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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,640 --> 00:00:02,870 Andy: PREVIOUSLY ON "NYPD BLUE"... 2 00:00:02,900 --> 00:00:05,770 YOU’VE ALL MET JOHN CLARK. HE’S BEEN ASSIGNED TO OUR SQUAD. 3 00:00:05,800 --> 00:00:08,070 I’M SURE YOU’LL MAKE HIM FEEL AT HOME. 4 00:00:08,100 --> 00:00:09,040 WELCOME ABOARD. 5 00:00:09,070 --> 00:00:10,140 THANKS. 6 00:00:10,170 --> 00:00:11,540 Clark: I KNOW IT’S A TOUGH DAY. 7 00:00:11,570 --> 00:00:13,440 ANDY. 8 00:00:13,470 --> 00:00:14,700 SORRY ABOUT MISSING THE FUNERAL. 9 00:00:14,740 --> 00:00:15,870 HOW’D IT GO? 10 00:00:15,900 --> 00:00:17,170 HOW’D IT GO? THEY BURIED HIM. 11 00:00:17,200 --> 00:00:18,140 Eddie: YOU CLARK? 12 00:00:18,170 --> 00:00:19,370 EDDIE GIBSON. 13 00:00:19,400 --> 00:00:21,140 I READ ABOUT YOU IN THE PAPER. 14 00:00:21,170 --> 00:00:23,200 WHO YOU WORKING WITH? 15 00:00:23,240 --> 00:00:25,170 CONNIE McDOWELL AND ANDY. IS THAT SO? 16 00:00:25,200 --> 00:00:27,070 YEAH, I FIGURE WORK WITH YOUR KID, 17 00:00:27,100 --> 00:00:28,970 MAYBE YOU AND ME GET TO HANG OUT. 18 00:00:29,000 --> 00:00:30,400 WHAT’D YOU GET? 19 00:00:30,440 --> 00:00:32,340 IT’S A POSSIBLE BREAK‐IN, 20 00:00:32,370 --> 00:00:34,000 BUT THE HUSBAND’S ALIBI DOESN’T CHECK. 21 00:00:34,040 --> 00:00:35,370 TELL ME ABOUT THE HUSBAND. 22 00:00:35,400 --> 00:00:38,670 YOU FIGURE YOU WERE GONNA CLEAR THIS CASE ON YOUR OWN?! 23 00:00:38,700 --> 00:00:40,100 WHAT ARE YOU TALKING ABOUT?! 24 00:00:40,140 --> 00:00:42,870 GILMORE AT T. A. R. U. SAYS DETECTIVE CLARK 25 00:00:42,900 --> 00:00:46,100 CALLED TELEPHONE SECURITY ON OUR PHONE DUMP! 26 00:00:46,140 --> 00:00:48,140 I NEVER CALLED ANYONE! 27 00:00:48,170 --> 00:00:50,600 OH, MAN. 28 00:00:50,640 --> 00:00:51,800 BOSS, THIS IS ON ME. 29 00:00:51,840 --> 00:00:54,500 MY DAD ASKED ME ABOUT THE CASE, AND I TOLD HIM. 30 00:00:54,540 --> 00:00:57,100 BUT NOT IN A MILLION YEARS DID I THINK HE WOULD ‐‐ 31 00:00:57,140 --> 00:00:58,570 IT WAS ME WHO SCREWED UP. 32 00:00:58,600 --> 00:01:00,670 I WON’T HAVE THIS IN MY SQUAD. 33 00:01:00,700 --> 00:01:02,300 WHAT’S THE PROBLEM? YOU’RE NOT A DRUNK. 34 00:01:02,340 --> 00:01:03,840 I WON’T LET HIM TURN YOU INTO ONE. 35 00:01:03,870 --> 00:01:04,800 GET OUT OF HERE, CLARK. 36 00:01:04,840 --> 00:01:06,400 SHUT YOUR MOUTH. 37 00:01:06,440 --> 00:01:08,940 IF YOUR KID WANTS TO FOLLOW, HE WILL, BUT YOU LEAVE NOW. 38 00:01:08,970 --> 00:01:10,100 SHUT UP, YOU MISERABLE DRUNK. 39 00:01:10,140 --> 00:01:11,240 YOU GOTTA GO NOW. 40 00:01:11,270 --> 00:01:12,540 GET AWAY FROM ME, JOHN. 41 00:01:12,570 --> 00:01:16,240 DAD, JUST GO. WE’LL TALK AT HOME. 42 00:01:35,700 --> 00:01:36,870 JOHNNY ON THE SPOT. 43 00:01:36,900 --> 00:01:39,640 YEAH, I WAS UP ANYWAY. GOT SOME COFFEES OVER THERE. 44 00:01:39,670 --> 00:01:44,000 EMPLOYEE OF THE MONTH ‐‐ YOU GOT MY VOTE. 45 00:01:44,040 --> 00:01:45,070 SHE A PROS? 46 00:01:45,100 --> 00:01:46,270 IT LOOKS LIKE IT. 47 00:01:46,300 --> 00:01:48,170 HISPANIC, THREE SHOTS TO THE HEAD, SMALL CALIBER. 48 00:01:48,200 --> 00:01:49,640 ANY I. D.? 49 00:01:49,670 --> 00:01:51,440 JUST A NECKLACE AND A LEATHER JACKET. 50 00:01:51,470 --> 00:01:53,300 CRIME SCENE SHOULD BE HERE IN AN HOUR. 51 00:01:53,340 --> 00:01:55,200 HASN’T BEEN HERE TOO LONG. 52 00:01:55,240 --> 00:01:56,840 NO MORE THAN A DAY. 53 00:01:56,870 --> 00:01:59,470 NOTHING TO CANVASS, I GUESS. 54 00:01:59,500 --> 00:02:01,540 STILL, YOU AND BALDWIN TAKE A WALK AROUND. 55 00:02:01,570 --> 00:02:03,840 SEE IF THERE’S A PARK BUILDING OR CONSTRUCTION WORKERS. 56 00:02:03,870 --> 00:02:06,640 ALL RIGHT. 57 00:02:06,670 --> 00:02:08,670 SHE’S GOT A UNICORN TATTOO ON HER BACK, 58 00:02:08,700 --> 00:02:10,900 SO I’VE GOT VICE RUNNING IT THROUGH THEIR DATABASE. 59 00:02:10,940 --> 00:02:13,000 THIS SITUATION WITH YOUR OLD MAN ‐‐ 60 00:02:13,040 --> 00:02:14,500 I GOT IT TAKEN CARE OF. 61 00:02:14,540 --> 00:02:16,570 SO HE’S NOT GONNA BE COMING AROUND THE SQUAD ANYMORE, 62 00:02:16,600 --> 00:02:18,400 LET ALONE INTERFERING WITH CASES. 63 00:02:18,440 --> 00:02:20,400 HEY, I WORKED WITH YOUR OLD MAN, HUH? 64 00:02:20,440 --> 00:02:22,600 HE’S NOT THE TYPE TO WALK AWAY FROM THINGS. 65 00:02:22,640 --> 00:02:25,500 HE’S WALKING AWAY FROM THIS ’CAUSE WE HASHED IT OUT, 66 00:02:25,540 --> 00:02:28,100 AND YESTERDAY ‐‐ IT’S NOT GONNA HAPPEN AGAIN. 67 00:02:28,140 --> 00:02:29,300 COME HERE. 68 00:02:39,200 --> 00:02:41,540 INSTEAD OF EVERYBODY GETTING ALL AGGRAVATED, 69 00:02:41,570 --> 00:02:44,340 WHY DON’T YOU GO WORK WITH YOUR DAD UP IN THE BRONX? 70 00:02:44,370 --> 00:02:46,000 THEY GOT CRIMES UP THERE, TOO. 71 00:02:46,040 --> 00:02:49,900 ’CAUSE THIS IS WHERE I WANT TO WORK, AND I’M READY. 72 00:02:49,940 --> 00:02:53,140 IF YOU DON’T WANT TO PARTNER UP WITH ME BECAUSE OF MY DAD 73 00:02:53,170 --> 00:02:54,800 OR SOME OTHER REASON 74 00:02:54,840 --> 00:02:57,870 THAT DON’T HAVE ANYTHING TO DO WITH WHAT KIND OF COP I AM, 75 00:02:57,900 --> 00:02:59,370 THEN JUST MAKE THE CALL, ALL RIGHT? 76 00:02:59,400 --> 00:03:00,540 JUST GET IT OVER WITH. 77 00:03:00,570 --> 00:03:03,570 TALK TO ANYBODY IN ANY COMMAND I WORKED FOR. 78 00:03:03,600 --> 00:03:06,900 ASK THEM HOW I DO MY JOB. LOOK AT MY ARREST RECORD. 79 00:03:06,940 --> 00:03:09,900 I BUILT UP SOLID INFORMANTS IN THIS PRECINCT. 80 00:03:09,940 --> 00:03:11,270 AND I NEVER BEEN 81 00:03:11,300 --> 00:03:13,170 IN FRONT OF THE CIVILIAN COMPLAINT REVIEW BOARD. 82 00:03:13,200 --> 00:03:15,270 YOU NEVER PUT YOUR HANDS ON A GUY? 83 00:03:15,300 --> 00:03:17,940 NO, NOBODY WHO DIDN’T KNOW THEY DESERVED IT. 84 00:03:17,970 --> 00:03:22,770 I’LL HAVE YOUR BACK ON THE STREETS, YOU KNOW THAT. 85 00:03:22,800 --> 00:03:24,600 I DON’T COME DRAGGING INTO WORK. 86 00:03:24,640 --> 00:03:27,270 IF YOU DON’T TYPE GOOD, I’LL TAKE CARE OF THE FIVES. 87 00:03:27,300 --> 00:03:30,570 I SHOW UP EVERY DAY, 88 00:03:30,600 --> 00:03:33,300 AND I WANT TO LEARN HOW YOU DO IT. 89 00:03:37,800 --> 00:03:39,540 SO WHAT DO YOU WANT TO DO? 90 00:03:46,200 --> 00:03:47,740 ALL RIGHT. 91 00:05:02,540 --> 00:05:03,600 ALL RIGHT. 92 00:05:03,640 --> 00:05:05,470 GOT IT. THANKS. 93 00:05:06,800 --> 00:05:08,000 HOW YOU DOING, EDDIE? 94 00:05:08,040 --> 00:05:09,070 FINE, LIEUTENANT. 95 00:05:09,100 --> 00:05:10,700 PRIMED AND READY TO GET BACK ON THE CHART. 96 00:05:10,740 --> 00:05:13,800 I WAS JUST ON THE PHONE WITH CAPTAIN O’LEARY. 97 00:05:13,840 --> 00:05:15,940 ME AND TIMMY GO WAY BACK. WE WERE COPS TOGETHER. 98 00:05:15,970 --> 00:05:17,400 THAT’S WHAT HE SAID. 99 00:05:17,440 --> 00:05:20,370 ME AND HIM BEEN IN THE EMERALD SOCIETY SINCE WE GOT ON THE JOB. 100 00:05:20,400 --> 00:05:21,470 GREAT GUY, GREAT CAPTAIN. 101 00:05:21,500 --> 00:05:23,200 YOU’RE ASSIGNED TO MY SQUAD NOW. 102 00:05:23,240 --> 00:05:25,340 YES, I AM, AND I’M ABSOLUTELY READY 103 00:05:25,370 --> 00:05:27,940 TO BRING MY 28 YEARS EXPERIENCE ALONG WITH ME. 104 00:05:27,970 --> 00:05:31,270 I LOOK FORWARD TO WORKING WITH YOU. I’VE HEARD NOTHING BUT... 105 00:05:31,300 --> 00:05:33,240 HAVEN’T HEARD ONE BAD THING ABOUT YOU. 106 00:05:33,270 --> 00:05:36,040 IF I DON’T KNOW THIS JOB BY NOW, AFTER 28 YEARS, 107 00:05:36,070 --> 00:05:38,000 I’LL NEVER KNOW IT, AM I RIGHT? 108 00:05:38,040 --> 00:05:39,170 I HEAR YOU. 109 00:05:39,200 --> 00:05:40,570 SO, WHY THE CHANGE? 110 00:05:40,600 --> 00:05:43,200 YOU WERE ON NIGHT WATCH THE LAST 10 YEARS, RIGHT? 111 00:05:43,240 --> 00:05:44,800 ACTUALLY, 12, AND I ENJOYED MY TIME THERE 112 00:05:44,840 --> 00:05:46,900 ’CAUSE IT GAVE ME MORE TIME WITH MY FAMILY, 113 00:05:46,940 --> 00:05:50,940 AND NEW YORK CITY AT NIGHT ‐‐ NO NEED FOR EXPLANATION THERE. SURE, SURE. 114 00:05:50,970 --> 00:05:52,570 BUT I’M THIRD GRADE STILL, 115 00:05:52,600 --> 00:05:55,170 AND WE BOTH KNOW YOU DON’T GET A GRADE BUMP WORKING NIGHT WATCH. 116 00:05:55,200 --> 00:05:57,370 SO, I PUT IN THE WORK LIKE EVERYBODY ELSE. 117 00:05:57,400 --> 00:05:59,440 WHY SHOULDN’T I REAP MAXIMUM BENEFITS? 118 00:05:59,470 --> 00:06:01,600 I GOTTA BUILD UP MY PENSION, RIGHT? 119 00:06:01,640 --> 00:06:05,200 WELL, THAT’S AS GOOD A REASON AS ANY, I GUESS. 120 00:06:06,240 --> 00:06:07,500 WELL, WE GOT A DOA. 121 00:06:07,540 --> 00:06:09,940 RIGHT OUT OF THE GATES. LET’S DO IT. 122 00:06:09,970 --> 00:06:11,300 I’LL PUT YOU WITH McDOWELL. 123 00:06:11,340 --> 00:06:12,500 THE BLONDE? YEAH. 124 00:06:12,540 --> 00:06:13,500 LEAD THE WAY. 125 00:06:13,540 --> 00:06:14,770 OKAY, THANKS. 