Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,470 --> 00:00:02,500
PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,540 --> 00:00:05,640
I KNOW YOU GOT CANCER.
YOU BELONG ON MEDICAL LEAVE.
3
00:00:05,670 --> 00:00:07,640
CYNTHIA TOLD YOU?
WHAT’S THE DIFFERENCE?
4
00:00:07,670 --> 00:00:10,370
YOU EVER MEET MY WIFE ‐‐
RITA ORTIZ?
MAYBE. IRAQ.
5
00:00:10,400 --> 00:00:12,570
SHE’S GOT ME SCOUTING SQUADS.
6
00:00:12,600 --> 00:00:15,170
SHE’S LOOKING
TO MAKE A CHANGE.
7
00:00:15,200 --> 00:00:16,740
WHERE IS SHE NOW?
8
00:00:16,770 --> 00:00:17,970
O.C.C.B. VICE.
9
00:00:18,000 --> 00:00:20,400
I HEARD YOU WERE HERE,
FIGURED SHE COULDN’T DO BETTER.
10
00:00:20,440 --> 00:00:21,700
FACT IS, WE’RE FULL UP.
11
00:00:21,740 --> 00:00:24,040
ANY CHANGE, RITA WILL BE
MY FIRST CALL.
12
00:00:24,070 --> 00:00:25,400
Andy: HE’S GOT CANCER.
13
00:00:25,440 --> 00:00:27,570
HE WON’T GET TREATMENT
’CAUSE HE’S WORRIED
14
00:00:27,600 --> 00:00:30,300
THAT HIS FAMILY WON’T BE
PROVIDED FOR IF HE DIES.
15
00:00:30,340 --> 00:00:32,470
I GUESS THAT EXPLAINS
HIS BEHAVIOR.
16
00:00:32,500 --> 00:00:34,100
SOME OF IT.
THE REST IS JUST HIM.
17
00:00:34,140 --> 00:00:36,970
YOU’RE GETTING PROMOTED TO
FIRST‐GRADE.
18
00:00:37,000 --> 00:00:39,740
WE BOTH KNOW I DIDN’T EARN THIS.
IT’S FALSE PRETENSES.
19
00:00:39,770 --> 00:00:42,540
YOU GOT 28 YEARS ON THE JOB.
YOU EARNED IT.
20
00:00:42,570 --> 00:00:44,970
TAKE A MEDICAL LEAVE.
GET YOURSELF WELL.
21
00:00:45,000 --> 00:00:47,400
"EDDIE GIBSON,
FIRST‐GRADE DETECTIVE."
22
00:00:47,440 --> 00:00:49,140
IT’S GOT A RING TO IT.
23
00:00:49,170 --> 00:00:51,100
LIKE A POEM.
24
00:00:51,140 --> 00:00:53,240
THANKS, ANDY.
25
00:01:05,900 --> 00:01:08,340
JOHN.
HI.
26
00:01:08,370 --> 00:01:12,570
MEN, HERE I AM.
FRESH FROM MY FIRST PRE‐OP
AT THE CHIEF SURGEON’S.
27
00:01:12,600 --> 00:01:13,800
HOW DID IT GO?
28
00:01:13,840 --> 00:01:16,070
GOOD. MONDAY, 8:00 A. M.,
THEY CUT ME OPEN.
29
00:01:16,100 --> 00:01:17,900
DOCTORS DO WONDERS
THESE DAYS.
30
00:01:17,940 --> 00:01:20,270
MY UNCLE HAD COLON CANCER
BACK IN ’93 ‐‐
31
00:01:20,300 --> 00:01:21,600
STILL KICKING.
32
00:01:21,640 --> 00:01:22,770
EARLY DETECTION.
33
00:01:22,800 --> 00:01:25,900
MY SET OF CIRCUMSTANCES?
5‐YEAR SURVIVAL RATE, 62%.
34
00:01:25,940 --> 00:01:28,540
THAT DON’T SOUND SO BAD.
35
00:01:28,570 --> 00:01:31,200
NOW THAT THE CAT’S OUT OF THE
BAG, I GOT A WHOLE NEW OUTLOOK.
36
00:01:31,240 --> 00:01:33,070
I KNOW I’M GONNA BEAT
THIS THING.
37
00:01:33,100 --> 00:01:34,400
THERE YOU GO.
38
00:01:34,440 --> 00:01:37,170
ANYWAY, IT’S BEEN GOOD WORKING
WITH Y’ALL.
39
00:01:37,200 --> 00:01:38,500
ANDY, GOT A SEC?
40
00:01:40,270 --> 00:01:41,970
[ CLEARS THROAT ]
41
00:01:42,000 --> 00:01:43,500
YEAH.
42
00:01:46,570 --> 00:01:48,440
I’M ABOUT TO BEQUEATH TO YOU
THE CUSHIEST,
43
00:01:48,470 --> 00:01:50,840
BEST‐PAYING MOONLIGHTING GIG
IN THE WORLD.
44
00:01:50,870 --> 00:01:52,270
YEAH? DOING WHAT?
45
00:01:52,300 --> 00:01:54,100
SECURITY WORK ‐‐ TUESDAY
AND THURSDAY EVENING
46
00:01:54,140 --> 00:01:56,300
FOR A RICH WIDOW
ON PARK AVENUE.
47
00:01:56,340 --> 00:01:58,700
I MET HER ON THE JOB
WHEN I WAS IN THE 19 SQUAD.
48
00:01:58,740 --> 00:02:01,170
WHAT’S SHE NEED A BODYGUARD FOR,
SOMEBODY AFTER HER?
49
00:02:01,200 --> 00:02:03,140
THE MAID GETS
TWO EVENINGS OFF,
50
00:02:03,170 --> 00:02:05,640
AND MRS. HORNBY LIKES HAVING
SOMEONE AROUND.
51
00:02:05,670 --> 00:02:06,400
I DON’T THINK SO.
52
00:02:06,440 --> 00:02:07,800
DON’T BE TOO HASTY.
53
00:02:07,840 --> 00:02:10,770
PAYS $200 A POP...IN CASH,
OFF THE BOOKS.
54
00:02:10,800 --> 00:02:12,770
I, UH, I CAN’T DO IT.
55
00:02:12,800 --> 00:02:15,000
I GOT THEO TO GET HOME TO.
56
00:02:15,040 --> 00:02:17,300
YOUR KID IS WHO
YOU’RE DOING IT FOR.
57
00:02:17,340 --> 00:02:18,840
THAT’S WHO I DID IT FOR.
58
00:02:18,870 --> 00:02:21,970
THAT EXTRA $20 GRAND A YEAR
COMES IN VERY HANDY.
59
00:02:22,000 --> 00:02:23,300
GOT A DOA DUMP JOB.
60
00:02:23,340 --> 00:02:25,870
BODY FOUND IN A CAR ON
LAFAYETTE.
61
00:02:25,900 --> 00:02:27,140
GO.
62
00:02:27,170 --> 00:02:28,570
CATCH A BAD GUY.
63
00:02:28,600 --> 00:02:30,970
YEAH.
64
00:02:31,000 --> 00:02:32,240
SO THIS IS IT?
65
00:02:32,270 --> 00:02:33,270
THIS IS IT.
66
00:02:34,470 --> 00:02:37,770
WE’LL BE SEEING YOU AROUND,
EDDIE.
67
00:02:37,800 --> 00:02:39,740
EDDIE, GOOD LUCK.
68
00:02:39,770 --> 00:02:42,370
MANY THANKS.
69
00:02:48,470 --> 00:02:50,570
JUNIOR,
I’LL MEET YOU DOWNSTAIRS.
70
00:02:59,270 --> 00:03:01,400
YOU SAID TUESDAYS
AND THURSDAYS?
71
00:03:01,440 --> 00:03:04,070
6:00 TO 10:00.
THAT’S THE MAID’S TIME OFF.
72
00:03:04,100 --> 00:03:06,070
BUT SHE’S ALWAYS BACK
BY 10:00.
73
00:03:06,100 --> 00:03:07,400
SO IT’S A BABYSITTING JOB.
74
00:03:07,440 --> 00:03:09,700
$400‐A‐WEEK BABYSITTING JOB.
75
00:03:09,740 --> 00:03:10,500
YOU INTERESTED?
76
00:03:10,540 --> 00:03:12,600
YEAH, I THINK
MAYBE I MIGHT BE.
77
00:03:12,640 --> 00:03:13,800
GREAT.
78
00:03:13,840 --> 00:03:15,800
I’LL PUT YOU IN TOUCH WITH HER
BUSINESS MANAGER.
79
00:03:19,540 --> 00:03:22,840
I’VE BEEN SPENDING A LOT OF TIME
GETTING MY DUCKS IN A ROW.
80
00:03:22,870 --> 00:03:24,870
JUST IN CASE.
81
00:03:24,900 --> 00:03:27,940
WEREN’T YOU JUST TELLING US
YOU’RE GONNA BEAT THIS THING?
82
00:03:27,970 --> 00:03:29,370
SURE.
83
00:03:29,400 --> 00:03:31,470
BUT YOU GOTTA PREPARE FOR
THE "WHAT IF..."
84
00:03:31,500 --> 00:03:33,900
DON’T GET OBSESSED WITH THAT.
IT DOESN’T HELP.
85
00:03:33,940 --> 00:03:36,040
EASIER SAID THAN DONE,
MY FRIEND.
86
00:03:44,770 --> 00:03:47,040
TO TELL YOU THE TRUTH,
87
00:03:47,070 --> 00:03:49,370
I’M SCARED TO DEATH.
88
00:03:49,400 --> 00:03:53,040
GONNA BE ALL RIGHT,
EDDIE.
89
00:03:53,070 --> 00:03:56,270
YOU’LL GET THROUGH THIS.
90
00:05:20,100 --> 00:05:22,140
RITA ORTIZ.
91
00:05:22,170 --> 00:05:23,800
LIEUTENANT RODRIGUEZ.
92
00:05:23,840 --> 00:05:26,340
OKAY, NOW I REMEMBER.
WE DID MEET ONCE.
93
00:05:26,370 --> 00:05:28,400
JOHN FLAHERTY’S
RETIREMENT RACKET.
94
00:05:28,440 --> 00:05:30,470
THAT’S RIGHT.
THAT’S RIGHT.
95
00:05:30,500 --> 00:05:32,640
WHEN I SPOKE
TO YOUR HUSBAND,
96
00:05:32,670 --> 00:05:34,640
I WAS RACKING MY BRAIN
WHERE WE’D MET.
97
00:05:34,670 --> 00:05:37,300
OH, YOU’D JUST COME OUT OF
UNDERCOVER NARCOTICS THEN.
98
00:05:37,340 --> 00:05:38,870
YEAH.
99
00:05:38,900 --> 00:05:40,200
HOW DO YOU LIKE
BEING A BOSS?
100
00:05:40,240 --> 00:05:42,640
I MISS THE ACTION.
I’M NOT GONNA LIE.
101
00:05:42,670 --> 00:05:45,740
BUT YOU CAN ONLY DO THAT KIND OF
WORK FOR SO LONG, YOU KNOW.
102
00:05:45,770 --> 00:05:47,200
YEAH, IT’S LIKE VICE.
103
00:05:47,240 --> 00:05:49,600
I LIKED THE COP WORK,
BUT IT WAS TIME.
104
00:05:49,640 --> 00:05:52,200
DON MENTIONED YOU WERE READY
TO GET OUT.
105
00:05:52,240 --> 00:05:54,370
I FEEL VERY FORTUNATE TO LAND
HERE IN THE 15th.
106
00:05:54,400 --> 00:05:56,270
I’M SURE YOU MUST’VE HAD
YOUR PICK.
107
00:05:56,300 --> 00:05:57,740
I’M GLAD TO HAVE YOU HERE.
108
00:05:57,770 --> 00:06:00,140
THE OTHER DETECTIVES
RESPONDED TO A DUMP JOB
109
00:06:00,170 --> 00:06:01,470
OVER ON LAFAYETTE.
110
00:06:01,500 --> 00:06:03,870
HOOK UP WITH THEM THERE.
INTRODUCE YOURSELF.
111
00:06:03,900 --> 00:06:05,900
YOU’LL BE PARTNERING UP WITH
CONNIE McDOWELL.
112
00:06:05,940 --> 00:06:07,570
WHEN YOU GOT TIME,
113
00:06:07,600 --> 00:06:10,740
I RECOMMEND YOU OBSERVE AS MANY
INTERVIEWS AS YOU CAN.
114
00:06:10,770 --> 00:06:11,640
WELCOME ABOARD.
115
00:06:11,670 --> 00:06:13,240
THANK YOU.
116
00:06:25,070 --> 00:06:28,070
THE CAR’S REGISTERED TO
AN ELDERLY WOMAN IN BROOKLYN.
117
00:06:28,100 --> 00:06:30,000
SHE REPORTED IT STOLEN
3 DAYS AGO.
118
00:06:30,040 --> 00:06:32,970
DOA HISPANIC
WITH NO I. D.
119
00:06:33,000 --> 00:06:34,940
WE SHOULD GET A CLEARANCE ON
THIS CASE
120
00:06:34,970 --> 00:06:36,300
FOR JUST GETTING HIM I. D.’d,
121
00:06:36,340 --> 00:06:38,200
LET ALONE FINDING OUT
WHO DID IT.
