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00:00:01,640 --> 00:00:02,870
Andy:
PREVIOUSLY ON "NYPD BLUE"...
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00:00:02,900 --> 00:00:05,770
YOU’VE ALL MET JOHN CLARK.
HE’S BEEN ASSIGNED TO OUR SQUAD.
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00:00:05,800 --> 00:00:08,070
I’M SURE YOU’LL MAKE HIM
FEEL AT HOME.
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00:00:08,100 --> 00:00:09,040
WELCOME ABOARD.
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00:00:09,070 --> 00:00:10,140
THANKS.
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00:00:10,170 --> 00:00:11,540
Clark: I KNOW IT’S A TOUGH DAY.
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ANDY.
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00:00:13,470 --> 00:00:14,700
SORRY ABOUT MISSING
THE FUNERAL.
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00:00:14,740 --> 00:00:15,870
HOW’D IT GO?
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00:00:15,900 --> 00:00:17,170
HOW’D IT GO?
THEY BURIED HIM.
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00:00:17,200 --> 00:00:18,140
Eddie: YOU CLARK?
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00:00:18,170 --> 00:00:19,370
EDDIE GIBSON.
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00:00:19,400 --> 00:00:21,140
I READ ABOUT YOU
IN THE PAPER.
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00:00:21,170 --> 00:00:23,200
WHO YOU WORKING WITH?
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00:00:23,240 --> 00:00:25,170
CONNIE McDOWELL AND ANDY.
IS THAT SO?
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00:00:25,200 --> 00:00:27,070
YEAH, I FIGURE
WORK WITH YOUR KID,
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00:00:27,100 --> 00:00:28,970
MAYBE YOU AND ME
GET TO HANG OUT.
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00:00:29,000 --> 00:00:30,400
WHAT’D YOU GET?
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00:00:30,440 --> 00:00:32,340
IT’S A POSSIBLE BREAK‐IN,
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00:00:32,370 --> 00:00:34,000
BUT THE HUSBAND’S ALIBI
DOESN’T CHECK.
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TELL ME ABOUT THE HUSBAND.
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00:00:35,400 --> 00:00:38,670
YOU FIGURE YOU WERE GONNA CLEAR
THIS CASE ON YOUR OWN?!
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00:00:38,700 --> 00:00:40,100
WHAT ARE YOU TALKING ABOUT?!
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00:00:40,140 --> 00:00:42,870
GILMORE AT T. A. R. U. SAYS
DETECTIVE CLARK
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00:00:42,900 --> 00:00:46,100
CALLED TELEPHONE SECURITY
ON OUR PHONE DUMP!
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00:00:46,140 --> 00:00:48,140
I NEVER CALLED ANYONE!
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00:00:48,170 --> 00:00:50,600
OH, MAN.
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00:00:50,640 --> 00:00:51,800
BOSS, THIS IS ON ME.
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00:00:51,840 --> 00:00:54,500
MY DAD ASKED ME ABOUT THE CASE,
AND I TOLD HIM.
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00:00:54,540 --> 00:00:57,100
BUT NOT IN A MILLION YEARS
DID I THINK HE WOULD ‐‐
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00:00:57,140 --> 00:00:58,570
IT WAS ME WHO SCREWED UP.
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00:00:58,600 --> 00:01:00,670
I WON’T HAVE THIS
IN MY SQUAD.
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00:01:00,700 --> 00:01:02,300
WHAT’S THE PROBLEM?
YOU’RE NOT A DRUNK.
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00:01:02,340 --> 00:01:03,840
I WON’T LET HIM
TURN YOU INTO ONE.
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GET OUT OF HERE, CLARK.
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SHUT YOUR MOUTH.
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00:01:06,440 --> 00:01:08,940
IF YOUR KID WANTS TO FOLLOW,
HE WILL, BUT YOU LEAVE NOW.
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00:01:08,970 --> 00:01:10,100
SHUT UP,
YOU MISERABLE DRUNK.
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00:01:10,140 --> 00:01:11,240
YOU GOTTA GO NOW.
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00:01:11,270 --> 00:01:12,540
GET AWAY FROM ME, JOHN.
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DAD, JUST GO.
WE’LL TALK AT HOME.
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JOHNNY ON THE SPOT.
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YEAH, I WAS UP ANYWAY.
GOT SOME COFFEES OVER THERE.
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EMPLOYEE OF THE MONTH ‐‐
YOU GOT MY VOTE.
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SHE A PROS?
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IT LOOKS LIKE IT.
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HISPANIC, THREE SHOTS TO
THE HEAD, SMALL CALIBER.
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00:01:48,200 --> 00:01:49,640
ANY I. D.?
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JUST A NECKLACE
AND A LEATHER JACKET.
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00:01:51,470 --> 00:01:53,300
CRIME SCENE SHOULD
BE HERE IN AN HOUR.
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00:01:53,340 --> 00:01:55,200
HASN’T BEEN HERE
TOO LONG.
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NO MORE THAN A DAY.
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00:01:56,870 --> 00:01:59,470
NOTHING TO CANVASS, I GUESS.
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00:01:59,500 --> 00:02:01,540
STILL, YOU AND BALDWIN
TAKE A WALK AROUND.
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00:02:01,570 --> 00:02:03,840
SEE IF THERE’S A PARK BUILDING
OR CONSTRUCTION WORKERS.
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00:02:03,870 --> 00:02:06,640
ALL RIGHT.
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00:02:06,670 --> 00:02:08,670
SHE’S GOT A UNICORN TATTOO
ON HER BACK,
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00:02:08,700 --> 00:02:10,900
SO I’VE GOT VICE RUNNING IT
THROUGH THEIR DATABASE.
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00:02:10,940 --> 00:02:13,000
THIS SITUATION
WITH YOUR OLD MAN ‐‐
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00:02:13,040 --> 00:02:14,500
I GOT IT TAKEN CARE OF.
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00:02:14,540 --> 00:02:16,570
SO HE’S NOT GONNA BE COMING
AROUND THE SQUAD ANYMORE,
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00:02:16,600 --> 00:02:18,400
LET ALONE INTERFERING
WITH CASES.
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00:02:18,440 --> 00:02:20,400
HEY, I WORKED
WITH YOUR OLD MAN, HUH?
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00:02:20,440 --> 00:02:22,600
HE’S NOT THE TYPE
TO WALK AWAY FROM THINGS.
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00:02:22,640 --> 00:02:25,500
HE’S WALKING AWAY FROM THIS
’CAUSE WE HASHED IT OUT,
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00:02:25,540 --> 00:02:28,100
AND YESTERDAY ‐‐
IT’S NOT GONNA HAPPEN AGAIN.
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00:02:28,140 --> 00:02:29,300
COME HERE.
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00:02:39,200 --> 00:02:41,540
INSTEAD OF EVERYBODY
GETTING ALL AGGRAVATED,
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00:02:41,570 --> 00:02:44,340
WHY DON’T YOU GO WORK
WITH YOUR DAD UP IN THE BRONX?
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00:02:44,370 --> 00:02:46,000
THEY GOT CRIMES
UP THERE, TOO.
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00:02:46,040 --> 00:02:49,900
’CAUSE THIS IS WHERE I WANT
TO WORK, AND I’M READY.
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00:02:49,940 --> 00:02:53,140
IF YOU DON’T WANT TO PARTNER UP
WITH ME BECAUSE OF MY DAD
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00:02:53,170 --> 00:02:54,800
OR SOME OTHER REASON
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00:02:54,840 --> 00:02:57,870
THAT DON’T HAVE ANYTHING TO DO
WITH WHAT KIND OF COP I AM,
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00:02:57,900 --> 00:02:59,370
THEN JUST MAKE THE CALL,
ALL RIGHT?
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00:02:59,400 --> 00:03:00,540
JUST GET IT OVER WITH.
77
00:03:00,570 --> 00:03:03,570
TALK TO ANYBODY
IN ANY COMMAND I WORKED FOR.
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00:03:03,600 --> 00:03:06,900
ASK THEM HOW I DO MY JOB.
LOOK AT MY ARREST RECORD.
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00:03:06,940 --> 00:03:09,900
I BUILT UP SOLID INFORMANTS
IN THIS PRECINCT.
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00:03:09,940 --> 00:03:11,270
AND I NEVER BEEN
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00:03:11,300 --> 00:03:13,170
IN FRONT OF THE CIVILIAN
COMPLAINT REVIEW BOARD.
82
00:03:13,200 --> 00:03:15,270
YOU NEVER PUT YOUR
HANDS ON A GUY?
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00:03:15,300 --> 00:03:17,940
NO, NOBODY WHO DIDN’T
KNOW THEY DESERVED IT.
84
00:03:17,970 --> 00:03:22,770
I’LL HAVE YOUR BACK
ON THE STREETS, YOU KNOW THAT.
85
00:03:22,800 --> 00:03:24,600
I DON’T COME
DRAGGING INTO WORK.
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00:03:24,640 --> 00:03:27,270
IF YOU DON’T TYPE GOOD,
I’LL TAKE CARE OF THE FIVES.
87
00:03:27,300 --> 00:03:30,570
I SHOW UP EVERY DAY,
88
00:03:30,600 --> 00:03:33,300
AND I WANT TO LEARN
HOW YOU DO IT.
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00:03:37,800 --> 00:03:39,540
SO WHAT DO YOU WANT TO DO?
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00:03:46,200 --> 00:03:47,740
ALL RIGHT.
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00:05:02,540 --> 00:05:03,600
ALL RIGHT.
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00:05:03,640 --> 00:05:05,470
GOT IT. THANKS.
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00:05:06,800 --> 00:05:08,000
HOW YOU DOING, EDDIE?
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00:05:08,040 --> 00:05:09,070
FINE, LIEUTENANT.
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00:05:09,100 --> 00:05:10,700
PRIMED AND READY
TO GET BACK ON THE CHART.
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00:05:10,740 --> 00:05:13,800
I WAS JUST ON THE PHONE
WITH CAPTAIN O’LEARY.
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00:05:13,840 --> 00:05:15,940
ME AND TIMMY GO WAY BACK.
WE WERE COPS TOGETHER.
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00:05:15,970 --> 00:05:17,400
THAT’S WHAT HE SAID.
99
00:05:17,440 --> 00:05:20,370
ME AND HIM BEEN IN THE EMERALD
SOCIETY SINCE WE GOT ON THE JOB.
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00:05:20,400 --> 00:05:21,470
GREAT GUY, GREAT CAPTAIN.
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00:05:21,500 --> 00:05:23,200
YOU’RE ASSIGNED
TO MY SQUAD NOW.
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00:05:23,240 --> 00:05:25,340
YES, I AM,
AND I’M ABSOLUTELY READY
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TO BRING MY 28 YEARS
EXPERIENCE ALONG WITH ME.
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00:05:27,970 --> 00:05:31,270
I LOOK FORWARD
TO WORKING WITH YOU.
I’VE HEARD NOTHING BUT...
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HAVEN’T HEARD ONE
BAD THING ABOUT YOU.
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00:05:33,270 --> 00:05:36,040
IF I DON’T KNOW THIS JOB
BY NOW, AFTER 28 YEARS,
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I’LL NEVER KNOW IT,
AM I RIGHT?
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00:05:38,040 --> 00:05:39,170
I HEAR YOU.
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00:05:39,200 --> 00:05:40,570
SO, WHY THE CHANGE?
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00:05:40,600 --> 00:05:43,200
YOU WERE ON NIGHT WATCH
THE LAST 10 YEARS, RIGHT?
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00:05:43,240 --> 00:05:44,800
ACTUALLY, 12,
AND I ENJOYED MY TIME THERE
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00:05:44,840 --> 00:05:46,900
’CAUSE IT GAVE ME MORE TIME
WITH MY FAMILY,
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00:05:46,940 --> 00:05:50,940
AND NEW YORK CITY AT NIGHT ‐‐
NO NEED FOR EXPLANATION THERE.
SURE, SURE.
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00:05:50,970 --> 00:05:52,570
BUT I’M THIRD GRADE STILL,
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00:05:52,600 --> 00:05:55,170
AND WE BOTH KNOW YOU
DON’T GET A GRADE BUMP
WORKING NIGHT WATCH.
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00:05:55,200 --> 00:05:57,370
SO, I PUT IN THE WORK
LIKE EVERYBODY ELSE.
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WHY SHOULDN’T I REAP
MAXIMUM BENEFITS?
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00:05:59,470 --> 00:06:01,600
I GOTTA BUILD UP
MY PENSION, RIGHT?
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00:06:01,640 --> 00:06:05,200
WELL, THAT’S AS GOOD
A REASON AS ANY, I GUESS.
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00:06:06,240 --> 00:06:07,500
WELL, WE GOT A DOA.
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00:06:07,540 --> 00:06:09,940
RIGHT OUT OF THE GATES.
LET’S DO IT.
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00:06:09,970 --> 00:06:11,300
I’LL PUT YOU WITH McDOWELL.
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00:06:11,340 --> 00:06:12,500
THE BLONDE?
YEAH.
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00:06:12,540 --> 00:06:13,500
LEAD THE WAY.
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00:06:13,540 --> 00:06:14,770
OKAY, THANKS.
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00:06:17,600 --> 00:06:19,770
THEY JUST I. D.’d THE PRINTS
ON THAT DUMP JOB.
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00:06:19,800 --> 00:06:22,440
COMES BACK TO A CORRECTION
OFFICER AT RIKERS ‐‐
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00:06:22,470 --> 00:06:23,370
LINDA VELEZ.
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00:06:23,400 --> 00:06:25,170
ANDY SAID IT LOOKED
LIKE A DEAD PROS.
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APPARENTLY NOT.
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00:06:26,770 --> 00:06:27,740
WHERE ARE THEY?
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ON THEIR WAY BACK.
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00:06:29,000 --> 00:06:32,770
HAVE THEM RESPOND TO RIKERS
AND INTERVIEW HER CO‐WORKERS.
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00:06:32,800 --> 00:06:34,000
WE GOT ANOTHER DOA.
OKAY.
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00:06:34,040 --> 00:06:35,370
YOU KNOW EDDIE GIBSON.
