐ 838 00:37:58,620 --> 00:38:01,080 DID THEO GET DROPPED OFF YET? 839 00:38:01,120 --> 00:38:02,720 DETECTIVE McDOWELL’S WATCHING HIM. 840 00:38:02,750 --> 00:38:04,920 I NEED A MOMENT THE MINUTE YOU’RE FREE. 841 00:38:04,950 --> 00:38:07,450 HEY, BOSS. MOLINA LAWYERED UP. 842 00:38:07,490 --> 00:38:09,360 HE COOKED UP THIS I. N. S. SCHEME? 843 00:38:09,390 --> 00:38:11,790 ON ACCOUNT THE DOA WAS FLIRTING WITH HIS OLD LADY. 844 00:38:11,820 --> 00:38:14,980 HE’S BEING PROCESSED, AND I’LL GET HIM TO CENTRAL BOOKING. 845 00:38:15,020 --> 00:38:16,120 GOOD NIGHT. 846 00:38:16,150 --> 00:38:17,650 GOOD NIGHT, LIEUTENANT. 847 00:38:17,690 --> 00:38:19,790 HEY, RITA, FIRST DAY IN THE SQUAD. 848 00:38:19,820 --> 00:38:22,050 WE GOT TO BUY YOU A BEER. IT’S A TRADITION. 849 00:38:22,090 --> 00:38:24,690 UM, YEAH. 850 00:38:24,720 --> 00:38:26,720 I GOT AN HOUR BEFORE I MEET MY HUSBAND. 851 00:38:26,750 --> 00:38:30,020 PLENTY OF TIME. 852 00:38:37,550 --> 00:38:40,120 YOU KNOW I TAKE BABYSITTING THEO VERY SERIOUSLY, 853 00:38:40,150 --> 00:38:43,080 AND I WOULD NEVER CANCEL AT THE LAST MINUTE. 854 00:38:43,120 --> 00:38:44,380 YOU GOTTA CANCEL NOW? 855 00:38:44,420 --> 00:38:47,480 I TALKED WITH McDOWELL, AND SHE AGREED TO TAKE MY PLACE. 856 00:38:47,520 --> 00:38:50,180 BUT IF YOU HAVE ANY QUALMS AT ALL, SAY SO, 857 00:38:50,220 --> 00:38:51,920 AND THE ISSUE IS CLOSED. 858 00:38:51,950 --> 00:38:53,350 WHAT’S SO URGENT? 859 00:38:53,390 --> 00:38:55,990 I’VE BEEN INVITED TO SEE "THE PRODUCERS" 860 00:38:56,020 --> 00:38:59,420 IN NATHAN LANE’S SEATS. 861 00:38:59,450 --> 00:39:02,150 AND HE IS? 862 00:39:02,190 --> 00:39:04,890 OH, DETECTIVE, IT’S MANNA FROM HEAVEN. 863 00:39:04,920 --> 00:39:08,050 BUT I MADE A COMMITMENT, AND I’LL HAPPILY STICK BY IT. 864 00:39:08,090 --> 00:39:09,560 NO, IT’S FINE. 865 00:39:09,590 --> 00:39:11,990 [ CLEARS THROAT ] IT’S NOT A PROBLEM. 866 00:39:12,020 --> 00:39:14,720 THANK YOU SO MUCH. 867 00:39:21,590 --> 00:39:25,730 DON’T LET HER GET TOO SMASHED, EH? 868 00:39:25,750 --> 00:39:27,380 HERE’S MY PAGER NUMBER. 869 00:39:27,420 --> 00:39:30,720 DON’T CALL ME UNLESS IT’S AN EXTREME EMERGENCY. 870 00:39:33,090 --> 00:39:34,860 DETECTIVE! 871 00:39:34,890 --> 00:39:38,590 ARE WE READY TO HAVE SOME FUN, KICK UP OUR HEELS? 