122
00:06:38,240 --> 00:06:40,470
WE GOT A BURGLARY ME AND BALDWIN
GOTTA RESPOND TO.
123
00:06:40,500 --> 00:06:42,400
WHAT DID YOU GUYS
GET CANVASSED?
124
00:06:42,440 --> 00:06:45,070
BODEGA AND LAUNDRY ACROSS THE
STREET. NOTHING IN EITHER.
125
00:06:45,100 --> 00:06:46,640
STOLEN PUPPIES
WE’RE RESPONDING TO.
126
00:06:46,670 --> 00:06:49,500
YOU BETTER GET OVER THERE,
LIGHTS AND SIRENS.
127
00:06:49,540 --> 00:06:52,400
DO YOU KNOW I HAVE GONE TO MAKE
NOTIFICATION TO NEXT OF KIN
128
00:06:52,440 --> 00:06:54,540
ON A DEAD
COLOMBIAN DRUG DEALER?
129
00:06:54,570 --> 00:06:56,440
I SHOWED THE PHOTO OF THE GUY
130
00:06:56,470 --> 00:06:58,640
WITH THE 3 BULLET HOLES
IN THE HEAD
131
00:06:58,670 --> 00:07:00,600
TO THE WIDOW AND IN FRONT OF
HIS 3 KIDS.
132
00:07:00,640 --> 00:07:02,300
SHE FALLS APART,
133
00:07:02,340 --> 00:07:04,900
AND 60 SECONDS LATER, SHE IS
LYING THROUGH HER TEETH ‐‐
134
00:07:04,940 --> 00:07:07,140
SHE HAS NO IDEA HOW HER HUSBAND
MADE A LIVING.
135
00:07:07,170 --> 00:07:10,070
MEANWHILE, SHE GOT A 60‐INCH
BIG‐SCREEN TV RIGHT BEHIND HER.
136
00:07:10,100 --> 00:07:11,800
SHE’S GOTTA SURVIVE
IN THAT WORLD.
137
00:07:11,840 --> 00:07:13,100
EVEN MOBSTER WIVES,
138
00:07:13,140 --> 00:07:15,840
WHEN THEIR HUSBANDS GET WHACKED,
START POINTING THEIR FINGER.
139
00:07:15,870 --> 00:07:17,300
NOT ON THE WITNESS STAND.
140
00:07:17,340 --> 00:07:19,340
WHAT IS THIS,
POINT/COUNTERPOINT?
141
00:07:19,370 --> 00:07:22,140
YOU GONNA CONTEST
EVERYTHING I SAY?
142
00:07:22,170 --> 00:07:24,470
YOU WANNA PUT STRINGS IN OUR
BACKS YOU CAN PULL
143
00:07:24,500 --> 00:07:26,740
WHEN YOU WANT OUR OPINION?
"YES, ANDY. YES, ANDY."
144
00:07:26,770 --> 00:07:28,500
MY ORIGINAL POINT IS,
145
00:07:28,540 --> 00:07:32,170
YOU GOT A DEAD HISPANIC
WITH NO I. D., YOU GOT THIS...
146
00:07:32,200 --> 00:07:33,800
SORRY TO INTERRUPT.
147
00:07:33,840 --> 00:07:35,370
CONNIE McDOWELL?
148
00:07:35,400 --> 00:07:36,800
YEAH, THAT’S ME.
149
00:07:36,840 --> 00:07:39,100
RITA ORTIZ ‐‐
I GUESS WE’RE PARTNERING UP.
150
00:07:39,140 --> 00:07:41,300
OH, YEAH.
HEY, HOW’S IT GOING, RITA?
151
00:07:41,340 --> 00:07:43,970
LIEUTENANT RODRIGUEZ MENTIONED
HE WAS TRYING TO GET YOU.
152
00:07:44,000 --> 00:07:45,740
ANDY SIPOWICZ. JOHN CLARK.
153
00:07:45,770 --> 00:07:47,000
HOW’S IT GOING?
154
00:07:47,040 --> 00:07:48,340
NICE TO MEET YOU.
155
00:07:48,370 --> 00:07:50,900
HI. I JUST SPOKE
WITH THE LIEUTENANT.
156
00:07:50,940 --> 00:07:52,370
MISSING PERSONS HAS A REPORT,
157
00:07:52,400 --> 00:07:54,140
FITS THE DESCRIPTION
OF THE DOA HERE ‐‐
158
00:07:54,170 --> 00:07:55,440
UNCLE ON HIS NEPHEW.
159
00:07:55,470 --> 00:07:56,940
THE NEPHEW’S ILLEGAL,
160
00:07:56,970 --> 00:08:00,640
BEEN WORKING FOR HIS UNCLE’S
CONSTRUCTION COMPANY.
161
00:08:00,670 --> 00:08:01,700
WE’LL CHECK THAT OUT.
162
00:08:01,740 --> 00:08:03,100
GOOD.
163
00:08:06,540 --> 00:08:08,570
HOW ABOUT NEXT TIME GIVING ME
A HEADS‐UP
164
00:08:08,600 --> 00:08:10,470
SO I DON’T STEP ON MY DICK.
165
00:08:10,500 --> 00:08:11,500
YES, ANDY.
166
00:08:11,540 --> 00:08:12,500
YES, ANDY.
167
00:08:12,540 --> 00:08:13,670
YES, ANDY.
168
00:08:24,770 --> 00:08:26,100
HEARD WE GOT STOLEN PUPPIES.
169
00:08:26,140 --> 00:08:27,500
YEAH. DROP EVERYTHING.
170
00:08:27,540 --> 00:08:29,970
BUSTED WINDOW
BY THE FIRE ESCAPE,
171
00:08:30,000 --> 00:08:32,070
BUT NOTHING MISSING
BUT THE MUTTS.
172
00:08:32,100 --> 00:08:34,200
THEY’RE PUREBRED
ENGLISH BULLDOGS.
173
00:08:34,240 --> 00:08:35,770
SORRY, SIR.
174
00:08:35,800 --> 00:08:37,340
NAME’S RAY MAXWELL.
175
00:08:37,370 --> 00:08:39,800
IT’S LIKE HE LOST HIS MOTHER.
CAN WE SPLIT?
176
00:08:39,840 --> 00:08:43,370
YEAH.
177
00:08:43,400 --> 00:08:45,870
HOW YOU DOING, MR. MAXWELL?
178
00:08:45,900 --> 00:08:48,600
DETECTIVES JONES
AND MEDAVOY.
179
00:08:48,640 --> 00:08:51,670
THIS IS BRIDGET.
SHE’S VERY UPSET.
180
00:08:51,700 --> 00:08:54,770
I KNOW THAT THIS ISN’T
THE CRIME OF THE CENTURY,
181
00:08:54,800 --> 00:08:57,570
BUT I CAN’T TELL YOU
HOW DISTRESSING THIS IS.
182
00:08:57,600 --> 00:09:01,300
WELL, HOW MANY WERE TAKEN,
MR. MAXWELL?
183
00:09:01,340 --> 00:09:02,240
5.
184
00:09:02,270 --> 00:09:05,970
PIEBALD COLORING, ROSE EARS ‐‐
LITTLE GEMS.
185
00:09:06,000 --> 00:09:07,840
YOU, UH, LIVE HERE ALONE?
186
00:09:07,870 --> 00:09:11,540
WITH MY BUSINESS PARTNER CARTER.
HE’S AT A JOB INTERVIEW.
187
00:09:11,570 --> 00:09:13,970
ANYONE YOU CAN THINK OF WHO
MIGHT’VE TAKEN THE DOGS?
188
00:09:14,000 --> 00:09:15,400
ANYONE WHO KNEW
THEY WERE HERE.
189
00:09:15,440 --> 00:09:17,800
I PUT A NOTICE OF THE LITTER
IN THE BULLDOGGER LAST WEEK.
190
00:09:17,840 --> 00:09:19,600
I’VE ALREADY HAD HALF A DOZEN
INQUIRIES.
191
00:09:19,640 --> 00:09:21,970
HOW MUCH ARE THE DOGS
WORTH APIECE?
192
00:09:22,000 --> 00:09:23,070
$3,000.
193
00:09:23,100 --> 00:09:24,600
YOU’RE KIDDING.
194
00:09:24,640 --> 00:09:26,840
THE SIRE WAS A BRAZILIAN
GRAND CHAMPION,
195
00:09:26,870 --> 00:09:29,470
AND BRIDGET WAS THE ’98
BEST IN BREED AT WESTMINSTER.
196
00:09:29,500 --> 00:09:31,470
THAT IS A PLATINUM
BLOODLINE.
197
00:09:31,500 --> 00:09:34,270
WE NEED THE NAMES OF THE PEOPLE
WHO MADE INQUIRIES.
198
00:09:34,300 --> 00:09:36,440
AND IF YOU FILL OUT A REPORT,
WE’D APPRECIATE IT.
199
00:09:36,470 --> 00:09:38,170
WE’LL ALSO WANT TO TALK
TO CARTER,
200
00:09:38,200 --> 00:09:39,770
IF YOU COULD HAVE HIM
COME IN.
201
00:09:39,800 --> 00:09:41,200
I’LL GET MY JACKET.
202
00:09:42,970 --> 00:09:45,700
I CAN SEE YOUR WHEELS
TURNING.
203
00:09:45,740 --> 00:09:47,140
$3,000 A POP?!
204
00:09:47,170 --> 00:09:49,170
AREN’T YOU ALLERGIC
TO DOGS?
205
00:09:49,200 --> 00:09:52,240
LONGHAIRS. NOT BULLDOGS.
I HAD A BULLDOG ‐‐ LUTHER.
206
00:09:52,270 --> 00:09:54,470
I NEVER WOULD’VE LET MY EX‐WIFE
KEEP HIM
207
00:09:54,500 --> 00:09:56,340
IF I’D KNOWN
WHAT HE WAS WORTH.
208
00:09:56,370 --> 00:09:57,640
AND THINK ABOUT IT ‐‐
209
00:09:57,670 --> 00:10:00,400
START‐UP‐WISE, ALL YOU NEED IS
DOG FOOD AND WATER.
210
00:10:00,440 --> 00:10:02,470
I’M SURE IT’S MORE COMPLICATED
THAN THAT.
211
00:10:02,500 --> 00:10:03,800
DON’T ASK ME TO GET INVOLVED.
212
00:10:03,840 --> 00:10:05,770
NO, I’LL JUST CALL YOU
FROM PARK AVENUE.
213
00:10:17,400 --> 00:10:19,970
...ESE CABLE
QUE ESTÁ ARRIBA.
214
00:10:20,000 --> 00:10:20,940
ALLÁ!
215
00:10:20,970 --> 00:10:22,000
ESO!
216
00:10:22,040 --> 00:10:23,900
RENALDO MOLINA?
217
00:10:23,940 --> 00:10:25,170
YES?
218
00:10:25,200 --> 00:10:26,740
DETECTIVES McDOWELL,
ORTIZ.
219
00:10:26,770 --> 00:10:28,340
WHAT’S WRONG?
220
00:10:28,370 --> 00:10:30,770
YOU FILED
A MISSING‐PERSONS REPORT
221
00:10:30,800 --> 00:10:32,540
ON YOUR NEPHEW, OSCAR MOLINA.
222
00:10:32,570 --> 00:10:34,170
WE HAVE A PICTURE FOR YOU
TO LOOK AT.
223
00:10:34,200 --> 00:10:36,740
CAN YOU TELL US
IF IT’S OSCAR?
224
00:10:36,770 --> 00:10:40,140
HE’S DEAD. THIS MAN
YOU’RE GOING TO SHOW ME.
225
00:10:40,170 --> 00:10:41,770
[ SIGHS ]
YEAH.
226
00:10:41,800 --> 00:10:43,140
ARE YOU OKAY WITH THIS?
227
00:10:47,040 --> 00:10:50,400
[ SIGHS ]
228
00:10:50,440 --> 00:10:53,540
WE’RE VERY SORRY,
MR. MOLINA.
229
00:10:53,570 --> 00:10:56,900
WHEN WAS THE LAST TIME
YOU SAW YOUR NEPHEW?
230
00:10:56,940 --> 00:11:01,200
TWO DAYS AGO, WHEN THE I.N.S.
CAME TO TAKE HIM AWAY.
231
00:11:01,240 --> 00:11:04,000
IMMIGRATION AGENTS TOOK OSCAR
AWAY TWO DAYS AGO,
232
00:11:04,040 --> 00:11:05,840
AND HE HASN’T
BEEN SEEN SINCE?
233
00:11:05,870 --> 00:11:06,970
DID YOU REPORT IT?
234
00:11:07,000 --> 00:11:08,600
YES.
235
00:11:08,640 --> 00:11:11,540
THE I. N. S. SAID
THEY’D LOOK INTO IT.
236
00:11:11,570 --> 00:11:14,270
I DON’T HEAR BACK,
SO I CALLED THE POLICE
237
00:11:14,300 --> 00:11:16,540
WHEN OSCAR DOESN’T SHOW
FOR WORK YESTERDAY.
238
00:11:16,570 --> 00:11:19,200
THEY SAY, "MAKE A
MISSING‐PERSONS REPORT."
239
00:11:19,240 --> 00:11:21,000
DID YOU GET A LOOK AT
THE AGENTS?