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00:06:35,400 --> 00:06:36,940
SURE, FROM NIGHT WATCH.
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00:06:36,970 --> 00:06:38,600
FORMERLY.
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00:06:38,640 --> 00:06:41,970
EDDIE’S BEEN ASSIGNED
HERE NOW.
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00:06:42,000 --> 00:06:43,240
GREAT.
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00:06:43,270 --> 00:06:45,340
YOU TWO TAKE IT.
I GOTTA NOTIFY THE BOROUGH.
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00:06:45,370 --> 00:06:46,800
EDDIE.
LIEUTENANT.
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00:06:46,840 --> 00:06:49,400
IF IT’S ALL THE SAME WITH YOU,
I SPENT FIVE YEARS IN HIGHWAY,
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00:06:49,440 --> 00:06:51,300
SO I KNOW MY WAY
AROUND A STEERING WHEEL.
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00:06:51,340 --> 00:06:53,840
YOU CAN DRIVE IF YOU WANT.
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00:06:53,870 --> 00:06:55,270
HERE WE GO.
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00:07:06,870 --> 00:07:08,100
HERE’S HIS FILE ‐‐
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DARIO JENKINS.
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00:07:10,940 --> 00:07:12,700
WHAT WAS HIS BEEF
WITH LINDA?
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00:07:12,740 --> 00:07:15,040
LINDA FOUND A JOINT
IN HIS BUNK.
150
00:07:15,070 --> 00:07:17,770
BUT APPARENTLY DARIO FELT SHE
DISSED HIM IN FRONT OF HIS CREW.
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00:07:17,800 --> 00:07:20,070
I DON’T KNOW, I NEVER GOT
THE WHOLE STORY,
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00:07:20,100 --> 00:07:23,140
BUT IT ESCALATED, HE ASSAULTED
HER, SAID HE WAS GONNA KILL HER.
153
00:07:23,170 --> 00:07:24,900
THAT GOT HIM
AN EXTRA SIX MONTHS.
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00:07:24,940 --> 00:07:26,500
RIGHT AWAY
I TOOK HER OFF THE TIERS
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00:07:26,540 --> 00:07:28,170
AND PUT HER IN ADMINISTRATION.
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00:07:28,200 --> 00:07:30,740
AND HE WAS RELEASED
A MONTH AGO?
YEAH.
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00:07:30,770 --> 00:07:33,470
HE’S THE ONLY PRISONER I CAN
THINK OF WHO’D DO SOMETHING.
158
00:07:33,500 --> 00:07:36,370
I SENT HER HOME WITH A POLICE
RADIO SINCE HE GOT OUT.
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00:07:36,400 --> 00:07:38,070
HOW WAS LINDA OTHERWISE?
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00:07:38,100 --> 00:07:41,200
SHE WAS A COMPETENT OFFICER.
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00:07:41,240 --> 00:07:42,800
HOW ABOUT PERSONALLY?
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00:07:42,840 --> 00:07:46,640
I DON’T KNOW HOW MUCH I CAN
REALLY GIVE YOU ON THAT.
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00:07:46,670 --> 00:07:48,170
WELL, GIVE IT A SHOT.
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00:07:48,200 --> 00:07:51,570
LINDA WAS A LITTLE...ODD.
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00:07:51,600 --> 00:07:54,800
A LITTLE ODD? WHAT ARE WE
SUPPOSED TO DO WITH THAT?
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00:07:54,840 --> 00:07:56,970
THERE WAS NO BEHAVIOR THAT
WARRANTED MY INTERVENTION
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00:07:57,000 --> 00:07:59,340
OR ANYTHING THAT
INTERFERED WITH HER JOB.
168
00:07:59,370 --> 00:08:00,900
WE’RE INVESTIGATING
HER MURDER.
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00:08:00,940 --> 00:08:02,100
I’M AWARE OF THAT.
170
00:08:02,140 --> 00:08:04,240
SO DON’T FILTER INFORMATION
THROUGH YOUR JOB.
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00:08:04,270 --> 00:08:05,700
LET’S CONCENTRATE
ON OURS RIGHT NOW.
172
00:08:05,740 --> 00:08:08,540
THE ONLY THING I KNOW THAT MAY
HAVE TO DO WITH WHO KILLED HER
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00:08:08,570 --> 00:08:09,440
IS DARIO JENKINS.
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00:08:09,470 --> 00:08:11,440
SO, BASICALLY,
YOU’RE COVERING YOUR ASS
175
00:08:11,470 --> 00:08:13,570
IN THE EVENT
OF ANY CIVIL LITIGATION.
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00:08:13,600 --> 00:08:16,670
I’M NOT SAYING I DON’T HAVE A
RESPONSIBILITY TO MY DEPARTMENT.
177
00:08:16,700 --> 00:08:18,100
THANKS.
178
00:08:18,140 --> 00:08:21,570
I HOPE YOU GUYS ARE GONNA DO
THE RIGHT THING AND TREAT THIS
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00:08:21,600 --> 00:08:24,270
LIKE A LAW‐ENFORCEMENT OFFICER
BEING KILLED, WHICH SHE WAS.
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00:08:24,300 --> 00:08:26,240
Baldwin:
WELL, AS LUCK WOULD HAVE IT,
181
00:08:26,270 --> 00:08:28,640
OUR RESPONSIBILITY
TO OUR DEPARTMENT
182
00:08:28,670 --> 00:08:31,300
IS TO TRY TO SOLVE
EVERY CASE WE CATCH.
183
00:08:31,340 --> 00:08:32,570
THANKS FOR YOUR HELP.
184
00:08:35,670 --> 00:08:37,700
NO HURRY.
185
00:08:37,740 --> 00:08:39,070
JUST A MURDERED COLLEAGUE.
186
00:08:39,100 --> 00:08:41,240
[ SIGHS ]
187
00:08:42,500 --> 00:08:45,040
SO YOU WORKED IT OUT
WITH YOUR OLD MAN
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00:08:45,070 --> 00:08:46,770
IS WHAT YOU’RE TELLING ME.
189
00:08:46,800 --> 00:08:48,770
YEAH. YEAH,
WE WORKED IT OUT.
190
00:08:48,800 --> 00:08:50,240
’CAUSE NO MATTER WHAT,
191
00:08:50,270 --> 00:08:52,200
YOU’RE ALWAYS GONNA
HAVE HIM AS A DAD, RIGHT,
192
00:08:52,240 --> 00:08:55,570
AND YOU MAY NOT ALWAYS
BE A DETECTIVE.
193
00:08:55,600 --> 00:08:56,570
THAT’S TRUE.
194
00:08:59,000 --> 00:09:00,300
[ SIGHS ]
195
00:09:03,640 --> 00:09:05,900
WANNA REALLY PISS
THESE PEOPLE OFF?
196
00:09:05,940 --> 00:09:07,770
CALL ’EM GUARDS.
THEY’LL GIVE YOU ‐‐
197
00:09:07,800 --> 00:09:10,840
GOD’S UP IN HEAVEN.
WE’RE OFFICERS HERE.
198
00:09:10,870 --> 00:09:14,100
YEAH. EXACTLY.
199
00:09:18,240 --> 00:09:20,070
DETECTIVES SIPOWICZ, CLARK.
200
00:09:20,100 --> 00:09:21,170
OFFICER CAMPOS.
201
00:09:21,200 --> 00:09:22,840
WE’RE SORRY
ABOUT YOUR FRIEND.
202
00:09:22,870 --> 00:09:24,170
YEAH, I AM, TOO.
203
00:09:24,200 --> 00:09:25,540
YOU KNOW HER LONG?
204
00:09:25,570 --> 00:09:28,400
ABOUT A YEAR ‐‐
EVER SINCE SHE’S WORKED HERE.
205
00:09:28,440 --> 00:09:30,370
YOU FRIENDS OUTSIDE OF WORK?
206
00:09:30,400 --> 00:09:32,500
NOT TOO MUCH,
BUT WE WERE TIGHT, YOU KNOW?
207
00:09:32,540 --> 00:09:34,770
THERE’S ONLY A COUPLE
OF FEMALE OFFICERS.
208
00:09:34,800 --> 00:09:36,500
YOU WORKED A SHIFT
WITH LINDA YESTERDAY?
YEAH.
209
00:09:36,540 --> 00:09:39,000
SHE SAY WHAT HER PLANS
WERE LAST NIGHT?
210
00:09:39,040 --> 00:09:40,370
IT WAS HER BIRTHDAY.
211
00:09:40,400 --> 00:09:42,500
I DIDN’T EVEN KNOW
UNTIL SHE TOLD ME.
212
00:09:42,540 --> 00:09:45,100
SHE WAS GOING OVER
TO SOME GUY JAVIER’S PLACE ‐‐
213
00:09:45,140 --> 00:09:46,240
JAVIER LOPEZ.
214
00:09:46,270 --> 00:09:47,870
JAVIER HER BOYFRIEND?
215
00:09:47,900 --> 00:09:49,000
SHE THOUGHT SO.
216
00:09:49,040 --> 00:09:51,070
SOUNDED LIKE
HE WAS PLAYING HER.
217
00:09:51,100 --> 00:09:52,140
THEY FIGHT A LOT?
218
00:09:52,170 --> 00:09:53,640
FROM WHAT SHE SAID, YEAH ‐‐
219
00:09:53,670 --> 00:09:55,740
MOSTLY ABOUT HER
WANTING TO BE SERIOUS
220
00:09:55,770 --> 00:09:58,570
AND HIM JUST WANTING SEX,
BUT WOULD HE HAVE KILLED HER?
221
00:09:58,600 --> 00:09:59,640
I DON’T KNOW.
222
00:09:59,670 --> 00:10:01,540
THERE ARE A LOT OF GUYS
IN HERE FOR MURDER
223
00:10:01,570 --> 00:10:03,300
THAT I WOULD’VE
NEVER THOUGHT COULD DO IT.
224
00:10:03,340 --> 00:10:04,770
SHE SEEING ANY OTHER GUYS?
225
00:10:04,800 --> 00:10:07,900
SHE HOOKED UP HERE AND THERE,
I GUESS, BUT I DON’T KNOW WHO.
226
00:10:07,940 --> 00:10:09,440
SHE HAVE A SECOND JOB?
227
00:10:09,470 --> 00:10:12,100
SHE VOLUNTEERED
AT SOME ANIMAL RESCUE.
228
00:10:12,140 --> 00:10:14,600
SHE WOULD ALWAYS DO
WEIRD STUFF LIKE THAT.
229
00:10:14,640 --> 00:10:17,100
LIKE WHAT ELSE,
OTHER THAN SAVING ANIMALS?
230
00:10:17,140 --> 00:10:18,770
LIKE SHE’D ALWAYS
BE ON SOME CRAZY DIET,
231
00:10:18,800 --> 00:10:21,140
AND SHE’D DO IT FULL ON
AND THEN JUST STOP COLD,
232
00:10:21,170 --> 00:10:23,200
AND THEN,
A COUPLE WEEKS LATER,
233
00:10:23,240 --> 00:10:24,970
SHE WANTED TO BE
A MASSAGE THERAPIST,
234
00:10:25,000 --> 00:10:26,400
SO SHE STARTED
TAKING A COURSE.
235
00:10:26,440 --> 00:10:28,340
BUT THEN SHE REALLY
GOT INTO ICE SKATING
236
00:10:28,370 --> 00:10:30,200
AND TOOK SOME LESSONS
FOR A WHILE,
237
00:10:30,240 --> 00:10:32,800
AND THEN SHE
WAS INTO RELIGION
FOR A HOT MINUTE.
238
00:10:32,840 --> 00:10:34,240
SHE WAS A TRIP,
239
00:10:34,270 --> 00:10:37,440
BUT SHE WAS A GOOD PERSON,
AND SHE DID HER JOB,
240
00:10:37,470 --> 00:10:40,500
AND SHE SURE AS HELL
DIDN’T DESERVE THIS.
241
00:10:50,300 --> 00:10:51,840
WHAT DO YOU GOT?
242
00:10:51,870 --> 00:10:53,440
BLUNT OBJECT AND STRANGLED.
243
00:10:53,470 --> 00:10:54,270
I.D.?
244
00:10:54,300 --> 00:10:55,840
SANDY WESSNER.
245
00:10:55,870 --> 00:10:57,670
ANYBODY ELSE LIVE HERE?
246
00:10:57,700 --> 00:10:59,300
KID’S ROOM.
NO KID, THOUGH.
247
00:10:59,340 --> 00:11:00,370
WHO CALLED IT IN?
248
00:11:00,400 --> 00:11:02,040
NEIGHBOR LADY
DOWN THE HALL.
249
00:11:02,070 --> 00:11:03,340
SHE’S IN HER APARTMENT.
250
00:11:03,370 --> 00:11:04,600
I’LL GET THAT.
251
00:11:04,640 --> 00:11:05,640
OKAY.
252
00:11:09,940 --> 00:11:11,100
WHICH APARTMENT?
253
00:11:11,140 --> 00:11:12,200
Officer: I’LL SHOW YOU.
254
00:11:22,900 --> 00:11:24,300
Gibson: PAM DePARTO.
255
00:11:24,340 --> 00:11:26,070
PAM HERE USED TO CHECK IN
ON THE DOA PRETTY REGULAR ‐‐
256
00:11:26,100 --> 00:11:27,540
HAS A KEY.
257
00:11:27,570 --> 00:11:28,600
SANDY HAS M. S. ‐‐
258
00:11:28,640 --> 00:11:31,400
GETTING A LOT BETTER,
BUT I STILL CHECK IN ON HER.
259
00:11:31,440 --> 00:11:33,540
WHEN DID YOU SEE HER LAST?
260
00:11:33,570 --> 00:11:36,500
LAST NIGHT.
SHE DUCKED HER HEAD IN.
261
00:11:36,540 --> 00:11:39,200
UH, SHE SEE ANYBODY
COME OR GO?
262
00:11:39,240 --> 00:11:41,570
YOU SEE ANYBODY COME OR GO?
263
00:11:41,600 --> 00:11:42,600
NO.
