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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,640 --> 00:00:03,100 Andy: PREVIOUSLY ON "NYPD BLUE"... 2 00:00:03,140 --> 00:00:05,300 SO, WHY THE CHANGE? YOU WERE ON NIGHT WATCH THE LAST TEN YEARS, RIGHT? 3 00:00:05,340 --> 00:00:10,000 I’M THIRD‐GRADE STILL, AND WE BOTH KNOW YOU DON’T GET A GRADE BUMP WORKING NIGHT WATCH. 4 00:00:10,040 --> 00:00:12,240 THAT’S THE RUMOR. SO, I PUT IN THE WORK LIKE EVERYBODY ELSE. 5 00:00:12,270 --> 00:00:15,000 WHY SHOULDN’T I REAP MAXIMUM BENEFITS? I GOTTA BUILD UP MY PENSION, RIGHT? 6 00:00:15,040 --> 00:00:16,600 ANDY, I’M ASSIGNED HERE NOW! 7 00:00:16,640 --> 00:00:17,600 HOW? 8 00:00:17,640 --> 00:00:19,640 LIEU SAYS YOU BEEN SLACKIN’. 9 00:00:19,670 --> 00:00:21,340 NEEDED ME TO REMIND YOU HOW IT’S DONE. 10 00:00:21,370 --> 00:00:22,840 WHAT’S GOING ON? WHAT’S WITH THE BAGS? 11 00:00:22,870 --> 00:00:24,500 YOU’RE SUCH A GREAT DETECTIVE ALREADY, 12 00:00:24,540 --> 00:00:27,140 I’M SURE YOU CAN FIGURE IT OUT. IT’S TIME YOU LEFT. 13 00:00:27,170 --> 00:00:28,770 YOU DON’T WANT TO TALK THIS OUT? 14 00:00:28,800 --> 00:00:30,070 YOU STAYIN’ AT THE 15th? 15 00:00:30,100 --> 00:00:31,240 YEAH. 16 00:00:31,270 --> 00:00:33,240 THEN THERE’S NOTHING TO TALK ABOUT. 17 00:00:33,270 --> 00:00:36,240 AND YOU DON’T THINK THAT THIS IS TAKING IT TOO FAR? 18 00:00:54,440 --> 00:00:56,540 MORNING. 19 00:00:56,570 --> 00:00:58,240 YEAH. 20 00:00:58,270 --> 00:01:00,500 I DIDN’T HAVE YOU PEGGED FOR AN EARLY BIRD. 21 00:01:00,540 --> 00:01:03,200 I DIDN’T SLEEP GOOD. HAD NOTHING BETTER TO DO. 22 00:01:03,240 --> 00:01:05,800 I LIKE TO GET THROUGH THE PAPERS BEFORE THE BUSTLE. 23 00:01:05,840 --> 00:01:08,070 IT’S THAT OR SNEAK TO READING IN THE CAN. YEAH? 24 00:01:08,100 --> 00:01:10,470 IF SOMEONE’S MOTHER COMES IN ASKING 25 00:01:10,500 --> 00:01:12,800 DID YOU COLLAR HER SON’S KILLER, 26 00:01:12,840 --> 00:01:16,040 YOU CAN’T GET CAUGHT WITH YOUR NOSE IN PAGE SIX. 27 00:01:19,900 --> 00:01:22,170 YOU FINISH THE POT, YOU MAKE THE NEXT ONE. 28 00:01:22,200 --> 00:01:23,300 THAT’S THE RULE. 29 00:01:23,340 --> 00:01:24,840 COFFEE’S BREWING, GIBSON. 30 00:01:24,870 --> 00:01:26,000 AND WILL BE READY WHEN? 31 00:01:26,040 --> 00:01:27,600 WHEN IT’S READY. 32 00:01:27,640 --> 00:01:30,640 EXCUSE ME, BUT I’M EXHAUSTED OFF THIS SCHEDULE ADJUSTMENT, 33 00:01:30,670 --> 00:01:33,140 AND I NEED A CUP OF COFFEE. YOU MIND? 34 00:01:36,900 --> 00:01:39,240 MORNING TO YOU, TOO. 35 00:01:40,840 --> 00:01:43,800 HEY, JOHN, YOUR MUSTANG PARKED IN THE PRECINCT PARKING LOT? 36 00:01:43,840 --> 00:01:45,200 YEAH. 37 00:01:45,240 --> 00:01:48,040 WELL, A COUPLE OF CARS GOT BROKEN INTO. 38 00:01:48,070 --> 00:01:49,370 THAT’S NOT FUNNY. 39 00:01:49,400 --> 00:01:51,040 I’M NOT PLAYING. YOU BETTER COME LOOK. 40 00:01:52,200 --> 00:01:54,070 BALDWIN, MY TAURUS? 41 00:01:54,100 --> 00:01:55,370 DIDN’T SEE. 42 00:01:57,300 --> 00:02:00,800 [ TELEPHONE RINGING ] 43 00:02:05,840 --> 00:02:08,240 Gibson: SOMEONE GONNA GET THAT? 44 00:02:10,500 --> 00:02:11,740 AW, COME ON! 45 00:02:11,770 --> 00:02:13,840 MY CAR. 46 00:02:13,870 --> 00:02:17,840 THIS GUY’S GOT SOME BALLS BUSTING INTO COPS’ CARS. 47 00:02:17,870 --> 00:02:19,870 I CAN’T BELIEVE THIS. I CAN’T BELIEVE THIS! 48 00:02:19,900 --> 00:02:20,940 Baldwin: WHAT’D YOU LOSE? 49 00:02:20,970 --> 00:02:22,600 [ GROANS ] 50 00:02:22,640 --> 00:02:24,200 ALL MY CLOTHES! 51 00:02:24,240 --> 00:02:25,770 IS THE TRUNK LOCK BUSTED? 52 00:02:25,800 --> 00:02:27,040 POP IT. 53 00:02:27,070 --> 00:02:29,170 NO, IT LOOKS INTACT... 54 00:02:29,200 --> 00:02:31,470 BUT THE TRUNK’S EMPTY. 55 00:02:31,500 --> 00:02:34,240 OH, MY GOD. 56 00:02:34,270 --> 00:02:37,040 YEAH, THE GUY MUST’VE OPENED IT FROM INSIDE. 57 00:02:37,070 --> 00:02:39,200 ALL MY CLOTHES. ALL MY THINGS. 58 00:02:39,240 --> 00:02:41,870 WHAT, ARE YOU LIVING OUT OF YOUR CAR? 59 00:02:41,900 --> 00:02:43,740 NO, I...MOVED OUT LAST NIGHT. 60 00:02:43,770 --> 00:02:45,100 SON OF A BITCH! 61 00:02:45,140 --> 00:02:47,500 JOHN, JOHN, JOHN, TAKE IT EASY. TAKE IT EASY. 62 00:02:47,540 --> 00:02:50,340 NOW, WE ALL GOT COUCHES, AND IF YOU NEED SOME CLOTHES, 63 00:02:50,370 --> 00:02:52,440 I’M IN TIGHT WITH A SUIT WHOLESALER. 64 00:02:52,470 --> 00:02:55,500 THERE WAS A DUFFEL IN THE TRUNK AND MY SHIELD WAS IN IT. 65 00:02:55,540 --> 00:02:56,570 YOUR DUPE? 66 00:02:56,600 --> 00:02:57,640 THE REAL ONE. 67 00:02:59,500 --> 00:03:01,170 AH, GIBSON GOT ME ON THE RADIO. 68 00:03:01,200 --> 00:03:02,900 WE GOT A HOMICIDE. 69 00:03:02,940 --> 00:03:05,070 AH, WHAT A PAIN. 70 00:03:05,100 --> 00:03:06,370 THEY TAKE ANYTHING? 71 00:04:27,040 --> 00:04:28,300 WE’LL GO TALK TO ANDY. 72 00:04:28,340 --> 00:04:29,470 I’LL BE RIGHT OVER. 73 00:04:31,470 --> 00:04:32,640 HEY. HEY. 74 00:04:32,670 --> 00:04:34,440 WHAT DO YOU GOT? 75 00:04:34,470 --> 00:04:36,070 JASON MADEIRA ‐‐ TWO IN THE HEAD. 76 00:04:36,100 --> 00:04:37,440 NEIGHBOR CALLED IT IN. 77 00:04:37,470 --> 00:04:38,470 ANY WITNESSES? 78 00:04:38,500 --> 00:04:40,800 NONE YET. ANDY’S DOING A CANVASS. 79 00:04:40,840 --> 00:04:42,600 WE MIGHT NEED TO PULL HIM OFF. 80 00:04:42,640 --> 00:04:43,900 WHAT’S UP? 81 00:04:43,940 --> 00:04:45,470 THE KID COULD BE IN A JAM. 82 00:04:45,500 --> 00:04:47,700 I’LL FILL YOU IN BACK AT THE HOUSE. 83 00:04:47,740 --> 00:04:49,270 OKAY. 84 00:04:51,540 --> 00:04:53,400 YOU GOTTA CHECK THIS GUY’S CROTCH. 85 00:04:53,440 --> 00:04:54,700 PROBABLY A SOCK OR SOMETHING. 86 00:04:54,740 --> 00:04:57,000 BUT IF I DIVE IN AND HE’S BUILT LIKE A HORSE, 87 00:04:57,040 --> 00:04:59,400 I’LL NEVER STOP WASHING MY HANDS. 88 00:05:04,270 --> 00:05:07,140 [ SIGHS ] LUCKY FOR BOTH OF US. 89 00:05:08,170 --> 00:05:10,000 THE REASON THAT YOU GET THE DUPE 90 00:05:10,040 --> 00:05:12,140 IS SO YOU CAN SAFEGUARD THE REAL ONE. 91 00:05:12,170 --> 00:05:14,100 YOU DIDN’T NEED TO EXPLAIN THAT. 92 00:05:14,140 --> 00:05:16,340 THEN WHY WASN’T IT IN A SAFE‐DEPOSIT BOX? 93 00:05:16,370 --> 00:05:18,370 I DON’T HAVE ONE YET. YOUR DAD HAS ONE. 94 00:05:18,400 --> 00:05:20,440 WELL, I’M NOT LIVIN’ WITH HIM RIGHT NOW ‐‐ 95 00:05:20,470 --> 00:05:22,100 CAN WE CONCENTRATE ON THE SHIELD BEING GONE? 96 00:05:22,140 --> 00:05:22,970 DID YOU ALSO HAVE A GUN IN THE BAG? 97 00:05:23,000 --> 00:05:23,900 NO. 98 00:05:23,940 --> 00:05:25,340 IS THAT THE TRUTH? 99 00:05:25,370 --> 00:05:27,940 I’LL REPORT THAT THE SHIELD WAS STOLEN 100 00:05:27,970 --> 00:05:29,400 AND I’LL TAKE A 10‐DAY RIP. 101 00:05:29,440 --> 00:05:31,840 AND MAYBE GET DUMPED BACK TO UNIFORM. 102 00:05:31,870 --> 00:05:33,940 BUT THEY SUGGESTED THAT I HOLD OFF. 103 00:05:33,970 --> 00:05:36,170 WE’LL GIVE IT TILL THE END OF THE DAY. 104 00:05:36,200 --> 00:05:38,840 GO BACK TO THE HOUSE. CHECK 61’s FOR CAR BOOSTERS. 105 00:05:38,870 --> 00:05:41,770 RUN GUYS WHO ARE KNOWN FOR IT AND GUYS JUST OUT OF JAIL. 106 00:05:41,800 --> 00:05:43,470 WHAT AM I GONNA TELL THE BOSS? 107 00:05:43,500 --> 00:05:45,170 I’LL TAKE CARE OF THE BOSS. 108 00:05:45,200 --> 00:05:47,640 JUST KEEP IT QUIET SO IT STAYS IN THE SQUAD. 109 00:05:47,670 --> 00:05:48,870 DOES THE MOUTH KNOW? 110 00:05:48,900 --> 00:05:50,570 NOT YET. I’LL TALK TO HIM. 111 00:05:50,600 --> 00:05:53,340 IN THE MEANTIME, YOU CONCENTRATE ON FINDING THIS SKEL. 112 00:05:53,370 --> 00:05:55,640 IF UNIFORM OR ANTICRIME GETS TO HIM FIRST 113 00:05:55,670 --> 00:05:57,670 AND IT’S IN THEIR PAPERWORK, YOU’RE SUNK. 114 00:05:57,700 --> 00:06:00,540 ALL RIGHT, GET OUT OF HERE. 115 00:06:11,040 --> 00:06:13,440 MORNING. 116 00:06:13,470 --> 00:06:14,800 MORNING, LIEU. 117 00:06:14,840 --> 00:06:18,000 HOW WAS YOUR MEETING AT THE BOROUGH? 118 00:06:18,040 --> 00:06:19,600 ALWAYS A PICNIC. 119 00:06:19,640 --> 00:06:23,070 YOU GET SOMETHING ON THE HOMICIDE? 120 00:06:23,100 --> 00:06:24,870 THIS IS ON SOME CARS BEING BROKEN INTO 121 00:06:24,900 --> 00:06:26,600 IN THE STATION‐HOUSE LOT. 122 00:06:26,640 --> 00:06:28,800 DESK SERGEANT MENTIONED THAT. HE SAID YOU GOT HIT. 123 00:06:28,840 --> 00:06:29,900 NOT TOO BAD, I HOPE. 124 00:06:29,940 --> 00:06:31,400 NOT TOO BAD. 125 00:06:32,570 --> 00:06:34,040 RUN THAT HOMICIDE? 