126 00:06:17,600 --> 00:06:19,770 THEY JUST I. D.’d THE PRINTS ON THAT DUMP JOB. 127 00:06:19,800 --> 00:06:22,440 COMES BACK TO A CORRECTION OFFICER AT RIKERS ‐‐ 128 00:06:22,470 --> 00:06:23,370 LINDA VELEZ. 129 00:06:23,400 --> 00:06:25,170 ANDY SAID IT LOOKED LIKE A DEAD PROS. 130 00:06:25,200 --> 00:06:26,740 APPARENTLY NOT. 131 00:06:26,770 --> 00:06:27,740 WHERE ARE THEY? 132 00:06:27,770 --> 00:06:28,970 ON THEIR WAY BACK. 133 00:06:29,000 --> 00:06:32,770 HAVE THEM RESPOND TO RIKERS AND INTERVIEW HER CO‐WORKERS. 134 00:06:32,800 --> 00:06:34,000 WE GOT ANOTHER DOA. OKAY. 135 00:06:34,040 --> 00:06:35,370 YOU KNOW EDDIE GIBSON. 136 00:06:35,400 --> 00:06:36,940 SURE, FROM NIGHT WATCH. 137 00:06:36,970 --> 00:06:38,600 FORMERLY. 138 00:06:38,640 --> 00:06:41,970 EDDIE’S BEEN ASSIGNED HERE NOW. 139 00:06:42,000 --> 00:06:43,240 GREAT. 140 00:06:43,270 --> 00:06:45,340 YOU TWO TAKE IT. I GOTTA NOTIFY THE BOROUGH. 141 00:06:45,370 --> 00:06:46,800 EDDIE. LIEUTENANT. 142 00:06:46,840 --> 00:06:49,400 IF IT’S ALL THE SAME WITH YOU, I SPENT FIVE YEARS IN HIGHWAY, 143 00:06:49,440 --> 00:06:51,300 SO I KNOW MY WAY AROUND A STEERING WHEEL. 144 00:06:51,340 --> 00:06:53,840 YOU CAN DRIVE IF YOU WANT. 145 00:06:53,870 --> 00:06:55,270 HERE WE GO. 146 00:07:06,870 --> 00:07:08,100 HERE’S HIS FILE ‐‐ 147 00:07:08,140 --> 00:07:10,900 DARIO JENKINS. 148 00:07:10,940 --> 00:07:12,700 WHAT WAS HIS BEEF WITH LINDA? 149 00:07:12,740 --> 00:07:15,040 LINDA FOUND A JOINT IN HIS BUNK. 150 00:07:15,070 --> 00:07:17,770 BUT APPARENTLY DARIO FELT SHE DISSED HIM IN FRONT OF HIS CREW. 151 00:07:17,800 --> 00:07:20,070 I DON’T KNOW, I NEVER GOT THE WHOLE STORY, 152 00:07:20,100 --> 00:07:23,140 BUT IT ESCALATED, HE ASSAULTED HER, SAID HE WAS GONNA KILL HER. 153 00:07:23,170 --> 00:07:24,900 THAT GOT HIM AN EXTRA SIX MONTHS. 154 00:07:24,940 --> 00:07:26,500 RIGHT AWAY I TOOK HER OFF THE TIERS 155 00:07:26,540 --> 00:07:28,170 AND PUT HER IN ADMINISTRATION. 156 00:07:28,200 --> 00:07:30,740 AND HE WAS RELEASED A MONTH AGO? YEAH. 157 00:07:30,770 --> 00:07:33,470 HE’S THE ONLY PRISONER I CAN THINK OF WHO’D DO SOMETHING. 158 00:07:33,500 --> 00:07:36,370 I SENT HER HOME WITH A POLICE RADIO SINCE HE GOT OUT. 159 00:07:36,400 --> 00:07:38,070 HOW WAS LINDA OTHERWISE? 160 00:07:38,100 --> 00:07:41,200 SHE WAS A COMPETENT OFFICER. 161 00:07:41,240 --> 00:07:42,800 HOW ABOUT PERSONALLY? 162 00:07:42,840 --> 00:07:46,640 I DON’T KNOW HOW MUCH I CAN REALLY GIVE YOU ON THAT. 163 00:07:46,670 --> 00:07:48,170 WELL, GIVE IT A SHOT. 164 00:07:48,200 --> 00:07:51,570 LINDA WAS A LITTLE...ODD. 165 00:07:51,600 --> 00:07:54,800 A LITTLE ODD? WHAT ARE WE SUPPOSED TO DO WITH THAT? 166 00:07:54,840 --> 00:07:56,970 THERE WAS NO BEHAVIOR THAT WARRANTED MY INTERVENTION 167 00:07:57,000 --> 00:07:59,340 OR ANYTHING THAT INTERFERED WITH HER JOB. 168 00:07:59,370 --> 00:08:00,900 WE’RE INVESTIGATING HER MURDER. 169 00:08:00,940 --> 00:08:02,100 I’M AWARE OF THAT. 170 00:08:02,140 --> 00:08:04,240 SO DON’T FILTER INFORMATION THROUGH YOUR JOB. 171 00:08:04,270 --> 00:08:05,700 LET’S CONCENTRATE ON OURS RIGHT NOW. 172 00:08:05,740 --> 00:08:08,540 THE ONLY THING I KNOW THAT MAY HAVE TO DO WITH WHO KILLED HER 173 00:08:08,570 --> 00:08:09,440 IS DARIO JENKINS. 174 00:08:09,470 --> 00:08:11,440 SO, BASICALLY, YOU’RE COVERING YOUR ASS 175 00:08:11,470 --> 00:08:13,570 IN THE EVENT OF ANY CIVIL LITIGATION. 176 00:08:13,600 --> 00:08:16,670 I’M NOT SAYING I DON’T HAVE A RESPONSIBILITY TO MY DEPARTMENT. 177 00:08:16,700 --> 00:08:18,100 THANKS. 178 00:08:18,140 --> 00:08:21,570 I HOPE YOU GUYS ARE GONNA DO THE RIGHT THING AND TREAT THIS 179 00:08:21,600 --> 00:08:24,270 LIKE A LAW‐ENFORCEMENT OFFICER BEING KILLED, WHICH SHE WAS. 180 00:08:24,300 --> 00:08:26,240 Baldwin: WELL, AS LUCK WOULD HAVE IT, 181 00:08:26,270 --> 00:08:28,640 OUR RESPONSIBILITY TO OUR DEPARTMENT 182 00:08:28,670 --> 00:08:31,300 IS TO TRY TO SOLVE EVERY CASE WE CATCH. 183 00:08:31,340 --> 00:08:32,570 THANKS FOR YOUR HELP. 184 00:08:35,670 --> 00:08:37,700 NO HURRY. 185 00:08:37,740 --> 00:08:39,070 JUST A MURDERED COLLEAGUE. 186 00:08:39,100 --> 00:08:41,240 [ SIGHS ] 187 00:08:42,500 --> 00:08:45,040 SO YOU WORKED IT OUT WITH YOUR OLD MAN 188 00:08:45,070 --> 00:08:46,770 IS WHAT YOU’RE TELLING ME. 189 00:08:46,800 --> 00:08:48,770 YEAH. YEAH, WE WORKED IT OUT. 190 00:08:48,800 --> 00:08:50,240 ’CAUSE NO MATTER WHAT, 191 00:08:50,270 --> 00:08:52,200 YOU’RE ALWAYS GONNA HAVE HIM AS A DAD, RIGHT, 192 00:08:52,240 --> 00:08:55,570 AND YOU MAY NOT ALWAYS BE A DETECTIVE. 193 00:08:55,600 --> 00:08:56,570 THAT’S TRUE. 194 00:08:59,000 --> 00:09:00,300 [ SIGHS ] 195 00:09:03,640 --> 00:09:05,900 WANNA REALLY PISS THESE PEOPLE OFF? 196 00:09:05,940 --> 00:09:07,770 CALL ’EM GUARDS. THEY’LL GIVE YOU ‐‐ 197 00:09:07,800 --> 00:09:10,840 GOD’S UP IN HEAVEN. WE’RE OFFICERS HERE. 198 00:09:10,870 --> 00:09:14,100 YEAH. EXACTLY. 199 00:09:18,240 --> 00:09:20,070 DETECTIVES SIPOWICZ, CLARK. 200 00:09:20,100 --> 00:09:21,170 OFFICER CAMPOS. 201 00:09:21,200 --> 00:09:22,840 WE’RE SORRY ABOUT YOUR FRIEND. 202 00:09:22,870 --> 00:09:24,170 YEAH, I AM, TOO. 203 00:09:24,200 --> 00:09:25,540 YOU KNOW HER LONG? 204 00:09:25,570 --> 00:09:28,400 ABOUT A YEAR ‐‐ EVER SINCE SHE’S WORKED HERE. 205 00:09:28,440 --> 00:09:30,370 YOU FRIENDS OUTSIDE OF WORK? 206 00:09:30,400 --> 00:09:32,500 NOT TOO MUCH, BUT WE WERE TIGHT, YOU KNOW? 207 00:09:32,540 --> 00:09:34,770 THERE’S ONLY A COUPLE OF FEMALE OFFICERS. 208 00:09:34,800 --> 00:09:36,500 YOU WORKED A SHIFT WITH LINDA YESTERDAY? YEAH. 209 00:09:36,540 --> 00:09:39,000 SHE SAY WHAT HER PLANS WERE LAST NIGHT? 210 00:09:39,040 --> 00:09:40,370 IT WAS HER BIRTHDAY. 211 00:09:40,400 --> 00:09:42,500 I DIDN’T EVEN KNOW UNTIL SHE TOLD ME. 212 00:09:42,540 --> 00:09:45,100 SHE WAS GOING OVER TO SOME GUY JAVIER’S PLACE ‐‐ 213 00:09:45,140 --> 00:09:46,240 JAVIER LOPEZ. 214 00:09:46,270 --> 00:09:47,870 JAVIER HER BOYFRIEND? 215 00:09:47,900 --> 00:09:49,000 SHE THOUGHT SO. 216 00:09:49,040 --> 00:09:51,070 SOUNDED LIKE HE WAS PLAYING HER. 217 00:09:51,100 --> 00:09:52,140 THEY FIGHT A LOT? 218 00:09:52,170 --> 00:09:53,640 FROM WHAT SHE SAID, YEAH ‐‐ 219 00:09:53,670 --> 00:09:55,740 MOSTLY ABOUT HER WANTING TO BE SERIOUS 220 00:09:55,770 --> 00:09:58,570 AND HIM JUST WANTING SEX, BUT WOULD HE HAVE KILLED HER? 221 00:09:58,600 --> 00:09:59,640 I DON’T KNOW. 222 00:09:59,670 --> 00:10:01,540 THERE ARE A LOT OF GUYS IN HERE FOR MURDER 223 00:10:01,570 --> 00:10:03,300 THAT I WOULD’VE NEVER THOUGHT COULD DO IT. 224 00:10:03,340 --> 00:10:04,770 SHE SEEING ANY OTHER GUYS? 225 00:10:04,800 --> 00:10:07,900 SHE HOOKED UP HERE AND THERE, I GUESS, BUT I DON’T KNOW WHO. 226 00:10:07,940 --> 00:10:09,440 SHE HAVE A SECOND JOB? 227 00:10:09,470 --> 00:10:12,100 SHE VOLUNTEERED AT SOME ANIMAL RESCUE. 228 00:10:12,140 --> 00:10:14,600 SHE WOULD ALWAYS DO WEIRD STUFF LIKE THAT. 229 00:10:14,640 --> 00:10:17,100 LIKE WHAT ELSE, OTHER THAN SAVING ANIMALS? 230 00:10:17,140 --> 00:10:18,770 LIKE SHE’D ALWAYS BE ON SOME CRAZY DIET, 231 00:10:18,800 --> 00:10:21,140 AND SHE’D DO IT FULL ON AND THEN JUST STOP COLD, 232 00:10:21,170 --> 00:10:23,200 AND THEN, A COUPLE WEEKS LATER, 233 00:10:23,240 --> 00:10:24,970 SHE WANTED TO BE A MASSAGE THERAPIST, 234 00:10:25,000 --> 00:10:26,400 SO SHE STARTED TAKING A COURSE. 235 00:10:26,440 --> 00:10:28,340 BUT THEN SHE REALLY GOT INTO ICE SKATING 236 00:10:28,370 --> 00:10:30,200 AND TOOK SOME LESSONS FOR A WHILE, 237 00:10:30,240 --> 00:10:32,800 AND THEN SHE WAS INTO RELIGION FOR A HOT MINUTE. 238 00:10:32,840 --> 00:10:34,240 SHE WAS A TRIP, 239 00:10:34,270 --> 00:10:37,440 BUT SHE WAS A GOOD PERSON, AND SHE DID HER JOB, 240 00:10:37,470 --> 00:10:40,500 AND SHE SURE AS HELL DIDN’T DESERVE THIS. 241 00:10:50,300 --> 00:10:51,840 WHAT DO YOU GOT? 242 00:10:51,870 --> 00:10:53,440 BLUNT OBJECT AND STRANGLED. 243 00:10:53,470 --> 00:10:54,270 I.D.? 244 00:10:54,300 --> 00:10:55,840 SANDY WESSNER. 245 00:10:55,870 --> 00:10:57,670 ANYBODY ELSE LIVE HERE? 246 00:10:57,700 --> 00:10:59,300 KID’S ROOM. NO KID, THOUGH. 247 00:10:59,340 --> 00:11:00,370 WHO CALLED IT IN? 248 00:11:00,400 --> 00:11:02,040 NEIGHBOR LADY DOWN THE HALL. 249 00:11:02,070 --> 00:11:03,340 SHE’S IN HER APARTMENT. 250 00:11:03,370 --> 00:11:04,600 I’LL GET THAT. 251 00:11:04,640 --> 00:11:05,640 OKAY. 252 00:11:09,940 --> 00:11:11,100 WHICH APARTMENT? 253 00:11:11,140 --> 00:11:12,200 Officer: I’LL SHOW YOU. 254 00:11:22,900 --> 00:11:24,300 Gibson: PAM DePARTO. 