264
00:11:42,640 --> 00:11:44,000
MY GOD.
265
00:11:44,040 --> 00:11:45,770
IT’S STARTING TO HIT ME NOW.
266
00:11:45,800 --> 00:11:48,000
DID SANDY HAVE CHILDREN?
267
00:11:48,040 --> 00:11:51,100
A DAUGHTER ‐‐ JANIE.
268
00:11:51,140 --> 00:11:52,170
JANIE AT SCHOOL?
269
00:11:52,200 --> 00:11:53,600
YEAH, I GUESS SO.
270
00:11:53,640 --> 00:11:56,970
SHE STAYS MOSTLY WITH SANDY’S
MOTHER ’CAUSE OF THE M. S.
271
00:11:57,000 --> 00:11:58,740
ANY MEN IN HER LIFE?
272
00:11:58,770 --> 00:12:02,140
HER EX‐HUSBAND ROY...
273
00:12:02,170 --> 00:12:04,670
BUT THEY BEEN SEPARATED
NOW OVER A YEAR.
274
00:12:04,700 --> 00:12:05,700
HE STILL COME AROUND?
275
00:12:05,740 --> 00:12:07,600
NOT MUCH.
IT’S BEEN BETTER FOR SANDY.
276
00:12:07,640 --> 00:12:09,770
BECAUSE...?
WELL, THEY FOUGHT A LOT.
277
00:12:09,800 --> 00:12:11,370
THEY BOTH DRANK A LOT, AND...
278
00:12:12,670 --> 00:12:14,240
BUT I’M NOT SAYING ‐‐
279
00:12:14,270 --> 00:12:16,800
NO. NO, NO.
WE’RE JUST ASKING.
280
00:12:16,840 --> 00:12:18,100
A ROY WESSNER?
281
00:12:18,140 --> 00:12:20,800
YEAH. LOOK, I‐I GOTTA GO.
282
00:12:20,840 --> 00:12:22,200
THANK YOU, MISS DePARTO.
283
00:12:23,240 --> 00:12:24,970
LET’S GO FIND THIS EX‐HUSBAND.
284
00:12:25,000 --> 00:12:28,540
UH, I’M THINKING MAYBE WE SHOULD
DO A QUICK CANVASS FIRST,
285
00:12:28,570 --> 00:12:30,370
SEE IF ANYBODY SAW ANYTHING
LAST NIGHT.
286
00:12:30,400 --> 00:12:31,700
WE CAN DO THAT, SURE.
287
00:12:31,740 --> 00:12:32,770
GREAT.
288
00:12:32,800 --> 00:12:34,400
COME HERE.
289
00:12:34,440 --> 00:12:37,670
LOOK, I KNOW THERE’S
A LOT OF GUYS ON THIS JOB
290
00:12:37,700 --> 00:12:39,500
DON’T LIKE PARTNERING UP
WITH WOMEN.
291
00:12:39,540 --> 00:12:41,800
BUT I WORKED WITH SOME DYNAMITE
BROADS THROUGH THE YEARS,
292
00:12:41,840 --> 00:12:44,200
SO DON’T YOU EVEN THINK TWICE
ABOUT WHERE I’M COMING FROM.
293
00:12:44,240 --> 00:12:46,900
I WON’T EVEN THINK TWICE.
294
00:12:46,940 --> 00:12:49,870
IF ANY PHYSICAL STUFF COMES IN,
DON’T WORRY, I’LL HANDLE IT.
295
00:12:49,900 --> 00:12:51,370
OH...
296
00:12:51,400 --> 00:12:52,570
WOW.
297
00:12:52,600 --> 00:12:54,840
[ CHUCKLES ]
298
00:12:54,870 --> 00:12:57,470
I DON’T KNOW WHAT TO SAY.
299
00:12:57,500 --> 00:12:58,870
UH...THANKS.
300
00:12:58,900 --> 00:13:01,400
A GOOD FRIEND OF MINE
OWNS THIS IRISH PUB
301
00:13:01,440 --> 00:13:04,400
ON THE LOWER EAST SIDE ‐‐
A LOT OF TROUBLE IN THE JOINT,
302
00:13:04,440 --> 00:13:06,470
SO HE LIKES HAVING
COPS AROUND ‐‐
303
00:13:06,500 --> 00:13:09,640
WE CAN GET LUNCH ON THE ARM
OVER THERE TODAY NO PROBLEM.
304
00:13:09,670 --> 00:13:11,100
GREAT CORNED BEEF.
305
00:13:23,570 --> 00:13:24,870
IN HERE.
306
00:13:24,900 --> 00:13:28,000
SIT DOWN, JAVIER.
307
00:13:33,670 --> 00:13:35,470
LINDA VELEZ ‐‐ YOU KNOW HER?
308
00:13:35,500 --> 00:13:36,430
YEAH.
309
00:13:36,470 --> 00:13:38,510
WHEN’S THE LAST TIME
YOU SAW HER?
310
00:13:38,530 --> 00:13:40,660
LAST NIGHT SHE CAME BY
MY APARTMENT.
311
00:13:40,700 --> 00:13:41,760
WHAT FOR?
312
00:13:41,800 --> 00:13:43,260
TO GET LAID. WHAT’D SHE SAY?
313
00:13:43,300 --> 00:13:45,160
WHAT HAPPENED AT YOUR
APARTMENT WITH LINDA?
314
00:13:45,200 --> 00:13:48,130
SHE COMES KNOCKING ON MY DOOR,
WON’T GO AWAY,
315
00:13:48,170 --> 00:13:51,170
SINGING MY NAME OUT, SO,
FINALLY, I OPEN UP.
316
00:13:51,200 --> 00:13:53,860
SHE’S WEARING THIS LEATHER
COAT...AND NOT MUCH ELSE.
317
00:13:53,900 --> 00:13:55,930
GOT A BOTTLE OF CHAMPAGNE
IN HER HAND.
318
00:13:55,970 --> 00:13:58,440
I TELL HER, "COME BACK
SOME OTHER TIME."
319
00:13:58,470 --> 00:13:59,940
IS THAT HOW YOU LEFT IT?
320
00:13:59,970 --> 00:14:02,010
YEAH, UNTIL SHE COMES
WALKING BACK CRYING,
321
00:14:02,030 --> 00:14:04,100
CARRYING ON ABOUT HOW IT’S
HER 30th BIRTHDAY
322
00:14:04,130 --> 00:14:06,460
AND HOW SHE WANTS TO SPEND
THIS SPECIAL NIGHT WITH ME.
323
00:14:06,500 --> 00:14:09,060
IT AIN’T HAPPENING.
THEN SHE LEFT.
324
00:14:09,100 --> 00:14:10,860
SHE SAY WHERE
SHE WAS GOING?
325
00:14:10,900 --> 00:14:12,160
NO, AND I DIDN’T ASK.
326
00:14:12,200 --> 00:14:14,000
SHE COME BACK?
NO.
327
00:14:14,030 --> 00:14:15,400
WHAT’D YOU DO AFTER SHE LEFT?
328
00:14:15,430 --> 00:14:18,060
I HANDLED MY BUSINESS.
I HAD COMPANY.
329
00:14:18,100 --> 00:14:19,200
WHO?
330
00:14:19,230 --> 00:14:21,300
THIS GIRL I PICKED UP
AT HAPPY HOUR.
331
00:14:21,330 --> 00:14:23,760
SHE WAS IN MY BEDROOM
WHEN LINDA CAME OVER,
332
00:14:23,800 --> 00:14:25,460
AND I DIDN’T WANT LINDA
TO COME INSIDE.
333
00:14:25,500 --> 00:14:27,200
I DIDN’T WANT HER
TO SEE THAT.
334
00:14:27,230 --> 00:14:28,160
BIG OF YOU.
335
00:14:28,200 --> 00:14:30,660
WHAT WAS HER NAME?
GINA, I THINK.
336
00:14:30,700 --> 00:14:32,330
YOU GET HER NUMBER?
SHE TOOK MINE.
337
00:14:32,370 --> 00:14:34,670
YOU BETTER HOPE SHE
CALLS, JAVIER.
338
00:14:34,700 --> 00:14:35,860
WHAT’S GOING ON?
339
00:14:35,900 --> 00:14:38,400
LINDA’S BEEN MURDERED.
340
00:14:41,400 --> 00:14:42,630
NO WAY, MAN.
341
00:14:42,670 --> 00:14:45,940
NO WAY I GOT ANYTHING TO DO
WITH SOMETHING LIKE THAT.
342
00:14:45,970 --> 00:14:48,440
[ KNOCK ON DOOR ]
343
00:14:50,930 --> 00:14:52,730
CAN ANYBODY ASIDE
FROM YOUR MYSTERY HUMP
344
00:14:52,770 --> 00:14:55,340
VOUCH FOR YOUR
WHEREABOUTS LAST NIGHT?
345
00:14:55,370 --> 00:14:56,370
NAH, MAN.
346
00:14:56,400 --> 00:14:58,730
AFTER SHE LEFT,
I WAS WATCHING TV.
347
00:14:58,770 --> 00:15:00,940
MAYBE CHECK
WITH THE CABLE COMPANY.
348
00:15:00,970 --> 00:15:02,440
MAYBE THEY KEEP RECORDS
349
00:15:02,470 --> 00:15:06,070
OF WHAT YOU’RE WATCHING
WHEN YOU’RE WATCHING IT.
350
00:15:06,100 --> 00:15:07,330
THAT’S GOOD, JAVIER.
351
00:15:07,370 --> 00:15:09,340
AND WHILE WE’RE AT IT,
WE’LL DOUBLE‐CHECK,
352
00:15:09,370 --> 00:15:12,410
MAKE SURE THE MOON’S
NOT MADE OF CHEESE FOR YOU.
353
00:15:15,900 --> 00:15:17,730
DOA’S WATCH WAS BROKEN
AT THE SCENE.
354
00:15:17,770 --> 00:15:20,640
LAB VERIFIED
THE WATCH WAS WORKING
UNTIL THE CRYSTAL BROKE.
355
00:15:20,670 --> 00:15:22,670
SO WHAT WAS THE TIME
OF THE ATTACK?
356
00:15:22,700 --> 00:15:24,500
8:45 A. M., LIEU.
357
00:15:24,530 --> 00:15:25,600
YOU LOCATE HER EX?
358
00:15:25,630 --> 00:15:27,630
STILL LOOKING.
359
00:15:27,670 --> 00:15:29,940
BUT THE DOA’S MOM’S
ON HER WAY IN.
360
00:15:29,970 --> 00:15:31,470
WE’LL SEE
WHAT SHE KNOWS.
361
00:15:31,500 --> 00:15:32,230
SHE HEARD YET?
362
00:15:32,270 --> 00:15:34,210
YEAH, NEIGHBOR
BROKE THE NEWS.
363
00:15:34,230 --> 00:15:35,500
WHAT?
364
00:15:35,530 --> 00:15:38,730
THEY FOUND HER CAR.
THE GAL FROM RIKERS.
365
00:15:38,770 --> 00:15:39,710
ALL RIGHT, LET’S GO.
366
00:15:39,730 --> 00:15:40,930
THIS IDIOT IN THE POKEY,
367
00:15:40,970 --> 00:15:42,740
GET SOMEBODY FROM ANTICRIME
TO SIT ON HIM.
368
00:15:42,770 --> 00:15:44,770
WE LIKE HIM?
HE’S A CONTENDER.
369
00:15:44,800 --> 00:15:47,000
THE PRISONER WHO
HAD A BEEF WITH OUR DOA,
370
00:15:47,030 --> 00:15:49,230
HE TOOK A COLLAR
IN JERSEY TWO WEEKS AGO.
371
00:15:49,270 --> 00:15:50,940
THEY VERIFIED HE’S STILL IN.
372
00:15:50,970 --> 00:15:53,040
ANDY!
I’M ASSIGNED HERE NOW!
373
00:15:53,070 --> 00:15:54,070
HOW?
374
00:15:54,100 --> 00:15:56,100
LIEU HERE
SAYS YOU BEEN SLACKING.
375
00:15:56,130 --> 00:15:58,330
NEEDED ME TO COME IN
AND REMIND YOU HOW IT’S DONE.
376
00:15:58,370 --> 00:15:59,940
I CAN’T DEAL WITH THIS NOW.
377
00:15:59,970 --> 00:16:01,240
GO, GET OUTTA HERE.
378
00:16:01,270 --> 00:16:03,510
WELCOME ABOARD, EDDIE.
THANKS, KID.
379
00:16:24,770 --> 00:16:28,210
BLOOD ON THE DRIVER’S SEAT.
THIS IS WHERE SHE GOT IT.
380
00:16:28,230 --> 00:16:31,530
"FROM ZERO TO BITCH
IN 3.5 SECONDS."
381
00:16:31,570 --> 00:16:34,170
"SAVE THE TREES ‐‐
WIPE YOUR BUTT WITH AN OWL."
382
00:16:34,200 --> 00:16:36,300
WHAT THE HELL
ARE YOU TALKING ABOUT?
383
00:16:36,330 --> 00:16:37,530
BUMPER STICKERS.
384
00:16:37,570 --> 00:16:39,040
PATHETIC.
385
00:16:39,070 --> 00:16:41,540
THERE’S A TALL BOY.
386
00:16:41,570 --> 00:16:44,170
CRIME SCENE
BEEN NOTIFIED YET?
THEY’RE ON THE WAY.
387
00:16:44,200 --> 00:16:45,660
YOU DON’T SEE THAT MANY
BUMPER STICKERS ANYMORE.
388
00:16:45,700 --> 00:16:47,100
WHAT ARE THE PICTURES OF?
389
00:16:47,130 --> 00:16:48,130
A CAT.
390
00:16:48,170 --> 00:16:49,570
WHAT, THE WHOLE ROLL?
391
00:16:49,600 --> 00:16:51,230
SAME CAT.
392
00:16:51,270 --> 00:16:54,240
HEY, ANDY,
POP THE TRUNK, WILL YOU?
YEAH.
393
00:16:55,370 --> 00:16:56,440
[ CLANKING ]
394
00:16:56,470 --> 00:17:00,510
WHAT DO THEY PAY CORRECTION
OFFICERS THESE DAYS?