126 00:06:34,070 --> 00:06:36,140 YOU BETTER WAIT FOR McDOWELL AND GIBSON. 127 00:06:36,170 --> 00:06:39,770 YOU WEREN’T AT THE SCENE? I WAS AT THE SCENE, BUT THEY’RE MORE UP TO SPEED. 128 00:06:39,800 --> 00:06:41,500 I HAD TO STOP AT ANTICRIME. 129 00:06:41,540 --> 00:06:43,470 SO, ANTICRIME IS INVOLVED WITH THIS? 130 00:06:43,500 --> 00:06:45,170 NOT ON THE HOMICIDE. 131 00:06:47,870 --> 00:06:49,940 SO, WE GOT FOUR DETECTIVES WORKING THE BREAK‐INS 132 00:06:49,970 --> 00:06:51,640 AND TWO ON THE HOMICIDE? 133 00:06:51,670 --> 00:06:55,740 OR ARE THEY WORKING THE BREAK‐INS, TOO? 134 00:06:55,770 --> 00:06:56,740 WE’RE WORKING THE HOMICIDE. 135 00:06:56,770 --> 00:06:58,270 COME ON IN. 136 00:07:00,340 --> 00:07:02,140 AND THEN YOU AND I NEED A MINUTE. 137 00:07:06,970 --> 00:07:08,500 [ SIGHS ] 138 00:07:08,540 --> 00:07:10,470 DOA WAS PACKED AND READY TO TRAVEL. 139 00:07:10,500 --> 00:07:13,070 STOLEN CAR, BAGS IN THE TRUNK, A ONE‐WAY TICKET TO VEGAS, 140 00:07:13,100 --> 00:07:15,600 AND 15 GRAND CASH WADDED UP IN HIS CROTCH. 141 00:07:15,640 --> 00:07:16,940 HE HAVE A RAP SHEET? 142 00:07:16,970 --> 00:07:18,400 HE’S ON PAROLE FOR A STICKUP. 143 00:07:18,440 --> 00:07:20,900 HIS PAROLE OFFICER GAVE US HIS HOME PHONE. 144 00:07:20,940 --> 00:07:22,800 WE REACHED A GIRLFRIEND, FRANCIS PEARSON. 145 00:07:22,840 --> 00:07:25,670 SAME LAST NAME AS THE OWNER OF THE STOLEN CAR. 146 00:07:25,700 --> 00:07:27,070 WE’RE GONNA GRAB HER UP. 147 00:07:27,100 --> 00:07:29,740 WHEN YOU’RE BACK, CHECK RECENT ROBBERIES WITH BIG CASH HAULS. 148 00:07:29,770 --> 00:07:31,140 WILL DO. 149 00:07:31,170 --> 00:07:33,300 OH, AND, UH... 150 00:07:33,340 --> 00:07:35,100 WHAT’S WITH ALL THE ATTENTION ON THESE BREAK‐INS? 151 00:07:35,140 --> 00:07:38,170 I THINK BECAUSE COPS GOT RIPPED OFF. 152 00:07:38,200 --> 00:07:39,270 WHAT’D THEY LOSE? 153 00:07:39,300 --> 00:07:40,600 WE AREN’T IN THE LOOP. 154 00:07:40,640 --> 00:07:41,670 NOBODY IS TODAY. 155 00:07:47,200 --> 00:07:48,670 YEAH, CLOSE THE DOOR. 156 00:07:50,770 --> 00:07:51,900 WHAT’S GOING ON? 157 00:07:51,940 --> 00:07:53,840 YOU TRUST ME? 158 00:07:53,870 --> 00:07:55,940 ARE YOU GONNA TELL ME WHAT’S GOIN’ ON? YOU DON’T WANNA KNOW. 159 00:07:55,970 --> 00:07:57,400 WHY? 160 00:07:57,440 --> 00:07:59,140 SOMEONE’S IN A JAM. WE’RE HELPING THEM GET OUT. 161 00:07:59,170 --> 00:08:01,340 WHO? SOMEONE. 162 00:08:01,370 --> 00:08:03,400 AND THIS HAS TO DO WITH THESE CARS GETTING BOOSTED? 163 00:08:03,440 --> 00:08:04,700 LIEUTENANT ‐‐ 164 00:08:04,740 --> 00:08:07,070 I DON’T LIKE WORKING THIS WHEN I REALLY DON’T LIKE 165 00:08:07,100 --> 00:08:09,340 SHORTCHANGING A HOMICIDE INVESTIGATION. 166 00:08:09,370 --> 00:08:10,970 THERE’S NO WAY I’D DO THAT. 167 00:08:11,000 --> 00:08:13,140 THE HOMICIDE IS FIRST PRIORITY, 168 00:08:13,170 --> 00:08:14,940 BUT McDOWELL’S GOT IT UNDER CONTROL. 169 00:08:14,970 --> 00:08:16,040 [ TELEPHONE RINGS ] 170 00:08:16,070 --> 00:08:17,440 LIEUTENANT RODRIGUEZ. 171 00:08:18,670 --> 00:08:20,200 UH‐HUH. 172 00:08:26,340 --> 00:08:29,140 THANKS. 173 00:08:29,170 --> 00:08:30,800 THERE’S A ROBBERY ON ESSEX. 174 00:08:30,840 --> 00:08:32,800 CAN I TROUBLE YOU TO HANDLE IT? 175 00:08:32,840 --> 00:08:34,570 WHATEVER’S GOING ON IN THERE, 176 00:08:34,600 --> 00:08:37,300 IF IT AIN’T CLEARED UP BY THE END OF THE TOUR, 177 00:08:37,340 --> 00:08:38,740 I WANT THE WHOLE STORY. 178 00:08:38,770 --> 00:08:40,100 DEAL. 179 00:08:52,600 --> 00:08:53,640 HEY. 180 00:08:53,670 --> 00:08:55,840 JUNKIE GOT RIPPED OFF AND CUFFED TO THE FENCE. 181 00:08:55,870 --> 00:08:57,070 HE SAYS A COP DID IT. WHAT? 182 00:08:57,100 --> 00:08:58,900 HE SAYS THE GUY SHOWED A SHIELD. 183 00:08:58,940 --> 00:09:00,440 IS HE HURT? 184 00:09:00,470 --> 00:09:02,570 TOOK A RAP ON THE HEAD. HE’LL LIVE. 185 00:09:02,600 --> 00:09:04,740 ARE WE KEEPING HIM CUFFED FOR SHOW AND TELL? 186 00:09:04,770 --> 00:09:06,970 E.S.U.’S ON THE WAY WITH BOLT CUTTERS. 187 00:09:07,000 --> 00:09:09,070 HOW ARE YOU DOING, SIR? HOW’S HE DOING? 188 00:09:09,100 --> 00:09:11,240 LOOKS SUPERFICIAL, BUT HE COULD USE A C. T. 189 00:09:11,270 --> 00:09:13,670 I DON’T NEED THAT. ALL I NEED IS TO BE LET FREE. 190 00:09:13,700 --> 00:09:15,970 OKAY, OKAY. CAN YOU TELL US WHAT HAPPENED? 191 00:09:16,000 --> 00:09:18,940 I WAS WALKING DOWN THE STREET WHEN THIS GUY GRABBED ME. 192 00:09:18,970 --> 00:09:20,670 DID YOU GET A LOOK AT THE GUY? 193 00:09:20,700 --> 00:09:21,970 HE GRABBED ME FROM BEHIND. 194 00:09:22,000 --> 00:09:23,170 WHITE, BLACK? 195 00:09:23,200 --> 00:09:24,570 I THINK WHITE. 196 00:09:24,600 --> 00:09:25,640 HOW TALL? 197 00:09:25,670 --> 00:09:27,100 I BARELY SAW HIM. 198 00:09:27,140 --> 00:09:29,500 ANY TATTOOS, SCARS? WHAT WAS HE WEARING? 199 00:09:29,540 --> 00:09:30,570 I BARELY SAW HIM. 200 00:09:30,600 --> 00:09:31,800 BUT YOU DID SEE A BADGE. 201 00:09:31,840 --> 00:09:34,800 YEAH, ONE HAND WAS ON MY NECK SHOVING ME IN THE ALLEY, 202 00:09:34,840 --> 00:09:37,500 AND WITH THE OTHER, HE PUT THE BADGE IN MY FACE. 203 00:09:37,540 --> 00:09:39,970 WHAT KIND OF BADGE? WHAT DID IT LOOK LIKE? 204 00:09:40,000 --> 00:09:41,070 LIKE HIS. 205 00:09:41,100 --> 00:09:42,470 YOU SURE IT WAS REAL? 206 00:09:42,500 --> 00:09:44,970 I SEEN A FEW. 207 00:09:45,000 --> 00:09:46,940 NOW, AM I GONNA GET THESE CUFFS OFF? 208 00:09:46,970 --> 00:09:49,470 YEAH, SOON. SO, WHAT HAPPENED AFTER HE GOT YOU IN THE ALLEY? 209 00:09:49,500 --> 00:09:51,970 HE SAID HE WAS A COP, AND "SPREAD ’EM ON THE FENCE." 210 00:09:52,000 --> 00:09:55,040 AND THEN HE EMPTIED MY POCKETS AND WHACKED ME ON MY HEAD. 211 00:09:55,070 --> 00:09:56,000 WHAT DID HE GET? 212 00:09:56,040 --> 00:09:57,340 20 BUCKS. 213 00:09:57,370 --> 00:09:59,700 AND THE DOPE YOU JUST SCORED? 214 00:09:59,740 --> 00:10:02,500 AND YOU CAN GIVE US ZERO DESCRIPTION? 215 00:10:02,540 --> 00:10:04,870 I’LL MAKE SOMETHING UP IF IT’LL GET THESE CUFFS OFF. 216 00:10:04,900 --> 00:10:06,270 THEY’RE GONNA HELP YOU OUT, 217 00:10:06,300 --> 00:10:08,670 BUT KEEP TRYING TO REMEMBER DETAILS, OKAY? 218 00:10:08,700 --> 00:10:09,740 IT’S REAL IMPORTANT. 219 00:10:09,770 --> 00:10:11,100 YEAH, I GET IT. 220 00:10:13,000 --> 00:10:14,670 THIS IS GOOD. THIS IS GREAT. 221 00:10:14,700 --> 00:10:17,340 THE GUY JUST GOT SOME CASH, HE GOT SOME DOPE. 222 00:10:17,370 --> 00:10:19,640 CHANCES ARE HE’LL HOLE UP AND GET HIGH. 223 00:10:19,670 --> 00:10:22,770 THERE’S NO WAY THAT I’M GONNA LET SOMEONE GET HURT OR KILLED 224 00:10:22,800 --> 00:10:25,070 BECAUSE I COULDN’T FACE CONSEQUENCES. 225 00:10:25,100 --> 00:10:27,340 SO, ARE WE BUYING IT WAS A REAL SHIELD? 226 00:10:27,370 --> 00:10:29,070 I DON’T LISTEN TO JUNKIES MUCH. 227 00:10:29,100 --> 00:10:31,800 NO, I’M ASKING DO YOU WANT ME TO NOTIFY I. A. B. ON THE CRIMINAL IMPERSONATION? 228 00:10:31,840 --> 00:10:34,570 YOU DO THE 61, WE’LL TAKE CARE OF NOTIFICATIONS. 229 00:10:34,600 --> 00:10:35,370 ALL RIGHT. 230 00:10:44,640 --> 00:10:46,240 TAKE A SEAT, FRANCIS. 231 00:10:46,270 --> 00:10:48,300 THEN DO I GET TO KNOW WHY I WAS KIDNAPPED? 232 00:10:48,340 --> 00:10:51,540 WE DON’T KIDNAP PEOPLE, ESPECIALLY LITTLE GIRLS. 233 00:10:51,570 --> 00:10:53,140 I’M 19. 234 00:10:53,170 --> 00:10:55,800 14, IF YOU’RE A DAY. AND WE’LL CALL YOUR PARENTS TO CONFIRM. 235 00:10:55,840 --> 00:10:57,270 I’M 15, 236 00:10:57,300 --> 00:11:00,140 AND IF WHATEVER I’M HERE FOR INVOLVES MY PARENTS, 237 00:11:00,170 --> 00:11:02,700 I HAVE NOTHING TO SAY ABOUT IT, I MEAN, NOTHING. 238 00:11:02,740 --> 00:11:05,770 YOU’RE HERE TO ANSWER SOME QUESTIONS ABOUT YOUR BOYFRIEND. 239 00:11:05,800 --> 00:11:08,200 ALL I KNOW IS HE’S A DICK. IS HE IN TROUBLE? 240 00:11:08,240 --> 00:11:10,240 WHEN DID YOU SEE HIM LAST? LAST NIGHT. 241 00:11:10,270 --> 00:11:12,140 I TAKE IT HE LEFT ON BAD TERMS. 242 00:11:12,170 --> 00:11:15,000 I MADE HIM LEAVE ’CAUSE HE CALLED ME A DUMB BITCH. 243 00:11:15,040 --> 00:11:16,600 DID IT MAKE YOU MAD ENOUGH TO DO HIM HARM? 244 00:11:16,640 --> 00:11:19,200 THAT IS HARDLY THE WORST HE’S EVER CALLED ME. 245 00:11:19,240 --> 00:11:21,300 PLUS, HE’S THE FATHER OF MY BABY. 246 00:11:21,340 --> 00:11:24,670 YOU KNOW OF ANYONE HE HAD A BEEF WITH ‐‐ A FRIEND, CO‐WORKER? 