255 00:11:24,340 --> 00:11:26,070 PAM HERE USED TO CHECK IN ON THE DOA PRETTY REGULAR ‐‐ 256 00:11:26,100 --> 00:11:27,540 HAS A KEY. 257 00:11:27,570 --> 00:11:28,600 SANDY HAS M. S. ‐‐ 258 00:11:28,640 --> 00:11:31,400 GETTING A LOT BETTER, BUT I STILL CHECK IN ON HER. 259 00:11:31,440 --> 00:11:33,540 WHEN DID YOU SEE HER LAST? 260 00:11:33,570 --> 00:11:36,500 LAST NIGHT. SHE DUCKED HER HEAD IN. 261 00:11:36,540 --> 00:11:39,200 UH, SHE SEE ANYBODY COME OR GO? 262 00:11:39,240 --> 00:11:41,570 YOU SEE ANYBODY COME OR GO? 263 00:11:41,600 --> 00:11:42,600 NO. 264 00:11:42,640 --> 00:11:44,000 MY GOD. 265 00:11:44,040 --> 00:11:45,770 IT’S STARTING TO HIT ME NOW. 266 00:11:45,800 --> 00:11:48,000 DID SANDY HAVE CHILDREN? 267 00:11:48,040 --> 00:11:51,100 A DAUGHTER ‐‐ JANIE. 268 00:11:51,140 --> 00:11:52,170 JANIE AT SCHOOL? 269 00:11:52,200 --> 00:11:53,600 YEAH, I GUESS SO. 270 00:11:53,640 --> 00:11:56,970 SHE STAYS MOSTLY WITH SANDY’S MOTHER ’CAUSE OF THE M. S. 271 00:11:57,000 --> 00:11:58,740 ANY MEN IN HER LIFE? 272 00:11:58,770 --> 00:12:02,140 HER EX‐HUSBAND ROY... 273 00:12:02,170 --> 00:12:04,670 BUT THEY BEEN SEPARATED NOW OVER A YEAR. 274 00:12:04,700 --> 00:12:05,700 HE STILL COME AROUND? 275 00:12:05,740 --> 00:12:07,600 NOT MUCH. IT’S BEEN BETTER FOR SANDY. 276 00:12:07,640 --> 00:12:09,770 BECAUSE...? WELL, THEY FOUGHT A LOT. 277 00:12:09,800 --> 00:12:11,370 THEY BOTH DRANK A LOT, AND... 278 00:12:12,670 --> 00:12:14,240 BUT I’M NOT SAYING ‐‐ 279 00:12:14,270 --> 00:12:16,800 NO. NO, NO. WE’RE JUST ASKING. 280 00:12:16,840 --> 00:12:18,100 A ROY WESSNER? 281 00:12:18,140 --> 00:12:20,800 YEAH. LOOK, I‐I GOTTA GO. 282 00:12:20,840 --> 00:12:22,200 THANK YOU, MISS DePARTO. 283 00:12:23,240 --> 00:12:24,970 LET’S GO FIND THIS EX‐HUSBAND. 284 00:12:25,000 --> 00:12:28,540 UH, I’M THINKING MAYBE WE SHOULD DO A QUICK CANVASS FIRST, 285 00:12:28,570 --> 00:12:30,370 SEE IF ANYBODY SAW ANYTHING LAST NIGHT. 286 00:12:30,400 --> 00:12:31,700 WE CAN DO THAT, SURE. 287 00:12:31,740 --> 00:12:32,770 GREAT. 288 00:12:32,800 --> 00:12:34,400 COME HERE. 289 00:12:34,440 --> 00:12:37,670 LOOK, I KNOW THERE’S A LOT OF GUYS ON THIS JOB 290 00:12:37,700 --> 00:12:39,500 DON’T LIKE PARTNERING UP WITH WOMEN. 291 00:12:39,540 --> 00:12:41,800 BUT I WORKED WITH SOME DYNAMITE BROADS THROUGH THE YEARS, 292 00:12:41,840 --> 00:12:44,200 SO DON’T YOU EVEN THINK TWICE ABOUT WHERE I’M COMING FROM. 293 00:12:44,240 --> 00:12:46,900 I WON’T EVEN THINK TWICE. 294 00:12:46,940 --> 00:12:49,870 IF ANY PHYSICAL STUFF COMES IN, DON’T WORRY, I’LL HANDLE IT. 295 00:12:49,900 --> 00:12:51,370 OH... 296 00:12:51,400 --> 00:12:52,570 WOW. 297 00:12:52,600 --> 00:12:54,840 [ CHUCKLES ] 298 00:12:54,870 --> 00:12:57,470 I DON’T KNOW WHAT TO SAY. 299 00:12:57,500 --> 00:12:58,870 UH...THANKS. 300 00:12:58,900 --> 00:13:01,400 A GOOD FRIEND OF MINE OWNS THIS IRISH PUB 301 00:13:01,440 --> 00:13:04,400 ON THE LOWER EAST SIDE ‐‐ A LOT OF TROUBLE IN THE JOINT, 302 00:13:04,440 --> 00:13:06,470 SO HE LIKES HAVING COPS AROUND ‐‐ 303 00:13:06,500 --> 00:13:09,640 WE CAN GET LUNCH ON THE ARM OVER THERE TODAY NO PROBLEM. 304 00:13:09,670 --> 00:13:11,100 GREAT CORNED BEEF. 305 00:13:23,570 --> 00:13:24,870 IN HERE. 306 00:13:24,900 --> 00:13:28,000 SIT DOWN, JAVIER. 307 00:13:33,670 --> 00:13:35,470 LINDA VELEZ ‐‐ YOU KNOW HER? 308 00:13:35,500 --> 00:13:36,430 YEAH. 309 00:13:36,470 --> 00:13:38,510 WHEN’S THE LAST TIME YOU SAW HER? 310 00:13:38,530 --> 00:13:40,660 LAST NIGHT SHE CAME BY MY APARTMENT. 311 00:13:40,700 --> 00:13:41,760 WHAT FOR? 312 00:13:41,800 --> 00:13:43,260 TO GET LAID. WHAT’D SHE SAY? 313 00:13:43,300 --> 00:13:45,160 WHAT HAPPENED AT YOUR APARTMENT WITH LINDA? 314 00:13:45,200 --> 00:13:48,130 SHE COMES KNOCKING ON MY DOOR, WON’T GO AWAY, 315 00:13:48,170 --> 00:13:51,170 SINGING MY NAME OUT, SO, FINALLY, I OPEN UP. 316 00:13:51,200 --> 00:13:53,860 SHE’S WEARING THIS LEATHER COAT...AND NOT MUCH ELSE. 317 00:13:53,900 --> 00:13:55,930 GOT A BOTTLE OF CHAMPAGNE IN HER HAND. 318 00:13:55,970 --> 00:13:58,440 I TELL HER, "COME BACK SOME OTHER TIME." 319 00:13:58,470 --> 00:13:59,940 IS THAT HOW YOU LEFT IT? 320 00:13:59,970 --> 00:14:02,010 YEAH, UNTIL SHE COMES WALKING BACK CRYING, 321 00:14:02,030 --> 00:14:04,100 CARRYING ON ABOUT HOW IT’S HER 30th BIRTHDAY 322 00:14:04,130 --> 00:14:06,460 AND HOW SHE WANTS TO SPEND THIS SPECIAL NIGHT WITH ME. 323 00:14:06,500 --> 00:14:09,060 IT AIN’T HAPPENING. THEN SHE LEFT. 324 00:14:09,100 --> 00:14:10,860 SHE SAY WHERE SHE WAS GOING? 325 00:14:10,900 --> 00:14:12,160 NO, AND I DIDN’T ASK. 326 00:14:12,200 --> 00:14:14,000 SHE COME BACK? NO. 327 00:14:14,030 --> 00:14:15,400 WHAT’D YOU DO AFTER SHE LEFT? 328 00:14:15,430 --> 00:14:18,060 I HANDLED MY BUSINESS. I HAD COMPANY. 329 00:14:18,100 --> 00:14:19,200 WHO? 330 00:14:19,230 --> 00:14:21,300 THIS GIRL I PICKED UP AT HAPPY HOUR. 331 00:14:21,330 --> 00:14:23,760 SHE WAS IN MY BEDROOM WHEN LINDA CAME OVER, 332 00:14:23,800 --> 00:14:25,460 AND I DIDN’T WANT LINDA TO COME INSIDE. 333 00:14:25,500 --> 00:14:27,200 I DIDN’T WANT HER TO SEE THAT. 334 00:14:27,230 --> 00:14:28,160 BIG OF YOU. 335 00:14:28,200 --> 00:14:30,660 WHAT WAS HER NAME? GINA, I THINK. 336 00:14:30,700 --> 00:14:32,330 YOU GET HER NUMBER? SHE TOOK MINE. 337 00:14:32,370 --> 00:14:34,670 YOU BETTER HOPE SHE CALLS, JAVIER. 338 00:14:34,700 --> 00:14:35,860 WHAT’S GOING ON? 339 00:14:35,900 --> 00:14:38,400 LINDA’S BEEN MURDERED. 340 00:14:41,400 --> 00:14:42,630 NO WAY, MAN. 341 00:14:42,670 --> 00:14:45,940 NO WAY I GOT ANYTHING TO DO WITH SOMETHING LIKE THAT. 342 00:14:45,970 --> 00:14:48,440 [ KNOCK ON DOOR ] 343 00:14:50,930 --> 00:14:52,730 CAN ANYBODY ASIDE FROM YOUR MYSTERY HUMP 344 00:14:52,770 --> 00:14:55,340 VOUCH FOR YOUR WHEREABOUTS LAST NIGHT? 345 00:14:55,370 --> 00:14:56,370 NAH, MAN. 346 00:14:56,400 --> 00:14:58,730 AFTER SHE LEFT, I WAS WATCHING TV. 347 00:14:58,770 --> 00:15:00,940 MAYBE CHECK WITH THE CABLE COMPANY. 348 00:15:00,970 --> 00:15:02,440 MAYBE THEY KEEP RECORDS 349 00:15:02,470 --> 00:15:06,070 OF WHAT YOU’RE WATCHING WHEN YOU’RE WATCHING IT. 350 00:15:06,100 --> 00:15:07,330 THAT’S GOOD, JAVIER. 351 00:15:07,370 --> 00:15:09,340 AND WHILE WE’RE AT IT, WE’LL DOUBLE‐CHECK, 352 00:15:09,370 --> 00:15:12,410 MAKE SURE THE MOON’S NOT MADE OF CHEESE FOR YOU. 353 00:15:15,900 --> 00:15:17,730 DOA’S WATCH WAS BROKEN AT THE SCENE. 354 00:15:17,770 --> 00:15:20,640 LAB VERIFIED THE WATCH WAS WORKING UNTIL THE CRYSTAL BROKE. 355 00:15:20,670 --> 00:15:22,670 SO WHAT WAS THE TIME OF THE ATTACK? 356 00:15:22,700 --> 00:15:24,500 8:45 A. M., LIEU. 357 00:15:24,530 --> 00:15:25,600 YOU LOCATE HER EX? 358 00:15:25,630 --> 00:15:27,630 STILL LOOKING. 359 00:15:27,670 --> 00:15:29,940 BUT THE DOA’S MOM’S ON HER WAY IN. 360 00:15:29,970 --> 00:15:31,470 WE’LL SEE WHAT SHE KNOWS. 361 00:15:31,500 --> 00:15:32,230 SHE HEARD YET? 362 00:15:32,270 --> 00:15:34,210 YEAH, NEIGHBOR BROKE THE NEWS. 363 00:15:34,230 --> 00:15:35,500 WHAT? 364 00:15:35,530 --> 00:15:38,730 THEY FOUND HER CAR. THE GAL FROM RIKERS. 365 00:15:38,770 --> 00:15:39,710 ALL RIGHT, LET’S GO. 366 00:15:39,730 --> 00:15:40,930 THIS IDIOT IN THE POKEY, 367 00:15:40,970 --> 00:15:42,740 GET SOMEBODY FROM ANTICRIME TO SIT ON HIM. 368 00:15:42,770 --> 00:15:44,770 WE LIKE HIM? HE’S A CONTENDER. 369 00:15:44,800 --> 00:15:47,000 THE PRISONER WHO HAD A BEEF WITH OUR DOA, 370 00:15:47,030 --> 00:15:49,230 HE TOOK A COLLAR IN JERSEY TWO WEEKS AGO. 371 00:15:49,270 --> 00:15:50,940 THEY VERIFIED HE’S STILL IN. 372 00:15:50,970 --> 00:15:53,040 ANDY! I’M ASSIGNED HERE NOW! 373 00:15:53,070 --> 00:15:54,070 HOW? 374 00:15:54,100 --> 00:15:56,100 LIEU HERE SAYS YOU BEEN SLACKING. 375 00:15:56,130 --> 00:15:58,330 NEEDED ME TO COME IN AND REMIND YOU HOW IT’S DONE. 376 00:15:58,370 --> 00:15:59,940 I CAN’T DEAL WITH THIS NOW. 377 00:15:59,970 --> 00:16:01,240 GO, GET OUTTA HERE. 378 00:16:01,270 --> 00:16:03,510 WELCOME ABOARD, EDDIE. THANKS, KID. 379 00:16:24,770 --> 00:16:28,210 BLOOD ON THE DRIVER’S SEAT. THIS IS WHERE SHE GOT IT. 380 00:16:28,230 --> 00:16:31,530 "FROM ZERO TO BITCH IN 3.5 SECONDS." 381 00:16:31,570 --> 00:16:34,170 "SAVE THE TREES ‐‐ WIPE YOUR BUTT WITH AN OWL." 382 00:16:34,200 --> 00:16:36,300 WHAT THE HELL ARE YOU TALKING ABOUT? 383 00:16:36,330 --> 00:16:37,530 BUMPER STICKERS. 384 00:16:37,570 --> 00:16:39,040 PATHETIC. 385 00:16:39,070 --> 00:16:41,540 THERE’S A TALL BOY. 386 00:16:41,570 --> 00:16:44,170 CRIME SCENE BEEN NOTIFIED YET? THEY’RE ON THE WAY. 387 00:16:44,200 --> 00:16:45,660 YOU DON’T SEE THAT MANY BUMPER STICKERS ANYMORE. 