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00:00:01,640 --> 00:00:02,740
Andy:
PREVIOUSLY ON "NYPD BLUE"...
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00:00:02,770 --> 00:00:04,670
YOU NEED TO HEAR THIS.
WHAT’S IT ABOUT?
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00:00:04,700 --> 00:00:06,040
DANNY.
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00:00:07,900 --> 00:00:09,770
[ SEA GULLS SQUAWKING ]
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00:00:18,070 --> 00:00:19,440
LET HIM GO
AND LAY THE GUN DOWN!
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00:00:19,470 --> 00:00:20,800
I’LL BLOW HIS HEAD OFF!
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00:00:20,840 --> 00:00:21,740
DROP THE GUN!
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00:00:26,270 --> 00:00:27,500
CHECK THIS OUT.
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00:00:27,540 --> 00:00:29,200
GUESS I’LL BE
SEEING YOU AROUND, HUH?
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00:00:29,240 --> 00:00:30,400
DON’T COUNT ON IT.
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00:00:30,440 --> 00:00:32,170
HE’S GONNA RETHINK
GOING TO THE 15th.
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00:00:32,200 --> 00:00:35,270
[ DRUMS PLAYING ]
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00:01:02,540 --> 00:01:04,500
[ BAGPIPES PLAYING
"AMAZING GRACE" ]
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00:01:12,870 --> 00:01:14,770
READY, UP.
15
00:01:39,300 --> 00:01:41,500
[ HELICOPTERS WHIRRING ]
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00:01:41,540 --> 00:01:44,870
SO, AS WE COMMEND
TO THE GROUND
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00:01:44,900 --> 00:01:51,200
THE EARTHLY REMAINS OF YOUR SON,
DETECTIVE DANIEL ERIC SORENSON,
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00:01:51,240 --> 00:01:53,670
WE PRAY, LORD, THAT YOU
TAKE HIS SOUL ONTO YOUR BOSOM,
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00:01:53,700 --> 00:01:56,540
AND MAY HIS SOUL AND THE SOULS
OF ALL THE FAITHFUL DEPARTED,
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00:01:56,570 --> 00:02:00,400
THROUGH THE MERCY OF GOD,
REST IN PEACE.
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00:02:00,440 --> 00:02:01,540
AMEN.
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00:02:11,940 --> 00:02:14,000
Andy: DANNY WAS A GOOD COP.
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00:02:14,040 --> 00:02:16,300
I WAS PROUD TO KNOW HIM.
24
00:02:16,340 --> 00:02:19,400
AND I WAS PROUD
TO WORK WITH HIM.
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00:02:19,440 --> 00:02:21,500
AND I’M GONNA MISS HIM.
26
00:02:21,540 --> 00:02:24,740
WHAT HE MEANT TO ALL OF US ‐‐
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00:02:24,770 --> 00:02:27,370
HIS LOYALTY, HIS BRAVERY,
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HIS GOOD HEART,
HIS SENSE OF WRONG AND RIGHT ‐‐
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00:02:33,770 --> 00:02:37,100
ANYWAY, I HOPE HE’S
IN A BETTER PLACE.
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00:02:37,140 --> 00:02:42,470
BUT I ALSO KNOW THAT A PART OF
HIM WILL ALWAYS BE HERE WITH US.
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00:02:42,500 --> 00:02:45,570
ALL I REALLY
WANT TO SAY HERE IS ‐‐
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00:02:45,600 --> 00:02:49,640
FROM ME AND EVERYONE
AT THE 15th,
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00:02:49,670 --> 00:02:51,200
GOD BLESS.
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00:02:53,470 --> 00:02:57,970
♪ AVE ♪
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00:02:58,000 --> 00:03:01,400
♪ MARIA ♪
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00:03:07,740 --> 00:03:11,270
♪ GRATIA ♪
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00:03:11,300 --> 00:03:16,270
♪ PLENA ♪
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00:03:16,300 --> 00:03:19,000
♪ MARIA ♪
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00:03:19,040 --> 00:03:26,040
♪ GRATIA PLENA ♪
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00:03:26,070 --> 00:03:33,670
♪ MARIA, GRATIA PLENA ♪
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00:03:33,700 --> 00:03:38,040
♪ AVE ♪
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♪ AVE DOMINUS ♪
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00:03:44,100 --> 00:03:48,100
♪ AVE ♪
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♪ MARIA ♪
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00:05:12,140 --> 00:05:14,640
SOME CEREMONY, HUH?
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00:05:14,670 --> 00:05:17,600
THOSE, UH‐‐THOSE BAGPIPES
ALWAYS GET ME CHOKED UP.
47
00:05:17,640 --> 00:05:18,670
ME TOO.
48
00:05:19,840 --> 00:05:21,170
John: DETECTIVE...
49
00:05:21,200 --> 00:05:23,740
THAT REALLY WAS BEAUTIFUL
OUT THERE.
50
00:05:23,770 --> 00:05:25,440
DEPARTMENT DOES A NICE JOB.
51
00:05:25,470 --> 00:05:27,740
ACTUALLY, I WAS REFERRING
TO WHAT YOU SAID.
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00:05:27,770 --> 00:05:30,370
I THINK DETECTIVE SORENSON
WOULD’VE BEEN TOUCHED.
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00:05:30,400 --> 00:05:32,300
YOU’VE ALL MET JOHN CLARK.
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00:05:32,340 --> 00:05:35,770
AS YOU KNOW, HE’S BEEN
ASSIGNED TO OUR SQUAD,
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00:05:35,800 --> 00:05:38,070
SO I’M SURE YOU’LL
MAKE HIM FEEL AT HOME.
WELCOME ABOARD.
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00:05:38,100 --> 00:05:40,070
THANKS.
I KNOW IT’S A TOUGH DAY.
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00:05:40,100 --> 00:05:41,840
WHATEVER I CAN DO TO HELP.
HEY.
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00:05:41,870 --> 00:05:43,540
Greg: HOW’S THE ARM?
Clark: IT’S GOOD.
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00:05:43,570 --> 00:05:45,100
MIGHT NOT THROW
ANY NO‐HITTERS.
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00:05:45,140 --> 00:05:47,740
Tony: GOT TWO CALLS IN
OFF THE NIGHT WATCH.
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00:05:47,770 --> 00:05:48,940
MEDAVOY, JONES,
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00:05:48,970 --> 00:05:51,200
INVESTIGATE DOA IN A FIRE.
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00:05:51,240 --> 00:05:52,840
ST. ANDREWS,
BETWEEN FIRST AND SECOND.
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00:05:52,870 --> 00:05:54,470
LET’S GO CHANGE.
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00:05:54,500 --> 00:05:56,100
ALSO ROBBERY ASSAULT ON 13th.
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00:05:56,140 --> 00:05:58,100
VICTIM’S BEING TREATED
ON THE SCENE.
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00:05:58,140 --> 00:05:59,700
WHO DO YOU WANT
WORKING THAT ONE?
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00:05:59,740 --> 00:06:01,400
YOU’RE UP.
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00:06:01,440 --> 00:06:04,370
LET’S TALK FIRST.
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00:06:04,400 --> 00:06:06,740
CONNIE, WHY DON’T YOU
SHOW JOHN AROUND?
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00:06:06,770 --> 00:06:09,370
COME ON. I’LL SHOW YOU
THE V. I. P. TOUR.
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00:06:09,400 --> 00:06:11,740
THANKS AGAIN FOR WHAT YOU DID
OUT ON THE STREET.
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00:06:11,770 --> 00:06:12,940
THIS AIN’T ONE OF THOSE
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00:06:12,970 --> 00:06:15,970
"PULL A THORN OUT OF THE OTHER
GUY’S PAW" TYPE DEALS.
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00:06:16,000 --> 00:06:17,870
YOU DON’T OWE ME NOTHING,
OKAY?
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00:06:17,900 --> 00:06:20,040
OKAY.
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00:06:25,970 --> 00:06:28,500
I’D APPRECIATE YOU
TAKING CLARK OUT TODAY.
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00:06:28,540 --> 00:06:30,400
I NEED AN EXPERIENCED
DETECTIVE TO SHOW HIM
THE ROPES.
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00:06:30,440 --> 00:06:32,200
LOOK, HE’S A GOOD KID,
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00:06:32,240 --> 00:06:35,900
BUT IT’S NOT EVEN TWO HOURS
SINCE I BURIED ONE,
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00:06:35,940 --> 00:06:38,740
AND THAT’S BESIDES
THIS ONE’S OLD MAN
BEING A FLAT‐OUT DICKHEAD,
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00:06:38,770 --> 00:06:41,640
NOT TO MENTION I ALREADY
HAD A PARTNER NAMED JOHN ‐‐
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00:06:41,670 --> 00:06:43,170
FOR SIX YEARS.
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00:06:43,200 --> 00:06:45,800
ANDY, WE GOTTA PULL
THE SQUAD BACK TOGETHER.
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00:06:45,840 --> 00:06:47,240
I NEED YOUR HELP.
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00:06:49,170 --> 00:06:51,400
WE’LL TAKE IT DAY TO DAY.
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00:06:51,440 --> 00:06:54,240
WELL,
TODAY IT’S ME AND CONNIE.
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00:06:54,270 --> 00:06:57,540
JUNIOR CAN TAG ALONG,
IF YOU WANT.
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00:06:57,570 --> 00:06:58,640
DONE.
90
00:07:12,940 --> 00:07:14,300
Mike: APARTMENT
GOT TORCHED.
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00:07:14,340 --> 00:07:16,440
SO DID THE FEMALE ‐‐
UNIDENTIFIED.
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00:07:16,470 --> 00:07:18,270
YEAH? DO WE KNOW
WHO LIVED THERE?
93
00:07:18,300 --> 00:07:21,070
TWO GIRLS. I’M STILL TRYIN’
TO FIND OUT WHO.
WHO CALLED IT IN?
94
00:07:21,100 --> 00:07:24,940
NEXT‐DOOR NEIGHBOR ‐‐
WHACK JOB.
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00:07:24,970 --> 00:07:26,600
UH, EXCUSE ME, MA’AM.
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00:07:26,640 --> 00:07:28,770
DO YOU KNOW THE NAMES OF
THE GIRLS WHO LIVE HERE?
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00:07:28,800 --> 00:07:30,170
NO, I DON’T KNOW THEM.
98
00:07:30,200 --> 00:07:32,770
YOUNG WOMEN LIKE THAT
BEHAVING LIKE THAT.
BEHAVING LIKE WHAT?
99
00:07:32,800 --> 00:07:34,740
THE CRY OF SODOM
AND GOMORRAH IS MULTIPLIED,
100
00:07:34,770 --> 00:07:37,700
AND THEIR SIN HAS BECOME
EXCEEDINGLY GRIEVOUS.
101
00:07:37,740 --> 00:07:39,970
MA’AM, ONE
OF THE GIRLS IS DEAD.
102
00:07:40,000 --> 00:07:42,770
SO IF THERE’S ANYTHING, LIKE,
CONCRETE YOU CAN GIVE US
103
00:07:42,800 --> 00:07:45,240
ABOUT WHAT HAPPENED LAST NIGHT,
WE’D REALLY APPRECIATE IT.
104
00:07:45,270 --> 00:07:50,070
SINNERS SHALL RECEIVE
THEIR RECOMPENSE
FOR THEIR WRONGDOING.
105
00:07:50,100 --> 00:07:52,670
ALL RIGHT.
THANKS FOR YOUR HELP.
106
00:08:00,700 --> 00:08:03,100
CRUCIFIX, BELLY RING.
107
00:08:04,700 --> 00:08:07,970
NO WAY SHE GOT DRUNK AND PASSED
OUT WITH A CANDLE GOING?
108
00:08:08,000 --> 00:08:09,870
NO, IT LOOKS LIKE
IT WAS SET.
109
00:08:09,900 --> 00:08:11,070
BOY, SHE LOOKS YOUNG.
110
00:08:11,100 --> 00:08:12,700
HEY, GUYS,
I GOT A GIRL OUT HERE
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00:08:12,740 --> 00:08:14,740
SAYS SHE LIVES
IN THIS APARTMENT.
112
00:08:23,000 --> 00:08:24,370
SALLY JONES.
113
00:08:24,400 --> 00:08:26,900
YOU LIVE IN 6B, SALLY?
114
00:08:26,940 --> 00:08:29,170
YEAH. WHAT HAPPENED?
115
00:08:29,200 --> 00:08:31,170
WHAT’S GOING ON?
116
00:08:31,200 --> 00:08:32,970
WHAT’S YOUR ROOMMATE’S NAME?
117
00:08:33,000 --> 00:08:34,940
CHRISSY NOLAN.
WHERE IS SHE?
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00:08:34,970 --> 00:08:36,870
DOES SHE WEAR A CRUCIFIX
AROUND HER NECK?