247 00:11:24,700 --> 00:11:25,640 NO. 248 00:11:25,670 --> 00:11:26,800 WHERE’S HE WORK? 249 00:11:26,840 --> 00:11:28,000 WHAT’S IT MATTER? 250 00:11:28,040 --> 00:11:30,000 IS IT SOME BIG SECRET? 251 00:11:30,040 --> 00:11:31,940 IT’S JUST A REALLY WEIRD QUESTION. 252 00:11:31,970 --> 00:11:33,900 NO, IT AIN’T. 253 00:11:33,940 --> 00:11:37,370 I’D REALLY LIKE TO KNOW WHAT I’M DOING HERE NOW. 254 00:11:37,400 --> 00:11:39,400 IS YOUR FATHER NAMED CARL PEARSON? 255 00:11:39,440 --> 00:11:40,840 SO? 256 00:11:40,870 --> 00:11:42,900 DO YOU KNOW ANYTHING ABOUT HIS CAR BEING STOLEN? 257 00:11:42,940 --> 00:11:44,100 IS JASON ARRESTED? 258 00:11:44,140 --> 00:11:45,540 FRANCIS, JASON WAS FOUND HURT 259 00:11:45,570 --> 00:11:47,740 IN YOUR FATHER’S CAR THIS MORNING. 260 00:11:47,770 --> 00:11:50,400 IF YOU HAVE ANY IDEA HOW IT HAPPENED, SPEAK UP NOW 261 00:11:50,440 --> 00:11:53,040 OR WE’LL HAVE TO START LOOKING AT YOU AS INVOLVED. 262 00:11:53,070 --> 00:11:54,600 HOW BAD? 263 00:11:54,640 --> 00:11:55,770 ANSWER MY QUESTION. 264 00:11:55,800 --> 00:11:56,900 YOU ANSWER MINE. 265 00:11:56,940 --> 00:11:58,000 HE DIDN’T MAKE IT. 266 00:11:58,040 --> 00:12:00,000 NOW, CAN WE STOP WASTING TIME? 267 00:12:02,900 --> 00:12:04,300 YOU’RE LYING. 268 00:12:04,340 --> 00:12:05,570 COME ON, LET’S SIT DOWN. 269 00:12:05,600 --> 00:12:07,640 YOU’RE A LIAR. NO WAY HE’S DEAD. 270 00:12:07,670 --> 00:12:09,040 NO WAY. 271 00:12:09,070 --> 00:12:09,970 TAKE IT EASY, KID. 272 00:12:10,000 --> 00:12:11,740 YOU’RE A LIAR. LIAR! 273 00:12:11,770 --> 00:12:12,770 JUST CALM DOWN. 274 00:12:12,800 --> 00:12:14,370 LIAR! 275 00:12:14,400 --> 00:12:15,900 NO! NO! 276 00:12:15,940 --> 00:12:19,000 NO! IT’S NOT TRUE! 277 00:12:19,040 --> 00:12:20,740 NO! NO! 278 00:12:20,770 --> 00:12:22,570 [ SOBS ] 279 00:12:33,070 --> 00:12:35,170 HEY, ANYTHING? 280 00:12:35,200 --> 00:12:37,100 WE FOUND NOTHING IN THE 61’s 281 00:12:37,140 --> 00:12:39,270 BUT WE GOT WORD OUT TO AREA PAWN SHOPS. 282 00:12:39,300 --> 00:12:42,100 AND WE’RE GONNA DEBRIEF ALL COLLARS IN THE DIVISION. 283 00:12:42,140 --> 00:12:44,140 IF THIS GUY’S AS LOW‐RENT AS HE SOUNDS, 284 00:12:44,170 --> 00:12:45,570 SOMEONE WILL DEAL HIM UP. 285 00:12:51,140 --> 00:12:54,340 UH, WE TALKED TO MADEIRA’S GIRLFRIEND. 286 00:12:54,370 --> 00:12:55,570 COME ON. 287 00:12:55,600 --> 00:12:57,540 I’M SORRY, BUT SOMEONE FROM RANDY’S PAWN 288 00:12:57,570 --> 00:12:59,470 IS CALLING FOR DETECTIVE MEDAVOY. 289 00:12:59,500 --> 00:13:01,970 SHALL I GET HIM OR DOES SOMEONE WANT TO TAKE THIS? 290 00:13:02,000 --> 00:13:03,270 I GOT IT. 291 00:13:03,300 --> 00:13:05,440 WHAT’D YOU GET FROM MADEIRA’S GIRLFRIEND? 292 00:13:05,470 --> 00:13:07,470 NOTHING, BUT, UH, SHE GOT REAL HINKY 293 00:13:07,500 --> 00:13:10,240 WHEN WE ASKED WHERE THE BOYFRIEND WORKED. WHICH IS WHERE? 294 00:13:10,270 --> 00:13:11,840 I PUT IN ANOTHER CALL TO HIS PAROLE OFFICER, 295 00:13:11,870 --> 00:13:14,600 AND HE GAVE US A LIQUOR STORE THAT WENT BELLY UP A FEW WEEKS AGO. 296 00:13:14,640 --> 00:13:16,540 THE OWNER’S COMING IN. ALL RIGHT. 297 00:13:19,440 --> 00:13:20,940 THE PAWN SHOP HAS A GUY LOOKING TO SELL A BRACELET 298 00:13:20,970 --> 00:13:23,240 THAT GOT BOOSTED OUT OF CLARK’S CAR. 299 00:13:23,270 --> 00:13:25,800 WE’RE THINKING ABOUT HEADING DOWN THERE. 300 00:13:25,840 --> 00:13:27,040 DID I ASK? 301 00:13:41,200 --> 00:13:42,770 WHERE’S THE GUY? 302 00:13:42,800 --> 00:13:44,640 THE PLACE IS EMPTY. 303 00:13:44,670 --> 00:13:45,870 I SEE THAT. 304 00:13:45,900 --> 00:13:47,300 HEY! 305 00:13:47,340 --> 00:13:48,500 Hello? 306 00:13:48,540 --> 00:13:50,870 Hey, take it easy, pal. 307 00:13:50,900 --> 00:13:53,270 You Randy? Push the button. 308 00:13:53,300 --> 00:13:55,000 YOU RANDY? YEAH. 309 00:13:55,040 --> 00:13:57,900 DETECTIVE CLARK. WHERE’S THE GUY WHO WAS SELLING MY BRACELET? 310 00:13:57,940 --> 00:13:59,600 HE GOT ITCHY AND SPLIT. 311 00:13:59,640 --> 00:14:02,770 DIDN’T I TELL YOU HOW IMPORTANT IT WAS TO KEEP HIM HERE? 312 00:14:02,800 --> 00:14:04,370 DID YOU GET THE GUY’S NAME? 313 00:14:04,400 --> 00:14:06,140 HE WOULDN’T GIVE IT, AND HE WOULDN’T SHOW I. D., 314 00:14:06,170 --> 00:14:08,600 JUST A DETECTIVE BADGE. 315 00:14:08,640 --> 00:14:09,940 LIKE THIS? 316 00:14:09,970 --> 00:14:11,170 YEAH. 317 00:14:11,200 --> 00:14:13,070 HE SAID HE WAS A COP 318 00:14:13,100 --> 00:14:16,070 AND I SHOULD BUY HIS STUFF ON FAITH ‐‐ WRONG. 319 00:14:16,100 --> 00:14:17,200 YOU KEEP THE STUFF? 320 00:14:17,240 --> 00:14:19,170 I TRIED TO, BUT HE SNATCHED IT AND RAN. 321 00:14:19,200 --> 00:14:20,300 WHAT DID HE LOOK LIKE? 322 00:14:20,340 --> 00:14:22,870 UH, WHITE, DRUGGIE, SCUMMER. 323 00:14:22,900 --> 00:14:24,140 WHERE’S THE SURVEILLANCE TAPE? 324 00:14:24,170 --> 00:14:27,240 MACHINE RAN OUT YESTERDAY. FORGOT TO RELOAD IT. 325 00:14:27,270 --> 00:14:29,740 OH, HOW’S IT GOING, FELLAS? SIPOWICZ. 326 00:14:29,770 --> 00:14:31,070 THIS IS ANTICRIME. 327 00:14:31,100 --> 00:14:33,700 THIS IS RAY GIACOLONE, BOBBY MARCELLUS. 328 00:14:33,740 --> 00:14:34,870 JOHN CLARK. 329 00:14:34,900 --> 00:14:36,370 WHAT BRINGS YOU GUYS HERE? 330 00:14:36,400 --> 00:14:38,940 SOME LOWLIFE BROKE INTO THE CAPTAIN’S CAR, 331 00:14:38,970 --> 00:14:40,470 NABBED HIS WIFE’S MOVADO. 332 00:14:40,500 --> 00:14:43,000 YOU CALL US ABOUT A LADY’S MOVADO WATCH? 333 00:14:43,040 --> 00:14:45,500 SAME GUY HAD THE BRACELET. 334 00:14:45,540 --> 00:14:46,640 THE GUY SPLIT. 335 00:14:46,670 --> 00:14:49,240 CLARK LOST A BRACELET. YOU GOT ANY LINE ON THIS GUY? 336 00:14:49,270 --> 00:14:51,340 YOUNG, WHITE, FLASHING A SHIELD. 337 00:14:51,370 --> 00:14:52,740 WHERE’D YOU HEAR ABOUT THE SHIELD? 338 00:14:52,770 --> 00:14:54,000 HE TOLD US ON THE PHONE. 339 00:14:54,040 --> 00:14:55,600 SOUNDS LIKE IT WAS A DUPE. 340 00:14:55,640 --> 00:14:56,700 LOOKED REAL TO ME. 341 00:14:56,740 --> 00:14:57,940 WHAT DO YOU KNOW? 342 00:14:57,970 --> 00:15:00,240 EITHER WAY, THE WHOLE HOUSE IS UP ON IT. 343 00:15:00,270 --> 00:15:02,970 CAPTAIN SAYS TWO DAYS OFF WHOEVER COLLARS THE GUY. 344 00:15:03,000 --> 00:15:04,100 HUH. HOW ABOUT THAT? 345 00:15:04,140 --> 00:15:05,770 [ RADIO CRACKLES ] HOLD ON. 346 00:15:05,800 --> 00:15:07,870 Woman over Radio: BE ADVISED WE GOT ONE OVER ON THE... 347 00:15:07,900 --> 00:15:10,170 IT’S GONNA BE THE KEYSTONE COPS LOOKING FOR THIS PERP NOW. 348 00:15:10,200 --> 00:15:11,370 SON OF A BITCH. 349 00:15:11,400 --> 00:15:13,740 LOOKS LIKE MACKEY AND PALMER GOT THE DAYS OFF. 350 00:15:13,770 --> 00:15:14,900 WHAT DOES THAT MEAN? 351 00:15:14,940 --> 00:15:16,400 UNIFORM DID A SWEEP FOR PROS, 352 00:15:16,440 --> 00:15:19,200 AND THOSE TWO PICKED UP A JOHN WHO HAD A SHIELD ON HIM. 353 00:15:19,240 --> 00:15:21,270 HUH. WELL, TOUGH BREAK, FELLAS. 354 00:15:21,300 --> 00:15:23,240 THANKS. Andy: GOOD LUCK. 355 00:15:23,270 --> 00:15:25,800 I GOTTA CALL THE LIEUTENANT FROM THE ROAD. 356 00:15:25,840 --> 00:15:27,840 THIS IS DONE. I GOTTA TELL HIM WHAT HAPPENED. 357 00:15:27,870 --> 00:15:29,670 NO, NOT YET. COME ON. 358 00:15:43,540 --> 00:15:46,970 THANKS FOR COMING IN, MR. ROSE. COFFEE? 359 00:15:47,000 --> 00:15:48,700 BLACK. PLEASE. 360 00:15:56,700 --> 00:15:59,640 WE UNDERSTAND JASON MADEIRA WORKED AT YOUR LIQUOR STORE. 361 00:15:59,670 --> 00:16:01,570 WE’D LIKE YOU TO TELL US A LITTLE ABOUT HIM. 362 00:16:01,600 --> 00:16:03,470 I’VE BEEN THROUGH THIS WITH YOU GUYS! 363 00:16:03,500 --> 00:16:05,600 WITH US? WITH POLICE? WHAT ARE YOU TALKING ABOUT? 364 00:16:05,640 --> 00:16:07,940 WITH DETECTIVES THREE WEEKS AGO ‐‐ THE ROBBERY. 365 00:16:07,970 --> 00:16:09,940 DON’T YOU GUYS EXCHANGE INFORMATION? 366 00:16:09,970 --> 00:16:11,400 WHY DON’T YOU FILL US IN? 367 00:16:11,440 --> 00:16:14,400 THREE WEEKS AGO, MY STORE WAS RIPPED OFF FOR 30 GRAND, 368 00:16:14,440 --> 00:16:15,970 AND THAT TURD WAS IN ON IT. 369 00:16:16,000 --> 00:16:17,440 WHY WASN’T HE ARRESTED? 370 00:16:17,470 --> 00:16:18,700 HE’S SLICK. 371 00:16:18,740 --> 00:16:20,640 SO, HIM BEING INVOLVED IS MORE OF AN OPINION? 