388 00:16:45,700 --> 00:16:47,100 WHAT ARE THE PICTURES OF? 389 00:16:47,130 --> 00:16:48,130 A CAT. 390 00:16:48,170 --> 00:16:49,570 WHAT, THE WHOLE ROLL? 391 00:16:49,600 --> 00:16:51,230 SAME CAT. 392 00:16:51,270 --> 00:16:54,240 HEY, ANDY, POP THE TRUNK, WILL YOU? YEAH. 393 00:16:55,370 --> 00:16:56,440 [ CLANKING ] 394 00:16:56,470 --> 00:17:00,510 WHAT DO THEY PAY CORRECTION OFFICERS THESE DAYS? 395 00:17:00,530 --> 00:17:03,400 ENOUGH SO YOU DON’T HAVE TO HOARD ALUMINUM CANS. 396 00:17:03,430 --> 00:17:05,300 THAT’S JUST BEING ENVIRONMENTALLY CONSCIOUS. 397 00:17:05,330 --> 00:17:07,030 SOME PEOPLE WOULD APPLAUD THAT. 398 00:17:07,070 --> 00:17:09,040 HERE’S A STORE RECEIPT FROM LAST NIGHT ‐‐ 399 00:17:09,070 --> 00:17:11,310 A COUPLE OF DIGITS, BUT THE NAME’S BLURRED. 400 00:17:11,330 --> 00:17:13,230 THAT’S ENOUGH TO PUT INTO THE COMPUTER, GET THE STORE. 401 00:17:13,270 --> 00:17:15,070 I’LL CALL JOHN, HAVE HIM DO IT. 402 00:17:15,100 --> 00:17:17,430 GET HOMICIDE DOWN HERE TO HELP WITH THE CANVASS. 403 00:17:17,470 --> 00:17:20,270 WHY DON’T YOU CHECK WITH THE SECTOR CAR FROM LAST NIGHT? 404 00:17:20,300 --> 00:17:21,900 SEE IF THEY HAD ANY RADIO RUNS. 405 00:17:21,930 --> 00:17:24,100 YOU HAVE A FEELING THIS CHICK WASN’T PLAYING WITH A FULL DECK? 406 00:17:24,130 --> 00:17:26,260 THAT’S NOT OUR DEPARTMENT. JUST CHECK WITH THE SECTOR CAR. 407 00:17:28,330 --> 00:17:29,230 HEY, GUYS... 408 00:17:39,800 --> 00:17:41,730 YOU THE OWNER? 409 00:17:41,770 --> 00:17:42,940 YEAH. 410 00:17:42,970 --> 00:17:44,410 YOU WORKING HERE LAST NIGHT? 411 00:17:44,430 --> 00:17:46,630 I WORK HERE EVERY NIGHT. I OWN THE PLACE. 412 00:17:46,670 --> 00:17:50,910 YOU REMEMBER A HISPANIC WOMAN, LEATHER COAT? 413 00:17:50,930 --> 00:17:53,500 SHE COME IN HERE TO BUY A TALL BOY ABOUT 11:15. 414 00:17:53,530 --> 00:17:55,660 WHAT DOES SHE LOOK LIKE? 415 00:17:55,700 --> 00:17:56,830 LIKE THIS. 416 00:17:56,870 --> 00:17:59,470 SHE DEAD? 417 00:17:59,500 --> 00:18:02,700 SHE’S TAKING A FACE‐FIRST NAP IN THE MIDDLE OF A VACANT LOT. 418 00:18:02,730 --> 00:18:04,700 I DON’T KNOW NOTHING ABOUT IT. 419 00:18:04,730 --> 00:18:08,000 WELL, THERE’S A RECEIPT IN HER CAR FROM THIS BODEGA LAST NIGHT FOR A CAN OF BEER. 420 00:18:08,030 --> 00:18:09,930 HEY, THIS IS A MURDER INVESTIGATION. 421 00:18:09,970 --> 00:18:11,870 DON’T GET YOURSELF IN THE MIDDLE OF IT. 422 00:18:16,000 --> 00:18:17,660 SHE WAS PARKED OUT FRONT. 423 00:18:17,700 --> 00:18:19,000 WHO BOUGHT THE BEER? 424 00:18:19,030 --> 00:18:20,560 THIS NEIGHBORHOOD GUY. 425 00:18:20,600 --> 00:18:23,230 HE COMES IN, HE SAYS THERE’S A GIRL OUTSIDE 426 00:18:23,270 --> 00:18:25,510 WEARING NOTHING BUT A LEATHER COAT, 427 00:18:25,530 --> 00:18:27,800 AND SHE WANTS TO PARTY, AND DO I WANT IN ON IT. 428 00:18:27,830 --> 00:18:29,400 DID YOU? 429 00:18:29,430 --> 00:18:32,030 NO, MAN. I GOT A WIFE UPSTAIRS. I GOT A BUSINESS TO RUN HERE. 430 00:18:32,070 --> 00:18:33,410 BUT I DID GO OUTSIDE 431 00:18:33,430 --> 00:18:35,630 JUST TO MAKE SURE THE GUY WAS TELLING THE TRUTH 432 00:18:35,670 --> 00:18:37,870 ABOUT HER BEING NAKED UNDERNEATH THE COAT. 433 00:18:37,900 --> 00:18:39,130 HE WASN’T LYING. 434 00:18:39,170 --> 00:18:42,510 WHAT HAPPENED AFTER YOU DECLINED THE HUMP? 435 00:18:42,530 --> 00:18:43,830 I CAME BACK INSIDE THE STORE 436 00:18:43,870 --> 00:18:46,670 AND I THINK I SAW HIM GET IN THE CAR WITH ANOTHER GUY 437 00:18:46,700 --> 00:18:48,060 AND DRIVE OFF. 438 00:18:48,100 --> 00:18:50,860 WHAT’S THE GUY’S NAME WHO BOUGHT THE BEER? 439 00:18:50,900 --> 00:18:52,800 I DON’T KNOW. BLACK GUY. 440 00:18:52,830 --> 00:18:53,960 HE COME IN A LOT? 441 00:18:54,000 --> 00:18:55,560 YEAH, ALL THE TIME ‐‐ 442 00:18:55,600 --> 00:18:57,530 BEER, SMOKES, LOTTERY TICKETS. 443 00:18:57,570 --> 00:19:01,040 WE’RE GONNA FIGURE OUT A SYSTEM FOR YOU TO I. D. HIM FOR US 444 00:19:01,070 --> 00:19:02,810 WHEN HE COMES IN THE STORE. 445 00:19:02,830 --> 00:19:04,500 NO WAY, MAN. NO WAY? 446 00:19:04,530 --> 00:19:06,900 ALL YOU HAVE TO DO IS LET US KNOW WHEN IT’S HIM. 447 00:19:06,930 --> 00:19:08,660 WE’LL GRAB HIM UP OUTSIDE THE STORE. 448 00:19:08,700 --> 00:19:11,600 HE’LL NEVER KNOW YOU HAD ANYTHING TO DO WITH IT. 449 00:19:11,630 --> 00:19:12,960 I GOTTA THINK ABOUT THIS, MAN. 450 00:19:13,000 --> 00:19:14,500 IF I COME BEHIND THAT COUNTER, 451 00:19:14,530 --> 00:19:17,700 HOW MANY THINGS AM I GONNA FIND THAT YOU AIN’T SUPPOSED TO HAVE? 452 00:19:17,730 --> 00:19:19,200 HEY, I CAN’T PROTECT MYSELF? 453 00:19:19,230 --> 00:19:21,560 OKAY, WHAT’S YOUR NAME? 454 00:19:21,600 --> 00:19:22,800 RAMóN DE JESúS ‐‐ 455 00:19:22,830 --> 00:19:25,560 RAMóN, THINGS ARE ABOUT TO GET UGLY... 456 00:19:25,600 --> 00:19:27,160 FOR YOU. 457 00:19:27,200 --> 00:19:30,530 OKAY, BUT YOU GRAB HIM AWAY FROM MY STORE. 458 00:19:30,570 --> 00:19:32,370 NOTIFY JONES AND MEDAVOY. 459 00:19:32,400 --> 00:19:34,600 LET THEM KNOW WE NEED TO SET UP. 460 00:19:34,630 --> 00:19:35,530 ALL RIGHT. 461 00:19:42,130 --> 00:19:44,930 DETECTIVE McDOWELL OR GIBSON? 462 00:19:44,970 --> 00:19:47,010 MRS. FOLANDER? YEAH. 463 00:19:47,030 --> 00:19:48,160 COME ON IN. 464 00:19:56,270 --> 00:19:58,010 CAN WE GET YOU SOMETHING TO DRINK? 465 00:19:58,030 --> 00:19:59,330 NO, I’M FINE. 466 00:20:00,830 --> 00:20:03,900 SO, I GUESS YOUR DAUGHTER’S NEIGHBOR ALREADY TOLD YOU? 467 00:20:03,930 --> 00:20:06,330 YEAH. WE’RE VERY SORRY. 468 00:20:06,370 --> 00:20:08,540 YOU DIDN’T DO IT. NO, MA’AM. 469 00:20:09,770 --> 00:20:11,440 STILL, IT MUST BE VERY HARD. 470 00:20:11,470 --> 00:20:13,740 I’VE CRIED SO MANY TEARS ‐‐ THINGS SHE WENT THROUGH 471 00:20:13,770 --> 00:20:16,140 YOU WOULDN’T WISH ON YOUR WORST ENEMY. 472 00:20:16,170 --> 00:20:18,740 I’M JUST, UH, DRAINED. 473 00:20:18,770 --> 00:20:20,040 I’M NUMB. 474 00:20:20,070 --> 00:20:21,640 WHEN DID YOU SEE SANDY LAST? 475 00:20:21,670 --> 00:20:22,970 COUPLE OF DAYS AGO. 476 00:20:23,000 --> 00:20:24,300 I BROUGHT JANIE BY. 477 00:20:24,330 --> 00:20:26,130 WHEN DID YOU TALK TO HER LAST? 478 00:20:26,170 --> 00:20:29,210 THEN. YOU GOT ANYTHING ON WHO MIGHT’VE DONE THIS? 479 00:20:29,230 --> 00:20:31,800 WE’RE JUST STARTING OUT OUR INVESTIGATION. 480 00:20:31,830 --> 00:20:35,300 ACTUALLY, WE’RE TRYING TO FIND SANDY’S EX‐HUSBAND, ROY. 481 00:20:35,330 --> 00:20:36,200 AH, ROY. 482 00:20:36,230 --> 00:20:38,160 DO YOU KNOW WHERE WE CAN FIND HIM? 483 00:20:38,200 --> 00:20:40,300 PRODUCE SECTION OF THIS MARKET GERETY AND SONS. 484 00:20:40,330 --> 00:20:42,430 AT LEAST, HE WAS A COUPLE OF WEEKS AGO. 485 00:20:42,470 --> 00:20:45,010 WHAT WAS THEIR RELATIONSHIP LIKE ‐‐ ROY AND SANDY’S? 486 00:20:45,030 --> 00:20:46,460 ROCK AND A HARD PLACE, 487 00:20:46,500 --> 00:20:48,700 WITH MY GRANDDAUGHTER IN THE MIDDLE. 488 00:20:48,730 --> 00:20:51,500 WE PULLED HIS RECORD, AND THERE ARE SOME INCIDENTS 489 00:20:51,530 --> 00:20:53,900 WHERE POLICE RESPONDED AND ROY WAS ARRESTED. 490 00:20:53,930 --> 00:20:54,930 OH, YEAH. 491 00:20:54,970 --> 00:20:56,310 DID THEY FIGHT A LOT? 492 00:20:56,330 --> 00:20:58,830 EVERY CHANCE THEY GOT. ROY IS A MEAN DRUNK. 493 00:20:58,870 --> 00:21:00,370 HE SAYS HE QUIT, 494 00:21:00,400 --> 00:21:03,030 BUT HE’S ABOUT AS HONEST AS A TWO‐PECKERED POLITICIAN. 495 00:21:03,070 --> 00:21:04,640 SOUNDS LIKE A REAL PEACH. 496 00:21:04,670 --> 00:21:06,140 YOU DON’T EVEN KNOW. 497 00:21:06,170 --> 00:21:07,610 ANY OTHER MEN IN SANDY’S LIFE? 498 00:21:07,630 --> 00:21:08,930 I DOUBT IT. 499 00:21:08,970 --> 00:21:12,970 M.S., ALCOHOLIC, UNEMPLOYED ‐‐ SHE WASN’T EXACTLY A CATCH. 500 00:21:13,000 --> 00:21:14,960 ANYBODY SANDY WAS AFRAID OF? 501 00:21:15,000 --> 00:21:17,660 SHE MENTION ANYONE LIKE THAT TO YOU? 502 00:21:17,700 --> 00:21:20,130 [ Voice breaking ] HERSELF. 503 00:21:24,600 --> 00:21:27,530 [ SOBBING ] 504 00:21:38,570 --> 00:21:41,610 SO, I HEARD THERE WAS A LITTLE FRACAS AT MAC’S LAST NIGHT. 505 00:21:41,630 --> 00:21:42,760 SORRY I MISSED IT. 506 00:21:42,800 --> 00:21:44,030 IT WAS NOTHING. 507 00:21:44,070 --> 00:21:46,110 HEARD ANDY THREW A FEW AT THE NEW KID’S DAD. 508 00:21:46,130 --> 00:21:47,930 YOU MIGHT WANNA CHECK YOUR SOURCES. 509 00:21:47,970 --> 00:21:49,640 COME ON ‐‐ DID HE? 510 00:21:49,670 --> 00:21:51,110 ROY WESSNER? 511 00:21:51,130 --> 00:21:52,560 YEAH. 512 00:21:52,600 --> 00:21:53,860 DETECTIVE McDOWELL... GIBSON. 513 00:21:53,900 --> 00:21:56,730 THIS WHAT I THINK IT IS? 514 00:21:56,770 --> 00:21:57,810 YOU WANT ODDS? 515 00:21:57,830 --> 00:21:59,360 I’M NOT PAYING CHILD SUPPORT 516 00:21:59,400 --> 00:22:01,460 IF I CAN’T SEE MY DAMN CHILD. 