395
00:17:00,530 --> 00:17:03,400
ENOUGH SO YOU DON’T
HAVE TO HOARD ALUMINUM CANS.
396
00:17:03,430 --> 00:17:05,300
THAT’S JUST BEING
ENVIRONMENTALLY CONSCIOUS.
397
00:17:05,330 --> 00:17:07,030
SOME PEOPLE
WOULD APPLAUD THAT.
398
00:17:07,070 --> 00:17:09,040
HERE’S A STORE RECEIPT
FROM LAST NIGHT ‐‐
399
00:17:09,070 --> 00:17:11,310
A COUPLE OF DIGITS,
BUT THE NAME’S BLURRED.
400
00:17:11,330 --> 00:17:13,230
THAT’S ENOUGH TO PUT
INTO THE COMPUTER,
GET THE STORE.
401
00:17:13,270 --> 00:17:15,070
I’LL CALL JOHN,
HAVE HIM DO IT.
402
00:17:15,100 --> 00:17:17,430
GET HOMICIDE DOWN HERE
TO HELP WITH THE CANVASS.
403
00:17:17,470 --> 00:17:20,270
WHY DON’T YOU CHECK
WITH THE SECTOR CAR
FROM LAST NIGHT?
404
00:17:20,300 --> 00:17:21,900
SEE IF THEY HAD
ANY RADIO RUNS.
405
00:17:21,930 --> 00:17:24,100
YOU HAVE A FEELING THIS CHICK
WASN’T PLAYING WITH A FULL DECK?
406
00:17:24,130 --> 00:17:26,260
THAT’S NOT OUR DEPARTMENT.
JUST CHECK WITH THE SECTOR CAR.
407
00:17:28,330 --> 00:17:29,230
HEY, GUYS...
408
00:17:39,800 --> 00:17:41,730
YOU THE OWNER?
409
00:17:41,770 --> 00:17:42,940
YEAH.
410
00:17:42,970 --> 00:17:44,410
YOU WORKING HERE LAST NIGHT?
411
00:17:44,430 --> 00:17:46,630
I WORK HERE EVERY NIGHT.
I OWN THE PLACE.
412
00:17:46,670 --> 00:17:50,910
YOU REMEMBER A HISPANIC WOMAN,
LEATHER COAT?
413
00:17:50,930 --> 00:17:53,500
SHE COME IN HERE TO BUY
A TALL BOY ABOUT 11:15.
414
00:17:53,530 --> 00:17:55,660
WHAT DOES SHE LOOK LIKE?
415
00:17:55,700 --> 00:17:56,830
LIKE THIS.
416
00:17:56,870 --> 00:17:59,470
SHE DEAD?
417
00:17:59,500 --> 00:18:02,700
SHE’S TAKING A FACE‐FIRST NAP
IN THE MIDDLE OF A VACANT LOT.
418
00:18:02,730 --> 00:18:04,700
I DON’T KNOW NOTHING
ABOUT IT.
419
00:18:04,730 --> 00:18:08,000
WELL, THERE’S A RECEIPT
IN HER CAR FROM THIS BODEGA
LAST NIGHT FOR A CAN OF BEER.
420
00:18:08,030 --> 00:18:09,930
HEY, THIS IS A MURDER
INVESTIGATION.
421
00:18:09,970 --> 00:18:11,870
DON’T GET YOURSELF
IN THE MIDDLE OF IT.
422
00:18:16,000 --> 00:18:17,660
SHE WAS PARKED OUT FRONT.
423
00:18:17,700 --> 00:18:19,000
WHO BOUGHT THE BEER?
424
00:18:19,030 --> 00:18:20,560
THIS NEIGHBORHOOD GUY.
425
00:18:20,600 --> 00:18:23,230
HE COMES IN, HE SAYS
THERE’S A GIRL OUTSIDE
426
00:18:23,270 --> 00:18:25,510
WEARING NOTHING
BUT A LEATHER COAT,
427
00:18:25,530 --> 00:18:27,800
AND SHE WANTS TO PARTY,
AND DO I WANT IN ON IT.
428
00:18:27,830 --> 00:18:29,400
DID YOU?
429
00:18:29,430 --> 00:18:32,030
NO, MAN. I GOT A WIFE UPSTAIRS.
I GOT A BUSINESS TO RUN HERE.
430
00:18:32,070 --> 00:18:33,410
BUT I DID GO OUTSIDE
431
00:18:33,430 --> 00:18:35,630
JUST TO MAKE SURE THE GUY
WAS TELLING THE TRUTH
432
00:18:35,670 --> 00:18:37,870
ABOUT HER BEING NAKED
UNDERNEATH THE COAT.
433
00:18:37,900 --> 00:18:39,130
HE WASN’T LYING.
434
00:18:39,170 --> 00:18:42,510
WHAT HAPPENED AFTER YOU
DECLINED THE HUMP?
435
00:18:42,530 --> 00:18:43,830
I CAME BACK INSIDE THE STORE
436
00:18:43,870 --> 00:18:46,670
AND I THINK I SAW HIM GET
IN THE CAR WITH ANOTHER GUY
437
00:18:46,700 --> 00:18:48,060
AND DRIVE OFF.
438
00:18:48,100 --> 00:18:50,860
WHAT’S THE GUY’S NAME
WHO BOUGHT THE BEER?
439
00:18:50,900 --> 00:18:52,800
I DON’T KNOW. BLACK GUY.
440
00:18:52,830 --> 00:18:53,960
HE COME IN A LOT?
441
00:18:54,000 --> 00:18:55,560
YEAH, ALL THE TIME ‐‐
442
00:18:55,600 --> 00:18:57,530
BEER, SMOKES,
LOTTERY TICKETS.
443
00:18:57,570 --> 00:19:01,040
WE’RE GONNA FIGURE OUT A SYSTEM
FOR YOU TO I. D. HIM FOR US
444
00:19:01,070 --> 00:19:02,810
WHEN HE COMES IN THE STORE.
445
00:19:02,830 --> 00:19:04,500
NO WAY, MAN.
NO WAY?
446
00:19:04,530 --> 00:19:06,900
ALL YOU HAVE TO DO IS LET US
KNOW WHEN IT’S HIM.
447
00:19:06,930 --> 00:19:08,660
WE’LL GRAB HIM UP
OUTSIDE THE STORE.
448
00:19:08,700 --> 00:19:11,600
HE’LL NEVER KNOW YOU
HAD ANYTHING TO DO WITH IT.
449
00:19:11,630 --> 00:19:12,960
I GOTTA THINK
ABOUT THIS, MAN.
450
00:19:13,000 --> 00:19:14,500
IF I COME BEHIND THAT COUNTER,
451
00:19:14,530 --> 00:19:17,700
HOW MANY THINGS AM I GONNA FIND
THAT YOU AIN’T SUPPOSED TO HAVE?
452
00:19:17,730 --> 00:19:19,200
HEY, I CAN’T PROTECT MYSELF?
453
00:19:19,230 --> 00:19:21,560
OKAY, WHAT’S YOUR NAME?
454
00:19:21,600 --> 00:19:22,800
RAMóN DE JESúS ‐‐
455
00:19:22,830 --> 00:19:25,560
RAMóN, THINGS
ARE ABOUT TO GET UGLY...
456
00:19:25,600 --> 00:19:27,160
FOR YOU.
457
00:19:27,200 --> 00:19:30,530
OKAY, BUT YOU GRAB HIM
AWAY FROM MY STORE.
458
00:19:30,570 --> 00:19:32,370
NOTIFY JONES AND MEDAVOY.
459
00:19:32,400 --> 00:19:34,600
LET THEM KNOW
WE NEED TO SET UP.
460
00:19:34,630 --> 00:19:35,530
ALL RIGHT.
461
00:19:42,130 --> 00:19:44,930
DETECTIVE McDOWELL
OR GIBSON?
462
00:19:44,970 --> 00:19:47,010
MRS. FOLANDER?
YEAH.
463
00:19:47,030 --> 00:19:48,160
COME ON IN.
464
00:19:56,270 --> 00:19:58,010
CAN WE GET YOU
SOMETHING TO DRINK?
465
00:19:58,030 --> 00:19:59,330
NO, I’M FINE.
466
00:20:00,830 --> 00:20:03,900
SO, I GUESS YOUR DAUGHTER’S
NEIGHBOR ALREADY TOLD YOU?
467
00:20:03,930 --> 00:20:06,330
YEAH.
WE’RE VERY SORRY.
468
00:20:06,370 --> 00:20:08,540
YOU DIDN’T DO IT.
NO, MA’AM.
469
00:20:09,770 --> 00:20:11,440
STILL,
IT MUST BE VERY HARD.
470
00:20:11,470 --> 00:20:13,740
I’VE CRIED SO MANY TEARS ‐‐
THINGS SHE WENT THROUGH
471
00:20:13,770 --> 00:20:16,140
YOU WOULDN’T WISH
ON YOUR WORST ENEMY.
472
00:20:16,170 --> 00:20:18,740
I’M JUST, UH, DRAINED.
473
00:20:18,770 --> 00:20:20,040
I’M NUMB.
474
00:20:20,070 --> 00:20:21,640
WHEN DID YOU SEE SANDY LAST?
475
00:20:21,670 --> 00:20:22,970
COUPLE OF DAYS AGO.
476
00:20:23,000 --> 00:20:24,300
I BROUGHT JANIE BY.
477
00:20:24,330 --> 00:20:26,130
WHEN DID YOU
TALK TO HER LAST?
478
00:20:26,170 --> 00:20:29,210
THEN. YOU GOT ANYTHING
ON WHO MIGHT’VE DONE THIS?
479
00:20:29,230 --> 00:20:31,800
WE’RE JUST STARTING OUT
OUR INVESTIGATION.
480
00:20:31,830 --> 00:20:35,300
ACTUALLY, WE’RE TRYING TO FIND
SANDY’S EX‐HUSBAND, ROY.
481
00:20:35,330 --> 00:20:36,200
AH, ROY.
482
00:20:36,230 --> 00:20:38,160
DO YOU KNOW
WHERE WE CAN FIND HIM?
483
00:20:38,200 --> 00:20:40,300
PRODUCE SECTION OF THIS
MARKET GERETY AND SONS.
484
00:20:40,330 --> 00:20:42,430
AT LEAST, HE WAS A COUPLE
OF WEEKS AGO.
485
00:20:42,470 --> 00:20:45,010
WHAT WAS THEIR RELATIONSHIP
LIKE ‐‐ ROY AND SANDY’S?
486
00:20:45,030 --> 00:20:46,460
ROCK AND A HARD PLACE,
487
00:20:46,500 --> 00:20:48,700
WITH MY GRANDDAUGHTER
IN THE MIDDLE.
488
00:20:48,730 --> 00:20:51,500
WE PULLED HIS RECORD,
AND THERE ARE SOME INCIDENTS
489
00:20:51,530 --> 00:20:53,900
WHERE POLICE RESPONDED
AND ROY WAS ARRESTED.
490
00:20:53,930 --> 00:20:54,930
OH, YEAH.
491
00:20:54,970 --> 00:20:56,310
DID THEY FIGHT A LOT?
492
00:20:56,330 --> 00:20:58,830
EVERY CHANCE THEY GOT.
ROY IS A MEAN DRUNK.
493
00:20:58,870 --> 00:21:00,370
HE SAYS HE QUIT,
494
00:21:00,400 --> 00:21:03,030
BUT HE’S ABOUT AS HONEST
AS A TWO‐PECKERED POLITICIAN.
495
00:21:03,070 --> 00:21:04,640
SOUNDS LIKE A REAL PEACH.
496
00:21:04,670 --> 00:21:06,140
YOU DON’T EVEN KNOW.
497
00:21:06,170 --> 00:21:07,610
ANY OTHER MEN
IN SANDY’S LIFE?
498
00:21:07,630 --> 00:21:08,930
I DOUBT IT.
499
00:21:08,970 --> 00:21:12,970
M.S., ALCOHOLIC, UNEMPLOYED ‐‐
SHE WASN’T EXACTLY A CATCH.
500
00:21:13,000 --> 00:21:14,960
ANYBODY SANDY
WAS AFRAID OF?
501
00:21:15,000 --> 00:21:17,660
SHE MENTION ANYONE
LIKE THAT TO YOU?
502
00:21:17,700 --> 00:21:20,130
[ Voice breaking ]
HERSELF.
503
00:21:24,600 --> 00:21:27,530
[ SOBBING ]
504
00:21:38,570 --> 00:21:41,610
SO, I HEARD THERE WAS A LITTLE
FRACAS AT MAC’S LAST NIGHT.
505
00:21:41,630 --> 00:21:42,760
SORRY I MISSED IT.
506
00:21:42,800 --> 00:21:44,030
IT WAS NOTHING.
507
00:21:44,070 --> 00:21:46,110
HEARD ANDY THREW A FEW
AT THE NEW KID’S DAD.
508
00:21:46,130 --> 00:21:47,930
YOU MIGHT WANNA
CHECK YOUR SOURCES.
509
00:21:47,970 --> 00:21:49,640
COME ON ‐‐ DID HE?
510
00:21:49,670 --> 00:21:51,110
ROY WESSNER?
511
00:21:51,130 --> 00:21:52,560
YEAH.
512
00:21:52,600 --> 00:21:53,860
DETECTIVE McDOWELL...
GIBSON.
513
00:21:53,900 --> 00:21:56,730
THIS WHAT I THINK IT IS?
514
00:21:56,770 --> 00:21:57,810
YOU WANT ODDS?
515
00:21:57,830 --> 00:21:59,360
I’M NOT PAYING CHILD SUPPORT
516
00:21:59,400 --> 00:22:01,460
IF I CAN’T SEE
MY DAMN CHILD.
517
00:22:01,500 --> 00:22:03,860
WILL YOU PLEASE
HEAR ME OUT FIRST?
518
00:22:03,900 --> 00:22:05,300
SURE.