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00:08:36,900 --> 00:08:38,170
DOES SHE HAVE A BELLY RING?
120
00:08:38,200 --> 00:08:39,640
YEAH. IS SHE OKAY?
121
00:08:39,670 --> 00:08:40,840
OH, MY GOD.
122
00:08:40,870 --> 00:08:41,940
Baldwin: THERE WAS A FIRE.
123
00:08:41,970 --> 00:08:43,340
WHERE’S CHRISSY?
124
00:08:43,370 --> 00:08:45,900
SHE DIDN’T MAKE IT.
I’M SORRY.
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00:08:45,940 --> 00:08:46,940
[ CRIES ]
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00:08:46,970 --> 00:08:48,840
LET’S GET HER OUT OF HERE.
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00:08:48,870 --> 00:08:50,270
IT’S OKAY.
128
00:08:52,970 --> 00:08:54,770
ARE YOU A FRIEND OF HERS?
129
00:08:54,800 --> 00:08:57,400
YEAH. I CAN’T BELIEVE
THIS IS HAPPENING.
130
00:08:57,440 --> 00:09:00,240
OKAY, STAY WITH HER,
AND WE’LL HAVE AN OFFICER
131
00:09:00,270 --> 00:09:02,240
BRING YOU DOWN
TO THE STATION LATER.
132
00:09:04,370 --> 00:09:06,900
ANGUISH SHALL BE
VISITED UPON THE SOULS
133
00:09:06,940 --> 00:09:09,670
OF ALL THOSE
WHO WORK EVIL!
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00:09:09,700 --> 00:09:10,740
YEAH, WE GOT IT. THANKS.
135
00:09:10,770 --> 00:09:12,770
ANGUISH SHALL BE VISITED
136
00:09:12,800 --> 00:09:14,700
UPON THE SOULS OF ALL THOSE
137
00:09:14,740 --> 00:09:16,270
WHO WORK EVIL!
138
00:09:21,200 --> 00:09:22,200
NIGHT WATCH HERE?
139
00:09:22,240 --> 00:09:23,800
IN THE BEDROOM.
RUN IT.
140
00:09:23,840 --> 00:09:27,200
SECURITY COMPANY RESPONDED
TO A PANIC ALARM AT 6:15 A. M.
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00:09:27,240 --> 00:09:29,300
FOUND THE OCCUPANT,
NANCY CARLSON,
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00:09:29,340 --> 00:09:32,140
IN THE BEDROOM ‐‐
COMATOSE, ALL SLASHED UP.
143
00:09:32,170 --> 00:09:33,570
SHE GO DOA?
144
00:09:33,600 --> 00:09:35,670
BEEN MOVED TO BELLEVUE,
BUT IT DON’T LOOK GOOD.
145
00:09:36,840 --> 00:09:38,270
ANDY.
146
00:09:38,300 --> 00:09:40,070
SORRY
ABOUT MISSING THE FUNERAL.
147
00:09:40,100 --> 00:09:41,770
THIS JUMPED OFF AT THE END
OF MY TOUR.
148
00:09:41,800 --> 00:09:44,400
HOW’D IT GO?
HOW’D IT GO?
THEY BURIED HIM.
149
00:09:44,440 --> 00:09:47,100
BUT THE SERVICE WAS NICE?
NICE FLOWERS?
150
00:09:47,140 --> 00:09:49,870
THAT’S NOT WHAT I
WAS PAYING ATTENTION TO.
IT WENT FINE.
151
00:09:49,900 --> 00:09:51,100
WAS THE VICTIM MARRIED?
152
00:09:51,140 --> 00:09:52,400
HUSBAND’S NAMED PHIL.
153
00:09:52,440 --> 00:09:54,370
SECURITY COMPANY
HAD HIS PAGER.
HE’S ON THE WAY.
154
00:09:54,400 --> 00:09:55,500
Clark: HE SAY FROM WHERE?
155
00:09:55,540 --> 00:09:57,370
GUY WHO LIVES LIKE THIS
DOESN’T WORK NIGHTS.
156
00:09:57,400 --> 00:09:58,840
NAH, HE’S GOT
AN ARCHITECTURE DIPLOMA.
157
00:09:58,870 --> 00:10:01,140
WHERE WAS HE?
HE SAID
AN EARLY GOLF GAME.
158
00:10:01,170 --> 00:10:02,900
YOU CLARK?
159
00:10:02,940 --> 00:10:05,000
EDDIE GIBSON.
HEY.
160
00:10:05,040 --> 00:10:06,970
READ ABOUT YOU IN THE PAPER.
161
00:10:07,000 --> 00:10:08,640
KID’S GOT BALLS.
162
00:10:08,670 --> 00:10:12,040
WHICH HE’LL LOSE IF HE LEAVES
ANOTHER PAW PRINT IN THIS ROOM.
163
00:10:12,070 --> 00:10:13,800
HUSBAND’S HERE.
164
00:10:13,840 --> 00:10:18,670
YOU TRY AND KEEP YOUR HANDS OFF
UNTIL CRIME SCENE GETS THROUGH.
165
00:10:21,170 --> 00:10:23,470
MR. CARLSON,
I’M DETECTIVE SIPOWICZ.
166
00:10:23,500 --> 00:10:25,540
DETECTIVES McDOWELL AND CLARK.
167
00:10:25,570 --> 00:10:27,870
I GOT A CALL TO COME HOME,
BUT THE COP DIDN’T SAY WHY.
168
00:10:27,900 --> 00:10:29,870
WELL, IT LOOKS LIKE YOU’VE BEEN
ROBBED, MR. CARLSON.
169
00:10:29,900 --> 00:10:31,470
WHY DON’T YOU TAKE A SEAT?
170
00:10:31,500 --> 00:10:33,470
WHERE’S MY WIFE?
WHERE’S NANCY?
171
00:10:33,500 --> 00:10:34,700
Connie: SHE’S AT BELLEVUE.
172
00:10:34,740 --> 00:10:36,600
SHE’S BEING TREATED
FOR A STAB WOUND.
173
00:10:36,640 --> 00:10:37,800
IS SHE ALL RIGHT?
174
00:10:37,840 --> 00:10:39,970
I SHOULD BE WITH HER.
SHE’S GETTIN’ GOOD CARE.
175
00:10:40,000 --> 00:10:42,770
THE THING TO DO NOW IS TO HELP
GET THE INVESTIGATION GOING.
176
00:10:42,800 --> 00:10:45,770
YOU TOLD THE COP YOU WERE
PLAYING GOLF. WHERE?
177
00:10:45,800 --> 00:10:47,470
QUAKER RIDGE IN WESTCHESTER.
178
00:10:47,500 --> 00:10:49,270
Sipowicz: YOU ALWAYS
PLAY SO EARLY?
179
00:10:49,300 --> 00:10:50,640
EVERY TUESDAY.
180
00:10:50,670 --> 00:10:53,400
ALWAYS THE SAME GROUP?
181
00:10:53,440 --> 00:10:55,640
WHAT DOES THAT HAVE TO DO WITH
MY WIFE BEING STABBED?
182
00:10:55,670 --> 00:10:59,400
MAYBE NOTHING, BUT YOU START OUT
GENERAL AND YOU GET SPECIFIC.
183
00:10:59,440 --> 00:11:02,300
YOU’RE SPECIFICALLY
ASKING QUESTIONS ABOUT ME.
184
00:11:02,340 --> 00:11:05,240
GETTING EXCITED ISN’T GONNA HELP
FIND OUT WHO DID THIS.
185
00:11:05,270 --> 00:11:07,670
I DON’T THINK ASKING STUPID
QUESTIONS WILL, EITHER.
186
00:11:07,700 --> 00:11:10,100
SO, EXCUSE ME, I’M
GONNA GO BE WITH MY WIFE.
187
00:11:10,140 --> 00:11:11,740
WE’LL BE IN TOUCH.
188
00:11:14,540 --> 00:11:15,700
SWEET GUY.
189
00:11:15,740 --> 00:11:17,740
I’LL START A CANVASS.
190
00:11:23,000 --> 00:11:24,500
[ CLEARS THROAT ]
191
00:11:30,570 --> 00:11:31,770
[ KNOCK ON DOOR ]
192
00:11:31,800 --> 00:11:33,000
WHAT’D YOU GET?
193
00:11:33,040 --> 00:11:35,300
NO FORCED ENTRY,
NO BROKEN WINDOWS.
194
00:11:35,340 --> 00:11:36,900
CRIME SCENE’S
STILL PROCESSING.
195
00:11:36,940 --> 00:11:38,900
DID YOU PUT IN A CALL TO THE
HUSBAND’S COUNTRY CLUB?
196
00:11:38,940 --> 00:11:41,740
HE OCCASIONALLY PLAYS TUESDAYS,
BUT HIS GROUP DIDN’T COME TODAY.
197
00:11:41,770 --> 00:11:42,970
WHERE IS HE NOW?
198
00:11:43,000 --> 00:11:44,540
PRETENDING TO MOPE
OVER HIS WIFE.
199
00:11:44,570 --> 00:11:46,270
WHY AREN’T WE
GRABBING THIS GUY UP?
200
00:11:46,300 --> 00:11:47,400
HE WAS HINKY AT THE SCENE.
201
00:11:47,440 --> 00:11:49,140
I FIGURED GIVE HIM AN HOUR,
202
00:11:49,170 --> 00:11:50,770
THEN BRING HIM IN EASY.
203
00:11:53,370 --> 00:11:55,800
SO WE’VE GONE FROM "MAYBE HE’S
GOT SOMETHING TO HIDE"
204
00:11:55,840 --> 00:11:57,170
TO CONVINCED HE DID IT?
205
00:11:57,200 --> 00:11:58,170
FOR NOW, HE’S
OUR TOP CANDIDATE.
206
00:11:58,200 --> 00:11:59,140
THAT MAKES SENSE.
207
00:11:59,170 --> 00:12:00,940
YEAH? WHY?
208
00:12:00,970 --> 00:12:03,140
HE HAS ACCESS, OPPORTUNITY ‐‐
209
00:12:03,170 --> 00:12:05,040
A REAL PRICK ‐‐
210
00:12:05,070 --> 00:12:07,240
K.I.S.S. ‐‐
"KEEP IT SIMPLE, STUPID."
211
00:12:07,270 --> 00:12:09,540
YOUR DAD TEACH YOU THAT?
212
00:12:09,570 --> 00:12:11,270
YOU’RE SO SHARP,
WHAT DO WE DO NOW?
213
00:12:11,300 --> 00:12:14,500
LOOK INTO HIM FOR A MOTIVE.
214
00:12:14,540 --> 00:12:17,940
SO WE GO TO THE MOTIVE STORE,
SEE WHICH ONE HE BOUGHT?
215
00:12:17,970 --> 00:12:19,300
WE COULD SEE WHO
HE’S BEEN CALLING.
216
00:12:19,340 --> 00:12:21,440
MAYBE HE’S GOT A GIRLFRIEND.
217
00:12:21,470 --> 00:12:24,070
I’LL CALL T. A. R. U.,
GET A DUMP ON HIS PHONES.
218
00:12:24,100 --> 00:12:26,840
I’D LIKE TO SEE HOW MUCH LIFE
INSURANCE HE’S GOT ON HIS WIFE.
219
00:12:26,870 --> 00:12:28,770
DO IT.
220
00:12:34,440 --> 00:12:38,170
THERE’S NO WAY TO GET
INFORMATION ON LIFE INSURANCE.
221
00:12:38,200 --> 00:12:40,440
MAYBE HE KNOWS
SOMETHING WE DON’T.
222
00:12:40,470 --> 00:12:43,100
MORNING. JOHN CLARK.
LOOKING FOR MY SON.
223
00:12:43,140 --> 00:12:45,040
I’M JOHN IRVIN.
224
00:12:45,070 --> 00:12:46,440
NICE TO MEET YOU.
225
00:12:46,470 --> 00:12:47,800
HE’S RIGHT AROUND THE CORNER.
226
00:12:50,070 --> 00:12:51,870
SIPOWICZ.
227
00:12:51,900 --> 00:12:53,370
CLARK.
228
00:12:53,400 --> 00:12:55,200
Your dad’s here.
229
00:12:55,240 --> 00:12:58,370
POP, WHAT ARE YOU DOING HERE?
230
00:12:58,400 --> 00:12:59,940
MY DAY OFF ‐‐
THOUGHT I’D STOP IN.
231
00:12:59,970 --> 00:13:01,000
HOW’S IT GOING?
232
00:13:01,040 --> 00:13:02,070
I WAS WORKING A CASE.
233
00:13:02,100 --> 00:13:03,040
WHAT’D YOU GET?
234
00:13:03,070 --> 00:13:04,100
STABBING.