872 00:39:38,620 --> 00:39:40,350 UH... 873 00:39:40,390 --> 00:39:42,260 I’LL PLAY THE PIANO, AND YOU CAN SING. 874 00:39:42,290 --> 00:39:44,430 I‐I DON’T SING. YOU CAN, THOUGH. 875 00:39:44,450 --> 00:39:46,950 HOW ’BOUT WE PLAY SOME CARDS THEN? 876 00:39:46,990 --> 00:39:48,460 IF YOU WANT. 877 00:39:48,490 --> 00:39:51,360 GIN RUMMY. EDDIE ALWAYS LETS ME WIN. 878 00:39:52,820 --> 00:39:54,250 WOULD YOU BE A LOVE 879 00:39:54,290 --> 00:39:57,130 AND POUR ME JUST A DROP OF SHERRY? 880 00:39:57,150 --> 00:40:00,280 [ SIGHS ] YEAH. 881 00:40:02,720 --> 00:40:03,950 HMM? 882 00:40:03,990 --> 00:40:06,260 MM‐HMM. 883 00:40:10,020 --> 00:40:11,920 [ SIGHS ] 884 00:40:11,950 --> 00:40:13,550 OH! 885 00:40:13,590 --> 00:40:15,090 THERE YOU GO. 886 00:40:15,120 --> 00:40:17,920 YOU DEAL. 887 00:40:17,950 --> 00:40:19,950 OKAY. 888 00:40:19,990 --> 00:40:24,090 [ SIGHS ] 889 00:40:27,450 --> 00:40:29,350 OH, DEAR! 890 00:40:33,590 --> 00:40:35,460 YOU’RE NOT GOING TO GET THAT? 891 00:40:35,490 --> 00:40:37,660 NOPE. LOOKS LIKE YOU PREFER IT ON THE FLOOR. 892 00:40:37,690 --> 00:40:40,960 WELL, I DON’T. FETCH A TOWEL AND CLEAN IT UP. 893 00:40:40,990 --> 00:40:43,630 FETCH? NO, I DON’T THINK SO. 894 00:40:52,150 --> 00:40:54,520 [ PIANO PLAYS ] ♪ PARDON ME, BOY ♪ 895 00:40:54,550 --> 00:40:57,720 ♪ IS THAT THE CHATTANOOGA CHOO CHOO? ♪ 896 00:40:57,750 --> 00:40:59,180 ♪ TRACK 29 ♪ 897 00:40:59,220 --> 00:41:01,720 COME ON, DETECTIVE. YOU KNOW THIS ONE. 898 00:41:01,750 --> 00:41:04,080 ♪ BOY, YOU CAN GIVE ME A SHINE ♪ 899 00:41:04,120 --> 00:41:06,520 ♪ I CAN AFFORD ♪ 900 00:41:06,550 --> 00:41:08,580 ♪ TO BOARD A CHATTANOOGA ‐‐ ♪ 901 00:41:08,620 --> 00:41:10,720 YOU ARE RUINING MY EVENING. 902 00:41:10,750 --> 00:41:13,480 NOW, GET OVER HERE AND SING WITH ME! 903 00:41:13,520 --> 00:41:17,420 LISTEN, MRS. HORNBY, WE BETTER GET A FEW THINGS CLEAR. 904 00:41:17,450 --> 00:41:20,620 I WANT YOU TO SING. HOW MUCH MORE CLEAR DO I HAVE TO BE? 905 00:41:20,650 --> 00:41:22,480 I TOOK THIS JOB TO PROTECT YOU. 906 00:41:22,520 --> 00:41:26,280 BUT OBVIOUSLY YOU’RE LOOKING FOR ANOTHER MAID OR A BABYSITTER. 907 00:41:26,320 --> 00:41:28,320 EDDIE DIDN’T HAVE A PROBLEM WITH THAT. 908 00:41:28,350 --> 00:41:30,720 I’M NOT EDDIE. I DON’T SING, AND I DON’T FETCH. 