519
00:22:05,330 --> 00:22:08,200
I TRIED TO GET CUSTODY
WHEN SANDY GOT TOO SICK,
520
00:22:08,230 --> 00:22:10,000
BUT NO ‐‐
SANDY’S MOM GETS JANIE
521
00:22:10,030 --> 00:22:11,460
’CAUSE I’M THE NO‐GOOD ASSHOLE
522
00:22:11,500 --> 00:22:13,660
THAT LEFT SANDY
’CAUSE SHE HAD M. S.,
523
00:22:13,700 --> 00:22:15,360
WHICH IS A LIE.
524
00:22:15,400 --> 00:22:18,430
IT WAS SANDY’S DRINKING AND
DEPRESSION THAT DROVE ME OUT.
525
00:22:18,470 --> 00:22:20,410
THE JUDGE DOESN’T
WANNA HEAR MY SIDE.
526
00:22:20,430 --> 00:22:22,860
NOW I’M SUPPOSED
TO CHIP IN WITH THE BILLS?
527
00:22:22,900 --> 00:22:24,860
WHEN’S THE LAST TIME
YOU SAW SANDY?
528
00:22:24,900 --> 00:22:26,800
COUPLE MONTHS.
I CAME BY FOR DINNER.
529
00:22:26,830 --> 00:22:29,630
THAT’S THE ONLY WAY I GET
TO SEE MY LITTLE GIRL ‐‐
530
00:22:29,670 --> 00:22:31,010
ON THE SLY.
531
00:22:31,030 --> 00:22:32,860
YOU STOP BY SANDY’S
THIS MORNING?
532
00:22:32,900 --> 00:22:34,360
NO.
533
00:22:34,400 --> 00:22:35,530
WHERE WERE YOU?
534
00:22:35,570 --> 00:22:37,610
LOADING THE TRUCK.
WHAT’S WITH THE QUESTIONS?
535
00:22:37,630 --> 00:22:39,430
WHO WAS WITH YOU?
536
00:22:39,470 --> 00:22:41,970
NOBODY ‐‐ BY MYSELF.
WHAT ARE YOU GUYS HERE FOR?
537
00:22:43,770 --> 00:22:45,110
SANDY’S DEAD.
538
00:22:45,130 --> 00:22:46,900
WE’RE SORRY.
539
00:22:51,230 --> 00:22:53,830
S‐SHE HAVE A SEIZURE
OR SOMETHING?
540
00:22:53,870 --> 00:22:56,910
SHE WAS MURDERED, PAL.
WHAT?
541
00:22:56,930 --> 00:22:59,200
YEAH, AND YOU’RE GONNA
HAVE TO COME IN WITH US.
542
00:22:59,230 --> 00:23:00,760
YOU THINK I KILLED HER?
543
00:23:00,800 --> 00:23:02,300
WE’RE NOT SAYING THAT,
544
00:23:02,330 --> 00:23:04,300
BUT, UH, YOU GOTTA COME IN
UNTIL WE SORT THIS OUT.
545
00:23:04,330 --> 00:23:06,260
ARE YOU KIDDIN’ ME?
FROM WHERE WE’RE STANDING,
546
00:23:06,300 --> 00:23:08,030
YOU GOT A HISTORY
OF BEATING HER.
547
00:23:08,070 --> 00:23:10,540
THOSE WERE SLAPS TO GET HER
TO QUIT BEATING ON ME.
548
00:23:10,570 --> 00:23:13,040
YOU CAN’T VERIFY
WHERE YOU WERE THIS MORNING.
549
00:23:13,070 --> 00:23:15,370
THIS IS UNBELIEVABLE.
I’M GONNA LOSE MY JOB.
550
00:23:15,400 --> 00:23:18,030
IF YOU DIDN’T DO THIS ‐‐
I DIDN’T.
551
00:23:18,070 --> 00:23:20,270
THEN WE’LL PERSONALLY VOUCH
FOR YOU WITH YOUR BOSS.
552
00:23:20,300 --> 00:23:22,730
AM I ‐‐ AM I
GETTING CUFFED HERE?
553
00:23:22,770 --> 00:23:24,170
IF IT STAYS FRIENDLY, NO.
554
00:23:24,200 --> 00:23:25,700
I DON’T LIKE GETTING CUFFED.
555
00:23:25,730 --> 00:23:28,260
THEN KEEP IT FRIENDLY.
LET’S GO.
556
00:23:37,300 --> 00:23:40,460
STORE OWNER: Testing, 1, 2, 3 ‐‐
you there still or what?
557
00:23:40,500 --> 00:23:41,700
THIS GUY.
558
00:23:41,730 --> 00:23:43,800
Hey, listen,
I been thinking, uh ‐‐
DON’T THINK.
559
00:23:43,830 --> 00:23:46,200
instead of me saying what
he’s wearing when he leaves,
560
00:23:46,230 --> 00:23:48,960
I’ll give you a head start
and say, "Want some jerky?"
561
00:23:49,000 --> 00:23:50,660
while he’s still
in the store. You got that?
562
00:23:50,700 --> 00:23:52,700
OH, WE GOT JIMMY OLSEN NOW.
563
00:23:52,730 --> 00:23:55,530
You still out there or what?
Honk your horn or something.
564
00:23:55,570 --> 00:23:56,810
IF HE BLOWS THIS,
565
00:23:56,830 --> 00:24:00,500
YOUR JOB IS TO KEEP HIM 15
FEET FROM ME AT ALL TIMES.
566
00:24:00,530 --> 00:24:02,130
I’LL SEE WHAT I CAN DO.
567
00:24:02,170 --> 00:24:04,040
MAN: We gonna get some
of these lotto tickets.
568
00:24:04,070 --> 00:24:06,240
Woman: You better make sure
you get the right ones.
569
00:24:06,270 --> 00:24:08,510
Yo, Ramón! Give me
10 of those scratchy
lotto tickets.
570
00:24:08,530 --> 00:24:09,830
What’s up, Ramón?
571
00:24:09,870 --> 00:24:10,840
Stayin’ low.
572
00:24:10,870 --> 00:24:13,340
Want some jerky?
573
00:24:13,370 --> 00:24:14,210
HERE WE GO.
574
00:24:14,230 --> 00:24:16,230
No, you have to pay
for it.
575
00:24:16,270 --> 00:24:18,440
You smoking rock now or
something?
576
00:24:18,470 --> 00:24:19,740
Later, Ramón.
577
00:24:19,770 --> 00:24:22,670
Jerky! Jerky!
Number 67 ‐‐ red shirt,
578
00:24:22,700 --> 00:24:24,730
black pants.
You out there?!
579
00:24:24,770 --> 00:24:27,540
JONES, MEDAVOY,
MOVE IN ‐‐ GO, GO!
580
00:24:27,570 --> 00:24:29,670
[ ENGINE TURNS OVER ]
581
00:24:29,700 --> 00:24:31,530
YOU KNOW WHAT?
YOU KEEP...
582
00:24:31,570 --> 00:24:32,540
WHAT?
583
00:24:37,870 --> 00:24:39,340
[ TIRES SCREECHING ]
584
00:24:39,370 --> 00:24:42,370
LET ME JUST DO MY THING,
ALL RIGHT,
585
00:24:42,400 --> 00:24:43,760
THE WAY I DO MY THING.
586
00:24:43,800 --> 00:24:46,600
[ SCREAMING ]
WHAT THE HELL Y’ALL DOIN’...
587
00:24:46,630 --> 00:24:48,330
OH, MY GOD!!
588
00:24:48,370 --> 00:24:50,210
GET IN THE CAR.
589
00:24:50,230 --> 00:24:52,960
SHUT YOUR MOUTH!
CALL THE COPS!
590
00:24:53,000 --> 00:24:56,830
POLICE! SOMEBODY
KIDNAPPED MY BOYFRIEND!
591
00:24:56,870 --> 00:24:58,370
[ TIRES SCREECH ]
592
00:24:58,400 --> 00:24:59,230
POLICE!
593
00:25:13,770 --> 00:25:15,510
WHAT HAVE YOU GOT?
594
00:25:15,530 --> 00:25:17,660
PHONE DUMP CAME BACK
FROM SANDY’S APARTMENT.
595
00:25:17,700 --> 00:25:20,730
THERE WERE THREE CALLS IN
AND TWO CALLS OUT THIS MORNING,
596
00:25:20,770 --> 00:25:22,310
ALL TO AND FROM
THE SAME NUMBER.
597
00:25:22,330 --> 00:25:24,530
RUN THAT NUMBER
THROUGH THE CALLS DIRECTORY.
598
00:25:24,570 --> 00:25:27,070
I DID. IT’S SANDY’S
MOM’S APARTMENT.
599
00:25:27,100 --> 00:25:29,360
SHE SAID SHE HADN’T
TALKED TO SANDY
600
00:25:29,400 --> 00:25:32,100
SINCE SHE SAW HER
A COUPLE DAYS AGO, RIGHT?
601
00:25:32,130 --> 00:25:34,500
RIGHT.
I’M GONNA HAVE HER COME IN.
602
00:25:34,530 --> 00:25:35,330
THERE YOU GO.
603
00:25:37,800 --> 00:25:40,160
KEEP ME POSTED ON THAT.
604
00:25:42,170 --> 00:25:44,110
I’M STILL WAITING
ON AN EXPLANATION
605
00:25:44,130 --> 00:25:46,300
WHY Y’ALL COULDN’T COME TALK
TO ME LIKE A HUMAN BEING
606
00:25:46,330 --> 00:25:48,360
INSTEAD OF TREATING ME
LIKE A DAMN BAG OF LAUNDRY.
607
00:25:48,400 --> 00:25:49,830
LINDA VELEZ.
608
00:25:49,870 --> 00:25:51,470
DON’T KNOW HER.
609
00:25:51,500 --> 00:25:54,260
HISPANIC, LEATHER TRENCH
COAT, NAKED UNDERNEATH.
610
00:25:57,530 --> 00:25:58,830
WHAT’S SHE SAYING NOW?
611
00:25:58,870 --> 00:26:02,540
SHE’S A LITTLE UNHAPPY
WITH WHAT HAPPENED LAST NIGHT.
612
00:26:02,570 --> 00:26:06,010
WHAT’S SHE SAYING ‐‐ RAPE?
WELL, IT WAS HER IDEA.
613
00:26:06,030 --> 00:26:07,930
SHE CALLED ME
UP TO THE CAR.
614
00:26:07,970 --> 00:26:10,510
SHE OPENED HER COAT
AND SHOWED ME HER NAKED ASS.
615
00:26:10,530 --> 00:26:11,660
SHE HAD THE CHAMPAGNE.
616
00:26:11,700 --> 00:26:13,600
WHAT IS SHE SAYING TO YOU?
617
00:26:13,630 --> 00:26:15,000
HOW WAS IT HER IDEA?
618
00:26:15,030 --> 00:26:17,100
SHE ROLLS UP,
SAYS, "LET’S GO."
619
00:26:17,130 --> 00:26:20,100
I MEAN, IT WAS LIKE IT
WAS TOO GOOD TO BE TRUE.
620
00:26:20,130 --> 00:26:21,230
AND JUST IN CASE IT WAS,
621
00:26:21,270 --> 00:26:23,210
I SAID, "CAN I BRING
SOMEBODY ELSE?"
622
00:26:23,230 --> 00:26:25,460
SO I RUN IN
AND ASKED THE BODEGA GUY,
623
00:26:25,500 --> 00:26:26,530
AND HE SAYS NO,
624
00:26:26,570 --> 00:26:28,940
AND THEN I SEE MY BOY GERALD
COMING UP THE STREET.
625
00:26:28,970 --> 00:26:30,840
AND, HELL, GERALD’S
DOWN FOR ANYTHING.
626
00:26:30,870 --> 00:26:32,070
AND THAT’S IT.
627
00:26:32,100 --> 00:26:33,200
WHERE’D YOU HAVE SEX?
628
00:26:33,230 --> 00:26:35,400
AT MY GRANDMA’S.
SHE’S NEARBY.
629
00:26:35,430 --> 00:26:36,400
WAS YOUR GRANDMA HOME?
630
00:26:36,430 --> 00:26:38,500
YEAH, BUT SHE DON’T
WAKE UP FOR NOTHING.
631
00:26:38,530 --> 00:26:40,560
HOW DID YOU LEAVE IT?
WALKED OUTSIDE.
632
00:26:40,600 --> 00:26:42,960
GERALD ASKED HER FOR A RIDE,
AND SHE GAVE IT TO HIM.
633
00:26:43,000 --> 00:26:44,960
I WALKED OVER
TO MY GIRLFRIEND’S SPOT.
634
00:26:45,000 --> 00:26:46,800
WHAT’S GERALD’S LAST NAME?
635
00:26:46,830 --> 00:26:48,230
WHAT IS THIS BITCH SAYING?
636
00:26:48,270 --> 00:26:50,340
SHE WANTED IT,
AND WE GAVE IT TO HER.
637
00:26:50,370 --> 00:26:53,340
AND WE DIDN’T HEAR NO COMPLAINTS
OUT OF HER LAST NIGHT.
638
00:26:53,370 --> 00:26:56,640
TRUST ME, ME AND GERALD
DIDN’T DO NOTHING WRONG.
639
00:26:56,670 --> 00:26:58,570
ONE OF YOU DID.
640
00:26:58,600 --> 00:27:00,030
DAMN.
641
00:27:00,070 --> 00:27:01,810
GERALD’S LAST NAME?
642
00:27:01,830 --> 00:27:03,930
Damn.
643
00:27:03,970 --> 00:27:06,440
HIS LAST NAME,
OR THIS FALLS ON YOU!
644
00:27:08,900 --> 00:27:12,030
WINTERS ‐‐
645
00:27:12,070 --> 00:27:13,410
GERALD WINTERS.
646
00:27:14,730 --> 00:27:17,130
WRITE DOWN HIS PLACES.
647
00:27:24,300 --> 00:27:25,860
THANKS FOR COMING BACK,
MRS. FOLANDER.
648
00:27:25,900 --> 00:27:28,400
I HAVEN’T GOT A SITTER, SO IF
YOU COULD MAKE IT QUICK ‐‐
649
00:27:28,430 --> 00:27:29,360
ABSOLUTELY.