235
00:13:04,140 --> 00:13:06,170
I RECOGNIZE GREG MEDAVOY.
236
00:13:06,200 --> 00:13:07,600
YOU KNOW EACH OTHER?
237
00:13:07,640 --> 00:13:10,500
YEAH, WE’VE CROSSED PATHS.
HOW ARE YOU?
238
00:13:10,540 --> 00:13:11,500
GOOD.
239
00:13:12,800 --> 00:13:14,100
THERE’S YOUR JACKET.
240
00:13:14,140 --> 00:13:15,800
THIS MUST BE YOUR DESK.
241
00:13:17,670 --> 00:13:19,840
WHO ARE YOU WORKING WITH?
242
00:13:19,870 --> 00:13:21,670
CONNIE McDOWELL...
243
00:13:21,700 --> 00:13:22,800
HI.
244
00:13:22,840 --> 00:13:24,600
...AND ANDY.
245
00:13:24,640 --> 00:13:26,300
IS THAT SO?
246
00:13:26,340 --> 00:13:28,540
YEAH, I FIGURE
WORK WITH YOUR KID,
247
00:13:28,570 --> 00:13:30,240
MAYBE YOU AND ME
GET TO HANG OUT.
248
00:13:30,270 --> 00:13:33,100
PEOPLE CONSIDER SARCASM
THE OUTLET OF A WEAK MIND.
249
00:13:33,140 --> 00:13:34,570
YOU HAVE BUSINESS HERE,
DUTCH BOY?
250
00:13:34,600 --> 00:13:38,070
POP, HOW ABOUT I BUY YOU
SOME COFFEE, HUH?
251
00:13:38,100 --> 00:13:39,070
LET’S GO.
252
00:13:39,100 --> 00:13:40,500
COME ON.
253
00:13:40,540 --> 00:13:42,640
OVER HERE.
254
00:13:53,260 --> 00:13:55,030
SO, SHOULD I DUST OFF
THE GLOVES,
255
00:13:55,060 --> 00:13:58,230
OR YOU TWO WILL JUST
SETTLE THIS IN THE ALLEY?
I HATE TO SAY, "I TOLD YOU SO."
256
00:13:58,260 --> 00:14:01,500
REGARDING WHAT?
WHAT HAVE I BEEN
WARNING ABOUT ALL WEEK?
257
00:14:01,520 --> 00:14:03,820
THE SARCASM, THE INSULTS.
THERE’S NO CHANCE THAT HE
WAS REACTING TO YOU?
258
00:14:03,860 --> 00:14:05,930
MEETING YOUR SQUAD,
SITTING AT YOUR DESK?
259
00:14:05,960 --> 00:14:08,700
MAYBE IT WAS YOU SHOWING UP
IN THE FIRST PLACE.
260
00:14:08,720 --> 00:14:12,020
I MEAN, YOU DON’T LIKE HIM,
WHY COME TO HIS SQUAD?
261
00:14:12,060 --> 00:14:13,560
’CAUSE I BEEN
ON THIS JOB 26 YEARS,
262
00:14:13,590 --> 00:14:15,920
AND I CAN WALK
INTO ANY PRECINCT
I DAMN WELL PLEASE,
263
00:14:15,960 --> 00:14:17,630
ESPECIALLY THE ONE MY SON
IS WORKING IN.
264
00:14:17,660 --> 00:14:19,030
FINE.
265
00:14:21,460 --> 00:14:24,830
DAD, IF I’M GONNA WORK HERE,
YOU GOTTA EASE UP WITH HIM.
266
00:14:24,860 --> 00:14:26,200
WHAT WOULD HELP THAT
267
00:14:26,220 --> 00:14:28,790
IS IF YOU DECLINED
TO WORK WITH THIS BUM.
268
00:14:30,720 --> 00:14:32,350
I KNOW YOU DON’T LIKE HIM,
269
00:14:32,390 --> 00:14:35,220
BUT EVERYONE I’VE TALKED TO SAYS
THAT HE’S A GREAT DETECTIVE.
270
00:14:35,260 --> 00:14:36,800
DECLINE TO WORK WITH HIM.
271
00:14:36,820 --> 00:14:38,820
JUST CALL MY BOSS,
LIEUTENANT CROMWELL.
272
00:14:38,860 --> 00:14:40,130
I GOT A CASE.
273
00:14:40,160 --> 00:14:42,530
WHICH I WOULD LIKE TO HEAR
A BIT ABOUT.
274
00:14:43,790 --> 00:14:44,990
WHAT’D YOU GET?
275
00:14:46,790 --> 00:14:51,190
IT’S A POSSIBLE BREAK‐IN,
BUT THE HUSBAND’S ALIBI
DOESN’T CHECK.
276
00:14:51,220 --> 00:14:52,790
TELL ME ABOUT THE HUSBAND.
277
00:14:59,320 --> 00:15:02,350
YEAH, THAT’S RIGHT ‐‐
’56 LES PAUL.
278
00:15:02,390 --> 00:15:04,620
I’M VERY INTERESTED
IN BUYING ONE.
279
00:15:04,660 --> 00:15:05,800
THANKS.
280
00:15:07,320 --> 00:15:11,490
HEY, GREG, I DIDN’T KNOW YOU
WORKED WITH MY FATHER.
281
00:15:11,520 --> 00:15:13,390
YEAH, A FEW TASK FORCES.
282
00:15:13,420 --> 00:15:15,190
NEVER THE SAME SQUAD.
283
00:15:15,220 --> 00:15:17,720
YOU KNOW WHAT, UH,
"DUTCH BOY" MEANS?
284
00:15:17,760 --> 00:15:20,430
IT WAS A MINOR THING,
YEARS AGO,
285
00:15:20,460 --> 00:15:22,600
WHEN HE WAS ON A FOOT POST.
286
00:15:22,620 --> 00:15:23,520
LIKE WHAT?
287
00:15:23,560 --> 00:15:25,200
I GUESS HE SORT OF...
288
00:15:25,220 --> 00:15:26,120
[ CHUCKLES ]
289
00:15:26,160 --> 00:15:27,930
SHOT UP A HARDWARE STORE.
290
00:15:27,960 --> 00:15:29,400
SO "DUTCH BOY"?
291
00:15:29,420 --> 00:15:32,150
ABOUT 2:00 IN THE MORNING,
292
00:15:32,190 --> 00:15:35,650
YOUR FATHER SAW
THE BACKDOOR OPEN
293
00:15:35,690 --> 00:15:38,150
TO MILLER PAINT AND HARDWARE
ON FLATBUSH.
I’VE DRIVEN BY IT.
294
00:15:38,190 --> 00:15:41,250
SO, IT’S A 2‐STORY PLACE,
STREET LEVEL AND BASEMENT.
295
00:15:42,820 --> 00:15:46,720
HE CREEPS IN, GUN DRAWN,
CALLS OUT ‐‐
296
00:15:46,760 --> 00:15:47,860
NOTHING.
297
00:15:47,890 --> 00:15:51,020
THEN HE MOVES DOWNSTAIRS.
298
00:15:51,060 --> 00:15:54,030
IT’S PITCH DARK.
HE ROUNDS A CORNER.
299
00:15:54,060 --> 00:15:57,030
AND THERE’S A GUY
STANDING WITH A GUN.
300
00:15:57,060 --> 00:15:58,530
"DROP IT!" HE YELLS.
301
00:15:58,560 --> 00:15:59,560
"DROP IT!"
302
00:15:59,590 --> 00:16:03,450
BUT THE GUY DON’T MOVE,
SO CLARK OPENS FIRE.
303
00:16:03,490 --> 00:16:06,590
HE HITS THE DECK,
SCRAMBLES FOR HIS RADIO,
304
00:16:06,620 --> 00:16:08,050
AND CALLS IN BACKUP.
305
00:16:09,460 --> 00:16:11,660
[ CHUCKLES ]
306
00:16:11,690 --> 00:16:13,350
AFTER A MINUTE
SITTING IN THE DARK,
307
00:16:13,390 --> 00:16:15,450
HE FINDS THE LIGHT,
308
00:16:15,490 --> 00:16:19,150
AND HE SEES THE AIR
IS FULL OF WHITE POWDER,
309
00:16:19,190 --> 00:16:22,050
LIKE HE SHOT UP A BAG
OF FLOUR...
310
00:16:22,090 --> 00:16:23,950
BUT IT WASN’T FLOUR.
311
00:16:23,990 --> 00:16:26,920
IT WAS A LIFE‐SIZE
PLASTER STATUE
312
00:16:26,960 --> 00:16:29,130
ADVERTISING DUTCH BOY PAINT,
313
00:16:29,160 --> 00:16:33,430
BUT THE LITTLE BRUSH HAD BEEN
EXPLODED OUT OF ITS HAND,
314
00:16:33,460 --> 00:16:36,600
AND THERE WAS TWO BULLET HOLES
IN THE CROTCH!
315
00:16:36,620 --> 00:16:37,550
[ LAUGHS ]
316
00:16:37,590 --> 00:16:39,520
[ CLEARS THROAT ]
317
00:16:41,220 --> 00:16:44,250
HE GOT HIS BALLS BROKE
BUT GOOD.
318
00:16:46,260 --> 00:16:48,200
IT COULD HAVE HAPPENED
TO ANYONE.
319
00:16:48,220 --> 00:16:50,520
OH, SURE, YEAH.
SIMPLE MISTAKE.
320
00:16:51,720 --> 00:16:53,620
Greg: OH, FRIENDS
OF THE DOA.
321
00:16:53,660 --> 00:16:55,330
WE BETTER TALK TO THEM.
322
00:16:55,360 --> 00:16:56,900
YOU BET.
323
00:17:00,890 --> 00:17:03,020
ARE YOU FREE TO TAKE
THE DOA’s ROOMMATE?
324
00:17:03,060 --> 00:17:04,730
SURE. UH, SALLY, RIGHT?
325
00:17:04,760 --> 00:17:07,360
YEAH, AND HIT HER UP
ABOUT THAT GUITAR.
326
00:17:07,390 --> 00:17:10,120
JUST TAKE A MINUTE.
THIS WAY.
327
00:17:14,220 --> 00:17:16,520
SO, UH, WE’LL TAKE CANDY?
328
00:17:16,560 --> 00:17:17,760
YEP.
329
00:17:17,790 --> 00:17:19,320
[ SIGHS ]
330
00:17:19,360 --> 00:17:21,030
THE KID ASKED.
331
00:17:26,020 --> 00:17:28,420
HI, SALLY.
I’M DETECTIVE McDOWELL.
332
00:17:28,460 --> 00:17:29,460
HI.
333
00:17:29,490 --> 00:17:32,120
I’M SORRY WHAT HAPPENED
TO YOUR FRIEND.
334
00:17:32,160 --> 00:17:33,760
HOW LONG WERE YOU ROOMMATES?
335
00:17:33,790 --> 00:17:35,050
A YEAR OUT HERE,
336
00:17:35,090 --> 00:17:37,820
BUT WE’VE BEEN BEST FRIENDS
SINCE JUNIOR HIGH.
337
00:17:37,860 --> 00:17:40,700
WHEN DID YOU
LAST SEE CHRISSY?
338
00:17:40,720 --> 00:17:42,490
[ Voice breaking ]
LAST NIGHT.
339
00:17:42,520 --> 00:17:44,890
ME AND HER RODE WITH CANDY
IN THE VAN
340
00:17:44,920 --> 00:17:46,390
TO CANDY’S GIG IN HOBOKEN.
341
00:17:46,420 --> 00:17:49,290
WE WERE ALL GONNA GO TO
A PARTY AFTER.
342
00:17:49,320 --> 00:17:52,850
BUT CHRISSY GOT
ONE OF HER MIGRAINES,
343
00:17:52,890 --> 00:17:55,050
SO SHE TOOK A CAB HOME.
344
00:17:55,090 --> 00:17:58,720
DO YOU KNOW HOW THE FIRE
STARTED YET?
345
00:17:58,760 --> 00:18:00,500
NO, WE DON’T.
346
00:18:00,520 --> 00:18:03,290
CHRISSY EVER HAVE A BEEF
347
00:18:03,320 --> 00:18:05,450
WITH ANYONE MIGHT WANT TO SEE
HER HURT?
348
00:18:05,490 --> 00:18:06,920
NO.
349
00:18:06,960 --> 00:18:08,760
WE’RE LIKE NOBODIES OUT HERE.
350
00:18:08,790 --> 00:18:10,220
WE DON’T HAVE ENEMIES.
351
00:18:10,260 --> 00:18:12,100
HOW ABOUT
A JEALOUS BOYFRIEND?
352
00:18:12,120 --> 00:18:13,220
NO.
353
00:18:13,260 --> 00:18:16,230
CHRISSY DIDN’T WANT
TO GET SERIOUS WITH ANYONE.