909 00:41:30,750 --> 00:41:33,580 YOU ARE MAKING ME VERY UNHAPPY RIGHT NOW! 910 00:41:33,620 --> 00:41:34,920 YOU LISTEN TO ME. 911 00:41:34,950 --> 00:41:36,480 I’M GONNA GO SIT BY THE DOOR. 912 00:41:36,520 --> 00:41:38,620 I’M GONNA WAIT FOR YOUR MAID TO COME BACK, 913 00:41:38,650 --> 00:41:40,720 AND WHEN SHE DOES, I’M OUT OF HERE. 914 00:41:40,750 --> 00:41:42,280 TOMORROW YOU CAN ADVERTISE 915 00:41:42,320 --> 00:41:45,020 FOR A SINGING, FETCHING MANSERVANT, YOU GOT THAT? 916 00:41:45,050 --> 00:41:47,480 FINE! 917 00:41:58,020 --> 00:42:00,750 He fell asleep watching TV. 918 00:42:04,420 --> 00:42:05,980 MNH‐MNH. 919 00:42:06,020 --> 00:42:07,650 CAN YOU SLIDE OUT? 920 00:42:13,990 --> 00:42:15,360 DADDY? 921 00:42:15,390 --> 00:42:18,360 YEAH, BUDDY. I’LL BE BACK IN A MINUTE. 922 00:42:18,390 --> 00:42:19,790 YOU JUST SIT TIGHT. 923 00:42:26,220 --> 00:42:28,720 I MADE HIM A LUNCH FOR SCHOOL TOMORROW. 924 00:42:28,750 --> 00:42:29,920 IT’S IN THE FRIDGE. 925 00:42:29,950 --> 00:42:31,720 YOU DIDN’T HAVE TO DO THAT. 926 00:42:31,750 --> 00:42:33,320 I JUST MADE A SANDWICH. 927 00:42:33,350 --> 00:42:35,280 ALSO, HE SAID HE WAS ALLOWED TO WATCH TV 928 00:42:35,320 --> 00:42:36,850 WHILE HE DOES HIS HOMEWORK. 929 00:42:36,890 --> 00:42:38,560 NO. HE’S PLAYING YOU. 930 00:42:38,590 --> 00:42:40,060 I FIGURED, 931 00:42:40,090 --> 00:42:42,930 SO I HELD HIM OFF UNTIL HE FINISHED. 932 00:42:42,950 --> 00:42:45,250 HOW’S THE SECURITY JOB? 933 00:42:45,290 --> 00:42:47,930 THIS WOMAN IS A NUT CASE. I’M NOT GOING BACK. 934 00:42:47,950 --> 00:42:49,880 WELL, IF THERE’S ANY CHANGE 935 00:42:49,920 --> 00:42:53,020 OR SOMETHING COMES UP AND JOHN’S BUSY, 936 00:42:53,050 --> 00:42:54,820 I’D BE HAPPY TO SIT AGAIN. 937 00:42:54,850 --> 00:42:56,620 THEN FOR THE FUTURE, 938 00:42:56,650 --> 00:42:58,980 IT’S BETTER IF YOU HAVE HIM GO TO SLEEP IN HIS OWN BED. 939 00:42:59,020 --> 00:43:00,550 HE CAN BE A HARD TRANSFER. 940 00:43:00,590 --> 00:43:03,530 DONE. 941 00:43:03,550 --> 00:43:06,250 Oh, uh... 942 00:43:06,290 --> 00:43:08,960 DOES HE GET ONE SANDWICH OR TWO? 943 00:43:08,990 --> 00:43:10,830 ONE. 944 00:43:10,850 --> 00:43:13,750 HE SAID TWO. I GAVE HIM ONE AND ONLY ONE PUDDING. 945 00:43:13,790 --> 00:43:14,890 THERE YOU GO. 946 00:43:14,920 --> 00:43:16,280 GOOD NIGHT, ANDY. 947 00:43:16,320 --> 00:43:18,850 AND I’M SERIOUS. ANYTIME YOU WANT ME TO WATCH HIM... 948 00:43:18,890 --> 00:43:20,190 GOOD NIGHT. 69458

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