650
00:27:29,400 --> 00:27:30,730
COME ON, JANIE.
651
00:27:30,770 --> 00:27:32,240
ACTUALLY, UH...
652
00:27:32,270 --> 00:27:33,540
JUST A SEC.
653
00:27:36,030 --> 00:27:37,630
We’ll be talking about
details of Sandy’s death,
654
00:27:37,670 --> 00:27:39,740
and I don’t know if it’s
something Janie should hear.
655
00:27:39,770 --> 00:27:41,310
SHE CAN WAIT RIGHT HERE.
656
00:27:41,330 --> 00:27:44,230
OUR P. A. A., JOHN,
WILL KEEP AN EYE ON HER.
657
00:27:44,270 --> 00:27:45,570
SHE’LL BE FINE, MA’AM.
658
00:27:45,600 --> 00:27:46,630
I PROMISE.
659
00:27:46,670 --> 00:27:48,470
OKAY.
660
00:27:48,500 --> 00:27:52,030
YOU SIT RIGHT HERE...
WITH JOHN.
661
00:27:52,070 --> 00:27:53,670
OKAY, SWEETHEART?
662
00:27:53,700 --> 00:27:55,730
OKAY.
Okay.
663
00:27:55,770 --> 00:27:56,940
WHERE?
664
00:27:56,970 --> 00:27:58,070
RIGHT THIS WAY.
665
00:27:59,400 --> 00:28:00,830
[ DOOR OPENS ]
666
00:28:00,870 --> 00:28:03,310
OH, UH, EDDIE,
I GOTTA TAKE CARE
667
00:28:03,330 --> 00:28:05,660
OF THAT THING REAL QUICK.
I’LL BE RIGHT IN.
668
00:28:05,700 --> 00:28:08,430
John: HOW ARE YOU?
669
00:28:08,470 --> 00:28:10,240
MY MOM WENT TO HEAVEN.
670
00:28:10,270 --> 00:28:11,370
I HEARD.
671
00:28:11,400 --> 00:28:13,500
I’M VERY SORRY.
672
00:28:13,530 --> 00:28:15,560
HI, JANIE.
673
00:28:15,600 --> 00:28:17,430
I’M CONNIE.
674
00:28:17,470 --> 00:28:18,970
HI.
675
00:28:19,000 --> 00:28:21,560
DO YOU WANT A SODA
OR SOMETHING?
676
00:28:21,600 --> 00:28:24,160
I’M SUPPOSED
TO STAY HERE WITH JOHN.
677
00:28:24,200 --> 00:28:25,600
HE’LL COME WITH US.
678
00:28:25,630 --> 00:28:28,300
COME ON.
679
00:28:39,930 --> 00:28:41,460
SO, JANIE...
680
00:28:41,500 --> 00:28:44,560
HOW LONG HAVE YOU
LIVED WITH YOUR GRANDMA?
681
00:28:44,600 --> 00:28:45,900
I DON’T KNOW.
682
00:28:45,930 --> 00:28:47,600
WELL, I GUESS YOU HAD TO,
683
00:28:47,630 --> 00:28:50,500
’CAUSE YOUR MOM’S
BEEN SICK, HUH?
684
00:28:50,530 --> 00:28:54,030
SHE HAS MULTIPLE SCLEROSIS.
685
00:28:54,070 --> 00:28:59,240
DID YOUR MOM WANT YOU
TO MOVE BACK IN WITH HER?
686
00:28:59,270 --> 00:29:01,940
BUT YOUR GRANDMA REALLY
WANTED YOU TO STAY WITH HER
687
00:29:01,970 --> 00:29:03,810
’CAUSE...SHE LOVES YOU
SO MUCH, HUH?
688
00:29:06,200 --> 00:29:08,500
WERE YOU WITH YOUR GRANDMA
THIS MORNING?
689
00:29:08,530 --> 00:29:09,800
SHE TAKE YOU TO SCHOOL?
690
00:29:09,830 --> 00:29:12,530
WE WENT TO MY MOM’S HOUSE
FIRST, BUT SHE WASN’T HOME.
691
00:29:14,230 --> 00:29:18,060
SO... YOU AND YOUR
GRANDMA WENT
692
00:29:18,100 --> 00:29:21,000
TO YOUR MOM’S HOUSE
FIRST AND THEN TO SCHOOL?
693
00:29:22,430 --> 00:29:25,700
DID YOU GO WITH YOUR GRANDMA
TO SEE IF YOUR MOM WAS HOME,
694
00:29:25,730 --> 00:29:28,030
OR DID YOU STAY IN THE CAR?
695
00:29:28,070 --> 00:29:30,770
I STAYED IN THE CAR.
696
00:29:30,800 --> 00:29:33,460
SHE’S IN HEAVEN NOW.
697
00:29:33,500 --> 00:29:35,260
I KNOW SHE IS.
698
00:29:35,300 --> 00:29:36,300
I KNOW.
699
00:29:36,330 --> 00:29:38,500
SHE’S NOT SICK ANYMORE,
SHE’S HAPPY,
700
00:29:38,530 --> 00:29:40,860
AND SHE’S LOOKING DOWN
ON YOU RIGHT NOW.
701
00:29:44,570 --> 00:29:47,640
JOHN’S GONNA STAY IN HERE
WITH YOU NOW, OKAY?
702
00:29:47,670 --> 00:29:49,070
OKAY.
703
00:30:00,730 --> 00:30:03,860
IS JANIE ALL RIGHT?
704
00:30:03,900 --> 00:30:05,230
SHE’S FINE.
705
00:30:06,800 --> 00:30:08,530
THIS IS WHAT WE KNOW,
MRS. FOLANDER...
706
00:30:10,300 --> 00:30:12,500
YOU WENT TO YOUR DAUGHTER’S
HOUSE THIS MORNING,
707
00:30:12,530 --> 00:30:13,830
AND SOMETHING WENT WRONG.
708
00:30:13,870 --> 00:30:16,040
YOU DIDN’T MEAN IT TO,
WHICH IS IMPORTANT,
709
00:30:16,070 --> 00:30:18,210
BECAUSE THEN IT
WASN’T PREMEDITATED.
710
00:30:18,230 --> 00:30:19,400
WHAT IS THIS?
711
00:30:19,430 --> 00:30:21,300
YOU NEED TO TELL US
WHAT HAPPENED,
712
00:30:21,330 --> 00:30:23,760
BECAUSE IF YOU DON’T
AND FORCE THIS TO TRIAL,
713
00:30:23,800 --> 00:30:25,230
THEY’RE GONNA PUT JANIE
ON THE STAND
714
00:30:25,270 --> 00:30:27,040
AND MAKE HER TESTIFY
TO EVERYTHING,
715
00:30:27,070 --> 00:30:29,540
INCLUDING HOW SHE WAITED IN
THE CAR WHILE YOU WENT UP ‐‐
716
00:30:29,570 --> 00:30:30,510
YOU TALKED TO HER?
717
00:30:30,530 --> 00:30:32,300
DON’T PUT YOUR
GRANDDAUGHTER THROUGH THIS.
718
00:30:32,330 --> 00:30:35,660
DON’T TRAUMATIZE HER MORE
THAN SHE ALREADY HAS BEEN.
719
00:30:35,700 --> 00:30:37,200
TELL US WHAT HAPPENED.
720
00:30:37,230 --> 00:30:39,860
WE’LL DO EVERYTHING WE
CAN TO HELP YOU
721
00:30:39,900 --> 00:30:41,300
AND PROTECT JANIE.
722
00:30:41,330 --> 00:30:44,660
YOU DON’T KNOW THE HELL
THAT I WENT THROUGH
723
00:30:44,700 --> 00:30:46,200
WITH MY DAUGHTER.
724
00:30:46,230 --> 00:30:48,830
YOU’RE RIGHT. WE DON’T.
725
00:30:48,870 --> 00:30:50,270
SO TELL US.
726
00:30:52,030 --> 00:30:56,330
SHE WASN’T FIT TO LIVE,
LET ALONE RAISE A CHILD.
727
00:30:56,370 --> 00:30:58,640
SHE TOLD ME SHE
WASN’T FIT TO LIVE ‐‐
728
00:30:58,670 --> 00:30:59,870
THAT SHE WANTED TO DIE.
729
00:30:59,900 --> 00:31:01,160
DID SHE WANT TO DIE
730
00:31:01,200 --> 00:31:03,000
WHEN YOU WENT OVER THERE
THIS MORNING?
731
00:31:03,030 --> 00:31:05,100
OR WAS THAT MORE
ABOUT WHAT YOU WANTED?
732
00:31:05,130 --> 00:31:07,730
SHE DIDN’T KNOW
WHAT SHE WAS DOING.
733
00:31:07,770 --> 00:31:10,170
JANIE WANTED TO STAY
WITH ME.
734
00:31:10,200 --> 00:31:13,300
SHE’D CRY IN THE CAR EVERY
TIME SHE HAD TO GO BACK.
735
00:31:13,330 --> 00:31:15,700
SANDY GOT THE COURT ORDER
JUST SO SHE WOULDN’T BE ALONE.
736
00:31:15,730 --> 00:31:19,200
I CONVINCED HER YESTERDAY
NOT TO GO THROUGH WITH IT.
737
00:31:19,230 --> 00:31:22,330
THEN SHE CALLED ME
THIS MORNING
738
00:31:22,370 --> 00:31:24,210
AND SAID THAT SHE’D
CHANGED HER MIND.
739
00:31:24,230 --> 00:31:25,960
WHICH YOU WEREN’T UP FOR.
740
00:31:26,000 --> 00:31:28,460
SO I‐I WENT OVER THERE,
741
00:31:28,500 --> 00:31:29,800
AND I‐I BEGGED HER...
742
00:31:29,830 --> 00:31:32,860
NOT TO RUIN
THIS LITTLE GIRL’S LIFE,
743
00:31:32,900 --> 00:31:34,630
OR MOVE IN WITH US.
744
00:31:34,670 --> 00:31:36,940
BUT NO!
745
00:31:36,970 --> 00:31:39,570
AND AS A MOTHER...
746
00:31:39,600 --> 00:31:43,930
TO BOTH OF THEM,
I HAD TO MAKE A CHOICE.
747
00:31:43,970 --> 00:31:46,210
AND SO I DID.
748
00:31:46,230 --> 00:31:49,630
AND THAT’S NOT RUINING
THIS LITTLE GIRL’S LIFE?
749
00:31:49,670 --> 00:31:52,740
DON’T YOU JUDGE ME.
750
00:31:52,770 --> 00:31:54,010
I’M NOT, MA’AM.
751
00:31:55,830 --> 00:31:57,800
THEY GOT SOMEONE
WHO’LL DO THAT LATER.
752
00:32:10,290 --> 00:32:11,520
WHATEVER.
753
00:32:11,560 --> 00:32:13,520
WHATEVER, MAN. WHATEVER.
754
00:32:13,560 --> 00:32:14,820
GET THESE CUFFS OFF ME ‐‐
755
00:32:14,860 --> 00:32:16,120
WHY DON’T YOU SHUT UP?
756
00:32:18,990 --> 00:32:21,020
TAKE A SEAT.
757
00:32:21,060 --> 00:32:22,760
SIT DOWN.
758
00:32:22,790 --> 00:32:24,060
WHAT HAPPENED LAST NIGHT?
759
00:32:24,090 --> 00:32:25,560
NOTHING HAPPENED, MAN.
760
00:32:25,590 --> 00:32:28,020
HEY, YOU’RE IN HERE
FOR A REASON, GERALD.
761
00:32:28,060 --> 00:32:30,220
WE DIDN’T PICK YOU
RANDOM OFF THE STREET.
762
00:32:30,260 --> 00:32:31,490
HER NAME WAS LINDA VELEZ,
763
00:32:31,520 --> 00:32:33,420
IN CASE NOBODY BOTHERED
WITH INTRODUCTIONS.
764
00:32:33,460 --> 00:32:35,320
WE GOT WITNESSES SAW YOU
AND JERMAINE
765
00:32:35,360 --> 00:32:37,120
TAKE HER INTO GRANDMA’S
APARTMENT.
766
00:32:37,160 --> 00:32:40,190
AND WE GOT WITNESSES SAW YOU
AND LINDA LEAVE IN HER CAR.
767
00:32:40,220 --> 00:32:41,960
WITNESSES LIKE WHAT?
JERMAINE?
768
00:32:41,990 --> 00:32:44,220
YOU GOT BIGGER PROBLEMS
THAN WHO SAW YOU DO IT.
769
00:32:44,260 --> 00:32:46,720
MAN, LISTEN, LOOK, I HAD
A GOOD TIME, ALL RIGHT?
770
00:32:46,760 --> 00:32:50,190
ALL I WANTED WAS A RIDE TO
THE PARTY I WAS ON MY WAY TO
771
00:32:50,220 --> 00:32:52,020
BEFORE SHE SCOOPED ME
AND JERMAINE UP
772
00:32:52,060 --> 00:32:54,490
AND PUT US EVERY WHICH WAY
BUT ON HER HEAD.
773
00:32:54,520 --> 00:32:58,090
WHAT HAPPENED AFTER THAT
IS ALL ON THAT CRAZY, YO.
NOBODY ELSE.
774
00:32:58,120 --> 00:33:01,090
YOU’RE TALKING
ABOUT A NEW YORK CITY
CORRECTIONS OFFICER,
775
00:33:01,120 --> 00:33:02,620
SO WATCH YOUR MOUTH.
776
00:33:02,660 --> 00:33:03,760
OKAY, OKAY.
777
00:33:03,790 --> 00:33:05,520
LET ME TELL YOU
WHAT HAPPENED, THEN.
778
00:33:05,560 --> 00:33:07,420
SHE PULLED A GUN ON ME.
779
00:33:07,460 --> 00:33:08,720
YEAH ‐‐ A GUN.
780
00:33:08,760 --> 00:33:11,660
SO GUESS WHO WENT
INTO SURVIVAL MODE?
781
00:33:11,690 --> 00:33:13,160
ME.