517 00:22:01,500 --> 00:22:03,860 WILL YOU PLEASE HEAR ME OUT FIRST? 518 00:22:03,900 --> 00:22:05,300 SURE. 519 00:22:05,330 --> 00:22:08,200 I TRIED TO GET CUSTODY WHEN SANDY GOT TOO SICK, 520 00:22:08,230 --> 00:22:10,000 BUT NO ‐‐ SANDY’S MOM GETS JANIE 521 00:22:10,030 --> 00:22:11,460 ’CAUSE I’M THE NO‐GOOD ASSHOLE 522 00:22:11,500 --> 00:22:13,660 THAT LEFT SANDY ’CAUSE SHE HAD M. S., 523 00:22:13,700 --> 00:22:15,360 WHICH IS A LIE. 524 00:22:15,400 --> 00:22:18,430 IT WAS SANDY’S DRINKING AND DEPRESSION THAT DROVE ME OUT. 525 00:22:18,470 --> 00:22:20,410 THE JUDGE DOESN’T WANNA HEAR MY SIDE. 526 00:22:20,430 --> 00:22:22,860 NOW I’M SUPPOSED TO CHIP IN WITH THE BILLS? 527 00:22:22,900 --> 00:22:24,860 WHEN’S THE LAST TIME YOU SAW SANDY? 528 00:22:24,900 --> 00:22:26,800 COUPLE MONTHS. I CAME BY FOR DINNER. 529 00:22:26,830 --> 00:22:29,630 THAT’S THE ONLY WAY I GET TO SEE MY LITTLE GIRL ‐‐ 530 00:22:29,670 --> 00:22:31,010 ON THE SLY. 531 00:22:31,030 --> 00:22:32,860 YOU STOP BY SANDY’S THIS MORNING? 532 00:22:32,900 --> 00:22:34,360 NO. 533 00:22:34,400 --> 00:22:35,530 WHERE WERE YOU? 534 00:22:35,570 --> 00:22:37,610 LOADING THE TRUCK. WHAT’S WITH THE QUESTIONS? 535 00:22:37,630 --> 00:22:39,430 WHO WAS WITH YOU? 536 00:22:39,470 --> 00:22:41,970 NOBODY ‐‐ BY MYSELF. WHAT ARE YOU GUYS HERE FOR? 537 00:22:43,770 --> 00:22:45,110 SANDY’S DEAD. 538 00:22:45,130 --> 00:22:46,900 WE’RE SORRY. 539 00:22:51,230 --> 00:22:53,830 S‐SHE HAVE A SEIZURE OR SOMETHING? 540 00:22:53,870 --> 00:22:56,910 SHE WAS MURDERED, PAL. WHAT? 541 00:22:56,930 --> 00:22:59,200 YEAH, AND YOU’RE GONNA HAVE TO COME IN WITH US. 542 00:22:59,230 --> 00:23:00,760 YOU THINK I KILLED HER? 543 00:23:00,800 --> 00:23:02,300 WE’RE NOT SAYING THAT, 544 00:23:02,330 --> 00:23:04,300 BUT, UH, YOU GOTTA COME IN UNTIL WE SORT THIS OUT. 545 00:23:04,330 --> 00:23:06,260 ARE YOU KIDDIN’ ME? FROM WHERE WE’RE STANDING, 546 00:23:06,300 --> 00:23:08,030 YOU GOT A HISTORY OF BEATING HER. 547 00:23:08,070 --> 00:23:10,540 THOSE WERE SLAPS TO GET HER TO QUIT BEATING ON ME. 548 00:23:10,570 --> 00:23:13,040 YOU CAN’T VERIFY WHERE YOU WERE THIS MORNING. 549 00:23:13,070 --> 00:23:15,370 THIS IS UNBELIEVABLE. I’M GONNA LOSE MY JOB. 550 00:23:15,400 --> 00:23:18,030 IF YOU DIDN’T DO THIS ‐‐ I DIDN’T. 551 00:23:18,070 --> 00:23:20,270 THEN WE’LL PERSONALLY VOUCH FOR YOU WITH YOUR BOSS. 552 00:23:20,300 --> 00:23:22,730 AM I ‐‐ AM I GETTING CUFFED HERE? 553 00:23:22,770 --> 00:23:24,170 IF IT STAYS FRIENDLY, NO. 554 00:23:24,200 --> 00:23:25,700 I DON’T LIKE GETTING CUFFED. 555 00:23:25,730 --> 00:23:28,260 THEN KEEP IT FRIENDLY. LET’S GO. 556 00:23:37,300 --> 00:23:40,460 STORE OWNER: Testing, 1, 2, 3 ‐‐ you there still or what? 557 00:23:40,500 --> 00:23:41,700 THIS GUY. 558 00:23:41,730 --> 00:23:43,800 Hey, listen, I been thinking, uh ‐‐ DON’T THINK. 559 00:23:43,830 --> 00:23:46,200 instead of me saying what he’s wearing when he leaves, 560 00:23:46,230 --> 00:23:48,960 I’ll give you a head start and say, "Want some jerky?" 561 00:23:49,000 --> 00:23:50,660 while he’s still in the store. You got that? 562 00:23:50,700 --> 00:23:52,700 OH, WE GOT JIMMY OLSEN NOW. 563 00:23:52,730 --> 00:23:55,530 You still out there or what? Honk your horn or something. 564 00:23:55,570 --> 00:23:56,810 IF HE BLOWS THIS, 565 00:23:56,830 --> 00:24:00,500 YOUR JOB IS TO KEEP HIM 15 FEET FROM ME AT ALL TIMES. 566 00:24:00,530 --> 00:24:02,130 I’LL SEE WHAT I CAN DO. 567 00:24:02,170 --> 00:24:04,040 MAN: We gonna get some of these lotto tickets. 568 00:24:04,070 --> 00:24:06,240 Woman: You better make sure you get the right ones. 569 00:24:06,270 --> 00:24:08,510 Yo, Ramón! Give me 10 of those scratchy lotto tickets. 570 00:24:08,530 --> 00:24:09,830 What’s up, Ramón? 571 00:24:09,870 --> 00:24:10,840 Stayin’ low. 572 00:24:10,870 --> 00:24:13,340 Want some jerky? 573 00:24:13,370 --> 00:24:14,210 HERE WE GO. 574 00:24:14,230 --> 00:24:16,230 No, you have to pay for it. 575 00:24:16,270 --> 00:24:18,440 You smoking rock now or something? 576 00:24:18,470 --> 00:24:19,740 Later, Ramón. 577 00:24:19,770 --> 00:24:22,670 Jerky! Jerky! Number 67 ‐‐ red shirt, 578 00:24:22,700 --> 00:24:24,730 black pants. You out there?! 579 00:24:24,770 --> 00:24:27,540 JONES, MEDAVOY, MOVE IN ‐‐ GO, GO! 580 00:24:27,570 --> 00:24:29,670 [ ENGINE TURNS OVER ] 581 00:24:29,700 --> 00:24:31,530 YOU KNOW WHAT? YOU KEEP... 582 00:24:31,570 --> 00:24:32,540 WHAT? 583 00:24:37,870 --> 00:24:39,340 [ TIRES SCREECHING ] 584 00:24:39,370 --> 00:24:42,370 LET ME JUST DO MY THING, ALL RIGHT, 585 00:24:42,400 --> 00:24:43,760 THE WAY I DO MY THING. 586 00:24:43,800 --> 00:24:46,600 [ SCREAMING ] WHAT THE HELL Y’ALL DOIN’... 587 00:24:46,630 --> 00:24:48,330 OH, MY GOD!! 588 00:24:48,370 --> 00:24:50,210 GET IN THE CAR. 589 00:24:50,230 --> 00:24:52,960 SHUT YOUR MOUTH! CALL THE COPS! 590 00:24:53,000 --> 00:24:56,830 POLICE! SOMEBODY KIDNAPPED MY BOYFRIEND! 591 00:24:56,870 --> 00:24:58,370 [ TIRES SCREECH ] 592 00:24:58,400 --> 00:24:59,230 POLICE! 593 00:25:13,770 --> 00:25:15,510 WHAT HAVE YOU GOT? 594 00:25:15,530 --> 00:25:17,660 PHONE DUMP CAME BACK FROM SANDY’S APARTMENT. 595 00:25:17,700 --> 00:25:20,730 THERE WERE THREE CALLS IN AND TWO CALLS OUT THIS MORNING, 596 00:25:20,770 --> 00:25:22,310 ALL TO AND FROM THE SAME NUMBER. 597 00:25:22,330 --> 00:25:24,530 RUN THAT NUMBER THROUGH THE CALLS DIRECTORY. 598 00:25:24,570 --> 00:25:27,070 I DID. IT’S SANDY’S MOM’S APARTMENT. 599 00:25:27,100 --> 00:25:29,360 SHE SAID SHE HADN’T TALKED TO SANDY 600 00:25:29,400 --> 00:25:32,100 SINCE SHE SAW HER A COUPLE DAYS AGO, RIGHT? 601 00:25:32,130 --> 00:25:34,500 RIGHT. I’M GONNA HAVE HER COME IN. 602 00:25:34,530 --> 00:25:35,330 THERE YOU GO. 603 00:25:37,800 --> 00:25:40,160 KEEP ME POSTED ON THAT. 604 00:25:42,170 --> 00:25:44,110 I’M STILL WAITING ON AN EXPLANATION 605 00:25:44,130 --> 00:25:46,300 WHY Y’ALL COULDN’T COME TALK TO ME LIKE A HUMAN BEING 606 00:25:46,330 --> 00:25:48,360 INSTEAD OF TREATING ME LIKE A DAMN BAG OF LAUNDRY. 607 00:25:48,400 --> 00:25:49,830 LINDA VELEZ. 608 00:25:49,870 --> 00:25:51,470 DON’T KNOW HER. 609 00:25:51,500 --> 00:25:54,260 HISPANIC, LEATHER TRENCH COAT, NAKED UNDERNEATH. 610 00:25:57,530 --> 00:25:58,830 WHAT’S SHE SAYING NOW? 611 00:25:58,870 --> 00:26:02,540 SHE’S A LITTLE UNHAPPY WITH WHAT HAPPENED LAST NIGHT. 612 00:26:02,570 --> 00:26:06,010 WHAT’S SHE SAYING ‐‐ RAPE? WELL, IT WAS HER IDEA. 613 00:26:06,030 --> 00:26:07,930 SHE CALLED ME UP TO THE CAR. 614 00:26:07,970 --> 00:26:10,510 SHE OPENED HER COAT AND SHOWED ME HER NAKED ASS. 615 00:26:10,530 --> 00:26:11,660 SHE HAD THE CHAMPAGNE. 616 00:26:11,700 --> 00:26:13,600 WHAT IS SHE SAYING TO YOU? 617 00:26:13,630 --> 00:26:15,000 HOW WAS IT HER IDEA? 618 00:26:15,030 --> 00:26:17,100 SHE ROLLS UP, SAYS, "LET’S GO." 619 00:26:17,130 --> 00:26:20,100 I MEAN, IT WAS LIKE IT WAS TOO GOOD TO BE TRUE. 620 00:26:20,130 --> 00:26:21,230 AND JUST IN CASE IT WAS, 621 00:26:21,270 --> 00:26:23,210 I SAID, "CAN I BRING SOMEBODY ELSE?" 622 00:26:23,230 --> 00:26:25,460 SO I RUN IN AND ASKED THE BODEGA GUY, 623 00:26:25,500 --> 00:26:26,530 AND HE SAYS NO, 624 00:26:26,570 --> 00:26:28,940 AND THEN I SEE MY BOY GERALD COMING UP THE STREET. 625 00:26:28,970 --> 00:26:30,840 AND, HELL, GERALD’S DOWN FOR ANYTHING. 626 00:26:30,870 --> 00:26:32,070 AND THAT’S IT. 627 00:26:32,100 --> 00:26:33,200 WHERE’D YOU HAVE SEX? 628 00:26:33,230 --> 00:26:35,400 AT MY GRANDMA’S. SHE’S NEARBY. 629 00:26:35,430 --> 00:26:36,400 WAS YOUR GRANDMA HOME? 630 00:26:36,430 --> 00:26:38,500 YEAH, BUT SHE DON’T WAKE UP FOR NOTHING. 631 00:26:38,530 --> 00:26:40,560 HOW DID YOU LEAVE IT? WALKED OUTSIDE. 632 00:26:40,600 --> 00:26:42,960 GERALD ASKED HER FOR A RIDE, AND SHE GAVE IT TO HIM. 633 00:26:43,000 --> 00:26:44,960 I WALKED OVER TO MY GIRLFRIEND’S SPOT. 634 00:26:45,000 --> 00:26:46,800 WHAT’S GERALD’S LAST NAME? 635 00:26:46,830 --> 00:26:48,230 WHAT IS THIS BITCH SAYING? 636 00:26:48,270 --> 00:26:50,340 SHE WANTED IT, AND WE GAVE IT TO HER. 637 00:26:50,370 --> 00:26:53,340 AND WE DIDN’T HEAR NO COMPLAINTS OUT OF HER LAST NIGHT. 638 00:26:53,370 --> 00:26:56,640 TRUST ME, ME AND GERALD DIDN’T DO NOTHING WRONG. 639 00:26:56,670 --> 00:26:58,570 ONE OF YOU DID. 640 00:26:58,600 --> 00:27:00,030 DAMN. 641 00:27:00,070 --> 00:27:01,810 GERALD’S LAST NAME? 642 00:27:01,830 --> 00:27:03,930 Damn. 643 00:27:03,970 --> 00:27:06,440 HIS LAST NAME, OR THIS FALLS ON YOU! 644 00:27:08,900 --> 00:27:12,030 WINTERS ‐‐ 645 00:27:12,070 --> 00:27:13,410 GERALD WINTERS. 