372 00:16:20,670 --> 00:16:23,070 A SCUMMER COMES IN, HOLDS A GUN ON MADEIRA, 373 00:16:23,100 --> 00:16:24,640 AND TELLS HIM TO OPEN THE TILL. 374 00:16:24,670 --> 00:16:27,400 SO WHAT DOES HE DO? HEADS STRAIGHT FOR THE SAFE. 375 00:16:27,440 --> 00:16:29,040 YOU ALWAYS KEEP 30 GRAND AROUND? 376 00:16:29,070 --> 00:16:31,700 JUST HAPPENED TO BE CHECK‐CASHING DAY, 377 00:16:31,740 --> 00:16:33,040 WHICH I’M NOT LICENSED FOR. 378 00:16:33,070 --> 00:16:34,100 SO I GOT NO INSURANCE. 379 00:16:34,140 --> 00:16:36,100 AND NOW I GOT NO BUSINESS. 380 00:16:37,270 --> 00:16:39,270 WHEN WAS THE LAST TIME YOU SAW MADEIRA? 381 00:16:39,300 --> 00:16:41,500 I FIRED HIM A FEW DAYS AFTER THE ROBBERY. 382 00:16:41,540 --> 00:16:43,940 AT FIRST, I THOUGHT MAYBE HE’S JUST GUTLESS. 383 00:16:43,970 --> 00:16:45,400 BUT THEN I DO AN INVENTORY, 384 00:16:45,440 --> 00:16:48,140 AND I FIND A CASE OF CRISTAL MISSING, AND THAT WAS IT! 385 00:16:48,170 --> 00:16:49,600 YOU MUST’VE BEEN FURIOUS. 386 00:16:49,640 --> 00:16:51,700 HE DIDN’T GET NO GOIN’‐AWAY PARTY. 387 00:16:51,740 --> 00:16:54,300 WHERE WERE YOU EARLY THIS MORNING, MR. ROSE? 388 00:16:54,340 --> 00:16:55,100 HOME. 389 00:16:55,140 --> 00:16:56,870 I GOT NO JOB. 390 00:16:56,900 --> 00:16:59,600 CAN ANYONE VOUCH FOR YOU? WHY? 391 00:16:59,640 --> 00:17:02,170 BECAUSE YOU’RE LOOKING GOOD FOR HIS MURDER, NUMBNUTS. 392 00:17:02,200 --> 00:17:03,470 WHAT ARE YOU TALKING ABOUT? 393 00:17:03,500 --> 00:17:07,540 JASON MADEIRA WAS FOUND DEAD THIS MORNING. 394 00:17:07,570 --> 00:17:09,040 YOU’RE KIDDING! 395 00:17:09,070 --> 00:17:11,500 NO, WE’RE NOT, AND YOU SHOW A LITTLE RESPECT FOR THE DEAD 396 00:17:11,540 --> 00:17:14,840 OR YOU’LL GET YOUR TEETH SMACKED OUT! TAKE IT EASY. 397 00:17:14,870 --> 00:17:16,900 5:00 TO 7:00, I WAS OFF AND ON THE PHONE 398 00:17:16,940 --> 00:17:18,640 TALKING TO MY KID IN ITALY. 399 00:17:18,670 --> 00:17:21,340 HE’S IN THE ARMY. THE BASE PHONE KEPT CUTTING OUT. 400 00:17:21,370 --> 00:17:23,540 WHO SAID MADEIRA WAS KILLED BETWEEN 5:00 AND 7:00? 401 00:17:23,570 --> 00:17:26,100 7:00 TO 8:30 I WAS READING THE PAPER IN THE NOHO DINER. 402 00:17:26,140 --> 00:17:30,340 THEN I WENT TO THE PARK AND I PLAYED CHESS UNTIL NOON. 403 00:17:30,370 --> 00:17:33,940 YOU KNOW WHAT, MR. ROSE? YOU’RE A LITTLE TOO WELL ACCOUNTED FOR. 404 00:17:33,970 --> 00:17:36,400 FOR THE TIME BEING, THOUGH, WE’LL TAKE YOUR WORD FOR IT. 405 00:17:36,440 --> 00:17:38,340 TELL US MORE ABOUT THE ROBBERY. 406 00:17:38,370 --> 00:17:40,240 GUY COMES IN WITH A MASK ON, DRIVES OFF 407 00:17:40,270 --> 00:17:42,140 WITH SOME YOUNG‐LOOKING KID BEHIND THE WHEEL. 408 00:17:42,170 --> 00:17:43,800 WHAT KIND OF CAR? GRAY SEDAN. 409 00:17:43,840 --> 00:17:46,140 YOU SAID A KID WAS DRIVING. MALE OR FEMALE? 410 00:17:46,170 --> 00:17:47,900 LOOKED LIKE A YOUNG BOY. 411 00:17:47,940 --> 00:17:49,740 HE WAS WEARING A WOOL HAT. 412 00:17:49,770 --> 00:17:51,170 COULD YOU I. D. THIS KID? 413 00:17:51,200 --> 00:17:52,800 JUST GOT A GLIMPSE. 414 00:17:52,840 --> 00:17:56,370 LOOK, I’M NOT THE KIND LAUGHS AT A GUY GETTING KILLED, 415 00:17:56,400 --> 00:17:59,170 BUT THAT MADEIRA WAS GARBAGE, OKAY?! 416 00:17:59,200 --> 00:18:01,140 ARE WE STRAIGHT? 417 00:18:01,170 --> 00:18:03,000 THANKS FOR COMING IN. 418 00:18:08,400 --> 00:18:10,770 SO, GO WITH THE GIRL FOR BEING THE DRIVER? 419 00:18:10,800 --> 00:18:13,500 YEAH, EDDIE, BUT SEEING HOW SHE’S SUCH A TWITCH, 420 00:18:13,540 --> 00:18:16,070 WHAT DO YOU SAY I TAKE THE FIRST SWING ALONE? 421 00:18:16,100 --> 00:18:17,400 WHAT’S THIS? 422 00:18:17,440 --> 00:18:19,900 YOU MIGHT HAVE COME OFF A LITTLE STRONG EARLIER. 423 00:18:19,940 --> 00:18:21,200 I GOT 28 YEARS ON THE JOB. 424 00:18:21,240 --> 00:18:22,940 I KNOW HOW TO HANDLE A LITTLE GIRL. 425 00:18:22,970 --> 00:18:25,240 BUT SEEING HOW SHE’S A TEENAGER, A RUNAWAY, AND PREGNANT, 426 00:18:25,270 --> 00:18:27,370 IT’S A SAFE BET SHE’S GOT PROBLEMS WITH OLDER MEN. 427 00:18:27,400 --> 00:18:28,970 OH, SO NOW I’M A RELIC. 428 00:18:29,000 --> 00:18:31,440 I’M SAYING FATHER FIGURES. COULD BE. 429 00:18:31,470 --> 00:18:34,300 I THINK THERE’S A BETTER CHANCE SHE’LL RESPOND TO A SOFT TOUCH. 430 00:18:34,340 --> 00:18:38,200 TAKE A SHOT, BUT MARK MY WORDS, YOU GOT MY YEARS ON THE JOB, 431 00:18:38,240 --> 00:18:40,000 THEY ALL GET THE CROWBAR. 432 00:18:43,440 --> 00:18:45,370 [ SIGHS ] 433 00:18:50,040 --> 00:18:51,170 THANKS, LISA. 434 00:18:53,000 --> 00:18:54,840 HEY, DON’T FORGET THOSE SODAS. 435 00:18:54,870 --> 00:18:55,900 YEAH, RIGHT. 436 00:18:55,940 --> 00:18:57,440 I’M DYING OF THIRST, 437 00:18:57,470 --> 00:18:59,940 AND I’M GONNA NEED TO PEE AGAIN IN, LIKE, A MINUTE. 438 00:18:59,970 --> 00:19:01,470 RAISE YOUR HAND WHEN YOU’RE READY. 439 00:19:01,500 --> 00:19:04,140 LET’S TALK ABOUT A ROBBERY THAT WENT DOWN A FEW WEEKS AGO. 440 00:19:04,170 --> 00:19:06,140 I DON’T KNOW ANYTHING ABOUT A ROBBERY. 441 00:19:07,500 --> 00:19:10,870 YOU KNOW ROSE’S LIQUOR ON 24th STREET? 442 00:19:10,900 --> 00:19:13,200 ISN’T THAT WHERE JASON WORKED? 443 00:19:13,240 --> 00:19:14,540 I DIDN’T KNOW THE WHOLE NAME. 444 00:19:14,570 --> 00:19:16,940 THE PLACE GOT ROBBED, AND JASON WAS INVOLVED. 445 00:19:16,970 --> 00:19:18,500 THE OWNER SAID THE THIEF TOOK OFF IN A CAR 446 00:19:18,540 --> 00:19:20,240 JUST LIKE THE ONE STOLEN FROM YOUR FOLKS 447 00:19:20,270 --> 00:19:23,370 BEING DRIVEN BY SOMEONE WHO LOOKED JUST LIKE YOU. 448 00:19:23,400 --> 00:19:25,700 HE’S HERE TO VIEW A LINEUP. 449 00:19:25,740 --> 00:19:28,340 CAN I PLEASE HAVE SOMETHING MORE TO DRINK? 450 00:19:28,370 --> 00:19:30,270 FIRST TELL ME WHO JASON WAS WORKING WITH. 451 00:19:30,300 --> 00:19:32,740 I DON’T KNOW ABOUT ANY ROBBERY! 452 00:19:32,770 --> 00:19:35,000 FRANCIS... 453 00:19:35,040 --> 00:19:38,900 IS IT SAFE TO SAY YOU’VE MADE SOME BAD CHOICES IN THE PAST YEAR ‐‐ 454 00:19:38,940 --> 00:19:40,570 OH, COME ON! 455 00:19:40,600 --> 00:19:42,570 GOT KNOCKED UP, YOU STOLE YOUR FOLKS’ CAR, 456 00:19:42,600 --> 00:19:45,100 YOU MOVED IN WITH A LOSER WHO WAS SKIPPING OUT ON YOU. 457 00:19:45,140 --> 00:19:46,540 JASON WOULD NEVER GO ANYWHERE WITHOUT ME. 458 00:19:46,570 --> 00:19:48,970 WE FOUND HIM WITH MONEY, BAGS, AND A PLANE TICKET. 459 00:19:49,000 --> 00:19:50,870 NOW IS THE TIME TO ASK YOURSELF ‐‐ 460 00:19:50,900 --> 00:19:52,270 DO YOU REALLY NEED TO BE 461 00:19:52,300 --> 00:19:54,570 AN UNEDUCATED TEENAGE MOTHER IN JAIL, 462 00:19:54,600 --> 00:19:56,100 OR SHOULD YOU GO HOME WITH YOUR PARENTS 463 00:19:56,140 --> 00:19:57,570 AND GET YOUR LIFE TOGETHER? 464 00:19:57,600 --> 00:20:00,270 DO MY PARENTS NEED TO KNOW THAT I’M HERE? 465 00:20:00,300 --> 00:20:02,000 THEY ALREADY KNOW. THEY’RE ON THEIR WAY IN. 466 00:20:02,040 --> 00:20:04,400 GREAT. THAT’S JUST GREAT. 467 00:20:04,440 --> 00:20:06,200 YOU KNOW WHAT? I’M BETTER OFF IN JAIL. 468 00:20:06,240 --> 00:20:08,240 YOUR BABY DOESN’T DESERVE THAT. 469 00:20:08,270 --> 00:20:10,700 YOU’RE IN A GROWN‐UP WORLD HERE, FRANCIS. 470 00:20:10,740 --> 00:20:11,940 ACT LIKE A GROWN‐UP. 471 00:20:14,340 --> 00:20:15,500 OKAY. 472 00:20:15,540 --> 00:20:19,840 THEY NEVER TOLD ME ANYTHING BEFORE OR AFTER. 473 00:20:19,870 --> 00:20:22,900 JASON JUST TOLD ME TO DRIVE R.J. TO THE LIQUOR STORE AT NOON 474 00:20:22,940 --> 00:20:24,770 AND WAIT FOR HIM IN THE CAR. 475 00:20:24,800 --> 00:20:25,900 THEN WHAT? 476 00:20:25,940 --> 00:20:27,600 I WAITED FOR HIM... 477 00:20:27,640 --> 00:20:31,470 AND THEN R. J. RAN OUT SCREAMING AT ME, ALL PSYCHO. 478 00:20:31,500 --> 00:20:33,770 "DRIVE AWAY, YOU STUPID BITCH!" 479 00:20:33,800 --> 00:20:35,870 WHO’S R. J.? 480 00:20:35,900 --> 00:20:38,940 ROBERT JENKINS ‐‐ R. J. 481 00:20:38,970 --> 00:20:40,570 WRITE DOWN WHERE TO LOOK FOR HIM. 482 00:20:43,000 --> 00:20:45,700 WHOSE IDEA WAS IT TO STEAL YOUR FOLKS’ CAR? 483 00:20:45,740 --> 00:20:48,170 JASON SAID IT WOULD TAKE US TO HAPPINESS. 484 00:20:48,200 --> 00:20:50,700 AND YOU BOUGHT THAT? 485 00:20:50,740 --> 00:20:53,670 I WAS FOUR MONTHS PREGNANT. I DIDN’T HAVE MUCH OF A CHOICE. 486 00:20:55,340 --> 00:20:56,370 SO YOUR FOLKS DON’T KNOW? 487 00:20:56,400 --> 00:20:57,700 THEY WOULD’VE KILLED ME. 488 00:20:57,740 --> 00:21:00,900 THEY WOULD’VE LOCKED ME UP IN THE BASEMENT. 