240
00:11:21,040 --> 00:11:22,640
I SAW THEM,
BUT I WAS NOT CLOSE.
241
00:11:22,670 --> 00:11:25,270
I HAVE A WORKER WHO WAS NEARBY
OSCAR AT THE TIME.
242
00:11:25,300 --> 00:11:27,070
CAN YOU GET HIM FOR US?
243
00:11:27,100 --> 00:11:28,940
HE’S HOME.
MY MEN ARE SCARED NOW.
244
00:11:28,970 --> 00:11:31,640
IF YOU COULD GET US HIS NUMBER,
WE’D APPRECIATE IT.
245
00:11:39,500 --> 00:11:41,700
I HAD A FRIEND WHO BRED
VIZSLAS.
246
00:11:41,740 --> 00:11:45,540
THEY’RE LIKE HIS CHILDREN,
SO I CAN IMAGINE HOW YOU FEEL.
247
00:11:45,570 --> 00:11:46,900
THANK YOU.
248
00:11:46,940 --> 00:11:48,700
DO YOU HAVE A DOG?
249
00:11:48,740 --> 00:11:49,770
HAD.
250
00:11:49,800 --> 00:11:53,840
A BLACK COCKER WITH A WHITE
CREST ‐‐ HANK.
251
00:11:53,870 --> 00:11:55,370
COCKERS ARE SWEETHEARTS.
252
00:11:55,400 --> 00:11:58,570
GOOD DISPOSITION,
GREAT WITH KIDS ‐‐
253
00:11:58,600 --> 00:12:00,140
A LOT LIKE BULLDOGS.
254
00:12:00,170 --> 00:12:01,870
I HOPE THEY’RE OKAY.
255
00:12:01,900 --> 00:12:05,640
I’M SORRY. I SHOULDN’T HAVE
BROUGHT UP DOGS.
256
00:12:05,670 --> 00:12:07,400
YOU WERE BEING KIND.
257
00:12:07,440 --> 00:12:10,300
THERE’S NEVER A REASON TO
APOLOGIZE FOR A KINDNESS.
258
00:12:10,340 --> 00:12:13,340
MY GOD, RAY, WHAT A NIGHTMARE.
WHAT HAPPENED?
259
00:12:13,370 --> 00:12:15,370
THEY BROKE IN
THE KITCHEN WINDOW
260
00:12:15,400 --> 00:12:17,140
RIGHT BY THE FIRE ESCAPE.
261
00:12:17,170 --> 00:12:19,440
TELL ME ‐‐ WHAT DID I SAY
ABOUT IRON BARS?
262
00:12:19,470 --> 00:12:21,000
MAYBE NOW YOU’LL LISTEN TO ME
ON OCCASION.
263
00:12:21,040 --> 00:12:23,140
CARTER LYNCH?
264
00:12:23,170 --> 00:12:26,740
DETECTIVES MEDAVOY AND JONES.
WE’RE WORKING THE INVESTIGATION.
265
00:12:26,770 --> 00:12:28,640
THEY ASKED IF I’D SEEN ANYONE
SUSPICIOUS
266
00:12:28,670 --> 00:12:30,940
IN THE NEIGHBORHOOD,
AND I REMEMBERED THAT MAN
267
00:12:30,970 --> 00:12:32,540
THAT YOU SAW
BREAKING INTO THAT CAR.
268
00:12:32,570 --> 00:12:35,300
YOU THINK HE WENT FROM STEALING
STEREOS TO PUREBRED PUPPIES?
269
00:12:35,340 --> 00:12:37,670
Baldwin: WHEN DID YOU
SEE THIS HAPPEN?
270
00:12:37,700 --> 00:12:40,270
FOUR MONTHS AGO,
AND I HAVEN’T SEEN HIM SINCE.
271
00:12:40,300 --> 00:12:41,640
SO ‐‐ HIGHLY UNLIKELY.
272
00:12:41,670 --> 00:12:43,970
I ASSUME RAY TOLD YOU ABOUT
THE INQUIRIES.
273
00:12:44,000 --> 00:12:47,270
WE’VE CHECKED OUT EVERYONE WHO
INQUIRED ABOUT A PUPPY.
274
00:12:47,300 --> 00:12:49,840
THEY ALL HAVE ALIBIS
FOR THIS MORNING.
275
00:12:49,870 --> 00:12:51,040
THE PUPPIES ARE JUST GONE?
276
00:12:51,070 --> 00:12:53,770
WELL, THE NEXT STEP IS TO NOTIFY
AREA PET SHOPS OF THE THEFT
277
00:12:53,800 --> 00:12:56,240
AND HAVE YOU GUYS LOOK AT MUG
BOOKS OF LOCAL BURGLARS.
278
00:12:56,270 --> 00:12:58,740
UNLESS THERE’S ANYONE ELSE YOU
THINK MIGHT’VE DONE THIS.
279
00:12:58,770 --> 00:13:01,140
DID YOU TELL THEM ABOUT
LOIS DUNBAR?
280
00:13:01,170 --> 00:13:02,540
NOW WHO’S BEING UNLIKELY?
281
00:13:02,570 --> 00:13:04,640
LOIS DUNBAR WOULD LIKE
NOTHING MORE
282
00:13:04,670 --> 00:13:06,640
THAN TO CLOSE US DOWN
FOR 6 MONTHS.
283
00:13:06,670 --> 00:13:08,870
SHE OWNS A PET STORE
IN THE VILLAGE ‐‐
284
00:13:08,900 --> 00:13:12,140
WASHINGTON SQUARE BARK.
285
00:13:12,170 --> 00:13:13,070
SHE SELLS DOGS
FROM PUPPY MILLS,
286
00:13:13,100 --> 00:13:15,500
STRICTLY AGAINST,
287
00:13:15,540 --> 00:13:17,470
BUT I DOUBT
SHE WOULD DO THIS.
288
00:13:17,500 --> 00:13:19,540
THEY NEARLY CAME TO BLOWS
OVER IT.
289
00:13:19,570 --> 00:13:22,570
WE HAD A DISCUSSION LAST WEEK
AT A SHOW IN VIRGINIA
290
00:13:22,600 --> 00:13:25,640
REGARDING AN EDITORIAL I HAD
WRITTEN IN THE BULLDOGGER.
291
00:13:25,670 --> 00:13:28,540
I THINK IT’S SICK TO PROMOTE
DOG‐BREEDING TECHNIQUES
292
00:13:28,570 --> 00:13:31,470
THAT RESEMBLE VEAL FARMING ‐‐
WHICH I ALSO OBJECT TO.
293
00:13:31,500 --> 00:13:34,800
SO I PUT IT DOWN ON PAPER,
AND IT COST HER SOME BUSINESS.
294
00:13:34,840 --> 00:13:37,370
WELL, HAS MS. DUNBAR
EVER BEEN TO YOUR HOME?
295
00:13:37,400 --> 00:13:39,500
A FEW TIMES FOR
BULLDOG SOCIETY MEETINGS.
296
00:13:39,540 --> 00:13:41,440
ALL RIGHT, WELL,
WE’LL CHECK HER OUT.
297
00:13:41,470 --> 00:13:43,470
IN THE MEANTIME,
IF YOU WOULDN’T MIND
298
00:13:43,500 --> 00:13:45,770
LOOKING AT THOSE MUG BOOKS,
WE’D APPRECIATE IT.
299
00:13:45,800 --> 00:13:49,040
JOHN, COULD YOU GET THEM
UP TO ANTI‐CRIME?
300
00:13:49,070 --> 00:13:50,470
OH. SURE.
301
00:13:51,940 --> 00:13:54,740
I JUST DON’T SEE LOIS DOING
SOMETHING THIS CRUEL.
302
00:13:54,770 --> 00:13:56,540
BECAUSE YOU LIVE IN
A FANTASY LAND
303
00:13:56,570 --> 00:13:58,670
WHERE YOU THINK EVERYONE’S
GOOD AND KIND.
304
00:13:58,700 --> 00:14:01,100
WHEREAS LOIS, GOD HELP HER,
IS FROM THE REAL WORLD.
305
00:14:03,170 --> 00:14:04,700
[ DOOR SLAMS ]
306
00:14:04,740 --> 00:14:08,400
AY, AY, AY.
307
00:14:19,590 --> 00:14:22,490
SPECIAL AGENT MARK KOLBERG
FROM I. N. S.
308
00:14:22,520 --> 00:14:24,950
YEAH, WE SPOKE.
HOW YOU DOING, MARK?
309
00:14:24,990 --> 00:14:26,490
I LOOKED INTO IT,
310
00:14:26,520 --> 00:14:29,580
AND THERE’S NO REPORT ON ANYBODY
BEING TAKEN INTO CUSTODY
311
00:14:29,620 --> 00:14:31,550
FROM THE JOB SITE
TWO DAYS AGO ‐‐
312
00:14:31,590 --> 00:14:33,430
WHICH DOESN’T MEAN
WE DON’T HAVE AGENTS
313
00:14:33,450 --> 00:14:35,120
WHO COULD’VE BEEN
INVOLVED IN THIS.
314
00:14:35,150 --> 00:14:36,950
YOU HAVE A FILE ON THE DOA?
315
00:14:36,990 --> 00:14:38,330
NOTHING DOCUMENTED.
316
00:14:38,350 --> 00:14:40,650
ANY INVESTIGATIONS RELATIVE TO
HIS EMPLOYER?
317
00:14:40,690 --> 00:14:42,760
YEAH, WE’VE HAD DEALINGS
WITH MOLINA.
318
00:14:42,790 --> 00:14:44,890
HE HAS A HISTORY OF HIRING
ILLEGALS,
319
00:14:44,920 --> 00:14:47,480
AND WE’VE GOT AGENTS LEANING ON
HIM PRETTY GOOD.
320
00:14:47,520 --> 00:14:49,250
ANY AGENTS IN PARTICULAR?
321
00:14:49,290 --> 00:14:51,090
MIKE TORRES AND JOE RAMOS.
322
00:14:51,120 --> 00:14:52,550
AND I’M GONNA TELL YOU,
323
00:14:52,590 --> 00:14:55,560
WE’VE HAD A SERIES OF COMPLAINTS
AGAINST THEM.
324
00:14:55,590 --> 00:14:56,660
FOR?
325
00:14:56,690 --> 00:14:58,230
LET’S SAY
"OVERLY AGGRESSIVE."
326
00:14:58,250 --> 00:15:00,780
WE HAVE AN INTERNAL
INVESTIGATION
327
00:15:00,820 --> 00:15:02,450
ONGOING ON THEM FOR THAT.
328
00:15:02,490 --> 00:15:04,260
PLUS, THEY’VE HAD
A LOT OF CONTACT
329
00:15:04,290 --> 00:15:05,590
WITH MOLINA CONSTRUCTION.
330
00:15:05,620 --> 00:15:07,950
I COULD SEE THEIR TACTICS
LEADING UP TO THIS.
331
00:15:07,990 --> 00:15:10,360
LET’S TALK TO THEM.
332
00:15:10,390 --> 00:15:12,190
I’D LIKE TO BE COPIED
ON ALL PAPERWORK.
333
00:15:12,220 --> 00:15:15,450
I HOPE YOU’RE NOT DEPUTIZING US
TO TRY AND NAIL THESE AGENTS
334
00:15:15,490 --> 00:15:18,260
FOR SOME INTERNAL AFFAIRS‐TYPE
PROBLEMS YOU GOT COOKING.
335
00:15:18,290 --> 00:15:19,590
I WAS ASKED TO COME DOWN.
336
00:15:19,620 --> 00:15:21,980
I’M TELLING YOU THE SITUATION
AS I SEE IT.
337
00:15:22,020 --> 00:15:23,550
THANKS FOR YOUR HELP.
338
00:15:28,020 --> 00:15:30,580
WE’LL BRING THEM IN.
339
00:15:36,250 --> 00:15:37,580
HAVE A SEAT, MS. DUNBAR.
340
00:15:37,620 --> 00:15:39,380
THEN WE’LL BREAK THE SILENCE?
341
00:15:39,420 --> 00:15:42,020
BECAUSE I’M CONFUSED
AS TO WHAT I DID THIS TIME.
342
00:15:42,050 --> 00:15:43,820
HAD A FEW RUN‐INS
WITH THE LAW?
343
00:15:43,850 --> 00:15:47,020
ONCE ‐‐ RECEIVING A SHIPMENT OF
MOLUCCAN COCKATOOS
344
00:15:47,050 --> 00:15:50,080
THERE’S NO WAY I COULD HAVE
KNOWN WERE SMUGGLED.
345
00:15:50,120 --> 00:15:53,650
HOW ABOUT BULLDOGS, MS. DUNBAR?
IS YOUR NOSE CLEAN THERE?
346
00:15:53,690 --> 00:15:54,960
YES. WHY?
347
00:15:54,990 --> 00:15:56,860
DO YOU KNOW RAY MAXWELL?
348
00:15:56,890 --> 00:16:00,060
DOES HE ACTUALLY WANT ME
ARRESTED FOR INSULTING HIM?
349
00:16:00,090 --> 00:16:01,530
TELL US YOUR SIDE.