646 00:27:14,730 --> 00:27:17,130 WRITE DOWN HIS PLACES. 647 00:27:24,300 --> 00:27:25,860 THANKS FOR COMING BACK, MRS. FOLANDER. 648 00:27:25,900 --> 00:27:28,400 I HAVEN’T GOT A SITTER, SO IF YOU COULD MAKE IT QUICK ‐‐ 649 00:27:28,430 --> 00:27:29,360 ABSOLUTELY. 650 00:27:29,400 --> 00:27:30,730 COME ON, JANIE. 651 00:27:30,770 --> 00:27:32,240 ACTUALLY, UH... 652 00:27:32,270 --> 00:27:33,540 JUST A SEC. 653 00:27:36,030 --> 00:27:37,630 We’ll be talking about details of Sandy’s death, 654 00:27:37,670 --> 00:27:39,740 and I don’t know if it’s something Janie should hear. 655 00:27:39,770 --> 00:27:41,310 SHE CAN WAIT RIGHT HERE. 656 00:27:41,330 --> 00:27:44,230 OUR P. A. A., JOHN, WILL KEEP AN EYE ON HER. 657 00:27:44,270 --> 00:27:45,570 SHE’LL BE FINE, MA’AM. 658 00:27:45,600 --> 00:27:46,630 I PROMISE. 659 00:27:46,670 --> 00:27:48,470 OKAY. 660 00:27:48,500 --> 00:27:52,030 YOU SIT RIGHT HERE... WITH JOHN. 661 00:27:52,070 --> 00:27:53,670 OKAY, SWEETHEART? 662 00:27:53,700 --> 00:27:55,730 OKAY. Okay. 663 00:27:55,770 --> 00:27:56,940 WHERE? 664 00:27:56,970 --> 00:27:58,070 RIGHT THIS WAY. 665 00:27:59,400 --> 00:28:00,830 [ DOOR OPENS ] 666 00:28:00,870 --> 00:28:03,310 OH, UH, EDDIE, I GOTTA TAKE CARE 667 00:28:03,330 --> 00:28:05,660 OF THAT THING REAL QUICK. I’LL BE RIGHT IN. 668 00:28:05,700 --> 00:28:08,430 John: HOW ARE YOU? 669 00:28:08,470 --> 00:28:10,240 MY MOM WENT TO HEAVEN. 670 00:28:10,270 --> 00:28:11,370 I HEARD. 671 00:28:11,400 --> 00:28:13,500 I’M VERY SORRY. 672 00:28:13,530 --> 00:28:15,560 HI, JANIE. 673 00:28:15,600 --> 00:28:17,430 I’M CONNIE. 674 00:28:17,470 --> 00:28:18,970 HI. 675 00:28:19,000 --> 00:28:21,560 DO YOU WANT A SODA OR SOMETHING? 676 00:28:21,600 --> 00:28:24,160 I’M SUPPOSED TO STAY HERE WITH JOHN. 677 00:28:24,200 --> 00:28:25,600 HE’LL COME WITH US. 678 00:28:25,630 --> 00:28:28,300 COME ON. 679 00:28:39,930 --> 00:28:41,460 SO, JANIE... 680 00:28:41,500 --> 00:28:44,560 HOW LONG HAVE YOU LIVED WITH YOUR GRANDMA? 681 00:28:44,600 --> 00:28:45,900 I DON’T KNOW. 682 00:28:45,930 --> 00:28:47,600 WELL, I GUESS YOU HAD TO, 683 00:28:47,630 --> 00:28:50,500 ’CAUSE YOUR MOM’S BEEN SICK, HUH? 684 00:28:50,530 --> 00:28:54,030 SHE HAS MULTIPLE SCLEROSIS. 685 00:28:54,070 --> 00:28:59,240 DID YOUR MOM WANT YOU TO MOVE BACK IN WITH HER? 686 00:28:59,270 --> 00:29:01,940 BUT YOUR GRANDMA REALLY WANTED YOU TO STAY WITH HER 687 00:29:01,970 --> 00:29:03,810 ’CAUSE...SHE LOVES YOU SO MUCH, HUH? 688 00:29:06,200 --> 00:29:08,500 WERE YOU WITH YOUR GRANDMA THIS MORNING? 689 00:29:08,530 --> 00:29:09,800 SHE TAKE YOU TO SCHOOL? 690 00:29:09,830 --> 00:29:12,530 WE WENT TO MY MOM’S HOUSE FIRST, BUT SHE WASN’T HOME. 691 00:29:14,230 --> 00:29:18,060 SO... YOU AND YOUR GRANDMA WENT 692 00:29:18,100 --> 00:29:21,000 TO YOUR MOM’S HOUSE FIRST AND THEN TO SCHOOL? 693 00:29:22,430 --> 00:29:25,700 DID YOU GO WITH YOUR GRANDMA TO SEE IF YOUR MOM WAS HOME, 694 00:29:25,730 --> 00:29:28,030 OR DID YOU STAY IN THE CAR? 695 00:29:28,070 --> 00:29:30,770 I STAYED IN THE CAR. 696 00:29:30,800 --> 00:29:33,460 SHE’S IN HEAVEN NOW. 697 00:29:33,500 --> 00:29:35,260 I KNOW SHE IS. 698 00:29:35,300 --> 00:29:36,300 I KNOW. 699 00:29:36,330 --> 00:29:38,500 SHE’S NOT SICK ANYMORE, SHE’S HAPPY, 700 00:29:38,530 --> 00:29:40,860 AND SHE’S LOOKING DOWN ON YOU RIGHT NOW. 701 00:29:44,570 --> 00:29:47,640 JOHN’S GONNA STAY IN HERE WITH YOU NOW, OKAY? 702 00:29:47,670 --> 00:29:49,070 OKAY. 703 00:30:00,730 --> 00:30:03,860 IS JANIE ALL RIGHT? 704 00:30:03,900 --> 00:30:05,230 SHE’S FINE. 705 00:30:06,800 --> 00:30:08,530 THIS IS WHAT WE KNOW, MRS. FOLANDER... 706 00:30:10,300 --> 00:30:12,500 YOU WENT TO YOUR DAUGHTER’S HOUSE THIS MORNING, 707 00:30:12,530 --> 00:30:13,830 AND SOMETHING WENT WRONG. 708 00:30:13,870 --> 00:30:16,040 YOU DIDN’T MEAN IT TO, WHICH IS IMPORTANT, 709 00:30:16,070 --> 00:30:18,210 BECAUSE THEN IT WASN’T PREMEDITATED. 710 00:30:18,230 --> 00:30:19,400 WHAT IS THIS? 711 00:30:19,430 --> 00:30:21,300 YOU NEED TO TELL US WHAT HAPPENED, 712 00:30:21,330 --> 00:30:23,760 BECAUSE IF YOU DON’T AND FORCE THIS TO TRIAL, 713 00:30:23,800 --> 00:30:25,230 THEY’RE GONNA PUT JANIE ON THE STAND 714 00:30:25,270 --> 00:30:27,040 AND MAKE HER TESTIFY TO EVERYTHING, 715 00:30:27,070 --> 00:30:29,540 INCLUDING HOW SHE WAITED IN THE CAR WHILE YOU WENT UP ‐‐ 716 00:30:29,570 --> 00:30:30,510 YOU TALKED TO HER? 717 00:30:30,530 --> 00:30:32,300 DON’T PUT YOUR GRANDDAUGHTER THROUGH THIS. 718 00:30:32,330 --> 00:30:35,660 DON’T TRAUMATIZE HER MORE THAN SHE ALREADY HAS BEEN. 719 00:30:35,700 --> 00:30:37,200 TELL US WHAT HAPPENED. 720 00:30:37,230 --> 00:30:39,860 WE’LL DO EVERYTHING WE CAN TO HELP YOU 721 00:30:39,900 --> 00:30:41,300 AND PROTECT JANIE. 722 00:30:41,330 --> 00:30:44,660 YOU DON’T KNOW THE HELL THAT I WENT THROUGH 723 00:30:44,700 --> 00:30:46,200 WITH MY DAUGHTER. 724 00:30:46,230 --> 00:30:48,830 YOU’RE RIGHT. WE DON’T. 725 00:30:48,870 --> 00:30:50,270 SO TELL US. 726 00:30:52,030 --> 00:30:56,330 SHE WASN’T FIT TO LIVE, LET ALONE RAISE A CHILD. 727 00:30:56,370 --> 00:30:58,640 SHE TOLD ME SHE WASN’T FIT TO LIVE ‐‐ 728 00:30:58,670 --> 00:30:59,870 THAT SHE WANTED TO DIE. 729 00:30:59,900 --> 00:31:01,160 DID SHE WANT TO DIE 730 00:31:01,200 --> 00:31:03,000 WHEN YOU WENT OVER THERE THIS MORNING? 731 00:31:03,030 --> 00:31:05,100 OR WAS THAT MORE ABOUT WHAT YOU WANTED? 732 00:31:05,130 --> 00:31:07,730 SHE DIDN’T KNOW WHAT SHE WAS DOING. 733 00:31:07,770 --> 00:31:10,170 JANIE WANTED TO STAY WITH ME. 734 00:31:10,200 --> 00:31:13,300 SHE’D CRY IN THE CAR EVERY TIME SHE HAD TO GO BACK. 735 00:31:13,330 --> 00:31:15,700 SANDY GOT THE COURT ORDER JUST SO SHE WOULDN’T BE ALONE. 736 00:31:15,730 --> 00:31:19,200 I CONVINCED HER YESTERDAY NOT TO GO THROUGH WITH IT. 737 00:31:19,230 --> 00:31:22,330 THEN SHE CALLED ME THIS MORNING 738 00:31:22,370 --> 00:31:24,210 AND SAID THAT SHE’D CHANGED HER MIND. 739 00:31:24,230 --> 00:31:25,960 WHICH YOU WEREN’T UP FOR. 740 00:31:26,000 --> 00:31:28,460 SO I‐I WENT OVER THERE, 741 00:31:28,500 --> 00:31:29,800 AND I‐I BEGGED HER... 742 00:31:29,830 --> 00:31:32,860 NOT TO RUIN THIS LITTLE GIRL’S LIFE, 743 00:31:32,900 --> 00:31:34,630 OR MOVE IN WITH US. 744 00:31:34,670 --> 00:31:36,940 BUT NO! 745 00:31:36,970 --> 00:31:39,570 AND AS A MOTHER... 746 00:31:39,600 --> 00:31:43,930 TO BOTH OF THEM, I HAD TO MAKE A CHOICE. 747 00:31:43,970 --> 00:31:46,210 AND SO I DID. 748 00:31:46,230 --> 00:31:49,630 AND THAT’S NOT RUINING THIS LITTLE GIRL’S LIFE? 749 00:31:49,670 --> 00:31:52,740 DON’T YOU JUDGE ME. 750 00:31:52,770 --> 00:31:54,010 I’M NOT, MA’AM. 751 00:31:55,830 --> 00:31:57,800 THEY GOT SOMEONE WHO’LL DO THAT LATER. 752 00:32:10,290 --> 00:32:11,520 WHATEVER. 753 00:32:11,560 --> 00:32:13,520 WHATEVER, MAN. WHATEVER. 754 00:32:13,560 --> 00:32:14,820 GET THESE CUFFS OFF ME ‐‐ 755 00:32:14,860 --> 00:32:16,120 WHY DON’T YOU SHUT UP? 756 00:32:18,990 --> 00:32:21,020 TAKE A SEAT. 757 00:32:21,060 --> 00:32:22,760 SIT DOWN. 758 00:32:22,790 --> 00:32:24,060 WHAT HAPPENED LAST NIGHT? 759 00:32:24,090 --> 00:32:25,560 NOTHING HAPPENED, MAN. 760 00:32:25,590 --> 00:32:28,020 HEY, YOU’RE IN HERE FOR A REASON, GERALD. 761 00:32:28,060 --> 00:32:30,220 WE DIDN’T PICK YOU RANDOM OFF THE STREET. 762 00:32:30,260 --> 00:32:31,490 HER NAME WAS LINDA VELEZ, 763 00:32:31,520 --> 00:32:33,420 IN CASE NOBODY BOTHERED WITH INTRODUCTIONS. 764 00:32:33,460 --> 00:32:35,320 WE GOT WITNESSES SAW YOU AND JERMAINE 765 00:32:35,360 --> 00:32:37,120 TAKE HER INTO GRANDMA’S APARTMENT. 766 00:32:37,160 --> 00:32:40,190 AND WE GOT WITNESSES SAW YOU AND LINDA LEAVE IN HER CAR. 767 00:32:40,220 --> 00:32:41,960 WITNESSES LIKE WHAT? JERMAINE? 768 00:32:41,990 --> 00:32:44,220 YOU GOT BIGGER PROBLEMS THAN WHO SAW YOU DO IT. 769 00:32:44,260 --> 00:32:46,720 MAN, LISTEN, LOOK, I HAD A GOOD TIME, ALL RIGHT? 770 00:32:46,760 --> 00:32:50,190 ALL I WANTED WAS A RIDE TO THE PARTY I WAS ON MY WAY TO 771 00:32:50,220 --> 00:32:52,020 BEFORE SHE SCOOPED ME AND JERMAINE UP 772 00:32:52,060 --> 00:32:54,490 AND PUT US EVERY WHICH WAY BUT ON HER HEAD. 773 00:32:54,520 --> 00:32:58,090 WHAT HAPPENED AFTER THAT IS ALL ON THAT CRAZY, YO. NOBODY ELSE. 774 00:32:58,120 --> 00:33:01,090 YOU’RE TALKING ABOUT A NEW YORK CITY CORRECTIONS OFFICER, 775 00:33:01,120 --> 00:33:02,620 SO WATCH YOUR MOUTH. 