782
00:33:13,190 --> 00:33:15,290
WHY WOULD SHE PULL A GUN
ON YOU, GERALD?
783
00:33:15,320 --> 00:33:17,220
I DON’T KNOW.
WE’RE DRIVING DOWN THE BLOCK,
784
00:33:17,260 --> 00:33:19,420
TALKING ABOUT THIS CLUB,
BALLISTICS, WE’VE BOTH BEEN TO,
785
00:33:19,460 --> 00:33:21,720
WHEN OUT OF THE BLUE,
SHE JUST STARTS FLIPPING,
786
00:33:21,760 --> 00:33:23,320
LIKE, "WHERE’S MY GOLD
NECKLACE?"
787
00:33:23,360 --> 00:33:25,390
HELL IF I KNOW.
I AIN’T TAKE IT.
788
00:33:25,420 --> 00:33:27,720
SO THEN SHE PULLS OVER,
YANKS A GUN OUT ON MY ASS.
789
00:33:27,760 --> 00:33:29,060
PUT IT RIGHT IN MY FACE.
790
00:33:29,090 --> 00:33:31,760
SO I SAID, "THIS NECKLACE
THAT YOU WERE WORRIED ABOUT
791
00:33:31,790 --> 00:33:33,290
IS RIGHT AROUND YOUR NECK."
792
00:33:33,320 --> 00:33:36,320
SO THEN SHE FEELS IT,
CALMS DOWN, LOWERS THE GUN,
793
00:33:36,360 --> 00:33:38,920
STARTS TALKING
ABOUT BALLISTICS AGAIN
794
00:33:38,960 --> 00:33:40,560
LIKE NOTHING EVEN HAPPENED.
795
00:33:40,590 --> 00:33:41,860
BITCH WAS CRAZY.
796
00:33:41,890 --> 00:33:43,360
JUST STICK TO WHAT
HAPPENED
797
00:33:43,390 --> 00:33:46,290
AND LEAVE YOUR OPINIONS
OF HER OUT OF IT.
798
00:33:46,320 --> 00:33:49,260
SO I’M LOOKING AT THIS GUN.
IT’S IN HER LAP.
799
00:33:49,290 --> 00:33:51,420
I’VE NEVER SEEN A GUN
LIKE THAT BEFORE ‐‐
800
00:33:51,460 --> 00:33:53,990
NO HAMMER ON IT.
IT’S AN ILL GUN.
801
00:33:54,020 --> 00:33:56,360
SO I TOLD HER I’D GIVE HER
100 FOR IT.
802
00:33:56,390 --> 00:33:58,620
SHE SAID NAH, SHE NEEDED IT
FOR THE JOB,
803
00:33:58,660 --> 00:34:01,120
WHICH I AIN’T KNOW MEANT
"CORRECTIONS OFFICER."
804
00:34:01,160 --> 00:34:03,860
SO I TOLD HER,
"PRETEND LIKE YOU LOST IT."
805
00:34:03,890 --> 00:34:05,220
SHE SAID SHE COULDN’T DO IT.
806
00:34:05,260 --> 00:34:07,860
SHE’D GET A 10‐DAY RIP FOR IT,
WHATEVER THE HELL THAT MEANT.
807
00:34:07,890 --> 00:34:09,960
SHE PUT IT BACK
IN HER POCKET.
808
00:34:09,990 --> 00:34:12,390
SHE STARTS STARING
OUT THE WINDOW,
809
00:34:12,420 --> 00:34:13,790
ALL SPACED‐OUT LIKE.
810
00:34:13,820 --> 00:34:15,320
THAT’S WHEN
I PULLED OUT MY GUN,
811
00:34:15,360 --> 00:34:17,690
SHOT HER THREE TIMES
IN THE HEAD.
812
00:34:17,720 --> 00:34:18,960
SO YOU COULD TAKE HER GUN?
813
00:34:18,990 --> 00:34:21,560
I ENDED UP
TAKING THE GUN, YEAH.
814
00:34:21,590 --> 00:34:23,660
WHERE IS IT?
AT MY APARTMENT.
815
00:34:23,690 --> 00:34:24,960
WHERE’S YOURS?
816
00:34:24,990 --> 00:34:27,620
IT’S WITH IT. LOOK, I DIDN’T
KNOW THAT SHE WAS AN OFFICER.
817
00:34:27,660 --> 00:34:29,660
IT’S ALL RIGHT TO KILL HER
IF SHE WASN’T?
818
00:34:29,690 --> 00:34:31,020
SHE PULLED A GUN OUT ON ME!
819
00:34:31,060 --> 00:34:33,760
WAS SHE POINTING A GUN
AT YOU WHEN YOU SHOT HER?
820
00:34:33,790 --> 00:34:35,390
COME ON, IT’S REAL SIMPLE.
821
00:34:35,420 --> 00:34:37,260
IN MY BOOK,
YOU DON’T PULL A GUN
822
00:34:37,290 --> 00:34:39,390
ON SOMEBODY YOU’RE
NOT PREPARED TO SHOOT.
823
00:34:39,420 --> 00:34:42,060
WAS SHE POINTING THE GUN
AT YOU WHEN YOU SHOT HER?!
824
00:34:42,090 --> 00:34:44,460
NO, BUT SHE HAD IT
IN MY FACE UP UNTIL THEN!
825
00:34:44,490 --> 00:34:45,590
AND LIKE I SAID,
826
00:34:45,620 --> 00:34:47,720
YOU PULL OUT A GUN,
THAT’S SAYING SOMETHING TO ME.
827
00:34:47,760 --> 00:34:49,090
AND IT DON’T SAY NOTHING
828
00:34:49,120 --> 00:34:50,960
THAT THEY PUT IT BACK
IN THEIR POCKET?!
829
00:34:50,990 --> 00:34:53,460
WE’RE TALKING ABOUT
UP IN HARLEM WORLD, MAN.
830
00:34:53,490 --> 00:34:56,260
YOU PULL A GUN ON SOMEBODY,
THERE’S CONSEQUENCES.
831
00:34:56,290 --> 00:34:57,620
THAT’S HOW IT GOES.
832
00:34:57,660 --> 00:34:58,720
YEAH?
833
00:34:58,760 --> 00:35:02,290
WELL, YOU’RE GONNA LEARN
ABOUT SOME CONSEQUENCES.
834
00:35:17,560 --> 00:35:19,360
I DON’T KNOW.
835
00:35:21,890 --> 00:35:23,560
COME ON.
836
00:35:33,260 --> 00:35:34,790
WHAT IS IT YOU DON’T KNOW?
837
00:35:34,820 --> 00:35:37,290
HOW MUCH SHE’S RESPONSIBLE
FOR GETTING HERSELF KILLED.
838
00:35:37,320 --> 00:35:39,490
YOU FEEL HE SHOT HER
IN SELF‐DEFENSE?
839
00:35:39,520 --> 00:35:40,820
NO.
840
00:35:40,860 --> 00:35:42,060
DID HE HAVE AN ALTERNATIVE
841
00:35:42,090 --> 00:35:44,090
WHEN SHE PUT THE GUN
BACK IN HER POCKET?
842
00:35:44,120 --> 00:35:46,160
SOMEONE COULD ARGUE THAT
HE MIGHT HAVE THOUGHT
843
00:35:46,190 --> 00:35:48,020
SHE WAS GONNA
PULL HER GUN OUT AGAIN.
844
00:35:48,060 --> 00:35:50,090
WE JUST INTERVIEWED HIM.
HE DIDN’T SAY THAT.
845
00:35:50,120 --> 00:35:52,320
THINGS PEOPLE HAVE
BEEN SAYING ABOUT HER ‐‐
846
00:35:52,360 --> 00:35:54,790
THE DEFENSE ATTORNEY’S
GONNA CLAIM SHE WAS CRAZY.
847
00:35:54,820 --> 00:35:56,220
WHAT ARE WE GONNA SAY?
848
00:35:56,260 --> 00:35:58,190
THAT’S ASSUMING WE PUT
ALL THAT IN THE FIVES.
849
00:36:02,690 --> 00:36:04,390
LISTEN, THIS IS YOUR CASE.
850
00:36:04,420 --> 00:36:06,220
WHEN YOU TYPE IT UP,
IT’LL SAY,
851
00:36:06,260 --> 00:36:08,620
"IN THE COMPANY OF
DETECTIVE ANDY SIPOWICZ."
852
00:36:08,660 --> 00:36:11,590
YOU GET CALLED TO TESTIFY
WHEN IT GOES TO TRIAL,
853
00:36:11,620 --> 00:36:14,190
SO YOU GOTTA MAKE
THE DECISION THAT SITS RIGHT.
854
00:36:14,220 --> 00:36:16,360
BUT I AM TELLING YOU
RIGHT NOW,
855
00:36:16,390 --> 00:36:18,220
IF YOU PUT IN
ALL THESE OPINIONS
856
00:36:18,260 --> 00:36:20,090
ABOUT HOW PEOPLE THOUGHT
MAYBE SHE WAS HALF WACKY,
857
00:36:20,120 --> 00:36:21,590
THIS GUY WALKS.
858
00:36:21,620 --> 00:36:24,590
I DON’T CARE IF SHE STOOD
AROUND WITH A CANDLE IN HER HAND
859
00:36:24,620 --> 00:36:26,920
CALLING HERSELF
THE STATUE OF LIBERTY,
860
00:36:26,960 --> 00:36:28,390
SHE PUT HER GUN AWAY.
861
00:36:28,420 --> 00:36:30,990
HER ANIMOSITY WAS GONE,
AND HE WAS OUT OF DANGER.
862
00:36:31,020 --> 00:36:34,990
BUT HE WENT AHEAD
AND HE SHOT HER FOR HER GUN,
863
00:36:35,020 --> 00:36:36,860
WHICH HE TOOK.
864
00:36:38,690 --> 00:36:40,390
SO YOU GOTTA DECIDE.
865
00:36:42,020 --> 00:36:44,060
I NEED TO THINK ABOUT IT.
866
00:36:54,060 --> 00:36:55,290
DID HE GO?
867
00:36:55,320 --> 00:36:57,360
YEAH.
YEAH, HE, UH ‐‐
868
00:36:57,390 --> 00:36:59,290
HE KILLED HER
FOR HER SERVICE REVOLVER.
869
00:36:59,320 --> 00:37:01,190
HE WANTED TO BUY IT.
SHE DECLINED.
870
00:37:01,220 --> 00:37:03,320
SHE SHOWED IT TO HIM,
OR HE FOUND IT?
871
00:37:03,360 --> 00:37:06,390
IT’S JUNIOR’S CASE.
LET HIM RUN THE SPECIFICS.
872
00:37:06,420 --> 00:37:09,320
YOU TAKING THE MOTHER
TO CENTRAL BOOKING?
873
00:37:09,360 --> 00:37:12,190
UH, GIBSON’S STILL
PROCESSING HER DOWNSTAIRS.
874
00:37:12,220 --> 00:37:13,990
WE, UH...FLIPPED FOR IT.
875
00:37:14,020 --> 00:37:16,220
WHAT’S HE DOING
OUT OF NIGHT WATCH?
876
00:37:16,260 --> 00:37:18,660
HE’S ON DAY TOUR NOW,
LIKE HE’S GOT A RIGHT TO DO.
877
00:37:18,690 --> 00:37:20,790
AND HE DIDN’T GET
BOUNCED OUT OF THERE?
878
00:37:20,820 --> 00:37:22,890
NOPE. AND I ASKED AROUND.
879
00:37:22,920 --> 00:37:24,690
GREAT. WE GOT ONE GUY
IN DIAPERS,
880
00:37:24,720 --> 00:37:25,960
THE OTHER ONE IN DEPENDS.
881
00:37:25,990 --> 00:37:27,990
IF YOU LIKE,
I’LL TAKE CLARK,
882
00:37:28,020 --> 00:37:29,890
AND YOU CAN PARTNER
WITH EDDIE.
883
00:37:29,920 --> 00:37:32,320
IF I HAVE TO PARTNER WITH THAT
STIFF, I’LL KILL MYSELF.
884
00:37:32,360 --> 00:37:35,390
YOU OKAY WITH GIBSON FOR NOW?
IT’S NOT LIKE WE GOT A CHOICE.
885
00:37:35,420 --> 00:37:36,720
SURE.
886
00:37:36,760 --> 00:37:38,560
BUT YOU OWE ME.
887
00:37:38,590 --> 00:37:41,660
LEAST YOU WON’T
HAVE TO PAY FOR A MEAL.
888
00:37:41,690 --> 00:37:42,920
[ CHUCKLES ]
889
00:37:42,960 --> 00:37:44,090
WHERE’S THE GRANDKID?
890
00:37:44,120 --> 00:37:46,220
JOHN IRVIN’S WITH HER
UP IN THE CRIB.
891
00:37:46,260 --> 00:37:48,920
BOSS...I’LL BE BACK IN
A LITTLE BIT IF THAT’S OKAY.
892
00:37:48,960 --> 00:37:51,160
YEAH. WHAT DO YOU WANNA DO
WITH THE GIRL?
893
00:37:51,190 --> 00:37:52,420
Connie: WE RAN THE DAD.
894
00:37:52,460 --> 00:37:55,390
NO RECORD OTHER
THAN THE TWO DOMESTICS.
895
00:37:55,420 --> 00:37:56,660
HE GOT A JOB.
896
00:37:56,690 --> 00:37:59,420
HE’S GOT GENUINE CONCERN
FOR HIS DAUGHTER.
897
00:37:59,460 --> 00:38:02,720
COURT RECORDS SHOW HE TRIED
REPEATEDLY TO GET HER BACK.
898
00:38:02,760 --> 00:38:04,190
YOUR CALL.
899
00:38:04,220 --> 00:38:06,790
I THINK WE SHOULD
PUT THEM BACK TOGETHER.
900
00:38:06,820 --> 00:38:08,190
DO IT.
901
00:38:08,220 --> 00:38:09,860
AND LET THE BUREAU
OF CHILD SERVICES KNOW.
902
00:38:09,890 --> 00:38:12,120
WHERE’S CLARK GOING?