489 00:21:00,940 --> 00:21:02,640 HAVE YOU HAD ANY PRENATAL CARE? 490 00:21:02,670 --> 00:21:03,970 NO, NOT REALLY. 491 00:21:04,000 --> 00:21:08,400 NOW, CAN I PLEASE HAVE A COUPLE OF MORE SODAS NOW, PLEASE? 492 00:21:08,440 --> 00:21:10,300 SODA’S NOT GOOD FOR THE BABY. 493 00:21:10,340 --> 00:21:12,700 I’LL HAVE SOMEONE RUN OUT FOR JUICE. 494 00:21:12,740 --> 00:21:16,800 YOU RUN ALONG, CONNIE. I’LL KEEP AN EYE ON HER. 495 00:21:16,840 --> 00:21:19,170 WHAT THE HELL WAS THAT?! 496 00:21:19,200 --> 00:21:20,200 WHAT IS GOING ON?! 497 00:21:20,240 --> 00:21:22,570 JUST KEEP WRITING. 498 00:21:43,400 --> 00:21:45,070 SAYS HE FOUND IT ON THE SIDEWALK. 499 00:21:45,100 --> 00:21:47,140 ALL RIGHT. GIVE US A MINUTE. 500 00:21:56,640 --> 00:21:57,800 UNH‐UNH. 501 00:21:57,840 --> 00:22:00,000 WHERE’D YOU GET THIS? 502 00:22:00,040 --> 00:22:01,840 I JUST FOUND IT. 503 00:22:01,870 --> 00:22:04,270 TELL THE TRUTH, AND YOU’RE NOT A COLLAR FOR IT. 504 00:22:04,300 --> 00:22:06,270 LIE, AND I’LL PUT YOU THROUGH THE WINDOW. 505 00:22:06,300 --> 00:22:08,740 LAST WINTER, I GRABBED IT OUT OF A COAT IN A BAR. 506 00:22:08,770 --> 00:22:10,240 I CARRY IT TO IMPRESS CHICKS. 507 00:22:10,270 --> 00:22:11,970 WHERE WERE YOU THIS MORNING AT 7:30? 508 00:22:12,000 --> 00:22:14,300 I TOOK MY MA TO A FOOT CLINIC. 509 00:22:14,340 --> 00:22:16,040 I’M REALLY A DECENT GUY. 510 00:22:16,070 --> 00:22:18,770 COME ON. 511 00:22:18,800 --> 00:22:19,940 THAT’S IT? CAN I LEAVE? 512 00:22:19,970 --> 00:22:21,470 SHUT UP. 513 00:22:23,240 --> 00:22:24,300 HE’S NOT YOUR GUY. 514 00:22:24,340 --> 00:22:25,700 WHAT ARE YOU TALKING ABOUT? 515 00:22:25,740 --> 00:22:27,870 HE’S A COLLAR FOR SOLICITING THE PROS, 516 00:22:27,900 --> 00:22:30,200 BUT HE ALIBIED OUT FOR THE CAR BOOST. WHAT ABOUT THE SHIELD? 517 00:22:30,240 --> 00:22:32,240 WE’RE KEEPING THE SHIELD TO WORK ON WHERE HE GOT IT. 518 00:22:32,270 --> 00:22:34,300 ALL THAT IN 30 SECONDS? WHAT’S UP WITH THIS? 519 00:22:34,340 --> 00:22:35,940 WE WERE LOOKING AT TWO DAYS OFF. 520 00:22:35,970 --> 00:22:38,040 WHICH I WILL SEE THAT YOU GET WHEN WE COLLAR THE RIGHT GUY ‐‐ 521 00:22:38,070 --> 00:22:39,200 WHICH THIS GUY ISN’T. 522 00:22:39,240 --> 00:22:42,100 HEY, ANDY, JOHN, WE GOT A GUY WE NEED TO TALK TO. 523 00:22:42,140 --> 00:22:43,540 GET HIM TO THE CELLS. YEAH. 524 00:22:50,570 --> 00:22:53,240 MAURICE CARLISLE ‐‐ COLLARED FOR DEALING CRACK. 525 00:22:53,270 --> 00:22:56,500 WHICH IS BULL, SEEING HOW I DIDN’T HAVE NO CRACK ON ME. 526 00:22:56,540 --> 00:22:59,000 UNIFORM SAYS HE DITCHED IT IN THE SEWER. 527 00:22:59,040 --> 00:23:00,140 WHERE’D YOU GET THIS BRACELET? 528 00:23:00,170 --> 00:23:01,970 I BOUGHT IT OFF A FRIEND. 529 00:23:02,000 --> 00:23:03,170 WHAT’S YOUR FRIEND’S NAME? 530 00:23:03,200 --> 00:23:04,440 WE AIN’T THAT CLOSE. 531 00:23:04,470 --> 00:23:06,140 WHERE WERE YOU AT 7:30 THIS MORNING? 532 00:23:06,170 --> 00:23:07,470 LOCKED UP, MAN. 533 00:23:07,500 --> 00:23:09,940 YOU WANT TO STAY OUT, YOU TELL US THE NAME. 534 00:23:09,970 --> 00:23:11,870 YO, YO, CHIEF, I DIDN’T HAVE NO CRACK. 535 00:23:11,900 --> 00:23:13,570 NO MATTER WHAT, I WILL BE STAYING OUT. 536 00:23:13,600 --> 00:23:14,970 RESTRAIN HIM. 537 00:23:15,000 --> 00:23:16,140 YO! YO! EXCUSE ME! 538 00:23:16,170 --> 00:23:17,500 GET THAT ROLL OF TAPE. 539 00:23:17,540 --> 00:23:18,700 WHAT THE HELL?! 540 00:23:18,740 --> 00:23:20,840 THAT BRACELET BELONGS TO THIS DETECTIVE 541 00:23:20,870 --> 00:23:22,840 WHO LOST SOME OTHER ITEMS HE’D LIKE RETURNED. 542 00:23:22,870 --> 00:23:25,140 SO YOU TELL US THE NAME OF WHO YOU GOT IT FROM, 543 00:23:25,170 --> 00:23:26,640 OR I WILL TAPE YOUR MOUTH SHUT, 544 00:23:26,670 --> 00:23:28,540 AND AFTER HE BEATS YOUR RIBS TO DUST, 545 00:23:28,570 --> 00:23:30,640 WE CAN RIP OFF THAT STUPID MUSTACHE! 546 00:23:30,670 --> 00:23:31,640 MAN, YOU CRAZY! 547 00:23:31,670 --> 00:23:32,940 TAPE HIM UP. 548 00:23:32,970 --> 00:23:35,670 YO, YO, FIGGIS, MAN! JIMMY FIGGIS! 549 00:23:35,700 --> 00:23:37,800 I TRADED HIM FOR IT FOR ROCK! WHERE’D HE GET IT? 550 00:23:37,840 --> 00:23:40,040 HE SAID HE FOUND IT. NOT GOOD ENOUGH. 551 00:23:40,070 --> 00:23:42,570 IF YOU GOT A CAR BROKE INTO, THAT’S A SHOT. 552 00:23:42,600 --> 00:23:45,340 HE BOOSTS CARS, AND HE DID A BUNCH THIS MORNING. AND THAT’S ALL I KNOW. 553 00:23:45,370 --> 00:23:47,440 YOU’RE TAKING US TO HIM. COME ON. 554 00:23:48,670 --> 00:23:49,700 EASY, BROTHER! 555 00:23:58,000 --> 00:23:59,570 MINT? 556 00:23:59,600 --> 00:24:01,970 NO, THANKS. 557 00:24:02,000 --> 00:24:04,140 [ SIGHS ] 558 00:24:04,170 --> 00:24:07,600 SO YOU KNOW, I’M A WALKING PHARMACY ‐‐ 559 00:24:07,640 --> 00:24:09,340 DECONGESTANT, 560 00:24:09,370 --> 00:24:12,640 ASPIRIN, ANYTHING YOU NEED. 561 00:24:13,770 --> 00:24:15,070 GREAT. 562 00:24:15,100 --> 00:24:17,100 YOU WERE RIGHT WORKING THAT GIRL ALONE. 563 00:24:17,140 --> 00:24:19,570 I WOULDN’T HAVE BEEN ANY HELP. 564 00:24:19,600 --> 00:24:20,840 GLAD IT WORKED OUT. 565 00:24:20,870 --> 00:24:22,200 YOU GOT KIDS? 566 00:24:24,470 --> 00:24:26,000 NO. 567 00:24:26,040 --> 00:24:27,770 TWO SONS ‐‐ 25 AND 27. 568 00:24:27,800 --> 00:24:32,540 AND IF EITHER OF THEM DARES SHOW ME THE ATTITUDE THAT GIRL DOES, 569 00:24:32,570 --> 00:24:36,140 THEY’D BE PICKING THEIR TEETH UP OFF THE FLOOR. 570 00:24:36,170 --> 00:24:38,870 SEEMS LIKE A TYPICAL 15‐YEAR‐OLD. 571 00:24:38,900 --> 00:24:40,240 THAT’S TYPICAL? 572 00:24:40,270 --> 00:24:43,500 HOW DO ANY OF THEM SURVIVE TO BE ADULTS? 573 00:24:43,540 --> 00:24:45,000 GUESS WE JUST DO. 574 00:24:45,040 --> 00:24:47,770 YOU’RE SAYING YOU WERE LIKE THEM? 575 00:24:47,800 --> 00:24:49,300 NOT TOO FAR OFF. 576 00:24:51,570 --> 00:24:52,700 THAT’S HIM. 577 00:24:52,740 --> 00:24:53,940 THAT’S R. J. 578 00:24:53,970 --> 00:24:55,040 [ SNORES ] 579 00:24:55,070 --> 00:24:56,770 EDDIE, R. J.! 580 00:24:56,800 --> 00:24:58,870 FREEZE, R. J.! 581 00:24:58,900 --> 00:25:00,000 FREEZE! 582 00:25:09,000 --> 00:25:10,140 WHAT’S UP?! 583 00:25:10,170 --> 00:25:12,940 WHERE THE HELL ARE YOU GOING? 584 00:25:14,800 --> 00:25:16,000 YOU GET THE GUN? 585 00:25:16,040 --> 00:25:17,400 HAD TO GO PAWING THROUGH A DUMPSTER FOR IT, 586 00:25:17,440 --> 00:25:19,300 GONNA WIPE IT ALL OVER YOUR ASS! 587 00:25:19,340 --> 00:25:20,470 THAT AIN’T MY GUN! 588 00:25:20,500 --> 00:25:22,470 SAVE IT! I GOT HIM, KID. 589 00:25:22,500 --> 00:25:25,270 RUN AHEAD AND UNLOCK THE DOOR. 590 00:25:25,300 --> 00:25:27,140 COME ON! GET THE DOOR! 591 00:25:35,870 --> 00:25:39,370 SO, FIGGIS, WHAT YEAR DID YOU COME ON THE JOB? 592 00:25:39,400 --> 00:25:40,900 I GOT THIS STUFF OUT OF A DUMPSTER. 593 00:25:40,940 --> 00:25:41,940 WHERE’S THE SHIELD? 594 00:25:41,970 --> 00:25:43,640 WHAT ARE YOU TALKING ABOUT? 595 00:25:43,670 --> 00:25:46,340 I’M TALKING ABOUT THE DETECTIVE SHIELD THAT WAS IN HIS BAGS. 596 00:25:46,370 --> 00:25:48,670 IT’S NOT IN THE APARTMENT. WHERE IS IT?! 597 00:25:48,700 --> 00:25:51,040 I DON’T KNOW. I DON’T KNOW ABOUT A SHIELD. 598 00:25:52,870 --> 00:25:54,500 GET HIS SHOES AND HIS PANTS OFF. 599 00:25:54,540 --> 00:25:57,240 WHAT ARE YOU DOING? COLLECTING STOLEN PROPERTY. 600 00:25:57,270 --> 00:26:00,040 MY SWEAT PANTS! THAT’S MY SWEAT SHIRT! 601 00:26:00,070 --> 00:26:02,170 IS THIS YOUR UNDERWEAR? 602 00:26:02,200 --> 00:26:03,840 NOTHING I’LL WEAR AGAIN. 603 00:26:03,870 --> 00:26:04,940 WHOA! 604 00:26:06,400 --> 00:26:08,440 YOU’RE GOING IN THE SYSTEM NAKED! 605 00:26:08,470 --> 00:26:10,170 ALL THE WAY TO CENTRAL BOOKING! 606 00:26:10,200 --> 00:26:11,200 THIS IS A JOKE, RIGHT? 607 00:26:11,240 --> 00:26:12,670 WHERE’S THE SHIELD?! 608 00:26:12,700 --> 00:26:13,870 I SAID I DON’T KNOW! 609 00:26:13,900 --> 00:26:15,140 WHERE IS THE SHIELD?! 