350
00:16:01,550 --> 00:16:04,420
HE WROTE AN EDITORIAL
IN A TRADE MAGAZINE
351
00:16:04,450 --> 00:16:07,550
MAKING ABSURD GENERALIZATIONS
ABOUT PET STORES,
352
00:16:07,590 --> 00:16:10,060
SO I CALLED HIM
A SEDITIOUS PRICK.
353
00:16:10,090 --> 00:16:11,590
HE NEEDED TO KNOW
354
00:16:11,620 --> 00:16:14,380
WE’RE NOT ALL MILLIONAIRES
WITH A CUTE HOBBY.
355
00:16:14,420 --> 00:16:16,420
SOME OF US DO THIS FOR
A LIVING.
356
00:16:16,450 --> 00:16:18,450
WHERE WERE YOU THIS MORNING
AROUND 8:00?
357
00:16:18,490 --> 00:16:19,790
WHAT HAPPENED AT 8:00?
358
00:16:19,820 --> 00:16:22,620
SOMEONE STOLE A LITTER OF
RAY MAXWELL’S PUPPIES.
359
00:16:22,650 --> 00:16:24,580
AND RAY’S SAYING I DID IT?
360
00:16:24,620 --> 00:16:27,020
WHO DOES HE THINK I AM,
CRUELLA DeVILLE?
361
00:16:27,050 --> 00:16:30,180
IF IT’LL HELP, I WAS ON
THE PHONE WITH MY VENDORS
362
00:16:30,220 --> 00:16:31,650
FROM 7:00 TILL WE OPENED.
363
00:16:31,690 --> 00:16:33,330
THEY’LL BE HAPPY TO CONFIRM.
364
00:16:33,350 --> 00:16:36,220
THEIR NUMBERS.
365
00:16:37,720 --> 00:16:39,580
MS. DUNBAR...
366
00:16:39,620 --> 00:16:46,580
WHAT’S THE GENERAL START‐UP COST
OF A DOG‐BREEDING OPERATION?
367
00:16:47,950 --> 00:16:51,580
JUST PRETEND THAT WAS THE WIND.
JUST...KEEP WRITING.
368
00:16:54,990 --> 00:16:55,990
HAVE A SEAT, GUYS.
369
00:16:56,020 --> 00:16:57,480
WE’RE KIND OF BUSY.
370
00:16:57,520 --> 00:17:00,080
IF YOU DON’T MIND,
MAYBE WE COULD JUST GET TO IT?
371
00:17:00,120 --> 00:17:02,480
YOU GUYS PAY A VISIT
TO THE WORK SITE
372
00:17:02,520 --> 00:17:05,120
MOLINA CONSTRUCTION’S GOT
AT 10th AND "C" TWO DAYS AGO?
373
00:17:05,150 --> 00:17:06,080
NO.
374
00:17:06,120 --> 00:17:07,820
YOU BEEN THERE BEFORE?
375
00:17:07,850 --> 00:17:09,580
YEAH.
WHAT FOR?
376
00:17:09,620 --> 00:17:11,680
YOU GUYS LOOKING
FOR OUR HELP,
377
00:17:11,720 --> 00:17:13,920
OR IS THIS ABOUT
SOMETHING ELSE?
378
00:17:13,950 --> 00:17:15,720
THIS IS ABOUT
SOMETHING ELSE.
379
00:17:15,750 --> 00:17:18,180
TWO I. N. S. AGENTS FITTING
YOUR DESCRIPTION
380
00:17:18,220 --> 00:17:20,520
PULLED A LABORER OFF THAT SITE
2 DAYS AGO.
381
00:17:20,550 --> 00:17:22,980
TODAY, HE ENDS UP STRANGLED IN
THE FRONT SEAT OF A STOLEN CAR.
382
00:17:23,020 --> 00:17:24,880
WE DIDN’T PULL NO ONE OFF
OF THAT JOB SITE,
383
00:17:24,920 --> 00:17:26,850
AND WE DIDN’T STRANGLE NO ONE
IN NO STOLEN CAR.
384
00:17:26,890 --> 00:17:29,360
WE PROBABLY WOULD’VE REMEMBERED
SOMETHING LIKE THAT.
385
00:17:29,390 --> 00:17:31,130
WHERE WERE YOU GUYS 2 DAYS AGO,
10:00 A. M.?
386
00:17:31,150 --> 00:17:32,450
YOU LOOKING TO HANG US?
387
00:17:32,490 --> 00:17:34,460
YOU SEE US THROWING A ROPE OVER
A TREE BRANCH?
388
00:17:34,490 --> 00:17:36,430
WE’RE ASKING QUESTIONS
WE GOTTA ASK.
389
00:17:36,450 --> 00:17:39,180
2 DAYS AGO, 10:00 A. M.,
WE WERE DOING A SURVEILLANCE ‐‐
390
00:17:39,220 --> 00:17:40,450
WAREHOUSE DOWN BY THE DOCKS.
391
00:17:40,490 --> 00:17:41,890
CAN ANYBODY VERIFY?
392
00:17:41,920 --> 00:17:44,620
DID KOLBERG PUT YOU UP TO THIS?
IS THAT WHAT THIS IS ABOUT?
393
00:17:44,650 --> 00:17:46,950
WE GOT A DOA.
THAT’S WHAT THIS IS ABOUT.
394
00:17:46,990 --> 00:17:49,930
2 HISPANIC I. N. S. AGENTS WERE
LAST SEEN WITH THIS DOA.
395
00:17:49,950 --> 00:17:52,920
ARE YOU REALLY WONDERING WHY
THE HELL WE BROUGHT YOU IN?
396
00:17:52,950 --> 00:17:55,420
NOW, DON’T COMPOUND IT
WITH THE COWBOY ATTITUDE.
397
00:17:55,450 --> 00:17:56,980
OKAY, OKAY, LOOK.
398
00:17:57,020 --> 00:17:59,820
ME AND MY PARTNER HAVE BEEN
HASSLED BY OUR OWN DEPARTMENT
399
00:17:59,850 --> 00:18:01,880
FOR THINGS WE DIDN’T DO ‐‐
MANY TIMES.
400
00:18:01,920 --> 00:18:04,680
SO MAYBE YOU’LL EXCUSE US IF
WE’RE SENSITIVE TO ACCUSATIONS.
401
00:18:04,720 --> 00:18:06,320
UNDERSTANDABLE.
402
00:18:06,350 --> 00:18:09,080
WE DIDN’T PULL NO ONE OFF THAT
SITE, AND WE DIDN’T KILL NOBODY.
403
00:18:09,120 --> 00:18:10,650
WE WERE ON SURVEILLANCE.
404
00:18:10,690 --> 00:18:12,890
AND YOU’RE GONNA HAVE TO TAKE
OUR WORD FOR IT,
405
00:18:12,920 --> 00:18:15,050
BECAUSE EVEN THOUGH WE CHECKED
IN ONCE OR TWICE,
406
00:18:15,090 --> 00:18:17,660
WE STAYED OFF THE RADIO FOR THE
MOST PART OF THAT MORNING.
407
00:18:17,690 --> 00:18:19,960
PAST THAT, YOU’RE GONNA HAVE
TO TALK TO OUR DELEGATE.
408
00:18:19,990 --> 00:18:21,330
ALL RIGHT.
409
00:18:28,390 --> 00:18:30,930
I WANNA KNOW IF THEY CHECKED IN
AT ALL THAT DAY.
410
00:18:30,950 --> 00:18:33,280
YEAH.
411
00:18:35,950 --> 00:18:37,880
HOW DID IT GO?
412
00:18:37,920 --> 00:18:39,680
WE’RE GONNA TRY AND VERIFY
THEIR STORY.
413
00:18:39,720 --> 00:18:40,620
YOU LOCATE THAT WITNESS?
414
00:18:40,650 --> 00:18:42,680
YEAH. BOTH HIM AND
THE DOA’S UNCLE
415
00:18:42,720 --> 00:18:45,520
DIDN’T GIVE US MUCH PAST THE
I. N. S. AGENTS BEING HISPANIC,
416
00:18:45,550 --> 00:18:46,880
BUT THEY’LL LOOK AT PHOTOS.
417
00:18:46,920 --> 00:18:49,180
RUN A PHOTO ARRAY OF THE AGENTS
WHO WERE JUST HERE.
418
00:18:49,220 --> 00:18:50,750
YEAH, WE’LL DO THAT.
419
00:18:50,790 --> 00:18:52,930
WHAT WOULD THIS HAVE BEEN OVER
IF IT’S I. N. S.?
420
00:18:52,950 --> 00:18:54,480
THE DOA THEIR SNITCH?
421
00:18:54,520 --> 00:18:55,950
DON’T OVERLOOK THIS BEING
A SHAKEDOWN THAT WENT BAD.
422
00:18:55,990 --> 00:18:57,490
IT HAPPENS.
423
00:18:57,520 --> 00:19:00,420
I.N.S. DOES WHAT THEY WANT WHEN
IT COMES TO ILLEGAL ALIENS.
424
00:19:00,450 --> 00:19:02,120
NO DUE PROCESS, NOTHING.
425
00:19:02,150 --> 00:19:04,820
DOES THE WORD "ILLEGAL" MEAN
ANYTHING TO ANYBODY ANYMORE?
426
00:19:04,850 --> 00:19:05,880
YEAH, BUT COME ON.
427
00:19:05,920 --> 00:19:08,280
MOST OF THESE PEOPLE ARE HERE
BUSTING THEIR HUMP
428
00:19:08,320 --> 00:19:09,850
DOING JOBS
NOBODY ELSE WANTS.
429
00:19:09,890 --> 00:19:12,390
WE WERE ALL IMMIGRANTS
AT SOME POINT, RIGHT?
430
00:19:12,420 --> 00:19:14,250
OR IS SIPOWICZ
A NAVAJO NAME?
431
00:19:14,290 --> 00:19:16,860
NO, ABSOLUTELY.
OPEN THE BORDERS UP.
432
00:19:16,890 --> 00:19:20,060
SEE WHAT OTHER HITS THIS COUNTRY
CAN TAKE.
433
00:19:20,090 --> 00:19:22,460
I GOTTA GO TO LUNCH.
I’LL BE BACK.
434
00:19:29,820 --> 00:19:30,980
DETECTIVE...
435
00:19:31,020 --> 00:19:33,250
CORY BEACHAM ‐‐ MRS. HORNBY’S
BUSINESS MANAGER.
436
00:19:33,290 --> 00:19:34,190
WE SPOKE ON THE PHONE.
437
00:19:34,220 --> 00:19:35,720
ANDY SIPOWICZ.
438
00:19:35,750 --> 00:19:38,580
DETECTIVE GIBSON FILLED YOU IN
ON SOME OF THE DETAILS?
439
00:19:38,620 --> 00:19:39,850
SOME.
440
00:19:39,890 --> 00:19:41,260
YOU’LL BE HERE AT 6:00 SHARP.
441
00:19:41,290 --> 00:19:42,730
MARTA’S BACK BY 10:00,
442
00:19:42,750 --> 00:19:45,150
AT WHICH POINT SHE’LL HAND YOU
AN ENVELOPE
443
00:19:45,190 --> 00:19:46,590
CONTAINING $200 IN CASH.
444
00:19:46,620 --> 00:19:49,580
THIS IS ALL ASSUMING THAT
MRS. HORNBY APPROVES OF YOU.
445
00:19:49,620 --> 00:19:52,780
IF SHE DOES, WE’LL ASK YOU TO
SIGN A NONDISCLOSURE AGREEMENT.
446
00:19:52,820 --> 00:19:55,620
ANYTHING YOU HEAR OR SEE
STAYS IN THE APARTMENT.
447
00:19:55,650 --> 00:19:57,220
ANY QUESTIONS?
448
00:19:57,250 --> 00:19:58,520
I GOT IT.
449
00:19:58,550 --> 00:20:01,520
LET’S GET YOU INTRODUCED.
450
00:20:01,550 --> 00:20:02,520
SUSAN?
451
00:20:02,550 --> 00:20:04,120
DETECTIVE SIPOWICZ IS HERE.
452
00:20:07,750 --> 00:20:10,720
SO, YOU’RE A POLICEMAN
LIKE EDDIE?
453
00:20:10,750 --> 00:20:13,350
ACTUALLY, ME AND EDDIE
ARE DETECTIVES.
454
00:20:13,390 --> 00:20:14,590
ARE YOU MARRIED?
455
00:20:14,620 --> 00:20:17,220
MY WIFE PASSED AWAY
A COUPLE YEARS AGO.
456
00:20:17,250 --> 00:20:18,980
OH, I’M SORRY.
457
00:20:19,020 --> 00:20:20,880
MY HUSBAND, TOO ‐‐
458
00:20:20,920 --> 00:20:22,350
JULY 31, 1988.
459
00:20:22,390 --> 00:20:25,090
DO YOU HAVE ANY CHILDREN?
460
00:20:25,120 --> 00:20:26,580
I HAVE ONE BOY.
461
00:20:26,620 --> 00:20:28,620
DONALD AND I
NEVER HAD CHILDREN.
462
00:20:30,120 --> 00:20:33,080
WELL, THEN.
463
00:20:33,120 --> 00:20:35,980
SO, I’LL BE
SEEING YOU TONIGHT.
464
00:20:36,020 --> 00:20:38,180
YEAH. I’LL SEE YOU TONIGHT.