354
00:18:16,260 --> 00:18:19,600
SHE WAS TOO FOCUSED
ON MAKING IT.
355
00:18:19,620 --> 00:18:20,920
WE TALKED TO CHRISSY’S DAD.
356
00:18:20,960 --> 00:18:23,130
SOUNDS LIKE HER FAMILY
WAS PRETTY WELL OFF.
357
00:18:23,160 --> 00:18:24,200
YEAH.
358
00:18:24,220 --> 00:18:26,520
HE FAXED US OVER A LIST
OF HER BELONGINGS.
359
00:18:26,560 --> 00:18:28,560
LOOKS LIKE ONE GUITAR
MISSING WAS WORTH 8 GRAND.
360
00:18:28,590 --> 00:18:31,320
THAT WAS A GRADUATION
PRESENT FROM HER DAD.
361
00:18:31,360 --> 00:18:33,400
WHO’D KNOW
SHE HAD EXPENSIVE GEAR?
362
00:18:33,420 --> 00:18:34,890
LOTS OF PEOPLE, I GUESS.
363
00:18:34,920 --> 00:18:37,020
WE HAD PARTIES ALL THE TIME.
364
00:18:37,060 --> 00:18:40,900
ANYONE BESIDES YOU AND CHRISSY
HAVE KEYS TO THE APARTMENT?
365
00:18:40,920 --> 00:18:42,350
JUST CANDY.
366
00:18:42,390 --> 00:18:45,950
CHRISSY LET HER COME BORROW
GUITAR PEDALS AND STUFF,
367
00:18:45,990 --> 00:18:48,320
LET HER USE
OUR REHEARSAL SPACE.
368
00:18:48,360 --> 00:18:50,100
SO YOU GUYS ARE TIGHT
WITH CANDY?
369
00:18:50,120 --> 00:18:52,520
YEAH. WE HANG OUT.
370
00:18:52,560 --> 00:18:54,200
WHAT’S WITH ALL THESE
WEIRD QUESTIONS?
371
00:18:54,220 --> 00:18:56,790
CHRISSY WAS MURDERED
LAST NIGHT.
372
00:18:56,820 --> 00:18:59,650
THE FIRE WAS SET TO MAKE IT
LOOK LIKE THAT’S HOW SHE DIED.
373
00:18:59,690 --> 00:19:00,690
WHAT?
374
00:19:00,720 --> 00:19:02,420
[ SOBS ]
375
00:19:02,460 --> 00:19:03,760
OH!
376
00:19:03,790 --> 00:19:06,150
I NEED YOU TO WRITE DOWN
THE NAMES OF PEOPLE
377
00:19:06,190 --> 00:19:08,090
WHO HUNG OUT AT YOUR PLACE,
378
00:19:08,120 --> 00:19:09,990
PEOPLE WHO KNEW CHRISSY
HAD THAT GUITAR.
379
00:19:10,020 --> 00:19:12,850
[ Sobbing ]
I CAN’T BELIEVE SHE’S DEAD!
380
00:19:14,960 --> 00:19:16,630
Greg: SO, HOW LONG YOU
KNOWN SALLY AND CHRISSY?
381
00:19:16,660 --> 00:19:18,230
SINCE RIGHT AFTER
THEY MOVED HERE.
382
00:19:18,260 --> 00:19:20,630
MY BAND
WAS HEADLINING AT CB’s,
383
00:19:20,660 --> 00:19:22,760
AND THEY CORNERED ME
AFTER A GIG,
384
00:19:22,790 --> 00:19:24,720
WANTING TO KNOW
HOW I GOT TO WHERE I AM.
385
00:19:24,760 --> 00:19:27,730
CHRISSY GOT ANYONE YOU KNOW
MIGHT WANT TO HURT HER?
386
00:19:27,760 --> 00:19:29,700
NO, THOUGH SHE
PISSED A LOT OF PEOPLE OFF.
387
00:19:29,720 --> 00:19:31,090
PEOPLE WHO PAID THEIR DUES?
388
00:19:31,120 --> 00:19:34,490
YEAH. MADE HER FOR A WANNABE
’CAUSE SHE NEVER LIVED IT.
389
00:19:34,520 --> 00:19:38,150
ME, IF I HAD A RICH DAD,
SCREW IT, I’D GET A LOFT.
390
00:19:38,190 --> 00:19:41,050
BUT CHRISSY
WANTED TO KEEP IT REAL.
391
00:19:41,090 --> 00:19:43,550
SHE WAS A COOL CHICK.
IT REALLY SUCKS WHAT HAPPENED.
392
00:19:43,590 --> 00:19:46,190
WE HEARD SHE HAD A GUITAR
WORTH A LOT OF MONEY ‐‐
393
00:19:46,220 --> 00:19:48,250
A 1956 GIBSON LES PAUL.
394
00:19:48,290 --> 00:19:50,990
YEAH, SEE, THAT’S THE KIND OF
CRAP I’M TALKING ABOUT.
395
00:19:51,020 --> 00:19:53,150
SHE’S GOT AN ORIGINAL ’56
GOLDTOP PAUL,
396
00:19:53,190 --> 00:19:55,650
BUT SHE CAN ONLY PLAY
THREE DAMN CHORDS.
397
00:19:55,690 --> 00:19:57,390
WHEN DID YOU SEE HER LAST?
398
00:19:57,420 --> 00:19:59,020
IN HOBOKEN LAST NIGHT.
399
00:19:59,060 --> 00:20:00,960
MY DRUMMER LIVES OUT THERE.
400
00:20:00,990 --> 00:20:02,820
WE PARTIED AFTER AT HIS CRIB,
CRASHED THERE.
401
00:20:02,860 --> 00:20:05,500
CHRISSY DIDN’T FEEL GOOD,
SO SHE SPLIT.
402
00:20:05,520 --> 00:20:08,320
SO, THERE’S NOBODY
IN PARTICULAR YOU
CAN THINK OF
403
00:20:08,360 --> 00:20:10,230
THAT REALLY
HAD IT OUT FOR HER?
404
00:20:10,260 --> 00:20:12,360
NO, BUT YOU GOTTA WATCH
YOURSELF.
405
00:20:12,390 --> 00:20:15,220
IT’S LIKE A LITTLE KID
LIVING ON A BUSY STREET.
406
00:20:15,260 --> 00:20:17,960
THAT’S A LINE I WROTE
IN A SONG ABOUT NEW YORK.
407
00:20:17,990 --> 00:20:20,420
IT’S A TOUGH TOWN.
408
00:20:25,420 --> 00:20:26,520
[ SIGHS ]
409
00:20:26,560 --> 00:20:27,830
GOT ANYTHING ON THE ROOMMATE?
410
00:20:27,860 --> 00:20:29,330
NO, AND YOUR POOL OF SUSPECTS
411
00:20:29,360 --> 00:20:32,460
INCLUDES EVERY BROKE
AND JEALOUS MUSICIAN
IN NEW YORK.
412
00:20:32,490 --> 00:20:34,220
GREAT.
413
00:20:36,460 --> 00:20:37,430
HEY.
414
00:20:37,460 --> 00:20:38,560
HOW’S IT GOING?
415
00:20:38,590 --> 00:20:41,950
UH, SURFING FOR INFO
ON A LIFE INSURANCE POLICY.
416
00:20:41,990 --> 00:20:45,320
I’VE DONE A LAWMAN SEARCH,
AND I RAN A CREDIT CHECK.
BUT I GOT NOTHIN’ YET.
417
00:20:45,360 --> 00:20:47,360
YOU CAN’T GET ANYTHING
ON LIFE INSURANCE
418
00:20:47,390 --> 00:20:49,820
UNLESS THE INSURED PARTY
TELLS YOU THEMSELVES.
SAY WHAT?
419
00:20:49,860 --> 00:20:51,300
EVEN IF YOU
GOT A POLICY NUMBER,
420
00:20:51,320 --> 00:20:53,220
THE PRIVACY ACT WON’T
ALLOW THE INSURANCE COMPANY
421
00:20:53,260 --> 00:20:55,160
TO GIVE OUT SPECIFICS
WITHOUT A SUBPOENA.
422
00:20:55,190 --> 00:20:58,450
LEAVE ME OUT OF THIS.
423
00:20:58,490 --> 00:21:00,120
THANKS FOR THE TIP.
424
00:21:05,190 --> 00:21:07,820
SO, WHAT’S NEXT?
YOU GONNA SHORT‐SHEET MY BED?
425
00:21:07,860 --> 00:21:09,900
WHAT ARE YOU TALKING ABOUT?
426
00:21:09,920 --> 00:21:12,790
LIFE INSURANCE POLICY.
YOU KNEW I COULDN’T GET THAT
INFORMATION WITHOUT A SUBPOENA.
427
00:21:12,820 --> 00:21:15,720
I FIGURED MAYBE YOU HAD AN IN
WITH THE GOOD HANDS PEOPLE.
428
00:21:15,760 --> 00:21:18,960
YEAH, WELL, I’M FLATTERED.
MAYBE NEXT TIME YOU COULD
SAVE ME THE TRIP.
429
00:21:20,390 --> 00:21:24,090
ROBERT HOROWITZ.
I REPRESENT PHILLIP CARLSON.
430
00:21:24,120 --> 00:21:26,090
DETECTIVES SIPOWICZ
AND McDOWELL.
431
00:21:26,120 --> 00:21:27,520
Connie: WHAT CAN WE
DO FOR YOU?
432
00:21:27,560 --> 00:21:30,430
MR. CARLSON INFORMED ME
THAT THERE IS AN INVESTIGATION
433
00:21:30,460 --> 00:21:33,830
GOING ON REGARDING THE ATTACK
ON HIS WIFE, AND HE’S A SUSPECT.
434
00:21:33,860 --> 00:21:35,600
WE NEVER IDENTIFIED
HIM AS A SUSPECT.
435
00:21:35,620 --> 00:21:38,050
BUT IF YOU’RE HERE
TO TELL US SOMETHING ‐‐
436
00:21:38,090 --> 00:21:39,990
I’M ABSOLUTELY HERE
TO TELL YOU SOMETHING.
437
00:21:40,020 --> 00:21:43,390
STOP SLANDERING
MY CLIENT’S NAME
BY CALLING HIS CO‐WORKERS
438
00:21:43,420 --> 00:21:46,020
AND ASKING ABOUT AFFAIRS
THAT DON’T EXIST.
439
00:21:46,060 --> 00:21:47,730
WHAT ARE YOU TALKING ABOUT?
440
00:21:47,760 --> 00:21:50,760
A DETECTIVE’S BEEN CALLING
MY CLIENT’S WORKPLACE
441
00:21:50,790 --> 00:21:53,690
AND ASKING SEVERAL INDIVIDUALS
ABOUT INFIDELITIES AND AFFAIRS
442
00:21:53,720 --> 00:21:55,350
BASED ON
INNOCENT CELL PHONE CALLS
443
00:21:55,390 --> 00:21:57,190
MY CLIENT MADE
TO HIS PERSONAL ASSISTANT.
444
00:21:57,220 --> 00:21:59,890
NOBODY HERE HAS BEEN
MAKING THOSE CALLS.
445
00:21:59,920 --> 00:22:02,490
THEY MOST CERTAINLY HAVE BEEN,
AND IT’S IN EXTREMELY POOR TASTE
446
00:22:02,520 --> 00:22:04,220
AS MRS. CARLSON IS CURRENTLY
FIGHTING FOR HER LIFE
447
00:22:04,260 --> 00:22:05,660
AND MY CLIENT
IS AT HER SIDE.
448
00:22:05,690 --> 00:22:08,490
MY CLIENT WANTS TO KNOW WHO
DID THIS HORRIBLE THING,
449
00:22:08,520 --> 00:22:10,650
BUT THIS IS NO WAY TO GET
COOPERATION FROM HIM.
450
00:22:10,690 --> 00:22:11,920
IT’S AN ONGOING INVESTIGATION.
451
00:22:11,960 --> 00:22:14,800
WHEN WE WANT A STATEMENT FROM
YOUR CLIENT, WE’LL CONTACT HIM.
452
00:22:14,820 --> 00:22:15,890
YOU’LL CONTACT ME.
453
00:22:15,920 --> 00:22:17,320
I AM NOTIFYING YOU NOW
454
00:22:17,360 --> 00:22:20,160
THAT MY CLIENT
HAS RETAINED ME AS COUNSEL.
455
00:22:22,490 --> 00:22:24,850
[ SIGHS ]
456
00:22:24,890 --> 00:22:27,520
CELL‐PHONE CALLS?
457
00:22:27,560 --> 00:22:29,830
DID YOU GET THE PHONE DUMP
BACK YET FROM CARLSON’S CELL?
458
00:22:29,860 --> 00:22:31,130
NO.