903
00:38:12,160 --> 00:38:15,460
HOPEFULLY NOT TO RUN
THIS CASE BY HIS OLD MAN.
904
00:38:22,090 --> 00:38:25,660
THANKS FOR MEETING ME.
905
00:38:25,690 --> 00:38:27,320
IS THERE A BREAK
IN THE CASE?
906
00:38:27,360 --> 00:38:29,460
UH, WE’VE GOT SOMEBODY
THAT WE’RE LOOKING AT.
907
00:38:29,490 --> 00:38:31,660
AND IT’S NOT THE GUY
THAT SHE WAS SEEING.
908
00:38:31,690 --> 00:38:33,290
HE HAD NOTHING TO DO
WITH IT.
909
00:38:35,320 --> 00:38:38,120
I WANTED TO TALK SOME MORE
ABOUT LINDA ‐‐
910
00:38:38,160 --> 00:38:40,420
HER PERSONALITY.
OKAY.
911
00:38:40,460 --> 00:38:43,590
UH, THINGS THAT PEOPLE WHO
KNEW HER HAVE SAID, UH ‐‐
912
00:38:43,620 --> 00:38:45,160
WELL, IT’S PAINTED A PICTURE
913
00:38:45,190 --> 00:38:47,660
OF SOMEONE WHO
WAS MAYBE A LITTLE...OFF.
914
00:38:47,690 --> 00:38:50,290
THAT’S GOT SOMETHING TO DO
WITH HOW SHE DIED?
915
00:38:50,320 --> 00:38:52,420
WELL, WE GOT A "HE SAID,
SHE SAID" THING GOING ON.
916
00:38:52,460 --> 00:38:53,660
OKAY.
917
00:38:53,690 --> 00:38:56,120
DID LINDA...EVER BLOW UP,
918
00:38:56,160 --> 00:38:57,990
LIKE LOSE HER TEMPER
FOR NO REASON?
919
00:38:58,020 --> 00:38:59,690
SHE COULD GET BITCHY
WITH PEOPLE SOMETIMES,
920
00:38:59,720 --> 00:39:01,260
BUT NOTHING
OUT OF THE ORDINARY.
921
00:39:01,290 --> 00:39:03,620
WERE YOU EVER AFRAID OF HER?
NO.
922
00:39:03,660 --> 00:39:05,960
ANYBODY YOU KNOW
EVER AFRAID OF HER?
NO.
923
00:39:05,990 --> 00:39:07,120
SHE EVER THREATEN ANYBODY?
924
00:39:07,160 --> 00:39:09,120
NOT THAT I KNOW OF.
925
00:39:09,160 --> 00:39:12,660
DID SHE EVER SAY ANYTHING
ABOUT BEING OVERWHELMED?
926
00:39:12,690 --> 00:39:14,790
YOU MEAN LIKE ‐‐
LIKE SUICIDAL?
927
00:39:14,820 --> 00:39:16,160
YEAH.
928
00:39:16,190 --> 00:39:17,390
NO.
929
00:39:17,420 --> 00:39:20,460
NOT TO SAY SHE DIDN’T GET
REALLY DARK MOODS SOMETIMES.
930
00:39:20,490 --> 00:39:23,390
DID SHE EVER SEEK ANY HELP,
TALK TO SOMEONE?
931
00:39:23,420 --> 00:39:25,990
THAT WAS THE THING PEOPLE
WOULD SAY ABOUT HER ‐‐
932
00:39:26,020 --> 00:39:27,890
THAT MAYBE SHE
SHOULD GET SOME HELP.
933
00:39:27,920 --> 00:39:30,190
BUT NO ONE EVER
SUGGESTED IT TO HER?
934
00:39:30,220 --> 00:39:33,260
THAT’S A BIG THING,
TELLING SOMEONE THAT.
935
00:39:33,290 --> 00:39:36,390
I MEAN, THIS IS SOMEONE
WHO HELD A JOB,
936
00:39:36,420 --> 00:39:39,560
PAID HER RENT.
937
00:39:39,590 --> 00:39:40,720
IT COMES DOWN TO IT,
938
00:39:40,760 --> 00:39:43,060
YOU JUST GOTTA LET PEOPLE
LIVE THEIR LIVES.
939
00:39:45,490 --> 00:39:47,320
THANKS FOR YOUR HELP.
940
00:39:47,360 --> 00:39:49,120
SO WHAT WAS
THE "HE SAID" PART
941
00:39:49,160 --> 00:39:50,590
ABOUT WHY SHE GOT KILLED?
942
00:39:50,620 --> 00:39:53,390
IT’S LOOKING LIKE
MAYBE IT WAS A ROBBERY.
943
00:39:54,990 --> 00:39:56,360
I’M SORRY.
944
00:40:05,320 --> 00:40:07,190
SHE PULLED HER GUN ON HIM?
945
00:40:07,220 --> 00:40:09,760
YEAH. SHE THOUGHT HE STOLE
HER NECKLACE,
946
00:40:09,790 --> 00:40:12,460
BUT IT GOT RESOLVED
WHEN SHE PUT IT BACK
IN HER COAT.
947
00:40:12,490 --> 00:40:14,860
SO HE WASN’T IN IMMINENT
DANGER WHEN HE SHOT HER?
948
00:40:16,260 --> 00:40:17,620
NO.
949
00:40:17,660 --> 00:40:20,360
ANYTHING TO EXPLAIN
WHAT SHE WAS DOING
950
00:40:20,390 --> 00:40:23,160
OUT IN A LEATHER TRENCH
BANGING GUYS OFF THE STREET?
951
00:40:23,190 --> 00:40:25,660
UPSET WITH GETTING DUMPED
BY THIS GUY SHE WAS SEEING,
952
00:40:25,690 --> 00:40:26,920
IT LOOKS LIKE.
953
00:40:26,960 --> 00:40:28,460
TOOK IT HARD, DIDN’T SHE?
954
00:40:28,490 --> 00:40:31,560
ANYTHING ELSE I NEED TO KNOW
THAT ISN’T IN THE STATEMENT?
955
00:40:31,590 --> 00:40:32,690
NO, IT’S ALL IN THERE.
956
00:40:32,720 --> 00:40:34,290
WRITE IT UP...
957
00:40:34,320 --> 00:40:35,920
AND I’LL
TAKE IT FROM THERE.
958
00:40:35,960 --> 00:40:37,390
WILL DO.
959
00:40:45,060 --> 00:40:46,120
SO YOU’RE OKAY WITH THIS?
960
00:40:46,160 --> 00:40:48,390
YEAH...I’M FINE.
961
00:40:50,690 --> 00:40:52,260
MY WIFE CALL?
962
00:40:52,290 --> 00:40:54,760
NO. WHERE’S CONNIE?
963
00:40:54,790 --> 00:40:56,320
I GOT HER GASSING UP
THE CAR.
964
00:40:56,360 --> 00:40:57,590
YOU WHAT?
965
00:40:57,620 --> 00:40:59,590
ALL THOSE ARSON FIRES ‐‐
THE SMELL OF GAS ‐‐
966
00:40:59,620 --> 00:41:00,920
I DON’T CARE FOR FILLING UP.
967
00:41:00,960 --> 00:41:02,220
AND SHE DOES?
968
00:41:02,260 --> 00:41:04,990
SHE DIDN’T SEEM UPSET
WHEN I TOLD HER TO DO IT.
969
00:41:05,020 --> 00:41:06,190
YOU TOLD HER?
970
00:41:06,220 --> 00:41:08,390
BOY, YOU GOT SOME BALLS.
971
00:41:08,420 --> 00:41:10,390
MR. FEMALE SENSITIVITY
OVER HERE!
972
00:41:10,420 --> 00:41:12,390
GIBSON, YOU’RE
GONNA WORK HERE,
973
00:41:12,420 --> 00:41:14,790
YOU GOTTA PULL YOUR OWN.
THIS AIN’T THE VAMPIRE SQUAD
974
00:41:14,820 --> 00:41:16,360
WHERE YOU CAN
SLEEP HALF THE TOUR.
975
00:41:16,390 --> 00:41:19,160
THANK YOU, FIRST‐GRADE
DETECTIVE ANDY SIPOWICZ,
976
00:41:19,190 --> 00:41:20,720
FOR INFORMING LOWLY ME
977
00:41:20,760 --> 00:41:22,890
HOW TO WORK PROPERLY
IN THE SQUAD.
978
00:41:22,920 --> 00:41:24,760
IS THAT WHAT THIS
IS ALL ABOUT, HUH?
979
00:41:24,790 --> 00:41:26,120
ME MAKING FIRST GRADE?
980
00:41:26,160 --> 00:41:28,660
NO, BUT YOU GOT A PROBLEM
WITH ME TRYING TO MOVE UP?
981
00:41:28,690 --> 00:41:31,660
I GOT A PROBLEM WITH YOU
BEING A PAIN‐IN‐THE‐ASS LOAFER.
982
00:41:31,690 --> 00:41:34,060
WHEN YOU WERE ON NIGHT WATCH,
I COULD TAKE YOU FOR 15
MINUTES A WEEK.
983
00:41:34,090 --> 00:41:36,060
BUT WORKING
IN OUR SLOT’S DIFFERENT.
984
00:41:36,090 --> 00:41:38,020
YOU BETTER RISE
TO THE OCCASION.
985
00:41:38,060 --> 00:41:39,990
MAYBE YOU DIDN’T HEAR
I CLEARED A HOMICIDE TODAY.
986
00:41:40,020 --> 00:41:41,590
OH, YOU CLEARED IT, HUH?
987
00:41:41,620 --> 00:41:44,220
I’D LIKE TO KNOW
WHAT YOU DID ON THAT CASE.
988
00:41:44,260 --> 00:41:45,690
HUH?
989
00:41:45,720 --> 00:41:48,420
AND I SET MY NIECE UP
WITH THIS GUY.
990
00:41:48,460 --> 00:41:50,560
HOW CRAZY AM I?
991
00:41:50,590 --> 00:41:52,890
YOU OKAY WITH THE FIVES?
992
00:41:52,920 --> 00:41:54,220
GOT IT.
993
00:41:59,990 --> 00:42:02,490
THE THING THAT REALLY PISSES
ME OFF ABOUT ANDY ‐‐
994
00:42:02,520 --> 00:42:03,590
WHOA.
995
00:42:03,620 --> 00:42:06,120
WRONG GUY, EDDIE.
YOU GOT THE WRONG GUY.
996
00:42:06,160 --> 00:42:07,860
I DON’T WANNA HEAR ABOUT IT.
997
00:42:19,120 --> 00:42:21,360
THIS IS HOW WE ROLL
998
00:42:21,390 --> 00:42:23,390
WITH SPORTSCENTER
WITH DAN PATRICK...
999
00:42:24,720 --> 00:42:26,860
HI, POP.
1000
00:42:26,890 --> 00:42:28,290
I DON’T KNOW IF YOU HEARD
1001
00:42:28,320 --> 00:42:29,920
ABOUT THE CORRECTIONS
OFFICER AT RIKERS,
1002
00:42:29,960 --> 00:42:31,560
BUT WE CAUGHT IT.
1003
00:42:34,990 --> 00:42:36,820
WHAT’S ‐‐ WHAT’S GOING ON?
1004
00:42:36,860 --> 00:42:38,620
WHAT’S WITH THE BAGS?
1005
00:42:38,660 --> 00:42:41,720
YOU’RE SUCH A GREAT
DETECTIVE ALREADY,
1006
00:42:41,760 --> 00:42:44,020
I’M SURE YOU CAN
FIGURE IT OUT.
1007
00:42:44,060 --> 00:42:45,660
ARE YOU KIDDING ME?
1008
00:42:45,690 --> 00:42:47,190
IT’S TIME YOU LEFT.
1009
00:42:47,220 --> 00:42:50,520
YOU KNOW, I’VE SEEN YOU
OVERREACT TO THINGS BEFORE,
1010
00:42:50,560 --> 00:42:51,990
BUT...
1011
00:42:52,020 --> 00:42:54,060
YOU DON’T WANNA
TALK THIS OUT?
1012
00:42:54,090 --> 00:42:55,620
YOU STAYING AT THE 15th?
1013
00:42:55,660 --> 00:42:56,820
YEAH.
1014
00:42:56,860 --> 00:42:58,560
THEN THERE’S NOTHING
TO TALK ABOUT.
1015
00:42:58,590 --> 00:43:01,020
YOU DON’T THINK THAT THIS
IS TAKING IT TOO FAR?
1016
00:43:01,060 --> 00:43:02,990
WHO TOOK IT TOO FAR,
JOHN? I DID?!
1017
00:43:03,020 --> 00:43:05,360
YOU DISRESPECT ME
IN FRONT OF OTHER COPS.
1018
00:43:05,390 --> 00:43:07,460
YOU CHOOSE TO WORK
WITH THAT BUM SIPOWICZ
1019
00:43:07,490 --> 00:43:08,660
AGAINST MY ADVICE.
1020
00:43:08,690 --> 00:43:11,290
[ SIGHS ]
1021
00:43:11,320 --> 00:43:12,790
YOU WANNA LIVE
YOUR OWN LIFE,
1022
00:43:12,820 --> 00:43:13,890
YOU GO LIVE IT.
1023
00:43:13,920 --> 00:43:15,890
YOU GO MAKE
YOUR OWN MISTAKES.
1024
00:43:15,920 --> 00:43:20,260
I JUST HOPE THEY DON’T
COST YOU YOUR JOB...OR WORSE.
1025
00:43:20,290 --> 00:43:22,490
IF I FORGOT ANYTHING,
YOU LEAVE A MESSAGE,
1026
00:43:22,520 --> 00:43:24,820
I’LL SEE IT’S DROPPED OFF
AT YOUR SQUAD.
1027
00:43:24,860 --> 00:43:26,560
[ WATER RUNNING ]
1028
00:43:45,120 --> 00:43:46,320
[ DOOR CLOSES ]
1029
00:43:59,020 --> 00:44:01,090
♪ ♪
1030
00:44:24,060 --> 00:44:26,090
♪ ♪
75135
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