465
00:20:38,220 --> 00:20:40,080
I DON’T LIKE COLOGNE.
466
00:20:40,120 --> 00:20:42,080
DID YOU TELL HIM
ABOUT THE COLOGNE?
467
00:20:42,120 --> 00:20:43,450
I’M SORRY, I DIDN’T.
468
00:20:43,490 --> 00:20:45,060
I DON’T WEAR IT,
SO IT WON’T BE A PROBLEM.
469
00:20:45,090 --> 00:20:46,460
I SMELL COLOGNE.
470
00:20:49,350 --> 00:20:50,750
THAT’S AFTERSHAVE.
471
00:20:50,790 --> 00:20:52,160
WELL, IT’S DREADFUL.
472
00:20:52,190 --> 00:20:54,360
IF YOU DON’T MIND, I’D ASK
THAT YOU DON’T WEAR IT.
473
00:20:54,390 --> 00:20:56,660
I’LL WORK SOMETHING OUT.
474
00:20:56,690 --> 00:20:58,330
SEE YOU TONIGHT!
475
00:21:03,990 --> 00:21:07,190
OKAY, WE’LL BE THERE.
476
00:21:07,220 --> 00:21:09,980
LET’S GO, PARTNER.
477
00:21:10,020 --> 00:21:13,320
LOVELY BEAST PET STORE JUST GOT
AN INQUIRY FROM A GUY
478
00:21:13,350 --> 00:21:15,380
LOOKING TO OFF‐LOAD
BULLDOG PUPS.
479
00:21:15,420 --> 00:21:17,650
ARE THEY STALLING HIM
AT THE STORE?
480
00:21:17,690 --> 00:21:20,930
NO. THEY TOLD HIM TO COME IN IN
AN HOUR WITH THE LITTER.
481
00:21:20,950 --> 00:21:24,220
YOU RUN PHOTO LINEUPS OF THE
AGENTS FOR THE 2 WITNESSES?
482
00:21:24,250 --> 00:21:26,280
THE WORKER
WHO SAW THEM CLOSEST
483
00:21:26,320 --> 00:21:28,580
SAID IT MOST LIKELY WASN’T ANY
IN THE ARRAY,
484
00:21:28,620 --> 00:21:30,580
BUT THE UNCLE POINTED OUT
AGENT RAMOS
485
00:21:30,620 --> 00:21:32,420
AND SAID HE MIGHT’VE BEEN
ONE OF THE GUYS.
486
00:21:32,450 --> 00:21:34,120
THE UNCLE KNOW
RAMOS AND TORRES
487
00:21:34,150 --> 00:21:35,550
FROM PAST RUN‐INS AT HIS
BUSINESS?
488
00:21:35,590 --> 00:21:38,360
HE DID. SO, YEAH,
YOU GOTTA FACTOR THAT IN.
489
00:21:38,390 --> 00:21:40,490
BUT HE COULDN’T BE SURE
EITHER WAY.
490
00:21:40,520 --> 00:21:42,120
BOTH WITNESSES
WERE INTIMIDATED
491
00:21:42,150 --> 00:21:44,050
AT THE PROSPECT OF DEALING
WITH I. N. S.
492
00:21:44,090 --> 00:21:45,690
YOU VERIFY THE AGENTS’ STORY?
493
00:21:45,720 --> 00:21:48,350
YEAH. THEIR DISPATCH CONFIRMED
THAT TORRES AND RAMOS
494
00:21:48,390 --> 00:21:50,030
DID RADIO IN A COUPLE TIMES
495
00:21:50,050 --> 00:21:51,880
AROUND WHEN OUR DOA
GOT SNATCHED,
496
00:21:51,920 --> 00:21:54,620
BUT DISPATCH DIDN’T KNOW THE
LOCATION OF THE TRANSMISSION,
497
00:21:54,650 --> 00:21:56,820
SO IT DOESN’T MEAN THESE GUYS
WEREN’T INVOLVED.
498
00:21:56,850 --> 00:21:58,580
HAVEN’T CAUGHT THEM IN A LIE,
AT LEAST.
499
00:21:58,620 --> 00:22:00,650
GOT A COUPLE OF
FINGERPRINT HITS
500
00:22:00,690 --> 00:22:02,590
OFF THE STOLEN CAR
THE DOA WAS IN,
501
00:22:02,620 --> 00:22:04,720
ALL COMING BACK
TO A RAFAEL MERCADO ‐‐
502
00:22:04,750 --> 00:22:07,320
SECURITY GUARD AT SUPER BARGAINS
UP ON 120th STREET,
503
00:22:07,350 --> 00:22:08,850
SPANISH HARLEM.
504
00:22:08,890 --> 00:22:11,390
YOU AND ANDY TAKE A RIDE.
IF YOU NEED HELP, CALL.
505
00:22:11,420 --> 00:22:12,320
YEAH.
506
00:22:24,350 --> 00:22:26,650
I’M PICKING UP
A SECURITY JOB.
507
00:22:26,690 --> 00:22:27,990
YEAH?
508
00:22:28,020 --> 00:22:30,580
I’M LOOKING AT 15 YEARS OF PAID
EDUCATION FOR THEO.
509
00:22:30,620 --> 00:22:32,320
YOU’RE NOT GONNA FIND THAT
510
00:22:32,350 --> 00:22:34,320
AT THE BOTTOM OF A BOX OF
CRACKER JACKS.
511
00:22:34,350 --> 00:22:36,380
ONLY 2 NIGHTS A WEEK
AWAY FROM HIM.
512
00:22:36,420 --> 00:22:38,650
YOU’RE LOOKING AHEAD.
YOU’RE BEING A GOOD DAD.
513
00:22:41,820 --> 00:22:43,380
EXCUSE ME.
514
00:22:43,420 --> 00:22:47,350
SECURITY GUARD
RAFAEL MERCADO?
515
00:22:50,250 --> 00:22:51,580
THANKS.
516
00:22:55,920 --> 00:22:56,920
HI.
517
00:22:56,950 --> 00:22:58,720
TALK TO YOU FOR A SECOND?
518
00:22:58,750 --> 00:22:59,920
SURE.
519
00:22:59,950 --> 00:23:01,220
GET HIM. GET HIM!
520
00:23:05,220 --> 00:23:06,720
AAAH!
521
00:23:06,750 --> 00:23:08,680
Junior: YOU OKAY?
522
00:23:08,720 --> 00:23:10,120
GO! GO!
523
00:23:22,450 --> 00:23:24,120
MOVE! MOVE! MOVE!
524
00:23:24,150 --> 00:23:26,120
MOVE!
525
00:23:32,990 --> 00:23:34,460
YOU GOT HIM?
526
00:23:34,490 --> 00:23:36,560
YEAH. YOU OKAY, ANDY?
527
00:23:36,590 --> 00:23:38,890
YEAH. NOW LET’S GET HIM
OUT OF HERE.
528
00:23:46,790 --> 00:23:50,730
WELL...IT’S CONCEIVABLE YOU
COULD MAKE THAT MUCH, BUT ‐‐
529
00:23:50,750 --> 00:23:53,280
HEY, KAREN. WOULD YOU LIKE
TO TRY ONE OF THESE?
530
00:23:53,320 --> 00:23:55,520
LET ME KNOW
WHAT YOU THINK.
531
00:23:55,550 --> 00:23:58,020
WHAT A PRETTY LITTLE DOG.
532
00:23:58,050 --> 00:23:59,380
WHAT’S HER NAME?
533
00:23:59,420 --> 00:24:01,420
HIS NAME IS JOHNNY.
534
00:24:01,450 --> 00:24:04,350
Whew.
535
00:24:04,390 --> 00:24:08,990
SO, THE START‐UP COST OF
BREEDING BULLDOG PUPPIES
536
00:24:09,020 --> 00:24:10,650
IS $3,000
537
00:24:10,690 --> 00:24:12,830
WITH A POTENTIAL
ANNUAL RETURN OF $50,000.
538
00:24:12,850 --> 00:24:14,620
DIDN’T ASK.
539
00:24:14,650 --> 00:24:18,320
ESSENTIALLY THAT 3 GRAND IS JUST
THE COST OF THE BITCH.
540
00:24:18,350 --> 00:24:20,980
THE SERVICES OF THE MALE
YOU HIRE OUT FOR.
541
00:24:21,020 --> 00:24:24,720
AND THEN YOU JUST INTRODUCE THEM
AND PUT THEM IN A ROOM
542
00:24:24,750 --> 00:24:27,680
WITH MOOD LIGHTING
AND A BARRY WHITE RECORD?
543
00:24:27,720 --> 00:24:28,920
[ CHUCKLES ] NO. NO, NO.
544
00:24:28,950 --> 00:24:30,720
THEY DON’T MATE WELL ‐‐
TOO MUCH BELLY.
545
00:24:30,750 --> 00:24:32,420
THE BITCH NEEDS TO BE
INSEMINATED.
546
00:24:32,450 --> 00:24:34,020
ARTIFICIALLY, HUH?
547
00:24:34,050 --> 00:24:36,280
WHAT’S THE PROCESS THERE?
548
00:24:36,320 --> 00:24:39,680
THE SPERM IS INTRODUCED WITH
A DEVICE ‐‐ LIKE A DROPPER.
549
00:24:39,720 --> 00:24:42,520
HOW DO YOU GET THE SPERM
IN THE FIRST PLACE?
550
00:24:42,550 --> 00:24:44,850
YOU DRAW IT OUT
WITH A SYRINGE?
551
00:24:44,890 --> 00:24:47,590
YOU PUT A RECEPTACLE DEVICE
AROUND THE MALE
552
00:24:47,620 --> 00:24:50,820
AND ‐‐ YOU KNOW.
IT’S A MANUAL DEAL.
553
00:24:50,850 --> 00:24:52,920
MANUAL?
554
00:24:52,950 --> 00:24:56,120
LIKE...LIKE...
555
00:24:56,150 --> 00:24:58,020
MANIPULATION, YEAH.
556
00:24:58,050 --> 00:25:01,550
SO THAT’S WHAT ALL
THE TAIL‐WAGGING’S ABOUT.
557
00:25:05,320 --> 00:25:07,320
ARE YOU LARRY?
I SURE AM.
558
00:25:07,350 --> 00:25:09,680
EXCUSE ME.
WHAT’S YOUR NAME?
559
00:25:09,720 --> 00:25:10,980
TOM.
560
00:25:11,020 --> 00:25:12,920
WHAT YOU GOT
IN THE BOX THERE, TOM?
561
00:25:12,950 --> 00:25:14,180
PUPPIES.
562
00:25:14,220 --> 00:25:16,820
AW.
WHERE’D YOU GET THEM FROM?
563
00:25:16,850 --> 00:25:17,920
FROM MY DOG.
564
00:25:17,950 --> 00:25:21,520
YEAH? WE’RE GONNA
BRING YOU IN AND VERIFY THAT.
565
00:25:21,550 --> 00:25:23,780
MY DOG’S OUT OF TOWN.
566
00:25:23,820 --> 00:25:25,780
A LITTLE DOGGY VACATION?
567
00:25:25,820 --> 00:25:27,980
SOMEBODY TOOK MY DOG
OUT OF TOWN.
568
00:25:28,020 --> 00:25:29,650
RIGHT.
569
00:25:31,790 --> 00:25:33,330
COME ON.
570
00:25:43,390 --> 00:25:45,290
I USED TO BE A COP...
571
00:25:45,320 --> 00:25:47,550
IN THE DOMINICAN REPUBLIC.
572
00:25:47,590 --> 00:25:49,830
DID YOU RUN AWAY
WHEN YOU WERE A COP, TOO?
573
00:25:49,850 --> 00:25:52,220
MY TOURIST VISA EXPIRED.
I THOUGHT YOU WERE I. N. S.
574
00:25:52,250 --> 00:25:54,080
HOW LONG WERE YOU A COP?
575
00:25:54,120 --> 00:25:55,250
FIVE YEAR.
576
00:25:55,290 --> 00:25:57,530
YEAH? TRY AND JOIN UP
OUT HERE?
577
00:25:57,550 --> 00:25:59,320
NO HIGH‐SCHOOL DIPLOMA.
578
00:25:59,350 --> 00:26:02,350
I TELL THEM WHAT I KNOW
ABOUT THE STREET.
579
00:26:02,390 --> 00:26:05,290
THAT’S 10 TIMES MORE THAN
A DAMN HIGH‐SCHOOL DIPLOMA.
580
00:26:05,320 --> 00:26:07,180
WHAT DO YOU KNOW
ABOUT OSCAR MOLINA?
581
00:26:07,220 --> 00:26:08,750
I DON’T.
582
00:26:08,790 --> 00:26:12,660
WHAT DO YOU KNOW ABOUT
A JOB SITE AT 10th AND "C"?
583
00:26:12,690 --> 00:26:14,060
NOTHING.
584
00:26:14,090 --> 00:26:16,590
WHAT DO YOU KNOW ABOUT A STOLEN
CAR TAKEN OUT OF BROOKLYN?
585
00:26:16,620 --> 00:26:18,620
YOU PROBABLY NEVER WERE
A COP.
586
00:26:18,650 --> 00:26:20,480
WHY WOULD YOU SAY SOMETHING
LIKE THAT?
587
00:26:20,520 --> 00:26:22,880
WE’VE GOT YOUR FINGERPRINTS
ON THAT STOLEN CAR.