459
00:22:31,160 --> 00:22:34,130
DID ANYBODY CALL
ON THE PHONE DUMP?
460
00:22:34,160 --> 00:22:37,000
TELL ME NOW BEFORE I
RIP THIS GUY A NEW ONE.
461
00:22:38,820 --> 00:22:40,350
GILMORE, SIPOWICZ.
462
00:22:40,390 --> 00:22:44,150
YOU GET ANY RESULTS YET
ON OUR PHONE DUMP?
463
00:22:45,260 --> 00:22:47,330
WELL, WHEN THE HELL
WERE YOU GONNA TELL US?!
464
00:22:50,290 --> 00:22:51,820
OH, YEAH?
465
00:22:51,860 --> 00:22:53,200
ALL RIGHT.
466
00:22:53,220 --> 00:22:55,820
I’M SORRY FOR THE MIX‐UP.
467
00:22:55,860 --> 00:22:59,200
WHAT, YOU FIGURE YOU WERE GONNA
CLEAR THIS CASE ON YOUR OWN?!
468
00:22:59,220 --> 00:23:01,420
WHAT ARE YOU TALKING ABOUT?!
469
00:23:01,460 --> 00:23:04,030
GILMORE AT T. A. R. U.
SAYS DETECTIVE CLARK
470
00:23:04,060 --> 00:23:06,500
CALLED TELEPHONE SECURITY
ON OUR PHONE DUMP!
471
00:23:06,520 --> 00:23:08,720
WELL, GILMORE IS FULL OF IT!
472
00:23:08,760 --> 00:23:10,260
I NEVER CALLED ANYONE!
473
00:23:10,290 --> 00:23:12,990
OH, MAN.
474
00:23:13,920 --> 00:23:16,590
[ GROANS ]
475
00:23:16,620 --> 00:23:19,150
[ SIGHS ]
476
00:23:22,620 --> 00:23:23,790
LET ME CALL YOU BACK.
477
00:23:23,820 --> 00:23:25,650
WHAT THE HELL HAPPENED
OUT THERE?
478
00:23:25,690 --> 00:23:29,050
OUR WHOLE CASE IS SCREWED UP,
AND THIS KID HAS GOT TO GO.
479
00:23:29,090 --> 00:23:31,450
LET HIM WORK WITH HIS DAD
UP IN THE BRONX.
480
00:23:31,490 --> 00:23:32,250
WHAT HAPPENED?
481
00:23:32,290 --> 00:23:34,850
THE KID’S OLD MAN,
DUTCH BOY ‐‐
482
00:23:34,890 --> 00:23:37,150
THIS MORON,
HE GOES BACKDOOR,
483
00:23:37,190 --> 00:23:39,920
CALLS TELEPHONE SECURITY DIRECT
ON OUR PHONE DUMP.
484
00:23:39,960 --> 00:23:42,160
HE STARTS CONTACTING
THE SUSPECT’S CO‐WORKERS.
485
00:23:42,190 --> 00:23:44,290
NOW CARLSON HAS LAWYERED UP!
486
00:23:44,320 --> 00:23:46,250
CLARK’S FATHER MADE CALLS
ON YOUR CASE?
487
00:23:46,290 --> 00:23:48,890
YEAH,
HE MADE CALLS ON OUR CASE
488
00:23:48,920 --> 00:23:52,850
TRYING TO SHOW HIS KID
WHAT A GREAT DETECTIVE HE IS,
489
00:23:52,890 --> 00:23:54,820
WHICH HE AIN’T,
AND HE NEVER WAS.
490
00:23:54,860 --> 00:23:57,960
THAT’S WHY HE’S SUCH A PRICK ‐‐
’CAUSE HE KNOWS IT!
491
00:23:57,990 --> 00:23:59,590
YOU WANT ME TO CALL
THE CHIEF OF DETECTIVES?
492
00:23:59,620 --> 00:24:02,150
JUST GET HIM OUT OF HERE
AND WE’LL CALL IT EVEN.
493
00:24:02,190 --> 00:24:04,190
THERE’S NO WAY UNLESS I GO
THROUGH THE CHIEF.
494
00:24:04,220 --> 00:24:06,820
LOOK, I’M NOT LOOKING TO HURT
NOBODY’S CAREER,
495
00:24:06,860 --> 00:24:09,300
BUT THIS ‐‐ I’M NOT GONNA
DEAL WITH THIS.
496
00:24:09,320 --> 00:24:12,020
LET ME TALK TO CLARK.
I’LL PUT A STOP TO IT.
497
00:24:12,060 --> 00:24:16,060
YEAH, BRINGING HIM IN IS REALLY
PULLING THE SQUAD TOGETHER.
498
00:24:29,990 --> 00:24:32,450
[ SIGHS ]
499
00:24:32,490 --> 00:24:34,820
BOSS, THIS IS ON ME.
500
00:24:34,860 --> 00:24:37,130
MY DAD ASKED ME ABOUT THE CASE,
AND I TOLD HIM.
501
00:24:37,160 --> 00:24:39,900
BUT NOT IN A MILLION YEARS DID I
THINK THAT HE WOULD ‐‐
502
00:24:39,920 --> 00:24:41,450
IT WAS ME WHO SCREWED UP.
503
00:24:41,490 --> 00:24:43,490
I WON’T HAVE THIS
IN MY SQUAD.
YOU’RE NOT GONNA.
504
00:24:43,520 --> 00:24:45,750
YOUR DAD’S ON THE JOB,
I RESPECT THAT.
505
00:24:45,790 --> 00:24:48,920
THAT IS THE FIRST TIME
AND THE LAST TIME.
506
00:24:48,960 --> 00:24:50,800
I’M GONNA LOOK
LIKE A REAL ASS
507
00:24:50,820 --> 00:24:52,820
IF I TRUST YOU
AND IT DOESN’T STOP.
508
00:24:52,860 --> 00:24:54,100
YOU WON’T.
509
00:24:54,120 --> 00:24:56,050
IT’S JUST THAT
HE ALWAYS THOUGHT
510
00:24:56,090 --> 00:24:58,250
THAT SOMEDAY
WE’D BE WORKING TOGETHER.
511
00:24:58,290 --> 00:25:00,720
IT HIT HIM HARD
THAT I PICKED HERE.
512
00:25:00,760 --> 00:25:03,160
TELL HIM TO GET OVER IT.
513
00:25:03,190 --> 00:25:05,150
YOU’RE RIGHT, YOU’RE RIGHT.
514
00:25:05,190 --> 00:25:06,950
IS HE
GONNA TAKE A HIT ON THIS?
515
00:25:06,990 --> 00:25:09,920
NOT IF IT DOESN’T
HAPPEN AGAIN.
516
00:25:09,960 --> 00:25:11,760
YOU NEED TO REMEDY
THIS SITUATION
517
00:25:11,790 --> 00:25:16,020
BEFORE IT PUTS A STINK ON YOU
YOU CAN’T GET OFF.
518
00:25:20,020 --> 00:25:22,320
McDowell: OKAY.
519
00:25:22,360 --> 00:25:24,430
THANKS.
520
00:25:25,490 --> 00:25:27,050
[ SIGHS ]
521
00:25:27,090 --> 00:25:29,520
Connie: MRS. CARLSON
JUST WENT DOA.
522
00:25:31,720 --> 00:25:36,350
I’LL GO CHECK WITH THE UNIFORMS,
SEE IF THEY GOT ANYTHING.
523
00:25:36,390 --> 00:25:38,120
DON’T GET LOST.
524
00:25:42,460 --> 00:25:43,800
[ SIGHS ]
525
00:25:46,190 --> 00:25:48,320
WHAT, I’M THE BAD GUY?
526
00:25:48,360 --> 00:25:49,860
DID I SAY ANYTHING?
527
00:26:05,140 --> 00:26:06,710
A ’56?
528
00:26:06,740 --> 00:26:08,310
NOW, YOU’RE SURE?
529
00:26:08,340 --> 00:26:09,810
THAT’S GREAT.
530
00:26:09,840 --> 00:26:12,210
AND WHAT’S YOUR NAME?
531
00:26:12,240 --> 00:26:13,510
DID I HEAR RIGHT?
532
00:26:13,540 --> 00:26:14,540
POOCH?
533
00:26:14,580 --> 00:26:16,180
POOCH IT IS.
534
00:26:16,210 --> 00:26:17,670
I’M GREG.
535
00:26:17,710 --> 00:26:19,970
HOLD THE GUITAR.
I’LL SEE YOU IN A BIT.
536
00:26:20,010 --> 00:26:22,710
INVASION GUITAR GOT ONE IN
THIS MORNING.
537
00:26:22,740 --> 00:26:24,510
ALL RIGHT.
LET’S DO IT.
538
00:26:24,540 --> 00:26:26,270
[ TELEPHONE RINGS ]
539
00:26:26,310 --> 00:26:27,770
15th SQUAD.
540
00:26:27,810 --> 00:26:29,040
John: MAY I HELP YOU?
541
00:26:30,780 --> 00:26:33,950
HIT ON A GUITAR STOLEN
FROM OUR DOA.
542
00:26:33,980 --> 00:26:35,020
DID I ASK?
543
00:26:35,040 --> 00:26:37,840
WELL, YOU WERE JUST
SORT OF STARING.
544
00:26:37,880 --> 00:26:39,580
He just stepped out
for a moment.
545
00:26:39,610 --> 00:26:41,210
Would you like
to leave a message?
546
00:26:41,240 --> 00:26:43,270
JOHN, PUT IT ON HOLD.
PUT IT ON HOLD.
547
00:26:43,310 --> 00:26:44,370
IS THAT FOR THE KID?
548
00:26:44,410 --> 00:26:47,040
WHO IS IT?
549
00:26:47,080 --> 00:26:49,420
HIS FATHER.
550
00:26:49,440 --> 00:26:53,040
I DON’T KNOW IF YOU WERE LOOKING
TO BUTT IN OR TRYING TO HELP
551
00:26:53,080 --> 00:26:55,920
OR YOU’RE STILL THE SAME LOUSY
DETECTIVE YOU’VE ALWAYS BEEN,
552
00:26:55,940 --> 00:26:58,770
BUT YOUR ASSHOLE MOVE
DAMN NEAR SUNK OUR CASE.
553
00:26:58,810 --> 00:27:00,840
IF YOU EVER COME NEAR
THIS SQUAD AGAIN
554
00:27:00,880 --> 00:27:02,820
OR IF YOU EVER
WALK THROUGH THIS DOOR,
555
00:27:02,840 --> 00:27:04,510
I DON’T CARE
WHOSE FATHER YOU ARE
556
00:27:04,540 --> 00:27:05,910
OR IF YOU’RE ESCORTING
THE MAYOR,
557
00:27:05,940 --> 00:27:08,040
I WILL STUFF YOUR HEAD
IN A TRASH CAN
558
00:27:08,080 --> 00:27:09,980
AND I WILL KICK YOU
DOWN THE STAIRS!
559
00:27:17,310 --> 00:27:18,870
I KNOW WHAT MY DAD
DID WAS WRONG,
560
00:27:18,910 --> 00:27:21,840
BUT IF YOU EVER TALK
LIKE THAT TO HIM AGAIN,
561
00:27:21,880 --> 00:27:23,780
YOU’RE GONNA HAVE
TO DEAL WITH ME.
562
00:27:23,810 --> 00:27:26,540
Baldwin: [ CLEARS THROAT ]
COME ON, LET’S GO.
563
00:27:28,440 --> 00:27:30,910
Andy: AREN’T YOU SUPPOSED
TO BE KEEPING YOURSELF
BUSY SOMEWHERE?
564
00:27:30,940 --> 00:27:33,310
YEAH, I GOT SOMETHING
FROM UNIFORM.
565
00:27:33,340 --> 00:27:34,710
IS IT A SECRET?
566
00:27:34,740 --> 00:27:36,610
RADIO RUN,
JUST AFTER 6:00 ‐‐
567
00:27:36,640 --> 00:27:39,410
A DOG‐WALKER REPORTED A
SUSPICIOUS GUY IN THE AREA.
568
00:27:39,440 --> 00:27:41,470
SHE GOT THE PLATES ON HIS CAR.
569
00:27:41,510 --> 00:27:44,010
TURNS OUT THIS GUY JUST
GOT OUT OF THE JOINT ‐‐
570
00:27:44,040 --> 00:27:45,240
KEITH CASEY.
571
00:27:45,280 --> 00:27:47,020
THIS IS HIS SHEET.
572
00:27:47,040 --> 00:27:50,370
FOUR COLLARS FOR BURGLARY,
ONE FOR AGGRAVATED ASSAULT.
573
00:27:50,410 --> 00:27:51,570
HE DID TWO YEARS UPSTATE.
574
00:27:51,610 --> 00:27:52,970
THE ADDRESS ON THERE?