610 00:26:15,170 --> 00:26:16,900 I DON’T KNOW! 611 00:26:16,940 --> 00:26:19,100 COME ON! 612 00:26:20,740 --> 00:26:22,170 OH, JEEZ! OH, GOD! 613 00:26:22,200 --> 00:26:24,670 GRAB HIS FEET. WE’LL CARRY HIM. 614 00:26:24,700 --> 00:26:26,640 IF HIS HEAD HITS THE WALL, THAT’S OKAY. 615 00:26:26,670 --> 00:26:29,040 ALL RIGHT! ALL RIGHT! CAN WE JUST GO BACK IN?! 616 00:26:29,070 --> 00:26:32,170 DROP HIM. ALL RIGHT, LET’S GO. 617 00:26:32,200 --> 00:26:34,700 IF THIS GUY FINDS OUT I RATTED, HE’LL KILL ME. 618 00:26:34,740 --> 00:26:35,840 WHO? 619 00:26:35,870 --> 00:26:37,200 HE’LL KILL ME! 620 00:26:37,240 --> 00:26:38,900 I’LL KILL YOU. 621 00:26:38,940 --> 00:26:40,040 DEACON AMES. 622 00:26:40,070 --> 00:26:41,640 WHAT’S HIS ACT? 623 00:26:41,670 --> 00:26:42,940 HE RUNS A SHOOTING GALLERY. 624 00:26:42,970 --> 00:26:45,170 HE TRADES PROS SMACK FOR SEX. 625 00:26:45,200 --> 00:26:47,640 PROBLEM IS, HE DOESN’T PAY UP ON HIS END. 626 00:26:47,670 --> 00:26:49,170 PROS LEAVE WITH THEIR HEADS CAVED IN. 627 00:26:49,200 --> 00:26:50,700 SO YOU GAVE HIM A COP SHIELD?! 628 00:26:50,740 --> 00:26:53,200 WHAT DID YOU THINK HE WAS GONNA DO WITH IT, SHOW HIS MOM?! 629 00:26:53,240 --> 00:26:55,300 A WHILE BACK, I DEALT HIM SOME WEAK DOPE. 630 00:26:55,340 --> 00:26:57,240 HE NEARLY BEAT ME TO DEATH. 631 00:26:57,270 --> 00:26:59,140 SO I GAVE IT TO HIM AS A PEACE OFFERING! 632 00:26:59,170 --> 00:27:00,840 AS LONG AS YOU’RE OUT OF HARM’S WAY. 633 00:27:00,870 --> 00:27:03,640 IF THIS AMES LAYS A HAND ON ANYONE, IT LANDS ON YOU, 634 00:27:03,670 --> 00:27:06,740 AND THEN HE’LL KNOW DAMN WELL WHO RATTED ON HIM! 635 00:27:06,770 --> 00:27:08,370 CAN I GET SOME CLOTHES HERE? 636 00:27:08,400 --> 00:27:09,640 SHUT UP! 637 00:27:09,670 --> 00:27:11,770 NO! THE ADDRESS. 638 00:27:11,800 --> 00:27:13,570 THE ADDRESS! 639 00:27:13,600 --> 00:27:15,740 THE GUN’S GONE TO BALLISTICS, R. J. 640 00:27:15,770 --> 00:27:18,670 IS THERE SOMETHING YOU WANT TO GET IN FRONT OF 641 00:27:18,700 --> 00:27:20,070 BEFORE WE HEAR BACK? 642 00:27:20,100 --> 00:27:22,370 I FOUND THE GUN IN AN ALLEY. 643 00:27:22,400 --> 00:27:24,340 WHEN DID YOU LAST SEE JASON MADEIRA? 644 00:27:24,370 --> 00:27:25,840 IT’S BEEN A WHILE. 645 00:27:25,870 --> 00:27:28,700 WE RAN YOUR CELL PHONE. YOU GOT A CALL FROM HIM THIS MORNING. 646 00:27:28,740 --> 00:27:31,100 ’CAUSE WE TALKED DON’T MEAN I SEEN HIM. 647 00:27:31,140 --> 00:27:33,100 TELL US WHAT WENT DOWN WITH JASON. 648 00:27:33,140 --> 00:27:35,300 WE’LL WORK WITH YOU ON A STATEMENT. 649 00:27:35,340 --> 00:27:37,700 MAYBE THERE WAS A STRUGGLE. MAYBE THERE WAS AN ACCIDENT. 650 00:27:37,740 --> 00:27:39,800 COULD MEAN THE DIFFERENCE BETWEEN NO YEARS AND 30. 651 00:27:39,840 --> 00:27:43,000 I DON’T KNOW WHAT WENT DOWN WITH JASON, AND THAT AIN’T MY GUN. 652 00:27:43,040 --> 00:27:44,140 [ SIGHS ] 653 00:27:56,500 --> 00:27:59,870 TAKE IT. 654 00:27:59,900 --> 00:28:02,400 WHAT’S UP?! 655 00:28:02,440 --> 00:28:06,000 SWAB HIS HANDS WITH THE Q‐TIP. 656 00:28:06,040 --> 00:28:08,670 THE OTHER ONE. 657 00:28:09,840 --> 00:28:11,540 GIVE IT TO ME. 658 00:28:19,700 --> 00:28:21,170 UH‐HUH. 659 00:28:23,600 --> 00:28:25,040 UH‐HUH. 660 00:28:25,070 --> 00:28:27,300 YOU FIRE A GUN TODAY? 661 00:28:27,340 --> 00:28:28,370 NO. 662 00:28:28,400 --> 00:28:30,370 THIS SAYS DIFFERENT, AND UNLIKE YOU, 663 00:28:30,400 --> 00:28:32,040 THIS DON’T KNOW HOW TO LIE. 664 00:28:32,070 --> 00:28:34,070 IT’S A GRANULE TEST, R. J., 665 00:28:34,100 --> 00:28:36,840 AND IT REACTED WITH THE GUNPOWDER ON YOUR HAND, 666 00:28:36,870 --> 00:28:40,300 AND SINCE EVERY GRANULE’S UNIQUE TO THE BULLET IT CAME FROM, 667 00:28:40,340 --> 00:28:42,270 WE’LL COMPARE THIS AGAINST THE SLUGS FROM JASON, 668 00:28:42,300 --> 00:28:46,100 AND SCIENTIFICALLY PROVE YOU KILLED HIM. 669 00:28:47,570 --> 00:28:51,470 SO...LET’S START TALKING ABOUT THAT STATEMENT AGAIN. 670 00:28:51,500 --> 00:28:55,700 START WITH RIPPING OFF ROSE’S LIQUOR STORE. 671 00:28:55,740 --> 00:28:57,100 YOU KNOW ABOUT THAT? 672 00:28:57,140 --> 00:28:58,640 IT WAS CHECK‐CASHING DAY. 673 00:28:58,670 --> 00:28:59,670 JASON SET IT UP. 674 00:28:59,700 --> 00:29:01,200 R.J., YOU’RE COOKED. 675 00:29:01,240 --> 00:29:03,300 WE JUST WANTED TO GIVE YOU A CHANCE TO EXPLAIN YOURSELF... 676 00:29:03,340 --> 00:29:05,000 OR NOT. 677 00:29:05,040 --> 00:29:07,570 IT WAS ALL JASON. I DIDN’T WANT NOTHING TO DO WITH IT. 678 00:29:07,600 --> 00:29:10,470 WHAT ABOUT HIS GIRL, FRANCIS? HOW MUCH WAS SHE INVOLVED? 679 00:29:10,500 --> 00:29:13,800 SHE DROVE, BUT SHE DON’T KNOW NOTHING. 680 00:29:13,840 --> 00:29:15,200 SHE’S A DUMB‐ASS. 681 00:29:15,240 --> 00:29:16,600 LET’S GET TO THIS MORNING. 682 00:29:16,640 --> 00:29:19,870 HE CALLS ME ASKING IF I WANTED THIS CASE OF CRIS 683 00:29:19,900 --> 00:29:21,200 THAT HE RIPPED OFF. 684 00:29:21,240 --> 00:29:23,600 SO WE MEET, AND HE STARTS JOCKING ME 685 00:29:23,640 --> 00:29:25,740 OVER 50 BUCKS ON BOOZE HE STOLE. 686 00:29:25,770 --> 00:29:27,140 HOW’D IT GO BAD? 687 00:29:27,170 --> 00:29:30,200 I PULLED A GAT TO SETTLE THE TERMS, 688 00:29:30,240 --> 00:29:32,740 AND STILL, HE’S LIKE, "250." 689 00:29:32,770 --> 00:29:34,440 I’M SAYING, "200." 690 00:29:34,470 --> 00:29:35,840 HE GOES, "250." 691 00:29:35,870 --> 00:29:37,040 I GO, "200." 692 00:29:37,070 --> 00:29:38,600 "250." "200." 693 00:29:38,640 --> 00:29:39,870 "250." "200." 694 00:29:39,900 --> 00:29:41,170 GOT IT. 695 00:29:41,200 --> 00:29:43,240 AND THEN THE FOOL GRABS THE GUN 696 00:29:43,270 --> 00:29:46,000 AND, JUST LIKE YOU SAID, IT WAS AN ACCIDENT. 697 00:29:46,040 --> 00:29:47,670 THE THING JUST WENT OFF. 698 00:29:47,700 --> 00:29:50,700 TWICE IN HIS HEAD, AND THEN YOU TOOK THE CHAMPAGNE. 699 00:29:50,740 --> 00:29:52,000 IT’D JUST GO TO WASTE. 700 00:29:53,940 --> 00:29:56,800 GOOD ENOUGH, R. J. 701 00:29:56,840 --> 00:29:59,370 WRITE IT DOWN. 702 00:29:59,400 --> 00:30:01,070 [ SIGHS ] 703 00:30:01,100 --> 00:30:02,940 GRANULES? 704 00:30:02,970 --> 00:30:06,400 HOW’S THAT WORK AGAIN? 705 00:30:13,170 --> 00:30:15,140 John: OH, UH, DETECTIVE, 706 00:30:15,170 --> 00:30:18,900 A CARL PEARSON RETURNING YOUR CALL. 707 00:30:18,940 --> 00:30:20,170 THANKS. 708 00:30:20,200 --> 00:30:22,370 YOU TIED UP, OR CAN YOU HELP US GRAB A DEALER 709 00:30:22,400 --> 00:30:23,870 WHO’S GOT CLARK’S SHIELD? 710 00:30:23,900 --> 00:30:25,070 YOU NEED AN EXTRA MAN? 711 00:30:25,100 --> 00:30:26,770 WE NEED YOU IN A PROS OUTFIT. 712 00:30:26,800 --> 00:30:28,400 CAN YOU GET SOMETHING TOGETHER? 713 00:30:29,900 --> 00:30:32,000 IS SOMETHING WRONG? 714 00:30:32,040 --> 00:30:34,070 [ SIGHS ] NO. 715 00:30:34,100 --> 00:30:36,770 JOHN, YOU GET THE GIRL TO THE CRIB? 716 00:30:36,800 --> 00:30:38,000 SHE’S SLEEPING. 717 00:30:38,040 --> 00:30:40,100 SEE YOU CHECK UP ON HER. 718 00:30:41,400 --> 00:30:44,670 I’LL GO SEE WHAT I CAN PULL TOGETHER. 719 00:31:02,160 --> 00:31:04,930 LET’S CHECK YOUR TRANSMITTER. 720 00:31:04,960 --> 00:31:05,990 TESTING, ONE, TWO, THREE. 721 00:31:06,030 --> 00:31:07,560 ALL RIGHT, I HEAR YOU GOOD. 722 00:31:07,600 --> 00:31:09,740 THE SECOND IT HEATS UP IN THERE, WE’RE COMING IN. 723 00:31:09,760 --> 00:31:10,690 YOU REMEMBER THE WORD? 724 00:31:10,730 --> 00:31:12,230 SUGAR. 725 00:31:12,260 --> 00:31:13,660 YOU OKAY? 726 00:31:13,700 --> 00:31:14,900 LET’S GO. 727 00:31:32,960 --> 00:31:33,990 YOU FORGET SOMETHING? 728 00:31:34,030 --> 00:31:35,890 MY FRIEND WANTS TO MEET HIM. 729 00:31:35,930 --> 00:31:38,360 SINCE ME AND HIM ARE BACK ON SPEAKING TERMS, I THOUGHT ‐‐ 730 00:31:38,400 --> 00:31:39,600 SHUT UP. OKAY. 731 00:31:51,400 --> 00:31:55,840 YO, D., PECKERHEAD’S BACK. 732 00:31:55,860 --> 00:31:57,030 WHAT YOU WANT? 733 00:31:57,060 --> 00:32:00,060 SHE’S LOOKING TO SCORE. 734 00:32:00,100 --> 00:32:02,200 IS THAT RIGHT? 735 00:32:04,260 --> 00:32:06,630 IN THE BACK. 736 00:32:06,660 --> 00:32:08,230 BEAT IT. 737 00:32:18,030 --> 00:32:19,860 [ CLEARS THROAT ] 738 00:32:22,060 --> 00:32:23,490 TWO DECKS. 739 00:32:23,530 --> 00:32:26,230 FOR LADIES LIKE YOU, I LIKE TO RUN THE BARTER SYSTEM. 740 00:32:26,260 --> 00:32:27,830 I GOTTA SEE THE STUFF, FIRST. 741 00:32:27,860 --> 00:32:29,130 DON’T STRESS, BABY. 742 00:32:29,160 --> 00:32:31,930 I’M GONNA WORK YOU OUT SO GOOD, THE SMACK WILL BE A COMEDOWN. 743 00:32:31,960 --> 00:32:33,560 ALL RIGHT, JUST GO EASY. 744 00:32:33,600 --> 00:32:35,770 That’s not the way I like it. 745 00:32:35,800 --> 00:32:37,540 HEY, EASY THERE, SUGAR! 