588
00:26:22,920 --> 00:26:26,350
MAYBE A FRIEND OF MINE GIVE ME
A RIDE IN ONE THAT’S STOLEN.
589
00:26:26,390 --> 00:26:27,830
BACK TO OSCAR MOLINA.
590
00:26:27,850 --> 00:26:29,220
I SEE HIM AROUND.
591
00:26:29,250 --> 00:26:31,250
YEAH? WHERE?
592
00:26:31,290 --> 00:26:32,560
PEOPLE POINT HIM OUT.
593
00:26:32,590 --> 00:26:35,060
THAT’S THE GUY WHO HAS SEX
WITH CHILDREN.
594
00:26:35,090 --> 00:26:36,790
I STAY AWAY FROM HIM.
595
00:26:36,820 --> 00:26:39,220
HE MOLEST ANYBODY CLOSE
TO YOU?
596
00:26:39,250 --> 00:26:41,280
IF HE DID,
WE COULD UNDERSTAND
597
00:26:41,320 --> 00:26:43,250
HOW THAT WOULD MAKE YOU
WANT TO HURT HIM.
598
00:26:43,290 --> 00:26:46,190
I TELL YOU WHAT I HEARD.
HE RAPES KIDS.
599
00:26:46,220 --> 00:26:49,280
DO YOU KNOW ANYBODY
WHO WANTED TO HURT HIM?
600
00:26:49,320 --> 00:26:53,020
YOU SEE, THAT’S THE PROBLEM
WITH YOU GUYS HERE.
601
00:26:53,050 --> 00:26:54,580
BACK HOME,
A MOLESTER IS KILLED.
602
00:26:54,620 --> 00:26:58,250
THAT IS GOD MAKING EVERYTHING
TAKE CARE OF ITSELF.
603
00:26:58,290 --> 00:27:00,030
IT’S NOT FOR THE POLICE
TO WORRY ABOUT.
604
00:27:00,050 --> 00:27:02,120
WHY WORRY ABOUT IT?
605
00:27:05,550 --> 00:27:07,980
HOW’D YOU MAKE OUT?
606
00:27:08,020 --> 00:27:09,650
HE’S PLAYING GAMES.
607
00:27:09,690 --> 00:27:11,890
DID YOU RUN A PHOTO LINEUP
ON THIS GUY?
608
00:27:11,920 --> 00:27:14,880
A WORKER PICKED HIM OUT
AS ONE OF THE I. N. S. AGENTS.
609
00:27:14,920 --> 00:27:17,620
BUT THE UNCLE SAYS NO WAY
HE WAS ONE OF THEM.
610
00:27:17,650 --> 00:27:19,680
HE WAS FURTHER AWAY
THAN ANY WORKERS.
611
00:27:19,720 --> 00:27:21,820
WE WENT OVER IT.
HE’S SAYING NO WAY.
612
00:27:21,850 --> 00:27:24,050
THIS GUY SAYS THE DOA
IS A KNOWN PEDOPHILE.
613
00:27:24,090 --> 00:27:26,360
IF IT’S TRUE,
THAT OPENS IT UP.
614
00:27:26,390 --> 00:27:28,790
THE DOA WORKED FOR HIS UNCLE,
RIGHT? LIVED WITH HIM?
615
00:27:28,820 --> 00:27:30,620
YEAH.
616
00:27:30,650 --> 00:27:33,120
THE UNCLE HAVE KIDS?
DIDN’T GET THAT FAR.
617
00:27:33,150 --> 00:27:34,850
GO BY HIS HOME.
LOOK INTO IT.
618
00:27:34,890 --> 00:27:36,060
YOU AND RITA.
619
00:27:36,090 --> 00:27:37,460
ALL RIGHT.
620
00:27:45,890 --> 00:27:47,160
YOU WATCH.
621
00:27:47,190 --> 00:27:49,530
ANY OPENING,
HE’S BRINGING HIS PEOPLE IN.
622
00:27:49,550 --> 00:27:51,820
ISN’T THAT TRADITION
ON THE JOB?
623
00:27:51,850 --> 00:27:54,750
THEY DIDN’T CALL IT
IRISH WELFARE FOR NOTHING.
624
00:27:54,790 --> 00:27:57,860
YES, ANDY. YES, ANDY.
YES, ANDY.
625
00:27:57,890 --> 00:28:00,230
THAT BALL‐BREAKER.
626
00:28:04,320 --> 00:28:06,150
THANKS.
ANYTIME.
627
00:28:06,190 --> 00:28:08,230
EVERYTHING WORK OUT
WITH THE DOGS?
628
00:28:08,250 --> 00:28:11,180
ACTUALLY, TOM,
WE HIT A SNAG.
629
00:28:11,220 --> 00:28:14,480
WHERE WERE YOU THIS MORNING
AROUND 8:00?
630
00:28:14,520 --> 00:28:16,650
MY APARTMENT.
WHAT KIND OF SNAG?
631
00:28:16,690 --> 00:28:19,490
ANYONE WITH YOU?
JUST THE DOGGIES.
632
00:28:19,520 --> 00:28:22,180
EVER BEEN
TO 1791 SPRING STREET?
633
00:28:22,220 --> 00:28:23,480
DOUBT IT.
634
00:28:23,520 --> 00:28:26,820
THE GROCER ACROSS THE STREET SAW
A GUY LOOKING LIKE YOU
635
00:28:26,850 --> 00:28:30,280
LEAVE 1791 SPRING STREET AT 8:00
HOLDING A BIG BOX.
636
00:28:30,320 --> 00:28:32,520
AFTER HE POSITIVELY
IDENTIFIES YOU, TOM,
637
00:28:32,550 --> 00:28:35,820
YOU’LL BE FACING
A BURGLARY CHARGE.
638
00:28:35,850 --> 00:28:37,680
THIS IS UNREAL.
639
00:28:37,720 --> 00:28:41,150
WHAT LED YOU
TO THE PUPPIES?
640
00:28:41,190 --> 00:28:43,160
A GUY WHO COMES INTO THIS CLUB
I GO TO.
641
00:28:43,190 --> 00:28:46,190
I DON’T EVEN LIKE DOGS,
BUT HE OFFERS ME 1,000 BUCKS.
642
00:28:46,220 --> 00:28:47,820
WHO’S THE GUY?
643
00:28:47,850 --> 00:28:49,880
CARTER SOMETHING.
644
00:28:49,920 --> 00:28:50,920
LYNCH?
645
00:28:50,950 --> 00:28:52,150
THAT’S IT.
646
00:28:52,190 --> 00:28:54,930
HE GAVE ME A KEY,
TOLD ME WHERE TO GO,
647
00:28:54,950 --> 00:28:58,550
SAID TO MAKE SURE I BUST IN BY
THE FIRE ESCAPE, EASY GRAND.
648
00:28:58,590 --> 00:29:01,730
TWO MORE, YOU COULD
HAVE YOURSELF A BUSINESS.
649
00:29:01,750 --> 00:29:04,580
WHAT WAS THE PLAN FOR
AFTER HE TOOK THE DOGS?
650
00:29:04,620 --> 00:29:06,550
I WAS SUPPOSED TO KEEP THEM
THE WEEK,
651
00:29:06,590 --> 00:29:08,160
AND THEN HE WAS GONNA
GET THEM.
652
00:29:08,190 --> 00:29:10,030
WHAT MADE YOU SELL THEM?
653
00:29:10,050 --> 00:29:12,920
I JUST COULDN’T TAKE THOSE
LITTLE NIGHTMARES ANYMORE.
654
00:29:12,950 --> 00:29:15,550
I COULDN’T REACH CARTER,
SO I FOUND THIS PET SHOP
655
00:29:15,590 --> 00:29:17,590
AND ASKED HOW MUCH
THEY PAID FOR PUPPIES.
656
00:29:17,620 --> 00:29:20,350
WHEN YOU SAY YOU COULDN’T TAKE
THOSE NIGHTMARES ANYMORE,
657
00:29:20,390 --> 00:29:21,490
WHAT DID YOU MEAN?
658
00:29:21,520 --> 00:29:23,780
IN THE SPACE OF FIVE HOURS,
659
00:29:23,820 --> 00:29:28,980
I HAD LIQUID DOG GRAVY
ON MY FLOOR, ON MY RUG,
660
00:29:29,020 --> 00:29:30,280
EVEN IN MY SHOE.
661
00:29:30,320 --> 00:29:33,880
YOU KNOW HOW PUPPIES ARE
CONSTANTLY YIPPING?
662
00:29:33,920 --> 00:29:35,550
MULTIPLY THAT BY FIVE
663
00:29:35,590 --> 00:29:38,330
AND THEN COVER
EVERYTHING YOU OWN
664
00:29:38,350 --> 00:29:40,550
IN THE MOST FOUL‐SMELLING URINE
AND FECES,
665
00:29:40,590 --> 00:29:43,190
AND YOU’LL HAVE SOME IDEA OF
WHAT MY MORNING WAS LIKE.
666
00:29:43,220 --> 00:29:45,680
EASY MONEY.
667
00:29:45,720 --> 00:29:48,320
WRITE DOWN
ABOUT THE BURGLARY.
668
00:29:57,920 --> 00:29:59,280
YES?
669
00:29:59,320 --> 00:30:02,450
THIS RENALDO MOLINA’S
APARTMENT? YOU ARE?
670
00:30:02,490 --> 00:30:04,260
I’M MARIA, HIS WIFE.
671
00:30:04,290 --> 00:30:06,960
DETECTIVES ORTIZ
AND McDOWELL.
672
00:30:06,990 --> 00:30:08,530
RENALDO’S NOT HERE.
673
00:30:08,550 --> 00:30:10,850
YEAH, WE KNOW.
CAN WE COME IN?
674
00:30:10,890 --> 00:30:13,190
OKAY.
675
00:30:17,920 --> 00:30:19,820
WHO ELSE LIVES HERE?
676
00:30:19,850 --> 00:30:21,650
JUST RENALDO AND ME.
677
00:30:24,420 --> 00:30:27,020
EITHER OF YOU
HAVE CHILDREN?
678
00:30:27,050 --> 00:30:28,250
NO. NOT YET.
679
00:30:28,290 --> 00:30:30,830
DID YOU KNOW
HIS NEPHEW OSCAR?
680
00:30:30,850 --> 00:30:32,820
HE LIVED HERE?
681
00:30:32,850 --> 00:30:35,180
YES, BUT HE MOVED.
I DON’T KNOW WHERE HE LIVES NOW.
682
00:30:35,220 --> 00:30:37,820
LIVES?
683
00:30:37,850 --> 00:30:39,120
OSCAR’S DEAD.
684
00:30:39,150 --> 00:30:41,350
WHEN?
685
00:30:41,390 --> 00:30:42,590
HOW?
686
00:30:42,620 --> 00:30:45,050
LAST COUPLE DAYS,
AND WE DON’T KNOW.
687
00:30:45,090 --> 00:30:47,030
YOU AND OSCAR
WERE FRIENDS?
688
00:30:47,050 --> 00:30:48,580
A LITTLE BIT.
689
00:30:48,620 --> 00:30:51,280
WAS YOUR HUSBAND JEALOUS
OF YOU AND OSCAR?
690
00:30:51,320 --> 00:30:53,750
WERE YOU SLEEPING
WITH OSCAR?
691
00:30:53,790 --> 00:30:55,030
NO!
692
00:30:55,050 --> 00:30:56,220
BUT YOUR HUSBAND THOUGHT
YOU WERE?
693
00:30:56,250 --> 00:30:57,680
WE HAVE OTHER DETECTIVES
694
00:30:57,720 --> 00:31:00,320
TALKING TO PEOPLE
WHO SAW WHAT HAPPENED.
695
00:31:00,350 --> 00:31:02,720
WE’RE GONNA FIND OUT
HOW OSCAR GOT KILLED.
696
00:31:02,750 --> 00:31:05,120
IF YOU STAND BETWEEN US
AND THE TRUTH,
697
00:31:05,150 --> 00:31:07,080
YOU’LL END UP GETTING HURT.
698
00:31:07,120 --> 00:31:08,420
I DON’T KNOW WHAT HAPPENED.
699
00:31:08,450 --> 00:31:09,680
DON’T LIE TO US, MARIA.
700
00:31:09,720 --> 00:31:10,550
I DON’T KNOW!
701
00:31:10,590 --> 00:31:11,890
HOW LONG HAVE YOU
LIVED IN THE U. S.?
702
00:31:11,920 --> 00:31:13,120
THREE YEARS.
703
00:31:13,150 --> 00:31:15,580
DID YOUR HUSBAND BRING YOU FROM
THE DOMINICAN REPUBLIC?
704
00:31:15,620 --> 00:31:16,780
YES.
705
00:31:16,820 --> 00:31:18,150
NOW, I WANT THE TRUTH.
706
00:31:18,190 --> 00:31:21,630
DID YOUR HUSBAND THINK THAT YOU
AND OSCAR WERE TOGETHER?
707
00:31:23,520 --> 00:31:25,350
DID YOUR HUSBAND
THREATEN OSCAR?
708
00:31:26,990 --> 00:31:28,730
HE SAY HE’D KILL HIM?
709
00:31:28,750 --> 00:31:31,320
YOU NEED TO GET
A PHOTO OF YOUR HUSBAND.