776 00:33:02,660 --> 00:33:03,760 OKAY, OKAY. 777 00:33:03,790 --> 00:33:05,520 LET ME TELL YOU WHAT HAPPENED, THEN. 778 00:33:05,560 --> 00:33:07,420 SHE PULLED A GUN ON ME. 779 00:33:07,460 --> 00:33:08,720 YEAH ‐‐ A GUN. 780 00:33:08,760 --> 00:33:11,660 SO GUESS WHO WENT INTO SURVIVAL MODE? 781 00:33:11,690 --> 00:33:13,160 ME. 782 00:33:13,190 --> 00:33:15,290 WHY WOULD SHE PULL A GUN ON YOU, GERALD? 783 00:33:15,320 --> 00:33:17,220 I DON’T KNOW. WE’RE DRIVING DOWN THE BLOCK, 784 00:33:17,260 --> 00:33:19,420 TALKING ABOUT THIS CLUB, BALLISTICS, WE’VE BOTH BEEN TO, 785 00:33:19,460 --> 00:33:21,720 WHEN OUT OF THE BLUE, SHE JUST STARTS FLIPPING, 786 00:33:21,760 --> 00:33:23,320 LIKE, "WHERE’S MY GOLD NECKLACE?" 787 00:33:23,360 --> 00:33:25,390 HELL IF I KNOW. I AIN’T TAKE IT. 788 00:33:25,420 --> 00:33:27,720 SO THEN SHE PULLS OVER, YANKS A GUN OUT ON MY ASS. 789 00:33:27,760 --> 00:33:29,060 PUT IT RIGHT IN MY FACE. 790 00:33:29,090 --> 00:33:31,760 SO I SAID, "THIS NECKLACE THAT YOU WERE WORRIED ABOUT 791 00:33:31,790 --> 00:33:33,290 IS RIGHT AROUND YOUR NECK." 792 00:33:33,320 --> 00:33:36,320 SO THEN SHE FEELS IT, CALMS DOWN, LOWERS THE GUN, 793 00:33:36,360 --> 00:33:38,920 STARTS TALKING ABOUT BALLISTICS AGAIN 794 00:33:38,960 --> 00:33:40,560 LIKE NOTHING EVEN HAPPENED. 795 00:33:40,590 --> 00:33:41,860 BITCH WAS CRAZY. 796 00:33:41,890 --> 00:33:43,360 JUST STICK TO WHAT HAPPENED 797 00:33:43,390 --> 00:33:46,290 AND LEAVE YOUR OPINIONS OF HER OUT OF IT. 798 00:33:46,320 --> 00:33:49,260 SO I’M LOOKING AT THIS GUN. IT’S IN HER LAP. 799 00:33:49,290 --> 00:33:51,420 I’VE NEVER SEEN A GUN LIKE THAT BEFORE ‐‐ 800 00:33:51,460 --> 00:33:53,990 NO HAMMER ON IT. IT’S AN ILL GUN. 801 00:33:54,020 --> 00:33:56,360 SO I TOLD HER I’D GIVE HER 100 FOR IT. 802 00:33:56,390 --> 00:33:58,620 SHE SAID NAH, SHE NEEDED IT FOR THE JOB, 803 00:33:58,660 --> 00:34:01,120 WHICH I AIN’T KNOW MEANT "CORRECTIONS OFFICER." 804 00:34:01,160 --> 00:34:03,860 SO I TOLD HER, "PRETEND LIKE YOU LOST IT." 805 00:34:03,890 --> 00:34:05,220 SHE SAID SHE COULDN’T DO IT. 806 00:34:05,260 --> 00:34:07,860 SHE’D GET A 10‐DAY RIP FOR IT, WHATEVER THE HELL THAT MEANT. 807 00:34:07,890 --> 00:34:09,960 SHE PUT IT BACK IN HER POCKET. 808 00:34:09,990 --> 00:34:12,390 SHE STARTS STARING OUT THE WINDOW, 809 00:34:12,420 --> 00:34:13,790 ALL SPACED‐OUT LIKE. 810 00:34:13,820 --> 00:34:15,320 THAT’S WHEN I PULLED OUT MY GUN, 811 00:34:15,360 --> 00:34:17,690 SHOT HER THREE TIMES IN THE HEAD. 812 00:34:17,720 --> 00:34:18,960 SO YOU COULD TAKE HER GUN? 813 00:34:18,990 --> 00:34:21,560 I ENDED UP TAKING THE GUN, YEAH. 814 00:34:21,590 --> 00:34:23,660 WHERE IS IT? AT MY APARTMENT. 815 00:34:23,690 --> 00:34:24,960 WHERE’S YOURS? 816 00:34:24,990 --> 00:34:27,620 IT’S WITH IT. LOOK, I DIDN’T KNOW THAT SHE WAS AN OFFICER. 817 00:34:27,660 --> 00:34:29,660 IT’S ALL RIGHT TO KILL HER IF SHE WASN’T? 818 00:34:29,690 --> 00:34:31,020 SHE PULLED A GUN OUT ON ME! 819 00:34:31,060 --> 00:34:33,760 WAS SHE POINTING A GUN AT YOU WHEN YOU SHOT HER? 820 00:34:33,790 --> 00:34:35,390 COME ON, IT’S REAL SIMPLE. 821 00:34:35,420 --> 00:34:37,260 IN MY BOOK, YOU DON’T PULL A GUN 822 00:34:37,290 --> 00:34:39,390 ON SOMEBODY YOU’RE NOT PREPARED TO SHOOT. 823 00:34:39,420 --> 00:34:42,060 WAS SHE POINTING THE GUN AT YOU WHEN YOU SHOT HER?! 824 00:34:42,090 --> 00:34:44,460 NO, BUT SHE HAD IT IN MY FACE UP UNTIL THEN! 825 00:34:44,490 --> 00:34:45,590 AND LIKE I SAID, 826 00:34:45,620 --> 00:34:47,720 YOU PULL OUT A GUN, THAT’S SAYING SOMETHING TO ME. 827 00:34:47,760 --> 00:34:49,090 AND IT DON’T SAY NOTHING 828 00:34:49,120 --> 00:34:50,960 THAT THEY PUT IT BACK IN THEIR POCKET?! 829 00:34:50,990 --> 00:34:53,460 WE’RE TALKING ABOUT UP IN HARLEM WORLD, MAN. 830 00:34:53,490 --> 00:34:56,260 YOU PULL A GUN ON SOMEBODY, THERE’S CONSEQUENCES. 831 00:34:56,290 --> 00:34:57,620 THAT’S HOW IT GOES. 832 00:34:57,660 --> 00:34:58,720 YEAH? 833 00:34:58,760 --> 00:35:02,290 WELL, YOU’RE GONNA LEARN ABOUT SOME CONSEQUENCES. 834 00:35:17,560 --> 00:35:19,360 I DON’T KNOW. 835 00:35:21,890 --> 00:35:23,560 COME ON. 836 00:35:33,260 --> 00:35:34,790 WHAT IS IT YOU DON’T KNOW? 837 00:35:34,820 --> 00:35:37,290 HOW MUCH SHE’S RESPONSIBLE FOR GETTING HERSELF KILLED. 838 00:35:37,320 --> 00:35:39,490 YOU FEEL HE SHOT HER IN SELF‐DEFENSE? 839 00:35:39,520 --> 00:35:40,820 NO. 840 00:35:40,860 --> 00:35:42,060 DID HE HAVE AN ALTERNATIVE 841 00:35:42,090 --> 00:35:44,090 WHEN SHE PUT THE GUN BACK IN HER POCKET? 842 00:35:44,120 --> 00:35:46,160 SOMEONE COULD ARGUE THAT HE MIGHT HAVE THOUGHT 843 00:35:46,190 --> 00:35:48,020 SHE WAS GONNA PULL HER GUN OUT AGAIN. 844 00:35:48,060 --> 00:35:50,090 WE JUST INTERVIEWED HIM. HE DIDN’T SAY THAT. 845 00:35:50,120 --> 00:35:52,320 THINGS PEOPLE HAVE BEEN SAYING ABOUT HER ‐‐ 846 00:35:52,360 --> 00:35:54,790 THE DEFENSE ATTORNEY’S GONNA CLAIM SHE WAS CRAZY. 847 00:35:54,820 --> 00:35:56,220 WHAT ARE WE GONNA SAY? 848 00:35:56,260 --> 00:35:58,190 THAT’S ASSUMING WE PUT ALL THAT IN THE FIVES. 849 00:36:02,690 --> 00:36:04,390 LISTEN, THIS IS YOUR CASE. 850 00:36:04,420 --> 00:36:06,220 WHEN YOU TYPE IT UP, IT’LL SAY, 851 00:36:06,260 --> 00:36:08,620 "IN THE COMPANY OF DETECTIVE ANDY SIPOWICZ." 852 00:36:08,660 --> 00:36:11,590 YOU GET CALLED TO TESTIFY WHEN IT GOES TO TRIAL, 853 00:36:11,620 --> 00:36:14,190 SO YOU GOTTA MAKE THE DECISION THAT SITS RIGHT. 854 00:36:14,220 --> 00:36:16,360 BUT I AM TELLING YOU RIGHT NOW, 855 00:36:16,390 --> 00:36:18,220 IF YOU PUT IN ALL THESE OPINIONS 856 00:36:18,260 --> 00:36:20,090 ABOUT HOW PEOPLE THOUGHT MAYBE SHE WAS HALF WACKY, 857 00:36:20,120 --> 00:36:21,590 THIS GUY WALKS. 858 00:36:21,620 --> 00:36:24,590 I DON’T CARE IF SHE STOOD AROUND WITH A CANDLE IN HER HAND 859 00:36:24,620 --> 00:36:26,920 CALLING HERSELF THE STATUE OF LIBERTY, 860 00:36:26,960 --> 00:36:28,390 SHE PUT HER GUN AWAY. 861 00:36:28,420 --> 00:36:30,990 HER ANIMOSITY WAS GONE, AND HE WAS OUT OF DANGER. 862 00:36:31,020 --> 00:36:34,990 BUT HE WENT AHEAD AND HE SHOT HER FOR HER GUN, 863 00:36:35,020 --> 00:36:36,860 WHICH HE TOOK. 864 00:36:38,690 --> 00:36:40,390 SO YOU GOTTA DECIDE. 865 00:36:42,020 --> 00:36:44,060 I NEED TO THINK ABOUT IT. 866 00:36:54,060 --> 00:36:55,290 DID HE GO? 867 00:36:55,320 --> 00:36:57,360 YEAH. YEAH, HE, UH ‐‐ 868 00:36:57,390 --> 00:36:59,290 HE KILLED HER FOR HER SERVICE REVOLVER. 869 00:36:59,320 --> 00:37:01,190 HE WANTED TO BUY IT. SHE DECLINED. 870 00:37:01,220 --> 00:37:03,320 SHE SHOWED IT TO HIM, OR HE FOUND IT? 871 00:37:03,360 --> 00:37:06,390 IT’S JUNIOR’S CASE. LET HIM RUN THE SPECIFICS. 872 00:37:06,420 --> 00:37:09,320 YOU TAKING THE MOTHER TO CENTRAL BOOKING? 873 00:37:09,360 --> 00:37:12,190 UH, GIBSON’S STILL PROCESSING HER DOWNSTAIRS. 874 00:37:12,220 --> 00:37:13,990 WE, UH...FLIPPED FOR IT. 875 00:37:14,020 --> 00:37:16,220 WHAT’S HE DOING OUT OF NIGHT WATCH? 876 00:37:16,260 --> 00:37:18,660 HE’S ON DAY TOUR NOW, LIKE HE’S GOT A RIGHT TO DO. 877 00:37:18,690 --> 00:37:20,790 AND HE DIDN’T GET BOUNCED OUT OF THERE? 878 00:37:20,820 --> 00:37:22,890 NOPE. AND I ASKED AROUND. 879 00:37:22,920 --> 00:37:24,690 GREAT. WE GOT ONE GUY IN DIAPERS, 880 00:37:24,720 --> 00:37:25,960 THE OTHER ONE IN DEPENDS. 881 00:37:25,990 --> 00:37:27,990 IF YOU LIKE, I’LL TAKE CLARK, 882 00:37:28,020 --> 00:37:29,890 AND YOU CAN PARTNER WITH EDDIE. 883 00:37:29,920 --> 00:37:32,320 IF I HAVE TO PARTNER WITH THAT STIFF, I’LL KILL MYSELF. 884 00:37:32,360 --> 00:37:35,390 YOU OKAY WITH GIBSON FOR NOW? IT’S NOT LIKE WE GOT A CHOICE. 885 00:37:35,420 --> 00:37:36,720 SURE. 886 00:37:36,760 --> 00:37:38,560 BUT YOU OWE ME. 887 00:37:38,590 --> 00:37:41,660 LEAST YOU WON’T HAVE TO PAY FOR A MEAL. 888 00:37:41,690 --> 00:37:42,920 [ CHUCKLES ] 889 00:37:42,960 --> 00:37:44,090 WHERE’S THE GRANDKID? 890 00:37:44,120 --> 00:37:46,220 JOHN IRVIN’S WITH HER UP IN THE CRIB. 891 00:37:46,260 --> 00:37:48,920 BOSS...I’LL BE BACK IN A LITTLE BIT IF THAT’S OKAY. 892 00:37:48,960 --> 00:37:51,160 YEAH. WHAT DO YOU WANNA DO WITH THE GIRL? 893 00:37:51,190 --> 00:37:52,420 Connie: WE RAN THE DAD. 894 00:37:52,460 --> 00:37:55,390 NO RECORD OTHER THAN THE TWO DOMESTICS. 895 00:37:55,420 --> 00:37:56,660 HE GOT A JOB. 896 00:37:56,690 --> 00:37:59,420 HE’S GOT GENUINE CONCERN FOR HIS DAUGHTER. 897 00:37:59,460 --> 00:38:02,720 COURT RECORDS SHOW HE TRIED REPEATEDLY TO GET HER BACK. 898 00:38:02,760 --> 00:38:04,190 YOUR CALL. 899 00:38:04,220 --> 00:38:06,790 I THINK WE SHOULD PUT THEM BACK TOGETHER. 