746 00:32:37,560 --> 00:32:38,490 LET’S GO! LET’S GO! 747 00:32:42,600 --> 00:32:43,940 LET’S GO! LET’S GO! 748 00:32:43,960 --> 00:32:44,930 FREEZE! 749 00:32:44,960 --> 00:32:47,260 GET DOWN! GET DOWN! 750 00:32:47,300 --> 00:32:48,540 THE SHIELD’S AROUND HIS NECK. 751 00:32:48,560 --> 00:32:49,490 YOU OKAY?! 752 00:32:49,530 --> 00:32:51,860 YEAH. SON OF A BITCH RIPPED MY SHIRT. 753 00:32:53,700 --> 00:32:55,870 HERE. 754 00:33:01,330 --> 00:33:03,730 COME ON, GET UP. GET UP. 755 00:33:20,260 --> 00:33:22,030 HEY, STRANGER. 756 00:33:22,060 --> 00:33:23,260 HEY. 757 00:33:23,300 --> 00:33:25,570 HEARD YOU COLLARED UP ON THAT CAR BOOSTER. 758 00:33:25,600 --> 00:33:27,840 YEAH. YOU MUST BE KNEE‐DEEP IN COLLARS 759 00:33:27,860 --> 00:33:30,190 WITH EVERY COP OUT PLAYING BOUNTY HUNTER. 760 00:33:30,230 --> 00:33:31,660 GOT ME BACKED UP 14 DEEP. 761 00:33:31,700 --> 00:33:32,740 OOH. 762 00:33:32,760 --> 00:33:35,860 THIS, UH, PHONE TAG SEEMS TO BE GETTING OUT OF HAND. 763 00:33:35,900 --> 00:33:37,570 YEAH, I’VE BEEN SWAMPED. 764 00:33:37,600 --> 00:33:38,970 ME TOO. 765 00:33:39,000 --> 00:33:40,470 SO, UM ‐‐ 766 00:33:40,500 --> 00:33:42,140 SO LET’S FIND SOME TIME WHEN WE’RE BOTH FREE. 767 00:33:42,160 --> 00:33:44,330 HOW ABOUT TONIGHT? LATE SUPPER. 768 00:33:44,360 --> 00:33:46,530 I’LL BE HERE TILL 10:00, AND I’M ALREADY WIPED. 769 00:33:46,560 --> 00:33:48,260 HOW ABOUT TOMORROW MORNING? 770 00:33:48,300 --> 00:33:50,300 I KNOW THIS GREAT OMELET PLACE IN SOHO, 771 00:33:50,330 --> 00:33:52,260 AND I’LL BUY YOU BREAKFAST. 772 00:33:52,300 --> 00:33:54,340 I HAVE YOGA TOMORROW MORNING. 773 00:33:54,360 --> 00:33:57,730 YOU KNOW, A LITTLE SPONTANEITY EVERY NOW AND THEN 774 00:33:57,760 --> 00:33:59,030 NEVER HURT ANYONE. 775 00:33:59,060 --> 00:34:00,130 BALDWIN, I ‐‐ 776 00:34:00,160 --> 00:34:01,260 I’M JUST SAYING. 777 00:34:01,300 --> 00:34:02,470 I’LL CALL YOU. 778 00:34:12,160 --> 00:34:15,260 DETECTIVE, THE PEARSONS. 779 00:34:15,300 --> 00:34:18,170 OH, UH, CONNIE McDOWELL. 780 00:34:18,200 --> 00:34:20,640 NICE TO MEET YOU. IS OUR DAUGHTER HERE? IS SHE OKAY? 781 00:34:20,660 --> 00:34:23,490 SHE’S FINE, MRS. PEARSON. COME THIS WAY. 782 00:34:24,930 --> 00:34:26,130 RIGHT HERE. 783 00:34:29,130 --> 00:34:33,030 FIRST OFF, WE’D LIKE TO KNOW WHAT SHE’S DOING HERE. 784 00:34:33,060 --> 00:34:34,730 YOUR DAUGHTER WAS BROUGHT IN 785 00:34:34,760 --> 00:34:36,390 AS PART OF A HOMICIDE INVESTIGATION. 786 00:34:36,430 --> 00:34:39,190 HOW DID SHE KNOW ANYTHING ABOUT HOMICIDE? 787 00:34:39,230 --> 00:34:40,830 IT WAS HER BOYFRIEND WHO WAS MURDERED. 788 00:34:40,860 --> 00:34:41,790 OH, MY GOD. 789 00:34:41,830 --> 00:34:44,660 JASON ‐‐ IS THAT THE GUY WHO GOT KILLED? 790 00:34:44,700 --> 00:34:46,940 WHAT’D I SAY ABOUT HIM? I TOLD HER. 791 00:34:46,960 --> 00:34:49,660 CAN WE SEE FRANCIS NOW? CAN WE TAKE HER HOME? 792 00:34:49,700 --> 00:34:52,300 UH, WHEN YOU REPORTED YOUR CAR STOLEN FOUR MONTHS AGO, 793 00:34:52,330 --> 00:34:54,530 WAS THAT THE LAST TIME YOU SAW YOUR DAUGHTER? 794 00:34:54,560 --> 00:34:55,490 YES. 795 00:34:55,530 --> 00:34:57,790 DID YOU KNOW SHE WAS PREGNANT? 796 00:34:57,830 --> 00:34:58,990 OH, MY GOD! 797 00:34:59,030 --> 00:35:00,360 YOU MEAN SHE WAS PREGNANT THEN? 798 00:35:00,400 --> 00:35:01,640 HOW FAR ALONG IS SHE? 799 00:35:01,660 --> 00:35:03,390 SHE LOOKS AROUND EIGHT MONTHS. 800 00:35:03,430 --> 00:35:05,190 COULD YOU GET HER, PLEASE? 801 00:35:05,230 --> 00:35:06,790 BEFORE I DO, YOU NEED TO UNDERSTAND 802 00:35:06,830 --> 00:35:08,830 HOW CRITICAL A TIME IN HER LIFE THIS IS. 803 00:35:08,860 --> 00:35:10,290 EXCUSE ME? 804 00:35:10,330 --> 00:35:12,160 THE DECISIONS YOU MAKE REGARDING HER PREGNANCY 805 00:35:12,200 --> 00:35:14,470 WILL AFFECT HER FOR THE REST OF HER LIFE. 806 00:35:14,500 --> 00:35:17,800 DO WE HAVE TO LISTEN TO THIS, OR CAN YOU GET OUR DAUGHTER?! 807 00:35:17,830 --> 00:35:18,930 DETECTIVE, PLEASE. 808 00:35:18,960 --> 00:35:20,660 COME ON. 809 00:35:31,800 --> 00:35:33,870 WAIT DOWN HERE, PLEASE. 810 00:35:38,000 --> 00:35:39,340 FIRST THING TOMORROW, 811 00:35:39,360 --> 00:35:42,760 THIS SHIELD GOES IN A SAFE‐DEPOSIT BOX. 812 00:35:42,800 --> 00:35:44,640 AND, SO YOU KNOW, I DON’T SEE THIS HAPPENING AGAIN. 813 00:35:44,660 --> 00:35:46,460 NEITHER DO I. 814 00:35:49,230 --> 00:35:51,360 EVERYTHING OKAY AT HOME? 815 00:35:51,400 --> 00:35:55,940 YEAH, WE’RE IN A TRANSITION PERIOD. 816 00:35:55,960 --> 00:35:57,560 HE THROW YOU OUT? 817 00:35:57,600 --> 00:35:59,370 IT WAS TIME TO GET MY OWN PLACE. 818 00:35:59,400 --> 00:36:01,400 DID I FACTOR INTO THIS? 819 00:36:01,430 --> 00:36:04,190 ANDY, IT’S BETWEEN ME AND MY DAD. 820 00:36:04,230 --> 00:36:06,230 YOU GOT A PLACE TO FLOP? 821 00:36:06,260 --> 00:36:08,190 A BUDDY LIVES NEARBY. 822 00:36:08,230 --> 00:36:10,190 YOU KNOW, THIS STORM CLOUD I’VE BEEN UNDER, 823 00:36:10,230 --> 00:36:11,860 IT’S GONNA LIFT. 824 00:36:11,900 --> 00:36:14,600 I MEAN, THIS ISN’T THE WAY I NORMALLY OPERATE. 825 00:36:14,630 --> 00:36:16,490 EVERYBODY HAS TROUBLE NOW AND AGAIN. 826 00:36:16,530 --> 00:36:17,860 YEAH, AND MINE’S DONE. 827 00:36:17,900 --> 00:36:21,370 IN A YEAR, YOU’LL SAY, "HE GOT IT ALL OUT OF THE WAY." 828 00:36:21,400 --> 00:36:24,100 SO, YOU INTEND TO STAY AT LEAST A YEAR. 829 00:36:24,130 --> 00:36:26,230 LET ME GET AMES TO CENTRAL BOOKING. THANKS. 830 00:36:26,260 --> 00:36:28,490 JUST SAFEGUARD THE SHIELD. 831 00:36:35,230 --> 00:36:37,390 [ GROANS ] I CAN’T BE SEEING THIS. 832 00:36:37,430 --> 00:36:39,030 THIS ISN’T REAL. 833 00:36:39,060 --> 00:36:41,490 COULD YOU JUST NOT GIVE ME ANY TROUBLE RIGHT NOW? 834 00:36:41,530 --> 00:36:43,290 DON’T OPEN YOUR MOUTH, FRANCIS. 835 00:36:43,330 --> 00:36:44,630 LET’S ALL JUST TAKE IT EASY. 836 00:36:44,660 --> 00:36:46,590 LOOK AT HER. LOOK AT YOU. 837 00:36:46,630 --> 00:36:48,490 MAYBE WE SHOULD ALL GO HAVE A CUP OF COFFEE TOGETHER. 838 00:36:48,530 --> 00:36:50,830 YOU HAVE NO IDEA WHAT THIS DOES TO ME AND YOUR MOTHER. 839 00:36:50,860 --> 00:36:51,890 LEAVE ME ALONE! 840 00:36:51,930 --> 00:36:54,630 YOU HAVE NO IDEA WHAT A DISGRACE THIS IS! 841 00:36:54,660 --> 00:36:56,460 YOU KEEP YOUR VOICE DOWN. I’M TALKING TO MY DAUGHTER! 842 00:36:56,500 --> 00:36:58,940 RIGHT NOW YOU’RE TALKING TO ME! 843 00:36:58,960 --> 00:37:00,930 GET YOUR HAND OFF! 844 00:37:00,960 --> 00:37:02,290 TOUCH ME AGAIN, 845 00:37:02,330 --> 00:37:04,490 AND I’LL LOCK YOU UP FOR ASSAULTING A POLICE OFFICER! 846 00:37:06,300 --> 00:37:09,200 WHY’D YOU COME DOWN HERE, MR. PEARSON? TO GET MY DAUGHTER. 847 00:37:09,230 --> 00:37:11,630 TO GET HER OR TO SCREAM AT HER? HOW IS THIS ANY OF YOUR BUSINESS? 848 00:37:11,660 --> 00:37:13,890 I DON’T WANT TO SEE HER BACK HERE, 849 00:37:13,930 --> 00:37:16,490 WHICH IS WHERE SHE’S HEADED IF SHE RUNS AWAY AGAIN. 850 00:37:16,530 --> 00:37:18,130 SHE WILL NOT RUN AWAY AGAIN. 851 00:37:18,160 --> 00:37:21,260 ’CAUSE YOU RUN A PRISON, OR ARE YOU GOING TO WORK THINGS OUT? 852 00:37:21,300 --> 00:37:23,270 I UNDERSTAND SHE’S DIFFICULT, 853 00:37:23,300 --> 00:37:25,870 BUT IF YOU DON’T FIND A NEW WAY TO DEAL WITH YOUR DAUGHTER AND HER CHILD,, 854 00:37:25,900 --> 00:37:28,670 I GUARANTEE SHE’LL BE BACK HERE OR WIND UP DEAD. 855 00:37:28,700 --> 00:37:30,470 CAN WE GO NOW? 856 00:37:30,500 --> 00:37:31,700 ARE YOU HEARING ME? 857 00:37:31,730 --> 00:37:32,790 I HEAR YOU. 858 00:37:32,830 --> 00:37:34,730 AND SHE SHOULD SEE A DOCTOR SOON. 859 00:37:34,760 --> 00:37:37,560 SHE HASN’T HAD ANY PRENATAL CARE. 860 00:37:43,230 --> 00:37:46,190 LET’S GO. 861 00:37:50,560 --> 00:37:52,830 IT’S ALL RIGHT IF YOU TYPE THE FIVES? 862 00:37:52,860 --> 00:37:53,960 I SPELL LIKE A THIRD‐GRADER. 863 00:37:54,000 --> 00:37:56,340 NO PROBLEM. 864 00:37:56,360 --> 00:37:58,830 GOOD WORK ROLLIN’ WITH THAT GRANULAR TEST. 865 00:37:58,860 --> 00:38:01,490 COULD BE A CHANCE THEY’RE ON THE JOB FOR MORE THAN WINDOW DRESSING. 866 00:38:01,530 --> 00:38:03,690 Andy: GIBSON... KIDDING. 867 00:38:03,730 --> 00:38:04,760 MY NOTES. 868 00:38:06,900 --> 00:38:08,470 SEE YOU TOMORROW. 869 00:38:12,060 --> 00:38:13,960 THAT LAZY, NO‐CLASS APE. 870 00:38:14,000 --> 00:38:15,640 FORGET IT. 871 00:38:15,660 --> 00:38:17,660 WE GOTTA WORK ON THIS WITH THE LIEUTENANT. 