710
00:31:38,020 --> 00:31:40,120
THEY WEREN’T HAVING SEX.
711
00:31:40,150 --> 00:31:41,680
HER HUSBAND
TAKES OUT THE NEPHEW
712
00:31:41,720 --> 00:31:43,780
JUST FOR MAKING EYES
AT HER?
713
00:31:43,820 --> 00:31:46,480
I CAN BELIEVE IT.
714
00:31:48,250 --> 00:31:51,520
WE MIGHT HAVE A BREAKTHROUGH
HERE, RAFAEL.
715
00:31:51,550 --> 00:31:53,320
OKAY.
716
00:31:58,950 --> 00:32:02,780
THIS GUY HIRE YOU TO KILL THAT
MAN TWO DAYS AGO?
717
00:32:02,820 --> 00:32:05,720
THAT GUY THAT WAS KILLED WAS
A CHILD MOLESTER.
718
00:32:05,750 --> 00:32:07,750
THAT WAS NO MOLESTER,
RAFAEL.
719
00:32:07,790 --> 00:32:10,890
THE GUY WHO GOT KILLED WAS
TRYING TO SCREW THIS GUY’S WIFE.
720
00:32:10,920 --> 00:32:12,350
NO.
721
00:32:12,390 --> 00:32:14,460
YES.
AND THE MACHISMO KICKED IN.
722
00:32:14,490 --> 00:32:15,860
HE TOLD YOU A STORY
723
00:32:15,890 --> 00:32:19,030
THAT WOULD MAKE YOU WANT
TO BRING JUSTICE.
724
00:32:19,050 --> 00:32:22,250
IT’S A LIE, RAFAEL.
DON’T PROTECT HIM.
725
00:32:22,290 --> 00:32:24,760
YOU’RE FORGETTING
I WAS A COP.
726
00:32:24,790 --> 00:32:27,390
I KNOW ABOUT TELLING LIES
TO GET PEOPLE’S HEAD SPINNING.
727
00:32:27,420 --> 00:32:29,020
YOU GOT FAMILY OUT HERE?
728
00:32:29,050 --> 00:32:30,180
YEAH.
729
00:32:30,220 --> 00:32:31,750
THEY ALL LEGAL?
730
00:32:31,790 --> 00:32:34,930
IF YOU KEEP LYING ABOUT YOUR
INVOLVEMENT IN THIS,
731
00:32:34,950 --> 00:32:38,450
I WILL ROUND UP EVERY FAMILY
MEMBER, EVERY FRIEND,
732
00:32:38,490 --> 00:32:41,690
ANYBODY THAT YOU EVER HAD
A CONVERSATION WITH,
733
00:32:41,720 --> 00:32:44,820
AND WHOEVER ISN’T LEGAL IS ON
THE FIRST PLANE OUT OF HERE.
734
00:32:44,850 --> 00:32:48,180
I WILL TELL THEM THAT RAFAEL
BOUGHT THEIR TICKET.
735
00:32:48,220 --> 00:32:50,550
I AM THAT PISSED,
AND I WILL DO IT!
736
00:32:50,590 --> 00:32:54,290
YOU KNOW THAT GUY WAS NOT
A CHILD MOLESTER?
737
00:32:54,320 --> 00:32:57,580
HE FLIRTED
WITH THIS GUY’S WIFE.
738
00:33:02,120 --> 00:33:04,120
WHAT HAPPENS TO HIM?
739
00:33:04,150 --> 00:33:05,420
HE’S GONNA GET LOCKED UP.
740
00:33:05,450 --> 00:33:08,220
DID THIS GUY MOLINA
HIRE YOU?
741
00:33:08,250 --> 00:33:12,050
YEAH, FOR $2,000.
742
00:33:12,090 --> 00:33:14,230
ALL RIGHT,
TWO GUYS PICKED HIM UP.
743
00:33:14,250 --> 00:33:16,350
WHO’S THE OTHER GUY
YOU DID IT WITH?
744
00:33:16,390 --> 00:33:19,630
I’LL NEVER TELL YOU.
IT WAS ME. I BROUGHT HIM IN.
745
00:33:19,650 --> 00:33:22,420
RAFAEL, YOU CAN SAVE YOURSELF
A LOT OF YEARS
746
00:33:22,450 --> 00:33:24,650
IF YOU TELL US WHO ELSE
WAS IN ON IT.
747
00:33:24,690 --> 00:33:27,590
YEAH, I KNOW HOW IT WORKS,
BUT I AIN’T GONNA DO IT.
748
00:33:27,620 --> 00:33:30,180
ANYWAY, HE’S BACK IN THE
DOMINICAN REPUBLIC.
749
00:33:31,550 --> 00:33:34,420
I’LL TAKE WHATEVER’S COMING.
750
00:33:34,450 --> 00:33:36,380
WE CAN RESPECT THAT.
751
00:33:36,420 --> 00:33:37,950
YOU LEAVE MY FAMILY ALONE.
752
00:33:37,990 --> 00:33:39,790
ALL RIGHT.
753
00:33:39,820 --> 00:33:42,280
LET’S GO.
754
00:33:51,020 --> 00:33:54,250
THE LIEUTENANT SUGGESTED I LOOK
IN ON INTERVIEWS.
755
00:33:54,290 --> 00:33:56,260
IT WOULD BE NICE
IF SOMEBODY TOLD ME.
756
00:33:56,290 --> 00:33:58,530
SORRY.
IS IT OKAY THAT I DO?
757
00:33:58,550 --> 00:34:00,850
[ CLEARS THROAT ]
YEAH, SURE.
758
00:34:02,990 --> 00:34:04,690
LOOK,
WHAT I SAID IN THERE
759
00:34:04,720 --> 00:34:06,920
ABOUT ROUNDING UP
HIS FAMILY ‐‐
760
00:34:06,950 --> 00:34:08,550
IT WAS A GOOD INTERVIEW.
761
00:34:08,590 --> 00:34:10,590
THERE’S THREATS
TO GET PEOPLE TO GO,
762
00:34:10,620 --> 00:34:12,720
AND THERE’S WHAT
YOU’RE REALLY DOING.
763
00:34:12,750 --> 00:34:15,420
I KNOW THE DIFFERENCE.
IT WAS A GOOD INTERVIEW.
764
00:34:15,450 --> 00:34:17,920
SO NOW YOU GO
GRAB UP THE UNCLE?
765
00:34:17,950 --> 00:34:20,450
YEAH.
YOU WANT TO TAKE A RIDE?
766
00:34:21,790 --> 00:34:24,130
SURE.
767
00:34:38,790 --> 00:34:41,390
I DON’T UNDERSTAND THE PRIVATE
ASPECT OF THIS.
768
00:34:41,420 --> 00:34:42,650
WHY CAN’T RAY COME IN?
769
00:34:45,290 --> 00:34:47,230
WE SPOKE WITH TOM BURRIS.
770
00:34:47,250 --> 00:34:50,250
HE TOLD US
HOW YOU SET THIS UP.
771
00:34:50,290 --> 00:34:53,460
[ CHUCKLES ] I DON’T KNOW
ANY TOM BURRIS.
772
00:34:53,490 --> 00:34:55,930
THAT’S NOT HOW YOU WANT TO PLAY
THIS, MR. LYNCH.
773
00:34:55,950 --> 00:34:57,420
TELL US WHAT HAPPENED,
774
00:34:57,450 --> 00:34:59,620
AND MAYBE THIS COULD BE SETTLED
OUTSIDE A COURTROOM.
775
00:34:59,650 --> 00:35:02,980
RAY DESCRIBED YOU TWO AS
PARTNERS IN A DOG BREEDING,
776
00:35:03,020 --> 00:35:05,220
BUT IS THERE MORE TO IT
THAN THAT?
777
00:35:05,250 --> 00:35:06,820
THERE WAS.
WE BROKE UP.
778
00:35:06,850 --> 00:35:09,680
YOU STILL LIVE TOGETHER. IT
COULDN’T HAVE BEEN TOO NASTY.
779
00:35:09,720 --> 00:35:12,350
IT WASN’T PLEASANT,
BUT SINCE NOTHING PHASES RAY,
780
00:35:12,390 --> 00:35:14,760
HE SAID I COULD STAY
UNTIL I FOUND A NEW PLACE.
781
00:35:14,790 --> 00:35:17,290
SO YOU ARRANGED THE BURGLARY
FOR MOVING‐OUT MONEY?
782
00:35:17,320 --> 00:35:19,080
I MIGHT HAVE MENTIONED
TO TOM
783
00:35:19,120 --> 00:35:21,620
THAT THERE WAS SOME VALUABLE
PUPPIES IN THE LOFT.
784
00:35:21,650 --> 00:35:25,050
IS THIS AFTER YOU GAVE HIM A KEY
AND TOLD HIM YOU’D MEET HIM?
785
00:35:25,090 --> 00:35:27,090
RAY SHOULD SHARE
SOME OF THE BLAME.
786
00:35:27,120 --> 00:35:29,650
HE GOT ME USED TO A LIFESTYLE
WAY BEYOND MY MEANS.
787
00:35:29,690 --> 00:35:31,890
THAT’S YOUR REASON
FOR RIPPING HIM OFF?
788
00:35:31,920 --> 00:35:33,720
HE’S WEALTHY.
789
00:35:33,750 --> 00:35:35,580
I’M OUT OF WORK.
790
00:35:35,620 --> 00:35:38,620
HE PAYS FOR MEALS, FOR CABS,
FOR CLOTHES.
791
00:35:38,650 --> 00:35:41,320
I’M SORRY, BUT I STARTED
TO FEEL WORTHLESS.
792
00:35:41,350 --> 00:35:44,620
IS THAT WHAT YOU WANT US
TO TELL HIM?
793
00:35:44,650 --> 00:35:48,450
I WANTED THE MONEY
AND A SENSE OF INDEPENDENCE,
794
00:35:48,490 --> 00:35:51,230
SO I ACTED
OUT OF FRUSTRATION.
795
00:35:51,250 --> 00:35:54,650
BUT REALLY I HOPED THAT HE WOULD
TURN TO ME FOR SUPPORT
796
00:35:54,690 --> 00:35:57,430
AND MAYBE TAKE ME BACK.
797
00:35:57,450 --> 00:35:59,850
THAT’S THE TRUTH.
798
00:35:59,890 --> 00:36:03,290
WE’LL TALK TO HIM.
799
00:36:05,390 --> 00:36:08,060
WE EXPLAINED THE SITUATION
TO MR. MAXWELL,
800
00:36:08,090 --> 00:36:10,390
AND HE SAID IF LYNCH WAS
OUT BY TONIGHT,
801
00:36:10,420 --> 00:36:12,020
HE WOULDN’T PRESS CHARGES.
802
00:36:12,050 --> 00:36:14,680
WELL, THE LAST THING I NEED IS
A RELUCTANT COMPLAINANT.
803
00:36:14,720 --> 00:36:16,350
WE’LL MAKE SURE
LYNCH VACATES?
804
00:36:16,390 --> 00:36:18,460
WE’LL SEND HIM
WITH UNIFORMED COPS.
805
00:36:18,490 --> 00:36:21,590
PUT IT IN YOUR REPORTS
AND SEND ME A COPY.
806
00:36:21,620 --> 00:36:22,680
I’LL GET LYNCH.
807
00:36:22,720 --> 00:36:25,280
DO YOU NEED SOMEONE TO INFORM
MR. MAXWELL?
808
00:36:25,320 --> 00:36:27,320
YOU VOLUNTEERING?
809
00:36:27,350 --> 00:36:29,580
HE AND I HAD A CONVERSATION
EARLIER,
810
00:36:29,620 --> 00:36:32,680
AND ANY EXCUSE
TO LOOK AT THOSE PUPPIES...
811
00:36:32,720 --> 00:36:34,020
BY ALL MEANS.
812
00:36:36,020 --> 00:36:39,350
GO, TIGER.
813
00:36:41,590 --> 00:36:45,230
OUR ASSISTANT DISTRICT ATTORNEY
AGREED TO THE TERMS
814
00:36:45,250 --> 00:36:47,880
YOU DECIDED ON
REGARDING MR. LYNCH.
815
00:36:47,920 --> 00:36:50,220
GOOD.
IT’S BEST FOR EVERYONE.
816
00:36:50,250 --> 00:36:52,620
I CONFESS
I OVERHEARD THE TERMS,
817
00:36:52,650 --> 00:36:55,580
AND I THINK YOUR EQUANIMITY
IS ADMIRABLE.
818
00:36:55,620 --> 00:36:57,050
AGAIN, THANK YOU.
819
00:36:57,090 --> 00:36:59,830
BEST OF LUCK.
820
00:36:59,850 --> 00:37:01,580
DO YOU GO TO THE THEATER?
821
00:37:01,620 --> 00:37:04,250
WHENEVER I CAN.
822
00:37:04,290 --> 00:37:07,130
CARTER AND I WERE SUPPOSED
TO GO TONIGHT,
823
00:37:07,150 --> 00:37:08,620
BUT...[ CLEARS THROAT ]
824
00:37:08,650 --> 00:37:11,750
WOULD YOU LIKE TICKETS
TO "THE PRODUCERS"?