MMM.
575
00:27:53,010 --> 00:27:55,140
LET’S GO.
576
00:27:55,180 --> 00:27:56,550
NO, YOU’RE STAYING.
577
00:27:56,580 --> 00:27:59,220
PUSH YOUR PENCIL AROUND
YOUR DESK OR SOMETHING.
MAKE PATTERNS.
578
00:28:02,110 --> 00:28:05,140
WHO DID WHAT HERE, ANDY, HUH?
IT WASN’T HIS FAULT.
579
00:28:05,180 --> 00:28:06,880
I DON’T WANT HIM AROUND!
580
00:28:06,910 --> 00:28:09,440
HE CAME UP WITH THIS, HE
DESERVES TO BE IN ON IT.
581
00:28:13,140 --> 00:28:14,510
COME ON.
582
00:28:28,010 --> 00:28:30,470
[ BELL RINGS ]
583
00:28:30,510 --> 00:28:31,710
YOU POOCH?
584
00:28:31,740 --> 00:28:34,070
YOU GUYS CALL ABOUT THE
LES PAUL?
YEAH.
585
00:28:34,110 --> 00:28:36,040
WADE.
586
00:28:36,080 --> 00:28:38,180
WE’RE HERE ABOUT
THE ’56 LES PAUL.
587
00:28:38,210 --> 00:28:39,570
COPS, RIGHT?
588
00:28:39,610 --> 00:28:42,040
Greg: HOW’D YOU GUESS?
589
00:28:42,080 --> 00:28:44,420
YEAH, JUST YOUR BASIC ’56
LES PAUL GOLDTOP.
590
00:28:44,440 --> 00:28:46,740
SINGLE‐COIL PICKUPS,
TUNE‐O‐MATIC BRIDGE.
591
00:28:46,780 --> 00:28:48,820
IS THAT AN INSTRUMENT
OR A CAR?
592
00:28:48,840 --> 00:28:50,810
IT’S A GUITAR ‐‐
A NICE ONE ‐‐
593
00:28:50,840 --> 00:28:52,340
WORTH A LOT OF MONEY.
594
00:28:52,380 --> 00:28:54,680
HOW MANY TIMES I GOT
TO APOLOGIZE?
595
00:28:54,710 --> 00:28:56,170
Baldwin: WHERE’S
THE SERIAL NUMBER?
596
00:28:56,210 --> 00:29:00,240
RIGHT HERE, UP ON TOP ON
THE BACK SIDE OF THE HEAD ‐‐
597
00:29:00,280 --> 00:29:01,350
RARE.
598
00:29:01,380 --> 00:29:03,150
WILL YOU STEP OFF MY NUTS
ALREADY?
599
00:29:03,180 --> 00:29:04,880
HOW’D YOU GET IT?
600
00:29:04,910 --> 00:29:07,140
I OPEN UP, THERE’S THIS JUNKIE
TYPE HANGING OUT.
601
00:29:07,180 --> 00:29:08,980
HE’S GOT THIS BABY,
HE WANTS TO DEAL.
602
00:29:09,010 --> 00:29:11,810
DIDN’T CROSS YOUR MIND
MAYBE IT WAS STOLEN ‐‐
603
00:29:11,840 --> 00:29:14,670
WHICH IS WHY YOU’RE
PISSED OFF AT POOCH HERE?
604
00:29:14,710 --> 00:29:17,070
THIS AIN’T A PAWN SHOP.
DUDE’S A MUSICIAN.
605
00:29:17,110 --> 00:29:20,470
SOMETIMES MUSICIANS NEED CASH,
DOPE, RENT, YOU KNOW.
606
00:29:20,510 --> 00:29:23,010
DID YOU DO ANY PAPERWORK
ON THIS TRANSACTION?
607
00:29:23,040 --> 00:29:24,470
YEAH.
608
00:29:24,510 --> 00:29:26,870
COPIED HIS DRIVER’S LICENSE.
609
00:29:28,640 --> 00:29:32,770
CHARLES PRICE ‐‐
2407 WEST 9th.
610
00:29:32,810 --> 00:29:34,540
GOES BY SPIDER.
PLAYS TENOR SAX.
611
00:29:34,580 --> 00:29:36,520
I’VE SEEN HIM
AROUND THE CLUBS.
612
00:29:36,540 --> 00:29:38,840
I FIGURE IF SPIDER’S
OFF‐LOADING HIS AX,
613
00:29:38,880 --> 00:29:41,680
HE MUST BE DESPERATE,
SO I GAVE HIM 1,500.
614
00:29:41,710 --> 00:29:43,910
STOLEN PROPERTY, WADE.
615
00:29:43,940 --> 00:29:46,410
SO, I’M OUT 1,500,
BASICALLY.
616
00:29:46,440 --> 00:29:49,170
WELL, NEXT TIME,
BE MORE CAREFUL.
617
00:29:55,640 --> 00:29:57,640
[ CLEARS THROAT ]
MY DAD WAS A COP.
618
00:29:57,680 --> 00:29:59,520
HE WAS CHIEF
IN SARATOGA SPRINGS.
OH, YEAH?
619
00:29:59,540 --> 00:30:01,570
YOU’D THINK HIM BEING UPSTATE
620
00:30:01,610 --> 00:30:03,340
WOULD STOP HIM BUTTING IN
IN MY WORK,
621
00:30:03,380 --> 00:30:05,380
BUT HE ALWAYS HAD AN OPINION.
622
00:30:05,410 --> 00:30:07,770
HE EVER BLOW
ONE OF YOUR CASES?
623
00:30:07,810 --> 00:30:10,310
NO, ANDY, HE DIDN’T.
624
00:30:10,340 --> 00:30:13,770
STILL, WHEN HE BUTTED IN,
I’M SURE HE MEANT WELL.
625
00:30:13,810 --> 00:30:15,570
TELL THAT
TO A VICTIM’S MOTHER ‐‐
626
00:30:15,610 --> 00:30:17,570
"THE CASE GOT BLOWN
OUT OF STUPIDITY,
627
00:30:17,610 --> 00:30:19,470
BUT ALL INTENTIONS
WERE GOOD."
628
00:30:19,510 --> 00:30:20,610
Man over Radio:
15th SQUAD ON THE AIR.
629
00:30:20,640 --> 00:30:21,970
15th SQUAD STANDING BY.
630
00:30:22,010 --> 00:30:24,010
PERSON AND OTHERS
YOU’RE TRYING TO LOCATE
631
00:30:24,040 --> 00:30:25,440
ARE OUTSIDE BILL’S TAVERN.
632
00:30:25,480 --> 00:30:27,220
10th AND 2nd.
633
00:30:27,240 --> 00:30:28,470
THANKS.
634
00:30:28,510 --> 00:30:30,940
15th SQUAD, 10‐4.
635
00:30:51,680 --> 00:30:55,220
[ POUNDS, DOOR UNLOCKS ]
636
00:30:55,240 --> 00:30:56,340
HEY...CANDY.
637
00:30:56,380 --> 00:30:57,680
WHAT’S GOING ON?
638
00:30:57,710 --> 00:30:59,340
IS SPIDER HERE?
639
00:30:59,380 --> 00:31:00,820
HE’S CRASHED OUT.
WAKE HIM UP.
640
00:31:00,840 --> 00:31:02,770
WHY?
’CAUSE I SAID SO!
641
00:31:02,810 --> 00:31:05,440
WHAT’S GOING ON?
WHY ARE YOU GUYS
SO AGGRO?
642
00:31:09,310 --> 00:31:11,410
GET UP.
643
00:31:11,440 --> 00:31:12,910
WHAT? HEY!
644
00:31:12,940 --> 00:31:15,170
YOU CAN’T JUST COME IN HERE
AND DO THAT!
645
00:31:15,210 --> 00:31:17,470
SPIDER, WHAT’S GOING ON?
646
00:31:17,510 --> 00:31:19,240
I DON’T KNOW
WHAT THESE GUYS WANT.
647
00:31:19,280 --> 00:31:22,080
DON’T YOU HAVE TO HAVE
A WARRANT OR SOMETHING?
648
00:31:22,110 --> 00:31:23,210
YOU’RE COMING, TOO.
649
00:31:23,240 --> 00:31:24,270
WHAT, FOR THE POT?
650
00:31:24,310 --> 00:31:25,410
COME ON, LET’S GO!
651
00:31:25,440 --> 00:31:27,470
THIS IS UNBELIEVABLE.
652
00:31:27,510 --> 00:31:30,510
IT’S A TOUGH TOWN,
HUH, CANDY?
653
00:31:30,540 --> 00:31:32,170
COME ON, MOVE IT!
654
00:31:42,510 --> 00:31:43,770
POLICE. WHAT’S YOUR NAMES?
655
00:31:43,810 --> 00:31:45,810
WHY, WHAT’S THE PROBLEM?
656
00:31:45,840 --> 00:31:47,540
I JUST WANTED TO KNOW
YOUR NAME.
657
00:31:47,580 --> 00:31:48,880
FRANKIE, LIKE SINATRA.
658
00:31:48,910 --> 00:31:50,640
WHAT ARE YOU GONNA DO,
POP US FOR A FEW BEERS?
659
00:31:50,680 --> 00:31:52,220
STAND UP, CASEY.
660
00:31:52,240 --> 00:31:53,970
WE GOTTA TALK.
661
00:31:54,010 --> 00:31:55,170
TAKE A HIKE, FRANKIE.
662
00:31:55,210 --> 00:31:57,010
I’M NOT GOING ANYWHERE.
THIS IS MY STREET.
663
00:31:57,040 --> 00:31:58,240
DO YOURSELF A FAVOR.
664
00:31:58,280 --> 00:32:00,050
I’M NOT GOING ANYWHERE.
665
00:32:04,440 --> 00:32:05,710
YOU’RE TAKING A COLLAR ‐‐
666
00:32:05,740 --> 00:32:08,040
INTERFERING WITH A POLICE
INVESTIGATION.
667
00:32:08,080 --> 00:32:09,280
YOU TOO, KEITH.
668
00:32:09,310 --> 00:32:10,510
LET’S GO.
669
00:32:12,580 --> 00:32:13,980
SO LONG, FELLAS.
670
00:32:32,640 --> 00:32:34,610
[ CHUCKLES ]
671
00:32:34,640 --> 00:32:36,940
SO...WHAT’S GOING ON?
672
00:32:36,980 --> 00:32:40,520
DO YOU KNOW WHAT FLASH BURNS
ARE, SPIDER?
NAH.
673
00:32:40,540 --> 00:32:43,840
IT’S WHAT HAPPENS WHEN
YOU LIGHT A FIRE USING
ACCELERANTS LIKE GAS.
674
00:32:43,880 --> 00:32:46,050
IT’S A QUICK,
SUPERFICIAL BURN ‐‐
675
00:32:46,080 --> 00:32:47,180
VERY DISTINCTIVE.
676
00:32:47,210 --> 00:32:49,610
I DON’T UNDERSTAND ‐‐
677
00:32:49,640 --> 00:32:52,170
PUT YOUR HANDS BACK ON
THE TABLE!
678
00:32:52,210 --> 00:32:54,240
WHAT?
679
00:32:54,280 --> 00:32:57,150
THESE ARE FLASH BURNS.
680
00:32:57,180 --> 00:32:59,650
SEE HOW THE HAIR
ON YOUR RIGHT ARM’S SINGED OFF?
681
00:32:59,680 --> 00:33:00,780
YEAH, I WAS ‐‐
682
00:33:00,810 --> 00:33:02,870
NO, YOU WEREN’T.
683
00:33:02,910 --> 00:33:05,010
FLASH BURNS ON YOUR ARMS,
684
00:33:05,040 --> 00:33:06,770
YOU SOLD CHRISSY’S GUITAR
THIS MORNING ‐‐
685
00:33:06,810 --> 00:33:07,770
IT’S OVER WITH, SPIDER.
686
00:33:07,810 --> 00:33:10,140
YOU’RE ON THE HOOK NOW.
687
00:33:10,180 --> 00:33:12,580
SO THE REST OF OUR TIME
IN THIS ROOM TOGETHER
688
00:33:12,610 --> 00:33:14,610
SHOULD BE SPENT
ON HOW YOU CAN MINIMIZE
689
00:33:14,640 --> 00:33:17,310
THE YEARS YOU’RE
GONNA SPEND IN JAIL.
690
00:33:17,340 --> 00:33:21,070
AND YOU SHOULD START
WITH HOW YOU DIDN’T
MEAN TO KILL CHRISSY,
691
00:33:21,110 --> 00:33:24,170
’CAUSE ANYBODY
THIS SLOPPY AND STUPID
DIDN’T PREMEDITATE IT
692
00:33:24,210 --> 00:33:25,610
I DIDN’T.