900 00:38:06,820 --> 00:38:08,190 DO IT. 901 00:38:08,220 --> 00:38:09,860 AND LET THE BUREAU OF CHILD SERVICES KNOW. 902 00:38:09,890 --> 00:38:12,120 WHERE’S CLARK GOING? 903 00:38:12,160 --> 00:38:15,460 HOPEFULLY NOT TO RUN THIS CASE BY HIS OLD MAN. 904 00:38:22,090 --> 00:38:25,660 THANKS FOR MEETING ME. 905 00:38:25,690 --> 00:38:27,320 IS THERE A BREAK IN THE CASE? 906 00:38:27,360 --> 00:38:29,460 UH, WE’VE GOT SOMEBODY THAT WE’RE LOOKING AT. 907 00:38:29,490 --> 00:38:31,660 AND IT’S NOT THE GUY THAT SHE WAS SEEING. 908 00:38:31,690 --> 00:38:33,290 HE HAD NOTHING TO DO WITH IT. 909 00:38:35,320 --> 00:38:38,120 I WANTED TO TALK SOME MORE ABOUT LINDA ‐‐ 910 00:38:38,160 --> 00:38:40,420 HER PERSONALITY. OKAY. 911 00:38:40,460 --> 00:38:43,590 UH, THINGS THAT PEOPLE WHO KNEW HER HAVE SAID, UH ‐‐ 912 00:38:43,620 --> 00:38:45,160 WELL, IT’S PAINTED A PICTURE 913 00:38:45,190 --> 00:38:47,660 OF SOMEONE WHO WAS MAYBE A LITTLE...OFF. 914 00:38:47,690 --> 00:38:50,290 THAT’S GOT SOMETHING TO DO WITH HOW SHE DIED? 915 00:38:50,320 --> 00:38:52,420 WELL, WE GOT A "HE SAID, SHE SAID" THING GOING ON. 916 00:38:52,460 --> 00:38:53,660 OKAY. 917 00:38:53,690 --> 00:38:56,120 DID LINDA...EVER BLOW UP, 918 00:38:56,160 --> 00:38:57,990 LIKE LOSE HER TEMPER FOR NO REASON? 919 00:38:58,020 --> 00:38:59,690 SHE COULD GET BITCHY WITH PEOPLE SOMETIMES, 920 00:38:59,720 --> 00:39:01,260 BUT NOTHING OUT OF THE ORDINARY. 921 00:39:01,290 --> 00:39:03,620 WERE YOU EVER AFRAID OF HER? NO. 922 00:39:03,660 --> 00:39:05,960 ANYBODY YOU KNOW EVER AFRAID OF HER? NO. 923 00:39:05,990 --> 00:39:07,120 SHE EVER THREATEN ANYBODY? 924 00:39:07,160 --> 00:39:09,120 NOT THAT I KNOW OF. 925 00:39:09,160 --> 00:39:12,660 DID SHE EVER SAY ANYTHING ABOUT BEING OVERWHELMED? 926 00:39:12,690 --> 00:39:14,790 YOU MEAN LIKE ‐‐ LIKE SUICIDAL? 927 00:39:14,820 --> 00:39:16,160 YEAH. 928 00:39:16,190 --> 00:39:17,390 NO. 929 00:39:17,420 --> 00:39:20,460 NOT TO SAY SHE DIDN’T GET REALLY DARK MOODS SOMETIMES. 930 00:39:20,490 --> 00:39:23,390 DID SHE EVER SEEK ANY HELP, TALK TO SOMEONE? 931 00:39:23,420 --> 00:39:25,990 THAT WAS THE THING PEOPLE WOULD SAY ABOUT HER ‐‐ 932 00:39:26,020 --> 00:39:27,890 THAT MAYBE SHE SHOULD GET SOME HELP. 933 00:39:27,920 --> 00:39:30,190 BUT NO ONE EVER SUGGESTED IT TO HER? 934 00:39:30,220 --> 00:39:33,260 THAT’S A BIG THING, TELLING SOMEONE THAT. 935 00:39:33,290 --> 00:39:36,390 I MEAN, THIS IS SOMEONE WHO HELD A JOB, 936 00:39:36,420 --> 00:39:39,560 PAID HER RENT. 937 00:39:39,590 --> 00:39:40,720 IT COMES DOWN TO IT, 938 00:39:40,760 --> 00:39:43,060 YOU JUST GOTTA LET PEOPLE LIVE THEIR LIVES. 939 00:39:45,490 --> 00:39:47,320 THANKS FOR YOUR HELP. 940 00:39:47,360 --> 00:39:49,120 SO WHAT WAS THE "HE SAID" PART 941 00:39:49,160 --> 00:39:50,590 ABOUT WHY SHE GOT KILLED? 942 00:39:50,620 --> 00:39:53,390 IT’S LOOKING LIKE MAYBE IT WAS A ROBBERY. 943 00:39:54,990 --> 00:39:56,360 I’M SORRY. 944 00:40:05,320 --> 00:40:07,190 SHE PULLED HER GUN ON HIM? 945 00:40:07,220 --> 00:40:09,760 YEAH. SHE THOUGHT HE STOLE HER NECKLACE, 946 00:40:09,790 --> 00:40:12,460 BUT IT GOT RESOLVED WHEN SHE PUT IT BACK IN HER COAT. 947 00:40:12,490 --> 00:40:14,860 SO HE WASN’T IN IMMINENT DANGER WHEN HE SHOT HER? 948 00:40:16,260 --> 00:40:17,620 NO. 949 00:40:17,660 --> 00:40:20,360 ANYTHING TO EXPLAIN WHAT SHE WAS DOING 950 00:40:20,390 --> 00:40:23,160 OUT IN A LEATHER TRENCH BANGING GUYS OFF THE STREET? 951 00:40:23,190 --> 00:40:25,660 UPSET WITH GETTING DUMPED BY THIS GUY SHE WAS SEEING, 952 00:40:25,690 --> 00:40:26,920 IT LOOKS LIKE. 953 00:40:26,960 --> 00:40:28,460 TOOK IT HARD, DIDN’T SHE? 954 00:40:28,490 --> 00:40:31,560 ANYTHING ELSE I NEED TO KNOW THAT ISN’T IN THE STATEMENT? 955 00:40:31,590 --> 00:40:32,690 NO, IT’S ALL IN THERE. 956 00:40:32,720 --> 00:40:34,290 WRITE IT UP... 957 00:40:34,320 --> 00:40:35,920 AND I’LL TAKE IT FROM THERE. 958 00:40:35,960 --> 00:40:37,390 WILL DO. 959 00:40:45,060 --> 00:40:46,120 SO YOU’RE OKAY WITH THIS? 960 00:40:46,160 --> 00:40:48,390 YEAH...I’M FINE. 961 00:40:50,690 --> 00:40:52,260 MY WIFE CALL? 962 00:40:52,290 --> 00:40:54,760 NO. WHERE’S CONNIE? 963 00:40:54,790 --> 00:40:56,320 I GOT HER GASSING UP THE CAR. 964 00:40:56,360 --> 00:40:57,590 YOU WHAT? 965 00:40:57,620 --> 00:40:59,590 ALL THOSE ARSON FIRES ‐‐ THE SMELL OF GAS ‐‐ 966 00:40:59,620 --> 00:41:00,920 I DON’T CARE FOR FILLING UP. 967 00:41:00,960 --> 00:41:02,220 AND SHE DOES? 968 00:41:02,260 --> 00:41:04,990 SHE DIDN’T SEEM UPSET WHEN I TOLD HER TO DO IT. 969 00:41:05,020 --> 00:41:06,190 YOU TOLD HER? 970 00:41:06,220 --> 00:41:08,390 BOY, YOU GOT SOME BALLS. 971 00:41:08,420 --> 00:41:10,390 MR. FEMALE SENSITIVITY OVER HERE! 972 00:41:10,420 --> 00:41:12,390 GIBSON, YOU’RE GONNA WORK HERE, 973 00:41:12,420 --> 00:41:14,790 YOU GOTTA PULL YOUR OWN. THIS AIN’T THE VAMPIRE SQUAD 974 00:41:14,820 --> 00:41:16,360 WHERE YOU CAN SLEEP HALF THE TOUR. 975 00:41:16,390 --> 00:41:19,160 THANK YOU, FIRST‐GRADE DETECTIVE ANDY SIPOWICZ, 976 00:41:19,190 --> 00:41:20,720 FOR INFORMING LOWLY ME 977 00:41:20,760 --> 00:41:22,890 HOW TO WORK PROPERLY IN THE SQUAD. 978 00:41:22,920 --> 00:41:24,760 IS THAT WHAT THIS IS ALL ABOUT, HUH? 979 00:41:24,790 --> 00:41:26,120 ME MAKING FIRST GRADE? 980 00:41:26,160 --> 00:41:28,660 NO, BUT YOU GOT A PROBLEM WITH ME TRYING TO MOVE UP? 981 00:41:28,690 --> 00:41:31,660 I GOT A PROBLEM WITH YOU BEING A PAIN‐IN‐THE‐ASS LOAFER. 982 00:41:31,690 --> 00:41:34,060 WHEN YOU WERE ON NIGHT WATCH, I COULD TAKE YOU FOR 15 MINUTES A WEEK. 983 00:41:34,090 --> 00:41:36,060 BUT WORKING IN OUR SLOT’S DIFFERENT. 984 00:41:36,090 --> 00:41:38,020 YOU BETTER RISE TO THE OCCASION. 985 00:41:38,060 --> 00:41:39,990 MAYBE YOU DIDN’T HEAR I CLEARED A HOMICIDE TODAY. 986 00:41:40,020 --> 00:41:41,590 OH, YOU CLEARED IT, HUH? 987 00:41:41,620 --> 00:41:44,220 I’D LIKE TO KNOW WHAT YOU DID ON THAT CASE. 988 00:41:44,260 --> 00:41:45,690 HUH? 989 00:41:45,720 --> 00:41:48,420 AND I SET MY NIECE UP WITH THIS GUY. 990 00:41:48,460 --> 00:41:50,560 HOW CRAZY AM I? 991 00:41:50,590 --> 00:41:52,890 YOU OKAY WITH THE FIVES? 992 00:41:52,920 --> 00:41:54,220 GOT IT. 993 00:41:59,990 --> 00:42:02,490 THE THING THAT REALLY PISSES ME OFF ABOUT ANDY ‐‐ 994 00:42:02,520 --> 00:42:03,590 WHOA. 995 00:42:03,620 --> 00:42:06,120 WRONG GUY, EDDIE. YOU GOT THE WRONG GUY. 996 00:42:06,160 --> 00:42:07,860 I DON’T WANNA HEAR ABOUT IT. 997 00:42:19,120 --> 00:42:21,360 THIS IS HOW WE ROLL 998 00:42:21,390 --> 00:42:23,390 WITH SPORTSCENTER WITH DAN PATRICK... 999 00:42:24,720 --> 00:42:26,860 HI, POP. 1000 00:42:26,890 --> 00:42:28,290 I DON’T KNOW IF YOU HEARD 1001 00:42:28,320 --> 00:42:29,920 ABOUT THE CORRECTIONS OFFICER AT RIKERS, 1002 00:42:29,960 --> 00:42:31,560 BUT WE CAUGHT IT. 1003 00:42:34,990 --> 00:42:36,820 WHAT’S ‐‐ WHAT’S GOING ON? 1004 00:42:36,860 --> 00:42:38,620 WHAT’S WITH THE BAGS? 1005 00:42:38,660 --> 00:42:41,720 YOU’RE SUCH A GREAT DETECTIVE ALREADY, 1006 00:42:41,760 --> 00:42:44,020 I’M SURE YOU CAN FIGURE IT OUT. 1007 00:42:44,060 --> 00:42:45,660 ARE YOU KIDDING ME? 1008 00:42:45,690 --> 00:42:47,190 IT’S TIME YOU LEFT. 1009 00:42:47,220 --> 00:42:50,520 YOU KNOW, I’VE SEEN YOU OVERREACT TO THINGS BEFORE, 1010 00:42:50,560 --> 00:42:51,990 BUT... 1011 00:42:52,020 --> 00:42:54,060 YOU DON’T WANNA TALK THIS OUT? 1012 00:42:54,090 --> 00:42:55,620 YOU STAYING AT THE 15th? 1013 00:42:55,660 --> 00:42:56,820 YEAH. 1014 00:42:56,860 --> 00:42:58,560 THEN THERE’S NOTHING TO TALK ABOUT. 1015 00:42:58,590 --> 00:43:01,020 YOU DON’T THINK THAT THIS IS TAKING IT TOO FAR? 1016 00:43:01,060 --> 00:43:02,990 WHO TOOK IT TOO FAR, JOHN? I DID?! 1017 00:43:03,020 --> 00:43:05,360 YOU DISRESPECT ME IN FRONT OF OTHER COPS. 1018 00:43:05,390 --> 00:43:07,460 YOU CHOOSE TO WORK WITH THAT BUM SIPOWICZ 1019 00:43:07,490 --> 00:43:08,660 AGAINST MY ADVICE. 1020 00:43:08,690 --> 00:43:11,290 [ SIGHS ] 1021 00:43:11,320 --> 00:43:12,790 YOU WANNA LIVE YOUR OWN LIFE, 1022 00:43:12,820 --> 00:43:13,890 YOU GO LIVE IT. 1023 00:43:13,920 --> 00:43:15,890 YOU GO MAKE YOUR OWN MISTAKES. 1024 00:43:15,920 --> 00:43:20,260 I JUST HOPE THEY DON’T COST YOU YOUR JOB...OR WORSE. 1025 00:43:20,290 --> 00:43:22,490 IF I FORGOT ANYTHING, YOU LEAVE A MESSAGE, 1026 00:43:22,520 --> 00:43:24,820 I’LL SEE IT’S DROPPED OFF AT YOUR SQUAD. 1027 00:43:24,860 --> 00:43:26,560 [ WATER RUNNING ] 1028 00:43:45,120 --> 00:43:46,320 [ DOOR CLOSES ] 1029 00:43:59,020 --> 00:44:01,090 ♪ ♪ 1030 00:44:24,060 --> 00:44:26,090 ♪ ♪ 75135

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