825
00:37:11,790 --> 00:37:14,090
THEY WERE A GIFT
FROM NATHAN LANE’S MANAGER,
826
00:37:14,120 --> 00:37:15,680
SO THEY SHOULD BE GOOD.
827
00:37:15,720 --> 00:37:19,280
YOU’RE GIVING AWAY HOUSE SEATS
TO "THE PRODUCERS"?
828
00:37:19,320 --> 00:37:21,220
I’M JUST NOT IN THE MOOD.
829
00:37:21,250 --> 00:37:24,920
THAT’S LIKE SAYING YOU’RE NOT IN
THE MOOD TO WIN THE LOTTERY.
830
00:37:24,950 --> 00:37:27,550
I‐I COULDN’T TAKE THEM.
YOU’VE GOT TO GO.
831
00:37:27,590 --> 00:37:30,260
HOW ABOUT IF YOU WENT
WITH ME?
832
00:37:31,920 --> 00:37:35,020
I’D LOVE TO...
TRULY...
833
00:37:35,050 --> 00:37:38,220
BUT I PROMISED ONE OF
THE DETECTIVES I WOULD BABYSIT.
834
00:37:38,250 --> 00:37:40,050
SOME OTHER TIME THEN.
835
00:37:40,090 --> 00:37:42,390
NO, WAIT.
836
00:37:42,420 --> 00:37:45,280
GIVE ME A HALF‐HOUR,
AND I’LL WORK SOMETHING OUT.
837
00:37:57,120 --> 00:37:58,580
DETECTIVE SIPOWICZ ‐‐
838
00:37:58,620 --> 00:38:01,080
DID THEO
GET DROPPED OFF YET?
839
00:38:01,120 --> 00:38:02,720
DETECTIVE McDOWELL’S
WATCHING HIM.
840
00:38:02,750 --> 00:38:04,920
I NEED A MOMENT
THE MINUTE YOU’RE FREE.
841
00:38:04,950 --> 00:38:07,450
HEY, BOSS.
MOLINA LAWYERED UP.
842
00:38:07,490 --> 00:38:09,360
HE COOKED UP THIS
I. N. S. SCHEME?
843
00:38:09,390 --> 00:38:11,790
ON ACCOUNT THE DOA WAS FLIRTING
WITH HIS OLD LADY.
844
00:38:11,820 --> 00:38:14,980
HE’S BEING PROCESSED, AND I’LL
GET HIM TO CENTRAL BOOKING.
845
00:38:15,020 --> 00:38:16,120
GOOD NIGHT.
846
00:38:16,150 --> 00:38:17,650
GOOD NIGHT, LIEUTENANT.
847
00:38:17,690 --> 00:38:19,790
HEY, RITA,
FIRST DAY IN THE SQUAD.
848
00:38:19,820 --> 00:38:22,050
WE GOT TO BUY YOU A BEER.
IT’S A TRADITION.
849
00:38:22,090 --> 00:38:24,690
UM, YEAH.
850
00:38:24,720 --> 00:38:26,720
I GOT AN HOUR BEFORE
I MEET MY HUSBAND.
851
00:38:26,750 --> 00:38:30,020
PLENTY OF TIME.
852
00:38:37,550 --> 00:38:40,120
YOU KNOW I TAKE BABYSITTING THEO
VERY SERIOUSLY,
853
00:38:40,150 --> 00:38:43,080
AND I WOULD NEVER CANCEL
AT THE LAST MINUTE.
854
00:38:43,120 --> 00:38:44,380
YOU GOTTA CANCEL NOW?
855
00:38:44,420 --> 00:38:47,480
I TALKED WITH McDOWELL,
AND SHE AGREED TO TAKE MY PLACE.
856
00:38:47,520 --> 00:38:50,180
BUT IF YOU HAVE ANY QUALMS
AT ALL, SAY SO,
857
00:38:50,220 --> 00:38:51,920
AND THE ISSUE IS CLOSED.
858
00:38:51,950 --> 00:38:53,350
WHAT’S SO URGENT?
859
00:38:53,390 --> 00:38:55,990
I’VE BEEN INVITED
TO SEE "THE PRODUCERS"
860
00:38:56,020 --> 00:38:59,420
IN NATHAN LANE’S SEATS.
861
00:38:59,450 --> 00:39:02,150
AND HE IS?
862
00:39:02,190 --> 00:39:04,890
OH, DETECTIVE,
IT’S MANNA FROM HEAVEN.
863
00:39:04,920 --> 00:39:08,050
BUT I MADE A COMMITMENT,
AND I’LL HAPPILY STICK BY IT.
864
00:39:08,090 --> 00:39:09,560
NO, IT’S FINE.
865
00:39:09,590 --> 00:39:11,990
[ CLEARS THROAT ]
IT’S NOT A PROBLEM.
866
00:39:12,020 --> 00:39:14,720
THANK YOU SO MUCH.
867
00:39:21,590 --> 00:39:25,730
DON’T LET HER GET TOO SMASHED,
EH?
868
00:39:25,750 --> 00:39:27,380
HERE’S MY PAGER NUMBER.
869
00:39:27,420 --> 00:39:30,720
DON’T CALL ME UNLESS IT’S
AN EXTREME EMERGENCY.
870
00:39:33,090 --> 00:39:34,860
DETECTIVE!
871
00:39:34,890 --> 00:39:38,590
ARE WE READY TO HAVE SOME FUN,
KICK UP OUR HEELS?
872
00:39:38,620 --> 00:39:40,350
UH...
873
00:39:40,390 --> 00:39:42,260
I’LL PLAY THE PIANO,
AND YOU CAN SING.
874
00:39:42,290 --> 00:39:44,430
I‐I DON’T SING.
YOU CAN, THOUGH.
875
00:39:44,450 --> 00:39:46,950
HOW ’BOUT WE PLAY SOME CARDS
THEN?
876
00:39:46,990 --> 00:39:48,460
IF YOU WANT.
877
00:39:48,490 --> 00:39:51,360
GIN RUMMY.
EDDIE ALWAYS LETS ME WIN.
878
00:39:52,820 --> 00:39:54,250
WOULD YOU BE A LOVE
879
00:39:54,290 --> 00:39:57,130
AND POUR ME JUST A DROP
OF SHERRY?
880
00:39:57,150 --> 00:40:00,280
[ SIGHS ] YEAH.
881
00:40:02,720 --> 00:40:03,950
HMM?
882
00:40:03,990 --> 00:40:06,260
MM‐HMM.
883
00:40:10,020 --> 00:40:11,920
[ SIGHS ]
884
00:40:11,950 --> 00:40:13,550
OH!
885
00:40:13,590 --> 00:40:15,090
THERE YOU GO.
886
00:40:15,120 --> 00:40:17,920
YOU DEAL.
887
00:40:17,950 --> 00:40:19,950
OKAY.
888
00:40:19,990 --> 00:40:24,090
[ SIGHS ]
889
00:40:27,450 --> 00:40:29,350
OH, DEAR!
890
00:40:33,590 --> 00:40:35,460
YOU’RE NOT GOING
TO GET THAT?
891
00:40:35,490 --> 00:40:37,660
NOPE. LOOKS LIKE YOU PREFER IT
ON THE FLOOR.
892
00:40:37,690 --> 00:40:40,960
WELL, I DON’T.
FETCH A TOWEL AND CLEAN IT UP.
893
00:40:40,990 --> 00:40:43,630
FETCH?
NO, I DON’T THINK SO.
894
00:40:52,150 --> 00:40:54,520
[ PIANO PLAYS ]
♪ PARDON ME, BOY ♪
895
00:40:54,550 --> 00:40:57,720
♪ IS THAT THE CHATTANOOGA
CHOO CHOO? ♪
896
00:40:57,750 --> 00:40:59,180
♪ TRACK 29 ♪
897
00:40:59,220 --> 00:41:01,720
COME ON, DETECTIVE.
YOU KNOW THIS ONE.
898
00:41:01,750 --> 00:41:04,080
♪ BOY,
YOU CAN GIVE ME A SHINE ♪
899
00:41:04,120 --> 00:41:06,520
♪ I CAN AFFORD ♪
900
00:41:06,550 --> 00:41:08,580
♪ TO BOARD
A CHATTANOOGA ‐‐ ♪
901
00:41:08,620 --> 00:41:10,720
YOU ARE RUINING
MY EVENING.
902
00:41:10,750 --> 00:41:13,480
NOW, GET OVER HERE
AND SING WITH ME!
903
00:41:13,520 --> 00:41:17,420
LISTEN, MRS. HORNBY, WE BETTER
GET A FEW THINGS CLEAR.
904
00:41:17,450 --> 00:41:20,620
I WANT YOU TO SING. HOW MUCH
MORE CLEAR DO I HAVE TO BE?
905
00:41:20,650 --> 00:41:22,480
I TOOK THIS JOB
TO PROTECT YOU.
906
00:41:22,520 --> 00:41:26,280
BUT OBVIOUSLY YOU’RE LOOKING FOR
ANOTHER MAID OR A BABYSITTER.
907
00:41:26,320 --> 00:41:28,320
EDDIE DIDN’T HAVE A PROBLEM
WITH THAT.
908
00:41:28,350 --> 00:41:30,720
I’M NOT EDDIE. I DON’T SING,
AND I DON’T FETCH.
909
00:41:30,750 --> 00:41:33,580
YOU ARE MAKING ME VERY UNHAPPY
RIGHT NOW!
910
00:41:33,620 --> 00:41:34,920
YOU LISTEN TO ME.
911
00:41:34,950 --> 00:41:36,480
I’M GONNA GO SIT
BY THE DOOR.
912
00:41:36,520 --> 00:41:38,620
I’M GONNA WAIT FOR YOUR MAID
TO COME BACK,
913
00:41:38,650 --> 00:41:40,720
AND WHEN SHE DOES,
I’M OUT OF HERE.
914
00:41:40,750 --> 00:41:42,280
TOMORROW YOU CAN ADVERTISE
915
00:41:42,320 --> 00:41:45,020
FOR A SINGING, FETCHING
MANSERVANT, YOU GOT THAT?
916
00:41:45,050 --> 00:41:47,480
FINE!
917
00:41:58,020 --> 00:42:00,750
He fell asleep watching TV.
918
00:42:04,420 --> 00:42:05,980
MNH‐MNH.
919
00:42:06,020 --> 00:42:07,650
CAN YOU SLIDE OUT?
920
00:42:13,990 --> 00:42:15,360
DADDY?
921
00:42:15,390 --> 00:42:18,360
YEAH, BUDDY.
I’LL BE BACK IN A MINUTE.
922
00:42:18,390 --> 00:42:19,790
YOU JUST SIT TIGHT.
923
00:42:26,220 --> 00:42:28,720
I MADE HIM A LUNCH FOR SCHOOL
TOMORROW.
924
00:42:28,750 --> 00:42:29,920
IT’S IN THE FRIDGE.
925
00:42:29,950 --> 00:42:31,720
YOU DIDN’T HAVE TO DO THAT.
926
00:42:31,750 --> 00:42:33,320
I JUST MADE A SANDWICH.
927
00:42:33,350 --> 00:42:35,280
ALSO, HE SAID HE WAS ALLOWED
TO WATCH TV
928
00:42:35,320 --> 00:42:36,850
WHILE HE DOES HIS HOMEWORK.
929
00:42:36,890 --> 00:42:38,560
NO. HE’S PLAYING YOU.
930
00:42:38,590 --> 00:42:40,060
I FIGURED,
931
00:42:40,090 --> 00:42:42,930
SO I HELD HIM OFF
UNTIL HE FINISHED.
932
00:42:42,950 --> 00:42:45,250
HOW’S THE SECURITY JOB?
933
00:42:45,290 --> 00:42:47,930
THIS WOMAN IS A NUT CASE.
I’M NOT GOING BACK.
934
00:42:47,950 --> 00:42:49,880
WELL,
IF THERE’S ANY CHANGE
935
00:42:49,920 --> 00:42:53,020
OR SOMETHING COMES UP
AND JOHN’S BUSY,
936
00:42:53,050 --> 00:42:54,820
I’D BE HAPPY TO SIT AGAIN.
937
00:42:54,850 --> 00:42:56,620
THEN FOR THE FUTURE,
938
00:42:56,650 --> 00:42:58,980
IT’S BETTER IF YOU HAVE HIM
GO TO SLEEP IN HIS OWN BED.
939
00:42:59,020 --> 00:43:00,550
HE CAN BE A HARD TRANSFER.
940
00:43:00,590 --> 00:43:03,530
DONE.
941
00:43:03,550 --> 00:43:06,250
Oh, uh...
942
00:43:06,290 --> 00:43:08,960
DOES HE GET
ONE SANDWICH OR TWO?
943
00:43:08,990 --> 00:43:10,830
ONE.
944
00:43:10,850 --> 00:43:13,750
HE SAID TWO. I GAVE HIM ONE
AND ONLY ONE PUDDING.
945
00:43:13,790 --> 00:43:14,890
THERE YOU GO.
946
00:43:14,920 --> 00:43:16,280
GOOD NIGHT, ANDY.
947
00:43:16,320 --> 00:43:18,850
AND I’M SERIOUS. ANYTIME YOU
WANT ME TO WATCH HIM...
948
00:43:18,890 --> 00:43:20,190
GOOD NIGHT.
69458
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.