693
00:33:25,640 --> 00:33:28,210
GOOD. THAT’S BIG
WHEN IT’S ACCIDENTAL.
694
00:33:28,240 --> 00:33:29,570
IT WAS.
695
00:33:29,610 --> 00:33:31,970
EVERYBODY WAS SUPPOSED TO BE
AT THE GIG,
696
00:33:32,010 --> 00:33:35,040
AND I WENT IN THERE JUST TO GRAB
UP THE JEWELRY.
697
00:33:35,080 --> 00:33:36,280
CHRISSY WALKS IN.
698
00:33:36,310 --> 00:33:38,140
YEAH, AND IT’S 5:00 A. M.
699
00:33:38,180 --> 00:33:39,820
AND I’M TEARING THROUGH
HER NIGHTSTAND.
700
00:33:39,840 --> 00:33:41,210
SHE STARTS SCREAMING.
701
00:33:41,240 --> 00:33:43,270
"SON OF A BITCH!
SON OF A BITCH!"
702
00:33:43,310 --> 00:33:44,540
SOMEBODY HEARS THAT,
703
00:33:44,580 --> 00:33:46,120
THEY’RE GONNA CALL THE COPS,
704
00:33:46,140 --> 00:33:48,140
SO I WAS JUST TRYING
TO SHUT HER UP,
705
00:33:48,180 --> 00:33:51,350
AND THEN, THE NEXT THING I KNOW,
SHE AIN’T BREATHING.
706
00:33:51,380 --> 00:33:52,550
PLUS, YOU GOTTA REALIZE
707
00:33:52,580 --> 00:33:56,580
THAT I’M LIKE OUT OF MY MIND
WASTED THROUGH ALL THIS.
708
00:33:56,610 --> 00:33:59,140
WHAT’D YOU USE TO START
THE FIRE?
709
00:33:59,180 --> 00:34:01,350
JUST SOME NEWSPAPER
AND LIGHTER FLUID.
710
00:34:01,380 --> 00:34:04,620
I KNEW THAT THEY COULD
PROBABLY TRACE THE GUITAR.
711
00:34:04,640 --> 00:34:07,370
I JUST DIDN’T GIVE A DAMN.
I NEEDED A FIX.
712
00:34:07,410 --> 00:34:08,740
OKAY, SO WHAT ABOUT ‐‐
713
00:34:08,780 --> 00:34:11,350
YOU WERE SAYING
ABOUT KNOCKING TIME OFF,
714
00:34:11,380 --> 00:34:14,280
’CAUSE I CAN’T DO ANY MORE
THAN I HAVE TO.
715
00:34:14,310 --> 00:34:16,310
WELL,
THERE WAS NO FORCED ENTRY,
716
00:34:16,340 --> 00:34:20,010
SO IF YOU KNOW ANYBODY
WHO HAD ACCESS TO THE APARTMENT
717
00:34:20,040 --> 00:34:21,910
AND GAVE YOU A KEY,
718
00:34:21,940 --> 00:34:24,810
TELL US,
’CAUSE THAT’LL HELP YOU.
719
00:34:24,840 --> 00:34:26,240
MAN!
720
00:34:26,280 --> 00:34:27,820
DID CANDY GIVE YOU THE KEY?
721
00:34:27,840 --> 00:34:29,170
[ SIGHS ]
722
00:34:29,210 --> 00:34:30,310
SALLY.
723
00:34:30,340 --> 00:34:32,340
THE ROOMMATE.
724
00:34:32,380 --> 00:34:33,380
YEAH.
725
00:34:33,410 --> 00:34:35,340
LISTEN...
726
00:34:35,380 --> 00:34:37,950
I WAS ABUSED AS A KID, TOO.
727
00:34:37,980 --> 00:34:39,280
MM‐HMM.
728
00:34:39,310 --> 00:34:43,170
AND I’VE HAD A REAL SERIOUS DRUG
PROBLEM FOR, LIKE, 10 YEARS.
729
00:34:43,210 --> 00:34:46,540
YOU THINK
THAT’S GONNA HELP ME?
730
00:34:46,580 --> 00:34:49,820
OH, YEAH. YEAH,
THAT’S ALWAYS A PLUS.
731
00:34:49,840 --> 00:34:51,170
YEAH.
732
00:34:53,180 --> 00:34:54,550
Tony: WHAT HAPPENED?
733
00:34:54,580 --> 00:34:56,720
THIS SPIDER, HE DID IT.
734
00:34:56,740 --> 00:34:58,270
HIS GIRLFRIEND SET HIM UP?
735
00:34:58,310 --> 00:34:59,870
NO, THE DOA’s ROOMMATE, SALLY.
736
00:34:59,910 --> 00:35:01,940
YEAH, SHE GAVE HIM A KEY,
737
00:35:01,980 --> 00:35:04,650
ARRANGED FOR THE DOA TO BE OUT
OF THE APARTMENT,
738
00:35:04,680 --> 00:35:07,220
BUT CHRISSY CAME HOME EARLY,
WALKED IN ON IT.
739
00:35:07,240 --> 00:35:09,440
HEY, CONNIE, YOU
BUILD A RAPPORT WITH SALLY?
740
00:35:09,480 --> 00:35:10,580
YEAH.
741
00:35:10,610 --> 00:35:11,970
ALL RIGHT, I’LL PAGE HER.
742
00:35:13,810 --> 00:35:15,570
SO, SHOULD WE KICK CANDY?
743
00:35:15,610 --> 00:35:18,740
UH, AS SOON AS WE
GET SALLY ON THE WAY IN.
744
00:35:18,780 --> 00:35:22,250
SO, HOW ARE WE
GONNA GO AT THIS GUY?
745
00:35:22,280 --> 00:35:26,050
YOU’RE RESPONSIBLE FOR FINDING
HIM, YOU TAKE THE INTERVIEW.
746
00:35:26,080 --> 00:35:28,150
OKAY.
747
00:35:28,180 --> 00:35:30,950
UNLESS YOU FEEL
YOU’RE NOT READY
OR YOU CAN’T HANDLE IT ‐‐
748
00:35:30,980 --> 00:35:31,780
I’M READY.
749
00:35:31,810 --> 00:35:33,940
GOOD, THEN TAKE IT.
750
00:35:41,140 --> 00:35:44,110
YOU’RE NOT SETTING
THIS KID UP TO FAIL, ARE YOU?
751
00:35:44,140 --> 00:35:46,210
I’M GIVING HIM
THE OPPORTUNITY
TO DO HIS JOB,
752
00:35:46,240 --> 00:35:48,570
OR IS THIS A DETECTIVE
TRAINING SCHOOL HERE?
753
00:35:48,610 --> 00:35:50,470
YOU GONNA BE LOOKING IN?
YEAH.
754
00:35:50,510 --> 00:35:53,170
HE STUMBLES,
GET YOUR ASS IN THERE.
755
00:35:55,810 --> 00:35:58,570
ISN’T THIS OVERKILL FOR
DRINKING A BEER IN PUBLIC?
756
00:35:58,610 --> 00:36:00,640
YOU THINK THAT’S WHAT
THIS IS ABOUT?
757
00:36:02,040 --> 00:36:03,510
HAVE A SEAT.
758
00:36:07,810 --> 00:36:09,610
WHERE WERE YOU THIS MORNING?
759
00:36:09,640 --> 00:36:11,510
I DIDN’T GET UP TILL NOON.
760
00:36:11,540 --> 00:36:13,010
OKAY, NOW THAT’S BAD.
761
00:36:13,040 --> 00:36:15,940
’CAUSE I KNOW YOU WERE AT
13th STREET THIS MORNING.
762
00:36:15,980 --> 00:36:18,680
WHAT WE GOTTA FIGURE OUT
IS WHAT WENT WRONG
763
00:36:18,710 --> 00:36:20,840
WHEN YOU WENT
IN THAT APARTMENT.
764
00:36:20,880 --> 00:36:22,920
MAYBE WE SHOULD FIGURE OUT WHAT
THE HELL YOU’RE TALKING ABOUT.
765
00:36:22,940 --> 00:36:25,070
YOU KNOW YOU
WERE THERE, KEITH.
766
00:36:25,110 --> 00:36:28,670
THE NEXT STEP WOULD BE
TO PULL SOME HAIR SAMPLES
767
00:36:28,710 --> 00:36:30,510
AND GET SOME FINGERPRINTS,
768
00:36:30,540 --> 00:36:33,270
BUT WE GOT A MUCH
BIGGER PROBLEM AT HAND.
769
00:36:33,310 --> 00:36:34,270
OH, YEAH?
770
00:36:34,310 --> 00:36:35,840
LAY IT ON ME.
771
00:36:35,880 --> 00:36:40,520
THE WOMAN ‐‐ WHO LAST I HEARD
IS RECOVERING AT BELLEVUE ‐‐
772
00:36:40,540 --> 00:36:43,040
HER BROTHER IS A COP.
773
00:36:43,080 --> 00:36:45,050
AND HE’S ON HIS WAY
DOWN HERE FROM THE BRONX.
774
00:36:45,080 --> 00:36:47,250
HE’S THE BIGGER PROBLEM
I’M TALKING ABOUT.
775
00:36:47,280 --> 00:36:50,480
YOU KNOW, THIS IS ‐‐ I MEAN,
I DIDN’T DO NOTHING!
776
00:36:50,510 --> 00:36:51,970
KEITH, IF YOU
KEEP DICKING WITH ME,
777
00:36:52,010 --> 00:36:54,070
I GOT NO CHOICE
BUT TO PUT YOU
BACK IN THE CAGE,
778
00:36:54,110 --> 00:36:56,010
GO OUTSIDE, AND WAIT
FOR HIM TO SHOW UP.
779
00:36:56,040 --> 00:36:58,370
THEN EVERY COP ON DUTY
IS GONNA TAKE AN EARLY DINNER,
780
00:36:58,410 --> 00:37:02,010
AND HE’S GONNA COME IN HERE
WITH A COUPLE OF HIS BOYS
781
00:37:02,040 --> 00:37:03,210
AND PULL THE SHADE.
782
00:37:04,680 --> 00:37:06,220
NOW, I KNOW YOU’VE DONE TIME,
783
00:37:06,240 --> 00:37:08,840
BUT HE’LL PUT YOU
THROUGH SOMETHING
784
00:37:08,880 --> 00:37:11,780
YOU’VE NEVER BEEN THROUGH
BEFORE, BELIEVE ME.
785
00:37:11,810 --> 00:37:15,340
NOW, WHAT I CAN DO
FOR YOU RIGHT NOW
786
00:37:15,380 --> 00:37:17,420
IS GET YOUR STATEMENT HOW
THIS WAS A ROBBERY,
787
00:37:17,440 --> 00:37:21,010
AND HIS SISTER, YOU KNOW, CAME
AT YOU OR I DON’T KNOW WHAT,
788
00:37:21,040 --> 00:37:23,240
BUT IT WENT BAD,
AND YOU REACTED,
789
00:37:23,280 --> 00:37:25,750
AND YOU DIDN’T WANT IT
TO GO THAT FAR.
790
00:37:25,780 --> 00:37:28,380
AND IF I CAN GET YOUR
STATEMENT, I CAN GET YOU
OUT OF HERE.
791
00:37:28,410 --> 00:37:31,040
DOWN TO CENTRAL BOOKING
WHERE YOU’LL BE IN FRONT
OF OTHER PEOPLE.
792
00:37:31,080 --> 00:37:32,850
AND THIS COP
WON’T HAVE ACCESS TO YOU.
793
00:37:32,880 --> 00:37:35,920
UNTIL THEN, YOU’RE MARKED.
794
00:37:38,540 --> 00:37:39,670
WHAT’S IT GONNA BE?
795
00:37:39,710 --> 00:37:41,610
ANYBODY TOUCHES ME,
I’LL SUE THE CITY.
796
00:37:41,640 --> 00:37:42,840
HE’LL SAY YOU RESISTED.
797
00:37:42,880 --> 00:37:44,880
HE’LL PLANT A SHANK
IN YOUR HAND.
798
00:37:44,910 --> 00:37:46,940
THAT’S WHAT I’D DO
IF IT WAS MY SISTER.
799
00:37:46,980 --> 00:37:49,480
WHY DO YOU EVEN GIVE A DAMN
IF I GET TORTURED OR NOT?
800
00:37:49,510 --> 00:37:50,810
I’M NOT GONNA LIE TO YOU.
801
00:37:50,840 --> 00:37:53,210
I’M DOING THIS AS MUCH
FOR HIM AS I AM FOR YOU.
802
00:37:53,240 --> 00:37:55,710
HE DOESN’T NEED TO RISK
HIS CAREER OVER THIS.
803
00:37:55,740 --> 00:37:57,440
I OWE A FELLOW COP THAT MUCH.