872 00:38:17,700 --> 00:38:20,140 HE CAN’T BE DRAGGING YOU THROUGH THE MUD EVERY DAY. 873 00:38:20,160 --> 00:38:21,690 LET’S TALK ABOUT IT TOMORROW. 874 00:38:21,730 --> 00:38:23,360 [ SIGHS ] 875 00:38:23,400 --> 00:38:25,800 YOU NEED TO HEAD RIGHT HOME? 876 00:38:25,830 --> 00:38:28,760 I GOTTA GET THEO. WHAT’S UP? 877 00:38:28,800 --> 00:38:30,340 NOTHING. FORGET IT. 878 00:38:31,660 --> 00:38:33,660 YOU WANT TO TALK ABOUT SOMETHING? 879 00:38:33,700 --> 00:38:35,700 I’M ALL RIGHT. 880 00:38:35,730 --> 00:38:36,890 YEAH? 881 00:38:36,930 --> 00:38:38,290 YEAH. 882 00:38:40,500 --> 00:38:43,200 LOOK, UH, WHY DON’T YOU COME ON OVER FOR DINNER? 883 00:38:43,230 --> 00:38:44,930 WE CAN TALK AFTER. 884 00:38:44,960 --> 00:38:46,460 YOU SURE? 885 00:38:46,500 --> 00:38:49,400 YEAH...AS LONG AS YOU DON’T MIND FISH STICKS. 886 00:38:49,430 --> 00:38:51,860 ONCE A WEEK, THEO PICKS DINNER. 887 00:38:51,900 --> 00:38:54,370 IT’S ALWAYS FISH STICKS. 888 00:38:58,700 --> 00:39:01,640 Clark: GOOD NIGHT, GUYS. Connie: GOOD NIGHT, JOHN. 889 00:39:01,660 --> 00:39:03,190 HEY. 890 00:39:03,230 --> 00:39:04,560 Greg: HEY. 891 00:39:04,600 --> 00:39:07,670 I THOUGHT YOU WERE GETTING AMES TO CENTRAL BOOKING. 892 00:39:07,700 --> 00:39:10,240 NAH, THEY’RE BACKED UP FOR ABOUT FOUR HOURS. 893 00:39:10,260 --> 00:39:13,160 UNIFORM’S GONNA TAKE HIM DOWN. I’LL CATCH UP WITH HIM LATER. 894 00:39:13,200 --> 00:39:15,970 SO, THIS SUDDEN CHANGE OF RESIDENCE, 895 00:39:16,000 --> 00:39:20,000 IS THAT YOU WORKING AT THE 15th OR WORKING WITH ANDY? 896 00:39:20,030 --> 00:39:24,330 IT’S ABOUT ME DECIDING IT’S TIME TO BE ON MY OWN. 897 00:39:24,360 --> 00:39:28,130 YOU KNOW, MY PARENTS KICKED ME OUT OF THEIR HOUSE ONCE. 898 00:39:28,160 --> 00:39:29,230 ONLY LASTED A DAY. 899 00:39:29,260 --> 00:39:30,990 YEAH? WHAT’D YOU DO? 900 00:39:31,030 --> 00:39:34,830 MY MOTHER HAD PURITAN VALUES, 901 00:39:34,860 --> 00:39:36,890 AND SHE FOUND A PLAYBOY 902 00:39:36,930 --> 00:39:39,060 STUFFED BETWEEN THE MATTRESS AND THE BOX SPRING. 903 00:39:39,100 --> 00:39:40,440 A WHOLE DAY, HUH? 904 00:39:40,460 --> 00:39:42,360 HEY, KICKED OUT IS KICKED OUT. 905 00:39:42,400 --> 00:39:43,670 IT’S A LITTLE DIFFERENT. 906 00:39:43,700 --> 00:39:46,600 YEAH, ANYWAY, I WAS LOOKING TO GET MY OWN PLACE. 907 00:39:46,630 --> 00:39:49,090 UH‐HUH. 908 00:39:49,130 --> 00:39:51,060 I GOT FOUR HOURS TO KILL. ANYBODY WANT TO GRAB A BITE TO EAT? 909 00:39:51,100 --> 00:39:53,540 I CAN’T. I GOT MY GIRLS THIS WEEK. 910 00:39:53,560 --> 00:39:56,260 I’M GOING FOR A RUN, BUT I’LL GRAB A BITE AFTER. 911 00:39:56,300 --> 00:39:58,040 I GOT MY GEAR. MIND IF I JOIN YOU? 912 00:39:58,060 --> 00:40:00,190 YOU SAYING I FINALLY GOT ANOTHER RUNNING PARTNER? 913 00:40:00,230 --> 00:40:02,030 THIS GUY BARELY BROKE HIS SHOES IN. 914 00:40:02,060 --> 00:40:04,030 HEY, I DO MY WORKOUT AT HOME. 915 00:40:04,060 --> 00:40:05,990 DOES IT INVOLVED THOSE GIRLIE MAGAZINES? 916 00:40:06,030 --> 00:40:07,230 OH, VERY FUNNY. 917 00:40:07,260 --> 00:40:09,090 WHERE DO YOU RUN? 918 00:40:09,130 --> 00:40:10,330 I START HERE ‐‐ 919 00:40:10,360 --> 00:40:12,790 ALL RIGHT, FELLAS. I GOTTA HEAD OUT. 920 00:40:12,830 --> 00:40:13,860 GOOD NIGHT, GREG. 921 00:40:13,900 --> 00:40:16,500 I GO DOWN THE FDR DRIVE TO BATTERY PARK, THEN BACK. 922 00:40:16,530 --> 00:40:17,530 YEAH, THAT SOUNDS GOOD. 923 00:40:17,560 --> 00:40:19,390 ALL RIGHT, THEN. LET’S DO IT. 924 00:40:19,430 --> 00:40:20,590 Clark: I’M WITH YOU. 925 00:40:22,000 --> 00:40:25,840 YOU KNOW, UH, I’M GONNA BRING MY SHOES NEXT WEEK 926 00:40:25,860 --> 00:40:28,030 AND JOIN YOU GUYS. 927 00:40:28,060 --> 00:40:29,160 YEAH, I HEARD THAT BEFORE. 928 00:40:29,200 --> 00:40:31,170 ANYWAYS... 929 00:40:31,200 --> 00:40:33,240 GOOD NIGHT. 930 00:40:33,260 --> 00:40:35,260 GOOD NIGHT. 931 00:40:35,300 --> 00:40:36,840 GOOD NIGHT, GREG. 932 00:40:45,930 --> 00:40:47,690 LAST ONE. 933 00:40:47,730 --> 00:40:49,030 THANKS. 934 00:40:49,060 --> 00:40:51,160 DID YOU LIKE YOUR FISH STICKS? 935 00:40:51,200 --> 00:40:52,200 YES, I DID. 936 00:40:52,230 --> 00:40:53,790 THEY WERE DELICIOUS. 937 00:40:53,830 --> 00:40:56,830 WE HAVE THEM EVERY WEEK, BUT WE SHOULD HAVE THEM EVERY DAY. 938 00:40:56,860 --> 00:40:59,730 WELL, IT’S BETTER TO HAVE THEM EVERY WEEK, SWEETHEART. 939 00:40:59,760 --> 00:41:01,960 THAT WAY, YOU CAN LOOK FORWARD TO THEM. 940 00:41:02,000 --> 00:41:03,840 OKAY. DADDY, CAN I WATCH TV? 941 00:41:03,860 --> 00:41:06,060 YEAH, WHY DON’T YOU WATCH IN THE BEDROOM. 942 00:41:06,100 --> 00:41:07,070 YIPPEE! 943 00:41:07,100 --> 00:41:08,500 [ GIGGLES ] 944 00:41:08,530 --> 00:41:12,090 FREQUENT TOPIC OF CONVERSATION ‐‐ FISH STICKS. 945 00:41:12,130 --> 00:41:13,390 HE’S A SWEET KID. 946 00:41:13,430 --> 00:41:15,560 YEAH, HE’S GOT A GOOD SPIRIT. 947 00:41:16,700 --> 00:41:19,800 UHH... 948 00:41:19,830 --> 00:41:21,160 I SHOULD HEAD OUT. 949 00:41:21,200 --> 00:41:23,200 IT’S LATE. 950 00:41:23,230 --> 00:41:24,890 I THOUGHT WE WERE GONNA TALK. 951 00:41:27,000 --> 00:41:28,070 I’M ALL RIGHT. 952 00:41:28,100 --> 00:41:29,540 DID IT HAVE ANYTHING TO DO 953 00:41:29,560 --> 00:41:31,230 WITH GETTING IN THAT GUY’S FACE TODAY ‐‐ 954 00:41:31,260 --> 00:41:32,860 THE GIRL’S FATHER? 955 00:41:32,900 --> 00:41:35,670 WELL, HE WAS BEING A JERK. 956 00:41:35,700 --> 00:41:38,270 DOING THE UNDERCOVER SEEMED TO RUB YOU WRONG, TOO. 957 00:41:38,300 --> 00:41:41,300 I WAS JUST FEELING A LITTLE VULNERABLE AND... 958 00:41:41,330 --> 00:41:43,430 I DIDN’T WANT TO DRESS UP LIKE A WHORE. 959 00:41:43,460 --> 00:41:45,960 YOU SHOULD’VE SAID SOMETHING. 960 00:41:46,000 --> 00:41:47,600 IT NEEDED DOING. 961 00:41:50,000 --> 00:41:53,270 I DON’T MENTION THIS TO A LOT OF PEOPLE, BUT... 962 00:41:53,300 --> 00:41:56,570 I GOT PREGNANT WHEN I WAS 15. 963 00:41:56,600 --> 00:41:59,840 MY FOLKS MADE ME GIVE HER UP FOR ADOPTION ‐‐ 964 00:41:59,860 --> 00:42:01,090 A BABY GIRL. 965 00:42:01,130 --> 00:42:04,660 AND THIS GIRL BROUGHT IT TO THE FOREFRONT. 966 00:42:04,700 --> 00:42:07,540 WELL, IT’S ALWAYS THERE, BUT... 967 00:42:07,560 --> 00:42:10,690 SHE MADE IT HURT 20 TIMES WORSE ‐‐ 968 00:42:10,730 --> 00:42:12,160 HER AND HER FATHER. 969 00:42:12,200 --> 00:42:17,940 SO, NOW MY THINKING’S HEADING A CERTAIN DIRECTION, AND... 970 00:42:17,960 --> 00:42:19,790 I NEED AN OPINION. 971 00:42:19,830 --> 00:42:22,190 YOU’RE THINKING YOU WANT TO REACH OUT. 972 00:42:22,230 --> 00:42:24,630 WELL, I MADE AN INQUIRY FIVE YEARS AGO, 973 00:42:24,660 --> 00:42:27,690 AND THE SERVICE SAID SHE WAS FINE AND HEALTHY. 974 00:42:27,730 --> 00:42:31,290 AND I NOSED AROUND AND FOUND OUT SHE LIVES IN BROOKLYN HEIGHTS. 975 00:42:31,330 --> 00:42:32,960 SO, WHAT’D YOU DO ABOUT IT? 976 00:42:33,000 --> 00:42:35,440 NOTHING. 977 00:42:35,460 --> 00:42:40,130 BUT I REALLY WANT TO SEE HER, JUST TO SEE IF SHE’S OKAY. 978 00:42:40,160 --> 00:42:42,930 [ CLEARS THROAT ] DON’T DO IT. 979 00:42:42,960 --> 00:42:46,860 WELL, I KNOW THAT’S THE RIGHT THING, BUT I... 980 00:42:48,400 --> 00:42:51,470 I WONDER ABOUT HER SO MUCH. 981 00:42:51,500 --> 00:42:53,470 I’M SURE SHE’S WONDERING ABOUT YOU, TOO. 982 00:42:53,500 --> 00:42:56,870 AND WHEN SHE’S READY, SHE’LL MAKE A STEP. 983 00:42:56,900 --> 00:42:59,740 WHAT IF SHE’S NEVER READY? 984 00:42:59,760 --> 00:43:03,430 WHAT YOU’RE FEELING NOW WON’T COMPARE TO HOW BAD YOU FEEL 985 00:43:03,460 --> 00:43:06,730 IF YOU DROP IN OUT OF THE SKY AND DISRUPT HER LIFE. 986 00:43:08,860 --> 00:43:12,660 SO, SHE’S PROBABLY A REGULAR, HAPPY KID. 987 00:43:12,700 --> 00:43:14,500 SOUNDS LIKE IT. 988 00:43:20,760 --> 00:43:21,690 [ CLEARS THROAT ] 989 00:43:21,730 --> 00:43:23,860 WHY DON’T YOU STAY, HAVE SOME ICE CREAM? 990 00:43:23,900 --> 00:43:27,040 I SHOULD GO. 991 00:43:27,060 --> 00:43:29,390 WILL YOU SAY GOOD NIGHT TO THEO? 992 00:43:29,430 --> 00:43:30,830 THANKS FOR DINNER, ANDY. 993 00:43:30,860 --> 00:43:32,890 I’LL SEE YOU TOMORROW. 994 00:43:32,930 --> 00:43:34,590 GOOD NIGHT. 995 00:43:58,300 --> 00:44:00,340 â™Ș â™Ș 996 00:44:23,360 --> 00:44:25,330 ( violin playing ) 71618

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