804
00:37:57,480 --> 00:37:58,880
WHAT WOULD I BE LOOKING AT
805
00:37:58,910 --> 00:38:01,240
IF IT WAS A ROBBERY
THAT GOT OUT OF HAND?
806
00:38:01,280 --> 00:38:03,720
I KNOW WHAT YOU’LL BE
LOOKING AT IN 15 MINUTES
807
00:38:03,740 --> 00:38:04,870
IF YOU DON’T MEET ME HALFWAY.
808
00:38:10,510 --> 00:38:12,240
OKAY, OKAY.
809
00:38:12,280 --> 00:38:13,750
THAT’S WHAT IT WAS.
810
00:38:13,780 --> 00:38:16,180
I‐I DIDN’T MEAN TO STAB HER.
811
00:38:16,210 --> 00:38:19,110
I WAS JUST OUT LOOKING
FOR A PLACE TO TAKE OFF.
812
00:38:19,140 --> 00:38:20,510
I SAW THIS GUY SPLIT.
813
00:38:20,540 --> 00:38:23,170
I TRIED THE DOOR,
HE LEFT IT OPEN.
814
00:38:23,210 --> 00:38:24,740
I‐I WENT IN.
815
00:38:24,780 --> 00:38:27,480
THIS LADY, SHE CAME AT ME,
YOU KNOW?
816
00:38:27,510 --> 00:38:29,240
I DID WHAT I HAD TO DO.
817
00:38:29,280 --> 00:38:31,050
THAT’S THE WHOLE THING.
818
00:38:31,080 --> 00:38:32,420
ALL RIGHT.
819
00:38:32,440 --> 00:38:33,970
WHERE ARE YOU GOING?
820
00:38:34,010 --> 00:38:37,640
I’M GONNA GET YOU A PAD AND PEN
SO YOU CAN WRITE IT DOWN.
821
00:38:39,980 --> 00:38:41,050
LET’S GO.
822
00:38:51,380 --> 00:38:53,320
DID YOU FIND OUT ANYTHING?
823
00:38:53,340 --> 00:38:55,240
A COUPLE THINGS, YEAH.
824
00:38:55,280 --> 00:38:56,450
LIKE WHAT?
825
00:38:56,480 --> 00:38:58,150
LIKE HOW YOU
GAVE SPIDER YOUR KEY.
826
00:38:58,180 --> 00:38:59,450
I NEVER GAVE HIM A KEY.
827
00:38:59,480 --> 00:39:01,250
AT THIS POINT,
LYING ABOUT WHAT YOU DID,
828
00:39:01,280 --> 00:39:03,120
THAT’S LIKE SPITTING
ON YOUR FRIEND’S GRAVE.
829
00:39:03,140 --> 00:39:04,670
DON’T DO IT.
830
00:39:04,710 --> 00:39:06,970
AM I GONNA GO TO JAIL?
831
00:39:07,010 --> 00:39:09,570
HOW’D YOU GET HOOKED UP
WITH SPIDER?
832
00:39:09,610 --> 00:39:12,070
I MET HIM THROUGH CANDY.
833
00:39:12,110 --> 00:39:13,870
AND...I WAS LONELY.
834
00:39:13,910 --> 00:39:16,070
WHOSE IDEA WAS THIS?
HIS.
835
00:39:17,480 --> 00:39:20,150
THE MONEY I SAVED RAN OUT.
836
00:39:21,740 --> 00:39:24,410
ME AND CHRISSY THOUGHT
WE’D MAKE IT RIGHT AWAY ‐‐
837
00:39:24,440 --> 00:39:25,910
BE STARS BY NOW, YOU KNOW?
838
00:39:25,940 --> 00:39:28,670
AND CHRISSY’S DAD PAID MY
SHARE FOR A FEW MONTHS,
839
00:39:28,710 --> 00:39:30,210
BUT THEN, A FEW WEEKS AGO,
840
00:39:30,240 --> 00:39:33,310
HE TOLD CHRISSY TO TELL ME
I HAD TO SUPPORT MYSELF.
841
00:39:33,340 --> 00:39:34,910
THAT PISS YOU OFF?
842
00:39:34,940 --> 00:39:39,340
NO. I MEAN, MAYBE A LITTLE,
BUT I DIDN’T BLAME HER.
843
00:39:39,380 --> 00:39:41,480
SHE’S MY BEST FRIEND.
844
00:39:41,510 --> 00:39:44,270
BUT I DIDN’T HAVE ANY MONEY,
845
00:39:44,310 --> 00:39:45,540
AND SPIDER’S LIKE,
846
00:39:45,580 --> 00:39:48,680
"CHRISSY’S DAD’S RICH.
HE’LL NEVER MISS IT."
847
00:39:48,710 --> 00:39:51,670
THEN WE WERE GONNA
HEAD DOWN TO RALEIGH.
848
00:39:51,710 --> 00:39:54,070
I GUESS THERE’S
A COOL SCENE THERE,
849
00:39:54,110 --> 00:39:57,610
’CAUSE IT WASN’T WORKING HERE,
FOR EITHER ONE OF US.
850
00:39:57,640 --> 00:40:00,370
DID SPIDER SAY WHY
HE KILLED HER?
851
00:40:00,410 --> 00:40:01,970
HE TELL YOU
WHY HE WAS GOING TO?
852
00:40:02,010 --> 00:40:05,910
HE TOLD ME HE WAS JUST GONNA
TAKE HER JEWELRY AND PAWN IT!
853
00:40:05,940 --> 00:40:08,870
I DIDN’T KNOW IT
WAS GONNA GO THIS FAR.
854
00:40:08,910 --> 00:40:10,210
[ SOBS ]
855
00:40:10,240 --> 00:40:11,670
ALL RIGHT.
856
00:40:11,710 --> 00:40:14,170
I’LL GET YOU A LEGAL AID
ATTORNEY WHO CAN HELP YOU OUT.
857
00:40:14,210 --> 00:40:19,970
I’D DO ANYTHING
TO TAKE ALL THIS BACK!
858
00:40:25,640 --> 00:40:27,510
CENTRAL BOOKING’S BACKED UP,
859
00:40:27,540 --> 00:40:30,140
SO A UNIFORM IS GONNA
LODGE HIM OVERNIGHT.
860
00:40:30,180 --> 00:40:33,820
SO I GUESS WE’LL HOLD OFF
ON PAPERWORK UNTIL TOMORROW.
861
00:40:33,840 --> 00:40:35,370
YEAH.
862
00:40:35,410 --> 00:40:36,810
SO WE’RE DONE.
863
00:40:39,610 --> 00:40:40,870
HOW’D YOU DO?
864
00:40:40,910 --> 00:40:43,540
SHE WENT.
865
00:40:43,580 --> 00:40:44,950
JOSH IS SITTING WITH HER,
866
00:40:44,980 --> 00:40:47,450
BUT I GOTTA MAKE SURE SHE’S
KEPT ON A SUICIDE WATCH.
867
00:40:47,480 --> 00:40:49,720
I’LL TAKE CARE OF IT.
868
00:40:52,580 --> 00:40:53,680
[ SIGHS ]
869
00:40:53,710 --> 00:40:56,410
NEXT TIME,
KEEP THAT OUT OF THE ROOM.
870
00:40:56,440 --> 00:40:58,570
THE PAD?
871
00:40:58,610 --> 00:41:01,140
MAKES A SUSPECT NERVOUS,
AND IF YOU WRITE,
872
00:41:01,180 --> 00:41:04,550
HE’LL THINK EVERYTHING HE’S
SAYING IS CARVED IN GRANITE.
873
00:41:07,380 --> 00:41:09,050
OKAY.
874
00:41:10,840 --> 00:41:14,270
UH, WE WERE GONNA STOP AT MAC’S
BEFORE HEADING HOME.
875
00:41:14,310 --> 00:41:16,610
WHY DON’T YOU JOIN US?
876
00:41:16,640 --> 00:41:18,940
YEAH, MAYBE I WILL.
877
00:41:20,540 --> 00:41:22,510
COMING, ANDY?
878
00:41:22,540 --> 00:41:24,610
NO, MEDAVOY.
879
00:41:24,640 --> 00:41:26,870
WE WERE THINKING
ABOUT TOASTING DANNY,
880
00:41:26,910 --> 00:41:29,010
AND SINCE
IT’S BEEN A ROUGH DAY,
881
00:41:29,040 --> 00:41:32,640
WE THOUGHT IT MIGHT BE GOOD
TO HAVE A LAUGH.
882
00:41:35,940 --> 00:41:36,970
[ GRUNTS ]
883
00:41:57,680 --> 00:42:00,180
HERE WE GO.
884
00:42:00,210 --> 00:42:01,840
GREAT.
885
00:42:01,880 --> 00:42:04,150
BEER FOR ME,
DRAFT FOR YOU.
886
00:42:04,180 --> 00:42:05,220
THANK YOU.
887
00:42:06,510 --> 00:42:08,840
THANKS.
888
00:42:08,880 --> 00:42:11,650
SO, INSTEAD OF JUST
TOASTING DANNY,
889
00:42:11,680 --> 00:42:16,720
WE GO AROUND THE TABLE
AND RECOUNT FOND MEMORIES.
890
00:42:16,740 --> 00:42:18,770
JOHN EXEMPT, OF COURSE.
891
00:42:19,980 --> 00:42:23,980
LET’S TOAST HIM
AND RECOUNT IN PRIVATE.
892
00:42:26,540 --> 00:42:29,240
TO DANNY.
893
00:42:29,280 --> 00:42:31,120
AND A FRESH START.
894
00:42:31,140 --> 00:42:34,310
AND HOW ABOUT SOMEONE’S FIRST
HOMICIDE COLLAR, HUH?
895
00:42:34,340 --> 00:42:35,440
YEAH.
HEAR, HEAR.
896
00:42:38,810 --> 00:42:41,840
[ CLEARS THROAT ]
EXCUSE ME.
897
00:42:41,880 --> 00:42:44,480
I’M SORRY TO INTERRUPT.
898
00:42:44,510 --> 00:42:46,340
POP...
WHAT ARE YOU DOING HERE?
899
00:42:46,380 --> 00:42:48,320
WE’RE GOING HOME.
LET’S GO.
900
00:42:48,340 --> 00:42:49,610
WHAT ARE YOU TALKING ABOUT?
901
00:42:49,640 --> 00:42:51,070
DAD, I JUST GOT HERE.
902
00:42:51,110 --> 00:42:51,870
NOW YOU’RE LEAVING.
903
00:42:51,910 --> 00:42:53,510
OKAY, WHAT’S THE PROBLEM?
904
00:42:53,540 --> 00:42:55,440
YOU’RE NOT A DRUNK.
I WON’T LET HIM
TURN YOU INTO ONE.
905
00:42:55,480 --> 00:42:57,020
GET OUT OF HERE, CLARK.
906
00:42:57,040 --> 00:42:58,670
SHUT YOUR MOUTH.
907
00:42:58,710 --> 00:43:01,170
IF YOUR KID WANTS TO FOLLOW,
HE WILL, BUT YOU LEAVE NOW.
908
00:43:01,210 --> 00:43:03,010
SHUT UP, YOU MISERABLE DRUNK.
909
00:43:03,040 --> 00:43:04,170
YOU GOTTA GO NOW.
910
00:43:04,210 --> 00:43:05,840
GET AWAY FROM ME, JOHN.
911
00:43:05,880 --> 00:43:07,880
GET YOUR HANDS OFF ME.
WE’LL TALK AT HOME.
912
00:43:07,910 --> 00:43:09,510
GET YOUR JACKET.
GET OUTTA HERE.
913
00:43:09,540 --> 00:43:10,670
BACK OFF.
914
00:43:10,710 --> 00:43:12,010
DAD, GET OUTTA HERE!
915
00:43:12,040 --> 00:43:14,510
THAT’S IT!
IT’S OVER, ALL RIGHT!
916
00:43:14,540 --> 00:43:16,870
DAD, GET OUTTA HERE NOW
917
00:43:16,910 --> 00:43:19,070
BEFORE I DO SOMETHING
I’M GONNA REGRET.
918
00:43:19,110 --> 00:43:21,170
[ SIGHS ]
919
00:43:22,680 --> 00:43:24,620
I HOPE YOU’RE HAPPY.
920
00:43:24,640 --> 00:43:26,710
I HOPE YOU’RE
PLEASED WITH YOURSELF.
921
00:43:39,510 --> 00:43:41,240
I’M SORRY.
922
00:43:41,280 --> 00:43:42,980
[ SIGHS ]
923
00:43:43,010 --> 00:43:44,340
THIS IS GREAT.
924
00:43:44,380 --> 00:43:46,680
THIS IS REALLY GREAT.
925
00:44:10,210 --> 00:44:12,040
♪ ♪
67098
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